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- .gitattributes +7 -0
- data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/csv/edges.csv +0 -0
- data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/csv/nodes.csv +3 -0
- data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/csv_test/edges_part.csv +9 -0
- data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/csv_test/nodes_part.csv +10 -0
- data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/graph_chunk_entity_relation.graphml +3 -0
- data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/kv_store_full_docs.json +3 -0
- data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/kv_store_llm_response_cache.json +0 -0
- data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/kv_store_text_chunks.json +3 -0
- data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/lightrag.log +0 -0
- data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/merged_nodes.json +1000 -0
- data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/nodes_othertype.json +849 -0
- data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-11_SemArtv2_100data/Qwen2-VL-7B_explanations_20250613_143747.json +602 -0
- data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-11_SemArtv2_100data/Qwen2-VL-7B_explanations_20250613_144303.json +602 -0
- data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-11_SemArtv2_100data/Qwen2-VL_explanations_20250318_211020.json +0 -0
- data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-11_SemArtv2_100data/Qwen2-VL_explanations_20250319_180916.json +0 -0
- data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-11_SemArtv2_100data/Qwen2-VL_explanations_20250319_221218.json +0 -0
- data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-11_SemArtv2_100data/Qwen2_5-VL_explanations_20250320_162516.json +0 -0
- data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-11_SemArtv2_100data/Qwen2_5-VL_explanations_20250320_164050.json +0 -0
- data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-11_SemArtv2_100data/generated_descriptions_20250311_134725.json +0 -0
- data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-11_SemArtv2_100data/mean_scores_Qwen2-VL-7B_20250613_143747.json +10 -0
- data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-11_SemArtv2_100data/mean_scores_Qwen2-VL-7B_20250613_144303.json +10 -0
- data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-11_SemArtv2_100data/mean_scores_Qwen2-VL_20250318_211020.json +10 -0
- data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-11_SemArtv2_100data/mean_scores_Qwen2-VL_20250319_180916.json +10 -0
- data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-11_SemArtv2_100data/mean_scores_Qwen2-VL_20250319_221218.json +10 -0
- data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-11_SemArtv2_100data/mean_scores_Qwen2_5-VL_20250320_162516.json +10 -0
- data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-11_SemArtv2_100data/mean_scores_Qwen2_5-VL_20250320_164050.json +10 -0
- data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-11_SemArtv2_100data/mean_scores_gpt_4o_mini_complete_20250311_134725.json +10 -0
- data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-11_SemArtv2_100data/mean_scores_gpt_4o_mini_complete_20250311_155859.json +10 -0
- data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-11_SemArtv2_500data/Qwen2-VL-72B_explanations_20250613_162901.json +0 -0
- data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-11_SemArtv2_500data/Qwen2-VL-7B_explanations_20250615_161041.json +0 -0
- data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-11_SemArtv2_500data/generated_descriptions_20250311_171752.json +0 -0
- data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-11_SemArtv2_500data/mean_scores_Qwen2-VL-72B_20250613_162901.json +10 -0
- data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-11_SemArtv2_500data/mean_scores_Qwen2-VL-7B_20250615_161041.json +10 -0
- data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-11_SemArtv2_500data/mean_scores_gpt_4o_mini_complete_20250311_171752.json +10 -0
- data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-13_Artpedia_100data/generated_descriptions_naive_20250313_142516.json +1603 -0
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- data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-13_Artpedia_100data/generated_descriptions_no-rag_20250313_143555.json +1603 -0
- data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-13_Artpedia_100data/mean_scores_gpt_4o_mini_complete_20250313_142516.json +10 -0
- data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-13_Artpedia_100data/mean_scores_gpt_4o_mini_complete_20250313_142730.json +10 -0
- data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-13_Artpedia_100data/mean_scores_gpt_4o_mini_complete_20250313_143555.json +10 -0
- data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-13_Artpedia_300data/Qwen2-VL-72B_explanations_20250615_155808.json +0 -0
- data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-13_Artpedia_300data/Qwen2-VL-7B_explanations_20250615_155420.json +62 -0
- data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-13_Artpedia_300data/Qwen2-VL-7B_explanations_20250615_162507.json +0 -0
- data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-13_Artpedia_300data/Qwen2-VL_explanations_20250319_181150.json +0 -0
- data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-13_Artpedia_300data/Qwen2-VL_explanations_20250319_221245.json +0 -0
- data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-13_Artpedia_300data/Qwen2_5-VL_explanations_20250320_164055.json +0 -0
- data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-13_Artpedia_300data/generated_descriptions_local_20250313_111338.json +0 -0
- data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-13_Artpedia_300data/mean_scores_Qwen2-VL-72B_Artpedia_20250615_155808.json +10 -0
- data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-13_Artpedia_300data/mean_scores_Qwen2-VL-7B_Artpedia_20250615_155420.json +10 -0
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|
| 1 |
+
{
|
| 2 |
+
"\"PORTRAIT PAINTINGS\"": "\"PORTRAIT PAINTING\"",
|
| 3 |
+
"\"ARTISTIC TECHNIQUE\"": "\"ARTISTIC TECHNIQUES\"",
|
| 4 |
+
"\"HALF-LENGTH PORTRAITS\"": "\"HALF-LENGTH PORTRAIT\"",
|
| 5 |
+
"\"SELF-PORTRAITS\"": "\"SELF-PORTRAIT\"",
|
| 6 |
+
"\"SELFPORTRAIT\"": "\"SELF-PORTRAIT\"",
|
| 7 |
+
"\"RICHARD III OF ENGLAND\"": "\"RICHARD II OF ENGLAND\"",
|
| 8 |
+
"\"OIL PAINTING TECHNIQUES\"": "\"OIL PAINTING TECHNIQUE\"",
|
| 9 |
+
"\"HENRY III\"": "\"HENRY VIII\"",
|
| 10 |
+
"\"PIETER PAUL RUBENS\"": "\"PETER PAUL RUBENS\"",
|
| 11 |
+
"\"FRAN HALS\"": "\"FRANS HALS\"",
|
| 12 |
+
"\"COSIMO II DE' MEDICI\"": "\"COSIMO III DE' MEDICI\"",
|
| 13 |
+
"\"CIVIL GUARD\"": "\"CIVIL GUARDS\"",
|
| 14 |
+
"\"ART COLLECTOR\"": "\"ART COLLECTORS\"",
|
| 15 |
+
"\"LANDSCAPE PAINTINGS\"": "\"LANDSCAPE PAINTING\"",
|
| 16 |
+
"\"ARTISTIC COLLABORATIONS\"": "\"ARTISTIC COLLABORATION\"",
|
| 17 |
+
"\"ARTIST COLLABORATION\"": "\"ARTISTIC COLLABORATION\"",
|
| 18 |
+
"\"NEO-CLASSICISM\"": "\"NEOCLASSICISM\"",
|
| 19 |
+
"\"HYPER-REALISM\"": "\"HYPERREALISM\"",
|
| 20 |
+
"\"HISTORIAL PORTRAITURE\"": "\"HISTORICAL PORTRAITURE\"",
|
| 21 |
+
"\"18TH-CENTURY PORTRAITURE\"": "\"18TH CENTURY PORTRAITURE\"",
|
| 22 |
+
"\"19TH CENTURY PORTRAITURE\"": "\"18TH CENTURY PORTRAITURE\"",
|
| 23 |
+
"\"VINCET VAN GOGH\"": "\"VINCENT VAN GOGH\"",
|
| 24 |
+
"\"CARICATURE\"": "\"CARICATURES\"",
|
| 25 |
+
"\"MUGHAL MINIATURES\"": "\"MUGHAL MINIATURE\"",
|
| 26 |
+
"(\"EXPRESSIONISM\"": "\"EXPRESSIONISM\"",
|
| 27 |
+
"\"PORTRAITURE TECHNIQUE\"": "\"PORTRAITURE TECHNIQUES\"",
|
| 28 |
+
"\"CULTURAL EXCHANGES\"": "\"CULTURAL EXCHANGE\"",
|
| 29 |
+
"\"ISMA'IL PASHA\"": "\"ISMAIL PASHA\"",
|
| 30 |
+
"\"STAGE DESIGNS\"": "\"STAGE DESIGN\"",
|
| 31 |
+
"\"DECORATIVE ART\"": "\"DECORATIVE ARTS\"",
|
| 32 |
+
"\"IMAGINARY LANDSCAPES\"": "\"IMAGINARY LANDSCAPE\"",
|
| 33 |
+
"\"PIETER BRUEGEL THE ELDER\"": "\"PIETER BRUEGHEL THE ELDER\"",
|
| 34 |
+
"\"ITALIANATE LANDSCAPE\"": "\"ITALIANATE LANDSCAPES\"",
|
| 35 |
+
"\"HERCULES SEGERS\"": "\"HERCULES SEGHERS\"",
|
| 36 |
+
"\"WATERCOLOR PAINTING\"": "\"WATERCOLOUR PAINTING\"",
|
| 37 |
+
"\"CHINESE LANDSCAPE PAINTINGS\"": "\"CHINESE LANDSCAPE PAINTING\"",
|
| 38 |
+
"\"BATTLE SCENE\"": "\"BATTLE SCENES\"",
|
| 39 |
+
"\"COMPOSITIONS\"": "\"COMPOSITION\"",
|
| 40 |
+
"\"HISTORY PAINTINGS\"": "\"HISTORY PAINTING\"",
|
| 41 |
+
"\"HISTORICAL PAINTINGS\"": "\"HISTORICAL PAINTING\"",
|
| 42 |
+
"\"SISTENE CHAPEL CEILING\"": "\"SISTINE CHAPEL CEILING\"",
|
| 43 |
+
"\"FRECH REVOLUTION\"": "\"FRENCH REVOLUTION\"",
|
| 44 |
+
"\"NAPOLEON BUONAPARTE\"": "\"NAPOLEON BONAPARTE\"",
|
| 45 |
+
"\"TROUBADOUR STYLE\"": "\"TROUBADOR STYLE\"",
|
| 46 |
+
"\"GENRE PAINTINGS\"": "\"GENRE PAINTING\"",
|
| 47 |
+
"\"MODERNISME\"": "\"MODERNISM\"",
|
| 48 |
+
"\"CULTURAL REFLECTION IN ART\"": "\"CULTURAL REFLECTIONS IN ART\"",
|
| 49 |
+
"\"CHROMOLITHOGRAPHY\"": "\"CHROMOLITHOGRAPH\"",
|
| 50 |
+
"\"RELIGIOUS PAINTINGS\"": "\"RELIGIOUS PAINTING\"",
|
| 51 |
+
"\"HISTORICAL NARRATIVES\"": "\"HISTORICAL NARRATIVE\"",
|
| 52 |
+
"\"DEVOTIONAL IMAGES\"": "\"DEVOTIONAL IMAGE\"",
|
| 53 |
+
"\"GIAN LORENZO BERNINI\"": "\"GIANLORENZO BERNINI\"",
|
| 54 |
+
"\"PROTESTANT REFORMATIONS\"": "\"PROTESTANT REFORMATION\"",
|
| 55 |
+
"\"RELIGIOUS NARRATIVES\"": "\"RELIGIOUS NARRATIVE\"",
|
| 56 |
+
"\"ART AS A REFLECTION OF SOCIETY\"": "\"ART AS REFLECTION OF SOCIETY\"",
|
| 57 |
+
"\"ARABESQUES\"": "\"ARABESQUE\"",
|
| 58 |
+
"\"SHIA MUSLIMS\"": "\"SHI'A MUSLIMS\"",
|
| 59 |
+
"\"JANAMSAKHIS\"": "\"JANAMSAKHI\"",
|
| 60 |
+
"\"LAPISLAZULI\"": "\"LAPIS-LAZULI\"",
|
| 61 |
+
"\"STILL LIFES\"": "\"STILL LIFE\"",
|
| 62 |
+
"\"SCIENTIFIC ILLUSTRATIONS\"": "\"SCIENTIFIC ILLUSTRATION\"",
|
| 63 |
+
"\"CABINET OF CURIOSITIES\"": "\"CABINETS OF CURIOSITIES\"",
|
| 64 |
+
"\"STILL LIFE PAINTINGS\"": "\"STILL LIFE PAINTING\"",
|
| 65 |
+
"\"DUTCH AND FLEMISH PAINTINGS\"": "\"DUTCH AND FLEMISH PAINTING\"",
|
| 66 |
+
"\"GARLAND PAINTING\"": "\"GARLAND PAINTINGS\"",
|
| 67 |
+
"\"JAN BRUEGEL THE ELDER\"": "\"JAN BRUEGHEL THE ELDER\"",
|
| 68 |
+
"\"PRONKSTILLEVENS\"": "\"PRONKSTILLEVEN\"",
|
| 69 |
+
"\"JAN BRUEGHEL\"": "\"JAN BRUEGEL\"",
|
| 70 |
+
"\"DUTCH MASTER\"": "\"DUTCH MASTERS\"",
|
| 71 |
+
"\"M.C. ESCHER\"": "\"M. C. ESCHER\"",
|
| 72 |
+
"\"ANTWERP PAINTINGS\"": "\"ANTWERP PAINTING\"",
|
| 73 |
+
"\"17TH CENTURY GENRE PAINTING\"": "\"19TH CENTURY GENRE PAINTING\"",
|
| 74 |
+
"\"RENAISSANCE INFLUENCES\"": "\"RENAISSANCE INFLUENCE\"",
|
| 75 |
+
"\"CHARLES IV\"": "\"CHARLES I\"",
|
| 76 |
+
"\"CHARLES II\"": "\"CHARLES VII\"",
|
| 77 |
+
"\"CHARLES IX\"": "\"CHARLES I\"",
|
| 78 |
+
"\"GEORGE II\"": "\"GEORGE III\"",
|
| 79 |
+
"\"WILLIAM MACTAGGART\"": "\"WILLIAM MCTAGGART\"",
|
| 80 |
+
"\"NEOROMANTICISM\"": "\"NEO-ROMANTICISM\"",
|
| 81 |
+
"\"URBAN LANDSCAPES\"": "\"URBAN LANDSCAPE\"",
|
| 82 |
+
"(\"ABSTRACT EXPRESSIONISM\"": "\"ABSTRACT EXPRESSIONISM\"",
|
| 83 |
+
"\"NEO-CLASSICAL TRADITION\"": "\"NEOCLASSICAL TRADITION\"",
|
| 84 |
+
"\"VIVID COLOR AND BRUSHWORK\"": "\"VIVID COLORS AND BRUSHWORK\"",
|
| 85 |
+
"\"LANDSCAPE\"": "\"LANDSCAPES\"",
|
| 86 |
+
"\"FLEMISH PAINTINGS\"": "\"FLEMISH PAINTING\"",
|
| 87 |
+
"\"OIL PAINTINGS\"": "\"OIL PAINTING\"",
|
| 88 |
+
"\"EIGHT YEARS' WAR\"": "\"EIGHTY YEARS' WAR\"",
|
| 89 |
+
"\"BAROQUE STYLES\"": "\"BAROQUE STYLE\"",
|
| 90 |
+
"\"NEOCLASSICAL ARCHITECTURE\"": "\"NEO-CLASSICAL ARCHITECTURE\"",
|
| 91 |
+
"\"CHRISTIAN IV OF DENMARK\"": "\"CHRISTIAN II OF DENMARK\"",
|
| 92 |
+
"\"CHRISTIAN IX OF DENMARK\"": "\"CHRISTIAN IV OF DENMARK\"",
|
| 93 |
+
"\"P. C. SKOVGAARD\"": "\"P.C. SKOVGAARD\"",
|
| 94 |
+
"\"EXHIBITION SPACE\"": "\"EXHIBITION SPACES\"",
|
| 95 |
+
"\"PERFORMANCE ARTS\"": "\"PERFORMANCE ART\"",
|
| 96 |
+
"\"VISUAL ART\"": "\"VISUAL ARTS\"",
|
| 97 |
+
"\"CULTURAL INFLUENCES\"": "\"CULTURAL INFLUENCE\"",
|
| 98 |
+
"\"HEROIC CHARACTER\"": "\"HEROIC CHARACTERS\"",
|
| 99 |
+
"\"VLADIMIR MAYAKOVSKIY\"": "\"VLADIMIR MAYAKOVSKY\"",
|
| 100 |
+
"\"OSIP MANDELSTAM\"": "\"OSIP MANDELSHTAM\"",
|
| 101 |
+
"\"KIEVAN RUS'\"": "\"KIEVAN RUS\"",
|
| 102 |
+
"\" AVANT-GARDE\"": "\"AVANT-GARDE\"",
|
| 103 |
+
"\"BALLET RUSSES\"": "\"BALLETS RUSSES\"",
|
| 104 |
+
"\"UNESCO WORLD HERITAGE SITE\"": "\"UNESCO WORLD HERITAGE SITES\"",
|
| 105 |
+
"\"WAR MEMORIAL\"": "\"WAR MEMORIALS\"",
|
| 106 |
+
"\"PRUSSIAN ACADEMY OF ARTS\"": "\"RUSSIAN ACADEMY OF ARTS\"",
|
| 107 |
+
"\"FLORENTINE ARTS\"": "\"FLORENTINE ART\"",
|
| 108 |
+
"\"LATE BAROQUE\"": "\"LATER BAROQUE\"",
|
| 109 |
+
"\"NEOCLASSICAL STYLE\"": "\"NEOCLASSICAL STYLES\"",
|
| 110 |
+
"\"FRANCISCO BAYEU Y SUB\u00cdAS\"": "\"FRANCISCO BAYEU Y SUBIAS\"",
|
| 111 |
+
"\"MUSEUM PICASSO\"": "\"MUSEU PICASSO\"",
|
| 112 |
+
"\"CHARLES II OF SPAIN\"": "\"CHARLES I OF SPAIN\"",
|
| 113 |
+
"\"CHARLES IV OF SPAIN\"": "\"CHARLES V OF SPAIN\"",
|
| 114 |
+
"\"THE METROPOLITAN MUSEUM OF ART\"": "\"THE METROPOLIAN MUSEUM OF ART\"",
|
| 115 |
+
"\"ART CRITICISM IN SPAIN\"": "\"ART CRITICS IN SPAIN\"",
|
| 116 |
+
"\"ILLUMINATIONS\"": "\"ILLUMINATION\"",
|
| 117 |
+
"\"GEORG GROSZ\"": "\"GEORGE GROSZ\"",
|
| 118 |
+
"\"ART JOURNALS\"": "\"ART JOURNAL\"",
|
| 119 |
+
"\"ILLUSTRATIONS\"": "\"ILLUSTRATION\"",
|
| 120 |
+
"\"POST-WORLD WAR I ART\"": "\"POST-WORLD WAR II ART\"",
|
| 121 |
+
"\"PORTRAIT MINIATURES\"": "\"PORTRAIT MINIATURE\"",
|
| 122 |
+
"\"KING CHARLES II\"": "\"KING CHARLES I\"",
|
| 123 |
+
"\"GEORGE FREDERICK WATTS\"": "\"GEORGE FREDERIC WATTS\"",
|
| 124 |
+
"\"POST-MODERNISM\"": "\"POSTMODERNISM\"",
|
| 125 |
+
"\"ANTHONY GORMLEY\"": "\"ANTONY GORMLEY\"",
|
| 126 |
+
"\"ANIMAL PAINTINGS\"": "\"ANIMAL PAINTING\"",
|
| 127 |
+
"\"GEORGE BARRETT SR.\"": "\"GEORGE BARRET SR.\"",
|
| 128 |
+
"\"PHILIP HUSSEY\"": "\"PHILP HUSSEY\"",
|
| 129 |
+
"\"MURAL PAINTINGS\"": "\"MURAL PAINTING\"",
|
| 130 |
+
"\"MARY EDMOND\"": "\"MARY REDMOND\"",
|
| 131 |
+
"\"TRINITY COLLEGE DUBLIN\"": "\"TRINITY COLLEGE, DUBLIN\"",
|
| 132 |
+
"\"HISTORICAL ARCHITECTURE\"": "\"HISTORIC ARCHITECTURE\"",
|
| 133 |
+
"\"CATHEDRAL\"": "\"CATHEDRALS\"",
|
| 134 |
+
"\"THOMAS BERNARD\"": "\"THOMAS BERNHARD\"",
|
| 135 |
+
"\"MARIA TERESA\"": "\"MARIA THERESA\"",
|
| 136 |
+
"\"CULTURAL REVOLUTION\"": "\"CULTURAL EVOLUTION\"",
|
| 137 |
+
"\"GRAPHIC ART\"": "\"GRAPHIC ARTS\"",
|
| 138 |
+
"\"PORTRAIT OF DR GACHET\"": "\"PORTRAIT OF DR. GACHET\"",
|
| 139 |
+
"\"RIJKSMUSEUM (AMSTERDAM)\"": "\"RIJKSMUSEUM AMSTERDAM\"",
|
| 140 |
+
"\"WASHINGTON, D.C.\"": "\"WASHINGTON D.C.\"",
|
| 141 |
+
"\"NINETEENTH-CENTURY ART\"": "\"NINETEENTH CENTURY ART\"",
|
| 142 |
+
"\"JOHN MARTIN\"": "\"JOHN MARIN\"",
|
| 143 |
+
"\"PHILIP GUSTON\"": "\"PHILLIP GUSTON\"",
|
| 144 |
+
"\"GEOMETRICAL ABSTRACTION\"": "\"GEOMETRIC ABSTRACTION\"",
|
| 145 |
+
"\"EXHIBITION CATALOGS\"": "\"EXHIBITION CATALOG\"",
|
| 146 |
+
"\"ART MUSEUM\"": "\"ART MUSEUMS\"",
|
| 147 |
+
"\"CULTURAL NARRATIVE\"": "\"CULTURAL NARRATIVES\"",
|
| 148 |
+
"\"SCULPTURE\"": "\"SCULPTURES\"",
|
| 149 |
+
"\"FLEMISH INFLUENCES\"": "\"FLEMISH INFLUENCE\"",
|
| 150 |
+
"\"JEAN-BAPTISTE PERRONEAU\"": "\"JEAN-BAPTISTE PERRONNEAU\"",
|
| 151 |
+
"\"ELISABETH LOUISE VIG\u00c9E LE BRUN\"": "\"\u00c9LISABETH LOUISE VIG\u00c9E LE BRUN\"",
|
| 152 |
+
"\"IMPRESSIONIST TECHNIQUES\"": "\"IMPRESSIONISM TECHNIQUES\"",
|
| 153 |
+
"\"SURREALIST TECHNIQUE\"": "\"SURREALIST TECHNIQUES\"",
|
| 154 |
+
"\"ALBERT MARQUE\"": "\"ALBERT MARQUET\"",
|
| 155 |
+
"\"MUSE\u00c9 JACQUEMART-ANDR\u00c9\"": "\"MUS\u00c9E JACQUEMART-ANDR\u00c9\"",
|
| 156 |
+
"\"MUS\u00c9E DES BEAUX-ARTS DE DIJON\"": "\"MUS\u00c9E DES BEAUX-ARTS DE DIJON\"",
|
| 157 |
+
"\"MUSEE DES BEAUX-ARTS DE NANCY\"": "\"MUS\u00c9E DES BEAUX-ARTS DE NANCY\"",
|
| 158 |
+
"\"NEOIMPRESSIONISM\"": "\"NEO-IMPRESSIONISM\"",
|
| 159 |
+
"\"ROYAL MUSEUM OF FINE ARTS OF BELGIUM\"": "\"ROYAL MUSEUMS OF FINE ARTS OF BELGIUM\"",
|
| 160 |
+
"\"ROYAL MUSEUMS FOR FINE ARTS OF BELGIUM\"": "\"ROYAL MUSEUMS OF FINE ARTS OF BELGIUM\"",
|
| 161 |
+
"\"LABOR MOVEMENT\"": "\"LABOUR MOVEMENT\"",
|
| 162 |
+
"\"LOUISE CRAYERS\"": "\"LOUIS CRAYERS\"",
|
| 163 |
+
"\"ART DEALER\"": "\"ART DEALERS\"",
|
| 164 |
+
"\"PORTRAIT COMMISSION\"": "\"PORTRAIT COMMISSIONS\"",
|
| 165 |
+
"\"LEGAL BATTLE\"": "\"LEGAL BATTLES\"",
|
| 166 |
+
"\"LATER WORKS\"": "\"LATE WORKS\"",
|
| 167 |
+
"\"COURT PAINTERS\"": "\"COURT PAINTER\"",
|
| 168 |
+
"\"CHARLES V\"": "\"CHARLES IV\"",
|
| 169 |
+
"\"PANEL PAINTINGS\"": "\"PANEL PAINTING\"",
|
| 170 |
+
"\"TAX EXEMPTION\"": "\"TAX EXEMPTIONS\"",
|
| 171 |
+
"\"ART HISTORICAL CONTEXT OF THE 19TH CENTURY\"": "\"ART HISTORICAL CONTEXT OF THE 14TH CENTURY\"",
|
| 172 |
+
"\"ENGRAVINGS\"": "\"ENGRAVING\"",
|
| 173 |
+
"\"CONVERSATION PIECE\"": "\"CONVERSATION PIECES\"",
|
| 174 |
+
"\"ROYAL ACADEMY OF ART\"": "\"ROYAL ACADEMY OF ARTS\"",
|
| 175 |
+
"\"500TH ANNIVERSARY EXHIBITION\"": "\"250TH ANNIVERSARY EXHIBITION\"",
|
| 176 |
+
"\"GOLD MEDALS\"": "\"GOLD MEDAL\"",
|
| 177 |
+
"\"GETY MUSEUM\"": "\"GETTY MUSEUM\"",
|
| 178 |
+
"\"MUSEUM OF FINE ARTS BOSTON\"": "\"MUSEUM OF FINE ARTS, BOSTON\"",
|
| 179 |
+
"\"NATIONAL GALLERY OF ART, WASHINGTON D.C.\"": "\"NATIONAL GALLERY OF ART, WASHINGTON, D.C.\"",
|
| 180 |
+
"\"NATIONAL GALLERY OF ART (WASHINGTON, D.C.)\"": "\"NATIONAL GALLERY OF ART, WASHINGTON, D.C.\"",
|
| 181 |
+
"\"PHILADEPHIA MUSEUM OF ART\"": "\"PHILADELPHIA MUSEUM OF ART\"",
|
| 182 |
+
"\"MYSTICAL MARRIAGE OF ST. CATHERINE\"": "\"MYSTICAL MARRIAGE OF ST CATHERINE\"",
|
| 183 |
+
"\"MYSTIC MARRIAGE OF ST. CATHERINE\"": "\"MYSTICAL MARRIAGE OF ST. CATHERINE\"",
|
| 184 |
+
"\"MYSTICAL MARRIAGE OF SAINT CATHERINE\"": "\"MYSTIC MARRIAGE OF SAINT CATHERINE\"",
|
| 185 |
+
"\"FRESCO TECHNIQUES\"": "\"FRESCO TECHNIQUE\"",
|
| 186 |
+
"\"PORTRAIT OF A YOUNG WOMAN\"": "\"PORTRAIT OF A YOUNG MAN\"",
|
| 187 |
+
"\"AGNOLO BRONZINO\"": "\"AGONOLO BRONZINO\"",
|
| 188 |
+
"\"LAST JUDGEMENT\"": "\"LAST JUDGMENT\"",
|
| 189 |
+
"\"ALLEGORICAL REPRESENTATION\"": "\"ALLEGORICAL REPRESENTATIONS\"",
|
| 190 |
+
"\"FRESCOE CYCLE\"": "\"FRESCO CYCLE\"",
|
| 191 |
+
"\"FRESCO CYCLES\"": "\"FRESCO CYCLE\"",
|
| 192 |
+
"\"ART HISTORIANS\"": "\"ART HISTORIAN\"",
|
| 193 |
+
"\"ARTISTIC LEGACY OF THE 18TH CENTURY\"": "\"ARTISTIC LEGACY OF THE 14TH CENTURY\"",
|
| 194 |
+
"\"ARTISTIC LEGACY OF THE 19TH CENTURY\"": "\"ARTISTIC LEGACY OF THE 18TH CENTURY\"",
|
| 195 |
+
"\"MYTHOLOGICAL SCENES\"": "\"MYTHOLOGICAL SCENE\"",
|
| 196 |
+
"\"THE HOLY FAMILY WITH THE INFANT SAINT JOHN THE BAPTIST\"": "\"HOLY FAMILY WITH THE INFANT SAINT JOHN THE BAPTIST\"",
|
| 197 |
+
"\"PERIN DEL VAGA\"": "\"PERINO DEL VAGA\"",
|
| 198 |
+
"\"CHARLES DAVIES\"": "\"CHARLES DAVIS\"",
|
| 199 |
+
"\"COMMISSIONS\"": "\"COMMISSION\"",
|
| 200 |
+
"\"TEMPERA ON PANELS\"": "\"TEMPERA ON PANEL\"",
|
| 201 |
+
"\"NICOLAS-TOUSSAINT CHARLET\"": "\"NICOLAS TOUSSAINT CHARLET\"",
|
| 202 |
+
"\"LITHOGRAPH\"": "\"LITHOGRAPHS\"",
|
| 203 |
+
"\"MADONNA AND CHILD WITH ST FRANCIS\"": "\"MADONNA AND CHILD WITH SAINT FRANCIS\"",
|
| 204 |
+
"\"JACOBS AND THE ANGEL\"": "\"JACOB AND THE ANGEL\"",
|
| 205 |
+
"\"LEGION OF HONOR\"": "\"LEGION OF HONOUR\"",
|
| 206 |
+
"\"DETROIT INSTITUTE OF ART\"": "\"DETROIT INSTITUTE OF ARTS\"",
|
| 207 |
+
