diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000000000000000000000000000000000000..bed0738c7eeb449bca98b5d2f33c89a1ee56349a --- /dev/null +++ b/.gitattributes @@ -0,0 +1,60 @@ +*.7z filter=lfs diff=lfs merge=lfs -text +*.arrow filter=lfs diff=lfs merge=lfs -text +*.avro filter=lfs diff=lfs merge=lfs -text +*.bin filter=lfs diff=lfs merge=lfs -text +*.bz2 filter=lfs diff=lfs merge=lfs -text +*.ckpt filter=lfs diff=lfs merge=lfs -text +*.ftz filter=lfs diff=lfs merge=lfs -text +*.gz filter=lfs diff=lfs merge=lfs -text +*.h5 filter=lfs diff=lfs merge=lfs -text +*.joblib filter=lfs diff=lfs merge=lfs -text +*.lfs.* filter=lfs diff=lfs merge=lfs -text +*.lz4 filter=lfs diff=lfs merge=lfs -text +*.mds filter=lfs diff=lfs merge=lfs -text +*.mlmodel filter=lfs diff=lfs merge=lfs -text +*.model filter=lfs diff=lfs merge=lfs -text +*.msgpack filter=lfs diff=lfs merge=lfs -text +*.npy filter=lfs diff=lfs merge=lfs -text +*.npz filter=lfs diff=lfs merge=lfs -text +*.onnx filter=lfs diff=lfs merge=lfs -text +*.ot filter=lfs diff=lfs merge=lfs -text +*.parquet filter=lfs diff=lfs merge=lfs -text +*.pb filter=lfs diff=lfs merge=lfs -text +*.pickle filter=lfs diff=lfs merge=lfs -text +*.pkl filter=lfs diff=lfs merge=lfs -text +*.pt filter=lfs diff=lfs merge=lfs -text +*.pth filter=lfs diff=lfs merge=lfs -text +*.rar filter=lfs diff=lfs merge=lfs -text +*.safetensors filter=lfs diff=lfs merge=lfs -text +saved_model/**/* filter=lfs diff=lfs merge=lfs -text +*.tar.* filter=lfs diff=lfs merge=lfs -text +*.tar filter=lfs diff=lfs merge=lfs -text +*.tflite filter=lfs diff=lfs merge=lfs -text +*.tgz filter=lfs diff=lfs merge=lfs -text +*.wasm filter=lfs diff=lfs merge=lfs -text +*.xz filter=lfs diff=lfs merge=lfs -text +*.zip filter=lfs diff=lfs merge=lfs -text +*.zst filter=lfs diff=lfs merge=lfs -text +*tfevents* filter=lfs diff=lfs merge=lfs -text +# Audio files - uncompressed +*.pcm filter=lfs diff=lfs merge=lfs -text +*.sam filter=lfs diff=lfs merge=lfs -text +*.raw filter=lfs diff=lfs merge=lfs -text +# Audio files - compressed +*.aac filter=lfs diff=lfs merge=lfs -text +*.flac filter=lfs diff=lfs merge=lfs -text +*.mp3 filter=lfs diff=lfs merge=lfs -text +*.ogg filter=lfs diff=lfs merge=lfs -text +*.wav filter=lfs diff=lfs merge=lfs -text +# Image files - uncompressed +*.bmp filter=lfs diff=lfs merge=lfs -text +*.gif filter=lfs diff=lfs merge=lfs -text +*.png filter=lfs diff=lfs merge=lfs -text +*.tiff filter=lfs diff=lfs merge=lfs -text +# Image files - compressed +*.jpg filter=lfs diff=lfs merge=lfs -text +*.jpeg filter=lfs diff=lfs merge=lfs -text +*.webp filter=lfs diff=lfs merge=lfs -text +# Video files - compressed +*.mp4 filter=lfs diff=lfs merge=lfs -text +*.webm filter=lfs diff=lfs merge=lfs -text diff --git a/LICENSE b/LICENSE new file mode 100644 index 0000000000000000000000000000000000000000..e436ac6f232be5185b79f8c5736b59f19c8718ad --- /dev/null +++ b/LICENSE @@ -0,0 +1,21 @@ +MIT License + +Copyright (c) 2026 VA-Judger-Bench contributors + +Permission is hereby granted, free of charge, to any person obtaining a copy +of this software and associated documentation files (the "Software"), to deal +in the Software without restriction, including without limitation the rights +to use, copy, modify, merge, publish, distribute, sublicense, and/or sell +copies of the Software, and to permit persons to whom the Software is +furnished to do so, subject to the following conditions: + +The above copyright notice and this permission notice shall be included in all +copies or substantial portions of the Software. + +THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR +IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY, +FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE +AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER +LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, +OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE +SOFTWARE. diff --git a/README.md b/README.md new file mode 100644 index 0000000000000000000000000000000000000000..f9a0368a42e9bee8d7c34ff233d9e7cbc35f141b --- /dev/null +++ b/README.md @@ -0,0 +1,49 @@ +--- +license: mit +--- + +# VA-Judger-Bench + +VA-Judger-Bench is a paired audio/video preference benchmark with 1,150 cases: + +- `easy`: 400 cases +- `indomain`: 250 cases +- `outdomain`: 500 cases + +## Layout + +Each split contains `data.jsonl` and a `videos/` directory. All video paths are +relative to the split directory. + +```text +VA-Judger-Bench/ +├── README.md +├── easy/ +│ ├── data.jsonl +│ └── videos/ +├── indomain/ +│ ├── data.jsonl +│ └── videos/ +└── outdomain/ + ├── data.jsonl + └── videos/ +``` + +## Record format + +```json +{ + "case_id": "stable unique case identifier", + "text_prompt": "generation prompt", + "video_1_relative_path": "videos/example1.mp4", + "video_2_relative_path": "videos/example2.mp4", + "human_preference_answer": "video 1 is better", +} +``` + +`human_preference_answer` is either `video 1 is better` or +`video 2 is better`. Use `case_id`, not `sample_id`, when joining records. + +## Licensing + +This dataset is released under the MIT License. diff --git a/easy/data.jsonl b/easy/data.jsonl new file mode 100644 index 0000000000000000000000000000000000000000..9a9c68bc0d916af631fe78d2971641c631a9b371 --- /dev/null +++ b/easy/data.jsonl @@ -0,0 +1,400 @@ +{"case_id":"ovi_davinci/multitalker/multitalker_1/example.json::00000043","text_prompt":"A cinematic domestic scene opens in a steady medium-wide shot, framed in 16:9, with warm, soft key lighting from a table lamp that creates a homely atmosphere and minimal shadows across wood-panelled walls adorned with framed family photographs and a floral print. The colour palette leans into earthy reds, browns, and muted greens, establishing a cozy, nostalgic mood. In the foreground, a red-and-white checkered sofa draped with a multicoloured crocheted throw anchors the composition. An older teenage boy with shoulder-length wavy brown hair reclines comfortably, his right leg crossed over his left knee. Dressed in a light-grey graphic T-shirt, loose blue jeans, and black high-top sneakers, he holds a black TV remote loosely while a white bowl of popcorn rests on his lap. Beside him, a younger pre-teen boy in a blue-green-yellow plaid shirt and dark jeans bends forward, rummaging beneath the cushions and shifting pillows. Only the faint rustle of fabric breaks the quiet as the older boy turns his head, curiosity softening his expression.\n\n\"What are you looking for?\" the older boy asks, his voice calm, mid-range, and lightly teasing. The younger boy straightens up, clutching a folded red blanket, and answers quietly but firmly, \"A brooch.\" The older boy tilts his head, genuinely puzzled, and replies, \"What's a brooch?\" The camera responds with a subtle push-in, tightening the frame around their faces to emphasise the moment of confusion. As the younger boy begins to explain, \"It's a piece of jewelry used to fasten clothes or hold fabric together,\" his voice trails off naturally, leaving the question hanging in the still air. The moderate depth of field keeps both boys sharp while softly blurring the dark wooden hutch and scattered domestic props, reinforcing the quiet generational distance hinted at by the unfamiliar term. No background music plays; the scene rests entirely on their exchange and the gentle, ambient sounds of a quiet afternoon at home.","video_1_relative_path":"videos/cdc479cd0429d154.mp4","video_2_relative_path":"videos/e9e9c918eca74556.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_10/example.json::00000045","text_prompt":"Fantasy school drama scene, static medium-close shot, shallow depth of field, soft even frontal lighting casting faint shadows against a brown textured wall of large rectangular tiles. Three young men in matching purple uniforms with silver epaulettes, double-breasted buttons, and high collars stand together, the crest on the rightmost figure’s chest displaying a gold-and-silver shield topped with a golden sun over a blue wavy band. The man on the right lowers his gaze, brow furrowed, lips pressed in concern, while the central figure cradles a small light-wooden device adorned with a yellow cord and a turquoise-green charm that glows faintly green. A low, tense orchestral underscore of sustained minor-string notes fades in as a male with a mid-to-high tenor voice, speaking in urgent, slightly breathy Standard Mandarin, states, \"就醒过来了。\" The central figure looks up with widened eyes, then glances down at the wooden device, his expression shifting from surprise to anxious agreement.\n\nThe rightmost figure lifts his head, turns fully toward his companion, and raises both hands to chest level with palms open and fingers splayed, his tone growing more emphatic as he continues, \"这样听起来问题还是很大。\" He nods once, jaw tightening, and adds with resolute conviction, \"我觉得要把米雅星的状况告诉费斯特校长。\" The central figure listens intently, brows knitted, while a partially visible third man on the far left remains motionless, observing in silence. The camera stays locked off, holding the shallow focus on their faces and subtle hand movements, allowing the restrained string score to sustain its subdued tension without swelling. The three hold their positions for a beat, the unresolved atmosphere and lingering musical note underscoring the gravity of the situation before the scene fades to black.","video_1_relative_path":"videos/134c3a11b00e52ef.mp4","video_2_relative_path":"videos/a2c452e525fbf305.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_11/example.json::00000034","text_prompt":"Opening on a medium close-up under soft, overcast daylight, a young East Asian woman stands on a paved suburban driveway, her dark hair tied in a low ponytail beneath a white baseball cap bearing a black interlocking “SF” logo. She wears a light-grey hoodie layered under a shiny sky-blue sleeveless puffer vest, and a calm, neutral female Mandarin voice begins, stating “四个人坐下来打打麻将，还可以促进一下感情。” The camera holds a steady, shallow focus that gently blurs the out-of-focus trees and brick garage door behind her, keeping the mood intimate and grounded. A reverse over-the-shoulder shot then reveals the man she is addressing, an East Asian adult in a black “SF” cap, blue-and-white plaid shirt, and beige quilted vest, with a white pickup truck parked softly out of focus in the background. His attentive expression melts into a broad, warmly amused smile as a warm, affectionate male Mandarin voice replies with a light chuckle, “我怎么有个这么优秀的太太呀？”\n\nThe frame naturally widens to a full family tableau beside a silver Subaru SUV, its chrome “HERCULES” badge catching the diffuse light, while a small child in a bright-blue puffer jacket clings to the woman’s left leg, clutching a pale stuffed toy. The man steps forward, rests his hands on her shoulders, and pulls her into a brief, heartfelt embrace, and a half-teasing, sentimental male Mandarin voice murmurs, “要是没有了你我该怎么办？” The scene is bathed in even, shadowless daylight, with a cool palette of muted greys, blues, and earthy browns punctuated only by the child’s vivid jacket and the subtle greenery beyond a neat white picket fence. Minimal ambient sound underscores the quiet domesticity as the trio lingers in this warm, slice-of-life moment, the camera remaining static and intimate throughout to preserve the unspoken tenderness of the exchange.","video_1_relative_path":"videos/ece0eee6b4f8316a.mp4","video_2_relative_path":"videos/1e2118040ada121b.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_11/example.json::00000052","text_prompt":"Shot in a locked-off 16:9 medium two-shot at eye level, the scene unfolds on a quiet roadside at night, bathed in the cool, hard-edged glow of a single overhead streetlamp. The low-key lighting carves pronounced chiaroscuro across the frame, casting long shadows against the asphalt while the background dissolves into near-black. A shallow depth of field keeps the subjects crisp, softening the distant foliage, and the desaturated earth tones of the surroundings contrast sharply with the lamp’s pale illumination. In the foreground, a blonde woman in her early thirties stands rigid, wearing a pale short-sleeved button-down with pens tucked in the breast pocket, a lit cigarette held between her fingers. Behind her and slightly to the left, a man in his mid-thirties wears a light tan suit jacket, white dress shirt, and red patterned tie. The air is utterly still, devoid of wind or traffic, leaving only the hush of the night. The man leans forward, his brow furrowed with urgent desperation, and speaks in a strained, pleading baritone: “Can you please just get back in the car and talk about this instead of running all over Route 12?” As he pleads, the woman exhales a thin ribbon of smoke that catches the lamplight before curling upward into the darkness.\n\nShe lifts her gaze from the road, inhales once more, and flicks ash away, her lips tightening as frustration edges into her expression. Without waiting for a response, she turns her head sharply toward him, her voice clipped and irritated: “Haven’t I made it clear I don’t particularly want to talk about it?” She punctuates the retort by tapping the cigarette lightly against her palm, sending another wisp of smoke drifting into the cool white pool of light. The man’s posture stiffens; he offers no reply, instead staring ahead as if bracing for further confrontation. The scene holds in a tense, unbroken silence, the lone streetlamp isolating them visually against the absolute darkness, their standoff underscored by the quiet tension of avoidance clashing with desperate insistence.","video_1_relative_path":"videos/eecb088929daff7a.mp4","video_2_relative_path":"videos/0df019712851dc65.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_11/example.json::00000067","text_prompt":"Shot on a steady wide master lens, the scene opens in a brightly lit, cluttered laboratory-workshop that fills the frame from floor to ceiling with shelves of parts bins, tool chests, and hanging apparatuses. Benches are strewn with electronic gear, glassware, cables, oscilloscopes, soldering stations, and copper coils, establishing a dense, tech-savvy workspace bathed in even, high-key illumination that minimizes shadows. The color palette is dominated by neutral greys and browns of the equipment, sharply contrasted by the woman’s vivid red T-shirt with a large yellow-orange butterfly graphic and the man’s rust-colored pants. Two figures stand facing each other amid the utilitarian chaos. On the left, a young man with short brown hair, black-rimmed glasses, a grey hoodie layered under a dark sleeveless vest, and rust-colored pants stands with a relaxed but attentive posture, his hands resting near his sides. Opposite him, a woman with shoulder-length wavy brown hair and glasses wears an open camouflage zip-up hoodie over her shirt and dark trousers. As a soft burst of studio audience laughter fades in and out, she begins in a clear, analytical yet conversational tone, “Interesting.”\n\nWithout camera movement, she continues, gesturing lightly with both hands as she poses a measured, earnest question laced with curiosity: “And would you agree that the primary way we would evaluate either the success or failure of a date would be based on the biochemical reaction during the good night kiss?” The man listens intently, occasionally shifting his weight and glancing toward her before turning slightly away to reach for a tall metal stool with a round seat beside him. He places a hand on its backrest, steps backward a pace, and lowers himself onto it, his expression thoughtful with his eyebrows faintly raised as he processes her words. She maintains steady eye contact, her hands still mid-gesture, awaiting his response. A straight cut then shifts to a tighter medium close-up of the woman, her lips moving precisely with the final clause of her query. Behind her, a white wall displays a small red “NO SMOKING” sign and the edge of a chalkboard bearing faint writing. The ambient soundscape remains otherwise silent, leaving only the tail end of her voice hanging in the air as the scene concludes.","video_1_relative_path":"videos/39b8b2ab791d10ff.mp4","video_2_relative_path":"videos/ec75db3b14f9096b.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_2/example.json::00000065","text_prompt":"A contemporary drama scene shot from the front passenger seat, utilizing a 50mm lens to capture soft overcast daylight washing the car interior in muted beige-green tones. A shallow depth of field keeps the focus sharp on the rear bench, where a man in a dark grey pin-striped blazer and off-white button-down leans forward with a knitted brow, while a woman with shoulder-length wavy blonde hair and a black lace-trimmed sleeveless top turns toward him, her expression tightening with frustration. The low, constant hum of the engine and faint road noise ground the confined space as she snaps, her General American accent sharp and clipped, \"No, I didn't. And it pisses me off, okay?\"\n\nThe camera cuts to a tighter close-up on the woman as her irritation escalates into open anger, her voice gaining force with each accusation. Outside the window, blurred greenery and passing vehicles streak past, underscoring the relentless motion as she delivers, \"You come here to Paris, all romantic and married. Okay? Screw you.\" The shot reverses to a close-up of the man, his jaw setting and eyes widening as he attempts to de-escalate the tension with a lower, measured tone, \"Don't get me wrong.\" The absence of music and the steady, subdued ambient car sounds keep the focus entirely on their raw, unresolved verbal exchange, leaving the emotional imbalance hanging in the air as the scenery continues its gentle blur.","video_1_relative_path":"videos/c5fd15778adcf9a3.mp4","video_2_relative_path":"videos/8690b2335a491894.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_2/example.json::00000083","text_prompt":"A continuous, eye-level medium shot tracks backward as a man and woman walk toward the camera along a narrow, sunlit European street lined with beige stone buildings and black iron fencing. Soft daylight bathes the scene, casting warm highlights on the façades and gentle shadows across the pavement. Both are dressed in dark jackets over lighter shirts; the woman carries a brown leather shoulder bag and keeps her gaze mostly forward, while the man turns his head toward her as they converse. The only sounds are their steady, mid-level footsteps crunching in perfect rhythm with their stride and a faint, low urban hum that grounds the scene in reality.\n\nA calm, neutral female voice begins, stating, \"It's both flattering and disturbing at the same time.\" Her lips move with a thoughtful expression as she looks slightly off-camera. The man responds immediately, turning his face toward her with mild curiosity, and asks, \"How is it disturbing?\" After a brief pause, the woman glances down before meeting his eyes again, her tone reflective and slightly hesitant as she replies, \"I don't know. It's just the feeling of being part of someone else's memory.\" Her facial expression softens accordingly, and the steady cadence of their footsteps continues uninterrupted until the shot holds, leaving the intimate exchange suspended in the quiet, sun-drenched alley.","video_1_relative_path":"videos/359c592cfe7f697a.mp4","video_2_relative_path":"videos/a6ae22d63dd5a0a3.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_3/example.json::00000047","text_prompt":"A locked-off medium shot captures a brightly lit Japanese classroom, filmed from the aisle with soft natural daylight filtering through frosted-glass windows. Rows of wooden desks with metal frames recede into the background, where a few male students in matching black uniforms linger near the rear door beside a green bulletin board and a white sports bag hanging on a wall hook. The shallow depth of field keeps the foreground sharp, focusing on a teenage boy with tousled blond hair in a black gakuran jacket and a teenage girl with short dark hair wearing a grey sailor-style uniform with a pale-blue scarf. The boy leans forward with his forearms resting on the desk, gazing at the girl opposite him as a calm, clear female Japanese voice begins, stating \"席の件なんですけど、前の方は普通の生徒が座る席です。\" She raises both hands to chest level with relaxed palms facing each other, then briefly points her right index finger toward herself to emphasize the distinction.\n\nContinuing her matter-of-fact explanation, the girl sweeps her right hand backward over her shoulder to indicate the rear rows. The same voice adds \"後ろ二列はつっぱりが座ることになってるので。\" with a steady pace and a subtle downward inflection that carries a hint of resigned humor. The boy listens motionlessly at first, lips pressed and eyes fixed on her, but his posture gradually softens as he lowers his gaze to the desktop and his shoulders slump slightly. The scene is underscored only by a faint, clean indoor room tone, allowing the clear, foregrounded speech to carry the quiet, slice-of-life atmosphere of a typical Japanese school drama.","video_1_relative_path":"videos/688f9d189edb72b7.mp4","video_2_relative_path":"videos/56a9105b23f07e63.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_4/example.json::00000031","text_prompt":"A quiet, intimate domestic scene unfolds in soft, natural daylight, captured with a static medium shot, shallow depth of field, and a muted neutral palette punctuated by subtle botanical accents. A young East Asian woman stands in a tidy living space, her dark hair gathered in a loose bun with blunt bangs, wearing a white rib-knit sweater with sheer lace sleeves and a black armband on her left arm. Behind her, a black metal shelf holds potted greenery and small framed photographs, while a monochrome print of a wooden pier over water hangs on the wall beneath the quiet caption “LIFE IS GOOD WHEN YOU’RE HERE.” She looks slightly off-camera to her right, smiling politely as she speaks in a warm, cordial tone, “After all, we’re family, so let’s keep in touch and visit more often.” The room is bathed in even, diffused illumination, with a white drying rack and carefully arranged decor reinforcing a calm, contemporary homeliness.\n\nA straight cut shifts to an over-the-shoulder static medium shot of a second East Asian woman seated near the same bright window. She wears a grey turtleneck beneath a charcoal coat, her long, softly waved dark-brown hair framing a composed expression. A yellow-and-black patterned throw drapes over her chair, and a leafy plant sits just behind her as she cradles a delicate white porcelain teacup with pink floral motifs and gold trim in one hand, a black smartphone resting lightly in the other. She glances down at the phone, then lifts her gaze to the first woman, offering a mild, appreciative remark in a calm, measured voice, “The coffee is quite nice.” The scene remains entirely hushed, with no music or extraneous noise, relying solely on the natural window light to cast soft shadows and underscore the understated warmth and quiet reconciliation between the two. The composition balances them with thoughtful negative space, emphasizing intimacy and maturity in this restrained, everyday moment.","video_1_relative_path":"videos/de59c81b1598d32a.mp4","video_2_relative_path":"videos/c9c077b611e84bfe.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_6/example.json::00000006","text_prompt":"A tense, thriller-style scene opens on a static medium-close two-shot inside a sparsely furnished room that feels like an improvised shelter or trailer. Daylight filters through horizontal blinds at the left, casting soft side-light and gentle chiaroscuro shadows across the scene. In the background, an old black CRT television rests on a wooden cabinet, its screen displaying a brightly colored but softly blurred sports broadcast. An older bald man with thin-rimmed glasses and a green-and-white vertical-striped button-down leans forward from behind a table, elbows resting, hands loosely clasped. His brow is furrowed, eyes fixed just off-camera to the right as a strained, earnest male voice with a mild non-native accent states, \"My gun.\" Beside him, a younger man in a hooded jacket with a vivid red hood and black leopard-print pattern turns toward him, his right hand raised to his chin as he nervously bites a thumbnail. A calm, energetic female Spanish voice from the television underscores the tension, calling out play-by-play commentary in the background.\n\nA quiet, incredulous male voice with a neutral American accent replies, \"How was I supposed to know?\" The camera remains completely still, using a shallow depth of field to isolate the two men against the muted interior, emphasizing their psychological confinement. As the exchange tightens, the younger man leans in slightly, his defensive posture shifting as he begins to press his point, his voice growing tense, stating, \"You were showing me...\" The ambient indoor hum persists, blending with the distant sports broadcast, while the naturalistic lighting continues to carve sharp contrasts across their faces. The scene holds on this suspended moment of unresolved conflict, the bright colors of the television screen clashing with the subdued room, leaving the narrative tension hanging in the air as the clip ends.","video_1_relative_path":"videos/9496372cdb039267.mp4","video_2_relative_path":"videos/8c015ec3318eaf16.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_6/example.json::00000032","text_prompt":"A warmly lit, intimate bedtime scene unfolds in a cozy child’s bedroom, captured on a 35mm lens that begins in a medium close-up before executing a slow, steady zoom-out to a wider medium shot. The room is bathed in a palette of warm pinks, creams, and rich wood tones, illuminated by the practical amber glow of a bedside lamp on the right and soft daylight filtering through sheer curtains on the left. A young girl with light-brown curly hair, dressed in a pale-pink lace-trimmed pajama top, sits upright on a dark-wood bed layered with a white pillow and a pinkish blanket. Behind her, an adult woman with blonde hair tied in a loose bun gently wraps a large, shiny rose-gold satin scarf around the girl’s head like a turban. As the woman adjusts the fabric, the faint rustle of satin cutting through the quiet room, the girl tilts her head back slightly and asks in a small, curious voice, \"This really works?\"\n\nThe camera continues its gentle retreat, revealing more of the intimate surroundings: a colorful poster of teenage boys above the headboard, shelves lined with books, and a nightstand crowded with stuffed animals including a brown teddy bear and a purple bunny. The woman finishes securing the scarf, smoothing it with practiced fingers, and answers in a calm, reassuring tone, \"Your hair will look just as pretty tomorrow.\" The girl listens attentively, her eyes bright, then lets out a soft, satisfied sigh. With the headwrap complete, the woman straightens up, smiles encouragingly, and says, \"Now come on, let’s tuck you in.\" She reaches for the edge of the blanket, beginning to pull it toward the girl’s shoulders as soft fabric swishes fill the hushed ambience. The girl leans forward slightly, preparing to lie down, and the scene settles on the two of them poised for bedtime, framed by the comforting clutter of childhood memories and bathed in the warm, steady lamplight.","video_1_relative_path":"videos/7e40aa888414420d.mp4","video_2_relative_path":"videos/477c838d6040102c.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_7/example.json::00000066","text_prompt":"Cinematic drama, shot on a 35mm lens with a medium over-the-shoulder perspective that tracks forward along a sunlit Parisian sidewalk. Diffuse daylight casts soft shadows across the scene, highlighting a rich palette of warm architectural tones and natural fabrics. A man in a dark grey textured suit jacket walks beside a blonde woman in an off-white tweed jacket and brown leather shoulder bag. To their right, a classic red-fronted café stands with large glass windows, its facade marked by white painted lettering reading \"RESTAURANT\" above the entrance and \"LIQUEURS DE MARQUES\" on the glass, alongside a vertical blue sign advertising fine French and Algerian wines. Warm interior lighting spills onto the pavement, revealing a bartender in a brown shirt and a solitary patron at the counter. As they stroll, the rhythmic impact of footsteps on hard pavement blends with a low urban hum and distant traffic rumble.\n\nThe couple slows and stops just outside the café’s open doorway. The man turns his head left, revealing short brown hair and a slight smile, then gestures lightly with his right hand as he speaks. A calm, neutral female voice begins, stating, \"We must find a way to justify their economic greed.\" The woman pivots fully to face him, her expression attentive, while a calm, teasing male voice with a mid-thirties American accent adds, \"Is there any particular imperialist country you have in mind there, Frenchie?\" He tilts his head slightly, maintaining playful eye contact. She listens with lips closed, briefly raising her right hand to touch her chin in contemplation, then shakes her head minutely and offers a small, dismissive smile as she replies, \"No, not really.\" He echoes back with a curious lift of his eyebrows, \"No?\" Their exchange settles into mutual understanding, framed steadily at waist height against the café’s interior and exterior signage. The ambient city sounds linger beneath their dialogue, punctuated only by the subtle rustle of fabric and light breaths, before naturally fading into silence as the camera holds its static position.","video_1_relative_path":"videos/6c5dd66cf25a49a7.mp4","video_2_relative_path":"videos/825b2c01d5bb418e.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_7/example.json::00000087","text_prompt":"Cinematic handheld tracking shot, natural daylight, warm stone palette, and a narrow sunlit European street lined with weathered buildings set the scene. The camera maintains a steady medium-long distance behind two main subjects—a blonde woman in a cream tweed jacket and blue jeans, and a dark-haired man in a charcoal suit—walking side-by-side toward the lens. As they approach, the camera eases into a slow push-in, transitioning to a medium close-up that frames their animated conversation against a backdrop of a passing pedestrian in a grey hoodie and shopfronts displaying French signage. The soundscape is strictly diegetic, layered with distant traffic rumble, faint tire hiss, and indistinct pedestrian chatter that reverberates gently off the hard stone surfaces.\n\nThe woman speaks with rapid, assertive cadence, her American accent cutting clearly through the ambient city noise as she gestures emphatically with her right hand. An energetic female voice begins, stating, \"We’re getting a bit better. Okay, we’re moving all our industry to developing nations where we can get cheap labor, free of any environmental regulations.\" The man turns his head toward her, raising his left hand palm-out in a calm, corrective interruption. A calm, neutral male voice interjects, saying, \"Wait a minute.\" Subtle foley of soft footfalls on pavement and the rustle of their clothing syncs precisely with their movements, grounding the scene in realistic immediacy. The interaction carries a quiet tension, pitting her impassioned economic argument against his restrained intervention, all set within the unscripted bustle of an everyday urban afternoon.","video_1_relative_path":"videos/97a7b4c0ecf845eb.mp4","video_2_relative_path":"videos/c070b7d051344287.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_8/example.json::00000068","text_prompt":"Cinematic medium two-shot, eye-level perspective, locked off on a tripod, opens inside a warmly lit bookstore bathed in soft, earthy tones and a muted color palette punctuated by vibrant book spines. Tall wooden shelves packed with multicolored volumes fill the background, anchored by a rough-hewn stone pillar at the left edge and a promotional poster for a new release resting on an upper-right shelf. In the foreground, an older, balding man with white hair and a neatly trimmed goatee holds a single sheet of white paper in his left hand, gesturing lightly with his right. He speaks in a calm, practical British accent, stating, \"Get your driver Philippe's card so that you can call his cell if you're running late.\" Opposite him stands a younger man in his thirties, dressed in a dark suit jacket over a pale patterned shirt, with short dark-brown hair and light stubble. He listens attentively as soft, warm key lighting from the front-left washes over both faces, casting gentle fill that prevents harsh shadows and keeps the shallow depth of field focused sharply on the two men while the surrounding aisles remain softly blurred.\n\nAs the conversation continues, a woman with blonde hair tied back and wearing a light beige cardigan walks through the mid-ground from the right aisle toward the left, her figure drifting out of focus behind the primary subjects. The older man finishes his thought, his voice softening slightly as he adds, \"We will put your bags in the car so you are not late going to the airport.\" The younger man responds with a brief, polite smile and a small affirmative nod, emphasizing the subdued, everyday nature of the exchange. In the deeper background, another shopper with long brown hair briefly appears on the left before moving out of frame. The scene holds steady in its quiet ambience, with no music or crowd noise to distract from the practical, grounded interaction.","video_1_relative_path":"videos/e6c0ddf792a2a8c6.mp4","video_2_relative_path":"videos/a5eb56355fe6df99.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_9/example.json::00000052","text_prompt":"Cinematic romantic-drama, 16:9 widescreen, shallow depth of field, and warm golden-hour lighting bathe a late-afternoon riverside promenade in rich amber tones. A handheld camera tracks backward at a gentle sway, framing a medium two-shot of a blonde woman and a dark-haired man walking side by side toward the lens. Soft shadows stretch across cobblestones and an old stone embankment, while out-of-focus café tables, leafy trees, and a calm river populate the background. Natural sunlight filters through the canopy, casting moving highlights on their casual attire as they move forward, accompanied by the rhythmic thud of footsteps, the soft scrape of soles on stone, and a low bed of ambient city hum and distant birdsong.\n\nA reflective female voice begins, stating “You know, couples are so confused lately.” She glances down briefly before meeting her companion’s gaze, her brow faintly furrowed as she continues, “I think it must be that men need to feel essential, but the truth is, they don’t anymore.” The man listens attentively, his head angled toward her, expression neutral but engaged, offering an almost imperceptible nod as sunlight flickers across his face. The camera maintains its steady backward drift, keeping them centered while background pedestrians drift past in soft focus. With no score to distract, the scene rests entirely on the foregrounded dialogue and the natural ambience, leaving the pair walking forward into the sunlit distance as the conversation lingers in the quiet air.","video_1_relative_path":"videos/e17fe92325037115.mp4","video_2_relative_path":"videos/a9c3107393e9b2da.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_davinci/voiceover/voiceover_1/example.json::00000069","text_prompt":"A suspenseful domestic thriller opens on a steady medium shot, bathed in warm, dim key lighting that contrasts sharply with the cooler, flatter illumination on the door. The color palette leans into golds, deep purples, and muted browns across the bedding and walls, giving way to dark wood tones and brass highlights in the final frame. The camera holds a medium shot in a dim, warmly lit bedroom, framing a large bed with a dark paneled headboard, gold-and-white bedding, and purple pillows. A shirtless young man with short blond hair and a black tattoo on his left upper arm sits upright against the headboard, eyes wide and mouth slightly open in alarm. Behind him, a woman with long dark-brown hair lies half-reclined, her face tightening with sudden shock as she turns toward something off-screen. A calm, neutral female Mandarin voice-over begins, stating, \"Suddenly caught by the girl's husband,\" while a faint, low-frequency synthesized pad sustains underneath to underscore the tension. Reacting instantly, the woman pulls a red spaghetti-strap camisole over her head and scrambles for cover. A panicked young woman gasps, \"Shit, I think it’s Tony. Oh!\" as the ominous hum continues.\n\nA sharp metallic clack, like a door handle being turned, cuts through the mix. The woman lunges forward, yanking the gold comforter to her chin and sliding out of frame to the right, while the man throws himself backward beneath the covers, shoulders hunched and eyes darting toward the unseen threat. Their hurried movements create soft fabric rustling. A startled young man with short blond hair and a black tattoo on his left upper arm shouts, \"Tony!\" and the woman urgently commands, \"Get your clothes on!\" The image cuts to a close-up of a dark wooden door with a brass lever handle. The handle jiggles once, implying someone outside is trying to open it. The lighting shifts to a cooler, flatter tone, heightening the dramatic tension as the sustained synth pad continues until the scene ends.","video_1_relative_path":"videos/fe0cd6af9c8b5d56.mp4","video_2_relative_path":"videos/a91433e05a3861c7.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_davinci/voiceover/voiceover_2/example.json::00000036","text_prompt":"Cinematic drama, captured with a 50mm lens and shallow depth of field, set in a dimly lit modern lounge at night. A tense, intimate atmosphere is sculpted by chiaroscuro lighting, with a single warm key light falling from camera-left against a muted palette of charcoal, slate, and beige. In a medium close-up over-the-shoulder framing, a Caucasian man in his late twenties, Awen, stands centre-left wearing a dark V-neck sweater over a light striped collared shirt. A metallic watch glints on his left wrist as he lifts it slightly, his brow furrowed and lips parted in an urgent yet controlled demeanor. A calm, neutral female Mandarin voice-over begins, stating \"一下，阿文只能坦白了自己荒唐的动机。\" The background remains nearly silent, anchored only by a faint, steady room tone.\n\nThe camera cuts to a tight close-up of a second Caucasian man in his mid-twenties, seated lower and wearing a light grey crew-neck T-shirt. His face fills the frame, eyes wide and brows raised, mouth open in an anguished grimace with clenched teeth as he looks upward toward Awen. The blurred domestic surroundings isolate his shock and pain, mirroring their emotional distance. Beneath the lingering narration, a strained American male voice delivers the line with measured intensity and sorrow: \"Some part of you loves me.\" His expression tightens further, jaw clenching as if absorbing the emotional weight of the confession. The image holds on his pained face while the ambient sound remains sparse, leaving only the residual room tone to fade into silence.","video_1_relative_path":"videos/88d643d787c793d8.mp4","video_2_relative_path":"videos/dbd3719680b3b5a0.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_davinci/voiceover/voiceover_2/example.json::00000043","text_prompt":"Cinematic drama, shot on a static medium close-up lens with chiaroscuro-style lighting and a cool blue color palette that emphasizes emotional gravity and secrecy. A dimly lit interior unfolds as the frame opens on a woman with short dark hair and large green disc earrings, wearing a collared shirt patterned with thin green-and-white stripes beneath a darker vest. Cool bluish key light falls on the left side of her face, leaving the right half in soft shadow, while horizontal blinds behind her catch faint reflections. She gazes slightly off-camera to her right with an intent, contemplative look, her lips closed as a calm, neutral male Mandarin voice-over begins over a low, tense electronic drone, stating \"才知道女主对迈克有点意思。\" The ambient sound remains minimal, anchored by the steady atmospheric synth bed that reinforces the mounting suspense.\n\nThe camera cuts to a medium close-up of an older man with graying slicked-back hair and a prominent mustache, dressed in a light-colored dress shirt under a dark vest. Strong side-lighting from camera-left sculpts his features, casting venetian-blind shadows across the wall behind him. His brow is furrowed as he fixes his eyes toward the woman just out of frame. Absorbing the narration, his expression deepens, eyes narrowing slightly as his jaw sets. He parts his lips and softly utters, \"Sarah,\" with a tentative upward inflection, then follows with a quiet, earnest inquiry: \"What about Sarah?\" His tone rises inquisitively yet remains restrained. The camera holds on his face as his brows knit and his lips close firmly after the question. The underlying electronic underscore swells imperceptibly, thickening the sense of suspense before fading out as the scene freezes on his serious expression, relying entirely on micro-expressions and unspoken stakes to convey the dramatic tension.","video_1_relative_path":"videos/5a0150c789cf4046.mp4","video_2_relative_path":"videos/46bf7d4767f905c2.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_davinci/voiceover/voiceover_3/example.json::00000013","text_prompt":"Cinematic thriller sequence, shot on a 35mm lens with a shallow depth of field, opening in a dimly lit living room where warm interior tungsten tones clash with cool daylight spilling through a rear window. A young man with shaggy dark-brown hair and a black quilted jacket is framed in a medium close-up, gripping a black semi-automatic pistol with both hands, arms extended toward the camera, his wide eyes and tense mouth conveying raw panic and determination. Behind him, two stacked cardboard boxes and a patterned tapestry hang against a light wall, partially silhouetted by the window light. A tense adult male Mandarin voice-over begins, stating \"He saw the intrusion, and was caught on the spot by the arriving police!\" as a low, suspenseful electronic underscore pulses beneath the scene. The camera suddenly breaks its static hold, cutting to a violent handheld shot from behind a second figure in a dark suit and loosened tie who rushes forward, shouting as the lens jolts past a dark sofa and lamp toward the doorway, the music swelling to match the frantic motion blur.\n\nThe perspective shifts to a point-of-view shot through the window frame, revealing a uniformed police officer standing on the pavement beside a dark-green sedan. The Asian officer, wearing a peaked cap with silver braid and a duty belt, raises his own handgun, aiming steadily into the house. At this moment, the Mandarin narration cuts out, replaced by a resonant, authoritative adult male English voice shouting, \"Drop your weapon!\" The command rings out sharply over the persistent low-frequency score, now layered with faint metallic percussion hits. The sequence concludes with a tight close-up back inside the room, where the young gunman’s face freezes in shock, his jaw slack and eyes glistening as he stares off-screen at the armed officer. The ambient hum of the music sustains, leaving the standoff suspended in unresolved tension, the editing rhythm deliberately slowing to let the climactic moment breathe.","video_1_relative_path":"videos/64d25253921943f4.mp4","video_2_relative_path":"videos/8bfab28da725f531.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/instruments/instruments_1/example.json::00000008","text_prompt":"A cinematic jazz-blues vignette opens in a warmly lit, vintage-styled studio, captured on a static tripod with controlled lighting and a muted, earthy palette. A medium two-shot holds steady on a bassist and a vocalist. The man, dressed in a black flat cap, crisp white shirt, patterned tie, and suspenders, stands at frame left, his right thumb driving a steady, alternating pluck against the thick strings of an upright double bass while his left hand glides along the fretless neck. Each downward strike produces a deep, rounded woody thump that anchors a moderate swing rhythm around one hundred ten to one hundred twenty beats per minute, occasionally punctuated by the soft friction of fingers on the strings. To his right, a woman in a black floral dress, pearl necklace, and red lipstick faces a large silver ribbon microphone. She tilts her head back, smiles, and moves her lips in silent time with the groove, her shoulders swaying gently as she listens to the foundational pulse. The camera remains static, letting their subtle, professional postures fill the intimate space.\n\nA hard cut shifts the perspective closer to a guitarist seated centre-right, clad in a dark pin-striped suit, vest, and red patterned tie. He cradles a steel-string acoustic guitar across his lap, launching into rapid hybrid finger-style picking. His thumb drives alternating bass notes while his index and middle fingers articulate bright, metallic treble arpeggios, creating a shimmering texture that contrasts with the deeper low end. The camera slowly pans downward to focus on his hands, catching the glossy wood grain of the instrument and a purple pick resting between his fingers as his nails flick across the strings under controlled lighting. In the softly blurred background, a violinist raises a bow, preparing to enter. As the rhythm section locks into a steady quarter-note pulse layered with syncopated eighth-note guitar patterns, the violinist draws the bow horizontally across the strings. The resulting warm, sustained mid-range tones weave seamlessly into the harmony, their smooth legato strokes and faint bow-hair friction enriching the close-miked, low-noise acoustic environment without excessive vibrato.\n\nThe shot widens to encompass the full trio, now fully interlocked in a tightly arranged performance. The bassist maintains his unwavering walking line, the guitarist cycles through his four-chord loop with economical, relaxed wrist motion, and the violinist sustains rich chords that blend with the existing major-key progression. The vocalist remains poised before the microphone, her expression calm and attentive, while all three performers sway subtly in time with the gentle swing feel. The ensemble holds this layered texture in quiet concentration, their bodies reflecting a shared professional focus, until the final chord rings out with a brief collective sustain. The image lingers on the harmonious convergence of rhythm and melody before fading out, leaving only the clean, intimate resonance of the recorded performance.","video_1_relative_path":"videos/b5b12bf034acb4b6.mp4","video_2_relative_path":"videos/2bb23c9db332d7f3.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/instruments/instruments_1/example.json::00000010","text_prompt":"A cinematic medium close-up captures a seated clarinetist in a white sweatshirt and grey pants, framed from mid-torso upward against an intimate interior backdrop featuring a decorative tapestry of green leaves and orange shapes, a beige curtain to the right, and the edge of a bookshelf to the left. Even indoor illumination with a neutral white balance provides soft, shadowless lighting for a fixed, eye-level camera that holds steady throughout the sequence. The performer grips a black clarinet with silver keys vertically, mouthpiece near the top of the frame, as a close-miked solo clarinet begins to play. A brisk, warm reedy tone emerges at roughly one hundred and sixty beats per minute, launching into a rapid ascending run of evenly spaced staccato notes. Each crisp attack and short decay is perfectly synchronized with the clarinetist’s precise fingerwork: the right index finger lifts and drops on the top key while the left thumb anchors the instrument, producing a clean, dry signal with negligible room reverberation and a barely perceptible noise floor.\n\nThe melody soon arcs downward into a smooth legato phrase before fracturing into a syncopated flurry of sixteenth notes. The clarinetist’s fingers accelerate into visible blurs across the metal keys, while steady diaphragmatic breath support and subtle chest expansion drive a gradual crescendo from mezzo-forte to forte. After a brief rhythmic pause where all fingers lift and the performer draws a quiet breath, a descending scale emerges, articulated with clear tonguing that generates light percussive clicks aligned with the flicks of the embouchure. The passage quickly accelerates into a virtuosic climax featuring wide intervallic leaps and rapid trills. The right hand executes a high-speed tremolo on the middle register keys, causing the silver pads to shimmer under the steady lighting as the pitch climbs toward the instrument’s upper range. The tone brightens and peaks in volume, yet every note remains sharply separated and precisely controlled through careful embouchure firmness and breath pressure.\n\nThe performance concludes with a final sustained high note, held for a fraction of a second with a subtle vibrato maintained by a stabilized embouchure and consistent airflow. As the pure tone naturally decays into silence, the performer’s fingers relax atop the keys, and the image lingers momentarily on the stilling hands before fading out. The entire sequence captures an intimate solo recital defined by technical mastery, expressive dynamic shaping, and the crisp interplay between breath, tongue, and finger, all rendered in a clean, close-miked audio landscape free of accompaniment or extraneous noise.","video_1_relative_path":"videos/608343fa2b094d9d.mp4","video_2_relative_path":"videos/27790e0c99b22770.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/instruments/instruments_2/example.json::00000066","text_prompt":"Cinematic medium-wide shot, natural daylight illumination, muted blue and white color palette: a static frame captures a seated male cellist in an intimate practice room with deep blue walls and crisp white trim. Warm light streams through a bright window behind him, illuminating a microphone positioned just left of the cello’s bridge. The performer leans slightly forward, his right arm holding the bow at a comfortable angle above the strings while his left hand rests near the fingerboard. A steady, moderate tempo begins immediately as the bow makes contact with the lowest string, producing a warm, resonant low note that blooms and decays. The left-hand fingers press firmly, creating discrete pitch changes as a descending minor triad arpeggio unfolds in smooth, legato strokes.\n\nThe melody ascends stepwise into the middle register, the performer’s right wrist flexing subtly to adjust bow pressure and yield a gentle crescendo. Each note articulates cleanly, flowing into the next as the bow alternates smoothly between up-and-down strokes. The left hand shifts position incrementally, fingers sliding and repositioning to match the rising pitches, while faint room reflections add natural reverberation to the close-mic capture. A brief rhythmic acceleration introduces a run of sixteenth notes, increasing both tempo and intensity. The bow speed quickens, producing brighter, more energetic tones as the performer’s right forearm rotates for greater leverage and his left hand executes rapid, precise finger movements along the neck. The texture grows dense, swelling with urgency until the performance reaches its dynamic peak.\n\nVolume swells to forte as the melodic contour arcs upward before resolving downward in a decisive cadence. The bow draws forcefully across the strings, sustaining longer tones with pronounced resonance, while the left hand anchors momentarily on a higher position before releasing tension as the final chord is struck. Subtle bow-hair friction punctuates the aggressive strokes, grounding the rich, clear timbre in the quiet space. As the last note rings out and decays naturally into the room’s ambient silence, the performer’s posture relaxes slightly, signaling the end of the excerpt. The frame holds briefly on the lingering sound before fading to stillness.","video_1_relative_path":"videos/c66ba6192e56d3ab.mp4","video_2_relative_path":"videos/7d91adf77f98577a.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/instruments/instruments_2/example.json::00000072","text_prompt":"Cinematic outdoor portrait, shot on a 50mm lens with natural daylight and a shallow depth of field that isolates a lone dreadlocked banjo player leaning forward, elbows tucked, torso angled toward the instrument. The camera holds a static medium shot with a subtle tilt that follows the performer’s micro-movements, keeping the focus entirely on the musician’s precise mechanics against a backdrop of a stationary bicycle wheel and leafy foliage. The audio opens with a bright, metallic cascade of steel-string banjo notes, driven by a rapid alternating-thumb roll at a steady mid-fast tempo. The right hand moves in a continuous figure-eight pattern, thumb and index finger striking with sharp, percussive attacks that produce syncopated eighth-note rolls and a dance-like momentum. As the phrase unfolds, the right hand accelerates into a short ascending melodic arc before dropping back, the wrist rotating subtly to maintain fluidity while the left hand anchors chord shapes and slides a fretting finger upward to shift the harmony. A brief rhythmic pause lifts the right hand mid-air, allowing the previous notes to ring in the dry, close-mic’d acoustic space before a descending staccato flourish sweeps downward, shoulders rising with each accented strike. The intensity builds to a climax of rapid-fire picking, then gradually tapers as the right hand slows, transitioning into a sustained open-string drone. The left hand holds the final chord firmly, letting the bright, twangy resonance fade naturally into silence, accompanied only by the faint, crisp slide of fingers against the strings. As the sound dissipates, the musician relaxes their posture, and the camera catches the quiet release of the performance in the still, sunlit air.","video_1_relative_path":"videos/b43a569b2ca5a883.mp4","video_2_relative_path":"videos/3d2ee827d8bbaf81.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/movie/movie_1/example.json::00000018","text_prompt":"A cinematic maritime sequence opens with a wide-angle tracking shot, bathed in soft golden-hour backlighting that casts long reflections across the open ocean and frames a massive, dark-hulled submarine as a high-contrast silhouette against the luminous horizon. The camera pans slowly from right to left, tracking alongside the vessel as it powers steadily forward, carving through the swells. White foam trails behind the bow and along the flanks, emphasizing active propulsion, while the hull reveals crisp details: the white numerals \"458\" stenciled near the conning tower, a stylized triangular emblem with horizontal stripes toward the prow, and faint linear patterns running the length of the dark metal. Sunlight glints off the wet surfaces as the stern gradually recedes from view, leaving the frame dominated by the vessel’s imposing scale and angular geometry.\n\nBeneath this sweeping visual progression, a dramatic orchestral score swells, anchored by sustained low brass and rolling timpani that establish a tense, cinematic pulse. Higher strings enter with a staccato ostinato, soon joined by French horns weaving an ascending melodic fragment that builds steadily without ever resolving. Layered seamlessly beneath the music is the immersive, open-air soundscape of the sea: the deep, broadband rumble of hull displacement, sharp transient splashes as the bow lifts over breaking waves, and periodic gurgling as air escapes near the conning tower. The aquatic textures are mixed slightly lower than the orchestration but remain vividly present, grounding the epic tension in physical reality. With no voices, alarms, or mechanical clanks to interrupt the atmosphere, the scene closes mid-motion, leaving both the visual trajectory and the musical crescendo suspended in a state of suspenseful, unspoken anticipation.","video_1_relative_path":"videos/e3d8ef90d33e812d.mp4","video_2_relative_path":"videos/11e55f259c7c09f7.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/movie/movie_1/example.json::00000046","text_prompt":"A cinematic war drama unfolds in a stark, snow-covered battlefield at the edge of dusk, captured through a static high-angle wide shot that establishes a palette of icy blues, muted greys, and the warm, flickering orange of small fires atop a netted wooden structure. In the foreground, soldiers clad in heavy winter camouflage crouch behind a snowbank, their postures rigid with anticipation; one figure in a tan hooded parka stares forward with a tense, unblinking gaze, while dozens of dark metal barrels are stacked in disciplined rows behind them. A low, ominous orchestral score immediately takes hold, weaving sustained strings and deep percussion into the cold ambient air, building a palpable sense of dread. Suddenly, the frame is shattered by a chaotic close-up as a massive explosion erupts at the center, a blinding cascade of orange and yellow fire that engulfs the lens. Cylindrical barrels and debris fly outward in slow motion, while sparks and embers streak through thick, roiling smoke against a violently shaking camera. The audio swells into a deafening, multi-layered detonation—a sharp initial crack followed by a rolling, bass-heavy rumble that momentarily drowns out the score and shakes the very ground.\n\nAs the shockwave passes, the view pulls back to a low-angle wide shot across the frozen field, now dominated by the wooden structure fully ablaze. Towering flames paint the night sky in an intense, hellish orange glow, while thick plumes of black and grey smoke rise vertically, interspersed with falling sparks and the scattered remains of toppled barrels in the foreground snow. The camera holds steady, emphasizing the sheer scale of the devastation as the audio transitions into a sustained, roaring fire crackling alongside the lingering echoes of the blast and the returning tension of the orchestral strings. The focus returns to the soldiers bracing against the aftershocks behind their snowbank cover; some shield their faces or cover their ears, their expressions fractured by shock and urgency. A central figure, wearing a fur-lined ushanka and a thick scarf, stares ahead with a soot-smudged face, his sharp intake of breath barely audible over the fading roar of the flames and the settling of debris. The orchestral music swells to a final, resonant peak, leaving the battlefield bathed in the hazy, dangerous glow of the inferno.","video_1_relative_path":"videos/5ec3168205db148b.mp4","video_2_relative_path":"videos/93a06ec575cb807e.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/movie/movie_1/example.json::00000051","text_prompt":"A cinematic wartime sequence opens with a close-up, slightly low-angle shot of a soldier in heavy winter military gear, his face and uniform dusted with frost. The lighting is dim and warm-toned, casting the glow of nearby firelight across his tense, wide-eyed expression and slightly parted lips, while a blurred background of smoke and debris hints at impending danger. A deep, ominous orchestral drone immediately underscores the moment, with low strings and brass swelling beneath a faint wind-like ambience to establish a foreboding mood. The perspective sharply cuts to a high-angle aerial view as a massive explosion engulfs a bunker complex, bright orange and yellow flames roaring outward and sending thick plumes of dark smoke skyward. Wooden beams and metal fragments tear through the air as a thunderous concussive boom dominates the soundscape, layered with crackling fire, shattering materials, and percussive orchestral hits that sync precisely with each expanding fireball.\n\nThe camera drops to a ground-level perspective, capturing multiple simultaneous detonations across the facility as fireballs illuminate the night with dynamic shadows and swirling ash. Structural elements collapse inward and blow apart while the camera pans slightly left to follow the trajectory of the largest blast. The audio design intensifies into overlapping layers of sustained low-frequency rumbles, mid-range crashes, and high-pitched whines from flying debris, while the orchestral score reaches its peak with rapid string ostinatos and cymbal crashes reinforcing the visual devastation. The viewpoint then pulls back to a sweeping wide aerial shot, revealing the full scale of the destruction: several buildings ablaze along a snow-covered ridge, connected by parallel pipelines, with a central structure erupting into a towering mushroom-shaped fire cloud against a dark, cloudy sky. The cold blues and greys of the winter landscape starkly contrast with the violent oranges and reds of the inferno.\n\nAs the visual spectacle holds steady, the initial roar gradually recedes into distant rumbling and the intermittent pops of burning material. The orchestral score sustains a tense, lingering chord before softening, leaving only the ambient wind and residual crackle of fire to underscore the aftermath. The absence of dialogue focuses entirely on sensory immersion, weaving tight synchronization between the meticulously crafted sound effects and the sweeping cinematography to convey a visceral reality of urgency, peril, and catastrophic loss.","video_1_relative_path":"videos/b396a56a8aa3f703.mp4","video_2_relative_path":"videos/7b6dfd3281450910.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/movie/movie_1/example.json::00000070","text_prompt":"A desaturated, industrial sci-fi scene opens with a low-angle medium shot inside a vast, dimly lit hangar bay washed in cold greys and blues. Sparse overhead strip lighting cuts through the gloom, casting sharp shadows across the metallic joints and hydraulic hoses of a massive, articulated grey mech standing on the left. In the foreground right, a muscular operator sits in a motorized exosuit chair, clad in a faded grey t-shirt, dark suspenders, cargo pants, and a clear-face respirator helmet tethered by purple hoses. He gazes upward with a neutral expression as the mech lowers its right arm toward him, accompanied by a heavy metallic clank and a deep, continuous mechanical hum that fills the cavernous space. As the camera begins a slow pan to the right, tracking the operator’s subtle movements, the ambient soundscape layers faint electronic beeps, shifting metal, and distant footsteps. The operator turns his head further right, revealing tattoos along his neck and bicep, while the background opens to show the rear ramp of a large aircraft where soldiers in camouflage uniforms move purposefully around equipment.\n\nOverlapping the industrial drone, a gruff, off-screen male voice cuts through with a sharp, cautionary tone in Mandarin, stating, “当心点，笨蛋。” The camera completes its pan, framing the operator’s profile against the bright, misty daylight pouring through the hangar opening, where silhouettes of trees and distant vehicles fade into the overcast sky. He settles into his seat, hands resting lightly on the controls, as a deeper, reflective male voice begins to speak in Mandarin, completing the thought with, “可是在这里他们成了不可阻挡的力量。” The atmosphere remains tense yet subdued, grounded entirely by spatial reverb, hydraulic hisses, and restrained breathing, with no music to distract from the gritty, technological realism of the moment.","video_1_relative_path":"videos/13c9bb866b158279.mp4","video_2_relative_path":"videos/fd8c1c3f5811183c.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/movie/movie_1/example.json::00000094","text_prompt":"A gritty, high-contrast industrial thriller unfolds inside a vast, multi-level factory swallowed by thick smoke and flickering orange-amber firelight. Shot with a handheld, kinetic lens, the camera tracks a man in dark work clothes sprinting up a steel staircase, his boots clanging sharply against the grating. As he reaches the landing, he launches himself over a railing, twisting mid-air for momentum while a deep, resonant explosion erupts below, showering the space with sparks and debris. The soundscape is thick with a high-pitched mechanical whine, rhythmic metallic impacts, and the heavy scrape of dragging steel, all underscored by a constant low-frequency hum of struggling machinery.\n\nThe perspective shifts to a low-angle vantage beneath the railing, revealing a hard-hatted worker clutching a clipboard as he watches the runner land awkwardly on the upper walkway. The fugitive immediately regains his balance and sprints toward the far edge, while fiery bursts behind him cast long, dancing shadows across the steel beams. The audio swells with layered grinding, rhythmic clanks, and a rising electronic tone signaling imminent structural failure, punctuated by the crackle of burning materials. Suddenly, the frame catches a third figure—a young man in a tan jacket and collared shirt—leaning precariously over a lower railing, his knuckles white as he grips the bar, eyes wide with panic and mouth open in a silent, desperate shout.\n\nAs faint silhouettes move against glowing embers above, the soundscape peaks with a piercing screech, a heavy structural thud, and the chaotic scatter of falling rubble. Violent smoke swirls through the space, reducing visibility and amplifying the raw, visceral exertion of the scene: strained grunts, rapid panting, and sharp exhalations cut through the diegetic chaos. The sequence closes on this breathless tableau of urgency and danger, where dramatic lighting, rapid visual shifts, and an immersive wall of mechanical distress and physical strain forge a cohesive atmosphere of imminent collapse.","video_1_relative_path":"videos/eec1a0e402e6d56a.mp4","video_2_relative_path":"videos/acfa555e0ba4ed59.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/movie/movie_2/example.json::00000042","text_prompt":"A high-stakes aerial combat sequence opens on a dramatic low-angle close-up, framed in cool, desaturated blues and grays with the occasional orange flash of distant explosions. The camera, mounted near the fuselage, captures the metallic sheen of a sleek gray fighter jet’s wing slicing through a turbulent, overcast sky. A hard cut transitions to an exterior tracking shot as the aircraft banks sharply right, its agility emphasized against dense, rolling clouds. Bright yellow-orange flares erupt from the wings in a wide fan, leaving luminous trails that cut through the muted atmosphere. The soundscape layers a sharp, stereo-panned tracer whoosh and rapid mechanical whirring beneath a rising electronic score of pulsing synth bass and staccato percussion.\n\nThe perspective shifts inside the cockpit for a tight close-up of the pilot. Clad in a dark flight suit and oxygen mask, his helmet bears bold white lettering reading “WHISKEY.” He grips the control stick with visible tension, his eyes locked forward and faintly reflected in the visor. Outside the canopy, blurred clouds rush past, reinforcing the aircraft’s blistering speed, while inside, the ambient engine hum blends with the swelling music and rhythmic radar beeps. Pulling back to an aerial wide shot, the frame reveals two jets maneuvering in formation above a vast cloud layer. One aircraft releases a dense barrage of flares, weaving a glowing web of light against the darkening sky, while the second dives steeply, trailing thick black smoke that curls dramatically in its wake. The camera continues to retreat, showcasing the sheer scale of the engagement and the chaotic interplay of light, motion, and weather. The soundtrack reaches a cinematic crescendo, layering driving drums, deep sub-bass, and immersive engine roars with the sharp crack of flares, propelling the sequence forward with urgent, visceral momentum.","video_1_relative_path":"videos/3063c6f9631b4bb7.mp4","video_2_relative_path":"videos/a261d99bb72198bd.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/movie/movie_3/example.json::00000016","text_prompt":"A sweeping cinematic aerial shot captures a vast, forested mountain range at the golden hour, where a low sun sits just right of center, casting a warm orange glow that silhouettes successive ridges fading into misty layers. A pronounced reddish-orange lens flare with green and purple streaks stretches diagonally across the frame, partially veiling the treetops below. The camera glides forward in a slow, smooth dolly while tilting slightly upward, revealing undulating terrain and valley fog without ever revealing human figures, animals, or structures. Atmospheric haze softens the edges of the foreground trees as the light subtly intensifies near the sun, establishing a contemplative and awe-inspiring natural tableau.\n\nBeneath this silent landscape, a non-diegetic soundscape dominates the mix, beginning with a deep, resonant synthesized drone that swells gently to establish a somber, cinematic foundation. Immediately following, a single male voice enters with a sustained, high-register vocalization, singing \"Sondaa, a long resonant cry that echoes into the distance,\" delivered with pronounced vibrato and a slightly strained, ritualistic timbre. Both the drone and the vocal line are drenched in cavernous, large-hall reverb, creating an expansive ethereal space that fills the stereo field evenly. The vocal phrase holds steady without lyrical development, harmonizing with the constant drone until the sequence naturally resolves into a lingering, atmospheric hum that leaves the viewer suspended in anticipation.","video_1_relative_path":"videos/46f341ff97439825.mp4","video_2_relative_path":"videos/22914d94a96638ef.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/movie/movie_4/example.json::00000003","text_prompt":"Cinematic disaster sequence, shot with a large-format lens and dramatic, high-contrast lighting. The scene opens in an extreme close-up, almost macro perspective, capturing a massive, turbulent plume of dark grey and black smoke billowing upward. The texture is violently chaotic, with swirling eddies and glowing orange embers flickering deep within the cloud, hinting at intense heat at its core. Small, indistinct fragments of building materials hang suspended in the updraft, while harsh lighting carves the smoke’s edges against a bright, out-of-focus background. A deafening, low-frequency roar immediately floods the soundscape, rapidly escalating in volume and layered with sharp, high-pitched cracks that echo shattering concrete and glass. The audio swells in perfect synchronization with the violent visual expansion before the camera abruptly cuts to a high-angle, wide aerial view. From this vantage, the source of the devastation is laid bare: a towering skyscraper in the heart of a dense, modern city grid is actively collapsing from its midsection outward. A colossal column of thick grey smoke erupts vertically from the impact zone, while bright orange flames lick from multiple floors, illuminating a cascading waterfall of dust, rubble, and twisted metal that widens into a crater on the street below. The surrounding metropolis remains eerily static, with intact adjacent buildings and distant traffic flowing normally, completely unaware of the chaos above. The soundscape mirrors this scale, sustained by a deep, resonant, and continuous roaring rumble punctuated by intermittent, thunderous booms as massive structural sections crash down, dominating the audio with no music or speech to distract from the raw destruction.\n\nThe camera holds its static, elevated position as the immediate violence of the collapse gradually subsides. The central tower is now reduced to a smoldering ruin, still exhaling a steady stream of dark smoke that drifts slowly into the sky. A fine haze of dust hangs heavily over the intersection, gradually obscuring the lower levels of the wreckage and the street beneath it, while the bright orange glow of the fires dims but remains visible through the gaps in the debris. The audio transitions to a lower-intensity phase, characterized by a persistent, heavy structural rumble and the softer, granular patter of settling rubble raining down. Though the overall volume decreases, the atmosphere remains thick with tension and ominous weight, sustained by the lingering acoustic energy of the event as the scene settles into a haunting stillness.","video_1_relative_path":"videos/39e978a9042da31c.mp4","video_2_relative_path":"videos/46610930066a95a2.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/movie/movie_4/example.json::00000008","text_prompt":"Cinematic electronic atmosphere, static low-angle shot under a stadium roof at night. Dominating the upper edge is a dark horizontal beam bearing the illuminated word “ETIHAD” in bold white sans-serif capitals, positioned slightly right of center alongside a glowing black-and-white checkered flag motif. Beneath this architectural canopy hangs a rectangular lighting rig featuring two vertical columns of four circular lamps each, flanked by angular white trusses that catch faint ambient highlights against the deep black sky. The scene unfolds in silence as the left column ignites sequentially, each lamp bursting into a warm amber glow with instantaneous, uniform brightness, while the right column remains shrouded in darkness, creating a stark vertical bar of light that contrasts vividly with the unlit half and the surrounding negative space. The visual stillness is matched by a meticulously crafted, non-diegetic soundscape that suspends time in a sleek, technologically precise atmosphere. A continuous low-frequency electronic drone forms the foundation, layered with a steady mid-tempo percussive pulse at approximately one hundred twenty beats per minute that mimics a synthetic heartbeat. Over this rhythm, a bright arpeggiated synthesizer motif cycles in rapid, staccato bursts, treated with moderate digital reverb to evoke a vast, virtual expanse. The mix remains clean and spacious, entirely devoid of environmental ambience, crowd noise, or mechanical clicks, ensuring that the silent activation of each bulb feels abstract and mood-driven rather than literal. Together, the rhythmic illumination and hypnotic electronic score cultivate a sense of latent energy and grand anticipation, perfectly poised to introduce a major spectacle.","video_1_relative_path":"videos/4dc60d8d8778afe0.mp4","video_2_relative_path":"videos/ee0a103b37b9ab1f.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/movie/movie_4/example.json::00000048","text_prompt":"Cinematic realism, wide-angle to medium lens, low-angle opening that slowly pulls back and pans right. The scene opens on a desolate stretch of highway vanishing toward the horizon, its dry, cracked asphalt etched with faint tire marks beneath a pale, hazy sky. From the left edge of the frame, the front wheel of a heavily modified motorcycle glides slowly into view, revealing intricate mechanical details like exposed gears, chrome spokes, and complex piping. As the camera eases backward and pans right, the full profile emerges: a rugged engine block, sweeping exhaust pipes, and weathered handlebars gleaming under harsh natural sunlight. A rider clad in dark clothing and gloves sits astride the machine, posture relaxed yet coiled with readiness, anchoring the composition in a quiet moment of anticipation.\n\nThe soundscape grounds the image in raw mechanical realism. A deep, rhythmic chugging from a large-displacement engine idles at a steady, low pitch, punctuated by subtle metallic rattles as loose components vibrate against their mounts. A faint, dry wind whispers across the open terrain, carrying no echo and reinforcing the isolation of the setting. As the front wheel rolls forward, a crisp metallic clank syncs with its contact against the pavement, followed by a barely perceptible rise in engine RPM as the rider’s gloved hand tightens its grip on the handlebars. The ambient tension builds without musical accompaniment or dialogue, leaving only the persistent hum of the idle engine and the whisper of the wind to underscore a mood that is both contemplative and charged with imminent motion.","video_1_relative_path":"videos/5642594a4273276b.mp4","video_2_relative_path":"videos/275030bf0dc75e11.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/movie/movie_5/example.json::00000041","text_prompt":"Cinematic wide shot, desolate reddish-brown Martian landscape under a hazy orange sky, lit by diffuse, alien daylight. In the foreground, two silver metal crutches lean against each other in the sand on the left, while to the right, a complex tangle of green metallic tubes and mechanical components lies toppled on its side. Behind this wreckage, partially buried in a low ridge of dirt, rests a large spherical habitat module capped with a reflective gold dome and marked by a red band near its base. The terrain stretches into vast, flat plains that lead toward distant, layered rock formations. The entire scene remains utterly motionless, with no wind or shifting debris to disturb the stillness.\n\nOver this silent tableau plays a single, unrelenting sound: a high-pitched, metronomic electronic beep that mimics a medical heart monitor alarm. Each sharp, synthetic pulse cuts through an otherwise acoustically dead environment, devoid of wind, rustling, or atmospheric hum. The clinical rhythm persists without variation in pitch or volume, creating a stark contrast between the frozen visual abandonment and the insistent, eerie urgency of the alert. The mood settles into a suspenseful solitude, where the relentless beep underscores themes of isolation, mechanical failure, and fragile survival on an alien world.","video_1_relative_path":"videos/cd32eb6e005ff9b3.mp4","video_2_relative_path":"videos/be6c02d448eb76e1.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/movie/movie_6/example.json::00000019","text_prompt":"Set in a dimly lit, futuristic control corridor defined by padded white walls and exposed industrial piping, the scene is captured through a static low-angle wide shot that emphasizes sterile white surfaces, matte black machinery, and high-contrast blue monitor glow against crimson indicator pulses. Four vertically stacked screens on the left wall display steady blue waveforms and data readouts, while a console panel beneath them pulses with rhythmic red and blue lights. From the center-right background, a solitary figure in a dark long-sleeved jumpsuit descends a short metal ladder with deliberate control, gripping the rails before stepping onto the floor. He moves forward to a vertical wall panel featuring three illuminated red buttons and extends his right hand to press the topmost one with firm certainty. As his finger makes contact, a sharp metallic click rings out, immediately followed by a brief, rising electronic whine that suggests a heavy relay engaging or a power surge activating. Throughout the sequence, a deep, continuous low-frequency mechanical hum fills the acoustic space, grounding the environment in the steady thrum of ship engines or industrial ventilation. The monitors cast soft blue reflections across the room as the data graphs remain static, and the man holds his position facing the panel, motionless. The atmosphere remains tense and subdued, defined by stillness, precise industrial design, and the weight of a single, consequential action in an automated, echoing chamber.","video_1_relative_path":"videos/6f2cc87e2bc09e91.mp4","video_2_relative_path":"videos/b52366bd3d2def00.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/movie/movie_6/example.json::00000036","text_prompt":"Shot with a handheld lens in the style of a gritty wartime thriller, the sequence opens inside a dimly lit wooden hut at night. Warm, flickering firelight paints the rough timber walls in deep oranges and smoky grays, casting dynamic shadows as a faint, low orchestral drone begins to underscore the tension. A hooded soldier stands in the foreground, aiming a bolt-action rifle toward the right, while a rapid cut thrusts us into a close-up of a bearded comrade in a helmet and heavy wool coat. His face is strained and urgent as he unleashes a sharp, aggressive yell that cuts through the swelling strings. The camera pans slightly to follow another soldier sprinting leftward past a burning barrel, sparks flying as he vanishes into the smoke, while the muffled crunch of boots on snow begins to bleed into the mix.\n\nThe perspective shifts abruptly outdoors into a snowy courtyard surrounded by wooden buildings, where chaotic combat erupts in a storm of muzzle flashes and overlapping gunfire. One soldier fires his rifle, the flash briefly illuminating his face before a nearby comrade is struck and recoils backward, blood splattering against the wall. The orchestral score swells with percussive hits synchronized to each crack of a shot, while a dense auditory wall of weapon reports, wind hiss, and a sharp metallic clang of ejected casings fills the air. A soldier in a tan overcoat sprints directly toward the camera before veering right, the handheld frame shaking violently to amplify the disorientation. Finally, the action settles on two soot-stained soldiers crouching beside a large artillery piece mounted on sled runners; one works the breech while the other braces himself, both glancing upward anxiously as distant explosions rumble off-screen. The music reaches a dramatic crescendo before cutting out abruptly, leaving only the fading echo of battle sounds and the cold winter wind.","video_1_relative_path":"videos/734430ebf8244b3e.mp4","video_2_relative_path":"videos/7416562342a231fa.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/movie/movie_6/example.json::00000038","text_prompt":"The scene opens in a dimly lit industrial interior bathed in deep teal and cyan light, evoking a submerged or subterranean facility. A static medium close-up frames the right side of the composition, holding on a man with short, dark curly hair and stubble, wearing a black tank top that reveals a dirt-smudged left shoulder. He sits slumped forward, resting his chin heavily on his right hand, his eyes closed and posture radiating profound exhaustion and despair. To the left, metallic machinery anchors the foreground, featuring two prominent vertical green cylinders mounted on a steel frame, while blurred equipment behind them glows with a faint red indicator. Through a large viewport in the background, a dark aquatic environment stretches outward, filled with suspended particulate matter drifting slowly in the ambient glow. A shallow, weary exhalation breaks the silence, followed by a constant low-frequency mechanical hum that vibrates through the enclosed metallic space, layered with faint watery whooshes suggesting external ocean pressure. Over this somber bed, a slow-tempo orchestral score of sustained high-register strings in a minor key enters softly, swelling gently in volume. As the melancholic music sustains its mournful tone, the man’s lips part slightly and a strained, breathy male voice whispers, \"Please no,\" his delivery trembling with quiet resignation. The camera remains fixed, capturing only the subtle tightening of his expression and the endless drift of particles outside the glass, leaving the moment suspended in unresolved tension.","video_1_relative_path":"videos/ede49498cd32833e.mp4","video_2_relative_path":"videos/9f332f1518797903.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_1/example.json::00000088","text_prompt":"A cinematic medium two-shot establishes a warmly lit contemporary café blending modern and traditional Chinese décor, where earthy brown wood tones contrast with the cool blue of a hanging noren curtain. A young East-Asian man in a brown crew-neck sweater sits at the counter, while an East-Asian woman in a dark textured blazer stands opposite him, a black wallet held at her waist. Behind them, stainless-steel appliances and a green QR-code payment stand sit beside a glass of amber liquid and a stack of pink banknotes. Bathed in warm key illumination, the man leans forward with wide eyes and an open mouth, his tone light yet incredulous as he states, \"That's a bit much.\" A calm, neutral female Mandarin voice follows as the woman looks down briefly before raising her gaze, explaining, \"Besides the food cost, there is your delivery fee.\" The scene remains quiet, anchored only by a faint indoor room tone.\n\nA straight cut shifts to an over-the-shoulder close-up of the man, the blurred outline of the woman’s shoulder occupying the near left edge to emphasize depth. His surprise melts into a broad, toothy smile and a brief, amused chuckle, his eyebrows lifting playfully as he inhales softly before responding with a friendly, mildly apologetic tone, \"Our shop doesn't do take-out.\" The lighting continues to bathe the wooden surfaces in rich warmth while the cool backdrop maintains visual separation, reinforcing a cozy yet contemporary mood. The shot holds steady on his good-natured expression, capturing the lighthearted negotiation and leaving the conversational moment open-ended, inviting the viewer to sense the unspoken familiarity between customer and staff.","video_1_relative_path":"videos/405243d6852375a1.mp4","video_2_relative_path":"videos/7f0d75a75e7bb340.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_10/example.json::00000051","text_prompt":"Cinematic scene, static medium shot from inside a small open-topped boat gliding along a quiet canal under soft, overcast daylight that casts even, shadow-free illumination across a palette of warm earth tones. On the left sits a young man in a dark grey blazer over an unbuttoned white shirt; on the right, a young woman with shoulder-length wavy blonde hair wears a black sleeveless top with lace trim and rests a brown shoulder bag on her lap. Behind them, a stone embankment rises with green trees, yellow lounge chairs, and a distant artist at an easel, while a large white passenger ferry rests moored further downriver. The camera holds steady without cuts or zooms as the boat rocks gently, visible only through subtle shifts in the water against the hull.\n\nA young man with a casual North American accent begins, asking, \"What, what? You laughing at me?\" A young woman with a bright, neutral tone replies, \"No.\" He continues, grinning broadly and gesturing lightly near his chest, his tone carrying playful self-deprecation as he asks, \"Does my situation sound pathetic?\" She responds with mock seriousness, raising an eyebrow and leaning forward slightly, before teasing, \"Which monastery lets monks have sex?\" He concedes with good humor, flashing a quick peace sign with two fingers while chuckling, and completes his thought naturally: \"Okay, all right, you’re right. I’m doing better than most monks.\" Her laughter softens into a warm nod, and both settle into relaxed, familiar postures. The audio relies entirely on crisp, close-miked dialogue layered over barely perceptible river ambience—distant water lapping, a faint breeze rustling foliage, and the occasional soft fabric rustle or negligible hull creak—allowing their nuanced vocal performances to drive the intimate, spontaneous exchange without any musical score or crowd noise.","video_1_relative_path":"videos/ada5fa050c49bb16.mp4","video_2_relative_path":"videos/9a4560c8a7c47672.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_10/example.json::00000068","text_prompt":"Cinematic slice of everyday realism, captured in a single locked-off medium-wide shot with a standard lens, the scene opens in a quiet clinic lobby bathed in soft, even overhead illumination that renders pastel walls, deep blue carpeting, and beige upholstered seating in natural, neutral tones. A black decorative wall panel with swirling white motifs anchors the background beside a slim glass table holding a small potted plant with yellow blossoms. Three young adults enter briskly from the left: a woman in a cream polka-dot blouse and black trousers carries a patterned handbag while holding hands with a man in a white graphic tee and blue jeans, followed closely by a companion in a purple-and-grey zip-up hoodie. Their soft, rhythmic footsteps echo on the hard flooring beneath a low, steady ambient hum as they halt near an off-screen reception desk. The leading man turns slightly, his posture relaxed yet attentive, and a clear, courteous male Mandarin voice asks, \"哎你好，请问欧阳医生在吗？\" An off-screen female voice, calm and professional, replies, \"哦，欧阳医生在里面呢。\" He nods, murmuring in a polite Mandarin tone, \"好，谢谢。\" while his companions exchange subtle glances and slight head turns. The man in the hoodie then leans in, glancing sideways at his friends with a light, teasing inflection, and a playful male Mandarin voice adds, \"这个欧阳医生一定很帅吧？\" The camera remains entirely static throughout, preserving spatial continuity and grounding the moment in unobtrusive, naturalistic sound design where crisp dialogue and faint fabric rustles sit cleanly above the ambient bed, capturing a candid slice of friendship and routine medical visitation without a single cut or musical cue.","video_1_relative_path":"videos/af8a85cfc75daeb8.mp4","video_2_relative_path":"videos/5c79857d60cbd079.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_10/example.json::00000098","text_prompt":"Cinematic wide shot, harsh midday sunlight, warm earth-tone palette against a clear blue sky. A beige recreational vehicle with red-and-yellow stripes sits motionless in the background with its side door ajar, while in the mid-ground, a man in a light-blue full-body protective suit and purple shoe covers slumps forward in a blue-and-white checkered camping chair, his right elbow resting on his knee as his hand supports his forehead in exhaustion. Beside him lie a dark duffel bag and a small silver foil packet, hinting at clandestine work. Standing nearby in a dark beanie, dark jacket, and bright yellow long-sleeved shirt, a younger man faces him with a loosely clenched fist at waist height. A slightly mocking North American male voice cuts through the still air: “You just crawled out of a microwave.”\n\nThe camera remains locked off as the desert heat shimmers above the dry grasses, broken only by faint insect chirps and the seated man’s slow, labored breathing. He lowers his hand from his face before pressing it back against his brow, while the standing man shifts his weight slightly, maintaining his watchful stance. After a tense pause, the standing man leans forward a fraction, his tone shifting to direct pragmatism laced with quiet concern: “You gonna be able to finish the batch?” The seated man offers no verbal reply, simply exhaling audibly and tilting his head downward with his eyes closed. The scene holds on their frozen positions under the relentless sun, the sparse diegetic soundscape of wind and insects underscoring the isolation and mounting tension of their remote operation.","video_1_relative_path":"videos/4f48c6ad50b747b7.mp4","video_2_relative_path":"videos/6cdaf898ab65e715.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_12/example.json::00000035","text_prompt":"Set against a quiet urban street at night, the scene opens on a steady medium close-up framed over a man’s right shoulder, isolating a young East-Asian woman from mid-chest upward. She wears a beige wool coat and a vividly patterned scarf in deep purple, blue, yellow, and white, her long dark-brown hair falling past her shoulders. A practical streetlamp from above-right casts gentle highlights across her face while leaving the opposite side in soft shadow, emphasizing the glisten in her eyes and the slight part of her lips. A calm, neutral female Mandarin voice begins, speaking in a soft, slightly breathy tone tinged with concern, stating \"您放心。\" The shallow depth of field blurs the background into circular bokeh city lights, with a dark sedan parked just behind her left shoulder, while a barely audible low-frequency urban hum and soft wind-like rumble underscore the intimate atmosphere.\n\nA straight cut reverses the perspective to an over-the-shoulder shot from behind the woman, centering on an older East-Asian man with short black hair graying at the temples and a neat goatee. Dressed in a black turtleneck beneath a dark, subtly textured jacket, he leans forward slightly, his brow furrowed and gaze fixed intently on her. A calm, protective male Mandarin voice delivers his response in a measured, low-pitched baritone with deliberate pacing: \"这事你就不用再管了，回去好好休息。\" The ambient night sounds remain constant, blending distant traffic hush with the quiet tension of the exchange, while the pronounced bokeh continues to separate the pair from the abstract urban nightscape.\n\nThe camera returns to the original angle, holding steady on the woman as her expression tightens, brows lifting and eyes widening in quiet confusion and hurt. A confused, plaintive female Mandarin voice follows, asking softly but insistently, \"为什么？\" The frame lingers on her troubled face, the muted earth tones of their clothing punctuated only by her colorful scarf, drawing the viewer’s focus entirely to her micro-expressions. With no camera movement and minimal ambient sound, the classic shot-reverse-shot grammar emphasizes the emotional gravity of the moment, leaving the scene suspended in a hushed, dramatic stillness.","video_1_relative_path":"videos/0d4f7533ae09ee49.mp4","video_2_relative_path":"videos/d0b327f460923090.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_12/example.json::00000072","text_prompt":"The scene opens in a dim, stone-walled chamber that evokes a medieval castle or wizarding academy hall, bathed in warm directional light from camera-left that contrasts with cool bluish backlight spilling through tall arched windows. A shallow depth of field isolates a young woman in the foreground, dressed in a white collared shirt, maroon-and-gold striped tie, dark sweater vest, and a red velvet shoulder cape reminiscent of a classic house uniform. Her long dark-brown hair is parted with straight bangs and tied into two low pigtails. Behind her, slightly out of focus, stands a robed figure with a pale human skull for a head, while a bronze winged statue rests on a tripod to the far right. A brief, bright burst of audience laughter fades into a hushed room tone as Student A, a young adult female speaking in standard Mandarin with a lively, slightly anxious timbre, begins, \"如果你说的这些基础我都没有，但是我会一点点乘法口诀，有希望吗？\" As she speaks, she raises her right hand near her chin, pinching her thumb and forefinger together to emphasize her words, her eyebrows lifting and eyes widening as a tentative smile breaks across her face, conveying a blend of self-deprecation and hopeful humor.\n\nA hard cut shifts the frame to a new medium shot, maintaining the same lighting palette, color design, and shallow focus. Now centered is Student C, a young adult male in an identical uniform, his round wire-rim glasses catching the warm light as he offers a warm, reassuring smile. To his left, Student D, a female student with long wavy brown hair, stands with her arms folded, watching him with a neutral, mildly skeptical expression. The skull-headed figure and bronze statue remain quietly anchored in the background, preserving the whimsical yet slightly ominous atmosphere. Student C, a young adult male speaking in standard Mandarin with a calm and reassuring tone, answers crisply, \"有。\" The static camera holds the moment, letting the brisk conversational rhythm and richly textured fantasy backdrop deliver the scene’s comedic punch before the frame ends.","video_1_relative_path":"videos/993b1fcef8c667ac.mp4","video_2_relative_path":"videos/838d6dd79fa573c2.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_2/example.json::00000004","text_prompt":"A cinematic medium-wide shot, eye-level and sharply focused, establishes a brightly lit science classroom bathed in even, cool fluorescent light that casts minimal shadows across a muted palette of grays, blacks, beiges, and pastel poster hues. Along the back wall, a black countertop sits beneath a large bulletin board plastered with student science projects, including clearly legible titles like “Gynecomastia” and “Nasty Teeth.” Standing before the counter is a bald, middle-aged man in a black bomber jacket layered over a rust-colored knit sweater and white collared shirt. He faces slightly right toward a colleague whose back is to the camera; the second man, wearing a light-gray diamond-patterned cable-knit sweater and beige trousers with glasses perched on his head, leans over the counter, quietly arranging small items. A low, steady HVAC hum fills the otherwise silent room as the bald man begins speaking in a calm, measured tone, stating, “Well, I had some questions I wanted to run by you, work-related.” His expression remains serious, brows faintly knitted, while the colleague continues his task without turning. After a brief pause, the bald man’s voice softens with mild concern, raising his left hand from his pocket in a tentative, open-palmed gesture as he asks, “Oh, you feeling okay?” The camera holds its static framing on the unresponded question and the quiet laboratory atmosphere until the scene fades.","video_1_relative_path":"videos/468bebdb9f343c22.mp4","video_2_relative_path":"videos/61d41a0ad879ccae.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_2/example.json::00000046","text_prompt":"A cinematic wide shot, fixed camera, soft daylight filtering through closed horizontal blinds casting pale stripes across teal walls and a tiled floor inside a hospital infusion center. The composition is arranged in a shallow diagonal, where five patients rest in dark reclining chairs beneath a large white banner bearing the words HOPE, FAITH, COURAGE, and PEACE. IV poles with yellow fluid bags rise behind the seating, and idle monitors sit on metal carts nearby. In the foreground, a woman in a tan jacket reads a magazine with a calm but weary expression, while beside her, an older woman in a beige sweater and patterned headscarf knits blue yarn, her gaze fixed downward. Slightly further back, a man in glasses and a light striped shirt watches the right side of the room, where a blonde woman in a pale-blue cardigan sits upright, hands folded, her eyes glistening with unshed tears. An empty black rolling chair rests at the extreme edge of the frame, and the entire scene is steeped in a hushed, contemplative atmosphere, underscored by a low room tone and the faint hum of climate control.\n\nAn off-screen male voice begins, his tone gentle and tinged with vulnerability, stating \"You know, actually, it wouldn’t make me feel a little better knowing that you were there when you were going through your own treatment.\" The utterance trails off into a quiet pause, leaving only the soft HVAC hum to fill the silence. As his words linger, the knitting needles of the woman beside the reader still for a moment, the magazine in the foreground lowers slightly, and the blonde woman’s expression tightens with the weight of memory. The camera remains completely still, holding the tableau of shared endurance and quiet resilience without a single cut or fade, allowing the muted palette and even lighting to emphasize the profound, unspoken solidarity of the space.","video_1_relative_path":"videos/75c089e18a981927.mp4","video_2_relative_path":"videos/3596731f363ac9fe.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_2/example.json::00000061","text_prompt":"A contemplative character-driven drama opens with a single continuous medium tracking shot at eye level, gliding along a paved path bordered by dense green shrubs and small trees. Soft, diffuse daylight filtered through the foliage bathes the scene in warm, slightly golden tones, casting gentle highlights and minimal shadows while a shallow depth of field isolates the two subjects against a softly blurred background of a modern white building with large windows and a metal railing. The man, on the left in a dark-grey blazer over an open-neck white shirt, gestures with both hands as he speaks in a calm, reflective manner, while the woman, on the right in a black sleeveless top with ruffled straps, light denim shorts, and a brown cross-body bag, rests her left hand on her hip and turns her head toward him with eyebrows raised in mild surprise. A low, steady city-traffic hum underlies the soundtrack, grounding the intimate atmosphere without any music or wind.\n\nAs the camera maintains a smooth, consistent push-in, the foliage sways almost imperceptibly in a light breeze. A calm, reflective male voice begins, stating, \"Few things that happen to us change our disposition.\" The woman responds with a curious, slightly surprised tone, \"Really, you believe that?\" He answers thoughtfully, palms opening outward for emphasis, \"I think so. I read this study where they followed people who’d won the lottery and people who’d become paraplegic.\" The quiet exchange unfolds against the muted greens of the vegetation and the neutral greys of the architecture, preserving a contemplative mood that explores themes of human resilience and emotional constancy through natural blocking and subtle expressions.","video_1_relative_path":"videos/d0cd252b73ec4f6d.mp4","video_2_relative_path":"videos/55404f5eea61ff50.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_2/example.json::00000084","text_prompt":"A contemporary web-sketch comedy scene opens on a brightly lit interior resembling a modern living-room or balcony, captured by a locked-off medium-wide camera at eye level. Soft, even illumination from a white-framed glass door blends with diffused fill lighting to create a vivid, saturated color palette that enhances the playful mood. Three young East Asian adults sit side-by-side on a low bench against a reddish-pink wall. On the left, a man in a light-blue plaid suit, white shirt, and navy tie dotted with red holds an open palmful of small dark snacks. In the center, a woman with a high ponytail wears a red-and-white varsity jacket adorned with colorful patches, including a blue \"LIFE\" label and a yellow smiley \"HAPPY\" emblem, over a white T-shirt while clutching a yellow snack packet. To her right, a woman with long wavy blonde-highlighted hair and a pink off-the-shoulder top grips a red-and-white striped popcorn box. A fourth person’s light-green-sleeved arm rests partially visible at the frame’s edge. The room is quiet save for a faint indoor room tone and a brief burst of canned laughter that quickly fades. A concerned, clear female Mandarin voice leans forward and states, \"你还没有找到工作？\" (\"You still haven't found a job?\").\n\nWithout a cut, a frustrated, energetic male Mandarin voice exhales and replies, \"那些面试太难了，技能证书、工作经验我都没有。\" (\"Those interviews are too hard; I don't have skill certificates or work experience.\") while gesturing with his free hand and flicking crumbs from his palm. The two women listen intently, the center woman’s mouth falling half-open in surprise while the woman on the right’s eyes widen and her lips part slightly. The same male voice continues with exaggerated emphasis, briefly pointing upward for comic effect as he adds, \"就好像张伟去酒吧泡妞，两眼一抹黑。\" (\"It's like Zhang Wei going to a bar to pick up girls—completely clueless.\"). The physical comedy peaks as the center woman’s jaw drops further and the woman on the right’s eyes bulge comically. A second short wave of bright, synthetic canned laughter swells to underscore the punchline before fading out. The camera holds steady on the trio, frozen in their exaggerated expressions, capturing the synchronized, stage-like intimacy typical of contemporary web-sketch comedy.","video_1_relative_path":"videos/f0e0167ec0f33be0.mp4","video_2_relative_path":"videos/792ac22dd5238b7b.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_3/example.json::00000002","text_prompt":"A dim, cluttered laboratory or workshop opens in a wide shot, where dusty shafts of light pierce the darkness from high windows and an unseen lamp, illuminating shelves crammed with glass beakers, flasks, jars, cardboard boxes, metal drums, and assorted mechanical parts. A long horizontal condenser tube glints at centre frame. Low-key lighting with strong chiaroscuro carves pockets of brightness from deep shadows, while suspended dust motes add texture to the industrial grit. In the mid-ground, a young man with spiky blond hair sits hunched over a wooden workbench, shoulders slumped and head lowered as though lost in thought, his dark jacket revealing a vivid red lining against the earth-toned surroundings of browns, grays, and muted tans. The scene is quiet, sustained only by a faint natural room tone. A taller figure enters from the left rear and walks toward the seated boy, dressed in a tan hooded parka, dark trousers, and a striped knit beanie. As he approaches, he breaks into a broad smile, leans forward, and rests his hands casually on his hips while gazing down. An excited adult male voice with a North American accent rings out, stating \"You are Willy Wonka and I got the golden ticket!\" with a bright, triumphant lilt. The camera begins a slow pan rightward, drifting slightly closer while keeping both figures in frame. The standing man straightens, still smiling, and lets out a short, breathy exclamation of surprised delight: \"Oh.\" The seated boy finally lifts his head, his eyes widening and mouth parting in surprise that quickly melts into delighted recognition. He looks up at the visitor, then back toward the gleaming apparatus before him, the lighting catching the metallic sheen of the condenser and scattered glassware to accentuate the workshop’s mysterious atmosphere.\n\nNo further speech follows; only the soft ambient hush of the room persists as the image holds on their expressive faces. The absence of a musical score heightens the realism, leaving the single burst of dialogue and the quiet workshop environment to create a sense of intimacy and immediacy.","video_1_relative_path":"videos/74fb18c23d03e260.mp4","video_2_relative_path":"videos/720d85e2c0a67079.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_4/example.json::00000001","text_prompt":"A modest, softly lit interior resembling a traditional Chinese study opens in a medium-close over-the-shoulder composition, isolating a young woman seated at a dark wooden table. She wears a burgundy rib-knit turtleneck beneath an off-white quilted jacket trimmed with vivid yellow-green-red paisley patterns, her long dark hair falling straight to her shoulders, while a beige handbag rests on the adjacent chair. Behind her, a pale wall and a dark-wood window frame reveal a muted courtyard and a white sink outside, all bathed in even, shadow-soft lighting that maintains a hushed, intimate atmosphere. With steady eye contact toward someone off-screen, she speaks in clear, mid-range Standard Mandarin, her voice firm yet controlled, carrying restrained frustration as she declares, \"If you refuse to care for him, Father can come with me. But before we leave, the accounts still need to be settled clearly.\"\n\nA hard cut shifts to a matching medium close-up of a young man positioned in the left foreground, his short, slightly wavy black hair and black bomber jacket layered over a white collar and red sweater blending into the room’s subdued tones. Behind him, a tall wooden bookshelf crowded with books, decorative objects, two small grey elephant figurines, and a red-bound folder bearing a gold star emblem anchors the personal space. The shallow depth of field keeps the focus tightly on his face as his gaze drops briefly before lifting toward her, signaling reluctant engagement. After a tense silence that allows the bare room tone to carry the weight of the confrontation, he replies in a lower, exasperated tone, his rhetorical intonation edged with irritation: \"Don't you think you are being childish?\" The camera remains completely static throughout, the absence of music or ambient sound amplifying the dramatic tension as the exchange hangs unresolved.","video_1_relative_path":"videos/56588c44ed8aaaf8.mp4","video_2_relative_path":"videos/2550ad70ee38f039.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_4/example.json::00000003","text_prompt":"A moody domestic drama unfolds in a dimly lit living room at night, captured on a 35mm lens with a shallow depth of field. Warm interior tungsten lighting contrasts with cool exterior darkness, casting muted earth tones across the space. A middle-aged East Asian man in a dark-gray suit, crisp white shirt, and black tie sits alone on a mustard-yellow leather armchair positioned slightly right of center. Soft key-light from camera-left highlights his furrowed brow as he clasps and unclasps his hands in a restrained gesture. Behind him, a clothes-drying rack, a side table with a framed photograph, and a glimpse into a domestic kitchen with a white refrigerator and glass cabinet establish a lived-in, somber atmosphere. A weary, low-pitched male Mandarin voice carries through the quiet room as he speaks, stating \"那名誉变成这样，那我们大家不都是都有责任吗？\". The room holds only a faint ambient tone, amplifying his isolation.\n\nA straight cut shifts to a wider over-the-shoulder shot from behind the older man, revealing two younger relatives seated on a gray sofa opposite him. On the left, a young woman in her early twenties with short hair and bangs, dressed entirely in black, sits with hunched shoulders and downcast eyes, her moist gaze and shallow breathing conveying quiet sorrow. Beside her, a young man in his late twenties or early thirties, wearing a black suit with a loosely tied tie, leans forward with his elbows on his knees, his expression a mix of restrained frustration and weary resolve. Between them rest patterned cushions, while a memorial arrangement of a framed portrait, white flowers, and candles on a nearby sideboard underscores the recent bereavement hanging over the family. A calm but firm male Mandarin voice, edged with restrained frustration, addresses him: \"行了，大哥，你做你的好人。\". The camera remains static, allowing the micro-expressions and the heavy silence to carry the narrative weight, leaving a palpable tension suspended in the quiet room as the scene fades.","video_1_relative_path":"videos/9611749ccf940b8a.mp4","video_2_relative_path":"videos/3b8c370fb5bbf1e6.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_4/example.json::00000017","text_prompt":"A nocturnal urban drama unfolds through a static exterior frontal view framed by the windshield of a stationary red Jeep-like SUV, captured with a moderate depth of field that softens the drifting city lights outside. Cool blue and purple streetlight tints the scene, contrasting with the crisp white glow of an overhead LED bar that washes over the dashboard and occupants. Inside, a man in a black leather jacket and pale collared shirt sits behind the wheel, his left hand resting on the steering wheel, while a woman in a beige blazer and high-necked white ruffled blouse occupies the passenger seat, both securely belted. A low, continuous engine hum fills the cabin as the man turns slightly toward her, his voice calm and lightly upbeat: “找个地方庆祝一下，吃顿好的。”\n\nA hard cut shifts to a locked-off medium close-up from the passenger side, tightening the frame on their faces and emphasizing the woman’s restrained posture. As the man finishes his suggestion, her expression tightens—brows knitting and lips pressing together—before she glances down and shifts her weight, accompanied by a soft rustle of fabric. Outside the windows, blurred city lights drift past in the background, confirming they remain caught in stationary traffic. Suddenly, the woman lifts her gaze, eyes widening with irritation, and asks sharply: “你怎么回事啊？” The man turns back toward her with mild puzzlement, replying: “怎么了？”\n\nLeaning fractionally forward, her voice grows firmer and accusatory as she presses: “昨天晚上咱们怎么定的规划你忘了？” The confined space and shallow depth of field isolate their micro-expressions against a softly blurred backdrop, while the deep reds of the interior clash with the cool nocturnal palette to heighten the emotional tension. With no music or external noise to distract, the quiet cabin and minimal soundscape focus entirely on the rhythm of their exchange, capturing a pivotal moment of relational friction where a celebratory invitation quickly unravels into quiet reproach.","video_1_relative_path":"videos/1151e11bafdf1c4b.mp4","video_2_relative_path":"videos/cb43dfd92d245553.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_4/example.json::00000018","text_prompt":"A nostalgic small-town Americana scene opens in a brightly lit, open-front automotive repair shop, shot with a smooth tracking camera and a warm earth-tone palette accented by saturated blues and reds. Bathed in high-contrast natural daylight streaming through the garage door, a medium shot frames a light-colored vintage car with its hood propped open. Beside the engine bay stand a heavyset customer in a white polo with blue stripes and light jeans, hands resting on his hips, and a tall mechanic named Herschel, clad in a dark-blue jumpsuit over a tan turtleneck, his oval name tag pinned to his chest. The workspace is detailed with stacked tires, tool-lined shelves, a yellow oil drum, and a red toolbox. Under a faint low hum of distant traffic and the occasional soft clink of metal, Herschel speaks in a calm, slightly gravelly voice with a mild Southern inflection, explaining, \"In fact, it's got one hundred thirty thousand miles on it.\"\n\nAs he turns and walks toward the sun-drenched doorway, the camera pans right, tracking his movement and widening the frame to spill onto the street. A weather-worn wooden sign leaning against the façade advertises tires and used cars in hand-painted block letters, while a turquoise pickup and silver sedan rest under leafy trees near a beige single-story building. Herschel’s tone shifts to mild concern as he continues, \"She been running hot. I'm worried,\" his pitch rising slightly on the word hot. The customer follows partway outside, still frowning at the vehicle, until the camera settles into a looser composition that captures all three figures. A young curly-haired boy in a blue long-sleeved shirt with a red chest stripe has just appeared behind the customer, his wide eyes darting between the adults with quiet curiosity. Natural daylight evenly illuminates their faces while a shallow depth of field softly blurs the parked cars and foliage behind them. The mechanic finishes his thought, and the scene closes on the quiet atmosphere, punctuated only by a brief metallic clank echoing from deeper within the shop.","video_1_relative_path":"videos/fd47a3e001e867eb.mp4","video_2_relative_path":"videos/af6b548e33fa2014.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_4/example.json::00000021","text_prompt":"A nostalgic, dialogue-driven scene opens on a medium two-shot inside a retro American diner, bathed in warm, late-afternoon sunlight that slices through horizontal blinds. The palette leans into saturated reds from the vinyl booth upholstery and muted browns of the wooden table, which is cluttered with half-eaten plates, a white coffee cup on a saucer, a glass soda bottle, chrome condiment holders, and a napkin dispenser. A woman with short, layered reddish-blonde hair, wearing a dark long-sleeved top and a chunky silver necklace, leans forward across the table, pointing her right index finger as she speaks. A calm, skeptical female voice with a North American accent begins, stating, \"This place? A coffee shop?\" Her tone is incredulous yet measured, cutting through the low-level diner ambience of soft cutlery clinks, distant chatter, and a subdued HVAC hum.\n\nA straight cut shifts to a medium close-up of the woman, where sunlight rakes across her face, casting soft highlights and gentle shadow stripes from the blinds. She holds her gaze off-screen, lips pursed in mild disbelief, as the restaurant murmur continues uninterrupted. The frame then switches to a matching medium close-up of the man opposite her. He has slicked-back blond hair, light stubble, and wears an open, brightly patterned short-sleeve shirt over a black T-shirt. Raising both hands slightly with palms up, cigarette still pinched between his fingers, he responds in a mid-range, lightly accented British voice: \"What's wrong with that? Nobody ever robs restaurants. Why not?\" As he speaks, he gestures outward before relaxing into a subtle smirk. The camera remains entirely static, utilizing a moderate depth of field that keeps both subjects sharply focused while the rows of empty booths and potted plants behind them soften into a gentle blur. The intimate, dialogue-driven rhythm and the contrast between her quiet skepticism and his casual bravado linger in the warm, nostalgic atmosphere as the scene concludes.","video_1_relative_path":"videos/9d41fa378d66adcb.mp4","video_2_relative_path":"videos/e0921630c06a4e65.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_4/example.json::00000052","text_prompt":"A quiet, naturalistic domestic scene unfolds in a brightly lit dining room, captured through restrained, static camera work that favors medium close-ups, over-the-shoulder wides, and intimate profile shots. Diffuse daylight streams through a rear glass sliding door, rimming the characters in soft highlights and revealing a sunlit balcony with hanging laundry and potted plants in the background. The color palette leans into muted earth tones—browns, greys, and blacks—contrasted by a pale patterned tablecloth and the warm glow of morning light, establishing a cozy, everyday atmosphere. At a light-colored square table, a young East Asian man in his early thirties, wearing a brown turtleneck, sits holding a small white steamed bun, turning it gently between his fingers as he speaks. Two blurred shoulders frame the foreground, hinting at unseen companions, while behind him, a pale wooden shelving unit displays framed photos, dark wine bottles, and a vase of pink flowers. A calm, warm male voice with a gentle Northern Mandarin accent begins, stating, \"Before I leave for America, Lili and I will raise her nice and plump.\" He briefly glances up toward the others before returning his gaze to the food.\n\nThe camera shifts to an over-the-shoulder wide shot, revealing all three diners sharing the meal. On the left, the young man continues eating. In the middle, a man in his late thirties wearing a grey-brown sweater over a collared shirt smiles encouragingly, lifting a spoonful of soup from a small white bowl. To the right, an older man in his late fifties, dressed in a black sleeveless puffer vest over a dark long-sleeved shirt, eats steadily with chopsticks. The table holds plates of yellow scrambled eggs, additional buns, and individual bowls. As the young man’s sentence finishes off-screen, the middle-aged man responds cheerfully, adding with a light chuckle, \"The local baozi are still the best.\" The older man answers with a soft, thoughtful \"Mhm,\" acknowledging the comment while continuing to chew. The scene transitions to a closer profile of the older man, where sunlight catches the lines of his face and emphasizes his calm satisfaction. He lowers his chopsticks, takes a bite, and murmurs in a low, reflective tone, \"Tomorrow morning.\" Faint clinks of ceramic against chopsticks, muted chewing sounds, and a gentle room tone carry the quiet mealtime moment to its close, with no music or artificial effects to distract from the naturalistic intimacy of the scene.","video_1_relative_path":"videos/e31706d98ba77a07.mp4","video_2_relative_path":"videos/bb9876fbb9f0dd5d.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_4/example.json::00000077","text_prompt":"A single static medium close-up, framed from a slightly low angle, captures the interior of a moving passenger car during the day, bathed in soft, even daylight that renders the scene in desaturated, cool tones. Beige leather seats anchor the composition, while a gray-blue denim jacket on the driver and an olive-green collared shirt on the passenger establish a grounded, realistic palette. Through the side windows, blurred greenery and passing traffic streak horizontally, confirming steady speed, while a continuous bed of low-frequency engine rumble, mid-band tire hiss, and light wind rush fills the cabin. The older male passenger in the left seat sits with his eyes closed and head tilted back, breathing in slow, heavy cycles, while the younger driver keeps his gaze fixed forward, hands gripping the wheel, brow faintly furrowed, and jaw set.\n\nA short sigh breaks the quiet as the passenger exhales and begins to speak. A raspy, older male voice in northern Mandarin, calm at first but quickly tightening with exasperation, states: “不是你烦人不烦人呢你说你啊.” His eyebrows knit and nostrils flare as his pitch and volume rise, prompting the driver to widen his eyes and part his lips in a silent, startled reaction. The passenger continues without pause, rapidly repeating the syllable “叨” five times with clipped, staccato emphasis, his lips pursing and releasing in quick succession. “叨叨叨叨叨跟家庭妇女似的,” the same voice adds, the sharp repetition cutting through the steady road noise and mirroring the rhythmic tension in his face. The driver remains frozen in place, mouth slightly agape and head tilted fractionally toward the cabin, processing the comment without a verbal response. As the passenger finishes speaking, his facial muscles relax and he leans back against the seat, while the driver’s expression softens only marginally, the ambient hum of the engine and the hiss of tires carrying the scene to its quiet conclusion.","video_1_relative_path":"videos/3f5d4876e4d486c7.mp4","video_2_relative_path":"videos/95d11ead6c65678c.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_4/example.json::00000087","text_prompt":"A sitcom-style scene opens on a static medium two-shot, framed at eye level with a shallow depth of field that keeps a tall, dark-wood bookcase and a small stereo receiver softly blurred in the background. Warm, even three-point lighting and a palette of deep browns, muted greens, and neutral greys highlight the subjects in the foreground: two musicians seated at close distance. On the left, a woman in her thirties with shoulder-length curly brown hair and black-rimmed glasses wears a red top beneath a zip-up hoodie patterned with large yellow-green flowers, holding a violin upright in her lap with the bow resting across the strings. Opposite her, a man of similar age, also wearing black-rimmed glasses, a dark jacket, and a silver-cased wristwatch, cradles a full-size cello whose rich reddish-brown varnish catches the soft key light. She looks directly at him with an intent yet playfully teasing expression, and a lively, slightly sardonic female voice begins, stating, \"I thought I saw your pupils dilate when you looked at her, which, unless you’re a heroin addict, points to sexual attraction.\" As her final words land, a brief burst of canned studio laughter swells beneath the dialogue, peaking naturally before fading into the quiet room. The man remains silent, his hands relaxed on the instrument’s neck and body, offering only a faint, knowing smile as the camera holds steady, letting the warm tones of the polished wood and the subtle comedic pause linger in the air.","video_1_relative_path":"videos/7893fdf0d4d4726e.mp4","video_2_relative_path":"videos/059a8dac79f7652f.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_4/example.json::00000090","text_prompt":"A sketch-comedy scene in a brightly lit television studio unfolds in a locked-off eye-level medium two-shot, bathed in even high-key illumination that eliminates harsh shadows and highlights a vibrant palette of magenta geometric panels, warm brown brick textures, and an orange beaded curtain to the right. The composition balances cool and warm tones, emphasizing a comedic contrast between a young man in a crisp light-blue suit and an older man seated beside him in a camouflage bucket hat adorned with a yellow pom-pom and a dangling red cord, paired with a green short-sleeved shirt and white trousers. The suited man stands camera-left, leaning forward with a genial smile, his left hand resting lightly on the older man’s shoulder as he begins to speak. The seated man grips a translucent plastic bucket with red handles, inside which rests a large, flat, reddish-brown sheet resembling cured jerky. Looking up, the older man raises a free hand toward the bucket and replies in a polite, slightly weary Mandarin tone, stating, \"不用麻烦了，我自己拿就好。\"\n\nThe suited man maintains eye contact and a friendly demeanor, his tone shifting as he continues the exchange. The older man shakes his head once, keeping the bucket steady, and offers a firm yet courteous response. The conversation then pivots back to the younger man, who adopts a mock-serious expression, eyebrows raised and voice rising slightly for emphasis. He stresses a hypothetical consequence while keeping his hand firmly on the older man’s shoulder, declaring in a playful yet earnest Mandarin voice, \"哎，不行，如果你逃走的话，就没有人来跟我们签五十年的合约了。\" The older man listens attentively, his eyes widening briefly before settling into a neutral, resigned look. Throughout the sequence, the camera remains completely static, the controlled studio environment stays perfectly still, and the quiet room is filled only by the clear, well-articulated voices of the two performers, capturing the precise, sketch-comedy atmosphere of the set.","video_1_relative_path":"videos/b894c58cf298d8f4.mp4","video_2_relative_path":"videos/23c01c606b5a46be.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_5/example.json::00000000","text_prompt":"A slice-of-life scene opens on a static, eye-level medium-wide shot inside a Japanese high-school classroom, bathed in soft, diffuse daylight streaming from a curtained window on the right and supplemented by neutral overhead fluorescents. The composition holds two male students in black gakuran uniforms near the front: a tall boy with short dark curls stands with hands on his hips, leaning slightly forward toward a seated classmate with wavy blond hair who is quietly unwrapping a brown-paper lunch parcel on a wooden desk. Behind them, a blue-green chalkboard displays scattered handwritten notices and colorful magnets, while a grey metal cabinet nearby holds hardcover textbooks with gold lettering on their spines. The standing student, speaking in a casual, boastful Japanese tone, states, \"自分より喧嘩強い人はさん付けっす。\" Faint indoor ambience fills the space as the seated boy remains focused on his meal, his concentration unbroken.\n\nThe standing boy straightens up, glances briefly toward the lens, and turns back with a half-shrug and a thoughtful frown, his playful confidence softening into mild hesitation as he murmurs in Japanese, \"うーん、あの、ちょっと…\" He then regains his composure, leaning closer and lowering his voice to a conspiratorial register. With a serious expression, he states, \"外に何人か女が待ってます。\" At this, the blond student pauses his unwrapping, lifting his eyes for a fleeting moment before returning to his lunch. In the extreme left foreground, the motionless back of a third student's head anchors the frame, while the camera holds steady on the quiet exchange, emphasizing the subtle shift in social dynamics through the standing boy's micro-expressions and the muted palette of dark uniforms, warm wood, and soft classroom tones.","video_1_relative_path":"videos/1b7e6b2e4cb986ff.mp4","video_2_relative_path":"videos/6d720cfe3c7d6fe1.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_5/example.json::00000054","text_prompt":"A static, eye-level medium shot frames the interior of a small, sun-drenched hair salon, bathed in high-key natural daylight filtering through sheer white curtains. The bright, airy composition is anchored by dominant whites and blues, accented by warm wood flooring and a white heat lamp dotted with green. Through the large window behind the subjects, a parked bicycle and faint greenery establish a quiet street outside, while a black octagonal wall clock reads just past ten and a reversed “SALE” poster clings to the glass door. In the foreground sits a young man with a straight bowl-cut, wearing a blue-and-white zip-up jacket over a white T-shirt. Behind him stands an older Japanese hairdresser in a short-sleeved white uniform, his hands resting gently on the customer’s shoulders. A calm, polite Japanese male voice in his mid-forties with a standard Tokyo accent leans forward and asks, “何にします？”\n\nThe young customer suddenly lifts his head, eyes widening and mouth opening in sudden determination. He shouts energetically, “よーし、行くぜ！” As his voice rings out, a burst of upbeat rock music driven by distorted electric guitar, bass, and drums fades in, injecting a playful, high-energy comedic rhythm into the scene. Without pausing, he leans forward, gesturing emphatically with his right hand while his voice remains loud and enthusiastic, declaring, “金髪にしてバリバリのパーマかけてください！” The brisk rock backing track sustains its tempo beneath the dialogue. The hairdresser’s expression shifts from mild shock to amused disbelief, his eyes widening and mouth parting slightly as he holds his steady posture. The locked-off camera captures the entire exchange without movement, letting the exaggerated, humorous climax of the flamboyant request play out against the deliberately silent, low-noise salon environment before the scene cuts abruptly to black.","video_1_relative_path":"videos/b5d8c01d2ad0626c.mp4","video_2_relative_path":"videos/6bcd9bf21663d196.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_5/example.json::00000062","text_prompt":"A static, medium-wide cinematic shot captures a casual tech-review unboxing set against a pure-black backdrop, illuminated by dual soft key lights that carve crisp, gentle highlights from the shadows. Two East Asian men sit behind a dark wooden table, flanked by large broadcast microphones on boom arms. On the left, a host in his early thirties wears a white hoodie with a multicolored apple-like logo and clear-frame glasses; on the right, a co-host in his late twenties sports a black-and-tan geometric-striped sweater, a black “NY” cap, and thin-rimmed glasses. The tabletop is neatly arranged with a face-down smartphone, three beverage cans, a small silver ring, and a light-grey rectangular box stamped with blue “RAY-BAN” lettering.\n\nThe scene unfolds in a single unbroken take. The left host smiles broadly, turning toward his companion who is already leaning over the Ray-Ban box, fingers tracing its edge. A lively male Mandarin voice begins, stating “视频也玩你的梗。” while both men share a light chuckle. The left host raises both hands, palms open, leaning forward with a teasing yet good-natured cadence as he continues, “因为我跟摄影师说这是我独享的moment。” The right host grins but remains quiet, his attention fixed on the packaging. He lifts the lid to reveal a crisp white interior, his eyes widening with mild excitement as the left host lowers his hands, still smiling. Finishing the thought with a friendly cadence, the left host concludes, “然后就观众有一波互动，哎。” The camera holds steady, capturing the relaxed, humorous atmosphere of the exchange as their soft overlapping laughter fades into the quiet studio space.","video_1_relative_path":"videos/2be4107c7c62187f.mp4","video_2_relative_path":"videos/858171d0be33ffab.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_6/example.json::00000003","text_prompt":"A tense institutional drama unfolds in a static wide shot framed through a doorway into a high-tech operations center, where cool bluish-grey lighting and rows of dark grey cubicles establish a sterile, authoritative atmosphere. Roughly two dozen staff members in business suits and uniforms stand shoulder-to-shoulder facing forward, their expressions intent and alert. Dominating the background is a wall of large monitors glowing cyan and white, displaying maps, graphs, and scrolling data that reinforce the crisis-control environment. A bearded man with glasses, wearing a light shirt beneath a dark vest, stands slightly left of center with an upright posture. He addresses the room in firm, measured Cantonese, stating, \"你知唔知我有權力即刻解除你職務？\" The space falls silent save for a faint, low electronic hum from the equipment, while the assembled listeners remain perfectly still, absorbing his authoritative statement.\n\nA hard cut shifts to an over-the-shoulder medium close-up, isolating a woman with straight, chin-length black hair and a maroon short-sleeved top. She faces the bearded man, whose back is now visible on the right edge. Her brow is slightly furrowed, lips parted in controlled resolve. In a calm yet challenging Cantonese tone, she replies, \"我知，C P 同 D C P 都有咁嘅權力.\" Her steady, slightly higher-pitched voice matches his firmness, her locked gaze signaling confrontation rather than submission. A shallow depth of field softly blurs the surrounding staff and glowing screens, keeping the focus entirely on her determined expression. The ambient hum persists as the scene holds on her unwavering stare, leaving the tense power struggle unresolved.","video_1_relative_path":"videos/ba1dc904a3c14197.mp4","video_2_relative_path":"videos/ea231106e515f03f.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_6/example.json::00000065","text_prompt":"A warm, sitcom-style medium shot framed at chest height captures a cozy apartment hallway bathed in soft amber tungsten light from a square wooden sconce, the palette favoring neutral cream walls and exposed brick to let the costume colors pop. Occupying the left third of the frame is a light-skinned man in his early thirties wearing a light-blue T-shirt layered over a dark long-sleeved shirt, the chest emblazoned with a distressed red-and-yellow “S” shield. He speaks with rapid, energetic enthusiasm, his hands held slightly apart as if measuring invisible space, before lifting his right hand in a sharp forward thrust to illustrate a dive. To his right stands a mid-thirties man with short dark hair and black-rimmed glasses, dressed in a brown zip-up jacket over a black T-shirt featuring a green molecular diagram; he initially looks down with lips pressed together, then raises his gaze toward the speaker, his brows knitting in mild skepticism. Further back, a third man with curly dark hair, wearing a royal-blue blazer over a white collared shirt and a dark-green sweater vest patterned with red motifs, watches with quiet curiosity.\n\nThe camera remains completely still in a single unbroken take, keeping the focus tightly on the performance and the clean, dialogue-only audio track. The narrator’s clear, fast American English voice cuts through the quiet space without music or ambient noise, stating, “Falling, accelerating at an initial rate of 32 feet per second per second.” His eyebrows rise for emphasis as he continues, “Superman swoops down to save her by reaching out two arms of steel.” The scene holds on this moment, the restrained body language of the listeners underscoring their roles as engaged but silent observers against the muted interior backdrop.","video_1_relative_path":"videos/343a39ea49642b97.mp4","video_2_relative_path":"videos/fa568e1497d16be4.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_6/example.json::00000080","text_prompt":"A warmly lit, mid-century suburban dining room bathed in soft household light that casts golden highlights on skin tones and reflective surfaces, rendered in a shallow depth of field with a palette of muted greens, browns, and creams. The scene opens on a static medium two-shot framing two boys seated side-by-side at the left edge of a dinner table. The older boy, an East-Asian child in a dark-green polo, turns his gaze toward someone off-camera to his right and speaks in a clear, polite mid-range voice: \"Vietnamese, sir.\" Beside him, a younger light-skinned boy in a light-beige patterned shirt sits upright, eyes fixed on the speaker with a neutral but attentive expression. Behind them, a wooden sideboard displays a white vase with dried flowers, a framed black-and-white photograph, and a green ceramic bowl, while plaid curtains and sheer drapes frame a window, establishing an intimate, domestic atmosphere.\n\nThe camera cuts to an over-the-shoulder medium shot from behind the boys, revealing a middle-aged Caucasian man in a cream-and-white striped short-sleeve shirt seated opposite them. He lifts a textured amber glass, smiles amiably, and replies in a relaxed, conversational tone with a mild Midwestern accent: \"Sure. You know, I spent a little time over there.\" As he speaks, his gold wedding band and metal wristwatch catch the warm lamplight. Without breaking his posture, the man adds a single, matter-of-fact word—\"Army.\"—while giving a small nod, his tone shifting to something friendly yet authoritative. After a brief pause, the man lowers his glass, leans forward a fraction, and asks with gentle curiosity: \"Your mom’s name isn’t Kim Lee, is it?\" His intonation rises at the end, signaling a quiet question. Both boys remain perfectly still, faces composed, as the scene holds on their silent reactions. The audio remains clean and studio-quality, stripping away background noise to focus entirely on the spoken words and subtle facial shifts, leaving the conversation suspended in the warm, intimate atmosphere.","video_1_relative_path":"videos/eb89b80c05eda367.mp4","video_2_relative_path":"videos/69a0a690497908cb.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_6/example.json::00000090","text_prompt":"A widescreen cinematic shot opens in a dimly lit modern office at night, bathed in cool bluish ambient light spilling from a large window behind the subject. The camera holds a medium close-up on an East Asian man in a dark-grey textured suit, crisp white shirt, and burgundy dotted tie, his brown hair softly waved and a faint mustache accentuating his contemplative expression. Soft key light from camera left models his face while gentle shadows fall across his opposite cheek. Leaning slightly forward, he gazes toward someone off-screen to his right, his brow furrowing and lips parting as anxiety tightens his features. Against a backdrop of a blurred city nightscape glowing with warm bokeh and an out-of-focus leafy plant, a low, hesitant male Mandarin voice begins, stating \"Hey, are you saying this means you're trying to force me out?\" The quiet room is underscored by a barely audible ambient hum.\n\nA straight cut shifts to a matching medium shot of an East Asian woman seated upright in a black mesh office chair behind a dark desk, her long dark-brown hair falling over her shoulders. She wears a tailored black blazer over a vividly colored scarf of purple, red, yellow, and green, her arms folded across her torso as she turns her gaze toward the man just out of frame on her left. Even neutral overhead lighting preserves her natural skin tones while a shallow depth of field keeps her sharply focused against softly blurred office accessories, including colorful file holders, a small framed photograph, and a glossy red ceramic pot. Her eyes widen and brows raise in serious, restrained attention before she finally responds. In a calm yet firm Mandarin voice, she delivers a measured confirmation with a slight downward inflection that conveys certainty tinged with regret, stating \"That is exactly what he means.\" As her eyes narrow fractionally and her mouth closes into a composed line, the static framing and cool blue-grey color grading punctuated by selective warm accents reinforce the tense, intimate atmosphere of a quiet workplace confrontation. The ambient hum persists as both characters fall silent, the shallow depth of field and subdued lighting amplifying the gravity of the moment before the scene holds.","video_1_relative_path":"videos/4b72418f8cae7c12.mp4","video_2_relative_path":"videos/356d59fa78e39e02.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_7/example.json::00000013","text_prompt":"Captured in a static medium close-up with warm, even interior lighting and a shallow depth of field, the scene opens in a lively party setting that sharply isolates Sheldon Cooper and Leonard Hofstadter against a softly blurred backdrop of costumed guests in teal, blue, yellow, and silver. Sheldon, fair-skinned with short brown hair and clad in a black-and-white vertically striped turtleneck, sits upright with his right forearm resting on the teal armrest, his posture leaning slightly forward as he addresses someone off-camera to his right. Leonard, recognizable by his curly brown hair, black-rimmed glasses, olive-green jacket, and brown vest, faces him attentively, nodding once as the faint, low-level murmur of the crowd establishes the casual social atmosphere. Sheldon begins speaking in a clear, analytical tone, stating: \"It seems that the newcomer approaches the existing group with the greeting, 'How wasted am I?'\" He maintains earnest eye contact with Leonard, his eyebrows lifting for emphasis as he continues without pause. Leonard’s lips part slightly, ready to respond, while the background figures remain still, their vivid costumes adding festive visual texture to the scene.\n\nAs Sheldon delivers his next line, his pitch rises slightly on the quoted phrase with confident timing, continuing: \"Which is met with an approving chorus of 'Dude.'\" The moment his words land, a brief burst of overlapping male laughter and enthusiastic exclamations rises from off-screen, punctuating the joke and reinforcing the comedic rhythm. The ambient crowd murmur persists beneath the exchange, keeping the audio clean and grounded as the shot holds steady, capturing the contrast between Sheldon’s precise, observant narration and the relaxed, jovial energy of the gathering.","video_1_relative_path":"videos/f4e0e60c9af18b26.mp4","video_2_relative_path":"videos/6a858b60fc8c192a.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_7/example.json::00000082","text_prompt":"Cinematic domestic drama, shot on a 35mm lens with shallow depth of field, bathed in soft natural daylight and neutral color grading that lends an authentic, everyday realism. The scene opens inside a bright, modern apartment kitchen, framed from behind a wooden shelf that partially obscures the left edge to add compositional depth. Daylight streams through a large window in the background, illuminating white cabinetry and light wood countertops. A young woman stands at the counter in a medium shot, wearing a thick, fuzzy argyle sweater in red, grey, and white, a delicate gold necklace, and her dark hair pulled back. Her focused, slightly anxious expression and knitted brows convey earnest worry as she speaks in Mandarin, her lips moving clearly while she occasionally glances toward a man just out of full view on her left. Subtle household ambience, soft room tone, and the occasional faint clink of utensils underscore the quiet intimacy of the moment. A concerned female Mandarin voice begins, stating, \"我说这事咱们是不是得管管呀？万一爸以后在钱上面出了什么问题的话，咱们就说不清楚了。\"\n\nA straight cut shifts to a medium close-up of the man now fully visible beside open shelving stocked with glass jars of snacks and condiments, beneath a sleek black range hood. Wearing a textured red sweater with a darker maroon band across the chest, he listens intently, his short black hair neatly styled and his eyes fixed on her off-screen. Soft natural lighting casts gentle shadows that highlight the contours of his face, maintaining the scene's restrained, realistic mood. After a brief, resigned pause, a weary yet firm male Mandarin voice responds: \"怎么管？脾气这么大。\" The camera remains static, emphasizing the personal weight of their exchange against the softly blurred domestic backdrop, leaving the quiet kitchen atmosphere to linger on his contemplative expression as the underlying tension of familial duty and generational friction hangs in the air.","video_1_relative_path":"videos/ca90c720e62a00c2.mp4","video_2_relative_path":"videos/8fcf8642e1530e80.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_7/example.json::00000089","text_prompt":"Cinematic domestic drama, shot with a 35mm lens in soft, even daylight against a neutral grey-and-white palette. The scene opens on a medium close-up bathed in gentle morning light, revealing a young man in light-blue pajamas patterned with cartoon animals and the phrase “TERSE THE SPORTER.” He stands slightly angled to the right, his brows raised and lips parted in a mix of surprise and mild exasperation as he turns toward a partially visible older man at the frame’s edge. In the quiet domestic space, underscored only by a faint indoor hum, he blurts out, “I guessed it.” The camera then cuts to a wider static master shot that reveals the full living room: a grey sofa, a glass-panelled door, a wall crowded with framed family photographs, and a large red Chinese knot hanging beside the entrance. Between the characters sits a black wheeled suitcase topped with a duffel bag, hinting at recent travel or an imminent departure.\n\nThree figures now share the frame: the pajama-clad young man, a young woman in distressed blue jeans and a loose white sweatshirt reading “NOT YOUR FUTURE / YOUR ARRIVAL,” and the older man in a dark zip-up jacket over a brown shirt. The older man gestures warmly toward the kitchen and says, “Well then, let’s have breakfast.” The young woman smiles brightly, nods, and says, “Mhm.” Without breaking the static composition, the young man pivots slightly, extending his right arm in a sweeping, welcoming gesture and says, “Let’s have breakfast.” The older man nods, adjusts his jacket, and begins to turn toward the kitchen entrance.\n\nMaintaining the same framing, the young man repeats the invitation twice more in quick succession with a playful, rising insistence, saying, “Breakfast, breakfast.” The young woman laughs lightly, glancing between the two men, while the older man steps partially out of frame toward the kitchen. The scene closes on the trio poised to move, the ambient soundscape remaining minimal and intimate, driven entirely by their voices and the quiet rhythm of a casual family morning.","video_1_relative_path":"videos/65911611484e8cfb.mp4","video_2_relative_path":"videos/17348062e00f6fc9.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_8/example.json::00000033","text_prompt":"Cinematic drama, widescreen aspect ratio, shallow depth of field isolating two characters against a softly blurred hillside dotted with trees and houses under a hazy sky. The scene opens on a static medium-close two-shot bathed in the soft, diffused light of an overcast late afternoon, favoring a muted palette of blues and earth tones that lends a contemplative, romantic atmosphere. A light-skinned man with short brown hair and light stubble sits frame left, wearing an open dark-blue button-down over a white crew-neck tee, his right arm resting casually behind the woman beside him. Frame right, a light-skinned woman with shoulder-length wavy reddish-brown hair faces him in profile, dressed in a pale blue V-neck sweater over a white top. The camera holds steady as the man looks toward her with a mild, attentive expression, while a faint, low-frequency environmental hum underscores the quiet ambience.\n\nA direct cut shifts to a matching reverse angle, bringing both faces more frontally into view with bare tree branches silhouetting against the bright background. The woman lifts her left hand to rest lightly along her cheek and jawline, turning slightly toward him as her lips part and brows rise in quiet curiosity. Delivered in a soft, mid-range female voice with a North American accent and a gently curious tone, she asks, \"Where are we?\" Her words cut through the subtle rustle of fabric as she shifts her posture. The camera hard cuts back to the original over-the-shoulder composition, leaving her softly out of focus in the foreground while the man remains sharply framed in the background. He offers no words, instead responding with a slight, almost imperceptible nod and a small, knowing smile that conveys quiet reassurance. The ambient hum persists at a barely noticeable level, and the absence of music keeps the focus entirely on their intimate, wordless exchange as the image holds.","video_1_relative_path":"videos/f08123595dc7a3ec.mp4","video_2_relative_path":"videos/8311fc5cb9f50f0e.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_8/example.json::00000036","text_prompt":"Cinematic family drama, static medium close-up, shallow depth of field, warm natural daylight against cool indoor ambience. The scene opens on an older East-Asian man seated beside a black metal-framed bed in a softly lit bedroom. Daylight filters through sheer white curtains and beige drapes behind him, casting gentle highlights on his face while leaving the background slightly out of focus. A green cardboard box with white markings rests on a shelf to his right. Wearing a dark navy collared shirt beneath a light brown knitted sweater vest, he leans forward a little, brows knit and eyes moist with frustration. Against a bed of faint room ambience, a firm yet weary Northern-accented Mandarin voice begins, stating, \"He stopped me from going, and he has to come back to give me an explanation.\" His tone is insistent, tinged with hurt, each clause ending with a slight downward inflection that underscores his grievance.\n\nA straight cut reveals a young East-Asian woman standing in the doorway that leads into another part of the house, the camera remaining locked off in a matching medium shot. She wears a cream wool coat over a textured blue sweater, her dark hair tied back with wispy bangs framing her face. Behind her, a red Chinese knot hangs on the wall next to a small chalkboard decorated with colorful drawings, hinting at a family-oriented setting. Bathed in cooler, flatter indoor light than the previous scene, she looks toward the unseen man with a concerned, almost pleading expression. Speaking calmly but urgently, a Standard Mandarin voice addresses him as \"Dad,\" explaining that \"our elder brother and sister-in-law are in the United States, and they are currently unreachable.\" Her measured and sympathetic delivery contrasts with his agitation, leaving the quiet tension of the unresolved conversation hanging in the still frame.","video_1_relative_path":"videos/29f40eaab9bfec47.mp4","video_2_relative_path":"videos/a88514913901eb29.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_8/example.json::00000038","text_prompt":"Cinematic fantasy sequence, static medium-wide shot, even frontal lighting against a dark, smoky teal-grey backdrop that evokes a mystical academy. Two young men stand side-by-side in identical deep-purple double-breasted blazers with white piping, grey trousers, crisp white shirts, and black-and-white diagonal-striped ties, each bearing a gold winged crest on the left breast. The bespectacled man on the left turns to his slightly taller companion, his fists loosely clenched at his sides. A firm, urgent male Mandarin voice begins, stating, “I will use our magic to bind us together, so we are never separated again.” The second man listens with wide, concerned eyes, his posture rigid, while a low, ominous electronic drone hums beneath the scene, gradually joined by faint crackling energy sounds.\n\nThe speaker finishes his sentence, and the listener nods once. A calm, resolute male Mandarin voice replies, “Agreed.” Instantly, both men pivot their torsos inward, raising their hands to chest height with elbows bent and palms facing each other, fingers splayed as if grasping an invisible force. A brilliant blue horizontal beam erupts between them, momentarily washing out the center of the frame, while a sharp crystalline chime rings out followed by rapid ascending arpeggios and a swelling whoosh. Two translucent, glowing blue circular sigils materialize around their raised hands, pulsing outward with concentric rings of light. The locked-off camera holds steady as the score swells into a dramatic orchestral-electronic flourish, layering strings, brass stabs, and percussion over the continuing bass drone. The central beam fades, leaving only the luminous circles hovering near their wrists, emitting a soft ethereal shimmer as the music sustains its peak intensity before gradually diminishing. Both performers maintain their poses, eyes focused forward, faces set in determined concentration, freezing the charged tableau as the scene concludes.","video_1_relative_path":"videos/2c94f59794918798.mp4","video_2_relative_path":"videos/3071ee8669f08835.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_8/example.json::00000067","text_prompt":"Cinematic interior drama, shot on a locked-off tripod with a 35mm lens aesthetic, bathed in soft, even overhead lighting and a neutral wall palette punctuated by vivid red festive decorations. Inside a modest apartment hallway, the camera frames a medium close-up of a young East Asian man with a short undercut, wearing a black bomber jacket with silver zippers over a brown crew-neck shirt. He stands just inside a dark reddish-brown wooden door featuring a gold peephole and ornate handle, a beige canvas tote hanging from a light-blue wall hook nearby. Against a faint room-tone hum, he raises his left hand in a polite, slightly pleading gesture and speaks in clear, standard Mandarin with a courteous urgency: “Can I please borrow your bathroom first?”\n\nA hard cut reveals a static wide view of the corridor outside an identical dark wood door marked by a red plaque reading Room 301, flanked by vertical red Spring Festival couplets and a matching horizontal banner above the frame. The walls are tiled in alternating beige and grey horizontal bands, contrasting sharply with the characters’ darker wardrobes. Two men stand before the threshold, their body language charged with unresolved tension. On the left, an older East Asian man in a dark blue zip-front jacket and olive trousers grips a green-and-silver can at waist level, his face etched with alarm. To his right, another young East Asian man in a tan utility jacket over a white collared shirt and blue jeans holds a short, pale wooden stick in his left hand, extending his right palm toward the older man’s chest in a calming yet firm gesture. He speaks rapidly and insistently in Mandarin: “No, no, listen—I’m telling you he’s just nervous.” The older man immediately interrupts, waving both open palms outward and repeating sharply, “No, no, no!” His loud, agitated voice echoes slightly in the narrow hall, underscoring the domestic festivity disrupted by interpersonal conflict. The scene holds on their tense standoff, the wooden stick hinting at latent intimidation while the can suggests everyday normalcy fractured by the confrontation, leaving the argument suspended in quiet, unresolved tension.","video_1_relative_path":"videos/e81bdfc46decbbc1.mp4","video_2_relative_path":"videos/0f4877b282af7eab.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_8/example.json::00000081","text_prompt":"Cinematic late-night talk show interview, captured in a steady medium two-shot under high-key studio illumination that evenly washes both faces while subtle rim lights separate them from a stylized, illuminated cityscape backdrop. On the left, Donald Trump sits with his hands loosely clasped in his lap, wearing a dark navy suit, white shirt, and vivid red tie accented by a small U.S.-flag lapel pin; he maintains a neutral, attentive posture. Across the curved wooden desk on the right, host Jimmy Fallon leans forward in a charcoal suit with a light blue shirt and patterned purple tie, a vintage silver microphone standing between them alongside two black ceramic mugs bearing the show’s title. Fallon begins speaking with an upbeat, conversational tone, gesturing animatedly with both hands while holding a small white cylindrical object in his right grip. “Thank you from the country, the other candidates say thank you for all the attention you’re bringing to this part,” he says, his delivery lively and expressive. He continues without pause, maintaining steady eye contact and punctuating his next question with open-palm gestures. “What was the rating? You would know the ratings,” he asks, raising his eyebrows for emphasis. Trump turns his gaze directly toward the host, inhales briefly, and interjects with a firm, measured cadence, “I do.” Fallon’s smile broadens as he nods once, then immediately reacts with playful self-mockery, his voice brightening into a teasing lilt. “Oh, I’m such an expert,” he exclaims, lifting the white prop slightly before setting it back down while chuckling softly. Trump offers a brief, approving “Yeah,” accompanied by a slight smirk, and the two share a quiet moment of mutual amusement as the locked-off camera holds the scene steady. The audio mix remains clean and dialogue-forward, with the absence of audience reaction lending the exchange an intimate, closed-set atmosphere.","video_1_relative_path":"videos/560fc7d01e9e6b40.mp4","video_2_relative_path":"videos/ecdb394afd9a4688.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_9/example.json::00000007","text_prompt":"Cinematic medium close-up, warm natural daylight streaming through large side windows of a vintage tram interior, contrasting the rich wooden paneling and chrome grab handles with the cool blue-gray tones of the passing cityscape. A young man sits with his left arm casually draped over the back of the bench behind a young woman beside him. He turns toward her, smiling broadly, and speaks in a relaxed, conversational tone, \"You don’t know Crystal? Well, I knew Crystal.\" The woman answers with a soft, amused chuckle, glancing down at her hands as the gentle sway of the carriage underscores the quiet intimacy of the moment.\n\nThe man leans fractionally closer, maintaining steady eye contact as he continues the easy banter. \"Um, is it my turn now?\" he asks with a mildly hesitant, inquisitive inflection. She lifts her gaze to meet his, offering a light smile before looking back down to fiddle with a small object between her fingers, her laughter subsiding into a quiet giggle. The ambient sound remains subdued, keeping the focus entirely on their exchange. Shifting slightly forward, he raises his eyebrows in mock seriousness, his voice carrying a playful challenge as he leans in. \"Okay, tell me something that really pisses you off.\" She listens attentively, lips parting in anticipation, while outside the red tram glides past, locking them in a moment of mutual focus and growing rapport.","video_1_relative_path":"videos/8e667f2f861e72db.mp4","video_2_relative_path":"videos/83e5f9d51a19a39b.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_9/example.json::00000041","text_prompt":"Cinematic medium two-shot, shallow depth of field, warm morning light filtering through white horizontal blinds to cast soft chiaroscuro stripes across a retro American diner booth. The red vinyl seats and round black-topped table frame a woman on the left and a man on the right. The woman, with short blond hair and bangs, wears a dark purple long-sleeved top and sits upright, cradling a white ceramic teacup in both hands. The man, in an open blue-and-white patterned short-sleeve shirt over a dark T-shirt, leans back with his left arm draped along the booth cushion, gesturing with his right as a low, steady diner hum fills the space. A gruff, slightly raspy British voice delivers an irritated, working-class line: \"They clean the place out and don't even lift a fucking finger.\" The woman lifts her cup to her lips and takes a slow sip, her eyes fixed on him.\n\nShe lowers the cup to the saucer, pauses, then raises it again for another sip before finally asking in a clear, higher-pitched General American voice tinged with quiet concern, \"Did they hurt the little girl?\" The man remains still, watching her attentively as the ambient HVAC murmur persists. He then leans forward, spreading his right palm outward in a dismissive gesture, his tone shifting to a calm but firm explanation: \"I don't know, there probably never was a little girl in the first place, and frankly, the point of the story has nothing to do with a little girl.\" The woman rests her cup back on the saucer, maintaining steady eye contact without speaking further. The camera holds its static position, preserving the symmetrical composition and the subtle wardrobe contrast between her muted purple top and his vivid tropical print, while the crisp, foregrounded dialogue and unobtrusive diegetic ambience underscore the thematic tension between his cynical skepticism and her moral worry.","video_1_relative_path":"videos/ff9b91f182f16e71.mp4","video_2_relative_path":"videos/b8fd4275b95d32d5.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_9/example.json::00000093","text_prompt":"Cinematic office drama, captured on a medium close-up lens with natural daylight dominating the frame, producing soft highlights and minimal contrast across neutral interior tones punctuated by vivid pink storage boxes and a leafy green plant. The scene opens inside a bright, modern office bathed in even illumination filtering through a large window with a half-lowered white roller blind. Framed in three-quarter profile facing right, a young East Asian man in his thirties stands with a tense yet determined posture, wearing a tan-beige suit jacket, crisp white shirt, and a dark purple striped tie. His light-brown wavy hair is neatly styled, a faint mustache–goatee blends across his jaw, and behind him an open shelving unit holds scattered papers. His brow furrows as a firm, controlled male Mandarin voice begins, stating “咱们敞开了说啊，就监理这事什么意思？” His delivery is assertive and impatient, stressing the key syllables to demand clarity, while the quiet room tone underscores his restrained intensity.\n\nA straight cut shifts to a static medium shot of an older East Asian man in his late fifties seated behind a dark wooden desk in a high-backed black leather chair. Dressed in a charcoal blazer over a light-blue collared shirt with short, greying hair, he keeps his hands clasped atop the desk, which is arranged with a closed silver laptop, a folded blue handkerchief, a brown ceramic tea canister, an ornate dark figurine, eyeglasses, a paper tray stacked with documents, and a white electric kettle. A tall green plant rises beside him, and a framed monochrome landscape hangs on the wall, all illuminated by the same soft daylight. Maintaining steady eye contact, he responds with a slightly lower, measured male Mandarin voice, speaking calmly yet defensively: “那是蒙总点的头啊，和我无关。” His slower pace and downward inflection convey resignation, while the deliberate absence of music or extraneous noise keeps the focus entirely on the tense, unspoken power dynamics of the confrontation, highlighted by subtle facial tension and professional decorum.","video_1_relative_path":"videos/784d609fc7c1effb.mp4","video_2_relative_path":"videos/9d1df3917c683d69.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/music/music_1/example.json::00000076","text_prompt":"A static medium shot captures a young red-haired street performer standing on a paved pedestrian walkway bathed in natural daylight. Soft shadows fall across his black T-shirt, which bears partially visible green and yellow lettering, and his dark athletic pants. He holds a light-colored acoustic guitar with a cutaway body, his left hand forming chords on the fretboard while his right hand alternates between steady strums and occasional fingerpicked arpeggios. A microphone on a stand is positioned just below his chin, with a smartphone clipped to it and a clear plastic donation cup resting at the base. Behind him, the modern storefront features large glass windows displaying lingerie-clad mannequins beneath bold pink signage. Pedestrians flow continuously through the background: an older woman in a black cardigan and jeans passes by, a young girl in denim shorts sprints past drinking from a can, a woman in white trousers and sunglasses crosses the frame, and a man in a grey polo shirt and sunglasses leans against the window, glancing at his phone. The framing remains completely fixed, emphasizing the contrast between the performer’s focused, intimate act and the transient rhythm of city life.\n\nThe soundscape is pristine and isolated, stripped of all ambient crowd noise, traffic, or environmental reverb. A solo steel-string acoustic guitar drives the scene at a steady tempo, delivering a simple diatonic progression with consistent dynamics. Over this clean, dry recording, a mid-range male voice with a slight rasp and a casual, conversational tone begins singing, \"She says I’m walking in a straight line.\" The vocal phrasing aligns perfectly with the rhythmic guitar accompaniment, punctuated only by subtle, barely perceptible inhalations between phrases. The overall mood remains calm and observational, capturing a moment of quiet artistic expression against the backdrop of urban anonymity.","video_1_relative_path":"videos/15f06cd447781dd9.mp4","video_2_relative_path":"videos/88ba64ef878aa6c7.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/music/music_1/example.json::00000091","text_prompt":"An intimate acoustic performance captured in a static medium shot, bathed in warm ambient light with a cozy, creatively cluttered palette. A young man with dark curly hair sits in a home music studio, wearing a plain white T-shirt and black over-ear headphones, facing slightly right toward a large condenser microphone. His eyes close intermittently as he focuses, his posture relaxed yet intent while his hands move across an acoustic guitar with a vibrant galaxy-like pattern. The background reveals a lived-in creative space: a white shelving unit holds books, notebooks, and a Darth Vader plush toy, a digital piano keyboard peeks into the left frame, and a laptop displaying a digital audio workstation rests on the right. A whiteboard on a wooden easel stands quietly in the periphery, its handwritten notes blending seamlessly into the soft shadows and gentle highlights that trace the texture of his shirt and the glossy finish of his instrument. The camera remains completely still, holding a steady composition that captures every subtle shift in his expression and weight.\n\nSonically, the scene unfolds as a solo acoustic ballad. A soft, breathy male tenor voice carries a gentle, emotive melody, perfectly synchronized with his fingerpicked guitar. The accompaniment follows a steady, arpeggiated chord progression at a slow tempo, mixed slightly behind the vocals but clearly present, with no percussion or additional instrumentation. As the musical phrase progresses, the singer’s delivery grows more intense, his voice carrying the line “I hope that this moment stays perfect,” elongating the final word with a delicate downward inflection and subtle vibrato. The guitar mirrors this emotional swell, adding gentle dynamic lifts on the downbeats. A faint, clean inhalation is audible just before the climax, captured by the close-mic setup, while the small room imparts a natural, moderate reverb that wraps around the performance. The mix remains balanced and unclipped, preserving the raw, live-take authenticity. The scene concludes as the final note and lingering vocal resonance naturally decay into the quiet space, leaving a sense of suspended time and quiet longing.","video_1_relative_path":"videos/c84173b479ca11cb.mp4","video_2_relative_path":"videos/db6b0d6d3af20669.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/music/music_1/example.json::00000095","text_prompt":"An upbeat pop-folk performance unfolds in a static medium close-up, framed against a warm red-orange backdrop with soft frontal lighting and a palette of muted pinks, greys, and vibrant reds. A young woman with long, wavy blonde hair and straight bangs stands center frame behind a black Shure microphone, wearing a sleeveless floral dress with thin shoulder straps. She sings with an earnest, focused expression, her eyes occasionally dropping to the bright red acoustic guitar as her right hand strums rhythmically and her left hand shifts along the fretboard. To her immediate right, the forearm and torso of a companion in a white T-shirt are partially visible, also holding an acoustic guitar. The audio begins immediately with a clean, studio-quality mix: a moderate-tempo arrangement driven by steady quarter-note guitar chords, a foundational bass line, and crisp kick-and-snare percussion. The female vocalist delivers clear, mid-to-high register lines with confident projection, singing, \"A few mistakes ago, I was in your sights, watching me closely as I tried to hide.\"\n\nA hard cut expands the frame to a wider mid-thigh shot, revealing the full stage setup and the intimate atmosphere of the performance. The lead singer remains anchored at the center, her strumming and vocal delivery continuing seamlessly. To her left, another guitarist in a plain white T-shirt actively plays a sunburst-finish acoustic, while to her right, a young man with shaggy brown hair in a dark long-sleeve shirt stands slightly behind, holding a black acoustic guitar vertically and watching the set with quiet focus. A low-intensity yellow spotlight washes up from below near the right guitarist, adding subtle contrast to the otherwise even lighting, while the dark silhouettes of an audience line the bottom edge of the frame. The track maintains its polished, radio-ready texture with no ambient room noise or crowd murmur, preserving the controlled studio feel. The performance carries its introspective yet upbeat momentum forward until the audio and video terminate abruptly mid-phrase, cutting off without resolution.","video_1_relative_path":"videos/c2a66b59a9d278f2.mp4","video_2_relative_path":"videos/a525db8c89ae2143.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/music/music_2/example.json::00000000","text_prompt":"Cinematic ballad performance, shot on a dimly lit stage framed by deep red draped curtains that catch soft, directional light, creating an intimate concert atmosphere. A static medium shot centers on a young female singer seated on a tall wooden stool at center-left. She has long blonde hair with prominent pink streaks and wears a loose purple hoodie over a lighter top, dark patterned pants, and black boots, with rings adorning her fingers as they rest in her lap. A black microphone stand sits directly before her as she sings with expressive facial movements—eyes occasionally closing, head tilting slightly, and subtle smiles forming—matching the emotional contour of the music. Behind her and to the right, a male pianist in a dark shirt sits at a black grand piano, his hands moving across the keys while he glances toward sheet music. The camera begins a slow, steady zoom-out, expanding from the tight portrait to reveal more of the stage: cymbals and drum hardware appear on the far left, additional mic stands dot the floor, and the full width of the curtain backdrop comes into view. Warm spotlights isolate the performers against the shadowy background, maintaining a moody, focused atmosphere throughout.\n\nAurally, the scene is defined by a tender, unaccompanied vocal line supported exclusively by understated piano chords. The tempo is slow, with gentle arpeggiated chords in the lower register grounding a clear, breathy soprano melody. A calm, breathy female voice begins singing, her legato phrasing soft as she intones, \"I change, I think about it,\" her lips moving in precise sync with the first syllables. The camera continues its smooth pullback as the pianist sustains the harmony, his fingers tracing steady chords while the singer holds a note with gentle vibrato. As the zoom completes and the full stage layout is revealed, she delivers the final phrase with a rising inflection and a relaxed, smiling posture, singing, \"This is the best feeling.\" The audio remains clean and resonant, suggesting close-miking in a treated space with minimal reverb, and the performance concludes abruptly mid-phrase without fade-out or resolution, leaving the sonic field entirely occupied by voice and piano.","video_1_relative_path":"videos/85c6659fcccf2bdd.mp4","video_2_relative_path":"videos/4d35d3e5bddc34ad.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/music/music_2/example.json::00000025","text_prompt":"Cinematic intimate performance piece, framed in a static medium close-up with a 50mm lens aesthetic, bathed in diffuse, even lighting that casts no harsh shadows. A young woman with long, wavy blonde hair sits centered in a softly lit bedroom, wearing a plain black short-sleeved T-shirt and cradling a black acoustic guitar across her lap. The dark instrument contrasts against a muted grey-blue wall, with a white headboard and light blue textured pillow visible behind her to the right, and a small framed picture hanging on the wall to her left. The camera remains completely still as she strums rhythmically with her right hand over the soundhole while her left hand shifts through chords on the fretboard. She occasionally glances down at the strings before returning her gaze directly to the lens, her lips moving in precise synchrony with a gentle, breathy mezzo-soprano vocal line.\n\nThe audio unfolds as a pure, unadorned duet between voice and instrument, establishing a slow, melancholic minor-key melody at a steady sixty-eight beats per minute. Her finger-picked arpeggios ring out with clear, resonant plucks that catch the natural room reverb of a modest, untreated space, while her vocal delivery carries a soft dynamic and subtle vibrato on sustained notes. Faint indoor room tone and a barely perceptible electronic hiss linger beneath the performance, punctuated only by the occasional subtle squeak of fingers on the fretboard and soft inhalations between phrases. The recording highlights an authentic, vulnerable mood, where the steady interplay of voice and guitar unfolds without cuts, production effects, or external distractions, drawing the viewer entirely into the quiet emotional weight of the song.","video_1_relative_path":"videos/6080868870d21a99.mp4","video_2_relative_path":"videos/7b6b0ecf0e4e5992.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/music/music_2/example.json::00000060","text_prompt":"Cinematic medium-close shot, static camera at eye level, warm artificial lighting and a cozy domestic palette frame a middle-aged man seated slightly left of center in a softly lit room that doubles as a home office. He wears black-rimmed glasses and a white button-down shirt patterned with small dark motifs, a multicolored woven strap supporting a steel-string ukulele across his torso. Behind him, a neatly made bed with a light-striped comforter rests to the right, while a desk cluttered with a black computer tower, a circular cooling fan, and scattered papers sits to the left, with a tall floor lamp and office chair fading into the background. The camera remains completely still as he strums the instrument in a steady, moderate tempo, his right hand moving rhythmically above the soundhole while his left hand shifts smoothly between chord shapes along the fretboard. His posture is relaxed, punctuated by subtle head nods as he engages with the music in a calm, intimate atmosphere.\n\nThe audio landscape is clean and focused, featuring only the bright, slightly percussive strumming of the ukulele at a consistent ninety to one hundred beats per minute and the performer’s own vocals, set against a very low noise floor with mild natural room reverb. A clear, mid-range male voice with a relaxed, conversational tone and General American accent begins singing, \"I’m gonna lay by the bay,\" delivering the legato melody with a warm, casual warmth. He continues seamlessly into the next phrase, his voice centered in the mix as he sings, \"Winder River Valley is where I belong,\" with the ukulele providing unwavering rhythmic support beneath. Subtle inhalations between phrases are naturally masked by the music, and no ambient noises, handling clicks, or extraneous sounds intrude, preserving the quiet, personal focus of the solo performance.","video_1_relative_path":"videos/52ae66704b774423.mp4","video_2_relative_path":"videos/353a113762b8cf18.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/physics/physics_1/example.json::00000002","text_prompt":"A bright, sunlit outdoor scene captured in a steady wide shot frames a tranquil campsite in a grassy clearing, surrounded by tall green trees and distant mountains under a clear blue sky. The composition centers on a large, olive-green off-road camper trailer with its pop-up roof fully extended and a camouflage canvas top. The rear doors stand open to reveal neatly organized storage compartments, a mounted red fire extinguisher, and a silver folding ladder leaning against the side, while a small metal table nearby holds a kettle and assorted camping gear. In the background, the partial silhouette of a silver car and a rustic wooden structure hint at a remote, self-sufficient wilderness retreat. An adult male, dressed in a light bucket hat, long-sleeved shirt, and khaki pants, enters from the right and walks steadily toward the left, passing behind the trailer. As his boots meet the grass and dirt, soft footfalls and the faint rustle of his clothing blend into the relentless, high-pitched chorus of cicadas that dominates the soundscape, grounding the scene in a warm, late-summer afternoon. Without music or artificial effects, the naturalistic audio carries his calm, conversational voice as he murmurs, \"Oh, so we’re gonna go past Paul,\" delivering the line with a neutral, unaccented tone that suggests quiet planning or off-camera commentary. The unhurried pacing and authentic environmental textures emphasize a mood of quiet anticipation and rugged readiness, leaving only the subtle rhythm of a journey about to begin.","video_1_relative_path":"videos/422c054296091e3f.mp4","video_2_relative_path":"videos/c1ea459b28781ba2.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/physics/physics_1/example.json::00000026","text_prompt":"A cinematic close-up shot captures a vintage light-blue manual typewriter resting on a dark surface, filmed with a static camera angled slightly from above and to the right. Soft, even lighting washes over the scene, casting gentle shadows without harsh highlights, while the background remains completely obscured to keep focus on the machine, a sheet of blank white paper loaded into the roller, and the hands of an unseen typist. The camera holds steady as the typist’s fingers move fluidly across the black keys with white lettering, driving a rapid, irregular rhythm of active composition. After a brief hesitation where one hand lifts slightly from the keyboard, the typist pulls the carriage return lever, advancing the paper with a decisive mechanical motion.\n\nThe soundscape is entirely diegetic, dominated by the crisp, percussive clack of individual keystrokes and the mid-range thud of internal typebars striking the platen. Sharp transients are punctuated by subtle whirs and the distinct metallic ring of the carriage return, all set against a dry, acoustically quiet space where only a faint, low-level electronic hiss emerges during the brief pauses. There is no music, speech, or ambient room noise beyond the tactile mechanics of the machine itself. The precise synchronization between the fluid finger movements and the rhythmic, analog soundscape immerses the viewer in a nostalgic portrait of pre-digital craftsmanship, emphasizing the physicality and deliberate pace of analog writing.","video_1_relative_path":"videos/8e059ecd9c945dc4.mp4","video_2_relative_path":"videos/d3d2a317bdc9415e.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/physics/physics_1/example.json::00000037","text_prompt":"A cinematic culinary tutorial opens in a tight, static close-up, framed with cool-toned illumination from a visible blue gas flame beneath a black non-stick frying pan that contrasts against warm highlights on shimmering oil and pale garlic. A light-skinned hand enters from the left, gripping a matte-black spatula with a silver handle to rhythmically scrape and stir the garlic across the hot surface. A calm, neutral American female voice, speaking from just off-camera, begins the instruction, stating \"And garlic comes ready.\" The acoustics are dry and enclosed, stripped of music or ambient noise, leaving only the persistent, high-frequency hiss of frying oil and the faint metallic clinks of the utensil against the pan.\n\nThe camera holds its fixed position as the garlic pieces swirl and separate in the golden oil, the stirring motion uninterrupted. The same off-screen cook delivers the next cue, adding: \"Put dried shrimps in.\" Immediately following the words, a clear glass bowl tilts from the top edge of the frame, releasing a cascade of small, orange-red dried shrimp into the pan. The impact triggers a sharp, broadband crackle that momentarily overtakes the steady sizzle, followed by the spatula resuming its gentle incorporation of the new ingredient. The shot remains steady until the end, preserving the balanced composition, the rich texture of the cooking food, and the focused, sensory-driven atmosphere of a precise culinary moment.","video_1_relative_path":"videos/1a8721aa4b655328.mp4","video_2_relative_path":"videos/3bd04b29b7abd518.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/physics/physics_2/example.json::00000043","text_prompt":"A handheld, slightly shaky close-up establishes a quiet domestic interior, focusing on an open black laptop resting on a tiled floor. The screen glows with a cyan-blue desktop and a faint central yellowish icon, while natural but dim lighting casts soft shadows beneath a white desk or cabinet that comes into view as the lens pans slowly downward and rightward, revealing a coiled white cable snaking across the tiles. Over a quiet, minimally reverberant room tone, a calm adult male voice in French begins an instructional narration, stating “Donc vous allumez votre ordi.” The camera continues its descent, bringing the black keyboard with white lettering into focus as a hand enters the frame from below, moving purposefully toward the machine.\n\nThe speaker continues with a steady, clear tone, adding “Je vais faire mon code,” just as the hand settles onto the keys. The shot stabilizes on the floor, emphasizing the texture of the brown-gray tiles and the coiled cable, while the fingers begin typing with rapid, practiced urgency. Each keystroke produces a sharp, distinct mechanical click that syncs perfectly with the visual motion, cutting through the subdued indoor ambience. The scene remains entirely focused on this utilitarian interaction, devoid of music or secondary dialogue, and concludes abruptly mid-action as the rhythmic typing continues without fade-out or transition.","video_1_relative_path":"videos/b917c2b482bd685b.mp4","video_2_relative_path":"videos/eba0acc49b9d6558.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/physics/physics_4/example.json::00000016","text_prompt":"A vertical, static low-angle shot captures a tense, storm-battered landscape under a flat, overcast grey sky. The frame is dominated by a thick, textured palm trunk on the left, its fibrous sheaths ranging from light tan to dark brown, while a smaller palm anchors the lower right. Both trees are caught in a relentless gale, their massive fronds whipped horizontally to the right, leaflets streaming and blurring in perfect synchronization with the roaring wind. The atmosphere is heavy and foreboding, stripped of all human presence or artificial objects, leaving only the raw, elemental struggle between vegetation and weather. Aurally, the scene is immersed in a broad-spectrum rush of wind that fills the stereo field, blending a deep, rolling rumble with sharp, high-frequency hissing. The audio intensity mirrors the visual chaos, surging and receding in subtle, natural fluctuations that reinforce the relentless force of the approaching storm, creating an immersive, visceral experience of nature’s untamed power.","video_1_relative_path":"videos/7ca40835d3f55d90.mp4","video_2_relative_path":"videos/696f819408807980.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/physics/physics_4/example.json::00000046","text_prompt":"Cinematic atmospheric vignette in near-total darkness, illuminated only by a warm, flickering orange glow from the right side of the frame. A young adult male with short brown hair, wearing a dark jacket over a white T-shirt, sits centered in a wooden chair. He holds a large, pale flatbread in his left hand and a clear glass bottle with an orange label and blue cap in his right, while a thin wisp of smoke curls from the bread’s edge. Behind him, a dimly lit wall of horizontal wooden planks recedes into shadow. The audio landscape is immediately dominated by the high-pitched, rapidly fluctuating whine of a small electric motor maneuvering close to the microphone, establishing a sense of proximity and latent tension. A hard cut shifts the perspective to an over-the-shoulder view from behind the man, his silhouette anchoring the lower-left foreground against an almost black background punctuated only by a distant, blurry point of light that pulses faintly. The drone sound muffles slightly, then is abruptly interrupted by a sharp percussive crack, like a whip snap or sudden impact, coinciding with a brief visual flicker near the off-screen light source.\n\nAnother abrupt cut returns to a tight frontal close-up of the man’s face. Sweat glistens on his forehead under the directional lighting, which carves deep shadows across his cheeks and neck. His expression remains neutral but intensely alert, eyes fixed forward on something unseen. The drone’s whine persists at a reduced intensity, gradually layering beneath a low, continuous electrical hum that fills the ambient space. As the camera holds, the man blinks slowly and subtly tilts his head downward, maintaining his steady gaze. The audio narrows to the fading drone whine merging seamlessly into the steady hum, punctuated only by the faintest, barely audible breaths. The composition emphasizes stillness and quiet intensity, leaving the viewer suspended in a tense, unresolved moment within the confined, chiaroscuro-lit environment.","video_1_relative_path":"videos/1a097a6292604acd.mp4","video_2_relative_path":"videos/7d4dddd6179e8a68.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/physics/physics_5/example.json::00000011","text_prompt":"Cinematic documentary style, captured on a prime lens in diffuse daylight with a muted winter palette, opens on a slushy, mud-streaked ground. The camera begins in a low-angle close-up, framing the rear undercarriage and black plastic bumper of a heavy-duty vehicle, with the front wheel of a bright blue compact car resting in the periphery. As the lens slowly pans left and tilts upward, the composition settles on a prominent, wide-diameter black exhaust pipe protruding from beneath the bumper. The pipe bears faint, raised embossed lettering and a metallic license plate holder with a stylized emblem to its right, both catching the soft, shadowless light. Subtle mechanical vibrations ripple through the metal and plastic surfaces, grounding the scene in a quiet, utilitarian atmosphere. Aurally, the environment is stripped bare of wind, traffic, or ambient life, leaving only the unwavering, low-frequency rumble of a large-displacement diesel engine idling steadily beneath the chassis. The sound is acoustically dry and intimate, matching the mechanical presence without fluctuation in pitch or rhythm. The shot holds on this focused study of industrial texture and condition before both the visual frame and the engine’s steady chug cut off simultaneously, leaving a stark, unadorned silence.","video_1_relative_path":"videos/9585317382095944.mp4","video_2_relative_path":"videos/cddbeec223bea1a3.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/physics/physics_5/example.json::00000078","text_prompt":"Cinematic handheld sequence, wide-angle lens at a low waist-level angle, lit in near-darkness with a single harsh key light carving high-contrast shadows across a hard concrete surface. The frame trembles with urgent, handheld energy as two dogs blur past from right to left, their rapid motion streaking across the lens. One is a short-haired light-brown canine in a bright yellow jacket with a dark harness strap, while the other is a fluffy white dog in a blue patterned coat. Their paws pound the ground with sharp, synchronized thuds, bodies overlapping in a playful chase. An off-screen female voice, medium-high pitched and laced with playful urgency, cuts through the sparse soundscape, calling out, \"Want to come here? Where’s your mommy?\" The camera whips to follow their trajectory, amplifying the motion blur before the pair briefly slows. The brown dog glances toward the lens while the white dog presses ahead, their collars emitting a faint metallic jingle and their jackets rustling against the low, continuous hum of the environment. As they exit left, the camera lingers for a moment on the empty, shadowed pavement, capturing only the fading breath of the caller and the raw, unscripted immediacy of the moment.","video_1_relative_path":"videos/54b1d9a1aa682acc.mp4","video_2_relative_path":"videos/c953c994f45d8f9a.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/physics/physics_5/example.json::00000090","text_prompt":"Cinematic industrial realism, shot on a 35mm lens with a slight low-angle medium framing that gradually tightens. The scene opens in a dim, cavernous workshop defined by exposed brickwork, tangled pipes, and scattered tools. High-contrast, uneven lighting casts sharp highlights across the polished metal of a massive bell mounted on a red-painted axle, while warm tones catch the aged wood of the broad, spoked wheel encircling it. The apparatus swings rhythmically, driving a relentless, resonant metallic clang that echoes through the space with a natural, lingering reverb. The camera initiates a slow pan to the right and a subtle zoom, drawing the viewer’s focus toward the rotating assembly. Through the spinning spokes, the cluttered background reveals stacked crates, loose cables, and a parked van visible through an open doorway, with a green wall-mounted indicator glowing faintly on the rear brick. As the mechanical rhythm persists, a man with short dark hair and a dark long-sleeved shirt steps into frame from the right, positioning himself behind the apparatus. He leans forward, hands hovering near the wooden rim, his posture focused and attentive as he monitors the unwavering cycle. The camera holds steady, capturing the interplay of his quiet observation against the hypnotic, percussive strikes. The atmosphere remains austere and utilitarian, stripped of music or dialogue, leaving only the raw, resonant clang and the faint mechanical hum of the drive mechanism to underscore the solitary, ritualistic motion of the machine.","video_1_relative_path":"videos/64c6052978d4f2eb.mp4","video_2_relative_path":"videos/59c1c7c2c01d4226.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/physics/physics_5/example.json::00000091","text_prompt":"Cinematic instructional documentary style, captured with natural daylight and a muted, utilitarian palette. The scene opens on a static wide shot inside a modestly finished room undergoing renovation, where off-white walls and a white radiator frame a space with a light wood laminate floor only partially installed. A bald craftsman in a black short-sleeved shirt and dark work trousers kneels on the bare subfloor near the left wall, his attention fixed on fitting the final plank. His right hand steadies the board’s edge while his left guides a black corded plunge router branded FERROM along the wood. The machine’s steady, high-pitched whir dominates the soundscape, a loud and slightly metallic drone underscored by a low electrical hum and the faint click of tool handling, leaving the environment otherwise hushed and devoid of music or speech.\n\nA sharp cut drops the camera into a tight, top-down close-up of the work surface, isolating the router bit, the freshly routed plank, and the operator’s hands. A crisp red laser line projects across the pale wood grain, tracing the exact cutting path as his left hand guides the tool forward with deliberate control. Subtle shifts in finger pressure and thumb placement are visible against the tool’s body, and the router’s pitch rises momentarily as the blade bites deeper before settling back into a steady rhythm. The mechanical whine persists, punctuated only by soft scrapes against the wood fibers and the quiet friction of his grip, maintaining a focused, tactile atmosphere that emphasizes precision craftsmanship and the quiet intensity of skilled manual labor.","video_1_relative_path":"videos/6052c82a5468fb0d.mp4","video_2_relative_path":"videos/cb146f76383df3d9.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/physics/physics_5/example.json::00000092","text_prompt":"Cinematic instructional footage opens in a warmly lit kitchen with red walls and rich wooden cabinetry, bathed in bright daylight filtering through white horizontal blinds. The camera begins in a medium close-up on the profile of a woman with reddish-brown hair tied up, wearing a gray long-sleeved top and small hoop earrings, before tilting down to focus on her hands holding a white enamel colander filled with pumpkin seeds beneath a running chrome faucet. The acoustic space is dominated by the vigorous rush and splash of water echoing off the hard surfaces, while the black countertop beside the sink holds two large pumpkins—one orange with painted facial features, one pale green—alongside a potted green plant in a red vase, a whole pomegranate, and various small bowls and utensils.\n\nA smooth cross-dissolve transitions to a wider, static shot that reveals more of the kitchen’s stainless steel appliances, a bottle of wine, bananas, and a bowl of tomatoes resting on the counters. The woman now faces the camera, smiling broadly as she shakes excess water from the colander. A warm, conversational female voice begins, stating, \"Okay, so I've rinsed the pumpkin seeds and there's a few bits of pulp still clinging to them, so I'll pick those off next.\" As she speaks, maintaining steady eye contact and occasionally gesturing toward the colander, the water sounds gradually fade into a quiet room tone, leaving only the subtle clinks of glassware and the warm, inviting atmosphere of a home cooking tutorial.","video_1_relative_path":"videos/b09f0efd0ce5b55c.mp4","video_2_relative_path":"videos/6e82aff88503ee93.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/physics/physics_6/example.json::00000011","text_prompt":"Cinematic medium close-up, static camera, warm low-key lighting in a softly cluttered bedroom that feels intimate and unscripted. The background holds a large cylindrical white bolster pillow, a blue-and-white tissue box, folded linens, and the faint silhouette of a baby bouncer nestled in the deeper shadows. Centered in the frame, a young child sits cross-legged on white bedding, wearing a sleeveless red dress dotted with tiny white polka dots and a small yellow emblem, her short black hair secured with a delicate clip at the crown. She bursts into uninhibited laughter, mouth wide open and eyes crinkled, her body rocking gently back and forth as her hands flutter excitedly near her lap, fingers splayed and occasionally tapping the mattress.\n\nA large pink plush toy sweeps abruptly into the foreground from the bottom right, momentarily obscuring her torso in a swift, playful gesture from an unseen off-camera presence. The child’s laughter intensifies in response, her head tilting forward and shoulders bouncing with renewed delight as the soft object glides past and exits the frame. The audio landscape is entirely dominated by her spontaneous vocalizations—high-pitched, breathy giggles punctuated by sharp, staccato squeals and rhythmic breathing—layered over the subtle rustle of fabric, a faint whoosh as the toy cuts through the air, and a low, consistent hum from unseen household appliances. With no music or dialogue to distract, the scene holds its candid warmth, closing on the child still smiling broadly, bathed in the same gentle light, her quiet domestic world framed in pure, innocent joy.","video_1_relative_path":"videos/060b0a6d0ac31c56.mp4","video_2_relative_path":"videos/c91919c2d3db213a.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/physics/physics_6/example.json::00000056","text_prompt":"Cinematic post-apocalyptic aerial sequence, shot from a high-altitude first-person perspective drifting over a desolate wasteland rendered in muted, desaturated earth tones. The landscape is a tapestry of grey-brown ruins and scorched earth, partially veiled by low-hanging clouds beneath a sky that gradients from dusky blue to a faint, bruised orange. A deep, resonant low-frequency rumble dominates the audio bed, filling the stereo field with a non-localized, seismic thrum that evokes distant heavy machinery or atmospheric disturbance. Beneath it, a subtle, airy wind whooshes continuously, reinforcing the sense of elevation and exposure. As the camera executes a deliberate upward tilt and gentle forward drift, the horizon clears to reveal a massive column of black smoke rising vertically into the twilight. Its base pulses with bright, irregular orange flames that cast warm, flickering highlights across the otherwise cold terrain. To the right of the inferno, a solitary cylindrical tower stands intact, while further out, an orange-and-black tracked vehicle sits motionless amid dead vegetation. The camera continues its smooth ascent, unveiling rolling hills and mountain ranges silhouetted against the fading light. The ambient soundscape remains unwavering, the low rumble and wind layer persisting without crescendo or fade, mirroring the visual stillness. The shot eventually settles into a static wide frame, holding on the burning ruin and flanking wreckage as the smoke continues to rise. The sequence concludes abruptly, leaving the viewer in a haunting atmosphere of aftermath and isolation, where the relentless subterranean drone and ethereal wind underscore a world abandoned to the quiet consequences of unseen catastrophe.","video_1_relative_path":"videos/ab1e18ce42c312c1.mp4","video_2_relative_path":"videos/58b2038f27efbcd6.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/physics/physics_6/example.json::00000060","text_prompt":"Cinematic product demonstration, static medium close-up, cool even ambient lighting, and a clean minimalist palette define the opening of a quiet indoor space where a white brick wall and a light wooden shelving unit filled with stacked binders frame the composition. A person’s right arm, clad in a blue, grey, and black striped long-sleeve shirt, extends into the frame holding a translucent red spherical alarm clock suspended by a thin white string looped over the index finger. The clock’s digital display and control buttons face forward, held perfectly steady against the softly shadowed background in a room with a faint, natural reverberation and no external noise. The grip suddenly loosens, and the red sphere slips from the string, dropping swiftly out of the top of the frame. The moment it leaves the hand, a sharp mechanical click gives way to a piercing, continuous electronic buzz that dominates the soundscape. The high-frequency alarm tone, steady in pitch and amplitude with no modulation or fade-out, rings out with abrupt intensity, echoing slightly in the modest interior space. The camera remains completely still as the background holds its minimalist composition, leaving the viewer to focus entirely on the sudden, jarring activation of the device.","video_1_relative_path":"videos/6e4f5cb3e5570eec.mp4","video_2_relative_path":"videos/ecbee283d2e6ab59.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/physics/physics_6/example.json::00000078","text_prompt":"Cinematic scene in a modern apartment kitchen, lit by warm overhead lighting that reflects off stainless steel appliances and dark wood cabinetry. A static wide shot frames the space, capturing a large refrigerator with a water dispenser on the right, a microwave mounted above the stove, and a blender resting on a black countertop scattered with plastic cups and food containers. A young man with tattooed forearms, wearing a pink short-sleeved Henley, dark jeans, white sneakers, and a gold watch on his left wrist, enters from a doorway on the right while holding a smartphone to his ear. Speaking into the phone with an energetic, animated tone, he says, “Yeah.” As he strides toward the center of the room, a loud, continuous sizzling sound—consistent with food frying in a pan—dominates the audio track, cutting through a moderately reverberant indoor space. The camera begins a subtle pan to follow him as he passes the refrigerator. Repeating, “Yeah,” he launches into a rapid, earnest explanation: “No, I’m saying the ratio to women to men is gonna be twenty to one.”\n\nA hard cut shifts to a medium close-up of a second man standing near the stove, dressed in a plain red crew-neck T-shirt with short dark hair and light stubble. Initially looking downward, he slowly lifts his gaze upward and slightly to the right, his eyes widening in quiet surprise or skepticism as he processes the conversation, his lips parting slightly without a sound. The sizzling continues uninterrupted beneath the visual shift. The camera cuts back to the first man, now stationed beside the refrigerator. Nodding while affirming with a relaxed but attentive posture, he says, “Yeah, yeah, twenty,” followed by a final, clipped, “Yeah.” As he finishes his confirmation, the intense frying sound abruptly ceases, leaving only a faint, natural room tone as the camera holds steady on his concluding expression before the scene fades to black. The overall mood is light and conversational, driven by expressive performance and everyday sonic textures rather than dramatic scoring.","video_1_relative_path":"videos/3af88447a314675c.mp4","video_2_relative_path":"videos/839088909a0a2022.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/physics/physics_7/example.json::00000032","text_prompt":"Cinematic wide shot, high-angle and static, capturing a brightly lit indoor sports hall with a polished wooden floor bordered by a red running track marked in crisp white lines. Seven young men stand clustered near the center, all dressed identically in pink hooded tracksuits with their hoods pulled up, each jacket featuring a large white rectangular patch bearing a bold black capital letter D. One member clutches a small white plush toy while subtle shifts in posture ripple through the group; one steps forward toward the track’s edge and another raises a hand to adjust his hood. In the background, other teams in blue and orange tracksuits mill about, establishing the setting as a lively school sports day or team competition. The soundscape is dominated by a dense, rhythmic wall of crowd noise as hundreds of unseen spectators shout in unison, their voices forming a powerful, percussive chant that reverberates across the vast gymnasium ceiling. Delivered with a steady, forceful cadence, the collective roar carries an unmistakable tone of organized fan support and celebratory energy, though individual words dissolve into the unified roar. Beneath the vocal surge, a constant low-level hum from overhead ventilation systems and the natural acoustic echo of the indoor arena ground the scene in reality. With no music or dialogue to distract, the raw auditory power of mass vocalization amplifies the visual unity of the group, immersing the viewer in a moment of shared camaraderie and youthful excitement.","video_1_relative_path":"videos/2dc108bdd7487c0d.mp4","video_2_relative_path":"videos/e2d2850abe64eeee.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/podcast/podcast_1/example.json::00000002","text_prompt":"A cinematic documentary scene opens on a wide, static shot with a 35mm lens, bathed in dramatic purple and teal lighting that washes over angular geometric backdrop panels in a large auditorium. Center-left, the iconic three-dimensional red TED logo stands illuminated against the cool tones, while on a circular red rug at stage center, a bald man in a dark long-sleeved shirt, light grey trousers, and dark sneakers with white soles faces the audience, his posture relaxed as he prepares to speak. Behind him, a large projection screen initially displays a still photograph of three men standing in a sunlit grassy field, one holding a baseball bat upright, and the camera holds this consistent, unbroken framing throughout. As the moment unfolds, a wave of loud, collective audience laughter fills the reverberant hall, its broadband resonance peaking before naturally decaying. The speaker lifts his hands in a light, conversational gesture and begins his address in a calm, neutral male voice with clear articulation and a moderate pace. \"I looked at medical students' grades,\" he states, his tone carrying a slight upward inflection that suggests the narrative is just beginning. Mid-utterance, the projection behind him transitions to a new image: a group photograph of medical students and faculty in scrubs and lab coats posing outdoors. The ambient hum of the auditorium and the natural acoustic reverb linger beneath his measured delivery, while the audience's amusement settles into a quiet, attentive backdrop, focusing all attention on his story.","video_1_relative_path":"videos/13800eb2492abaa3.mp4","video_2_relative_path":"videos/9dcaacc5b42234ca.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/podcast/podcast_1/example.json::00000033","text_prompt":"A medium close-up frames a man standing center stage against a completely black background, isolated by a focused spotlight. He has dark hair pulled back and wears a black high-collared shirt adorned with vertical columns of small purple geometric patterns, with a flesh-colored lavalier microphone clipped near his right cheek. The camera remains static as he speaks directly to the audience, his facial expressions shifting between earnestness and emphasis while his mouth articulates each word in sync with his delivery. A calm, confident male British English voice begins, stating, \"And by the end of this talk, I will have explained what I mean by that, why it’s important, and given you a glimpse of how it might work.\" His steady tempo and explanatory tone are accompanied only by the faint reverberation of a large auditorium, a low-level electronic hum from the sound system, and occasional soft inhalations between phrases.\n\nThe scene abruptly cuts to a wide, static shot from behind the speaker, revealing the full scale of the venue as a grand theater filled with rows of seated spectators. He stands on a circular red rug at the center of the stage, facing away from the camera toward the audience. Overhead, ornate chandeliers hang beneath an arched ceiling bathed in deep blue and purple ambient lighting, sharply contrasted by a bright white spotlight shining down from above. A laptop sits open on a small table beside him as he continues, his voice trailing slightly before resolving into a complete thought: \"But first, let's begin.\" The spoken words fade into silence, leaving only the subtle room tone and the lingering echo of the auditorium as the clip concludes.","video_1_relative_path":"videos/9abaf9d19140af42.mp4","video_2_relative_path":"videos/824c302961884a57.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_1/example.json::00000025","text_prompt":"A cinematic documentary short opens with a static camera, shallow depth of field, and diegetic canopy lighting that casts soft natural daylight across the scene. The frame isolates a young East Asian man’s face against a creamy blur of verdant forest foliage, his dark hair slightly tousled and his brow furrowed in quiet concentration. He lowers his gaze before parting his lips to delicately bring a small morsel to his mouth, chewing slowly as the camera holds fixed on the subtle movement. A gentle, slow-tempo orchestral score—sustained strings layered with faint piano arpeggios—begins immediately, accompanied by the light rustling of leaves and a constant ambient forest hush. The young man speaks in a calm, reflective Mandarin voice with a clear northern accent, his measured pace and mild enthusiasm carrying a slight smile as he states, \"真是又好吃又营养。\"\n\nA hard cut shifts to an extreme close-up of weather-worn, dark-skinned hands cradling a glistening piece of honeycomb. Golden-brown stains coat the calloused fingers as amber wax cells drip viscous syrup, catching the dappled sunlight that glints off the sticky surface while the red, white, and blue plaid sleeve of a shirt peeks into the upper left of the frame. The orchestral underscore swells slightly to amplify the sensory richness, blending with faint insect chirps and the soft squish of honey. The scene transitions to a medium close-up of an older East Asian man standing amid tree trunks and leafy undergrowth, wearing the same plaid button-down over a darker undershirt. Perspiration beads on his lined forehead and thin mustache, but his face breaks into a broad, crinkling smile as he lifts a honey-coated finger to his mouth and licks it clean. A warm, relaxed male Mandarin voice, tinged with a slight regional inflection and light chuckle, radiates cheerful nostalgia as he says, \"好久没吃到了。\" The camera holds on his delighted expression as ambient birdsong becomes momentarily clearer, the continuous score weaving through the moment before the image gently fades.","video_1_relative_path":"videos/0d27721e2846f71a.mp4","video_2_relative_path":"videos/75fc8de406594425.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_1/example.json::00000066","text_prompt":"A cinematic scene bathed in cool-toned, overcast daylight and a desaturated palette of blues and greys opens with a static medium-long shot framed through the diamond pattern of a grey chain-link fence that dominates the foreground and partially occludes a weather-worn stone wall behind it. Seated on the ground just inside the barrier is a man in his late thirties to early forties, wearing a dark zip-up jacket and light-brown trousers with his knees drawn up and hands resting loosely between them. His gaze is fixed toward the right edge of the frame, his face solemn and slightly tense as sparse weeds poke through the cracks in the paving stones at his feet. Under a faint, low electronic drone, a calm male Mandarin voice-over begins, stating “这个人是他的亲哥哥。” (This person is his own brother.).\n\nThe view cuts to an extreme close-up from the opposite side of the same fence, the camera handheld but steady and angled slightly upward. Dominating the left half of the frame is the near-profile of a younger man in his mid-twenties, with fair skin, short dark hair, intense blue eyes, and a hint of stubble. His expression is grave, lips pressed together, eyes fixed off-screen to the right, while slightly behind him and out of focus stands another man in a dark blue knit beanie and matching jacket, his right hand gripping the mesh of the fence. As the narration settles, the English-speaking man in the foreground quietly adds, in a subdued and resolute tone, “Because he’s my brother.” The ambient drone continues underneath, the flat, diffused lighting emphasizing the somber mood as both men remain motionless, conveying a heavy sense of tension and solidarity. The image holds on this emotionally charged tableau, the low electronic hum persisting for a brief moment after the final words before fading, leaving the unresolved conflict hanging in the air.","video_1_relative_path":"videos/4288f4f8a1cf5e06.mp4","video_2_relative_path":"videos/130daf3e21b6e01a.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_10/example.json::00000057","text_prompt":"Intimate period drama, captured on a 50mm prime lens with warm, amber tungsten lighting that casts golden highlights and soft shadows across a vintage European interior dominated by yellow wallpaper, muted greens, and rich browns. The scene opens with a locked medium close-up of a young woman seated indoors, her fair skin and dark brown chin-length bob with straight bangs softly illuminated. She wears a brown cardigan over a pale top, her gaze cast downward in quiet contemplation as a slow, minor-key piano melody accompanied by faint sustained strings begins to play. A calm, reflective male Mandarin voice-over begins, stating \"无数个难眠夜晚的微光。\" The camera remains completely still, framing her upper torso and face while a dark wooden cabinet with glass doors, adorned with small figurines, stands against the wall behind her.\n\nA hard cut shifts to an over-the-shoulder medium shot from behind the younger woman, revealing an older woman seated across from her. The older woman has voluminous curly red hair pinned back with a red bow and wears a short-sleeved dress patterned with dense red and white floral motifs. She holds a folded sheet of paper at chest height, her posture upright and her hands gently adjusting the letter as she looks toward the younger woman with poised curiosity. The same warm lighting bathes the eclectic room, highlighting a green-painted doorway, hanging ornaments including a birdcage, framed pictures, and a large ornate lamp with a reddish-orange shade. Beneath the continuing piano-and-strings score, a gentle, mildly inquisitive female French voice asks: \"Vous aviez écrit des lettres comme ça, mademoiselle ?\" The sparse soundscape and restrained performances emphasize the emotional weight of the unseen letter, evoking a mood of quiet nostalgia, memory, and tender human connection.","video_1_relative_path":"videos/f5dd3190e9142393.mp4","video_2_relative_path":"videos/e29e221bee553286.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_10/example.json::00000059","text_prompt":"Late-afternoon sunlight back-lights a tranquil riverside canal, establishing a high-contrast cinematic look with warm highlights and cool blue-green tones in the shallow-focus background of blurred trees, concrete embankments, and a low bridge. The camera opens on a locked-off medium close-up of a middle-aged white man with short salt-and-pepper hair and a light-blue button-down shirt, his face softly side-lit with shadows carving one cheek while rim light catches his hair and shoulder. A subdued, low-frequency electronic drone hums beneath the quiet atmosphere as he looks slightly off-camera to his right, lips parted, and delivers a calm, slightly dismissive line in Mandarin: \"虚的,\" completing the thought with a weary dismissal of empty games. The shot holds for a beat before cutting without movement to a matching medium close-up of a bald Black man in a dark suit, light dress shirt, and red patterned tie, standing against the same sun-dappled environment.\n\nHe maintains steady eye contact toward the first man’s position, his voice resonant and measured as he replies in English, \"And for you.\" The ambient synth bed continues quietly, then swells imperceptibly with a faint higher-pitched pad that deepens the tension. The suited man’s expression shifts subtly—eyebrows lifting, mouth corners tightening—as he weighs his words, glancing briefly downward before returning his gaze forward. He leans forward a fraction, his tone growing more personal and emphatic, mixing quiet pride with a direct challenge as he states, \"I’m a native son of South Central, Bosch.\" The camera remains fixed on his intent expression as the warm sunlight contrasts sharply with the cool, blurred environment, the tense electronic undercurrent holding steady until the frame fades.","video_1_relative_path":"videos/dbd1c0930bd090d7.mp4","video_2_relative_path":"videos/894e97b029040eea.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_11/example.json::00000002","text_prompt":"Open on a warmly lit nighttime patio or covered entryway of a suburban house, where a vivid red carpet stretches toward double glass doors revealing a softly glowing interior. To the left, a large terracotta pot holds a small evergreen tree strung with warm white fairy lights, casting a festive glow against the cool night air. In the doorway, a man in a dark suit watches as two others engage in a vigorous scuffle on the carpet. One combatant is clad in an eye-catching full-body costume of fluffy white feathers, accented with pink ribbons and red thigh-high stockings, his head completely hidden beneath the plumes. His opponent, dressed entirely in black with short brown hair, kneels over him, gripping him tightly around the waist. A calm, neutral female Mandarin voice-over begins, stating \"He’s willing to come to blows with a friend over this,\" while faint rustling of feathers and muffled thuds underscore the physical struggle.\n\nWith a sudden heave, the man in black drives the costumed figure backward, sending them crashing onto the red carpet in a heap. The feathered body flips partially upside-down, its wings splaying outward as dust motes catch the light and loose feathers flutter through the air. The camera remains mostly static but tilts slightly to keep both combatants centered. A sharp male Mandarin narrator interjects, \"Hey, watch out, don't break the wings!\" as the suited observer inside shifts his weight, caught between concern and amusement. Both men settle on the carpet, still tangled. The man in black lies atop, momentarily bracing himself on one forearm before collapsing flat, while the costumed figure wriggles beneath, scattering more feathers. Suddenly, an American-accented male voice shouts urgently from off-screen right, \"Hey, hey, watch the wings! Watch the wings!\" His loud, alarmed tone echoes in the open space, and the scene freezes on this moment of comic chaos, leaving only the layered sounds of fabric brushing, a dull impact, and the fading echo of the warning.","video_1_relative_path":"videos/46644222c6b1cfa4.mp4","video_2_relative_path":"videos/d3965bb1dcaf54a2.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_11/example.json::00000058","text_prompt":"The scene opens on a tight, low-angle close-up of a light-skinned man in his late thirties, his short dark-brown hair and blue eyes sharply defined against a softly blurred background of warm browns and yellows. He wears a dark suit jacket over a white dress shirt with an open collar, seated in a dimly lit interior where a subtle key light from camera right carves a dramatic chiaroscuro across his face. A calm, measured male Mandarin voice begins, his tone steady and explanatory as he leans into the frame with a restrained half-smile, stating, “What exactly are they looking for? Second, his father never gave him anything to begin with, and now there is simply nothing left to explain.” The audio remains clean and dry, isolating his voice against the quiet tension of the space.\n\nA straight cut pulls back to reveal a wider view of a bathroom bathed in soft, ambient light, its walls painted warm terracotta and accented by a vanity lined in small teal-blue tiles. The man now stands on the rim of a large white bathtub filled with pale water, still in his white shirt and dark trousers, leaning forward to gesture toward a woman seated on the closed toilet lid opposite him. She is a light-skinned woman in her thirties with shoulder-length brown hair, dressed in a dark long-sleeved top and jeans, her head bowed and hands resting in her lap in a posture of quiet resignation. Behind them, a mirror catches the silhouettes of palm trees through a sheer curtain, hinting at a tropical setting, while neatly hung towels frame the intimate space. As his speech concludes, a brief, higher-pitched male voice cuts in from off-screen in English: “Where is it?” The clean audio mix holds the sharp contrast between the languages before the picture cuts abruptly to black, leaving the narrative suspended in unresolved suspense.","video_1_relative_path":"videos/003f4b25651a5fe9.mp4","video_2_relative_path":"videos/7a206c7e3d786432.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_11/example.json::00000064","text_prompt":"Widescreen 16:9 cinematic frame, shallow depth of field, diffuse cool lighting suggesting an overcast exterior, muted blue and grey palette. The scene opens on a tight, static close-up framed behind the shoulder of an older, light-skinned man with short grey hair and a dark-blue jacket collar. A chain-link fence dominates the foreground in soft focus, separating him from a younger Black man wearing a ribbed navy beanie, a pale-blue collared shirt, and a darker outer garment. The younger man’s brow is slightly furrowed as he speaks, his mouth moving against a backdrop of continuous low mechanical hum. A calm, critical male Mandarin voice-over begins, stating \"真是将无耻演绎到了极致.\" A hard cut reverses to a matching close-up of the older man’s face; he looks downward and slightly right, his eyes half-closing as a restrained smirk touches his lips, the fence still blurring the foreground. The ambient hum persists unchanged.\n\nAnother cut returns to the original angle on the younger man. He raises his gaze toward the older man, speaking with a hint of exasperation, \"Your problem was somebody already gave seven hundred for that room.\" Almost simultaneously, a deeper, gravelly English voice interjects with a brief, amused remark, \"And that bad.\" A quieter background voice follows, completing an explanatory thought, \"The deal is already moving forward without us.\" The fence remains sharply in focus, emphasizing the physical and emotional separation between the characters, while the background stays softly blurred. The low mechanical hum continues until the scene cuts abruptly, leaving the tense, morally ambiguous negotiation hanging in the cool, overcast air.","video_1_relative_path":"videos/6d4df002d4567be8.mp4","video_2_relative_path":"videos/916f2e94cf0caa93.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_11/example.json::00000069","text_prompt":"Widescreen 16:9 cinematic scene, natural morning light filtering through a dense green forest canopy, casting soft shadows over saturated foliage. An olive-green dome tent rests on a bed of fallen leaves. In the foreground, an older man with long white hair and a beard, wearing a dark fedora and a red-and-blue plaid shirt over a grey tee, stands with a large red hiking backpack. Beside him, a younger blond man in a green-and-black plaid shirt and black vest bends over to adjust tan hiking boots, a black-and-red pack on his shoulders. Just outside the tent, a woman with shoulder-length brown hair, wrapped in a pink fleece jacket and purple Crocs, leans against the tent fabric, eating from a white bowl with a spoon. The atmosphere is quiet, filled only with soft birdsong and faint rustling leaves. A calm, neutral male Mandarin voice-over begins, stating \"第二天一早，两人提前准备好\". The camera cuts to a tighter medium two-shot of the two men. The younger man straightens, holding a boot, and glances toward his companion. Both now wear their full packs, their faces showing mild concentration and quiet anticipation. The narrator continues evenly, adding \"自来熟才刚刚起床\".\n\nA quick cut reveals the woman looking up from her meal, her eyes bright and a broad smile spreading across her face as she tilts her head, clearly excited for the day ahead. The background remains softly blurred, emphasizing her joyful expression. Suddenly, the image freezes on her smiling face, halting all motion while the audio continues. A higher-pitched, energetic female voice with a General American accent calls out cheerfully, \"You guys heading out?\" The static frame and incongruous English interjection create a deliberate comedic pause, leaving a moment of silence before the scene concludes.","video_1_relative_path":"videos/4ce5eb5b162738e2.mp4","video_2_relative_path":"videos/6d71e41a2d4608ef.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_2/example.json::00000069","text_prompt":"A high-angle static wide shot captures a polished wooden gymnasium floor marked by yellow sports lines, bathed in diffuse overhead lighting that casts minimal shadows and highlights the warm wood tones against the students’ cool navy-blue blazers trimmed in red and white. About ten young East Asian students sit or crouch in a tight circle around a low black table, their attention fixed on a bright yellow picture book held by a woman in her thirties. Wearing glasses, a brown blazer, and a light-pink blouse, she occupies the top of the semicircle, pointing at cartoon illustrations while a calm male voice-over in Standard Mandarin states, “主题是《白雪公主与七个小矮人》。” Large white sheets covered in hand-drawn diagrams and colored markings lie flat on the tabletop. The students lean forward in focused engagement: one writes briskly in a notebook, another rests his chin on his hand in thought, and two others drape their arms casually over each other’s shoulders, conveying a blend of task orientation and friendly camaraderie. The acoustic space remains dry and studio-like, devoid of background music or ambient noise.\n\nWithout breaking the static frame, a man standing directly behind the woman—dressed in a dark blazer with matching red-and-white trim and a patterned tie—leans over the book, points to a specific character drawing, and smiles broadly. The woman lowers the book and turns toward him, prompting immediate reactions from the group. One boy raises his index finger as if offering an idea, another nods appreciatively, and the note-taker continues scribbling. Suddenly, a group of youthful voices bursts into a short, energetic chant in unison, joyfully repeating, “白雪公主七个小矮人！” The vibrant yellows, reds, and blues of the children’s book and diagrams pop against the neutral gym lighting as the playful, team-spirited moment peaks. The scene holds for a fraction of a second after the chant concludes, freezing the image in a tableau of collaborative learning before fading to black.","video_1_relative_path":"videos/7a3ddfddf3715cbf.mp4","video_2_relative_path":"videos/666e8fada0d828cd.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_2/example.json::00000088","text_prompt":"A historical-fantasy sequence, shot on a 35mm lens with soft, diffused daylight and an earthy palette of muted greys, warm beige, and natural greens, opens in a sun-dappled field of tall grass and scattered weeds. A low-angle medium frame elevates a solitary figure clad head-to-toe in ornate, dark-grey metallic armor etched with intricate relief patterns. The helmet’s visor conceals the wearer’s face, leaving only a human silhouette kneeling on one knee and bowing deeply toward someone just out of frame at screen left. At the extreme left edge, the torso and arm of a second individual are visible, dressed in a white blouse with delicate lace trim beneath a brown, fur-edged cloak fastened by a red cord. A calm, neutral female Mandarin voice-over begins, her measured and advisory tone stating, \"I hope he no longer risks his life for those who aren't worth it.\" The surrounding ambience remains deliberately silent, focusing all attention on the visual weight of the exchange.\n\nA straight cut shifts to a tight close-up of a young woman standing amid the same verdant backdrop. Her fair skin contrasts with neatly styled black hair gathered into an up-do, straight bangs framing a thoughtful expression as she looks downward and slightly to her right, lips parted as though finishing a thought. Natural light illuminates her face evenly against a softly blurred background, isolating her emotionally charged presence. The female voice continues, now delivered directly by the on-screen woman in a quieter, more personal register, her earnest tone carrying a hint of concern as she adds, \"Your enemy is on our side.\" The camera lingers on her face, capturing a dynamic of power and vulnerability, while the deliberate silence and somber lighting deepen the contemplative mood of a pivotal conversation about loyalty and sacrifice.","video_1_relative_path":"videos/251e5202bcfb96e4.mp4","video_2_relative_path":"videos/24e4f07740aa84e2.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_3/example.json::00000010","text_prompt":"A moody, satirical scene opens in a steady, locked-off medium shot within a dimly lit, teal-walled study densely packed with antique timepieces and framed paintings, rendered in dramatic chiaroscuro. Warm practical light from a two-bulb candelabra on the left and a soft blue-white table lamp on the right carve out the faces of two figures standing close together, both draped in identical deep-red velvet hooded capes that evoke a conspiratorial atmosphere. The older man, mid-forties to early fifties with short, slightly tousled black hair and a fair complexion, leans forward with wide, intensely manic eyes. A clear, forceful male Mandarin voice begins, stating “反正自己和当年永远的死无关，凶手再怎么杀，也轮不到他的头上。” As he delivers the line, he lifts a small white cylindrical vial in his right hand, gesturing emphatically toward himself while the younger figure remains mostly motionless, visible only from behind and in profile, head tilted slightly downward in quiet observation.\n\nAbruptly, the older man’s intense expression fractures into a broad grin, and a strained male Japanese voice rises in triumphant bravado: “俺は安全だ！” A sharp, high-pitched electronic sting underscores the declaration, immediately followed by loud, unrestrained laughter. He throws his head back, shoulders shaking as the sustained, joyful cackle fills the frame, while the camera holds its static position. The crimson capes stand out starkly against the muted, shadow-draped background, emphasizing the sudden shift from frantic declaration to manic release. The scene lingers on this visual crescendo of laughter and stillness before fading to black, leaving only the echo of the electronic sting and the older man’s boisterous voice in the dimly lit room.","video_1_relative_path":"videos/99cda1ba1d93c9a6.mp4","video_2_relative_path":"videos/e00cd1f33013576b.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_3/example.json::00000012","text_prompt":"A moody, tech-noir cinematic scene opens in a dim, cluttered control room or workshop, illuminated by a dual-source lighting setup that blends warm tungsten from a desk lamp with the cool cyan spill of two computer monitors. Shot from behind the right shoulder of a seated man, the camera frames his back and the side of his head in the foreground while wooden shelves stacked with vintage electronics, a wall clock, and tangled wires dissolve into a soft, out-of-focus background. A low, persistent electronic hum fills the minimalist soundscape. The man, dressed in a brown V-neck sweater over a white collared shirt and wearing large black over-ear headphones, sits motionless before turning his head slightly left toward the nearest screen. A calm, concerned Cantonese voice asks, \"有咩問題?\" (\"Any problem?\"). The shot holds without cutting as he finishes turning, his eyes locked on the display and his shoulders tense, the faint blue monitor light flickering across his glasses while the ambient machinery noise continues uninterrupted.\n\nA hard cut shifts to a tight profile close-up of the same man from the opposite side, his shallow depth of field rendering the room into indistinct bokeh. His brow is furrowed and his expression intent as he listens through the earpieces. A measured, documentary-style male narrator begins speaking in Mandarin: \"看到基地裡只剩下自己和阿祖，古仔很快就有了一个大胆的想法。\" The steady low-frequency hum remains the only sound as the clip lingers on his focused profile, emphasizing psychological tension through static camera work and a stark, high-contrast palette.","video_1_relative_path":"videos/8ea79a8dd6c91c1f.mp4","video_2_relative_path":"videos/d6c22f0e816dfd5d.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_3/example.json::00000043","text_prompt":"A psychological thriller sequence captured in tight, static close-ups, utilizing a cool, clinical color grade with a warm front-left key light on the older subject contrasting a flatter, cooler fill on the younger. The scene opens in a dim, muted green-grey interior resembling an interrogation room or medical observation cell. A tight close-up frames a middle-aged man with dark, slightly disheveled hair and light stubble. His eyes are wide and bloodshot, locked intensely toward someone just off-camera to his right. He wears a pale collared shirt softly illuminated from the front-left, while the background remains softly blurred. Beneath the image, a low, ominous electronic drone hums almost imperceptibly. A calm yet grave male Mandarin voice speaks, stating, “This means he doesn’t need to sleep at all.”\n\nA straight cut shifts to a younger man with a short buzz-cut and a grey crew-neck T-shirt, leaning back against a hard surface. Behind him, a stainless-steel sink and pale tiled wall reinforce the sterile, clinical atmosphere. His expression mixes confusion and apprehension as he looks upward and slightly to the left, mouth slightly parted. The ambient synth pad continues quietly in the background. In a slightly higher, anxious tone, he asks, “What does that mean?” The camera cuts back to the first man, still holding his intense, unwavering gaze. He takes a slow breath and answers in a low, deliberate voice with a faint rasp, “It means I don’t sleep.” The tense, sustained chord in the musical bed holds without change, underscoring the unsettling revelation. The shot freezes on his stare, ending abruptly to leave the narrative suspense unresolved and implying a deeper story beyond the moment.","video_1_relative_path":"videos/b8dd52975995e57b.mp4","video_2_relative_path":"videos/58b859bff3255998.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_3/example.json::00000062","text_prompt":"A refined, documentary-style cinematic sequence opens with a close, slightly low-angle static shot of three green-tinted wine bottles standing in a neat row on a glossy tabletop that mirrors their bases and the soft amber light overhead. Each bottle bears an off-white paper label bordered by a thin dark line, featuring a small reddish-brown crest above two lines of black serif capitals, with the most legible reading “LEON CAPELLO” and a partially obscured year beneath. The edge of a fourth bottle intrudes gently from the right, while the background dissolves into a warm, softly blurred interior where daylight filters through glass doors and indistinct figures move about, including one person in a red garment crossing the frame. Beneath this composition, a gentle, slow-tempo instrumental track dominated by plucked guzheng-like strings plays quietly as a calm, neutral male Mandarin voice-over begins, stating “他的发迹史要大大晚于海参。”\n\nA single hard cut shifts the perspective to an extreme close-up high-angle macro view of a shallow bowl filled with clear, golden-amber liquid, its surface shimmering with tiny ripples and scattered reflections. From the upper left, a pair of dark wooden chopsticks enters the frame to delicately pinch a pale, translucent, ribbon-shaped morsel reminiscent of soaked abalone or sea cucumber. As the utensil lifts the food, droplets fall back into the bowl, producing faint splashes that catch the warm directional key light and rich specular highlights. The background remains intentionally soft to isolate the glistening textures and liquid sheen, while the serene string music continues seamlessly underneath the narrator’s steady, measured delivery as he adds, “算是酒席上的新贵。” The entire scene maintains a shallow depth of field, a subtle, refined atmosphere, and an audio mix that prioritizes the narrator’s clarity with the instrumental track sitting quietly beneath, free of environmental noise or additional voices.","video_1_relative_path":"videos/c5ea17d8321d3acd.mp4","video_2_relative_path":"videos/54b17bf7e2cf7a40.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_4/example.json::00000046","text_prompt":"A tense historical wartime drama unfolds in a sun-dappled forest, captured in a tight, slightly low-angled medium close-up framed by the rough bark of a tree trunk at screen-left and blurred green foliage behind. Natural daylight filters through the canopy, casting soft shadows and dappled highlights across a muted earth-tone palette. Three men crouch or kneel together, half-hidden by branches. The man closest to camera, mid-aged with short black hair and a dark blue-grey jacket over a light collar, glances sideways with an alert yet mischievous half-smile. Beside him, a younger man in his early twenties, wearing a brownish-grey tunic and tousled black hair, grips a small pale crumpled object and beams broadly toward his companions. A third figure, farther back and partly obscured, wears a black beanie and a red-and-black backpack, peering forward with tense focus. Soft natural ambience, carrying distant birds and a faint rustle, underlies the moment as a lively adult male narrator in Standard Mandarin begins, stating \"The heroic rogue hatched a plan.\" The camera remains static but tightens slightly on the trio. The young man’s grin widens into a gleeful expression as he turns his head rightward, still clutching the object, while the leader’s smile fades into concentrated determination, his eyes narrowing as he surveys the unseen threat ahead. The beanie-wearing companion maintains a wary stare. The narrator continues without pause, urging, \"Don’t blink ahead, brothers!\"\n\nA sudden cut shifts perspective to a distant, shaky long shot viewed from behind a dark foreground obstruction, suggesting covert observation. The three protagonists are no longer visible; instead, a steep earthen embankment covered with shrubs fills the frame. From the lower right, a lone figure wearing a loose white shirt patterned with dark spots runs upward across the slope, arms pumping and body leaning forward in urgent motion, kicking up dust. Ambient forest sounds persist beneath the narrator’s final words. As the runner nears the crest, a young adult female voice erupts in a panicked, high-pitched scream: \"Help!\" The image holds for a brief instant on the fleeing figure before the scene concludes, leaving the outcome unresolved. No additional music or effects follow; only the lingering echo of the cry and faint environmental noise carry the final moments, reinforcing the sparse, suspenseful sound design and shallow depth of field that isolates the guerrilla encounter.","video_1_relative_path":"videos/c72672e8134e6e7a.mp4","video_2_relative_path":"videos/1e781bbed6ac4270.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_4/example.json::00000069","text_prompt":"A tense, desaturated prison drama unfolds in high-contrast chiaroscuro, shot on a static camera with shallow depth of field to isolate subjects against blurred institutional backdrops. The clip opens on a tight, slightly low-angled close-up of a young white inmate in a white ribbed long-sleeve shirt. Cold bluish side-lighting from camera right sculpts his face, plunging the left half into deep shadow while highlighting his right cheek and forehead, with a faint vertical strip of daylight bleeding through a barred window behind him. His eyes are wide and fixed just off-camera to the right, mouth parted mid-breath as a calm, neutral male Mandarin voice-over begins, stating, “电影什么的事情，就把这个事啊给交代了。” A barely audible low electronic hum underscores the scene. A hard cut shifts to a medium close-up profile of an older white prison guard seated at a desk, his dark uniform jacket bearing a circular shoulder patch that reads “RIVER PENITENTIARY.” Cool directional light casts crisp shadows across his cheek and sleeve as he lifts a light-blue disposable cup with a straw and takes a slow sip, a slim monitor edge intruding at the frame’s left. The scene then widens to a static view of the holding room, where grey cinder blocks plastered with pinned notices and photographs line the walls behind the standing inmate. Horizontal blinds to the left cast slatted shafts of light, while a black gooseneck desk lamp in the right foreground adds a warm practical glow to the otherwise blue-grey palette. The inmate steps forward, gesturing emphatically with his right hand, palm outward, then points toward the seated guard whose back faces the camera. Simultaneously, a clear, neutral-accented English male voice cuts through the ambient hum: “In the yard today.” The restrained editing and static camera keep the focus entirely on the psychological tension and the stark, somber atmosphere of the interrogation space.","video_1_relative_path":"videos/356c06b476c8c65a.mp4","video_2_relative_path":"videos/674951cd17e4c4e3.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_5/example.json::00000010","text_prompt":"A tense, low-key thriller sequence captured with tight close-ups and shifting wide angles, bathed in high-contrast chiaroscuro lighting that carves deep shadows across a confined, claustrophobic interior. Three men huddle near a heavy, scuffed metal hatch set into a blue-grey floor. In the foreground, a bald man with a goatee lies on his back, sweat glistening on his forehead, eyes wide and strained as he stares upward. Behind him, a dark-haired man grips his shoulders, leaning in with tense focus toward something just out of frame. A male Mandarin voice-over begins, calm but urgent, stating “老DB库珀毕竟年纪大了，来不及上来，先把地毯盖上再说了。” The narration holds steady over the quiet tension, the ambient space otherwise still.\n\nThe perspective shifts to a profile of the bald man, now crouched and breathing heavily, jaw clenched against the strain. The camera pulls back to show a small group gathered around the opening: a blond man in a black shirt peers down into the narrow concrete shaft, while another in a dark jacket holds a flashlight, their postures radiating urgency. The camera drops to a direct overhead angle, looking straight down into the debris-strewn pit where the bald man struggles upward through dust and rubble. Suddenly, a loud, low-frequency rumble erupts—a brutal mix of mechanical grinding and structural groaning that shakes the space. From within the shaft, the bald man thrusts both arms upward toward the light, fingers splayed in desperation. A strained male English voice cracks with panic as he shouts, “Stay back!” The exclamation rings out over the swelling noise, the camera holding on his terrified, defiant expression as the sound design swells to a crescendo, leaving the outcome suspended in the dark.","video_1_relative_path":"videos/665105da9f4c88ad.mp4","video_2_relative_path":"videos/450053d73f26cc9d.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_6/example.json::00000026","text_prompt":"Cinematic documentary style, 35mm lens, cool pre-dawn lighting transitioning to bright natural daylight, a palette of desaturated blues and greys shifting to warm sun-washed tones. The frame opens on a dark, pre-dawn seascape from the perspective of a small wooden boat rocking gently on calm water. Positioned slightly behind and to the right, a fisherman stands in the foreground, his back to the camera, wearing a broad-brimmed straw hat secured with a red string and a faded blue work jacket. He faces a horizon where the sky softens from deep indigo into pale grey-blue, while a slim flagpole at the bow holds a tiny red flag fluttering in the still air. A calm, documentary male voice in standard Mandarin begins, stating “这些海蟹将出现在大城市的餐厅。” Beneath his measured delivery, a soft orchestral bed emerges, led by low strings and an airy synthesizer pad. The camera eases backward, revealing weathered planks, scattered crates, and tangled fishing gear, along with a second figure seated quietly farther aft. The water’s surface mirrors the muted dawn hues, and distant landforms emerge as barely discernible silhouettes. As the narrator’s sentence concludes, violins introduce a slow, lyrical motif, thickening the score while the ambient soundscape remains purely musical and vocal, devoid of engine hum or breaking waves.\n\nAn abrupt cut transitions to broad daylight, locking the camera into a static wide shot that looks out over a sweeping bay dotted with green, rolling islands beneath a bright azure sky streaked with white clouds. Sunlight glints across gentle ripples, and the wooden deck in the immediate foreground is sun-washed, its grain clearly visible and slightly damp from the morning mist. The orchestral score swells modestly, gaining warmth through richer string harmonies that evoke an uplifting, reflective mood without percussion or brass. The scene holds on this tranquil vista, visually reinforcing the quiet transition from pre-dawn harvest to the promise of abundance, leaving the viewer in a moment of suspended, cinematic stillness.","video_1_relative_path":"videos/312eaa66cafb0c55.mp4","video_2_relative_path":"videos/5f7acf1408268d8f.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_6/example.json::00000039","text_prompt":"Cinematic documentary style, cool earth tones of deep greens and muted browns, shallow depth of field. The scene opens in a tight close-up of a moss-covered fallen log resting beside shallow, dark water. A weather-worn right hand, its skin tanned and calloused, reaches out and presses flat against the wet bark, fingers splayed for grip. Shot with a static but handheld camera that lends a faint natural sway, the frame captures soft, diffuse daylight filtering through overhead foliage to produce mottled highlights on the damp wood. Beneath this quiet visual, a calm, measured male Mandarin voice-over begins, stating \"现在，他准备摆脱藤条。\", while a low, atmospheric bed of sustained strings or synthesized pads swells gently in the background.\n\nThe perspective shifts to a low-angle medium shot from beneath a thick tree trunk as a climber, clad in dark navy-black trousers, sturdy boots, and a matching jacket with a lighter collar lining, steps into frame. Gripping a gnarled vine that hangs diagonally across the lens, the figure pulls upward, their clothing rustling and the vine creaking under tension. The camera tilts slightly to follow the ascent, maintaining a shallow depth of field that blurs the surrounding foliage into soft green bokeh while keeping the focus on the physical exertion. An extreme close-up then isolates the climber’s boot pressing firmly against the rough bark, rendering the texture of the wood, the weave of the fabric, and the surface moisture in crisp detail. Low-key lighting emphasizes the contrast between the shadowed folds of the clothing and the brighter highlights on the wet wood, sustaining an intimate, contemplative mood. As the climber holds their effortful posture, the scene fades to black, leaving only the lingering resonance of the final musical chord to underscore the quiet struggle.","video_1_relative_path":"videos/74a5cd8117a327bd.mp4","video_2_relative_path":"videos/8ca8ccd496cb0d1e.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_6/example.json::00000080","text_prompt":"Cinematic domestic drama, shot on a steady medium lens with warm amber color grading and soft yellow lighting, opens in a cozy living room where a light-brown-haired man in his late thirties stands at frame-left, wearing a dark blazer over a red-and-white plaid shirt and solid red tie, facing slightly rightward with an easy half-smile. In the mid-ground, a curly-blond seven-year-old boy sprints from a hallway toward the camera, arms pumping and mouth wide open in excited shouts, while to the right, a blond five-year-old girl sits on a brown sofa, her head turned toward the man with bright, smiling eyes and a tablet resting on the cushion behind her. The room’s domestic décor, featuring white trim, a dark door, a side-table lamp, and a large abstract green-yellow painting, grounds the scene. Over this image, a calm, neutral male Mandarin voice-over begins, stating “子孙满堂，令他不禁称赞。” beneath a soft, sentimental bed of slow piano and faint strings.\n\nThe frame cuts directly to a warmly lamplit bedroom, holding a steady medium close-up on an older man with long gray hair and a full white beard, seated upright on the edge of a metal-framed bed dressed in pink sheets and floral pillows. He wears an unbuttoned black-and-gray plaid flannel over a red T-shirt bearing a small white circular graphic, with two bedside lamps casting a gentle glow over framed photographs and scattered clothing. Looking slightly off-camera to his right, he delivers a gravelly, affectionate line with sincere warmth: “You really pulled it off, Bryson.” The subdued piano theme continues quietly beneath his words, underscoring the cross-cultural celebration of family prosperity and personal achievement that ties the two intimate moments together.","video_1_relative_path":"videos/7d31f96d51579588.mp4","video_2_relative_path":"videos/200ce6a4aadf978d.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_6/example.json::00000099","text_prompt":"Cinematic drama, captured with a 50mm lens and shallow depth of field, opens in a dimly lit, upscale venue awash in saturated magenta and violet bokeh against a palette of deep reds, purples, and blacks. A static medium close-up frames a fair-skinned man with light-brown hair, wearing a dark-gray suit jacket over an open-collared white shirt. His head is bowed and shoulders hunched in dejection as a calm, neutral male Mandarin voice-over begins, stating “三观尽碎的马克起身准备离场。” Beneath the narration, a soft, slow piano melody plays quietly. The man lifts his gaze toward someone off-screen to his right, his expression tightening into restrained anger as his lips part. He speaks in a measured, accusatory tone with a firm American accent, “You think I’m a parasite, don’t you, Mr. Baum?” The narration ceases, leaving only the gentle piano underscore to fill the tense silence.\n\nA straight hard cut reveals the addressee in a matching close-up against a darker, less illuminated background. The East Asian man wears a charcoal suit, white shirt, and patterned tie, offering a faint, knowing smile as he replies in a calm, evenly paced, and mildly sardonic voice, “But, apparently, society values me very much.” The subdued piano persists at a low volume, underscoring the dramatic irony of the exchange. The camera remains completely static throughout, emphasizing the emotional isolation created by the key lighting and blurred background. The frame holds briefly on the second man’s composed face before cutting to black.","video_1_relative_path":"videos/a2b93a4517fccc9d.mp4","video_2_relative_path":"videos/a986f14fd6eaa22c.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_7/example.json::00000019","text_prompt":"Cinematic drama, shot on a 50mm lens with naturalistic lighting, opens on a medium shot of a middle-aged, fair-skinned man seated alone at a small white round table on an outdoor terrace under an overcast sky. He wears a light-blue-and-white check-pattern button-down shirt with sleeves rolled to the forearms and a dark wristwatch on his left arm, his hands gently cradling a grey ceramic mug on its saucer while a black smartphone lies face-up beside it. Behind him, a black metal railing frames a softly blurred city skyline of high-rises. His brows are slightly knit and lips pressed, conveying quiet concern as a faint, low-volume electronic synth pad establishes a subdued, somber ambience that will persist throughout. A calm, reflective male Mandarin voice-over begins, stating “买账的却都是纳税人。” (“…but in the end it’s always the taxpayers who foot the bill.”).\n\nThe image cuts abruptly to a tight close-up of a different man, early to mid-thirties with a short dark buzz cut and clean-shaven, standing outdoors against a weather-worn pale stone wall textured with vertical grooves and scattered cracks. He wears a dark maroon short-sleeved collared shirt and a silver metal-link watch on his left wrist, holding a black smartphone to his right ear. Natural daylight casts soft shadows across his face as he speaks forcefully, eyes narrowed and jaw set, his brow furrowed in anger. … a strained, indignant male English caller …: “But at least we’re going to see some of them go to jail.” The continuous atmospheric music underscores his accusatory delivery as the static camera holds on his mid-gesture, the cool greys and muted blues of the terrace giving way to warmer earth tones to subtly shift the mood from introspection to confrontation.","video_1_relative_path":"videos/a728222e28a6a2cc.mp4","video_2_relative_path":"videos/65c35d914df36f34.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_7/example.json::00000076","text_prompt":"Cinematic industrial thriller sequence. The scene opens in a dim, bluish-green industrial interior, captured in a locked low-angle close-up that frames two feet planted firmly on rough concrete. At screen left, a right foot is sheathed in a polished brown leather dress shoe with trousers neatly tucked inside, while at screen right, a left leg is encased in a dark blue orthopedic walking boot, its sole resting flat against the ground. Beneath this stark visual contrast of pristine footwear and clinical rehabilitation gear, a faint, tense electronic drone hums through the space. A calm, neutral male voice-over in Standard Mandarin begins, stating, \"He tried it on, and indeed, he looks like a recovering patient.\"\n\nThe perspective shifts to a static wide shot that reveals a cavernous, sparsely furnished warehouse or shooting range defined by pale grey brick walls, concrete pillars, and scattered equipment like black crates, a wheeled cart, and distant target boards bearing human silhouettes. Harsh sidelight from high windows cuts across the floor, casting long, dramatic shadows. Center-frame stands a young man with short light-brown hair, wearing a cream button-down shirt with sleeves rolled to the elbows, khaki cargo trousers, a black belt, and the same dark blue walking boot on his left foot. His hands rest in his pockets, his shoulders slightly hunched as he gazes downward at the boot in quiet contemplation. The low-frequency musical bed continues to swell, unifying the sterile lighting and sparse props to evoke a sense of clandestine preparation and covert tension.\n\nA final cut introduces a medium shot of an older, balding man seated behind a waist-high metal grid cage. He sports a trimmed beard, a light collared shirt beneath a dark vest, and a silver wristwatch on his left arm. Leaning back with his arms folded, he smiles broadly and speaks in a measured, lightly accented English, noting, \"The scanner will pick up the metal components.\" His delivery is matter-of-fact yet faintly sardonic, underscoring the underlying theme of deception and containment. An ambient synth pad sustains beneath his words, maintaining the subdued, suspenseful atmosphere as the scene holds its quiet, watchful stillness.","video_1_relative_path":"videos/8b2e5c5d8d61fa96.mp4","video_2_relative_path":"videos/9ea7a9baa379d787.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_8/example.json::00000036","text_prompt":"Cinematic military drama, captured on a 50mm lens under bright, cloudless daylight. The sequence opens in a tight close-up on the weathered face of an older East Asian general, his eyes moist and bloodshot, brows deeply knotted, lips pressed in restrained grief and resolve. He wears a green greatcoat with a dark fur collar catching the harsh sunlight, topped by a peaked cap adorned with a red band and intricate gold braiding. A calm, authoritative male Mandarin voice begins, stating \"画面你们自己看\". The audio remains starkly silent otherwise, leaving only his measured breath and the weight of the moment.\n\nThe camera cuts to a medium two-shot, pulling back to reveal rolling, forest-covered hills beneath the same clear blue expanse. The general remains in the foreground, his back and shoulders framing the left side of the image as he faces his visitor. Standing opposite him is a heavier-set middle-aged officer in grey-green camouflage fatigues, his uniform marked by red-and-yellow epaulettes and a red chest patch bearing yellow stars, signaling high command. A younger soldier stands slightly behind, holding a black assault rifle at rest. A deep, formal male English voice with a slight non-native accent speaks with solemn respect: \"General, your son was a brave soldier.\" The scene is stripped of all music and ambient noise, relying entirely on the visual tension between the two figures and the quiet gravity of the delivery to drive the emotional pivot from private sorrow to public acknowledgment.","video_1_relative_path":"videos/21a3bb5c17276f80.mp4","video_2_relative_path":"videos/3f87b5d0077d6107.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_8/example.json::00000053","text_prompt":"Cinematic night scene, static medium-close over-the-shoulder shot with shallow depth of field, framing a young woman with dark hair in a low ponytail as she faces a man seated opposite her outside a brightly lit convenience store entrance. Cool fluorescent light spills from the doorway, illuminating shelves of yellow and white cartons and several red plastic buckets on the pavement, while the vivid blue of the man’s cartoon-print T-shirt and the warm tones of their faces create a subtle visual contrast against the mundane commercial backdrop. The woman’s face is wet with tears, her eyes glistening and lower lip quivering as she speaks in a soft, trembling Mandarin voice, \"想办法.\" Simultaneously, a calm, studio-quality male narrator overlays the moment with a subdued, sorrowful tone, stating, \"他不知道妈妈为什么会这么难过.\" A faint, steady low-frequency hum of distant traffic or an air-conditioning unit underscores the quiet tension, grounding the raw, on-location dialogue in a realistic environment.\n\nWithout camera movement, the woman raises her right hand to gently wipe a tear from beneath her left eye and brushes stray hair from her cheek, her expression shifting from pain to quiet resolve. The man watches her intently, his brows knit and mouth pressed in concern, while behind him through the glass door, rows of cardboard boxes and a slightly out-of-focus red sign reading \"Cute\" hang in the store’s interior. She lowers her hand but holds his gaze, her voice firming slightly through her tears as she declares, \"我会筹到钱。\" The narrator resumes for a brief moment, his reflective tone trailing into a melancholic completion: \"也不知道成年人该如何独自面对生活的重担。\" The shot holds steady on their silent exchange, the juxtaposition of polished narration and unvarnished emotion capturing a poignant moment of familial sacrifice and resilience.","video_1_relative_path":"videos/459fcc70948ea537.mp4","video_2_relative_path":"videos/39fb1a80e8863b1f.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_9/example.json::00000087","text_prompt":"Cinematic widescreen 16:9 frame opens in a warmly lit, wood-paneled study reminiscent of a vintage hotel suite, rendered in rich earth tones and bathed in the soft, golden glow of two brass wall lamps with white shades. A dark-haired man in a grey long-sleeved shirt lies prone on a chaise lounge, propped on his elbows as he quietly studies a large open book or sketchpad illuminated by the practical lighting. At the rear of the frame, near a closed wooden door, a light-brown-haired man in a black high-collared shirt stands watching with a neutral, attentive posture. A calm male Mandarin voice-over begins, stating “Peter had already witnessed all of this.” Beneath the hushed atmosphere, a steady, low-level electronic hum underscores the scene as the room remains still, the ambience thick with quiet concentration and unspoken tension.\n\nA hard cut shifts the perspective to a tighter medium close-up of the standing man, where soft key lighting from camera left models his features while casting gentle shadows across his opposite cheek. A measured, slightly questioning male English voice breaks the silence: “Was that Meredith?” Without breaking the frame, he shifts his gaze fractionally downward, his expression tightening briefly before softening into contemplation. A softer, contemplative male English voice murmurs to himself: “Was who Meredith?” Delivered with a rising inflection that conveys mild puzzlement, the line hangs in the sparse audio mix alongside the persistent electronic hum. The camera holds on his thoughtful expression as the image gently freezes, leaving the dramatic focus entirely on his internal realization.","video_1_relative_path":"videos/401931e204190689.mp4","video_2_relative_path":"videos/d6b3610e8979bd3d.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_2/example.json::00000019","text_prompt":"A cinematic scene set in a brightly lit civic testing center, captured with a medium-wide, slightly low-angled lens that slowly pushes in to a tighter medium shot. Even fluorescent overhead lighting casts a cool, shadow-minimal wash over warm wood-paneled lower walls and pale upper walls, establishing a balanced palette of rich browns, cool blues, and neutral grays. Behind a long, dark-brown wooden counter, an elderly balding man in a white shirt and dark vest leans forward with a warm, amused smile. Facing him, a young man in a navy polo with red and teal horizontal stripes rests a pen above a registration form, while a woman with long wavy brown hair, glasses, a purple patterned blouse, and a denim skirt holds an open booklet toward him. A calm, authoritative male voice begins, “I’m usually the one giving the tests, but today I’m taking one.” The room hums with the quiet ambient sounds of an administrative space: faint paper rustling, low chatter, distant shuffling, and the occasional click of ballpoint pens.\n\nAs the camera holds steady on the trio, the elderly man straightens slightly, his expression shifting to a firm yet genial authority. He delivers a crisp, measured command: “No talking.” The young man pauses mid-stroke, lifting his gaze toward the counter, while the woman lowers her booklet a fraction in acknowledgment. In the background, rows of brown plastic chairs hold other applicants quietly filling out paperwork, and a tall security officer in a light-gray shirt and striped tie stands watch near the rear wall. High above the entrance, a blue sign reads “TESTING AREA,” with a yellow vertical banner beneath it warning “DON’T DRINK AND DRIVE,” while a handwritten “SILVER” notice is taped to the left wood paneling. The scene closes on this restrained moment of bureaucratic irony, leaving the room’s quiet bustle and the subtle tension of enforced silence hanging in the air.","video_1_relative_path":"videos/b0605d8d68089ecb.mp4","video_2_relative_path":"videos/606edcc06257f1ee.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_4/example.json::00000060","text_prompt":"A single uninterrupted medium two-shot captures a brightly lit, shadow-free office space with pale green walls and white shelving units lined with binders, books, a model pirate ship, a robot figurine, and other decorative objects. Two young East Asian men stand side by side, facing slightly right of camera. The man on the left wears a blue denim jacket over a white T-shirt and maintains a neutral, attentive posture. Beside him, the man on the right, dressed in a vivid green hoodie with red hood lining and sleeve stripes and wearing yellow-tinted sunglasses, raises his right hand in a dismissive gesture. A calm, self-assured male Mandarin voice begins, stating \"No need.\" He then places his hand over his chest, his tone shifting to a wry, theatrical resignation as he continues, \"I have already become a mature spare tire.\" His delivery carries a measured, self-mocking humor, followed by a lightly determined declaration: \"I should learn to take the top spot myself.\" Faint room ambience underscores the dialogue, with no background music present, while the bright, even lighting highlights both faces clearly against the orderly background.\n\nThe speaker leans forward and wraps his arms around the denim-clad man in an exaggerated, playful hug, his voice warming with theatrical gratitude as he says, \"Thank you, Lawyer Zhang, for your kindness.\" The man in the denim jacket’s eyes widen and his mouth parts in surprise, his hands instinctively rising to rest on his friend’s back. Beneath the embrace, a brief burst of canned laughter cuts through the quiet room. Almost immediately, the denim-clad man’s expression hardens into irritation mixed with disbelief. He abruptly pushes the hoodie-wearer away with both palms, shoving him backward out of frame to the right with a soft thud. A forceful, irritated male Mandarin voice cuts in: \"Get the hell out of here.\" His shoulders tense and his brows knit as he watches the empty space where his friend just stood, the scene ending on his stunned, exasperated silence under the bright, even studio lighting.","video_1_relative_path":"videos/c4ab16feecc0362b.mp4","video_2_relative_path":"videos/4f9b3c9cc95f429d.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_5/example.json::00000001","text_prompt":"A static medium two-shot captures a dimly lit outdoor patio at night, where dense green foliage forms a dark backdrop crossed by faintly glimmering white fairy-lights. A bicycle leans quietly against the leaves, hinting at everyday life contrasting with the still, introspective moment. At frame-left stands Woman A, a young East-Asian woman with dark hair in a low ponytail, wearing a white tank top beneath brown overalls and an open pastel-striped cardigan, her hands resting casually in her pockets. Slightly to her right, Woman B sits on a wooden bench, her long wavy dark hair loose, dressed in a multicoloured patterned blouse, grey sleeveless vest, and light blue jeans. Low-key, cool-toned illumination softly highlights their faces while the verdant background melts into shadow, establishing an intimate, hushed nocturnal mood. The only sounds are a barely audible ambient hum and the quiet tension of the space.\n\nA calm, slightly defensive female Mandarin voice begins, stating, \"I am not an alcoholic. I only use it to help me sleep.\" As she finishes, Woman B lowers her gaze and shifts forward, resting her elbows on her knees in a posture of fatigue and distress. Her expression softens but remains troubled. After a brief pause, Woman B raises her head, meeting Woman A’s eyes. A firmer, mildly admonishing female Mandarin voice replies, \"那更不应该呀。\" Her delivery carries gentle reproach. The quiet room tone holds for a moment, broken only by a faint rustle of clothing as Woman B adjusts her posture.\n\nFollowing a short silence, Woman B exhales audibly—soft, weary—and a quiet, confessional female Mandarin voice resumes, completing the fractured thought: \"我从来都没有想过我会走到今天这一步。\" Her voice trails into vulnerability. Woman A listens intently, her stance unchanged and composed, as the fairy-lights continue to twinkle subtly behind them. The camera remains entirely still, allowing the emotional weight of their exchange to dominate the frame while the minimalist soundscape emphasizes the deeply personal nature of their conversation.","video_1_relative_path":"videos/2db9a528c07ab8aa.mp4","video_2_relative_path":"videos/cab26edcc405458d.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_6/example.json::00000016","text_prompt":"A warm, late-afternoon light bathes a gently curving, light-grey paved walkway bordered by dense green shrubbery on one side and pale residential buildings with flower boxes on the other. The camera tracks smoothly from behind as a woman with shoulder-length wavy blonde hair, wearing a sleeveless black lace-trimmed top and blue jeans, walks side-by-side with a clean-shaven man in a charcoal suit jacket and open-neck white shirt. She carries a dark cross-body bag and turns her head toward him as they stroll, her voice calm and reflective. A reflective female English voice begins, stating, \"What really surprised me is that I was dealing with life the same way I am now.\" Soft shadows stretch to their right, and the ambient soundscape of distant city murmur, faint traffic, and sporadic birdsong underscores their unhurried pace.\n\nA straight cut shifts to a frontal medium shot as the pair continues forward, now facing the camera. The woman places her right hand briefly over her chest for emphasis, her expression a blend of earnestness and gentle nostalgia, while the man listens attentively, offering a slight smile and occasional nods. In the background, another couple converses near the metal railing, beside which a circular red-and-white prohibition sign is mounted. She continues, her tone carrying a hint of wistful amusement: \"I was much more hopeful and naive back then, but the core, and the way I was feeling things, is exactly the same.\" The golden ambience and natural lighting reinforce the scene’s introspective mood, contrasting the quiet everyday realism of the urban setting with her personal reminiscence as the audio lingers on the resonance of her words.","video_1_relative_path":"videos/721fbc4f5f0373b0.mp4","video_2_relative_path":"videos/24528e873d10af01.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_6/example.json::00000038","text_prompt":"A widescreen 16:9 cinematic scene set inside a dimly lit car at night, filmed in a single continuous take from a fixed low angle on the dashboard looking forward through the windscreen. Shallow depth of field isolates the two occupants against a backdrop of blurred city lights and soft bokeh, while practical dashboard glow models their faces in high contrast. A dark-haired man in his mid-thirties sits on the right, turning slightly toward the blonde woman on the left with a half-smile of mild exasperation. Under a faint, steady engine hum, he remarks in a calm yet irritated baritone, “A bunch of amateurs.” Without breaking the frame, he leans fractionally closer, his tone sharpening but remaining controlled as he adds, “I mean, you’ve studied for Christ’s sake.” The passenger keeps her gaze fixed ahead, jaw set, absorbing the critique. Finally, she swivels toward him, eyes narrowing in annoyance, and cuts in with a brisk, clipped voice, “Could we stop talking about it now?” The tension instantly eases; the driver relaxes his expression, offering a brief conciliatory nod and a small smile before answering curtly, “Sure.” The quiet exchange plays out entirely through subtle facial shifts and restrained blocking, the ambient engine noise and distant city atmosphere remaining subdued beneath the foregrounded dialogue, capturing a micro-conflict that hints at an ongoing relationship shaped by professional expectations and quiet friction.","video_1_relative_path":"videos/b830bcae327c9900.mp4","video_2_relative_path":"videos/ac7167cd2f3c7734.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_7/example.json::00000013","text_prompt":"Cinematic domestic drama, captured on a 50mm lens with tight over-the-shoulder framing behind a man standing on the left. Diffuse daylight streams from a window at camera right, casting soft shadows across pale blue-grey tiled walls and a white glass-door cabinet, while a muted palette of whites, greys, and browns is subtly punctuated by a red dish towel and green spice jars. In front of him, a young woman with dark hair tied in a loose bun and straight bangs stands slightly right of center, wearing a white rib-knit sweater with semi-sheer lace sleeves. Her arms are folded tightly across her chest, gaze fixed downward on a quiet stainless-steel pot on the stovetop. The ambient room tone is hushed and tense. A low, irritated adult male Mandarin voice, mid-pitch and slightly raspy, begins with clipped emphasis: “那张丧脸还牛。”\n\nA straight cut reverses the perspective to a medium close-up of the man, now framed from the mid-torso up, his dark brown turtleneck contrasting sharply with the cool background. He continues without pause, his voice rising in exasperation with sarcastic, brisk pacing: “牛的都快上天了，不就有几个臭钱吗？” Throughout his tirade, the woman’s profile remains visible at the frame’s edge, her eyes lowered, jaw tense, and shoulders rigid. The scene then cuts back to the original over-the-shoulder angle as the man falls silent. The woman finally lifts her head, her eyes widening in sudden realization. After a brief, sighing intake of breath, a young adult female Mandarin voice, mid-high pitch and clear, shifts from defensive to conciliatory, delivered with firm but soft pleading: “行了，你别这么说了，那是你亲妹。” Her eyebrows lift slightly as she speaks, the quiet domestic setting grounding the emotional weight of her intervention. The sequence closes on her earnest expression as the man listens in silence, the camera remaining static to emphasize the raw vocal nuance and unspoken tension between them.","video_1_relative_path":"videos/8f24480037178ab9.mp4","video_2_relative_path":"videos/5ab241d35ee3cb1b.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_8/example.json::00000086","text_prompt":"Cinematic medium-close two-shot, locked-off at eye level, set in a sparsely furnished, sun-lit makeshift office. Natural daylight pours from camera-left, casting bright highlights and soft shadows across muted interior tones of brown, grey, and green, with a shallow depth of field keeping both subjects sharp against a softly blurred window glow. In the foreground, a younger man with short dark hair and light stubble wears a black hoodie with a red lining printed in bold black lettering; he leans forward, elbows near his knees, fingers pressed nervously to his lips as he stares off-screen left. Behind him, an older bald man in rimless glasses and a green-and-white vertical-striped button-down shirt faces the same direction. Between them sits a battered cabinet holding a small wood-grain CRT television, initially showing a grainy black-and-white close-up of a person’s profile. A faint, low-level hiss fills the quiet room as the older man begins to speak in a calm, corrective tone, stating “Chili powder.”\n\nThe camera remains completely still as the older man finishes the phrase and pauses, allowing the television screen to flicker and transition into a vivid color image of a clear glass vase filled with yellow flowers against a white background. The younger man’s tense posture persists, his wide eyes and covered mouth betraying his anxiety. The older man resumes, his voice steady but edged with frustration: “Did I not already tell you how moronic that was, before we even started?” The audio cuts off abruptly mid-thought, leaving a heavy silence while the frame stays locked on both men frozen in place. The high-key illumination and gentle chiaroscuro emphasize the psychological tension between them, while the sudden shift from monochrome human profile to bright floral still life on the television reinforces a stark contrast between personal conflict and trivial distraction, concluding the scene in quiet, observational stillness.","video_1_relative_path":"videos/38b8cefeb08133af.mp4","video_2_relative_path":"videos/8fe31e127fa942e7.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_davinci/voiceover/voiceover_1/example.json::00000018","text_prompt":"A cinematic thriller sequence opens with a desaturated palette of cool blues and muted earth tones, captured on a fixed lens under soft overcast daylight that flattens shadows and lends a stark, clinical quality to the frame. An extreme close-up holds on the right side of a middle-aged man’s face, his pale, faintly stubbled skin illuminated by the diffused light. His brow is furrowed and his jaw set, conveying grim determination as a low-volume, tense electronic drone begins to underscore the moment. A measured male Mandarin voice-over begins, stating, “Kellerman wants to take this opportunity to suffocate Lincoln.” The camera then executes a hard cut to a detached high-angle medium shot looking straight down onto a patch of dry, yellow-green grass.\n\nFrom above, the same man is seen kneeling beside a supine figure whose dark blue jacket and bright yellow inner garment are starkly contrasted by vivid red blood staining the upper chest and neck. The victim’s hands are secured behind their back with silver handcuffs as the attacker grips a black leather glove on his right hand and presses it firmly over the victim’s mouth and nose. A sharp, wet impact punctuates the motion, immediately followed by a brief, muffled gasp, while the ominous musical pulse continues to swell. The camera holds steady as the attacker maintains his pressure, the victim’s body twitching once before falling still. Over this frozen tableau, a lower-pitched, calm English male voice speaks quietly, “It was very peaceful,” his detached delivery contrasting sharply with the brutal stillness beneath the gloved hand. The ambient score sustains its low-frequency tension, leaving the frame locked on the lifeless figure as the scene fades into silence.","video_1_relative_path":"videos/b6c2b1849dcc048a.mp4","video_2_relative_path":"videos/9984740fd53e64a2.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_davinci/voiceover/voiceover_1/example.json::00000042","text_prompt":"A historical-fantasy sequence, shot on a 35mm lens with soft, diffused daylight and an earthy palette of muted greys, warm beige, and natural greens, opens in a sun-dappled field of tall grass and scattered weeds. A low-angle medium frame elevates a solitary figure clad head-to-toe in ornate, dark-grey metallic armor etched with intricate relief patterns. The helmet’s visor conceals the wearer’s face, leaving only a human silhouette kneeling on one knee and bowing deeply toward someone just out of frame at screen left. At the extreme left edge, the torso and arm of a second individual are visible, dressed in a white blouse with delicate lace trim beneath a brown, fur-edged cloak fastened by a red cord. A calm, neutral female Mandarin voice-over begins, her measured and advisory tone stating, \"I hope he no longer risks his life for those who aren't worth it.\" The surrounding ambience remains deliberately silent, focusing all attention on the visual weight of the exchange.\n\nA straight cut shifts to a tight close-up of a young woman standing amid the same verdant backdrop. Her fair skin contrasts with neatly styled black hair gathered into an up-do, straight bangs framing a thoughtful expression as she looks downward and slightly to her right, lips parted as though finishing a thought. Natural light illuminates her face evenly against a softly blurred background, isolating her emotionally charged presence. The female voice continues, now delivered directly by the on-screen woman in a quieter, more personal register, her earnest tone carrying a hint of concern as she adds, \"Your enemy is on our side.\" The camera lingers on her face, capturing a dynamic of power and vulnerability, while the deliberate silence and somber lighting deepen the contemplative mood of a pivotal conversation about loyalty and sacrifice.","video_1_relative_path":"videos/6efb0d282b20d14a.mp4","video_2_relative_path":"videos/cdd79c1ace2866c3.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_davinci/voiceover/voiceover_2/example.json::00000069","text_prompt":"Cinematic medium close-up, naturalistic lighting, and a subdued palette open on a middle-aged East Asian man indoors, framed from the mid-chest upward. He wears a dark navy-to-black rib-knit sweater layered over a lighter crew-neck undershirt, holding a silver smartphone to his right ear, a plain silver ring catching the light on his ring finger. Soft, diffused daylight spills from camera left, illuminating the left side of his face while casting the right in a gentle shadow, establishing a subdued and slightly tense atmosphere. The background remains softly blurred, revealing muted interior décor and the warm glow of a lamp that hints at a quiet residential setting. Over this intimate portrait, a calm, neutral female Mandarin voice-over begins, stating, \"She told her husband, A Qiang.\"\n\nA straight cut shifts the perspective to the interior of a modern car, viewed from the rear passenger seat. The cabin is dimly lit, suggesting late afternoon or early evening, with cool ambient light filtering through the front windshield. In the left foreground, the driver’s silhouette is visible, his head turned toward the road ahead. Dominating the dashboard is an illuminated infotainment touchscreen displaying large icons for Navigation, Radio OFF, and Media, alongside a digital clock reading 6:14 PM. The atmosphere grows contemplative as the cool, low-key lighting contrasts sharply with the warmth of the previous scene. A middle-aged male voice, speaking in a clear, measured General American accent, breaks the quiet silence: \"Will you stay for the actual interview, or are you leaving by then?\" The delivery carries a mild, inquisitive tone, recorded cleanly without background noise, leaving the weight of the conversation to hang in the still air.","video_1_relative_path":"videos/3565ae320d3263f4.mp4","video_2_relative_path":"videos/d2a22e4464686f2e.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_davinci/voiceover/voiceover_2/example.json::00000082","text_prompt":"Cinematic night scene, static medium-close over-the-shoulder shot with shallow depth of field, framing a young woman with dark hair in a low ponytail as she faces a man seated opposite her outside a brightly lit convenience store entrance. Cool fluorescent light spills from the doorway, illuminating shelves of yellow and white cartons and several red plastic buckets on the pavement, while the vivid blue of the man’s cartoon-print T-shirt and the warm tones of their faces create a subtle visual contrast against the mundane commercial backdrop. The woman’s face is wet with tears, her eyes glistening and lower lip quivering as she speaks in a soft, trembling Mandarin voice, \"想办法.\" Simultaneously, a calm, studio-quality male narrator overlays the moment with a subdued, sorrowful tone, stating, \"他不知道妈妈为什么会这么难过.\" A faint, steady low-frequency hum of distant traffic or an air-conditioning unit underscores the quiet tension, grounding the raw, on-location dialogue in a realistic environment.\n\nWithout camera movement, the woman raises her right hand to gently wipe a tear from beneath her left eye and brushes stray hair from her cheek, her expression shifting from pain to quiet resolve. The man watches her intently, his brows knit and mouth pressed in concern, while behind him through the glass door, rows of cardboard boxes and a slightly out-of-focus red sign reading \"Cute\" hang in the store’s interior. She lowers her hand but holds his gaze, her voice firming slightly through her tears as she declares, \"我会筹到钱。\" The narrator resumes for a brief moment, his reflective tone trailing into a melancholic completion: \"也不知道成年人该如何独自面对生活的重担。\" The shot holds steady on their silent exchange, the juxtaposition of polished narration and unvarnished emotion capturing a poignant moment of familial sacrifice and resilience.","video_1_relative_path":"videos/11fb091d86facafa.mp4","video_2_relative_path":"videos/b67e26ec981b651c.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_davinci/voiceover/voiceover_2/example.json::00000092","text_prompt":"Cinematic scene in a contemplative drama, captured in a single continuous medium shot with natural daylight casting soft, even illumination across a weather-worn courtyard porch. The palette leans into warm earth tones, featuring faded red-pink stucco walls, muted greens on the foliage and doorframe, and rustic wooden furniture. An older man in his late sixties, wearing a black beret, a beige knitted vest over a purple-and-white plaid shirt, and dark trousers, stands just outside a green-framed doorway that opens into a warmly lit interior lined with bookshelves. A calm, reflective Italian baritone from the older man states, \"Con la semplicità o la complessità delle cose.\" Behind him, slightly out of focus, a younger man with dark wavy hair steps through the doorway, dressed in a light grey T-shirt under a tan blazer and light jeans, carrying a brown leather satchel across his shoulder while holding a matching flat cap in both hands. A faint rustle of clothing accompanies his entrance. The older man turns rightward, lowers himself onto a simple wooden chair near a low table, and settles with a quiet sigh. The camera executes a gentle pan to keep both figures centered as the younger man remains standing, his eyes crinkling with a gentle, warm smile while he relaxes his posture and shifts his weight. As the ambient daylight continues to emphasize the textured walls and the quiet intimacy of their familiar, mentor-like dynamic, a neutral adult male Mandarin voice-over begins, stating, \"马里奥又问及了昨天看到的诗句。\" The scene holds steady on the seated elder with his back partially turned to the camera, the younger man still smiling in place, underscored only by the fading tail of the Italian speech, the soft exhalation, and the sparse, realistic ambient sounds that deepen the contemplative mood.","video_1_relative_path":"videos/4211c0c42238a05e.mp4","video_2_relative_path":"videos/e9626767d583a547.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_davinci/voiceover/voiceover_3/example.json::00000065","text_prompt":"Widescreen 16:9 cinematic framing, shallow depth of field, and soft frontal lighting from overhead fluorescents establish an intimate, tense atmosphere in a modest cafeteria. The background dissolves into a soft bokeh of blurred tables and distant patrons, keeping the visual focus locked on two East Asian men seated across from each other. On the left, an older gentleman in his late fifties wears a dark olive-green short-sleeved shirt and a small white earring in his left ear, his forehead lined with age. He leans forward, brows knitted and eyes narrowed, his medium-low Cantonese-accented voice cutting through the quiet room with controlled anger. A reproachful male voice states, \"You actually fool even the dead!\" Across the table, the second man remains perfectly still, head bowed in silent absorption, his presence anchoring the heavy atmosphere.\n\nThe camera holds its static position, capturing only the subtle shifts in the speaker’s expression as his delivery slows and hardens into stern admonition. The ambient hum of the eatery fades into the background, leaving only the weight of his words. A firm, didactic male voice continues: \"If you want others’ respect, you must first respect yourself.\" The muted earth tones of the setting—the olive shirt, the neutral walls, the soft even lighting—mirror the grounded, principled rebuke, leaving both men frozen in a moment of quiet tension as the final syllable hangs in the air.","video_1_relative_path":"videos/3f057e256fd5356e.mp4","video_2_relative_path":"videos/82b13e1606266d88.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/instruments/instruments_1/example.json::00000062","text_prompt":"A high-energy pop-rock performance unfolds in a dimly lit studio captured through a static overhead lens with a subtle fisheye distortion. A single top-down spotlight isolates a full drum kit against a dark, wood-paneled floor, leaving the surrounding cables and microphone stands swallowed in shadow. Behind the kit, a male performer in a plain white T-shirt and dark jeans sits upright, his posture relaxed yet poised for precision. The track launches immediately with a driving four-on-the-floor kick, a crisp snare backbeat, and steady eighth-note hi-hat pulses layered over a bright electric-guitar riff and a tight bass line. Over this rhythmic foundation, a male tenor vocalist enters with clear enunciation and moderate vibrato, singing, \"Holding you tightly, afraid to lose control,\" his phrasing perfectly aligned to the straight-eighth groove.\n\nAs the verse progresses, the drummer intensifies his pattern with wrist-driven ghost notes on the snare and rapid micro-movements that keep the hi-hat consistently open, producing a tight metallic sizzle. His shoulders rise and fall with each stroke, and his head nods visibly in time with the downbeats. The vocalist sustains the next phrase, singing, \"’cause everything that you thought I would be,\" while the drummer responds by driving harder into the snare on the backbeats and executing a quick snare-to-tom fill that bridges the emotional peak. The focused key light catches brief, sharp flashes from the cymbals with every strike, visually punctuating the rhythmic accents. The mix remains clean and compressed, with the forward, slightly nasal vocal sitting prominently above the punchy low-end and sharp high-frequency shimmer.\n\nThe arrangement swells as the guitarist’s two-bar motif loops and the bass line anchors the harmonic progression, pushing the track toward its natural resolution. The drummer increases his striking force, his wrists snapping for staccato attacks and his arms lifting higher for the final accents, while the vocalist elongates the last syllable with a subtle upward pitch glide before resolving downward. Just as the rhythm reaches its full intensity, the entire mix cuts off abruptly mid-measure, leaving the final chord and the drummer’s decaying tom hit hanging in the sudden silence. The scene holds on the static overhead frame, preserving the controlled studio atmosphere and the raw, synchronized energy of the performance.","video_1_relative_path":"videos/f20fc08b77ca6fe5.mp4","video_2_relative_path":"videos/dee266846d4e69db.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/instruments/instruments_2/example.json::00000007","text_prompt":"Cinematic close-up, fixed medium-close framing, neutral even lighting, and a clean, uncluttered palette establish an intimate performance space. A young woman stands upright with relaxed shoulders, her face out of frame, holding a vibrant red hollow-body mandolin against her torso. The camera remains completely still, locked on her hands and the instrument’s ornate blue-green scroll, which catches the light without glare. Behind her, rows of black hard-shell instrument cases line the wall vertically, two Union Jack tags hanging from the handles. As the scene opens, a bright, metallic mandolin tone erupts at full volume, dry and close-miked with zero ambient reflection.\n\nHer right hand drives a relentless alternate-picking pattern with metal picks, striking the strings just above the soundhole in a crisp, rapid flurry that matches a brisk tempo. The left hand shifts swiftly up and down the fretboard, executing quick chord changes and smooth slides that trace a melodic contour rising in pitch before landing on two pronounced, accented peaks. The performance flows into a legato-like descending phrase, where the left hand glides downward and the right hand maintains its steady rhythm, softening the dynamic slightly as the notes connect. Every pick strike produces a sharp transient against the silent background, accompanied by the faint mechanical click of fingers lifting from the frets.\n\nThe sequence resolves on a single sustained tonic note, both hands holding their positions momentarily before the right hand rests lightly over the strings. The tone rings clearly, decaying naturally into absolute silence as the frame lingers on the static composition. No breaths, chair creaks, or environmental sounds break the quiet; the camera remains fixed on the performer’s relaxed posture and the instrument, leaving only the clean, resonant aftermath of a virtuosic showcase.","video_1_relative_path":"videos/f41fc7fc6b5596c1.mp4","video_2_relative_path":"videos/f200d51178a88886.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/instruments/instruments_2/example.json::00000031","text_prompt":"Cinematic medium close-up, fixed tripod shot at eye level, framing a seated guitarist against a black wall patterned with repeating raised squares. Soft frontal illumination highlights the rich wood grain and gold hardware of a hollow-body electric guitar, casting uniform shadows across the background while keeping the performer’s head cropped out to focus entirely on the hands and instrument. The musician, dressed in a dark gray button-down over a black undershirt and blue jeans, sits upright with the guitar resting on the right thigh, neck angled slightly upward for ergonomic access. The performance begins with a brisk, even rhythm as the right-hand pick strikes the wound low strings, producing a bright, slightly metallic attack that blooms into a warm sustain. A walking bass line anchors the groove, with clear root notes on the downbeats and chromatic passing tones weaving through the off-beats, all captured in a clean, close-miked studio environment with a subtle plate-style reverb adding spatial depth. As the piece progresses, the left hand glides smoothly up the fretboard to the seventh through ninth positions, executing a fluid legato phrase built on hammer-ons and pull-offs. The right hand alternates between precise single-note picking and light arpeggiated strums, maintaining a moderate tempo while the melodic contour gently rises before resolving downward in harmony with the implied jazz-blues progression. Approaching the conclusion, the left hand settles near the fifth and sixth frets to articulate a descending cadential figure, outlining a V–I resolution before settling into a held chord. The right hand eases its pressure for a gentle decrescendo, fingers relaxing slightly as the pick lifts just enough to mute the strings, allowing the full-bodied resonance to fade naturally into the room’s short reverb tail. Throughout the sequence, the camera remains completely still, emphasizing the polished technique, dynamic control, and seamless transitions of a confident solo performance.","video_1_relative_path":"videos/2dd7c343e01aae7f.mp4","video_2_relative_path":"videos/5ba10b41ba9f8521.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/instruments/instruments_2/example.json::00000074","text_prompt":"Cinematic outdoor scene, shot on a 35mm lens with soft, diffused overcast lighting and a muted, earthy palette. Four adult French-horn players stand in a shallow arc on a mountain overlook, their instruments held at chest level with bells angled upward, while a small girl in a purple coat and pink knitted hat stands centered before them, watching with quiet intensity. The camera opens in a medium-wide shot, then begins a gentle leftward pan while slowly dollying in. As the ensemble initiates a full-bodied low-register chord, the attack is perfectly synchronized, the brass resonance blooming into a slow, legato melody that floats through the thin mountain air. The melody ascends with a rubato, expressive pulse, each player’s left hand moving with precise, incremental valve adjustments while steady airflow connects the phrases in smooth legato. Faint valve clicks and soft inhalations punctuate the natural micro-pauses between phrases, grounding the performance in tactile realism. As the musical line climbs toward a modest climax, the musicians lean minutely forward, tightening their embouchures to brighten the tone and increase volume. The girl remains nearly still, her hands clasped as she tilts her head slightly to follow the shifting harmonies, her posture mirroring the ensemble’s focused discipline.\n\nThe final phrase descends gracefully, the brass timbre softening into a warm, rounded decay that lingers against the muted, hazy mountain backdrop. The players gradually relax their embouchures, angling their horns slightly downward as the sound fades into residual breath and the quiet hum of distant wind. The camera settles into its tightest framing, capturing the subtle release of tension in their focused eyes and relaxed jaws, along with fleeting, synchronized glances between the musicians. The performance concludes in stillness, the last horn tone dissolving naturally into the overcast atmosphere, leaving only the gentle rustle of the outdoor environment.","video_1_relative_path":"videos/ca09aa60c85fab89.mp4","video_2_relative_path":"videos/2f72fd0cbd53bfcc.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/instruments/instruments_2/example.json::00000086","text_prompt":"Cinematic showcase of American bluegrass tradition, captured on a high-resolution macro lens with crisp studio lighting that highlights the wood grain and metallic hardware against a neutral dark background. The scene opens on a tightly framed close-up of a black-and-sunburst mandolin, its carved body and fretboard filling the frame. Picture-in-picture insets frame the performer’s hands: the left hand glides along the neck with the thumb anchoring behind the frets while the fingers execute rapid hammer-ons, pull-offs, and scalar runs, and the right hand drives a steady, alternating downstroke and upstroke picking pattern. The audio is a bright, metallic, and resonant solo performance, maintaining a brisk tempo with an even eighth-note pulse and occasional syncopated accents. Each steel-string pluck strikes sharply and decays quickly, forming a continuous stream of evenly spaced notes that outline an energetic folk melody, punctuated by faint string squeaks during left-hand shifts and light vibrato on sustained tones. The camera holds static, allowing the rhythmic precision and clean, close-mic capture to take center stage.\n\nThe shot transitions to a full overhead view of the instrument resting motionless inside its open hard case, lined with plush red fabric. The music continues uninterrupted, the same brisk tempo and ringing tone persisting without visual motion, emphasizing the mandolin’s ornate headstock, f-holes, and sunburst finish. A closer, angled cut isolates the headstock and six gold tuning pegs, maintaining the static framing as the scalar runs and alternating picking pattern carry forward. Finally, the perspective shifts to a top-down view of the closed case. A hand enters from the left, grasps the brass latch, and rotates it clockwise. The moment the latch clicks shut, the music abruptly ceases, the sudden silence aligning perfectly with the mechanical closure to mark the definitive end of the session. The recording remains clean and consistent throughout, with no ambient noise or additional instruments, leaving only the crisp resonance of the steel strings fading into quiet.","video_1_relative_path":"videos/dd86910abbe761ea.mp4","video_2_relative_path":"videos/e9543825168b6e46.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/movie/movie_1/example.json::00000028","text_prompt":"A cinematic nighttime winter battlefield unfolds in cool blue-gray tones, punctuated by the orange glow of distant fires and explosions. Shot from a low ground-level angle behind a camouflaged tank, the frame captures its barrel aimed toward a burning village of thatched-roof huts. Soldiers clad in heavy white camouflage scramble around the armored vehicle, one scaling the turret while another mans a mounted machine gun. The air is thick with smoke and drifting snow, intermittently lit by muzzle flashes and firelight. An intense orchestral score drives the scene forward with fast-paced strings and pounding percussion, layered beneath deep artillery booms, sharp small-arms fire, and the metallic grind of tank treads over frozen ground.\n\nA sudden, massive detonation erupts near the center of the frame, hurling flames and debris skyward. The blast washes the scene in a brief, blinding orange flare before the cold blue palette returns. Soldiers react instinctively, diving for cover and bracing against the tank’s hull as the camera shakes violently to mirror the impact and surrounding chaos. The soundtrack swells with a brass crescendo and cymbal crashes synchronized with the explosion, followed by the high-pitched whine of shrapnel and the rattle of falling rubble. Ambient wind howls through the snow, mingling with the fading roar of the blast and the strained breathing of the troops.\n\nThe perspective tightens to a close-up of a soldier firing the heavy machine gun from atop the tank, his face partially hidden behind frost-covered goggles as he shouts orders lost to the overwhelming din. Rapid muzzle flashes strobe across his grim expression while another soldier sprints past in the foreground, rifle raised and kicking up plumes of snow. Quick pans and tilts track the movement, heightening the disorientation. The scene then shifts to a medium shot following two soldiers advancing side-by-side through the swirling snow, one gripping a submachine gun at the ready, their breath visible in the frigid air. Moving cautiously with bodies low and weapons trained ahead, they navigate the uneven terrain as the orchestral score recedes slightly, allowing the crisp crunch of boots on packed snow and the distant echoes of gunfire to emerge clearly beneath the relentless rhythm of combat.","video_1_relative_path":"videos/4c6c7b59f7f3647b.mp4","video_2_relative_path":"videos/2a3c0fc10bdf16aa.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/movie/movie_1/example.json::00000085","text_prompt":"A gritty urban thriller sequence opens on a high-angle wide shot looking down a narrow alley at the pale, overcast hour of dusk or dawn. Warm golden light from unseen windows and streetlamps slants across weathered brick façades, carving deep chiaroscuro shadows into the alley’s depths. The camera tilts downward to track a figure clad in dark clothing as they drop from an upper fire escape onto a corrugated metal awning. The impact rings out with a sharp metallic clang followed immediately by a dull thud, punctuated by a brief, strained grunt of exertion. As the figure recovers momentum, the camera shifts to a low-angle perspective, emphasizing the vertical drop, and sweeps alongside them swinging across the gap toward an opposing building. Their silhouette cuts against the bright sky, accompanied by a rapid, broadband whoosh that matches the velocity of the leap.\n\nJust before clearing the gap, the figure strikes a protruding fire escape ladder, triggering a heavy composite crash of scraping metal and splintering wood as they tumble downward. A hard cut drops the viewer to a static, eye-level wide shot at ground level, where the motionless body now lies on wet asphalt amidst scattered trash bags, cardboard, and loose planks. A single overhead lamp casts a pool of bluish-white light that pools in the puddles, heightening the grim, stark atmosphere. The soundtrack strips away all music, leaving only the visceral foley: the lingering reverberation of the final impact fading into near-silence, the low-frequency rumble of the distant city, and the occasional sharp echo of water dripping off concrete. The sequence closes in this heavy stillness, capturing the abrupt failure of an acrobatic pursuit and leaving the outcome unresolved but visually conclusive.","video_1_relative_path":"videos/0f004bbbb2dc4dce.mp4","video_2_relative_path":"videos/d87e57522863c7fc.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/movie/movie_2/example.json::00000057","text_prompt":"A medium close-up, eye-level shot captures a narrow metallic corridor with overhead ventilation grates, bathed in cool, even lighting that casts soft shadows across the brushed-steel walls. A man in a dark long-sleeved shirt stands before a wall-mounted rectangular panel and presses a latch with deliberate precision. A sharp metallic click rings out, immediately followed by a low-frequency mechanical whir and a faint scraping sound as the cover slides smoothly into its housing. The camera tracks a fraction forward, keeping him centered as his brow furrows and his lips part, eyes locked on the newly exposed recess. A subtle, low-volume ambient hum fills the confined space, grounding the scene in a dampened, machinery-heavy environment.\n\nHe reaches in and lifts a white storage box, rotating it until the lid faces the lens. Bold black marker lettering reads “DO NOT OPEN UNTIL THANKSGIVING!!” in uppercase, underscored by a small circular NASA insignia sticker. As the container settles into his hands with a soft thud, his expression softens from concentration to mild surprise, a faint smile touching his lips. The audio landscape remains sparse and tactile: the residual room tone, the subtle rustle of his sleeves, and his shallow, controlled breathing. The sterile, industrial atmosphere is quietly punctuated by the ironic holiday warning, blending routine technical procedure with a grounded sense of levity.","video_1_relative_path":"videos/f0bbd948c39348ad.mp4","video_2_relative_path":"videos/e93c66a6f840e9f1.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/movie/movie_3/example.json::00000017","text_prompt":"A sweeping high-angle wide shot establishes a sci-fantasy epic, opening on a vast, desolate battlefield under a hazy, smoke-choked sky. The dark, uneven ground is littered with debris, while multiple colossal glowing orange dimensional rifts dominate the background, bathing the scene in an ominous golden hue. A densely packed army of soldiers in dark armor stands in rigid formation, their upright spears forming a metallic forest, while smaller squads move with chaotic urgency in the foreground. Fiery projectiles detonate in the lower right, casting flickering orange light across the terrain as the camera begins a slow, deliberate pan upward and to the right. As the frame shifts, sleek, angular futuristic aircraft carve through the air between the luminous portals, and on the far right, a colossal figure clad in red and gold armor stands utterly motionless, towering over the chaos like a silent sentinel. The lighting dynamically shifts with the camera movement, emphasizing the stark contrast between the encroaching darkness and the brilliant, otherworldly glow of the rifts.\n\nThe soundscape opens at full force with a thunderous symphonic score, driven by pounding timpani, aggressive brass fanfares, and rapid, tense string ostinatos that mirror the visual escalation from static formation to battlefield movement. A deep, resonant wordless choir swells beneath the instrumentation, adding gravitas to the mounting tension, while a constant low-frequency rumble of distant artillery and heavy machinery underpins the entire scene. Sharp, percussive cracks resembling cannon fire or magical impacts punctuate the mix, perfectly synchronized with the visual bursts of fire on the ground. The audio remains dense and cinematic, with clear separation between the orchestral layers and environmental effects, creating a broad, immersive stereo spread that conveys urgency, grandeur, and foreboding. With no dialogue present, the music and layered sound design serve as the primary narrative driver, establishing this monumental pre-battle assembly as the opening sequence of a larger, epic conflict.","video_1_relative_path":"videos/d7245022f80ea3a0.mp4","video_2_relative_path":"videos/3cd74428332f8b02.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/movie/movie_5/example.json::00000002","text_prompt":"Cinematic thriller sequence, captured on a low-angle lens with cool, greenish fluorescent lighting in a dimly lit concrete tunnel. The camera looks up at the front of a white double-decker bus, its destination panel glowing with route number 102 and the bilingual markers for Shau Kei Wan. On the upper deck, a man in a dark vest over a light shirt leans forward through the windshield, aiming a handgun downward toward the street level below. The environment is tense, underscored only by a faint mechanical hum from the idling bus engine, until a sudden burst of automatic gunfire erupts from off-screen right. Bright muzzle flashes and violent bullet impacts shatter the tunnel wall, sending concrete shards and smoke billowing outward. A sharp metallic clang rings out, quickly followed by a heavy thud that suggests a body striking the ground. The perspective widens to reveal a gridlocked traffic queue ahead, where sedans, SUVs, and a yellow minibus bearing a red Mong Kok sign sit trapped in the chaos. Figures clad in tactical gear sprint between the vehicles, some crouching behind doors for cover while others advance cautiously through the drifting haze.\n\nThe camera drops to ground level near a black SUV parked along the curb, its driver-side window already marred by a small circular bullet impact. A figure in full black tactical gear sprints past from right to left, boots pounding sharply against the concrete as echoing footsteps layer over the lingering hiss of escaping gas from ruptured pipes. A single, loud crack echoes through the enclosed space—a close-range gunshot—immediately followed by a guttural male grunt of pain and exertion. Another dark-clad individual rushes past the lens in a blur of motion, weapon drawn, his face strained and mouth open in a silent shout lost to the ambient chaos. Behind him, scattered silhouettes flee deeper into the tunnel, their forms swallowed by swirling dust and fading light reflections. The scene’s raw, unscored realism peaks as a brief, high-pitched electronic alarm tone pierces the air, then cuts abruptly to silence as the frame freezes on the fleeing silhouette.","video_1_relative_path":"videos/963da3153420c854.mp4","video_2_relative_path":"videos/2ea6a4b862ad67a0.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/movie/movie_5/example.json::00000083","text_prompt":"Gritty urban action sequence, framed with a 35mm lens and a handheld kinetic aesthetic under overcast daylight that gradually catches the flickering orange glow of a burning blue bus. The scene opens with a low-angle medium shot of a man perched on the roof of a dark vehicle beneath a rust-stained steel bridge, clad in a black beanie, dark tactical jacket, grey pants, and fingerless gloves. He grips a large multi-barrel rotary machine gun fed by a backpack-mounted ammo supply, his jaw set and expression focused as he unleashes a relentless barrage. The camera holds steady as the perspective widens to a street-level view, revealing the overturned, flame-engulfed bus and two figures kneeling on the asphalt, aiming rifles upward toward the bridge. Brick buildings, parked cars, and green trees frame the chaotic urban tableau as the audio swells with the deep thumps and rapid mechanical cycling of the rotary cannon, layered with crackling fire, distant debris impacts, and the sharp metallic pings of bullets striking nearby surfaces. The viewpoint cuts inside the burning bus, where a figure in dark clothing sprints past through shattered windows, partially obscured by smoke and strobing firelight. Sparks rain down into the cabin as the camera returns to a tight low-angle close-up of the shooter, his face intermittently illuminated by violent muzzle flashes. The lens pushes in to an extreme close-up of the rotary barrel spinning rapidly, glowing red-hot at the tips as bright orange flames erupt with each rotation and a piercing mechanical whine peaks over the fusillade. Spent casings arc through the air and scatter across the vehicle’s hood, bouncing slightly from the residual vibration as the man’s gloved hands adjust their grip. The relentless gunfire continues unabated, gradually tapering into a fading echo of mechanical discharge and strained breaths, leaving only the ambient city hum and the persistent roar of the blaze below.","video_1_relative_path":"videos/68355c62e15a8db7.mp4","video_2_relative_path":"videos/6a95f98b89ae884c.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/movie/movie_5/example.json::00000095","text_prompt":"In a post-conflict urban wasteland bathed in bright, clear daylight, a high-angle wide shot framed through a 35mm lens captures a two-lane asphalt road running horizontally across the frame. Three tan military vehicles—two armored cars followed by an open-top utility truck—travel in single file from right to left, their steady, unhurried progress kicking up faint dust trails. The surrounding terrain is scarred by extensive destruction, with piles of rubble, shattered concrete, and scattered debris dominating the grassy verges and vacant lots. In the distance, a dense cluster of mid-rise buildings stretches across the horizon, many damaged or unfinished, their exposed brickwork and hollow window frames speaking to long-term abandonment. Sparse vegetation clings to the dirt among the ruins, while silent streetlights line the roadway at regular intervals. As the convoy advances, the camera slowly pans upward and slightly zooms out, widening the frame to emphasize the vast scale of the devastated cityscape. No human figures are visible anywhere in the scene.\n\nThe soundscape mirrors the visual isolation, dominated from start to finish by a deep, low-frequency mechanical rumble. This continuous, moderately loud drone of heavy diesel engines moving over pavement is centered in the stereo field, conveying proximity without overwhelming the open, dry acoustic space of the outdoor environment. There is no music, dialogue, wind, wildlife, or distant traffic—only the relentless, grounding thrum of machinery, which maintains its intensity until the scene cuts abruptly to black. The combination of the static composition, gradual camera reveal, and unbroken mechanical sound establishes a mood of tense anticipation and stark aftermath, functioning as atmospheric exposition that underscores the impersonal power of the vehicles moving through the ruins.","video_1_relative_path":"videos/ab517553facfc83f.mp4","video_2_relative_path":"videos/2d93c0c5c58685b5.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/movie/movie_5/example.json::00000096","text_prompt":"In a sci-fi clinical thriller captured with a cinematic wide shot that hard cuts to a tight medium close-up, cool blue-gray lighting and a sterile, high-tech palette define a futuristic medical bay. The space is dominated by sleek metallic surfaces, softly glowing control panels, and a towering circular diagnostic scanner pulsing with a faint blue rhythm. A male patient in light gray scrubs sits rigidly on the edge of a raised, translucent examination table, his short brown hair and tense expression betraying quiet apprehension as he glances toward the machine. To his right, a female physician in a white lab coat stands with her back partially turned, her curly shoulder-length hair and layered dark necklace visible as she studies a wall-mounted console streaming abstract data and graphical readouts. A persistent low-frequency mechanical hum fills the space, underscored by sporadic electronic chirps and the soft whir of active cooling systems, establishing a sterile, isolated atmosphere heavy with unspoken tension.\n\nA hard cut abruptly shifts the perspective over the doctor’s shoulder, bringing her face into sharp focus against a softly blurred background where indistinct figures continue their work. Her neutral concentration fractures into startled realization; her eyes widen, eyebrows lift, and her lips part slightly as she turns her full attention to the patient. The ambient hum remains steady, grounding the moment before a calm, authoritative female Mandarin voice delivers a measured warning, stating, \"The environment here is extremely harsh; you have not undergone any training.\" Her tone is firm yet controlled, conveying professional caution without raising her volume, while her lips move in exact sync with the audio. The camera holds steady on her reaction as the mechanical soundscape persists, leaving the high-tech chamber suspended in a tense, foreboding quiet.","video_1_relative_path":"videos/a994c7966f8e55db.mp4","video_2_relative_path":"videos/6b790aad10623b47.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/movie/movie_6/example.json::00000027","text_prompt":"Set in a sci-fi military thriller, the scene opens with a low-angle wide shot capturing a dimly lit industrial hangar at night, where wet, reflective ground mirrors sparse overhead lighting. Three soldiers clad in light-colored, full-body protective suits walk away from the camera toward the center, their movements deliberate against the gloom. The central figure carries a large, bulky weapon with glowing orange tips slung over his shoulder, while to the right, a massive military tank sits idle, its hull marked with yellow-and-black hazard stripes and exposed mechanical details. A deep, ominous orchestral score immediately takes hold, driven by low brass and timpani to establish a tense atmosphere, layered beneath by a constant, low-frequency hum that mimics heavy machinery and ventilation systems.\n\nThe perspective shifts to a static wide frame showcasing a colossal, multi-level military transport ship docked within the cavernous space. Dark metal plating dominates the upper half of the view, bearing a weathered American flag along its side, while below the main deck, parked tanks and tiny silhouettes of soldiers emphasize the vessel’s staggering scale. The camera slowly tilts upward, tracing intricate mechanical gears and structural supports near the ship’s bow. The ambient drone continues, now joined by faint, echoing metallic clanks that reverberate through the vast interior. As the orchestral arrangement swells with high strings, the tension builds, heightening the sense of anticipation while leaving the environmental sounds to anchor the scene.","video_1_relative_path":"videos/e3b3d4a0e3a4600f.mp4","video_2_relative_path":"videos/49ed2b5e8d38e5e2.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_1/example.json::00000062","text_prompt":"A cinematic hospital drama unfolds in a static medium-wide shot, rendered in cool, even fluorescent lighting with a muted clinical palette of pale greens, soft blues, and neutral beiges. An older bald patient lies propped in bed, wrapped in a blue textured blanket over a pale green patterned gown, a red wristband visible on his right wrist. Beside him, a younger dark-haired man in a striped long-sleeved shirt leans forward, gently wiping away tears from the patient’s face while resting a reassuring hand on his shoulder. At the foot of the bed, a blonde woman in a beige cardigan over a white lace-trimmed top watches with a warm, hopeful smile. The quiet room is filled only with the faint, steady electronic hum of medical equipment. As the younger man withdraws his hands, the patient’s quiet weeping gives way to a soft, relieved smile, and a slightly raspy male voice murmurs, “So good to see you,” carrying a tone of profound gratitude and emotional release.\n\nThe blonde visitor steps closer, her expression softening with concern as she gently places her right hand on the patient’s left forearm. In a tender, measured female voice, she asks, “How do you feel?” The patient nods faintly, his eyes moist but calm, while the younger man straightens to his full height beside the bed, offering quiet, steadfast support. The camera remains completely motionless throughout, holding the balanced composition of the three figures against the quiet clinical setting, allowing the subtle interplay of facial expressions and comforting gestures to carry the emotional weight. The scene lingers on this moment of reconciliation and hopeful recovery, underscored only by the persistent low hum of the hospital environment.","video_1_relative_path":"videos/9ccb49d398758db4.mp4","video_2_relative_path":"videos/b8f81ca5b47c4491.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_1/example.json::00000073","text_prompt":"A cinematic medium close-up framed through an open side window of a small aircraft cockpit during a daytime flight, bathed in warm amber sunlight that spills across the dim interior, casting soft shadows and highlighting the olive-green flight jackets of two young aviators. The camera holds steady as a young woman with long dark hair tied in high pigtails leans against her co-pilot’s shoulder, her black fingerless gloves resting near her face while she gazes out at the pale, cloud-streaked sky. A steady, low-frequency engine rumble fills the cabin as she turns slightly toward him, a clear, lightly excited female Mandarin voice stating \"幸亏有你。\" Without breaking eye contact, a playful smile spreads across her face as she adds in a tone of pure admiration, \"太帅了。\"\n\nThe man keeps his hands firmly on the control yoke, his eyes fixed ahead until a brief pause draws his attention. He glances sideways at her with a mildly exasperated half-smile, a casual yet self-assured male Mandarin voice cutting through the cabin air: \"喂，我才是功臣。\" The woman’s amused smile lingers in the warm cabin light, the continuous drone of the aircraft engine underscoring their easy camaraderie as the scene holds on their shared gaze and the quiet confidence of their flight.","video_1_relative_path":"videos/10e5e3399cb8dcd1.mp4","video_2_relative_path":"videos/0096d783a5e6daca.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_10/example.json::00000009","text_prompt":"Cinematic realism, 16:9 widescreen, natural daylight, and a shallow depth of field frame a static medium-close shot of a bright red convertible gliding slowly down a sun-drenched suburban street, the camera locked directly ahead through the windshield as reflections of passing trees and vehicles glide across the glass. Inside, a young man with short dark hair and a dark-gray T-shirt bearing a small orange-yellow crescent and star graphic sits in the passenger seat, his expression neutral and slightly tense as he stares forward. Beside him, the driver—a young woman with straight chin-length blonde hair, blunt bangs, and a vivid pink top—rests her hands on the black steering wheel and turns her head toward him. A faint, steady low-frequency hum of the idling engine underscores the quiet cabin as she speaks in a clear, mildly curious tone, “How come you didn’t go into work today?”\n\nHe maintains his forward gaze, lips pressed together in a moment of quiet hesitation before answering without turning his head, his voice measured and tinged with restrained indignation, “I’m taking a sabbatical because I won’t kowtow.” Each word is deliberately enunciated, cutting through the ambient engine hum and the soft, out-of-focus backdrop of distant traffic and leafy roadside foliage. As he finishes, the woman’s face softens into a faint, knowing smile, her curiosity giving way to quiet amusement and familiarity. The camera remains completely still, keeping the occupants sharply in focus while the blurred suburban scenery drifts past, preserving the intimate, dialogue-driven tension of the moment as the car continues its slow, steady advance.","video_1_relative_path":"videos/310b4250f83d6d4c.mp4","video_2_relative_path":"videos/2986c46fa3962c7a.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_2/example.json::00000064","text_prompt":"A contemplative urban vignette captured in a medium, eye-level tracking shot that glides smoothly backward at a steady walking pace. Natural daylight diffuses evenly across the frame, casting a slightly cool, green-dominant palette punctuated by a tan bamboo fence on the left and the muted grays of pavement and distant buildings in soft focus. An adult woman in a purple-and-blue patterned blouse beneath a gray knit vest walks side by side with a young girl wearing a blue baseball cap with a red emblem and a layered graphic tee. The woman holds a small paper cup and a brown paper bag marked with casual dark lettering reading (adult) SODA, while the girl focuses on stirring her own cup with a wooden stick. As they move along the leafy sidewalk, the camera maintains a gentle retreat, keeping both subjects centered while background details like a distant sanitation worker near a blue utility vehicle fade into the periphery.\n\nBeneath a continuous, low urban traffic hum, a calm, neutral female Mandarin voice begins, stating \"原来的好看，但是它也有一种美。\" (It might not be as beautiful as before, but it still holds a certain beauty.) Her free hand rises with an open palm gesture, underscoring her thought as she glances toward the attentive girl. Her reflective tone continues as she adds, \"这种美好像在提醒我们，文明也许不是一直在前进。\" (This kind of beauty seems to remind us that civilization doesn't always move forward in a straight line.) As the woman lowers her hand and resumes a relaxed posture, her voice trails off mid-thought, completing the fragment as \"太匆忙了。\" (too rushed.) The scene closes on their unhurried pace, the ambient city murmur persisting as the philosophical reflection lingers in the cool, natural light.","video_1_relative_path":"videos/f55a358586445472.mp4","video_2_relative_path":"videos/7fd6276093287286.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_2/example.json::00000077","text_prompt":"A contemporary romantic-comedy scene opens with a medium rear tracking shot, bathed in warm late-afternoon sunlight that casts soft shadows across beige stone buildings and a tall black wrought-iron fence bordering a courtyard with a domed classical building. The camera glides backward, maintaining a steady distance as a casually dressed couple advances toward the lens. The man, with short brown hair and a dark gray blazer over a crisp white shirt, turns his head slightly toward his companion. She has blonde hair loosely tied back, wears a cream textured jacket over a black top, and carries a brown shoulder bag that sways gently with each step. As they walk, a calm, conversational male voice begins, stating, \"He was the one who had warned me about French chicks.\" His lips move in precise sync with the audio, his expression neutral yet engaged. The soundscape is naturally captured outdoors, layered with the steady rhythm of their footsteps on pavement, a low urban rumble, faint pedestrian chatter, and a light wind brushing past the microphone.\n\nA clean cut shifts to a frontal medium shot as the pair face forward, continuing their leisurely pace beneath the golden hour glow. The background reveals leafy green trees, a parked blue sedan, and a red circular traffic sign mounted on a pole. The woman turns fully toward him, eyebrows slightly raised and lips parted in playful curiosity, and asks, \"What did he tell you about French women?\" Her clear, mid-range voice carries a lighthearted intonation that matches the relaxed atmosphere. The man smiles broadly, his eyes crinkling as he glances down for a moment before meeting her gaze. Responding with animated hand gestures, he first raises his right palm outward dismissively, then opens both hands wide for emphasis while delivering his reply: \"Nothing. The guy—he’s never met any French women, okay? He’s never been east of the Mississippi.\" His delivery is quick and lightly amused, punctuated by a subtle stammer and a soft inhalation just before the final clause. Behind them, pedestrians drift through the periphery, one man in a dark suit walking away while another crosses a distant intersection. The scene maintains its grounded, romantic-comedy tone, ending mid-stride with the couple still moving forward, symmetrically framed against the historic Parisian backdrop, their natural dialogue and ambient city textures weaving together into a seamless, intimate moment.","video_1_relative_path":"videos/83588fb57cef5773.mp4","video_2_relative_path":"videos/f834d4187bfdec64.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_4/example.json::00000000","text_prompt":"A modern domestic comedy sketch unfolds in a static medium-wide 16:9 frame, captured on a locked-off camera with high-key, diffuse lighting that eliminates harsh shadows and bathes the scene in a clean, sitcom-like brightness. The color palette contrasts vivid reds, cool blues, and warm browns: a man in a red short-sleeved T-shirt and dark jeans lounges on an off-white sofa to the right, clutching a leaf-patterned cushion while extending his left arm to point accusingly at two women standing near sheer white curtains and heavy brown drapes. Beside them, a potted plant with purple blossoms adds organic texture. The woman closest to the camera wears a white oversized graphic tee and a patched light-wash denim skirt, planting her hands on her hips as she glares defiantly. Slightly behind her, a second woman in a light-blue cold-shoulder ruffled blouse and frayed white shorts watches with folded arms and a concerned expression.\n\nA faint, steady indoor room tone underlies the tense exchange as a sharp, irritated young male Mandarin voice rings out, his index finger still jabbing forward: \"I know it stings to realize you threw your money away.\" His facial muscles tense, eyebrows knitting as he emphasizes each syllable. The woman in the white tee shifts her weight but holds her ground, snapping back with a quick, emphatic female Mandarin voice: \"But you shouldn't be talking nonsense like that.\" The man’s pointing hand drops momentarily before rising again, startled by her forceful delivery. The woman in the blue blouse steps half a pace forward, uncrossing her arms to interject with a firm, supportive female Mandarin voice: \"Exactly.\" Her decisive tone locks eyes with the man, whose expression shifts to widened surprise and parted lips. A brief, off-screen burst of audience laughter erupts, peaking and fading within a second, confirming the staged, comedic nature of the recording. The scene concludes on the lingering, frozen tableau of the three characters mid-confrontation, bathed in even, shadowless light.","video_1_relative_path":"videos/74951fb3d67c7230.mp4","video_2_relative_path":"videos/39485e23644eab28.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_4/example.json::00000060","text_prompt":"A realistic domestic drama unfolds in a modest modern apartment living room at night, captured in a 16:9 frame with warm tungsten practical lighting and soft ambient fill that yields gentle contrast and soft facial modeling. The opening medium, eye-level shot isolates a young woman in a black double-breasted coat sitting stiffly on the left end of a grey fabric sofa, her hands clasped and gaze lowered in quiet sorrow. Beside her, a man in a dark suit reclines with his right arm draped over the backrest, leaning forward as he begins to speak. Behind them, an ancestral memorial altar holds a framed portrait of an elderly woman flanked by white flowers and a flickering candle, anchoring the room in grief, while a refrigerator dotted with magnets and a glass-front dining cabinet sit softly blurred in the background. A low, steady room tone underlies the soundtrack as the man’s voice rises in sharp indignation, a forceful male Mandarin tone stating, \"I went too far,\" before he accuses with renewed emphasis, \"She smashed Mother's urn.\" The woman’s eyes lift briefly toward him before returning to her lap, her expression pained yet controlled, while the camera remains static, holding the three-quarter profile of the man and the side view of the woman.\n\nA straight cut widens the frame into a full-room composition, revealing a third figure: a man in a charcoal suit sitting upright in a tan leather armchair opposite the sofa, his hands folded calmly on his knees. A low coffee table between them bears a pale tissue box, and beyond the group, a large window frames the cool glow of city lights outside. The armchair man responds in a deeper, measured male Mandarin tone, his voice cutting through the tension as he says, \"Yes, but it was just an accident,\" gesturing subtly with one hand while his brow furrows in explanation. The woman turns her head toward him, listening intently, while the reclining man watches the exchange in silence, his jaw tight. As the armchair man concludes with a reproachful cadence, \"You treated Mingyu like that back then,\" his final words trail off into the quiet room. The characters freeze in a tense, unresolved stillness, the absence of music and extraneous noise amplifying the intimate weight of their conflict as the scene holds on their silent standoff before fading to black.","video_1_relative_path":"videos/4fdf18108073c270.mp4","video_2_relative_path":"videos/da94dd5d50b71187.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_5/example.json::00000036","text_prompt":"A static medium-wide shot captures a warmly lit, traditional Chinese tea house, bathed in diffused overhead light that casts soft shadows and accentuates the rich textures of dark wood, earthy browns, muted greens, and beige accents. Symmetrically framed across a long table, a man in a brown turtleneck sweater sits on the left while a woman with long dark hair, dressed in a black blazer and blue jeans, leans forward on the right with her chin resting in her hand. The scene opens with a faint ambient hum and the soft rustle of fabric as the man raises his right palm toward an off-screen server and calls out cheerfully in Standard Mandarin, stating “来，老板，买单了。” The woman lowers her hand, straightens her posture, and answers in a calm but decisive Standard Mandarin tone, saying “你甭管了，我来吧,” offering a small nod and a faint smile that conveys measured confidence.\n\nMaintaining steady eye contact, the woman tilts her head slightly, eyebrows lifting in a teasing manner as she adds in a confident, playfully proud Standard Mandarin voice, noting “我可以打折。” The man’s eyes widen and his mouth parts in pleasant surprise, accompanied by the faint creak of his chair as he shifts his weight back. Reacting immediately, he exclaims in a surprised Standard Mandarin pitch that quickly settles into amused agreement, declaring “真的？也对，该你请,” lifting both hands in a half-shrug before letting them fall. The camera holds on their relaxed postures amid the softly glowing pendant lights, wooden lattice screens, potted plants, and a framed landscape scroll in the background, while the clean dialogue and subtle environmental sounds sustain a light, humorous dynamic that emphasizes their familiar rapport without any musical accompaniment.","video_1_relative_path":"videos/c1a03ed37d4fc140.mp4","video_2_relative_path":"videos/d33886f3472727e3.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_6/example.json::00000055","text_prompt":"A warm, cinematic medium two-shot captures a spontaneous comedic exchange in an upscale restaurant defined by dark-wood beams, wall sconces, and a softly glowing candle in a square glass holder at the center of a white-clothed table set with silverware and three empty wine glasses. The background gently falls into shadow, revealing shelves of wine bottles and dimly lit patrons that reinforce the fine-dining atmosphere without distracting from the foreground. A dark-haired man in a black suit jacket over an open-neck white shirt, with a lavalier microphone clipped near his collar, speaks with lively, conversational enthusiasm, stating, \"People that have style with food that has style.\" He continues without pause, adding, \"You know, so much of the time, you really have to match the presentation to the flavor,\" punctuating his words with animated gestures. Conan O’Brien, tall with reddish-blond hair and wearing a casual dark jacket over a charcoal T-shirt, gently interrupts, raising his right hand in a polite \"wait\" gesture and replying, \"I hear you,\" their voices overlapping in a natural, friendly rhythm. Conan reaches down, lifts a neatly folded white cloth napkin from his lap, and theatrically tucks it under his chin like a bib, adjusting it with both hands. With playful enthusiasm, he declares, \"Let’s get the grub on, huh?\" An off-camera audience responds with light, collective laughter that rises above the low restaurant murmur. Still holding the napkin in place, Conan leans back slightly, smiles broadly, and emits a brief, gleeful exclamation, \"Eh!\" The other man watches him with a mild smile, hands now resting calmly in his lap. The camera holds steady on the two-shot, preserving the cozy ambiance and convivial atmosphere as the warm dining room lights linger over the scene.","video_1_relative_path":"videos/224719edb94bd8ff.mp4","video_2_relative_path":"videos/e690c6ce14ed76f1.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_7/example.json::00000060","text_prompt":"Cinematic domestic drama, captured in a single locked-off medium two-shot with a 50mm lens, bathed in warm, intimate living-room lighting. Blue curtains frame a window behind a beige sofa where a floor lamp casts a soft glow at screen right. A young woman with long, wavy brown hair, wearing a maroon T-shirt and lace-trimmed cardigan, sits beside a young man in a dark pin-striped jacket over a patterned shirt. She leans toward him, holding a folded white paper, and gestures with it as a firm, slightly exasperated female Mandarin voice begins, stating “这样，一三五归你，我绝不打扰。” Her lips match the dialogue precisely against a backdrop of clear indoor room tone, with no music or ambient distractions.\n\nWithout breaking the static frame, the woman abruptly stands, still clutching the paper, and quickly exits left, leaving a brief visual gap as a faint rustle of fabric echoes. The man remains seated, watching her departure with a neutral expression. She re-enters from the left and sits back down beside him. He immediately turns his head, gesturing lightly with his right hand, as a calm, mildly complaining male Mandarin voice responds, saying “我还没说完呢，让我出去约会也可以，不过这年头带个女孩出去太贵了。” The woman listens intently, her gaze fixed on him in a composed posture, as the quiet room tone and subtle cloth movements sustain the conversational, slightly tense atmosphere until the scene holds.","video_1_relative_path":"videos/e9cf67c91a6e91ac.mp4","video_2_relative_path":"videos/a1f7248235e5bc8f.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_7/example.json::00000086","text_prompt":"Cinematic domestic drama, shot on a 50mm lens with soft natural daylight streaming through white horizontal blinds, casting gentle shadows and establishing a muted, cool ambience. A medium close-up frames a middle-aged East Asian man seated at a wooden dining table, wearing a dark brown rib-knit cardigan over a light blue denim-style shirt with a crisp white inner collar. His brow is furrowed and his gaze is fixed on someone just out of frame to his left. A forceful, urgent male Mandarin voice declares, “这事啊，我爸必须要来美国，我必须要养，除非你不认我爸。” The audio is completely dry, stripping away all ambient noise or music to heighten the raw tension of his clipped, insistent delivery. \n\nA hard cut immediately shifts to an over-the-shoulder reverse shot from behind his right shoulder, revealing a young East Asian woman seated across the table. Her dark hair is loosely pulled back, and she wears a thick pale blue turtleneck sweater that complements the scene’s muted earth-tone palette. Her eyes widen and her mouth parts in visible shock as his words land, the soft even lighting catching the wall-mounted photo collage and window blinds behind her. A calm but firm female Mandarin voice responds, “我没有不认你爸，我只是希望你能够量力而行.” She leans forward with her hands clasped on the tabletop, her expression shifting from surprise to earnest pleading as her eyebrows knit together. The man remains silent, listening intently with rigid posture and an unwavering gaze, while the camera holds static on the unresolved exchange, leaving the intimate domestic space heavy with unspoken weight.","video_1_relative_path":"videos/1bbefbacacfd5a60.mp4","video_2_relative_path":"videos/8d5577c162465083.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_8/example.json::00000020","text_prompt":"Cinematic drama, narrow Parisian street at dusk, warm ambient lighting from shop windows and streetlamps, static medium two-shot, intimate framing. The camera holds steady on a man in his early thirties, wearing a dark gray suit jacket over a white shirt, and a woman in her mid-twenties with blonde hair in a loose ponytail, dressed in a cream knit cardigan over a black top. They stand close together, facing one another before a furniture store window that displays a golden cherub statue and elegant French lettering, while a green street sign and a red-and-white traffic marker hang above them. The composition remains completely still, anchoring the scene in quiet stillness and emotional tension.\n\nA calm, reflective male voice begins, stating, “that there are a lot of serious problems in the world,” as he gestures earnestly with his right hand, palm open and fingers relaxed. The woman listens intently, her eyes fixed on him, offering a brief, polite smile before settling into a neutral, attentive posture. A soft, slightly weary female voice responds, “Okay, thank you.” The man continues, his voice lowering as he hesitates, searching for the right words before raising his left hand slightly and murmuring, “Okay. I mean, I don’t even have one published.” The audio is stripped down to their clear, close-miked dialogue, with only a barely perceptible layer of distant city hum and minimal outdoor reverb, leaving the narrative tension unresolved and the focus entirely on their vulnerable exchange.","video_1_relative_path":"videos/ee6d40ec67901933.mp4","video_2_relative_path":"videos/eead430f0b51d185.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_8/example.json::00000052","text_prompt":"Cinematic historical drama, shot with a 35mm lens and soft, diffused frontal illumination that eliminates harsh shadows while accentuating the textures of silk and polished wood. The scene opens in a symmetrically framed, static medium-wide shot within a dimly lit, high-ceilinged hall dominated by a palette of muted purples, blacks, creams, and dark woods. Centered in the composition, an elderly man sits upon an ornate, dark wooden throne-like chair whose back rises to his shoulders, his hands resting calmly on the armrests as he wears a lustrous, deep-purple robe embroidered with subtle gold patterns. Directly behind him stands a younger attendant in a black, intricately patterned robe, maintaining a respectful posture with his eyes lowered. To the elder’s left, an older court official dressed in layered pale cream robes over a darker inner garment and topped with a tall black hat steps slowly from the background, gripping the hem of his sleeve. A faint, steady mechanical hum underlies the atmosphere, hinting at unseen machinery or ventilation. The official halts beside the throne, bows slightly, and a calm, mid-low male Mandarin voice begins, stating \"是他自己琢磨的。\" The seated elder listens impassively, his face composed, before offering a short, thoughtful \"嗯。\" accompanied by an almost imperceptible nod, while the attendant remains perfectly still.\n\nAfter a brief pause, the camera very gradually eases backward in a slow, imperceptible dolly-out, widening the composition to reveal more of the carved lattice wall and flanking doors without disrupting the symmetrical framing. The elder resumes speaking and a deeper, resonant male Mandarin voice continues, stating \"论他的年纪，这般年轻能有这心思也不错。\" The official straightens while maintaining deference, and the attendant shifts minutely but never raises his gaze. All three figures hold their positions as the low mechanical drone persists beneath the dialogue, the soft lighting casting gentle shadows that preserve the solemn mood until the scene naturally fades to black.","video_1_relative_path":"videos/58a3fb63585c7a48.mp4","video_2_relative_path":"videos/b439dfd01fbe6e1c.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_9/example.json::00000045","text_prompt":"Cinematic medium two-shot, static eye-level framing, shallow depth of field, warm amber key lighting, and a saturated red-and-gold color palette establish an intimate lounge or bar setting. A wall sconce casts soft highlights across a round wooden table holding a neat stack of black poker chips, while out-of-focus liquor bottles rest in the right foreground and a glass doorway framed by red velvet curtains reveals blurred fairy lights in the background. Two young men face each other across the frame. The man on the left, dressed in a blue blazer over a yellow-and-blue plaid shirt and light trousers, speaks first with a calm, earnest tone. A calm, earnest male Mandarin voice begins, stating \"I didn't spot the flaw in the contract, that's my problem.\" As he speaks, he lifts his right hand palm-up to underscore his accountability. His counterpart on the right, slightly taller with black-rimmed glasses and an open red-blue-white plaid shirt over a white tee, listens in silence, posture upright but relaxed, his eyes fixed steadily on the speaker.\n\nThe camera holds its position without movement or cuts, maintaining the subdued, high-stakes atmosphere as the speaker lowers his hand and continues with measured resolve, stating \"I signed the contract with my own hands.\" The listener maintains unwavering eye contact, lips pressed together, offering only a barely perceptible dip of his chin in acknowledgment. The speaker concludes with firm finality, delivering a slight nod as he states \"I admit this point.\" The scene lingers on this quiet tension, the warm bar setting and shallow focus keeping all narrative weight on the raw, unspoken gravity of the exchange before fading out.","video_1_relative_path":"videos/cb1f92a9ef826f38.mp4","video_2_relative_path":"videos/249036590ba9ecb6.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/music/music_2/example.json::00000041","text_prompt":"Cinematic medium close-up, shallow depth of field, warm directional lighting, and a muted domestic palette frame a young woman seated in a softly lit bedroom, her long straight hair fading from dark brown at the roots to blonde at the ends. She wears a black top with sheer, vertically pleated sleeves and a delicate silver necklace, her eyes closed in quiet concentration as she performs. A dark wood acoustic guitar with white binding rests against her, a black capo clamped on the second fret while her left hand shifts smoothly across the fretboard and her right hand fingerpicks near the soundhole. The blurred background reveals a white tufted headboard, crisp pillows, and a blue-and-black abstract painting on the wall, while a subtle vignette draws the eye to her centered, intimate presence.\n\nThe audio unfolds as a solo steel-string acoustic performance, recorded clean and close with minimal reverb, capturing the natural short-decay warmth of a small room. A gentle, breathy female voice begins mid-thought, singing \"It felt like the party time,\" her soft timbre and clear enunciation matching the steady seventy-two beats per minute fingerstyle progression. As her left hand glides along the strings, producing faint, organic squeaks and the subtle thump of her body against the guitar, the instrumental interlude maintains a consistent mezzo-piano dynamic. The vocal returns for a final, emotionally resonant phrase, delivered with restrained wistfulness: \"And yet, the quiet remained.\" The take holds its stillness without cuts or camera movement, ending abruptly on a lingering guitar sustain that leaves the raw, reflective intimacy of the moment fully intact.","video_1_relative_path":"videos/e455ed7fe5fe4725.mp4","video_2_relative_path":"videos/6447f290a17eac4e.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/music/music_2/example.json::00000097","text_prompt":"Cinematic, intimate musical performance captured in soft, diffused natural light under a pale overcast sky, with a muted teal and earthy color palette. The camera frames a man from the chest up against a serene backdrop of a vast lake and hazy, layered mountains. He wears a faded teal t-shirt with a small orange graphic on the left chest, his shoulder-length brown hair tucked beneath a backwards dark baseball cap, a trimmed beard and mustache framing his face. A black microphone on a stand sits directly before him as he cradles a light-colored acoustic guitar with a black pickguard and a circular mountain sticker reading BANFF NATIONAL PARK near the soundhole. To the right edge, the arm and torso of a second guitarist in a white long-sleeve shirt are partially visible. The camera begins a slow, smooth push-in, gradually tightening the frame from a medium shot to an intimate close-up on the singer’s face and the guitar neck.\n\nA gentle, breathy tenor voice begins, accompanied by warm, fingerpicked acoustic guitar chords that carry a subtle, reverberant sheen. He sings, \"Are you thinking of me?\" with a soft, emotive delivery, his eyes closing tightly as he sustains the final vowel into a quiet hum. His head tilts downward in concentration, and the shallow depth of field blurs the water and mountains into a soft, painterly wash. The audio remains cleanly isolated, stripping away any ambient wind or traffic to focus entirely on the steady, eighth-note pulse of the guitar and the singer’s controlled breathing. The scene holds a contemplative, gently melancholic mood, lingering on the unresolved question and the sustaining chords as the frame tightens and the moment fades into quiet resonance.","video_1_relative_path":"videos/22f9756d422f3671.mp4","video_2_relative_path":"videos/2576ebea5bb46acd.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/music/music_3/example.json::00000022","text_prompt":"The scene opens on a medium close-up of a male keyboardist seated at his instrument, his upper torso and face framed against a dark stage washed in saturated purple light. A static but subtly handheld camera lends a gentle, organic sway that tracks his natural movements. His short dark hair and trimmed beard catch the magenta glow as he looks down at the keys, eyes focused and lips parted in concentration. A black in-ear monitor rests in his right ear with a thin cable trailing out of frame, and he wears a plain black T-shirt while a boom microphone hovers nearby, unused. Over this intimate visual, a slow-tempo pop-rock ballad unfolds: clean electric guitar arpeggios ring out over a soft synth pad, anchored by a steady kick-snare pattern and a rounded bass line. The mix is spacious and heavily reverbed, evoking the acoustic footprint of a large venue or professional studio, with moderate dynamics and no extraneous crowd noise.\n\nA sharp cut shifts to a side-profile close-up of the lead vocalist standing center stage. He sports a shaved head, small round sunglasses with silver frames, and a white V-neck T-shirt, accessorized with a black studded leather wristband, a simple chain necklace, and a black circular earring. A colorful flame-style tattoo wraps around his left forearm, partially visible beneath his sleeve. He grips a black vocal microphone topped with a yellow windscreen, delivering an emotionally charged performance with a clear, mid-range tenor voice that cuts cleanly through the instrumentation. His jaw moves rhythmically with the melody, his expression earnest and eyes slightly narrowed behind the lenses. Behind him, vertical columns of glowing pink-purple lights pulse softly, adding depth to the dark backdrop, while a blurred silhouette of another band member lingers to the far right. The camera remains fixed on the singer, capturing subtle head tilts and hand adjustments on the mic stand as the track continues seamlessly, before the footage and audio cut off abruptly mid-phrase.","video_1_relative_path":"videos/4428be35dde7ad7a.mp4","video_2_relative_path":"videos/7ee7d6dbed901833.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/physics/physics_2/example.json::00000021","text_prompt":"A documentary-style, daytime sequence opens with a fixed, dashboard-level perspective from inside a moving commercial truck, bathed in bright natural sunlight that illuminates a two-lane rural road. Trees line the left shoulder while open fields and scattered houses stretch to the right, utility poles receding into the hazy distance. A red semi-truck maintains a steady pace ahead in the same lane. The dark dashboard anchors the foreground, its windshield wipers resting at the bottom edge, while a side-view mirror catches the glint of a yellow-orange object. Beneath this steady forward motion, a low, continuous engine rumble blends with the subtle high-frequency hiss of tires on pavement, establishing a quiet, enclosed cabin atmosphere.\n\nThe camera then executes a deliberate pan to the left and downward, shifting focus from the road into the utilitarian cabin. A small black oscillating fan mounted on the dash comes into view, followed by a white control panel studded with circular gauges and switches. A human hand briefly brushes the top-left corner near the fan before the frame settles on the lower passenger-side footwell. There, a red plastic trash bin with a white liner sits beside a red fire extinguisher topped with a green nozzle, surrounded by scattered leaves and dirt on the floor mat. As the camera locks onto these objects, a sharp metallic clank echoes through the cab, immediately followed by a brief scraping sound, implying an unseen hand adjusting equipment nearby. The engine hum persists underneath, gradually softening as the shot holds static on the interior details, closing the scene on a mundane, observational note.","video_1_relative_path":"videos/949df9b8911b046d.mp4","video_2_relative_path":"videos/b951d86846e8534b.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/physics/physics_3/example.json::00000065","text_prompt":"A static, full-frame cinematic composition opens on a soft radial gradient, where an overexposed white center bleeds into a pale, muted green vignette, establishing a dreamlike, sun-drenched palette. The frame remains completely motionless until the word \"Paradise\" begins to fade in at the exact center. Rendered in a stylized serif typeface, the letters initially appear as translucent gray before quickly sharpening into a solid, dark olive-green hue. As the typography solidifies, delicate line-drawing floral motifs—simple flowers and leaves—fade in around the letters 'a', 'd', 'i', and 's', anchoring the minimalist design in organic elegance. The entire visual settles into a still, serene title card that radiates natural tranquility.\n\nConcurrently, the audio track unfolds as a high-fidelity ambient tropical soundscape, beginning immediately with a slow, legato synthesized flute melody soaring in a higher register. A sustained, airy synthesizer pad provides warm harmonic support, while a low-frequency bass note grounds the arrangement. As the floral graphics emerge, a rhythmic shaker or maraca enters at a steady, moderate tempo, perfectly synchronizing with the visual transition to establish the main musical phrase. The instrumentation maintains a consistent volume and texture throughout, with no room tone or environmental noise, creating a clean, studio-polished meditative atmosphere. The seamless marriage of the gentle flute lead, organic percussion, and the serene olive-and-white palette establishes an inviting, tranquil tone, functioning as a calm and elegant introduction to the \"Paradise\" theme.","video_1_relative_path":"videos/b7284187749dc18c.mp4","video_2_relative_path":"videos/d8cbc7fdd515f277.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/physics/physics_5/example.json::00000043","text_prompt":"Cinematic documentary-style sequence, locked medium-wide static shot, evenly lit industrial testing bay with overhead fluorescent lighting. The scene frames a large, vertically mounted vehicle windshield on a stand at center-left, its surface already extensively spider-webbed with fractures radiating outward. A man dressed entirely in black—long-sleeved top, pants, gloves, and clear safety glasses—stands to the right of the pane, gripping a heavy, dark hammer-like tool. He begins a methodical, rhythmic assault, swinging the implement downward onto the windshield’s lower-right quadrant with forceful, measured strikes. Each impact delivers a sharp, high-frequency metallic clack or snap, immediately followed by a duller, resonant thud as mass transfers into the glass. Tiny shards scatter and fresh cracks rapidly propagate with every blow, while the pane visibly flexes and vibrates under the strain. Behind him, a white box truck is parked diagonally with its driver-side door open, and further back to the left, a second individual in a blue shirt sits motionless on a flatbed trailer, observing the procedure without intervening. The environment is grounded by gray concrete flooring, a wire mesh cage packed with fibrous insulation, and a wheeled cart bearing faint red indicator lights. The audio landscape is stripped to its mechanical essentials, with no dialogue, music, or ambient chatter breaking the tension. Only the percussive impacts dominate, layered with subtle glass fracture textures that shift from fine tinkling in the early strikes to louder, cascading cracks as the damage accumulates. A low-level broadband room hum and a short, hard-surface reverb complete the clinical, forensic atmosphere, directing full attention to the progressive fragmentation of the windshield and the raw physics of the destructive test.","video_1_relative_path":"videos/0322caa5ac684dc5.mp4","video_2_relative_path":"videos/609698a421211149.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/physics/physics_7/example.json::00000053","text_prompt":"Cinematic, minimalist nocturnal scene captured in a single, unbroken static shot with a fixed camera perspective. Against a nearly black backdrop, heavy rainfall cascades in dense, vertical streams, rendering fine white streaks that catch the ambient light with occasional brighter highlights. The lower third of the frame reveals a wet asphalt surface, where scattered points of blue-white light reflect and ripple outward in an irregular band of sparkling glints with every drop’s impact. The composition remains austere and uncluttered, focusing entirely on the relentless descent of water and its interaction with the glistening ground, with no other objects, figures, or text present.\n\nThe soundscape is a pure, immersive wall of environmental rain noise that perfectly synchronizes with the visual intensity. A broad-spectrum roar fills the mix, anchored by a deep low-frequency rumble and layered with a constant mid-to-high frequency hiss and sizzle from countless droplet impacts on both air and pavement. The audio remains loud, enveloping, and unwavering throughout, completely devoid of wind, thunder, mechanical sounds, or any musical or vocal elements. This seamless audiovisual alignment crafts a meditative, hypnotic atmosphere that emphasizes the raw, solitary force of nature, delivering a clean, uninterrupted sensory experience ideal for immersion and focus.","video_1_relative_path":"videos/a8a2f369d2d105a4.mp4","video_2_relative_path":"videos/17a5ceffb537e55c.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/podcast/podcast_1/example.json::00000022","text_prompt":"A contemplative presentation scene, shot in a steady medium close-up that transitions to a static wide, opens on a bald, bearded man standing center stage against a dark maroon-purple backdrop. A single warm spotlight strikes from the front-left, carving soft shadows across his patterned blue shirt speckled with yellow and purple, while a discreet headset microphone rests near his left cheek. He drops his gaze for a moment before lifting his eyes to the unseen audience, lips moving with calm, deliberate cadence as subtle head nods and eyebrow lifts punctuate his measured delivery. The audio is pristine and isolated, carrying only his clear, neutral English voice with no music, crowd noise, or ambient room tone to distract. A calm, measured male voice continues, finishing the trailing thought with '…or the loud rubbing of surfaces.' The frame holds steady before a hard cut transitions to a wider perspective that reveals the full architectural context. He now stands smaller, centered on a circular red rug atop a polished black floor, flanked stage left by a large three-dimensional red logo and stage right by a towering LED screen displaying a deep blue underwater photograph of two humpback whales swimming side by side. Behind him, a geometric grid wall is accented by thin vertical white light strips and scattered orange dots, while rows of seated audience members fade into the foreground shadows. The lighting remains tightly focused on the speaker and stage elements, preserving the stark, minimalist atmosphere. He gestures with open palms at chest height for emphasis, his steady delivery unbroken as he states, 'I believe we can and should rehaul our approach to how we make machines,' leaving the auditorium in a hush of intellectual anticipation.","video_1_relative_path":"videos/f988b42727acf545.mp4","video_2_relative_path":"videos/96d8a773b150e913.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_10/example.json::00000076","text_prompt":"Night falls over a quiet urban corner, captured in a static medium shot that frames two middle-aged men seated on a dark-green metal bench running horizontally across the lower frame. Behind them, a matching green-tiled pillar and railing anchor the composition, while faint tree silhouettes fade into a deep blue-black backdrop. Warm artificial light from an unseen streetlamp at the upper left spills across the scene, casting soft shadows and highlighting their faces against a cool palette of desaturated greens and blues. The man on the left, dressed in a white suit with a loosened pink tie, slumps forward with his elbows on his knees and his right hand pressed to his forehead, his shoulders trembling as he draws a shaky breath. Beside him, the man in a beige trench coat over a pale shirt sits upright, his gaze fixed with quiet concern. He extends his right arm across the bench, resting a steady hand on his companion’s shoulder in a silent gesture of support. Beneath this stillness, a subdued electronic underscore begins—a low synth bass pulse layered with airy pads and a sparse, bell-like motif that establishes a somber, psychologically tense atmosphere. A calm male Mandarin voice-over begins, stating, \"Once addiction takes hold, it is incredibly difficult to break.\"\n\nThe distressed man lifts his head slightly, his eyes glistening and lips quivering before he bows it again, his voice cracking as he pleads, \"I truly wanted to accomplish something to make you proud.\" His tone is strained and wavering, carrying the weight of unmet expectations. The second man remains motionless, maintaining unwavering eye contact and a steady, comforting posture as the minor-key pads sustain the emotional tension. The lighting, framing, and restrained score hold firm, preserving the quiet intimacy of the moment as the scene naturally lingers in stillness, leaving only the lingering resonance of their unspoken bond and the quiet hum of the city night.","video_1_relative_path":"videos/ea106ce6efe01270.mp4","video_2_relative_path":"videos/052674e8da2b7339.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_11/example.json::00000021","text_prompt":"Set in a rustic historical martial arts drama, the scene opens with a high-angle, medium-long shot of a quiet woodland clearing, where a palette of earthy browns and muted greens dominates the frame. Brown earth is scattered with dry leaves and twigs, and thick, gnarled tree roots curve across the foreground. An elderly man with long, greying hair tied back sits hunched beside the roots, clad in a dark, patched tunic that speaks of wear and travel. His posture radiates fatigue and deep contemplation as soft, natural daylight filters through an unseen canopy, casting gentle, mottled shadows. A calm, steady male narrator begins in clear Standard Mandarin, his baritone voice resonant and gently earnest, stating, “报答苏灿的恩情，老鬼庆也趁着苏灿熟睡之际，把自己的绝学睡梦罗汉拳传授给了他。” Beneath his words, a low-volume, slow-tempo instrumental bed dominated by a guzheng-like plucked string timbre and sustained strings establishes a wistful mood, while the deliberate absence of ambient forest sounds lends the moment a detached, storybook quality.\n\nA straight cut shifts to a static medium close-up framed from the chest up, showing the man now leaning against a massive tree trunk, his weather-beaten face and sparse, dishevelled hair filling the frame. He wears a loosely woven, striped shirt with patched sleeves and cradles a small bundle of pale straw or dried plant matter in his hands. His expression shifts between a faint, grateful smile and earnest concentration as his lips move in quiet sync with the off-screen narration, his eyes glancing down at the bundle before lifting briefly toward something off-screen right. The background remains softly blurred, revealing only dappled greenery and muted earth tones that reinforce the period ambiance. The subdued traditional score persists unchanged, wrapping the scene in a contemplative hush as the camera holds on the man’s quiet reverence, the steady pacing of the narration and the gentle string harmonies blending into a seamless, reflective tableau.","video_1_relative_path":"videos/0bfaf71f62fc459d.mp4","video_2_relative_path":"videos/5db2e9b455b727e0.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_3/example.json::00000019","text_prompt":"A naturalistic, slightly desaturated documentary scene unfolds under calm, overcast morning light, framed by a steady tripod lens in a medium-long shot from the water’s edge. A narrow waterway winds through dense, waist-high reeds toward distant low farmhouses beneath a grey-white sky as a dark-brown wooden skiff glides slowly from left to right. At the stern, an older woman with short black hair, dressed in a purple short-sleeved T-shirt and dark trousers, braces a long wooden pole against the muddy bank to push the boat forward, while an older man in a pale straw hat and dark jacket sits quietly at the bow, gazing ahead. Gentle ripples lap the hull and soft bird calls echo faintly as a calm, measured male Mandarin voice-over begins in a documentary tone, stating \"It is peak season for taro cultivation, and Old Xia and his wife are busy all day in their paddy fields.\" The camera then cuts to a very wide, static view from behind foreground reeds that partially veil the lower frame, leaving the boat small and distant as it continues its rightward journey through the muted greens of the marshland.\n\nThe perspective shifts abruptly to a fixed close-up inside the vessel, focusing on a weathered wooden gunwale and a single black shoe resting against it. A pair of hands lift a fine-mesh fishing net brimming with wriggling silver fish, shaking it free as droplets scatter into the air. One fish slips back into the murky water with a crisp splash, its tail flicking briefly before vanishing beneath the surface. The ambient soundscape remains minimalistic and grounded, relying solely on the hush of water, occasional birdsong, the subtle rustle of the net, and the sharp splash to evoke authentic rural labor. As the simple, self-sufficient rhythm of wetland farming unfolds under the quiet skies, the calm male Mandarin voice-over concludes with a steady cadence, adding \"Their lunch will be ready right at the field’s edge.\"","video_1_relative_path":"videos/34e9f5d28bf3b416.mp4","video_2_relative_path":"videos/9d1b37a5f61ceaa0.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_3/example.json::00000036","text_prompt":"A poignant cinematic sequence opens in high-contrast monochrome, shot on a tight lens with a slightly handheld close-up that drifts across two ornate silver picture frames mounted side by side on a wall. The left frame holds a black-and-white portrait of a smiling young woman in a sleeveless dress, while the right displays a formally dressed couple in wedding attire. A slow, melancholic piano arpeggio layered with subdued string pads swells gently beneath a calm female voice-over speaking in reflective Mandarin: “Sixteen is the greatest love for eternity.” The muted earth tones and soft directional lighting soon give way as the scene shifts into color.\n\nA hard cut introduces an elderly East Asian man framed from mid-torso upward, seated against a dark wooden backdrop etched with faint vertical panels. Balding, wearing rimless glasses and a neatly trimmed grey moustache, he is dressed in a light-colored robe detailed with subtle floral embroidery. Soft light from camera-left carves the right side of his face while leaving the opposite side in gentle shadow, deepening the contemplative mood. His gaze drops to a small rectangular photograph or booklet held steadily in both hands at chest level. As his lips move with deliberate slowness, a low-pitched Japanese voice murmurs with solemn resolve: “I will fulfill my daughter’s dream.” The piano and strings continue their quiet, unbroken cadence, underscoring the poignant juxtaposition of youthful memory and an elder’s enduring vow.","video_1_relative_path":"videos/77b1432d800e29d4.mp4","video_2_relative_path":"videos/e65277c19c71a300.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_4/example.json::00000040","text_prompt":"A tense crime-drama scene unfolds outside a high-security prison complex under soft, overcast daylight, captured in a static medium-wide shot that emphasizes grey stone walls, barbed wire, and a distant watchtower. Near an open gateway where the silhouette of a white bus is faintly visible, three figures stand in tense formation. On the left, a young man in a light-blue short-sleeved shirt and clean-shaven face faces right with an expectant, guarded expression. Beside him, a correctional officer in a black uniform jacket bearing a silver star badge and a peaked cap holds a manila folder at waist height, his posture rigid and authoritative. To the right, an older, heavy-set man in a dark business suit, crisp white shirt, and patterned red tie stares directly at the younger man, his slicked-back greying hair and prominent mustache lending him a stern, official demeanor. As the camera holds steady, a calm, neutral male Mandarin voice-over begins, stating “决定反水，阻止了转移啊。” The ambient soundscape remains hushed and controlled, emphasizing the institutional gravity of the moment.\n\nA straight cut shifts to a tighter close-up, isolating the suited man’s face and upper torso against a softly blurred backdrop of masonry and chain-link fencing. His brows remain knitted in determination as he speaks with firm, measured cadence, his mouth articulating each word with deliberate authority. In sync with his lip movements, a deeper, formal English-speaking male voice delivers the line, “He has a medical condition which precludes transfer.” The camera stays locked off, holding on his resolute expression as the statement settles into the quiet yard, reinforcing the scene’s tense, thriller-like atmosphere and the unspoken power dynamics between the trio.","video_1_relative_path":"videos/e953eb015f89d27c.mp4","video_2_relative_path":"videos/ec2d1d89713a9f6e.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_6/example.json::00000016","text_prompt":"Cinematic documentary sequence, steady medium close-up, soft naturalistic daylight from camera left, muted neutral palette of light blues and whites. The scene opens on an older East Asian man in a light-blue short-sleeved collared shirt, his slightly perspiring face revealing fine lines and thinning dark hair against a modest, out-of-focus interior of pale walls and white curtains with a small silver desk lamp to the right. The ambient silence underscores a calm, neutral male Mandarin voice-over, who begins stating, \"母亲却和厨子争执起来，因为他是用水手做的诱饵。\" A single straight cut transitions the locked-off, eye-level composition to a starkly different setting: a tight close-up of a younger South Asian man against a bright, high-key white backdrop that flattens his features and heightens the emotional tension. Framed in a plain white T-shirt with shoulder-length wavy dark-brown hair, he initially keeps his eyes closed and brow furrowed in distress before the Mandarin narration yields to a simultaneous English voice-over that matches his lip movements. His expression shifts from pained concentration to sudden shock as he looks downward and then snaps his gaze directly into the lens, delivering the line with firm, hurt emphasis: \"And mother slapped him hard right across the face.\" The static frame holds on his wide-eyed, parted-lip freeze of disbelief as his voice drops to a dazed, slower tempo, concluding with the quiet, resonant admission, \"I was stunned.\" The scene lingers on his stunned visage in the clinical frontal light, leaving only the weight of his testimony in the silence.","video_1_relative_path":"videos/6bc32f1ecca0bbf3.mp4","video_2_relative_path":"videos/36127267d903349b.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_6/example.json::00000049","text_prompt":"Cinematic documentary style, shot on a 35mm lens with a cool, desaturated palette of whites, greys, and muted browns, opening on a static close-up of a weather-worn wooden fence lightly dusted with fresh snow. Behind the upright posts, blurred evergreens and a small roofed structure sit under a soft, overcast sky as snowflakes drift through the muted daylight. A calm, low-pitched male Mandarin voice-over begins, stating \"冬季，不仅是土地和作物休息的时间，也是忙碌一年的人们归家并团聚。\" The narration is accompanied by a soft, slow orchestral score built from sustained strings and gentle piano arpeggios that establish a reflective winter mood. The camera then cuts to a wide, slightly high-angle view of a snow-covered valley nestled against a forested hillside, where sparse rural houses with dark roofs dot the landscape. Shallow depth of field blurs bare branches in the immediate foreground while keeping the mid-ground village softly focused, maintaining the subdued tempo and contemplative tone of the underscore.\n\nA sharp cut transports the viewer into a brightly lit train-station concourse crowded with travelers, where fluorescent ceiling lights cast an even glow on tiled floors and glass partitions. The handheld camera glides forward through the crowd, capturing the ambient murmur of footsteps and rolling suitcases that blends seamlessly with the continuing orchestral score. A woman in a vivid green puffer jacket and red scarf moves purposefully toward the lens, her intent expression fixed on overhead information boards, her saturated clothing standing out against the cool, neutral tones of the architecture. The scene transitions to an outdoor platform beside a stationary red-and-white passenger train, illuminated by natural daylight softened by cloud cover. A young girl in a bright red hooded jacket walks hand-in-hand with a small child wearing a blue-and-yellow backpack, both looking ahead with quiet anticipation as other passengers linger in the background. The string-and-piano music gently swells to underscore the theme of seasonal return and reunion before tapering off as the image and sound fade out together, leaving a lingering sense of warmth and quiet arrival.","video_1_relative_path":"videos/ca051b640c9da7f7.mp4","video_2_relative_path":"videos/a466b3dd0a09f044.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_7/example.json::00000000","text_prompt":"Cinematic drama, captured with a 50mm lens and shallow depth of field, opens in a dimly lit, upscale venue awash in saturated magenta and violet bokeh against a palette of deep reds, purples, and blacks. A static medium close-up frames a fair-skinned man with light-brown hair, wearing a dark-gray suit jacket over an open-collared white shirt. His head is bowed and shoulders hunched in dejection as a calm, neutral male Mandarin voice-over begins, stating “三观尽碎的马克起身准备离场。” Beneath the narration, a soft, slow piano melody plays quietly. The man lifts his gaze toward someone off-screen to his right, his expression tightening into restrained anger as his lips part. He speaks in a measured, accusatory tone with a firm American accent, “You think I’m a parasite, don’t you, Mr. Baum?” The narration ceases, leaving only the gentle piano underscore to fill the tense silence.\n\nA straight hard cut reveals the addressee in a matching close-up against a darker, less illuminated background. The East Asian man wears a charcoal suit, white shirt, and patterned tie, offering a faint, knowing smile as he replies in a calm, evenly paced, and mildly sardonic voice, “But, apparently, society values me very much.” The subdued piano persists at a low volume, underscoring the dramatic irony of the exchange. The camera remains completely static throughout, emphasizing the emotional isolation created by the key lighting and blurred background. The frame holds briefly on the second man’s composed face before cutting to black.","video_1_relative_path":"videos/f970f0dd4431e870.mp4","video_2_relative_path":"videos/def610f3aa4f50ff.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_7/example.json::00000068","text_prompt":"Cinematic historical drama, shot with a 50mm lens and high-contrast lighting. Open on a tight medium close-up of a middle-aged man in plain white robes, seated against dark wooden panels that evoke an austere interior. His long black hair is tied back and a small goatee frames his chin as he squints hard, wrinkles his nose, and throws his head slightly backward in comic recoil. A lively male voice-over bursts out, stating “打出了经典表情包，太残暴了！”, punctuated by a sharp, high-pitched electronic boing that underscores the exaggerated shock. The scene then cuts to a wider shot of a spacious, brightly lit ceremonial hall, where ornate bronze vessels and bowls of food rest on a low table. Centered behind the table stands an emperor figure in an elaborate dark robe embroidered with gold patterns, topped by a tall headdress draped in beaded curtains. Behind him looms a large circular screen painted with a stylized golden dragon, while a courtier in a green robe and black hat stands partially cropped to the left, looking downward. The narrator’s tone shifts to a calm, explanatory register, noting “从来不吃牛肉的周天子，竟收到了宴请…”, as ambient room tone replaces the earlier stinger. The emperor raises his right hand toward his mouth as if to take food, then slowly lowers it, maintaining a composed yet faintly stern expression. The voice-over completes the thought with “…邀请他共赴盛宴。” before the audio cuts abruptly. The tableau freezes for a fraction of a second, holding the stark contrast between the dim wood-paneled memory and the bright ceremonial present, before fading to black.","video_1_relative_path":"videos/f3546a58d94858ca.mp4","video_2_relative_path":"videos/a5283c2013e0493d.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_7/example.json::00000075","text_prompt":"Cinematic industrial thriller sequence, shot with a 35mm lens and a cool blue-gray palette, bathed in soft, low-contrast directional light. The frame opens on a dim, bluish-gray concrete floor inside a cramped, unfinished basement corridor, where a circular metal drain grate sits flush in the center. The toe of a dark work boot steps into view beside it, grounding the scene in tactile reality. A low, steady electronic drone hums beneath the ambience. A calm, neutral male Mandarin voice-over begins, stating, “Break the floor, clear the pipes below, and prepare for what comes next.” The camera pulls back to a slightly high-angled wide shot, revealing three men in dark work clothes navigating the utilitarian space. A bald man kneels on the left, leaning forward to press his right hand flat against the concrete near the grate, while a companion stands behind him, gesturing toward the floor. Against the rear wall, a red plastic bucket, a folded gray tarpaulin, and a small table holding assorted tools sit quietly in the subdued light.\n\nA tight close-up isolates the kneeling man’s hand as dust motes drift through the weak illumination, followed by a medium close-up of his face. He has a short buzz cut, fair skin, and wears a dark collared jacket over a gray T-shirt, his brow furrowed with intense concentration as he studies the ground. The ambient drone persists, underscoring the quiet tension of the inspection. A second male voice, deeper and speaking with a measured North American English accent, chimes in calmly: “This goes down four feet… and connects to the main pipe.” The scene holds on his focused expression, the cool industrial atmosphere and steady synthetic hum framing a moment of precise, cross-cultural technical assessment.","video_1_relative_path":"videos/bf71530fc145e5e2.mp4","video_2_relative_path":"videos/7867d5be90aecfb7.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_8/example.json::00000037","text_prompt":"Cinematic nature documentary, cool-toned desaturated palette emphasizing blues, greys, and deep greens. A low-angle wide shot looks straight up through a dense bamboo forest, where dark, nearly black trunks rise in converging lines toward a pale blue-white sky veiled in thin mist and drifting haze. The camera tilts slowly upward in a fixed position, creating a gentle sense of ascent that mirrors the opening narration. A calm, neutral male Mandarin voice-over begins, stating, \"Over two thousand kilometers south, during the same spring equinox, cold and warm air masses clash fiercely.\" Beneath the voice, a soft atmospheric musical bed of low sustained strings blended with airy synthesizer pads plays at a slow, percussion-free tempo, while a faint hiss of light rainfall underscores the scene. The image transitions to an extreme close-up of a single dark-purple-black bamboo shoot emerging from moist soil, its tip adorned with small greenish-yellow bracts. Raindrops streak vertically across the frame, some striking the shoot while others fall past into a defocused background dotted with soft bokeh highlights. The muted palette catches subtle reflections on the wet surfaces as the rain ambience grows slightly more pronounced. Another tight macro shot isolates the serrated edge of a vivid green leaf against a nearly black backdrop, where individual droplets slide along the margin, gather into a larger bead, and detach to fall, each catching brief flashes of light. A faint rustle of bamboo foliage accompanies the visual shift. The sequence concludes with a vertical close-up of a glossy dark bamboo stalk, where a prominent water droplet clings to its side, reflecting surrounding hues before slipping downward out of frame against a smooth, pale green blur. The gentle rain and fading musical pad linger for a final moment before the scene resolves into quiet contemplation, emphasizing the meditative rhythm and interconnected beauty of the natural world.","video_1_relative_path":"videos/a10cd275741de4ab.mp4","video_2_relative_path":"videos/1c603a47b30b30b6.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_8/example.json::00000043","text_prompt":"Cinematic night scene, 16:9 aspect ratio, warm low-key lighting and a palette of deep shadows against soft bokeh string lights. The frame opens on a tight close-up of a bald man in his late thirties, wearing a dark green zip-up jacket over a lighter shirt. Shot from slightly below eye level, the low-key illumination sculpts half his face in shadow, intensifying the intimate, somber mood. His brow is furrowed and his lips press together before parting; he speaks with quiet determination, his deep Mandarin voice firm and resolute: \"再来寻求宽恕。\" Beneath his words, a subdued orchestral underscore of low strings and distant piano chords establishes a weighty, reflective atmosphere.\n\nThe camera cuts to an over-the-shoulder medium two-shot, placing the bald man in the left foreground with his back partially turned, facing an older man on the right. This second figure, with grey wavy hair tied back, a thick mustache, and a weather-lined face, wears a light beige button-down over a white undershirt. He raises his right hand in a gentle, almost pleading gesture toward the younger man, as a faint floral arrangement between them hints at a modest, private courtyard. The camera then pushes into an intimate close-up of the older man's face, where shadows carve deep lines around his weary eyes and mouth. After a beat of silence, he speaks slowly in Spanish, his gravelly baritone resonating with restrained emotion: \"Encuentra tu muchacha.\" The orchestral bed swells slightly yet never overwhelms his voice, lingering on his solemn expression as the warm lights continue to twinkle softly behind him, leaving the scene suspended in quiet gravity.","video_1_relative_path":"videos/1489f16cc876395b.mp4","video_2_relative_path":"videos/f8ba44088c4050c3.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_9/example.json::00000004","text_prompt":"Cinematic sequence set in a dimly lit, crowded auditorium during an evening conference, utilizing a warm, low-key palette and a shallow depth of field that isolates the foreground against a softly blurred sea of formally dressed attendees. A medium tracking shot follows a man in his mid-forties with short light-brown hair, dressed in a dark business suit and white shirt, as he walks briskly down the aisle toward camera left. He holds an older-style black mobile phone to his right ear, speaking quietly into the handset while a calm, neutral male Mandarin voice-over begins, “紧接着他就接了一通电话。” The camera glides smoothly, keeping him centered as he moves out of frame, with only the faint room tone and narration audible in the quiet space. The lens then pans gently to the right and settles on a seated attendee named Jerry, a man with dark wavy hair wearing a dark suit and burgundy tie. Initially facing forward, he suddenly turns his head sharply to his right with widened eyes and raised brows, his expression shifting to startled concern. The voice-over continues, “就这样从杰瑞身边掠过，离开了会场,” while the shallow focus keeps the surrounding crowd softly out of frame, maintaining the subdued, intimate atmosphere.\n\nA hard cut transitions to a stable medium close-up of a middle-aged Caucasian man with short greying hair, clad in a dark suit and red tie, standing before the seated audience. He looks directly ahead and delivers a single line in clear North American English, “Mark Baum really did that.” His tone is low, incredulous, and tinged with disbelief, matching the quiet, weightless ambience of the room. The warm lighting casts mild contrast across his face without harsh shadows, and the shot holds on his reaction before the scene fades, leaving only the echo of his words and the subtle room tone in the silence.","video_1_relative_path":"videos/b39d5e3a5cfc3eae.mp4","video_2_relative_path":"videos/19f6f94270defe28.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_9/example.json::00000068","text_prompt":"Cinematic thriller tone, shot on a 35mm lens with cool, desaturated color grading and soft, diffused shadows cast by overcast daylight streaming through a large window in a dim, industrial concrete room. The camera holds a static medium shot from behind the back of a bald man’s head, focusing on a middle-aged Caucasian man in a light-green short-sleeved button-down over a white T-shirt. He is bent forward, rummaging through an olive-drab canvas duffel bag resting on his lap, revealing several thick bundles wrapped in brown paper that resemble stacks of cash. Beneath the scene, a low, ominous electronic drone sustains a tense atmosphere. A lively, slightly dramatic male Mandarin narrator begins, stating “As soon as he turned around, Fat Head Fish actually pulled out a meat tenderizer.” The camera executes a sharp cut to an extreme close-up of hands slowly rotating a heavy metal meat tenderizer, its rectangular steel head studded with blunt pyramids catching the cold light against a blurred concrete backdrop.\n\nThe sequence returns to a static medium close-up of the man in the green shirt, framed from the mid-chest upward. He looks up toward someone just off-screen to the right, his eyes widening with sudden excitement. Delivering the line with a deep, resonant American accent and slightly theatrical emphasis, he declares, “You know, Roy, this is a monumental moment.” The continuous low-frequency synth pad lingers beneath his words, maintaining the scene’s brooding tension while deliberately suppressing all diegetic Foley to keep the focus tightly on the narration and dialogue. The brisk pacing and deliberate framing guide the viewer’s attention seamlessly from the concealed contents of the bag to the ominous tool and finally to the character’s charged reaction, blending ironic commentary with a gritty, cinematic mood.","video_1_relative_path":"videos/a10a069f7b7057b3.mp4","video_2_relative_path":"videos/b5cf28638c8f365c.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_9/example.json::00000073","text_prompt":"Cinematic thriller, captured in a tight static close-up that transitions to a high-angle exterior medium shot, bathed in cool bluish daylight filtering through a car window before shifting to overcast brightness on a quiet residential street. The scene opens inside a moving vehicle, framed through the passenger-side window. A woman sits still, her dark hair pulled back to reveal small silver hoop earrings that catch the fading light. She wears a dark gray ribbed turtleneck and stares intently toward the right edge of the frame, her eyes wide, brows slightly lifted, and mouth parted as if caught mid-breath. Behind her, the world outside blurs into streaks of pavement and trees, emphasizing relentless forward motion. Over this image, a tense, low-register orchestral score begins immediately, sustained cellos and double basses driving a slow, ominous pulse at a whisper-quiet dynamic that swells imperceptibly. A calm yet accusatory male voice, speaking in standard Mandarin with controlled tension, begins stating, “看看这个眼神，你还记得当初是怎么折磨我的吗？” (“Look at this look—do you still remember how you tortured me back then?”). The recording is acoustically dry, stripped of all ambient street noise or engine hum, focusing entirely on the psychological weight of the moment.\n\nA hard cut shifts to a high-angle exterior medium shot of a black SUV parked on a leafless, tree-lined street beside brick houses. The same man steps deliberately from the driver’s side, bald and clad in dark sunglasses, a charcoal jacket over a collared shirt, and khaki trousers. His posture is rigid and focused as he plants one foot on the ground, leaning into the open doorway while a second dark sedan sits idle further down the curb. The camera holds steady, capturing his full figure against the muted suburban backdrop as the orchestral underscore maintains its brooding presence. A sharp cut returns to the woman’s interior close-up; her expression remains frozen, gaze unwavering, lips still parted. The blurred scenery continues to streak past behind her as the low strings sustain their dissonant, foreboding drone. The scene lingers on this silent standoff, the music swelling just enough to underscore the unresolved tension before the image and sound cut simultaneously, leaving only the echo of the accusation hanging in the air.","video_1_relative_path":"videos/2777f52f08f5654b.mp4","video_2_relative_path":"videos/463fc867b6fb6d13.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_1/example.json::00000068","text_prompt":"A cinematic medium close-up, locked-off camera with shallow depth of field, captures an intimate domestic scene bathed in warm, low-key lighting and an earth-toned palette. Two figures recline side-by-side on a brown leather couch draped with a red-and-tan crocheted blanket, while a softly blurred wooden bookshelf and plaid curtain anchor the background. The older man on the left, balding with thin-rimmed glasses and a mustache, wears an olive-green button-down over a dark undershirt and cradles a small glass of opaque orange-yellow liquid. His posture is relaxed yet tense, brow furrowed as he watches the middle-aged woman beside him, her fair-skinned face resting against his shoulder, eyes closed in quiet exhaustion. A faint fabric rustle breaks the silence before he leans in fractionally, his low, gentle voice cutting through the quiet room tone: \"Hey, everything okay?\"\n\nShe does not open her eyes or answer immediately. After a heavy pause, she exhales quietly and replies in a subdued, weary tone, \"No.\" Keeping her gaze inward, she adds, \"Not really.\" The man’s expression tightens; his grip on the glass steadies and his shoulders draw closer to hers, radiating quiet concern. A momentary silence follows, broken only by her short, breathy scoff of frustration before she begins again, \"Actually, there is something wrong,\" but her voice trails off into hesitation, leaving the unspoken weight hanging in the warm air. The camera holds steady as both remain motionless save for their steady breathing, the soft shadows and homely atmosphere deepening the scene’s underlying tension and emotional fatigue.","video_1_relative_path":"videos/59cf1f05c218b689.mp4","video_2_relative_path":"videos/cb9695188ec959f4.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_1/example.json::00000070","text_prompt":"A cinematic medium close-up, static camera, bright even lighting, and a shallow depth of field frame two young men standing side by side in a sunlit school common room, their matching purple double-breasted uniforms detailed with white piping, gold buttons, striped ties, and subtle chain-and-crest insignia that suggest a prestigious academy. The man on the left, wearing glasses and dark hair with a blue-tinted fringe, exhales audibly as his shoulders sag and his gaze drops to the floor. Beneath this quiet resignation, a continuous, low-volume melancholic piano-and-string underscore in a slow minor key establishes a reflective, somber mood, with no ambient room noise to distract from the intimate space. The man on the right lifts his head, turns toward his companion, and rests a gentle hand on his shoulder. A calm, earnest male Mandarin voice speaks: “你不要再说气话了。” His eyebrows rise and fall with the gentle admonition, blending concern with steady reassurance. The listener remains still, offering only a faint nod before slowly raising his eyes just enough to acknowledge the words. The same male voice continues, his tone deliberate and weighted: “最近学校发生这么多事情，又来了这么多新同学。” He lets his voice swell slightly on the repeated phrases, his expression tightening before softening into a sympathetic half-smile. He pauses, searching for the right words, then completes the thought with a quieter resolve: “大家都还在努力互相扶持。” The camera holds its static position, capturing only the subtle shifts in their expressions as the instrumental score lingers, leaving the moment suspended in quiet camaraderie and unspoken tension.","video_1_relative_path":"videos/c235f6740012a09d.mp4","video_2_relative_path":"videos/f4145b8f762a7dc7.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_4/example.json::00000094","text_prompt":"A static medium shot frames a bright, sun-drenched salvage yard under harsh midday sunlight, casting sharp shadows across crushed vehicles, dusty ground, and distant low hills under a clear sky. A bald man in a dark plaid flannel over a gray T-shirt and dark trousers stands with his shoulders slightly tense and hands resting at his sides, watching intently. Beside him, a man with short dark hair wearing a diagonal black-and-white striped button-down and light khaki pants is bent forward, eyes lowered, catching his breath with a deep, audible inhale followed by an extended exhale that cuts through the faint, steady outdoor ambience.\n\nThe striped-shirt man straightens and turns to face his companion, lifting both hands to chest height with palms inward and fingers splayed as he begins to speak in a mid-low, slightly raspy North American voice, weary yet attempting calm reassurance: \"Heisenberg says relax.\" He continues gesturing, hands opening wider then drawing closer together as if illustrating the release of tension, his heavy breathing still audible between phrases. As the line finishes, he lowers his hands and both men hold their positions in a quiet beat, the ambient soundscape settling into stillness while the stark, gritty atmosphere of the yard underscores a moment of strained reassurance and unspoken deference.","video_1_relative_path":"videos/61bfab1bab71f3b4.mp4","video_2_relative_path":"videos/f6f978e61ce0523a.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_5/example.json::00000083","text_prompt":"A tense, documentary-style nighttime scene unfolds in a handheld medium shot, capturing an elderly East Asian man standing beside the open driver’s door of a white van. The vehicle’s hood bears bold blue Chinese characters and a small red circular logo, anchoring the setting in an industrial district. He is dressed in a beige jacket over a white collared shirt, gripping a white megaphone with black trim in his right hand while a dense crowd of young men in dark jackets and shirts presses closely around him. Cool bluish artificial light washes over the scene, sharply contrasted by warm pink-purple accents bleeding from off-camera sources, casting dramatic shadows and high-contrast highlights against the night. The camera holds steady with a subtle handheld tremor, immersing the viewer directly into the crowd’s perspective as the speaker gestures emphatically—pointing forward, opening his palm, then sweeping both arms outward to address the gathered group.\n\nAudio begins immediately with a resonant, amplified male Mandarin voice cutting through the quiet night, declaring, “到过这个厂每一个车间，我熟悉这个厂每一个角落。” The delivery is passionate and declarative, rising in intensity as he emphasizes his deep institutional knowledge before landing on a firm downward inflection. Beneath the speech sits a faint, slow-tempo orchestral score dominated by sustained minor-key strings that evoke solemnity and resolve, layered low in the mix to add dramatic gravitas without masking intelligibility. The acoustic environment remains tightly controlled, stripped of wind, traffic, or crowd murmur to focus entirely on the address, while the speaker’s measured breathing and the subtle handling of the megaphone ground the moment in raw documentary realism. The orchestral undertones swell imperceptibly beneath his final words, leaving the scene charged with a cinematic tension that blends intimate street-level observation with a quiet, rallying grandeur.","video_1_relative_path":"videos/edff19e360a8a527.mp4","video_2_relative_path":"videos/7aa56763c6952d87.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_5/example.json::00000085","text_prompt":"A tense, grounded crime drama scene unfolds in a modern open-plan office bathed in cool, even fluorescent light, captured with a medium tracking shot that follows two professionals walking side-by-side toward the camera along a corridor lined with frosted-glass partitions and grey storage cabinets. An East Asian woman with a straight black bob, wearing a maroon V-neck short-sleeved top and a delicate gold necklace, walks slightly behind an older East Asian man who is bald on top with closely cropped sides, rimless glasses, a neat goatee, and a pale-blue shirt beneath a dark pin-striped waistcoat. Their footsteps echo softly on the hard floor while distant office chatter hums in the background. A measured, assertive female Cantonese voice begins, stating \"Because just now you told me to filter the news.\" She turns her head toward him, maintaining eye contact as she adds, \"Sir Li, this doesn't seem like CP's authority.\"\n\nThey reach a spot beside a tall cabinet, and the camera cuts to a static medium close-up profile framing both characters from the chest up. They stop walking and face each other as the shallow depth of field blurs the background, isolating their confrontation. The man inhales, his lips tightening and eyes narrowing with irritation and authority, then responds in a low, authoritative Cantonese voice: \"Wrong.\" Without shifting his posture, he delivers a decisive rebuttal, stressing his institutional backing: \"I'm giving you police regulations to believe. I absolutely have that authority.\" The woman listens silently, her face composed yet intent, while the ambient office noise persists at a low level beneath their voices. The scene lingers on their locked expressions, tension hanging heavy in the air as the shot holds on their standoff before fading out.","video_1_relative_path":"videos/f70a629dab83cc82.mp4","video_2_relative_path":"videos/6afc054b9f95cad3.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_6/example.json::00000010","text_prompt":"A vibrant, documentary-style scene unfolds in a brightly lit high-school hallway, captured in a single continuous backward-tracking medium-wide shot at eye level. Even, warm fluorescent illumination washes over neutral beige walls lined with vivid red metal lockers, establishing a youthful, high-contrast color palette that contrasts sharply with the students’ colorful attire. An illuminated red EXIT sign glows above double glass doors at the far end, anchoring the institutional setting. Jeremy, an East-Asian teenager in a blue-and-white polo shirt and black backpack, walks forward with animated energy, gesturing as he speaks. A calm, enthusiastic American-accented male voice begins, stating \"So we eat in a library every day. You’re welcome to join us.\" Beside him, a shorter white teenager in a brown-and-black plaid button-down listens attentively with hands on his backpack straps, while a Black female friend in a red striped T-shirt and short curly hair walks alongside, smiling. Low-level crowd murmur and the faint scuff of sneakers on tile underscore the naturalistic soundscape. As the trio advances deeper into the corridor, Jeremy’s tone remains upbeat and friendly, his voice adding, \"It’s much better than the cafeteria.\" The camera maintains its steady retreat, preserving a moderate depth of field that keeps the foreground interaction crisp while background figures—including a man in a dark suit near the doorway and students passing in colorful attire—drift softly out of focus. The plaid-shirted teenager now takes over, his calm, matter-of-fact American-accented male voice explaining, \"It’s quiet, and a lot less food gets thrown at us.\" His female companion nods appreciatively, lips curved in a small smile, as the ambient hallway chatter and echoing footsteps continue to ground the scene in documentary realism. The group keeps moving forward toward the lens, framed by the lively, youthful atmosphere of the school environment.","video_1_relative_path":"videos/84d228dbd0da2016.mp4","video_2_relative_path":"videos/52d752a1cb6818ef.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_6/example.json::00000035","text_prompt":"A wide, eye-level shot captures a bustling Ming-era Chinese marketplace, stone paving receding toward the camera beneath lush green foliage and wooden stalls draped in blue-and-white striped awnings. Natural daylight casts soft, dappled shadows across the scene, where dozens of townsfolk in traditional Han-style robes move through the thoroughfare, some carrying woven baskets while others haggle over goods. At the upper right, a tall purple fabric banner bearing the white brush-stroke characters for \"Foreigner Post House\" hangs from a timber pole, fluttering gently in the breeze. Over the ambient murmur of overlapping voices, cloth rustling, and distant cart wheels, a calm, slightly weary northern Mandarin male voice breaks the scene, stating \"会啊。\" before continuing with steady, accusatory force: \"这件事，我一定会参你。\"\n\nTwo figures stride purposefully toward the lens along the central axis, their contrasting attire underscoring a tense standoff. On the left walks a man in a pale sage-green robe layered over lighter silk, secured with a black sash and an ornate hairpin; he maintains a stoic, forward-gazing demeanor. Beside him, a second man in dark navy-black garments adorned with subtle wave-pattern brocade and a broad black belt fastened by a gold buckle matches his pace, his brows knit and jaw set with controlled anger. As pedestrians instinctively part to let them pass, the dark-robed man answers without breaking stride, his voice rising with measured defiance: \"你一个可不够。\" He glances sideways at his companion, a faint, challenging smirk touching his lips, before adding a final taunt with a light gesture of his right hand: \"多找几个，一块儿参我。\" The dialogue remains foregrounded with minimal reverb, crisp against the immersive location ambience, as the pair continue their symmetrical march toward the camera. The scene concludes mid-stride, leaving the political tension hanging in the air while the marketplace hum carries on.","video_1_relative_path":"videos/f73da4f2fd7ff30f.mp4","video_2_relative_path":"videos/e7f09c1b4ebc69a8.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_7/example.json::00000078","text_prompt":"Cinematic fantasy sequence, static medium-wide shot, even frontal lighting against a dark, smoky teal-grey backdrop that evokes a mystical academy. Two young men stand side-by-side in identical deep-purple double-breasted blazers with white piping, grey trousers, crisp white shirts, and black-and-white diagonal-striped ties, each bearing a gold winged crest on the left breast. The bespectacled man on the left turns to his slightly taller companion, his fists loosely clenched at his sides. A firm, urgent male Mandarin voice begins, stating, “I will use our magic to bind us together, so we are never separated again.” The second man listens with wide, concerned eyes, his posture rigid, while a low, ominous electronic drone hums beneath the scene, gradually joined by faint crackling energy sounds.\n\nThe speaker finishes his sentence, and the listener nods once. A calm, resolute male Mandarin voice replies, “Agreed.” Instantly, both men pivot their torsos inward, raising their hands to chest height with elbows bent and palms facing each other, fingers splayed as if grasping an invisible force. A brilliant blue horizontal beam erupts between them, momentarily washing out the center of the frame, while a sharp crystalline chime rings out followed by rapid ascending arpeggios and a swelling whoosh. Two translucent, glowing blue circular sigils materialize around their raised hands, pulsing outward with concentric rings of light. The locked-off camera holds steady as the score swells into a dramatic orchestral-electronic flourish, layering strings, brass stabs, and percussion over the continuing bass drone. The central beam fades, leaving only the luminous circles hovering near their wrists, emitting a soft ethereal shimmer as the music sustains its peak intensity before gradually diminishing. Both performers maintain their poses, eyes focused forward, faces set in determined concentration, freezing the charged tableau as the scene concludes.","video_1_relative_path":"videos/c795edc1ce26c146.mp4","video_2_relative_path":"videos/6737d7c0bc4d3797.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_davinci/voiceover/voiceover_3/example.json::00000019","text_prompt":"Cinematic thriller, shot with a handheld 35mm lens, opens in a cramped, dim bedroom bathed in cold teal-green light that spills from an unseen source at camera left, establishing a fever-dream atmosphere through low-key monochrome grading. The camera hovers just above the bed, its subtle shake conveying urgency as it looks slightly down on a man lying on his back beneath a pale striped sheet and a dark floral blanket bunched at his waist. His short dark hair is damp and matted, a thin goatee framing a mouth twisted in pain, while a thick silver chain glints against his black shirt and dark denim jacket. He winces, teeth clenched and eyes squeezed shut, as a calm, grave female Mandarin voice-over begins, stating \"器官机能严重损坏，瘦得人模鬼样。\" The camera angle shifts slightly higher, catching his right profile as he rolls onto his side and props himself on an elbow, sweat beading on his forehead. Deep shadows carve beneath his jaw and along the pillow, maintaining a hushed ambience where only the narrator’s clinical detachment and a faint room tone break the silence.\n\nA hard cut thrusts the viewer into a narrow hallway lined with dark, vertically paneled walls and framed by ornate gold-trimmed mirrors. Warm amber sconces cast pools of light that contrast sharply with the previous scene’s cool palette, creating a chiaroscuro noir tension. Center-frame stands a second man, his short dark hair and trimmed beard sharp against a black double-breasted coat cinched with a belt and silver buckle. He looks downward toward someone off-screen, lips moving slowly as a low, resonant male voice speaks: \"最后你的体重。\" His delivery is measured and ominous, amplified by a static medium shot that isolates him and heightens his authority. Behind him, a rectangular white plaque mounted high on the wall bears two bold black calligraphic characters, the second clearly reading “憎,” visually anchoring the scene’s themes of moral reckoning and supernatural judgment before the frame cuts to black on his final syllable.","video_1_relative_path":"videos/21392e712d8e3438.mp4","video_2_relative_path":"videos/4747a14c6c3a5b3f.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/instruments/instruments_1/example.json::00000067","text_prompt":"A locked-off medium-wide shot frames a quiet recital hall stage bathed in bright, even overhead illumination that casts soft shadows and highlights a neutral palette of light-brown perforated walls, dark wood flooring, and tiered seating in the background. A middle-aged male cellist in black attire sits upright on a concert chair beside a black grand piano and two large studio microphones on stands. He draws the bow across the lowest string, releasing a deep, resonant cello tone accompanied by a faint mechanical click of hair meeting string. His right arm settles into a steady down-up stroke pattern while his left hand presses firmly on the fingerboard, establishing a warm, woody timbre with clear fundamentals and modest upper harmonics. The solo performance drives forward with a consistent rhythmic pulse, the cellist’s shoulders rising and falling with each controlled bow push and pull. The melody weaves through steady eighth notes punctuated by crisp sixteenth-note flourishes, with open-string drones grounding the line as his fingers execute rapid ascending and descending shifts along the neck. A gradual dynamic swell builds as bow pressure intensifies, lifting the volume and enriching the harmonic overtones while the acoustic space wraps each note in a gentle natural reverb. The passage climbs into a climactic flurry of swift alternating strokes, generating a cascading cluster of bright tones that finally resolve downward into a sustained low tonic. As the bow slows and the left hand settles into its final position, the cellist lowers the instrument, relaxes his posture, and allows the room’s natural reverberation to fade into near silence, leaving only the subtle resonance of wood and string.","video_1_relative_path":"videos/150b351b74b67eca.mp4","video_2_relative_path":"videos/6db9341ce2d45ca0.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/instruments/instruments_2/example.json::00000056","text_prompt":"Cinematic medium shot, soft even lighting, and a stone-textured sanctuary interior set a solemn tone as a static frame captures a ritual scene. At the left, a shofar player stands waist-up, holding the curved horn horizontally with lips pressed firmly to the narrow mouthpiece. Beside him, a male vocalist at a podium begins a liturgical chant in Hebrew, his warm, slightly nasal voice carrying a gentle vibrato as he states \"הַגּוֹיִם יְדוּלָא\". The vocal delivery is legato and moderately loud, resonating clearly in a close-mic capture with only a whisper of natural room reverb, while the shofar player remains perfectly still, his cheeks puffed and jaw steady as he prepares for the transition.\n\nJust as the final syllable fades, the shofar erupts with a piercing, high-pitched blast that instantly dominates the soundscape. The player’s facial muscles tighten and he leans slightly forward as his lips vibrate rapidly against the mouthpiece, channeling a full-lung burst of air that produces a sharp, fortissimo attack. The tone stabilizes into a long, unwavering sustain—a bright, metallic resonance rich with upper harmonics that fills the sanctuary without modulation or accompaniment. Throughout the prolonged note, the performer maintains ritualistic stillness, making only minute breath corrections and micro-adjustments to his embouchure, while the visual immobility mirrors the unbroken sonic continuity, underscoring the profound solemnity of a traditional Rosh Hashanah or Yom Kippur service.","video_1_relative_path":"videos/34592a218c70f2f2.mp4","video_2_relative_path":"videos/0629deccea83acd9.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_10/example.json::00000063","text_prompt":"Cinematic sitcom-style medium shot, locked-off camera at eye level with moderate depth of field, capturing a warm, evenly lit apartment living room and kitchen set reminiscent of a classic American multi-camera comedy. The palette features soft pastels, warm wood cabinetry, and stainless-steel appliances, with a wall-mounted lamp casting gentle, shadow-free illumination. In the foreground, Penny stands facing Leonard, who is framed from behind, his curly brown hair and black-rimmed glasses visible. Penny, with a blonde bob and wearing a pastel floral zip-up hoodie over a bright pink T-shirt, gestures with a quick, dismissive flick of her right hand as she launches into an animated, exasperated monologue. Behind them, slightly out of focus, Sheldon sits on a beige couch in a red T-shirt, turning his head to observe the exchange with a neutral expression. A faint, continuous studio audience laughter bed underscores the scene, keeping the mood light and conversational.\n\nA lively, slightly sarcastic American female voice begins, stating \"She got here today and she's just been in my apartment yakety-yakking about every guy she slept with in Omaha, which is basically every guy in Omaha.\" As she speaks, Penny punctuates her words by opening her palm toward Leonard before drawing it back in a small circular motion, her delivery brisk and clear. The audience laughter swells gently beneath the final phrase, marking a classic comedic beat. Leonard remains silent, listening attentively, while Sheldon maintains his quiet, observant posture. The camera holds steady, preserving the warm, homely atmosphere and the subtle interplay of foreground sharpness against the softly blurred background.\n\nPenny’s expression shifts to expressive disbelief as she begins another thought, her voice trailing into frustration before she completes the sentence with a clipped, \"And why does she feel compelled to recount every single one?\" Her lips part mid-reaction, frozen in a moment of comedic exasperation as the audio cuts to a brief, deliberate silence. The scene lingers on the static composition, allowing the warm lighting and sitcom framing to hold the final beat before fading.","video_1_relative_path":"videos/128622010ba7fb2b.mp4","video_2_relative_path":"videos/f8cbd20ff07c1fd0.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_11/example.json::00000037","text_prompt":"Grounded in a naturalistic indie drama style, a locked-off medium close-up frames a young Caucasian man from mid-chest upward, positioned slightly left of center against a pale beige wall marked by a faded grey flower stencil and topped with leafy green foliage. Shot with a shallow-to-moderate depth of field, the composition isolates the subject in soft, even dusk lighting that leans neutral-cool, casting minimal shadows across his short spiky light-brown hair, blue eyes, and faint stubble. He wears a vivid red crew-neck T-shirt beneath an unzipped black hoodie with a white lining and a small red-and-black graphic on the chest, creating a sharp contrast against the muted earth tones of the environment. To his right, in the extreme foreground, only the back of a listener’s dark hair and glasses are visible, establishing an intimate, one-sided exchange. A low, continuous chorus of crickets fills the air, grounding the scene in a quiet outdoor nighttime ambience without masking the dialogue.\n\nSpeaking with a low, hesitant cadence and a slightly breathy General American timbre, the man begins his thought with audible pauses and soft inhalations, conveying nervousness and cautious hope. He glances downward before lifting his gaze to the unseen listener, his brow furrowing as he carefully articulates, \"I'm just saying, if you ever saw your way clear to it, you know, you and I could cook a little more.\" His expression remains earnest yet guarded, a micro-smile flickering across his face before tension returns and the listener stays perfectly still. As the final words leave his lips, his features settle into a neutral, expectant look, holding the gaze for a beat before a faint, almost reluctant smile surfaces. The camera remains completely static, allowing the subtle performance nuances and the steady insect chorus to carry the scene’s underlying conflict and tentative reconciliation until the image fades to black.","video_1_relative_path":"videos/dbd6bb4005c082e1.mp4","video_2_relative_path":"videos/e48370af912858da.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_12/example.json::00000012","text_prompt":"Open on a static medium two-shot inside a dimly lit jazz club rendered in deep blues and warm amber highlights. A shallow depth of field keeps the foreground razor-sharp while softly blurring the elevated stage behind it, where a live trio—trumpet, saxophone, upright bass, and piano—plays a gentle swing rhythm. Warm directional key lights illuminate the faces of a man and a woman seated at a small round table anchored with drinks, while cool blue backlights rim their shoulders through a subtle atmospheric haze. Over this diegetic ambience, a clear, mid-range North-American male voice begins to speak earnestly, his hands moving slightly above the tabletop as he leans forward, eyes fixed on his companion, stating, “People were crammed in there. They spoke five different languages. They couldn't talk to each other.”\n\nThe woman, wearing a white T-shirt with shoulder-length wavy brown hair, listens attentively, her head tilted toward him in calm engagement. As he stresses his point, his gestures grow more animated before his delivery slows into a reflective cadence, concluding, “The only way they could communicate was with jazz.” A faint, understanding smile touches her lips as the brushed snare, walking bass, and distant trumpet continue their unobtrusive performance beneath the dialogue. The camera holds the intimate composition steady, the blurred musicians in the background visually echoing the spoken theme: when language barriers exist, music becomes a universal bridge. The scene lingers on this emotionally resonant, unresolved moment, bathed in the club’s moody, late-night atmosphere.","video_1_relative_path":"videos/74eb827b7bb41d78.mp4","video_2_relative_path":"videos/d0f40de92e9bd8d2.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_12/example.json::00000031","text_prompt":"Opening on a medium close-up under soft, overcast daylight, a young East Asian woman stands on a paved suburban driveway, her dark hair tied in a low ponytail beneath a white baseball cap bearing a black interlocking “SF” logo. She wears a light-grey hoodie layered under a shiny sky-blue sleeveless puffer vest, and a calm, neutral female Mandarin voice begins, stating “四个人坐下来打打麻将，还可以促进一下感情。” The camera holds a steady, shallow focus that gently blurs the out-of-focus trees and brick garage door behind her, keeping the mood intimate and grounded. A reverse over-the-shoulder shot then reveals the man she is addressing, an East Asian adult in a black “SF” cap, blue-and-white plaid shirt, and beige quilted vest, with a white pickup truck parked softly out of focus in the background. His attentive expression melts into a broad, warmly amused smile as a warm, affectionate male Mandarin voice replies with a light chuckle, “我怎么有个这么优秀的太太呀？”\n\nThe frame naturally widens to a full family tableau beside a silver Subaru SUV, its chrome “HERCULES” badge catching the diffuse light, while a small child in a bright-blue puffer jacket clings to the woman’s left leg, clutching a pale stuffed toy. The man steps forward, rests his hands on her shoulders, and pulls her into a brief, heartfelt embrace, and a half-teasing, sentimental male Mandarin voice murmurs, “要是没有了你我该怎么办？” The scene is bathed in even, shadowless daylight, with a cool palette of muted greys, blues, and earthy browns punctuated only by the child’s vivid jacket and the subtle greenery beyond a neat white picket fence. Minimal ambient sound underscores the quiet domesticity as the trio lingers in this warm, slice-of-life moment, the camera remaining static and intimate throughout to preserve the unspoken tenderness of the exchange.","video_1_relative_path":"videos/3fab66def64c2847.mp4","video_2_relative_path":"videos/6e916e3579569fe2.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_12/example.json::00000058","text_prompt":"Shot on a cinematic 50mm lens with a shallow depth of field, a quiet domestic drama unfolds in a warmly lit modern kitchen, bathed in soft natural daylight streaming through a window above the sink that casts gentle reflections across stainless-steel appliances and dark reddish-brown wooden cabinetry. The scene opens in an extreme close-up at center frame, where two pairs of hands meet: one belonging to a man in a dark grey rib-knit sweater, the other to a woman in a light-grey zip-up hoodie. He offers a crinkled brown paper bag containing a loaf of bread wrapped in clear plastic, and as their fingers close around it, a crisp rustle of paper and plastic fills the air. A subdued, weary male voice in Mandarin begins, stating \"我失业了。\"\n\nThe camera cuts cleanly to a medium shot, revealing the woman from mid-torso upward beside a refrigerator door crowded with family photographs, handwritten notes, and colorful magnets. Her dark hair is pulled back in a loose bun, and beneath her hoodie, a heather-grey T-shirt displays a black line-art graphic of Snoopy skateboarding alongside bold red lettering that reads \"RUN TO YOU.\" Holding the bag in her left hand, she turns slightly toward him, her expression gentle but tinged with concern. A calm, reassuring female voice in Mandarin with a mild northern inflection replies, saying \"没事，再找呗。\" while gesturing lightly with her free right hand, palm up, before lowering the bag out of frame. The camera lingers on her composed, empathetic face as she glances down toward the countertop, the minimalist soundscape reduced to faint room ambience and the quiet settling of the moment, evoking a profound sense of partnership and everyday resilience before the scene fades to black.","video_1_relative_path":"videos/856ad3568ad0de8a.mp4","video_2_relative_path":"videos/941854617c7a0176.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_3/example.json::00000016","text_prompt":"A gritty urban drama unfolds in a locked-off wide shot at eye level, bathed in the diffuse, overcast daylight that casts soft shadows and establishes a desaturated palette of greys, whites, and muted greens across a quiet Japanese street. A white four-door sedan is parked parallel to the curb, its chrome hubcaps catching the pale light. On the left, a man in a dark charcoal suit and black shoes stands with his hands tucked into his pockets, short hair styled upward, posture relaxed yet alert. Opposite him near the car’s rear door, two teenage students in matching light-grey uniforms with dark piping stand shoulder-to-shoulder, heads bowed in respectful silence. The blond student, Ishibashi, grips a black briefcase at his side, while his dark-haired companion, Yoshimura, holds a similar bag. Behind them, a low industrial building with a corrugated metal façade displays a green sign reading “京進商事”, while power lines and a utility pole cut thin diagonal lines across the sky. A calm, authoritative Japanese man in the charcoal suit speaks, stating, \"組の薬を勝手に売りさばいてた。\" The ambient street hush remains minimal, underscoring the restrained tension of the standoff.\n\nThe camera holds its fixed position, framing the trio with deliberate rule-of-thirds composition that leaves the white sedan as a silent bridge between them. After a brief pause where no one moves, the suited man resumes, his voice steady and matter-of-fact: \"金髪の石橋と吉村って高校生にやられたらしい。\" The students remain perfectly still, maintaining their respectful silence as the low room-tone ambience fills the space. The subdued contrast and everyday grit of the setting reinforce a sober, realistic mood, hinting at an underworld conflict without overt action. The scene concludes with all three figures frozen in their original positions, the calm tension lingering in the quiet street as the final syllable fades into the ambient hush.","video_1_relative_path":"videos/33bc815462557d64.mp4","video_2_relative_path":"videos/251876595ebbe6e4.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_3/example.json::00000077","text_prompt":"A locked-off wide shot captures a warmly lit living room adjoining a modest kitchen, rendered in earth tones of brown, beige, and muted red that establish a cozy yet somber mood. Soft daylight blends with incandescent interior lamps, casting gentle shadows across the static frame. On the left, a bald, heavyset man in a rust-orange short-sleeved button-down and dark trousers sits rigidly on a striped armchair, elbows on his knees, gaze lowered toward a coffee table scattered with gourd-shaped vases, masking tape, and papers. In the center, a blonde woman in a light grey long-sleeved top over a white camisole sits upright on a brown leather sofa, hands clasped between her knees, her expression fixed with concerned concentration. To her right, a brunette woman in a black cardigan over a purple top and short skirt reclines against the sofa, legs crossed, clutching a red cushion while a large purple handbag rests on the floor. The ambient soundscape is nearly silent, broken only by a faint room hum. The brunette woman, her voice calm yet tinged with concern, states, \"I think the very fact they haven’t found him yet bodes well.\"\n\nThe room holds its breath as she finishes, the man remaining motionless and the blonde woman shifting her weight subtly without breaking eye contact. The background reveals a wooden hutch displaying dishes and trailing greenery, alongside a kitchen with wooden cabinets, a white refrigerator, and plaid curtains quietly illuminated. After a measured pause, the brunette woman leans forward slightly, her tone dropping into hesitation: \"Well, I mean, if he’s still out there on his own, he might be safer than if he’d been caught already.\" Her words hang in the still air, leaving the conversation suspended in cautious optimism and quiet worry, the camera holding its fixed position as the domestic tension settles over the scene.","video_1_relative_path":"videos/7a2fa0dcd789a19b.mp4","video_2_relative_path":"videos/925b0db628b4a2b0.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_4/example.json::00000032","text_prompt":"A quiet domestic drama unfolds in a static medium close-up of Woman A seated at a light-colored wooden table in a bright, modern dining space, where large windows with horizontal blinds filter soft, diffuse daylight across the scene. She wears a dark olive-brown ribbed V-neck sweater with her long black hair loosely pulled back, a brown-and-red plaid coat draped over her chair. Her brow is slightly furrowed as a subdued, fatigued female Mandarin voice speaks in a low, weary tone: \"Not to mention going back to China.\" The room remains completely still and silent, with the muted earth tones of her sweater and the wooden furniture contrasting subtly against the cool whites and greys of the window blinds, reinforcing an intimate yet restrained mood.\n\nA straight cut shifts to an identical medium close-up of Woman B sitting opposite her, framed against the same windowed backdrop. Her long, wavy chestnut-brown hair falls over a dark navy double-breasted coat fastened with two prominent white buttons, revealing a glimpse of a white inner collar and a fine silver necklace. She lowers her gaze briefly before lifting it to meet Woman A’s, listening intently in the hushed atmosphere. Offering a faint, empathetic smile, she tilts her head and lifts her right hand in a small, deliberate gesture with her palm facing inward and fingers relaxed. A calm, reassuring female Mandarin voice follows: \"Rest assured, sister-in-law. I will not mention this to anyone.\" The camera holds steady, keeping both faces sharp while the blinds outside stay softly blurred, and the scene concludes in a moment of quiet stillness, the absence of music or ambient noise focusing all attention on the weight of her promise.","video_1_relative_path":"videos/b30dfe429ec0970b.mp4","video_2_relative_path":"videos/2e68444338a90f44.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/music/music_2/example.json::00000022","text_prompt":"Cinematic indie-folk performance captured in a static medium shot at eye level within a sunlit, open-air gazebo framed by a stone balustrade and lush greenery. Natural daylight floods the space, casting soft shadows across a light-gray tiled floor and illuminating two male musicians from the waist up. The performer on the left wears a backwards dark-blue baseball cap, a beige long-sleeved shirt, and dark pants, his natural-finish acoustic guitar decorated with a rectangular “Haleiwa HAWAII” sticker and a circular green “MUSIC TRAVEL LOVE” decal. He strums steady chords with his right hand while fretting with his left. Beside him, the second musician sports a tan forward cap, a white T-shirt beneath an unbuttoned plaid flannel, and light-wash jeans, playing a smaller parlor-sized acoustic guitar with alternating strumming and fingerpicking patterns. Both stand before black microphone stands, their expressions relaxed and engaged, exchanging occasional smiles and brief eye contact as they sway slightly to the rhythm. Audibly, a gentle seventy-two-beats-per-minute arrangement unfolds, driven by two acoustic guitars and a subtle shaker maintaining a slow, even pulse. Two male tenor voices enter in smooth, blended harmonies, delivering the lyric “time, heart, please don’t fall as hard as it seems” with light vibrato and breathy phrasing, their synchronized lip movements and soft inhalations grounding the performance in reality. A faint, low-frequency hum lingers beneath the mix, suggesting the quiet enclosure of the gazebo, while occasional string squeaks and the rustle of clothing add organic texture. The dynamics remain consistently soft and warm, with no crescendos or instrumental shifts, until the vocal line concludes and the final chord rings out, leaving only the lingering resonance of the guitars and shaker to fade into the serene, sun-drenched atmosphere.","video_1_relative_path":"videos/a47c8f71266ceffa.mp4","video_2_relative_path":"videos/f143ca350532c139.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/music/music_2/example.json::00000035","text_prompt":"Cinematic live performance, medium-wide static shot, saturated red and warm yellow spotlights cutting through visible haze frame a moody concert stage. Center-frame, a male performer in a backward baseball cap, gray T-shirt, and patterned shorts sits behind a two-tiered keyboard rig, his hands moving fluidly across the keys while he leans into a microphone on a stand. The upper orange keybed bears illuminated white lettering reading \"DANIEL POWTER,\" and to the left, a full drum kit on a riser displays a circular \"D.P.\" logo on its bass drum, with the word \"Legacy\" scripted on a panel beneath it. Overhead metal trussing supports lighting fixtures that cast high-contrast beams across the scene, while a tall foreground mic stand slightly obscures the lower frame, keeping the camera completely stationary throughout the performance.\n\nAurally, the scene unfolds as a slow-tempo pop ballad driven by melancholic piano chords and sustained atmospheric synth pads, all drenched in a moderate digital reverb that evokes a large, reflective venue. A clear, emotive male voice with a soft North American accent begins, singing \"help me\" before continuing, \"’cause I don’t feel too strong.\" As the instrumental backing maintains a steady, mezzo-piano dynamic, the vocalist leans closer to the microphone and murmurs, \"What’s the reason I’m still holding on,\" his breathy phrasing and faint inhalations underscoring the intimate, vulnerable tension of the moment. The absence of percussion or crowd noise focuses all attention on the sparse arrangement and the performer’s expressive restraint, leaving the dramatic atmosphere suspended in quiet resonance.","video_1_relative_path":"videos/36456dbd15948871.mp4","video_2_relative_path":"videos/fbd05b631260390a.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/physics/physics_3/example.json::00000012","text_prompt":"A practical, instructional workshop scene opens under bright, even lighting, captured with a low-angle static lens focused on a light-colored wooden furniture frame resting on a plywood workbench. The wood displays visible grain and subtle distressed patches, set against a backdrop of neatly arranged tools and storage drawers. A craftsman in a pink short-sleeved shirt and striped pants enters from the left, holding a yellow sanding block wrapped in greenish-gray abrasive paper, and begins smoothing the lower horizontal rail with steady, rhythmic back-and-forth strokes. The audio is anchored by a crisp, mid-frequency scraping sound that perfectly syncs with the hand movements, layered over a low indoor workshop hum and a touch of natural reverberation.\n\nThe perspective shifts to a tight, static close-up on a curved wooden armrest as the same hands continue their work along the rounded top edge. Neutral lighting catches fine wood dust rising from the contact point, emphasizing the tactile shift in the surface texture. As the craftsman adjusts their grip to follow the curve, a calm, instructional female voice-over cuts through the ambient friction, stating, “Use sponges on the rounded areas and sand as though you are shining shoes.” Delivered in a clear, measured American English tone, the directive sits just above the persistent scraping foley without overpowering it. The camera holds steady on the meticulous hand movements, capturing the quiet, practical rhythm of the craft until the scene naturally concludes.","video_1_relative_path":"videos/fa0244daafa7bdfa.mp4","video_2_relative_path":"videos/05436937ade101f0.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/physics/physics_8/example.json::00000000","text_prompt":"Shot on a handheld camera with a first-person perspective, the scene opens on a light beige compact SUV parked on interlocking brick pavement under overcast daylight and a muted, natural palette. The lens pans smoothly from the side mirror toward the open passenger door, revealing a dark gray interior with matching fabric seats and a black bag resting on the cushion. Reflections of nearby green foliage ripple across the glass as the door swings wider, accompanied by a crisp metallic latch click and a soft thud as it meets the stop. Faint outdoor ambience and subtle fabric rustle underscore the motion before the camera crosses the threshold into the cabin.\n\nInside the vehicle, the perspective tilts downward to frame the footwell and pedals before rising to settle on the dashboard. Diffuse natural light washes over the steering wheel’s silver emblem, the analog instrument cluster with its white faces and red needles, and the center stack’s climate control knobs. The gear selector rests in neutral as a low-frequency cabin hum begins to fill the space. Suddenly, a sharp mechanical clunk echoes as the ignition key turns, immediately followed by a brief, high-pitched electronic whir that peaks and fades within a second, signaling the fuel pump priming. The camera holds steady, capturing the quiet precision of the moment.\n\nThe shot lingers on the dashboard as the ambient noise settles into a near-silent room tone. The green digital odometer glows steadily beneath the main gauges, displaying a reading of four thousand seven hundred and ten. No music or dialogue interrupts the scene; only the subtle, continuous low rumble of the enclosed cabin remains. The sequence closes on this static, observational frame, emphasizing the utilitarian realism of a mundane yet precise interaction with the vehicle.","video_1_relative_path":"videos/430e516a310a5710.mp4","video_2_relative_path":"videos/d77804b9eccb1928.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/podcast/podcast_1/example.json::00000008","text_prompt":"A cinematic medium close-up captures a woman standing center-frame against a deep blue, softly lit backdrop that remains uniformly dark and free of distracting textures. Frontal, even lighting sculpts her facial features without harsh shadows, while a static camera holds a steady, intimate gaze. She has long dark hair with straight bangs, wears a charcoal-grey blazer over a lighter top, and sports a small stud earring in her left ear. Her expression is earnest and reflective as she looks directly into the lens, her posture relaxed and her hands making only subtle, restrained gestures just below the frame. A calm, measured female voice begins, stating, \"We had this little bond.\"\n\nHer delivery remains clear and emotionally nuanced, carrying a slight natural room reverb that enhances the intimacy of the recording without any background music, ambient noise, or incidental foley. She pauses briefly before continuing, her eyebrows lifting slightly to emphasize her next words: \"For a minute, I felt like my existence as a person truly mattered.\" The audio cuts off abruptly mid-thought, leaving the confession hanging in the quiet space, while the visual composition remains completely still, directing full attention to her reflective presence and the unspoken weight of the interrupted sentence.","video_1_relative_path":"videos/624d7ce7c20ab44c.mp4","video_2_relative_path":"videos/7e0725b762e47fa1.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/podcast/podcast_2/example.json::00000040","text_prompt":"Cinematic medium shot, locked at eye level, bathed in bright even stage lighting that eliminates harsh shadows and emphasizes the crisp contrast between dark attire and a vivid blue backdrop. The scene unfolds as a single, uninterrupted take of a formal panel discussion, with the camera holding a stable, static frame throughout. On the left, a man in a black blazer over a black T-shirt with a faint white graphic sits upright in a modern white chair, his hands loosely clasped in his lap. His expression remains composed and focused, eyes directed slightly off-camera toward an unseen moderator, while his counterpart on the right sits perfectly still and silent, offering no visible reaction. The composition maintains a pristine, broadcast-quality visual field anchored by the stark blue-and-white color scheme, with no camera movement or cuts to distract from the subjects.\n\nThe sole audio focus is the left speaker’s voice, captured cleanly through a close microphone with a narrow dynamic range dominated by his speech and a faint, controlled room tone. He delivers a measured, analytical statement in calm, deliberate English, punctuated by natural pauses and mild fillers. Beginning mid-sentence, he completes the opening phrase with \"…to abundance for all.\" He then continues with a slight head tilt and subtle hand gestures, stating, \"If you say, you know, people often talk about uh solving global poverty or essentially how do we make give every person a sustainable path to prosperity.\" His delivery carries a neutral emotional valence with a rising intonation on the rhetorical question, accompanied only by soft inhalations before his phrases. The recording terminates abruptly mid-sentence, leaving no trailing ambience or fade-out, preserving the intellectual restraint and authoritative demeanor of the moment.","video_1_relative_path":"videos/6e25fa35d852591c.mp4","video_2_relative_path":"videos/8c10fb099d8747a0.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_10/example.json::00000093","text_prompt":"Open on a tight close-up in a dimly lit, overcast outdoor setting, where soft, diffused daylight filters through to cast muted greens and grays across the scene. A pair of male hands occupies the frame, the left adorned with a plain gold wedding band as it grips a matte-black, rectangular metal lighter. The right hand steadies the device while the thumb presses the flip-top lid upward, producing a crisp metallic click that cuts through a faint, underlying electronic hum. A calm male narrator in Standard Mandarin begins, stating \"刚想发作。\" The camera remains locked off but initiates a subtle push-in, keeping the focus sharp on the hands while the softly blurred background reveals pale vertical siding that suggests an exterior balcony ledge.\n\nThe left thumb flicks the flint wheel, but no flame ignites. A gruff, Cantonese-accented male voice cuts in with urgent force, overlapping the moment: \"古仔就打断施法。\" Before the tension can settle, another hand enters from the right edge, clad in a dark jacket with two silver snap buttons near the cuff. It seizes the lighter firmly between thumb and forefinger, halting further manipulation and causing the first person’s fingers to recoil slightly. The camera tilts down a few degrees to follow the interception in a single, unbroken take. The Cantonese speaker continues in a low, conspiratorial tone: \"你攞住個打火機俾人拔咗。\" The minimalist soundscape strips away all music, leaving only the ambient hum and the sharp, tactile clicks to heighten the realism and suspense of the contested object, whose failed ignition and sudden seizure foreshadow imminent conflict.","video_1_relative_path":"videos/81d1596358062794.mp4","video_2_relative_path":"videos/622ff7d6b94461d0.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_11/example.json::00000067","text_prompt":"Widescreen 16:9 cinematic framing, shallow depth of field, and soft frontal lighting from overhead fluorescents establish an intimate, tense atmosphere in a modest cafeteria. The background dissolves into a soft bokeh of blurred tables and distant patrons, keeping the visual focus locked on two East Asian men seated across from each other. On the left, an older gentleman in his late fifties wears a dark olive-green short-sleeved shirt and a small white earring in his left ear, his forehead lined with age. He leans forward, brows knitted and eyes narrowed, his medium-low Cantonese-accented voice cutting through the quiet room with controlled anger. A reproachful male voice states, \"You actually fool even the dead!\" Across the table, the second man remains perfectly still, head bowed in silent absorption, his presence anchoring the heavy atmosphere.\n\nThe camera holds its static position, capturing only the subtle shifts in the speaker’s expression as his delivery slows and hardens into stern admonition. The ambient hum of the eatery fades into the background, leaving only the weight of his words. A firm, didactic male voice continues: \"If you want others’ respect, you must first respect yourself.\" The muted earth tones of the setting—the olive shirt, the neutral walls, the soft even lighting—mirror the grounded, principled rebuke, leaving both men frozen in a moment of quiet tension as the final syllable hangs in the air.","video_1_relative_path":"videos/612b67d0754046f7.mp4","video_2_relative_path":"videos/0501885d8012b5d7.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_2/example.json::00000053","text_prompt":"A fixed, eye-level medium shot opens inside a cramped domestic kitchen, bathed in cool overhead fluorescent light that contrasts with the warm backlight spilling through a bright window. A stainless-steel sink and chrome faucet anchor the left foreground, while wooden cabinets and a black range hood line the walls above a white-tiled surface dotted with loosely taped photographs. Three figures occupy the tense space: on the left, a young woman with long dark hair in a pale, stained T-shirt faces away from the camera; in the center, an older woman wearing a red beret, red apron, and yellow top crouches near the counter, her head bowed and shoulders trembling; beside her, a slim young woman with short reddish-blonde hair in a black tank top and dark shorts watches with a stern, guarded expression. A calm, neutral male Mandarin voice-over begins, speaking evenly yet somberly: \"心脏病，蹲坐在地上无力地哭喊着。\" Beneath the narration, faint muffled sobbing seeps into the quiet audio bed, establishing a heavy, confined atmosphere.\n\nA young boy in a horizontally striped long-sleeve shirt and dark trousers steps into frame from the right, halting behind the blonde woman with his hands clasped and eyes fixed on the unfolding drama. The older woman remains hunched, her silent weeping continuing as the static camera holds the stage-like tableau, forcing focus onto the characters’ restrained bodily tension and the stark contrast between the cool lighting and the older woman’s vivid red attire. Suddenly, the blonde woman lifts her chin, opens her mouth wide, and projects a sharp, urgent cry, her arms rising slightly with palms inward as if urging escape. The Mandarin narration cuts out, replaced instantly by a high-pitched, strained female Japanese voice bursting forth with panicked desperation: \"誰とも出ていきなさい。\" The shout tapers into a ragged exhale, the older woman’s trembling softening into a breathy whimper, while all three standing figures freeze in place. The ambient silence amplifies every emotional fracture, leaving the tension unresolved as the frame holds its stark, backlit composition before fading to black.","video_1_relative_path":"videos/cacc1450e4ad3d53.mp4","video_2_relative_path":"videos/e7f3da9900f0e97f.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_3/example.json::00000056","text_prompt":"A quiet, introspective domestic drama unfolds in a dimly lit living room, captured in a static medium close-up with warm, low-key practical lighting that carves soft chiaroscuro shadows across muted earth tones. A young man with short dark hair and a small white adhesive bandage over his left eye sits slumped on a dark couch, his light-grey T-shirt bearing the red block letters “DUGOUT 1934 CAFE.” Bathed in side light that accentuates his weary posture, he gazes off-screen to his right while a calm, mid-low pitched male Mandarin voice-over begins, stating “再多说什么，只是道了声晚安。” The room remains hushed, the silence heavy with unspoken tension.\n\nA hard cut shifts the locked-off camera to chest height in the house’s hallway, where a wall sconce casts a muted yellow glow that pools around a second young man. Light-skinned with reddish-brown hair and wearing a plain grey T-shirt, he stands in profile near an arched doorway, his expression tired and resigned. He speaks in a quiet, soft English tone, “All right, I’m gonna go to bed,” before lowering his gaze. His shoulders drop as he takes a deep, audible inhale through his nose and releases a slow, weary exhale, the minimalist soundscape holding only the faint rustle of fabric and the weight of his breath. The camera remains completely still, framing the subdued intimacy of the night as the scene settles into quiet reflection.","video_1_relative_path":"videos/d9037146f0132249.mp4","video_2_relative_path":"videos/4ef1eb4ee7cf87e8.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_3/example.json::00000083","text_prompt":"A static medium close-up frames an older woman from mid-chest upward, positioned slightly left of center in a softly blurred domestic interior. Tall wooden-framed glass doors and bright green foliage fade into the background, while a cream-colored pleated floor-lampshade rests at the left edge. Warm daylight spills through the windows, casting a gentle, natural glow that leaves her face in soft shadow. She wears a light beige cardigan over a pale top, accented by a long double-strand pearl necklace, her short layered brown hair neatly styled. Her head is angled downward, eyes lowered, brows faintly knit as a calm, neutral male voice in Standard Mandarin speaks with studio clarity and no room ambience: “遗物。” The space is hushed and intimate, the stark absence of music or environmental noise focusing all attention on the quiet gravity of the moment.\n\nShe remains motionless except for a slight tightening of her lips and a barely perceptible intake of breath, her shoulders still as shallow depth of field isolates her against the muted interior palette. After a quiet pause, she lifts her gaze just enough to look forward before dropping it again, her eyes glistening and jaw quivering with restrained sorrow. In a slow, breathy North-American English voice, she whispers, “I gave this to Artie.” The delivery is weighted with sadness, every nuance foregrounded in the silent room, while the contrast between the bright exterior greens and the warm, homely tones of her cardigan and the wooden doors subtly underscores a quiet theme of memory, loss, and regret.","video_1_relative_path":"videos/ad7ebc00f7dc0e16.mp4","video_2_relative_path":"videos/3ad9fbf7bc6dae6f.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_4/example.json::00000054","text_prompt":"A tense thriller sequence opens in a spacious, upscale foyer, captured with a medium rear tracking lens that emphasizes strong backlighting and a palette of warm interior browns contrasting with cool daylight blues. Sunlight streams through tall arched French doors at the far end, casting bright patches across polished wood floors and dark furniture while silhouetting lush green foliage outside. A low, tense orchestral underscore begins immediately, with sustained cellos and basses holding a minor chord beneath a faint high-string tremolo. From behind, the camera follows a middle-aged Caucasian man in a charcoal business suit and white shirt as he pushes one leaf of the double door inward and steps across the threshold. The glossy grain of the wooden frame and curved glass panes reflect a vivid bouquet of red-and-yellow flowers on a nearby console table. Over the swelling strings, a calm, authoritative male voice speaking Mandarin begins, stating “照顾你的啊。” (“We’ll take good care of you.”), delivered with a measured, almost reassuring tone that sharply contrasts with the ominous score.\n\nAs the suited man advances into the room, the camera angle widens to reveal a patterned sofa against the right wall, heavy brown curtains, and a decorative urn near the doorway. Standing to face him is a late-middle-aged Caucasian man in a loose grey bathrobe, his back mostly turned, shoulders squared and posture rigid in silent tension. The lighting splits dramatically, flooding the entrance with cool daylight while the rest of the interior remains wrapped in softer shadows. The suited man’s expression tightens, brows knitting as he speaks in a low, deliberate English voice: “You know I thought you knew that all calls to the local station are routed through us.” The orchestral bed swells subtly, adding hovering higher strings that amplify the threat, while the bathrobed resident remains utterly still, reinforcing a stark power imbalance between the two.\n\nA sharp cut transitions to a dramatic close-up of the suited man’s face, where strong backlighting outlines his hair and jaw in a sharp rim of gold while leaving the rest of his features in chiaroscuro. His eyes narrow with a hint of contempt and warning as he finishes with firm, clipped authority: “This is federal land.” Each syllable carries extra weight, landing like a gavel strike over the sustained, unresolved harmonic tension of the score. The image lingers on his stern gaze as the music holds its menacing chord, cementing the atmosphere of a calculated law-enforcement confrontation where jurisdiction and surveillance are wielded as silent weapons.","video_1_relative_path":"videos/d759167363f2f2c2.mp4","video_2_relative_path":"videos/9601258fbef84a32.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_5/example.json::00000098","text_prompt":"Cinematic culinary short, macro and medium close-ups with shallow depth of field, warm amber-toned lighting that evokes traditional Chinese culinary aesthetics. The scene opens in a softly lit kitchen dominated by stacked bamboo steamers. An extreme close-up holds steady on three round, pleated steamed buns resting on parchment paper inside a bamboo basket, the camera static to let the viewer linger on the dough’s texture and the gentle play of light across its surface. A pair of hands briefly enters from above, fingers hovering as if to inspect the buns, then withdraws without touching them. Throughout this opening, a delicate guzheng-like plucked-string melody plays at a low volume, layered with faint, airy synth pads that establish a calm, contemplative mood. The sonic space is filled only by the music and a barely audible, damped room tone.\n\nA hard cut transitions to a medium close-up of a single steamed bun centered on white parchment within a small brown earthenware bowl on a wooden counter, with blurred steamers receding into the background to reinforce depth. The camera remains still, guided only by subtle focus shifts. Another cut brings an extreme close-up of the woven bamboo lid, its intricate pattern and twisted rope handle catching warm highlights. The perspective then widens slightly to reveal a full stack of steamers bathed in golden light as steam begins to curl upward from the top tier. At this moment, a male narrator with a clear, mid-low register Mandarin voice enters, speaking deliberately and evenly: “蒸气的热力，将食材的精华融入汤中。” The music dips subtly in volume to accommodate his measured, informative tone, sustaining its meditative quality beneath the words.\n\nA hand reappears, lifting the steamer lid with a smooth upward motion that releases a visible puff of steam, momentarily clouding the lens before dissipating. The camera tracks the tactile interaction closely as the hand retrieves a now-glossy, plump bun and transfers it onto a clean white plate lined with fresh parchment. The movement is deliberate and unhurried, perfectly matching the pacing of the narration and the score. As the speech concludes, the music swells back to its original presence before gently trailing off into silence. The final frames hold on the plated bun, glistening under the warm lights, closing the sequence with a serene, culturally evocative stillness.","video_1_relative_path":"videos/9b01bd3a711e8689.mp4","video_2_relative_path":"videos/082b062027cee72b.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_7/example.json::00000058","text_prompt":"Cinematic food documentary, macro lens with extremely shallow depth of field, natural backlight against a pale overcast sky casting cool bluish mist and soft rim highlights. The scene opens on a dark woven bamboo tray brimming with wild mushrooms, their dark brown-grey caps deeply fissured and ringed by pale cracked margins. The foreground melts into a soft blur while a misty mountain silhouette lingers in the distance. A gentle breeze stirs the air, accompanied by a barely audible rustle beneath a soft, low-key orchestral bed of sustained strings and distant piano. A calm, baritone male narrator in Standard Mandarin begins, stating \"借助阳光和风，肥美的野生花菇慢慢散失水分，鲜美的味道一点点凝聚。\"\n\nThe camera glides forward in a slow, deliberate track, gradually pulling focus until the individual mushrooms snap into razor-sharp detail. Fine fibrous textures and tiny pores become visible as the lens lowers to a near-ground angle, running almost parallel to the tray’s surface. Sunlight filters through thin cloud cover, casting intermittent lens flares that streak across the frame and catch the glistening moisture clinging to two prominent, outward-arching caps. The string pad swells imperceptibly, adding emotional weight while remaining subordinate to the voice, while subtle high-register violins introduce a delicate shimmer. The background mountains dissolve into a soft grey blur, leaving the composition static and meditative.\n\nThe shot holds steady, emphasizing artisanal food preparation and the quiet patience of nature. Muted earth tones—dark browns, greys, and desaturated greens—dominate the palette, contrasted only by the cool highlights of the backlit mist. The ambient wind fades into silence as the orchestral underscore sustains a quiet, wistful chord, reinforcing a sense of rustic serenity and culinary reverence. The entire sequence unfolds with restrained dynamics and a contemplative pace, inviting the viewer to appreciate the slow transformation of natural ingredients into concentrated flavor.","video_1_relative_path":"videos/37beb9e9076f7d08.mp4","video_2_relative_path":"videos/7d57440c269f8ebe.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_8/example.json::00000068","text_prompt":"Cinematic prison thriller sequence, locked-off medium close-up, desaturated green and gray palette, harsh single-source overhead lighting carving deep shadows across a confined cell. Vertical metal bars slice across the foreground, separating the viewer from two men illuminated by the stark, directional light. On the left, a prisoner with short light-brown hair, wearing a dark blue uniform jacket over a white T-shirt, leans against the wall with his eyes half-closed, his slow breathing barely audible beneath a continuous, low-frequency electronic drone. Opposite him, a balding, muscular man in a sweat-stained white tank top sits rigidly upright, his unblinking stare locked through the bars. The silence is broken by the first prisoner, who lifts his gaze slightly and speaks in a low, raspy Mandarin tone laced with restrained fatigue and accusation: “The night watchmen were originally arranged by you.” His words hang in the cold air, met by an unblinking stare that underscores the silent confrontation. As the Mandarin fades, a deeper, gravelly male voice cuts through the minimalist soundscape, delivering a slow, resonant English phrase with ominous weight: “Word is… Banks.” The electronic underscore persists unchanged, the camera remaining utterly still as the tension coalesces around the implied threat, leaving the prisoners frozen in their confined standoff.","video_1_relative_path":"videos/b0796a6ffaebb0f3.mp4","video_2_relative_path":"videos/fe2908942e7f5daf.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_9/example.json::00000092","text_prompt":"Cinematic widescreen capture of a late-afternoon campus scene, shot on a smooth tracking lens at eye level. Two young male students walk side-by-side along a paved path bordered by a red-brick academic building on the left and leafy green trees casting dappled shadows on the right. The student on the left—slim, with short dark curls, wearing a black rib-knit sweater and a tan backpack—turns toward his companion and speaks in a clear, neutral Mandarin voice-over, stating, “他们说的奥斯汀大学在麻省。” Natural daylight bathes the scene in even illumination, with long late-afternoon shadows adding warmth to an earthy palette of brick reds, foliage greens, and neutral clothing tones. A gentle outdoor hush fills the ambient audio, keeping the focus tightly on the pair as a shallow depth of field softly blurs the background pedestrians.\n\nAs the camera continues its gentle tracking motion, the student on the right—a stockier young man with a dark beard, dressed in a grey hoodie over a light T-shirt and holding a half-eaten red apple—shifts his gaze from the path to his friend. He responds in relaxed American English, his tone casual and slightly amused with a mild upward inflection, saying, “I never really liked Massachusetts.” The dialogue ends, and both men continue walking forward; the bearded student chews thoughtfully on his apple, glancing down briefly before returning his eyes to the path ahead. The camera maintains its steady parallel movement through a single continuous take, preserving the quiet, realistic campus atmosphere as the scene concludes without additional speech or notable environmental sounds.","video_1_relative_path":"videos/0273a63f1495c4b3.mp4","video_2_relative_path":"videos/73ef31315902fc58.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_9/example.json::00000095","text_prompt":"Cinematic, dialogue-driven scene, tight close-up, muted greens and browns, soft diffused key lighting, and a low-frequency ambient hum. The clip opens on a middle-aged man in a white lab coat over a light-blue dress shirt and patterned tie, his receding dark hair and weary, concerned expression sharply framed against a softly out-of-focus background of greenish shelving. A calm male Mandarin voice begins, stating \"但是人家店老板也说了，这里并不收治人类病人。\" The camera executes a straight cut to a medium close-up of the man being addressed, who stands framed from mid-torso upward against a solid dark-green wall and a closed door. He wears a beige baseball cap with a small green emblem, a brown jacket, and a light mesh undershirt stained with dried blood across his chest. His eyes are wide and reddened, brows knitted in anxiety as he grips a large translucent plastic water jug near his torso. A deeper, accented English voice responds with slow incredulity: \"This is a medical clinic, isn’t it?\" The delivery is strained, underscored by the faint low-frequency room hum that fills the enclosed space without music or pronounced effects.\n\nThe shot returns to the first man in the lab coat, who listens intently with lips pressed before answering in a polite, matter-of-fact British accent: \"Well, of course it is, sir, but strictly for animals.\" The static camera holds on his subtle facial shifts and slight head movements, maintaining a classic shot-reverse-shot rhythm that focuses entirely on the conversational tension. The ambient hum remains constant as the soft lighting continues to isolate their expressions, leaving the multilingual exchange and the visible injuries to hint at a cross-cultural setting where human patients may be receiving treatment intended for veterinary care, deepening the thematic ambiguity of the facility.","video_1_relative_path":"videos/dff12443f07d25eb.mp4","video_2_relative_path":"videos/46f8053e997ae5c3.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_1/example.json::00000019","text_prompt":"A brightly lit, modern café interior unfolds in a locked-off medium two-shot at eye level, framed in 16:9 with a shallow depth of field that softly blurs teal-green vertical wall panels, a large circular mirror, and potted plants into the background. Even, diffused frontal lighting washes the scene in a polished, contemporary drama aesthetic, while warm highlights on the subjects’ skin tones harmonize with the cool backdrop. Dominating the left side of a small round white table sits a young woman with short dark-brown hair and a vivid red track jacket, her saturated color drawing immediate focus. Opposite her, a neatly groomed man in a black suit, white shirt, and dark tie sits with his hands loosely clasped, his posture composed and attentive. The low murmur of ambient café chatter and faint utensil clinks fills the space beneath the dialogue, keeping the soundscape grounded and realistic.\n\nThe woman leans forward slightly, her eyes fixed on him, brows knit in thoughtful concern. A calm, earnest female voice in Standard Mandarin begins, stating, \"But when he speaks, you can't read a single emotion from his face. Unless you've studied micro-expression analysis, you have no idea which words are true and which are false.\" She stresses her words with subtle eyebrow raises, brief eye closures, and a decisive hand gesture, her precise articulation conveying analytical frustration. The man listens in silence, his head angled toward her, eyes lowering briefly before meeting her gaze again. As her sentence concludes, a momentary hush settles over the exchange, leaving only the soft background ambience. He responds in a lower, quieter register, offering a slight nod and a restrained smile that signals quiet agreement: \"That's right.\" His minimal movement and understated demeanor suggest contemplation, framing the brief exchange as a focused discussion on reading deception, with the woman’s skeptical expertise met by his receptive acknowledgment.","video_1_relative_path":"videos/5ab0f5729a4f1cc8.mp4","video_2_relative_path":"videos/fa3c5b6c915bcb34.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_1/example.json::00000094","text_prompt":"A cinematic medium-wide locked-off shot, eye-level framing, captures a quiet retro-styled café interior bathed in even, neutral overhead lighting that casts no dramatic shadows. The color palette leans into crisp whites, warm wood tones, muted wall blues, and a monochrome aesthetic, creating a clean contemporary space with nostalgic undertones. A moderate depth of field keeps the foreground subjects sharp while softly blurring the background employee working at stainless-steel coffee dispensers. From slightly behind and to the left, a blonde woman in a pale short-sleeved collared shirt with a neat bun stands at the dark service counter. Across from her, a red-haired cashier in an identical white uniform looks down at a silver laptop and a white payment terminal. A faint low-frequency room hum and muted HVAC rumble fill the space as the customer sharply raises her eyebrows and asks, \"What?\" in a tone of incredulous surprise, simultaneously setting a small white plate holding a golden-brown pastry onto the counter with a soft ceramic clink.\n\nThe cashier lifts her gaze, eyes widening with mild surprise, and offers a soft, questioning \"Mm?\" before returning her attention to the transaction. Behind them, the dark-haired employee quietly turns a coffee dispenser knob, contributing only the faint metallic click to the ambient soundscape. After a brief pause, the customer exhales audibly, her voice carrying restrained frustration as she firmly states, \"I’d like a refund.\" She gestures lightly toward the pastry with her free hand before resting both palms flat on the countertop. The cashier’s expression shifts from surprise to polite, focused attention; she nods once and leans fractionally forward over the laptop, mouth closed, ready to address the request. The frame holds steady on the unresolved exchange, with the quiet café ambience and subtle background dishware taps underscoring the tension, leaving the outcome of the refund request hanging in the air.","video_1_relative_path":"videos/1d20bc9368ee15d6.mp4","video_2_relative_path":"videos/d958cfafa280506c.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_9/example.json::00000043","text_prompt":"Cinematic realism, static medium close-up, shallow depth of field, and utilitarian fluorescent lighting define the opening shot in a brightly lit wholesale supermarket where even white illumination washes over wide aisles and towering metal shelves stacked with boxed goods and plastic-wrapped bundles. In the foreground, a middle-aged woman with dark hair pulled into a neat bun stands framed from the mid-torso up, wearing a navy-blue short-sleeved scoop-neck top. Her brows are knitted and lips parted, her posture radiating a tense, admonishing energy as a firm, steady female Mandarin voice begins, stating “你可别回家求我。” A faint low-frequency hum from refrigeration units underlies the quiet moment, while the cool blue of her attire contrasts sharply with the blurred red-and-gold cartons behind her.\n\nA hard cut shifts the perspective further down the aisle to a younger woman shown initially in profile, her long dark hair tied in a high ponytail and her plain white T-shirt layered beneath a vivid red sleeveless vest. Pastel folded garments and receding product displays soften into the background as ambient store noise—distant chatter, rolling carts, and the constant HVAC hum—fills the space. She draws a sharp breath, her eyes glistening and mouth trembling before a strained, emotionally charged young female Mandarin voice continues, stating “我在外面再苦再累，也比在那个家里受委屈的强。” As she speaks, her pace quickens and her tone rises, the shallow focus keeping her isolated against the busy commercial backdrop while shoppers drift through the deep background. The flat, bright lighting maintains an unflinching everyday realism, leaving the emotional tension unresolved as the static frame holds on her defiant expression.","video_1_relative_path":"videos/0b4aabd6d4f85a85.mp4","video_2_relative_path":"videos/1da3f95695759710.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_9/example.json::00000076","text_prompt":"Cinematic scene, static over-the-shoulder medium shot inside a modest kitchen bathed in warm, diffused overhead light that minimizes harsh shadows and fosters an intimate domestic mood. Cream-colored cabinets, a pale countertop, and softly blurred household items fill the background, while the bald head and shoulder of a silent older man in glasses anchor the right edge of the frame, facing left toward a younger man seated at the table. The younger man, sporting a grey-and-yellow striped beanie, a black zip-up jacket over a white shirt with colorful elbow patches, and short stubble, leans forward with a furrowed brow and tense jaw. In a low, clipped voice, he utters, “Pseudo.” The older man remains perfectly still and silent, his passive posture conveying quiet authority. The younger man’s lips tighten as he drops his tone to a resigned, almost muttered reply, “No pseudo,” exhaling audibly through his nose in a faint puff of air. His shoulders relax a fraction, signaling reluctant agreement, while the subtle rustle of clothing and a hushed ambient room tone fill the brief silence.\n\nA beat of quiet passes before the younger man’s expression softens, suspicion melting into cautious approval as his eyebrows lift and a tentative smile forms. He raises both hands in a small, open gesture of realization and says with growing enthusiasm, “So you do have a plan.” His face soon blossoms into open delight; leaning farther across the table with a wide grin, he exclaims brightly, “Yeah, Mr. White!” delivering the words with playful reverence. The older man finally turns his head slightly more toward the speaker, though he remains entirely silent. Maintaining his jubilant energy, the younger man punctuates his excitement with a triumphant flourish, tapping the tabletop lightly with one finger as he declares, “Yes, science!” His eyes gleam and his shoulders rise in celebration, ending the scene on his animated smile while the older man watches quietly, before cutting to black.","video_1_relative_path":"videos/147627e9d78c0045.mp4","video_2_relative_path":"videos/0e8605fb7c9fe7f5.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_9/example.json::00000079","text_prompt":"Cinematic sitcom comedy, fixed 16:9 medium shot, even warm lighting, and a saturated pink-and-red palette establish an intimate, stylized lounge setting. The scene opens on a young East Asian man standing at the left edge of the frame beside a small red-topped table, wearing a black T-shirt emblazoned with “BE ELVIS” and a cartoon Mickey Mouse graphic. He casually lifts a large roasted pork knuckle toward his mouth while speaking in a light, teasing Standard Mandarin tone, stating “悠悠，关谷是个日本人。” (Yōuyōu, Guān is Japanese.) The table between them holds two woven baskets of golden fries, a tall glass of orange-red cocktail with a yellow straw, and a frosted bottle labeled “BEER.” Behind him, deep red curtains and a wall sconce frame the cozy set, while a faint red and blue neon “BAR” sign glows on the rear wall and a couple chats quietly at a distant table. A low, continuous murmur of patron chatter fills the background, keeping the focus tightly on the foreground interaction.\n\nWithout shifting the camera, the man lowers the meat slightly, using it to gesture for emphasis as he continues his playful explanation. He maintains the same advisory yet amused tone, adding “呆板是关谷的特质。” (Being rigid is Guān’s defining trait.) Opposite him, a young East Asian woman with shoulder-length brown hair and bangs wears a sleeveless mint-green top. She holds a fork but pauses mid-bite, watching him with a mildly exasperated, skeptical expression. The ambient restaurant noise persists softly, underscoring the quiet tension of her reaction. As he finishes his point, the man gives a single nod, still holding the meat near his face as if sealing his argument. Concluding with a friendly admonition and a slight chuckle, he remarks “你就别跟他怄气了。” (So don't waste your breath getting angry with him.) The woman’s lips press together into a half-smile of resignation, and a patron in a maroon shirt drifts past in the blurred background. The fixed shot holds on this conversational beat, leaving the moment hanging in the warm, stylized atmosphere without cuts or additional audio cues.","video_1_relative_path":"videos/1481afbd2da999c2.mp4","video_2_relative_path":"videos/091af3abc59c780e.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_davinci/voiceover/voiceover_1/example.json::00000038","text_prompt":"A handheld documentary-style shot captures a tense daytime street scene, bathed in natural daylight and framed by mid-rise buildings and leafy trees. Two white police sedans marked “公安” and “POLICE” sit parked at the curb with their red-and-blue light bars inactive. The camera tracks a loose medium shot of two men in the foreground: a dark-haired man in a black suit jacket and white shirt, his face flushed and strained, and a bald man in glasses wearing a pale short-sleeved polo. The suited man waves both hands defensively toward an unseen lens, shouting in a loud, breathy Mandarin voice: \"不要拍我，不要拍我！\" (\"Don't film me, don't film me!\"). The bald man steadies him with a firm hand on his arm, his tone calm but authoritative as he replies in Mandarin: \"不不，你介绍一下。\" (\"No, no, explain yourself.\").\n\nAs the camera jitters slightly and pans left to follow the pair, uniformed officers in dark tactical vests labeled “警察 POLICE” step from the vehicles and fan out across the street, their presence adding to the quiet tension. The suited man stumbles forward, half-turning his body away from the lens while his voice cracks with panic: \"哎哎，我我实在应付不来，求求你别拍了！\" (\"Hey, hey, I can't handle this, please stop filming!\"). The bald man grips his upper arms more firmly, guiding him toward the open rear door of the lead sedan, its license plate “苏D·Q9328” visible beneath the trunk. With measured urgency, the bald man insists in Mandarin: \"你介绍一下情况。\" (\"Explain the situation.\"). The scene holds amid the faint outdoor hush and distant traffic rumble, capturing the suited man’s half-resisted entry into the vehicle while the handheld framing maintains a raw, immediate atmosphere.","video_1_relative_path":"videos/ae628038a0adec41.mp4","video_2_relative_path":"videos/17c95fc1db143a6e.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/instruments/instruments_1/example.json::00000050","text_prompt":"A fixed, eye-level medium shot captures a seated accordionist in a softly lit indoor studio, their torso and lap framed against a calm backdrop of stacked books, a white plush toy, a blue box, and a mesh bag. Natural daylight filters through sheer curtains patterned with pale blue leaves, casting an even, cool illumination across the scene. The performer, dressed in a black long-sleeved top and trousers, holds a black accordion bearing the vertical brand markings “SHU” and “HENG” on its front panel, while a tablet rests quietly on the desk to their right. As the scene begins, a bright, reedy accordion tone fills the frame, driven by a brisk, steady tempo around one hundred sixty to one hundred seventy beats per minute. The right hand launches into rapid, precise scalar runs across the white-and-black piano keys, while the left hand pumps the bellows with smooth, continuous motion, maintaining constant air pressure. The audio is captured in a clean, close-mic style with negligible room reverberation, allowing every crisp note attack and faint mechanical rustle to ring forward without distraction.\n\nWithout pause, the musical phrase evolves into a more ornamented descent and ascent, the performer’s shoulders remaining relaxed yet engaged as bellows expansion subtly swells the volume. The right hand executes trill-like flicks and quick upward bursts, while the left hand supplies block-chord accompaniment that reinforces a lively, dance-like major tonality. As the passage shifts into a syncopated motif, staccato single notes interweave with brief sustained chords, the bellows opening wider for louder peaks and contracting gently for softer accents. The melody climbs toward its highest register before resolving downward, the performer’s fingers striking with virtuosic independence and exact timing. As the final cadence lands on a firm, resonant tonic chord, the right hand plays a closing descending figure while the left releases the bass buttons. The fixed camera holds its static framing throughout, preserving the cool lighting and quiet practice-room atmosphere as the performer’s fingers lift cleanly from the keys and the bellows settle into a neutral position, concluding the unbroken, technically polished excerpt.","video_1_relative_path":"videos/6bcdb36703ae71c4.mp4","video_2_relative_path":"videos/286eac5adcae0606.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/movie/movie_1/example.json::00000019","text_prompt":"A cinematic maritime thriller establishing shot opens in absolute darkness, immediately pierced by a low-frequency, resonant drone that establishes a deep, ominous tension. The sound is sustained and devoid of melody, relying on its sheer weight and texture to pull the viewer into a state of quiet anticipation. After a brief moment, the black cuts abruptly to a wide, static vista of a restless ocean under a partly cloudy sky. Shot on a neutral lens with a cool blue-green color grade and diffused daylight, the water is choppy with small whitecaps catching the overcast light. Four yellow offshore oil rigs stand sentinel on the horizon—one substantial platform to the left, two smaller structures clustered in the center distance, and a solitary rig isolated far to the right. The camera holds perfectly still, emphasizing the scale and isolation of the industrial structures against the natural seascape.\n\nAs the seascape settles into view, the soundscape gradually thickens. A thin, glassy high-pitched shimmer weaves into the foundational drone, adding an ethereal layer to the atmosphere. Mid-range synthetic pads soon swell gently beneath, enriching the harmonic bed without introducing rhythm or melody, while a subtle broadband hiss resembling distant wind or moving air permeates the mix. The audio remains dry and closely focused, with a narrow dynamic range that sustains a moderate-to-loud presence throughout. Together, the unblinking camera, the stark juxtaposition of machinery and ocean, and the evolving electronic textures craft a mood of suspenseful anticipation, perfectly suited for a narrative where tone precedes action.","video_1_relative_path":"videos/68bbb4ee1ded25b6.mp4","video_2_relative_path":"videos/d4e0f5cdc8a785d6.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/movie/movie_5/example.json::00000063","text_prompt":"Cinematic wide-angle shot locked in deep space, rendered with a palette of star-filled blacks, swirling blues, and vivid terrestrial greens, lit by a single upper-left light source that casts sharp shadows and catches the atmospheric rims of two celestial bodies. On the left, a massive gas giant dominates the frame with its curved limb, displaying slow-swirling bands of blue, white, and faint violet. To its center-right floats a smaller Earth-like world, detailed with distinct green continents, deep blue oceans, and drifting white cloud cover. The camera remains completely static throughout, allowing only the subtle, natural rotation of the planets to animate the scene, evoking a profound sense of cosmic scale and isolation.\n\nOver this motionless tableau, a continuous non-diegetic ambient score establishes an ominous, dark sci-fi atmosphere. A low-frequency synthesized sub-bass drone anchors the center of the mix, while sparse, high-pitched sustained string pads shimmer gently in a wide stereo spread, drenched in generous reverb to emphasize the vast emptiness. The music is entirely arrhythmic and melody-less, built on slowly shifting minor-mode chords that start at a quiet, pianissimo level and gradually swell in volume and harmonic density. The tension builds steadily without ever introducing a beat or rhythm, finally cutting off cleanly mid-sustain as the visual holds, leaving only the echoing silence of the void.","video_1_relative_path":"videos/8b318b577020a19f.mp4","video_2_relative_path":"videos/c5c99879f0ef7b54.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_10/example.json::00000015","text_prompt":"Cinematic realism, shot on a 35mm lens, opens in a dimly lit, stone-arched passageway in historic Paris, where warm artificial light carves deep shadows across the scene. A medium shot frames a man in a dark suit jacket and white shirt standing face-to-face with a woman in a light beige blazer and dark top, her hair pulled back in a ponytail. She speaks with earnest, slightly exasperated intensity, raising both hands in emphatic gestures. A calm, earnest female English voice begins, stating, “Okay, I know your book is selling, which is great, I’m very happy for you. But let me break the news to you: the world is a mess right now.” As she speaks, the man turns away and begins walking out of the archway, his soft footfalls echoing on the stone against a backdrop of low, enclosed-space hum and faint distant chatter. The camera remains static, holding the tension as he exits toward the daylight beyond.\n\nA hard cut shifts to an exterior wide shot across the street, bathed in softer natural daylight that reveals the full context of Rue Bourgogne. The man strides briskly along the sidewalk away from the camera while the woman steps onto the pavement, turning to follow him with an open-handed, pleading gesture. A second man in a grey long-sleeve shirt and olive pants crosses the street perpendicularly behind them, passing storefronts with a closed grey roller shutter marked “SOLDES ÉTÉ,” large display windows glowing with golden decorative objects, and a green street plaque reading “RUE BOURGOGNE” beside a vertical “No Entry” sign. Her voice continues, slightly strained, as she adds, “From a Western point of view, things are actually getting better.” The soundscape opens into a broader stereo field of diffuse traffic rumble, intermittent tire hiss, and the subtle rustle of clothing, grounding the moment in raw, unadorned realism. No music underscores the scene, leaving the emotional tension unresolved as the clip fades on her half-turned silhouette against the quiet Parisian street.","video_1_relative_path":"videos/104509b054d07395.mp4","video_2_relative_path":"videos/1955686ed6a8afaa.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_12/example.json::00000040","text_prompt":"Set in a covered stone corridor of a traditional Chinese residence, the scene opens in a static medium close-up that frames two figures symmetrically against a softly blurred courtyard. Diffused, even lighting washes the space, casting no harsh shadows and highlighting the deep maroons, blacks, and subtle gold embroidery of their aristocratic robes. An elderly woman with silver-gray hair arranged in an ornate up-do stands directly behind a middle-aged man whose back is initially turned to the camera. Wearing long jade earrings that sway gently, she wraps her arms around his shoulders in a supportive embrace and leans forward. A mature, steady female Mandarin voice speaks with quiet reassurance, stating “Steady now.” Faint birdsong drifts from the open courtyard, mingling with a continuous, low-frequency ambient drone that underpins the contemplative mood.\n\nThe woman withdraws her arms but remains close, resting her hands lightly on his upper back as their eyes meet. Her expression softens into quiet pride and affection, while the man slowly lifts his face toward her, a modest smile breaking across his features as his eyes glisten with gratitude. Dressed in a dark brocade robe over a black inner garment and adorned with a small black-and-gold topknot ornament, he speaks in a respectful, slightly fatigued tone, his voice carrying the weight of filial deference: “Without your guidance, Matriarch, I could not have stood here today.” Subtle rustles of fabric accompany his movements as he finishes the sentence, leaving a brief, resonant silence filled only by the drone and distant natural ambience. The shallow depth of field keeps their faces sharply focused against the dark wooden pillars and potted greenery, holding on their tender, unspoken connection as the scene fades into contemplative stillness.","video_1_relative_path":"videos/e15ee874c7cd7bf6.mp4","video_2_relative_path":"videos/b491d39092a03017.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_12/example.json::00000091","text_prompt":"The scene opens on a static, medium-wide shot of a covered front porch at dusk, bathed in the soft amber glow of warm tungsten-style exterior lighting that casts gentle shadows across beige stucco walls, two thick white columns, and a stone-tiled floor. To the left, a decorative cluster of yellow, maroon, teal, and dark green balloons hints at a recently interrupted celebration, contrasting sharply with the somber body language of the two figures centered between the columns. A man in a dark navy double-breasted suit with gold buttons, a pale shirt, and a patterned tie stands with his hands in his pockets, shoulders slightly slumped and gaze fixed downward. Beside him, a woman in a shimmering royal-blue satin dress that falls mid-calf, paired with a sheer lace bolero, matching heels, and a small beaded clutch, faces him with wide eyes, raised brows, and a parted mouth. A clear, standard American female voice, initially breathy and incredulous, begins, stating \"I can’t believe it.\" After a brief pause filled only by faint room ambience, the man finally lifts his eyes to meet hers, his expression tense yet composed. The camera remains locked off in a balanced 16:9 widescreen composition with a moderate depth of field that keeps both subjects and the immediate background sharply in focus. The woman’s posture stays upright as she gestures slightly with her free hand, her steady voice edged with controlled frustration: \"Okay, we were talking.\" The man responds by inclining his head lower, briefly closing his eyes before letting out a short, self-conscious chuckle that conveys nervous amusement. As he looks back up, his shoulders relax fractionally, signaling a mix of embarrassment and resignation. The warm, even lighting continues to highlight the texture of her dress and the subtle emotional distance between them, leaving the scene suspended in a quiet, confrontational stillness.","video_1_relative_path":"videos/5785004afbc80da6.mp4","video_2_relative_path":"videos/c33cc17f726f054d.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_2/example.json::00000000","text_prompt":"A cinematic medium-wide locked-off shot, eye-level perspective, bathed in even natural daylight filtering through a large glass window that frames leafless trees and distant high-rise apartments against a muted urban backdrop. The scene unfolds at a light-wood service counter in a brightly lit office, where a middle-aged man in a dark green quilted jacket leans forward with lively, persuasive energy. Across from him, a young woman sits in a black mesh office chair, wrapped in a navy-and-white plaid blanket, her attention fixed on a small white packet held in both hands. The counter between them holds a clear water bottle with a red label, a yellow-orange juice bottle, a smaller bottle with a red cap, a whimsical green frog ornament, and a computer monitor displaying a spreadsheet, while a vase of pink-purple flowers rests on a shelf behind her. On the wall nearby, a poster advertises a rose-petal bath service and a panel bears traditional welfare characters, grounding the space in an everyday institutional setting. The middle-aged man speaks with casual insistence, his mid-range Mandarin voice carrying a slight urgency as he says, \"Let's go, let's go eat.\" The young woman lifts her gaze, a faint smile touching her lips before she tilts her head back and waves her free hand in a gentle, dismissive gesture. Her soft, polite Mandarin voice answers with mild reluctance, \"Sigh, forget it, you guys go ahead.\" She keeps her eyes downcast, lips pressed together in a thoughtful pause, clearly content to stay. The man straightens up, eyebrows raised, and repeats his invitation with a friendly but firmer tone, emphasizing that their ride is imminent. \"The car is arriving right now,\" he says, his voice rising slightly in emphasis. The camera remains completely still, maintaining the medium-wide framing that captures both characters and the quiet, informal atmosphere. The ambience stays hushed, with only their dialogue cutting through the stillness, underscoring the lightly humorous, everyday workplace interaction as the clip holds on the woman’s quiet refusal and the man’s persistent encouragement.","video_1_relative_path":"videos/38c68de1024ccdc7.mp4","video_2_relative_path":"videos/a6b4f6c41b8c3dd9.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_3/example.json::00000013","text_prompt":"A fixed wide shot captures a traditional Japanese dojo bathed in soft, even daylight filtering through high windows with horizontal blinds. The space features polished grey tatami mats bordered by thin red lines, light oak wainscoting, and a pale upper wall. A green chalkboard sits beneath a wooden plaque bearing the calligraphy “柔能制剛,” while a larger plaque reading “力善用自他皆益” hangs to the left beside a rack of bamboo shinai. Five young people sit in a loose semicircle on the mats. On the far left, an energetic youth with spiky black hair wears a black gakuran uniform and white socks. Beside him, a blond youth in a matching black uniform and bright red socks reclines on one elbow, right leg extended, left knee bent. Facing them are two youths in white gi tops and black hakama pants, one with short dark hair and the other with shoulder-length dark hair, alongside a fifth youth in a light shirt with gold embroidery, a patterned scarf, and dark trousers. All maintain respectful seated postures as the scene unfolds in a single, unbroken take with constant lighting and minimal shadows.\n\nA quiet exchange begins, the clean room tone carrying slight reverberation across the hard surfaces. A calm, polite male voice begins, stating “あ、やめておきます。” A brighter, teasing male voice leans forward slightly, replying, “やめます。やめます？” The first speaker’s expression shifts to mild puzzlement, his tone dropping into a hesitant question, “やめますの？やめない？え？え？何？” His eyebrows furrow, and he glances around the circle as his companions react. The spiky-haired youth in black leans in, eyes widening with surprise, while the blond youth grins and props himself up on both forearms, fully engaged. The first speaker’s volume lowers into a soft, resigned murmur, “だめ…そうか…” The shoulder-length-haired youth watches silently with hands folded, and the embroidered-shirt youth observes the banter with a faint smile. The camera remains completely still, focusing entirely on the micro-expressions and light-hearted interpersonal chemistry, concluding with the group frozen in mid-conversation before fading out.","video_1_relative_path":"videos/0b0c57661ad6481c.mp4","video_2_relative_path":"videos/eef7b7e34c9e1c52.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_9/example.json::00000070","text_prompt":"Cinematic memory piece, rendered in a 2.35:1 widescreen frame with a 50mm equivalent lens. The scene opens in a dim, softly lit outdoor setting at dusk, shot from just behind the man’s left shoulder so he occupies the left third of the image while the woman faces him from the right. Both are sharply focused, their faces illuminated by a balanced mix of warm practical lantern glow and cool ambient twilight, while everything beyond their shoulders dissolves into a creamy, impressionistic blur. A faint wash of evening ambience—distant murmurs, a light breeze, and the occasional metallic clink—sits low in the mix. A calm, reflective female voice with a General American accent begins, stating “So across the street from my house, there was this little library that had an old movies section.” The man listens silently, his face still and attentive, eyes steady on her with his head slightly tilted.\n\nAs she speaks, blurred figures drift through the background, suggesting a gently bustling fairground or festival. A person in a straw hat stands beside a brown horse near a barn-like structure, while another figure pushes a cart beneath a yellow canopy. The shallow depth of field keeps this activity indistinct, turning it into soft color and motion that enhances the dreamy, memory-like atmosphere. The woman pauses briefly, inhales, then resumes with a gentle, searching tone, adding “And so she… she took me there, and we spent an entire day together.” The clip lingers on her face for a moment of quiet reflection, the unspoken weight of the memory hanging in the cool dusk air, before the picture gently fades to black.","video_1_relative_path":"videos/608299208f02d18d.mp4","video_2_relative_path":"videos/f0ebae062f69c91d.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/music/music_3/example.json::00000012","text_prompt":"In the style of an intimate indie-folk performance, a static medium close-up captures a young man seated in a softly lit home studio, bathed in a warm key light from the right that sculpts gentle shadows across his face and a light-colored acoustic guitar. He wears a black short-sleeved polo and a thin silver chain, his wavy dark brown hair falling over his forehead as he leans slightly forward, eyes often closed or fixed on the fretboard in quiet concentration. Behind him, a neutral white wall, a closed door, and a low cabinet frame the intimate space, while a large-diaphragm condenser microphone on a shock mount with a black pop filter sits just to his left. The camera remains completely still, holding a steady, centered frame that emphasizes the raw, personal nature of the performance.\n\nSonically, the scene unfolds as a slow-tempo acoustic ballad driven by a clean, mellow guitar at a gentle sixty-eight beats per minute, set in a minor key that evokes a melancholic stillness. A clear, earnest male vocal in General American English begins, singing \"...and never closing the door.\" He continues, \"...Hearts are never broken by the rain,\" and \"...And time’s forever frozen still,\" his lips shaping each syllable in perfect sync with the rhythmic strumming. As the phrase concludes, his right hand lifts slightly after a chord change, and the vocal tapers into \"...So you can keep the memories close,\" before the audio cuts abruptly, leaving a brief, resonant silence that underscores the unpolished, heartfelt intimacy of the moment.","video_1_relative_path":"videos/70a2d5f1047924ce.mp4","video_2_relative_path":"videos/f8a4aae0db9054e5.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/physics/physics_1/example.json::00000018","text_prompt":"A cinematic close-up framed in warm, even lighting over a polished reddish-brown wooden surface captures two hands interacting with small objects. The camera maintains a steady overhead perspective with subtle handheld micro-movements, initially partially obscured by a passing hand before pulling back to reveal a black-and-gold toy weapon resting on the wood. The toy features gold accents, a red button, and a cylindrical golden barrel, while a smaller blue-and-black component sits nearby. A male voice with a calm, conversational American accent begins speaking directly to the viewer, his tone relaxed and explanatory. “And the essential reason I see that is… is because in Japan, the plates for the exclusive release…” As he speaks, the left hand picks up the larger toy, rotating it slowly to catch the light and expose its mechanical details, while the right hand lifts and sets down the secondary piece. The audio landscape is intimate and dry, punctuated by realistic foley sounds: sharp plastic clicks as the first toy settles, light scraping friction during the lift, a muted thud upon repositioning, and subtle creaks from finger pressure on the casing. Beneath the tactile manipulation and steady narration, a faint low-frequency hum from indoor electronics fills the quiet room, grounding the scene in a casual, domestic atmosphere focused entirely on the hands-on demonstration.","video_1_relative_path":"videos/e1bc6b2a6f26e65e.mp4","video_2_relative_path":"videos/2b231728aacc54f6.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/physics/physics_3/example.json::00000039","text_prompt":"A static medium shot captures a grassy clearing bordered by dense evergreen foliage under soft natural daylight. Center frame holds a vivid red model steam engine mounted on a wooden base, its tall black chimney, brass fittings, large spoked flywheel, and silver valve gear assembly sharply detailed. A man dressed in light blue denim overalls and a pale long-sleeved shirt with rolled-up cuffs stands to the right, his back mostly turned to the camera. He grips the flywheel with both hands and begins turning it clockwise in a steady, forceful rhythm, leaning his weight forward to drive the mechanism.\n\nThe scene is entirely devoid of ambient wind, distant traffic, or human vocalizations, focusing the listener’s attention solely on the machine. With each rotation, sharp, mid-to-high frequency metallic clicks and clanks ring out in precise synchronization with the wheel’s movement, moderately loud and intimate as if recorded from close range. As the man continues to crank, the mechanical rhythm intensifies, the clanking growing faster and more urgent. Suddenly, the internal mechanism catches; the flywheel breaks free from manual effort and transitions into a self-sustaining spin. The discrete clicks seamlessly accelerate into a continuous, high-pitched whirring that dominates the soundscape, marking the triumphant ignition of the vintage engine. The camera remains completely still throughout, holding a single unbroken take that captures the tactile physicality of the startup sequence. The composition stays locked on the operator and the machine, allowing the evolving acoustic journey from laborious cranking to the smooth, autonomous hum of a running engine to unfold without interruption, emphasizing the satisfying convergence of human effort and mechanical precision.","video_1_relative_path":"videos/7ff10556a5905b93.mp4","video_2_relative_path":"videos/de376383d1340201.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/physics/physics_5/example.json::00000033","text_prompt":"Cinematic documentary-style footage captured in a static, eye-level medium shot, bathed in warm ambient overhead lighting that casts soft shadows across beige walls. The frame centers on a young man with a short beard, dressed in a bright Carolina Panthers NFL jersey and a white baseball cap, seated comfortably in a personal den. Behind him, a large wooden door anchors the left side, while the right wall is densely decorated with sports memorabilia, including framed hockey posters with the bold text \"DEL CLARA,\" mounted deer head trophies with red accents, a blue license plate reading \"HVV-35,\" and several smaller framed photographs. He holds a dark-blue PlayStation console box steady on his lap and addresses the camera directly. A relaxed, conversational male voice in General American English begins, stating, \"Let’s start unboxing this.\" He lifts a black ballpoint pen in his right hand and carefully slices through the packing tape sealing the top seam, his movements precise and deliberate. As the pen draws across the cardboard, a crisp, high-frequency tearing sound cuts through the quiet room, perfectly synchronized with the action. He pauses briefly in concentration, the faint hum of electronics and soft rustling of packaging filling the space, then lowers the pen with a satisfied murmur, \"All right.\" The scene holds steady on the subject, the casual, anticipatory atmosphere underscored by clean, music-free audio that highlights every tactile detail of the unboxing process.","video_1_relative_path":"videos/99b5680c23f1d2b5.mp4","video_2_relative_path":"videos/c96c36a8068df52a.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/physics/physics_6/example.json::00000040","text_prompt":"Cinematic nocturnal ceremony unfolds in a low-angle close-up, where dramatic artificial uplighting and a rich tricolor palette stand out against a pitch-black sky. The camera is positioned near the base of a white flagpole, looking sharply upward as the Indian national flag begins its ascent. A single hand grips the hoisting rope at the lower right while a loud, rhythmic metallic clanking echoes through the scene, synchronized with the fabric’s initial rise. Multiple male voices shout urgent, energetic exclamations in Hindi, their overlapping tones conveying immediate effort and collective focus. As the flag climbs, it gradually unfurls to reveal the full vertical tricolor and the navy-blue Ashoka Chakra centered on the white band. The camera holds its fixed position but subtly tilts upward to track the movement, while faint silhouettes of foliage and a bright circular moon emerge in the upper sky.\n\nSmall sparks and embers drift across the frame from the lower left, adding a dynamic, pyrotechnic texture to the dark backdrop. The metallic clanking gradually fades as the crowd’s vocalizations swell into a unified wave of cheers, whistles, and rhythmic chanting, peaking in intensity as the flag reaches its highest point. Though still slightly wrinkled from the hoisting process, the banner flutters gently in the night breeze, fully illuminated against the nocturnal setting. The camera settles into a steady, elevated composition, allowing the vibrant colors of the flag to dominate the vertical frame. The scene closes on this moment of culmination, where the fading mechanical sounds give way entirely to sustained communal celebration, capturing an atmosphere of reverence, unity, and patriotic fervor without musical accompaniment.","video_1_relative_path":"videos/8da39a67645cb788.mp4","video_2_relative_path":"videos/9378c05170cd3326.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/physics/physics_7/example.json::00000012","text_prompt":"Cinematic urban documentary style, shot on a 35mm lens with natural daylight softened by the heavy shadow of a concrete overpass. The scene opens on a slightly elevated, static wide frame of a congested roadway where a black Mercedes sedan, a silver hatchback, a red compact car, and a distant double-decker bus sit motionless in both lanes. Centered in the frame, a white Peugeot police van with high-visibility blue-and-yellow checkered markings and bold POLICE lettering on its hood and doors begins to creep forward. Its roof-mounted blue emergency lights flash in a steady rhythm, casting intermittent cyan reflections across the asphalt and the surrounding metal bodies. As the van advances, the camera executes a subtle forward zoom and pans right to track its approach, tightening the composition from a medium-wide into a tight close-up. The van dominates the foreground, its driver visible as a silhouette through the windshield, while the side door briefly flashes a circular police crest decal before the vehicle sweeps past the lens with intensifying motion blur. Aurally, the entire soundscape is consumed by a relentless, synthetic two-tone siren that oscillates at a constant pitch and volume, echoing slightly off the hard concrete walls of the underpass, which are lined with faded commercial signage and a partially visible billboard. No discernible engine roar or tire squeal competes with the siren, which holds its piercing intensity until the van clears the frame, at which point the audio cuts off abruptly, leaving only the faint, hollow reverberation of the urban tunnel.","video_1_relative_path":"videos/7b6ba02f0962c284.mp4","video_2_relative_path":"videos/c37c670e0ef71462.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/podcast/podcast_1/example.json::00000007","text_prompt":"A cinematic medium close-up captures a man with short, dark curly hair, a neatly trimmed beard and mustache, and black-rimmed glasses, dressed in a light blue denim jacket layered over a pale yellow mandarin-collar shirt. He stands against an out-of-focus backdrop of deep blues and purples, illuminated by soft frontal lighting that cleanly separates him from the abstract background. The camera remains perfectly steady as his earnest expression shifts with subtle facial movements. A calm, neutral male voice begins, \"So the question started to work its way into my work life as well,\" delivered with precise lip-sync and natural, minimal breathing.\n\nA hard cut transitions to a wide shot, revealing the full auditorium environment. The speaker now appears smaller, positioned slightly left of center on a circular red rug, with a large three-dimensional red TED logo standing prominently to his right. Silhouetted audience heads fill the foreground, facing the stage under ambient illumination that complements the concentrated spotlight on him. He maintains a composed posture, hands loosely clasped at waist level, and adds a slight hand gesture as he continues without pause, stating, \"I did some research.\" The acoustic space carries a mild hall reverb, keeping the sonic texture clean and dry, entirely free of music, crowd noise, or mechanical distractions, which reinforces the grounded, contemplative mood of the presentation.","video_1_relative_path":"videos/6f2fcc39154325fc.mp4","video_2_relative_path":"videos/ff9a399ff647996d.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/podcast/podcast_1/example.json::00000040","text_prompt":"A satirical television news scene opens in a brightly lit studio, framed in a static medium shot with crisp, even lighting and a polished palette of navy blues, reddish-browns, and soft floral accents. A female anchor sits behind a desk, short brown hair styled with bangs, wearing a square-neck cap-sleeve dress while holding papers and a pen. She looks directly into the lens, her clear mid-range voice cutting through the dry, music-free audio: \"Dr. Steele has some new information.\" A hard cut shifts to an overcast outdoor press conference, captured in a steady medium shot beneath the glass doors of a modern building entrance. Dr. Steele stands center-frame in a white lab coat, her earnest expression and subtle hand gestures drawing attention as she addresses a cluster of microphones thrust toward her. To her left stands a young boy with curly dark hair in a blue-and-white plaid shirt, his posture still and neutral, while a man in a black leather jacket and green tie stands protectively to her right, occasionally raising a hand. The atmosphere is tense yet controlled, with no wind or crowd noise breaking the focus on her voice. She continues, her delivery steady and urgent: \"Moments ago, a search team rescued this young boy who came to the change of name office by himself and didn’t tell his parents because he had decided to leave his old life behind.\" The scene holds on the trio, the stark contrast between the floral studio and the gray, media-saturated street underscoring the narrative’s satirical edge.","video_1_relative_path":"videos/931fbeb7e0dbd0ce.mp4","video_2_relative_path":"videos/925b1d499866e91c.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/podcast/podcast_2/example.json::00000002","text_prompt":"Cinematic interview scene, captured in a static medium close-up with a 50mm lens, soft frontal key lighting, and a muted palette of grays, blues, and whites. The setting is a compact, acoustically treated radio studio where walls are lined with matte gray acoustic panels. A young man sits slightly left of center, wearing round gold-rimmed sunglasses, a loose blue denim jacket with brass buttons over a plain white T-shirt, and shoulder-length hair that darkens at the roots. He speaks with animated energy, punctuating his phrases with open-palmed hand gestures that rise and fall within the frame. A young male voice with a conversational American accent begins, stating, \"Not just about language. Music is universal. Yeah, you know, that’s what I feel.\" He nods once, maintaining steady eye contact with an off-camera interviewer, then lowers his hands for a brief pause before smiling faintly and tilting his head back.\n\nA hard cut shifts the focus to a second participant, now centered in the frame, sharing the same studio environment and lighting continuity. This slightly older man wears a black baseball cap with white cursive lettering, dark sunglasses, and a dark polo shirt, with a matching boom-mounted microphone hovering near his mouth. He listens with a relaxed yet attentive posture, briefly raising a hand to his chin before responding in a deeper, casual tone, \"For sure. I love that, I love that.\" The room tone remains quiet, underscored only by a faint electronic hum and the soft rustle of fabric as he shifts his weight. He leans slightly forward, his voice carrying a natural, unobtrusive inhalation as he continues, \"You gotta put me on to some of the old records you mentioned.\" The exchange stays intimate and unaccompanied, keeping the focus entirely on the clear, close-miked dialogue and the clean, professional atmosphere of the booth.","video_1_relative_path":"videos/b8e7ef297eb86bd0.mp4","video_2_relative_path":"videos/3f15b4f7e00ae341.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/podcast/podcast_2/example.json::00000045","text_prompt":"Cinematic medium shot, static camera, warm spotlight against a dark backdrop with abstract red and blue light beams, a single female presenter stands center-stage. She wears a black blazer over a green top, accented by a silver statement necklace and hoop earrings, holding a yellow-and-black presentation clicker in her right hand. The camera remains fixed, drawing focus to her engaged, professional demeanor as she begins speaking with a calm, academic tone. A soft breath intake precedes her clear, measured voice, which carries a slight upward inflection on proper nouns. She raises her left hand, fingers curled in emphasis, while her gaze shifts naturally between the unseen audience and her notes.\n\nA calm, academic female voice begins mid-sentence, stating \"…for example, Nalini Ambady, a researcher at Tufts University, shows that when people watch thirty-second soundless clips of a real physician interacting with a patient.\" She continues without pause, her eyebrows lifting subtly on key phrases as she lowers and then raises her left hand to punctuate her point. The audio remains pristine, dominated entirely by her voice with only a faint rustle of fabric as her arms move and a barely perceptible ambient reverb suggesting a large auditorium space. The clicker is tapped lightly against her palm but produces no audible sound. As she finishes the sentence, her mouth closes gently, her posture softens, and her hands lower toward waist level. The lighting holds steady, casting soft shadows behind her, while the abstract background lights remain fixed, leaving a clean, authoritative silence as the scene concludes.","video_1_relative_path":"videos/9612d4b2045ac948.mp4","video_2_relative_path":"videos/0aaf78cc6a5fcc00.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/podcast/podcast_2/example.json::00000057","text_prompt":"Cinematic stage presentation, medium front-facing shot gradually tightening to a close-up, bathed in a single dramatic spotlight against heavy, dark red curtains. A poised young East Asian man stands center-stage in a navy suit jacket, light blue pin-striped shirt, slim black tie, and dark trousers, a flesh-colored headset microphone tracing his right cheek. The lighting casts soft shadows across the drapery while leaving a subtle catch-light on his forehead and lapel, rendering his attire crisp against the near-black background. He begins with a calm, articulate American male voice, measured and clear, filling the acoustically resonant hall with a gentle natural reverberation. “And they accumulate more knowledge,” he states, raising both hands to chest height with palms facing inward in an open, explanatory gesture. The ambient room tone remains low, marked only by a faint HVAC hum and the soft rustle of his sleeves as he speaks.\n\nWithout breaking the static frame, he shifts his weight, pivoting his torso leftward before returning to center, his hands sweeping outward in symmetrical arcs before drawing together again. His brow lifts and eyes widen as his tone shifts to incredulous questioning, pitch rising on the final words. “So if anything, they should be getting smarter,” he continues, then pauses, asking, “How could they possibly be getting less intelligent?” The camera imperceptibly tightens into a close-up, focusing on his face and upper torso. He leans forward a fraction, tilts his head, and releases a brief, audible sigh before offering a half-smile and a light, self-deprecating murmur. “What am I talking about?” he asks, his hands lowering out of frame. The headset captures every nuanced breath and mouth sound without distortion. With renewed confidence, he nods once, eyes brightening, and his voice takes on a reassuring, optimistic inflection. “Well, I do hope to illustrate that to you today.” A slight pause follows, his shoulders relaxing as he glances down and to his right before meeting the lens again. His tempo slows, adopting a reflective, slightly vulnerable tone. “Before I turned fourteen, I was a kid that did not know what he wanted in life,” he begins, the spotlight keeping his features sharply lit while the red curtains dissolve into shadow. The ambient hum persists, the recording remains clean and intimate, and his final words trail off naturally into the quiet space, leaving a contemplative, anticipatory mood that draws the viewer fully into his forthcoming narrative.","video_1_relative_path":"videos/8067f59d77fae575.mp4","video_2_relative_path":"videos/d2c479f8d52f64ee.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_1/example.json::00000002","text_prompt":"A bleak, desaturated prison drama scene captured in cold green-gray tones under harsh overhead fluorescent lighting that casts sharp shadows across concrete floors and metal bars. The camera opens on a medium shot of a gaunt Caucasian prisoner with slicked-back dark hair, a thin goatee, and fresh red abrasions on his forehead and left cheek, wearing a plain white T-shirt that clings to his frame. Behind him, a loose semicircle of inmates in white tank tops and pale-blue uniforms mills quietly, their distant murmurs blending with the low electrical hum of the lights. A calm, neutral male Mandarin voice-over begins, stating, “He was the first to step forward, pointing at a Black man and declaring his challenge.” The camera executes a quick cut to a close-up profile of an older Caucasian guard in a dark short-sleeved uniform with epaulets and a silver star badge. His jaw is set, eyes narrowed as he watches the unfolding tension, with more inmates visible behind barred doors in the background.\n\nCutting back to a medium close-up, the injured prisoner lifts his chin defiantly, lips curling into a sneer. He tilts his head slightly toward a tall Black inmate standing just behind him, then thrusts his right index finger forward as he shouts in a rough, accented English voice, “Not that hot! You think that’s enough heat?” His delivery is loud, mocking, and edged with aggression. The surrounding men react visibly: one inmate in a blue uniform grins broadly and rests a hand on the Black prisoner’s shoulder, while another in a white sleeveless shirt smirks. The Black inmate himself remains stoic, shoulders squared but unmoving. The fluorescent glare catches the sweat on everyone’s skin, heightening the sense of stifling heat and raw confrontation. With no music to soften the moment, the scene lingers on the unresolved tension, the ambient crowd murmur and harsh lighting framing the standoff.","video_1_relative_path":"videos/7c55288dfb24a79b.mp4","video_2_relative_path":"videos/fad9865e590d45ab.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_1/example.json::00000026","text_prompt":"A cinematic documentary-style sequence opens on a modest Beijing rooftop garden bathed in bright late-morning sunlight, rendered in a palette of earthy browns and muted greens that evoke a crisp late-winter or early-spring atmosphere. The camera frames a man dressed entirely in black—long-sleeved shirt, trousers, and a flat cap—standing on a low stone border between narrow planting beds, with bare wooden trellises draped in dried vines, a white-walled shed, and distant grey apartment blocks forming the backdrop. A calm, reflective male narrator in standard Mandarin begins with a steady, mid-range documentary tone, stating “老北京人的种种爱好，被屋顶上的一样事物取代了。” as a faint breeze and distant city hum underscore the quiet scene. The shot tightens to a close-up of the gardener’s left hand carefully lowering a slender pale-green seedling into dark, crumbly soil, the soft scraping of earth and crisp sunlight casting sharp shadows that emphasize the season’s texture. An extreme close-up follows inside a light-blue enamel bowl, capturing a cascade of small, round, greenish-brown mottled seeds rattling against the metal before settling with a distinct pouring sound and a brief metallic clink. The camera pulls back to a medium shot as the man bends over the bed, gently pressing soil around newly sown rows with focused yet relaxed posture, accompanied only by the rustle of his clothing and the continuing urban ambience. A wider view reveals the full rooftop expanse as he straightens to survey his work, dry vines swaying faintly in the breeze, the atmosphere settling into quiet contemplation. The sequence lingers on this expansive composition as the narrator’s measured voice returns to mark the passage of time, uttering “五个月后。” while the minimalist sound design and patient visual pacing leave a sense of seasonal anticipation hanging in the crisp Beijing air.","video_1_relative_path":"videos/8e8a076831658d2b.mp4","video_2_relative_path":"videos/4507f4d38cd0eb7f.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_11/example.json::00000038","text_prompt":"The film opens in near-total darkness, where a tight, slightly tilted close-up reveals the right half of a young woman’s face as she sleeps. A cool, faint bluish-violet light grazes her cheek, nose bridge, and eyelids while the rest of the frame sinks into blackness, establishing an intimate, nocturnal mood. Her breathing is barely visible, and the camera remains almost motionless to heighten the stillness. Beneath this quiet visual, a deep, resonant male narrator in Standard Mandarin begins, stating \"二十多年风雨劳顿，之所以不觉得孤单，是因为他们彼此扶持。\" then continues in the same measured cadence, \"除了坚韧的丈夫，还有那位勤劳的妻子。\" A subdued orchestral bed of low strings sustaining long chords and a soft piano motif underpins his voice, creating a reflective, wistful atmosphere.\n\nA hard cut shifts to a low-angle view from inside a moving vehicle at night, the lens peering over a glossy hood or dashboard that mirrors scattered red and amber bokeh lights drifting past to imply forward motion along a lit roadway. The colour palette warms to reddish-orange reflections against the dark interior, contrasting with the earlier cool tones. Beside the driver’s seat, a middle-aged man sits in profile, wearing a dark jacket as the cabin is dimly washed with alternating blue and orange street-light glows that flicker across his features. His expression is neutral yet intent, eyes fixed ahead, embodying quiet determination. The orchestral score swells slightly, adding depth without overpowering the voice-over, while the deliberate absence of ambient or mechanical road noise keeps the focus entirely on the narration and music. The scene lingers on this ongoing journey, both literal and metaphorical, underscoring themes of perseverance, companionship, and shared endurance through the gentle, poetic cadence of the underscore.","video_1_relative_path":"videos/f06d40160c084dad.mp4","video_2_relative_path":"videos/bb9d3264d0c7fa85.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_2/example.json::00000024","text_prompt":"A cool, desaturated cinematic scene opens on a medium shot of an unfinished, open-air concrete structure, where rough pillars and exposed beams form a skeletal frame. Diffuse daylight filters through the gaps, casting soft shadows across the gray surfaces and establishing a contemplative, slightly somber mood. In the mid-ground, a woman with shoulder-length reddish-brown hair stands wearing a loose white button-down shirt over a pale top and a delicate gold necklace, her brow slightly furrowed and lips parted as if caught mid-thought. Beside her, a young girl with straight, light-blond hair in a dark long-sleeved top gazes ahead with a neutral expression. The camera holds steady before initiating a slow, almost imperceptible push-in. A calm male Mandarin voice-over begins, stating, \"Clearly this is the professor’s deliberate attempt to make things difficult.\" The woman’s gaze drops toward the child, her shoulders tensing minutely with quiet concern, as the narration continues, \"But unexpectedly, Mary only speaks at this moment.\"\n\nThe framing tightens fractionally on the pair before the woman finally utters, \"It was wrong,\" delivered softly yet firmly with a slight downward inflection that conveys reluctant admission. The scene cuts sharply to an extreme close-up of a weather-worn stone tablet set against a backdrop of green foliage. Natural daylight illuminates the deep relief of three raised, serif-style Chinese characters carved into the ancient rock, emphasizing the texture and craftsmanship of the stone. Throughout the sequence, the absence of music and ambient noise focuses attention entirely on the spoken words and subtle facial expressions, while the muted palette of grays, whites, and earthy greens visible through the distant trees reinforces the restrained, dramatic tension of the moment.","video_1_relative_path":"videos/275fb7741b8424f9.mp4","video_2_relative_path":"videos/326e031ec290d72c.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_4/example.json::00000060","text_prompt":"A tense, clandestine thriller sequence opens in a dim, bluish-green interior, captured in a tight close-up with a static camera and a desaturated palette of cool greens and greys. Low-key lighting from camera-left carves a stark chiaroscuro across the face of a middle-aged man with dark, slightly dishevelled hair, a short beard and moustache, and a pale collared shirt. His eyes are wide and fixed just off-camera to his right, brow furrowed, lips parting as though he is catching his breath after an urgent exchange. A calm, neutral male Mandarin voice-over begins, stating \"He believed it and handed over the map.\" The scene then cuts to a high-angle close-up of two hands gently smoothing a crumpled sheet of paper, revealing dense black-ink architectural sketches, cross-hatched walls, and angular outlines of rooms and corridors. Crisp paper rustling momentarily dominates the minimal ambient soundscape, while the low directional light highlights the texture of the page and the veins on the knuckles. The camera returns to the man’s face, his expression now hardened into open menace, eyes locked forward, jaw set, and brows raised. A low, deliberate American English voice from the man in frame, tense and measured, delivers the threat: \"If you try to screw me over again, I’ll kill you.\" The final word lands with deliberate weight as the frame holds on his unblinking stare, leaving the tension unresolved against the dark, indistinct wall. The sequence relies on static close-ups and a single insert shot to amplify the claustrophobic atmosphere and the underlying narrative of betrayal and a life-or-death warning.","video_1_relative_path":"videos/79077f540104db34.mp4","video_2_relative_path":"videos/8588dfa0f6d40c4f.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_4/example.json::00000087","text_prompt":"A tense, low-key cinematic scene opens in a cold, institutional room resembling a prison cell or interrogation space, shot in a medium close-up with a desaturated palette of muted greens and blues. A middle-aged man with greying hair, wire-rimmed glasses, and a neatly trimmed mustache sits behind vertical metal bars that dominate the foreground, creating a stark visual barrier. Dressed in a blue denim jacket over a white T-shirt, he cradles a small brown tabby cat with both hands, his head bowed and his expression heavy with weariness. The lighting is dim and cool, casting soft shadows across his face while catching the metallic sheen of the bars. A calm yet forceful male Mandarin voice begins, stating, \"You have no idea that’s impossible.\"\n\nA straight cut shifts to an extreme close-up of a second man, his face filling the frame with shallow depth of field. He has short dark hair, pale eyes, and pronounced facial lines etched by stress, his skin glistening slightly under the low-key, green-tinted lighting. A black tactical vest strap crosses his chest, and a grey handheld radio rests near his collarbone. His jaw is set, lips pressed tight, and his gaze is fixed just off-camera to the right, radiating intense concentration. The background dissolves into plain concrete blocks washed in shadow. The same Mandarin speaker continues without pause, his measured tone carrying a coercive edge: \"You’re forcing old DB to give up information.\" The camera holds locked on the man’s face, capturing subtle micro-movements—a tightening of the brow, a faint shift of the eyes—that betray mounting pressure. The voice drops slightly lower, pacing slows, and he seamlessly switches to English in a deep, deliberate tone: \"Before I leave this cell, if you don’t tell me who killed Bob, I’ll find out myself.\" The frame lingers on the unyielding tension, fading into silence as the cold key light from above-left and stark composition reinforce the psychological weight of the confrontation.","video_1_relative_path":"videos/07f8c922138d8830.mp4","video_2_relative_path":"videos/3e333154f2b1e7ab.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_7/example.json::00000084","text_prompt":"Cinematic interior scene, static low-angle medium shot, cool green and gold palette contrasted with intimate warm highlights. The frame establishes an ornate interior wall clad in deep green panels trimmed with intricate gold filigree. Centered high on the surface hangs a horizontal wooden plaque with a cream-colored face, bearing three large black calligraphic characters “愛別離” flanked by smaller vertical seal-script text and a red square seal on the right edge. Below it, two gilded frames hold dark, indistinct classical paintings, while a softly glowing table lamp at the left edge casts warm amber highlights that contrast with the otherwise dim environment. A calm male voice-over in Standard Mandarin begins in a measured, explanatory tone, stating “上面写的是人生八苦中的爱别离。” The scene holds without camera movement, the silence of the room punctuated only by the narration, emphasizing the weight of the philosophical concept etched into the wood.\n\nA hard cut shifts to a tight close-up of a shirtless East Asian man from mid-chest upward, positioned slightly right of center. His head is bowed, eyes cast downward, lips parted as if caught in a moment of quiet revelation. Warm light from the front-left illuminates his face and bare chest, where a thin dark cord necklace rests, while a brighter, flickering orange glow in the far-right background—suggesting fire or a distant lamp—casts soft, dancing shadows across his shoulders. The shallow depth of field blurs the surroundings into a hazy vignette. The narrator’s voice fades, and the man himself utters a single, subdued word, “雪儿,” delivered quietly with a breathy, sorrow-tinged quality. The atmosphere remains deeply hushed, devoid of music or ambient noise, allowing the intimate warmth of the lighting and the raw vulnerability of his expression to anchor the scene before the image holds briefly and concludes.","video_1_relative_path":"videos/eae16a008abe09f6.mp4","video_2_relative_path":"videos/03f9f2b748ad2d22.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_8/example.json::00000001","text_prompt":"Cinematic medium close-up in a dimly lit bathroom, rendered in cool, desaturated greens and muted whites to evoke a sterile, confined atmosphere. The walls are clad in pale green tiles surrounding a large mirror, and a soft, low-volume electronic drone establishes an ominous, suspenseful bed. A middle-aged Caucasian man with short dark hair styled upward and a trimmed goatee stands before the glass, wearing a plain white T-shirt with shaving cream on his chin and upper lip. His expression is tense and slightly anxious; his eyes widen and lips part as he speaks in Mandarin with a calm, resolute tone, “冰释前嫌。” Without a cut, the camera holds steady as he continues, “这件事就当翻篇了。” His steady cadence and slight downward inflection signal finality. The synth pad persists, unobtrusive yet foreboding, while the confined framing reinforces his introspective state.\n\nA hard cut transitions to a prison corridor or visitation area, shifting to a medium shot with a starkly different lighting design. Hard, directional light carves deep shadows, casting the man’s silhouette and the outline of a barred window onto a cinder-block wall to his right. He now wears a light-blue short-sleeved uniform shirt over a white long-sleeved undershirt, a silver cross pendant resting against his chest. Through the bars, tiered cell blocks and distant inmates in matching blue uniforms are faintly visible. With a pleading, fatigued expression, he extends his left hand toward an off-screen presence and says in English, “Take my hand.” His voice is soft, breathy, and imploring, emphasizing the word “hand” before he adds, “So we can put this behind us.” The delivery is earnest and conciliatory, trailing gently with a faint exhale. Throughout the sequence, the restrained electronic score continues at a consistent low level, devoid of diegetic noise, keeping the focus entirely on his plea for reconciliation amid the carceral setting. The visual contrast between the private grooming moment and the public, barred corridor underscores a narrative of personal reckoning and the desperate pursuit of closure.","video_1_relative_path":"videos/1915cbbdcef461aa.mp4","video_2_relative_path":"videos/c26c723c76e70c9f.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_10/example.json::00000072","text_prompt":"In a softly lit dining room framed by pale walls, sheer white blinds, and a teal ceramic floor lamp casting a warm glow at frame left, a static medium two-shot holds two middle-aged East Asian men seated opposite one another. Soft daylight from a window on the right balances the exposure, gently modeling their faces while a shallow depth of field keeps both subjects sharp against a subtly blurred background of a floral-upholstered wooden chair and a potted leafy plant. The man on the right, wearing a grey cardigan over a white shirt with his hair neatly combed back, leans slightly forward, his eyes fixed on his companion. As a faint clink of cutlery against crockery echoes in the quiet room, a calm, measured male Mandarin voice begins, stating “可千算万算，你就忘了还有老天爷一算,” as he makes a small outward gesture with his right hand, palm up, before letting it settle back on the tabletop.\n\nAcross the table, the man on the left, dressed in a black leather jacket over a white shirt, keeps his gaze lowered, brow furrowed, his fingers loosely gripping a tall glass of bright orange juice. The tabletop between them holds a white bowl with utensils, assorted breakfast plates, and a pair of dark-framed eyeglasses. Continuing in the same restrained tone, the same man adds, “这突然来个沙瑞金,” his expression tightening with a hint of sudden concern. The leather-jacketed man lifts his eyes momentarily toward his interlocutor, then looks down again and swallows silently. The scene holds its somber stillness, anchored by minimal diegetic ambience and the absence of music, allowing the gravity of the conversation and the subtle shifts in micro-expression to carry the narrative weight in a single, uninterrupted shot.","video_1_relative_path":"videos/1a275a55dc915c98.mp4","video_2_relative_path":"videos/eda324ab06715102.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_10/example.json::00000097","text_prompt":"Open inside an opulent traditional Chinese chamber bathed in soft daylight filtering through latticed windows and sheer curtains, the color palette leaning on deep reds, dark woods, and muted blues to evoke historical grandeur. The camera begins positioned just behind a standing man whose back faces the lens; he wears a dark, textured robe embroidered with subtle circular motifs on the upper back and keeps his long black hair secured in a high topknot with a small ornamental pin. In the mid-ground, another man reclines on an elevated wooden daybed draped with green cushions and a blue-and-gold patterned quilt, dressed in a white outer robe over lighter inner garments. A low side table bearing a brass candlestick and small objects sits near the foot of the bed. The ambient room tone is quiet, devoid of music or extraneous noise, focusing all attention on the unfolding conversation. As the standing man begins to speak in a calm, matter-of-fact tone, the camera executes a barely perceptible forward dolly, tightening the composition so both figures occupy more of the frame. He reports, \"He said, the background of the three assassins.\"\n\nWhile the first speaker finishes his sentence, the seated man listens attentively, eyes fixed on the speaker with a relaxed yet alert posture. A deeper, slightly gruff male voice cuts through the quiet, asking, \"What else?\" The standing man pauses, giving the seated figure space to respond. The seated man’s expression shifts from neutral listening to mild curiosity; he tilts his head fractionally and leans forward slightly as the camera continues its slow advance, settling into a balanced medium shot framing both characters from the waist up. Delivering his lines in a measured, thoughtful tone, he adds, \"He also said this fire may have been started by the Emperor himself.\" The standing man remains still, absorbing the revelation. The scene concludes without any additional action, music, or environmental noise, leaving the heavy implication hanging in a tense, deliberate silence.","video_1_relative_path":"videos/90b27f8b5b96fd8b.mp4","video_2_relative_path":"videos/d88758e3e624fbb5.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_3/example.json::00000037","text_prompt":"A late-afternoon riverside promenade glows in warm, golden sunlight as a smooth backward tracking shot holds a balanced medium two-shot of a woman and a man walking slowly toward the lens. The woman, fair-skinned with shoulder-length wavy blonde hair, wears a black sleeveless top with lace trim and carries a brown cross-body bag, while her companion sports light-brown hair, a short beard, and a dark blazer over a pale patterned shirt. Behind them, a calm river glints beneath a stone bridge and leafy trees lining the opposite bank, with a white-and-yellow sightseeing boat marked “PARIS CRUISE” moored quietly at the left edge. The shallow depth of field softly blurs the distant architecture, drawing focus to their faces as a woman with a light French accent, her tone earnest yet tinged with resignation, states, “For the same exact reason.” A man with a calm American accent, replying with gentle curiosity, asks: “What reason is that?”\n\nMaintaining their steady pace, the woman continues without pause, her voice gaining reflective intensity as she gestures subtly with one hand. She explains, “Well, all couples expect that after a few years of living together, the passion and that consuming desire will remain exactly as they were in the beginning.” Her expression shifts between seriousness and wistful melancholy, while the man listens attentively, nodding once with a faint smile of understanding. Sunlight catches the strands of her hair, casting soft highlights and stretching long shadows across the paved path, where distant pedestrians ascend stone steps near a small monument on the right. A low-level urban ambience of distant traffic rumble and faint crowd murmur underscores the scene without overpowering their voices, weaving a contemplative, intimate mood that lingers as the pair continue walking, their philosophical exchange about enduring love and settled routine left beautifully unresolved against the tranquil Parisian backdrop.","video_1_relative_path":"videos/c6e3f5866715d146.mp4","video_2_relative_path":"videos/57af584779955483.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_3/example.json::00000044","text_prompt":"A locked-off eye-level medium shot captures a brightly lit apartment hallway, bathed in soft, even key light from the front-left that casts minimal shadows across warm neutral walls and wooden surfaces, punctuated by vivid accents. At the left edge stands a blonde woman seen mostly from behind, her short-sleeved top displaying a dense pink-green-yellow floral pattern with a red-and-white striped hood interior. Facing her in the doorway is a dark-haired man in black-rimmed glasses, wearing a black zip-up jacket over a graphic tee featuring a yellow rectangle with a simple cartoon figure. Behind him, a wooden door is secured with two strips of bright yellow caution tape and a partially visible red sign, while a decorative silver chain and a double light switch adorn the adjacent wall. The man holds a single white sheet of paper, his gaze shifting slightly upward toward the woman with his mouth half-open, ready to speak.\n\nHe lowers his eyes to the document and begins in a hesitant, mildly apologetic tone, “Um… here’s the thing.” As he speaks, he lifts both hands to grip the opposite edges of the page, giving it a quick, nervous flick that produces a soft rustle perfectly timed with his words. His eyebrows lift and his lips purse, betraying a flicker of embarrassment before he glances back up at the woman with a sheepish expression. Immediately after his line finishes, a burst of layered canned studio laughter erupts, filling the space with energetic male and female chuckles that sustain the comedic mood until the scene ends. The woman remains partially turned away, her reaction obscured, while the camera holds steady on the awkward exchange.","video_1_relative_path":"videos/01758942a962ce79.mp4","video_2_relative_path":"videos/1e7a812a8075cbfc.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_7/example.json::00000047","text_prompt":"Cinematic drama captured on a locked-off tripod at eye level, bathed in warm household lighting with a muted earth-tone palette punctuated by a red wooden cabinet. The scene opens on a static medium close-up of an East Asian man in his late thirties, seated indoors in a quiet room. He wears a black-and-white plaid flannel shirt left open over a plain white T-shirt, his short black hair neatly styled. Behind him, the cabinet holds small framed photos, while a dark console table to the right supports a lit lamp that spills a soft key light across a cream wall and a large framed painting. A white control panel is mounted farther right. The camera remains fixed, capturing only his subtle head tilts and mouth movements as his brows knit and eyes widen with indignant frustration. A firm, medium-low pitched Mandarin male voice, indignant and steady, states, “要钱有钱，要地位有地位，哪轮着我这个当大哥的去关心她。” The audio environment is stripped of background music, leaving only his clear, resonant speech to fill the space.\n\nA straight cut shifts to a matching medium close-up of an East Asian woman in her mid-thirties, also seated indoors. Her long dark hair is pulled back loosely, and she wears a light grey zip-up hoodie over a darker grey crew-neck T-shirt. Her arms are folded across her chest, her gaze cast downward as she conveys restrained displeasure through micro-expressions and tightened lips. The background features two ornate bedside tables, each topped by a brass-based lamp with a beige shade that casts soft, warm light, alongside a tall mirror and closed horizontal blinds at the far left. The locked-off framing emphasizes conversational realism, while the enclosed domestic setting and contrasting lighting subtly underscore a tension between material success and familial obligation. A calm but irritated medium-high pitched Mandarin female voice, measured and restrained, replies, “这话我就不爱听。” The scene holds on her quiet defiance before ending abruptly, with no fade-out or additional sound.","video_1_relative_path":"videos/3bba187f86f09ab2.mp4","video_2_relative_path":"videos/9b39a59da44d9acb.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/instruments/instruments_1/example.json::00000021","text_prompt":"A cinematic performance piece unfolds in a bright, sun-lit room with polished hardwood floors and large windows framing leafy greenery outside, casting a warm, domestic glow. The scene opens on a static medium-wide shot capturing a piano and cello duet. On the left, a woman in a white long-sleeved top, dark jeans, and light boots sits upright on a piano bench, her shoulders relaxed and gaze fixed on illegible sheet music. To her right, a man cradles a reddish-brown cello between his knees, bow poised. They begin in perfect unison: her fingers descend rapidly across the keys while his bow draws downward in one smooth stroke. The piano erupts in a bright, percussive ascending arpeggio, crisp key clicks audible beneath the metallic resonance, while the cello answers with a warm, resonant sustained note that fills the mid-range. The camera holds steady as their physical movements mirror the music—her elbows rise and fall with each chord change, his torso swaying subtly in time with the pulse. The musical texture thickens as the pianist shifts into flowing broken-chord figures, introducing a syncopated, dance-like momentum at a steady tempo around 140 to 150 beats per minute. The cellist responds with rapid bow changes and precise intonation, his contact point shifting to add tonal coloration, while a gentle crescendo swells and both musicians lean slightly forward, bow speed intensifying.\n\nThe cello then introduces a descending melodic fragment, articulated with crisp staccato touches, as the piano sustains a triadic harmonic foundation in a minor mode with modal inflections. Visually, the scene transitions through a subtle cross-dissolve that overlays a semi-transparent close-up of the cello onto the original wide shot, emphasizing the instrument’s glossy wood grain and a silver microphone positioned just below the bridge. The overlay fades smoothly, settling into a tight close-up focused solely on the cellist’s hands and the instrument. In this intimate framing, the cellist employs vigorous spiccato bowing, executing light, bouncing strokes that impart a lively, springy quality to the sound. Each bounce syncs with visible upward flicks of his bow arm, captured clearly by the shock-mounted microphone alongside the subtle friction of bow hair and the piano’s residual harmonic support. The energy escalates into a climactic flourish as the cello ascends rapidly through several notes, culminating in a resonant high pitch that rings out with natural decay. The pianist holds the final chord, fingers resting lightly, while the cellist slowly draws the bow across the string before gradually releasing pressure. The scene concludes without a fade-out, freezing on the vibrating strings and the poised bow, leaving only the moderate room reverberation and the quiet intimacy of the sunlit room to linger.","video_1_relative_path":"videos/ceeb42e487b6be1c.mp4","video_2_relative_path":"videos/db78fa03e40928b4.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/movie/movie_1/example.json::00000023","text_prompt":"A cinematic naval aviation sequence opens with a wide, high-angle establishing shot under a heavy, overcast twilight sky. The lighting is dim and desaturated, dominated by deep blues and greys with a faint orange glow along the horizon. A massive aircraft carrier cuts through the water from right to left, its deck lights glowing faintly against the dark hull, while two smaller warships follow in formation, their silhouettes muted in the gloom. From the far right edge, a single-engine propeller plane enters, skimming low just above the waves toward the carrier’s starboard side. The camera slowly pans left to keep the carrier centered while tracking the aircraft’s trajectory. A continuous, ominous orchestral score underpins the entire scene, beginning with a sustained low-string drone and subtle brass pads that establish a suspenseful atmosphere. Soft wind ambience fades in, layered with the distant, growing rumble of the approaching engine, which rises in pitch and volume as the plane draws nearer, complete with a noticeable Doppler shift.\n\nAs the aircraft closes in, it banks sharply and descends toward the flight deck, landing gear visibly deployed. The wind buffeting intensifies, and the engine roar peaks momentarily, mirroring the visual tension of the approach. The camera holds steady in a single unbroken take, capturing the plane as it makes contact with the deck. A sharp metallic thud echoes, followed by the brief, localized screech of tires gripping the metal runway and a faint spray of water kicked up upon impact. Beneath the main action, subtle hull creaking and water displacement sounds ground the scene in a realistic, dry maritime environment with minimal reverb. The plane rolls forward along the deck, accompanied by a barely perceptible mechanical hum and vibration. The orchestral tension swells from a quiet murmur to a full forte, culminating in a sustained brass and string sting that cuts off abruptly the moment the wheels settle, leaving a stark silence that emphasizes the finality of the landing and the gritty, foreboding isolation of the vast seascape.","video_1_relative_path":"videos/0dee166b15095a4d.mp4","video_2_relative_path":"videos/df4651b0ef8d5887.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/movie/movie_1/example.json::00000058","text_prompt":"A cinematic wide shot, captured from a high angle, reveals a vast, desolate expanse of cracked gray-brown earth bathed in an intense orange glow from the upper left. Thick, dark smoke billows across the barren terrain as a powerful explosion erupts at the center-left, sending a violent plume of dust and debris skyward. The scene is immediately punctuated by a sharp, percussive boom and the crackling scatter of falling material, establishing a raw, apocalyptic atmosphere.\n\nThe camera rapidly tilts downward and zooms in as a lone figure clad in a bulky tan protective suit is hurled backward into the air by the blast’s force. Tumbling helplessly through the smoke-choked atmosphere with limbs flailing, the subject is caught in a shifting palette where the lingering warm tones above give way to a cooler, purplish hue on the scarred ground below. A deep, resonant rumble and a wind-like whoosh accompany the ejection, grounding the physical impact in sound.\n\nAs the figure continues to fall, rotating slowly against the desolate backdrop, fine particles of dust swirl around them, catching the dim, diffused light. The camera tracks their descent smoothly, maintaining a tight focus on the solitary form against the barren landscape. The overwhelming rumble gradually decays into near silence, leaving only a faint atmospheric hush that underscores the profound isolation and devastation of the aftermath.","video_1_relative_path":"videos/55e647b146ca3b10.mp4","video_2_relative_path":"videos/df20415be5f83e87.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_10/example.json::00000078","text_prompt":"Cinematic suspense drama, static eye-level medium shot, natural daylight, warm earth tones contrasted by vivid red and muted green. The scene opens on a sun-bleached desert landscape of red-brown soil, scattered sagebrush, and distant layered cliffs beneath a pale blue sky streaked with thin clouds. A white recreational vehicle with orange-and-yellow stripes is parked to the right-rear of frame. Two men stand facing each other near its rear bumper. The man on the left, middle-aged with light skin, short dark hair, glasses, and a mustache, wears a light-green long-sleeved button-down shirt over a white undershirt. He speaks in a calm, measured baritone with a General American accent, stating, \"Moisture, accelerated by heat, yields phosphorus hydride.\" A faint, high-pitched insect chirp underscores the quiet, isolated ambience.\n\nThe camera remains completely still, holding the composition as natural daylight casts soft shadows on the sandy ground. The listener, slightly younger with short spiky brown hair, wears a grey long-sleeved shirt beneath a bright-red quilted puffer vest and stands mostly in profile, absorbing the information with focused intensity. The speaker pauses briefly, maintaining eye contact, before continuing with a slight downward inflection that underscores the gravity of the chemical, adding, \"Phosphine gas.\" The red-vested man shifts his posture imperceptibly forward, his head bowing slightly as he processes the lethal implications of the clandestine activity hinted at by the RV's presence.\n\nAfter a short, tense pause, the green-shirted man lowers his voice fractionally, his tone dropping into a cautionary murmur as he trails off ominously before completing the warning: \"One good whiff and it's over.\" He blinks once and holds his gaze steady on the listener. The background insect sound persists at a low volume, reinforcing the sense of isolation and mounting tension as the static frame lingers on the two figures against the vast, sun-drenched desert backdrop.","video_1_relative_path":"videos/779eb9fe6906d443.mp4","video_2_relative_path":"videos/badf2f44294ee97c.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_12/example.json::00000007","text_prompt":"Open on a single locked-off, eye-level medium-wide shot that holds steady throughout, capturing three young East Asian men seated side-by-side on a vivid red sofa in a dimly lit lounge. Warm amber and red accent lights wash over background shelves lined with liquor bottles, while a soft front-left key light gently illuminates their faces. In the foreground, a low coffee table holds an assortment of drinks—a green beer bottle, a dark glass bottle with a red-and-white label, a clear water bottle, a brown liquor bottle, and a bowl of pale chips—while a woman in a red sweater sits blurred at the far left and another patron in blue lingers faintly in the background. The scene is bathed in a cozy, contemporary urban drama palette, contrasting the rich reds of the sofa and lighting with the cooler greys and blues of the men’s clothing. A calm, explanatory male Mandarin voice begins, stating \"这种学生，江湖人称课代表。\" As he speaks, his eyebrows lift slightly and he gestures with his right hand, palm up, emphasizing the phrase.\n\nThe man in the middle, dressed in a black-and-white plaid shirt over a black T-shirt, glances toward the speaker with attentive stillness, hands clasped around his knee, while the man on the left in a grey fleece hoodie maintains a neutral, forward gaze. After a brief pause and a concluding nod, the speaker adds \"有道理。\" immediately followed by a short burst of canned laughter that fades in underneath his voice before receding. He then resumes in a reflective cadence, his delivery slowing as he continues, \"每个老师都有这样的一个心腹，专门替他们留意班上的动静。\" The camera remains completely static, the warm practical fill from the bar area preserving the depth and intimate, conversational framing as his voice carries the narrative weight, leaving the lounge atmosphere quietly suspended on his final, measured words.","video_1_relative_path":"videos/830a282b4d45ed53.mp4","video_2_relative_path":"videos/0571d74633d3a54a.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_3/example.json::00000000","text_prompt":"A daytime television scene captured in a steady, front-facing medium shot from just outside the hood of a moving red convertible, gliding down a multi-lane suburban street under even natural daylight. Shallow depth of field keeps the cabin sharply focused while blurred trees, traffic lights, and passing vehicles streak through the windshield, emphasizing forward motion. Inside, a blonde woman in a vivid pink top keeps both hands firmly on the steering wheel, her gaze locked straight ahead. Beside her, a dark-haired man in a grey T-shirt featuring an orange crescent-and-star graphic turns slightly toward her. A calm, mid-range male voice begins, stating \"Four hundred pounds.\" The woman quickly corrects him without breaking her focus on the road, turning her head slightly as a bright, lightly teasing female voice replies, \"Let’s say forty-three ninety.\" The man acknowledges her precision with a small nod and a faint smile, then responds crisply, \"Fine,\" before immediately returning his gaze to the road, his expression settling into mild resignation. The background continues to glide past the windows as he resumes, his tone shifting to mild surprise and analytical observation: \"We’re traveling forward at… good lord… fifty-one miles an hour.\" He glances sideways with raised eyebrows, as though confirming the speedometer, while the woman maintains her forward focus, lips pursed in concentration. Throughout the exchange, the audio landscape remains strictly diegetic, anchored by a subdued, low-frequency engine and road hum that underscores the clear, close-mic’d dialogue. The friendly banter and contrasting body language—her steady grip on the wheel versus his animated facial expressions—convey a lighthearted, conversational rhythm typical of contemporary television, all rendered in saturated colors with the red exterior and pink top popping against the daylight backdrop.","video_1_relative_path":"videos/b26f01dd34a2b3e0.mp4","video_2_relative_path":"videos/128c37491fce55dc.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_3/example.json::00000004","text_prompt":"A dimly lit interior bathed in a cool bluish-gray nocturnal palette is pierced by a single warm lantern glow at the far left, casting elongated shadows across rough-hewn wall panels and wooden lattice windows. Shot in a static medium two-shot with a shallow depth of field that isolates the subjects from the blurred architectural background, the frame holds a symmetrical composition of a young woman and a young man seated side-by-side on a low woven mat atop polished dark stone tiles. The woman, dressed in a pale mint-green robe with white floral embroidery over a cream under-layer, her long black hair half-up and adorned with delicate silver-white ornaments and dangling earrings, gazes intently at her companion with hands resting calmly in her lap. The man, wearing an off-white outer robe trimmed with light green over a darker inner garment, holds both of her hands gently between them, his head bowed and eyes lowered to their joined palms. A soft, slow orchestral score led by sustained strings and faint piano begins immediately, establishing a tender yet slightly melancholic atmosphere. A calm, soft female Mandarin voice murmurs, “嗯。” The man lifts his gaze toward her just enough to speak, a quiet, intimate male Mandarin voice saying, “等一下。” before he lowers his eyes again. As he speaks, he shifts his right hand away from hers and raises it toward the collar of his robe, his fingers brushing the fabric near his neck as if he has noticed something amiss. The woman’s expression tightens minutely; she watches him with restrained concern, her lips parting as if about to ask what is wrong. Continuing his inspection, the man pinches a fold of his robe close to his chest and sniffs delicately, his brow furrowing as a soft, reflective male Mandarin voice murmurs, “好像有什么东西。” He keeps his attention fixed on the spot he examined, inhaling once more while still holding the robe edge between his thumb and forefinger. The orchestral bed swells almost imperceptibly, adding a hint of tension before settling back into its original hush. Both figures remain seated in silent anticipation—the woman’s brows knitting, the man poised as though awaiting a revelation—while the restrained ambient score lingers beneath the fading image, leaving the discovery open-ended.","video_1_relative_path":"videos/a56cdb2a99075006.mp4","video_2_relative_path":"videos/49a5f9aa9a9f5aeb.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_6/example.json::00000071","text_prompt":"A warm, widescreen sitcom scene opens on a static, eye-level medium-wide shot, bathed in soft tungsten key light from above-right that casts gentle shadows across hardwood floors and beige walls. The camera remains locked off in a balanced composition, framing a neatly made bed with a blue-and-white striped comforter where a man in his early thirties sits cross-legged. Dressed in a green-black-white plaid flannel over a white T-shirt, he is slightly hunched in concentration, his attention fixed on a large three-dimensional molecular model of red, blue, and white spheres linked by black rods. Behind him, a wooden dresser holds labeled storage boxes and a framed black-and-white photograph of the Golden Gate Bridge, while a dark bookshelf packed with books and comic volumes lines the right wall. From an open white door, a woman in her mid-forties enters, wearing a knee-length red dress beneath a long-sleeved floral cardigan and black heels. She steps onto a small blue rug, her expression bright and welcoming as she greets him, \"Good morning, Snickerdoodle.\"\n\nA brief burst of canned audience laughter rises to signal a sitcom atmosphere before fading into quiet domesticity. The man glances up from his model, offering a polite half-smile while keeping one hand resting on the sphere assembly, and replies quietly, \"Morning.\" His tone is subdued and distracted, his gaze already returning to the intricate structure. The woman pauses beside the bed, hands lightly clasped, and tilts her head with playful intrigue. Leaning slightly forward, she asks, \"Oh, well, that looks awful fancy. What is that?\" as she studies the colorful arrangement. The man continues manipulating the model without looking up, fully absorbed in his work, while the frame holds steady on their mid-interaction, capturing the cozy, character-driven warmth of the scene.","video_1_relative_path":"videos/cc68725ea3397848.mp4","video_2_relative_path":"videos/22682d302610fc29.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_7/example.json::00000010","text_prompt":"Bathed in warm late-afternoon golden-hour sunlight that glints off the Seine, a cobblestone riverside promenade in Paris sets a romantic, cinematic stage. A steady, eye-level camera captures a medium shot of a blonde woman in a sleeveless black top with a brown shoulder strap and a dark-haired man in a dark blazer over a white open-collar shirt walking side by side. Their faces light up as they spot someone ahead, and the man extends his right hand, calling out: \"Monsieur, pardon, pourriez-vous nous aider ?\" The woman steps slightly forward, adjusting her bag strap, and speaking in French with a courteous yet slightly hurried tone: \"Ça vous arrive de me déposer au passage Dix Rue des Petites Écuries ?\" The camera executes a gentle leftward pan to keep the pair centered while revealing more of the riverbank and the distant Gothic silhouette of Notre-Dame Cathedral across the water. An older man with wavy blondish hair and a dark suit jacket turns to face them, completing a loose triangle as the three begin their conversation.\n\nThe older man responds with warm, friendly enthusiasm, stating: \"Oui, oui. Allons-y.\" He pivots to lead the way, stepping leftward along the quay, and the woman nods appreciatively while the first man gives a small confirming gesture. All three begin to move together in the same direction, their figures gradually shifting toward the left edge of the frame as the camera makes a slight corrective pan to maintain composition. The shot remains a single continuous take with a moderately shallow depth of field, keeping the subjects sharply focused while softly blurring the passing boats and cathedral spire in the hazy distance. The palette relies on authentic environmental tones—warm skin hues, muted stone greys, and the reflective blues-golds of the river—illuminated by natural sunlight that casts soft shadows and fades gently as the scene concludes. Throughout, the soundscape is intimate and uncluttered, carrying only the soft hush of distant city traffic and the light murmur of water movement, with no music or crowd noise to distract from the quiet, chance encounter.","video_1_relative_path":"videos/e9c6d2b4118519df.mp4","video_2_relative_path":"videos/d0fcd02862163a26.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_8/example.json::00000034","text_prompt":"Cinematic European travel romance, steady medium two-shot with a subtle push-in, bathed in warm, saturated golden-hour sunlight that glints off the Seine and catches the distant twin towers of Notre-Dame. The stone-paved riverside promenade frames a blonde woman in a black sleeveless top and a brown shoulder bag standing opposite a dark-haired man in a charcoal suit jacket over a pale patterned shirt. A low urban hum and the soft rustle of leaves underscore the moment as she begins speaking in a calm, measured American accent, raising a hand to adjust her hair. \"Well, I can take the metro. I'm fine,\" she states, her tone composed yet insistent. The man immediately interrupts, shaking his head and flicking both hands outward in a rapid, urgent denial. \"No, no, no, no, no, no, please just listen,\" he insists, his pace quickening as he glances at his wristwatch before locking eyes with her. He continues explaining in a persuasive, rising cadence, palms opening toward the sky for emphasis. \"My flight's not until ten, right? They've got me arriving two hours early. This way we can keep talking,\" he says, a hopeful smile breaking across his face as he gestures forward, inviting her to accompany him. The woman listens with lips pressed together, absorbing his rationale before exhaling lightly, her eyebrows lifting in mild surprise. \"No, no, no, Monsieur,\" she answers in a slightly skeptical tone, lifting her right hand in a restrained half-wave to signal distance. As the camera subtly widens to reveal moored boats along the quay, a crisp off-screen male voice cuts in from behind them. \"Monsieur, if I may interrupt,\" the French-accented voice calls out. The man pivots his head toward the sound, his expression shifting to polite attentiveness, while the woman turns her gaze in the same direction, leaving the exchange suspended in the warm, cinematic light.","video_1_relative_path":"videos/35d8427c6534ca2f.mp4","video_2_relative_path":"videos/e725c45b6f6387df.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/music/music_2/example.json::00000036","text_prompt":"Cinematic live-performance scene, medium shot transitioning to extreme close-up, warm natural and ambient lighting, rich earthy palette with black and gold accents. A young woman with long, wavy blonde hair stands behind a glossy black grand piano in a sun-drenched, semi-outdoor café lounge. Bathed in the glow of overhead string lights and ivy garlands mixed with strong daylight from large glass windows, she wears a fitted black long-sleeved top and a chunky gold necklace with large circular pendants. The space features exposed brick walls, wooden bar stools, two acoustic guitars leaning against the left wall, and a tall fiddle-leaf fig plant to the right. The camera holds static, framing her upper body and the reflective piano surface that mirrors the ceiling lights and her earnest, focused expression. As she begins to sing, a solo female vocal line emerges, supported by soft, arpeggiated acoustic piano chords in a slow-tempo ballad. The audio carries a clean, spacious reverb that blends her emotive mid-to-high register melody with the gentle room tone, creating an organic yet controlled acoustic atmosphere.\n\nA hard cut shifts the frame to an extreme close-up, tightly cropping from forehead to chin. Her eyes close as she sustains the final phrase, subtle facial muscles engaging with a slight vibrato that emphasizes the emotional delivery. The background dissolves into a soft blur from shallow depth of field, isolating her face and drawing full attention to her intimate performance. The vocal and piano accompaniment continue seamlessly without interruption, maintaining consistent dynamics and a delicate balance of natural room reflections. Faint, barely perceptible inhalations between phrases confirm the live, unfiltered nature of the recording, while the absence of external noise or mechanical foley keeps the focus entirely on the resonant, heartfelt duet of voice and keys.","video_1_relative_path":"videos/051cdcc7a024af54.mp4","video_2_relative_path":"videos/d975cf577b33e13c.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/music/music_2/example.json::00000070","text_prompt":"Cinematic pop-rock performance, captured on a 35mm lens with high-contrast industrial lighting and a cool, saturated palette. The sequence opens with a low-angle close-up of a bald male vocalist singing passionately into a black microphone on a stand. He wears dark sunglasses, multiple earpieces in his right ear, a studded leather wristband on his left wrist, and visible tattoos across both forearms. His mouth is wide open mid-phrase, conveying intense vocal effort as he projects a strong, slightly raspy chest voice, delivering the line “And wash away,”. Above him, a corrugated metal ceiling hosts rows of bright white pendant lights suspended by green cords, establishing a gritty, theatrical ambiance. The audio features a driving pop-rock arrangement: distorted electric guitars, a punchy bass, and energetic drums lock into a fast 145 BPM tempo, while cymbal crashes punctuate the downbeats in a loud, heavily compressed, studio-polished mix.\n\nA hard cut immediately shifts to a static wide shot that reveals the full six-piece band arranged across two tiers. On the left, a guitarist in a maroon shirt plays a light-colored electric guitar, with a keyboardist operating equipment on a raised platform behind him. Center stage, another musician plays an orange-bodied electric guitar while standing at a keyboard, flanked by a drummer seated behind a large chrome kit and the lead vocalist positioned slightly forward on the far right. All performers wear casual stage attire of dark jeans, t-shirts, and button-downs. Dominating the rear wall is a circular blue emblem featuring a white lightning bolt and the words “POWER THE WORLD” arched in bold white lettering, framed by dense rows of overhead string lights that bathe the scene in even illumination. The vocalist sustains the phrase “For life,” holding the final note with controlled vibrato as the band maintains relentless rhythmic intensity. The soundscape remains entirely focused on the musical performance, stripped of crowd murmur or ambient room noise, leaving only the tight, reverberant instrumentation and the singer’s commanding delivery to fill the space.","video_1_relative_path":"videos/daca22531cd56181.mp4","video_2_relative_path":"videos/1c01355dc38012f4.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/physics/physics_2/example.json::00000089","text_prompt":"A minimalist, meditative close-up shot frames a smooth tan wooden carving resting on a flat, light-gray surface under diffuse, shadow-free lighting. The fixed lens maintains a centered composition with a neutral background, while the palette balances soft earth tones against the ornate red and purple panels of the circular cushion beneath the sculpture. The piece itself resembles a stylized face or mask, rounded at the top and tapering down to a base gently clasped by two wing-like appendages etched with fine, feather-like incisions. Its eyes are rendered as oval indentations filled with a cross-hatched texture, while a V-shaped notch forms the mouth, flanked by subtle carved ridges.\n\nThe quiet stillness is punctuated by a sequence of six deliberate, sharp percussive strikes. Each impact carries a crisp attack and short decay, producing a dry, mid-to-high frequency resonance characteristic of wood meeting wood, suggesting a small implement tapping the sculpture or its base. Just as the final strike echoes, a blurred pale hand briefly enters from the upper right, holding a slender stick or mallet, before retreating out of frame. The scene settles back into complete stillness, leaving only a faint, steady room tone or electronic hum beneath the silence. The deliberate rhythm and tactile interaction emphasize craftsmanship and sonic precision, creating a quiet, focused atmosphere that draws full attention to the material resonance of the carved object.","video_1_relative_path":"videos/819d18a097b8baca.mp4","video_2_relative_path":"videos/da2dd5ddec7c8d1b.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/physics/physics_5/example.json::00000003","text_prompt":"Cinematic coastal study, shot on a static low-angle lens positioned at the water’s edge under a muted, overcast sky. The composition is anchored by a centered horizon line that cleanly divides pale gray clouds from turquoise-green ocean, while damp, packed sand in the foreground catches soft, diffuse highlights. Far out on the swells, two indistinct dark silhouettes bob rhythmically, adding scale without breaking the isolation. The audio landscape opens with the continuous, immersive roar of surf, beginning with a low-frequency rumble that swells in texture as the first gentle wave approaches. It crests near the camera with a broad-spectrum crash and splash, immediately receding into a quiet fizz of popping bubbles and draining water.\n\nA second, heavier wave follows, its deeper resonant growl building into a more percussive impact that violently collapses against the shore. A spray of frothy white water flicks across the lower frame, momentarily blurring the view before sliding back seaward, leaving behind a brief acoustic lull filled only with the granular hiss of retreating foam. The third wave rises smoothly, its greenish-blue face catching subtle shifts in the flat daylight as it breaks into a lateral spread of whitecaps and shallow rivulets. The corresponding soundscape mirrors this motion with a crisp, airy crackle followed by a soft, gurgling decay as water filters through the sand. Throughout the sequence, the camera remains fixed, maintaining an intimate ground-level perspective that captures the hypnotic, unbroken cycle of tide and sound. Stripped of all artificial noise, voices, or mechanical hum, the scene breathes as a meditative, raw portrayal of nature’s constant rhythm, where every visual swell and acoustic transient aligns in seamless, cinematic harmony.","video_1_relative_path":"videos/696f737cf230dac2.mp4","video_2_relative_path":"videos/a8b07588744d4d80.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/physics/physics_7/example.json::00000017","text_prompt":"Cinematic vertical close-up, chiaroscuro lighting, cool metallic palette: a chilled silver aluminum beverage can sits against a pure black backdrop, its surface beaded with fine condensation that catches the directional light. The illumination sculpts the top rim and pull-tab while leaving the body in deep shadow, emphasizing the tactile textures and reflective curvature. The camera remains locked off as a right hand enters from frame right, warm skin contrasting sharply with the cold metal as fingers gently wrap around the can’s midsection. A soft, dry rustle of skin sliding over chilled aluminum fills the near-silence, accompanied only by a faint, acoustically dampened room tone. A left hand then rises into view, positioning thumb and forefinger on the pull-tab with precise micro-adjustments that produce light, high-pitched metallic clicks as nails brush the edges.\n\nThe left thumb presses down firmly, triggering a sharp, brittle snap as the rivet breaks, immediately giving way to a steady pressurized hiss. The tab pivots upward, and thick white foam erupts in a sudden, voluminous burst, splashing over the rim and cascading down the can’s side in viscous streams that coat the previously dry metal. The audio swells into a loud, turbulent gush layered with fizzing bubbles and soft, rhythmic plops as the liquid drips off-frame, peaking in intensity before settling into the sustained hiss and steady runoff. The shot holds its static framing, capturing every detail of the effervescent rupture and the lingering dampness, delivering a minimalist, cathartic sensory payoff that transitions from anticipatory silence to chaotic, hydro-mechanical release.","video_1_relative_path":"videos/d85d9dc2fc24e76d.mp4","video_2_relative_path":"videos/312a739bc6fda630.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/physics/physics_7/example.json::00000086","text_prompt":"Rendered in a cinematic macro style with a vertical aspect ratio, the scene opens on a tightly framed close-up of a cicada clinging to the rough, mottled bark of a thick tree trunk during twilight. The composition is anchored by a cool, deep blue evening palette, with out-of-focus bare branches fading into the dusk behind the subject. Soft, directional artificial light positioned near the camera gently sculpts the frame, casting subtle shadows that emphasize the bark’s texture, the sharp protruding thorns, and a pale scar just below the insect’s abdomen. The cicada remains almost entirely still, its gray-brown wings and body highlighted by the steady illumination, with only the faintest, almost imperceptible twitches of its legs and antennae breaking the stillness. The camera holds fixed, refusing any pan, tilt, or zoom, allowing the viewer to linger on the intricate contrast between the creature’s delicate form and the rugged, thorny wood.\n\nAurally, the scene is dominated by a loud, continuous, high-pitched stridulation that fills the soundscape with unwavering intensity. Recorded with a proximity that suggests a microphone placed inches from the subject, the cicada’s piercing buzz maintains a consistent amplitude and spectral profile, creating an immersive, hypnotic atmosphere typical of a quiet summer evening. The acoustic environment remains completely dry, stripped of wind, ambient wildlife, or any underlying room tone, leaving the insect’s song as the sole auditory presence. Just as the visual stillness reaches its peak, the buzzing ceases instantaneously without a fade or drop in volume. The frame holds for a final, breathless moment in absolute silence, punctuating the twilight scene with a stark, lingering quiet that underscores the raw, unadorned intensity of nature captured in miniature.","video_1_relative_path":"videos/8dfcf078e0f756db.mp4","video_2_relative_path":"videos/3686c497ce08b2e6.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_1/example.json::00000035","text_prompt":"A cinematic gastronomic documentary sequence opens on an extreme macro shot with soft, even lighting and a pale green and clear palette, where countless translucent spheres resembling fish roe drift lazily in a shallow pool of liquid. Faint ripples disturb the water, catching the glossy surfaces and tiny dark specks dotting the eggs. A calm, measured male narrator in Standard Mandarin speaks over a subdued, traditional instrumental bed led by an airy flute and sustained strings, stating, \"Only about eight kilograms can be collected in a single summer.\" The camera holds this contemplative composition as the music swells gently beneath his voice, establishing a tone of seasonal reverence before a hard cut transitions the scene.\n\nThe frame shifts to a rustic kitchen bathed in bright, warm daylight streaming through a window. In a medium shot, an older woman wearing a blue-and-white vertically striped shirt and red patterned elbow sleeves lifts the heavy lid from a large black wok set into a white-tiled stove. A thick plume of steam billows upward, momentarily veiling her face as she lowers a round bamboo steamer basket onto the wok. Beside it, a blue-and-white porcelain bowl holds chopped green onions and ginger slices. The scene is grounded by crisp kitchen Foley: a sharp metallic clink as the lid is removed, followed by a hollow wooden thud when the steamer settles. The camera cuts to an overhead close-up of the bowl as the woman’s hand scoops and sprinkles the aromatics, then tilts the vessel to pour a clear liquid over them. As the narrator instructs, \"Pour on the scallion and ginger juice,\" a soft splash echoes through the room. Steam wafts gently above the glistening mixture while the quiet instrumental track carries the sequence to a peaceful close, visually and sonically bridging delicate natural ingredients with humble home cooking.","video_1_relative_path":"videos/efe75e186a5e46b2.mp4","video_2_relative_path":"videos/449d21c80954ab22.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_4/example.json::00000006","text_prompt":"A static, over-the-shoulder medium close-up in 16:9 frames a tense clinical encounter, placing the viewer directly behind the out-of-focus shoulder of a medical professional in light blue-green scrubs and a surgical mask. Across the shallow depth of field, a Black woman sits upright on a hospital bed, her short tightly curled black hair and teal-blue patient gown contrasting against the pale green walls and beige paneling of the sterile room. Bright, cold overhead lighting casts soft shadows beneath her chin while catching a thick, raised scar along the right side of her neck. Her complexion bears a faint sheen of perspiration, and her wide, glistening eyes lock onto the unseen figure, breathing shallowly as a calm, low-pitched male Mandarin voice-over begins, stating \"早说出了一段更令人毛骨悚然的真相。\" with a measured, suspenseful cadence and a deliberate pause that underscores the gravity of the revelation.\n\nWithout a cut or shift in framing, the woman’s lips part slowly, her quiet yet firm Portuguese delivery cutting through the otherwise silent room: “Mas sabe o que é pior?” Her voice carries a subtle tremor of fear tempered by weary resolve, and as she finishes the question, her expression tightens with dread and determination. The absence of ambient noise or music isolates every syllable, forcing the audience to focus on her micro-expressions and the psychological weight of the cross-cultural interrogation. The muted palette of greens, teals, and beiges, combined with the stark, high-key lighting, reinforces the clinical tension, leaving the unresolved question hanging in the sterile air as the shot holds steady on her glistening eyes.","video_1_relative_path":"videos/bc313b9dce519cd8.mp4","video_2_relative_path":"videos/1c04ec224eacffe9.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_7/example.json::00000089","text_prompt":"Cinematic low-key drama, shot on a 50mm lens with a shallow depth of field, opens in near-total darkness. A faint bluish-green rim light skims the right edge of the frame, barely outlining the chest-up profile of a figure on the left. The person, with long hair and a light-colored top, bows their head while pressing both hands over their mouth and nose to stifle their grief. The scene is utterly silent save for a sharp inhalation that quickly fractures into a wet, trembling sob, rising in pitch before dissolving into a series of short, ragged cries. The absence of music leaves the raw emotion stark against the blackness. As the weeping continues, a calm adult male voice-over in standard Mandarin begins to narrate in an even, somber tone, stating \"罗宇终于明白，他们再也回不去了。\" The narration overlays the muffled sobs without competing for attention, while the dim blue-green lighting holds steady on the distressed silhouette.\n\nA hard cut abruptly shifts the scene to a brightly lit interior, now framed as a medium close-up of a man seated behind a desk. He wears a dark suit jacket, crisp white shirt, and red tie, with neatly styled short black hair and his hands clasped before him. A gooseneck microphone angles toward his mouth, while vertical blinds and a framed picture blur softly in the background under neutral, even office lighting. The man stares straight ahead with a grave, listening expression as the narrator’s voice continues, trailing off before completing the thought: \"几天后，法院的裁决终将落下。\" The camera holds on this static, tense tableau, leaving the outcome unresolved and emphasizing the stark transition from private anguish to formal consequence.","video_1_relative_path":"videos/820d8daa157b9de0.mp4","video_2_relative_path":"videos/9d4c0af98dbc56f9.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_9/example.json::00000069","text_prompt":"Cinematic thriller tone, shot on a 35mm lens with cool, desaturated color grading and soft, diffused shadows cast by overcast daylight streaming through a large window in a dim, industrial concrete room. The camera holds a static medium shot from behind the back of a bald man’s head, focusing on a middle-aged Caucasian man in a light-green short-sleeved button-down over a white T-shirt. He is bent forward, rummaging through an olive-drab canvas duffel bag resting on his lap, revealing several thick bundles wrapped in brown paper that resemble stacks of cash. Beneath the scene, a low, ominous electronic drone sustains a tense atmosphere. A lively, slightly dramatic male Mandarin narrator begins, stating “As soon as he turned around, Fat Head Fish actually pulled out a meat tenderizer.” The camera executes a sharp cut to an extreme close-up of hands slowly rotating a heavy metal meat tenderizer, its rectangular steel head studded with blunt pyramids catching the cold light against a blurred concrete backdrop.\n\nThe sequence returns to a static medium close-up of the man in the green shirt, framed from the mid-chest upward. He looks up toward someone just off-screen to the right, his eyes widening with sudden excitement. Delivering the line with a deep, resonant American accent and slightly theatrical emphasis, he declares, “You know, Roy, this is a monumental moment.” The continuous low-frequency synth pad lingers beneath his words, maintaining the scene’s brooding tension while deliberately suppressing all diegetic Foley to keep the focus tightly on the narration and dialogue. The brisk pacing and deliberate framing guide the viewer’s attention seamlessly from the concealed contents of the bag to the ominous tool and finally to the character’s charged reaction, blending ironic commentary with a gritty, cinematic mood.","video_1_relative_path":"videos/e57ccfae696afc7a.mp4","video_2_relative_path":"videos/2d7e9b783d543e65.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_2/example.json::00000043","text_prompt":"A cinematic two-shot captures a sun-dappled, tree-lined park walkway bathed in the warm, golden light of late afternoon, framed on a 35mm lens at chest level to maintain an intimate, conversational perspective. A man in a dark charcoal suit jacket over an open-neck white shirt walks side-by-side with a woman in a black lace-trimmed sleeveless top, light-wash jeans, and a brown cross-body bag. Her wavy blonde hair catches the soft backlight as she listens attentively. The man speaks with an expressive, slightly sardonic General American accent, gesturing animatedly with his right hand as he remarks, \"Even if they’re now in a wheelchair, they remain optimistic and jovial.\"\n\nA hard cut shifts to a rear three-quarter tracking shot as the pair continues down the paved path, flanked by dense green hedges and a distant beige building. The man keeps talking, occasionally glancing sideways at the woman while raising both hands for emphasis. His tone grows lightly incredulous as he continues, \"If they’re a petty, miserable asshole, they’ll still be a petty, miserable asshole with a new Cadillac, a house, and a boat.\" The woman turns her head slightly toward him, her expression a blend of amusement and quiet reflection, while the gentle crunch of their footfalls blends into the minimal, music-free ambience.\n\nWithout changing the conversational rhythm, the scene cuts back to a frontal medium shot as they walk directly toward the viewer. The woman breaks into a broad, crinkling-eyed smile and leans into the philosophical exchange, her lighter, warmer voice cutting through the quiet afternoon air: \"So you’re saying that no matter how much luck or wealth comes their way, they’ll never truly be satisfied?\" The soft shadows and earthy color palette reinforce the reflective mood, leaving the camera to hold on their synchronized stroll as the dialogue fades into the dappled light.","video_1_relative_path":"videos/280a13519a158c80.mp4","video_2_relative_path":"videos/f08df5ffa379c0b3.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_3/example.json::00000095","text_prompt":"A moody, cyan-teal graded historical crime drama opens on a medium-wide steadicam glide tracking backward along the open-air wooden corridor of a traditional Chinese estate. The cool, diffused lighting casts gentle shadows beneath carved pillars and latticed windows, emphasizing muted earth tones against the atmospheric greenish cast. Walking side-by-side in a steady waist-up two-shot are a stocky man in a graphic white tee and black vest, wearing round blue-tinted sunglasses, and a leaner companion in a grey button-down and brown leather jacket. Their footsteps echo softly on the stone floor beneath a faint, low-frequency room-tone hum. A calm, measured male voice in standard Mandarin with a slight northern lilt begins, stating \"他不是我亲戚。\" As the corridor’s architectural details scroll past, the speaker maintains his forward gaze, occasionally flicking his eyes toward his companion for emphasis. His tone remains slightly accusatory as he continues, \"三十年前他曾是爷爷很欣赏的徒弟，可惜私心太重。\" The sparse soundscape isolates his words against the persistent ambient hum, heightening the tension. The listener on the right lowers his eyes briefly, then looks ahead with an unreadable expression, absorbing the revelation without breaking stride. The pair approaches a section where the roof opens onto a mist-veiled courtyard dotted with potted plants and distant tiled roofs, the camera preserving its smooth retreat. The speaker’s voice hardens with a firm, cautionary weight as he delivers the final line: \"倒斗的时候因为冥器害死同门。\" Both men continue walking without pause, striding deeper into the corridor as the scene settles into the cool, atmospheric hue, leaving the moral reckoning and multi-generational legacy of the clan hanging in the quiet, tension-filled air.","video_1_relative_path":"videos/3ab8b1f42adce72e.mp4","video_2_relative_path":"videos/018a36edbcafebc3.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_4/example.json::00000066","text_prompt":"A sitcom-style scene opens on a static medium two-shot, framed at eye level with a shallow depth of field that keeps a tall, dark-wood bookcase and a small stereo receiver softly blurred in the background. Warm, even three-point lighting and a palette of deep browns, muted greens, and neutral greys highlight the subjects in the foreground: two musicians seated at close distance. On the left, a woman in her thirties with shoulder-length curly brown hair and black-rimmed glasses wears a red top beneath a zip-up hoodie patterned with large yellow-green flowers, holding a violin upright in her lap with the bow resting across the strings. Opposite her, a man of similar age, also wearing black-rimmed glasses, a dark jacket, and a silver-cased wristwatch, cradles a full-size cello whose rich reddish-brown varnish catches the soft key light. She looks directly at him with an intent yet playfully teasing expression, and a lively, slightly sardonic female voice begins, stating, \"I thought I saw your pupils dilate when you looked at her, which, unless you’re a heroin addict, points to sexual attraction.\" As her final words land, a brief burst of canned studio laughter swells beneath the dialogue, peaking naturally before fading into the quiet room. The man remains silent, his hands relaxed on the instrument’s neck and body, offering only a faint, knowing smile as the camera holds steady, letting the warm tones of the polished wood and the subtle comedic pause linger in the air.","video_1_relative_path":"videos/70b0b88f396e4eb6.mp4","video_2_relative_path":"videos/b85c33858fdab0ca.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_5/example.json::00000000","text_prompt":"A static medium two-shot captures a brightly lit late-night talk-show set, framed against a stylized blue-and-purple city-skyline backdrop that glows softly behind a polished wooden desk and a plush red armchair. High-key studio lighting washes both subjects in even illumination, while subtle rim lights separate them from the defocused urban panorama. The scene opens with the audience cheering loudly and applauding with excited whoops that quickly settle into a warm murmur. Seated at the left, Barack Obama—wearing a black suit jacket over an open-collar white shirt—leans forward slightly with his hands resting on his knees, smiling toward the host. Conan O’Brien, positioned at the right behind the desk in a dark suit, light lavender shirt, and patterned brown-orange tie, turns to face Obama and begins speaking in a lively, upbeat American English delivery, his right hand lifting briefly as he acknowledges the crowd: “Thank you.”\n\nConan continues, gesturing with both hands for emphasis, remarking: “People in Chicago love having you here,” punctuating the thought with a small laugh that draws scattered chuckles and renewed applause from the crowd. Obama listens attentively, nodding once before leaning back into his chair to settle comfortably. He interjects with a brief, friendly acknowledgment: “Yeah,” followed by a relaxed, affirming delivery: “They’re nice. They’re nice. They’re nice people here.” Conan, still animated, responds enthusiastically: “They are wonderful. You’ve got a wonderful state here, and uh, it really shows,” before trailing off as the audience noise dwindles to a low room tone. The camera remains completely locked off throughout the exchange, holding the steady composition as Obama smiles appreciatively with his mouth closed and eyes fixed on the host. Surrounding details—a vintage black microphone, a clear snow globe containing a yellow figure, a turquoise-yellow mug, a green rotary telephone, and a small dark-blue speckled mug on a side table—sit free of any legible text or branding, reinforcing the cordial, lighthearted atmosphere of the amicable interaction as the shot holds without transition.","video_1_relative_path":"videos/b1d4949728595130.mp4","video_2_relative_path":"videos/c255b88d3d350860.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_5/example.json::00000042","text_prompt":"A steady medium two-shot at eye level frames an intimate late-night conversation in a dimly lit interior, rendered in a striking dual-tone palette. Warm red light washes over the left side of the frame while cool blue-purple spill from a large multi-paned window behind the characters illuminates the right, casting dramatic silhouettes against a dark night sky dotted with silhouetted trees and distant hills. The shallow depth of field keeps the background softly blurred, drawing focus to the two figures standing in the foreground: a woman with shoulder-length brown hair in a dark collared shirt, and a bearded man in a light button-down over a white T-shirt. Children’s drawings, including one with a bold yellow triangle, are taped to the wall beneath the window, grounding the space in a casual, creative atmosphere.\n\nThe man points at a white sheet of paper the woman holds toward him, his slightly higher-pitched North American voice carrying a curious, mildly amused tone as he asks, \"Why does it say Seb's?\" The woman lifts her gaze, meeting his eyes with a playful, confident smile as she replies, \"Because I think you should call it Seb's.\" The man reacts with mild surprise, eyebrows raised and mouth open in a short laugh-like exclamation, his questioning lilt cutting through the quiet room: \"What?\" She continues with a light chuckle, her friendly North American accent clear and teasing: \"Because no one’s gonna come to Chicken on a Stick.\" Still holding the paper, she tilts her head toward the hand-drawn logo—a circular emblem featuring \"SEB'S\" in thick, informal black marker strokes—and the man leans forward, extending his index finger toward the symbol. With a thoughtful, half-laughing tone, he asks, \"Is that a music note? Is it an apostrophe?\" The woman confirms softly, her steady voice affirming: \"Yes,\" leaving the moment suspended in the contrasting red and blue glow, underscored only by the quiet intimacy of their exchange.","video_1_relative_path":"videos/7bec9bdb45ff97bd.mp4","video_2_relative_path":"videos/77e3bb0c6c92e1e6.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_5/example.json::00000062","text_prompt":"A sun-drenched, narrow cobblestone street in a historic European quarter, bathed in the warm, golden-hour glow of late afternoon. Shot in a static medium two-shot with subtle handheld micro-movements for an intimate, documentary texture, the scene frames a man and a woman standing just outside a shopfront beneath a weathered wooden sign reading RESTAURANT. The man, a Caucasian male in his mid-thirties with short brown hair, wears a dark charcoal blazer over a pale collared shirt. He leans forward with a broad, appreciative smile, raising his right hand in an open-palmed gesture as he speaks in a warm, expressive baritone, stating, \"It’s really well written.\" Behind them, a metal rack brimming with colorful postcards leans against a tan stone wall, while distant traffic hums and faint pedestrian footsteps weave through the ambient city soundscape.\n\nThe woman, a Caucasian female in her early thirties with fair skin and blonde hair loosely tied back, wears a cream-textured cardigan over a dark top. She responds with a friendly, slightly self-effacing warmth, smiling, nodding, and briefly touching his forearm before replying in a clear, polite mezzo-soprano, \"No, I really appreciate it. Thank you.\" He beams, adding with cheerful emphasis, \"Congratulations.\" As he begins to turn away, her cordial demeanor shifts to mild urgency. She reaches out, lightly grasping his left arm and calling out, \"Wait.\" He halts mid-step, pivots back with raised eyebrows, and asks in a puzzled, questioning tone, \"What?\" The camera holds steady on their surprised faces, capturing the sudden, intimate tension against the backdrop of a purple-clad passerby and a white car gliding past in the distance, all rendered in earthy neutrals punctuated by the vivid hues of the street life.","video_1_relative_path":"videos/43894521d42e66b3.mp4","video_2_relative_path":"videos/8b212adb30a898c6.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_6/example.json::00000098","text_prompt":"Cinematic documentary-style medium-wide shot, eye-level and static, captures a bright, sun-drenched rural worksite bathed in harsh, high-left sunlight that casts crisp shadows to the right and saturates the arid palette. Behind a simple wire fence in the lower foreground, two men stand side by side. The younger man on the left, with curly light-brown hair, wears a maroon zip-up hoodie over a pale pink collared shirt and khaki trousers, his hands clasped behind his back as he faces his companion. Beside him, the older man, balding with gray sides, sports a dark-blue baseball cap, a navy button-down shirt tucked into blue jeans with a black belt, and rests his hands lightly on his belt loops. Behind them, a weathered white semi-trailer dominates the mid-ground, its flank marked with faded, distressed lettering that reads “PIED PIPER” above “IRRIGATION SYSTEMS,” with a smaller matching sign leaning nearby against stacked wooden pallets, metal pipes, and orange farm equipment. Beyond the trailer, a single-story white prefabricated building and distant brown hills sit under a cloudless blue sky.\n\nA calm, low-pitched male voice begins, stating, “I’m thinking about getting in another line of work anyway.” The younger man listens attentively, maintaining steady eye contact without speaking. The older man continues in the same measured cadence, a hint of mild frustration coloring his tone as he adds, “All these foreigners coming over here, it’s really changing the area.” The recording remains clean and focused entirely on the dialogue, with no discernible ambient noise, emphasizing the quiet tension of economic and demographic shift in this sun-bleached landscape.","video_1_relative_path":"videos/009fe43fc8e0b422.mp4","video_2_relative_path":"videos/d64e532c122533fa.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_davinci/voiceover/voiceover_2/example.json::00000051","text_prompt":"Cinematic drama, widescreen 16:9, locked-off camera. The scene opens in a dimly lit bedroom at night, framing a medium close-up of a young man named Ulle lying on his back against a dark blue, vertically-tufted headboard. His head rests on two large white pillows while a grey duvet covers him to mid-chest, and a plain black T-shirt drapes over his shoulders. Soft, directional light from camera-left grazes the right side of his face, leaving the left half in shadow and carving out the deep fatigue in his eyes. The palette leans cool, dominated by navy and muted greys, punctuated only by the warm, intimate pools of light cast by two small cylindrical bedside lamps behind him. The room is hushed, filled with a faint room tone until a calm, measured male Mandarin narrator begins, stating “可就在今天，他忽然觉得好累。” Ulle’s eyelids flutter open, his gaze drifting upward and slightly rightward, his brows faintly knit as the weight of exhaustion settles over him.\n\nA straight cut widens to a static medium two-shot, revealing an older man sitting upright on the right side of the bed. He wears light-blue-and-white striped pajamas, his short greying hair catching the warm lamp light as he rests his hands gently near his lap. His posture is alert yet deeply concerned as he watches Ulle. In a low, hesitant voice, Ulle murmurs, “I don’t think I can face swimming today.” The older man answers immediately, his tone firm but kind, carrying quiet authority and reassurance: “Ulle, you’re not breaking your routine on the biggest day of your life.” As the words hang in the quiet room, Ulle’s eyes soften, and he exhales audibly, signaling reluctant acceptance. The lighting, framing, and cool color scheme remain unchanged, visually mirroring the shift from isolation to shared understanding.\n\nThe camera holds completely still on the two men in bed, allowing the emotional weight to rest entirely on their facial micro-expressions and vocal nuances. No music or extraneous noise intrudes; the sparse soundscape of their voices and Ulle’s quiet exhale underscores the moment’s intimacy. The chiaroscuro lighting continues to shape their faces against the receding darkness, heightening the contrast between Ulle’s profound weariness and the elder’s steadfast support. The scene closes on this quiet tableau, tension easing into a silent, compassionate resolution that lingers in the dim, atmospheric space.","video_1_relative_path":"videos/14d97bf450f422c4.mp4","video_2_relative_path":"videos/2f4bd61e8a8a389d.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_davinci/voiceover/voiceover_2/example.json::00000057","text_prompt":"Cinematic industrial thriller sequence, shot with a 35mm lens and a cool blue-gray palette, bathed in soft, low-contrast directional light. The frame opens on a dim, bluish-gray concrete floor inside a cramped, unfinished basement corridor, where a circular metal drain grate sits flush in the center. The toe of a dark work boot steps into view beside it, grounding the scene in tactile reality. A low, steady electronic drone hums beneath the ambience. A calm, neutral male Mandarin voice-over begins, stating, “Break the floor, clear the pipes below, and prepare for what comes next.” The camera pulls back to a slightly high-angled wide shot, revealing three men in dark work clothes navigating the utilitarian space. A bald man kneels on the left, leaning forward to press his right hand flat against the concrete near the grate, while a companion stands behind him, gesturing toward the floor. Against the rear wall, a red plastic bucket, a folded gray tarpaulin, and a small table holding assorted tools sit quietly in the subdued light.\n\nA tight close-up isolates the kneeling man’s hand as dust motes drift through the weak illumination, followed by a medium close-up of his face. He has a short buzz cut, fair skin, and wears a dark collared jacket over a gray T-shirt, his brow furrowed with intense concentration as he studies the ground. The ambient drone persists, underscoring the quiet tension of the inspection. A second male voice, deeper and speaking with a measured North American English accent, chimes in calmly: “This goes down four feet… and connects to the main pipe.” The scene holds on his focused expression, the cool industrial atmosphere and steady synthetic hum framing a moment of precise, cross-cultural technical assessment.","video_1_relative_path":"videos/516a98b398e9e4a7.mp4","video_2_relative_path":"videos/d7c49852322d6e64.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_davinci/voiceover/voiceover_3/example.json::00000023","text_prompt":"Classic Hollywood noir aesthetic, shot with a shallow depth of field and dramatic close-ups. Inside a vintage automobile at night, the camera looks forward from the rear seat toward the open right-rear door. Warm amber light spills from the cabin’s ceiling and dashboard, contrasting with the cool bluish-green glow of streetlamps filtering through rain-streaked windows. A young woman with light-brown hair pulled into a low ponytail sits on the right-hand side of the back bench, wearing a pale trench coat over a white collared shirt. Her head is bowed, eyes lowered, and lips pressed in a restrained line that radiates melancholy and resignation. Outside, a man in a beige trench coat and dark trousers steps up to the doorway, his posture immediately establishing a tense power imbalance. A calm, neutral male Mandarin voice-over begins, stating “随后对霍莉说。” as the quiet hum of rain and the soft creak of the car door set a pensive mood.\n\nThe man leans farther into the vehicle, gripping the door frame with his left hand while his right hand rests near his hip. His face is tense, brows knit, and mouth opening as he begins to speak. A soft orchestral underscore fades in beneath the scene, sustained strings and faint piano arpeggios weaving through the nocturnal atmosphere as blurred city lights streak horizontally across the glass. The shot tightens into a dramatic close-up of his face framed by the open door, his blue eyes locking onto the unseen passenger. His expression shifts from stern to a brittle, almost mocking smile as a strained male voice with a slight Germanic inflection …: “You know what’s wrong with you, Miss Whoever-you-are?” The woman remains perfectly motionless, still gazing downward with unchanged features. The music swells subtly under his words before holding steady, his final syllable hanging in the damp air as the orchestral bed continues for a brief, lingering beat before fading out.","video_1_relative_path":"videos/325b89ca7e7e6b7d.mp4","video_2_relative_path":"videos/d336f12d8d9a2230.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/instruments/instruments_1/example.json::00000041","text_prompt":"A fixed medium-close shot captures a quiet studio space, where soft directional lighting isolates a seated guitarist and his light-topped acoustic instrument against a dim, distraction-free background. The performer, dressed in a grey quarter-zip sweatshirt and dark jeans, sits upright with the guitar resting comfortably on his right thigh. His right hand immediately launches into a fluid fingerstyle pattern, thumb anchoring a steady alternating-bass line on the lower strings while the index and middle fingers articulate a bright, pentatonic melody on the treble strings. The camera holds steady as the tempo settles at a moderate ninety-five to one-hundred beats per minute, the arpeggiated figure rising gently before resolving downward in a warm, wooden resonance. As the passage unfolds, the right hand shifts into a denser, more rhythmic texture, weaving accented strums with syncopated melodic fragments that swell in volume and drive the phrase forward. The left hand mirrors this motion with precise fretting, executing smooth hammer-ons and pull-offs that create subtle pitch glides along the neck, while the intimate close-mic recording captures every crisp string attack, sympathetic resonance, and the faint, natural squeak of fingers shifting positions.\n\nThe final section begins with a quick descending run led by the ring finger, followed by a sustained low bass note held under the fading melody. The left hand settles into a root-position chord shape, thumb pressing the bass string while the other fingers relax, allowing the dynamics to taper off gradually. The right hand’s motion softens, reducing pluck intensity until only a single, delicate high note rings out against the quiet backdrop. The performer’s hands remain still as the instrument’s natural decay carries the final chord into silence, the warm overtones and balanced midrange filling the intimate space before fading completely without a trace of ambient noise or abrupt cutoff.","video_1_relative_path":"videos/901a37289acb7f85.mp4","video_2_relative_path":"videos/d879fb47d774d5b4.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/instruments/instruments_2/example.json::00000006","text_prompt":"Cinematic close-up, fixed medium-close framing, neutral even lighting, and a clean, uncluttered palette establish an intimate performance space. A young woman stands upright with relaxed shoulders, her face out of frame, holding a vibrant red hollow-body mandolin against her torso. The camera remains completely still, locked on her hands and the instrument’s ornate blue-green scroll, which catches the light without glare. Behind her, rows of black hard-shell instrument cases line the wall vertically, two Union Jack tags hanging from the handles. As the scene opens, a bright, metallic mandolin tone erupts at full volume, dry and close-miked with zero ambient reflection.\n\nHer right hand drives a relentless alternate-picking pattern with metal picks, striking the strings just above the soundhole in a crisp, rapid flurry that matches a brisk tempo. The left hand shifts swiftly up and down the fretboard, executing quick chord changes and smooth slides that trace a melodic contour rising in pitch before landing on two pronounced, accented peaks. The performance flows into a legato-like descending phrase, where the left hand glides downward and the right hand maintains its steady rhythm, softening the dynamic slightly as the notes connect. Every pick strike produces a sharp transient against the silent background, accompanied by the faint mechanical click of fingers lifting from the frets.\n\nThe sequence resolves on a single sustained tonic note, both hands holding their positions momentarily before the right hand rests lightly over the strings. The tone rings clearly, decaying naturally into absolute silence as the frame lingers on the static composition. No breaths, chair creaks, or environmental sounds break the quiet; the camera remains fixed on the performer’s relaxed posture and the instrument, leaving only the clean, resonant aftermath of a virtuosic showcase.","video_1_relative_path":"videos/d5f7cc5f34c16e96.mp4","video_2_relative_path":"videos/27fbe27ae5222ce7.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/instruments/instruments_2/example.json::00000088","text_prompt":"Cinematic solo performance study captured in a static medium shot at eye level, set against a pitch-black backdrop. A single overhead frontal spotlight isolates the musician, casting a sharp, gleaming reflection across the brass bell and U-shaped slide. The scene opens on a lone trombone player, his left hand anchored firmly on the main tubing near the mouthpiece while his right hand begins a deliberate, measured pull of the slide. A warm, resonant mid-register tone blooms instantly, establishing a steady legato line at a slow, unwavering tempo. The audio is clean and intimately close-miked, capturing the rich, mellow brass timbre with only a faint breath puff accompanying the initial attack. As the phrase unfolds, the melody traces a gentle arch, ascending stepwise before descending back toward its tonic center. The performer’s right hand glides smoothly outward, then reverses direction, synchronizing the slide’s extension and retraction with the continuous pitch flow. Fingers remain relaxed yet precise, making micro-adjustments to maintain embouchure consistency without visible strain. The sound swells marginally in brightness and volume as the slide reaches its maximum extension, the increased air pressure naturally amplifying the resonance. Articulation remains flawlessly smooth, with notes connecting seamlessly in a pure legato line, completely free of staccato or ornamentation.\n\nFollowing the melodic apex, the music gradually decrescendos as the slide retracts, shortening the tubing and lowering the pitch. The performer eases his embouchure and leans back slightly, allowing the volume to taper naturally into a soft sustain. Subtle diaphragmatic breaths are barely perceptible between phrases, underscoring the live, unedited nature of the capture. The final tones linger and fade into the acoustically dry space, mirroring the slide’s complete return to its resting position. The camera holds its fixed gaze, preserving the intimate focus on the precise interplay of physical motion and sonic expression as the performance concludes in quiet stillness.","video_1_relative_path":"videos/971fe11aa3e580d5.mp4","video_2_relative_path":"videos/813d9b0400b82e2d.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/movie/movie_2/example.json::00000049","text_prompt":"A hyper-realistic cinematic sequence opens on a bright, sunlit European city street, captured in a medium-wide static shot with harsh daylight and a warm, vivid palette. The camera frames a tranquil outdoor café patio furnished with rattan chairs and tables draped in red tablecloths. At the central table, a man and a woman sit in casual jackets, engaged in quiet conversation, while a uniformed waiter in a white coat stands motionless near the entrance. To the right, a black A-frame chalkboard menu displays handwritten French signage, and a black compact car and blue scooter rest along the curb. The soundscape begins with a low, peaceful urban hum, faint traffic, and the soft clinking of glassware, establishing a mood of serene everyday routine.\n\nSuddenly, a violent explosion detonates directly behind the café façade, sending a massive shockwave of debris outward. The fixed camera holds its position as the frame floods with chaotic motion: glass shards, wooden planks, cardboard boxes, metal fragments, and paper scatter in all directions. The audio swells instantly into a thunderous, multi-layered impact, dominated by a deep sub-bass boom, sharp crackling, high-frequency shattering, and metallic tearing. The seated man flinches and turns his head sharply toward the blast, releasing a quick, sharp exhale, while the woman recoils instinctively with a brief gasp and tightened shoulders. The waiter steps back abruptly, his retreat marked by the scuff of his shoes and the rustle of his uniform. Debris continues to rain down, bouncing off a green awning and striking the parked vehicles, causing them to jolt. Overturned chairs, shattered tabletops, and swirling dust clouds obscure the patio as the initial detonation decays into a dense cascade of tinkling glass, thudding wood, and rustling paper layered over a persistent low rumble. The scene settles into lingering echoes of falling fragments and the heavy stillness of dust hanging in the air, leaving the characters frozen in stunned silence against the backdrop of sudden, raw destruction.","video_1_relative_path":"videos/f4b68b0756b4fd64.mp4","video_2_relative_path":"videos/10a32ae8ed83a905.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/movie/movie_3/example.json::00000004","text_prompt":"A somber, cinematic wide shot framed through a tight circular vignette, evoking the constrained view of binoculars or a telescope, captures a solitary naval battleship gliding steadily from left to right across calm, dark waters. The overcast sky casts a pale yellow-gray wash over the scene, while a distant backdrop of low, densely forested hills anchors the horizon. The vessel’s dark gray silhouette is detailed with multiple gun turrets along its deck, and a tall smokestack exhales a thick plume of black smoke that drifts upward and slightly to the right. Gentle ripples trail in its wake, marking its steady forward motion, though the deck remains entirely empty of crew. The muted color palette and restricted field of view emphasize isolation and historical gravitas, setting a tone of quiet observation and maritime gravity.\n\nThe auditory landscape mirrors this restrained grandeur, opening immediately with a deep, sustained low-frequency drone that establishes a sense of looming scale and tension. Layered above the synth bass pad is a slow, mournful string melody, likely performed on cellos and violas, playing legato notes with subtle vibrato to create an epic yet melancholic atmosphere. The score is entirely non-diegetic, mixed prominently in the foreground without sharp transients or rhythmic percussion, and deliberately stripped of all environmental realism. There is no engine rumble, wind, or water splash; the absence of natural ambience and reverb suggests a studio-mixed composition rather than a location recording. The constant volume and sparse, minor-key harmony evoke solemnity, leaving the abstract, emotionally charged soundscape to carry the weight of the imagery. The sequence holds this unified mood of quiet anticipation, concluding abruptly while the ship’s forward motion and the brooding orchestral-electronic score remain suspended in mid-phrase.","video_1_relative_path":"videos/5ce228cfc851e67a.mp4","video_2_relative_path":"videos/cadec84367e7cc15.