"\"MICHELANGELO MERISI CARAVAGGIO\"": "\"MICHELANGELO MERISI DA CARAVAGGIO\"",
|
| 208 |
+
"\"THE SUPPER AT EMAUS\"": "\"THE SUPPER AT EMMAUS\"",
|
| 209 |
+
"\"CHARLES II OF ENGLAND\"": "\"CHARLES I OF ENGLAND\"",
|
| 210 |
+
"\"CARTAVAGGISM\"": "\"CARAVAGGISM\"",
|
| 211 |
+
"\"COURT PAINTER TO CHARLES IV\"": "\"COURT PAINTER TO CHARLES I\"",
|
| 212 |
+
"\"BIBLICAL NARRATIVE\"": "\"BIBLICAL NARRATIVES\"",
|
| 213 |
+
"\"DOGES PALACE\"": "\"DOGES' PALACE\"",
|
| 214 |
+
"\"VENETIAN PAINTINGS\"": "\"VENETIAN PAINTING\"",
|
| 215 |
+
"\"PIERO PERUGINO\"": "\"PIETRO PERUGINO\"",
|
| 216 |
+
"\"NEO-PLATONISM\"": "\"NEOPLATONISM\"",
|
| 217 |
+
"\"PASTEL COLOURS\"": "\"PASTEL COLORS\"",
|
| 218 |
+
"\"ILLUSTRATION FOR DANTE\"": "\"ILLUSTRATIONS FOR DANTE\"",
|
| 219 |
+
"\"HUMAN EMOTIONS\"": "\"HUMAN EMOTION\"",
|
| 220 |
+
"\"ISABELLA D' ESTE\"": "\"ISABELLA D'ESTE\"",
|
| 221 |
+
"\"CHARLES III OF SPAIN\"": "\"CHARLES II OF SPAIN\"",
|
| 222 |
+
"\"MINNEAPOLIS INSTITUTE OF ART\"": "\"MINNEAPOLIS INSTITUTE OF ARTS\"",
|
| 223 |
+
"\"MUSEUM NACIONAL D'ART DE CATALUNYA\"": "\"MUSEU NACIONAL D'ART DE CATALUNYA\"",
|
| 224 |
+
"\"LAZARO GALDIANO MUSEUM\"": "\"L\u00c1ZARO GALDIANO MUSEUM\"",
|
| 225 |
+
"\"THE REAL ACADEMIA DE BELLAS ARTES DE SAN FERNANDO\"": "\"REAL ACADEMIA DE BELLAS ARTES DE SAN FERNANDO\"",
|
| 226 |
+
"\"A MIDSUMMER NIGHT'S DREAM\"": "\"A MIDSUMMER-NIGHT'S DREAM\"",
|
| 227 |
+
"\"NARRATIVE STRUCTURE IN PAINTING\"": "\"NARRATIVE STRUCTURES IN PAINTINGS\"",
|
| 228 |
+
"\"HISTORICAL CONTEXT OF THE 17TH CENTURY\"": "\"HISTORICAL CONTEXT OF THE 18TH CENTURY\"",
|
| 229 |
+
"\"HISTORICAL CONTEXT OF THE 19TH CENTURY\"": "\"HISTORICAL CONTEXT OF THE 17TH CENTURY\"",
|
| 230 |
+
"\"ASEXUALITY\"": "\"SEXUALITY\"",
|
| 231 |
+
"\"ST. PAUL'S CATHEDRAL\"": "\"ST PAUL'S CATHEDRAL\"",
|
| 232 |
+
"\"ACADEMIE ROYALE DE PEINTURE ET DE SCULPTURE\"": "\"ACAD\u00c9MIE ROYALE DE PEINTURE ET DE SCULPTURE\"",
|
| 233 |
+
"\"BATTLE PAINTINGS\"": "\"BATTLE PAINTING\"",
|
| 234 |
+
"\"GENRE SCENE\"": "\"GENRE SCENES\"",
|
| 235 |
+
"\"ACADEMIA DI SAN LUCA\"": "\"ACCADEMIA DI SAN LUCA\"",
|
| 236 |
+
"\"ROMAN PAINTINGS\"": "\"ROMAN PAINTING\"",
|
| 237 |
+
"\"BAROQUE INFLUENCE\"": "\"BAROQUE INFLUENCES\"",
|
| 238 |
+
"\"GEORGES SAND\"": "\"GEORGE SAND\"",
|
| 239 |
+
"\"THE BATHER\"": "\"THE BATHERS\"",
|
| 240 |
+
"\"JEAN-BAPTISTE CAMILLE COROT\"": "\"JEAN-BAPTISTE-CAMILLE COROT\"",
|
| 241 |
+
"\"COMMITTEE OF PUBLIC SAFETY\"": "\"COMMITTEE ON PUBLIC SAFETY\"",
|
| 242 |
+
"\"BUDAPEST MUSEUM OF FINE ART\"": "\"BUDAPEST MUSEUM OF FINE ARTS\"",
|
| 243 |
+
"\"ALTARPIECE\"": "\"ALTARPIECES\"",
|
| 244 |
+
"\"ALTAR PIECES\"": "\"ALTAR PIECE\"",
|
| 245 |
+
"\"ALTAR-PIECES\"": "\"ALTAR-PIECE\"",
|
| 246 |
+
"\"FAMILY GROUPS\"": "\"FAMILY GROUP\"",
|
| 247 |
+
"\"ALCHEMIST\"": "\"ALCHEMISTS\"",
|
| 248 |
+
"\"14TH CENTURY NORTHERN EUROPE\"": "\"15TH CENTURY NORTHERN EUROPE\"",
|
| 249 |
+
"\"WORKSHOP PRACTICE\"": "\"WORKSHOP PRACTICES\"",
|
| 250 |
+
"\"CARTHUSIAN MONKS\"": "\"CARTHUSIAN MONK\"",
|
| 251 |
+
"\"GUILD OF ST. LUKE\"": "\"GUILD OF ST LUKE\"",
|
| 252 |
+
"\"ART CYCLOPEDIA\"": "\"ARTCYCLOPEDIA\"",
|
| 253 |
+
"\"ARTISTIC INFLUENCE\"": "\"ARTISTIC INFLUENCES\"",
|
| 254 |
+
"\"CONTEMPORARY STYLE\"": "\"CONTEMPORARY STYLES\"",
|
| 255 |
+
"\"NATURAL LANDSCAPE\"": "\"NATURAL LANDSCAPES\"",
|
| 256 |
+
"\"ALTAR PIECE\"": "\"ALTARPIECE\"",
|
| 257 |
+
"\"ALTAR-PIECE\"": "\"ALTARPIECE\"",
|
| 258 |
+
"\"ST JOHN THE BAPTIST\"": "\"ST. JOHN THE BAPTIST\"",
|
| 259 |
+
"\"MARKET SCENE\"": "\"MARKET SCENES\"",
|
| 260 |
+
"\"FLOWER PIECE\"": "\"FLOWER PIECES\"",
|
| 261 |
+
"\"NOBLE SAVAGES\"": "\"NOBLE SAVAGE\"",
|
| 262 |
+
"\"CHARLES VII\"": "\"CHARLES VIII\"",
|
| 263 |
+
"\"CHARLES III\"": "\"CHARLES II\"",
|
| 264 |
+
"\"POPE PIUS VI\"": "\"POPE PIUS V\"",
|
| 265 |
+
"\"POPE PIUS IV\"": "\"POPE PIUS V\"",
|
| 266 |
+
"\"LEGAL DISPUTES\"": "\"LEGAL DISPUTE\"",
|
| 267 |
+
"\"INFLUENCE ON OTHER ARTISTS\"": "\"INFLUENCE OF OTHER ARTISTS\"",
|
| 268 |
+
"\"ST JOSEPH\"": "\"ST. JOSEPH\"",
|
| 269 |
+
"\"THE LAST JUDGEMENT\"": "\"THE LAST JUDGMENT\"",
|
| 270 |
+
"\"ALTE PINAKOTEK\"": "\"ALTE PINAKOTHEK\"",
|
| 271 |
+
"\"ANTONIS MOR\"": "\"ANTHONIS MOR\"",
|
| 272 |
+
"\"ROYAL MUSEUM OF FINE ARTS, ANTWERP\"": "\"ROYAL MUSEUM OF FINE ARTS ANTWERP\"",
|
| 273 |
+
"\"CIVIC COMMISSIONS\"": "\"CIVIC COMMISSION\"",
|
| 274 |
+
"\"CULINARY ARTS\"": "\"CULINARY ART\"",
|
| 275 |
+
"\"NATIONAL GALLERY OF ART, WASHINGTON DC\"": "\"NATIONAL GALLERY OF ART, WASHINGTON\"",
|
| 276 |
+
"\"VISIONS OF ST. FRANCIS\"": "\"VISION OF ST FRANCIS\"",
|
| 277 |
+
"\"THEME OF DEATH\"": "\"THEMES OF DEATH\"",
|
| 278 |
+
"\"NARRATIVE CYCLE\"": "\"NARRATIVE CYCLES\"",
|
| 279 |
+
"\"GALLERIA DELL'ACCADEMIA\"": "\"GALLERIE DELL'ACCADEMIA\"",
|
| 280 |
+
"\"GALLERIE DELL\u2019ACCADEMIA\"": "\"GALLERIE DELL'ACCADEMIA\"",
|
| 281 |
+
"\"VIRGINS OF THE ANNUNCIATION\"": "\"VIRGIN OF THE ANNUNCIATION\"",
|
| 282 |
+
"\"ITALIAN PAINTERS\"": "\"ITALIAN PAINTER\"",
|
| 283 |
+
"\"MARRIAGE OF THE VIRGIN\"": "\"MARIAGE OF THE VIRGIN\"",
|
| 284 |
+
"\"ST ANTHONY OF PADUA\"": "\"ST. ANTHONY OF PADUA\"",
|
| 285 |
+
"\"SAINT BERNARDINO OF SIENA\"": "\"SAN BERNARDINO OF SIENA\"",
|
| 286 |
+
"\"FINDING OF THE BODY OF ST MARK\"": "\"FINDING OF THE BODY OF ST. MARK\"",
|
| 287 |
+
"\"ST MARK'S BODY BROUGHT TO VENICE\"": "\"ST. MARK'S BODY BROUGHT TO VENICE\"",
|
| 288 |
+
"\"ST MARK RESCUING A SARACEN FROM SHIPWRECK\"": "\"ST. MARK RESCUING A SARACEN FROM SHIPWRECK\"",
|
| 289 |
+
"\"PERSPECTIVES IN ART\"": "\"PERSPECTIVE IN ART\"",
|
| 290 |
+
"\"NATURE AND LANDSCAPES\"": "\"NATURE AND LANDSCAPE\"",
|
| 291 |
+
"\"CAVALIERE D'ARPINO\"": "\"CAVALIER D'ARPINO\"",
|
| 292 |
+
"\"MOUNTAIN LANDSCAPES\"": "\"MOUNTAIN LANDSCAPE\"",
|
| 293 |
+
"\"DUTCH PAINTINGS\"": "\"DUTCH PAINTING\"",
|
| 294 |
+
"\"MARINE PAINTINGS\"": "\"MARINE PAINTING\"",
|
| 295 |
+
"\"ETCHING TECHNIQUE\"": "\"ETCHING TECHNIQUES\"",
|
| 296 |
+
"\"WORLD WAR II\"": "\"WORLD WAR I\"",
|
| 297 |
+
"\"ART EXHIBITION\"": "\"ART EXHIBITIONS\"",
|
| 298 |
+
"\"CONSUPTION\"": "\"CONSUMPTION\"",
|
| 299 |
+
"\"LEOPOLD I\"": "\"LEOPOLD II\"",
|
| 300 |
+
"\"CLAUDE LORRAINE\"": "\"CLAUDE LORRAIN\"",
|
| 301 |
+
"\"HISTORICAL PORTRAIT\"": "\"HISTORICAL PORTRAITS\"",
|
| 302 |
+
"\"SELF PORTRAIT\"": "\"SELFPORTRAIT\"",
|
| 303 |
+
"\"FINE ART MUSEUM OF SAN FRANCISCO\"": "\"FINE ARTS MUSEUMS OF SAN FRANCISCO\"",
|
| 304 |
+
"\"LANDSCAPE WITH THE FLIGHT INTO EGYPT\"": "\"LANDSCAPE WITH THE FLIGHT TO EGYPT\"",
|
| 305 |
+
"\"P\u00c8RE LACHAISE CEMETERY\"": "\"P\u00c8RE-LACHAISE CEMETERY\"",
|
| 306 |
+
"\"ALLEGORICAL SUBJECT\"": "\"ALLEGORICAL SUBJECTS\"",
|
| 307 |
+
"\"DUTCH GENRE PAINTING\"": "\"DUTCH GENRE PAINTINGS\"",
|
| 308 |
+
"\"PHILIPS WOUWERMAN\"": "\"PHILIP WOUWERMAN\"",
|
| 309 |
+
"\"DIANA AND CALISTO\"": "\"DIANA AND CALLISTO\"",
|
| 310 |
+
"\"THE FLUTE PLAYER\"": "\"THE LUTE PLAYER\"",
|
| 311 |
+
"\"COLLABORATION IN ART\"": "\"COLLABORATIONS IN ART\"",
|
| 312 |
+
"\"ARTISTIC DEVELOPMENTS\"": "\"ARTISTIC DEVELOPMENT\"",
|
| 313 |
+
"\"MARIE DE MEDICI\"": "\"MARIE DE' MEDICI\"",
|
| 314 |
+
"\"GASPAR DUGHET\"": "\"GASPARD DUGHET\"",
|
| 315 |
+
"\"SALVATORE ROSA\"": "\"SALVATOR ROSA\"",
|
| 316 |
+
"\"CLASSICAL TRADITIONS\"": "\"CLASSICAL TRADITION\"",
|
| 317 |
+
"\"CONGREGAZIONE ARTISTICA DEI VIRTUOSI AL PANTHEON\"": "\"THE CONGREGAZIONE ARTISTICA DEI VIRTUOSI AL PANTHEON\"",
|
| 318 |
+
"\"CARDPLAYERS\"": "\"CARD PLAYERS\"",
|
| 319 |
+
"\"NEO-CLASSICAL STYLE\"": "\"NEOCLASSICAL STYLE\"",
|
| 320 |
+
"\"JEAN HONOR\u00c9 FRAGONARD\"": "\"JEAN-HONOR\u00c9 FRAGONARD\"",
|
| 321 |
+
"\"ROUSSEAU'S IDEAS\"": "\"ROUSSEAU'S IDEALS\"",
|
| 322 |
+
"\"CULTURAL REFERENCE\"": "\"CULTURAL REFERENCES\"",
|
| 323 |
+
"\"PITI PALACE\"": "\"PITTI PALACE\"",
|
| 324 |
+
"\"VIRGIN AND CHILD ENTHRONED AMONG ANGELS AND SAINTS\"": "\"THE VIRGIN AND CHILD ENTHRONED AMONG ANGELS AND SAINTS\"",
|
| 325 |
+
"\"MARTYRDOM OF ST. SEBASTIAN\"": "\"MARTYRDOM OF ST SEBASTIAN\"",
|
| 326 |
+
"\"CORNELIS WILLEMSZ\"": "\"CORNELIUS WILLEMSZ\"",
|
| 327 |
+
"\"SKETCHBOOK\"": "\"SKETCHBOOKS\"",
|
| 328 |
+
"\"SKETCH BOOKS\"": "\"SKETCHBOOKS\"",
|
| 329 |
+
"\"SKETCHEBOOKS\"": "\"SKETCHBOOKS\"",
|
| 330 |
+
"\"CINQUE CENTO\"": "\"CINQUECENTO\"",
|
| 331 |
+
"\"SAN SEBASTIAN\"": "\"SAN SEBASTIANO\"",
|
| 332 |
+
"\"VASARI'S LIVES OF THE MOST EXCELLENT PAINTERS\"": "\"VASARI\u2019S LIVES OF THE MOST EXCELLENT PAINTERS\"",
|
| 333 |
+
"\"FINANCIAL STRUGGLE\"": "\"FINANCIAL STRUGGLES\"",
|
| 334 |
+
"\"EMOTIONAL LANDSCAPES\"": "\"EMOTIONAL LANDSCAPE\"",
|
| 335 |
+
"\"PAPAL STATE\"": "\"PAPAL STATES\"",
|
| 336 |
+
"\"POPE ALEXANDER VI\"": "\"POPE ALEXANDER VII\"",
|
| 337 |
+
"\"POPE ALEXANDER VIII\"": "\"POPE ALEXANDER III\"",
|
| 338 |
+
"\"POPE CLEMENT XI\"": "\"POPE CLEMENT X\"",
|
| 339 |
+
"\"VATICAN MUSEUM\"": "\"VATICAN MUSEUMS\"",
|
| 340 |
+
"\"HISTORICAL LANDSCAPE\"": "\"HISTORICAL LANDSCAPES\"",
|
| 341 |
+
"\"CLASSICAL STYLES\"": "\"CLASSICAL STYLE\"",
|
| 342 |
+
"\"PARIS SALONS\"": "\"PARIS SALON\"",
|
| 343 |
+
"\"ART COMPETITION\"": "\"ART COMPETITIONS\"",
|
| 344 |
+
"\"NICOLAES BERCHEM\"": "\"NICOLAS BERCHEM\"",
|
| 345 |
+
"\"PASTEL PORTRAITS\"": "\"PASTEL PORTRAIT\"",
|
| 346 |
+
"\"NARRATIVE PAINTINGS\"": "\"NARRATIVE PAINTING\"",
|
| 347 |
+
"\"MUS\u00c9E DU PETIT-PALAIS\"": "\"MUS\u00c9E DU PETIT PALAIS\"",
|
| 348 |
+
"\"ARTHUR K WHEELOCK JR.\"": "\"ARTHUR K. WHEELOCK JR.\"",
|
| 349 |
+
"\"THE MARCH\"": "\"THE MARCHE\"",
|
| 350 |
+
"\"ST JEROME IN THE DESERT\"": "\"ST. JEROME IN THE DESERT\"",
|
| 351 |
+
"\"EXHIBITION\"": "\"EXHIBITIONS\"",
|
| 352 |
+
"\"MYSTICAL MARRIAGE OF ST. CATHERINE OF ALEXANDRIA\"": "\"MYSTICAL MARRIAGE OF ST CATHERINE OF ALEXANDRIA\"",
|
| 353 |
+
"\"'S-HERTOGENBOSCH\"": "\"S-HERTOGENBOSCH\"",
|
| 354 |
+
"\"VISUAL METAPHOR\"": "\"VISUAL METAPHORS\"",
|
| 355 |
+
"\"THE TEMPTATION OF ST ANTHONY\"": "\"THE TEMPTATION OF ST. ANTHONY\"",
|
| 356 |
+
"\"WINTER LANDSCAPE\"": "\"WINTER LANDSCAPES\"",
|
| 357 |
+
"\"PORTRAIT OF AN ELDERLY MAN\"": "\"A PORTRAIT OF AN ELDERLY MAN\"",
|
| 358 |
+
"\"\u00c6GIDIUS (PETER GILLES)": "\"\u00c6GIDIUS (PETER GILLES)\"",
|
| 359 |
+
"\"A GROTESQUE OLD WOMAN OR THE UGLY DUCHESS\"": "\"A GROTESQUE OLD WOMAN\" OR \"THE UGLY DUCHESS\"",
|
| 360 |
+
"\"POPE NICHOLAS V\"": "\"POPE NICHOLAS IV\"",
|
| 361 |
+
"\"JUDGMENT OF PARIS\"": "\"JUDGEMENT OF PARIS\"",
|
| 362 |
+
"\"ROYAL COLLECTIONS\"": "\"ROYAL COLLECTION\"",
|
| 363 |
+
"\"PASTORAL LANDSCAPE\"": "\"PASTORAL LANDSCAPES\"",
|
| 364 |
+
"\"CRUCIFIXION OF ST PETER\"": "\"CRUCIFIXION OF ST. PETER\"",
|
| 365 |
+
"\"RETROSPECTIVE EXHIBITIONS\"": "\"RETROSPECTIVE EXHIBITION\"",
|
| 366 |
+
"\"GALLERY OF MODERN AND CONTEMPORARY ART 'ARMANDO PIZZINATO'\"": "\"GALLERY OF MODERN AND CONTEMPORARY ART 'ARMANDO PIZZINATO'",
|
| 367 |
+
"\"MIDDLE OF THE 19TH CENTURY\"": "\"MIDDLE OF THE 18TH CENTURY\"",
|
| 368 |
+
"\"ANONYMOUS WORK\"": "\"ANONYMOUS WORKS\"",
|
| 369 |
+
"\"ANDREA SQUAZZELLA\"": "\"ANDREA SQUARZZELLA\"",
|
| 370 |
+
"\"CHIMNEYPIECES\"": "\"CHIMNEY PIECES\"",
|
| 371 |
+
"\"DECORATIVE PAINTING\"": "\"DECORATIVE PAINTINGS\"",
|
| 372 |
+
"\"ALLEGORICAL SCENE\"": "\"ALLEGORICAL SCENES\"",
|
| 373 |
+
"\"ANTWERP'S GUILD OF SAINT LUKE\"": "\"ANTWERP GUILD OF SAINT LUKE\"",
|
| 374 |
+
"\"REST ON THE FLIGHT TO EGYPT WITH SAINT FRANCIS\"": "\"THE REST ON THE FLIGHT TO EGYPT WITH SAINT FRANCIS\"",
|
| 375 |
+
"\"ALLEGORY OF VIRTUES\"": "\"ALLEGORY OF VIRTUE\"",
|
| 376 |
+
"\"ARTISTIC TRADITIONS\"": "\"ARTISTIC TRADITION\"",
|
| 377 |
+
"\"CULTURAL INFLUENCES IN ARTISTIC STYLES\"": "\"CULTURAL INFLUENCES ON ARTISTIC STYLE\"",
|
| 378 |
+
"\"ARTISTIC DIALOGUES\"": "\"ARTISTIC DIALOGUE\"",
|
| 379 |
+
"\"IMPRESSIONIST EXHIBITION\"": "\"IMPRESSIONIST EXHIBITIONS\"",
|
| 380 |
+
"\"SALON EXHIBITION\"": "\"SALON EXHIBITIONS\"",
|
| 381 |
+
"\"FINANCIAL HARDSHIPS\"": "\"FINANCIAL HARDSHIP\"",
|
| 382 |
+
"\"HOTEL ROOM\"": "\"HOTEL ROOMS\"",
|
| 383 |
+
"\"ELECTORS OF SAXONY\"": "\"ELECTOR OF SAXONY\"",
|
| 384 |
+
"\"ARCHITECTURAL PAINTING\"": "\"ARCHITECTURAL PAINTINGS\"",
|
| 385 |
+
"\"ALLEGORICAL PAINTING\"": "\"ALLEGORICAL PAINTINGS\"",
|
| 386 |
+
"\"ACADEMY OF ST LUKE\"": "\"ACADEMY OF ST. LUKE\"",
|
| 387 |
+
"\"MEZZOTINTS\"": "\"MEZZOTINT\"",
|
| 388 |
+
"\"PAINTING TECHNIQUES\"": "\"PAINTING TECHNIQUE\"",
|
| 389 |
+
"\"HISTORICAL INFLUENCE ON ART\"": "\"HISTORICAL INFLUENCES ON ART\"",
|
| 390 |
+
"\"ARTISTIC TECHNIQUES OF THE 19TH CENTURY\"": "\"ARTISTIC TECHNIQUES OF THE 18TH CENTURY\"",
|
| 391 |
+
"\"INFLUENCE OF BAROQUE ART\"": "\"INFLUENCE ON BAROQUE ART\"",
|
| 392 |
+
"\"HISTORICAL CONTEXTS\"": "\"HISTORICAL CONTEXT\"",
|
| 393 |
+
"\"PRINTMAKERS\"": "\"PRINTMAKER\"",
|
| 394 |
+
"\"SOCIAL REFORMS\"": "\"SOCIAL REFORM\"",
|
| 395 |
+
"\"VISION OF THE DAUGHTERS OF ALBION\"": "\"VISIONS OF THE DAUGHTERS OF ALBION\"",
|
| 396 |
+
"\"JOHN TAVERNER\"": "\"JOHN TAVENER\"",
|
| 397 |
+
"\"ANDREA SOLARIO\"": "\"ANDREA SOLARI\"",
|
| 398 |
+
"\"SALOME WITH THE HEAD OF JOHN THE BAPTIST\"": "\"SALOME WITH THE HEAD OF ST JOHN THE BAPTIST\"",
|
| 399 |
+
"\"KING LOUIS XIV\"": "\"KING LOUIS XV\"",
|
| 400 |
+
"\"CULTURAL SHIFTS\"": "\"CULTURAL SHIFT\"",
|
| 401 |
+
"\"HENDRICK TERBRUGGHEN\"": "\"HENDRICK TER BRUGGHEN\"",
|
| 402 |
+
"\"DIRK VAN BABUREN\"": "\"DIRCK VAN BABUREN\"",
|
| 403 |
+
"\"MASTERPIECES\"": "\"MASTERPIECE\"",
|
| 404 |
+
"\"PHILIP III\"": "\"PHILIP II\"",
|
| 405 |
+
"\"FRA BARTOLOMMEO\"": "\"FRA BARTOLOMEO\"",
|
| 406 |
+
"\"EASEL PAINTING\"": "\"EASEL PAINTINGS\"",
|
| 407 |
+
"\"PAPAL COMMISSIONS\"": "\"PAPAL COMMISSION\"",
|
| 408 |
+
"\"L\u2019\u00c9COLE DES BEAUX-ARTS\"": "\"\u00c9COLE DES BEAUX-ARTS\"",
|
| 409 |
+
"\"L'\u00c9COLE DES BEAUX-ARTS\"": "\"L\u2019\u00c9COLE DES BEAUX-ARTS\"",
|
| 410 |
+
"\"EXHIBITION CATALOGUES\"": "\"EXHIBITION CATALOGUE\"",
|
| 411 |
+
"\"NATURALISTIC PAINTING\"": "\"NATURALISTIC PAINTINGS\"",
|
| 412 |
+
"\"TOMB DESIGNS\"": "\"TOMB DESIGN\"",
|
| 413 |
+
"\"MARSEILLE\"": "\"MARSEILLES\"",
|
| 414 |
+
"\"FIGURES IN A LANDSCAPE\"": "\"FIGURES IN LANDSCAPE\"",
|
| 415 |
+
"\"PERSPECTIVE TECHNIQUES\"": "\"PERSPECTIVE TECHNIQUE\"",
|
| 416 |
+
"\"ELIZABETH II\"": "\"ELIZABETH I\"",
|
| 417 |
+
"\"DUKE RANUCCIO I FARNESE\"": "\"DUKE RANUCCIO II FARNESE\"",
|
| 418 |
+
"\"GUARDIAN ANGELS\"": "\"GUARDIAN ANGEL\"",
|
| 419 |
+
"\"POPE SIXTUS IV\"": "\"POPE SIXTUS V\"",
|
| 420 |
+
"\"POPE CLEMENT VII\"": "\"POPE CLEMENT VIII\"",
|
| 421 |
+
"\"MEDIEVAL INFLUENCES\"": "\"MEDIEVAL INFLUENCE\"",
|
| 422 |
+
"\"PARTHENOPEAN REPUBLIC\"": "\"PARTHENOPAEAN REPUBLIC\"",
|
| 423 |
+
"\"ART COLLECTION\"": "\"ART COLLECTIONS\"",
|
| 424 |
+
"\"PAINTING COMMISSIONS\"": "\"PAINTING COMMISSION\"",
|
| 425 |
+
"\"CIVIC VIRTUES\"": "\"CIVIC VIRTUE\"",
|
| 426 |
+
"\"INTELLECTUAL TRADITIONS\"": "\"INTELLECTUAL TRADITION\"",
|
| 427 |
+
"\"MORAL VIRTUE\"": "\"MORAL VIRTUES\"",
|
| 428 |
+
"\"ANTIQUE SCULPTURES\"": "\"ANTIQUE SCULPTURE\"",
|
| 429 |
+
"\"DUTCH ARTIST\"": "\"DUTCH ARTISTS\"",
|
| 430 |
+
"\"COLOUR THEORY\"": "\"COLOR THEORY\"",
|
| 431 |
+
"\"MONT MARTRE\"": "\"MONTMARTRE\"",
|
| 432 |
+
"\"STARRY NIGHT OVER THE RHONE\"": "\"STARRY NIGHT OVER THE RH\u00d4NE\"",
|
| 433 |
+
"\"PSYCHOLOGICAL STATE\"": "\"PSYCHOLOGICAL STATES\"",
|
| 434 |
+
"\"PUBLIC DOMAIN TEXTS\"": "\"PUBLIC DOMAIN TEXT\"",
|
| 435 |
+
"\"VENETIAN TECHNIQUES\"": "\"VENETIAN TECHNIQUE\"",
|
| 436 |
+
"\"JUDGEMENT OF SOLOMON\"": "\"JUDGMENT OF SOLOMON\"",
|
| 437 |
+
"\"HIRST, MICHAEL\"": "\"HIRST, MICHAEL.\"",
|
| 438 |
+
"\"GOULD, CECIL\"": "\"GOULD, CECIL.\"",
|
| 439 |
+
"\"LUCCO, MAURO\"": "\"LUCCO, MAURO.\"",
|
| 440 |
+
"\"HIERONYMUS FRANCKEN II\"": "\"HIERONYMUS FRANCKEN I\"",
|
| 441 |
+
"\"HIERONYMUS FRANCKEN III\"": "\"HIERONYMUS FRANCKEN II\"",
|
| 442 |
+
"\"BONSIGNORIS\"": "\"BONSIGNORI\"",
|
| 443 |
+
"\"HEAD OF FEMALE SAINT\"": "\"HEAD OF A FEMALE SAINT\"",
|
| 444 |
+
"\"CULTURAL CENTER\"": "\"CULTURAL CENTERS\"",
|
| 445 |
+
"\"VANITAS STILL LIFE\"": "\"VANITAS STILL LIFES\"",
|
| 446 |
+
"\"MUSEUM OF FINE ARTS HOUSTON\"": "\"MUSEUM OF FINE ARTS, HOUSTON\"",
|
| 447 |
+
"\"MARIE DE MEDICIS\"": "\"MARIE DE MEDICI\"",
|
| 448 |
+
"\"BACCHANALS\"": "\"BACCHANALES\"",
|
| 449 |
+
"\"BACCHANALE\"": "\"BACCHANALES\"",
|
| 450 |
+
"\"CULTURAL TRANSITIONS IN ART\"": "\"CULTURAL TRANSITION IN ART\"",
|
| 451 |
+
"\"MYTHOLOGICAL PAINTING\"": "\"MYTHOLOGICAL PAINTINGS\"",
|
| 452 |
+
"\"FRAN\u00c7OIS-MARIUS GRANET\"": "\"FRANCOIS-MARIUS GRANET\"",
|
| 453 |
+
"\"ITALIAN LANDSCAPES\"": "\"ITALIAN LANDSCAPE\"",
|
| 454 |
+
"\"POPE PAUL III\"": "\"POPE PAUL II\"",
|
| 455 |
+
"\"AVANT-GARDE INFLUENCES\"": "\"AVANT-GARDE INFLUENCE\"",
|
| 456 |
+
"\"CORRESPONDENCES\"": "\"CORRESPONDENCE\"",
|
| 457 |
+
"\"WILDENSTEIN PLATTNER INSTITUTE\"": "\"WILDSTEIN PLATTNER INSTITUTE\"",
|
| 458 |
+
"\"FRAN\u00c7OIS PICQUENOT\"": "\"FRANC\u00c7OIS PICQUENOT\"",
|
| 459 |
+
"\"MATERNIT\u00c9 I\"": "\"MATERNIT\u00c9 II\"",
|
| 460 |
+
"\"EXHIBITION REVIEWS\"": "\"EXHIBITION REVIEW\"",
|
| 461 |
+
"\"GAUGUIN'S INTIMATE JOURNALS\"": "\"GAUGUIN\u2019S INTIMATE JOURNALS\"",
|
| 462 |
+
"\"THE EMPRESS EUG\u00c9NIE SURROUNDED BY HER LADIES IN WAITING\"": "\"EMPRESS EUG\u00c9NIE SURROUNDED BY HER LADIES IN WAITING\"",
|
| 463 |
+
"\"SOCIAL CHANGES\"": "\"SOCIAL CHANGE\"",
|
| 464 |
+
"\"VENETIAN COLORISM\"": "\"VENETIAN COLOURISM\"",
|
| 465 |
+
"\"SACRED CONVERSATIONS\"": "\"SACRED CONVERSATION\"",
|
| 466 |
+
"\"THE MYSTIC MARRIAGE OF SAINT CATHERINE\"": "\"THE MYSTIC MARRIAGE OF ST CATHERINE\"",
|
| 467 |
+
"\"THE MYSTIC MARRIAGE OF ST. CATHERINE\"": "\"THE MYSTIC MARRIAGE OF ST CATHERINE\"",
|
| 468 |
+
"\"MADONNA ENTHRONED WITH SAINT MATTHEW\"": "\"MADONNA ENTHRONED WITH ST MATTHEW\"",
|
| 469 |
+
"\"SELF PORTRAIT IN PROFILE\"": "\"SELF-PORTRAIT IN PROFILE\"",
|
| 470 |
+
"\"DOMINE QUO VADIS?\"": "\"DOMINE QUO VADIS? \"",
|
| 471 |
+
"\"WILLIAM ANDERSON (NAVAL OFFICER)\")": "\"WILLIAM ANDERSON (NAVAL OFFICER)\"",
|
| 472 |
+
"\"WILLIAM ANDERSON (CRICKETER, BORN 1909)\")": "\"WILLIAM ANDERSON (CRICKETER, BORN 1909)\"",
|
| 473 |
+
"\"WILLIAM ANDERSON (SCOTTISH CRICKETER)\")": "\"WILLIAM ANDERSON (SCOTTISH CRICKETER)\"",
|
| 474 |
+
"\"WILLIAM ANDERSON (SCOTTISH FOOTBALLER)\")": "\"WILLIAM ANDERSON (SCOTTISH FOOTBALLER)\"",
|
| 475 |
+
"\"BILL ANDERSON (1940S PITCHER)\")": "\"BILL ANDERSON (1920S PITCHER)\")",
|
| 476 |
+
"\"WILL ANDERSON (SCRABBLE PLAYER)\"": "\"WILL ANDERSON (SCRABBLE PLAYER)\")",
|
| 477 |
+
"\"BILLY ANDERSON\"": "\"BILL ANDERSON\"",
|
| 478 |
+
"\"CHRISTIE\u2019S AUCTION HOUSE\"": "\"CHRISTIE'S AUCTION HOUSE\"",
|
| 479 |
+
"\"MAXIMILIAN II\"": "\"MAXIMILIAN I\"",
|
| 480 |
+
"\"LIGHT EFFECT\"": "\"LIGHT EFFECTS\"",
|
| 481 |
+
"\"PRIVATE COLLECTION\"": "\"PRIVATE COLLECTIONS\"",
|
| 482 |
+
"\"WATERCOLORS\"": "\"WATERCOLOR\"",
|
| 483 |
+
"\"WATERCOLOUR\"": "\"WATERCOLOURS\"",
|
| 484 |
+
"\"N.C. WYETH\"": "\"N. C. WYETH\"",
|
| 485 |
+
"\"MARINE LANDSCAPE\"": "\"MARINE LANDSCAPES\"",
|
| 486 |
+
"\"CIVIL WARS\"": "\"CIVIL WAR\"",
|
| 487 |
+
"\"BENNET LANGTON\"": "\"BENNETT LANGTON\"",
|
| 488 |
+
"\"DRAMATIC EFFECTS\"": "\"DRAMATIC EFFECT\"",
|
| 489 |
+
"\"NARRATIVE TECHNIQUE\"": "\"NARRATIVE TECHNIQUES\"",
|
| 490 |
+
"\"ROYAL COMMISSIONS\"": "\"ROYAL COMMISSION\"",
|
| 491 |
+
"\"PRINTMAKING INNOVATION\"": "\"PRINTMAKING INNOVATIONS\"",