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/movie/movie_6/example.json::00000006","text_prompt":"Open in a claustrophobic, dimly lit interior, likely a tiled utility room or bathroom, with vertical wooden paneling lining the right wall. Low-key directional lighting carves deep shadows across the frame, establishing a high-contrast, intimate atmosphere. A steady handheld camera holds a medium close-up on two men locked in a brutal physical struggle. In the foreground, a figure in a light-colored long-sleeve shirt remains slightly out of focus as he grapples with a man in a dark suit jacket, white collared shirt, and grey trousers, his slicked-back hair and metallic wristwatch catching the sparse light. The suited man is driven backward against the wall, stumbling and losing his footing under the force of the push. The soundscape is stripped bare, dominated by the visceral intimacy of heavy breathing, strained grunts, fabric rustling, and the dull thuds of bodies colliding with wood and tile, all underscored by a faint, absorptive room tone that emphasizes the raw exertion.\n\nA hard cut violently shifts the scene to a sun-drenched street consumed by chaos and fire. Orange and yellow flames lick the sky, casting an infernal glow over thick plumes of black smoke and multiple burning vehicles in the background. A dense, surging crowd of predominantly male civilians charges forward, their faces twisted in aggression as they wield makeshift weapons like wooden sticks and batons. The camera adopts a slightly shaky handheld motion, panning to capture the scale of the unrest while tracking a central figure who has climbed atop a dust-caked car, arms raised triumphantly as he brandishes a curved blade. The audio erupts into a cacophony of raw, unstructured vocalizations—a massive roar of overlapping shouts and high-pitched cries—punctuated by sharp percussive impacts, metallic clangs, and the relentless crackling and roaring of the fire. Wind whispers faintly beneath the chaos, and the complete absence of music or dialogue leaves only the unfiltered, escalating fury of collective violence, mirroring the visual disorder with immersive, sensory intensity.","video_1_relative_path":"videos/0d3926c6bac68eeb.mp4","video_2_relative_path":"videos/242558e8185d0df9.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_10/example.json::00000059","text_prompt":"Cinematic sitcom interior, a locked-off medium shot at eye level captures a warmly lit apartment living room that doubles as a study, bathed in even three-point lighting that softens shadows and balances earthy wood tones against cool blue accents. The shallow depth of field keeps the focus sharply on two men seated on a reddish-brown leather couch while gently blurring the background clutter. Behind them, a tall wooden bookshelf overflows with scientific and medical textbooks, binders, and small gadgets, alongside a horizontal silver-and-black telescope. To the left, a compact stereo system sits beside a whiteboard scrawled with blue-marker physics equations and nuclear notations. Howard, positioned farther right, wears a navy zip-up jacket with red and light-blue shoulder panels over a red collared shirt, his dark bowl-cut hair framing a thoughtful face as he rests his chin on his right hand, index finger against his cheek. In the foreground, Leonard, clad in black-rimmed glasses, a brown T-shirt, and an olive-green jacket with a purple hood draped behind his neck, turns toward Howard with his lips already parted.\n\nLeonard begins speaking in a measured, slightly defensive tone, his eyebrows lifting as he shapes each syllable with controlled pacing. A calm, mid-range male voice delivers the line, \"Look, Howard, if I were to ask Leslie Winkle out, it would just be for dinner.\" Howard remains perfectly still, his gaze fixed and expression neutral but attentive, absorbing the words without a vocal reaction. Leonard continues, stressing his point by tightening his jaw and widening his eyes, his voice rising slightly on the key phrases as he adds, \"I’m not going to walk into the lab and ask her to strip naked.\" The camera never moves, holding the two-shot as Leonard lowers his head fractionally to conclude his thought. The audio environment is clean and intimate, capturing only the nuanced inflections of Leonard’s dialogue against a faint, unobtrusive studio room-tone, with no music or ambient distractions, leaving the scene suspended in quiet, character-driven tension.","video_1_relative_path":"videos/f4a5be8e5e8935e0.mp4","video_2_relative_path":"videos/71c3ece1b5ef6b2c.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_11/example.json::00000076","text_prompt":"In the style of a contemporary Japanese coming-of-age drama, the scene opens on a 16:9 static tripod shot at eye level, framed medium-wide and bathed in soft, overcast daylight that casts even, shadow-free illumination across a quiet alleyway dominated by a closed light-grey metal roll-up door set into a concrete-and-brick wall. A dark security camera sits high on the left pillar. Two young East Asian men stand side by side, both wearing matching royal-blue school blazers with small gold star-shaped lapel pins and crisp white shirts. The man on the left keeps his right hand tucked into his trouser pocket and wears a white belt, his gaze fixed forward with a neutral expression. The man on the right holds a black briefcase under his left arm, wears a dark tie, and turns slightly toward his companion. A calm, mildly teasing male Japanese voice begins, raising his eyebrows as he states, \"Don’t you already know?\" He pauses briefly, glancing down before offering a soft, thoughtful breath. Leaning in with a conspiratorial smile, he gestures lightly with his open right palm toward his friend and continues, \"Ah, doesn’t Riko-san secretly like Mitsubashi?\" The man on the left finally shifts his eyes to his companion, his eyebrows lifting slightly as he processes the remark, though he remains silent. The background stays still and virtually silent, with clean mono audio emphasizing the clarity of the dialogue against the muted blues of the uniforms and the cool greys of the wall. The moderate depth of field keeps both subjects and the immediate surroundings in sharp focus, underscoring the quiet, conversational intimacy of the moment.","video_1_relative_path":"videos/95afd731f73d8b3e.mp4","video_2_relative_path":"videos/07804f68c33249e4.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_12/example.json::00000094","text_prompt":"Widescreen 16:9 cinematic shot, cool-white fluorescent lighting casting minimal shadows across a clean, modern hallway with warm wood tones and a glossy reflective floor. A static camera with shallow depth of field isolates a young man in an open white button-down over a white T-shirt printed with a large black graphic of a stylized face and the words \"VERSACE JEANS COUTURE.\" He stands facing the lens, clutching his right chest with his left hand while scratching the base of his neck with his right. His brows are knit and his mouth hangs slightly open, caught in a startled reaction as he turns toward an unseen companion whose back—clad in a white short-sleeved shirt with a thin black strap—is visible in the foreground. A tense, questioning male Mandarin voice begins, stating \"到底什么庆典啊？\" (\"What kind of celebration is it?\").\n\nThe hushed, hard-surfaced silence amplifies his rising agitation. He drops his scratching hand, leans forward, and his eyes widen as his jaw tightens. A strained, impatient male Mandarin voice snaps, \"哎呀，废话真多，再晚就来不及了。\" (\"Stop talking nonsense; if we’re late we’ll miss it.\"). Still breathing heavily, he finishes the thought with a curt, staccato command, \"走走走！\" (\"Go, go, go!\"), while pivoting his body away from the reflective surface and toward the corridor exit. His right arm swings outward, briefly catching the light as he begins to move.\n\nHe strides past the camera, his shoulder brushing the lens edge and momentarily filling the frame before disappearing off-screen, accompanied only by the faint rustle of fabric. For a split second, the hallway remains empty, overhead lights shimmering on the polished floor, leaving the scene abruptly unresolved but charged with lingering urgency. The deliberate lack of background music or diegetic sound ensures every syllable and breath remains sharply focused on his performance, while the cool, modern palette holds steady in the quiet aftermath.","video_1_relative_path":"videos/efaa3ed068950e05.mp4","video_2_relative_path":"videos/cc2290127b1f28db.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_3/example.json::00000041","text_prompt":"A late-afternoon riverside promenade glows in warm, golden sunlight as a smooth backward tracking shot holds a balanced medium two-shot of a woman and a man walking slowly toward the lens. The woman, fair-skinned with shoulder-length wavy blonde hair, wears a black sleeveless top with lace trim and carries a brown cross-body bag, while her companion sports light-brown hair, a short beard, and a dark blazer over a pale patterned shirt. Behind them, a calm river glints beneath a stone bridge and leafy trees lining the opposite bank, with a white-and-yellow sightseeing boat marked “PARIS CRUISE” moored quietly at the left edge. The shallow depth of field softly blurs the distant architecture, drawing focus to their faces as a woman with a light French accent, her tone earnest yet tinged with resignation, states, “For the same exact reason.” A man with a calm American accent, replying with gentle curiosity, asks: “What reason is that?”\n\nMaintaining their steady pace, the woman continues without pause, her voice gaining reflective intensity as she gestures subtly with one hand. She explains, “Well, all couples expect that after a few years of living together, the passion and that consuming desire will remain exactly as they were in the beginning.” Her expression shifts between seriousness and wistful melancholy, while the man listens attentively, nodding once with a faint smile of understanding. Sunlight catches the strands of her hair, casting soft highlights and stretching long shadows across the paved path, where distant pedestrians ascend stone steps near a small monument on the right. A low-level urban ambience of distant traffic rumble and faint crowd murmur underscores the scene without overpowering their voices, weaving a contemplative, intimate mood that lingers as the pair continue walking, their philosophical exchange about enduring love and settled routine left beautifully unresolved against the tranquil Parisian backdrop.","video_1_relative_path":"videos/249458c6b72728b0.mp4","video_2_relative_path":"videos/910e71b77fcceb51.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_3/example.json::00000060","text_prompt":"A locked-off medium shot in a traditional Chinese historical drama, rendered in muted earth tones of dark greens, blacks, and browns with gold accents on carved pillars, captures an ornately decorated hall bathed in soft, even daylight filtering through high windows. Two pale wooden birdcages hang from the ceiling beams, and a framed ink-wash painting rests against the far wall. The camera maintains a moderate depth of field, keeping both principal figures sharply focused while softly rendering the background. An older man with grey hair tied in a neat topknot stands slightly left of center, wearing a dark green robe with a V-neck collar. He faces a younger man, visible only from behind and to the right, who wears a tall black official hat and a dark patterned robe. The older man begins speaking in a calm but slightly disdainful Mandarin tone, stating, “领队的说是姓邓，是个主簿。” He lifts his head, eyes narrowing in mild contempt, and releases his hands to lower them briefly before raising his right hand, palm up, in a small dismissive gesture. He utters a sharp, scornful scoff. After a brief pause, he tilts his head back, mouth parting as if to speak again, but instead exhales a soft, weary sigh that blends seamlessly with the persistent, diegetic chorus of cicadas underscoring the scene. He slowly returns his gaze forward, lowers his hand, and settles into a neutral stance with his hands clasped once more, eyes half-closed as he weighs his thoughts. The younger man remains completely motionless throughout, listening attentively. The absence of music and the steady, natural lighting reinforce a grounded, contemplative atmosphere, emphasizing the subtle social hierarchy and quiet tension between the two figures.","video_1_relative_path":"videos/1d936c56443e80a5.mp4","video_2_relative_path":"videos/d5a872e3409a7d1e.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_5/example.json::00000091","text_prompt":"A sun-drenched European cobblestone street unfolds in a smooth backward tracking shot, maintaining a consistent medium distance that fosters intimacy while revealing the passing background. Bathed in even midday light filtered through tree foliage, the scene leans into warm earth tones—cream, olive green, and beige—contrasting subtly against the grey stones and muted façades to establish a relaxed, romantic atmosphere. The camera follows a man in his early thirties, wearing a dark green blazer over an off-white button-down, and a woman in her late twenties with loosely tied blonde hair, a cream textured jacket, and a brown shoulder bag as they stroll side by side toward the lens. Light urban ambience, including a distant traffic hum, faint birdsong, and soft footfalls, underscores their unhurried conversation. The woman glances down at her hands before meeting his gaze, her earnest yet slightly self-conscious tone carrying the words, “Imagine, I mean, I had to read it twice actually.” The man turns his head, eyebrows raised in mild surprise, and answers with warm curiosity, “Yeah?” She nods once, maintaining steady eye contact, and replies softly, “Yeah.” Both share a faint smile as pedestrians drift past in the background, including a jogger in a white tank top and a couple walking in the opposite direction.\n\nContinuing forward, the man leans slightly toward her, his inviting tone shifting as he begins, “Come see for yourself.” Just as his sentence completes, a second, lower-pitched male voice cuts in from nearby, playfully echoing, “Come see, come see…” The interjection sounds like a casual beckoning from the street, overlapping naturally with the steady ambient city noise. The camera keeps tracking their movement along the sun-dappled pavement, the abrupt cutoff of the exchange leaving a quiet narrative tension that implies continuation beyond the moment. Natural daylight provides soft shadows, while the realistic soundscape of low-level traffic and occasional bird chirps grounds the scene in authenticity, reinforcing the intimate, unhurried rhythm of their walk.","video_1_relative_path":"videos/5a610d814777da66.mp4","video_2_relative_path":"videos/887facaac11c0770.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_5/example.json::00000096","text_prompt":"A tense crime-thriller scene unfolds in a dimly lit wooden shed, captured on a 35mm lens with high-contrast chiaroscuro lighting and a muted, earthy palette. A single warm key-light from camera left carves through the darkness, illuminating rough, dark-brown vertical planks while leaving the background in deep shadow. The sequence begins in an extreme close-up as two hands lift a light-green, square plastic case with rounded corners, twin recessed handles, and a translucent white disc on its front face. A soft thud and the faint rustle of clothing accompany the movement, underscored by a low, steady electronic hum that permeates the space. The camera eases back to a static, eye-level medium two-shot, revealing an older, bald Caucasian man with wire-rim glasses and a thin mustache, dressed in a black zip-front jacket over a grey-and-black plaid shirt. He holds the case at chest height, tilting it slightly toward his companion while speaking in a calm, measured, mid-low voice: “So why don’t we just steal it ourselves?” Behind him, a blue milk crate bearing faded block letters, a yellow smiley-face ball, and mounted bicycle handlebars sit quietly in the periphery.\n\nThe younger man, clad in a black beanie and a hoodie featuring a vivid embroidered skull patch, stands with squared shoulders, listening intently without a word. After a brief pause, the older man glances up, his eyebrows rising slightly as he offers a clipped, questioning “Yeah?” The younger man finally breaks his silence, his higher-pitched voice carrying a tentative yet eager curiosity as he asks, “How are we going to do that?” The camera holds steady on the composition, the warm light catching the sheen of the plastic case and the men’s faces, while the continuous electrical hum and the weight of their clandestine planning linger in the air.","video_1_relative_path":"videos/a720d9f011a15837.mp4","video_2_relative_path":"videos/c75912ff84583d60.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_6/example.json::00000041","text_prompt":"A tense, naturalistic domestic confrontation unfolds in a warmly lit apartment living room with terracotta-orange walls and crisp white trim, captured on a 35mm lens with soft, cinematic key lighting from camera left. A smooth lateral pan follows a young man in his late twenties as he storms into frame from the right, his black leather jacket and blue-and-white plaid shirt contrasting with the ambient interior glow. He is visibly agitated, brows furrowed and jaw clenched, thrusting his right index finger toward a woman standing near a built-in white shelving unit adorned with a red ceramic vase, a golden abstract sculpture, and a green glass bottle. His voice cuts sharply through the quiet room, loud and strained in a northern Mandarin accent, stating \"Hu Yifei, that’s a good question!\"\n\nThe camera settles into a stable waist-up two-shot, holding both characters in tight, expressive framing. The woman, also in her twenties, stands poised and unflinching, a green plaid coat draped over her shoulders, oversized silver hoops catching the light, and a structured blue handbag tucked under her arm. Her dark hair is swept into a neat updo with blunt bangs, and she meets his glare with steady, icy composure. The man continues his tirade, gesturing emphatically before sweeping his arm downward as he shouts, \"Why didn’t you tell me Xiaobo is already the mother of a six-month-old child?\" He abruptly drops his arm, tilts his head back, and sneers, \"Does it matter?\" The woman responds instantly, her voice low and clipped with precise enunciation, stating \"You despise single mothers.\" Without missing a beat, the man leans forward, points once more, and delivers a final, volume-peaking retort: \"No, I despise you!\" The scene is acoustically dry and intimate, stripped of music or distracting ambient noise, leaving only the raw, compressed clarity of their voices and the heavy silence that amplifies every syllable of their escalating moral clash.","video_1_relative_path":"videos/992aaff67c127b8a.mp4","video_2_relative_path":"videos/2c97cc422a906a81.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_8/example.json::00000057","text_prompt":"Cinematic historical vignette captured in a static wide shot from an elevated balcony perspective, looking straight down into a dimly lit traditional Chinese interior partially enclosed by a dark wooden railing with carved balusters. Warm amber light from numerous paper lanterns and wall sconces bathes the scene, casting soft pools of illumination against the deep browns of timber beams and roof tiles, while a faint, slow minor-key string melody led by cello and viola begins immediately and continues uninterrupted. Two women sit opposite each other at a low square table draped in a teal-blue cloth trimmed in gold, flanked symmetrically by potted pink-and-white blossoms and anchored by a traditional mountain landscape painting in the background. The woman on the left, dressed in flowing pale blue-white robes with her hair gathered high beneath a slender white ornament, turns slightly toward her companion and asks in a calm, gently inquisitive tone, “为何喜欢观星啊？” While the question hangs in the still air, the woman on the right, clad in muted sage-green layers and pinned with small golden hair accessories, keeps her gaze lowered to the tabletop with her hands resting lightly over one another. After a brief, reflective pause, she lifts her eyes fractionally, her voice soft and wistful as she replies, “因为繁星间，有我和家人的故事。” Her delivery is measured and tinged with nostalgia, accompanied by a minute nod and the almost imperceptible flex of her fingers atop her lap. The camera remains completely immobile, preserving the balanced composition and chiaroscuro contrast, while the dry, studio-clean dialogue cuts through the subdued, melancholic musical bed without any ambient room noise, cultivating a deeply intimate and contemplative atmosphere that lingers on themes of memory, lineage, and the quiet vastness of the stars.","video_1_relative_path":"videos/9c52c830e66124ce.mp4","video_2_relative_path":"videos/8f481a7d62b34675.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_9/example.json::00000057","text_prompt":"Cinematic medium-wide locked-off shot, eye-level, capturing a brightly lit hotel or office lobby bathed in even cool-white light that reflects sharply off a wall of metallic square panels. The composition is grounded in muted browns, grays, and deep navy blues, punctuated by a vivid red carpet and potted plants with small red flowers beside pale wooden stools. An older man in a brown jacket and dark trousers stands motionless on the left, while a younger security guard in a dark-blue uniform and cap with a gold emblem stands opposite him, clutching a black folder. A low, steady HVAC hum fills the minimalist soundscape. The guard begins to speak in a calm, business-like Mandarin tone, stating \"走吧，现在就走。\" (\"Let's go, leave now.\"), his voice mid-range, slightly brisk, and politely urgent. He turns toward the glass entrance doors, his rubber-soled footsteps echoing softly on the hard floor as he walks away. Glancing back over his shoulder, he addresses the older man: \"陈经理，我先走了。\" (\"Manager Chen, I'm leaving first.\"), his delivery respectful yet decisive. The older man remains still, watching him depart with a composed, contemplative expression. The guard reaches the threshold, places a hand lightly on the doorframe, and steps outside into an overcast street where wet pavement glistens under diffuse gray daylight. Through the glass, a muted city façade and a distant building sign are visible. The camera holds steady as the clip ends, emphasizing the quiet finality of the exchange and the guard’s time-sensitive departure against the older man’s silent acceptance.","video_1_relative_path":"videos/d9db40e0c77abdcc.mp4","video_2_relative_path":"videos/dd983d3576e67de4.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_9/example.json::00000061","text_prompt":"Cinematic medium-wide shot, fixed camera at the base of two parallel escalators cutting diagonally upward through a brightly lit modern shopping-mall atrium. Cool fluorescent lighting washes over white walls and glossy floors, contrasting with vibrant teal-and-red promotional graphics and pastel décor. On the right-hand escalator, an older man in a dark-blue jacket and brown shirt descends, balancing three paper shopping bags in his left hand and a grey tote over his shoulder. Beside him, a middle-aged woman in a long grey coat and turtleneck walks down, a beige handbag resting on her left arm and a white canvas tote bearing the word CHANEL in her right. Above them, an illuminated YRC sign glows on the second-floor storefront, while a younger man in a black hoodie printed with LONDON climbs the opposite escalator, moving away from the camera. Over the continuous low hum of ventilation and distant mall chatter, a calm, slightly raspy older male Mandarin voice begins, stating \"我听你大哥说，那美国的药可贵可贵的了。\" His tone is matter-of-fact and moderately loud, projecting across the open space.\n\nAs the conversation continues, the woman turns her head fractionally toward him, her expression softening into mild exasperation. A brighter, playful yet complaining middle-aged female Mandarin voice replies, \"爸，我腿都溜细了，你让我吃口行吗？\" The man’s shoulders relax as they near the foot of the escalator, a faint good-natured smile crossing his face, while the woman’s lips curl into a small smirk. The camera holds its static position, capturing the pair mid-stride in the bright retail environment, their lighthearted familial banter echoing against the backdrop of consumer signage and ambient shopping sounds.","video_1_relative_path":"videos/83d25edf6b617233.mp4","video_2_relative_path":"videos/839fe2523c5360a3.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_9/example.json::00000082","text_prompt":"Cinematic night scene, framed in a locked-off medium two-shot at eye level with a shallow depth of field, set on a wet city promenade where overhead street-lamps cast warm amber highlights and soft circular bokeh against a deep blue-black backdrop, their reflections shimmering across the glistening pavement. A young woman with long, wavy blonde hair and a red-and-yellow plaid flannel shirt walks sharply in focus beside a young man with short brown hair, light stubble, and a black leather jacket over a grey tee. They move toward the camera at an easy pace, their faint footsteps audible beneath the ambient rustle of clothing. The man initially keeps his right arm draped around her shoulders as they walk, their bodies swaying gently with each step. A bright, playful female voice with a North American accent begins, stating, \"The attention wasn’t focused on him.\"\n\nThe man releases her shoulder and clasps both of her hands between them, leaning slightly forward with a half-smile that blends mock admonishment with affection. A mid-range male voice with a North American accent carries a steady, playful rhythm as he says, \"All right, listen. This woman robs you blind, okay?\" The woman’s eyes crinkle as she grins, clearly amused by his earnest delivery. Still holding her hands, he begins another comparison, his tone shifting to amused storytelling: \"You were like a little boy walking past an ice cream shop…\" Warm light flickers across their faces as the shallow depth of field isolates them from the blurred background, framing the exchange as affectionate ribbing rather than serious criticism. The moment hangs in playful intimacy, underscored only by their voices and the quiet rhythm of their walk.","video_1_relative_path":"videos/99ddc593eca37f9f.mp4","video_2_relative_path":"videos/56a0656d2fc9b3ea.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/physics/physics_2/example.json::00000025","text_prompt":"A fixed medium-wide shot captures a traditional lion dance performance in a sunlit urban alleyway, rendered in vivid daylight with soft, natural shadows that emphasize the rich textures of the scene. The frame is anchored by a cream-colored wall marked with dark stains, overhead utility wires, and a hanging green tarp, while a golden lion statue rests on a pillar to the right. Two performers, their legs visible beneath a richly detailed costume, command the center: a lion draped in green and gold fur with purple trim and an ornate head accented in red, orange, yellow, and purple. Balanced atop a pyramid of six cylindrical red poles decorated with white floral motifs, the lion executes precise, rhythmic lateral sways. Its front paws rest on the highest pole while its hind legs brace against the lower ones, muscles tensing and ears twitching beneath the fabric as the performers shift their weight to maintain balance. A tail flicks outward with each motion, mirroring the choreography of a living creature. The scene is driven entirely by a brisk, high-energy percussion ensemble that fills the acoustically dry, semi-open space. Bright metallic clangs, deep resonant drum thuds, and crisp woodblock snaps strike in a tight call-and-response pattern, perfectly synchronized with the lion’s movements. Each metallic strike coincides with the initiation of a sway, a low drum hit follows the dip in posture, and a sharp woodblock accent punctuates the peak of the motion, creating a seamless fusion of rhythm and physicality. In the background, a man in a black shirt and a child seated on a red scooter observe quietly from the far right, their presence adding a grounded, communal feel to the ritual. The environment remains free of wind, traffic, or crowd noise, leaving only the crisp, unadulterated percussion to carry the festive energy, evoking a moment of traditional precision and celebration frozen in a single, unbroken take.","video_1_relative_path":"videos/5282c62a514ba4b3.mp4","video_2_relative_path":"videos/fe523c17c66cd666.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/physics/physics_7/example.json::00000073","text_prompt":"Open on a static wide shot at night, framing a towering multi-level launch structure that anchors the left third of the composition. Rows of small yellow-orange lights trace its vertical beams and platforms, casting a steady, artificial glow against the darkness. The right two-thirds of the frame are consumed by an immense plume of dense smoke and steam, billowing upward and outward in turbulent swirls. The vapor glows deep red and orange from intense heat, with subtle internal flickers of brightness suggesting dynamic combustion. The foreground is nearly pitch black, punctuated only by a few faint white streetlamps at the far left edge, while a dark silhouette of treetops lines the lower-right horizon. The camera remains completely fixed, holding the composition as the exhaust mass expands and the thermal output visibly intensifies.\n\nFrom the very first frame, a powerful mechanical roar erupts, low-frequency and broadband, overwhelming the soundscape with sheer volume. The sound is continuous and relentless, carrying strong sub-bass energy, a midrange growl, and faint upper harmonics that hint at turbulent gas flow and structural vibration. There is no distinct rhythm or melody, only subtle internal fluctuations in pitch and texture that mirror the swirling plume above. The environment is acoustically stripped of wind, wildlife, or ambient hum, leaving the raw, earth-shaking intensity of the machinery as the sole auditory focus. Minimal reverb suggests an open-air setting heavily damped by surrounding terrain, keeping the sound tight and immediate. The scene sustains this unbroken, visceral immersion, building a mood of awe and primal tension before cutting abruptly to black, leaving only the memory of immense technological power.","video_1_relative_path":"videos/5b40ceb5e1e2bb84.mp4","video_2_relative_path":"videos/2973ee3d4b16c19a.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/podcast/podcast_1/example.json::00000074","text_prompt":"Cinematic documentary style, 35mm lens, high-contrast chiaroscuro lighting against a deep black background. A medium shot frames a dimly lit auditorium stage where focused spotlights carve out a sleek modern lectern with a metallic stand and red circular top. A middle-aged male presenter, wearing glasses and a dark long-sleeved shirt, stands slightly right of center. Behind him, a large curved screen displays a stark graph titled World GDP in trillion dollars against the year, spanning from eight thousand BC to two thousand AD. A vivid red line traces nearly flat along the zero baseline for millennia before shooting vertically near the modern era. As the presenter gestures toward the screen with his right hand, a calm, clear English voice states, “It looks like this.” The statement is immediately met with a burst of mixed audience laughter that fills the reverberant hall, grounding the scene in a lightly humorous, intellectually engaging atmosphere.\n\nThe camera cuts to a full-screen composition of the graph, eliminating the presenter to focus entirely on the visual data. The red line remains perfectly flat until just before the year two thousand, where it ascends sharply, visually emphasizing an exponential economic surge. A measured, explanatory English voice resumes, noting, “It’s a curious shape for a normal condition.” The audio remains pristine and centered, captured with professional microphone clarity and minimal echo, while the crowd’s residual chuckles fade naturally into the low-level hum of the auditorium’s ambient noise floor. Lighting stays consistent throughout, preserving the dramatic contrast between the flat historical baseline and the sudden vertical growth, maintaining a tone of quiet fascination and subtle wit.","video_1_relative_path":"videos/3c1080a053b9970e.mp4","video_2_relative_path":"videos/06e93b65e4961315.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_1/example.json::00000003","text_prompt":"A bleak, desaturated prison drama scene captured in cold green-gray tones under harsh overhead fluorescent lighting that casts sharp shadows across concrete floors and metal bars. The camera opens on a medium shot of a gaunt Caucasian prisoner with slicked-back dark hair, a thin goatee, and fresh red abrasions on his forehead and left cheek, wearing a plain white T-shirt that clings to his frame. Behind him, a loose semicircle of inmates in white tank tops and pale-blue uniforms mills quietly, their distant murmurs blending with the low electrical hum of the lights. A calm, neutral male Mandarin voice-over begins, stating, “He was the first to step forward, pointing at a Black man and declaring his challenge.” The camera executes a quick cut to a close-up profile of an older Caucasian guard in a dark short-sleeved uniform with epaulets and a silver star badge. His jaw is set, eyes narrowed as he watches the unfolding tension, with more inmates visible behind barred doors in the background.\n\nCutting back to a medium close-up, the injured prisoner lifts his chin defiantly, lips curling into a sneer. He tilts his head slightly toward a tall Black inmate standing just behind him, then thrusts his right index finger forward as he shouts in a rough, accented English voice, “Not that hot! You think that’s enough heat?” His delivery is loud, mocking, and edged with aggression. The surrounding men react visibly: one inmate in a blue uniform grins broadly and rests a hand on the Black prisoner’s shoulder, while another in a white sleeveless shirt smirks. The Black inmate himself remains stoic, shoulders squared but unmoving. The fluorescent glare catches the sweat on everyone’s skin, heightening the sense of stifling heat and raw confrontation. With no music to soften the moment, the scene lingers on the unresolved tension, the ambient crowd murmur and harsh lighting framing the standoff.","video_1_relative_path":"videos/b9329346e28e9329.mp4","video_2_relative_path":"videos/550ef36e9b914150.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_1/example.json::00000086","text_prompt":"A cinematic thriller sequence, captured in a medium close-up profile with low-key lighting and a desaturated blue-grey palette, opens in a dimly lit, narrow corridor. A young East Asian man stands in frame, wearing a dark suit jacket, crisp white shirt, and gold-rimmed rectangular glasses, his hair neatly combed back. The background wall fades into a soft blur of rows of red Chinese characters against a pale surface as a subtle camera push-in tightens the focus on his contemplative, slightly downcast expression. A calm, grave male Mandarin voice-over begins, stating, \"For the sake of profit, this law firm no longer has a place for idealists.\" Beneath his measured, neutral-to-serious delivery, a low-volume, tense electronic underscore with pulsing bass and sparse high synth notes establishes a restrained yet emotionally charged atmosphere.\n\nThe scene cuts abruptly to a second East Asian man standing motionless in a cool-toned underground parking garage, his dark suit, white shirt, and dark patterned tie contrasting with the green-painted floor and blurred concrete pillars illuminated by overhead fluorescent strips. He gazes ahead with a serious, resolute expression as the narrator continues seamlessly, \"He should leave too.\" The minimalist score sustains its subdued tension, mirroring the corporate unease and impending change. After a brief, deliberate pause, the voice-over delivers a final, slightly emphatic phrase, \"Set sail on the journey,\" marking a quiet transition toward new beginnings. The camera holds on the stark environment as the electronic pulse continues uninterrupted, leaving the frame suspended in a mood of unresolved anticipation and professional disillusionment.","video_1_relative_path":"videos/ecf057f5f7d83556.mp4","video_2_relative_path":"videos/1abd0d2c36b9e3b3.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_11/example.json::00000022","text_prompt":"Set on a rain-slicked Japanese street at night, the scene opens with a static, medium-wide tripod shot at eye level, framing the brightly lit storefront of a boxing gym and a stretch of wet sidewalk. High-contrast practical lighting spills from the gym’s interior, casting warm yellow highlights across the pavement and creating reflective pools that enhance the nocturnal atmosphere. The color palette is dominated by the deep blues and blacks of the night, punctuated by the warm interior glow and the red and blue punching bags visible through the glass. A vertical white banner bearing the bold Japanese characters “拳で世界をつらぬけ” flanks the doorway. A young man dressed in all-black athletic wear stands motionless near the entrance, holding a white plastic bag in his left hand, his posture upright but slightly tense as he gazes toward the left. Over the distant city hum and soft rainfall patter, a calm male Mandarin voice-over begins, stating \"But he called out to her.\"\n\nA woman wearing a loose brown jacket over dark trousers enters from the left, walking briskly past him with her long hair swaying. Just before she passes, the man raises his right hand slightly and calls out in a soft, slightly hesitant Tokyo accent: \"Wait a moment.\" The woman halts, pivots to face him, and answers politely in Japanese: \"Yes.\" Raindrops glisten on the pavement as they remain facing each other for a beat, the man’s expression reserved and his eyes fixed on hers. After a brief pause, he continues in a gentle, measured tone: \"Let’s go somewhere next time.\" The minimalist soundscape of steady rain and faint traffic rumble persists as they stand near the curb, the scene suspended in quiet anticipation under the warm glow of the gym lights.","video_1_relative_path":"videos/ae7518959b43f081.mp4","video_2_relative_path":"videos/7a36942a652b32e2.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_2/example.json::00000083","text_prompt":"A historical drama scene captured in a single locked-off medium shot, bathed in soft, diffuse daylight that filters through foliage to cast gentle highlights on silk and subtle shadows across a traditional Chinese courtyard framed by gray stone walls, a low rockery, and drooping willow branches. The color palette is dominated by muted greens, grays, and blacks, with gold embroidery on the central figure’s ornate black robe providing a sharp focal point. Center-frame stands a dignified official in a tall black hat bearing a small green gem, raising his left hand high to brandish a narrow white paper strip inscribed with dark calligraphy. Around him, roughly half a dozen men in muted green-gray robes and simple white cloth caps bow deeply in deference, their collective gasp and scattered laughter echoing through the semi-enclosed space.\n\nThe official suddenly thrusts his right index finger toward the kneeling group, his voice booming with triumphant scorn as he declares, “你现在知道什么叫画了啊？” The camera remains fixed, but the visual tension shifts to one subordinate in a lighter blue-green robe who stiffens, lifts his head, and recoils in visible shock, eyes widening and mouth agape. As the background murmur dissolves into uneasy silence, a smooth, documentary-style male voice begins, stating “而武状元手中为石榴姐所作的画，实际出自一位民间画师。” The official lowers his arm but keeps pointing, his expression stern, while the startled man clutches his chest and wipes his brow in distress. Other onlookers exchange anxious glances as the ambient sound drops to a faint room tone, and the scene holds on the frozen tableau of dramatic tension before the frame cuts to black.","video_1_relative_path":"videos/814b0adb98356ee1.mp4","video_2_relative_path":"videos/1c35382daea1a8ca.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_3/example.json::00000072","text_prompt":"A single, uninterrupted medium two-shot captures a warmly lit dining-living space bathed in soft yellow light from ceiling fixtures and a wall sconce. The muted earth-tone palette of beige curtains, brown wood, and a grey sofa frames a young woman on the left, her shoulder-length dark hair falling over a black zip-up jacket and dark turtleneck, and an older man on the right, dressed in a light-brown sweater layered over an orange collared shirt. Between them on the table sit a clear glass of water and a white bowl with chopsticks, grounding the intimate, domestic moment. Under a faint indoor room tone and the gentle swell of a subdued piano melody, the man turns slightly toward her. A calm, measured male Mandarin voice begins, stating \"It is time to let go.\" His mid-low, resonant tone carries a gentle concern as he speaks, while she keeps her gaze lowered, brows faintly knit, her hands clasped quietly near the bowl.\n\nHe maintains steady eye contact, his expression softening into paternal warmth as he continues in a mild, earnest tone: \"Of course, as your leader, and as your father’s close friend…\" His right hand lifts briefly in a small, outward gesture for emphasis before settling back onto the tabletop. The woman remains mostly still, lifting her eyes toward him only for a fleeting moment before looking down again, her expression tightening slightly as she exhales almost imperceptibly and her shoulders drop a fraction, absorbing his words. The ambient lighting casts subtle shadows that accentuate the quiet gravity of the exchange, while the shallow focus keeps the background décor softly blurred, ensuring all attention remains on their restrained interaction. As the piano melody continues its quiet rhythm beneath the lingering room tone, both characters hold their positions in the stillness, the contemplative atmosphere settling over the frame as the moment fades.","video_1_relative_path":"videos/3d407744577867c1.mp4","video_2_relative_path":"videos/5d0147fc713503cb.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_5/example.json::00000045","text_prompt":"A warmly lit, cluttered archive or storeroom sets the scene, its background densely packed with tall shelves stacked high with cardboard boxes and paper files. The camera holds a static medium close-up on a middle-aged man with dark, slightly wavy hair and a trimmed beard, wearing an open-neck plaid shirt in muted blues and browns. His face is tense, brows knitted and eyes wide as he leans forward, demanding an answer. To his right, the blurred shoulder and back of an unseen figure hint at a tense standoff. A tense, urgent male Mandarin voice cuts through the quiet indoor ambience, stating: “这人到底是不是家推老艾？” The shallow depth of field isolates him against the softly blurred, information-rich shelves, emphasizing the raw emotional tension of the moment.\n\nA straight cut reverses the angle to a matching medium close-up of the second participant, an older Caucasian man with short white hair and deep facial lines, dressed in a dark navy polo shirt trimmed with thin white piping. The camera remains static, now framing him over the first man’s shoulder. Responding in Persian, a measured male voice with a faintly reproachful tone replies: “فکر نمی‌کردم خودتو اینجوری اسیر بکنی.” The quiet indoor ambience continues without music or effects, and the frame holds steady on his reflective response, completing the brief emotional arc from sharp confrontation to quiet admonition.","video_1_relative_path":"videos/24234ecdcdc35632.mp4","video_2_relative_path":"videos/3ecc6c2b51ab8db0.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_6/example.json::00000043","text_prompt":"Cinematic documentary style, low-angle ground-level tracking lens, dim forest lighting shifting to bright coastal daylight, earthy brown and green palette transitioning to sunlit tones. The camera follows a pair of sturdy, dark-green rubber boots as they crunch through a thick carpet of dry foliage in a shaded forest, each step compressing brittle leaves into crisp rustling sounds that blend seamlessly with a soft, slow-tempo score of guzheng-like plucked strings and faint dizi flute phrases. Over this intimate soundscape, a calm male narrator with a standard Mandarin accent and measured, reflective delivery speaks, stating “Rao Changqing intends to leave it for his family.” The scene then cuts to bright daylight over an expansive tidal flat, maintaining the low perspective as blue-jean-clad legs and mud-splattered boots trudge through thick, gray-brown slush toward the horizon. The walker’s right hand grips a woven basket with light-brown wicker interlaced with darker geometric strips, while gentle wavelets lap against the shoreline and distant green hills frame the wide bay under a partly cloudy sky. Subtle splashes accompany each heavy step beneath the continuing traditional instrumental score, and the narrator’s voice returns with a gentle cadence, continuing “Whether relying on the mountains or the water,” as the camera holds on the rhythmic labor.\n\nFinally, the perspective shifts to a static, very wide shot of the same bay, where two tiny human figures—one standing, one crouched—dot the vast expanse of wet mudflats, emphasizing scale and solitude. Rolling green hills rise beyond shimmering water, and dense gray-white clouds drift across a pale blue sky, while the ambient music and soft lapping waves persist, leaving the viewer with a quiet sense of geographic context and the enduring rhythm of coastal livelihood.","video_1_relative_path":"videos/02d5a942f9c77b44.mp4","video_2_relative_path":"videos/508b2d1b13f7ecde.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_7/example.json::00000053","text_prompt":"Cinematic food documentary style, shot on a macro lens with diffuse window lighting and a naturalistic palette of whites, beiges, and muted greens contrasted by vivid orange-brown shrimp roe and deep blue bowl trim. The sequence opens with a bright, evenly lit top-down close-up of a white ceramic bowl resting on a pale wooden tabletop. Inside, thin, straight noodles are submerged in a clear broth, with scattered green scallion pieces floating near a generous, glistening mound of coarse golden-brown shrimp roe. Soft traditional Chinese instrumental music, built around plucked zither-like strings and light percussion, begins immediately to establish a calm yet lively atmosphere. A calm, neutral male Mandarin voice-over begins, stating “虾子小刀面，正是芜湖酷热的苦夏给予当地人的最佳补偿。”\n\nThe camera cuts to an extreme macro view angled obliquely into the bowl as a pair of pale wooden chopsticks enters from frame right and plunges toward the shrimp roe. As they break through the oily crust, tiny reddish-orange grains burst apart in sharp detail against the translucent noodles beneath. Still in tight close-up, the chopsticks stir vigorously, causing the noodles to swirl and coat themselves in the orange-brown mixture while droplets of broth flick outward. Steam wafts upward, catching the soft key light and creating gentle highlights on the wet surfaces, while the shallow depth of field blurs the background into warm wood tones. The shot then shifts to a low-angle, almost under-the-surface perspective inside the liquid, where thick strands of noodle glide past the lens, some curling around it as they are lifted. Subtle ripples distort the light patterns across the broth, maintaining a consistently shallow focus that renders foreground strands crisp while distant ones dissolve into creamy bokeh. The background music maintains its moderate tempo, then both narration and music fade out together, leaving an appetizing, culturally rooted impression of regional pride.","video_1_relative_path":"videos/313d728f1ccb3111.mp4","video_2_relative_path":"videos/1da7c8a6db1029ac.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_9/example.json::00000016","text_prompt":"Cinematic sports drama sequence, captured with a static medium-wide lens and soft directional lighting over a muted, gritty palette. The scene opens in a modest boxing gym with white walls and a polished wooden floor illuminated by overhead fixtures. A group of men stand in a loose circle around an older, balding figure seated on a low bench at the center. He wears a black knit beanie, a dark zip-front jacket over a grey hoodie, and holds a small rectangular object in his right hand. His expression is stern as a calm, neutral Mandarin voice-over begins, stating \"他说道.\" Behind him, a man rests on wooden bleachers against a dark green wall, while a shirtless boxer in red trunks stands to the right, hands wrapped and listening intently. A partially visible sign on the far left wall reads \"DO NOT SPIT OR THROW GUM ON THE FLOOR.\" The space is quiet save for room ambience and the narrator’s bridge.\n\nA hard cut shifts to a tight close-up of the older man’s face, his lined features filling the frame while a shallow depth of field blurs the background. Soft, directional lighting casts mild shadows that accentuate his age lines as he speaks forcefully in English. His gravelly voice resonates with anger and disappointment: \"You had the talent to become a good fighter, and instead of that, you became a despicable debt-collecting thug.\" The camera stays locked off, maintaining focus on his emotional intensity as his brows furrow and jaw tightens. Beneath his words, a low, ominous orchestral underscore fades in, dominated by sustained low strings that swell slightly toward the end, heightening the tension without overpowering his accusatory tone. The clip concludes with his final syllable hanging in the reverberant gym space, leaving the weight of wasted potential and moral decline to settle over the silent room.","video_1_relative_path":"videos/877c5c97c6a721e0.mp4","video_2_relative_path":"videos/765ee4dc273218e5.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_3/example.json::00000086","text_prompt":"A medium-wide, static shot captures the interior of a warmly lit, cluttered antique shop, bathed in rich tungsten-like light that highlights the deep browns of wooden furniture and colorful textiles piled on shelves and tables. Three figures are arranged diagonally across the frame: on the left, an older woman with short blond hair wears a light-blue button-down shirt with red shoulder panels; in the center, a teenage boy with dark curly hair and a maroon T-shirt with white sleeve stripes stands behind a folding table crowded with glass jars, metal canisters, and a wooden birdhouse; on the right, a young girl with a high ponytail secured by a red scrunchie, dressed in a plaid shirt and pink trousers, is bent over a small object in her hands. The camera holds steady, keeping all three characters reasonably sharp while the background shelves blur slightly, focusing attention on their quiet interactions. A soft room-tone hiss fills the space as the older woman begins to speak, gesturing with both hands as if illustrating a bargaining strategy.\n\nWhile the boy reaches down to lift and examine a long green bottle or tube, turning it slowly in his hands, the woman continues her explanation, briefly glancing toward him before pivoting left to pick up a folded piece of fabric from a nearby stack. She maintains a calm, instructional tone with steady pacing and clear articulation, stating, \"Negotiating. You start high, they offer less, then you meet somewhere in the middle, leaves them feeling like, you know, they got a deal.\" The girl remains absorbed in her task, barely moving, while the boy keeps studying the green object, occasionally shifting his grip. The ambient soundscape remains minimal, anchored only by the gentle room tone and the quiet rustle of the fabric, preserving the nostalgic, lived-in atmosphere of the shop as the scene concludes.","video_1_relative_path":"videos/8766c668dedba7d1.mp4","video_2_relative_path":"videos/1f688d7ccf75693a.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_4/example.json::00000069","text_prompt":"A sitcom-style scene opens with a brightly lit, static medium-wide shot, captured on a single locked-off camera at eye level, framing a lived-in apartment living room and kitchen set from mid-thigh upward. On the left, Leonard Hofstadter stands frozen mid-stride, wearing dark-rimmed glasses, a green jacket over a purple hoodie and brown T-shirt, and grey pants. His mouth is slightly open in mild surprise as he looks toward his friend. On the right, Howard Wolowitz sits in a black office chair with armrests, dressed in a red turtleneck beneath a black polo shirt trimmed with blue-and-white stripes, light-grey jeans, and white socks pulled high over his shoes. He grips the edges of a closed silver laptop covered in colorful stickers, his elbows braced on his knees. The background features wooden kitchen cabinets, a stainless-steel refrigerator adorned with a spiral-galaxy photo and a Mini-Bites cereal box, a stove, and an open doorway revealing towels hanging in a bathroom. In the foreground, a cluttered coffee table holds take-out cups, cans, a bottle of hand sanitizer, a remote, and everyday detritus. The scene opens with a faint, high-pitched giggle from off-screen, immediately followed by a short burst of canned studio laughter that swells and fades into the warm, softly lit room. As the laughter subsides, Howard Wolowitz, speaking in a calm, mildly teasing American accent, turns his head slightly toward Leonard and states, \"Sounds like your neighbor's home.\" Leonard’s expression remains neutral-to-surprised, his eyebrows raised and lips parted as if ready to reply, while Howard relaxes back into his chair with his eyes forward. The camera holds completely still, maintaining the even, multi-camera lighting that casts soft shadows and highlights the muted greens, purples, and wood tones of the set. Leonard shifts his weight subtly but does not move away, and the scene lingers on the quiet, comedic beat. Ambient room tone remains low, with no additional sounds or music intruding, leaving the atmosphere grounded in the everyday reality of the apartment as the moment settles.","video_1_relative_path":"videos/f09843223bc60c4b.mp4","video_2_relative_path":"videos/0a01163520fd0e39.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_5/example.json::00000081","text_prompt":"A tense, dialogue-driven scene opens in a static medium close-up, eye-level perspective, with a shallow depth of field that isolates the focal point against a softly blurred background. The room is modest, its walls painted in warm, earthy reds and browns, illuminated by a single soft key light from camera right that casts gentle chiaroscuro shadows across the subjects. Two men sit side-by-side on a wooden bench. In the foreground to the left, an older man in his late fifties wears metal-rimmed glasses and a green-and-white vertically striped shirt; he remains slightly out of focus, angled toward his companion. To his right, occupying the frame’s sharper focus, sits a younger man in his early thirties with short brown hair, light stubble, and a black T-shirt featuring red shoulder panels and a small white graphic. A low, steady electronic hum fills the otherwise quiet ambience as the younger man inhales quietly, his lips parting to address the older man with a skeptical, confrontational tone.\n\nA measured, General American male voice begins, stating, \"So… you plan to ice Gonzo?\" The older man tilts his head minutely forward, his eyes tracking the speaker while remaining completely silent. The younger man holds the pause, his gaze intent, before drawing a quick breath and pressing on with a strained, urgent cadence: \"In the near future? Like soon.\" The camera holds steady on this quiet confrontation, the shallow focus keeping the background details muted while preserving the crisp detail of the younger man’s face and the older man’s watchful stillness. The scene closes on this suspended moment, the ambient hum persisting as the younger man’s mouth closes, leaving the unspoken weight of the question hanging in the warm, shadowed room.","video_1_relative_path":"videos/d3f895b3c440581a.mp4","video_2_relative_path":"videos/c985b8892600a53e.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_davinci/voiceover/voiceover_3/example.json::00000052","text_prompt":"Set in a rustic historical martial arts drama, the scene opens with a high-angle, medium-long shot of a quiet woodland clearing, where a palette of earthy browns and muted greens dominates the frame. Brown earth is scattered with dry leaves and twigs, and thick, gnarled tree roots curve across the foreground. An elderly man with long, greying hair tied back sits hunched beside the roots, clad in a dark, patched tunic that speaks of wear and travel. His posture radiates fatigue and deep contemplation as soft, natural daylight filters through an unseen canopy, casting gentle, mottled shadows. A calm, steady male narrator begins in clear Standard Mandarin, his baritone voice resonant and gently earnest, stating, “报答苏灿的恩情，老鬼庆也趁着苏灿熟睡之际，把自己的绝学睡梦罗汉拳传授给了他。” Beneath his words, a low-volume, slow-tempo instrumental bed dominated by a guzheng-like plucked string timbre and sustained strings establishes a wistful mood, while the deliberate absence of ambient forest sounds lends the moment a detached, storybook quality.\n\nA straight cut shifts to a static medium close-up framed from the chest up, showing the man now leaning against a massive tree trunk, his weather-beaten face and sparse, dishevelled hair filling the frame. He wears a loosely woven, striped shirt with patched sleeves and cradles a small bundle of pale straw or dried plant matter in his hands. His expression shifts between a faint, grateful smile and earnest concentration as his lips move in quiet sync with the off-screen narration, his eyes glancing down at the bundle before lifting briefly toward something off-screen right. The background remains softly blurred, revealing only dappled greenery and muted earth tones that reinforce the period ambiance. The subdued traditional score persists unchanged, wrapping the scene in a contemplative hush as the camera holds on the man’s quiet reverence, the steady pacing of the narration and the gentle string harmonies blending into a seamless, reflective tableau.","video_1_relative_path":"videos/c07fa25060796a69.mp4","video_2_relative_path":"videos/76798b5654b86bcb.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/instruments/instruments_1/example.json::00000024","text_prompt":"A cinematic solo performance unfolds in a static, low-angle medium shot, lens positioned parallel to the floor to frame a young man from the waist up alongside a large, glossy reddish-brown double bass. The scene is bathed in soft overhead illumination with a neutral color temperature, casting minimal shadows across a quiet, uncluttered indoor space with plain white walls. A faint electronic hiss lingers beneath the intimate ambience as he initiates a deliberate pizzicato pattern. His left hand rests steadily on the fretless fingerboard while his right thumb and index finger pluck in quick succession, producing a crisp, woody attack with immediate decay. Each note outlines a steady descending bass line at a moderate tempo, the performer’s torso remaining perfectly still as only his fingers articulate the rhythm with precise, percussive clarity.\n\nThe musical texture gradually thickens as he shifts into a slightly syncopated figure, his left hand gliding downward to press new pitches while his right hand alternates between two adjacent strings. Subtle variations in finger pressure introduce gentle dynamic swells, some attacks marginally louder than others, before a brief ascending run breaks the pattern. He momentarily pauses, allowing the resonance of the previous note to bloom in a perceptible rubato feel that contrasts with the even pulse. His eyes remain focused forward, expression neutral yet intensely concentrated. Approaching the conclusion, he settles into a final cadential gesture, striking two lower-register notes with increased force. His right hand applies firmer thumb pressure, causing the strings to vibrate vigorously and yielding a warm, woody fundamental with clear upper harmonics and a rounded sustain. The left hand releases tension on the fingerboard just as the final note fades, leaving only the natural decay and a momentary residual room tone before silence.","video_1_relative_path":"videos/01188b0c0f694fdd.mp4","video_2_relative_path":"videos/f63294f5b50e9d9d.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/instruments/instruments_3/example.json::00000009","text_prompt":"Cinematic, static eye-level shot in a bright, sunlit domestic interior, rendered with natural daylight and a shallow depth of field that softly blurs the background. The camera remains fixed, keeping the performer’s torso and hands in sharp focus while a large black condenser microphone on a boom arm anchors the left foreground. Behind them, a black electronic keyboard, a music stand with sheet music, a small desk fan, and an open doorway leading to kitchen cabinetry sit quietly in the periphery. The performer maintains an upright, relaxed posture with elbows tucked close to the body, holding a black B♭ clarinet vertically with thumbs supporting its weight. As the first notes emerge, the unwavering gaze locks onto the precise, economical motion of the fingers, each deliberate key press perfectly synchronized with the instrument’s warm, reedy tone.\n\nThe melody unfolds in a brisk, dance-like 4/4 rhythm at roughly 120 beats per minute, beginning in the middle register before stepping smoothly upward into a bright, legato ascent. The right hand accelerates through rapid sixteenth-note figures, driving the phrase toward a luminous peak around G4 and A4, while the left hand provides steady support. Volume swells subtly with the rising contour, then gradually softens as the line descends, the performer’s fingers mirroring the decrescendo with fluid, controlled releases. Occasional crisp staccato attacks punctuate the phrase beginnings, and faint mechanical key clicks weave through the fast passages without breaking the clean, intimate recording quality. The tone remains steady and focused, free of breath noise or room echo, highlighting a technically polished performance.\n\nAs the passage nears its conclusion, the melody settles back into the opening motif, the performer’s hands resetting to their initial positions with a brief, intentional pause between phrases. The final sustained note rings clearly before tapering off into a clean, natural cutoff, leaving the static frame undisturbed. Throughout the sequence, the visual focus never wavers from the instrument and the performer’s hands, emphasizing the seamless marriage of controlled embouchure, steady airflow, and practiced dexterity. The scene captures a moment of quiet musical precision, where every finger movement, dynamic shift, and resonant overtone aligns in a cohesive, expressive display of solo clarinet technique.","video_1_relative_path":"videos/5f1f319a2aac9a05.mp4","video_2_relative_path":"videos/2004298ca31b9565.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/movie/movie_2/example.json::00000094","text_prompt":"A post-apocalyptic desert survival scene unfolds under a harsh, direct midday sun, captured through a wide-angle lens and a low-angle tracking camera that glides near the ground to emphasize the gritty texture of the sand and the heavy, deliberate steps of a solitary traveler. Clad in worn, brownish-tan garments with frayed edges and thick, strapped armored leg guards, the figure advances across the arid expanse, dragging a large metallic tool or weapon whose dangling chains catch the bright light. The camera slowly tilts upward to reveal the walker’s torso as they move, their long shadows stretching behind them. In the distance, partially veiled by heat haze and drifting dust, a colossal multi-wheeled transport rig looms, its sand-caked treads and tattered fabric strips flapping in the dry wind.\n\nThe audio landscape is entirely diegetic, stripped of music or vocalization to amplify the raw realism of the environment. Each stride produces a rhythmic crunch of gravel and sand, punctuated by the intermittent metallic clink and rattle of the carried object swinging in sync with the traveler’s motion. A low, steady diesel engine rumble emanates from the distant vehicle, gradually swelling in amplitude as the figure draws nearer, while a constant, subtle wind hiss and the faint rustle of worn fabric weave through the air. The composition relies on muted earth tones and weathered textures to convey isolation and survival, leaving the narrative tension unresolved as the looming machinery and rising mechanical drone suggest an imminent, purposeful convergence.","video_1_relative_path":"videos/f75752db249f059f.mp4","video_2_relative_path":"videos/6c42e65216c09c8f.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_12/example.json::00000046","text_prompt":"Set in a tranquil bamboo grove bathed in diffused daylight, this ethereal period drama scene opens on a static medium-wide shot framed through softly blurred green leaves that create a natural vignette. The cool, muted palette of pale whites and verdant greens reinforces a mood of purity and introspection, while a shallow depth of field keeps the two central figures sharply defined against the softly blurred vertical trunks behind them. On the left stands a tall, motionless figure draped in a flowing white robe with light-blue trim, their face concealed by an unblemished white mask marked only by closed curved black lines for eyes and faint pink blush circles; long dark-brown hair is secured with a silver ornament. Beside them, a woman in layered mint-green robes over a patterned white undergarment stands with her hands clasped loosely before her, her elaborate up-do pinned with leaf-shaped silver accents and a small red bindi resting on her forehead. A gentle, melancholic instrumental score led by sustained strings and soft piano fades in at low volume, devoid of environmental ambience to focus entirely on the internal emotion of the moment.\n\nAs the music swells slightly with emotional weight, the woman lifts her gaze from a downward cast toward the masked companion, her lips moving in quiet sync with her measured, sorrow-tinged Mandarin voice-over, which states “当日割发离家，就是下定决心要割舍一切。我尊重她的决定。” She then lowers her eyes once more, leaving both figures frozen in solemn contemplation, the atmosphere suspended in quiet resolve and meditative stillness.","video_1_relative_path":"videos/0bf7b3b0d41157d0.mp4","video_2_relative_path":"videos/e889b74061a33d8d.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_5/example.json::00000033","text_prompt":"A static medium-wide shot captures a cramped, dimly lit basement laboratory bathed in chiaroscuro lighting, where a hanging incandescent bulb high in the rear left and a tall floor lamp with a white shade cast a soft cone of light across the center-right, leaving the surrounding walls and receding shelving swallowed in deep shadow. The palette is dominated by browns, muted greens, and blacks, reinforcing a clandestine atmosphere. In the foreground, a dark workbench is cluttered with glass beakers, clear drinking glasses, a metal canister, a roll of aluminum foil, pliers, and scattered tools. Seated at the left edge of the bench is an older, bald man in thin-rimmed glasses and a pale green-and-white vertically striped button-down over a white undershirt. He leans forward with his elbows on the table, his gaze fixed ahead with a stern, calculating expression. Opposite him, a younger man in a black T-shirt and a grey beanie pulled low over his forehead sits with his arms crossed over the back of an ornate, gold-patterned armchair, looking downward and to his left with brows knit in worry.\n\nA faint indoor hum underscores the heavy silence as a calm but tense baritone voice begins, stating \"We’ll be in the clear.\" The delivery is measured and almost reassuring, yet edged with apprehension. A hesitant, anxious male voice responds: \"Not if Tuco kills us first,\" his eyes flicking briefly toward his companion before returning to the floor to emphasize his doubt. The older man’s posture remains rigid, though a faint tightening of his jaw betrays a quiet concern. As the tension lingers, the younger man’s voice falters and he completes his thought: \"I don’t know if Tuco will track us down before we disappear.\" The camera holds steady on the two figures, the unbroken framing balancing the older man’s authority against the younger’s vulnerability, while the absence of music and the lingering ambient hum focus all attention on their unspoken dread and the unresolved danger closing in.","video_1_relative_path":"videos/28f0c9b39c35cf09.mp4","video_2_relative_path":"videos/5692d5e62cb017b2.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_8/example.json::00000080","text_prompt":"Cinematic late-night talk show interview, captured in a single fixed medium two-shot at eye level that frames both subjects from the waist up. On the left, Barack Obama sits in a red armchair wearing a black suit jacket and an open-neck white shirt, already smiling broadly with eyes crinkled in amusement. To the right, host Conan O’Brien leans forward behind a light-brown wooden desk adorned with a white star-and-meteor graphic, dressed in a dark suit, pale shirt, and patterned brown-gold tie. High-key studio lighting bathes both men in even, warm tones while a subtle backlight casts a soft rim around their shoulders, separating them from a softly blurred backdrop of stylized night-time city buildings glowing with cool blue LED points. Conan raises his right hand in an expressive gesture and begins speaking in an upbeat, playful tone, his Midwestern cadence rising with enthusiasm as he states, \"I want to say I’m a huge fan of your name.\"\n\nObama’s smile softens into attentive listening; he nods once, gestures outward with both hands, and rests them on his lap as Conan continues, \"Your name, you have the best name.\" Obama interjects calmly and amused, \"Barack Obama,\" his lips forming the phrase clearly. Conan immediately echoes the sentiment, then launches into a humorous anecdote, his delivery growing more animated with lifted eyebrows and a small chopping motion from his right hand. He continues, \"When I first heard it, I thought it might be something entirely different, but I was sure it was Irish the moment I heard it.\" Obama listens with a neutral but relaxed expression, occasionally blinking and shifting slightly in his seat, while a black microphone, a clear snow-globe-like ornament, and a small yellow-topped cylindrical container remain motionless on the desk. The studio lighting holds steady as the LED cityscape shimmers subtly, and the absence of music leaves only Conan’s voice and the faint, swelling ambience of audience laughter to punctuate the lighthearted exchange, filling the space just as the scene naturally concludes.","video_1_relative_path":"videos/fc7ae3812a5ae256.mp4","video_2_relative_path":"videos/7fbf81ee8e48f01c.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_9/example.json::00000017","text_prompt":"Cinematic medium shot, locked-off and eye-level, opens inside a warmly lit café or tea-room bathed in soft, diffuse daylight that blends with cozy interior tones. The color palette is dominated by earthy browns, muted beiges, and deep blacks, punctuated by the vivid yellow of neckerchiefs and green foliage. Two teenage girls in matching black sailor-style school uniforms sit side-by-side at a dark wooden table, their navy collars edged in white piping and bright yellow neckerchiefs tied in loose bows, small red name badges pinned to their left chests. In front of them stand two tall, curved glasses filled with a cloudy pale drink, each garnished with a lemon slice on the rim, a single cherry at the bottom, and a white straw, while a smaller empty tumbler rests near the girl on the left. As a faint café room tone hums in the air, an off-screen adult woman’s calm, confident Japanese voice begins to speak, her standard Tokyo accent crisp and mid-to-high pitched: \"お二人は転校早々、十人もの不良どもをやっつけたと聞きました。\" The girl on the right turns her head slightly toward the unseen speaker, listening attentively with her eyes lowered and lips closed, while the girl on the left keeps her gaze forward, brows faintly knit as she absorbs the words, her posture steady and respectful.\n\nThe woman’s voice continues, shifting to an encouraging tone with a slight smile audible in her diction as she delivers her next line in Japanese: \"あんたらなら、やつらを倒せると思って。\" The girl on the left lifts her chin, leans forward a fraction, and parts her lips, signaling her intent to respond, her expression tightening with quiet determination. Beside her, the girl on the right remains composed, watching her companion with steady eyes. The camera holds perfectly still, capturing the subtle micro-expressions and restrained body language that convey a shared sense of resolve against the softly shadowed backdrop. The scene lingers on this poised anticipation, the ambient café sounds fading into the weight of the unspoken challenge hanging in the warm, layered space.","video_1_relative_path":"videos/12524a7f26f69acb.mp4","video_2_relative_path":"videos/e3574ebb609852fb.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/music/music_2/example.json::00000001","text_prompt":"Cinematic close-up, bathed in warm late-afternoon sunlight that casts a glowing rim light around her hair and shoulders, reveals a young woman with long, light-brown hair standing in a softly blurred golden field of tall wheat. Shot steady and intimate, she wears a light blue sleeveless top and subtle makeup, her eyes mostly closed as she sings into a silver condenser microphone positioned directly before her. A calm, tender female voice delivers the line “Oh, sweet love of mine” in a breathy, legato phrasing with a gentle vibrato, perfectly synchronized with her expressive, joyful smile. The soundscape is pristine and studio-clean, anchored by a slow, finger-picked acoustic guitar playing wistful arpeggios at a relaxed tempo, while faint atmospheric pads swell softly beneath the melody, creating a serene and nostalgic atmosphere entirely free of environmental noise.\n\nThe frame abruptly widens to a medium waist-up shot, revealing the same performer now standing behind a red Nord Electro keyboard mounted on a black stand. Her hands, adorned with bracelets and rings, move fluidly across the keys as she shifts her focus from the microphone, which remains on its stand but angled away from her. The acoustic guitar rhythm continues seamlessly, supporting the vocalist as she sustains the final syllable of her phrase before letting it fade into a quiet, reflective silence. The sunlit field remains visible in the background, now slightly more in focus, while the camera holds steady on her performance, capturing the intimate, emotionally charged moment as the music lingers in a calm, unhurried cadence.","video_1_relative_path":"videos/5d2246b675e5f77c.mp4","video_2_relative_path":"videos/14260661d290262f.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/music/music_2/example.json::00000094","text_prompt":"Cinematic wide static shot from an audience perspective, looking up at a concert stage set within a dark, hazy venue. Cool blue-white light from overhead spotlights and a horizontal row of bright stage lamps behind the performers cuts through atmospheric smoke, casting the silhouetted heads and shoulders of foreground audience members into shadow. On stage, a five-piece rock band stands in a classic formation: two electric guitarists anchor the sides, a central figure steps slightly forward with an acoustic-electric guitar and sings into a microphone, a drummer sits behind a kit in the rear center, and a fifth guitarist occupies the far left edge. All wear dark clothing and remain largely still, communicating only through subtle head tilts, fretboard shifts, and rhythmic posture adjustments. The camera holds its fixed position as the lighting remains constant, emphasizing the immersive, unbroken nature of the live performance.\n\nThe audio opens mid-phrase with a clear, slightly raspy tenor voice delivering the line \"built to last, you’re in ruins,\" backed by a full, anthemic alternative rock arrangement. Driving kick and snare patterns lock with a steady bassline while layered electric guitars weave rhythm chords and melodic fills across a moderate-to-fast tempo. The mix places the vocals slightly forward, drenched in a spacious natural reverb that suggests a large concert hall, yet the soundscape remains entirely free of crowd noise, ambient room tone, or incidental foley. The mood is intense yet tightly controlled, blending the atmospheric stage lighting with a polished, emotionally charged musical groove to capture a cohesive snapshot of a professional live show.","video_1_relative_path":"videos/b23fe4a01bd94141.mp4","video_2_relative_path":"videos/f4205cdd8384157b.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/physics/physics_2/example.json::00000009","text_prompt":"A contemplative maritime scene unfolds on the open-air deck of a large vessel under bright, overcast daylight, captured through a handheld, slightly shaky medium-wide lens that lends a casual, observational intimacy. The frame is anchored by black-and-white striped lounge chairs in the foreground and a gray vertical trash receptacle with a circular opening near the center, while a wooden railing cuts horizontally across the midground. Beyond it, calm blue-gray water stretches toward a distant shoreline under a pale sky. A solitary figure stands just left of the trash can, back to the camera, dressed in a dark purple long-sleeved top, light blue jeans, and a white hood pulled snugly over their head. They remain mostly still, occasionally shifting their weight or making minor postural adjustments as they face the open sea, their quiet stance suggesting deep, unhurried observation rather than active engagement.\n\nThe scene’s stillness is abruptly shattered by a powerful, low-pitched ship horn blast that erupts immediately, its deep, resonant frequencies rolling across the deck with a rich harmonic tail and natural outdoor decay. The siren sustains for a few seconds before cutting off, leaving behind a profound silence broken only by the faintest whisper of wind through the rigging, the subtle groan of wooden deck boards, and the distant, rhythmic lapping of water against the hull. With no camera movement or cuts to follow, the visual composition holds its static, contemplative frame, emphasizing the vast emptiness and solitude of the maritime setting. The stark contrast between the lone, hooded observer and the expansive, tranquil seascape creates a meditative atmosphere, where the imposing maritime signal serves as a fleeting punctuation mark in an otherwise serene and introspective moment.","video_1_relative_path":"videos/53f6a5804ae66e6f.mp4","video_2_relative_path":"videos/69e394a0fb8f3ade.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/physics/physics_5/example.json::00000088","text_prompt":"Cinematic industrial realism, captured in a static close-up with shallow depth of field, opens in a workshop illuminated by the intense, incandescent glow of heated metal and cool ambient overheads. The camera holds steady on a worker’s forearms, clad in a dark short-sleeved shirt and thick reddish-brown leather gloves, a small dark tattoo visible just above the left wrist. Their hands grip heavy-duty tongs that clamp a rectangular bar of molten metal, radiating vivid orange-yellow heat against the shadowed surroundings. Behind them, slightly softened by focus, a light-gray wall features a decorative gold-framed mirror beside a white electrical panel, while a weathered wooden shelf holds scattered blocks and tools. Dominating the right side of the frame, a massive mechanical forging press lowers a black cylindrical ram onto a dark gray anvil base. With each powerful descent, the ram strikes the glowing bar, sending showers of bright sparks erupting outward and casting fleeting white-orange flashes across the space. The metal yields under pressure, its edges softening and elongating as it cools slightly between blows, while the worker subtly adjusts their grip to maintain control.\n\nThe audio landscape is entirely driven by the relentless, rhythmic cadence of mechanized forging. Each impact delivers a deep, resonant metallic clang that reverberates sharply through the hard-surfaced, concrete-walled room, immediately followed by the sharp crackle and high-pitched sizzle of superheated metal shedding oxidizing scale. As the ram retracts and pauses, the acoustic decay leaves a brief, ringing silence broken only by the faint scrape of tongs shifting and the low, continuous mechanical hum of surrounding industrial equipment. There is no music, no dialogue, and no ambient wind or traffic—only the hypnotic, percussive symphony of raw craftsmanship meeting modern precision. The scene captures a visceral moment of focused intensity, where the blinding heat of the steel, the echoing strikes, and the steady hands of the artisan converge into a seamless display of skilled execution.","video_1_relative_path":"videos/5da48a318f52f969.mp4","video_2_relative_path":"videos/ce88a2ad3080af3b.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/podcast/podcast_1/example.json::00000017","text_prompt":"A cinematic wide-angle shot opens in a vast, dimly lit auditorium, where cool ambient shadows contrast with a warm spotlight focused on a circular red carpet at center stage. An adult male speaker, dressed in a white collared shirt beneath a dark jacket and trousers, stands alone in the light while the surrounding audience sits in semi-darkness, a few holding up phones to record. To his left, bold red three-dimensional letters spelling “TED” rest on the stage floor, and behind him, a massive screen initially displays a front-facing close-up of him against a blue-striped backdrop. The atmosphere is stripped down and reverent, with only the clear, calm voice of the male presenter echoing slightly through the spacious hall, accompanied by no music or ambient noise. He speaks in a measured, reflective tone, stating, “Expanded access to food and literacy basically birthed our modern world.”\n\nAs his delivery continues, the projection behind him transitions smoothly: the blue stripes give way to vertical orange-brown panels, and the on-screen frame shifts to a side profile of the speaker. He gestures with his right hand, briefly raising it toward his chest before letting it fall, his pacing steady and conversational as he acknowledges the ecological toll of this progress. He adds, “Yeah, in the process, it’s wiped out hundreds of species and decimated the natural world.” The scene holds on this quiet moment of reflection, the subtle reverberation of his voice and faint inhalations between phrases carrying the entire emotional weight, while the camera remains static, preserving the intimate scale of the talk against the grand architecture of the hall.","video_1_relative_path":"videos/99e17b3c09813b5a.mp4","video_2_relative_path":"videos/0916b350b56fcba0.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_1/example.json::00000090","text_prompt":"A cinematic, emotionally charged close-up set in a dimly lit, rustic wooden study, rendered in muted browns and desaturated greens with a very shallow depth of field that blurs the background into vague outlines of furniture. A single, warm, flickering key light off-frame left sculpts the scene in chiaroscuro, leaving the surroundings in deep shadow while catching the moisture on the subject’s skin. In an extreme close-up on her right profile, a young woman with dark, slightly disheveled hair stares toward an unseen presence just off-frame right. Her eyes glisten and a single tear streaks down her cheek as a young woman with a high-pitched, quavering Southwestern Mandarin accent begins, her voice trembling and sorrowful: \"我好留着命赎罪。\" The camera holds steady, capturing only the faint room tone and the raw texture of her breath.\n\nWithout a cut, the frame subtly pushes in as her head dips lower and her shoulders sag under the weight of despair. She whispers the next words softly, almost pleading, yet laced with quiet anguish: \"好不好？\" The warm light continues to emphasize the glistening tears and the profound sorrow in her downcast gaze. Emotional intensity peaks as she lifts her head fractionally, her eyes widening in frustration before drooping again. Her breathing grows audible between phrases, and her voice cracks, rising in volume and pitch as she delivers her accusation with rapid, ragged delivery: \"为啥子看不出来你是个狗？\" The final syllables trail off into a sob-like exhale. She lowers her gaze, eyelids heavy and overwhelmed, as the camera holds steady for a brief beat before freezing on her tear-streaked face. The audio fades naturally with her last breath, leaving only the oppressive silence of the room to underscore the claustrophobic atmosphere of guilt and confrontation.","video_1_relative_path":"videos/5aaf491ace93b1e0.mp4","video_2_relative_path":"videos/e0afaa41dfa83452.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_4/example.json::00000049","text_prompt":"A tense maritime thriller unfolds through a gritty handheld lens, bathed initially in a cool, desaturated blue-grey palette that gives way to an acidic yellow-green cast. The sequence opens on a tight, slightly low-angle close-up of a dark-skinned man in his late twenties, his pale sleeveless undershirt damp with sweat and smeared with grime, a thin red abrasion cutting across the bridge of his nose. Out-of-focus green-grey concrete panels loom behind him in a confined industrial space, while a faint electronic hum vibrates through the soundtrack. A calm, neutral male Mandarin voice-over begins, stating “But he is a truly vicious and ruthless pirate.” The camera wavers imperceptibly, heightening the unease.\n\nA hard cut snaps to an extreme close-up of the same man’s right profile, his mouth wide open in a feral snarl, bloodshot eyes locked forward. He grips a black-and-yellow walkie-talkie and thrusts it toward his lips while a partially visible figure in a dark hooded jacket stands behind him, a faint circular orange-and-blue insignia marking the back of the hood. The lighting shifts to a harsh emergency glow, and the ambient hum persists. Suddenly, the man unleashes a guttural shout directly into the radio microphone, his voice cracking with rage and desperation as it reverberates off the metallic walls. … a strained male voice, speaking English with a non-native accent, shouts: “America, I will kill the hostage now!” The camera jolts minutely, tracking his aggressive lunge, while the low electronic drone underpins the sudden spike in vocal intensity before the scene cuts abruptly.","video_1_relative_path":"videos/a9bc15d56dd7d221.mp4","video_2_relative_path":"videos/0ac1165b5fe5759d.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_9/example.json::00000017","text_prompt":"Cinematic sports drama sequence, captured with a static medium-wide lens and soft directional lighting over a muted, gritty palette. The scene opens in a modest boxing gym with white walls and a polished wooden floor illuminated by overhead fixtures. A group of men stand in a loose circle around an older, balding figure seated on a low bench at the center. He wears a black knit beanie, a dark zip-front jacket over a grey hoodie, and holds a small rectangular object in his right hand. His expression is stern as a calm, neutral Mandarin voice-over begins, stating \"他说道.\" Behind him, a man rests on wooden bleachers against a dark green wall, while a shirtless boxer in red trunks stands to the right, hands wrapped and listening intently. A partially visible sign on the far left wall reads \"DO NOT SPIT OR THROW GUM ON THE FLOOR.\" The space is quiet save for room ambience and the narrator’s bridge.\n\nA hard cut shifts to a tight close-up of the older man’s face, his lined features filling the frame while a shallow depth of field blurs the background. Soft, directional lighting casts mild shadows that accentuate his age lines as he speaks forcefully in English. His gravelly voice resonates with anger and disappointment: \"You had the talent to become a good fighter, and instead of that, you became a despicable debt-collecting thug.\" The camera stays locked off, maintaining focus on his emotional intensity as his brows furrow and jaw tightens. Beneath his words, a low, ominous orchestral underscore fades in, dominated by sustained low strings that swell slightly toward the end, heightening the tension without overpowering his accusatory tone. The clip concludes with his final syllable hanging in the reverberant gym space, leaving the weight of wasted potential and moral decline to settle over the silent room.","video_1_relative_path":"videos/892e9158288636ef.mp4","video_2_relative_path":"videos/e409c7e548f4b7a5.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_1/example.json::00000009","text_prompt":"A bright, sun-lit Parisian plaza unfolds in a steady medium two-shot, captured on a 50mm lens with natural daylight casting soft, even illumination and gentle shadows across the scene. The camera glides smoothly along a cobblestone path bordered by low stone planters and leafy trees, keeping a man and woman framed centrally as they stroll side-by-side toward the lens. The man, with tousled brown hair, wears a dark charcoal-green blazer over an open-neck cream shirt, while the woman, her blonde hair tied back in a loose ponytail, wears a textured off-white jacket over a black top and carries a brown shoulder bag. Both smile warmly as they converse, their relaxed body language suggesting a comfortable, possibly romantic rapport. A warm, friendly female voice with a North American accent begins, stating \"You can sit down for hours and read. I love it.\" Her tone is inviting, underscored by the soft hum of distant city chatter and faint traffic that fills the air without masking their speech.\n\nAs they continue walking, the woman’s tone turns lightly amused, her eyebrows lifting slightly as she glances at her companion and adds, \"There are fleas, but you know, it’s all part of the experience...\" The man breaks into a broad, good-natured grin, tilting his head back and laughing softly. He replies in a relaxed, humorous male voice, \"I know. I think a cat slept on my head last night,\" raising a hand toward his own head for emphasis as his shoulders shake with laughter. The woman chuckles in response, her eyes crinkling with shared amusement. Behind them, parked bicycles, a wrought-iron fence, and a few pedestrians—including a bald passer-by in a striped polo carrying a red backpack—animate the background without distracting from the foreground. The muted earth tones of the foliage, stone, and their attire create a romantic, relaxed ambience, while the continuous tracking shot and natural lighting preserve the intimacy and forward motion of the moment, ending on the pair still smiling and conversing amid the lively Parisian street.","video_1_relative_path":"videos/bab98f1540282e53.mp4","video_2_relative_path":"videos/b23b4803e9287006.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_2/example.json::00000045","text_prompt":"A cinematic wide shot captures a quiet hilltop at dusk, framed by a locked-off camera and bathed in a cool violet-to-pink twilight palette that warms into practical lamplight. The scene opens behind two figures standing motionless on a gently sloping hilltop, framed by a tall white lamppost on the right that casts a warm pool of light onto the dark earth and low wooden posts, while a large, sprawling tree silhouettes against the sky on the left. Below them, a vast city glitters in scattered clusters across the valley, and the reflective mood is underscored by a slow, minor-key piano motif mixed low beneath a bed of nocturnal ambience—distant insect chirps and a barely audible breeze. The static framing emphasizes the expansive vista and the quiet spatial relationship between the characters and their surroundings.\n\nThe man, positioned slightly to the right of the woman, shifts his weight and takes a small step forward. A calm, low male voice tinged with mild resignation remarks, \"Not much to look at, huh?\" The woman remains still, her posture relaxed but attentive, before a soft, even female voice with a hint of dry understatement replies, \"I’ve seen better.\" After a brief pause, the man turns his head fractionally toward her and begins to walk slowly down the slope away from the camera, with the woman mirroring his movement. Their figures gradually recede and grow smaller, yet remain bathed in the lamplight’s warm glow as the piano phrase lingers and the quiet night sounds persist, carrying the scene to a gentle, uncut close.","video_1_relative_path":"videos/c50c99549d97e8f1.mp4","video_2_relative_path":"videos/54416738ed6a3e1c.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_3/example.json::00000061","text_prompt":"A locked-off medium-wide shot captures a warmly lit, rustic kitchen bathed in soft, intimate household lighting that highlights an earthy palette of olive greens, creams, browns, and muted yellows. A green-tiled island dominates the foreground, holding a woven wicker basket overflowing with bright oranges and red apples beside a folded beige cloth. To the left, Jesse, a young man in a blue-and-yellow striped beanie, black quilted vest over a white long-sleeved shirt, and patterned dark trousers, leans against the counter. His right hand is encased in a bulky tan-and-green splint that extends from his mid-forearm to his knuckles. With a sigh of exasperated resignation, he raises the injured hand in a dismissive half-wave and declares, “You know what? Count me out.” Behind the counter, the older, bald Walter, wearing glasses and an olive-green button-down shirt, calmly arranges the fruit, seemingly unfazed by the outburst. Without breaking the static frame, Jesse straightens, pivots away, and begins stepping toward the rear of the room, swinging his splinted hand outward for emphasis as he adds, “All right, I’m leaving town,” his tone edged with frustration yet casual.\n\nJesse continues walking past the island toward a decorative folding screen painted with rooster motifs and a small wine rack mounted above it, his voice weary but resolute as he mutters, “I’m moving to somewhere like Oregon, or maybe just anywhere else…” The warm overhead lighting casts soft shadows across the cream cabinetry and white range hood, while a framed picture rests quietly on the back wall. As he reaches the far side of the kitchen, Walter finally looks up fully, fixes him with a serious stare, and cuts through the quiet domesticity with firm, corrective authority, stating, “This is Jesse.” The scene holds on the sudden stillness: Jesse pauses by the screen, Walter’s gaze drops back to the fruit basket, and the ambient kitchen sounds fade into a tense, frozen tableau, emphasizing the conversational weight through performance alone.","video_1_relative_path":"videos/59b32c2dc6d1fddb.mp4","video_2_relative_path":"videos/844eb8af62e92b78.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_6/example.json::00000018","text_prompt":"A warm, naturalistic contemporary drama opens in a narrow, sun-drenched European alleyway paved with cobblestones, captured through a steady chest-level tracking shot that pulls backward as two young adults stroll toward the lens. Bathed in late-afternoon light that casts gentle shadows across beige stone walls, the scene holds a medium two-shot without cuts or zooms, preserving an intimate spatial continuity. On the left walks a fair-skinned woman with blonde hair tied in a loose ponytail, wearing a cream-colored textured jacket over a black top and a brown cross-body bag. Beside her, a young man with short light-brown hair and faint stubble wears a dark grey-green blazer over a subtly patterned off-white shirt. As they walk, soft rhythmic footsteps echo on the stone beneath them, accompanied by the low, distant hum of the city and the faint rustle of fabric as they gesture. The woman speaks first with a light, grateful tone, smiling as she says, \"Thanks. I just feel really, really lucky to be doing a job I like, you know?\" The man nods, offering a brief, mellow affirmation before his expression turns more thoughtful, his gaze dropping briefly before meeting hers again.\n\nAs they continue forward, the man raises both hands with palms open, his tone growing introspective as he furrows his brow and softens his eyes. He speaks earnestly, his voice carrying a reflective, slightly hesitant cadence: \"You know, I actually alternate in between thinking that everything is irrevocably screwed up and that things can still be salvaged.\" The woman listens quietly, her lips pressed into a contemplative half-smile as she absorbs his words. Behind them, the alley’s muted earth-tone architecture, wooden shutters, and window boxes overflowing with greenery and climbing pink flowers remain static, alongside a parked scooter resting against the wall. The absence of a musical score keeps the focus entirely on their nuanced exchange, the steady footfalls, and the subdued urban ambience, leaving the conversation suspended in a candid, everyday intimacy that feels like a natural continuation of a longer, unspoken narrative.","video_1_relative_path":"videos/1ed75e2289f74c6a.mp4","video_2_relative_path":"videos/8580fb4ff37962f3.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_davinci/voiceover/voiceover_3/example.json::00000026","text_prompt":"Crime-thriller aesthetic, static medium-wide shot, dim green-tinted interrogation room unfolds in high-contrast chiaroscuro that carves stark highlights on a dark metal table while swallowing the surrounding walls and floor in deep shadow. Seated at the near edge is an interrogator with short, slicked-back blond hair, clad in a dark business suit, white shirt, and patterned tie, an ID badge dangling from his lapel. He leans forward, elbows braced on the tabletop, eyes narrowed and jaw set, while two uniformed guards stand rigidly against the back wall, arms folded and faces half-obscured. To the left, a suspect sits on a low chair, head bowed and hands clasped, and across the table only the right side of a fourth figure’s torso—dark jacket over a yellow T-shirt—breaks the darkness. A calm, neutral male Mandarin voice-over begins, stating, \"The men sent over. He questions the two about why they killed Lao Mo,\" as a subdued electronic suspense bed pulses steadily beneath his measured delivery.\n\nThe interrogator straightens slightly, leaning back and tilting his head upward as if gathering force, his expression hardening before he abruptly snaps his gaze downward toward the seated men. His brows knit, nostrils flare, and he barks in a harsh, raised Mandarin tone: \"How could that possibly be allowed?\" The electronic underscore cuts off instantly, leaving a tense, ringing silence that amplifies the aggression. He holds his intense stare for a heartbeat, chest rising with the exertion of the shout, while the suspects and guards remain completely frozen in their subordination. The symmetrical framing and institutional green cast reinforce the grim power dynamics of this underworld confrontation, ending on a still, heavy note where only the lingering tension remains.","video_1_relative_path":"videos/bdcca545ba7d280d.mp4","video_2_relative_path":"videos/f41df99208607f97.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_davinci/voiceover/voiceover_3/example.json::00000045","text_prompt":"Open on a steady, locked-off medium close-up framed slightly from the left, capturing two men from mid-torso upward within a dimly lit interior that evokes a traditional Chinese household or small shrine. Warm reddish light spills from the left background, bathing the scene in a somber, mourning-toned glow that models their faces while leaving the surroundings in partial shadow. Behind them hangs a red vertical banner bearing gold characters, flanked by a glowing red lampshade on a dark wooden shelf to the left and a large polished wooden sphere in the right-rear. The older man, dressed in a high-collared black tunic with thinning grey-streaked hair and deep forehead wrinkles, rests his left arm supportively across the younger man’s shoulders. His expression is pained and deeply sympathetic as he looks down. Beside him, the younger man wears a black suit jacket over an open-collar white shirt and black-rimmed glasses, his gaze fixed on the floor with brows knit in quiet distress. A calm female narrator in Standard Mandarin begins, stating \"了解道生的家庭情况。\" Her measured voice is accompanied by a soft, sustained string underscore that establishes a subdued, melancholic atmosphere.\n\nWithout shifting the camera, the older man lifts his head slightly toward his companion and speaks in Cantonese, his tone gentle yet heavy with concern. He asks: \"道生哥，你令堂仲健在啊嘛？\" The younger man remains silent, still looking downward, but finally raises his head just enough to meet the elder’s gaze for a fleeting instant before lowering it again, his lips pressed together in restrained sorrow. The older man’s facial muscles tense with compassion, his eyes glistening subtly under the warm light. As the question hangs in the air, the string accompaniment fades imperceptibly, leaving only the quiet weight of the moment as the scene concludes on this static, emotionally charged tableau.","video_1_relative_path":"videos/95219ee5413e7c51.mp4","video_2_relative_path":"videos/c6e9767caf82b3a7.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_1/example.json::00000087","text_prompt":"A cinematic medium two-shot at eye level captures an intimate, lighthearted exchange between two young adults seated at a stylish urban bar, framed by a warm lounge palette where red spherical pendant lamps cast soft pools of light over a curved marble countertop glowing from under-lighting. The camera remains locked-off, keeping the focus on the characters against a darker backdrop lined with blue-purple illuminated shelves. On the left, a man with styled black hair wears a black leather jacket over a patterned shirt, cradling a green glass beer bottle. Beside him, a woman with long dark hair swept into an updo wears a fluffy white cardigan and large gold hoop earrings, holding a small brown paper-wrapped snack. A steady, mellow electronic track with a mid-tempo beat and synthesized bassline hums beneath a constant low murmur of crowd ambience, punctuated by the occasional soft clink of glassware and the subtle rustle of fabric as they shift.\n\nThe woman turns slightly toward the man, her expression bright as she states in Mandarin, “This drink’s on me.” The man reacts with a surprised smile, tilting his head and widening his eyes before cheerfully replying in Mandarin, “Wow, so generous.” He lifts the green bottle to his lips for a quick sip, then lowers it, his tone shifting to playful affection as he adds, “We’re friends, after all.” The woman laughs lightly, her shoulders shaking, and sets her snack down on the counter. She leans forward, resting her chin on her hand while watching him attentively, the gentle tap of the bottle against the marble grounding the moment in tactile realism. The man’s expression softens into mild curiosity; he straightens up, still holding his drink, and asks in a gently concerned Mandarin tone, “Yifei, something wrong?” She offers a brief, amused smile but says nothing further, her quiet gaze holding his as the lounge ambience and steady musical groove continue uninterrupted, preserving the casual, affectionate mood of the scene.","video_1_relative_path":"videos/dd85abc03494b6ce.mp4","video_2_relative_path":"videos/e0f8f29903f7b678.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_12/example.json::00000039","text_prompt":"Set in a brightly lit, modern living room rendered with saturated pastel colors, the scene opens on a single, steady medium-wide shot at eye level. Lavender side panels and a pink central wall are accented by soft vertical LED strips that bathe the background shelves in gentle light, while the acoustically dry studio space remains completely silent except for crisp dialogue and a sudden comedic laugh track. At center-right, a young man sits on a light beige sofa with his legs casually crossed, arms wrapped tightly around a vivid purple pillow pressed to his chest. He wears a dark brown polo shirt with yellow trim, loose blue jeans, black socks, and red-and-white sneakers, his gaze fixed slightly upward toward the woman beside him with a guarded yet faintly amused expression. Opposite him stands a young woman in an orange short-sleeved hoodie dress layered over a black top and knee-length leggings, barefoot on the polished wooden floor. She leans forward, palms braced on the sofa’s armrest, her torso angled toward him as her eyebrows lift and lips part. A calm, bright female Mandarin voice begins, stating \"你从小几根肚肠，我还不知道。\" Her delivery is clear and measured, each syllable articulated with playful emphasis.\n\nThe man responds almost immediately, his voice lower and deadpan, offering a brief, matter-of-fact reply that triggers a burst of canned audience laughter from off-screen. A low, flat male Mandarin voice replies: \"大肠小肠，一共两根.\" The laugh track swells quickly, peaks, then fades beneath the continuing visual tension between the two characters. Throughout the exchange, there is no music, no ambient hum, and no incidental foley. Visually, nothing shifts except subtle micro-expressions: the woman’s brow relaxes after speaking, the man’s eyes narrow slightly in mock resignation, and both maintain their positions until the scene concludes, leaving the static framing and stylized pastel backdrop to focus entirely on their witty, sitcom-style banter.","video_1_relative_path":"videos/6124e7a2de8aa044.mp4","video_2_relative_path":"videos/f3860e3b74ad4b4d.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_2/example.json::00000024","text_prompt":"A cinematic scene in a quiet suburban driveway, captured in a fixed medium two-shot at eye level with a shallow depth of field, is bathed in soft, overcast daylight that casts gentle shadows across a muted earth-tone palette. To the left, a younger man in a grey hoodie, unbuttoned black-and-grey plaid flannel, and a black beanie with a red inner band stands facing right, his posture attentive and still. To the right, an older man with slicked-back dark hair, a thin mustache, rectangular glasses, a pale yellow button-down, and a tan field jacket rests his right hand lightly on the neck of a clear Erlenmeyer flask half-filled with a colorless liquid, which sits perched on the open tailgate of a white car. Behind them, leafy shrubs and a beige stucco wall with a barred window blur softly in the background, reinforcing the clandestine, private atmosphere of the setting. A calm, measured baritone cuts through the faint, steady hum of distant air-conditioning and traffic as the older man begins, his tone authoritative yet controlled: \"We will produce a chemically pure and stable product that performs as advertised.\"\n\nHis delivery remains deliberate, each clause separated by brief, weighty pauses, while his free left hand rises slightly with loosely curled fingers for emphasis before settling back near the flask. The younger man holds his ground, eyes fixed on the speaker, lips pressed together, absorbing the instruction without a flicker of visible reaction. The diffuse natural light balances the exposure, highlighting the contrast between the bright white vehicle, the clear glass laboratory equipment, and the subdued residential backdrop. As the older man finishes the sentence with a slight downward inflection signaling finality, he lowers his hand and returns to a neutral stance beside the flask. The camera remains completely still, capturing the asymmetrical power dynamic and the quiet tension of the moment until the ambient hum persists at a very low level and the scene fades without additional motion or audio flourish.","video_1_relative_path":"videos/c7d6a1cccb61e77d.mp4","video_2_relative_path":"videos/a1a4914184691c1e.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_3/example.json::00000093","text_prompt":"A low-key, intimate night interior shot inside a moving sedan, captured with subtle gimbal stability and a shallow depth of field that blurs the passing city lights into soft streaks across the windscreen. The camera rests over the front passenger’s shoulder, looking forward across the dim cabin toward the driver. He wears a black leather jacket over a light T-shirt, his left hand steady on the steering wheel while his right rests near the centre console. In his lap sits an open, light-brown cardboard box marked with bold red characters and a barcode. A calm, slightly upbeat male Mandarin voice breaks the steady low-frequency hum of the engine and road: \"明天还要带我去见一大客户。\" He turns his head fractionally toward the front-seat passenger, his tone shifting to gentle curiosity: \"你说他是不是要重用我？\"\n\nWithout a cut, the perspective reverses to an over-the-shoulder view from behind the driver, now framing the female passenger. She wears a cream-coloured coat over a white ruffled blouse, her dark hair pulled back, with small silver earrings catching the cabin’s ambient glow. Still cradling the same box, she angles it toward herself, revealing a front panel printed with colourful food imagery and large stylised characters. A bright, confident female Mandarin voice answers warmly: \"那肯定是啊。\" She lifts the box slightly, showcasing the packaging before settling it back into her lap. The continuous take holds on their quiet exchange, the low rumble of the vehicle and the soft wash of passing city lights reinforcing the intimate, unspoken trust between them as the car rolls steadily through the night.","video_1_relative_path":"videos/3f9ad551382325f8.mp4","video_2_relative_path":"videos/dcbe20e022eb4cca.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_5/example.json::00000008","text_prompt":"A static high-angle wide shot opens on an ornate East-Asian town at night, where traditional wooden buildings with dark tiled roofs line a gently flowing canal. A stone arch bridge spans the water in the mid-ground, its railings draped in greenery and small white flowers, while dozens of red-and-white paper lanterns hang from eaves, poles, and the bridge itself, casting a warm amber glow that reflects off the rippling surface. In the immediate foreground, two figures stand side-by-side on a balcony with their backs to the camera, gazing out over the scene. The figure on the left wears a pale lavender-to-white gradient robe with long dark hair tied in a high ponytail adorned with a silver ornament, while the figure on the right is dressed in a plain white robe, their hair gathered into an elaborate up-do secured by a floral pin. The air hums with a low, distant murmur of a lively night market, underscored by a soft, slow-tempo arrangement of plucked guzheng strings and airy dizi flute that establishes a calm yet wistful mood. A calm, reflective adult male voice in Standard Mandarin begins, his medium-low pitch carrying a quiet relief as he states, \"终于尘埃落定。\"\n\nThe camera remains fixed as faint lantern light sways in the breeze and petals drift across the canal. The man turns his head slightly toward his companion, his lips moving with measured precision before he speaks again, his steady moderate pace and subtle breathiness conveying a sense of forward hope: \"等去浊修好法器，我们就能回去了。\" As the final words fade, he completes his turn back toward the view, and both figures stand perfectly still, silhouetted against the glowing lanterns. The floating candle-lit lotus lamps glide farther downstream, their flickering reflections shimmering across the dark water while the traditional instrumental bed and distant crowd murmur persist uninterrupted. The scene holds on this contemplative tableau, the warm yellows and oranges of the lanterns contrasting beautifully with the cool purples and whites of the foreground robes, before the image gently fades to black, leaving only the lingering resonance of the adagio score and the quiet promise of a journey about to resume.","video_1_relative_path":"videos/aaf1f868741855a9.mp4","video_2_relative_path":"videos/63699da047341cb6.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_5/example.json::00000071","text_prompt":"A steady medium shot captures a warmly lit living room, framed with shallow depth of field to keep two children sharp against a softly blurred backdrop of wooden shelving and framed photos. The earthy, homey palette of reds, browns, and denim establishes a cozy domestic atmosphere, while a soft, slow-tempo instrumental bed of gentle acoustic guitar arpeggios and faint bass plays continuously beneath the scene. The boy, wearing a green-front and navy-sleeve raglan shirt, holds an open workbook and a yellow pencil, his brow slightly furrowed as he looks down at the page. Beside him, the girl with a long light-brown braid over her shoulder leans in, her eyes fixed on the same text. The boy, speaking in a calm, instructional tone, points at the page with his pencil and says, \"Okay, this says a complete sentence always contains a verb.\" He keeps the pencil hovering near the book to emphasize the key word while the girl listens attentively, nodding almost imperceptibly.\n\nAfter a brief pause, she lifts her gaze from the workbook to him, tilting her head slightly with raised eyebrows. The girl, her voice higher-pitched and tinged with mild curiosity, asks, \"Which one's a verb?\" The boy glances up briefly before returning his eyes to the page, raising the pencil once more to begin his explanation. The boy, maintaining a thoughtful delivery, responds, \"A verb is a word that describes an action.\" The quiet guitar music continues at the same subdued level, underscoring the intimate, collaborative atmosphere of their shared study session as the scene holds on their focused interaction.","video_1_relative_path":"videos/dccb8fba04b7c2c2.mp4","video_2_relative_path":"videos/21b677158edaca2b.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_8/example.json::00000056","text_prompt":"Cinematic historical vignette captured in a static wide shot from an elevated balcony perspective, looking straight down into a dimly lit traditional Chinese interior partially enclosed by a dark wooden railing with carved balusters. Warm amber light from numerous paper lanterns and wall sconces bathes the scene, casting soft pools of illumination against the deep browns of timber beams and roof tiles, while a faint, slow minor-key string melody led by cello and viola begins immediately and continues uninterrupted. Two women sit opposite each other at a low square table draped in a teal-blue cloth trimmed in gold, flanked symmetrically by potted pink-and-white blossoms and anchored by a traditional mountain landscape painting in the background. The woman on the left, dressed in flowing pale blue-white robes with her hair gathered high beneath a slender white ornament, turns slightly toward her companion and asks in a calm, gently inquisitive tone, “为何喜欢观星啊？” While the question hangs in the still air, the woman on the right, clad in muted sage-green layers and pinned with small golden hair accessories, keeps her gaze lowered to the tabletop with her hands resting lightly over one another. After a brief, reflective pause, she lifts her eyes fractionally, her voice soft and wistful as she replies, “因为繁星间，有我和家人的故事。” Her delivery is measured and tinged with nostalgia, accompanied by a minute nod and the almost imperceptible flex of her fingers atop her lap. The camera remains completely immobile, preserving the balanced composition and chiaroscuro contrast, while the dry, studio-clean dialogue cuts through the subdued, melancholic musical bed without any ambient room noise, cultivating a deeply intimate and contemplative atmosphere that lingers on themes of memory, lineage, and the quiet vastness of the stars.","video_1_relative_path":"videos/e1728055b65f95c8.mp4","video_2_relative_path":"videos/01f2f1a9c148afba.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/music/music_1/example.json::00000000","text_prompt":"A black-and-white cinematic scene opens in a static close-up, framing a young woman from the mid-chest upward against a plain interior wall with a door and handle faintly visible on the left. Soft frontal lighting sculpts her features, casting gentle shadows that highlight her expressive face. She has long, straight hair parted to one side, wears a dark top, and sports glittering rhinestone accents above her right eyebrow along with a subtle lip piercing. Cradling a handheld microphone in her right hand, she delivers a continuous, emotionally charged vocal performance. Her eyes open and close in time with the melody, her eyebrows lift, her lips shape each vowel with precision, and her head tilts slightly as her gaze drifts upward and sideways, as if reaching toward an unseen listener or lost in the musical phrasing. The camera remains completely still, holding this intimate portrait without cuts or movement.\n\nThe audio unfolds as a pure, unadorned duet between her voice and a solo acoustic piano. Her clear, mid-to-high register carries a moderate vibrato and a vulnerable, earnest tone, entering mid-phrase and swelling in intensity before gently fading toward a quiet cadence. The piano supports her with sustained, legato chords at a slow, rubato ballad tempo, avoiding any percussive rhythm while shifting dynamically between mezzo-piano and mezzo-forte. The space feels like a medium-sized, untreated room, lending a natural, moderate reverberation to both voice and keys. The sonic landscape is meticulously clean, stripped of all external noise, leaving only the subtle rustle of her clothing, the faint handling of the microphone, and her controlled, rhythmic breaths between phrases. Together, the monochrome framing and the raw, unpolished performance create an atmosphere of profound intimacy and emotional vulnerability, focusing entirely on the quiet power of a solitary singer and her piano accompaniment.","video_1_relative_path":"videos/96d8be8e6329fa24.mp4","video_2_relative_path":"videos/2d9fe81578bd8422.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/music/music_1/example.json::00000093","text_prompt":"An intimate acoustic pop-folk performance unfolds in a cozy recording studio bathed in warm natural daylight streaming through large windows, the space defined by exposed wooden beams and a palette of soft whites, light greens, and maroon. The camera opens in a medium shot framing two musicians: on the left, a young man in a light green polo shirt and headphones sits playing a fingerpicked steel-string acoustic guitar, while on the right, a young woman in a white lace crop top and blue jeans stands singing into a large silver condenser microphone. She wears over-ear headphones and rests a silver flute against her side, her soft, emotive American voice weaving through the gentle bass and light percussion. As the arrangement settles into a steady seventy-two-beat rhythm, she sings, \"When I see a sunset,\" her voice centered in the mix with a subtle reverb that catches the natural warmth of the wooden walls and ceiling.\n\nThe camera slowly pans right, revealing a third musician seated behind a large mixing console. With short brown hair, a maroon t-shirt, and headphones, he focuses intently on adjusting faders and knobs, his subtle hand movements mirroring the steady swell of the track. The guitarist strums steadily, occasionally glancing toward his bandmate, while the female vocalist maintains eye contact with her microphone, smiling faintly as she continues, \"I take a second.\" The soundscape remains rich with organic textures—the brushed snare, the soft kick, the faint rustle of guitar strings, the barely perceptible click of console adjustments, and a low-level HVAC hum—all layered beneath the mellow, reflective mood. The performance flows with serene intimacy, the natural acoustics and understated dynamics creating a perfectly captured moment that abruptly cuts off as the phrase concludes.","video_1_relative_path":"videos/1d3f656c010891a7.mp4","video_2_relative_path":"videos/c859d5843e901b34.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/music/music_2/example.json::00000093","text_prompt":"Cinematic wide static shot from an audience perspective, looking up at a concert stage set within a dark, hazy venue. Cool blue-white light from overhead spotlights and a horizontal row of bright stage lamps behind the performers cuts through atmospheric smoke, casting the silhouetted heads and shoulders of foreground audience members into shadow. On stage, a five-piece rock band stands in a classic formation: two electric guitarists anchor the sides, a central figure steps slightly forward with an acoustic-electric guitar and sings into a microphone, a drummer sits behind a kit in the rear center, and a fifth guitarist occupies the far left edge. All wear dark clothing and remain largely still, communicating only through subtle head tilts, fretboard shifts, and rhythmic posture adjustments. The camera holds its fixed position as the lighting remains constant, emphasizing the immersive, unbroken nature of the live performance.\n\nThe audio opens mid-phrase with a clear, slightly raspy tenor voice delivering the line \"built to last, you’re in ruins,\" backed by a full, anthemic alternative rock arrangement. Driving kick and snare patterns lock with a steady bassline while layered electric guitars weave rhythm chords and melodic fills across a moderate-to-fast tempo. The mix places the vocals slightly forward, drenched in a spacious natural reverb that suggests a large concert hall, yet the soundscape remains entirely free of crowd noise, ambient room tone, or incidental foley. The mood is intense yet tightly controlled, blending the atmospheric stage lighting with a polished, emotionally charged musical groove to capture a cohesive snapshot of a professional live show.","video_1_relative_path":"videos/8407f0cbaa699e9c.mp4","video_2_relative_path":"videos/258de556f292c39e.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/physics/physics_1/example.json::00000021","text_prompt":"A cinematic close-up in warm, natural tones captures a black wok resting on a gas stove, the camera static and positioned slightly above and angled toward the center. Bright overhead lighting creates strong specular highlights across the oil-slicked interior, while the softly blurred background reveals a hint of a green countertop to the left and dark cabinetry behind. Thinly sliced onions and round slices of green chilies sizzle vigorously in the hot oil, their edges beginning to brown as steady bubbles rise to the surface. A faint but continuous hiss from the frying dominates the soundscape, layered over a low-level indoor kitchen ambience with a touch of natural reverberation. A calm, instructional female voice speaking Malayalam begins, stating \"Add it to this.\"\n\nA right hand enters from the upper right, holding a small clear glass bowl brimming with bright yellow turmeric powder. As the hand tilts, the spice cascades onto the sizzling vegetables, creating a vivid splash of color that quickly speckles the mixture and begins to integrate into the shimmering oil. The narration continues in Malayalam, stating \"Let’s add turmeric powder to this,\" followed shortly by \"Four tablespoons of turmeric powder are being added here.\" A subtle metallic clink echoes as the bowl nears the wok’s rim, then fades back into the persistent mid-to-high frequency sizzling. The hand withdraws, leaving the camera fixed on the warming ingredients as the golden oil, pale onions, and vibrant green chilies settle into a cohesive, aromatic blend, all underscored by the steady, unbroken rhythm of the cooking process.","video_1_relative_path":"videos/63937f675934b008.mp4","video_2_relative_path":"videos/e3b7e79dbc0da265.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/physics/physics_4/example.json::00000070","text_prompt":"Cinematic close-up, handheld camera, shallow depth of field. The scene opens in an extreme close-up on a young man sleeping on his back, his face filling the frame. Soft, warm ambient light casts gentle shadows across his forehead and cheeks, highlighting his relaxed expression and slightly parted lips. The camera hovers just above his head, angled slightly downward to create an intimate, almost voyeuristic perspective, while exhibiting a subtle, natural jitter as it slowly drifts left and then back right. A white pillow rests beneath his head, and the dark blue edge of a blanket frames the bottom of the shot. His breathing is barely perceptible, and he remains completely still throughout. Over this quiet domestic stillness, a faint low-frequency hum from nearby electronics or an HVAC system provides a constant, subdued backdrop. Muffled through walls and room acoustics, a male broadcaster’s voice drifts in from a television or radio in another room, carrying a neutral, conversational tone typical of sports commentary. The announcer states, “We’re looking to scare somebody off. Up next, Hunter Cantwell really only has to stay in position to make the play,” before his voice fades into the ambient noise. The audio remains strictly limited to this distant broadcast and the low hum, with no music or additional sound effects, reinforcing a calm, observational mood where private rest quietly coexists with the distant bleed of public information.","video_1_relative_path":"videos/e5871e5e4d1f9857.mp4","video_2_relative_path":"videos/1de27e4e19387d69.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/podcast/podcast_1/example.json::00000080","text_prompt":"Cinematic documentary style, shot on a 35mm lens with high contrast lighting and a muted color palette, the frame opens on a stark black canvas where a stylized map of the Americas fills the view in muted greens and blues, anchored by a green pin over Minnesota and an orange pin over Venezuela. A bold red diagonal line traces the nearly three-thousand-mile route between them, marked by a small airplane icon and the distance label, while a tilted family photograph of four figures in a rustic cabin overlaps the left side and a peace symbol intertwined with a tiny aircraft rests in the corner. Against this static visual, a warm, narrative female voice begins, stating \"...gather everyone around the campfire and said, 'We’re about to embark on a journey.'\" The audio remains stripped of music or effects, leaving only her clear delivery and the subtle echo of a large hall.\n\nThe scene cuts abruptly to a dimly lit stage where a woman stands center-frame in a medium shot, bathed in isolating spotlight against a black backdrop with a tall vertical red curtain. She wears a shiny metallic olive-green bomber jacket over a black tee emblazoned with gold block letters, dark jeans, and a headset microphone, her long wavy brown hair framing an animated yet composed expression. As she gestures subtly with her right hand and turns her head toward the unseen audience, her conversational delivery continues seamlessly, stating \"Kids, we have a very international camp this year.\" The camera slowly pushes in to a tight close-up, capturing her widening smile and crinkling eyes as she raises her right index finger in a pointing gesture before relaxing it. She delivers her final line with heightened inflection, stating \"The Appencios are here from Venezuela,\" and the moment the sentence finishes, a brief collective chuckle erupts from the live crowd, swelling and fading quickly to leave the resonant performance space buzzing with lighthearted energy.","video_1_relative_path":"videos/03498a8be8bc35d5.mp4","video_2_relative_path":"videos/007d2315b2b49eea.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_1/example.json::00000054","text_prompt":"A cinematic nature-documentary sequence opens on a macro close-up of fresh Chinese toon shoots, their tender green leaves tipped with reddish-purple and glistening as if kissed by morning mist. Soft, diffuse daylight washes the frame in cool bluish tones against a hazy, out-of-focus backdrop of distant foliage. A calm, middle-aged male Mandarin voice-over begins, stating “一个星期，两茬香椿，叶子还在生长，却不再适合食用。对老安来说，这日复一日的跋涉既是生计，也是无声的坚守。” As he speaks, a minimalist solo-piano score enters with slow, legato arpeggios and light reverb, sitting quietly beneath a bed of natural ambience—soft wind and distant bird calls. The camera gently tilts downward and pulls back, revealing the branching structure before cutting to a high-angle wide shot of a rugged, terraced mountainside under an overcast sky. A lone figure dressed entirely in dark clothing and a cap trudges along a narrow rocky path, a large woven basket brimming with freshly harvested toon branches strapped to his back. Far below, a winding dirt road snakes through the valley.\n\nThe perspective widens further to show rolling hills receding into blue-grey haze beneath a pale sky, dotted with sparse shrubs and a bush bearing tiny purple blossoms. The man becomes a small silhouette walking toward the horizon, his burden still visible. The piano motif swells slightly but remains gentle, mirroring the quiet passage of time. Finally, the scene resolves into a medium silhouette against a warm, golden-orange sunset. Backlit by the glowing sky, the man’s outline stands stark and black, the textured mound of his harvest visible behind him. He pauses briefly, head bowed under the weight, conveying quiet fatigue and steadfast endurance. The natural ambience gradually fades, leaving only the lingering piano chords before dissolving into silence.","video_1_relative_path":"videos/53a663d06f1e8d56.mp4","video_2_relative_path":"videos/004735b2bf9ec349.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_4/example.json::00000022","text_prompt":"A suspenseful crime-drama scene opens on a handheld camera in a tight close-up, bathed in the soft, shadow-free daylight of an overcast sky that casts a muted, cool palette of greys and greens across the frame. The shallow depth of field renders the background into a creamy bokeh of out-of-focus trash bins and roadside refuse, isolating a tense East Asian man in his thirties standing beside a quiet two-lane asphalt road bordered by a grassy embankment. His dark hair is swept upward, his thin mustache and light stubble framing a face etched with apprehension; he wears a dark navy collared shirt beneath a black tactical vest, a white coiled earpiece wire trailing from his right ear. As he stares ahead with knitted brows and parted lips, a calm but urgent male Mandarin voice-over begins, stating “高建翔的心瞬间提到嗓子眼儿。” The ambient hush of the outdoors remains minimal, amplifying the quiet dread of the moment.\n\nHis gaze remains fixed off-screen to the left, jaw tightening with visible tension until he abruptly whips his head further in that direction, eyes widening and posture stiffening in sudden alarm. The handheld camera makes a micro-pan to keep him centered, tracking the shift from apprehension to alertness without breaking proximity. From an unseen source close to the microphone, a slightly higher-pitched male Mandarin voice cuts through the stillness with urgent inquiry: “什么时候报案的？” Before the silence can settle, the same voice answers in a brisk, matter-of-fact tone: “刚刚才报案的。” The man holds his squared shoulders and unwavering stare, his anxious determination locked onto whatever has triggered the sudden tension, leaving the scene suspended in the quiet, unresolved atmosphere of a critical moment on the brink of revelation.","video_1_relative_path":"videos/a88f89d6b458eeab.mp4","video_2_relative_path":"videos/40e7a9ab9b2e9999.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_5/example.json::00000049","text_prompt":"A wuxia-parody cinematic scene opens in a brightly lit traditional Chinese hall, framed with a slow, steady push-in that keeps the protagonist centered as he approaches the lens. The environment is defined by dark wooden pillars bearing vertical calligraphy, white lattice windows, and pale stone flooring, all bathed in even, naturalistic light that catches the sheen of the cool teal satin changshan worn by the man in his late thirties. His outfit is completed by a black skullcap with a jade-like button and dark sunglasses, while the earthy browns of the timber architecture contrast sharply with his garment. Beneath the visuals, a low-volume electronic underscore of soft synth pads and a muted percussive pulse sets a tense but restrained mood.\n\nThe man strides forward with a confident, slightly theatrical gait, his right hand rising briefly in emphasis as he speaks. A medium-low pitched adult male voice in Mandarin delivers a sharp, irritated exclamation, “靠.” He continues his approach, his tone shifting to a firm, declamatory declaration: “到了这个地步，我没办法不表达我真正的身份。” As he nears the foreground, he lifts both hands to his temples to grip the frames of his sunglasses, his posture conveying comedic bravado and self-importance. With heightened intensity and a dramatic flair, he begins his final line, “其实我就是那位隐世多年的剑客。” The scene holds on this moment of revelation, the ambient synth pads lingering as the camera completes its gentle dolly-in, preserving the striking teal-and-brown color palette and the actor’s exaggerated, wuxia-inspired performance until the clip naturally concludes.","video_1_relative_path":"videos/4c83c5d86ebe456c.mp4","video_2_relative_path":"videos/99149d30632058ed.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_7/example.json::00000043","text_prompt":"Cinematic domestic scene, static wide shot framed from behind a grey sofa backrest, even natural daylight casting soft shadows across a dark wood oval table set with four white bowls, two plates of sliced tomatoes and green vegetables, and chopsticks. Three figures occupy the space: a man in a black quilted jacket leans forward on the left, a taller man in a black turtleneck stands facing him in the center, and a woman in a patterned cardigan over a pink top holds a small white bowl to the right. Through a glass sliding door in the background, a fourth woman in an apron moves about the kitchen. The seated man gestures animatedly toward his standing companion, speaking with a clear, mid-range voice that carries a tone of mild exasperation or teasing. The standing man responds with a calm, measured delivery, nodding slightly as he listens, while the woman in the cardigan turns briefly toward the kitchen before re-engaging with the men. She then extends her arm to hand the seated man a pen or small object, which he accepts without looking up. Almost immediately, light, quick footsteps tap against the hard flooring as the aproned woman enters the dining area carrying a plate of food. She places it gently on the table with deliberate, unhurried movements, prompting subtle shifts in posture among the others as the cardigan-clad woman steps aside to accommodate her. The camera remains completely stationary throughout, maintaining consistent framing that captures all characters within a single composition. The soundscape is entirely devoid of background music, relying instead on the natural acoustic environment: a faint low-frequency hum from household appliances, the crisp clink of ceramic against wood, and the subtle rustle of clothing, all rendered with minimal reverberation to emphasize the intimate, contained atmosphere of everyday domestic life.","video_1_relative_path":"videos/06563dda5af9df6b.mp4","video_2_relative_path":"videos/43d5aa6b597a52a9.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_davinci/voiceover/voiceover_1/example.json::00000036","text_prompt":"A gritty crime thriller scene opens on a static medium close-up with shallow depth of field, bathed in desaturated greens and deep shadows. The setting is a dim, green-tinted interior that evokes a holding room, where a middle-aged East Asian man with a tight buzz cut sits slightly hunched in a wooden chair. He wears a worn, frayed olive-green T-shirt, and fresh red abrasions mark his right cheekbone and forehead, while dried blood crusts on his lower lip. Low-key lighting from above-right carves strong shadows across the left side of his face, emphasizing his fatigue. He stares downward toward someone just out of frame to his right, brow furrowed in tension. Over this silent, ambient-free scene, a calm male narrator in standard Mandarin speaks with a neutral, explanatory tone, stating, “先是一愣，接着又继续耍嘴皮。” (First he was stunned, then he kept talking nonsense.)\n\nThe man lifts his gaze, forcing a broad, almost mocking grin that stretches his bruised lips while his eyes narrow into a display of defiant bravado despite his visible injuries. After a brief, heavy silence, he tilts his head slightly forward and speaks in a rough, low voice with a noticeable northern Chinese accent, delivering his line with clipped, sardonic inflection: “这个我摸了。” (I’ve touched this one.) The shallow depth of field keeps the blurred outline of another figure’s dark hair barely visible at the extreme right edge, maintaining strict focus on the man’s micro-expressions and weary defiance. The scene holds on his taunting smirk as the audio cuts out, leaving the oppressive quiet to underscore the moment.","video_1_relative_path":"videos/750cca8238122dd9.mp4","video_2_relative_path":"videos/2a5ff5ba4668dd94.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_davinci/voiceover/voiceover_2/example.json::00000000","text_prompt":"A tense, suspenseful thriller sequence opens in a brightly lit modern corridor, likely an airport terminal, where polished floors reflect overhead lights and diffuse daylight filters through glass walls. Shot with a shallow depth of field, the camera begins in a tight close-up tracking a uniformed security officer in his late twenties as he strides purposefully toward the lens. His crisp white short-sleeved shirt features epaulets with three gold stripes, a black tie, and a circular yellow-and-black shoulder patch bearing a stylized eagle emblem, with a black radio microphone clipped to his left strap. His expression is sharp and alert as he scans the space, while blurred figures of passersby drift through the foreground, adding depth. An urgent, off-screen male voice in Mandarin states, “Isn’t that the guy from the car just now?” layered over a low, pulsing synth bass and faint high-pitched rhythmic ticks that establish a taut atmosphere.\n\nThe camera pulls back to a medium shot as the officer abruptly halts and pivots right, locking eyes with a man in his mid-thirties who has just entered the frame. The newcomer, light-skinned with a receding hairline, wears a blue patterned short-sleeve button-down and carries a white jacket draped over his left arm while gripping a small black device in his right. He appears startled but maintains his composure. The officer raises his right index finger in a sharp gesture and demands in rapid Spanish, “Do you have your pistol?” His urgent tone matches his lip movement precisely. Behind them, travelers stream past in both directions—a woman in a peach top and white pants walking away, two men in colorful Hawaiian shirts—some glancing curiously while others remain indifferent. The steady, driving electronic pulse continues beneath the ambient murmur of the crowd and the soft echo of footfalls on the hard, reverberant floor, sustaining the scene’s tense momentum.","video_1_relative_path":"videos/8ef89f6ec383ce93.mp4","video_2_relative_path":"videos/865016ef89ce86af.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_davinci/voiceover/voiceover_3/example.json::00000055","text_prompt":"Shot on a vintage 4:3 aspect ratio with a static, unblinking camera, this intimate scene unfolds in a sparsely furnished room defined by rough plaster walls and a muted, earth-tone palette that evokes a quiet, monastic atmosphere. Soft daylight streams in from camera-left, casting gentle shadows that accentuate the texture of the walls and illuminate a large rectangular mirror framed in dark, carved wood. Beneath the mirror rests a tabletop holding a tall clear glass oil lamp with a metal chimney, a small dark cylindrical container, and a few indistinct bottles on a rear shelf. Standing before the glass in a pale green-grey long-sleeved shirt unbuttoned at the collar is a man in his late thirties, his short, dark, slightly wavy hair catching the light as he faces the mirror mostly from behind and in left profile. He holds a small paperback book in both hands, his brow furrowed and lips moving silently as he rehearses. Over this hushed tableau, a calm, neutral male Mandarin voice-over begins, stating “……前练习，下次见面时要怎样向他索要签名。”\n\nThe man lowers his gaze to the pages, turning them once to adjust his wording while the ambient silence deepens the focus on his internal preparation. After a brief pause, he lifts his head toward his reflection, takes a slow breath, and speaks aloud in Italian with an earnest, tentative mid-low tone. “Per piacere, me lo può firmare?” he asks, his voice carrying a quiet politeness and a slight upward inflection. As the words leave his lips, his shoulders relax and a faint, hopeful smile touches his face. The frame remains entirely still, preserving the warm, desaturated color grading and low-contrast lighting that wrap the moment in nostalgic intimacy, while the absence of background noise ensures every subtle breath and the weight of his request hang clearly in the air.","video_1_relative_path":"videos/348045475103f095.mp4","video_2_relative_path":"videos/402020fd866f29a4.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/instruments/instruments_1/example.json::00000073","text_prompt":"A quiet, introspective home-studio scene captured in a steady medium-close shot, bathed in soft natural light streaming from the right. A male guitarist in a black T-shirt sits at a wooden desk holding an Apple monitor, a small drawer unit, a silver mixing console, and a black amplifier, his head bowed as his eyes lock onto the fretboard. He strikes a firm downstroke across all strings, producing a sharp, full-bodied chord with a warm, woody resonance that immediately establishes a slow, contemplative mood. The tempo remains unhurried, allowing the note to sustain before his left hand slides up the neck, muting several strings with a brief percussive chug. He strikes a second chord that rings out slightly brighter yet stays grounded in the low-mid register, each gesture given ample space to breathe.\n\nThe rhythm shifts into a restrained fingerstyle pattern as his right hand alternates thumb and fingers, weaving a gently rolling arpeggio that climbs subtly in pitch before resolving downward. His quiet breathing is nearly swallowed by the guitar’s resonance, and the clean, close-mic’d capture preserves every subtle string squeak and the faint ambient hush of the room. He then delivers a final, emphatic chord strike—a percussive accent that momentarily spikes in volume before decaying naturally into stillness. Both hands drop to his lap, his shoulders relaxing as the camera tilts just enough to reveal the guitar’s strap and headstock. A solitary, dry low-frequency thud echoes through the space, and the frame holds for a beat on his focused, motionless posture before cutting abruptly to black.","video_1_relative_path":"videos/34c0d008c7f5231e.mp4","video_2_relative_path":"videos/34fe196101671268.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/movie/movie_1/example.json::00000089","text_prompt":"A gritty wartime thriller captured on a handheld camera with a desaturated, smoke-washed palette opens inside a vast, war-torn industrial hall defined by towering concrete pillars and exposed ceiling beams. Thick greenish-yellow smoke diffuses harsh daylight through high windows, casting strong backlighting and deep silhouettes across the dusty floor. Soldiers in dark uniforms and steel helmets scramble low toward a makeshift sandbag barricade, their frantic movements framed by a low-angle shot that emphasizes the chaos. The soundscape is driven by a fast-paced, high-energy orchestral score featuring rapid string ostinatos, pounding timpani, and heroic brass fanfares, layered over sharp distant gunfire, muffled explosions, and the constant hiss of falling debris. As a heavy metal crate tumbles from above and crashes violently into the sandbags, a young male soldier, his voice strained and aggressive in standard Mandarin, shouts, \"Secure it tight and blow those bastards to hell!\" The music dips momentarily to let the command ring out with reverberant urgency before swelling back into the relentless rhythm.\n\nThe camera tilts upward to a tight close-up of a second soldier emerging from cover, his short-cropped hair and dirt-smudged face framed by a dark jacket with epaulets. Clutching a long rifle and a rectangular ammunition box, he scans the haze-filled horizon with wide, alert eyes and parted lips, his heavy breathing syncing with the camera’s movement and emphasizing his isolation against the looming architecture. Sporadic gunshots echo in the distance while dust continues to drift through the smoky air, but no further words are spoken. The orchestral score maintains its driving tempo, propelling the scene forward until it holds on his tense, watchful expression, capturing a raw snapshot of frontline desperation and coordinated action under fire.","video_1_relative_path":"videos/61658d2566d3dce9.mp4","video_2_relative_path":"videos/1c17f6115cbc0d8d.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_11/example.json::00000020","text_prompt":"Corporate ceremonial realism captured in a static medium-wide shot under warm overhead lighting, with a rich, saturated palette dominated by reds, golds, and deep charcoal tones. The scene opens in a spacious banquet hall where seven formally dressed men stand behind a large round dining table draped in a red-and-gold patterned cloth, surrounded by traditional Chinese dishes like whole roasted duck, fried spring rolls, peanuts, and bottles of green beer and orange soda. Against a backdrop of beige pleated curtains, a red horizontal banner reads “京州光明峰项目开发协调会.” At center-left, a man in a light grey suit steps forward to address an older gentleman in a dark grey textured blazer and white shirt. A clear, moderately loud male Mandarin voice begins, stating, \"Without Mayor Ding, there would be no today for our group.\" His tone is respectful and sincere, carrying a slight room reverberation that emphasizes the grand interior. He continues, his voice softening with gratitude: \"So thank you, I toast to you.\"\n\nMayor Ding meets his gaze with a warm smile, offering a brief, calm affirmative murmur as the surrounding men begin to nod and grin in approval. The ambient room tone remains low, punctuated only by the faint rustle of tailored suits and subtle shifts in posture. Suddenly, a higher-pitched male voice interjects with playful energy, pointing toward the mayor and exclaiming, \"Come, come, let’s raise them!\" The moment triggers a wave of overlapping male laughter and the sharp, crystalline clink of multiple wine glasses meeting in the center. The audio peaks briefly with the collective cheer before settling back into a comfortable, celebratory hum as the group leans forward together, sealing the toast in a gesture of shared respect and camaraderie.","video_1_relative_path":"videos/4d3d17680c9ee572.mp4","video_2_relative_path":"videos/35aa8a73e14d7960.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_12/example.json::00000064","text_prompt":"Shot on a locked-off medium close-up with a shallow depth of field, the scene opens in bright, even natural daylight that washes the frame in warm neutrals, punctuated by a festive palette of metallic gold, teal, dusty blue, pink, and maroon balloons floating in a softly blurred garden backdrop. An older man in his late fifties, fair-skinned with neatly combed dark-brown hair, a thin mustache, and rimless glasses, sits on a light-colored bench facing slightly right toward a younger companion whose back is to the camera. A tall green vase of flowers rests just behind his shoulder as he begins to speak in a light, teasing tone. Smiling broadly with eyes crinkling at the corners, he asks, “High school?” His warm baritone carries a relaxed, moderate volume that sets a lighthearted mood. Still smiling, his expression turns earnest as he shakes his head once and replies, “No, no, seriously.” His calm delivery now carries genuine curiosity, followed by a brief pause where he lowers his smile and his brow furrows slightly. Leaning forward a fraction, he probes with a friendly yet steady tone, “What’s stopping us?” The camera remains fixed, preserving the balanced exposure and natural late-morning light.\n\nA short silence hangs in the air, filled only by a faint outdoor hush, as his gaze intensifies and his lips part as if struck by a sudden realization. The ambient soundscape remains minimal, allowing the quiet tension to build through his shifting facial expressions and vocal inflection. His demeanor shifts abruptly from playful amusement to sudden alarm. His eyes widen, eyebrows lift, and his mouth opens as he exclaims in a sharper, urgent voice, “Wait a minute. Elliot, what are you suggesting?” The sentence lands with unresolved anticipation, leaving the scene on a note of mild tension that invites the viewer to lean in. The lighting, framing, and festive background remain constant until the moment cuts away, preserving the cinematic stillness and emotional pivot.","video_1_relative_path":"videos/ef320c09b5757df7.mp4","video_2_relative_path":"videos/a6f21a3812a86df6.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_7/example.json::00000058","text_prompt":"Cinematic domestic drama, 50mm eye-level medium close-ups, shallow depth of field, soft diffuse daylight from camera-right, cool-neutral color temperature, muted earth tones balanced by crisp whites and subtle accent colors. The scene opens in a bright, naturally lit living space where an older East Asian man sits slightly left of frame, wearing a dark olive-green zip-up jacket over a collared shirt. His posture is subdued, eyes cast downward with a furrowed brow and parted lips, radiating quiet resignation. The softly out-of-focus background reveals white shelving, potted plants, a treadmill, and a yellow armchair, grounding the moment in a lived-in home. A weary, mid-low pitched male Mandarin voice, slightly resigned, begins, stating \"我合着不能上你们公司去吃去吧。\" The room remains otherwise silent, the camera locked static to hold the weight of his hesitation.\n\nA straight cut transitions to a medium close-up of a younger East Asian woman standing centrally against a pale-grey wall, framed with the same steady, intimate lens. She wears a light beige V-neck sweater layered over a blue lace high-collar blouse, her dark hair tied back with soft bangs, and subtle makeup that catches the even daylight. Behind her, a white refrigerator dotted with colorful magnets and a wooden sideboard displaying framed photographs and figurines anchor the domestic setting. A calm, clear female Mandarin voice, gentle and reassuring, follows, adding \"爸，这个啊您不用担心，现在那个订餐服务呢特别的方便。\" The quiet atmosphere persists, devoid of music or ambient noise, allowing the contrast between his subdued concern and her confident reassurance to anchor the generational exchange. The shot holds steady, preserving the soft diffusion and natural color palette as the conversation settles into the everyday rhythm of modern family life.","video_1_relative_path":"videos/bd25d5daf15a7318.mp4","video_2_relative_path":"videos/5ff0c3dbc851f804.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/music/music_2/example.json::00000028","text_prompt":"Cinematic intimate performance, static medium shot, soft natural daylight filtering through sheer curtains bathes a gently sunlit bedroom in even, pale yellow illumination without harsh shadows. The composition emphasizes warmth and domesticity, featuring a bed with white bedding and pastel pillows against a brass headboard, a tall stack of multicolored books, and a small nightstand holding a framed landscape painting, two green glass bottles, and a yellow smiley-face object. Centered in frame, a young woman with long brown hair and fair skin wears a dark olive-green ribbed tank top while cradling a natural-finish acoustic guitar across her lap. Her left hand frets chords near the middle of the neck while her right hand fingerpicks steadily over the soundhole, her posture relaxed and her focus entirely on the instrument.\n\nA calm, expressive female vocal enters mid-phrase, singing a legato melody in a mid-to-high register accompanied by slow, arpeggiated guitar chords. The song carries a gentle, slightly melancholic tone at a moderate tempo with consistent dynamics, while subtle natural reverb suggests a modest, quiet interior space. As she performs, her lips move in perfect sync with the lyrics, her voice weaving through the line \"stroll without a care beneath the open sky\" before resolving into the next measure. She occasionally glances down at the fretboard before lifting her gaze directly into the camera lens, and briefly closes her eyes while sustaining a long note, her head tilting back a fraction. The final syllable trails off gently as the last guitar chord rings out, leaving only the faint, intimate sounds of strings against frets and soft breaths between phrases, with no ambient noise or external distractions breaking the reflective atmosphere.","video_1_relative_path":"videos/72128568fb8de35c.mp4","video_2_relative_path":"videos/d8f7541bbece6ebc.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/physics/physics_3/example.json::00000090","text_prompt":"A tender, domestic vignette captured in a tight handheld close-up, bathed in bright, diffuse natural light that washes the background into a soft overexposed white. The frame centers on a small kitten resting on its side atop a plush white blanket, its fluffy white coat accented by gray-brown patches on the ears, face, and paws. Initially facing left, the kitten turns its head toward the camera as a human right hand enters from above to gently stroke its back and neck. The touch prompts a short, high-pitched meow, followed moments later by a second, softer vocalization as the hand glides down the kitten’s spine. The kitten shifts into a more upright posture, lifting a front paw slightly while its tail curls behind it, and a calm, gentle female voice softly murmurs, \"Right,\" perfectly timed to the soothing rhythm of the petting.\n\nThe camera holds its steady, slightly shaky grip as the kitten blinks slowly and leans forward, bringing its nose almost into the lens before pulling back. The human hand remains in constant, tactile contact with the kitten’s back, providing a steady anchor of comfort. As the interaction settles, the audio fades to a quiet blend of faint room tone and the subtle rustle of fabric against fur, punctuated only by the minor handling noise of the camera. The scene concludes with the kitten centered in frame, gazing directly into the lens, while the hand rests gently upon its fur, encapsulating a moment of quiet, affectionate bonding in a softly lit, intimate space.","video_1_relative_path":"videos/c6d97786a7566247.mp4","video_2_relative_path":"videos/bc490ca136a3aa0e.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/physics/physics_8/example.json::00000004","text_prompt":"Shot on a handheld device with a casual smartphone aesthetic, the scene opens low to the ground in a warmly lit, carpeted room, initially soft-focused with motion blur that gradually sharpens into a medium shot. Two dark-furred cats dart around the lower legs of a person standing still in light gray jeans and white socks. One cat lunges playfully at the right ankle, claws briefly extending upon contact, while the other weaves behind the left leg. A sharp, startled yet playful female voice cries out, \"Ouch!\" from just off-camera. The camera jerks upward and pans right, tracking the action as both cats leap onto the person’s legs. One scrambles up the front of the right pant leg, claws scraping audibly against the denim, while the other bats at the hem from behind. Their movements are quick and acrobatic, tails raised and ears forward, signaling pure excitement rather than aggression.\n\nThe handheld frame holds steady with a subtle, natural tremor as the feline ascent continues. The right-side cat reaches the knee, pauses to groom its paw, and drops back down, while the second cat leaps higher, momentarily vanishing above the frame before reappearing near the waistline. The audio landscape remains entirely diegetic and tightly synchronized with the visual action: sharp transients of claw scrapes on fabric blend with the broadband rustle of shifting denim and the soft, low-mid thuds of paws landing on the carpet. Beneath it all lies a faint, consistent room tone, grounding the scene in a quiet domestic space. As the cats continue their playful engagement, the same female speaker releases two short, breathy chuckles, light and amused, weaving seamlessly with the tactile sounds of movement. The overall mood is lighthearted and affectionate, capturing an unscripted, authentic moment of pet-owner bonding rendered with immediate, raw intimacy.","video_1_relative_path":"videos/c1256045594f03d2.mp4","video_2_relative_path":"videos/0900d2f6b3334429.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_8/example.json::00000016","text_prompt":"Cinematic medium close-up, static camera, shallow depth of field, soft frontal key lighting, and a muted color palette with a single pop of turquoise and gold frame a young woman from mid-chest upward. She wears a crisp white high-collared blouse and a vivid satin sleep mask edged with ornate gold braid, her light-brown hair gathered in a loose up-do with delicate strands framing her face. Her eyes are closed, head tilted gently downward in deep introspection against a plain pale wall softly lit from the front-left, casting gentle shadows on the right side of her face and neck. A soft, slow piano melody in a major key begins immediately, establishing a calm, slightly wistful atmosphere, while a faint, distant male voice whispers in Mandarin, “所有的不安。” setting a reflective tone before the scene transitions into quiet motion.\n\nThe woman slowly opens her eyes, lowering her gaze toward the lower left of the frame, her lips parting to speak in a refined Southern British accent. Her delivery is quiet, breathy, and contemplative, paced slowly over the unhurried piano accompaniment, with subtle micro-expressions—a slow blink, minute eye movement, and barely perceptible lip parting—conveying inner reflection rather than overt emotion. She murmurs, “If I could find a real-life place that made me feel like Tiffany’s, then I would finally know I had found exactly what I was looking for,” her voice carrying a slight upward inflection that leaves the thought lingering in the air. Her expression remains pensive, eyes half-lidded and mouth just parted, as the piano phrase continues unobtrusively, fading gently into silence without any visual cut or shift in lighting, preserving the dreamy, emotionally resonant stillness of the moment.","video_1_relative_path":"videos/ed5058bfff119027.mp4","video_2_relative_path":"videos/d046d7ae25d09cc6.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_2/example.json::00000089","text_prompt":"A cool, bluish-grey daylight washes over a high-rise rooftop overlooking a hazy city skyline and a broad expanse of water, establishing a desaturated palette of muted blues and greys that evokes emotional distance and tension. The camera opens in a tight close-up on the right profile of an East Asian man in a dark suit jacket and white collared shirt, his short black hair streaked with lighter highlights. His eyes are lowered and brows faintly knit, projecting a pensive, troubled air while a faint, steady low-frequency environmental hum underscores the silence. The shot cuts to a matching close-up of a second East Asian man with slightly longer dark hair and a neat goatee, facing left with a calm but intent expression. A measured, mid-low Mandarin voice breaks the quiet as he asks, \"Where is what I asked for?\"\n\nThe camera then shifts to an over-the-shoulder view from behind the first man, framing the speaker in profile against the static cityscape, before cutting to a frontal two-shot that places both men in medium close-up, face-to-face and separated by only half a metre. Locked in an intense stare-down, the first man lifts his gaze, meets his counterpart’s eyes, and responds in a firmer, slightly lower register with a restrained challenge: \"You might not have brought what I need anyway.\" He lowers his head slightly as the exchange ends, the cold, even lighting casting minimal shadows while the unbroken ambient hum and absence of music keep the focus entirely on the silent power struggle and strategic negotiation between them.","video_1_relative_path":"videos/ef538b3b238595df.mp4","video_2_relative_path":"videos/d613a2b967df06ab.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_5/example.json::00000058","text_prompt":"A sun-bleached, desert-like environment bathed in warm sepia and amber tones, captured in a static medium shot at eye level. Strong sunlight cuts through the arid air, casting sharp, high-contrast shadows that emphasize the harshness of the setting. In the mid-ground, two men stand beside a low, trough-like cart whose sides are bound with thick, braided rope. The older man, late fifties with thinning dark hair streaked with grey and light stubble, wears a beige long-sleeved shirt beneath a dark sleeveless vest trimmed with coarse fur and a heavy brown leather apron. He leans forward, gripping a short-handled brush and vigorously scraping the inner surface of the trough, his steady, practiced movements accompanied by faint metallic scrapes. Standing slightly behind him is a younger man in his early thirties, clean-shaven with shoulder-length black hair, dressed in a sharp charcoal pin-striped suit, white dress shirt, and a blue-and-white patterned tie. He holds a small dark rectangular device in both hands, his gaze fixed attentively on the older man’s labor.\n\nAs the rhythmic scraping continues, the older man lifts his head and speaks in Mandarin, his mid-low voice carrying a slightly rough timbre and a northern accent. His tone is conversational yet edged with mild exasperation, as if half-jokingly chiding his companion: \"你不看节目，那我不是真成了卖黑油的吗？\" The younger man briefly glances up from his device to acknowledge the remark before returning his focus to the older man’s work. The ambient soundscape remains sparse and grounded, dominated by the low, continuous hum of distant machinery or wind, with no music to soften the realism. The older man lowers his head again, resuming his labor with unwavering rhythm while the younger man shifts his weight slightly, his formal attire standing in stark contrast to the rugged, clandestine atmosphere of the scene. The camera holds its position, allowing the quiet tension and the juxtaposition of business wear against manual toil to settle over the sun-baked landscape until the moment fades.","video_1_relative_path":"videos/07e29c120ce261bd.mp4","video_2_relative_path":"videos/5e1b278500fb1476.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_5/example.json::00000059","text_prompt":"A sun-dappled, tree-lined park path fills the frame in a steady, eye-level medium two-shot, shot with a 35mm lens under soft midday canopy light that casts mottled highlights and establishes a colour palette dominated by greens and earth tones. A woman with shoulder-length wavy blonde hair and a man with short dark-brown hair walk toward the camera at an unhurried pace. She wears a sleeveless black top with delicate lace edging and carries a brown leather cross-body bag, while he is dressed in a dark charcoal blazer over an off-white button-down shirt with the top buttons undone. The camera executes a slow, continuous backward tracking movement to keep them centered as they approach, passing a green metal trash can and clusters of pink flowers against dense foliage. A warm, optimistic female voice with a North American accent begins, stating, “Now that we’ve met again, we can change our memory of that December sixteenth.”\n\nThe man listens with his eyes lowered and brow gently furrowed, absorbing her words as their shoes make soft, rhythmic thuds on the pavement beneath a subtle bed of distant traffic hum and occasional bird calls. She maintains steady eye contact, her expression earnest yet hopeful, and continues, her tone gentle with a slight uplift in intonation, adding, “It no longer has that sad ending of us never seeing each other again.” As she finishes, the man lifts his gaze to meet hers, his lips parting slightly as if preparing a response, his posture relaxed but fully attentive. Sunlight flickers across their faces while overhead branches sway, the intimate, low-noise soundscape and shared visual proximity underscoring a quiet sense of reconciliation and renewed hope.","video_1_relative_path":"videos/263fce553e8c6f3e.mp4","video_2_relative_path":"videos/db67f4c801c1ebb8.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_5/example.json::00000097","text_prompt":"A tense, naturalistic drama scene captured in a single static medium two-shot, eye-level and framed from mid-thigh upward, unfolds in a modest, sparsely furnished room. Muted earth tones dominate the palette, with pale pink walls and sheer off-white curtains diffusing soft daylight from camera-left, casting gentle shadows across the right side of the characters' faces while keeping both figures sharply in focus against a softly blurred background. The older man, wearing thin metal-rimmed glasses and a green-and-white vertically striped button-down shirt, sits in a dark wooden armchair at frame left, his posture relaxed but his expression grave. Beside him on a simple wooden bench, the younger man leans forward with legs apart, clad in a black T-shirt beneath an unzipped black jacket whose bright red hood lining provides a subtle visual anchor. The atmosphere is restrained and heavy, underscored by a persistent low-frequency electronic hum that suggests hidden machinery or HVAC systems, stripping away music to heighten the realism and quiet tension. The older man begins to speak in a measured, serious tone, his voice carrying a faint rasp and deliberate pacing as he leans slightly forward. He states, \"Gonzo is currently operating as a police informant, as far as you know?\" The revelation hangs in the still air, hinting at espionage or criminal intrigue, while the younger man remains completely silent. His eyes stay locked on the speaker, lips pressed tight and brow faintly furrowed, his attentive posture radiating concern and contemplation. The camera holds steady, allowing the weight of the question and the unspoken reaction to fill the frame, leaving the audience suspended in the quiet aftermath of a dangerous confession.","video_1_relative_path":"videos/90d930f85dee64d4.mp4","video_2_relative_path":"videos/b3a0705c9d873efd.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_8/example.json::00000050","text_prompt":"Cinematic medium shot, locked off and framed at waist-up height, capturing a tense confrontation on a bright, sun-drenched outdoor patio. Lush green foliage and beige umbrellas establish an upscale garden-party atmosphere, rendered in high-key natural light with soft shadows that preserve the crisp textures of the scene. In the center foreground, a man with short dark hair, wearing a black-and-white plaid shirt over rolled sleeves, blue jeans, and a silver wristwatch, stands with a furrowed brow and clenched jaw, his posture radiating immediate indignation. To his left, a woman in a sleeveless white pleated dress grips his left arm just below the elbow, her wide eyes and pressed lips signaling alarm and restrained concern. Slightly behind them, another woman in a pink one-piece swimsuit holds a wine glass, her stern, unsmiling gaze fixed on the escalating dispute, while a loose semicircle of formally dressed onlookers—including a bespectacled man in a dark suit offering a faint, detached smile—watches in silent scrutiny. A low, indistinct crowd murmur hums beneath the tension as the man thrusts his head forward and jabs his right hand toward an unseen target off-camera right.\n\nA loud, aggressive adult male Mandarin voice shouts, \"黄老板.\" He escalates without pausing, his voice rising in emphatic accusation as he points a finger directly ahead: \"黄老板了不起啊？\" His expression intensifies, eyebrows knitted and jaw set, as he continues, \"黄老板就可以耍流氓吗？\" Finally, maintaining unbroken eye contact with the off-screen figure, he delivers his peak-volume challenge, his tone sharp and incredulous: \"你打人还有理了？\" The camera never moves, the natural daylight remains even, and the scene holds on the man’s confrontational stance, the woman’s worried grip, and the frozen attention of the surrounding guests as the audio fades into the persistent background murmur.","video_1_relative_path":"videos/63158b5d841c036f.mp4","video_2_relative_path":"videos/f71cd829beb730ab.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_davinci/voiceover/voiceover_2/example.json::00000091","text_prompt":"Cinematic reality-style footage, shot on a handheld camera with quick pans and minor zooms, opens in a dimly lit, crowded restaurant or bar at night, bathed in a hazy glow of warm yellow-orange practicals and flickering neon accents that cast high-contrast shadows across wooden tables, plastic stools, and liquor bottles. In a medium shot, a middle-aged man with a close-cropped haircut (Man A) leans forward, gripping another man’s arm in agitation while a bald man in a black shirt with bold gold-yellow baroque patterns on the shoulders stands rigid behind him. A calm, neutral male Mandarin narrator begins, stating \"你们并不买账。\" as the slightly shaky camera captures the tense onlookers scattered around the room. The confrontation suddenly escalates; Man A straightens abruptly and thrusts his right hand toward the other man’s chest while shouting a forceful retort. The narrator continues, \"双方很快便扭打在一起。\" as the bald man recoils in alarm, eyes wide, prompting nearby patrons to flinch and gasp. The camera jolts left, briefly blurring red-framed wall art and a glowing vertical sign.\n\nThe bald man seizes Man A’s collar with both hands, yanking him forward until their faces are inches apart. Man A snarls and pushes back, while a lower-pitched, harsh male voice cuts through the ambient murmur, shouting \"算你个屁啊!\" The camera shakes violently, momentarily losing focus before stabilizing on the two locked in a physical struggle. Neon lights flicker in the background as bodies twist, chairs scrape, and fabric rustles. Man A manages to break free, stumbling backward and raising his hands defensively, while the aggressor lunges forward but is partially blocked by diners instinctively stepping aside. The scene dissolves into raw, diegetic sound—shuffling feet, muffled voices, and the residual clatter of the scuffle—with no background music, focusing entirely on the chaotic tableau as the image holds on the unresolved confrontation.","video_1_relative_path":"videos/55753ed83f62d663.mp4","video_2_relative_path":"videos/aa65f8f31ae41f13.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_davinci/voiceover/voiceover_3/example.json::00000035","text_prompt":"Late-afternoon sunlight back-lights a tranquil riverside canal, establishing a high-contrast cinematic look with warm highlights and cool blue-green tones in the shallow-focus background of blurred trees, concrete embankments, and a low bridge. The camera opens on a locked-off medium close-up of a middle-aged white man with short salt-and-pepper hair and a light-blue button-down shirt, his face softly side-lit with shadows carving one cheek while rim light catches his hair and shoulder. A subdued, low-frequency electronic drone hums beneath the quiet atmosphere as he looks slightly off-camera to his right, lips parted, and delivers a calm, slightly dismissive line in Mandarin: \"虚的,\" completing the thought with a weary dismissal of empty games. The shot holds for a beat before cutting without movement to a matching medium close-up of a bald Black man in a dark suit, light dress shirt, and red patterned tie, standing against the same sun-dappled environment.\n\nHe maintains steady eye contact toward the first man’s position, his voice resonant and measured as he replies in English, \"And for you.\" The ambient synth bed continues quietly, then swells imperceptibly with a faint higher-pitched pad that deepens the tension. The suited man’s expression shifts subtly—eyebrows lifting, mouth corners tightening—as he weighs his words, glancing briefly downward before returning his gaze forward. He leans forward a fraction, his tone growing more personal and emphatic, mixing quiet pride with a direct challenge as he states, \"I’m a native son of South Central, Bosch.\" The camera remains fixed on his intent expression as the warm sunlight contrasts sharply with the cool, blurred environment, the tense electronic undercurrent holding steady until the frame fades.","video_1_relative_path":"videos/adb7835e656ec970.mp4","video_2_relative_path":"videos/18c6ec24d9d15879.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/instruments/instruments_1/example.json::00000000","text_prompt":"A cinematic acoustic performance opens on a static interior shot inside a moving car, camera fixed on the back seat where a young East Asian performer with shoulder-length dark hair sits belted in, a small wood-grain ukulele angled comfortably across their torso. Diffuse natural daylight pours through the side windows, softly illuminating the black leather cabin and the instrument’s glossy surface while blurred greenery streaks past outside. The performer begins playing at a lively tempo, their right hand driving a steady eighth-note pulse with bright, percussive downstrokes and lighter upstrokes. Each strike produces a warm, resonant chord that fills the confined space, while the left hand precisely frets open-position shapes, fingers pressing firmly against the metal frets. The audio is pristine and close-mic’d, capturing the clear, woody timbre of the solo ukulele with strong midrange presence and only the faintest finger squeaks during position shifts.\n\nThe performance unfolds with nuanced dynamic control and rhythmic syncopation. The right hand alternates between broad strumming gestures and rapid, finger-picked runs that dance above the chordal foundation, creating crisp staccato accents and smooth legato arpeggios. As the melody progresses, the performer’s concentration deepens, eyebrows lifting slightly while their gaze remains fixed on the fretboard, occasionally breaking to meet the camera with an intimate, relaxed focus. The harmony shifts through a bright major progression, the strumming gradually intensifying as the right arm extends further to build volume. A climactic downward sweep snaps the wrist back, unleashing a rich, resonant peak before a rapid trill-like ornament shimmers across the strings. In the final moments, the strumming softens into a gentle decrescendo; the right hand slows, fingers lingering to let harmonics ring out, while the left hand gradually releases pressure and settles into a home position for a two-chord cadential resolution. The performer’s shoulders drop, body relaxing as the notes naturally decay into silence. The frame holds steady, capturing the quiet aftermath of the performance, with the faint ambient resonance of the car and the lingering acoustic tail carrying the scene to a peaceful close, conveying casual confidence and focused artistry.","video_1_relative_path":"videos/05f33f88db6750df.mp4","video_2_relative_path":"videos/6cdafa1da214007d.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/multitalker/multitalker_5/example.json::00000044","text_prompt":"A static wide shot at eye level captures a spacious, open-sided pavilion defined by dark red pillars and pale wooden flooring, where soft, diffused daylight filters through sheer grey curtains framing large rectangular openings. Beyond the threshold, white-walled buildings with grey-tiled roofs and a pink lattice balcony rest beneath an overcast sky, establishing a subdued, scholarly atmosphere. In the foreground, a low square black table holds a small light-green teapot and two matching cups on a tray. Behind it, a man in layered cream-yellow robes bends toward a low shelf, lifts two identical dark-brown spherical objects roughly the size of a grapefruit, and straightens as a faint rustle of silk accompanies his movement. Simultaneously, a firm, slightly exasperated male Mandarin voice from the left pillar begins, stating “财能通神啊，殿下。”\n\nThe man in cream-yellow turns toward his companion, brow furrowed and mouth parted, still clutching the spheres. His counterpart in a long dark-blue robe pivots away, his soft footsteps audible on the wooden floor as he walks toward the rear wall and retrieves a narrow, ornate wooden case that gleams faintly under the diffused light. Continuing his inquiry with a tone rising in disbelief, he asks, “可这跟点火有什么关系吗，师兄？” He halts near the table, now facing forward with the decorative case held horizontally at waist height, his posture upright and shoulders squared. The man in cream-yellow watches him closely, eyes narrowing as he weighs the implications of the exchange. The ambient space remains quiet save for the residual swish of garments and a muted thud as the case settles, the absence of music focusing attention on their composed historical-drama etiquette and the underlying intellectual tension. The camera holds static as both men freeze in this restrained, weighty moment.","video_1_relative_path":"videos/7d0a9bb1cfe22953.mp4","video_2_relative_path":"videos/3f0d08f629c86547.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/physics/physics_5/example.json::00000051","text_prompt":"Cinematic domestic scene, captured on a static close-up lens with practical kitchen lighting and a muted, natural palette. A black saucepan with a gray handle rests on the front-left burner of a matte black gas stovetop, filled with vigorously boiling water. Large bubbles break the surface continuously as thick steam rises into the air, while a steady blue flame flickers visibly through the iron grates, casting a cool, functional glow. To the left, a sliver of a red kitchen cabinet anchors the setting, and the stovetop’s control knobs line the foreground. The camera remains fixed, holding the tight composition without movement.\n\nAn off-screen female voice, young and calm with a neutral, instructional tone, begins speaking over the scene, stating, \"Now, add the noodles to the water.\" Simultaneously, a loud, sharp crinkling sound echoes, consistent with hands tearing open a plastic or foil pasta package. A right hand wearing a light-gray ribbed long-sleeve shirt enters from the upper left, lowering a bundle of dry, yellow spaghetti toward the pot. The crinkling fades as the pasta is released, hitting the rolling boil with a distinct, short splash that sends a fresh wave of steam upward. The noodles immediately begin to soften and submerge.\n\nThe hand withdraws from the frame, leaving only the pot and stove in view. The water resumes its vigorous simmer around the submerged pasta, with foam and small bubbles gathering along the surface. A low, continuous bubbling sound dominates the audio landscape, layered over a faint, reverberant kitchen room tone. The scene holds on this quiet, practical moment of everyday cooking, emphasizing the transition from empty boiling water to submerged pasta under steady, naturalistic lighting.","video_1_relative_path":"videos/634fc8a29b27a781.mp4","video_2_relative_path":"videos/c2c14f529f9b3bb8.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/podcast/podcast_2/example.json::00000049","text_prompt":"Cinematic medium-wide shot, cool blue digital backdrop with soft bokeh contrasted by warm amber stage lighting, static camera, subtle floor haze. A poised East Asian woman stands center-frame on a circular red rug, wearing a knee-length short-sleeved grey dress and holding a small black remote at waist level. Her long dark hair and bangs frame a composed, earnest face as she begins in profile, tilting her head slightly upward with hands loosely clasped around the remote. Two large professional stage lights on tall black tripods to her left cast a golden glow that catches the atmospheric mist, drawing focus to her minimalist attire and the intimate yet professional auditorium setting.\n\nShe turns her torso toward the center, raising her right hand for gentle emphasis as her eyebrows lift subtly. Her measured delivery fills the spacious room with clear, natural reverberation. After a quiet breath, she says, “After years of rushing, I told myself it’s time to bring a mindful patience into the impatience that has long governed our days.” Her hands return to a neutral position at her waist, her gaze shifting forward as her voice trails off with a slight downward inflection. The scene is devoid of music or crowd noise, leaving only the low hum of the venue’s HVAC system and the crisp cadence of her words to underscore a mood of quiet conviction and intentional clarity.","video_1_relative_path":"videos/84590d3baba6075a.mp4","video_2_relative_path":"videos/1475e1593bfed7e8.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_8/example.json::00000015","text_prompt":"Cinematic medium close-up, static camera, shallow depth of field, soft frontal key lighting, and a muted color palette with a single pop of turquoise and gold frame a young woman from mid-chest upward. She wears a crisp white high-collared blouse and a vivid satin sleep mask edged with ornate gold braid, her light-brown hair gathered in a loose up-do with delicate strands framing her face. Her eyes are closed, head tilted gently downward in deep introspection against a plain pale wall softly lit from the front-left, casting gentle shadows on the right side of her face and neck. A soft, slow piano melody in a major key begins immediately, establishing a calm, slightly wistful atmosphere, while a faint, distant male voice whispers in Mandarin, “所有的不安。” setting a reflective tone before the scene transitions into quiet motion.\n\nThe woman slowly opens her eyes, lowering her gaze toward the lower left of the frame, her lips parting to speak in a refined Southern British accent. Her delivery is quiet, breathy, and contemplative, paced slowly over the unhurried piano accompaniment, with subtle micro-expressions—a slow blink, minute eye movement, and barely perceptible lip parting—conveying inner reflection rather than overt emotion. She murmurs, “If I could find a real-life place that made me feel like Tiffany’s, then I would finally know I had found exactly what I was looking for,” her voice carrying a slight upward inflection that leaves the thought lingering in the air. Her expression remains pensive, eyes half-lidded and mouth just parted, as the piano phrase continues unobtrusively, fading gently into silence without any visual cut or shift in lighting, preserving the dreamy, emotionally resonant stillness of the moment.","video_1_relative_path":"videos/2e94dc96dd96a9a7.mp4","video_2_relative_path":"videos/ce7befbc557d20ab.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/voiceover/voiceover_8/example.json::00000041","text_prompt":"Cinematic night scene in a dense forest, captured with a static medium two-shot that abruptly cuts to a tight close-up. Illuminated by a single dim frontal light that carves stark highlights from the subjects while swallowing the background in absolute darkness, two men stand side by side facing the camera, frozen in wide-eyed surprise. The man on the left wears a maroon beanie, a blue T-shirt, and an unzipped dark jacket, while his companion sports reddish-brown hair beneath a dark green jacket layered over a red collared shirt. A bright, upbeat female Mandarin voice-over cuts through the silence, cheerfully announcing, \"We caught a fish, and even got an unexpected bonus.\" Before the words fully settle, a large, silvery fish arcs down from above and slams onto the left man’s chest and face, sending a violent splash of water across his clothes. He flinches sharply, eyes widening and jaw dropping as droplets glisten in the harsh frontal glow, while the man on the right recoils a step, eyebrows raised and mouth agape.\n\nStill dripping and disheveled, the left man jerks his head back, locks eyes forward, and shouts in a startled, high-pitched American accent, \"What the hell are you doing?\" The forest remains visually and acoustically silent aside from his accusatory outburst. The shot abruptly cuts to a static close-up of a third man, framed against the pitch-black void. He has light brown wavy hair, a touch of stubble, and wears a dark leather-like jacket, with the blurred outline of a small tan stuffed bear head resting in the lower-left foreground. Meeting the camera with calm confidence, he replies in a measured, matter-of-fact tone, \"I toss it, you grab it. That’s your part of the deal.\" The scene holds on his steady gaze, leaving the tense standoff unresolved as the audio fades into silence.","video_1_relative_path":"videos/50c3b02a9413c70d.mp4","video_2_relative_path":"videos/628cdb91f22f18a5.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_4/example.json::00000018","text_prompt":"A quiet domestic drama unfolds in a static eye-level medium frame, shot on a soft, naturalistic palette with diffuse indoor lighting that gradually shifts to cool daylight. Inside a modest dining-kitchen, a young East Asian man in his late twenties stands beside a light-colored upholstered chair, wearing a plush dark-blue bathrobe with grey faux-fur trim over a pale blue T-shirt. His tousled dark hair and slightly furrowed brow convey a tired, mildly exasperated demeanor. Leaning forward with his left hand resting on the chair back, he addresses someone off-screen in a gentle but weary tone, stating, \"From now on, you shouldn't cook anymore.\" The room holds a quiet, intimate stillness, with a white refrigerator adorned with colorful magnets and framed family photos, a small potted plant, and a wooden cabinet topped with a lace-draped microwave forming a warm, lived-in backdrop.\n\nA straight cut transitions to a brighter, adjacent kitchen space where an older East Asian man in his late sixties stands near a counter. Bathed in natural daylight streaming through a large window behind him, his thinning dark hair visible, he wears an olive-green zip-up jacket over a darker shirt. His expression is subdued and almost apologetic as he looks downward, offering a slight right-hand gesture toward the counter while responding in a calm, measured voice, \"I noticed none of you were up; I wanted you to sleep a bit longer.\" The camera remains steady, capturing tiled walls, hanging dish towels, and neatly arranged utensils. The exchange concludes in quiet stillness, the recurring domestic details and shifting light underscoring a quiet tension of mutual concern and everyday household care.","video_1_relative_path":"videos/3f742f17768c10b8.mp4","video_2_relative_path":"videos/533d8dd59f7401dd.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_4/example.json::00000086","text_prompt":"A static high-angle wide shot opens on an ornate East-Asian town at night, where traditional wooden buildings with dark tiled roofs line a gently flowing canal. A stone arch bridge spans the water in the mid-ground, its railings draped in greenery and small white flowers, while dozens of red-and-white paper lanterns hang from eaves, poles, and the bridge itself, casting a warm amber glow that reflects off the rippling surface. In the immediate foreground, two figures stand side-by-side on a balcony with their backs to the camera, gazing out over the scene. The figure on the left wears a pale lavender-to-white gradient robe with long dark hair tied in a high ponytail adorned with a silver ornament, while the figure on the right is dressed in a plain white robe, their hair gathered into an elaborate up-do secured by a floral pin. The air hums with a low, distant murmur of a lively night market, underscored by a soft, slow-tempo arrangement of plucked guzheng strings and airy dizi flute that establishes a calm yet wistful mood. A calm, reflective adult male voice in Standard Mandarin begins, his medium-low pitch carrying a quiet relief as he states, \"终于尘埃落定。\"\n\nThe camera remains fixed as faint lantern light sways in the breeze and petals drift across the canal. The man turns his head slightly toward his companion, his lips moving with measured precision before he speaks again, his steady moderate pace and subtle breathiness conveying a sense of forward hope: \"等去浊修好法器，我们就能回去了。\" As the final words fade, he completes his turn back toward the view, and both figures stand perfectly still, silhouetted against the glowing lanterns. The floating candle-lit lotus lamps glide farther downstream, their flickering reflections shimmering across the dark water while the traditional instrumental bed and distant crowd murmur persist uninterrupted. The scene holds on this contemplative tableau, the warm yellows and oranges of the lanterns contrasting beautifully with the cool purples and whites of the foreground robes, before the image gently fades to black, leaving only the lingering resonance of the adagio score and the quiet promise of a journey about to resume.","video_1_relative_path":"videos/35885e1b6a852ebb.mp4","video_2_relative_path":"videos/ffbeb3834fc14261.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_davinci/multitalker/multitalker_8/example.json::00000064","text_prompt":"Cinematic medium two-shot set in a sophisticated fine-dining restaurant, bathed in warm amber light from wall sconces and candle-lit tables. The camera remains locked off, framing two men seated across a round table draped in white linen, surrounded by empty wine glasses, polished silverware, and a small square glass candle holder. Behind them, a vintage-style poster reading “TUSCANY” hangs above a wine rack, softly blurred by a moderate depth of field that keeps the subjects sharp. The man on the left, with dark hair and wearing a black blazer over an open-collared white shirt, begins speaking with confident ease in a clear American English accent, raising both hands to shoulder height with palms outward. He states, “A well-dressed person.” His companion on the right, fair-skinned with neatly styled light-brown hair and dressed in a dark jacket over a charcoal T-shirt, listens attentively, offering a slight nod. The left speaker lowers his hands briefly before gesturing again, continuing with smooth, measured pacing, “A good-looking surrounding.” The right man responds promptly in a slightly lower register, “Yes,” maintaining steady eye contact with a calm, engaged expression. As the conversation flows, the left speaker brings his hands together in front of his chest, fingers loosely interlaced, then separates them to emphasize his final thought. With mild enthusiasm, he says, “I like to be in places that have style.” The right man shifts his gaze downward toward the tabletop for a moment before returning his focus to his companion, the clean, close-mic audio capturing only their crisp dialogue against the intimate, low-key lighting.","video_1_relative_path":"videos/0b95d839b0fc3ff2.mp4","video_2_relative_path":"videos/48659ee2b58dff3a.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_davinci/voiceover/voiceover_1/example.json::00000027","text_prompt":"A contemplative, dialogue-driven cinematic scene opens in a modest, fluorescent-lit cafeteria, rendered on a 50mm lens with a shallow depth of field and a cool, neutral palette that isolates an older East Asian man seated at a small table. He wears a dark-grey, high-collared button-front shirt and holds bright-green chopsticks poised above a white bowl, with a clear glass jar of fresh scallion stalks resting to his left against a softly blurred background of muted patrons. Cool, flat illumination casts gentle shadows across his weathered features as a calm, faintly sardonic female voice-over in Mandarin begins, stating “The funeral broker is responsible for liberating the living.” The ambient room tone remains barely audible, keeping the focus entirely on the philosophical premise. Without cutting away, the older man’s brows knit and his mouth forms a questioning shape as he replies in Cantonese, his measured delivery tinged with incredulity: “How can a living person possibly be liberated?”\n\nA straight cut shifts to a medium close-up of a younger East Asian man facing him off-screen, his shoulder-length black hair parted to one side, wearing black-rimmed glasses, a white collared shirt, and a dark blazer. Warm, directional side-lighting from camera right highlights the left side of his face while leaving the opposite cheek in gentle shadow, contrasting with the elder’s cooler illumination. As his expression shifts from a brief, wry smile to a firm, earnest gaze, he speaks in Cantonese with clear articulation and emphatic cadence: “Even the living need to break through hell.” The background dissolves into indistinct yellow and red shapes, suggesting wall décor, while the audio strips away all music and diegetic noise to leave only his resonant voice hanging in the silence. The scene holds on his impassioned declaration before the image freezes for a fraction of a second and fades to black, underscoring a generational debate on mortality, spiritual redemption, and the quiet tension between detached tradition and urgent human need.","video_1_relative_path":"videos/aadaa8f0029961f9.mp4","video_2_relative_path":"videos/a6cab237d11b59d2.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx/instruments/instruments_2/example.json::00000001","text_prompt":"Cinematic close-up in a professional recording booth, captured with a 50mm lens, warm overhead lighting, and a shallow depth of field that softly blurs wood-paneled walls and acoustic foam. A young man in a white T-shirt and black over-ear headphones holds a light-brown wooden transverse flute horizontally before a large-diaphragm condenser microphone fitted with a circular pop filter. As the camera begins a slow, deliberate push-in, he draws a measured breath and releases a bright, airy pentatonic melody that rises from a mid-register G into the upper register at a steady, flowing pace. His fingers move with practiced fluidity, the left thumb shifting subtly for pitch bends while the right hand articulates quick sixteenth-note figures, the sound clean and intimate with only the faintest proximity warmth and breath noise framing each phrase.\n\nThe performance intensifies as rapid ascending runs climb through the flute’s higher register, his right-hand fingers blurring slightly with each swift lift while the left index flicks off keys to accentuate crisp staccato attacks. The melodic line weaves between short, punchy bursts and sustained tones, creating a call-and-response rhythm entirely within the solo instrument, underscored by visible chest expansion and controlled embouchure shaping that drive dynamic swells. Nearing the peak, he leans fractionally toward the microphone, his breathing growing more pronounced before the melody executes a dramatic upward leap followed by an ornamental cascade downward. The phrase resolves on a held high E, sustained with gentle vibrato before he releases the tone and allows it to decay naturally, his hands relaxing away from the instrument as he exhales and lowers the flute with a faint, satisfied smile.\n\nAs the final resonance fades into the quiet studio, the camera holds steady on the performer, capturing the subtle key clicks and soft intake of breath that linger in the clean, low-noise capture. The warm lighting continues to trace the contours of the wooden flute and his relaxed posture, emphasizing the physical engagement behind every technical flourish. The scene closes on this intimate portrait of focused artistry, leaving only the gentle room ambience and the lingering warmth of a masterfully executed solo performance.","video_1_relative_path":"videos/fea0853e114bbe4e.mp4","video_2_relative_path":"videos/1ee07802fe0e4ada.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/instruments/instruments_3/example.json::00000000","text_prompt":"Cinematic vertical medium shot, softly lit domestic living room with a neutral white-and-brown palette. A young boy stands centered, dressed in a bright blue zip-up fleece over a yellow T-shirt and light grey trousers, his feet planted shoulder-width apart for balance. Behind him, a large pink plush toy rests motionless on a dark wooden bench. He holds a tenor trombone with its golden bell angled camera-right and the silver slide extending diagonally toward the floor. His left hand cradles the instrument’s lower section while his right grips the slide handle. With a firm circular embouchure and slightly hollowed cheeks, he draws a steady breath, and a faint lip buzz gives way to a warm, immediate low brass tone. The camera remains fixed, preserving an intimate focus on the reflective brass catching soft highlights as the boy’s concentrated gaze locks forward.\n\nThe performance unfolds at a steady, moderate tempo as the boy embarks on a measured melodic line in the lower-middle register. Each note is articulated with a deliberate legato feel, his right hand executing small, controlled slide glides that synchronize precisely with the pitch shifts. Breath support remains diaphragmatic and unwavering, yielding a consistent volume that avoids sudden swells or dips. The melody traces a simple, folk-like contour: an introductory motif rises through stepwise intervals before settling into a descending cadence. The camera captures the subtle micro-adjustments of his fingers and the slight, rhythmic sway of his torso, while the audio remains a clean, close-mic capture of solo brass resonance. Warm fundamentals dominate the low frequencies, with a modest midrange presence adding clarity, all set against a silent environment free of mechanical clicks or ambient noise.\n\nAs the phrase reaches its brief ascent, the boy’s head tilts fractionally upward and his embouchure firms, producing the excerpt’s highest sustained note with a mild dynamic swell. He then guides the slide back inward, stepping down through a smooth descending figure that resolves cleanly onto a final low tonic. The bell angles slightly upward as his posture relaxes minutely, and the air tapers off into a natural, unadorned decay that lingers for a second before fading completely. The frame never shifts, leaving only the quiet intimacy of the performance, the steady rhythm of his breath, and the mellow, resonant voice of the trombone echoing softly in the still room.","video_1_relative_path":"videos/f8fb09a0bc3405e9.mp4","video_2_relative_path":"videos/f5415777b45acdcb.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/movie/movie_3/example.json::00000003","text_prompt":"A sleek science-fiction nocturnal tableau opens on a high-angle wide shot of a dense urban skyline, where dark skyscraper silhouettes stand against a black sky, punctuated by scattered yellow and white windows. The camera executes a slow, upward tilt and gentle pan over a major avenue below, where streams of vehicle headlights and taillights paint long, luminous streaks across the asphalt, illuminated by pools of warm streetlight. A faint, low-frequency electronic hum underpins the scene, hinting at hidden machinery or advanced infrastructure. Suddenly, a brilliant golden-white energy beam erupts from the left edge, slicing horizontally across the frame with violent dynamism. The thick, glowing projectile emits a powerful whooshing sound that rises in pitch and volume as it traverses the city, casting dynamic, sweeping highlights across adjacent building facades while lens flares and motion blur accentuate its blinding speed.\n\nRiding above the ambient hum and the growing intensity of the beam’s passage, a calm, mid-to-high pitched female voice with clear diction and a slightly speculative tone remarks, “Well, assuming the arc reactor takes over and it actually works.” The beam continues its rapid trajectory toward the right, leaving a lingering trail of light and heat haze between the structures, while a deeper, resonant thrumming merges with the foundational electronic drone. As the energy trail fades and the frame settles back onto the steady, quiet cityscape below, a low-pitched, gravelly male voice cuts in with a clipped, matter-of-fact delivery: “I assume.” The scene holds briefly on the darkened skyline, the ambient hum persisting until the image gently dissolves, leaving behind a mood of tense anticipation and awe at the unseen technological force that just tore through the night.","video_1_relative_path":"videos/56a93a4ede7a4dfe.mp4","video_2_relative_path":"videos/338f810fa3008784.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/movie/movie_3/example.json::00000078","text_prompt":"Atmospheric thriller. A wide, static cinematic shot opens on a lakeshore at dusk or dawn, framed by heavy, cloud-choked skies and a low, warm orange horizon glow that reflects across the calm water. In the distance, a massive fire rages on a hillside, sending thick columns of black smoke into the air while smaller flames dot the shoreline below. Silhouetted against this dramatic inferno, a crowd of roughly twenty figures stands motionless on the rocky and sandy shore, clad in dark, period-appropriate coats, hats, and dresses, their attention fixed on the burning horizon. To the right, a small wooden shed rests on a narrow pier extending into the water, with two solitary figures standing quietly near its edge. The camera remains completely still, allowing the steady flicker of the flames and the slow drift of smoke to dominate the frame while the orange light casts long, sharp shadows and highlights the subtle ripples on the water’s surface.\n\nThe soundscape opens immediately with a deep, resonant rumble that feels both mechanical and environmental, echoing like distant thunder or the low-frequency vibration of massive machinery, layered over by a faint, continuous high-pitched electronic whine. There is no dialogue, music, wind, or natural ambient noise; the acoustic space is entirely filled by these two sustained tones, which sit in an open, echo-free outdoor environment to create a heavy, foreboding tension. As the scene holds its static composition and the observers remain frozen in quiet dread, the audio persists without fluctuation, building a minimalist atmosphere of suspended time and impending doom. The clip concludes with both the visual tableau and the dual-toned soundscape remaining unchanged until the tones cut off abruptly, leaving the moment suspended in unresolved unease.","video_1_relative_path":"videos/fc6f3571b4a808b4.mp4","video_2_relative_path":"videos/20a82dea6f393658.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx/movie/movie_5/example.json::00000006","text_prompt":"Cinematic thriller sequence, shot on a close-up lens with low, warm-toned lighting that casts deep shadows to obscure the background while accentuating gritty foreground textures. The scene unfolds in a dimly lit, confined subterranean space, possibly a ruined tunnel or cave, where a lone figure lies face-down in dry, fine-grained sand, partially buried. Long, matted grayish-white hair spills across their shoulders and the uneven ground, while dark, rugged tactical gear with visible straps and buckles rests across their back and shoulders. The camera executes a slow, deliberate pan from left to right, gradually revealing more of the figure’s upper body and the disturbed sand around them. The individual’s right arm extends forward into the grit, fingers splayed, and shifts subtly as if struggling to push deeper into the earth, sending small clumps of sand scattering.\n\nAn ominous male voice-over begins in English, his delivery slow, deliberate, and gravelly, stating \"One who runs from both the living and the dead.\" The narration is underscored by a continuous, low-frequency musical drone that fills the enclosed, reverberant space, amplifying the isolation. As the camera continues its pan, the subtle rustling of gear against sand and a sharp metallic scrape punctuate the figure’s faint movements. The narrator’s voice drops to a commanding whisper, uttering \"Hunt,\" which coincides with a sudden swell of a rising string motif that crescendos briefly before fading into the lingering drone. 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The palette is defined by the rich blacks of the piano accordion against a softly blurred background of wooden furniture and domestic decor. A performer sits upright, shoulders relaxed, with the camera holding tightly on the instrument and hands while the head remains mostly out of frame. The left hand immediately engages the bass buttons, laying down a steady, rhythmic ostinato that alternates between root-position chords and bass-note inversions. Simultaneously, the right hand begins a bright, flowing melody across the white keys, each press triggering a clear, reedy tone with a slightly metallic resonance. The bellows expand and contract smoothly beneath the instrument, driving the airflow that powers both the harmonic pulse and the melodic line.\n\nThe melody rises through a sequence of rapid ascending notes before dipping into a descending run, the right-hand fingers moving with precise, even articulation that matches the density of the phrase. As the musical line builds, the performer pushes the bellows further outward, creating a subtle dynamic swell that intensifies the sound. A short flourish of scalar notes peaks in pitch before cascading downward, accompanied by a shift to richer chord voicings in the left hand. The articulation briefly turns staccato at the peak, then relaxes back into legato as the phrase tapers. Close-miked audio captures every detail: the bright attack of the reeds, the soft rustle of clothing near the microphone, and the crisp mechanical clicks of the key action during fast passages. The performance maintains a steady moderate tempo throughout, blending folk-dance energy with classical phrasing sensibilities, with expressive variation shaped entirely by bellows dynamics and rhythmic emphasis rather than manual vibrato.\n\nThe phrase approaches its final cadence as the right hand descends toward the tonic, the fingers gliding smoothly across the keys. Both hands settle into a sustained position, the left hand holding a low bass note while the right hand locks onto a resolved tonic chord. The bellows close gently, reducing air pressure and allowing the sound to decay naturally into the quiet room. A faint mechanical click from the final key release rings out just as the audio fades. The performer’s posture remains relaxed and focused until the very last instant, the camera holding its fixed, intimate frame as the music dissolves into stillness.","video_1_relative_path":"videos/1b741265d310840a.mp4","video_2_relative_path":"videos/3b9bf161f8d4c016.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/instruments/instruments_1/00000101","text_prompt":"A static, eye-level medium shot frames a high-energy drum performance inside a tightly controlled recording studio, bathed in even, soft illumination that minimizes shadows and highlights the blue walls lined with white horizontal acoustic panels and black foam wedges. A bearded man in a dark long-sleeved sweater sits poised behind a black drum kit, surrounded by an array of close-microphones. Without hesitation, he launches into a driving rock groove at a steady one hundred and forty beats per minute. His right hand circles the ride cymbal in a relentless eighth-note pattern, producing a bright, cutting metallic ping, while his left hand alternates between a tight, woody snare backbeat and crisp hi-hat chokes. The audio is dry and intimately close-mic’d, capturing every stick impact with virtually no room reverb, and the rapid blur of his sticks traces sharp, percussive arcs as his shoulders tense slightly under the unwavering tempo.\n\nMaintaining the pulse, the drummer shifts into a syncopated fill, lifting his right hand to strike a deep, resonant tom while his left hand executes a rapid double-stroke roll on the snare. The dynamic level swells as his torso leans forward and his wrists flex sharply on every accent, the rolling staccato hits contrasting with the earlier steady wash. He seamlessly returns to the primary pattern, interlocking ride accents with hi-hat pulses to recreate that classic chick-thud feel, before layering in a subtle crescendo of ghost notes beneath the main beats. His head bobs in time, eyes locked downward, as motion blur intensifies and the overall volume rises slightly. The phrase culminates in a final, emphatic crash on the ride cymbal, both hands converging as his body leans forward one last time. The long metallic decay rings out for a moment, fading naturally into silence as he lowers his sticks and his shoulders finally relax, leaving only the clean, dry atmosphere of the studio.","video_1_relative_path":"videos/447cee51793d7fd4.mp4","video_2_relative_path":"videos/0cdec3cbdb1dd641.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/instruments/instruments_2/00000006","text_prompt":"Cinematic close-up, static camera, neutral studio lighting, and a tight high-angle composition focusing on the upper register of a chromatic marimba. The frame holds the scene as two hands enter from opposite edges, each gripping a wooden mallet—one with a white head, the other yellow-black. The performer begins with a deliberate, isolated strike on the leftmost key, producing a bright, resonant tone that blooms and fades before the right hand answers with a clean strike on the adjacent bar. The tempo settles into a steady, moderate pulse around ninety-five beats per minute, with every percussive attack and shimmering decay fully exposed in the dry, close-mic’d acoustic space.\n\nThe rhythmic density quickly builds as the mallets blur into a rapid ascending run, alternating cleanly between hands to climb stepwise toward the instrument’s higher register. Each strike lands with crisp staccato articulation, yielding bell-like pitches that rise in a smooth, diatonic contour. The motion seamlessly mirrors the sound, with the performer’s wrists staying relaxed and flexible to allow effortless crossovers and precise lateral placement. A brief descending figure follows, mirroring the ascent in reverse with slightly sharper attacks, before the phrase resolves into a final cadential pair: a deeper low note struck by the left hand, immediately answered by a brighter high note from the right. The overtones linger for just under a second, fading naturally as the hands settle outward, leaving only the faint, subtle friction of mallet shafts brushing against skin in the quiet aftermath.","video_1_relative_path":"videos/b0606e09cfa12c89.mp4","video_2_relative_path":"videos/764c8f235ec1d341.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/instruments/instruments_2/00000026","text_prompt":"A traditional bluegrass-style banjo solo unfolds in a static medium shot, framing a performer seated upright on a weathered wooden bench from the waist up, bathed in soft, overcast daylight. The camera holds completely still, allowing a blurred backdrop of grass, distant trees, and a brick structure to recede into gentle bokeh while keeping the focus on the musician’s precise technique. The scene opens with the immediate, bright twang of a five-string banjo, driven by a brisk, dance-like roll pattern at roughly one hundred and fifty beats per minute. The performer’s right hand executes a continuous stream of sixteenth notes, thumb striking down followed by alternating fingers flicking upward across the strings, while the left hand moves with fluid efficiency along the fretboard. Fingers press and release in rapid succession, forming chord shapes and melodic fragments that trace a pentatonic G-major contour. As the solo progresses, the melody briefly ascends into the upper register before stepping back down, repeating its opening motif with subtle pitch bends and light hammer-ons. The right hand occasionally accents certain beats with a firmer thumb strike, adding dynamic emphasis, while the left hand momentarily presses two strings together for a rich double-stop before returning to single-note picking. Close-mic’d and dry, the audio captures every percussive transient and faint string squeak without room reverb, mirroring the visual precision of the performance. The piece builds through a variation of syncopated accents and smooth left-hand transitions, culminating in a quick descending run that resolves cleanly on the low G string. The player’s fingers settle, the final note rings out, and the motion stops abruptly, leaving only the resonant twang of the instrument hanging in the clean, quiet air.","video_1_relative_path":"videos/04adb5d08ef8ebf8.mp4","video_2_relative_path":"videos/52494101b30cc3f4.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/instruments/instruments_2/00000060","text_prompt":"Cinematic medium shot, fixed eye-level camera, and soft domestic lighting frame a quiet living room scene. A young boy stands centered, wearing a turquoise zip-up hoodie over a yellow T-shirt and light grey trousers, holding a large brass trombone with a polished silver slide. His left hand grips the slide’s ring while his right steadies the bell, his posture upright and shoulders squared against a backdrop of dark wood furniture, a tiled floor, sheer curtains, and a pink plush toy resting on a wooden bench. The camera remains completely still, capturing the intimate, dry acoustics of a close-mic’d recording environment with virtually no ambient noise. As the scene begins, the boy engages his embouchure and draws a steady breath, pushing the slide outward to produce a single, warm low note that blooms with rich brass resonance. The slide glides smoothly to full extension, perfectly synchronized with the rising pitch, establishing a slow, contemplative tempo.\n\nFollowing the initial sustain, the boy articulates a clean descending two-note figure, his left thumb shifting deliberately along the slide to adjust the tubing length while his head tilts slightly forward. The notes separate with a gentle staccato touch before fading into a brief silence that highlights the natural decay of the tone and the stillness of his hands. Without breaking his focused gaze, he resumes playing, lifting the slide in incremental steps to trace an ascending three-note motif. The motion accelerates slightly through the climb, brightening the timbre as the air column lengthens, culminating in a higher, fuller tone that sustains steadily. A subtle vibrato emerges in the final note as his right hand supports the bell and his left stabilizes the slide at its peak, the faint metallic friction of the mechanism blending seamlessly with the clean, unembellished brass line. The scene holds on this resonant closure, emphasizing the precise mechanics of slide technique and the quiet mastery of a young musician in a tranquil home setting.","video_1_relative_path":"videos/1b98ea9922cabe24.mp4","video_2_relative_path":"videos/c7482538f9cca251.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/instruments/instruments_3/00000048","text_prompt":"Cinematic close-up, locked-off camera, shallow depth of field, warm low-key lighting, and a muted earth-tone palette open on a static view of a violin’s lower bout and f-hole area resting atop an aged sheet-music page. The polished wood catches subtle highlights while the background dissolves into a soft blur. A solo cello enters immediately with a slow, legato melodic phrase that rises gently from a soft dynamic. The performer draws the bow in one continuous downward stroke; the sound is warm, resonant, and richly bowed, without any audible fingerboard noise or pizzicato. The camera never moves, and no hands are visible, establishing a minimalist, contemplative mood.\n\nThe melody unfolds in a single, lyrical line spanning roughly an octave, beginning with a soft, sustained ascending arpeggiated motif. As the phrase resolves, the cello transitions seamlessly into a slightly higher-pitched contour that descends in a measured, unhurried flow, maintaining consistent volume and articulation without vibrato or syncopation. The implied minor-mode tonality and stepwise descent create a harmonious, grounded atmosphere, while the steady bow speed and moderate pressure ensure an even, contemplative progression. The visual composition remains completely unchanged throughout, allowing the focused texture of wood and paper to anchor the auditory experience.\n\nA final, brief descending figure brings the passage to a quiet close, with the bow pressure easing into a gentle decrescendo that tapers cleanly into silence. The performance concludes without any abrupt shifts or additional elements, leaving only the quiet ambience of the controlled indoor space. The result is a cohesive, immersive audio-visual moment that pairs solitary string resonance with a static, aesthetically refined image, inviting calm reflection rather than virtuosic display.","video_1_relative_path":"videos/4db90f2741e48f03.mp4","video_2_relative_path":"videos/6f9efbb5f577263f.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/instruments/instruments_3/00000104","text_prompt":"A cinematic performance showcase captured with a clean, studio-grade lens and even, shadowless lighting against a seamless white cyclorama. The scene opens on a medium, front-facing shot of a male percussionist seated behind a full timbale setup, dressed in a dark gray short-sleeved shirt beneath a black vest. Two overhead microphones frame the bronze drums and a gleaming cymbal to the left. He launches into a fast, mid-to-high tempo Latin groove, his drumsticks blurring with rapid, syncopated strikes. Each downward hit lands precisely on the cowbell rims, producing bright, metallic pings that cut through the clean, close-mic’d mix, while his left hand executes dry, crisp alternating taps on the smaller snare surface, adding a rattling texture. The camera holds steady as his rhythm builds, accented off-beats driving a danceable momentum. Without pause, he accelerates into a rolling pattern across successive cowbells, generating a continuous stream of high-pitched tones, while his left hand shifts to forceful, sharper bursts on the snare. The camera smoothly pushes in to a closer angle, emphasizing the metallic sheen of the instruments and the intense, fluid wrist rotations that keep the dense note clusters alive.\n\nThe framing tightens further to a close-up of the drum heads and cowbells as the performance reaches its peak. The percussionist now drives a single stick in rapid, repetitive rimshots across the larger drum, while his free hand flicks a small red plastic accessory mounted nearby, injecting sporadic low-mid clacks that thicken the percussive tapestry. His forearms tense visibly, yet his wrists maintain a fluid, controlled articulation, balancing sustained ringing cowbells with staccato snare hits and sharp stick clicks. The rhythm gradually spaces out as he prepares to conclude, culminating in a final, emphatic strike on the cowbell that rings out with a strong attack and natural decay. He lowers his sticks, his shoulders relaxing as the last resonance fades into silence. A gentle circular wipe transition dissolves the live performance, leaving the screen dark and quiet as the moment settles.","video_1_relative_path":"videos/a891b51e7f5a2862.mp4","video_2_relative_path":"videos/870e5d8138f96d90.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/instruments/instruments_4/00000029","text_prompt":"A crisp, studio-grade cinematic vignette in the style of a modern folk musical portrait, captured on a fixed medium lens with even natural lighting and a warm autumnal palette. The camera holds steady on a solitary musician standing on a grassy hillside, framing his upper body and arms against a backdrop of golden foliage, rolling hills, and a distant waterfall, while two other figures stand quietly nearby. He stands upright with relaxed shoulders, playing a mandolin-style stringed instrument with precise, alternating-thumb fingerpicking. The audio opens immediately with a bright, bell-like synthesized timbre blending keyboard warmth and acoustic string clarity, laying down a steady bass pulse in the left register while the right hand launches into a rapid, ascending arpeggio motif at a steady one hundred fifteen beats per minute. As the phrase repeats, subtle grace-note flicks and brief pauses introduce delicate ornamentation, while the performer’s right-hand strikes grow slightly more forceful, visually blurring his fingertips and naturally swelling the volume. The melody then begins a gentle descent, the left hand gliding smoothly down the fretboard as the right hand shifts between single-note runs and soft chordal accents. The texture thins gracefully into a decrescendo, emphasizing clarity over density, with only a faint, natural string buzz breaking the pristine close-mic silence. The final note rings out briefly before fading into quiet decay, and the musician’s hands settle naturally at his sides, concluding the self-contained passage without a cut or camera movement.","video_1_relative_path":"videos/881593a0280683ab.mp4","video_2_relative_path":"videos/1a7259a240c1a48a.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/instruments/instruments_4/00000066","text_prompt":"Cinematic medium close-up, soft frontal lighting, and a clean, neutral palette establish an intimate instructional scene as a static camera frames a young adult man seated on a black leather couch in a plainly lit indoor room, his back resting against white walls lined with dark brown acoustic foam panels. Bathed in even illumination that casts minimal shadows, he wears a light grey short-sleeved Henley shirt, his short light-brown hair catching the light. Small hoop earrings glint in both ears, and a plain silver ring sits on his left ring finger, where a natural-finish electric guitar with a maple fretboard and black pickguard rests across his lap. Looking directly into the lens, a calm, conversational British male voice begins, stating, “Guitar players play, they're not just playing like, you know, the chord might just be C, but the guy goes, you know, adds a little color, bends into it, or slides up the neck.” His right hand lightly touches the strings near the bridge while his left hand hovers above the fretboard, fingers poised to form a shape, as a faint electronic hum from the recording setup lingers in the quiet room.\n\nWithout cutting or shifting the camera, the guitarist’s focus drops to the instrument. He begins to strum rhythmically with his right hand, producing bright, clean chords that resonate through the space with a mild, natural reverberation. His left hand moves fluidly along the fretboard, forming and releasing chord shapes in perfect time with each downstroke, the audio foreground now dominated by the guitar’s crisp mid-range timbre and the soft, percussive click of fingers against steel strings. Each chord attack is followed by a gentle decay, the dynamics remaining steady and unadorned. As the final chord rings out, he lifts his gaze back to the lens, his expression settling into a neutral, attentive stillness with his mouth slightly parted, as the fading resonance gradually blends into the low-level room tone until the scene holds its quiet, educational mood.","video_1_relative_path":"videos/1ff47e77533b6b36.mp4","video_2_relative_path":"videos/9c10b6bf0d350fcd.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/movie/movie_1/00000020","text_prompt":"A wide, high-angle cinematic shot opens on a surreal alien frontier, rendered in a desaturated palette of mossy greens, slate grays, and misty whites. Dim, atmospheric lighting is pierced by shafts of pale sunlight breaking through low clouds, carving dramatic contrasts across the terrain and illuminating massive arched stone formations draped in heavy vegetation. A futuristic black-and-gray transport helicopter enters from the left, its rotors churning steadily as it carries a large white cargo container marked with bold blue horizontal stripes, suspended rigidly beneath by thick cables. The camera initiates a slow, smooth pan to the right, tracking the aircraft in a medium-wide perspective that preserves both the machine and the monumental scale of the landscape. As the helicopter glides behind one of the towering stone arches, it vanishes momentarily into the shadowed recess before re-emerging on the far side, continuing its relentless rightward trajectory.\n\nIn the lower-right quadrant, two small white avian creatures with elongated wings drift silently through the mist, their graceful flight adding a quiet pulse of life to the otherwise desolate expanse. The audio landscape is stripped bare of wind, wildlife, or ambient resonance, leaving only a dry, centered, and relentless percussive thump—the mechanical heartbeat of the helicopter’s rotors cutting through the thin atmosphere. The sound remains steady and unfluctuating, mirroring the aircraft’s unwavering course, before gradually receding as the cargo pod crosses the right edge of the frame. The camera holds briefly on the empty, fog-draped terrain, emphasizing the profound isolation and industrial purpose of the mission against the organic stillness of an uncharted world.","video_1_relative_path":"videos/692d03571f7082f7.mp4","video_2_relative_path":"videos/cef21705ee2116b7.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/movie/movie_2/00000026","text_prompt":"A cinematic static wide-angle shot captures a long, straight stretch of asphalt cutting through an arid, open landscape under a pale, overcast sky. The terrain is a mix of dry, brownish-yellow grass and sparse scrubland flanking the road, with low rolling hills forming a faint horizon line. Diffuse, flat lighting casts no strong shadows, suggesting heavy cloud cover in the early morning or late afternoon. In the immediate foreground, large dark tire skid marks lie on the asphalt—two distinct circular screeches facing each other and connected by a straight line, resembling a stylized skull or target pattern. The scene is entirely still and devoid of life, amplifying a profound sense of isolation. The audio environment is dry and close-miked with minimal reverb, dominated by the deep, rhythmic chugging of a large-displacement V-twin motorcycle engine idling nearby. The note is low-pitched and slightly uneven, filling the acoustically sterile space with a steady, loping cadence that builds quiet anticipation.\n\nAs the stillness holds, the black spoked front wheel of a dual-sport motorcycle slowly rolls into view from the left edge, its knobby tread and partial fender breaking the empty composition. The camera remains completely fixed, keeping the skid marks, barren fields, and distant hills in sharp focus while the bike’s presence introduces subtle motion. Simultaneously, the engine’s idle shifts, the pitch and intensity rising slightly as the rider applies throttle. The mechanical rhythm quickens just enough to signal impending action, yet it retains its characteristic cruiser-style growl. No wind, wildlife, or ambient noise intrudes; the soundscape remains tightly focused on the machine, leaving the viewer suspended in the quiet tension before movement begins.","video_1_relative_path":"videos/49b769a42f6548f9.mp4","video_2_relative_path":"videos/c74e2a457c2c567d.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/movie/movie_2/00000056","text_prompt":"Cinematic wide shot, static low-angle framing, captured on a 35mm lens, bathed in diffuse overcast light and a muted palette of grayish-blue skies and soft tan dunes. The scene opens on a vast desert landscape where undulating sand dunes dominate the foreground, their fine grain textures catching the shadowless illumination. Center-right, a lone figure lies partially buried in the sand, face down, with only the upper torso, head, and right arm visible above the surface. Dressed in loose, cream-colored garments that blend seamlessly with the earth, the figure’s right arm stretches outward across the slope while the left side sinks into the dune. A single stalk of dry vegetation rests near the shoulder. The camera remains completely motionless, holding the frame in absolute stillness as the soft, overcast light casts only the faintest contours across the terrain.\n\nThe soundscape mirrors the visual stasis, built around a continuous, low-frequency rumble that echoes like distant thunder or far-off machinery, maintaining a steady, ominous hum. Intermittently, faint high-pitched insect chirps pierce the silence, sporadic and unpatterned, adding a fragile layer of natural ambience to the desolation. No wind, footsteps, or human breath disturbs the quiet. The combination of unbroken visual stillness and sparse, atmospheric audio cultivates a mood of profound isolation and quiet tension, leaving the viewer suspended in a haunting, minimalist tableau of solitude and unresolved mystery.","video_1_relative_path":"videos/716af71857a7a721.mp4","video_2_relative_path":"videos/a59d74acc5de91e6.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/movie/movie_2/00000079","text_prompt":"A single, uninterrupted cinematic shot establishes an abstract, deep-sea atmosphere rendered in a dark teal and navy blue gradient palette. The frame holds a smooth, liquid texture that evokes the crushing darkness of the ocean floor or the void of space, completely devoid of objects, characters, or text. The camera remains entirely static, allowing only a very subtle, slow vertical drift and a gentle shimmer near the top center to suggest faint light filtering through water or a quiet current moving through the void. The lighting is low-key and monochromatic, emphasizing depth and isolation through a fluid, monolithic aesthetic.\n\nThe audio landscape opens immediately with a continuous, low-frequency electronic drone that fills the stereo field with a resonant sub-bass hum, creating an immersive and slightly ominous foundation. Layered atop this steady pulse is a faint, high-pitched metallic ringing tone that echoes gently at irregular intervals, introducing a quiet tension. As the scene settles, a soft, watery whoosh or bubbling sound emerges briefly on the right channel, lasting less than half a second before dissolving back into the ambient bed. There is no melody, rhythm, or human presence, only minimalist, non-melodic sound design that pairs perfectly with the silent visuals to evoke a profound sense of stillness, suspense, and atmospheric depth.","video_1_relative_path":"videos/61c573682782ef17.mp4","video_2_relative_path":"videos/dc2372e424d59bd4.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/movie/movie_3/00000022","text_prompt":"Set in a dense, shadow-drenched jungle at night, the scene opens with a cinematic wide shot rendered in deep visual fidelity, dominated by cool dark greens and blues pierced by the warm, flickering glow of firelight. Three large, quadrupedal predators resembling felines or wolves slip silently from thick ferns and undergrowth, their bodies low to the ground and muscles coiled tight. They move with cautious precision, ears pricked forward and tails tucked, sniffing the damp air as they close in on the clearing. Suddenly, a torch ignites nearby with a sharp, explosive whoosh and a burst of crackling flame, casting dynamic, dancing shadows across the foliage and revealing the sleek texture of the animals’ fur. The camera holds steady before introducing a slight handheld shake, grounding the moment in visceral immediacy.\n\nThe frame shifts to a medium close-up of a tall, blue-skinned humanoid standing firm in the undergrowth. His elongated limbs and prominent cheekbones are sharply defined by the torchlight, while minimal attire—a simple loincloth and shoulder straps adorned with bone ornaments—suggests a primal warrior. He grips the flaming torch in his right hand, his expression intensely focused, eyes wide and mouth parted as if bracing for impact. Behind him, the pack continues its advance, now fully illuminated by the steady orange-yellow flame. As the shot widens to reveal the full confrontation, the creatures begin to circle aggressively, their low growls and heavy footfalls echoing through the dense canopy. One predator suddenly leaps forward, jaws agape, prompting the humanoid to raise the torch defensively. The fire flares dramatically, momentarily washing the scene in blinding light before settling back into a lower, tense glow. The audio landscape remains entirely diegetic, layered with the continuous hiss of burning wood, snapping branches, claw scrapes against bark, and the humanoid’s strained, rhythmic breathing. No dialogue breaks the silence, leaving the primal standoff suspended in unresolved, breathless tension.","video_1_relative_path":"videos/2fe1e0d4898b4b08.mp4","video_2_relative_path":"videos/89f7b309fac1197c.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/movie/movie_3/00000049","text_prompt":"Cinematic space thriller sequence, captured in a static low-angle medium-close lens of two astronauts suspended in Earth orbit, tethered to the exterior hull of a spacecraft. The camera remains fixed, angled upward from beneath the module, framing the figures against a backdrop of swirling blue oceans and white cloud formations that fill the upper half of the frame. Natural, high-contrast sunlight casts crisp highlights across the metallic surfaces of their EVA suits and equipment, while sharp shadows fall across the riveted aluminum plating they are servicing. The astronaut on the left, an American flag patch visible on the right shoulder, grips a long-handled wrench, applying rotational force to a fastener while their helmet visor catches reflections of the spacecraft structure and Earth’s curvature. Slightly behind and to the right, the second astronaut steadies a cylindrical component with one hand, assisting with precise alignment, their suit equipped with a prominent life-support backpack and coiled tethers trailing toward unseen anchor points. The soundscape is strictly diegetic and minimalistic, punctuated by faint electronic telemetry beeps and a subtle, steady mechanical hum that underscores the isolation and precision of the extravehicular activity. Overlapping the quiet labor, a calm, mid-range male voice remarks with wry camaraderie, “Well, you’re the genius up here. I only drive the bus.” A slightly higher-pitched female voice responds in a measured tone, “Yeah, well, just keep your hands steady up there.” The fixed framing holds without cuts or pans, allowing the scale of the planet below and the intricate details of the spacewalk to settle, establishing a mood of focused professionalism tempered by quiet humor against the vastness of space.","video_1_relative_path":"videos/9c38895aebeb4e7e.mp4","video_2_relative_path":"videos/0f7fc568bfb4cf57.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/movie/movie_3/00000093","text_prompt":"A wide static shot opens on a minimalist science-fiction tableau, rendered in deep blacks and a subtle scatter of starfield speckles under hard directional light from an unseen source. Dominating the frame is a large, white saucer-shaped spacecraft, its smooth metallic hull catching crisp highlights along the ridges and edges of its structure and two prominent nacelles attached by slender pylons. Centered atop the vessel’s upper deck, a lone figure in a bright red spacesuit crouches low, gripping the ship’s rim with gloved hands. The suit’s segmented armor plating and glossy helmet visor gleam under the harsh illumination, while visible life-support hoses trail off into the void. The camera remains completely locked in place, refusing any pan, tilt, zoom, or dolly movement, preserving the composition as a frozen moment of suspended tension against the cosmic backdrop.\n\nAurally, the scene is defined by a single, unwavering layer of sound: a continuous high-frequency hiss occupying the upper-mid to high range, steady in volume and pitch with no discernible modulation, rhythm, or fade. The tone suggests pressurized gas escaping into a vacuum or the sterile electronic hum of advanced machinery operating in silence, delivered without reverb or spatial diffusion to reinforce the impression of an open, non-reflective environment. There are no musical elements, footsteps, mechanical clanks, or human vocalizations, only this relentless tonal presence that fills the auditory field uniformly. The absence of dynamic motion and ambient noise amplifies the mood of isolation and technological sterility, crafting a cinematic pause that balances vulnerability with the quiet promise of imminent action.","video_1_relative_path":"videos/f3a772bfe8786174.mp4","video_2_relative_path":"videos/6e17c40404bcfd0c.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/movie/movie_4/00000007","text_prompt":"A tense, dialogue-driven cinematic scene opens on a static medium shot inside a modest, brightly lit room with pale teal walls and a large patterned rug draped across the back wall. In the foreground, two soldiers clad in desert camouflage tactical vests stand with their backs to the camera, framing an older man seated on a low couch upholstered in rich red-and-gold fabric. The elder wears a white skullcap, a dark brown robe over loose white trousers, and sports a greying mustache and beard; his expression is intense as he locks eyes with the soldiers, speaking with rising anger and accusatory force. He gestures sharply with his right hand before pressing his fingers to his chin, while behind him, through an open window, four fully armed soldiers in combat gear and helmets watch in silent observation, amplifying the claustrophobic tension.\n\nThe audio remains acoustically dry with only a faint natural reverb and subtle inhalations, focusing entirely on the spoken conflict. An agitated older man delivers a sharp, Levantine Arabic accusation, stating, “القصاب! ما عنده رحمة، ابن إبليس.” As his voice peaks, a calm, neutral American-accented male voice overlaps from off-screen, stating, “The man who comes, they call the butcher.” Stripped of music or ambient noise, the scene forces the viewer’s attention entirely onto the raw verbal confrontation and the heavy power dynamics between the civilian elder and the surrounding military presence.","video_1_relative_path":"videos/3d8c4a971e963479.mp4","video_2_relative_path":"videos/a8781675caa4ece0.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/movie/movie_4/00000043","text_prompt":"A tense historical drama unfolds in a tightly framed medium close-up, shot on a locked-off camera with a shallow depth of field and a muted, desaturated palette. Chiaroscuro lighting slices across the face of a middle-aged man with short brown hair, dressed in a dark suit jacket, crisp white dress shirt, and patterned tie. He stands in a dimly lit, formal room where a softly blurred background reveals a framed painting to the right and a lamp casting a warm, yellowish glow further back. He remains almost entirely still, save for subtle micro-movements like slight blinking and minimal shifts in gaze, his serious, contemplative expression radiating quiet authority and foreboding.\n\nA calm, authoritative male voice with a mature, slightly gravelly timbre begins speaking in measured, Standard British English, stating \"Prime Minister Baldwin may deny this, but Hitler’s intent is crystal.\" The vocal performance carries a weight of historical gravity, perfectly synchronized with his restrained facial presence. Beneath the speech, a faint, continuous low-frequency hum or drone persists in the sub-bass range, creating a sense of enclosed stillness without any identifiable source. The soundscape is deliberately stripped bare—no music, no footsteps, no ambient chatter—allowing the stark clarity of the declaration and the subtle tension of the silence to dominate the scene.","video_1_relative_path":"videos/2dde4ca66417e549.mp4","video_2_relative_path":"videos/07f6af5d8e44bffb.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/movie/movie_4/00000050","text_prompt":"Cinematic medium-wide shot, static camera, flat overcast lighting, and a muted, desaturated palette establish a late-twentieth-century urban alleyway lined with vintage payphones on the left and parked classic cars on the right. An older man with gray hair, dressed in a dark suit and brown shoes, stands at the third booth from the foreground. His posture is slightly hunched with concentration as he holds the receiver to his ear with his right hand and methodically presses the keypad with his left. In the background, a few pedestrians drift away down the alley and a yellow bus lingers in the distance, reinforcing the quiet isolation of the moment.\n\nThe audio landscape is dry and intimate, anchored by the sharp, metallic rhythm of mechanical dial clicks that sync precisely with the man’s finger movements. Overlapping the final presses, a calm, neutral male voice begins, stating \"Six one seven five nine seven four.\" Faint city hum, distant traffic rumble, and indistinct footfalls provide a subtle ambient bed, while a slight natural reverberation suggests the hard surfaces of the open-air corridor. Without music or dramatic effects, the scene focuses entirely on the tactile realism of analog telephony, capturing a solitary, purposeful act of communication across distance.","video_1_relative_path":"videos/e4c536151c8a8835.mp4","video_2_relative_path":"videos/900c3efe5f5b18c9.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/movie/movie_6/00000007","text_prompt":"A cinematic wartime sequence opens on a low-angle medium shot tracking three dark propeller planes in tight formation against a pale blue sky streaked with faint clouds. The central aircraft dominates the frame, its wings marked with a white star insignia and bold white NAVY lettering, while two smaller planes flank it. Beneath the lead fuselage, an olive-green bomb detaches and falls away as the camera pushes forward. A sharp, metallic whoosh pans rapidly across the stereo field, immediately giving way to a deep, resonant boom that suggests a massive off-screen impact. The scene cuts abruptly to a wide vista of a snow-covered mountain range bathed in the warm, golden glow of dawn or dusk. A lone soldier in heavy winter combat gear sprints down a steep, snow-laden slope toward the lens, his heavy breathing and rhythmic footfalls audible beneath the rising tension. Behind him, the same formation of planes dives and banks through the air as a colossal explosion erupts on the mountainside to his left, hurling a towering plume of orange fire and black smoke into the crisp atmosphere. A high-pitched whine climbs into a thunderous, bass-heavy detonation that shakes the audio landscape, perfectly synchronized with the visual burst. As the soldier presses his desperate descent, a second, even larger blast detonates further up the slope, engulfing the terrain in a wall of fire and tumbling debris. The camera holds static, emphasizing the sheer scale of the destruction against the small, fleeing figure. Silhouetted against the fiery backdrop, the planes continue their aerial maneuvers overhead while sparks and embers drift through the air, illuminated by the searing orange glow. The ambient wind rises, mingling with the sustained roar of the inferno and the distant clatter of falling snow, as a heroic orchestral score swells to a dramatic climax. Driving strings, pounding percussion, and soaring brass motifs underscore the urgency and peril, painting a stark contrast between the cold white landscape and the relentless heat of the blasts, leaving the viewer suspended in a moment of high-stakes survival.","video_1_relative_path":"videos/26fbad454290ef7b.mp4","video_2_relative_path":"videos/d3a98ae1c3049bc0.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/movie/movie_6/00000039","text_prompt":"Cinematic action thriller sequence, shot on a handheld camera with a low-angle tracking perspective, moving rapidly through a spacious, modern airport terminal illuminated by cool overhead recessed lights and diffuse daylight filtering through large right-side windows. A tactical unit of at least four officers clad in full black gear—helmets, gas masks, bulletproof vests, and rifles—sprints aggressively from the mid-ground toward the lens, their heavy boots striking the polished floor in tight synchronization with a relentless, high-tempo electronic soundtrack. The driving four-on-the-floor kick drum and pulsating sub-bass dominate the mix, layered with metallic percussion stabs and rapid hi-hats that accent every visual shift, while the complete absence of ambient terminal noise heightens the tension. One central officer’s vest bears the bold white Cyrillic text “ПОЛИЦИЯ,” standing out clearly despite the camera’s urgent jostling and motion blur. As the lead group surges past the frame, the camera whip-pans left, momentarily blurring the environment before locking onto a second wave of officers emerging in formation, weapons raised and silhouetted sharply against the bright window light. In the distant background, scattered civilians remain frozen in alarm near seating areas, some crouched or seated, underscoring the suddenness of the raid.\n\nThe perspective tightens into an over-the-shoulder close-up tracking a lead officer as he barrels down a narrower corridor lined with dark wood-paneled walls, his gas mask reflecting the overhead lights and his rifle gripped firmly with both hands while a partner trails closely behind. The acoustic space shifts to a tighter, more confined reverb as the music sustains at peak intensity without any breakdown, the rhythmic footfalls and faint heavy breathing of the operator weaving seamlessly into the wide-stereo, consistently loud electronic score. The kinetic momentum builds through intensified edge blur and precise audio-visual sync, culminating in an abrupt, hard cut mid-stride that severs both image and sound simultaneously, leaving the scene suspended in a state of heightened, imminent action.","video_1_relative_path":"videos/9f52b9c4c8aa7b09.mp4","video_2_relative_path":"videos/2e1c30d8b2e9eb6e.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/movie/movie_6/00000057","text_prompt":"A tense, diegetic soundscape opens inside a cramped, dimly lit military transport vehicle, its walls lined with padded blocks and overhead beams. Sickly green-yellow light pours through a rectangular rear hatch, casting harsh backlighting that silhouettes the figures and throws deep shadows forward while dust motes drift through the stagnant air. A constant low-frequency engine rumble underpins the scene, occasionally punctuated by high-pitched metallic squeaks of loose fittings vibrating under strain. The camera holds a static but subtly trembling frame, mimicking the vehicle’s instability as it traverses a desolate, debris-strewn landscape visible through the open ramp beneath a hazy, yellow-green sky. Two soldiers occupy the foreground, both tense and angled toward the opening; one on the left wears a quilted helmet cover and grips a rifle, while his companion steadies himself against the wall. A sudden metallic clang rings out, sharp and resonant, followed by the heavy thud of gear striking the floorboards and the prolonged scrape of equipment sliding across the cabin.\n\nA tense, mid-thirties male soldier in the left foreground turns sharply, his breath visible in the cold air, and projects a forceful, urgent Mandarin voice over the mechanical din, stating \"Forward!\" He immediately pivots toward the group, raising a gloved hand for emphasis, and delivers a second, louder command with strained vocal intensity: \"No retreat!\" The volume of his orders draws sharp inhales from the surrounding men, causing one nearby soldier to flinch as boots shuffle and rifles shift against armor. Responding instantly, the lead soldier lunges forward, gripping a comrade’s shoulder and hauling him upright. Bodies jostle and helmets bump softly against the padding as the group surges into motion, accompanied by the wet rustle of fabric, the scuff of boots, and a brief, low grunt of exertion. The engine hum and scattered metallic clinks persist, syncing with the perceived acceleration over rough terrain, leaving the scene suspended in unresolved wartime urgency as the camera holds on the chaotic mobilization.","video_1_relative_path":"videos/a953ab3814f730b8.mp4","video_2_relative_path":"videos/c111a96270e2c0fa.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/movie/movie_6/00000065","text_prompt":"Cinematic war thriller, shot on handheld with a 35mm lens aesthetic, opens in a rain-soaked, neon-drenched metropolis at night. The palette is anchored by deep blacks and desaturated grays, punctuated by saturated orange-yellow glows from distant streetlights and signage. Heavy diagonal rain streaks across the frame, generating constant motion blur and slick reflections on the wet pavement as the camera tracks a man in dark tactical gear sprinting left to right through the foreground, his face taut with exertion. The background dissolves into soft bokeh circles, emphasizing urban density before a hard cut drops the viewpoint to a low, ground-level angle. Here, a debris-choked street or bridge is bathed in harsh yellow emergency light, with smoke billowing through mid-ground combat and dust thick in the air. A soldier in a brown jacket lies prone in the rubble, scrambling forward as silhouettes blur past him in chaotic motion.\n\nThe camera pushes into a medium close-up as the soldier halts, his eyes widening in desperation while he looks frantically upward. A strained, desperate male Mandarin voice cries out, \"Squad leader, save me!\" Rain catches the light as it sheets down his face. The perspective shifts to a high-angle, top-down view, framing him flat on his back in the mud, both arms reaching upward toward an unseen figure looming above. The lighting dims, casting deep shadows across his features and the surrounding wreckage. A strained male Mandarin voice continues, gasping, \"I am a soldier from the Sichuan Army’s 26th Division!\" Throughout the sequence, a relentless orchestral action score drives the pace, layered with prominent strings, brass stabs, and timpani rolls that swell to match his emotional peak. The soundscape is a dense tapestry of heavy rainfall, metallic clanks, muffled explosions, scuffling boots on wet gravel, and the soldier’s ragged breathing and strained cries, maintaining a continuous, high-volume chaos that leaves the outcome unresolved and steeped in visceral peril.","video_1_relative_path":"videos/f6d7dddf36f509df.mp4","video_2_relative_path":"videos/b3cbfa0c8fd3b291.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/movie/movie_6/00000083","text_prompt":"A tense military survival sequence opens in a wide, static shot of a dense forest under bright daylight, where tall leafy trees create a dappled light effect across a palette of greens and earth tones. A low, ominous musical drone establishes immediate suspense before the action begins. The frame cuts to a medium tracking shot that sweeps right to left, following a soldier in full camouflage gear as he sprints through the woods. Wearing a boonie hat, tactical vest, backpack, and gloves with a rifle slung over his shoulder, his rapid and purposeful strides kick up dry leaves and snap twigs with sharp, synchronized footfalls. The camera pans quickly to keep him centered, introducing slight motion blur that heightens the urgency, while the score swells with subtle rhythmic percussion beneath the ambient wind and rustling foliage.\n\nThe soldier abruptly halts behind a thick tree trunk, transitioning into a cautious peek-out maneuver. The camera tightens into a close-up on his upper body and face, capturing his focused, tense expression as his eyes scan the off-frame environment. He raises a black semi-automatic pistol with both hands, and a crisp metallic click echoes precisely as his fingers manipulate the weapon’s slide. Shifting his weight slightly to maintain cover, he adjusts his grip, the soft rustle of tactical fabric blending with the sustained, unresolved tension of the score. The scene lingers on this suspended moment of alert readiness, immersing the viewer in the soldier’s heightened awareness through dynamic camera movement, natural lighting, and a meticulously layered soundscape of foley and atmospheric music.","video_1_relative_path":"videos/79a349def28a470c.mp4","video_2_relative_path":"videos/9c0fe1413d4fdc0b.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/multitalker/multitalker_1/00000054","text_prompt":"Open with a locked-off medium close-up of an old stone-and-wood window set into a weather-worn wall, bathed in bright late-afternoon sunlight streaming from the upper left. The directional light carves a warm chiaroscuro across the scene, illuminating the right half while casting the interior behind two seated figures into soft shadow. A small vine with fresh green leaves climbs the left jamb, hinting at quiet growth amid aged decay. On the sill sit two young East Asian adults, both looking downward with hunched shoulders that convey a palpable, unspoken tension. The man on the left wears a cream cable-knit sweater marked with faint brownish stains, while the woman on the right is dressed in a beige T-shirt printed with red uppercase lettering and inward-facing bird silhouettes. A low, steady indoor hum grounds the space as the man takes a slow, audible breath. A hesitant, apologetic male Mandarin voice begins, his tone subdued and slightly breathy as he stammers through his search for words: \"I-I'm not, I wasn't trying to say that.\" He keeps his gaze fixed on his lap, occasionally glancing up with anxious eyes before looking away again, his voice carrying a mild stutter as he continues in a reflective, regretful tone: \"It's really good, I just feel it's a bit of a pity.\"\n\nThe woman listens in silence, her expression calm but faintly concerned; she briefly lifts her eyes toward him before dropping them back to her hands resting on the sill. As his halting explanation concludes, she turns her head slightly toward him, her eyebrows lifting in a gesture that blends gentle reproach with quiet empathy. A clear, mildly teasing yet caring female Mandarin voice responds, maintaining steady eye contact for a moment before her gaze softens back to her lap: \"What is there to feel sorry for?\" The camera remains completely still, preserving the intimate framing as the warm, earthy palette of beige, stone, and muted wood envelops the pair. The absence of music leaves only the faint ambient room tone and the emotional weight of their exchange hanging in the air, ending on a brief beat of silence that underscores the lingering, unresolved tenderness between them.","video_1_relative_path":"videos/10fc12493155d828.mp4","video_2_relative_path":"videos/0bc44e5a781b30cf.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/multitalker/multitalker_10/00000000","text_prompt":"A serene, naturalistic cinematic scene opens on a static medium shot of a tranquil, sun-dappled courtyard bordered by lush greenery and a weathered wooden pergola. Bathed in soft daylight that casts gentle shadows across the stone path, two elderly figures stand at the center of the frame. The man, with receding grey hair, wears a black jacket over a crisp white collared shirt and dark trousers, while the woman beside him sports short dark hair, a textured green cardigan over a patterned blouse, and a red-and-white skirt. She holds a stainless steel thermos with a black handle, her fingers working to unscrew the lid as a large silver birdcage housing a small black bird hangs nearby, with several other colorful cages suspended among the foliage in the background. The atmosphere is quiet and grounded, anchored by the rich greens of the garden and the warm, natural color palette.\n\nAs she peers into the thermos, a calm, conversational elderly female Mandarin voice begins, stating \"这都下面的干部送来的。\" She continues in the same steady, matter-of-fact tone, \"说是看咱海子。\" The metallic scrape of the lid against the container blends with the faint, sporadic chirping of birds and the soft rustle of leaves drifting through the open space. The man listens attentively, his gaze shifting between her and the hanging cages, before a mildly surprised elderly male Mandarin voice responds, \"看海子?\" His subtle eyebrow raise and slight turn toward her capture the quiet intimacy of the exchange. The scene holds on the two of them amidst the dappled light and hanging cages, the audio remaining purely diegetic—clear, close-miked dialogue layered over authentic environmental textures, with no musical score or artificial effects, preserving the grounded, everyday realism of the moment.","video_1_relative_path":"videos/c4df7b27eb3f4425.mp4","video_2_relative_path":"videos/9c2c5667f88df8e2.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/multitalker/multitalker_10/00000006","text_prompt":"Rendered in a cinematic widescreen 16:9 frame with a shallow depth of field, the scene opens on a brightly lit, open-plan maker-space saturated in industrial yellows, crisp whites, and cool greens. At a lime-green workbench cluttered with a grey laptop, white keyboard, silver mouse, tangled cables, CD cases, and a blue-and-white water bottle labeled “KICKS,” a large black monitor faces away from the camera. In the mid-ground, a seated man with dark shoulder-length hair, a short beard, and a grey polo shirt leans forward, his eyes fixed on the screen and his right hand hovering over the keys. Behind him stands a taller, curly-haired colleague in a dark-grey Under Armour T-shirt, one hand resting on his hip while the other points toward the monitor. Against a faint, persistent electronic hum, the standing man asks in a light, teasing tone, “You have to download your own media player?”\n\nThe camera executes a barely perceptible push-in, drawing the viewer closer as the seated man glances up, eyebrows raised and lips parting in soft amusement as he replies, “Oh.” The standing man breaks into a broad grin, leaning in with playful pride to exclaim, “Look at me, I traveled back to 2009.” Both share an easy laugh, their shoulders shaking slightly before the standing man relaxes his arm and keeps pointing at the screen. The room’s even, bright lighting emphasizes the vivid décor and nostalgic backdrop of a red telephone booth, string lights, and a white banner reading “CAN YOU HACK IT? / D.R.I.” as a light, upbeat instrumental track fades in—acoustic guitar strumming a simple major-key progression joined by a gentle bass line and brushed percussion—sitting quietly beneath the dialogue to enhance the playful mood.\n\nThe atmosphere shifts abruptly as the seated man suddenly refocuses on the monitor, fingers poised over the keys. The standing man’s expression tightens; he leans forward, eyes narrowing, and blurts, “Wait a sec.” A single crisp mechanical click punctuates the moment, underscoring the sudden realization as the music continues to play under the final word. The scene freezes on both men intent on the screen, the shallow focus isolating their reactions against the softly blurred, creatively charged workspace, leaving the unexpected development on the monitor just out of frame.","video_1_relative_path":"videos/145978594aae143f.mp4","video_2_relative_path":"videos/3f641044ac1ef7db.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/multitalker/multitalker_10/00000011","text_prompt":"Cinematic office scene, locked-off medium shot at eye level, high-key natural daylight streaming through large windows with vertical blinds, casting soft horizontal highlights across neutral beige walls and a wooden desk. The moderate depth of field keeps three men in focus while subtly separating them from the bright background, with vivid red plaid and pastel pink shirts contrasting against the calm workspace palette. In the left foreground, a man with shoulder-length dark hair and glasses, wearing a red-and-black plaid flannel over a white tee, stands holding a small grey bowl, stirring and eating while listening. Seated slightly behind him, a man in a blue-and-white striped polo faces right toward a computer monitor glowing with lines of multicolored code. To the right, a third man with curly light-brown hair and a light pink button-down shirt steps forward from the window and begins to speak.\n\nA calm, conversational male voice in a light pink shirt begins, stating \"The player I gave them was from a retired repository that was audio only.\" He brings his hands together before spreading them apart to stress his next point: \"Video compression is a completely different paradigm.\" The seated man turns his head fractionally to acknowledge the statement, while the man in plaid pauses mid-chew, lowering his spoon to watch attentively. Maintaining an even pace, the speaker delivers a mildly critical comparison, lifting his eyebrows slightly as he notes \"What they have is like Pied Piper, but not as good.\" He continues without missing a beat, his voice clear against the absence of background music or ambient noise. A confident male voice concludes \"People will see the difference for themselves,\" but the line is abruptly cut off mid-thought, leaving a brief silence as the image holds on the same steady composition.","video_1_relative_path":"videos/f1e40016cb3c398e.mp4","video_2_relative_path":"videos/48279ca205530b49.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/multitalker/multitalker_10/00000072","text_prompt":"A static medium two-shot, eye-level and framed over the right shoulder of an older man in a dark charcoal jacket, establishes an intimate domestic kitchen-dining space bathed in soft, diffuse daylight. Muted greys, whites, and beiges dominate the palette, with a white water dispenser, black coffee maker, and light shelving holding mugs subtly anchoring the everyday setting. The older man sits slightly left of center, his back partially to the camera, while a younger man in a grey suit, white shirt, and black tie occupies the right third of the frame, his eyes lowered and hands resting motionless on the table. A faint sigh breaks the quiet room tone as the older man exhales audibly, his mid-low, slightly raspy Mandarin voice carrying a tone of tired resignation, stating \"明玉也不让我送生活费了。\" The younger man remains silent, absorbing the statement with a faintly furrowed brow, his posture reflecting the heavy yet subdued atmosphere.\n\nAfter a brief, weighty pause where only the ambient hum of the room lingers, the younger man slowly lifts his gaze. His clear, mid-range Mandarin voice rises gently with measured concern, asking \"那明玉靠什么生活？\" The older man’s lips close in attentive silence, his focus fixed on his companion. The camera remains completely locked off throughout, allowing the restrained performances and quiet acoustics to underscore the unspoken familial tension. The scene holds on their contrasting emotional states—the weary acceptance of the older man and the quiet worry of the younger—leaving the conversation suspended in a moment of unresolved intimacy.","video_1_relative_path":"videos/7866517fb787553e.mp4","video_2_relative_path":"videos/d36bc7acdf6f8530.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/multitalker/multitalker_10/00000078","text_prompt":"A quiet, intimate domestic drama unfolds in a modest bedroom bathed in cool daylight filtering through sheer white and heavy brown curtains, contrasted by the warm glow of a bedside lamp. Shot with a shallow depth of field to isolate the characters against a backdrop of framed art, scattered posters, and shelves of personal clutter, the scene opens on a young East Asian man in his mid-twenties, dressed in a grey crew-neck sweater over a plaid shirt and blue jeans. He bends over an open suitcase on the bed, rummaging through clothes as the soft rustle of fabric fills the quiet room. Looking up toward someone off-screen, a mildly impatient young male Mandarin voice states, \"Dad, don't worry about me, I can pack everything myself.\" He straightens, lifts a dark garment, and continues in a controlled, assertive tone, \"I'll handle it on my own.\"\n\nThe camera cuts to a reverse shot of his father, an older East Asian man in his late fifties with silver-flecked hair, wearing a dark quilted vest over a grey patterned long-sleeve shirt. Seated near the foot of the bed, he props his chin on his hand, backlit by the bright window, his expression shifting from weary concern to tender hesitation. A calm, lower-pitched male Mandarin voice with a gentle northern inflection urges, \"You should hurry and eat before it gets cold.\" After a brief pause, the father’s voice softens into a wistful murmur, \"Son.\" The son replies with a quiet, neutral acknowledgment, \"Yeah?\" The father meets his gaze, his delivery tinged with melancholy and vulnerability as he admits, \"I've never been abroad myself.\" The scene holds on his thoughtful face, the naturalistic soundscape of soft breaths and subtle fabric movements underscoring the emotional weight of the farewell, while the suitcase rests as a quiet metaphor for departure and the uncertainty of leaving home.","video_1_relative_path":"videos/c2fb6c0f0ccd8df1.mp4","video_2_relative_path":"videos/2f3bcf9da855d8c4.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/multitalker/multitalker_11/00000009","text_prompt":"A contemporary dramatic scene opens in a locked-off medium close-up, bathed in soft key lighting that highlights the left side of the frame while leaving the background gently under-exposed to foster intimacy. The color palette contrasts warm skin tones and light-grey clothing against cool blues and dark woods, subtly separating the kitchen-dining space from the adjacent living area. A man in his late twenties or early thirties, wearing a light-grey long-sleeved crew-neck sweatshirt, stands facing slightly rightward toward an off-screen presence. Behind him, dark wood cabinets and a deep-blue wall panel featuring a black bamboo motif anchor the composition. He speaks in a mildly defensive, steady Mandarin voice, his brows raised as he declares: \"饭可以乱吃，话可不能乱讲。\" The room remains quiet, his clear articulation cutting through the silence without any competing ambient noise. Without breaking the static frame, he continues, his expression turning earnest yet slightly exasperated as he emphasizes his point in a mid-range male voice with a slight northern accent: \"我这是正经开店的.\"\n\nA straight cut shifts to a medium close-up of a woman seated at a dark wooden counter, also in her late twenties or early thirties. She wears a black blazer over a white shirt patterned with vivid reds, yellows, and greens, her long dark hair framing her face. Holding a small white ceramic spoon near her lips, she looks up at him with a skeptical half-smile. In a clear, mid-to-high female Mandarin voice, she replies with a teasing and lightly mocking tone: \"你是正经人啊？\" The background reveals a softly lit living area with a sofa and decorative items, kept out of focus to maintain the conversational rhythm. The shot cuts back to the man in the exact same position, his eyebrows lifting in mock incredulity as he challenges her in a playful, rising intonation: \"你失望啊？\" Returning to the woman, she lowers her gaze briefly before looking up again, still cradling the spoon. With a wry, exaggerated sigh, she delivers her final line in a drawn-out, theatrical Mandarin voice, underscoring her mock disappointment: \"好失望啊。\" The scene holds on her expression before ending abruptly, preserving the tight static framing and the cohesive, conversational mood.","video_1_relative_path":"videos/e16a937e2b1ba355.mp4","video_2_relative_path":"videos/3060c786869d29df.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/multitalker/multitalker_11/00000082","text_prompt":"Cinematic domestic realism, captured with a static camera and a 50mm lens perspective, bathed in soft, diffuse daylight and a muted palette of whites, greys, and natural wood tones. The scene opens in a quiet interior where a medium close-up frames a young East Asian man in his thirties, wearing a crisp white button-down shirt, seated at a dining table with a wooden shelf of wine bottles, a glass pitcher, and a small potted plant visible behind him. His brows furrow and his lips part as he leans slightly forward, a tense, rising male Mandarin voice asking, \"What do you mean by hmm?\" The camera holds steady on his agitated expression while a faint indoor room tone underscores the quiet tension.\n\nA straight cut shifts to a medium shot of an older East Asian man in his sixties, seated on a pale sofa in a dark-grey cable-knit sweater vest over a striped collared shirt. Behind him, a tall pantry cabinet and a sliding glass door revealing leafy greenery ground the space in everyday realism. He turns his head slowly, eyes narrowing as he chews, and a brief, puzzled male Mandarin interjection follows: \"Hmm?\" The edit returns to the younger man, whose agitation sharpens; his eyebrows knit tighter, he leans in further, and his voice quickens into an insistent, stammering demand: \"No, what do you mean? What exactly are you trying to say?\" The camera remains locked, letting his vocal urgency fill the quiet room.\n\nAnother cut brings us back to the older man, who still cradles a small white bowl and spoon. He lifts his gaze upward, exhales a weary sigh, and waves his free hand in a sweeping gesture of dismissal. The older man’s low, gravelly male Mandarin voice delivers a calm, dismissive reply: \"Alright, alright, alright… I’ll tell her next time I see her.\" His words carry a quiet finality as he lowers his eyes back to the bowl, ending the exchange without showing the younger man’s reaction. The scene closes on the static framing and minimal ambient sound, leaving the subdued emotional weight of the confrontation hanging in the softly lit space.","video_1_relative_path":"videos/15963aa6b9a14732.mp4","video_2_relative_path":"videos/2f0154248aecce14.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/multitalker/multitalker_11/00000085","text_prompt":"A nocturnal cinematic scene inside a moving car, framed in 16:9 with a cool, desaturated palette that emphasizes urban melancholy. The camera holds a medium close-up from the passenger-side window, using shallow depth of field to isolate two occupants against a backdrop of blurred city lights streaking across the windscreen. Practical lighting from passing streetlamps and a faint dashboard glow casts soft reflections on black leather seats embroidered with gold “SARAH” lettering, while a continuous low-frequency engine rumble grounds the confined space. In the passenger seat, a young woman with short dark hair, bangs, pearl studs, a white ruffled blouse, and a beige coat leans forward, clutching a rectangular snack box to her chest. A young female Mandarin voice, high-pitched and trembling with acute distress, begins, stating “我我不能这样，我觉得特别丢人，特别内疚，我我受不了，我不能这样下去了。” She gestures weakly with her free hand, palms open toward herself, conveying profound self-reproach as the vehicle carries them through the night.\n\nA hard cut shifts the perspective to a wider reverse angle from the rear seat, looking forward between the front headrests with deeper focus to reveal more cabin detail. The man behind the wheel, wearing a black leather jacket over a light shirt, turns his profile toward her, his expression shifting from mild surprise to quiet resolve. A steady male Mandarin voice, calm and reassuring, responds: “哎呀，你别想了，钱是我借的，丢人都丢我的脸。” As he speaks, he briefly lifts his right hand off the steering wheel, palm upward to emphasize his words, before returning it to the wheel. The woman listens in silence, her shoulders sagging slightly as her grip on the snack box loosens, though she keeps it close. Streetlight reflections ripple across their faces, the cool desaturation of the scene giving way to a muted warmth in the gold embroidery, underscoring the unspoken shift from shared shame to quiet acceptance as the car continues its journey through the dark city.","video_1_relative_path":"videos/844bc8937e587f76.mp4","video_2_relative_path":"videos/a0e137e9bdd72059.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/multitalker/multitalker_12/00000014","text_prompt":"A static medium close-up establishes an intimate, naturalistic scene bathed in soft daylight from camera-right, casting gentle shadows that model the face of an East Asian man seated in a brown upholstered booth. He wears a light beige quilted vest over a blue-and-white plaid shirt, his brow faintly furrowed as he looks slightly off-camera toward a companion. Behind him, a wall panel featuring large white flowers on a dark teal background fills the left frame, while two out-of-focus patrons sit blurred in the distance to the right. Shallow depth of field isolates him from the muted earth tones and cool accents of the setting, and a white plate holding glossy dark-red braised meat rests just below the frame. A calm, steady male Mandarin voice begins, stating \"离城区特别远，而且这个出租车费也挺贵的。\" The soundscape is stripped down to his measured delivery over a barely perceptible room tone, emphasizing the restrained, everyday realism of the moment as he explains that the location is very far from the city center and the taxi fares are quite expensive.\n\nA single hard cut shifts to a matching medium close-up of an East Asian woman seated across the table, her long dark hair loosely tied back and her hands clasped near a small white ceramic cup. She wears a thick ribbed brown sweater, and behind her a tall window with sheer white blinds admits diffuse daylight, framing blurred green foliage and dark gray curtains. The lighting remains consistent, keeping her composed, slightly concerned expression sharply in focus while the background stays softly blurred. A measured, mildly concerned female Mandarin voice replies, \"主要是不方便叫车。\" The quiet ambience holds steady without clinking utensils or crowd noise, maintaining the intimate, dramatic tension of their logistical discussion as the shot ends abruptly mid-conversation, leaving the scene grounded in practical concern and naturalistic performance.","video_1_relative_path":"videos/d146706018d2e20d.mp4","video_2_relative_path":"videos/9dd59fc2fdacbb48.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/multitalker/multitalker_12/00000047","text_prompt":"Cinematic drama, 35mm lens, shallow depth of field, muted earth tones accented by cool window light and embroidered fabric. The scene opens on a static medium close-up of a young woman seated indoors, her straight black hair cut with blunt bangs framing a face bowed in quiet distress. She wears a light beige wool coat over a blue knit sweater, her lips slightly parted as she gazes downward. Diffuse frontal lighting washes her features evenly while the background—wooden shelves holding silver elephant figurines, colorful tins, a wicker basket, and a vintage radio—remains gently out of focus. Beneath a continuous, low-level indoor hum, a soft, low-pitched female Mandarin voice, tinged with shame and slight breathiness, murmurs, “我觉得很羞愧。” \n\nA hard cut transitions to a static medium shot of a second woman sitting upright in a dark wooden chair beside a window that casts a cool bluish light from screen left. Her shoulder-length dark hair frames a calm, intent expression as her eyes track someone just off-camera to her right. She is dressed in a maroon ribbed turtleneck beneath an off-white jacket, its sleeves detailed with intricate yellow-green-red floral embroidery. Behind her, a wooden cabinet topped with a lace doily and a glass pitcher rests against a wall dotted with pinned photographs, all softened by the shallow focus. The ambient room tone persists as a clear, mid-range female Mandarin voice, measured and conciliatory, responds, “二嫂，今天算账了，也不是谁和谁过不去。” The lighting maintains a subtle contrast between the warm interior tones and the cooler window light, leaving the conversational tension unresolved but softened by her composed demeanor.","video_1_relative_path":"videos/4d12f95a7ff03cfb.mp4","video_2_relative_path":"videos/d70dfbfcff918f66.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/multitalker/multitalker_12/00000069","text_prompt":"A tense, dialogue-driven scene unfolds in a desaturated, institutional interior, shot with a classic shot-reverse-shot rhythm and consistently shallow depth of field to isolate the speakers against blurred gray walls. Soft, diffused frontal illumination casts a clinical, cool-toned glow over the space, while a barely perceptible low-frequency electronic hum establishes the ambient audio bed. The sequence opens on a tight close-up of a middle-aged East Asian man with a shaved head, thin metal-rimmed glasses, and a neatly trimmed goatee, wearing a light-blue collared shirt beneath a dark pin-striped vest. He leans slightly forward, brows knitted, speaking forcefully in Cantonese with an impatient, authoritative tone: “定係伙記嘅安全重要？” \n\nA straight cut shifts to a matching over-the-shoulder frame, revealing an East Asian woman in her thirties with shoulder-length straight black hair and a maroon top that subtly punctuates the muted palette. She maintains an upright posture and steady gaze, answering in Cantonese with calm, measured confidence: “新聞歸新聞，安全歸安全。” The shallow focus keeps her sharply defined against the neutral backdrop, emphasizing her composed resolve as the ambient hum continues uninterrupted.\n\nThe shot returns to the man, now silent with his mouth closed, jaw set, and eyes locked on her, his rigid posture conveying unyielding tension. Cutting back to the woman for the final exchange, her eyebrows lift and eyes widen briefly for dramatic emphasis before settling into a determined stare as she delivers her concluding line in Cantonese with controlled indignation: “你要我唔依既定程序，淨係聽你個order？” The restrained performances and austere framing heighten the ethical clash between journalistic urgency and personnel safety, culminating in a freeze frame on her resolute expression as the low electronic hum fades.","video_1_relative_path":"videos/963d86e92e9e7f8b.mp4","video_2_relative_path":"videos/f6025fcafbe900f7.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/multitalker/multitalker_12/00000085","text_prompt":"A nostalgic, dialogue-driven scene opens on a medium two-shot inside a retro American diner, bathed in warm, late-afternoon sunlight that slices through horizontal blinds. The palette leans into saturated reds from the vinyl booth upholstery and muted browns of the wooden table, which is cluttered with half-eaten plates, a white coffee cup on a saucer, a glass soda bottle, chrome condiment holders, and a napkin dispenser. A woman with short, layered reddish-blonde hair, wearing a dark long-sleeved top and a chunky silver necklace, leans forward across the table, pointing her right index finger as she speaks. A calm, skeptical female voice with a North American accent begins, stating, \"This place? A coffee shop?\" Her tone is incredulous yet measured, cutting through the low-level diner ambience of soft cutlery clinks, distant chatter, and a subdued HVAC hum.\n\nA straight cut shifts to a medium close-up of the woman, where sunlight rakes across her face, casting soft highlights and gentle shadow stripes from the blinds. She holds her gaze off-screen, lips pursed in mild disbelief, as the restaurant murmur continues uninterrupted. The frame then switches to a matching medium close-up of the man opposite her. He has slicked-back blond hair, light stubble, and wears an open, brightly patterned short-sleeve shirt over a black T-shirt. Raising both hands slightly with palms up, cigarette still pinched between his fingers, he responds in a mid-range, lightly accented British voice: \"What's wrong with that? Nobody ever robs restaurants. Why not?\" As he speaks, he gestures outward before relaxing into a subtle smirk. The camera remains entirely static, utilizing a moderate depth of field that keeps both subjects sharply focused while the rows of empty booths and potted plants behind them soften into a gentle blur. The intimate, dialogue-driven rhythm and the contrast between her quiet skepticism and his casual bravado linger in the warm, nostalgic atmosphere as the scene concludes.","video_1_relative_path":"videos/c13145efb0de0f71.mp4","video_2_relative_path":"videos/3a59df3ccdf56056.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/multitalker/multitalker_2/00000005","text_prompt":"Bathed in the warm, low-angle glow of late-afternoon golden hour, a medium two-shot captures a man and a woman walking side-by-side along a waterfront promenade. The camera tracks gently to the right, matching their steady pace and keeping them framed from mid-torso upward against a backdrop of dark, rippling water and a pale stone wall lined with evenly spaced tree trunks. A shallow depth of field keeps the subjects sharply in focus while softening the background into muted earth tones of beige, greenish water, and dark blazers, punctuated by the woman’s flowing blonde hair and cream shirt. A soft, steady wash of wind and distant city ambience underscores the scene as the man, positioned on the right, turns toward her with earnest intensity. Lifting his right hand in an open-palm gesture, a calm, reflective male voice with a General American accent begins, stating, “I’ll meet you on the corner of 13th and Broadway.” His tone carries a wistful nostalgia, his mid-range pitch rising slightly at the end of the phrase. The woman listens intently, her long wavy hair catching the breeze as she holds his gaze, her black dress contrasting softly with the sunlit surroundings.\n\nWithout breaking stride, the pair continues their slow walk, the ambient wind and faint urban hum maintaining a consistent, intimate atmosphere. The man’s expression grows more animated as he glances ahead before refocusing on her face, his delivery shifting to a mix of vulnerability and gently amused self-deprecation. A vulnerable yet lightly humorous male voice continues: “And I thought I was going crazy, you know? But now I think it probably was you.” His moderate tempo and clear articulation reveal a past confusion now resolved through recognizing her quiet influence. The woman’s lips part slightly as though to respond, yet she remains silent, absorbing his words with a thoughtful stillness. The shot then transitions seamlessly into a close-up of her face, filling the frame as her eyes lower momentarily and her brows draw together in quiet contemplation. Sunlight catches the movement of her hair, emphasizing the emotional weight of the moment. With no dialogue breaking the silence, only the persistent wind and distant city sounds remain, leaving the narrative suspended in a poignant, unresolved beat that invites the viewer to linger on her unspoken reaction.","video_1_relative_path":"videos/3c2ee80fab629eed.mp4","video_2_relative_path":"videos/57f4c3fe68bbc361.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/multitalker/multitalker_2/00000029","text_prompt":"A romantic, nostalgic European travel film captured in a single continuous medium tracking shot, gliding backward along a narrow, gently curving cobblestone street bathed in warm late-afternoon sunlight. The scene is painted in muted earth tones of beige stone, cream coats, and olive jackets, punctuated by red doorframes and potted greenery that evoke a cozy, lived-in atmosphere. Two figures walk toward the camera at an easy pace, shoulders nearly touching: a light-skinned man with short brown hair and faint stubble, and a light-skinned woman with shoulder-length wavy blonde hair tied loosely back. As they move, a calm, playful male voice with a General American accent begins, “Really? No, I’m kidding. You wouldn’t believe… I even went back to the train station.” The woman listens with amused curiosity, her eyes flicking between him and the historic façades rising above them, while a black motorcycle rests against a right-hand wall and café tables line the sidewalk.\n\nThe camera maintains its smooth retreat, keeping the pair centered in a mid-shot as the man’s gestures grow more emphatic; he raises his right hand, palm outward, then points forward while his tone shifts to earnest sincerity, confessing, “I put up signs with my number in the hotel in case you’d been delayed.” Her smile softens into a reflective look as she glances downward and nods, absorbing his words against the gentle golden hue of the afternoon. As he leans in slightly, his voice dropping into a self-deprecating murmur, he adds, “I was a total fool waiting for you.” The audio remains stripped of music, grounded only by the low-level ambience of distant footsteps and a faint city murmur, allowing the quiet intimacy of their reunion to linger as the frame holds on their steady, unhurried walk.","video_1_relative_path":"videos/e1d2e37fa7a8fbcd.mp4","video_2_relative_path":"videos/8019987f6e7e48f4.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/multitalker/multitalker_2/00000085","text_prompt":"Cinematic scene, static medium two-shot, cool blue ambient lighting contrasting with a warm key light from camera-left softly illuminating two characters seated across a dark wooden table. In the foreground, a tall glass of water with a red straw sits beside a pint of amber beer, while behind them, large back-lit panels glow with stylized nautical imagery of a deep-blue sky, pink clouds, a white sailing ship, and a red-and-white lighthouse. The shallow depth of field blurs the background patrons, isolating the intimate exchange between a man in a light short-sleeved button-down and a woman in a pale blue collared blouse. A calm, conversational male voice begins, his tone mildly playful as he turns slightly toward her: “What about Kenny G? I mean, what about elevator music?” He raises his left hand to rest his chin on his fist, adopting a thoughtful pose. The woman leans forward, her eyes fixed on him with raised eyebrows, and answers with a bright, explanatory tone: “You know, jazz music that I know.” As the quiet bar ambience and faint distant chatter underscore the scene, he asks inquisitively, “What about it?” Her expression softens, hinting at personal attachment as she replies, “From my life.” She continues, her voice calm but earnest, gesturing lightly with her right hand for emphasis: “I just—I mean, find it relaxing.” The man listens attentively, maintaining steady eye contact, while the steady lighting and clean, speech-centric soundscape keep the focus entirely on their reflective exchange, leaving the conversation lingering in the quiet, atmospheric space.","video_1_relative_path":"videos/021c24724e09fca8.mp4","video_2_relative_path":"videos/5545a4b2539ce975.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/multitalker/multitalker_3/00000019","text_prompt":"Cinematic medium close-up in a dimly lit, warm-toned lounge resembling a quiet bar. A young woman with long dark hair, wearing a white textured newsboy cap, a black top, and a silver chain necklace, sits at a table. Her eyes widen and her mouth parts slightly as she gazes toward someone off-screen to her right. In the immediate foreground, the back of another woman’s head and shoulder frames the shot; she has short styled brown hair, large dangling earrings, and a patterned blouse with red, blue, and white motifs. Between them rests an open white laptop, while softly out of focus in the background, a man in a dark sweater sits at a counter under low ambient lighting. A light, whimsical instrumental track begins to play quietly beneath the scene, dominated by pizzicato strings, soft woodwind melodies, and gentle percussion at a moderate tempo, establishing a playful, intimate mood.\n\nA straight cut shifts to a tighter two-shot from over the shoulder of the woman in the cap, focusing on the speaker in the patterned blouse. She leans forward, eyebrows raised, delivering her lines with expressive hand gestures near her chest and chin. Her facial expressions shift rapidly from earnest concern to mild exasperation, then settle into confident emphasis. A calm, conversational female Mandarin voice begins, stating \"月，这才买二两瓜子。\" as she speaks, while the listener occasionally brings a small snack to her mouth and chews thoughtfully, maintaining steady eye contact. Continuing with a tone that shifts from earnest concern to confident emphasis, she adds, \"我以前也是经常在网上被人骚扰的。\" After a brief pause where she raises her eyebrows for emphasis, she completes the thought naturally, stating \"后来我发现，起什么用户名很重要。\" The background behind them reveals a wall with a diamond lattice pattern glowing in warm orange light, adding depth to the composition. The music sustains its cheerful, subdued level throughout, never overpowering the primary speaker’s voice, while faint chewing sounds and minimal room tone ground the scene in a controlled, cozy indoor environment.","video_1_relative_path":"videos/539c52c903d7daf6.mp4","video_2_relative_path":"videos/79ae1c01dcc9d4f9.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/multitalker/multitalker_3/00000043","text_prompt":"A brightly lit, static medium two-shot captures a comedic domestic confrontation in a warmly illuminated apartment hallway, framed with even lighting and a clean, sitcom-style composition. The left side of the frame features a white shelving unit stocked with books, small potted plants, and colorful figurines, while the right side reveals a pale blue-grey wall, a white door, and a vertical string of yellow photo frames. A young man with neatly styled dark hair stands left-of-center, angled toward a young woman. He wears a color-blocked hoodie with navy shoulders and sleeves, a white chest stripe, and a purple torso, paired with black trousers. His body leans forward, brows furrowed, mouth open mid-shout as he gestures sharply with his right hand. A calm but agitated male Mandarin voice with a northern accent begins, stating \"鱼在马桶的水箱里游着呢，自己去找吧。\"\n\nThe camera remains locked off as the man lowers his hand, then raises it again near his face to emphasize his point, maintaining an intense expression. The woman, positioned on the right with reddish-brown hair swept into an updo and dressed in a bright green cardigan over a white top, initially touches her forehead with her right hand, eyes wide and lips parted in shock, her posture slightly hunched with one arm crossed over her abdomen. As the scene progresses, faint audience laughter begins to swell underneath the dialogue, quickly growing from a murmur into distinct chuckles that establish a clear comedic atmosphere. Her shocked expression deepens before shifting into animated disbelief; she lifts her hand from her face and throws both arms outward, palms up, while a higher-pitched, startled female Mandarin voice …: \"我刚上厕所。\" The man responds by raising his right index finger vertically beside his mouth in a shushing gesture, briefly glancing at her before looking forward again. The audience laughter peaks and sustains at a moderate-loud intensity, underscoring the exaggerated performance and comedic timing, while the steady composition and consistent lighting keep the focus entirely on the sharp, expressive exchange.","video_1_relative_path":"videos/3151ecb7ee72a828.mp4","video_2_relative_path":"videos/bc3eb6669771d97e.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/multitalker/multitalker_3/00000051","text_prompt":"Cinematic domestic vignette, shot on a 50mm lens at eye level, bathed in soft, even natural light that highlights a cozy living room palette of cream, beige, and muted blues. The frame opens in a medium close-up on two East Asian adults leaning over the front rail of a blue portable baby playpen. On the left, a woman with shoulder-length brown hair and a pale yellow short-sleeved top rests her chin on her hand, gazing down with a gentle smile. Beside her, a man with short black hair, rectangular glasses, and a white T-shirt bearing bold pink lettering mirrors her posture, gripping the mesh edge with an excited grin. Beneath their quiet anticipation, a sentimental solo piano melody begins, weaving slow arpeggiated chords and soft sustained pads at a gentle tempo, mixed low to underscore the scene without overpowering it. A gentle female Mandarin voice, warm and affectionate, states, “好可爱的小家伙。” A confident male Mandarin voice, upbeat and reassuring, immediately replies, “我就跟你说，肯定没有问题的。”\n\nA hard cut transitions to a wider static shot that fully reveals the domestic setting, maintaining the tender, hopeful mood. The woman is now seated cross-legged inside the playpen, still resting her head on her hand and looking up at the man with a pleased smile. The man stands just outside the playpen’s right side, briefly adjusting a hanging plush white rabbit toy on the arch-shaped mobile before turning toward the camera with an exuberant gesture, both arms lifted and bouncing lightly. A playful male Mandarin voice, triumphant and light, declares, “所以现在我们可以玩游戏机了。” The background deepens the sense of a lived-in home: a cream sofa behind them, a blurred kitchen with white cabinetry and stainless steel appliances, a beige rug underfoot, and to the right, a brick accent wall supporting a small shelf with a black figurine and a hanging blue doll, while a refrigerator covered in magnets and papers is visible through an open doorway. The piano score continues unchanged, its legato phrasing and light synthesized string accompaniment sustaining the emotional warmth until the moment concludes abruptly, leaving only the faint rustle of fabric and soft breaths in the quiet room.","video_1_relative_path":"videos/a01809949abc930d.mp4","video_2_relative_path":"videos/a639865d8650b641.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/multitalker/multitalker_3/00000090","text_prompt":"A locked-off medium close-up inside a warmly lit church nave, captured with a shallow depth of field that keeps two women in sharp focus while softly blurring the formally dressed parishioners behind them. Diffused frontal illumination casts a serene yet solemn glow, highlighting the vivid purple-and-teal floral dress and large dark-blue circular earrings of the foreground woman, whose fair skin and blonde shoulder-length waves contrast with the muted creams and browns of the wooden pews and surrounding congregation. She sits composed but faintly tense, jaw set, gaze fixed ahead, as a second woman with light-brown hair pulled back and wearing a pale floral blouse leans in from behind her right shoulder. The whispering woman’s eyes widen and her lips part as she delivers an urgent, breathy confession about the parish’s mounting financial strain, urging quick action before a pressing opportunity slips away. A continuous, low-volume orchestral string pad in a minor key swells beneath the exchange, stripping away all ambient church noise to heighten the intimacy and tension.\n\nThe foreground woman absorbs the plea without turning, her eyelids lowering briefly before lifting again in reluctant acknowledgement. She offers a single, curt reply, stating, \"Roger that,\" her tone calm yet edged with resignation. Immediately after, she resumes speaking aloud in a clear, measured voice that projects quiet authority, enunciating each word with deliberate gravity. A calm, formal female voice declares, \"But by the grace of God and his provision, we will find our footing,\" her diction steady and resonant. As she finishes the sentence, she exhales softly, her shoulders relaxing a fraction as she weighs the implications of her words. The orchestral bed sustains its final chord, holding the frame on her thoughtful expression as the scene fades into quiet contemplation.","video_1_relative_path":"videos/e01834737bdb3dcd.mp4","video_2_relative_path":"videos/05e49346a5b37526.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/multitalker/multitalker_4/00000038","text_prompt":"An intimate domestic drama unfolds in a cinematic medium two-shot, framed by warm amber practicals from ornate glass sconces and twin round mirror bulbs that bathe a vintage hair salon in nostalgic pinks, lavenders, and ambers. The shallow depth of field isolates two women seated opposite each other at a cluttered white counter, their symmetrical positioning reinforced by the reflective surfaces behind them. The younger woman, her dark-brown hair set in rollers secured by purple clips and draped in a short-sleeved pink robe trimmed with white lace, initially faces away before pivoting to reveal a stern expression framed by loose curls. Beside her, the older woman, mid-sixties with gray-streaked rollers held by red clips, wears a lavender long-sleeved top beneath a matching pink robe and blue-and-black plaid pants, her bright red nails gripping a thin wooden cuticle stick. Under a soft indoor hum with no musical accompaniment, a calm, slightly defensive older woman speaks, stating, \"I gave you a lot of freedom, you turned out okay.\"\n\nThe younger woman’s posture shifts as she turns fully toward her companion, her voice firming with a sharper, higher pitch as she retorts, \"You didn’t give me freedom.\" The older woman listens, her lips pressed together while her expression tightens, the practical lighting catching the metal ends of the rollers and casting soft highlights on their skin. Maintaining steady eye contact, the younger woman’s tone fractures with hurt and reproach as she adds, \"You were never around.\" The ambient quiet deepens, broken only by their voices, until the older woman finally leans forward a fraction, her eyebrows lifting in measured incredulity as she replies, \"Is that so?\" The camera remains static, preserving the symmetrical standoff and the rich color palette that evokes retro domestic comfort against the backdrop of unresolved interpersonal tension, leaving the scene suspended on the weight of micro-expressions and unspoken history.","video_1_relative_path":"videos/3eafb7f8bf0171f8.mp4","video_2_relative_path":"videos/18181fed4e46b081.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/multitalker/multitalker_5/00000010","text_prompt":"A historical drama scene unfolds in a single continuous take, captured with an eye-level medium-long lens that frames the composition through the blurred edge of a dark wooden pillar on the left, suggesting a sense of covert observation. Diffuse, overcast daylight bathes a stone-paved courtyard in soft, even illumination, casting gentle shadows and emphasizing a muted palette of greys, teals, and blacks, punctuated by the subtle gold accents on one man’s belt. Two figures walk slowly from right to left across the frame, anchored by a tall grey-stone wall bearing an intricate relief of intertwined vines and birds, with a heavy, metal-studded wooden gate visible to the left. The man on the left, dressed in a teal-green robe with a darker sash and his hair gathered in a topknot, moves with palpable tension. He reaches out, gripping the upper arm of his companion, and a tense, anxious male voice in Standard Mandarin begins, pleading with a hurried tempo: “这实在不行啊，我还有些私房银子，我都拿出来给您。” The soft rustling of their robes and a distant, indistinct outdoor hush fill the quiet courtyard as they continue their measured pace.\n\nAs the pair slows to a halt, the second man, clad in a deep navy-black robe fastened with a gold-patterned belt and an ornate hairpin, turns slightly toward his companion. His posture remains composed and dignified, though his brow lifts in mild surprise at the earnest plea. A calm, authoritative male voice responds with a steady questioning tone: “你舍得？” The first man’s hand lingers on his sleeve, underscoring the desperation of his request. The camera holds its fixed position, allowing the restrained blocking and sparse ambient sound design to keep the focus entirely on the nuanced exchange, while the soft contrast and historical costuming reinforce the late imperial Chinese setting.","video_1_relative_path":"videos/f58c1ac1202bf987.mp4","video_2_relative_path":"videos/375a95ed29e7a958.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/multitalker/multitalker_5/00000032","text_prompt":"A cinematic historical drama, captured in a locked-off wide shot with a tableau composition, bathed in strong diagonal shafts of natural light that cut through drifting dust and smoke to illuminate a dim, rustic interior. The space features rough wooden beams, hanging cloth banners, and sparse furnishings, evoking a modest traditional study. In the right foreground, a young man with dark hair tied in a topknot and adorned with a silver ornament sits at a long table draped in dark cloth, his layered pale blue-white robes catching the ambient glow. Before him rests a Go board, flanked by a flickering yellow candle, wooden bowls of black and white stones, and a small teapot with stacked cups. Behind him, two quietly observing figures in red-and-white and white-and-blue attire stand near an open doorway, while a young woman in a flowing yellow-gold robe with a red-and-black sash steps forward, her bright timbre cutting through the soft room tone as she calls out, \"三哥，陪你下棋。\"\n\nShe glides toward the table, her skirt swirling, and lowers herself gracefully into the chair opposite him. With a quick, teasing flourish, she lifts a black stone between her thumb and forefinger, grinning broadly as she delivers a playful challenge: \"接招！\" The man remains intent on the game, turning his head slightly to acknowledge her before responding in a calm, firm baritone, \"看我的。\" He extends his right hand, palm up, ready to receive the stone or make his own counter-move. The camera remains perfectly still, allowing the dramatic contrast between light and shadow to frame their warm, sibling-like rapport. The atmosphere stays hushed, anchored only by the faint rustle of fabric, the low indoor hum, and the gentle wavering of the candle flame, emphasizing the intimacy and quiet tension of their friendly competition.","video_1_relative_path":"videos/2aab6beec1c2d7b2.mp4","video_2_relative_path":"videos/c683912326fed5c3.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/multitalker/multitalker_5/00000095","text_prompt":"Cinematic wide shot, 35mm lens, warm sepia palette: a sun-drenched desert landscape of pale beige hills and an empty asphalt road curving into the distance opens under a single, harsh sun source positioned high and to the right, casting pronounced chiaroscuro and bathing the scene in desaturated golds and muted blues. A low-angle, handheld camera peers past the rear quarter of a dusty silver sedan parked on the shoulder, where the back and waist of a uniformed police officer dominate the extreme foreground. His dark navy-blue jacket and cap brim catch the strong golden backlight, creating deep silhouettes and long shadows across the arid isolation. Near the car’s trunk, a middle-aged suspect in a charcoal suit jacket and light shirt crouches with his head bowed, his face streaked with dried blood around the nose and cheek while fresh crimson stains run down his neck. The hushed ambience is broken by the officer’s calm but firm voice, a clear male Mandarin tone delivering steady authority: “No, the law demands evidence.”\n\nThe injured man exhales audibly, rises to his feet, and leans against the vehicle for support as the officer steps forward, placing a gloved hand on his shoulder to steady him. The camera tilts up slightly, catching the glint of silver hardware on the officer’s uniform and the harsh sunlight flaring across the lens, emphasizing the heat and solitude. Framed in a medium close-up against the barren hills, the two men stand side by side in tense silence. The officer maintains a measured posture, looking down with a serious expression, while the suspect lifts his weary, half-lidded gaze, his jaw slack with pain. Occasional metallic clicks from shifting handcuffs and the soft rustle of fabric mingle with the suspect’s heavy breathing and the distant whisper of desert wind, reinforcing the gravity of the confrontation as the scene settles into a quiet, sun-baked stillness.","video_1_relative_path":"videos/9a1cb96f19e48b8f.mp4","video_2_relative_path":"videos/dcb6d8b90eddf7af.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/multitalker/multitalker_5/00000102","text_prompt":"Warm morning light streams from camera-left into a spacious, sun-drenched dance studio, casting long diagonal shadows across a polished wooden floor and catching a soft haze of floating dust motes. A large wall mirror dominates the background, reflecting ballet barres, a blackboard with faint chalk scrawls, and triangular pennant banners. In the foreground, a young female student in a pale yellow cardigan over a red-and-white plaid shirt sits on the floor with her back to the camera, her dark hair tied neatly. Facing her, an older female teacher in her forties sits cross-legged near the mirror, her dark hair secured in a tight bun with two slim white sticks, wearing a lavender leotard beneath a loose black-and-white patterned robe. The atmosphere is calm and expectant, filled only with a low room tone and distant, indistinct movement. As the teacher’s eyes slowly open and she turns toward the student, the young woman leans forward and greets her clearly in standard Mandarin, “熊老师好。” The teacher responds immediately with a warm smile and a friendly, “哎，你们好。”\n\nA single, slow dolly push-in gradually tightens the frame, isolating the teacher’s expressive face while softening the student in the foreground. The teacher nods gently, her tone shifting to a gentle yet authoritative directive as she says, “我们上课了，先坐啊,” inviting the class to settle. As she finishes speaking, she lifts herself from the floor, the hem of her robe swaying to reveal a hint of pink underneath. Through the mirror behind them, several figures in light-colored practice clothes jog past, and more students drift in and out of view, their silhouettes blurred by the hazy backlight. The muted earth-tone palette of lavender, pale yellow, and wood brown is punctuated by the monochrome pattern of the teacher’s robe, all rendered with high contrast and a nostalgic, painterly quality. With no music playing, the sound design remains intimate, focusing entirely on the crisp Mandarin dialogue and natural room ambience as the teacher rises, leaving the scene poised on the brink of the lesson beginning.","video_1_relative_path":"videos/e2555d74815f988f.mp4","video_2_relative_path":"videos/12db30f7c9b28b0b.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/multitalker/multitalker_6/00000066","text_prompt":"A sitcom-style backstage studio scene opens in a locked-off medium two-shot at eye level, framed in a cool-neutral palette of grays and blues under even front-left key lighting. Shallow depth of field keeps the two subjects sharp while softly blurring a background featuring black flight cases, a metal stool, and a tall vertical banner displaying a blue-toned suited figure with an outstretched hand and bilingual title text. A young fan in a white T-shirt with blue trim and a cartoon graphic bursts into frame from the left, leaning forward with both hands raised and palms open. Speaking with a bright, breathy, and eager Henan-accented Mandarin, he exclaims, \"不，俺是你的粉丝啊。\" as a brief ripple of off-screen audience laughter underscores the comedic tone. Still gesturing energetically, he takes a half-pace closer, his expression a mix of excitement and pleading as he adds, \"你给俺签个名吧。\" The audience chuckles again, matching the lighthearted mood.\n\nThe celebrity, dressed in a light-gray button-down shirt beneath a black vest with short styled hair and a silver watch, listens with a polite, relaxed smile, his shoulders squared and eyes fixed on the fan. As the fan extends a small dark notebook or phone toward him, the celebrity nods, lowers his gaze, and shifts his weight onto his left foot, tilting his torso forward to prepare. In a calm, friendly baritone, he replies, \"好啊。\" The camera executes a hard cut to a tighter close-up on the celebrity’s upper body and face, cropping out the fan and most of the banner. He brings the pen attached to his chain down over the offered item just outside the lower frame, murmuring, \"啊。\" as he completes the motion. The scene ends mid-action with low ambient room tone and no music, preserving the humorous, sitcom-style staging through the contrast between the fan’s exaggerated enthusiasm and the celebrity’s composed acceptance.","video_1_relative_path":"videos/41811ec687e78599.mp4","video_2_relative_path":"videos/376686ab65c65f8f.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/multitalker/multitalker_7/00000016","text_prompt":"A cinematic medium two-shot, eye-level and static, frames a warmly lit, wood-paneled study bathed in soft front-left key light and gentle opposite fill, establishing a warm color palette of rich browns and deep reds. On the left stands a young East-Asian man in a grey plaid suit jacket, crisp white shirt, and red-and-black diagonal-striped tie, his posture slightly hunched with hands loosely clasped near his abdomen. Opposite him, a lively young female Mandarin voice begins, stating “等会儿再喝。” as the woman in a sleeveless deep-red top and matching skirt lifts her right hand, palm inward, making a small outward gesture toward him while holding direct eye contact. The man listens attentively, brows faintly raised and lips parted in silence, before her delivery quickens slightly as she explains, “我领导对他的那个项目不是很满意,” sweeping her hand downward and arcing it outward to emphasize her point, prompting his eyebrows to draw together and his head to tilt fractionally in mild surprise.\n\nShe presses on with a decisive open-palm motion, flicking her wrist as if passing an object, and delivers “所以我就做个顺水人情了，还给你了。” in a tone blending casualness with subtle self-satisfaction before dropping her hand and relaxing her stance. The moment her sentence concludes, a burst of studio-style audience laughter fills the sonic space, lingering for a second before fading naturally into the quiet room ambience. The man’s expression instantly brightens into a broad, good-natured smile as he glances upward and to his left, his shoulders easing back in relief, while the woman mirrors the shift with a modest, confident grin. The scene closes on this comedic payoff, the warm, textured backdrop of antique desk lamps, candlestick holders, and framed maps holding steady as the laughter dissolves and the static frame lingers on their shared moment of lighthearted resolution.","video_1_relative_path":"videos/be6c064462331742.mp4","video_2_relative_path":"videos/902f7695aaf85afe.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/multitalker/multitalker_7/00000040","text_prompt":"A contemporary domestic drama unfolds in a static medium-wide two-shot, framed to emphasize relational tension against a backdrop of vivid turquoise-green tiles and neutral furnishings. Warm under-cabinet practicals bathe the scene in a cozy glow, contrasting with the cool daylight filtering through closed blinds, while a faint room-tone hum establishes the quiet atmosphere. Seated side-by-side at a white dining table, a young woman in a pale-yellow fleece hoodie rests her head on her right hand, her eyes half-closed and brow furrowed in quiet fatigue. Beside her, a young man in a white graphic T-shirt studies an open notebook, pen in hand, his posture relaxed but his expression gradually tightening as he processes the papers before him.\n\nThe man glances up from his notes, his eyebrows raising in disbelief as he asks in a clear, mid-range Mandarin voice: “这个什么？你还有钱被冻结吗？” The woman lifts her head, her eyes widening in sudden frustration, and replies in a higher-pitched, defensive Mandarin tone: “我是个孕妇，我怎么会记得？” She thrusts her left hand outward in a dismissive gesture, then leans back against the chair, her irritation palpable. The man turns fully toward her, lips parted as if to counter, but before he can speak he releases a short, weary sigh, murmuring in a low, exhausted Mandarin voice: “唉。” The moment settles on their tense expressions, the dual-source lighting casting gentle highlights and subtle rim light across their faces, leaving the cluttered yet homely backdrop of scattered papers, mugs, and a toy robot suspended in quiet domestic stress.","video_1_relative_path":"videos/6338879c6c8aee2f.mp4","video_2_relative_path":"videos/8b6ea0c1516f73b8.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/multitalker/multitalker_7/00000069","text_prompt":"A grounded, single-camera sitcom scene unfolds in a sunlit apartment kitchen that doubles as a living space, captured on a standard 35mm lens with consistent warm household lighting that highlights wooden cabinetry, a vibrant green square-tile backsplash, and stainless-steel appliances. A large whiteboard dominates the wall, densely covered in multicolored physics and mathematics equations, including probability ratios, wave functions, and circuit matrices. Near the island counter stand two men, each gripping an identical bottle of amber liquid. On the left, a bespectacled man in a maroon jacket over a green hoodie and brown trousers stands tense, his brows knit and lips pursed. He turns slightly toward his companion, his voice firm and defensive as he states, \"I’m not going to engage in hypotheticals here.\" On the right, a taller, clean-shaven man in a grey \"WIZARD\" graphic tee layered over striped long sleeves and plaid pajama pants listens intently, his posture relaxed but attentive.\n\nAs he speaks, the man in the maroon jacket pivots leftward, stepping away from the counter toward the living-room side while gesturing with his free hand. The camera executes a smooth, continuous pan to follow his movement, keeping both characters framed against the backdrop of a beige sofa with blue cushions, a low coffee table, and a doorway where soft daylight filters through blinds. He pauses, clutching his bottle, and delivers a short, earnest reply with a slight sigh, adding, \"I’m just trying to be a good neighbor.\" The wizard-shirted man shifts his weight, holding his bottle with both hands at waist height, and responds with a calm, mildly sarcastic edge, \"Oh, of course.\" The shot settles into a static composition across the island as the first man lowers his arm, and the second man offers a faint nod before answering in a measured, conciliatory tone. The scene relies on minimal ambient sound, letting the crisp, naturalistic dialogue carry the observational, everyday tension of the moment.","video_1_relative_path":"videos/a2c9c563dcdc9c0c.mp4","video_2_relative_path":"videos/bed80842c39cd3b1.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/multitalker/multitalker_7/00000082","text_prompt":"A warmly lit restaurant interior unfolds in a locked-off widescreen medium two-shot, the camera remaining perfectly still to capture an intimate conversational moment. The scene is bathed in soft, naturalistic light that casts gentle shadows, highlighting the earthy reds and browns of the décor while contrasting with the cool blues, pinks, and turquoise tones of the subjects’ attire. In the foreground, a neatly set table draped in a white cloth and green placemats holds a plate of salad and polished glassware. Seated on the left, a dark-haired man wearing black-rimmed glasses and a vertically striped button-down shirt leans forward slightly, a silver wristwatch gleaming on his left wrist as he holds a fork over his meal. Across from him, a blonde woman in a light-green cardigan patterned with purple-blue feather motifs over a turquoise top listens attentively, her right arm resting near her lap. The background remains softly defocused, revealing a distant diner in a royal-blue shirt and abstract artwork featuring red peppers against a reddish-brown wall. The atmosphere is hushed and diegetic, stripped of background chatter or clinking cutlery, leaving only the man’s clear, mid-range voice to fill the space. With measured curiosity and mildly animated inflections, he gestures outward, first raising his right hand palm up and then extending both hands as he poses a rhetorical question. “Is that one thirty-six hour experience, or is that thirty-six hours spread out over, say, one glorious summer?” he asks, his eyebrows lifting for emphasis before his hands return to the tabletop, fingers lightly brushing the plate’s edge. The woman maintains steady eye contact, offering a faint nod and a subtle smile as she tilts her head, her attentive posture and minimal reactions conveying quiet engagement. The shot holds steady on this suspended exchange, the warm lighting and deliberate blocking preserving the scene’s thoughtful, conversational rhythm until the frame naturally concludes.","video_1_relative_path":"videos/ab980a487a87d37b.mp4","video_2_relative_path":"videos/72510dfabf3f126a.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/multitalker/multitalker_7/00000091","text_prompt":"Open on a brightly lit, homey kitchen set rendered in warm wood tones and a light green tile backsplash, captured in a single locked-off medium shot at eye level. The scene is bathed in even, soft key lighting typical of a multi-camera sitcom, with a moderate depth of field that keeps the three characters sharply focused while the background cabinets and appliances dissolve into a gentle blur. At the left, a man in a tan jacket with a maroon-lined hood bends forward over a wooden table laden with food, busy arranging dishes. In the center, Howard Wolowitz, identifiable by his bowl-cut hair and a light-grey button-down worn open over a blue-and-white striped turtleneck, holds a clear plastic bottle of dark liquid and begins to speak. To his right, Beverly Hofstadter stands in a black cardigan over a blouse patterned with bold green-and-black circles, her gaze fixed downward as she adjusts plates and utensils. A brief ripple of studio audience laughter establishes the familiar sitcom atmosphere, followed by the clean hum of subtle room tone.\n\nHoward Wolowitz, speaking in a standard American accent with a conversational yet emphatic tone that blends mild apology with playful admiration, states, \"Excuse me for being so bold, but I see where Sheldon gets his smoldering good looks.\" As he delivers the line, his prosody rises slightly on the word bold and falls gently on looks, pausing just after the punchline lands to let the comedic moment hang in the air. Beverly glances up briefly before returning her attention to the food, while the man in the tan jacket straightens slightly but remains facing the table. The camera holds its static position without a cut or pan, leaving the warm domestic tableau frozen in a beat of lighthearted suspense, underscored only by Howard’s voice and the faint ambient kitchen sounds.","video_1_relative_path":"videos/e01604272a91e1fb.mp4","video_2_relative_path":"videos/91980d13f9670366.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/multitalker/multitalker_8/00000030","text_prompt":"A locked-off medium-wide shot captures a modest living room bathed in soft daylight filtering through floral sheer curtains. Warm earth tones dominate the space, with beige walls and brown wood flooring grounding the composition, while a light-colored sofa with a dark patterned throw anchors the left foreground. Beside it, a wooden bookshelf and standing lamp frame the edge, and a small drum kit rests near a red armchair holding a white-covered book on the right. An older man in a pale vertically-striped button-down shirt and dark trousers stands quietly by the window, watching as a younger man in a bright yellow zip-up jacket, black T-shirt, loose dark pants, and a striped beanie begins to speak. Delivering his lines in a relaxed, conversational tone with a mild North-American accent, the younger man gestures casually and says, “You know, there’s like a Starbucks on every corner?” As he finishes the thought, his soft footsteps echo faintly against the hard floor before he lowers himself onto the sofa, shifting the cushions to settle in.\n\nStill seated, the younger man leans back slightly, lifts one hand in an explanatory gesture, and continues in a steady, matter-of-fact delivery, “Krazy-8 is, like, the dude that sells Starbucks his beans.” The camera remains completely still, preserving the balanced framing and allowing the subtle interplay of body language and room details to carry the scene. Natural side-lighting from the window casts gentle highlights and soft shadows across their faces, reinforcing the subdued, realistic atmosphere. With no music or pronounced ambience beyond a faint indoor room tone, the audio design prioritizes dialogue clarity, emphasizing the quiet comedic tension of the exchange as the older man remains motionless by the window, observing without a word.","video_1_relative_path":"videos/99bcf7e3af6e9ed7.mp4","video_2_relative_path":"videos/7d3a45b527104ff0.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/multitalker/multitalker_8/00000033","text_prompt":"A static medium shot captures a tense, sun-drenched suburban confrontation framed by a tall metal gate and dense foliage, with a white single-story house and red-tiled roof softly blurred in the background. Harsh midday sunlight cuts through the scene, casting sharp highlights on vivid yellow and patterned clothing while plunging deep shadows beneath the subjects’ chins and hats. The color palette leans warm, contrasting the lush greens and neutral grays of the environment against the hostile exchange. On the right, an aggressive man in his late thirties wearing a black beanie with a red brim, a bright yellow T-shirt, and an unzipped black-and-white patterned hoodie stands face-to-face with his counterpart. He thrusts his right arm upward and shouts with loud, mocking contempt: “Oh, well, heil Hitler, bitch.” Without breaking stride, he leans in closer, his face flushed and voice rising in emphatic taunt as he declares: “And let me tell you something else.” The camera holds steady, keeping both figures sharp in the frame as the confrontation escalates. The aggressor plants his left hand on the other man’s shoulder and chest, shoving him downward until the victim—a man in his late thirties with medium brown hair, glasses, and a light yellow-and-white vertically striped button-down—compresses defensively, his shoulders rising and head dipping low as a short, strained grunt escapes him. The aggressor’s right fist clenches near his torso, his voice barking through a slight rasp: “We flipped a coin, okay?” He releases his grip but maintains a threatening posture, looming over the bowed figure who remains motionless save for slight tremors. The ambient soundscape stays quiet, leaving only the heavy weight of the dialogue and the stark visual contrast to underscore the raw power imbalance as the scene holds its final, unbroken frame.","video_1_relative_path":"videos/d5b6d1c89630167a.mp4","video_2_relative_path":"videos/e943004bef77b804.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/multitalker/multitalker_8/00000051","text_prompt":"A cinematic widescreen scene, 16:9 aspect ratio, captured in a static eye-level medium-wide shot that holds as a single continuous take. The environment is a quiet suburban backyard at dusk, bathed in the soft, fading light of late afternoon that casts gentle shadows across a subdued palette of beiges, muted greens, and calm blues. A rectangular swimming pool filled with still, light-blue water occupies the left side of the frame, its surface mirroring the overcast sky, while behind it stands a beige stucco house with a brown-tiled roof, a lattice-covered patio, and dark outdoor furniture. Two men face each other beside the pool. On the right, an older man in his late forties wears an olive-green button-down shirt, khaki trousers, and brown shoes; his thin mustache, receding hairline, and serious expression convey quiet authority as he stands motionless with his hands loosely clasped, listening intently. On the left, a younger man in his late twenties is seen mostly from behind and in profile, dressed in a black hooded jacket adorned with bold white-and-red abstract graphics and light cargo pants. Faint crickets chirp in the quiet evening air as he shifts his weight, his posture hesitant and deferential.\n\nThe younger man breaks the silence with a mid-range, slightly nasal voice that carries a nervous, earnest tone, punctuated by thoughtful pauses. He begins, “Anyway, that’s why I wanted to tell you how much everybody really digs what we do,” his eyes flicking toward the older man as he seeks reassurance. The older man remains perfectly still, his lips pressed together and brow faintly furrowed, absorbing the words without breaking his watchful gaze. The camera holds the frame as the quiet evening continues, the calm suburban backdrop contrasting sharply with the weight of the unfinished exchange, leaving the atmosphere heavy with anticipation and unspoken tension.","video_1_relative_path":"videos/d0d639298f5b52bc.mp4","video_2_relative_path":"videos/b29228fea69bbf8e.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/multitalker/multitalker_9/00000021","text_prompt":"Cinematic drama, static eye-level medium shot, warm late-afternoon sunlight and a muted domestic palette set the scene inside a modest kitchen featuring off-white cabinetry, a stainless sink, and a cluttered countertop. The unbroken single take keeps the camera fixed, letting natural side-lighting sculpt the faces of two men standing across the counter. On the left, a light-skinned man in his late twenties or early thirties with slightly tousled dark hair wears a black jacket accented with cream panels and thin white piping. A frustrated, mid-to-high pitched General American male voice begins, stating \"My conjecture isn’t helping.\" The tone sharpens as he leans forward a fraction, eyes narrowing, and a strained male voice continues: \"Fine. Okay, fine. Facts then. Fact A.\" He punctuates the declaration by stabbing the air with his index finger, his expression intense, brows knitted, mouth set in a hard line.\n\nOpposite him stands an older, balding man in his late fifties or early sixties, wearing glasses and a muted brown-and-gray plaid shirt, his neatly trimmed gray goatee catching the soft shadows. He listens with lips pressed together, body angled toward the younger man, his calm, lower-pitched presence a quiet counterpoint to the escalating tension. As the younger man presses on, voice louder and clipped, the older man’s posture stiffens; he raises his right hand, palm outward, as though preparing to interject, yet he remains silent, his head tilting minutely in reluctant attention. A rapid, exasperated male voice rises in volume: \"My phone rang like eight times last night.\" The scene holds this charged standoff, the only sounds being the two male voices against a faint indoor room tone, leaving the conversation unresolved and the broader stakes of their dispute hanging in the sunlit air.","video_1_relative_path":"videos/fe9cbba97dd4c498.mp4","video_2_relative_path":"videos/c65c321c4e13305d.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/multitalker/multitalker_9/00000023","text_prompt":"Cinematic medium shot, warm low-key lighting, earth-tone palette: the scene opens in a softly lit dining-kitchen where a steady frame captures a quiet domestic moment. A blonde woman with shoulder-length hair sits at a dark wooden table, wearing a beige long-sleeved top with a white lace-edged scoop neck and a pale cardigan draped over her shoulders. A plain white ceramic mug rests before her as she looks slightly upward and to her right, her posture conveying thoughtful inquiry. Behind her near a doorway stands a bald man in a rust-orange striped button-down and light khaki trousers, his hands loosely clasped and his expression quietly attentive. The background reveals a refrigerator adorned with small photos and magnets, a woven chair, and softly focused kitchen shelving, all rendered in a cohesive, homely atmosphere that emphasizes intimacy without distraction.\n\nThe woman raises her right hand in a gentle, open-palmed gesture, her brow lifting slightly as a soft, slightly hesitant American female voice begins, stating, \"I mean, couldn't that be important?\" Her tone is tentative yet earnest, hanging in the faint room tone that fills the space. The man remains perfectly still, his silence and fixed stance suggesting restrained contemplation or deference, allowing the conversational weight to linger without interruption. The camera holds steady without movement or cut, leaving the soft acoustic hush and the unspoken gravity of the question to settle into the warm, directional lighting as the scene rests in quiet stillness.","video_1_relative_path":"videos/16ab8dc411cc4db3.mp4","video_2_relative_path":"videos/047a0624fd10b22b.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/multitalker/multitalker_9/00000101","text_prompt":"A quiet domestic scene unfolds in a modest, softly lit residential hallway with light gray walls and warm wood trim, captured in a locked-off medium-wide shot. An older man in a gray cardigan, white shirt, dark trousers, and a teal apron stands near the front entrance holding a brown cloth, while a young police officer in a dark blue uniform with silver buttons and a peaked cap stands opposite him, hands clasped behind his back. A wooden door with a frosted glass panel sits to the left, and a coat rack with a small cabinet occupies the right side of the frame. The older man turns slightly toward the officer and speaks in a calm, conversational Mandarin voice, stating \"有人找你。\" He then gestures with his free hand toward the interior of the apartment and adds, \"坐，我刷碗去。\" As he finishes, he pivots left and walks out of frame, his soft footsteps and a faint fabric rustle echoing on the hard floor.\n\nWith the hallway quiet, the officer remains by the doorway, offering a polite smile. From the unseen interior space, the older man calls back, asking \"谁呀？\" The officer answers immediately in a relaxed tone, replying \"我。\" The camera begins a gentle push-in, transitioning to a looser medium close-up that centers the officer against the open doorway. Through the opening, a warmly lit bedroom comes into view, where a figure in a red long-sleeved top and jeans crosses the frame briefly. As the officer steps forward, he addresses someone just outside the current viewpoint in a cordial, slightly nostalgic Mandarin voice, stating \"有段日子没见你了，挺想你的。\" A soft exhalation precedes the line, and the scene closes on the faint residual room tone and subtle doorframe creak, leaving only the quiet intimacy of the domestic space.","video_1_relative_path":"videos/e3e770297f966159.mp4","video_2_relative_path":"videos/6be9539026d0f599.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/music/music_1/00000008","text_prompt":"Cinematic live concert footage, shot on a wide lens with a high-angle perspective, opens inside a grand venue bathed in deep blue and purple stage lighting. White spotlights sweep across the densely packed audience, casting moving circular patterns across ornate wall moldings and hanging lighting rigs. On a low stage to the right, three male musicians perform in casual attire: two seated guitarists in light-colored shirts strum in unison while a third stands slightly behind near a keyboard setup in darker clothing. The camera executes a slow, seamless upward and leftward pan, gradually revealing an elevated balcony and the swaying crowd below. Audience members are fully immersed, many raising smartphones to capture the moment, their rhythmic claps and gentle movements syncing with the performance. The entire sequence unfolds as a single, uninterrupted take, maintaining a steady vantage point that emphasizes both the scale of the room and the intimate focus on the stage.\n\nThe soundscape is a clean, professionally balanced live rock recording drenched in natural hall reverb. A moderate-tempo drum groove anchors the track, driving forward with a steady kick and snare pattern while a subtle hi-hat keeps time. Dual electric guitars weave together, one laying down centered power chords and the other adding slightly panned arpeggiated melodies, all supported by a warm, overdriven bass line. A male tenor vocalist delivers an emotive, mid-range performance with expressive phrasing that swells through the chorus. He sings with clear, emotional weight about departure and regret, his voice carrying the lyrics, \"...she’s walking away... she knows it’s too late... she’s walking all night...\" The mix remains reverberant and immersive, with the audience’s synchronized clapping and faint ambient rustling blending seamlessly into the track, creating a cohesive and emotionally resonant musical moment.","video_1_relative_path":"videos/f6055ed03ef9913c.mp4","video_2_relative_path":"videos/489d872a49c7083c.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/music/music_1/00000022","text_prompt":"Cinematic street performance, captured on a 35mm lens under bright daylight with a warm, sun-drenched palette. The scene opens on a sunlit outdoor pedestrian plaza paved in light gray stone, framed from a medium distance with a slight upward angle that centers two young musicians against a backdrop of palm trees and polished retail storefronts. On the left, a boy with shoulder-length wavy blond hair, dressed in an oversized pink T-shirt and loose blue jeans, stands before a black microphone stand, his fingers moving in steady fingerpicked arpeggios across a light-colored acoustic guitar. To his right, a girl with long brown hair in a short-sleeved white dress patterned with small red flowers and white sneakers holds a violin vertically at her side, bow resting loosely in her hand, occasionally shifting her weight as she listens. Behind them, a relaxed crowd of casually dressed pedestrians gathers, some leaning forward with arms crossed, others pausing mid-stride, while a red Nord Stage keyboard, a compact amplifier, and coiled black cables rest near the performers’ feet. A gray stroller with a sleeping infant sits nearby, attended by a small boy in a tan shirt, and a bright green neon URBAN OUTFITTERS sign glows steadily above a store entrance, anchoring the scene in a lively commercial district.\n\nThe audio landscape opens with the crisp, resonant attack of the guitar’s open strings, establishing a gentle folk-pop groove at a steady seventy-two beats per minute in a warm major key. The guitarist begins to sing into the microphone, his voice soft, melodic, and slightly breathy, delivering a legato melody with natural phrasing that blends seamlessly with the sparse harmonic foundation. The open-air acoustics carry minimal reverb, keeping the vocal and instrumental tones clear and intimate against a low-frequency urban hum and the faint, diffuse murmur of the passing crowd. Occasional foley details—a subtle foot tap syncing with the rhythm, the soft brush of a cable as the performer shifts—ground the performance in reality, while the absence of traffic noise or interruptions preserves the authentic, communal atmosphere of a quiet afternoon busking session.","video_1_relative_path":"videos/7e4569310142f3bc.mp4","video_2_relative_path":"videos/6176f920a0646304.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/music/music_1/00000087","text_prompt":"Cinematic medium shot, soft overcast daylight, muted natural palette. A young woman sits cross-legged on wide, light-gray stone steps outside an ornate building with tall pillars and carved wooden doors. She has long dark hair and wears a white short-sleeved top, denim shorts, and brown knee-high boots, positioned slightly right of center. A black microphone on a stand is angled toward her mouth as she holds a natural-finish acoustic guitar with a capo clamped on the second fret. The camera begins at a slight low angle and executes a slow, deliberate pan to the left, gradually widening the frame to reveal more of the stone facade and tiled pavement while keeping her as the unwavering focal point.\n\nShe strums the instrument rhythmically, her body swaying subtly in time with the music as she sings with expressive, emotive gestures, occasionally closing her eyes or offering a brief, warm smile. Her clear, mid-range female voice delivers the gentle lyrics, \"Into the light, into the dark black night,\" perfectly synchronized with the warm, fingerpicked acoustic guitar playing at a steady seventy-two beats per minute in a simple major-key progression. The audio environment is acoustically isolated and pristine, completely devoid of wind, traffic, or crowd noise, allowing only the intimate resonance of her voice, the natural ring of the final chord, and the faintest breaths between phrases to fill the space. The overall mood is calm, reflective, and deeply personal, capturing an authentic moment of live musical expression against a classical architectural backdrop.","video_1_relative_path":"videos/beb5ff62021b7493.mp4","video_2_relative_path":"videos/96fd94262578fbf6.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/music/music_2/00000002","text_prompt":"Cinematic concert performance, 50mm lens, shallow depth of field, cool palette of deep purple and electric blue, opens on a steady, subtly handheld close-up of a solo female vocalist positioned center frame against a dynamic LED wall composed of a grid of pulsing circular lights. She has shoulder-length wavy blonde hair with bangs, dramatic winged eyeliner, and dark lipstick, wearing a long-sleeved black top densely embroidered with silver sequins that catch the stage lighting. The camera holds at eye level, tracking her subtle head movements and emotive expressions as her eyes close and her brow gently furrows. As the framing naturally widens to a medium shot, her left hand rises to rest over her heart while her right hand maintains a firm grip on a black handheld microphone near her chest.\n\nShe delivers the phrase “always with me” in a clear, mid-to-high register with legato phrasing and a touch of vibrato, perfectly synced to her lip movements. The soundscape is built entirely around her voice and a slow-tempo, percussion-free ambient pop arrangement, where layered synthesizer pads sustain a gentle crescendo and a large-hall reverb tail creates a spacious, ethereal atmosphere. Faint fabric rustles and audible breaths punctuate the performance as she sways with each inhalation and release. The LED backdrop intensifies its brightness in rhythm with her delivery before the scene concludes abruptly mid-phrase, leaving the shimmering visual and reverberant vocal hanging in the quiet space.","video_1_relative_path":"videos/614855f47e2b539e.mp4","video_2_relative_path":"videos/16941ec9f6a7caad.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/music/music_2/00000007","text_prompt":"A cinematic medium close-up, captured on a static camera, frames a male performer centered against a warm, textured orange-red backdrop, illuminated by soft directional lighting that sculpts his face while gently blurring the background. He has shoulder-length dark wavy hair, a full beard and mustache, and wears a tan leather jacket over a light collared shirt with a black scarf draped around his neck. A large ornate silver ring sits on his right index finger, and a gold ring rests on his left ring finger as he grips a vintage-style silver microphone with a blue band near the grille in his left hand. His right hand hovers near his right ear, fingers lightly adjusting an out-of-frame earpiece. His expression remains intensely focused—eyes mostly closed, brow furrowed—as he delivers the song with visible vocal effort. The audio is driven by an energetic pop-rock arrangement featuring a steady drumbeat, melodic bassline, layered electric guitars, and bright keyboard pads, all rendered with a tight studio reverb and consistent dynamics. An emotionally charged Norwegian vocal enters immediately, clear and articulate with moderate vibrato, perfectly synced to the driving instrumentation as he sings, \"…og tiden er forbi, nå er det på tide å gå videre.\"","video_1_relative_path":"videos/735e96fe3761b27c.mp4","video_2_relative_path":"videos/0646a09ca392efb4.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/music/music_2/00000051","text_prompt":"A visceral live concert captured through an intimate, handheld audience lens, the frame opens on a female performer standing center stage against an expansive LED backdrop glowing in saturated magenta. She has long, wavy brown hair and wears a white cropped T-shirt paired with lavender pants featuring a glittering sequined waistband, gripping a silver microphone in her right hand. The camera shakes subtly, occasionally framed by the dark silhouette of a spectator’s shoulder on the left, grounding the shot in the raw energy of a packed arena. She tilts her head back, delivering the opening vocal phrase with intense focus as loud, reverberant synth-pop fills the space, driven by pulsating electronic drums, a deep bassline, and layered synthesizer melodies.\n\nThe digital scenery smoothly transitions from magenta to deep purple and violet hues as she pivots stage left, sweeping her free left arm outward before drawing it back to her chest. The handheld camera pans to follow her movement, keeping her upper body and the shifting colored lights prominent. As the track builds, she raises her left arm high into the air, pointing upward while turning her torso away from the lens, momentarily catching a distinct red laser dot that flashes across her midsection. The background screen erupts into swirling vertical patterns of violet and blue, mirroring the audio’s crescendo where the driving beat peaks and the crowd’s volume swells into a thunderous, harmonized roar that blurs the line between performer and audience.\n\nThe sequence concludes with her holding that elevated pose, bathed in the vibrant violet stage lighting while the arena’s natural reverb and low-frequency PA hum sustain the immersive atmosphere. The high-energy mix remains wide and dynamic, with the lead vocal cutting clearly through the dense instrumental bed and the collective singing of thousands of spectators echoing through the vast venue. The rhythmic pulse of the music and the massed vocal texture carry the scene forward without fading, capturing the unbroken, euphoric thrill of a major live performance until the frame cuts.","video_1_relative_path":"videos/2feca4116051f1b2.mp4","video_2_relative_path":"videos/c4e653c6ab75cf74.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/physics/physics_1/00000034","text_prompt":"Cinematic outdoor scene, fixed high-angle camera looking down onto a patch of grass and dirt bordering a light-gray concrete curb, bathed in bright natural daylight that casts soft, realistic shadows. Dense green foliage anchors the left side of the frame while dry leaves, twigs, and small stones scatter across the ground. A lone dark-skinned man, wearing a dark short-sleeved T-shirt, light gray shorts, and dark footwear, stands amid the vegetation gripping a long-handled tool with a red blade. He begins a steady rhythm of manual clearance, raising the implement overhead and driving it down in quick, forceful arcs toward the base of the plants. Each strike produces a sharp, percussive thwack as the blade meets stems, accompanied by the crisp rustle of severed foliage and the faint scuff of his shoes adjusting on the gravel.\n\nAfter a few deliberate swings, he pauses, shifts his weight, and turns his head slightly to the right toward the camera. He takes a subtle breath and utters a low, indistinct phrase in an unidentified language: \"…\", his lips moving clearly though the words remain untranslatable. Without breaking his focus, he resumes his task, executing a final, decisive downward blow that sends a last burst of plant matter rustling into the quiet air. The camera remains completely still throughout, holding the composition as the impact sound fades naturally into the open-air silence. With no music, wind, or background activity to distract, the scene isolates the solitary labor, emphasizing the raw physicality of the work and the crisp, unadorned soundscape of blade against plant matter.","video_1_relative_path":"videos/5a583c17db437141.mp4","video_2_relative_path":"videos/cac4b2b9ff881c05.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/physics/physics_1/00000054","text_prompt":"Cinematic observational footage, framed in a static medium close-up, captures a quiet moment inside a modest poultry enclosure with corrugated metal walls and a chain-link fence hinting at a rustic farmyard backdrop. Soft, diffuse daylight filters through an unseen opening, illuminating a dirt floor in muted earth tones while casting gentle shadows. On the left, a large white adult goose lowers its long neck toward a blue, double-sectioned plastic feeder filled with light-colored grain, its bright orange beak and webbed feet providing sharp color accents against the dull gray surroundings. To the center-right, a cluster of five fluffy yellow ducklings huddles quietly, their tiny heads turning and bodies shifting subtly to track the adult’s movements, though they remain passive and silent.\n\nAs the goose begins to peck, a rapid sequence of loud, high-pitched, strained squeals erupts in sync with each downward motion, dominating the sonic space with a frantic, staccato rhythm. These avian vocalizations are layered over the dry shuffling and scratching of feet against the gritty ground, while a constant low-level indoor hum and a faint wind-like hiss underscore the enclosed structure’s acoustics. The camera holds its fixed position without cuts, pans, or focus pulls, maintaining an intimate, observational composition that emphasizes unembellished realism. As the goose takes its final bites and lifts its head, the squeals and rustling gradually decay, leaving only the residual room tone of the quiet coop.","video_1_relative_path":"videos/b3e4c0464c45436f.mp4","video_2_relative_path":"videos/e0f7b0139dfe0fbb.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/physics/physics_2/00000051","text_prompt":"A cinematic night sequence opens on a quiet, multi-lane urban street where evenly spaced streetlights cast cool white pools onto the dark asphalt. Shot from a low camera angle parallel to the road surface, the frame tracks laterally as a black Yamaha R1M sport motorcycle glides into view from the left. The rider sits upright in a royal-blue hoodie, black pants, and black-and-white high-top sneakers, wearing a dark helmet with a blue-tinted visor. The motorcycle’s headlight cuts a sharp beam across the lane markings, while the soundscape is immediately dominated by a deep, throaty engine idle punctuated by sharp throttle blips that rise and fall in pitch. The front wheel’s rim catches a blue glint under the streetlamp, and the surrounding environment remains utterly still, with only hedges, a concrete median, and distant building lights sliding past in a shallow depth of field.\n\nThe rider plants both feet on the pavement, momentarily halting forward progress as the engine continues to rumble with percussive pops on each snap of the throttle. With a decisive twist of the grip, the bike surges forward. The rear tire briefly loses traction, sending up a thin plume of smoke before biting hard into the road, accompanied by a sudden spike in RPMs and a crackling exhaust note. The camera whips slightly to follow the burst of speed, introducing motion blur across the background foliage and lampposts as the engine noise climbs from guttural growls to a high-pitched roar. A bright red taillight flares against the darkness, marking the motorcycle’s departure down the empty roadway.\n\nThe motorcycle recedes into the distance, shrinking into a small silhouette framed by converging lane lines and glowing streetlamps. Its exhaust note diminishes in loudness but retains a steady, rising whine, indicating sustained acceleration as the camera holds its position. The surrounding environment—dark sky, silhouetted trees, and occasional reflective road signs—remains static, emphasizing the solitary journey. A faint urban hum of distant traffic lingers beneath the fading mechanical energy, leaving only the impression of raw power and nocturnal solitude echoing far down the road.","video_1_relative_path":"videos/57573176c16338cf.mp4","video_2_relative_path":"videos/5b77c73edac43e69.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/physics/physics_2/00000094","text_prompt":"Cinematic wide shot, fixed lens, static composition. The scene opens in total darkness, holding a completely still frame as a faint, low-frequency rumble begins to build in the soundscape, hinting at distant storm activity. Suddenly, a brilliant, jagged lightning bolt erupts across the upper-left quadrant of the frame, casting a stark, cold illumination that sharply outlines a silhouetted treeline and reveals the heavy, textured layers of the cloud cover. The flash is predominantly white with subtle gray undertones, branching violently before fading rapidly back into shadow. \n\nCoinciding with the visual strike, a sharp crack of thunder detonates, immediately giving way to a deep, resonant boom that rolls through the audio field. The sound is dominated by sub-bass and low frequencies, beginning at peak intensity and decaying exponentially over several seconds until only a minimal atmospheric hiss remains. The extreme dynamic range and precise synchronization between the blinding flash and the overwhelming acoustic impact create a visceral contrast between light and darkness. The camera holds its static position as the stormlight vanishes, leaving behind a mood of primal tension, awe, and raw natural force.","video_1_relative_path":"videos/922804ba000654fa.mp4","video_2_relative_path":"videos/1dd56296bdb95aee.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/physics/physics_3/00000045","text_prompt":"The scene opens on a completely featureless black frame, holding a static, unwavering shot with no camera movement, pans, tilts, or zooms. There is no imagery, color, or light to break the void; the visual field remains an absolute, motionless darkness throughout. This stark emptiness serves as a silent canvas, deliberately withholding all narrative or environmental cues to force complete attention onto the auditory layer.\n\nOver this visual silence, a dense, industrial-flavored electronic track erupts and sustains without pause. The mix is loud and heavily compressed, driven by a relentless, machine-like percussion pattern hovering around 120 to 130 beats per minute. Hard, kick-drum-like pulses anchor the rhythm, while sharp, high-frequency synthetic stabs and occasional metallic clicks slice through the mix to punctuate the beat. Beneath it all, a deep, resonant bass drone provides weight and tension. The audio is entirely synthetic and digitally processed, lacking any natural room tone, reverberation, or environmental ambience. With no speech, vocalizations, or dynamic shifts to break the flow, the piece cultivates a hypnotic, urgent atmosphere, relying purely on rhythmic precision and tonal texture to evoke a sense of suspended anticipation.","video_1_relative_path":"videos/201f1b788a840462.mp4","video_2_relative_path":"videos/77f3b8df740b7c40.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/physics/physics_3/00000060","text_prompt":"Cinematic observational scene, naturalistic lighting with dappled sunlight filtering through trees, shot on a 35mm lens for a grounded, documentary feel. The scene opens on a static medium shot of a detached white car door propped upright against a dark vertical post in a sunlit junkyard, resting on dirt and gravel scattered with crumpled plastic sheeting and scrap metal. A faint, low-frequency hum of distant machinery underpins the quiet atmosphere. Suddenly, a sharp metallic clang rings out from off-screen, brief but resonant, while the door remains perfectly still. A calm, mid-range male voice with a neutral American accent begins an instructional monologue, stating, \"Okay, uh, so basically first, first impact will take care of the structural stress, and then we move to the secondary brace.\" As he speaks, the camera drifts left in a smooth, handheld pan, revealing a large blue barrel on a wooden stand and the trunks of surrounding trees, the subtle shake adding a tactile texture. The frame then reverses, panning right to recenter on the white door. The moment the door fills the center of the shot, a loud, complex crash erupts—starting with a high-pitched metallic snap, dropping into a deep booming thud, and scattering rattling debris across the audio spectrum. The impact dominates the soundscape, briefly overwhelming the ambient hum, yet visually the door never moves, the sunlight stays steady, and no human figure enters the frame. The crash decays into silence, leaving only the persistent low-frequency drone and the quiet tension of an unseen engineering test unfolding just beyond the edge of sight.","video_1_relative_path":"videos/d769903a12a487a7.mp4","video_2_relative_path":"videos/87aeabf3c3b11ea5.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/physics/physics_3/00000077","text_prompt":"Cinematic instructional footage, shot on a 35mm lens in a dimly lit residential garage, opens with a slightly high-angle close-up of the glossy front left headlight and hood of a dark blue sedan. Overhead fluorescent tubes cast sharp reflections across the paint, illuminating a concrete floor scattered with faint debris. An unseen hand presses a white handheld remote with a blue backlit screen, triggering an immediate, sharp plastic click. Instantly, a piercing dual-tone electronic alarm erupts, alternating between a high-pitched shriek and a lower mechanical tone that fills the space with a jarring, utilitarian urgency. The camera holds steady on the car’s reflective surface as the shrill siren dominates the acoustic mix, layered over a low, reverberant garage ambience and a faint electrical hum.\n\nAs the alarm blares at full volume, a calm, instructional male voice cuts through the noise, stating, “So that’s the panic. That’s the exact same as the regular alarm.” Simultaneously, the camera abruptly pans right and tilts downward, washing the frame in a swift motion blur that sweeps past the vehicle’s grille and bumper. The tracking shot reveals the surrounding garage clutter, lingering briefly on a tall golf bag standing upright beside a black trash can and a bicycle wheel leaning against the wall. The subtle handling rustle of the remote blends into the scene as the relentless two-tone siren continues unbroken, anchoring the clip in a practical, functional demonstration of the car’s security system.","video_1_relative_path":"videos/583fa0347a279fb4.mp4","video_2_relative_path":"videos/f41bb424e6bcd351.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/physics/physics_4/00000055","text_prompt":"The scene opens on a low-angle, close-up frame fixed on the lower section of a light-beige block wall, its top edge torn open in a rough, jagged horizontal break where a concrete slab has been stripped away. Above the fracture, the faded blue jeans and dark work boots of a worker stand planted on the exposed upper level, a black electrical cord trailing down into the void. Bright natural daylight spills from the opening above, catching the gritty texture of the masonry while a piercing, high-pitched mechanical whirring dominates the soundscape. The tone is metallic and abrasive, carrying the relentless rhythm of a demolition saw or jackhammer grinding against hard material, its pitch modulating slightly as it meets varying resistance.\n\nAs the camera executes a slow, smooth downward tilt and gradual pullback, the perspective widens to reveal the full scope of the damaged interior. Dust motes drift through the sunlit air, settling over uneven rubble and exposed plumbing pipes that run vertically along peeling yellow walls. To the left, a white-framed window with a mesh screen frames a glimpse of the outside world, where green foliage and neighboring buildings hint at a dense urban neighborhood. In the foreground, untended leafy plants grow beside a low ledge, offering a quiet organic contrast to the industrial decay. The mechanical drone persists without interruption, wrapping the space in a stark, utilitarian atmosphere that captures the raw, unbroken momentum of active demolition in a single, seamless take.","video_1_relative_path":"videos/4f776c99d2273c0b.mp4","video_2_relative_path":"videos/e9223809d546fcf5.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/physics/physics_5/00000018","text_prompt":"A cinematic close-up shot, steady first-person perspective, warm diffused lighting, and a soft pastel palette anchored by light-brown wood tones and white cotton textures set an intimate, ASMR-grade scene. A shallow depth of field keeps the tactile interaction in sharp focus while softly blurring a purple-and-white cosmetic box resting in the background, its front panel adorned with cartoon rabbit illustrations and bilingual labeling. The hands enter the frame, hovering briefly before pinching and lifting small tufts. As fingers stretch and separate the cotton, fine strands drift downward, catching the light, while the mass is repeatedly compressed, released, and gently patted until the hands finally withdraw, leaving the pile to settle.\n\nThe soundscape is a high-fidelity tapestry of material interaction, dominated by crisp rustles, soft shuffles, and sharp, satisfying snaps as cotton strands part. Each compression and release produces distinct, muted thuds that sync perfectly with the visual rhythm, all layered over a quiet, low-frequency room tone that suggests a small, furnished space. Near the conclusion of the sequence, a quiet, breathy female voice whispers in Korean, stating \"제가 손으로 만져보면 정말 부드럽습니다.\" The voice fades as the final fibers settle, leaving only the residual ambient hum, reinforcing the scene’s calm, sensory-focused atmosphere.","video_1_relative_path":"videos/187b3f8e1feb1f5e.mp4","video_2_relative_path":"videos/78c1fd61e0e4d989.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/physics/physics_5/00000050","text_prompt":"A cinematic close-up inside a historic stone bell tower, angled slightly upward to frame massive bronze bells suspended in a rust-streaked iron framework. Soft daylight filters through arched windows, illuminating floating dust motes and casting a warm, weathered patina across the metal surfaces. The foreground bell dominates the composition, its curved body etched with classical Roman capitals bearing faded inscriptions that trace the passage of time. A low, continuous mechanical hum establishes the ambient noise floor, soon interrupted by a sharp metallic clank and the high-pitched squeak of tensioned pivots. The unseen machinery engages, and the right-hand bell begins a slow, deliberate swing, its motion drawing the viewer’s focus as faint rattles from loose structural components weave through the room tone.\n\nAs the primary bell arcs fully into view, its concave interior flashes past the lens before reversing direction. At the peak of its swing, a deep, resonant clang erupts, rich in low-mid frequencies and echoing with long decay through the cavernous stone chamber, accompanied by a softer secondary clink from sympathetic vibrations. The bell gradually decelerates, kinetic energy bleeding into the air as a second, slightly lower-pitched strike rings out against the apparatus. Beneath the fading resonance, the soft mechanical whir of an automated reset system returns, blending with the persistent ambient hum. The camera holds steady on the resting bells as the reverberations dissolve into the quiet, timeless atmosphere of the tower, leaving only the lingering memory of bronze and stone.","video_1_relative_path":"videos/57c48e6317021e48.mp4","video_2_relative_path":"videos/2c53e702340d8fca.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/physics/physics_5/00000064","text_prompt":"Cinematic wide static shot from the rear of a dimly lit auditorium, looking toward a stage framed by heavy, dark brown curtains and bathed in theatrical spotlights that isolate the performers against deep shadows. A large black banner hangs overhead, its surface adorned with colorful lettering and musical symbols that catch the stage light. Five musicians occupy the space: a drummer seated behind a kit at the center-back, a keyboardist standing to the left, two guitarists—one in a plaid shirt near center and another in a dark jacket on the right—both holding electric guitars, and a fifth performer crouching low near the front-left edge. In the foreground, the motionless silhouettes of audience members’ heads and shoulders suggest a captivated crowd waiting in anticipation.\n\nA muffled, slightly reverberant male voice cuts through the quiet, speaking in English with a casual, off-stage tone. He remarks, \"I don't know if you can play it, but let's give it a shot.\" The moment the words fade, a loud, energetic rock riff erupts, instantly dominating the acoustic space. Distorted electric guitars, a driving bass line, and a full drum kit launch into a fast-paced, high-volume performance that fills the large hall with raw, live-room reverb. The dense, layered instrumentation carries a punchy, relentless rhythm, completely masking any ambient room tone or crowd noise. The band plays with focused intensity, their instruments cutting through the reverberant air as the unblinking frame holds on their explosive entrance without interruption.","video_1_relative_path":"videos/760c2de05fd5cb3a.mp4","video_2_relative_path":"videos/9eda6cb6537457b1.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/physics/physics_6/00000050","text_prompt":"Cinematic concert hall scene, shot on a medium close-up rear-angle lens under focused stage lighting with a warm, dramatic palette, opens on an elderly male percussionist with curly white hair, dressed in a black suit and white shirt, seated at a set of large, copper-toned timpani drums. He strikes the drumheads rhythmically with two mallets, his movements precise and grounded, while a music stand holding sheet music rests just to his left. The audio is dominated entirely by his performance: each impact produces a deep, resonant boom with a long, natural decay, echoing through a vast, reverberant acoustic space. The recording is pristine, with no crowd noise, ambient hiss, or extraneous foley, emphasizing the solitary power of the percussion.\n\nA hard cut transitions to a wide, high-angle shot that reveals the full symphony orchestra arranged on a polished wooden stage. The percussionist remains centered in the foreground, his rhythmic pattern unwavering, while rows of string, woodwind, and brass musicians in formal black attire hold their instruments in stillness. To the left, the conductor’s podium stands empty, heightening the sense of anticipation. The timpani rhythm continues uninterrupted, maintaining a consistent forte dynamic and moderate pace, with the rich natural reverb of the concert hall enveloping every strike. The scene captures a moment of dramatic focus, where the commanding, isolated percussionist commands the acoustic space, leaving the rest of the ensemble poised and silent in the grand, shadowed hall.","video_1_relative_path":"videos/c0b9a8087a18c844.mp4","video_2_relative_path":"videos/d241f8e02a46d4dd.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/physics/physics_6/00000097","text_prompt":"A grounded cinematic wide shot, static camera, flat diffused lighting under an overcast sky, opens on an open grassy field where a red remote-controlled helicopter rests on its landing skids. The aircraft features white rotor blades, silver tail boom accents, and clear cockpit windows, positioned in the foreground while two men stand behind it. The operator on the left wears a red jacket, blue jeans, white sneakers, a black baseball cap, and sunglasses pushed up onto his forehead; he grips a black transmitter with both hands, thumbs poised over the controls, leaning slightly forward in quiet anticipation. Beside him, the observer stands in a matching red jacket, dark trousers, and white shoes, one hand resting on his hip, watching intently. The background slopes gently upward into a brownish-green embankment that meets distant tree-lined hills, all rendered in muted, natural tones. The soundscape begins with a faint, low-frequency electrical hum that lingers in the open-air environment. Suddenly, a sharp metallic click cuts through the silence, immediately triggering a rising high-pitched whir as the helicopter’s motor engages. The whir quickly deepens into a steady, powerful buzzing drone as the rotor blades accelerate, growing louder and dominating the audio mix while remaining perfectly centered. The two men remain motionless, their focus absolute, with no extraneous environmental noise or human breath disturbing the scene. The drone sustains at a stable volume as the blades spin visibly, building a palpable tension of imminent action. The visual and audio narrative hold on this moment of suspended takeoff, the rotor buzz still active as the scene concludes, leaving the viewer in the quiet concentration of a launch just about to begin.","video_1_relative_path":"videos/45bf965b01d4d6bb.mp4","video_2_relative_path":"videos/66280e6b67900eeb.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/physics/physics_7/00000005","text_prompt":"Cinematic medium shot, handheld and slightly shaky, opens inside a helicopter cabin framed by beige interior panels and a large rectangular window. The lighting is flat and diffused under a heavy overcast sky, casting a cool, desaturated blue-gray palette across the scene. The camera initially captures a crew member in profile on the right, clad in a green flight helmet with black ear covers and a bright orange life vest, their back to the viewer as they grip a vertical pole wrapped in alternating yellow and black stripes. Beyond the glass, a vast expanse of calm ocean stretches beneath the gray sky, its surface rippling gently. Dominating the mid-ground is a massive offshore oil rig, a tall, multi-legged steel structure painted white and red, topped with industrial equipment and a small blue module near its center. A red-and-white supply vessel floats quietly alongside the rig’s base. As the camera pans subtly leftward, the crew member gradually drifts out of frame, leaving the composition to focus almost entirely on the open sea and the towering infrastructure.\n\nThe entire sequence is drenched in the relentless, immersive roar of helicopter rotors. A loud, continuous mechanical drone fills the acoustic space, its low-frequency rumble layered with a sharp, high-pitched whine that vibrates through the confined metal cabin. There is no wind, no weather, no radio chatter, and no human breath to break the sound; the audio is a dense, enveloping wall of turbine noise and blade slap that underscores the raw juxtaposition of a solitary figure against the scale of heavy machinery and the vast ocean below. The atmosphere remains enclosed yet overwhelmingly dominated by the power of flight, emphasizing isolation and the sheer physical presence of the machine.","video_1_relative_path":"videos/b94895d32d14ad3b.mp4","video_2_relative_path":"videos/265e7d57c0c5253d.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/physics/physics_7/00000055","text_prompt":"A cinematic, surreal sequence rendered in a low-polygon, early-3D aesthetic, bathed in deep crimson and burnt-orange tones. A wide, static shot captures a hellish landscape where the ground stretches into a vast, flat plain resembling molten lava or dried blood, fading into a hazy reddish sky streaked with faint vertical lines that suggest atmospheric distortion or rain. On the right, a small open-sided pavilion with a dark, multi-tiered roof stands beneath a red-and-white striped banner that flutters gently in the wind. Inside, an elderly man with white hair, draped in a long blue robe over gray trousers, sits facing away from the camera. To the left, a jagged rock formation rises beside thin, skeletal trees and two tall, segmented pillars painted in alternating red and white bands, while a black lamppost with a boxy lantern anchors the center-left foreground. A sharp, resonant metallic impact echoes through the scene, its high-frequency ring and brief decay coinciding precisely with the man beginning to rise from his seat.\n\nHe steps out of the pavilion and turns left, his movement accompanied by the soft rustle of shifting fabric and the muted thuds of his feet meeting the uneven terrain. The camera remains fixed but subtly tilts or zooms out, revealing more of the foreground slope as he walks forward. As he reaches the edge of the elevated platform, he pauses before stepping down to the lower ground, each of the three distinct footfall impacts growing slightly louder to match the visual descent. Throughout the sequence, a continuous low-frequency rumble layers with intermittent high-frequency crackles and a faint broadband hiss, evoking geological instability or supernatural tension. Underpinning it all is a slow, minor-key orchestral score featuring sustained string pads and sparse piano chords, maintaining a mezzo-piano dynamic that casts a melancholic, cinematic weight over the scene. The man finally stops at the bottom, facing forward, as the environment holds eerily still around him, the banner and atmospheric streaks providing the only motion in a composition defined by isolation and quiet dread.","video_1_relative_path":"videos/115f4876399d56c3.mp4","video_2_relative_path":"videos/cfd53f0cf20b0078.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/physics/physics_7/00000097","text_prompt":"A documentary-style scene opens on a sunlit outdoor construction site, captured in a static medium-close shot angled slightly downward. In the foreground, a man with short dark hair and a black polo shirt kneels beside a freshly poured concrete retaining wall, using a metal trowel to smooth its rough surface; his left hand steadies the tool while his right guides it along vertical grooves. Behind him, another worker’s lower body, clad in black shorts and tan work boots, shifts within the frame, stepping over scattered rocks and tools. The uneven dirt ground is strewn with a green tarp, a yellow bucket, and an orange-and-white cooler resting near a tree trunk. Bright natural sunlight casts sharp shadows across the terrain, emphasizing the gritty textures of wet gray concrete and dusty earth.\n\nOver this raw, unedited tableau, a male foreman with a General American accent begins speaking, his voice conversational yet gradually strained as the environment grows louder. He states, “We’re pushing through the weekend, and the forms aren’t that tight, so we’re gonna kind of break up the seams before it sets.” His words are steadily swallowed by a loud, low-frequency mechanical rumble that swells from nearby heavy equipment, partially masking his speech and underscoring the physical demands of the site. Faint, rhythmic scraping echoes as the trowel meets the wet surface, while a barely perceptible wind rustle lingers in the open-air space. The absence of music or stylized editing reinforces the immediacy of the moment, capturing a snapshot of skilled craftsmanship interrupted by the relentless hum of machinery.","video_1_relative_path":"videos/7d738d37b64030c8.mp4","video_2_relative_path":"videos/09b8854ee5307e3e.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/podcast/podcast_1/00000000","text_prompt":"Cinematic medium close-up, warm spotlight isolation against a nearly black backdrop with faint curtain folds, deep shadow palette. A woman from the waist up is centered, wearing a sleeveless coral-orange dress that catches the light, a silver pendant glinting at her mid-chest and small stud earrings framing her face. Her shoulder-length hair is parted to the side as she speaks directly into the lens with calm conviction. The lighting isolates her figure, leaving the background in deep shadow while casting a gentle fall-off across her right shoulder. As she talks, her hands rise from a clasped position near her waist, opening outward in an explanatory gesture before returning to rest. Her expression remains earnest, eyebrows lifting slightly for emphasis. A calm, neutral female voice with a North American accent begins, stating, \"My father discouraged me from pursuing them as a career because he had seen too many people try and fail at that.\" The audio is dominated by her clear delivery, accompanied only by a faint, steady room tone and a barely audible low-frequency hum, with no music or extraneous noise.\n\nThe scene cuts abruptly to a wide, high-angle view of the same auditorium, revealing the speaker now as a small figure standing on a circular red rug at center stage. To her left, large three-dimensional red letters spell out “TEDx,” with “Peterborough” in smaller white type beneath, set against a black drape backdrop. Rows of audience members sit silhouetted in the dim light, facing the stage. The spotlight continues to illuminate the speaker and the rug, while the surrounding floor and seating remain swallowed by darkness. She resumes gesturing, shifting her weight subtly as she finishes her thought. A calm, neutral female voice continues, adding, \"So I worked really hard at school to carve out my own future.\" The audio concludes with her final words ringing out clearly, followed by a short natural reverberation tail characteristic of a moderately sized hall, while the faint ambient hum persists until the scene fades.","video_1_relative_path":"videos/fd788bc7ed0b4602.mp4","video_2_relative_path":"videos/9906e2484c86141d.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/podcast/podcast_1/00000025","text_prompt":"A cinematic medium shot opens on a stage bathed in bright, even lighting, set against a large deep blue backdrop intersected by a horizontal white wavy graphic. Center stage, a woman stands perfectly still in a black-and-white patterned long-sleeved blouse and a dark brown skirt, holding a small round object at waist level with both hands. Her posture is upright and composed, her gaze fixed steadily on the audience as the scene unfolds. The audio immediately introduces a clear, rhythmic sequence of high-pitched, melodic bird chirps that dominate the soundscape, echoing faintly in the quiet indoor auditorium. The camera remains locked in place, allowing the woman’s calm presence and the persistent, gradually fading avian calls to establish a neutral, instructional atmosphere.","video_1_relative_path":"videos/7cab2d486b21832e.mp4","video_2_relative_path":"videos/817ae9f029afaf7f.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/podcast/podcast_1/00000028","text_prompt":"A polished studio interview scene opens in a static close-up, framed with crisp lighting and a saturated palette of magenta, red, and deep blue. The shot focuses on a middle-aged woman with shoulder-length highlighted blonde hair, wearing a bright magenta off-the-shoulder top and a chunky multicolored beaded necklace. She smiles broadly, looking down and slightly to her right with a bashful, amused expression. A warm, conversational female American voice begins, stating, \"No, I do, I include you in that, because listen, you know, I truly mean it.\" The audio remains clean and intimate, carrying only her mid-to-high pitched speech and a faint, steady room tone.\n\nA hard cut transitions to a medium two-shot against a deep blue curtain backdrop, where the same woman now wears a light beige blazer over a leopard-print blouse and grey trousers, seated beside an older companion with short dark curly hair in a black-and-white patterned jacket. The camera holds steady as she gestures expressively with both hands, … a slightly more animated female voice …: \"It's nice to have somebody still around to play with and learn from.\" Her companion listens attentively, gently holding her left hand, anchoring the moment in quiet affection. The environment stays acoustically controlled, free of music or background noise, allowing the emotional resonance of their shared companionship and reflective conversation to take center stage.","video_1_relative_path":"videos/b72e3b13f5d96fe5.mp4","video_2_relative_path":"videos/01c328161c7474c5.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/podcast/podcast_1/00000082","text_prompt":"Cinematic lecture sequence, steady medium-wide shot, cool blue background lighting with warm spotlights on a circular red stage, captures a speaker in a light blue button-down and dark trousers delivering a presentation. His posture is upright, his gestures deliberate as he addresses a dimly lit auditorium where audience silhouettes sit attentively in the foreground. The camera holds its position, letting his calm, resonant voice fill the quiet space with the natural reverb of a large indoor venue, accompanied only by faint room tone. As he speaks, he raises his right hand slightly for emphasis before lowering it, his measured cadence stating, \"Every year, thousands of people are killed on our roads.\"\n\nThe scene cuts abruptly to a static, upward-looking exterior shot of a large white commercial airplane soaring directly overhead against a clear, bright blue sky. The aircraft’s extended landing gear and twin jet engines are sharply detailed, emphasizing its scale and steady motion as it passes. The speaker’s voice continues seamlessly over this visual shift, bridging the two settings without interruption, adding, \"To put that in perspective, that is equivalent to a Boeing 747 crashing every single day.\" The audio remains strictly focused on his speech, devoid of music or ambient noise, preserving the weight of the statistical analogy.\n\nThe sequence returns to the stage, maintaining the cool blue background tones and warm spotlighting that isolate the presenter. He resumes his gesture-driven delivery, hands moving rhythmically to underscore the comparison between annual traffic fatalities and aviation accidents. The audience remains seated and still, reinforcing the solemn, academic mood. As he builds toward his conclusion, his voice carries the full weight of the metaphor, leaving the stark imagery of the passing aircraft lingering in the viewer’s mind as the narrative thread closes on the sobering reality of road safety statistics.","video_1_relative_path":"videos/218c7000c5ca49ee.mp4","video_2_relative_path":"videos/70038de50cb01eb4.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/voiceover/voiceover_1/00000009","text_prompt":"Cinematic thriller atmosphere, captured on a static medium close-up lens that locks onto a bearded man bound upright against a rough tree trunk in a pitch-black void. A deep, monochrome blood-red glow pours from an unseen source just off-frame, casting long, stark shadows across his shirt, which bears faint dark stains near the collar. Thick rope circles his chest and pins his arms behind him, his head tilted slightly upward and to the right, eyes concealed beneath a black blindfold. The lighting remains minimal, leaving the background in indistinct darkness to heighten the claustrophobic tension. A calm, dramatic female Mandarin voice-over begins, stating “He has already been born; unexpectedly, the man’s face immediately changes,” while a barely audible low drone underpins the sparse sonic environment.\n\nSuddenly, the man jerks his head and his mouth opens wide as he unleashes a guttural, strained outburst. His deep, highly agitated Turkish voice cuts through the darkness, roaring “Her oğlan!” with raw fury, veins pulsing at his temples despite the blindfold. Simultaneously, a sharp percussive impact, like a heavy slap or strike, rings out briefly louder than his shout. The red illumination flickers almost imperceptibly, amplifying the menace as the voice cracks with rage. The scene holds on his tense, shadowed face without cutting away, leaving the atmosphere charged and unresolved, underscored by the absence of music or ambient noise to emphasize the raw immediacy of the confrontation.","video_1_relative_path":"videos/818936164f5bc75c.mp4","video_2_relative_path":"videos/3d26fda85092270b.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/voiceover/voiceover_1/00000013","text_prompt":"A steady, eye-level medium close-up holds on an East Asian man in his late twenties, his face sharply modeled by a key light from camera-left that casts a chiaroscuro glow across his features while the background dissolves into a desaturated, gently blurred wash of muted greens and browns. He sports a severe buzz cut and wears a dark olive-green field jacket fastened with two silver snap buttons at the collar. His brow is deeply knitted, eyes locked on someone just off-screen to his right, and a single tear catches the light on his left cheek as a low, tense Cantonese voice from the man speaks, stating \"你身家都唔乾淨，你都有嫌疑。\" The shallow depth of field isolates his strained expression, while a faint electronic underscore of mid-tempo synth pads and a muted beat pulses quietly beneath the scene, underscoring the mounting suspense.\n\nHis tone sharpens as he continues, the tension in his jaw tightening before he finishes the thought, \"兩人你一言我一語直接對峙起來。\" A brief silence follows, leaving only the ambient hum of the dim interior, until a calm, neutral male Mandarin voice-over steps in to carry the narrative forward, stating \"兩人你一言我一語直接吵得不可開交。\" The static frame remains locked on the speaker’s weary, emotional state, the warm tones of his skin contrasting with the cool, shadowed edges of the room, while the subtle synth score holds steady, preserving the quiet intensity of the moment.","video_1_relative_path":"videos/3581424394145d67.mp4","video_2_relative_path":"videos/b533facf1248d2b7.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/voiceover/voiceover_1/00000041","text_prompt":"In the style of a restrained European drama, the scene opens on a steady, eye-level medium two-shot framed in widescreen, capturing a modest, white-walled room bathed in soft, diffuse daylight from camera right. The muted earth-tone palette of beige, grey, and light blue reinforces a subdued, realistic mood, while a shallow depth of field keeps the background details softly out of focus. In the left foreground, an older man in his late sixties, his grey hair brushed back beneath a light-grey pin-striped suit jacket and white collared shirt, holds a dark-brown leather wallet. With his right hand, he carefully extracts a small, pale-yellow envelope and begins to speak in calm, measured Mandarin, stating \"What he has gathered during this time is far more valuable than money.\" A faint indoor room tone underlies the scene as he extends the envelope toward the chest of the younger man standing opposite him. The younger man, dressed in a beige corduroy jacket over a light-blue shirt with dark curly hair, faces him attentively, offering a polite half-smile.\n\nJust as the envelope reaches him, the younger man raises his right hand, palm open, and firmly rejects it. He shakes his head slightly, his expression shifting from polite amusement to warm but resolute sincerity. A warm, insistent Italian voice follows: \"No, no, veramente no, I really cannot accept this.\" The older man pauses mid-motion, his eyebrows lifting in mild surprise as he lowers the envelope fractionally toward his waist. The camera remains completely still, preserving the intimate conversational atmosphere as the exchange hangs in the quiet, unadorned space. The ambient room tone persists without musical accompaniment or added effects, anchoring the moment in a grounded, ethically charged stillness that emphasizes the quiet weight of the unspoken values passing between them.","video_1_relative_path":"videos/c4d383c1d3e155dc.mp4","video_2_relative_path":"videos/7106bda2ed292f00.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/voiceover/voiceover_1/00000048","text_prompt":"Cinematic drama, medium close-up, static eye-level framing with shallow depth of field. A middle-aged East Asian man in a dark suit jacket and open-neck white shirt sits slightly right of center in a muted industrial warehouse, his face illuminated by soft natural daylight filtering through high windows that cast a mild chiaroscuro across his features. The scene is grounded in a palette of concrete greys, rusted browns, and dull blues, with the background of metal railings, stacked crates, and a receding ramp dissolving into soft focus. Behind him, a half-visible man in a light straw fedora with a black band stands motionless, gazing forward with a neutral expression. A low-volume orchestral underscore of low strings and sparse percussion begins, sustaining quiet tension. Over this bed, a calm male narrator in Standard Mandarin speaks with measured clarity, asking, “表演，什么叫过硬的台词？”\n\nThe suited man leans fractionally forward, his brows knitting and eyes narrowing as he gathers force for his reply. His jaw tightens, and he takes over in a firm, resonant baritone with a slight northern coloring, delivering his line with controlled breath and authoritative timbre: “决定一个人该不该枪毙。” The orchestral harmony deepens, reinforcing the gravity of the moral weight behind his words. As intensity peaks, his head tilts slightly downward, nostrils flare, and his volume rises to a decisive, emphatic cadence. He finishes with clipped articulation, stating, “这事不该吹毛求疵。” The camera holds steady on his resolute expression as the score fades imperceptibly, leaving the industrial backdrop softly blurred and the scene closed on the unyielding weight of his conviction.","video_1_relative_path":"videos/810a1637273c77d7.mp4","video_2_relative_path":"videos/fe8c36c31e4165f7.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/voiceover/voiceover_2/00000004","text_prompt":"Cinematic medium shot, neutral-cool daylight floods a brightly lit room with large windows framing a modern city skyline, casting a reflective tone over a dark, cluttered dining-style table. An older, balding, bearded man in a white shirt and loosened patterned tie leans forward, spooning jam into a glass before spreading it on a slice of bread, while a younger man in a short-sleeved mauve T-shirt chews his own jam-spread toast. A calm, documentary-style male Mandarin voice-over begins, stating \"现在无所事事的生活令他感到厌烦。\" Beneath the narration, a soft, slow piano melody plays quietly, establishing a contemplative mood. As the narrator continues, \"负责人却言简意赅，直击要害。\", the camera executes a subtle pan to the left, revealing a tall stack of orange folders, a black stereo system, a framed seascape photograph, two French posters, and four red-and-gold Matryoshka dolls arranged on a side surface.\n\nThe older man straightens slightly, lifts a buttered slice of bread to emphasize his point, and speaks in French with a measured, philosophical tone: \"Pour parvenir au repos, que l’homme travaille.\" His expression is earnest as the younger man pauses mid-chew, looking attentively at him. Maintaining eye contact, the older man adds, \"Mais c’est peut-être pour ça que votre ennui ne vous quitte pas.\" His thought concludes with a deliberate cadence as he gestures lightly with the bread, while the younger man listens silently, still holding his own piece of toast. The scene remains anchored by the steady piano accompaniment and a color palette of neutral whites and greys punctuated by warm accents of orange, red, and the rich brown of jam and bread, evoking an inter-cultural meditation on idleness and purpose.","video_1_relative_path":"videos/b674b69fd578c6aa.mp4","video_2_relative_path":"videos/f985ea3474682d60.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/voiceover/voiceover_2/00000083","text_prompt":"An adventure-comedy scene captured in a single static medium shot, bathed in the warm, low-key illumination of a stone fireplace that casts deep shadows and amber highlights across a rustic log cabin interior. The palette is dominated by earthy browns and tans, punctuated by a vivid red cloth that serves as a focal accent. A shirtless man in his early thirties, wearing loose light-colored striped underwear and a black wristwatch, stands near the center, bent over a dark-green metal chest on a low table. He has short dark hair and a mustache, and as he rummages inside the chest, a bright, enthusiastic female Mandarin voice-over begins, stating, “An adventure comedy film, *Treasure Vacation*.” Her upbeat, announcer-like delivery cuts through the soft indoor room tone and faint crackling of the fire, establishing a lively, review-style atmosphere.\n\nIn the background, a second shirtless man in patterned shorts sits on a wooden bench, idly handling an unseen object before glancing toward his companion. The standing man lifts the red cloth from the chest, holding it up for inspection while a relaxed, casually amused male English voice remarks, “Actually, I wouldn’t mind wearing one of these deer pelts up there.” The camera remains fixed, allowing the warm flickering light to dance across their faces, the hanging deer antlers, and the strings of cured meats, while the continuous, unobtrusive fire crackle and absence of music keep the focus entirely on the naturalistic dialogue and the tactile, wilderness setting.","video_1_relative_path":"videos/0194151242c1a7b1.mp4","video_2_relative_path":"videos/3b8bba91ef72216b.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/voiceover/voiceover_3/00000000","text_prompt":"A cinematic historical drama scene opens in a bright, evenly lit outdoor courtyard of an imperial Chinese palace, bathed in diffuse natural daylight that eliminates harsh shadows and lends a clear, documentary-like clarity to the emerald green, turquoise, crimson, and muted stone-grey palette. Shot in a single continuous low-angle medium take, the composition is symmetrically anchored by two tall, vividly painted ceremonial shields with turquoise-blue grounds, red and gold borders, and stylized yellow lion-like faces at their centers. Between them strides a central official in his fifties, his short dark hair graying at the temples, wearing round wire-rim glasses, a dark forest-green Qing dynasty robe adorned with a square multicolored rank badge, and a long string of deep-blue prayer beads. His hands are clasped before him as he moves from frame right toward the center, flanked by two younger attendants in dark blue robes and red conical hats with white brims who grip the inner edges of the shields with alert concentration. A calm male narrator in standard Mandarin begins, stating “但哪料郑伯已经暗中反水到了王爷一方。” while soft traditional strings and percussion provide a restrained, courtly musical bed.\n\nReaching the midpoint between the shields, the official halts and lifts his head, his posture upright and shoulders squared to convey quiet authority, though he remains silent for a moment. … the central official, delivering a sudden loud shout in Mandarin with a theatrical, urgent tone, exclaims “苏灿的靶上没有箭！” The forceful projection carries a slight reverberation across the open courtyard, startling the attendants who glance up briefly before returning to their watchful stance. The narrator’s track fades out, leaving only the live dialogue and the subdued traditional music to underscore the tension. The scene holds on this frozen tableau of officials and guards framed by the ornate shields, the juxtaposition of composed narration and sudden accusatory delivery hinting at a dramatic revelation of betrayal and impending conflict within the late imperial court.","video_1_relative_path":"videos/07e3e32ee5c4a70a.mp4","video_2_relative_path":"videos/ca26341578c62641.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/voiceover/voiceover_3/00000016","text_prompt":"Open on a fixed, medium-wide shot inside an opulent Qing-dynasty-style hall, bathed in warm, diffuse light that glints off glossy red pillars, carved lattice doors, and polished wooden flooring. The composition places a young imperial figure in the left third of the frame, his visual dominance established by an ornate yellow-gold dragon robe with flaring shoulder pieces, a heavy amber bead necklace, and a patterned cap. He stands erect, hands loosely clasped, eyes lifted slightly left as if addressing an unseen presence. Behind him, a subordinate in a dark navy robe and red-topped conical hat waits motionless near a low table holding a golden ceremonial helmet and bronze censer, while a rack of black polearms with white tassels leans against the right wall. The atmosphere is heavy with imperial tension, underscored by a steady, authoritative male Mandarin voice-over.\n\nThe narrator begins with a firm, declarative cadence, stating, “This revenge, one strike each, we owe nothing more.” Without camera movement, the shot holds as the voice continues, edged with resolve: “Relying on a tongue so sharp it never rots.” In the background, the subordinate suddenly breaks his stillness, bending at the waist in a smooth, deliberate bow that drops his head below the frame’s edge, emphasizing the rigid hierarchy between the two men. The main character remains utterly composed, his expression unchanging. As the narration proceeds, the voice begins a new clause, “Xiao Bao takes the lead,” but the sentence cuts off abruptly mid-phrase, leaving the thought suspended. The audio track ends sharply on the truncated syllable, and the image freezes on the bowed figure, closing the scene on a deliberate, cinematic cliffhanger.","video_1_relative_path":"videos/d9ddd3b1efffe196.mp4","video_2_relative_path":"videos/475cb3389fe4b482.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/voiceover/voiceover_3/00000051","text_prompt":"Open in a dim, industrial interior washed in sickly yellow-green light, where a single overhead fluorescent source casts hard, high-contrast shadows that emphasize a clandestine mood. A medium close-up frames two men standing face-to-face at eye level against a backdrop of heavy black machinery pierced by four circular apertures. On the left, a younger man with short dark hair, glasses, and a small hoop earring wears a black collared shirt. Beside him, an older bespectacled man with a trimmed goatee and a thin chain dangling from his ear wears a light olive jacket over a patterned shirt, holding a small metallic tool near his chest. A calm, neutral male Mandarin voice-over begins, stating “凹版印刷机通常只有政府才有权使用。” The scene is underscored by a faint, low-frequency room hum that deepens the atmosphere of quiet authority.\n\nA sharp rack-focus suddenly blurs the foreground pair into soft silhouettes, redirecting attention to a raised platform behind the machinery where a middle-aged man in a dark suit and tie leans over the railing, clutching several sheets of paper. He hurls one sheet downward toward the men below, and at the exact moment it leaves his hand, a loud, urgent male Cantonese voice rings out with slight reverberation: “喂！” Maintaining the shallow depth-of-field, the suited man continues gesturing emphatically with both arms spread wide, his mouth open mid-command as he still holds the remaining documents. The younger man tilts his head upward to track the falling page, while the older man lowers his gaze to follow it. The ambient hum persists as the shot holds steady, leaving the cavernous space thick with tension and unspoken expectation.","video_1_relative_path":"videos/dac589e98f12f889.mp4","video_2_relative_path":"videos/8ad7875ac5d0c32a.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/voiceover/voiceover_4/00000059","text_prompt":"A tense thriller/crime-action sequence unfolds in widescreen 16:9, defined by static eye-level framing, shallow depth of field, and a desaturated color palette that contrasts cool indoor blues with harsh exterior daylight. The camera peers from behind a blurred foreground object, catching a middle-aged Caucasian man with short dark hair and a neatly trimmed mustache as he steps cautiously from shadow into the cool glow of a porch light. He wears a charcoal-grey plaid blazer over a black crew-neck T-shirt, framed by a deep-blue doorplate marked “116” on the left and an off-white brick wall with a small picture on the right. A low, ominous electronic drone underscores the scene as a grave, urgent male Mandarin voice-over begins, declaring, “He would rather die than return to prison; he will be killed on the spot.”\n\nThe sequence cuts sharply to a sunlit exterior where three operatives stand beside a dark vehicle against a pale building façade. In the center, a rugged, greying man in a black tactical vest raises a black assault rifle, aiming forward with intense focus, while a cleaner-cut man in a dark business suit watches tensely beside him. Behind them, a curly-haired operative peers over the car roof. The crisp shadows and desaturated tones heighten the danger as the Mandarin narration continues, reinforcing the lethal stakes. The camera then returns to the interior, tightening into a close-up of the first man’s face. Sweat beads on his brow, his eyes wide with alarm as he looks upward toward an unseen threat, the soft directional lighting carving stark contrasts across his features.\n\nAs the shot lingers on his reaction, the Mandarin audio fades and a calm, authoritative English male voice cuts through the tension, stating, “I have instructions to shoot at the first sign of movement.” The sentence trails off into the persistent electronic bed, leaving the standoff unresolved. The scene closes on the man’s frozen expression, the subdued synth pad swelling imperceptibly to underscore the imminent violence, all rendered with a cool, desaturated palette that contrasts the indoor entrapment with the outdoor threat.","video_1_relative_path":"videos/8869871e4cade5f4.mp4","video_2_relative_path":"videos/4df9d2dd4b65c4ab.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/voiceover/voiceover_4/00000081","text_prompt":"A moody, noir-inspired sequence opens with high-contrast chiaroscuro lighting, a shallow depth of field, and a muted palette of deep greens, shadowed grays, and warm ambient tones. The scene unfolds in a dimly lit bar or pool hall where indistinct patrons blur into the background. A tight close-up frames an older, fair-skinned man with thinning blond hair and a short gray beard, his face carved by harsh side lighting and a faint rim light that separates him from the shadows. He wears a dark green collared jacket over a lighter shirt, his lined expression heavy with quiet gravity. A calm male Mandarin narrator begins in a measured, storytelling cadence, stating “结果被一个打台球的大爷给狠狠地羞辱了一番。” A low, ominous electronic drone underscores the moment, mixed quietly beneath the voice-over to establish a subdued but foreboding atmosphere.\n\nA straight cut shifts to a medium-close profile of a younger, fair-skinned man with tousled blond hair and a trimmed goatee, his eyes reddened and slightly swollen from a recent injury. He stands in three-quarter view, gazing leftward toward someone off-screen, his jaw tight with tension. The camera pushes into a frontal close-up as the low-key lighting catches the moisture in his eyes and the subtle fatigue in his features. … a gravelly male voice with a mild North-American accent speaks slowly and hesitantly: “But luckily for me, uh… I managed to walk away from it all.” A fleeting half-smile flickers across his face as his head tilts back slightly before settling forward again. The atmospheric synth pad persists at a steady, subdued level, never overpowering the dialogue, while the absence of ambient diegetic sound keeps the focus entirely on his isolated, unresolved confession, leaving the scene hanging like a tense teaser.","video_1_relative_path":"videos/c75d3adfe211c893.mp4","video_2_relative_path":"videos/663850e0950c5d27.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/voiceover/voiceover_5/00000003","text_prompt":"Cinematic drama, 35mm lens, natural window light filtered through vertical blinds casts chiaroscuro shadows across a dimly lit study. The scene opens with a tight close-up of a middle-aged man in a dark suit and tie, his face softly side-lit as his eyes remain lowered, his expression tense yet tightly controlled. A faint, low-frequency electronic drone begins to hum beneath the silence, establishing an immediate atmosphere of suspense. The camera remains completely static, holding on his brooding descent into resolve as the ambient room tone stays virtually empty, amplifying the quiet intensity of the moment.\n\nA hard cut shifts to a medium close-up of a woman seated slightly left of frame, her shoulder-length brown hair framing a grave, alert face as she wears a textured gray sweater. Behind her, a warmly glowing table lamp and framed artwork add depth against a muted wall. As she subtly shifts her gaze downward, an urgent, gender-indeterminate off-screen narrator begins in rapid Mandarin, stating \"Seize this opportunity, the female lead quickly grabs the gun on the table, then makes a run for it.\" The ominous synth pad continues quietly underneath, matching the narrator’s neutral-to-tense prosody while the woman’s lips remain still, emphasizing that the voice is purely non-diegetic. The lighting stays soft and directional, highlighting the subtle tension in her features without harsh contrast.\n\nAnother sharp cut returns to the man, now framed from a slightly lower angle as his head tilts upward, reacting to an unseen presence. Stripes of sunlight catch his cheek and neck, heightening the sense of urgency while the steady musical pulse holds firm. The sequence cuts back to the woman for a final moment; her brow furrows, her eyes widen minutely, and she draws a quick, visible breath before the image freezes on her intense stare. The narrator’s sentence concludes simultaneously with the visual stillness, the underlying drone sustaining for a fraction of a second longer before both picture and sound cut out abruptly, leaving a lingering, unresolved tension that foreshadows impending conflict.","video_1_relative_path":"videos/f15cba05e4cb3459.mp4","video_2_relative_path":"videos/8f8579ecf621aa71.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/voiceover/voiceover_5/00000078","text_prompt":"A documentary-style aerial shot opens on a mist-softened panorama of an immense karst mountain valley in southeastern China. Captured with a slow backward-and-upward drone glide, the scene is bathed in soft, overcast daylight that yields even illumination and muted contrasts, establishing a palette of lush greens, earthy browns, grey-black roof tiles, and pale blue-grey atmospheric haze. Tier upon tier of emerald-green rice terraces ripple down the slopes like giant staircases, their shallow water surfaces catching diffused light to create shimmering ribbons against the brown earth. A small village of dark-tiled wooden houses nestles on a gentle rise, its clustered roofs forming a compact silhouette. As foreground tree silhouettes slide past, adding depth to the composition, a calm, mid-low pitched male Mandarin voice-over begins, stating \"The people of the mountains created delicious food in the barren highlands.\" Beneath his steady, documentary-style delivery, a low orchestral string pad of cellos and violas fades in, its adagio tempo and consonant harmonies supporting the reverent tone.\n\nThe camera continues its smooth retreat, expanding the field of view to reveal additional concentric rings of terraces climbing into the hazy distance. The village grows smaller as the ascent exposes the sheer scale of the agricultural landscape, dozens of curved levels descending toward the valley floor. The narrator’s cadence remains unhurried, his voice carrying a quiet awe as he continues, \"This is thanks to their wisdom in facing the towering peaks.\" The string arrangement swells subtly to underscore the reverence for nature, then gently diminishes as the speech concludes. Stripped of environmental ambience, the scene rests on this majestic, symmetrical composition, where the leading lines of the terrace edges guide the eye across the intricate lattice stretching to the horizon. The music fades into silence, leaving a lingering sense of ecological harmony and cultural resilience.","video_1_relative_path":"videos/c45e7bf93db3719a.mp4","video_2_relative_path":"videos/ca40e7edb796fbec.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/voiceover/voiceover_5/00000081","text_prompt":"Cinematic underwater documentary sequence, captured on a static medium-close lens with a cool green-to-warm gold color palette, opens beneath the surface of a tranquil ocean where a cluster of black sea urchins densely covers a pale rock on a sandy seabed. Fine particles drift slowly through the water, anchored by the constant, rhythmic bloop of scuba breathing beneath a soft, low-frequency orchestral pad that establishes a quiet, exploratory mood. A hard cut then shifts the perspective to a dramatic upward view from within a towering kelp forest, where golden sunlight streams through translucent blades to cast moving shafts of light and gentle lens flares as the camera tilts slowly skyward. The score swells with sustained strings, and a calm, documentary-style adult male Mandarin narrator begins, stating \"纯净的水体和活跃的洋流\". The underwater bubbling continues underneath, now joined by faint, distant gull-like cries that hint at life above the surface, while natural backlighting through the fronds creates a chiaroscuro effect that emphasizes depth and texture.\n\nThe camera holds steady among the swaying kelp fronds near the rocky bottom, focusing on a large greenish-black sea urchin clinging to a barnacle-studded stone as two small silvery fish dart through the algae. The narrator’s voice remains steady and reverent as he completes the thought, adding \"造就了它们非凡的品质\". A close-up then isolates a solitary brown crab perched atop a mound of smooth pebbles and mussel shells, its mottled carapage blending seamlessly with the algae-covered stones while tiny crustaceans scuttle nearby in dimmer, texture-focused lighting. As the narration pauses, only ambient bubbles, subtle string chords, and a barely perceptible high synth layer remain. The scene widens into a hazy teal expanse where a school of grey fish glides left to right across the frame, anchored by a broad purple-flecked rock in the foreground and dense kelp receding into the mist. The narrator resumes, beginning \"这是一个陌生而又新奇的世界\", before the final image lingers on the drifting fish and sunlit kelp. All audio elements—the completed narration, ambient bubbles, and atmospheric score—fade simultaneously, leaving a sense of open-ended discovery that celebrates the pristine marine ecosystem and invites curiosity about the depths beyond.","video_1_relative_path":"videos/7e5ae6bda964d239.mp4","video_2_relative_path":"videos/0ea8104c84bc75e5.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/voiceover/voiceover_6/00000009","text_prompt":"A contemplative documentary sequence opens with a static, eye-level medium-long shot framed through blurred foreground leaves that act as natural window panes. A lone worker in a pale straw hat, dark long-sleeved shirt, and light trousers stands on a narrow earthen bank beside a calm, brownish waterway. He grips an exceptionally long wooden pole, twice his height, planting its tip into the mud to propel himself forward while leaning slightly for balance. Behind him, a dense wall of towering heart-shaped leaves rises against an overcast sky, their saturated greens and earthy browns softened by shallow focus to isolate the figure. The atmosphere is hushed, devoid of wind or machinery, as a gentle instrumental bed swells—led by a plaintive erhu-like bowed string, delicate piano arpeggios, and sustained synthetic pads. Over this reflective score, a calm, neutral male Mandarin narrator speaks in a clear, documentary tone: \"The unique land beneath their feet is called Duotian.\"\n\nA hard cut shifts the perspective to a high-angle aerial panorama, revealing the extraordinary patchwork of traditional raised-field agriculture. Countless rectangular and irregular plots emerge from shallow, jade-green water, separated by meandering channels. Some fields glow with emerald crops, others rest in rich brown soil, and a large central rectangle shows lighter tan earth prepared for planting. Tiny human figures dot the landscape, emphasizing its vast scale. As the camera performs a slow, smooth pan to the right, the color palette transitions to muted, misty tones under a uniformly grey sky, underscoring the thematic contrast between individual labor and the expansive wetland environment. The music sustains its serene, slightly melancholic cadence, carrying the scene into stillness as the aerial vista lingers without additional motion or audio flourish.","video_1_relative_path":"videos/722a95d3709beb50.mp4","video_2_relative_path":"videos/30cc232f51351664.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/voiceover/voiceover_6/00000029","text_prompt":"Cinematic culinary documentary style, shot with a macro lens under soft, diffuse daylight and a warm palette of vivid reds, fresh greens, and golden yellows. The sequence opens on a tight, slightly high-angle close-up of dozens of small, round cherry tomatoes floating in clear water inside a dark basin. Their skins glisten under the even light, most a deep crimson while a few retain green or yellow ripening patches. Gentle ripples disturb the surface as the fruits bob and collide softly, accompanied by a hushed, intimate ambience. A calm, neutral male Mandarin voice-over begins, stating \"味道.\" The camera then cuts to a static medium view of an outdoor rooftop garden bathed in natural light. A white plate in the foreground holds freshly picked zucchini blossoms with pale-green calyxes and partly unfurled orange-yellow petals, surrounded by whole zucchini, cucumbers, and more tomatoes, all framed by large green leaves. Behind the produce, a figure in a plain white T-shirt bends over a metal pot, stirring quietly in the faint ambient room tone.\n\nThe perspective shifts to an extreme close-up of a white ceramic bowl decorated with delicate blue floral motifs. Two cracked eggs rest inside, their yolks intact and glossy, until a wooden chopstick enters from the right and whisks them rapidly into a pale, frothy yellow liquid. As the mixture transforms, the narrator resumes in a steady, documentary tone: \"把菜园搬上屋顶的桂春对于怎么吃，同样有自己的想法。\" The viewpoint widens to a stable medium shot, situating the action on a portable gas stove. The patterned bowl now sits on a matching saucer beside a white plate holding closed zucchini blossoms and resting chopsticks. A large black wok on the burner releases wisps of steam while the cook’s right hand lifts a blossom and gently submerges it into the beaten egg, coating it thoroughly. The scene concludes under the same soft, even illumination, the low ambient hum and subtle utensil taps underscoring a contemplative, instructional rhythm that focuses entirely on texture, craft, and quiet culinary intention.","video_1_relative_path":"videos/8e546c7f7c85d789.mp4","video_2_relative_path":"videos/8e227473efe95435.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/voiceover/voiceover_6/00000031","text_prompt":"Cinematic food teaser, captured on a macro lens with a shallow depth of field that isolates the subject against a dark, out-of-focus background. The scene opens in an extreme close-up of stuffed bitter gourds suspended in vigorously bubbling dark oil, their pale white and light-green batter clinging to the wavy vegetable skin. A cool, bluish key light casts a nocturnal rim around the wok, contrasting sharply with the warm, appetizing golden tones developing on the food’s surface. A calm, friendly adult male voice with a mild northern Mandarin accent begins speaking over the constant, lively sizzling of the hot oil, stating, “焦黄色，特别好看。” (“Golden brown, especially nice.”). The camera holds steady as the batter slowly transforms, the oil popping and crackling rhythmically around the frying pieces.\n\nA hard cut shifts to a tighter macro view of a single piece resting on a matte blue plate, its crust now deeply caramelized and crisp, dotted with tiny black specks of pepper and glistening salt crystals. The narrator continues with a slight smile audible in his voice, instructing, “撒上椒盐,” (“Sprinkle pepper-salt.”), as the aggressive sizzling softens into a gentle residual hiss. The final shot reveals a generous pile of the finished gourds filling the frame, their textured surfaces catching the light. The male voice concludes enthusiastically, “然后一吃可香可香了。” (“Then once you eat it, it’s so fragrant, so fragrant.”), while the ambient audio fades to near silence, leaving only a faint room tone to underscore the sensory, appetizing conclusion.","video_1_relative_path":"videos/15937800caca741b.mp4","video_2_relative_path":"videos/ea35a92ddee74d4c.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/voiceover/voiceover_6/00000059","text_prompt":"Documentary-style sequence opening on a tight, static close-up of a single lotus blossom in full bloom, its saturated magenta-pink petals grading to crimson at the base, each delicately veined and slightly curled. High-right sunlight catches the velvety surface with soft specular highlights while casting gentle shadows within the flower’s folds, and a blurred backdrop of emerald leaves and a conical seed pod creates an airy bokeh that isolates the bloom. A calm, neutral male Mandarin voice-over begins, stating \"一种美食才会在水下孕育。\" in a low-mid, measured documentary tone, underscored by a subdued orchestral bed of soft sustained strings and faint woodwinds that establishes a contemplative mood. The scene cuts to a water-level perspective, where the camera holds fixed yet carries a subtle handheld weight; ripples disturb the dark green surface, scattering light into shimmering patterns that mirror tall reeds and tree trunks, while a dark, out-of-focus shape casts a fleeting shadow across the frame. The ambient score remains restrained and serene as the sequence transitions to a high-angle aerial view of a broad water expanse under bright daylight.\n\nFour slender rowboats glide diagonally from upper left to lower right, each carrying silhouetted figures who propel them with synchronized strokes, leaving long wakes that intersect in V-shaped ripples sparkling against the deep teal-green water. The distant bank reveals a thin band of vegetation and softened structures, and the orchestral music swells slightly with warmth, balancing the natural ambience. Finally, a straight cut frames a lone man standing outdoors amid lush foliage, dressed in a crisp white short-sleeved shirt, dark trousers, and a neatly tied black neckerchief. His short hair shows graying at the temples, and he gazes directly into the lens with a composed, solemn expression, set against softly defocused greenery and hints of pale sky. The color palette shifts from vivid natural hues to cooler aquatic tones before settling into muted earth tones, mirroring a thematic progression from nature’s bounty to human reflection. The score sustains a gentle, reflective cadence as the image lingers, concluding the sequence with quiet resonance.","video_1_relative_path":"videos/25807d7aaad57272.mp4","video_2_relative_path":"videos/891681b2b58f5f39.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/voiceover/voiceover_6/00000061","text_prompt":"A cinematic documentary sequence in a dense bamboo forest, rendered in rich saturated greens and earth tones with a shallow depth of field, opens on a low-angle macro shot of a single dark-purple-black bamboo shoot rising from the leaf-littered ground. Its tightly wrapped scales spiral upward, crowned by tiny brown bracts, while filtered sunlight creates soft, diffused illumination and gentle bokeh behind it. A calm, neutral male Mandarin voice-over begins, stating \"Early morning or late evening, the flavor is greatly diminished,\" accompanied by a quiet, atmospheric bed of traditional Chinese music led by a plucked guzheng and faint sustained strings. The scene holds this tranquil mood as a natural ambient hush lingers beneath the melody.\n\nA hard cut shifts to an extreme low-angle shot looking straight up between towering bamboo trunks toward a bright sky streaked with pale blue and wispy clouds. The camera tilts slowly upward, revealing the immense height of the stalks and rustling green fronds overhead, while a silhouetted forager in a broad straw hat glides briefly across the left foreground before exiting frame. Soft daylight flares gently at the top of the screen, enhancing the sense of depth. The perspective then settles into a medium close-up of the harvester, framed by two blurred bamboo stems in the foreground: a figure wearing a wide-brimmed woven hat, a grey zip-front jacket, and a red-and-white patterned scarf, bending forward with eyes fixed on the forest floor. As the narrator continues in the same measured, reflective tone, he adds, \"If you wait until overnight to eat it, it will already feel like another world.\" The guzheng motif repeats and gently tapers off, leaving a brief moment of near-silence that underscores the careful, seasonal rhythm of the harvest.","video_1_relative_path":"videos/f8a745e4db05cdff.mp4","video_2_relative_path":"videos/8ff0b11374a83918.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only2/movie/movie_1/00000090","text_prompt":"A cyberpunk-noir cinematic scene opens with a low-angle, street-level shot, bathed in deep blues and blacks with vivid neon and taillight reflections dancing on rain-slicked asphalt. A yellow taxi sits parked on the left, its rear wheel and lower body glistening under the downpour, while to the right, the silhouette of a figure in a long dark coat and high-heeled boots stands motionless near the curb. The soundscape begins immediately with a high-energy electronic track driving a four-on-the-floor kick, syncopated synth bass, and crisp hi-hats, layered over the dense hiss of heavy rainfall and the low, rolling rumble of distant city traffic. As the camera slowly pulls back and tilts upward, the taxi accelerates away, its tires carving through the pavement in a sharp spray while red brake lights bleed across the ground. A building facade emerges on the left, crowned by a bold red neon sign, as the departing vehicle’s engine rev briefly cuts through the mix before fading into the urban hum.\n\nThe pull-back widens into a sweeping vista, revealing a massive steel arch bridge spanning the sky and a tunnel entrance glowing with cool blue light in the distance. The figure raises a black umbrella with a faint metallic click and begins walking steadily away from the camera down the center of the street, heading toward the illuminated tunnel. Another yellow taxi disappears into the blue-lit throat of the tunnel ahead, leaving the first car swallowed by the shadows beneath the bridge. The electronic music continues its relentless, polished loop, dominating the auditory field alongside the steady, rhythmic patter of rain and the muffled resonance of the metropolis. The scene holds on the lone walker shrinking into the frame as the audio cuts abruptly to silence, leaving the journey unresolved and steeped in atmospheric tension.","video_1_relative_path":"videos/671b976ba8312a35.mp4","video_2_relative_path":"videos/599dd4a5c455492f.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only2/movie/movie_2/00000088","text_prompt":"A high-speed rear three-quarter tracking shot glides along a sun-drenched elevated highway, following a silver Pontiac Solstice convertible with California plate 7BBB97T as it tears forward before being swallowed by a cataclysmic fireball erupting from its left-rear quarter. Orange flames and thick black smoke billow upward as debris scatters, accompanied by a piercing metallic screech that instantly fractures into a thunderous, multi-layered explosion—a sub-bass boom layered with sharp mid-range snaps, high-frequency shatter, and sizzling crackle that drowns out all ambient noise. The camera cuts to a shaky handheld medium close-up on the bridge, framing a bald operative in a dark jacket leveling a rifle while a comrade stands partially obscured behind him, all set against a colossal plume of smoke and fire. Simultaneously, a woman with long dark hair, clad in a black leather jacket and tactical gear, tumbles backward through the pale sky. Her body rotates slowly, arms flailing, as a rushing wind sound modulates with her descent, building to a loud whoosh that culminates in a heavy, weighted thud and brief pavement scrape as she lands forcefully on all fours.\n\nAs the impact echoes, the burning Pontiac flips end-over-end down the ramp, triggering a secondary detonation marked by a deep concussive boom and cascading metallic tearing. The perspective shifts to a static wide shot, revealing the woman standing upright atop the bridge, silhouetted against the roaring inferno as embers and ash swirl around her. She raises her right arm triumphantly, framed by traffic lights, a green directional sign reading RIGHT LANE MUST TURN RIGHT, and the distant hum of urban life under clear skies. The camera pushes into a tight close-up of her face, protective goggles pushed up onto her forehead, her expression stern and focused. Beside her, a short-blond operative aims a scoped rifle forward, while teammates in matching tactical attire take cover with weapons raised. The scene holds on this coordinated standoff, underscored only by the residual hiss of burning materials, intermittent thermal pops, and the fading rumble of settling debris blending into the distant ambient city noise, leaving the air thick with tension and the raw aftermath of violence.","video_1_relative_path":"videos/bec2cbb2d0064719.mp4","video_2_relative_path":"videos/09fcfbe09a3e8746.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only2/movie/movie_3/00000018","text_prompt":"A high-octane action sequence opens with a high-speed, low-angle tracking shot hugging the rear driver-side wheel of a dark blue classic muscle car as it tears along the crest of a massive concrete dam under bright daylight. The tire spins violently against the rough surface, throwing a shower of sparks that match the relentless roar of the engine layered over a swelling, cinematic orchestral score driven by tense strings and sharp brass stabs. As the vehicle begins to skid sideways, the background dissolves into motion-blurred streaks of orange and yellow from trailing fire and explosion effects. A sudden, concussive boom erupts as a massive fireball detonates directly ahead, sending a wall of flames and debris toward the lens. The sound design peaks with shattering glass and a metallic crunch as the car collides with unseen obstacles, while the driver’s head jerks violently inside the cockpit.\n\nThrough the windshield, we see the driver—a man with curly hair in a black tank top—gripping the steering wheel, his jaw clenched and eyes wide with focused intensity. The perspective then pulls back to a sweeping aerial view, revealing the entire dam face engulfed in cascading explosions and thick plumes of smoke rising into a partly cloudy sky. The car tumbles end-over-end down the steep concrete slope, leaving a winding trail of fire and sparks as the camera rotates dynamically around the falling wreck to emphasize the chaos. Inside the cabin, smoke rapidly fills the space, swirling around the driver as embers drift past the glass. The seatbelt across his chest strains audibly, its red lettering catching the flickering light, while a sharp gasp escapes his lips. The orchestral score surges to a full-ensemble climax before abruptly cutting out, leaving only the diegetic sounds of grinding metal, deep rumbling detonations, and fading tire screeches.\n\nThe final moments lock into a claustrophobic interior shot as G-forces snap the driver’s head back, his mouth opening in a silent scream amid the choking haze. Wind noise and residual fire crackle through the wrecked cabin as the camera holds on his distressed expression, frozen in the inferno. The scene closes on this static tension, the saturated oranges and yellows of the flames contrasting sharply against the cool blue of the car and the gray concrete, leaving the audience suspended in the visceral aftermath of catastrophic failure.","video_1_relative_path":"videos/663ac4993109bcb0.mp4","video_2_relative_path":"videos/17e1f47268b5e9e4.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only2/movie/movie_3/00000024","text_prompt":"A high-octane cinematic action sequence unfolds under bright midday light, captured through a wide, slightly elevated tracking lens that establishes a vivid urban palette of steel, glass, and asphalt. Two high-performance machines—a red Corvette and a silver Mercedes-AMG GT—tear side-by-side down a dense multi-lane avenue, framed by tall buildings, leafy trees, and a blur of yellow taxis, a white-and-blue bus, and scattered pedestrians. The soundscape launches immediately with a driving hybrid orchestral score, its low synth bass and rapid staccato strings locked to metallic percussion hits that sync with the vehicles’ acceleration, while aggressive engine roars climb in pitch. The camera drops to a ground-level, head-on perspective between the lanes as the Corvette barrels straight toward the lens and the Mercedes sweeps past on the left. Overhead traffic lights glow green, storefronts streak into motion blur, and a yellow taxi flashes by on the right, all underscored by swelling brass accents and sharpening tire hiss that blend seamlessly with the mechanical growl.\n\nInside the Corvette, a medium close-up reveals the Black male driver gripping the wheel, his jaw set in focused concentration, while a woman with voluminous curly hair and a red leather jacket sits beside him, her tense gaze fixed ahead. Both are secured by black racing harnesses patterned with bold red logos, bathed in natural daylight filtering through the windshield as a deep, resonant engine hum vibrates through the cockpit. The focus shifts to an extreme close-up of a carbon-fiber center console where a hand firmly presses a prominent red ignition button. A crisp electronic chime and a sharp mechanical click cut through the mix, causing the score to dip momentarily before surging back as blurred city elements streak past the window. The perspective drops again to a low front angle of the silver Mercedes gleaming past a green commercial sign, its LED headlights bright and three-pointed star grille prominent, while a black muscle car with a massive rear spoiler and billowing exhaust tears along behind it.\n\nFrom a rear three-quarter angle, the muscle car accelerates into the distance before the camera cuts inside to reveal a bald man with a goatee, clad in a black jacket and silver chain, his hands firm on the wheel and his face taut with exertion. Heavy breathing cuts through the relentless roar of the engine and the driving rhythm of the score. The soundtrack swells to a fortissimo climax with cymbal crashes and a deep sub-bass layer, mirroring the escalating tension as wind rush and tire squeals punctuate the mix. Just as the sequence reaches its peak, a final burst of engine revs and a short, sharp metallic scrape echo through the frame, suggesting a dramatic maneuver or imminent collision that leaves the chase suspended in adrenaline-fueled motion.","video_1_relative_path":"videos/03dee75ced402449.mp4","video_2_relative_path":"videos/f20f2cb3dd2b9e9a.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only2/music/music_1/00000004","text_prompt":"An intimate acoustic performance unfolds in a static medium close-up, bathed in warm, yellowish ambient light against a muted, cozy palette. The camera remains completely fixed on a young woman with fair skin and blonde hair pulled into a high ponytail, wearing large black-rimmed glasses and a black off-the-shoulder top. She sits centered in a dimly lit room, a light-colored acoustic guitar resting across her lap as her right hand strums rhythmically and her left fingers press the fretboard. To her left, a dark doorway recedes into shadow, while just beyond the frame on her right, a small blue-and-white penguin figurine hints at a lived-in domestic space. Her head tilts gently downward toward the instrument, eyes occasionally glancing at the strings, her expression conveying quiet concentration and emotional engagement as she sings.\n\nThe soundscape is stripped back and raw, featuring only her clear, mid-to-high-pitched female voice singing softly over continuous fingerpicked acoustic arpeggios. Delivered at a slow, steady tempo in a diatonic major key, the vocal and guitar interplay maintains consistently quiet dynamics, underscored by a mild natural reverb that suggests a modest, untreated interior. The recording environment is acoustically clean, with an extremely low noise floor and no discernible ambient hum, handling artifacts, or extraneous breaths, allowing the understated emotion and technical control of the performance to take center stage. The absence of editing or external sound reinforces the authenticity of the moment, framing it as a vulnerable, unpolished home demo meant for private listening.","video_1_relative_path":"videos/34ae161dcf579be8.mp4","video_2_relative_path":"videos/90c890e4cf8a1954.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only2/music/music_1/00000055","text_prompt":"A handheld medium shot captures two street performers standing on a city sidewalk before glass storefronts, bathed in even natural daylight that washes the scene in muted grays and earth tones, punctuated by the boy’s red Arsenal jersey and the woman’s light-wood acoustic guitar. The camera maintains a steady frame with a subtle handheld sway, gradually panning left to reveal a diverse crowd of passersby—a man in a blue cap, a woman cradling a baby, and others lingering or strolling past—while a smartphone on a tripod records the performance nearby. A small green tip sign reading “TAP CARD TO TIP $5 OR SCAN TO TIP” rests near the microphone stand as the woman, dressed in a sleeveless dark-gray knit top and black jeans with a red guitar strap, strums gentle chords with her eyes closed in concentration. A clear female lead vocal begins, singing the syllables \"Hallelujah,\" while the young boy beside her sings in harmony, his lips moving in time with the melody.\n\nThe audio environment is clean and intimate, dominated by the woman’s vocal and the boy’s matching harmonies delivered at a moderate, unstrained volume, accompanied by crisp acoustic guitar arpeggios that suggest close-miking in an open-air space. Faint urban hum and indistinct crowd murmur linger in the background without overpowering the music, creating a continuous, unedited moment where the performers’ focused expressions and the gentle sway of the camera align seamlessly with the steady rhythm of the song.","video_1_relative_path":"videos/28f4794d1dbab41f.mp4","video_2_relative_path":"videos/2c87feb7c21a3536.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only2/physics/physics_1/00000035","text_prompt":"Cinematic miniature diorama, static low-angle shot from floor level looking slightly upward into a warmly lit living room den. The frame is anchored by a large, ornate area rug dominating the foreground, its surface woven with intricate octagonal medallions in red, blue, cream, and black, filled with delicate floral and geometric patterns. Behind the rug, a raised wooden hearth supports a modern fireplace insert featuring a black glass front framed by brushed metal trim and gold accents. To the left, a tall dark-red bookshelf holds an assortment of books, picture frames, decorative objects, and a plush toy near its base, while additional shelving and a black pet bed sit further down the wall. Soft ambient light from unseen overhead fixtures casts gentle shadows, emphasizing the rich textures of the carpet and furnishings in a meticulously composed interior.\n\nA highly detailed scale model of a semi-truck tractor unit glides steadily into view from the right, traversing the patterned carpet toward the left edge. The vehicle’s cab is painted a deep blue accented with silver pinstriping and gleaming chrome bumpers, mirrors, fuel tanks, and exhaust stacks, while its chassis and front bumper assembly contrast in bright red. Small white LED-like headlights glow faintly against the rug, and the driver-side door panel displays crisp, legible markings: “KNIGHT HAULER” in white serif lettering outlined in red, followed by smaller regulatory codes reading “MC-4879472,” “USDOT 423849,” and “TA-96L 09-01.” As the truck rolls forward, a rich, immersive mechanical soundscape awakens, synchronized perfectly with its motion. A deep, rhythmic diesel engine rumble builds into a full-throated roar, layered with a high-frequency turbine whine and the subtle friction of tires rolling over carpet. Sharp, pneumatic air-brake hisses punctuate the journey, their volume swelling to a peak as the vehicle passes closest to the lens before gradually receding into a fading diesel echo as the truck exits the frame. Beneath the mechanical symphony, a quiet indoor room tone and a faint electrical hum maintain the atmosphere, completing a sonically dense, self-contained vignette that celebrates miniature craftsmanship and realistic scale.","video_1_relative_path":"videos/dde10cab5a71a403.mp4","video_2_relative_path":"videos/6dcff714b94dd1d2.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only2/physics/physics_1/00000051","text_prompt":"A meditative, documentary-style nature sequence opens with a static, tightly framed close-up of a European goldfinch perched delicately on the tip of a vibrant green leafy branch. Shot with a shallow depth of field against a heavily blurred, deep maroon backdrop, the composition isolates the subject in serene, sunlit clarity. Natural daylight washes over the scene, casting soft shadows and accentuating the bird’s vivid plumage: a bright red face bordered by crisp white and black markings, a warm buff-colored back, and wings defined by bold yellow bars and sleek black feathers. Its small, conical beak rests in a pale pinkish-grey hue, while the surrounding leaves show subtle signs of natural wear. The camera remains completely locked off, allowing the goldfinch to command the frame with quiet, organic life as it shifts its head slightly from side to side, blinks lazily, and subtly adjusts its posture on the branch.\n\nThe auditory landscape mirrors this stillness with a dense, unstructured chorus of high-pitched avian vocalizations, layering continuous chirps, trills, and short melodic phrases that vary naturally in pitch and rhythm. This lively, naturalistic ambience suggests a sun-drenched garden or woodland edge, placing the viewer in close proximity to active birdlife without any artificial enhancement, musical scoring, or human presence. The birdsong fills the foreground, creating an immersive, documentary-like atmosphere that complements the meditative visual portrait. As the goldfinch continues its gentle, silent movements, the overlapping calls weave a seamless tapestry of outdoor serenity, inviting a quiet appreciation of delicate avian detail within a vibrant, untouched ecosystem.","video_1_relative_path":"videos/ed2aff087dd5143f.mp4","video_2_relative_path":"videos/000f76392ece49d0.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only2/physics/physics_1/00000086","text_prompt":"A static medium shot holds steady on a powerful waterfall cascading from a rugged cliff face into a tranquil pool below, framed by a lush, verdant forest. Out-of-focus branches with vibrant green leaves hang in the immediate foreground, creating a natural vignette that draws the viewer into the hidden depths of the woodland. Diffuse, overcast light filters through the heavy canopy, casting soft shadows and bathing the scene in even, natural illumination. The camera remains completely fixed, capturing the unbroken, rhythmic descent of water without any cuts, zooms, or movement, emphasizing the meditative constancy of the landscape. The audio landscape is dominated entirely by the relentless, roaring rush of falling water, which fills the acoustic spectrum with deep, resonant rumbles where the cascade strikes the pool and sharp, high-frequency hissing from the rising mist. There is no wind, wildlife, or artificial noise to break the immersion, leaving only the raw, unvarnished energy of nature’s flow. This unwavering visual and auditory continuity crafts a serene yet commanding atmosphere, focusing all attention on the steady, hypnotic rhythm of the waterfall in its secluded, untouched environment.","video_1_relative_path":"videos/db64ead66cb7d38d.mp4","video_2_relative_path":"videos/5f1e3c41be61b7ae.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only2/physics/physics_2/00000026","text_prompt":"Cinematic first-person shooter sequence, rendered in realistic 3D with dynamic lighting and atmospheric particle effects. The scene opens in a dimly lit, overgrown ruin resembling an ancient mausoleum, bathed in muted greens and grays. Shafts of pale light pierce through broken arches overhead, illuminating floating dust motes that drift through the stagnant air. In the foreground, gloved hands grip a modern assault rifle adorned with orange skull decals as the camera advances slowly down a narrow stone corridor lined with crumbling pillars and creeping vegetation. A calm, confident male voice begins, stating \"From far away, trust me, I’ve got the angle.\" The words are barely finished when three sharp gunshots ring out, each report echoing sharply against the hard stone walls and accompanied by bright muzzle flashes. Dust kicks up around distant impact zones as bullet pings strike masonry, while spent shell casings eject with tiny metallic ticks.\n\nThe shooter continues forward, aiming down sights as two humanoid figures emerge from the shadows near the corridor’s end. The voice continues, steady and matter-of-fact, \"I have no qualms about this,\" just before unleashing a rapid burst of gunfire that sends the targets staggering and collapsing. The staccato rhythm of the weapon fills the space, punctuated by the mechanical clack of the bolt release and the heavy thud of a fresh magazine sliding home. As the chamber cycles back into place with a sharp metallic snap, the perspective smoothly shifts to a third-person view behind the soldier, revealing his full tactical gear: a dark hooded jacket, camouflage pants, and scuffed combat boots. He stands motionless in the center of the cleared corridor, weapon lowered slightly. A confident male voice concludes, \"This is my natural habitat, for the most part.\"\n\nThe tension dissolves into a low, atmospheric hum, leaving only the faint whisper of wind and the distant echo of the tomb. The controlled aggression of the engagement gives way to quiet stillness, the soldier holding his ground as the dust settles around his boots. The scene lingers on this moment of aftermath, capturing the raw, tactile sounds of the environment and the lingering weight of the ruin, before fading into silence.","video_1_relative_path":"videos/a1d84de814ecd63a.mp4","video_2_relative_path":"videos/937c6fdcfe37a150.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only2/physics/physics_2/00000039","text_prompt":"Cinematic wide shot, neutral lens, bright hazy daylight, and a pale washed-out palette frame an expansive body of water under a hazy sky, with the horizon line resting near the upper third to separate the deep blue surface from the pale atmosphere above. The camera remains completely still, emphasizing a meditative, observational quality as gentle undulations and small ripples create a patterned sheen across the water, reflecting the diffuse light. Faint, blurry silhouettes linger on the far horizon, suggesting distant vessels or structures, while the foreground remains entirely clear of landmasses or distinct objects. Layered over this tranquil, minimalist tableau is a persistent, industrial-natural soundscape. A steady, rhythmic mechanical cycle drives the audio, pairing a low-frequency thump or clunk with a higher-pitched metallic squeak or groan at roughly one to two beats per second, evoking the continuous operation of heavy marine machinery like a winch or pump engine. Beneath this hypnotic rhythm, a constant broad-spectrum rushing noise fills the space, consistent with wind sweeping across open water or the steady wake of a moving vessel. The volume and texture of both layers remain unwavering, creating a stark contrast between the visual stillness and the relentless mechanical pulse that anchors the scene’s sense of time, isolation, and quiet coexistence between technology and nature. The audio sustains its steady cadence until it cuts off abruptly mid-cycle, leaving the waterscape suspended in its unchanging, atmospheric rhythm.","video_1_relative_path":"videos/c04d6fb481456be3.mp4","video_2_relative_path":"videos/24637edea06fa3df.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only2/physics/physics_2/00000045","text_prompt":"Cinematic DIY intro sequence, shot with a prime lens and high-contrast lighting, opens on a dark, stylized title card where a rectangular glass-like panel edged in a glowing cyan border sits centered against a deep blue-black backdrop streaked by radial light beams fanning from the upper left. Bold, metallic teal letters spell out “MISCELLANEOUS” above a larger “MATT” inside the panel. A sharp, high-pitched metallic crack erupts, instantly triggering a rapid cascade of crystalline shattering sounds as animated shards explode outward from the center, scattering across the screen in a burst of white fragments. As the pieces drift and tumble, faint star-like particles glimmer in the background, accompanied by a brief whooshing air movement and a low, resonant boom that swells beneath the impact before decaying into silence. The screen momentarily dips to black, completing the transition.\n\nThe scene cuts to a bright interior room under construction, where natural daylight floods through two tall windows with brown wooden frames, casting soft, even illumination across white walls and a plain ceiling fitted with a bare spiral CFL bulb. In a stable, slightly upward-angled medium-wide shot, a bald, fair-skinned man with a short reddish-brown beard and a black fleece pullover stands on a silver aluminum step ladder. Behind him, a large pale-green steel I-beam spans horizontally just below the ceiling, secured by a perforated black metal bracket bolted to the wall. The man looks directly into the lens, his mouth moving in sync with a calm, conversational male voice that cuts through a faint, steady room tone. Gesturing with his right hand, he first points toward the overhead beam and then opens his palm outward for emphasis, stating, “I have a 32-foot extension ladder that I use twice a year to put up and take down.” The composition remains locked and unblinking, emphasizing the practical, hands-on atmosphere of the workspace as the clip concludes.","video_1_relative_path":"videos/c2e10ed8192235c5.mp4","video_2_relative_path":"videos/5d098a9d7a538b88.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only2/physics/physics_3/00000020","text_prompt":"Cinematic wide shot, static camera, pitch-black night sky with no foreground elements or horizon line. Two faint points of light hover near the center and lower left as a thin vertical streak of orange-yellow light ascends from the bottom edge, signaling the launch of a firework shell. The camera remains fixed, tracking the projectile’s upward trajectory against the void. A sharp metallic click cuts through the absolute silence, immediately followed by a low-frequency whoosh that rises quickly in volume before snapping off at ignition. At the peak of its ascent, the shell detonates mid-frame with a sudden, bright white flash that momentarily overexposes the image. In its wake, a dense cloud of fine, glittering particles erupts outward in all directions, forming an irregular spherical burst that glows intensely white-hot before cooling into pale blue and lavender hues as it expands. A loud, percussive boom dominates the soundscape, layered with high-frequency crackles that peak instantly upon the visual detonation and decay rapidly over a second, rendered dry and close-miked to emphasize raw explosive force without environmental reverb. As the first burst fades, a second firework launches silently from below, leaving a faint orange trail that cuts diagonally across the frame toward the upper right. Within moments, it explodes just above and slightly right of the previous center, producing a smaller but vivid display of brilliant white sparks that radiate sharply outward like starbursts, clearly defined against the dark backdrop. The two bursts overlap visually, creating a cascading effect of diminishing brightness, while a second, slightly softer explosion punctuates the silence with a sharper, higher-pitched report and rapid-fire crackling. The final event unfolds as a third firework ignites from the lower center, climbing vertically before bursting into a massive, symmetrical sphere of golden-white sparks that fills nearly half the frame. Radiant trails linger briefly, shifting the color palette toward warm amber tones during decay, accompanied by the loudest and most complex sonic event: a thunderous, bass-heavy boom fused with sustained sizzling and popping textures that taper off naturally over two seconds. As the last embers vanish, absolute silence returns, leaving only the empty night sky and a lingering sense of stark, kinetic release.","video_1_relative_path":"videos/73085e6bf77020bd.mp4","video_2_relative_path":"videos/4d9325acf9413ea7.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only2/physics/physics_3/00000075","text_prompt":"Cinematic nature documentary style, captured in a single uninterrupted aerial shot. The camera begins high above a powerful waterfall plunging down a steep, striated cliff face in a lush tropical gorge, slowly tilting downward in a smooth medium-wide descent. Dense green foliage and thick vertical vines cling to the left edge of the frame, while the right side reveals layered stone softened by heavy canopy shadows. Diffuse, overcast lighting washes the scene in even tones, eliminating harsh highlights and allowing the bright foam of the cascade to blend seamlessly with the muted greens and grays of the rainforest surroundings. No human presence or artificial structures break the natural composition.\n\nThe audio landscape mirrors the visual grandeur with a continuous, broad-spectrum roar of falling water that fills the stereo field, suggesting immense volume and proximity. Layered within this steady acoustic bed are intermittent, high-pitched bird chirps that cut through the noise floor, hinting at unseen avian life within the foliage. The space feels open and naturally dry, with minimal reverberation and a perfectly steady volume that never swells or fades. Together, the slow camera drift and the unbroken environmental soundscape create a cohesive, meditative immersion into raw, untamed nature.","video_1_relative_path":"videos/cd91ca340ae0eddf.mp4","video_2_relative_path":"videos/89cba9211e6bd479.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only2/podcast/podcast_1/00000001","text_prompt":"Cinematic presentation sequence, wide static lens, focused stage lighting, and a deep shadow palette open on a minimalist stage bathed in warm key light that leaves the surrounding audience area in darkness. The visual composition is anchored by a circular red rug and large, three-dimensional red stage letters to the left, while the backdrop features a dark wall embedded with hundreds of tiny, bright blue LED dots that evoke a quiet constellation. A female presenter, roughly in her thirties with shoulder-length curly light-brown hair, stands center stage dressed in a crisp white collared shirt with black piping, tailored black trousers, and dark shoes. As she begins her talk, her clear, mid-range General American voice cuts through the acoustically pristine, noiseless environment. She gestures with her right hand, palm open and moving gently downward, delivering the line, \"He was sitting hunched over on the ground wearing a onesie.\"\n\nThe camera executes a hard cut to a medium close-up, isolating her upper body and face while the blue LED backdrop dissolves into a soft, shallow depth-of-field blur. Maintaining an earnest, conversational tone, she raises her right hand toward the side of her head with fingers splayed to illustrate her point. Without breaking the shot, she lowers her hand and brings both palms into the frame, moving them slightly apart to emphasize her next phrase. Her steady pacing and articulate delivery continue as she concludes, \"Those are the kind of outfits that zip in the back,\" letting her hands rest gently at her sides as the scene ends. The audio remains entirely isolated to her voice, with no music, crowd murmur, or ambient interference, preserving the intimate, lecture-hall atmosphere throughout.","video_1_relative_path":"videos/3e143cd066522686.mp4","video_2_relative_path":"videos/cdec21e8d939ce4a.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only2/podcast/podcast_1/00000043","text_prompt":"Cinematic breaking news broadcast, static medium shot, modern television studio defined by a bold red and black palette, bathed in bright, even lighting that casts soft reflections across the glossy floor. Framed center, a female news anchor with short brown hair stands in a sleeveless dark grey dress, a discreet microphone clipped to her neckline, holding a black tablet at waist level. Her expression is serious and focused as she delivers urgent safety instructions directly into the lens, her right hand moving with measured emphasis and her head tilting slightly to underscore the gravity of the moment. Behind her, a large digital screen projects a rotating red globe with concentric rings, while a window reveals a blurred nighttime city skyline. A calm, authoritative female voice with a British accent cuts through the silence, stating, \"Stay as quiet as possible. If caught out in the open, run. Do not walk, because they are much faster than they first appear. Do not confront them.\" The audio landscape remains deliberately sparse, stripped of music or ambient noise, leaving only the crisp articulation of her words, subtle breaths between phrases, and a faint, steady electronic hum typical of broadcast equipment. The overall mood balances professional composure with immediate danger, capturing a moment of controlled urgency as the anchor maintains her steady posture until the transmission concludes.","video_1_relative_path":"videos/9f6e96252bb0b2c2.mp4","video_2_relative_path":"videos/c92776bcce441556.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only2/voiceover/voiceover_1/00000030","text_prompt":"Cinematic documentary sequence captured in wide and medium lenses, bathed in bright, hazy morning light that casts gentle highlights on metallic fabrics and wraps distant peaks in an ethereal haze. The palette leans into earthy golds, lush greens, and muted blues and purples. The scene opens on a sweeping vista of terraced rice paddies climbing rolling green mountains, where golden-yellow stalks sway in a soft breeze. In the foreground, two young women in ornate bronze-brown tunics trimmed with vivid turquoise and white embroidery stand side by side, their braided hair pulled back as they work with calm concentration. One steadies a thick bundle of freshly cut rice while the other lifts a small curved sickle to slice through the stems. Further up the terraces, other harvesters move methodically in straw hats and dark jackets, while on the upper left edge a man in a white T-shirt kneels beside a tripod-mounted camera, documenting the labor. Beneath this image, a soft, slow-tempo instrumental track led by plucked pentatonic strings resembling a guzheng or koto, accompanied by faint bamboo flute harmonies, begins to play at a steady sixty to seventy beats per minute without percussion. A mature male narrator in standard Mandarin speaks over the music in a calm, declarative tone, stating \"百分之五。\"\n\nThe camera drops to ground level within the field, where out-of-focus stalks blur the lower frame as it tilts upward to follow two older women working close to the lens. They wear dark long-sleeved tops and light grey headwraps, with intricate colored bands decorating their collars and cuffs. One woman bends deeply to cut and bundle rice, then straightens to offer a warm smile toward the camera before resuming her task. Behind them, successive ridges of mist-veiled mountains fade into a pale lavender sky. The narrator continues in a measured, documentary cadence, his voice carrying subtle warmth as he explains that \"但大山里的人们仍然播撒着祖传的种子，与糯稻相互依存。\" The gentle music persists without interruption, maintaining a serene atmosphere that mirrors the rhythm of the harvest.\n\nThe final shot opens on an elevated, static panorama overlooking the entire valley, where dozens of harvesters dot the terraces beneath a washed-out, almost white sky. Foremost on the right, a woman in a striped shirt and broad white hat carries a baby strapped to her back in a patterned cloth sling, pausing briefly to look across the fields. The instrumental motif sustains its calm cadence until the scene concludes, leaving only the natural ambience of rustling leaves and distant mountain air, completing a visual arc that moves from individual labor to collective landscape.","video_1_relative_path":"videos/7b42de28e4d99da5.mp4","video_2_relative_path":"videos/9bb7d4e9144ff48f.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only2/voiceover/voiceover_1/00000049","text_prompt":"A warmly lit dining scene captured in rich, appetizing tones, dominated by warm oranges, reds, and greens under directional key lighting that highlights food textures and creates glossy highlights on sauce and shells. Shot with a shallow depth of field, the sequence begins with an extreme close-up of a deep-orange cooked crab filling the frame, accompanied by a soft, slow-tempo instrumental bed of gentle piano arpeggios and sustained strings that sets a contemplative and refined mood. A calm, neutral male Mandarin voice-over begins, stating “今天的人们很难做到物尽其用。” The camera then cuts to a side-profile medium close-up of a young East-Asian man wearing brown-rimmed glasses and a dark polo shirt with a lighter collar. He leans forward, lifts a piece of crab meat toward his mouth with his right hand, and bites down while subtle chewing sounds remain faintly audible beneath the continuous music. The background stays softly blurred to emphasize the intimate act of dining, with a white porcelain teapot and part of a dish resting quietly on the table at frame left.\n\nA straight cut transitions into a series of smooth, deliberate lateral pans across elegantly plated dishes arranged on a light-colored tablecloth. The camera glides over a round white plate displaying neatly fanned green beans topped with sautéed mushrooms and slivers of red chili, its rim adorned with delicate red-and-green floral motifs. Continuing rightward, the shot reveals a rectangular white plate holding a mound of pale rice or cauliflower florets garnished with tiny diced red peppers and green onion rings, accompanied by a sculpted translucent amber jelly sphere on a wire stand and a small purple edible flower. The motion settles on a shallow oval bowl filled with whole braised crabs whose lacquered shells gleam under the warm lighting, accented by a fresh sprig of green leaves. … a measured male Mandarin voice …: “一直以来，蟹都是中国餐桌上极有地位的美食。” The mellow music and narration hold their reflective pace, allowing the lingering view of the braised crabs to close the sequence as both audio and visual elements fade out together.","video_1_relative_path":"videos/718cbbe20cb5ee39.mp4","video_2_relative_path":"videos/75f9f5a2ecad6a01.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only2/voiceover/voiceover_1/00000050","text_prompt":"A nature-documentary sequence opens on a tranquil river landscape bathed in soft daylight, captured with a calm, wide establishing shot and an earthy green-and-yellow color palette. Tall yellow-green rice stalks sway gently in the foreground, giving way to a broad, mirror-like river that reflects a pale blue sky mottled with thin white clouds. Rolling hills dense with verdant trees stretch across the horizon, and a small tree-covered island rests in the middle distance while two tiny dark figures sit in a narrow boat gliding slowly from left to right. A gentle, low-volume ambient score of sustained string-like pads and faint piano arpeggios begins simultaneously, setting a reflective mood as a calm, neutral male Mandarin narrator begins his measured delivery: \"Compared to the past, people today rarely get to eat wild river crabs.\" The camera remains static, holding the expansive, lush scenery under even natural light while the subdued music underscores his steady, documentary tone.\n\nThe scene cuts to a medium-long tracking shot from behind the shoreline vegetation, following a single man in a light straw conical hat and dark short-sleeved shirt as he rows a long, narrow wooden boat away from the camera. The view then shifts to a very low angle skimming the water’s surface, where ripples and reflections of the cloudy sky and green island dominate the frame as the boat passes overhead, leaving a faint wake. A hard cut plunges the viewer underwater into a dim, bluish-green world where suspended particles drift through the murky water, shifting the palette to cool teal and muted browns. An extreme close-up fills the screen with the textured, grey-brown carapace of a large river crab, its formidable claws tipped with off-white flecked brown framing the composition. As the crab’s eyes blink slowly and minute ripples pass over its shell, the narrator’s voice returns with a brief, declarative emphasis: \"River crab.\" The background music swells slightly but remains subordinate, maintaining the clean, atmospheric soundscape as the shot holds steady on the crab’s subtle movements and drifting sediment, contrasting the vast open environment with this intimate, hidden habitat.","video_1_relative_path":"videos/65654012b69d1cb4.mp4","video_2_relative_path":"videos/d23f2491e666d85a.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only2/voiceover/voiceover_1/00000091","text_prompt":"Cinematic documentary style, shallow depth of field, natural lighting, and a subdued cool-earth color palette that shifts to vivid accents. The sequence opens with a close-up bathed in soft daylight from camera-left, holding on the weather-worn face of an elderly East Asian woman. Her deeply lined skin is framed by a green-and-yellow patterned headscarf and a black-beaded choker with white buttons, establishing a rustic coastal atmosphere against a pale grey concrete wall. A calm, neutral male voice in standard Mandarin begins a steady, measured narration, stating, \"Excessive industrial fishing once caused the ecology near Lanyu to continuously deteriorate, only easing slightly a few years ago.\"\n\nThe camera cuts to a second close-up, maintaining the intimate framing and soft natural light. Another elderly East Asian woman in a light-blue T-shirt gazes downward with a pensive expression, while a third woman in a yellow head covering and floral blouse smiles faintly in the softly blurred background. The narrator’s voice continues, carrying the quiet weight of the region’s environmental history, while the soundscape remains almost entirely silent, focused solely on his clear delivery.\n\nA wide, static shot reveals a modest two-storey wooden house perched on a rocky hillside, where two figures in white and blue shirts stand on an open balcony, gazing toward the horizon. Low stone walls, a tarp-covered structure, and distant green mountains stretch beneath a muted pastel sky at the edge of dawn or dusk. As the narration concludes, the scene shifts to a brightly painted traditional boat resting on dark, wet rocks at the shoreline. Its red hull and white gunwale are adorned with intricate geometric patterns and feathered carvings crowning each bow. Gentle waves lap softly against the stones, producing a faint, rhythmic splash that blends seamlessly with the tail end of the voice-over. The sea glimmers under a partly cloudy sky, grounding the moment in a quiet, reflective mood.","video_1_relative_path":"videos/2db868db1be15f2d.mp4","video_2_relative_path":"videos/2e1b64c2f3298e13.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only2/voiceover/voiceover_1/00000093","text_prompt":"A soft, slow-tempo instrumental bed of sustained strings and a faint plucked zither-like timbre fades in at low volume, setting a contemplative, documentary tone. The opening frame holds a tight close-up of a middle-aged man with short dark hair, light stubble, and sunglasses resting on his head, dressed in a white ribbed T-shirt and a red-white-blue beaded necklace. Backlit by daylight streaming through an opening behind him, he raises a small golden-brown food item to his mouth, biting into it and chewing thoughtfully while gazing slightly off-camera. A calm, measured male Mandarin narrator begins, stating \"简单的食物，本真的生活。\" The camera then cuts to a wider shot inside a modest open-air dwelling with unfinished concrete walls and a timber-beam roof, where three people sit cross-legged on the floor around a low metal bowl lined with broad green leaves holding several steamed root vegetables in yellow and dark purple hues. An elderly woman in a floral blouse and multicoloured headscarf peels a piece while a younger man in a blue cap watches attentively, and the first man, now in blue trousers, sits to the right observing the meal beside a white oscillating fan. An overhead close-up follows, focusing on weathered hands lifting a peeled yellow tuber from the leaf-lined bowl, the warm vegetable tones contrasting sharply with the deep green leaves and metallic sheen as the gentle score sustains its quiet flow.\n\nThe scene shifts to a close-up of an elderly man wearing a blue T-shirt and grey baseball cap, his deeply wrinkled face filling the frame as he brings a piece of the yellow tuber to his mouth and eats with evident satisfaction. The same calm, reflective male Mandarin narrator continues, adding \"离大海最近的爷爷，深深懂得与自然的相处之道。\" The camera then transitions outdoors to a sun-washed concrete pier or seawall overlooking calm blue water under a clear sky, where a black goat with long curved horns lies stretched out facing the horizon, occasionally chewing cud while other goats rest softly in the distance. Shot with a palette of natural earth tones, candid documentary lighting, and straightforward straight cuts, the sequence alternates between intimate close-ups and wider contextual frames, maintaining a seamless rhythm that mirrors the narrative’s shift from personal reflection to broader environmental harmony, leaving a serene coastal tableau as the final visual impression.","video_1_relative_path":"videos/e3ec5ac108416bd0.mp4","video_2_relative_path":"videos/1d285daa190afa2c.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only2/voiceover/voiceover_1/00000125","text_prompt":"Cinematic nature documentary sequence, shot on a 35mm lens with shallow depth of field and a palette of rich greens and earth tones with high-contrast backlighting, opens with a tight, low-angle close-up of a dark-green hiking boot pressing onto a damp, moss-covered log inside a bamboo forest. The sole’s deep tread and flecks of earth are crisply rendered while the background foliage melts into creamy bokeh. A gentle, slow-tempo instrumental score led by warm plucked strings reminiscent of guzheng or pipa begins immediately, establishing a calm, reflective mood accompanied only by faint rustling leaves. A hard cut reveals an extreme low-angle view looking straight up through slender bamboo trunks toward a bright sky, where strong sunlight streams through to produce lens flares and silhouette a figure in a wide-brimmed straw hat stepping into frame with a long-handled tool. The camera remains static, letting the contrast between the dark foreground silhouette and the luminous canopy dominate the image as distant birds chirp softly beneath the music.\n\nAnother cut shifts to a wider, still low-angle shot that now includes two foragers ascending a steep, leaf-littered slope among towering green stalks, both wearing traditional conical straw hats and practical work clothes while one grips a silver T-shaped digging pole and the other balances a woven basket on his back. Their figures are partially veiled by backlighting, creating a sense of depth and labor as a calm, documentary-style male voice in Mandarin begins, stating \"A month later, the thunder-shoot season ends.\" The camera tracks at eye level as the pair move deeper into the grove, sunlight dappling their clothing and the ground while the man with the pole leads and the basket-carrier follows closely. The narrator continues with steady cadence, adding \"The culinary story belonging to the mountain people,\" before a high-angle shot focuses on the forest floor where the lead forager plants his metal pole beside a lush shrub dotted with fresh green shoots amid dry brown leaves. The narrator finishes the thought, his voice imbued with quiet optimism to conclude, \"is just beginning.\"\n\nThe final shot returns to a medium view of the second forager walking along the path, framed by dense vertical bamboo stems, wearing a dark jacket over a striped shirt and carrying his basket while his face remains shadowed by the brim of his hat. The camera tracks gently with him as he disappears into the verdant corridor, and the narrator falls silent, leaving only the subdued instrumental theme, light woodwinds, soft percussion, and gentle forest ambience to underscore the scene. Shot with deliberate low angles and backlighting to emphasize the height and density of the bamboo, the sequence evokes a quiet reverence for traditional mountain life and the seasonal rhythms of the forest.","video_1_relative_path":"videos/596943be4be47e41.mp4","video_2_relative_path":"videos/901d8f1952d2c9f8.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_1/00000009","text_prompt":"Cinematic medium shot, late afternoon sunlight, and a muted European palette establish an intimate mood as a single continuous camera tracks backward at a steady pace, keeping a man and woman centered while they stroll side-by-side down a tree-lined sidewalk. A shallow depth of field softly blurs stone façades, awnings, and passing pedestrians, isolating the subjects in crisp focus. The man, with short brown hair, a light beard, a dark gray blazer, and a cream patterned shirt, walks slightly ahead on the left. Beside him, the woman wears a textured cream jacket over a black top, her blonde hair in a ponytail, a brown shoulder bag resting at her hip. They converse with animated ease, their expressions shifting between mild surprise, quiet affirmation, and wry amusement. A calm, neutral female voice begins the exchange, stating, \"December 16th.\" as she turns her head toward him with raised eyebrows. He glances back, nods once, and replies with a mildly surprised tone, \"She died that day?\"\n\nSeeking clarification, he asks, \"The one in Budapest?\" to which she confirms with a small nod and a faint smile, gesturing lightly with her right hand as she says, \"Yes. You remember that?\" He responds with a playful shrug and an open palm, his confident tone carrying, \"Yeah, I remember everything.\" She tilts her head, a knowing smirk playing on her lips, and teases, \"Of course, it was in your book.\" Throughout the conversation, the audio remains strictly naturalistic, with no musical score to distract from the nuanced vocal delivery. A low-level bed of ambient city sounds—distant traffic rumble, steady footfalls on pavement, the subtle rustle of fabric and leaves brushing in the light wind—fills the space beneath their close-miked dialogue. The atmosphere feels intimately conversational, anchored by their shared gaze and the quiet resonance of a shared memory tied to a funeral date and a published book.","video_1_relative_path":"videos/a852b3bbe3f838bb.mp4","video_2_relative_path":"videos/a3bcac802dd1c702.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_1/00000032","text_prompt":"A cinematic sequence opens in a steady medium-long shot, establishing a muted palette of greens, browns, and greys under warm, low-key lighting that spills from near the camera and soft daylight from a far doorway. The setting is a dim, narrow hallway where the left wall is rough, pale-grey plaster and the right is lined with vertical dark wood paneling. A small potted plant rests on a low stand beside stacked cardboard boxes with bright yellow, pink, and red flaps, while a black plaque bearing the number 108 is fixed to the left wall. In the foreground, a young girl in a light-grey hoodie emblazoned with a circular “Anywhere Anytime” logo, black backpack straps, and a red-and-black plaid shirt knotted at her waist grips the handle of a black wheeled suitcase. She looks down anxiously, her slight tremor evident as she asks, “Are we really out of money?”\n\nWithout a cut, the camera begins a gentle forward tracking move, keeping both figures centered as they advance. Behind her walks an adult woman in her early thirties, dressed in an olive-green oversized hoodie with multicolored block letters, distressed blue jeans, a black cross-body bag, and a white tote slung over her shoulder. She supports herself with a second black rolling suitcase while balancing a large brown cardboard box under her left arm, her expression a careful blend of reassurance and mild exasperation. Responding to the child’s worry, she answers firmly yet soothingly, “How could that be? This is a historic building, over a hundred years old. Not everyone gets to live somewhere like this.” The ambient soundscape remains strictly diegetic, filled only by the soft scuff of footsteps on the hard floor and the faint, rhythmic rattle of suitcase wheels.\n\nThe pair passes close to the lens, momentarily filling the frame before pivoting right to begin ascending the stairs. The camera tilts upward to follow their backs, settling into a rear three-quarter view as they recede toward the brighter doorway at the top landing. A single suitcase wheel clacks against a stair tread, echoing softly in the quiet space. The image holds on their upward movement, the contrast between the confined, shadowy hallway and the natural light at the top landing underscoring a quiet passage from uncertainty to hope, grounded entirely in the intimate realism of their shared journey.","video_1_relative_path":"videos/b7717e20f1b5b10e.mp4","video_2_relative_path":"videos/68f79df8c72d1da1.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_1/00000036","text_prompt":"A cinematic medium close-up, eye-level shot opens in a dimly lit workspace, focusing on two women seated side-by-side at a desk. The woman on the right wears a light-blue tweed jacket with gold buttons and large silver earrings, her dark hair pulled into a high ponytail. She looks down intently at a laptop, then lifts her gaze toward her colleague while speaking. A calm, professional female voice begins, stating \"There’s also our non-fiction account.\" Her tone remains calm and explanatory as she continues, \"The second shift of the working woman. I wrote this one.\" Behind them, slightly out of focus, a man in a light green button-down over a white tee holds a small clear vial with a gold cap between his palms, examining it closely, while another person in a mustard-yellow knit cardigan stands partially visible at the frame’s edge. Soft, directional light from above-left casts gentle shadows that highlight fabric textures, and the audio remains strictly intimate, capturing only the subtle rustle of clothing and the crisp cadence of her speech.\n\nA hard cut transitions to a wider, static medium shot revealing six individuals gathered around a cluttered desk in an industrial-style studio with exposed concrete walls. From left to right, a young woman in glasses and a cream sweater holds a light-blue clipboard, a man in a purple-and-green windbreaker over a beige graphic tee leans forward, and another in a plaid shirt and sage-green jacket stands with hands clasped. The man in the green shirt rests his chin on his fist, while the woman in the blue jacket listens with arms crossed. Seated at the desk, the speaker in a black top gestures with her right hand under the glow of a white articulated lamp that illuminates scattered laptops, pens, cables, and papers. A red \"No Smoking\" sign is mounted on the back wall. She addresses the group with a directive but conversational tone, \"So, just the five of you manage these two accounts?\" A brief pause follows before she clarifies, \"Actually, three accounts.\" The room remains acoustically dry and still, with only her voice and the faint tap of fingers on the desk breaking the silence, underscoring the focused, collaborative atmosphere of the team.","video_1_relative_path":"videos/3c589e9898043167.mp4","video_2_relative_path":"videos/6257d64fd5587e52.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_1/00000080","text_prompt":"An indie-romance tracking shot glides at eye level along a sun-dappled park path, bathed in the warm, low-angle glow of late afternoon. The palette leans into rich golds and deep greens, casting soft shadows and gentle highlights on the faces of a man and woman walking side-by-side toward the camera in a steady medium two-shot. The man, sporting light-brown hair, a short beard, a dark blazer, and a patterned white shirt, turns slightly toward his companion and asks, “Okay, what about reincarnation?” His tone is curious and lightly teasing. The woman, with shoulder-length wavy blonde hair, a black sleeveless top featuring delicate lace straps, and a brown shoulder bag, answers immediately and firmly, “Not at all.” She keeps her gaze fixed ahead, her expression neutral but certain. A faint rustle of leaves and the soft crunch of footfalls on the pavement underscore their quiet walk.\n\nWithout breaking stride, the man follows up with a quick, playful “God?” delivered with a rising intonation, to which the woman instantly replies, “No,” still perfectly composed. The man’s face soon breaks into a broad smile; he laughs softly, glancing down before looking back at his companion. Her stern demeanor melts into a small grin as she begins to laugh, her shoulders relaxing in shared amusement. “That sounds terrible,” she chimes in, her voice light, before adding with emphatic repetition, “No, no, no.” Turning her head toward him with a more open smile, she raises an animated hand—palm outward, fingers splayed—and says, “But at the same time, I don’t want to be one of those people that don’t believe in any magic.” Her voice carries a warm, earnest lilt. The man listens attentively, nodding slightly with his eyes fixed on her, as the camera continues its smooth advance and the natural conversation flows beyond the frame.","video_1_relative_path":"videos/8b9eaeab489ff9cc.mp4","video_2_relative_path":"videos/8089555500fec2dc.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_1/00000085","text_prompt":"A steady medium two-shot captures a sun-dappled residential path bathed in late-afternoon light, where a man with light-brown hair and a short beard, dressed in a dark-gray blazer over a pale yellow patterned shirt, walks beside a woman with shoulder-length wavy blonde hair wearing a black lace-trimmed sleeveless top and carrying a brown shoulder bag. They move slowly toward the camera in a continuous, gentle push-in, their figures sharply focused against a backdrop of lush foliage and soft red blossoms rendered in creamy bokeh. As they stroll, the woman turns her head slightly, her brows raised in tentative inquiry, and asks, \"What if we were to die tonight?\" Her voice carries a reflective, gently earnest quality, while the ambient soundscape holds only a faint outdoor hush and the soft rhythm of their footfalls on the pavement.\n\nThe man glances at her with mild amusement before looking ahead again, his mid-range voice carrying a light, teasing lilt as he replies, \"What, like if the apocalypse was coming?\" Her eyes widen briefly, a small half-smile flickering across her face before settling into thoughtful seriousness. She shakes her head once, lips pursed, and answers in a calm, reflective cadence, \"No, no, that’s too dramatic,\" as his eyebrows lift in gentle curiosity. Continuing their leisurely pace, a passerby in a red T-shirt crosses the mid-ground behind them, momentarily blending into the verdant scenery. The woman’s tone softens, tinged with quiet vulnerability, as she finishes her thought, \"But what if, you know, just the two of us were going to die?\" The man’s expression settles into contemplation, offering an almost imperceptible nod. The camera maintains its unhurried forward drift, preserving the intimate, philosophical weight of their exchange as natural daylight filters through the canopy and their conversation lingers in the still air.","video_1_relative_path":"videos/92c079fc40434d29.mp4","video_2_relative_path":"videos/b705d740643232a5.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_1/00000089","text_prompt":"A static medium two-shot frames a man and a woman seated on a dark-green, curved-back metal park bench, surrounded by lush, softly blurred foliage under diffused daylight that casts even, shadowless illumination. The woman, positioned on the left, turns slightly toward her companion, her right hand lifting near her chest as she begins to speak with a clear North-American accent, an earnest expression, and raised eyebrows as she asks, “When it comes to dirty talk, what specific word would you like to hear?” A faint rustle of clothing accompanies her gesture, while the quiet outdoor ambience remains barely audible, keeping the focus entirely on their intimate exchange.\n\nThe man, seated on the right in a grey blazer and speaking with a relaxed North-American accent, listens attentively with his head angled toward her and one hand resting near his lapel. He responds with a calm, slightly amused tone, giving a small nod as he says, “Right? You know exactly what I mean. Like me?” He lifts his right hand to lightly tap his blazer before offering a gentle outward sweep of his palm, his delivery playful and inquisitive. The woman’s gaze softens into mild surprise, her brows lifting higher as she holds her pose and listens closely. He continues seamlessly, “Well, yeah. For example, what specific word would you like to hear?” punctuating the question with a steady, open gesture. The camera remains fixed, preserving the tranquil, cinematic stillness of the scene as their candid, flirtatious conversation unfolds in the quiet, shaded park.","video_1_relative_path":"videos/e871dc33f6b3e627.mp4","video_2_relative_path":"videos/58a7377dc2ac08cf.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_10/00000007","text_prompt":"A minimalist domestic drama opens in a fixed, wide shot of a bright, modern open-plan kitchen and dining area, bathed in even, soft daylight streaming through a large window behind the counter. The color palette leans toward neutral creams, whites, and muted earth tones, establishing a relaxed morning atmosphere. A woman in her late twenties or early thirties stands at a rectangular wooden table draped with a white floral tablecloth, wearing a cream sleeveless knit vest over a sheer lace-sleeved top, light blue jeans, and pink slide sandals, her dark hair tied in a loose bun with short bangs. With a furrowed brow and one hand resting on the tabletop, a subdued, slightly complaining female Mandarin voice with a mid-high pitch begins, stating \"我心里面不舒服啊。\" Behind her, a man in his early thirties with short black hair, dressed in a brown turtleneck sweater and dark trousers, leans casually against the kitchen counter with his hands in his pockets, watching her with a concerned expression.\n\nThe static wide framing holds as the man steps forward slightly, tilting his head to ask in a calm, gently curious male Mandarin voice with a mid-low pitch: \"这为什么呀要这样？\" His measured delivery emphasizes genuine confusion. The woman straightens up, still looking uneasy, and briefly glances toward him before returning her gaze to the table, while a faint appliance hum underscores the quiet room. A hard cut then shifts to a medium two-shot from a slightly higher angle, tightening the focus on their upper bodies and revealing more kitchen details: a green microwave covered with a white lace cloth, glass-front cabinets displaying wine bottles and jars, and hanging mugs on a blue-and-white rack. The woman exhales audibly, her voice shifting to a brisk, impatient female Mandarin tone as she gestures sharply toward an unseen pot and flicks her wrist in dismissal: \"行了，去把馄饨帮我盛出来，快去快去。\" The man’s eyebrows rise, he nods once in acknowledgment, but remains silent.\n\nThe frame holds on this medium close-up as both characters freeze momentarily in their positions—the woman’s hand suspended mid-gesture, the man beginning to pivot as if to leave—before cutting abruptly to black. Throughout the sequence, the camera work remains minimalist and spatially continuous, prioritizing interpersonal tension over visual dynamism. Natural daylight mixed with overhead fixtures casts soft shadows and maintains balanced exposure, while the deliberate absence of non-diegetic music or sound effects keeps the focus squarely on their subtle facial expressions and the quiet emotional weight of the exchange.","video_1_relative_path":"videos/bc93294aeb7f806b.mp4","video_2_relative_path":"videos/42df2b7a7d440910.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_10/00000013","text_prompt":"Cinematic office drama, shot on a static camera with a classic shot-reverse-shot rhythm, bathed in soft, diffused daylight filtering through large windows to establish a cool, neutral palette of navy, black, and crisp white, with minimal shadows and a faint HVAC hum grounding the quiet space. The frame opens over the shoulder of a woman with long dark-brown hair in the left foreground, focusing on a middle-aged man occupying the right half of the shot. He stands with a serious, authoritative bearing, his short hair greying at the temples and a trimmed goatee accentuating his focused expression, while wearing a navy-blue suede-textured blazer over a black turtleneck. Behind him, closed white horizontal blinds soften the ambient light. A mid-low pitch, authoritative male Mandarin voice begins, stating “洪总那边呢？”\n\nThe shot cuts to a medium close-up of the woman, revealing her upright posture and crisp white collared shirt beneath a black blazer, accented by a loosely tied black-and-white patterned neckerchief. Large windows behind her blur into an out-of-focus city skyline, with a potted green plant adding a subtle touch of life to the professional atmosphere. Facing slightly left toward him, she meets his gaze with a composed yet earnest expression. A calm, earnest female Mandarin voice replies, “洪总的事情我有错。” The camera returns to the man’s perspective, where he raises his eyebrows slightly, his steady tone shifting to firm reassurance laced with restrained annoyance. A steady, reassuring male Mandarin voice continues, “不是你的错。要怪就怪那个小新办事不力。”\n\nCutting back to the woman’s close-up, she listens intently, her eyes holding his with a blend of caution and fairness. Her measured Mandarin voice drops slightly at the end as she proposes a solution. A measured, conciliatory female Mandarin voice proposes, “要不你把她换了吧？这事真不能全怪小新。” The static framing emphasizes the unspoken tension of workplace accountability and managerial hierarchy, leaving the ethical weight of the exchange hanging in the softly lit room. The audio remains clean and focused, with consistent speech levels and negligible background noise, allowing the nuanced delivery of each line to carry the scene’s emotional subtext until the frame holds on her resolute expression.","video_1_relative_path":"videos/8aa0550e25c8a7f3.mp4","video_2_relative_path":"videos/cd50511c3e0f2d65.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_10/00000050","text_prompt":"A nocturnal intimate drama shot on a static medium close-up with a shallow depth of field, rendered in a muted earth-tone palette against a dark cabin interior. Soft, cool dashboard illumination carves a chiaroscuro contrast across the driver’s face, while blurred green-blue streetlight reflections drift across the side windows. The driver, an East-Asian man in his thirties wearing a brown ribbed turtleneck beneath a dark textured jacket with a fleece collar, rests his right hand on the steering wheel. A calm, measured male Mandarin voice, strained with regret, begins, stating \"But back then, I couldn't stand on your side, otherwise Dad would have suffered for life.\" The cabin remains quiet save for a low, steady engine hum.\n\nA straight cut shifts to the front-seat passenger, an East-Asian woman in her late twenties with short black hair, blunt bangs, and pearl drop earrings, dressed in a beige-and-grey plaid coat over a white collared blouse. She looks toward the driver with downcast eyes and pressed lips, a weary, resolute female Mandarin voice responding, stating \"Alright, I understand.\" She then lowers her gaze, inhales quietly, and raises her eyes again with a subtle tightening around her mouth, the same female voice softening but remaining firm as she continues, asking \"Anyway, from now on, let's just stop talking about Dad, okay?\" The man remains silent, his presence anchored by the unbroken framing and the faint reflection in the rear-view mirror, which subtly underscores the weight of unresolved family history. Muted earth tones and dark cabin shadows dominate the palette, punctuated only by the occasional neon-green and blue highlights of passing traffic, while the restrained performances and intimate nocturnal setting convey a profound sense of private vulnerability and lingering resentment.","video_1_relative_path":"videos/80147fa556adb3cf.mp4","video_2_relative_path":"videos/f813cc3f71673a68.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_10/00000059","text_prompt":"Cinematic corporate drama, shot on a 50mm lens with a static medium framing and a single clean cut to an over-the-shoulder reverse shot. The scene is bathed in cool, diffused overcast daylight filtering through large office windows and horizontal blinds, casting a low-contrast glow over a muted palette of charcoal, slate, and crisp white. In a minimalist high-rise office, a middle-aged East Asian manager sits behind a dark wooden desk, his chest framed in a steady shot. He wears a tailored charcoal suit with a dark tie, his short hair neatly combed with silver at the temples. A black leather notebook and a stack of white papers marked with red-and-black charts rest on the desk before him. Initially clasping his hands, he leans slightly forward, his steady gaze fixed off-screen right as a barely audible room-tone hum fills the quiet space. A calm, mid-low resonant male Mandarin voice begins, stating “Do you really believe your strategy is without flaw?”\n\nThe camera cuts directly to an over-the-shoulder view of the woman seated opposite him, her long wavy dark hair softly blurred in the foreground. She sits upright in a black leather chair, dressed in a dark plaid blazer over a crisp white collared shirt and a black turtleneck. A slim pen rests between her fingers as she meets his gaze with a small, confident smile. A clear, mid-range female Mandarin voice replies, “It is flawless.” Her expression then deepens with earnest resolve, and she shifts subtly in her seat, her delivery slowing with a gentle downward cadence as the female Mandarin voice continues, adding “Words are useless; we can only let next month’s sales figures speak for themselves.” The ambient soundscape remains virtually silent, save for her speech and a soft intake of breath, leaving the two professionals locked in a tense, unspoken exchange against the sober backdrop of the corporate suite.","video_1_relative_path":"videos/9cca84bae00973fb.mp4","video_2_relative_path":"videos/4224f563cfae964c.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_11/00000023","text_prompt":"Cinematic medium-wide shot, locked off at eye level, captures a brightly lit modern Chinese restaurant bathed in warm, even light from hexagonal pendant lamps and soft daylight filtering through large windows. The color palette balances muted browns, cool blues, and vivid red against neutral whites, with a round table draped in a white lace-patterned cloth anchoring the foreground. A young girl with twin buns sits with her back to the camera, quietly eating, while an adult woman in a brown ribbed sweater and trousers arranges utensils nearby. Beside her, a man in a blue-and-white plaid shirt layered under a light beige quilted vest raises a glass half-filled with pale liquid and turns toward a waiter approaching from frame right. The waiter, clad in a red short-sleeved uniform with ornate gold trim and dark-rimmed glasses, holds a flat brown tray and leans forward with a polite smile. The man addresses him in Mandarin with a mildly confrontational tone, his voice cutting clearly through the soft murmur of restaurant chatter: “程大少，你在这儿干嘛？”\n\nWithout a cut or camera movement, the man lowers his glass, exhales audibly, and continues with a sighing, exasperated inflection: “唉，别提了，戴维那个孙子把你裁了之后，这摊子事就彻底乱了套。” He gestures lightly with his free hand, maintaining steady eye contact as the waiter nods sympathetically and opens his mouth to reply. The woman continues adjusting plates, occasionally glancing between the two men, while the child remains absorbed in her meal. Faint cutlery clinks and distant dishware taps underscore the casual dining atmosphere, grounding the scene in a low-level ambient realism that highlights the underlying workplace tension and the man’s frustrated resignation. No music or electronic tones interrupt the natural soundscape, leaving the focus entirely on the spoken exchange and the quiet, observant presence of the surrounding patrons.","video_1_relative_path":"videos/da8cca22d5698d3f.mp4","video_2_relative_path":"videos/72d94cebb368b186.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_11/00000093","text_prompt":"A mid-century Hong Kong period drama unfolds in a dim, warmly lit restaurant, captured through a shallow depth of field and static framing that isolates a middle-aged East Asian man in a dark suit seated at a small round table. Warm tungsten tones from a pleated table lamp cast amber light across his neatly combed hair and pensive expression, creating high contrast against deep shadows and rich blues and browns in the surrounding décor. In a calm, low-pitched male Mandarin voice, he leans slightly forward and asks, “喝一点吗？” (“Will you drink some?”). Simultaneously, a sparse, melancholic piano-and-string underscore begins at a barely audible level, establishing a reflective, suspended atmosphere devoid of any diegetic restaurant noise.\n\nThe camera shifts to a gentle over-the-shoulder composition, revealing an elegant young East Asian woman across from him. She wears a dark blue cheongsam patterned with light blue floral lace, her coiffed hair framing a warm, accommodating smile as she gazes at him. Between them rests a white plate of food, a bread roll, a clear bottle of reddish-brown liquor, two crystal snifters, and a slim white vase holding pink flowers. A gentle, mid-range female Mandarin voice replies, “陪你喝一点。” (“I’ll drink a little with you.”). The man lifts the bottle and carefully pours the amber liquid into her glass, the lamplight catching its flow. He then turns toward her with polite humility and quiet gratitude, a measured, humble male Mandarin voice continuing, “我们在香港熟人不多，经常麻烦你。” (“We don’t know many people in Hong Kong, so we’re always troubling you.”). The woman listens attentively, her hands resting near her glass, maintaining a courteous smile as the understated musical motif persists.\n\nThe static framing holds steady on the man as he finishes his sentence, his eyes softening to acknowledge their shared circumstance and quiet solidarity. The camera lingers on this intimate tableau, emphasizing the period aesthetic and the unspoken bond between two outsiders relying on each other’s company. The background music trails off imperceptibly, the absence of ambient sound and minimal camera movement reinforcing the contemplative mood until the scene fades to black.","video_1_relative_path":"videos/a5be73786cc38016.mp4","video_2_relative_path":"videos/b9b43861c6bfff9b.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_11/00000097","text_prompt":"Cinematic drama, captured on a 35mm lens with a shallow depth of field, opens on a tense, somber nighttime scene in a dimly lit dirt clearing beside a quiet rural road, bathed in the chiaroscuro contrast of two tall lampposts that cast warm pools of light while leaving the surroundings in deep shadow. A vintage dark sedan with chrome trim sits parked at an angle, its period details and distant picnic tables evoking a mid-twentieth-century atmosphere. A middle-aged man in a light long-sleeved shirt and trousers leans over the driver-side front fender, his brow furrowed and jaw set as he inspects something near the hood ornament. From behind him, April, a blonde woman in a pale short-sleeved blouse and matching skirt, stands with her hands resting loosely at her sides, watching him with guarded concern. The air is thick with isolation, broken only by a faint low-frequency hum of distant traffic and a sharp metallic click from the car’s latch. A strained, defensive male voice with a North American accent speaks in a low, measured tone: “Don’t look at me like that, April.”\n\nThe camera shifts to a medium shot of April standing alone beside the passenger door, her shoulders sagging as her expression softens from tension into weary pleading. In the distance, the soft glow of approaching headlights sweeps across the dusty ground, growing brighter and casting long, uncertain shadows that heighten the suspense of an impending change. She lifts her gaze toward the unseen man, her voice subdued yet insistent, carrying a gentle rise-and-fall intonation that underscores her quiet desperation: “Could we please go home now?” The scene holds its heavy, intimate atmosphere as the ambient hum continues beneath her words, leaving the unresolved tension and relational strain hanging in the cool night air until the frame fades.","video_1_relative_path":"videos/9b474301334c33a2.mp4","video_2_relative_path":"videos/1cb36284a799126f.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_2/00000015","text_prompt":"A naturalistic, character-driven drama opens on a medium, eye-level shot of a man and woman seated side by side on the deck of a small boat drifting slowly along a calm river in central Paris. Diffuse daylight from an overcast sky casts soft, shadow-free illumination across a palette of muted earth tones, while a shallow depth of field keeps the pair in sharp focus against a softly blurred backdrop of stone embankments, leafy trees, café umbrellas, and strolling pedestrians. The man, a Caucasian in his early middle years with short brown hair, light stubble, a dark-grey suit jacket, and an open-neck white shirt, leans toward his companion with earnest intensity. A reflective, mid-low pitched male voice begins, stating, \"I mean, what is love, right? If it isn’t respect, trust, and admiration?\" His tone grows impassioned as he punctuates the words by opening his arms wide before drawing them back toward himself.\n\nThe woman, a Caucasian in her late twenties with shoulder-length wavy blonde hair and a sleeveless black lace dress, remains perfectly still, her gaze lowered and lips pressed as she absorbs his words. A brown cross-body bag strap rests across her shoulder, and beside her on the boat’s rail, a red lifebuoy catches the muted light, subtly echoing the quiet tension of the moment. As he finishes his thought, the man lowers his hands, briefly brushes the back of his head, and exhales with a soft, breathy vulnerability. A slightly breathy, vulnerable male voice continues, adding, \"And I felt all those things,\" before trailing into a quiet sigh that hangs in the riverside air. She does not respond, maintaining her introspective posture as the camera holds locked off, capturing only the gentle sway of the boat and the subtle ripples on the water. The scene lingers on the unresolved emotional weight of his confession, leaving the intimate conversation suspended in the hushed, ambient hum of the city.","video_1_relative_path":"videos/bb4c2994284121b6.mp4","video_2_relative_path":"videos/99023b6cf1aae167.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_2/00000034","text_prompt":"Cinematic drama, shot on a 35mm lens with warm natural daylight and a shallow depth of field that isolates the subjects against a muted earth-tone palette of beige façades, cream clothing, and a dark green jacket. The scene opens with a medium-long rear tracking shot gliding behind a young woman and man as they walk away down a narrow, cobblestoned European street lined with wrought-iron balconies. The woman, her blonde hair gathered in a loose up-do, wears a cream textured jacket over a dark top and carries a brown shoulder bag, while the man beside her is dressed in a light open-collar shirt. Distant traffic hums and faint city chatter fill the air, but their voices quickly take precedence. The woman, sounding contrite, states, “You must have been so angry with me. I’m so sorry.” She briefly lifts her right hand toward his shoulder in a gentle, apologetic gesture before the camera cuts to a static medium two-shot facing them side by side.\n\nNow standing still, they turn slightly toward one another as the woman raises both hands near her chest, her earnest expression searching his face for forgiveness. The woman, earnest and rising in intonation, continues, “I really wanted to be there, more than anything in the world.” The man listens, brows knitted and mouth parted, before the man, his voice quick and emphatic, interjects, “Honestly, I swear.” He flashes a small, placating smile with his palms half-raised. The woman, urgent and overlapping, pleads, “You can’t be angry, my grandmother was unwell and I had to stay by her side.” Their words overlap slightly, underscoring the tension of the moment. The man leans forward, shaking his head lightly as his frustration melts into understanding. The man, rapid and reassuring, softens his tone, “No, I know, I know. I honestly thought that something like that might have happened.”\n\nThe woman lowers her hands but holds steady eye contact, absorbing his words as pedestrians drift past behind them and a dark serif storefront sign remains visible on the left. The shallow depth of field keeps the focus tightly on their synchronized body language—raised hands, leaning in, softened expressions—emphasizing intimacy amid the public space. Muted earth tones in their clothing and the surrounding architecture are subtly punctuated by a parked blue car and a distant red awning, adding quiet vibrancy without distracting from the emotional core. Ambient street sounds persist at a low level, framing their unresolved yet conciliatory stare as the scene settles into a tentative, mutual resolution.","video_1_relative_path":"videos/0da4812c448051ad.mp4","video_2_relative_path":"videos/457d22dd987f80b0.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_2/00000048","text_prompt":"Late-1990s independent cinema aesthetic, captured on a steady gimbal tracking shot with a shallow depth of field. Neutral fluorescent lighting washes over a spacious transit concourse, balancing warm wardrobe tones against the cool blues of polished floors and ticket counters. A young man with shoulder-length wavy brown hair, a light goatee, and a maroon turtleneck strides toward the camera from screen right, a tan canvas messenger bag slung over his left shoulder. Beside him walks a young woman with long wavy blonde hair in a brown sleeveless dress layered over a white shirt, a small black handbag resting on her arm. The camera holds a medium two-shot at eye level as they move through the softly blurred crowd of travelers and rolling suitcases. The woman glances up, her expression bright and inquisitive, and asks, “What’s your name?” The man turns his head, smiles, and replies with mild surprise, “My name?” He adjusts his bag strap as they walk.\n\nThey slow to a halt near a blue service window beneath a blurred “Ticket Office” sign. The man sets his bag down, rummages briefly, then looks back with an easy grin. “It’s Jesse,” he says, his tone casual and friendly. “It’s James actually, but everybody always calls me Jesse.” The woman listens attentively, nodding once and smiling wider. She tilts her head playfully, her curiosity teasing, and finishes the thought, “You mean Jesse James, don’t you?” The man’s smile lingers, awaiting her next remark. The camera holds the intimate two-shot as ambient station chatter and the low rumble of footsteps fill the space, leaving their exchange open and charged with the quiet promise of a developing connection.\n1990年代末独立电影的美学风格，以稳定手持云台拍摄的跟镜头呈现，景深较浅。中性荧光灯照亮宽敞的交通枢纽大厅，温暖的衣着色调与光洁地面及售票柜台的冷蓝色调形成平衡。一位留着及肩波浪棕色头发、面带浅色山羊胡、身穿酒红色高领毛衣的年轻男子从画面右侧朝镜头走来，左肩斜挎着一个米色帆布斜挎包。他身旁走着一位长发波浪状的金发女子，身着棕色无袖连衣裙，内搭白色衬衫，手臂上搭着一只小巧的黑色手提包。镜头以平视角度保持中景双人镜头，两人穿行于模糊的旅客人群与滚动的行李箱之间。女子抬头望向镜头，神情明亮而充满好奇，问道：“你叫什么名字？”男子侧头微笑，略带惊讶地回应：“我叫什么？”边说边调整背包肩带，继续前行。\n\n他们缓步停在一处蓝底服务窗口前，上方“售票处”标识已模糊不清。男子放下背包，稍作翻找后回头露出轻松的笑容：“我叫杰西。”语气随意而友善，“其实我叫詹姆斯，但大家都叫我杰西。”女子专注倾听，轻轻点头，笑容更盛。她调皮地歪了歪头，带着几分戏谑的探究意味，补了一句：“你是说‘杰西·詹姆斯’吧？”男子笑意未散，静静等待她的下一句。镜头持续定格在这亲密的双人画面，周围车站的背景人声与脚步低语交织，将这段对话衬得意味深长，仿佛一段悄然萌芽的情感正悄然酝酿。","video_1_relative_path":"videos/e42c305b46dff8a0.mp4","video_2_relative_path":"videos/f42dd1b30f5473c5.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_3/00000010","text_prompt":"A static medium close-up captures an intimate, vlog-style scene of two young Korean men seated side by side indoors, bathed in soft, warm frontal lighting that casts minimal shadows against a heavy dark red curtain backdrop. To the left, a black mesh office chair holds a small red-and-white mushroom prop, while the man on the left wears a red zip-up jacket with white shoulder stripes and a silver Puma logo. He has short dark brown hair and begins speaking in Korean, his tone light and teasing as he gestures toward his companion: \"이건 너무 살이 잘 보인다.\" The man on the right, sporting light brown highlighted hair, layered necklaces, a small hoop earring, and an off-white long-sleeved shirt with vertical black lettering, listens attentively with his mouth slightly open, eyes tracking the speaker.\n\nThe left speaker lowers his hand, briefly glances forward, and continues in a conversational, amused cadence: \"나. 이거.\" The right subject reacts with a subtle head turn and a soft, questioning interjection in Korean: \"어디? 언제?\" The left man raises his palm outward again, smiling as he asks with rising intonation: \"아, 이거?\" Instantly, the right subject breaks into a sharp, high-pitched laugh, tilting his head back and opening his mouth wide in spontaneous amusement. The exchange is underscored by a quiet, unobtrusive room tone with only the faint rustle of clothing and natural breathing, keeping the focus entirely on their relaxed expressions and the steady, conversational framing. No camera movement occurs, preserving the intimate atmosphere as the scene closes on their shared, lighthearted reaction.","video_1_relative_path":"videos/5bafe79a95db5590.mp4","video_2_relative_path":"videos/19f682f3a69f7a43.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_3/00000042","text_prompt":"Cinematic domestic drama captured in a single continuous take, framed in a static medium-wide shot that holds steady throughout. The scene unfolds in a warmly lit living room bathed in a palette of soft yellows, beiges, and muted purples, with beige curtains draping a window behind three figures, a floor lamp casting a gentle glow to the left, and an air-conditioning unit resting quietly on the right. A woman in a bright yellow dress steps forward to firmly grasp the arms of a man in a purple jacket layered over a white graphic tee, attempting to restrain him as he flails and steps backward toward a beige sofa. His face is tense, mouth open mid-shout, while a man in a grey hoodie, initially seated to the right, rises with a concerned expression to intervene. A calm, neutral female Mandarin voice urges, \"曾老师，坐下，坐下，平静点。\" while an agitated male voice protests, \"不行，我还是要离开这里，我办不到。\"\n\nThe camera remains fixed as the physical struggle intensifies; the man in the grey hoodie steps in, placing both hands on the central figure’s shoulders and chest to physically hold him in place. The woman maintains her grip, her tone shifting to steady reassurance as she repeats, \"没事了，没事了。\" The man in the grey hoodie interjects with a calmer but insistent Mandarin voice, \"曾老师好了好了。\" The audio landscape is stripped bare of music or environmental hum, relying entirely on the raw overlap of speech, the sharp intake of breath, and the soft rustling of fabric as bodies shift and resist. Lighting stays constant, the composition unbroken, and the scene closes on the three figures locked in motion, their gestures of restraint and comfort clashing with the central man’s unresolved agitation, leaving the tension suspended in the quiet room.","video_1_relative_path":"videos/d8868210b13eac2e.mp4","video_2_relative_path":"videos/d3326c844a75c48c.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_3/00000094","text_prompt":"A mythic fantasy scene opens in a static wide shot, 16:9 aspect ratio, where warm amber lantern light clings to thick iron chains and collides with cool blue-purple accents on the characters’ garments. A colossal red-orange sigil, carved into the rocky back wall and glowing like stylised flames or serpentine dragons, pulses faintly with latent energy, while floating embers drift lazily upward through the heavy air. Centre-left, a man in a lustrous indigo robe trimmed with gold stands with his hair bound in a high topknot, one hand resting on the hilt of a long sword at waist height. His brow is furrowed, eyes fixed downward toward a circular stone altar ringed by tiny dragon-head reliefs. To the right, a second figure remains perfectly still, cloaked in dark fabric edged with pale trim, face obscured by a mask, hands clasped before him. A low, sustained musical drone underscores the silence as the robed man lifts his gaze slightly and asks gravely, “小妖真的投炉而死了?” His voice is deep and resonant, heavy with disbelief and sorrow.\n\nThe hooded figure answers without hesitation, “对,” delivered in a flat, matter-of-fact tone that cuts through the cavernous reverb. A single metallic chime rings out, sharp and bell-like, punctuating the exchange before the background music settles back into its subdued, tense hum. The robed man lowers his eyes again, jaw tightening as the masked speaker continues with measured cadence, “今日剑成，阿难不堪忍受痛苦，跳炉而死.” Each clause is separated by deliberate pauses that let the weight of the news settle, accompanied only by the subtle rustle of fabric and the faint crackle of ambient fire. The camera never moves, keeping the two figures balanced against the monumental carving, while a moderate depth of field softly blurs the glowing sigil to keep focus on the foreground. The colour palette of crimson, violet, and charcoal reinforces the mythic atmosphere, and the scene closes on the final syllable as the low drone fades, leaving only the isolated, sacred stillness of the forbidden chamber.","video_1_relative_path":"videos/6e4d36b0ec7dd468.mp4","video_2_relative_path":"videos/d1085ebfb0dc4063.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_4/00000005","text_prompt":"The scene opens in a static, eye-level medium-wide shot inside an open-air wooden pavilion overlooking lush greenery and distant traditional architecture. Soft morning light filters through sheer beige curtains trimmed with red fabric and gold tassels, casting a warm, diffused glow across the space. Three figures are seated around a round, dark-wood tea table set with a dark ceramic pot and cups. On the left, a young woman in layered cream robes with a red sash leans forward, her head bowed toward the table. In the center, a man in a white outer robe over grey garments sits upright, while to his right, another woman in a lustrous dark-blue robe clasps her hands on the tabletop, her gaze fixed on him. The shallow depth of field gently blurs the background foliage, keeping the focus tightly on the trio and their ornate, embroidered Hanfu-style garments. A faint rustle of silk fills the quiet air, underscored by a barely audible low electronic hum. A curious, slightly playful female voice in Standard Mandarin breaks the stillness, stating, “是不是？”\n\nWithout any camera movement, the central man lifts his eyes to meet the women, his expression shifting from pensive to faintly amused. In a calm, mid-low male voice colored by mild irony, he replies: “是啊，经过你们俩细心的安排，这个火花可大了。” As he speaks, he makes a small, deliberate outward sweep of his right hand above the teapot to emphasize the careful planning behind their words, the subtle swish of fabric accompanying the gesture. He stresses the final word with a hint of wry satisfaction before letting his hand settle back onto the table edge. The ambient hum persists as the lighting remains constant, holding the frame in a composed, intimate tableau. The restrained performances and quiet exchange suggest a confidential moment where a carefully orchestrated plan has successfully ignited a significant spark, leaving the three figures suspended in contemplative silence.","video_1_relative_path":"videos/b105fa805094ffcf.mp4","video_2_relative_path":"videos/d0efa02cb45ec1c9.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_4/00000016","text_prompt":"A xianxia fantasy scene unfolds in a static medium-wide shot of a spacious, high-ceilinged hall of dark wood, where heavy patterned teal-green curtains frame an open balcony overlooking a bright daytime panorama of rolling hills and scattered buildings beneath a pale blue sky. Warm candlelight from wall sconces casts soft amber highlights across the polished floorboards, blending with the natural daylight to create a balanced exposure and gentle shadows in a color palette of deep teals, blacks, and warm ambers. From frame left, a woman in an elaborate black robe densely speckled with tiny silver glints strides toward the center, her long straight black hair gathered in a tall up-do secured by ornate red-and-black hairpins and a single red flower ornament near her temple. The faint rustling of silk and light footfalls echo in the cavernous interior as she stops just short of mid-frame, turns her head leftward, and fixes her narrowed eyes with restrained anger. In a firm, accusatory female Mandarin voice, she states, \"你好大的胆子。\" (How bold you are.), her posture rigid and shoulders squared against the subdued hush of the hall.\n\nWithout breaking her stance, she pivots fully to face the entrance, planting her feet shoulder-width apart and lifting her right hand palm-up in a gesture of admonishment as she continues in a scolding register, adding, \"居然敢闯往生池。\" (You actually dared to trespass into the Pool of Rebirth.). At that moment, a man enters from the left edge, his layered pale cyan-blue robes over white flowing as he moves. His long dark hair is tied back with a simple cord, and his composed yet tense expression softens only slightly as he halts two meters opposite her, hands loosely clasped before him. The locked-off camera maintains a symmetrical composition, emphasizing the visual contrast between her dark, glittering attire and his pale garments, while the reverberant acoustic of the hall amplifies the tension. He responds in a calm, measured male Mandarin voice, his tone mildly defensive as he states, \"其实左护法知道我在假寐。\" (Actually, the Left Guardian knows I was merely pretending to sleep.). The scene settles into a quiet standoff, the sparse diegetic sounds of fabric and breath lingering in the air, leaving the confrontation suspended between the intimate gravity of the interior and the boundless daylight beyond the balcony.","video_1_relative_path":"videos/da27bf694556921b.mp4","video_2_relative_path":"videos/6e80b93a66bc007a.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_4/00000084","text_prompt":"Cinematic historical drama, locked-off medium two-shot in 16:9, bathed in even daylight that casts gentle shadows across a spacious courtyard paved with pale stone tiles. The color palette leans into muted grays, whites, and deep greens, punctuated only by the vivid red frames of three large drums resting on wooden stands against a gray-stone palace wall, with ornate eaves and pillars hinting at an imperial complex beyond. Two men walk side-by-side toward the camera. The younger man on the left wears layered white-and-gray robes embroidered with cloud motifs, his half-tied dark hair secured by a small gold hairpin; his brow is furrowed, lips pressed, and shoulders squared, radiating quiet tension. Beside him, the older man in a dark teal-green brocade robe keeps his gaze lowered before lifting it to address his companion. A soft, low-volume traditional instrumental underscore, featuring a plucked zither-like timbre and faint wind ambience, establishes a restrained, serious atmosphere. The older man, speaking in a cautious, mid-low Mandarin tone, asks, “这火烛的事儿，咱不给他弄大了吗？”\n\nThe younger man listens without breaking stride, his breathing shallow, before inhaling and turning his head fractionally to reply. His voice is a calm, lower-pitched baritone, deliberate and slightly dismissive, carrying the weight of impatience as he states, “几支火烛被动了手脚，算不得什么大事。” He tightens his jaw, signaling resolve, while both men continue their steady advance deeper into the courtyard. The camera remains fixed, framing them in a formal, tableau-like composition that emphasizes the solemnity of their private counsel. The background stays static save for a distant figure in dark garb who briefly crosses behind the drums, reinforcing the guarded nature of the compound. The sparse musical motif sustains its slow, minor-key progression without rhythmic change, while the muted score and barely audible footsteps on stone leave no room for crowd noise or ambient intrusion. As the conversation concludes, the music fades imperceptibly, leaving the pair walking forward into the unresolved tension of the palace grounds, the untouched drums standing as silent witnesses to latent authority and impending ceremony.","video_1_relative_path":"videos/556ab3097b65de86.mp4","video_2_relative_path":"videos/14ee11e9dd28e732.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_5/00000023","text_prompt":"Fantasy school drama scene, static medium-close shot, shallow depth of field, soft even frontal lighting casting faint shadows against a brown textured wall of large rectangular tiles. Three young men in matching purple uniforms with silver epaulettes, double-breasted buttons, and high collars stand together, the crest on the rightmost figure’s chest displaying a gold-and-silver shield topped with a golden sun over a blue wavy band. The man on the right lowers his gaze, brow furrowed, lips pressed in concern, while the central figure cradles a small light-wooden device adorned with a yellow cord and a turquoise-green charm that glows faintly green. A low, tense orchestral underscore of sustained minor-string notes fades in as a male with a mid-to-high tenor voice, speaking in urgent, slightly breathy Standard Mandarin, states, \"就醒过来了。\" The central figure looks up with widened eyes, then glances down at the wooden device, his expression shifting from surprise to anxious agreement.\n\nThe rightmost figure lifts his head, turns fully toward his companion, and raises both hands to chest level with palms open and fingers splayed, his tone growing more emphatic as he continues, \"这样听起来问题还是很大。\" He nods once, jaw tightening, and adds with resolute conviction, \"我觉得要把米雅星的状况告诉费斯特校长。\" The central figure listens intently, brows knitted, while a partially visible third man on the far left remains motionless, observing in silence. The camera stays locked off, holding the shallow focus on their faces and subtle hand movements, allowing the restrained string score to sustain its subdued tension without swelling. The three hold their positions for a beat, the unresolved atmosphere and lingering musical note underscoring the gravity of the situation before the scene fades to black.","video_1_relative_path":"videos/93ac0cd2876d20f1.mp4","video_2_relative_path":"videos/81b48d0898302c01.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_5/00000027","text_prompt":"A locked-off cinematic medium shot frames two young men in matching dark-purple school-style uniforms standing side by side against a wall of large, textured brown tiles resembling stone blocks, captured in a symmetrical composition under even, soft frontal lighting that eliminates harsh shadows and establishes a studio-like clarity. The color palette balances deep purples with warm earth tones, evoking a fantasy-academy atmosphere. On the left, a young man with neatly styled black hair leans forward on white forearm crutches, dressed in a white shirt, a black-and-white diagonal-striped tie, and a purple blazer with white piping, a light-blue cylindrical container strapped to his right hip. He turns urgently toward his companion, placing his right hand firmly on the other’s shoulder as a faint swell of dramatic orchestral strings begins to rise beneath the scene.\n\nA strained young male voice in Mandarin speaks with urgent pleading, stating, “这是梦骑士，阿力波波，你不要再说了。” Delivered in one continuous, breathless cadence, the line is accompanied by the speaker leaning closer, eyes wide and brows raised, mouth open mid-shout. Beside him, the second young man—shorter-haired, bespectacled, and adorned with yellow circular epaulets and an ornate gold-and-blue crest on his left chest—keeps his gaze fixed downward, lips pressed together and shoulders drooping in subdued resignation. The orchestral score deepens with low brass pads and sustains minor-key chords, heightening the emotional tension as the first man finishes speaking and eases back slightly while maintaining physical contact. The second man briefly shuts his eyes and tilts his head, signaling inner turmoil, before the image holds steady in a frozen frame, the symmetrical composition and neutral lighting preserving the raw interpersonal dynamic until the scene concludes.","video_1_relative_path":"videos/514c913d5db5d299.mp4","video_2_relative_path":"videos/c07df4ae8812a47e.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_6/00000027","text_prompt":"A cinematic medium-wide shot captures three adventurers standing in a loose triangle within a dark, humid cave, its rough stone walls dotted with small green plants and hanging vines. The scene is lit by a high-contrast juxtaposition of saturated emerald-green and neutral white beams, casting deep shadows across the damp stone. On the left, an early-thirties man in a black leather hooded jacket and silver-buckle belt raises a cylindrical object that glows an intense emerald-green, bathing his face and shoulder in that hue while leaving the cavern in deep shadow. In the center, a young woman with long brown hair tied in twin pigtails, wearing an olive-green utility vest and fingerless gloves, tilts her head upward toward the light, a playful smile lifting her cheeks. She speaks in a lively, teasing Mandarin voice, remarking, \"这么浪漫的地方，就你扫兴。\" To her right, a late-twenties man in a khaki-green field jacket over a pale shirt, with a backpack slung behind him, keeps a standard flashlight trained forward, its white beam cutting diagonally across the frame to illuminate floating dust motes.\n\nThe ambient soundtrack is sparse, underscored only by a steady, low-level hum and the soft, rhythmic drip of water echoing off the stone. The man on the right maintains a vigilant posture, his eyes narrowed as he scans the unseen depths, and responds in a calm, measured Mandarin tone with a slight downward inflection: \"越是漂亮的地方，越不能大意。\" Without missing a beat, the woman leans a fraction closer, her expression softening into warm, amused admiration as she replies in a lighter, affectionate Mandarin voice, \"小哥哥，你好有危机意识哦。\" The emerald glow flickers subtly but holds steady, reinforcing the tension between the scene’s romantic allure and its latent peril. The camera remains static, keeping all three figures framed symmetrically against the damp darkness, frozen in a moment of tense anticipation as their respective lights carve out their roles—guide, mediator, and sentinel—amid the quiet subterranean stillness.","video_1_relative_path":"videos/9c0b2985ad4d1134.mp4","video_2_relative_path":"videos/64936d06dfcc4f06.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_6/00000066","text_prompt":"A static medium two-shot frames a brightly lit, modern kitchen-dining set defined by a turquoise wall tiled with alternating blue and light-green squares. Behind the characters, a silver microwave, a pink-and-white thermos, snack jars, and a black metal shelf holding a potted plant, purple orchids, and a brown dog figurine establish a cheerful, sitcom-like backdrop. Seated at a white table laden with plates of fried rice and small bowls are a young woman with long dark hair, wearing a white T-shirt emblazoned with a colorful BUILDERS SUPPLY graphic and large yellow earrings, and a young man with short dark hair in a blue denim jacket over a black tee. Two white ceramic mugs sit between them, the woman’s marked with a bold black H and the man’s with an X. High-key, evenly balanced lighting eliminates shadows, keeping the focus sharp on their expressions and props. The man turns toward the woman, speaking in a mildly teasing Mandarin tone, stating, \"我去了你怎么办？\" As he finishes, a brief swell of canned studio laughter underscores his delivery before fading. The woman’s eyes widen slightly; she turns her head, pursing her lips in mock indignation as her posture straightens to meet his banter. She launches into a rapid, defensive reply, shaking her head and raising an eyebrow while gesturing lightly with one hand. Delivered in a higher-pitched, animated Mandarin voice, she insists, \"谁眼眶红了？我那是给学生改作业，眼睛充血。\" A second wave of audience laughter rises, overlapping her final syllable. The man leans forward, extending his right arm across the table to tap the mug bearing the H, a playful half-smile crossing his face. The woman glances down at the mug, then back at him with a mixture of surprise and mild annoyance. He concludes with a light, trailing remark, completing his thought with, \"第二天啊，一切都会好起来的。\" The scene holds on this frozen moment of comedic tension, the static camera and bright, shadow-free environment preserving the polished, multi-camera sitcom aesthetic until the frame cuts.","video_1_relative_path":"videos/a1e15d3dc7b731e0.mp4","video_2_relative_path":"videos/49d75636e6931e1d.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_6/00000094","text_prompt":"A locked-off, eye-level medium two-shot holds inside a warmly lit bar, where red-orange backlighting glows softly behind shelves of bottles and rows of inverted wine glasses hang from a metal rack overhead. Shallow depth of field isolates the two men against the gently blurred backdrop, while warm key lights sculpt their faces and colored back-lights add atmospheric depth. A continuous, low-level piano theme with sustained string pads begins quietly, establishing a reflective and melancholic mood. A young man with short black hair, black-rimmed glasses, and a white T-shirt under an open red-blue-white plaid shirt stands facing a seated companion in a dark jacket and brown-and-grey plaid shirt. With a serious, slightly tense expression, he speaks in Mandarin, his tone low and earnest: “因为大力很担心你。” The seated man listens intently, leaning forward with his eyes fixed on him, while the subdued music plays quietly beneath the exchange.\n\nWithout cutting or camera movement, the standing man continues, his voice calm but laced with regret as he articulates each syllable at a measured pace: “我因为担心学姐才想搬进来住。” Faint micro-expressions cross his face—a tightened jaw, a slight brow furrow—hinting at inner conflict as the warm lighting maintains its steady glow. After a brief pause, he lowers his gaze for an instant before looking back up, his expression shifting to mild self-reproach as he adds: “没想到让她这么为难。” The seated listener remains motionless, absorbing the weight of the words without a sound. After a short breath, the speaker concludes with a slower cadence, his delivery firm yet sorrowful: “所以我决定离开。” A fleeting half-smile mixed with resignation touches his lips before settling into quiet resolve. The piano line lingers as the shot holds steady, the ambient score sustaining its somber presence while the scene rests on the unspoken tension between them.","video_1_relative_path":"videos/a9db9069e5b00348.mp4","video_2_relative_path":"videos/86ed5636779de6cc.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_6/00000095","text_prompt":"Cinematic medium two-shot, static eye-level framing, shallow depth of field, warm amber key lighting, and a saturated red-and-gold color palette establish an intimate lounge or bar setting. A wall sconce casts soft highlights across a round wooden table holding a neat stack of black poker chips, while out-of-focus liquor bottles rest in the right foreground and a glass doorway framed by red velvet curtains reveals blurred fairy lights in the background. Two young men face each other across the frame. The man on the left, dressed in a blue blazer over a yellow-and-blue plaid shirt and light trousers, speaks first with a calm, earnest tone. A calm, earnest male Mandarin voice begins, stating \"I didn't spot the flaw in the contract, that's my problem.\" As he speaks, he lifts his right hand palm-up to underscore his accountability. His counterpart on the right, slightly taller with black-rimmed glasses and an open red-blue-white plaid shirt over a white tee, listens in silence, posture upright but relaxed, his eyes fixed steadily on the speaker.\n\nThe camera holds its position without movement or cuts, maintaining the subdued, high-stakes atmosphere as the speaker lowers his hand and continues with measured resolve, stating \"I signed the contract with my own hands.\" The listener maintains unwavering eye contact, lips pressed together, offering only a barely perceptible dip of his chin in acknowledgment. The speaker concludes with firm finality, delivering a slight nod as he states \"I admit this point.\" The scene lingers on this quiet tension, the warm bar setting and shallow focus keeping all narrative weight on the raw, unspoken gravity of the exchange before fading out.","video_1_relative_path":"videos/c91f9f576f8d7625.mp4","video_2_relative_path":"videos/0f5aefc6cba85810.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_7/00000032","text_prompt":"Cinematic medium shot, locked-off and eye-level, opens inside a warmly lit café or tea-room bathed in soft, diffuse daylight that blends with cozy interior tones. The color palette is dominated by earthy browns, muted beiges, and deep blacks, punctuated by the vivid yellow of neckerchiefs and green foliage. Two teenage girls in matching black sailor-style school uniforms sit side-by-side at a dark wooden table, their navy collars edged in white piping and bright yellow neckerchiefs tied in loose bows, small red name badges pinned to their left chests. In front of them stand two tall, curved glasses filled with a cloudy pale drink, each garnished with a lemon slice on the rim, a single cherry at the bottom, and a white straw, while a smaller empty tumbler rests near the girl on the left. As a faint café room tone hums in the air, an off-screen adult woman’s calm, confident Japanese voice begins to speak, her standard Tokyo accent crisp and mid-to-high pitched: \"お二人は転校早々、十人もの不良どもをやっつけたと聞きました。\" The girl on the right turns her head slightly toward the unseen speaker, listening attentively with her eyes lowered and lips closed, while the girl on the left keeps her gaze forward, brows faintly knit as she absorbs the words, her posture steady and respectful.\n\nThe woman’s voice continues, shifting to an encouraging tone with a slight smile audible in her diction as she delivers her next line in Japanese: \"あんたらなら、やつらを倒せると思って。\" The girl on the left lifts her chin, leans forward a fraction, and parts her lips, signaling her intent to respond, her expression tightening with quiet determination. Beside her, the girl on the right remains composed, watching her companion with steady eyes. The camera holds perfectly still, capturing the subtle micro-expressions and restrained body language that convey a shared sense of resolve against the softly shadowed backdrop. The scene lingers on this poised anticipation, the ambient café sounds fading into the weight of the unspoken challenge hanging in the warm, layered space.","video_1_relative_path":"videos/76a78b9e2aca6113.mp4","video_2_relative_path":"videos/dfd6b7cac0758b12.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_7/00000046","text_prompt":"A classic American sitcom aesthetic unfolds in a single locked-off wide master shot, bathed in high-key, even studio lighting that eliminates shadows and highlights the warm wood tones of a cozy apartment living room doubling as a study. Floor-to-ceiling bookshelves packed with books and DVDs line the back wall, alongside a whiteboard scrawled with multicolored mathematical and physics equations, while a vintage Star Wars Episode III poster hangs in the upper-left corner. In the foreground, a glass coffee table is cluttered with papers, magazines, and foil take-out containers resting on a colorful patterned rug. Three friends occupy the space: on a reddish-brown leather couch to the left, a man in a grey T-shirt and plaid pajama pants calmly eats from a small metal container with a plastic fork. Beside him, a blonde woman in a light-blue V-neck T-shirt and dark shorts leans forward, animatedly beginning her story. To the right, a man wearing glasses, a brown jacket, and a green hoodie draped over his shoulders sits in a wooden director’s chair, also eating.\n\nA soft, non-diegetic studio laugh track fades in beneath the scene as a lively young woman with a General American accent leans forward, her expressive intonation rising as she states, \"Oh, anyways, I’m also writing a screenplay.\" Both men pause their chewing just enough to acknowledge her, and the man in the chair glances up briefly before returning to his food. Without any camera movement, she continues, now gesturing more broadly with open palms while maintaining eye contact, her tone upbeat and lightly self-mocking as she shares an amusing anecdote. She adds, \"It’s about this sensitive girl who comes to L.A.\" The laugh track swells gently, reinforcing the comedic mood, while the man on the couch chews thoughtfully and nods, and the man in the director’s chair watches attentively with his fork hovering mid-air. The clean, centered dialogue carries through the evenly illuminated set, underscoring a controlled, intimate recording environment where intellectual pursuits and everyday social dynamics play out in a warm, familiar rhythm.","video_1_relative_path":"videos/0149fb7fe806da68.mp4","video_2_relative_path":"videos/e41ca1f402988839.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_8/00000014","text_prompt":"A tense thriller scene captured in a tight, static two-shot framed in profile, utilizing strong backlighting and a muted earth-tone palette of mustard yellow and forest green against a cool, neutral backdrop. The clip opens in a dim room where a softly glowing, out-of-focus window or curtain casts a faint halo of warm light between two men, silhouetting their faces against the darkness. On the left, an older man in his mid-forties wears thin metal-rim glasses and a pale green-and-white vertical-striped button-down; his stern expression is half-swallowed by shadow. Beside him, a younger man in his late teens or early twenties, clad in a mustard-yellow jacket over a dark T-shirt and a blue beanie with horizontal yellow-white stripes, is more clearly lit, revealing an animated, nervous energy. A low, persistent electronic hum fills the sparse soundscape as the younger man leans fractionally closer, his voice dropping to a tense, urgent whisper: “But what if he’s faking it?” His lips move crisply while his brows lift in concern, the American accent sharp with anxiety.\n\nWithout breaking the static frame, the younger man’s hushed tone gains intensity, mixing bravado with unease as he presses on: “Like if it was me, I’d be all faking being knocked out, yo!” He stresses the words with a rapid, conspiratorial cadence, while the older man remains perfectly still, jaw set and eyes locked on his companion, absorbing the plan in silent tension. After a brief pause marked by an audible intake of breath, the younger man continues in the same secretive whisper, “And then, when the coast is clear, we make our move.” As he speaks, he raises his right hand to his chin, fingers brushing his lips in a gesture of contemplation. The older man’s gaze does not soften, holding its intense, unblinking weight as the ambient hum persists, wrapping the exchange in a thick atmosphere of secrecy and impending action.","video_1_relative_path":"videos/783256398c1144fc.mp4","video_2_relative_path":"videos/59f79532f4175120.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_8/00000022","text_prompt":"Open on a static wide shot of a dimly lit, cluttered living room bathed in warm, low-key illumination from a single off-screen lamp that casts long chiaroscuro shadows across patterned wallpaper and heavy drapes. The dominant palette of muted browns, deep reds, and shadowy blacks establishes a gritty, late-night atmosphere. In the foreground, a round coffee table is strewn with half-empty bottles, cans, ashtrays heavy with cigarette butts, and a small gold-colored bowl. On the left, a man in a dark T-shirt and jeans reclines on a light sofa with his legs propped, remaining entirely motionless. Behind the table, a bearded man in a dark beanie and black jacket with a white collar leans forward, extending an open red snack bag toward the camera while speaking with an upbeat, inviting energy. A lively male American voice with an upbeat, inviting tone begins, stating, \"These are mad tight, yo.\" Underneath the scene, a subdued electronic hip-hop loop with a soft kick and hi-hat pattern pulses steadily at a low volume, blending with the faint rustle of clothing and the crinkle of the snack bag.\n\nAs the snack is offered, a large, bald man wearing a brown-and-white horizontal-striped polo steps into view from the lower-left corner, briefly obscuring the seated pair before halting beside the coffee table. He faces the group, shakes his head slightly, and a deeper male American voice with a flat, uninterested delivery replies, \"Ah, thanks, man, pass.\" The beanie-wearing man counters with playful insistence, still gesturing with the bag, before a lively male American voice with a playful, taunting tone adds, \"Your loss.\" The exchange concludes as the striped-shirt man turns away and walks out of frame to the right, his back filling the shot. The beanie man watches him go, lowers the snack bag, and settles back into his seat while the reclining man remains fixed ahead, eyes unblinking. The ambient lighting and background music hold constant, preserving the static framing that keeps all three figures reasonably sharp in the depth of field, focusing entirely on the casual camaraderie and mild tension of the moment until the scene fades.","video_1_relative_path":"videos/69e1db99d044b13a.mp4","video_2_relative_path":"videos/26ce6c795d99e94b.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_8/00000050","text_prompt":"A cinematic medium shot, locked off at eye level, frames a warmly lit living room bathed in soft, even household light that casts gentle shadows across an earthy palette of browns, tans, and muted reds. Three figures sit side-by-side on a large brown leather sofa draped with a red-orange crocheted throw, framed against a backdrop of light wooden dining chairs, a potted plant, and decorative wall plates that establish a cozy, intimate domestic space. On the right, a bald, middle-aged man in a tan fleece pullover leans forward, resting his left elbow on the couch arm while holding a beige pillow embroidered with the phrase “Happiness is in the Little Things.” He scratches the top of his head, his expression earnest yet weary, and begins to speak in a calm, measured North American accent, stating, “But… look at it this way, okay? It’s the bottom of the ninth, bases are loaded.” Beside him, a woman with shoulder-length reddish-brown hair and a dark maroon top sits with her arms tightly crossed, her gaze fixed on him, lips pressed in a neutral but tense line that betrays underlying skepticism. To her left, a younger man in a navy crew-neck sweater slumps stiffly, eyes cast downward toward his lap, hands interlaced in a posture of quiet resignation.\n\nThe older man lowers his hand and gestures with an open palm before raising both hands, palms up, as if carefully weighing his words. His cadence carries a steady urgency, his voice emphasizing the gravity of the moment as the camera remains completely still. The ambient soundscape stays near-silent, limited to a faint, low indoor hum that underscores the heavy, contemplative mood. The woman maintains her rigid, arms-folded stance without shifting her weight, while the younger man keeps his gaze averted, his body language echoing the tension of the scene. Soft lighting accentuates the subtle micro-expressions on each face, freezing the trio in a tableau of quiet introspection and unspoken weight, the warm domestic setting contrasting sharply with the emotional gravity of the conversation.","video_1_relative_path":"videos/2bf0d096c18f6aee.mp4","video_2_relative_path":"videos/7d6bdf847e681595.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_8/00000070","text_prompt":"A locked-off medium shot at eye level captures a bright, sun-drenched suburban patio, rendered in harsh midday light that casts crisp shadows across beige stucco, muted greens, and pastel pinks. In the left foreground, a bald man wearing a black jacket over a dark shirt and light trousers leans back in a wicker chair, drawing deeply on a thick cigar as a faint plume of white smoke curls upward. Behind him, slightly right of center, an older man with short greying hair and glasses stands with his hands clasped loosely behind his back, dressed in an olive-green button-down tucked into khaki pants. A pink metallic foil banner reading “IT’S A BOY!” hangs curved against the wall, its festive shimmer creating an ironic juxtaposition against the quiet tension between the two men. The standing man speaks in a calm, almost amused baritone with a measured General American accent, his slight smile audible as he remarks, “It’s funny, isn’t it?”\n\nThe seated man exhales a dense cloud of smoke that drifts across the frame, momentarily veiling both figures before thinning to reveal his thoughtful expression. He continues in a relaxed, conversational tone, “How we draw that line.” The standing man offers a brief, neutral acknowledgment, “Yeah?” prompting the seated man to turn his head, eyes narrowing slightly with mild curiosity and quiet challenge as he asks, “What line is that?” During the exchange, he lowers the cigar to the edge of a nearby side table draped in a pink cloth, then picks up a clear plastic bag filled with additional cigars and extends it outward toward his companion. The moderate depth of field keeps both figures and the domestic backdrop acceptably sharp, allowing the subtle gesture of camaraderie or temptation to anchor the scene.\n\nThe dialogue fades into a heavy, contemplative silence. The seated man holds the open bag outstretched, cigar still resting in his fingers, while the standing man maintains his steady gaze, hands clasped behind his back. Sunlight catches the drifting smoke and the subtle folds of the party banner, emphasizing the unspoken negotiation of boundaries and shared complicity. The camera remains completely still, preserving the spatial clarity of the blocking, while the audio landscape is stripped of music and dialogue, leaving only a low outdoor hush and the faint rustle of warm air. The scene closes on a quiet, suspended standoff under the bright midday sun, the festive decorations and serious demeanor locked in a still, cinematic tableau.","video_1_relative_path":"videos/23db221ab72cefd3.mp4","video_2_relative_path":"videos/12b9f0ea72762a9b.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_9/00000026","text_prompt":"Set in a dimly lit urban courtyard at night, the scene opens on a static medium-wide shot framed by weathered brick walls, exposed pipes, and a wrought-iron gate leading to an external stairwell. Cool, desaturated lighting bathes the space in bluish ambient tones from overhead streetlamps, casting long shadows across the tiled ground and highlighting a vintage off-white sedan parked to the left. Two middle-aged men stand in the foreground facing each other: one in a brown leather jacket over a dark shirt, the other in a tan zip-up jacket and grey sweater. Behind them, three younger men observe in silence—a youth in a black hoodie and light sweatpants clutching a folder tightly, flanked by two figures in dark business suits standing rigidly near the gate. The atmosphere is tense and grounded, underscored only by a low-frequency urban hum of distant traffic and the faint rustle of clothing as the men shift their weight.\n\nThe man in the leather jacket leans forward, his body language conveying urgent impatience as he gestures emphatically and points directly at his companion. A middle-aged male Mandarin voice, firm and mildly exasperated with a northern accent, begins: \"Alright, stop dawdling. If you keep stalling, the kids will be out of school and heading home. It’s not good for the children to see a scene like this.\" His tone shifts to decisive authority as he turns his head toward the sedan and extends an arm, ordering: \"Get in the car.\" The moment the command lands, the scene resolves with precise mechanical realism: a sharp metallic click echoes as the driver-side door handle is engaged, followed by a soft hinge squeak and the heavy, resonant thud of the door slamming shut. The absence of musical scoring leaves only the raw environmental acoustics and the finality of the car door to punctuate the interaction, leaving the observers motionless as the narrative tension dissipates into the quiet night.","video_1_relative_path":"videos/1a628288792f5288.mp4","video_2_relative_path":"videos/b53aec751ed526b2.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_9/00000031","text_prompt":"Cinematic drama, cool desaturated palette, soft frontal lighting, and a static medium close-up establish a tense, intimate atmosphere. The scene opens in a softly lit interior, likely a quiet living room or study, where an older East Asian man is framed from mid-chest upward, positioned slightly left of center. He wears thick black-rimmed glasses, a crisp white collared shirt beneath a gray-brown textured V-neck cardigan, his neatly combed hair showing subtle graying at the temples. Soft illumination sculpts his facial contours without harsh shadows, while a shallow depth of field keeps him sharply in focus against a blurred background featuring a large potted plant, a framed monochrome waterfall print, and indistinct furniture. Behind him, a younger man in a dark jacket stands motionless near a doorway, rendered out of focus. The older man’s expression is stern and contemplative as he gazes off-camera to his right, his brow slightly furrowed with restrained frustration.\n\nA calm, measured male Mandarin voice begins, stating \"Alright.\" He continues with a moderate-low pitch and clear articulation, his tone growing exasperated as he remarks, \"The public security and procuratorate inspected two locations, apprehended one suspect, but in the end, the target still slipped away.\" As he speaks, his jaw tightens slightly, his eyes narrow, and his lips press together at the conclusion of the sentence, conveying quiet fury over a failed operation. The acoustic environment remains exceptionally clean and controlled, stripped of music, footsteps, or ambient noise, leaving only the faintest room tone to frame the intimacy and gravity of the moment. The camera holds steady on his contemplative profile, emphasizing psychological tension over action until the scene naturally concludes.","video_1_relative_path":"videos/ee9dfc7606d43696.mp4","video_2_relative_path":"videos/7f0cb1e12f5295ac.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_9/00000081","text_prompt":"A static, intimate domestic drama unfolds in soft, natural daylight that washes a modest dining room in a warm, gentle palette. Shot in fixed medium close-ups with clean cuts, the scene relies on restrained mise-en-scène and subtle generational contrasts through costume and posture. The camera holds on a young East Asian man in his early twenties, dressed in a sea-green button-down over a white tee, seated at a wooden table. A low refrigerator hum underpins the quiet ambience as he examines a glossy braised chicken wing held in wooden chopsticks. Looking down at his bowl, he speaks in standard Mandarin with a calm, slightly hurried, and apologetic tone, stating “前几天已经发电邮告诉我了。”\n\nA clean cut shifts the frame to an older East Asian man in his sixties, wearing a grey polo shirt, framed from the mid-chest up against a backdrop of a small aquarium and pale blue curtains. His brows rise and his mouth parts as he responds in standard Mandarin with mild exasperation and rising surprise, asking “你怎么不早说啊？” while faint utensil clinks echo from off-screen diners. The camera then cuts to an older East Asian woman in her mid-fifties, her hair pulled back and draped in an olive-green cardigan, leaning forward with wide eyes and asking in standard Mandarin with urgent curiosity, “哪个学校？” Behind her, autumnal landscape paintings hang quietly in the soft, warm light.\n\nThe focus returns to the young man, who remains fixed on his meal and answers quietly yet clearly in standard Mandarin, “斯坦福。” His subdued delivery carries a hint of hesitation, followed by a brief pause filled only by the appliance hum and the muted tap of chopsticks against porcelain. A final cut introduces a teenage girl in a white-and-blue zip jacket, seated near a magnet-covered refrigerator. Her eyes widen dramatically and her mouth forms an “O” as she repeats the name in standard Mandarin with a high-pitched, astonished voice, “斯坦福？” The refrigerator hum persists as the scene holds on her stunned expression, capturing the quiet shock rippling through the family meal.","video_1_relative_path":"videos/46f92bdb0e3910be.mp4","video_2_relative_path":"videos/b9fcff53dd5b5a91.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_9/00000091","text_prompt":"A cinematic nocturnal scene unfolds in a cool palette of bluish whites and muted sage greens, captured with a static lens that keeps the focus tightly on facial expressions and dialogue dynamics. The camera opens on a medium close-up of an older East Asian man standing beside the driver’s side of a parked silver sedan. Bathed in cool bluish highlights from practical streetlights and the car’s own headlights, he wears thin metal-rimmed glasses, a light olive-green trench coat over a white collared shirt and patterned tie, with short graying hair. The background melts into a soft bokeh of trees and a faint red-and-white barrier arm. Leaning forward through the open window, his brow furrowed and posture tense, he speaks with breathy urgency, his mid-low, slightly raspy voice carrying a pleading tone as he states, “我家里头天会塌的。” A low, steady electrical hum underscores the quiet night, stripping away all extraneous sound to center attention entirely on his strained delivery.\n\nThe shot cuts to an interior reverse view from the passenger side, framing the woman behind the wheel. She sits upright with her seatbelt fastened, her long dark wavy hair parted to the right, dressed in a grey turtleneck beneath a pale sage-green jacket. Cool interior lighting casts soft shadows across her composed face as she maintains steady eye contact with the man outside. Her voice emerges in a clear, mid-high register, calm yet firm, as she delivers the corporate verdict: “开除你真的是集团的决定。” She follows immediately, a slight eyebrow lift emphasizing her measured tone, “怎么可能我一个人说了算呢？” The scene holds on the quiet tension between his anxious desperation and her restrained authority, the practical lighting and muted color grading reinforcing the nocturnal atmosphere and the unspoken power imbalance of the workplace conflict.","video_1_relative_path":"videos/97d80ffda2868a09.mp4","video_2_relative_path":"videos/f403444975ce6e17.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"magihuman_ltx_cross/voiceover/voiceover_1/00000031","text_prompt":"Widescreen 16:9 cinematic framing, shallow depth of field, and soft frontal lighting from overhead fluorescents establish an intimate, tense atmosphere in a modest cafeteria. The background dissolves into a soft bokeh of blurred tables and distant patrons, keeping the visual focus locked on two East Asian men seated across from each other. On the left, an older gentleman in his late fifties wears a dark olive-green short-sleeved shirt and a small white earring in his left ear, his forehead lined with age. He leans forward, brows knitted and eyes narrowed, his medium-low Cantonese-accented voice cutting through the quiet room with controlled anger. A reproachful male voice states, \"You actually fool even the dead!\" Across the table, the second man remains perfectly still, head bowed in silent absorption, his presence anchoring the heavy atmosphere.\n\nThe camera holds its static position, capturing only the subtle shifts in the speaker’s expression as his delivery slows and hardens into stern admonition. The ambient hum of the eatery fades into the background, leaving only the weight of his words. A firm, didactic male voice continues: \"If you want others’ respect, you must first respect yourself.\" The muted earth tones of the setting—the olive shirt, the neutral walls, the soft even lighting—mirror the grounded, principled rebuke, leaving both men frozen in a moment of quiet tension as the final syllable hangs in the air.","video_1_relative_path":"videos/22618cdcaab31cf8.mp4","video_2_relative_path":"videos/66dbe55d52fc1567.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"magihuman_ltx_cross/voiceover/voiceover_1/00000035","text_prompt":"Neo-noir suspense shot with a dominant cyan-blue color wash and tight, psychologically charged framing. The scene opens in a medium close-up at eye level inside a dimly lit interior backed by rough, pale green-blue concrete walls. An older East Asian man with wavy dark hair and a tan trench coat stands on the left, his right arm fully extended toward the camera as he firmly grips a black semi-automatic pistol, index finger resting along the frame behind the trigger guard. A silver chain-link bracelet circles his left wrist and a large black ring gleams on his right ring finger. His face is stern, brows knitted, lips pressed tight. To his right, an East Asian woman with short, straight black hair leans against the wall, initially concealing her eyes behind oversized dark sunglasses, wearing a white collared jacket and small hoop earrings. A calm, neutral male Mandarin voice-over begins, stating “为什么要这么做？” The camera cuts to a tighter close-up of the woman from a slight low angle, her sunglasses now removed to reveal wide, staring eyes. The man’s gun barrel remains visible entering from the lower left, visually reinforcing the threat and psychological pressure. Her expression shifts rapidly from a broad, almost manic grin to a flicker of amusement and defiance. The narration continues in the same measured tone, asking “他是不是和阿发有一腿？” Her mouth moves as if to reply, but only the narrator’s voice fills the stark, scoreless silence. The shot holds on her face as her smile softens into a knowing smirk and her head tilts fractionally upward. She responds in a higher-pitched, lightly teasing female voice, “连浩龙啊。” The man’s hand and pistol remain perfectly steady throughout. The scene concludes with the standoff unresolved, the image freezing briefly before fading out, leaving the blue-green atmosphere and verbal tension lingering.","video_1_relative_path":"videos/efba03c276a5d615.mp4","video_2_relative_path":"videos/4338fc71a41f2ef7.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"magihuman_ltx_cross/voiceover/voiceover_1/00000047","text_prompt":"Cinematic medium shot, slightly low-angled, capturing a sparsely furnished room with cracked white walls and a rough wooden table, bathed in soft natural daylight streaming from a window on the right. The muted earth-tone palette and subtle film grain evoke a mid-twentieth-century rural Italian atmosphere. At the table, an older man in a brown fedora, dark pin-striped suit jacket, red-and-white patterned sweater-vest, striped tie, and beige scarf leans forward, gripping the table’s edge with one hand while raising his right index finger toward an elderly woman seated opposite him. Dressed entirely in black with her hands clasped and a grave expression, she watches him intently. Beneath this tense tableau, a calm, neutral male Mandarin voice-over begins, stating, \"It is not hollow thanks, but real votes,\" as faint orchestral strings establish a subdued, reflective mood.\n\nThe man straightens and pivots to face her more directly, his brows knitting and lips pressing together as he points again with firm insistence. The woman’s eyes track his gestures, though her posture remains still. He bends forward once more, resting both forearms on the table and leaning closer as his delivery shifts to Italian. Earnest yet tinged with impatience, he declares, \"When the time comes, you cast a solid vote for me.\" The Mandarin narration pauses briefly to let his resonant baritone carry through before resuming its steady cadence. In the deep background, a vintage television rests on a shelf while another elderly man in a flat cap sits motionless near a foosball table, silently observing the exchange. The orchestral underscore persists at a low level, gradually fading as the man holds his forward-leaning pose and the scene closes on the quiet weight of his political plea.","video_1_relative_path":"videos/5e6fbcbad57ea239.mp4","video_2_relative_path":"videos/06bbe695248b13ff.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"magihuman_ltx_cross/voiceover/voiceover_1/00000062","text_prompt":"A historical-fantasy sequence, shot on a 35mm lens with soft, diffused daylight and an earthy palette of muted greys, warm beige, and natural greens, opens in a sun-dappled field of tall grass and scattered weeds. A low-angle medium frame elevates a solitary figure clad head-to-toe in ornate, dark-grey metallic armor etched with intricate relief patterns. The helmet’s visor conceals the wearer’s face, leaving only a human silhouette kneeling on one knee and bowing deeply toward someone just out of frame at screen left. At the extreme left edge, the torso and arm of a second individual are visible, dressed in a white blouse with delicate lace trim beneath a brown, fur-edged cloak fastened by a red cord. A calm, neutral female Mandarin voice-over begins, her measured and advisory tone stating, \"I hope he no longer risks his life for those who aren't worth it.\" The surrounding ambience remains deliberately silent, focusing all attention on the visual weight of the exchange.\n\nA straight cut shifts to a tight close-up of a young woman standing amid the same verdant backdrop. Her fair skin contrasts with neatly styled black hair gathered into an up-do, straight bangs framing a thoughtful expression as she looks downward and slightly to her right, lips parted as though finishing a thought. Natural light illuminates her face evenly against a softly blurred background, isolating her emotionally charged presence. The female voice continues, now delivered directly by the on-screen woman in a quieter, more personal register, her earnest tone carrying a hint of concern as she adds, \"Your enemy is on our side.\" The camera lingers on her face, capturing a dynamic of power and vulnerability, while the deliberate silence and somber lighting deepen the contemplative mood of a pivotal conversation about loyalty and sacrifice.","video_1_relative_path":"videos/f8fe6030df23db4f.mp4","video_2_relative_path":"videos/b7595df294c88550.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"magihuman_ltx_cross/voiceover/voiceover_3/00000014","text_prompt":"Cinematic medium shot, locked-off tripod at eye level, natural daylight key lighting from camera-left through a large window with white louvered shutters and a sheer blue-and-white curtain. The scene unfolds in a modest bedroom painted light olive-green, establishing a casual domestic atmosphere with a muted palette of cool greens and blues, contrasted by the stark black of a young man’s T-shirt featuring a faint bicycle graphic. He stands in the foreground with spiky blond hair, leaning forward over an unseen object, elbows bent and gaze fixed intently ahead. Behind him, a young woman with brown hair in a messy bun, dressed in a pale-blue V-neck ribbed sweater and dark trousers, slips a translucent disposable glove onto her right hand while glancing toward him. Underneath this quiet setup, a low-volume electronic dance track begins, driven by a steady four-on-the-floor kick, soft hi-hats, and a looping synth motif at roughly 120 BPM, mixed well below the dialogue. A calm, neutral female Mandarin voice-over begins, stating “经常和女友一起玩刺激。”\n\nThe woman finishes donning the glove, raising her right hand slightly with fingers flexing in readiness, her expression a blend of mild amusement and curiosity as she looks toward the man. He remains motionless save for a subtle tightening of his jaw and a brief downward glance before returning his eyes forward, holding his stance without a word. She then speaks in lightly teasing American English, her mid-pitch delivery measured and playful: “And you want me to use two fingers?” The electronic bed continues at the same restrained volume, carrying the scene’s subdued tension until the clip cuts abruptly, silencing both picture and sound simultaneously.","video_1_relative_path":"videos/01cc75de61906a28.mp4","video_2_relative_path":"videos/2792b6175d6c8b7c.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"magihuman_ltx_cross/voiceover/voiceover_3/00000041","text_prompt":"Open on a dim, mist-laden interior of an old Chinese-style residence, bathed in soft, diffused nocturnal light that casts a moody haze across the scene. A static medium shot frames the space from mid-torso up, keeping the camera locked off to emphasize the raw tension of the encounter. Red lacquered lattice doors and wooden beams anchor the left side of the composition, contrasting sharply with the pale period costumes. A young male scholar stands just inside the doorway, dressed in a light beige outer robe over white undergarments and a tall, patterned scholar’s cap. He holds a white porcelain plate with blue floral motifs bearing a small mound of dark, glossy food. Looking slightly downward, a calm, reflective male Mandarin voice murmurs, \"可其中的苦水，恐怕只有自己能懂。\" The ambient silence is thick, isolating his low, introspective tone against the drifting haze.\n\nSuddenly, a young female visitor steps briskly into view from the right, partially obscuring him. She wears an ornate, light-colored silk robe embroidered with vivid purple, blue, and orange flowers, her hair arranged in an elaborate up-do adorned with silver ornaments and dangling earrings. Her entrance is purposeful; she raises her right hand toward the man’s chest in a quick, commanding gesture and speaks with a bright, urgent timbre, cutting through the hush: \"举手！\" She leans forward, her eyes locked on his, her voice rapid and pressing as she asks, \"你身上有没有银子啊？\" Her tone shifts to a pleading yet forceful cadence, rising slightly at the end of the sentence: \"先借来用一用嘛。\" The man’s expression shifts from contemplative to startled surprise. He lowers his gaze to the plate, then back to her, momentarily frozen as her hand drops out of frame. The red wooden doorframe and drifting smoke remain constant in the background, reinforcing the confined atmosphere. Speech ceases, leaving only the stark, music-less silence to underscore the unresolved tension before the scene lingers on their silent standoff.","video_1_relative_path":"videos/fe4e216879b3ccb5.mp4","video_2_relative_path":"videos/9bd2ec107b102e14.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"magihuman_ltx_cross/voiceover/voiceover_4/00000015","text_prompt":"A tense, desaturated prison drama unfolds in high-contrast chiaroscuro, shot on a static camera with shallow depth of field to isolate subjects against blurred institutional backdrops. The clip opens on a tight, slightly low-angled close-up of a young white inmate in a white ribbed long-sleeve shirt. Cold bluish side-lighting from camera right sculpts his face, plunging the left half into deep shadow while highlighting his right cheek and forehead, with a faint vertical strip of daylight bleeding through a barred window behind him. His eyes are wide and fixed just off-camera to the right, mouth parted mid-breath as a calm, neutral male Mandarin voice-over begins, stating, “电影什么的事情，就把这个事啊给交代了。” A barely audible low electronic hum underscores the scene. A hard cut shifts to a medium close-up profile of an older white prison guard seated at a desk, his dark uniform jacket bearing a circular shoulder patch that reads “RIVER PENITENTIARY.” Cool directional light casts crisp shadows across his cheek and sleeve as he lifts a light-blue disposable cup with a straw and takes a slow sip, a slim monitor edge intruding at the frame’s left. The scene then widens to a static view of the holding room, where grey cinder blocks plastered with pinned notices and photographs line the walls behind the standing inmate. Horizontal blinds to the left cast slatted shafts of light, while a black gooseneck desk lamp in the right foreground adds a warm practical glow to the otherwise blue-grey palette. The inmate steps forward, gesturing emphatically with his right hand, palm outward, then points toward the seated guard whose back faces the camera. Simultaneously, a clear, neutral-accented English male voice cuts through the ambient hum: “In the yard today.” The restrained editing and static camera keep the focus entirely on the psychological tension and the stark, somber atmosphere of the interrogation space.","video_1_relative_path":"videos/9662b807725f604a.mp4","video_2_relative_path":"videos/6ee6076549a594c4.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"magihuman_ltx_cross/voiceover/voiceover_4/00000076","text_prompt":"Cinematic drama, shot on a steady handheld camera with a cool, desaturated palette and flat overcast lighting. The scene opens on an extreme close-up of a completely flat black tire pressing into pale gravel beside a beige, boxy sedan, a thin silver trim strip catching the muted daylight along the lower body panel. Dense green trees form a leafy backdrop as a calm, neutral male Mandarin voice-over begins, stating \"Warm-heartedly, he told his companion Pangtouyu to go buy one,\" while a faint bed of low-volume electronic synth music underscores the moment.\n\nA hard cut tilts up to reveal the balding, middle-aged driver kneeling on the gravel by the open rear door, his light grey T-shirt marked by a darker horizontal band across the chest. Strain and frustration etch his face as he looks upward toward someone off-camera. The frame widens to a medium-long shot, introducing a second man with short brown hair, wearing a white and grey baseball-style shirt and dark jeans, a cigarette dangling from his right hand near the front fender. The driver rises, brushes gravel from his knees, and faces his companion. They exchange words against the forested roadside; a dismissive, slightly mocking American English voice chimes in, saying \"And you’re just a sad sack that has to go back into town,\" as the Mandarin narration briefly overlaps before fading out. The subdued electronic bed remains low beneath the dialogue, maintaining a tense yet conversational mood.\n\nThe camera remains steady with minor framing adjustments, following a classic continuity progression from detail to character reaction to contextual wide shot. Flat lighting and muted saturation preserve a somber, realistic atmosphere, while the audio mix keeps dialogue sharply in the foreground with background music sitting roughly fifteen decibels below the speech. No prominent ambient sounds break the controlled silence as the scene holds on the two men, their expressions tense but engaged, before cutting cleanly to black without further motion or sound.","video_1_relative_path":"videos/f10cb58a04f7598e.mp4","video_2_relative_path":"videos/f67df39908c54dbd.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"magihuman_ltx_cross/voiceover/voiceover_5/00000086","text_prompt":"Cinematic historical drama, captured in a static medium-long shot with a desaturated blue-green palette and naturalistic moonlight, a cool landscape unfolds where a young woman sits alone on a grassy riverbank beside calm water that mirrors the pale sky. She is hunched forward, knees drawn to her chest and arms wrapped tightly around them, her head bowed in quiet sorrow. Her long dark hair is braided and secured with a delicate beaded headpiece that glints faintly in the low light, while drifting mist softens the distant tree silhouettes and two indistinct figures with a dark horse outline standing far across the water. A slow, minor-key orchestral score led by sustained strings and sparse piano accents swells immediately, establishing a somber, timeless atmosphere. Over this underscore, a calm, male Mandarin narrator with a resonant baritone and formal documentary tone begins his measured recitation, stating, \"According to Wusun custom, his younger brother Wengguimi succeeded to the throne and married Princess Jieyou.\"\n\nThe frame cuts to a tight profile close-up, isolating her face and upper shoulders against a soft, out-of-focus grey background that intensifies her emotional weight. Her eyes are closed, moisture glistening along her lashes, and her lips part slightly as she holds back tears, while fine braids fall past her cheek and the ornate headband catches a faint rim-light. Her hands remain clasped before her chin, fingers interlaced in a gesture of prayerful distress, all rendered in shallow depth of field that emphasizes the pronounced contrast between her features and the dim, bluish moonlight. The orchestral music continues unchanged beneath his solemn narration, which concludes with the final clause about the princess, leaving only the hushed, contemplative silence of the scene to linger as the vast negative space of water and sky reinforces her profound solitude and the quiet weight of fate.","video_1_relative_path":"videos/8c046776bd11d8c9.mp4","video_2_relative_path":"videos/23970f30b1331212.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx_cross/movie/movie_1/00000008","text_prompt":"Cinematic sci-fi sequence, wide static shot, twilight lighting with a horizon glowing in soft yellows and oranges fading into cool blues. The camera remains fixed on a tranquil beach where gentle waves roll onto wet sand that perfectly mirrors the sky’s pastel gradient. Center-frame stands a silhouetted woman with long dreadlocks tied back, wearing a form-fitting full-body suit accented by pale blue straps across her shoulders and waist. Her posture is relaxed yet attentive, hands initially resting on her hips as she gazes toward the ocean. To her left, hovering just above the shoreline, floats a compact, dark, angular drone with glowing circular elements, emitting a steady mechanical hum. As the scene progresses, the woman lowers her hands to reveal a small handheld interface in her right palm. She manipulates it with precise gestures, triggering a brief high-pitched digital chirp that coincides with a translucent orange holographic projection materializing mid-air. The display forms a radial UI with concentric rings and pulsing nodes that rotates slowly. Throughout, the soundscape relies entirely on diegetic textures: the low-frequency rumble of distant surf, the persistent electronic whir of the drone, and the faint rustle of fabric as she moves.\n\nAn off-screen male voice enters clearly over the ambient soundscape, speaking with a calm, deliberate tone and a slight electronic reverb that suggests a secure communications relay. In neutral American English, he states, \"Nakia, your hunch was correct. I’ve picked up a location on Shuri’s Kimoyo bead.\" His measured delivery overlaps with the rhythmic wash of the ocean and the device hum, while the holographic display flickers faintly in response to the transmission, implying real-time data correlation. The woman continues to interact with the interface, her fingers making subtle adjustments that keep the projection active, as the drone maintains its steady hover against the dimming light. The atmosphere remains grounded in a tone of quiet reconnaissance, blending the organic serenity of the coastal environment with advanced technological elements to build a sense of focused discovery and impending action.","video_1_relative_path":"videos/890469fe95e23224.mp4","video_2_relative_path":"videos/1b868e772349ea6a.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx_cross/movie/movie_1/00000031","text_prompt":"A hyper-realistic cinematic sequence opens on a bright, sunlit European city street, captured in a medium-wide static shot with harsh daylight and a warm, vivid palette. The camera frames a tranquil outdoor café patio furnished with rattan chairs and tables draped in red tablecloths. At the central table, a man and a woman sit in casual jackets, engaged in quiet conversation, while a uniformed waiter in a white coat stands motionless near the entrance. To the right, a black A-frame chalkboard menu displays handwritten French signage, and a black compact car and blue scooter rest along the curb. The soundscape begins with a low, peaceful urban hum, faint traffic, and the soft clinking of glassware, establishing a mood of serene everyday routine.\n\nSuddenly, a violent explosion detonates directly behind the café façade, sending a massive shockwave of debris outward. The fixed camera holds its position as the frame floods with chaotic motion: glass shards, wooden planks, cardboard boxes, metal fragments, and paper scatter in all directions. The audio swells instantly into a thunderous, multi-layered impact, dominated by a deep sub-bass boom, sharp crackling, high-frequency shattering, and metallic tearing. The seated man flinches and turns his head sharply toward the blast, releasing a quick, sharp exhale, while the woman recoils instinctively with a brief gasp and tightened shoulders. The waiter steps back abruptly, his retreat marked by the scuff of his shoes and the rustle of his uniform. Debris continues to rain down, bouncing off a green awning and striking the parked vehicles, causing them to jolt. Overturned chairs, shattered tabletops, and swirling dust clouds obscure the patio as the initial detonation decays into a dense cascade of tinkling glass, thudding wood, and rustling paper layered over a persistent low rumble. The scene settles into lingering echoes of falling fragments and the heavy stillness of dust hanging in the air, leaving the characters frozen in stunned silence against the backdrop of sudden, raw destruction.","video_1_relative_path":"videos/c154057bfd2d2a19.mp4","video_2_relative_path":"videos/d53f9fece2dc1a7a.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx_cross/movie/movie_1/00000065","text_prompt":"A cinematic sci-fi sequence opens on a static medium close-up, utilizing low-key lighting and a warm interior palette that sharply contrasts the cool, shadowed exterior. The frame is shot from within a dim, confined space, peering outward through a dark chain-link fence that dominates the foreground and establishes a palpable sense of separation. Beyond the metallic grid, a warmly lit interior glows with three circular ceiling lamps casting a yellowish hue against a pale ceiling, while a red strap hangs vertically near the center-left. The atmosphere is immediately grounded by a deep, resonant synthesized drone, its low-frequency rumble filling the audio space and establishing an ominous tone.\n\nA hard cut plunges the frame into absolute blackness, where faint white particles drift slowly like dust motes or distant stars. From the bottom left corner, the textured silhouette of a large, segmented creature resembling a serpent or worm emerges and glides diagonally upward, its ridged body catching a faint greenish-blue bioluminescent sheen against the void. The camera holds still, allowing the creature’s fluid motion to command the frame while the sustained bass drone continues beneath, now layered with subtle high-pitched shimmering tones that heighten the tension without breaking the low foundation.\n\nThe scene fractures into a violent, chaotic eruption of fire as bright orange and red sparks blast from the right side, scattering rapidly toward the left through swirling smoke and embers. In the lower right corner, a glowing molten mass pulses rhythmically, radiating intense heat. The audio swells to match the visual climax: the foundational drone intensifies in amplitude, tightly synchronized with crackling fire foley and sharp whooshing effects that track the velocity of the sparks, driving the sequence to a breathless, explosive peak before cutting abruptly.","video_1_relative_path":"videos/6911b6286bea86ff.mp4","video_2_relative_path":"videos/94f92f2e7556a0a8.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx_cross/movie/movie_1/00000072","text_prompt":"Cinematic sci-fi thriller tone, shot on a 50mm lens with shallow depth of field. A tight close-up frames a man with dark, slightly tousled hair and pale skin, dressed in a loose olive-green shirt. His eyes are wide and fixed on something off-screen to his right, his mouth parted in quiet shock or sudden realization. Low-key lighting carves deep shadows across the background, where industrial pipes and metal shelving hint at a confined, utilitarian interior. The scene opens in near silence, broken only by a faint room tone and the subtle mechanical hum of ventilation systems echoing off hard surfaces. A sharp, audible exhalation escapes him, his shoulders shifting slightly as the breath cuts through the quiet.\n\nThe camera cuts abruptly to a static wide shot of a cramped, metallic bunk room, likely aboard a spacecraft or military vessel. Two identical men stand facing each other in matching grey long-sleeved uniforms and trousers. The man on the left keeps his head bowed and shoulders slumped, while the man on the right stands rigidly upright with his hands loosely at his sides. Between them lies an unmade bed with rumpled green bedding, and narrow shelves line the walls, cluttered with tools, containers, and personal effects. A towel hangs near the doorframe and a blue jerrycan rests on the floor. Overhead fluorescent fixtures cast a cool, flat light that emphasizes the cold, sterile atmosphere. A slow, weary sigh drifts from the man on the right, its weight settling over the stillness. The composition holds its tension through silence and posture alone, the ambient hum continuing beneath the decay of his breath. The scene radiates psychological isolation and duality, using the sterile environment, mirrored figures, and sparse audio to convey a haunting sense of identity crisis and suppressed emotion.","video_1_relative_path":"videos/caa2020b344a38cb.mp4","video_2_relative_path":"videos/bca06241af7fa45b.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx_cross/movie/movie_2/00000030","text_prompt":"A tense, atmospheric thriller sequence opens in a shadowy, utilitarian laboratory or maintenance bay, bathed in near-total darkness pierced by a faint, cold-toned overhead light that carves deep shadows and sculpts the contours of the room. Shot in a cool, desaturated palette with a shallow depth of field, the camera holds a medium close-up on a seated figure positioned slightly left of center, captured from mid-torso to knees. The subject wears a white lab coat with subtle blue piping along the zipper and collar, dark trousers, and scuffed grey sneakers, their hands clasped tightly in their lap with interlaced fingers betraying quiet tension. Behind them, blurred shelving units and indistinct scientific apparatus fade into the gloom. The camera executes a slow, deliberate tilt downward, tracing the subject’s form until it settles on their shoes, maintaining a restrained, static environment with no other characters or movement.\n\nThe soundscape mirrors this visual descent with precise, escalating unease. A steady, low-frequency mechanical hum dominates from the opening frame, suggesting proximity to heavy machinery or ventilation systems in an acoustically dry, enclosed space. Just a second in, a high-pitched electronic whine fades in, its timbre reminiscent of a charging capacitor or ramping diagnostic scanner, gradually intensifying and climbing into the upper-mid frequencies until it becomes the dominant auditory force. There is no dialogue, music, or human vocalization—no breathing, footsteps, or cloth rustle—leaving the subject physically still and emotionally restrained. The alignment of the camera’s downward drift with the rising pitch of the machinery builds a palpable sense of suspense and technological dread, ending on a note of unresolved anticipation as the frame locks onto the scuffed sneakers.","video_1_relative_path":"videos/509859759cb62915.mp4","video_2_relative_path":"videos/388d9f3f2a96d27f.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx_cross/movie/movie_2/00000040","text_prompt":"Historical broadcast documentary style, captured in a static close-up with a shallow depth of field and warm, soft directional lighting against a palette of rich wood tones, stark black-and-white formal wear, and brushed silver accents. A middle-aged Caucasian man frames from the chest up, positioned slightly left of center in a wood-paneled studio. He wears a black tuxedo jacket over a crisp white dress shirt and a neatly tied black bow tie, complemented by round wire-rimmed spectacles and large, vintage-style black headphones resting over his ears. In the right foreground, a classic broadcast microphone with a silver spherical grille stands on a stand, its out-of-focus presence partially obscuring his face and anchoring the scene’s mid-twentieth-century atmosphere. The background remains deeply blurred, keeping all visual focus on the speaker, who maintains an upright posture, a serious and focused expression, and occasional natural blinks as he faces the camera.\n\nA calm, authoritative male voice in a deep, resonant Received Pronunciation British accent begins, stating \"His Royal Highness the Duke of York will give his inaugural broadcast.\" The delivery is steady, deliberate, and precisely articulated, carrying the gravity and formality of a historic radio announcement. The audio signal is clean and centered, devoid of music, ambient noise, or sound effects, with only a faint natural studio resonance underscoring the intimacy of the moment. His measured pace and unwavering tone command full attention, transforming the quiet, motionless frame into a solemn, documentary-like broadcast that feels both immediate and timeless.","video_1_relative_path":"videos/ef3d7071abf13c4c.mp4","video_2_relative_path":"videos/2f3d817cc07b8482.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx_cross/movie/movie_2/00000063","text_prompt":"A moody, noir-inspired tableau opens in a dimly lit, narrow interior that feels like a basement or utility room, captured in a locked-off medium-wide shot angled slightly from below. An elderly man with white hair sits on the left side of the frame, waist-up, dressed in a dark pin-striped suit and black bow tie. A thick cigar rests between his lips, its ember casting a faint glow, while his right hand loosely grips a black rotary telephone receiver at his side and his left hand rests on his thigh. Directly before him on a stone ledge sits a vintage rotary phone base, a half-filled glass tumbler, a crystal decanter of amber liquor, and a single white candle in a twisted metal holder, all beneath a rectangular window that opens into absolute darkness. A single warm light source off-camera to the left carves strong chiaroscuro across his face and illuminates the slow, deliberate curls of smoke rising into the air.\n\nAs the moment unfolds, the man lifts his left hand, draws the cigar from his mouth, and brings it back for a measured puff. The action is accompanied by a soft inhalation followed by a controlled exhalation, the quiet airflow catching briefly as it passes through the tobacco. Throughout the sequence, the atmosphere remains heavy with tension and quiet contemplation, anchored by a barely perceptible low-frequency hum that suggests distant machinery or electrical infrastructure. There is no dialogue or music, only the intimate foley of wool shifting against his trousers and the steady rhythm of his calm breathing. The frame holds completely still, letting the interplay of shadow and warm light, the drifting smoke, and the near-silence build a mood of mid-twentieth-century sophistication laced with quiet mystery.","video_1_relative_path":"videos/170a019017d32710.mp4","video_2_relative_path":"videos/6d9b8dc7f14ee2ee.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx_cross/multitalker/multitalker_1/00000027","text_prompt":"Cinematic corporate drama unfolds in a static medium close-up with shallow depth of field and eye-level framing, bathed in high-key soft daylight diffused through closed white horizontal blinds. The cool-neutral palette of navy, charcoal, and white establishes a sober business environment with minimal shadows. A middle-aged East Asian man sits in a black leather chair at a conference table, dressed in a dark navy-to-black suit with a matching shirt and tie, his short hair neatly combed with grey at the temples. Behind him, a slim vertical window frame and a wall-mounted fixture fade into a softly blurred background. A low, sustained electronic pad hums beneath the tense atmosphere as he speaks in measured Standard Mandarin, his tone serious yet tinged with wry resignation. He clasps his hands, briefly raises them for emphasis, and remarks, “洪氏集团是块硬骨头，很难啃吧。”\n\nA straight cut shifts to a matching medium close-up of an East Asian woman seated opposite him, maintaining the same lighting, color design, and blurred window-blinds backdrop for seamless spatial continuity. She wears a dark plaid blazer over a crisp white collared shirt layered atop a black turtleneck, her long dark hair softly waved and parted to one side. Her posture is upright, hands folded neatly on the tabletop, gaze fixed slightly off-camera toward her counterpart. The ambient synth drone persists at a low volume as she responds in calm, deliberate Standard Mandarin, her expression composed but earnest. Acknowledging the weight of the situation, she states firmly, “与洪氏集团的谈判失利，确实责任在我。” The camera holds steady on her face, preserving the subdued, tense mood of the post-negotiation debrief as the electronic ambience continues uninterrupted.","video_1_relative_path":"videos/81433a61ed8bdbfd.mp4","video_2_relative_path":"videos/c8482ead63e667f8.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx_cross/music/music_1/00000009","text_prompt":"A static medium close-up frames a young woman seated before a professional studio microphone, centered against a plain, light-colored wall. Soft, diffused frontal illumination washes over her evenly, casting no harsh shadows. She wears large over-ear headphones and an off-the-shoulder top with a subtle snakeskin texture in muted greenish tones, her long, dark wavy hair framing her face symmetrically. The composition is minimalist and acoustically neutral, eliminating all distractions to focus entirely on her performance. As the scene begins, her mouth closes after a prior phrase, followed by a slight forward head tilt and a barely perceptible inhale. A solo acoustic steel-string guitar enters cleanly, fingerpicked arpeggios in G major establishing a steady, intimate rhythm at roughly seventy-two beats per minute. Her lips shape the next words, and a clear, tender female voice emerges, singing \"I’ll be loving you ‘til we’re seventy\" with precise articulation and gentle emotional expression.\n\nAs the vocal line continues, her eyebrows lift subtly and a warm smile begins to form, blooming into a broad, joyful grin that shows her teeth and crinkles the corners of her eyes. The sustained note on \"seventy\" carries a gentle vibrato, perfectly synchronized with the rise of her cheeks and the rhythmic movement of her jaw. The guitar accompaniment remains clean and bright, layered with a moderate natural room reverb that gives the space a small-to-medium untreated acoustic quality, while the background stays virtually silent save for a faint, high-frequency preamp hiss. Throughout the take, the camera remains completely still, maintaining an unbroken focus on her expressive delivery. As the final syllable is held, her head tilts back minutely and her shoulders relax, the music continuing softly beneath her voice before the sequence concludes abruptly mid-note, cutting both image and sound simultaneously without a fade-out.","video_1_relative_path":"videos/5d5ae15bf03ebf1b.mp4","video_2_relative_path":"videos/18df67402d32bd90.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx_cross/music/music_1/00000048","text_prompt":"A contemporary folk singer-songwriter scene unfolds in soft dusk light, shot on a gentle prime lens that frames a young woman with long dark hair seated on the weathered stone steps of a grand classical building. She wears a white short-sleeved T-shirt, denim shorts, and tall brown boots, with a light-brown acoustic guitar resting across her lap and a capo clamped on the neck. Positioned directly in front of her is a microphone on a stand, connected by a trailing black cable. The camera opens in a medium shot from mid-thigh up, then slowly pans left, gradually revealing a quiet paved walkway, distant streetlights, and the faint silhouettes of trees and parked cars against the fading evening sky. Her right hand alternates between delicate fingerpicking and gentle strumming while her left hand shifts smoothly through chord shapes. She maintains a focused, restrained expression, occasionally glancing down at the fretboard or lifting her gaze briefly toward the lens.\n\nThe soundscape is an intimate, clean recording of a solo female vocal performance accompanied by steel-string acoustic guitar, delivered in a clear, slightly breathy English tone at a moderate, steady tempo. As she sings, her vocal phrasing aligns perfectly with the arpeggiated fingerstyle accompaniment, creating a gentle, emotionally resonant ballad. A clear, slightly breathy female voice begins singing, \"These broken wings, now learning to fly,\" her tone carrying a soft vibrato on the sustained notes, before continuing with the line, \"Through all your life,\" holding the final syllable with a quiet, natural decay. The audio is meticulously balanced and centered, stripped of all ambient noise, wind, or crowd sounds, leaving only the subtle texture of her breathing between phrases and the clean resonance of the guitar strings. The entire moment feels isolated and concentrated, a quiet artistic expression captured in the hush of early evening.","video_1_relative_path":"videos/0a9014245fd9a320.mp4","video_2_relative_path":"videos/b46dd1db330326c1.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx_cross/music/music_1/00000095","text_prompt":"Contemporary folk-pop ballad captured in a medium close-up with a low-angle perspective, set in a dimly lit, wood-paneled studio bathed in warm, low-key lighting that casts soft shadows and gently blurs the background. A man with short dark hair in a maroon collared shirt sings into a black microphone on a stand, his breathy, gentle lead voice carrying the main melody with focused intensity. Beside him, a woman with long brown hair wearing a dark gray V-neck top with cut-out shoulders strums a light-colored acoustic guitar, her mouth movements perfectly synchronized as she weaves soft, blended harmonies into the arrangement. The camera executes a slow, smooth pan to the right, gradually shifting the visual focus onto the male vocalist while the guitarist recedes slightly into the periphery, her head nodding gently in time with the steady rhythm. The sonic landscape is meticulously clean and acoustically controlled, dominated by the bright yet warm timbre of fingerpicked guitar arpeggios, understated bass pulses, and delicate brushed snare taps, all mixed with the dual vocals centered and forward. Subtle breaths catch between phrases, and the performers’ emotional engagement is palpable in their relaxed jaws and raised brows, yet the recording space remains utterly free of ambient noise, crowd murmur, or mechanical hum. The performance maintains a consistently moderate dynamic without crescendos or drops, building a reflective and heartfelt atmosphere that feels both raw and polished, until the audio and visual abruptly cut off mid-phrase, leaving the lingering resonance of an unfinished musical thought.","video_1_relative_path":"videos/eb04c45157ab2774.mp4","video_2_relative_path":"videos/2f8744f60a998bbf.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx_cross/physics/physics_1/00000049","text_prompt":"A cinematic close-up in the style of intimate documentary realism, captured with a macro lens and soft, directional lighting that carves gentle shadows beneath the fingers while catching the glossy sheen of black keycaps. The camera sits slightly elevated and angled downward, isolating the hands and keyboard against a uniformly dark, out-of-focus background that strips away all environmental context. A short-sleeved pink top peeks into the upper right corner as both hands move rapidly and rhythmically across the keys, executing frequent lateral shifts and varied input patterns that alternate between staccato bursts and deliberate, single-press pauses. The audio landscape is acoustically dry and perfectly synchronized to the visual motion, dominated by the crisp, percussive clack of mechanical switches. Each finger depression triggers a bright, metallic click followed by a softer, resonant thock, their tempo ebbing and flowing with a natural human cadence. Set in a virtually silent room devoid of ambient hum, music, or vocalization, the scene transforms the physical act of typing into a hypnotic, meditative soundscape, evoking a quiet intensity and the concentrated rhythm of modern labor.","video_1_relative_path":"videos/cc113534f78c2553.mp4","video_2_relative_path":"videos/8f39724b45e8ef97.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx_cross/physics/physics_2/00000001","text_prompt":"Cinematic documentary style, handheld camera with a slight natural shake, overcast daylight casting a muted, desaturated palette across an urban street intersection. The lens pans left to right, tracking a white Vauxhall Vectra police cruiser as it executes a slow right turn from a side road onto the main thoroughfare. The vehicle is wrapped in high-visibility Battenburg markings with large blue and yellow checkerboard panels, and bold blue POLICE lettering stands out against its doors and bonnet. Above, a roof-mounted emergency light bar flashes alternating blue and red strobes in rapid succession, perfectly synchronized with a loud, dual-tone electronic siren that cycles between two pitches at a fast tempo. A lower-frequency mechanical wail swells and dips in volume as the cruiser approaches the lens, dominating the soundscape and completely masking any ambient traffic or pedestrian noise.\n\nAs the patrol car straightens into the lane, it accelerates forward, moving out of frame to the right while the siren maintains its intensity before gradually fading into the distance. The camera lingers briefly on the static urban backdrop, revealing a modern multi-story building with dark-tinted windows and a clear sign reading Walsall Police Station above its entrance. Behind a black metal fence, several parked cars sit quietly, while a yellow-and-blue keep-left bollard marks the curb. Green directional road signs stack vertically in the background, pointing toward the M6 South, the Ring road A4148, Lichfield, Brownhills, and Birmingham, with a secondary brown panel below indicating the Leather Museum, Arboretum, and Library. The scene closes on this quiet contrast between the receding emergency response and the still, overcast cityscape, leaving only the residual tail of the siren to underscore the moment’s urgency.","video_1_relative_path":"videos/28f5f3c826e56a49.mp4","video_2_relative_path":"videos/36330c545ab4e6ec.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx_cross/physics/physics_2/00000017","text_prompt":"Cinematic coastal study, shot on a static low-angle lens positioned at the water’s edge under a muted, overcast sky. The composition is anchored by a centered horizon line that cleanly divides pale gray clouds from turquoise-green ocean, while damp, packed sand in the foreground catches soft, diffuse highlights. Far out on the swells, two indistinct dark silhouettes bob rhythmically, adding scale without breaking the isolation. The audio landscape opens with the continuous, immersive roar of surf, beginning with a low-frequency rumble that swells in texture as the first gentle wave approaches. It crests near the camera with a broad-spectrum crash and splash, immediately receding into a quiet fizz of popping bubbles and draining water.\n\nA second, heavier wave follows, its deeper resonant growl building into a more percussive impact that violently collapses against the shore. A spray of frothy white water flicks across the lower frame, momentarily blurring the view before sliding back seaward, leaving behind a brief acoustic lull filled only with the granular hiss of retreating foam. The third wave rises smoothly, its greenish-blue face catching subtle shifts in the flat daylight as it breaks into a lateral spread of whitecaps and shallow rivulets. The corresponding soundscape mirrors this motion with a crisp, airy crackle followed by a soft, gurgling decay as water filters through the sand. Throughout the sequence, the camera remains fixed, maintaining an intimate ground-level perspective that captures the hypnotic, unbroken cycle of tide and sound. Stripped of all artificial noise, voices, or mechanical hum, the scene breathes as a meditative, raw portrayal of nature’s constant rhythm, where every visual swell and acoustic transient aligns in seamless, cinematic harmony.","video_1_relative_path":"videos/5331005134e7be3f.mp4","video_2_relative_path":"videos/0ab0b5ae8fc89031.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx_cross/physics/physics_2/00000034","text_prompt":"A crisp, instructional product demonstration shot with a clean, documentary-style lens and soft, even studio lighting, rendered in a muted earth-tone palette punctuated by vivid greens and cool cyan accents. The sequence opens on a tight close-up of a man’s hands against a dark, indistinct background, gripping two black electronic devices. His left hand holds a compact rectangular transmitter featuring four round buttons and three small LED indicators glowing red, blue, and green, while his right hand cradles a smaller handheld unit topped with two silver-tipped metal prongs and a steady blue LED near its base. A sharp, high-pitched electronic beep cuts through the quiet room as his thumb presses a button, followed by the faint, tactile rustle of plastic casings. A calm, neutral British male voice begins, stating \"…and you’ve got a nice high volume on the head, so you can hear it clearly across the room.\" As he speaks, he tilts the handheld unit slightly toward the camera, letting the blue LED catch the light.\n\nA hard cut widens the frame to a medium shot, revealing the presenter seated behind a glass-top table. He wears an olive-green zip hoodie over a grey crew-neck sweater, his short brown hair neatly trimmed. Behind him, a large promotional poster for the device stands against a brick wall, while daylight streams through a window to frame a potted golden-leaf tree. On the table rest a second identical handheld unit, a black power adapter with a green indicator light, and a coiled black cable. The presenter continues, his right index finger hovering over the transmitter’s buttons as he gestures outward to explain the controls. Three rapid, staccato electronic beeps sound in sync with his movement, confirming the input. He adds, \"So to adjust the sensitivity, you simply press and hold the top button until the indicator flashes.\" The lighting remains soft and even throughout, casting no dramatic shadows, while the steady room tone and precise audio cues maintain a straightforward, utilitarian mood focused entirely on the equipment and its operation.","video_1_relative_path":"videos/cf1229b89564e52f.mp4","video_2_relative_path":"videos/d2ee5c684eea0a9d.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx_cross/physics/physics_3/00000076","text_prompt":"A candid, handheld medium shot in naturalistic outdoor lighting captures a young boy seated on a large red riding lawnmower, positioned on a wide expanse of uniformly mowed green lawn under an overcast sky. Diffuse daylight casts soft shadows and lends a muted, natural color palette to the scene, where distant tree trunks and faint vertical poles fade into the background. The camera sways gently with natural handheld motion, tracking the mower as it begins to roll forward. The boy, dressed in a black long-sleeved shirt with a red-and-gold graphic, gray sweatpants with white side stripes, and dark sneakers, initially faces left before turning his head toward the lens. He breaks into a broad smile, raises his right arm high in a playful wave, and then lowers it back to his lap as the machine gathers slight momentum. The lawnmower itself is detailed with a prominent circular red cutting deck, a black steering wheel mounted on a tall column, and a rear grass collection bag partially shielded by clear plastic.\n\nAs the front wheels turn and the rear tires churn through the grass, a loud, continuous mechanical engine noise dominates the soundscape. The audio is a relentless blend of low-frequency combustion rumble, mid-range metallic whirring, and rhythmic internal clatter, punctuated by the faint broadband hiss of tire-on-grass friction that grows slightly more pronounced as the mower picks up speed. The open-air acoustics carry the mechanical drone with minimal reverberation, leaving only the boy’s barely perceptible breaths beneath the overwhelming, immersive roar of childhood play and machinery.","video_1_relative_path":"videos/03e7c11ddecfa302.mp4","video_2_relative_path":"videos/0145164f9dd868ee.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx_cross/physics/physics_3/00000084","text_prompt":"A cinematic low-angle static shot captures the interior of a historic stone bell tower bathed in bright daylight streaming through large arched openings. The camera remains fixed, emphasizing the monumental scale of the towering masonry walls and the massive bronze bells suspended from heavy wooden beams. In the foreground on the right, a man with tousled brown hair, wearing a dark green knitted sweater and glasses, grips a thick rope with both hands. His posture is tense and focused, shoulders bracing as he pulls rhythmically to swing the nearest bell. Behind him, partially silhouetted against the intense white light, a second man in a dark jacket operates the adjacent bell mechanism, his back mostly turned. The aged bells, their surfaces marked by oxidation and grime, swing back and forth with heavy momentum. As they move, they produce deep, resonant metallic clangs that echo powerfully through the enclosed space, creating overlapping reverberations with rich harmonics and long decay tails. The acoustic environment is dominated by the raw, physical impact of metal against air and structure, layered with the subtle creaks of stressed wooden beams, the faint rustling of fabric, and the occasional sharp exhale of exertion from the foreground ringer. The absence of speech or music focuses entirely on the labor-intensive tradition of manual bell-ringing, conveying a palpable sense of architectural grandeur and raw acoustic power.","video_1_relative_path":"videos/05737119578be79b.mp4","video_2_relative_path":"videos/dcfd1b592bee0e66.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx_cross/physics/physics_4/00000045","text_prompt":"A cinematic winter commercial opens in a static medium shot, bathed in the dim, cool palette of a snowy night, capturing a couple bundled in heavy winter wear seated in a sleigh amidst a dense, drifting forest. The man wears a patterned sweater and scarf, while the woman’s long windswept blonde hair peeks from beneath a fur-lined coat; both hold drinks, their breath pluming in the frigid air. The quiet stillness is abruptly shattered by a sharp, surprised male voice cutting through the cold, exclaiming “Oh!” immediately followed by a low, resonant thump that suggests a sudden impact or jolt, injecting a moment of tension into the serene environment.\n\nThe frame hard-cuts to an extreme close-up of a Bud Light can spinning rapidly against a dark backdrop streaked with blue and white light trails, its motion blur creating a disorienting, hyper-stylized visual rhythm. As the label flashes into partial clarity before dissolving back into abstraction, a deep-voiced male announcer delivers a measured, confident cadence, stating “Fresh, smooth, real,” with each word punctuated by sharp, percussive hits that resemble stylized whip cracks. Beneath this, a minimalist electronic underscore of sustained bass tones and sparse synthetic pads swells subtly, bridging the scenes with a tense, atmospheric pulse.\n\nAnother swift cut reveals two figures walking side-by-side along a foggy, moonlit forest path blanketed in fresh snow, their heavy winter layers—tan jacket over red shirt, dark coat with a black-and-white patterned scarf—swaying with their steady pace. Laughter erupts openly from the pair, their faces alight with amusement and exhilaration as they move through the quiet woods. The announcer’s voice returns with a playful, theatrical inflection, adding “Bud Light. Cool a rocket sled,” his tone perfectly matching the whimsical energy of the scene. Faint footsteps and the crisp chill of the winter air ground the moment, resolving the rapid visual shifts into a cohesive, sensory-driven narrative of cold, motion, and camaraderie.","video_1_relative_path":"videos/88d16d864857e858.mp4","video_2_relative_path":"videos/5d1bde5d2c783afc.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx_cross/physics/physics_4/00000058","text_prompt":"Cinematic medium close-up, static camera, warm low-key lighting in a softly cluttered bedroom that feels intimate and unscripted. The background holds a large cylindrical white bolster pillow, a blue-and-white tissue box, folded linens, and the faint silhouette of a baby bouncer nestled in the deeper shadows. Centered in the frame, a young child sits cross-legged on white bedding, wearing a sleeveless red dress dotted with tiny white polka dots and a small yellow emblem, her short black hair secured with a delicate clip at the crown. She bursts into uninhibited laughter, mouth wide open and eyes crinkled, her body rocking gently back and forth as her hands flutter excitedly near her lap, fingers splayed and occasionally tapping the mattress.\n\nA large pink plush toy sweeps abruptly into the foreground from the bottom right, momentarily obscuring her torso in a swift, playful gesture from an unseen off-camera presence. The child’s laughter intensifies in response, her head tilting forward and shoulders bouncing with renewed delight as the soft object glides past and exits the frame. The audio landscape is entirely dominated by her spontaneous vocalizations—high-pitched, breathy giggles punctuated by sharp, staccato squeals and rhythmic breathing—layered over the subtle rustle of fabric, a faint whoosh as the toy cuts through the air, and a low, consistent hum from unseen household appliances. With no music or dialogue to distract, the scene holds its candid warmth, closing on the child still smiling broadly, bathed in the same gentle light, her quiet domestic world framed in pure, innocent joy.","video_1_relative_path":"videos/853ed3d56b1db419.mp4","video_2_relative_path":"videos/7caadd03efd947a4.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx_cross/physics/physics_4/00000065","text_prompt":"Cinematic wide shot, slightly elevated, capturing a turbulent coastal inlet beneath a heavy overcast sky. The desaturated palette of gray-green waters and weathered wood sets a bleak, awe-inspiring tone as choppy waves crash against jagged rocks and the clustered hulls of several small wooden boats, their yellow and red paint faded beneath blue tarps. In the foreground, a lone rowboat tethered to a larger vessel bobs erratically, its bow dipping into foamy swells before rising again, while ropes dangling from nearby craft snap taut and slack with each surge. Behind them, steep dark cliffs rise slick with sea spray, patches of hardy green vegetation clinging to their upper slopes, all softened by a faint atmospheric haze that blurs the distant hills. The camera holds mostly static before executing a subtle pan to the left, gradually revealing a red-hulled dinghy drifting in the mid-ground and the edge of a yellow kayak at the frame’s boundary. No figures are present, leaving the scene to the raw violence of the elements. The soundscape immerses the viewer in a relentless stereo field of wind and surf, dominated by a low-frequency rumble and high-pitched hiss that swells with gusts and wave impacts. Beneath the roar, the occasional groan of timber under stress and the faint rhythmic lapping of ripples against mooring lines underscore the isolation and elemental power of the storm-battered harbor, creating a tense, unbroken atmosphere of nature’s fury.","video_1_relative_path":"videos/0766f9c89051ce9e.mp4","video_2_relative_path":"videos/d328b6799be270e9.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx_cross/physics/physics_4/00000096","text_prompt":"A raw, immersive first-person adventure sequence captured on a handheld body-mounted camera with a wide-angle lens, bathed in the flat, diffused light of an overcast winter sky. The frame opens at the edge of a steep, snow-lined embankment, where a figure clad in dark winter gear and bright yellow boots balances precariously above a violently churning current. The water is a murky green-brown, frothing with white rapids as it rushes downstream, flanked by bare, leafless trees on the far bank. The camera tilts downward, emphasizing the sheer drop and the river’s relentless velocity, while the soundscape is dominated by a dense, continuous roar of rushing water, faint wind buffeting the microphone, and the subtle rustle of equipment handling.\n\nSuddenly, the viewpoint lurches forward and downward as the camera plunges off the ledge into the torrent. A chaotic splash engulfs the lens, obscuring visibility with swirling bubbles, thick foam, and distorted light refracting through the liquid. Beneath the surface, the camera tumbles, capturing blurred, rippling glimpses of the water above as the audio texture shifts dramatically from an open-air roar to a deep, gurgling underwater rumble. Short bursts of escaping air punctuate the muffled acoustics until a sharp mechanical click marks a momentary stabilization, after which the image dissolves into darkness and motion blur. The soundscape abruptly cuts to a residual low-frequency water rumble before fading into silence, leaving only the visceral, unbroken immediacy of the submersion.","video_1_relative_path":"videos/cc907ad41c9ba950.mp4","video_2_relative_path":"videos/83bc27377f037118.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx_cross/podcast/podcast_1/00000050","text_prompt":"The scene opens in a medium close-up on a woman standing center-stage against a dark red curtain backdrop. She has long, dark, wavy hair and wears a black blazer over a V-neck top, accented by a gold chain necklace and small earrings. Warm, focused lighting sculpts her face with soft shadows while the background stays dim. A confident, expressive female presenter begins, stating \"But in my heart.\" Her hands are raised at chest level, fingers loosely curled, and the subtle room reverb of a large auditorium fills the space, accompanied only by a faint HVAC hum and the quiet rhythm of her breathing.\n\nA hard cut shifts to a wider, static shot from stage right, revealing tiered seating filled with an attentive audience of varied ages, some wearing lanyards and badges, others holding notebooks or phones. The speaker now appears in profile, continuing her address: \"I always wanted to run.\" As she speaks, her movements grow more animated, hands sweeping outward and inward to punctuate her words. She maintains steady eye contact with the crowd, adding: \"The sitting congresswoman had been in my district since 1992. She had never lost a race.\" The audience reacts with quiet engagement—glasses adjusted, notes glanced at, bodies leaning forward—while the pristine audio remains clean, letting the natural acoustics and her clear, emphatic delivery anchor the scene.","video_1_relative_path":"videos/cfc906d5335f8e6b.mp4","video_2_relative_path":"videos/f7a5191899a39cf2.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx_cross/podcast/podcast_1/00000061","text_prompt":"A static medium shot captures a brightly lit classroom or lecture hall, illuminated by even overhead fluorescents that cast soft, natural shadows. Behind a light-grey lectern with cabinet doors and an open compartment holding scattered papers stands an East Asian female presenter with dark hair pulled back, wearing a brown short-sleeved cardigan over a white top. To her left, a large projection screen displays a familiar Windows desktop with a blue abstract wallpaper, recognizable system icons, and a prominent Chinese character in the lower-right quadrant, while a small green chalkboard mounted above the desk bears the word “font” written in white chalk. Speaking into a gooseneck microphone, a calm, measured female voice begins, stating \"The rules that govern us govern our speaking, helping our speaking find its proper cadence.\" She gestures subtly, first raising her right hand near her chest before lowering it toward the lectern, and briefly glances down at her notes before resuming eye contact. Her delivery is clear and instructional, accompanied by a faint electronic hum from the room’s equipment and mild natural reverb that gives the space an acoustically controlled yet open quality. She continues, adding, \"Let’s look at the two expressions here,\" as her hand settles near the lectern surface.\n\nAn abrupt hard cut shifts the frame to a minimalist graphic animation against a solid white background bordered by thin black lines at the top and bottom. Two stylized leafy branches extend horizontally from opposite edges, each featuring three rounded leaves rendered in varying shades of green. Centered between them rests a pale yellow circle containing a bold red dot, all elements remaining perfectly motionless. The presenter’s voice drops away instantly into complete silence, underscoring the visual transition and leaving a quiet, deliberate pause before any subsequent content begins.","video_1_relative_path":"videos/96c0103f63799255.mp4","video_2_relative_path":"videos/eb24a7a358ef204b.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx_cross/podcast/podcast_1/00000070","text_prompt":"Cinematic medium shot, static camera, warm spotlight against a dark backdrop with abstract red and blue light beams, a single female presenter stands center-stage. She wears a black blazer over a green top, accented by a silver statement necklace and hoop earrings, holding a yellow-and-black presentation clicker in her right hand. The camera remains fixed, drawing focus to her engaged, professional demeanor as she begins speaking with a calm, academic tone. A soft breath intake precedes her clear, measured voice, which carries a slight upward inflection on proper nouns. She raises her left hand, fingers curled in emphasis, while her gaze shifts naturally between the unseen audience and her notes.\n\nA calm, academic female voice begins mid-sentence, stating \"…for example, Nalini Ambady, a researcher at Tufts University, shows that when people watch thirty-second soundless clips of a real physician interacting with a patient.