|
| 492 |
+
"\"EMBLEM BOOK\"": "\"EMBLEM BOOKS\"",
|
| 493 |
+
"\"SELF PORTRAITS\"": "\"SELF PORTRAIT\"",
|
| 494 |
+
"\"A MIRACLE OF THE EUCHARIST\"": "\"MIRACLE OF THE EUCHARIST\"",
|
| 495 |
+
"\"MADONNA OF THE SNOWS ALTARPIECE\"": "\"MADONNA OF THE SNOW ALTARPIECE\"",
|
| 496 |
+
"\"THE DANCE\"": "\"THE DANCER\"",
|
| 497 |
+
"\"THE DANCERS\"": "\"THE DANCER\"",
|
| 498 |
+
"\"ANTISEMITISM\"": "\"ANTI-SEMITISM\"",
|
| 499 |
+
"\"ALONSO S\u00c1NCHEZ COELLO\"": "\"ALONSO SANCHEZ COELLO\"",
|
| 500 |
+
"\"GUIDO UBALDO ABBATINI\"": "\"GUIDO UBALDO ABATINI\"",
|
| 501 |
+
"\"FRANCIS II\"": "\"FRANCIS I\"",
|
| 502 |
+
"\"ST. PETERSBURG\"": "\"ST PETERSBURG\"",
|
| 503 |
+
"\"GEOMETRIC FORM\"": "\"GEOMETRIC FORMS\"",
|
| 504 |
+
"\"ST. JOHN THE EVANGELIST\"": "\"ST JOHN THE EVANGELIST\"",
|
| 505 |
+
"\"MUS\u00c9E DES BEAUX-ARTS ET D\u2019ARCH\u00c9OLOGIE\"": "\"MUS\u00c9E DES BEAUX-ARTS ET D'ARCH\u00c9OLOGIE\"",
|
| 506 |
+
"\"FRANS FRANCKEN II\"": "\"FRANS FRANCKEN I\"",
|
| 507 |
+
"\"STAINED GLASS WINDOW\"": "\"STAINED GLASS WINDOWS\"",
|
| 508 |
+
"\"JOHAN ZOFFANY\"": "\"JOHANN ZOFFANY\"",
|
| 509 |
+
"\"ST. FRANCIS\"": "\"ST FRANCIS\"",
|
| 510 |
+
"\"RICHARD BOYLE, 6TH EARL OF SHANNON\"": "\"RICHARD BOYLE, 4TH EARL OF SHANNON\"",
|
| 511 |
+
"\"LABOURS OF HERCULES\"": "\"LABORS OF HERCULES\"",
|
| 512 |
+
"\"ASTROLABES\"": "\"ASTROLABE\"",
|
| 513 |
+
"\"CHIAROSCURO WOODCUTS\"": "\"CHIAROSCURO WOODCUT\"",
|
| 514 |
+
"\"ANGELICA KAUFFMANN\"": "\"ANGELICA KAUFFMAN\"",
|
| 515 |
+
"\"ANGELICA KAUFMANN\"": "\"ANGELICA KAUFFMANN\"",
|
| 516 |
+
"\"TAVERN SCENE\"": "\"TAVERN SCENES\"",
|
| 517 |
+
"\"ANTWERP GUILD OF ST. LUKE\"": "\"ANTWERP GUILD OF ST LUKE\"",
|
| 518 |
+
"\"DUTCH PAINTING OF THE 16TH CENTURY\"": "\"DUTCH PAINTING OF THE 17TH CENTURY\"",
|
| 519 |
+
"\"FRESCOS OF THE HABSBURG FAMILY TREE\"": "\"FRESCOES OF THE HABSBURG FAMILY TREE\"",
|
| 520 |
+
"\"EMMANUEL DE WITTE\"": "\"EMANUEL DE WITTE\"",
|
| 521 |
+
"\"DOMESTICS SCENES\"": "\"DOMESTIC SCENES\"",
|
| 522 |
+
"\"WYBRAND HENDRICKS\"": "\"WYBRAND HENDRICK\"",
|
| 523 |
+
"\"FEMALE NUDES\"": "\"FEMALE NUDE\"",
|
| 524 |
+
"\"RUBENS' WORKSHOP\"": "\"RUBENS'S WORKSHOP\"",
|
| 525 |
+
"\"CIVIC LEADERS\"": "\"CIVIC LEADER\"",
|
| 526 |
+
"\"CRITIQUES OF MODERN ART\"": "\"CRITIQUE OF MODERN ART\"",
|
| 527 |
+
"\"CULTURAL IMPACT OF WAR\"": "\"CULTURAL IMPACT OF ART\"",
|
| 528 |
+
"\"DIONYSIUS II OF SYRACUSE\"": "\"DIONYSIUS I OF SYRACUSE\"",
|
| 529 |
+
"\"DIONYSIOS ADRIANUS PETRUS NORBERTUS KOOLEN\"": "\"DIONYSIUS ADRIANUS PETRUS NORBERTUS KOOLEN\"",
|
| 530 |
+
"\"INFLUENCE ON 20TH-CENTURY ART\"": "\"INFLUENCE ON 20TH CENTURY ART\"",
|
| 531 |
+
"\"CABINET PAINTING\"": "\"CABINET PAINTINGS\"",
|
| 532 |
+
"\"EQUESTRIAN STATUES\"": "\"EQUESTRIAN STATUE\"",
|
| 533 |
+
"\"CULTURAL ICONS\"": "\"CULTURAL ICON\"",
|
| 534 |
+
"\"THE LUNCHEON ON THE GRASS (LE D\u00c9JEUNER SUR L'HERBE)\"": "\"LUNCHEON ON THE GRASS (LE D\u00c9JEUNER SUR L'HERBE)\"",
|
| 535 |
+
"\"THE BARRICADES\"": "\"THE BARRICADE\"",
|
| 536 |
+
"\"THOMAS COUTURE'S STUDIO\"": "\"THOMAS COUTURE\u2019S STUDIO\"",
|
| 537 |
+
"\"AUCTION RECORDS\"": "\"AUCTION RECORD\"",
|
| 538 |
+
"\"THE GILDED CAGE\"": "\"THE GILDED AGE\"",
|
| 539 |
+
"\"CHARLES EMMANUEL II\"": "\"CHARLES EMANUEL II\"",
|
| 540 |
+
"\"COLORISTIC STYLE\"": "\"COLOURISTIC STYLE\"",
|
| 541 |
+
"\"BASILICA DI SANTI GIOVANNI E PAOLO\"": "\"BASILICA DI SAN GIOVANNI E PAOLO\"",
|
| 542 |
+
"\"ASSASSINATIONS\"": "\"ASSASSINATION\"",
|
| 543 |
+
"\"SANT'ANDREA DELLA VALLE\"": "\"SANT' ANDREA DELLA VALLE\"",
|
| 544 |
+
"\"JAMES WYATT\"": "\"JAMES WATT\"",
|
| 545 |
+
"\"FLOWER PAINTINGS\"": "\"FLOWER PAINTING\"",
|
| 546 |
+
"\"INFLUENCE OF ROMANTICISM\"": "\"INFLUENCE ON ROMANTICISM\"",
|
| 547 |
+
"\"JAMES THOMSON\"": "\"JAMES THOMPSON\"",
|
| 548 |
+
"\"JACOBO BURCKHARDT\"": "\"JACOB BURCKHARDT\"",
|
| 549 |
+
"\"GALLERY PAINTING\"": "\"GALLERY PAINTINGS\"",
|
| 550 |
+
"\"KING CHARLES I OF ENGLAND\"": "\"KING CHARLES II OF ENGLAND\"",
|
| 551 |
+
"\"GALLERY OF HONOR\"": "\"GALLERY OF HONOUR\"",
|
| 552 |
+
"\"ILLUSIONS OF DEPTH\"": "\"ILLUSION OF DEPTH\"",
|
| 553 |
+
"\"THE CONVERSION OF PAUL\"": "\"THE CONVERSION OF SAUL\"",
|
| 554 |
+
"\"JEAN MONE\"": "\"JEAN MONET\"",
|
| 555 |
+
"\"MONET'S WORK\"": "\"MONET'S WORKS\"",
|
| 556 |
+
"\"FAKE OR FORTUNE?\"": "\"FAKE OR FORTUNE\"",
|
| 557 |
+
"\"KUNSTHISTORISCHES MUSEUM VIENNA\"": "\"KUNSTHISTORISCHES MUSEUM, VIENNA\"",
|
| 558 |
+
"\"ST. NICHOLAS OF BARI PRESENTING TWO CHILDREN TO VIRGIN\"": "\"ST NICHOLAS OF BARI PRESENTING TWO CHILDREN TO VIRGIN\"",
|
| 559 |
+
"\"ROYAL ALCAZAR OF MADRID\"": "\"ROYAL ALC\u00c1ZAR OF MADRID\"",
|
| 560 |
+
"\"MONTREAL MUSEUM OF FINE ARTS\"": "\"MONTREAL MUSEUM OF FINE ART\"",
|
| 561 |
+
"\"MEDAL OF HONOUR\"": "\"MEDAL OF HONOR\"",
|
| 562 |
+
"\"DANIEL-HENRY KAHNWEILER\"": "\"DANIEL-HENRI KAHNWEILER\"",
|
| 563 |
+
"\"SALON DES IND\u00c9PENDANTS\"": "\"SALON DES INDEPENDANTS\"",
|
| 564 |
+
"\"EXHIBITION IMPACT\"": "\"EXHIBITIONS IMPACT\"",
|
| 565 |
+
"\"INTERDISCIPLINARY INFLUENCES\"": "\"INTERDISCIPLINARY INFLUENCE\"",
|
| 566 |
+
"\"HENRI ROUSSEAU: JUNGLES IN PARIS\"": "\"\"HENRI ROUSSEAU: JUNGLES IN PARIS\"\"",
|
| 567 |
+
"\"TRUIMPH OF THE NAME OF JESUS\"": "\"TRIUMPH OF THE NAME OF JESUS\"",
|
| 568 |
+
"\"DYNAMIC COMPOSITION\"": "\"DYNAMIC COMPOSITIONS\"",
|
| 569 |
+
"\"SCALA REGIA\"": "\"SALA REGIA\"",
|
| 570 |
+
"\"CHARLES X\"": "\"CHARLES IX\"",
|
| 571 |
+
"\"GOLD BACKGROUNDS\"": "\"GOLD BACKGROUND\"",
|
| 572 |
+
"\"BARBARA BAUM\u00dcLLER\"": "\"BARABARA BAUM\u00dcLLER\"",
|
| 573 |
+
"\" JEWISH IDENTITY\"": "\"JEWISH IDENTITY\"",
|
| 574 |
+
"\"KAISER WILHELM II\"": "\"KAISER WILHELM I\"",
|
| 575 |
+
"\"JACOBIN CLUBS\"": "\"JACOBIN CLUB\"",
|
| 576 |
+
"\"STATES GENERAL\"": "\"ESTATES GENERAL\"",
|
| 577 |
+
"\"LOUIS XVII\"": "\"LOUIS XVI\"",
|
| 578 |
+
"\"LOUIS XVIII\"": "\"LOUIS XVII\"",
|
| 579 |
+
"\"LOUIS XII\"": "\"LOUIS XVII\"",
|
| 580 |
+
"\"COLLECTORS\"": "\"COLLECTOR\"",
|
| 581 |
+
"\"ART AUCTIONS\"": "\"ART AUCTION\"",
|
| 582 |
+
"\"PERSONAL NARRATIVES\"": "\"PERSONAL NARRATIVE\"",
|
| 583 |
+
"\"HUMAN PROPORTION\"": "\"HUMAN PROPORTIONS\"",
|
| 584 |
+
"\"NIGHT (PAINTING SERIES)\"": "\"NIGHT (PAINTING SERIES)",
|
| 585 |
+
"\" WESTMINSTER ABBEY\"": "\"WESTMINSTER ABBEY\"",
|
| 586 |
+
"\"MME GRASSINI\"": "\"MME. GRASSINI\"",
|
| 587 |
+
"\"MME MURAT\"": "\"MME. MURAT\"",
|
| 588 |
+
"\"MME DE WATTEVILLE\"": "\"MME. DE WATTEVILLE\"",
|
| 589 |
+
"\"BOURBON RESTORATION\"": "\"BOURBON RESTORATIONS\"",
|
| 590 |
+
"\"LOUIS XIII\"": "\"LOUIS XII\"",
|
| 591 |
+
"\"EDWARD VII\"": "\"EDWARD VI\"",
|
| 592 |
+
"\"EDWARD III\"": "\"EDWARD VIII\"",
|
| 593 |
+
"\"FREDERICK MCCUBBIN - WHISPERINGS IN WATTLE BOUGHS\"": "\"FREDERICK MCCUBBIN\u2014WHISPERINGS IN WATTLE BOUGHS\"",
|
| 594 |
+
"\"THOMAS MOORE\"": "\"THOMAS MORE\"",
|
| 595 |
+
"\"HUMANIST CIRCLES\"": "\"HUMANIST CIRCLE\"",
|
| 596 |
+
"\"MECHANICAL DEVICES\"": "\"MECHANICAL DEVICE\"",
|
| 597 |
+
"\"THE FATHERS\"": "\"THE FATHER\"",
|
| 598 |
+
"\"WATER SERPENTS II\"": "\"WATER SERPENTS I\"",
|
| 599 |
+
"\"ADELE BLOCH-BAUER I\"": "\"ADELE BLOCH-BAUER II\"",
|
| 600 |
+
"\"AUGUST RODIN\"": "\"AUGUSTE RODIN\"",
|
| 601 |
+
"\"WORLD COLUMBIAN EXPOSITION\"": "\"WORLD'S COLUMBIAN EXPOSITION\"",
|
| 602 |
+
"\"18TH CENTURY AMERICAN ART\"": "\"19TH CENTURY AMERICAN ART\"",
|
| 603 |
+
"\"WATERCOLOURS\"": "\"WATERCOLORS\"",
|
| 604 |
+
"\"SILK SCREENING\"": "\"SILKSCREENING\"",
|
| 605 |
+
"\"WILLIAM III OF THE NETHERLANDS\"": "\"WILLIAM II OF THE NETHERLANDS\"",
|
| 606 |
+
"\"HISTORICAL COMMEMORATIONS\"": "\"HISTORICAL COMMEMORATION\"",
|
| 607 |
+
"\"AFRICAN AMERICAN EXPERIENCE\"": "\"AFRICAN-AMERICAN EXPERIENCE\"",
|
| 608 |
+
"\"DOROTHEA TANNING\"": "\"DORTHEA TANNING\"",
|
| 609 |
+
"\"BERLIN ACADEMY OF ART\"": "\"BERLIN ACADEMY OF ARTS\"",
|
| 610 |
+
"\"DU 'CUBISME'\"": "\"DU 'CUBISME\"",
|
| 611 |
+
"\"MOBIL PERSPECTIVE\"": "\"MOBILE PERSPECTIVE\"",
|
| 612 |
+
"\"ATOMIST REPRESENTATION\"": "\"ATOMISM REPRESENTATION\"",
|
| 613 |
+
"\"SENSATION\"": "\"SENSATIONS\"",
|
| 614 |
+
"\"DU CUBISME\"": "\"DU 'CUBISME\"",
|
| 615 |
+
"\"ARTE JOVEN\"": "\"ART JOVEN\"",
|
| 616 |
+
"\"AFRICAN ART INFLUENCES\"": "\"AFRICAN ART INFLUENCE\"",
|
| 617 |
+
"\"THE BURNING OF THE PACKET SHIP 'BOSTON'\"": "\"THE BURNING OF THE PACKET SHIP 'BOSTON'",
|
| 618 |
+
"\"TEXTILE DESIGNS\"": "\"TEXTILE DESIGN\"",
|
| 619 |
+
"\"JOHN RUSSELL, 6TH DUKE OF BEDFORD\"": "\"JOHN RUSSELL, 4TH DUKE OF BEDFORD\"",
|
| 620 |
+
"\"LOUIS XV OF FRANCE\"": "\"LOUIS XIV OF FRANCE\"",
|
| 621 |
+
"\"JAMES II OF ENGLAND\"": "\"JAMES I OF ENGLAND\"",
|
| 622 |
+
"\"REVOLUTION\"": "\"EVOLUTION\"",
|
| 623 |
+
"\"AMERIND FIGURE\"": "\"AMERIND FIGURES\"",
|
| 624 |
+
"\"EDWARD DEAS\"": "\"EDWARD DEGAS\"",
|
| 625 |
+
"\"FERUS GALLERY\"": "\"FERRUS GALLERY\"",
|
| 626 |
+
"\"GOYA'S 'HORROR OF WAR'": "\"GOYA'S 'HORROR OF WAR'\"",
|
| 627 |
+
"\"GOYA'S 'HORROR OF WAR\"": "\"GOYA'S 'HORROR OF WAR'",
|
| 628 |
+
"\"ANTON VAN LEEUWENHOEK\"": "\"ANTONIE VAN LEEUWENHOEK\"",
|
| 629 |
+
"\"DOCUMENTARY FILMS\"": "\"DOCUMENTARY FILM\"",
|
| 630 |
+
"\"PORTRAIT OF AN OLD WOMAN\"": "\"PORTRAIT OF AN OLD MAN\"",
|
| 631 |
+
"\"THE TRETIAKOV GALLERY\"": "\"THE TRETYAKOV GALLERY\"",
|
| 632 |
+
"\"INFLUENCES ON MODERN ART\"": "\"INFLUENCE ON MODERN ART\"",
|
| 633 |
+
"\"INFLUENCE ON MODERN ARTS\"": "\"INFLUENCES ON MODERN ART\"",
|
| 634 |
+
"\"VILLA MEDICIS\"": "\"VILLA MEDICI\"",
|
| 635 |
+
"\"PORTRAIT DRAWING\"": "\"PORTRAIT DRAWINGS\"",
|
| 636 |
+
"\"THE IDEAL VS. THE PARTICULAR\"": "\"THE IDEAL VS THE PARTICULAR\"",
|
| 637 |
+
"\"USE OF COLOR\"": "\"USE OF COLOUR\"",
|
| 638 |
+
"\"VIOLION D'INGRES\"": "\"VIOLON D'INGRES\"",
|
| 639 |
+
"\"CIVIC GUARDS\"": "\"CIVIC GUARD\"",
|
| 640 |
+
"\"AMERICAN LANDSCAPE\"": "\"AMERICAN LANDSCAPES\"",
|
| 641 |
+
"\"RUSSIAN ARMY\"": "\"PRUSSIAN ARMY\"",
|
| 642 |
+
"\"AUTOMATIC WRITINGS\"": "\"AUTOMATIC WRITING\"",
|
| 643 |
+
"\"OPTICAL ILLUSION\"": "\"OPTICAL ILLUSIONS\"",
|
| 644 |
+
"\"ARRANGEMENT IN GREY AND BLACK NO.1\"": "\"ARRANGEMENT IN GREY AND BLACK NO. 1\"",
|
| 645 |
+
"\"E.W. GODWIN\"": "\"E. W. GODWIN\"",
|
| 646 |
+
"\"MUS\u00c9E D'ART CONTEMPORAIN DE MONTR\u00c9AL\"": "\"MUS\u00c9E D\u2019ART CONTEMPORAIN DE MONTR\u00c9AL\"",
|
| 647 |
+
"\"HUMAN FIGURE\"": "\"HUMAN FIGURES\"",
|
| 648 |
+
"\"DIPTHERIA\"": "\"DIPHTHERIA\"",
|
| 649 |
+
"\"COMMANDER OF THE LEGION OF HONOUR\"": "\"COMMANDER OF THE LEGION OF HONOR\"",
|
| 650 |
+
"\"NYMPH AND SATYR\"": "\"NYMPHS AND SATYR\"",
|
| 651 |
+
"\"SYNESTHESIA\"": "\"SYNAESTHESIA\"",
|
| 652 |
+
"\"PRISONERS' ROUND\"": "\"PRISONERS' ROUND \"",
|
| 653 |
+
"\"INFLUENCE ON IMPRESSIONISM\"": "\"INFLUENCE OF IMPRESSIONISM\"",
|
| 654 |
+
"\"TECHNOLOGICAL ADVANCEMENT\"": "\"TECHNOLOGICAL ADVANCEMENTS\"",
|
| 655 |
+
"\"FREDERICK I\"": "\"FREDERICK VI\"",
|
| 656 |
+
"\"VIVID COLOUR\"": "\"VIVID COLOR\"",
|
| 657 |
+
"\"VIVID COLORS\"": "\"VIVID COLOR\"",
|
| 658 |
+
"\"ROYAL ACADEMY SUMMER EXHIBITIONS\"": "\"ROYAL ACADEMY SUMMER EXHIBITION\"",
|
| 659 |
+
"\"QUEEN ELIZABETH II\"": "\"QUEEN ELIZABETH I\"",
|
| 660 |
+
"\"KING JAMES I\"": "\"KINGS JAMES I\"",
|
| 661 |
+
"\"LEGAL REFORMS\"": "\"LEGAL REFORM\"",
|
| 662 |
+
"\"ROYAL PREROGATIVE\"": "\"ROYAL PREROGATIVES\"",
|
| 663 |
+
"\"KING JAMES II\"": "\"KING JAMES I\"",
|
| 664 |
+
"\"BOLSHEVIK REVOLUTIONS\"": "\"BOLSHEVIK REVOLUTION\"",
|
| 665 |
+
"\"ARTISTIC INSPIRATIONS\"": "\"ARTISTIC INSPIRATION\"",
|
| 666 |
+
"\"ST STEPHAN'S CHURCH\"": "\"ST. STEPHAN'S CHURCH\"",
|
| 667 |
+
"\"RUSSIA REVOLUTION\"": "\"RUSSIAN REVOLUTION\"",
|
| 668 |
+
"\"HARLEQUIN\"": "\"HARLEQUINS\"",
|
| 669 |
+
"\"YESTERDAY\"": "\"YESTERDAYS\"",
|
| 670 |
+
"\"FUNDACI\u00d3N JOAN MIR\u00d3\"": "\"FUNDACI\u00d3 JOAN MIR\u00d3\"",
|
| 671 |
+
"\"SMITHSONIAN'S ARCHIVES OF AMERICAN ART\"": "\"SMITHSONIAN ARCHIVES OF AMERICAN ART\"",
|
| 672 |
+
"\"JACOB ISAAKSZOON VAN RUISDAEL\"": "\"JACOB ISAACKSZOON VAN RUISDAEL\"",
|
| 673 |
+
"\"TESSELLATIONS\"": "\"TESSELLATION\"",
|
| 674 |
+
"\"BATTLE OF BUNKER HILL\"": "\"BATTLE OF BUNKER'S HILL\"",
|
| 675 |
+
"\"JONATHAN TRUMBULL JR.\"": "\"JONATHAN TRUMBULL, JR.\"",
|
| 676 |
+
"\"EXPOSITION UNIVERSELLE (1900)\"": "\"EXPOSITION UNIVERSELLE 1900\"",
|
| 677 |
+
"\"MARINUS ROBYN VAN DER GOES'": "\"MARINUS ROBYN VAN DER GOES\"",
|
| 678 |
+
"\"HONORARY DEGREES\"": "\"HONORARY DEGREE\"",
|
| 679 |
+
"\"THE UNKNOWNS\"": "\"THE UNKNOWN\"",
|
| 680 |
+
"\"THE CONFRATERNITY OF THE IMMACULATE CONCEPTION\"": "\"CONFRATERNITY OF THE IMMACULATE CONCEPTION\"",
|
| 681 |
+
"\"ARCHITECTURAL DESIGN\"": "\"ARCHITECTURAL DESIGNS\"",
|
| 682 |
+
"\"ALBRIGHT\u2013KNOX ART GALLERY\"": "\"ALBRIGHT-KNOX ART GALLERY\"",
|
| 683 |
+
"\"COLLECTED WORKS OF DANTE GABRIEL ROSSETTI\"": "\"THE COLLECTED WORKS OF DANTE GABRIEL ROSSETTI\"",
|
| 684 |
+
"\"BIRMINGHAM MUSEUM AND ART GALLERY\"": "\"BIRMINGHAM MUSEUMS AND ART GALLERY\"",
|
| 685 |
+
"\"VISUAL NARRATIVE\"": "\"VISUAL NARRATIVES\"",
|
| 686 |
+
"\"GOYA HIDDEN MICRO-SIGNATURES\"": "\"GOYA'S HIDDEN MICRO-SIGNATURES\"",
|
| 687 |
+
"\"GOYA'S LATE WORKS\"": "\"GOYA'S LATER WORKS\"",
|
| 688 |
+
"\"HISTORICAL EVALUATION OF ARTISTIC TECHNIQUES\"": "\"HISTORICAL EVOLUTION OF ARTISTIC TECHNIQUES\"",
|
| 689 |
+
"\"FRANCES BROWNE, MRS JOHN DOUGLAS\"": "\"FRANCES BROWNE, MRS. JOHN DOUGLAS\"",
|
| 690 |
+
"\"F\u00c9LICIT\u00c9 DE COSTA MEESEN\"": "\"F\u00c9LICIT\u00c9 DE COSTA MEESEN \"",
|
| 691 |
+
"\"PREPARATION IN THE COLISEUM\"": "\"PREPARATIONS IN THE COLISEUM\"",
|
| 692 |
+
"\"FERNANDO KHNOPFF\"": "\"FERNAND KHNOPFF\"",
|
| 693 |
+
"\"DAVID J. SMITH (AUTHOR)\"": "\"DAVID C. SMITH (AUTHOR)\"",
|
| 694 |
+
"\"DAVID M. SMITH (POLITICIAN)\"": "\"DAVID L. SMITH (POLITICIAN)\"",
|
| 695 |
+
"\"DAVID C. SMITH (POLITICIAN)\"": "\"DAVID M. SMITH (POLITICIAN)\"",
|
| 696 |
+
"\"DAVID M. SMITH (HISTORIAN)\"": "\"DAVID C. SMITH (HISTORIAN)\"",
|
| 697 |
+
"\"DAVID J. SMITH (PHYSICIST)\"": "\"DAVID R. SMITH (PHYSICIST)\"",
|
| 698 |
+
"\"ABSTRACT SCULPTURES\"": "\"ABSTRACT SCULPTURE\"",
|
| 699 |
+
"\"KESTNER-GESELLSCHAFT\"": "\"KESTNERGESELLSCHAFT\"",
|
| 700 |
+
"\"UNIVERSITY OF NORTH CAROLINA AT GREENSBORO\"": "\"UNIVERSITY OF NORTH CAROLINA GREENSBORO\"",
|
| 701 |
+
"\"JULIET MANET\"": "\"JULIE MANET\"",
|
| 702 |
+
"\"MIGRATION\"": "\"EMIGRATION\"",
|
| 703 |
+
"\"JEAN JACQUES ROUSSEAU\"": "\"JEAN-JACQUES ROUSSEAU\"",
|
| 704 |
+
"\"FREDERICK WILLIAM I\"": "\"FREDERICK WILLIAM II\"",
|
| 705 |
+
"\"ARTISTS RIFLES\"": "\"ARTISTS' RIFLES\"",
|
| 706 |
+
"\"COR-TEN STEEL\"": "\"CORTEN STEEL\"",
|
| 707 |
+
"\"CAMPBELL'S SOUP CAN\"": "\"CAMPLBELL'S SOUP CAN\"",
|
| 708 |
+
"\"FACTORY SUPERSTAR\"": "\"FACTORY SUPERSTARS\"",
|
| 709 |
+
"\"GRAMMY AWARD\"": "\"GRAMMY AWARDS\"",
|
| 710 |
+
"\"TOILETPAPER\"": "\"TOILET PAPER\"",
|
| 711 |
+
"\"IMPROVISATION\"": "\"IMPROVISATIONS\"",
|
| 712 |
+
"\"COMPOSITION X\"": "\"COMPOSITION IX\"",
|
| 713 |
+
"\"COMPOSITION I\"": "\"COMPOSITION IX\"",
|
| 714 |
+
"\"COMPOSITION II\"": "\"COMPOSITION I\"",
|
| 715 |
+
"\"COMPOSITION VI\"": "\"COMPOSITION I\"",
|
| 716 |
+
"\"COMPOSITIONS I\"": "\"COMPOSITION I\"",
|
| 717 |
+
"\"SELF-TAUGHT ARTIST\"": "\"SELF-TAUGHT ARTISTS\"",
|
| 718 |
+
"\"PANAMA-PACIFIC INTERNATIONAL EXPOSITION\"": "\"PANAMA\u2013PACIFIC INTERNATIONAL EXPOSITION\"",
|
| 719 |
+
"\"SCULPTURAL COMMEMORATION\"": "\"CULTURAL COMMEMORATION\"",
|
| 720 |
+
"\"THE LAST THING I SAID TO YOU IS DON'T LEAVE ME HERE I\"": "\"THE LAST THING I SAID TO YOU IS DON'T LEAVE ME HERE\"",
|
| 721 |
+
"\"THE LAST THING I SAID TO YOU IS DON'T LEAVE ME HERE II\"": "\"THE LAST THING I SAID TO YOU IS DON'T LEAVE ME HERE I\"",
|
| 722 |
+
"\"NEON WORKS\"": "\"NEON WORK\"",
|
| 723 |
+
"\"BRONZE SCULPTURES\"": "\"BRONZE SCULPTURE\"",
|
| 724 |
+
"\"THEATRICAL ART\"": "\"THEATRICAL ARTS\"",
|
| 725 |
+
"\"JOHN BOYLE, 15TH EARL OF CORK\"": "\"JOHN BOYLE, 14TH EARL OF CORK\"",
|
| 726 |
+
"\"CONCEALING COLOURATION IN THE ANIMAL KINGDOM\"": "\"CONCEALING-COLORATION IN THE ANIMAL KINGDOM\"",
|
| 727 |
+
"\"MUSEUM NACIONAL CENTRO DE ARTE REINA SOF\u00cdA\"": "\"MUSEO NACIONAL CENTRO DE ARTE REINA SOF\u00cdA\"",
|
| 728 |
+
"\"ARCHITECTURAL ILLUSIONS\"": "\"ARCHITECTURAL ILLUSION\"",
|
| 729 |
+
"\"THE HARVESTER\"": "\"THE HARVESTERS\"",
|
| 730 |
+
"\"LITERATURE INFLUENCE\"": "\"LITERATURE INFLUENCES\"",
|
| 731 |
+
"\"MEMORIAL EXHIBITION\"": "\"MEMORIAL EXHIBITIONS\"",
|
| 732 |
+
"\"EXPOSITION DE LA SECTION D'OR\"": "\"EXPOSITION DE LA SECTION D\u2019OR\"",
|
| 733 |
+
"\"READYMADES\"": "\"READYMADE\"",
|
| 734 |
+
"\"READY-MADE\"": "\"READY-MADES\"",
|
| 735 |
+
"\"SAINT TERESA OF \u00c1VILA\"": "\"SAINT TERESA OF AVILA\"",
|
| 736 |
+
"\"TREATY OF PARIS 1898\"": "\"TREATY OF PARIS (1898)\"",
|
| 737 |
+
"\"ARTISAN CRAFT\"": "\"ARTISAN CRAFTS\"",
|
| 738 |
+
"\"ANTI-NATURALISM\"": "\"ANTINATURALISM\"",
|
| 739 |
+
"\"DEATH IN THE SICKROOM\"": "\"DEATH IN THE SICK-ROOM\"",
|
| 740 |
+
"\"WOMEN\u2019S SUFFRAGE MOVEMENT\"": "\"WOMEN'S SUFFRAGE MOVEMENT\"",
|
| 741 |
+
"\"HISTORIANS\"": "\"HISTORIAN\"",
|
| 742 |
+
"\"PORTRAIT BUST\"": "\"PORTRAIT BUSTS\"",
|
| 743 |
+
"\"SCULPTURAL TECHNIQUES\"": "\"SCULPTURAL TECHNIQUE\"",
|
| 744 |
+
"\"CUBOFUTURISM\"": "\"CUBO-FUTURISM\"",
|
| 745 |
+
"\"THE PENITENT MAGDALEN\"": "\"THE PENITENT MAGDALENE\"",
|
| 746 |
+
"\"FERDINAND II\"": "\"FERDINAND VII\"",
|
| 747 |
+
"\"BEAUX ARTS ARCHITECTURE\"": "\"BEAUX-ARTS ARCHITECTURE\"",
|
| 748 |
+
"\"NATIONAL MUSEUM, STOCKHOLM\"": "\"NATIONALMUSEUM, STOCKHOLM\"",
|
| 749 |
+
"\"L. A. RING\"": "\"L.A. RING\"",
|
| 750 |
+
"\"NADEZHDA ZABELA VRUBEL\"": "\"NADEZHDA ZABELA-VRUBEL\"",
|
| 751 |
+
"\"VASNETSOV'S 'BOGATYRS'\"": "\"VASNETSOV'S 'BOGATYRS'",
|
| 752 |
+
"\"STONE CARVING\"": "\"STONE CARVINGS\"",
|
| 753 |
+
"\"THE LITTLE MATCHGIRL\"": "\"THE LITTLE MATCH GIRL\"",
|
| 754 |
+
"\"ROMANTIC RELATIONSHIP\"": "\"ROMANTIC RELATIONSHIPS\"",
|
| 755 |
+
"\"CULTURAL CRITICS\"": "\"CULTURAL CRITIC\"",
|
| 756 |
+
"\"DOMINICAN FRIARS\"": "\"DOMINICAN FRIAR\"",
|
| 757 |
+
"\"FOREST LANDSCAPE\"": "\"FOREST LANDSCAPES\"",
|
| 758 |
+
"\"14TH CENTURY SCULPTURE\"": "\"19TH CENTURY SCULPTURE\"",
|
| 759 |
+
"\"FALMOUTH COLLEGE OF ARTS\"": "\"FALMOUTH COLLEGE OF ART\"",
|
| 760 |
+
"\"JOSEPH WRIGHT (ARCHITECT)\u201d": "\"JOSEPH WRIGHT (ARCHITECT)\"",
|
| 761 |
+
"\"COLLABORATIVE PROJECTS\"": "\"COLLABORATIVE PROJECT\"",
|
| 762 |
+
"\"CULTURAL CELEBRATION\"": "\"CULTURAL CELEBRATIONS\"",
|
| 763 |
+
"\"RAMAN GUPTA\"": "\"AMAN GUPTA\"",
|
| 764 |
+
"\"MAHENDRA NATH GUPTA\"": "\"MAHENDRANATH GUPTA\"",
|
| 765 |
+
"\"CIVIL RIGHTS MOVEMENTS\"": "\"CIVIL RIGHTS MOVEMENT\"",
|
| 766 |
+
"\"THE ASTRONOMER COPERNICUS, OR CONVERSATIONS WITH GOD\"": "\"ASTRONOMER COPERNICUS, OR CONVERSATIONS WITH GOD\"",
|
| 767 |
+
"\"LOUIS XV STYLE\"": "\"LOUIS XVI STYLE\"",
|
| 768 |
+
"\"WORLD WAR II MEMORIAL\"": "\"WORLD WAR I MEMORIALS\"",
|
| 769 |
+
"\"JON CONWAY\"": "\"JOHN CONWAY\"",
|
| 770 |
+
"\"JOHN P. CONWAY (HISTORIAN)\"": "\"JOHN S. CONWAY (HISTORIAN)\"",
|
| 771 |
+
"\"ART MOVEMENT INFLUENCES\"": "\"ART MOVEMENTS' INFLUENCES\"",
|
| 772 |
+
"\"CALIFORNIA SCHOOL OF FINE ARTS\"": "\"CALIFORNIA SCHOOL OF FINE ART\"",
|
| 773 |
+
"\"SPIRITUAL EXPERIENCES\"": "\"SPIRITUAL EXPERIENCE\"",
|
| 774 |
+
"\"SMITHSONIAN INSTITUTION\u2019S ARCHIVES OF AMERICAN ART\"": "\"SMITHSONIAN INSTITUTION ARCHIVES OF AMERICAN ART\"",
|
| 775 |
+
"\"AFRICAN-AMERICAN CULTURE\"": "\"AFRICAN AMERICAN CULTURE\"",
|
| 776 |
+
"\"VIETNAM WAR PROTEST\"": "\"VIETNAM WAR PROTESTS\"",
|
| 777 |
+
"\"JOHN ROSS\"": "\"JOHN ROSIS\"",
|
| 778 |
+
"\"LIVE PERFORMANCES\"": "\"LIVE PERFORMANCE\"",
|
| 779 |
+
"\"PENNYLANE\"": "\"PENNY LANE\"",
|
| 780 |
+
"\"COLONIAL GOVERNMENTS\"": "\"COLONIAL GOVERNMENT\"",
|
| 781 |
+
"\"WHO AM WE?\"": "\"WHO AM WE? \"",
|
| 782 |
+
"\"OHHH...ALRIGHT... \"": "\"OHHH...ALRIGHT...\"",
|
| 783 |
+
"\"LIECHTENSTEIN\"": "\"LICHTENSTEIN\"",
|
| 784 |
+
"\"DOCUMENTA III\"": "\"DOCUMENTA II\"",
|
| 785 |
+
"\"CATALOGUES RAISONNE\"": "\"CATALOGUE RAISONNE\"",
|
| 786 |
+
"\"NUDE DESCENDING A STAIRCASE NO. 2\"": "\"NUDE DESCENDING A STAIRCASE, NO. 2\"",
|
| 787 |
+
"\"READY-MADES\"": "\"READYMADES\"",
|
| 788 |
+
"\"HENDRIK SORGH\"": "\"HENDRICK SORGH\"",
|
| 789 |
+
"\"PARADISE LANDSCAPE\"": "\"PARADISE LANDSCAPES\"",
|
| 790 |
+
"\"FLOWER STILL LIFE\"": "\"FLOWER STILL LIFES\"",
|
| 791 |
+
"\"DEVOTIONAL GARLAND PAINTING\"": "\"DEVOTIONAL GARLAND PAINTINGS\"",
|
| 792 |
+
"\"NATIONAL ACADEMY OF DESIGN - ACADAMICIAN\"": "\"NATIONAL ACADEMY OF DESIGN - ACADEMICIAN\"",
|
| 793 |
+
"\"LOUS COMFORT TIFFANY\"": "\"LOUIS COMFORT TIFFANY\"",
|
| 794 |
+
"\"MARBLE BUST\"": "\"MARBLE BUSTS\"",
|
| 795 |
+
"\"RENAISSANCE FRESCOES\"": "\"RENAISSANCE FRESCOS\"",
|
| 796 |
+
"\"MIXED-MEDIA SCULPTURE\"": "\"MIXED MEDIA SCULPTURE\"",
|
| 797 |
+
"\"CHANGE: FAITH RINGGOLD'S OVER 100 POUND WEIGHT LOSS PERFORMANCE STORY QUILT\"": "\"CHANGE: FAITH RINGGOLD'S OVER 100 POUNDS WEIGHT LOSS PERFORMANCE STORY QUILT\"",
|
| 798 |
+
"\"SOFT CONSTRUCTION WITH BOILED BEANS: A PREMONITION OF CIVIL WAR\"": "\"SOFT CONSTRUCTION WITH BOILED BEANS (PREMONITION OF CIVIL WAR)\"",
|
| 799 |
+
"\"DAL\u00cd'S RETURN TO CLASSICISM\"": "\"DALI'S RETURN TO CLASSICISM\"",
|
| 800 |
+
"\"ACADEMY AWARDS\"": "\"ACADEMY AWARD\"",
|
| 801 |
+
"\"STENCILLING\"": "\"STENCILING\"",
|
| 802 |
+
"\"CHILD LABOUR\"": "\"CHILD LABOR\"",
|
| 803 |
+
"\"MIGRATIONS\"": "\"MIGRATION\"",
|
| 804 |
+
"\"THE EMPIRE OF LIGHT\"": "\"THE EMPIRE OF LIGHTS\"",
|
| 805 |
+
"\"ARTIST COLLECTIVES\"": "\"ARTIST COLLECTIVE\"",
|
| 806 |
+
"\"GROUNDSWELL\"": "\"GROUND SWELL\"",
|
| 807 |
+
"\"HOPPER'S WORK\"": "\"HOPPER'S WORKS\"",
|
| 808 |
+
"\"UPSTART II\"": "\"UPSTART I\"",
|
| 809 |
+
"\"ANONYMOUSE\"": "\"ANONYMOUS\"",
|
| 810 |
+
"|\"ANONYMOUS\"": "\"ANONYMOUS\"",
|
| 811 |
+
"\"ALAN CUNNINGHAM\"": "\"ALLAN CUNNINGHAM\"",
|
| 812 |
+
"\"\u00a3105,000 IN 3% CONSOLS\"": "\"105,000 IN 3% CONSOLS\"",
|
| 813 |
+
"\"VIETNAM VETERAN'S MEMORIAL\"": "\"VIETNAM VETERANS MEMORIAL\"",
|
| 814 |
+
"\"VALENTIN G\u00d3MEZ FAR\u00cdAS\"": "\"VALENT\u00cdN G\u00d3MEZ FAR\u00cdAS\"",
|
| 815 |
+
"\"ANTI-CLERICALISM\"": "\"ANTICLERICALISM\"",
|
| 816 |
+
"\"POST-COLONIALISM\"": "\"POSTCOLONIALISM\"",
|
| 817 |
+
"\"FESTAC '77\"": "\"FESTAC 77\"",
|
| 818 |
+
"\"ONE TON ONE KILO\"": "\"ONE TON, ONE KILO\"",
|
| 819 |
+
"\"POLITICAL REFORMS\"": "\"POLITICAL REFORM\"",
|
| 820 |
+
"\"CAESARS CYCLE\"": "\"CAESAR CYCLE\"",
|
| 821 |
+
"\"EMOTIONAL CHARGED SYMBOLS\"": "\"EMOTIONALLY CHARGED SYMBOLS\"",
|
| 822 |
+
"\"CONFEDERATE MONUMENTS\"": "\"CONFEDERATE MONUMENT\"",
|
| 823 |
+
"\"HONORARY DOCTOR OF FINE ARTS DEGREES\"": "\"HONORARY DOCTOR OF FINE ARTS DEGREE\"",
|
| 824 |
+
"\"LES TEMPS NOUVEAUX\"": "\"LE TEMPS NOUVEAUX\"",
|
| 825 |
+
"\"AFRICAN AMERICAN SOLDIERS\"": "\"AFRICAN-AMERICAN SOLDIERS\"",
|
| 826 |
+
"\"'THE SHANTY'\"": "\"'THE SHANTY'",
|
| 827 |
+
"\"OISEAU DE PROIE III\"": "\"OISEAU DE PROIE II\"",
|
| 828 |
+
"\"T.S. ELIOT\"": "\"T. S. ELIOT\"",
|
| 829 |
+
"\"HAPPENING\"": "\"HAPPENINGS\"",
|
| 830 |
+
"\"MULTIPLE PERSPECTIVE\"": "\"MULTIPLE PERSPECTIVES\"",
|
| 831 |
+
"\"CAFE NEON (NIGHT)\"": "\"CAFE NEON (NIGHT)",
|
| 832 |
+
"\"M.H. DE YOUNG MEMORIAL MUSEUM\"": "\"M. H. DE YOUNG MEMORIAL MUSEUM\"",
|
| 833 |
+
"\"AMERICAN NEOCLASSICISM\"": "\"AMERICAN NEO-CLASSICISM\"",
|
| 834 |
+
"\"WOMEN\u2019S RIGHTS MOVEMENT\"": "\"WOMEN'S RIGHTS MOVEMENT\"",
|
| 835 |
+
"\"ARTISTIC CREATIONS\"": "\"ARTISTIC CREATION\"",
|
| 836 |
+
"\"ECONOMIC DOWNTURNS\"": "\"ECONOMIC DOWNTURN\"",
|
| 837 |
+
"\"MONOCHROMATIC SCULPTURES\"": "\"MONOCHROMATIC SCULPTURE\"",
|
| 838 |
+
"\"SONETS OF MISFORTUNE\"": "\"SONNETS OF MISFORTUNE\"",
|
| 839 |
+
"\"SMALLPOX EPIDEMICS\"": "\"SMALLPOX EPIDEMIC\"",
|
| 840 |
+
"\"T. E. HULME\"": "\"T.E. HULME\"",
|
| 841 |
+
"\"TOUSSAINT L'OUVERTURE\"": "\"TOUSSAINT L\u2019OUVERTURE\"",
|
| 842 |
+
"\"TOUSSAINT LOUVERTURE\"": "\"TOUSSAINT L'OUVERTURE\"",
|
| 843 |
+
"\"CARNEGIE HALL CONCERT\"": "\"CARNEGIE HALL CONCERTS\"",
|
| 844 |
+
"\"JAZZ STANDARDS\"": "\"JAZZ STANDARD\"",
|
| 845 |
+
"\"TELEGRAPH\"": "\"TELEGRAPHY\"",
|
| 846 |
+
"\"LA FAYETTE\"": "\"LAFAYETTE\"",
|
| 847 |
+
"\"AESTHETIC INNOVATIONS\"": "\"AESTHETIC INNOVATION\"",
|
| 848 |
+
"\"PSEUDONYMS\"": "\"PSEUDONYM\"",
|
| 849 |
+
"\"ASIA ART BIENNALE\"": "\"ASIAN ART BIENNALE\"",
|
| 850 |
+
"\"COLLECTIVE MOVEMENTS\"": "\"COLLECTIVE MOVEMENT\"",
|
| 851 |
+
"\"MARTIN LUTHER KING JR.\"": "\"MARTIN LUTHER KING JR.",
|
| 852 |
+
"\"CONSTITUTIONAL REFORMS\"": "\"CONSTITUTIONAL REFORM\"",
|
| 853 |
+
"\"ANTI-SLAVERY MOVEMENT\"": "\"ANTISLAVERY MOVEMENT\"",
|
| 854 |
+
"\"CHILD-ANGELS\"": "\"CHILD-ANGELS \"",
|
| 855 |
+
"\"HENDRIK GOLTZIUS\"": "\"HENDRICK GOLTZIUS\"",
|
| 856 |
+
"\"MIKE SMITH (1920S OUTFIELDER)\"": "\"MIKE SMITH (1890S OUTFIELDER)\"",
|
| 857 |
+
"\"EDUCATION INITIATIVES\"": "\"EDUCATIONAL INITIATIVES\"",
|
| 858 |
+
"\"ST. PETERSBURG STATE UNIVERSITY OF INDUSTRIAL TECHNOLOGIES AND DESIGN\"": "\"SAINT PETERSBURG STATE UNIVERSITY OF INDUSTRIAL TECHNOLOGIES AND DESIGN\"",
|
| 859 |
+
"\"BIENNALE INTERNATIONAL DE GRAVURA 'L\u00cdVIO ABRAMO\"": "\"BIENNALE INTERNATIONAL DE GRAVURA 'L\u00cdVIO ABRAMO'",
|
| 860 |
+
"\"SPANISH AMERICAN WARS OF INDEPENDENCE\"": "\"SPANISH AMERICAN WARS FOR INDEPENDENCE\"",
|
| 861 |
+
"\"PHILOSOPHICAL INFLUENCES\"": "\"PHILOSOPHICAL INFLUENCE\"",
|
| 862 |
+
"\"F.T. MARINETTI\"": "\"F. T. MARINETTI\"",
|
| 863 |
+
"\"EXPRESSIONIST THEATRE\"": "\"EXPRESSIONIST THEATER\"",
|
| 864 |
+
"\"D.H. LAWRENCE\"": "\"D. H. LAWRENCE\"",
|
| 865 |
+
"\"DMITRI SHOSTAKOVICH\"": "\"DIMITRI SHOSTAKOVICH\"",
|
| 866 |
+
"\"TIANANMEN SQUARE PROTEST\"": "\"TIANANMEN SQUARE PROTESTS\"",
|
| 867 |
+
"\"HUNGER STRIKES\"": "\"HUNGER STRIKE\"",
|
| 868 |
+
"\"ECONOMIC LIBERALIZATION\"": "\"ECONOMIC LIBERALISATION\"",
|
| 869 |
+
"\"BEIJING STUDENTS AUTONOMOUS FEDERATION\"": "\"BEIJING STUDENTS' AUTONOMOUS FEDERATION\"",
|
| 870 |
+
"\"DEMOCRATIC REFORMS\"": "\"DEMOCRATIC REFORM\"",
|
| 871 |
+
"\"WU'ER KAIXI\"": "\"WU'ERKAIXI\"",
|
| 872 |
+
"\"MILITARY ACTIONS\"": "\"MILITARY ACTION\"",
|
| 873 |
+
"\"TIANANMEN, I CRY FOR YOU\"": "\"'TIANANMEN, I CRY FOR YOU'\"",
|
| 874 |
+
"\"EMERGENCY ANNOUNCEMENTS\"": "\"EMERGENCY ANNOUNCEMENT\"",
|
| 875 |
+
"\"POLITICAL PURGES\"": "\"POLITICAL PURGE\"",
|
| 876 |
+
"\"ECONOMIC REFORM\"": "\"ECONOMIC REFORMS\"",
|
| 877 |
+
"\"WORLD TRADE ORGANISATION\"": "\"WORLD TRADE ORGANIZATION\"",
|
| 878 |
+
"\"PROXY WAR\"": "\"PROXY WARS\"",
|
| 879 |
+
"\" CHIANG KAI-SHEK\"": "\"CHIANG KAI-SHEK\"",
|
| 880 |
+
"\"INDEPENDENCE MOVEMENT\"": "\"INDEPENDENCE MOVEMENTS\"",
|
| 881 |
+
"\"LOUIS XV FURNITURE\"": "\"LOUIS XVI FURNITURE\"",
|
| 882 |
+
"\"VERNACULAR ARCHITECTURE\"": "\"VENACULAR ARCHITECTURE\"",
|
| 883 |
+
"\"POLITICAL DIVISION\"": "\"POLITICAL DIVISIONS\"",
|
| 884 |
+
"\"EMPEROR LEOPOLD I\"": "\"EMPEROR LEOPOLD II\"",
|
| 885 |
+
"\"CHAMPS DE MARS\"": "\"CHAMP DE MARS\"",
|
| 886 |
+
"\"POLITICAL FACTIONS\"": "\"POLITICAL FACTION\"",
|
| 887 |
+
"\"NATURAL RIGHT\"": "\"NATURAL RIGHTS\"",
|
| 888 |
+
"\"ENLIGHTENMENT IDEALS\"": "\"ENLIGHTENMENT IDEAS\"",
|
| 889 |
+
"\"REVOLUTIONARY WAR\"": "\"REVOLUTIONARY WARS\"",
|
| 890 |
+
"\"POLITICAL CONFLICTS\"": "\"POLITICAL CONFLICT\"",
|
| 891 |
+
"\"RESISTANCE MOVEMENT\"": "\"RESISTANCE MOVEMENTS\"",
|
| 892 |
+
"\"INTERNATIONAL RELATIONS\"": "\"INTERNATIONAL REACTIONS\"",
|
| 893 |
+
"\"NAZIPERPETRATORS\"": "\"NAZI PERPETRATORS\"",
|
| 894 |
+
"\"NICHOLAS II\"": "\"NICHOLAS I\"",
|
| 895 |
+
"\"INDOCHINA\"": "\"INDO-CHINA\"",
|
| 896 |
+
"\"AGRARIAN REFORM\"": "\"AGRARIAN REFORMS\"",
|
| 897 |
+
"\"REEDUCATION CAMPS\"": "\"RE-EDUCATION CAMPS\"",
|
| 898 |
+
"\"EXPOSITION UNIVERSELLE 1889\"": "\"EXPOSITION UNIVERSELLE (1889)\"",
|
| 899 |
+
"\"WAR RELOCATION AUTHORITY (WRA)": "\"WAR RELOCATION AUTHORITY (WRA)\"",
|
| 900 |
+
"\"FORCED RELOCATION\"": "\"FORCED RELOCATIONS\"",
|
| 901 |
+
"\"PHILIPINES\"": "\"PHILIPPINES\"",
|
| 902 |
+
"\"SAN JUAN HILLS\"": "\"SAN JUAN HILL\"",
|
| 903 |
+
"\"ARMED CONFLICTS\"": "\"ARMED CONFLICT\"",
|
| 904 |
+
"\"EMOTIONAL APPEAL\"": "\"EMOTIONAL APPEALS\"",
|
| 905 |
+
"\"REPUBLICANS\"": "\"REPUBLICANOS\"",
|
| 906 |
+
"\"ENVIRONMENTAL JUSTICE\"": "\"ENVIRONMENTAL INJUSTICE\"",
|
| 907 |
+
"\"ACTIVIST NETWORKS\"": "\"ACTIVIST NETWORK\"",
|
| 908 |
+
"\"SOCIAL MOVEMENTS\"": "\"SOCIAL MOVEMENT\"",
|
| 909 |
+
"\"NEOREALISM (INTERNATIONAL RELATIONS)\"": "\"REALISM (INTERNATIONAL RELATIONS)\"",
|
| 910 |
+
"\"VERNACULAR LANGUAGE\"": "\"VERNACULAR LANGUAGES\"",
|
| 911 |
+
"\"TECHNOLOGICAL DEVELOPMENTS\"": "\"TECHNOLOGICAL DEVELOPMENT\"",
|
| 912 |
+
"\"EDUCATION REFORMS\"": "\"EDUCATION REFORM\"",
|
| 913 |
+
"\"LIFE EXPECTANCY OF MEN\"": "\"LIFE EXPECTANCY OF WOMEN\"",
|
| 914 |
+
"\"CONSTITUTIONAL AMENDMENT\"": "\"CONSTITUTIONAL AMENDMENTS\"",
|
| 915 |
+
"\"GAINES, KEVIN\"": "\"GAINES, KEVIN.\"",
|
| 916 |
+
"\"GILMORE, GLENDA ELIZABETH\"": "\"GILMORE, GLENDA ELIZABETH.\"",
|
| 917 |
+
"\"GRIFFIN, JOHN HOWARD\"": "\"GRIFFIN, JOHN HOWARD.\"",
|
| 918 |
+
"\"HAWS, ROBERT\"": "\"HAWS, ROBERT.\"",
|
| 919 |
+
"\"DAILEY, JANE\"": "\"DAILEY, JANE.\"",
|
| 920 |
+
"\"FREEDOM RIDES\"": "\"FREEDOM RIDE\"",
|
| 921 |
+
"\"NEGRO LEAGUE BASEBALL\"": "\"NEGRO LEAGUES BASEBALL\"",
|
| 922 |
+
"\"CHRISTIAN III\"": "\"CHRISTIAN II\"",
|
| 923 |
+
"\"FREDERICK II\"": "\"FREDERICK I\"",
|
| 924 |
+
"\"COMMUNITY RALLIES\"": "\"COMMUNITY ALLIES\"",
|
| 925 |
+
"\"LEGISLATIVE CHANGES\"": "\"LEGISLATIVE CHANGE\"",
|
| 926 |
+
"\"SPANISH GENERALS JOAQUIN BLAKE AND FRANCISCO CASTA\u00d1OS\"": "\"SPANISH GENERALS JOAQU\u00cdN BLAKE AND FRANCISCO CASTA\u00d1OS\"",
|
| 927 |
+
"\"TRANSYLVANIAN LANDLERS\"": "\"TRANSYLVANIA LANDLERS\"",
|
| 928 |
+
"\"RELIGIOUS ORDER\"": "\"RELIGIOUS ORDERS\"",
|
| 929 |
+
"\"FLOOD MYTHS\"": "\"FLOOD MYTH\"",
|
| 930 |
+
"\"BATTLE OF LEXINGTON AND CONCORD\"": "\"BATTLES OF LEXINGTON AND CONCORD\"",
|
| 931 |
+
"\"PROPERTY QUALIFICATION\"": "\"PROPERTY QUALIFICATIONS\"",
|
| 932 |
+
"\"DEBORAH SAMPSON\"": "\"DEBORAH SAMSON\"",
|
| 933 |
+
"\"FAISAL\u2013WEIZMANN AGREEMENT\"": "\"FAISAL-WEIZMANN AGREEMENT\"",
|
| 934 |
+
"\"ADMIRAL MARIOT ARBUTHNOT\"": "\"ADMIRAL MARRIOT ARBUTHNOT\"",
|
| 935 |
+
"\"BLAST FURNACES\"": "\"BLAST FURNACE\"",
|
| 936 |
+
"\"TECHNOLOGICAL CHANGES\"": "\"TECHNOLOGICAL CHANGE\"",
|
| 937 |
+
"\"RICHARD TALBOT, 1ST EARL OF TYRCONNELL\"": "\"RICHARD TALBOT, 1ST EARL OF TYRCONNEL\"",
|
| 938 |
+
"\"POLITICAL TENSIONS\"": "\"POLITICAL TENSION\"",
|
| 939 |
+
"\"CONDO LEGION\"": "\"CONDOR LEGION\"",
|
| 940 |
+
"\"MILITARY DEFEAT\"": "\"MILITARY DEFEATS\"",
|
| 941 |
+
"\"EMELINE PANKHURST\"": "\"EMMELINE PANKHURST\"",
|
| 942 |
+
"\"ELECTORAL REFORMS\"": "\"ELECTORAL REFORM\"",
|
| 943 |
+
"\"PHILIOSOPHES\"": "\"PHILOSOPHES\"",
|
| 944 |
+
"\"COFFEEHOUSES\"": "\"COFFEE HOUSES\"",
|
| 945 |
+
"\"POSTWAR RECONSTRUCTION\"": "\"POST-WAR RECONSTRUCTION\"",
|
| 946 |
+
"\"CASUALTIES IN WORLD WAR II\"": "\"CASUALTIES IN WORLD WAR I\"",
|
| 947 |
+
"\"MEUSE-ARGONNE OFFENSIVE\"": "\"MEUSE\u2013ARGONNE OFFENSIVE\"",
|
| 948 |
+
"\"ARAB UPRISINGS\"": "\"ARAB UPRISING\"",
|
| 949 |
+
"\"CONSTITUTIONAL DEMOCRATIC RALLY (RCD)\"": "\"CONSTITUTIONAL DEMOCRATIC RALLY (RCD)",
|
| 950 |
+
"\"MILITARY REGIME\"": "\"MILITARY REGIMES\"",
|
| 951 |
+
"\"SOCIALIST REVOLUTIONARIES\"": "\"SOCIALIST-REVOLUTIONARIES\"",
|
| 952 |
+
"\"RED GUARD\"": "\"RED GUARDS\"",
|
| 953 |
+
"\"SOCIALIST-REVOLUTIONARY PARTY\"": "\"SOCIALIST REVOLUTIONARY PARTY\"",
|
| 954 |
+
"\"R.B. KITAJ\"": "\"R. B. KITAJ\"",
|
| 955 |
+
"\"PHILIPPINE\u2013AMERICAN WAR\"": "\"PHILIPPINE-AMERICAN WAR\"",
|
| 956 |
+
"\"SANSSOUCI PALACE\"": "\"SANS SOUCI PALACE\"",
|
| 957 |
+
"\"SMOOT-HAWLEY TARIFF ACT\"": "\"SMOOT\u2013HAWLEY TARIFF ACT\"",
|
| 958 |
+
"\"A MONETARY HISTORY OF THE UNITED STATES\"": "\"MONETARY HISTORY OF THE UNITED STATES\"",
|
| 959 |
+
"\"WOMEN\u2019S SOCIAL AND POLITICAL UNION (WSPU)\"": "\"WOMEN'S SOCIAL AND POLITICAL UNION (WSPU)\"",
|
| 960 |
+
"\"AFRICAN-AMERICAN WOMEN\"": "\"AFRICAN AMERICAN WOMEN\"",
|
| 961 |
+
"\"WOMEN'S ENFRANCHISEMENT ACT\"": "\"WOMEN\u2019S ENFRANCHISEMENT ACT\"",
|
| 962 |
+
"\"WOMEN'S PARTY OF IRAN\"": "\"WOMEN\u2019S PARTY OF IRAN\"",
|
| 963 |
+
"\"WOMEN\u2019S SUFFRAGE MOVEMENTS\"": "\"WOMEN\u2019S SUFFRAGE MOVEMENT\"",
|
| 964 |
+
"\"VOTING RIGHTS IN IRELAND\"": "\"VOTING RIGHTS IN ICELAND\"",
|
| 965 |
+
"\"WOMEN'S SUFFRAGE MOVEMENT IN LUXEMBOURG\"": "\"WOMEN\u2019S SUFFRAGE MOVEMENT IN LUXEMBOURG\"",
|
| 966 |
+
"\"WOMEN\u2019S SUFFRAGE IN COSTA RICA\"": "\"WOMEN'S SUFFRAGE IN COSTA RICA\"",
|
| 967 |
+
"\"WOMEN'S SUFFRAGE IN THE DOMINICAN REPUBLIC\"": "\"WOMEN\u2019S SUFFRAGE IN THE DOMINICAN REPUBLIC\"",
|
| 968 |
+
"\"THRID BATTLE OF CHATTANOOGA\"": "\"THIRD BATTLE OF CHATTANOOGA\"",
|
| 969 |
+
"\"MORTALITY RATE\"": "\"MORTALITY RATES\"",
|
| 970 |
+
"\"ASYLUM SEEKER\"": "\"ASYLUM SEEKERS\"",
|
| 971 |
+
"\"IDF (ISRAEL DEFENSE FORCES)\"": "\"IDF (ISRAELI DEFENSE FORCES)\"",
|
| 972 |
+
"\"IDF (ISRAEL DEFENSE FORCES)": "\"IDF (ISRAEL DEFENSE FORCES)\"",
|
| 973 |
+
"\"F-4 PHANTOM\"": "\"F-4E PHANTOM\"",
|
| 974 |
+
"\"TANK ASSAULTS\"": "\"TANK ASSAULT\"",
|
| 975 |
+
"\"ISRAEL FORCES\"": "\"ISRAELI FORCES\"",
|
| 976 |
+
"\"AIRSTRIKES\"": "\"AIRSTRIKE\"",
|
| 977 |
+
"\"ISRAELI DEFENSE FORCE (IDF)\"": "\"ISRAELI DEFENSE FORCES (IDF)\"",
|
| 978 |
+
"\"7TH ARMOURED BRIGADE\"": "\"7TH ARMORED BRIGADE\"",
|
| 979 |
+
"\"SYRIAN 9TH INFANTRY DIVISION\"": "\"SYRIAN 7TH INFANTRY DIVISION\"",
|
| 980 |
+
"\"SYRIAN 5TH INFANTRY DIVISION\"": "\"SYRIAN 9TH INFANTRY DIVISION\"",
|
| 981 |
+
"\"COUNTERATTACKS\"": "\"COUNTERATTACK\"",
|
| 982 |
+
"\"DINA GILO-WHITAKER\"": "\"DINA GILIO-WHITAKER\"",
|
| 983 |
+
"\"MILITARY ENGAGEMENT\"": "\"MILITARY ENGAGEMENTS\"",
|
| 984 |
+
"\"ELIAS BUDINOT\"": "\"ELIAS BOUDINOT\"",
|
| 985 |
+
"\"EVENT SCORES\"": "\"EVENT SCORE\"",
|
| 986 |
+
"\"JUSTE-AURELE MEISSONIER\"": "\"JUSTE-AUR\u00c9LE MEISSONIER\"",
|
| 987 |
+
"\"SUGAR SCULPTURES\"": "\"SUGAR SCULPTURE\"",
|
| 988 |
+
"\"S\u00c8VRES PORCELAIN MANUFACTORY\"": "\"SEVRES PORCELAIN MANUFACTORY\"",
|
| 989 |
+
"\"CIVIL RIGHTS ACTIVIST\"": "\"CIVIL RIGHTS ACTIVISTS\"",
|
| 990 |
+
"\"GREENSBORO SIT-IN\"": "\"GREENSBORO SIT-INS\"",
|
| 991 |
+
"\"CIVIL RIGHTS ACTIVISM\"": "\"CIVIL RIGHTS ACTIVIST\"",
|
| 992 |
+
"\"CIVIL RIGHTS ACTIVITY\"": "\"CIVIL RIGHTS ACTIVIST\"",
|
| 993 |
+
"\"WHITE CITIZENS' COUNCIL\"": "\"WHITE CITIZENS COUNCIL\"",
|
| 994 |
+
"\"WATTS RIOT\"": "\"WATTS RIOTS\"",
|
| 995 |
+
"\"KLEPHTS AND ARMATOLOS\"": "\"KLEPHTS AND ARMATOLOI\"",
|
| 996 |
+
"\"FILIKI ETAIRIA'S SUPPLIES\"": "\"FILIKI ETAIREIA'S SUPPLIES\"",
|
| 997 |
+
"\"AZUELA'S 'LOS DE ABAJO'\",": "\"AZUELA'S 'LOS DE ABAJO'",
|
| 998 |
+
"\"WINDSURFING\"": "\"WIND SURFING\"",
|
| 999 |
+
"\"HAWKER HUNTER\"": "\"HAWKER HUNTERS\""
|
| 1000 |
+
}
|
data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/nodes_othertype.json
ADDED
|
@@ -0,0 +1,849 @@
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|
| 1 |
+
[
|
| 2 |
+
"\"EMOTIONAL LANDSCAPE OF HISTORY PAINTINGS\"",
|
| 3 |
+
"\"CULTURAL HERITAGE AND HISTORY PAINTING\"",
|
| 4 |
+
"\"EVOLUTION OF HISTORICAL THEMES IN ART\"",
|
| 5 |
+
"\"GRAND HISTORICAL NARRATIVES\"",
|
| 6 |
+
"\"ART COLLECTIVES AND HISTORICAL PERSPECTIVES\"",
|
| 7 |
+
"\"CULTURAL SIGNIFICANCE OF ART IN HISTORY\"",
|
| 8 |
+
"\"VISIONS OF THE PAST IN ART\"",
|
| 9 |
+
"\"REINTERPRETING HISTORICAL EVENTS IN ART\"",
|
| 10 |
+
"\"NARRATIVE DEPTH IN HISTORICAL PAINTING\"",
|
| 11 |
+
"\"PERSONAL NARRATIVES WITHIN HISTORICAL CONTEXTS\"",
|
| 12 |
+
"\"CONFLICT AND RESOLUTION IN ART\"",
|
| 13 |
+
"\"ARTISTIC TRADITIONS AND MODERNISM\"",
|
| 14 |
+
"\"HISTORICAL ACTOR REPRESENTATIONS\"",
|
| 15 |
+
"\"EMOTIONAL ENGAGEMENT IN HISTORICAL ART\"",
|
| 16 |
+
"\"ART IN THE PUBLIC SPHERE\"",
|
| 17 |
+
"\"PRIVATE COMMISSIONS IN HISTORICAL ART\"",
|
| 18 |
+
"\"COMMUNITY REFLECTIONS IN HISTORY PAINTING\"",
|
| 19 |
+
"\"ART AS POLITICAL DISCOURSE\"",
|
| 20 |
+
"\"THE EVOLUTION OF HISTORICAL NARRATIVES\"",
|
| 21 |
+
"\"CENTRAL THEMES IN HISTORY PAINTING\"",
|
| 22 |
+
"\"ARTISTIC RESPONSES TO WAR\"",
|
| 23 |
+
"\"INCORPORATING MODERN VALUES IN HISTORICAL ARTWORK\"",
|
| 24 |
+
"\"VISUAL STORYTELLING IN HISTORY PAINTING\"",
|
| 25 |
+
"\"CULTURAL NARRATIVES IN HISTORICAL CONTEXT\"",
|
| 26 |
+
"\"VISUAL TECHNIQUES IN HISTORICAL ART\"",
|
| 27 |
+
"\"THE ROLE OF MEMORY IN ART\"",
|
| 28 |
+
"\"SOCIETAL ARTISTS OF HISTORICAL MOVEMENTS\"",
|
| 29 |
+
"\"DRAMATIC ELEMENTS IN HISTORY PAINTING\"",
|
| 30 |
+
"\"DOMINANT THEMES IN ART HISTORY\"",
|
| 31 |
+
"\"CRITICAL RECEPTION OF HISTORICAL ART\"",
|
| 32 |
+
"\"THE CONNECTION BETWEEN ART AND SOCIETY\"",
|
| 33 |
+
"\"OVERVIEW OF HISTORICAL ART MOVEMENTS\"",
|
| 34 |
+
"\"MODERN PERSPECTIVES ON HISTORICAL THEMES\"",
|
| 35 |
+
"\"REPRESENTATIONS OF HEROISM IN ART\"",
|
| 36 |
+
"\"CULTURAL REFLECTIONS OF HISTORY IN ART\"",
|
| 37 |
+
"\"RETHINKING HISTORY REPRESENTATION IN ART\"",
|
| 38 |
+
"\"ARTISTIC DOCUMENTATION OF HISTORY\"",
|
| 39 |
+
"\"HISTORICAL CONJURING IN ART\"",
|
| 40 |
+
"\"PARALLAX VIEW OF HISTORY IN ART\"",
|
| 41 |
+
"\"CULTURAL ARTEFACTS IN HISTORICAL PAINTINGS\"",
|
| 42 |
+
"\"CONCEPTUALIZING HISTORY THROUGH ART\"",
|
| 43 |
+
"\"THE HOURS OF CATHERINE OF CLEVES\"",
|
| 44 |
+
"\"GRAYS SCHOOL OF ART\"",
|
| 45 |
+
"\"DUNCAN OF JORDANSTONE COLLEGE OF ART AND DESIGN\"",
|
| 46 |
+
"\"LEITH SCHOOL OF ART\"",
|
| 47 |
+
"\"MODERN ART MOVEMENT\"",
|
| 48 |
+
"\"THE QUEEN OF SPADES\"",
|
| 49 |
+
"\"SVIATOSLAV RICHTER\"",
|
| 50 |
+
"\"VLADIMIR HOROWITZ\"",
|
| 51 |
+
"\"MSTISLAV ROSTROPOVICH\"",
|
| 52 |
+
"\"GIDON KREMER\"",
|
| 53 |
+
"\"ICE HOCKEY\"",
|
| 54 |
+
"\"BANDY\"",
|
| 55 |
+
"\"FOOTBALL\"",
|
| 56 |
+
"\"KONTINENTAL HOCKEY LEAGUE (KHL)\"",
|
| 57 |
+
"\"TENNIS\"",
|
| 58 |
+
"\"ILLUMINATED MANUSCRIPTS\"",
|
| 59 |
+
"\"THE ART OF A NATION\"",
|
| 60 |
+
"\"SWISS CHEESE\"",
|
| 61 |
+
"\"SWISS CHOCOLATE\"",
|
| 62 |
+
"\"SWISS WATCHES\"",
|
| 63 |
+
"\"SWISS ARMY KNIFE\"",
|
| 64 |
+
"\"R\u00c4\u00c4BELIECHTLI\"",
|
| 65 |
+
"\"RIJKSMUSEUM AMSTERDAM\"",
|
| 66 |
+
"\"HISTORICAL ART EXHIBITIONS\"",
|
| 67 |
+
"\"DINNER WITH GERSHWIN\"",
|
| 68 |
+
"\"REMBRANDT: THE PUBLIC EYE AND THE PRIVATE GAZE\"",
|
| 69 |
+
"\"THE STOLEN REMBRANDT\"",
|
| 70 |
+
"\"THE MISSING REMBRANDT\"",
|
| 71 |
+
"\"REMBRANDT: A SELF-PORTRAIT\"",
|
| 72 |
+
"\"REMBRANDT, SCHILDER VAN DE MENS / REMBRANDT, PAINTER OF MAN\"",
|
| 73 |
+
"\"REMBRANDT FECIT 1669\"",
|
| 74 |
+
"\"SIMON SCHAMA'S POWER OF ART: REMBRANDT\"",
|
| 75 |
+
"\"NIGHTWATCHING\"",
|
| 76 |
+
"\"REMBRANDT'S J'ACCUSE\"",
|
| 77 |
+
"\"REMBRANDT EN IK\"",
|
| 78 |