\" She continues without pause, her eyebrows lifting subtly on key phrases as she lowers and then raises her left hand to punctuate her point. The audio remains pristine, dominated entirely by her voice with only a faint rustle of fabric as her arms move and a barely perceptible ambient reverb suggesting a large auditorium space. The clicker is tapped lightly against her palm but produces no audible sound. As she finishes the sentence, her mouth closes gently, her posture softens, and her hands lower toward waist level. The lighting holds steady, casting soft shadows behind her, while the abstract background lights remain fixed, leaving a clean, authoritative silence as the scene concludes.","video_1_relative_path":"videos/1f2018b6ffe3a74c.mp4","video_2_relative_path":"videos/2c52e91c5d9515fd.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx_cross/podcast/podcast_1/00000089","text_prompt":"A locked-off medium close-up frames a blonde female news presenter speaking directly to camera in a live broadcast setting, her head and shoulders filling the vertical frame against a stylized blue backdrop bearing the faint lettering “WH” and “WA.” The lighting is bright, even, and strictly frontal, casting no shadows and rendering her skin in a neutral tone, while the camera remains completely static save for her natural micro-movements—subtle head tilts, deliberate eye blinks, and precise mouth articulation. The atmosphere is tightly controlled and serious, emphasizing the gravity of the political update without visual distraction.\n\nA calm, authoritative female voice with a General American accent delivers the report at a measured, conversational pace, her diction crisp and clear. She states, “Its decision making and whether or not the United States will be directly involved,” before pausing briefly to continue, “In light of that news, I have a message directly from the president, and I quote.” The audio bed remains clean and focused, carrying only her voice and a faint, steady electronic hum from the studio equipment, with no music, ambient noise, or overlapping dialogue to interrupt the delivery.","video_1_relative_path":"videos/2030cbdb206a7fc8.mp4","video_2_relative_path":"videos/870d2238f2de8585.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx_cross/voiceover/voiceover_1/00000021","text_prompt":"Cinematic documentary sequence. Natural daylight floods a rural courtyard, captured with a low-angle wide lens that establishes a weather-worn two-storey house with beige walls, blue window frames, and a tiled roof. The earth-tone palette grounds the scene as soft shadows fall across a yard scattered with firewood and debris. Three figures occupy the foreground: on the left, a young woman in a light green sleeveless dress and white sandals sits on a small wooden chair, her hair tied back, gazing downward with hands clasped in a slightly slumped posture. In the center, an older man in a grey short-sleeved shirt squats beside a dark bucket, his right hand working inside while his left steadies himself on a stone block. To the right, a middle-aged woman in a loose blue T-shirt and black trousers bends over a second bucket resting on a bamboo stool, both hands immersed as she prepares ingredients. Red vertical banners frame the doorway behind them, hinting at traditional customs. Over this quiet tableau, a calm, measured male Mandarin voice-over begins, stating \"用稻草反复熏烤，渗出鱼油，晾晒风干，便是最好的增味品。\" The narration is accompanied by a slow, lyrical guzheng melody floating above a faint bed of distant birdsong and rustling leaves.\n\nThe sequence then shifts to an extreme close-up, adopting a high-contrast macro perspective that isolates several small fish skewered lengthwise on thin wooden sticks. The camera executes a subtle lateral drift, keeping the deeply charred, glistening fillets in sharp focus while the background dissolves into a warm bokeh of orange and brown embers. Rendered oil beads on the scales and drips slowly, catching golden highlights against the deep browns and blacks of the char. A subdued synthesized string pad swells gently beneath the continuing guzheng arpeggios, enriching the texture without altering the unhurried tempo. The documentary tone lingers on the tactile, appetizing imagery, allowing the shimmering fish and the trailing acoustic music to hold the frame until the scene naturally fades.","video_1_relative_path":"videos/43db13613fedfc14.mp4","video_2_relative_path":"videos/61582ac765f63747.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx_cross/voiceover/voiceover_1/00000061","text_prompt":"A cultural food documentary unfolds through locked-off close-ups and extreme close-ups, bathed in bright, diffuse lighting that shifts from warm earthy browns to cool pale ivory. The opening shot is a tight, low-angle view of a torrent of light-brown rice husks cascading downward onto a heaped mound within a muted metallic processing chute. Warm, even illumination gives the husks a gentle sheen as they tumble in rapid motion, accompanied by a soft rustling texture and a faint, underlying mechanical hum from unseen milling equipment. A calm, resonant male narrator in Standard Mandarin begins, stating \"After husking, the rice grains are plump and hard, with a clear, bright hue.\" The scene transitions to an extreme close-up of a human hand cupped beneath a steady stream of freshly polished white rice. The grains spill through the fingers like fine sand, each kernel catching the light to reveal a translucent, glassy surface. The camera remains perfectly still, allowing the crisp, dry patter of the cascade to blend with the ambient machinery. A high-angle view then reveals a broad, shallow metal tray being filled by a thick ribbon of rice pouring from above. The pale ivory grains spread across the surface like a sparkling, liquid sheet, gleaming under the bright industrial lights as the flowing sound of the harvest intensifies into a continuous rustle. The sequence concludes with another steady close-up of rice tumbling from a chute onto a growing pile below. Countless individual grains fall in a rhythmic cascade, glinting with subtle highlights as the instrumental score swells slightly but remains subordinate to the narrator’s final, confident declaration: \"This is the finest rice in China.\" The dense, layered rustle of the falling grain merges with the persistent low mechanical hum, painting a vivid portrait of agricultural excellence and culinary heritage.","video_1_relative_path":"videos/864ccbdbc3b03561.mp4","video_2_relative_path":"videos/f03363334aed3464.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_only/instruments/instruments_1/00000001","text_prompt":"Cinematic fixed shot, eye-level perspective, set in a quiet recording booth whose walls are lined with alternating black-and-white pyramid acoustic foam tiles. Under even overhead lighting that casts soft shadows and catches the glint of the bow, a man with short dark hair sits center frame in a grey sleeveless T-shirt and dark athletic pants. A framed certificate hangs high on the left wall, and an upright double bass rests against the right. He holds a large reddish-brown cello vertically between his knees, left hand poised on the neck, right arm drawing the bow downward from the frog to initiate a warm, resonant low C-sharp. The dry studio acoustics emphasize the instrument’s woody timbre and clear upper harmonics as his fingers press firmly, introducing a subtle vibrato that matches the gentle oscillation of his wrist.\n\nWithout pausing, he drives the bow back up, launching into a flowing legato descent. His torso rocks gently forward on down-bows and backward on up-bows, fully engaged in the phrasing. As the tempo accelerates, bow speed and finger motion quicken, producing a rapid sixteenth-note run that climbs through several octaves. The left hand executes swift position shifts and fluid slides, with faint fingerboard squeaks punctuating the motion, while increased bow pressure brightens the tone and swells the volume. The phrase peaks on a fortissimo high note, the bow drawn forcefully near the bridge, before immediately cascading downward in a rapid arpeggio. The camera remains completely still, tracking the precise synchronization between bow velocity, acoustic resonance, and the performer’s integrated body movement. The piece concludes with a decisive down-bow on an accented low G, held briefly before tension releases. His left hand lifts from the fingerboard, shoulders settle, and the bow rises as the note naturally decays into silence. The frame holds on the musician’s stillness, the room tone lingering in the intimate, unaccompanied space.","video_1_relative_path":"videos/e6e8b86b505511b3.mp4","video_2_relative_path":"videos/71b53a0834144651.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_only/instruments/instruments_1/00000009","text_prompt":"Cinematic medium shot, static camera, even frontal lighting, and a muted palette centered on a plain light-blue textured wall. A man with short dark hair stands in the frame, wearing a black T-shirt with an orange-and-white graphic print across the chest and shoulders. He holds a large, curved, light-brown ram’s horn horizontally with both hands, arms slightly raised to support its weight. Bringing the mouthpiece to his lips, he puffs his cheeks and purses his mouth, maintaining a steady posture and unblinking, focused concentration. The background remains completely uncluttered, devoid of any objects, decorations, or text, keeping the visual narrative entirely anchored to the performer and his instrument.\n\nAudibly, the scene is defined by a single, uninterrupted shofar blast that begins immediately and sustains a high-pitched, resonant, and metallic tone. Produced by forceful exhalation, the sound carries a dry, close-miked quality with only subtle fluctuations in volume corresponding to shifts in breath pressure, before cutting off abruptly without natural decay. There is no ambient noise, room reverberation, clothing rustle, or incidental handling sound, creating a stark, acoustically dead space that heightens the ritualistic atmosphere. The minimalist composition and clean technical execution emphasize the ceremonial weight of the act, leaving the resonant note to stand alone as a focused, intentional documentation of tradition.","video_1_relative_path":"videos/9a0128eadb5a40fa.mp4","video_2_relative_path":"videos/dfcdc6784df2a926.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_only/instruments/instruments_1/00000053","text_prompt":"A static medium-close shot frames a seated musician from the chest down against a plain white wall, bathed in even, neutral lighting that casts soft, clean shadows. The performer wears a dark navy short-sleeved T-shirt and black trousers, their face kept out of frame to focus entirely on the instrument and technique. They play a brown wooden BELTUNA accordion suspended by a black shoulder strap, their right hand executing rapid, precise strikes across the piano-style keys while the left hand rhythmically expands and compresses the bellows and presses bass buttons. The audio begins immediately at full volume with a lively, folk-dance melody in a bright major key, driven by an energetic tempo and rich harmonic accompaniment. Every physical movement syncs flawlessly with the sound: the bellows swell and contract in exact time with the musical pulse, finger attacks match note onsets, and button presses coincide with low-register tones. The recording is acoustically dry and close-miked, capturing only the crisp mechanical articulation of the instrument without ambient noise or room reverb. Dynamics naturally swell with the phrasing, never dropping below a vibrant mezzo-forte, as the visible exertion mirrors the volume peaks. The performance builds to a spirited climax before cutting off instantaneously mid-phrase, leaving no decay and preserving the intimate, studio-quality isolation of the solo piece.","video_1_relative_path":"videos/19e762e9f5cd425c.mp4","video_2_relative_path":"videos/ef25186885d01961.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_only/instruments/instruments_1/00000063","text_prompt":"Cinematic medium close-up, fixed camera, eye-level framing against a uniform light-blue backdrop, bathed in soft, diffused frontal lighting that eliminates shadows and accentuates the warm, glossy wood grain of a four-string ukulele. The instrument bears a black capo across the first fret, and the performer wears a white T-shirt with a yellow cartoon animal graphic visible in the pocket. The left hand grips the neck just behind the capo in a relaxed C-shape, knuckles forward and fingers arched, while the right hand pivots at the wrist, fingers curved for precision plucking. A gentle, bright ukulele tone begins as the thumb strikes the lowest string, immediately followed by the index finger on the adjacent string, forming a crisp two-note motif with a clear attack and soft, natural decay.\n\nWithout pause, the melody ascends as the left hand slides smoothly up the fretboard to the second fret, maintaining contact for a seamless pitch transition. The right hand responds with a flowing arpeggio, thumb, middle, ring, and index fingers striking the strings in succession, their subtle wrist rotation perfectly synchronized with the cascading notes. The tempo holds steady at a moderate pace, driving an even quarter-note pulse with light syncopation and a compact rise-and-fall melodic contour. The timbre remains bright yet mellow, each note ringing briefly before the next arrives, underscored by the occasional faint click of nail against string. As the phrase turns downward, the left hand glides back toward the nut while the right hand alternates between thumb and index strokes, creating a delicate call-and-response texture.\n\nThe final descent resolves gently toward the tonic, the right hand allowing the lowest note to sustain with relaxed finger pressure before hovering momentarily above the soundhole. The resonance fades naturally into a dry, close-mic’d silence with negligible room ambience, the consistent mezzo-piano dynamics shaped entirely by precise finger velocity rather than volume swells. As the last overtone dissipates, the performer’s hands relax and slowly lower just out of frame, concluding the phrase with technical clarity and calm precision. The entire scene remains visually and sonically uncluttered, focusing entirely on the intimate mechanics of the instrument and the smooth, unwavering flow of the solo melody.","video_1_relative_path":"videos/2446342b214add76.mp4","video_2_relative_path":"videos/378aa23ff9a9ded7.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_only/instruments/instruments_1/00000091","text_prompt":"A static cinematic medium shot frames a young trombonist from the waist up, standing upright behind a black music stand against a soft peach-colored backdrop bathed in warm, directional lighting. A professional microphone hovers just above him as he grips the brass slide with both hands, his posture disciplined and his gaze fixed forward in quiet concentration. The scene opens with a single, resonant trombone tone at a moderate volume, its warm, brassy timbre rich with harmonic overtones and a smooth, gentle attack. As he draws the slide outward, the pitch ascends from the middle register, the physical extension perfectly mirroring the rising fundamental frequency while mild room ambience adds depth to the clean, close-mic capture. The melodic line continues with a brief descending phrase, articulated with a lightly detached touch that creates a subtle rhythmic emphasis. His right hand retracts the slide swiftly, producing a short downward glissando that matches the falling pitch contour, his shoulders relaxed and breathing entirely silent. A new phrase begins, climbing stepwise in a slow, lyrical tempo before resolving downward. Both hands coordinate fluidly, the left guiding the slide through extended positions while the right stabilizes the instrument, subtle wrist rotations ensuring seamless transitions. Each upward glide correlates with a gentle crescendo in pitch, followed by a controlled pull-back that tapers the sound, occasionally catching shimmering overtones and the faint, natural friction of metal on metal. The performance concludes with a held low note, sustained without vibrato. The slide settles into its lowest position, and the performer holds perfectly still as the rich low-frequency content lingers, decaying slowly into pianissimo until the tone fades cleanly into silence, leaving only the quiet resonance of the space.","video_1_relative_path":"videos/a270328175eac4f1.mp4","video_2_relative_path":"videos/3c545e4b474321e9.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_only/instruments/instruments_2/00000042","text_prompt":"Cinematic wide shot, natural daylight, clean industrial palette: a solitary accordionist stands upright beside a concrete pillar in a vast, empty hall. Natural light filters through high windows, casting soft shadows across the concrete floor and green fencing in the background. The performer’s posture is relaxed, shoulders steady, gaze directed slightly forward-left, as he launches into a brisk, fast-paced melody. His right hand drives a rapid ascending arpeggio across the keys with crisp, staccato precision, while his left arm steadily expands the bellows to maintain a loud, consistent volume. The bright, reedy tone carries a slight nasal resonance, captured in intimate close-mic detail within an acoustically dry space that leaves no echo or ambient noise. As the phrase unfolds, his fingers slow into a smooth legato descent, connecting the notes with continuous bellows motion before settling into a brief, sustained pitch with a subtle vibrato. The motif then returns, mirroring the opening flourish with the same driving tempo and dynamic intensity, before resolving into a final, unwavering note that gradually diminishes as the bellows reach their full extension. The performance concludes with a clean cutoff, leaving only the faint mechanical click of keys and the quiet, focused presence of the musician in the sunlit hall.","video_1_relative_path":"videos/7b27b138b21fff1b.mp4","video_2_relative_path":"videos/02ac00f1470067a8.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_only/instruments/instruments_2/00000045","text_prompt":"A cinematic, static overhead shot captures a large concert glockenspiel resting on a black metal stand against a plain white backdrop, evenly lit with a clean, high-key palette. Only the performer’s forearms and hands enter the frame, gripping black mallets with round felt heads. The performance begins with a steady, alternating call-and-response motif across the upper rows, each impact producing a bright, bell-like metallic attack that lingers for a second before fading. As the tempo subtly accelerates, the hands launch into rapid sixteenth-note runs and cascading arpeggios, the right hand mirroring the left with staccato accents on the off-beats. The camera remains completely still, allowing only the fluid arcs of the mallets to move across the frame, while the audio stays clean and close-mic’d, with sharp percussive attacks blending into smooth, overlapping decays.\n\nThe passage shifts into a rhythmically complex interlude marked by syncopated accents and firmer strikes that widen the mallets’ arcs, followed by a sustained low note that grounds the texture. A descending legato phrase then unfolds as both hands glide across adjacent bars, blurring individual attacks while preserving the instrument’s characteristic ringing overtone. The energy culminates in a cadential ascent where the right hand climbs quickly to a high, resonant tone while the left punctuates with isolated bass-bar strikes, creating a climactic call-and-response. In the closing measures, the tempo relaxes as the opening two-note motif returns, allowing each note’s resonance to bloom fully. A deliberate double-hit on a mid-register bar yields a richer harmonic stack, after which both mallets hover momentarily above the keyboard before retreating out of frame. The lingering metallic shimmer fades naturally into silence, concluding the technically polished solo performance without abrupt cuts or extraneous noise.","video_1_relative_path":"videos/bfefc4ad852a30d9.mp4","video_2_relative_path":"videos/ef5c07d9910ec80a.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_only/movie/movie_1/00000005","text_prompt":"A tense, fast-paced thriller sequence opens inside a dimly lit industrial garage at night, bathed in harsh yellow-orange overhead light that carves deep shadows across the concrete floor. A handheld, shaky camera tracks laterally as four figures sprint in panic from left to right. In the foreground, a woman with long dark hair, clad in a light grey tank top and white pants, screams with her mouth wide open, while an East Asian man in a tan jacket over a black shirt clutches her shoulder, glancing back in terror. Behind them, two other men in casual shirts flee with tense expressions, passing the hood of a silver car parked at the edge of the frame. The audio is dominated by a relentless, rhythmic cascade of metallic clanking and rattling, layered with a high-pitched electronic whine and a faint mechanical rumble that matches their frantic footfalls. A sudden hard cut shifts to a high-angle, top-down perspective of the same space, now revealing a scene of devastation: scattered tires, three barrels, and motionless bodies strewn across the floor. Two figures in bright orange jumpsuits kneel over an injured person near the center, while another figure in dark clothing crawls away toward the upper left. The camera tilts slightly downward as the chaotic clatter begins to fade, giving way to a low, ominous drone that builds tension in the sudden stillness.\n\nThe edit abruptly shifts to a smoky interior washed in cool blue light, where a Black man with a shaved head and goatee, wearing a beige jacket over a dark T-shirt, grips the steering wheel of a vehicle cockpit from behind. Thick white smoke drifts through the confined space, partially obscuring rows of glowing digital panels that display the words “CREW” and “870” in backlit blue. He glances sideways with alarm as the ambient sound deepens into a heavy engine hum punctuated by intermittent electronic beeps and crackles. A sharp cut isolates a small, translucent yellow capsule rotating slowly against a pitch-black void, its internal mechanics—circular sensors, thin metallic rods, and rhythmically blinking red indicators—revealed in precise detail. Beneath this image, a rising synthetic tone swells to a crescendo. The perspective snaps back to the overhead warehouse view, now crowded with additional casualties and a lone figure in a red jumpsuit standing near the barrels. Blood stains the silver car’s hood as dust motes hang in the air, and a distorted explosion boom erupts, followed by shattering glass and collapsing metal that settles into a heavy, reverberant thud and lingering electrical buzz. The sequence concludes with an extreme low-angle close-up of the East Asian man from the opening shot, lying supine on the concrete. His face fills the frame, eyes wide and staring upward, lips parted in shock, glistening with sweat and blood. As the surrounding darkness isolates him, the low-frequency rumble and distant crackling fade into an abrupt, echoing silence.","video_1_relative_path":"videos/2cd1439e649fb452.mp4","video_2_relative_path":"videos/1c585fc3ca1ef8e3.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_only/movie/movie_1/00000012","text_prompt":"Cinematic sci-fi sequence, wide high-angle shot, natural sunlight lighting, cool metallic palette against deep space black and Earth’s blue-white curve. The scene opens with the curved horizon of the planet filling the lower frame beneath a star-speckled sky, while a massive, multi-module orbital station drifts slowly through the vista. Its metallic hull catches direct sunlight that carves sharp highlights and deep shadows across interconnected trusses, cylindrical tanks, and angled solar arrays. The camera glides leftward while tilting upward, gradually tightening into a medium shot that emphasizes the station’s imposing scale against the swirling white cloud systems below. As the perspective shifts, a compact, angular secondary craft emerges from behind the main structure on the right, rotating subtly to reveal a green-and-white livery marked with the bold sans-serif lettering “RDA” and “ORPHEUS STAR” on its upper modules.\n\nA continuous, low-frequency synthesized drone anchors the atmosphere, layered with a steady, subtle electronic hum that evokes powered machinery in a vacuum. Faint rhythmic pulses and crisp, sub-second digital beeps punctuate the soundscape, suggesting active telemetry and system sweeps. Over this minimalist electronic bed, a calm, professional male voice filters through a communications channel with a neutral American accent and light static texture, stating, “Sakura One Six, copy your LMS master arm on.” The absence of human presence or environmental noise reinforces the sterile, automated nature of the operation, while the juxtaposition of serene planetary beauty and precise industrial machinery cultivates a tense, technologically charged mood of isolated grandeur.","video_1_relative_path":"videos/63e1bcbec010d9c5.mp4","video_2_relative_path":"videos/e4ec78222b88fd81.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_only/movie/movie_1/00000043","text_prompt":"A surreal sci-fi fantasy sequence opens on a wide, static shot framed in deep indigo and violet, capturing a starry void scattered with irregular, dark gray floating rock formations. A massive vertical column of swirling luminous energy dominates the left third, pulsing with cyan, turquoise, and magenta light as its ribbons twist upward like ethereal smoke. Diegetic illumination radiates solely from this vortex, casting a cool blue glow across the undersides of the nearest stone islands. The camera initiates a slow, smooth downward tilt, gradually unveiling a layered cosmic landscape before a solitary figure drifts into view from the bottom right. The young traveler, clad in loose, textured robes that read as pale grey under the ambient light, halts with shoulder-length dark hair catching the faint luminescence. Standing still and facing slightly away, he gazes contemplatively toward the swirling energy column, his posture radiating quiet observation.\n\nThe atmosphere is defined by a relentless, synthetic soundscape that blends a pervasive low-frequency rumble with a sharp, rhythmic whir-click pattern, evoking the steady hum of massive turbines or heavy machinery operating within a vast, enclosed dimension. This mechanical drone lacks natural reverb, lending the environment a processed, otherworldly quality that contrasts sharply with the organic drift of the floating rocks and the fluid dance of the light pillar. No footsteps, breathing, or dialogue disturb the silence; the audio remains constant and unfluctuating, reinforcing a profound sense of isolation and the seamless fusion of arcane magic and advanced technology. The visual stillness of the lone observer against the pulsing cosmic machinery creates a meditative, almost sacred moment of witnessing, where the heavy industrial hum serves as the only heartbeat in a silent, neon-drenched void.","video_1_relative_path":"videos/4dd904c6667360b0.mp4","video_2_relative_path":"videos/641d3d24db3d6937.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_only/movie/movie_1/00000049","text_prompt":"A cyberpunk noir thriller captured in a wide, static shot, drenched in a palette of deep blue, cyan, and crimson. The scene opens on a narrow, rain-soaked urban alleyway at night, where heavy rain falls in continuous streaks, carving ripples into the slick asphalt that mirrors the ambient glow of flickering neon signs and distant street lamps. Industrial facades line both sides, their fire escapes, metal roll-up doors, and graffiti-tagged dumpsters shrouded in a thick, steamy mist that diffuses the light into a hazy, atmospheric haze. From the darkened background, a lone figure sprints toward the camera, a medium-sized dog trotting faithfully at their heels. As they close the distance, overhead lighting and glowing signage gradually pierce the downpour, sharpening their silhouettes while keeping their features obscured by shadow and wet hair. The dog occasionally glances up at the runner, emphasizing their shared urgency as they nearly fill the mid-frame.\n\nThe soundscape opens with a low, ominous electronic drone that establishes immediate tension, soon joined by rhythmic, percussive synth hits that pulse steadily like a frantic heartbeat or distant machinery. A mid-range arpeggiated synth line weaves through the mix, repeating in a steady two-second cycle, while high-pitched metallic percussion layers gradually intensify, mirroring the runner’s approach. Environmental foley grounds the scene: the constant broad-spectrum hiss of heavy rainfall, occasional wind gusts rattling through metal structures, and the hollow splashes of irregular footsteps breaking through shallow puddles. Clothing rustles with each stride, accompanied by the faint, rhythmic panting of the dog and the runner’s short, controlled breaths, all subtly masked by the bass-heavy score. Distant traffic rumbles remain barely perceptible, reinforcing the isolation of the alley. As the figures advance, the music swells in urgency without overpowering the natural soundscape, culminating in a sharp, echoing splash that suggests an imminent transition into confrontation or revelation, leaving the viewer immersed in a tense, sensory-driven pursuit through urban decay.","video_1_relative_path":"videos/29417df773b9d65e.mp4","video_2_relative_path":"videos/1214dd9c7d713b81.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_only/multitalker/multitalker_1/00000015","text_prompt":"A locked-off medium-wide shot frames a small, warmly lit dining room bathed in soft natural daylight filtered through lace curtains and softened by warm interior fill. The scene holds a conversational, stage-like intimacy, revealing a round table with a light-grey speckled laminate top set against pale green diamond-and-fruit wallpaper and white wainscoting. Seated around it are three figures: on the left, an older woman in her late sixties with short, styled-up hair and a teal ruffled-neck sweater leans forward, smiling broadly and letting out a brief laugh. In the center sits a younger woman, roughly forty, with shoulder-length light-brown hair pulled back loosely and a floral button-up blouse, clutching a white ceramic mug decorated with pink flowers. Her brow is knit and her lips press together as she glances between the others, clearly uneasy. To her right, a middle-aged man in a black polo shirt with grey horizontal stripes maintains a relaxed, attentive posture, offering a gentle smile. The table holds matching mugs, a yellow sugar bowl, a dish of sugar cubes, and wooden shakers on an orange placemat, all contributing to a mid-century American domestic aesthetic rendered in pastel greens and muted earth tones.\n\nThe younger woman begins speaking in a mildly exasperated General American tone with a faint Southern lilt, her voice clear and acoustically dry against the quiet room. She says, “I’m sorry y’all find this funny,” her facial tension growing as she continues, “but this is the first time my mother’s expressed real interest in a man.” As she delivers the lines, her eyes widen and her mouth forms each word deliberately, shifting from embarrassed frustration to earnest explanation. The older woman’s broad smile softens into a knowing half-smile, still looking fondly at the speaker, while the man maintains his gentle grin, occasionally nodding in quiet amusement. The steady camera holds on this subtle comedic tension, capturing the contrast between the younger woman’s discomfort and the older generation’s tolerant warmth, evoking a quiet, reflective mood about romance and loss.","video_1_relative_path":"videos/2d540a151daea8da.mp4","video_2_relative_path":"videos/545cb45218964c9b.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_only/multitalker/multitalker_1/00000023","text_prompt":"Cinematic fantasy sequence, 2.35:1 aspect ratio, shallow depth of field, cool blue and purple landscape tones contrasting with a warm pastel sky streaked in pink, orange, and lavender. The scene opens on a static medium-wide shot of two young women standing face-to-face on an otherworldly rocky plain, where jagged, bluish-black formations recede into a hazy horizon. Tiny white particles drift slowly through the air like floating embers, catching faint highlights in the twilight glow. A soft, slow-tempo orchestral score led by sustained strings and a distant piano underscores the wistful mood, with no environmental sounds to preserve the stylized clarity. The woman on the left, dressed in a black outer robe over a dark garment cinched with a pale green sash, her long hair swept into an elaborate high bun with a single trailing strand, looks directly at her counterpart with a composed, solemn expression. A calm, measured female Mandarin voice begins, stating, \"我想听听你和九惑大人的故事。\"\n\nAs her sentence finishes, the camera executes a barely perceptible push-in, tightening the frame to a waist-up medium shot that maintains the intimacy of the unbroken take. The second woman, wearing layered sheer lavender sleeves over a lighter inner robe with a white belt, stands with her arms loosely folded. Her multi-strand hair is adorned with small pink blossoms and metallic ornaments, and several bracelets glint softly on her wrists. She listens attentively, brows gently knit, before tilting her head fractionally and responding in a slightly higher, gentle female Mandarin voice tinged with light skepticism. She asks, \"为什么呢？\" followed by, \"姐姐可不像那种爱打听的人。\" While speaking, she shifts her weight subtly, causing her translucent sleeves to ripple. The orchestral bed maintains its quiet intensity as the scene holds on their poised exchange, the warm sunset hues of the sky contrasting with the cool blues of the terrain, fading out just as the final words linger in the dreamlike atmosphere.","video_1_relative_path":"videos/da6b13511f66da61.mp4","video_2_relative_path":"videos/6e38c1414acd6cac.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_only/multitalker/multitalker_1/00000056","text_prompt":"A gritty urban drama unfolds in a locked-off wide shot at eye level, bathed in the diffuse, overcast daylight that casts soft shadows and establishes a desaturated palette of greys, whites, and muted greens across a quiet Japanese street. A white four-door sedan is parked parallel to the curb, its chrome hubcaps catching the pale light. On the left, a man in a dark charcoal suit and black shoes stands with his hands tucked into his pockets, short hair styled upward, posture relaxed yet alert. Opposite him near the car’s rear door, two teenage students in matching light-grey uniforms with dark piping stand shoulder-to-shoulder, heads bowed in respectful silence. The blond student, Ishibashi, grips a black briefcase at his side, while his dark-haired companion, Yoshimura, holds a similar bag. Behind them, a low industrial building with a corrugated metal façade displays a green sign reading “京進商事”, while power lines and a utility pole cut thin diagonal lines across the sky. A calm, authoritative Japanese man in the charcoal suit speaks, stating, \"組の薬を勝手に売りさばいてた。\" The ambient street hush remains minimal, underscoring the restrained tension of the standoff.\n\nThe camera holds its fixed position, framing the trio with deliberate rule-of-thirds composition that leaves the white sedan as a silent bridge between them. After a brief pause where no one moves, the suited man resumes, his voice steady and matter-of-fact: \"金髪の石橋と吉村って高校生にやられたらしい。\" The students remain perfectly still, maintaining their respectful silence as the low room-tone ambience fills the space. The subdued contrast and everyday grit of the setting reinforce a sober, realistic mood, hinting at an underworld conflict without overt action. The scene concludes with all three figures frozen in their original positions, the calm tension lingering in the quiet street as the final syllable fades into the ambient hush.","video_1_relative_path":"videos/bfd6620d77236824.mp4","video_2_relative_path":"videos/af4a7a59f2f3a860.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_only/multitalker/multitalker_1/00000071","text_prompt":"A cinematic domestic scene opens in a steady medium-wide shot, framed in 16:9, with warm, soft key lighting from a table lamp that creates a homely atmosphere and minimal shadows across wood-panelled walls adorned with framed family photographs and a floral print. The colour palette leans into earthy reds, browns, and muted greens, establishing a cozy, nostalgic mood. In the foreground, a red-and-white checkered sofa draped with a multicoloured crocheted throw anchors the composition. An older teenage boy with shoulder-length wavy brown hair reclines comfortably, his right leg crossed over his left knee. Dressed in a light-grey graphic T-shirt, loose blue jeans, and black high-top sneakers, he holds a black TV remote loosely while a white bowl of popcorn rests on his lap. Beside him, a younger pre-teen boy in a blue-green-yellow plaid shirt and dark jeans bends forward, rummaging beneath the cushions and shifting pillows. Only the faint rustle of fabric breaks the quiet as the older boy turns his head, curiosity softening his expression.\n\n\"What are you looking for?\" the older boy asks, his voice calm, mid-range, and lightly teasing. The younger boy straightens up, clutching a folded red blanket, and answers quietly but firmly, \"A brooch.\" The older boy tilts his head, genuinely puzzled, and replies, \"What's a brooch?\" The camera responds with a subtle push-in, tightening the frame around their faces to emphasise the moment of confusion. As the younger boy begins to explain, \"It's a piece of jewelry used to fasten clothes or hold fabric together,\" his voice trails off naturally, leaving the question hanging in the still air. The moderate depth of field keeps both boys sharp while softly blurring the dark wooden hutch and scattered domestic props, reinforcing the quiet generational distance hinted at by the unfamiliar term. No background music plays; the scene rests entirely on their exchange and the gentle, ambient sounds of a quiet afternoon at home.","video_1_relative_path":"videos/207f07aaee0442df.mp4","video_2_relative_path":"videos/04f3ea8c564aacdf.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_only/multitalker/multitalker_2/00000015","text_prompt":"A tense urban drama captured in a static eye-level medium shot, single continuous take. Warm, evenly spaced bare incandescent bulbs cast a soft yellow glow and gentle shadows across raw, unfinished concrete walls, creating a narrow corridor atmosphere where muted greys contrast with vivid character accents. In the foreground, three figures stand close together. A man in a grey pin-striped suit jacket over a white shirt leans forward, his brows knitted and posture rigid with frustration. His sharp, accusatory Mandarin voice cuts through the quiet space, reverberating lightly off the hard surfaces as he demands, “闭着眼睛买房的吗？” Facing him, a young woman in a pink, black, and white checkered hoodie beneath cream overalls initially looks startled, her mouth slightly parted. She quickly straightens her posture, clutching an open red folder to her chest, and answers in a defensive yet calm, slightly higher-pitched Mandarin, “我自己去的啊。” Beside her, another woman in a bright red oversized top and large circular yellow earrings watches with wide eyes and pursed lips, her silent shock and tension adding emotional weight to the standoff. In the background, a distant figure in dark clothing briefly raises both arms in a fleeting celebratory gesture before turning and walking down the hall, fading into the shadows. The central woman continues her explanation, her tone mixing justification with mild exasperation as she stresses her point in Mandarin, “当时售楼小姐说，这房子虽然是顶楼配电间改的，但是特别宽敞。” The man’s brow furrows deeper in skepticism, while the woman in red remains absorbed in the exchange. The corridor’s ambient acoustics remain clean and minimal, with only faint natural reverberation accompanying the dialogue. No music or extraneous sounds disturb the scene, leaving the confrontation unresolved and the raw, unfinished aesthetic of the space mirroring the unvarnished conflict.","video_1_relative_path":"videos/b517e7a3abb2b94c.mp4","video_2_relative_path":"videos/4b523288f3911555.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_only/multitalker/multitalker_2/00000039","text_prompt":"A locked-off medium two-shot at eye level captures a small American-style diner bathed in even natural daylight, with a shallow-to-moderate depth of field keeping the foreground subjects sharp while gently blurring the background. Red vinyl booths and a dark wooden table dominate the warm-toned space, balanced by cool accents from a light-blue T-shirt and nearby greenery near the large front windows. Two men sit opposite each other: a white man in his mid-thirties with a shoulder-length brown mullet, a small hoop earring, and a white T-shirt bearing yellow “US SWITZER” lettering, and a Black man in his late thirties wearing an afro, trimmed goatee, gold chain, and chunky bracelet. The white man leans forward, fork poised over a plate of pancakes and bacon, and in a curious, conversational tone asks, “Is that true?” A faint room-tone hum and the distant clink of cutlery underscore the quiet atmosphere. Across from him, the Black man answers with playful bravado, raising his right index finger for emphasis as he declares, “Well, we’d have to be talking about one charming motherfucking pig.” His delivery is low-pitched, rhythmic, and mildly amused, drawing a broad grin from his companion as his eyes crinkle with clear entertainment.\n\nContinuing without pause, the Black man adds, “I mean, he’d have to be ten times more charming than that Arnold on Green Acres, you know what I’m saying?” He punctuates the comparison by wagging his finger twice before relaxing his hand toward his chest to seal the point. The white man lowers his gaze to his food, chuckling softly while cutting another bite, his shoulders shaking lightly with suppressed laughter. The camera remains completely still as background patrons—a woman in a pale blouse and an older grey-haired man near the window—stay absorbed in their meals, reinforcing the casual, lighthearted mood. Clean, close-mic’d dialogue carries the scene above the subtle ambient diner noise, with no non-diegetic music, allowing the pop-culture reference and restrained background activity to anchor the relaxed, conversational tone.","video_1_relative_path":"videos/edf08453f777a3ed.mp4","video_2_relative_path":"videos/185d3225cfff2fff.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_only/multitalker/multitalker_2/00000059","text_prompt":"The scene opens inside a vintage-style tram gliding through an urban European city, bathed in soft, even daylight that streams through a large side window. A static medium two-shot frames a young woman with long wavy blond hair, dressed in a light beige T-shirt beneath a brown sleeveless top, seated close to a young man on a wooden bench. Her gaze is fixed on him, lips slightly parted, as a faint, steady low-frequency rumble from the moving vehicle underpins the quiet atmosphere. A soft, contemplative female voice in General American begins, stating, \"Yeah.\"\n\nBeside her, the man—featuring brown shoulder-length hair, light stubble, a black leather jacket over a gray T-shirt—turns toward her with a calm, measured earnestness. As he speaks, he lifts his right hand, extending his index finger before curling it into an OK sign near his chest to underscore his point. His expression is thoughtful and animated, eyebrows raised slightly, while outside the window a red-and-white tram glides parallel on an adjacent track and green trees blur past the urban skyline. A moderate-pitched male voice in General American continues, his delivery slowing for emphasis as he reflects, \"But as far as sexual feelings go, it started with an obsessive relationship.\" The woman listens in steady silence, her unwavering gaze absorbing his words, while the ambient vehicle hum remains constant, focusing all attention on their intimate, vulnerable exchange.","video_1_relative_path":"videos/abda557a209e2782.mp4","video_2_relative_path":"videos/0d0adbed563c652c.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_only/multitalker/multitalker_2/00000065","text_prompt":"Cinematic medium-close shot, warm even lighting, shallow depth of field, and a muted domestic palette frame Howard from the chest up in a brightly lit apartment living room that doubles as a study. He has dark, shaggy hair and wears a vivid red corduroy button-down shirt layered over a black turtleneck. Leaning casually against a vertical wooden doorframe with his left arm raised, he gazes slightly to his right toward an off-screen woman, whose blonde ponytail and large silver hoop earring catch the extreme edge of the frame. Behind him, a whiteboard dense with handwritten physics formulas hangs on the wall, while a colorful molecular-model sculpture and a partially visible poster sit softly out of focus in the background. A calm, conversational male voice with a relaxed North American accent begins, stating, \"Applied physics. You may be familiar with some of my work.\" The room remains completely silent, with no background music or ambient noise to distract from his delivery.\n\nMaintaining steady eye contact with the unseen listener, Howard continues his explanation with mild enthusiasm and clear articulation, his eyebrows lifting slightly for emphasis. He adds, \"It’s currently orbiting Jupiter’s largest moon, taking high-resolution digital photographs.\" His expression stays engaged as he finishes the sentence, his mouth closing into a neutral, satisfied look. The camera holds the static composition for a moment longer, preserving the quiet, focused atmosphere of the controlled capture before the scene naturally concludes.","video_1_relative_path":"videos/5c701058a6886b68.mp4","video_2_relative_path":"videos/177258e493a50cee.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_only/multitalker/multitalker_3/00000034","text_prompt":"Cinematic therapy consultation, static medium two-shot, subdued warm palette with soft indoor lighting and gentle shadows. A tall, segmented beige sculpture stands centered against the back wall, faintly back-lit. At a light-brown wooden desk, a blonde woman in her thirties, dressed in a grey zip-front cardigan over a white top, sits with relaxed yet attentive posture, her shoulders squared toward her companion. She holds a pen loosely, raising it slightly for emphasis as she speaks in a calm, measured voice with a faintly upbeat lilt, “Alternative medicine.” Beside her, a bald, bespectacled man with a moustache, wearing a tan jacket over a plaid shirt, sits perfectly still, his gaze fixed forward with a neutral, stoic expression. The room carries only a soft, intimate indoor hum, keeping the focus entirely on the quiet exchange.\n\nMaintaining steady eye contact, the woman offers a small, encouraging smile as she continues, “I mean, Eastern healing,” her tone carrying a subtle upward inflection that seeks quiet validation. The man’s eyes shift fractionally toward her, though his face remains impassive, heightening the unspoken tension between them. After a brief pause, she adds a gentle nod and a knowing smile, concluding with, “You know, holistic.” The camera holds the static frame as her final word fades into the ambient silence, leaving both figures frozen in their contrasting postures—the woman engaged and explanatory, the man still and reserved—capturing a moment of thoughtful, unspoken divergence in a therapeutic space.","video_1_relative_path":"videos/48f705e8a6fd4a43.mp4","video_2_relative_path":"videos/8567ae6783a99caa.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_only/music/music_1/00000024","text_prompt":"A medium close-up, static shot captures an intimate, dimly lit domestic scene bathed in warm ambient glow from a floor lamp with a textured cylindrical shade positioned to the right. Seated side-by-side on a light-colored, button-tufted sofa, a young man with shoulder-length dark hair wears a black t-shirt bearing the partial white letters NDHI and steadily strums an acoustic guitar, his gaze fixed on the fretboard as his fingers move rhythmically across the strings. Beside him, a young woman with long brown hair, dressed in a loose grey cardigan over a grey tee adorned with a small silver cross pendant, leans slightly forward, her expression calm and focused as she sings softly, her lips moving in sync with a gentle, melodic vocal line: \"I saw the sparks.\" Between them rests a black fabric item patterned with white skulls, while subtle camera shake grounds the shot in a handheld, documentary-like realism. The soundscape is entirely acoustic and intimate: a warm, resonant guitar progression at a relaxed tempo provides the foundation, layered with the woman’s breathy, emotive vocals and the faint, natural reverb of a modest furnished room. Occasional finger slides and controlled inhalations punctuate the performance, creating a mood of quiet reflection and shared artistic expression, with no background noise or extraneous sounds to distract from the spontaneous, unpolished moment.","video_1_relative_path":"videos/15903bac5522e02a.mp4","video_2_relative_path":"videos/80e3e049dbad8ac6.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_only/music/music_1/00000071","text_prompt":"Genre: intimate acoustic folk performance. Lens: static medium close-up. Lighting: soft natural daylight from camera left. Palette: muted blue-grey walls, black cotton, and warm wood tones. A single, static medium close-up frames a young woman with long, wavy blonde hair seated indoors against a muted blue-grey wall. She wears a plain black short-sleeved T-shirt and cradles a dark-bodied acoustic guitar with a light wood fretboard marked by dot inlays and a circular pickguard. Soft natural daylight washes over her face and instrument from camera left, casting gentle shadows on the right, while a white headboard, a fluffy pale-blue pillow, and a small framed picture rest softly out of focus in the background. She maintains steady eye contact with the lens, her right hand strumming rhythmically over the strings while her left hand slides smoothly to form chords. Her lips move in precise synchrony with a breathy mezzo-soprano melody, accompanied by subtle eyebrow lifts and soft smiles that underscore an earnest, contemplative mood.\n\nThe soundscape is sparse and dry, capturing only her voice and the steel-string guitar in a quiet, carpeted room with minimal reverberation. She begins singing in a slow, minor-key folk ballad, her voice carrying a light vibrato and descending legato phrasing as she delivers the line, \"And no surprises, now what lies ahead…\" The guitar supports her with gentle arpeggiated chords and open-position voicings, occasionally shifting to a slight crescendo before resolving back to a soft dynamic. Faint finger-slide squeaks on the fretboard, the subtle rustle of her shirt as she adjusts her posture, and controlled breaths between phrases ground the performance in tangible reality. The camera remains completely still throughout, preserving the intimacy of the moment as the final chord rings out and naturally decays into silence.","video_1_relative_path":"videos/ca3bd09a11f8c4a2.mp4","video_2_relative_path":"videos/d741da000f9f6d6f.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_only/music/music_1/00000072","text_prompt":"A cinematic medium shot captures two young musicians seated on the open tailgate of a black SUV, bathed in bright natural daylight with soft shadows and a clear blue sky visible above the treetops. The man on the left, with light brown tousled hair and a beige button-up shirt layered over a dark graphic tee, cradles a light-wood acoustic guitar across his lap while singing into a black microphone mounted on a stand. His expression is deeply focused, mouth open mid-phrase, eyes occasionally flicking between his fretboard and the space beyond the lens. Beside him, a woman in a teal cable-knit sweater and light jeans mirrors his posture, her blonde hair falling over her shoulders as she plays a matching acoustic guitar with a reddish pickguard, her lips moving in precise sync with the melody. The framing remains completely fixed from a frontal perspective, capturing the subtle sway of their bodies and the intricate fingerwork on both instruments, while the rear interior of the vehicle reveals a laptop on the back seat displaying a waveform monitor. Aurally, the scene unfolds as an intimate, wordless performance anchored by a solo male voice weaving sustained, breathy “ooh” vocalizations in a gentle, legato style with subtle pitch bends. His melody is supported by steady, fingerpicked acoustic arpeggios in a relaxed major key, maintaining a slow, steady tempo with soft-to-moderate dynamics and gentle swells at the peaks of each phrase. The soundscape is meticulously clean, stripped of wind, traffic, or environmental noise, leaving only the organic resonance of the guitars, the faint squeak of fingers sliding across strings, the soft rustle of clothing, and quiet inhalations between vocal lines. All audio sits tightly centered in the stereo field, perfectly synchronized with the visible lip movements and hand motions. Just as the melody reaches its gentle resolution, the image hard-cuts to a solid black screen and every sound vanishes instantaneously, leaving absolute silence without any fade or reverb tail, marking a deliberate, abrupt editorial stop.","video_1_relative_path":"videos/541179f2a85d3342.mp4","video_2_relative_path":"videos/8d9c05d0373e4563.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_only/physics/physics_1/00000037","text_prompt":"A minimalist, low-key cinematic sequence opens on a solid black frame that gradually fills with white, handwritten-style text appearing letter by letter in the center. Rendered with slight jitter and uneven stroke thickness to evoke a casual, hand-drawn aesthetic, the phrase resolves as “2nd Attempt On The Failure To Finish.” The screen remains otherwise stark and silent, establishing a self-aware, slightly humorous tone before the visual transition.\n\nThe scene cuts abruptly to a static medium shot inside a rustic, unfinished wooden structure, possibly a barn or shed. Natural daylight streams in from the left, casting soft shadows and emphasizing the texture of the dark brown vertical planks and exposed ceiling rafters. In the foreground, a thick horizontal wooden beam anchors the composition, holding a clear plastic water bottle with a white cap and blue label, a small tripod-mounted action camera pointing directly at the viewer, and a light-colored rectangular wooden frame leaning diagonally against the back wall. To the left, a white paper notice with a yellow header band and dense black text is affixed to a vertical post, though its contents remain illegible. The frame is entirely still, yet the audio track reveals subtle off-screen activity: a faint rustling consistent with fabric or equipment being adjusted, followed by a single muted footstep landing on a hard surface. The combination of the quiet, utilitarian staging and the sparse, unexplained sounds creates an anticipatory, understated mood, suggesting a workspace prepared for action just beyond the edge of the frame.","video_1_relative_path":"videos/37def972eaced58b.mp4","video_2_relative_path":"videos/8370377d3a9743ba.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_only/physics/physics_1/00000042","text_prompt":"Cinematic close-up, fixed slightly elevated angle, clean and clinical lighting with a muted, nostalgic palette. The frame centers on a vintage electric typewriter resting on a work surface within a modest office or study, with out-of-focus background elements—a wooden cabinet with metal handles and draped fabric—lingering softly behind the machine. The composition holds steady, deliberately excluding any face or torso, as a pair of arms enters from the right, clad in off-white sleeves and marked by a silver metal watch on the left wrist. The hands first adjust the paper roller, fingers hovering briefly before settling into a practiced typing posture. The right hand initiates a steady rhythm, each key strike punctuated by a sharp metallic clack and the swift whirring of typebars snapping back to rest. Soon, the left hand joins in, moving independently across the keyboard with occasional pauses that give way to a faster, denser cadence. The soundscape is dry and immediate, captured with close microphone placement that isolates every percussive impact—high-pitched clicks for letters, deeper thuds for the spacebar, and the faint rustle of fabric and barely audible breath beneath the mechanical rhythm. As the typing reaches its peak, the hands pause, then resume before the left hand reaches for the carriage return lever. A pronounced pull triggers a sliding whirr followed by a resonant, low-frequency clunk that cleanly punctuates the sequence, leaving the scene in quiet, tactile stillness.","video_1_relative_path":"videos/511f8e1508da25dc.mp4","video_2_relative_path":"videos/c2e492f038ad597a.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_only/physics/physics_1/00000069","text_prompt":"A cinematic, low-angle close-up in a dimly lit kitchen or service area establishes an intimate, contemplative mood, bathed in warm directional light that catches the brushed steel surfaces, stacked white ceramic plates, and the mustard-yellow button-down shirt of the subject. The frame initially holds on his torso as his hands move with precision, using metal tongs to arrange roasted meat and garnish onto the plating shelf. Each careful placement is accompanied by crisp, syncopated metallic clinks and scraping foley that echo slightly against the hard tiles and glass bottles in the background, grounding the scene in tactile reality. The camera slowly tilts upward to reveal a man with dark hair and light stubble, his expression deeply focused until he finishes arranging the food and sets the tongs down with a soft thud, followed by the faint rustle of his fabric. As he turns his head slightly toward the empty space beside him, his concentration softens into quiet contemplation. Against the sparse, ambient room tone, his voice emerges in a calm, conversational register with a neutral American accent, measured and tinged with quiet resignation: “So Claire, she was my wife.” He holds his gaze downward and off-camera, letting the words hang in the stillness as the shot lingers on his profile, the absence of music and the out-of-focus red and gold string lights amplifying the subtle melancholy of the moment.","video_1_relative_path":"videos/faccff184707dc40.mp4","video_2_relative_path":"videos/07de0bb8e77ad3e8.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_only/physics/physics_1/00000087","text_prompt":"Cinematic still, high-contrast red and black palette with crisp white typography. A single, unmoving shot fills the frame with a vintage album cover, its slightly grainy, deep-red silhouette of a stylized human face evoking the texture of a scanned photograph. Bold, uppercase sans-serif lettering sits across the upper portion, followed by flowing cursive script beneath it, while a smaller curved phrase arcs gently along the lower edge. Two thin diagonal lines intersect near the center, meeting a pale triangular wedge filled with abstract black shapes. The camera remains completely static, with no shifts in lighting, focus, or framing throughout.\n\nOver this unchanging visual, a brisk and energetic big-band jazz track drives the atmosphere. A full drum kit establishes a swinging ride-cymbal pattern punctuated by sharp snare accents, while a walking upright bass lays a steady foundation. Bright, tightly arranged brass instruments enter together with a punchy, syncopated motif, their harmonies buoyant and celebratory at a fast, propulsive tempo. The recording quality is clear but carries a faint layer of analog hiss, suggesting an archival source. The ensemble builds through a dense, polyphonic arrangement with tight ensemble hits, culminating in a resonant final chord and crashing cymbals before the audio cuts off instantly, leaving absolute silence.","video_1_relative_path":"videos/5c043b4cde56fd43.mp4","video_2_relative_path":"videos/f0a56e37665f0ff8.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_only/physics/physics_2/00000050","text_prompt":"Open on a tight, slightly high-angle close-up of a small orange tabby kitten standing inside a white ceramic bathroom sink. The camera is handheld and remains mostly static, with only minor tremors suggesting it is being held by a person standing just above the basin. Warm indoor lighting casts soft shadows across the scene, highlighting the deep reddish-brown textured walls behind and the chrome faucet with dual glass knobs that glint faintly under the glow. The kitten’s fur is damp and matted from recent water exposure, clinging to its frame as it faces left with its tail raised stiffly. Its eyes are wide and ears pinned back, radiating agitation or protest. As the moment unfolds, the cat pivots its body toward the faucet, snout dipping briefly near the spout as if investigating residual moisture. Its front paws shift uncertainly on the slick porcelain surface, claws barely catching at the drain cover, before it settles back into a tense, mid-motion stance with its gaze fixed off-frame left.\n\nThe soundscape is stripped down to the raw intimacy of the animal’s distress. A series of four sharp, high-pitched meows erupt in rapid succession, each lasting about half a second and perfectly synchronized with visible mouth openings, quick head flicks, flattened ears, and subtle torso twists. The vocalizations carry a clear attack-decay envelope, peaking in the high frequencies with harmonic overtones that bounce softly off the hard, reflective surfaces of the room. Beneath the cries lies a consistent, very low-level electrical or HVAC hum, typical of an enclosed bathroom, accompanied by mild natural reverberation that follows each meow. Faint incidental sounds emerge only in the quiet moments between vocalizations: the soft rustle of wet fur against porcelain and a barely perceptible metallic click as a claw brushes the faucet base. No music, dialogue, or human presence intrudes, leaving the scene entirely focused on the kitten’s urgent, unfiltered reaction to its damp, unfamiliar surroundings.","video_1_relative_path":"videos/d202a673a2a2d07e.mp4","video_2_relative_path":"videos/46f773b12080956c.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_only/physics/physics_2/00000076","text_prompt":"A documentary-style, daytime sequence opens with a fixed, dashboard-level perspective from inside a moving commercial truck, bathed in bright natural sunlight that illuminates a two-lane rural road. Trees line the left shoulder while open fields and scattered houses stretch to the right, utility poles receding into the hazy distance. A red semi-truck maintains a steady pace ahead in the same lane. The dark dashboard anchors the foreground, its windshield wipers resting at the bottom edge, while a side-view mirror catches the glint of a yellow-orange object. Beneath this steady forward motion, a low, continuous engine rumble blends with the subtle high-frequency hiss of tires on pavement, establishing a quiet, enclosed cabin atmosphere.\n\nThe camera then executes a deliberate pan to the left and downward, shifting focus from the road into the utilitarian cabin. A small black oscillating fan mounted on the dash comes into view, followed by a white control panel studded with circular gauges and switches. A human hand briefly brushes the top-left corner near the fan before the frame settles on the lower passenger-side footwell. There, a red plastic trash bin with a white liner sits beside a red fire extinguisher topped with a green nozzle, surrounded by scattered leaves and dirt on the floor mat. As the camera locks onto these objects, a sharp metallic clank echoes through the cab, immediately followed by a brief scraping sound, implying an unseen hand adjusting equipment nearby. The engine hum persists underneath, gradually softening as the shot holds static on the interior details, closing the scene on a mundane, observational note.","video_1_relative_path":"videos/2deb54301cf4cfd1.mp4","video_2_relative_path":"videos/8fe316b5f63e50c8.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_only/physics/physics_2/00000080","text_prompt":"Shot on a handheld camera with a slightly high angle, this intimate documentary-style scene unfolds in a softly lit room bathed in even ambient daylight that casts no harsh shadows. The frame centers on an older black-and-white dog resting on a light-colored armchair upholstered in muted floral damask, its coat contrasting sharply against the fabric. To the left, a brown woven rug holds a single small white pellet. The camera maintains a steady but naturally handheld presence as the dog’s head is raised toward the lens, mouth open and teeth visible, while its tail wags gently behind. Two sharp, high-pitched barks ring out in quick succession, loud and percussive, perfectly synchronized with the animal’s animated facial expression and a subtle ear flick.\n\nThe dog holds its direct gaze, ears perked forward and eyes wide, front paws stretching out with claws faintly visible. After a brief, quiet pause that highlights the room’s stillness, a third bark erupts, closely timed to a quick twitch of the dog’s muzzle and momentary jaw clench. The animal then turns its head briefly to the right before snapping back to face the camera, a movement that precedes a fourth bark slightly lower in pitch but equally forceful. The background remains completely static, with no human presence or environmental movement to distract from the canine subject.\n\nIn the final moments, the dog leans its head closer to the lens, mouth agape in a playful, alert expression. A fifth bark follows immediately, the loudest and most resonant of the sequence, filling the acoustic space with a bright, nasal attack and a brief reverberation that hints at nearby hard surfaces. The dog’s tail gives a vigorous wag as the scene concludes, freezing on the image of the expressive animal. Throughout the sequence, the sonic landscape remains deliberately sparse, dominated entirely by the crisp canine vocalizations against an otherwise silent, low-level room tone, creating a focused and intimate portrait of a fleeting burst of communication.","video_1_relative_path":"videos/d095a5e3081fd13d.mp4","video_2_relative_path":"videos/7365b67d93e49ff8.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_only/physics/physics_3/00000009","text_prompt":"A vertical, static low-angle shot captures a tense, storm-battered landscape under a flat, overcast grey sky. The frame is dominated by a thick, textured palm trunk on the left, its fibrous sheaths ranging from light tan to dark brown, while a smaller palm anchors the lower right. Both trees are caught in a relentless gale, their massive fronds whipped horizontally to the right, leaflets streaming and blurring in perfect synchronization with the roaring wind. The atmosphere is heavy and foreboding, stripped of all human presence or artificial objects, leaving only the raw, elemental struggle between vegetation and weather. Aurally, the scene is immersed in a broad-spectrum rush of wind that fills the stereo field, blending a deep, rolling rumble with sharp, high-frequency hissing. The audio intensity mirrors the visual chaos, surging and receding in subtle, natural fluctuations that reinforce the relentless force of the approaching storm, creating an immersive, visceral experience of nature’s untamed power.","video_1_relative_path":"videos/ff494a7d95025a1a.mp4","video_2_relative_path":"videos/59123f34bc67f3c0.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_only/physics/physics_3/00000068","text_prompt":"A vibrant, cartoon-style children’s game sequence opens in a wide, static shot under bright, even studio lighting and a saturated primary-color palette of lime green grass, yellow slides, and red play structures beneath a clear blue sky with fluffy white clouds. In the lower left foreground, a red fire truck toy bearing the number nine rests with an animated, expressive face, while a high-pitched female voice with an instructional tone cuts through the quiet, stating, \"Under the water to catch it,\" immediately followed by a sharp, rising electronic chime. A hard cut shifts the frame to a medium shot of Doc McStuffins, a young girl in a crisp doctor’s outfit, standing against a stylized purple background beside a pink and purple toy medical vehicle. A large blue rectangular panel materializes at the center of the frame, displaying a sequential countdown in bold white numerals that flash three, two, one, each change punctuated by a crisp digital tick. As the final number drops, an energetic, fast-tempo synthesized pop track with bright major-key melodies and a steady drum machine beat swells to the foreground, culminating in the word GO! flashing across the panel alongside a sharp whoosh and an emphatic musical hit.\n\nThe scene cuts back to the original playground setting, where the red fire truck animates forward from the left toward the center-right, leaving a faint motion blur trail that suggests quick, playful movement. A glowing green line extends along the lower edge of the frame as the upbeat synth-pop continues to drive the rhythm, its volume dipping just enough to make room for the female voice to return with a cheerful, commanding tone, announcing, \"Ready? Go!\" The audio space remains clean and studio-produced, with the vehicle’s subtle engine hums and the bright, encouraging vocal prompts perfectly synchronized to the visual cues, maintaining an intuitive, game-like momentum that carries the sequence to a crisp, energetic close.","video_1_relative_path":"videos/b01671c3039fffcb.mp4","video_2_relative_path":"videos/02c2d31c5a89f513.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_only/physics/physics_3/00000071","text_prompt":"Cinematic daylight sequence, captured with a low-angle medium shot, strong midday lighting, and a high-contrast palette, focusing on a glossy black Porsche 911 GT3-style sports car parked diagonally on a sunlit concrete sidewalk beside an asphalt road. The camera looks up toward the front driver’s side quarter panel, where crisp shadows fall beneath the vehicle while gleaming off its reflective paint to highlight a large rear wing, silver multi-spoke wheels, bright yellow brake calipers, and the faint outline of interior roll cage bars visible through the side window. A sliver of a red sleeve flickers at the far left edge of the frame, while the background reveals green grass, scattered trees, and a distant street sign beneath a clear sky. From the very first moment, a loud, high-pitched electronic siren erupts, rapidly alternating in a relentless hi-lo pattern that dominates the entire soundscape without pause or fade.\n\nThe perspective shifts to a static wide shot framed behind a thick tree trunk in a landscaped median, looking across a quiet parking lot where a white pickup truck and a dark SUV sit near standing figures under the bright sun. In the distance, a commercial building with vertical silver columns and a red roofline anchors the horizon. The siren continues at full volume, its pitch and rhythm completely unchanged, leaving the scene visually still aside from the faint, distant movement of people. The view returns to the original angle on the stationary Porsche, now pulled slightly wider to reveal more of the surrounding commercial environment. A gray building behind the car displays a large GOODIES sign in bold white letters, flanked by a blue handicapped parking marker and a red-and-white NO PARKING ANY TIME sign mounted on a curb-side pole. A small white information board rests on the grass verge, and a man in a light shirt walks slowly past the storefront in the background. The camera holds steady on the car’s aggressive, modified stance against the mundane backdrop as the piercing emergency siren maintains its urgent, unbroken intensity until the frame abruptly ends.","video_1_relative_path":"videos/b8d2c4664db3db23.mp4","video_2_relative_path":"videos/83a2763a93b7f00a.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_only/physics/physics_4/00000037","text_prompt":"Cinematic documentary sequence, steady eye-level medium shot, brightly lit engine dynamometer bay bathed in even artificial light that casts soft shadows across white walls and dark flooring. Dominating the center is a high-performance V8 engine mounted on a dyno stand, finished in metallic blue and silver with vivid blue spark plug wires and black intake tubing, while a large black exhaust pipe curves upward toward overhead ducting. To the right, a tall vertical black pipe displays a pressure gauge and a glowing red digital readout, and the background wall features geometric gray panels beneath a bold banner reading “THR DEVELOPMENTS” and “WE MAKE HORSEPOWER.” Over the deep, rhythmic rumble of the idling V8 and a persistent electronic hum from the dyno equipment, a mid-range male voice, slightly distant and neutral in tone, remarks, “We’re gonna need one or two turns and we’ll be done here.” A second male voice, closer to the microphone and agreeable in delivery, replies, “Yeah, just gotta last a minute.” The camera then executes a swift rightward pan, briefly blurring the frame as it sweeps past the engine to reveal the surrounding workshop: a red rolling tool chest, a cluttered workbench scattered with papers and small tools, and additional red storage units lining the wall. As the movement shifts the audio perspective, the engine’s idle softens slightly, masked by the growing ambient noise of the space and the subtle rustle of clothing and equipment as the operator repositions. The scene maintains a focused yet relaxed atmosphere, capturing the authentic soundscape and unhurried precision of a routine performance tuning session.","video_1_relative_path":"videos/37ecbff87ac5f9b9.mp4","video_2_relative_path":"videos/a8ca1d50bccfdadf.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_only/physics/physics_4/00000047","text_prompt":"Open on a close-up, slightly high-angle shot of a heavy black iron anvil resting on a rough wooden stump outdoors, its base surrounded by dirt, sand, and scattered debris. A glowing orange-yellow metal ring, freshly forged and gripped by tongs, is pressed against the anvil’s conical horn. With each rhythmic hammer strike, bright sparks erupt in sharp bursts while loud, resonant metallic clangs echo through the open air. The camera holds steady with only minor reframing, keeping the focus on the intermittent appearance of gloved hands manipulating the tongs. Natural daylight casts soft shadows, allowing the incandescent heat of the metal to contrast sharply against the dark, weathered iron.\n\nA hard cut then pulls back to a wider, eye-level medium shot, revealing more of the rustic workshop environment. The same workpiece now lies flat on the anvil’s broad face, gradually cooling from a brilliant yellow-orange to a dull red as the camera slowly pans left. Blurred in the background are a yellow-handled sledgehammer, a secondary hammer, and a grinding stand. The hammering continues at a steady, percussive cadence, dominating the soundscape with consistent metallic impacts that gradually give way to faint crackling as the metal loses its thermal brightness. Subtle environmental layers emerge—distant bird calls and a light wind rustling through the space—completing the diegetic audio tapestry. The scene captures the tactile, unadorned rhythm of traditional blacksmithing, where the interplay of light, heat, and sound tells the story of craftsmanship without a single word.","video_1_relative_path":"videos/ae52749f362124de.mp4","video_2_relative_path":"videos/9bb2f12785ae8749.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_only/physics/physics_4/00000065","text_prompt":"A tranquil, nature-documentary close-up opens on a static frame holding a small chaffinch perched calmly atop a weathered, moss-kissed wooden beam. The camera remains completely fixed, isolating the bird against a softly blurred backdrop of diffused greens and yellows that suggest sun-dappled foliage under an overcast sky. Even, shadowless daylight bathes the scene, highlighting the chaffinch’s warm pinkish-orange breast, gray-brown crown and back, and crisp black-and-white wing markings. The bird stays largely still, occasionally blinking, making tiny head turns, and shifting its posture with subtle feather ruffles, creating a quiet, observational portrait of avian stillness.\n\nAurally, the frame is filled with a rich, immersive chorus of overlapping songbird calls that rise and fall in a natural, polyphonic rhythm. The stereo field carries moderate spatial depth, implying several unseen birds singing just beyond the lens, their chirps, trills, and melodic phrases weaving together without repetition or artificial enhancement. There is no music, wind, or mechanical hum—only the steady, organic presence of the woodland soundscape, maintaining a consistent volume and lively, non-repetitive character throughout. The scene holds this peaceful, meditative tone until a clean, simultaneous cut to black and silence, preserving the raw authenticity of the captured moment.","video_1_relative_path":"videos/2c9c50ec0cf7acc6.mp4","video_2_relative_path":"videos/e042f64699031a35.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_only/podcast/podcast_1/00000000","text_prompt":"Cinematic medium close-up, static camera, bright even lighting against a textured deep purple backdrop frames a woman standing behind a sleek black podium equipped with two slender microphones. She wears formal academic regalia: a black mortarboard cap with a gold tassel draping to the right, a purple doctoral gown with wide sleeves marked by three black velvet bars on each arm, and a brown velvet hood lined in black resting over her shoulders. A square patch bearing a white emblem on a dark background is pinned to her left chest, while her long blonde hair falls naturally over her shoulders and bold red lipstick accents her features. As she speaks, her hands move expressively from clasped positions at waist level to open-palmed flourishes near shoulder height, her facial expressions shifting between earnestness and playful emphasis before settling into a broad, sustained smile as she finishes her line.\n\nA clear, mid-to-high female voice with a standard American accent begins, stating, “Specific emergency was that you desperately needed to hear a song with a catchy hook and an intensely cathartic bridge section.” Her delivery carries a lively, slightly humorous tone and a subtle reverberation characteristic of a large indoor auditorium. The moment her words conclude, the space fills with an immediate, loud wave of collective cheering, clapping, and scattered whoops from a large audience. The crowd noise rises quickly, sustaining with energetic approval that gradually tapers, leaving no room for music or extraneous sound and focusing all attention on the celebratory humor of the remark and its vibrant reception.","video_1_relative_path":"videos/59b15bc63dd421bc.mp4","video_2_relative_path":"videos/a58708b90a73f591.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_only/podcast/podcast_1/00000009","text_prompt":"Cinematic medium-wide shot, crisp stage lighting, and a vibrant palette of royal blue and gold open the scene on a brightly lit theatrical stage framed by heavy, pleated curtains. Three Black men in matching royal-blue suits command the space against a white backdrop mounted with three pristine urinals, evoking a satirical tone. The central figure bends forward with his left hand clutching his stomach and his right arm extended outward in a gesture of exaggerated comedic strain, while the two flanking him react with open laughter—one clasping his hands near his chest, the other standing upright with a broad smile. A calm, neutral female English voice-over begins, stating \"I know that listening to one another will not magically solve all problems.\"\n\nA hard cut transitions to a quiet, intimate interior washed in soft, diffused light. In a medium shot, a man with short curly brown hair and a light beard leans casually against a plain off-white wall, dressed in a beige sweater layered over a collared shirt. He holds a slender pen in his right hand and gestures subtly toward a large canvas leaning against the wall, which depicts a figure riding a cow beneath stylized trees under a hazy, earth-toned sky. Facing him, a woman is seen from behind, her dark braided hair swept into an elegant updo, wearing a sleeveless leopard-print top and dangling blue earrings as she listens in silent attentiveness. The female narration continues seamlessly across the cut, completing her declarative thought without pause, while the audio landscape remains entirely stripped of music and ambient room tone, leaving only the clean, close-mic’d voice to anchor the contemplative mood.","video_1_relative_path":"videos/874017ffc1f80050.mp4","video_2_relative_path":"videos/7dc25a255a1e5763.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_only/voiceover/voiceover_1/00000001","text_prompt":"Cinematic documentary-style sequence, wide locked-off framing with a static, observational camera, soft diffuse daylight transitioning to low-angle dusk backlighting, and a color palette shifting from cool greens and misty blues to warm golds and teals. The opening shot reveals an immense mountain valley blanketed in lush greenery, where terraced rice paddies wind down the slopes like shimmering silver ribbons, some basins mirroring the overcast sky while others lie as bare earth. A cluster of dark-roofed houses nestles among the ridges, framed by evergreen trees in the foreground, with distant peaks fading into bluish mist. A calm, measured male Mandarin voice-over begins, stating \"But to cultivate and reap in the boundless ocean, one must possess some other extraordinary skills,\" his clear and steady delivery accompanied by a gentle orchestral underscore built from sustained strings and airy synth pads. The scene cuts to a broad coastal panorama at dusk, where a low sun casts a narrow golden column across still water. Three silhouetted figures stand on a pebble beach—one adult to the right, two children near the center, one crouching and one standing—set against a sky streaked with wispy clouds that fade from pale yellow to teal. The voice-over continues seamlessly, maintaining a reflective and subtly inspirational tone as the camera holds fixed on the tranquil seascape. A closer view reveals several large fishing boats resting motionless on the horizon, rendered as dark shapes against the glowing backdrop, while the sun’s reflection ripples into a luminous path toward the viewer. The orchestral bed maintains its warm, contemplative chord at a slow adagio tempo, with no environmental noise to disturb the clean, studio-quality mix. In the final locked-off shot, a small motorboat drifts slowly from left to right, carrying two silhouetted occupants, one holding a long oar, with a line of anchored vessels stretching into the distance beneath an orange-gold sky that deepens toward the edges. The music sustains its serene harmony until the clip ends, fading naturally without abrupt cutoff, while the fixed camera and gentle boat movement reinforce a documentary stillness that places human presence in humble scale against the vast, reflective beauty of nature.","video_1_relative_path":"videos/8abfb2c46e1dc8cb.mp4","video_2_relative_path":"videos/ab0015dfdcef322a.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_only/voiceover/voiceover_1/00000011","text_prompt":"The scene opens in a dimly lit interior dominated by a saturated, blood-red backdrop that immediately establishes a mood of urgency and peril. A static camera holds a tight close-up on a middle-aged Caucasian man seated on a bold black-and-yellow tiger-striped sofa. He wears a dark suit jacket over a light-blue collared shirt, his face half-sculpted by a warm key light from camera left while the opposite cheek melts into deep shadow. Beads of perspiration glint on his brow as he looks upward and slightly left, his lips parted in a grave, measured delivery. A grave, medium-low male voice in Mandarin speaks with measured gravity, stating, \"与其利滚利，月供至少翻两倍。\" A low, tense orchestral score hums beneath his words, keeping the frame claustrophobic while a shallow depth of field blurs the crimson walls to focus entirely on his anxious expression.\n\nThe shot cuts to a matching close-up of a young Caucasian woman with voluminous curly blonde hair, wearing a sleeveless top and a delicate silver chain necklace. Still against the same crimson background, she lowers her gaze for an instant before lifting her eyes toward someone off-screen to her right, her brows knit in alarm. Her mouth opens wide as she blurts out a shocked question in General American English, her pitch rising sharply with disbelief: \"Two hundred percent on all my loans?\" The warm lighting mirrors the previous shot, maintaining the high contrast and claustrophobic tension, while the orchestral bed sustains the suspense. Clean, foregrounded dialogue cuts through the underscore, emphasizing the devastating weight of predatory lending and personal financial desperation.","video_1_relative_path":"videos/d9dd7b99d6bcc310.mp4","video_2_relative_path":"videos/4c53c4815f1df28c.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_only/voiceover/voiceover_1/00000037","text_prompt":"Cinematic widescreen 16:9 frame opens in a warmly lit, wood-paneled study reminiscent of a vintage hotel suite, rendered in rich earth tones and bathed in the soft, golden glow of two brass wall lamps with white shades. A dark-haired man in a grey long-sleeved shirt lies prone on a chaise lounge, propped on his elbows as he quietly studies a large open book or sketchpad illuminated by the practical lighting. At the rear of the frame, near a closed wooden door, a light-brown-haired man in a black high-collared shirt stands watching with a neutral, attentive posture. A calm male Mandarin voice-over begins, stating “Peter had already witnessed all of this.” Beneath the hushed atmosphere, a steady, low-level electronic hum underscores the scene as the room remains still, the ambience thick with quiet concentration and unspoken tension.\n\nA hard cut shifts the perspective to a tighter medium close-up of the standing man, where soft key lighting from camera left models his features while casting gentle shadows across his opposite cheek. A measured, slightly questioning male English voice breaks the silence: “Was that Meredith?” Without breaking the frame, he shifts his gaze fractionally downward, his expression tightening briefly before softening into contemplation. A softer, contemplative male English voice murmurs to himself: “Was who Meredith?” Delivered with a rising inflection that conveys mild puzzlement, the line hangs in the sparse audio mix alongside the persistent electronic hum. The camera holds on his thoughtful expression as the image gently freezes, leaving the dramatic focus entirely on his internal realization.","video_1_relative_path":"videos/2c7cee1dd33680c4.mp4","video_2_relative_path":"videos/a7fee6c0c465d1a7.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_only/voiceover/voiceover_2/00000025","text_prompt":"The scene opens as an intimate dramatic confrontation, framed in a fixed medium-close two-shot that holds a symmetrical composition of two women standing face-to-face at close distance. The setting is a dim, warm-toned indoor space resembling a cramped fabric shop, where hanging bolts of patterned and solid textiles contrast with subdued lighting that casts gentle shadows across the characters. A large red artificial flower and scattered green leaf garlands add saturated accents to the background. On the left, a woman with dark hair pulled back wears an olive-green jacket with a visible backpack strap; on the right, a woman with shoulder-length reddish-brown curls wears a bright lime-green turtleneck under a grey tweed blazer with a white lanyard. A soft, low-volume solo piano melody in a minor key begins immediately, weaving quietly beneath the dialogue. A weary, moderate-volume female Mandarin voice with a slight regional accent turns toward her counterpart and states, “再也回不到从前。” The right-hand woman listens intently, eyes fixed, before leaning forward a fraction to answer sharply in a rapid, forceful, and noticeably higher-pitched female Mandarin delivery, gesturing subtly near her chest while asking, “你知道你爸爸的事情有什么事用啊？”\n\nThe left-hand woman’s expression tightens as she steps closer, brows knitted, and retorts in a firmer, louder female Mandarin voice that rises above the piano accompaniment, her tone brimming with indignation and frustration as she declares, “当然有用啊！” The camera maintains its steady framing without movement, capturing every micro-expression as the confrontation escalates. Maintaining unbroken eye contact, she presses on, her elevated voice edged with pain and personal stakes as she stresses, “那是我爸爸的事情。” The right-hand woman remains silent, lips pressed together, absorbing the weight of the words while the piano motif repeats softly in the background. The scene holds on their unresolved tension, the warm, saturated textiles and subdued lighting framing the intimate standoff, leaving the emotional conflict hanging in the quiet, music-drenched space.","video_1_relative_path":"videos/85a49e387a54a488.mp4","video_2_relative_path":"videos/1fab29d1fa73a2e6.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_only/voiceover/voiceover_2/00000080","text_prompt":"Cinematic, dialogue-driven scene, tight close-up, muted greens and browns, soft diffused key lighting, and a low-frequency ambient hum. The clip opens on a middle-aged man in a white lab coat over a light-blue dress shirt and patterned tie, his receding dark hair and weary, concerned expression sharply framed against a softly out-of-focus background of greenish shelving. A calm male Mandarin voice begins, stating \"但是人家店老板也说了，这里并不收治人类病人。\" The camera executes a straight cut to a medium close-up of the man being addressed, who stands framed from mid-torso upward against a solid dark-green wall and a closed door. He wears a beige baseball cap with a small green emblem, a brown jacket, and a light mesh undershirt stained with dried blood across his chest. His eyes are wide and reddened, brows knitted in anxiety as he grips a large translucent plastic water jug near his torso. A deeper, accented English voice responds with slow incredulity: \"This is a medical clinic, isn’t it?\" The delivery is strained, underscored by the faint low-frequency room hum that fills the enclosed space without music or pronounced effects.\n\nThe shot returns to the first man in the lab coat, who listens intently with lips pressed before answering in a polite, matter-of-fact British accent: \"Well, of course it is, sir, but strictly for animals.\" The static camera holds on his subtle facial shifts and slight head movements, maintaining a classic shot-reverse-shot rhythm that focuses entirely on the conversational tension. The ambient hum remains constant as the soft lighting continues to isolate their expressions, leaving the multilingual exchange and the visible injuries to hint at a cross-cultural setting where human patients may be receiving treatment intended for veterinary care, deepening the thematic ambiguity of the facility.","video_1_relative_path":"videos/6b695cc8f873bb4f.mp4","video_2_relative_path":"videos/4fe9c5e9d07da21b.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_only/voiceover/voiceover_2/00000103","text_prompt":"A tense, naturalistic crime-procedural scene unfolds inside a moving vehicle, captured in a static medium-close shot with a shallow depth of field that isolates the cabin from the blurred streaks of green foliage and pale building façades rushing past the passenger-side window. Natural daylight filters through tinted glass, casting soft, diffuse highlights across the muted grey and black interior while creating a gentle lens flare on the windshield. The camera is positioned just behind the front seats, angled slightly toward the driver’s right, framing the space with an intimate, observational stillness. A continuous low-frequency engine rumble and steady road noise anchor the soundscape, replacing any musical score to heighten the realism and underlying urgency. In the foreground left, the blurred profile of the front-seat passenger remains motionless, head slightly inclined forward. Center-right, the driver—an East Asian man in his late thirties or early forties with short black hair and a neatly trimmed mustache-goatee—wears a dark grey collared jacket over a lighter shirt. His hands grip the upper rim of the steering wheel, his eyes fixed ahead with a faintly furrowed brow, betraying a quiet, investigative tension.\n\nA calm, neutral male Mandarin voice-over begins, stating \"伊队又开始怀疑阿道提前出院的动机。\" The ambient hum persists as the driver briefly glances down at the dashboard, his lips parting as if weighing his next words. He then turns his head fractionally toward the silent passenger, his mid-low pitch clear and measured, laced with quiet suspicion: \"你那兄弟怎么那么着急出院？\" The question hangs in the cabin, leaving the moment unresolved as the car continues its forward motion, the engine’s steady drone underscoring the unspoken weight of the ongoing investigation.","video_1_relative_path":"videos/238021a0721fc5fc.mp4","video_2_relative_path":"videos/dfc1fa8eb56e85f7.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_only/voiceover/voiceover_3/00000029","text_prompt":"A suspenseful crime-drama scene opens on a handheld camera in a tight close-up, bathed in the soft, shadow-free daylight of an overcast sky that casts a muted, cool palette of greys and greens across the frame. The shallow depth of field renders the background into a creamy bokeh of out-of-focus trash bins and roadside refuse, isolating a tense East Asian man in his thirties standing beside a quiet two-lane asphalt road bordered by a grassy embankment. His dark hair is swept upward, his thin mustache and light stubble framing a face etched with apprehension; he wears a dark navy collared shirt beneath a black tactical vest, a white coiled earpiece wire trailing from his right ear. As he stares ahead with knitted brows and parted lips, a calm but urgent male Mandarin voice-over begins, stating “高建翔的心瞬间提到嗓子眼儿。” The ambient hush of the outdoors remains minimal, amplifying the quiet dread of the moment.\n\nHis gaze remains fixed off-screen to the left, jaw tightening with visible tension until he abruptly whips his head further in that direction, eyes widening and posture stiffening in sudden alarm. The handheld camera makes a micro-pan to keep him centered, tracking the shift from apprehension to alertness without breaking proximity. From an unseen source close to the microphone, a slightly higher-pitched male Mandarin voice cuts through the stillness with urgent inquiry: “什么时候报案的？” Before the silence can settle, the same voice answers in a brisk, matter-of-fact tone: “刚刚才报案的。” The man holds his squared shoulders and unwavering stare, his anxious determination locked onto whatever has triggered the sudden tension, leaving the scene suspended in the quiet, unresolved atmosphere of a critical moment on the brink of revelation.","video_1_relative_path":"videos/10c2b7b9d39cfdb0.mp4","video_2_relative_path":"videos/d39761dc393ebc2a.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_only/voiceover/voiceover_3/00000056","text_prompt":"A dimly lit, static close-up frames a middle-aged man from the mid-chest upward, his plain black crew-neck T-shirt dissolving into a shadowy background. High-contrast chiaroscuro lighting, evoking a noir thriller aesthetic, casts a cool bluish key light from the left, carving deep shadows across his right cheek while highlighting sweat-slicked skin, small abrasions on his forehead and cheeks, and his dark, receding hair. He stares straight ahead with narrowed eyes and a tense jaw, his expression frozen in grim intensity as beads of perspiration glint under the harsh illumination. The scene opens in near silence until a calm, neutral male Mandarin voice-off speaks, stating \"Where do we start?\" His steady, declarative delivery contrasts sharply with the man’s weathered visage, establishing an intimate, confrontational mood entirely devoid of ambient noise.\n\nAs the man’s brow furrows almost imperceptibly and his lips tighten, a low, ominous musical bed fades in, layering sustained synthetic strings over a soft, pulsing bass that slowly swells to underscore the rising tension. Riding just beneath the emerging score, a female commentator with a General American accent interjects in a slightly mocking, incredulous tone, remarking, \"Why every wacko in the country is gonna be after those bums now, wouldn’t you say?\" The suspenseful score maintains its quiet, brooding presence, neither swelling nor fading, keeping the focus entirely on the emotional weight of the performance and the subtext of the exchange. The clip concludes abruptly as her rhetorical question finishes, leaving the man locked in his intense stare while both picture and sound cut cleanly to silence.","video_1_relative_path":"videos/41d1d97b87918a0a.mp4","video_2_relative_path":"videos/b91437ba9ae390cf.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_only/voiceover/voiceover_3/00000077","text_prompt":"A cinematic period drama set in a warmly lit Qing-dynasty court interior, rendered in a palette of deep purples, charcoals, and muted browns. Shot in a single continuous take at eye level, the frame opens on a steady medium close-up of a dignified middle-aged man standing slightly left of center. Soft, diffused key light from camera left gently models his face against a darker, atmospheric background. He wears a dark charcoal-grey silk robe with a subtle sheen, detailed with black embroidered swirls around the collar and front placket, fastened by ornate brass frog buttons. His hair is neatly tied back, his expression calm yet resolute. In his right hand, he raises an aged parchment document framed by a blue-and-red border and topped with bold red seal-style characters reading “奉天承运,” alongside dense vertical columns of black calligraphy. As he holds the scroll aloft, a measured, resonant male voice in Standard Mandarin begins, stating “而贵为王爷的僧格林沁，哪能咽下这口气？” A faint orchestral underscore of low strings sustaining a tense chord underscores the gravity of the statement. Behind him, half a dozen attendants in earth-toned robes watch in silent concern or stoic approval, while at the extreme right edge, a younger man in a pale-blue patterned tunic tilts his head upward, eyes fixed on the speaker.\n\nThe camera executes a barely perceptible leftward drift, widening the frame to reveal an older gentleman stepping into view from the left. This newcomer, distinguished by a thin mustache, wears a black brocade robe and a matching cap adorned with a small gold emblem, with a long beaded necklace and carved pendant resting against his chest. He fixes his gaze forward, lips pressed, awaiting his turn. As the first speaker lowers the document fractionally but keeps it visible, a deeper, gruffer male voice in Standard Mandarin follows, stating “银票实在太普通。” His tone conveys sharp scorn and impatience, dismissing ordinary silver notes as beneath royal dignity. The younger man on the right blinks slowly, absorbing the exchange, while the purple drapery and dark wooden beams remain static, reinforcing the formal, court-like atmosphere. The subdued, ominous drone of the orchestral score continues, leaving the tension to linger in the heavy stillness as the scene concludes.","video_1_relative_path":"videos/0156a95de54b26d5.mp4","video_2_relative_path":"videos/55fab603d4dfd2c9.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_only/voiceover/voiceover_3/00000107","text_prompt":"A static medium close-up frames a warmly lit, intimate restaurant interior, bathed in soft tungsten tones that cast gentle shadows across rich reds and golds. Shallow depth of field isolates a man with dark, wavy hair, dressed in a deep-red velvet jacket, white dress shirt, and black tie, seated opposite a blonde woman in a dark strapless top. She leans slightly forward, her hands resting gently over his on the tabletop, her expression tender and concerned as he keeps his gaze lowered with faintly knit brows. Against this quiet, bokeh-dappled backdrop of out-of-focus fairy lights and blurred patrons, a calm, neutral female Mandarin voice-over begins, stating \"Most importantly, he is quite dedicated.\" The ambient restaurant murmur remains low and indistinct, keeping the focus entirely on the unspoken tension between the two.\n\nThe man slowly lifts his head, turning toward the woman as his eyes widen and his mouth parts in earnest surprise. She maintains steady eye contact, her face soft but attentive, as a clear, mid-range male voice with a standard American accent speaks directly to her with polite but firm urgency: \"Excuse me, Vanessa, I think I need to step away for a moment.\" His lips move in sync with the words, breaking the quiet intimacy, while she continues to watch him with quiet concern. The camera holds steady on their exchange, allowing the subtle shift in his expression and the faint, lingering restaurant ambience to carry the emotional weight until the scene concludes.","video_1_relative_path":"videos/00a4b7559ccfd84e.mp4","video_2_relative_path":"videos/8b54f46e4af59faf.mp4","human_preference_answer":"video 1 is better"} diff --git a/indomain/data.jsonl.bak_20260802-095803 b/indomain/data.jsonl.bak_20260802-095803 new file mode 100644 index 0000000000000000000000000000000000000000..9581b334f176f2a61b62d5b2e1367fb751897e3a --- /dev/null +++ b/indomain/data.jsonl.bak_20260802-095803 @@ -0,0 +1,250 @@ +{"case_id":"ltx_only/instruments/instruments_1/00000016","text_prompt":"The scene opens in the genre of an intimate musical performance, captured on a medium-close, fixed lens under warm, even indoor lighting. The palette is defined by the rich blacks of the piano accordion against a softly blurred background of wooden furniture and domestic decor. A performer sits upright, shoulders relaxed, with the camera holding tightly on the instrument and hands while the head remains mostly out of frame. The left hand immediately engages the bass buttons, laying down a steady, rhythmic ostinato that alternates between root-position chords and bass-note inversions. Simultaneously, the right hand begins a bright, flowing melody across the white keys, each press triggering a clear, reedy tone with a slightly metallic resonance. The bellows expand and contract smoothly beneath the instrument, driving the airflow that powers both the harmonic pulse and the melodic line.\n\nThe melody rises through a sequence of rapid ascending notes before dipping into a descending run, the right-hand fingers moving with precise, even articulation that matches the density of the phrase. As the musical line builds, the performer pushes the bellows further outward, creating a subtle dynamic swell that intensifies the sound. A short flourish of scalar notes peaks in pitch before cascading downward, accompanied by a shift to richer chord voicings in the left hand. The articulation briefly turns staccato at the peak, then relaxes back into legato as the phrase tapers. Close-miked audio captures every detail: the bright attack of the reeds, the soft rustle of clothing near the microphone, and the crisp mechanical clicks of the key action during fast passages. The performance maintains a steady moderate tempo throughout, blending folk-dance energy with classical phrasing sensibilities, with expressive variation shaped entirely by bellows dynamics and rhythmic emphasis rather than manual vibrato.\n\nThe phrase approaches its final cadence as the right hand descends toward the tonic, the fingers gliding smoothly across the keys. Both hands settle into a sustained position, the left hand holding a low bass note while the right hand locks onto a resolved tonic chord. The bellows close gently, reducing air pressure and allowing the sound to decay naturally into the quiet room. A faint mechanical click from the final key release rings out just as the audio fades. The performer’s posture remains relaxed and focused until the very last instant, the camera holding its fixed, intimate frame as the music dissolves into stillness.","video_1_relative_path":"videos/1b741265d310840a.mp4","video_2_relative_path":"videos/3b9bf161f8d4c016.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/instruments/instruments_1/00000021","text_prompt":"Cinematic close-up, shallow depth of field, dimly lit intimate studio environment. A calm, resonant acoustic guitar tone blooms at moderate volume, its soft attack immediately followed by a clearly articulated downward strum. The right hand’s fingers splay and brush several strings simultaneously while the left hand anchors a chord shape, thumb resting securely behind the neck. Each visible motion triggers a precise sound onset, producing a full-bodied timbre rich in midrange warmth and bright treble shimmer from the steel strings, with no percussive thump—only the natural vibration of the instrument. The performer remains seated in a relaxed posture, shoulders and elbow supported, every gesture serving the sonic clarity of the moment.\n\nAs the phrase unfolds, the right hand transitions into intricate fingerstyle picking, thumb and fingers articulating isolated notes in a steady pulse that underpins a gentle ascending melody before resolving downward. The left hand slides smoothly up the fretboard, forming new voicings without muting adjacent strings, while the camera holds its fixed framing to keep every nail-to-string contact and subtle finger slide in crisp focus. A brief rhythmic motif emerges, alternating a foundational bass note with syncopated treble accents that drive forward momentum at a steady seventy-two beats per minute. The technique evolves organically into a hybrid approach, with the thumb anchoring the low strings while the index and middle fingers flick rapidly across the higher ones, each accent perfectly aligned with the fretting hand’s quick, clean position shifts. The piece draws to a quiet close as the melody descends stepwise into a final cadential figure, landing on a sustained tonic chord that fades naturally into silence. The right hand delivers a broad, palm-cupped strum to dampen excess brightness, while the left hand gradually releases pressure, allowing the harmonic series to ring out before the performer gently rests the palm against the strings to mute the vibration. The recording remains dry and intimate, preserving only the faint whisper of finger movement and the warm, lingering resonance of the wood, leaving the scene in a state of calm, introspective stillness.","video_1_relative_path":"videos/4b0cc52b5d1fa38a.mp4","video_2_relative_path":"videos/0ef3718558390b6c.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/instruments/instruments_1/00000101","text_prompt":"A static, eye-level medium shot frames a high-energy drum performance inside a tightly controlled recording studio, bathed in even, soft illumination that minimizes shadows and highlights the blue walls lined with white horizontal acoustic panels and black foam wedges. A bearded man in a dark long-sleeved sweater sits poised behind a black drum kit, surrounded by an array of close-microphones. Without hesitation, he launches into a driving rock groove at a steady one hundred and forty beats per minute. His right hand circles the ride cymbal in a relentless eighth-note pattern, producing a bright, cutting metallic ping, while his left hand alternates between a tight, woody snare backbeat and crisp hi-hat chokes. The audio is dry and intimately close-mic’d, capturing every stick impact with virtually no room reverb, and the rapid blur of his sticks traces sharp, percussive arcs as his shoulders tense slightly under the unwavering tempo.\n\nMaintaining the pulse, the drummer shifts into a syncopated fill, lifting his right hand to strike a deep, resonant tom while his left hand executes a rapid double-stroke roll on the snare. The dynamic level swells as his torso leans forward and his wrists flex sharply on every accent, the rolling staccato hits contrasting with the earlier steady wash. He seamlessly returns to the primary pattern, interlocking ride accents with hi-hat pulses to recreate that classic chick-thud feel, before layering in a subtle crescendo of ghost notes beneath the main beats. His head bobs in time, eyes locked downward, as motion blur intensifies and the overall volume rises slightly. The phrase culminates in a final, emphatic crash on the ride cymbal, both hands converging as his body leans forward one last time. The long metallic decay rings out for a moment, fading naturally into silence as he lowers his sticks and his shoulders finally relax, leaving only the clean, dry atmosphere of the studio.","video_1_relative_path":"videos/447cee51793d7fd4.mp4","video_2_relative_path":"videos/0cdec3cbdb1dd641.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/instruments/instruments_2/00000006","text_prompt":"Cinematic close-up, static camera, neutral studio lighting, and a tight high-angle composition focusing on the upper register of a chromatic marimba. The frame holds the scene as two hands enter from opposite edges, each gripping a wooden mallet—one with a white head, the other yellow-black. The performer begins with a deliberate, isolated strike on the leftmost key, producing a bright, resonant tone that blooms and fades before the right hand answers with a clean strike on the adjacent bar. The tempo settles into a steady, moderate pulse around ninety-five beats per minute, with every percussive attack and shimmering decay fully exposed in the dry, close-mic’d acoustic space.\n\nThe rhythmic density quickly builds as the mallets blur into a rapid ascending run, alternating cleanly between hands to climb stepwise toward the instrument’s higher register. Each strike lands with crisp staccato articulation, yielding bell-like pitches that rise in a smooth, diatonic contour. The motion seamlessly mirrors the sound, with the performer’s wrists staying relaxed and flexible to allow effortless crossovers and precise lateral placement. A brief descending figure follows, mirroring the ascent in reverse with slightly sharper attacks, before the phrase resolves into a final cadential pair: a deeper low note struck by the left hand, immediately answered by a brighter high note from the right. The overtones linger for just under a second, fading naturally as the hands settle outward, leaving only the faint, subtle friction of mallet shafts brushing against skin in the quiet aftermath.","video_1_relative_path":"videos/b0606e09cfa12c89.mp4","video_2_relative_path":"videos/764c8f235ec1d341.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/instruments/instruments_2/00000026","text_prompt":"A traditional bluegrass-style banjo solo unfolds in a static medium shot, framing a performer seated upright on a weathered wooden bench from the waist up, bathed in soft, overcast daylight. The camera holds completely still, allowing a blurred backdrop of grass, distant trees, and a brick structure to recede into gentle bokeh while keeping the focus on the musician’s precise technique. The scene opens with the immediate, bright twang of a five-string banjo, driven by a brisk, dance-like roll pattern at roughly one hundred and fifty beats per minute. The performer’s right hand executes a continuous stream of sixteenth notes, thumb striking down followed by alternating fingers flicking upward across the strings, while the left hand moves with fluid efficiency along the fretboard. Fingers press and release in rapid succession, forming chord shapes and melodic fragments that trace a pentatonic G-major contour. As the solo progresses, the melody briefly ascends into the upper register before stepping back down, repeating its opening motif with subtle pitch bends and light hammer-ons. The right hand occasionally accents certain beats with a firmer thumb strike, adding dynamic emphasis, while the left hand momentarily presses two strings together for a rich double-stop before returning to single-note picking. Close-mic’d and dry, the audio captures every percussive transient and faint string squeak without room reverb, mirroring the visual precision of the performance. The piece builds through a variation of syncopated accents and smooth left-hand transitions, culminating in a quick descending run that resolves cleanly on the low G string. The player’s fingers settle, the final note rings out, and the motion stops abruptly, leaving only the resonant twang of the instrument hanging in the clean, quiet air.","video_1_relative_path":"videos/04adb5d08ef8ebf8.mp4","video_2_relative_path":"videos/52494101b30cc3f4.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/instruments/instruments_2/00000060","text_prompt":"Cinematic medium shot, fixed eye-level camera, and soft domestic lighting frame a quiet living room scene. A young boy stands centered, wearing a turquoise zip-up hoodie over a yellow T-shirt and light grey trousers, holding a large brass trombone with a polished silver slide. His left hand grips the slide’s ring while his right steadies the bell, his posture upright and shoulders squared against a backdrop of dark wood furniture, a tiled floor, sheer curtains, and a pink plush toy resting on a wooden bench. The camera remains completely still, capturing the intimate, dry acoustics of a close-mic’d recording environment with virtually no ambient noise. As the scene begins, the boy engages his embouchure and draws a steady breath, pushing the slide outward to produce a single, warm low note that blooms with rich brass resonance. The slide glides smoothly to full extension, perfectly synchronized with the rising pitch, establishing a slow, contemplative tempo.\n\nFollowing the initial sustain, the boy articulates a clean descending two-note figure, his left thumb shifting deliberately along the slide to adjust the tubing length while his head tilts slightly forward. The notes separate with a gentle staccato touch before fading into a brief silence that highlights the natural decay of the tone and the stillness of his hands. Without breaking his focused gaze, he resumes playing, lifting the slide in incremental steps to trace an ascending three-note motif. The motion accelerates slightly through the climb, brightening the timbre as the air column lengthens, culminating in a higher, fuller tone that sustains steadily. A subtle vibrato emerges in the final note as his right hand supports the bell and his left stabilizes the slide at its peak, the faint metallic friction of the mechanism blending seamlessly with the clean, unembellished brass line. The scene holds on this resonant closure, emphasizing the precise mechanics of slide technique and the quiet mastery of a young musician in a tranquil home setting.","video_1_relative_path":"videos/1b98ea9922cabe24.mp4","video_2_relative_path":"videos/c7482538f9cca251.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/instruments/instruments_3/00000029","text_prompt":"A solo instrumental performance unfolds in a fixed-camera four-panel split screen, bathed in bright natural backlight that casts a soft silhouette against blue walls. The male performer sits upright before a drum kit, dark shirt contrasting with the polished brass of a French horn held at chest level. His left hand rests on the valve cluster while his right hand cups the bell, ready to shape the sound. A steady, moderately fast tempo begins immediately as he launches into a bright, resonant ascending arpeggio. His left-hand fingers execute rapid, even presses, each producing a crisp metallic click that perfectly syncs with the attack of the rising notes. The tone is full-bodied and clearly articulated, revealing strong embouchure control, while gentle chest movements mark his measured breaths between phrases.\n\nWithout pause, the melody flows into a descending motif, his right hand stabilizing in the bell as his left alternates smoothly to create legato lines. The volume swells as he angles the horn slightly toward the camera, his posture leaning forward imperceptibly to increase air pressure and enrich the harmonics. The crescendo peaks with a noticeable expansion in both loudness and acoustic presence, the brass catching the backlight as his fingers dance across the valves. The rhythm shifts into a crisp staccato coda, short detached notes punctuated by sharp finger lifts and rapid decays. A subtle vibrato emerges on the sustained tones, accompanied by minute jaw tremors visible beneath the mouthpiece, before the performance resolves into a clean cadence. As the final chord rings and naturally decays, he relaxes his embouchure and lowers the horn slightly out of frame, the room’s quiet ambience returning to the close-mic capture. Throughout the sequence, lighting remains constant, emphasizing the reflections on the brass and highlighting the precise synchronization between his fingerwork and the acoustic output, delivering a tightly controlled, visually and sonically cohesive musical statement.","video_1_relative_path":"videos/d42ab7259f94f15c.mp4","video_2_relative_path":"videos/512c14ba75de5443.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/instruments/instruments_3/00000048","text_prompt":"Cinematic close-up, locked-off camera, shallow depth of field, warm low-key lighting, and a muted earth-tone palette open on a static view of a violin’s lower bout and f-hole area resting atop an aged sheet-music page. The polished wood catches subtle highlights while the background dissolves into a soft blur. A solo cello enters immediately with a slow, legato melodic phrase that rises gently from a soft dynamic. The performer draws the bow in one continuous downward stroke; the sound is warm, resonant, and richly bowed, without any audible fingerboard noise or pizzicato. The camera never moves, and no hands are visible, establishing a minimalist, contemplative mood.\n\nThe melody unfolds in a single, lyrical line spanning roughly an octave, beginning with a soft, sustained ascending arpeggiated motif. As the phrase resolves, the cello transitions seamlessly into a slightly higher-pitched contour that descends in a measured, unhurried flow, maintaining consistent volume and articulation without vibrato or syncopation. The implied minor-mode tonality and stepwise descent create a harmonious, grounded atmosphere, while the steady bow speed and moderate pressure ensure an even, contemplative progression. The visual composition remains completely unchanged throughout, allowing the focused texture of wood and paper to anchor the auditory experience.\n\nA final, brief descending figure brings the passage to a quiet close, with the bow pressure easing into a gentle decrescendo that tapers cleanly into silence. The performance concludes without any abrupt shifts or additional elements, leaving only the quiet ambience of the controlled indoor space. The result is a cohesive, immersive audio-visual moment that pairs solitary string resonance with a static, aesthetically refined image, inviting calm reflection rather than virtuosic display.","video_1_relative_path":"videos/4db90f2741e48f03.mp4","video_2_relative_path":"videos/6f9efbb5f577263f.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/instruments/instruments_3/00000104","text_prompt":"A cinematic performance showcase captured with a clean, studio-grade lens and even, shadowless lighting against a seamless white cyclorama. The scene opens on a medium, front-facing shot of a male percussionist seated behind a full timbale setup, dressed in a dark gray short-sleeved shirt beneath a black vest. Two overhead microphones frame the bronze drums and a gleaming cymbal to the left. He launches into a fast, mid-to-high tempo Latin groove, his drumsticks blurring with rapid, syncopated strikes. Each downward hit lands precisely on the cowbell rims, producing bright, metallic pings that cut through the clean, close-mic’d mix, while his left hand executes dry, crisp alternating taps on the smaller snare surface, adding a rattling texture. The camera holds steady as his rhythm builds, accented off-beats driving a danceable momentum. Without pause, he accelerates into a rolling pattern across successive cowbells, generating a continuous stream of high-pitched tones, while his left hand shifts to forceful, sharper bursts on the snare. The camera smoothly pushes in to a closer angle, emphasizing the metallic sheen of the instruments and the intense, fluid wrist rotations that keep the dense note clusters alive.\n\nThe framing tightens further to a close-up of the drum heads and cowbells as the performance reaches its peak. The percussionist now drives a single stick in rapid, repetitive rimshots across the larger drum, while his free hand flicks a small red plastic accessory mounted nearby, injecting sporadic low-mid clacks that thicken the percussive tapestry. His forearms tense visibly, yet his wrists maintain a fluid, controlled articulation, balancing sustained ringing cowbells with staccato snare hits and sharp stick clicks. The rhythm gradually spaces out as he prepares to conclude, culminating in a final, emphatic strike on the cowbell that rings out with a strong attack and natural decay. He lowers his sticks, his shoulders relaxing as the last resonance fades into silence. A gentle circular wipe transition dissolves the live performance, leaving the screen dark and quiet as the moment settles.","video_1_relative_path":"videos/a891b51e7f5a2862.mp4","video_2_relative_path":"videos/870e5d8138f96d90.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/instruments/instruments_4/00000029","text_prompt":"A crisp, studio-grade cinematic vignette in the style of a modern folk musical portrait, captured on a fixed medium lens with even natural lighting and a warm autumnal palette. The camera holds steady on a solitary musician standing on a grassy hillside, framing his upper body and arms against a backdrop of golden foliage, rolling hills, and a distant waterfall, while two other figures stand quietly nearby. He stands upright with relaxed shoulders, playing a mandolin-style stringed instrument with precise, alternating-thumb fingerpicking. The audio opens immediately with a bright, bell-like synthesized timbre blending keyboard warmth and acoustic string clarity, laying down a steady bass pulse in the left register while the right hand launches into a rapid, ascending arpeggio motif at a steady one hundred fifteen beats per minute. As the phrase repeats, subtle grace-note flicks and brief pauses introduce delicate ornamentation, while the performer’s right-hand strikes grow slightly more forceful, visually blurring his fingertips and naturally swelling the volume. The melody then begins a gentle descent, the left hand gliding smoothly down the fretboard as the right hand shifts between single-note runs and soft chordal accents. The texture thins gracefully into a decrescendo, emphasizing clarity over density, with only a faint, natural string buzz breaking the pristine close-mic silence. The final note rings out briefly before fading into quiet decay, and the musician’s hands settle naturally at his sides, concluding the self-contained passage without a cut or camera movement.","video_1_relative_path":"videos/881593a0280683ab.mp4","video_2_relative_path":"videos/1a7259a240c1a48a.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/instruments/instruments_4/00000066","text_prompt":"Cinematic medium close-up, soft frontal lighting, and a clean, neutral palette establish an intimate instructional scene as a static camera frames a young adult man seated on a black leather couch in a plainly lit indoor room, his back resting against white walls lined with dark brown acoustic foam panels. Bathed in even illumination that casts minimal shadows, he wears a light grey short-sleeved Henley shirt, his short light-brown hair catching the light. Small hoop earrings glint in both ears, and a plain silver ring sits on his left ring finger, where a natural-finish electric guitar with a maple fretboard and black pickguard rests across his lap. Looking directly into the lens, a calm, conversational British male voice begins, stating, “Guitar players play, they're not just playing like, you know, the chord might just be C, but the guy goes, you know, adds a little color, bends into it, or slides up the neck.” His right hand lightly touches the strings near the bridge while his left hand hovers above the fretboard, fingers poised to form a shape, as a faint electronic hum from the recording setup lingers in the quiet room.\n\nWithout cutting or shifting the camera, the guitarist’s focus drops to the instrument. He begins to strum rhythmically with his right hand, producing bright, clean chords that resonate through the space with a mild, natural reverberation. His left hand moves fluidly along the fretboard, forming and releasing chord shapes in perfect time with each downstroke, the audio foreground now dominated by the guitar’s crisp mid-range timbre and the soft, percussive click of fingers against steel strings. Each chord attack is followed by a gentle decay, the dynamics remaining steady and unadorned. As the final chord rings out, he lifts his gaze back to the lens, his expression settling into a neutral, attentive stillness with his mouth slightly parted, as the fading resonance gradually blends into the low-level room tone until the scene holds its quiet, educational mood.","video_1_relative_path":"videos/1ff47e77533b6b36.mp4","video_2_relative_path":"videos/9c10b6bf0d350fcd.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/movie/movie_1/00000020","text_prompt":"A wide, high-angle cinematic shot opens on a surreal alien frontier, rendered in a desaturated palette of mossy greens, slate grays, and misty whites. Dim, atmospheric lighting is pierced by shafts of pale sunlight breaking through low clouds, carving dramatic contrasts across the terrain and illuminating massive arched stone formations draped in heavy vegetation. A futuristic black-and-gray transport helicopter enters from the left, its rotors churning steadily as it carries a large white cargo container marked with bold blue horizontal stripes, suspended rigidly beneath by thick cables. The camera initiates a slow, smooth pan to the right, tracking the aircraft in a medium-wide perspective that preserves both the machine and the monumental scale of the landscape. As the helicopter glides behind one of the towering stone arches, it vanishes momentarily into the shadowed recess before re-emerging on the far side, continuing its relentless rightward trajectory.\n\nIn the lower-right quadrant, two small white avian creatures with elongated wings drift silently through the mist, their graceful flight adding a quiet pulse of life to the otherwise desolate expanse. The audio landscape is stripped bare of wind, wildlife, or ambient resonance, leaving only a dry, centered, and relentless percussive thump—the mechanical heartbeat of the helicopter’s rotors cutting through the thin atmosphere. The sound remains steady and unfluctuating, mirroring the aircraft’s unwavering course, before gradually receding as the cargo pod crosses the right edge of the frame. The camera holds briefly on the empty, fog-draped terrain, emphasizing the profound isolation and industrial purpose of the mission against the organic stillness of an uncharted world.","video_1_relative_path":"videos/692d03571f7082f7.mp4","video_2_relative_path":"videos/cef21705ee2116b7.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/movie/movie_1/00000056","text_prompt":"Cinematic disaster sequence, shot with a large-format lens and dramatic, high-contrast lighting. The scene opens in an extreme close-up, almost macro perspective, capturing a massive, turbulent plume of dark grey and black smoke billowing upward. The texture is violently chaotic, with swirling eddies and glowing orange embers flickering deep within the cloud, hinting at intense heat at its core. Small, indistinct fragments of building materials hang suspended in the updraft, while harsh lighting carves the smoke’s edges against a bright, out-of-focus background. A deafening, low-frequency roar immediately floods the soundscape, rapidly escalating in volume and layered with sharp, high-pitched cracks that echo shattering concrete and glass. The audio swells in perfect synchronization with the violent visual expansion before the camera abruptly cuts to a high-angle, wide aerial view. From this vantage, the source of the devastation is laid bare: a towering skyscraper in the heart of a dense, modern city grid is actively collapsing from its midsection outward. A colossal column of thick grey smoke erupts vertically from the impact zone, while bright orange flames lick from multiple floors, illuminating a cascading waterfall of dust, rubble, and twisted metal that widens into a crater on the street below. The surrounding metropolis remains eerily static, with intact adjacent buildings and distant traffic flowing normally, completely unaware of the chaos above. The soundscape mirrors this scale, sustained by a deep, resonant, and continuous roaring rumble punctuated by intermittent, thunderous booms as massive structural sections crash down, dominating the audio with no music or speech to distract from the raw destruction.\n\nThe camera holds its static, elevated position as the immediate violence of the collapse gradually subsides. The central tower is now reduced to a smoldering ruin, still exhaling a steady stream of dark smoke that drifts slowly into the sky. A fine haze of dust hangs heavily over the intersection, gradually obscuring the lower levels of the wreckage and the street beneath it, while the bright orange glow of the fires dims but remains visible through the gaps in the debris. The audio transitions to a lower-intensity phase, characterized by a persistent, heavy structural rumble and the softer, granular patter of settling rubble raining down. Though the overall volume decreases, the atmosphere remains thick with tension and ominous weight, sustained by the lingering acoustic energy of the event as the scene settles into a haunting stillness.","video_1_relative_path":"videos/a7c199de890b24a9.mp4","video_2_relative_path":"videos/15c6d70f152dfeda.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/movie/movie_2/00000026","text_prompt":"A cinematic static wide-angle shot captures a long, straight stretch of asphalt cutting through an arid, open landscape under a pale, overcast sky. The terrain is a mix of dry, brownish-yellow grass and sparse scrubland flanking the road, with low rolling hills forming a faint horizon line. Diffuse, flat lighting casts no strong shadows, suggesting heavy cloud cover in the early morning or late afternoon. In the immediate foreground, large dark tire skid marks lie on the asphalt—two distinct circular screeches facing each other and connected by a straight line, resembling a stylized skull or target pattern. The scene is entirely still and devoid of life, amplifying a profound sense of isolation. The audio environment is dry and close-miked with minimal reverb, dominated by the deep, rhythmic chugging of a large-displacement V-twin motorcycle engine idling nearby. The note is low-pitched and slightly uneven, filling the acoustically sterile space with a steady, loping cadence that builds quiet anticipation.\n\nAs the stillness holds, the black spoked front wheel of a dual-sport motorcycle slowly rolls into view from the left edge, its knobby tread and partial fender breaking the empty composition. The camera remains completely fixed, keeping the skid marks, barren fields, and distant hills in sharp focus while the bike’s presence introduces subtle motion. Simultaneously, the engine’s idle shifts, the pitch and intensity rising slightly as the rider applies throttle. The mechanical rhythm quickens just enough to signal impending action, yet it retains its characteristic cruiser-style growl. No wind, wildlife, or ambient noise intrudes; the soundscape remains tightly focused on the machine, leaving the viewer suspended in the quiet tension before movement begins.","video_1_relative_path":"videos/49b769a42f6548f9.mp4","video_2_relative_path":"videos/c74e2a457c2c567d.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/movie/movie_2/00000056","text_prompt":"Cinematic wide shot, static low-angle framing, captured on a 35mm lens, bathed in diffuse overcast light and a muted palette of grayish-blue skies and soft tan dunes. The scene opens on a vast desert landscape where undulating sand dunes dominate the foreground, their fine grain textures catching the shadowless illumination. Center-right, a lone figure lies partially buried in the sand, face down, with only the upper torso, head, and right arm visible above the surface. Dressed in loose, cream-colored garments that blend seamlessly with the earth, the figure’s right arm stretches outward across the slope while the left side sinks into the dune. A single stalk of dry vegetation rests near the shoulder. The camera remains completely motionless, holding the frame in absolute stillness as the soft, overcast light casts only the faintest contours across the terrain.\n\nThe soundscape mirrors the visual stasis, built around a continuous, low-frequency rumble that echoes like distant thunder or far-off machinery, maintaining a steady, ominous hum. Intermittently, faint high-pitched insect chirps pierce the silence, sporadic and unpatterned, adding a fragile layer of natural ambience to the desolation. No wind, footsteps, or human breath disturbs the quiet. The combination of unbroken visual stillness and sparse, atmospheric audio cultivates a mood of profound isolation and quiet tension, leaving the viewer suspended in a haunting, minimalist tableau of solitude and unresolved mystery.","video_1_relative_path":"videos/716af71857a7a721.mp4","video_2_relative_path":"videos/a59d74acc5de91e6.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/movie/movie_2/00000079","text_prompt":"A single, uninterrupted cinematic shot establishes an abstract, deep-sea atmosphere rendered in a dark teal and navy blue gradient palette. The frame holds a smooth, liquid texture that evokes the crushing darkness of the ocean floor or the void of space, completely devoid of objects, characters, or text. The camera remains entirely static, allowing only a very subtle, slow vertical drift and a gentle shimmer near the top center to suggest faint light filtering through water or a quiet current moving through the void. The lighting is low-key and monochromatic, emphasizing depth and isolation through a fluid, monolithic aesthetic.\n\nThe audio landscape opens immediately with a continuous, low-frequency electronic drone that fills the stereo field with a resonant sub-bass hum, creating an immersive and slightly ominous foundation. Layered atop this steady pulse is a faint, high-pitched metallic ringing tone that echoes gently at irregular intervals, introducing a quiet tension. As the scene settles, a soft, watery whoosh or bubbling sound emerges briefly on the right channel, lasting less than half a second before dissolving back into the ambient bed. There is no melody, rhythm, or human presence, only minimalist, non-melodic sound design that pairs perfectly with the silent visuals to evoke a profound sense of stillness, suspense, and atmospheric depth.","video_1_relative_path":"videos/61c573682782ef17.mp4","video_2_relative_path":"videos/dc2372e424d59bd4.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/movie/movie_3/00000049","text_prompt":"Cinematic space thriller sequence, captured in a static low-angle medium-close lens of two astronauts suspended in Earth orbit, tethered to the exterior hull of a spacecraft. The camera remains fixed, angled upward from beneath the module, framing the figures against a backdrop of swirling blue oceans and white cloud formations that fill the upper half of the frame. Natural, high-contrast sunlight casts crisp highlights across the metallic surfaces of their EVA suits and equipment, while sharp shadows fall across the riveted aluminum plating they are servicing. The astronaut on the left, an American flag patch visible on the right shoulder, grips a long-handled wrench, applying rotational force to a fastener while their helmet visor catches reflections of the spacecraft structure and Earth’s curvature. Slightly behind and to the right, the second astronaut steadies a cylindrical component with one hand, assisting with precise alignment, their suit equipped with a prominent life-support backpack and coiled tethers trailing toward unseen anchor points. The soundscape is strictly diegetic and minimalistic, punctuated by faint electronic telemetry beeps and a subtle, steady mechanical hum that underscores the isolation and precision of the extravehicular activity. Overlapping the quiet labor, a calm, mid-range male voice remarks with wry camaraderie, “Well, you’re the genius up here. I only drive the bus.” A slightly higher-pitched female voice responds in a measured tone, “Yeah, well, just keep your hands steady up there.” The fixed framing holds without cuts or pans, allowing the scale of the planet below and the intricate details of the spacewalk to settle, establishing a mood of focused professionalism tempered by quiet humor against the vastness of space.","video_1_relative_path":"videos/9c38895aebeb4e7e.mp4","video_2_relative_path":"videos/0f7fc568bfb4cf57.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/movie/movie_3/00000093","text_prompt":"A wide static shot opens on a minimalist science-fiction tableau, rendered in deep blacks and a subtle scatter of starfield speckles under hard directional light from an unseen source. Dominating the frame is a large, white saucer-shaped spacecraft, its smooth metallic hull catching crisp highlights along the ridges and edges of its structure and two prominent nacelles attached by slender pylons. Centered atop the vessel’s upper deck, a lone figure in a bright red spacesuit crouches low, gripping the ship’s rim with gloved hands. The suit’s segmented armor plating and glossy helmet visor gleam under the harsh illumination, while visible life-support hoses trail off into the void. The camera remains completely locked in place, refusing any pan, tilt, zoom, or dolly movement, preserving the composition as a frozen moment of suspended tension against the cosmic backdrop.\n\nAurally, the scene is defined by a single, unwavering layer of sound: a continuous high-frequency hiss occupying the upper-mid to high range, steady in volume and pitch with no discernible modulation, rhythm, or fade. The tone suggests pressurized gas escaping into a vacuum or the sterile electronic hum of advanced machinery operating in silence, delivered without reverb or spatial diffusion to reinforce the impression of an open, non-reflective environment. There are no musical elements, footsteps, mechanical clanks, or human vocalizations, only this relentless tonal presence that fills the auditory field uniformly. The absence of dynamic motion and ambient noise amplifies the mood of isolation and technological sterility, crafting a cinematic pause that balances vulnerability with the quiet promise of imminent action.","video_1_relative_path":"videos/f3a772bfe8786174.mp4","video_2_relative_path":"videos/6e17c40404bcfd0c.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/movie/movie_4/00000007","text_prompt":"A tense, dialogue-driven cinematic scene opens on a static medium shot inside a modest, brightly lit room with pale teal walls and a large patterned rug draped across the back wall. In the foreground, two soldiers clad in desert camouflage tactical vests stand with their backs to the camera, framing an older man seated on a low couch upholstered in rich red-and-gold fabric. The elder wears a white skullcap, a dark brown robe over loose white trousers, and sports a greying mustache and beard; his expression is intense as he locks eyes with the soldiers, speaking with rising anger and accusatory force. He gestures sharply with his right hand before pressing his fingers to his chin, while behind him, through an open window, four fully armed soldiers in combat gear and helmets watch in silent observation, amplifying the claustrophobic tension.\n\nThe audio remains acoustically dry with only a faint natural reverb and subtle inhalations, focusing entirely on the spoken conflict. An agitated older man delivers a sharp, Levantine Arabic accusation, stating, “القصاب! ما عنده رحمة، ابن إبليس.” As his voice peaks, a calm, neutral American-accented male voice overlaps from off-screen, stating, “The man who comes, they call the butcher.” Stripped of music or ambient noise, the scene forces the viewer’s attention entirely onto the raw verbal confrontation and the heavy power dynamics between the civilian elder and the surrounding military presence.","video_1_relative_path":"videos/3d8c4a971e963479.mp4","video_2_relative_path":"videos/a8781675caa4ece0.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/movie/movie_4/00000043","text_prompt":"A tense historical drama unfolds in a tightly framed medium close-up, shot on a locked-off camera with a shallow depth of field and a muted, desaturated palette. Chiaroscuro lighting slices across the face of a middle-aged man with short brown hair, dressed in a dark suit jacket, crisp white dress shirt, and patterned tie. He stands in a dimly lit, formal room where a softly blurred background reveals a framed painting to the right and a lamp casting a warm, yellowish glow further back. He remains almost entirely still, save for subtle micro-movements like slight blinking and minimal shifts in gaze, his serious, contemplative expression radiating quiet authority and foreboding.\n\nA calm, authoritative male voice with a mature, slightly gravelly timbre begins speaking in measured, Standard British English, stating \"Prime Minister Baldwin may deny this, but Hitler’s intent is crystal.\" The vocal performance carries a weight of historical gravity, perfectly synchronized with his restrained facial presence. Beneath the speech, a faint, continuous low-frequency hum or drone persists in the sub-bass range, creating a sense of enclosed stillness without any identifiable source. The soundscape is deliberately stripped bare—no music, no footsteps, no ambient chatter—allowing the stark clarity of the declaration and the subtle tension of the silence to dominate the scene.","video_1_relative_path":"videos/2dde4ca66417e549.mp4","video_2_relative_path":"videos/07f6af5d8e44bffb.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/movie/movie_4/00000050","text_prompt":"Cinematic medium-wide shot, static camera, flat overcast lighting, and a muted, desaturated palette establish a late-twentieth-century urban alleyway lined with vintage payphones on the left and parked classic cars on the right. An older man with gray hair, dressed in a dark suit and brown shoes, stands at the third booth from the foreground. His posture is slightly hunched with concentration as he holds the receiver to his ear with his right hand and methodically presses the keypad with his left. In the background, a few pedestrians drift away down the alley and a yellow bus lingers in the distance, reinforcing the quiet isolation of the moment.\n\nThe audio landscape is dry and intimate, anchored by the sharp, metallic rhythm of mechanical dial clicks that sync precisely with the man’s finger movements. Overlapping the final presses, a calm, neutral male voice begins, stating \"Six one seven five nine seven four.\" Faint city hum, distant traffic rumble, and indistinct footfalls provide a subtle ambient bed, while a slight natural reverberation suggests the hard surfaces of the open-air corridor. Without music or dramatic effects, the scene focuses entirely on the tactile realism of analog telephony, capturing a solitary, purposeful act of communication across distance.","video_1_relative_path":"videos/e4c536151c8a8835.mp4","video_2_relative_path":"videos/900c3efe5f5b18c9.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/movie/movie_6/00000007","text_prompt":"A cinematic wartime sequence opens on a low-angle medium shot tracking three dark propeller planes in tight formation against a pale blue sky streaked with faint clouds. The central aircraft dominates the frame, its wings marked with a white star insignia and bold white NAVY lettering, while two smaller planes flank it. Beneath the lead fuselage, an olive-green bomb detaches and falls away as the camera pushes forward. A sharp, metallic whoosh pans rapidly across the stereo field, immediately giving way to a deep, resonant boom that suggests a massive off-screen impact. The scene cuts abruptly to a wide vista of a snow-covered mountain range bathed in the warm, golden glow of dawn or dusk. A lone soldier in heavy winter combat gear sprints down a steep, snow-laden slope toward the lens, his heavy breathing and rhythmic footfalls audible beneath the rising tension. Behind him, the same formation of planes dives and banks through the air as a colossal explosion erupts on the mountainside to his left, hurling a towering plume of orange fire and black smoke into the crisp atmosphere. A high-pitched whine climbs into a thunderous, bass-heavy detonation that shakes the audio landscape, perfectly synchronized with the visual burst. As the soldier presses his desperate descent, a second, even larger blast detonates further up the slope, engulfing the terrain in a wall of fire and tumbling debris. The camera holds static, emphasizing the sheer scale of the destruction against the small, fleeing figure. Silhouetted against the fiery backdrop, the planes continue their aerial maneuvers overhead while sparks and embers drift through the air, illuminated by the searing orange glow. The ambient wind rises, mingling with the sustained roar of the inferno and the distant clatter of falling snow, as a heroic orchestral score swells to a dramatic climax. Driving strings, pounding percussion, and soaring brass motifs underscore the urgency and peril, painting a stark contrast between the cold white landscape and the relentless heat of the blasts, leaving the viewer suspended in a moment of high-stakes survival.","video_1_relative_path":"videos/26fbad454290ef7b.mp4","video_2_relative_path":"videos/d3a98ae1c3049bc0.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/movie/movie_6/00000039","text_prompt":"Cinematic action thriller sequence, shot on a handheld camera with a low-angle tracking perspective, moving rapidly through a spacious, modern airport terminal illuminated by cool overhead recessed lights and diffuse daylight filtering through large right-side windows. A tactical unit of at least four officers clad in full black gear—helmets, gas masks, bulletproof vests, and rifles—sprints aggressively from the mid-ground toward the lens, their heavy boots striking the polished floor in tight synchronization with a relentless, high-tempo electronic soundtrack. The driving four-on-the-floor kick drum and pulsating sub-bass dominate the mix, layered with metallic percussion stabs and rapid hi-hats that accent every visual shift, while the complete absence of ambient terminal noise heightens the tension. One central officer’s vest bears the bold white Cyrillic text “ПОЛИЦИЯ,” standing out clearly despite the camera’s urgent jostling and motion blur. As the lead group surges past the frame, the camera whip-pans left, momentarily blurring the environment before locking onto a second wave of officers emerging in formation, weapons raised and silhouetted sharply against the bright window light. In the distant background, scattered civilians remain frozen in alarm near seating areas, some crouched or seated, underscoring the suddenness of the raid.\n\nThe perspective tightens into an over-the-shoulder close-up tracking a lead officer as he barrels down a narrower corridor lined with dark wood-paneled walls, his gas mask reflecting the overhead lights and his rifle gripped firmly with both hands while a partner trails closely behind. The acoustic space shifts to a tighter, more confined reverb as the music sustains at peak intensity without any breakdown, the rhythmic footfalls and faint heavy breathing of the operator weaving seamlessly into the wide-stereo, consistently loud electronic score. The kinetic momentum builds through intensified edge blur and precise audio-visual sync, culminating in an abrupt, hard cut mid-stride that severs both image and sound simultaneously, leaving the scene suspended in a state of heightened, imminent action.","video_1_relative_path":"videos/9f52b9c4c8aa7b09.mp4","video_2_relative_path":"videos/2e1c30d8b2e9eb6e.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/movie/movie_6/00000057","text_prompt":"A tense, diegetic soundscape opens inside a cramped, dimly lit military transport vehicle, its walls lined with padded blocks and overhead beams. Sickly green-yellow light pours through a rectangular rear hatch, casting harsh backlighting that silhouettes the figures and throws deep shadows forward while dust motes drift through the stagnant air. A constant low-frequency engine rumble underpins the scene, occasionally punctuated by high-pitched metallic squeaks of loose fittings vibrating under strain. The camera holds a static but subtly trembling frame, mimicking the vehicle’s instability as it traverses a desolate, debris-strewn landscape visible through the open ramp beneath a hazy, yellow-green sky. Two soldiers occupy the foreground, both tense and angled toward the opening; one on the left wears a quilted helmet cover and grips a rifle, while his companion steadies himself against the wall. A sudden metallic clang rings out, sharp and resonant, followed by the heavy thud of gear striking the floorboards and the prolonged scrape of equipment sliding across the cabin.\n\nA tense, mid-thirties male soldier in the left foreground turns sharply, his breath visible in the cold air, and projects a forceful, urgent Mandarin voice over the mechanical din, stating \"Forward!\" He immediately pivots toward the group, raising a gloved hand for emphasis, and delivers a second, louder command with strained vocal intensity: \"No retreat!\" The volume of his orders draws sharp inhales from the surrounding men, causing one nearby soldier to flinch as boots shuffle and rifles shift against armor. Responding instantly, the lead soldier lunges forward, gripping a comrade’s shoulder and hauling him upright. Bodies jostle and helmets bump softly against the padding as the group surges into motion, accompanied by the wet rustle of fabric, the scuff of boots, and a brief, low grunt of exertion. The engine hum and scattered metallic clinks persist, syncing with the perceived acceleration over rough terrain, leaving the scene suspended in unresolved wartime urgency as the camera holds on the chaotic mobilization.","video_1_relative_path":"videos/a953ab3814f730b8.mp4","video_2_relative_path":"videos/c111a96270e2c0fa.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/movie/movie_6/00000065","text_prompt":"Cinematic war thriller, shot on handheld with a 35mm lens aesthetic, opens in a rain-soaked, neon-drenched metropolis at night. The palette is anchored by deep blacks and desaturated grays, punctuated by saturated orange-yellow glows from distant streetlights and signage. Heavy diagonal rain streaks across the frame, generating constant motion blur and slick reflections on the wet pavement as the camera tracks a man in dark tactical gear sprinting left to right through the foreground, his face taut with exertion. The background dissolves into soft bokeh circles, emphasizing urban density before a hard cut drops the viewpoint to a low, ground-level angle. Here, a debris-choked street or bridge is bathed in harsh yellow emergency light, with smoke billowing through mid-ground combat and dust thick in the air. A soldier in a brown jacket lies prone in the rubble, scrambling forward as silhouettes blur past him in chaotic motion.\n\nThe camera pushes into a medium close-up as the soldier halts, his eyes widening in desperation while he looks frantically upward. A strained, desperate male Mandarin voice cries out, \"Squad leader, save me!\" Rain catches the light as it sheets down his face. The perspective shifts to a high-angle, top-down view, framing him flat on his back in the mud, both arms reaching upward toward an unseen figure looming above. The lighting dims, casting deep shadows across his features and the surrounding wreckage. A strained male Mandarin voice continues, gasping, \"I am a soldier from the Sichuan Army’s 26th Division!\" Throughout the sequence, a relentless orchestral action score drives the pace, layered with prominent strings, brass stabs, and timpani rolls that swell to match his emotional peak. The soundscape is a dense tapestry of heavy rainfall, metallic clanks, muffled explosions, scuffling boots on wet gravel, and the soldier’s ragged breathing and strained cries, maintaining a continuous, high-volume chaos that leaves the outcome unresolved and steeped in visceral peril.","video_1_relative_path":"videos/f6d7dddf36f509df.mp4","video_2_relative_path":"videos/b3cbfa0c8fd3b291.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/movie/movie_6/00000083","text_prompt":"A tense military survival sequence opens in a wide, static shot of a dense forest under bright daylight, where tall leafy trees create a dappled light effect across a palette of greens and earth tones. A low, ominous musical drone establishes immediate suspense before the action begins. The frame cuts to a medium tracking shot that sweeps right to left, following a soldier in full camouflage gear as he sprints through the woods. Wearing a boonie hat, tactical vest, backpack, and gloves with a rifle slung over his shoulder, his rapid and purposeful strides kick up dry leaves and snap twigs with sharp, synchronized footfalls. The camera pans quickly to keep him centered, introducing slight motion blur that heightens the urgency, while the score swells with subtle rhythmic percussion beneath the ambient wind and rustling foliage.\n\nThe soldier abruptly halts behind a thick tree trunk, transitioning into a cautious peek-out maneuver. The camera tightens into a close-up on his upper body and face, capturing his focused, tense expression as his eyes scan the off-frame environment. He raises a black semi-automatic pistol with both hands, and a crisp metallic click echoes precisely as his fingers manipulate the weapon’s slide. Shifting his weight slightly to maintain cover, he adjusts his grip, the soft rustle of tactical fabric blending with the sustained, unresolved tension of the score. The scene lingers on this suspended moment of alert readiness, immersing the viewer in the soldier’s heightened awareness through dynamic camera movement, natural lighting, and a meticulously layered soundscape of foley and atmospheric music.","video_1_relative_path":"videos/79a349def28a470c.mp4","video_2_relative_path":"videos/9c0fe1413d4fdc0b.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/multitalker/multitalker_1/00000054","text_prompt":"Open with a locked-off medium close-up of an old stone-and-wood window set into a weather-worn wall, bathed in bright late-afternoon sunlight streaming from the upper left. The directional light carves a warm chiaroscuro across the scene, illuminating the right half while casting the interior behind two seated figures into soft shadow. A small vine with fresh green leaves climbs the left jamb, hinting at quiet growth amid aged decay. On the sill sit two young East Asian adults, both looking downward with hunched shoulders that convey a palpable, unspoken tension. The man on the left wears a cream cable-knit sweater marked with faint brownish stains, while the woman on the right is dressed in a beige T-shirt printed with red uppercase lettering and inward-facing bird silhouettes. A low, steady indoor hum grounds the space as the man takes a slow, audible breath. A hesitant, apologetic male Mandarin voice begins, his tone subdued and slightly breathy as he stammers through his search for words: \"I-I'm not, I wasn't trying to say that.\" He keeps his gaze fixed on his lap, occasionally glancing up with anxious eyes before looking away again, his voice carrying a mild stutter as he continues in a reflective, regretful tone: \"It's really good, I just feel it's a bit of a pity.\"\n\nThe woman listens in silence, her expression calm but faintly concerned; she briefly lifts her eyes toward him before dropping them back to her hands resting on the sill. As his halting explanation concludes, she turns her head slightly toward him, her eyebrows lifting in a gesture that blends gentle reproach with quiet empathy. A clear, mildly teasing yet caring female Mandarin voice responds, maintaining steady eye contact for a moment before her gaze softens back to her lap: \"What is there to feel sorry for?\" The camera remains completely still, preserving the intimate framing as the warm, earthy palette of beige, stone, and muted wood envelops the pair. The absence of music leaves only the faint ambient room tone and the emotional weight of their exchange hanging in the air, ending on a brief beat of silence that underscores the lingering, unresolved tenderness between them.","video_1_relative_path":"videos/10fc12493155d828.mp4","video_2_relative_path":"videos/0bc44e5a781b30cf.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/multitalker/multitalker_10/00000000","text_prompt":"A serene, naturalistic cinematic scene opens on a static medium shot of a tranquil, sun-dappled courtyard bordered by lush greenery and a weathered wooden pergola. Bathed in soft daylight that casts gentle shadows across the stone path, two elderly figures stand at the center of the frame. The man, with receding grey hair, wears a black jacket over a crisp white collared shirt and dark trousers, while the woman beside him sports short dark hair, a textured green cardigan over a patterned blouse, and a red-and-white skirt. She holds a stainless steel thermos with a black handle, her fingers working to unscrew the lid as a large silver birdcage housing a small black bird hangs nearby, with several other colorful cages suspended among the foliage in the background. The atmosphere is quiet and grounded, anchored by the rich greens of the garden and the warm, natural color palette.\n\nAs she peers into the thermos, a calm, conversational elderly female Mandarin voice begins, stating \"这都下面的干部送来的。\" She continues in the same steady, matter-of-fact tone, \"说是看咱海子。\" The metallic scrape of the lid against the container blends with the faint, sporadic chirping of birds and the soft rustle of leaves drifting through the open space. The man listens attentively, his gaze shifting between her and the hanging cages, before a mildly surprised elderly male Mandarin voice responds, \"看海子?\" His subtle eyebrow raise and slight turn toward her capture the quiet intimacy of the exchange. The scene holds on the two of them amidst the dappled light and hanging cages, the audio remaining purely diegetic—clear, close-miked dialogue layered over authentic environmental textures, with no musical score or artificial effects, preserving the grounded, everyday realism of the moment.","video_1_relative_path":"videos/c4df7b27eb3f4425.mp4","video_2_relative_path":"videos/9c2c5667f88df8e2.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/multitalker/multitalker_10/00000006","text_prompt":"Rendered in a cinematic widescreen 16:9 frame with a shallow depth of field, the scene opens on a brightly lit, open-plan maker-space saturated in industrial yellows, crisp whites, and cool greens. At a lime-green workbench cluttered with a grey laptop, white keyboard, silver mouse, tangled cables, CD cases, and a blue-and-white water bottle labeled “KICKS,” a large black monitor faces away from the camera. In the mid-ground, a seated man with dark shoulder-length hair, a short beard, and a grey polo shirt leans forward, his eyes fixed on the screen and his right hand hovering over the keys. Behind him stands a taller, curly-haired colleague in a dark-grey Under Armour T-shirt, one hand resting on his hip while the other points toward the monitor. Against a faint, persistent electronic hum, the standing man asks in a light, teasing tone, “You have to download your own media player?”\n\nThe camera executes a barely perceptible push-in, drawing the viewer closer as the seated man glances up, eyebrows raised and lips parting in soft amusement as he replies, “Oh.” The standing man breaks into a broad grin, leaning in with playful pride to exclaim, “Look at me, I traveled back to 2009.” Both share an easy laugh, their shoulders shaking slightly before the standing man relaxes his arm and keeps pointing at the screen. The room’s even, bright lighting emphasizes the vivid décor and nostalgic backdrop of a red telephone booth, string lights, and a white banner reading “CAN YOU HACK IT? / D.R.I.” as a light, upbeat instrumental track fades in—acoustic guitar strumming a simple major-key progression joined by a gentle bass line and brushed percussion—sitting quietly beneath the dialogue to enhance the playful mood.\n\nThe atmosphere shifts abruptly as the seated man suddenly refocuses on the monitor, fingers poised over the keys. The standing man’s expression tightens; he leans forward, eyes narrowing, and blurts, “Wait a sec.” A single crisp mechanical click punctuates the moment, underscoring the sudden realization as the music continues to play under the final word. The scene freezes on both men intent on the screen, the shallow focus isolating their reactions against the softly blurred, creatively charged workspace, leaving the unexpected development on the monitor just out of frame.","video_1_relative_path":"videos/145978594aae143f.mp4","video_2_relative_path":"videos/3f641044ac1ef7db.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/multitalker/multitalker_10/00000011","text_prompt":"Cinematic office scene, locked-off medium shot at eye level, high-key natural daylight streaming through large windows with vertical blinds, casting soft horizontal highlights across neutral beige walls and a wooden desk. The moderate depth of field keeps three men in focus while subtly separating them from the bright background, with vivid red plaid and pastel pink shirts contrasting against the calm workspace palette. In the left foreground, a man with shoulder-length dark hair and glasses, wearing a red-and-black plaid flannel over a white tee, stands holding a small grey bowl, stirring and eating while listening. Seated slightly behind him, a man in a blue-and-white striped polo faces right toward a computer monitor glowing with lines of multicolored code. To the right, a third man with curly light-brown hair and a light pink button-down shirt steps forward from the window and begins to speak.\n\nA calm, conversational male voice in a light pink shirt begins, stating \"The player I gave them was from a retired repository that was audio only.\" He brings his hands together before spreading them apart to stress his next point: \"Video compression is a completely different paradigm.\" The seated man turns his head fractionally to acknowledge the statement, while the man in plaid pauses mid-chew, lowering his spoon to watch attentively. Maintaining an even pace, the speaker delivers a mildly critical comparison, lifting his eyebrows slightly as he notes \"What they have is like Pied Piper, but not as good.\" He continues without missing a beat, his voice clear against the absence of background music or ambient noise. A confident male voice concludes \"People will see the difference for themselves,\" but the line is abruptly cut off mid-thought, leaving a brief silence as the image holds on the same steady composition.","video_1_relative_path":"videos/f1e40016cb3c398e.mp4","video_2_relative_path":"videos/48279ca205530b49.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/multitalker/multitalker_10/00000072","text_prompt":"A static medium two-shot, eye-level and framed over the right shoulder of an older man in a dark charcoal jacket, establishes an intimate domestic kitchen-dining space bathed in soft, diffuse daylight. Muted greys, whites, and beiges dominate the palette, with a white water dispenser, black coffee maker, and light shelving holding mugs subtly anchoring the everyday setting. The older man sits slightly left of center, his back partially to the camera, while a younger man in a grey suit, white shirt, and black tie occupies the right third of the frame, his eyes lowered and hands resting motionless on the table. A faint sigh breaks the quiet room tone as the older man exhales audibly, his mid-low, slightly raspy Mandarin voice carrying a tone of tired resignation, stating \"明玉也不让我送生活费了。\" The younger man remains silent, absorbing the statement with a faintly furrowed brow, his posture reflecting the heavy yet subdued atmosphere.\n\nAfter a brief, weighty pause where only the ambient hum of the room lingers, the younger man slowly lifts his gaze. His clear, mid-range Mandarin voice rises gently with measured concern, asking \"那明玉靠什么生活？\" The older man’s lips close in attentive silence, his focus fixed on his companion. The camera remains completely locked off throughout, allowing the restrained performances and quiet acoustics to underscore the unspoken familial tension. The scene holds on their contrasting emotional states—the weary acceptance of the older man and the quiet worry of the younger—leaving the conversation suspended in a moment of unresolved intimacy.","video_1_relative_path":"videos/7866517fb787553e.mp4","video_2_relative_path":"videos/d36bc7acdf6f8530.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/multitalker/multitalker_10/00000078","text_prompt":"A quiet, intimate domestic drama unfolds in a modest bedroom bathed in cool daylight filtering through sheer white and heavy brown curtains, contrasted by the warm glow of a bedside lamp. Shot with a shallow depth of field to isolate the characters against a backdrop of framed art, scattered posters, and shelves of personal clutter, the scene opens on a young East Asian man in his mid-twenties, dressed in a grey crew-neck sweater over a plaid shirt and blue jeans. He bends over an open suitcase on the bed, rummaging through clothes as the soft rustle of fabric fills the quiet room. Looking up toward someone off-screen, a mildly impatient young male Mandarin voice states, \"Dad, don't worry about me, I can pack everything myself.\" He straightens, lifts a dark garment, and continues in a controlled, assertive tone, \"I'll handle it on my own.\"\n\nThe camera cuts to a reverse shot of his father, an older East Asian man in his late fifties with silver-flecked hair, wearing a dark quilted vest over a grey patterned long-sleeve shirt. Seated near the foot of the bed, he props his chin on his hand, backlit by the bright window, his expression shifting from weary concern to tender hesitation. A calm, lower-pitched male Mandarin voice with a gentle northern inflection urges, \"You should hurry and eat before it gets cold.\" After a brief pause, the father’s voice softens into a wistful murmur, \"Son.\" The son replies with a quiet, neutral acknowledgment, \"Yeah?\" The father meets his gaze, his delivery tinged with melancholy and vulnerability as he admits, \"I've never been abroad myself.\" The scene holds on his thoughtful face, the naturalistic soundscape of soft breaths and subtle fabric movements underscoring the emotional weight of the farewell, while the suitcase rests as a quiet metaphor for departure and the uncertainty of leaving home.","video_1_relative_path":"videos/c2fb6c0f0ccd8df1.mp4","video_2_relative_path":"videos/2f3bcf9da855d8c4.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/multitalker/multitalker_11/00000009","text_prompt":"A contemporary dramatic scene opens in a locked-off medium close-up, bathed in soft key lighting that highlights the left side of the frame while leaving the background gently under-exposed to foster intimacy. The color palette contrasts warm skin tones and light-grey clothing against cool blues and dark woods, subtly separating the kitchen-dining space from the adjacent living area. A man in his late twenties or early thirties, wearing a light-grey long-sleeved crew-neck sweatshirt, stands facing slightly rightward toward an off-screen presence. Behind him, dark wood cabinets and a deep-blue wall panel featuring a black bamboo motif anchor the composition. He speaks in a mildly defensive, steady Mandarin voice, his brows raised as he declares: \"饭可以乱吃，话可不能乱讲。\" The room remains quiet, his clear articulation cutting through the silence without any competing ambient noise. Without breaking the static frame, he continues, his expression turning earnest yet slightly exasperated as he emphasizes his point in a mid-range male voice with a slight northern accent: \"我这是正经开店的.\"\n\nA straight cut shifts to a medium close-up of a woman seated at a dark wooden counter, also in her late twenties or early thirties. She wears a black blazer over a white shirt patterned with vivid reds, yellows, and greens, her long dark hair framing her face. Holding a small white ceramic spoon near her lips, she looks up at him with a skeptical half-smile. In a clear, mid-to-high female Mandarin voice, she replies with a teasing and lightly mocking tone: \"你是正经人啊？\" The background reveals a softly lit living area with a sofa and decorative items, kept out of focus to maintain the conversational rhythm. The shot cuts back to the man in the exact same position, his eyebrows lifting in mock incredulity as he challenges her in a playful, rising intonation: \"你失望啊？\" Returning to the woman, she lowers her gaze briefly before looking up again, still cradling the spoon. With a wry, exaggerated sigh, she delivers her final line in a drawn-out, theatrical Mandarin voice, underscoring her mock disappointment: \"好失望啊。\" The scene holds on her expression before ending abruptly, preserving the tight static framing and the cohesive, conversational mood.","video_1_relative_path":"videos/e16a937e2b1ba355.mp4","video_2_relative_path":"videos/3060c786869d29df.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/multitalker/multitalker_11/00000082","text_prompt":"Cinematic domestic realism, captured with a static camera and a 50mm lens perspective, bathed in soft, diffuse daylight and a muted palette of whites, greys, and natural wood tones. The scene opens in a quiet interior where a medium close-up frames a young East Asian man in his thirties, wearing a crisp white button-down shirt, seated at a dining table with a wooden shelf of wine bottles, a glass pitcher, and a small potted plant visible behind him. His brows furrow and his lips part as he leans slightly forward, a tense, rising male Mandarin voice asking, \"What do you mean by hmm?\" The camera holds steady on his agitated expression while a faint indoor room tone underscores the quiet tension.\n\nA straight cut shifts to a medium shot of an older East Asian man in his sixties, seated on a pale sofa in a dark-grey cable-knit sweater vest over a striped collared shirt. Behind him, a tall pantry cabinet and a sliding glass door revealing leafy greenery ground the space in everyday realism. He turns his head slowly, eyes narrowing as he chews, and a brief, puzzled male Mandarin interjection follows: \"Hmm?\" The edit returns to the younger man, whose agitation sharpens; his eyebrows knit tighter, he leans in further, and his voice quickens into an insistent, stammering demand: \"No, what do you mean? What exactly are you trying to say?\" The camera remains locked, letting his vocal urgency fill the quiet room.\n\nAnother cut brings us back to the older man, who still cradles a small white bowl and spoon. He lifts his gaze upward, exhales a weary sigh, and waves his free hand in a sweeping gesture of dismissal. The older man’s low, gravelly male Mandarin voice delivers a calm, dismissive reply: \"Alright, alright, alright… I’ll tell her next time I see her.\" His words carry a quiet finality as he lowers his eyes back to the bowl, ending the exchange without showing the younger man’s reaction. The scene closes on the static framing and minimal ambient sound, leaving the subdued emotional weight of the confrontation hanging in the softly lit space.","video_1_relative_path":"videos/15963aa6b9a14732.mp4","video_2_relative_path":"videos/2f0154248aecce14.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/multitalker/multitalker_11/00000085","text_prompt":"A nocturnal cinematic scene inside a moving car, framed in 16:9 with a cool, desaturated palette that emphasizes urban melancholy. The camera holds a medium close-up from the passenger-side window, using shallow depth of field to isolate two occupants against a backdrop of blurred city lights streaking across the windscreen. Practical lighting from passing streetlamps and a faint dashboard glow casts soft reflections on black leather seats embroidered with gold “SARAH” lettering, while a continuous low-frequency engine rumble grounds the confined space. In the passenger seat, a young woman with short dark hair, bangs, pearl studs, a white ruffled blouse, and a beige coat leans forward, clutching a rectangular snack box to her chest. A young female Mandarin voice, high-pitched and trembling with acute distress, begins, stating “我我不能这样，我觉得特别丢人，特别内疚，我我受不了，我不能这样下去了。” She gestures weakly with her free hand, palms open toward herself, conveying profound self-reproach as the vehicle carries them through the night.\n\nA hard cut shifts the perspective to a wider reverse angle from the rear seat, looking forward between the front headrests with deeper focus to reveal more cabin detail. The man behind the wheel, wearing a black leather jacket over a light shirt, turns his profile toward her, his expression shifting from mild surprise to quiet resolve. A steady male Mandarin voice, calm and reassuring, responds: “哎呀，你别想了，钱是我借的，丢人都丢我的脸。” As he speaks, he briefly lifts his right hand off the steering wheel, palm upward to emphasize his words, before returning it to the wheel. The woman listens in silence, her shoulders sagging slightly as her grip on the snack box loosens, though she keeps it close. Streetlight reflections ripple across their faces, the cool desaturation of the scene giving way to a muted warmth in the gold embroidery, underscoring the unspoken shift from shared shame to quiet acceptance as the car continues its journey through the dark city.","video_1_relative_path":"videos/844bc8937e587f76.mp4","video_2_relative_path":"videos/a0e137e9bdd72059.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/multitalker/multitalker_12/00000047","text_prompt":"Cinematic drama, 35mm lens, shallow depth of field, muted earth tones accented by cool window light and embroidered fabric. The scene opens on a static medium close-up of a young woman seated indoors, her straight black hair cut with blunt bangs framing a face bowed in quiet distress. She wears a light beige wool coat over a blue knit sweater, her lips slightly parted as she gazes downward. Diffuse frontal lighting washes her features evenly while the background—wooden shelves holding silver elephant figurines, colorful tins, a wicker basket, and a vintage radio—remains gently out of focus. Beneath a continuous, low-level indoor hum, a soft, low-pitched female Mandarin voice, tinged with shame and slight breathiness, murmurs, “我觉得很羞愧。” \n\nA hard cut transitions to a static medium shot of a second woman sitting upright in a dark wooden chair beside a window that casts a cool bluish light from screen left. Her shoulder-length dark hair frames a calm, intent expression as her eyes track someone just off-camera to her right. She is dressed in a maroon ribbed turtleneck beneath an off-white jacket, its sleeves detailed with intricate yellow-green-red floral embroidery. Behind her, a wooden cabinet topped with a lace doily and a glass pitcher rests against a wall dotted with pinned photographs, all softened by the shallow focus. The ambient room tone persists as a clear, mid-range female Mandarin voice, measured and conciliatory, responds, “二嫂，今天算账了，也不是谁和谁过不去。” The lighting maintains a subtle contrast between the warm interior tones and the cooler window light, leaving the conversational tension unresolved but softened by her composed demeanor.","video_1_relative_path":"videos/4d12f95a7ff03cfb.mp4","video_2_relative_path":"videos/d70dfbfcff918f66.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/multitalker/multitalker_12/00000069","text_prompt":"A tense, dialogue-driven scene unfolds in a desaturated, institutional interior, shot with a classic shot-reverse-shot rhythm and consistently shallow depth of field to isolate the speakers against blurred gray walls. Soft, diffused frontal illumination casts a clinical, cool-toned glow over the space, while a barely perceptible low-frequency electronic hum establishes the ambient audio bed. The sequence opens on a tight close-up of a middle-aged East Asian man with a shaved head, thin metal-rimmed glasses, and a neatly trimmed goatee, wearing a light-blue collared shirt beneath a dark pin-striped vest. He leans slightly forward, brows knitted, speaking forcefully in Cantonese with an impatient, authoritative tone: “定係伙記嘅安全重要？” \n\nA straight cut shifts to a matching over-the-shoulder frame, revealing an East Asian woman in her thirties with shoulder-length straight black hair and a maroon top that subtly punctuates the muted palette. She maintains an upright posture and steady gaze, answering in Cantonese with calm, measured confidence: “新聞歸新聞，安全歸安全。” The shallow focus keeps her sharply defined against the neutral backdrop, emphasizing her composed resolve as the ambient hum continues uninterrupted.\n\nThe shot returns to the man, now silent with his mouth closed, jaw set, and eyes locked on her, his rigid posture conveying unyielding tension. Cutting back to the woman for the final exchange, her eyebrows lift and eyes widen briefly for dramatic emphasis before settling into a determined stare as she delivers her concluding line in Cantonese with controlled indignation: “你要我唔依既定程序，淨係聽你個order？” The restrained performances and austere framing heighten the ethical clash between journalistic urgency and personnel safety, culminating in a freeze frame on her resolute expression as the low electronic hum fades.","video_1_relative_path":"videos/963d86e92e9e7f8b.mp4","video_2_relative_path":"videos/f6025fcafbe900f7.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/multitalker/multitalker_12/00000085","text_prompt":"A nostalgic, dialogue-driven scene opens on a medium two-shot inside a retro American diner, bathed in warm, late-afternoon sunlight that slices through horizontal blinds. The palette leans into saturated reds from the vinyl booth upholstery and muted browns of the wooden table, which is cluttered with half-eaten plates, a white coffee cup on a saucer, a glass soda bottle, chrome condiment holders, and a napkin dispenser. A woman with short, layered reddish-blonde hair, wearing a dark long-sleeved top and a chunky silver necklace, leans forward across the table, pointing her right index finger as she speaks. A calm, skeptical female voice with a North American accent begins, stating, \"This place? A coffee shop?\" Her tone is incredulous yet measured, cutting through the low-level diner ambience of soft cutlery clinks, distant chatter, and a subdued HVAC hum.\n\nA straight cut shifts to a medium close-up of the woman, where sunlight rakes across her face, casting soft highlights and gentle shadow stripes from the blinds. She holds her gaze off-screen, lips pursed in mild disbelief, as the restaurant murmur continues uninterrupted. The frame then switches to a matching medium close-up of the man opposite her. He has slicked-back blond hair, light stubble, and wears an open, brightly patterned short-sleeve shirt over a black T-shirt. Raising both hands slightly with palms up, cigarette still pinched between his fingers, he responds in a mid-range, lightly accented British voice: \"What's wrong with that? Nobody ever robs restaurants. Why not?\" As he speaks, he gestures outward before relaxing into a subtle smirk. The camera remains entirely static, utilizing a moderate depth of field that keeps both subjects sharply focused while the rows of empty booths and potted plants behind them soften into a gentle blur. The intimate, dialogue-driven rhythm and the contrast between her quiet skepticism and his casual bravado linger in the warm, nostalgic atmosphere as the scene concludes.","video_1_relative_path":"videos/c13145efb0de0f71.mp4","video_2_relative_path":"videos/3a59df3ccdf56056.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/multitalker/multitalker_2/00000005","text_prompt":"Bathed in the warm, low-angle glow of late-afternoon golden hour, a medium two-shot captures a man and a woman walking side-by-side along a waterfront promenade. The camera tracks gently to the right, matching their steady pace and keeping them framed from mid-torso upward against a backdrop of dark, rippling water and a pale stone wall lined with evenly spaced tree trunks. A shallow depth of field keeps the subjects sharply in focus while softening the background into muted earth tones of beige, greenish water, and dark blazers, punctuated by the woman’s flowing blonde hair and cream shirt. A soft, steady wash of wind and distant city ambience underscores the scene as the man, positioned on the right, turns toward her with earnest intensity. Lifting his right hand in an open-palm gesture, a calm, reflective male voice with a General American accent begins, stating, “I’ll meet you on the corner of 13th and Broadway.” His tone carries a wistful nostalgia, his mid-range pitch rising slightly at the end of the phrase. The woman listens intently, her long wavy hair catching the breeze as she holds his gaze, her black dress contrasting softly with the sunlit surroundings.\n\nWithout breaking stride, the pair continues their slow walk, the ambient wind and faint urban hum maintaining a consistent, intimate atmosphere. The man’s expression grows more animated as he glances ahead before refocusing on her face, his delivery shifting to a mix of vulnerability and gently amused self-deprecation. A vulnerable yet lightly humorous male voice continues: “And I thought I was going crazy, you know? But now I think it probably was you.” His moderate tempo and clear articulation reveal a past confusion now resolved through recognizing her quiet influence. The woman’s lips part slightly as though to respond, yet she remains silent, absorbing his words with a thoughtful stillness. The shot then transitions seamlessly into a close-up of her face, filling the frame as her eyes lower momentarily and her brows draw together in quiet contemplation. Sunlight catches the movement of her hair, emphasizing the emotional weight of the moment. With no dialogue breaking the silence, only the persistent wind and distant city sounds remain, leaving the narrative suspended in a poignant, unresolved beat that invites the viewer to linger on her unspoken reaction.","video_1_relative_path":"videos/3c2ee80fab629eed.mp4","video_2_relative_path":"videos/57f4c3fe68bbc361.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/multitalker/multitalker_2/00000029","text_prompt":"A romantic, nostalgic European travel film captured in a single continuous medium tracking shot, gliding backward along a narrow, gently curving cobblestone street bathed in warm late-afternoon sunlight. The scene is painted in muted earth tones of beige stone, cream coats, and olive jackets, punctuated by red doorframes and potted greenery that evoke a cozy, lived-in atmosphere. Two figures walk toward the camera at an easy pace, shoulders nearly touching: a light-skinned man with short brown hair and faint stubble, and a light-skinned woman with shoulder-length wavy blonde hair tied loosely back. As they move, a calm, playful male voice with a General American accent begins, “Really? No, I’m kidding. You wouldn’t believe… I even went back to the train station.” The woman listens with amused curiosity, her eyes flicking between him and the historic façades rising above them, while a black motorcycle rests against a right-hand wall and café tables line the sidewalk.\n\nThe camera maintains its smooth retreat, keeping the pair centered in a mid-shot as the man’s gestures grow more emphatic; he raises his right hand, palm outward, then points forward while his tone shifts to earnest sincerity, confessing, “I put up signs with my number in the hotel in case you’d been delayed.” Her smile softens into a reflective look as she glances downward and nods, absorbing his words against the gentle golden hue of the afternoon. As he leans in slightly, his voice dropping into a self-deprecating murmur, he adds, “I was a total fool waiting for you.” The audio remains stripped of music, grounded only by the low-level ambience of distant footsteps and a faint city murmur, allowing the quiet intimacy of their reunion to linger as the frame holds on their steady, unhurried walk.","video_1_relative_path":"videos/e1d2e37fa7a8fbcd.mp4","video_2_relative_path":"videos/8019987f6e7e48f4.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/multitalker/multitalker_2/00000085","text_prompt":"Cinematic scene, static medium two-shot, cool blue ambient lighting contrasting with a warm key light from camera-left softly illuminating two characters seated across a dark wooden table. In the foreground, a tall glass of water with a red straw sits beside a pint of amber beer, while behind them, large back-lit panels glow with stylized nautical imagery of a deep-blue sky, pink clouds, a white sailing ship, and a red-and-white lighthouse. The shallow depth of field blurs the background patrons, isolating the intimate exchange between a man in a light short-sleeved button-down and a woman in a pale blue collared blouse. A calm, conversational male voice begins, his tone mildly playful as he turns slightly toward her: “What about Kenny G? I mean, what about elevator music?” He raises his left hand to rest his chin on his fist, adopting a thoughtful pose. The woman leans forward, her eyes fixed on him with raised eyebrows, and answers with a bright, explanatory tone: “You know, jazz music that I know.” As the quiet bar ambience and faint distant chatter underscore the scene, he asks inquisitively, “What about it?” Her expression softens, hinting at personal attachment as she replies, “From my life.” She continues, her voice calm but earnest, gesturing lightly with her right hand for emphasis: “I just—I mean, find it relaxing.” The man listens attentively, maintaining steady eye contact, while the steady lighting and clean, speech-centric soundscape keep the focus entirely on their reflective exchange, leaving the conversation lingering in the quiet, atmospheric space.","video_1_relative_path":"videos/021c24724e09fca8.mp4","video_2_relative_path":"videos/5545a4b2539ce975.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/multitalker/multitalker_3/00000019","text_prompt":"Cinematic medium close-up in a dimly lit, warm-toned lounge resembling a quiet bar. A young woman with long dark hair, wearing a white textured newsboy cap, a black top, and a silver chain necklace, sits at a table. Her eyes widen and her mouth parts slightly as she gazes toward someone off-screen to her right. In the immediate foreground, the back of another woman’s head and shoulder frames the shot; she has short styled brown hair, large dangling earrings, and a patterned blouse with red, blue, and white motifs. Between them rests an open white laptop, while softly out of focus in the background, a man in a dark sweater sits at a counter under low ambient lighting. A light, whimsical instrumental track begins to play quietly beneath the scene, dominated by pizzicato strings, soft woodwind melodies, and gentle percussion at a moderate tempo, establishing a playful, intimate mood.\n\nA straight cut shifts to a tighter two-shot from over the shoulder of the woman in the cap, focusing on the speaker in the patterned blouse. She leans forward, eyebrows raised, delivering her lines with expressive hand gestures near her chest and chin. Her facial expressions shift rapidly from earnest concern to mild exasperation, then settle into confident emphasis. A calm, conversational female Mandarin voice begins, stating \"月，这才买二两瓜子。\" as she speaks, while the listener occasionally brings a small snack to her mouth and chews thoughtfully, maintaining steady eye contact. Continuing with a tone that shifts from earnest concern to confident emphasis, she adds, \"我以前也是经常在网上被人骚扰的。\" After a brief pause where she raises her eyebrows for emphasis, she completes the thought naturally, stating \"后来我发现，起什么用户名很重要。\" The background behind them reveals a wall with a diamond lattice pattern glowing in warm orange light, adding depth to the composition. The music sustains its cheerful, subdued level throughout, never overpowering the primary speaker’s voice, while faint chewing sounds and minimal room tone ground the scene in a controlled, cozy indoor environment.","video_1_relative_path":"videos/539c52c903d7daf6.mp4","video_2_relative_path":"videos/79ae1c01dcc9d4f9.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/multitalker/multitalker_3/00000043","text_prompt":"A brightly lit, static medium two-shot captures a comedic domestic confrontation in a warmly illuminated apartment hallway, framed with even lighting and a clean, sitcom-style composition. The left side of the frame features a white shelving unit stocked with books, small potted plants, and colorful figurines, while the right side reveals a pale blue-grey wall, a white door, and a vertical string of yellow photo frames. A young man with neatly styled dark hair stands left-of-center, angled toward a young woman. He wears a color-blocked hoodie with navy shoulders and sleeves, a white chest stripe, and a purple torso, paired with black trousers. His body leans forward, brows furrowed, mouth open mid-shout as he gestures sharply with his right hand. A calm but agitated male Mandarin voice with a northern accent begins, stating \"鱼在马桶的水箱里游着呢，自己去找吧。\"\n\nThe camera remains locked off as the man lowers his hand, then raises it again near his face to emphasize his point, maintaining an intense expression. The woman, positioned on the right with reddish-brown hair swept into an updo and dressed in a bright green cardigan over a white top, initially touches her forehead with her right hand, eyes wide and lips parted in shock, her posture slightly hunched with one arm crossed over her abdomen. As the scene progresses, faint audience laughter begins to swell underneath the dialogue, quickly growing from a murmur into distinct chuckles that establish a clear comedic atmosphere. Her shocked expression deepens before shifting into animated disbelief; she lifts her hand from her face and throws both arms outward, palms up, while a higher-pitched, startled female Mandarin voice …: \"我刚上厕所。\" The man responds by raising his right index finger vertically beside his mouth in a shushing gesture, briefly glancing at her before looking forward again. The audience laughter peaks and sustains at a moderate-loud intensity, underscoring the exaggerated performance and comedic timing, while the steady composition and consistent lighting keep the focus entirely on the sharp, expressive exchange.","video_1_relative_path":"videos/3151ecb7ee72a828.mp4","video_2_relative_path":"videos/bc3eb6669771d97e.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/multitalker/multitalker_3/00000051","text_prompt":"Cinematic domestic vignette, shot on a 50mm lens at eye level, bathed in soft, even natural light that highlights a cozy living room palette of cream, beige, and muted blues. The frame opens in a medium close-up on two East Asian adults leaning over the front rail of a blue portable baby playpen. On the left, a woman with shoulder-length brown hair and a pale yellow short-sleeved top rests her chin on her hand, gazing down with a gentle smile. Beside her, a man with short black hair, rectangular glasses, and a white T-shirt bearing bold pink lettering mirrors her posture, gripping the mesh edge with an excited grin. Beneath their quiet anticipation, a sentimental solo piano melody begins, weaving slow arpeggiated chords and soft sustained pads at a gentle tempo, mixed low to underscore the scene without overpowering it. A gentle female Mandarin voice, warm and affectionate, states, “好可爱的小家伙。” A confident male Mandarin voice, upbeat and reassuring, immediately replies, “我就跟你说，肯定没有问题的。”\n\nA hard cut transitions to a wider static shot that fully reveals the domestic setting, maintaining the tender, hopeful mood. The woman is now seated cross-legged inside the playpen, still resting her head on her hand and looking up at the man with a pleased smile. The man stands just outside the playpen’s right side, briefly adjusting a hanging plush white rabbit toy on the arch-shaped mobile before turning toward the camera with an exuberant gesture, both arms lifted and bouncing lightly. A playful male Mandarin voice, triumphant and light, declares, “所以现在我们可以玩游戏机了。” The background deepens the sense of a lived-in home: a cream sofa behind them, a blurred kitchen with white cabinetry and stainless steel appliances, a beige rug underfoot, and to the right, a brick accent wall supporting a small shelf with a black figurine and a hanging blue doll, while a refrigerator covered in magnets and papers is visible through an open doorway. The piano score continues unchanged, its legato phrasing and light synthesized string accompaniment sustaining the emotional warmth until the moment concludes abruptly, leaving only the faint rustle of fabric and soft breaths in the quiet room.","video_1_relative_path":"videos/a01809949abc930d.mp4","video_2_relative_path":"videos/a639865d8650b641.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/multitalker/multitalker_3/00000090","text_prompt":"A locked-off medium close-up inside a warmly lit church nave, captured with a shallow depth of field that keeps two women in sharp focus while softly blurring the formally dressed parishioners behind them. Diffused frontal illumination casts a serene yet solemn glow, highlighting the vivid purple-and-teal floral dress and large dark-blue circular earrings of the foreground woman, whose fair skin and blonde shoulder-length waves contrast with the muted creams and browns of the wooden pews and surrounding congregation. She sits composed but faintly tense, jaw set, gaze fixed ahead, as a second woman with light-brown hair pulled back and wearing a pale floral blouse leans in from behind her right shoulder. The whispering woman’s eyes widen and her lips part as she delivers an urgent, breathy confession about the parish’s mounting financial strain, urging quick action before a pressing opportunity slips away. A continuous, low-volume orchestral string pad in a minor key swells beneath the exchange, stripping away all ambient church noise to heighten the intimacy and tension.\n\nThe foreground woman absorbs the plea without turning, her eyelids lowering briefly before lifting again in reluctant acknowledgement. She offers a single, curt reply, stating, \"Roger that,\" her tone calm yet edged with resignation. Immediately after, she resumes speaking aloud in a clear, measured voice that projects quiet authority, enunciating each word with deliberate gravity. A calm, formal female voice declares, \"But by the grace of God and his provision, we will find our footing,\" her diction steady and resonant. As she finishes the sentence, she exhales softly, her shoulders relaxing a fraction as she weighs the implications of her words. The orchestral bed sustains its final chord, holding the frame on her thoughtful expression as the scene fades into quiet contemplation.","video_1_relative_path":"videos/e01834737bdb3dcd.mp4","video_2_relative_path":"videos/05e49346a5b37526.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/multitalker/multitalker_4/00000038","text_prompt":"An intimate domestic drama unfolds in a cinematic medium two-shot, framed by warm amber practicals from ornate glass sconces and twin round mirror bulbs that bathe a vintage hair salon in nostalgic pinks, lavenders, and ambers. The shallow depth of field isolates two women seated opposite each other at a cluttered white counter, their symmetrical positioning reinforced by the reflective surfaces behind them. The younger woman, her dark-brown hair set in rollers secured by purple clips and draped in a short-sleeved pink robe trimmed with white lace, initially faces away before pivoting to reveal a stern expression framed by loose curls. Beside her, the older woman, mid-sixties with gray-streaked rollers held by red clips, wears a lavender long-sleeved top beneath a matching pink robe and blue-and-black plaid pants, her bright red nails gripping a thin wooden cuticle stick. Under a soft indoor hum with no musical accompaniment, a calm, slightly defensive older woman speaks, stating, \"I gave you a lot of freedom, you turned out okay.\"\n\nThe younger woman’s posture shifts as she turns fully toward her companion, her voice firming with a sharper, higher pitch as she retorts, \"You didn’t give me freedom.\" The older woman listens, her lips pressed together while her expression tightens, the practical lighting catching the metal ends of the rollers and casting soft highlights on their skin. Maintaining steady eye contact, the younger woman’s tone fractures with hurt and reproach as she adds, \"You were never around.\" The ambient quiet deepens, broken only by their voices, until the older woman finally leans forward a fraction, her eyebrows lifting in measured incredulity as she replies, \"Is that so?\" The camera remains static, preserving the symmetrical standoff and the rich color palette that evokes retro domestic comfort against the backdrop of unresolved interpersonal tension, leaving the scene suspended on the weight of micro-expressions and unspoken history.","video_1_relative_path":"videos/3eafb7f8bf0171f8.mp4","video_2_relative_path":"videos/18181fed4e46b081.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/multitalker/multitalker_5/00000010","text_prompt":"A historical drama scene unfolds in a single continuous take, captured with an eye-level medium-long lens that frames the composition through the blurred edge of a dark wooden pillar on the left, suggesting a sense of covert observation. Diffuse, overcast daylight bathes a stone-paved courtyard in soft, even illumination, casting gentle shadows and emphasizing a muted palette of greys, teals, and blacks, punctuated by the subtle gold accents on one man’s belt. Two figures walk slowly from right to left across the frame, anchored by a tall grey-stone wall bearing an intricate relief of intertwined vines and birds, with a heavy, metal-studded wooden gate visible to the left. The man on the left, dressed in a teal-green robe with a darker sash and his hair gathered in a topknot, moves with palpable tension. He reaches out, gripping the upper arm of his companion, and a tense, anxious male voice in Standard Mandarin begins, pleading with a hurried tempo: “这实在不行啊，我还有些私房银子，我都拿出来给您。” The soft rustling of their robes and a distant, indistinct outdoor hush fill the quiet courtyard as they continue their measured pace.\n\nAs the pair slows to a halt, the second man, clad in a deep navy-black robe fastened with a gold-patterned belt and an ornate hairpin, turns slightly toward his companion. His posture remains composed and dignified, though his brow lifts in mild surprise at the earnest plea. A calm, authoritative male voice responds with a steady questioning tone: “你舍得？” The first man’s hand lingers on his sleeve, underscoring the desperation of his request. The camera holds its fixed position, allowing the restrained blocking and sparse ambient sound design to keep the focus entirely on the nuanced exchange, while the soft contrast and historical costuming reinforce the late imperial Chinese setting.","video_1_relative_path":"videos/f58c1ac1202bf987.mp4","video_2_relative_path":"videos/375a95ed29e7a958.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/multitalker/multitalker_5/00000032","text_prompt":"A cinematic historical drama, captured in a locked-off wide shot with a tableau composition, bathed in strong diagonal shafts of natural light that cut through drifting dust and smoke to illuminate a dim, rustic interior. The space features rough wooden beams, hanging cloth banners, and sparse furnishings, evoking a modest traditional study. In the right foreground, a young man with dark hair tied in a topknot and adorned with a silver ornament sits at a long table draped in dark cloth, his layered pale blue-white robes catching the ambient glow. Before him rests a Go board, flanked by a flickering yellow candle, wooden bowls of black and white stones, and a small teapot with stacked cups. Behind him, two quietly observing figures in red-and-white and white-and-blue attire stand near an open doorway, while a young woman in a flowing yellow-gold robe with a red-and-black sash steps forward, her bright timbre cutting through the soft room tone as she calls out, \"三哥，陪你下棋。\"\n\nShe glides toward the table, her skirt swirling, and lowers herself gracefully into the chair opposite him. With a quick, teasing flourish, she lifts a black stone between her thumb and forefinger, grinning broadly as she delivers a playful challenge: \"接招！\" The man remains intent on the game, turning his head slightly to acknowledge her before responding in a calm, firm baritone, \"看我的。\" He extends his right hand, palm up, ready to receive the stone or make his own counter-move. The camera remains perfectly still, allowing the dramatic contrast between light and shadow to frame their warm, sibling-like rapport. The atmosphere stays hushed, anchored only by the faint rustle of fabric, the low indoor hum, and the gentle wavering of the candle flame, emphasizing the intimacy and quiet tension of their friendly competition.","video_1_relative_path":"videos/2aab6beec1c2d7b2.mp4","video_2_relative_path":"videos/c683912326fed5c3.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/multitalker/multitalker_5/00000095","text_prompt":"Cinematic wide shot, 35mm lens, warm sepia palette: a sun-drenched desert landscape of pale beige hills and an empty asphalt road curving into the distance opens under a single, harsh sun source positioned high and to the right, casting pronounced chiaroscuro and bathing the scene in desaturated golds and muted blues. A low-angle, handheld camera peers past the rear quarter of a dusty silver sedan parked on the shoulder, where the back and waist of a uniformed police officer dominate the extreme foreground. His dark navy-blue jacket and cap brim catch the strong golden backlight, creating deep silhouettes and long shadows across the arid isolation. Near the car’s trunk, a middle-aged suspect in a charcoal suit jacket and light shirt crouches with his head bowed, his face streaked with dried blood around the nose and cheek while fresh crimson stains run down his neck. The hushed ambience is broken by the officer’s calm but firm voice, a clear male Mandarin tone delivering steady authority: “No, the law demands evidence.”\n\nThe injured man exhales audibly, rises to his feet, and leans against the vehicle for support as the officer steps forward, placing a gloved hand on his shoulder to steady him. The camera tilts up slightly, catching the glint of silver hardware on the officer’s uniform and the harsh sunlight flaring across the lens, emphasizing the heat and solitude. Framed in a medium close-up against the barren hills, the two men stand side by side in tense silence. The officer maintains a measured posture, looking down with a serious expression, while the suspect lifts his weary, half-lidded gaze, his jaw slack with pain. Occasional metallic clicks from shifting handcuffs and the soft rustle of fabric mingle with the suspect’s heavy breathing and the distant whisper of desert wind, reinforcing the gravity of the confrontation as the scene settles into a quiet, sun-baked stillness.","video_1_relative_path":"videos/9a1cb96f19e48b8f.mp4","video_2_relative_path":"videos/dcb6d8b90eddf7af.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/multitalker/multitalker_5/00000102","text_prompt":"Warm morning light streams from camera-left into a spacious, sun-drenched dance studio, casting long diagonal shadows across a polished wooden floor and catching a soft haze of floating dust motes. A large wall mirror dominates the background, reflecting ballet barres, a blackboard with faint chalk scrawls, and triangular pennant banners. In the foreground, a young female student in a pale yellow cardigan over a red-and-white plaid shirt sits on the floor with her back to the camera, her dark hair tied neatly. Facing her, an older female teacher in her forties sits cross-legged near the mirror, her dark hair secured in a tight bun with two slim white sticks, wearing a lavender leotard beneath a loose black-and-white patterned robe. The atmosphere is calm and expectant, filled only with a low room tone and distant, indistinct movement. As the teacher’s eyes slowly open and she turns toward the student, the young woman leans forward and greets her clearly in standard Mandarin, “熊老师好。” The teacher responds immediately with a warm smile and a friendly, “哎，你们好。”\n\nA single, slow dolly push-in gradually tightens the frame, isolating the teacher’s expressive face while softening the student in the foreground. The teacher nods gently, her tone shifting to a gentle yet authoritative directive as she says, “我们上课了，先坐啊,” inviting the class to settle. As she finishes speaking, she lifts herself from the floor, the hem of her robe swaying to reveal a hint of pink underneath. Through the mirror behind them, several figures in light-colored practice clothes jog past, and more students drift in and out of view, their silhouettes blurred by the hazy backlight. The muted earth-tone palette of lavender, pale yellow, and wood brown is punctuated by the monochrome pattern of the teacher’s robe, all rendered with high contrast and a nostalgic, painterly quality. With no music playing, the sound design remains intimate, focusing entirely on the crisp Mandarin dialogue and natural room ambience as the teacher rises, leaving the scene poised on the brink of the lesson beginning.","video_1_relative_path":"videos/e2555d74815f988f.mp4","video_2_relative_path":"videos/12db30f7c9b28b0b.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/multitalker/multitalker_6/00000066","text_prompt":"A sitcom-style backstage studio scene opens in a locked-off medium two-shot at eye level, framed in a cool-neutral palette of grays and blues under even front-left key lighting. Shallow depth of field keeps the two subjects sharp while softly blurring a background featuring black flight cases, a metal stool, and a tall vertical banner displaying a blue-toned suited figure with an outstretched hand and bilingual title text. A young fan in a white T-shirt with blue trim and a cartoon graphic bursts into frame from the left, leaning forward with both hands raised and palms open. Speaking with a bright, breathy, and eager Henan-accented Mandarin, he exclaims, \"不，俺是你的粉丝啊。\" as a brief ripple of off-screen audience laughter underscores the comedic tone. Still gesturing energetically, he takes a half-pace closer, his expression a mix of excitement and pleading as he adds, \"你给俺签个名吧。\" The audience chuckles again, matching the lighthearted mood.\n\nThe celebrity, dressed in a light-gray button-down shirt beneath a black vest with short styled hair and a silver watch, listens with a polite, relaxed smile, his shoulders squared and eyes fixed on the fan. As the fan extends a small dark notebook or phone toward him, the celebrity nods, lowers his gaze, and shifts his weight onto his left foot, tilting his torso forward to prepare. In a calm, friendly baritone, he replies, \"好啊。\" The camera executes a hard cut to a tighter close-up on the celebrity’s upper body and face, cropping out the fan and most of the banner. He brings the pen attached to his chain down over the offered item just outside the lower frame, murmuring, \"啊。\" as he completes the motion. The scene ends mid-action with low ambient room tone and no music, preserving the humorous, sitcom-style staging through the contrast between the fan’s exaggerated enthusiasm and the celebrity’s composed acceptance.","video_1_relative_path":"videos/41811ec687e78599.mp4","video_2_relative_path":"videos/376686ab65c65f8f.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/multitalker/multitalker_7/00000016","text_prompt":"A cinematic medium two-shot, eye-level and static, frames a warmly lit, wood-paneled study bathed in soft front-left key light and gentle opposite fill, establishing a warm color palette of rich browns and deep reds. On the left stands a young East-Asian man in a grey plaid suit jacket, crisp white shirt, and red-and-black diagonal-striped tie, his posture slightly hunched with hands loosely clasped near his abdomen. Opposite him, a lively young female Mandarin voice begins, stating “等会儿再喝。” as the woman in a sleeveless deep-red top and matching skirt lifts her right hand, palm inward, making a small outward gesture toward him while holding direct eye contact. The man listens attentively, brows faintly raised and lips parted in silence, before her delivery quickens slightly as she explains, “我领导对他的那个项目不是很满意,” sweeping her hand downward and arcing it outward to emphasize her point, prompting his eyebrows to draw together and his head to tilt fractionally in mild surprise.\n\nShe presses on with a decisive open-palm motion, flicking her wrist as if passing an object, and delivers “所以我就做个顺水人情了，还给你了。” in a tone blending casualness with subtle self-satisfaction before dropping her hand and relaxing her stance. The moment her sentence concludes, a burst of studio-style audience laughter fills the sonic space, lingering for a second before fading naturally into the quiet room ambience. The man’s expression instantly brightens into a broad, good-natured smile as he glances upward and to his left, his shoulders easing back in relief, while the woman mirrors the shift with a modest, confident grin. The scene closes on this comedic payoff, the warm, textured backdrop of antique desk lamps, candlestick holders, and framed maps holding steady as the laughter dissolves and the static frame lingers on their shared moment of lighthearted resolution.","video_1_relative_path":"videos/be6c064462331742.mp4","video_2_relative_path":"videos/902f7695aaf85afe.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/multitalker/multitalker_7/00000040","text_prompt":"A contemporary domestic drama unfolds in a static medium-wide two-shot, framed to emphasize relational tension against a backdrop of vivid turquoise-green tiles and neutral furnishings. Warm under-cabinet practicals bathe the scene in a cozy glow, contrasting with the cool daylight filtering through closed blinds, while a faint room-tone hum establishes the quiet atmosphere. Seated side-by-side at a white dining table, a young woman in a pale-yellow fleece hoodie rests her head on her right hand, her eyes half-closed and brow furrowed in quiet fatigue. Beside her, a young man in a white graphic T-shirt studies an open notebook, pen in hand, his posture relaxed but his expression gradually tightening as he processes the papers before him.\n\nThe man glances up from his notes, his eyebrows raising in disbelief as he asks in a clear, mid-range Mandarin voice: “这个什么？你还有钱被冻结吗？” The woman lifts her head, her eyes widening in sudden frustration, and replies in a higher-pitched, defensive Mandarin tone: “我是个孕妇，我怎么会记得？” She thrusts her left hand outward in a dismissive gesture, then leans back against the chair, her irritation palpable. The man turns fully toward her, lips parted as if to counter, but before he can speak he releases a short, weary sigh, murmuring in a low, exhausted Mandarin voice: “唉。” The moment settles on their tense expressions, the dual-source lighting casting gentle highlights and subtle rim light across their faces, leaving the cluttered yet homely backdrop of scattered papers, mugs, and a toy robot suspended in quiet domestic stress.","video_1_relative_path":"videos/6338879c6c8aee2f.mp4","video_2_relative_path":"videos/8b6ea0c1516f73b8.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/multitalker/multitalker_7/00000069","text_prompt":"A grounded, single-camera sitcom scene unfolds in a sunlit apartment kitchen that doubles as a living space, captured on a standard 35mm lens with consistent warm household lighting that highlights wooden cabinetry, a vibrant green square-tile backsplash, and stainless-steel appliances. A large whiteboard dominates the wall, densely covered in multicolored physics and mathematics equations, including probability ratios, wave functions, and circuit matrices. Near the island counter stand two men, each gripping an identical bottle of amber liquid. On the left, a bespectacled man in a maroon jacket over a green hoodie and brown trousers stands tense, his brows knit and lips pursed. He turns slightly toward his companion, his voice firm and defensive as he states, \"I’m not going to engage in hypotheticals here.\" On the right, a taller, clean-shaven man in a grey \"WIZARD\" graphic tee layered over striped long sleeves and plaid pajama pants listens intently, his posture relaxed but attentive.\n\nAs he speaks, the man in the maroon jacket pivots leftward, stepping away from the counter toward the living-room side while gesturing with his free hand. The camera executes a smooth, continuous pan to follow his movement, keeping both characters framed against the backdrop of a beige sofa with blue cushions, a low coffee table, and a doorway where soft daylight filters through blinds. He pauses, clutching his bottle, and delivers a short, earnest reply with a slight sigh, adding, \"I’m just trying to be a good neighbor.\" The wizard-shirted man shifts his weight, holding his bottle with both hands at waist height, and responds with a calm, mildly sarcastic edge, \"Oh, of course.\" The shot settles into a static composition across the island as the first man lowers his arm, and the second man offers a faint nod before answering in a measured, conciliatory tone. The scene relies on minimal ambient sound, letting the crisp, naturalistic dialogue carry the observational, everyday tension of the moment.","video_1_relative_path":"videos/a2c9c563dcdc9c0c.mp4","video_2_relative_path":"videos/bed80842c39cd3b1.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/multitalker/multitalker_7/00000082","text_prompt":"A warmly lit restaurant interior unfolds in a locked-off widescreen medium two-shot, the camera remaining perfectly still to capture an intimate conversational moment. The scene is bathed in soft, naturalistic light that casts gentle shadows, highlighting the earthy reds and browns of the décor while contrasting with the cool blues, pinks, and turquoise tones of the subjects’ attire. In the foreground, a neatly set table draped in a white cloth and green placemats holds a plate of salad and polished glassware. Seated on the left, a dark-haired man wearing black-rimmed glasses and a vertically striped button-down shirt leans forward slightly, a silver wristwatch gleaming on his left wrist as he holds a fork over his meal. Across from him, a blonde woman in a light-green cardigan patterned with purple-blue feather motifs over a turquoise top listens attentively, her right arm resting near her lap. The background remains softly defocused, revealing a distant diner in a royal-blue shirt and abstract artwork featuring red peppers against a reddish-brown wall. The atmosphere is hushed and diegetic, stripped of background chatter or clinking cutlery, leaving only the man’s clear, mid-range voice to fill the space. With measured curiosity and mildly animated inflections, he gestures outward, first raising his right hand palm up and then extending both hands as he poses a rhetorical question. “Is that one thirty-six hour experience, or is that thirty-six hours spread out over, say, one glorious summer?” he asks, his eyebrows lifting for emphasis before his hands return to the tabletop, fingers lightly brushing the plate’s edge. The woman maintains steady eye contact, offering a faint nod and a subtle smile as she tilts her head, her attentive posture and minimal reactions conveying quiet engagement. The shot holds steady on this suspended exchange, the warm lighting and deliberate blocking preserving the scene’s thoughtful, conversational rhythm until the frame naturally concludes.","video_1_relative_path":"videos/ab980a487a87d37b.mp4","video_2_relative_path":"videos/72510dfabf3f126a.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/multitalker/multitalker_7/00000091","text_prompt":"Open on a brightly lit, homey kitchen set rendered in warm wood tones and a light green tile backsplash, captured in a single locked-off medium shot at eye level. The scene is bathed in even, soft key lighting typical of a multi-camera sitcom, with a moderate depth of field that keeps the three characters sharply focused while the background cabinets and appliances dissolve into a gentle blur. At the left, a man in a tan jacket with a maroon-lined hood bends forward over a wooden table laden with food, busy arranging dishes. In the center, Howard Wolowitz, identifiable by his bowl-cut hair and a light-grey button-down worn open over a blue-and-white striped turtleneck, holds a clear plastic bottle of dark liquid and begins to speak. To his right, Beverly Hofstadter stands in a black cardigan over a blouse patterned with bold green-and-black circles, her gaze fixed downward as she adjusts plates and utensils. A brief ripple of studio audience laughter establishes the familiar sitcom atmosphere, followed by the clean hum of subtle room tone.\n\nHoward Wolowitz, speaking in a standard American accent with a conversational yet emphatic tone that blends mild apology with playful admiration, states, \"Excuse me for being so bold, but I see where Sheldon gets his smoldering good looks.\" As he delivers the line, his prosody rises slightly on the word bold and falls gently on looks, pausing just after the punchline lands to let the comedic moment hang in the air. Beverly glances up briefly before returning her attention to the food, while the man in the tan jacket straightens slightly but remains facing the table. The camera holds its static position without a cut or pan, leaving the warm domestic tableau frozen in a beat of lighthearted suspense, underscored only by Howard’s voice and the faint ambient kitchen sounds.","video_1_relative_path":"videos/e01604272a91e1fb.mp4","video_2_relative_path":"videos/91980d13f9670366.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/multitalker/multitalker_8/00000030","text_prompt":"A locked-off medium-wide shot captures a modest living room bathed in soft daylight filtering through floral sheer curtains. Warm earth tones dominate the space, with beige walls and brown wood flooring grounding the composition, while a light-colored sofa with a dark patterned throw anchors the left foreground. Beside it, a wooden bookshelf and standing lamp frame the edge, and a small drum kit rests near a red armchair holding a white-covered book on the right. An older man in a pale vertically-striped button-down shirt and dark trousers stands quietly by the window, watching as a younger man in a bright yellow zip-up jacket, black T-shirt, loose dark pants, and a striped beanie begins to speak. Delivering his lines in a relaxed, conversational tone with a mild North-American accent, the younger man gestures casually and says, “You know, there’s like a Starbucks on every corner?” As he finishes the thought, his soft footsteps echo faintly against the hard floor before he lowers himself onto the sofa, shifting the cushions to settle in.\n\nStill seated, the younger man leans back slightly, lifts one hand in an explanatory gesture, and continues in a steady, matter-of-fact delivery, “Krazy-8 is, like, the dude that sells Starbucks his beans.” The camera remains completely still, preserving the balanced framing and allowing the subtle interplay of body language and room details to carry the scene. Natural side-lighting from the window casts gentle highlights and soft shadows across their faces, reinforcing the subdued, realistic atmosphere. With no music or pronounced ambience beyond a faint indoor room tone, the audio design prioritizes dialogue clarity, emphasizing the quiet comedic tension of the exchange as the older man remains motionless by the window, observing without a word.","video_1_relative_path":"videos/99bcf7e3af6e9ed7.mp4","video_2_relative_path":"videos/7d3a45b527104ff0.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/multitalker/multitalker_8/00000033","text_prompt":"A static medium shot captures a tense, sun-drenched suburban confrontation framed by a tall metal gate and dense foliage, with a white single-story house and red-tiled roof softly blurred in the background. Harsh midday sunlight cuts through the scene, casting sharp highlights on vivid yellow and patterned clothing while plunging deep shadows beneath the subjects’ chins and hats. The color palette leans warm, contrasting the lush greens and neutral grays of the environment against the hostile exchange. On the right, an aggressive man in his late thirties wearing a black beanie with a red brim, a bright yellow T-shirt, and an unzipped black-and-white patterned hoodie stands face-to-face with his counterpart. He thrusts his right arm upward and shouts with loud, mocking contempt: “Oh, well, heil Hitler, bitch.” Without breaking stride, he leans in closer, his face flushed and voice rising in emphatic taunt as he declares: “And let me tell you something else.” The camera holds steady, keeping both figures sharp in the frame as the confrontation escalates. The aggressor plants his left hand on the other man’s shoulder and chest, shoving him downward until the victim—a man in his late thirties with medium brown hair, glasses, and a light yellow-and-white vertically striped button-down—compresses defensively, his shoulders rising and head dipping low as a short, strained grunt escapes him. The aggressor’s right fist clenches near his torso, his voice barking through a slight rasp: “We flipped a coin, okay?” He releases his grip but maintains a threatening posture, looming over the bowed figure who remains motionless save for slight tremors. The ambient soundscape stays quiet, leaving only the heavy weight of the dialogue and the stark visual contrast to underscore the raw power imbalance as the scene holds its final, unbroken frame.","video_1_relative_path":"videos/d5b6d1c89630167a.mp4","video_2_relative_path":"videos/e943004bef77b804.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/multitalker/multitalker_8/00000051","text_prompt":"A cinematic widescreen scene, 16:9 aspect ratio, captured in a static eye-level medium-wide shot that holds as a single continuous take. The environment is a quiet suburban backyard at dusk, bathed in the soft, fading light of late afternoon that casts gentle shadows across a subdued palette of beiges, muted greens, and calm blues. A rectangular swimming pool filled with still, light-blue water occupies the left side of the frame, its surface mirroring the overcast sky, while behind it stands a beige stucco house with a brown-tiled roof, a lattice-covered patio, and dark outdoor furniture. Two men face each other beside the pool. On the right, an older man in his late forties wears an olive-green button-down shirt, khaki trousers, and brown shoes; his thin mustache, receding hairline, and serious expression convey quiet authority as he stands motionless with his hands loosely clasped, listening intently. On the left, a younger man in his late twenties is seen mostly from behind and in profile, dressed in a black hooded jacket adorned with bold white-and-red abstract graphics and light cargo pants. Faint crickets chirp in the quiet evening air as he shifts his weight, his posture hesitant and deferential.\n\nThe younger man breaks the silence with a mid-range, slightly nasal voice that carries a nervous, earnest tone, punctuated by thoughtful pauses. He begins, “Anyway, that’s why I wanted to tell you how much everybody really digs what we do,” his eyes flicking toward the older man as he seeks reassurance. The older man remains perfectly still, his lips pressed together and brow faintly furrowed, absorbing the words without breaking his watchful gaze. The camera holds the frame as the quiet evening continues, the calm suburban backdrop contrasting sharply with the weight of the unfinished exchange, leaving the atmosphere heavy with anticipation and unspoken tension.","video_1_relative_path":"videos/d0d639298f5b52bc.mp4","video_2_relative_path":"videos/b29228fea69bbf8e.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/multitalker/multitalker_9/00000021","text_prompt":"Cinematic drama, static eye-level medium shot, warm late-afternoon sunlight and a muted domestic palette set the scene inside a modest kitchen featuring off-white cabinetry, a stainless sink, and a cluttered countertop. The unbroken single take keeps the camera fixed, letting natural side-lighting sculpt the faces of two men standing across the counter. On the left, a light-skinned man in his late twenties or early thirties with slightly tousled dark hair wears a black jacket accented with cream panels and thin white piping. A frustrated, mid-to-high pitched General American male voice begins, stating \"My conjecture isn’t helping.\" The tone sharpens as he leans forward a fraction, eyes narrowing, and a strained male voice continues: \"Fine. Okay, fine. Facts then. Fact A.\" He punctuates the declaration by stabbing the air with his index finger, his expression intense, brows knitted, mouth set in a hard line.\n\nOpposite him stands an older, balding man in his late fifties or early sixties, wearing glasses and a muted brown-and-gray plaid shirt, his neatly trimmed gray goatee catching the soft shadows. He listens with lips pressed together, body angled toward the younger man, his calm, lower-pitched presence a quiet counterpoint to the escalating tension. As the younger man presses on, voice louder and clipped, the older man’s posture stiffens; he raises his right hand, palm outward, as though preparing to interject, yet he remains silent, his head tilting minutely in reluctant attention. A rapid, exasperated male voice rises in volume: \"My phone rang like eight times last night.\" The scene holds this charged standoff, the only sounds being the two male voices against a faint indoor room tone, leaving the conversation unresolved and the broader stakes of their dispute hanging in the sunlit air.","video_1_relative_path":"videos/fe9cbba97dd4c498.mp4","video_2_relative_path":"videos/c65c321c4e13305d.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/multitalker/multitalker_9/00000023","text_prompt":"Cinematic medium shot, warm low-key lighting, earth-tone palette: the scene opens in a softly lit dining-kitchen where a steady frame captures a quiet domestic moment. A blonde woman with shoulder-length hair sits at a dark wooden table, wearing a beige long-sleeved top with a white lace-edged scoop neck and a pale cardigan draped over her shoulders. A plain white ceramic mug rests before her as she looks slightly upward and to her right, her posture conveying thoughtful inquiry. Behind her near a doorway stands a bald man in a rust-orange striped button-down and light khaki trousers, his hands loosely clasped and his expression quietly attentive. The background reveals a refrigerator adorned with small photos and magnets, a woven chair, and softly focused kitchen shelving, all rendered in a cohesive, homely atmosphere that emphasizes intimacy without distraction.\n\nThe woman raises her right hand in a gentle, open-palmed gesture, her brow lifting slightly as a soft, slightly hesitant American female voice begins, stating, \"I mean, couldn't that be important?\" Her tone is tentative yet earnest, hanging in the faint room tone that fills the space. The man remains perfectly still, his silence and fixed stance suggesting restrained contemplation or deference, allowing the conversational weight to linger without interruption. The camera holds steady without movement or cut, leaving the soft acoustic hush and the unspoken gravity of the question to settle into the warm, directional lighting as the scene rests in quiet stillness.","video_1_relative_path":"videos/16ab8dc411cc4db3.mp4","video_2_relative_path":"videos/047a0624fd10b22b.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/multitalker/multitalker_9/00000101","text_prompt":"A quiet domestic scene unfolds in a modest, softly lit residential hallway with light gray walls and warm wood trim, captured in a locked-off medium-wide shot. An older man in a gray cardigan, white shirt, dark trousers, and a teal apron stands near the front entrance holding a brown cloth, while a young police officer in a dark blue uniform with silver buttons and a peaked cap stands opposite him, hands clasped behind his back. A wooden door with a frosted glass panel sits to the left, and a coat rack with a small cabinet occupies the right side of the frame. The older man turns slightly toward the officer and speaks in a calm, conversational Mandarin voice, stating \"有人找你。\" He then gestures with his free hand toward the interior of the apartment and adds, \"坐，我刷碗去。\" As he finishes, he pivots left and walks out of frame, his soft footsteps and a faint fabric rustle echoing on the hard floor.\n\nWith the hallway quiet, the officer remains by the doorway, offering a polite smile. From the unseen interior space, the older man calls back, asking \"谁呀？\" The officer answers immediately in a relaxed tone, replying \"我。\" The camera begins a gentle push-in, transitioning to a looser medium close-up that centers the officer against the open doorway. Through the opening, a warmly lit bedroom comes into view, where a figure in a red long-sleeved top and jeans crosses the frame briefly. As the officer steps forward, he addresses someone just outside the current viewpoint in a cordial, slightly nostalgic Mandarin voice, stating \"有段日子没见你了，挺想你的。\" A soft exhalation precedes the line, and the scene closes on the faint residual room tone and subtle doorframe creak, leaving only the quiet intimacy of the domestic space.","video_1_relative_path":"videos/e3e770297f966159.mp4","video_2_relative_path":"videos/6be9539026d0f599.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/music/music_1/00000008","text_prompt":"Cinematic live concert footage, shot on a wide lens with a high-angle perspective, opens inside a grand venue bathed in deep blue and purple stage lighting. White spotlights sweep across the densely packed audience, casting moving circular patterns across ornate wall moldings and hanging lighting rigs. On a low stage to the right, three male musicians perform in casual attire: two seated guitarists in light-colored shirts strum in unison while a third stands slightly behind near a keyboard setup in darker clothing. The camera executes a slow, seamless upward and leftward pan, gradually revealing an elevated balcony and the swaying crowd below. Audience members are fully immersed, many raising smartphones to capture the moment, their rhythmic claps and gentle movements syncing with the performance. The entire sequence unfolds as a single, uninterrupted take, maintaining a steady vantage point that emphasizes both the scale of the room and the intimate focus on the stage.\n\nThe soundscape is a clean, professionally balanced live rock recording drenched in natural hall reverb. A moderate-tempo drum groove anchors the track, driving forward with a steady kick and snare pattern while a subtle hi-hat keeps time. Dual electric guitars weave together, one laying down centered power chords and the other adding slightly panned arpeggiated melodies, all supported by a warm, overdriven bass line. A male tenor vocalist delivers an emotive, mid-range performance with expressive phrasing that swells through the chorus. He sings with clear, emotional weight about departure and regret, his voice carrying the lyrics, \"...she’s walking away... she knows it’s too late... she’s walking all night...\" The mix remains reverberant and immersive, with the audience’s synchronized clapping and faint ambient rustling blending seamlessly into the track, creating a cohesive and emotionally resonant musical moment.","video_1_relative_path":"videos/f6055ed03ef9913c.mp4","video_2_relative_path":"videos/489d872a49c7083c.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/music/music_1/00000018","text_prompt":"Cinematic live performance, static medium lens, dramatic chiaroscuro lighting, and a restrained palette of deep blacks, warm spotlight gold, and a vivid red top. The scene opens in a stark, dimly lit space dominated by shadows, with a single spotlight isolating a female singer-pianist seated at a glossy black grand piano center-frame. Shot from the waist up, the camera frames her long, straight blonde hair as she leans forward, head bowed toward the keys. A slender microphone stand rests just before her, and the piano’s polished surface catches soft highlights from the overhead light. As the moment begins, she lifts her gaze toward the mic, her posture shifting with subtle, expressive movements while the dark backdrop keeps all visual focus entirely on her technique and presence.\n\nA driving, up-tempo pop-rock arrangement immediately fills the space, built on a four-on-the-floor drum pattern with a crisp snare, an active bassline, and dual electric guitars weaving rhythm and melodic counter-lines. Wide stereo synth-string pads swell beneath the mix, creating a polished, moderately compressed soundscape with clear separation and studio-grade artificial reverb. The performer delivers a powerful, sustained vocal line in English, her mouth moving in precise sync with the soaring melody as layered harmonies briefly enrich the arrangement. The production remains dense yet balanced, emphasizing emotional intensity without any ambient room tone or crowd noise. The sequence concludes abruptly mid-phrase, cutting off the final vocal decay and musical resonance without transition.","video_1_relative_path":"videos/e0427987fec60a94.mp4","video_2_relative_path":"videos/10a0ea3b515df724.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/music/music_1/00000022","text_prompt":"Cinematic street performance, captured on a 35mm lens under bright daylight with a warm, sun-drenched palette. The scene opens on a sunlit outdoor pedestrian plaza paved in light gray stone, framed from a medium distance with a slight upward angle that centers two young musicians against a backdrop of palm trees and polished retail storefronts. On the left, a boy with shoulder-length wavy blond hair, dressed in an oversized pink T-shirt and loose blue jeans, stands before a black microphone stand, his fingers moving in steady fingerpicked arpeggios across a light-colored acoustic guitar. To his right, a girl with long brown hair in a short-sleeved white dress patterned with small red flowers and white sneakers holds a violin vertically at her side, bow resting loosely in her hand, occasionally shifting her weight as she listens. Behind them, a relaxed crowd of casually dressed pedestrians gathers, some leaning forward with arms crossed, others pausing mid-stride, while a red Nord Stage keyboard, a compact amplifier, and coiled black cables rest near the performers’ feet. A gray stroller with a sleeping infant sits nearby, attended by a small boy in a tan shirt, and a bright green neon URBAN OUTFITTERS sign glows steadily above a store entrance, anchoring the scene in a lively commercial district.\n\nThe audio landscape opens with the crisp, resonant attack of the guitar’s open strings, establishing a gentle folk-pop groove at a steady seventy-two beats per minute in a warm major key. The guitarist begins to sing into the microphone, his voice soft, melodic, and slightly breathy, delivering a legato melody with natural phrasing that blends seamlessly with the sparse harmonic foundation. The open-air acoustics carry minimal reverb, keeping the vocal and instrumental tones clear and intimate against a low-frequency urban hum and the faint, diffuse murmur of the passing crowd. Occasional foley details—a subtle foot tap syncing with the rhythm, the soft brush of a cable as the performer shifts—ground the performance in reality, while the absence of traffic noise or interruptions preserves the authentic, communal atmosphere of a quiet afternoon busking session.","video_1_relative_path":"videos/7e4569310142f3bc.mp4","video_2_relative_path":"videos/6176f920a0646304.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/music/music_1/00000087","text_prompt":"Cinematic medium shot, soft overcast daylight, muted natural palette. A young woman sits cross-legged on wide, light-gray stone steps outside an ornate building with tall pillars and carved wooden doors. She has long dark hair and wears a white short-sleeved top, denim shorts, and brown knee-high boots, positioned slightly right of center. A black microphone on a stand is angled toward her mouth as she holds a natural-finish acoustic guitar with a capo clamped on the second fret. The camera begins at a slight low angle and executes a slow, deliberate pan to the left, gradually widening the frame to reveal more of the stone facade and tiled pavement while keeping her as the unwavering focal point.\n\nShe strums the instrument rhythmically, her body swaying subtly in time with the music as she sings with expressive, emotive gestures, occasionally closing her eyes or offering a brief, warm smile. Her clear, mid-range female voice delivers the gentle lyrics, \"Into the light, into the dark black night,\" perfectly synchronized with the warm, fingerpicked acoustic guitar playing at a steady seventy-two beats per minute in a simple major-key progression. The audio environment is acoustically isolated and pristine, completely devoid of wind, traffic, or crowd noise, allowing only the intimate resonance of her voice, the natural ring of the final chord, and the faintest breaths between phrases to fill the space. The overall mood is calm, reflective, and deeply personal, capturing an authentic moment of live musical expression against a classical architectural backdrop.","video_1_relative_path":"videos/beb5ff62021b7493.mp4","video_2_relative_path":"videos/96fd94262578fbf6.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/music/music_2/00000002","text_prompt":"Cinematic concert performance, 50mm lens, shallow depth of field, cool palette of deep purple and electric blue, opens on a steady, subtly handheld close-up of a solo female vocalist positioned center frame against a dynamic LED wall composed of a grid of pulsing circular lights. She has shoulder-length wavy blonde hair with bangs, dramatic winged eyeliner, and dark lipstick, wearing a long-sleeved black top densely embroidered with silver sequins that catch the stage lighting. The camera holds at eye level, tracking her subtle head movements and emotive expressions as her eyes close and her brow gently furrows. As the framing naturally widens to a medium shot, her left hand rises to rest over her heart while her right hand maintains a firm grip on a black handheld microphone near her chest.\n\nShe delivers the phrase “always with me” in a clear, mid-to-high register with legato phrasing and a touch of vibrato, perfectly synced to her lip movements. The soundscape is built entirely around her voice and a slow-tempo, percussion-free ambient pop arrangement, where layered synthesizer pads sustain a gentle crescendo and a large-hall reverb tail creates a spacious, ethereal atmosphere. Faint fabric rustles and audible breaths punctuate the performance as she sways with each inhalation and release. The LED backdrop intensifies its brightness in rhythm with her delivery before the scene concludes abruptly mid-phrase, leaving the shimmering visual and reverberant vocal hanging in the quiet space.","video_1_relative_path":"videos/614855f47e2b539e.mp4","video_2_relative_path":"videos/16941ec9f6a7caad.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/music/music_2/00000007","text_prompt":"A cinematic medium close-up, captured on a static camera, frames a male performer centered against a warm, textured orange-red backdrop, illuminated by soft directional lighting that sculpts his face while gently blurring the background. He has shoulder-length dark wavy hair, a full beard and mustache, and wears a tan leather jacket over a light collared shirt with a black scarf draped around his neck. A large ornate silver ring sits on his right index finger, and a gold ring rests on his left ring finger as he grips a vintage-style silver microphone with a blue band near the grille in his left hand. His right hand hovers near his right ear, fingers lightly adjusting an out-of-frame earpiece. His expression remains intensely focused—eyes mostly closed, brow furrowed—as he delivers the song with visible vocal effort. The audio is driven by an energetic pop-rock arrangement featuring a steady drumbeat, melodic bassline, layered electric guitars, and bright keyboard pads, all rendered with a tight studio reverb and consistent dynamics. An emotionally charged Norwegian vocal enters immediately, clear and articulate with moderate vibrato, perfectly synced to the driving instrumentation as he sings, \"…og tiden er forbi, nå er det på tide å gå videre.\"","video_1_relative_path":"videos/735e96fe3761b27c.mp4","video_2_relative_path":"videos/0646a09ca392efb4.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/music/music_2/00000051","text_prompt":"A visceral live concert captured through an intimate, handheld audience lens, the frame opens on a female performer standing center stage against an expansive LED backdrop glowing in saturated magenta. She has long, wavy brown hair and wears a white cropped T-shirt paired with lavender pants featuring a glittering sequined waistband, gripping a silver microphone in her right hand. The camera shakes subtly, occasionally framed by the dark silhouette of a spectator’s shoulder on the left, grounding the shot in the raw energy of a packed arena. She tilts her head back, delivering the opening vocal phrase with intense focus as loud, reverberant synth-pop fills the space, driven by pulsating electronic drums, a deep bassline, and layered synthesizer melodies.\n\nThe digital scenery smoothly transitions from magenta to deep purple and violet hues as she pivots stage left, sweeping her free left arm outward before drawing it back to her chest. The handheld camera pans to follow her movement, keeping her upper body and the shifting colored lights prominent. As the track builds, she raises her left arm high into the air, pointing upward while turning her torso away from the lens, momentarily catching a distinct red laser dot that flashes across her midsection. The background screen erupts into swirling vertical patterns of violet and blue, mirroring the audio’s crescendo where the driving beat peaks and the crowd’s volume swells into a thunderous, harmonized roar that blurs the line between performer and audience.\n\nThe sequence concludes with her holding that elevated pose, bathed in the vibrant violet stage lighting while the arena’s natural reverb and low-frequency PA hum sustain the immersive atmosphere. The high-energy mix remains wide and dynamic, with the lead vocal cutting clearly through the dense instrumental bed and the collective singing of thousands of spectators echoing through the vast venue. The rhythmic pulse of the music and the massed vocal texture carry the scene forward without fading, capturing the unbroken, euphoric thrill of a major live performance until the frame cuts.","video_1_relative_path":"videos/2feca4116051f1b2.mp4","video_2_relative_path":"videos/c4e653c6ab75cf74.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/physics/physics_1/00000034","text_prompt":"Cinematic outdoor scene, fixed high-angle camera looking down onto a patch of grass and dirt bordering a light-gray concrete curb, bathed in bright natural daylight that casts soft, realistic shadows. Dense green foliage anchors the left side of the frame while dry leaves, twigs, and small stones scatter across the ground. A lone dark-skinned man, wearing a dark short-sleeved T-shirt, light gray shorts, and dark footwear, stands amid the vegetation gripping a long-handled tool with a red blade. He begins a steady rhythm of manual clearance, raising the implement overhead and driving it down in quick, forceful arcs toward the base of the plants. Each strike produces a sharp, percussive thwack as the blade meets stems, accompanied by the crisp rustle of severed foliage and the faint scuff of his shoes adjusting on the gravel.\n\nAfter a few deliberate swings, he pauses, shifts his weight, and turns his head slightly to the right toward the camera. He takes a subtle breath and utters a low, indistinct phrase in an unidentified language: \"…\", his lips moving clearly though the words remain untranslatable. Without breaking his focus, he resumes his task, executing a final, decisive downward blow that sends a last burst of plant matter rustling into the quiet air. The camera remains completely still throughout, holding the composition as the impact sound fades naturally into the open-air silence. With no music, wind, or background activity to distract, the scene isolates the solitary labor, emphasizing the raw physicality of the work and the crisp, unadorned soundscape of blade against plant matter.","video_1_relative_path":"videos/5a583c17db437141.mp4","video_2_relative_path":"videos/cac4b2b9ff881c05.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/physics/physics_1/00000054","text_prompt":"Cinematic observational footage, framed in a static medium close-up, captures a quiet moment inside a modest poultry enclosure with corrugated metal walls and a chain-link fence hinting at a rustic farmyard backdrop. Soft, diffuse daylight filters through an unseen opening, illuminating a dirt floor in muted earth tones while casting gentle shadows. On the left, a large white adult goose lowers its long neck toward a blue, double-sectioned plastic feeder filled with light-colored grain, its bright orange beak and webbed feet providing sharp color accents against the dull gray surroundings. To the center-right, a cluster of five fluffy yellow ducklings huddles quietly, their tiny heads turning and bodies shifting subtly to track the adult’s movements, though they remain passive and silent.\n\nAs the goose begins to peck, a rapid sequence of loud, high-pitched, strained squeals erupts in sync with each downward motion, dominating the sonic space with a frantic, staccato rhythm. These avian vocalizations are layered over the dry shuffling and scratching of feet against the gritty ground, while a constant low-level indoor hum and a faint wind-like hiss underscore the enclosed structure’s acoustics. The camera holds its fixed position without cuts, pans, or focus pulls, maintaining an intimate, observational composition that emphasizes unembellished realism. As the goose takes its final bites and lifts its head, the squeals and rustling gradually decay, leaving only the residual room tone of the quiet coop.","video_1_relative_path":"videos/b3e4c0464c45436f.mp4","video_2_relative_path":"videos/e0f7b0139dfe0fbb.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/physics/physics_2/00000048","text_prompt":"Cinematic nature sequence captured in a static, low-angle shot looking upward through the silhouetted trunks and intricate web of bare branches against a uniformly overcast, grey sky. The muted, wintry palette emphasizes earthy browns and faded yellows as autumn leaves drift downward in slow motion, caught by gentle gusts that cause them to twist and flutter through the fixed frame. The camera remains completely still, emphasizing the quiet isolation of the natural environment with no human presence or artificial objects in sight. The soundscape mirrors this visual stillness, built entirely around a steady, mid-volume rainfall that produces a soft, continuous patter across the open-air setting. The rain carries a consistent, immersive texture without thunder, sharp wind noise, or reverberation, reinforcing a profound sense of solitude. Falling leaves remain visually prominent but acoustically silent, leaving the gentle drumming of water as the sole auditory anchor. The sequence maintains a calm, somber mood throughout, evoking quiet reflection and the quiet passage of late autumn into early winter, with both image and sound holding a steady, unbroken rhythm until the moment naturally concludes.","video_1_relative_path":"videos/cc83aafdff970004.mp4","video_2_relative_path":"videos/0c93c0f22c765dce.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/physics/physics_2/00000051","text_prompt":"A cinematic night sequence opens on a quiet, multi-lane urban street where evenly spaced streetlights cast cool white pools onto the dark asphalt. Shot from a low camera angle parallel to the road surface, the frame tracks laterally as a black Yamaha R1M sport motorcycle glides into view from the left. The rider sits upright in a royal-blue hoodie, black pants, and black-and-white high-top sneakers, wearing a dark helmet with a blue-tinted visor. The motorcycle’s headlight cuts a sharp beam across the lane markings, while the soundscape is immediately dominated by a deep, throaty engine idle punctuated by sharp throttle blips that rise and fall in pitch. The front wheel’s rim catches a blue glint under the streetlamp, and the surrounding environment remains utterly still, with only hedges, a concrete median, and distant building lights sliding past in a shallow depth of field.\n\nThe rider plants both feet on the pavement, momentarily halting forward progress as the engine continues to rumble with percussive pops on each snap of the throttle. With a decisive twist of the grip, the bike surges forward. The rear tire briefly loses traction, sending up a thin plume of smoke before biting hard into the road, accompanied by a sudden spike in RPMs and a crackling exhaust note. The camera whips slightly to follow the burst of speed, introducing motion blur across the background foliage and lampposts as the engine noise climbs from guttural growls to a high-pitched roar. A bright red taillight flares against the darkness, marking the motorcycle’s departure down the empty roadway.\n\nThe motorcycle recedes into the distance, shrinking into a small silhouette framed by converging lane lines and glowing streetlamps. Its exhaust note diminishes in loudness but retains a steady, rising whine, indicating sustained acceleration as the camera holds its position. The surrounding environment—dark sky, silhouetted trees, and occasional reflective road signs—remains static, emphasizing the solitary journey. A faint urban hum of distant traffic lingers beneath the fading mechanical energy, leaving only the impression of raw power and nocturnal solitude echoing far down the road.","video_1_relative_path":"videos/57573176c16338cf.mp4","video_2_relative_path":"videos/5b77c73edac43e69.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/physics/physics_2/00000094","text_prompt":"Cinematic wide shot, fixed lens, static composition. The scene opens in total darkness, holding a completely still frame as a faint, low-frequency rumble begins to build in the soundscape, hinting at distant storm activity. Suddenly, a brilliant, jagged lightning bolt erupts across the upper-left quadrant of the frame, casting a stark, cold illumination that sharply outlines a silhouetted treeline and reveals the heavy, textured layers of the cloud cover. The flash is predominantly white with subtle gray undertones, branching violently before fading rapidly back into shadow. \n\nCoinciding with the visual strike, a sharp crack of thunder detonates, immediately giving way to a deep, resonant boom that rolls through the audio field. The sound is dominated by sub-bass and low frequencies, beginning at peak intensity and decaying exponentially over several seconds until only a minimal atmospheric hiss remains. The extreme dynamic range and precise synchronization between the blinding flash and the overwhelming acoustic impact create a visceral contrast between light and darkness. The camera holds its static position as the stormlight vanishes, leaving behind a mood of primal tension, awe, and raw natural force.","video_1_relative_path":"videos/922804ba000654fa.mp4","video_2_relative_path":"videos/1dd56296bdb95aee.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/physics/physics_3/00000045","text_prompt":"The scene opens on a completely featureless black frame, holding a static, unwavering shot with no camera movement, pans, tilts, or zooms. There is no imagery, color, or light to break the void; the visual field remains an absolute, motionless darkness throughout. This stark emptiness serves as a silent canvas, deliberately withholding all narrative or environmental cues to force complete attention onto the auditory layer.\n\nOver this visual silence, a dense, industrial-flavored electronic track erupts and sustains without pause. The mix is loud and heavily compressed, driven by a relentless, machine-like percussion pattern hovering around 120 to 130 beats per minute. Hard, kick-drum-like pulses anchor the rhythm, while sharp, high-frequency synthetic stabs and occasional metallic clicks slice through the mix to punctuate the beat. Beneath it all, a deep, resonant bass drone provides weight and tension. The audio is entirely synthetic and digitally processed, lacking any natural room tone, reverberation, or environmental ambience. With no speech, vocalizations, or dynamic shifts to break the flow, the piece cultivates a hypnotic, urgent atmosphere, relying purely on rhythmic precision and tonal texture to evoke a sense of suspended anticipation.","video_1_relative_path":"videos/201f1b788a840462.mp4","video_2_relative_path":"videos/77f3b8df740b7c40.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/physics/physics_3/00000060","text_prompt":"Cinematic observational scene, naturalistic lighting with dappled sunlight filtering through trees, shot on a 35mm lens for a grounded, documentary feel. The scene opens on a static medium shot of a detached white car door propped upright against a dark vertical post in a sunlit junkyard, resting on dirt and gravel scattered with crumpled plastic sheeting and scrap metal. A faint, low-frequency hum of distant machinery underpins the quiet atmosphere. Suddenly, a sharp metallic clang rings out from off-screen, brief but resonant, while the door remains perfectly still. A calm, mid-range male voice with a neutral American accent begins an instructional monologue, stating, \"Okay, uh, so basically first, first impact will take care of the structural stress, and then we move to the secondary brace.\" As he speaks, the camera drifts left in a smooth, handheld pan, revealing a large blue barrel on a wooden stand and the trunks of surrounding trees, the subtle shake adding a tactile texture. The frame then reverses, panning right to recenter on the white door. The moment the door fills the center of the shot, a loud, complex crash erupts—starting with a high-pitched metallic snap, dropping into a deep booming thud, and scattering rattling debris across the audio spectrum. The impact dominates the soundscape, briefly overwhelming the ambient hum, yet visually the door never moves, the sunlight stays steady, and no human figure enters the frame. The crash decays into silence, leaving only the persistent low-frequency drone and the quiet tension of an unseen engineering test unfolding just beyond the edge of sight.","video_1_relative_path":"videos/d769903a12a487a7.mp4","video_2_relative_path":"videos/87aeabf3c3b11ea5.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/physics/physics_3/00000077","text_prompt":"Cinematic instructional footage, shot on a 35mm lens in a dimly lit residential garage, opens with a slightly high-angle close-up of the glossy front left headlight and hood of a dark blue sedan. Overhead fluorescent tubes cast sharp reflections across the paint, illuminating a concrete floor scattered with faint debris. An unseen hand presses a white handheld remote with a blue backlit screen, triggering an immediate, sharp plastic click. Instantly, a piercing dual-tone electronic alarm erupts, alternating between a high-pitched shriek and a lower mechanical tone that fills the space with a jarring, utilitarian urgency. The camera holds steady on the car’s reflective surface as the shrill siren dominates the acoustic mix, layered over a low, reverberant garage ambience and a faint electrical hum.\n\nAs the alarm blares at full volume, a calm, instructional male voice cuts through the noise, stating, “So that’s the panic. That’s the exact same as the regular alarm.” Simultaneously, the camera abruptly pans right and tilts downward, washing the frame in a swift motion blur that sweeps past the vehicle’s grille and bumper. The tracking shot reveals the surrounding garage clutter, lingering briefly on a tall golf bag standing upright beside a black trash can and a bicycle wheel leaning against the wall. The subtle handling rustle of the remote blends into the scene as the relentless two-tone siren continues unbroken, anchoring the clip in a practical, functional demonstration of the car’s security system.","video_1_relative_path":"videos/583fa0347a279fb4.mp4","video_2_relative_path":"videos/f41bb424e6bcd351.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/physics/physics_4/00000055","text_prompt":"The scene opens on a low-angle, close-up frame fixed on the lower section of a light-beige block wall, its top edge torn open in a rough, jagged horizontal break where a concrete slab has been stripped away. Above the fracture, the faded blue jeans and dark work boots of a worker stand planted on the exposed upper level, a black electrical cord trailing down into the void. Bright natural daylight spills from the opening above, catching the gritty texture of the masonry while a piercing, high-pitched mechanical whirring dominates the soundscape. The tone is metallic and abrasive, carrying the relentless rhythm of a demolition saw or jackhammer grinding against hard material, its pitch modulating slightly as it meets varying resistance.\n\nAs the camera executes a slow, smooth downward tilt and gradual pullback, the perspective widens to reveal the full scope of the damaged interior. Dust motes drift through the sunlit air, settling over uneven rubble and exposed plumbing pipes that run vertically along peeling yellow walls. To the left, a white-framed window with a mesh screen frames a glimpse of the outside world, where green foliage and neighboring buildings hint at a dense urban neighborhood. In the foreground, untended leafy plants grow beside a low ledge, offering a quiet organic contrast to the industrial decay. The mechanical drone persists without interruption, wrapping the space in a stark, utilitarian atmosphere that captures the raw, unbroken momentum of active demolition in a single, seamless take.","video_1_relative_path":"videos/4f776c99d2273c0b.mp4","video_2_relative_path":"videos/e9223809d546fcf5.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/physics/physics_5/00000018","text_prompt":"A cinematic close-up shot, steady first-person perspective, warm diffused lighting, and a soft pastel palette anchored by light-brown wood tones and white cotton textures set an intimate, ASMR-grade scene. A shallow depth of field keeps the tactile interaction in sharp focus while softly blurring a purple-and-white cosmetic box resting in the background, its front panel adorned with cartoon rabbit illustrations and bilingual labeling. The hands enter the frame, hovering briefly before pinching and lifting small tufts. As fingers stretch and separate the cotton, fine strands drift downward, catching the light, while the mass is repeatedly compressed, released, and gently patted until the hands finally withdraw, leaving the pile to settle.\n\nThe soundscape is a high-fidelity tapestry of material interaction, dominated by crisp rustles, soft shuffles, and sharp, satisfying snaps as cotton strands part. Each compression and release produces distinct, muted thuds that sync perfectly with the visual rhythm, all layered over a quiet, low-frequency room tone that suggests a small, furnished space. Near the conclusion of the sequence, a quiet, breathy female voice whispers in Korean, stating \"제가 손으로 만져보면 정말 부드럽습니다.\" The voice fades as the final fibers settle, leaving only the residual ambient hum, reinforcing the scene’s calm, sensory-focused atmosphere.","video_1_relative_path":"videos/187b3f8e1feb1f5e.mp4","video_2_relative_path":"videos/78c1fd61e0e4d989.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/physics/physics_5/00000050","text_prompt":"A cinematic close-up inside a historic stone bell tower, angled slightly upward to frame massive bronze bells suspended in a rust-streaked iron framework. Soft daylight filters through arched windows, illuminating floating dust motes and casting a warm, weathered patina across the metal surfaces. The foreground bell dominates the composition, its curved body etched with classical Roman capitals bearing faded inscriptions that trace the passage of time. A low, continuous mechanical hum establishes the ambient noise floor, soon interrupted by a sharp metallic clank and the high-pitched squeak of tensioned pivots. The unseen machinery engages, and the right-hand bell begins a slow, deliberate swing, its motion drawing the viewer’s focus as faint rattles from loose structural components weave through the room tone.\n\nAs the primary bell arcs fully into view, its concave interior flashes past the lens before reversing direction. At the peak of its swing, a deep, resonant clang erupts, rich in low-mid frequencies and echoing with long decay through the cavernous stone chamber, accompanied by a softer secondary clink from sympathetic vibrations. The bell gradually decelerates, kinetic energy bleeding into the air as a second, slightly lower-pitched strike rings out against the apparatus. Beneath the fading resonance, the soft mechanical whir of an automated reset system returns, blending with the persistent ambient hum. The camera holds steady on the resting bells as the reverberations dissolve into the quiet, timeless atmosphere of the tower, leaving only the lingering memory of bronze and stone.","video_1_relative_path":"videos/57c48e6317021e48.mp4","video_2_relative_path":"videos/2c53e702340d8fca.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/physics/physics_5/00000064","text_prompt":"Cinematic wide static shot from the rear of a dimly lit auditorium, looking toward a stage framed by heavy, dark brown curtains and bathed in theatrical spotlights that isolate the performers against deep shadows. A large black banner hangs overhead, its surface adorned with colorful lettering and musical symbols that catch the stage light. Five musicians occupy the space: a drummer seated behind a kit at the center-back, a keyboardist standing to the left, two guitarists—one in a plaid shirt near center and another in a dark jacket on the right—both holding electric guitars, and a fifth performer crouching low near the front-left edge. In the foreground, the motionless silhouettes of audience members’ heads and shoulders suggest a captivated crowd waiting in anticipation.\n\nA muffled, slightly reverberant male voice cuts through the quiet, speaking in English with a casual, off-stage tone. He remarks, \"I don't know if you can play it, but let's give it a shot.\" The moment the words fade, a loud, energetic rock riff erupts, instantly dominating the acoustic space. Distorted electric guitars, a driving bass line, and a full drum kit launch into a fast-paced, high-volume performance that fills the large hall with raw, live-room reverb. The dense, layered instrumentation carries a punchy, relentless rhythm, completely masking any ambient room tone or crowd noise. The band plays with focused intensity, their instruments cutting through the reverberant air as the unblinking frame holds on their explosive entrance without interruption.","video_1_relative_path":"videos/760c2de05fd5cb3a.mp4","video_2_relative_path":"videos/9eda6cb6537457b1.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/physics/physics_6/00000050","text_prompt":"Cinematic concert hall scene, shot on a medium close-up rear-angle lens under focused stage lighting with a warm, dramatic palette, opens on an elderly male percussionist with curly white hair, dressed in a black suit and white shirt, seated at a set of large, copper-toned timpani drums. He strikes the drumheads rhythmically with two mallets, his movements precise and grounded, while a music stand holding sheet music rests just to his left. The audio is dominated entirely by his performance: each impact produces a deep, resonant boom with a long, natural decay, echoing through a vast, reverberant acoustic space. The recording is pristine, with no crowd noise, ambient hiss, or extraneous foley, emphasizing the solitary power of the percussion.\n\nA hard cut transitions to a wide, high-angle shot that reveals the full symphony orchestra arranged on a polished wooden stage. The percussionist remains centered in the foreground, his rhythmic pattern unwavering, while rows of string, woodwind, and brass musicians in formal black attire hold their instruments in stillness. To the left, the conductor’s podium stands empty, heightening the sense of anticipation. The timpani rhythm continues uninterrupted, maintaining a consistent forte dynamic and moderate pace, with the rich natural reverb of the concert hall enveloping every strike. The scene captures a moment of dramatic focus, where the commanding, isolated percussionist commands the acoustic space, leaving the rest of the ensemble poised and silent in the grand, shadowed hall.","video_1_relative_path":"videos/c0b9a8087a18c844.mp4","video_2_relative_path":"videos/d241f8e02a46d4dd.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/physics/physics_6/00000097","text_prompt":"A grounded cinematic wide shot, static camera, flat diffused lighting under an overcast sky, opens on an open grassy field where a red remote-controlled helicopter rests on its landing skids. The aircraft features white rotor blades, silver tail boom accents, and clear cockpit windows, positioned in the foreground while two men stand behind it. The operator on the left wears a red jacket, blue jeans, white sneakers, a black baseball cap, and sunglasses pushed up onto his forehead; he grips a black transmitter with both hands, thumbs poised over the controls, leaning slightly forward in quiet anticipation. Beside him, the observer stands in a matching red jacket, dark trousers, and white shoes, one hand resting on his hip, watching intently. The background slopes gently upward into a brownish-green embankment that meets distant tree-lined hills, all rendered in muted, natural tones. The soundscape begins with a faint, low-frequency electrical hum that lingers in the open-air environment. Suddenly, a sharp metallic click cuts through the silence, immediately triggering a rising high-pitched whir as the helicopter’s motor engages. The whir quickly deepens into a steady, powerful buzzing drone as the rotor blades accelerate, growing louder and dominating the audio mix while remaining perfectly centered. The two men remain motionless, their focus absolute, with no extraneous environmental noise or human breath disturbing the scene. The drone sustains at a stable volume as the blades spin visibly, building a palpable tension of imminent action. The visual and audio narrative hold on this moment of suspended takeoff, the rotor buzz still active as the scene concludes, leaving the viewer in the quiet concentration of a launch just about to begin.","video_1_relative_path":"videos/45bf965b01d4d6bb.mp4","video_2_relative_path":"videos/66280e6b67900eeb.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/physics/physics_7/00000005","text_prompt":"Cinematic medium shot, handheld and slightly shaky, opens inside a helicopter cabin framed by beige interior panels and a large rectangular window. The lighting is flat and diffused under a heavy overcast sky, casting a cool, desaturated blue-gray palette across the scene. The camera initially captures a crew member in profile on the right, clad in a green flight helmet with black ear covers and a bright orange life vest, their back to the viewer as they grip a vertical pole wrapped in alternating yellow and black stripes. Beyond the glass, a vast expanse of calm ocean stretches beneath the gray sky, its surface rippling gently. Dominating the mid-ground is a massive offshore oil rig, a tall, multi-legged steel structure painted white and red, topped with industrial equipment and a small blue module near its center. A red-and-white supply vessel floats quietly alongside the rig’s base. As the camera pans subtly leftward, the crew member gradually drifts out of frame, leaving the composition to focus almost entirely on the open sea and the towering infrastructure.\n\nThe entire sequence is drenched in the relentless, immersive roar of helicopter rotors. A loud, continuous mechanical drone fills the acoustic space, its low-frequency rumble layered with a sharp, high-pitched whine that vibrates through the confined metal cabin. There is no wind, no weather, no radio chatter, and no human breath to break the sound; the audio is a dense, enveloping wall of turbine noise and blade slap that underscores the raw juxtaposition of a solitary figure against the scale of heavy machinery and the vast ocean below. The atmosphere remains enclosed yet overwhelmingly dominated by the power of flight, emphasizing isolation and the sheer physical presence of the machine.","video_1_relative_path":"videos/b94895d32d14ad3b.mp4","video_2_relative_path":"videos/265e7d57c0c5253d.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/physics/physics_7/00000055","text_prompt":"A cinematic, surreal sequence rendered in a low-polygon, early-3D aesthetic, bathed in deep crimson and burnt-orange tones. A wide, static shot captures a hellish landscape where the ground stretches into a vast, flat plain resembling molten lava or dried blood, fading into a hazy reddish sky streaked with faint vertical lines that suggest atmospheric distortion or rain. On the right, a small open-sided pavilion with a dark, multi-tiered roof stands beneath a red-and-white striped banner that flutters gently in the wind. Inside, an elderly man with white hair, draped in a long blue robe over gray trousers, sits facing away from the camera. To the left, a jagged rock formation rises beside thin, skeletal trees and two tall, segmented pillars painted in alternating red and white bands, while a black lamppost with a boxy lantern anchors the center-left foreground. A sharp, resonant metallic impact echoes through the scene, its high-frequency ring and brief decay coinciding precisely with the man beginning to rise from his seat.\n\nHe steps out of the pavilion and turns left, his movement accompanied by the soft rustle of shifting fabric and the muted thuds of his feet meeting the uneven terrain. The camera remains fixed but subtly tilts or zooms out, revealing more of the foreground slope as he walks forward. As he reaches the edge of the elevated platform, he pauses before stepping down to the lower ground, each of the three distinct footfall impacts growing slightly louder to match the visual descent. Throughout the sequence, a continuous low-frequency rumble layers with intermittent high-frequency crackles and a faint broadband hiss, evoking geological instability or supernatural tension. Underpinning it all is a slow, minor-key orchestral score featuring sustained string pads and sparse piano chords, maintaining a mezzo-piano dynamic that casts a melancholic, cinematic weight over the scene. The man finally stops at the bottom, facing forward, as the environment holds eerily still around him, the banner and atmospheric streaks providing the only motion in a composition defined by isolation and quiet dread.","video_1_relative_path":"videos/115f4876399d56c3.mp4","video_2_relative_path":"videos/cfd53f0cf20b0078.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/physics/physics_7/00000097","text_prompt":"A documentary-style scene opens on a sunlit outdoor construction site, captured in a static medium-close shot angled slightly downward. In the foreground, a man with short dark hair and a black polo shirt kneels beside a freshly poured concrete retaining wall, using a metal trowel to smooth its rough surface; his left hand steadies the tool while his right guides it along vertical grooves. Behind him, another worker’s lower body, clad in black shorts and tan work boots, shifts within the frame, stepping over scattered rocks and tools. The uneven dirt ground is strewn with a green tarp, a yellow bucket, and an orange-and-white cooler resting near a tree trunk. Bright natural sunlight casts sharp shadows across the terrain, emphasizing the gritty textures of wet gray concrete and dusty earth.\n\nOver this raw, unedited tableau, a male foreman with a General American accent begins speaking, his voice conversational yet gradually strained as the environment grows louder. He states, “We’re pushing through the weekend, and the forms aren’t that tight, so we’re gonna kind of break up the seams before it sets.” His words are steadily swallowed by a loud, low-frequency mechanical rumble that swells from nearby heavy equipment, partially masking his speech and underscoring the physical demands of the site. Faint, rhythmic scraping echoes as the trowel meets the wet surface, while a barely perceptible wind rustle lingers in the open-air space. The absence of music or stylized editing reinforces the immediacy of the moment, capturing a snapshot of skilled craftsmanship interrupted by the relentless hum of machinery.","video_1_relative_path":"videos/7d738d37b64030c8.mp4","video_2_relative_path":"videos/09b8854ee5307e3e.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/podcast/podcast_1/00000000","text_prompt":"Cinematic medium close-up, warm spotlight isolation against a nearly black backdrop with faint curtain folds, deep shadow palette. A woman from the waist up is centered, wearing a sleeveless coral-orange dress that catches the light, a silver pendant glinting at her mid-chest and small stud earrings framing her face. Her shoulder-length hair is parted to the side as she speaks directly into the lens with calm conviction. The lighting isolates her figure, leaving the background in deep shadow while casting a gentle fall-off across her right shoulder. As she talks, her hands rise from a clasped position near her waist, opening outward in an explanatory gesture before returning to rest. Her expression remains earnest, eyebrows lifting slightly for emphasis. A calm, neutral female voice with a North American accent begins, stating, \"My father discouraged me from pursuing them as a career because he had seen too many people try and fail at that.\" The audio is dominated by her clear delivery, accompanied only by a faint, steady room tone and a barely audible low-frequency hum, with no music or extraneous noise.\n\nThe scene cuts abruptly to a wide, high-angle view of the same auditorium, revealing the speaker now as a small figure standing on a circular red rug at center stage. To her left, large three-dimensional red letters spell out “TEDx,” with “Peterborough” in smaller white type beneath, set against a black drape backdrop. Rows of audience members sit silhouetted in the dim light, facing the stage. The spotlight continues to illuminate the speaker and the rug, while the surrounding floor and seating remain swallowed by darkness. She resumes gesturing, shifting her weight subtly as she finishes her thought. A calm, neutral female voice continues, adding, \"So I worked really hard at school to carve out my own future.\" The audio concludes with her final words ringing out clearly, followed by a short natural reverberation tail characteristic of a moderately sized hall, while the faint ambient hum persists until the scene fades.","video_1_relative_path":"videos/fd788bc7ed0b4602.mp4","video_2_relative_path":"videos/9906e2484c86141d.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/podcast/podcast_1/00000025","text_prompt":"A cinematic medium shot opens on a stage bathed in bright, even lighting, set against a large deep blue backdrop intersected by a horizontal white wavy graphic. Center stage, a woman stands perfectly still in a black-and-white patterned long-sleeved blouse and a dark brown skirt, holding a small round object at waist level with both hands. Her posture is upright and composed, her gaze fixed steadily on the audience as the scene unfolds. The audio immediately introduces a clear, rhythmic sequence of high-pitched, melodic bird chirps that dominate the soundscape, echoing faintly in the quiet indoor auditorium. The camera remains locked in place, allowing the woman’s calm presence and the persistent, gradually fading avian calls to establish a neutral, instructional atmosphere.","video_1_relative_path":"videos/7cab2d486b21832e.mp4","video_2_relative_path":"videos/817ae9f029afaf7f.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/podcast/podcast_1/00000028","text_prompt":"A polished studio interview scene opens in a static close-up, framed with crisp lighting and a saturated palette of magenta, red, and deep blue. The shot focuses on a middle-aged woman with shoulder-length highlighted blonde hair, wearing a bright magenta off-the-shoulder top and a chunky multicolored beaded necklace. She smiles broadly, looking down and slightly to her right with a bashful, amused expression. A warm, conversational female American voice begins, stating, \"No, I do, I include you in that, because listen, you know, I truly mean it.\" The audio remains clean and intimate, carrying only her mid-to-high pitched speech and a faint, steady room tone.\n\nA hard cut transitions to a medium two-shot against a deep blue curtain backdrop, where the same woman now wears a light beige blazer over a leopard-print blouse and grey trousers, seated beside an older companion with short dark curly hair in a black-and-white patterned jacket. The camera holds steady as she gestures expressively with both hands, … a slightly more animated female voice …: \"It's nice to have somebody still around to play with and learn from.\" Her companion listens attentively, gently holding her left hand, anchoring the moment in quiet affection. The environment stays acoustically controlled, free of music or background noise, allowing the emotional resonance of their shared companionship and reflective conversation to take center stage.","video_1_relative_path":"videos/b72e3b13f5d96fe5.mp4","video_2_relative_path":"videos/01c328161c7474c5.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/podcast/podcast_1/00000082","text_prompt":"Cinematic lecture sequence, steady medium-wide shot, cool blue background lighting with warm spotlights on a circular red stage, captures a speaker in a light blue button-down and dark trousers delivering a presentation. His posture is upright, his gestures deliberate as he addresses a dimly lit auditorium where audience silhouettes sit attentively in the foreground. The camera holds its position, letting his calm, resonant voice fill the quiet space with the natural reverb of a large indoor venue, accompanied only by faint room tone. As he speaks, he raises his right hand slightly for emphasis before lowering it, his measured cadence stating, \"Every year, thousands of people are killed on our roads.\"\n\nThe scene cuts abruptly to a static, upward-looking exterior shot of a large white commercial airplane soaring directly overhead against a clear, bright blue sky. The aircraft’s extended landing gear and twin jet engines are sharply detailed, emphasizing its scale and steady motion as it passes. The speaker’s voice continues seamlessly over this visual shift, bridging the two settings without interruption, adding, \"To put that in perspective, that is equivalent to a Boeing 747 crashing every single day.\" The audio remains strictly focused on his speech, devoid of music or ambient noise, preserving the weight of the statistical analogy.\n\nThe sequence returns to the stage, maintaining the cool blue background tones and warm spotlighting that isolate the presenter. He resumes his gesture-driven delivery, hands moving rhythmically to underscore the comparison between annual traffic fatalities and aviation accidents. The audience remains seated and still, reinforcing the solemn, academic mood. As he builds toward his conclusion, his voice carries the full weight of the metaphor, leaving the stark imagery of the passing aircraft lingering in the viewer’s mind as the narrative thread closes on the sobering reality of road safety statistics.","video_1_relative_path":"videos/218c7000c5ca49ee.mp4","video_2_relative_path":"videos/70038de50cb01eb4.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/voiceover/voiceover_1/00000009","text_prompt":"Cinematic thriller atmosphere, captured on a static medium close-up lens that locks onto a bearded man bound upright against a rough tree trunk in a pitch-black void. A deep, monochrome blood-red glow pours from an unseen source just off-frame, casting long, stark shadows across his shirt, which bears faint dark stains near the collar. Thick rope circles his chest and pins his arms behind him, his head tilted slightly upward and to the right, eyes concealed beneath a black blindfold. The lighting remains minimal, leaving the background in indistinct darkness to heighten the claustrophobic tension. A calm, dramatic female Mandarin voice-over begins, stating “He has already been born; unexpectedly, the man’s face immediately changes,” while a barely audible low drone underpins the sparse sonic environment.\n\nSuddenly, the man jerks his head and his mouth opens wide as he unleashes a guttural, strained outburst. His deep, highly agitated Turkish voice cuts through the darkness, roaring “Her oğlan!” with raw fury, veins pulsing at his temples despite the blindfold. Simultaneously, a sharp percussive impact, like a heavy slap or strike, rings out briefly louder than his shout. The red illumination flickers almost imperceptibly, amplifying the menace as the voice cracks with rage. The scene holds on his tense, shadowed face without cutting away, leaving the atmosphere charged and unresolved, underscored by the absence of music or ambient noise to emphasize the raw immediacy of the confrontation.","video_1_relative_path":"videos/818936164f5bc75c.mp4","video_2_relative_path":"videos/3d26fda85092270b.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/voiceover/voiceover_1/00000013","text_prompt":"A steady, eye-level medium close-up holds on an East Asian man in his late twenties, his face sharply modeled by a key light from camera-left that casts a chiaroscuro glow across his features while the background dissolves into a desaturated, gently blurred wash of muted greens and browns. He sports a severe buzz cut and wears a dark olive-green field jacket fastened with two silver snap buttons at the collar. His brow is deeply knitted, eyes locked on someone just off-screen to his right, and a single tear catches the light on his left cheek as a low, tense Cantonese voice from the man speaks, stating \"你身家都唔乾淨，你都有嫌疑。\" The shallow depth of field isolates his strained expression, while a faint electronic underscore of mid-tempo synth pads and a muted beat pulses quietly beneath the scene, underscoring the mounting suspense.\n\nHis tone sharpens as he continues, the tension in his jaw tightening before he finishes the thought, \"兩人你一言我一語直接對峙起來。\" A brief silence follows, leaving only the ambient hum of the dim interior, until a calm, neutral male Mandarin voice-over steps in to carry the narrative forward, stating \"兩人你一言我一語直接吵得不可開交。\" The static frame remains locked on the speaker’s weary, emotional state, the warm tones of his skin contrasting with the cool, shadowed edges of the room, while the subtle synth score holds steady, preserving the quiet intensity of the moment.","video_1_relative_path":"videos/3581424394145d67.mp4","video_2_relative_path":"videos/b533facf1248d2b7.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/voiceover/voiceover_1/00000041","text_prompt":"In the style of a restrained European drama, the scene opens on a steady, eye-level medium two-shot framed in widescreen, capturing a modest, white-walled room bathed in soft, diffuse daylight from camera right. The muted earth-tone palette of beige, grey, and light blue reinforces a subdued, realistic mood, while a shallow depth of field keeps the background details softly out of focus. In the left foreground, an older man in his late sixties, his grey hair brushed back beneath a light-grey pin-striped suit jacket and white collared shirt, holds a dark-brown leather wallet. With his right hand, he carefully extracts a small, pale-yellow envelope and begins to speak in calm, measured Mandarin, stating \"What he has gathered during this time is far more valuable than money.\" A faint indoor room tone underlies the scene as he extends the envelope toward the chest of the younger man standing opposite him. The younger man, dressed in a beige corduroy jacket over a light-blue shirt with dark curly hair, faces him attentively, offering a polite half-smile.\n\nJust as the envelope reaches him, the younger man raises his right hand, palm open, and firmly rejects it. He shakes his head slightly, his expression shifting from polite amusement to warm but resolute sincerity. A warm, insistent Italian voice follows: \"No, no, veramente no, I really cannot accept this.\" The older man pauses mid-motion, his eyebrows lifting in mild surprise as he lowers the envelope fractionally toward his waist. The camera remains completely still, preserving the intimate conversational atmosphere as the exchange hangs in the quiet, unadorned space. The ambient room tone persists without musical accompaniment or added effects, anchoring the moment in a grounded, ethically charged stillness that emphasizes the quiet weight of the unspoken values passing between them.","video_1_relative_path":"videos/c4d383c1d3e155dc.mp4","video_2_relative_path":"videos/7106bda2ed292f00.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/voiceover/voiceover_1/00000048","text_prompt":"Cinematic drama, medium close-up, static eye-level framing with shallow depth of field. A middle-aged East Asian man in a dark suit jacket and open-neck white shirt sits slightly right of center in a muted industrial warehouse, his face illuminated by soft natural daylight filtering through high windows that cast a mild chiaroscuro across his features. The scene is grounded in a palette of concrete greys, rusted browns, and dull blues, with the background of metal railings, stacked crates, and a receding ramp dissolving into soft focus. Behind him, a half-visible man in a light straw fedora with a black band stands motionless, gazing forward with a neutral expression. A low-volume orchestral underscore of low strings and sparse percussion begins, sustaining quiet tension. Over this bed, a calm male narrator in Standard Mandarin speaks with measured clarity, asking, “表演，什么叫过硬的台词？”\n\nThe suited man leans fractionally forward, his brows knitting and eyes narrowing as he gathers force for his reply. His jaw tightens, and he takes over in a firm, resonant baritone with a slight northern coloring, delivering his line with controlled breath and authoritative timbre: “决定一个人该不该枪毙。” The orchestral harmony deepens, reinforcing the gravity of the moral weight behind his words. As intensity peaks, his head tilts slightly downward, nostrils flare, and his volume rises to a decisive, emphatic cadence. He finishes with clipped articulation, stating, “这事不该吹毛求疵。” The camera holds steady on his resolute expression as the score fades imperceptibly, leaving the industrial backdrop softly blurred and the scene closed on the unyielding weight of his conviction.","video_1_relative_path":"videos/810a1637273c77d7.mp4","video_2_relative_path":"videos/fe8c36c31e4165f7.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/voiceover/voiceover_2/00000004","text_prompt":"Cinematic medium shot, neutral-cool daylight floods a brightly lit room with large windows framing a modern city skyline, casting a reflective tone over a dark, cluttered dining-style table. An older, balding, bearded man in a white shirt and loosened patterned tie leans forward, spooning jam into a glass before spreading it on a slice of bread, while a younger man in a short-sleeved mauve T-shirt chews his own jam-spread toast. A calm, documentary-style male Mandarin voice-over begins, stating \"现在无所事事的生活令他感到厌烦。\" Beneath the narration, a soft, slow piano melody plays quietly, establishing a contemplative mood. As the narrator continues, \"负责人却言简意赅，直击要害。\", the camera executes a subtle pan to the left, revealing a tall stack of orange folders, a black stereo system, a framed seascape photograph, two French posters, and four red-and-gold Matryoshka dolls arranged on a side surface.\n\nThe older man straightens slightly, lifts a buttered slice of bread to emphasize his point, and speaks in French with a measured, philosophical tone: \"Pour parvenir au repos, que l’homme travaille.\" His expression is earnest as the younger man pauses mid-chew, looking attentively at him. Maintaining eye contact, the older man adds, \"Mais c’est peut-être pour ça que votre ennui ne vous quitte pas.\" His thought concludes with a deliberate cadence as he gestures lightly with the bread, while the younger man listens silently, still holding his own piece of toast. The scene remains anchored by the steady piano accompaniment and a color palette of neutral whites and greys punctuated by warm accents of orange, red, and the rich brown of jam and bread, evoking an inter-cultural meditation on idleness and purpose.","video_1_relative_path":"videos/b674b69fd578c6aa.mp4","video_2_relative_path":"videos/f985ea3474682d60.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/voiceover/voiceover_2/00000083","text_prompt":"An adventure-comedy scene captured in a single static medium shot, bathed in the warm, low-key illumination of a stone fireplace that casts deep shadows and amber highlights across a rustic log cabin interior. The palette is dominated by earthy browns and tans, punctuated by a vivid red cloth that serves as a focal accent. A shirtless man in his early thirties, wearing loose light-colored striped underwear and a black wristwatch, stands near the center, bent over a dark-green metal chest on a low table. He has short dark hair and a mustache, and as he rummages inside the chest, a bright, enthusiastic female Mandarin voice-over begins, stating, “An adventure comedy film, *Treasure Vacation*.” Her upbeat, announcer-like delivery cuts through the soft indoor room tone and faint crackling of the fire, establishing a lively, review-style atmosphere.\n\nIn the background, a second shirtless man in patterned shorts sits on a wooden bench, idly handling an unseen object before glancing toward his companion. The standing man lifts the red cloth from the chest, holding it up for inspection while a relaxed, casually amused male English voice remarks, “Actually, I wouldn’t mind wearing one of these deer pelts up there.” The camera remains fixed, allowing the warm flickering light to dance across their faces, the hanging deer antlers, and the strings of cured meats, while the continuous, unobtrusive fire crackle and absence of music keep the focus entirely on the naturalistic dialogue and the tactile, wilderness setting.","video_1_relative_path":"videos/0194151242c1a7b1.mp4","video_2_relative_path":"videos/3b8bba91ef72216b.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/voiceover/voiceover_3/00000000","text_prompt":"A cinematic historical drama scene opens in a bright, evenly lit outdoor courtyard of an imperial Chinese palace, bathed in diffuse natural daylight that eliminates harsh shadows and lends a clear, documentary-like clarity to the emerald green, turquoise, crimson, and muted stone-grey palette. Shot in a single continuous low-angle medium take, the composition is symmetrically anchored by two tall, vividly painted ceremonial shields with turquoise-blue grounds, red and gold borders, and stylized yellow lion-like faces at their centers. Between them strides a central official in his fifties, his short dark hair graying at the temples, wearing round wire-rim glasses, a dark forest-green Qing dynasty robe adorned with a square multicolored rank badge, and a long string of deep-blue prayer beads. His hands are clasped before him as he moves from frame right toward the center, flanked by two younger attendants in dark blue robes and red conical hats with white brims who grip the inner edges of the shields with alert concentration. A calm male narrator in standard Mandarin begins, stating “但哪料郑伯已经暗中反水到了王爷一方。” while soft traditional strings and percussion provide a restrained, courtly musical bed.\n\nReaching the midpoint between the shields, the official halts and lifts his head, his posture upright and shoulders squared to convey quiet authority, though he remains silent for a moment. … the central official, delivering a sudden loud shout in Mandarin with a theatrical, urgent tone, exclaims “苏灿的靶上没有箭！” The forceful projection carries a slight reverberation across the open courtyard, startling the attendants who glance up briefly before returning to their watchful stance. The narrator’s track fades out, leaving only the live dialogue and the subdued traditional music to underscore the tension. The scene holds on this frozen tableau of officials and guards framed by the ornate shields, the juxtaposition of composed narration and sudden accusatory delivery hinting at a dramatic revelation of betrayal and impending conflict within the late imperial court.","video_1_relative_path":"videos/07e3e32ee5c4a70a.mp4","video_2_relative_path":"videos/ca26341578c62641.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/voiceover/voiceover_3/00000016","text_prompt":"Open on a fixed, medium-wide shot inside an opulent Qing-dynasty-style hall, bathed in warm, diffuse light that glints off glossy red pillars, carved lattice doors, and polished wooden flooring. The composition places a young imperial figure in the left third of the frame, his visual dominance established by an ornate yellow-gold dragon robe with flaring shoulder pieces, a heavy amber bead necklace, and a patterned cap. He stands erect, hands loosely clasped, eyes lifted slightly left as if addressing an unseen presence. Behind him, a subordinate in a dark navy robe and red-topped conical hat waits motionless near a low table holding a golden ceremonial helmet and bronze censer, while a rack of black polearms with white tassels leans against the right wall. The atmosphere is heavy with imperial tension, underscored by a steady, authoritative male Mandarin voice-over.\n\nThe narrator begins with a firm, declarative cadence, stating, “This revenge, one strike each, we owe nothing more.” Without camera movement, the shot holds as the voice continues, edged with resolve: “Relying on a tongue so sharp it never rots.” In the background, the subordinate suddenly breaks his stillness, bending at the waist in a smooth, deliberate bow that drops his head below the frame’s edge, emphasizing the rigid hierarchy between the two men. The main character remains utterly composed, his expression unchanging. As the narration proceeds, the voice begins a new clause, “Xiao Bao takes the lead,” but the sentence cuts off abruptly mid-phrase, leaving the thought suspended. The audio track ends sharply on the truncated syllable, and the image freezes on the bowed figure, closing the scene on a deliberate, cinematic cliffhanger.","video_1_relative_path":"videos/d9ddd3b1efffe196.mp4","video_2_relative_path":"videos/475cb3389fe4b482.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/voiceover/voiceover_3/00000040","text_prompt":"A historical comedy scene captured in a static medium-wide shot, utilizing naturalistic diffused daylight and moderate color saturation to evoke a late-Qing-era Chinese town. Red lanterns and traditional wooden eaves frame the background, where a dark-blue vertical plaque bearing a single gold character hangs above a doorway. In the foreground, two men stand shoulder-to-shoulder in long-sleeved traditional robes and black round caps topped with small red pom-poms. The man on the left wears a brown robe and a full-face opera-hero mask featuring a white forehead, black eye patches, red cheeks, and a yellow mustache, while his companion in a grey striped robe sports a comical white mask dotted with black spots and an exaggerated orange-brown nose. A calm, neutral male Mandarin narrator begins, stating \"They just wanted to retreat,\" his clean voice cutting through the low ambient murmur of the surrounding crowd.\n\nThe tension shifts as several townsfolk rush in from both sides, grabbing the grey-robed man’s arms while the narrator explains, \"but were immediately recognized by Master Qi.\" The brown-masked man struggles to pull away as an older, balding man in a tan patterned robe steps forward from the right, pointing an accusing finger and shouting, \"Lord Bao!\" The grey-robed man reacts with frantic indignation, waving his free hand and tugging against his captors as he blurts out, \"It's not me! You're talking nonsense! Watch out or I'll sue you!\" The older accuser keeps his mouth wide open mid-shout, while the background crowd erupts into indistinct chatter and scattered laughter, heightening the slapstick comedy of mistaken identity. The camera remains perfectly still throughout, letting the actor blocking and exaggerated expressions drive the scene's humorous tension without music or sound effects, relying solely on the overlapping voices and natural street hubbub.","video_1_relative_path":"videos/00227a8ddfdb5567.mp4","video_2_relative_path":"videos/d2d44d769e93b909.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/voiceover/voiceover_3/00000051","text_prompt":"Open in a dim, industrial interior washed in sickly yellow-green light, where a single overhead fluorescent source casts hard, high-contrast shadows that emphasize a clandestine mood. A medium close-up frames two men standing face-to-face at eye level against a backdrop of heavy black machinery pierced by four circular apertures. On the left, a younger man with short dark hair, glasses, and a small hoop earring wears a black collared shirt. Beside him, an older bespectacled man with a trimmed goatee and a thin chain dangling from his ear wears a light olive jacket over a patterned shirt, holding a small metallic tool near his chest. A calm, neutral male Mandarin voice-over begins, stating “凹版印刷机通常只有政府才有权使用。” The scene is underscored by a faint, low-frequency room hum that deepens the atmosphere of quiet authority.\n\nA sharp rack-focus suddenly blurs the foreground pair into soft silhouettes, redirecting attention to a raised platform behind the machinery where a middle-aged man in a dark suit and tie leans over the railing, clutching several sheets of paper. He hurls one sheet downward toward the men below, and at the exact moment it leaves his hand, a loud, urgent male Cantonese voice rings out with slight reverberation: “喂！” Maintaining the shallow depth-of-field, the suited man continues gesturing emphatically with both arms spread wide, his mouth open mid-command as he still holds the remaining documents. The younger man tilts his head upward to track the falling page, while the older man lowers his gaze to follow it. The ambient hum persists as the shot holds steady, leaving the cavernous space thick with tension and unspoken expectation.","video_1_relative_path":"videos/dac589e98f12f889.mp4","video_2_relative_path":"videos/8ad7875ac5d0c32a.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/voiceover/voiceover_4/00000059","text_prompt":"A tense thriller/crime-action sequence unfolds in widescreen 16:9, defined by static eye-level framing, shallow depth of field, and a desaturated color palette that contrasts cool indoor blues with harsh exterior daylight. The camera peers from behind a blurred foreground object, catching a middle-aged Caucasian man with short dark hair and a neatly trimmed mustache as he steps cautiously from shadow into the cool glow of a porch light. He wears a charcoal-grey plaid blazer over a black crew-neck T-shirt, framed by a deep-blue doorplate marked “116” on the left and an off-white brick wall with a small picture on the right. A low, ominous electronic drone underscores the scene as a grave, urgent male Mandarin voice-over begins, declaring, “He would rather die than return to prison; he will be killed on the spot.”\n\nThe sequence cuts sharply to a sunlit exterior where three operatives stand beside a dark vehicle against a pale building façade. In the center, a rugged, greying man in a black tactical vest raises a black assault rifle, aiming forward with intense focus, while a cleaner-cut man in a dark business suit watches tensely beside him. Behind them, a curly-haired operative peers over the car roof. The crisp shadows and desaturated tones heighten the danger as the Mandarin narration continues, reinforcing the lethal stakes. The camera then returns to the interior, tightening into a close-up of the first man’s face. Sweat beads on his brow, his eyes wide with alarm as he looks upward toward an unseen threat, the soft directional lighting carving stark contrasts across his features.\n\nAs the shot lingers on his reaction, the Mandarin audio fades and a calm, authoritative English male voice cuts through the tension, stating, “I have instructions to shoot at the first sign of movement.” The sentence trails off into the persistent electronic bed, leaving the standoff unresolved. The scene closes on the man’s frozen expression, the subdued synth pad swelling imperceptibly to underscore the imminent violence, all rendered with a cool, desaturated palette that contrasts the indoor entrapment with the outdoor threat.","video_1_relative_path":"videos/8869871e4cade5f4.mp4","video_2_relative_path":"videos/4df9d2dd4b65c4ab.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/voiceover/voiceover_4/00000081","text_prompt":"A moody, noir-inspired sequence opens with high-contrast chiaroscuro lighting, a shallow depth of field, and a muted palette of deep greens, shadowed grays, and warm ambient tones. The scene unfolds in a dimly lit bar or pool hall where indistinct patrons blur into the background. A tight close-up frames an older, fair-skinned man with thinning blond hair and a short gray beard, his face carved by harsh side lighting and a faint rim light that separates him from the shadows. He wears a dark green collared jacket over a lighter shirt, his lined expression heavy with quiet gravity. A calm male Mandarin narrator begins in a measured, storytelling cadence, stating “结果被一个打台球的大爷给狠狠地羞辱了一番。” A low, ominous electronic drone underscores the moment, mixed quietly beneath the voice-over to establish a subdued but foreboding atmosphere.\n\nA straight cut shifts to a medium-close profile of a younger, fair-skinned man with tousled blond hair and a trimmed goatee, his eyes reddened and slightly swollen from a recent injury. He stands in three-quarter view, gazing leftward toward someone off-screen, his jaw tight with tension. The camera pushes into a frontal close-up as the low-key lighting catches the moisture in his eyes and the subtle fatigue in his features. … a gravelly male voice with a mild North-American accent speaks slowly and hesitantly: “But luckily for me, uh… I managed to walk away from it all.” A fleeting half-smile flickers across his face as his head tilts back slightly before settling forward again. The atmospheric synth pad persists at a steady, subdued level, never overpowering the dialogue, while the absence of ambient diegetic sound keeps the focus entirely on his isolated, unresolved confession, leaving the scene hanging like a tense teaser.","video_1_relative_path":"videos/c75d3adfe211c893.mp4","video_2_relative_path":"videos/663850e0950c5d27.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/voiceover/voiceover_5/00000003","text_prompt":"Cinematic drama, 35mm lens, natural window light filtered through vertical blinds casts chiaroscuro shadows across a dimly lit study. The scene opens with a tight close-up of a middle-aged man in a dark suit and tie, his face softly side-lit as his eyes remain lowered, his expression tense yet tightly controlled. A faint, low-frequency electronic drone begins to hum beneath the silence, establishing an immediate atmosphere of suspense. The camera remains completely static, holding on his brooding descent into resolve as the ambient room tone stays virtually empty, amplifying the quiet intensity of the moment.