+
"\"SCHAMA ON REMBRANDT: MASTERPIECES OF THE LATE YEARS\"",
|
| 79 |
+
"\"CHARLES DAVIS\"",
|
| 80 |
+
"\"FLORIAN H\u00c4RB\"",
|
| 81 |
+
"\"CARDINAL GABRIELE PALEOTTI\"",
|
| 82 |
+
"\"SANTA MARIA DEL BARACCANO\"",
|
| 83 |
+
"\"COMMISSION\"",
|
| 84 |
+
"\"CHARLES I OF ENGLAND\"",
|
| 85 |
+
"\"PATRICIA HIGHSMITH\"",
|
| 86 |
+
"\"CULTURAL NARRATIVES IN ART\"",
|
| 87 |
+
"\"THE RIDOTTO IN VENICE\"",
|
| 88 |
+
"\"SAN PELLEGRINO SENTENCED TO EXECUTION\"",
|
| 89 |
+
"\"FALL OF THE GIANTS\"",
|
| 90 |
+
"\"SHEPHERD SITTING\"",
|
| 91 |
+
"\"PASTORELLO STANDING\"",
|
| 92 |
+
"\"SHEPHERDESS WITH FLOWER\"",
|
| 93 |
+
"\"SHEPHERDESS WITH COCK\"",
|
| 94 |
+
"\"THE WASHERWOMEN\"",
|
| 95 |
+
"\"THE HAPPY COUPLE\"",
|
| 96 |
+
"\"THE POLENTA\"",
|
| 97 |
+
"\"DRINKERS\"",
|
| 98 |
+
"\"THE TAILOR\"",
|
| 99 |
+
"\"THE TOILET\"",
|
| 100 |
+
"\"THE PRESENTATION\"",
|
| 101 |
+
"\"THE VISIT TO THE LIBRARY\"",
|
| 102 |
+
"\"FRESCOES AT CHURCH OF SAN PANTALON\"",
|
| 103 |
+
"\"THE AWAKENING OF THE KNIGHT\"",
|
| 104 |
+
"\"THE BLINDMAN'S BUFF\"",
|
| 105 |
+
"\"FAINTING\"",
|
| 106 |
+
"\"THE GAME OF THE PAN\"",
|
| 107 |
+
"\"THE VISIT TO THE LADY\"",
|
| 108 |
+
"\"MEETING OF THE PROSECUTOR AND HIS WIFE\"",
|
| 109 |
+
"\"THE VISIT TO THE LORD\"",
|
| 110 |
+
"\"THE MILLINER\"",
|
| 111 |
+
"\"THE VISIT OF THE PROSECUTOR\"",
|
| 112 |
+
"\"THE DENTIST\"",
|
| 113 |
+
"\"THE LAUNDRESSES\"",
|
| 114 |
+
"\"THE SPINNER (C.1750)\"",
|
| 115 |
+
"\"HALF-LENGTH PORTRAITS\"",
|
| 116 |
+
"\"DUTCH PAINTING\"",
|
| 117 |
+
"\"FILIPPO\"",
|
| 118 |
+
"\"PHILOSOPHICAL UNDERPINNINGS OF ART\"",
|
| 119 |
+
"\"AESTHETIC PHILOSOPHIES IN ART CRITICISM\"",
|
| 120 |
+
"\"ICONOGRAPHY IN LANDSCAPE\"",
|
| 121 |
+
"\"CHARLES VII\"",
|
| 122 |
+
"\"JOSEPH KOERNER\"",
|
| 123 |
+
"\"STEAM HAMMER\"",
|
| 124 |
+
"\"URIZEN\"",
|
| 125 |
+
"\"LOS\"",
|
| 126 |
+
"\"ALBION\"",
|
| 127 |
+
"\"UNDER HAMPTON COURT BRIDGE\"",
|
| 128 |
+
"\"THE EMBARKATION OF THE QUEEN OF SHEBA\"",
|
| 129 |
+
"\"LANDSCAPE WITH THE ARRIVAL OF AENEAS BEFORE THE CITY OF PALLANTEUM\"",
|
| 130 |
+
"\"VIEW OF CAMPAGNA\"",
|
| 131 |
+
"\"MERCURY STEALING APOLLO'S OXEN\"",
|
| 132 |
+
"\"SEAPORT WITH CASTLE\"",
|
| 133 |
+
"\"VIEW OF TIVOLI AT SUNSET\"",
|
| 134 |
+
"\"BROOK AND TWO BRIDGES\"",
|
| 135 |
+
"\"VIEW OF THE CHURCH SANTA TRINIT\u00c0 DEI MONTI\"",
|
| 136 |
+
"\"THE TROJAN WOMEN SETTING FIRE TO THEIR FLEET\"",
|
| 137 |
+
"\"LANDSCAPE WITH MERCHANTS (THE SHIPWRECK)\"",
|
| 138 |
+
"\"EMBARKATION OF SAINT PAULA ROMANA AT OSTIA\"",
|
| 139 |
+
"\"CARDINAL CARLO DE\u2019 MEDICI\"",
|
| 140 |
+
"\"PIETER SPIERINCKX\"",
|
| 141 |
+
"\"KAREL PHILIPS SPIERINCKS\"",
|
| 142 |
+
"\"TRADITIONAL VALUES IN RENAISSANCE ART\"",
|
| 143 |
+
"\"CIVIC THEMES IN ART\"",
|
| 144 |
+
"\"ARTISTIC DIALOGUE WITH THE PAST\"",
|
| 145 |
+
"\"COLLECTIVE MEMORY THROUGH ART\"",
|
| 146 |
+
"\"POLITICAL INFLUENCE OF ART\"",
|
| 147 |
+
"\"RENAISSANCE VALUES IN ART\"",
|
| 148 |
+
"\"MORAL LESSONS THROUGH VISUAL ART\"",
|
| 149 |
+
"\"CULTURAL SIGNIFICANCE OF CIVIC ART\"",
|
| 150 |
+
"\"MICHELANGELO & SEBASTIANO\"",
|
| 151 |
+
"\"ADORATION OF THE BLESSED OSANNA ANDREASI\"",
|
| 152 |
+
"\"DAL BOVO ALTARPIECE\"",
|
| 153 |
+
"\"THE VIRGIN AND CHILD WITH FOUR SAINTS\"",
|
| 154 |
+
"\"ENTRY OF JERZY OSSOLI\u0143SKI INTO ROME\"",
|
| 155 |
+
"\"THE ELECTION OF STANISLAW AUGUST\"",
|
| 156 |
+
"\"QUEEN HENRIETTA MARIA\"",
|
| 157 |
+
"\"FREDERIK J. DUPARC\"",
|
| 158 |
+
"\"FESTIVE PEASANTS IN AN EXTENSIVE LANDSCAPE\"",
|
| 159 |
+
"\"WINTER LANDSCAPE WITH WOODEN BRIDGE\"",
|
| 160 |
+
"\"A HORSE STABLE\"",
|
| 161 |
+
"\"THE RIDER'S HALTING PLACE\"",
|
| 162 |
+
"\"THE APPLE GREY AT A BLACKSMITH\"",
|
| 163 |
+
"\"RIDING SCHOOL AND WATERING PLACE\"",
|
| 164 |
+
"\"DEPARTURE FOR THE HUNT\"",
|
| 165 |
+
"\"LANDSCAPE WITH A HAWKING PARTY\"",
|
| 166 |
+
"\"BATTLE AT A MOUNTAINOUS FORTRESS\"",
|
| 167 |
+
"\"CAVALRY AT A SUTLER'S BOOTH\"",
|
| 168 |
+
"\"LADY AND GENTLEMAN AT A HARBOUR\"",
|
| 169 |
+
"\"THE ASCENSION OF CHRIST\"",
|
| 170 |
+
"\"RETROSPEKTIVE ANGELIKA KAUFFMANN\"",
|
| 171 |
+
"\"HOUSES OF PARLIAMENT\"",
|
| 172 |
+
"\"FIRE IN THE MUSEUM OF MODERN ART\"",
|
| 173 |
+
"\"APOLLO AND CORONIS\"",
|
| 174 |
+
"\"ST LAWRENCE PREPARED FOR MARTYRDOM\"",
|
| 175 |
+
"\"THE MOCKING OF CERES\"",
|
| 176 |
+
"\"E. A. SEEMANN\"",
|
| 177 |
+
"\"LUKAS VERLAG\"",
|
| 178 |
+
"\"STEINBECKER VERLAG ROSE\"",
|
| 179 |
+
"\"SALON OF 1787\"",
|
| 180 |
+
"\"EMILIE CHALGRIN\"",
|
| 181 |
+
"\"PARENT PORTRAIT DIPTYCH\"",
|
| 182 |
+
"\"LIST OF WORKS\"",
|
| 183 |
+
"\"LIST OF PAINTINGS BY ALBRECHT D\u00dcRER\"",
|
| 184 |
+
"\"LIST OF ENGRAVINGS BY ALBRECHT D\u00dcRER\"",
|
| 185 |
+
"\"LIST OF WOODCUTS BY ALBRECHT D\u00dcRER\"",
|
| 186 |
+
"\"D\u00dcRER'S SELF-PORTRAITS\"",
|
| 187 |
+
"\"NAVEL GAZING: ON ALBRECHT D\u00dcRER'S ADAM AND EVE\"",
|
| 188 |
+
"\"MARIE-ANTOINETTE IN A MUSLIN DRESS\"",
|
| 189 |
+
"\"CULTURAL HERITAGE OF ITALY\"",
|
| 190 |
+
"\"LUTHERAN HYMN BOOK\"",
|
| 191 |
+
"\"SOCIALIST MOVEMENTS\"",
|
| 192 |
+
"\"GRIFFITHS AND MILL\"",
|
| 193 |
+
"\"ZWITSCHER-MASCHINE\"",
|
| 194 |
+
"\"DUCHESS\"",
|
| 195 |
+
"\"GASPARD DE LA NUIT: FANTAISIES \u00c0 LA MANI\u00c8RE DE REMBRANDT ET DE CALLOT\"",
|
| 196 |
+
"\"MOI, LA PUTAIN DE REMBRANDT\"",
|
| 197 |
+
"\"PICTURE THIS\"",
|
| 198 |
+
"\"I AM REMBRANDT'S DAUGHTER\"",
|
| 199 |
+
"\"THE ANATOMY LESSON\"",
|
| 200 |
+
"\"THE REMBRANDT AFFAIR\"",
|
| 201 |
+
"\"REMBRANDT'S MIRROR\"",
|
| 202 |
+
"\"REMBRANDT IN DE SCHUILKELDER / REMBRANDT IN THE BUNKER\"",
|
| 203 |
+
"\"R\u00caVE D'UNE PETITE FILLE QUI VOULUT ENTRER AU CARMEL\"",
|
| 204 |
+
"\"UNE SEMAINE DE BONT\u00c9\"",
|
| 205 |
+
"\"LA FEMME 100 T\u00caTES\"",
|
| 206 |
+
"\"LES MALHEURS DES IMMORTELS\"",
|
| 207 |
+
"\"AU D\u00c9FAUT DU SILENCE\"",
|
| 208 |
+
"\"STORM AT SEA\"",
|
| 209 |
+
"\"LARGE MOUNTAIN LANDSCAPE\"",
|
| 210 |
+
"\"DUNE LANDSCAPE WITH TRAVELERS AND CATTLE\"",
|
| 211 |
+
"\"MINERVA'S VISIT TO THE MUSES\"",
|
| 212 |
+
"\"FLEMISH MARKET AND WASHING PLACE\"",
|
| 213 |
+
"\"LANDSCAPE WITH THE TEMPTATION OF CHRIST\"",
|
| 214 |
+
"\"WORLDS OF THE PAST\"",
|
| 215 |
+
"\"DINOSAURS FOR GOLDEN PRESS\"",
|
| 216 |
+
"\"THE ASTRONOMER\"",
|
| 217 |
+
"\"THE GEOGRAPHER\"",
|
| 218 |
+
"\"QUEEN MARIE AMALIE\"",
|
| 219 |
+
"\"POLANCO BROTHERS\"",
|
| 220 |
+
"\"DIARY OF A GENIUS\"",
|
| 221 |
+
"\"OUI: THE PARANOID-CRITICAL REVOLUTION\"",
|
| 222 |
+
"\"THE SONGS OF MALDOROR\"",
|
| 223 |
+
"\"THE ARABIAN NIGHTS\"",
|
| 224 |
+
"\"LEGACY OF ARTISTIC EXPRESSION\"",
|
| 225 |
+
"\"NATURAL CYCLES IN LIFE\"",
|
| 226 |
+
"\"PNEUMONIA\"",
|
| 227 |
+
"\"LOIN DU PAYS\"",
|
| 228 |
+
"\"ALONE IN THE WORLD\"",
|
| 229 |
+
"\"THE ELDER SISTER\"",
|
| 230 |
+
"\"ITALIAN GIRL AT THE FOUNTAIN\"",
|
| 231 |
+
"\"HOMER AND HIS GUIDE\"",
|
| 232 |
+
"\"AT THE EDGE OF THE RIVER\"",
|
| 233 |
+
"\"EVENING MOOD\"",
|
| 234 |
+
"\"WOMAN WITH CAPTIVE CUPID\"",
|
| 235 |
+
"\"GABRIELLE COT\"",
|
| 236 |
+
"\"YVONNE ON THE DOORSTEP\"",
|
| 237 |
+
"\"OCEANID\"",
|
| 238 |
+
"\"IN THE WOODS\"",
|
| 239 |
+
"\"WHITNEY BIENNIAL\"",
|
| 240 |
+
"\"ARAB HORSES FIGHTING IN A STABLE\"",
|
| 241 |
+
"\"THE NERDRUM SCHOOL: THE MASTER AND HIS STUDENTS\"",
|
| 242 |
+
"\"KITSCH: MORE THAN ART\"",
|
| 243 |
+
"\"ODD NERDRUM: THEMES: PAINTINGS, DRAWINGS, PRINTS AND SCULPTURES\"",
|
| 244 |
+
"\"ODD NERDRUM: STORYTELLER AND SELF-REVEALER\"",
|
| 245 |
+
"\"ODD NERDRUM, THE DRAWINGS\"",
|
| 246 |
+
"\"JACKIE WULLSCHLAGER\"",
|
| 247 |
+
"\"INGO WALTHER\"",
|
| 248 |
+
"\"RAINER METZGER\"",
|
| 249 |
+
"\"CARMELITA REQUE\u00d1A\"",
|
| 250 |
+
"\"A STREET SCENE IN SEVILLE\"",
|
| 251 |
+
"\"OCEANIA THE SKY\"",
|
| 252 |
+
"\"PERSON OF CULTURAL MERIT\"",
|
| 253 |
+
"\"GRAND CORDON OF THE ORDER OF THE RISING SUN\"",
|
| 254 |
+
"\"INTERACTIONS OF LIGHT AND SHADOW\"",
|
| 255 |
+
"\"VISUAL NARRATIVE STRUCTURES\"",
|
| 256 |
+
"\"TECHNOLOGICAL INNOVATIONS IN ART\"",
|
| 257 |
+
"\"ART AS A MEDIUM FOR PHILOSOPHICAL IDEAS\"",
|
| 258 |
+
"\"NARRATIVE FRAMING IN COMPOSITION\"",
|
| 259 |
+
"\"INTEGRATION OF SCIENTIFIC OBSERVATIONS IN ART\"",
|
| 260 |
+
"\"ART AS A VEHICLE FOR SOCIAL COMMENTARY\"",
|
| 261 |
+
"\"RENAISSANCE'S REINTERPRETATION OF CLASSICAL IDEAS\"",
|
| 262 |
+
"\"CROSS-CULTURAL INFLUENCES ON RENAISSANCE ART\"",
|
| 263 |
+
"\"GENDER ROLES IN RENAISSANCE ART\"",
|
| 264 |
+
"\"ECONOMIC FACTORS IN ARTISTIC DEVELOPMENT\"",
|
| 265 |
+
"\"TEMPORAL DIMENSIONS IN ART\"",
|
| 266 |
+
"\"THE EVOLUTION OF ARTISTIC GENRES\"",
|
| 267 |
+
"\"ARTISTIC RESPONSES TO POLITICAL CHANGES\"",
|
| 268 |
+
"\"EXPLORATION OF HUMAN EMOTION IN ART\"",
|
| 269 |
+
"\"VISUAL COMPOSITION TECHNIQUES\"",
|
| 270 |
+
"\"INTERDISCIPLINARY APPROACHES TO ART HISTORY\"",
|
| 271 |
+
"\"ART MOVEMENTS AS CULTURAL REFLECTIONS\"",
|
| 272 |
+
"\"SPATIAL DYNAMICS IN RENAISSANCE PAINTINGS\"",
|
| 273 |
+
"\"THE ROLE OF ARTISTIC INNOVATION\"",
|
| 274 |
+
"\"PHILOSOPHY OF AESTHETICS IN ART\"",
|
| 275 |
+
"\"VISUAL AND CONCEPTUAL INTERSECTIONS IN ART\"",
|
| 276 |
+
"\"METHODS OF ARTISTIC EVALUATION\"",
|
| 277 |
+
"\"ARTISTIC AUTHENTICITY AND ATTRIBUTION\"",
|
| 278 |
+
"\"AESTHETIC QUALITIES IN PORTRAITURE\"",
|
| 279 |
+
"\"SEINE RIVER\"",
|
| 280 |
+
"\"ARTISTIC COMMUNES IN PARIS\"",
|
| 281 |
+
"\"HISTORICAL CONTEXT OF JEWISH MIGRATION\"",
|
| 282 |
+
"\"PERSONAL NARRATIVES IN ART\"",
|
| 283 |
+
"\"NARRATIVE OF RESILIENCE IN ART\"",
|
| 284 |
+
"\"ELONGATED PORTRAITS AS PERSONAL EXPRESSION\"",
|
| 285 |
+
"\"ART AS A REFLECTION OF IDENTITY\"",
|
| 286 |
+
"\"AESTHETIC EXPLORATION IN MODIGLIANI'S WORK\"",
|
| 287 |
+
"\"ART EDUCATIONAL ESTABLISHMENTS IN ITALY\"",
|
| 288 |
+
"\"INFLUENCE OF NATURAL FORMS IN ART\"",
|
| 289 |
+
"\"CONFLICT BETWEEN TRADITION AND MODERNITY\"",
|
| 290 |
+
"\"COLLABORATION WITH CONTEMPORARY ARTISTS\"",
|
| 291 |
+
"\"ART COLLECTIVES OF THE EARLY 20TH CENTURY\"",
|
| 292 |
+
"\"THEMES OF LOVE AND LOSS IN ART\"",
|
| 293 |
+
"\"PUBLIC PERCEPTION AND CRITICAL RECEPTION\"",
|
| 294 |
+
"\"ARTISTIC SIGNIFICANCE OF MODIGLIANI'S WORKS\"",
|
| 295 |
+
"\"CULTURAL RECOGNITION OF JEWISH ARTISTS\"",
|
| 296 |
+
"\"INTERGENERATIONAL ARTISTIC INFLUENCE\"",
|
| 297 |
+
"\"EXPRESSION OF CULTURAL IDENTITY IN ART\"",
|
| 298 |
+
"\"ARTISTIC EXPLORATION OF IDENTITY AND MEMORY\"",
|
| 299 |
+
"\"LEGACY OF CREATIVITY IN MODIGLIANI'S ART\"",
|
| 300 |
+
"\"ROLE OF ART IN CULTURAL HISTORY\"",
|
| 301 |
+
"\"THEMATIC DIVERSITY IN MODIGLIANI'S ART\"",
|
| 302 |
+
"\"HISTORICAL IMPACT OF MODIGLIANI\u2019S WORK\"",
|
| 303 |
+
"\"PERSONAL STORIES OF THE ARTIST\"",
|
| 304 |
+
"\"INFLUENCE OF SYMBOLISM IN FORMAL ART\"",
|
| 305 |
+
"\"REPRESENTATION OF THE FEMININE IN ART\"",
|
| 306 |
+
"\"ART AND THE PURSUIT OF MEANING\"",
|
| 307 |
+
"\"COMPREHENSIVE NARRATIVE OF MODIGLIANI'S LIFE\"",
|
| 308 |
+
"\"EXPLORATION OF ARTISTIC IDENTITY\"",
|
| 309 |
+
"\"ART AS A PATH TO UNDERSTANDING HUMANITY\"",
|
| 310 |
+
"\"JOURNEYS OF DISCOVERY IN ART\"",
|
| 311 |
+
"\"CULTURAL SHIFTS IN THE ART WORLD\"",
|
| 312 |
+
"\"RESILIENCE IN ADVERSITY\"",
|
| 313 |
+
"\"DYNAMIC INTERACTIONS IN ART COMMUNITIES\"",
|
| 314 |
+
"\"INTEGRATION OF DIVERSE INFLUENCES IN ART\"",
|
| 315 |
+
"\"SUBJECTIVITY IN ART PERCEPTION\"",
|
| 316 |
+
"\"FIGURES OF THE MODERN ART MOVEMENT\"",
|
| 317 |
+
"\"TRANSCENDING BOUNDARIES THROUGH ARTISTIC EXPRESSION\"",
|
| 318 |
+
"\"PHILOSOPHIES IMPACTING MODERN ART\"",
|
| 319 |
+
"\"EXPERIENCES OF DISPLACEMENT IN ART\"",
|
| 320 |
+
"\"THE ROLE OF MATERNAL INFLUENCE IN ART\"",
|
| 321 |
+
"\"CONVERGENCE OF CULTURES IN ART MAKING\"",
|
| 322 |
+
"\"ARTISTIC CONTRIBUTIONS TO CULTURAL HERITAGE\"",
|
| 323 |
+
"\"MULTIFACETED NATURE OF ARTISTIC IDENTITY\"",
|
| 324 |
+
"\"LEGACY OF INSPIRATION IN ART\"",
|
| 325 |
+
"\"NARRATIVE OF SUCCESS AND STRUGGLE IN ART\"",
|
| 326 |
+
"\"EXPLORATION OF AESTHETIC VALUES IN ART\"",
|
| 327 |
+
"\"ART AS A MEDIUM OF PERSONAL EXPRESSION\"",
|
| 328 |
+
"\"CULTURAL DIMENSIONS OF ARTISTIC EXPRESSION\"",
|
| 329 |
+
"\"REFLECTIONS ON THE HUMAN EXPERIENCE THROUGH ART\"",
|
| 330 |
+
"\"COMMUNITY IMPACT ON ARTISTIC DEVELOPMENT\"",
|
| 331 |
+
"\"ARTISTIC INNOVATION IN MODERNITY\"",
|
| 332 |
+
"\"PERSONAL CONNECTIONS IN ART\"",
|
| 333 |
+
"\"OVERARCHING NARRATIVES IN ARTISTIC LEGACY\"",
|
| 334 |
+
"\"ART AS A REFLECTION OF SOCIETAL CHANGE\"",
|
| 335 |
+
"\"PHILOSOPHIES OF BEAUTY IN ART\"",
|
| 336 |
+
"\"PURSUIT OF ARTISTIC EXCELLENCE\"",
|
| 337 |
+
"\"SOCIOECONOMIC FACTORS IN ART CREATION\"",
|
| 338 |
+
"\"CONSTRUCTING IDENTITY THROUGH ART\"",
|
| 339 |
+
"\"INTERSECTION OF PERSONAL AND ARTISTIC NARRATIVES\"",
|
| 340 |
+
"\"HEALTH AND IDENTITY IN ART\"",
|
| 341 |
+
"\"CULTURAL EXPRESSIONS IN ARTISTIC LEGACY\"",
|
| 342 |
+
"\"PLETHORA OF EMOTIONS IN MODERN ART\"",
|
| 343 |
+
"\"CULTURAL REFLECTIONS IN ARTISTIC IDENTITY\"",
|
| 344 |
+
"\"ARTISTIC VISION AND SOCIETAL INFLUENCE\"",
|
| 345 |
+
"\"DIVERSITY OF EXPRESSION IN ART\"",
|
| 346 |
+
"\"STREAM OF CONSCIOUSNESS IN ART\"",
|
| 347 |
+
"\"EXPLORATION OF GENDER IN ARTISTIC EXPRESSION\"",
|
| 348 |
+
"\"ARTISTIC LEGACY OF AMEDEO MODIGLIANI\"",
|
| 349 |
+
"\"IDENTITY AND THE MODERN ARTIST\"",
|
| 350 |
+
"\"INTERPLAY OF PERSONAL EXPERIENCE AND ART\"",
|
| 351 |
+
"\"CURATED SPACES FOR ARTISTIC DISCOURSE\"",
|
| 352 |
+
"\"ETHICAL CONSIDERATIONS IN ART\"",
|
| 353 |
+
"\"UNDERSTANDING ART THROUGH CULTURAL CONTEXT\"",
|
| 354 |
+
"\"SYMBOLIC MEANINGS IN ARTISTIC WORKS\"",
|
| 355 |
+
"\"INTERDISCIPLINARY DIALOGUES IN ART\"",
|
| 356 |
+
"\"ART AS A LENS FOR CULTURAL UNDERSTANDING\"",
|
| 357 |
+
"\"EXPERIENCES OF BELONGING AND ALIENATION IN ART\"",
|
| 358 |
+
"\"EXPLORATION OF THE ROLE OF THE ARTIST IN SOCIETY\"",
|
| 359 |
+
"\"ART AND THE EVOLUTION OF IDENTITY\"",
|
| 360 |
+
"\"NARRATIVES OF INFLUENCE IN ART COMMUNITY\"",
|
| 361 |
+
"\"LEGACY OF TRIUMPH OVER ADVERSITY IN ART\"",
|
| 362 |
+
"\"CULTURAL ROOTS OF ARTISTIC EXPRESSION\"",
|
| 363 |
+
"\"ART AS A MIRROR OF INTERNAL CONFLICT\"",
|
| 364 |
+
"\"CULTURAL DIALOGUES IN MODIGLIANI'S WORKS\"",
|
| 365 |
+
"\"THEMES OF ABANDONMENT AND ACCEPTANCE IN ART\"",
|
| 366 |
+
"\"SYMBOLISM OF ELONGATION IN MODERN ART\"",
|
| 367 |
+
"\"LOCAL ART MOVEMENTS AND MODIGLIANI\"",
|
| 368 |
+
"\"CULTURAL CRITIQUE THROUGH ART\"",
|
| 369 |
+
"\"HISTORICAL IMPORTANCE OF MODIGLIANI WITHIN MODERN ART\"",
|
| 370 |
+
"\"PIONEERING TECHNIQUES IN PORTRAITURE\"",
|
| 371 |
+
"\"ARTISTIC EXPLORATION OF VULNERABILITY\"",
|
| 372 |
+
"\"TRANSITIONAL PHASES IN MODERN ART\"",
|
| 373 |
+
"\"PERSONAL STRUGGLES AS ARTISTIC INSPIRATION\"",
|
| 374 |
+
"\"CHALLENGES OF NAVIGATING ART WORLD NORMS\"",
|
| 375 |
+
"\"VISUAL LANGUAGE OF MODIGLIANI\u2019S ART\"",
|
| 376 |
+
"\"BOURGEOIS CULTURE IN MODIGLIANI'S TIME\"",
|
| 377 |
+
"\"LEGACY OF ARTISTIC TRADITIONS IN ITALY\"",
|
| 378 |
+
"\"INFLUENCE OF SYMBOLISM IN MODIGLIANI'S ART\"",
|
| 379 |
+
"\"RESILIENCE OF THE ARTISTIC SPIRIT\"",
|
| 380 |
+
"\"PHILOSOPHY OF ARTISTIC EXPRESSION\"",
|
| 381 |
+
"\"INTERSECTION OF CULTURES IN MODIGLIANI'S ART\"",
|
| 382 |
+
"\"NARRATIVE LEGACY IN ART\"",
|
| 383 |
+
"\"CULTURAL RHETORIC IN ARTISTIC COMMUNITIES\"",
|
| 384 |
+
"\"HISTORICAL PERSPECTIVE ON MODIGLIANI'S WORK\"",
|
| 385 |
+
"\"CONTINUITY AND CHANGE IN ARTISTIC PRACTICES\"",
|
| 386 |
+
"\"ART AS A REFLECTION OF SOCIETAL VALUES\"",
|
| 387 |
+
"\"NARRATION OF COLORS IN ART\"",
|
| 388 |
+
"\"DYNAMICS OF ARTISTIC COLLABORATION\"",
|
| 389 |
+
"\"ART AS A JOURNEY OF SELF-DISCOVERY\"",
|
| 390 |
+
"\"HISTORICAL EVOLUTION OF ARTISTIC TECHNIQUES\"",
|
| 391 |
+
"\"THEMATIC UNITY IN MODIGLIANI'S WORKS\"",
|
| 392 |
+
"\"ARTISTIC LEGACIES OF INFLUENCE\"",
|
| 393 |
+
"\"ART AND COLLECTIVE MEMORY\"",
|
| 394 |
+
"\"SYMBOLISM OF THE HUMAN FORM IN ART\"",
|
| 395 |
+
"\"CULTURAL REFLECTIONS IN CONTEMPORARY ART\"",
|
| 396 |
+
"\"ARTISTIC NARRATIVE OF THE 20TH CENTURY\"",
|
| 397 |
+
"\"THEMES OF YEARNING IN MODIGLIANI'S WORK\"",
|
| 398 |
+
"\"CULTURAL IDENTITY THROUGH ARTISTIC FORMS\"",
|
| 399 |
+
"\"SYMBOLISM OF LONELINESS IN ART\"",
|
| 400 |
+
"\"ART AS A COMMENTARY ON EXISTENCE\"",
|
| 401 |
+
"\"LEGACY OF MODERNIST ART MOVEMENTS\"",
|
| 402 |
+
"\"INTERCONNECTEDNESS OF ARTISTIC INFLUENCES\"",
|
| 403 |
+
"\"NARRATIVES OF HOPE AND STRUGGLE IN ART\"",
|
| 404 |
+
"\"COLOR AND EMOTION IN ARTISTIC EXPRESSION\"",
|
| 405 |
+
"\"CULTURAL CONNOTATIONS IN MODIGLIANI\u2019S ART\"",
|
| 406 |
+
"\"ART AS A PLATFORM FOR SOCIAL COMMENTARY\"",
|
| 407 |
+
"\"PSYCHOLOGICAL IMPLICATIONS OF ART\"",
|
| 408 |
+
"\"PERSISTENCE OF ARTISTIC VISION\"",
|
| 409 |
+
"\"CULTURAL RESONANCE OF MODIGLIANI'S ART\"",
|
| 410 |
+
"\"DIMENSIONS OF HUMAN EMOTION IN ART\"",
|
| 411 |
+
"\"ART AS A VEHICLE FOR PERSONAL NARRATIVE\"",
|
| 412 |
+
"\"INTELLECTUAL EXPLORATION IN ART\"",
|
| 413 |
+
"\"ROLE OF ART EDUCATION IN IDENTITY FORMATION\"",
|
| 414 |
+
"\"HISTORICAL SIGNIFICANCE OF JEWISH ARTISTS\"",
|
| 415 |
+
"\"NAVIGATING THE ART MARKET\"",
|
| 416 |
+
"\"CONNECTION BETWEEN ART AND MEMORY\"",
|
| 417 |
+
"\"DYNAMICS OF ARTISTIC STYLES\"",
|
| 418 |
+
"\"THEMES OF ISOLATION IN MODIGLIANI'S WORK\"",
|
| 419 |
+
"\"DIALOGUES BETWEEN CULTURES IN ART\"",
|
| 420 |
+
"\"EXPLORATION OF ABSTRACTION IN MODIGLIANI'S ART\"",
|
| 421 |
+
"\"SYMBOLISM OF STRUCTURE IN PORTRAITS\"",
|
| 422 |
+
"\"THEMES OF TURMOIL IN ARTISTIC IDENTITY\"",
|
| 423 |
+
"\"REFLECTIONS OF HISTORICAL CONTEXT IN ART\"",
|
| 424 |
+
"\"CONVERGENCE OF ARTISTIC DISCIPLINES\"",
|
| 425 |
+
"\"CULTURAL IMPLICATIONS OF ARTISTIC TECHNIQUES\"",
|
| 426 |
+
"\"NARRATIVES OF EXPLORATION IN ARTISTIC EXPRESSION\"",
|
| 427 |
+
"\"CULTURALLY CHARGED SYMBOLS IN ART\"",
|
| 428 |
+
"\"PERCEPTIONS OF BEAUTY IN MODERN ART\"",
|
| 429 |
+
"\"ARTISTIC DISCOURSE AND ITS EVOLUTION\"",
|
| 430 |
+
"\"CINEMATIC QUALITY OF MODIGLIANI'S ART\"",
|
| 431 |
+
"\"SOCIETAL REFLECTIONS IN MODIGLIANI'S WORK\"",
|
| 432 |
+
"\"CONCEPTS OF WHOLENESS IN ARTISTIC EXPRESSION\"",
|
| 433 |
+
"\"THEMES OF LIGHT AND SHADOW IN ART\"",
|
| 434 |
+
"\"CULTURAL IMPACT OF ART ON SOCIETY\"",
|
| 435 |
+
"\"EMOTIONAL UNDERPINNINGS IN PORTRAITURE\"",
|
| 436 |
+
"\"NARRATIVE COMPLEXITY IN ARTISTIC WORKS\"",
|
| 437 |
+
"\"LEGACIES OF ARTISTIC MOVEMENTS\"",
|
| 438 |
+
"\"EXPLORATION OF THE CONCEPT OF BEAUTY\"",
|
| 439 |
+
"\"INTERSECTIONS OF IDENTITY IN ART\"",
|
| 440 |
+
"\"THEMES OF SPIRITUALITY IN ARTISTIC EXPRESSION\"",
|
| 441 |
+
"\"CULTURAL CONVERSATIONS THROUGH ART\"",
|
| 442 |
+
"\"EXPERIENTIAL ELEMENTS OF ART\"",
|
| 443 |
+
"\"TENSIONS BETWEEN PERSONAL AND SOCIAL WORLDS\"",
|
| 444 |
+
"\"TRIAL OF IDENTITY IN ARTISTIC PURSUITS\"",
|
| 445 |
+
"\"NAVIGATING CULTURAL LANDSCAPES THROUGH ART\"",
|
| 446 |
+
"\"PHILOSOPHIES INSPIRING ARTISTIC INQUIRY\"",
|
| 447 |
+
"\"EMOTIONAL RESONANCE IN ARTISTIC WORKS\"",
|
| 448 |
+
"\"HISTORICAL CONTEXT OF ARTISTIC OBSCURITY\"",
|
| 449 |
+
"\"ARTISTIC PATHWAYS OF EXPRESSION\"",
|
| 450 |
+
"\"SOCIAL COMMENTARY IN ARTISTIC PRACTICE\"",
|
| 451 |
+
"\"CULTURAL REFLECTIONS OF HUMAN EXPERIENCE\"",
|
| 452 |
+
"\"CONFLICT AND RESOLUTION IN ARTISTIC EXPRESSION\"",
|
| 453 |
+
"\"INTERACTIONS BETWEEN PAST AND PRESENT IN ART\"",
|
| 454 |
+
"\"SYMBOL OF TRANSFORMATION IN ART\"",
|
| 455 |
+
"\"LEGACY OF ARTISTIC MOVEMENTS AND ARTISTS\"",
|
| 456 |
+
"\"CULTURAL IDENTITY THROUGH PORTRAITURE\"",
|
| 457 |
+
"\"ARTISTIC COMMITMENT TO PROCESS\"",
|
| 458 |
+
"\"THEMES OF LONGING AND BELONGING IN ART\"",
|
| 459 |
+
"\"EMOTIONAL ARCHETYPES IN PORTRAITURE\"",
|
| 460 |
+
"\"ART AS A REFLECTION OF HISTORICAL NARRATIVES\"",
|
| 461 |
+
"\"COMPLEX INTERACTIONS WITHIN ART COMMUNITIES\"",
|
| 462 |
+
"\"HISTORICAL EVALUATION OF ARTISTIC TECHNIQUES\"",
|
| 463 |
+
"\"THEMES OF MEMORY IN MODIGLIANI'S WORK\"",
|
| 464 |
+
"\"COLLABORATION AND INNOVATION IN ART\"",
|
| 465 |
+
"\"CULTURAL DIVERSITY IN ARTISTIC TECHNIQUES\"",
|
| 466 |
+
"\"NARRATIVES OF EXPLORATION AND IDENTITY IN ART\"",
|
| 467 |
+
"\"SYMBOLIC REPRESENTATIONS IN PORTRAITURE\"",
|
| 468 |
+
"\"HUMAN EXPERIENCE REFLECTED IN MODERN ART\"",
|
| 469 |
+
"\"VISUAL METAPHORS IN MODIGLIANI'S ART\"",
|
| 470 |
+
"\"HISTORICAL INTERPRETATIONS OF ARTISTIC STYLE\"",
|
| 471 |
+
"\"ART AS A CATALYST FOR DIALOGUE\"",
|
| 472 |
+
"\"CULTURAL DIALOGUES THROUGH ARTISTIC EXPRESSION\"",
|
| 473 |
+
"\"EXPLORATION OF MODERNIST IDEALS IN ART\"",
|
| 474 |
+
"\"CULTURAL HERITAGE AND ARTISTIC EXPRESSION\"",
|
| 475 |
+
"\"THEMES OF TRANSFORMATION IN THE ARTISTIC PROCESS\"",
|
| 476 |
+
"\"NARRATIVES OF INFLUENCE AND LEGACY IN ART\"",
|
| 477 |
+
"\"ARTISTIC FUSION OF CULTURES\"",
|
| 478 |
+
"\"PERCEPTIONS OF SELF IN ARTISTIC NARRATIVE\"",
|
| 479 |
+
"\"VISUAL STORYTELLING IN MODIGLIANI'S ART\"",
|
| 480 |
+
"\"THEMES OF AUTHENTICITY IN ART\"",
|
| 481 |
+
"\"CULTURAL RESONANCE OF ARTISTIC OUTPUT\"",
|
| 482 |
+
"\"ART AS A TOOL FOR CULTURAL EXPRESSION\"",
|
| 483 |
+
"\"EVOKING EMOTION THROUGH ART\"",
|
| 484 |
+
"\"CONTEXTS OF ARTISTIC DEVELOPMENT\"",
|
| 485 |
+
"\"INTERSECTIONS OF TRADITION AND INNOVATION IN ART\"",
|
| 486 |
+
"\"HISTORICAL VIEWS ON PORTRAITURE\"",
|
| 487 |
+
"\"THEMES OF MEMORY AND IMAGINATION IN ART\"",
|
| 488 |
+
"\"CULTURAL INFLUENCES ON ARTISTIC MEANING\"",
|
| 489 |
+
"\"SIGNIFICANCE OF ARTISTIC DEVELOPMENT OVER TIME\"",
|
| 490 |
+
"\"CONVERSION OF EMOTIONAL STATES INTO ART\"",
|
| 491 |
+
"\"LEGACY OF ARTISTIC PRACTICES\"",
|
| 492 |
+
"\"EXPLORATION OF IDENTITY IN MODERN ART\"",
|
| 493 |
+
"\"ARTISTIC FREEDOM AND EXPRESSION\"",
|
| 494 |
+
"\"IMAGINING NEW FORMS IN ART\"",
|
| 495 |
+
"\"ART AS A MEDIUM FOR PERSONAL REFLECTION\"",
|
| 496 |
+
"\"CULTURAL REFLECTION AND ANALYSIS IN ART\"",
|
| 497 |
+
"\"FREEDOM OF INTERPRETATION IN ART\"",
|
| 498 |
+
"\"JUXTAPOSITION OF EMOTION AND TECHNIQUE IN PORTRAITS\"",
|
| 499 |
+
"\"THEMES OF ACCEPTANCE IN ART\"",
|
| 500 |
+
"\"NARRATIVE LAYERS IN ART\"",
|
| 501 |
+
"\"INTERNAL VS. EXTERNAL STRUGGLES IN ART\"",
|
| 502 |
+
"\"INTERSECTIONS OF ART AND LIFE EXPERIENCES\"",
|
| 503 |
+
"\"THE DYNAMIC NATURE OF ARTISTIC PRACTICE\"",
|
| 504 |
+
"\"REVISITING HISTORICAL CONTEXT IN ARTISTIC ANALYSIS\"",
|
| 505 |
+
"\"CHALLENGING TRADITIONAL NORMS IN ART\"",
|
| 506 |
+
"\"CULTURAL CONTEXT OF ARTISTIC MOVEMENTS\"",
|
| 507 |
+
"\"THEMES OF VULNERABILITY IN ARTISTIC EXPRESSION\"",
|
| 508 |
+
"\"ESSENCE OF MODERNIST IDENTITY IN ART\"",
|
| 509 |
+
"\"CHALLENGING ARTISTIC BOUNDARIES THROUGH INNOVATION\"",
|
| 510 |
+
"\"EMOTIONAL DEPTH IN ARTISTIC REPRESENTATION\"",
|
| 511 |
+
"\"ART AS A GATEWAY TO UNDERSTANDING IDENTITY\"",
|
| 512 |
+
"\"CULTURAL DIALOGUE THROUGH ARTISTIC PRACTICE\"",
|
| 513 |
+
"\"CULTURAL EVOLUTION OF ARTISTIC TECHNIQUES\"",
|
| 514 |
+
"\"EXPLORING THEMES OF TRANSITION IN ART\"",
|
| 515 |
+
"\"SYMBOLISM OF THE EVERYDAY IN ART\"",
|
| 516 |
+
"\"THEMES OF IMPERMANENCE IN ART\"",
|
| 517 |
+
"\"SYMBOLIC REPRESENTATIONS IN MODIGLIANI'S ART\"",
|
| 518 |
+
"\"INTERPLAY OF PRIVATE AND PUBLIC IN ART\"",
|
| 519 |
+
"\"CULTURAL UNDERSTANDINGS THROUGH ART\"",
|
| 520 |
+
"\"ART AS A JOURNEY INTO SELF-DISCOVERY\"",
|
| 521 |
+
"\"SYMBOLISM OF CONNECTION IN PORTRAITURE\"",
|
| 522 |
+
"\"CULTURAL DIMENSIONS OF IDENTITY IN ART\"",
|
| 523 |
+
"\"NARRATIVE ELEMENTS IN ARTISTIC WORKS\"",
|
| 524 |
+
"\"EXPLORATION OF THE CONCEPT OF FREEDOM IN ART\"",
|
| 525 |
+
"\"THEMES OF TRANSFORMATION AND IDENTITY IN ART\"",
|
| 526 |
+
"\"INTERRELATIONSHIPS BETWEEN ART AND SOCIETY\"",
|
| 527 |
+
"\"HISTORICAL CONTEXT OF ART CRITIQUE\"",
|
| 528 |
+
"\"ART AS A NARRATIVE OF CHANGE\"",
|
| 529 |
+
"\"CULTURAL LEGACIES IN ARTISTIC HERITAGE\"",
|
| 530 |
+
"\"EMOTIONAL LANDSCAPES IN PORTRAITURE\"",
|
| 531 |
+
"\"CULTURAL SYMBOLISM IN ARTISTIC FORMS\"",
|
| 532 |
+
"\"EXPLORATION OF HISTORICAL INFLUENCES ON ART\"",
|
| 533 |
+
"\"JUXTAPOSITION OF STYLES IN ART\"",
|
| 534 |
+
"\"CULTURAL CONTEXT OF INNOVATION IN ART\"",
|
| 535 |
+
"\"NARRATIVE SIGNIFICANCE OF ART\"",
|
| 536 |
+
"\"NAVIGATING CULTURAL IDENTITY THROUGH ART\"",
|
| 537 |
+
"\"ART AS A REFLECTION OF SOCIAL ISSUES\"",
|
| 538 |
+
"\"THEMATIC UNITY IN MODIGLIANI'S PORTRAITS\"",
|
| 539 |
+
"\"CULTURAL SIGNIFICANCE OF PORTRAIT ART\"",
|
| 540 |
+
"\"ARTISTRY AS A FORM OF RESISTANCE\"",
|
| 541 |
+
"\"THE PILLARS OF TENDERNESS\"",
|
| 542 |
+
"\"DICTIONARY OF NATIONAL BIOGRAPHY\"",
|
| 543 |
+
"\"NOTRE DAME DE PARIS\"",
|
| 544 |
+
"\"GREEK GIRLS PICKING UP PEBBLES BY THE SEA\"",
|
| 545 |
+
"\"TERESINA\"",
|
| 546 |
+
"\"MUSIC LESSON\"",
|
| 547 |
+
"\"NAUSICAA\"",
|
| 548 |
+
"\"WINDING THE SKEIN\"",
|
| 549 |
+
"\"LIGHT OF THE HAREM\"",
|
| 550 |
+
"\"IDYLL\"",
|
| 551 |
+
"\"WEDDED\"",
|
| 552 |
+
"\"CAPTIVE ANDROMACHE\"",
|
| 553 |
+
"\"THE GARDEN OF THE HESPERIDES\"",
|
| 554 |
+
"\"PHOENICIANS TRADING WITH THE EARLY BRITONS ON THE COAST OF CORNWALL\"",
|
| 555 |
+
"\"WARHOL'S ANIMALS: SPECIES AT RISK\"",
|
| 556 |
+
"\"ORANGE PRINCE\"",
|
| 557 |
+
"\"SPEED SKATER PRINT\"",
|
| 558 |
+
"\"REIGNING QUEENS\"",
|
| 559 |
+
"\"DYNAMITE CHICKEN\"",
|
| 560 |
+
"\"ABSOLUT WARHOLA\"",
|
| 561 |
+
"\"JACKIE O\"",
|
| 562 |
+
"\"THE DOORS\"",
|
| 563 |
+
"\"I SHOT ANDY WARHOL\"",
|
| 564 |
+
"\"FACTORY GIRL\"",
|
| 565 |
+
"\"MEN IN BLACK 3\"",
|
| 566 |
+
"\"WEIRD: THE AL YANKOVIC STORY\"",
|
| 567 |
+
"\"HIGHWAY TO HELL\"",
|
| 568 |
+
"\"THE DRIVER'S SEAT\"",
|
| 569 |
+
"\"COCAINE COWBOYS\"",
|
| 570 |
+
"\"TOOTSIE\"",
|
| 571 |
+
"\"WATCHMEN\"",
|
| 572 |
+
"\"54\"",
|
| 573 |
+
"\"THE BILLIONAIRE BOYS CLUB\"",
|
| 574 |
+
"\"MIRACLEMAN\"",
|
| 575 |
+
"\"THE SIMS: SUPERSTAR\"",
|
| 576 |
+
"\"HOLY TERROR: ANDY WARHOL CLOSE UP\"",
|
| 577 |
+
"\"IMMORTALITY\"",
|
| 578 |
+
"\"GERALD ACKERMAN\"",
|
| 579 |
+
"\"CONSERVATIVE PARTY\"",
|
| 580 |
+
"\"CRUCIFIX BEHIND THE CURTAIN\"",
|
| 581 |
+
"\"ERIK HANS MICHAEL\"",
|
| 582 |
+
"\"PUBLIC ART NETWORK'S YEAR IN REVIEW AWARD\"",
|
| 583 |
+
"\"SMITHSONIAN AMERICAN INGENUITY AWARD\"",
|
| 584 |
+
"\"JOHN SIMON GUGGENHEIM MEMORIAL FOUNDATION\"",
|
| 585 |
+
"\"PORTUGUESE GOVERNMENT MEDAL OF CULTURAL MERIT\"",
|
| 586 |
+
"\"MAPFRE FOUNDATION DRAWING PRIZE\"",
|
| 587 |
+
"\"DAME COMMANDER OF THE BRITISH EMPIRE\"",
|
| 588 |
+
"\"HONORARY FELLOW OF MURRAY EDWARDS COLLEGE\"",
|
| 589 |
+
"\"HYENA\"",
|
| 590 |
+
"\"FAUN TEASED BY PUTTI\"",
|
| 591 |
+
"\"BOY WITH A DRAGON\"",
|
| 592 |
+
"\"ALDOBRANDINI FOUR SEASONS\"",
|
| 593 |
+
"\"MATTEO BONUCELLI\"",
|
| 594 |
+
"\"ARCHITECT OF ST. PETER'S\"",
|
| 595 |
+
"\"VATICAN CORRESPONDENT\"",
|
| 596 |
+
"\"\u041e\u0421\u0415\u041d\u041d\u042f\u042f \u0412\u042b\u0421\u0422\u0410\u0412\u041a\u0410 \u041f\u0420\u041e\u0418\u0417\u0412\u0415\u0414\u0415\u041d\u0418\u0419 \u041b\u0415\u041d\u0418\u041d\u0413\u0420\u0410\u0414\u0421\u041a\u0418\u0425 \u0425\u0423\u0414\u041e\u0416\u041d\u0418\u041a\u041e\u0412 1958 \u0413\u041e\u0414\u0410\"",
|
| 597 |
+
"\"\u0417\u041e\u041d\u0410\u041b\u042c\u041d\u0410\u042f \u0412\u042b\u0421\u0422\u0410\u0412\u041a\u0410 \u041f\u0420\u041e\u0418\u0417\u0412\u0415\u0414\u0415\u041d\u0418\u0419 \u041b\u0415\u041d\u0418\u041d\u0413\u0420\u0410\u0414\u0421\u041a\u0418\u0425 \u0425\u0423\u0414\u041e\u0416\u041d\u0418\u041a\u041e\u0412 1980 \u0413\u041e\u0414\u0410\"",
|
| 598 |
+
"\"BELLA DONNA\"",
|
| 599 |
+
"\"TENNYSON'S GIFT\"",
|
| 600 |
+
"\"THE WHITE RECTANGLE\"",
|
| 601 |
+
"\"REVENGE OF THE DREAMERS III\"",
|
| 602 |
+
"\"THE TRAGEDY OF A GREAT / DIE TRAG\u00d6DIE EINES GROSSEN\"",
|
| 603 |
+
"\"REMBRANDT (1936 FILM)\"",
|
| 604 |
+
"\"REMBRANDT (1940 FILM)\"",
|
| 605 |
+
"\"REMBRANDT (1942 FILM)\"",
|
| 606 |
+
"\"REMBRANDT (1999 FILM)\"",
|
| 607 |
+
"\"REMBRANDT: FATHERS & SONS\"",
|
| 608 |
+
"\"STEALING REMBRANDT\"",
|
| 609 |
+
"\"NIGHTWATCHING (2007 FILM)\"",
|
| 610 |
+
"\"R\u00c9P\u00c9TITIONS\"",
|
| 611 |
+
"\"WHITECHAPEL ART GALLERY\"",
|
| 612 |
+
"\"POETIC MEMOIRS\"",
|
| 613 |
+
"\"THE PURPLE RAIN\"",
|
| 614 |
+
"\"KROC AND THE CREATION OF THE BIG BYTE\"",
|
| 615 |
+
"\"LEVEL 4 \u2013 ENVIRONMENTAL ECOCIDE\"",
|
| 616 |
+
"\"WORKS FROM A SAVAGE GARDEN \u2013 ENVIRONMENTAL ECOCIDE\"",
|
| 617 |
+
"\"BLACK PARTHENON\"",
|
| 618 |
+
"\"BIRDCLOUD\"",
|
| 619 |
+
"\"SACRED GROVE \u2013 THE BLUE FOREST\"",
|
| 620 |
+
"\"LLOYD GEORGE IN PARLIAMENT SQUARE\"",
|
| 621 |
+
"\"HENRY PURCELL MEMORIAL\"",
|
| 622 |
+
"\"PORTRAIT OF LORD ANNAN\"",
|
| 623 |
+
"\"JEAN-MICHEL BASQUIAT: THE RADIANT CHILD\"",
|
| 624 |
+
"\"BOOM FOR REAL: THE LATE TEENAGE YEARS OF JEAN-MICHEL BASQUIAT\"",
|
| 625 |
+
"\"BASQUIAT: RAGE TO RICHES\"",
|
| 626 |
+
"\"THE TRAUMA OF PAINTING\"",
|
| 627 |
+
"\"MUFFE E NERI\"",
|
| 628 |
+
"\"GLI ORTI\"",
|
| 629 |
+
"\"TESLA\"",
|
| 630 |
+
"\"MANCHESTER UNITED FOOTBALL CLUB\"",
|
| 631 |
+
"\"MUSHROOM CLOUD\"",
|
| 632 |
+
"\"MOIETIES\"",
|
| 633 |
+
"\"ETTLINGER, LEOPOLD AND HELEN S. ETTLINGER\"",
|
| 634 |
+
"\"MEMORY, VIRGINIA WAR MEMORIAL\"",
|
| 635 |
+
"\"THE ARTS OF WAR\"",
|
| 636 |
+
"\"PIONEER WOMAN STATUE\"",
|
| 637 |
+
"\"ROGER WILLIAMS STATUE\"",
|
| 638 |
+
"\"FOUR FREEDOMS STATUES\"",
|
| 639 |
+
"\"SCULPTED CLOCK\"",
|
| 640 |
+
"\"BACCHANTE\"",
|
| 641 |
+
"\"COVER WAGON SCULPTURAL PANELS\"",
|
| 642 |
+
"\"LEWIS AND CLARK SCULPTURAL PANELS\"",
|
| 643 |
+
"\"RELIEFS FOR THE U.S. CHAMBER OF COMMERCE\"",
|
| 644 |
+
"\"RELIEFS AT RCA BUILDING\"",
|
| 645 |
+
"\"VIRGINIA WAR MEMORIAL\"",
|
| 646 |
+
"\"LIFETIME ACHIEVEMENT IN CONTEMPORARY SCULPTURE AWARD\"",
|
| 647 |
+
"\"GRAND PRIX\"",
|
| 648 |
+
"\"ANDALUSIA\"",
|
| 649 |
+
"\"EXTREMADURA\"",
|
| 650 |
+
"\"GUIPUZCOA\"",
|
| 651 |
+
"\"CASTILE\"",
|
| 652 |
+
"\"LEON\"",
|
| 653 |
+
"\"AYAMONTE\"",
|
| 654 |
+
"\"CEMENTERI DE VALENCIA\"",
|
| 655 |
+
"\"CANNES FILM FESTIVAL\"",
|
| 656 |
+
"\"THE SCEPTER OF CHARLES V\"",
|
| 657 |
+
"\"THE SWORD OF CHARLEMAGNE\"",
|
| 658 |
+
"\"GLORIANI\"",
|
| 659 |
+
"\"JOE SIBLEY\"",
|
| 660 |
+
"\"ELSTIR\"",
|
| 661 |
+
"\"DOCUMENTARY ART\"",
|
| 662 |
+
"\"AUTHENTICITY IN REPRESENTATION\"",
|
| 663 |
+
"\"HOW TO MAKE FURNITURE WITHOUT TOOLS\"",
|
| 664 |
+
"\"THE MODERN CHAIR: CLASSIC DESIGNS BY THONET, BREUER, LE CORBUSIER, EAMES AND OTHERS\"",
|
| 665 |
+
"\"THE SCULPTURE OF CLEMENT MEADMORE\"",
|
| 666 |
+
"\"ARTIST TRUST GAP AWARD\"",
|
| 667 |
+
"\"ARTIST TRUST FELLOWSHIPS\"",
|
| 668 |
+
"\"BEAUTIFICATION AWARD\"",
|
| 669 |
+
"\"40 UNDER 40\"",
|
| 670 |
+
"\"AVERBUCH\u2019S MID-CAREER RETROSPECTIVE\"",
|
| 671 |
+
"\"HENRY HUDSON\"",
|
| 672 |
+
"\"TIFFANY LAMP\"",
|
| 673 |
+
"\"THE SUNSET SCENE (GLASS WINDOW)\"",
|
| 674 |
+
"\"CULTURE PRIZE OF THE GERMAN SOCIETY FOR PHOTOGRAPHY\"",
|
| 675 |
+
"\"AUSTRIAN CROSS OF HONOUR FOR SCIENCE AND ART\"",
|
| 676 |
+
"\"HONORARY DOCTORATE FROM THE TECHNICAL UNIVERSITY OF GRAZ\"",
|
| 677 |
+
"\"CARTER RATCLIFF\"",
|
| 678 |
+
"\"THEATRE DE TOUS LES PEUPLES ET NATIONS DE LA TERRE\"",
|
| 679 |
+
"\"KING SOLOMON AND THE QUEEN OF SHEBA\"",
|
| 680 |
+
"\"CORTE BESCHRYVINGHE VAN ENGHELAND SCHOTLAND ENDE IRLAND\"",
|
| 681 |
+
"\"MONUMENTS DE ROME ANCIENNE\"",
|
| 682 |
+
"\"CENTRAAL MUSEUM, UTRECHT\"",
|
| 683 |
+
"\"KUNSTPREIS RHEINISCHE POST\"",
|
| 684 |
+
"\"KUNSTPREIS GLOCKENGASSE\"",
|
| 685 |
+
"\"COUTTS & CO. INTERNATIONAL AWARD\"",
|
| 686 |
+
"\"KUNSTPREIS AACHEN\"",
|
| 687 |
+
"\"JUNGE STADT SIEHT JUNGE KUNST\"",
|
| 688 |
+
"\"KONRAD-VON-SOEST-PREIS\"",
|
| 689 |
+
"\"PIEPENBROCK PRIZE FOR SCULPTURE\"",
|
| 690 |
+
"\"GROSSER KULTURPREIS DER SPARKASSEN-KULTURSTIFTUNG RHEINLAND\"",
|
| 691 |
+
"\"GOLDEN LION FOR LIFETIME ACHIEVEMENT\"",
|
| 692 |
+
"\"GOSLARER KAISERRING\"",
|
| 693 |
+
"\"ALFIE SOLOMONS\"",
|
| 694 |
+
"\"I CRIED FOR YOU\"",
|
| 695 |
+
"\"THEY CAN'T TAKE THAT AWAY FROM ME\"",
|
| 696 |
+
"\"THE BLUES ARE BREWIN'\"",
|
| 697 |
+
"\"DOWNBEAT POLL\"",
|
| 698 |
+
"\"AIA TWENTY-FIVE YEAR AWARD\"",
|
| 699 |
+
"\"THOMAS JEFFERSON MEDAL IN ARCHITECTURE\"",
|
| 700 |
+
"\"THE DOROTHY AND LILLIAN GISH PRIZE\"",
|
| 701 |
+
"\"IRIS, MESSENGER OF THE GODS\"",
|
| 702 |
+
"\"MEDITATION WITHOUT ARMS\"",
|
| 703 |
+
"\"THE WALKING MAN\"",
|
| 704 |
+
"\"RETROSPECTIVE: ALL\"",
|
| 705 |
+
"\"NOT AFRAID OF LOVE\"",
|
| 706 |
+
"\"GRAND ART PRIZE\"",
|
| 707 |
+
"\"ART PRIZE\"",
|
| 708 |
+
"\"HONORARY MEMBER OF THE ACADEMY OF FINE ARTS, NUREMBERG\"",
|
| 709 |
+
"\"GRAND CROSS OF MERIT OF THE FEDERAL REPUBLIC OF GERMANY\"",
|
| 710 |
+
"\"AMERICAN ACADEMY OF LETTERS\"",
|
| 711 |
+
"\"BARBARA HEPWORTH: A LIFE OF FORMS\"",
|
| 712 |
+
"\"BARBARA HEPWORTH: CARVINGS AND DRAWINGS\"",
|
| 713 |
+
"\"BARBARA HEPWORTH: RETROSPECTIVE EXHIBITION 1927\u20131954\"",
|
| 714 |
+
"\"BARBARA HEPWORTH: THE HOSPITAL DRAWINGS\"",
|
| 715 |
+
"\"THE DRAWINGS OF BARBARA HEPWORTH\"",
|
| 716 |
+
"\"BARBARA HEPWORTH: THE PLASTERS\"",
|
| 717 |
+
"\"ART IN PROGRESS\"",
|
| 718 |
+
"\"LIVERPOOL UNIVERSITY PRESS\"",
|
| 719 |
+
"\"ARTISAN COLLABORATION\"",
|
| 720 |
+
"\"EXCURSIONS IN THE COUNTY OF NORFOLK\"",
|
| 721 |
+
"\"THE WATER-COLOUR DRAWINGS OF JOHN SELL COTMAN\"",
|
| 722 |
+
"\"CONTEMPLATION OF MONEY\"",
|
| 723 |
+
"\"ART IS A BUSINESS\"",
|
| 724 |
+
"\"ART IN THE FOREST\"",
|
| 725 |
+
"\"THE SAND\"",
|
| 726 |
+
"\"THE COLOURED SOUNDS\"",
|
| 727 |
+
"\"THE GREEN BOOK\"",
|
| 728 |
+
"\"MY ATTIC\"",
|
| 729 |
+
"\"THE RED DWARFS\"",
|
| 730 |
+
"\"BILD MIT KREIS\"",
|
| 731 |
+
"\"WINESBURG, OHIO\"",
|
| 732 |
+
"\"MAIN STREET\"",
|
| 733 |
+
"\"THE TATTOOED COUNTESS\"",
|
| 734 |
+
"\"PAUL GRIFFITHS\"",
|
| 735 |
+
"\"CRIME WATCH GROUPS\"",
|
| 736 |
+
"\"GONE WITH THE WIND\"",
|
| 737 |
+
"\"COMMUNIST PARTY OF THE SOVIET UNION\"",
|
| 738 |
+
"\"PETRO POROSHENKO\"",
|
| 739 |
+
"\"COMMUNIST PARTY OF UKRAINE\"",
|
| 740 |
+
"\"HAMEAU DE LA REINE\"",
|
| 741 |
+
"\"CH\u00c2TEAU DE PIERREFONDS\"",
|
| 742 |
+
"\"CARCASSONNE\"",
|
| 743 |
+
"\"BASILICA OF SACR\u00c9-C\u0152UR\"",
|
| 744 |
+
"\"EASTER OFFENSIVE\"",
|
| 745 |
+
"\"OPERATION CHENLA II\"",
|
| 746 |
+
"\"LON NOL\"",
|
| 747 |
+
"\"NUON CHEA\"",
|
| 748 |
+
"\"OPERATION FREEDOM DEAL\"",
|
| 749 |
+
"\"GEORGE MCGOVERN\"",
|
| 750 |
+
"\"NORTH VIETNAMESE GOVERNMENT\"",
|
| 751 |
+
"\"OPERATION LINEBACKER\"",
|
| 752 |
+
"\"NANCY JACHEC\"",
|
| 753 |
+
"\"DAYS OF WAITING\"",
|
| 754 |
+
"\"BAD DAY AT BLACK ROCK\"",
|
| 755 |
+
"\"NAACP\"",
|
| 756 |
+
"\"URBAN LEAGUE\"",
|
| 757 |
+
"\"EMERGING ARTIST AWARD\"",
|
| 758 |
+
"\"KANDINSKY PRIZE\"",
|
| 759 |
+
"\"HANDS UP, DON'T SHOOT\"",
|
| 760 |
+
"\"NO JUSTICE, NO PEACE\"",
|
| 761 |
+
"\"STAY WOKE: THE BLACK LIVES MATTER MOVEMENT\"",
|
| 762 |
+
"\"LE P\u00c8SE-NERFS\"",
|
| 763 |
+
"\"IRENE'S CUNT\"",
|
| 764 |
+
"\"THE BLIND OWL\"",
|
| 765 |
+
"\"MR. KNIFE MISS FORK\"",
|
| 766 |
+
"\"BACKS TO THE WALL\"",
|
| 767 |
+
"\"CHURCH OF STS. SERGIUS AND BACCHUS\"",
|
| 768 |
+
"\"THE PALACE CHURCH\"",
|
| 769 |
+
"\"COAL\"",
|
| 770 |
+
"\"IRON\"",
|
| 771 |
+
"\"LEAD\"",
|
| 772 |
+
"\"COPPER\"",
|
| 773 |
+
"\"TIN\"",
|
| 774 |
+
"\"LIMESTONE\"",
|
| 775 |
+
"\"INTELLECTUAL TRADITIONS\"",
|
| 776 |
+
"\"ADVANCEMENT OF SCIENTIFIC DISCIPLINES\"",
|
| 777 |
+
"\"RHETORIC AND ELOQUENCE\"",
|
| 778 |
+
"\"KEY ENLIGHTENMENT THINKERS\"",
|
| 779 |
+
"\"INNOVATION IN ARTISTIC EXPRESSION\"",
|
| 780 |
+
"\"TRANSITION TO MODERNITY\"",
|
| 781 |
+
"\"SOCIAL REFORMS\"",
|
| 782 |
+
"\"IMPACT OF PRINT CULTURE\"",
|
| 783 |
+
"\"MARTIAL LAW IN IRELAND\"",
|
| 784 |
+
"\"PRISON SOLITARY CONFINEMENT\"",
|
| 785 |
+
"\"WAR PROPAGANDA\"",
|
| 786 |
+
"\"2ND BATTLE OF YPRES\"",
|
| 787 |
+
"\"WAR MEMORIALS IN FRANCE\"",
|
| 788 |
+
"\"WAR GRAVES COMMISSION\"",
|
| 789 |
+
"\"NEGOTIATION OF WAR GOALS\"",
|
| 790 |
+
"\"CONSEQUENCES OF WORLD WAR I\"",
|
| 791 |
+
"\"ARMISTICE OF COMPI\u00c8GNE\"",
|
| 792 |
+
"\"RIFLES SUPPLIED TO IRELAND\"",
|
| 793 |
+
"\"LEGACY OF MEMORIALS\"",
|
| 794 |
+
"\"COMMEMORATION OF THE 1918 ARMISTICE\"",
|
| 795 |
+
"\"MENIN GATE MEMORIAL\"",
|
| 796 |
+
"\"THIEPVAL MEMORIAL\"",
|
| 797 |
+
"\"ESPERANZA B. GATBONTON\"",
|
| 798 |
+
"\"MURAT HALSTEAD\"",
|
| 799 |
+
"\"FLORENTINO RODAO\"",
|
| 800 |
+
"\"SULPICO GUEVARA\"",
|
| 801 |
+
"\"MAXIMO MANGUIAT KALAW\"",
|
| 802 |
+
"\"STANLEY KARNOW\"",
|
| 803 |
+
"\"LONE STEWART\"",
|
| 804 |
+
"\"JOSE MONTERO Y VIDAL\"",
|
| 805 |
+
"\"JACK NELSON-PALLMEYER\"",
|
| 806 |
+
"\"FERNANDO J. PADILLA ANGULO\"",
|
| 807 |
+
"\"STUART CREIGHTON MILLER\"",
|
| 808 |
+
"\"RENE ESCALANTE\"",
|
| 809 |
+
"\"EDUCATING VOTERS\"",
|
| 810 |
+
"\"SIEGE OF PETERSBURG\"",
|
| 811 |
+
"\"ARMY OF THE POTOMAC\"",
|
| 812 |
+
"\"COPPERHEADS\"",
|
| 813 |
+
"\"GENERAL ORDER NO. 3\"",
|
| 814 |
+
"\"WAR DEMOCRATS\"",
|
| 815 |
+
"\"THE BIRTH OF A NATION\"",
|
| 816 |
+
"\"LAW AND JUSTICE PARTY\"",
|
| 817 |
+
"\"FIDESZ\"",
|
| 818 |
+
"\"CEREBRAL VENOUS SINUS THROMBOSIS (CVST)\"",
|
| 819 |
+
"\"WORLD HEALTH ORGANIZATION (WHO)\"",
|
| 820 |
+
"\"CENTERS FOR DISEASE CONTROL AND PREVENTION (CDC)\"",
|
| 821 |
+
"\"JOHNS HOPKINS UNIVERSITY\"",
|
| 822 |
+
"\"EUROPEAN CENTRE FOR DISEASE PREVENTION AND CONTROL (ECDC)\"",
|
| 823 |
+
"\"NIOSH\"",
|
| 824 |
+
"\"URBAN MERCHANT CLASS\"",
|
| 825 |
+
"\"MARK RUTTE\"",
|
| 826 |
+
"\"MICHEL ROG\"",
|
| 827 |
+
"\"EGYPTIAN SAM SHIELD\"",
|
| 828 |
+
"\"BRUEGEL THE ELDER\"",
|
| 829 |
+
"\"ENLIGHTEN CANBERRA\"",
|
| 830 |
+
"\"ENLIGHTENMENT (2012 PARALYMPICS)\"",
|
| 831 |
+
"\"BLACK PANTHERS\"",
|
| 832 |
+
"\"CIVIL RIGHTS CONGRESS\"",
|
| 833 |
+
"\"COMMUNIST PARTY USA\"",
|
| 834 |
+
"\"FAIR EMPLOYMENT PRACTICES COMMITTEE\"",
|
| 835 |
+
"\"CIVIL RIGHTS COMMISSION\"",
|
| 836 |
+
"\"JUSTICE DEPARTMENT'S CIVIL RIGHTS DIVISION\"",
|
| 837 |
+
"\"VETERANS ADMINISTRATION\"",
|
| 838 |
+
"\"FEDERAL SCHOOLS FOR MILITARY DEPENDENTS\"",
|
| 839 |
+
"\"CONGRESS OF RACIAL EQUALITY (CORE)\"",
|
| 840 |
+
"\"SOUTHERN CONFERENCE EDUCATIONAL FUND (SCEF)\"",
|
| 841 |
+
"\"COUNCIL OF FEDERATED ORGANIZATIONS (MISSISSIPPI)\"",
|
| 842 |
+
"\"MONTGOMERY IMPROVEMENT ASSOCIATION (MONTGOMERY, ALABAMA)\"",
|
| 843 |
+
"\"NASHVILLE STUDENT MOVEMENT (NASHVILLE, TENNESSEE)\"",
|
| 844 |
+
"\"REGIONAL COUNCIL OF NEGRO LEADERSHIP (MISSISSIPPI)\"",
|
| 845 |
+
"\"WOMEN'S POLITICAL COUNCIL (MONTGOMERY, ALABAMA)\"",
|
| 846 |
+
"\"LENIN IN 1918\"",
|
| 847 |
+
"\"REDS\"",
|
| 848 |
+
"\"ANASTASIA\""
|
| 849 |
+
]
|
data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-11_SemArtv2_100data/Qwen2-VL-7B_explanations_20250613_143747.json
ADDED
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@@ -0,0 +1,602 @@
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|
| 1 |
+
[
|
| 2 |
+
{
|
| 3 |
+
"Title": "Saint Ladislaus, King of Hungary",
|
| 4 |
+
"Author": "UNKNOWN MASTER, Hungarian",
|
| 5 |
+
"Image": "41294-10ladisl.jpg",
|
| 6 |
+
"Generated Description": "\nSaint Ladislaus, King of Hungary, depicted in regal attire, holding a scepter and a shield, seated on a throne, with a crown and a halo, in a detailed painting by an unknown Hungarian master."