\n\nA hard cut shifts to a medium close-up of a woman seated slightly left of frame, her shoulder-length brown hair framing a grave, alert face as she wears a textured gray sweater. Behind her, a warmly glowing table lamp and framed artwork add depth against a muted wall. As she subtly shifts her gaze downward, an urgent, gender-indeterminate off-screen narrator begins in rapid Mandarin, stating \"Seize this opportunity, the female lead quickly grabs the gun on the table, then makes a run for it.\" The ominous synth pad continues quietly underneath, matching the narrator’s neutral-to-tense prosody while the woman’s lips remain still, emphasizing that the voice is purely non-diegetic. The lighting stays soft and directional, highlighting the subtle tension in her features without harsh contrast.\n\nAnother sharp cut returns to the man, now framed from a slightly lower angle as his head tilts upward, reacting to an unseen presence. Stripes of sunlight catch his cheek and neck, heightening the sense of urgency while the steady musical pulse holds firm. The sequence cuts back to the woman for a final moment; her brow furrows, her eyes widen minutely, and she draws a quick, visible breath before the image freezes on her intense stare. The narrator’s sentence concludes simultaneously with the visual stillness, the underlying drone sustaining for a fraction of a second longer before both picture and sound cut out abruptly, leaving a lingering, unresolved tension that foreshadows impending conflict.","video_1_relative_path":"videos/f15cba05e4cb3459.mp4","video_2_relative_path":"videos/8f8579ecf621aa71.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/voiceover/voiceover_5/00000078","text_prompt":"A documentary-style aerial shot opens on a mist-softened panorama of an immense karst mountain valley in southeastern China. Captured with a slow backward-and-upward drone glide, the scene is bathed in soft, overcast daylight that yields even illumination and muted contrasts, establishing a palette of lush greens, earthy browns, grey-black roof tiles, and pale blue-grey atmospheric haze. Tier upon tier of emerald-green rice terraces ripple down the slopes like giant staircases, their shallow water surfaces catching diffused light to create shimmering ribbons against the brown earth. A small village of dark-tiled wooden houses nestles on a gentle rise, its clustered roofs forming a compact silhouette. As foreground tree silhouettes slide past, adding depth to the composition, a calm, mid-low pitched male Mandarin voice-over begins, stating \"The people of the mountains created delicious food in the barren highlands.\" Beneath his steady, documentary-style delivery, a low orchestral string pad of cellos and violas fades in, its adagio tempo and consonant harmonies supporting the reverent tone.\n\nThe camera continues its smooth retreat, expanding the field of view to reveal additional concentric rings of terraces climbing into the hazy distance. The village grows smaller as the ascent exposes the sheer scale of the agricultural landscape, dozens of curved levels descending toward the valley floor. The narrator’s cadence remains unhurried, his voice carrying a quiet awe as he continues, \"This is thanks to their wisdom in facing the towering peaks.\" The string arrangement swells subtly to underscore the reverence for nature, then gently diminishes as the speech concludes. Stripped of environmental ambience, the scene rests on this majestic, symmetrical composition, where the leading lines of the terrace edges guide the eye across the intricate lattice stretching to the horizon. The music fades into silence, leaving a lingering sense of ecological harmony and cultural resilience.","video_1_relative_path":"videos/c45e7bf93db3719a.mp4","video_2_relative_path":"videos/ca40e7edb796fbec.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/voiceover/voiceover_6/00000009","text_prompt":"A contemplative documentary sequence opens with a static, eye-level medium-long shot framed through blurred foreground leaves that act as natural window panes. A lone worker in a pale straw hat, dark long-sleeved shirt, and light trousers stands on a narrow earthen bank beside a calm, brownish waterway. He grips an exceptionally long wooden pole, twice his height, planting its tip into the mud to propel himself forward while leaning slightly for balance. Behind him, a dense wall of towering heart-shaped leaves rises against an overcast sky, their saturated greens and earthy browns softened by shallow focus to isolate the figure. The atmosphere is hushed, devoid of wind or machinery, as a gentle instrumental bed swells—led by a plaintive erhu-like bowed string, delicate piano arpeggios, and sustained synthetic pads. Over this reflective score, a calm, neutral male Mandarin narrator speaks in a clear, documentary tone: \"The unique land beneath their feet is called Duotian.\"\n\nA hard cut shifts the perspective to a high-angle aerial panorama, revealing the extraordinary patchwork of traditional raised-field agriculture. Countless rectangular and irregular plots emerge from shallow, jade-green water, separated by meandering channels. Some fields glow with emerald crops, others rest in rich brown soil, and a large central rectangle shows lighter tan earth prepared for planting. Tiny human figures dot the landscape, emphasizing its vast scale. As the camera performs a slow, smooth pan to the right, the color palette transitions to muted, misty tones under a uniformly grey sky, underscoring the thematic contrast between individual labor and the expansive wetland environment. The music sustains its serene, slightly melancholic cadence, carrying the scene into stillness as the aerial vista lingers without additional motion or audio flourish.","video_1_relative_path":"videos/722a95d3709beb50.mp4","video_2_relative_path":"videos/30cc232f51351664.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/voiceover/voiceover_6/00000029","text_prompt":"Cinematic culinary documentary style, shot with a macro lens under soft, diffuse daylight and a warm palette of vivid reds, fresh greens, and golden yellows. The sequence opens on a tight, slightly high-angle close-up of dozens of small, round cherry tomatoes floating in clear water inside a dark basin. Their skins glisten under the even light, most a deep crimson while a few retain green or yellow ripening patches. Gentle ripples disturb the surface as the fruits bob and collide softly, accompanied by a hushed, intimate ambience. A calm, neutral male Mandarin voice-over begins, stating \"味道.\" The camera then cuts to a static medium view of an outdoor rooftop garden bathed in natural light. A white plate in the foreground holds freshly picked zucchini blossoms with pale-green calyxes and partly unfurled orange-yellow petals, surrounded by whole zucchini, cucumbers, and more tomatoes, all framed by large green leaves. Behind the produce, a figure in a plain white T-shirt bends over a metal pot, stirring quietly in the faint ambient room tone.\n\nThe perspective shifts to an extreme close-up of a white ceramic bowl decorated with delicate blue floral motifs. Two cracked eggs rest inside, their yolks intact and glossy, until a wooden chopstick enters from the right and whisks them rapidly into a pale, frothy yellow liquid. As the mixture transforms, the narrator resumes in a steady, documentary tone: \"把菜园搬上屋顶的桂春对于怎么吃，同样有自己的想法。\" The viewpoint widens to a stable medium shot, situating the action on a portable gas stove. The patterned bowl now sits on a matching saucer beside a white plate holding closed zucchini blossoms and resting chopsticks. A large black wok on the burner releases wisps of steam while the cook’s right hand lifts a blossom and gently submerges it into the beaten egg, coating it thoroughly. The scene concludes under the same soft, even illumination, the low ambient hum and subtle utensil taps underscoring a contemplative, instructional rhythm that focuses entirely on texture, craft, and quiet culinary intention.","video_1_relative_path":"videos/8e546c7f7c85d789.mp4","video_2_relative_path":"videos/8e227473efe95435.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/voiceover/voiceover_6/00000031","text_prompt":"Cinematic food teaser, captured on a macro lens with a shallow depth of field that isolates the subject against a dark, out-of-focus background. The scene opens in an extreme close-up of stuffed bitter gourds suspended in vigorously bubbling dark oil, their pale white and light-green batter clinging to the wavy vegetable skin. A cool, bluish key light casts a nocturnal rim around the wok, contrasting sharply with the warm, appetizing golden tones developing on the food’s surface. A calm, friendly adult male voice with a mild northern Mandarin accent begins speaking over the constant, lively sizzling of the hot oil, stating, “焦黄色，特别好看。” (“Golden brown, especially nice.”). The camera holds steady as the batter slowly transforms, the oil popping and crackling rhythmically around the frying pieces.\n\nA hard cut shifts to a tighter macro view of a single piece resting on a matte blue plate, its crust now deeply caramelized and crisp, dotted with tiny black specks of pepper and glistening salt crystals. The narrator continues with a slight smile audible in his voice, instructing, “撒上椒盐,” (“Sprinkle pepper-salt.”), as the aggressive sizzling softens into a gentle residual hiss. The final shot reveals a generous pile of the finished gourds filling the frame, their textured surfaces catching the light. The male voice concludes enthusiastically, “然后一吃可香可香了。” (“Then once you eat it, it’s so fragrant, so fragrant.”), while the ambient audio fades to near silence, leaving only a faint room tone to underscore the sensory, appetizing conclusion.","video_1_relative_path":"videos/15937800caca741b.mp4","video_2_relative_path":"videos/ea35a92ddee74d4c.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only/voiceover/voiceover_6/00000059","text_prompt":"Documentary-style sequence opening on a tight, static close-up of a single lotus blossom in full bloom, its saturated magenta-pink petals grading to crimson at the base, each delicately veined and slightly curled. High-right sunlight catches the velvety surface with soft specular highlights while casting gentle shadows within the flower’s folds, and a blurred backdrop of emerald leaves and a conical seed pod creates an airy bokeh that isolates the bloom. A calm, neutral male Mandarin voice-over begins, stating \"一种美食才会在水下孕育。\" in a low-mid, measured documentary tone, underscored by a subdued orchestral bed of soft sustained strings and faint woodwinds that establishes a contemplative mood. The scene cuts to a water-level perspective, where the camera holds fixed yet carries a subtle handheld weight; ripples disturb the dark green surface, scattering light into shimmering patterns that mirror tall reeds and tree trunks, while a dark, out-of-focus shape casts a fleeting shadow across the frame. The ambient score remains restrained and serene as the sequence transitions to a high-angle aerial view of a broad water expanse under bright daylight.\n\nFour slender rowboats glide diagonally from upper left to lower right, each carrying silhouetted figures who propel them with synchronized strokes, leaving long wakes that intersect in V-shaped ripples sparkling against the deep teal-green water. The distant bank reveals a thin band of vegetation and softened structures, and the orchestral music swells slightly with warmth, balancing the natural ambience. Finally, a straight cut frames a lone man standing outdoors amid lush foliage, dressed in a crisp white short-sleeved shirt, dark trousers, and a neatly tied black neckerchief. His short hair shows graying at the temples, and he gazes directly into the lens with a composed, solemn expression, set against softly defocused greenery and hints of pale sky. The color palette shifts from vivid natural hues to cooler aquatic tones before settling into muted earth tones, mirroring a thematic progression from nature’s bounty to human reflection. The score sustains a gentle, reflective cadence as the image lingers, concluding the sequence with quiet resonance.","video_1_relative_path":"videos/25807d7aaad57272.mp4","video_2_relative_path":"videos/891681b2b58f5f39.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only/voiceover/voiceover_6/00000061","text_prompt":"A cinematic documentary sequence in a dense bamboo forest, rendered in rich saturated greens and earth tones with a shallow depth of field, opens on a low-angle macro shot of a single dark-purple-black bamboo shoot rising from the leaf-littered ground. Its tightly wrapped scales spiral upward, crowned by tiny brown bracts, while filtered sunlight creates soft, diffused illumination and gentle bokeh behind it. A calm, neutral male Mandarin voice-over begins, stating \"Early morning or late evening, the flavor is greatly diminished,\" accompanied by a quiet, atmospheric bed of traditional Chinese music led by a plucked guzheng and faint sustained strings. The scene holds this tranquil mood as a natural ambient hush lingers beneath the melody.\n\nA hard cut shifts to an extreme low-angle shot looking straight up between towering bamboo trunks toward a bright sky streaked with pale blue and wispy clouds. The camera tilts slowly upward, revealing the immense height of the stalks and rustling green fronds overhead, while a silhouetted forager in a broad straw hat glides briefly across the left foreground before exiting frame. Soft daylight flares gently at the top of the screen, enhancing the sense of depth. The perspective then settles into a medium close-up of the harvester, framed by two blurred bamboo stems in the foreground: a figure wearing a wide-brimmed woven hat, a grey zip-front jacket, and a red-and-white patterned scarf, bending forward with eyes fixed on the forest floor. As the narrator continues in the same measured, reflective tone, he adds, \"If you wait until overnight to eat it, it will already feel like another world.\" The guzheng motif repeats and gently tapers off, leaving a brief moment of near-silence that underscores the careful, seasonal rhythm of the harvest.","video_1_relative_path":"videos/f8a745e4db05cdff.mp4","video_2_relative_path":"videos/8ff0b11374a83918.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only2/movie/movie_1/00000090","text_prompt":"A cyberpunk-noir cinematic scene opens with a low-angle, street-level shot, bathed in deep blues and blacks with vivid neon and taillight reflections dancing on rain-slicked asphalt. A yellow taxi sits parked on the left, its rear wheel and lower body glistening under the downpour, while to the right, the silhouette of a figure in a long dark coat and high-heeled boots stands motionless near the curb. The soundscape begins immediately with a high-energy electronic track driving a four-on-the-floor kick, syncopated synth bass, and crisp hi-hats, layered over the dense hiss of heavy rainfall and the low, rolling rumble of distant city traffic. As the camera slowly pulls back and tilts upward, the taxi accelerates away, its tires carving through the pavement in a sharp spray while red brake lights bleed across the ground. A building facade emerges on the left, crowned by a bold red neon sign, as the departing vehicle’s engine rev briefly cuts through the mix before fading into the urban hum.\n\nThe pull-back widens into a sweeping vista, revealing a massive steel arch bridge spanning the sky and a tunnel entrance glowing with cool blue light in the distance. The figure raises a black umbrella with a faint metallic click and begins walking steadily away from the camera down the center of the street, heading toward the illuminated tunnel. Another yellow taxi disappears into the blue-lit throat of the tunnel ahead, leaving the first car swallowed by the shadows beneath the bridge. The electronic music continues its relentless, polished loop, dominating the auditory field alongside the steady, rhythmic patter of rain and the muffled resonance of the metropolis. The scene holds on the lone walker shrinking into the frame as the audio cuts abruptly to silence, leaving the journey unresolved and steeped in atmospheric tension.","video_1_relative_path":"videos/671b976ba8312a35.mp4","video_2_relative_path":"videos/599dd4a5c455492f.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only2/movie/movie_2/00000088","text_prompt":"A high-speed rear three-quarter tracking shot glides along a sun-drenched elevated highway, following a silver Pontiac Solstice convertible with California plate 7BBB97T as it tears forward before being swallowed by a cataclysmic fireball erupting from its left-rear quarter. Orange flames and thick black smoke billow upward as debris scatters, accompanied by a piercing metallic screech that instantly fractures into a thunderous, multi-layered explosion—a sub-bass boom layered with sharp mid-range snaps, high-frequency shatter, and sizzling crackle that drowns out all ambient noise. The camera cuts to a shaky handheld medium close-up on the bridge, framing a bald operative in a dark jacket leveling a rifle while a comrade stands partially obscured behind him, all set against a colossal plume of smoke and fire. Simultaneously, a woman with long dark hair, clad in a black leather jacket and tactical gear, tumbles backward through the pale sky. Her body rotates slowly, arms flailing, as a rushing wind sound modulates with her descent, building to a loud whoosh that culminates in a heavy, weighted thud and brief pavement scrape as she lands forcefully on all fours.\n\nAs the impact echoes, the burning Pontiac flips end-over-end down the ramp, triggering a secondary detonation marked by a deep concussive boom and cascading metallic tearing. The perspective shifts to a static wide shot, revealing the woman standing upright atop the bridge, silhouetted against the roaring inferno as embers and ash swirl around her. She raises her right arm triumphantly, framed by traffic lights, a green directional sign reading RIGHT LANE MUST TURN RIGHT, and the distant hum of urban life under clear skies. The camera pushes into a tight close-up of her face, protective goggles pushed up onto her forehead, her expression stern and focused. Beside her, a short-blond operative aims a scoped rifle forward, while teammates in matching tactical attire take cover with weapons raised. The scene holds on this coordinated standoff, underscored only by the residual hiss of burning materials, intermittent thermal pops, and the fading rumble of settling debris blending into the distant ambient city noise, leaving the air thick with tension and the raw aftermath of violence.","video_1_relative_path":"videos/bec2cbb2d0064719.mp4","video_2_relative_path":"videos/09fcfbe09a3e8746.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only2/movie/movie_3/00000018","text_prompt":"A high-octane action sequence opens with a high-speed, low-angle tracking shot hugging the rear driver-side wheel of a dark blue classic muscle car as it tears along the crest of a massive concrete dam under bright daylight. The tire spins violently against the rough surface, throwing a shower of sparks that match the relentless roar of the engine layered over a swelling, cinematic orchestral score driven by tense strings and sharp brass stabs. As the vehicle begins to skid sideways, the background dissolves into motion-blurred streaks of orange and yellow from trailing fire and explosion effects. A sudden, concussive boom erupts as a massive fireball detonates directly ahead, sending a wall of flames and debris toward the lens. The sound design peaks with shattering glass and a metallic crunch as the car collides with unseen obstacles, while the driver’s head jerks violently inside the cockpit.\n\nThrough the windshield, we see the driver—a man with curly hair in a black tank top—gripping the steering wheel, his jaw clenched and eyes wide with focused intensity. The perspective then pulls back to a sweeping aerial view, revealing the entire dam face engulfed in cascading explosions and thick plumes of smoke rising into a partly cloudy sky. The car tumbles end-over-end down the steep concrete slope, leaving a winding trail of fire and sparks as the camera rotates dynamically around the falling wreck to emphasize the chaos. Inside the cabin, smoke rapidly fills the space, swirling around the driver as embers drift past the glass. The seatbelt across his chest strains audibly, its red lettering catching the flickering light, while a sharp gasp escapes his lips. The orchestral score surges to a full-ensemble climax before abruptly cutting out, leaving only the diegetic sounds of grinding metal, deep rumbling detonations, and fading tire screeches.\n\nThe final moments lock into a claustrophobic interior shot as G-forces snap the driver’s head back, his mouth opening in a silent scream amid the choking haze. Wind noise and residual fire crackle through the wrecked cabin as the camera holds on his distressed expression, frozen in the inferno. The scene closes on this static tension, the saturated oranges and yellows of the flames contrasting sharply against the cool blue of the car and the gray concrete, leaving the audience suspended in the visceral aftermath of catastrophic failure.","video_1_relative_path":"videos/663ac4993109bcb0.mp4","video_2_relative_path":"videos/17e1f47268b5e9e4.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only2/movie/movie_3/00000024","text_prompt":"A high-octane cinematic action sequence unfolds under bright midday light, captured through a wide, slightly elevated tracking lens that establishes a vivid urban palette of steel, glass, and asphalt. Two high-performance machines—a red Corvette and a silver Mercedes-AMG GT—tear side-by-side down a dense multi-lane avenue, framed by tall buildings, leafy trees, and a blur of yellow taxis, a white-and-blue bus, and scattered pedestrians. The soundscape launches immediately with a driving hybrid orchestral score, its low synth bass and rapid staccato strings locked to metallic percussion hits that sync with the vehicles’ acceleration, while aggressive engine roars climb in pitch. The camera drops to a ground-level, head-on perspective between the lanes as the Corvette barrels straight toward the lens and the Mercedes sweeps past on the left. Overhead traffic lights glow green, storefronts streak into motion blur, and a yellow taxi flashes by on the right, all underscored by swelling brass accents and sharpening tire hiss that blend seamlessly with the mechanical growl.\n\nInside the Corvette, a medium close-up reveals the Black male driver gripping the wheel, his jaw set in focused concentration, while a woman with voluminous curly hair and a red leather jacket sits beside him, her tense gaze fixed ahead. Both are secured by black racing harnesses patterned with bold red logos, bathed in natural daylight filtering through the windshield as a deep, resonant engine hum vibrates through the cockpit. The focus shifts to an extreme close-up of a carbon-fiber center console where a hand firmly presses a prominent red ignition button. A crisp electronic chime and a sharp mechanical click cut through the mix, causing the score to dip momentarily before surging back as blurred city elements streak past the window. The perspective drops again to a low front angle of the silver Mercedes gleaming past a green commercial sign, its LED headlights bright and three-pointed star grille prominent, while a black muscle car with a massive rear spoiler and billowing exhaust tears along behind it.\n\nFrom a rear three-quarter angle, the muscle car accelerates into the distance before the camera cuts inside to reveal a bald man with a goatee, clad in a black jacket and silver chain, his hands firm on the wheel and his face taut with exertion. Heavy breathing cuts through the relentless roar of the engine and the driving rhythm of the score. The soundtrack swells to a fortissimo climax with cymbal crashes and a deep sub-bass layer, mirroring the escalating tension as wind rush and tire squeals punctuate the mix. Just as the sequence reaches its peak, a final burst of engine revs and a short, sharp metallic scrape echo through the frame, suggesting a dramatic maneuver or imminent collision that leaves the chase suspended in adrenaline-fueled motion.","video_1_relative_path":"videos/03dee75ced402449.mp4","video_2_relative_path":"videos/f20f2cb3dd2b9e9a.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only2/music/music_1/00000004","text_prompt":"An intimate acoustic performance unfolds in a static medium close-up, bathed in warm, yellowish ambient light against a muted, cozy palette. The camera remains completely fixed on a young woman with fair skin and blonde hair pulled into a high ponytail, wearing large black-rimmed glasses and a black off-the-shoulder top. She sits centered in a dimly lit room, a light-colored acoustic guitar resting across her lap as her right hand strums rhythmically and her left fingers press the fretboard. To her left, a dark doorway recedes into shadow, while just beyond the frame on her right, a small blue-and-white penguin figurine hints at a lived-in domestic space. Her head tilts gently downward toward the instrument, eyes occasionally glancing at the strings, her expression conveying quiet concentration and emotional engagement as she sings.\n\nThe soundscape is stripped back and raw, featuring only her clear, mid-to-high-pitched female voice singing softly over continuous fingerpicked acoustic arpeggios. Delivered at a slow, steady tempo in a diatonic major key, the vocal and guitar interplay maintains consistently quiet dynamics, underscored by a mild natural reverb that suggests a modest, untreated interior. The recording environment is acoustically clean, with an extremely low noise floor and no discernible ambient hum, handling artifacts, or extraneous breaths, allowing the understated emotion and technical control of the performance to take center stage. The absence of editing or external sound reinforces the authenticity of the moment, framing it as a vulnerable, unpolished home demo meant for private listening.","video_1_relative_path":"videos/34ae161dcf579be8.mp4","video_2_relative_path":"videos/90c890e4cf8a1954.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only2/music/music_1/00000055","text_prompt":"A handheld medium shot captures two street performers standing on a city sidewalk before glass storefronts, bathed in even natural daylight that washes the scene in muted grays and earth tones, punctuated by the boy’s red Arsenal jersey and the woman’s light-wood acoustic guitar. The camera maintains a steady frame with a subtle handheld sway, gradually panning left to reveal a diverse crowd of passersby—a man in a blue cap, a woman cradling a baby, and others lingering or strolling past—while a smartphone on a tripod records the performance nearby. A small green tip sign reading “TAP CARD TO TIP $5 OR SCAN TO TIP” rests near the microphone stand as the woman, dressed in a sleeveless dark-gray knit top and black jeans with a red guitar strap, strums gentle chords with her eyes closed in concentration. A clear female lead vocal begins, singing the syllables \"Hallelujah,\" while the young boy beside her sings in harmony, his lips moving in time with the melody.\n\nThe audio environment is clean and intimate, dominated by the woman’s vocal and the boy’s matching harmonies delivered at a moderate, unstrained volume, accompanied by crisp acoustic guitar arpeggios that suggest close-miking in an open-air space. Faint urban hum and indistinct crowd murmur linger in the background without overpowering the music, creating a continuous, unedited moment where the performers’ focused expressions and the gentle sway of the camera align seamlessly with the steady rhythm of the song.","video_1_relative_path":"videos/28f4794d1dbab41f.mp4","video_2_relative_path":"videos/2c87feb7c21a3536.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only2/physics/physics_1/00000035","text_prompt":"Cinematic miniature diorama, static low-angle shot from floor level looking slightly upward into a warmly lit living room den. The frame is anchored by a large, ornate area rug dominating the foreground, its surface woven with intricate octagonal medallions in red, blue, cream, and black, filled with delicate floral and geometric patterns. Behind the rug, a raised wooden hearth supports a modern fireplace insert featuring a black glass front framed by brushed metal trim and gold accents. To the left, a tall dark-red bookshelf holds an assortment of books, picture frames, decorative objects, and a plush toy near its base, while additional shelving and a black pet bed sit further down the wall. Soft ambient light from unseen overhead fixtures casts gentle shadows, emphasizing the rich textures of the carpet and furnishings in a meticulously composed interior.\n\nA highly detailed scale model of a semi-truck tractor unit glides steadily into view from the right, traversing the patterned carpet toward the left edge. The vehicle’s cab is painted a deep blue accented with silver pinstriping and gleaming chrome bumpers, mirrors, fuel tanks, and exhaust stacks, while its chassis and front bumper assembly contrast in bright red. Small white LED-like headlights glow faintly against the rug, and the driver-side door panel displays crisp, legible markings: “KNIGHT HAULER” in white serif lettering outlined in red, followed by smaller regulatory codes reading “MC-4879472,” “USDOT 423849,” and “TA-96L 09-01.” As the truck rolls forward, a rich, immersive mechanical soundscape awakens, synchronized perfectly with its motion. A deep, rhythmic diesel engine rumble builds into a full-throated roar, layered with a high-frequency turbine whine and the subtle friction of tires rolling over carpet. Sharp, pneumatic air-brake hisses punctuate the journey, their volume swelling to a peak as the vehicle passes closest to the lens before gradually receding into a fading diesel echo as the truck exits the frame. Beneath the mechanical symphony, a quiet indoor room tone and a faint electrical hum maintain the atmosphere, completing a sonically dense, self-contained vignette that celebrates miniature craftsmanship and realistic scale.","video_1_relative_path":"videos/dde10cab5a71a403.mp4","video_2_relative_path":"videos/6dcff714b94dd1d2.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only2/physics/physics_1/00000051","text_prompt":"A meditative, documentary-style nature sequence opens with a static, tightly framed close-up of a European goldfinch perched delicately on the tip of a vibrant green leafy branch. Shot with a shallow depth of field against a heavily blurred, deep maroon backdrop, the composition isolates the subject in serene, sunlit clarity. Natural daylight washes over the scene, casting soft shadows and accentuating the bird’s vivid plumage: a bright red face bordered by crisp white and black markings, a warm buff-colored back, and wings defined by bold yellow bars and sleek black feathers. Its small, conical beak rests in a pale pinkish-grey hue, while the surrounding leaves show subtle signs of natural wear. The camera remains completely locked off, allowing the goldfinch to command the frame with quiet, organic life as it shifts its head slightly from side to side, blinks lazily, and subtly adjusts its posture on the branch.\n\nThe auditory landscape mirrors this stillness with a dense, unstructured chorus of high-pitched avian vocalizations, layering continuous chirps, trills, and short melodic phrases that vary naturally in pitch and rhythm. This lively, naturalistic ambience suggests a sun-drenched garden or woodland edge, placing the viewer in close proximity to active birdlife without any artificial enhancement, musical scoring, or human presence. The birdsong fills the foreground, creating an immersive, documentary-like atmosphere that complements the meditative visual portrait. As the goldfinch continues its gentle, silent movements, the overlapping calls weave a seamless tapestry of outdoor serenity, inviting a quiet appreciation of delicate avian detail within a vibrant, untouched ecosystem.","video_1_relative_path":"videos/ed2aff087dd5143f.mp4","video_2_relative_path":"videos/000f76392ece49d0.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only2/physics/physics_1/00000086","text_prompt":"A static medium shot holds steady on a powerful waterfall cascading from a rugged cliff face into a tranquil pool below, framed by a lush, verdant forest. Out-of-focus branches with vibrant green leaves hang in the immediate foreground, creating a natural vignette that draws the viewer into the hidden depths of the woodland. Diffuse, overcast light filters through the heavy canopy, casting soft shadows and bathing the scene in even, natural illumination. The camera remains completely fixed, capturing the unbroken, rhythmic descent of water without any cuts, zooms, or movement, emphasizing the meditative constancy of the landscape. The audio landscape is dominated entirely by the relentless, roaring rush of falling water, which fills the acoustic spectrum with deep, resonant rumbles where the cascade strikes the pool and sharp, high-frequency hissing from the rising mist. There is no wind, wildlife, or artificial noise to break the immersion, leaving only the raw, unvarnished energy of nature’s flow. This unwavering visual and auditory continuity crafts a serene yet commanding atmosphere, focusing all attention on the steady, hypnotic rhythm of the waterfall in its secluded, untouched environment.","video_1_relative_path":"videos/db64ead66cb7d38d.mp4","video_2_relative_path":"videos/5f1e3c41be61b7ae.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only2/physics/physics_2/00000026","text_prompt":"Cinematic first-person shooter sequence, rendered in realistic 3D with dynamic lighting and atmospheric particle effects. The scene opens in a dimly lit, overgrown ruin resembling an ancient mausoleum, bathed in muted greens and grays. Shafts of pale light pierce through broken arches overhead, illuminating floating dust motes that drift through the stagnant air. In the foreground, gloved hands grip a modern assault rifle adorned with orange skull decals as the camera advances slowly down a narrow stone corridor lined with crumbling pillars and creeping vegetation. A calm, confident male voice begins, stating \"From far away, trust me, I’ve got the angle.\" The words are barely finished when three sharp gunshots ring out, each report echoing sharply against the hard stone walls and accompanied by bright muzzle flashes. Dust kicks up around distant impact zones as bullet pings strike masonry, while spent shell casings eject with tiny metallic ticks.\n\nThe shooter continues forward, aiming down sights as two humanoid figures emerge from the shadows near the corridor’s end. The voice continues, steady and matter-of-fact, \"I have no qualms about this,\" just before unleashing a rapid burst of gunfire that sends the targets staggering and collapsing. The staccato rhythm of the weapon fills the space, punctuated by the mechanical clack of the bolt release and the heavy thud of a fresh magazine sliding home. As the chamber cycles back into place with a sharp metallic snap, the perspective smoothly shifts to a third-person view behind the soldier, revealing his full tactical gear: a dark hooded jacket, camouflage pants, and scuffed combat boots. He stands motionless in the center of the cleared corridor, weapon lowered slightly. A confident male voice concludes, \"This is my natural habitat, for the most part.\"\n\nThe tension dissolves into a low, atmospheric hum, leaving only the faint whisper of wind and the distant echo of the tomb. The controlled aggression of the engagement gives way to quiet stillness, the soldier holding his ground as the dust settles around his boots. The scene lingers on this moment of aftermath, capturing the raw, tactile sounds of the environment and the lingering weight of the ruin, before fading into silence.","video_1_relative_path":"videos/a1d84de814ecd63a.mp4","video_2_relative_path":"videos/937c6fdcfe37a150.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only2/physics/physics_2/00000039","text_prompt":"Cinematic wide shot, neutral lens, bright hazy daylight, and a pale washed-out palette frame an expansive body of water under a hazy sky, with the horizon line resting near the upper third to separate the deep blue surface from the pale atmosphere above. The camera remains completely still, emphasizing a meditative, observational quality as gentle undulations and small ripples create a patterned sheen across the water, reflecting the diffuse light. Faint, blurry silhouettes linger on the far horizon, suggesting distant vessels or structures, while the foreground remains entirely clear of landmasses or distinct objects. Layered over this tranquil, minimalist tableau is a persistent, industrial-natural soundscape. A steady, rhythmic mechanical cycle drives the audio, pairing a low-frequency thump or clunk with a higher-pitched metallic squeak or groan at roughly one to two beats per second, evoking the continuous operation of heavy marine machinery like a winch or pump engine. Beneath this hypnotic rhythm, a constant broad-spectrum rushing noise fills the space, consistent with wind sweeping across open water or the steady wake of a moving vessel. The volume and texture of both layers remain unwavering, creating a stark contrast between the visual stillness and the relentless mechanical pulse that anchors the scene’s sense of time, isolation, and quiet coexistence between technology and nature. The audio sustains its steady cadence until it cuts off abruptly mid-cycle, leaving the waterscape suspended in its unchanging, atmospheric rhythm.","video_1_relative_path":"videos/c04d6fb481456be3.mp4","video_2_relative_path":"videos/24637edea06fa3df.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only2/physics/physics_2/00000045","text_prompt":"Cinematic DIY intro sequence, shot with a prime lens and high-contrast lighting, opens on a dark, stylized title card where a rectangular glass-like panel edged in a glowing cyan border sits centered against a deep blue-black backdrop streaked by radial light beams fanning from the upper left. Bold, metallic teal letters spell out “MISCELLANEOUS” above a larger “MATT” inside the panel. A sharp, high-pitched metallic crack erupts, instantly triggering a rapid cascade of crystalline shattering sounds as animated shards explode outward from the center, scattering across the screen in a burst of white fragments. As the pieces drift and tumble, faint star-like particles glimmer in the background, accompanied by a brief whooshing air movement and a low, resonant boom that swells beneath the impact before decaying into silence. The screen momentarily dips to black, completing the transition.\n\nThe scene cuts to a bright interior room under construction, where natural daylight floods through two tall windows with brown wooden frames, casting soft, even illumination across white walls and a plain ceiling fitted with a bare spiral CFL bulb. In a stable, slightly upward-angled medium-wide shot, a bald, fair-skinned man with a short reddish-brown beard and a black fleece pullover stands on a silver aluminum step ladder. Behind him, a large pale-green steel I-beam spans horizontally just below the ceiling, secured by a perforated black metal bracket bolted to the wall. The man looks directly into the lens, his mouth moving in sync with a calm, conversational male voice that cuts through a faint, steady room tone. Gesturing with his right hand, he first points toward the overhead beam and then opens his palm outward for emphasis, stating, “I have a 32-foot extension ladder that I use twice a year to put up and take down.” The composition remains locked and unblinking, emphasizing the practical, hands-on atmosphere of the workspace as the clip concludes.","video_1_relative_path":"videos/c2e10ed8192235c5.mp4","video_2_relative_path":"videos/5d098a9d7a538b88.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only2/physics/physics_3/00000020","text_prompt":"Cinematic wide shot, static camera, pitch-black night sky with no foreground elements or horizon line. Two faint points of light hover near the center and lower left as a thin vertical streak of orange-yellow light ascends from the bottom edge, signaling the launch of a firework shell. The camera remains fixed, tracking the projectile’s upward trajectory against the void. A sharp metallic click cuts through the absolute silence, immediately followed by a low-frequency whoosh that rises quickly in volume before snapping off at ignition. At the peak of its ascent, the shell detonates mid-frame with a sudden, bright white flash that momentarily overexposes the image. In its wake, a dense cloud of fine, glittering particles erupts outward in all directions, forming an irregular spherical burst that glows intensely white-hot before cooling into pale blue and lavender hues as it expands. A loud, percussive boom dominates the soundscape, layered with high-frequency crackles that peak instantly upon the visual detonation and decay rapidly over a second, rendered dry and close-miked to emphasize raw explosive force without environmental reverb. As the first burst fades, a second firework launches silently from below, leaving a faint orange trail that cuts diagonally across the frame toward the upper right. Within moments, it explodes just above and slightly right of the previous center, producing a smaller but vivid display of brilliant white sparks that radiate sharply outward like starbursts, clearly defined against the dark backdrop. The two bursts overlap visually, creating a cascading effect of diminishing brightness, while a second, slightly softer explosion punctuates the silence with a sharper, higher-pitched report and rapid-fire crackling. The final event unfolds as a third firework ignites from the lower center, climbing vertically before bursting into a massive, symmetrical sphere of golden-white sparks that fills nearly half the frame. Radiant trails linger briefly, shifting the color palette toward warm amber tones during decay, accompanied by the loudest and most complex sonic event: a thunderous, bass-heavy boom fused with sustained sizzling and popping textures that taper off naturally over two seconds. As the last embers vanish, absolute silence returns, leaving only the empty night sky and a lingering sense of stark, kinetic release.","video_1_relative_path":"videos/73085e6bf77020bd.mp4","video_2_relative_path":"videos/4d9325acf9413ea7.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only2/physics/physics_3/00000075","text_prompt":"Cinematic nature documentary style, captured in a single uninterrupted aerial shot. The camera begins high above a powerful waterfall plunging down a steep, striated cliff face in a lush tropical gorge, slowly tilting downward in a smooth medium-wide descent. Dense green foliage and thick vertical vines cling to the left edge of the frame, while the right side reveals layered stone softened by heavy canopy shadows. Diffuse, overcast lighting washes the scene in even tones, eliminating harsh highlights and allowing the bright foam of the cascade to blend seamlessly with the muted greens and grays of the rainforest surroundings. No human presence or artificial structures break the natural composition.\n\nThe audio landscape mirrors the visual grandeur with a continuous, broad-spectrum roar of falling water that fills the stereo field, suggesting immense volume and proximity. Layered within this steady acoustic bed are intermittent, high-pitched bird chirps that cut through the noise floor, hinting at unseen avian life within the foliage. The space feels open and naturally dry, with minimal reverberation and a perfectly steady volume that never swells or fades. Together, the slow camera drift and the unbroken environmental soundscape create a cohesive, meditative immersion into raw, untamed nature.","video_1_relative_path":"videos/cd91ca340ae0eddf.mp4","video_2_relative_path":"videos/89cba9211e6bd479.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only2/podcast/podcast_1/00000001","text_prompt":"Cinematic presentation sequence, wide static lens, focused stage lighting, and a deep shadow palette open on a minimalist stage bathed in warm key light that leaves the surrounding audience area in darkness. The visual composition is anchored by a circular red rug and large, three-dimensional red stage letters to the left, while the backdrop features a dark wall embedded with hundreds of tiny, bright blue LED dots that evoke a quiet constellation. A female presenter, roughly in her thirties with shoulder-length curly light-brown hair, stands center stage dressed in a crisp white collared shirt with black piping, tailored black trousers, and dark shoes. As she begins her talk, her clear, mid-range General American voice cuts through the acoustically pristine, noiseless environment. She gestures with her right hand, palm open and moving gently downward, delivering the line, \"He was sitting hunched over on the ground wearing a onesie.\"\n\nThe camera executes a hard cut to a medium close-up, isolating her upper body and face while the blue LED backdrop dissolves into a soft, shallow depth-of-field blur. Maintaining an earnest, conversational tone, she raises her right hand toward the side of her head with fingers splayed to illustrate her point. Without breaking the shot, she lowers her hand and brings both palms into the frame, moving them slightly apart to emphasize her next phrase. Her steady pacing and articulate delivery continue as she concludes, \"Those are the kind of outfits that zip in the back,\" letting her hands rest gently at her sides as the scene ends. The audio remains entirely isolated to her voice, with no music, crowd murmur, or ambient interference, preserving the intimate, lecture-hall atmosphere throughout.","video_1_relative_path":"videos/3e143cd066522686.mp4","video_2_relative_path":"videos/cdec21e8d939ce4a.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only2/podcast/podcast_1/00000043","text_prompt":"Cinematic breaking news broadcast, static medium shot, modern television studio defined by a bold red and black palette, bathed in bright, even lighting that casts soft reflections across the glossy floor. Framed center, a female news anchor with short brown hair stands in a sleeveless dark grey dress, a discreet microphone clipped to her neckline, holding a black tablet at waist level. Her expression is serious and focused as she delivers urgent safety instructions directly into the lens, her right hand moving with measured emphasis and her head tilting slightly to underscore the gravity of the moment. Behind her, a large digital screen projects a rotating red globe with concentric rings, while a window reveals a blurred nighttime city skyline. A calm, authoritative female voice with a British accent cuts through the silence, stating, \"Stay as quiet as possible. If caught out in the open, run. Do not walk, because they are much faster than they first appear. Do not confront them.\" The audio landscape remains deliberately sparse, stripped of music or ambient noise, leaving only the crisp articulation of her words, subtle breaths between phrases, and a faint, steady electronic hum typical of broadcast equipment. The overall mood balances professional composure with immediate danger, capturing a moment of controlled urgency as the anchor maintains her steady posture until the transmission concludes.","video_1_relative_path":"videos/9f6e96252bb0b2c2.mp4","video_2_relative_path":"videos/c92776bcce441556.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only2/voiceover/voiceover_1/00000030","text_prompt":"Cinematic documentary sequence captured in wide and medium lenses, bathed in bright, hazy morning light that casts gentle highlights on metallic fabrics and wraps distant peaks in an ethereal haze. The palette leans into earthy golds, lush greens, and muted blues and purples. The scene opens on a sweeping vista of terraced rice paddies climbing rolling green mountains, where golden-yellow stalks sway in a soft breeze. In the foreground, two young women in ornate bronze-brown tunics trimmed with vivid turquoise and white embroidery stand side by side, their braided hair pulled back as they work with calm concentration. One steadies a thick bundle of freshly cut rice while the other lifts a small curved sickle to slice through the stems. Further up the terraces, other harvesters move methodically in straw hats and dark jackets, while on the upper left edge a man in a white T-shirt kneels beside a tripod-mounted camera, documenting the labor. Beneath this image, a soft, slow-tempo instrumental track led by plucked pentatonic strings resembling a guzheng or koto, accompanied by faint bamboo flute harmonies, begins to play at a steady sixty to seventy beats per minute without percussion. A mature male narrator in standard Mandarin speaks over the music in a calm, declarative tone, stating \"百分之五。\"\n\nThe camera drops to ground level within the field, where out-of-focus stalks blur the lower frame as it tilts upward to follow two older women working close to the lens. They wear dark long-sleeved tops and light grey headwraps, with intricate colored bands decorating their collars and cuffs. One woman bends deeply to cut and bundle rice, then straightens to offer a warm smile toward the camera before resuming her task. Behind them, successive ridges of mist-veiled mountains fade into a pale lavender sky. The narrator continues in a measured, documentary cadence, his voice carrying subtle warmth as he explains that \"但大山里的人们仍然播撒着祖传的种子，与糯稻相互依存。\" The gentle music persists without interruption, maintaining a serene atmosphere that mirrors the rhythm of the harvest.\n\nThe final shot opens on an elevated, static panorama overlooking the entire valley, where dozens of harvesters dot the terraces beneath a washed-out, almost white sky. Foremost on the right, a woman in a striped shirt and broad white hat carries a baby strapped to her back in a patterned cloth sling, pausing briefly to look across the fields. The instrumental motif sustains its calm cadence until the scene concludes, leaving only the natural ambience of rustling leaves and distant mountain air, completing a visual arc that moves from individual labor to collective landscape.","video_1_relative_path":"videos/7b42de28e4d99da5.mp4","video_2_relative_path":"videos/9bb7d4e9144ff48f.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only2/voiceover/voiceover_1/00000049","text_prompt":"A warmly lit dining scene captured in rich, appetizing tones, dominated by warm oranges, reds, and greens under directional key lighting that highlights food textures and creates glossy highlights on sauce and shells. Shot with a shallow depth of field, the sequence begins with an extreme close-up of a deep-orange cooked crab filling the frame, accompanied by a soft, slow-tempo instrumental bed of gentle piano arpeggios and sustained strings that sets a contemplative and refined mood. A calm, neutral male Mandarin voice-over begins, stating “今天的人们很难做到物尽其用。” The camera then cuts to a side-profile medium close-up of a young East-Asian man wearing brown-rimmed glasses and a dark polo shirt with a lighter collar. He leans forward, lifts a piece of crab meat toward his mouth with his right hand, and bites down while subtle chewing sounds remain faintly audible beneath the continuous music. The background stays softly blurred to emphasize the intimate act of dining, with a white porcelain teapot and part of a dish resting quietly on the table at frame left.\n\nA straight cut transitions into a series of smooth, deliberate lateral pans across elegantly plated dishes arranged on a light-colored tablecloth. The camera glides over a round white plate displaying neatly fanned green beans topped with sautéed mushrooms and slivers of red chili, its rim adorned with delicate red-and-green floral motifs. Continuing rightward, the shot reveals a rectangular white plate holding a mound of pale rice or cauliflower florets garnished with tiny diced red peppers and green onion rings, accompanied by a sculpted translucent amber jelly sphere on a wire stand and a small purple edible flower. The motion settles on a shallow oval bowl filled with whole braised crabs whose lacquered shells gleam under the warm lighting, accented by a fresh sprig of green leaves. … a measured male Mandarin voice …: “一直以来，蟹都是中国餐桌上极有地位的美食。” The mellow music and narration hold their reflective pace, allowing the lingering view of the braised crabs to close the sequence as both audio and visual elements fade out together.","video_1_relative_path":"videos/718cbbe20cb5ee39.mp4","video_2_relative_path":"videos/75f9f5a2ecad6a01.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only2/voiceover/voiceover_1/00000050","text_prompt":"A nature-documentary sequence opens on a tranquil river landscape bathed in soft daylight, captured with a calm, wide establishing shot and an earthy green-and-yellow color palette. Tall yellow-green rice stalks sway gently in the foreground, giving way to a broad, mirror-like river that reflects a pale blue sky mottled with thin white clouds. Rolling hills dense with verdant trees stretch across the horizon, and a small tree-covered island rests in the middle distance while two tiny dark figures sit in a narrow boat gliding slowly from left to right. A gentle, low-volume ambient score of sustained string-like pads and faint piano arpeggios begins simultaneously, setting a reflective mood as a calm, neutral male Mandarin narrator begins his measured delivery: \"Compared to the past, people today rarely get to eat wild river crabs.\" The camera remains static, holding the expansive, lush scenery under even natural light while the subdued music underscores his steady, documentary tone.\n\nThe scene cuts to a medium-long tracking shot from behind the shoreline vegetation, following a single man in a light straw conical hat and dark short-sleeved shirt as he rows a long, narrow wooden boat away from the camera. The view then shifts to a very low angle skimming the water’s surface, where ripples and reflections of the cloudy sky and green island dominate the frame as the boat passes overhead, leaving a faint wake. A hard cut plunges the viewer underwater into a dim, bluish-green world where suspended particles drift through the murky water, shifting the palette to cool teal and muted browns. An extreme close-up fills the screen with the textured, grey-brown carapace of a large river crab, its formidable claws tipped with off-white flecked brown framing the composition. As the crab’s eyes blink slowly and minute ripples pass over its shell, the narrator’s voice returns with a brief, declarative emphasis: \"River crab.\" The background music swells slightly but remains subordinate, maintaining the clean, atmospheric soundscape as the shot holds steady on the crab’s subtle movements and drifting sediment, contrasting the vast open environment with this intimate, hidden habitat.","video_1_relative_path":"videos/65654012b69d1cb4.mp4","video_2_relative_path":"videos/d23f2491e666d85a.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ltx_only2/voiceover/voiceover_1/00000091","text_prompt":"Cinematic documentary style, shallow depth of field, natural lighting, and a subdued cool-earth color palette that shifts to vivid accents. The sequence opens with a close-up bathed in soft daylight from camera-left, holding on the weather-worn face of an elderly East Asian woman. Her deeply lined skin is framed by a green-and-yellow patterned headscarf and a black-beaded choker with white buttons, establishing a rustic coastal atmosphere against a pale grey concrete wall. A calm, neutral male voice in standard Mandarin begins a steady, measured narration, stating, \"Excessive industrial fishing once caused the ecology near Lanyu to continuously deteriorate, only easing slightly a few years ago.\"\n\nThe camera cuts to a second close-up, maintaining the intimate framing and soft natural light. Another elderly East Asian woman in a light-blue T-shirt gazes downward with a pensive expression, while a third woman in a yellow head covering and floral blouse smiles faintly in the softly blurred background. The narrator’s voice continues, carrying the quiet weight of the region’s environmental history, while the soundscape remains almost entirely silent, focused solely on his clear delivery.\n\nA wide, static shot reveals a modest two-storey wooden house perched on a rocky hillside, where two figures in white and blue shirts stand on an open balcony, gazing toward the horizon. Low stone walls, a tarp-covered structure, and distant green mountains stretch beneath a muted pastel sky at the edge of dawn or dusk. As the narration concludes, the scene shifts to a brightly painted traditional boat resting on dark, wet rocks at the shoreline. Its red hull and white gunwale are adorned with intricate geometric patterns and feathered carvings crowning each bow. Gentle waves lap softly against the stones, producing a faint, rhythmic splash that blends seamlessly with the tail end of the voice-over. The sea glimmers under a partly cloudy sky, grounding the moment in a quiet, reflective mood.","video_1_relative_path":"videos/2db868db1be15f2d.mp4","video_2_relative_path":"videos/2e1b64c2f3298e13.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only2/voiceover/voiceover_1/00000093","text_prompt":"A soft, slow-tempo instrumental bed of sustained strings and a faint plucked zither-like timbre fades in at low volume, setting a contemplative, documentary tone. The opening frame holds a tight close-up of a middle-aged man with short dark hair, light stubble, and sunglasses resting on his head, dressed in a white ribbed T-shirt and a red-white-blue beaded necklace. Backlit by daylight streaming through an opening behind him, he raises a small golden-brown food item to his mouth, biting into it and chewing thoughtfully while gazing slightly off-camera. A calm, measured male Mandarin narrator begins, stating \"简单的食物，本真的生活。\" The camera then cuts to a wider shot inside a modest open-air dwelling with unfinished concrete walls and a timber-beam roof, where three people sit cross-legged on the floor around a low metal bowl lined with broad green leaves holding several steamed root vegetables in yellow and dark purple hues. An elderly woman in a floral blouse and multicoloured headscarf peels a piece while a younger man in a blue cap watches attentively, and the first man, now in blue trousers, sits to the right observing the meal beside a white oscillating fan. An overhead close-up follows, focusing on weathered hands lifting a peeled yellow tuber from the leaf-lined bowl, the warm vegetable tones contrasting sharply with the deep green leaves and metallic sheen as the gentle score sustains its quiet flow.\n\nThe scene shifts to a close-up of an elderly man wearing a blue T-shirt and grey baseball cap, his deeply wrinkled face filling the frame as he brings a piece of the yellow tuber to his mouth and eats with evident satisfaction. The same calm, reflective male Mandarin narrator continues, adding \"离大海最近的爷爷，深深懂得与自然的相处之道。\" The camera then transitions outdoors to a sun-washed concrete pier or seawall overlooking calm blue water under a clear sky, where a black goat with long curved horns lies stretched out facing the horizon, occasionally chewing cud while other goats rest softly in the distance. Shot with a palette of natural earth tones, candid documentary lighting, and straightforward straight cuts, the sequence alternates between intimate close-ups and wider contextual frames, maintaining a seamless rhythm that mirrors the narrative’s shift from personal reflection to broader environmental harmony, leaving a serene coastal tableau as the final visual impression.","video_1_relative_path":"videos/e3ec5ac108416bd0.mp4","video_2_relative_path":"videos/1d285daa190afa2c.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ltx_only2/voiceover/voiceover_1/00000125","text_prompt":"Cinematic nature documentary sequence, shot on a 35mm lens with shallow depth of field and a palette of rich greens and earth tones with high-contrast backlighting, opens with a tight, low-angle close-up of a dark-green hiking boot pressing onto a damp, moss-covered log inside a bamboo forest. The sole’s deep tread and flecks of earth are crisply rendered while the background foliage melts into creamy bokeh. A gentle, slow-tempo instrumental score led by warm plucked strings reminiscent of guzheng or pipa begins immediately, establishing a calm, reflective mood accompanied only by faint rustling leaves. A hard cut reveals an extreme low-angle view looking straight up through slender bamboo trunks toward a bright sky, where strong sunlight streams through to produce lens flares and silhouette a figure in a wide-brimmed straw hat stepping into frame with a long-handled tool. The camera remains static, letting the contrast between the dark foreground silhouette and the luminous canopy dominate the image as distant birds chirp softly beneath the music.\n\nAnother cut shifts to a wider, still low-angle shot that now includes two foragers ascending a steep, leaf-littered slope among towering green stalks, both wearing traditional conical straw hats and practical work clothes while one grips a silver T-shaped digging pole and the other balances a woven basket on his back. Their figures are partially veiled by backlighting, creating a sense of depth and labor as a calm, documentary-style male voice in Mandarin begins, stating \"A month later, the thunder-shoot season ends.\" The camera tracks at eye level as the pair move deeper into the grove, sunlight dappling their clothing and the ground while the man with the pole leads and the basket-carrier follows closely. The narrator continues with steady cadence, adding \"The culinary story belonging to the mountain people,\" before a high-angle shot focuses on the forest floor where the lead forager plants his metal pole beside a lush shrub dotted with fresh green shoots amid dry brown leaves. The narrator finishes the thought, his voice imbued with quiet optimism to conclude, \"is just beginning.\"\n\nThe final shot returns to a medium view of the second forager walking along the path, framed by dense vertical bamboo stems, wearing a dark jacket over a striped shirt and carrying his basket while his face remains shadowed by the brim of his hat. The camera tracks gently with him as he disappears into the verdant corridor, and the narrator falls silent, leaving only the subdued instrumental theme, light woodwinds, soft percussion, and gentle forest ambience to underscore the scene. Shot with deliberate low angles and backlighting to emphasize the height and density of the bamboo, the sequence evokes a quiet reverence for traditional mountain life and the seasonal rhythms of the forest.","video_1_relative_path":"videos/596943be4be47e41.mp4","video_2_relative_path":"videos/901d8f1952d2c9f8.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_1/00000009","text_prompt":"Cinematic medium shot, late afternoon sunlight, and a muted European palette establish an intimate mood as a single continuous camera tracks backward at a steady pace, keeping a man and woman centered while they stroll side-by-side down a tree-lined sidewalk. A shallow depth of field softly blurs stone façades, awnings, and passing pedestrians, isolating the subjects in crisp focus. The man, with short brown hair, a light beard, a dark gray blazer, and a cream patterned shirt, walks slightly ahead on the left. Beside him, the woman wears a textured cream jacket over a black top, her blonde hair in a ponytail, a brown shoulder bag resting at her hip. They converse with animated ease, their expressions shifting between mild surprise, quiet affirmation, and wry amusement. A calm, neutral female voice begins the exchange, stating, \"December 16th.\" as she turns her head toward him with raised eyebrows. He glances back, nods once, and replies with a mildly surprised tone, \"She died that day?\"\n\nSeeking clarification, he asks, \"The one in Budapest?\" to which she confirms with a small nod and a faint smile, gesturing lightly with her right hand as she says, \"Yes. You remember that?\" He responds with a playful shrug and an open palm, his confident tone carrying, \"Yeah, I remember everything.\" She tilts her head, a knowing smirk playing on her lips, and teases, \"Of course, it was in your book.\" Throughout the conversation, the audio remains strictly naturalistic, with no musical score to distract from the nuanced vocal delivery. A low-level bed of ambient city sounds—distant traffic rumble, steady footfalls on pavement, the subtle rustle of fabric and leaves brushing in the light wind—fills the space beneath their close-miked dialogue. The atmosphere feels intimately conversational, anchored by their shared gaze and the quiet resonance of a shared memory tied to a funeral date and a published book.","video_1_relative_path":"videos/a852b3bbe3f838bb.mp4","video_2_relative_path":"videos/a3bcac802dd1c702.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_1/00000032","text_prompt":"A cinematic sequence opens in a steady medium-long shot, establishing a muted palette of greens, browns, and greys under warm, low-key lighting that spills from near the camera and soft daylight from a far doorway. The setting is a dim, narrow hallway where the left wall is rough, pale-grey plaster and the right is lined with vertical dark wood paneling. A small potted plant rests on a low stand beside stacked cardboard boxes with bright yellow, pink, and red flaps, while a black plaque bearing the number 108 is fixed to the left wall. In the foreground, a young girl in a light-grey hoodie emblazoned with a circular “Anywhere Anytime” logo, black backpack straps, and a red-and-black plaid shirt knotted at her waist grips the handle of a black wheeled suitcase. She looks down anxiously, her slight tremor evident as she asks, “Are we really out of money?”\n\nWithout a cut, the camera begins a gentle forward tracking move, keeping both figures centered as they advance. Behind her walks an adult woman in her early thirties, dressed in an olive-green oversized hoodie with multicolored block letters, distressed blue jeans, a black cross-body bag, and a white tote slung over her shoulder. She supports herself with a second black rolling suitcase while balancing a large brown cardboard box under her left arm, her expression a careful blend of reassurance and mild exasperation. Responding to the child’s worry, she answers firmly yet soothingly, “How could that be? This is a historic building, over a hundred years old. Not everyone gets to live somewhere like this.” The ambient soundscape remains strictly diegetic, filled only by the soft scuff of footsteps on the hard floor and the faint, rhythmic rattle of suitcase wheels.\n\nThe pair passes close to the lens, momentarily filling the frame before pivoting right to begin ascending the stairs. The camera tilts upward to follow their backs, settling into a rear three-quarter view as they recede toward the brighter doorway at the top landing. A single suitcase wheel clacks against a stair tread, echoing softly in the quiet space. The image holds on their upward movement, the contrast between the confined, shadowy hallway and the natural light at the top landing underscoring a quiet passage from uncertainty to hope, grounded entirely in the intimate realism of their shared journey.","video_1_relative_path":"videos/b7717e20f1b5b10e.mp4","video_2_relative_path":"videos/68f79df8c72d1da1.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_1/00000036","text_prompt":"A cinematic medium close-up, eye-level shot opens in a dimly lit workspace, focusing on two women seated side-by-side at a desk. The woman on the right wears a light-blue tweed jacket with gold buttons and large silver earrings, her dark hair pulled into a high ponytail. She looks down intently at a laptop, then lifts her gaze toward her colleague while speaking. A calm, professional female voice begins, stating \"There’s also our non-fiction account.\" Her tone remains calm and explanatory as she continues, \"The second shift of the working woman. I wrote this one.\" Behind them, slightly out of focus, a man in a light green button-down over a white tee holds a small clear vial with a gold cap between his palms, examining it closely, while another person in a mustard-yellow knit cardigan stands partially visible at the frame’s edge. Soft, directional light from above-left casts gentle shadows that highlight fabric textures, and the audio remains strictly intimate, capturing only the subtle rustle of clothing and the crisp cadence of her speech.\n\nA hard cut transitions to a wider, static medium shot revealing six individuals gathered around a cluttered desk in an industrial-style studio with exposed concrete walls. From left to right, a young woman in glasses and a cream sweater holds a light-blue clipboard, a man in a purple-and-green windbreaker over a beige graphic tee leans forward, and another in a plaid shirt and sage-green jacket stands with hands clasped. The man in the green shirt rests his chin on his fist, while the woman in the blue jacket listens with arms crossed. Seated at the desk, the speaker in a black top gestures with her right hand under the glow of a white articulated lamp that illuminates scattered laptops, pens, cables, and papers. A red \"No Smoking\" sign is mounted on the back wall. She addresses the group with a directive but conversational tone, \"So, just the five of you manage these two accounts?\" A brief pause follows before she clarifies, \"Actually, three accounts.\" The room remains acoustically dry and still, with only her voice and the faint tap of fingers on the desk breaking the silence, underscoring the focused, collaborative atmosphere of the team.","video_1_relative_path":"videos/3c589e9898043167.mp4","video_2_relative_path":"videos/6257d64fd5587e52.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_1/00000080","text_prompt":"An indie-romance tracking shot glides at eye level along a sun-dappled park path, bathed in the warm, low-angle glow of late afternoon. The palette leans into rich golds and deep greens, casting soft shadows and gentle highlights on the faces of a man and woman walking side-by-side toward the camera in a steady medium two-shot. The man, sporting light-brown hair, a short beard, a dark blazer, and a patterned white shirt, turns slightly toward his companion and asks, “Okay, what about reincarnation?” His tone is curious and lightly teasing. The woman, with shoulder-length wavy blonde hair, a black sleeveless top featuring delicate lace straps, and a brown shoulder bag, answers immediately and firmly, “Not at all.” She keeps her gaze fixed ahead, her expression neutral but certain. A faint rustle of leaves and the soft crunch of footfalls on the pavement underscore their quiet walk.\n\nWithout breaking stride, the man follows up with a quick, playful “God?” delivered with a rising intonation, to which the woman instantly replies, “No,” still perfectly composed. The man’s face soon breaks into a broad smile; he laughs softly, glancing down before looking back at his companion. Her stern demeanor melts into a small grin as she begins to laugh, her shoulders relaxing in shared amusement. “That sounds terrible,” she chimes in, her voice light, before adding with emphatic repetition, “No, no, no.” Turning her head toward him with a more open smile, she raises an animated hand—palm outward, fingers splayed—and says, “But at the same time, I don’t want to be one of those people that don’t believe in any magic.” Her voice carries a warm, earnest lilt. The man listens attentively, nodding slightly with his eyes fixed on her, as the camera continues its smooth advance and the natural conversation flows beyond the frame.","video_1_relative_path":"videos/8b9eaeab489ff9cc.mp4","video_2_relative_path":"videos/8089555500fec2dc.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_1/00000085","text_prompt":"A steady medium two-shot captures a sun-dappled residential path bathed in late-afternoon light, where a man with light-brown hair and a short beard, dressed in a dark-gray blazer over a pale yellow patterned shirt, walks beside a woman with shoulder-length wavy blonde hair wearing a black lace-trimmed sleeveless top and carrying a brown shoulder bag. They move slowly toward the camera in a continuous, gentle push-in, their figures sharply focused against a backdrop of lush foliage and soft red blossoms rendered in creamy bokeh. As they stroll, the woman turns her head slightly, her brows raised in tentative inquiry, and asks, \"What if we were to die tonight?\" Her voice carries a reflective, gently earnest quality, while the ambient soundscape holds only a faint outdoor hush and the soft rhythm of their footfalls on the pavement.\n\nThe man glances at her with mild amusement before looking ahead again, his mid-range voice carrying a light, teasing lilt as he replies, \"What, like if the apocalypse was coming?\" Her eyes widen briefly, a small half-smile flickering across her face before settling into thoughtful seriousness. She shakes her head once, lips pursed, and answers in a calm, reflective cadence, \"No, no, that’s too dramatic,\" as his eyebrows lift in gentle curiosity. Continuing their leisurely pace, a passerby in a red T-shirt crosses the mid-ground behind them, momentarily blending into the verdant scenery. The woman’s tone softens, tinged with quiet vulnerability, as she finishes her thought, \"But what if, you know, just the two of us were going to die?\" The man’s expression settles into contemplation, offering an almost imperceptible nod. The camera maintains its unhurried forward drift, preserving the intimate, philosophical weight of their exchange as natural daylight filters through the canopy and their conversation lingers in the still air.","video_1_relative_path":"videos/92c079fc40434d29.mp4","video_2_relative_path":"videos/b705d740643232a5.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_1/00000089","text_prompt":"A static medium two-shot frames a man and a woman seated on a dark-green, curved-back metal park bench, surrounded by lush, softly blurred foliage under diffused daylight that casts even, shadowless illumination. The woman, positioned on the left, turns slightly toward her companion, her right hand lifting near her chest as she begins to speak with a clear North-American accent, an earnest expression, and raised eyebrows as she asks, “When it comes to dirty talk, what specific word would you like to hear?” A faint rustle of clothing accompanies her gesture, while the quiet outdoor ambience remains barely audible, keeping the focus entirely on their intimate exchange.\n\nThe man, seated on the right in a grey blazer and speaking with a relaxed North-American accent, listens attentively with his head angled toward her and one hand resting near his lapel. He responds with a calm, slightly amused tone, giving a small nod as he says, “Right? You know exactly what I mean. Like me?” He lifts his right hand to lightly tap his blazer before offering a gentle outward sweep of his palm, his delivery playful and inquisitive. The woman’s gaze softens into mild surprise, her brows lifting higher as she holds her pose and listens closely. He continues seamlessly, “Well, yeah. For example, what specific word would you like to hear?” punctuating the question with a steady, open gesture. The camera remains fixed, preserving the tranquil, cinematic stillness of the scene as their candid, flirtatious conversation unfolds in the quiet, shaded park.","video_1_relative_path":"videos/e871dc33f6b3e627.mp4","video_2_relative_path":"videos/58a7377dc2ac08cf.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_10/00000007","text_prompt":"A minimalist domestic drama opens in a fixed, wide shot of a bright, modern open-plan kitchen and dining area, bathed in even, soft daylight streaming through a large window behind the counter. The color palette leans toward neutral creams, whites, and muted earth tones, establishing a relaxed morning atmosphere. A woman in her late twenties or early thirties stands at a rectangular wooden table draped with a white floral tablecloth, wearing a cream sleeveless knit vest over a sheer lace-sleeved top, light blue jeans, and pink slide sandals, her dark hair tied in a loose bun with short bangs. With a furrowed brow and one hand resting on the tabletop, a subdued, slightly complaining female Mandarin voice with a mid-high pitch begins, stating \"我心里面不舒服啊。\" Behind her, a man in his early thirties with short black hair, dressed in a brown turtleneck sweater and dark trousers, leans casually against the kitchen counter with his hands in his pockets, watching her with a concerned expression.\n\nThe static wide framing holds as the man steps forward slightly, tilting his head to ask in a calm, gently curious male Mandarin voice with a mid-low pitch: \"这为什么呀要这样？\" His measured delivery emphasizes genuine confusion. The woman straightens up, still looking uneasy, and briefly glances toward him before returning her gaze to the table, while a faint appliance hum underscores the quiet room. A hard cut then shifts to a medium two-shot from a slightly higher angle, tightening the focus on their upper bodies and revealing more kitchen details: a green microwave covered with a white lace cloth, glass-front cabinets displaying wine bottles and jars, and hanging mugs on a blue-and-white rack. The woman exhales audibly, her voice shifting to a brisk, impatient female Mandarin tone as she gestures sharply toward an unseen pot and flicks her wrist in dismissal: \"行了，去把馄饨帮我盛出来，快去快去。\" The man’s eyebrows rise, he nods once in acknowledgment, but remains silent.\n\nThe frame holds on this medium close-up as both characters freeze momentarily in their positions—the woman’s hand suspended mid-gesture, the man beginning to pivot as if to leave—before cutting abruptly to black. Throughout the sequence, the camera work remains minimalist and spatially continuous, prioritizing interpersonal tension over visual dynamism. Natural daylight mixed with overhead fixtures casts soft shadows and maintains balanced exposure, while the deliberate absence of non-diegetic music or sound effects keeps the focus squarely on their subtle facial expressions and the quiet emotional weight of the exchange.","video_1_relative_path":"videos/bc93294aeb7f806b.mp4","video_2_relative_path":"videos/42df2b7a7d440910.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_10/00000013","text_prompt":"Cinematic office drama, shot on a static camera with a classic shot-reverse-shot rhythm, bathed in soft, diffused daylight filtering through large windows to establish a cool, neutral palette of navy, black, and crisp white, with minimal shadows and a faint HVAC hum grounding the quiet space. The frame opens over the shoulder of a woman with long dark-brown hair in the left foreground, focusing on a middle-aged man occupying the right half of the shot. He stands with a serious, authoritative bearing, his short hair greying at the temples and a trimmed goatee accentuating his focused expression, while wearing a navy-blue suede-textured blazer over a black turtleneck. Behind him, closed white horizontal blinds soften the ambient light. A mid-low pitch, authoritative male Mandarin voice begins, stating “洪总那边呢？”\n\nThe shot cuts to a medium close-up of the woman, revealing her upright posture and crisp white collared shirt beneath a black blazer, accented by a loosely tied black-and-white patterned neckerchief. Large windows behind her blur into an out-of-focus city skyline, with a potted green plant adding a subtle touch of life to the professional atmosphere. Facing slightly left toward him, she meets his gaze with a composed yet earnest expression. A calm, earnest female Mandarin voice replies, “洪总的事情我有错。” The camera returns to the man’s perspective, where he raises his eyebrows slightly, his steady tone shifting to firm reassurance laced with restrained annoyance. A steady, reassuring male Mandarin voice continues, “不是你的错。要怪就怪那个小新办事不力。”\n\nCutting back to the woman’s close-up, she listens intently, her eyes holding his with a blend of caution and fairness. Her measured Mandarin voice drops slightly at the end as she proposes a solution. A measured, conciliatory female Mandarin voice proposes, “要不你把她换了吧？这事真不能全怪小新。” The static framing emphasizes the unspoken tension of workplace accountability and managerial hierarchy, leaving the ethical weight of the exchange hanging in the softly lit room. The audio remains clean and focused, with consistent speech levels and negligible background noise, allowing the nuanced delivery of each line to carry the scene’s emotional subtext until the frame holds on her resolute expression.","video_1_relative_path":"videos/8aa0550e25c8a7f3.mp4","video_2_relative_path":"videos/cd50511c3e0f2d65.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_10/00000050","text_prompt":"A nocturnal intimate drama shot on a static medium close-up with a shallow depth of field, rendered in a muted earth-tone palette against a dark cabin interior. Soft, cool dashboard illumination carves a chiaroscuro contrast across the driver’s face, while blurred green-blue streetlight reflections drift across the side windows. The driver, an East-Asian man in his thirties wearing a brown ribbed turtleneck beneath a dark textured jacket with a fleece collar, rests his right hand on the steering wheel. A calm, measured male Mandarin voice, strained with regret, begins, stating \"But back then, I couldn't stand on your side, otherwise Dad would have suffered for life.\" The cabin remains quiet save for a low, steady engine hum.\n\nA straight cut shifts to the front-seat passenger, an East-Asian woman in her late twenties with short black hair, blunt bangs, and pearl drop earrings, dressed in a beige-and-grey plaid coat over a white collared blouse. She looks toward the driver with downcast eyes and pressed lips, a weary, resolute female Mandarin voice responding, stating \"Alright, I understand.\" She then lowers her gaze, inhales quietly, and raises her eyes again with a subtle tightening around her mouth, the same female voice softening but remaining firm as she continues, asking \"Anyway, from now on, let's just stop talking about Dad, okay?\" The man remains silent, his presence anchored by the unbroken framing and the faint reflection in the rear-view mirror, which subtly underscores the weight of unresolved family history. Muted earth tones and dark cabin shadows dominate the palette, punctuated only by the occasional neon-green and blue highlights of passing traffic, while the restrained performances and intimate nocturnal setting convey a profound sense of private vulnerability and lingering resentment.","video_1_relative_path":"videos/80147fa556adb3cf.mp4","video_2_relative_path":"videos/f813cc3f71673a68.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_10/00000059","text_prompt":"Cinematic corporate drama, shot on a 50mm lens with a static medium framing and a single clean cut to an over-the-shoulder reverse shot. The scene is bathed in cool, diffused overcast daylight filtering through large office windows and horizontal blinds, casting a low-contrast glow over a muted palette of charcoal, slate, and crisp white. In a minimalist high-rise office, a middle-aged East Asian manager sits behind a dark wooden desk, his chest framed in a steady shot. He wears a tailored charcoal suit with a dark tie, his short hair neatly combed with silver at the temples. A black leather notebook and a stack of white papers marked with red-and-black charts rest on the desk before him. Initially clasping his hands, he leans slightly forward, his steady gaze fixed off-screen right as a barely audible room-tone hum fills the quiet space. A calm, mid-low resonant male Mandarin voice begins, stating “Do you really believe your strategy is without flaw?”\n\nThe camera cuts directly to an over-the-shoulder view of the woman seated opposite him, her long wavy dark hair softly blurred in the foreground. She sits upright in a black leather chair, dressed in a dark plaid blazer over a crisp white collared shirt and a black turtleneck. A slim pen rests between her fingers as she meets his gaze with a small, confident smile. A clear, mid-range female Mandarin voice replies, “It is flawless.” Her expression then deepens with earnest resolve, and she shifts subtly in her seat, her delivery slowing with a gentle downward cadence as the female Mandarin voice continues, adding “Words are useless; we can only let next month’s sales figures speak for themselves.” The ambient soundscape remains virtually silent, save for her speech and a soft intake of breath, leaving the two professionals locked in a tense, unspoken exchange against the sober backdrop of the corporate suite.","video_1_relative_path":"videos/9cca84bae00973fb.mp4","video_2_relative_path":"videos/4224f563cfae964c.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_11/00000023","text_prompt":"Cinematic medium-wide shot, locked off at eye level, captures a brightly lit modern Chinese restaurant bathed in warm, even light from hexagonal pendant lamps and soft daylight filtering through large windows. The color palette balances muted browns, cool blues, and vivid red against neutral whites, with a round table draped in a white lace-patterned cloth anchoring the foreground. A young girl with twin buns sits with her back to the camera, quietly eating, while an adult woman in a brown ribbed sweater and trousers arranges utensils nearby. Beside her, a man in a blue-and-white plaid shirt layered under a light beige quilted vest raises a glass half-filled with pale liquid and turns toward a waiter approaching from frame right. The waiter, clad in a red short-sleeved uniform with ornate gold trim and dark-rimmed glasses, holds a flat brown tray and leans forward with a polite smile. The man addresses him in Mandarin with a mildly confrontational tone, his voice cutting clearly through the soft murmur of restaurant chatter: “程大少，你在这儿干嘛？”\n\nWithout a cut or camera movement, the man lowers his glass, exhales audibly, and continues with a sighing, exasperated inflection: “唉，别提了，戴维那个孙子把你裁了之后，这摊子事就彻底乱了套。” He gestures lightly with his free hand, maintaining steady eye contact as the waiter nods sympathetically and opens his mouth to reply. The woman continues adjusting plates, occasionally glancing between the two men, while the child remains absorbed in her meal. Faint cutlery clinks and distant dishware taps underscore the casual dining atmosphere, grounding the scene in a low-level ambient realism that highlights the underlying workplace tension and the man’s frustrated resignation. No music or electronic tones interrupt the natural soundscape, leaving the focus entirely on the spoken exchange and the quiet, observant presence of the surrounding patrons.","video_1_relative_path":"videos/da8cca22d5698d3f.mp4","video_2_relative_path":"videos/72d94cebb368b186.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_11/00000093","text_prompt":"A mid-century Hong Kong period drama unfolds in a dim, warmly lit restaurant, captured through a shallow depth of field and static framing that isolates a middle-aged East Asian man in a dark suit seated at a small round table. Warm tungsten tones from a pleated table lamp cast amber light across his neatly combed hair and pensive expression, creating high contrast against deep shadows and rich blues and browns in the surrounding décor. In a calm, low-pitched male Mandarin voice, he leans slightly forward and asks, “喝一点吗？” (“Will you drink some?”). Simultaneously, a sparse, melancholic piano-and-string underscore begins at a barely audible level, establishing a reflective, suspended atmosphere devoid of any diegetic restaurant noise.\n\nThe camera shifts to a gentle over-the-shoulder composition, revealing an elegant young East Asian woman across from him. She wears a dark blue cheongsam patterned with light blue floral lace, her coiffed hair framing a warm, accommodating smile as she gazes at him. Between them rests a white plate of food, a bread roll, a clear bottle of reddish-brown liquor, two crystal snifters, and a slim white vase holding pink flowers. A gentle, mid-range female Mandarin voice replies, “陪你喝一点。” (“I’ll drink a little with you.”). The man lifts the bottle and carefully pours the amber liquid into her glass, the lamplight catching its flow. He then turns toward her with polite humility and quiet gratitude, a measured, humble male Mandarin voice continuing, “我们在香港熟人不多，经常麻烦你。” (“We don’t know many people in Hong Kong, so we’re always troubling you.”). The woman listens attentively, her hands resting near her glass, maintaining a courteous smile as the understated musical motif persists.\n\nThe static framing holds steady on the man as he finishes his sentence, his eyes softening to acknowledge their shared circumstance and quiet solidarity. The camera lingers on this intimate tableau, emphasizing the period aesthetic and the unspoken bond between two outsiders relying on each other’s company. The background music trails off imperceptibly, the absence of ambient sound and minimal camera movement reinforcing the contemplative mood until the scene fades to black.","video_1_relative_path":"videos/a5be73786cc38016.mp4","video_2_relative_path":"videos/b9b43861c6bfff9b.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_11/00000097","text_prompt":"Cinematic drama, captured on a 35mm lens with a shallow depth of field, opens on a tense, somber nighttime scene in a dimly lit dirt clearing beside a quiet rural road, bathed in the chiaroscuro contrast of two tall lampposts that cast warm pools of light while leaving the surroundings in deep shadow. A vintage dark sedan with chrome trim sits parked at an angle, its period details and distant picnic tables evoking a mid-twentieth-century atmosphere. A middle-aged man in a light long-sleeved shirt and trousers leans over the driver-side front fender, his brow furrowed and jaw set as he inspects something near the hood ornament. From behind him, April, a blonde woman in a pale short-sleeved blouse and matching skirt, stands with her hands resting loosely at her sides, watching him with guarded concern. The air is thick with isolation, broken only by a faint low-frequency hum of distant traffic and a sharp metallic click from the car’s latch. A strained, defensive male voice with a North American accent speaks in a low, measured tone: “Don’t look at me like that, April.”\n\nThe camera shifts to a medium shot of April standing alone beside the passenger door, her shoulders sagging as her expression softens from tension into weary pleading. In the distance, the soft glow of approaching headlights sweeps across the dusty ground, growing brighter and casting long, uncertain shadows that heighten the suspense of an impending change. She lifts her gaze toward the unseen man, her voice subdued yet insistent, carrying a gentle rise-and-fall intonation that underscores her quiet desperation: “Could we please go home now?” The scene holds its heavy, intimate atmosphere as the ambient hum continues beneath her words, leaving the unresolved tension and relational strain hanging in the cool night air until the frame fades.","video_1_relative_path":"videos/9b474301334c33a2.mp4","video_2_relative_path":"videos/1cb36284a799126f.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_2/00000015","text_prompt":"A naturalistic, character-driven drama opens on a medium, eye-level shot of a man and woman seated side by side on the deck of a small boat drifting slowly along a calm river in central Paris. Diffuse daylight from an overcast sky casts soft, shadow-free illumination across a palette of muted earth tones, while a shallow depth of field keeps the pair in sharp focus against a softly blurred backdrop of stone embankments, leafy trees, café umbrellas, and strolling pedestrians. The man, a Caucasian in his early middle years with short brown hair, light stubble, a dark-grey suit jacket, and an open-neck white shirt, leans toward his companion with earnest intensity. A reflective, mid-low pitched male voice begins, stating, \"I mean, what is love, right? If it isn’t respect, trust, and admiration?\" His tone grows impassioned as he punctuates the words by opening his arms wide before drawing them back toward himself.\n\nThe woman, a Caucasian in her late twenties with shoulder-length wavy blonde hair and a sleeveless black lace dress, remains perfectly still, her gaze lowered and lips pressed as she absorbs his words. A brown cross-body bag strap rests across her shoulder, and beside her on the boat’s rail, a red lifebuoy catches the muted light, subtly echoing the quiet tension of the moment. As he finishes his thought, the man lowers his hands, briefly brushes the back of his head, and exhales with a soft, breathy vulnerability. A slightly breathy, vulnerable male voice continues, adding, \"And I felt all those things,\" before trailing into a quiet sigh that hangs in the riverside air. She does not respond, maintaining her introspective posture as the camera holds locked off, capturing only the gentle sway of the boat and the subtle ripples on the water. The scene lingers on the unresolved emotional weight of his confession, leaving the intimate conversation suspended in the hushed, ambient hum of the city.","video_1_relative_path":"videos/bb4c2994284121b6.mp4","video_2_relative_path":"videos/99023b6cf1aae167.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_2/00000034","text_prompt":"Cinematic drama, shot on a 35mm lens with warm natural daylight and a shallow depth of field that isolates the subjects against a muted earth-tone palette of beige façades, cream clothing, and a dark green jacket. The scene opens with a medium-long rear tracking shot gliding behind a young woman and man as they walk away down a narrow, cobblestoned European street lined with wrought-iron balconies. The woman, her blonde hair gathered in a loose up-do, wears a cream textured jacket over a dark top and carries a brown shoulder bag, while the man beside her is dressed in a light open-collar shirt. Distant traffic hums and faint city chatter fill the air, but their voices quickly take precedence. The woman, sounding contrite, states, “You must have been so angry with me. I’m so sorry.” She briefly lifts her right hand toward his shoulder in a gentle, apologetic gesture before the camera cuts to a static medium two-shot facing them side by side.\n\nNow standing still, they turn slightly toward one another as the woman raises both hands near her chest, her earnest expression searching his face for forgiveness. The woman, earnest and rising in intonation, continues, “I really wanted to be there, more than anything in the world.” The man listens, brows knitted and mouth parted, before the man, his voice quick and emphatic, interjects, “Honestly, I swear.” He flashes a small, placating smile with his palms half-raised. The woman, urgent and overlapping, pleads, “You can’t be angry, my grandmother was unwell and I had to stay by her side.” Their words overlap slightly, underscoring the tension of the moment. The man leans forward, shaking his head lightly as his frustration melts into understanding. The man, rapid and reassuring, softens his tone, “No, I know, I know. I honestly thought that something like that might have happened.”\n\nThe woman lowers her hands but holds steady eye contact, absorbing his words as pedestrians drift past behind them and a dark serif storefront sign remains visible on the left. The shallow depth of field keeps the focus tightly on their synchronized body language—raised hands, leaning in, softened expressions—emphasizing intimacy amid the public space. Muted earth tones in their clothing and the surrounding architecture are subtly punctuated by a parked blue car and a distant red awning, adding quiet vibrancy without distracting from the emotional core. Ambient street sounds persist at a low level, framing their unresolved yet conciliatory stare as the scene settles into a tentative, mutual resolution.","video_1_relative_path":"videos/0da4812c448051ad.mp4","video_2_relative_path":"videos/457d22dd987f80b0.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_2/00000048","text_prompt":"Late-1990s independent cinema aesthetic, captured on a steady gimbal tracking shot with a shallow depth of field. Neutral fluorescent lighting washes over a spacious transit concourse, balancing warm wardrobe tones against the cool blues of polished floors and ticket counters. A young man with shoulder-length wavy brown hair, a light goatee, and a maroon turtleneck strides toward the camera from screen right, a tan canvas messenger bag slung over his left shoulder. Beside him walks a young woman with long wavy blonde hair in a brown sleeveless dress layered over a white shirt, a small black handbag resting on her arm. The camera holds a medium two-shot at eye level as they move through the softly blurred crowd of travelers and rolling suitcases. The woman glances up, her expression bright and inquisitive, and asks, “What’s your name?” The man turns his head, smiles, and replies with mild surprise, “My name?” He adjusts his bag strap as they walk.\n\nThey slow to a halt near a blue service window beneath a blurred “Ticket Office” sign. The man sets his bag down, rummages briefly, then looks back with an easy grin. “It’s Jesse,” he says, his tone casual and friendly. “It’s James actually, but everybody always calls me Jesse.” The woman listens attentively, nodding once and smiling wider. She tilts her head playfully, her curiosity teasing, and finishes the thought, “You mean Jesse James, don’t you?” The man’s smile lingers, awaiting her next remark. The camera holds the intimate two-shot as ambient station chatter and the low rumble of footsteps fill the space, leaving their exchange open and charged with the quiet promise of a developing connection.\n1990年代末独立电影的美学风格，以稳定手持云台拍摄的跟镜头呈现，景深较浅。中性荧光灯照亮宽敞的交通枢纽大厅，温暖的衣着色调与光洁地面及售票柜台的冷蓝色调形成平衡。一位留着及肩波浪棕色头发、面带浅色山羊胡、身穿酒红色高领毛衣的年轻男子从画面右侧朝镜头走来，左肩斜挎着一个米色帆布斜挎包。他身旁走着一位长发波浪状的金发女子，身着棕色无袖连衣裙，内搭白色衬衫，手臂上搭着一只小巧的黑色手提包。镜头以平视角度保持中景双人镜头，两人穿行于模糊的旅客人群与滚动的行李箱之间。女子抬头望向镜头，神情明亮而充满好奇，问道：“你叫什么名字？”男子侧头微笑，略带惊讶地回应：“我叫什么？”边说边调整背包肩带，继续前行。\n\n他们缓步停在一处蓝底服务窗口前，上方“售票处”标识已模糊不清。男子放下背包，稍作翻找后回头露出轻松的笑容：“我叫杰西。”语气随意而友善，“其实我叫詹姆斯，但大家都叫我杰西。”女子专注倾听，轻轻点头，笑容更盛。她调皮地歪了歪头，带着几分戏谑的探究意味，补了一句：“你是说‘杰西·詹姆斯’吧？”男子笑意未散，静静等待她的下一句。镜头持续定格在这亲密的双人画面，周围车站的背景人声与脚步低语交织，将这段对话衬得意味深长，仿佛一段悄然萌芽的情感正悄然酝酿。","video_1_relative_path":"videos/e42c305b46dff8a0.mp4","video_2_relative_path":"videos/f42dd1b30f5473c5.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_3/00000010","text_prompt":"A static medium close-up captures an intimate, vlog-style scene of two young Korean men seated side by side indoors, bathed in soft, warm frontal lighting that casts minimal shadows against a heavy dark red curtain backdrop. To the left, a black mesh office chair holds a small red-and-white mushroom prop, while the man on the left wears a red zip-up jacket with white shoulder stripes and a silver Puma logo. He has short dark brown hair and begins speaking in Korean, his tone light and teasing as he gestures toward his companion: \"이건 너무 살이 잘 보인다.\" The man on the right, sporting light brown highlighted hair, layered necklaces, a small hoop earring, and an off-white long-sleeved shirt with vertical black lettering, listens attentively with his mouth slightly open, eyes tracking the speaker.\n\nThe left speaker lowers his hand, briefly glances forward, and continues in a conversational, amused cadence: \"나. 이거.\" The right subject reacts with a subtle head turn and a soft, questioning interjection in Korean: \"어디? 언제?\" The left man raises his palm outward again, smiling as he asks with rising intonation: \"아, 이거?\" Instantly, the right subject breaks into a sharp, high-pitched laugh, tilting his head back and opening his mouth wide in spontaneous amusement. The exchange is underscored by a quiet, unobtrusive room tone with only the faint rustle of clothing and natural breathing, keeping the focus entirely on their relaxed expressions and the steady, conversational framing. No camera movement occurs, preserving the intimate atmosphere as the scene closes on their shared, lighthearted reaction.","video_1_relative_path":"videos/5bafe79a95db5590.mp4","video_2_relative_path":"videos/19f682f3a69f7a43.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_3/00000042","text_prompt":"Cinematic domestic drama captured in a single continuous take, framed in a static medium-wide shot that holds steady throughout. The scene unfolds in a warmly lit living room bathed in a palette of soft yellows, beiges, and muted purples, with beige curtains draping a window behind three figures, a floor lamp casting a gentle glow to the left, and an air-conditioning unit resting quietly on the right. A woman in a bright yellow dress steps forward to firmly grasp the arms of a man in a purple jacket layered over a white graphic tee, attempting to restrain him as he flails and steps backward toward a beige sofa. His face is tense, mouth open mid-shout, while a man in a grey hoodie, initially seated to the right, rises with a concerned expression to intervene. A calm, neutral female Mandarin voice urges, \"曾老师，坐下，坐下，平静点。\" while an agitated male voice protests, \"不行，我还是要离开这里，我办不到。\"\n\nThe camera remains fixed as the physical struggle intensifies; the man in the grey hoodie steps in, placing both hands on the central figure’s shoulders and chest to physically hold him in place. The woman maintains her grip, her tone shifting to steady reassurance as she repeats, \"没事了，没事了。\" The man in the grey hoodie interjects with a calmer but insistent Mandarin voice, \"曾老师好了好了。\" The audio landscape is stripped bare of music or environmental hum, relying entirely on the raw overlap of speech, the sharp intake of breath, and the soft rustling of fabric as bodies shift and resist. Lighting stays constant, the composition unbroken, and the scene closes on the three figures locked in motion, their gestures of restraint and comfort clashing with the central man’s unresolved agitation, leaving the tension suspended in the quiet room.","video_1_relative_path":"videos/d8868210b13eac2e.mp4","video_2_relative_path":"videos/d3326c844a75c48c.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_3/00000094","text_prompt":"A mythic fantasy scene opens in a static wide shot, 16:9 aspect ratio, where warm amber lantern light clings to thick iron chains and collides with cool blue-purple accents on the characters’ garments. A colossal red-orange sigil, carved into the rocky back wall and glowing like stylised flames or serpentine dragons, pulses faintly with latent energy, while floating embers drift lazily upward through the heavy air. Centre-left, a man in a lustrous indigo robe trimmed with gold stands with his hair bound in a high topknot, one hand resting on the hilt of a long sword at waist height. His brow is furrowed, eyes fixed downward toward a circular stone altar ringed by tiny dragon-head reliefs. To the right, a second figure remains perfectly still, cloaked in dark fabric edged with pale trim, face obscured by a mask, hands clasped before him. A low, sustained musical drone underscores the silence as the robed man lifts his gaze slightly and asks gravely, “小妖真的投炉而死了?” His voice is deep and resonant, heavy with disbelief and sorrow.\n\nThe hooded figure answers without hesitation, “对,” delivered in a flat, matter-of-fact tone that cuts through the cavernous reverb. A single metallic chime rings out, sharp and bell-like, punctuating the exchange before the background music settles back into its subdued, tense hum. The robed man lowers his eyes again, jaw tightening as the masked speaker continues with measured cadence, “今日剑成，阿难不堪忍受痛苦，跳炉而死.” Each clause is separated by deliberate pauses that let the weight of the news settle, accompanied only by the subtle rustle of fabric and the faint crackle of ambient fire. The camera never moves, keeping the two figures balanced against the monumental carving, while a moderate depth of field softly blurs the glowing sigil to keep focus on the foreground. The colour palette of crimson, violet, and charcoal reinforces the mythic atmosphere, and the scene closes on the final syllable as the low drone fades, leaving only the isolated, sacred stillness of the forbidden chamber.","video_1_relative_path":"videos/6e4d36b0ec7dd468.mp4","video_2_relative_path":"videos/d1085ebfb0dc4063.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_4/00000005","text_prompt":"The scene opens in a static, eye-level medium-wide shot inside an open-air wooden pavilion overlooking lush greenery and distant traditional architecture. Soft morning light filters through sheer beige curtains trimmed with red fabric and gold tassels, casting a warm, diffused glow across the space. Three figures are seated around a round, dark-wood tea table set with a dark ceramic pot and cups. On the left, a young woman in layered cream robes with a red sash leans forward, her head bowed toward the table. In the center, a man in a white outer robe over grey garments sits upright, while to his right, another woman in a lustrous dark-blue robe clasps her hands on the tabletop, her gaze fixed on him. The shallow depth of field gently blurs the background foliage, keeping the focus tightly on the trio and their ornate, embroidered Hanfu-style garments. A faint rustle of silk fills the quiet air, underscored by a barely audible low electronic hum. A curious, slightly playful female voice in Standard Mandarin breaks the stillness, stating, “是不是？”\n\nWithout any camera movement, the central man lifts his eyes to meet the women, his expression shifting from pensive to faintly amused. In a calm, mid-low male voice colored by mild irony, he replies: “是啊，经过你们俩细心的安排，这个火花可大了。” As he speaks, he makes a small, deliberate outward sweep of his right hand above the teapot to emphasize the careful planning behind their words, the subtle swish of fabric accompanying the gesture. He stresses the final word with a hint of wry satisfaction before letting his hand settle back onto the table edge. The ambient hum persists as the lighting remains constant, holding the frame in a composed, intimate tableau. The restrained performances and quiet exchange suggest a confidential moment where a carefully orchestrated plan has successfully ignited a significant spark, leaving the three figures suspended in contemplative silence.","video_1_relative_path":"videos/b105fa805094ffcf.mp4","video_2_relative_path":"videos/d0efa02cb45ec1c9.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_4/00000016","text_prompt":"A xianxia fantasy scene unfolds in a static medium-wide shot of a spacious, high-ceilinged hall of dark wood, where heavy patterned teal-green curtains frame an open balcony overlooking a bright daytime panorama of rolling hills and scattered buildings beneath a pale blue sky. Warm candlelight from wall sconces casts soft amber highlights across the polished floorboards, blending with the natural daylight to create a balanced exposure and gentle shadows in a color palette of deep teals, blacks, and warm ambers. From frame left, a woman in an elaborate black robe densely speckled with tiny silver glints strides toward the center, her long straight black hair gathered in a tall up-do secured by ornate red-and-black hairpins and a single red flower ornament near her temple. The faint rustling of silk and light footfalls echo in the cavernous interior as she stops just short of mid-frame, turns her head leftward, and fixes her narrowed eyes with restrained anger. In a firm, accusatory female Mandarin voice, she states, \"你好大的胆子。\" (How bold you are.), her posture rigid and shoulders squared against the subdued hush of the hall.\n\nWithout breaking her stance, she pivots fully to face the entrance, planting her feet shoulder-width apart and lifting her right hand palm-up in a gesture of admonishment as she continues in a scolding register, adding, \"居然敢闯往生池。\" (You actually dared to trespass into the Pool of Rebirth.). At that moment, a man enters from the left edge, his layered pale cyan-blue robes over white flowing as he moves. His long dark hair is tied back with a simple cord, and his composed yet tense expression softens only slightly as he halts two meters opposite her, hands loosely clasped before him. The locked-off camera maintains a symmetrical composition, emphasizing the visual contrast between her dark, glittering attire and his pale garments, while the reverberant acoustic of the hall amplifies the tension. He responds in a calm, measured male Mandarin voice, his tone mildly defensive as he states, \"其实左护法知道我在假寐。\" (Actually, the Left Guardian knows I was merely pretending to sleep.). The scene settles into a quiet standoff, the sparse diegetic sounds of fabric and breath lingering in the air, leaving the confrontation suspended between the intimate gravity of the interior and the boundless daylight beyond the balcony.","video_1_relative_path":"videos/da27bf694556921b.mp4","video_2_relative_path":"videos/6e80b93a66bc007a.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_4/00000084","text_prompt":"Cinematic historical drama, locked-off medium two-shot in 16:9, bathed in even daylight that casts gentle shadows across a spacious courtyard paved with pale stone tiles. The color palette leans into muted grays, whites, and deep greens, punctuated only by the vivid red frames of three large drums resting on wooden stands against a gray-stone palace wall, with ornate eaves and pillars hinting at an imperial complex beyond. Two men walk side-by-side toward the camera. The younger man on the left wears layered white-and-gray robes embroidered with cloud motifs, his half-tied dark hair secured by a small gold hairpin; his brow is furrowed, lips pressed, and shoulders squared, radiating quiet tension. Beside him, the older man in a dark teal-green brocade robe keeps his gaze lowered before lifting it to address his companion. A soft, low-volume traditional instrumental underscore, featuring a plucked zither-like timbre and faint wind ambience, establishes a restrained, serious atmosphere. The older man, speaking in a cautious, mid-low Mandarin tone, asks, “这火烛的事儿，咱不给他弄大了吗？”\n\nThe younger man listens without breaking stride, his breathing shallow, before inhaling and turning his head fractionally to reply. His voice is a calm, lower-pitched baritone, deliberate and slightly dismissive, carrying the weight of impatience as he states, “几支火烛被动了手脚，算不得什么大事。” He tightens his jaw, signaling resolve, while both men continue their steady advance deeper into the courtyard. The camera remains fixed, framing them in a formal, tableau-like composition that emphasizes the solemnity of their private counsel. The background stays static save for a distant figure in dark garb who briefly crosses behind the drums, reinforcing the guarded nature of the compound. The sparse musical motif sustains its slow, minor-key progression without rhythmic change, while the muted score and barely audible footsteps on stone leave no room for crowd noise or ambient intrusion. As the conversation concludes, the music fades imperceptibly, leaving the pair walking forward into the unresolved tension of the palace grounds, the untouched drums standing as silent witnesses to latent authority and impending ceremony.","video_1_relative_path":"videos/556ab3097b65de86.mp4","video_2_relative_path":"videos/14ee11e9dd28e732.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_5/00000023","text_prompt":"Fantasy school drama scene, static medium-close shot, shallow depth of field, soft even frontal lighting casting faint shadows against a brown textured wall of large rectangular tiles. Three young men in matching purple uniforms with silver epaulettes, double-breasted buttons, and high collars stand together, the crest on the rightmost figure’s chest displaying a gold-and-silver shield topped with a golden sun over a blue wavy band. The man on the right lowers his gaze, brow furrowed, lips pressed in concern, while the central figure cradles a small light-wooden device adorned with a yellow cord and a turquoise-green charm that glows faintly green. A low, tense orchestral underscore of sustained minor-string notes fades in as a male with a mid-to-high tenor voice, speaking in urgent, slightly breathy Standard Mandarin, states, \"就醒过来了。\" The central figure looks up with widened eyes, then glances down at the wooden device, his expression shifting from surprise to anxious agreement.\n\nThe rightmost figure lifts his head, turns fully toward his companion, and raises both hands to chest level with palms open and fingers splayed, his tone growing more emphatic as he continues, \"这样听起来问题还是很大。\" He nods once, jaw tightening, and adds with resolute conviction, \"我觉得要把米雅星的状况告诉费斯特校长。\" The central figure listens intently, brows knitted, while a partially visible third man on the far left remains motionless, observing in silence. The camera stays locked off, holding the shallow focus on their faces and subtle hand movements, allowing the restrained string score to sustain its subdued tension without swelling. The three hold their positions for a beat, the unresolved atmosphere and lingering musical note underscoring the gravity of the situation before the scene fades to black.","video_1_relative_path":"videos/93ac0cd2876d20f1.mp4","video_2_relative_path":"videos/81b48d0898302c01.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_6/00000027","text_prompt":"A cinematic medium-wide shot captures three adventurers standing in a loose triangle within a dark, humid cave, its rough stone walls dotted with small green plants and hanging vines. The scene is lit by a high-contrast juxtaposition of saturated emerald-green and neutral white beams, casting deep shadows across the damp stone. On the left, an early-thirties man in a black leather hooded jacket and silver-buckle belt raises a cylindrical object that glows an intense emerald-green, bathing his face and shoulder in that hue while leaving the cavern in deep shadow. In the center, a young woman with long brown hair tied in twin pigtails, wearing an olive-green utility vest and fingerless gloves, tilts her head upward toward the light, a playful smile lifting her cheeks. She speaks in a lively, teasing Mandarin voice, remarking, \"这么浪漫的地方，就你扫兴。\" To her right, a late-twenties man in a khaki-green field jacket over a pale shirt, with a backpack slung behind him, keeps a standard flashlight trained forward, its white beam cutting diagonally across the frame to illuminate floating dust motes.\n\nThe ambient soundtrack is sparse, underscored only by a steady, low-level hum and the soft, rhythmic drip of water echoing off the stone. The man on the right maintains a vigilant posture, his eyes narrowed as he scans the unseen depths, and responds in a calm, measured Mandarin tone with a slight downward inflection: \"越是漂亮的地方，越不能大意。\" Without missing a beat, the woman leans a fraction closer, her expression softening into warm, amused admiration as she replies in a lighter, affectionate Mandarin voice, \"小哥哥，你好有危机意识哦。\" The emerald glow flickers subtly but holds steady, reinforcing the tension between the scene’s romantic allure and its latent peril. The camera remains static, keeping all three figures framed symmetrically against the damp darkness, frozen in a moment of tense anticipation as their respective lights carve out their roles—guide, mediator, and sentinel—amid the quiet subterranean stillness.","video_1_relative_path":"videos/9c0b2985ad4d1134.mp4","video_2_relative_path":"videos/64936d06dfcc4f06.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_6/00000066","text_prompt":"A static medium two-shot frames a brightly lit, modern kitchen-dining set defined by a turquoise wall tiled with alternating blue and light-green squares. Behind the characters, a silver microwave, a pink-and-white thermos, snack jars, and a black metal shelf holding a potted plant, purple orchids, and a brown dog figurine establish a cheerful, sitcom-like backdrop. Seated at a white table laden with plates of fried rice and small bowls are a young woman with long dark hair, wearing a white T-shirt emblazoned with a colorful BUILDERS SUPPLY graphic and large yellow earrings, and a young man with short dark hair in a blue denim jacket over a black tee. Two white ceramic mugs sit between them, the woman’s marked with a bold black H and the man’s with an X. High-key, evenly balanced lighting eliminates shadows, keeping the focus sharp on their expressions and props. The man turns toward the woman, speaking in a mildly teasing Mandarin tone, stating, \"我去了你怎么办？\" As he finishes, a brief swell of canned studio laughter underscores his delivery before fading. The woman’s eyes widen slightly; she turns her head, pursing her lips in mock indignation as her posture straightens to meet his banter. She launches into a rapid, defensive reply, shaking her head and raising an eyebrow while gesturing lightly with one hand. Delivered in a higher-pitched, animated Mandarin voice, she insists, \"谁眼眶红了？我那是给学生改作业，眼睛充血。\" A second wave of audience laughter rises, overlapping her final syllable. The man leans forward, extending his right arm across the table to tap the mug bearing the H, a playful half-smile crossing his face. The woman glances down at the mug, then back at him with a mixture of surprise and mild annoyance. He concludes with a light, trailing remark, completing his thought with, \"第二天啊，一切都会好起来的。\" The scene holds on this frozen moment of comedic tension, the static camera and bright, shadow-free environment preserving the polished, multi-camera sitcom aesthetic until the frame cuts.","video_1_relative_path":"videos/a1e15d3dc7b731e0.mp4","video_2_relative_path":"videos/49d75636e6931e1d.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_6/00000094","text_prompt":"A locked-off, eye-level medium two-shot holds inside a warmly lit bar, where red-orange backlighting glows softly behind shelves of bottles and rows of inverted wine glasses hang from a metal rack overhead. Shallow depth of field isolates the two men against the gently blurred backdrop, while warm key lights sculpt their faces and colored back-lights add atmospheric depth. A continuous, low-level piano theme with sustained string pads begins quietly, establishing a reflective and melancholic mood. A young man with short black hair, black-rimmed glasses, and a white T-shirt under an open red-blue-white plaid shirt stands facing a seated companion in a dark jacket and brown-and-grey plaid shirt. With a serious, slightly tense expression, he speaks in Mandarin, his tone low and earnest: “因为大力很担心你。” The seated man listens intently, leaning forward with his eyes fixed on him, while the subdued music plays quietly beneath the exchange.\n\nWithout cutting or camera movement, the standing man continues, his voice calm but laced with regret as he articulates each syllable at a measured pace: “我因为担心学姐才想搬进来住。” Faint micro-expressions cross his face—a tightened jaw, a slight brow furrow—hinting at inner conflict as the warm lighting maintains its steady glow. After a brief pause, he lowers his gaze for an instant before looking back up, his expression shifting to mild self-reproach as he adds: “没想到让她这么为难。” The seated listener remains motionless, absorbing the weight of the words without a sound. After a short breath, the speaker concludes with a slower cadence, his delivery firm yet sorrowful: “所以我决定离开。” A fleeting half-smile mixed with resignation touches his lips before settling into quiet resolve. The piano line lingers as the shot holds steady, the ambient score sustaining its somber presence while the scene rests on the unspoken tension between them.","video_1_relative_path":"videos/a9db9069e5b00348.mp4","video_2_relative_path":"videos/86ed5636779de6cc.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_6/00000095","text_prompt":"Cinematic medium two-shot, static eye-level framing, shallow depth of field, warm amber key lighting, and a saturated red-and-gold color palette establish an intimate lounge or bar setting. A wall sconce casts soft highlights across a round wooden table holding a neat stack of black poker chips, while out-of-focus liquor bottles rest in the right foreground and a glass doorway framed by red velvet curtains reveals blurred fairy lights in the background. Two young men face each other across the frame. The man on the left, dressed in a blue blazer over a yellow-and-blue plaid shirt and light trousers, speaks first with a calm, earnest tone. A calm, earnest male Mandarin voice begins, stating \"I didn't spot the flaw in the contract, that's my problem.\" As he speaks, he lifts his right hand palm-up to underscore his accountability. His counterpart on the right, slightly taller with black-rimmed glasses and an open red-blue-white plaid shirt over a white tee, listens in silence, posture upright but relaxed, his eyes fixed steadily on the speaker.\n\nThe camera holds its position without movement or cuts, maintaining the subdued, high-stakes atmosphere as the speaker lowers his hand and continues with measured resolve, stating \"I signed the contract with my own hands.\" The listener maintains unwavering eye contact, lips pressed together, offering only a barely perceptible dip of his chin in acknowledgment. The speaker concludes with firm finality, delivering a slight nod as he states \"I admit this point.\" The scene lingers on this quiet tension, the warm bar setting and shallow focus keeping all narrative weight on the raw, unspoken gravity of the exchange before fading out.","video_1_relative_path":"videos/c91f9f576f8d7625.mp4","video_2_relative_path":"videos/0f5aefc6cba85810.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_7/00000032","text_prompt":"Cinematic medium shot, locked-off and eye-level, opens inside a warmly lit café or tea-room bathed in soft, diffuse daylight that blends with cozy interior tones. The color palette is dominated by earthy browns, muted beiges, and deep blacks, punctuated by the vivid yellow of neckerchiefs and green foliage. Two teenage girls in matching black sailor-style school uniforms sit side-by-side at a dark wooden table, their navy collars edged in white piping and bright yellow neckerchiefs tied in loose bows, small red name badges pinned to their left chests. In front of them stand two tall, curved glasses filled with a cloudy pale drink, each garnished with a lemon slice on the rim, a single cherry at the bottom, and a white straw, while a smaller empty tumbler rests near the girl on the left. As a faint café room tone hums in the air, an off-screen adult woman’s calm, confident Japanese voice begins to speak, her standard Tokyo accent crisp and mid-to-high pitched: \"お二人は転校早々、十人もの不良どもをやっつけたと聞きました。\" The girl on the right turns her head slightly toward the unseen speaker, listening attentively with her eyes lowered and lips closed, while the girl on the left keeps her gaze forward, brows faintly knit as she absorbs the words, her posture steady and respectful.\n\nThe woman’s voice continues, shifting to an encouraging tone with a slight smile audible in her diction as she delivers her next line in Japanese: \"あんたらなら、やつらを倒せると思って。\" The girl on the left lifts her chin, leans forward a fraction, and parts her lips, signaling her intent to respond, her expression tightening with quiet determination. Beside her, the girl on the right remains composed, watching her companion with steady eyes. The camera holds perfectly still, capturing the subtle micro-expressions and restrained body language that convey a shared sense of resolve against the softly shadowed backdrop. The scene lingers on this poised anticipation, the ambient café sounds fading into the weight of the unspoken challenge hanging in the warm, layered space.","video_1_relative_path":"videos/76a78b9e2aca6113.mp4","video_2_relative_path":"videos/dfd6b7cac0758b12.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_7/00000046","text_prompt":"A classic American sitcom aesthetic unfolds in a single locked-off wide master shot, bathed in high-key, even studio lighting that eliminates shadows and highlights the warm wood tones of a cozy apartment living room doubling as a study. Floor-to-ceiling bookshelves packed with books and DVDs line the back wall, alongside a whiteboard scrawled with multicolored mathematical and physics equations, while a vintage Star Wars Episode III poster hangs in the upper-left corner. In the foreground, a glass coffee table is cluttered with papers, magazines, and foil take-out containers resting on a colorful patterned rug. Three friends occupy the space: on a reddish-brown leather couch to the left, a man in a grey T-shirt and plaid pajama pants calmly eats from a small metal container with a plastic fork. Beside him, a blonde woman in a light-blue V-neck T-shirt and dark shorts leans forward, animatedly beginning her story. To the right, a man wearing glasses, a brown jacket, and a green hoodie draped over his shoulders sits in a wooden director’s chair, also eating.\n\nA soft, non-diegetic studio laugh track fades in beneath the scene as a lively young woman with a General American accent leans forward, her expressive intonation rising as she states, \"Oh, anyways, I’m also writing a screenplay.\" Both men pause their chewing just enough to acknowledge her, and the man in the chair glances up briefly before returning to his food. Without any camera movement, she continues, now gesturing more broadly with open palms while maintaining eye contact, her tone upbeat and lightly self-mocking as she shares an amusing anecdote. She adds, \"It’s about this sensitive girl who comes to L.A.\" The laugh track swells gently, reinforcing the comedic mood, while the man on the couch chews thoughtfully and nods, and the man in the director’s chair watches attentively with his fork hovering mid-air. The clean, centered dialogue carries through the evenly illuminated set, underscoring a controlled, intimate recording environment where intellectual pursuits and everyday social dynamics play out in a warm, familiar rhythm.","video_1_relative_path":"videos/0149fb7fe806da68.mp4","video_2_relative_path":"videos/e41ca1f402988839.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_8/00000014","text_prompt":"A tense thriller scene captured in a tight, static two-shot framed in profile, utilizing strong backlighting and a muted earth-tone palette of mustard yellow and forest green against a cool, neutral backdrop. The clip opens in a dim room where a softly glowing, out-of-focus window or curtain casts a faint halo of warm light between two men, silhouetting their faces against the darkness. On the left, an older man in his mid-forties wears thin metal-rim glasses and a pale green-and-white vertical-striped button-down; his stern expression is half-swallowed by shadow. Beside him, a younger man in his late teens or early twenties, clad in a mustard-yellow jacket over a dark T-shirt and a blue beanie with horizontal yellow-white stripes, is more clearly lit, revealing an animated, nervous energy. A low, persistent electronic hum fills the sparse soundscape as the younger man leans fractionally closer, his voice dropping to a tense, urgent whisper: “But what if he’s faking it?” His lips move crisply while his brows lift in concern, the American accent sharp with anxiety.\n\nWithout breaking the static frame, the younger man’s hushed tone gains intensity, mixing bravado with unease as he presses on: “Like if it was me, I’d be all faking being knocked out, yo!” He stresses the words with a rapid, conspiratorial cadence, while the older man remains perfectly still, jaw set and eyes locked on his companion, absorbing the plan in silent tension. After a brief pause marked by an audible intake of breath, the younger man continues in the same secretive whisper, “And then, when the coast is clear, we make our move.” As he speaks, he raises his right hand to his chin, fingers brushing his lips in a gesture of contemplation. The older man’s gaze does not soften, holding its intense, unblinking weight as the ambient hum persists, wrapping the exchange in a thick atmosphere of secrecy and impending action.","video_1_relative_path":"videos/783256398c1144fc.mp4","video_2_relative_path":"videos/59f79532f4175120.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_8/00000022","text_prompt":"Open on a static wide shot of a dimly lit, cluttered living room bathed in warm, low-key illumination from a single off-screen lamp that casts long chiaroscuro shadows across patterned wallpaper and heavy drapes. The dominant palette of muted browns, deep reds, and shadowy blacks establishes a gritty, late-night atmosphere. In the foreground, a round coffee table is strewn with half-empty bottles, cans, ashtrays heavy with cigarette butts, and a small gold-colored bowl. On the left, a man in a dark T-shirt and jeans reclines on a light sofa with his legs propped, remaining entirely motionless. Behind the table, a bearded man in a dark beanie and black jacket with a white collar leans forward, extending an open red snack bag toward the camera while speaking with an upbeat, inviting energy. A lively male American voice with an upbeat, inviting tone begins, stating, \"These are mad tight, yo.\" Underneath the scene, a subdued electronic hip-hop loop with a soft kick and hi-hat pattern pulses steadily at a low volume, blending with the faint rustle of clothing and the crinkle of the snack bag.\n\nAs the snack is offered, a large, bald man wearing a brown-and-white horizontal-striped polo steps into view from the lower-left corner, briefly obscuring the seated pair before halting beside the coffee table. He faces the group, shakes his head slightly, and a deeper male American voice with a flat, uninterested delivery replies, \"Ah, thanks, man, pass.\" The beanie-wearing man counters with playful insistence, still gesturing with the bag, before a lively male American voice with a playful, taunting tone adds, \"Your loss.\" The exchange concludes as the striped-shirt man turns away and walks out of frame to the right, his back filling the shot. The beanie man watches him go, lowers the snack bag, and settles back into his seat while the reclining man remains fixed ahead, eyes unblinking. The ambient lighting and background music hold constant, preserving the static framing that keeps all three figures reasonably sharp in the depth of field, focusing entirely on the casual camaraderie and mild tension of the moment until the scene fades.","video_1_relative_path":"videos/69e1db99d044b13a.mp4","video_2_relative_path":"videos/26ce6c795d99e94b.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_8/00000050","text_prompt":"A cinematic medium shot, locked off at eye level, frames a warmly lit living room bathed in soft, even household light that casts gentle shadows across an earthy palette of browns, tans, and muted reds. Three figures sit side-by-side on a large brown leather sofa draped with a red-orange crocheted throw, framed against a backdrop of light wooden dining chairs, a potted plant, and decorative wall plates that establish a cozy, intimate domestic space. On the right, a bald, middle-aged man in a tan fleece pullover leans forward, resting his left elbow on the couch arm while holding a beige pillow embroidered with the phrase “Happiness is in the Little Things.” He scratches the top of his head, his expression earnest yet weary, and begins to speak in a calm, measured North American accent, stating, “But… look at it this way, okay? It’s the bottom of the ninth, bases are loaded.” Beside him, a woman with shoulder-length reddish-brown hair and a dark maroon top sits with her arms tightly crossed, her gaze fixed on him, lips pressed in a neutral but tense line that betrays underlying skepticism. To her left, a younger man in a navy crew-neck sweater slumps stiffly, eyes cast downward toward his lap, hands interlaced in a posture of quiet resignation.\n\nThe older man lowers his hand and gestures with an open palm before raising both hands, palms up, as if carefully weighing his words. His cadence carries a steady urgency, his voice emphasizing the gravity of the moment as the camera remains completely still. The ambient soundscape stays near-silent, limited to a faint, low indoor hum that underscores the heavy, contemplative mood. The woman maintains her rigid, arms-folded stance without shifting her weight, while the younger man keeps his gaze averted, his body language echoing the tension of the scene. Soft lighting accentuates the subtle micro-expressions on each face, freezing the trio in a tableau of quiet introspection and unspoken weight, the warm domestic setting contrasting sharply with the emotional gravity of the conversation.","video_1_relative_path":"videos/2bf0d096c18f6aee.mp4","video_2_relative_path":"videos/7d6bdf847e681595.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_8/00000070","text_prompt":"A locked-off medium shot at eye level captures a bright, sun-drenched suburban patio, rendered in harsh midday light that casts crisp shadows across beige stucco, muted greens, and pastel pinks. In the left foreground, a bald man wearing a black jacket over a dark shirt and light trousers leans back in a wicker chair, drawing deeply on a thick cigar as a faint plume of white smoke curls upward. Behind him, slightly right of center, an older man with short greying hair and glasses stands with his hands clasped loosely behind his back, dressed in an olive-green button-down tucked into khaki pants. A pink metallic foil banner reading “IT’S A BOY!” hangs curved against the wall, its festive shimmer creating an ironic juxtaposition against the quiet tension between the two men. The standing man speaks in a calm, almost amused baritone with a measured General American accent, his slight smile audible as he remarks, “It’s funny, isn’t it?”\n\nThe seated man exhales a dense cloud of smoke that drifts across the frame, momentarily veiling both figures before thinning to reveal his thoughtful expression. He continues in a relaxed, conversational tone, “How we draw that line.” The standing man offers a brief, neutral acknowledgment, “Yeah?” prompting the seated man to turn his head, eyes narrowing slightly with mild curiosity and quiet challenge as he asks, “What line is that?” During the exchange, he lowers the cigar to the edge of a nearby side table draped in a pink cloth, then picks up a clear plastic bag filled with additional cigars and extends it outward toward his companion. The moderate depth of field keeps both figures and the domestic backdrop acceptably sharp, allowing the subtle gesture of camaraderie or temptation to anchor the scene.\n\nThe dialogue fades into a heavy, contemplative silence. The seated man holds the open bag outstretched, cigar still resting in his fingers, while the standing man maintains his steady gaze, hands clasped behind his back. Sunlight catches the drifting smoke and the subtle folds of the party banner, emphasizing the unspoken negotiation of boundaries and shared complicity. The camera remains completely still, preserving the spatial clarity of the blocking, while the audio landscape is stripped of music and dialogue, leaving only a low outdoor hush and the faint rustle of warm air. The scene closes on a quiet, suspended standoff under the bright midday sun, the festive decorations and serious demeanor locked in a still, cinematic tableau.","video_1_relative_path":"videos/23db221ab72cefd3.mp4","video_2_relative_path":"videos/12b9f0ea72762a9b.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_9/00000026","text_prompt":"Set in a dimly lit urban courtyard at night, the scene opens on a static medium-wide shot framed by weathered brick walls, exposed pipes, and a wrought-iron gate leading to an external stairwell. Cool, desaturated lighting bathes the space in bluish ambient tones from overhead streetlamps, casting long shadows across the tiled ground and highlighting a vintage off-white sedan parked to the left. Two middle-aged men stand in the foreground facing each other: one in a brown leather jacket over a dark shirt, the other in a tan zip-up jacket and grey sweater. Behind them, three younger men observe in silence—a youth in a black hoodie and light sweatpants clutching a folder tightly, flanked by two figures in dark business suits standing rigidly near the gate. The atmosphere is tense and grounded, underscored only by a low-frequency urban hum of distant traffic and the faint rustle of clothing as the men shift their weight.\n\nThe man in the leather jacket leans forward, his body language conveying urgent impatience as he gestures emphatically and points directly at his companion. A middle-aged male Mandarin voice, firm and mildly exasperated with a northern accent, begins: \"Alright, stop dawdling. If you keep stalling, the kids will be out of school and heading home. It’s not good for the children to see a scene like this.\" His tone shifts to decisive authority as he turns his head toward the sedan and extends an arm, ordering: \"Get in the car.\" The moment the command lands, the scene resolves with precise mechanical realism: a sharp metallic click echoes as the driver-side door handle is engaged, followed by a soft hinge squeak and the heavy, resonant thud of the door slamming shut. The absence of musical scoring leaves only the raw environmental acoustics and the finality of the car door to punctuate the interaction, leaving the observers motionless as the narrative tension dissipates into the quiet night.","video_1_relative_path":"videos/1a628288792f5288.mp4","video_2_relative_path":"videos/b53aec751ed526b2.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_9/00000031","text_prompt":"Cinematic drama, cool desaturated palette, soft frontal lighting, and a static medium close-up establish a tense, intimate atmosphere. The scene opens in a softly lit interior, likely a quiet living room or study, where an older East Asian man is framed from mid-chest upward, positioned slightly left of center. He wears thick black-rimmed glasses, a crisp white collared shirt beneath a gray-brown textured V-neck cardigan, his neatly combed hair showing subtle graying at the temples. Soft illumination sculpts his facial contours without harsh shadows, while a shallow depth of field keeps him sharply in focus against a blurred background featuring a large potted plant, a framed monochrome waterfall print, and indistinct furniture. Behind him, a younger man in a dark jacket stands motionless near a doorway, rendered out of focus. The older man’s expression is stern and contemplative as he gazes off-camera to his right, his brow slightly furrowed with restrained frustration.\n\nA calm, measured male Mandarin voice begins, stating \"Alright.\" He continues with a moderate-low pitch and clear articulation, his tone growing exasperated as he remarks, \"The public security and procuratorate inspected two locations, apprehended one suspect, but in the end, the target still slipped away.\" As he speaks, his jaw tightens slightly, his eyes narrow, and his lips press together at the conclusion of the sentence, conveying quiet fury over a failed operation. The acoustic environment remains exceptionally clean and controlled, stripped of music, footsteps, or ambient noise, leaving only the faintest room tone to frame the intimacy and gravity of the moment. The camera holds steady on his contemplative profile, emphasizing psychological tension over action until the scene naturally concludes.","video_1_relative_path":"videos/ee9dfc7606d43696.mp4","video_2_relative_path":"videos/7f0cb1e12f5295ac.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_9/00000081","text_prompt":"A static, intimate domestic drama unfolds in soft, natural daylight that washes a modest dining room in a warm, gentle palette. Shot in fixed medium close-ups with clean cuts, the scene relies on restrained mise-en-scène and subtle generational contrasts through costume and posture. The camera holds on a young East Asian man in his early twenties, dressed in a sea-green button-down over a white tee, seated at a wooden table. A low refrigerator hum underpins the quiet ambience as he examines a glossy braised chicken wing held in wooden chopsticks. Looking down at his bowl, he speaks in standard Mandarin with a calm, slightly hurried, and apologetic tone, stating “前几天已经发电邮告诉我了。”\n\nA clean cut shifts the frame to an older East Asian man in his sixties, wearing a grey polo shirt, framed from the mid-chest up against a backdrop of a small aquarium and pale blue curtains. His brows rise and his mouth parts as he responds in standard Mandarin with mild exasperation and rising surprise, asking “你怎么不早说啊？” while faint utensil clinks echo from off-screen diners. The camera then cuts to an older East Asian woman in her mid-fifties, her hair pulled back and draped in an olive-green cardigan, leaning forward with wide eyes and asking in standard Mandarin with urgent curiosity, “哪个学校？” Behind her, autumnal landscape paintings hang quietly in the soft, warm light.\n\nThe focus returns to the young man, who remains fixed on his meal and answers quietly yet clearly in standard Mandarin, “斯坦福。” His subdued delivery carries a hint of hesitation, followed by a brief pause filled only by the appliance hum and the muted tap of chopsticks against porcelain. A final cut introduces a teenage girl in a white-and-blue zip jacket, seated near a magnet-covered refrigerator. Her eyes widen dramatically and her mouth forms an “O” as she repeats the name in standard Mandarin with a high-pitched, astonished voice, “斯坦福？” The refrigerator hum persists as the scene holds on her stunned expression, capturing the quiet shock rippling through the family meal.","video_1_relative_path":"videos/46f92bdb0e3910be.mp4","video_2_relative_path":"videos/b9fcff53dd5b5a91.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"magihuman_ltx_cross/multitalker/multitalker_9/00000091","text_prompt":"A cinematic nocturnal scene unfolds in a cool palette of bluish whites and muted sage greens, captured with a static lens that keeps the focus tightly on facial expressions and dialogue dynamics. The camera opens on a medium close-up of an older East Asian man standing beside the driver’s side of a parked silver sedan. Bathed in cool bluish highlights from practical streetlights and the car’s own headlights, he wears thin metal-rimmed glasses, a light olive-green trench coat over a white collared shirt and patterned tie, with short graying hair. The background melts into a soft bokeh of trees and a faint red-and-white barrier arm. Leaning forward through the open window, his brow furrowed and posture tense, he speaks with breathy urgency, his mid-low, slightly raspy voice carrying a pleading tone as he states, “我家里头天会塌的。” A low, steady electrical hum underscores the quiet night, stripping away all extraneous sound to center attention entirely on his strained delivery.\n\nThe shot cuts to an interior reverse view from the passenger side, framing the woman behind the wheel. She sits upright with her seatbelt fastened, her long dark wavy hair parted to the right, dressed in a grey turtleneck beneath a pale sage-green jacket. Cool interior lighting casts soft shadows across her composed face as she maintains steady eye contact with the man outside. Her voice emerges in a clear, mid-high register, calm yet firm, as she delivers the corporate verdict: “开除你真的是集团的决定。” She follows immediately, a slight eyebrow lift emphasizing her measured tone, “怎么可能我一个人说了算呢？” The scene holds on the quiet tension between his anxious desperation and her restrained authority, the practical lighting and muted color grading reinforcing the nocturnal atmosphere and the unspoken power imbalance of the workplace conflict.","video_1_relative_path":"videos/97d80ffda2868a09.mp4","video_2_relative_path":"videos/f403444975ce6e17.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"magihuman_ltx_cross/voiceover/voiceover_1/00000031","text_prompt":"Widescreen 16:9 cinematic framing, shallow depth of field, and soft frontal lighting from overhead fluorescents establish an intimate, tense atmosphere in a modest cafeteria. The background dissolves into a soft bokeh of blurred tables and distant patrons, keeping the visual focus locked on two East Asian men seated across from each other. On the left, an older gentleman in his late fifties wears a dark olive-green short-sleeved shirt and a small white earring in his left ear, his forehead lined with age. He leans forward, brows knitted and eyes narrowed, his medium-low Cantonese-accented voice cutting through the quiet room with controlled anger. A reproachful male voice states, \"You actually fool even the dead!\" Across the table, the second man remains perfectly still, head bowed in silent absorption, his presence anchoring the heavy atmosphere.\n\nThe camera holds its static position, capturing only the subtle shifts in the speaker’s expression as his delivery slows and hardens into stern admonition. The ambient hum of the eatery fades into the background, leaving only the weight of his words. A firm, didactic male voice continues: \"If you want others’ respect, you must first respect yourself.\" The muted earth tones of the setting—the olive shirt, the neutral walls, the soft even lighting—mirror the grounded, principled rebuke, leaving both men frozen in a moment of quiet tension as the final syllable hangs in the air.","video_1_relative_path":"videos/22618cdcaab31cf8.mp4","video_2_relative_path":"videos/66dbe55d52fc1567.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"magihuman_ltx_cross/voiceover/voiceover_1/00000035","text_prompt":"Neo-noir suspense shot with a dominant cyan-blue color wash and tight, psychologically charged framing. The scene opens in a medium close-up at eye level inside a dimly lit interior backed by rough, pale green-blue concrete walls. An older East Asian man with wavy dark hair and a tan trench coat stands on the left, his right arm fully extended toward the camera as he firmly grips a black semi-automatic pistol, index finger resting along the frame behind the trigger guard. A silver chain-link bracelet circles his left wrist and a large black ring gleams on his right ring finger. His face is stern, brows knitted, lips pressed tight. To his right, an East Asian woman with short, straight black hair leans against the wall, initially concealing her eyes behind oversized dark sunglasses, wearing a white collared jacket and small hoop earrings. A calm, neutral male Mandarin voice-over begins, stating “为什么要这么做？” The camera cuts to a tighter close-up of the woman from a slight low angle, her sunglasses now removed to reveal wide, staring eyes. The man’s gun barrel remains visible entering from the lower left, visually reinforcing the threat and psychological pressure. Her expression shifts rapidly from a broad, almost manic grin to a flicker of amusement and defiance. The narration continues in the same measured tone, asking “他是不是和阿发有一腿？” Her mouth moves as if to reply, but only the narrator’s voice fills the stark, scoreless silence. The shot holds on her face as her smile softens into a knowing smirk and her head tilts fractionally upward. She responds in a higher-pitched, lightly teasing female voice, “连浩龙啊。” The man’s hand and pistol remain perfectly steady throughout. The scene concludes with the standoff unresolved, the image freezing briefly before fading out, leaving the blue-green atmosphere and verbal tension lingering.","video_1_relative_path":"videos/efba03c276a5d615.mp4","video_2_relative_path":"videos/4338fc71a41f2ef7.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"magihuman_ltx_cross/voiceover/voiceover_1/00000062","text_prompt":"A historical-fantasy sequence, shot on a 35mm lens with soft, diffused daylight and an earthy palette of muted greys, warm beige, and natural greens, opens in a sun-dappled field of tall grass and scattered weeds. A low-angle medium frame elevates a solitary figure clad head-to-toe in ornate, dark-grey metallic armor etched with intricate relief patterns. The helmet’s visor conceals the wearer’s face, leaving only a human silhouette kneeling on one knee and bowing deeply toward someone just out of frame at screen left. At the extreme left edge, the torso and arm of a second individual are visible, dressed in a white blouse with delicate lace trim beneath a brown, fur-edged cloak fastened by a red cord. A calm, neutral female Mandarin voice-over begins, her measured and advisory tone stating, \"I hope he no longer risks his life for those who aren't worth it.\" The surrounding ambience remains deliberately silent, focusing all attention on the visual weight of the exchange.\n\nA straight cut shifts to a tight close-up of a young woman standing amid the same verdant backdrop. Her fair skin contrasts with neatly styled black hair gathered into an up-do, straight bangs framing a thoughtful expression as she looks downward and slightly to her right, lips parted as though finishing a thought. Natural light illuminates her face evenly against a softly blurred background, isolating her emotionally charged presence. The female voice continues, now delivered directly by the on-screen woman in a quieter, more personal register, her earnest tone carrying a hint of concern as she adds, \"Your enemy is on our side.\" The camera lingers on her face, capturing a dynamic of power and vulnerability, while the deliberate silence and somber lighting deepen the contemplative mood of a pivotal conversation about loyalty and sacrifice.","video_1_relative_path":"videos/f8fe6030df23db4f.mp4","video_2_relative_path":"videos/b7595df294c88550.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"magihuman_ltx_cross/voiceover/voiceover_3/00000014","text_prompt":"Cinematic medium shot, locked-off tripod at eye level, natural daylight key lighting from camera-left through a large window with white louvered shutters and a sheer blue-and-white curtain. The scene unfolds in a modest bedroom painted light olive-green, establishing a casual domestic atmosphere with a muted palette of cool greens and blues, contrasted by the stark black of a young man’s T-shirt featuring a faint bicycle graphic. He stands in the foreground with spiky blond hair, leaning forward over an unseen object, elbows bent and gaze fixed intently ahead. Behind him, a young woman with brown hair in a messy bun, dressed in a pale-blue V-neck ribbed sweater and dark trousers, slips a translucent disposable glove onto her right hand while glancing toward him. Underneath this quiet setup, a low-volume electronic dance track begins, driven by a steady four-on-the-floor kick, soft hi-hats, and a looping synth motif at roughly 120 BPM, mixed well below the dialogue. A calm, neutral female Mandarin voice-over begins, stating “经常和女友一起玩刺激。”\n\nThe woman finishes donning the glove, raising her right hand slightly with fingers flexing in readiness, her expression a blend of mild amusement and curiosity as she looks toward the man. He remains motionless save for a subtle tightening of his jaw and a brief downward glance before returning his eyes forward, holding his stance without a word. She then speaks in lightly teasing American English, her mid-pitch delivery measured and playful: “And you want me to use two fingers?” The electronic bed continues at the same restrained volume, carrying the scene’s subdued tension until the clip cuts abruptly, silencing both picture and sound simultaneously.","video_1_relative_path":"videos/01cc75de61906a28.mp4","video_2_relative_path":"videos/2792b6175d6c8b7c.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"magihuman_ltx_cross/voiceover/voiceover_3/00000041","text_prompt":"Open on a dim, mist-laden interior of an old Chinese-style residence, bathed in soft, diffused nocturnal light that casts a moody haze across the scene. A static medium shot frames the space from mid-torso up, keeping the camera locked off to emphasize the raw tension of the encounter. Red lacquered lattice doors and wooden beams anchor the left side of the composition, contrasting sharply with the pale period costumes. A young male scholar stands just inside the doorway, dressed in a light beige outer robe over white undergarments and a tall, patterned scholar’s cap. He holds a white porcelain plate with blue floral motifs bearing a small mound of dark, glossy food. Looking slightly downward, a calm, reflective male Mandarin voice murmurs, \"可其中的苦水，恐怕只有自己能懂。\" The ambient silence is thick, isolating his low, introspective tone against the drifting haze.\n\nSuddenly, a young female visitor steps briskly into view from the right, partially obscuring him. She wears an ornate, light-colored silk robe embroidered with vivid purple, blue, and orange flowers, her hair arranged in an elaborate up-do adorned with silver ornaments and dangling earrings. Her entrance is purposeful; she raises her right hand toward the man’s chest in a quick, commanding gesture and speaks with a bright, urgent timbre, cutting through the hush: \"举手！\" She leans forward, her eyes locked on his, her voice rapid and pressing as she asks, \"你身上有没有银子啊？\" Her tone shifts to a pleading yet forceful cadence, rising slightly at the end of the sentence: \"先借来用一用嘛。\" The man’s expression shifts from contemplative to startled surprise. He lowers his gaze to the plate, then back to her, momentarily frozen as her hand drops out of frame. The red wooden doorframe and drifting smoke remain constant in the background, reinforcing the confined atmosphere. Speech ceases, leaving only the stark, music-less silence to underscore the unresolved tension before the scene lingers on their silent standoff.","video_1_relative_path":"videos/fe4e216879b3ccb5.mp4","video_2_relative_path":"videos/9bd2ec107b102e14.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"magihuman_ltx_cross/voiceover/voiceover_4/00000015","text_prompt":"A tense, desaturated prison drama unfolds in high-contrast chiaroscuro, shot on a static camera with shallow depth of field to isolate subjects against blurred institutional backdrops. The clip opens on a tight, slightly low-angled close-up of a young white inmate in a white ribbed long-sleeve shirt. Cold bluish side-lighting from camera right sculpts his face, plunging the left half into deep shadow while highlighting his right cheek and forehead, with a faint vertical strip of daylight bleeding through a barred window behind him. His eyes are wide and fixed just off-camera to the right, mouth parted mid-breath as a calm, neutral male Mandarin voice-over begins, stating, “电影什么的事情，就把这个事啊给交代了。” A barely audible low electronic hum underscores the scene. A hard cut shifts to a medium close-up profile of an older white prison guard seated at a desk, his dark uniform jacket bearing a circular shoulder patch that reads “RIVER PENITENTIARY.” Cool directional light casts crisp shadows across his cheek and sleeve as he lifts a light-blue disposable cup with a straw and takes a slow sip, a slim monitor edge intruding at the frame’s left. The scene then widens to a static view of the holding room, where grey cinder blocks plastered with pinned notices and photographs line the walls behind the standing inmate. Horizontal blinds to the left cast slatted shafts of light, while a black gooseneck desk lamp in the right foreground adds a warm practical glow to the otherwise blue-grey palette. The inmate steps forward, gesturing emphatically with his right hand, palm outward, then points toward the seated guard whose back faces the camera. Simultaneously, a clear, neutral-accented English male voice cuts through the ambient hum: “In the yard today.” The restrained editing and static camera keep the focus entirely on the psychological tension and the stark, somber atmosphere of the interrogation space.","video_1_relative_path":"videos/9662b807725f604a.mp4","video_2_relative_path":"videos/6ee6076549a594c4.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"magihuman_ltx_cross/voiceover/voiceover_4/00000076","text_prompt":"Cinematic drama, shot on a steady handheld camera with a cool, desaturated palette and flat overcast lighting. The scene opens on an extreme close-up of a completely flat black tire pressing into pale gravel beside a beige, boxy sedan, a thin silver trim strip catching the muted daylight along the lower body panel. Dense green trees form a leafy backdrop as a calm, neutral male Mandarin voice-over begins, stating \"Warm-heartedly, he told his companion Pangtouyu to go buy one,\" while a faint bed of low-volume electronic synth music underscores the moment.\n\nA hard cut tilts up to reveal the balding, middle-aged driver kneeling on the gravel by the open rear door, his light grey T-shirt marked by a darker horizontal band across the chest. Strain and frustration etch his face as he looks upward toward someone off-camera. The frame widens to a medium-long shot, introducing a second man with short brown hair, wearing a white and grey baseball-style shirt and dark jeans, a cigarette dangling from his right hand near the front fender. The driver rises, brushes gravel from his knees, and faces his companion. They exchange words against the forested roadside; a dismissive, slightly mocking American English voice chimes in, saying \"And you’re just a sad sack that has to go back into town,\" as the Mandarin narration briefly overlaps before fading out. The subdued electronic bed remains low beneath the dialogue, maintaining a tense yet conversational mood.\n\nThe camera remains steady with minor framing adjustments, following a classic continuity progression from detail to character reaction to contextual wide shot. Flat lighting and muted saturation preserve a somber, realistic atmosphere, while the audio mix keeps dialogue sharply in the foreground with background music sitting roughly fifteen decibels below the speech. No prominent ambient sounds break the controlled silence as the scene holds on the two men, their expressions tense but engaged, before cutting cleanly to black without further motion or sound.","video_1_relative_path":"videos/f10cb58a04f7598e.mp4","video_2_relative_path":"videos/f67df39908c54dbd.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"magihuman_ltx_cross/voiceover/voiceover_5/00000086","text_prompt":"Cinematic historical drama, captured in a static medium-long shot with a desaturated blue-green palette and naturalistic moonlight, a cool landscape unfolds where a young woman sits alone on a grassy riverbank beside calm water that mirrors the pale sky. She is hunched forward, knees drawn to her chest and arms wrapped tightly around them, her head bowed in quiet sorrow. Her long dark hair is braided and secured with a delicate beaded headpiece that glints faintly in the low light, while drifting mist softens the distant tree silhouettes and two indistinct figures with a dark horse outline standing far across the water. A slow, minor-key orchestral score led by sustained strings and sparse piano accents swells immediately, establishing a somber, timeless atmosphere. Over this underscore, a calm, male Mandarin narrator with a resonant baritone and formal documentary tone begins his measured recitation, stating, \"According to Wusun custom, his younger brother Wengguimi succeeded to the throne and married Princess Jieyou.\"\n\nThe frame cuts to a tight profile close-up, isolating her face and upper shoulders against a soft, out-of-focus grey background that intensifies her emotional weight. Her eyes are closed, moisture glistening along her lashes, and her lips part slightly as she holds back tears, while fine braids fall past her cheek and the ornate headband catches a faint rim-light. Her hands remain clasped before her chin, fingers interlaced in a gesture of prayerful distress, all rendered in shallow depth of field that emphasizes the pronounced contrast between her features and the dim, bluish moonlight. The orchestral music continues unchanged beneath his solemn narration, which concludes with the final clause about the princess, leaving only the hushed, contemplative silence of the scene to linger as the vast negative space of water and sky reinforces her profound solitude and the quiet weight of fate.","video_1_relative_path":"videos/8c046776bd11d8c9.mp4","video_2_relative_path":"videos/23970f30b1331212.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx_cross/movie/movie_1/00000008","text_prompt":"Cinematic sci-fi sequence, wide static shot, twilight lighting with a horizon glowing in soft yellows and oranges fading into cool blues. The camera remains fixed on a tranquil beach where gentle waves roll onto wet sand that perfectly mirrors the sky’s pastel gradient. Center-frame stands a silhouetted woman with long dreadlocks tied back, wearing a form-fitting full-body suit accented by pale blue straps across her shoulders and waist. Her posture is relaxed yet attentive, hands initially resting on her hips as she gazes toward the ocean. To her left, hovering just above the shoreline, floats a compact, dark, angular drone with glowing circular elements, emitting a steady mechanical hum. As the scene progresses, the woman lowers her hands to reveal a small handheld interface in her right palm. She manipulates it with precise gestures, triggering a brief high-pitched digital chirp that coincides with a translucent orange holographic projection materializing mid-air. The display forms a radial UI with concentric rings and pulsing nodes that rotates slowly. Throughout, the soundscape relies entirely on diegetic textures: the low-frequency rumble of distant surf, the persistent electronic whir of the drone, and the faint rustle of fabric as she moves.\n\nAn off-screen male voice enters clearly over the ambient soundscape, speaking with a calm, deliberate tone and a slight electronic reverb that suggests a secure communications relay. In neutral American English, he states, \"Nakia, your hunch was correct. I’ve picked up a location on Shuri’s Kimoyo bead.\" His measured delivery overlaps with the rhythmic wash of the ocean and the device hum, while the holographic display flickers faintly in response to the transmission, implying real-time data correlation. The woman continues to interact with the interface, her fingers making subtle adjustments that keep the projection active, as the drone maintains its steady hover against the dimming light. The atmosphere remains grounded in a tone of quiet reconnaissance, blending the organic serenity of the coastal environment with advanced technological elements to build a sense of focused discovery and impending action.","video_1_relative_path":"videos/890469fe95e23224.mp4","video_2_relative_path":"videos/1b868e772349ea6a.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx_cross/movie/movie_1/00000031","text_prompt":"A hyper-realistic cinematic sequence opens on a bright, sunlit European city street, captured in a medium-wide static shot with harsh daylight and a warm, vivid palette. The camera frames a tranquil outdoor café patio furnished with rattan chairs and tables draped in red tablecloths. At the central table, a man and a woman sit in casual jackets, engaged in quiet conversation, while a uniformed waiter in a white coat stands motionless near the entrance. To the right, a black A-frame chalkboard menu displays handwritten French signage, and a black compact car and blue scooter rest along the curb. The soundscape begins with a low, peaceful urban hum, faint traffic, and the soft clinking of glassware, establishing a mood of serene everyday routine.\n\nSuddenly, a violent explosion detonates directly behind the café façade, sending a massive shockwave of debris outward. The fixed camera holds its position as the frame floods with chaotic motion: glass shards, wooden planks, cardboard boxes, metal fragments, and paper scatter in all directions. The audio swells instantly into a thunderous, multi-layered impact, dominated by a deep sub-bass boom, sharp crackling, high-frequency shattering, and metallic tearing. The seated man flinches and turns his head sharply toward the blast, releasing a quick, sharp exhale, while the woman recoils instinctively with a brief gasp and tightened shoulders. The waiter steps back abruptly, his retreat marked by the scuff of his shoes and the rustle of his uniform. Debris continues to rain down, bouncing off a green awning and striking the parked vehicles, causing them to jolt. Overturned chairs, shattered tabletops, and swirling dust clouds obscure the patio as the initial detonation decays into a dense cascade of tinkling glass, thudding wood, and rustling paper layered over a persistent low rumble. The scene settles into lingering echoes of falling fragments and the heavy stillness of dust hanging in the air, leaving the characters frozen in stunned silence against the backdrop of sudden, raw destruction.","video_1_relative_path":"videos/c154057bfd2d2a19.mp4","video_2_relative_path":"videos/d53f9fece2dc1a7a.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx_cross/movie/movie_1/00000065","text_prompt":"A cinematic sci-fi sequence opens on a static medium close-up, utilizing low-key lighting and a warm interior palette that sharply contrasts the cool, shadowed exterior. The frame is shot from within a dim, confined space, peering outward through a dark chain-link fence that dominates the foreground and establishes a palpable sense of separation. Beyond the metallic grid, a warmly lit interior glows with three circular ceiling lamps casting a yellowish hue against a pale ceiling, while a red strap hangs vertically near the center-left. The atmosphere is immediately grounded by a deep, resonant synthesized drone, its low-frequency rumble filling the audio space and establishing an ominous tone.\n\nA hard cut plunges the frame into absolute blackness, where faint white particles drift slowly like dust motes or distant stars. From the bottom left corner, the textured silhouette of a large, segmented creature resembling a serpent or worm emerges and glides diagonally upward, its ridged body catching a faint greenish-blue bioluminescent sheen against the void. The camera holds still, allowing the creature’s fluid motion to command the frame while the sustained bass drone continues beneath, now layered with subtle high-pitched shimmering tones that heighten the tension without breaking the low foundation.\n\nThe scene fractures into a violent, chaotic eruption of fire as bright orange and red sparks blast from the right side, scattering rapidly toward the left through swirling smoke and embers. In the lower right corner, a glowing molten mass pulses rhythmically, radiating intense heat. The audio swells to match the visual climax: the foundational drone intensifies in amplitude, tightly synchronized with crackling fire foley and sharp whooshing effects that track the velocity of the sparks, driving the sequence to a breathless, explosive peak before cutting abruptly.","video_1_relative_path":"videos/6911b6286bea86ff.mp4","video_2_relative_path":"videos/94f92f2e7556a0a8.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx_cross/movie/movie_1/00000072","text_prompt":"Cinematic sci-fi thriller tone, shot on a 50mm lens with shallow depth of field. A tight close-up frames a man with dark, slightly tousled hair and pale skin, dressed in a loose olive-green shirt. His eyes are wide and fixed on something off-screen to his right, his mouth parted in quiet shock or sudden realization. Low-key lighting carves deep shadows across the background, where industrial pipes and metal shelving hint at a confined, utilitarian interior. The scene opens in near silence, broken only by a faint room tone and the subtle mechanical hum of ventilation systems echoing off hard surfaces. A sharp, audible exhalation escapes him, his shoulders shifting slightly as the breath cuts through the quiet.\n\nThe camera cuts abruptly to a static wide shot of a cramped, metallic bunk room, likely aboard a spacecraft or military vessel. Two identical men stand facing each other in matching grey long-sleeved uniforms and trousers. The man on the left keeps his head bowed and shoulders slumped, while the man on the right stands rigidly upright with his hands loosely at his sides. Between them lies an unmade bed with rumpled green bedding, and narrow shelves line the walls, cluttered with tools, containers, and personal effects. A towel hangs near the doorframe and a blue jerrycan rests on the floor. Overhead fluorescent fixtures cast a cool, flat light that emphasizes the cold, sterile atmosphere. A slow, weary sigh drifts from the man on the right, its weight settling over the stillness. The composition holds its tension through silence and posture alone, the ambient hum continuing beneath the decay of his breath. The scene radiates psychological isolation and duality, using the sterile environment, mirrored figures, and sparse audio to convey a haunting sense of identity crisis and suppressed emotion.","video_1_relative_path":"videos/caa2020b344a38cb.mp4","video_2_relative_path":"videos/bca06241af7fa45b.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx_cross/movie/movie_2/00000030","text_prompt":"A tense, atmospheric thriller sequence opens in a shadowy, utilitarian laboratory or maintenance bay, bathed in near-total darkness pierced by a faint, cold-toned overhead light that carves deep shadows and sculpts the contours of the room. Shot in a cool, desaturated palette with a shallow depth of field, the camera holds a medium close-up on a seated figure positioned slightly left of center, captured from mid-torso to knees. The subject wears a white lab coat with subtle blue piping along the zipper and collar, dark trousers, and scuffed grey sneakers, their hands clasped tightly in their lap with interlaced fingers betraying quiet tension. Behind them, blurred shelving units and indistinct scientific apparatus fade into the gloom. The camera executes a slow, deliberate tilt downward, tracing the subject’s form until it settles on their shoes, maintaining a restrained, static environment with no other characters or movement.\n\nThe soundscape mirrors this visual descent with precise, escalating unease. A steady, low-frequency mechanical hum dominates from the opening frame, suggesting proximity to heavy machinery or ventilation systems in an acoustically dry, enclosed space. Just a second in, a high-pitched electronic whine fades in, its timbre reminiscent of a charging capacitor or ramping diagnostic scanner, gradually intensifying and climbing into the upper-mid frequencies until it becomes the dominant auditory force. There is no dialogue, music, or human vocalization—no breathing, footsteps, or cloth rustle—leaving the subject physically still and emotionally restrained. The alignment of the camera’s downward drift with the rising pitch of the machinery builds a palpable sense of suspense and technological dread, ending on a note of unresolved anticipation as the frame locks onto the scuffed sneakers.","video_1_relative_path":"videos/509859759cb62915.mp4","video_2_relative_path":"videos/388d9f3f2a96d27f.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx_cross/movie/movie_2/00000040","text_prompt":"Historical broadcast documentary style, captured in a static close-up with a shallow depth of field and warm, soft directional lighting against a palette of rich wood tones, stark black-and-white formal wear, and brushed silver accents. A middle-aged Caucasian man frames from the chest up, positioned slightly left of center in a wood-paneled studio. He wears a black tuxedo jacket over a crisp white dress shirt and a neatly tied black bow tie, complemented by round wire-rimmed spectacles and large, vintage-style black headphones resting over his ears. In the right foreground, a classic broadcast microphone with a silver spherical grille stands on a stand, its out-of-focus presence partially obscuring his face and anchoring the scene’s mid-twentieth-century atmosphere. The background remains deeply blurred, keeping all visual focus on the speaker, who maintains an upright posture, a serious and focused expression, and occasional natural blinks as he faces the camera.\n\nA calm, authoritative male voice in a deep, resonant Received Pronunciation British accent begins, stating \"His Royal Highness the Duke of York will give his inaugural broadcast.\" The delivery is steady, deliberate, and precisely articulated, carrying the gravity and formality of a historic radio announcement. The audio signal is clean and centered, devoid of music, ambient noise, or sound effects, with only a faint natural studio resonance underscoring the intimacy of the moment. His measured pace and unwavering tone command full attention, transforming the quiet, motionless frame into a solemn, documentary-like broadcast that feels both immediate and timeless.","video_1_relative_path":"videos/ef3d7071abf13c4c.mp4","video_2_relative_path":"videos/2f3d817cc07b8482.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx_cross/movie/movie_2/00000063","text_prompt":"A moody, noir-inspired tableau opens in a dimly lit, narrow interior that feels like a basement or utility room, captured in a locked-off medium-wide shot angled slightly from below. An elderly man with white hair sits on the left side of the frame, waist-up, dressed in a dark pin-striped suit and black bow tie. A thick cigar rests between his lips, its ember casting a faint glow, while his right hand loosely grips a black rotary telephone receiver at his side and his left hand rests on his thigh. Directly before him on a stone ledge sits a vintage rotary phone base, a half-filled glass tumbler, a crystal decanter of amber liquor, and a single white candle in a twisted metal holder, all beneath a rectangular window that opens into absolute darkness. A single warm light source off-camera to the left carves strong chiaroscuro across his face and illuminates the slow, deliberate curls of smoke rising into the air.\n\nAs the moment unfolds, the man lifts his left hand, draws the cigar from his mouth, and brings it back for a measured puff. The action is accompanied by a soft inhalation followed by a controlled exhalation, the quiet airflow catching briefly as it passes through the tobacco. Throughout the sequence, the atmosphere remains heavy with tension and quiet contemplation, anchored by a barely perceptible low-frequency hum that suggests distant machinery or electrical infrastructure. There is no dialogue or music, only the intimate foley of wool shifting against his trousers and the steady rhythm of his calm breathing. The frame holds completely still, letting the interplay of shadow and warm light, the drifting smoke, and the near-silence build a mood of mid-twentieth-century sophistication laced with quiet mystery.","video_1_relative_path":"videos/170a019017d32710.mp4","video_2_relative_path":"videos/6d9b8dc7f14ee2ee.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx_cross/multitalker/multitalker_1/00000027","text_prompt":"Cinematic corporate drama unfolds in a static medium close-up with shallow depth of field and eye-level framing, bathed in high-key soft daylight diffused through closed white horizontal blinds. The cool-neutral palette of navy, charcoal, and white establishes a sober business environment with minimal shadows. A middle-aged East Asian man sits in a black leather chair at a conference table, dressed in a dark navy-to-black suit with a matching shirt and tie, his short hair neatly combed with grey at the temples. Behind him, a slim vertical window frame and a wall-mounted fixture fade into a softly blurred background. A low, sustained electronic pad hums beneath the tense atmosphere as he speaks in measured Standard Mandarin, his tone serious yet tinged with wry resignation. He clasps his hands, briefly raises them for emphasis, and remarks, “洪氏集团是块硬骨头，很难啃吧。”\n\nA straight cut shifts to a matching medium close-up of an East Asian woman seated opposite him, maintaining the same lighting, color design, and blurred window-blinds backdrop for seamless spatial continuity. She wears a dark plaid blazer over a crisp white collared shirt layered atop a black turtleneck, her long dark hair softly waved and parted to one side. Her posture is upright, hands folded neatly on the tabletop, gaze fixed slightly off-camera toward her counterpart. The ambient synth drone persists at a low volume as she responds in calm, deliberate Standard Mandarin, her expression composed but earnest. Acknowledging the weight of the situation, she states firmly, “与洪氏集团的谈判失利，确实责任在我。” The camera holds steady on her face, preserving the subdued, tense mood of the post-negotiation debrief as the electronic ambience continues uninterrupted.","video_1_relative_path":"videos/81433a61ed8bdbfd.mp4","video_2_relative_path":"videos/c8482ead63e667f8.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx_cross/music/music_1/00000009","text_prompt":"A static medium close-up frames a young woman seated before a professional studio microphone, centered against a plain, light-colored wall. Soft, diffused frontal illumination washes over her evenly, casting no harsh shadows. She wears large over-ear headphones and an off-the-shoulder top with a subtle snakeskin texture in muted greenish tones, her long, dark wavy hair framing her face symmetrically. The composition is minimalist and acoustically neutral, eliminating all distractions to focus entirely on her performance. As the scene begins, her mouth closes after a prior phrase, followed by a slight forward head tilt and a barely perceptible inhale. A solo acoustic steel-string guitar enters cleanly, fingerpicked arpeggios in G major establishing a steady, intimate rhythm at roughly seventy-two beats per minute. Her lips shape the next words, and a clear, tender female voice emerges, singing \"I’ll be loving you ‘til we’re seventy\" with precise articulation and gentle emotional expression.\n\nAs the vocal line continues, her eyebrows lift subtly and a warm smile begins to form, blooming into a broad, joyful grin that shows her teeth and crinkles the corners of her eyes. The sustained note on \"seventy\" carries a gentle vibrato, perfectly synchronized with the rise of her cheeks and the rhythmic movement of her jaw. The guitar accompaniment remains clean and bright, layered with a moderate natural room reverb that gives the space a small-to-medium untreated acoustic quality, while the background stays virtually silent save for a faint, high-frequency preamp hiss. Throughout the take, the camera remains completely still, maintaining an unbroken focus on her expressive delivery. As the final syllable is held, her head tilts back minutely and her shoulders relax, the music continuing softly beneath her voice before the sequence concludes abruptly mid-note, cutting both image and sound simultaneously without a fade-out.","video_1_relative_path":"videos/5d5ae15bf03ebf1b.mp4","video_2_relative_path":"videos/18df67402d32bd90.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx_cross/music/music_1/00000048","text_prompt":"A contemporary folk singer-songwriter scene unfolds in soft dusk light, shot on a gentle prime lens that frames a young woman with long dark hair seated on the weathered stone steps of a grand classical building. She wears a white short-sleeved T-shirt, denim shorts, and tall brown boots, with a light-brown acoustic guitar resting across her lap and a capo clamped on the neck. Positioned directly in front of her is a microphone on a stand, connected by a trailing black cable. The camera opens in a medium shot from mid-thigh up, then slowly pans left, gradually revealing a quiet paved walkway, distant streetlights, and the faint silhouettes of trees and parked cars against the fading evening sky. Her right hand alternates between delicate fingerpicking and gentle strumming while her left hand shifts smoothly through chord shapes. She maintains a focused, restrained expression, occasionally glancing down at the fretboard or lifting her gaze briefly toward the lens.\n\nThe soundscape is an intimate, clean recording of a solo female vocal performance accompanied by steel-string acoustic guitar, delivered in a clear, slightly breathy English tone at a moderate, steady tempo. As she sings, her vocal phrasing aligns perfectly with the arpeggiated fingerstyle accompaniment, creating a gentle, emotionally resonant ballad. A clear, slightly breathy female voice begins singing, \"These broken wings, now learning to fly,\" her tone carrying a soft vibrato on the sustained notes, before continuing with the line, \"Through all your life,\" holding the final syllable with a quiet, natural decay. The audio is meticulously balanced and centered, stripped of all ambient noise, wind, or crowd sounds, leaving only the subtle texture of her breathing between phrases and the clean resonance of the guitar strings. The entire moment feels isolated and concentrated, a quiet artistic expression captured in the hush of early evening.","video_1_relative_path":"videos/0a9014245fd9a320.mp4","video_2_relative_path":"videos/b46dd1db330326c1.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx_cross/music/music_1/00000095","text_prompt":"Contemporary folk-pop ballad captured in a medium close-up with a low-angle perspective, set in a dimly lit, wood-paneled studio bathed in warm, low-key lighting that casts soft shadows and gently blurs the background. A man with short dark hair in a maroon collared shirt sings into a black microphone on a stand, his breathy, gentle lead voice carrying the main melody with focused intensity. Beside him, a woman with long brown hair wearing a dark gray V-neck top with cut-out shoulders strums a light-colored acoustic guitar, her mouth movements perfectly synchronized as she weaves soft, blended harmonies into the arrangement. The camera executes a slow, smooth pan to the right, gradually shifting the visual focus onto the male vocalist while the guitarist recedes slightly into the periphery, her head nodding gently in time with the steady rhythm. The sonic landscape is meticulously clean and acoustically controlled, dominated by the bright yet warm timbre of fingerpicked guitar arpeggios, understated bass pulses, and delicate brushed snare taps, all mixed with the dual vocals centered and forward. Subtle breaths catch between phrases, and the performers’ emotional engagement is palpable in their relaxed jaws and raised brows, yet the recording space remains utterly free of ambient noise, crowd murmur, or mechanical hum. The performance maintains a consistently moderate dynamic without crescendos or drops, building a reflective and heartfelt atmosphere that feels both raw and polished, until the audio and visual abruptly cut off mid-phrase, leaving the lingering resonance of an unfinished musical thought.","video_1_relative_path":"videos/eb04c45157ab2774.mp4","video_2_relative_path":"videos/2f8744f60a998bbf.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx_cross/physics/physics_1/00000049","text_prompt":"A cinematic close-up in the style of intimate documentary realism, captured with a macro lens and soft, directional lighting that carves gentle shadows beneath the fingers while catching the glossy sheen of black keycaps. The camera sits slightly elevated and angled downward, isolating the hands and keyboard against a uniformly dark, out-of-focus background that strips away all environmental context. A short-sleeved pink top peeks into the upper right corner as both hands move rapidly and rhythmically across the keys, executing frequent lateral shifts and varied input patterns that alternate between staccato bursts and deliberate, single-press pauses. The audio landscape is acoustically dry and perfectly synchronized to the visual motion, dominated by the crisp, percussive clack of mechanical switches. Each finger depression triggers a bright, metallic click followed by a softer, resonant thock, their tempo ebbing and flowing with a natural human cadence. Set in a virtually silent room devoid of ambient hum, music, or vocalization, the scene transforms the physical act of typing into a hypnotic, meditative soundscape, evoking a quiet intensity and the concentrated rhythm of modern labor.","video_1_relative_path":"videos/cc113534f78c2553.mp4","video_2_relative_path":"videos/8f39724b45e8ef97.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx_cross/physics/physics_2/00000001","text_prompt":"Cinematic documentary style, handheld camera with a slight natural shake, overcast daylight casting a muted, desaturated palette across an urban street intersection. The lens pans left to right, tracking a white Vauxhall Vectra police cruiser as it executes a slow right turn from a side road onto the main thoroughfare. The vehicle is wrapped in high-visibility Battenburg markings with large blue and yellow checkerboard panels, and bold blue POLICE lettering stands out against its doors and bonnet. Above, a roof-mounted emergency light bar flashes alternating blue and red strobes in rapid succession, perfectly synchronized with a loud, dual-tone electronic siren that cycles between two pitches at a fast tempo. A lower-frequency mechanical wail swells and dips in volume as the cruiser approaches the lens, dominating the soundscape and completely masking any ambient traffic or pedestrian noise.\n\nAs the patrol car straightens into the lane, it accelerates forward, moving out of frame to the right while the siren maintains its intensity before gradually fading into the distance. The camera lingers briefly on the static urban backdrop, revealing a modern multi-story building with dark-tinted windows and a clear sign reading Walsall Police Station above its entrance. Behind a black metal fence, several parked cars sit quietly, while a yellow-and-blue keep-left bollard marks the curb. Green directional road signs stack vertically in the background, pointing toward the M6 South, the Ring road A4148, Lichfield, Brownhills, and Birmingham, with a secondary brown panel below indicating the Leather Museum, Arboretum, and Library. The scene closes on this quiet contrast between the receding emergency response and the still, overcast cityscape, leaving only the residual tail of the siren to underscore the moment’s urgency.","video_1_relative_path":"videos/28f5f3c826e56a49.mp4","video_2_relative_path":"videos/36330c545ab4e6ec.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx_cross/physics/physics_2/00000017","text_prompt":"Cinematic coastal study, shot on a static low-angle lens positioned at the water’s edge under a muted, overcast sky. The composition is anchored by a centered horizon line that cleanly divides pale gray clouds from turquoise-green ocean, while damp, packed sand in the foreground catches soft, diffuse highlights. Far out on the swells, two indistinct dark silhouettes bob rhythmically, adding scale without breaking the isolation. The audio landscape opens with the continuous, immersive roar of surf, beginning with a low-frequency rumble that swells in texture as the first gentle wave approaches. It crests near the camera with a broad-spectrum crash and splash, immediately receding into a quiet fizz of popping bubbles and draining water.\n\nA second, heavier wave follows, its deeper resonant growl building into a more percussive impact that violently collapses against the shore. A spray of frothy white water flicks across the lower frame, momentarily blurring the view before sliding back seaward, leaving behind a brief acoustic lull filled only with the granular hiss of retreating foam. The third wave rises smoothly, its greenish-blue face catching subtle shifts in the flat daylight as it breaks into a lateral spread of whitecaps and shallow rivulets. The corresponding soundscape mirrors this motion with a crisp, airy crackle followed by a soft, gurgling decay as water filters through the sand. Throughout the sequence, the camera remains fixed, maintaining an intimate ground-level perspective that captures the hypnotic, unbroken cycle of tide and sound. Stripped of all artificial noise, voices, or mechanical hum, the scene breathes as a meditative, raw portrayal of nature’s constant rhythm, where every visual swell and acoustic transient aligns in seamless, cinematic harmony.","video_1_relative_path":"videos/5331005134e7be3f.mp4","video_2_relative_path":"videos/0ab0b5ae8fc89031.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx_cross/physics/physics_2/00000034","text_prompt":"A crisp, instructional product demonstration shot with a clean, documentary-style lens and soft, even studio lighting, rendered in a muted earth-tone palette punctuated by vivid greens and cool cyan accents. The sequence opens on a tight close-up of a man’s hands against a dark, indistinct background, gripping two black electronic devices. His left hand holds a compact rectangular transmitter featuring four round buttons and three small LED indicators glowing red, blue, and green, while his right hand cradles a smaller handheld unit topped with two silver-tipped metal prongs and a steady blue LED near its base. A sharp, high-pitched electronic beep cuts through the quiet room as his thumb presses a button, followed by the faint, tactile rustle of plastic casings. A calm, neutral British male voice begins, stating \"…and you’ve got a nice high volume on the head, so you can hear it clearly across the room.\" As he speaks, he tilts the handheld unit slightly toward the camera, letting the blue LED catch the light.\n\nA hard cut widens the frame to a medium shot, revealing the presenter seated behind a glass-top table. He wears an olive-green zip hoodie over a grey crew-neck sweater, his short brown hair neatly trimmed. Behind him, a large promotional poster for the device stands against a brick wall, while daylight streams through a window to frame a potted golden-leaf tree. On the table rest a second identical handheld unit, a black power adapter with a green indicator light, and a coiled black cable. The presenter continues, his right index finger hovering over the transmitter’s buttons as he gestures outward to explain the controls. Three rapid, staccato electronic beeps sound in sync with his movement, confirming the input. He adds, \"So to adjust the sensitivity, you simply press and hold the top button until the indicator flashes.\" The lighting remains soft and even throughout, casting no dramatic shadows, while the steady room tone and precise audio cues maintain a straightforward, utilitarian mood focused entirely on the equipment and its operation.","video_1_relative_path":"videos/cf1229b89564e52f.mp4","video_2_relative_path":"videos/d2ee5c684eea0a9d.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx_cross/physics/physics_3/00000076","text_prompt":"A candid, handheld medium shot in naturalistic outdoor lighting captures a young boy seated on a large red riding lawnmower, positioned on a wide expanse of uniformly mowed green lawn under an overcast sky. Diffuse daylight casts soft shadows and lends a muted, natural color palette to the scene, where distant tree trunks and faint vertical poles fade into the background. The camera sways gently with natural handheld motion, tracking the mower as it begins to roll forward. The boy, dressed in a black long-sleeved shirt with a red-and-gold graphic, gray sweatpants with white side stripes, and dark sneakers, initially faces left before turning his head toward the lens. He breaks into a broad smile, raises his right arm high in a playful wave, and then lowers it back to his lap as the machine gathers slight momentum. The lawnmower itself is detailed with a prominent circular red cutting deck, a black steering wheel mounted on a tall column, and a rear grass collection bag partially shielded by clear plastic.\n\nAs the front wheels turn and the rear tires churn through the grass, a loud, continuous mechanical engine noise dominates the soundscape. The audio is a relentless blend of low-frequency combustion rumble, mid-range metallic whirring, and rhythmic internal clatter, punctuated by the faint broadband hiss of tire-on-grass friction that grows slightly more pronounced as the mower picks up speed. The open-air acoustics carry the mechanical drone with minimal reverberation, leaving only the boy’s barely perceptible breaths beneath the overwhelming, immersive roar of childhood play and machinery.","video_1_relative_path":"videos/03e7c11ddecfa302.mp4","video_2_relative_path":"videos/0145164f9dd868ee.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx_cross/physics/physics_3/00000084","text_prompt":"A cinematic low-angle static shot captures the interior of a historic stone bell tower bathed in bright daylight streaming through large arched openings. The camera remains fixed, emphasizing the monumental scale of the towering masonry walls and the massive bronze bells suspended from heavy wooden beams. In the foreground on the right, a man with tousled brown hair, wearing a dark green knitted sweater and glasses, grips a thick rope with both hands. His posture is tense and focused, shoulders bracing as he pulls rhythmically to swing the nearest bell. Behind him, partially silhouetted against the intense white light, a second man in a dark jacket operates the adjacent bell mechanism, his back mostly turned. The aged bells, their surfaces marked by oxidation and grime, swing back and forth with heavy momentum. As they move, they produce deep, resonant metallic clangs that echo powerfully through the enclosed space, creating overlapping reverberations with rich harmonics and long decay tails. The acoustic environment is dominated by the raw, physical impact of metal against air and structure, layered with the subtle creaks of stressed wooden beams, the faint rustling of fabric, and the occasional sharp exhale of exertion from the foreground ringer. The absence of speech or music focuses entirely on the labor-intensive tradition of manual bell-ringing, conveying a palpable sense of architectural grandeur and raw acoustic power.","video_1_relative_path":"videos/05737119578be79b.mp4","video_2_relative_path":"videos/dcfd1b592bee0e66.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx_cross/physics/physics_4/00000045","text_prompt":"A cinematic winter commercial opens in a static medium shot, bathed in the dim, cool palette of a snowy night, capturing a couple bundled in heavy winter wear seated in a sleigh amidst a dense, drifting forest. The man wears a patterned sweater and scarf, while the woman’s long windswept blonde hair peeks from beneath a fur-lined coat; both hold drinks, their breath pluming in the frigid air. The quiet stillness is abruptly shattered by a sharp, surprised male voice cutting through the cold, exclaiming “Oh!” immediately followed by a low, resonant thump that suggests a sudden impact or jolt, injecting a moment of tension into the serene environment.\n\nThe frame hard-cuts to an extreme close-up of a Bud Light can spinning rapidly against a dark backdrop streaked with blue and white light trails, its motion blur creating a disorienting, hyper-stylized visual rhythm. As the label flashes into partial clarity before dissolving back into abstraction, a deep-voiced male announcer delivers a measured, confident cadence, stating “Fresh, smooth, real,” with each word punctuated by sharp, percussive hits that resemble stylized whip cracks. Beneath this, a minimalist electronic underscore of sustained bass tones and sparse synthetic pads swells subtly, bridging the scenes with a tense, atmospheric pulse.\n\nAnother swift cut reveals two figures walking side-by-side along a foggy, moonlit forest path blanketed in fresh snow, their heavy winter layers—tan jacket over red shirt, dark coat with a black-and-white patterned scarf—swaying with their steady pace. Laughter erupts openly from the pair, their faces alight with amusement and exhilaration as they move through the quiet woods. The announcer’s voice returns with a playful, theatrical inflection, adding “Bud Light. Cool a rocket sled,” his tone perfectly matching the whimsical energy of the scene. Faint footsteps and the crisp chill of the winter air ground the moment, resolving the rapid visual shifts into a cohesive, sensory-driven narrative of cold, motion, and camaraderie.","video_1_relative_path":"videos/88d16d864857e858.mp4","video_2_relative_path":"videos/5d1bde5d2c783afc.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx_cross/physics/physics_4/00000058","text_prompt":"Cinematic medium close-up, static camera, warm low-key lighting in a softly cluttered bedroom that feels intimate and unscripted. The background holds a large cylindrical white bolster pillow, a blue-and-white tissue box, folded linens, and the faint silhouette of a baby bouncer nestled in the deeper shadows. Centered in the frame, a young child sits cross-legged on white bedding, wearing a sleeveless red dress dotted with tiny white polka dots and a small yellow emblem, her short black hair secured with a delicate clip at the crown. She bursts into uninhibited laughter, mouth wide open and eyes crinkled, her body rocking gently back and forth as her hands flutter excitedly near her lap, fingers splayed and occasionally tapping the mattress.\n\nA large pink plush toy sweeps abruptly into the foreground from the bottom right, momentarily obscuring her torso in a swift, playful gesture from an unseen off-camera presence. The child’s laughter intensifies in response, her head tilting forward and shoulders bouncing with renewed delight as the soft object glides past and exits the frame. The audio landscape is entirely dominated by her spontaneous vocalizations—high-pitched, breathy giggles punctuated by sharp, staccato squeals and rhythmic breathing—layered over the subtle rustle of fabric, a faint whoosh as the toy cuts through the air, and a low, consistent hum from unseen household appliances. With no music or dialogue to distract, the scene holds its candid warmth, closing on the child still smiling broadly, bathed in the same gentle light, her quiet domestic world framed in pure, innocent joy.","video_1_relative_path":"videos/853ed3d56b1db419.mp4","video_2_relative_path":"videos/7caadd03efd947a4.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_ltx_cross/physics/physics_4/00000065","text_prompt":"Cinematic wide shot, slightly elevated, capturing a turbulent coastal inlet beneath a heavy overcast sky. The desaturated palette of gray-green waters and weathered wood sets a bleak, awe-inspiring tone as choppy waves crash against jagged rocks and the clustered hulls of several small wooden boats, their yellow and red paint faded beneath blue tarps. In the foreground, a lone rowboat tethered to a larger vessel bobs erratically, its bow dipping into foamy swells before rising again, while ropes dangling from nearby craft snap taut and slack with each surge. Behind them, steep dark cliffs rise slick with sea spray, patches of hardy green vegetation clinging to their upper slopes, all softened by a faint atmospheric haze that blurs the distant hills. The camera holds mostly static before executing a subtle pan to the left, gradually revealing a red-hulled dinghy drifting in the mid-ground and the edge of a yellow kayak at the frame’s boundary. No figures are present, leaving the scene to the raw violence of the elements. The soundscape immerses the viewer in a relentless stereo field of wind and surf, dominated by a low-frequency rumble and high-pitched hiss that swells with gusts and wave impacts. Beneath the roar, the occasional groan of timber under stress and the faint rhythmic lapping of ripples against mooring lines underscore the isolation and elemental power of the storm-battered harbor, creating a tense, unbroken atmosphere of nature’s fury.","video_1_relative_path":"videos/0766f9c89051ce9e.mp4","video_2_relative_path":"videos/d328b6799be270e9.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx_cross/physics/physics_4/00000096","text_prompt":"A raw, immersive first-person adventure sequence captured on a handheld body-mounted camera with a wide-angle lens, bathed in the flat, diffused light of an overcast winter sky. The frame opens at the edge of a steep, snow-lined embankment, where a figure clad in dark winter gear and bright yellow boots balances precariously above a violently churning current. The water is a murky green-brown, frothing with white rapids as it rushes downstream, flanked by bare, leafless trees on the far bank. The camera tilts downward, emphasizing the sheer drop and the river’s relentless velocity, while the soundscape is dominated by a dense, continuous roar of rushing water, faint wind buffeting the microphone, and the subtle rustle of equipment handling.\n\nSuddenly, the viewpoint lurches forward and downward as the camera plunges off the ledge into the torrent. A chaotic splash engulfs the lens, obscuring visibility with swirling bubbles, thick foam, and distorted light refracting through the liquid. Beneath the surface, the camera tumbles, capturing blurred, rippling glimpses of the water above as the audio texture shifts dramatically from an open-air roar to a deep, gurgling underwater rumble. Short bursts of escaping air punctuate the muffled acoustics until a sharp mechanical click marks a momentary stabilization, after which the image dissolves into darkness and motion blur. The soundscape abruptly cuts to a residual low-frequency water rumble before fading into silence, leaving only the visceral, unbroken immediacy of the submersion.","video_1_relative_path":"videos/cc907ad41c9ba950.mp4","video_2_relative_path":"videos/83bc27377f037118.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx_cross/podcast/podcast_1/00000050","text_prompt":"The scene opens in a medium close-up on a woman standing center-stage against a dark red curtain backdrop. She has long, dark, wavy hair and wears a black blazer over a V-neck top, accented by a gold chain necklace and small earrings. Warm, focused lighting sculpts her face with soft shadows while the background stays dim. A confident, expressive female presenter begins, stating \"But in my heart.\" Her hands are raised at chest level, fingers loosely curled, and the subtle room reverb of a large auditorium fills the space, accompanied only by a faint HVAC hum and the quiet rhythm of her breathing.\n\nA hard cut shifts to a wider, static shot from stage right, revealing tiered seating filled with an attentive audience of varied ages, some wearing lanyards and badges, others holding notebooks or phones. The speaker now appears in profile, continuing her address: \"I always wanted to run.\" As she speaks, her movements grow more animated, hands sweeping outward and inward to punctuate her words. She maintains steady eye contact with the crowd, adding: \"The sitting congresswoman had been in my district since 1992. She had never lost a race.\" The audience reacts with quiet engagement—glasses adjusted, notes glanced at, bodies leaning forward—while the pristine audio remains clean, letting the natural acoustics and her clear, emphatic delivery anchor the scene.","video_1_relative_path":"videos/cfc906d5335f8e6b.mp4","video_2_relative_path":"videos/f7a5191899a39cf2.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx_cross/podcast/podcast_1/00000061","text_prompt":"A static medium shot captures a brightly lit classroom or lecture hall, illuminated by even overhead fluorescents that cast soft, natural shadows. Behind a light-grey lectern with cabinet doors and an open compartment holding scattered papers stands an East Asian female presenter with dark hair pulled back, wearing a brown short-sleeved cardigan over a white top. To her left, a large projection screen displays a familiar Windows desktop with a blue abstract wallpaper, recognizable system icons, and a prominent Chinese character in the lower-right quadrant, while a small green chalkboard mounted above the desk bears the word “font” written in white chalk. Speaking into a gooseneck microphone, a calm, measured female voice begins, stating \"The rules that govern us govern our speaking, helping our speaking find its proper cadence.\" She gestures subtly, first raising her right hand near her chest before lowering it toward the lectern, and briefly glances down at her notes before resuming eye contact. Her delivery is clear and instructional, accompanied by a faint electronic hum from the room’s equipment and mild natural reverb that gives the space an acoustically controlled yet open quality. She continues, adding, \"Let’s look at the two expressions here,\" as her hand settles near the lectern surface.\n\nAn abrupt hard cut shifts the frame to a minimalist graphic animation against a solid white background bordered by thin black lines at the top and bottom. Two stylized leafy branches extend horizontally from opposite edges, each featuring three rounded leaves rendered in varying shades of green. Centered between them rests a pale yellow circle containing a bold red dot, all elements remaining perfectly motionless. The presenter’s voice drops away instantly into complete silence, underscoring the visual transition and leaving a quiet, deliberate pause before any subsequent content begins.","video_1_relative_path":"videos/96c0103f63799255.mp4","video_2_relative_path":"videos/eb24a7a358ef204b.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx_cross/podcast/podcast_1/00000070","text_prompt":"Cinematic medium shot, static camera, warm spotlight against a dark backdrop with abstract red and blue light beams, a single female presenter stands center-stage. She wears a black blazer over a green top, accented by a silver statement necklace and hoop earrings, holding a yellow-and-black presentation clicker in her right hand. The camera remains fixed, drawing focus to her engaged, professional demeanor as she begins speaking with a calm, academic tone. A soft breath intake precedes her clear, measured voice, which carries a slight upward inflection on proper nouns. She raises her left hand, fingers curled in emphasis, while her gaze shifts naturally between the unseen audience and her notes.\n\nA calm, academic female voice begins mid-sentence, stating \"…for example, Nalini Ambady, a researcher at Tufts University, shows that when people watch thirty-second soundless clips of a real physician interacting with a patient.\" She continues without pause, her eyebrows lifting subtly on key phrases as she lowers and then raises her left hand to punctuate her point. The audio remains pristine, dominated entirely by her voice with only a faint rustle of fabric as her arms move and a barely perceptible ambient reverb suggesting a large auditorium space. The clicker is tapped lightly against her palm but produces no audible sound. As she finishes the sentence, her mouth closes gently, her posture softens, and her hands lower toward waist level. The lighting holds steady, casting soft shadows behind her, while the abstract background lights remain fixed, leaving a clean, authoritative silence as the scene concludes.","video_1_relative_path":"videos/1f2018b6ffe3a74c.mp4","video_2_relative_path":"videos/2c52e91c5d9515fd.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx_cross/podcast/podcast_1/00000089","text_prompt":"A locked-off medium close-up frames a blonde female news presenter speaking directly to camera in a live broadcast setting, her head and shoulders filling the vertical frame against a stylized blue backdrop bearing the faint lettering “WH” and “WA.” The lighting is bright, even, and strictly frontal, casting no shadows and rendering her skin in a neutral tone, while the camera remains completely static save for her natural micro-movements—subtle head tilts, deliberate eye blinks, and precise mouth articulation. The atmosphere is tightly controlled and serious, emphasizing the gravity of the political update without visual distraction.\n\nA calm, authoritative female voice with a General American accent delivers the report at a measured, conversational pace, her diction crisp and clear. She states, “Its decision making and whether or not the United States will be directly involved,” before pausing briefly to continue, “In light of that news, I have a message directly from the president, and I quote.” The audio bed remains clean and focused, carrying only her voice and a faint, steady electronic hum from the studio equipment, with no music, ambient noise, or overlapping dialogue to interrupt the delivery.","video_1_relative_path":"videos/2030cbdb206a7fc8.mp4","video_2_relative_path":"videos/870d2238f2de8585.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx_cross/voiceover/voiceover_1/00000021","text_prompt":"Cinematic documentary sequence. Natural daylight floods a rural courtyard, captured with a low-angle wide lens that establishes a weather-worn two-storey house with beige walls, blue window frames, and a tiled roof. The earth-tone palette grounds the scene as soft shadows fall across a yard scattered with firewood and debris. Three figures occupy the foreground: on the left, a young woman in a light green sleeveless dress and white sandals sits on a small wooden chair, her hair tied back, gazing downward with hands clasped in a slightly slumped posture. In the center, an older man in a grey short-sleeved shirt squats beside a dark bucket, his right hand working inside while his left steadies himself on a stone block. To the right, a middle-aged woman in a loose blue T-shirt and black trousers bends over a second bucket resting on a bamboo stool, both hands immersed as she prepares ingredients. Red vertical banners frame the doorway behind them, hinting at traditional customs. Over this quiet tableau, a calm, measured male Mandarin voice-over begins, stating \"用稻草反复熏烤，渗出鱼油，晾晒风干，便是最好的增味品。\" The narration is accompanied by a slow, lyrical guzheng melody floating above a faint bed of distant birdsong and rustling leaves.\n\nThe sequence then shifts to an extreme close-up, adopting a high-contrast macro perspective that isolates several small fish skewered lengthwise on thin wooden sticks. The camera executes a subtle lateral drift, keeping the deeply charred, glistening fillets in sharp focus while the background dissolves into a warm bokeh of orange and brown embers. Rendered oil beads on the scales and drips slowly, catching golden highlights against the deep browns and blacks of the char. A subdued synthesized string pad swells gently beneath the continuing guzheng arpeggios, enriching the texture without altering the unhurried tempo. The documentary tone lingers on the tactile, appetizing imagery, allowing the shimmering fish and the trailing acoustic music to hold the frame until the scene naturally fades.","video_1_relative_path":"videos/43db13613fedfc14.mp4","video_2_relative_path":"videos/61582ac765f63747.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_ltx_cross/voiceover/voiceover_1/00000061","text_prompt":"A cultural food documentary unfolds through locked-off close-ups and extreme close-ups, bathed in bright, diffuse lighting that shifts from warm earthy browns to cool pale ivory. The opening shot is a tight, low-angle view of a torrent of light-brown rice husks cascading downward onto a heaped mound within a muted metallic processing chute. Warm, even illumination gives the husks a gentle sheen as they tumble in rapid motion, accompanied by a soft rustling texture and a faint, underlying mechanical hum from unseen milling equipment. A calm, resonant male narrator in Standard Mandarin begins, stating \"After husking, the rice grains are plump and hard, with a clear, bright hue.\" The scene transitions to an extreme close-up of a human hand cupped beneath a steady stream of freshly polished white rice. The grains spill through the fingers like fine sand, each kernel catching the light to reveal a translucent, glassy surface. The camera remains perfectly still, allowing the crisp, dry patter of the cascade to blend with the ambient machinery. A high-angle view then reveals a broad, shallow metal tray being filled by a thick ribbon of rice pouring from above. The pale ivory grains spread across the surface like a sparkling, liquid sheet, gleaming under the bright industrial lights as the flowing sound of the harvest intensifies into a continuous rustle. The sequence concludes with another steady close-up of rice tumbling from a chute onto a growing pile below. Countless individual grains fall in a rhythmic cascade, glinting with subtle highlights as the instrumental score swells slightly but remains subordinate to the narrator’s final, confident declaration: \"This is the finest rice in China.\" The dense, layered rustle of the falling grain merges with the persistent low mechanical hum, painting a vivid portrait of agricultural excellence and culinary heritage.","video_1_relative_path":"videos/864ccbdbc3b03561.mp4","video_2_relative_path":"videos/f03363334aed3464.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_only/instruments/instruments_1/00000001","text_prompt":"Cinematic fixed shot, eye-level perspective, set in a quiet recording booth whose walls are lined with alternating black-and-white pyramid acoustic foam tiles. Under even overhead lighting that casts soft shadows and catches the glint of the bow, a man with short dark hair sits center frame in a grey sleeveless T-shirt and dark athletic pants. A framed certificate hangs high on the left wall, and an upright double bass rests against the right. He holds a large reddish-brown cello vertically between his knees, left hand poised on the neck, right arm drawing the bow downward from the frog to initiate a warm, resonant low C-sharp. The dry studio acoustics emphasize the instrument’s woody timbre and clear upper harmonics as his fingers press firmly, introducing a subtle vibrato that matches the gentle oscillation of his wrist.\n\nWithout pausing, he drives the bow back up, launching into a flowing legato descent. His torso rocks gently forward on down-bows and backward on up-bows, fully engaged in the phrasing. As the tempo accelerates, bow speed and finger motion quicken, producing a rapid sixteenth-note run that climbs through several octaves. The left hand executes swift position shifts and fluid slides, with faint fingerboard squeaks punctuating the motion, while increased bow pressure brightens the tone and swells the volume. The phrase peaks on a fortissimo high note, the bow drawn forcefully near the bridge, before immediately cascading downward in a rapid arpeggio. The camera remains completely still, tracking the precise synchronization between bow velocity, acoustic resonance, and the performer’s integrated body movement. The piece concludes with a decisive down-bow on an accented low G, held briefly before tension releases. His left hand lifts from the fingerboard, shoulders settle, and the bow rises as the note naturally decays into silence. The frame holds on the musician’s stillness, the room tone lingering in the intimate, unaccompanied space.","video_1_relative_path":"videos/e6e8b86b505511b3.mp4","video_2_relative_path":"videos/71b53a0834144651.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_only/instruments/instruments_1/00000009","text_prompt":"Cinematic medium shot, static camera, even frontal lighting, and a muted palette centered on a plain light-blue textured wall. A man with short dark hair stands in the frame, wearing a black T-shirt with an orange-and-white graphic print across the chest and shoulders. He holds a large, curved, light-brown ram’s horn horizontally with both hands, arms slightly raised to support its weight. Bringing the mouthpiece to his lips, he puffs his cheeks and purses his mouth, maintaining a steady posture and unblinking, focused concentration. The background remains completely uncluttered, devoid of any objects, decorations, or text, keeping the visual narrative entirely anchored to the performer and his instrument.\n\nAudibly, the scene is defined by a single, uninterrupted shofar blast that begins immediately and sustains a high-pitched, resonant, and metallic tone. Produced by forceful exhalation, the sound carries a dry, close-miked quality with only subtle fluctuations in volume corresponding to shifts in breath pressure, before cutting off abruptly without natural decay. There is no ambient noise, room reverberation, clothing rustle, or incidental handling sound, creating a stark, acoustically dead space that heightens the ritualistic atmosphere. The minimalist composition and clean technical execution emphasize the ceremonial weight of the act, leaving the resonant note to stand alone as a focused, intentional documentation of tradition.","video_1_relative_path":"videos/9a0128eadb5a40fa.mp4","video_2_relative_path":"videos/dfcdc6784df2a926.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_only/instruments/instruments_1/00000053","text_prompt":"A static medium-close shot frames a seated musician from the chest down against a plain white wall, bathed in even, neutral lighting that casts soft, clean shadows. The performer wears a dark navy short-sleeved T-shirt and black trousers, their face kept out of frame to focus entirely on the instrument and technique. They play a brown wooden BELTUNA accordion suspended by a black shoulder strap, their right hand executing rapid, precise strikes across the piano-style keys while the left hand rhythmically expands and compresses the bellows and presses bass buttons. The audio begins immediately at full volume with a lively, folk-dance melody in a bright major key, driven by an energetic tempo and rich harmonic accompaniment. Every physical movement syncs flawlessly with the sound: the bellows swell and contract in exact time with the musical pulse, finger attacks match note onsets, and button presses coincide with low-register tones. The recording is acoustically dry and close-miked, capturing only the crisp mechanical articulation of the instrument without ambient noise or room reverb. Dynamics naturally swell with the phrasing, never dropping below a vibrant mezzo-forte, as the visible exertion mirrors the volume peaks. The performance builds to a spirited climax before cutting off instantaneously mid-phrase, leaving no decay and preserving the intimate, studio-quality isolation of the solo piece.","video_1_relative_path":"videos/19e762e9f5cd425c.mp4","video_2_relative_path":"videos/ef25186885d01961.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_only/instruments/instruments_1/00000063","text_prompt":"Cinematic medium close-up, fixed camera, eye-level framing against a uniform light-blue backdrop, bathed in soft, diffused frontal lighting that eliminates shadows and accentuates the warm, glossy wood grain of a four-string ukulele. The instrument bears a black capo across the first fret, and the performer wears a white T-shirt with a yellow cartoon animal graphic visible in the pocket. The left hand grips the neck just behind the capo in a relaxed C-shape, knuckles forward and fingers arched, while the right hand pivots at the wrist, fingers curved for precision plucking. A gentle, bright ukulele tone begins as the thumb strikes the lowest string, immediately followed by the index finger on the adjacent string, forming a crisp two-note motif with a clear attack and soft, natural decay.\n\nWithout pause, the melody ascends as the left hand slides smoothly up the fretboard to the second fret, maintaining contact for a seamless pitch transition. The right hand responds with a flowing arpeggio, thumb, middle, ring, and index fingers striking the strings in succession, their subtle wrist rotation perfectly synchronized with the cascading notes. The tempo holds steady at a moderate pace, driving an even quarter-note pulse with light syncopation and a compact rise-and-fall melodic contour. The timbre remains bright yet mellow, each note ringing briefly before the next arrives, underscored by the occasional faint click of nail against string. As the phrase turns downward, the left hand glides back toward the nut while the right hand alternates between thumb and index strokes, creating a delicate call-and-response texture.\n\nThe final descent resolves gently toward the tonic, the right hand allowing the lowest note to sustain with relaxed finger pressure before hovering momentarily above the soundhole. The resonance fades naturally into a dry, close-mic’d silence with negligible room ambience, the consistent mezzo-piano dynamics shaped entirely by precise finger velocity rather than volume swells. As the last overtone dissipates, the performer’s hands relax and slowly lower just out of frame, concluding the phrase with technical clarity and calm precision. The entire scene remains visually and sonically uncluttered, focusing entirely on the intimate mechanics of the instrument and the smooth, unwavering flow of the solo melody.","video_1_relative_path":"videos/2446342b214add76.mp4","video_2_relative_path":"videos/378aa23ff9a9ded7.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_only/instruments/instruments_1/00000091","text_prompt":"A static cinematic medium shot frames a young trombonist from the waist up, standing upright behind a black music stand against a soft peach-colored backdrop bathed in warm, directional lighting. A professional microphone hovers just above him as he grips the brass slide with both hands, his posture disciplined and his gaze fixed forward in quiet concentration. The scene opens with a single, resonant trombone tone at a moderate volume, its warm, brassy timbre rich with harmonic overtones and a smooth, gentle attack. As he draws the slide outward, the pitch ascends from the middle register, the physical extension perfectly mirroring the rising fundamental frequency while mild room ambience adds depth to the clean, close-mic capture. The melodic line continues with a brief descending phrase, articulated with a lightly detached touch that creates a subtle rhythmic emphasis. His right hand retracts the slide swiftly, producing a short downward glissando that matches the falling pitch contour, his shoulders relaxed and breathing entirely silent. A new phrase begins, climbing stepwise in a slow, lyrical tempo before resolving downward. Both hands coordinate fluidly, the left guiding the slide through extended positions while the right stabilizes the instrument, subtle wrist rotations ensuring seamless transitions. Each upward glide correlates with a gentle crescendo in pitch, followed by a controlled pull-back that tapers the sound, occasionally catching shimmering overtones and the faint, natural friction of metal on metal. The performance concludes with a held low note, sustained without vibrato. The slide settles into its lowest position, and the performer holds perfectly still as the rich low-frequency content lingers, decaying slowly into pianissimo until the tone fades cleanly into silence, leaving only the quiet resonance of the space.","video_1_relative_path":"videos/a270328175eac4f1.mp4","video_2_relative_path":"videos/3c545e4b474321e9.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_only/instruments/instruments_2/00000042","text_prompt":"Cinematic wide shot, natural daylight, clean industrial palette: a solitary accordionist stands upright beside a concrete pillar in a vast, empty hall. Natural light filters through high windows, casting soft shadows across the concrete floor and green fencing in the background. The performer’s posture is relaxed, shoulders steady, gaze directed slightly forward-left, as he launches into a brisk, fast-paced melody. His right hand drives a rapid ascending arpeggio across the keys with crisp, staccato precision, while his left arm steadily expands the bellows to maintain a loud, consistent volume. The bright, reedy tone carries a slight nasal resonance, captured in intimate close-mic detail within an acoustically dry space that leaves no echo or ambient noise. As the phrase unfolds, his fingers slow into a smooth legato descent, connecting the notes with continuous bellows motion before settling into a brief, sustained pitch with a subtle vibrato. The motif then returns, mirroring the opening flourish with the same driving tempo and dynamic intensity, before resolving into a final, unwavering note that gradually diminishes as the bellows reach their full extension. The performance concludes with a clean cutoff, leaving only the faint mechanical click of keys and the quiet, focused presence of the musician in the sunlit hall.","video_1_relative_path":"videos/7b27b138b21fff1b.mp4","video_2_relative_path":"videos/02ac00f1470067a8.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_only/instruments/instruments_2/00000045","text_prompt":"A cinematic, static overhead shot captures a large concert glockenspiel resting on a black metal stand against a plain white backdrop, evenly lit with a clean, high-key palette. Only the performer’s forearms and hands enter the frame, gripping black mallets with round felt heads. The performance begins with a steady, alternating call-and-response motif across the upper rows, each impact producing a bright, bell-like metallic attack that lingers for a second before fading. As the tempo subtly accelerates, the hands launch into rapid sixteenth-note runs and cascading arpeggios, the right hand mirroring the left with staccato accents on the off-beats. The camera remains completely still, allowing only the fluid arcs of the mallets to move across the frame, while the audio stays clean and close-mic’d, with sharp percussive attacks blending into smooth, overlapping decays.\n\nThe passage shifts into a rhythmically complex interlude marked by syncopated accents and firmer strikes that widen the mallets’ arcs, followed by a sustained low note that grounds the texture. A descending legato phrase then unfolds as both hands glide across adjacent bars, blurring individual attacks while preserving the instrument’s characteristic ringing overtone. The energy culminates in a cadential ascent where the right hand climbs quickly to a high, resonant tone while the left punctuates with isolated bass-bar strikes, creating a climactic call-and-response. In the closing measures, the tempo relaxes as the opening two-note motif returns, allowing each note’s resonance to bloom fully. A deliberate double-hit on a mid-register bar yields a richer harmonic stack, after which both mallets hover momentarily above the keyboard before retreating out of frame. The lingering metallic shimmer fades naturally into silence, concluding the technically polished solo performance without abrupt cuts or extraneous noise.","video_1_relative_path":"videos/bfefc4ad852a30d9.mp4","video_2_relative_path":"videos/ef5c07d9910ec80a.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_only/movie/movie_1/00000005","text_prompt":"A tense, fast-paced thriller sequence opens inside a dimly lit industrial garage at night, bathed in harsh yellow-orange overhead light that carves deep shadows across the concrete floor. A handheld, shaky camera tracks laterally as four figures sprint in panic from left to right. In the foreground, a woman with long dark hair, clad in a light grey tank top and white pants, screams with her mouth wide open, while an East Asian man in a tan jacket over a black shirt clutches her shoulder, glancing back in terror. Behind them, two other men in casual shirts flee with tense expressions, passing the hood of a silver car parked at the edge of the frame. The audio is dominated by a relentless, rhythmic cascade of metallic clanking and rattling, layered with a high-pitched electronic whine and a faint mechanical rumble that matches their frantic footfalls. A sudden hard cut shifts to a high-angle, top-down perspective of the same space, now revealing a scene of devastation: scattered tires, three barrels, and motionless bodies strewn across the floor. Two figures in bright orange jumpsuits kneel over an injured person near the center, while another figure in dark clothing crawls away toward the upper left. The camera tilts slightly downward as the chaotic clatter begins to fade, giving way to a low, ominous drone that builds tension in the sudden stillness.\n\nThe edit abruptly shifts to a smoky interior washed in cool blue light, where a Black man with a shaved head and goatee, wearing a beige jacket over a dark T-shirt, grips the steering wheel of a vehicle cockpit from behind. Thick white smoke drifts through the confined space, partially obscuring rows of glowing digital panels that display the words “CREW” and “870” in backlit blue. He glances sideways with alarm as the ambient sound deepens into a heavy engine hum punctuated by intermittent electronic beeps and crackles. A sharp cut isolates a small, translucent yellow capsule rotating slowly against a pitch-black void, its internal mechanics—circular sensors, thin metallic rods, and rhythmically blinking red indicators—revealed in precise detail. Beneath this image, a rising synthetic tone swells to a crescendo. The perspective snaps back to the overhead warehouse view, now crowded with additional casualties and a lone figure in a red jumpsuit standing near the barrels. Blood stains the silver car’s hood as dust motes hang in the air, and a distorted explosion boom erupts, followed by shattering glass and collapsing metal that settles into a heavy, reverberant thud and lingering electrical buzz. The sequence concludes with an extreme low-angle close-up of the East Asian man from the opening shot, lying supine on the concrete. His face fills the frame, eyes wide and staring upward, lips parted in shock, glistening with sweat and blood. As the surrounding darkness isolates him, the low-frequency rumble and distant crackling fade into an abrupt, echoing silence.","video_1_relative_path":"videos/2cd1439e649fb452.mp4","video_2_relative_path":"videos/1c585fc3ca1ef8e3.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_only/movie/movie_1/00000012","text_prompt":"Cinematic sci-fi sequence, wide high-angle shot, natural sunlight lighting, cool metallic palette against deep space black and Earth’s blue-white curve. The scene opens with the curved horizon of the planet filling the lower frame beneath a star-speckled sky, while a massive, multi-module orbital station drifts slowly through the vista. Its metallic hull catches direct sunlight that carves sharp highlights and deep shadows across interconnected trusses, cylindrical tanks, and angled solar arrays. The camera glides leftward while tilting upward, gradually tightening into a medium shot that emphasizes the station’s imposing scale against the swirling white cloud systems below. As the perspective shifts, a compact, angular secondary craft emerges from behind the main structure on the right, rotating subtly to reveal a green-and-white livery marked with the bold sans-serif lettering “RDA” and “ORPHEUS STAR” on its upper modules.\n\nA continuous, low-frequency synthesized drone anchors the atmosphere, layered with a steady, subtle electronic hum that evokes powered machinery in a vacuum. Faint rhythmic pulses and crisp, sub-second digital beeps punctuate the soundscape, suggesting active telemetry and system sweeps. Over this minimalist electronic bed, a calm, professional male voice filters through a communications channel with a neutral American accent and light static texture, stating, “Sakura One Six, copy your LMS master arm on.” The absence of human presence or environmental noise reinforces the sterile, automated nature of the operation, while the juxtaposition of serene planetary beauty and precise industrial machinery cultivates a tense, technologically charged mood of isolated grandeur.","video_1_relative_path":"videos/63e1bcbec010d9c5.mp4","video_2_relative_path":"videos/e4ec78222b88fd81.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_only/movie/movie_1/00000043","text_prompt":"A surreal sci-fi fantasy sequence opens on a wide, static shot framed in deep indigo and violet, capturing a starry void scattered with irregular, dark gray floating rock formations. A massive vertical column of swirling luminous energy dominates the left third, pulsing with cyan, turquoise, and magenta light as its ribbons twist upward like ethereal smoke. Diegetic illumination radiates solely from this vortex, casting a cool blue glow across the undersides of the nearest stone islands. The camera initiates a slow, smooth downward tilt, gradually unveiling a layered cosmic landscape before a solitary figure drifts into view from the bottom right. The young traveler, clad in loose, textured robes that read as pale grey under the ambient light, halts with shoulder-length dark hair catching the faint luminescence. Standing still and facing slightly away, he gazes contemplatively toward the swirling energy column, his posture radiating quiet observation.\n\nThe atmosphere is defined by a relentless, synthetic soundscape that blends a pervasive low-frequency rumble with a sharp, rhythmic whir-click pattern, evoking the steady hum of massive turbines or heavy machinery operating within a vast, enclosed dimension. This mechanical drone lacks natural reverb, lending the environment a processed, otherworldly quality that contrasts sharply with the organic drift of the floating rocks and the fluid dance of the light pillar. No footsteps, breathing, or dialogue disturb the silence; the audio remains constant and unfluctuating, reinforcing a profound sense of isolation and the seamless fusion of arcane magic and advanced technology. The visual stillness of the lone observer against the pulsing cosmic machinery creates a meditative, almost sacred moment of witnessing, where the heavy industrial hum serves as the only heartbeat in a silent, neon-drenched void.","video_1_relative_path":"videos/4dd904c6667360b0.mp4","video_2_relative_path":"videos/641d3d24db3d6937.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_only/movie/movie_1/00000049","text_prompt":"A cyberpunk noir thriller captured in a wide, static shot, drenched in a palette of deep blue, cyan, and crimson. The scene opens on a narrow, rain-soaked urban alleyway at night, where heavy rain falls in continuous streaks, carving ripples into the slick asphalt that mirrors the ambient glow of flickering neon signs and distant street lamps. Industrial facades line both sides, their fire escapes, metal roll-up doors, and graffiti-tagged dumpsters shrouded in a thick, steamy mist that diffuses the light into a hazy, atmospheric haze. From the darkened background, a lone figure sprints toward the camera, a medium-sized dog trotting faithfully at their heels. As they close the distance, overhead lighting and glowing signage gradually pierce the downpour, sharpening their silhouettes while keeping their features obscured by shadow and wet hair. The dog occasionally glances up at the runner, emphasizing their shared urgency as they nearly fill the mid-frame.\n\nThe soundscape opens with a low, ominous electronic drone that establishes immediate tension, soon joined by rhythmic, percussive synth hits that pulse steadily like a frantic heartbeat or distant machinery. A mid-range arpeggiated synth line weaves through the mix, repeating in a steady two-second cycle, while high-pitched metallic percussion layers gradually intensify, mirroring the runner’s approach. Environmental foley grounds the scene: the constant broad-spectrum hiss of heavy rainfall, occasional wind gusts rattling through metal structures, and the hollow splashes of irregular footsteps breaking through shallow puddles. Clothing rustles with each stride, accompanied by the faint, rhythmic panting of the dog and the runner’s short, controlled breaths, all subtly masked by the bass-heavy score. Distant traffic rumbles remain barely perceptible, reinforcing the isolation of the alley. As the figures advance, the music swells in urgency without overpowering the natural soundscape, culminating in a sharp, echoing splash that suggests an imminent transition into confrontation or revelation, leaving the viewer immersed in a tense, sensory-driven pursuit through urban decay.","video_1_relative_path":"videos/29417df773b9d65e.mp4","video_2_relative_path":"videos/1214dd9c7d713b81.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_only/multitalker/multitalker_1/00000015","text_prompt":"A locked-off medium-wide shot frames a small, warmly lit dining room bathed in soft natural daylight filtered through lace curtains and softened by warm interior fill. The scene holds a conversational, stage-like intimacy, revealing a round table with a light-grey speckled laminate top set against pale green diamond-and-fruit wallpaper and white wainscoting. Seated around it are three figures: on the left, an older woman in her late sixties with short, styled-up hair and a teal ruffled-neck sweater leans forward, smiling broadly and letting out a brief laugh. In the center sits a younger woman, roughly forty, with shoulder-length light-brown hair pulled back loosely and a floral button-up blouse, clutching a white ceramic mug decorated with pink flowers. Her brow is knit and her lips press together as she glances between the others, clearly uneasy. To her right, a middle-aged man in a black polo shirt with grey horizontal stripes maintains a relaxed, attentive posture, offering a gentle smile. The table holds matching mugs, a yellow sugar bowl, a dish of sugar cubes, and wooden shakers on an orange placemat, all contributing to a mid-century American domestic aesthetic rendered in pastel greens and muted earth tones.\n\nThe younger woman begins speaking in a mildly exasperated General American tone with a faint Southern lilt, her voice clear and acoustically dry against the quiet room. She says, “I’m sorry y’all find this funny,” her facial tension growing as she continues, “but this is the first time my mother’s expressed real interest in a man.” As she delivers the lines, her eyes widen and her mouth forms each word deliberately, shifting from embarrassed frustration to earnest explanation. The older woman’s broad smile softens into a knowing half-smile, still looking fondly at the speaker, while the man maintains his gentle grin, occasionally nodding in quiet amusement. The steady camera holds on this subtle comedic tension, capturing the contrast between the younger woman’s discomfort and the older generation’s tolerant warmth, evoking a quiet, reflective mood about romance and loss.","video_1_relative_path":"videos/2d540a151daea8da.mp4","video_2_relative_path":"videos/545cb45218964c9b.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_only/multitalker/multitalker_1/00000023","text_prompt":"Cinematic fantasy sequence, 2.35:1 aspect ratio, shallow depth of field, cool blue and purple landscape tones contrasting with a warm pastel sky streaked in pink, orange, and lavender. The scene opens on a static medium-wide shot of two young women standing face-to-face on an otherworldly rocky plain, where jagged, bluish-black formations recede into a hazy horizon. Tiny white particles drift slowly through the air like floating embers, catching faint highlights in the twilight glow. A soft, slow-tempo orchestral score led by sustained strings and a distant piano underscores the wistful mood, with no environmental sounds to preserve the stylized clarity. The woman on the left, dressed in a black outer robe over a dark garment cinched with a pale green sash, her long hair swept into an elaborate high bun with a single trailing strand, looks directly at her counterpart with a composed, solemn expression. A calm, measured female Mandarin voice begins, stating, \"我想听听你和九惑大人的故事。\"\n\nAs her sentence finishes, the camera executes a barely perceptible push-in, tightening the frame to a waist-up medium shot that maintains the intimacy of the unbroken take. The second woman, wearing layered sheer lavender sleeves over a lighter inner robe with a white belt, stands with her arms loosely folded. Her multi-strand hair is adorned with small pink blossoms and metallic ornaments, and several bracelets glint softly on her wrists. She listens attentively, brows gently knit, before tilting her head fractionally and responding in a slightly higher, gentle female Mandarin voice tinged with light skepticism. She asks, \"为什么呢？\" followed by, \"姐姐可不像那种爱打听的人。\" While speaking, she shifts her weight subtly, causing her translucent sleeves to ripple. The orchestral bed maintains its quiet intensity as the scene holds on their poised exchange, the warm sunset hues of the sky contrasting with the cool blues of the terrain, fading out just as the final words linger in the dreamlike atmosphere.","video_1_relative_path":"videos/da6b13511f66da61.mp4","video_2_relative_path":"videos/6e38c1414acd6cac.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_only/multitalker/multitalker_1/00000056","text_prompt":"A gritty urban drama unfolds in a locked-off wide shot at eye level, bathed in the diffuse, overcast daylight that casts soft shadows and establishes a desaturated palette of greys, whites, and muted greens across a quiet Japanese street. A white four-door sedan is parked parallel to the curb, its chrome hubcaps catching the pale light. On the left, a man in a dark charcoal suit and black shoes stands with his hands tucked into his pockets, short hair styled upward, posture relaxed yet alert. Opposite him near the car’s rear door, two teenage students in matching light-grey uniforms with dark piping stand shoulder-to-shoulder, heads bowed in respectful silence. The blond student, Ishibashi, grips a black briefcase at his side, while his dark-haired companion, Yoshimura, holds a similar bag. Behind them, a low industrial building with a corrugated metal façade displays a green sign reading “京進商事”, while power lines and a utility pole cut thin diagonal lines across the sky. A calm, authoritative Japanese man in the charcoal suit speaks, stating, \"組の薬を勝手に売りさばいてた。\" The ambient street hush remains minimal, underscoring the restrained tension of the standoff.\n\nThe camera holds its fixed position, framing the trio with deliberate rule-of-thirds composition that leaves the white sedan as a silent bridge between them. After a brief pause where no one moves, the suited man resumes, his voice steady and matter-of-fact: \"金髪の石橋と吉村って高校生にやられたらしい。\" The students remain perfectly still, maintaining their respectful silence as the low room-tone ambience fills the space. The subdued contrast and everyday grit of the setting reinforce a sober, realistic mood, hinting at an underworld conflict without overt action. The scene concludes with all three figures frozen in their original positions, the calm tension lingering in the quiet street as the final syllable fades into the ambient hush.","video_1_relative_path":"videos/bfd6620d77236824.mp4","video_2_relative_path":"videos/af4a7a59f2f3a860.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_only/multitalker/multitalker_1/00000071","text_prompt":"A cinematic domestic scene opens in a steady medium-wide shot, framed in 16:9, with warm, soft key lighting from a table lamp that creates a homely atmosphere and minimal shadows across wood-panelled walls adorned with framed family photographs and a floral print. The colour palette leans into earthy reds, browns, and muted greens, establishing a cozy, nostalgic mood. In the foreground, a red-and-white checkered sofa draped with a multicoloured crocheted throw anchors the composition. An older teenage boy with shoulder-length wavy brown hair reclines comfortably, his right leg crossed over his left knee. Dressed in a light-grey graphic T-shirt, loose blue jeans, and black high-top sneakers, he holds a black TV remote loosely while a white bowl of popcorn rests on his lap. Beside him, a younger pre-teen boy in a blue-green-yellow plaid shirt and dark jeans bends forward, rummaging beneath the cushions and shifting pillows. Only the faint rustle of fabric breaks the quiet as the older boy turns his head, curiosity softening his expression.\n\n\"What are you looking for?\" the older boy asks, his voice calm, mid-range, and lightly teasing. The younger boy straightens up, clutching a folded red blanket, and answers quietly but firmly, \"A brooch.\" The older boy tilts his head, genuinely puzzled, and replies, \"What's a brooch?\" The camera responds with a subtle push-in, tightening the frame around their faces to emphasise the moment of confusion. As the younger boy begins to explain, \"It's a piece of jewelry used to fasten clothes or hold fabric together,\" his voice trails off naturally, leaving the question hanging in the still air. The moderate depth of field keeps both boys sharp while softly blurring the dark wooden hutch and scattered domestic props, reinforcing the quiet generational distance hinted at by the unfamiliar term. No background music plays; the scene rests entirely on their exchange and the gentle, ambient sounds of a quiet afternoon at home.","video_1_relative_path":"videos/207f07aaee0442df.mp4","video_2_relative_path":"videos/04f3ea8c564aacdf.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_only/multitalker/multitalker_2/00000015","text_prompt":"A tense urban drama captured in a static eye-level medium shot, single continuous take. Warm, evenly spaced bare incandescent bulbs cast a soft yellow glow and gentle shadows across raw, unfinished concrete walls, creating a narrow corridor atmosphere where muted greys contrast with vivid character accents. In the foreground, three figures stand close together. A man in a grey pin-striped suit jacket over a white shirt leans forward, his brows knitted and posture rigid with frustration. His sharp, accusatory Mandarin voice cuts through the quiet space, reverberating lightly off the hard surfaces as he demands, “闭着眼睛买房的吗？” Facing him, a young woman in a pink, black, and white checkered hoodie beneath cream overalls initially looks startled, her mouth slightly parted. She quickly straightens her posture, clutching an open red folder to her chest, and answers in a defensive yet calm, slightly higher-pitched Mandarin, “我自己去的啊。” Beside her, another woman in a bright red oversized top and large circular yellow earrings watches with wide eyes and pursed lips, her silent shock and tension adding emotional weight to the standoff. In the background, a distant figure in dark clothing briefly raises both arms in a fleeting celebratory gesture before turning and walking down the hall, fading into the shadows. The central woman continues her explanation, her tone mixing justification with mild exasperation as she stresses her point in Mandarin, “当时售楼小姐说，这房子虽然是顶楼配电间改的，但是特别宽敞。” The man’s brow furrows deeper in skepticism, while the woman in red remains absorbed in the exchange. The corridor’s ambient acoustics remain clean and minimal, with only faint natural reverberation accompanying the dialogue. No music or extraneous sounds disturb the scene, leaving the confrontation unresolved and the raw, unfinished aesthetic of the space mirroring the unvarnished conflict.","video_1_relative_path":"videos/b517e7a3abb2b94c.mp4","video_2_relative_path":"videos/4b523288f3911555.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_only/multitalker/multitalker_2/00000039","text_prompt":"A locked-off medium two-shot at eye level captures a small American-style diner bathed in even natural daylight, with a shallow-to-moderate depth of field keeping the foreground subjects sharp while gently blurring the background. Red vinyl booths and a dark wooden table dominate the warm-toned space, balanced by cool accents from a light-blue T-shirt and nearby greenery near the large front windows. Two men sit opposite each other: a white man in his mid-thirties with a shoulder-length brown mullet, a small hoop earring, and a white T-shirt bearing yellow “US SWITZER” lettering, and a Black man in his late thirties wearing an afro, trimmed goatee, gold chain, and chunky bracelet. The white man leans forward, fork poised over a plate of pancakes and bacon, and in a curious, conversational tone asks, “Is that true?” A faint room-tone hum and the distant clink of cutlery underscore the quiet atmosphere. Across from him, the Black man answers with playful bravado, raising his right index finger for emphasis as he declares, “Well, we’d have to be talking about one charming motherfucking pig.” His delivery is low-pitched, rhythmic, and mildly amused, drawing a broad grin from his companion as his eyes crinkle with clear entertainment.\n\nContinuing without pause, the Black man adds, “I mean, he’d have to be ten times more charming than that Arnold on Green Acres, you know what I’m saying?” He punctuates the comparison by wagging his finger twice before relaxing his hand toward his chest to seal the point. The white man lowers his gaze to his food, chuckling softly while cutting another bite, his shoulders shaking lightly with suppressed laughter. The camera remains completely still as background patrons—a woman in a pale blouse and an older grey-haired man near the window—stay absorbed in their meals, reinforcing the casual, lighthearted mood. Clean, close-mic’d dialogue carries the scene above the subtle ambient diner noise, with no non-diegetic music, allowing the pop-culture reference and restrained background activity to anchor the relaxed, conversational tone.","video_1_relative_path":"videos/edf08453f777a3ed.mp4","video_2_relative_path":"videos/185d3225cfff2fff.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_only/multitalker/multitalker_2/00000059","text_prompt":"The scene opens inside a vintage-style tram gliding through an urban European city, bathed in soft, even daylight that streams through a large side window. A static medium two-shot frames a young woman with long wavy blond hair, dressed in a light beige T-shirt beneath a brown sleeveless top, seated close to a young man on a wooden bench. Her gaze is fixed on him, lips slightly parted, as a faint, steady low-frequency rumble from the moving vehicle underpins the quiet atmosphere. A soft, contemplative female voice in General American begins, stating, \"Yeah.\"\n\nBeside her, the man—featuring brown shoulder-length hair, light stubble, a black leather jacket over a gray T-shirt—turns toward her with a calm, measured earnestness. As he speaks, he lifts his right hand, extending his index finger before curling it into an OK sign near his chest to underscore his point. His expression is thoughtful and animated, eyebrows raised slightly, while outside the window a red-and-white tram glides parallel on an adjacent track and green trees blur past the urban skyline. A moderate-pitched male voice in General American continues, his delivery slowing for emphasis as he reflects, \"But as far as sexual feelings go, it started with an obsessive relationship.\" The woman listens in steady silence, her unwavering gaze absorbing his words, while the ambient vehicle hum remains constant, focusing all attention on their intimate, vulnerable exchange.","video_1_relative_path":"videos/abda557a209e2782.mp4","video_2_relative_path":"videos/0d0adbed563c652c.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_only/multitalker/multitalker_2/00000065","text_prompt":"Cinematic medium-close shot, warm even lighting, shallow depth of field, and a muted domestic palette frame Howard from the chest up in a brightly lit apartment living room that doubles as a study. He has dark, shaggy hair and wears a vivid red corduroy button-down shirt layered over a black turtleneck. Leaning casually against a vertical wooden doorframe with his left arm raised, he gazes slightly to his right toward an off-screen woman, whose blonde ponytail and large silver hoop earring catch the extreme edge of the frame. Behind him, a whiteboard dense with handwritten physics formulas hangs on the wall, while a colorful molecular-model sculpture and a partially visible poster sit softly out of focus in the background. A calm, conversational male voice with a relaxed North American accent begins, stating, \"Applied physics. You may be familiar with some of my work.\" The room remains completely silent, with no background music or ambient noise to distract from his delivery.\n\nMaintaining steady eye contact with the unseen listener, Howard continues his explanation with mild enthusiasm and clear articulation, his eyebrows lifting slightly for emphasis. He adds, \"It’s currently orbiting Jupiter’s largest moon, taking high-resolution digital photographs.\" His expression stays engaged as he finishes the sentence, his mouth closing into a neutral, satisfied look. The camera holds the static composition for a moment longer, preserving the quiet, focused atmosphere of the controlled capture before the scene naturally concludes.","video_1_relative_path":"videos/5c701058a6886b68.mp4","video_2_relative_path":"videos/177258e493a50cee.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_only/multitalker/multitalker_3/00000034","text_prompt":"Cinematic therapy consultation, static medium two-shot, subdued warm palette with soft indoor lighting and gentle shadows. A tall, segmented beige sculpture stands centered against the back wall, faintly back-lit. At a light-brown wooden desk, a blonde woman in her thirties, dressed in a grey zip-front cardigan over a white top, sits with relaxed yet attentive posture, her shoulders squared toward her companion. She holds a pen loosely, raising it slightly for emphasis as she speaks in a calm, measured voice with a faintly upbeat lilt, “Alternative medicine.” Beside her, a bald, bespectacled man with a moustache, wearing a tan jacket over a plaid shirt, sits perfectly still, his gaze fixed forward with a neutral, stoic expression. The room carries only a soft, intimate indoor hum, keeping the focus entirely on the quiet exchange.\n\nMaintaining steady eye contact, the woman offers a small, encouraging smile as she continues, “I mean, Eastern healing,” her tone carrying a subtle upward inflection that seeks quiet validation. The man’s eyes shift fractionally toward her, though his face remains impassive, heightening the unspoken tension between them. After a brief pause, she adds a gentle nod and a knowing smile, concluding with, “You know, holistic.” The camera holds the static frame as her final word fades into the ambient silence, leaving both figures frozen in their contrasting postures—the woman engaged and explanatory, the man still and reserved—capturing a moment of thoughtful, unspoken divergence in a therapeutic space.","video_1_relative_path":"videos/48f705e8a6fd4a43.mp4","video_2_relative_path":"videos/8567ae6783a99caa.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_only/music/music_1/00000024","text_prompt":"A medium close-up, static shot captures an intimate, dimly lit domestic scene bathed in warm ambient glow from a floor lamp with a textured cylindrical shade positioned to the right. Seated side-by-side on a light-colored, button-tufted sofa, a young man with shoulder-length dark hair wears a black t-shirt bearing the partial white letters NDHI and steadily strums an acoustic guitar, his gaze fixed on the fretboard as his fingers move rhythmically across the strings. Beside him, a young woman with long brown hair, dressed in a loose grey cardigan over a grey tee adorned with a small silver cross pendant, leans slightly forward, her expression calm and focused as she sings softly, her lips moving in sync with a gentle, melodic vocal line: \"I saw the sparks.\" Between them rests a black fabric item patterned with white skulls, while subtle camera shake grounds the shot in a handheld, documentary-like realism. The soundscape is entirely acoustic and intimate: a warm, resonant guitar progression at a relaxed tempo provides the foundation, layered with the woman’s breathy, emotive vocals and the faint, natural reverb of a modest furnished room. Occasional finger slides and controlled inhalations punctuate the performance, creating a mood of quiet reflection and shared artistic expression, with no background noise or extraneous sounds to distract from the spontaneous, unpolished moment.","video_1_relative_path":"videos/15903bac5522e02a.mp4","video_2_relative_path":"videos/80e3e049dbad8ac6.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_only/music/music_1/00000071","text_prompt":"Genre: intimate acoustic folk performance. Lens: static medium close-up. Lighting: soft natural daylight from camera left. Palette: muted blue-grey walls, black cotton, and warm wood tones. A single, static medium close-up frames a young woman with long, wavy blonde hair seated indoors against a muted blue-grey wall. She wears a plain black short-sleeved T-shirt and cradles a dark-bodied acoustic guitar with a light wood fretboard marked by dot inlays and a circular pickguard. Soft natural daylight washes over her face and instrument from camera left, casting gentle shadows on the right, while a white headboard, a fluffy pale-blue pillow, and a small framed picture rest softly out of focus in the background. She maintains steady eye contact with the lens, her right hand strumming rhythmically over the strings while her left hand slides smoothly to form chords. Her lips move in precise synchrony with a breathy mezzo-soprano melody, accompanied by subtle eyebrow lifts and soft smiles that underscore an earnest, contemplative mood.\n\nThe soundscape is sparse and dry, capturing only her voice and the steel-string guitar in a quiet, carpeted room with minimal reverberation. She begins singing in a slow, minor-key folk ballad, her voice carrying a light vibrato and descending legato phrasing as she delivers the line, \"And no surprises, now what lies ahead…\" The guitar supports her with gentle arpeggiated chords and open-position voicings, occasionally shifting to a slight crescendo before resolving back to a soft dynamic. Faint finger-slide squeaks on the fretboard, the subtle rustle of her shirt as she adjusts her posture, and controlled breaths between phrases ground the performance in tangible reality. The camera remains completely still throughout, preserving the intimacy of the moment as the final chord rings out and naturally decays into silence.","video_1_relative_path":"videos/ca3bd09a11f8c4a2.mp4","video_2_relative_path":"videos/d741da000f9f6d6f.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_only/music/music_1/00000072","text_prompt":"A cinematic medium shot captures two young musicians seated on the open tailgate of a black SUV, bathed in bright natural daylight with soft shadows and a clear blue sky visible above the treetops. The man on the left, with light brown tousled hair and a beige button-up shirt layered over a dark graphic tee, cradles a light-wood acoustic guitar across his lap while singing into a black microphone mounted on a stand. His expression is deeply focused, mouth open mid-phrase, eyes occasionally flicking between his fretboard and the space beyond the lens. Beside him, a woman in a teal cable-knit sweater and light jeans mirrors his posture, her blonde hair falling over her shoulders as she plays a matching acoustic guitar with a reddish pickguard, her lips moving in precise sync with the melody. The framing remains completely fixed from a frontal perspective, capturing the subtle sway of their bodies and the intricate fingerwork on both instruments, while the rear interior of the vehicle reveals a laptop on the back seat displaying a waveform monitor. Aurally, the scene unfolds as an intimate, wordless performance anchored by a solo male voice weaving sustained, breathy “ooh” vocalizations in a gentle, legato style with subtle pitch bends. His melody is supported by steady, fingerpicked acoustic arpeggios in a relaxed major key, maintaining a slow, steady tempo with soft-to-moderate dynamics and gentle swells at the peaks of each phrase. The soundscape is meticulously clean, stripped of wind, traffic, or environmental noise, leaving only the organic resonance of the guitars, the faint squeak of fingers sliding across strings, the soft rustle of clothing, and quiet inhalations between vocal lines. All audio sits tightly centered in the stereo field, perfectly synchronized with the visible lip movements and hand motions. Just as the melody reaches its gentle resolution, the image hard-cuts to a solid black screen and every sound vanishes instantaneously, leaving absolute silence without any fade or reverb tail, marking a deliberate, abrupt editorial stop.","video_1_relative_path":"videos/541179f2a85d3342.mp4","video_2_relative_path":"videos/8d9c05d0373e4563.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_only/physics/physics_1/00000037","text_prompt":"A minimalist, low-key cinematic sequence opens on a solid black frame that gradually fills with white, handwritten-style text appearing letter by letter in the center. Rendered with slight jitter and uneven stroke thickness to evoke a casual, hand-drawn aesthetic, the phrase resolves as “2nd Attempt On The Failure To Finish.” The screen remains otherwise stark and silent, establishing a self-aware, slightly humorous tone before the visual transition.\n\nThe scene cuts abruptly to a static medium shot inside a rustic, unfinished wooden structure, possibly a barn or shed. Natural daylight streams in from the left, casting soft shadows and emphasizing the texture of the dark brown vertical planks and exposed ceiling rafters. In the foreground, a thick horizontal wooden beam anchors the composition, holding a clear plastic water bottle with a white cap and blue label, a small tripod-mounted action camera pointing directly at the viewer, and a light-colored rectangular wooden frame leaning diagonally against the back wall. To the left, a white paper notice with a yellow header band and dense black text is affixed to a vertical post, though its contents remain illegible. The frame is entirely still, yet the audio track reveals subtle off-screen activity: a faint rustling consistent with fabric or equipment being adjusted, followed by a single muted footstep landing on a hard surface. The combination of the quiet, utilitarian staging and the sparse, unexplained sounds creates an anticipatory, understated mood, suggesting a workspace prepared for action just beyond the edge of the frame.","video_1_relative_path":"videos/37def972eaced58b.mp4","video_2_relative_path":"videos/8370377d3a9743ba.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_only/physics/physics_1/00000042","text_prompt":"Cinematic close-up, fixed slightly elevated angle, clean and clinical lighting with a muted, nostalgic palette. The frame centers on a vintage electric typewriter resting on a work surface within a modest office or study, with out-of-focus background elements—a wooden cabinet with metal handles and draped fabric—lingering softly behind the machine. The composition holds steady, deliberately excluding any face or torso, as a pair of arms enters from the right, clad in off-white sleeves and marked by a silver metal watch on the left wrist. The hands first adjust the paper roller, fingers hovering briefly before settling into a practiced typing posture. The right hand initiates a steady rhythm, each key strike punctuated by a sharp metallic clack and the swift whirring of typebars snapping back to rest. Soon, the left hand joins in, moving independently across the keyboard with occasional pauses that give way to a faster, denser cadence. The soundscape is dry and immediate, captured with close microphone placement that isolates every percussive impact—high-pitched clicks for letters, deeper thuds for the spacebar, and the faint rustle of fabric and barely audible breath beneath the mechanical rhythm. As the typing reaches its peak, the hands pause, then resume before the left hand reaches for the carriage return lever. A pronounced pull triggers a sliding whirr followed by a resonant, low-frequency clunk that cleanly punctuates the sequence, leaving the scene in quiet, tactile stillness.","video_1_relative_path":"videos/511f8e1508da25dc.mp4","video_2_relative_path":"videos/c2e492f038ad597a.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_only/physics/physics_1/00000069","text_prompt":"A cinematic, low-angle close-up in a dimly lit kitchen or service area establishes an intimate, contemplative mood, bathed in warm directional light that catches the brushed steel surfaces, stacked white ceramic plates, and the mustard-yellow button-down shirt of the subject. The frame initially holds on his torso as his hands move with precision, using metal tongs to arrange roasted meat and garnish onto the plating shelf. Each careful placement is accompanied by crisp, syncopated metallic clinks and scraping foley that echo slightly against the hard tiles and glass bottles in the background, grounding the scene in tactile reality. The camera slowly tilts upward to reveal a man with dark hair and light stubble, his expression deeply focused until he finishes arranging the food and sets the tongs down with a soft thud, followed by the faint rustle of his fabric. As he turns his head slightly toward the empty space beside him, his concentration softens into quiet contemplation. Against the sparse, ambient room tone, his voice emerges in a calm, conversational register with a neutral American accent, measured and tinged with quiet resignation: “So Claire, she was my wife.” He holds his gaze downward and off-camera, letting the words hang in the stillness as the shot lingers on his profile, the absence of music and the out-of-focus red and gold string lights amplifying the subtle melancholy of the moment.","video_1_relative_path":"videos/faccff184707dc40.mp4","video_2_relative_path":"videos/07de0bb8e77ad3e8.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_only/physics/physics_1/00000087","text_prompt":"Cinematic still, high-contrast red and black palette with crisp white typography. A single, unmoving shot fills the frame with a vintage album cover, its slightly grainy, deep-red silhouette of a stylized human face evoking the texture of a scanned photograph. Bold, uppercase sans-serif lettering sits across the upper portion, followed by flowing cursive script beneath it, while a smaller curved phrase arcs gently along the lower edge. Two thin diagonal lines intersect near the center, meeting a pale triangular wedge filled with abstract black shapes. The camera remains completely static, with no shifts in lighting, focus, or framing throughout.\n\nOver this unchanging visual, a brisk and energetic big-band jazz track drives the atmosphere. A full drum kit establishes a swinging ride-cymbal pattern punctuated by sharp snare accents, while a walking upright bass lays a steady foundation. Bright, tightly arranged brass instruments enter together with a punchy, syncopated motif, their harmonies buoyant and celebratory at a fast, propulsive tempo. The recording quality is clear but carries a faint layer of analog hiss, suggesting an archival source. The ensemble builds through a dense, polyphonic arrangement with tight ensemble hits, culminating in a resonant final chord and crashing cymbals before the audio cuts off instantly, leaving absolute silence.","video_1_relative_path":"videos/5c043b4cde56fd43.mp4","video_2_relative_path":"videos/f0a56e37665f0ff8.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_only/physics/physics_2/00000050","text_prompt":"Open on a tight, slightly high-angle close-up of a small orange tabby kitten standing inside a white ceramic bathroom sink. The camera is handheld and remains mostly static, with only minor tremors suggesting it is being held by a person standing just above the basin. Warm indoor lighting casts soft shadows across the scene, highlighting the deep reddish-brown textured walls behind and the chrome faucet with dual glass knobs that glint faintly under the glow. The kitten’s fur is damp and matted from recent water exposure, clinging to its frame as it faces left with its tail raised stiffly. Its eyes are wide and ears pinned back, radiating agitation or protest. As the moment unfolds, the cat pivots its body toward the faucet, snout dipping briefly near the spout as if investigating residual moisture. Its front paws shift uncertainly on the slick porcelain surface, claws barely catching at the drain cover, before it settles back into a tense, mid-motion stance with its gaze fixed off-frame left.\n\nThe soundscape is stripped down to the raw intimacy of the animal’s distress. A series of four sharp, high-pitched meows erupt in rapid succession, each lasting about half a second and perfectly synchronized with visible mouth openings, quick head flicks, flattened ears, and subtle torso twists. The vocalizations carry a clear attack-decay envelope, peaking in the high frequencies with harmonic overtones that bounce softly off the hard, reflective surfaces of the room. Beneath the cries lies a consistent, very low-level electrical or HVAC hum, typical of an enclosed bathroom, accompanied by mild natural reverberation that follows each meow. Faint incidental sounds emerge only in the quiet moments between vocalizations: the soft rustle of wet fur against porcelain and a barely perceptible metallic click as a claw brushes the faucet base. No music, dialogue, or human presence intrudes, leaving the scene entirely focused on the kitten’s urgent, unfiltered reaction to its damp, unfamiliar surroundings.","video_1_relative_path":"videos/d202a673a2a2d07e.mp4","video_2_relative_path":"videos/46f773b12080956c.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_only/physics/physics_2/00000076","text_prompt":"A documentary-style, daytime sequence opens with a fixed, dashboard-level perspective from inside a moving commercial truck, bathed in bright natural sunlight that illuminates a two-lane rural road. Trees line the left shoulder while open fields and scattered houses stretch to the right, utility poles receding into the hazy distance. A red semi-truck maintains a steady pace ahead in the same lane. The dark dashboard anchors the foreground, its windshield wipers resting at the bottom edge, while a side-view mirror catches the glint of a yellow-orange object. Beneath this steady forward motion, a low, continuous engine rumble blends with the subtle high-frequency hiss of tires on pavement, establishing a quiet, enclosed cabin atmosphere.\n\nThe camera then executes a deliberate pan to the left and downward, shifting focus from the road into the utilitarian cabin. A small black oscillating fan mounted on the dash comes into view, followed by a white control panel studded with circular gauges and switches. A human hand briefly brushes the top-left corner near the fan before the frame settles on the lower passenger-side footwell. There, a red plastic trash bin with a white liner sits beside a red fire extinguisher topped with a green nozzle, surrounded by scattered leaves and dirt on the floor mat. As the camera locks onto these objects, a sharp metallic clank echoes through the cab, immediately followed by a brief scraping sound, implying an unseen hand adjusting equipment nearby. The engine hum persists underneath, gradually softening as the shot holds static on the interior details, closing the scene on a mundane, observational note.","video_1_relative_path":"videos/2deb54301cf4cfd1.mp4","video_2_relative_path":"videos/8fe316b5f63e50c8.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_only/physics/physics_2/00000080","text_prompt":"Shot on a handheld camera with a slightly high angle, this intimate documentary-style scene unfolds in a softly lit room bathed in even ambient daylight that casts no harsh shadows. The frame centers on an older black-and-white dog resting on a light-colored armchair upholstered in muted floral damask, its coat contrasting sharply against the fabric. To the left, a brown woven rug holds a single small white pellet. The camera maintains a steady but naturally handheld presence as the dog’s head is raised toward the lens, mouth open and teeth visible, while its tail wags gently behind. Two sharp, high-pitched barks ring out in quick succession, loud and percussive, perfectly synchronized with the animal’s animated facial expression and a subtle ear flick.\n\nThe dog holds its direct gaze, ears perked forward and eyes wide, front paws stretching out with claws faintly visible. After a brief, quiet pause that highlights the room’s stillness, a third bark erupts, closely timed to a quick twitch of the dog’s muzzle and momentary jaw clench. The animal then turns its head briefly to the right before snapping back to face the camera, a movement that precedes a fourth bark slightly lower in pitch but equally forceful. The background remains completely static, with no human presence or environmental movement to distract from the canine subject.\n\nIn the final moments, the dog leans its head closer to the lens, mouth agape in a playful, alert expression. A fifth bark follows immediately, the loudest and most resonant of the sequence, filling the acoustic space with a bright, nasal attack and a brief reverberation that hints at nearby hard surfaces. The dog’s tail gives a vigorous wag as the scene concludes, freezing on the image of the expressive animal. Throughout the sequence, the sonic landscape remains deliberately sparse, dominated entirely by the crisp canine vocalizations against an otherwise silent, low-level room tone, creating a focused and intimate portrait of a fleeting burst of communication.","video_1_relative_path":"videos/d095a5e3081fd13d.mp4","video_2_relative_path":"videos/7365b67d93e49ff8.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_only/physics/physics_3/00000009","text_prompt":"A vertical, static low-angle shot captures a tense, storm-battered landscape under a flat, overcast grey sky. The frame is dominated by a thick, textured palm trunk on the left, its fibrous sheaths ranging from light tan to dark brown, while a smaller palm anchors the lower right. Both trees are caught in a relentless gale, their massive fronds whipped horizontally to the right, leaflets streaming and blurring in perfect synchronization with the roaring wind. The atmosphere is heavy and foreboding, stripped of all human presence or artificial objects, leaving only the raw, elemental struggle between vegetation and weather. Aurally, the scene is immersed in a broad-spectrum rush of wind that fills the stereo field, blending a deep, rolling rumble with sharp, high-frequency hissing. The audio intensity mirrors the visual chaos, surging and receding in subtle, natural fluctuations that reinforce the relentless force of the approaching storm, creating an immersive, visceral experience of nature’s untamed power.","video_1_relative_path":"videos/ff494a7d95025a1a.mp4","video_2_relative_path":"videos/59123f34bc67f3c0.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_only/physics/physics_3/00000068","text_prompt":"A vibrant, cartoon-style children’s game sequence opens in a wide, static shot under bright, even studio lighting and a saturated primary-color palette of lime green grass, yellow slides, and red play structures beneath a clear blue sky with fluffy white clouds. In the lower left foreground, a red fire truck toy bearing the number nine rests with an animated, expressive face, while a high-pitched female voice with an instructional tone cuts through the quiet, stating, \"Under the water to catch it,\" immediately followed by a sharp, rising electronic chime. A hard cut shifts the frame to a medium shot of Doc McStuffins, a young girl in a crisp doctor’s outfit, standing against a stylized purple background beside a pink and purple toy medical vehicle. A large blue rectangular panel materializes at the center of the frame, displaying a sequential countdown in bold white numerals that flash three, two, one, each change punctuated by a crisp digital tick. As the final number drops, an energetic, fast-tempo synthesized pop track with bright major-key melodies and a steady drum machine beat swells to the foreground, culminating in the word GO! flashing across the panel alongside a sharp whoosh and an emphatic musical hit.\n\nThe scene cuts back to the original playground setting, where the red fire truck animates forward from the left toward the center-right, leaving a faint motion blur trail that suggests quick, playful movement. A glowing green line extends along the lower edge of the frame as the upbeat synth-pop continues to drive the rhythm, its volume dipping just enough to make room for the female voice to return with a cheerful, commanding tone, announcing, \"Ready? Go!\" The audio space remains clean and studio-produced, with the vehicle’s subtle engine hums and the bright, encouraging vocal prompts perfectly synchronized to the visual cues, maintaining an intuitive, game-like momentum that carries the sequence to a crisp, energetic close.","video_1_relative_path":"videos/b01671c3039fffcb.mp4","video_2_relative_path":"videos/02c2d31c5a89f513.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_only/physics/physics_3/00000071","text_prompt":"Cinematic daylight sequence, captured with a low-angle medium shot, strong midday lighting, and a high-contrast palette, focusing on a glossy black Porsche 911 GT3-style sports car parked diagonally on a sunlit concrete sidewalk beside an asphalt road. The camera looks up toward the front driver’s side quarter panel, where crisp shadows fall beneath the vehicle while gleaming off its reflective paint to highlight a large rear wing, silver multi-spoke wheels, bright yellow brake calipers, and the faint outline of interior roll cage bars visible through the side window. A sliver of a red sleeve flickers at the far left edge of the frame, while the background reveals green grass, scattered trees, and a distant street sign beneath a clear sky. From the very first moment, a loud, high-pitched electronic siren erupts, rapidly alternating in a relentless hi-lo pattern that dominates the entire soundscape without pause or fade.\n\nThe perspective shifts to a static wide shot framed behind a thick tree trunk in a landscaped median, looking across a quiet parking lot where a white pickup truck and a dark SUV sit near standing figures under the bright sun. In the distance, a commercial building with vertical silver columns and a red roofline anchors the horizon. The siren continues at full volume, its pitch and rhythm completely unchanged, leaving the scene visually still aside from the faint, distant movement of people. The view returns to the original angle on the stationary Porsche, now pulled slightly wider to reveal more of the surrounding commercial environment. A gray building behind the car displays a large GOODIES sign in bold white letters, flanked by a blue handicapped parking marker and a red-and-white NO PARKING ANY TIME sign mounted on a curb-side pole. A small white information board rests on the grass verge, and a man in a light shirt walks slowly past the storefront in the background. The camera holds steady on the car’s aggressive, modified stance against the mundane backdrop as the piercing emergency siren maintains its urgent, unbroken intensity until the frame abruptly ends.","video_1_relative_path":"videos/b8d2c4664db3db23.mp4","video_2_relative_path":"videos/83a2763a93b7f00a.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_only/physics/physics_4/00000047","text_prompt":"Open on a close-up, slightly high-angle shot of a heavy black iron anvil resting on a rough wooden stump outdoors, its base surrounded by dirt, sand, and scattered debris. A glowing orange-yellow metal ring, freshly forged and gripped by tongs, is pressed against the anvil’s conical horn. With each rhythmic hammer strike, bright sparks erupt in sharp bursts while loud, resonant metallic clangs echo through the open air. The camera holds steady with only minor reframing, keeping the focus on the intermittent appearance of gloved hands manipulating the tongs. Natural daylight casts soft shadows, allowing the incandescent heat of the metal to contrast sharply against the dark, weathered iron.\n\nA hard cut then pulls back to a wider, eye-level medium shot, revealing more of the rustic workshop environment. The same workpiece now lies flat on the anvil’s broad face, gradually cooling from a brilliant yellow-orange to a dull red as the camera slowly pans left. Blurred in the background are a yellow-handled sledgehammer, a secondary hammer, and a grinding stand. The hammering continues at a steady, percussive cadence, dominating the soundscape with consistent metallic impacts that gradually give way to faint crackling as the metal loses its thermal brightness. Subtle environmental layers emerge—distant bird calls and a light wind rustling through the space—completing the diegetic audio tapestry. The scene captures the tactile, unadorned rhythm of traditional blacksmithing, where the interplay of light, heat, and sound tells the story of craftsmanship without a single word.","video_1_relative_path":"videos/ae52749f362124de.mp4","video_2_relative_path":"videos/9bb2f12785ae8749.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_only/physics/physics_4/00000065","text_prompt":"A tranquil, nature-documentary close-up opens on a static frame holding a small chaffinch perched calmly atop a weathered, moss-kissed wooden beam. The camera remains completely fixed, isolating the bird against a softly blurred backdrop of diffused greens and yellows that suggest sun-dappled foliage under an overcast sky. Even, shadowless daylight bathes the scene, highlighting the chaffinch’s warm pinkish-orange breast, gray-brown crown and back, and crisp black-and-white wing markings. The bird stays largely still, occasionally blinking, making tiny head turns, and shifting its posture with subtle feather ruffles, creating a quiet, observational portrait of avian stillness.\n\nAurally, the frame is filled with a rich, immersive chorus of overlapping songbird calls that rise and fall in a natural, polyphonic rhythm. The stereo field carries moderate spatial depth, implying several unseen birds singing just beyond the lens, their chirps, trills, and melodic phrases weaving together without repetition or artificial enhancement. There is no music, wind, or mechanical hum—only the steady, organic presence of the woodland soundscape, maintaining a consistent volume and lively, non-repetitive character throughout. The scene holds this peaceful, meditative tone until a clean, simultaneous cut to black and silence, preserving the raw authenticity of the captured moment.","video_1_relative_path":"videos/2c9c50ec0cf7acc6.mp4","video_2_relative_path":"videos/e042f64699031a35.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_only/podcast/podcast_1/00000000","text_prompt":"Cinematic medium close-up, static camera, bright even lighting against a textured deep purple backdrop frames a woman standing behind a sleek black podium equipped with two slender microphones. She wears formal academic regalia: a black mortarboard cap with a gold tassel draping to the right, a purple doctoral gown with wide sleeves marked by three black velvet bars on each arm, and a brown velvet hood lined in black resting over her shoulders. A square patch bearing a white emblem on a dark background is pinned to her left chest, while her long blonde hair falls naturally over her shoulders and bold red lipstick accents her features. As she speaks, her hands move expressively from clasped positions at waist level to open-palmed flourishes near shoulder height, her facial expressions shifting between earnestness and playful emphasis before settling into a broad, sustained smile as she finishes her line.\n\nA clear, mid-to-high female voice with a standard American accent begins, stating, “Specific emergency was that you desperately needed to hear a song with a catchy hook and an intensely cathartic bridge section.” Her delivery carries a lively, slightly humorous tone and a subtle reverberation characteristic of a large indoor auditorium. The moment her words conclude, the space fills with an immediate, loud wave of collective cheering, clapping, and scattered whoops from a large audience. The crowd noise rises quickly, sustaining with energetic approval that gradually tapers, leaving no room for music or extraneous sound and focusing all attention on the celebratory humor of the remark and its vibrant reception.","video_1_relative_path":"videos/59b15bc63dd421bc.mp4","video_2_relative_path":"videos/a58708b90a73f591.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_only/podcast/podcast_1/00000009","text_prompt":"Cinematic medium-wide shot, crisp stage lighting, and a vibrant palette of royal blue and gold open the scene on a brightly lit theatrical stage framed by heavy, pleated curtains. Three Black men in matching royal-blue suits command the space against a white backdrop mounted with three pristine urinals, evoking a satirical tone. The central figure bends forward with his left hand clutching his stomach and his right arm extended outward in a gesture of exaggerated comedic strain, while the two flanking him react with open laughter—one clasping his hands near his chest, the other standing upright with a broad smile. A calm, neutral female English voice-over begins, stating \"I know that listening to one another will not magically solve all problems.\"\n\nA hard cut transitions to a quiet, intimate interior washed in soft, diffused light. In a medium shot, a man with short curly brown hair and a light beard leans casually against a plain off-white wall, dressed in a beige sweater layered over a collared shirt. He holds a slender pen in his right hand and gestures subtly toward a large canvas leaning against the wall, which depicts a figure riding a cow beneath stylized trees under a hazy, earth-toned sky. Facing him, a woman is seen from behind, her dark braided hair swept into an elegant updo, wearing a sleeveless leopard-print top and dangling blue earrings as she listens in silent attentiveness. The female narration continues seamlessly across the cut, completing her declarative thought without pause, while the audio landscape remains entirely stripped of music and ambient room tone, leaving only the clean, close-mic’d voice to anchor the contemplative mood.","video_1_relative_path":"videos/874017ffc1f80050.mp4","video_2_relative_path":"videos/7dc25a255a1e5763.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_only/voiceover/voiceover_1/00000001","text_prompt":"Cinematic documentary-style sequence, wide locked-off framing with a static, observational camera, soft diffuse daylight transitioning to low-angle dusk backlighting, and a color palette shifting from cool greens and misty blues to warm golds and teals. The opening shot reveals an immense mountain valley blanketed in lush greenery, where terraced rice paddies wind down the slopes like shimmering silver ribbons, some basins mirroring the overcast sky while others lie as bare earth. A cluster of dark-roofed houses nestles among the ridges, framed by evergreen trees in the foreground, with distant peaks fading into bluish mist. A calm, measured male Mandarin voice-over begins, stating \"But to cultivate and reap in the boundless ocean, one must possess some other extraordinary skills,\" his clear and steady delivery accompanied by a gentle orchestral underscore built from sustained strings and airy synth pads. The scene cuts to a broad coastal panorama at dusk, where a low sun casts a narrow golden column across still water. Three silhouetted figures stand on a pebble beach—one adult to the right, two children near the center, one crouching and one standing—set against a sky streaked with wispy clouds that fade from pale yellow to teal. The voice-over continues seamlessly, maintaining a reflective and subtly inspirational tone as the camera holds fixed on the tranquil seascape. A closer view reveals several large fishing boats resting motionless on the horizon, rendered as dark shapes against the glowing backdrop, while the sun’s reflection ripples into a luminous path toward the viewer. The orchestral bed maintains its warm, contemplative chord at a slow adagio tempo, with no environmental noise to disturb the clean, studio-quality mix. In the final locked-off shot, a small motorboat drifts slowly from left to right, carrying two silhouetted occupants, one holding a long oar, with a line of anchored vessels stretching into the distance beneath an orange-gold sky that deepens toward the edges. The music sustains its serene harmony until the clip ends, fading naturally without abrupt cutoff, while the fixed camera and gentle boat movement reinforce a documentary stillness that places human presence in humble scale against the vast, reflective beauty of nature.","video_1_relative_path":"videos/8abfb2c46e1dc8cb.mp4","video_2_relative_path":"videos/ab0015dfdcef322a.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_only/voiceover/voiceover_1/00000011","text_prompt":"The scene opens in a dimly lit interior dominated by a saturated, blood-red backdrop that immediately establishes a mood of urgency and peril. A static camera holds a tight close-up on a middle-aged Caucasian man seated on a bold black-and-yellow tiger-striped sofa. He wears a dark suit jacket over a light-blue collared shirt, his face half-sculpted by a warm key light from camera left while the opposite cheek melts into deep shadow. Beads of perspiration glint on his brow as he looks upward and slightly left, his lips parted in a grave, measured delivery. A grave, medium-low male voice in Mandarin speaks with measured gravity, stating, \"与其利滚利，月供至少翻两倍。\" A low, tense orchestral score hums beneath his words, keeping the frame claustrophobic while a shallow depth of field blurs the crimson walls to focus entirely on his anxious expression.\n\nThe shot cuts to a matching close-up of a young Caucasian woman with voluminous curly blonde hair, wearing a sleeveless top and a delicate silver chain necklace. Still against the same crimson background, she lowers her gaze for an instant before lifting her eyes toward someone off-screen to her right, her brows knit in alarm. Her mouth opens wide as she blurts out a shocked question in General American English, her pitch rising sharply with disbelief: \"Two hundred percent on all my loans?\" The warm lighting mirrors the previous shot, maintaining the high contrast and claustrophobic tension, while the orchestral bed sustains the suspense. Clean, foregrounded dialogue cuts through the underscore, emphasizing the devastating weight of predatory lending and personal financial desperation.","video_1_relative_path":"videos/d9dd7b99d6bcc310.mp4","video_2_relative_path":"videos/4c53c4815f1df28c.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_only/voiceover/voiceover_1/00000037","text_prompt":"Cinematic widescreen 16:9 frame opens in a warmly lit, wood-paneled study reminiscent of a vintage hotel suite, rendered in rich earth tones and bathed in the soft, golden glow of two brass wall lamps with white shades. A dark-haired man in a grey long-sleeved shirt lies prone on a chaise lounge, propped on his elbows as he quietly studies a large open book or sketchpad illuminated by the practical lighting. At the rear of the frame, near a closed wooden door, a light-brown-haired man in a black high-collared shirt stands watching with a neutral, attentive posture. A calm male Mandarin voice-over begins, stating “Peter had already witnessed all of this.” Beneath the hushed atmosphere, a steady, low-level electronic hum underscores the scene as the room remains still, the ambience thick with quiet concentration and unspoken tension.\n\nA hard cut shifts the perspective to a tighter medium close-up of the standing man, where soft key lighting from camera left models his features while casting gentle shadows across his opposite cheek. A measured, slightly questioning male English voice breaks the silence: “Was that Meredith?” Without breaking the frame, he shifts his gaze fractionally downward, his expression tightening briefly before softening into contemplation. A softer, contemplative male English voice murmurs to himself: “Was who Meredith?” Delivered with a rising inflection that conveys mild puzzlement, the line hangs in the sparse audio mix alongside the persistent electronic hum. The camera holds on his thoughtful expression as the image gently freezes, leaving the dramatic focus entirely on his internal realization.","video_1_relative_path":"videos/2c7cee1dd33680c4.mp4","video_2_relative_path":"videos/a7fee6c0c465d1a7.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_only/voiceover/voiceover_2/00000025","text_prompt":"The scene opens as an intimate dramatic confrontation, framed in a fixed medium-close two-shot that holds a symmetrical composition of two women standing face-to-face at close distance. The setting is a dim, warm-toned indoor space resembling a cramped fabric shop, where hanging bolts of patterned and solid textiles contrast with subdued lighting that casts gentle shadows across the characters. A large red artificial flower and scattered green leaf garlands add saturated accents to the background. On the left, a woman with dark hair pulled back wears an olive-green jacket with a visible backpack strap; on the right, a woman with shoulder-length reddish-brown curls wears a bright lime-green turtleneck under a grey tweed blazer with a white lanyard. A soft, low-volume solo piano melody in a minor key begins immediately, weaving quietly beneath the dialogue. A weary, moderate-volume female Mandarin voice with a slight regional accent turns toward her counterpart and states, “再也回不到从前。” The right-hand woman listens intently, eyes fixed, before leaning forward a fraction to answer sharply in a rapid, forceful, and noticeably higher-pitched female Mandarin delivery, gesturing subtly near her chest while asking, “你知道你爸爸的事情有什么事用啊？”\n\nThe left-hand woman’s expression tightens as she steps closer, brows knitted, and retorts in a firmer, louder female Mandarin voice that rises above the piano accompaniment, her tone brimming with indignation and frustration as she declares, “当然有用啊！” The camera maintains its steady framing without movement, capturing every micro-expression as the confrontation escalates. Maintaining unbroken eye contact, she presses on, her elevated voice edged with pain and personal stakes as she stresses, “那是我爸爸的事情。” The right-hand woman remains silent, lips pressed together, absorbing the weight of the words while the piano motif repeats softly in the background. The scene holds on their unresolved tension, the warm, saturated textiles and subdued lighting framing the intimate standoff, leaving the emotional conflict hanging in the quiet, music-drenched space.","video_1_relative_path":"videos/85a49e387a54a488.mp4","video_2_relative_path":"videos/1fab29d1fa73a2e6.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_only/voiceover/voiceover_2/00000080","text_prompt":"Cinematic, dialogue-driven scene, tight close-up, muted greens and browns, soft diffused key lighting, and a low-frequency ambient hum. The clip opens on a middle-aged man in a white lab coat over a light-blue dress shirt and patterned tie, his receding dark hair and weary, concerned expression sharply framed against a softly out-of-focus background of greenish shelving. A calm male Mandarin voice begins, stating \"但是人家店老板也说了，这里并不收治人类病人。\" The camera executes a straight cut to a medium close-up of the man being addressed, who stands framed from mid-torso upward against a solid dark-green wall and a closed door. He wears a beige baseball cap with a small green emblem, a brown jacket, and a light mesh undershirt stained with dried blood across his chest. His eyes are wide and reddened, brows knitted in anxiety as he grips a large translucent plastic water jug near his torso. A deeper, accented English voice responds with slow incredulity: \"This is a medical clinic, isn’t it?\" The delivery is strained, underscored by the faint low-frequency room hum that fills the enclosed space without music or pronounced effects.\n\nThe shot returns to the first man in the lab coat, who listens intently with lips pressed before answering in a polite, matter-of-fact British accent: \"Well, of course it is, sir, but strictly for animals.\" The static camera holds on his subtle facial shifts and slight head movements, maintaining a classic shot-reverse-shot rhythm that focuses entirely on the conversational tension. The ambient hum remains constant as the soft lighting continues to isolate their expressions, leaving the multilingual exchange and the visible injuries to hint at a cross-cultural setting where human patients may be receiving treatment intended for veterinary care, deepening the thematic ambiguity of the facility.","video_1_relative_path":"videos/6b695cc8f873bb4f.mp4","video_2_relative_path":"videos/4fe9c5e9d07da21b.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_only/voiceover/voiceover_2/00000103","text_prompt":"A tense, naturalistic crime-procedural scene unfolds inside a moving vehicle, captured in a static medium-close shot with a shallow depth of field that isolates the cabin from the blurred streaks of green foliage and pale building façades rushing past the passenger-side window. Natural daylight filters through tinted glass, casting soft, diffuse highlights across the muted grey and black interior while creating a gentle lens flare on the windshield. The camera is positioned just behind the front seats, angled slightly toward the driver’s right, framing the space with an intimate, observational stillness. A continuous low-frequency engine rumble and steady road noise anchor the soundscape, replacing any musical score to heighten the realism and underlying urgency. In the foreground left, the blurred profile of the front-seat passenger remains motionless, head slightly inclined forward. Center-right, the driver—an East Asian man in his late thirties or early forties with short black hair and a neatly trimmed mustache-goatee—wears a dark grey collared jacket over a lighter shirt. His hands grip the upper rim of the steering wheel, his eyes fixed ahead with a faintly furrowed brow, betraying a quiet, investigative tension.\n\nA calm, neutral male Mandarin voice-over begins, stating \"伊队又开始怀疑阿道提前出院的动机。\" The ambient hum persists as the driver briefly glances down at the dashboard, his lips parting as if weighing his next words. He then turns his head fractionally toward the silent passenger, his mid-low pitch clear and measured, laced with quiet suspicion: \"你那兄弟怎么那么着急出院？\" The question hangs in the cabin, leaving the moment unresolved as the car continues its forward motion, the engine’s steady drone underscoring the unspoken weight of the ongoing investigation.","video_1_relative_path":"videos/238021a0721fc5fc.mp4","video_2_relative_path":"videos/dfc1fa8eb56e85f7.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_only/voiceover/voiceover_3/00000029","text_prompt":"A suspenseful crime-drama scene opens on a handheld camera in a tight close-up, bathed in the soft, shadow-free daylight of an overcast sky that casts a muted, cool palette of greys and greens across the frame. The shallow depth of field renders the background into a creamy bokeh of out-of-focus trash bins and roadside refuse, isolating a tense East Asian man in his thirties standing beside a quiet two-lane asphalt road bordered by a grassy embankment. His dark hair is swept upward, his thin mustache and light stubble framing a face etched with apprehension; he wears a dark navy collared shirt beneath a black tactical vest, a white coiled earpiece wire trailing from his right ear. As he stares ahead with knitted brows and parted lips, a calm but urgent male Mandarin voice-over begins, stating “高建翔的心瞬间提到嗓子眼儿。” The ambient hush of the outdoors remains minimal, amplifying the quiet dread of the moment.\n\nHis gaze remains fixed off-screen to the left, jaw tightening with visible tension until he abruptly whips his head further in that direction, eyes widening and posture stiffening in sudden alarm. The handheld camera makes a micro-pan to keep him centered, tracking the shift from apprehension to alertness without breaking proximity. From an unseen source close to the microphone, a slightly higher-pitched male Mandarin voice cuts through the stillness with urgent inquiry: “什么时候报案的？” Before the silence can settle, the same voice answers in a brisk, matter-of-fact tone: “刚刚才报案的。” The man holds his squared shoulders and unwavering stare, his anxious determination locked onto whatever has triggered the sudden tension, leaving the scene suspended in the quiet, unresolved atmosphere of a critical moment on the brink of revelation.","video_1_relative_path":"videos/10c2b7b9d39cfdb0.mp4","video_2_relative_path":"videos/d39761dc393ebc2a.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"ovi_only/voiceover/voiceover_3/00000056","text_prompt":"A dimly lit, static close-up frames a middle-aged man from the mid-chest upward, his plain black crew-neck T-shirt dissolving into a shadowy background. High-contrast chiaroscuro lighting, evoking a noir thriller aesthetic, casts a cool bluish key light from the left, carving deep shadows across his right cheek while highlighting sweat-slicked skin, small abrasions on his forehead and cheeks, and his dark, receding hair. He stares straight ahead with narrowed eyes and a tense jaw, his expression frozen in grim intensity as beads of perspiration glint under the harsh illumination. The scene opens in near silence until a calm, neutral male Mandarin voice-off speaks, stating \"Where do we start?\" His steady, declarative delivery contrasts sharply with the man’s weathered visage, establishing an intimate, confrontational mood entirely devoid of ambient noise.\n\nAs the man’s brow furrows almost imperceptibly and his lips tighten, a low, ominous musical bed fades in, layering sustained synthetic strings over a soft, pulsing bass that slowly swells to underscore the rising tension. Riding just beneath the emerging score, a female commentator with a General American accent interjects in a slightly mocking, incredulous tone, remarking, \"Why every wacko in the country is gonna be after those bums now, wouldn’t you say?\" The suspenseful score maintains its quiet, brooding presence, neither swelling nor fading, keeping the focus entirely on the emotional weight of the performance and the subtext of the exchange. The clip concludes abruptly as her rhetorical question finishes, leaving the man locked in his intense stare while both picture and sound cut cleanly to silence.","video_1_relative_path":"videos/41d1d97b87918a0a.mp4","video_2_relative_path":"videos/b91437ba9ae390cf.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_only/voiceover/voiceover_3/00000077","text_prompt":"A cinematic period drama set in a warmly lit Qing-dynasty court interior, rendered in a palette of deep purples, charcoals, and muted browns. Shot in a single continuous take at eye level, the frame opens on a steady medium close-up of a dignified middle-aged man standing slightly left of center. Soft, diffused key light from camera left gently models his face against a darker, atmospheric background. He wears a dark charcoal-grey silk robe with a subtle sheen, detailed with black embroidered swirls around the collar and front placket, fastened by ornate brass frog buttons. His hair is neatly tied back, his expression calm yet resolute. In his right hand, he raises an aged parchment document framed by a blue-and-red border and topped with bold red seal-style characters reading “奉天承运,” alongside dense vertical columns of black calligraphy. As he holds the scroll aloft, a measured, resonant male voice in Standard Mandarin begins, stating “而贵为王爷的僧格林沁，哪能咽下这口气？” A faint orchestral underscore of low strings sustaining a tense chord underscores the gravity of the statement. Behind him, half a dozen attendants in earth-toned robes watch in silent concern or stoic approval, while at the extreme right edge, a younger man in a pale-blue patterned tunic tilts his head upward, eyes fixed on the speaker.\n\nThe camera executes a barely perceptible leftward drift, widening the frame to reveal an older gentleman stepping into view from the left. This newcomer, distinguished by a thin mustache, wears a black brocade robe and a matching cap adorned with a small gold emblem, with a long beaded necklace and carved pendant resting against his chest. He fixes his gaze forward, lips pressed, awaiting his turn. As the first speaker lowers the document fractionally but keeps it visible, a deeper, gruffer male voice in Standard Mandarin follows, stating “银票实在太普通。” His tone conveys sharp scorn and impatience, dismissing ordinary silver notes as beneath royal dignity. The younger man on the right blinks slowly, absorbing the exchange, while the purple drapery and dark wooden beams remain static, reinforcing the formal, court-like atmosphere. The subdued, ominous drone of the orchestral score continues, leaving the tension to linger in the heavy stillness as the scene concludes.","video_1_relative_path":"videos/0156a95de54b26d5.mp4","video_2_relative_path":"videos/55fab603d4dfd2c9.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"ovi_only/voiceover/voiceover_3/00000107","text_prompt":"A static medium close-up frames a warmly lit, intimate restaurant interior, bathed in soft tungsten tones that cast gentle shadows across rich reds and golds. Shallow depth of field isolates a man with dark, wavy hair, dressed in a deep-red velvet jacket, white dress shirt, and black tie, seated opposite a blonde woman in a dark strapless top. She leans slightly forward, her hands resting gently over his on the tabletop, her expression tender and concerned as he keeps his gaze lowered with faintly knit brows. Against this quiet, bokeh-dappled backdrop of out-of-focus fairy lights and blurred patrons, a calm, neutral female Mandarin voice-over begins, stating \"Most importantly, he is quite dedicated.\" The ambient restaurant murmur remains low and indistinct, keeping the focus entirely on the unspoken tension between the two.\n\nThe man slowly lifts his head, turning toward the woman as his eyes widen and his mouth parts in earnest surprise. She maintains steady eye contact, her face soft but attentive, as a clear, mid-range male voice with a standard American accent speaks directly to her with polite but firm urgency: \"Excuse me, Vanessa, I think I need to step away for a moment.\" His lips move in sync with the words, breaking the quiet intimacy, while she continues to watch him with quiet concern. The camera holds steady on their exchange, allowing the subtle shift in his expression and the faint, lingering restaurant ambience to carry the emotional weight until the scene concludes.","video_1_relative_path":"videos/00a4b7559ccfd84e.mp4","video_2_relative_path":"videos/8b54f46e4af59faf.mp4","human_preference_answer":"video 1 is better"} diff --git a/indomain/videos/000f76392ece49d0.mp4 b/indomain/videos/000f76392ece49d0.mp4 new file mode 100644 index 0000000000000000000000000000000000000000..bf5802472a3dc53656ea2334b893ab07c8b8893e --- /dev/null +++ b/indomain/videos/000f76392ece49d0.mp4 @@ -0,0 +1,3 @@ +version https://git-lfs.github.com/spec/v1 +oid sha256:33349620f9948fe07073aed48cdc65a953fcfbefcfbe811a5fa9c9059d742cb6 +size 4941701 diff --git a/indomain/videos/00227a8ddfdb5567.mp4 b/indomain/videos/00227a8ddfdb5567.mp4 new file mode 100644 index 0000000000000000000000000000000000000000..dcf4333f8ee2fce0b58d4f441b36f9900cd312b7 --- /dev/null +++ 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The final year shows a scorched ruin with only the desolate sound of wind.","video_1_relative_path":"videos/3d66bf65e9c561cc.mp4","video_2_relative_path":"videos/1d57a6c5a2bd99a7.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Seedance_1.5_pro/ads/ads1/00000016","text_prompt":"A computer screen displays a login window for a website with a generic suspicious-looking domain, and as a username is already filled, fast typing fills the password field with a flurry of keystrokes. The cursor clicks the 'Login' button with a single mouse click, then the screen transitions to a product page showing a red bottle labeled with generic 'LCD cleaning solution' text and a price tag. The cursor clicks a yellow 'Add to Cart' button once, pauses, then begins clicking it rapidly in a frantic series as the clicking noises accelerate.","video_1_relative_path":"videos/5df57420a6050479.mp4","video_2_relative_path":"videos/9d52172a6599a050.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Seedance_1.5_pro/ads/ads1/00000017","text_prompt":"Two men in business suits stand in an elevator, talk, and shake hands as background elevator music plays. A large white text logo appears superimposed over them as they freeze mid-handshake with wide static smiles, holding perfectly still. A woman walks into the elevator and looks at them expectantly; when they don't move, she waves a hand in front of one man's face and presses a button on the panel with a loud click. The doors close with a mechanical slide and reopen to reveal the men still frozen; she squeezes past them and exits. Their dialogue plays naturally, and a voiceover explains that the ad can't be skipped because it's already over, ending with a generic insurance tagline and percentage savings claim.","video_1_relative_path":"videos/fa697febb45d7f3c.mp4","video_2_relative_path":"videos/1cd8d288b26163f0.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Seedance_1.5_pro/ads/ads1/00000019","text_prompt":"A soaking wet man in an orange life vest carrying a wooden oar bursts through a set of glass doors with a loud crash. He hurriedly opens a silver laptop on a wooden table, the hinge snapping open, and the screen shows a map zooming in on a remote island destination. A review pop-up appears and the cursor selects a one-star rating with a decisive mouse click.","video_1_relative_path":"videos/ac1d7e74f683af0f.mp4","video_2_relative_path":"videos/5a710fec6a0924c4.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Seedance_1.5_pro/news/news_1/00000000","text_prompt":"A professional news segment starting with a female anchor in a bright studio, holding a paper and announcing a major historical find. Suddenly, the video cuts to shaky documentary-style footage inside a dusty cave, showing a gloved hand brushing dirt off a golden ancient artifact buried in the ground. The anchor's voiceover explains the significance of the discovery throughout the clip.","video_1_relative_path":"videos/794245c1afe8aafe.mp4","video_2_relative_path":"videos/3de562825fc99f0f.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Seedance_1.5_pro/news/news_1/00000001","text_prompt":"A serious news report beginning with a male anchor in a suit sitting against a digital background of world maps. He looks grave while delivering a warning about internet safety. The scene then abruptly switches to B-roll footage of computer screens in a dark room displaying scrolling green binary code and 'ACCESS DENIED' pop-ups, symbolizing a cyber attack.","video_1_relative_path":"videos/440eb589fce066b1.mp4","video_2_relative_path":"videos/36d94f12034c5a89.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Seedance_1.5_pro/news/news_1/00000002","text_prompt":"A lighthearted news clip. A smiling anchor sits at the desk with a 'ZOO UPDATE' graphic behind her. She introduces a cute story. The video transitions to high-quality footage of a baby panda clumsily rolling around on green grass and chewing on a bamboo stick in a zoo enclosure. The audio includes the anchor's narration mixed with ambient nature sounds.","video_1_relative_path":"videos/2d676b0e23f76915.mp4","video_2_relative_path":"videos/e9fa840aa093e403.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Seedance_1.5_pro/news/news_1/00000003","text_prompt":"Business news coverage. The video starts with a financial reporter standing in a newsroom, pointing to a graph. He discusses manufacturing trends. The view then cuts to an industrial scene showing fast-moving robotic orange arms assembling car parts on a modern production line with sparks flying. The reporter's voice continues seamlessly over the industrial footage.","video_1_relative_path":"videos/2ba013cef5fa4586.mp4","video_2_relative_path":"videos/b3f06a89669cdc6f.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Seedance_1.5_pro/news/news_1/00000004","text_prompt":"Entertainment news update. A glamorous female host stands in a studio with purple lighting, talking excitedly about a movie premiere. The video cuts to a chaotic red carpet scene with bright camera flashes popping repeatedly, showing a blurry celebrity waving to a screaming crowd of fans. The audio shifts from the quiet studio to the roar of the crowd.","video_1_relative_path":"videos/2c4f719f67a01fb1.mp4","video_2_relative_path":"videos/28c2e9e0a9a72321.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Seedance_1.5_pro/news/news_1/00000005","text_prompt":"Health news segment. A serious anchor with glasses reads from a teleprompter about a new health initiative. The shot cuts to medical footage showing a close-up of a nurse's hands wearing blue latex gloves carefully preparing a syringe and a vaccine vial in a sterile hospital environment.","video_1_relative_path":"videos/c01abe0cf014bc0b.mp4","video_2_relative_path":"videos/df95b230f7958ce0.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Seedance_1.5_pro/news/news_1/00000006","text_prompt":"Holiday shopping report. An anchor sits at the desk, gesturing towards a graphic of a shopping bag. He speaks about retail chaos. The scene immediately switches to footage of a large crowd of shoppers rushing through the automatic doors of a department store, grabbing boxes from shelves. The anchor's voiceover describes the record-breaking sales numbers.","video_1_relative_path":"videos/d12f6a255dd0c29d.mp4","video_2_relative_path":"videos/91e2eeea5516559e.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Seedance_1.5_pro/news/news_1/00000009","text_prompt":"Fashion week highlight. A stylish presenter stands in a studio, talking about the latest trends. The video cuts to a vibrant fashion runway show, featuring a model walking towards the camera in an avant-garde silver dress, with audience heads silhouetted in the foreground. Rhythmic electronic music plays faintly in the background of the report.","video_1_relative_path":"videos/d4e1937f32b2733d.mp4","video_2_relative_path":"videos/722c2b12acc795d4.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Seedance_1.5_pro/news/news_1/00000010","text_prompt":"A breaking crime report. A serious-looking male anchor sits in a dimly lit studio, reading an urgent update from papers in his hand. The video abruptly cuts to night footage of a city street blocked off by yellow 'CRIME SCENE' tape, with red and blue police siren lights reflecting off wet pavement. The anchor's narration continues over the scene.","video_1_relative_path":"videos/28c7eb5fd3619fb1.mp4","video_2_relative_path":"videos/a54c8ad58ea9311d.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Seedance_1.5_pro/news/news_1/00000011","text_prompt":"Real estate market update. A female financial reporter stands in a busy newsroom with blurred TV screens behind her. She smiles while discussing rising property values. The scene switches to a sunny outdoor shot of a modern suburban house with a manicured lawn, focusing on a real estate agent hammering a 'SOLD' sign into the grass.","video_1_relative_path":"videos/ac1c0eb3721fe9a6.mp4","video_2_relative_path":"videos/fefc31cde9aee29d.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Seedance_1.5_pro/news/news_1/00000013","text_prompt":"Auto industry news. A poised anchor sits at a glass desk with a futuristic city background. She introduces a new electric vehicle. The video transitions to cinematic B-roll of a sleek silver electric car driving silently along a winding coastal road at sunset, with the camera tracking its movement. The anchor's voiceover describes the battery range.","video_1_relative_path":"videos/e76139ae4204e934.mp4","video_2_relative_path":"videos/af51b45dd17d4c16.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Seedance_1.5_pro/news/news_1/00000014","text_prompt":"Financial technology report. A reporter stands in front of a green screen showing a jagged red line graph plummeting downwards. He looks concerned. The view cuts to a close-up shot of a server room filled with rows of cryptocurrency mining rigs with blinking LED lights and spinning fans. The sound of humming cooling fans is audible under the report.","video_1_relative_path":"videos/a25638b2e7edd07e.mp4","video_2_relative_path":"videos/4310f60a5a80c0a4.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Sora_2/movie_trailer/movie_trailer_1/00000000","text_prompt":"A short movie-teaser sequence with four cinematic shots and trailer-style sound design. Shot 1: In a dim spaceship corridor lit by red emergency lights, a ventilation fan hums and an alarm pulses; a lone engineer walks toward camera, boots echoing on metal grating, and a distorted intercom says, \"All hands—stay away from Bay Nine.\" Shot 2: Smash cut to a close-up of a gloved hand flipping a guarded toggle; it clicks down sharply, and a heavy bass hit lands exactly on the click as warning lights begin to strobe. Shot 3: Cut to an airlock window from inside; frost creeps across the glass while the door mechanism whines, then stops with a hard clunk, followed by a beat of silence and the engineer whispering, \"It’s still out there.\" Shot 4: Exterior space shot of the ship drifting in darkness; a signal beacon flashes in slow rhythm with a deep electronic thump, then the title card REDLINE PROTOCOL appears on black with a rising whoosh and a sharp logo sting.","video_1_relative_path":"videos/be5c5c20ba7aae08.mp4","video_2_relative_path":"videos/20e4cb19f262160d.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Sora_2/movie_trailer/movie_trailer_1/00000001","text_prompt":"Four-shot horror teaser with strong silence-to-impact dynamics. Shot 1: A rain-soaked suburban street at night, distant thunder and wet wind; a porch light flickers as a person approaches a house, footsteps splashing in puddles. Shot 2: Close-up of a hand pushing the front door; the hinges creak slowly, then the door shuts by itself with a sudden slam that hits exactly on a trailer boom. Shot 3: Cut to a dark hallway interior; the only sound is a faint electrical buzz and the character’s breathing as a closet door knob turns with a tiny metallic tick, and the character whispers, \"Don’t open it.\" Shot 4: Smash cut to black on a sharp sting; a childlike humming fades in for half a second, then the title THE LAST DOOR IN HOLLOW STREET appears with a low sub hit.","video_1_relative_path":"videos/64f2bb5712f7ba20.mp4","video_2_relative_path":"videos/2ad650443b525b03.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Sora_2/movie_trailer/movie_trailer_1/00000002","text_prompt":"Four-shot teaser with camcorder realism and audio glitches. Shot 1: Grainy handheld footage in a living room, air conditioner hum and soft tape hiss; a TV plays faint sitcom laughter off-screen while someone points the camera at a dark doorway. Shot 2: A flashlight beam sweeps across family photos; the camera bumps a frame, making a glassy clink, and the laughter on the TV warps and slows unnaturally. Shot 3: Close-up of the camcorder screen as a timestamp flickers; a sudden high-pitched feedback squeal hits exactly as a figure crosses frame for a single instant. Shot 4: Cut to black; a breathy voice right at the mic says, \"Did you hear them?\" and the title MIDNIGHT LAUGH TRACK snaps on with a harsh digital click.","video_1_relative_path":"videos/ca9d2f37a58ac05f.mp4","video_2_relative_path":"videos/864c22aa5da4fc4d.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Sora_2/movie_trailer/movie_trailer_1/00000003","text_prompt":"Four-shot emotional teaser with natural ambience and a musical swell. Shot 1: A windswept seaside pier at golden hour, waves rolling and gulls calling as two people stand in silence; one says softly, \"I came back.\" Shot 2: Cut to a kitchen morning scene; a kettle clicks off and steam hisses as hands brush accidentally, and the second person laughs under their breath. Shot 3: Smash cut to an argument in a car at night; windshield wipers thump rhythmically and rain drums on the roof as a voice breaks, \"You promised me forever.\" Shot 4: A quiet wide shot of the ocean at dusk; the music swells, then drops out for a beat as the title SALTWATER VOWS appears with a gentle, hopeful sting.","video_1_relative_path":"videos/757edf6d67e89e9f.mp4","video_2_relative_path":"videos/ae4039f245851c01.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Sora_2/movie_trailer/movie_trailer_1/00000004","text_prompt":"Four-shot high-tempo teaser with clean sync hits. Shot 1: Inside a bank vault, fluorescent hum and distant alarms; a timer on a device beeps faster as a thief whispers, \"Eighty-seven seconds—move.\" Shot 2: Close-up of a glass cutter scoring a pane with a sharp scratch, then a suction cup pops as the circle lifts free, landing on a bass hit. Shot 3: Smash cut to a getaway car; engine revs, tires chirp, and the car fishtails out of a tight alley with gravel spraying and rattling off the chassis. Shot 4: A final slow-motion shot of a duffel bag hitting the pavement with a heavy thud as sirens surge; the title EIGHTY-SEVEN SECONDS slams onto black with a metallic logo sting.","video_1_relative_path":"videos/51d2bf7ba725302a.mp4","video_2_relative_path":"videos/34c9199f913e52a0.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Sora_2/movie_trailer/movie_trailer_1/00000005","text_prompt":"Four-shot teaser driven by dialogue beats and sharp room sounds. Shot 1: A courtroom wide shot, muted crowd murmurs and camera shutters; a judge’s gavel strikes with a crisp crack and the room falls silent. Shot 2: Close-up of a witness’s hands twisting a tissue, the paper crinkling loudly in the hush as a lawyer asks, \"Did you see his face?\" Shot 3: Smash cut to an elevator; fluorescent buzz, then a brief phone vibration; the witness whispers into the receiver, \"They’re listening.\" Shot 4: Cut to black on a heavy boom; the title THE QUIET TRIAL appears as a tape recorder clicks on and a reel begins to spin.","video_1_relative_path":"videos/c37f434f07c3cf86.mp4","video_2_relative_path":"videos/9f951fdfc532c88f.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Sora_2/movie_trailer/movie_trailer_1/00000006","text_prompt":"Four-shot neon-noir teaser with rain, synth textures, and hard cuts. Shot 1: Rainy alleyway with neon signs flickering; water drips and a distant siren dopplers past as a detective lights a cigarette, the lighter flaring with a tiny whoosh. Shot 2: Close-up of an augmented eye interface; soft digital beeps and a scan tone rise as a face is outlined on a HUD. Shot 3: Smash cut to a nightclub; bass thumps and crowd noise, then the music abruptly cuts as a pistol is cocked with a sharp metallic clack. Shot 4: A slow push-in on a data chip being dropped onto a metal table with a ping; the title NEON WALTZ appears with a gritty synth sting.","video_1_relative_path":"videos/7774b73dce503973.mp4","video_2_relative_path":"videos/d9c8fe06a94bc414.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Sora_2/movie_trailer/movie_trailer_1/00000008","text_prompt":"Four-shot inspirational teaser with training sounds and a musical lift. Shot 1: Dawn in an empty boxing gym; jump rope slaps the floor in a steady rhythm while a coach says, \"Again.\" Shot 2: Close-up of hands wrapping knuckles; fabric pulls tight with a rasp, and a bell dings in the distance. Shot 3: Smash cut to a match night; crowd roar swells as a punch lands with a sharp smack and sweat sprays in slow motion. Shot 4: A quiet locker-room shot; the fighter exhales, then taps the locker with a hollow knock as the title DUST AND GLORY appears with a triumphant sting.","video_1_relative_path":"videos/9b79811fe20ae695.mp4","video_2_relative_path":"videos/0d2da9a474e3ace7.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Sora_2/movie_trailer/movie_trailer_1/00000009","text_prompt":"Four-shot gentle teaser with intimate dialogue and rural ambience. Shot 1: An apple orchard in late afternoon; leaves rustle and distant bees hum as two teens ride bikes past, tires crunching on gravel. Shot 2: Close-up of hands carving initials into a tree, the knife scraping bark; one says, \"Promise you won’t forget.\" Shot 3: Smash cut to a school hallway; lockers slam and footsteps echo as a voice over a phone says, \"I’m leaving.\" Shot 4: A wide sunset shot of the orchard again; the music swells softly and the title THE ORCHARD BETWEEN US appears with a delicate bell-like sting.","video_1_relative_path":"videos/40cad8192d3747d4.mp4","video_2_relative_path":"videos/59cfe2622aea7eb2.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Sora_2/movie_trailer/movie_trailer_1/00000010","text_prompt":"Four-shot teaser with comedic timing and punchy sound cues. Shot 1: A quiet office kitchen; a kettle begins to whistle as a deadpan voice says, \"This is where it all went wrong.\" Shot 2: Close-up of a mug slipping; it hits the floor and shatters with a loud crash that lands on a comedic bass hit. Shot 3: Smash cut to a formal meeting room; polite applause abruptly stops as someone coughs loudly into a microphone, causing feedback squeal. Shot 4: Cut to black; a cheerful jingle plays for half a second, then cuts off as the title KETTLE BLACK appears with a sarcastic ‘ding’ sting.","video_1_relative_path":"videos/c88950f6c72a2f0a.mp4","video_2_relative_path":"videos/996cdabcc4447df6.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Sora_2/movie_trailer/movie_trailer_1/00000011","text_prompt":"Four-shot cold mystery teaser with wind and radio chatter. Shot 1: A snowy forest road; wind howls and boots crunch on snow as a detective says, \"No footprints in or out.\" Shot 2: Close-up of a handheld radio; it crackles and a voice breaks through, \"…do you copy?\" followed by sudden static. Shot 3: Smash cut to a frozen lake; an ice auger bites in with a grinding roar, then stops, leaving an eerie quiet. Shot 4: A lone cabin window glows in the blizzard; a low drone rises and the title WINTER SIGNAL appears with a sharp cold sting.","video_1_relative_path":"videos/a0f4a3c3aa68904c.mp4","video_2_relative_path":"videos/62b0e1489fabb063.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Sora_2/movie_trailer/movie_trailer_1/00000012","text_prompt":"Four-shot teaser with rapid investigative beats and audio motifs. Shot 1: A copier room; pages whip out with mechanical clacks as documents are hurriedly stacked, and someone whispers, \"They altered the plans.\" Shot 2: Close-up of a phone unlocking; digital ticks and a notification ping as a hidden folder opens. Shot 3: Smash cut to an underground garage; footsteps echo, then a car remote chirps and headlights snap on with a hum. Shot 4: A fast montage-like final shot: a red string board, a file stamped, a door bolt sliding—each action landing on percussive hits—then the title BLUEPRINT OF A LIE slams onto black with a brass-like sting.","video_1_relative_path":"videos/856b5fe13b4039c3.mp4","video_2_relative_path":"videos/88b30a152ea30afa.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Sora_2/movie_trailer/movie_trailer_1/00000014","text_prompt":"Four-shot teaser with escalating impacts and environmental collapse. Shot 1: Downtown morning; traffic ambience and crosswalk beeps as a commuter says, \"Did you feel that?\" Shot 2: Close-up of a water glass trembling; tiny ripples tick against the rim, then a sharp jolt makes it jump with a clink. Shot 3: Smash cut to a street canyon; a deep rumble builds as windows begin to fracture, and glass starts raining down with chaotic tinkling crashes. Shot 4: Cut to black on a massive boom; the title CITY OF GLASS appears as a distant emergency siren fades in under the logo sting.","video_1_relative_path":"videos/d0ffccdd4c5e694d.mp4","video_2_relative_path":"videos/63d763469b36a2dd.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Sora_2/movie_trailer/movie_trailer_1/00000015","text_prompt":"Four-shot warm teaser with cooking foley and flirtatious dialogue. Shot 1: A small bakery at dawn; dough slaps the counter and a mixer hums as someone says, \"You’re early.\" Shot 2: Close-up of honey drizzling onto a pastry; it threads down with a sticky sheen while a kettle steams softly in the background. Shot 3: Smash cut to a busy service rush; plates clink, tickets rip, and a chef calls, \"Two out!\" as a timer beeps. Shot 4: A quiet after-hours shot; two people share a pastry bite, a soft laugh, then the title HONEY ON THE TONGUE appears with a gentle acoustic sting.","video_1_relative_path":"videos/f7eb82b1586772b3.mp4","video_2_relative_path":"videos/0146a50432ce3d01.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Sora_2/movie_trailer/movie_trailer_1/00000016","text_prompt":"Four-shot magical teaser with tactile foley and orchestral swells. Shot 1: A candlelit library; pages turn with soft flutters as a narrator whispers, \"Every map has a mouth.\" Shot 2: Close-up of an old compass; it clicks open, and the needle spins with a faint metallic tick-tick. Shot 3: Smash cut to a shoreline where black waves roll; the surf hisses and a creature’s distant call echoes as a cloak snaps in the wind. Shot 4: A book slams shut on a bass hit, ink splashes across the cover like liquid, and the title THE INK SEA appears with a bright, enchanted sting.","video_1_relative_path":"videos/9a21b96ac2dccd27.mp4","video_2_relative_path":"videos/d60cb595deb9e431.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Sora_2/movie_trailer/movie_trailer_1/00000017","text_prompt":"Four-shot mockumentary teaser with on-set chatter and abrupt cuts. Shot 1: A film set; a clapperboard snaps loudly and someone says, \"Action—no, wait, not yet.\" Shot 2: Close-up of a boom mic dipping into frame; the operator whispers, \"Sorry,\" as the director sighs. Shot 3: Smash cut to an interview chair; the subject clears their throat into the mic, then says, \"I was misquoted,\" while crew members shuffle and a chair squeaks. Shot 4: A chaotic set moment—prop falls with a crash, someone yells \"Cut!\"—then the title SECOND TAKE appears with a playful sting and a tiny rewind sound.","video_1_relative_path":"videos/7353f5b27f41de24.mp4","video_2_relative_path":"videos/46f1a4deac525a2e.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Sora_2/movie_trailer/movie_trailer_1/00000018","text_prompt":"Four-shot teaser with repeated audio motif and subtle variation. Shot 1: A café bell jingles as the door opens; a clock ticks loudly in an otherwise quiet room and a voice says, \"This feels familiar.\" Shot 2: Close-up of coffee spilling; it splashes and drips in slow motion as the same line repeats, slightly overlapping like an echo. Shot 3: Smash cut to a crosswalk; the walk signal beeps, then glitches and restarts as the character says, \"Not again.\" Shot 4: A rapid, breathy run up stairs; footsteps pound, then everything snaps to silence and the title THE LONGEST MINUTE appears with a ticking clock sting.","video_1_relative_path":"videos/964102add44cd75b.mp4","video_2_relative_path":"videos/3c83e82445eb32a2.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Sora_2/movie_trailer/movie_trailer_1/00000019","text_prompt":"Four-shot gritty teaser with sea ambience and forensic sounds. Shot 1: A foggy beach at dawn; waves roll and gulls cry as a detective says, \"It washed in overnight.\" Shot 2: Close-up of a gloved hand placing an evidence marker; the plastic clicks on wet sand while a camera shutter snaps. Shot 3: Smash cut to an interrogation room; a chair scrapes back, a recorder clicks on, and a suspect mutters, \"You don’t know who you’re chasing.\" Shot 4: A fast shot of waves smashing against rocks on a heavy boom, then the title TIDELINE EVIDENCE appears with a dark, percussive logo sting.","video_1_relative_path":"videos/ea1a729bd3654f74.mp4","video_2_relative_path":"videos/b42bfd0eb4a80e55.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Veo_3.1_quality/asmr/asmr3/00000002","text_prompt":"A pristine cylinder of purple kinetic sand sits on a white table. A sharp knife slices through it vertically. The sand holds its shape for a split second before the sliced half slowly slumps and disintegrates into grains. The audio captures the unique, soft 'shhh' sound of the blade slicing through the sand, followed by a subtle, sandy crumbling noise as the structure falls apart.","video_1_relative_path":"videos/8fc18d97de8fdee6.mp4","video_2_relative_path":"videos/b55182e2cd70df85.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Veo_3.1_quality/asmr/asmr3/00000005","text_prompt":"A pair of hands taps rapidly on a clear glass bottle, producing a high-pitched, resonant 'ting-ting' sound. Halfway through, the hands move to a leather-bound book nearby, tapping on it. The audio instantly shifts from the sharp, bright glass tone to a dull, muted, low-frequency thudding sound, testing the model's material awareness.","video_1_relative_path":"videos/3a2f6de65cef0321.mp4","video_2_relative_path":"videos/8bb64390e63aa159.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Veo_3.1_quality/asmr/asmr3/00000007","text_prompt":"A POV shot facing a dummy head microphone (3Dio) with silicone ears. A large, fluffy makeup brush gently circles the left silicone ear, then moves across the screen to brush the right ear. The visuals focus on the bristles bending against the silicone curves. The audio creates a 3D effect, with the soft, scratchy brushing sound panning smoothly from the left channel to the right channel.","video_1_relative_path":"videos/571f3d1e70f6839e.mp4","video_2_relative_path":"videos/a7d53cdcd20d3b9e.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Veo_3.1_quality/asmr/asmr3/00000008","text_prompt":"A macro shot of a white piece of chalk writing the word 'Relax' in cursive on a rough, green slate blackboard. The chalk crumbles slightly, leaving dust particles falling. The audio captures the friction—a mix of soft scratching and occasional high-pitched squeaks as the chalk drags across the textured slate surface.","video_1_relative_path":"videos/ad2026435f697133.mp4","video_2_relative_path":"videos/144ab6baca4e5785.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Veo_3.1_quality/asmr/asmr3/00000012","text_prompt":"A pair of hands manipulates a sheet of iridescent, stiff holographic cellophane. They scrunch it into a ball and then smooth it out. The visuals catch the shifting rainbow light reflections on the sharp plastic folds. The audio captures the extremely high-frequency, sharp, and 'crispy' crinkling noise, distinguishing it from the softer sound of paper or fabric.","video_1_relative_path":"videos/e49176c21e6cec51.mp4","video_2_relative_path":"videos/d30d01e521a8faeb.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Veo_3.1_quality/asmr/asmr3/00000013","text_prompt":"Top-down view of a pristine, untouched pink blush compact. A metal spatula digs into the center. The pressed powder fractures into loose dust and chunks. The spatula spreads and crushes the debris. The audio captures the gritty, sandy scraping sound of metal against the powder and the pan, providing a satisfying tactile texture.","video_1_relative_path":"videos/50c1d49c745142f9.mp4","video_2_relative_path":"videos/3f301c7cea421a71.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Veo_3.1_quality/asmr/asmr3/00000015","text_prompt":"A metal palette knife mixes a blob of thick yellow acrylic paint with blue paint on a glass palette. The colors swirl into green. The visuals focus on the thick, buttery texture of the paint. The audio captures the wet 'squishing' and 'slapping' sounds of the paint being folded, accompanied by the occasional sharp scrape of the metal knife against the glass surface.","video_1_relative_path":"videos/bce677ef019d195f.mp4","video_2_relative_path":"videos/c72c487602d83dd4.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Veo_3.1_quality/asmr/asmr3/00000016","text_prompt":"A whole head of fresh, wet iceberg lettuce. Two hands grab the center and pull it apart with force. Water droplets fly off the leaves in slow motion. The audio captures the loud, watery, multi-layered 'crunch' and 'tear' of the crisp vegetable fibers breaking, sounding fresh and hydrated.","video_1_relative_path":"videos/d9711c5ca6824bfb.mp4","video_2_relative_path":"videos/66afa08ea1c4a828.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Veo_3.1_quality/asmr/asmr3/00000017","text_prompt":"A visual of a professional microphone covered with a black foam windscreen. Long fingernails gently scratch the surface of the foam in a circular motion. The foam depresses slightly and rebounds. The audio is a raw, textured 'white noise' scratching sound, simulating the proximity effect where the sound feels like it is directly inside the listener's ear.","video_1_relative_path":"videos/754028d4f8379451.mp4","video_2_relative_path":"videos/c6e83671cf4e0db0.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Veo_3.1_quality/news/news_2/00000000","text_prompt":"A professional news segment starting with a female anchor in a bright studio, holding a paper and announcing a major historical find. Suddenly, the video cuts to shaky documentary-style footage inside a dusty cave, showing a gloved hand brushing dirt off a golden ancient artifact buried in the ground. The anchor's voiceover explains the significance of the discovery throughout the clip.","video_1_relative_path":"videos/794245c1afe8aafe.mp4","video_2_relative_path":"videos/db21da86c5e5aa9c.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Veo_3.1_quality/news/news_2/00000002","text_prompt":"A lighthearted news clip. A smiling anchor sits at the desk with a 'ZOO UPDATE' graphic behind her. She introduces a cute story. The video transitions to high-quality footage of a baby panda clumsily rolling around on green grass and chewing on a bamboo stick in a zoo enclosure. The audio includes the anchor's narration mixed with ambient nature sounds.","video_1_relative_path":"videos/2d676b0e23f76915.mp4","video_2_relative_path":"videos/32b08da78e17f061.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Veo_3.1_quality/news/news_2/00000003","text_prompt":"Business news coverage. The video starts with a financial reporter standing in a newsroom, pointing to a graph. He discusses manufacturing trends. The view then cuts to an industrial scene showing fast-moving robotic orange arms assembling car parts on a modern production line with sparks flying. The reporter's voice continues seamlessly over the industrial footage.","video_1_relative_path":"videos/2ba013cef5fa4586.mp4","video_2_relative_path":"videos/c5ae0a40167a4f31.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Veo_3.1_quality/news/news_2/00000005","text_prompt":"Health news segment. A serious anchor with glasses reads from a teleprompter about a new health initiative. The shot cuts to medical footage showing a close-up of a nurse's hands wearing blue latex gloves carefully preparing a syringe and a vaccine vial in a sterile hospital environment.","video_1_relative_path":"videos/c01abe0cf014bc0b.mp4","video_2_relative_path":"videos/dc77db2f4c50479b.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Veo_3.1_quality/news/news_2/00000006","text_prompt":"Holiday shopping report. An anchor sits at the desk, gesturing towards a graphic of a shopping bag. He speaks about retail chaos. The scene immediately switches to footage of a large crowd of shoppers rushing through the automatic doors of a department store, grabbing boxes from shelves. The anchor's voiceover describes the record-breaking sales numbers.","video_1_relative_path":"videos/d12f6a255dd0c29d.mp4","video_2_relative_path":"videos/20cacafafc10c3a5.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Veo_3.1_quality/news/news_2/00000007","text_prompt":"Breaking travel news. A reporter in a trench coat stands outside an airport terminal with planes visible in the distance. She speaks into a microphone about cancellations. The video cuts to an interior shot of a packed airport terminal, showing a departure board filled with red 'CANCELLED' text and tired passengers sleeping on their luggage.","video_1_relative_path":"videos/f1226fa84fd0e22b.mp4","video_2_relative_path":"videos/285069d818796ec3.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Veo_3.1_quality/news/news_2/00000008","text_prompt":"Environmental disaster report. A somber anchor sits in the studio with a blue background. He reports on a recent accident. The video transitions to aerial drone footage looking down at a beach, where black oil sludge is washing up on the white sand and waves are crashing. The sound of the ocean mixes with the serious tone of the news report.","video_1_relative_path":"videos/0ec60280e480328a.mp4","video_2_relative_path":"videos/5bdb49ad0018bd02.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Veo_3.1_quality/news/news_2/00000009","text_prompt":"Fashion week highlight. A stylish presenter stands in a studio, talking about the latest trends. The video cuts to a vibrant fashion runway show, featuring a model walking towards the camera in an avant-garde silver dress, with audience heads silhouetted in the foreground. Rhythmic electronic music plays faintly in the background of the report.","video_1_relative_path":"videos/d4e1937f32b2733d.mp4","video_2_relative_path":"videos/47ff358e589dea51.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Veo_3.1_quality/news/news_2/00000010","text_prompt":"A breaking crime report. A serious-looking male anchor sits in a dimly lit studio, reading an urgent update from papers in his hand. The video abruptly cuts to night footage of a city street blocked off by yellow 'CRIME SCENE' tape, with red and blue police siren lights reflecting off wet pavement. The anchor's narration continues over the scene.","video_1_relative_path":"videos/28c7eb5fd3619fb1.mp4","video_2_relative_path":"videos/b5c63fba7c23890f.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Veo_3.1_quality/news/news_2/00000011","text_prompt":"Real estate market update. A female financial reporter stands in a busy newsroom with blurred TV screens behind her. She smiles while discussing rising property values. The scene switches to a sunny outdoor shot of a modern suburban house with a manicured lawn, focusing on a real estate agent hammering a 'SOLD' sign into the grass.","video_1_relative_path":"videos/ac1c0eb3721fe9a6.mp4","video_2_relative_path":"videos/0798100754d3e8ae.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Veo_3.1_quality/news/news_2/00000012","text_prompt":"Gaming news segment. An energetic host with headphones sits in a neon-lit studio filled with gaming memorabilia. He shouts excitedly about a tournament win. The video cuts to a wide shot of a massive esports arena packed with thousands of cheering fans, watching a giant screen where a team lifts a trophy. The audio shifts to the roar of the stadium.","video_1_relative_path":"videos/a26a1ce48a0d2ccb.mp4","video_2_relative_path":"videos/958bfd60f3a79e32.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Veo_3.1_quality/news/news_2/00000014","text_prompt":"Financial technology report. A reporter stands in front of a green screen showing a jagged red line graph plummeting downwards. He looks concerned. The view cuts to a close-up shot of a server room filled with rows of cryptocurrency mining rigs with blinking LED lights and spinning fans. The sound of humming cooling fans is audible under the report.","video_1_relative_path":"videos/a25638b2e7edd07e.mp4","video_2_relative_path":"videos/22df309e45c478e1.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Veo_3.1_quality/news/news_2/00000016","text_prompt":"Green energy report. A male anchor wearing a green tie stands in a virtual studio with wind turbine graphics. He talks about renewable targets. The video switches to a high-angle drone shot flying over a massive field of blue solar panels stretching to the horizon under a bright sun. The anchor's narration explains the energy capacity.","video_1_relative_path":"videos/0cfb968edf5eb57f.mp4","video_2_relative_path":"videos/5e4aefa8f230fb9a.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Veo_3.1_quality/news/news_2/00000017","text_prompt":"Science update. A meteorologist points to a star map graphic. He encourages viewers to look up tonight. The video cuts to a beautiful time-lapse of a dark night sky, capturing streaks of light (meteors) flashing across the Milky Way. The audio features quiet, awe-inspiring ambient music mixed with the forecast.","video_1_relative_path":"videos/ce5a7a913fcb82e0.mp4","video_2_relative_path":"videos/1e572e5c22ea63b0.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/animals/animals2/00000000","text_prompt":"In a bright bathroom, a wet golden retriever stands in a tub as a human turns off the faucet with a click and water drips steadily from the dog’s fur into the porcelain. The dog pauses, then shakes violently from head to tail, sending droplets splattering against the tile with rapid pattering sounds, while the human laughs and says, \"Okay, okay—shake it out,\" as the dog’s collar tag jingles with each snap of the body.","video_1_relative_path":"videos/0317086a07755ba7.mp4","video_2_relative_path":"videos/262fcc5467154bed.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/animals/animals2/00000002","text_prompt":"A handheld outdoor shot shows a person tossing a tennis ball down a gravel path with a quick whoosh. A dog sprints after it, nails clicking rapidly on stones and gravel crunching underfoot, then the dog skids to a stop with a gritty scrape and clamps the ball with a squeaky bite. As the dog runs back, the collar jingles and the person calls, \"Bring it here!\" while the dog drops the ball at their feet with a soft plop.","video_1_relative_path":"videos/1ac129c434987309.mp4","video_2_relative_path":"videos/4d2440f65195b818.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/animals/animals2/00000004","text_prompt":"A close-up on a small puppy holding a rubber squeaky toy between its front paws on a carpet. The puppy bites down repeatedly, and each jaw squeeze triggers a sharp squeak exactly as the toy visibly compresses and rebounds. The puppy pauses to reposition the toy with little snuffles, then resumes chewing faster, making a mix of squeaks and wet mouth sounds while the human says, \"That’s your favorite one, huh?\"","video_1_relative_path":"videos/affc8fdcce627055.mp4","video_2_relative_path":"videos/a3566c1d5c0cbc3f.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/animals/animals2/00000006","text_prompt":"A stable corridor shot shows a horse being led by a handler; the lead rope hardware clinks softly as the horse walks. Each hoof lands with a solid clop on packed dirt, then changes to a sharper ring as the horse steps onto a concrete section. The handler says, \"Easy,\" as the horse snorts and exhales, and the camera catches the shift in footstep sound with the change in surface.","video_1_relative_path":"videos/181ac455534941e7.mp4","video_2_relative_path":"videos/8410d149688a3b31.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/animals/animals2/00000009","text_prompt":"A telephoto shot of a squirrel perched on a tree branch in a park with soft wind and distant birds. The squirrel holds a nut between its paws and gnaws; the shell cracks with small sharp snaps, and flakes fall onto leaves below with faint patters. The squirrel pauses to look around, tail flicking with a soft brush sound, then resumes cracking and eating.","video_1_relative_path":"videos/7faf0016be44f9be.mp4","video_2_relative_path":"videos/3556640ec0735ad6.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/animals/animals2/00000011","text_prompt":"A wide shot of a wetland at dusk shows still water with reeds swaying. As the camera pans slowly, a chorus of frogs fills the scene with overlapping croaks that rise and fall in waves. A single frog near the camera inflates its throat sac visibly with each call, and its louder croaks land exactly with the pulsing throat movement.","video_1_relative_path":"videos/f6c97467931648a0.mp4","video_2_relative_path":"videos/1bcd45a798854696.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/animals/animals2/00000014","text_prompt":"A wide twilight shot of a rocky ridge shows a pack of wolves standing still in silhouette. One wolf lifts its head and begins a long howl that carries across the open landscape, and a second and third wolf join in, their voices stacking and overlapping. The camera captures their chest expansion and muzzle angle aligning with the sustained howls before they fall quiet again.","video_1_relative_path":"videos/06f0ff2cf8cd56bc.mp4","video_2_relative_path":"videos/36737df8604467a7.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/animals/animals2/00000015","text_prompt":"A boat-level ocean shot shows calm swells and distant seabirds. A whale surfaces near the camera, and its blowhole releases a sudden explosive breath with a powerful wet exhale sound and misty spray. The whale’s back rolls past with water sheeting off in a rushing cascade, then it slips under the surface as the ocean returns to gentle wave sounds.","video_1_relative_path":"videos/a35594988a3380b8.mp4","video_2_relative_path":"videos/ab21dd55da38f2fb.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/animals/animals2/00000016","text_prompt":"A sunny sea shot shows two dolphins swimming fast, their dorsal fins cutting the surface with small splashes. One dolphin bursts out of the water in a clean arc, landing with a loud slap and spray, and a second follows a moment later with another splash. A person on the boat shouts, \"There!\" as the dolphins reappear and exhale quick puffs at the surface.","video_1_relative_path":"videos/64b25dc57a14be06.mp4","video_2_relative_path":"videos/ecb504f7233db700.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/animals/animals2/00000018","text_prompt":"A savanna shot shows an elephant scooping dry earth with its trunk, the grains cascading with a dry sandy pour. The elephant blasts the dust over its back with a forceful trunk exhale, making a deep whoof as dust clouds billow. The elephant’s ears flap with heavy leathery slaps, and it rumbles softly while taking a slow step that thuds into the ground.","video_1_relative_path":"videos/aad23456089c5a93.mp4","video_2_relative_path":"videos/4a1eb3da8f227c1a.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/animals/animals2/00000019","text_prompt":"A ground-level shot in a forest shows a snake moving smoothly through a bed of dry leaves. As its body pushes forward, the leaves crackle and rustle in a continuous whispery trail exactly where the scales pass. The snake pauses, tongue flicking silently, then resumes slithering as a twig snaps lightly under its weight.","video_1_relative_path":"videos/34eef17b8bb7bc96.mp4","video_2_relative_path":"videos/3b6fa23703458fbf.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/sports/sports_1/00000000","text_prompt":"A cinematic slow-motion shot shows a golfer fully in frame from the side inside a sand trap on a sunny morning. The golfer takes a focused stance, swings down, and the club strikes the sand inches behind the ball with a dull thump, blasting a cloud of beige grains that rushes upward with a soft hiss. The ball rides out on the sand splash and lands on the green while sand rains down with faint pattering, and the golfer holds the follow-through pose, watching the shot.","video_1_relative_path":"videos/f7ec84c734bb9e63.mp4","video_2_relative_path":"videos/a914f14e7e61764d.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/sports/sports_1/00000002","text_prompt":"A low-angle wide shot captures the entire motocross rider and bike approaching a muddy ramp at speed, the engine snarling and rising in pitch. The rider launches into the air and whips the bike sideways mid-flight, body twisted and knees gripping the frame as clods of dirt rattle off the tires. As the rider straightens out, wind roar dominates for a beat, then the landing hits with a heavy slap of tires on wet ground and a deep suspension clunk as the rider continues down the track.","video_1_relative_path":"videos/9b4e4c83018d6370.mp4","video_2_relative_path":"videos/31f2cee400d7909b.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/sports/sports_1/00000003","text_prompt":"A full-body shot at center ice under a spotlight shows a figure skater gliding into a spin, the blade making an audible scrape that turns into a rising scratchy hiss as rotation accelerates. The skater pulls arms and legs in tight, dress blurring into a ring as fine ice shavings whisper outward. The skater finishes with a sharp stop that cuts the scraping sound nearly to silence, ending in a clean pose as the rink ambience returns.","video_1_relative_path":"videos/2360d1415540c07c.mp4","video_2_relative_path":"videos/0f7f21fb921ba27e.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/sports/sports_1/00000004","text_prompt":"A wide shot in a quiet pool hall shows a player lining up at the table, chalking the cue with a soft gritty rub before stepping into stance. The cue strikes the cue ball with a sharp crack, and the rack explodes into rapid clatter as balls scatter across the felt. The player straightens up watching, while balls roll with low rumbles and tick against cushions, then settle into silence.","video_1_relative_path":"videos/ecdf1eed63c9cdad.mp4","video_2_relative_path":"videos/51888ba1287b8f22.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/sports/sports_1/00000006","text_prompt":"A wide indoor court shot shows six players on each side, sneakers squeaking and teammates calling in echoing gym acoustics. An attacker takes an approach and spikes, the hit making a sharp pop. A defender jumps with both hands high, and the ball smacks into the blocker’s palms with a flat thud, visibly deforming before ricocheting straight down. The ball slaps the court, the net twangs from the follow-through, and players react with shouted celebration and groans.","video_1_relative_path":"videos/80b2183442c50613.mp4","video_2_relative_path":"videos/49521f81b1de0480.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/sports/sports_1/00000007","text_prompt":"A two-angle sequence: first a wide pool-deck shot shows a diver on a 10m platform, the crowd quiet, then the diver leaps and tucks into a clean line. Cut to an underwater wide shot looking up as the diver pierces the surface with a tight, subdued whoomp instead of a huge splash. Underwater, a cone of air bubbles fizz-roars around the diver’s body and trails downward as the diver glides deep and then slows in the blue.","video_1_relative_path":"videos/2c392f3857047692.mp4","video_2_relative_path":"videos/fd8fdd58b4fe15b1.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/sports/sports_1/00000008","text_prompt":"A sideline wide shot shows a rugby scrum forming in torrential rain, drops drumming on jerseys while players shout and the referee calls commands. The two packs crouch and bind, boots squelching as they dig into mud. On 'Engage!' they collide with a heavy grunt, shoulders driving, mud slapping and churning loudly underfoot as the scrum heaves, jerseys stretching and creaking under strain.","video_1_relative_path":"videos/afee3cd477ab6b53.mp4","video_2_relative_path":"videos/f8ea262993b8a8b9.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/sports/sports_1/00000009","text_prompt":"A mid-wide shot shows a table tennis player fully in frame at the end of the table, knees bent and eyes locked on the ball in a bright hall with faint crowd hush. The ball bounces on the table with a light plastic tick, and the player swings through a topspin drive, contacting with a crisp click exactly as the paddle brushes the ball. The ball shoots forward with visible spin, the player’s shoes squeak during the quick step-in, and the opponent’s block returns a second tick a moment later.","video_1_relative_path":"videos/47c2fbaac2a0f583.mp4","video_2_relative_path":"videos/235aabb7d3b27287.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/sports/sports_1/00000010","text_prompt":"A wide stadium shot on a snowy night shows a quarterback launching a high spiral as the crowd roars behind wind gusts. Downfield, a receiver sprints, cleats crunching in powder and breath huffing in the cold. The ball descends with a faint rushing whistle, and the receiver leaps into a cluster, catching with a soft leather thump against gloves before crashing into snow with a deep muffled impact and a long sliding scrape. The crowd erupts as an official raises the signal in the background.","video_1_relative_path":"videos/b7006c5c173991ed.mp4","video_2_relative_path":"videos/8ee85320867f27da.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/sports/sports_1/00000011","text_prompt":"A third-person wide shot follows a traceur running across a rooftop, full body visible as footsteps crunch on gravel and breathing grows louder. Wind rushes past as the traceur reaches the edge and jumps a wide gap between buildings, body fully extended in mid-air. The landing hits with a sharp shoe slap on concrete, followed by a gritty scrape as the traceur performs a safety roll, then pops back up and keeps running as city ambience hums far below.","video_1_relative_path":"videos/f5d302a5e2ceb80d.mp4","video_2_relative_path":"videos/f0b490f6dfbdbf2e.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/sports/sports_1/00000012","text_prompt":"A dynamic rink-level wide shot shows a goalie centered in frame while skaters rush in, blades carving the ice with a constant shhhhh and boards echoing the arena. A forward breaks in alone, stickhandling with quick clacks, then shoots low. The goalie lunges, pads thumping the ice, and the puck deflects off the raised skate with a sharp clack inches from the line, then rattles into the corner as the crowd reacts with a sudden roar.","video_1_relative_path":"videos/d72ae3ccabcaf3ee.mp4","video_2_relative_path":"videos/a7365ce45c06075c.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/sports/sports_1/00000013","text_prompt":"A full-body ring shot in a gritty venue shows two fighters circling, bare feet slapping the canvas and the crowd rumbling. Punches land on gloves and forearms with dull thuds, then one fighter spins into a back elbow. The elbow connects with a sharp smack synced to the head snap, sweat spraying and pattering to the mat. The opponent staggers and drops, ropes creaking as the referee rushes in, and the audience noise surges.","video_1_relative_path":"videos/f1a36cd97b3ea4de.mp4","video_2_relative_path":"videos/1c1628c66e230574.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/sports/sports_1/00000014","text_prompt":"A following wide shot trails a mountain biker descending a foggy forest trail, the rider and bike fully visible weaving between rocks and roots. Tires buzz and crunch over wet gravel, the chain rattles, and the suspension chatters loudly over bumps. The rider launches a small drop; for a brief airtime the rumble falls to wind noise, then the landing hits with a heavy thud as mud spits up and the rider regains control, continuing downhill.","video_1_relative_path":"videos/b367f8862e526d7a.mp4","video_2_relative_path":"videos/b507fa5c3074b6da.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/sports/sports_1/00000015","text_prompt":"A broadcast-style wide shot shows the pitcher delivering a fastball, the crowd low in the background. The ball hisses toward the plate as the batter swings hard, full body visible. The ball jams the bat handle; a violent crack splits the wood and shards fly as the batter’s hands recoil. Pieces whistle past while the ball dribbles into the dirt with a soft bounce, and the batter stares at the broken bat in shock as the stadium reacts.","video_1_relative_path":"videos/f86070ade9c6cd23.mp4","video_2_relative_path":"videos/0fae51652dfcbdf9.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/sports/sports_1/00000016","text_prompt":"A poolside wide shot shows a swimmer sprinting freestyle into the wall, arms slapping water rhythmically with loud splashes. Cut to underwater wide: the swimmer flips, bubbles roaring around the body, and both feet plant on the wall with a muted thump. The swimmer pushes off explosively, streaming bubbles in a long trail, then breaks the surface with a splash and continues stroking as lane water churns.","video_1_relative_path":"videos/c0682b7c047b8f57.mp4","video_2_relative_path":"videos/05d525f565a84650.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/sports/sports_1/00000017","text_prompt":"A wide shot on an outdoor sandstone cliff shows a climber fully in frame on an overhang, chalk dust puffing as fingers readjust with tiny scrapes. The climber inhales audibly, then dynos upward; shoes squeak and slip free with a quick scrape. The hand lands on a small hold with a gritty smack, a tiny rock chip clatters down, and the climber swings on the rope as harness gear jingles while they stabilize and breathe hard.","video_1_relative_path":"videos/3ed2745cd5533b93.mp4","video_2_relative_path":"videos/4117d331628e5866.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/sports/sports_1/00000018","text_prompt":"A roadside wide shot shows a rally car approaching fast through a rainy forest stage, engine roaring and gravel rattling. The car hits a puddle, water slapping the chassis with a huge splash, then flicks into a drift around a bend. Tires squeal on wet gravel as mud smacks the wheel wells, and the car straightens with a final bite and surges away, leaving the sound of the engine fading and rain continuing.","video_1_relative_path":"videos/b0ba6bdf3252dc99.mp4","video_2_relative_path":"videos/995f190e5b398050.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/sports/sports_1/00000019","text_prompt":"A full-body shot at an outdoor range shows an archer standing in stance with a recurve bow, the scene quiet except for faint wind. The archer draws; the limbs creak under tension as the string touches the face anchor point. On release, the string snaps forward with a sharp twang, and the arrow hisses through the air before striking the target with a solid thunk. It hits the back of an arrow already in the bullseye, splitting it with a crisp wooden crack as the archer exhales in disbelief.","video_1_relative_path":"videos/1399d43d5d43ebb4.mp4","video_2_relative_path":"videos/0d5bedeea76daa86.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Kling_2.6/cooking/my_dataset3/00000000","text_prompt":"A close-up overhead shot of a thick steak being laid onto a preheated cast-iron skillet, immediately releasing a loud sizzling sound as wisps of steam rise. The cook presses the steak down with tongs, making a firm scrape against the pan, then flips it once with a quick slap so the new side hits the hot surface and the sizzle swells again. A knob of butter is added and foams with a rapid hiss while the cook tilts the pan and spoons the bubbling butter over the steak in rhythmic scoops, and the cook says, \"Listen to that crust.\"","video_1_relative_path":"videos/99acfdfcb7d907e4.mp4","video_2_relative_path":"videos/706dde9b7f849d54.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Kling_2.6/cooking/my_dataset3/00000001","text_prompt":"A medium shot of a cutting board where a knife chops an onion into quick dice with crisp tapping sounds, then the pieces are swept into a hot pan with a dry slide. The onion hits oil with a gentle sizzle that grows as the cook stirs with a wooden spatula, making a soft scraping rasp. Minced garlic is added and immediately becomes more fragrant-looking and louder, the sizzle tightening, and the cook says, \"Garlic goes in last—don’t let it burn,\" while the camera catches the edges turning translucent.","video_1_relative_path":"videos/8bc2fe53f36c75a2.mp4","video_2_relative_path":"videos/b9197817bec819de.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Kling_2.6/cooking/my_dataset3/00000002","text_prompt":"A cozy kitchen shot shows pancake batter being whisked in a bowl, the whisk making wet rhythmic swishes, then the batter is poured onto a hot griddle with a thick glug. Tiny bubbles form and pop silently at first, then a faint frying hiss builds as the surface sets. A spatula slides under with a soft scrape and the pancake flips with a light slap, landing to a renewed sizzle; the cook laughs and says, \"Perfect—golden side down.\"","video_1_relative_path":"videos/a583b4d07bc76ccc.mp4","video_2_relative_path":"videos/4c3d1f285b3df1b3.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Kling_2.6/cooking/my_dataset3/00000004","text_prompt":"A pot of water boils hard on the stove with a rolling rumble and lid rattling lightly. The cook lifts the lid with a metallic clink and sprinkles in salt, the grains pattering onto the surface, then drops in dry pasta with a hollow clatter and a brief splash. As the cook stirs with a wooden spoon, the water sound settles back into a steady boil, and the cook says, \"Salt it like the sea,\" while steam fogs the camera briefly.","video_1_relative_path":"videos/55c836c9f5040801.mp4","video_2_relative_path":"videos/b7dfac3f5331fff1.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Kling_2.6/cooking/my_dataset3/00000005","text_prompt":"A close shot shows a chef’s knife slicing carrots into neat matchsticks, each cut making a fast, precise knock against the board. The julienned carrots are scooped and poured into a hot pan, triggering a bright sizzle, and the cook shakes the pan so the pieces slide and tick across the metal. A pinch of pepper is ground over the pan with a gritty crunching sound, and the cook says, \"Same size cooks same time,\" as the carrots begin to soften and glisten.","video_1_relative_path":"videos/958230206bb97c2d.mp4","video_2_relative_path":"videos/79a4df66c433ee35.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Kling_2.6/cooking/my_dataset3/00000006","text_prompt":"A quiet morning kitchen scene: two eggs are cracked on the rim of a bowl with sharp taps, then opened with a wet plop. The eggs slide into a buttered pan, and the whites start to crackle softly at the edges as the butter sizzles. The cook tilts the pan and spoons hot butter over the whites with a gentle slosh, saying, \"Baste the tops, don’t flip,\" while the yolks remain glossy and intact.","video_1_relative_path":"videos/b4961f4b108f1531.mp4","video_2_relative_path":"videos/de73171b1a09453f.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Kling_2.6/cooking/my_dataset3/00000007","text_prompt":"A baking tray lined with foil is set down with a dull clang, and raw bacon strips are laid out one by one with sticky peeling sounds. The tray slides into the oven on rails with a metallic scrape, and through the oven window the bacon begins to render, bubbling and crackling more intensely as it curls. The cook points and says, \"Hear that? That’s the fat rendering,\" as grease pops lightly against the foil.","video_1_relative_path":"videos/b2dc13e58fd25fce.mp4","video_2_relative_path":"videos/28077bd6e57e246e.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Kling_2.6/cooking/my_dataset3/00000009","text_prompt":"Slices of bread are dropped into a toaster with a soft thump, and the lever clicks down. While the toaster hums, the cook unwraps butter with a papery crinkle and spreads it on a warm slice as it pops up with a sudden springy click. The knife scrapes lightly across the crust, and the cook says, \"Spread while it’s hot,\" as the butter melts and turns glossy.","video_1_relative_path":"videos/6589cef1c2d84293.mp4","video_2_relative_path":"videos/40902cfeeb03d70a.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Kling_2.6/cooking/my_dataset3/00000010","text_prompt":"A burr grinder starts with a low motor whirr, and coffee beans rattle and crunch as they grind. The grounds are poured into a paper filter with a soft sandy pour, then hot water is poured in a slow spiral, making a gentle trickling sound as the bloom rises and releases tiny bubbles. The kettle’s stream quiets as the cook pauses, and they say, \"Watch it bloom,\" while droplets continue to drip steadily into the carafe.","video_1_relative_path":"videos/b95e678691397456.mp4","video_2_relative_path":"videos/3f5261a72171ad9f.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Kling_2.6/cooking/my_dataset3/00000011","text_prompt":"A small glass jar is filled in steps: oil pours in with a smooth glug, vinegar splashes in with a sharper slosh, and a spoon taps in mustard with a sticky plop. The lid screws on with quick plastic clicks, and the jar is shaken vigorously, liquids thudding and slapping inside. The cook opens it and says, \"Listen—when it goes quiet, it’s emulsified,\" as the mixture turns uniformly opaque.","video_1_relative_path":"videos/d3eb1721d9c95113.mp4","video_2_relative_path":"videos/69ca39074d83dbff.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Kling_2.6/cooking/my_dataset3/00000012","text_prompt":"Chopped vegetables are dumped onto a metal sheet pan with a loud clatter, and oil is drizzled over them in a thin stream that patters on the pan. Salt is sprinkled, pepper is ground with crunchy twists, and the cook tosses everything by lifting and jerking the tray so the vegetables slide and knock together. The pan goes into the oven with a metallic rack scrape, and the cook says, \"Single layer for browning,\" as the door shuts with a soft thump.","video_1_relative_path":"videos/07c6bc3857a1ddb3.mp4","video_2_relative_path":"videos/d80504118e10bb25.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Kling_2.6/cooking/my_dataset3/00000013","text_prompt":"A pot of cooked vegetables is poured into a blender jar with a wet slosh and steam rising. The lid is pressed down firmly, and the blender bursts on with a loud roar that smooths the mixture visibly from chunky to silky. The cook pauses, taps the lid, and says, \"Start low—hot liquid expands,\" then finishes with a final higher-speed blend before the motor winds down.","video_1_relative_path":"videos/f9b4d5d47a6faae9.mp4","video_2_relative_path":"videos/f955a3c54c48f89f.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Kling_2.6/cooking/my_dataset3/00000014","text_prompt":"A close-up shows a pot of oil shimmering quietly as the cook holds a pinch of breadcrumbs over it. The crumbs drop in and immediately fizz with a tight crackling sizzle, and the cook says, \"That’s the sound you want,\" before lowering a breaded cutlet into the oil. The cutlet hits and the frying erupts louder, bubbles racing along the edges as the cook gently nudges it with tongs, metal clicking against the pot.","video_1_relative_path":"videos/fc438078ebc382af.mp4","video_2_relative_path":"videos/4257d5d084e58601.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Kling_2.6/cooking/my_dataset3/00000016","text_prompt":"A bowl of freshly cooked rice is turned out with a steamy thud, and seasoned vinegar is poured over it with a bright splash. The cook uses a wooden paddle to cut and fold the rice with crisp scraping strokes against the bowl, while another hand fans vigorously, the fan making a steady whooshing sound. The cook says, \"Cut—don’t mash,\" as the rice becomes glossy and individual grains separate.","video_1_relative_path":"videos/1e78ccbe6610cadd.mp4","video_2_relative_path":"videos/497cfb5e379877a0.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Kling_2.6/cooking/my_dataset3/00000017","text_prompt":"Granulated sugar is poured into a stainless pan with a soft sand-like hiss, and the pan is gently shaken so the sugar levels out with a whispery slide. As heat builds, the sugar begins to liquefy at the edges, and the cook swirls the pan, making a faint syrupy slosh as the liquid spreads. The cook says, \"Don’t stir—just swirl,\" while the caramel darkens gradually and a tiny bubble crackle appears across the surface.","video_1_relative_path":"videos/7303c6c1a1cd2faf.mp4","video_2_relative_path":"videos/e1297fd84283ccaa.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Kling_2.6/cooking/my_dataset3/00000018","text_prompt":"Avocados are halved with a knife twist and the pit pops free, then the flesh is scooped with a soft scrape into a bowl. A fork mashes the avocado with thick squelching sounds, and chopped onion and cilantro are sprinkled in, pattering lightly. Lime is squeezed with a wet spritz, and the cook says, \"Salt wakes it up,\" as they add salt and mix, the texture changing from chunky to creamy.","video_1_relative_path":"videos/1fe8ec6a324dff91.mp4","video_2_relative_path":"videos/d93c8fb6451eb7d3.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Kling_2.6/cooking/my_dataset3/00000019","text_prompt":"A quiet kitchen pass: a spoon drops a dollop of sauce onto a ceramic plate with a wet plop, then the chef drags the spoon to make a clean swipe with a soft scrape. Sliced protein is placed precisely with tongs that click, and a small handful of herbs is sprinkled over with a faint rustle. The chef taps the plate once on the counter with a solid knock, saying softly, \"Clean edges,\" as the camera lingers on the glossy finish.","video_1_relative_path":"videos/e3c2238fc5e58240.mp4","video_2_relative_path":"videos/cfcfed542fe52088.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Sora_2/animals/animals1/00000001","text_prompt":"A cozy living-room close-up shows a cat climbing onto a thick knitted blanket and starting to knead with alternating paws. Each press compresses the fabric with faint soft thumps and tiny claw snags, and the cat purrs steadily as its shoulders rock in rhythm. A human hand briefly pets the cat’s head, and the cat’s purr grows louder while the blanket fibers shift under the paws.","video_1_relative_path":"videos/25cace02219ff5a7.mp4","video_2_relative_path":"videos/0c7659c9c5820997.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Sora_2/animals/animals1/00000002","text_prompt":"A handheld outdoor shot shows a person tossing a tennis ball down a gravel path with a quick whoosh. A dog sprints after it, nails clicking rapidly on stones and gravel crunching underfoot, then the dog skids to a stop with a gritty scrape and clamps the ball with a squeaky bite. As the dog runs back, the collar jingles and the person calls, \"Bring it here!\" while the dog drops the ball at their feet with a soft plop.","video_1_relative_path":"videos/dd2c219d37160f64.mp4","video_2_relative_path":"videos/45a4312a98d42125.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Sora_2/animals/animals1/00000003","text_prompt":"A low-angle indoor shot shows a red laser dot darting across a wooden floor as a cat’s head tracks it silently. The dot stops abruptly; the cat pounces with a quick thud and claws scraping the wood, then slides slightly with a squeaky skid. The laser dot shoots away again and the cat’s rapid paw taps follow, while a human off-camera says, \"Ready… go!\" each time the dot changes direction.","video_1_relative_path":"videos/7ef2f242b5e9ec80.mp4","video_2_relative_path":"videos/0cdd4356cf0304e2.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Sora_2/animals/animals1/00000004","text_prompt":"A close-up on a small puppy holding a rubber squeaky toy between its front paws on a carpet. The puppy bites down repeatedly, and each jaw squeeze triggers a sharp squeak exactly as the toy visibly compresses and rebounds. The puppy pauses to reposition the toy with little snuffles, then resumes chewing faster, making a mix of squeaks and wet mouth sounds while the human says, \"That’s your favorite one, huh?\"","video_1_relative_path":"videos/b5e7ce6f8c499778.mp4","video_2_relative_path":"videos/b521e7b78d6d94bb.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Sora_2/animals/animals1/00000005","text_prompt":"In a kitchen with faint appliance hum, a colorful parrot sits on a perch next to a phone. The phone plays a short notification chime, and the parrot immediately imitates it with a clear high-pitched whistle. The owner taps the perch lightly and says, \"Do it again,\" and the parrot repeats the same rhythm, bobbing its head in sync with the whistled notes.","video_1_relative_path":"videos/ad286b520d79cf9f.mp4","video_2_relative_path":"videos/365a2a140491e916.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Sora_2/animals/animals1/00000006","text_prompt":"A stable corridor shot shows a horse being led by a handler; the lead rope hardware clinks softly as the horse walks. Each hoof lands with a solid clop on packed dirt, then changes to a sharper ring as the horse steps onto a concrete section. The handler says, \"Easy,\" as the horse snorts and exhales, and the camera catches the shift in footstep sound with the change in surface.","video_1_relative_path":"videos/b792dda12cecc0d6.mp4","video_2_relative_path":"videos/8371f621036178e5.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Sora_2/animals/animals1/00000007","text_prompt":"A farmyard close-up shows a goat grabbing a leafy branch from a human hand. The goat’s teeth tear leaves off with loud crunchy snaps, and its jaw chews in a steady rhythm while the branch rustles and bends. The human chuckles and says, \"You’re noisy,\" as the goat pauses to bleat once and then resumes chewing.","video_1_relative_path":"videos/158d7789e5fd86ba.mp4","video_2_relative_path":"videos/81914cf82ea7160a.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Sora_2/animals/animals1/00000008","text_prompt":"A quiet garden shot shows a rabbit nibbling grass with tiny quick bites that make faint crunching sounds. A sudden distant noise makes the rabbit freeze, ears upright, then it thumps one hind foot sharply on the ground with a dull thud. After a brief still moment, it darts away through dry leaves that crackle rapidly as it disappears.","video_1_relative_path":"videos/204b6d3f774f45c2.mp4","video_2_relative_path":"videos/3f08fcdcd6f628b7.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Sora_2/animals/animals1/00000009","text_prompt":"A telephoto shot of a squirrel perched on a tree branch in a park with soft wind and distant birds. The squirrel holds a nut between its paws and gnaws; the shell cracks with small sharp snaps, and flakes fall onto leaves below with faint patters. The squirrel pauses to look around, tail flicking with a soft brush sound, then resumes cracking and eating.","video_1_relative_path":"videos/4fcc38135cdee282.mp4","video_2_relative_path":"videos/b22fc9bd3950d981.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Sora_2/animals/animals1/00000010","text_prompt":"A forest shot frames a woodpecker clinging to a tree trunk. The bird suddenly starts drumming, its beak striking the bark in a rapid staccato that sounds like a fast wooden tapping roll. Each burst matches the visible head vibration, and after a short pause the bird calls once, then drums again as bark chips fall.","video_1_relative_path":"videos/c8a3994bb8986dc4.mp4","video_2_relative_path":"videos/09b3b1e8cc25f497.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Sora_2/animals/animals1/00000011","text_prompt":"A wide shot of a wetland at dusk shows still water with reeds swaying. As the camera pans slowly, a chorus of frogs fills the scene with overlapping croaks that rise and fall in waves. A single frog near the camera inflates its throat sac visibly with each call, and its louder croaks land exactly with the pulsing throat movement.","video_1_relative_path":"videos/83db255f3da0e05d.mp4","video_2_relative_path":"videos/d62a1d61a511c8c0.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Sora_2/animals/animals1/00000013","text_prompt":"A night-time woodland shot with faint wind and distant insects shows an owl gliding across frame almost silently. The owl lands on a wooden fence post, and the only sound is a soft feathered whoosh and a tiny claw scrape as it grips the wood. After a beat, the owl turns its head and releases a clear hoot that echoes lightly into the dark.","video_1_relative_path":"videos/35fb3f4bc1ff3a92.mp4","video_2_relative_path":"videos/9d9c5b7cd279adb9.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Sora_2/animals/animals1/00000016","text_prompt":"A sunny sea shot shows two dolphins swimming fast, their dorsal fins cutting the surface with small splashes. One dolphin bursts out of the water in a clean arc, landing with a loud slap and spray, and a second follows a moment later with another splash. A person on the boat shouts, \"There!\" as the dolphins reappear and exhale quick puffs at the surface.","video_1_relative_path":"videos/9a0bc425dc8109cf.mp4","video_2_relative_path":"videos/babacefab12f4cb6.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Sora_2/animals/animals1/00000017","text_prompt":"A wide shot of a penguin colony on a windy icy shoreline captures constant background calls and the low roar of wind. A penguin belly-slides across packed snow, making a soft scraping sound, then pops up to waddle with quick foot taps. Nearby penguins squawk and flap, and a chick peeps sharply while the sliding penguin shakes snow off with a faint rustle.","video_1_relative_path":"videos/e6dceb30117644cc.mp4","video_2_relative_path":"videos/b1a19275286c1e61.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Sora_2/animals/animals1/00000018","text_prompt":"A savanna shot shows an elephant scooping dry earth with its trunk, the grains cascading with a dry sandy pour. The elephant blasts the dust over its back with a forceful trunk exhale, making a deep whoof as dust clouds billow. The elephant’s ears flap with heavy leathery slaps, and it rumbles softly while taking a slow step that thuds into the ground.","video_1_relative_path":"videos/74592cbf2eb3c561.mp4","video_2_relative_path":"videos/b8e9451f1fae4b04.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Sora_2/animals/animals1/00000019","text_prompt":"A ground-level shot in a forest shows a snake moving smoothly through a bed of dry leaves. As its body pushes forward, the leaves crackle and rustle in a continuous whispery trail exactly where the scales pass. The snake pauses, tongue flicking silently, then resumes slithering as a twig snaps lightly under its weight.","video_1_relative_path":"videos/67f908fd5cafdfae.mp4","video_2_relative_path":"videos/9b96513e9c83a98d.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/ads/ads2/00000000","text_prompt":"A young boy hits a beach ball as a group of children runs past him and jumps into a swimming pool with loud splashes, while a voiceover states, 'We went on vacation with a toe dipper.' The camera follows the kids underwater as bubbles roar and feet kick past the lens, and the voiceover finishes, 'and left with a cannonballer.' Finally, the view resurfaces to show a laughing girl in the water as on-screen text reads 'Book your family home now.'","video_1_relative_path":"videos/dd1ac2af153bcc5d.mp4","video_2_relative_path":"videos/5a2790e1f8368228.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/ads/ads2/00000001","text_prompt":"A close-up view of a knitted puppet hand repeatedly dipping a pyramid-shaped tea bag into a clear glass mug of hot water, the liquid sloshing softly as color diffuses. The camera pulls back to reveal a sock-monkey puppet in a plain white T-shirt holding the mug. The puppet lifts the glass to drink with an audible sip, then lowers it with a happy expression. The final shot shows a row of generic green tea boxes on a white surface with the text 'Keep it tea.' overlaid, as the puppet playfully peeks over the boxes. A calm voiceover states, 'A tasty cup of green tea... Delicious,' ending with a satisfied 'Mmm.'","video_1_relative_path":"videos/c1d20cde8d5f0add.mp4","video_2_relative_path":"videos/b3367658aa964839.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/ads/ads2/00000005","text_prompt":"Golden-brown donuts travel along a metal conveyor rack, the machinery humming softly. The donuts pass under a continuous curtain of white glaze, emerging fully coated and shiny as the glaze drips with wet pattering sounds onto the line. The scene cuts to rows of finished glazed donuts moving on a belt toward the camera, overlaid with a generic donut-shop logo and the text 'THE ORIGINAL GLAZED.' A circular 'Made Fresh' graphic animates onto the screen as fast-paced, high-energy orchestral music plays.","video_1_relative_path":"videos/f1ca96c023924bc3.mp4","video_2_relative_path":"videos/bb4ef54d707407e6.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/ads/ads2/00000006","text_prompt":"A close-up top-down view of ice cubes settling into a glass with crisp clinks. A clear spirit pours over the ice with a steady liquid stream sound, then dark cola is poured in with louder fizzing. A wedge of lime drops into the drink, creating a sharp splash. A bottle of generic rum stands next to the finished cocktail with bold Spanish text on screen, while a quick voiceover delivers a short responsible-drinking disclaimer.","video_1_relative_path":"videos/cd1122fa4b6772df.mp4","video_2_relative_path":"videos/5e97706891a3b0ba.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/ads/ads2/00000007","text_prompt":"A man in a yellow car looks back while reversing as the engine idles. A close-up shows the rear alloy wheels rolling slowly over asphalt with a soft tire hiss. The driver watches the dashboard while the steering wheel turns automatically without his hands on it, the indicator clicking. The car smoothly parallel parks between two colorful vehicles as text overlays introduce 'Hands-Free Parking,' with an upbeat modern pop track playing throughout.","video_1_relative_path":"videos/6910a4f10fa0340a.mp4","video_2_relative_path":"videos/8b6db621be206dcf.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/ads/ads2/00000009","text_prompt":"The video opens with a close-up shot of various nuts like almonds and walnuts, and as text advises to consume nuts for a healthy heart, a rhythmic heartbeat sound plays in the background. The scene transitions to a clean white screen displaying a generic health clinic logo and website, with the heartbeat sound continuing steadily.","video_1_relative_path":"videos/d03d8a83be217411.mp4","video_2_relative_path":"videos/c8e8d86412f11d4e.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/ads/ads2/00000011","text_prompt":"Two men sit at a diner counter with soft ambient clatter, and one asks if the other is selling the boat. A clip shows a man sailing a boat as a voice asks, 'Are you selling my boat?' Back at the diner, the man asks how he can keep the memory of the boat. The video cuts to him screaming in a tattoo parlor as a buzzing tattoo machine etches a small sailboat onto his arm, the buzz rising and falling as the needle touches skin.","video_1_relative_path":"videos/c9c7f60f277a1610.mp4","video_2_relative_path":"videos/d712a314444a0ff7.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/ads/ads2/00000012","text_prompt":"A dark street scene shows a standoff between two groups with tense low rumble. A close-up of a man in a maroon helmet. A man in a wheelchair sits beside teenagers in superhero costumes. A subway train car is ripped apart by invisible forces with loud metal tearing and crashing, and soldiers tumble inside a moving structure amid heavy impacts. A fiery logo for a generic superhero film emerges from flames with a release date in Spanish, while two male voices trade urgent lines and intense cinematic music drives the destruction.","video_1_relative_path":"videos/91b2171b5b9a3d94.mp4","video_2_relative_path":"videos/4ef195b14e76f115.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/ads/ads2/00000013","text_prompt":"On a green background, a 3D segmented question mark rotates beside the text 'From questions,' accompanied by clean digital clicks. The shape fluidly transforms into a colorful donut chart with a soft pop, then scatters into a circle of small 3D icons representing data and feedback. The icons quickly converge to form a vertical exclamation mark next to the text 'to answers' with a sharp whoosh. The video ends on a white screen featuring a generic survey platform logo, a website address, and a yellow 'Try it free' button. Upbeat instrumental music plays throughout as a clear voiceover says, 'From questions... to answers.'","video_1_relative_path":"videos/1820c75b55184f8d.mp4","video_2_relative_path":"videos/e6c0ad7e4b417f55.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/ads/ads2/00000014","text_prompt":"A single wind-up chattering teeth toy clacks continuously against a solid teal background. The scene cuts to a blue screen displaying the white text 'Your customers are talking,' abruptly followed by rows of multi-colored chattering teeth toys all moving at once, creating a loud chaotic mechanical clatter. A green screen appears with the text 'Are you listening?' before cutting to a generic product logo and a 'Try it free' button on a white background as the noise ceases.","video_1_relative_path":"videos/8fa9c6a36b779bee.mp4","video_2_relative_path":"videos/1109d74023345e1e.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/ads/ads2/00000015","text_prompt":"A time-lapse from a fixed angle overlooks a public swimming pool in a modern city, starting with bright sunshine, blue water, and lush trees, accompanied by an upbeat cheerful melody. As the timeline advances year by year, the scene stays vibrant at first, but later the environment decays into a grey wasteland with dead trees and a dried-up pool as the music distorts and fades. The final year shows a scorched ruin with only the desolate sound of wind.","video_1_relative_path":"videos/1d57a6c5a2bd99a7.mp4","video_2_relative_path":"videos/5185066e05c9c4ed.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/ads/ads2/00000016","text_prompt":"A computer screen displays a login window for a website with a generic suspicious-looking domain, and as a username is already filled, fast typing fills the password field with a flurry of keystrokes. The cursor clicks the 'Login' button with a single mouse click, then the screen transitions to a product page showing a red bottle labeled with generic 'LCD cleaning solution' text and a price tag. The cursor clicks a yellow 'Add to Cart' button once, pauses, then begins clicking it rapidly in a frantic series as the clicking noises accelerate.","video_1_relative_path":"videos/9d52172a6599a050.mp4","video_2_relative_path":"videos/8c666ae883a61466.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/ads/ads2/00000017","text_prompt":"Two men in business suits stand in an elevator, talk, and shake hands as background elevator music plays. A large white text logo appears superimposed over them as they freeze mid-handshake with wide static smiles, holding perfectly still. A woman walks into the elevator and looks at them expectantly; when they don't move, she waves a hand in front of one man's face and presses a button on the panel with a loud click. The doors close with a mechanical slide and reopen to reveal the men still frozen; she squeezes past them and exits. Their dialogue plays naturally, and a voiceover explains that the ad can't be skipped because it's already over, ending with a generic insurance tagline and percentage savings claim.","video_1_relative_path":"videos/1cd8d288b26163f0.mp4","video_2_relative_path":"videos/16afbf7a5ae7359d.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/ads/ads2/00000018","text_prompt":"In a fast-paced top-down shot, a pair of hands rapidly packs a colorful box on a wooden surface: a patterned card lands with a papery slap, then a glass jar and wooden spoon are placed inside with soft clinks. A bright pamphlet is dropped on top, and tissue paper is folded over with a distinct crinkling noise, ending with the lid closing shut with a satisfying cardboard thud.","video_1_relative_path":"videos/54b0078ab522f05e.mp4","video_2_relative_path":"videos/2f8d17c553bd700e.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/ads/ads2/00000019","text_prompt":"A soaking wet man in an orange life vest carrying a wooden oar bursts through a set of glass doors with a loud crash. He hurriedly opens a silver laptop on a wooden table, the hinge snapping open, and the screen shows a map zooming in on a remote island destination. A review pop-up appears and the cursor selects a one-star rating with a decisive mouse click.","video_1_relative_path":"videos/5a710fec6a0924c4.mp4","video_2_relative_path":"videos/9ba537acbb15e229.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/asmr/asmr2/00000000","text_prompt":"Vertical close-up shot under soft studio lighting. A hand holding a utility knife slowly carves a grid pattern into a dry, pastel pink soap bar. Then, the thumb presses firmly into the grid. The visuals capture the soap cubes popping up and crumbling. The audio begins with the sharp, dry scratching of the knife tip, transitioning to a satisfying, gritty 'crunch' sound as the soap structure collapses under pressure.","video_1_relative_path":"videos/32eeab998392b483.mp4","video_2_relative_path":"videos/505761be608b0247.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/asmr/asmr2/00000001","text_prompt":"Extreme close-up of a person's lower face. They hold a piece of golden, dripping honeycomb. They take a large bite, and the sticky honey stretches between their lips and the comb. The visuals focus on the wax structure breaking and the viscous liquid flowing. The audio captures the distinct 'squelching' wet sound of chewing, the sticky smack of lips opening, and the crunch of the beeswax.","video_1_relative_path":"videos/ba2067d035b7e562.mp4","video_2_relative_path":"videos/7b696091fa89832f.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/asmr/asmr2/00000002","text_prompt":"A pristine cylinder of purple kinetic sand sits on a white table. A sharp knife slices through it vertically. The sand holds its shape for a split second before the sliced half slowly slumps and disintegrates into grains. The audio captures the unique, soft 'shhh' sound of the blade slicing through the sand, followed by a subtle, sandy crumbling noise as the structure falls apart.","video_1_relative_path":"videos/5eaf2c7f986bfd63.mp4","video_2_relative_path":"videos/fae4ead68465eb43.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/asmr/asmr2/00000003","text_prompt":"A macro shot of fingers typing slowly, then accelerating on a custom mechanical keyboard with cream-colored keycaps. RGB lighting pulses gently. The visuals focus on the key travel distance and the fingers bottoming out. The audio features a deep, resonant, and 'creamy' thock sound (not high-pitched clicking) that perfectly syncs with each keystroke, creating a rhythmic bass-heavy texture.","video_1_relative_path":"videos/5024290189de3bdc.mp4","video_2_relative_path":"videos/7b1f0045170fc0e6.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/asmr/asmr2/00000004","text_prompt":"A knife peels the green skin off a large, thick aloe vera leaf, revealing the clear, slimy gel inside. The hand then runs a finger through the goo, causing it to drip. The video captures the glistening, viscous texture of the gel. The audio is dominated by wet, slimy, sloshing sounds, emphasizing the stickiness and moisture of the plant.","video_1_relative_path":"videos/19de84a62d7b39c5.mp4","video_2_relative_path":"videos/11f6a96531a28476.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/asmr/asmr2/00000005","text_prompt":"A pair of hands taps rapidly on a clear glass bottle, producing a high-pitched, resonant 'ting-ting' sound. Halfway through, the hands move to a leather-bound book nearby, tapping on it. The audio instantly shifts from the sharp, bright glass tone to a dull, muted, low-frequency thudding sound, testing the model's material awareness.","video_1_relative_path":"videos/5796d0a9f6fae43c.mp4","video_2_relative_path":"videos/01ca9c74a29040a1.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/asmr/asmr2/00000006","text_prompt":"A clear glass filled with large, round ice spheres. A brightly colored carbonated soda is poured over the ice. The video zooms in on the bubbles rising and the foam head forming. The audio captures the aggressive 'fizzing' of the carbonation and, crucially, the loud, sharp cracking sounds of the ice reacting to the temperature change.","video_1_relative_path":"videos/c4aebca5be07ffc6.mp4","video_2_relative_path":"videos/89999dc4826f9efe.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/asmr/asmr2/00000007","text_prompt":"A POV shot facing a dummy head microphone (3Dio) with silicone ears. A large, fluffy makeup brush gently circles the left silicone ear, then moves across the screen to brush the right ear. The visuals focus on the bristles bending against the silicone curves. The audio creates a 3D effect, with the soft, scratchy brushing sound panning smoothly from the left channel to the right channel.","video_1_relative_path":"videos/a9cff9d672c0396a.mp4","video_2_relative_path":"videos/5b666a481f6a533f.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/asmr/asmr2/00000008","text_prompt":"A macro shot of a white piece of chalk writing the word 'Relax' in cursive on a rough, green slate blackboard. The chalk crumbles slightly, leaving dust particles falling. The audio captures the friction—a mix of soft scratching and occasional high-pitched squeaks as the chalk drags across the textured slate surface.","video_1_relative_path":"videos/c9365e3f7cc702fd.mp4","video_2_relative_path":"videos/2825fd3a578ac013.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/asmr/asmr2/00000009","text_prompt":"A dry block of green floral foam is dipped in water, becoming dark green. A hand squeezes the water-logged foam. The visual shows the foam denting permanently and water rushing out between the fingers. The audio captures a squishy, wet, air-escaping sound, distinct from the dry crunch of dry foam, emphasizing the saturation of the material.","video_1_relative_path":"videos/f41c5ede1a81a4ac.mp4","video_2_relative_path":"videos/2b6f98ca145eaeb6.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/asmr/asmr2/00000010","text_prompt":"A close-up of a hand holding a hollow, pastel-blue clay ball covered in a shiny, brittle glaze. The hand squeezes slowly. The video captures the glaze shattering into shards while the soft clay inside squishes out. The audio features a loud, sharp 'crack' like eggshells breaking, followed by the soft, dull squishing sound of the moist clay underneath.","video_1_relative_path":"videos/0d567f66e7880858.mp4","video_2_relative_path":"videos/27917c8e2542727a.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/asmr/asmr2/00000011","text_prompt":"Macro shot of a wooden wick candle being lit by a match. The flame catches, and the wax around the wick begins to melt into a pool. The camera focuses on the blackened, glowing wood. The audio captures the initial 'fwoosh' of the match, followed by the distinct, rhythmic 'crackling' and 'popping' sound unique to wooden wicks, mimicking a miniature fireplace.","video_1_relative_path":"videos/feae18e0cf8e703a.mp4","video_2_relative_path":"videos/c3561b40d4b14ef1.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/asmr/asmr2/00000014","text_prompt":"Extreme close-up of a roll of heavy-duty duct tape. A hand lifts the edge and pulls a strip off slowly, then quickly. The visuals focus on the adhesive stretching into tiny glue strands before snapping. The audio captures the loud, staccato 'ripping' sound of the adhesive separating from the roll, varying in pitch with the speed of the pull.","video_1_relative_path":"videos/1db4703357860c1f.mp4","video_2_relative_path":"videos/29f58c157c4a9957.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/asmr/asmr2/00000015","text_prompt":"A metal palette knife mixes a blob of thick yellow acrylic paint with blue paint on a glass palette. The colors swirl into green. The visuals focus on the thick, buttery texture of the paint. The audio captures the wet 'squishing' and 'slapping' sounds of the paint being folded, accompanied by the occasional sharp scrape of the metal knife against the glass surface.","video_1_relative_path":"videos/79f63b9d2cea4160.mp4","video_2_relative_path":"videos/b1a25fa568e76b29.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/asmr/asmr2/00000016","text_prompt":"A whole head of fresh, wet iceberg lettuce. Two hands grab the center and pull it apart with force. Water droplets fly off the leaves in slow motion. The audio captures the loud, watery, multi-layered 'crunch' and 'tear' of the crisp vegetable fibers breaking, sounding fresh and hydrated.","video_1_relative_path":"videos/3edf4671e74fa280.mp4","video_2_relative_path":"videos/52584271481f7c2a.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/asmr/asmr2/00000017","text_prompt":"A visual of a professional microphone covered with a black foam windscreen. Long fingernails gently scratch the surface of the foam in a circular motion. The foam depresses slightly and rebounds. The audio is a raw, textured 'white noise' scratching sound, simulating the proximity effect where the sound feels like it is directly inside the listener's ear.","video_1_relative_path":"videos/3b39cf24c2d33c98.mp4","video_2_relative_path":"videos/3f106865a0ee2d89.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/asmr/asmr2/00000018","text_prompt":"A container filled with glossy, metallic purple slime. A finger pokes deep into it, creating a hole that slowly closes up. Then, the hand stretches the slime to create an air bubble and squeezes it. The audio captures the wet, thick 'thwock' sound of the poke and the sharp, explosive 'snap' of the air bubble popping.","video_1_relative_path":"videos/bea582a93b98b3ca.mp4","video_2_relative_path":"videos/3fea13b111150898.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/asmr/asmr2/00000019","text_prompt":"A hand dives into a bowl filled with thousands of slippery, transparent water beads. The hand grabs a handful and squeezes tight. The beads slip through fingers and some burst. The audio captures the chaotic, wet 'sloshing' sound of the beads colliding and the subtle 'squelch' of the hydrogel material breaking under pressure.","video_1_relative_path":"videos/81636c91f534567a.mp4","video_2_relative_path":"videos/6b15b52f0117ddb4.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Wan_2.6/cooking/my_dataset2/00000000","text_prompt":"A close-up overhead shot of a thick steak being laid onto a preheated cast-iron skillet, immediately releasing a loud sizzling sound as wisps of steam rise. The cook presses the steak down with tongs, making a firm scrape against the pan, then flips it once with a quick slap so the new side hits the hot surface and the sizzle swells again. A knob of butter is added and foams with a rapid hiss while the cook tilts the pan and spoons the bubbling butter over the steak in rhythmic scoops, and the cook says, \"Listen to that crust.\"","video_1_relative_path":"videos/99acfdfcb7d907e4.mp4","video_2_relative_path":"videos/7be5f75760423cda.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Wan_2.6/cooking/my_dataset2/00000001","text_prompt":"A medium shot of a cutting board where a knife chops an onion into quick dice with crisp tapping sounds, then the pieces are swept into a hot pan with a dry slide. The onion hits oil with a gentle sizzle that grows as the cook stirs with a wooden spatula, making a soft scraping rasp. Minced garlic is added and immediately becomes more fragrant-looking and louder, the sizzle tightening, and the cook says, \"Garlic goes in last—don’t let it burn,\" while the camera catches the edges turning translucent.","video_1_relative_path":"videos/8bc2fe53f36c75a2.mp4","video_2_relative_path":"videos/e256b858aa8aa575.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Wan_2.6/cooking/my_dataset2/00000002","text_prompt":"A cozy kitchen shot shows pancake batter being whisked in a bowl, the whisk making wet rhythmic swishes, then the batter is poured onto a hot griddle with a thick glug. Tiny bubbles form and pop silently at first, then a faint frying hiss builds as the surface sets. A spatula slides under with a soft scrape and the pancake flips with a light slap, landing to a renewed sizzle; the cook laughs and says, \"Perfect—golden side down.\"","video_1_relative_path":"videos/a583b4d07bc76ccc.mp4","video_2_relative_path":"videos/5e778772fa144d2b.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Wan_2.6/cooking/my_dataset2/00000003","text_prompt":"A handheld close-up of a carbon-steel wok on a roaring burner, the flame whooshing audibly. Thin-sliced meat is tossed in and instantly crackles, and the cook stirs fast so the metal spatula clacks against the wok in sharp bursts. A handful of vegetables goes in with a loud hiss as moisture hits heat, and the cook flips the wok to send ingredients arcing up and slapping back down, then adds a quick pour of sauce that sputters and thickens while the cook says, \"Keep it moving—high heat.\"","video_1_relative_path":"videos/0675209239fe2779.mp4","video_2_relative_path":"videos/c82f5561e3e38527.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Wan_2.6/cooking/my_dataset2/00000005","text_prompt":"A close shot shows a chef’s knife slicing carrots into neat matchsticks, each cut making a fast, precise knock against the board. The julienned carrots are scooped and poured into a hot pan, triggering a bright sizzle, and the cook shakes the pan so the pieces slide and tick across the metal. A pinch of pepper is ground over the pan with a gritty crunching sound, and the cook says, \"Same size cooks same time,\" as the carrots begin to soften and glisten.","video_1_relative_path":"videos/958230206bb97c2d.mp4","video_2_relative_path":"videos/e63e49eff3975ccb.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Wan_2.6/cooking/my_dataset2/00000009","text_prompt":"Slices of bread are dropped into a toaster with a soft thump, and the lever clicks down. While the toaster hums, the cook unwraps butter with a papery crinkle and spreads it on a warm slice as it pops up with a sudden springy click. The knife scrapes lightly across the crust, and the cook says, \"Spread while it’s hot,\" as the butter melts and turns glossy.","video_1_relative_path":"videos/6589cef1c2d84293.mp4","video_2_relative_path":"videos/706ce1fef5cd975e.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Wan_2.6/cooking/my_dataset2/00000010","text_prompt":"A burr grinder starts with a low motor whirr, and coffee beans rattle and crunch as they grind. The grounds are poured into a paper filter with a soft sandy pour, then hot water is poured in a slow spiral, making a gentle trickling sound as the bloom rises and releases tiny bubbles. The kettle’s stream quiets as the cook pauses, and they say, \"Watch it bloom,\" while droplets continue to drip steadily into the carafe.","video_1_relative_path":"videos/b95e678691397456.mp4","video_2_relative_path":"videos/56ce662e06d37f15.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Wan_2.6/cooking/my_dataset2/00000011","text_prompt":"A small glass jar is filled in steps: oil pours in with a smooth glug, vinegar splashes in with a sharper slosh, and a spoon taps in mustard with a sticky plop. The lid screws on with quick plastic clicks, and the jar is shaken vigorously, liquids thudding and slapping inside. The cook opens it and says, \"Listen—when it goes quiet, it’s emulsified,\" as the mixture turns uniformly opaque.","video_1_relative_path":"videos/d3eb1721d9c95113.mp4","video_2_relative_path":"videos/fb443924ffee199b.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Wan_2.6/cooking/my_dataset2/00000012","text_prompt":"Chopped vegetables are dumped onto a metal sheet pan with a loud clatter, and oil is drizzled over them in a thin stream that patters on the pan. Salt is sprinkled, pepper is ground with crunchy twists, and the cook tosses everything by lifting and jerking the tray so the vegetables slide and knock together. The pan goes into the oven with a metallic rack scrape, and the cook says, \"Single layer for browning,\" as the door shuts with a soft thump.","video_1_relative_path":"videos/07c6bc3857a1ddb3.mp4","video_2_relative_path":"videos/5eb20258f03246d3.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Wan_2.6/cooking/my_dataset2/00000013","text_prompt":"A pot of cooked vegetables is poured into a blender jar with a wet slosh and steam rising. The lid is pressed down firmly, and the blender bursts on with a loud roar that smooths the mixture visibly from chunky to silky. The cook pauses, taps the lid, and says, \"Start low—hot liquid expands,\" then finishes with a final higher-speed blend before the motor winds down.","video_1_relative_path":"videos/f9b4d5d47a6faae9.mp4","video_2_relative_path":"videos/04b6b38a9aaac91e.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Wan_2.6/cooking/my_dataset2/00000014","text_prompt":"A close-up shows a pot of oil shimmering quietly as the cook holds a pinch of breadcrumbs over it. The crumbs drop in and immediately fizz with a tight crackling sizzle, and the cook says, \"That’s the sound you want,\" before lowering a breaded cutlet into the oil. The cutlet hits and the frying erupts louder, bubbles racing along the edges as the cook gently nudges it with tongs, metal clicking against the pot.","video_1_relative_path":"videos/fc438078ebc382af.mp4","video_2_relative_path":"videos/9075fdb7a5d9c124.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Wan_2.6/cooking/my_dataset2/00000015","text_prompt":"Eggs are whisked with fast wet swishes, then poured into a nonstick pan where they begin to set with a soft, even hiss. The cook shakes the pan to loosen the edges, and a spatula makes a smooth rubbery scrape as it pulls curds inward. With a quick wrist motion, the omelet is folded over itself with a muffled flap, then slid onto a plate with a soft glide, and the cook says, \"No browning—just tender.\"","video_1_relative_path":"videos/030fa9018b5be5ef.mp4","video_2_relative_path":"videos/560baa504eb284d6.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Wan_2.6/cooking/my_dataset2/00000016","text_prompt":"A bowl of freshly cooked rice is turned out with a steamy thud, and seasoned vinegar is poured over it with a bright splash. The cook uses a wooden paddle to cut and fold the rice with crisp scraping strokes against the bowl, while another hand fans vigorously, the fan making a steady whooshing sound. The cook says, \"Cut—don’t mash,\" as the rice becomes glossy and individual grains separate.","video_1_relative_path":"videos/1e78ccbe6610cadd.mp4","video_2_relative_path":"videos/29235cb227143635.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Wan_2.6/cooking/my_dataset2/00000017","text_prompt":"Granulated sugar is poured into a stainless pan with a soft sand-like hiss, and the pan is gently shaken so the sugar levels out with a whispery slide. As heat builds, the sugar begins to liquefy at the edges, and the cook swirls the pan, making a faint syrupy slosh as the liquid spreads. The cook says, \"Don’t stir—just swirl,\" while the caramel darkens gradually and a tiny bubble crackle appears across the surface.","video_1_relative_path":"videos/7303c6c1a1cd2faf.mp4","video_2_relative_path":"videos/7267a7c1db8cd4cf.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Wan_2.6/cooking/my_dataset2/00000018","text_prompt":"Avocados are halved with a knife twist and the pit pops free, then the flesh is scooped with a soft scrape into a bowl. A fork mashes the avocado with thick squelching sounds, and chopped onion and cilantro are sprinkled in, pattering lightly. Lime is squeezed with a wet spritz, and the cook says, \"Salt wakes it up,\" as they add salt and mix, the texture changing from chunky to creamy.","video_1_relative_path":"videos/1fe8ec6a324dff91.mp4","video_2_relative_path":"videos/986a483fcf8ca15e.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Wan_2.6/cooking/my_dataset2/00000019","text_prompt":"A quiet kitchen pass: a spoon drops a dollop of sauce onto a ceramic plate with a wet plop, then the chef drags the spoon to make a clean swipe with a soft scrape. Sliced protein is placed precisely with tongs that click, and a small handful of herbs is sprinkled over with a faint rustle. The chef taps the plate once on the counter with a solid knock, saying softly, \"Clean edges,\" as the camera lingers on the glossy finish.","video_1_relative_path":"videos/e3c2238fc5e58240.mp4","video_2_relative_path":"videos/d528ef5a9518091b.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Seedance_1.5_pro/physical_experiment/physical_experiment_2/00000000","text_prompt":"A physics classroom demonstration focusing on electromagnetism. A hollow, vertical copper tube is clamped to a stand while quiet classroom room tone is audible. A hand drops a strong neodymium magnet into the tube, and instead of a fast clatter the magnet descends slowly with a faint metallic sliding rasp, finally landing with a soft muted thud compared to a normal free-fall drop.","video_1_relative_path":"videos/cb019c83c2d80ffc.mp4","video_2_relative_path":"videos/1b249b6e98fe681c.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Seedance_1.5_pro/physical_experiment/physical_experiment_2/00000001","text_prompt":"A close-up shot of a cast iron skillet being heated to an extremely high temperature on a gas stove, the burner hissing steadily. A pipette releases a single fat droplet of water onto the scorching surface, and rather than a continuous loud sizzle the droplet skitters around with a light rapid tapping while a thin halo of steam crackles softly beneath it.","video_1_relative_path":"videos/c1700e713db8dc34.mp4","video_2_relative_path":"videos/1eada21e83b0bc29.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Seedance_1.5_pro/physical_experiment/physical_experiment_2/00000002","text_prompt":"A backyard science experiment featuring a large water balloon filled with water and taped with a square of electrical tape, with birds chirping in the background. A pin pokes a clean hole through the tape with a sharp pop, and a perfectly smooth stream of water exits with a steady quiet pour, looking strangely frozen and glassy as it falls without turbulent splashing.","video_1_relative_path":"videos/1cb3cf6639221e0a.mp4","video_2_relative_path":"videos/91786386e79c00a0.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Seedance_1.5_pro/physical_experiment/physical_experiment_2/00000003","text_prompt":"A top-down view of a black square metal plate sprinkled evenly with fine white sand as a tone generator plays a pure sine wave that sweeps upward in pitch. As the plate begins to vibrate, the rising tone makes the sand suddenly jitter and chatter across the metal, then fall quiet as grains slide into crisp geometric nodal lines that sharpen and rearrange each time the pitch crosses a new resonance.","video_1_relative_path":"videos/c4d332a38440aea0.mp4","video_2_relative_path":"videos/c5fa936331a3e812.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Seedance_1.5_pro/physical_experiment/physical_experiment_2/00000004","text_prompt":"A simple optical physics setup shows a clear glass tank filled with water in a quiet room with faint ambient noise. A bright yellow pencil is lowered into the water at a 45-degree angle, making a small water ripple sound as it breaks the surface, and the camera from the side captures the pencil appearing visibly 'broken' and laterally shifted exactly at the air–water boundary.","video_1_relative_path":"videos/fe362f0a2cafe54a.mp4","video_2_relative_path":"videos/7dfbc83259e9b0c3.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Seedance_1.5_pro/physical_experiment/physical_experiment_2/00000005","text_prompt":"A large bowl filled with white cornstarch-and-water oobleck sits on a table, making wet squelching sounds as a hand stirs it. A fist punches straight down, hitting with a hard flat smack as the surface behaves like a solid, then the hand relaxes and slowly sinks in with sticky gurgling squishes as the mixture flows like a liquid around the fingers.","video_1_relative_path":"videos/8df833e8b4a16602.mp4","video_2_relative_path":"videos/8d09ab9d915492b6.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Seedance_1.5_pro/physical_experiment/physical_experiment_2/00000006","text_prompt":"A classic Newton's Cradle sits on a wooden desk in a quiet room. A hand pulls back exactly two metal spheres on the left and releases them; the impact produces a crisp synchronized clack, and on the right exactly two spheres swing out together, clicking in rhythm as the motion continues.","video_1_relative_path":"videos/2ec790bf96ac0000.mp4","video_2_relative_path":"videos/09b3175e77013c60.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Seedance_1.5_pro/physical_experiment/physical_experiment_2/00000007","text_prompt":"In a physics lab, a heavy bicycle wheel is spun up rapidly, its bearings producing a steady high whir. A rope is attached to one handle and the demonstrator lets the other side go; instead of dropping flat with a bang, the wheel stays upright and slowly precesses around the rope while the whirring pitch subtly wobbles as the axis turns.","video_1_relative_path":"videos/d3ec54b216af7e62.mp4","video_2_relative_path":"videos/33c7920c84250a76.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Seedance_1.5_pro/physical_experiment/physical_experiment_2/00000008","text_prompt":"A high-speed camera close-up shows a Prince Rupert's Drop under dramatic silence with only faint tool handling noises. Hydraulic pliers squeeze the bulbous head without breaking it, then snip the thin tail with a tiny sharp click, instantly triggering a violent crackling burst as the entire glass drop explosively disintegrates into fine dust.","video_1_relative_path":"videos/b499f016f8b0b1db.mp4","video_2_relative_path":"videos/7a824f52c19ac223.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Seedance_1.5_pro/physical_experiment/physical_experiment_2/00000009","text_prompt":"In a darkened room, a plastic bottle drains a smooth stream of water into a bucket with a steady splashing sound. A green laser pointer shines into the bottle so the beam enters the exiting water, and the video shows the light bending and staying trapped inside the stream like a glowing fiber as the water continues to pour audibly.","video_1_relative_path":"videos/18a2a61f79f694cd.mp4","video_2_relative_path":"videos/aabd2da7c71a30fe.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Seedance_1.5_pro/physical_experiment/physical_experiment_2/00000010","text_prompt":"A home science video in a living room features a hair dryer roaring loudly as it blows straight upward. A hand places a ping-pong ball into the air jet, and when the hand lets go the ball hovers and wobbles in the rushing airflow, bobbing slightly while the loud blower sound stays constant.","video_1_relative_path":"videos/2ef2a779b580509f.mp4","video_2_relative_path":"videos/9cd8512af02c3a2d.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Seedance_1.5_pro/physical_experiment/physical_experiment_2/00000011","text_prompt":"A lab close-up shows a black ceramic superconductor disk cooled with liquid nitrogen, cold white vapor cascading off the sides with a soft hiss. A gloved hand lowers a small shiny magnet above the frosted disk, and when the hand releases it the magnet levitates silently a few millimeters in the air, drifting smoothly while nitrogen vapor continues to whisper around the setup.","video_1_relative_path":"videos/22c90ec2b04112de.mp4","video_2_relative_path":"videos/95555d72d72b5b29.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Seedance_1.5_pro/physical_experiment/physical_experiment_2/00000012","text_prompt":"Two identical tuning forks on wooden resonance boxes sit a few feet apart in a quiet classroom. A rubber mallet strikes the first fork, producing a loud pure tone, and after two seconds a hand pinches the first fork to silence it instantly while the same note continues softly from the second fork, as if the sound has moved across the table.","video_1_relative_path":"videos/19dde529477ba4fd.mp4","video_2_relative_path":"videos/76382130192b73eb.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Seedance_1.5_pro/physical_experiment/physical_experiment_2/00000013","text_prompt":"A slow-motion wide shot in a quiet gym shows a person on a ladder holding a fully stretched rainbow slinky. The top is released with a faint metallic jingle, and while the upper coils collapse downward the bottom end appears to hover nearly motionless for a moment before suddenly snapping down and hitting the floor with a quick rattling clatter.","video_1_relative_path":"videos/61babafee8cd0e2f.mp4","video_2_relative_path":"videos/5e583728b5612385.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Seedance_1.5_pro/physical_experiment/physical_experiment_2/00000014","text_prompt":"A top-down kitchen shot shows a plate of water covered with black pepper flakes, with faint room sounds in the background. A soapy fingertip touches the center with a tiny tap, and instantly the pepper darts outward in a fast sweeping motion as the surface tension breaks, accompanied by a subtle sloshing ripple sound.","video_1_relative_path":"videos/e65ca6ec97e3f424.mp4","video_2_relative_path":"videos/7741426f4735006f.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Seedance_1.5_pro/physical_experiment/physical_experiment_2/00000015","text_prompt":"A warm close-up shows a steaming cup of hot tea on a wooden saucer, and a metal spoon clinks against the ceramic as it stirs. The spoon is revealed to be gallium; as it stays submerged, the 'spoon' begins to slump and deform, wobbling and softening while the stirring sound changes from a firm clink to a duller, mushier scrape.","video_1_relative_path":"videos/3c1e7fd7b3d28dcd.mp4","video_2_relative_path":"videos/b51e3158f5afe95c.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Seedance_1.5_pro/physical_experiment/physical_experiment_2/00000016","text_prompt":"In a bathroom, a faucet runs a thin steady stream with constant water noise. A person rubs a plastic comb against dry hair, producing faint crackling, and as the charged comb approaches the falling stream the water audibly stays the same but visibly curves sideways toward the comb without being touched.","video_1_relative_path":"videos/7c6313cbb98921dc.mp4","video_2_relative_path":"videos/cebd90adb89862d3.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Seedance_1.5_pro/physical_experiment/physical_experiment_2/00000017","text_prompt":"A high-fidelity view into a glass vacuum chamber shows absolute silence with no air movement. A release mechanism drops a metal coin and a feather side-by-side, and they fall at the same rate and hit the floor together with a single sharp impact sound transmitted through the chamber's base rather than through air.","video_1_relative_path":"videos/6cc3a8c5011e4409.mp4","video_2_relative_path":"videos/c18360d44f4fdecb.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Seedance_1.5_pro/physical_experiment/physical_experiment_2/00000018","text_prompt":"A tabletop optics demo shows a bright phone flashlight shining through a first polarizing filter, with quiet room tone. A second polarizer is held in front and slowly rotated, the plastic making a faint rubbing sound between fingers; as it turns, the beam visibly dims smoothly to near-black at the crossed position and then brightens again as the rotation continues.","video_1_relative_path":"videos/34fa607f4f9c2852.mp4","video_2_relative_path":"videos/139e7d83bdc63525.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Seedance_1.5_pro/physical_experiment/physical_experiment_2/00000019","text_prompt":"A metal tuning fork is struck on a table with a sharp tap, producing a steady hum. The vibrating prongs are lowered to just touch a bowl of still water, and the moment the tips meet the surface they create rapid tiny splashes and ripples that buzz in sync with the audible vibration.","video_1_relative_path":"videos/f7aac4598608e27d.mp4","video_2_relative_path":"videos/f1753bf6c83b702f.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/news/news_3/00000000","text_prompt":"A professional news segment starting with a female anchor in a bright studio, holding a paper and announcing a major historical find. Suddenly, the video cuts to shaky documentary-style footage inside a dusty cave, showing a gloved hand brushing dirt off a golden ancient artifact buried in the ground. The anchor's voiceover explains the significance of the discovery throughout the clip.","video_1_relative_path":"videos/c70df16685a46766.mp4","video_2_relative_path":"videos/3a1833af5a95cdfc.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/news/news_3/00000001","text_prompt":"A serious news report beginning with a male anchor in a suit sitting against a digital background of world maps. He looks grave while delivering a warning about internet safety. The scene then abruptly switches to B-roll footage of computer screens in a dark room displaying scrolling green binary code and 'ACCESS DENIED' pop-ups, symbolizing a cyber attack.","video_1_relative_path":"videos/209bf4f741035f61.mp4","video_2_relative_path":"videos/b6c12250c0b2c12f.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/news/news_3/00000002","text_prompt":"A lighthearted news clip. A smiling anchor sits at the desk with a 'ZOO UPDATE' graphic behind her. She introduces a cute story. The video transitions to high-quality footage of a baby panda clumsily rolling around on green grass and chewing on a bamboo stick in a zoo enclosure. The audio includes the anchor's narration mixed with ambient nature sounds.","video_1_relative_path":"videos/0a8d7db58c3dac5a.mp4","video_2_relative_path":"videos/363cc8521a8dbdd8.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/news/news_3/00000003","text_prompt":"Business news coverage. The video starts with a financial reporter standing in a newsroom, pointing to a graph. He discusses manufacturing trends. The view then cuts to an industrial scene showing fast-moving robotic orange arms assembling car parts on a modern production line with sparks flying. The reporter's voice continues seamlessly over the industrial footage.","video_1_relative_path":"videos/7a0b4a0362f9a546.mp4","video_2_relative_path":"videos/a94080fc984ee268.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/news/news_3/00000005","text_prompt":"Health news segment. A serious anchor with glasses reads from a teleprompter about a new health initiative. The shot cuts to medical footage showing a close-up of a nurse's hands wearing blue latex gloves carefully preparing a syringe and a vaccine vial in a sterile hospital environment.","video_1_relative_path":"videos/a74136a4607a55f3.mp4","video_2_relative_path":"videos/5d1b0620d30f5c61.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/news/news_3/00000006","text_prompt":"Holiday shopping report. An anchor sits at the desk, gesturing towards a graphic of a shopping bag. He speaks about retail chaos. The scene immediately switches to footage of a large crowd of shoppers rushing through the automatic doors of a department store, grabbing boxes from shelves. The anchor's voiceover describes the record-breaking sales numbers.","video_1_relative_path":"videos/4ff69768f780bca1.mp4","video_2_relative_path":"videos/04a9cf89b1b8f559.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/news/news_3/00000007","text_prompt":"Breaking travel news. A reporter in a trench coat stands outside an airport terminal with planes visible in the distance. She speaks into a microphone about cancellations. The video cuts to an interior shot of a packed airport terminal, showing a departure board filled with red 'CANCELLED' text and tired passengers sleeping on their luggage.","video_1_relative_path":"videos/31aaa73fb3ee716a.mp4","video_2_relative_path":"videos/abbfa51209cb8bee.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/news/news_3/00000008","text_prompt":"Environmental disaster report. A somber anchor sits in the studio with a blue background. He reports on a recent accident. The video transitions to aerial drone footage looking down at a beach, where black oil sludge is washing up on the white sand and waves are crashing. The sound of the ocean mixes with the serious tone of the news report.","video_1_relative_path":"videos/aeaef41878763763.mp4","video_2_relative_path":"videos/a53fa477ff953082.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/news/news_3/00000009","text_prompt":"Fashion week highlight. A stylish presenter stands in a studio, talking about the latest trends. The video cuts to a vibrant fashion runway show, featuring a model walking towards the camera in an avant-garde silver dress, with audience heads silhouetted in the foreground. Rhythmic electronic music plays faintly in the background of the report.","video_1_relative_path":"videos/0ae0dd893819796c.mp4","video_2_relative_path":"videos/43829baf53ab7d1f.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/news/news_3/00000010","text_prompt":"A breaking crime report. A serious-looking male anchor sits in a dimly lit studio, reading an urgent update from papers in his hand. The video abruptly cuts to night footage of a city street blocked off by yellow 'CRIME SCENE' tape, with red and blue police siren lights reflecting off wet pavement. The anchor's narration continues over the scene.","video_1_relative_path":"videos/1a171531fa604d5e.mp4","video_2_relative_path":"videos/1e4f8f22248cc7b2.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/news/news_3/00000011","text_prompt":"Real estate market update. A female financial reporter stands in a busy newsroom with blurred TV screens behind her. She smiles while discussing rising property values. The scene switches to a sunny outdoor shot of a modern suburban house with a manicured lawn, focusing on a real estate agent hammering a 'SOLD' sign into the grass.","video_1_relative_path":"videos/14b524d45a3c9f28.mp4","video_2_relative_path":"videos/a2a8c377ad6cc380.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/news/news_3/00000014","text_prompt":"Financial technology report. A reporter stands in front of a green screen showing a jagged red line graph plummeting downwards. He looks concerned. The view cuts to a close-up shot of a server room filled with rows of cryptocurrency mining rigs with blinking LED lights and spinning fans. The sound of humming cooling fans is audible under the report.","video_1_relative_path":"videos/04aa907a83af6502.mp4","video_2_relative_path":"videos/bb0636a259fcda88.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/news/news_3/00000015","text_prompt":"Lifestyle and culinary news. A cheerful female anchor sits in a bright morning show studio with a coffee mug. She announces a new viral restaurant. The scene cuts to a mouth-watering close-up slow-motion shot of a chef slicing into a juicy steak, with steam rising and sauce dripping. The anchor's voice describes the menu.","video_1_relative_path":"videos/1db3999d9f29a5f4.mp4","video_2_relative_path":"videos/ae619a8924a8f114.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/news/news_3/00000016","text_prompt":"Green energy report. A male anchor wearing a green tie stands in a virtual studio with wind turbine graphics. He talks about renewable targets. The video switches to a high-angle drone shot flying over a massive field of blue solar panels stretching to the horizon under a bright sun. The anchor's narration explains the energy capacity.","video_1_relative_path":"videos/30e296e9559dbb1e.mp4","video_2_relative_path":"videos/261fb88a633cd259.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/news/news_3/00000017","text_prompt":"Science update. A meteorologist points to a star map graphic. He encourages viewers to look up tonight. The video cuts to a beautiful time-lapse of a dark night sky, capturing streaks of light (meteors) flashing across the Milky Way. The audio features quiet, awe-inspiring ambient music mixed with the forecast.","video_1_relative_path":"videos/95b526749382420e.mp4","video_2_relative_path":"videos/e0cf4c6b1ab6bfd9.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/sports/sports_2/00000000","text_prompt":"A cinematic slow-motion shot shows a golfer fully in frame from the side inside a sand trap on a sunny morning. The golfer takes a focused stance, swings down, and the club strikes the sand inches behind the ball with a dull thump, blasting a cloud of beige grains that rushes upward with a soft hiss. The ball rides out on the sand splash and lands on the green while sand rains down with faint pattering, and the golfer holds the follow-through pose, watching the shot.","video_1_relative_path":"videos/4857da6b7741d451.mp4","video_2_relative_path":"videos/56c0917005cf779e.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/sports/sports_2/00000001","text_prompt":"A full-body, high-contrast shot on a fencing piste shows two fencers in mask and white uniform facing off under bright overhead lights, with a quiet gym echo. The left fencer suddenly launches into a fleche, shoes squeaking sharply as they sprint forward. The foil tip lands on the opponent’s jacket with a crisp metallic tap, the blade bending into a deep curve, followed by a brief ringing vibration and a tiny electrical crackle as the scoring light clicks on instantly.","video_1_relative_path":"videos/0fa408f262b9dc78.mp4","video_2_relative_path":"videos/6dcb4da4c072beb4.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/sports/sports_2/00000002","text_prompt":"A low-angle wide shot captures the entire motocross rider and bike approaching a muddy ramp at speed, the engine snarling and rising in pitch. The rider launches into the air and whips the bike sideways mid-flight, body twisted and knees gripping the frame as clods of dirt rattle off the tires. As the rider straightens out, wind roar dominates for a beat, then the landing hits with a heavy slap of tires on wet ground and a deep suspension clunk as the rider continues down the track.","video_1_relative_path":"videos/f3eeade7663ef809.mp4","video_2_relative_path":"videos/68b33fc18ad33ee0.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/sports/sports_2/00000003","text_prompt":"A full-body shot at center ice under a spotlight shows a figure skater gliding into a spin, the blade making an audible scrape that turns into a rising scratchy hiss as rotation accelerates. The skater pulls arms and legs in tight, dress blurring into a ring as fine ice shavings whisper outward. The skater finishes with a sharp stop that cuts the scraping sound nearly to silence, ending in a clean pose as the rink ambience returns.","video_1_relative_path":"videos/1e0784081c3c8929.mp4","video_2_relative_path":"videos/b5d9623fdaa14511.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/sports/sports_2/00000004","text_prompt":"A wide shot in a quiet pool hall shows a player lining up at the table, chalking the cue with a soft gritty rub before stepping into stance. The cue strikes the cue ball with a sharp crack, and the rack explodes into rapid clatter as balls scatter across the felt. The player straightens up watching, while balls roll with low rumbles and tick against cushions, then settle into silence.","video_1_relative_path":"videos/f6c31214d23cabc5.mp4","video_2_relative_path":"videos/0f39be8af33da6ea.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/sports/sports_2/00000005","text_prompt":"A full-ring view shows two sumo wrestlers crouched low at the start lines on a clay dohyo, with the arena hushed except for distant crowd murmurs. One wrestler throws purification salt that sprinkles dryly onto the clay. They launch forward at the same instant, feet stomping heavily, and collide chest-to-chest with a deep body-slam impact; clay dust puffs up and falls with soft gritty patters as both wrestlers strain and grunt, pushing for position.","video_1_relative_path":"videos/36a032390a3770bc.mp4","video_2_relative_path":"videos/42d9bfa1806551b9.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/sports/sports_2/00000007","text_prompt":"A two-angle sequence: first a wide pool-deck shot shows a diver on a 10m platform, the crowd quiet, then the diver leaps and tucks into a clean line. Cut to an underwater wide shot looking up as the diver pierces the surface with a tight, subdued whoomp instead of a huge splash. Underwater, a cone of air bubbles fizz-roars around the diver’s body and trails downward as the diver glides deep and then slows in the blue.","video_1_relative_path":"videos/081d3222eac5e189.mp4","video_2_relative_path":"videos/04ebd4e1fb2ff1d9.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/sports/sports_2/00000008","text_prompt":"A sideline wide shot shows a rugby scrum forming in torrential rain, drops drumming on jerseys while players shout and the referee calls commands. The two packs crouch and bind, boots squelching as they dig into mud. On 'Engage!' they collide with a heavy grunt, shoulders driving, mud slapping and churning loudly underfoot as the scrum heaves, jerseys stretching and creaking under strain.","video_1_relative_path":"videos/3e362c0baface17c.mp4","video_2_relative_path":"videos/d71504f6f4987ed4.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/sports/sports_2/00000009","text_prompt":"A mid-wide shot shows a table tennis player fully in frame at the end of the table, knees bent and eyes locked on the ball in a bright hall with faint crowd hush. The ball bounces on the table with a light plastic tick, and the player swings through a topspin drive, contacting with a crisp click exactly as the paddle brushes the ball. The ball shoots forward with visible spin, the player’s shoes squeak during the quick step-in, and the opponent’s block returns a second tick a moment later.","video_1_relative_path":"videos/81391797aff189cf.mp4","video_2_relative_path":"videos/c0b9f4e53c82b695.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/sports/sports_2/00000010","text_prompt":"A wide stadium shot on a snowy night shows a quarterback launching a high spiral as the crowd roars behind wind gusts. Downfield, a receiver sprints, cleats crunching in powder and breath huffing in the cold. The ball descends with a faint rushing whistle, and the receiver leaps into a cluster, catching with a soft leather thump against gloves before crashing into snow with a deep muffled impact and a long sliding scrape. The crowd erupts as an official raises the signal in the background.","video_1_relative_path":"videos/7e50b613fe2aefbd.mp4","video_2_relative_path":"videos/64e002e11c47f463.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/sports/sports_2/00000011","text_prompt":"A third-person wide shot follows a traceur running across a rooftop, full body visible as footsteps crunch on gravel and breathing grows louder. Wind rushes past as the traceur reaches the edge and jumps a wide gap between buildings, body fully extended in mid-air. The landing hits with a sharp shoe slap on concrete, followed by a gritty scrape as the traceur performs a safety roll, then pops back up and keeps running as city ambience hums far below.","video_1_relative_path":"videos/d3b166792d06f738.mp4","video_2_relative_path":"videos/b09f91e9c74aa94d.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/sports/sports_2/00000012","text_prompt":"A dynamic rink-level wide shot shows a goalie centered in frame while skaters rush in, blades carving the ice with a constant shhhhh and boards echoing the arena. A forward breaks in alone, stickhandling with quick clacks, then shoots low. The goalie lunges, pads thumping the ice, and the puck deflects off the raised skate with a sharp clack inches from the line, then rattles into the corner as the crowd reacts with a sudden roar.","video_1_relative_path":"videos/13edd52f1d8df7a8.mp4","video_2_relative_path":"videos/9bcb68d1cb127051.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/sports/sports_2/00000013","text_prompt":"A full-body ring shot in a gritty venue shows two fighters circling, bare feet slapping the canvas and the crowd rumbling. Punches land on gloves and forearms with dull thuds, then one fighter spins into a back elbow. The elbow connects with a sharp smack synced to the head snap, sweat spraying and pattering to the mat. The opponent staggers and drops, ropes creaking as the referee rushes in, and the audience noise surges.","video_1_relative_path":"videos/51205605913453e2.mp4","video_2_relative_path":"videos/b12d0c6390c33652.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/sports/sports_2/00000014","text_prompt":"A following wide shot trails a mountain biker descending a foggy forest trail, the rider and bike fully visible weaving between rocks and roots. Tires buzz and crunch over wet gravel, the chain rattles, and the suspension chatters loudly over bumps. The rider launches a small drop; for a brief airtime the rumble falls to wind noise, then the landing hits with a heavy thud as mud spits up and the rider regains control, continuing downhill.","video_1_relative_path":"videos/e9aab9c1f02c4947.mp4","video_2_relative_path":"videos/f3927f736e42fe1c.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/sports/sports_2/00000015","text_prompt":"A broadcast-style wide shot shows the pitcher delivering a fastball, the crowd low in the background. The ball hisses toward the plate as the batter swings hard, full body visible. The ball jams the bat handle; a violent crack splits the wood and shards fly as the batter’s hands recoil. Pieces whistle past while the ball dribbles into the dirt with a soft bounce, and the batter stares at the broken bat in shock as the stadium reacts.","video_1_relative_path":"videos/6ab6036f984f2864.mp4","video_2_relative_path":"videos/f02a9a5ecaf4f7fa.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/sports/sports_2/00000016","text_prompt":"A poolside wide shot shows a swimmer sprinting freestyle into the wall, arms slapping water rhythmically with loud splashes. Cut to underwater wide: the swimmer flips, bubbles roaring around the body, and both feet plant on the wall with a muted thump. The swimmer pushes off explosively, streaming bubbles in a long trail, then breaks the surface with a splash and continues stroking as lane water churns.","video_1_relative_path":"videos/cff712aa1deef9ff.mp4","video_2_relative_path":"videos/a6adfa685ebea3f3.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/sports/sports_2/00000017","text_prompt":"A wide shot on an outdoor sandstone cliff shows a climber fully in frame on an overhang, chalk dust puffing as fingers readjust with tiny scrapes. The climber inhales audibly, then dynos upward; shoes squeak and slip free with a quick scrape. The hand lands on a small hold with a gritty smack, a tiny rock chip clatters down, and the climber swings on the rope as harness gear jingles while they stabilize and breathe hard.","video_1_relative_path":"videos/9cad083da06aab1b.mp4","video_2_relative_path":"videos/bd978be43e5dedb3.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/sports/sports_2/00000018","text_prompt":"A roadside wide shot shows a rally car approaching fast through a rainy forest stage, engine roaring and gravel rattling. The car hits a puddle, water slapping the chassis with a huge splash, then flicks into a drift around a bend. Tires squeal on wet gravel as mud smacks the wheel wells, and the car straightens with a final bite and surges away, leaving the sound of the engine fading and rain continuing.","video_1_relative_path":"videos/5564f053b18bbb0e.mp4","video_2_relative_path":"videos/8730c1e1f16515ec.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/sports/sports_2/00000019","text_prompt":"A full-body shot at an outdoor range shows an archer standing in stance with a recurve bow, the scene quiet except for faint wind. The archer draws; the limbs creak under tension as the string touches the face anchor point. On release, the string snaps forward with a sharp twang, and the arrow hisses through the air before striking the target with a solid thunk. It hits the back of an arrow already in the bullseye, splitting it with a crisp wooden crack as the archer exhales in disbelief.","video_1_relative_path":"videos/11eaa030992e64e0.mp4","video_2_relative_path":"videos/75d0a8ddceff60f2.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_quality/gameplays/gameplays_2/00000000","text_prompt":"First-person view in a ruined hallway with distant gunfire and muffled explosions outside. The player sprints, footsteps thudding on concrete, then slides into cover as bullets ping off a metal pillar with sharp ricochets. The player reloads: the empty magazine drops with a clack, a fresh mag slaps in, and the bolt is pulled with a loud metallic snick exactly as the weapon returns to aim. A teammate voice in comms says, \"Reloading—cover me!\" and the player leans out to fire short bursts that echo in the corridor.","video_1_relative_path":"videos/2914ca06610385df.mp4","video_2_relative_path":"videos/44a02c55b3216080.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_quality/gameplays/gameplays_2/00000001","text_prompt":"Third-person gameplay in a small house with rain tapping on the roof and faint thunder outside. The player opens a chest that pops and chimes, spilling items with bright UI pings as they get picked up one by one. Footsteps and a door creak upstairs, and the player stops moving; the ambient sound holds for a tense beat. Suddenly, an enemy crashes through a window with a loud smash, and the player whips around, firing as the enemy’s shield crackles on hit.","video_1_relative_path":"videos/2f9180a68084eb4e.mp4","video_2_relative_path":"videos/b3c2cd51d18a9f49.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_quality/gameplays/gameplays_2/00000002","text_prompt":"Chase camera behind a rally car on a wet mountain road. The engine rises in pitch, then the player taps the brakes—tires squeal and the car throws water spray as it snaps into a drift. Gravel rattles against the undercarriage and the rear slides wide, then grips with a deep thump as the car exits the hairpin. The co-driver voice calls, \"Left hairpin, don’t cut!\" and the player shifts gears with a crisp mechanical click.","video_1_relative_path":"videos/23ff1aab72aea23d.mp4","video_2_relative_path":"videos/9f6d4ade85d4eb82.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_quality/gameplays/gameplays_2/00000003","text_prompt":"Side-scrolling platformer gameplay over a lava cavern where the background rumbles quietly. The character lands on a tiny platform with a light bop, then immediately jumps again; each landing produces a distinct tap timed exactly to the feet touching down. A spinning saw blade whirs loudly as it passes inches away, and the player wall-jumps—hands slap the wall, then kick off with a sharp whoosh. A checkpoint flag is hit with a bright chime, and the character exhales a quick relief sound.","video_1_relative_path":"videos/aa0580b729faec35.mp4","video_2_relative_path":"videos/5bdaeaca1ef97441.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_quality/gameplays/gameplays_2/00000004","text_prompt":"Top-down MOBA gameplay near a river, with ambient water flow under the combat sounds. The player pings the map with a sharp beep and their character says, \"Engaging!\" A stun ability lands with a crackling snap exactly as the enemy freezes, followed by a large ultimate that slams down with a heavy impact and a bassy shockwave. Multiple abilities overlap: shield bubbles, sword swishes, and damage ticks, while the announcer declares, \"Double kill!\" right as two enemies fall.","video_1_relative_path":"videos/e93bb2f39422a553.mp4","video_2_relative_path":"videos/dfbac74a3253f0b6.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_quality/gameplays/gameplays_2/00000005","text_prompt":"First-person survival gameplay in a quiet forest with birds and wind in leaves. The player swings an axe into a tree; each hit lands with a woody thunk and falling chips, synced to the axe biting the trunk. The tree creaks, then collapses with a loud crack and a crashing rustle. The player opens the crafting menu with a soft UI swoop, assembles a simple tool with clicking sounds, and the character mutters, \"That should hold.\"","video_1_relative_path":"videos/4e6468a015324b82.mp4","video_2_relative_path":"videos/8886375c2b46a2e7.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_quality/gameplays/gameplays_2/00000006","text_prompt":"First-person horror gameplay in a dim corridor with a low electrical hum. The player slowly pushes a door; the hinges creak loudly and the handle clicks as it turns. A radio on the floor emits faint static, and the player picks it up with a small clunk. As the flashlight beam sweeps the room, there’s a sudden loud sting and a creature lunges into frame with a wet screech, perfectly synced to the on-screen impact shake.","video_1_relative_path":"videos/0e57851f1584c3cc.mp4","video_2_relative_path":"videos/2b8485b24c246a20.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_quality/gameplays/gameplays_2/00000007","text_prompt":"Third-person stealth gameplay in a museum at night with distant security fans humming. The player crouch-walks, footsteps soft on carpet, then stops as a guard’s radio crackles nearby. The player grabs the guard from behind; a muffled struggle and a quick thud happen as the guard goes limp, synced to the animation. The body is dragged, fabric scraping quietly, and hidden in a closet with a door latch click. The protagonist whispers, \"Stay asleep.\"","video_1_relative_path":"videos/489f260dd78e1655.mp4","video_2_relative_path":"videos/e584ea46031a4890.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_quality/gameplays/gameplays_2/00000008","text_prompt":"Side-view fighting game match in an arena with crowd roar and rhythmic announcer hype. An opponent throws a heavy punch; the player parries at the last instant, producing a sharp metallic clang and a brief slow-motion flash. Immediately the player launches a combo: rapid hits with distinct smacks and whooshes, ending in a super move that triggers a screen freeze and a booming impact. The announcer shouts, \"Perfect parry!\" exactly as the parry spark appears.","video_1_relative_path":"videos/0e250c8653c22fc6.mp4","video_2_relative_path":"videos/097edc94054717dc.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_quality/gameplays/gameplays_2/00000009","text_prompt":"First-person puzzle gameplay in a stone temple with dripping water echoing. The player presses three wall switches in sequence; each press makes a heavy stone click, and glowing runes light up with a soft rising hum. A mechanism engages in the distance with grinding gears, and a massive door slowly opens with a deep rumble. The player steps forward, footsteps echoing, as a companion voice says, \"You got it—keep going.\"","video_1_relative_path":"videos/7d6dd357af23928a.mp4","video_2_relative_path":"videos/d1d9c1757b03b90b.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_quality/gameplays/gameplays_2/00000010","text_prompt":"Third-person RPG gameplay in a warm tavern with chatter, clinking mugs, and a lute playing softly. The player approaches an NPC; the dialogue menu pops with a gentle UI sound. The NPC says, \"I can tell you—if you pay,\" and the player drops coins on the table with a bright jingle exactly as the payment animation plays. The NPC leans in, lowering their voice: \"Meet me at the bridge after dark.\"","video_1_relative_path":"videos/60acfbf022d83583.mp4","video_2_relative_path":"videos/92420aea0732c81f.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_quality/gameplays/gameplays_2/00000011","text_prompt":"Top-down RTS gameplay with a calm ambient hum until a warning siren blares and a red alert icon flashes. The player selects units with rapid UI clicks and commands them forward; small acknowledgements play: \"Moving!\" \"On it!\" Explosions bloom near a base wall with low booms, and turret fire rattles in steady bursts. The player slams a build command; construction hammers start tapping as a defensive tower rises.","video_1_relative_path":"videos/4ebc887fd1337f3b.mp4","video_2_relative_path":"videos/f672e2aa0c8ea319.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_quality/gameplays/gameplays_2/00000012","text_prompt":"Front-facing rhythm game lane with an electronic track driving the beat. Notes stream toward the hit line; each successful hit triggers a crisp click and a bright sparkle sound exactly at the moment the note crosses the line. The player maintains a perfect streak; the combo counter pulses with a rising crowd-cheer layer. A sudden fast pattern arrives, and the player nails it, prompting the announcer voice to say, \"Perfect!\" synced to a large on-screen flash.","video_1_relative_path":"videos/601261cb021fe220.mp4","video_2_relative_path":"videos/ba28e4b8225154ff.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_quality/gameplays/gameplays_2/00000013","text_prompt":"Cockpit view of a small plane on a runway with engine idle rumble. The throttle advances and the engine roar rises smoothly as the plane accelerates, runway bumps thudding rhythmically. The pilot voice says, \"Rotate,\" as the nose lifts and wind noise increases. The landing gear lever is pulled with a click, and the gear retracts with a mechanical whine timed to the indicator lights switching.","video_1_relative_path":"videos/25980c65fbf0483a.mp4","video_2_relative_path":"videos/a644529165fbd176.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_quality/gameplays/gameplays_2/00000014","text_prompt":"First-person fishing gameplay on a quiet lake with birds and gentle water lapping. The bobber twitches, then plunges under with a small splash, and the player yanks the rod—line tightens with a sharp twang. The reel spins with a steady whir as the fish pulls, and the line creaks under tension. The character grunts, \"Come on…\" as the fish surfaces with a splash near the boat.","video_1_relative_path":"videos/4024bf6cb7fa8898.mp4","video_2_relative_path":"videos/2f13b7480a9f432e.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_quality/gameplays/gameplays_2/00000015","text_prompt":"Third-person action gameplay in a cavernous arena with echoing ambience and a low choir swell. A boss steps into view; a fog gate seals with a deep whoomp as the title of the boss appears with a heavy hit. The boss roars, shaking dust loose, and charges; the player rolls, armor clanking. Swords collide with a bright ringing clang timed to the exact moment blades meet, then the player lands a counter-hit with a wet impact.","video_1_relative_path":"videos/22d3e354787c11d2.mp4","video_2_relative_path":"videos/6be901bed1d922e1.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_quality/gameplays/gameplays_2/00000017","text_prompt":"First-person co-op shooter gameplay in a smoky street with distant sirens and gunfire. A teammate is down, calling weakly, \"I need help!\" The player slides over, bullets snapping past, and starts a revive; a progress sound pulses while the player’s hands apply a med kit with velcro ripping and a syringe cap click. The teammate gasps and stands as the revive completes with a bright chime, shouting, \"I’m up!\" right as the HUD confirms it.","video_1_relative_path":"videos/00ec969aefa52d29.mp4","video_2_relative_path":"videos/ccdc590f8a4a2790.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_quality/gameplays/gameplays_2/00000018","text_prompt":"Basketball video game broadcast camera with crowd roar and sneaker squeaks. The clock ticks loudly as the player dribbles; each bounce lands in sync with the ball hitting the hardwood. A commentator says, \"Five seconds left!\" The player launches a long shot; the buzzer blares as the ball is mid-air, then the net snaps with a clean swish exactly as the ball drops through, and the crowd explodes while the commentator yells, \"It’s good!\"","video_1_relative_path":"videos/481035b4c5714e51.mp4","video_2_relative_path":"videos/ffd2ef90cce64243.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_quality/gameplays/gameplays_2/00000019","text_prompt":"Digital card game gameplay with a quiet ambient pad. The player draws a card; it slides into hand with a sharp whoosh and a bright ping, and the card glows subtly. The player hesitates, then slams it onto the board with a satisfying thump sound synced to the animation, triggering chained effects: sparks crackle, numbers pop with ticks, and an enemy health bar shatters with a glassy break. The narrator voice says, \"That changes everything.\"","video_1_relative_path":"videos/0081dbb3634cc990.mp4","video_2_relative_path":"videos/ef88f5ee7c628aa0.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000000","text_prompt":"A close-up tutorial shot focusing on the fretboard of an acoustic guitar. Soft lighting. A left hand cleanly presses the strings into a C Major chord shape (fingers on the 1st, 2nd, and 3rd frets). A right hand holding a pick performs a single, slow, downward strum across all strings, producing a rich, resonant major chord that rings as the metal strings visibly vibrate.","video_1_relative_path":"videos/6600a03a1a9cfec3.mp4","video_2_relative_path":"videos/c2afb7d1dc96fc5f.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000001","text_prompt":"A top-down view of a hand positioned on a piano keyboard with a metronome ticking steadily in the background. The fingers press down on the white keys one by one in a smooth, connected motion to play a 5-note ascending scale, and each note lands exactly when the fingertip makes contact and the key bottoms out before rebounding.","video_1_relative_path":"videos/fd60c29fac6a902c.mp4","video_2_relative_path":"videos/c0ac48fc7ea57437.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000002","text_prompt":"A super slow-motion shot of a drumstick hitting a snare drum under studio lighting that highlights the texture of the drum skin. The stick strikes the exact center of the drum, creating a visible ripple on the drumhead as it snaps back, and the audio matches with a sharp snare 'crack' followed by the quick buzzing rattle of the snare wires underneath.","video_1_relative_path":"videos/9a2dacf9afdc797e.mp4","video_2_relative_path":"videos/22fe03c0464b1044.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000003","text_prompt":"A side-profile close-up of a violin being played in a quiet classical practice setting. The right hand holds the bow with a proper grip and pulls it slowly across the A string in a straight line (down-bow), producing a steady sustained tone that stays smooth and clean as the horsehair visibly grips the string without scratchy noise.","video_1_relative_path":"videos/3abd04e5f0149b08.mp4","video_2_relative_path":"videos/a422f967799364e0.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000004","text_prompt":"A dynamic shot of a bass guitar body with no background music, focusing on technique. The right thumb strikes the thickest string forcefully (slap) and the index finger hooks and pops a higher string upward (pop), creating a tight percussive thump followed by a bright metallic clank that lines up with each visible string snap.","video_1_relative_path":"videos/357e9a4219fa7af3.mp4","video_2_relative_path":"videos/92ce3af2c2e547f1.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000005","text_prompt":"A warm, bright shot of a ukulele held against a chest with faint ocean waves in the background. The right hand performs a rhythmic down-up-down-up strumming pattern using the index finger, and each visible brush across the nylon strings produces a cheerful, high-pitched jingle in perfect sync with the wrist motion.","video_1_relative_path":"videos/f77ba12de736527e.mp4","video_2_relative_path":"videos/6002521dcbb121be.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000006","text_prompt":"A close-up of a brass trumpet's valve casing while a narrator says, 'Check the valves.' A hand presses the three valves rapidly in a random sequence, and each press bottoms out with a crisp metallic click and springy return that matches the piston movement.","video_1_relative_path":"videos/8ad0404b5e361c67.mp4","video_2_relative_path":"videos/eeffc1d209b6cbbe.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000007","text_prompt":"A tight focus on the fingerboard of a cello as a deep, warm note sustains. A left-hand finger presses a string against the ebony board and rocks back and forth rhythmically, and the audio wavers in pitch in sync with the visible vibrato motion while the bow continues to draw a stable tone.","video_1_relative_path":"videos/e1cf881e02a7d099.mp4","video_2_relative_path":"videos/cee5945a75ae0c71.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000008","text_prompt":"A hand holds a wooden tambourine against a plain background and rotates the wrist rapidly back and forth. The metal jingles blur as they strike and rub, producing a continuous shimmering high-pitched jingle that intensifies as the shake speed increases.","video_1_relative_path":"videos/cd0ebba1b2b45040.mp4","video_2_relative_path":"videos/b8f536e5aa33a3b3.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000009","text_prompt":"A close-up of a synthesizer keyboard and the pitch bend wheel on the left with a sustained synth chord held down. A hand slowly pushes the pitch bend wheel upward and then releases it back to center, and the chord glides smoothly up in pitch and returns exactly with the wheel's travel and snap-back.","video_1_relative_path":"videos/05977e29858e0037.mp4","video_2_relative_path":"videos/6beaff2922cdf429.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000010","text_prompt":"A dreamy, soft-focus shot of a golden harp's strings in a quiet studio. A hand sweeps across the strings from low to high in one continuous motion (glissando), and the camera shows each string briefly vibrating as the sound cascades upward in a sparkling run that follows the hand's path.","video_1_relative_path":"videos/6220663659c77dca.mp4","video_2_relative_path":"videos/51a1c069155c0fab.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000011","text_prompt":"A top-down view of a DJ turntable deck with a simple drum beat playing. A hand rests on a black vinyl record and pushes it forward then pulls it back rhythmically, and each stop-and-reverse motion produces the classic 'wiki-wiki' scratch sound exactly when the record changes direction.","video_1_relative_path":"videos/01d1f6e67334f9a7.mp4","video_2_relative_path":"videos/ae5baa2e9a60f532.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000012","text_prompt":"A macro shot of the brass keys on a saxophone during a fast run. The fingers press the pearl keys in rapid sequence, and the audio line up with quick mechanical key taps as the pads visibly lift and seal over tone holes at each note change.","video_1_relative_path":"videos/cc4d29424c716ef5.mp4","video_2_relative_path":"videos/73ccbd18b6e2d251.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000013","text_prompt":"A hand holds a metal triangle by a string, suspended in the air in silence. The other hand strikes the bottom horizontal bar with a metal beater, and the beater recoils immediately as the triangle frame shimmers visibly and a clear high-pitched 'ding' rings out and decays.","video_1_relative_path":"videos/d3dc9465b4f576c7.mp4","video_2_relative_path":"videos/acac06e43aa86956.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000014","text_prompt":"A zoomed-in shot of an electric guitar fretboard with distortion on. A finger frets a note and then pushes the steel string upward across the wood (bending), and the pitch rises smoothly as the string visibly stretches, then settles when the finger releases.","video_1_relative_path":"videos/6f476d1eccab11aa.mp4","video_2_relative_path":"videos/ad96ec9324aa5ce3.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000015","text_prompt":"A POV shot of a wooden kalimba held in two hands in a quiet room. The two thumbs alternate plucking the metal tines downward, and each tine bends under the thumb then snaps back to blur with vibration as a soft bell-like note sounds exactly at the release.","video_1_relative_path":"videos/fb6e6df5db740852.mp4","video_2_relative_path":"videos/573f4d02a5f90492.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000016","text_prompt":"A dynamic shot of a gold crash cymbal on a stand. A drumstick strikes the cymbal edge hard, making it wobble violently as a loud crash blooms, then a hand immediately grabs the edge to choke it, cutting the ringing sound off instantly as the cymbal's motion stops.","video_1_relative_path":"videos/ae9d02c20dadab11.mp4","video_2_relative_path":"videos/2e04a10eb011dd90.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000017","text_prompt":"A medium shot of an accordion being played with a steady chord. The left arm pulls the bellows outward and then pushes them back in, and the chord audibly swells louder as the bellows open and softens as they close, synchronized with the visible 'breathing' folds.","video_1_relative_path":"videos/1f7b377f61874803.mp4","video_2_relative_path":"videos/5bbfe2f281cd3e23.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000018","text_prompt":"A close-up of a pair of wooden maracas in two hands against a plain background with no other instruments. The hands shake the maracas forward and backward sharply in a steady rhythm, and each reversal produces a crisp sandy rattle as the beads inside lag behind and then strike the shell, creating a clear shake-shake pattern perfectly synchronized with the motion.","video_1_relative_path":"videos/9ec67e63241574d6.mp4","video_2_relative_path":"videos/6a2e6557b82f12fe.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000019","text_prompt":"A side-angle view of wooden xylophone bars. A hard plastic mallet strikes a single bar, producing a bright woody 'plonk' exactly at impact, and the mallet bounces back immediately instead of sticking so the bar can keep vibrating as the note rings.","video_1_relative_path":"videos/7b5d33d2f29b1a6a.mp4","video_2_relative_path":"videos/0578641e8c883608.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000027","text_prompt":"A tight tutorial shot of a clean electric guitar. The left hand forms a simple E5 power chord (E and B only, no third). The right hand performs one slow downstroke, letting the chord ring. The audio is a clean two-note power chord that starts exactly on the strum with no distortion and no extra notes.","video_1_relative_path":"videos/d1fb00535869bf23.mp4","video_2_relative_path":"videos/f7053263ed2a12c6.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000028","text_prompt":"A POV tutorial shot of a wooden kalimba held in two hands in a silent room. The thumbs pluck five tines one at a time to play a simple ascending melody: C, D, E, F, G, with clear spacing between notes. Each tine vibrates visibly at release, and the pitches are clean with no chords.","video_1_relative_path":"videos/00966f7153ef9cb6.mp4","video_2_relative_path":"videos/2c8559f8e8ba9194.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000029","text_prompt":"A side-angle tutorial shot of a xylophone with labeled bars. Two mallets strike three bars one at a time to play C, then E, then G, then stop. Each hit produces a bright woody tone exactly at impact, with no roll and no extra bars struck.","video_1_relative_path":"videos/af6d47881c494bc9.mp4","video_2_relative_path":"videos/4127d4727a75ffe9.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000030","text_prompt":"A close-up tutorial shot of a marimba bar in a studio. A soft mallet strikes the same bar (G3) twice with a full decay between hits. The pitch is stable and identical on both hits, and the mallet rebounds cleanly without touching neighboring bars.","video_1_relative_path":"videos/636162dce59c75e9.mp4","video_2_relative_path":"videos/442ab35cba12edc6.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000031","text_prompt":"A top-down piano tutorial shot with a steady tempo. The right hand plays a simple five-note melody one note at a time: C4, E4, G4, E4, C4. Each note is clearly articulated and aligned to finger contact, with no chords and no pedal.","video_1_relative_path":"videos/b56b8994c68c3c16.mp4","video_2_relative_path":"videos/cddbe15a25525711.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000033","text_prompt":"A top-down tutorial shot of a piano keyboard with a metronome. The player performs four block chords in sequence, one per bar: C major, then G major, then A minor, then F major. Each chord is pressed cleanly as a block (no arpeggio), held briefly, then released before the next chord.","video_1_relative_path":"videos/df7a3672d2769b99.mp4","video_2_relative_path":"videos/80d08056382767cc.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000034","text_prompt":"A top-down piano tutorial view in a quiet practice room. The right hand plays a slow two-octave C major scale from C4 up to C6, one note at a time with clear separation and even timing. The pitches follow the white keys exactly with no pedal and no extra notes.","video_1_relative_path":"videos/d2f00f720db006c8.mp4","video_2_relative_path":"videos/2bedc62cf8eb1896.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Sora_2/chemical_reaction/chemical_reaction1/00000000","text_prompt":"A close-up lab demo on a white table with quiet room tone. A clear beaker contains an acidic hydrogen peroxide mixture, and a second cup contains a clear solution of potassium iodide mixed with sodium thiosulfate and starch indicator. A narrator explains reaction kinetics as the hand pours the iodide mixture into the peroxide with a soft glug and begins swirling; the liquid stays seemingly unchanged for a few seconds, then suddenly the entire beaker undergoes an instantaneous uniform color change all at once while the swirling continues.","video_1_relative_path":"videos/8a5c0b596face43b.mp4","video_2_relative_path":"videos/67cef609ceac2fce.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Sora_2/chemical_reaction/chemical_reaction1/00000001","text_prompt":"A wide outdoor science experiment with natural ambience and excited chatter. A demonstrator in goggles shows a large flask containing concentrated hydrogen peroxide mixed with dish soap and food coloring, then quickly pours in a small cup of potassium iodide catalyst solution with a loud slosh against glass. After a brief beat, thick foam erupts upward and out, growing rapidly as a loud wet hiss and fizzing bubbling sound builds; the demonstrator laughs and says, \"Stand back—here it comes!\" as the foam spills over the rim and patters onto the tray.","video_1_relative_path":"videos/2fb9e3a3e2270f61.mp4","video_2_relative_path":"videos/03010b8276502638.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Sora_2/chemical_reaction/chemical_reaction1/00000002","text_prompt":"A cinematic close-up in a quiet lab shows a round-bottom flask containing freshly prepared Tollens’ reagent (ammoniacal silver nitrate solution). A small amount of glucose solution is added with a gentle pour, then the flask is swirled so the liquid climbs the glass walls with a soft sloshing sound. Over time, the inner surface of the flask undergoes a visible change, gradually forming a reflective coating that spreads as the swirling continues.","video_1_relative_path":"videos/b578f50458437772.mp4","video_2_relative_path":"videos/39cf2485bb7e1000.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Sora_2/chemical_reaction/chemical_reaction1/00000003","text_prompt":"A macro close-up against a dark background with faint room ambience. One beaker holds a clear aqueous lead nitrate solution and another holds a clear potassium iodide solution. The demonstrator pours the potassium iodide into the lead nitrate with a clean glug-glug sound and stirs with a glass rod that clinks lightly against the beaker; immediately a dense precipitate forms throughout the liquid, making the mixture turn cloudy as countless fine particles swirl like glitter and then slowly drift downward and collect at the bottom.","video_1_relative_path":"videos/626a9a3ff7133444.mp4","video_2_relative_path":"videos/75157ed705caa077.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Sora_2/chemical_reaction/chemical_reaction1/00000004","text_prompt":"A realistic lab-style shot of a glass tank half-filled with water, with faint room ambience. Using tongs, a small piece of sodium metal is dropped onto the surface with a tiny plunk, and it immediately skates and darts across the water, producing urgent crackling hisses and leaving a visible trail. The reaction intensifies within moments, culminating in a sudden energetic burst at the surface with a loud pop and spray that splashes against the tank walls.","video_1_relative_path":"videos/ea72783250f95015.mp4","video_2_relative_path":"videos/acbe1e2c74e67ef6.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Sora_2/chemical_reaction/chemical_reaction1/00000005","text_prompt":"A time-lapse tabletop shot on a heat-resistant tile in a quiet room. A small pellet of mercury(II) thiocyanate sits in the center; a flame touches it with a soft crackle, and as it burns a dry, ashy rustle continues. The video captures a long porous snake-like structure swelling and curling upward from the ash, continuously growing and branching as the crackling burn persists underneath.","video_1_relative_path":"videos/283155727867ec0b.mp4","video_2_relative_path":"videos/a0995e1944150411.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Sora_2/chemical_reaction/chemical_reaction1/00000006","text_prompt":"A video in a completely dark room where only the apparatus is visible. A narrator whispers, \"Watch the light,\" as two liquids—luminol solution and an oxidizer solution containing hydrogen peroxide with a catalyst—are poured simultaneously into a spiral glass tube, the streams making an audible trickling sound. As the liquids meet and flow, a self-generated glow appears inside the tubing and travels with the moving fluid, brightening and fading along the path while the trickling continues.","video_1_relative_path":"videos/4a28e02adb8d31fb.mp4","video_2_relative_path":"videos/b273acea43f095b0.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Sora_2/chemical_reaction/chemical_reaction1/00000007","text_prompt":"A high-speed time-lapse shows a beaker on a magnetic stirrer, the stir plate motor making a steady whir as a stir bar spins. The beaker contains a Briggs–Rauscher mixture (hydrogen peroxide, potassium iodate, malonic acid, and a metal-ion catalyst with starch indicator). While the vortex turns, the liquid repeatedly cycles through several distinct visible states in a rhythmic pattern, switching abruptly and then returning again and again as the stirring continues.","video_1_relative_path":"videos/620236f2d6bb18ed.mp4","video_2_relative_path":"videos/519edd441c718b1e.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Sora_2/chemical_reaction/chemical_reaction1/00000009","text_prompt":"A handheld shot of a bottle of purified water taken from a freezer, with faint room ambience. A voice counts, \"Three, two, one,\" and the bottle is firmly tapped on a table with a solid thud; right after the impact, crystallization begins at the contact point and spreads through the bottle in a fast-moving front, accompanied by faint crackling ice sounds as the once-clear liquid turns opaque.","video_1_relative_path":"videos/4941f11aa9edb1ef.mp4","video_2_relative_path":"videos/ac8f6686427d1f09.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Sora_2/chemical_reaction/chemical_reaction1/00000010","text_prompt":"A wide safety-distance outdoor shot in a sand pit with faint wind noise. A clay pot contains a thermite mixture of iron(III) oxide powder and aluminum powder; a magnesium ribbon fuse is lit on top, sputtering with sharp crackles. When the fuse reaches the mixture, the reaction erupts into an extremely intense light and a roaring spray of sparks, and moments later molten material drips and sizzles into the sand with heavy sizzling spits.","video_1_relative_path":"videos/22bf9817cda68ef8.mp4","video_2_relative_path":"videos/21c2f01cde5b0dfc.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Sora_2/chemical_reaction/chemical_reaction1/00000011","text_prompt":"A close-up tabletop shot in quiet room tone. A hand slowly pours a clear supersaturated sodium acetate solution from a beaker onto a watch glass containing a tiny seed crystal, the liquid making a gentle pour sound. The instant the stream touches the seed point, the liquid turns solid at the contact and a crystal structure rapidly grows outward and upward, building a rising tower as the pouring continues.","video_1_relative_path":"videos/5f7a41213d3431de.mp4","video_2_relative_path":"videos/62d361cd9661bddd.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Sora_2/chemical_reaction/chemical_reaction1/00000012","text_prompt":"A tabletop demo in a quiet room. Metal tongs clink as they drop chunks of dry ice (solid carbon dioxide) into a beaker of warm water with a plop, and immediately thick fog billows over the rim while the water erupts into vigorous bubbling. A loud, continuous fizzing and rumbling gurgle accompanies the rolling vapor as it spills down the sides.","video_1_relative_path":"videos/f9e823dcc227338f.mp4","video_2_relative_path":"videos/5f32302073da2a4f.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Sora_2/chemical_reaction/chemical_reaction1/00000014","text_prompt":"A top-down time-lapse of a petri dish containing a Belousov–Zhabotinsky reaction mixture (acidic solution with bromate, an organic acid, and a metal-ion indicator catalyst). With faint room ambience, the initially uniform liquid begins to generate organized traveling wave patterns, forming expanding rings and spirals that propagate and collide across the dish while the surface remains otherwise still.","video_1_relative_path":"videos/51992f5ee4fd0b18.mp4","video_2_relative_path":"videos/35da877ba86ff76b.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Sora_2/chemical_reaction/chemical_reaction1/00000015","text_prompt":"A time-lapse shot of a beaker filled with clear sodium silicate solution in a quiet room. Small crystals of metal salts (such as copper sulfate or cobalt chloride) are dropped in with soft plinks against glass, and over time they sprout upward into hollow tubular structures that branch and curl like plants. Tiny bubbles appear around the bases with faint fizzing, and wispy colored plumes drift in the liquid as the structures grow.","video_1_relative_path":"videos/883f6ead2e149047.mp4","video_2_relative_path":"videos/4cf37138b8d31e0c.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Sora_2/chemical_reaction/chemical_reaction1/00000016","text_prompt":"A static close-up of a small pile of potassium permanganate crystals on a ceramic tile, with quiet room tone. A narrator says, \"Wait for it…\" as a few drops of glycerin are dripped onto the center with slow sticky plops. Nothing happens for a short delay, then smoke begins to vent with a soft hiss and quickly intensifies into a sudden ignition with a sharp whoosh and vigorous crackling burn.","video_1_relative_path":"videos/6c1924437b77577c.mp4","video_2_relative_path":"videos/628953f587e370c6.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Sora_2/chemical_reaction/chemical_reaction1/00000017","text_prompt":"A hands-on demo beside a clear water tank with audible splashes. A hand pours brightly colored hydrophobic sand into the water, and it sinks in clumps and columns instead of dispersing, landing with muted underwater thuds. A spoon scoops the sand up and when it breaks the surface with a wet slosh, the grains instantly appear dry and loose, pouring off the spoon with a crisp dry rattle rather than sticking together.","video_1_relative_path":"videos/02dba70822865b97.mp4","video_2_relative_path":"videos/e078569318ee5203.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Sora_2/chemical_reaction/chemical_reaction1/00000018","text_prompt":"A darkened lab shot with the steady hiss of a gas burner. Tongs hold a thin magnesium ribbon that catches with a sharp crackling sputter, and the moment it ignites it produces an extremely intense bright light that floods the room while the ribbon sizzles and spits. As it finishes, a fragile powdery residue remains and flakes off with a soft crumble when the tongs move.","video_1_relative_path":"videos/69bc0135d70c1abf.mp4","video_2_relative_path":"videos/35c11fab9c9a41ac.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Sora_2/chemical_reaction/chemical_reaction1/00000019","text_prompt":"A continuous shot of a sealed flask on a table with faint room ambience. The flask contains a chemical chameleon mixture (a glucose solution in sodium hydroxide with an indicator dye), and it is shaken vigorously so the liquid sloshes loudly against glass and fills with bubbles. Each time the shaking stops and the flask is set down, the liquid slowly transitions through a sequence of distinct visible states on its own, then resets when it is shaken again, repeating the cycle several times while a voice says, \"Shake… and watch.\"","video_1_relative_path":"videos/8b0e4fcf5a007f7d.mp4","video_2_relative_path":"videos/97b52fee9f22cfe2.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/cooking/my_dataset1/00000000","text_prompt":"A close-up overhead shot of a thick steak being laid onto a preheated cast-iron skillet, immediately releasing a loud sizzling sound as wisps of steam rise. The cook presses the steak down with tongs, making a firm scrape against the pan, then flips it once with a quick slap so the new side hits the hot surface and the sizzle swells again. A knob of butter is added and foams with a rapid hiss while the cook tilts the pan and spoons the bubbling butter over the steak in rhythmic scoops, and the cook says, \"Listen to that crust.\"","video_1_relative_path":"videos/91459c4e933cc740.mp4","video_2_relative_path":"videos/7f2394b516b2ce45.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/cooking/my_dataset1/00000001","text_prompt":"A medium shot of a cutting board where a knife chops an onion into quick dice with crisp tapping sounds, then the pieces are swept into a hot pan with a dry slide. The onion hits oil with a gentle sizzle that grows as the cook stirs with a wooden spatula, making a soft scraping rasp. Minced garlic is added and immediately becomes more fragrant-looking and louder, the sizzle tightening, and the cook says, \"Garlic goes in last—don’t let it burn,\" while the camera catches the edges turning translucent.","video_1_relative_path":"videos/c4226ef230e9a420.mp4","video_2_relative_path":"videos/a22fda9db97cafd0.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/cooking/my_dataset1/00000002","text_prompt":"A cozy kitchen shot shows pancake batter being whisked in a bowl, the whisk making wet rhythmic swishes, then the batter is poured onto a hot griddle with a thick glug. Tiny bubbles form and pop silently at first, then a faint frying hiss builds as the surface sets. A spatula slides under with a soft scrape and the pancake flips with a light slap, landing to a renewed sizzle; the cook laughs and says, \"Perfect—golden side down.\"","video_1_relative_path":"videos/c6ed8268c0e2009b.mp4","video_2_relative_path":"videos/7b15ff930a6c8280.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/cooking/my_dataset1/00000003","text_prompt":"A handheld close-up of a carbon-steel wok on a roaring burner, the flame whooshing audibly. Thin-sliced meat is tossed in and instantly crackles, and the cook stirs fast so the metal spatula clacks against the wok in sharp bursts. A handful of vegetables goes in with a loud hiss as moisture hits heat, and the cook flips the wok to send ingredients arcing up and slapping back down, then adds a quick pour of sauce that sputters and thickens while the cook says, \"Keep it moving—high heat.\"","video_1_relative_path":"videos/c28edaaa38394964.mp4","video_2_relative_path":"videos/002a4adb0ec91245.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/cooking/my_dataset1/00000004","text_prompt":"A pot of water boils hard on the stove with a rolling rumble and lid rattling lightly. The cook lifts the lid with a metallic clink and sprinkles in salt, the grains pattering onto the surface, then drops in dry pasta with a hollow clatter and a brief splash. As the cook stirs with a wooden spoon, the water sound settles back into a steady boil, and the cook says, \"Salt it like the sea,\" while steam fogs the camera briefly.","video_1_relative_path":"videos/659fd8f7a787df19.mp4","video_2_relative_path":"videos/0ddae5a08fc88ac0.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/cooking/my_dataset1/00000005","text_prompt":"A close shot shows a chef’s knife slicing carrots into neat matchsticks, each cut making a fast, precise knock against the board. The julienned carrots are scooped and poured into a hot pan, triggering a bright sizzle, and the cook shakes the pan so the pieces slide and tick across the metal. A pinch of pepper is ground over the pan with a gritty crunching sound, and the cook says, \"Same size cooks same time,\" as the carrots begin to soften and glisten.","video_1_relative_path":"videos/7c1d62ab7043c8c5.mp4","video_2_relative_path":"videos/a4a8c2893ffce890.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/cooking/my_dataset1/00000006","text_prompt":"A quiet morning kitchen scene: two eggs are cracked on the rim of a bowl with sharp taps, then opened with a wet plop. The eggs slide into a buttered pan, and the whites start to crackle softly at the edges as the butter sizzles. The cook tilts the pan and spoons hot butter over the whites with a gentle slosh, saying, \"Baste the tops, don’t flip,\" while the yolks remain glossy and intact.","video_1_relative_path":"videos/992010f186f69298.mp4","video_2_relative_path":"videos/769724f8e71a9847.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/cooking/my_dataset1/00000007","text_prompt":"A baking tray lined with foil is set down with a dull clang, and raw bacon strips are laid out one by one with sticky peeling sounds. The tray slides into the oven on rails with a metallic scrape, and through the oven window the bacon begins to render, bubbling and crackling more intensely as it curls. The cook points and says, \"Hear that? That’s the fat rendering,\" as grease pops lightly against the foil.","video_1_relative_path":"videos/e113d62a6bc4e7f2.mp4","video_2_relative_path":"videos/49ae3bed201d256f.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/cooking/my_dataset1/00000009","text_prompt":"Slices of bread are dropped into a toaster with a soft thump, and the lever clicks down. While the toaster hums, the cook unwraps butter with a papery crinkle and spreads it on a warm slice as it pops up with a sudden springy click. The knife scrapes lightly across the crust, and the cook says, \"Spread while it’s hot,\" as the butter melts and turns glossy.","video_1_relative_path":"videos/5d9b87bdfeb4d9bb.mp4","video_2_relative_path":"videos/a2bf4a37d78ee286.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/cooking/my_dataset1/00000010","text_prompt":"A burr grinder starts with a low motor whirr, and coffee beans rattle and crunch as they grind. The grounds are poured into a paper filter with a soft sandy pour, then hot water is poured in a slow spiral, making a gentle trickling sound as the bloom rises and releases tiny bubbles. The kettle’s stream quiets as the cook pauses, and they say, \"Watch it bloom,\" while droplets continue to drip steadily into the carafe.","video_1_relative_path":"videos/15c26de3bae24de6.mp4","video_2_relative_path":"videos/82bb84e3c85725a0.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/cooking/my_dataset1/00000011","text_prompt":"A small glass jar is filled in steps: oil pours in with a smooth glug, vinegar splashes in with a sharper slosh, and a spoon taps in mustard with a sticky plop. The lid screws on with quick plastic clicks, and the jar is shaken vigorously, liquids thudding and slapping inside. The cook opens it and says, \"Listen—when it goes quiet, it’s emulsified,\" as the mixture turns uniformly opaque.","video_1_relative_path":"videos/8b499f320ed91669.mp4","video_2_relative_path":"videos/0b84ae8d74e38fe3.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/cooking/my_dataset1/00000012","text_prompt":"Chopped vegetables are dumped onto a metal sheet pan with a loud clatter, and oil is drizzled over them in a thin stream that patters on the pan. Salt is sprinkled, pepper is ground with crunchy twists, and the cook tosses everything by lifting and jerking the tray so the vegetables slide and knock together. The pan goes into the oven with a metallic rack scrape, and the cook says, \"Single layer for browning,\" as the door shuts with a soft thump.","video_1_relative_path":"videos/0dabeb43d956fba6.mp4","video_2_relative_path":"videos/5511ba1130f9c285.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/cooking/my_dataset1/00000013","text_prompt":"A pot of cooked vegetables is poured into a blender jar with a wet slosh and steam rising. The lid is pressed down firmly, and the blender bursts on with a loud roar that smooths the mixture visibly from chunky to silky. The cook pauses, taps the lid, and says, \"Start low—hot liquid expands,\" then finishes with a final higher-speed blend before the motor winds down.","video_1_relative_path":"videos/25e1af2f7ceb9865.mp4","video_2_relative_path":"videos/bff00a6b622e6d47.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/cooking/my_dataset1/00000014","text_prompt":"A close-up shows a pot of oil shimmering quietly as the cook holds a pinch of breadcrumbs over it. The crumbs drop in and immediately fizz with a tight crackling sizzle, and the cook says, \"That’s the sound you want,\" before lowering a breaded cutlet into the oil. The cutlet hits and the frying erupts louder, bubbles racing along the edges as the cook gently nudges it with tongs, metal clicking against the pot.","video_1_relative_path":"videos/8269ed22398bd853.mp4","video_2_relative_path":"videos/552d0bd77cb83e49.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/cooking/my_dataset1/00000015","text_prompt":"Eggs are whisked with fast wet swishes, then poured into a nonstick pan where they begin to set with a soft, even hiss. The cook shakes the pan to loosen the edges, and a spatula makes a smooth rubbery scrape as it pulls curds inward. With a quick wrist motion, the omelet is folded over itself with a muffled flap, then slid onto a plate with a soft glide, and the cook says, \"No browning—just tender.\"","video_1_relative_path":"videos/777762bb95257d9d.mp4","video_2_relative_path":"videos/b52ecbdc72c2ec3d.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/cooking/my_dataset1/00000016","text_prompt":"A bowl of freshly cooked rice is turned out with a steamy thud, and seasoned vinegar is poured over it with a bright splash. The cook uses a wooden paddle to cut and fold the rice with crisp scraping strokes against the bowl, while another hand fans vigorously, the fan making a steady whooshing sound. The cook says, \"Cut—don’t mash,\" as the rice becomes glossy and individual grains separate.","video_1_relative_path":"videos/a28d5b6ecbf0ce31.mp4","video_2_relative_path":"videos/237711ca45315bf9.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/cooking/my_dataset1/00000017","text_prompt":"Granulated sugar is poured into a stainless pan with a soft sand-like hiss, and the pan is gently shaken so the sugar levels out with a whispery slide. As heat builds, the sugar begins to liquefy at the edges, and the cook swirls the pan, making a faint syrupy slosh as the liquid spreads. The cook says, \"Don’t stir—just swirl,\" while the caramel darkens gradually and a tiny bubble crackle appears across the surface.","video_1_relative_path":"videos/5e911c9a8348dcad.mp4","video_2_relative_path":"videos/029c964286acd098.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/cooking/my_dataset1/00000018","text_prompt":"Avocados are halved with a knife twist and the pit pops free, then the flesh is scooped with a soft scrape into a bowl. A fork mashes the avocado with thick squelching sounds, and chopped onion and cilantro are sprinkled in, pattering lightly. Lime is squeezed with a wet spritz, and the cook says, \"Salt wakes it up,\" as they add salt and mix, the texture changing from chunky to creamy.","video_1_relative_path":"videos/8756eb8f4105fc5b.mp4","video_2_relative_path":"videos/f786c69cb94a52c5.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/cooking/my_dataset1/00000019","text_prompt":"A quiet kitchen pass: a spoon drops a dollop of sauce onto a ceramic plate with a wet plop, then the chef drags the spoon to make a clean swipe with a soft scrape. Sliced protein is placed precisely with tongs that click, and a small handful of herbs is sprinkled over with a faint rustle. The chef taps the plate once on the counter with a solid knock, saying softly, \"Clean edges,\" as the camera lingers on the glossy finish.","video_1_relative_path":"videos/86af162db28bae25.mp4","video_2_relative_path":"videos/2a2afa5ed8121ed3.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/physical_experiment/physical_experiment_1/00000000","text_prompt":"A physics classroom demonstration focusing on electromagnetism. A hollow, vertical copper tube is clamped to a stand while quiet classroom room tone is audible. A hand drops a strong neodymium magnet into the tube, and instead of a fast clatter the magnet descends slowly with a faint metallic sliding rasp, finally landing with a soft muted thud compared to a normal free-fall drop.","video_1_relative_path":"videos/e7bd8fd08ac1c51b.mp4","video_2_relative_path":"videos/bb6117dee5c36cc6.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/physical_experiment/physical_experiment_1/00000001","text_prompt":"A close-up shot of a cast iron skillet being heated to an extremely high temperature on a gas stove, the burner hissing steadily. A pipette releases a single fat droplet of water onto the scorching surface, and rather than a continuous loud sizzle the droplet skitters around with a light rapid tapping while a thin halo of steam crackles softly beneath it.","video_1_relative_path":"videos/909aaaddea6adc2b.mp4","video_2_relative_path":"videos/abcad174a2c49cd3.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/physical_experiment/physical_experiment_1/00000002","text_prompt":"A backyard science experiment featuring a large water balloon filled with water and taped with a square of electrical tape, with birds chirping in the background. A pin pokes a clean hole through the tape with a sharp pop, and a perfectly smooth stream of water exits with a steady quiet pour, looking strangely frozen and glassy as it falls without turbulent splashing.","video_1_relative_path":"videos/fb8e0156a1a4fbe2.mp4","video_2_relative_path":"videos/124fb429c380b6be.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/physical_experiment/physical_experiment_1/00000003","text_prompt":"A top-down view of a black square metal plate sprinkled evenly with fine white sand as a tone generator plays a pure sine wave that sweeps upward in pitch. As the plate begins to vibrate, the rising tone makes the sand suddenly jitter and chatter across the metal, then fall quiet as grains slide into crisp geometric nodal lines that sharpen and rearrange each time the pitch crosses a new resonance.","video_1_relative_path":"videos/781e78517ba7e2b4.mp4","video_2_relative_path":"videos/68661e175e017470.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/physical_experiment/physical_experiment_1/00000004","text_prompt":"A simple optical physics setup shows a clear glass tank filled with water in a quiet room with faint ambient noise. A bright yellow pencil is lowered into the water at a 45-degree angle, making a small water ripple sound as it breaks the surface, and the camera from the side captures the pencil appearing visibly 'broken' and laterally shifted exactly at the air–water boundary.","video_1_relative_path":"videos/80582a74fd3f9b40.mp4","video_2_relative_path":"videos/47d0659752817d1e.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/physical_experiment/physical_experiment_1/00000005","text_prompt":"A large bowl filled with white cornstarch-and-water oobleck sits on a table, making wet squelching sounds as a hand stirs it. A fist punches straight down, hitting with a hard flat smack as the surface behaves like a solid, then the hand relaxes and slowly sinks in with sticky gurgling squishes as the mixture flows like a liquid around the fingers.","video_1_relative_path":"videos/c169df43284f65d6.mp4","video_2_relative_path":"videos/6473dcd930cca4dc.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/physical_experiment/physical_experiment_1/00000006","text_prompt":"A classic Newton's Cradle sits on a wooden desk in a quiet room. A hand pulls back exactly two metal spheres on the left and releases them; the impact produces a crisp synchronized clack, and on the right exactly two spheres swing out together, clicking in rhythm as the motion continues.","video_1_relative_path":"videos/e51048021def0d6e.mp4","video_2_relative_path":"videos/ef305b51debbf708.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/physical_experiment/physical_experiment_1/00000007","text_prompt":"In a physics lab, a heavy bicycle wheel is spun up rapidly, its bearings producing a steady high whir. A rope is attached to one handle and the demonstrator lets the other side go; instead of dropping flat with a bang, the wheel stays upright and slowly precesses around the rope while the whirring pitch subtly wobbles as the axis turns.","video_1_relative_path":"videos/df0036d167591b30.mp4","video_2_relative_path":"videos/9fb080e2fa4dae42.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/physical_experiment/physical_experiment_1/00000008","text_prompt":"A high-speed camera close-up shows a Prince Rupert's Drop under dramatic silence with only faint tool handling noises. Hydraulic pliers squeeze the bulbous head without breaking it, then snip the thin tail with a tiny sharp click, instantly triggering a violent crackling burst as the entire glass drop explosively disintegrates into fine dust.","video_1_relative_path":"videos/0cbd7846e46585d4.mp4","video_2_relative_path":"videos/f326bff5c7c4565a.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/physical_experiment/physical_experiment_1/00000009","text_prompt":"In a darkened room, a plastic bottle drains a smooth stream of water into a bucket with a steady splashing sound. A green laser pointer shines into the bottle so the beam enters the exiting water, and the video shows the light bending and staying trapped inside the stream like a glowing fiber as the water continues to pour audibly.","video_1_relative_path":"videos/224338764711d4a3.mp4","video_2_relative_path":"videos/79d3c2e59e17303b.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/physical_experiment/physical_experiment_1/00000010","text_prompt":"A home science video in a living room features a hair dryer roaring loudly as it blows straight upward. A hand places a ping-pong ball into the air jet, and when the hand lets go the ball hovers and wobbles in the rushing airflow, bobbing slightly while the loud blower sound stays constant.","video_1_relative_path":"videos/2d94a22bce44e3f8.mp4","video_2_relative_path":"videos/b81f49e948133bb0.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/physical_experiment/physical_experiment_1/00000011","text_prompt":"A lab close-up shows a black ceramic superconductor disk cooled with liquid nitrogen, cold white vapor cascading off the sides with a soft hiss. A gloved hand lowers a small shiny magnet above the frosted disk, and when the hand releases it the magnet levitates silently a few millimeters in the air, drifting smoothly while nitrogen vapor continues to whisper around the setup.","video_1_relative_path":"videos/38188dca47c9911e.mp4","video_2_relative_path":"videos/b4edac48979cbdc9.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/physical_experiment/physical_experiment_1/00000012","text_prompt":"Two identical tuning forks on wooden resonance boxes sit a few feet apart in a quiet classroom. A rubber mallet strikes the first fork, producing a loud pure tone, and after two seconds a hand pinches the first fork to silence it instantly while the same note continues softly from the second fork, as if the sound has moved across the table.","video_1_relative_path":"videos/125bfbb9e3237323.mp4","video_2_relative_path":"videos/aa315cd7b43608cd.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/physical_experiment/physical_experiment_1/00000013","text_prompt":"A slow-motion wide shot in a quiet gym shows a person on a ladder holding a fully stretched rainbow slinky. The top is released with a faint metallic jingle, and while the upper coils collapse downward the bottom end appears to hover nearly motionless for a moment before suddenly snapping down and hitting the floor with a quick rattling clatter.","video_1_relative_path":"videos/567506227791d378.mp4","video_2_relative_path":"videos/150e4bc69dc32595.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/physical_experiment/physical_experiment_1/00000014","text_prompt":"A top-down kitchen shot shows a plate of water covered with black pepper flakes, with faint room sounds in the background. A soapy fingertip touches the center with a tiny tap, and instantly the pepper darts outward in a fast sweeping motion as the surface tension breaks, accompanied by a subtle sloshing ripple sound.","video_1_relative_path":"videos/9de4a522b72d9503.mp4","video_2_relative_path":"videos/a09d0406f895c4c6.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/physical_experiment/physical_experiment_1/00000015","text_prompt":"A warm close-up shows a steaming cup of hot tea on a wooden saucer, and a metal spoon clinks against the ceramic as it stirs. The spoon is revealed to be gallium; as it stays submerged, the 'spoon' begins to slump and deform, wobbling and softening while the stirring sound changes from a firm clink to a duller, mushier scrape.","video_1_relative_path":"videos/1b9237c32af07e97.mp4","video_2_relative_path":"videos/92d00aeaa67fdee0.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/physical_experiment/physical_experiment_1/00000016","text_prompt":"In a bathroom, a faucet runs a thin steady stream with constant water noise. A person rubs a plastic comb against dry hair, producing faint crackling, and as the charged comb approaches the falling stream the water audibly stays the same but visibly curves sideways toward the comb without being touched.","video_1_relative_path":"videos/b0691c4c5c133482.mp4","video_2_relative_path":"videos/37735a31feb11b45.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/physical_experiment/physical_experiment_1/00000017","text_prompt":"A high-fidelity view into a glass vacuum chamber shows absolute silence with no air movement. A release mechanism drops a metal coin and a feather side-by-side, and they fall at the same rate and hit the floor together with a single sharp impact sound transmitted through the chamber's base rather than through air.","video_1_relative_path":"videos/6a838169d7f07fde.mp4","video_2_relative_path":"videos/cead294ff270b0b1.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/physical_experiment/physical_experiment_1/00000019","text_prompt":"A metal tuning fork is struck on a table with a sharp tap, producing a steady hum. The vibrating prongs are lowered to just touch a bowl of still water, and the moment the tips meet the surface they create rapid tiny splashes and ripples that buzz in sync with the audible vibration.","video_1_relative_path":"videos/5683fb3d0d56b132.mp4","video_2_relative_path":"videos/9bcc8369b50b4e6e.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/chemical_reaction/chemical_reaction2/00000000","text_prompt":"A close-up lab demo on a white table with quiet room tone. A clear beaker contains an acidic hydrogen peroxide mixture, and a second cup contains a clear solution of potassium iodide mixed with sodium thiosulfate and starch indicator. A narrator explains reaction kinetics as the hand pours the iodide mixture into the peroxide with a soft glug and begins swirling; the liquid stays seemingly unchanged for a few seconds, then suddenly the entire beaker undergoes an instantaneous uniform color change all at once while the swirling continues.","video_1_relative_path":"videos/5541c52f947bad79.mp4","video_2_relative_path":"videos/3dfa844b64a08feb.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/chemical_reaction/chemical_reaction2/00000001","text_prompt":"A wide outdoor science experiment with natural ambience and excited chatter. A demonstrator in goggles shows a large flask containing concentrated hydrogen peroxide mixed with dish soap and food coloring, then quickly pours in a small cup of potassium iodide catalyst solution with a loud slosh against glass. After a brief beat, thick foam erupts upward and out, growing rapidly as a loud wet hiss and fizzing bubbling sound builds; the demonstrator laughs and says, \"Stand back—here it comes!\" as the foam spills over the rim and patters onto the tray.","video_1_relative_path":"videos/1a6fe7d8d6a40fe4.mp4","video_2_relative_path":"videos/7d0ec428dfaaf70a.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/chemical_reaction/chemical_reaction2/00000002","text_prompt":"A cinematic close-up in a quiet lab shows a round-bottom flask containing freshly prepared Tollens’ reagent (ammoniacal silver nitrate solution). A small amount of glucose solution is added with a gentle pour, then the flask is swirled so the liquid climbs the glass walls with a soft sloshing sound. Over time, the inner surface of the flask undergoes a visible change, gradually forming a reflective coating that spreads as the swirling continues.","video_1_relative_path":"videos/2c0ff3d9fc224721.mp4","video_2_relative_path":"videos/27d6aeffd5e0f00a.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/chemical_reaction/chemical_reaction2/00000003","text_prompt":"A macro close-up against a dark background with faint room ambience. One beaker holds a clear aqueous lead nitrate solution and another holds a clear potassium iodide solution. The demonstrator pours the potassium iodide into the lead nitrate with a clean glug-glug sound and stirs with a glass rod that clinks lightly against the beaker; immediately a dense precipitate forms throughout the liquid, making the mixture turn cloudy as countless fine particles swirl like glitter and then slowly drift downward and collect at the bottom.","video_1_relative_path":"videos/80ec67edb536a59f.mp4","video_2_relative_path":"videos/18fa737a4f00d858.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/chemical_reaction/chemical_reaction2/00000004","text_prompt":"A realistic lab-style shot of a glass tank half-filled with water, with faint room ambience. Using tongs, a small piece of sodium metal is dropped onto the surface with a tiny plunk, and it immediately skates and darts across the water, producing urgent crackling hisses and leaving a visible trail. The reaction intensifies within moments, culminating in a sudden energetic burst at the surface with a loud pop and spray that splashes against the tank walls.","video_1_relative_path":"videos/95c51c3dda0f96fc.mp4","video_2_relative_path":"videos/b1d05a173674772d.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/chemical_reaction/chemical_reaction2/00000005","text_prompt":"A time-lapse tabletop shot on a heat-resistant tile in a quiet room. A small pellet of mercury(II) thiocyanate sits in the center; a flame touches it with a soft crackle, and as it burns a dry, ashy rustle continues. The video captures a long porous snake-like structure swelling and curling upward from the ash, continuously growing and branching as the crackling burn persists underneath.","video_1_relative_path":"videos/0bd5a397113ee613.mp4","video_2_relative_path":"videos/2dd11a9825a759d6.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/chemical_reaction/chemical_reaction2/00000006","text_prompt":"A video in a completely dark room where only the apparatus is visible. A narrator whispers, \"Watch the light,\" as two liquids—luminol solution and an oxidizer solution containing hydrogen peroxide with a catalyst—are poured simultaneously into a spiral glass tube, the streams making an audible trickling sound. As the liquids meet and flow, a self-generated glow appears inside the tubing and travels with the moving fluid, brightening and fading along the path while the trickling continues.","video_1_relative_path":"videos/a7592dbd1ba57577.mp4","video_2_relative_path":"videos/1426e1fbc68d9eae.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/chemical_reaction/chemical_reaction2/00000007","text_prompt":"A high-speed time-lapse shows a beaker on a magnetic stirrer, the stir plate motor making a steady whir as a stir bar spins. The beaker contains a Briggs–Rauscher mixture (hydrogen peroxide, potassium iodate, malonic acid, and a metal-ion catalyst with starch indicator). While the vortex turns, the liquid repeatedly cycles through several distinct visible states in a rhythmic pattern, switching abruptly and then returning again and again as the stirring continues.","video_1_relative_path":"videos/6435f6c1551a9e6d.mp4","video_2_relative_path":"videos/e79dd82756c39920.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/chemical_reaction/chemical_reaction2/00000008","text_prompt":"A close-up lab observation with no music. A beaker of white granulated sugar sits on the bench, and a clear, viscous concentrated sulfuric acid is poured in with a thick glug and sticky drip. The mixture immediately crackles and bubbles audibly as it heats up, rapidly darkening and expanding into a rigid porous column that rises out of the beaker while hot vapor vents with a wet hiss.","video_1_relative_path":"videos/ae3e11d34b4bbf09.mp4","video_2_relative_path":"videos/712113643395155c.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/chemical_reaction/chemical_reaction2/00000009","text_prompt":"A handheld shot of a bottle of purified water taken from a freezer, with faint room ambience. A voice counts, \"Three, two, one,\" and the bottle is firmly tapped on a table with a solid thud; right after the impact, crystallization begins at the contact point and spreads through the bottle in a fast-moving front, accompanied by faint crackling ice sounds as the once-clear liquid turns opaque.","video_1_relative_path":"videos/c214e20ac3562f1c.mp4","video_2_relative_path":"videos/a8fb9af78db06188.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/chemical_reaction/chemical_reaction2/00000011","text_prompt":"A close-up tabletop shot in quiet room tone. A hand slowly pours a clear supersaturated sodium acetate solution from a beaker onto a watch glass containing a tiny seed crystal, the liquid making a gentle pour sound. The instant the stream touches the seed point, the liquid turns solid at the contact and a crystal structure rapidly grows outward and upward, building a rising tower as the pouring continues.","video_1_relative_path":"videos/5aaf86d7720ff8ee.mp4","video_2_relative_path":"videos/246c95c2d365ce27.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/chemical_reaction/chemical_reaction2/00000012","text_prompt":"A tabletop demo in a quiet room. Metal tongs clink as they drop chunks of dry ice (solid carbon dioxide) into a beaker of warm water with a plop, and immediately thick fog billows over the rim while the water erupts into vigorous bubbling. A loud, continuous fizzing and rumbling gurgle accompanies the rolling vapor as it spills down the sides.","video_1_relative_path":"videos/ccaab06687bca114.mp4","video_2_relative_path":"videos/20c546c4f7af22ae.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/chemical_reaction/chemical_reaction2/00000013","text_prompt":"A macro shot of a petri dish filled with glossy black ferrofluid in near silence. A strong neodymium magnet slides beneath the dish with a faint scrape on the table, and the liquid responds instantly by rising into sharp spikes that form a shifting geometric pattern. As the magnet moves, the spikes lean, merge, and rearrange in sync with the unseen pull.","video_1_relative_path":"videos/e409e4b3ff1baa14.mp4","video_2_relative_path":"videos/83ce67a9f496d4c1.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/chemical_reaction/chemical_reaction2/00000014","text_prompt":"A top-down time-lapse of a petri dish containing a Belousov–Zhabotinsky reaction mixture (acidic solution with bromate, an organic acid, and a metal-ion indicator catalyst). With faint room ambience, the initially uniform liquid begins to generate organized traveling wave patterns, forming expanding rings and spirals that propagate and collide across the dish while the surface remains otherwise still.","video_1_relative_path":"videos/d695186d31a036c6.mp4","video_2_relative_path":"videos/8a203680a66540eb.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/chemical_reaction/chemical_reaction2/00000015","text_prompt":"A time-lapse shot of a beaker filled with clear sodium silicate solution in a quiet room. Small crystals of metal salts (such as copper sulfate or cobalt chloride) are dropped in with soft plinks against glass, and over time they sprout upward into hollow tubular structures that branch and curl like plants. Tiny bubbles appear around the bases with faint fizzing, and wispy colored plumes drift in the liquid as the structures grow.","video_1_relative_path":"videos/bc40c6021e9486b3.mp4","video_2_relative_path":"videos/443df58cbd8bbf6b.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/chemical_reaction/chemical_reaction2/00000016","text_prompt":"A static close-up of a small pile of potassium permanganate crystals on a ceramic tile, with quiet room tone. A narrator says, \"Wait for it…\" as a few drops of glycerin are dripped onto the center with slow sticky plops. Nothing happens for a short delay, then smoke begins to vent with a soft hiss and quickly intensifies into a sudden ignition with a sharp whoosh and vigorous crackling burn.","video_1_relative_path":"videos/2b6eb2ef168b3e70.mp4","video_2_relative_path":"videos/b0c8c49523b5a367.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/chemical_reaction/chemical_reaction2/00000017","text_prompt":"A hands-on demo beside a clear water tank with audible splashes. A hand pours brightly colored hydrophobic sand into the water, and it sinks in clumps and columns instead of dispersing, landing with muted underwater thuds. A spoon scoops the sand up and when it breaks the surface with a wet slosh, the grains instantly appear dry and loose, pouring off the spoon with a crisp dry rattle rather than sticking together.","video_1_relative_path":"videos/7f20e5589f263755.mp4","video_2_relative_path":"videos/391a0015e42132ff.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/chemical_reaction/chemical_reaction2/00000018","text_prompt":"A darkened lab shot with the steady hiss of a gas burner. Tongs hold a thin magnesium ribbon that catches with a sharp crackling sputter, and the moment it ignites it produces an extremely intense bright light that floods the room while the ribbon sizzles and spits. As it finishes, a fragile powdery residue remains and flakes off with a soft crumble when the tongs move.","video_1_relative_path":"videos/4469027101783931.mp4","video_2_relative_path":"videos/a198b1e5fcf7d723.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/chemical_reaction/chemical_reaction2/00000019","text_prompt":"A continuous shot of a sealed flask on a table with faint room ambience. The flask contains a chemical chameleon mixture (a glucose solution in sodium hydroxide with an indicator dye), and it is shaken vigorously so the liquid sloshes loudly against glass and fills with bubbles. Each time the shaking stops and the flask is set down, the liquid slowly transitions through a sequence of distinct visible states on its own, then resets when it is shaken again, repeating the cycle several times while a voice says, \"Shake… and watch.\"","video_1_relative_path":"videos/9d43912d7362c376.mp4","video_2_relative_path":"videos/c3139fd117009881.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/movie_trailer/movie_trailer_3/00000000","text_prompt":"A short movie-teaser sequence with four cinematic shots and trailer-style sound design. Shot 1: In a dim spaceship corridor lit by red emergency lights, a ventilation fan hums and an alarm pulses; a lone engineer walks toward camera, boots echoing on metal grating, and a distorted intercom says, \"All hands—stay away from Bay Nine.\" Shot 2: Smash cut to a close-up of a gloved hand flipping a guarded toggle; it clicks down sharply, and a heavy bass hit lands exactly on the click as warning lights begin to strobe. Shot 3: Cut to an airlock window from inside; frost creeps across the glass while the door mechanism whines, then stops with a hard clunk, followed by a beat of silence and the engineer whispering, \"It’s still out there.\" Shot 4: Exterior space shot of the ship drifting in darkness; a signal beacon flashes in slow rhythm with a deep electronic thump, then the title card REDLINE PROTOCOL appears on black with a rising whoosh and a sharp logo sting.","video_1_relative_path":"videos/85a75748fdb8f3e3.mp4","video_2_relative_path":"videos/9ab4fef8e543a409.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/movie_trailer/movie_trailer_3/00000001","text_prompt":"Four-shot horror teaser with strong silence-to-impact dynamics. Shot 1: A rain-soaked suburban street at night, distant thunder and wet wind; a porch light flickers as a person approaches a house, footsteps splashing in puddles. Shot 2: Close-up of a hand pushing the front door; the hinges creak slowly, then the door shuts by itself with a sudden slam that hits exactly on a trailer boom. Shot 3: Cut to a dark hallway interior; the only sound is a faint electrical buzz and the character’s breathing as a closet door knob turns with a tiny metallic tick, and the character whispers, \"Don’t open it.\" Shot 4: Smash cut to black on a sharp sting; a childlike humming fades in for half a second, then the title THE LAST DOOR IN HOLLOW STREET appears with a low sub hit.","video_1_relative_path":"videos/22942906d4d63739.mp4","video_2_relative_path":"videos/b3a26f83c3559782.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/movie_trailer/movie_trailer_3/00000002","text_prompt":"Four-shot teaser with camcorder realism and audio glitches. Shot 1: Grainy handheld footage in a living room, air conditioner hum and soft tape hiss; a TV plays faint sitcom laughter off-screen while someone points the camera at a dark doorway. Shot 2: A flashlight beam sweeps across family photos; the camera bumps a frame, making a glassy clink, and the laughter on the TV warps and slows unnaturally. Shot 3: Close-up of the camcorder screen as a timestamp flickers; a sudden high-pitched feedback squeal hits exactly as a figure crosses frame for a single instant. Shot 4: Cut to black; a breathy voice right at the mic says, \"Did you hear them?\" and the title MIDNIGHT LAUGH TRACK snaps on with a harsh digital click.","video_1_relative_path":"videos/9c335be40b5d0481.mp4","video_2_relative_path":"videos/e2167c14a4a3fd3f.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/movie_trailer/movie_trailer_3/00000003","text_prompt":"Four-shot emotional teaser with natural ambience and a musical swell. Shot 1: A windswept seaside pier at golden hour, waves rolling and gulls calling as two people stand in silence; one says softly, \"I came back.\" Shot 2: Cut to a kitchen morning scene; a kettle clicks off and steam hisses as hands brush accidentally, and the second person laughs under their breath. Shot 3: Smash cut to an argument in a car at night; windshield wipers thump rhythmically and rain drums on the roof as a voice breaks, \"You promised me forever.\" Shot 4: A quiet wide shot of the ocean at dusk; the music swells, then drops out for a beat as the title SALTWATER VOWS appears with a gentle, hopeful sting.","video_1_relative_path":"videos/55bb64aec246f05a.mp4","video_2_relative_path":"videos/b9715a8754b89641.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/movie_trailer/movie_trailer_3/00000004","text_prompt":"Four-shot high-tempo teaser with clean sync hits. Shot 1: Inside a bank vault, fluorescent hum and distant alarms; a timer on a device beeps faster as a thief whispers, \"Eighty-seven seconds—move.\" Shot 2: Close-up of a glass cutter scoring a pane with a sharp scratch, then a suction cup pops as the circle lifts free, landing on a bass hit. Shot 3: Smash cut to a getaway car; engine revs, tires chirp, and the car fishtails out of a tight alley with gravel spraying and rattling off the chassis. Shot 4: A final slow-motion shot of a duffel bag hitting the pavement with a heavy thud as sirens surge; the title EIGHTY-SEVEN SECONDS slams onto black with a metallic logo sting.","video_1_relative_path":"videos/dc118de009776079.mp4","video_2_relative_path":"videos/b2f9a13a78ce9a0b.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/movie_trailer/movie_trailer_3/00000005","text_prompt":"Four-shot teaser driven by dialogue beats and sharp room sounds. Shot 1: A courtroom wide shot, muted crowd murmurs and camera shutters; a judge’s gavel strikes with a crisp crack and the room falls silent. Shot 2: Close-up of a witness’s hands twisting a tissue, the paper crinkling loudly in the hush as a lawyer asks, \"Did you see his face?\" Shot 3: Smash cut to an elevator; fluorescent buzz, then a brief phone vibration; the witness whispers into the receiver, \"They’re listening.\" Shot 4: Cut to black on a heavy boom; the title THE QUIET TRIAL appears as a tape recorder clicks on and a reel begins to spin.","video_1_relative_path":"videos/a76a21f615188c72.mp4","video_2_relative_path":"videos/52fc9805eebf4629.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/movie_trailer/movie_trailer_3/00000006","text_prompt":"Four-shot neon-noir teaser with rain, synth textures, and hard cuts. Shot 1: Rainy alleyway with neon signs flickering; water drips and a distant siren dopplers past as a detective lights a cigarette, the lighter flaring with a tiny whoosh. Shot 2: Close-up of an augmented eye interface; soft digital beeps and a scan tone rise as a face is outlined on a HUD. Shot 3: Smash cut to a nightclub; bass thumps and crowd noise, then the music abruptly cuts as a pistol is cocked with a sharp metallic clack. Shot 4: A slow push-in on a data chip being dropped onto a metal table with a ping; the title NEON WALTZ appears with a gritty synth sting.","video_1_relative_path":"videos/869b52fbed22afd3.mp4","video_2_relative_path":"videos/26c729f38ac5e99f.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/movie_trailer/movie_trailer_3/00000007","text_prompt":"Four-shot playful teaser with clear foley and a bright musical hook. Shot 1: A kid’s bedroom; scissors snip cardboard and tape rips as a child declares, \"We’re building a castle!\" Shot 2: The cardboard fort reveals itself in a wide shot; a sibling knocks on a paper door, making a hollow thump, and a toy trumpet fanfare plays. Shot 3: Smash cut to the fort ‘drawbridge’ falling; it slaps down and the kids cheer as a pet dog barges in, collar jingling and nails clicking on the floor. Shot 4: A final hero shot of the cardboard castle under fairy lights; the title PAPER KINGDOM pops on with a whimsical chime.","video_1_relative_path":"videos/d2d577b86b52357b.mp4","video_2_relative_path":"videos/dd232bbbd6548afc.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/movie_trailer/movie_trailer_3/00000008","text_prompt":"Four-shot inspirational teaser with training sounds and a musical lift. Shot 1: Dawn in an empty boxing gym; jump rope slaps the floor in a steady rhythm while a coach says, \"Again.\" Shot 2: Close-up of hands wrapping knuckles; fabric pulls tight with a rasp, and a bell dings in the distance. Shot 3: Smash cut to a match night; crowd roar swells as a punch lands with a sharp smack and sweat sprays in slow motion. Shot 4: A quiet locker-room shot; the fighter exhales, then taps the locker with a hollow knock as the title DUST AND GLORY appears with a triumphant sting.","video_1_relative_path":"videos/f8a3a0f9d13c6b89.mp4","video_2_relative_path":"videos/251cccf6526c9126.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/movie_trailer/movie_trailer_3/00000009","text_prompt":"Four-shot gentle teaser with intimate dialogue and rural ambience. Shot 1: An apple orchard in late afternoon; leaves rustle and distant bees hum as two teens ride bikes past, tires crunching on gravel. Shot 2: Close-up of hands carving initials into a tree, the knife scraping bark; one says, \"Promise you won’t forget.\" Shot 3: Smash cut to a school hallway; lockers slam and footsteps echo as a voice over a phone says, \"I’m leaving.\" Shot 4: A wide sunset shot of the orchard again; the music swells softly and the title THE ORCHARD BETWEEN US appears with a delicate bell-like sting.","video_1_relative_path":"videos/567daf7cfea47dff.mp4","video_2_relative_path":"videos/8dac53095f940093.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/movie_trailer/movie_trailer_3/00000010","text_prompt":"Four-shot teaser with comedic timing and punchy sound cues. Shot 1: A quiet office kitchen; a kettle begins to whistle as a deadpan voice says, \"This is where it all went wrong.\" Shot 2: Close-up of a mug slipping; it hits the floor and shatters with a loud crash that lands on a comedic bass hit. Shot 3: Smash cut to a formal meeting room; polite applause abruptly stops as someone coughs loudly into a microphone, causing feedback squeal. Shot 4: Cut to black; a cheerful jingle plays for half a second, then cuts off as the title KETTLE BLACK appears with a sarcastic ‘ding’ sting.","video_1_relative_path":"videos/46bb3fe7afba1c81.mp4","video_2_relative_path":"videos/d8ca0396ca4910c1.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/movie_trailer/movie_trailer_3/00000011","text_prompt":"Four-shot cold mystery teaser with wind and radio chatter. Shot 1: A snowy forest road; wind howls and boots crunch on snow as a detective says, \"No footprints in or out.\" Shot 2: Close-up of a handheld radio; it crackles and a voice breaks through, \"…do you copy?\" followed by sudden static. Shot 3: Smash cut to a frozen lake; an ice auger bites in with a grinding roar, then stops, leaving an eerie quiet. Shot 4: A lone cabin window glows in the blizzard; a low drone rises and the title WINTER SIGNAL appears with a sharp cold sting.","video_1_relative_path":"videos/0c6eb82d715c1aca.mp4","video_2_relative_path":"videos/48c9335f0ca1095a.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/movie_trailer/movie_trailer_3/00000012","text_prompt":"Four-shot teaser with rapid investigative beats and audio motifs. Shot 1: A copier room; pages whip out with mechanical clacks as documents are hurriedly stacked, and someone whispers, \"They altered the plans.\" Shot 2: Close-up of a phone unlocking; digital ticks and a notification ping as a hidden folder opens. Shot 3: Smash cut to an underground garage; footsteps echo, then a car remote chirps and headlights snap on with a hum. Shot 4: A fast montage-like final shot: a red string board, a file stamped, a door bolt sliding—each action landing on percussive hits—then the title BLUEPRINT OF A LIE slams onto black with a brass-like sting.","video_1_relative_path":"videos/575b61d1261bfbf2.mp4","video_2_relative_path":"videos/74d190227fe3dce4.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/movie_trailer/movie_trailer_3/00000013","text_prompt":"Four-shot grounded teaser with distant battle ambience and intimate lines. Shot 1: A quiet dawn trench; wind and distant artillery rumbles as a soldier murmurs, \"Keep your head down.\" Shot 2: Close-up of hands loading a magazine; rounds click into place in sync with the motion. Shot 3: Smash cut to a sprint across mud; boots suck and slap, bullets crack overhead, and a whistle shrieks. Shot 4: A still shot of a letter being unfolded; paper crackles loudly, then silence as the title THE FAR FIELD appears with a solemn low hit.","video_1_relative_path":"videos/56901c64e5a9f0b0.mp4","video_2_relative_path":"videos/497bf120b5b490fb.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/movie_trailer/movie_trailer_3/00000014","text_prompt":"Four-shot teaser with escalating impacts and environmental collapse. Shot 1: Downtown morning; traffic ambience and crosswalk beeps as a commuter says, \"Did you feel that?\" Shot 2: Close-up of a water glass trembling; tiny ripples tick against the rim, then a sharp jolt makes it jump with a clink. Shot 3: Smash cut to a street canyon; a deep rumble builds as windows begin to fracture, and glass starts raining down with chaotic tinkling crashes. Shot 4: Cut to black on a massive boom; the title CITY OF GLASS appears as a distant emergency siren fades in under the logo sting.","video_1_relative_path":"videos/53df3e9b48c093cf.mp4","video_2_relative_path":"videos/0a3d325a8cb0fbb9.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/movie_trailer/movie_trailer_3/00000015","text_prompt":"Four-shot warm teaser with cooking foley and flirtatious dialogue. Shot 1: A small bakery at dawn; dough slaps the counter and a mixer hums as someone says, \"You’re early.\" Shot 2: Close-up of honey drizzling onto a pastry; it threads down with a sticky sheen while a kettle steams softly in the background. Shot 3: Smash cut to a busy service rush; plates clink, tickets rip, and a chef calls, \"Two out!\" as a timer beeps. Shot 4: A quiet after-hours shot; two people share a pastry bite, a soft laugh, then the title HONEY ON THE TONGUE appears with a gentle acoustic sting.","video_1_relative_path":"videos/53834923e9ecee1f.mp4","video_2_relative_path":"videos/25ef52ddfc3507a7.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/movie_trailer/movie_trailer_3/00000016","text_prompt":"Four-shot magical teaser with tactile foley and orchestral swells. Shot 1: A candlelit library; pages turn with soft flutters as a narrator whispers, \"Every map has a mouth.\" Shot 2: Close-up of an old compass; it clicks open, and the needle spins with a faint metallic tick-tick. Shot 3: Smash cut to a shoreline where black waves roll; the surf hisses and a creature’s distant call echoes as a cloak snaps in the wind. Shot 4: A book slams shut on a bass hit, ink splashes across the cover like liquid, and the title THE INK SEA appears with a bright, enchanted sting.","video_1_relative_path":"videos/245b626b4b02fa10.mp4","video_2_relative_path":"videos/5e402d43b5042306.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/movie_trailer/movie_trailer_3/00000017","text_prompt":"Four-shot mockumentary teaser with on-set chatter and abrupt cuts. Shot 1: A film set; a clapperboard snaps loudly and someone says, \"Action—no, wait, not yet.\" Shot 2: Close-up of a boom mic dipping into frame; the operator whispers, \"Sorry,\" as the director sighs. Shot 3: Smash cut to an interview chair; the subject clears their throat into the mic, then says, \"I was misquoted,\" while crew members shuffle and a chair squeaks. Shot 4: A chaotic set moment—prop falls with a crash, someone yells \"Cut!\"—then the title SECOND TAKE appears with a playful sting and a tiny rewind sound.","video_1_relative_path":"videos/b19ec43d3ff03203.mp4","video_2_relative_path":"videos/11d222e73f198f5d.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/movie_trailer/movie_trailer_3/00000018","text_prompt":"Four-shot teaser with repeated audio motif and subtle variation. Shot 1: A café bell jingles as the door opens; a clock ticks loudly in an otherwise quiet room and a voice says, \"This feels familiar.\" Shot 2: Close-up of coffee spilling; it splashes and drips in slow motion as the same line repeats, slightly overlapping like an echo. Shot 3: Smash cut to a crosswalk; the walk signal beeps, then glitches and restarts as the character says, \"Not again.\" Shot 4: A rapid, breathy run up stairs; footsteps pound, then everything snaps to silence and the title THE LONGEST MINUTE appears with a ticking clock sting.","video_1_relative_path":"videos/4d7cdc1b70e4a51e.mp4","video_2_relative_path":"videos/79cffd65e2e8667d.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/movie_trailer/movie_trailer_3/00000019","text_prompt":"Four-shot gritty teaser with sea ambience and forensic sounds. Shot 1: A foggy beach at dawn; waves roll and gulls cry as a detective says, \"It washed in overnight.\" Shot 2: Close-up of a gloved hand placing an evidence marker; the plastic clicks on wet sand while a camera shutter snaps. Shot 3: Smash cut to an interrogation room; a chair scrapes back, a recorder clicks on, and a suspect mutters, \"You don’t know who you’re chasing.\" Shot 4: A fast shot of waves smashing against rocks on a heavy boom, then the title TIDELINE EVIDENCE appears with a dark, percussive logo sting.","video_1_relative_path":"videos/c1859d776fd186e3.mp4","video_2_relative_path":"videos/d6f81b4788ec30d3.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000000","text_prompt":"A close-up tutorial shot focusing on the fretboard of an acoustic guitar. Soft lighting. A left hand cleanly presses the strings into a C Major chord shape (fingers on the 1st, 2nd, and 3rd frets). A right hand holding a pick performs a single, slow, downward strum across all strings, producing a rich, resonant major chord that rings as the metal strings visibly vibrate.","video_1_relative_path":"videos/080c6237e695cc84.mp4","video_2_relative_path":"videos/dcd23737b7afe840.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000001","text_prompt":"A top-down view of a hand positioned on a piano keyboard with a metronome ticking steadily in the background. The fingers press down on the white keys one by one in a smooth, connected motion to play a 5-note ascending scale, and each note lands exactly when the fingertip makes contact and the key bottoms out before rebounding.","video_1_relative_path":"videos/b26ee8a37c99df03.mp4","video_2_relative_path":"videos/bfdd249f719efb35.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000002","text_prompt":"A super slow-motion shot of a drumstick hitting a snare drum under studio lighting that highlights the texture of the drum skin. The stick strikes the exact center of the drum, creating a visible ripple on the drumhead as it snaps back, and the audio matches with a sharp snare 'crack' followed by the quick buzzing rattle of the snare wires underneath.","video_1_relative_path":"videos/5dfc1e6e65159cee.mp4","video_2_relative_path":"videos/19119f72f801e83c.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000003","text_prompt":"A side-profile close-up of a violin being played in a quiet classical practice setting. The right hand holds the bow with a proper grip and pulls it slowly across the A string in a straight line (down-bow), producing a steady sustained tone that stays smooth and clean as the horsehair visibly grips the string without scratchy noise.","video_1_relative_path":"videos/516427381a2add29.mp4","video_2_relative_path":"videos/aa840bab26c5ce76.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000004","text_prompt":"A dynamic shot of a bass guitar body with no background music, focusing on technique. The right thumb strikes the thickest string forcefully (slap) and the index finger hooks and pops a higher string upward (pop), creating a tight percussive thump followed by a bright metallic clank that lines up with each visible string snap.","video_1_relative_path":"videos/f41555536a2d4e6c.mp4","video_2_relative_path":"videos/93caa1d0d9aa4805.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000005","text_prompt":"A warm, bright shot of a ukulele held against a chest with faint ocean waves in the background. The right hand performs a rhythmic down-up-down-up strumming pattern using the index finger, and each visible brush across the nylon strings produces a cheerful, high-pitched jingle in perfect sync with the wrist motion.","video_1_relative_path":"videos/e7d8181d96c4b4a8.mp4","video_2_relative_path":"videos/dbdab74f5bd0aa3c.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000006","text_prompt":"A close-up of a brass trumpet's valve casing while a narrator says, 'Check the valves.' A hand presses the three valves rapidly in a random sequence, and each press bottoms out with a crisp metallic click and springy return that matches the piston movement.","video_1_relative_path":"videos/f9527ceb481ef8fb.mp4","video_2_relative_path":"videos/54ffdfef44c20ecf.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000007","text_prompt":"A tight focus on the fingerboard of a cello as a deep, warm note sustains. A left-hand finger presses a string against the ebony board and rocks back and forth rhythmically, and the audio wavers in pitch in sync with the visible vibrato motion while the bow continues to draw a stable tone.","video_1_relative_path":"videos/98613041b66aae46.mp4","video_2_relative_path":"videos/1e9b24c5d39cb5d1.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000008","text_prompt":"A hand holds a wooden tambourine against a plain background and rotates the wrist rapidly back and forth. The metal jingles blur as they strike and rub, producing a continuous shimmering high-pitched jingle that intensifies as the shake speed increases.","video_1_relative_path":"videos/e251f0fb3d30a68e.mp4","video_2_relative_path":"videos/fb86e04e96a9736d.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000009","text_prompt":"A close-up of a synthesizer keyboard and the pitch bend wheel on the left with a sustained synth chord held down. A hand slowly pushes the pitch bend wheel upward and then releases it back to center, and the chord glides smoothly up in pitch and returns exactly with the wheel's travel and snap-back.","video_1_relative_path":"videos/b58ba8b083cfe72d.mp4","video_2_relative_path":"videos/ef45bdf9b90629a1.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000010","text_prompt":"A dreamy, soft-focus shot of a golden harp's strings in a quiet studio. A hand sweeps across the strings from low to high in one continuous motion (glissando), and the camera shows each string briefly vibrating as the sound cascades upward in a sparkling run that follows the hand's path.","video_1_relative_path":"videos/8deeb1cf33dafe4e.mp4","video_2_relative_path":"videos/b41a09cf70420bd8.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000011","text_prompt":"A top-down view of a DJ turntable deck with a simple drum beat playing. A hand rests on a black vinyl record and pushes it forward then pulls it back rhythmically, and each stop-and-reverse motion produces the classic 'wiki-wiki' scratch sound exactly when the record changes direction.","video_1_relative_path":"videos/5bd209dde9bde419.mp4","video_2_relative_path":"videos/1c91ca246ad225c9.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000012","text_prompt":"A macro shot of the brass keys on a saxophone during a fast run. The fingers press the pearl keys in rapid sequence, and the audio line up with quick mechanical key taps as the pads visibly lift and seal over tone holes at each note change.","video_1_relative_path":"videos/395b8351632e0ef9.mp4","video_2_relative_path":"videos/309158c8d284a55d.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000013","text_prompt":"A hand holds a metal triangle by a string, suspended in the air in silence. The other hand strikes the bottom horizontal bar with a metal beater, and the beater recoils immediately as the triangle frame shimmers visibly and a clear high-pitched 'ding' rings out and decays.","video_1_relative_path":"videos/8d3446b2c49a36b4.mp4","video_2_relative_path":"videos/161890b2ea8f06ac.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000014","text_prompt":"A zoomed-in shot of an electric guitar fretboard with distortion on. A finger frets a note and then pushes the steel string upward across the wood (bending), and the pitch rises smoothly as the string visibly stretches, then settles when the finger releases.","video_1_relative_path":"videos/8dc90c99d9b2b4b1.mp4","video_2_relative_path":"videos/54c581a75b2eb7b5.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000015","text_prompt":"A POV shot of a wooden kalimba held in two hands in a quiet room. The two thumbs alternate plucking the metal tines downward, and each tine bends under the thumb then snaps back to blur with vibration as a soft bell-like note sounds exactly at the release.","video_1_relative_path":"videos/585c362d21b307b2.mp4","video_2_relative_path":"videos/cda42f314a8fab96.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000016","text_prompt":"A dynamic shot of a gold crash cymbal on a stand. A drumstick strikes the cymbal edge hard, making it wobble violently as a loud crash blooms, then a hand immediately grabs the edge to choke it, cutting the ringing sound off instantly as the cymbal's motion stops.","video_1_relative_path":"videos/535f31bedb4e9c1d.mp4","video_2_relative_path":"videos/7e88dfbcb35a69e2.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000017","text_prompt":"A medium shot of an accordion being played with a steady chord. The left arm pulls the bellows outward and then pushes them back in, and the chord audibly swells louder as the bellows open and softens as they close, synchronized with the visible 'breathing' folds.","video_1_relative_path":"videos/46e7e16c1ef8ae54.mp4","video_2_relative_path":"videos/14c6fea545480787.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000018","text_prompt":"A close-up of a pair of wooden maracas in two hands against a plain background with no other instruments. The hands shake the maracas forward and backward sharply in a steady rhythm, and each reversal produces a crisp sandy rattle as the beads inside lag behind and then strike the shell, creating a clear shake-shake pattern perfectly synchronized with the motion.","video_1_relative_path":"videos/ef810065b5177b19.mp4","video_2_relative_path":"videos/b220d0ddb4fa5a7d.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000019","text_prompt":"A side-angle view of wooden xylophone bars. A hard plastic mallet strikes a single bar, producing a bright woody 'plonk' exactly at impact, and the mallet bounces back immediately instead of sticking so the bar can keep vibrating as the note rings.","video_1_relative_path":"videos/ff238022cbd12929.mp4","video_2_relative_path":"videos/a4c60e7b07d061ea.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000020","text_prompt":"A top-down tutorial shot of a right hand over a piano keyboard in a quiet room, no background music. The index finger plays the same key, middle C (C4), four times with clear separation (one note per beat), then stops. Each note starts exactly when the key bottoms out, and the pitch is consistently the same C with no extra notes.","video_1_relative_path":"videos/41ecf416822bccc8.mp4","video_2_relative_path":"videos/1c67b315dca620ce.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000021","text_prompt":"A top-down view of a hand on a piano keyboard with a steady metronome click. The hand plays five ascending notes one at a time: C4, D4, E4, F4, G4, legato but clearly articulated. Each pitch is clean and matches the key being pressed, with no chords or pedal blur.","video_1_relative_path":"videos/9bdedcc0776f415a.mp4","video_2_relative_path":"videos/223dcb7f6886a389.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000022","text_prompt":"A close-up tutorial shot of both hands on a piano keyboard. The player presses a C major triad as a single block chord (C–E–G) in the middle register and holds it for one second, then releases. The audio is a single, stable major chord that begins exactly at key contact with no arpeggio.","video_1_relative_path":"videos/e4d417aef73d5a61.mp4","video_2_relative_path":"videos/f6362f43a14ae2db.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000023","text_prompt":"A top-down tutorial shot of a piano keyboard under soft studio lighting. The hand plays an A minor triad as a block chord (A–C–E), holds briefly, then releases. The chord is clean and steady with no extra notes and no sustain pedal.","video_1_relative_path":"videos/1c80075109cad066.mp4","video_2_relative_path":"videos/0ffd561f2d1f635c.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000024","text_prompt":"A close-up tutorial shot of an acoustic guitar with the left hand not fretting any notes (open strings only). The right hand plucks the six open strings one by one slowly from lowest to highest: E, A, D, G, B, E. Each pluck is clearly separated, and the pitch follows the string being plucked with no strumming or chords.","video_1_relative_path":"videos/d832eb9af709ee2b.mp4","video_2_relative_path":"videos/d75a6b67d47297dd.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000025","text_prompt":"A close-up tutorial shot focused on an acoustic guitar fretboard and right-hand picking. The left hand forms a simple C major triad shape and the right hand picks three notes one at a time as an arpeggio: C, then E, then G, repeating once. The notes are clean, sustained briefly, and there is no percussion or background music.","video_1_relative_path":"videos/955a979fc14a9cdc.mp4","video_2_relative_path":"videos/623079c0fd593fe1.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000027","text_prompt":"A tight tutorial shot of a clean electric guitar. The left hand forms a simple E5 power chord (E and B only, no third). The right hand performs one slow downstroke, letting the chord ring. The audio is a clean two-note power chord that starts exactly on the strum with no distortion and no extra notes.","video_1_relative_path":"videos/a4d567c18b9bdaef.mp4","video_2_relative_path":"videos/e66f1f3e2d09c76a.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000028","text_prompt":"A POV tutorial shot of a wooden kalimba held in two hands in a silent room. The thumbs pluck five tines one at a time to play a simple ascending melody: C, D, E, F, G, with clear spacing between notes. Each tine vibrates visibly at release, and the pitches are clean with no chords.","video_1_relative_path":"videos/da6ccd781341eb04.mp4","video_2_relative_path":"videos/41f6fffd67470a15.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000029","text_prompt":"A side-angle tutorial shot of a xylophone with labeled bars. Two mallets strike three bars one at a time to play C, then E, then G, then stop. Each hit produces a bright woody tone exactly at impact, with no roll and no extra bars struck.","video_1_relative_path":"videos/ca59b7acd69ea563.mp4","video_2_relative_path":"videos/251bc2564023510c.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000030","text_prompt":"A close-up tutorial shot of a marimba bar in a studio. A soft mallet strikes the same bar (G3) twice with a full decay between hits. The pitch is stable and identical on both hits, and the mallet rebounds cleanly without touching neighboring bars.","video_1_relative_path":"videos/55538d691f539e27.mp4","video_2_relative_path":"videos/2685884a64bb9685.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000031","text_prompt":"A top-down piano tutorial shot with a steady tempo. The right hand plays a simple five-note melody one note at a time: C4, E4, G4, E4, C4. Each note is clearly articulated and aligned to finger contact, with no chords and no pedal.","video_1_relative_path":"videos/10f219d0c5c0a5d0.mp4","video_2_relative_path":"videos/a63443af182e2278.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000032","text_prompt":"A close-up tutorial shot of an acoustic guitar fretboard. The left hand forms a standard G major chord shape and the right hand performs a single slow downward strum across the strings, then lets it ring. The audio is a clear G major chord with no muted strings and no extra percussive hits.","video_1_relative_path":"videos/b5f2c0e9ede02c86.mp4","video_2_relative_path":"videos/54b79a0129b408e9.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000033","text_prompt":"A top-down tutorial shot of a piano keyboard with a metronome. The player performs four block chords in sequence, one per bar: C major, then G major, then A minor, then F major. Each chord is pressed cleanly as a block (no arpeggio), held briefly, then released before the next chord.","video_1_relative_path":"videos/30f2c36f474f0db0.mp4","video_2_relative_path":"videos/bd41cc737b390aae.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000034","text_prompt":"A top-down piano tutorial view in a quiet practice room. The right hand plays a slow two-octave C major scale from C4 up to C6, one note at a time with clear separation and even timing. The pitches follow the white keys exactly with no pedal and no extra notes.","video_1_relative_path":"videos/51cff35acef49568.mp4","video_2_relative_path":"videos/e93b9a203cdc93c0.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/asmr/asmr1/00000000","text_prompt":"Vertical close-up shot under soft studio lighting. A hand holding a utility knife slowly carves a grid pattern into a dry, pastel pink soap bar. Then, the thumb presses firmly into the grid. The visuals capture the soap cubes popping up and crumbling. The audio begins with the sharp, dry scratching of the knife tip, transitioning to a satisfying, gritty 'crunch' sound as the soap structure collapses under pressure.","video_1_relative_path":"videos/9de0d4c520ed3edf.mp4","video_2_relative_path":"videos/dc5b17b4ef8ff88e.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/asmr/asmr1/00000001","text_prompt":"Extreme close-up of a person's lower face. They hold a piece of golden, dripping honeycomb. They take a large bite, and the sticky honey stretches between their lips and the comb. The visuals focus on the wax structure breaking and the viscous liquid flowing. The audio captures the distinct 'squelching' wet sound of chewing, the sticky smack of lips opening, and the crunch of the beeswax.","video_1_relative_path":"videos/939ca8c9b11949ba.mp4","video_2_relative_path":"videos/1130fcdd20ce01a9.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/asmr/asmr1/00000002","text_prompt":"A pristine cylinder of purple kinetic sand sits on a white table. A sharp knife slices through it vertically. The sand holds its shape for a split second before the sliced half slowly slumps and disintegrates into grains. The audio captures the unique, soft 'shhh' sound of the blade slicing through the sand, followed by a subtle, sandy crumbling noise as the structure falls apart.","video_1_relative_path":"videos/ad1fb7fbd17a7382.mp4","video_2_relative_path":"videos/3a1fec9552634db0.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/asmr/asmr1/00000003","text_prompt":"A macro shot of fingers typing slowly, then accelerating on a custom mechanical keyboard with cream-colored keycaps. RGB lighting pulses gently. The visuals focus on the key travel distance and the fingers bottoming out. The audio features a deep, resonant, and 'creamy' thock sound (not high-pitched clicking) that perfectly syncs with each keystroke, creating a rhythmic bass-heavy texture.","video_1_relative_path":"videos/9b082d69bc12ce95.mp4","video_2_relative_path":"videos/702b0d2df05b9f2c.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/asmr/asmr1/00000004","text_prompt":"A knife peels the green skin off a large, thick aloe vera leaf, revealing the clear, slimy gel inside. The hand then runs a finger through the goo, causing it to drip. The video captures the glistening, viscous texture of the gel. The audio is dominated by wet, slimy, sloshing sounds, emphasizing the stickiness and moisture of the plant.","video_1_relative_path":"videos/86412ebce370a8c4.mp4","video_2_relative_path":"videos/0e4c91033cb2d689.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/asmr/asmr1/00000005","text_prompt":"A pair of hands taps rapidly on a clear glass bottle, producing a high-pitched, resonant 'ting-ting' sound. Halfway through, the hands move to a leather-bound book nearby, tapping on it. The audio instantly shifts from the sharp, bright glass tone to a dull, muted, low-frequency thudding sound, testing the model's material awareness.","video_1_relative_path":"videos/63317640867123df.mp4","video_2_relative_path":"videos/33c816b5f95acfd3.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/asmr/asmr1/00000006","text_prompt":"A clear glass filled with large, round ice spheres. A brightly colored carbonated soda is poured over the ice. The video zooms in on the bubbles rising and the foam head forming. The audio captures the aggressive 'fizzing' of the carbonation and, crucially, the loud, sharp cracking sounds of the ice reacting to the temperature change.","video_1_relative_path":"videos/5ff0dcec5822b51b.mp4","video_2_relative_path":"videos/a14eb469b4ba57d9.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/asmr/asmr1/00000007","text_prompt":"A POV shot facing a dummy head microphone (3Dio) with silicone ears. A large, fluffy makeup brush gently circles the left silicone ear, then moves across the screen to brush the right ear. The visuals focus on the bristles bending against the silicone curves. The audio creates a 3D effect, with the soft, scratchy brushing sound panning smoothly from the left channel to the right channel.","video_1_relative_path":"videos/e8d7ba2dce9432de.mp4","video_2_relative_path":"videos/d876dc621341aa51.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/asmr/asmr1/00000008","text_prompt":"A macro shot of a white piece of chalk writing the word 'Relax' in cursive on a rough, green slate blackboard. The chalk crumbles slightly, leaving dust particles falling. The audio captures the friction—a mix of soft scratching and occasional high-pitched squeaks as the chalk drags across the textured slate surface.","video_1_relative_path":"videos/056529ba60789ff0.mp4","video_2_relative_path":"videos/b556aef162fb1e10.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/asmr/asmr1/00000009","text_prompt":"A dry block of green floral foam is dipped in water, becoming dark green. A hand squeezes the water-logged foam. The visual shows the foam denting permanently and water rushing out between the fingers. The audio captures a squishy, wet, air-escaping sound, distinct from the dry crunch of dry foam, emphasizing the saturation of the material.","video_1_relative_path":"videos/63c92fac241855ff.mp4","video_2_relative_path":"videos/d0ece3c0861176de.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/asmr/asmr1/00000010","text_prompt":"A close-up of a hand holding a hollow, pastel-blue clay ball covered in a shiny, brittle glaze. The hand squeezes slowly. The video captures the glaze shattering into shards while the soft clay inside squishes out. The audio features a loud, sharp 'crack' like eggshells breaking, followed by the soft, dull squishing sound of the moist clay underneath.","video_1_relative_path":"videos/181740740b49a6b2.mp4","video_2_relative_path":"videos/a1b6baa8dc6e7828.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/asmr/asmr1/00000011","text_prompt":"Macro shot of a wooden wick candle being lit by a match. The flame catches, and the wax around the wick begins to melt into a pool. The camera focuses on the blackened, glowing wood. The audio captures the initial 'fwoosh' of the match, followed by the distinct, rhythmic 'crackling' and 'popping' sound unique to wooden wicks, mimicking a miniature fireplace.","video_1_relative_path":"videos/50f2dd6076409db2.mp4","video_2_relative_path":"videos/eb787b29c9488099.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/asmr/asmr1/00000012","text_prompt":"A pair of hands manipulates a sheet of iridescent, stiff holographic cellophane. They scrunch it into a ball and then smooth it out. The visuals catch the shifting rainbow light reflections on the sharp plastic folds. The audio captures the extremely high-frequency, sharp, and 'crispy' crinkling noise, distinguishing it from the softer sound of paper or fabric.","video_1_relative_path":"videos/ecb64516c9f9c94d.mp4","video_2_relative_path":"videos/d2d4d17c8353d8ed.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/asmr/asmr1/00000013","text_prompt":"Top-down view of a pristine, untouched pink blush compact. A metal spatula digs into the center. The pressed powder fractures into loose dust and chunks. The spatula spreads and crushes the debris. The audio captures the gritty, sandy scraping sound of metal against the powder and the pan, providing a satisfying tactile texture.","video_1_relative_path":"videos/4cc1bd05a407ddc1.mp4","video_2_relative_path":"videos/598781c6265c04fc.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/asmr/asmr1/00000014","text_prompt":"Extreme close-up of a roll of heavy-duty duct tape. A hand lifts the edge and pulls a strip off slowly, then quickly. The visuals focus on the adhesive stretching into tiny glue strands before snapping. The audio captures the loud, staccato 'ripping' sound of the adhesive separating from the roll, varying in pitch with the speed of the pull.","video_1_relative_path":"videos/057e77b93af6123c.mp4","video_2_relative_path":"videos/01d0a4dbf9098630.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/asmr/asmr1/00000015","text_prompt":"A metal palette knife mixes a blob of thick yellow acrylic paint with blue paint on a glass palette. The colors swirl into green. The visuals focus on the thick, buttery texture of the paint. The audio captures the wet 'squishing' and 'slapping' sounds of the paint being folded, accompanied by the occasional sharp scrape of the metal knife against the glass surface.","video_1_relative_path":"videos/ac3612bb33a54c7d.mp4","video_2_relative_path":"videos/64d1f83b27b138c1.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/asmr/asmr1/00000016","text_prompt":"A whole head of fresh, wet iceberg lettuce. Two hands grab the center and pull it apart with force. Water droplets fly off the leaves in slow motion. The audio captures the loud, watery, multi-layered 'crunch' and 'tear' of the crisp vegetable fibers breaking, sounding fresh and hydrated.","video_1_relative_path":"videos/678f0ed926c750df.mp4","video_2_relative_path":"videos/04bdff1a1989a9c9.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/asmr/asmr1/00000017","text_prompt":"A visual of a professional microphone covered with a black foam windscreen. Long fingernails gently scratch the surface of the foam in a circular motion. The foam depresses slightly and rebounds. The audio is a raw, textured 'white noise' scratching sound, simulating the proximity effect where the sound feels like it is directly inside the listener's ear.","video_1_relative_path":"videos/be79af6e047a3322.mp4","video_2_relative_path":"videos/3ff55d9e635cf541.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/asmr/asmr1/00000018","text_prompt":"A container filled with glossy, metallic purple slime. A finger pokes deep into it, creating a hole that slowly closes up. Then, the hand stretches the slime to create an air bubble and squeezes it. The audio captures the wet, thick 'thwock' sound of the poke and the sharp, explosive 'snap' of the air bubble popping.","video_1_relative_path":"videos/ff6c36bab9db7033.mp4","video_2_relative_path":"videos/ff4742dede1fda36.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/asmr/asmr1/00000019","text_prompt":"A hand dives into a bowl filled with thousands of slippery, transparent water beads. The hand grabs a handful and squeezes tight. The beads slip through fingers and some burst. The audio captures the chaotic, wet 'sloshing' sound of the beads colliding and the subtle 'squelch' of the hydrogel material breaking under pressure.","video_1_relative_path":"videos/623cddd7408d47b5.mp4","video_2_relative_path":"videos/9ca6dcebb954066b.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/movie_trailer/movie_trailer_2/00000000","text_prompt":"A short movie-teaser sequence with four cinematic shots and trailer-style sound design. Shot 1: In a dim spaceship corridor lit by red emergency lights, a ventilation fan hums and an alarm pulses; a lone engineer walks toward camera, boots echoing on metal grating, and a distorted intercom says, \"All hands—stay away from Bay Nine.\" Shot 2: Smash cut to a close-up of a gloved hand flipping a guarded toggle; it clicks down sharply, and a heavy bass hit lands exactly on the click as warning lights begin to strobe. Shot 3: Cut to an airlock window from inside; frost creeps across the glass while the door mechanism whines, then stops with a hard clunk, followed by a beat of silence and the engineer whispering, \"It’s still out there.\" Shot 4: Exterior space shot of the ship drifting in darkness; a signal beacon flashes in slow rhythm with a deep electronic thump, then the title card REDLINE PROTOCOL appears on black with a rising whoosh and a sharp logo sting.","video_1_relative_path":"videos/1b3323af558f652a.mp4","video_2_relative_path":"videos/20e4cb19f262160d.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/movie_trailer/movie_trailer_2/00000001","text_prompt":"Four-shot horror teaser with strong silence-to-impact dynamics. Shot 1: A rain-soaked suburban street at night, distant thunder and wet wind; a porch light flickers as a person approaches a house, footsteps splashing in puddles. Shot 2: Close-up of a hand pushing the front door; the hinges creak slowly, then the door shuts by itself with a sudden slam that hits exactly on a trailer boom. Shot 3: Cut to a dark hallway interior; the only sound is a faint electrical buzz and the character’s breathing as a closet door knob turns with a tiny metallic tick, and the character whispers, \"Don’t open it.\" Shot 4: Smash cut to black on a sharp sting; a childlike humming fades in for half a second, then the title THE LAST DOOR IN HOLLOW STREET appears with a low sub hit.","video_1_relative_path":"videos/c6fe259ab4d2b66d.mp4","video_2_relative_path":"videos/2ad650443b525b03.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/movie_trailer/movie_trailer_2/00000002","text_prompt":"Four-shot teaser with camcorder realism and audio glitches. Shot 1: Grainy handheld footage in a living room, air conditioner hum and soft tape hiss; a TV plays faint sitcom laughter off-screen while someone points the camera at a dark doorway. Shot 2: A flashlight beam sweeps across family photos; the camera bumps a frame, making a glassy clink, and the laughter on the TV warps and slows unnaturally. Shot 3: Close-up of the camcorder screen as a timestamp flickers; a sudden high-pitched feedback squeal hits exactly as a figure crosses frame for a single instant. Shot 4: Cut to black; a breathy voice right at the mic says, \"Did you hear them?\" and the title MIDNIGHT LAUGH TRACK snaps on with a harsh digital click.","video_1_relative_path":"videos/94cf5436c4f7d712.mp4","video_2_relative_path":"videos/864c22aa5da4fc4d.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/movie_trailer/movie_trailer_2/00000003","text_prompt":"Four-shot emotional teaser with natural ambience and a musical swell. Shot 1: A windswept seaside pier at golden hour, waves rolling and gulls calling as two people stand in silence; one says softly, \"I came back.\" Shot 2: Cut to a kitchen morning scene; a kettle clicks off and steam hisses as hands brush accidentally, and the second person laughs under their breath. Shot 3: Smash cut to an argument in a car at night; windshield wipers thump rhythmically and rain drums on the roof as a voice breaks, \"You promised me forever.\" Shot 4: A quiet wide shot of the ocean at dusk; the music swells, then drops out for a beat as the title SALTWATER VOWS appears with a gentle, hopeful sting.","video_1_relative_path":"videos/b1946f49d0699764.mp4","video_2_relative_path":"videos/ae4039f245851c01.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/movie_trailer/movie_trailer_2/00000006","text_prompt":"Four-shot neon-noir teaser with rain, synth textures, and hard cuts. Shot 1: Rainy alleyway with neon signs flickering; water drips and a distant siren dopplers past as a detective lights a cigarette, the lighter flaring with a tiny whoosh. Shot 2: Close-up of an augmented eye interface; soft digital beeps and a scan tone rise as a face is outlined on a HUD. Shot 3: Smash cut to a nightclub; bass thumps and crowd noise, then the music abruptly cuts as a pistol is cocked with a sharp metallic clack. Shot 4: A slow push-in on a data chip being dropped onto a metal table with a ping; the title NEON WALTZ appears with a gritty synth sting.","video_1_relative_path":"videos/c50b80cf305e6d7f.mp4","video_2_relative_path":"videos/d9c8fe06a94bc414.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/movie_trailer/movie_trailer_2/00000007","text_prompt":"Four-shot playful teaser with clear foley and a bright musical hook. Shot 1: A kid’s bedroom; scissors snip cardboard and tape rips as a child declares, \"We’re building a castle!\" Shot 2: The cardboard fort reveals itself in a wide shot; a sibling knocks on a paper door, making a hollow thump, and a toy trumpet fanfare plays. Shot 3: Smash cut to the fort ‘drawbridge’ falling; it slaps down and the kids cheer as a pet dog barges in, collar jingling and nails clicking on the floor. Shot 4: A final hero shot of the cardboard castle under fairy lights; the title PAPER KINGDOM pops on with a whimsical chime.","video_1_relative_path":"videos/a598ba8f8abf3f45.mp4","video_2_relative_path":"videos/d80f3d40dc18b146.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/movie_trailer/movie_trailer_2/00000008","text_prompt":"Four-shot inspirational teaser with training sounds and a musical lift. Shot 1: Dawn in an empty boxing gym; jump rope slaps the floor in a steady rhythm while a coach says, \"Again.\" Shot 2: Close-up of hands wrapping knuckles; fabric pulls tight with a rasp, and a bell dings in the distance. Shot 3: Smash cut to a match night; crowd roar swells as a punch lands with a sharp smack and sweat sprays in slow motion. Shot 4: A quiet locker-room shot; the fighter exhales, then taps the locker with a hollow knock as the title DUST AND GLORY appears with a triumphant sting.","video_1_relative_path":"videos/7e710902e516a849.mp4","video_2_relative_path":"videos/0d2da9a474e3ace7.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/movie_trailer/movie_trailer_2/00000009","text_prompt":"Four-shot gentle teaser with intimate dialogue and rural ambience. Shot 1: An apple orchard in late afternoon; leaves rustle and distant bees hum as two teens ride bikes past, tires crunching on gravel. Shot 2: Close-up of hands carving initials into a tree, the knife scraping bark; one says, \"Promise you won’t forget.\" Shot 3: Smash cut to a school hallway; lockers slam and footsteps echo as a voice over a phone says, \"I’m leaving.\" Shot 4: A wide sunset shot of the orchard again; the music swells softly and the title THE ORCHARD BETWEEN US appears with a delicate bell-like sting.","video_1_relative_path":"videos/fda98edbc6419abf.mp4","video_2_relative_path":"videos/59cfe2622aea7eb2.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/movie_trailer/movie_trailer_2/00000010","text_prompt":"Four-shot teaser with comedic timing and punchy sound cues. Shot 1: A quiet office kitchen; a kettle begins to whistle as a deadpan voice says, \"This is where it all went wrong.\" Shot 2: Close-up of a mug slipping; it hits the floor and shatters with a loud crash that lands on a comedic bass hit. Shot 3: Smash cut to a formal meeting room; polite applause abruptly stops as someone coughs loudly into a microphone, causing feedback squeal. Shot 4: Cut to black; a cheerful jingle plays for half a second, then cuts off as the title KETTLE BLACK appears with a sarcastic ‘ding’ sting.","video_1_relative_path":"videos/f0d1e4be4d71fe41.mp4","video_2_relative_path":"videos/996cdabcc4447df6.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/movie_trailer/movie_trailer_2/00000011","text_prompt":"Four-shot cold mystery teaser with wind and radio chatter. Shot 1: A snowy forest road; wind howls and boots crunch on snow as a detective says, \"No footprints in or out.\" Shot 2: Close-up of a handheld radio; it crackles and a voice breaks through, \"…do you copy?\" followed by sudden static. Shot 3: Smash cut to a frozen lake; an ice auger bites in with a grinding roar, then stops, leaving an eerie quiet. Shot 4: A lone cabin window glows in the blizzard; a low drone rises and the title WINTER SIGNAL appears with a sharp cold sting.","video_1_relative_path":"videos/19bbe86f64818ffe.mp4","video_2_relative_path":"videos/62b0e1489fabb063.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/movie_trailer/movie_trailer_2/00000012","text_prompt":"Four-shot teaser with rapid investigative beats and audio motifs. Shot 1: A copier room; pages whip out with mechanical clacks as documents are hurriedly stacked, and someone whispers, \"They altered the plans.\" Shot 2: Close-up of a phone unlocking; digital ticks and a notification ping as a hidden folder opens. Shot 3: Smash cut to an underground garage; footsteps echo, then a car remote chirps and headlights snap on with a hum. Shot 4: A fast montage-like final shot: a red string board, a file stamped, a door bolt sliding—each action landing on percussive hits—then the title BLUEPRINT OF A LIE slams onto black with a brass-like sting.","video_1_relative_path":"videos/d1c00620daa5b59e.mp4","video_2_relative_path":"videos/88b30a152ea30afa.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/movie_trailer/movie_trailer_2/00000013","text_prompt":"Four-shot grounded teaser with distant battle ambience and intimate lines. Shot 1: A quiet dawn trench; wind and distant artillery rumbles as a soldier murmurs, \"Keep your head down.\" Shot 2: Close-up of hands loading a magazine; rounds click into place in sync with the motion. Shot 3: Smash cut to a sprint across mud; boots suck and slap, bullets crack overhead, and a whistle shrieks. Shot 4: A still shot of a letter being unfolded; paper crackles loudly, then silence as the title THE FAR FIELD appears with a solemn low hit.","video_1_relative_path":"videos/54a9d953e04c348e.mp4","video_2_relative_path":"videos/64dbf8e1a845d4dc.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/movie_trailer/movie_trailer_2/00000014","text_prompt":"Four-shot teaser with escalating impacts and environmental collapse. Shot 1: Downtown morning; traffic ambience and crosswalk beeps as a commuter says, \"Did you feel that?\" Shot 2: Close-up of a water glass trembling; tiny ripples tick against the rim, then a sharp jolt makes it jump with a clink. Shot 3: Smash cut to a street canyon; a deep rumble builds as windows begin to fracture, and glass starts raining down with chaotic tinkling crashes. Shot 4: Cut to black on a massive boom; the title CITY OF GLASS appears as a distant emergency siren fades in under the logo sting.","video_1_relative_path":"videos/50c28a4879c414fd.mp4","video_2_relative_path":"videos/63d763469b36a2dd.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/movie_trailer/movie_trailer_2/00000015","text_prompt":"Four-shot warm teaser with cooking foley and flirtatious dialogue. Shot 1: A small bakery at dawn; dough slaps the counter and a mixer hums as someone says, \"You’re early.\" Shot 2: Close-up of honey drizzling onto a pastry; it threads down with a sticky sheen while a kettle steams softly in the background. Shot 3: Smash cut to a busy service rush; plates clink, tickets rip, and a chef calls, \"Two out!\" as a timer beeps. Shot 4: A quiet after-hours shot; two people share a pastry bite, a soft laugh, then the title HONEY ON THE TONGUE appears with a gentle acoustic sting.","video_1_relative_path":"videos/635ffffd87844c31.mp4","video_2_relative_path":"videos/0146a50432ce3d01.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/movie_trailer/movie_trailer_2/00000016","text_prompt":"Four-shot magical teaser with tactile foley and orchestral swells. Shot 1: A candlelit library; pages turn with soft flutters as a narrator whispers, \"Every map has a mouth.\" Shot 2: Close-up of an old compass; it clicks open, and the needle spins with a faint metallic tick-tick. Shot 3: Smash cut to a shoreline where black waves roll; the surf hisses and a creature’s distant call echoes as a cloak snaps in the wind. Shot 4: A book slams shut on a bass hit, ink splashes across the cover like liquid, and the title THE INK SEA appears with a bright, enchanted sting.","video_1_relative_path":"videos/eb2e25b62ffe7fcb.mp4","video_2_relative_path":"videos/d60cb595deb9e431.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/movie_trailer/movie_trailer_2/00000017","text_prompt":"Four-shot mockumentary teaser with on-set chatter and abrupt cuts. Shot 1: A film set; a clapperboard snaps loudly and someone says, \"Action—no, wait, not yet.\" Shot 2: Close-up of a boom mic dipping into frame; the operator whispers, \"Sorry,\" as the director sighs. Shot 3: Smash cut to an interview chair; the subject clears their throat into the mic, then says, \"I was misquoted,\" while crew members shuffle and a chair squeaks. Shot 4: A chaotic set moment—prop falls with a crash, someone yells \"Cut!\"—then the title SECOND TAKE appears with a playful sting and a tiny rewind sound.","video_1_relative_path":"videos/fedc21d8f7a73281.mp4","video_2_relative_path":"videos/46f1a4deac525a2e.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/movie_trailer/movie_trailer_2/00000018","text_prompt":"Four-shot teaser with repeated audio motif and subtle variation. Shot 1: A café bell jingles as the door opens; a clock ticks loudly in an otherwise quiet room and a voice says, \"This feels familiar.\" Shot 2: Close-up of coffee spilling; it splashes and drips in slow motion as the same line repeats, slightly overlapping like an echo. Shot 3: Smash cut to a crosswalk; the walk signal beeps, then glitches and restarts as the character says, \"Not again.\" Shot 4: A rapid, breathy run up stairs; footsteps pound, then everything snaps to silence and the title THE LONGEST MINUTE appears with a ticking clock sting.","video_1_relative_path":"videos/ae0cbf997752e8aa.mp4","video_2_relative_path":"videos/3c83e82445eb32a2.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/movie_trailer/movie_trailer_2/00000019","text_prompt":"Four-shot gritty teaser with sea ambience and forensic sounds. Shot 1: A foggy beach at dawn; waves roll and gulls cry as a detective says, \"It washed in overnight.\" Shot 2: Close-up of a gloved hand placing an evidence marker; the plastic clicks on wet sand while a camera shutter snaps. Shot 3: Smash cut to an interrogation room; a chair scrapes back, a recorder clicks on, and a suspect mutters, \"You don’t know who you’re chasing.\" Shot 4: A fast shot of waves smashing against rocks on a heavy boom, then the title TIDELINE EVIDENCE appears with a dark, percussive logo sting.","video_1_relative_path":"videos/85d3fdee56790c15.mp4","video_2_relative_path":"videos/b42bfd0eb4a80e55.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/gameplays/gameplays_1/00000000","text_prompt":"First-person view in a ruined hallway with distant gunfire and muffled explosions outside. The player sprints, footsteps thudding on concrete, then slides into cover as bullets ping off a metal pillar with sharp ricochets. The player reloads: the empty magazine drops with a clack, a fresh mag slaps in, and the bolt is pulled with a loud metallic snick exactly as the weapon returns to aim. A teammate voice in comms says, \"Reloading—cover me!\" and the player leans out to fire short bursts that echo in the corridor.","video_1_relative_path":"videos/0cf03be177b20da8.mp4","video_2_relative_path":"videos/29f69c95b65f145b.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/gameplays/gameplays_1/00000001","text_prompt":"Third-person gameplay in a small house with rain tapping on the roof and faint thunder outside. The player opens a chest that pops and chimes, spilling items with bright UI pings as they get picked up one by one. Footsteps and a door creak upstairs, and the player stops moving; the ambient sound holds for a tense beat. Suddenly, an enemy crashes through a window with a loud smash, and the player whips around, firing as the enemy’s shield crackles on hit.","video_1_relative_path":"videos/503241ac1468bc7c.mp4","video_2_relative_path":"videos/bb0920fcad98ac2d.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/gameplays/gameplays_1/00000002","text_prompt":"Chase camera behind a rally car on a wet mountain road. The engine rises in pitch, then the player taps the brakes—tires squeal and the car throws water spray as it snaps into a drift. Gravel rattles against the undercarriage and the rear slides wide, then grips with a deep thump as the car exits the hairpin. The co-driver voice calls, \"Left hairpin, don’t cut!\" and the player shifts gears with a crisp mechanical click.","video_1_relative_path":"videos/0a86dd6115ea055e.mp4","video_2_relative_path":"videos/90bd7c8a5f14dd44.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/gameplays/gameplays_1/00000003","text_prompt":"Side-scrolling platformer gameplay over a lava cavern where the background rumbles quietly. The character lands on a tiny platform with a light bop, then immediately jumps again; each landing produces a distinct tap timed exactly to the feet touching down. A spinning saw blade whirs loudly as it passes inches away, and the player wall-jumps—hands slap the wall, then kick off with a sharp whoosh. A checkpoint flag is hit with a bright chime, and the character exhales a quick relief sound.","video_1_relative_path":"videos/43c36057691c3df7.mp4","video_2_relative_path":"videos/a865178a70fe84aa.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/gameplays/gameplays_1/00000004","text_prompt":"Top-down MOBA gameplay near a river, with ambient water flow under the combat sounds. The player pings the map with a sharp beep and their character says, \"Engaging!\" A stun ability lands with a crackling snap exactly as the enemy freezes, followed by a large ultimate that slams down with a heavy impact and a bassy shockwave. Multiple abilities overlap: shield bubbles, sword swishes, and damage ticks, while the announcer declares, \"Double kill!\" right as two enemies fall.","video_1_relative_path":"videos/dcdf6292f1754611.mp4","video_2_relative_path":"videos/af8f761932beb6b8.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/gameplays/gameplays_1/00000005","text_prompt":"First-person survival gameplay in a quiet forest with birds and wind in leaves. The player swings an axe into a tree; each hit lands with a woody thunk and falling chips, synced to the axe biting the trunk. The tree creaks, then collapses with a loud crack and a crashing rustle. The player opens the crafting menu with a soft UI swoop, assembles a simple tool with clicking sounds, and the character mutters, \"That should hold.\"","video_1_relative_path":"videos/d838ba750db84f49.mp4","video_2_relative_path":"videos/f51de783b2e26ff2.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/gameplays/gameplays_1/00000006","text_prompt":"First-person horror gameplay in a dim corridor with a low electrical hum. The player slowly pushes a door; the hinges creak loudly and the handle clicks as it turns. A radio on the floor emits faint static, and the player picks it up with a small clunk. As the flashlight beam sweeps the room, there’s a sudden loud sting and a creature lunges into frame with a wet screech, perfectly synced to the on-screen impact shake.","video_1_relative_path":"videos/e2d3da3fa5f6baa2.mp4","video_2_relative_path":"videos/d61562120cd4d2f5.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/gameplays/gameplays_1/00000007","text_prompt":"Third-person stealth gameplay in a museum at night with distant security fans humming. The player crouch-walks, footsteps soft on carpet, then stops as a guard’s radio crackles nearby. The player grabs the guard from behind; a muffled struggle and a quick thud happen as the guard goes limp, synced to the animation. The body is dragged, fabric scraping quietly, and hidden in a closet with a door latch click. The protagonist whispers, \"Stay asleep.\"","video_1_relative_path":"videos/11453bedc8c6a804.mp4","video_2_relative_path":"videos/6b629e7db6c53136.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/gameplays/gameplays_1/00000008","text_prompt":"Side-view fighting game match in an arena with crowd roar and rhythmic announcer hype. An opponent throws a heavy punch; the player parries at the last instant, producing a sharp metallic clang and a brief slow-motion flash. Immediately the player launches a combo: rapid hits with distinct smacks and whooshes, ending in a super move that triggers a screen freeze and a booming impact. The announcer shouts, \"Perfect parry!\" exactly as the parry spark appears.","video_1_relative_path":"videos/b6ab43cc73fba7f9.mp4","video_2_relative_path":"videos/5f086ee929164e7e.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/gameplays/gameplays_1/00000009","text_prompt":"First-person puzzle gameplay in a stone temple with dripping water echoing. The player presses three wall switches in sequence; each press makes a heavy stone click, and glowing runes light up with a soft rising hum. A mechanism engages in the distance with grinding gears, and a massive door slowly opens with a deep rumble. The player steps forward, footsteps echoing, as a companion voice says, \"You got it—keep going.\"","video_1_relative_path":"videos/2c4b8df198c820e4.mp4","video_2_relative_path":"videos/99da3bd9e07eed6c.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/gameplays/gameplays_1/00000010","text_prompt":"Third-person RPG gameplay in a warm tavern with chatter, clinking mugs, and a lute playing softly. The player approaches an NPC; the dialogue menu pops with a gentle UI sound. The NPC says, \"I can tell you—if you pay,\" and the player drops coins on the table with a bright jingle exactly as the payment animation plays. The NPC leans in, lowering their voice: \"Meet me at the bridge after dark.\"","video_1_relative_path":"videos/9f6d30b40f1cdb1f.mp4","video_2_relative_path":"videos/a7eb9704de9b7396.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/gameplays/gameplays_1/00000011","text_prompt":"Top-down RTS gameplay with a calm ambient hum until a warning siren blares and a red alert icon flashes. The player selects units with rapid UI clicks and commands them forward; small acknowledgements play: \"Moving!\" \"On it!\" Explosions bloom near a base wall with low booms, and turret fire rattles in steady bursts. The player slams a build command; construction hammers start tapping as a defensive tower rises.","video_1_relative_path":"videos/f423146c6aabadf3.mp4","video_2_relative_path":"videos/4ece6bf622bb81eb.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/gameplays/gameplays_1/00000012","text_prompt":"Front-facing rhythm game lane with an electronic track driving the beat. Notes stream toward the hit line; each successful hit triggers a crisp click and a bright sparkle sound exactly at the moment the note crosses the line. The player maintains a perfect streak; the combo counter pulses with a rising crowd-cheer layer. A sudden fast pattern arrives, and the player nails it, prompting the announcer voice to say, \"Perfect!\" synced to a large on-screen flash.","video_1_relative_path":"videos/1fab1c1f1204ecc8.mp4","video_2_relative_path":"videos/bac8abaf80eaba30.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/gameplays/gameplays_1/00000013","text_prompt":"Cockpit view of a small plane on a runway with engine idle rumble. The throttle advances and the engine roar rises smoothly as the plane accelerates, runway bumps thudding rhythmically. The pilot voice says, \"Rotate,\" as the nose lifts and wind noise increases. The landing gear lever is pulled with a click, and the gear retracts with a mechanical whine timed to the indicator lights switching.","video_1_relative_path":"videos/49f7b0b8d12bb6e0.mp4","video_2_relative_path":"videos/bfacc564a03c7e01.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/gameplays/gameplays_1/00000014","text_prompt":"First-person fishing gameplay on a quiet lake with birds and gentle water lapping. The bobber twitches, then plunges under with a small splash, and the player yanks the rod—line tightens with a sharp twang. The reel spins with a steady whir as the fish pulls, and the line creaks under tension. The character grunts, \"Come on…\" as the fish surfaces with a splash near the boat.","video_1_relative_path":"videos/69ebfc24126349b6.mp4","video_2_relative_path":"videos/79ded5cd5f804d17.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/gameplays/gameplays_1/00000015","text_prompt":"Third-person action gameplay in a cavernous arena with echoing ambience and a low choir swell. A boss steps into view; a fog gate seals with a deep whoomp as the title of the boss appears with a heavy hit. The boss roars, shaking dust loose, and charges; the player rolls, armor clanking. Swords collide with a bright ringing clang timed to the exact moment blades meet, then the player lands a counter-hit with a wet impact.","video_1_relative_path":"videos/9eb341bca1e5ebfd.mp4","video_2_relative_path":"videos/dbb0fbbd6dcb785d.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/gameplays/gameplays_1/00000016","text_prompt":"First-person sandbox gameplay on a sunny test map with light wind ambience. The player places explosive charges with small beeps, then steps back and triggers a detonator with a click. The explosion hits with a deep boom, and the structure buckles; metal beams screech and snap, bricks clatter and cascade, and dust billows with a soft rushing sound. The player says, \"Okay… that was bigger than I thought,\" as debris continues to settle.","video_1_relative_path":"videos/8afc06ca74ef7ed3.mp4","video_2_relative_path":"videos/b64245a5e53509b5.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/gameplays/gameplays_1/00000017","text_prompt":"First-person co-op shooter gameplay in a smoky street with distant sirens and gunfire. A teammate is down, calling weakly, \"I need help!\" The player slides over, bullets snapping past, and starts a revive; a progress sound pulses while the player’s hands apply a med kit with velcro ripping and a syringe cap click. The teammate gasps and stands as the revive completes with a bright chime, shouting, \"I’m up!\" right as the HUD confirms it.","video_1_relative_path":"videos/1502956a466c9073.mp4","video_2_relative_path":"videos/2df6815a39380336.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/gameplays/gameplays_1/00000018","text_prompt":"Basketball video game broadcast camera with crowd roar and sneaker squeaks. The clock ticks loudly as the player dribbles; each bounce lands in sync with the ball hitting the hardwood. A commentator says, \"Five seconds left!\" The player launches a long shot; the buzzer blares as the ball is mid-air, then the net snaps with a clean swish exactly as the ball drops through, and the crowd explodes while the commentator yells, \"It’s good!\"","video_1_relative_path":"videos/afb0af848ef175ba.mp4","video_2_relative_path":"videos/4d0a5c307a1a787a.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/gameplays/gameplays_1/00000019","text_prompt":"Digital card game gameplay with a quiet ambient pad. The player draws a card; it slides into hand with a sharp whoosh and a bright ping, and the card glows subtly. The player hesitates, then slams it onto the board with a satisfying thump sound synced to the animation, triggering chained effects: sparks crackle, numbers pop with ticks, and an enemy health bar shatters with a glassy break. The narrator voice says, \"That changes everything.\"","video_1_relative_path":"videos/58a8cd78798b1c55.mp4","video_2_relative_path":"videos/c8c8f70beaf80eb9.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/sports/sports_3/00000000","text_prompt":"A cinematic slow-motion shot shows a golfer fully in frame from the side inside a sand trap on a sunny morning. The golfer takes a focused stance, swings down, and the club strikes the sand inches behind the ball with a dull thump, blasting a cloud of beige grains that rushes upward with a soft hiss. The ball rides out on the sand splash and lands on the green while sand rains down with faint pattering, and the golfer holds the follow-through pose, watching the shot.","video_1_relative_path":"videos/a914f14e7e61764d.mp4","video_2_relative_path":"videos/56c0917005cf779e.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/sports/sports_3/00000001","text_prompt":"A full-body, high-contrast shot on a fencing piste shows two fencers in mask and white uniform facing off under bright overhead lights, with a quiet gym echo. The left fencer suddenly launches into a fleche, shoes squeaking sharply as they sprint forward. The foil tip lands on the opponent’s jacket with a crisp metallic tap, the blade bending into a deep curve, followed by a brief ringing vibration and a tiny electrical crackle as the scoring light clicks on instantly.","video_1_relative_path":"videos/ca6337b8b60ad963.mp4","video_2_relative_path":"videos/6dcb4da4c072beb4.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/sports/sports_3/00000002","text_prompt":"A low-angle wide shot captures the entire motocross rider and bike approaching a muddy ramp at speed, the engine snarling and rising in pitch. The rider launches into the air and whips the bike sideways mid-flight, body twisted and knees gripping the frame as clods of dirt rattle off the tires. As the rider straightens out, wind roar dominates for a beat, then the landing hits with a heavy slap of tires on wet ground and a deep suspension clunk as the rider continues down the track.","video_1_relative_path":"videos/31f2cee400d7909b.mp4","video_2_relative_path":"videos/68b33fc18ad33ee0.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/sports/sports_3/00000003","text_prompt":"A full-body shot at center ice under a spotlight shows a figure skater gliding into a spin, the blade making an audible scrape that turns into a rising scratchy hiss as rotation accelerates. The skater pulls arms and legs in tight, dress blurring into a ring as fine ice shavings whisper outward. The skater finishes with a sharp stop that cuts the scraping sound nearly to silence, ending in a clean pose as the rink ambience returns.","video_1_relative_path":"videos/0f7f21fb921ba27e.mp4","video_2_relative_path":"videos/b5d9623fdaa14511.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/sports/sports_3/00000004","text_prompt":"A wide shot in a quiet pool hall shows a player lining up at the table, chalking the cue with a soft gritty rub before stepping into stance. The cue strikes the cue ball with a sharp crack, and the rack explodes into rapid clatter as balls scatter across the felt. The player straightens up watching, while balls roll with low rumbles and tick against cushions, then settle into silence.","video_1_relative_path":"videos/51888ba1287b8f22.mp4","video_2_relative_path":"videos/0f39be8af33da6ea.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/sports/sports_3/00000005","text_prompt":"A full-ring view shows two sumo wrestlers crouched low at the start lines on a clay dohyo, with the arena hushed except for distant crowd murmurs. One wrestler throws purification salt that sprinkles dryly onto the clay. They launch forward at the same instant, feet stomping heavily, and collide chest-to-chest with a deep body-slam impact; clay dust puffs up and falls with soft gritty patters as both wrestlers strain and grunt, pushing for position.","video_1_relative_path":"videos/545bd8b9e4e11ae5.mp4","video_2_relative_path":"videos/42d9bfa1806551b9.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/sports/sports_3/00000006","text_prompt":"A wide indoor court shot shows six players on each side, sneakers squeaking and teammates calling in echoing gym acoustics. An attacker takes an approach and spikes, the hit making a sharp pop. A defender jumps with both hands high, and the ball smacks into the blocker’s palms with a flat thud, visibly deforming before ricocheting straight down. The ball slaps the court, the net twangs from the follow-through, and players react with shouted celebration and groans.","video_1_relative_path":"videos/49521f81b1de0480.mp4","video_2_relative_path":"videos/83e163d022d0ab8d.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/sports/sports_3/00000007","text_prompt":"A two-angle sequence: first a wide pool-deck shot shows a diver on a 10m platform, the crowd quiet, then the diver leaps and tucks into a clean line. Cut to an underwater wide shot looking up as the diver pierces the surface with a tight, subdued whoomp instead of a huge splash. Underwater, a cone of air bubbles fizz-roars around the diver’s body and trails downward as the diver glides deep and then slows in the blue.","video_1_relative_path":"videos/fd8fdd58b4fe15b1.mp4","video_2_relative_path":"videos/04ebd4e1fb2ff1d9.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/sports/sports_3/00000008","text_prompt":"A sideline wide shot shows a rugby scrum forming in torrential rain, drops drumming on jerseys while players shout and the referee calls commands. The two packs crouch and bind, boots squelching as they dig into mud. On 'Engage!' they collide with a heavy grunt, shoulders driving, mud slapping and churning loudly underfoot as the scrum heaves, jerseys stretching and creaking under strain.","video_1_relative_path":"videos/f8ea262993b8a8b9.mp4","video_2_relative_path":"videos/d71504f6f4987ed4.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/sports/sports_3/00000009","text_prompt":"A mid-wide shot shows a table tennis player fully in frame at the end of the table, knees bent and eyes locked on the ball in a bright hall with faint crowd hush. The ball bounces on the table with a light plastic tick, and the player swings through a topspin drive, contacting with a crisp click exactly as the paddle brushes the ball. The ball shoots forward with visible spin, the player’s shoes squeak during the quick step-in, and the opponent’s block returns a second tick a moment later.","video_1_relative_path":"videos/235aabb7d3b27287.mp4","video_2_relative_path":"videos/c0b9f4e53c82b695.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/sports/sports_3/00000010","text_prompt":"A wide stadium shot on a snowy night shows a quarterback launching a high spiral as the crowd roars behind wind gusts. Downfield, a receiver sprints, cleats crunching in powder and breath huffing in the cold. The ball descends with a faint rushing whistle, and the receiver leaps into a cluster, catching with a soft leather thump against gloves before crashing into snow with a deep muffled impact and a long sliding scrape. The crowd erupts as an official raises the signal in the background.","video_1_relative_path":"videos/8ee85320867f27da.mp4","video_2_relative_path":"videos/64e002e11c47f463.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/sports/sports_3/00000011","text_prompt":"A third-person wide shot follows a traceur running across a rooftop, full body visible as footsteps crunch on gravel and breathing grows louder. Wind rushes past as the traceur reaches the edge and jumps a wide gap between buildings, body fully extended in mid-air. The landing hits with a sharp shoe slap on concrete, followed by a gritty scrape as the traceur performs a safety roll, then pops back up and keeps running as city ambience hums far below.","video_1_relative_path":"videos/f0b490f6dfbdbf2e.mp4","video_2_relative_path":"videos/b09f91e9c74aa94d.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/sports/sports_3/00000012","text_prompt":"A dynamic rink-level wide shot shows a goalie centered in frame while skaters rush in, blades carving the ice with a constant shhhhh and boards echoing the arena. A forward breaks in alone, stickhandling with quick clacks, then shoots low. The goalie lunges, pads thumping the ice, and the puck deflects off the raised skate with a sharp clack inches from the line, then rattles into the corner as the crowd reacts with a sudden roar.","video_1_relative_path":"videos/a7365ce45c06075c.mp4","video_2_relative_path":"videos/9bcb68d1cb127051.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/sports/sports_3/00000013","text_prompt":"A full-body ring shot in a gritty venue shows two fighters circling, bare feet slapping the canvas and the crowd rumbling. Punches land on gloves and forearms with dull thuds, then one fighter spins into a back elbow. The elbow connects with a sharp smack synced to the head snap, sweat spraying and pattering to the mat. The opponent staggers and drops, ropes creaking as the referee rushes in, and the audience noise surges.","video_1_relative_path":"videos/1c1628c66e230574.mp4","video_2_relative_path":"videos/b12d0c6390c33652.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/sports/sports_3/00000014","text_prompt":"A following wide shot trails a mountain biker descending a foggy forest trail, the rider and bike fully visible weaving between rocks and roots. Tires buzz and crunch over wet gravel, the chain rattles, and the suspension chatters loudly over bumps. The rider launches a small drop; for a brief airtime the rumble falls to wind noise, then the landing hits with a heavy thud as mud spits up and the rider regains control, continuing downhill.","video_1_relative_path":"videos/b507fa5c3074b6da.mp4","video_2_relative_path":"videos/f3927f736e42fe1c.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/sports/sports_3/00000015","text_prompt":"A broadcast-style wide shot shows the pitcher delivering a fastball, the crowd low in the background. The ball hisses toward the plate as the batter swings hard, full body visible. The ball jams the bat handle; a violent crack splits the wood and shards fly as the batter’s hands recoil. Pieces whistle past while the ball dribbles into the dirt with a soft bounce, and the batter stares at the broken bat in shock as the stadium reacts.","video_1_relative_path":"videos/0fae51652dfcbdf9.mp4","video_2_relative_path":"videos/f02a9a5ecaf4f7fa.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/sports/sports_3/00000016","text_prompt":"A poolside wide shot shows a swimmer sprinting freestyle into the wall, arms slapping water rhythmically with loud splashes. Cut to underwater wide: the swimmer flips, bubbles roaring around the body, and both feet plant on the wall with a muted thump. The swimmer pushes off explosively, streaming bubbles in a long trail, then breaks the surface with a splash and continues stroking as lane water churns.","video_1_relative_path":"videos/05d525f565a84650.mp4","video_2_relative_path":"videos/a6adfa685ebea3f3.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/sports/sports_3/00000017","text_prompt":"A wide shot on an outdoor sandstone cliff shows a climber fully in frame on an overhang, chalk dust puffing as fingers readjust with tiny scrapes. The climber inhales audibly, then dynos upward; shoes squeak and slip free with a quick scrape. The hand lands on a small hold with a gritty smack, a tiny rock chip clatters down, and the climber swings on the rope as harness gear jingles while they stabilize and breathe hard.","video_1_relative_path":"videos/4117d331628e5866.mp4","video_2_relative_path":"videos/bd978be43e5dedb3.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/sports/sports_3/00000018","text_prompt":"A roadside wide shot shows a rally car approaching fast through a rainy forest stage, engine roaring and gravel rattling. The car hits a puddle, water slapping the chassis with a huge splash, then flicks into a drift around a bend. Tires squeal on wet gravel as mud smacks the wheel wells, and the car straightens with a final bite and surges away, leaving the sound of the engine fading and rain continuing.","video_1_relative_path":"videos/995f190e5b398050.mp4","video_2_relative_path":"videos/8730c1e1f16515ec.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/sports/sports_3/00000019","text_prompt":"A full-body shot at an outdoor range shows an archer standing in stance with a recurve bow, the scene quiet except for faint wind. The archer draws; the limbs creak under tension as the string touches the face anchor point. On release, the string snaps forward with a sharp twang, and the arrow hisses through the air before striking the target with a solid thunk. It hits the back of an arrow already in the bullseye, splitting it with a crisp wooden crack as the archer exhales in disbelief.","video_1_relative_path":"videos/0d5bedeea76daa86.mp4","video_2_relative_path":"videos/75d0a8ddceff60f2.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_quality/ads/ads3/00000000","text_prompt":"A young boy hits a beach ball as a group of children runs past him and jumps into a swimming pool with loud splashes, while a voiceover states, 'We went on vacation with a toe dipper.' The camera follows the kids underwater as bubbles roar and feet kick past the lens, and the voiceover finishes, 'and left with a cannonballer.' Finally, the view resurfaces to show a laughing girl in the water as on-screen text reads 'Book your family home now.'","video_1_relative_path":"videos/63792a9ca4e03d08.mp4","video_2_relative_path":"videos/28428ba74da0a9c1.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_quality/ads/ads3/00000001","text_prompt":"A close-up view of a knitted puppet hand repeatedly dipping a pyramid-shaped tea bag into a clear glass mug of hot water, the liquid sloshing softly as color diffuses. The camera pulls back to reveal a sock-monkey puppet in a plain white T-shirt holding the mug. The puppet lifts the glass to drink with an audible sip, then lowers it with a happy expression. The final shot shows a row of generic green tea boxes on a white surface with the text 'Keep it tea.' overlaid, as the puppet playfully peeks over the boxes. A calm voiceover states, 'A tasty cup of green tea... Delicious,' ending with a satisfied 'Mmm.'","video_1_relative_path":"videos/7c3d8264f33811a1.mp4","video_2_relative_path":"videos/a0b23dd35780bda5.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_quality/ads/ads3/00000003","text_prompt":"A silver SUV is shown in a dark industrial tunnel under overhead strip lights as a deep voiceover asks, 'Who's your daddy?' and the engine answers with a low growling rev. As the car is displayed with bold text overlays reading 'POWERFUL PRESENCE,' a rhythmic electronic beat plays. The scene cuts to a solid red background featuring a generic car brand logo and a short slogan, ending with a distinctive swooshing sound effect.","video_1_relative_path":"videos/50981f242dc973f4.mp4","video_2_relative_path":"videos/d022685b8877b05d.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_quality/ads/ads3/00000004","text_prompt":"A man in a green tank top walks through a crowded outdoor market with distant chatter and wind. The text 'YOU KNOW' flashes on a black screen with a sharp hit sound. The man punches an opponent in the face with a loud thud. The text 'HIS NAME' flashes with another impact sting. A close-up of the man's serious face appears, followed by a final title card for a generic action movie and a release tag, punctuated by a dramatic musical sting at the end.","video_1_relative_path":"videos/045a63dbc3ae77d7.mp4","video_2_relative_path":"videos/7c63a44979b7081b.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_quality/ads/ads3/00000005","text_prompt":"Golden-brown donuts travel along a metal conveyor rack, the machinery humming softly. The donuts pass under a continuous curtain of white glaze, emerging fully coated and shiny as the glaze drips with wet pattering sounds onto the line. The scene cuts to rows of finished glazed donuts moving on a belt toward the camera, overlaid with a generic donut-shop logo and the text 'THE ORIGINAL GLAZED.' A circular 'Made Fresh' graphic animates onto the screen as fast-paced, high-energy orchestral music plays.","video_1_relative_path":"videos/36397f3d17f77f7a.mp4","video_2_relative_path":"videos/943dbf740e85dab7.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_quality/ads/ads3/00000006","text_prompt":"A close-up top-down view of ice cubes settling into a glass with crisp clinks. A clear spirit pours over the ice with a steady liquid stream sound, then dark cola is poured in with louder fizzing. A wedge of lime drops into the drink, creating a sharp splash. A bottle of generic rum stands next to the finished cocktail with bold Spanish text on screen, while a quick voiceover delivers a short responsible-drinking disclaimer.","video_1_relative_path":"videos/30424d8d0d1ea9c6.mp4","video_2_relative_path":"videos/30dccde63e8f7bfe.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_quality/ads/ads3/00000007","text_prompt":"A man in a yellow car looks back while reversing as the engine idles. A close-up shows the rear alloy wheels rolling slowly over asphalt with a soft tire hiss. The driver watches the dashboard while the steering wheel turns automatically without his hands on it, the indicator clicking. The car smoothly parallel parks between two colorful vehicles as text overlays introduce 'Hands-Free Parking,' with an upbeat modern pop track playing throughout.","video_1_relative_path":"videos/513c5fa31dd3f619.mp4","video_2_relative_path":"videos/2d473d0fb881ca7f.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_quality/ads/ads3/00000008","text_prompt":"A ball of fire roars against a black background with a deep whoosh. A close-up shows a young man drinking from a black-and-orange energy drink can, the gulp audible. A black boxing glove punches him in the face in slow motion against a split black-and-white background with a heavy cinematic thump, and flames erupt from the side of his head on impact with a fiery blast sound. The can appears alongside the text 'feel the burn' and a cheering crowd silhouette as energetic electronic music plays, ending with the sung line 'I'll make you burn.'","video_1_relative_path":"videos/16c54e1305b1fe05.mp4","video_2_relative_path":"videos/26ed1ef01557d7c2.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_quality/ads/ads3/00000009","text_prompt":"The video opens with a close-up shot of various nuts like almonds and walnuts, and as text advises to consume nuts for a healthy heart, a rhythmic heartbeat sound plays in the background. The scene transitions to a clean white screen displaying a generic health clinic logo and website, with the heartbeat sound continuing steadily.","video_1_relative_path":"videos/45930e82186821a5.mp4","video_2_relative_path":"videos/cc5497b1c86afe43.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_quality/ads/ads3/00000010","text_prompt":"A close-up view of a red takeout-style box with a generic fried-chicken logo printed in white on the side as the camera zooms in on the logo. The scene transitions to a black background featuring the centered white text 'UNBOXING 23RD FEBRUARY 2016' above a simple line drawing of a smiling mascot. A rhythmic, thumping heartbeat-like sound plays throughout to build suspense.","video_1_relative_path":"videos/8a6034078aaa3a78.mp4","video_2_relative_path":"videos/37cb95d997bdebe7.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_quality/ads/ads3/00000011","text_prompt":"Two men sit at a diner counter with soft ambient clatter, and one asks if the other is selling the boat. A clip shows a man sailing a boat as a voice asks, 'Are you selling my boat?' Back at the diner, the man asks how he can keep the memory of the boat. The video cuts to him screaming in a tattoo parlor as a buzzing tattoo machine etches a small sailboat onto his arm, the buzz rising and falling as the needle touches skin.","video_1_relative_path":"videos/997d152c333ac2e7.mp4","video_2_relative_path":"videos/edceb43b6c9f856d.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_quality/ads/ads3/00000012","text_prompt":"A dark street scene shows a standoff between two groups with tense low rumble. A close-up of a man in a maroon helmet. A man in a wheelchair sits beside teenagers in superhero costumes. A subway train car is ripped apart by invisible forces with loud metal tearing and crashing, and soldiers tumble inside a moving structure amid heavy impacts. A fiery logo for a generic superhero film emerges from flames with a release date in Spanish, while two male voices trade urgent lines and intense cinematic music drives the destruction.","video_1_relative_path":"videos/ca1d1a022f13d2aa.mp4","video_2_relative_path":"videos/7b847c348ef4fae6.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_quality/ads/ads3/00000013","text_prompt":"On a green background, a 3D segmented question mark rotates beside the text 'From questions,' accompanied by clean digital clicks. The shape fluidly transforms into a colorful donut chart with a soft pop, then scatters into a circle of small 3D icons representing data and feedback. The icons quickly converge to form a vertical exclamation mark next to the text 'to answers' with a sharp whoosh. The video ends on a white screen featuring a generic survey platform logo, a website address, and a yellow 'Try it free' button. Upbeat instrumental music plays throughout as a clear voiceover says, 'From questions... to answers.'","video_1_relative_path":"videos/664ccd025c77f771.mp4","video_2_relative_path":"videos/2a73374a5d84cb12.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_quality/ads/ads3/00000014","text_prompt":"A single wind-up chattering teeth toy clacks continuously against a solid teal background. The scene cuts to a blue screen displaying the white text 'Your customers are talking,' abruptly followed by rows of multi-colored chattering teeth toys all moving at once, creating a loud chaotic mechanical clatter. A green screen appears with the text 'Are you listening?' before cutting to a generic product logo and a 'Try it free' button on a white background as the noise ceases.","video_1_relative_path":"videos/c004293532f09fa3.mp4","video_2_relative_path":"videos/282c1ebd307770ff.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_quality/ads/ads3/00000015","text_prompt":"A time-lapse from a fixed angle overlooks a public swimming pool in a modern city, starting with bright sunshine, blue water, and lush trees, accompanied by an upbeat cheerful melody. As the timeline advances year by year, the scene stays vibrant at first, but later the environment decays into a grey wasteland with dead trees and a dried-up pool as the music distorts and fades. The final year shows a scorched ruin with only the desolate sound of wind.","video_1_relative_path":"videos/a07de56dba0bea77.mp4","video_2_relative_path":"videos/3e3d075bdae71c40.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_quality/ads/ads3/00000016","text_prompt":"A computer screen displays a login window for a website with a generic suspicious-looking domain, and as a username is already filled, fast typing fills the password field with a flurry of keystrokes. The cursor clicks the 'Login' button with a single mouse click, then the screen transitions to a product page showing a red bottle labeled with generic 'LCD cleaning solution' text and a price tag. The cursor clicks a yellow 'Add to Cart' button once, pauses, then begins clicking it rapidly in a frantic series as the clicking noises accelerate.","video_1_relative_path":"videos/f793f9b3c8600466.mp4","video_2_relative_path":"videos/feb27de376fa1a76.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_quality/ads/ads3/00000018","text_prompt":"In a fast-paced top-down shot, a pair of hands rapidly packs a colorful box on a wooden surface: a patterned card lands with a papery slap, then a glass jar and wooden spoon are placed inside with soft clinks. A bright pamphlet is dropped on top, and tissue paper is folded over with a distinct crinkling noise, ending with the lid closing shut with a satisfying cardboard thud.","video_1_relative_path":"videos/9b2aae25f8e39a0a.mp4","video_2_relative_path":"videos/2d6933bbb6becafc.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_quality/ads/ads3/00000019","text_prompt":"A soaking wet man in an orange life vest carrying a wooden oar bursts through a set of glass doors with a loud crash. He hurriedly opens a silver laptop on a wooden table, the hinge snapping open, and the screen shows a map zooming in on a remote island destination. A review pop-up appears and the cursor selects a one-star rating with a decisive mouse click.","video_1_relative_path":"videos/d6ef8e130d0dde96.mp4","video_2_relative_path":"videos/1432ede4af9276bd.mp4","human_preference_answer":"video 2 is better"} diff --git a/outdomain/data.jsonl.bak_20260802-095803 b/outdomain/data.jsonl.bak_20260802-095803 new file mode 100644 index 0000000000000000000000000000000000000000..48f84044c793154d500a0eb77b458a81ce541a63 --- /dev/null +++ b/outdomain/data.jsonl.bak_20260802-095803 @@ -0,0 +1,500 @@ +{"case_id":"Kling_2.6_vs_Seedance_1.5_pro/ads/ads1/00000000","text_prompt":"A young boy hits a beach ball as a group of children runs past him and jumps into a swimming pool with loud splashes, while a voiceover states, 'We went on vacation with a toe dipper.' The camera follows the kids underwater as bubbles roar and feet kick past the lens, and the voiceover finishes, 'and left with a cannonballer.' Finally, the view resurfaces to show a laughing girl in the water as on-screen text reads 'Book your family home now.'","video_1_relative_path":"videos/560a204b3b870765.mp4","video_2_relative_path":"videos/dd1ac2af153bcc5d.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Seedance_1.5_pro/ads/ads1/00000003","text_prompt":"A silver SUV is shown in a dark industrial tunnel under overhead strip lights as a deep voiceover asks, 'Who's your daddy?' and the engine answers with a low growling rev. As the car is displayed with bold text overlays reading 'POWERFUL PRESENCE,' a rhythmic electronic beat plays. The scene cuts to a solid red background featuring a generic car brand logo and a short slogan, ending with a distinctive swooshing sound effect.","video_1_relative_path":"videos/3760f39e7a558094.mp4","video_2_relative_path":"videos/a46e57c5e79aa171.