|
| 7 |
+
},
|
| 8 |
+
{
|
| 9 |
+
"Title": "Coronation of the Virgin",
|
| 10 |
+
"Author": "VERONESE, Paolo",
|
| 11 |
+
"Image": "42791-1sacris.jpg",
|
| 12 |
+
"Generated Description": "\n\"Coronation of the Virgin\" by Veronese depicts the Virgin Mary being crowned by the Virgin Mary, with the Holy Spirit symbolizing the Holy Trinity."
|
| 13 |
+
},
|
| 14 |
+
{
|
| 15 |
+
"Title": "Annunciation",
|
| 16 |
+
"Author": "MASTER of Fl?malle",
|
| 17 |
+
"Image": "24776-annuncia.jpg",
|
| 18 |
+
"Generated Description": "\nAnnunciation by Master of Fl?malle depicts an angel announcing to a seated Mary, surrounded by detailed interior elements."
|
| 19 |
+
},
|
| 20 |
+
{
|
| 21 |
+
"Title": "Brunette with Bare Breasts",
|
| 22 |
+
"Author": "MANET, Edouard",
|
| 23 |
+
"Image": "23845-3manet04.jpg",
|
| 24 |
+
"Generated Description": "\n\"Edouard Manet's 'Brunette with Bare Breasts' depicts a woman in a dark, intimate setting, emphasizing her bare breasts.\""
|
| 25 |
+
},
|
| 26 |
+
{
|
| 27 |
+
"Title": "Weaver, Seen from the Front",
|
| 28 |
+
"Author": "GOGH, Vincent van",
|
| 29 |
+
"Image": "16988-nuenen03.jpg",
|
| 30 |
+
"Generated Description": "\nA man weaves fabric on a loom in a dimly lit room, depicted by Van Gogh."
|
| 31 |
+
},
|
| 32 |
+
{
|
| 33 |
+
"Title": "Summer",
|
| 34 |
+
"Author": "GRIMMER, Abel",
|
| 35 |
+
"Image": "18525-2summer1.jpg",
|
| 36 |
+
"Generated Description": "\n\"Summer\" by GRIMMER, Abel depicts a bustling harvest scene with farmers and villagers in a picturesque village setting."
|
| 37 |
+
},
|
| 38 |
+
{
|
| 39 |
+
"Title": "Battle of the Romans and the Sabines",
|
| 40 |
+
"Author": "RICCI, Sebastiano",
|
| 41 |
+
"Image": "34296-sabine2.jpg",
|
| 42 |
+
"Generated Description": "\n\"Battle of the Romans and the Sabines\" by Sebastiano Ricci depicts a chaotic scene of warriors and women in a battle, with a woman holding a baby and another carrying a child."
|
| 43 |
+
},
|
| 44 |
+
{
|
| 45 |
+
"Title": "Gondola in the Lagoon",
|
| 46 |
+
"Author": "GUARDI, Francesco",
|
| 47 |
+
"Image": "18753-guard219.jpg",
|
| 48 |
+
"Generated Description": "\nGondola in the Lagoon by Guardi depicts a serene Venetian scene with gondolas and distant cityscape."
|
| 49 |
+
},
|
| 50 |
+
{
|
| 51 |
+
"Title": "The Houses of Parliament in London",
|
| 52 |
+
"Author": "MONET, Claude",
|
| 53 |
+
"Image": "28665-1london3.jpg",
|
| 54 |
+
"Generated Description": "\nClaude Monet's \"The Houses of Parliament in London\" captures the silhouette of the iconic building against a misty, sunlit sky, emphasizing the play of light and shadow."
|
| 55 |
+
},
|
| 56 |
+
{
|
| 57 |
+
"Title": "Virgin and Child with Eight Angels",
|
| 58 |
+
"Author": "MAZZA, Tommaso del",
|
| 59 |
+
"Image": "25321-triptyc1.jpg",
|
| 60 |
+
"Generated Description": "\nVirgin and Child with Eight Angels by Tommaso del Maza depicts the Virgin Mary holding the Christ Child, surrounded by angels in a religious scene."
|
| 61 |
+
},
|
| 62 |
+
{
|
| 63 |
+
"Title": "Franz Xaver Richter von Binnenthal",
|
| 64 |
+
"Author": "KRAFFT, Johann Peter",
|
| 65 |
+
"Image": "21214-richter2.jpg",
|
| 66 |
+
"Generated Description": "\nFranz Xaver Richter von Binnenthal, painted by Johann Peter Krafft, showcases the subject in formal attire with medals, emphasizing his military or noble status."
|
| 67 |
+
},
|
| 68 |
+
{
|
| 69 |
+
"Title": "An Interior Scene",
|
| 70 |
+
"Author": "SORGH, Hendrick Maertensz.",
|
| 71 |
+
"Image": "37680-interior.jpg",
|
| 72 |
+
"Generated Description": "\n\"An Interior Scene\" by SORGH, Hendrick Maertensz. depicts a rustic kitchen with two figures engaged in conversation, surrounded by barrels and kitchen utensils."
|
| 73 |
+
},
|
| 74 |
+
{
|
| 75 |
+
"Title": "Fete in a Wood",
|
| 76 |
+
"Author": "LANCRET, Nicolas",
|
| 77 |
+
"Image": "21435-fetewood.jpg",
|
| 78 |
+
"Generated Description": "\nF\u00eate in a Wood by Nicolas Lancret depicts a lively outdoor gathering in a forest, with people in elegant attire enjoying the festivities."
|
| 79 |
+
},
|
| 80 |
+
{
|
| 81 |
+
"Title": "Tribute Money",
|
| 82 |
+
"Author": "TIZIANO Vecellio",
|
| 83 |
+
"Image": "39675-13tribut.jpg",
|
| 84 |
+
"Generated Description": "\n\"Tribute Money\" by Tiziano Vecellio depicts Jesus and Peter, with Peter holding a coin, illustrating the biblical story."
|
| 85 |
+
},
|
| 86 |
+
{
|
| 87 |
+
"Title": "Portrait of John 20th Earl of Crawford and Lindsay",
|
| 88 |
+
"Author": "WAITT, Richard",
|
| 89 |
+
"Image": "43701-crawford.jpg",
|
| 90 |
+
"Generated Description": "\nA detailed portrait of John 20th Earl of Crawford and Lindsay, showcasing his elaborate military attire and holding a musket."
|
| 91 |
+
},
|
| 92 |
+
{
|
| 93 |
+
"Title": "The Holy Family at Table",
|
| 94 |
+
"Author": "MOSTAERT, Jan",
|
| 95 |
+
"Image": "29134-holy_fam.jpg",
|
| 96 |
+
"Generated Description": "\nThe Holy Family at Table by Jan Mostaert depicts a serene family scene with bread, bowls, and a child, set in a rustic interior."
|
| 97 |
+
},
|
| 98 |
+
{
|
| 99 |
+
"Title": "Still-Life",
|
| 100 |
+
"Author": "HEDA, Willem Claesz.",
|
| 101 |
+
"Image": "19406-stillif1.jpg",
|
| 102 |
+
"Generated Description": "\nWillem Claesz Heda's \"Still-Life\" features a rich assortment of food and drink, including bread, fruit, and a wine glass, all meticulously arranged on a tablecloth."
|
| 103 |
+
},
|
| 104 |
+
{
|
| 105 |
+
"Title": "No. 1 Scenes from the Life of Joachim: 1. Rejection of Joachim's Sacrifice",
|
| 106 |
+
"Author": "GIOTTO di Bondone",
|
| 107 |
+
"Image": "16070-joachi1.jpg",
|
| 108 |
+
"Generated Description": "\nGIOTTO di Bondone's \"Rejection of Joachim's Sacrifice\" depicts a religious scene with figures in traditional robes, set against a blue background."
|
| 109 |
+
},
|
| 110 |
+
{
|
| 111 |
+
"Title": "Venus and Adonis",
|
| 112 |
+
"Author": "TIZIANO Vecellio",
|
| 113 |
+
"Image": "39719-2venus_a.jpg",
|
| 114 |
+
"Generated Description": "\nTiziano Vecellio's \"Venus and Adonis\" depicts a mythological scene with Venus and Adonis, surrounded by nature and dogs, under a dramatic sky."
|
| 115 |
+
},
|
| 116 |
+
{
|
| 117 |
+
"Title": "St John Altarpiece (left wing)",
|
| 118 |
+
"Author": "MASSYS, Quentin",
|
| 119 |
+
"Image": "24599-st_john3.jpg",
|
| 120 |
+
"Generated Description": "\nQuentin Massys' \"St John Altarpiece\" depicts a medieval banquet scene with intricate details and vibrant colors."
|
| 121 |
+
},
|
| 122 |
+
{
|
| 123 |
+
"Title": "Basket of Flowers",
|
| 124 |
+
"Author": "P?REZ, Bartolom?",
|
| 125 |
+
"Image": "30682-basket.jpg",
|
| 126 |
+
"Generated Description": "\n\"Basket of Flowers\" by P?REZ, Bartolom? features a vibrant bouquet in a basket, set against a dark background, showcasing the artist's skill in capturing the beauty of flowers."
|
| 127 |
+
},
|
| 128 |
+
{
|
| 129 |
+
"Title": "Madonna and Child with a Goldfinch",
|
| 130 |
+
"Author": "UNKNOWN MASTER, Italian",
|
| 131 |
+
"Image": "41468-madfinch.jpg",
|
| 132 |
+
"Generated Description": "\nMadonna and Child with a Goldfinch by an unknown Italian master, depicting a serene mother and child with a goldfinch, set against a gold background."
|
| 133 |
+
},
|
| 134 |
+
{
|
| 135 |
+
"Title": "Woman with a Water Pitcher, and a Man by a Bed",
|
| 136 |
+
"Author": "HOOCH, Pieter de",
|
| 137 |
+
"Image": "20118-49hoock.jpg",
|
| 138 |
+
"Generated Description": "\nA woman with a pitcher stands in a room with a man by a bed, a dog, and a mirror."
|
| 139 |
+
},
|
| 140 |
+
{
|
| 141 |
+
"Title": "Three Camaldolese Monks in Ecstatic Prayer",
|
| 142 |
+
"Author": "MAGNASCO, Alessandro",
|
| 143 |
+
"Image": "23622-monks1.jpg",
|
| 144 |
+
"Generated Description": "\nThree Camaldolese monks in ecstatic prayer, by Alessandro Magnasco."
|
| 145 |
+
},
|
| 146 |
+
{
|
| 147 |
+
"Title": "Edmond Duranty",
|
| 148 |
+
"Author": "DEGAS, Edgar",
|
| 149 |
+
"Image": "11177-1870s_77.jpg",
|
| 150 |
+
"Generated Description": "\nEdmond Duranty, a renowned journalist, sits at his desk in his study, surrounded by books and papers, reflecting on his work."
|
| 151 |
+
},
|
| 152 |
+
{
|
| 153 |
+
"Title": "The Miser",
|
| 154 |
+
"Author": "POT, Hendrick Gerritsz",
|
| 155 |
+
"Image": "32122-themiser.jpg",
|
| 156 |
+
"Generated Description": "\n\"The Miser\" by Hendrick Gerritsz POT depicts a wealthy man with a beard, dressed in dark clothing, seated at a table laden with coins and jewels, symbolizing his wealth and greed."
|
| 157 |
+
},
|
| 158 |
+
{
|
| 159 |
+
"Title": "The Marriage of the Emperor Frederick Barbarossa to Beatrice of Burgundy",
|
| 160 |
+
"Author": "TIEPOLO, Giovanni Battista",
|
| 161 |
+
"Image": "39014-1hall2.jpg",
|
| 162 |
+
"Generated Description": "\nThe Marriage of Emperor Frederick Barbarossa to Beatrice of Burgundy by Tiepolo depicts a grandiose ceremony with elaborate architecture and ornate figures."
|
| 163 |
+
},
|
| 164 |
+
{
|
| 165 |
+
"Title": "Composer Ferenc Erkel",
|
| 166 |
+
"Author": "STR?BL, Alajos",
|
| 167 |
+
"Image": "38221-1erkel.jpg",
|
| 168 |
+
"Generated Description": "\nA statue of composer Ferenc Erkel, seated, wearing traditional attire, in a niche."
|
| 169 |
+
},
|
| 170 |
+
{
|
| 171 |
+
"Title": "Bacchus and Ariadne",
|
| 172 |
+
"Author": "AMIGONI, Jacopo",
|
| 173 |
+
"Image": "00475-venus2.jpg",
|
| 174 |
+
"Generated Description": "\nBacchus and Ariadne, by AMIGONI, depicts a mythological scene with figures in a natural setting."
|
| 175 |
+
},
|
| 176 |
+
{
|
| 177 |
+
"Title": "Beach Scene, Trouville",
|
| 178 |
+
"Author": "BOUDIN, Eug?ne",
|
| 179 |
+
"Image": "05715-03beach.jpg",
|
| 180 |
+
"Generated Description": "\nEug\u00e8ne Boudin's \"Beach Scene, Trouville\" depicts a lively beach gathering with people and dogs, under a vast blue sky."
|
| 181 |
+
},
|
| 182 |
+
{
|
| 183 |
+
"Title": "Christ and the Adulteress",
|
| 184 |
+
"Author": "GAROFALO",
|
| 185 |
+
"Image": "14823-adultere.jpg",
|
| 186 |
+
"Generated Description": "\nChrist and the Adulteress by Garofalo depicts Jesus forgiving an adulteress in a grand, classical setting."
|
| 187 |
+
},
|
| 188 |
+
{
|
| 189 |
+
"Title": "Expulsion of Hagar",
|
| 190 |
+
"Author": "MIERIS, Willem van",
|
| 191 |
+
"Image": "27095-exphagar.jpg",
|
| 192 |
+
"Generated Description": "\nExpulsion of Hagar by Mieris, Willem van, depicts a biblical scene with figures in traditional attire against a dark, natural backdrop."
|
| 193 |
+
},
|
| 194 |
+
{
|
| 195 |
+
"Title": "Commemoration of King Mausolus by Queen Artemisia",
|
| 196 |
+
"Author": "HOUBRAKEN, Arnold",
|
| 197 |
+
"Image": "20185-commemor.jpg",
|
| 198 |
+
"Generated Description": "\nQueen Artemisia commemorates King Mausolus in a grand, opulent setting, with intricate details and vibrant colors."
|
| 199 |
+
},
|
| 200 |
+
{
|
| 201 |
+
"Title": "Last Judgment",
|
| 202 |
+
"Author": "MEMLING, Hans",
|
| 203 |
+
"Image": "26001-02last3.jpg",
|
| 204 |
+
"Generated Description": "\nThe Last Judgment by Hans Memling depicts a chaotic scene of souls being judged, with angels and demons in a fiery inferno."
|
| 205 |
+
},
|
| 206 |
+
{
|
| 207 |
+
"Title": "Combat of Love and Chastity",
|
| 208 |
+
"Author": "PERUGINO, Pietro",
|
| 209 |
+
"Image": "30878-combat.jpg",
|
| 210 |
+
"Generated Description": "\n\"Combat of Love and Chastity\" by Perugino depicts a mythological battle between the forces of love and chastity, set in a serene landscape."
|
| 211 |
+
},
|
| 212 |
+
{
|
| 213 |
+
"Title": "Self-Portrait at 26",
|
| 214 |
+
"Author": "D?RER, Albrecht",
|
| 215 |
+
"Image": "12490-05self26.jpg",
|
| 216 |
+
"Generated Description": "\nAlbrecht D\u00fcrer's \"Self-Portrait at 26\" showcases his artistic maturity, featuring a detailed, realistic depiction of the artist in a contemplative pose."
|
| 217 |
+
},
|
| 218 |
+
{
|
| 219 |
+
"Title": "Legend of St Francis: Scenes Nos. 10-12",
|
| 220 |
+
"Author": "GIOTTO di Bondone",
|
| 221 |
+
"Image": "16009-02bay4.jpg",
|
| 222 |
+
"Generated Description": "\nGIOTTO di Bondone's \"Legend of St Francis: Scenes Nos. 10-12\" depicts the life of St. Francis, focusing on his interactions with the poor and the natural world."
|
| 223 |
+
},
|
| 224 |
+
{
|
| 225 |
+
"Title": "The Nativity and Other Episodes from the Childhood of Christ",
|
| 226 |
+
"Author": "PIETRO DA RIMINI",
|
| 227 |
+
"Image": "31304-childhoo.jpg",
|
| 228 |
+
"Generated Description": "\nThe Nativity and Other Episodes from the Childhood of Christ by Pietro da Rimini depicts the birth of Jesus and various events from his early life, set against a gold background."
|
| 229 |
+
},
|
| 230 |
+
{
|
| 231 |
+
"Title": "Portrait of Lady Mary Guildford",
|
| 232 |
+
"Author": "HOLBEIN, Hans the Younger",
|
| 233 |
+
"Image": "19863-2guildf3.jpg",
|
| 234 |
+
"Generated Description": "\nHans Holbein's \"Portrait of Lady Mary Guildford\" depicts a woman in Renaissance attire, holding a book, set against an ornate column and greenery."
|
| 235 |
+
},
|
| 236 |
+
{
|
| 237 |
+
"Title": "Wooded Landscape",
|
| 238 |
+
"Author": "HACKAERT, Jan",
|
| 239 |
+
"Image": "19022-woodedla.jpg",
|
| 240 |
+
"Generated Description": "\nWooded Landscape by Jan Hackaert depicts a serene forest scene with figures and animals, capturing the tranquility of nature."
|
| 241 |
+
},
|
| 242 |
+
{
|
| 243 |
+
"Title": "Attributes of Painting, Sculpture, and Architecture",
|
| 244 |
+
"Author": "VALLAYER-COSTER, Anne",
|
| 245 |
+
"Image": "42013-attribut.jpg",
|
| 246 |
+
"Generated Description": "\nThis painting by Anne Vallayer-Coster depicts tools and materials for painting, sculpture, and architecture, symbolizing the interdisciplinary nature of the arts."
|
| 247 |
+
},
|
| 248 |
+
{
|
| 249 |
+
"Title": "Brazen Serpent",
|
| 250 |
+
"Author": "PELLEGRINI, Giovanni Antonio",
|
| 251 |
+
"Image": "30593-brazen.jpg",
|
| 252 |
+
"Generated Description": "\nBrazen Serpent painting by Pellegrini depicts Moses and the Israelites, with angels and a snake, illustrating a biblical story."
|
| 253 |
+
},
|
| 254 |
+
{
|
| 255 |
+
"Title": "Holy Family with the Infant St John the Baptist",
|
| 256 |
+
"Author": "FONTANA, Prospero",
|
| 257 |
+
"Image": "14013-holyfami.jpg",
|
| 258 |
+
"Generated Description": "\nThe Holy Family with the Infant St John the Baptist, by Prospero Fontana, depicts Mary, Joseph, and the infant John in a serene, natural setting."
|
| 259 |
+
},
|
| 260 |
+
{
|
| 261 |
+
"Title": "View and Plan of Toledo",
|
| 262 |
+
"Author": "GRECO, El",
|
| 263 |
+
"Image": "18403-1903grec.jpg",
|
| 264 |
+
"Generated Description": "\nEl Greco's \"View and Plan of Toledo\" depicts a cityscape with a figure holding a map, set against a dramatic sky."
|
| 265 |
+
},
|
| 266 |
+
{
|
| 267 |
+
"Title": "Grotesques with Flowers",
|
| 268 |
+
"Author": "CORTE, Gabriel de la",
|
| 269 |
+
"Image": "09642-grotesq1.jpg",
|
| 270 |
+
"Generated Description": "\nGrotesques with Flowers by Gabriel de la Corte features ornate, floral designs and a central cherub head, showcasing Baroque artistry."
|
| 271 |
+
},
|
| 272 |
+
{
|
| 273 |
+
"Title": "Portrait of a Lady",
|
| 274 |
+
"Author": "GRASSI, J?zef",
|
| 275 |
+
"Image": "18160-portlady.jpg",
|
| 276 |
+
"Generated Description": "\nA lady in a blue dress holds a lyre, with an open book and a vase nearby."
|
| 277 |
+
},
|
| 278 |
+
{
|
| 279 |
+
"Title": "Portrait of Anna Codde",
|
| 280 |
+
"Author": "HEEMSKERCK, Maerten van",
|
| 281 |
+
"Image": "19482-1portrai.jpg",
|
| 282 |
+
"Generated Description": "\n\"Portrait of Anna Codde\" by Maerten van Heemskerck depicts a woman spinning, showcasing her skill and domestic life."
|
| 283 |
+
},
|
| 284 |
+
{
|
| 285 |
+
"Title": "Supper at Emmaus",
|
| 286 |
+
"Author": "JACOPO DA EMPOLI",
|
| 287 |
+
"Image": "20473-emmaus.jpg",
|
| 288 |
+
"Generated Description": "\n\"Supper at Emmaus\" by Jacopo da Empoli depicts Jesus and two disciples, with a focus on their shared meal and conversation."
|
| 289 |
+
},
|
| 290 |
+
{
|
| 291 |
+
"Title": "Jupiter and Antiope",
|
| 292 |
+
"Author": "GHERARDINI, Alessandro",
|
| 293 |
+
"Image": "15337-jupiter.jpg",
|
| 294 |
+
"Generated Description": "\nGHERARDINI's \"Jupiter and Antiope\" depicts a mythological scene with Jupiter, Antiope, and an angelic figure."
|
| 295 |
+
},
|
| 296 |
+
{
|
| 297 |
+
"Title": "Still-Life",
|
| 298 |
+
"Author": "KESSEL, Jan van, II",
|
| 299 |
+
"Image": "20980-stillife.jpg",
|
| 300 |
+
"Generated Description": "\nJan van Kessel II's \"Still-Life\" depicts a dynamic scene with dead birds, fruits, and vegetables, set against a dramatic, dark landscape."
|
| 301 |
+
},
|
| 302 |
+
{
|
| 303 |
+
"Title": "Endymion Porter",
|
| 304 |
+
"Author": "DOBSON, William",
|
| 305 |
+
"Image": "11569-porter.jpg",
|
| 306 |
+
"Generated Description": "\nEndymion Porter by William Dobson portrays a man in elaborate attire, accompanied by a boy, set against a dramatic landscape."
|
| 307 |
+
},
|
| 308 |
+
{
|
| 309 |
+
"Title": "View of the Sala dell'Udienza del Granduca",
|
| 310 |
+
"Author": "MITELLI, Agostino",
|
| 311 |
+
"Image": "28339-pitti1.jpg",
|
| 312 |
+
"Generated Description": "\nThis painting by MITELLI, titled \"View of the Sala dell'Udienza del Granduca,\" depicts the grand hall of the Grand Duke's audience chamber, showcasing intricate architectural details and opulent furnishings."
|
| 313 |
+
},
|
| 314 |
+
{
|
| 315 |
+
"Title": "Landscape with Shepherds and Sheep",
|
| 316 |
+
"Author": "BONZI, Pietro Paolo",
|
| 317 |
+
"Image": "05055-landscap.jpg",
|
| 318 |
+
"Generated Description": "\nLandscape with Shepherds and Sheep by BONZI, Pietro Paolo depicts a pastoral scene with animals and a shepherd resting under a tree."
|
| 319 |
+
},
|
| 320 |
+
{
|
| 321 |
+
"Title": "The Toilet",
|
| 322 |
+
"Author": "TOULOUSE-LAUTREC, Henri de",
|
| 323 |
+
"Image": "39994-3redhea4.jpg",
|
| 324 |
+
"Generated Description": "\nHenri de Toulouse-Lautrec's \"The Toilet\" depicts a woman in a blue dress, capturing a moment of daily life with expressive brushstrokes."
|
| 325 |
+
},
|
| 326 |
+
{
|
| 327 |
+
"Title": "Daniel",
|
| 328 |
+
"Author": "UGOLINO DI NERIO",
|
| 329 |
+
"Image": "40421-3pinnac1.jpg",
|
| 330 |
+
"Generated Description": "\nDaniel, by Ugo di Nerio, portrays a saint in red robes, holding a scroll with Latin text."
|
| 331 |
+
},
|
| 332 |
+
{
|
| 333 |
+
"Title": "Stoning of St Stephen",
|
| 334 |
+
"Author": "ROMANESQUE PAINTER, French",
|
| 335 |
+
"Image": "34916-1auxerr1.jpg",
|
| 336 |
+
"Generated Description": "\nThe Stoning of St. Stephen depicts the martyrdom of the first Christian martyr, showing his death by being stoned to death."