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Seedance_1.5_pro/ads/ads1/00000005","text_prompt":"Golden-brown donuts travel along a metal conveyor rack, the machinery humming softly. The donuts pass under a continuous curtain of white glaze, emerging fully coated and shiny as the glaze drips with wet pattering sounds onto the line. The scene cuts to rows of finished glazed donuts moving on a belt toward the camera, overlaid with a generic donut-shop logo and the text 'THE ORIGINAL GLAZED.' 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A bottle of generic rum stands next to the finished cocktail with bold Spanish text on screen, while a quick voiceover delivers a short responsible-drinking disclaimer.","video_1_relative_path":"videos/541f14614956655e.mp4","video_2_relative_path":"videos/cd1122fa4b6772df.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Seedance_1.5_pro/ads/ads1/00000007","text_prompt":"A man in a yellow car looks back while reversing as the engine idles. A close-up shows the rear alloy wheels rolling slowly over asphalt with a soft tire hiss. The driver watches the dashboard while the steering wheel turns automatically without his hands on it, the indicator clicking. 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The can appears alongside the text 'feel the burn' and a cheering crowd silhouette as energetic electronic music plays, ending with the sung line 'I'll make you burn.'","video_1_relative_path":"videos/a765c8201957dca0.mp4","video_2_relative_path":"videos/d36dbdcacd707456.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Seedance_1.5_pro/ads/ads1/00000012","text_prompt":"A dark street scene shows a standoff between two groups with tense low rumble. A close-up of a man in a maroon helmet. A man in a wheelchair sits beside teenagers in superhero costumes. A subway train car is ripped apart by invisible forces with loud metal tearing and crashing, and soldiers tumble inside a moving structure amid heavy impacts. A fiery logo for a generic superhero film emerges from flames with a release date in Spanish, while two male voices trade urgent lines and intense cinematic music drives the destruction.","video_1_relative_path":"videos/ff3dae59692070d2.mp4","video_2_relative_path":"videos/91b2171b5b9a3d94.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Seedance_1.5_pro/ads/ads1/00000015","text_prompt":"A time-lapse from a fixed angle overlooks a public swimming pool in a modern city, starting with bright sunshine, blue water, and lush trees, accompanied by an upbeat cheerful melody. As the timeline advances year by year, the scene stays vibrant at first, but later the environment decays into a grey wasteland with dead trees and a dried-up pool as the music distorts and fades. The final year shows a scorched ruin with only the desolate sound of wind.","video_1_relative_path":"videos/3d66bf65e9c561cc.mp4","video_2_relative_path":"videos/1d57a6c5a2bd99a7.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Seedance_1.5_pro/ads/ads1/00000016","text_prompt":"A computer screen displays a login window for a website with a generic suspicious-looking domain, and as a username is already filled, fast typing fills the password field with a flurry of keystrokes. The cursor clicks the 'Login' button with a single mouse click, then the screen transitions to a product page showing a red bottle labeled with generic 'LCD cleaning solution' text and a price tag. The cursor clicks a yellow 'Add to Cart' button once, pauses, then begins clicking it rapidly in a frantic series as the clicking noises accelerate.","video_1_relative_path":"videos/5df57420a6050479.mp4","video_2_relative_path":"videos/9d52172a6599a050.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Seedance_1.5_pro/ads/ads1/00000017","text_prompt":"Two men in business suits stand in an elevator, talk, and shake hands as background elevator music plays. A large white text logo appears superimposed over them as they freeze mid-handshake with wide static smiles, holding perfectly still. A woman walks into the elevator and looks at them expectantly; when they don't move, she waves a hand in front of one man's face and presses a button on the panel with a loud click. The doors close with a mechanical slide and reopen to reveal the men still frozen; she squeezes past them and exits. Their dialogue plays naturally, and a voiceover explains that the ad can't be skipped because it's already over, ending with a generic insurance tagline and percentage savings claim.","video_1_relative_path":"videos/fa697febb45d7f3c.mp4","video_2_relative_path":"videos/1cd8d288b26163f0.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Seedance_1.5_pro/ads/ads1/00000019","text_prompt":"A soaking wet man in an orange life vest carrying a wooden oar bursts through a set of glass doors with a loud crash. He hurriedly opens a silver laptop on a wooden table, the hinge snapping open, and the screen shows a map zooming in on a remote island destination. A review pop-up appears and the cursor selects a one-star rating with a decisive mouse click.","video_1_relative_path":"videos/ac1d7e74f683af0f.mp4","video_2_relative_path":"videos/5a710fec6a0924c4.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Seedance_1.5_pro/news/news_1/00000000","text_prompt":"A professional news segment starting with a female anchor in a bright studio, holding a paper and announcing a major historical find. Suddenly, the video cuts to shaky documentary-style footage inside a dusty cave, showing a gloved hand brushing dirt off a golden ancient artifact buried in the ground. The anchor's voiceover explains the significance of the discovery throughout the clip.","video_1_relative_path":"videos/794245c1afe8aafe.mp4","video_2_relative_path":"videos/3de562825fc99f0f.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Seedance_1.5_pro/news/news_1/00000001","text_prompt":"A serious news report beginning with a male anchor in a suit sitting against a digital background of world maps. He looks grave while delivering a warning about internet safety. The scene then abruptly switches to B-roll footage of computer screens in a dark room displaying scrolling green binary code and 'ACCESS DENIED' pop-ups, symbolizing a cyber attack.","video_1_relative_path":"videos/440eb589fce066b1.mp4","video_2_relative_path":"videos/36d94f12034c5a89.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Seedance_1.5_pro/news/news_1/00000002","text_prompt":"A lighthearted news clip. A smiling anchor sits at the desk with a 'ZOO UPDATE' graphic behind her. She introduces a cute story. The video transitions to high-quality footage of a baby panda clumsily rolling around on green grass and chewing on a bamboo stick in a zoo enclosure. The audio includes the anchor's narration mixed with ambient nature sounds.","video_1_relative_path":"videos/2d676b0e23f76915.mp4","video_2_relative_path":"videos/e9fa840aa093e403.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Seedance_1.5_pro/news/news_1/00000003","text_prompt":"Business news coverage. The video starts with a financial reporter standing in a newsroom, pointing to a graph. He discusses manufacturing trends. The view then cuts to an industrial scene showing fast-moving robotic orange arms assembling car parts on a modern production line with sparks flying. The reporter's voice continues seamlessly over the industrial footage.","video_1_relative_path":"videos/2ba013cef5fa4586.mp4","video_2_relative_path":"videos/b3f06a89669cdc6f.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Seedance_1.5_pro/news/news_1/00000004","text_prompt":"Entertainment news update. A glamorous female host stands in a studio with purple lighting, talking excitedly about a movie premiere. The video cuts to a chaotic red carpet scene with bright camera flashes popping repeatedly, showing a blurry celebrity waving to a screaming crowd of fans. The audio shifts from the quiet studio to the roar of the crowd.","video_1_relative_path":"videos/2c4f719f67a01fb1.mp4","video_2_relative_path":"videos/28c2e9e0a9a72321.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Seedance_1.5_pro/news/news_1/00000005","text_prompt":"Health news segment. A serious anchor with glasses reads from a teleprompter about a new health initiative. The shot cuts to medical footage showing a close-up of a nurse's hands wearing blue latex gloves carefully preparing a syringe and a vaccine vial in a sterile hospital environment.","video_1_relative_path":"videos/c01abe0cf014bc0b.mp4","video_2_relative_path":"videos/df95b230f7958ce0.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Seedance_1.5_pro/news/news_1/00000006","text_prompt":"Holiday shopping report. An anchor sits at the desk, gesturing towards a graphic of a shopping bag. He speaks about retail chaos. The scene immediately switches to footage of a large crowd of shoppers rushing through the automatic doors of a department store, grabbing boxes from shelves. The anchor's voiceover describes the record-breaking sales numbers.","video_1_relative_path":"videos/d12f6a255dd0c29d.mp4","video_2_relative_path":"videos/91e2eeea5516559e.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Seedance_1.5_pro/news/news_1/00000008","text_prompt":"Environmental disaster report. A somber anchor sits in the studio with a blue background. He reports on a recent accident. The video transitions to aerial drone footage looking down at a beach, where black oil sludge is washing up on the white sand and waves are crashing. The sound of the ocean mixes with the serious tone of the news report.","video_1_relative_path":"videos/0ec60280e480328a.mp4","video_2_relative_path":"videos/3bcedd9b2637c160.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Seedance_1.5_pro/news/news_1/00000009","text_prompt":"Fashion week highlight. A stylish presenter stands in a studio, talking about the latest trends. The video cuts to a vibrant fashion runway show, featuring a model walking towards the camera in an avant-garde silver dress, with audience heads silhouetted in the foreground. Rhythmic electronic music plays faintly in the background of the report.","video_1_relative_path":"videos/d4e1937f32b2733d.mp4","video_2_relative_path":"videos/722c2b12acc795d4.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Seedance_1.5_pro/news/news_1/00000010","text_prompt":"A breaking crime report. A serious-looking male anchor sits in a dimly lit studio, reading an urgent update from papers in his hand. The video abruptly cuts to night footage of a city street blocked off by yellow 'CRIME SCENE' tape, with red and blue police siren lights reflecting off wet pavement. The anchor's narration continues over the scene.","video_1_relative_path":"videos/28c7eb5fd3619fb1.mp4","video_2_relative_path":"videos/a54c8ad58ea9311d.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Seedance_1.5_pro/news/news_1/00000011","text_prompt":"Real estate market update. A female financial reporter stands in a busy newsroom with blurred TV screens behind her. She smiles while discussing rising property values. The scene switches to a sunny outdoor shot of a modern suburban house with a manicured lawn, focusing on a real estate agent hammering a 'SOLD' sign into the grass.","video_1_relative_path":"videos/ac1c0eb3721fe9a6.mp4","video_2_relative_path":"videos/fefc31cde9aee29d.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Seedance_1.5_pro/news/news_1/00000013","text_prompt":"Auto industry news. A poised anchor sits at a glass desk with a futuristic city background. She introduces a new electric vehicle. The video transitions to cinematic B-roll of a sleek silver electric car driving silently along a winding coastal road at sunset, with the camera tracking its movement. The anchor's voiceover describes the battery range.","video_1_relative_path":"videos/e76139ae4204e934.mp4","video_2_relative_path":"videos/af51b45dd17d4c16.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Seedance_1.5_pro/news/news_1/00000014","text_prompt":"Financial technology report. A reporter stands in front of a green screen showing a jagged red line graph plummeting downwards. He looks concerned. The view cuts to a close-up shot of a server room filled with rows of cryptocurrency mining rigs with blinking LED lights and spinning fans. The sound of humming cooling fans is audible under the report.","video_1_relative_path":"videos/a25638b2e7edd07e.mp4","video_2_relative_path":"videos/4310f60a5a80c0a4.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Sora_2/movie_trailer/movie_trailer_1/00000000","text_prompt":"A short movie-teaser sequence with four cinematic shots and trailer-style sound design. Shot 1: In a dim spaceship corridor lit by red emergency lights, a ventilation fan hums and an alarm pulses; a lone engineer walks toward camera, boots echoing on metal grating, and a distorted intercom says, \"All hands—stay away from Bay Nine.\" Shot 2: Smash cut to a close-up of a gloved hand flipping a guarded toggle; it clicks down sharply, and a heavy bass hit lands exactly on the click as warning lights begin to strobe. Shot 3: Cut to an airlock window from inside; frost creeps across the glass while the door mechanism whines, then stops with a hard clunk, followed by a beat of silence and the engineer whispering, \"It’s still out there.\" Shot 4: Exterior space shot of the ship drifting in darkness; a signal beacon flashes in slow rhythm with a deep electronic thump, then the title card REDLINE PROTOCOL appears on black with a rising whoosh and a sharp logo sting.","video_1_relative_path":"videos/be5c5c20ba7aae08.mp4","video_2_relative_path":"videos/20e4cb19f262160d.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Sora_2/movie_trailer/movie_trailer_1/00000001","text_prompt":"Four-shot horror teaser with strong silence-to-impact dynamics. Shot 1: A rain-soaked suburban street at night, distant thunder and wet wind; a porch light flickers as a person approaches a house, footsteps splashing in puddles. Shot 2: Close-up of a hand pushing the front door; the hinges creak slowly, then the door shuts by itself with a sudden slam that hits exactly on a trailer boom. Shot 3: Cut to a dark hallway interior; the only sound is a faint electrical buzz and the character’s breathing as a closet door knob turns with a tiny metallic tick, and the character whispers, \"Don’t open it.\" Shot 4: Smash cut to black on a sharp sting; a childlike humming fades in for half a second, then the title THE LAST DOOR IN HOLLOW STREET appears with a low sub hit.","video_1_relative_path":"videos/64f2bb5712f7ba20.mp4","video_2_relative_path":"videos/2ad650443b525b03.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Sora_2/movie_trailer/movie_trailer_1/00000002","text_prompt":"Four-shot teaser with camcorder realism and audio glitches. Shot 1: Grainy handheld footage in a living room, air conditioner hum and soft tape hiss; a TV plays faint sitcom laughter off-screen while someone points the camera at a dark doorway. Shot 2: A flashlight beam sweeps across family photos; the camera bumps a frame, making a glassy clink, and the laughter on the TV warps and slows unnaturally. Shot 3: Close-up of the camcorder screen as a timestamp flickers; a sudden high-pitched feedback squeal hits exactly as a figure crosses frame for a single instant. Shot 4: Cut to black; a breathy voice right at the mic says, \"Did you hear them?\" and the title MIDNIGHT LAUGH TRACK snaps on with a harsh digital click.","video_1_relative_path":"videos/ca9d2f37a58ac05f.mp4","video_2_relative_path":"videos/864c22aa5da4fc4d.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Sora_2/movie_trailer/movie_trailer_1/00000003","text_prompt":"Four-shot emotional teaser with natural ambience and a musical swell. Shot 1: A windswept seaside pier at golden hour, waves rolling and gulls calling as two people stand in silence; one says softly, \"I came back.\" Shot 2: Cut to a kitchen morning scene; a kettle clicks off and steam hisses as hands brush accidentally, and the second person laughs under their breath. Shot 3: Smash cut to an argument in a car at night; windshield wipers thump rhythmically and rain drums on the roof as a voice breaks, \"You promised me forever.\" Shot 4: A quiet wide shot of the ocean at dusk; the music swells, then drops out for a beat as the title SALTWATER VOWS appears with a gentle, hopeful sting.","video_1_relative_path":"videos/757edf6d67e89e9f.mp4","video_2_relative_path":"videos/ae4039f245851c01.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Sora_2/movie_trailer/movie_trailer_1/00000004","text_prompt":"Four-shot high-tempo teaser with clean sync hits. Shot 1: Inside a bank vault, fluorescent hum and distant alarms; a timer on a device beeps faster as a thief whispers, \"Eighty-seven seconds—move.\" Shot 2: Close-up of a glass cutter scoring a pane with a sharp scratch, then a suction cup pops as the circle lifts free, landing on a bass hit. Shot 3: Smash cut to a getaway car; engine revs, tires chirp, and the car fishtails out of a tight alley with gravel spraying and rattling off the chassis. Shot 4: A final slow-motion shot of a duffel bag hitting the pavement with a heavy thud as sirens surge; the title EIGHTY-SEVEN SECONDS slams onto black with a metallic logo sting.","video_1_relative_path":"videos/51d2bf7ba725302a.mp4","video_2_relative_path":"videos/34c9199f913e52a0.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Sora_2/movie_trailer/movie_trailer_1/00000005","text_prompt":"Four-shot teaser driven by dialogue beats and sharp room sounds. Shot 1: A courtroom wide shot, muted crowd murmurs and camera shutters; a judge’s gavel strikes with a crisp crack and the room falls silent. Shot 2: Close-up of a witness’s hands twisting a tissue, the paper crinkling loudly in the hush as a lawyer asks, \"Did you see his face?\" Shot 3: Smash cut to an elevator; fluorescent buzz, then a brief phone vibration; the witness whispers into the receiver, \"They’re listening.\" Shot 4: Cut to black on a heavy boom; the title THE QUIET TRIAL appears as a tape recorder clicks on and a reel begins to spin.","video_1_relative_path":"videos/c37f434f07c3cf86.mp4","video_2_relative_path":"videos/9f951fdfc532c88f.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Sora_2/movie_trailer/movie_trailer_1/00000006","text_prompt":"Four-shot neon-noir teaser with rain, synth textures, and hard cuts. Shot 1: Rainy alleyway with neon signs flickering; water drips and a distant siren dopplers past as a detective lights a cigarette, the lighter flaring with a tiny whoosh. Shot 2: Close-up of an augmented eye interface; soft digital beeps and a scan tone rise as a face is outlined on a HUD. Shot 3: Smash cut to a nightclub; bass thumps and crowd noise, then the music abruptly cuts as a pistol is cocked with a sharp metallic clack. Shot 4: A slow push-in on a data chip being dropped onto a metal table with a ping; the title NEON WALTZ appears with a gritty synth sting.","video_1_relative_path":"videos/7774b73dce503973.mp4","video_2_relative_path":"videos/d9c8fe06a94bc414.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Sora_2/movie_trailer/movie_trailer_1/00000008","text_prompt":"Four-shot inspirational teaser with training sounds and a musical lift. Shot 1: Dawn in an empty boxing gym; jump rope slaps the floor in a steady rhythm while a coach says, \"Again.\" Shot 2: Close-up of hands wrapping knuckles; fabric pulls tight with a rasp, and a bell dings in the distance. Shot 3: Smash cut to a match night; crowd roar swells as a punch lands with a sharp smack and sweat sprays in slow motion. Shot 4: A quiet locker-room shot; the fighter exhales, then taps the locker with a hollow knock as the title DUST AND GLORY appears with a triumphant sting.","video_1_relative_path":"videos/9b79811fe20ae695.mp4","video_2_relative_path":"videos/0d2da9a474e3ace7.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Sora_2/movie_trailer/movie_trailer_1/00000009","text_prompt":"Four-shot gentle teaser with intimate dialogue and rural ambience. Shot 1: An apple orchard in late afternoon; leaves rustle and distant bees hum as two teens ride bikes past, tires crunching on gravel. Shot 2: Close-up of hands carving initials into a tree, the knife scraping bark; one says, \"Promise you won’t forget.\" Shot 3: Smash cut to a school hallway; lockers slam and footsteps echo as a voice over a phone says, \"I’m leaving.\" Shot 4: A wide sunset shot of the orchard again; the music swells softly and the title THE ORCHARD BETWEEN US appears with a delicate bell-like sting.","video_1_relative_path":"videos/40cad8192d3747d4.mp4","video_2_relative_path":"videos/59cfe2622aea7eb2.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Sora_2/movie_trailer/movie_trailer_1/00000010","text_prompt":"Four-shot teaser with comedic timing and punchy sound cues. Shot 1: A quiet office kitchen; a kettle begins to whistle as a deadpan voice says, \"This is where it all went wrong.\" Shot 2: Close-up of a mug slipping; it hits the floor and shatters with a loud crash that lands on a comedic bass hit. Shot 3: Smash cut to a formal meeting room; polite applause abruptly stops as someone coughs loudly into a microphone, causing feedback squeal. Shot 4: Cut to black; a cheerful jingle plays for half a second, then cuts off as the title KETTLE BLACK appears with a sarcastic ‘ding’ sting.","video_1_relative_path":"videos/c88950f6c72a2f0a.mp4","video_2_relative_path":"videos/996cdabcc4447df6.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Sora_2/movie_trailer/movie_trailer_1/00000011","text_prompt":"Four-shot cold mystery teaser with wind and radio chatter. Shot 1: A snowy forest road; wind howls and boots crunch on snow as a detective says, \"No footprints in or out.\" Shot 2: Close-up of a handheld radio; it crackles and a voice breaks through, \"…do you copy?\" followed by sudden static. Shot 3: Smash cut to a frozen lake; an ice auger bites in with a grinding roar, then stops, leaving an eerie quiet. Shot 4: A lone cabin window glows in the blizzard; a low drone rises and the title WINTER SIGNAL appears with a sharp cold sting.","video_1_relative_path":"videos/a0f4a3c3aa68904c.mp4","video_2_relative_path":"videos/62b0e1489fabb063.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Sora_2/movie_trailer/movie_trailer_1/00000012","text_prompt":"Four-shot teaser with rapid investigative beats and audio motifs. Shot 1: A copier room; pages whip out with mechanical clacks as documents are hurriedly stacked, and someone whispers, \"They altered the plans.\" Shot 2: Close-up of a phone unlocking; digital ticks and a notification ping as a hidden folder opens. Shot 3: Smash cut to an underground garage; footsteps echo, then a car remote chirps and headlights snap on with a hum. Shot 4: A fast montage-like final shot: a red string board, a file stamped, a door bolt sliding—each action landing on percussive hits—then the title BLUEPRINT OF A LIE slams onto black with a brass-like sting.","video_1_relative_path":"videos/856b5fe13b4039c3.mp4","video_2_relative_path":"videos/88b30a152ea30afa.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Sora_2/movie_trailer/movie_trailer_1/00000014","text_prompt":"Four-shot teaser with escalating impacts and environmental collapse. Shot 1: Downtown morning; traffic ambience and crosswalk beeps as a commuter says, \"Did you feel that?\" Shot 2: Close-up of a water glass trembling; tiny ripples tick against the rim, then a sharp jolt makes it jump with a clink. Shot 3: Smash cut to a street canyon; a deep rumble builds as windows begin to fracture, and glass starts raining down with chaotic tinkling crashes. Shot 4: Cut to black on a massive boom; the title CITY OF GLASS appears as a distant emergency siren fades in under the logo sting.","video_1_relative_path":"videos/d0ffccdd4c5e694d.mp4","video_2_relative_path":"videos/63d763469b36a2dd.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Sora_2/movie_trailer/movie_trailer_1/00000015","text_prompt":"Four-shot warm teaser with cooking foley and flirtatious dialogue. Shot 1: A small bakery at dawn; dough slaps the counter and a mixer hums as someone says, \"You’re early.\" Shot 2: Close-up of honey drizzling onto a pastry; it threads down with a sticky sheen while a kettle steams softly in the background. Shot 3: Smash cut to a busy service rush; plates clink, tickets rip, and a chef calls, \"Two out!\" as a timer beeps. Shot 4: A quiet after-hours shot; two people share a pastry bite, a soft laugh, then the title HONEY ON THE TONGUE appears with a gentle acoustic sting.","video_1_relative_path":"videos/f7eb82b1586772b3.mp4","video_2_relative_path":"videos/0146a50432ce3d01.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Sora_2/movie_trailer/movie_trailer_1/00000016","text_prompt":"Four-shot magical teaser with tactile foley and orchestral swells. Shot 1: A candlelit library; pages turn with soft flutters as a narrator whispers, \"Every map has a mouth.\" Shot 2: Close-up of an old compass; it clicks open, and the needle spins with a faint metallic tick-tick. Shot 3: Smash cut to a shoreline where black waves roll; the surf hisses and a creature’s distant call echoes as a cloak snaps in the wind. Shot 4: A book slams shut on a bass hit, ink splashes across the cover like liquid, and the title THE INK SEA appears with a bright, enchanted sting.","video_1_relative_path":"videos/9a21b96ac2dccd27.mp4","video_2_relative_path":"videos/d60cb595deb9e431.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Sora_2/movie_trailer/movie_trailer_1/00000017","text_prompt":"Four-shot mockumentary teaser with on-set chatter and abrupt cuts. Shot 1: A film set; a clapperboard snaps loudly and someone says, \"Action—no, wait, not yet.\" Shot 2: Close-up of a boom mic dipping into frame; the operator whispers, \"Sorry,\" as the director sighs. Shot 3: Smash cut to an interview chair; the subject clears their throat into the mic, then says, \"I was misquoted,\" while crew members shuffle and a chair squeaks. Shot 4: A chaotic set moment—prop falls with a crash, someone yells \"Cut!\"—then the title SECOND TAKE appears with a playful sting and a tiny rewind sound.","video_1_relative_path":"videos/7353f5b27f41de24.mp4","video_2_relative_path":"videos/46f1a4deac525a2e.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Sora_2/movie_trailer/movie_trailer_1/00000018","text_prompt":"Four-shot teaser with repeated audio motif and subtle variation. Shot 1: A café bell jingles as the door opens; a clock ticks loudly in an otherwise quiet room and a voice says, \"This feels familiar.\" Shot 2: Close-up of coffee spilling; it splashes and drips in slow motion as the same line repeats, slightly overlapping like an echo. Shot 3: Smash cut to a crosswalk; the walk signal beeps, then glitches and restarts as the character says, \"Not again.\" Shot 4: A rapid, breathy run up stairs; footsteps pound, then everything snaps to silence and the title THE LONGEST MINUTE appears with a ticking clock sting.","video_1_relative_path":"videos/964102add44cd75b.mp4","video_2_relative_path":"videos/3c83e82445eb32a2.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Sora_2/movie_trailer/movie_trailer_1/00000019","text_prompt":"Four-shot gritty teaser with sea ambience and forensic sounds. Shot 1: A foggy beach at dawn; waves roll and gulls cry as a detective says, \"It washed in overnight.\" Shot 2: Close-up of a gloved hand placing an evidence marker; the plastic clicks on wet sand while a camera shutter snaps. Shot 3: Smash cut to an interrogation room; a chair scrapes back, a recorder clicks on, and a suspect mutters, \"You don’t know who you’re chasing.\" Shot 4: A fast shot of waves smashing against rocks on a heavy boom, then the title TIDELINE EVIDENCE appears with a dark, percussive logo sting.","video_1_relative_path":"videos/ea1a729bd3654f74.mp4","video_2_relative_path":"videos/b42bfd0eb4a80e55.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Veo_3.1_quality/asmr/asmr3/00000000","text_prompt":"Vertical close-up shot under soft studio lighting. A hand holding a utility knife slowly carves a grid pattern into a dry, pastel pink soap bar. Then, the thumb presses firmly into the grid. The visuals capture the soap cubes popping up and crumbling. The audio begins with the sharp, dry scratching of the knife tip, transitioning to a satisfying, gritty 'crunch' sound as the soap structure collapses under pressure.","video_1_relative_path":"videos/2835ff687f8c3893.mp4","video_2_relative_path":"videos/46ddc9e69d05ae0c.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Veo_3.1_quality/asmr/asmr3/00000001","text_prompt":"Extreme close-up of a person's lower face. They hold a piece of golden, dripping honeycomb. They take a large bite, and the sticky honey stretches between their lips and the comb. The visuals focus on the wax structure breaking and the viscous liquid flowing. The audio captures the distinct 'squelching' wet sound of chewing, the sticky smack of lips opening, and the crunch of the beeswax.","video_1_relative_path":"videos/0fb02c89d1dcba42.mp4","video_2_relative_path":"videos/b89c5c2136a8bca8.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Veo_3.1_quality/asmr/asmr3/00000002","text_prompt":"A pristine cylinder of purple kinetic sand sits on a white table. A sharp knife slices through it vertically. The sand holds its shape for a split second before the sliced half slowly slumps and disintegrates into grains. The audio captures the unique, soft 'shhh' sound of the blade slicing through the sand, followed by a subtle, sandy crumbling noise as the structure falls apart.","video_1_relative_path":"videos/8fc18d97de8fdee6.mp4","video_2_relative_path":"videos/b55182e2cd70df85.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Veo_3.1_quality/asmr/asmr3/00000003","text_prompt":"A macro shot of fingers typing slowly, then accelerating on a custom mechanical keyboard with cream-colored keycaps. RGB lighting pulses gently. The visuals focus on the key travel distance and the fingers bottoming out. The audio features a deep, resonant, and 'creamy' thock sound (not high-pitched clicking) that perfectly syncs with each keystroke, creating a rhythmic bass-heavy texture.","video_1_relative_path":"videos/f40420aeab3ca7b2.mp4","video_2_relative_path":"videos/fd02585409c48c03.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Veo_3.1_quality/asmr/asmr3/00000005","text_prompt":"A pair of hands taps rapidly on a clear glass bottle, producing a high-pitched, resonant 'ting-ting' sound. Halfway through, the hands move to a leather-bound book nearby, tapping on it. The audio instantly shifts from the sharp, bright glass tone to a dull, muted, low-frequency thudding sound, testing the model's material awareness.","video_1_relative_path":"videos/3a2f6de65cef0321.mp4","video_2_relative_path":"videos/8bb64390e63aa159.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Veo_3.1_quality/asmr/asmr3/00000007","text_prompt":"A POV shot facing a dummy head microphone (3Dio) with silicone ears. A large, fluffy makeup brush gently circles the left silicone ear, then moves across the screen to brush the right ear. The visuals focus on the bristles bending against the silicone curves. The audio creates a 3D effect, with the soft, scratchy brushing sound panning smoothly from the left channel to the right channel.","video_1_relative_path":"videos/571f3d1e70f6839e.mp4","video_2_relative_path":"videos/a7d53cdcd20d3b9e.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Veo_3.1_quality/asmr/asmr3/00000008","text_prompt":"A macro shot of a white piece of chalk writing the word 'Relax' in cursive on a rough, green slate blackboard. The chalk crumbles slightly, leaving dust particles falling. The audio captures the friction—a mix of soft scratching and occasional high-pitched squeaks as the chalk drags across the textured slate surface.","video_1_relative_path":"videos/ad2026435f697133.mp4","video_2_relative_path":"videos/144ab6baca4e5785.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Veo_3.1_quality/asmr/asmr3/00000009","text_prompt":"A dry block of green floral foam is dipped in water, becoming dark green. A hand squeezes the water-logged foam. The visual shows the foam denting permanently and water rushing out between the fingers. The audio captures a squishy, wet, air-escaping sound, distinct from the dry crunch of dry foam, emphasizing the saturation of the material.","video_1_relative_path":"videos/3687c69191e8186c.mp4","video_2_relative_path":"videos/3cd5b90e06abdaef.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Veo_3.1_quality/asmr/asmr3/00000012","text_prompt":"A pair of hands manipulates a sheet of iridescent, stiff holographic cellophane. They scrunch it into a ball and then smooth it out. The visuals catch the shifting rainbow light reflections on the sharp plastic folds. The audio captures the extremely high-frequency, sharp, and 'crispy' crinkling noise, distinguishing it from the softer sound of paper or fabric.","video_1_relative_path":"videos/e49176c21e6cec51.mp4","video_2_relative_path":"videos/d30d01e521a8faeb.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Veo_3.1_quality/asmr/asmr3/00000013","text_prompt":"Top-down view of a pristine, untouched pink blush compact. A metal spatula digs into the center. The pressed powder fractures into loose dust and chunks. The spatula spreads and crushes the debris. The audio captures the gritty, sandy scraping sound of metal against the powder and the pan, providing a satisfying tactile texture.","video_1_relative_path":"videos/50c1d49c745142f9.mp4","video_2_relative_path":"videos/3f301c7cea421a71.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Veo_3.1_quality/asmr/asmr3/00000014","text_prompt":"Extreme close-up of a roll of heavy-duty duct tape. A hand lifts the edge and pulls a strip off slowly, then quickly. The visuals focus on the adhesive stretching into tiny glue strands before snapping. The audio captures the loud, staccato 'ripping' sound of the adhesive separating from the roll, varying in pitch with the speed of the pull.","video_1_relative_path":"videos/f78c92229fdcae15.mp4","video_2_relative_path":"videos/5e696c28ec0cffd8.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Veo_3.1_quality/asmr/asmr3/00000015","text_prompt":"A metal palette knife mixes a blob of thick yellow acrylic paint with blue paint on a glass palette. The colors swirl into green. The visuals focus on the thick, buttery texture of the paint. The audio captures the wet 'squishing' and 'slapping' sounds of the paint being folded, accompanied by the occasional sharp scrape of the metal knife against the glass surface.","video_1_relative_path":"videos/bce677ef019d195f.mp4","video_2_relative_path":"videos/c72c487602d83dd4.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Veo_3.1_quality/asmr/asmr3/00000016","text_prompt":"A whole head of fresh, wet iceberg lettuce. Two hands grab the center and pull it apart with force. Water droplets fly off the leaves in slow motion. The audio captures the loud, watery, multi-layered 'crunch' and 'tear' of the crisp vegetable fibers breaking, sounding fresh and hydrated.","video_1_relative_path":"videos/d9711c5ca6824bfb.mp4","video_2_relative_path":"videos/66afa08ea1c4a828.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Veo_3.1_quality/asmr/asmr3/00000017","text_prompt":"A visual of a professional microphone covered with a black foam windscreen. Long fingernails gently scratch the surface of the foam in a circular motion. The foam depresses slightly and rebounds. The audio is a raw, textured 'white noise' scratching sound, simulating the proximity effect where the sound feels like it is directly inside the listener's ear.","video_1_relative_path":"videos/754028d4f8379451.mp4","video_2_relative_path":"videos/c6e83671cf4e0db0.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Veo_3.1_quality/asmr/asmr3/00000018","text_prompt":"A container filled with glossy, metallic purple slime. A finger pokes deep into it, creating a hole that slowly closes up. Then, the hand stretches the slime to create an air bubble and squeezes it. The audio captures the wet, thick 'thwock' sound of the poke and the sharp, explosive 'snap' of the air bubble popping.","video_1_relative_path":"videos/80618155220fc77b.mp4","video_2_relative_path":"videos/e60593695228890f.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Veo_3.1_quality/news/news_2/00000000","text_prompt":"A professional news segment starting with a female anchor in a bright studio, holding a paper and announcing a major historical find. Suddenly, the video cuts to shaky documentary-style footage inside a dusty cave, showing a gloved hand brushing dirt off a golden ancient artifact buried in the ground. The anchor's voiceover explains the significance of the discovery throughout the clip.","video_1_relative_path":"videos/794245c1afe8aafe.mp4","video_2_relative_path":"videos/db21da86c5e5aa9c.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Veo_3.1_quality/news/news_2/00000001","text_prompt":"A serious news report beginning with a male anchor in a suit sitting against a digital background of world maps. He looks grave while delivering a warning about internet safety. The scene then abruptly switches to B-roll footage of computer screens in a dark room displaying scrolling green binary code and 'ACCESS DENIED' pop-ups, symbolizing a cyber attack.","video_1_relative_path":"videos/440eb589fce066b1.mp4","video_2_relative_path":"videos/aa4c5e3b10bb99fb.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Veo_3.1_quality/news/news_2/00000002","text_prompt":"A lighthearted news clip. A smiling anchor sits at the desk with a 'ZOO UPDATE' graphic behind her. She introduces a cute story. The video transitions to high-quality footage of a baby panda clumsily rolling around on green grass and chewing on a bamboo stick in a zoo enclosure. The audio includes the anchor's narration mixed with ambient nature sounds.","video_1_relative_path":"videos/2d676b0e23f76915.mp4","video_2_relative_path":"videos/32b08da78e17f061.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Veo_3.1_quality/news/news_2/00000005","text_prompt":"Health news segment. A serious anchor with glasses reads from a teleprompter about a new health initiative. The shot cuts to medical footage showing a close-up of a nurse's hands wearing blue latex gloves carefully preparing a syringe and a vaccine vial in a sterile hospital environment.","video_1_relative_path":"videos/c01abe0cf014bc0b.mp4","video_2_relative_path":"videos/dc77db2f4c50479b.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Veo_3.1_quality/news/news_2/00000006","text_prompt":"Holiday shopping report. An anchor sits at the desk, gesturing towards a graphic of a shopping bag. He speaks about retail chaos. The scene immediately switches to footage of a large crowd of shoppers rushing through the automatic doors of a department store, grabbing boxes from shelves. The anchor's voiceover describes the record-breaking sales numbers.","video_1_relative_path":"videos/d12f6a255dd0c29d.mp4","video_2_relative_path":"videos/20cacafafc10c3a5.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Veo_3.1_quality/news/news_2/00000007","text_prompt":"Breaking travel news. A reporter in a trench coat stands outside an airport terminal with planes visible in the distance. She speaks into a microphone about cancellations. The video cuts to an interior shot of a packed airport terminal, showing a departure board filled with red 'CANCELLED' text and tired passengers sleeping on their luggage.","video_1_relative_path":"videos/f1226fa84fd0e22b.mp4","video_2_relative_path":"videos/285069d818796ec3.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Veo_3.1_quality/news/news_2/00000008","text_prompt":"Environmental disaster report. A somber anchor sits in the studio with a blue background. He reports on a recent accident. The video transitions to aerial drone footage looking down at a beach, where black oil sludge is washing up on the white sand and waves are crashing. The sound of the ocean mixes with the serious tone of the news report.","video_1_relative_path":"videos/0ec60280e480328a.mp4","video_2_relative_path":"videos/5bdb49ad0018bd02.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Veo_3.1_quality/news/news_2/00000009","text_prompt":"Fashion week highlight. A stylish presenter stands in a studio, talking about the latest trends. The video cuts to a vibrant fashion runway show, featuring a model walking towards the camera in an avant-garde silver dress, with audience heads silhouetted in the foreground. Rhythmic electronic music plays faintly in the background of the report.","video_1_relative_path":"videos/d4e1937f32b2733d.mp4","video_2_relative_path":"videos/47ff358e589dea51.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Veo_3.1_quality/news/news_2/00000010","text_prompt":"A breaking crime report. A serious-looking male anchor sits in a dimly lit studio, reading an urgent update from papers in his hand. The video abruptly cuts to night footage of a city street blocked off by yellow 'CRIME SCENE' tape, with red and blue police siren lights reflecting off wet pavement. The anchor's narration continues over the scene.","video_1_relative_path":"videos/28c7eb5fd3619fb1.mp4","video_2_relative_path":"videos/b5c63fba7c23890f.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Veo_3.1_quality/news/news_2/00000011","text_prompt":"Real estate market update. A female financial reporter stands in a busy newsroom with blurred TV screens behind her. She smiles while discussing rising property values. The scene switches to a sunny outdoor shot of a modern suburban house with a manicured lawn, focusing on a real estate agent hammering a 'SOLD' sign into the grass.","video_1_relative_path":"videos/ac1c0eb3721fe9a6.mp4","video_2_relative_path":"videos/0798100754d3e8ae.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Veo_3.1_quality/news/news_2/00000016","text_prompt":"Green energy report. A male anchor wearing a green tie stands in a virtual studio with wind turbine graphics. He talks about renewable targets. The video switches to a high-angle drone shot flying over a massive field of blue solar panels stretching to the horizon under a bright sun. The anchor's narration explains the energy capacity.","video_1_relative_path":"videos/0cfb968edf5eb57f.mp4","video_2_relative_path":"videos/5e4aefa8f230fb9a.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/animals/animals2/00000000","text_prompt":"In a bright bathroom, a wet golden retriever stands in a tub as a human turns off the faucet with a click and water drips steadily from the dog’s fur into the porcelain. The dog pauses, then shakes violently from head to tail, sending droplets splattering against the tile with rapid pattering sounds, while the human laughs and says, \"Okay, okay—shake it out,\" as the dog’s collar tag jingles with each snap of the body.","video_1_relative_path":"videos/0317086a07755ba7.mp4","video_2_relative_path":"videos/262fcc5467154bed.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/animals/animals2/00000001","text_prompt":"A cozy living-room close-up shows a cat climbing onto a thick knitted blanket and starting to knead with alternating paws. Each press compresses the fabric with faint soft thumps and tiny claw snags, and the cat purrs steadily as its shoulders rock in rhythm. A human hand briefly pets the cat’s head, and the cat’s purr grows louder while the blanket fibers shift under the paws.","video_1_relative_path":"videos/1dac878afafb5c9e.mp4","video_2_relative_path":"videos/2192d0121b9408e4.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/animals/animals2/00000002","text_prompt":"A handheld outdoor shot shows a person tossing a tennis ball down a gravel path with a quick whoosh. A dog sprints after it, nails clicking rapidly on stones and gravel crunching underfoot, then the dog skids to a stop with a gritty scrape and clamps the ball with a squeaky bite. As the dog runs back, the collar jingles and the person calls, \"Bring it here!\" while the dog drops the ball at their feet with a soft plop.","video_1_relative_path":"videos/1ac129c434987309.mp4","video_2_relative_path":"videos/4d2440f65195b818.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/animals/animals2/00000004","text_prompt":"A close-up on a small puppy holding a rubber squeaky toy between its front paws on a carpet. The puppy bites down repeatedly, and each jaw squeeze triggers a sharp squeak exactly as the toy visibly compresses and rebounds. The puppy pauses to reposition the toy with little snuffles, then resumes chewing faster, making a mix of squeaks and wet mouth sounds while the human says, \"That’s your favorite one, huh?\"","video_1_relative_path":"videos/affc8fdcce627055.mp4","video_2_relative_path":"videos/a3566c1d5c0cbc3f.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/animals/animals2/00000006","text_prompt":"A stable corridor shot shows a horse being led by a handler; the lead rope hardware clinks softly as the horse walks. Each hoof lands with a solid clop on packed dirt, then changes to a sharper ring as the horse steps onto a concrete section. The handler says, \"Easy,\" as the horse snorts and exhales, and the camera catches the shift in footstep sound with the change in surface.","video_1_relative_path":"videos/181ac455534941e7.mp4","video_2_relative_path":"videos/8410d149688a3b31.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/animals/animals2/00000007","text_prompt":"A farmyard close-up shows a goat grabbing a leafy branch from a human hand. The goat’s teeth tear leaves off with loud crunchy snaps, and its jaw chews in a steady rhythm while the branch rustles and bends. The human chuckles and says, \"You’re noisy,\" as the goat pauses to bleat once and then resumes chewing.","video_1_relative_path":"videos/f5cb04582c73267f.mp4","video_2_relative_path":"videos/fd3bf09d66ae1d47.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/animals/animals2/00000009","text_prompt":"A telephoto shot of a squirrel perched on a tree branch in a park with soft wind and distant birds. The squirrel holds a nut between its paws and gnaws; the shell cracks with small sharp snaps, and flakes fall onto leaves below with faint patters. The squirrel pauses to look around, tail flicking with a soft brush sound, then resumes cracking and eating.","video_1_relative_path":"videos/7faf0016be44f9be.mp4","video_2_relative_path":"videos/3556640ec0735ad6.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/animals/animals2/00000011","text_prompt":"A wide shot of a wetland at dusk shows still water with reeds swaying. As the camera pans slowly, a chorus of frogs fills the scene with overlapping croaks that rise and fall in waves. A single frog near the camera inflates its throat sac visibly with each call, and its louder croaks land exactly with the pulsing throat movement.","video_1_relative_path":"videos/f6c97467931648a0.mp4","video_2_relative_path":"videos/1bcd45a798854696.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/animals/animals2/00000014","text_prompt":"A wide twilight shot of a rocky ridge shows a pack of wolves standing still in silhouette. One wolf lifts its head and begins a long howl that carries across the open landscape, and a second and third wolf join in, their voices stacking and overlapping. The camera captures their chest expansion and muzzle angle aligning with the sustained howls before they fall quiet again.","video_1_relative_path":"videos/06f0ff2cf8cd56bc.mp4","video_2_relative_path":"videos/36737df8604467a7.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/animals/animals2/00000015","text_prompt":"A boat-level ocean shot shows calm swells and distant seabirds. A whale surfaces near the camera, and its blowhole releases a sudden explosive breath with a powerful wet exhale sound and misty spray. The whale’s back rolls past with water sheeting off in a rushing cascade, then it slips under the surface as the ocean returns to gentle wave sounds.","video_1_relative_path":"videos/a35594988a3380b8.mp4","video_2_relative_path":"videos/ab21dd55da38f2fb.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/animals/animals2/00000016","text_prompt":"A sunny sea shot shows two dolphins swimming fast, their dorsal fins cutting the surface with small splashes. One dolphin bursts out of the water in a clean arc, landing with a loud slap and spray, and a second follows a moment later with another splash. A person on the boat shouts, \"There!\" as the dolphins reappear and exhale quick puffs at the surface.","video_1_relative_path":"videos/64b25dc57a14be06.mp4","video_2_relative_path":"videos/ecb504f7233db700.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/animals/animals2/00000018","text_prompt":"A savanna shot shows an elephant scooping dry earth with its trunk, the grains cascading with a dry sandy pour. The elephant blasts the dust over its back with a forceful trunk exhale, making a deep whoof as dust clouds billow. The elephant’s ears flap with heavy leathery slaps, and it rumbles softly while taking a slow step that thuds into the ground.","video_1_relative_path":"videos/aad23456089c5a93.mp4","video_2_relative_path":"videos/4a1eb3da8f227c1a.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/animals/animals2/00000019","text_prompt":"A ground-level shot in a forest shows a snake moving smoothly through a bed of dry leaves. As its body pushes forward, the leaves crackle and rustle in a continuous whispery trail exactly where the scales pass. The snake pauses, tongue flicking silently, then resumes slithering as a twig snaps lightly under its weight.","video_1_relative_path":"videos/34eef17b8bb7bc96.mp4","video_2_relative_path":"videos/3b6fa23703458fbf.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/sports/sports_1/00000000","text_prompt":"A cinematic slow-motion shot shows a golfer fully in frame from the side inside a sand trap on a sunny morning. The golfer takes a focused stance, swings down, and the club strikes the sand inches behind the ball with a dull thump, blasting a cloud of beige grains that rushes upward with a soft hiss. The ball rides out on the sand splash and lands on the green while sand rains down with faint pattering, and the golfer holds the follow-through pose, watching the shot.","video_1_relative_path":"videos/f7ec84c734bb9e63.mp4","video_2_relative_path":"videos/a914f14e7e61764d.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/sports/sports_1/00000003","text_prompt":"A full-body shot at center ice under a spotlight shows a figure skater gliding into a spin, the blade making an audible scrape that turns into a rising scratchy hiss as rotation accelerates. The skater pulls arms and legs in tight, dress blurring into a ring as fine ice shavings whisper outward. The skater finishes with a sharp stop that cuts the scraping sound nearly to silence, ending in a clean pose as the rink ambience returns.","video_1_relative_path":"videos/2360d1415540c07c.mp4","video_2_relative_path":"videos/0f7f21fb921ba27e.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/sports/sports_1/00000004","text_prompt":"A wide shot in a quiet pool hall shows a player lining up at the table, chalking the cue with a soft gritty rub before stepping into stance. The cue strikes the cue ball with a sharp crack, and the rack explodes into rapid clatter as balls scatter across the felt. The player straightens up watching, while balls roll with low rumbles and tick against cushions, then settle into silence.","video_1_relative_path":"videos/ecdf1eed63c9cdad.mp4","video_2_relative_path":"videos/51888ba1287b8f22.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/sports/sports_1/00000006","text_prompt":"A wide indoor court shot shows six players on each side, sneakers squeaking and teammates calling in echoing gym acoustics. An attacker takes an approach and spikes, the hit making a sharp pop. A defender jumps with both hands high, and the ball smacks into the blocker’s palms with a flat thud, visibly deforming before ricocheting straight down. The ball slaps the court, the net twangs from the follow-through, and players react with shouted celebration and groans.","video_1_relative_path":"videos/80b2183442c50613.mp4","video_2_relative_path":"videos/49521f81b1de0480.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/sports/sports_1/00000007","text_prompt":"A two-angle sequence: first a wide pool-deck shot shows a diver on a 10m platform, the crowd quiet, then the diver leaps and tucks into a clean line. Cut to an underwater wide shot looking up as the diver pierces the surface with a tight, subdued whoomp instead of a huge splash. Underwater, a cone of air bubbles fizz-roars around the diver’s body and trails downward as the diver glides deep and then slows in the blue.","video_1_relative_path":"videos/2c392f3857047692.mp4","video_2_relative_path":"videos/fd8fdd58b4fe15b1.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/sports/sports_1/00000008","text_prompt":"A sideline wide shot shows a rugby scrum forming in torrential rain, drops drumming on jerseys while players shout and the referee calls commands. The two packs crouch and bind, boots squelching as they dig into mud. On 'Engage!' they collide with a heavy grunt, shoulders driving, mud slapping and churning loudly underfoot as the scrum heaves, jerseys stretching and creaking under strain.","video_1_relative_path":"videos/afee3cd477ab6b53.mp4","video_2_relative_path":"videos/f8ea262993b8a8b9.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/sports/sports_1/00000009","text_prompt":"A mid-wide shot shows a table tennis player fully in frame at the end of the table, knees bent and eyes locked on the ball in a bright hall with faint crowd hush. The ball bounces on the table with a light plastic tick, and the player swings through a topspin drive, contacting with a crisp click exactly as the paddle brushes the ball. The ball shoots forward with visible spin, the player’s shoes squeak during the quick step-in, and the opponent’s block returns a second tick a moment later.","video_1_relative_path":"videos/47c2fbaac2a0f583.mp4","video_2_relative_path":"videos/235aabb7d3b27287.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/sports/sports_1/00000010","text_prompt":"A wide stadium shot on a snowy night shows a quarterback launching a high spiral as the crowd roars behind wind gusts. Downfield, a receiver sprints, cleats crunching in powder and breath huffing in the cold. The ball descends with a faint rushing whistle, and the receiver leaps into a cluster, catching with a soft leather thump against gloves before crashing into snow with a deep muffled impact and a long sliding scrape. The crowd erupts as an official raises the signal in the background.","video_1_relative_path":"videos/b7006c5c173991ed.mp4","video_2_relative_path":"videos/8ee85320867f27da.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/sports/sports_1/00000011","text_prompt":"A third-person wide shot follows a traceur running across a rooftop, full body visible as footsteps crunch on gravel and breathing grows louder. Wind rushes past as the traceur reaches the edge and jumps a wide gap between buildings, body fully extended in mid-air. The landing hits with a sharp shoe slap on concrete, followed by a gritty scrape as the traceur performs a safety roll, then pops back up and keeps running as city ambience hums far below.","video_1_relative_path":"videos/f5d302a5e2ceb80d.mp4","video_2_relative_path":"videos/f0b490f6dfbdbf2e.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/sports/sports_1/00000012","text_prompt":"A dynamic rink-level wide shot shows a goalie centered in frame while skaters rush in, blades carving the ice with a constant shhhhh and boards echoing the arena. A forward breaks in alone, stickhandling with quick clacks, then shoots low. The goalie lunges, pads thumping the ice, and the puck deflects off the raised skate with a sharp clack inches from the line, then rattles into the corner as the crowd reacts with a sudden roar.","video_1_relative_path":"videos/d72ae3ccabcaf3ee.mp4","video_2_relative_path":"videos/a7365ce45c06075c.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/sports/sports_1/00000013","text_prompt":"A full-body ring shot in a gritty venue shows two fighters circling, bare feet slapping the canvas and the crowd rumbling. Punches land on gloves and forearms with dull thuds, then one fighter spins into a back elbow. The elbow connects with a sharp smack synced to the head snap, sweat spraying and pattering to the mat. The opponent staggers and drops, ropes creaking as the referee rushes in, and the audience noise surges.","video_1_relative_path":"videos/f1a36cd97b3ea4de.mp4","video_2_relative_path":"videos/1c1628c66e230574.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/sports/sports_1/00000014","text_prompt":"A following wide shot trails a mountain biker descending a foggy forest trail, the rider and bike fully visible weaving between rocks and roots. Tires buzz and crunch over wet gravel, the chain rattles, and the suspension chatters loudly over bumps. The rider launches a small drop; for a brief airtime the rumble falls to wind noise, then the landing hits with a heavy thud as mud spits up and the rider regains control, continuing downhill.","video_1_relative_path":"videos/b367f8862e526d7a.mp4","video_2_relative_path":"videos/b507fa5c3074b6da.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/sports/sports_1/00000015","text_prompt":"A broadcast-style wide shot shows the pitcher delivering a fastball, the crowd low in the background. The ball hisses toward the plate as the batter swings hard, full body visible. The ball jams the bat handle; a violent crack splits the wood and shards fly as the batter’s hands recoil. Pieces whistle past while the ball dribbles into the dirt with a soft bounce, and the batter stares at the broken bat in shock as the stadium reacts.","video_1_relative_path":"videos/f86070ade9c6cd23.mp4","video_2_relative_path":"videos/0fae51652dfcbdf9.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/sports/sports_1/00000016","text_prompt":"A poolside wide shot shows a swimmer sprinting freestyle into the wall, arms slapping water rhythmically with loud splashes. Cut to underwater wide: the swimmer flips, bubbles roaring around the body, and both feet plant on the wall with a muted thump. The swimmer pushes off explosively, streaming bubbles in a long trail, then breaks the surface with a splash and continues stroking as lane water churns.","video_1_relative_path":"videos/c0682b7c047b8f57.mp4","video_2_relative_path":"videos/05d525f565a84650.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/sports/sports_1/00000017","text_prompt":"A wide shot on an outdoor sandstone cliff shows a climber fully in frame on an overhang, chalk dust puffing as fingers readjust with tiny scrapes. The climber inhales audibly, then dynos upward; shoes squeak and slip free with a quick scrape. The hand lands on a small hold with a gritty smack, a tiny rock chip clatters down, and the climber swings on the rope as harness gear jingles while they stabilize and breathe hard.","video_1_relative_path":"videos/3ed2745cd5533b93.mp4","video_2_relative_path":"videos/4117d331628e5866.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/sports/sports_1/00000018","text_prompt":"A roadside wide shot shows a rally car approaching fast through a rainy forest stage, engine roaring and gravel rattling. The car hits a puddle, water slapping the chassis with a huge splash, then flicks into a drift around a bend. Tires squeal on wet gravel as mud smacks the wheel wells, and the car straightens with a final bite and surges away, leaving the sound of the engine fading and rain continuing.","video_1_relative_path":"videos/b0ba6bdf3252dc99.mp4","video_2_relative_path":"videos/995f190e5b398050.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Kling_2.6_vs_Wan_2.6/sports/sports_1/00000019","text_prompt":"A full-body shot at an outdoor range shows an archer standing in stance with a recurve bow, the scene quiet except for faint wind. The archer draws; the limbs creak under tension as the string touches the face anchor point. On release, the string snaps forward with a sharp twang, and the arrow hisses through the air before striking the target with a solid thunk. It hits the back of an arrow already in the bullseye, splitting it with a crisp wooden crack as the archer exhales in disbelief.","video_1_relative_path":"videos/1399d43d5d43ebb4.mp4","video_2_relative_path":"videos/0d5bedeea76daa86.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Kling_2.6/cooking/my_dataset3/00000000","text_prompt":"A close-up overhead shot of a thick steak being laid onto a preheated cast-iron skillet, immediately releasing a loud sizzling sound as wisps of steam rise. The cook presses the steak down with tongs, making a firm scrape against the pan, then flips it once with a quick slap so the new side hits the hot surface and the sizzle swells again. A knob of butter is added and foams with a rapid hiss while the cook tilts the pan and spoons the bubbling butter over the steak in rhythmic scoops, and the cook says, \"Listen to that crust.\"","video_1_relative_path":"videos/99acfdfcb7d907e4.mp4","video_2_relative_path":"videos/706dde9b7f849d54.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Kling_2.6/cooking/my_dataset3/00000001","text_prompt":"A medium shot of a cutting board where a knife chops an onion into quick dice with crisp tapping sounds, then the pieces are swept into a hot pan with a dry slide. The onion hits oil with a gentle sizzle that grows as the cook stirs with a wooden spatula, making a soft scraping rasp. Minced garlic is added and immediately becomes more fragrant-looking and louder, the sizzle tightening, and the cook says, \"Garlic goes in last—don’t let it burn,\" while the camera catches the edges turning translucent.","video_1_relative_path":"videos/8bc2fe53f36c75a2.mp4","video_2_relative_path":"videos/b9197817bec819de.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Kling_2.6/cooking/my_dataset3/00000002","text_prompt":"A cozy kitchen shot shows pancake batter being whisked in a bowl, the whisk making wet rhythmic swishes, then the batter is poured onto a hot griddle with a thick glug. Tiny bubbles form and pop silently at first, then a faint frying hiss builds as the surface sets. A spatula slides under with a soft scrape and the pancake flips with a light slap, landing to a renewed sizzle; the cook laughs and says, \"Perfect—golden side down.\"","video_1_relative_path":"videos/a583b4d07bc76ccc.mp4","video_2_relative_path":"videos/4c3d1f285b3df1b3.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Kling_2.6/cooking/my_dataset3/00000004","text_prompt":"A pot of water boils hard on the stove with a rolling rumble and lid rattling lightly. The cook lifts the lid with a metallic clink and sprinkles in salt, the grains pattering onto the surface, then drops in dry pasta with a hollow clatter and a brief splash. As the cook stirs with a wooden spoon, the water sound settles back into a steady boil, and the cook says, \"Salt it like the sea,\" while steam fogs the camera briefly.","video_1_relative_path":"videos/55c836c9f5040801.mp4","video_2_relative_path":"videos/b7dfac3f5331fff1.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Kling_2.6/cooking/my_dataset3/00000005","text_prompt":"A close shot shows a chef’s knife slicing carrots into neat matchsticks, each cut making a fast, precise knock against the board. The julienned carrots are scooped and poured into a hot pan, triggering a bright sizzle, and the cook shakes the pan so the pieces slide and tick across the metal. A pinch of pepper is ground over the pan with a gritty crunching sound, and the cook says, \"Same size cooks same time,\" as the carrots begin to soften and glisten.","video_1_relative_path":"videos/958230206bb97c2d.mp4","video_2_relative_path":"videos/79a4df66c433ee35.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Kling_2.6/cooking/my_dataset3/00000006","text_prompt":"A quiet morning kitchen scene: two eggs are cracked on the rim of a bowl with sharp taps, then opened with a wet plop. The eggs slide into a buttered pan, and the whites start to crackle softly at the edges as the butter sizzles. The cook tilts the pan and spoons hot butter over the whites with a gentle slosh, saying, \"Baste the tops, don’t flip,\" while the yolks remain glossy and intact.","video_1_relative_path":"videos/b4961f4b108f1531.mp4","video_2_relative_path":"videos/de73171b1a09453f.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Kling_2.6/cooking/my_dataset3/00000007","text_prompt":"A baking tray lined with foil is set down with a dull clang, and raw bacon strips are laid out one by one with sticky peeling sounds. The tray slides into the oven on rails with a metallic scrape, and through the oven window the bacon begins to render, bubbling and crackling more intensely as it curls. The cook points and says, \"Hear that? That’s the fat rendering,\" as grease pops lightly against the foil.","video_1_relative_path":"videos/b2dc13e58fd25fce.mp4","video_2_relative_path":"videos/28077bd6e57e246e.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Kling_2.6/cooking/my_dataset3/00000009","text_prompt":"Slices of bread are dropped into a toaster with a soft thump, and the lever clicks down. While the toaster hums, the cook unwraps butter with a papery crinkle and spreads it on a warm slice as it pops up with a sudden springy click. The knife scrapes lightly across the crust, and the cook says, \"Spread while it’s hot,\" as the butter melts and turns glossy.","video_1_relative_path":"videos/6589cef1c2d84293.mp4","video_2_relative_path":"videos/40902cfeeb03d70a.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Kling_2.6/cooking/my_dataset3/00000010","text_prompt":"A burr grinder starts with a low motor whirr, and coffee beans rattle and crunch as they grind. The grounds are poured into a paper filter with a soft sandy pour, then hot water is poured in a slow spiral, making a gentle trickling sound as the bloom rises and releases tiny bubbles. The kettle’s stream quiets as the cook pauses, and they say, \"Watch it bloom,\" while droplets continue to drip steadily into the carafe.","video_1_relative_path":"videos/b95e678691397456.mp4","video_2_relative_path":"videos/3f5261a72171ad9f.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Kling_2.6/cooking/my_dataset3/00000011","text_prompt":"A small glass jar is filled in steps: oil pours in with a smooth glug, vinegar splashes in with a sharper slosh, and a spoon taps in mustard with a sticky plop. The lid screws on with quick plastic clicks, and the jar is shaken vigorously, liquids thudding and slapping inside. The cook opens it and says, \"Listen—when it goes quiet, it’s emulsified,\" as the mixture turns uniformly opaque.","video_1_relative_path":"videos/d3eb1721d9c95113.mp4","video_2_relative_path":"videos/69ca39074d83dbff.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Kling_2.6/cooking/my_dataset3/00000012","text_prompt":"Chopped vegetables are dumped onto a metal sheet pan with a loud clatter, and oil is drizzled over them in a thin stream that patters on the pan. Salt is sprinkled, pepper is ground with crunchy twists, and the cook tosses everything by lifting and jerking the tray so the vegetables slide and knock together. The pan goes into the oven with a metallic rack scrape, and the cook says, \"Single layer for browning,\" as the door shuts with a soft thump.","video_1_relative_path":"videos/07c6bc3857a1ddb3.mp4","video_2_relative_path":"videos/d80504118e10bb25.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Kling_2.6/cooking/my_dataset3/00000013","text_prompt":"A pot of cooked vegetables is poured into a blender jar with a wet slosh and steam rising. The lid is pressed down firmly, and the blender bursts on with a loud roar that smooths the mixture visibly from chunky to silky. The cook pauses, taps the lid, and says, \"Start low—hot liquid expands,\" then finishes with a final higher-speed blend before the motor winds down.","video_1_relative_path":"videos/f9b4d5d47a6faae9.mp4","video_2_relative_path":"videos/f955a3c54c48f89f.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Kling_2.6/cooking/my_dataset3/00000014","text_prompt":"A close-up shows a pot of oil shimmering quietly as the cook holds a pinch of breadcrumbs over it. The crumbs drop in and immediately fizz with a tight crackling sizzle, and the cook says, \"That’s the sound you want,\" before lowering a breaded cutlet into the oil. The cutlet hits and the frying erupts louder, bubbles racing along the edges as the cook gently nudges it with tongs, metal clicking against the pot.","video_1_relative_path":"videos/fc438078ebc382af.mp4","video_2_relative_path":"videos/4257d5d084e58601.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Kling_2.6/cooking/my_dataset3/00000015","text_prompt":"Eggs are whisked with fast wet swishes, then poured into a nonstick pan where they begin to set with a soft, even hiss. The cook shakes the pan to loosen the edges, and a spatula makes a smooth rubbery scrape as it pulls curds inward. With a quick wrist motion, the omelet is folded over itself with a muffled flap, then slid onto a plate with a soft glide, and the cook says, \"No browning—just tender.\"","video_1_relative_path":"videos/030fa9018b5be5ef.mp4","video_2_relative_path":"videos/67e97a0e70b11b1f.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Kling_2.6/cooking/my_dataset3/00000016","text_prompt":"A bowl of freshly cooked rice is turned out with a steamy thud, and seasoned vinegar is poured over it with a bright splash. The cook uses a wooden paddle to cut and fold the rice with crisp scraping strokes against the bowl, while another hand fans vigorously, the fan making a steady whooshing sound. The cook says, \"Cut—don’t mash,\" as the rice becomes glossy and individual grains separate.","video_1_relative_path":"videos/1e78ccbe6610cadd.mp4","video_2_relative_path":"videos/497cfb5e379877a0.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Kling_2.6/cooking/my_dataset3/00000017","text_prompt":"Granulated sugar is poured into a stainless pan with a soft sand-like hiss, and the pan is gently shaken so the sugar levels out with a whispery slide. As heat builds, the sugar begins to liquefy at the edges, and the cook swirls the pan, making a faint syrupy slosh as the liquid spreads. The cook says, \"Don’t stir—just swirl,\" while the caramel darkens gradually and a tiny bubble crackle appears across the surface.","video_1_relative_path":"videos/7303c6c1a1cd2faf.mp4","video_2_relative_path":"videos/e1297fd84283ccaa.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Kling_2.6/cooking/my_dataset3/00000018","text_prompt":"Avocados are halved with a knife twist and the pit pops free, then the flesh is scooped with a soft scrape into a bowl. A fork mashes the avocado with thick squelching sounds, and chopped onion and cilantro are sprinkled in, pattering lightly. Lime is squeezed with a wet spritz, and the cook says, \"Salt wakes it up,\" as they add salt and mix, the texture changing from chunky to creamy.","video_1_relative_path":"videos/1fe8ec6a324dff91.mp4","video_2_relative_path":"videos/d93c8fb6451eb7d3.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Kling_2.6/cooking/my_dataset3/00000019","text_prompt":"A quiet kitchen pass: a spoon drops a dollop of sauce onto a ceramic plate with a wet plop, then the chef drags the spoon to make a clean swipe with a soft scrape. Sliced protein is placed precisely with tongs that click, and a small handful of herbs is sprinkled over with a faint rustle. The chef taps the plate once on the counter with a solid knock, saying softly, \"Clean edges,\" as the camera lingers on the glossy finish.","video_1_relative_path":"videos/e3c2238fc5e58240.mp4","video_2_relative_path":"videos/cfcfed542fe52088.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Sora_2/animals/animals1/00000000","text_prompt":"In a bright bathroom, a wet golden retriever stands in a tub as a human turns off the faucet with a click and water drips steadily from the dog’s fur into the porcelain. The dog pauses, then shakes violently from head to tail, sending droplets splattering against the tile with rapid pattering sounds, while the human laughs and says, \"Okay, okay—shake it out,\" as the dog’s collar tag jingles with each snap of the body.","video_1_relative_path":"videos/2b8624c1e0007128.mp4","video_2_relative_path":"videos/2bf31b36ae074b30.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Sora_2/animals/animals1/00000002","text_prompt":"A handheld outdoor shot shows a person tossing a tennis ball down a gravel path with a quick whoosh. A dog sprints after it, nails clicking rapidly on stones and gravel crunching underfoot, then the dog skids to a stop with a gritty scrape and clamps the ball with a squeaky bite. As the dog runs back, the collar jingles and the person calls, \"Bring it here!\" while the dog drops the ball at their feet with a soft plop.","video_1_relative_path":"videos/dd2c219d37160f64.mp4","video_2_relative_path":"videos/45a4312a98d42125.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Sora_2/animals/animals1/00000003","text_prompt":"A low-angle indoor shot shows a red laser dot darting across a wooden floor as a cat’s head tracks it silently. The dot stops abruptly; the cat pounces with a quick thud and claws scraping the wood, then slides slightly with a squeaky skid. The laser dot shoots away again and the cat’s rapid paw taps follow, while a human off-camera says, \"Ready… go!\" each time the dot changes direction.","video_1_relative_path":"videos/7ef2f242b5e9ec80.mp4","video_2_relative_path":"videos/0cdd4356cf0304e2.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Sora_2/animals/animals1/00000004","text_prompt":"A close-up on a small puppy holding a rubber squeaky toy between its front paws on a carpet. The puppy bites down repeatedly, and each jaw squeeze triggers a sharp squeak exactly as the toy visibly compresses and rebounds. The puppy pauses to reposition the toy with little snuffles, then resumes chewing faster, making a mix of squeaks and wet mouth sounds while the human says, \"That’s your favorite one, huh?\"","video_1_relative_path":"videos/b5e7ce6f8c499778.mp4","video_2_relative_path":"videos/b521e7b78d6d94bb.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Sora_2/animals/animals1/00000005","text_prompt":"In a kitchen with faint appliance hum, a colorful parrot sits on a perch next to a phone. The phone plays a short notification chime, and the parrot immediately imitates it with a clear high-pitched whistle. The owner taps the perch lightly and says, \"Do it again,\" and the parrot repeats the same rhythm, bobbing its head in sync with the whistled notes.","video_1_relative_path":"videos/ad286b520d79cf9f.mp4","video_2_relative_path":"videos/365a2a140491e916.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Sora_2/animals/animals1/00000006","text_prompt":"A stable corridor shot shows a horse being led by a handler; the lead rope hardware clinks softly as the horse walks. Each hoof lands with a solid clop on packed dirt, then changes to a sharper ring as the horse steps onto a concrete section. The handler says, \"Easy,\" as the horse snorts and exhales, and the camera catches the shift in footstep sound with the change in surface.","video_1_relative_path":"videos/b792dda12cecc0d6.mp4","video_2_relative_path":"videos/8371f621036178e5.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Sora_2/animals/animals1/00000007","text_prompt":"A farmyard close-up shows a goat grabbing a leafy branch from a human hand. The goat’s teeth tear leaves off with loud crunchy snaps, and its jaw chews in a steady rhythm while the branch rustles and bends. The human chuckles and says, \"You’re noisy,\" as the goat pauses to bleat once and then resumes chewing.","video_1_relative_path":"videos/158d7789e5fd86ba.mp4","video_2_relative_path":"videos/81914cf82ea7160a.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Sora_2/animals/animals1/00000008","text_prompt":"A quiet garden shot shows a rabbit nibbling grass with tiny quick bites that make faint crunching sounds. A sudden distant noise makes the rabbit freeze, ears upright, then it thumps one hind foot sharply on the ground with a dull thud. After a brief still moment, it darts away through dry leaves that crackle rapidly as it disappears.","video_1_relative_path":"videos/204b6d3f774f45c2.mp4","video_2_relative_path":"videos/3f08fcdcd6f628b7.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Sora_2/animals/animals1/00000009","text_prompt":"A telephoto shot of a squirrel perched on a tree branch in a park with soft wind and distant birds. The squirrel holds a nut between its paws and gnaws; the shell cracks with small sharp snaps, and flakes fall onto leaves below with faint patters. The squirrel pauses to look around, tail flicking with a soft brush sound, then resumes cracking and eating.","video_1_relative_path":"videos/4fcc38135cdee282.mp4","video_2_relative_path":"videos/b22fc9bd3950d981.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Sora_2/animals/animals1/00000010","text_prompt":"A forest shot frames a woodpecker clinging to a tree trunk. The bird suddenly starts drumming, its beak striking the bark in a rapid staccato that sounds like a fast wooden tapping roll. Each burst matches the visible head vibration, and after a short pause the bird calls once, then drums again as bark chips fall.","video_1_relative_path":"videos/c8a3994bb8986dc4.mp4","video_2_relative_path":"videos/09b3b1e8cc25f497.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Sora_2/animals/animals1/00000011","text_prompt":"A wide shot of a wetland at dusk shows still water with reeds swaying. As the camera pans slowly, a chorus of frogs fills the scene with overlapping croaks that rise and fall in waves. A single frog near the camera inflates its throat sac visibly with each call, and its louder croaks land exactly with the pulsing throat movement.","video_1_relative_path":"videos/83db255f3da0e05d.mp4","video_2_relative_path":"videos/d62a1d61a511c8c0.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Sora_2/animals/animals1/00000013","text_prompt":"A night-time woodland shot with faint wind and distant insects shows an owl gliding across frame almost silently. The owl lands on a wooden fence post, and the only sound is a soft feathered whoosh and a tiny claw scrape as it grips the wood. After a beat, the owl turns its head and releases a clear hoot that echoes lightly into the dark.","video_1_relative_path":"videos/35fb3f4bc1ff3a92.mp4","video_2_relative_path":"videos/9d9c5b7cd279adb9.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Sora_2/animals/animals1/00000016","text_prompt":"A sunny sea shot shows two dolphins swimming fast, their dorsal fins cutting the surface with small splashes. One dolphin bursts out of the water in a clean arc, landing with a loud slap and spray, and a second follows a moment later with another splash. A person on the boat shouts, \"There!\" as the dolphins reappear and exhale quick puffs at the surface.","video_1_relative_path":"videos/9a0bc425dc8109cf.mp4","video_2_relative_path":"videos/babacefab12f4cb6.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Sora_2/animals/animals1/00000017","text_prompt":"A wide shot of a penguin colony on a windy icy shoreline captures constant background calls and the low roar of wind. A penguin belly-slides across packed snow, making a soft scraping sound, then pops up to waddle with quick foot taps. Nearby penguins squawk and flap, and a chick peeps sharply while the sliding penguin shakes snow off with a faint rustle.","video_1_relative_path":"videos/e6dceb30117644cc.mp4","video_2_relative_path":"videos/b1a19275286c1e61.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Sora_2/animals/animals1/00000018","text_prompt":"A savanna shot shows an elephant scooping dry earth with its trunk, the grains cascading with a dry sandy pour. The elephant blasts the dust over its back with a forceful trunk exhale, making a deep whoof as dust clouds billow. The elephant’s ears flap with heavy leathery slaps, and it rumbles softly while taking a slow step that thuds into the ground.","video_1_relative_path":"videos/74592cbf2eb3c561.mp4","video_2_relative_path":"videos/b8e9451f1fae4b04.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Sora_2/animals/animals1/00000019","text_prompt":"A ground-level shot in a forest shows a snake moving smoothly through a bed of dry leaves. As its body pushes forward, the leaves crackle and rustle in a continuous whispery trail exactly where the scales pass. The snake pauses, tongue flicking silently, then resumes slithering as a twig snaps lightly under its weight.","video_1_relative_path":"videos/67f908fd5cafdfae.mp4","video_2_relative_path":"videos/9b96513e9c83a98d.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/ads/ads2/00000000","text_prompt":"A young boy hits a beach ball as a group of children runs past him and jumps into a swimming pool with loud splashes, while a voiceover states, 'We went on vacation with a toe dipper.' The camera follows the kids underwater as bubbles roar and feet kick past the lens, and the voiceover finishes, 'and left with a cannonballer.' Finally, the view resurfaces to show a laughing girl in the water as on-screen text reads 'Book your family home now.'","video_1_relative_path":"videos/dd1ac2af153bcc5d.mp4","video_2_relative_path":"videos/5a2790e1f8368228.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/ads/ads2/00000001","text_prompt":"A close-up view of a knitted puppet hand repeatedly dipping a pyramid-shaped tea bag into a clear glass mug of hot water, the liquid sloshing softly as color diffuses. The camera pulls back to reveal a sock-monkey puppet in a plain white T-shirt holding the mug. The puppet lifts the glass to drink with an audible sip, then lowers it with a happy expression. The final shot shows a row of generic green tea boxes on a white surface with the text 'Keep it tea.' overlaid, as the puppet playfully peeks over the boxes. A calm voiceover states, 'A tasty cup of green tea... Delicious,' ending with a satisfied 'Mmm.'","video_1_relative_path":"videos/c1d20cde8d5f0add.mp4","video_2_relative_path":"videos/b3367658aa964839.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/ads/ads2/00000005","text_prompt":"Golden-brown donuts travel along a metal conveyor rack, the machinery humming softly. The donuts pass under a continuous curtain of white glaze, emerging fully coated and shiny as the glaze drips with wet pattering sounds onto the line. The scene cuts to rows of finished glazed donuts moving on a belt toward the camera, overlaid with a generic donut-shop logo and the text 'THE ORIGINAL GLAZED.' A circular 'Made Fresh' graphic animates onto the screen as fast-paced, high-energy orchestral music plays.","video_1_relative_path":"videos/f1ca96c023924bc3.mp4","video_2_relative_path":"videos/bb4ef54d707407e6.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/ads/ads2/00000006","text_prompt":"A close-up top-down view of ice cubes settling into a glass with crisp clinks. A clear spirit pours over the ice with a steady liquid stream sound, then dark cola is poured in with louder fizzing. A wedge of lime drops into the drink, creating a sharp splash. A bottle of generic rum stands next to the finished cocktail with bold Spanish text on screen, while a quick voiceover delivers a short responsible-drinking disclaimer.","video_1_relative_path":"videos/cd1122fa4b6772df.mp4","video_2_relative_path":"videos/5e97706891a3b0ba.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/ads/ads2/00000007","text_prompt":"A man in a yellow car looks back while reversing as the engine idles. A close-up shows the rear alloy wheels rolling slowly over asphalt with a soft tire hiss. The driver watches the dashboard while the steering wheel turns automatically without his hands on it, the indicator clicking. The car smoothly parallel parks between two colorful vehicles as text overlays introduce 'Hands-Free Parking,' with an upbeat modern pop track playing throughout.","video_1_relative_path":"videos/6910a4f10fa0340a.mp4","video_2_relative_path":"videos/8b6db621be206dcf.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/ads/ads2/00000009","text_prompt":"The video opens with a close-up shot of various nuts like almonds and walnuts, and as text advises to consume nuts for a healthy heart, a rhythmic heartbeat sound plays in the background. The scene transitions to a clean white screen displaying a generic health clinic logo and website, with the heartbeat sound continuing steadily.","video_1_relative_path":"videos/d03d8a83be217411.mp4","video_2_relative_path":"videos/c8e8d86412f11d4e.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/ads/ads2/00000011","text_prompt":"Two men sit at a diner counter with soft ambient clatter, and one asks if the other is selling the boat. A clip shows a man sailing a boat as a voice asks, 'Are you selling my boat?' Back at the diner, the man asks how he can keep the memory of the boat. The video cuts to him screaming in a tattoo parlor as a buzzing tattoo machine etches a small sailboat onto his arm, the buzz rising and falling as the needle touches skin.","video_1_relative_path":"videos/c9c7f60f277a1610.mp4","video_2_relative_path":"videos/d712a314444a0ff7.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/ads/ads2/00000012","text_prompt":"A dark street scene shows a standoff between two groups with tense low rumble. A close-up of a man in a maroon helmet. A man in a wheelchair sits beside teenagers in superhero costumes. A subway train car is ripped apart by invisible forces with loud metal tearing and crashing, and soldiers tumble inside a moving structure amid heavy impacts. A fiery logo for a generic superhero film emerges from flames with a release date in Spanish, while two male voices trade urgent lines and intense cinematic music drives the destruction.","video_1_relative_path":"videos/91b2171b5b9a3d94.mp4","video_2_relative_path":"videos/4ef195b14e76f115.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/ads/ads2/00000013","text_prompt":"On a green background, a 3D segmented question mark rotates beside the text 'From questions,' accompanied by clean digital clicks. The shape fluidly transforms into a colorful donut chart with a soft pop, then scatters into a circle of small 3D icons representing data and feedback. The icons quickly converge to form a vertical exclamation mark next to the text 'to answers' with a sharp whoosh. The video ends on a white screen featuring a generic survey platform logo, a website address, and a yellow 'Try it free' button. Upbeat instrumental music plays throughout as a clear voiceover says, 'From questions... to answers.'","video_1_relative_path":"videos/1820c75b55184f8d.mp4","video_2_relative_path":"videos/e6c0ad7e4b417f55.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/ads/ads2/00000014","text_prompt":"A single wind-up chattering teeth toy clacks continuously against a solid teal background. The scene cuts to a blue screen displaying the white text 'Your customers are talking,' abruptly followed by rows of multi-colored chattering teeth toys all moving at once, creating a loud chaotic mechanical clatter. A green screen appears with the text 'Are you listening?' before cutting to a generic product logo and a 'Try it free' button on a white background as the noise ceases.","video_1_relative_path":"videos/8fa9c6a36b779bee.mp4","video_2_relative_path":"videos/1109d74023345e1e.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/ads/ads2/00000015","text_prompt":"A time-lapse from a fixed angle overlooks a public swimming pool in a modern city, starting with bright sunshine, blue water, and lush trees, accompanied by an upbeat cheerful melody. As the timeline advances year by year, the scene stays vibrant at first, but later the environment decays into a grey wasteland with dead trees and a dried-up pool as the music distorts and fades. The final year shows a scorched ruin with only the desolate sound of wind.","video_1_relative_path":"videos/1d57a6c5a2bd99a7.mp4","video_2_relative_path":"videos/5185066e05c9c4ed.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/ads/ads2/00000016","text_prompt":"A computer screen displays a login window for a website with a generic suspicious-looking domain, and as a username is already filled, fast typing fills the password field with a flurry of keystrokes. The cursor clicks the 'Login' button with a single mouse click, then the screen transitions to a product page showing a red bottle labeled with generic 'LCD cleaning solution' text and a price tag. The cursor clicks a yellow 'Add to Cart' button once, pauses, then begins clicking it rapidly in a frantic series as the clicking noises accelerate.","video_1_relative_path":"videos/9d52172a6599a050.mp4","video_2_relative_path":"videos/8c666ae883a61466.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/ads/ads2/00000017","text_prompt":"Two men in business suits stand in an elevator, talk, and shake hands as background elevator music plays. A large white text logo appears superimposed over them as they freeze mid-handshake with wide static smiles, holding perfectly still. A woman walks into the elevator and looks at them expectantly; when they don't move, she waves a hand in front of one man's face and presses a button on the panel with a loud click. The doors close with a mechanical slide and reopen to reveal the men still frozen; she squeezes past them and exits. Their dialogue plays naturally, and a voiceover explains that the ad can't be skipped because it's already over, ending with a generic insurance tagline and percentage savings claim.","video_1_relative_path":"videos/1cd8d288b26163f0.mp4","video_2_relative_path":"videos/16afbf7a5ae7359d.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/ads/ads2/00000018","text_prompt":"In a fast-paced top-down shot, a pair of hands rapidly packs a colorful box on a wooden surface: a patterned card lands with a papery slap, then a glass jar and wooden spoon are placed inside with soft clinks. A bright pamphlet is dropped on top, and tissue paper is folded over with a distinct crinkling noise, ending with the lid closing shut with a satisfying cardboard thud.","video_1_relative_path":"videos/54b0078ab522f05e.mp4","video_2_relative_path":"videos/2f8d17c553bd700e.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/ads/ads2/00000019","text_prompt":"A soaking wet man in an orange life vest carrying a wooden oar bursts through a set of glass doors with a loud crash. He hurriedly opens a silver laptop on a wooden table, the hinge snapping open, and the screen shows a map zooming in on a remote island destination. A review pop-up appears and the cursor selects a one-star rating with a decisive mouse click.","video_1_relative_path":"videos/5a710fec6a0924c4.mp4","video_2_relative_path":"videos/9ba537acbb15e229.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/asmr/asmr2/00000000","text_prompt":"Vertical close-up shot under soft studio lighting. A hand holding a utility knife slowly carves a grid pattern into a dry, pastel pink soap bar. Then, the thumb presses firmly into the grid. The visuals capture the soap cubes popping up and crumbling. The audio begins with the sharp, dry scratching of the knife tip, transitioning to a satisfying, gritty 'crunch' sound as the soap structure collapses under pressure.","video_1_relative_path":"videos/32eeab998392b483.mp4","video_2_relative_path":"videos/505761be608b0247.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/asmr/asmr2/00000001","text_prompt":"Extreme close-up of a person's lower face. They hold a piece of golden, dripping honeycomb. They take a large bite, and the sticky honey stretches between their lips and the comb. The visuals focus on the wax structure breaking and the viscous liquid flowing. The audio captures the distinct 'squelching' wet sound of chewing, the sticky smack of lips opening, and the crunch of the beeswax.","video_1_relative_path":"videos/ba2067d035b7e562.mp4","video_2_relative_path":"videos/7b696091fa89832f.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/asmr/asmr2/00000002","text_prompt":"A pristine cylinder of purple kinetic sand sits on a white table. A sharp knife slices through it vertically. The sand holds its shape for a split second before the sliced half slowly slumps and disintegrates into grains. The audio captures the unique, soft 'shhh' sound of the blade slicing through the sand, followed by a subtle, sandy crumbling noise as the structure falls apart.","video_1_relative_path":"videos/5eaf2c7f986bfd63.mp4","video_2_relative_path":"videos/fae4ead68465eb43.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/asmr/asmr2/00000003","text_prompt":"A macro shot of fingers typing slowly, then accelerating on a custom mechanical keyboard with cream-colored keycaps. RGB lighting pulses gently. The visuals focus on the key travel distance and the fingers bottoming out. The audio features a deep, resonant, and 'creamy' thock sound (not high-pitched clicking) that perfectly syncs with each keystroke, creating a rhythmic bass-heavy texture.","video_1_relative_path":"videos/5024290189de3bdc.mp4","video_2_relative_path":"videos/7b1f0045170fc0e6.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/asmr/asmr2/00000004","text_prompt":"A knife peels the green skin off a large, thick aloe vera leaf, revealing the clear, slimy gel inside. The hand then runs a finger through the goo, causing it to drip. The video captures the glistening, viscous texture of the gel. The audio is dominated by wet, slimy, sloshing sounds, emphasizing the stickiness and moisture of the plant.","video_1_relative_path":"videos/19de84a62d7b39c5.mp4","video_2_relative_path":"videos/11f6a96531a28476.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/asmr/asmr2/00000005","text_prompt":"A pair of hands taps rapidly on a clear glass bottle, producing a high-pitched, resonant 'ting-ting' sound. Halfway through, the hands move to a leather-bound book nearby, tapping on it. The audio instantly shifts from the sharp, bright glass tone to a dull, muted, low-frequency thudding sound, testing the model's material awareness.","video_1_relative_path":"videos/5796d0a9f6fae43c.mp4","video_2_relative_path":"videos/01ca9c74a29040a1.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/asmr/asmr2/00000006","text_prompt":"A clear glass filled with large, round ice spheres. A brightly colored carbonated soda is poured over the ice. The video zooms in on the bubbles rising and the foam head forming. The audio captures the aggressive 'fizzing' of the carbonation and, crucially, the loud, sharp cracking sounds of the ice reacting to the temperature change.","video_1_relative_path":"videos/c4aebca5be07ffc6.mp4","video_2_relative_path":"videos/89999dc4826f9efe.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/asmr/asmr2/00000007","text_prompt":"A POV shot facing a dummy head microphone (3Dio) with silicone ears. A large, fluffy makeup brush gently circles the left silicone ear, then moves across the screen to brush the right ear. The visuals focus on the bristles bending against the silicone curves. The audio creates a 3D effect, with the soft, scratchy brushing sound panning smoothly from the left channel to the right channel.","video_1_relative_path":"videos/a9cff9d672c0396a.mp4","video_2_relative_path":"videos/5b666a481f6a533f.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/asmr/asmr2/00000008","text_prompt":"A macro shot of a white piece of chalk writing the word 'Relax' in cursive on a rough, green slate blackboard. The chalk crumbles slightly, leaving dust particles falling. The audio captures the friction—a mix of soft scratching and occasional high-pitched squeaks as the chalk drags across the textured slate surface.","video_1_relative_path":"videos/c9365e3f7cc702fd.mp4","video_2_relative_path":"videos/2825fd3a578ac013.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/asmr/asmr2/00000009","text_prompt":"A dry block of green floral foam is dipped in water, becoming dark green. A hand squeezes the water-logged foam. The visual shows the foam denting permanently and water rushing out between the fingers. The audio captures a squishy, wet, air-escaping sound, distinct from the dry crunch of dry foam, emphasizing the saturation of the material.","video_1_relative_path":"videos/f41c5ede1a81a4ac.mp4","video_2_relative_path":"videos/2b6f98ca145eaeb6.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/asmr/asmr2/00000010","text_prompt":"A close-up of a hand holding a hollow, pastel-blue clay ball covered in a shiny, brittle glaze. The hand squeezes slowly. The video captures the glaze shattering into shards while the soft clay inside squishes out. The audio features a loud, sharp 'crack' like eggshells breaking, followed by the soft, dull squishing sound of the moist clay underneath.","video_1_relative_path":"videos/0d567f66e7880858.mp4","video_2_relative_path":"videos/27917c8e2542727a.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/asmr/asmr2/00000011","text_prompt":"Macro shot of a wooden wick candle being lit by a match. The flame catches, and the wax around the wick begins to melt into a pool. The camera focuses on the blackened, glowing wood. The audio captures the initial 'fwoosh' of the match, followed by the distinct, rhythmic 'crackling' and 'popping' sound unique to wooden wicks, mimicking a miniature fireplace.","video_1_relative_path":"videos/feae18e0cf8e703a.mp4","video_2_relative_path":"videos/c3561b40d4b14ef1.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/asmr/asmr2/00000014","text_prompt":"Extreme close-up of a roll of heavy-duty duct tape. A hand lifts the edge and pulls a strip off slowly, then quickly. The visuals focus on the adhesive stretching into tiny glue strands before snapping. The audio captures the loud, staccato 'ripping' sound of the adhesive separating from the roll, varying in pitch with the speed of the pull.","video_1_relative_path":"videos/1db4703357860c1f.mp4","video_2_relative_path":"videos/29f58c157c4a9957.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/asmr/asmr2/00000015","text_prompt":"A metal palette knife mixes a blob of thick yellow acrylic paint with blue paint on a glass palette. The colors swirl into green. The visuals focus on the thick, buttery texture of the paint. The audio captures the wet 'squishing' and 'slapping' sounds of the paint being folded, accompanied by the occasional sharp scrape of the metal knife against the glass surface.","video_1_relative_path":"videos/79f63b9d2cea4160.mp4","video_2_relative_path":"videos/b1a25fa568e76b29.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/asmr/asmr2/00000016","text_prompt":"A whole head of fresh, wet iceberg lettuce. Two hands grab the center and pull it apart with force. Water droplets fly off the leaves in slow motion. The audio captures the loud, watery, multi-layered 'crunch' and 'tear' of the crisp vegetable fibers breaking, sounding fresh and hydrated.","video_1_relative_path":"videos/3edf4671e74fa280.mp4","video_2_relative_path":"videos/52584271481f7c2a.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/asmr/asmr2/00000017","text_prompt":"A visual of a professional microphone covered with a black foam windscreen. Long fingernails gently scratch the surface of the foam in a circular motion. The foam depresses slightly and rebounds. The audio is a raw, textured 'white noise' scratching sound, simulating the proximity effect where the sound feels like it is directly inside the listener's ear.","video_1_relative_path":"videos/3b39cf24c2d33c98.mp4","video_2_relative_path":"videos/3f106865a0ee2d89.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/asmr/asmr2/00000018","text_prompt":"A container filled with glossy, metallic purple slime. A finger pokes deep into it, creating a hole that slowly closes up. Then, the hand stretches the slime to create an air bubble and squeezes it. The audio captures the wet, thick 'thwock' sound of the poke and the sharp, explosive 'snap' of the air bubble popping.","video_1_relative_path":"videos/bea582a93b98b3ca.mp4","video_2_relative_path":"videos/3fea13b111150898.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Veo_3.1_fast/asmr/asmr2/00000019","text_prompt":"A hand dives into a bowl filled with thousands of slippery, transparent water beads. The hand grabs a handful and squeezes tight. The beads slip through fingers and some burst. The audio captures the chaotic, wet 'sloshing' sound of the beads colliding and the subtle 'squelch' of the hydrogel material breaking under pressure.","video_1_relative_path":"videos/81636c91f534567a.mp4","video_2_relative_path":"videos/6b15b52f0117ddb4.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Wan_2.6/cooking/my_dataset2/00000000","text_prompt":"A close-up overhead shot of a thick steak being laid onto a preheated cast-iron skillet, immediately releasing a loud sizzling sound as wisps of steam rise. The cook presses the steak down with tongs, making a firm scrape against the pan, then flips it once with a quick slap so the new side hits the hot surface and the sizzle swells again. A knob of butter is added and foams with a rapid hiss while the cook tilts the pan and spoons the bubbling butter over the steak in rhythmic scoops, and the cook says, \"Listen to that crust.\"","video_1_relative_path":"videos/99acfdfcb7d907e4.mp4","video_2_relative_path":"videos/7be5f75760423cda.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Wan_2.6/cooking/my_dataset2/00000001","text_prompt":"A medium shot of a cutting board where a knife chops an onion into quick dice with crisp tapping sounds, then the pieces are swept into a hot pan with a dry slide. The onion hits oil with a gentle sizzle that grows as the cook stirs with a wooden spatula, making a soft scraping rasp. Minced garlic is added and immediately becomes more fragrant-looking and louder, the sizzle tightening, and the cook says, \"Garlic goes in last—don’t let it burn,\" while the camera catches the edges turning translucent.","video_1_relative_path":"videos/8bc2fe53f36c75a2.mp4","video_2_relative_path":"videos/e256b858aa8aa575.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Wan_2.6/cooking/my_dataset2/00000002","text_prompt":"A cozy kitchen shot shows pancake batter being whisked in a bowl, the whisk making wet rhythmic swishes, then the batter is poured onto a hot griddle with a thick glug. Tiny bubbles form and pop silently at first, then a faint frying hiss builds as the surface sets. A spatula slides under with a soft scrape and the pancake flips with a light slap, landing to a renewed sizzle; the cook laughs and says, \"Perfect—golden side down.\"","video_1_relative_path":"videos/a583b4d07bc76ccc.mp4","video_2_relative_path":"videos/5e778772fa144d2b.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Wan_2.6/cooking/my_dataset2/00000003","text_prompt":"A handheld close-up of a carbon-steel wok on a roaring burner, the flame whooshing audibly. Thin-sliced meat is tossed in and instantly crackles, and the cook stirs fast so the metal spatula clacks against the wok in sharp bursts. A handful of vegetables goes in with a loud hiss as moisture hits heat, and the cook flips the wok to send ingredients arcing up and slapping back down, then adds a quick pour of sauce that sputters and thickens while the cook says, \"Keep it moving—high heat.\"","video_1_relative_path":"videos/0675209239fe2779.mp4","video_2_relative_path":"videos/c82f5561e3e38527.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Wan_2.6/cooking/my_dataset2/00000005","text_prompt":"A close shot shows a chef’s knife slicing carrots into neat matchsticks, each cut making a fast, precise knock against the board. The julienned carrots are scooped and poured into a hot pan, triggering a bright sizzle, and the cook shakes the pan so the pieces slide and tick across the metal. A pinch of pepper is ground over the pan with a gritty crunching sound, and the cook says, \"Same size cooks same time,\" as the carrots begin to soften and glisten.","video_1_relative_path":"videos/958230206bb97c2d.mp4","video_2_relative_path":"videos/e63e49eff3975ccb.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Wan_2.6/cooking/my_dataset2/00000009","text_prompt":"Slices of bread are dropped into a toaster with a soft thump, and the lever clicks down. While the toaster hums, the cook unwraps butter with a papery crinkle and spreads it on a warm slice as it pops up with a sudden springy click. The knife scrapes lightly across the crust, and the cook says, \"Spread while it’s hot,\" as the butter melts and turns glossy.","video_1_relative_path":"videos/6589cef1c2d84293.mp4","video_2_relative_path":"videos/706ce1fef5cd975e.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Wan_2.6/cooking/my_dataset2/00000010","text_prompt":"A burr grinder starts with a low motor whirr, and coffee beans rattle and crunch as they grind. The grounds are poured into a paper filter with a soft sandy pour, then hot water is poured in a slow spiral, making a gentle trickling sound as the bloom rises and releases tiny bubbles. The kettle’s stream quiets as the cook pauses, and they say, \"Watch it bloom,\" while droplets continue to drip steadily into the carafe.","video_1_relative_path":"videos/b95e678691397456.mp4","video_2_relative_path":"videos/56ce662e06d37f15.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Wan_2.6/cooking/my_dataset2/00000011","text_prompt":"A small glass jar is filled in steps: oil pours in with a smooth glug, vinegar splashes in with a sharper slosh, and a spoon taps in mustard with a sticky plop. The lid screws on with quick plastic clicks, and the jar is shaken vigorously, liquids thudding and slapping inside. The cook opens it and says, \"Listen—when it goes quiet, it’s emulsified,\" as the mixture turns uniformly opaque.","video_1_relative_path":"videos/d3eb1721d9c95113.mp4","video_2_relative_path":"videos/fb443924ffee199b.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Wan_2.6/cooking/my_dataset2/00000012","text_prompt":"Chopped vegetables are dumped onto a metal sheet pan with a loud clatter, and oil is drizzled over them in a thin stream that patters on the pan. Salt is sprinkled, pepper is ground with crunchy twists, and the cook tosses everything by lifting and jerking the tray so the vegetables slide and knock together. The pan goes into the oven with a metallic rack scrape, and the cook says, \"Single layer for browning,\" as the door shuts with a soft thump.","video_1_relative_path":"videos/07c6bc3857a1ddb3.mp4","video_2_relative_path":"videos/5eb20258f03246d3.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Wan_2.6/cooking/my_dataset2/00000013","text_prompt":"A pot of cooked vegetables is poured into a blender jar with a wet slosh and steam rising. The lid is pressed down firmly, and the blender bursts on with a loud roar that smooths the mixture visibly from chunky to silky. The cook pauses, taps the lid, and says, \"Start low—hot liquid expands,\" then finishes with a final higher-speed blend before the motor winds down.","video_1_relative_path":"videos/f9b4d5d47a6faae9.mp4","video_2_relative_path":"videos/04b6b38a9aaac91e.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Wan_2.6/cooking/my_dataset2/00000014","text_prompt":"A close-up shows a pot of oil shimmering quietly as the cook holds a pinch of breadcrumbs over it. The crumbs drop in and immediately fizz with a tight crackling sizzle, and the cook says, \"That’s the sound you want,\" before lowering a breaded cutlet into the oil. The cutlet hits and the frying erupts louder, bubbles racing along the edges as the cook gently nudges it with tongs, metal clicking against the pot.","video_1_relative_path":"videos/fc438078ebc382af.mp4","video_2_relative_path":"videos/9075fdb7a5d9c124.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Wan_2.6/cooking/my_dataset2/00000015","text_prompt":"Eggs are whisked with fast wet swishes, then poured into a nonstick pan where they begin to set with a soft, even hiss. The cook shakes the pan to loosen the edges, and a spatula makes a smooth rubbery scrape as it pulls curds inward. With a quick wrist motion, the omelet is folded over itself with a muffled flap, then slid onto a plate with a soft glide, and the cook says, \"No browning—just tender.\"","video_1_relative_path":"videos/030fa9018b5be5ef.mp4","video_2_relative_path":"videos/560baa504eb284d6.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Wan_2.6/cooking/my_dataset2/00000016","text_prompt":"A bowl of freshly cooked rice is turned out with a steamy thud, and seasoned vinegar is poured over it with a bright splash. The cook uses a wooden paddle to cut and fold the rice with crisp scraping strokes against the bowl, while another hand fans vigorously, the fan making a steady whooshing sound. The cook says, \"Cut—don’t mash,\" as the rice becomes glossy and individual grains separate.","video_1_relative_path":"videos/1e78ccbe6610cadd.mp4","video_2_relative_path":"videos/29235cb227143635.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Wan_2.6/cooking/my_dataset2/00000017","text_prompt":"Granulated sugar is poured into a stainless pan with a soft sand-like hiss, and the pan is gently shaken so the sugar levels out with a whispery slide. As heat builds, the sugar begins to liquefy at the edges, and the cook swirls the pan, making a faint syrupy slosh as the liquid spreads. The cook says, \"Don’t stir—just swirl,\" while the caramel darkens gradually and a tiny bubble crackle appears across the surface.","video_1_relative_path":"videos/7303c6c1a1cd2faf.mp4","video_2_relative_path":"videos/7267a7c1db8cd4cf.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Seedance_1.5_pro_vs_Wan_2.6/cooking/my_dataset2/00000018","text_prompt":"Avocados are halved with a knife twist and the pit pops free, then the flesh is scooped with a soft scrape into a bowl. A fork mashes the avocado with thick squelching sounds, and chopped onion and cilantro are sprinkled in, pattering lightly. Lime is squeezed with a wet spritz, and the cook says, \"Salt wakes it up,\" as they add salt and mix, the texture changing from chunky to creamy.","video_1_relative_path":"videos/1fe8ec6a324dff91.mp4","video_2_relative_path":"videos/986a483fcf8ca15e.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Seedance_1.5_pro_vs_Wan_2.6/cooking/my_dataset2/00000019","text_prompt":"A quiet kitchen pass: a spoon drops a dollop of sauce onto a ceramic plate with a wet plop, then the chef drags the spoon to make a clean swipe with a soft scrape. Sliced protein is placed precisely with tongs that click, and a small handful of herbs is sprinkled over with a faint rustle. The chef taps the plate once on the counter with a solid knock, saying softly, \"Clean edges,\" as the camera lingers on the glossy finish.","video_1_relative_path":"videos/e3c2238fc5e58240.mp4","video_2_relative_path":"videos/d528ef5a9518091b.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Seedance_1.5_pro/physical_experiment/physical_experiment_2/00000000","text_prompt":"A physics classroom demonstration focusing on electromagnetism. A hollow, vertical copper tube is clamped to a stand while quiet classroom room tone is audible. A hand drops a strong neodymium magnet into the tube, and instead of a fast clatter the magnet descends slowly with a faint metallic sliding rasp, finally landing with a soft muted thud compared to a normal free-fall drop.","video_1_relative_path":"videos/cb019c83c2d80ffc.mp4","video_2_relative_path":"videos/1b249b6e98fe681c.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Seedance_1.5_pro/physical_experiment/physical_experiment_2/00000002","text_prompt":"A backyard science experiment featuring a large water balloon filled with water and taped with a square of electrical tape, with birds chirping in the background. A pin pokes a clean hole through the tape with a sharp pop, and a perfectly smooth stream of water exits with a steady quiet pour, looking strangely frozen and glassy as it falls without turbulent splashing.","video_1_relative_path":"videos/1cb3cf6639221e0a.mp4","video_2_relative_path":"videos/91786386e79c00a0.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Seedance_1.5_pro/physical_experiment/physical_experiment_2/00000003","text_prompt":"A top-down view of a black square metal plate sprinkled evenly with fine white sand as a tone generator plays a pure sine wave that sweeps upward in pitch. As the plate begins to vibrate, the rising tone makes the sand suddenly jitter and chatter across the metal, then fall quiet as grains slide into crisp geometric nodal lines that sharpen and rearrange each time the pitch crosses a new resonance.","video_1_relative_path":"videos/c4d332a38440aea0.mp4","video_2_relative_path":"videos/c5fa936331a3e812.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Seedance_1.5_pro/physical_experiment/physical_experiment_2/00000004","text_prompt":"A simple optical physics setup shows a clear glass tank filled with water in a quiet room with faint ambient noise. A bright yellow pencil is lowered into the water at a 45-degree angle, making a small water ripple sound as it breaks the surface, and the camera from the side captures the pencil appearing visibly 'broken' and laterally shifted exactly at the air–water boundary.","video_1_relative_path":"videos/fe362f0a2cafe54a.mp4","video_2_relative_path":"videos/7dfbc83259e9b0c3.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Seedance_1.5_pro/physical_experiment/physical_experiment_2/00000005","text_prompt":"A large bowl filled with white cornstarch-and-water oobleck sits on a table, making wet squelching sounds as a hand stirs it. A fist punches straight down, hitting with a hard flat smack as the surface behaves like a solid, then the hand relaxes and slowly sinks in with sticky gurgling squishes as the mixture flows like a liquid around the fingers.","video_1_relative_path":"videos/8df833e8b4a16602.mp4","video_2_relative_path":"videos/8d09ab9d915492b6.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Seedance_1.5_pro/physical_experiment/physical_experiment_2/00000006","text_prompt":"A classic Newton's Cradle sits on a wooden desk in a quiet room. A hand pulls back exactly two metal spheres on the left and releases them; the impact produces a crisp synchronized clack, and on the right exactly two spheres swing out together, clicking in rhythm as the motion continues.","video_1_relative_path":"videos/2ec790bf96ac0000.mp4","video_2_relative_path":"videos/09b3175e77013c60.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Seedance_1.5_pro/physical_experiment/physical_experiment_2/00000007","text_prompt":"In a physics lab, a heavy bicycle wheel is spun up rapidly, its bearings producing a steady high whir. A rope is attached to one handle and the demonstrator lets the other side go; instead of dropping flat with a bang, the wheel stays upright and slowly precesses around the rope while the whirring pitch subtly wobbles as the axis turns.","video_1_relative_path":"videos/d3ec54b216af7e62.mp4","video_2_relative_path":"videos/33c7920c84250a76.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Seedance_1.5_pro/physical_experiment/physical_experiment_2/00000008","text_prompt":"A high-speed camera close-up shows a Prince Rupert's Drop under dramatic silence with only faint tool handling noises. Hydraulic pliers squeeze the bulbous head without breaking it, then snip the thin tail with a tiny sharp click, instantly triggering a violent crackling burst as the entire glass drop explosively disintegrates into fine dust.","video_1_relative_path":"videos/b499f016f8b0b1db.mp4","video_2_relative_path":"videos/7a824f52c19ac223.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Seedance_1.5_pro/physical_experiment/physical_experiment_2/00000009","text_prompt":"In a darkened room, a plastic bottle drains a smooth stream of water into a bucket with a steady splashing sound. A green laser pointer shines into the bottle so the beam enters the exiting water, and the video shows the light bending and staying trapped inside the stream like a glowing fiber as the water continues to pour audibly.","video_1_relative_path":"videos/18a2a61f79f694cd.mp4","video_2_relative_path":"videos/aabd2da7c71a30fe.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Seedance_1.5_pro/physical_experiment/physical_experiment_2/00000010","text_prompt":"A home science video in a living room features a hair dryer roaring loudly as it blows straight upward. A hand places a ping-pong ball into the air jet, and when the hand lets go the ball hovers and wobbles in the rushing airflow, bobbing slightly while the loud blower sound stays constant.","video_1_relative_path":"videos/2ef2a779b580509f.mp4","video_2_relative_path":"videos/9cd8512af02c3a2d.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Seedance_1.5_pro/physical_experiment/physical_experiment_2/00000011","text_prompt":"A lab close-up shows a black ceramic superconductor disk cooled with liquid nitrogen, cold white vapor cascading off the sides with a soft hiss. A gloved hand lowers a small shiny magnet above the frosted disk, and when the hand releases it the magnet levitates silently a few millimeters in the air, drifting smoothly while nitrogen vapor continues to whisper around the setup.","video_1_relative_path":"videos/22c90ec2b04112de.mp4","video_2_relative_path":"videos/95555d72d72b5b29.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Seedance_1.5_pro/physical_experiment/physical_experiment_2/00000012","text_prompt":"Two identical tuning forks on wooden resonance boxes sit a few feet apart in a quiet classroom. A rubber mallet strikes the first fork, producing a loud pure tone, and after two seconds a hand pinches the first fork to silence it instantly while the same note continues softly from the second fork, as if the sound has moved across the table.","video_1_relative_path":"videos/19dde529477ba4fd.mp4","video_2_relative_path":"videos/76382130192b73eb.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Seedance_1.5_pro/physical_experiment/physical_experiment_2/00000013","text_prompt":"A slow-motion wide shot in a quiet gym shows a person on a ladder holding a fully stretched rainbow slinky. The top is released with a faint metallic jingle, and while the upper coils collapse downward the bottom end appears to hover nearly motionless for a moment before suddenly snapping down and hitting the floor with a quick rattling clatter.","video_1_relative_path":"videos/61babafee8cd0e2f.mp4","video_2_relative_path":"videos/5e583728b5612385.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Seedance_1.5_pro/physical_experiment/physical_experiment_2/00000014","text_prompt":"A top-down kitchen shot shows a plate of water covered with black pepper flakes, with faint room sounds in the background. A soapy fingertip touches the center with a tiny tap, and instantly the pepper darts outward in a fast sweeping motion as the surface tension breaks, accompanied by a subtle sloshing ripple sound.","video_1_relative_path":"videos/e65ca6ec97e3f424.mp4","video_2_relative_path":"videos/7741426f4735006f.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Seedance_1.5_pro/physical_experiment/physical_experiment_2/00000015","text_prompt":"A warm close-up shows a steaming cup of hot tea on a wooden saucer, and a metal spoon clinks against the ceramic as it stirs. The spoon is revealed to be gallium; as it stays submerged, the 'spoon' begins to slump and deform, wobbling and softening while the stirring sound changes from a firm clink to a duller, mushier scrape.","video_1_relative_path":"videos/3c1e7fd7b3d28dcd.mp4","video_2_relative_path":"videos/b51e3158f5afe95c.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Seedance_1.5_pro/physical_experiment/physical_experiment_2/00000016","text_prompt":"In a bathroom, a faucet runs a thin steady stream with constant water noise. A person rubs a plastic comb against dry hair, producing faint crackling, and as the charged comb approaches the falling stream the water audibly stays the same but visibly curves sideways toward the comb without being touched.","video_1_relative_path":"videos/7c6313cbb98921dc.mp4","video_2_relative_path":"videos/cebd90adb89862d3.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Seedance_1.5_pro/physical_experiment/physical_experiment_2/00000017","text_prompt":"A high-fidelity view into a glass vacuum chamber shows absolute silence with no air movement. A release mechanism drops a metal coin and a feather side-by-side, and they fall at the same rate and hit the floor together with a single sharp impact sound transmitted through the chamber's base rather than through air.","video_1_relative_path":"videos/6cc3a8c5011e4409.mp4","video_2_relative_path":"videos/c18360d44f4fdecb.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Seedance_1.5_pro/physical_experiment/physical_experiment_2/00000018","text_prompt":"A tabletop optics demo shows a bright phone flashlight shining through a first polarizing filter, with quiet room tone. A second polarizer is held in front and slowly rotated, the plastic making a faint rubbing sound between fingers; as it turns, the beam visibly dims smoothly to near-black at the crossed position and then brightens again as the rotation continues.","video_1_relative_path":"videos/34fa607f4f9c2852.mp4","video_2_relative_path":"videos/139e7d83bdc63525.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Seedance_1.5_pro/physical_experiment/physical_experiment_2/00000019","text_prompt":"A metal tuning fork is struck on a table with a sharp tap, producing a steady hum. The vibrating prongs are lowered to just touch a bowl of still water, and the moment the tips meet the surface they create rapid tiny splashes and ripples that buzz in sync with the audible vibration.","video_1_relative_path":"videos/f7aac4598608e27d.mp4","video_2_relative_path":"videos/f1753bf6c83b702f.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/news/news_3/00000000","text_prompt":"A professional news segment starting with a female anchor in a bright studio, holding a paper and announcing a major historical find. Suddenly, the video cuts to shaky documentary-style footage inside a dusty cave, showing a gloved hand brushing dirt off a golden ancient artifact buried in the ground. The anchor's voiceover explains the significance of the discovery throughout the clip.","video_1_relative_path":"videos/c70df16685a46766.mp4","video_2_relative_path":"videos/3a1833af5a95cdfc.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/news/news_3/00000001","text_prompt":"A serious news report beginning with a male anchor in a suit sitting against a digital background of world maps. He looks grave while delivering a warning about internet safety. The scene then abruptly switches to B-roll footage of computer screens in a dark room displaying scrolling green binary code and 'ACCESS DENIED' pop-ups, symbolizing a cyber attack.","video_1_relative_path":"videos/209bf4f741035f61.mp4","video_2_relative_path":"videos/b6c12250c0b2c12f.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/news/news_3/00000002","text_prompt":"A lighthearted news clip. A smiling anchor sits at the desk with a 'ZOO UPDATE' graphic behind her. She introduces a cute story. The video transitions to high-quality footage of a baby panda clumsily rolling around on green grass and chewing on a bamboo stick in a zoo enclosure. The audio includes the anchor's narration mixed with ambient nature sounds.","video_1_relative_path":"videos/0a8d7db58c3dac5a.mp4","video_2_relative_path":"videos/363cc8521a8dbdd8.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/news/news_3/00000003","text_prompt":"Business news coverage. The video starts with a financial reporter standing in a newsroom, pointing to a graph. He discusses manufacturing trends. The view then cuts to an industrial scene showing fast-moving robotic orange arms assembling car parts on a modern production line with sparks flying. The reporter's voice continues seamlessly over the industrial footage.","video_1_relative_path":"videos/7a0b4a0362f9a546.mp4","video_2_relative_path":"videos/a94080fc984ee268.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/news/news_3/00000005","text_prompt":"Health news segment. A serious anchor with glasses reads from a teleprompter about a new health initiative. The shot cuts to medical footage showing a close-up of a nurse's hands wearing blue latex gloves carefully preparing a syringe and a vaccine vial in a sterile hospital environment.","video_1_relative_path":"videos/a74136a4607a55f3.mp4","video_2_relative_path":"videos/5d1b0620d30f5c61.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/news/news_3/00000006","text_prompt":"Holiday shopping report. An anchor sits at the desk, gesturing towards a graphic of a shopping bag. He speaks about retail chaos. The scene immediately switches to footage of a large crowd of shoppers rushing through the automatic doors of a department store, grabbing boxes from shelves. The anchor's voiceover describes the record-breaking sales numbers.","video_1_relative_path":"videos/4ff69768f780bca1.mp4","video_2_relative_path":"videos/04a9cf89b1b8f559.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/news/news_3/00000007","text_prompt":"Breaking travel news. A reporter in a trench coat stands outside an airport terminal with planes visible in the distance. She speaks into a microphone about cancellations. The video cuts to an interior shot of a packed airport terminal, showing a departure board filled with red 'CANCELLED' text and tired passengers sleeping on their luggage.","video_1_relative_path":"videos/31aaa73fb3ee716a.mp4","video_2_relative_path":"videos/abbfa51209cb8bee.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/news/news_3/00000008","text_prompt":"Environmental disaster report. A somber anchor sits in the studio with a blue background. He reports on a recent accident. The video transitions to aerial drone footage looking down at a beach, where black oil sludge is washing up on the white sand and waves are crashing. The sound of the ocean mixes with the serious tone of the news report.","video_1_relative_path":"videos/aeaef41878763763.mp4","video_2_relative_path":"videos/a53fa477ff953082.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/news/news_3/00000009","text_prompt":"Fashion week highlight. A stylish presenter stands in a studio, talking about the latest trends. The video cuts to a vibrant fashion runway show, featuring a model walking towards the camera in an avant-garde silver dress, with audience heads silhouetted in the foreground. Rhythmic electronic music plays faintly in the background of the report.","video_1_relative_path":"videos/0ae0dd893819796c.mp4","video_2_relative_path":"videos/43829baf53ab7d1f.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/news/news_3/00000010","text_prompt":"A breaking crime report. A serious-looking male anchor sits in a dimly lit studio, reading an urgent update from papers in his hand. The video abruptly cuts to night footage of a city street blocked off by yellow 'CRIME SCENE' tape, with red and blue police siren lights reflecting off wet pavement. The anchor's narration continues over the scene.","video_1_relative_path":"videos/1a171531fa604d5e.mp4","video_2_relative_path":"videos/1e4f8f22248cc7b2.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/news/news_3/00000011","text_prompt":"Real estate market update. A female financial reporter stands in a busy newsroom with blurred TV screens behind her. She smiles while discussing rising property values. The scene switches to a sunny outdoor shot of a modern suburban house with a manicured lawn, focusing on a real estate agent hammering a 'SOLD' sign into the grass.","video_1_relative_path":"videos/14b524d45a3c9f28.mp4","video_2_relative_path":"videos/a2a8c377ad6cc380.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/news/news_3/00000014","text_prompt":"Financial technology report. A reporter stands in front of a green screen showing a jagged red line graph plummeting downwards. He looks concerned. The view cuts to a close-up shot of a server room filled with rows of cryptocurrency mining rigs with blinking LED lights and spinning fans. The sound of humming cooling fans is audible under the report.","video_1_relative_path":"videos/04aa907a83af6502.mp4","video_2_relative_path":"videos/bb0636a259fcda88.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/news/news_3/00000015","text_prompt":"Lifestyle and culinary news. A cheerful female anchor sits in a bright morning show studio with a coffee mug. She announces a new viral restaurant. The scene cuts to a mouth-watering close-up slow-motion shot of a chef slicing into a juicy steak, with steam rising and sauce dripping. The anchor's voice describes the menu.","video_1_relative_path":"videos/1db3999d9f29a5f4.mp4","video_2_relative_path":"videos/ae619a8924a8f114.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/news/news_3/00000016","text_prompt":"Green energy report. A male anchor wearing a green tie stands in a virtual studio with wind turbine graphics. He talks about renewable targets. The video switches to a high-angle drone shot flying over a massive field of blue solar panels stretching to the horizon under a bright sun. The anchor's narration explains the energy capacity.","video_1_relative_path":"videos/30e296e9559dbb1e.mp4","video_2_relative_path":"videos/261fb88a633cd259.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/news/news_3/00000017","text_prompt":"Science update. A meteorologist points to a star map graphic. He encourages viewers to look up tonight. The video cuts to a beautiful time-lapse of a dark night sky, capturing streaks of light (meteors) flashing across the Milky Way. The audio features quiet, awe-inspiring ambient music mixed with the forecast.","video_1_relative_path":"videos/95b526749382420e.mp4","video_2_relative_path":"videos/e0cf4c6b1ab6bfd9.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/sports/sports_2/00000000","text_prompt":"A cinematic slow-motion shot shows a golfer fully in frame from the side inside a sand trap on a sunny morning. The golfer takes a focused stance, swings down, and the club strikes the sand inches behind the ball with a dull thump, blasting a cloud of beige grains that rushes upward with a soft hiss. The ball rides out on the sand splash and lands on the green while sand rains down with faint pattering, and the golfer holds the follow-through pose, watching the shot.","video_1_relative_path":"videos/4857da6b7741d451.mp4","video_2_relative_path":"videos/56c0917005cf779e.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/sports/sports_2/00000001","text_prompt":"A full-body, high-contrast shot on a fencing piste shows two fencers in mask and white uniform facing off under bright overhead lights, with a quiet gym echo. The left fencer suddenly launches into a fleche, shoes squeaking sharply as they sprint forward. The foil tip lands on the opponent’s jacket with a crisp metallic tap, the blade bending into a deep curve, followed by a brief ringing vibration and a tiny electrical crackle as the scoring light clicks on instantly.","video_1_relative_path":"videos/0fa408f262b9dc78.mp4","video_2_relative_path":"videos/6dcb4da4c072beb4.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/sports/sports_2/00000002","text_prompt":"A low-angle wide shot captures the entire motocross rider and bike approaching a muddy ramp at speed, the engine snarling and rising in pitch. The rider launches into the air and whips the bike sideways mid-flight, body twisted and knees gripping the frame as clods of dirt rattle off the tires. As the rider straightens out, wind roar dominates for a beat, then the landing hits with a heavy slap of tires on wet ground and a deep suspension clunk as the rider continues down the track.","video_1_relative_path":"videos/f3eeade7663ef809.mp4","video_2_relative_path":"videos/68b33fc18ad33ee0.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/sports/sports_2/00000003","text_prompt":"A full-body shot at center ice under a spotlight shows a figure skater gliding into a spin, the blade making an audible scrape that turns into a rising scratchy hiss as rotation accelerates. The skater pulls arms and legs in tight, dress blurring into a ring as fine ice shavings whisper outward. The skater finishes with a sharp stop that cuts the scraping sound nearly to silence, ending in a clean pose as the rink ambience returns.","video_1_relative_path":"videos/1e0784081c3c8929.mp4","video_2_relative_path":"videos/b5d9623fdaa14511.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/sports/sports_2/00000004","text_prompt":"A wide shot in a quiet pool hall shows a player lining up at the table, chalking the cue with a soft gritty rub before stepping into stance. The cue strikes the cue ball with a sharp crack, and the rack explodes into rapid clatter as balls scatter across the felt. The player straightens up watching, while balls roll with low rumbles and tick against cushions, then settle into silence.","video_1_relative_path":"videos/f6c31214d23cabc5.mp4","video_2_relative_path":"videos/0f39be8af33da6ea.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/sports/sports_2/00000005","text_prompt":"A full-ring view shows two sumo wrestlers crouched low at the start lines on a clay dohyo, with the arena hushed except for distant crowd murmurs. One wrestler throws purification salt that sprinkles dryly onto the clay. They launch forward at the same instant, feet stomping heavily, and collide chest-to-chest with a deep body-slam impact; clay dust puffs up and falls with soft gritty patters as both wrestlers strain and grunt, pushing for position.","video_1_relative_path":"videos/36a032390a3770bc.mp4","video_2_relative_path":"videos/42d9bfa1806551b9.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/sports/sports_2/00000007","text_prompt":"A two-angle sequence: first a wide pool-deck shot shows a diver on a 10m platform, the crowd quiet, then the diver leaps and tucks into a clean line. Cut to an underwater wide shot looking up as the diver pierces the surface with a tight, subdued whoomp instead of a huge splash. Underwater, a cone of air bubbles fizz-roars around the diver’s body and trails downward as the diver glides deep and then slows in the blue.","video_1_relative_path":"videos/081d3222eac5e189.mp4","video_2_relative_path":"videos/04ebd4e1fb2ff1d9.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/sports/sports_2/00000008","text_prompt":"A sideline wide shot shows a rugby scrum forming in torrential rain, drops drumming on jerseys while players shout and the referee calls commands. The two packs crouch and bind, boots squelching as they dig into mud. On 'Engage!' they collide with a heavy grunt, shoulders driving, mud slapping and churning loudly underfoot as the scrum heaves, jerseys stretching and creaking under strain.","video_1_relative_path":"videos/3e362c0baface17c.mp4","video_2_relative_path":"videos/d71504f6f4987ed4.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/sports/sports_2/00000009","text_prompt":"A mid-wide shot shows a table tennis player fully in frame at the end of the table, knees bent and eyes locked on the ball in a bright hall with faint crowd hush. The ball bounces on the table with a light plastic tick, and the player swings through a topspin drive, contacting with a crisp click exactly as the paddle brushes the ball. The ball shoots forward with visible spin, the player’s shoes squeak during the quick step-in, and the opponent’s block returns a second tick a moment later.","video_1_relative_path":"videos/81391797aff189cf.mp4","video_2_relative_path":"videos/c0b9f4e53c82b695.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/sports/sports_2/00000010","text_prompt":"A wide stadium shot on a snowy night shows a quarterback launching a high spiral as the crowd roars behind wind gusts. Downfield, a receiver sprints, cleats crunching in powder and breath huffing in the cold. The ball descends with a faint rushing whistle, and the receiver leaps into a cluster, catching with a soft leather thump against gloves before crashing into snow with a deep muffled impact and a long sliding scrape. The crowd erupts as an official raises the signal in the background.","video_1_relative_path":"videos/7e50b613fe2aefbd.mp4","video_2_relative_path":"videos/64e002e11c47f463.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/sports/sports_2/00000011","text_prompt":"A third-person wide shot follows a traceur running across a rooftop, full body visible as footsteps crunch on gravel and breathing grows louder. Wind rushes past as the traceur reaches the edge and jumps a wide gap between buildings, body fully extended in mid-air. The landing hits with a sharp shoe slap on concrete, followed by a gritty scrape as the traceur performs a safety roll, then pops back up and keeps running as city ambience hums far below.","video_1_relative_path":"videos/d3b166792d06f738.mp4","video_2_relative_path":"videos/b09f91e9c74aa94d.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/sports/sports_2/00000012","text_prompt":"A dynamic rink-level wide shot shows a goalie centered in frame while skaters rush in, blades carving the ice with a constant shhhhh and boards echoing the arena. A forward breaks in alone, stickhandling with quick clacks, then shoots low. The goalie lunges, pads thumping the ice, and the puck deflects off the raised skate with a sharp clack inches from the line, then rattles into the corner as the crowd reacts with a sudden roar.","video_1_relative_path":"videos/13edd52f1d8df7a8.mp4","video_2_relative_path":"videos/9bcb68d1cb127051.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/sports/sports_2/00000013","text_prompt":"A full-body ring shot in a gritty venue shows two fighters circling, bare feet slapping the canvas and the crowd rumbling. Punches land on gloves and forearms with dull thuds, then one fighter spins into a back elbow. The elbow connects with a sharp smack synced to the head snap, sweat spraying and pattering to the mat. The opponent staggers and drops, ropes creaking as the referee rushes in, and the audience noise surges.","video_1_relative_path":"videos/51205605913453e2.mp4","video_2_relative_path":"videos/b12d0c6390c33652.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/sports/sports_2/00000014","text_prompt":"A following wide shot trails a mountain biker descending a foggy forest trail, the rider and bike fully visible weaving between rocks and roots. Tires buzz and crunch over wet gravel, the chain rattles, and the suspension chatters loudly over bumps. The rider launches a small drop; for a brief airtime the rumble falls to wind noise, then the landing hits with a heavy thud as mud spits up and the rider regains control, continuing downhill.","video_1_relative_path":"videos/e9aab9c1f02c4947.mp4","video_2_relative_path":"videos/f3927f736e42fe1c.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/sports/sports_2/00000015","text_prompt":"A broadcast-style wide shot shows the pitcher delivering a fastball, the crowd low in the background. The ball hisses toward the plate as the batter swings hard, full body visible. The ball jams the bat handle; a violent crack splits the wood and shards fly as the batter’s hands recoil. Pieces whistle past while the ball dribbles into the dirt with a soft bounce, and the batter stares at the broken bat in shock as the stadium reacts.","video_1_relative_path":"videos/6ab6036f984f2864.mp4","video_2_relative_path":"videos/f02a9a5ecaf4f7fa.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/sports/sports_2/00000016","text_prompt":"A poolside wide shot shows a swimmer sprinting freestyle into the wall, arms slapping water rhythmically with loud splashes. Cut to underwater wide: the swimmer flips, bubbles roaring around the body, and both feet plant on the wall with a muted thump. The swimmer pushes off explosively, streaming bubbles in a long trail, then breaks the surface with a splash and continues stroking as lane water churns.","video_1_relative_path":"videos/cff712aa1deef9ff.mp4","video_2_relative_path":"videos/a6adfa685ebea3f3.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/sports/sports_2/00000017","text_prompt":"A wide shot on an outdoor sandstone cliff shows a climber fully in frame on an overhang, chalk dust puffing as fingers readjust with tiny scrapes. The climber inhales audibly, then dynos upward; shoes squeak and slip free with a quick scrape. The hand lands on a small hold with a gritty smack, a tiny rock chip clatters down, and the climber swings on the rope as harness gear jingles while they stabilize and breathe hard.","video_1_relative_path":"videos/9cad083da06aab1b.mp4","video_2_relative_path":"videos/bd978be43e5dedb3.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/sports/sports_2/00000018","text_prompt":"A roadside wide shot shows a rally car approaching fast through a rainy forest stage, engine roaring and gravel rattling. The car hits a puddle, water slapping the chassis with a huge splash, then flicks into a drift around a bend. Tires squeal on wet gravel as mud smacks the wheel wells, and the car straightens with a final bite and surges away, leaving the sound of the engine fading and rain continuing.","video_1_relative_path":"videos/5564f053b18bbb0e.mp4","video_2_relative_path":"videos/8730c1e1f16515ec.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_fast/sports/sports_2/00000019","text_prompt":"A full-body shot at an outdoor range shows an archer standing in stance with a recurve bow, the scene quiet except for faint wind. The archer draws; the limbs creak under tension as the string touches the face anchor point. On release, the string snaps forward with a sharp twang, and the arrow hisses through the air before striking the target with a solid thunk. It hits the back of an arrow already in the bullseye, splitting it with a crisp wooden crack as the archer exhales in disbelief.","video_1_relative_path":"videos/11eaa030992e64e0.mp4","video_2_relative_path":"videos/75d0a8ddceff60f2.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_quality/gameplays/gameplays_2/00000000","text_prompt":"First-person view in a ruined hallway with distant gunfire and muffled explosions outside. The player sprints, footsteps thudding on concrete, then slides into cover as bullets ping off a metal pillar with sharp ricochets. The player reloads: the empty magazine drops with a clack, a fresh mag slaps in, and the bolt is pulled with a loud metallic snick exactly as the weapon returns to aim. A teammate voice in comms says, \"Reloading—cover me!\" and the player leans out to fire short bursts that echo in the corridor.","video_1_relative_path":"videos/2914ca06610385df.mp4","video_2_relative_path":"videos/44a02c55b3216080.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_quality/gameplays/gameplays_2/00000001","text_prompt":"Third-person gameplay in a small house with rain tapping on the roof and faint thunder outside. The player opens a chest that pops and chimes, spilling items with bright UI pings as they get picked up one by one. Footsteps and a door creak upstairs, and the player stops moving; the ambient sound holds for a tense beat. Suddenly, an enemy crashes through a window with a loud smash, and the player whips around, firing as the enemy’s shield crackles on hit.","video_1_relative_path":"videos/2f9180a68084eb4e.mp4","video_2_relative_path":"videos/b3c2cd51d18a9f49.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_quality/gameplays/gameplays_2/00000002","text_prompt":"Chase camera behind a rally car on a wet mountain road. The engine rises in pitch, then the player taps the brakes—tires squeal and the car throws water spray as it snaps into a drift. Gravel rattles against the undercarriage and the rear slides wide, then grips with a deep thump as the car exits the hairpin. The co-driver voice calls, \"Left hairpin, don’t cut!\" and the player shifts gears with a crisp mechanical click.","video_1_relative_path":"videos/23ff1aab72aea23d.mp4","video_2_relative_path":"videos/9f6d4ade85d4eb82.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_quality/gameplays/gameplays_2/00000003","text_prompt":"Side-scrolling platformer gameplay over a lava cavern where the background rumbles quietly. The character lands on a tiny platform with a light bop, then immediately jumps again; each landing produces a distinct tap timed exactly to the feet touching down. A spinning saw blade whirs loudly as it passes inches away, and the player wall-jumps—hands slap the wall, then kick off with a sharp whoosh. A checkpoint flag is hit with a bright chime, and the character exhales a quick relief sound.","video_1_relative_path":"videos/aa0580b729faec35.mp4","video_2_relative_path":"videos/5bdaeaca1ef97441.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_quality/gameplays/gameplays_2/00000004","text_prompt":"Top-down MOBA gameplay near a river, with ambient water flow under the combat sounds. The player pings the map with a sharp beep and their character says, \"Engaging!\" A stun ability lands with a crackling snap exactly as the enemy freezes, followed by a large ultimate that slams down with a heavy impact and a bassy shockwave. Multiple abilities overlap: shield bubbles, sword swishes, and damage ticks, while the announcer declares, \"Double kill!\" right as two enemies fall.","video_1_relative_path":"videos/e93bb2f39422a553.mp4","video_2_relative_path":"videos/dfbac74a3253f0b6.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_quality/gameplays/gameplays_2/00000005","text_prompt":"First-person survival gameplay in a quiet forest with birds and wind in leaves. The player swings an axe into a tree; each hit lands with a woody thunk and falling chips, synced to the axe biting the trunk. The tree creaks, then collapses with a loud crack and a crashing rustle. The player opens the crafting menu with a soft UI swoop, assembles a simple tool with clicking sounds, and the character mutters, \"That should hold.\"","video_1_relative_path":"videos/4e6468a015324b82.mp4","video_2_relative_path":"videos/8886375c2b46a2e7.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_quality/gameplays/gameplays_2/00000006","text_prompt":"First-person horror gameplay in a dim corridor with a low electrical hum. The player slowly pushes a door; the hinges creak loudly and the handle clicks as it turns. A radio on the floor emits faint static, and the player picks it up with a small clunk. As the flashlight beam sweeps the room, there’s a sudden loud sting and a creature lunges into frame with a wet screech, perfectly synced to the on-screen impact shake.","video_1_relative_path":"videos/0e57851f1584c3cc.mp4","video_2_relative_path":"videos/2b8485b24c246a20.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_quality/gameplays/gameplays_2/00000007","text_prompt":"Third-person stealth gameplay in a museum at night with distant security fans humming. The player crouch-walks, footsteps soft on carpet, then stops as a guard’s radio crackles nearby. The player grabs the guard from behind; a muffled struggle and a quick thud happen as the guard goes limp, synced to the animation. The body is dragged, fabric scraping quietly, and hidden in a closet with a door latch click. The protagonist whispers, \"Stay asleep.\"","video_1_relative_path":"videos/489f260dd78e1655.mp4","video_2_relative_path":"videos/e584ea46031a4890.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_quality/gameplays/gameplays_2/00000008","text_prompt":"Side-view fighting game match in an arena with crowd roar and rhythmic announcer hype. An opponent throws a heavy punch; the player parries at the last instant, producing a sharp metallic clang and a brief slow-motion flash. Immediately the player launches a combo: rapid hits with distinct smacks and whooshes, ending in a super move that triggers a screen freeze and a booming impact. The announcer shouts, \"Perfect parry!\" exactly as the parry spark appears.","video_1_relative_path":"videos/0e250c8653c22fc6.mp4","video_2_relative_path":"videos/097edc94054717dc.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_quality/gameplays/gameplays_2/00000009","text_prompt":"First-person puzzle gameplay in a stone temple with dripping water echoing. The player presses three wall switches in sequence; each press makes a heavy stone click, and glowing runes light up with a soft rising hum. A mechanism engages in the distance with grinding gears, and a massive door slowly opens with a deep rumble. The player steps forward, footsteps echoing, as a companion voice says, \"You got it—keep going.\"","video_1_relative_path":"videos/7d6dd357af23928a.mp4","video_2_relative_path":"videos/d1d9c1757b03b90b.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_quality/gameplays/gameplays_2/00000010","text_prompt":"Third-person RPG gameplay in a warm tavern with chatter, clinking mugs, and a lute playing softly. The player approaches an NPC; the dialogue menu pops with a gentle UI sound. The NPC says, \"I can tell you—if you pay,\" and the player drops coins on the table with a bright jingle exactly as the payment animation plays. The NPC leans in, lowering their voice: \"Meet me at the bridge after dark.\"","video_1_relative_path":"videos/60acfbf022d83583.mp4","video_2_relative_path":"videos/92420aea0732c81f.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_quality/gameplays/gameplays_2/00000011","text_prompt":"Top-down RTS gameplay with a calm ambient hum until a warning siren blares and a red alert icon flashes. The player selects units with rapid UI clicks and commands them forward; small acknowledgements play: \"Moving!\" \"On it!\" Explosions bloom near a base wall with low booms, and turret fire rattles in steady bursts. The player slams a build command; construction hammers start tapping as a defensive tower rises.","video_1_relative_path":"videos/4ebc887fd1337f3b.mp4","video_2_relative_path":"videos/f672e2aa0c8ea319.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_quality/gameplays/gameplays_2/00000012","text_prompt":"Front-facing rhythm game lane with an electronic track driving the beat. Notes stream toward the hit line; each successful hit triggers a crisp click and a bright sparkle sound exactly at the moment the note crosses the line. The player maintains a perfect streak; the combo counter pulses with a rising crowd-cheer layer. A sudden fast pattern arrives, and the player nails it, prompting the announcer voice to say, \"Perfect!\" synced to a large on-screen flash.","video_1_relative_path":"videos/601261cb021fe220.mp4","video_2_relative_path":"videos/ba28e4b8225154ff.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_quality/gameplays/gameplays_2/00000013","text_prompt":"Cockpit view of a small plane on a runway with engine idle rumble. The throttle advances and the engine roar rises smoothly as the plane accelerates, runway bumps thudding rhythmically. The pilot voice says, \"Rotate,\" as the nose lifts and wind noise increases. The landing gear lever is pulled with a click, and the gear retracts with a mechanical whine timed to the indicator lights switching.","video_1_relative_path":"videos/25980c65fbf0483a.mp4","video_2_relative_path":"videos/a644529165fbd176.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_quality/gameplays/gameplays_2/00000014","text_prompt":"First-person fishing gameplay on a quiet lake with birds and gentle water lapping. The bobber twitches, then plunges under with a small splash, and the player yanks the rod—line tightens with a sharp twang. The reel spins with a steady whir as the fish pulls, and the line creaks under tension. The character grunts, \"Come on…\" as the fish surfaces with a splash near the boat.","video_1_relative_path":"videos/4024bf6cb7fa8898.mp4","video_2_relative_path":"videos/2f13b7480a9f432e.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_quality/gameplays/gameplays_2/00000017","text_prompt":"First-person co-op shooter gameplay in a smoky street with distant sirens and gunfire. A teammate is down, calling weakly, \"I need help!\" The player slides over, bullets snapping past, and starts a revive; a progress sound pulses while the player’s hands apply a med kit with velcro ripping and a syringe cap click. The teammate gasps and stands as the revive completes with a bright chime, shouting, \"I’m up!\" right as the HUD confirms it.","video_1_relative_path":"videos/00ec969aefa52d29.mp4","video_2_relative_path":"videos/ccdc590f8a4a2790.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_quality/gameplays/gameplays_2/00000018","text_prompt":"Basketball video game broadcast camera with crowd roar and sneaker squeaks. The clock ticks loudly as the player dribbles; each bounce lands in sync with the ball hitting the hardwood. A commentator says, \"Five seconds left!\" The player launches a long shot; the buzzer blares as the ball is mid-air, then the net snaps with a clean swish exactly as the ball drops through, and the crowd explodes while the commentator yells, \"It’s good!\"","video_1_relative_path":"videos/481035b4c5714e51.mp4","video_2_relative_path":"videos/ffd2ef90cce64243.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Sora_2_vs_Veo_3.1_quality/gameplays/gameplays_2/00000019","text_prompt":"Digital card game gameplay with a quiet ambient pad. The player draws a card; it slides into hand with a sharp whoosh and a bright ping, and the card glows subtly. The player hesitates, then slams it onto the board with a satisfying thump sound synced to the animation, triggering chained effects: sparks crackle, numbers pop with ticks, and an enemy health bar shatters with a glassy break. The narrator voice says, \"That changes everything.\"","video_1_relative_path":"videos/0081dbb3634cc990.mp4","video_2_relative_path":"videos/ef88f5ee7c628aa0.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000000","text_prompt":"A close-up tutorial shot focusing on the fretboard of an acoustic guitar. Soft lighting. A left hand cleanly presses the strings into a C Major chord shape (fingers on the 1st, 2nd, and 3rd frets). A right hand holding a pick performs a single, slow, downward strum across all strings, producing a rich, resonant major chord that rings as the metal strings visibly vibrate.","video_1_relative_path":"videos/6600a03a1a9cfec3.mp4","video_2_relative_path":"videos/c2afb7d1dc96fc5f.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000001","text_prompt":"A top-down view of a hand positioned on a piano keyboard with a metronome ticking steadily in the background. The fingers press down on the white keys one by one in a smooth, connected motion to play a 5-note ascending scale, and each note lands exactly when the fingertip makes contact and the key bottoms out before rebounding.","video_1_relative_path":"videos/fd60c29fac6a902c.mp4","video_2_relative_path":"videos/c0ac48fc7ea57437.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000002","text_prompt":"A super slow-motion shot of a drumstick hitting a snare drum under studio lighting that highlights the texture of the drum skin. The stick strikes the exact center of the drum, creating a visible ripple on the drumhead as it snaps back, and the audio matches with a sharp snare 'crack' followed by the quick buzzing rattle of the snare wires underneath.","video_1_relative_path":"videos/9a2dacf9afdc797e.mp4","video_2_relative_path":"videos/22fe03c0464b1044.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000003","text_prompt":"A side-profile close-up of a violin being played in a quiet classical practice setting. The right hand holds the bow with a proper grip and pulls it slowly across the A string in a straight line (down-bow), producing a steady sustained tone that stays smooth and clean as the horsehair visibly grips the string without scratchy noise.","video_1_relative_path":"videos/3abd04e5f0149b08.mp4","video_2_relative_path":"videos/a422f967799364e0.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000004","text_prompt":"A dynamic shot of a bass guitar body with no background music, focusing on technique. The right thumb strikes the thickest string forcefully (slap) and the index finger hooks and pops a higher string upward (pop), creating a tight percussive thump followed by a bright metallic clank that lines up with each visible string snap.","video_1_relative_path":"videos/357e9a4219fa7af3.mp4","video_2_relative_path":"videos/92ce3af2c2e547f1.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000005","text_prompt":"A warm, bright shot of a ukulele held against a chest with faint ocean waves in the background. The right hand performs a rhythmic down-up-down-up strumming pattern using the index finger, and each visible brush across the nylon strings produces a cheerful, high-pitched jingle in perfect sync with the wrist motion.","video_1_relative_path":"videos/f77ba12de736527e.mp4","video_2_relative_path":"videos/6002521dcbb121be.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000006","text_prompt":"A close-up of a brass trumpet's valve casing while a narrator says, 'Check the valves.' A hand presses the three valves rapidly in a random sequence, and each press bottoms out with a crisp metallic click and springy return that matches the piston movement.","video_1_relative_path":"videos/8ad0404b5e361c67.mp4","video_2_relative_path":"videos/eeffc1d209b6cbbe.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000007","text_prompt":"A tight focus on the fingerboard of a cello as a deep, warm note sustains. A left-hand finger presses a string against the ebony board and rocks back and forth rhythmically, and the audio wavers in pitch in sync with the visible vibrato motion while the bow continues to draw a stable tone.","video_1_relative_path":"videos/e1cf881e02a7d099.mp4","video_2_relative_path":"videos/cee5945a75ae0c71.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000008","text_prompt":"A hand holds a wooden tambourine against a plain background and rotates the wrist rapidly back and forth. The metal jingles blur as they strike and rub, producing a continuous shimmering high-pitched jingle that intensifies as the shake speed increases.","video_1_relative_path":"videos/cd0ebba1b2b45040.mp4","video_2_relative_path":"videos/b8f536e5aa33a3b3.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000009","text_prompt":"A close-up of a synthesizer keyboard and the pitch bend wheel on the left with a sustained synth chord held down. A hand slowly pushes the pitch bend wheel upward and then releases it back to center, and the chord glides smoothly up in pitch and returns exactly with the wheel's travel and snap-back.","video_1_relative_path":"videos/05977e29858e0037.mp4","video_2_relative_path":"videos/6beaff2922cdf429.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000010","text_prompt":"A dreamy, soft-focus shot of a golden harp's strings in a quiet studio. A hand sweeps across the strings from low to high in one continuous motion (glissando), and the camera shows each string briefly vibrating as the sound cascades upward in a sparkling run that follows the hand's path.","video_1_relative_path":"videos/6220663659c77dca.mp4","video_2_relative_path":"videos/51a1c069155c0fab.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000011","text_prompt":"A top-down view of a DJ turntable deck with a simple drum beat playing. A hand rests on a black vinyl record and pushes it forward then pulls it back rhythmically, and each stop-and-reverse motion produces the classic 'wiki-wiki' scratch sound exactly when the record changes direction.","video_1_relative_path":"videos/01d1f6e67334f9a7.mp4","video_2_relative_path":"videos/ae5baa2e9a60f532.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000012","text_prompt":"A macro shot of the brass keys on a saxophone during a fast run. The fingers press the pearl keys in rapid sequence, and the audio line up with quick mechanical key taps as the pads visibly lift and seal over tone holes at each note change.","video_1_relative_path":"videos/cc4d29424c716ef5.mp4","video_2_relative_path":"videos/73ccbd18b6e2d251.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000013","text_prompt":"A hand holds a metal triangle by a string, suspended in the air in silence. The other hand strikes the bottom horizontal bar with a metal beater, and the beater recoils immediately as the triangle frame shimmers visibly and a clear high-pitched 'ding' rings out and decays.","video_1_relative_path":"videos/d3dc9465b4f576c7.mp4","video_2_relative_path":"videos/acac06e43aa86956.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000014","text_prompt":"A zoomed-in shot of an electric guitar fretboard with distortion on. A finger frets a note and then pushes the steel string upward across the wood (bending), and the pitch rises smoothly as the string visibly stretches, then settles when the finger releases.","video_1_relative_path":"videos/6f476d1eccab11aa.mp4","video_2_relative_path":"videos/ad96ec9324aa5ce3.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000015","text_prompt":"A POV shot of a wooden kalimba held in two hands in a quiet room. The two thumbs alternate plucking the metal tines downward, and each tine bends under the thumb then snaps back to blur with vibration as a soft bell-like note sounds exactly at the release.","video_1_relative_path":"videos/fb6e6df5db740852.mp4","video_2_relative_path":"videos/573f4d02a5f90492.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000016","text_prompt":"A dynamic shot of a gold crash cymbal on a stand. A drumstick strikes the cymbal edge hard, making it wobble violently as a loud crash blooms, then a hand immediately grabs the edge to choke it, cutting the ringing sound off instantly as the cymbal's motion stops.","video_1_relative_path":"videos/ae9d02c20dadab11.mp4","video_2_relative_path":"videos/2e04a10eb011dd90.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000017","text_prompt":"A medium shot of an accordion being played with a steady chord. The left arm pulls the bellows outward and then pushes them back in, and the chord audibly swells louder as the bellows open and softens as they close, synchronized with the visible 'breathing' folds.","video_1_relative_path":"videos/1f7b377f61874803.mp4","video_2_relative_path":"videos/5bbfe2f281cd3e23.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000018","text_prompt":"A close-up of a pair of wooden maracas in two hands against a plain background with no other instruments. The hands shake the maracas forward and backward sharply in a steady rhythm, and each reversal produces a crisp sandy rattle as the beads inside lag behind and then strike the shell, creating a clear shake-shake pattern perfectly synchronized with the motion.","video_1_relative_path":"videos/9ec67e63241574d6.mp4","video_2_relative_path":"videos/6a2e6557b82f12fe.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000019","text_prompt":"A side-angle view of wooden xylophone bars. A hard plastic mallet strikes a single bar, producing a bright woody 'plonk' exactly at impact, and the mallet bounces back immediately instead of sticking so the bar can keep vibrating as the note rings.","video_1_relative_path":"videos/7b5d33d2f29b1a6a.mp4","video_2_relative_path":"videos/0578641e8c883608.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000027","text_prompt":"A tight tutorial shot of a clean electric guitar. The left hand forms a simple E5 power chord (E and B only, no third). The right hand performs one slow downstroke, letting the chord ring. The audio is a clean two-note power chord that starts exactly on the strum with no distortion and no extra notes.","video_1_relative_path":"videos/d1fb00535869bf23.mp4","video_2_relative_path":"videos/f7053263ed2a12c6.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000028","text_prompt":"A POV tutorial shot of a wooden kalimba held in two hands in a silent room. The thumbs pluck five tines one at a time to play a simple ascending melody: C, D, E, F, G, with clear spacing between notes. Each tine vibrates visibly at release, and the pitches are clean with no chords.","video_1_relative_path":"videos/00966f7153ef9cb6.mp4","video_2_relative_path":"videos/2c8559f8e8ba9194.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000029","text_prompt":"A side-angle tutorial shot of a xylophone with labeled bars. Two mallets strike three bars one at a time to play C, then E, then G, then stop. Each hit produces a bright woody tone exactly at impact, with no roll and no extra bars struck.","video_1_relative_path":"videos/af6d47881c494bc9.mp4","video_2_relative_path":"videos/4127d4727a75ffe9.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000030","text_prompt":"A close-up tutorial shot of a marimba bar in a studio. A soft mallet strikes the same bar (G3) twice with a full decay between hits. The pitch is stable and identical on both hits, and the mallet rebounds cleanly without touching neighboring bars.","video_1_relative_path":"videos/636162dce59c75e9.mp4","video_2_relative_path":"videos/442ab35cba12edc6.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000031","text_prompt":"A top-down piano tutorial shot with a steady tempo. The right hand plays a simple five-note melody one note at a time: C4, E4, G4, E4, C4. Each note is clearly articulated and aligned to finger contact, with no chords and no pedal.","video_1_relative_path":"videos/b56b8994c68c3c16.mp4","video_2_relative_path":"videos/cddbe15a25525711.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000033","text_prompt":"A top-down tutorial shot of a piano keyboard with a metronome. The player performs four block chords in sequence, one per bar: C major, then G major, then A minor, then F major. Each chord is pressed cleanly as a block (no arpeggio), held briefly, then released before the next chord.","video_1_relative_path":"videos/df7a3672d2769b99.mp4","video_2_relative_path":"videos/80d08056382767cc.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Kling_2.6/musical_instrument_tutorial/musical_instrument_tutorial_1/00000034","text_prompt":"A top-down piano tutorial view in a quiet practice room. The right hand plays a slow two-octave C major scale from C4 up to C6, one note at a time with clear separation and even timing. The pitches follow the white keys exactly with no pedal and no extra notes.","video_1_relative_path":"videos/d2f00f720db006c8.mp4","video_2_relative_path":"videos/2bedc62cf8eb1896.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Sora_2/chemical_reaction/chemical_reaction1/00000000","text_prompt":"A close-up lab demo on a white table with quiet room tone. A clear beaker contains an acidic hydrogen peroxide mixture, and a second cup contains a clear solution of potassium iodide mixed with sodium thiosulfate and starch indicator. A narrator explains reaction kinetics as the hand pours the iodide mixture into the peroxide with a soft glug and begins swirling; the liquid stays seemingly unchanged for a few seconds, then suddenly the entire beaker undergoes an instantaneous uniform color change all at once while the swirling continues.","video_1_relative_path":"videos/8a5c0b596face43b.mp4","video_2_relative_path":"videos/67cef609ceac2fce.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Sora_2/chemical_reaction/chemical_reaction1/00000001","text_prompt":"A wide outdoor science experiment with natural ambience and excited chatter. A demonstrator in goggles shows a large flask containing concentrated hydrogen peroxide mixed with dish soap and food coloring, then quickly pours in a small cup of potassium iodide catalyst solution with a loud slosh against glass. After a brief beat, thick foam erupts upward and out, growing rapidly as a loud wet hiss and fizzing bubbling sound builds; the demonstrator laughs and says, \"Stand back—here it comes!\" as the foam spills over the rim and patters onto the tray.","video_1_relative_path":"videos/2fb9e3a3e2270f61.mp4","video_2_relative_path":"videos/03010b8276502638.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Sora_2/chemical_reaction/chemical_reaction1/00000002","text_prompt":"A cinematic close-up in a quiet lab shows a round-bottom flask containing freshly prepared Tollens’ reagent (ammoniacal silver nitrate solution). A small amount of glucose solution is added with a gentle pour, then the flask is swirled so the liquid climbs the glass walls with a soft sloshing sound. Over time, the inner surface of the flask undergoes a visible change, gradually forming a reflective coating that spreads as the swirling continues.","video_1_relative_path":"videos/b578f50458437772.mp4","video_2_relative_path":"videos/39cf2485bb7e1000.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Sora_2/chemical_reaction/chemical_reaction1/00000003","text_prompt":"A macro close-up against a dark background with faint room ambience. One beaker holds a clear aqueous lead nitrate solution and another holds a clear potassium iodide solution. The demonstrator pours the potassium iodide into the lead nitrate with a clean glug-glug sound and stirs with a glass rod that clinks lightly against the beaker; immediately a dense precipitate forms throughout the liquid, making the mixture turn cloudy as countless fine particles swirl like glitter and then slowly drift downward and collect at the bottom.","video_1_relative_path":"videos/626a9a3ff7133444.mp4","video_2_relative_path":"videos/75157ed705caa077.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Sora_2/chemical_reaction/chemical_reaction1/00000004","text_prompt":"A realistic lab-style shot of a glass tank half-filled with water, with faint room ambience. Using tongs, a small piece of sodium metal is dropped onto the surface with a tiny plunk, and it immediately skates and darts across the water, producing urgent crackling hisses and leaving a visible trail. The reaction intensifies within moments, culminating in a sudden energetic burst at the surface with a loud pop and spray that splashes against the tank walls.","video_1_relative_path":"videos/ea72783250f95015.mp4","video_2_relative_path":"videos/acbe1e2c74e67ef6.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Sora_2/chemical_reaction/chemical_reaction1/00000005","text_prompt":"A time-lapse tabletop shot on a heat-resistant tile in a quiet room. A small pellet of mercury(II) thiocyanate sits in the center; a flame touches it with a soft crackle, and as it burns a dry, ashy rustle continues. The video captures a long porous snake-like structure swelling and curling upward from the ash, continuously growing and branching as the crackling burn persists underneath.","video_1_relative_path":"videos/283155727867ec0b.mp4","video_2_relative_path":"videos/a0995e1944150411.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Sora_2/chemical_reaction/chemical_reaction1/00000006","text_prompt":"A video in a completely dark room where only the apparatus is visible. A narrator whispers, \"Watch the light,\" as two liquids—luminol solution and an oxidizer solution containing hydrogen peroxide with a catalyst—are poured simultaneously into a spiral glass tube, the streams making an audible trickling sound. As the liquids meet and flow, a self-generated glow appears inside the tubing and travels with the moving fluid, brightening and fading along the path while the trickling continues.","video_1_relative_path":"videos/4a28e02adb8d31fb.mp4","video_2_relative_path":"videos/b273acea43f095b0.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Sora_2/chemical_reaction/chemical_reaction1/00000007","text_prompt":"A high-speed time-lapse shows a beaker on a magnetic stirrer, the stir plate motor making a steady whir as a stir bar spins. The beaker contains a Briggs–Rauscher mixture (hydrogen peroxide, potassium iodate, malonic acid, and a metal-ion catalyst with starch indicator). While the vortex turns, the liquid repeatedly cycles through several distinct visible states in a rhythmic pattern, switching abruptly and then returning again and again as the stirring continues.","video_1_relative_path":"videos/620236f2d6bb18ed.mp4","video_2_relative_path":"videos/519edd441c718b1e.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Sora_2/chemical_reaction/chemical_reaction1/00000009","text_prompt":"A handheld shot of a bottle of purified water taken from a freezer, with faint room ambience. A voice counts, \"Three, two, one,\" and the bottle is firmly tapped on a table with a solid thud; right after the impact, crystallization begins at the contact point and spreads through the bottle in a fast-moving front, accompanied by faint crackling ice sounds as the once-clear liquid turns opaque.","video_1_relative_path":"videos/4941f11aa9edb1ef.mp4","video_2_relative_path":"videos/ac8f6686427d1f09.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Sora_2/chemical_reaction/chemical_reaction1/00000010","text_prompt":"A wide safety-distance outdoor shot in a sand pit with faint wind noise. A clay pot contains a thermite mixture of iron(III) oxide powder and aluminum powder; a magnesium ribbon fuse is lit on top, sputtering with sharp crackles. When the fuse reaches the mixture, the reaction erupts into an extremely intense light and a roaring spray of sparks, and moments later molten material drips and sizzles into the sand with heavy sizzling spits.","video_1_relative_path":"videos/22bf9817cda68ef8.mp4","video_2_relative_path":"videos/21c2f01cde5b0dfc.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Sora_2/chemical_reaction/chemical_reaction1/00000011","text_prompt":"A close-up tabletop shot in quiet room tone. A hand slowly pours a clear supersaturated sodium acetate solution from a beaker onto a watch glass containing a tiny seed crystal, the liquid making a gentle pour sound. The instant the stream touches the seed point, the liquid turns solid at the contact and a crystal structure rapidly grows outward and upward, building a rising tower as the pouring continues.","video_1_relative_path":"videos/5f7a41213d3431de.mp4","video_2_relative_path":"videos/62d361cd9661bddd.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Sora_2/chemical_reaction/chemical_reaction1/00000012","text_prompt":"A tabletop demo in a quiet room. Metal tongs clink as they drop chunks of dry ice (solid carbon dioxide) into a beaker of warm water with a plop, and immediately thick fog billows over the rim while the water erupts into vigorous bubbling. A loud, continuous fizzing and rumbling gurgle accompanies the rolling vapor as it spills down the sides.","video_1_relative_path":"videos/f9e823dcc227338f.mp4","video_2_relative_path":"videos/5f32302073da2a4f.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Sora_2/chemical_reaction/chemical_reaction1/00000014","text_prompt":"A top-down time-lapse of a petri dish containing a Belousov–Zhabotinsky reaction mixture (acidic solution with bromate, an organic acid, and a metal-ion indicator catalyst). With faint room ambience, the initially uniform liquid begins to generate organized traveling wave patterns, forming expanding rings and spirals that propagate and collide across the dish while the surface remains otherwise still.","video_1_relative_path":"videos/51992f5ee4fd0b18.mp4","video_2_relative_path":"videos/35da877ba86ff76b.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Sora_2/chemical_reaction/chemical_reaction1/00000015","text_prompt":"A time-lapse shot of a beaker filled with clear sodium silicate solution in a quiet room. Small crystals of metal salts (such as copper sulfate or cobalt chloride) are dropped in with soft plinks against glass, and over time they sprout upward into hollow tubular structures that branch and curl like plants. Tiny bubbles appear around the bases with faint fizzing, and wispy colored plumes drift in the liquid as the structures grow.","video_1_relative_path":"videos/883f6ead2e149047.mp4","video_2_relative_path":"videos/4cf37138b8d31e0c.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Sora_2/chemical_reaction/chemical_reaction1/00000016","text_prompt":"A static close-up of a small pile of potassium permanganate crystals on a ceramic tile, with quiet room tone. A narrator says, \"Wait for it…\" as a few drops of glycerin are dripped onto the center with slow sticky plops. Nothing happens for a short delay, then smoke begins to vent with a soft hiss and quickly intensifies into a sudden ignition with a sharp whoosh and vigorous crackling burn.","video_1_relative_path":"videos/6c1924437b77577c.mp4","video_2_relative_path":"videos/628953f587e370c6.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Sora_2/chemical_reaction/chemical_reaction1/00000017","text_prompt":"A hands-on demo beside a clear water tank with audible splashes. A hand pours brightly colored hydrophobic sand into the water, and it sinks in clumps and columns instead of dispersing, landing with muted underwater thuds. A spoon scoops the sand up and when it breaks the surface with a wet slosh, the grains instantly appear dry and loose, pouring off the spoon with a crisp dry rattle rather than sticking together.","video_1_relative_path":"videos/02dba70822865b97.mp4","video_2_relative_path":"videos/e078569318ee5203.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Sora_2/chemical_reaction/chemical_reaction1/00000018","text_prompt":"A darkened lab shot with the steady hiss of a gas burner. Tongs hold a thin magnesium ribbon that catches with a sharp crackling sputter, and the moment it ignites it produces an extremely intense bright light that floods the room while the ribbon sizzles and spits. As it finishes, a fragile powdery residue remains and flakes off with a soft crumble when the tongs move.","video_1_relative_path":"videos/69bc0135d70c1abf.mp4","video_2_relative_path":"videos/35c11fab9c9a41ac.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Sora_2/chemical_reaction/chemical_reaction1/00000019","text_prompt":"A continuous shot of a sealed flask on a table with faint room ambience. The flask contains a chemical chameleon mixture (a glucose solution in sodium hydroxide with an indicator dye), and it is shaken vigorously so the liquid sloshes loudly against glass and fills with bubbles. Each time the shaking stops and the flask is set down, the liquid slowly transitions through a sequence of distinct visible states on its own, then resets when it is shaken again, repeating the cycle several times while a voice says, \"Shake… and watch.\"","video_1_relative_path":"videos/8b0e4fcf5a007f7d.mp4","video_2_relative_path":"videos/97b52fee9f22cfe2.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/cooking/my_dataset1/00000000","text_prompt":"A close-up overhead shot of a thick steak being laid onto a preheated cast-iron skillet, immediately releasing a loud sizzling sound as wisps of steam rise. The cook presses the steak down with tongs, making a firm scrape against the pan, then flips it once with a quick slap so the new side hits the hot surface and the sizzle swells again. A knob of butter is added and foams with a rapid hiss while the cook tilts the pan and spoons the bubbling butter over the steak in rhythmic scoops, and the cook says, \"Listen to that crust.\"","video_1_relative_path":"videos/91459c4e933cc740.mp4","video_2_relative_path":"videos/7f2394b516b2ce45.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/cooking/my_dataset1/00000001","text_prompt":"A medium shot of a cutting board where a knife chops an onion into quick dice with crisp tapping sounds, then the pieces are swept into a hot pan with a dry slide. The onion hits oil with a gentle sizzle that grows as the cook stirs with a wooden spatula, making a soft scraping rasp. Minced garlic is added and immediately becomes more fragrant-looking and louder, the sizzle tightening, and the cook says, \"Garlic goes in last—don’t let it burn,\" while the camera catches the edges turning translucent.","video_1_relative_path":"videos/c4226ef230e9a420.mp4","video_2_relative_path":"videos/a22fda9db97cafd0.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/cooking/my_dataset1/00000002","text_prompt":"A cozy kitchen shot shows pancake batter being whisked in a bowl, the whisk making wet rhythmic swishes, then the batter is poured onto a hot griddle with a thick glug. Tiny bubbles form and pop silently at first, then a faint frying hiss builds as the surface sets. A spatula slides under with a soft scrape and the pancake flips with a light slap, landing to a renewed sizzle; the cook laughs and says, \"Perfect—golden side down.\"","video_1_relative_path":"videos/c6ed8268c0e2009b.mp4","video_2_relative_path":"videos/7b15ff930a6c8280.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/cooking/my_dataset1/00000003","text_prompt":"A handheld close-up of a carbon-steel wok on a roaring burner, the flame whooshing audibly. Thin-sliced meat is tossed in and instantly crackles, and the cook stirs fast so the metal spatula clacks against the wok in sharp bursts. A handful of vegetables goes in with a loud hiss as moisture hits heat, and the cook flips the wok to send ingredients arcing up and slapping back down, then adds a quick pour of sauce that sputters and thickens while the cook says, \"Keep it moving—high heat.\"","video_1_relative_path":"videos/c28edaaa38394964.mp4","video_2_relative_path":"videos/002a4adb0ec91245.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/cooking/my_dataset1/00000004","text_prompt":"A pot of water boils hard on the stove with a rolling rumble and lid rattling lightly. The cook lifts the lid with a metallic clink and sprinkles in salt, the grains pattering onto the surface, then drops in dry pasta with a hollow clatter and a brief splash. As the cook stirs with a wooden spoon, the water sound settles back into a steady boil, and the cook says, \"Salt it like the sea,\" while steam fogs the camera briefly.","video_1_relative_path":"videos/659fd8f7a787df19.mp4","video_2_relative_path":"videos/0ddae5a08fc88ac0.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/cooking/my_dataset1/00000005","text_prompt":"A close shot shows a chef’s knife slicing carrots into neat matchsticks, each cut making a fast, precise knock against the board. The julienned carrots are scooped and poured into a hot pan, triggering a bright sizzle, and the cook shakes the pan so the pieces slide and tick across the metal. A pinch of pepper is ground over the pan with a gritty crunching sound, and the cook says, \"Same size cooks same time,\" as the carrots begin to soften and glisten.","video_1_relative_path":"videos/7c1d62ab7043c8c5.mp4","video_2_relative_path":"videos/a4a8c2893ffce890.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/cooking/my_dataset1/00000007","text_prompt":"A baking tray lined with foil is set down with a dull clang, and raw bacon strips are laid out one by one with sticky peeling sounds. The tray slides into the oven on rails with a metallic scrape, and through the oven window the bacon begins to render, bubbling and crackling more intensely as it curls. The cook points and says, \"Hear that? That’s the fat rendering,\" as grease pops lightly against the foil.","video_1_relative_path":"videos/e113d62a6bc4e7f2.mp4","video_2_relative_path":"videos/49ae3bed201d256f.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/cooking/my_dataset1/00000009","text_prompt":"Slices of bread are dropped into a toaster with a soft thump, and the lever clicks down. While the toaster hums, the cook unwraps butter with a papery crinkle and spreads it on a warm slice as it pops up with a sudden springy click. The knife scrapes lightly across the crust, and the cook says, \"Spread while it’s hot,\" as the butter melts and turns glossy.","video_1_relative_path":"videos/5d9b87bdfeb4d9bb.mp4","video_2_relative_path":"videos/a2bf4a37d78ee286.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/cooking/my_dataset1/00000010","text_prompt":"A burr grinder starts with a low motor whirr, and coffee beans rattle and crunch as they grind. The grounds are poured into a paper filter with a soft sandy pour, then hot water is poured in a slow spiral, making a gentle trickling sound as the bloom rises and releases tiny bubbles. The kettle’s stream quiets as the cook pauses, and they say, \"Watch it bloom,\" while droplets continue to drip steadily into the carafe.","video_1_relative_path":"videos/15c26de3bae24de6.mp4","video_2_relative_path":"videos/82bb84e3c85725a0.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/cooking/my_dataset1/00000011","text_prompt":"A small glass jar is filled in steps: oil pours in with a smooth glug, vinegar splashes in with a sharper slosh, and a spoon taps in mustard with a sticky plop. The lid screws on with quick plastic clicks, and the jar is shaken vigorously, liquids thudding and slapping inside. The cook opens it and says, \"Listen—when it goes quiet, it’s emulsified,\" as the mixture turns uniformly opaque.","video_1_relative_path":"videos/8b499f320ed91669.mp4","video_2_relative_path":"videos/0b84ae8d74e38fe3.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/cooking/my_dataset1/00000012","text_prompt":"Chopped vegetables are dumped onto a metal sheet pan with a loud clatter, and oil is drizzled over them in a thin stream that patters on the pan. Salt is sprinkled, pepper is ground with crunchy twists, and the cook tosses everything by lifting and jerking the tray so the vegetables slide and knock together. The pan goes into the oven with a metallic rack scrape, and the cook says, \"Single layer for browning,\" as the door shuts with a soft thump.","video_1_relative_path":"videos/0dabeb43d956fba6.mp4","video_2_relative_path":"videos/5511ba1130f9c285.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/cooking/my_dataset1/00000013","text_prompt":"A pot of cooked vegetables is poured into a blender jar with a wet slosh and steam rising. The lid is pressed down firmly, and the blender bursts on with a loud roar that smooths the mixture visibly from chunky to silky. The cook pauses, taps the lid, and says, \"Start low—hot liquid expands,\" then finishes with a final higher-speed blend before the motor winds down.","video_1_relative_path":"videos/25e1af2f7ceb9865.mp4","video_2_relative_path":"videos/bff00a6b622e6d47.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/cooking/my_dataset1/00000014","text_prompt":"A close-up shows a pot of oil shimmering quietly as the cook holds a pinch of breadcrumbs over it. The crumbs drop in and immediately fizz with a tight crackling sizzle, and the cook says, \"That’s the sound you want,\" before lowering a breaded cutlet into the oil. The cutlet hits and the frying erupts louder, bubbles racing along the edges as the cook gently nudges it with tongs, metal clicking against the pot.","video_1_relative_path":"videos/8269ed22398bd853.mp4","video_2_relative_path":"videos/552d0bd77cb83e49.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/cooking/my_dataset1/00000015","text_prompt":"Eggs are whisked with fast wet swishes, then poured into a nonstick pan where they begin to set with a soft, even hiss. The cook shakes the pan to loosen the edges, and a spatula makes a smooth rubbery scrape as it pulls curds inward. With a quick wrist motion, the omelet is folded over itself with a muffled flap, then slid onto a plate with a soft glide, and the cook says, \"No browning—just tender.\"","video_1_relative_path":"videos/777762bb95257d9d.mp4","video_2_relative_path":"videos/b52ecbdc72c2ec3d.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/cooking/my_dataset1/00000016","text_prompt":"A bowl of freshly cooked rice is turned out with a steamy thud, and seasoned vinegar is poured over it with a bright splash. The cook uses a wooden paddle to cut and fold the rice with crisp scraping strokes against the bowl, while another hand fans vigorously, the fan making a steady whooshing sound. The cook says, \"Cut—don’t mash,\" as the rice becomes glossy and individual grains separate.","video_1_relative_path":"videos/a28d5b6ecbf0ce31.mp4","video_2_relative_path":"videos/237711ca45315bf9.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/cooking/my_dataset1/00000017","text_prompt":"Granulated sugar is poured into a stainless pan with a soft sand-like hiss, and the pan is gently shaken so the sugar levels out with a whispery slide. As heat builds, the sugar begins to liquefy at the edges, and the cook swirls the pan, making a faint syrupy slosh as the liquid spreads. The cook says, \"Don’t stir—just swirl,\" while the caramel darkens gradually and a tiny bubble crackle appears across the surface.","video_1_relative_path":"videos/5e911c9a8348dcad.mp4","video_2_relative_path":"videos/029c964286acd098.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/cooking/my_dataset1/00000018","text_prompt":"Avocados are halved with a knife twist and the pit pops free, then the flesh is scooped with a soft scrape into a bowl. A fork mashes the avocado with thick squelching sounds, and chopped onion and cilantro are sprinkled in, pattering lightly. Lime is squeezed with a wet spritz, and the cook says, \"Salt wakes it up,\" as they add salt and mix, the texture changing from chunky to creamy.","video_1_relative_path":"videos/8756eb8f4105fc5b.mp4","video_2_relative_path":"videos/f786c69cb94a52c5.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/cooking/my_dataset1/00000019","text_prompt":"A quiet kitchen pass: a spoon drops a dollop of sauce onto a ceramic plate with a wet plop, then the chef drags the spoon to make a clean swipe with a soft scrape. Sliced protein is placed precisely with tongs that click, and a small handful of herbs is sprinkled over with a faint rustle. The chef taps the plate once on the counter with a solid knock, saying softly, \"Clean edges,\" as the camera lingers on the glossy finish.","video_1_relative_path":"videos/86af162db28bae25.mp4","video_2_relative_path":"videos/2a2afa5ed8121ed3.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/physical_experiment/physical_experiment_1/00000000","text_prompt":"A physics classroom demonstration focusing on electromagnetism. A hollow, vertical copper tube is clamped to a stand while quiet classroom room tone is audible. A hand drops a strong neodymium magnet into the tube, and instead of a fast clatter the magnet descends slowly with a faint metallic sliding rasp, finally landing with a soft muted thud compared to a normal free-fall drop.","video_1_relative_path":"videos/e7bd8fd08ac1c51b.mp4","video_2_relative_path":"videos/bb6117dee5c36cc6.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/physical_experiment/physical_experiment_1/00000001","text_prompt":"A close-up shot of a cast iron skillet being heated to an extremely high temperature on a gas stove, the burner hissing steadily. A pipette releases a single fat droplet of water onto the scorching surface, and rather than a continuous loud sizzle the droplet skitters around with a light rapid tapping while a thin halo of steam crackles softly beneath it.","video_1_relative_path":"videos/909aaaddea6adc2b.mp4","video_2_relative_path":"videos/abcad174a2c49cd3.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/physical_experiment/physical_experiment_1/00000002","text_prompt":"A backyard science experiment featuring a large water balloon filled with water and taped with a square of electrical tape, with birds chirping in the background. A pin pokes a clean hole through the tape with a sharp pop, and a perfectly smooth stream of water exits with a steady quiet pour, looking strangely frozen and glassy as it falls without turbulent splashing.","video_1_relative_path":"videos/fb8e0156a1a4fbe2.mp4","video_2_relative_path":"videos/124fb429c380b6be.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/physical_experiment/physical_experiment_1/00000003","text_prompt":"A top-down view of a black square metal plate sprinkled evenly with fine white sand as a tone generator plays a pure sine wave that sweeps upward in pitch. As the plate begins to vibrate, the rising tone makes the sand suddenly jitter and chatter across the metal, then fall quiet as grains slide into crisp geometric nodal lines that sharpen and rearrange each time the pitch crosses a new resonance.","video_1_relative_path":"videos/781e78517ba7e2b4.mp4","video_2_relative_path":"videos/68661e175e017470.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/physical_experiment/physical_experiment_1/00000004","text_prompt":"A simple optical physics setup shows a clear glass tank filled with water in a quiet room with faint ambient noise. A bright yellow pencil is lowered into the water at a 45-degree angle, making a small water ripple sound as it breaks the surface, and the camera from the side captures the pencil appearing visibly 'broken' and laterally shifted exactly at the air–water boundary.","video_1_relative_path":"videos/80582a74fd3f9b40.mp4","video_2_relative_path":"videos/47d0659752817d1e.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/physical_experiment/physical_experiment_1/00000005","text_prompt":"A large bowl filled with white cornstarch-and-water oobleck sits on a table, making wet squelching sounds as a hand stirs it. A fist punches straight down, hitting with a hard flat smack as the surface behaves like a solid, then the hand relaxes and slowly sinks in with sticky gurgling squishes as the mixture flows like a liquid around the fingers.","video_1_relative_path":"videos/c169df43284f65d6.mp4","video_2_relative_path":"videos/6473dcd930cca4dc.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/physical_experiment/physical_experiment_1/00000006","text_prompt":"A classic Newton's Cradle sits on a wooden desk in a quiet room. A hand pulls back exactly two metal spheres on the left and releases them; the impact produces a crisp synchronized clack, and on the right exactly two spheres swing out together, clicking in rhythm as the motion continues.","video_1_relative_path":"videos/e51048021def0d6e.mp4","video_2_relative_path":"videos/ef305b51debbf708.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/physical_experiment/physical_experiment_1/00000007","text_prompt":"In a physics lab, a heavy bicycle wheel is spun up rapidly, its bearings producing a steady high whir. A rope is attached to one handle and the demonstrator lets the other side go; instead of dropping flat with a bang, the wheel stays upright and slowly precesses around the rope while the whirring pitch subtly wobbles as the axis turns.","video_1_relative_path":"videos/df0036d167591b30.mp4","video_2_relative_path":"videos/9fb080e2fa4dae42.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/physical_experiment/physical_experiment_1/00000008","text_prompt":"A high-speed camera close-up shows a Prince Rupert's Drop under dramatic silence with only faint tool handling noises. Hydraulic pliers squeeze the bulbous head without breaking it, then snip the thin tail with a tiny sharp click, instantly triggering a violent crackling burst as the entire glass drop explosively disintegrates into fine dust.","video_1_relative_path":"videos/0cbd7846e46585d4.mp4","video_2_relative_path":"videos/f326bff5c7c4565a.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/physical_experiment/physical_experiment_1/00000009","text_prompt":"In a darkened room, a plastic bottle drains a smooth stream of water into a bucket with a steady splashing sound. A green laser pointer shines into the bottle so the beam enters the exiting water, and the video shows the light bending and staying trapped inside the stream like a glowing fiber as the water continues to pour audibly.","video_1_relative_path":"videos/224338764711d4a3.mp4","video_2_relative_path":"videos/79d3c2e59e17303b.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/physical_experiment/physical_experiment_1/00000010","text_prompt":"A home science video in a living room features a hair dryer roaring loudly as it blows straight upward. A hand places a ping-pong ball into the air jet, and when the hand lets go the ball hovers and wobbles in the rushing airflow, bobbing slightly while the loud blower sound stays constant.","video_1_relative_path":"videos/2d94a22bce44e3f8.mp4","video_2_relative_path":"videos/b81f49e948133bb0.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/physical_experiment/physical_experiment_1/00000011","text_prompt":"A lab close-up shows a black ceramic superconductor disk cooled with liquid nitrogen, cold white vapor cascading off the sides with a soft hiss. A gloved hand lowers a small shiny magnet above the frosted disk, and when the hand releases it the magnet levitates silently a few millimeters in the air, drifting smoothly while nitrogen vapor continues to whisper around the setup.","video_1_relative_path":"videos/38188dca47c9911e.mp4","video_2_relative_path":"videos/b4edac48979cbdc9.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/physical_experiment/physical_experiment_1/00000012","text_prompt":"Two identical tuning forks on wooden resonance boxes sit a few feet apart in a quiet classroom. A rubber mallet strikes the first fork, producing a loud pure tone, and after two seconds a hand pinches the first fork to silence it instantly while the same note continues softly from the second fork, as if the sound has moved across the table.","video_1_relative_path":"videos/125bfbb9e3237323.mp4","video_2_relative_path":"videos/aa315cd7b43608cd.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/physical_experiment/physical_experiment_1/00000013","text_prompt":"A slow-motion wide shot in a quiet gym shows a person on a ladder holding a fully stretched rainbow slinky. The top is released with a faint metallic jingle, and while the upper coils collapse downward the bottom end appears to hover nearly motionless for a moment before suddenly snapping down and hitting the floor with a quick rattling clatter.","video_1_relative_path":"videos/567506227791d378.mp4","video_2_relative_path":"videos/150e4bc69dc32595.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/physical_experiment/physical_experiment_1/00000014","text_prompt":"A top-down kitchen shot shows a plate of water covered with black pepper flakes, with faint room sounds in the background. A soapy fingertip touches the center with a tiny tap, and instantly the pepper darts outward in a fast sweeping motion as the surface tension breaks, accompanied by a subtle sloshing ripple sound.","video_1_relative_path":"videos/9de4a522b72d9503.mp4","video_2_relative_path":"videos/a09d0406f895c4c6.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/physical_experiment/physical_experiment_1/00000015","text_prompt":"A warm close-up shows a steaming cup of hot tea on a wooden saucer, and a metal spoon clinks against the ceramic as it stirs. The spoon is revealed to be gallium; as it stays submerged, the 'spoon' begins to slump and deform, wobbling and softening while the stirring sound changes from a firm clink to a duller, mushier scrape.","video_1_relative_path":"videos/1b9237c32af07e97.mp4","video_2_relative_path":"videos/92d00aeaa67fdee0.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/physical_experiment/physical_experiment_1/00000016","text_prompt":"In a bathroom, a faucet runs a thin steady stream with constant water noise. A person rubs a plastic comb against dry hair, producing faint crackling, and as the charged comb approaches the falling stream the water audibly stays the same but visibly curves sideways toward the comb without being touched.","video_1_relative_path":"videos/b0691c4c5c133482.mp4","video_2_relative_path":"videos/37735a31feb11b45.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/physical_experiment/physical_experiment_1/00000017","text_prompt":"A high-fidelity view into a glass vacuum chamber shows absolute silence with no air movement. A release mechanism drops a metal coin and a feather side-by-side, and they fall at the same rate and hit the floor together with a single sharp impact sound transmitted through the chamber's base rather than through air.","video_1_relative_path":"videos/6a838169d7f07fde.mp4","video_2_relative_path":"videos/cead294ff270b0b1.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_fast_vs_Veo_3.1_quality/physical_experiment/physical_experiment_1/00000019","text_prompt":"A metal tuning fork is struck on a table with a sharp tap, producing a steady hum. The vibrating prongs are lowered to just touch a bowl of still water, and the moment the tips meet the surface they create rapid tiny splashes and ripples that buzz in sync with the audible vibration.","video_1_relative_path":"videos/5683fb3d0d56b132.mp4","video_2_relative_path":"videos/9bcc8369b50b4e6e.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/chemical_reaction/chemical_reaction2/00000000","text_prompt":"A close-up lab demo on a white table with quiet room tone. A clear beaker contains an acidic hydrogen peroxide mixture, and a second cup contains a clear solution of potassium iodide mixed with sodium thiosulfate and starch indicator. A narrator explains reaction kinetics as the hand pours the iodide mixture into the peroxide with a soft glug and begins swirling; the liquid stays seemingly unchanged for a few seconds, then suddenly the entire beaker undergoes an instantaneous uniform color change all at once while the swirling continues.","video_1_relative_path":"videos/5541c52f947bad79.mp4","video_2_relative_path":"videos/3dfa844b64a08feb.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/chemical_reaction/chemical_reaction2/00000001","text_prompt":"A wide outdoor science experiment with natural ambience and excited chatter. A demonstrator in goggles shows a large flask containing concentrated hydrogen peroxide mixed with dish soap and food coloring, then quickly pours in a small cup of potassium iodide catalyst solution with a loud slosh against glass. After a brief beat, thick foam erupts upward and out, growing rapidly as a loud wet hiss and fizzing bubbling sound builds; the demonstrator laughs and says, \"Stand back—here it comes!\" as the foam spills over the rim and patters onto the tray.","video_1_relative_path":"videos/1a6fe7d8d6a40fe4.mp4","video_2_relative_path":"videos/7d0ec428dfaaf70a.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/chemical_reaction/chemical_reaction2/00000002","text_prompt":"A cinematic close-up in a quiet lab shows a round-bottom flask containing freshly prepared Tollens’ reagent (ammoniacal silver nitrate solution). A small amount of glucose solution is added with a gentle pour, then the flask is swirled so the liquid climbs the glass walls with a soft sloshing sound. Over time, the inner surface of the flask undergoes a visible change, gradually forming a reflective coating that spreads as the swirling continues.","video_1_relative_path":"videos/2c0ff3d9fc224721.mp4","video_2_relative_path":"videos/27d6aeffd5e0f00a.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/chemical_reaction/chemical_reaction2/00000003","text_prompt":"A macro close-up against a dark background with faint room ambience. One beaker holds a clear aqueous lead nitrate solution and another holds a clear potassium iodide solution. The demonstrator pours the potassium iodide into the lead nitrate with a clean glug-glug sound and stirs with a glass rod that clinks lightly against the beaker; immediately a dense precipitate forms throughout the liquid, making the mixture turn cloudy as countless fine particles swirl like glitter and then slowly drift downward and collect at the bottom.","video_1_relative_path":"videos/80ec67edb536a59f.mp4","video_2_relative_path":"videos/18fa737a4f00d858.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/chemical_reaction/chemical_reaction2/00000004","text_prompt":"A realistic lab-style shot of a glass tank half-filled with water, with faint room ambience. Using tongs, a small piece of sodium metal is dropped onto the surface with a tiny plunk, and it immediately skates and darts across the water, producing urgent crackling hisses and leaving a visible trail. The reaction intensifies within moments, culminating in a sudden energetic burst at the surface with a loud pop and spray that splashes against the tank walls.","video_1_relative_path":"videos/95c51c3dda0f96fc.mp4","video_2_relative_path":"videos/b1d05a173674772d.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/chemical_reaction/chemical_reaction2/00000005","text_prompt":"A time-lapse tabletop shot on a heat-resistant tile in a quiet room. A small pellet of mercury(II) thiocyanate sits in the center; a flame touches it with a soft crackle, and as it burns a dry, ashy rustle continues. The video captures a long porous snake-like structure swelling and curling upward from the ash, continuously growing and branching as the crackling burn persists underneath.","video_1_relative_path":"videos/0bd5a397113ee613.mp4","video_2_relative_path":"videos/2dd11a9825a759d6.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/chemical_reaction/chemical_reaction2/00000006","text_prompt":"A video in a completely dark room where only the apparatus is visible. A narrator whispers, \"Watch the light,\" as two liquids—luminol solution and an oxidizer solution containing hydrogen peroxide with a catalyst—are poured simultaneously into a spiral glass tube, the streams making an audible trickling sound. As the liquids meet and flow, a self-generated glow appears inside the tubing and travels with the moving fluid, brightening and fading along the path while the trickling continues.","video_1_relative_path":"videos/a7592dbd1ba57577.mp4","video_2_relative_path":"videos/1426e1fbc68d9eae.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/chemical_reaction/chemical_reaction2/00000007","text_prompt":"A high-speed time-lapse shows a beaker on a magnetic stirrer, the stir plate motor making a steady whir as a stir bar spins. The beaker contains a Briggs–Rauscher mixture (hydrogen peroxide, potassium iodate, malonic acid, and a metal-ion catalyst with starch indicator). While the vortex turns, the liquid repeatedly cycles through several distinct visible states in a rhythmic pattern, switching abruptly and then returning again and again as the stirring continues.","video_1_relative_path":"videos/6435f6c1551a9e6d.mp4","video_2_relative_path":"videos/e79dd82756c39920.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/chemical_reaction/chemical_reaction2/00000008","text_prompt":"A close-up lab observation with no music. A beaker of white granulated sugar sits on the bench, and a clear, viscous concentrated sulfuric acid is poured in with a thick glug and sticky drip. The mixture immediately crackles and bubbles audibly as it heats up, rapidly darkening and expanding into a rigid porous column that rises out of the beaker while hot vapor vents with a wet hiss.","video_1_relative_path":"videos/ae3e11d34b4bbf09.mp4","video_2_relative_path":"videos/712113643395155c.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/chemical_reaction/chemical_reaction2/00000009","text_prompt":"A handheld shot of a bottle of purified water taken from a freezer, with faint room ambience. A voice counts, \"Three, two, one,\" and the bottle is firmly tapped on a table with a solid thud; right after the impact, crystallization begins at the contact point and spreads through the bottle in a fast-moving front, accompanied by faint crackling ice sounds as the once-clear liquid turns opaque.","video_1_relative_path":"videos/c214e20ac3562f1c.mp4","video_2_relative_path":"videos/a8fb9af78db06188.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/chemical_reaction/chemical_reaction2/00000011","text_prompt":"A close-up tabletop shot in quiet room tone. A hand slowly pours a clear supersaturated sodium acetate solution from a beaker onto a watch glass containing a tiny seed crystal, the liquid making a gentle pour sound. The instant the stream touches the seed point, the liquid turns solid at the contact and a crystal structure rapidly grows outward and upward, building a rising tower as the pouring continues.","video_1_relative_path":"videos/5aaf86d7720ff8ee.mp4","video_2_relative_path":"videos/246c95c2d365ce27.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/chemical_reaction/chemical_reaction2/00000012","text_prompt":"A tabletop demo in a quiet room. Metal tongs clink as they drop chunks of dry ice (solid carbon dioxide) into a beaker of warm water with a plop, and immediately thick fog billows over the rim while the water erupts into vigorous bubbling. A loud, continuous fizzing and rumbling gurgle accompanies the rolling vapor as it spills down the sides.","video_1_relative_path":"videos/ccaab06687bca114.mp4","video_2_relative_path":"videos/20c546c4f7af22ae.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/chemical_reaction/chemical_reaction2/00000013","text_prompt":"A macro shot of a petri dish filled with glossy black ferrofluid in near silence. A strong neodymium magnet slides beneath the dish with a faint scrape on the table, and the liquid responds instantly by rising into sharp spikes that form a shifting geometric pattern. As the magnet moves, the spikes lean, merge, and rearrange in sync with the unseen pull.","video_1_relative_path":"videos/e409e4b3ff1baa14.mp4","video_2_relative_path":"videos/83ce67a9f496d4c1.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/chemical_reaction/chemical_reaction2/00000014","text_prompt":"A top-down time-lapse of a petri dish containing a Belousov–Zhabotinsky reaction mixture (acidic solution with bromate, an organic acid, and a metal-ion indicator catalyst). With faint room ambience, the initially uniform liquid begins to generate organized traveling wave patterns, forming expanding rings and spirals that propagate and collide across the dish while the surface remains otherwise still.","video_1_relative_path":"videos/d695186d31a036c6.mp4","video_2_relative_path":"videos/8a203680a66540eb.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/chemical_reaction/chemical_reaction2/00000015","text_prompt":"A time-lapse shot of a beaker filled with clear sodium silicate solution in a quiet room. Small crystals of metal salts (such as copper sulfate or cobalt chloride) are dropped in with soft plinks against glass, and over time they sprout upward into hollow tubular structures that branch and curl like plants. Tiny bubbles appear around the bases with faint fizzing, and wispy colored plumes drift in the liquid as the structures grow.","video_1_relative_path":"videos/bc40c6021e9486b3.mp4","video_2_relative_path":"videos/443df58cbd8bbf6b.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/chemical_reaction/chemical_reaction2/00000016","text_prompt":"A static close-up of a small pile of potassium permanganate crystals on a ceramic tile, with quiet room tone. A narrator says, \"Wait for it…\" as a few drops of glycerin are dripped onto the center with slow sticky plops. Nothing happens for a short delay, then smoke begins to vent with a soft hiss and quickly intensifies into a sudden ignition with a sharp whoosh and vigorous crackling burn.","video_1_relative_path":"videos/2b6eb2ef168b3e70.mp4","video_2_relative_path":"videos/b0c8c49523b5a367.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/chemical_reaction/chemical_reaction2/00000017","text_prompt":"A hands-on demo beside a clear water tank with audible splashes. A hand pours brightly colored hydrophobic sand into the water, and it sinks in clumps and columns instead of dispersing, landing with muted underwater thuds. A spoon scoops the sand up and when it breaks the surface with a wet slosh, the grains instantly appear dry and loose, pouring off the spoon with a crisp dry rattle rather than sticking together.","video_1_relative_path":"videos/7f20e5589f263755.mp4","video_2_relative_path":"videos/391a0015e42132ff.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/chemical_reaction/chemical_reaction2/00000018","text_prompt":"A darkened lab shot with the steady hiss of a gas burner. Tongs hold a thin magnesium ribbon that catches with a sharp crackling sputter, and the moment it ignites it produces an extremely intense bright light that floods the room while the ribbon sizzles and spits. As it finishes, a fragile powdery residue remains and flakes off with a soft crumble when the tongs move.","video_1_relative_path":"videos/4469027101783931.mp4","video_2_relative_path":"videos/a198b1e5fcf7d723.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/chemical_reaction/chemical_reaction2/00000019","text_prompt":"A continuous shot of a sealed flask on a table with faint room ambience. The flask contains a chemical chameleon mixture (a glucose solution in sodium hydroxide with an indicator dye), and it is shaken vigorously so the liquid sloshes loudly against glass and fills with bubbles. Each time the shaking stops and the flask is set down, the liquid slowly transitions through a sequence of distinct visible states on its own, then resets when it is shaken again, repeating the cycle several times while a voice says, \"Shake… and watch.\"","video_1_relative_path":"videos/9d43912d7362c376.mp4","video_2_relative_path":"videos/c3139fd117009881.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/movie_trailer/movie_trailer_3/00000000","text_prompt":"A short movie-teaser sequence with four cinematic shots and trailer-style sound design. Shot 1: In a dim spaceship corridor lit by red emergency lights, a ventilation fan hums and an alarm pulses; a lone engineer walks toward camera, boots echoing on metal grating, and a distorted intercom says, \"All hands—stay away from Bay Nine.\" Shot 2: Smash cut to a close-up of a gloved hand flipping a guarded toggle; it clicks down sharply, and a heavy bass hit lands exactly on the click as warning lights begin to strobe. Shot 3: Cut to an airlock window from inside; frost creeps across the glass while the door mechanism whines, then stops with a hard clunk, followed by a beat of silence and the engineer whispering, \"It’s still out there.\" Shot 4: Exterior space shot of the ship drifting in darkness; a signal beacon flashes in slow rhythm with a deep electronic thump, then the title card REDLINE PROTOCOL appears on black with a rising whoosh and a sharp logo sting.","video_1_relative_path":"videos/85a75748fdb8f3e3.mp4","video_2_relative_path":"videos/9ab4fef8e543a409.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/movie_trailer/movie_trailer_3/00000001","text_prompt":"Four-shot horror teaser with strong silence-to-impact dynamics. Shot 1: A rain-soaked suburban street at night, distant thunder and wet wind; a porch light flickers as a person approaches a house, footsteps splashing in puddles. Shot 2: Close-up of a hand pushing the front door; the hinges creak slowly, then the door shuts by itself with a sudden slam that hits exactly on a trailer boom. Shot 3: Cut to a dark hallway interior; the only sound is a faint electrical buzz and the character’s breathing as a closet door knob turns with a tiny metallic tick, and the character whispers, \"Don’t open it.\" Shot 4: Smash cut to black on a sharp sting; a childlike humming fades in for half a second, then the title THE LAST DOOR IN HOLLOW STREET appears with a low sub hit.","video_1_relative_path":"videos/22942906d4d63739.mp4","video_2_relative_path":"videos/b3a26f83c3559782.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/movie_trailer/movie_trailer_3/00000002","text_prompt":"Four-shot teaser with camcorder realism and audio glitches. Shot 1: Grainy handheld footage in a living room, air conditioner hum and soft tape hiss; a TV plays faint sitcom laughter off-screen while someone points the camera at a dark doorway. Shot 2: A flashlight beam sweeps across family photos; the camera bumps a frame, making a glassy clink, and the laughter on the TV warps and slows unnaturally. Shot 3: Close-up of the camcorder screen as a timestamp flickers; a sudden high-pitched feedback squeal hits exactly as a figure crosses frame for a single instant. Shot 4: Cut to black; a breathy voice right at the mic says, \"Did you hear them?\" and the title MIDNIGHT LAUGH TRACK snaps on with a harsh digital click.","video_1_relative_path":"videos/9c335be40b5d0481.mp4","video_2_relative_path":"videos/e2167c14a4a3fd3f.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/movie_trailer/movie_trailer_3/00000003","text_prompt":"Four-shot emotional teaser with natural ambience and a musical swell. Shot 1: A windswept seaside pier at golden hour, waves rolling and gulls calling as two people stand in silence; one says softly, \"I came back.\" Shot 2: Cut to a kitchen morning scene; a kettle clicks off and steam hisses as hands brush accidentally, and the second person laughs under their breath. Shot 3: Smash cut to an argument in a car at night; windshield wipers thump rhythmically and rain drums on the roof as a voice breaks, \"You promised me forever.\" Shot 4: A quiet wide shot of the ocean at dusk; the music swells, then drops out for a beat as the title SALTWATER VOWS appears with a gentle, hopeful sting.","video_1_relative_path":"videos/55bb64aec246f05a.mp4","video_2_relative_path":"videos/b9715a8754b89641.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/movie_trailer/movie_trailer_3/00000004","text_prompt":"Four-shot high-tempo teaser with clean sync hits. Shot 1: Inside a bank vault, fluorescent hum and distant alarms; a timer on a device beeps faster as a thief whispers, \"Eighty-seven seconds—move.\" Shot 2: Close-up of a glass cutter scoring a pane with a sharp scratch, then a suction cup pops as the circle lifts free, landing on a bass hit. Shot 3: Smash cut to a getaway car; engine revs, tires chirp, and the car fishtails out of a tight alley with gravel spraying and rattling off the chassis. Shot 4: A final slow-motion shot of a duffel bag hitting the pavement with a heavy thud as sirens surge; the title EIGHTY-SEVEN SECONDS slams onto black with a metallic logo sting.","video_1_relative_path":"videos/dc118de009776079.mp4","video_2_relative_path":"videos/b2f9a13a78ce9a0b.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/movie_trailer/movie_trailer_3/00000005","text_prompt":"Four-shot teaser driven by dialogue beats and sharp room sounds. Shot 1: A courtroom wide shot, muted crowd murmurs and camera shutters; a judge’s gavel strikes with a crisp crack and the room falls silent. Shot 2: Close-up of a witness’s hands twisting a tissue, the paper crinkling loudly in the hush as a lawyer asks, \"Did you see his face?\" Shot 3: Smash cut to an elevator; fluorescent buzz, then a brief phone vibration; the witness whispers into the receiver, \"They’re listening.\" Shot 4: Cut to black on a heavy boom; the title THE QUIET TRIAL appears as a tape recorder clicks on and a reel begins to spin.","video_1_relative_path":"videos/a76a21f615188c72.mp4","video_2_relative_path":"videos/52fc9805eebf4629.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/movie_trailer/movie_trailer_3/00000006","text_prompt":"Four-shot neon-noir teaser with rain, synth textures, and hard cuts. Shot 1: Rainy alleyway with neon signs flickering; water drips and a distant siren dopplers past as a detective lights a cigarette, the lighter flaring with a tiny whoosh. Shot 2: Close-up of an augmented eye interface; soft digital beeps and a scan tone rise as a face is outlined on a HUD. Shot 3: Smash cut to a nightclub; bass thumps and crowd noise, then the music abruptly cuts as a pistol is cocked with a sharp metallic clack. Shot 4: A slow push-in on a data chip being dropped onto a metal table with a ping; the title NEON WALTZ appears with a gritty synth sting.","video_1_relative_path":"videos/869b52fbed22afd3.mp4","video_2_relative_path":"videos/26c729f38ac5e99f.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/movie_trailer/movie_trailer_3/00000008","text_prompt":"Four-shot inspirational teaser with training sounds and a musical lift. Shot 1: Dawn in an empty boxing gym; jump rope slaps the floor in a steady rhythm while a coach says, \"Again.\" Shot 2: Close-up of hands wrapping knuckles; fabric pulls tight with a rasp, and a bell dings in the distance. Shot 3: Smash cut to a match night; crowd roar swells as a punch lands with a sharp smack and sweat sprays in slow motion. Shot 4: A quiet locker-room shot; the fighter exhales, then taps the locker with a hollow knock as the title DUST AND GLORY appears with a triumphant sting.","video_1_relative_path":"videos/f8a3a0f9d13c6b89.mp4","video_2_relative_path":"videos/251cccf6526c9126.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/movie_trailer/movie_trailer_3/00000009","text_prompt":"Four-shot gentle teaser with intimate dialogue and rural ambience. Shot 1: An apple orchard in late afternoon; leaves rustle and distant bees hum as two teens ride bikes past, tires crunching on gravel. Shot 2: Close-up of hands carving initials into a tree, the knife scraping bark; one says, \"Promise you won’t forget.\" Shot 3: Smash cut to a school hallway; lockers slam and footsteps echo as a voice over a phone says, \"I’m leaving.\" Shot 4: A wide sunset shot of the orchard again; the music swells softly and the title THE ORCHARD BETWEEN US appears with a delicate bell-like sting.","video_1_relative_path":"videos/567daf7cfea47dff.mp4","video_2_relative_path":"videos/8dac53095f940093.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/movie_trailer/movie_trailer_3/00000010","text_prompt":"Four-shot teaser with comedic timing and punchy sound cues. Shot 1: A quiet office kitchen; a kettle begins to whistle as a deadpan voice says, \"This is where it all went wrong.\" Shot 2: Close-up of a mug slipping; it hits the floor and shatters with a loud crash that lands on a comedic bass hit. Shot 3: Smash cut to a formal meeting room; polite applause abruptly stops as someone coughs loudly into a microphone, causing feedback squeal. Shot 4: Cut to black; a cheerful jingle plays for half a second, then cuts off as the title KETTLE BLACK appears with a sarcastic ‘ding’ sting.","video_1_relative_path":"videos/46bb3fe7afba1c81.mp4","video_2_relative_path":"videos/d8ca0396ca4910c1.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/movie_trailer/movie_trailer_3/00000011","text_prompt":"Four-shot cold mystery teaser with wind and radio chatter. Shot 1: A snowy forest road; wind howls and boots crunch on snow as a detective says, \"No footprints in or out.\" Shot 2: Close-up of a handheld radio; it crackles and a voice breaks through, \"…do you copy?\" followed by sudden static. Shot 3: Smash cut to a frozen lake; an ice auger bites in with a grinding roar, then stops, leaving an eerie quiet. Shot 4: A lone cabin window glows in the blizzard; a low drone rises and the title WINTER SIGNAL appears with a sharp cold sting.","video_1_relative_path":"videos/0c6eb82d715c1aca.mp4","video_2_relative_path":"videos/48c9335f0ca1095a.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/movie_trailer/movie_trailer_3/00000012","text_prompt":"Four-shot teaser with rapid investigative beats and audio motifs. Shot 1: A copier room; pages whip out with mechanical clacks as documents are hurriedly stacked, and someone whispers, \"They altered the plans.\" Shot 2: Close-up of a phone unlocking; digital ticks and a notification ping as a hidden folder opens. Shot 3: Smash cut to an underground garage; footsteps echo, then a car remote chirps and headlights snap on with a hum. Shot 4: A fast montage-like final shot: a red string board, a file stamped, a door bolt sliding—each action landing on percussive hits—then the title BLUEPRINT OF A LIE slams onto black with a brass-like sting.","video_1_relative_path":"videos/575b61d1261bfbf2.mp4","video_2_relative_path":"videos/74d190227fe3dce4.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/movie_trailer/movie_trailer_3/00000013","text_prompt":"Four-shot grounded teaser with distant battle ambience and intimate lines. Shot 1: A quiet dawn trench; wind and distant artillery rumbles as a soldier murmurs, \"Keep your head down.\" Shot 2: Close-up of hands loading a magazine; rounds click into place in sync with the motion. Shot 3: Smash cut to a sprint across mud; boots suck and slap, bullets crack overhead, and a whistle shrieks. Shot 4: A still shot of a letter being unfolded; paper crackles loudly, then silence as the title THE FAR FIELD appears with a solemn low hit.","video_1_relative_path":"videos/56901c64e5a9f0b0.mp4","video_2_relative_path":"videos/497bf120b5b490fb.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/movie_trailer/movie_trailer_3/00000014","text_prompt":"Four-shot teaser with escalating impacts and environmental collapse. Shot 1: Downtown morning; traffic ambience and crosswalk beeps as a commuter says, \"Did you feel that?\" Shot 2: Close-up of a water glass trembling; tiny ripples tick against the rim, then a sharp jolt makes it jump with a clink. Shot 3: Smash cut to a street canyon; a deep rumble builds as windows begin to fracture, and glass starts raining down with chaotic tinkling crashes. Shot 4: Cut to black on a massive boom; the title CITY OF GLASS appears as a distant emergency siren fades in under the logo sting.","video_1_relative_path":"videos/53df3e9b48c093cf.mp4","video_2_relative_path":"videos/0a3d325a8cb0fbb9.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/movie_trailer/movie_trailer_3/00000015","text_prompt":"Four-shot warm teaser with cooking foley and flirtatious dialogue. Shot 1: A small bakery at dawn; dough slaps the counter and a mixer hums as someone says, \"You’re early.\" Shot 2: Close-up of honey drizzling onto a pastry; it threads down with a sticky sheen while a kettle steams softly in the background. Shot 3: Smash cut to a busy service rush; plates clink, tickets rip, and a chef calls, \"Two out!\" as a timer beeps. Shot 4: A quiet after-hours shot; two people share a pastry bite, a soft laugh, then the title HONEY ON THE TONGUE appears with a gentle acoustic sting.","video_1_relative_path":"videos/53834923e9ecee1f.mp4","video_2_relative_path":"videos/25ef52ddfc3507a7.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/movie_trailer/movie_trailer_3/00000016","text_prompt":"Four-shot magical teaser with tactile foley and orchestral swells. Shot 1: A candlelit library; pages turn with soft flutters as a narrator whispers, \"Every map has a mouth.\" Shot 2: Close-up of an old compass; it clicks open, and the needle spins with a faint metallic tick-tick. Shot 3: Smash cut to a shoreline where black waves roll; the surf hisses and a creature’s distant call echoes as a cloak snaps in the wind. Shot 4: A book slams shut on a bass hit, ink splashes across the cover like liquid, and the title THE INK SEA appears with a bright, enchanted sting.","video_1_relative_path":"videos/245b626b4b02fa10.mp4","video_2_relative_path":"videos/5e402d43b5042306.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/movie_trailer/movie_trailer_3/00000017","text_prompt":"Four-shot mockumentary teaser with on-set chatter and abrupt cuts. Shot 1: A film set; a clapperboard snaps loudly and someone says, \"Action—no, wait, not yet.\" Shot 2: Close-up of a boom mic dipping into frame; the operator whispers, \"Sorry,\" as the director sighs. Shot 3: Smash cut to an interview chair; the subject clears their throat into the mic, then says, \"I was misquoted,\" while crew members shuffle and a chair squeaks. Shot 4: A chaotic set moment—prop falls with a crash, someone yells \"Cut!\"—then the title SECOND TAKE appears with a playful sting and a tiny rewind sound.","video_1_relative_path":"videos/b19ec43d3ff03203.mp4","video_2_relative_path":"videos/11d222e73f198f5d.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/movie_trailer/movie_trailer_3/00000018","text_prompt":"Four-shot teaser with repeated audio motif and subtle variation. Shot 1: A café bell jingles as the door opens; a clock ticks loudly in an otherwise quiet room and a voice says, \"This feels familiar.\" Shot 2: Close-up of coffee spilling; it splashes and drips in slow motion as the same line repeats, slightly overlapping like an echo. Shot 3: Smash cut to a crosswalk; the walk signal beeps, then glitches and restarts as the character says, \"Not again.\" Shot 4: A rapid, breathy run up stairs; footsteps pound, then everything snaps to silence and the title THE LONGEST MINUTE appears with a ticking clock sting.","video_1_relative_path":"videos/4d7cdc1b70e4a51e.mp4","video_2_relative_path":"videos/79cffd65e2e8667d.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/movie_trailer/movie_trailer_3/00000019","text_prompt":"Four-shot gritty teaser with sea ambience and forensic sounds. Shot 1: A foggy beach at dawn; waves roll and gulls cry as a detective says, \"It washed in overnight.\" Shot 2: Close-up of a gloved hand placing an evidence marker; the plastic clicks on wet sand while a camera shutter snaps. Shot 3: Smash cut to an interrogation room; a chair scrapes back, a recorder clicks on, and a suspect mutters, \"You don’t know who you’re chasing.\" Shot 4: A fast shot of waves smashing against rocks on a heavy boom, then the title TIDELINE EVIDENCE appears with a dark, percussive logo sting.","video_1_relative_path":"videos/c1859d776fd186e3.mp4","video_2_relative_path":"videos/d6f81b4788ec30d3.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000000","text_prompt":"A close-up tutorial shot focusing on the fretboard of an acoustic guitar. Soft lighting. A left hand cleanly presses the strings into a C Major chord shape (fingers on the 1st, 2nd, and 3rd frets). A right hand holding a pick performs a single, slow, downward strum across all strings, producing a rich, resonant major chord that rings as the metal strings visibly vibrate.","video_1_relative_path":"videos/080c6237e695cc84.mp4","video_2_relative_path":"videos/dcd23737b7afe840.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000001","text_prompt":"A top-down view of a hand positioned on a piano keyboard with a metronome ticking steadily in the background. The fingers press down on the white keys one by one in a smooth, connected motion to play a 5-note ascending scale, and each note lands exactly when the fingertip makes contact and the key bottoms out before rebounding.","video_1_relative_path":"videos/b26ee8a37c99df03.mp4","video_2_relative_path":"videos/bfdd249f719efb35.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000002","text_prompt":"A super slow-motion shot of a drumstick hitting a snare drum under studio lighting that highlights the texture of the drum skin. The stick strikes the exact center of the drum, creating a visible ripple on the drumhead as it snaps back, and the audio matches with a sharp snare 'crack' followed by the quick buzzing rattle of the snare wires underneath.","video_1_relative_path":"videos/5dfc1e6e65159cee.mp4","video_2_relative_path":"videos/19119f72f801e83c.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000003","text_prompt":"A side-profile close-up of a violin being played in a quiet classical practice setting. The right hand holds the bow with a proper grip and pulls it slowly across the A string in a straight line (down-bow), producing a steady sustained tone that stays smooth and clean as the horsehair visibly grips the string without scratchy noise.","video_1_relative_path":"videos/516427381a2add29.mp4","video_2_relative_path":"videos/aa840bab26c5ce76.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000004","text_prompt":"A dynamic shot of a bass guitar body with no background music, focusing on technique. The right thumb strikes the thickest string forcefully (slap) and the index finger hooks and pops a higher string upward (pop), creating a tight percussive thump followed by a bright metallic clank that lines up with each visible string snap.","video_1_relative_path":"videos/f41555536a2d4e6c.mp4","video_2_relative_path":"videos/93caa1d0d9aa4805.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000005","text_prompt":"A warm, bright shot of a ukulele held against a chest with faint ocean waves in the background. The right hand performs a rhythmic down-up-down-up strumming pattern using the index finger, and each visible brush across the nylon strings produces a cheerful, high-pitched jingle in perfect sync with the wrist motion.","video_1_relative_path":"videos/e7d8181d96c4b4a8.mp4","video_2_relative_path":"videos/dbdab74f5bd0aa3c.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000006","text_prompt":"A close-up of a brass trumpet's valve casing while a narrator says, 'Check the valves.' A hand presses the three valves rapidly in a random sequence, and each press bottoms out with a crisp metallic click and springy return that matches the piston movement.","video_1_relative_path":"videos/f9527ceb481ef8fb.mp4","video_2_relative_path":"videos/54ffdfef44c20ecf.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000007","text_prompt":"A tight focus on the fingerboard of a cello as a deep, warm note sustains. A left-hand finger presses a string against the ebony board and rocks back and forth rhythmically, and the audio wavers in pitch in sync with the visible vibrato motion while the bow continues to draw a stable tone.","video_1_relative_path":"videos/98613041b66aae46.mp4","video_2_relative_path":"videos/1e9b24c5d39cb5d1.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000008","text_prompt":"A hand holds a wooden tambourine against a plain background and rotates the wrist rapidly back and forth. The metal jingles blur as they strike and rub, producing a continuous shimmering high-pitched jingle that intensifies as the shake speed increases.","video_1_relative_path":"videos/e251f0fb3d30a68e.mp4","video_2_relative_path":"videos/fb86e04e96a9736d.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000009","text_prompt":"A close-up of a synthesizer keyboard and the pitch bend wheel on the left with a sustained synth chord held down. A hand slowly pushes the pitch bend wheel upward and then releases it back to center, and the chord glides smoothly up in pitch and returns exactly with the wheel's travel and snap-back.","video_1_relative_path":"videos/b58ba8b083cfe72d.mp4","video_2_relative_path":"videos/ef45bdf9b90629a1.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000010","text_prompt":"A dreamy, soft-focus shot of a golden harp's strings in a quiet studio. A hand sweeps across the strings from low to high in one continuous motion (glissando), and the camera shows each string briefly vibrating as the sound cascades upward in a sparkling run that follows the hand's path.","video_1_relative_path":"videos/8deeb1cf33dafe4e.mp4","video_2_relative_path":"videos/b41a09cf70420bd8.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000011","text_prompt":"A top-down view of a DJ turntable deck with a simple drum beat playing. A hand rests on a black vinyl record and pushes it forward then pulls it back rhythmically, and each stop-and-reverse motion produces the classic 'wiki-wiki' scratch sound exactly when the record changes direction.","video_1_relative_path":"videos/5bd209dde9bde419.mp4","video_2_relative_path":"videos/1c91ca246ad225c9.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000012","text_prompt":"A macro shot of the brass keys on a saxophone during a fast run. The fingers press the pearl keys in rapid sequence, and the audio line up with quick mechanical key taps as the pads visibly lift and seal over tone holes at each note change.","video_1_relative_path":"videos/395b8351632e0ef9.mp4","video_2_relative_path":"videos/309158c8d284a55d.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000013","text_prompt":"A hand holds a metal triangle by a string, suspended in the air in silence. The other hand strikes the bottom horizontal bar with a metal beater, and the beater recoils immediately as the triangle frame shimmers visibly and a clear high-pitched 'ding' rings out and decays.","video_1_relative_path":"videos/8d3446b2c49a36b4.mp4","video_2_relative_path":"videos/161890b2ea8f06ac.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000014","text_prompt":"A zoomed-in shot of an electric guitar fretboard with distortion on. A finger frets a note and then pushes the steel string upward across the wood (bending), and the pitch rises smoothly as the string visibly stretches, then settles when the finger releases.","video_1_relative_path":"videos/8dc90c99d9b2b4b1.mp4","video_2_relative_path":"videos/54c581a75b2eb7b5.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000015","text_prompt":"A POV shot of a wooden kalimba held in two hands in a quiet room. The two thumbs alternate plucking the metal tines downward, and each tine bends under the thumb then snaps back to blur with vibration as a soft bell-like note sounds exactly at the release.","video_1_relative_path":"videos/585c362d21b307b2.mp4","video_2_relative_path":"videos/cda42f314a8fab96.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000016","text_prompt":"A dynamic shot of a gold crash cymbal on a stand. A drumstick strikes the cymbal edge hard, making it wobble violently as a loud crash blooms, then a hand immediately grabs the edge to choke it, cutting the ringing sound off instantly as the cymbal's motion stops.","video_1_relative_path":"videos/535f31bedb4e9c1d.mp4","video_2_relative_path":"videos/7e88dfbcb35a69e2.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000017","text_prompt":"A medium shot of an accordion being played with a steady chord. The left arm pulls the bellows outward and then pushes them back in, and the chord audibly swells louder as the bellows open and softens as they close, synchronized with the visible 'breathing' folds.","video_1_relative_path":"videos/46e7e16c1ef8ae54.mp4","video_2_relative_path":"videos/14c6fea545480787.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000018","text_prompt":"A close-up of a pair of wooden maracas in two hands against a plain background with no other instruments. The hands shake the maracas forward and backward sharply in a steady rhythm, and each reversal produces a crisp sandy rattle as the beads inside lag behind and then strike the shell, creating a clear shake-shake pattern perfectly synchronized with the motion.","video_1_relative_path":"videos/ef810065b5177b19.mp4","video_2_relative_path":"videos/b220d0ddb4fa5a7d.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000019","text_prompt":"A side-angle view of wooden xylophone bars. A hard plastic mallet strikes a single bar, producing a bright woody 'plonk' exactly at impact, and the mallet bounces back immediately instead of sticking so the bar can keep vibrating as the note rings.","video_1_relative_path":"videos/ff238022cbd12929.mp4","video_2_relative_path":"videos/a4c60e7b07d061ea.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000020","text_prompt":"A top-down tutorial shot of a right hand over a piano keyboard in a quiet room, no background music. The index finger plays the same key, middle C (C4), four times with clear separation (one note per beat), then stops. Each note starts exactly when the key bottoms out, and the pitch is consistently the same C with no extra notes.","video_1_relative_path":"videos/41ecf416822bccc8.mp4","video_2_relative_path":"videos/1c67b315dca620ce.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000021","text_prompt":"A top-down view of a hand on a piano keyboard with a steady metronome click. The hand plays five ascending notes one at a time: C4, D4, E4, F4, G4, legato but clearly articulated. Each pitch is clean and matches the key being pressed, with no chords or pedal blur.","video_1_relative_path":"videos/9bdedcc0776f415a.mp4","video_2_relative_path":"videos/223dcb7f6886a389.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000022","text_prompt":"A close-up tutorial shot of both hands on a piano keyboard. The player presses a C major triad as a single block chord (C–E–G) in the middle register and holds it for one second, then releases. The audio is a single, stable major chord that begins exactly at key contact with no arpeggio.","video_1_relative_path":"videos/e4d417aef73d5a61.mp4","video_2_relative_path":"videos/f6362f43a14ae2db.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000023","text_prompt":"A top-down tutorial shot of a piano keyboard under soft studio lighting. The hand plays an A minor triad as a block chord (A–C–E), holds briefly, then releases. The chord is clean and steady with no extra notes and no sustain pedal.","video_1_relative_path":"videos/1c80075109cad066.mp4","video_2_relative_path":"videos/0ffd561f2d1f635c.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000024","text_prompt":"A close-up tutorial shot of an acoustic guitar with the left hand not fretting any notes (open strings only). The right hand plucks the six open strings one by one slowly from lowest to highest: E, A, D, G, B, E. Each pluck is clearly separated, and the pitch follows the string being plucked with no strumming or chords.","video_1_relative_path":"videos/d832eb9af709ee2b.mp4","video_2_relative_path":"videos/d75a6b67d47297dd.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000025","text_prompt":"A close-up tutorial shot focused on an acoustic guitar fretboard and right-hand picking. The left hand forms a simple C major triad shape and the right hand picks three notes one at a time as an arpeggio: C, then E, then G, repeating once. The notes are clean, sustained briefly, and there is no percussion or background music.","video_1_relative_path":"videos/955a979fc14a9cdc.mp4","video_2_relative_path":"videos/623079c0fd593fe1.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000027","text_prompt":"A tight tutorial shot of a clean electric guitar. The left hand forms a simple E5 power chord (E and B only, no third). The right hand performs one slow downstroke, letting the chord ring. The audio is a clean two-note power chord that starts exactly on the strum with no distortion and no extra notes.","video_1_relative_path":"videos/a4d567c18b9bdaef.mp4","video_2_relative_path":"videos/e66f1f3e2d09c76a.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000028","text_prompt":"A POV tutorial shot of a wooden kalimba held in two hands in a silent room. The thumbs pluck five tines one at a time to play a simple ascending melody: C, D, E, F, G, with clear spacing between notes. Each tine vibrates visibly at release, and the pitches are clean with no chords.","video_1_relative_path":"videos/da6ccd781341eb04.mp4","video_2_relative_path":"videos/41f6fffd67470a15.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000029","text_prompt":"A side-angle tutorial shot of a xylophone with labeled bars. Two mallets strike three bars one at a time to play C, then E, then G, then stop. Each hit produces a bright woody tone exactly at impact, with no roll and no extra bars struck.","video_1_relative_path":"videos/ca59b7acd69ea563.mp4","video_2_relative_path":"videos/251bc2564023510c.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000030","text_prompt":"A close-up tutorial shot of a marimba bar in a studio. A soft mallet strikes the same bar (G3) twice with a full decay between hits. The pitch is stable and identical on both hits, and the mallet rebounds cleanly without touching neighboring bars.","video_1_relative_path":"videos/55538d691f539e27.mp4","video_2_relative_path":"videos/2685884a64bb9685.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000031","text_prompt":"A top-down piano tutorial shot with a steady tempo. The right hand plays a simple five-note melody one note at a time: C4, E4, G4, E4, C4. Each note is clearly articulated and aligned to finger contact, with no chords and no pedal.","video_1_relative_path":"videos/10f219d0c5c0a5d0.mp4","video_2_relative_path":"videos/a63443af182e2278.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000032","text_prompt":"A close-up tutorial shot of an acoustic guitar fretboard. The left hand forms a standard G major chord shape and the right hand performs a single slow downward strum across the strings, then lets it ring. The audio is a clear G major chord with no muted strings and no extra percussive hits.","video_1_relative_path":"videos/b5f2c0e9ede02c86.mp4","video_2_relative_path":"videos/54b79a0129b408e9.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000033","text_prompt":"A top-down tutorial shot of a piano keyboard with a metronome. The player performs four block chords in sequence, one per bar: C major, then G major, then A minor, then F major. Each chord is pressed cleanly as a block (no arpeggio), held briefly, then released before the next chord.","video_1_relative_path":"videos/30f2c36f474f0db0.mp4","video_2_relative_path":"videos/bd41cc737b390aae.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Veo_3.1_quality_vs_Seedance_1.5_pro/musical_instrument_tutorial/musical_instrument_tutorial_2/00000034","text_prompt":"A top-down piano tutorial view in a quiet practice room. The right hand plays a slow two-octave C major scale from C4 up to C6, one note at a time with clear separation and even timing. The pitches follow the white keys exactly with no pedal and no extra notes.","video_1_relative_path":"videos/51cff35acef49568.mp4","video_2_relative_path":"videos/e93b9a203cdc93c0.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/asmr/asmr1/00000000","text_prompt":"Vertical close-up shot under soft studio lighting. A hand holding a utility knife slowly carves a grid pattern into a dry, pastel pink soap bar. Then, the thumb presses firmly into the grid. The visuals capture the soap cubes popping up and crumbling. The audio begins with the sharp, dry scratching of the knife tip, transitioning to a satisfying, gritty 'crunch' sound as the soap structure collapses under pressure.","video_1_relative_path":"videos/9de0d4c520ed3edf.mp4","video_2_relative_path":"videos/dc5b17b4ef8ff88e.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/asmr/asmr1/00000001","text_prompt":"Extreme close-up of a person's lower face. They hold a piece of golden, dripping honeycomb. They take a large bite, and the sticky honey stretches between their lips and the comb. The visuals focus on the wax structure breaking and the viscous liquid flowing. The audio captures the distinct 'squelching' wet sound of chewing, the sticky smack of lips opening, and the crunch of the beeswax.","video_1_relative_path":"videos/939ca8c9b11949ba.mp4","video_2_relative_path":"videos/1130fcdd20ce01a9.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/asmr/asmr1/00000002","text_prompt":"A pristine cylinder of purple kinetic sand sits on a white table. A sharp knife slices through it vertically. The sand holds its shape for a split second before the sliced half slowly slumps and disintegrates into grains. The audio captures the unique, soft 'shhh' sound of the blade slicing through the sand, followed by a subtle, sandy crumbling noise as the structure falls apart.","video_1_relative_path":"videos/ad1fb7fbd17a7382.mp4","video_2_relative_path":"videos/3a1fec9552634db0.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/asmr/asmr1/00000003","text_prompt":"A macro shot of fingers typing slowly, then accelerating on a custom mechanical keyboard with cream-colored keycaps. RGB lighting pulses gently. The visuals focus on the key travel distance and the fingers bottoming out. The audio features a deep, resonant, and 'creamy' thock sound (not high-pitched clicking) that perfectly syncs with each keystroke, creating a rhythmic bass-heavy texture.","video_1_relative_path":"videos/9b082d69bc12ce95.mp4","video_2_relative_path":"videos/702b0d2df05b9f2c.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/asmr/asmr1/00000004","text_prompt":"A knife peels the green skin off a large, thick aloe vera leaf, revealing the clear, slimy gel inside. The hand then runs a finger through the goo, causing it to drip. The video captures the glistening, viscous texture of the gel. The audio is dominated by wet, slimy, sloshing sounds, emphasizing the stickiness and moisture of the plant.","video_1_relative_path":"videos/86412ebce370a8c4.mp4","video_2_relative_path":"videos/0e4c91033cb2d689.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/asmr/asmr1/00000005","text_prompt":"A pair of hands taps rapidly on a clear glass bottle, producing a high-pitched, resonant 'ting-ting' sound. Halfway through, the hands move to a leather-bound book nearby, tapping on it. The audio instantly shifts from the sharp, bright glass tone to a dull, muted, low-frequency thudding sound, testing the model's material awareness.","video_1_relative_path":"videos/63317640867123df.mp4","video_2_relative_path":"videos/33c816b5f95acfd3.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/asmr/asmr1/00000006","text_prompt":"A clear glass filled with large, round ice spheres. A brightly colored carbonated soda is poured over the ice. The video zooms in on the bubbles rising and the foam head forming. The audio captures the aggressive 'fizzing' of the carbonation and, crucially, the loud, sharp cracking sounds of the ice reacting to the temperature change.","video_1_relative_path":"videos/5ff0dcec5822b51b.mp4","video_2_relative_path":"videos/a14eb469b4ba57d9.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/asmr/asmr1/00000007","text_prompt":"A POV shot facing a dummy head microphone (3Dio) with silicone ears. A large, fluffy makeup brush gently circles the left silicone ear, then moves across the screen to brush the right ear. The visuals focus on the bristles bending against the silicone curves. The audio creates a 3D effect, with the soft, scratchy brushing sound panning smoothly from the left channel to the right channel.","video_1_relative_path":"videos/e8d7ba2dce9432de.mp4","video_2_relative_path":"videos/d876dc621341aa51.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/asmr/asmr1/00000008","text_prompt":"A macro shot of a white piece of chalk writing the word 'Relax' in cursive on a rough, green slate blackboard. The chalk crumbles slightly, leaving dust particles falling. The audio captures the friction—a mix of soft scratching and occasional high-pitched squeaks as the chalk drags across the textured slate surface.","video_1_relative_path":"videos/056529ba60789ff0.mp4","video_2_relative_path":"videos/b556aef162fb1e10.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/asmr/asmr1/00000009","text_prompt":"A dry block of green floral foam is dipped in water, becoming dark green. A hand squeezes the water-logged foam. The visual shows the foam denting permanently and water rushing out between the fingers. The audio captures a squishy, wet, air-escaping sound, distinct from the dry crunch of dry foam, emphasizing the saturation of the material.","video_1_relative_path":"videos/63c92fac241855ff.mp4","video_2_relative_path":"videos/d0ece3c0861176de.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/asmr/asmr1/00000010","text_prompt":"A close-up of a hand holding a hollow, pastel-blue clay ball covered in a shiny, brittle glaze. The hand squeezes slowly. The video captures the glaze shattering into shards while the soft clay inside squishes out. The audio features a loud, sharp 'crack' like eggshells breaking, followed by the soft, dull squishing sound of the moist clay underneath.","video_1_relative_path":"videos/181740740b49a6b2.mp4","video_2_relative_path":"videos/a1b6baa8dc6e7828.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/asmr/asmr1/00000011","text_prompt":"Macro shot of a wooden wick candle being lit by a match. The flame catches, and the wax around the wick begins to melt into a pool. The camera focuses on the blackened, glowing wood. The audio captures the initial 'fwoosh' of the match, followed by the distinct, rhythmic 'crackling' and 'popping' sound unique to wooden wicks, mimicking a miniature fireplace.","video_1_relative_path":"videos/50f2dd6076409db2.mp4","video_2_relative_path":"videos/eb787b29c9488099.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/asmr/asmr1/00000012","text_prompt":"A pair of hands manipulates a sheet of iridescent, stiff holographic cellophane. They scrunch it into a ball and then smooth it out. The visuals catch the shifting rainbow light reflections on the sharp plastic folds. The audio captures the extremely high-frequency, sharp, and 'crispy' crinkling noise, distinguishing it from the softer sound of paper or fabric.","video_1_relative_path":"videos/ecb64516c9f9c94d.mp4","video_2_relative_path":"videos/d2d4d17c8353d8ed.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/asmr/asmr1/00000013","text_prompt":"Top-down view of a pristine, untouched pink blush compact. A metal spatula digs into the center. The pressed powder fractures into loose dust and chunks. The spatula spreads and crushes the debris. The audio captures the gritty, sandy scraping sound of metal against the powder and the pan, providing a satisfying tactile texture.","video_1_relative_path":"videos/4cc1bd05a407ddc1.mp4","video_2_relative_path":"videos/598781c6265c04fc.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/asmr/asmr1/00000014","text_prompt":"Extreme close-up of a roll of heavy-duty duct tape. A hand lifts the edge and pulls a strip off slowly, then quickly. The visuals focus on the adhesive stretching into tiny glue strands before snapping. The audio captures the loud, staccato 'ripping' sound of the adhesive separating from the roll, varying in pitch with the speed of the pull.","video_1_relative_path":"videos/057e77b93af6123c.mp4","video_2_relative_path":"videos/01d0a4dbf9098630.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/asmr/asmr1/00000015","text_prompt":"A metal palette knife mixes a blob of thick yellow acrylic paint with blue paint on a glass palette. The colors swirl into green. The visuals focus on the thick, buttery texture of the paint. The audio captures the wet 'squishing' and 'slapping' sounds of the paint being folded, accompanied by the occasional sharp scrape of the metal knife against the glass surface.","video_1_relative_path":"videos/ac3612bb33a54c7d.mp4","video_2_relative_path":"videos/64d1f83b27b138c1.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/asmr/asmr1/00000016","text_prompt":"A whole head of fresh, wet iceberg lettuce. Two hands grab the center and pull it apart with force. Water droplets fly off the leaves in slow motion. The audio captures the loud, watery, multi-layered 'crunch' and 'tear' of the crisp vegetable fibers breaking, sounding fresh and hydrated.","video_1_relative_path":"videos/678f0ed926c750df.mp4","video_2_relative_path":"videos/04bdff1a1989a9c9.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/asmr/asmr1/00000017","text_prompt":"A visual of a professional microphone covered with a black foam windscreen. Long fingernails gently scratch the surface of the foam in a circular motion. The foam depresses slightly and rebounds. The audio is a raw, textured 'white noise' scratching sound, simulating the proximity effect where the sound feels like it is directly inside the listener's ear.","video_1_relative_path":"videos/be79af6e047a3322.mp4","video_2_relative_path":"videos/3ff55d9e635cf541.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/asmr/asmr1/00000018","text_prompt":"A container filled with glossy, metallic purple slime. A finger pokes deep into it, creating a hole that slowly closes up. Then, the hand stretches the slime to create an air bubble and squeezes it. The audio captures the wet, thick 'thwock' sound of the poke and the sharp, explosive 'snap' of the air bubble popping.","video_1_relative_path":"videos/ff6c36bab9db7033.mp4","video_2_relative_path":"videos/ff4742dede1fda36.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/asmr/asmr1/00000019","text_prompt":"A hand dives into a bowl filled with thousands of slippery, transparent water beads. The hand grabs a handful and squeezes tight. The beads slip through fingers and some burst. The audio captures the chaotic, wet 'sloshing' sound of the beads colliding and the subtle 'squelch' of the hydrogel material breaking under pressure.","video_1_relative_path":"videos/623cddd7408d47b5.mp4","video_2_relative_path":"videos/9ca6dcebb954066b.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/movie_trailer/movie_trailer_2/00000000","text_prompt":"A short movie-teaser sequence with four cinematic shots and trailer-style sound design. Shot 1: In a dim spaceship corridor lit by red emergency lights, a ventilation fan hums and an alarm pulses; a lone engineer walks toward camera, boots echoing on metal grating, and a distorted intercom says, \"All hands—stay away from Bay Nine.\" Shot 2: Smash cut to a close-up of a gloved hand flipping a guarded toggle; it clicks down sharply, and a heavy bass hit lands exactly on the click as warning lights begin to strobe. Shot 3: Cut to an airlock window from inside; frost creeps across the glass while the door mechanism whines, then stops with a hard clunk, followed by a beat of silence and the engineer whispering, \"It’s still out there.\" Shot 4: Exterior space shot of the ship drifting in darkness; a signal beacon flashes in slow rhythm with a deep electronic thump, then the title card REDLINE PROTOCOL appears on black with a rising whoosh and a sharp logo sting.","video_1_relative_path":"videos/1b3323af558f652a.mp4","video_2_relative_path":"videos/20e4cb19f262160d.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/movie_trailer/movie_trailer_2/00000001","text_prompt":"Four-shot horror teaser with strong silence-to-impact dynamics. Shot 1: A rain-soaked suburban street at night, distant thunder and wet wind; a porch light flickers as a person approaches a house, footsteps splashing in puddles. Shot 2: Close-up of a hand pushing the front door; the hinges creak slowly, then the door shuts by itself with a sudden slam that hits exactly on a trailer boom. Shot 3: Cut to a dark hallway interior; the only sound is a faint electrical buzz and the character’s breathing as a closet door knob turns with a tiny metallic tick, and the character whispers, \"Don’t open it.\" Shot 4: Smash cut to black on a sharp sting; a childlike humming fades in for half a second, then the title THE LAST DOOR IN HOLLOW STREET appears with a low sub hit.","video_1_relative_path":"videos/c6fe259ab4d2b66d.mp4","video_2_relative_path":"videos/2ad650443b525b03.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/movie_trailer/movie_trailer_2/00000002","text_prompt":"Four-shot teaser with camcorder realism and audio glitches. Shot 1: Grainy handheld footage in a living room, air conditioner hum and soft tape hiss; a TV plays faint sitcom laughter off-screen while someone points the camera at a dark doorway. Shot 2: A flashlight beam sweeps across family photos; the camera bumps a frame, making a glassy clink, and the laughter on the TV warps and slows unnaturally. Shot 3: Close-up of the camcorder screen as a timestamp flickers; a sudden high-pitched feedback squeal hits exactly as a figure crosses frame for a single instant. Shot 4: Cut to black; a breathy voice right at the mic says, \"Did you hear them?\" and the title MIDNIGHT LAUGH TRACK snaps on with a harsh digital click.","video_1_relative_path":"videos/94cf5436c4f7d712.mp4","video_2_relative_path":"videos/864c22aa5da4fc4d.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/movie_trailer/movie_trailer_2/00000003","text_prompt":"Four-shot emotional teaser with natural ambience and a musical swell. Shot 1: A windswept seaside pier at golden hour, waves rolling and gulls calling as two people stand in silence; one says softly, \"I came back.\" Shot 2: Cut to a kitchen morning scene; a kettle clicks off and steam hisses as hands brush accidentally, and the second person laughs under their breath. Shot 3: Smash cut to an argument in a car at night; windshield wipers thump rhythmically and rain drums on the roof as a voice breaks, \"You promised me forever.\" Shot 4: A quiet wide shot of the ocean at dusk; the music swells, then drops out for a beat as the title SALTWATER VOWS appears with a gentle, hopeful sting.","video_1_relative_path":"videos/b1946f49d0699764.mp4","video_2_relative_path":"videos/ae4039f245851c01.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/movie_trailer/movie_trailer_2/00000006","text_prompt":"Four-shot neon-noir teaser with rain, synth textures, and hard cuts. Shot 1: Rainy alleyway with neon signs flickering; water drips and a distant siren dopplers past as a detective lights a cigarette, the lighter flaring with a tiny whoosh. Shot 2: Close-up of an augmented eye interface; soft digital beeps and a scan tone rise as a face is outlined on a HUD. Shot 3: Smash cut to a nightclub; bass thumps and crowd noise, then the music abruptly cuts as a pistol is cocked with a sharp metallic clack. Shot 4: A slow push-in on a data chip being dropped onto a metal table with a ping; the title NEON WALTZ appears with a gritty synth sting.","video_1_relative_path":"videos/c50b80cf305e6d7f.mp4","video_2_relative_path":"videos/d9c8fe06a94bc414.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/movie_trailer/movie_trailer_2/00000007","text_prompt":"Four-shot playful teaser with clear foley and a bright musical hook. Shot 1: A kid’s bedroom; scissors snip cardboard and tape rips as a child declares, \"We’re building a castle!\" Shot 2: The cardboard fort reveals itself in a wide shot; a sibling knocks on a paper door, making a hollow thump, and a toy trumpet fanfare plays. Shot 3: Smash cut to the fort ‘drawbridge’ falling; it slaps down and the kids cheer as a pet dog barges in, collar jingling and nails clicking on the floor. Shot 4: A final hero shot of the cardboard castle under fairy lights; the title PAPER KINGDOM pops on with a whimsical chime.","video_1_relative_path":"videos/a598ba8f8abf3f45.mp4","video_2_relative_path":"videos/d80f3d40dc18b146.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/movie_trailer/movie_trailer_2/00000008","text_prompt":"Four-shot inspirational teaser with training sounds and a musical lift. Shot 1: Dawn in an empty boxing gym; jump rope slaps the floor in a steady rhythm while a coach says, \"Again.\" Shot 2: Close-up of hands wrapping knuckles; fabric pulls tight with a rasp, and a bell dings in the distance. Shot 3: Smash cut to a match night; crowd roar swells as a punch lands with a sharp smack and sweat sprays in slow motion. Shot 4: A quiet locker-room shot; the fighter exhales, then taps the locker with a hollow knock as the title DUST AND GLORY appears with a triumphant sting.","video_1_relative_path":"videos/7e710902e516a849.mp4","video_2_relative_path":"videos/0d2da9a474e3ace7.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/movie_trailer/movie_trailer_2/00000009","text_prompt":"Four-shot gentle teaser with intimate dialogue and rural ambience. Shot 1: An apple orchard in late afternoon; leaves rustle and distant bees hum as two teens ride bikes past, tires crunching on gravel. Shot 2: Close-up of hands carving initials into a tree, the knife scraping bark; one says, \"Promise you won’t forget.\" Shot 3: Smash cut to a school hallway; lockers slam and footsteps echo as a voice over a phone says, \"I’m leaving.\" Shot 4: A wide sunset shot of the orchard again; the music swells softly and the title THE ORCHARD BETWEEN US appears with a delicate bell-like sting.","video_1_relative_path":"videos/fda98edbc6419abf.mp4","video_2_relative_path":"videos/59cfe2622aea7eb2.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/movie_trailer/movie_trailer_2/00000010","text_prompt":"Four-shot teaser with comedic timing and punchy sound cues. Shot 1: A quiet office kitchen; a kettle begins to whistle as a deadpan voice says, \"This is where it all went wrong.\" Shot 2: Close-up of a mug slipping; it hits the floor and shatters with a loud crash that lands on a comedic bass hit. Shot 3: Smash cut to a formal meeting room; polite applause abruptly stops as someone coughs loudly into a microphone, causing feedback squeal. Shot 4: Cut to black; a cheerful jingle plays for half a second, then cuts off as the title KETTLE BLACK appears with a sarcastic ‘ding’ sting.","video_1_relative_path":"videos/f0d1e4be4d71fe41.mp4","video_2_relative_path":"videos/996cdabcc4447df6.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/movie_trailer/movie_trailer_2/00000011","text_prompt":"Four-shot cold mystery teaser with wind and radio chatter. Shot 1: A snowy forest road; wind howls and boots crunch on snow as a detective says, \"No footprints in or out.\" Shot 2: Close-up of a handheld radio; it crackles and a voice breaks through, \"…do you copy?\" followed by sudden static. Shot 3: Smash cut to a frozen lake; an ice auger bites in with a grinding roar, then stops, leaving an eerie quiet. Shot 4: A lone cabin window glows in the blizzard; a low drone rises and the title WINTER SIGNAL appears with a sharp cold sting.","video_1_relative_path":"videos/19bbe86f64818ffe.mp4","video_2_relative_path":"videos/62b0e1489fabb063.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/movie_trailer/movie_trailer_2/00000012","text_prompt":"Four-shot teaser with rapid investigative beats and audio motifs. Shot 1: A copier room; pages whip out with mechanical clacks as documents are hurriedly stacked, and someone whispers, \"They altered the plans.\" Shot 2: Close-up of a phone unlocking; digital ticks and a notification ping as a hidden folder opens. Shot 3: Smash cut to an underground garage; footsteps echo, then a car remote chirps and headlights snap on with a hum. Shot 4: A fast montage-like final shot: a red string board, a file stamped, a door bolt sliding—each action landing on percussive hits—then the title BLUEPRINT OF A LIE slams onto black with a brass-like sting.","video_1_relative_path":"videos/d1c00620daa5b59e.mp4","video_2_relative_path":"videos/88b30a152ea30afa.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/movie_trailer/movie_trailer_2/00000013","text_prompt":"Four-shot grounded teaser with distant battle ambience and intimate lines. Shot 1: A quiet dawn trench; wind and distant artillery rumbles as a soldier murmurs, \"Keep your head down.\" Shot 2: Close-up of hands loading a magazine; rounds click into place in sync with the motion. Shot 3: Smash cut to a sprint across mud; boots suck and slap, bullets crack overhead, and a whistle shrieks. Shot 4: A still shot of a letter being unfolded; paper crackles loudly, then silence as the title THE FAR FIELD appears with a solemn low hit.","video_1_relative_path":"videos/54a9d953e04c348e.mp4","video_2_relative_path":"videos/64dbf8e1a845d4dc.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/movie_trailer/movie_trailer_2/00000014","text_prompt":"Four-shot teaser with escalating impacts and environmental collapse. Shot 1: Downtown morning; traffic ambience and crosswalk beeps as a commuter says, \"Did you feel that?\" Shot 2: Close-up of a water glass trembling; tiny ripples tick against the rim, then a sharp jolt makes it jump with a clink. Shot 3: Smash cut to a street canyon; a deep rumble builds as windows begin to fracture, and glass starts raining down with chaotic tinkling crashes. Shot 4: Cut to black on a massive boom; the title CITY OF GLASS appears as a distant emergency siren fades in under the logo sting.","video_1_relative_path":"videos/50c28a4879c414fd.mp4","video_2_relative_path":"videos/63d763469b36a2dd.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/movie_trailer/movie_trailer_2/00000015","text_prompt":"Four-shot warm teaser with cooking foley and flirtatious dialogue. Shot 1: A small bakery at dawn; dough slaps the counter and a mixer hums as someone says, \"You’re early.\" Shot 2: Close-up of honey drizzling onto a pastry; it threads down with a sticky sheen while a kettle steams softly in the background. Shot 3: Smash cut to a busy service rush; plates clink, tickets rip, and a chef calls, \"Two out!\" as a timer beeps. Shot 4: A quiet after-hours shot; two people share a pastry bite, a soft laugh, then the title HONEY ON THE TONGUE appears with a gentle acoustic sting.","video_1_relative_path":"videos/635ffffd87844c31.mp4","video_2_relative_path":"videos/0146a50432ce3d01.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/movie_trailer/movie_trailer_2/00000016","text_prompt":"Four-shot magical teaser with tactile foley and orchestral swells. Shot 1: A candlelit library; pages turn with soft flutters as a narrator whispers, \"Every map has a mouth.\" Shot 2: Close-up of an old compass; it clicks open, and the needle spins with a faint metallic tick-tick. Shot 3: Smash cut to a shoreline where black waves roll; the surf hisses and a creature’s distant call echoes as a cloak snaps in the wind. Shot 4: A book slams shut on a bass hit, ink splashes across the cover like liquid, and the title THE INK SEA appears with a bright, enchanted sting.","video_1_relative_path":"videos/eb2e25b62ffe7fcb.mp4","video_2_relative_path":"videos/d60cb595deb9e431.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/movie_trailer/movie_trailer_2/00000017","text_prompt":"Four-shot mockumentary teaser with on-set chatter and abrupt cuts. Shot 1: A film set; a clapperboard snaps loudly and someone says, \"Action—no, wait, not yet.\" Shot 2: Close-up of a boom mic dipping into frame; the operator whispers, \"Sorry,\" as the director sighs. Shot 3: Smash cut to an interview chair; the subject clears their throat into the mic, then says, \"I was misquoted,\" while crew members shuffle and a chair squeaks. Shot 4: A chaotic set moment—prop falls with a crash, someone yells \"Cut!\"—then the title SECOND TAKE appears with a playful sting and a tiny rewind sound.","video_1_relative_path":"videos/fedc21d8f7a73281.mp4","video_2_relative_path":"videos/46f1a4deac525a2e.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/movie_trailer/movie_trailer_2/00000018","text_prompt":"Four-shot teaser with repeated audio motif and subtle variation. Shot 1: A café bell jingles as the door opens; a clock ticks loudly in an otherwise quiet room and a voice says, \"This feels familiar.\" Shot 2: Close-up of coffee spilling; it splashes and drips in slow motion as the same line repeats, slightly overlapping like an echo. Shot 3: Smash cut to a crosswalk; the walk signal beeps, then glitches and restarts as the character says, \"Not again.\" Shot 4: A rapid, breathy run up stairs; footsteps pound, then everything snaps to silence and the title THE LONGEST MINUTE appears with a ticking clock sting.","video_1_relative_path":"videos/ae0cbf997752e8aa.mp4","video_2_relative_path":"videos/3c83e82445eb32a2.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Sora_2/movie_trailer/movie_trailer_2/00000019","text_prompt":"Four-shot gritty teaser with sea ambience and forensic sounds. Shot 1: A foggy beach at dawn; waves roll and gulls cry as a detective says, \"It washed in overnight.\" Shot 2: Close-up of a gloved hand placing an evidence marker; the plastic clicks on wet sand while a camera shutter snaps. Shot 3: Smash cut to an interrogation room; a chair scrapes back, a recorder clicks on, and a suspect mutters, \"You don’t know who you’re chasing.\" Shot 4: A fast shot of waves smashing against rocks on a heavy boom, then the title TIDELINE EVIDENCE appears with a dark, percussive logo sting.","video_1_relative_path":"videos/85d3fdee56790c15.mp4","video_2_relative_path":"videos/b42bfd0eb4a80e55.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/gameplays/gameplays_1/00000000","text_prompt":"First-person view in a ruined hallway with distant gunfire and muffled explosions outside. The player sprints, footsteps thudding on concrete, then slides into cover as bullets ping off a metal pillar with sharp ricochets. The player reloads: the empty magazine drops with a clack, a fresh mag slaps in, and the bolt is pulled with a loud metallic snick exactly as the weapon returns to aim. A teammate voice in comms says, \"Reloading—cover me!\" and the player leans out to fire short bursts that echo in the corridor.","video_1_relative_path":"videos/0cf03be177b20da8.mp4","video_2_relative_path":"videos/29f69c95b65f145b.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/gameplays/gameplays_1/00000001","text_prompt":"Third-person gameplay in a small house with rain tapping on the roof and faint thunder outside. The player opens a chest that pops and chimes, spilling items with bright UI pings as they get picked up one by one. Footsteps and a door creak upstairs, and the player stops moving; the ambient sound holds for a tense beat. Suddenly, an enemy crashes through a window with a loud smash, and the player whips around, firing as the enemy’s shield crackles on hit.","video_1_relative_path":"videos/503241ac1468bc7c.mp4","video_2_relative_path":"videos/bb0920fcad98ac2d.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/gameplays/gameplays_1/00000002","text_prompt":"Chase camera behind a rally car on a wet mountain road. The engine rises in pitch, then the player taps the brakes—tires squeal and the car throws water spray as it snaps into a drift. Gravel rattles against the undercarriage and the rear slides wide, then grips with a deep thump as the car exits the hairpin. The co-driver voice calls, \"Left hairpin, don’t cut!\" and the player shifts gears with a crisp mechanical click.","video_1_relative_path":"videos/0a86dd6115ea055e.mp4","video_2_relative_path":"videos/90bd7c8a5f14dd44.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/gameplays/gameplays_1/00000003","text_prompt":"Side-scrolling platformer gameplay over a lava cavern where the background rumbles quietly. The character lands on a tiny platform with a light bop, then immediately jumps again; each landing produces a distinct tap timed exactly to the feet touching down. A spinning saw blade whirs loudly as it passes inches away, and the player wall-jumps—hands slap the wall, then kick off with a sharp whoosh. A checkpoint flag is hit with a bright chime, and the character exhales a quick relief sound.","video_1_relative_path":"videos/43c36057691c3df7.mp4","video_2_relative_path":"videos/a865178a70fe84aa.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/gameplays/gameplays_1/00000004","text_prompt":"Top-down MOBA gameplay near a river, with ambient water flow under the combat sounds. The player pings the map with a sharp beep and their character says, \"Engaging!\" A stun ability lands with a crackling snap exactly as the enemy freezes, followed by a large ultimate that slams down with a heavy impact and a bassy shockwave. Multiple abilities overlap: shield bubbles, sword swishes, and damage ticks, while the announcer declares, \"Double kill!\" right as two enemies fall.","video_1_relative_path":"videos/dcdf6292f1754611.mp4","video_2_relative_path":"videos/af8f761932beb6b8.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/gameplays/gameplays_1/00000005","text_prompt":"First-person survival gameplay in a quiet forest with birds and wind in leaves. The player swings an axe into a tree; each hit lands with a woody thunk and falling chips, synced to the axe biting the trunk. The tree creaks, then collapses with a loud crack and a crashing rustle. The player opens the crafting menu with a soft UI swoop, assembles a simple tool with clicking sounds, and the character mutters, \"That should hold.\"","video_1_relative_path":"videos/d838ba750db84f49.mp4","video_2_relative_path":"videos/f51de783b2e26ff2.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/gameplays/gameplays_1/00000006","text_prompt":"First-person horror gameplay in a dim corridor with a low electrical hum. The player slowly pushes a door; the hinges creak loudly and the handle clicks as it turns. A radio on the floor emits faint static, and the player picks it up with a small clunk. As the flashlight beam sweeps the room, there’s a sudden loud sting and a creature lunges into frame with a wet screech, perfectly synced to the on-screen impact shake.","video_1_relative_path":"videos/e2d3da3fa5f6baa2.mp4","video_2_relative_path":"videos/d61562120cd4d2f5.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/gameplays/gameplays_1/00000007","text_prompt":"Third-person stealth gameplay in a museum at night with distant security fans humming. The player crouch-walks, footsteps soft on carpet, then stops as a guard’s radio crackles nearby. The player grabs the guard from behind; a muffled struggle and a quick thud happen as the guard goes limp, synced to the animation. The body is dragged, fabric scraping quietly, and hidden in a closet with a door latch click. The protagonist whispers, \"Stay asleep.\"","video_1_relative_path":"videos/11453bedc8c6a804.mp4","video_2_relative_path":"videos/6b629e7db6c53136.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/gameplays/gameplays_1/00000008","text_prompt":"Side-view fighting game match in an arena with crowd roar and rhythmic announcer hype. An opponent throws a heavy punch; the player parries at the last instant, producing a sharp metallic clang and a brief slow-motion flash. Immediately the player launches a combo: rapid hits with distinct smacks and whooshes, ending in a super move that triggers a screen freeze and a booming impact. The announcer shouts, \"Perfect parry!\" exactly as the parry spark appears.","video_1_relative_path":"videos/b6ab43cc73fba7f9.mp4","video_2_relative_path":"videos/5f086ee929164e7e.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/gameplays/gameplays_1/00000009","text_prompt":"First-person puzzle gameplay in a stone temple with dripping water echoing. The player presses three wall switches in sequence; each press makes a heavy stone click, and glowing runes light up with a soft rising hum. A mechanism engages in the distance with grinding gears, and a massive door slowly opens with a deep rumble. The player steps forward, footsteps echoing, as a companion voice says, \"You got it—keep going.\"","video_1_relative_path":"videos/2c4b8df198c820e4.mp4","video_2_relative_path":"videos/99da3bd9e07eed6c.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/gameplays/gameplays_1/00000010","text_prompt":"Third-person RPG gameplay in a warm tavern with chatter, clinking mugs, and a lute playing softly. The player approaches an NPC; the dialogue menu pops with a gentle UI sound. The NPC says, \"I can tell you—if you pay,\" and the player drops coins on the table with a bright jingle exactly as the payment animation plays. The NPC leans in, lowering their voice: \"Meet me at the bridge after dark.\"","video_1_relative_path":"videos/9f6d30b40f1cdb1f.mp4","video_2_relative_path":"videos/a7eb9704de9b7396.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/gameplays/gameplays_1/00000011","text_prompt":"Top-down RTS gameplay with a calm ambient hum until a warning siren blares and a red alert icon flashes. The player selects units with rapid UI clicks and commands them forward; small acknowledgements play: \"Moving!\" \"On it!\" Explosions bloom near a base wall with low booms, and turret fire rattles in steady bursts. The player slams a build command; construction hammers start tapping as a defensive tower rises.","video_1_relative_path":"videos/f423146c6aabadf3.mp4","video_2_relative_path":"videos/4ece6bf622bb81eb.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/gameplays/gameplays_1/00000012","text_prompt":"Front-facing rhythm game lane with an electronic track driving the beat. Notes stream toward the hit line; each successful hit triggers a crisp click and a bright sparkle sound exactly at the moment the note crosses the line. The player maintains a perfect streak; the combo counter pulses with a rising crowd-cheer layer. A sudden fast pattern arrives, and the player nails it, prompting the announcer voice to say, \"Perfect!\" synced to a large on-screen flash.","video_1_relative_path":"videos/1fab1c1f1204ecc8.mp4","video_2_relative_path":"videos/bac8abaf80eaba30.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/gameplays/gameplays_1/00000013","text_prompt":"Cockpit view of a small plane on a runway with engine idle rumble. The throttle advances and the engine roar rises smoothly as the plane accelerates, runway bumps thudding rhythmically. The pilot voice says, \"Rotate,\" as the nose lifts and wind noise increases. The landing gear lever is pulled with a click, and the gear retracts with a mechanical whine timed to the indicator lights switching.","video_1_relative_path":"videos/49f7b0b8d12bb6e0.mp4","video_2_relative_path":"videos/bfacc564a03c7e01.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/gameplays/gameplays_1/00000014","text_prompt":"First-person fishing gameplay on a quiet lake with birds and gentle water lapping. The bobber twitches, then plunges under with a small splash, and the player yanks the rod—line tightens with a sharp twang. The reel spins with a steady whir as the fish pulls, and the line creaks under tension. The character grunts, \"Come on…\" as the fish surfaces with a splash near the boat.","video_1_relative_path":"videos/69ebfc24126349b6.mp4","video_2_relative_path":"videos/79ded5cd5f804d17.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/gameplays/gameplays_1/00000015","text_prompt":"Third-person action gameplay in a cavernous arena with echoing ambience and a low choir swell. A boss steps into view; a fog gate seals with a deep whoomp as the title of the boss appears with a heavy hit. The boss roars, shaking dust loose, and charges; the player rolls, armor clanking. Swords collide with a bright ringing clang timed to the exact moment blades meet, then the player lands a counter-hit with a wet impact.","video_1_relative_path":"videos/9eb341bca1e5ebfd.mp4","video_2_relative_path":"videos/dbb0fbbd6dcb785d.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/gameplays/gameplays_1/00000016","text_prompt":"First-person sandbox gameplay on a sunny test map with light wind ambience. The player places explosive charges with small beeps, then steps back and triggers a detonator with a click. The explosion hits with a deep boom, and the structure buckles; metal beams screech and snap, bricks clatter and cascade, and dust billows with a soft rushing sound. The player says, \"Okay… that was bigger than I thought,\" as debris continues to settle.","video_1_relative_path":"videos/8afc06ca74ef7ed3.mp4","video_2_relative_path":"videos/b64245a5e53509b5.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/gameplays/gameplays_1/00000018","text_prompt":"Basketball video game broadcast camera with crowd roar and sneaker squeaks. The clock ticks loudly as the player dribbles; each bounce lands in sync with the ball hitting the hardwood. A commentator says, \"Five seconds left!\" The player launches a long shot; the buzzer blares as the ball is mid-air, then the net snaps with a clean swish exactly as the ball drops through, and the crowd explodes while the commentator yells, \"It’s good!\"","video_1_relative_path":"videos/afb0af848ef175ba.mp4","video_2_relative_path":"videos/4d0a5c307a1a787a.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/gameplays/gameplays_1/00000019","text_prompt":"Digital card game gameplay with a quiet ambient pad. The player draws a card; it slides into hand with a sharp whoosh and a bright ping, and the card glows subtly. The player hesitates, then slams it onto the board with a satisfying thump sound synced to the animation, triggering chained effects: sparks crackle, numbers pop with ticks, and an enemy health bar shatters with a glassy break. The narrator voice says, \"That changes everything.\"","video_1_relative_path":"videos/58a8cd78798b1c55.mp4","video_2_relative_path":"videos/c8c8f70beaf80eb9.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/sports/sports_3/00000000","text_prompt":"A cinematic slow-motion shot shows a golfer fully in frame from the side inside a sand trap on a sunny morning. The golfer takes a focused stance, swings down, and the club strikes the sand inches behind the ball with a dull thump, blasting a cloud of beige grains that rushes upward with a soft hiss. The ball rides out on the sand splash and lands on the green while sand rains down with faint pattering, and the golfer holds the follow-through pose, watching the shot.","video_1_relative_path":"videos/a914f14e7e61764d.mp4","video_2_relative_path":"videos/56c0917005cf779e.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/sports/sports_3/00000001","text_prompt":"A full-body, high-contrast shot on a fencing piste shows two fencers in mask and white uniform facing off under bright overhead lights, with a quiet gym echo. The left fencer suddenly launches into a fleche, shoes squeaking sharply as they sprint forward. The foil tip lands on the opponent’s jacket with a crisp metallic tap, the blade bending into a deep curve, followed by a brief ringing vibration and a tiny electrical crackle as the scoring light clicks on instantly.","video_1_relative_path":"videos/ca6337b8b60ad963.mp4","video_2_relative_path":"videos/6dcb4da4c072beb4.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/sports/sports_3/00000002","text_prompt":"A low-angle wide shot captures the entire motocross rider and bike approaching a muddy ramp at speed, the engine snarling and rising in pitch. The rider launches into the air and whips the bike sideways mid-flight, body twisted and knees gripping the frame as clods of dirt rattle off the tires. As the rider straightens out, wind roar dominates for a beat, then the landing hits with a heavy slap of tires on wet ground and a deep suspension clunk as the rider continues down the track.","video_1_relative_path":"videos/31f2cee400d7909b.mp4","video_2_relative_path":"videos/68b33fc18ad33ee0.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/sports/sports_3/00000003","text_prompt":"A full-body shot at center ice under a spotlight shows a figure skater gliding into a spin, the blade making an audible scrape that turns into a rising scratchy hiss as rotation accelerates. The skater pulls arms and legs in tight, dress blurring into a ring as fine ice shavings whisper outward. The skater finishes with a sharp stop that cuts the scraping sound nearly to silence, ending in a clean pose as the rink ambience returns.","video_1_relative_path":"videos/0f7f21fb921ba27e.mp4","video_2_relative_path":"videos/b5d9623fdaa14511.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/sports/sports_3/00000004","text_prompt":"A wide shot in a quiet pool hall shows a player lining up at the table, chalking the cue with a soft gritty rub before stepping into stance. The cue strikes the cue ball with a sharp crack, and the rack explodes into rapid clatter as balls scatter across the felt. The player straightens up watching, while balls roll with low rumbles and tick against cushions, then settle into silence.","video_1_relative_path":"videos/51888ba1287b8f22.mp4","video_2_relative_path":"videos/0f39be8af33da6ea.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/sports/sports_3/00000005","text_prompt":"A full-ring view shows two sumo wrestlers crouched low at the start lines on a clay dohyo, with the arena hushed except for distant crowd murmurs. One wrestler throws purification salt that sprinkles dryly onto the clay. They launch forward at the same instant, feet stomping heavily, and collide chest-to-chest with a deep body-slam impact; clay dust puffs up and falls with soft gritty patters as both wrestlers strain and grunt, pushing for position.","video_1_relative_path":"videos/545bd8b9e4e11ae5.mp4","video_2_relative_path":"videos/42d9bfa1806551b9.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/sports/sports_3/00000006","text_prompt":"A wide indoor court shot shows six players on each side, sneakers squeaking and teammates calling in echoing gym acoustics. An attacker takes an approach and spikes, the hit making a sharp pop. A defender jumps with both hands high, and the ball smacks into the blocker’s palms with a flat thud, visibly deforming before ricocheting straight down. The ball slaps the court, the net twangs from the follow-through, and players react with shouted celebration and groans.","video_1_relative_path":"videos/49521f81b1de0480.mp4","video_2_relative_path":"videos/83e163d022d0ab8d.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/sports/sports_3/00000007","text_prompt":"A two-angle sequence: first a wide pool-deck shot shows a diver on a 10m platform, the crowd quiet, then the diver leaps and tucks into a clean line. Cut to an underwater wide shot looking up as the diver pierces the surface with a tight, subdued whoomp instead of a huge splash. Underwater, a cone of air bubbles fizz-roars around the diver’s body and trails downward as the diver glides deep and then slows in the blue.","video_1_relative_path":"videos/fd8fdd58b4fe15b1.mp4","video_2_relative_path":"videos/04ebd4e1fb2ff1d9.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/sports/sports_3/00000008","text_prompt":"A sideline wide shot shows a rugby scrum forming in torrential rain, drops drumming on jerseys while players shout and the referee calls commands. The two packs crouch and bind, boots squelching as they dig into mud. On 'Engage!' they collide with a heavy grunt, shoulders driving, mud slapping and churning loudly underfoot as the scrum heaves, jerseys stretching and creaking under strain.","video_1_relative_path":"videos/f8ea262993b8a8b9.mp4","video_2_relative_path":"videos/d71504f6f4987ed4.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/sports/sports_3/00000010","text_prompt":"A wide stadium shot on a snowy night shows a quarterback launching a high spiral as the crowd roars behind wind gusts. Downfield, a receiver sprints, cleats crunching in powder and breath huffing in the cold. The ball descends with a faint rushing whistle, and the receiver leaps into a cluster, catching with a soft leather thump against gloves before crashing into snow with a deep muffled impact and a long sliding scrape. The crowd erupts as an official raises the signal in the background.","video_1_relative_path":"videos/8ee85320867f27da.mp4","video_2_relative_path":"videos/64e002e11c47f463.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/sports/sports_3/00000011","text_prompt":"A third-person wide shot follows a traceur running across a rooftop, full body visible as footsteps crunch on gravel and breathing grows louder. Wind rushes past as the traceur reaches the edge and jumps a wide gap between buildings, body fully extended in mid-air. The landing hits with a sharp shoe slap on concrete, followed by a gritty scrape as the traceur performs a safety roll, then pops back up and keeps running as city ambience hums far below.","video_1_relative_path":"videos/f0b490f6dfbdbf2e.mp4","video_2_relative_path":"videos/b09f91e9c74aa94d.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/sports/sports_3/00000012","text_prompt":"A dynamic rink-level wide shot shows a goalie centered in frame while skaters rush in, blades carving the ice with a constant shhhhh and boards echoing the arena. A forward breaks in alone, stickhandling with quick clacks, then shoots low. The goalie lunges, pads thumping the ice, and the puck deflects off the raised skate with a sharp clack inches from the line, then rattles into the corner as the crowd reacts with a sudden roar.","video_1_relative_path":"videos/a7365ce45c06075c.mp4","video_2_relative_path":"videos/9bcb68d1cb127051.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/sports/sports_3/00000013","text_prompt":"A full-body ring shot in a gritty venue shows two fighters circling, bare feet slapping the canvas and the crowd rumbling. Punches land on gloves and forearms with dull thuds, then one fighter spins into a back elbow. The elbow connects with a sharp smack synced to the head snap, sweat spraying and pattering to the mat. The opponent staggers and drops, ropes creaking as the referee rushes in, and the audience noise surges.","video_1_relative_path":"videos/1c1628c66e230574.mp4","video_2_relative_path":"videos/b12d0c6390c33652.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/sports/sports_3/00000014","text_prompt":"A following wide shot trails a mountain biker descending a foggy forest trail, the rider and bike fully visible weaving between rocks and roots. Tires buzz and crunch over wet gravel, the chain rattles, and the suspension chatters loudly over bumps. The rider launches a small drop; for a brief airtime the rumble falls to wind noise, then the landing hits with a heavy thud as mud spits up and the rider regains control, continuing downhill.","video_1_relative_path":"videos/b507fa5c3074b6da.mp4","video_2_relative_path":"videos/f3927f736e42fe1c.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/sports/sports_3/00000015","text_prompt":"A broadcast-style wide shot shows the pitcher delivering a fastball, the crowd low in the background. The ball hisses toward the plate as the batter swings hard, full body visible. The ball jams the bat handle; a violent crack splits the wood and shards fly as the batter’s hands recoil. Pieces whistle past while the ball dribbles into the dirt with a soft bounce, and the batter stares at the broken bat in shock as the stadium reacts.","video_1_relative_path":"videos/0fae51652dfcbdf9.mp4","video_2_relative_path":"videos/f02a9a5ecaf4f7fa.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/sports/sports_3/00000016","text_prompt":"A poolside wide shot shows a swimmer sprinting freestyle into the wall, arms slapping water rhythmically with loud splashes. Cut to underwater wide: the swimmer flips, bubbles roaring around the body, and both feet plant on the wall with a muted thump. The swimmer pushes off explosively, streaming bubbles in a long trail, then breaks the surface with a splash and continues stroking as lane water churns.","video_1_relative_path":"videos/05d525f565a84650.mp4","video_2_relative_path":"videos/a6adfa685ebea3f3.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/sports/sports_3/00000017","text_prompt":"A wide shot on an outdoor sandstone cliff shows a climber fully in frame on an overhang, chalk dust puffing as fingers readjust with tiny scrapes. The climber inhales audibly, then dynos upward; shoes squeak and slip free with a quick scrape. The hand lands on a small hold with a gritty smack, a tiny rock chip clatters down, and the climber swings on the rope as harness gear jingles while they stabilize and breathe hard.","video_1_relative_path":"videos/4117d331628e5866.mp4","video_2_relative_path":"videos/bd978be43e5dedb3.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/sports/sports_3/00000018","text_prompt":"A roadside wide shot shows a rally car approaching fast through a rainy forest stage, engine roaring and gravel rattling. The car hits a puddle, water slapping the chassis with a huge splash, then flicks into a drift around a bend. Tires squeal on wet gravel as mud smacks the wheel wells, and the car straightens with a final bite and surges away, leaving the sound of the engine fading and rain continuing.","video_1_relative_path":"videos/995f190e5b398050.mp4","video_2_relative_path":"videos/8730c1e1f16515ec.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_fast/sports/sports_3/00000019","text_prompt":"A full-body shot at an outdoor range shows an archer standing in stance with a recurve bow, the scene quiet except for faint wind. The archer draws; the limbs creak under tension as the string touches the face anchor point. On release, the string snaps forward with a sharp twang, and the arrow hisses through the air before striking the target with a solid thunk. It hits the back of an arrow already in the bullseye, splitting it with a crisp wooden crack as the archer exhales in disbelief.","video_1_relative_path":"videos/0d5bedeea76daa86.mp4","video_2_relative_path":"videos/75d0a8ddceff60f2.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_quality/ads/ads3/00000000","text_prompt":"A young boy hits a beach ball as a group of children runs past him and jumps into a swimming pool with loud splashes, while a voiceover states, 'We went on vacation with a toe dipper.' The camera follows the kids underwater as bubbles roar and feet kick past the lens, and the voiceover finishes, 'and left with a cannonballer.' Finally, the view resurfaces to show a laughing girl in the water as on-screen text reads 'Book your family home now.'","video_1_relative_path":"videos/63792a9ca4e03d08.mp4","video_2_relative_path":"videos/28428ba74da0a9c1.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_quality/ads/ads3/00000001","text_prompt":"A close-up view of a knitted puppet hand repeatedly dipping a pyramid-shaped tea bag into a clear glass mug of hot water, the liquid sloshing softly as color diffuses. The camera pulls back to reveal a sock-monkey puppet in a plain white T-shirt holding the mug. The puppet lifts the glass to drink with an audible sip, then lowers it with a happy expression. The final shot shows a row of generic green tea boxes on a white surface with the text 'Keep it tea.' overlaid, as the puppet playfully peeks over the boxes. A calm voiceover states, 'A tasty cup of green tea... Delicious,' ending with a satisfied 'Mmm.'","video_1_relative_path":"videos/7c3d8264f33811a1.mp4","video_2_relative_path":"videos/a0b23dd35780bda5.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_quality/ads/ads3/00000003","text_prompt":"A silver SUV is shown in a dark industrial tunnel under overhead strip lights as a deep voiceover asks, 'Who's your daddy?' and the engine answers with a low growling rev. As the car is displayed with bold text overlays reading 'POWERFUL PRESENCE,' a rhythmic electronic beat plays. The scene cuts to a solid red background featuring a generic car brand logo and a short slogan, ending with a distinctive swooshing sound effect.","video_1_relative_path":"videos/50981f242dc973f4.mp4","video_2_relative_path":"videos/d022685b8877b05d.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_quality/ads/ads3/00000004","text_prompt":"A man in a green tank top walks through a crowded outdoor market with distant chatter and wind. The text 'YOU KNOW' flashes on a black screen with a sharp hit sound. The man punches an opponent in the face with a loud thud. The text 'HIS NAME' flashes with another impact sting. A close-up of the man's serious face appears, followed by a final title card for a generic action movie and a release tag, punctuated by a dramatic musical sting at the end.","video_1_relative_path":"videos/045a63dbc3ae77d7.mp4","video_2_relative_path":"videos/7c63a44979b7081b.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_quality/ads/ads3/00000005","text_prompt":"Golden-brown donuts travel along a metal conveyor rack, the machinery humming softly. The donuts pass under a continuous curtain of white glaze, emerging fully coated and shiny as the glaze drips with wet pattering sounds onto the line. The scene cuts to rows of finished glazed donuts moving on a belt toward the camera, overlaid with a generic donut-shop logo and the text 'THE ORIGINAL GLAZED.' A circular 'Made Fresh' graphic animates onto the screen as fast-paced, high-energy orchestral music plays.","video_1_relative_path":"videos/36397f3d17f77f7a.mp4","video_2_relative_path":"videos/943dbf740e85dab7.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_quality/ads/ads3/00000006","text_prompt":"A close-up top-down view of ice cubes settling into a glass with crisp clinks. A clear spirit pours over the ice with a steady liquid stream sound, then dark cola is poured in with louder fizzing. A wedge of lime drops into the drink, creating a sharp splash. A bottle of generic rum stands next to the finished cocktail with bold Spanish text on screen, while a quick voiceover delivers a short responsible-drinking disclaimer.","video_1_relative_path":"videos/30424d8d0d1ea9c6.mp4","video_2_relative_path":"videos/30dccde63e8f7bfe.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_quality/ads/ads3/00000007","text_prompt":"A man in a yellow car looks back while reversing as the engine idles. A close-up shows the rear alloy wheels rolling slowly over asphalt with a soft tire hiss. The driver watches the dashboard while the steering wheel turns automatically without his hands on it, the indicator clicking. The car smoothly parallel parks between two colorful vehicles as text overlays introduce 'Hands-Free Parking,' with an upbeat modern pop track playing throughout.","video_1_relative_path":"videos/513c5fa31dd3f619.mp4","video_2_relative_path":"videos/2d473d0fb881ca7f.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_quality/ads/ads3/00000008","text_prompt":"A ball of fire roars against a black background with a deep whoosh. A close-up shows a young man drinking from a black-and-orange energy drink can, the gulp audible. A black boxing glove punches him in the face in slow motion against a split black-and-white background with a heavy cinematic thump, and flames erupt from the side of his head on impact with a fiery blast sound. The can appears alongside the text 'feel the burn' and a cheering crowd silhouette as energetic electronic music plays, ending with the sung line 'I'll make you burn.'","video_1_relative_path":"videos/16c54e1305b1fe05.mp4","video_2_relative_path":"videos/26ed1ef01557d7c2.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_quality/ads/ads3/00000009","text_prompt":"The video opens with a close-up shot of various nuts like almonds and walnuts, and as text advises to consume nuts for a healthy heart, a rhythmic heartbeat sound plays in the background. The scene transitions to a clean white screen displaying a generic health clinic logo and website, with the heartbeat sound continuing steadily.","video_1_relative_path":"videos/45930e82186821a5.mp4","video_2_relative_path":"videos/cc5497b1c86afe43.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_quality/ads/ads3/00000010","text_prompt":"A close-up view of a red takeout-style box with a generic fried-chicken logo printed in white on the side as the camera zooms in on the logo. The scene transitions to a black background featuring the centered white text 'UNBOXING 23RD FEBRUARY 2016' above a simple line drawing of a smiling mascot. A rhythmic, thumping heartbeat-like sound plays throughout to build suspense.","video_1_relative_path":"videos/8a6034078aaa3a78.mp4","video_2_relative_path":"videos/37cb95d997bdebe7.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_quality/ads/ads3/00000011","text_prompt":"Two men sit at a diner counter with soft ambient clatter, and one asks if the other is selling the boat. A clip shows a man sailing a boat as a voice asks, 'Are you selling my boat?' Back at the diner, the man asks how he can keep the memory of the boat. The video cuts to him screaming in a tattoo parlor as a buzzing tattoo machine etches a small sailboat onto his arm, the buzz rising and falling as the needle touches skin.","video_1_relative_path":"videos/997d152c333ac2e7.mp4","video_2_relative_path":"videos/edceb43b6c9f856d.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_quality/ads/ads3/00000012","text_prompt":"A dark street scene shows a standoff between two groups with tense low rumble. A close-up of a man in a maroon helmet. A man in a wheelchair sits beside teenagers in superhero costumes. A subway train car is ripped apart by invisible forces with loud metal tearing and crashing, and soldiers tumble inside a moving structure amid heavy impacts. A fiery logo for a generic superhero film emerges from flames with a release date in Spanish, while two male voices trade urgent lines and intense cinematic music drives the destruction.","video_1_relative_path":"videos/ca1d1a022f13d2aa.mp4","video_2_relative_path":"videos/7b847c348ef4fae6.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_quality/ads/ads3/00000013","text_prompt":"On a green background, a 3D segmented question mark rotates beside the text 'From questions,' accompanied by clean digital clicks. The shape fluidly transforms into a colorful donut chart with a soft pop, then scatters into a circle of small 3D icons representing data and feedback. The icons quickly converge to form a vertical exclamation mark next to the text 'to answers' with a sharp whoosh. The video ends on a white screen featuring a generic survey platform logo, a website address, and a yellow 'Try it free' button. Upbeat instrumental music plays throughout as a clear voiceover says, 'From questions... to answers.'","video_1_relative_path":"videos/664ccd025c77f771.mp4","video_2_relative_path":"videos/2a73374a5d84cb12.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_quality/ads/ads3/00000014","text_prompt":"A single wind-up chattering teeth toy clacks continuously against a solid teal background. The scene cuts to a blue screen displaying the white text 'Your customers are talking,' abruptly followed by rows of multi-colored chattering teeth toys all moving at once, creating a loud chaotic mechanical clatter. A green screen appears with the text 'Are you listening?' before cutting to a generic product logo and a 'Try it free' button on a white background as the noise ceases.","video_1_relative_path":"videos/c004293532f09fa3.mp4","video_2_relative_path":"videos/282c1ebd307770ff.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_quality/ads/ads3/00000015","text_prompt":"A time-lapse from a fixed angle overlooks a public swimming pool in a modern city, starting with bright sunshine, blue water, and lush trees, accompanied by an upbeat cheerful melody. As the timeline advances year by year, the scene stays vibrant at first, but later the environment decays into a grey wasteland with dead trees and a dried-up pool as the music distorts and fades. The final year shows a scorched ruin with only the desolate sound of wind.","video_1_relative_path":"videos/a07de56dba0bea77.mp4","video_2_relative_path":"videos/3e3d075bdae71c40.mp4","human_preference_answer":"video 1 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_quality/ads/ads3/00000016","text_prompt":"A computer screen displays a login window for a website with a generic suspicious-looking domain, and as a username is already filled, fast typing fills the password field with a flurry of keystrokes. The cursor clicks the 'Login' button with a single mouse click, then the screen transitions to a product page showing a red bottle labeled with generic 'LCD cleaning solution' text and a price tag. The cursor clicks a yellow 'Add to Cart' button once, pauses, then begins clicking it rapidly in a frantic series as the clicking noises accelerate.","video_1_relative_path":"videos/f793f9b3c8600466.mp4","video_2_relative_path":"videos/feb27de376fa1a76.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_quality/ads/ads3/00000018","text_prompt":"In a fast-paced top-down shot, a pair of hands rapidly packs a colorful box on a wooden surface: a patterned card lands with a papery slap, then a glass jar and wooden spoon are placed inside with soft clinks. A bright pamphlet is dropped on top, and tissue paper is folded over with a distinct crinkling noise, ending with the lid closing shut with a satisfying cardboard thud.","video_1_relative_path":"videos/9b2aae25f8e39a0a.mp4","video_2_relative_path":"videos/2d6933bbb6becafc.mp4","human_preference_answer":"video 2 is better"} +{"case_id":"Wan_2.6_vs_Veo_3.1_quality/ads/ads3/00000019","text_prompt":"A soaking wet man in an orange life vest carrying a wooden oar bursts through a set of glass doors with a loud crash. He hurriedly opens a silver laptop on a wooden table, the hinge snapping open, and the screen shows a map zooming in on a remote island destination. 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