|
| 337 |
+
},
|
| 338 |
+
{
|
| 339 |
+
"Title": "Jael and Sisera",
|
| 340 |
+
"Author": "AMIGONI, Jacopo",
|
| 341 |
+
"Image": "00468-sisera.jpg",
|
| 342 |
+
"Generated Description": "\nJael and Sisera painting by AMIGONI, Jacopo depicts Jael piercing Sisera's head with a hammer, a biblical scene."
|
| 343 |
+
},
|
| 344 |
+
{
|
| 345 |
+
"Title": "Still-Life",
|
| 346 |
+
"Author": "HEEM, Jan Davidsz. de",
|
| 347 |
+
"Image": "19439-stil_lif.jpg",
|
| 348 |
+
"Generated Description": "\n\"Still-Life\" by Jan Davidsz. de Heem features a vibrant still-life arrangement of fruits, flowers, and foliage, showcasing the artist's mastery of detail and color."
|
| 349 |
+
},
|
| 350 |
+
{
|
| 351 |
+
"Title": "Lucius Quinctius Cincinnatus Called from the Plow to the Dictatorship",
|
| 352 |
+
"Author": "RICCI, Sebastiano",
|
| 353 |
+
"Image": "34316-maruce16.jpg",
|
| 354 |
+
"Generated Description": "\n\"Lucius Quinctius Cincinnatus is depicted being called from plowing to his dictatorship, symbolizing his duty and leadership.\""
|
| 355 |
+
},
|
| 356 |
+
{
|
| 357 |
+
"Title": "Equestrian Portrait of Napoleon",
|
| 358 |
+
"Author": "VERNET, Carle",
|
| 359 |
+
"Image": "42685-napoleox.jpg",
|
| 360 |
+
"Generated Description": "\nEquestrian Portrait of Napoleon by Vernet, Carle, depicts Napoleon on horseback, directing troops in a battle scene."
|
| 361 |
+
},
|
| 362 |
+
{
|
| 363 |
+
"Title": "The Kreuzkirche in Dresden",
|
| 364 |
+
"Author": "BELLOTTO, Bernardo",
|
| 365 |
+
"Image": "03972-bello200.jpg",
|
| 366 |
+
"Generated Description": "\nThe Kreuzkirche in Dresden by Bernardo Bellotto depicts the church's grandeur with detailed architectural elements and bustling street life."
|
| 367 |
+
},
|
| 368 |
+
{
|
| 369 |
+
"Title": "Crucifixion",
|
| 370 |
+
"Author": "MEMLING, Hans",
|
| 371 |
+
"Image": "26166-08notri1.jpg",
|
| 372 |
+
"Generated Description": "\nHans Memling's \"Crucifixion\" depicts the crucifixion of Jesus with a detailed, realistic portrayal of the scene, including the figures of the Virgin Mary, John, and other mourners."
|
| 373 |
+
},
|
| 374 |
+
{
|
| 375 |
+
"Title": "Midas and Bacchus",
|
| 376 |
+
"Author": "POUSSIN, Nicolas",
|
| 377 |
+
"Image": "32214-19midas.jpg",
|
| 378 |
+
"Generated Description": "\nMidas and Bacchus, by Poussin, depicts a mythological scene with figures in classical attire, surrounded by nature."
|
| 379 |
+
},
|
| 380 |
+
{
|
| 381 |
+
"Title": "Triptych",
|
| 382 |
+
"Author": "UNKNOWN MASTER, Netherlandish",
|
| 383 |
+
"Image": "41650-triptyc2.jpg",
|
| 384 |
+
"Generated Description": "\nTriptych painting by an unknown Netherlandish master, depicting a religious scene with multiple figures in a landscape."
|
| 385 |
+
},
|
| 386 |
+
{
|
| 387 |
+
"Title": "Christ Handing the Keys to St Peter",
|
| 388 |
+
"Author": "PERUGINO, Pietro",
|
| 389 |
+
"Image": "30863-keys.jpg",
|
| 390 |
+
"Generated Description": "\nChrist bestows keys upon St. Peter, symbolizing ecclesiastical authority, in this Perugino painting."
|
| 391 |
+
},
|
| 392 |
+
{
|
| 393 |
+
"Title": "River-bank with Cows",
|
| 394 |
+
"Author": "CUYP, Aelbert",
|
| 395 |
+
"Image": "10630-riverban.jpg",
|
| 396 |
+
"Generated Description": "\nAelbert Cuyp's \"River-bank with Cows\" depicts cows grazing near a river, with boats and cliffs in the background."
|
| 397 |
+
},
|
| 398 |
+
{
|
| 399 |
+
"Title": "The Nativity in an Ancient Ruin",
|
| 400 |
+
"Author": "CODAZZI, Viviano",
|
| 401 |
+
"Image": "09188-nativit.jpg",
|
| 402 |
+
"Generated Description": "\nThe painting depicts the Nativity in an ancient ruin, showcasing figures in a ruined structure with classical columns and a tree."
|
| 403 |
+
},
|
| 404 |
+
{
|
| 405 |
+
"Title": "Hina te Fatou (The Moon and the Earth)",
|
| 406 |
+
"Author": "GAUGUIN, Paul",
|
| 407 |
+
"Image": "14981-1paris02.jpg",
|
| 408 |
+
"Generated Description": "\n\"Hina te Fatou\" by Paul Gauguin depicts a nude figure with a jug, set against a dark, mystical background, symbolizing the moon and the earth."
|
| 409 |
+
},
|
| 410 |
+
{
|
| 411 |
+
"Title": "Penitent St Peter",
|
| 412 |
+
"Author": "CRETI, Donato",
|
| 413 |
+
"Image": "10495-st_peter.jpg",
|
| 414 |
+
"Generated Description": "\nPenitent St. Peter by Creti, Donato, depicts a solemn figure with clasped hands, evoking a sense of remorse and devotion."
|
| 415 |
+
},
|
| 416 |
+
{
|
| 417 |
+
"Title": "Abraham Casting Out Hagar and Ishmael",
|
| 418 |
+
"Author": "GUERCINO",
|
| 419 |
+
"Image": "18886-abraham.jpg",
|
| 420 |
+
"Generated Description": "\nGuercino's \"Abraham Casting Out Hagar and Ishmael\" depicts a biblical scene with Abraham, Hagar, and Ishmael, showing the expulsion of Hagar and Ishmael from the household."
|
| 421 |
+
},
|
| 422 |
+
{
|
| 423 |
+
"Title": "Achilles Discovered among the Daughters of Lycomedes",
|
| 424 |
+
"Author": "LAIRESSE, G?rard de",
|
| 425 |
+
"Image": "21387-lycomed2.jpg",
|
| 426 |
+
"Generated Description": "\nAchilles is discovered among the Daughters of Lycomedes, a scene of discovery and revelation in this painting by LAIRESSE."
|
| 427 |
+
},
|
| 428 |
+
{
|
| 429 |
+
"Title": "Rome, View of the Palatine Hill",
|
| 430 |
+
"Author": "HARPIGNIES, Henri-Joseph",
|
| 431 |
+
"Image": "19317-palatine.jpg",
|
| 432 |
+
"Generated Description": "\n\"Rome, View of the Palatine Hill\" by Harpignies depicts the ancient ruins and lush greenery of the Palatine Hill, capturing the essence of Rome's historical and natural beauty."
|
| 433 |
+
},
|
| 434 |
+
{
|
| 435 |
+
"Title": "Scenes from the Life of Saint John the Baptist",
|
| 436 |
+
"Author": "MASTER of the Life of Saint John the Baptist",
|
| 437 |
+
"Image": "25125-scene2.jpg",
|
| 438 |
+
"Generated Description": "\nThe painting depicts the baptism of Jesus by John the Baptist, with angels and a gold background."
|
| 439 |
+
},
|
| 440 |
+
{
|
| 441 |
+
"Title": "Still-Life of Flowers and Fruits",
|
| 442 |
+
"Author": "MONNOYER, Jean-Baptiste",
|
| 443 |
+
"Image": "28703-stilife.jpg",
|
| 444 |
+
"Generated Description": "\n\"Still-Life of Flowers and Fruits\" by Jean-Baptiste Monnoyer showcases a rich, opulent arrangement of flowers, fruits, and ornate objects, reflecting the Baroque era's grandeur and attention to detail."
|
| 445 |
+
},
|
| 446 |
+
{
|
| 447 |
+
"Title": "Madonna and Child",
|
| 448 |
+
"Author": "BELLINI, Giovanni",
|
| 449 |
+
"Image": "03825-112madon.jpg",
|
| 450 |
+
"Generated Description": "\nMadonna and Child by Giovanni Bellini depicts a serene, classical scene with a landscape background."
|
| 451 |
+
},
|
| 452 |
+
{
|
| 453 |
+
"Title": "Christ before Pilate",
|
| 454 |
+
"Author": "UNKNOWN MASTER, Italian",
|
| 455 |
+
"Image": "41397-13panel2.jpg",
|
| 456 |
+
"Generated Description": "\nChrist before Pilate depicts Jesus' trial, with Pilate washing his hands, symbolizing his innocence."
|
| 457 |
+
},
|
| 458 |
+
{
|
| 459 |
+
"Title": "Under the Birch Trees",
|
| 460 |
+
"Author": "KLODT, Mikhail Konstantinovich",
|
| 461 |
+
"Image": "21079-birchtre.jpg",
|
| 462 |
+
"Generated Description": "\n\"Under the Birch Trees\" by KLODT depicts a serene forest scene with figures resting, showcasing the artist's mastery of light and nature."
|
| 463 |
+
},
|
| 464 |
+
{
|
| 465 |
+
"Title": "Ceiling decoration",
|
| 466 |
+
"Author": "GIANI, Felice",
|
| 467 |
+
"Image": "15735-ceiling.jpg",
|
| 468 |
+
"Generated Description": "\nGIANI Felice's Ceiling decoration features a central scene with figures and a large decorative panel below."
|
| 469 |
+
},
|
| 470 |
+
{
|
| 471 |
+
"Title": "Portrait of Petrus Ricardus",
|
| 472 |
+
"Author": "POURBUS, Frans the Younger",
|
| 473 |
+
"Image": "32185-ricardus.jpg",
|
| 474 |
+
"Generated Description": "\nPortrait of Petrus Ricardus by Frans the Younger, depicting a man in Renaissance attire, holding a book and a staff."
|
| 475 |
+
},
|
| 476 |
+
{
|
| 477 |
+
"Title": "A Scene in the Grounds of the Villa Farnese, Rome",
|
| 478 |
+
"Author": "ROBERT, Hubert",
|
| 479 |
+
"Image": "34630-farnese.jpg",
|
| 480 |
+
"Generated Description": "\nHubert Robert's painting depicts a serene garden scene at the Villa Farnese in Rome, featuring a woman and child on steps, surrounded by classical ruins and lush vegetation."
|
| 481 |
+
},
|
| 482 |
+
{
|
| 483 |
+
"Title": "Vanitas with a Royal Crown",
|
| 484 |
+
"Author": "VINNE, Vincent I Laurensz. van der",
|
| 485 |
+
"Image": "43258-vanitas.jpg",
|
| 486 |
+
"Generated Description": "\n\"Vanitas with a Royal Crown\" by Vincent I Laurensz. van der Veen depicts a still life of various objects, including a crown, symbolizing the transience of wealth and power."
|
| 487 |
+
},
|
| 488 |
+
{
|
| 489 |
+
"Title": "Finding of Moses",
|
| 490 |
+
"Author": "DIZIANI, Gaspare",
|
| 491 |
+
"Image": "11560-findingm.jpg",
|
| 492 |
+
"Generated Description": "\n\"Finding of Moses\" by Diziani depicts Moses being discovered by Pharaoh's daughter in a basket by the river, surrounded by attendants."
|
| 493 |
+
},
|
| 494 |
+
{
|
| 495 |
+
"Title": "The Resurrection of Christ",
|
| 496 |
+
"Author": "RUBENS, Peter Paul",
|
| 497 |
+
"Image": "35394-05resur.jpg",
|
| 498 |
+
"Generated Description": "\nThe Resurrection of Christ by Rubens depicts Jesus emerging from the tomb, surrounded by adoring figures, in a dramatic, Baroque-style painting."
|
| 499 |
+
},
|
| 500 |
+
{
|
| 501 |
+
"Title": "Adoration of the Magi",
|
| 502 |
+
"Author": "MANTEGNA, Andrea",
|
| 503 |
+
"Image": "24109-95magi.jpg",
|
| 504 |
+
"Generated Description": "\n\"Adoration of the Magi\" by Mantegna depicts the Magi presenting gifts to the infant Jesus, showcasing intricate details and rich colors."
|
| 505 |
+
},
|
| 506 |
+
{
|
| 507 |
+
"Title": "St Jerome",
|
| 508 |
+
"Author": "GIOVANNI ANGELO D'ANTONIO",
|
| 509 |
+
"Image": "16534-s_jerome.jpg",
|
| 510 |
+
"Generated Description": "\nSt. Jerome, depicted in red robes, holds a book, with a bear at his feet, by Giovanni Angelo d'Antonio."
|
| 511 |
+
},
|
| 512 |
+
{
|
| 513 |
+
"Title": "Bathing Woman",
|
| 514 |
+
"Author": "LOTZ, K?roly",
|
| 515 |
+
"Image": "23397-8bathing.jpg",
|
| 516 |
+
"Generated Description": "\nBathing Woman by K?roly Lotz depicts a nude figure in a classical setting, draped in a white cloth."
|
| 517 |
+
},
|
| 518 |
+
{
|
| 519 |
+
"Title": "The Barque of Dante",
|
| 520 |
+
"Author": "DELACROIX, Eug?ne",
|
| 521 |
+
"Image": "11256-103delac.jpg",
|
| 522 |
+
"Generated Description": "\n\"The Barque of Dante\" by Delacroix depicts Dante's journey through Hell, featuring vivid, dramatic figures and a dark, stormy atmosphere."
|
| 523 |
+
},
|
| 524 |
+
{
|
| 525 |
+
"Title": "Still-Life with Fruits",
|
| 526 |
+
"Author": "MIGNON, Abraham",
|
| 527 |
+
"Image": "27130-still_2.jpg",
|
| 528 |
+
"Generated Description": "\n\"Still-Life with Fruits\" by Mignon, Abraham, features a vibrant display of grapes, peaches, and other fruits, set against a dark background, highlighting the textures and colors of the produce."
|
| 529 |
+
},
|
| 530 |
+
{
|
| 531 |
+
"Title": "Family Meal",
|
| 532 |
+
"Author": "TIEPOLO, Giovanni Domenico",
|
| 533 |
+
"Image": "39173-10valmar.jpg",
|
| 534 |
+
"Generated Description": "\n\"Family Meal\" by Tiepolo depicts a rustic scene with a family gathered around a table, surrounded by nature and simple pleasures."
|
| 535 |
+
},
|
| 536 |
+
{
|
| 537 |
+
"Title": "Cleopatra",
|
| 538 |
+
"Author": "SOLARIO, Andrea",
|
| 539 |
+
"Image": "37575-cleopatr.jpg",
|
| 540 |
+
"Generated Description": "\nCleopatra, by Andrea Solario, depicts a woman in a red and blue robe, with a snake, symbolizing her power and allure."
|
| 541 |
+
},
|
| 542 |
+
{
|
| 543 |
+
"Title": "The Separation of Land and Water",
|
| 544 |
+
"Author": "RAFFAELLO Sanzio",
|
| 545 |
+
"Image": "32988-1separat.jpg",
|
| 546 |
+
"Generated Description": "\nRaffaello Sanzio's \"The Separation of Land and Water\" depicts a figure separating earth from water, a scene from the creation of the world."
|
| 547 |
+
},
|
| 548 |
+
{
|
| 549 |
+
"Title": "Conversation outside a Castle",
|
| 550 |
+
"Author": "DELEN, Dirck van",
|
| 551 |
+
"Image": "11381-conversa.jpg",
|
| 552 |
+
"Generated Description": "\n\"Conversation outside a Castle\" by Dirck van Dellen depicts a group of elegantly dressed individuals engaged in a discussion near a grand building, capturing a moment of social interaction."
|
| 553 |
+
},
|
| 554 |
+
{
|
| 555 |
+
"Title": "The Abbey in the Oakwood",
|
| 556 |
+
"Author": "FRIEDRICH, Caspar David",
|
| 557 |
+
"Image": "14432-106fried.jpg",
|
| 558 |
+
"Generated Description": "\n\"The Abbey in the Oakwood\" by Caspar David Friedrich depicts a desolate, misty landscape with a ruined abbey and barren trees, evoking a sense of melancholy and solitude."
|
| 559 |
+
},
|
| 560 |
+
{
|
| 561 |
+
"Title": "Altarpiece",
|
| 562 |
+
"Author": "FOPPA, Vincenzo",
|
| 563 |
+
"Image": "14039-altarpie.jpg",
|
| 564 |
+
"Generated Description": "\nAltarpiece by Foppa, Vincenzo, features religious figures and scenes, showcasing intricate details and vibrant colors."
|
| 565 |
+
},
|
| 566 |
+
{
|
| 567 |
+
"Title": "A Danish Coast",
|
| 568 |
+
"Author": "LUNDBYE, Johan Thomas",
|
| 569 |
+
"Image": "23474-danishco.jpg",
|
| 570 |
+
"Generated Description": "\nLUNDBYE's \"A Danish Coast\" depicts a serene coastal landscape with cliffs, trees, and a cart, capturing the essence of Denmark's natural beauty."
|
| 571 |
+
},
|
| 572 |
+
{
|
| 573 |
+
"Title": "The Malvagna Altarpiece (exterior wings)",
|
| 574 |
+
"Author": "GOSSART, Jan",
|
| 575 |
+
"Image": "17474-3malvag4.jpg",
|
| 576 |
+
"Generated Description": "\nThe Malvagna Altarpiece by Jan Gossart features Adam and Eve in the Garden of Eden, with a detailed landscape and a castle in the background."
|
| 577 |
+
},
|
| 578 |
+
{
|
| 579 |
+
"Title": "Near Skagen ?sterby after a Storm",
|
| 580 |
+
"Author": "JOHANSEN, Viggo",
|
| 581 |
+
"Image": "20645-skagen.jpg",
|
| 582 |
+
"Generated Description": "\nA pastoral scene with sheep grazing, a rainbow, and a windmill in the distance, painted by Johanessen Viggo."
|
| 583 |
+
},
|
| 584 |
+
{
|
| 585 |
+
"Title": "Gorge",
|
| 586 |
+
"Author": "DOR?, Gustave",
|
| 587 |
+
"Image": "11933-painting.jpg",
|
| 588 |
+
"Generated Description": "\nGustave Dor\u00e9's \"Gorge\" depicts a rugged, mountainous landscape with a flowing stream and dramatic sky."
|
| 589 |
+
},
|
| 590 |
+
{
|
| 591 |
+
"Title": "At the Races in the Countryside",
|
| 592 |
+
"Author": "DEGAS, Edgar",
|
| 593 |
+
"Image": "11130-early21.jpg",
|
| 594 |
+
"Generated Description": "\nAt the Races in the Countryside by Edgar Degas depicts a leisurely scene with horse-drawn carriages and riders in a pastoral setting."
|
| 595 |
+
},
|
| 596 |
+
{
|
| 597 |
+
"Title": "A Female Martyr",
|
| 598 |
+
"Author": "LUINI, Bernardino",
|
| 599 |
+
"Image": "23449-f_martyr.jpg",
|
| 600 |
+
"Generated Description": "\nA Female Martyr by LUINI, Bernardino, depicts a saint holding a book and a palm branch, set against a wooden panel and a blue sky."
|
| 601 |
+
}
|
| 602 |
+
]
|
data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-11_SemArtv2_100data/Qwen2-VL-7B_explanations_20250613_144303.json
ADDED
|
@@ -0,0 +1,602 @@
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|
|
|
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|
|
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|
|
|
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|
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|
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|
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|
| 1 |
+
[
|
| 2 |
+
{
|
| 3 |
+
"Title": "Saint Ladislaus, King of Hungary",
|
| 4 |
+
"Author": "UNKNOWN MASTER, Hungarian",
|
| 5 |
+
"Image": "41294-10ladisl.jpg",
|
| 6 |
+
"Generated Description": "\nSaint Ladislaus, King of Hungary, sits regally on a throne, adorned with a crown and holding a scepter, in a painting by an unknown Hungarian master. The background features scenes of battle and architecture, adding to the historical significance of the subject."
|
| 7 |
+
},
|
| 8 |
+
{
|
| 9 |
+
"Title": "Coronation of the Virgin",
|
| 10 |
+
"Author": "VERONESE, Paolo",
|
| 11 |
+
"Image": "42791-1sacris.jpg",
|
| 12 |
+
"Generated Description": "\n\"Coronation of the Virgin\" by Paolo Veronese depicts the Virgin Mary being crowned by the Virgin Mary, with the Holy Spirit symbolized by a dove."
|
| 13 |
+
},
|
| 14 |
+
{
|
| 15 |
+
"Title": "Annunciation",
|
| 16 |
+
"Author": "MASTER of Fl?malle",
|
| 17 |
+
"Image": "24776-annuncia.jpg",
|
| 18 |
+
"Generated Description": "\nThe Annunciation by Master of Fl\u00e9malle depicts an angel announcing to a seated Mary, surrounded by a detailed, medieval interior."
|
| 19 |
+
},
|
| 20 |
+
{
|
| 21 |
+
"Title": "Brunette with Bare Breasts",
|
| 22 |
+
"Author": "MANET, Edouard",
|
| 23 |
+
"Image": "23845-3manet04.jpg",
|
| 24 |
+
"Generated Description": "\n\"Brunette with Bare Breasts\" by Edouard Manet showcases a woman in a dark, intimate setting, her bare breasts and dark hair highlighted against a muted background."
|
| 25 |
+
},
|
| 26 |
+
{
|
| 27 |
+
"Title": "Weaver, Seen from the Front",
|
| 28 |
+
"Author": "GOGH, Vincent van",
|
| 29 |
+
"Image": "16988-nuenen03.jpg",
|
| 30 |
+
"Generated Description": "\n\" Weaver, Seen from the Front\" by Vincent van Gogh depicts a weaver at work, capturing the intricate process of textile creation with detailed brushstrokes and a somber palette."
|
| 31 |
+
},
|
| 32 |
+
{
|
| 33 |
+
"Title": "Summer",
|
| 34 |
+
"Author": "GRIMMER, Abel",
|
| 35 |
+
"Image": "18525-2summer1.jpg",
|
| 36 |
+
"Generated Description": "\n\"Summer\" by Abel Grimmer depicts a bustling harvest scene with farmers and villagers working in a vibrant, rural landscape."
|
| 37 |
+
},
|
| 38 |
+
{
|
| 39 |
+
"Title": "Battle of the Romans and the Sabines",
|
| 40 |
+
"Author": "RICCI, Sebastiano",
|
| 41 |
+
"Image": "34296-sabine2.jpg",
|
| 42 |
+
"Generated Description": "\n\"Battle of the Romans and the Sabines\" by Sebastiano Ricci depicts a chaotic scene of a historical battle, with soldiers and women in distress, capturing the intensity and turmoil of the conflict."
|
| 43 |
+
},
|
| 44 |
+
{
|
| 45 |
+
"Title": "Gondola in the Lagoon",
|
| 46 |
+
"Author": "GUARDI, Francesco",
|
| 47 |
+
"Image": "18753-guard219.jpg",
|
| 48 |
+
"Generated Description": "\n\"Gondola in the Lagoon\" by Francesco Guardi depicts a serene Venetian scene with gondolas on the water, the city in the background, and a misty atmosphere."
|
| 49 |
+
},
|
| 50 |
+
{
|
| 51 |
+
"Title": "The Houses of Parliament in London",
|
| 52 |
+
"Author": "MONET, Claude",
|
| 53 |
+
"Image": "28665-1london3.jpg",
|
| 54 |
+
"Generated Description": "\n\"The Houses of Parliament in London\" by Claude Monet depicts the iconic building in a misty, impressionistic style, capturing the play of light and shadow on the river below."
|
| 55 |
+
},
|
| 56 |
+
{
|
| 57 |
+
"Title": "Virgin and Child with Eight Angels",
|
| 58 |
+
"Author": "MAZZA, Tommaso del",
|
| 59 |
+
"Image": "25321-triptyc1.jpg",
|
| 60 |
+
"Generated Description": "\n\"Virgin and Child with Eight Angels\" by Tommaso del Mazzza depicts the Virgin Mary and Jesus, surrounded by angels, in a serene, golden-hued setting."
|
| 61 |
+
},
|
| 62 |
+
{
|
| 63 |
+
"Title": "Franz Xaver Richter von Binnenthal",
|
| 64 |
+
"Author": "KRAFFT, Johann Peter",
|
| 65 |
+
"Image": "21214-richter2.jpg",
|
| 66 |
+
"Generated Description": "\nThis painting by KRAFFT, Johann Peter, depicts Franz Xaver Richter von Binnenthal, showcasing his military attire with medals and buttons."
|
| 67 |
+
},
|
| 68 |
+
{
|
| 69 |
+
"Title": "An Interior Scene",
|
| 70 |
+
"Author": "SORGH, Hendrick Maertensz.",
|
| 71 |
+
"Image": "37680-interior.jpg",
|
| 72 |
+
"Generated Description": "\n\"An Interior Scene\" by Hendrick Maertensz. Sorgh depicts a rustic kitchen with two figures, one pouring from a jug, surrounded by barrels and kitchenware."
|
| 73 |
+
},
|
| 74 |
+
{
|
| 75 |
+
"Title": "Fete in a Wood",
|
| 76 |
+
"Author": "LANCRET, Nicolas",
|
| 77 |
+
"Image": "21435-fetewood.jpg",
|
| 78 |
+
"Generated Description": "\n\"F\u00eate in a Wood\" by Nicolas Lancret depicts a lively outdoor gathering in a forest, with people in elegant attire enjoying the festivities under the trees."
|
| 79 |
+
},
|
| 80 |
+
{
|
| 81 |
+
"Title": "Tribute Money",
|
| 82 |
+
"Author": "TIZIANO Vecellio",
|
| 83 |
+
"Image": "39675-13tribut.jpg",
|
| 84 |
+
"Generated Description": "\n\"Tribute Money\" by Tiziano Vecellio depicts Jesus and Peter, with Peter holding a denarius, symbolizing the payment of taxes."
|
| 85 |
+
},
|
| 86 |
+
{
|
| 87 |
+
"Title": "Portrait of John 20th Earl of Crawford and Lindsay",
|
| 88 |
+
"Author": "WAITT, Richard",
|
| 89 |
+
"Image": "43701-crawford.jpg",
|
| 90 |
+
"Generated Description": "\nThis painting by Richard Waitt depicts John, 20th Earl of Crawford and Lindsay, in a detailed military uniform, holding a musket, with a dramatic, dark background."
|
| 91 |
+
},
|
| 92 |
+
{
|
| 93 |
+
"Title": "The Holy Family at Table",
|
| 94 |
+
"Author": "MOSTAERT, Jan",
|
| 95 |
+
"Image": "29134-holy_fam.jpg",
|
| 96 |
+
"Generated Description": "\nThe Holy Family at Table by Jan Mostaert depicts Mary, Joseph, and Jesus sharing a meal, surrounded by bread and cups, set against a rustic interior."
|
| 97 |
+
},
|
| 98 |
+
{
|
| 99 |
+
"Title": "Still-Life",
|
| 100 |
+
"Author": "HEDA, Willem Claesz.",
|
| 101 |
+
"Image": "19406-stillif1.jpg",
|
| 102 |
+
"Generated Description": "\nWillem Claesz Heda's \"Still-Life\" features a rich assortment of objects, including a wine glass, fruits, bread, and silverware, all meticulously arranged on a tablecloth."
|
| 103 |
+
},
|
| 104 |
+
{
|
| 105 |
+
"Title": "No. 1 Scenes from the Life of Joachim: 1. Rejection of Joachim's Sacrifice",
|
| 106 |
+
"Author": "GIOTTO di Bondone",
|
| 107 |
+
"Image": "16070-joachi1.jpg",
|
| 108 |
+
"Generated Description": "\nGIOTTO di Bondone's \"Rejection of Joachim's Sacrifice\" depicts a religious scene with figures in traditional robes, set against a blue background."
|
| 109 |
+
},
|
| 110 |
+
{
|
| 111 |
+
"Title": "Venus and Adonis",
|
| 112 |
+
"Author": "TIZIANO Vecellio",
|
| 113 |
+
"Image": "39719-2venus_a.jpg",
|
| 114 |
+
"Generated Description": "\n\"Tiziano Vecellio's \"Venus and Adonis\" depicts a mythological scene with Venus and Adonis in a dramatic, natural setting, surrounded by dogs and a bow and arrow. The painting captures the intensity of their relationship."
|
| 115 |
+
},
|
| 116 |
+
{
|
| 117 |
+
"Title": "St John Altarpiece (left wing)",
|
| 118 |
+
"Author": "MASSYS, Quentin",
|
| 119 |
+
"Image": "24599-st_john3.jpg",
|
| 120 |
+
"Generated Description": "\nThe St John Altarpiece (left wing) by Quentin Massys depicts a scene of a king and queen with a child, surrounded by courtiers, in a richly decorated room."
|
| 121 |
+
},
|
| 122 |
+
{
|
| 123 |
+
"Title": "Basket of Flowers",
|
| 124 |
+
"Author": "P?REZ, Bartolom?",
|
| 125 |
+
"Image": "30682-basket.jpg",
|
| 126 |
+
"Generated Description": "\n\"Basket of Flowers\" by P?REZ, Bartolom? depicts a vibrant bouquet of various flowers in a basket, set against a dark background, highlighting the vivid colors and textures of the blooms."
|
| 127 |
+
},
|
| 128 |
+
{
|
| 129 |
+
"Title": "Madonna and Child with a Goldfinch",
|
| 130 |
+
"Author": "UNKNOWN MASTER, Italian",
|
| 131 |
+
"Image": "41468-madfinch.jpg",
|
| 132 |
+
"Generated Description": "\n\"Madonna and Child with a Goldfinch\" by an unknown Italian master depicts a serene scene of the Virgin Mary holding the infant Jesus, who holds a goldfinch, symbolizing the Passion of Christ."
|
| 133 |
+
},
|
| 134 |
+
{
|
| 135 |
+
"Title": "Woman with a Water Pitcher, and a Man by a Bed",
|
| 136 |
+
"Author": "HOOCH, Pieter de",
|
| 137 |
+
"Image": "20118-49hoock.jpg",
|
| 138 |
+
"Generated Description": "\nIn \"Woman with a Water Pitcher, and a Man by a Bed,\" Pieter de Hooch captures a serene domestic scene, with a woman holding a pitcher, a man by a bed, and a dog, all set in a warmly lit room."
|
| 139 |
+
},
|
| 140 |
+
{
|
| 141 |
+
"Title": "Three Camaldolese Monks in Ecstatic Prayer",
|
| 142 |
+
"Author": "MAGNASCO, Alessandro",
|
| 143 |
+
"Image": "23622-monks1.jpg",
|
| 144 |
+
"Generated Description": "\n\"Three Camaldolese Monks in Ecstatic Prayer\" by Alessandro Magnasco depicts monks in a cave, engaged in fervent prayer, with one monk seemingly in a state of ecstasy. The painting captures the intense spiritual atmosphere and the rugged, natural setting."
|
| 145 |
+
},
|
| 146 |
+
{
|
| 147 |
+
"Title": "Edmond Duranty",
|
| 148 |
+
"Author": "DEGAS, Edgar",
|
| 149 |
+
"Image": "11177-1870s_77.jpg",
|
| 150 |
+
"Generated Description": "\nEdmond Duranty, a renowned journalist, sits at his desk in this painting by Edgar Degas. The scene is filled with books and papers, reflecting his scholarly pursuits."
|
| 151 |
+
},
|
| 152 |
+
{
|
| 153 |
+
"Title": "The Miser",
|
| 154 |
+
"Author": "POT, Hendrick Gerritsz",
|
| 155 |
+
"Image": "32122-themiser.jpg",
|
| 156 |
+
"Generated Description": "\n\"The Miser\" by Hendrick Gerritsz POT depicts a wealthy man in a dark, ornate robe, seated at a table laden with gold coins and jewels, symbolizing his greed and hoarding nature."
|
| 157 |
+
},
|
| 158 |
+
{
|
| 159 |
+
"Title": "The Marriage of the Emperor Frederick Barbarossa to Beatrice of Burgundy",
|
| 160 |
+
"Author": "TIEPOLO, Giovanni Battista",
|
| 161 |
+
"Image": "39014-1hall2.jpg",
|
| 162 |
+
"Generated Description": "\nThe Marriage of Emperor Frederick Barbarossa to Beatrice of Burgundy by Tiepolo depicts a grand ceremony with elaborate architecture and ornate figures, capturing the opulence and pageantry of the time."
|
| 163 |
+
},
|
| 164 |
+
{
|
| 165 |
+
"Title": "Composer Ferenc Erkel",
|
| 166 |
+
"Author": "STR?BL, Alajos",
|
| 167 |
+
"Image": "38221-1erkel.jpg",
|
| 168 |
+
"Generated Description": "\nThe statue of composer Ferenc Erkel, created by Alajos Str?bl, depicts the renowned Hungarian musician seated in a niche, exuding a sense of classical elegance and artistic achievement."
|
| 169 |
+
},
|
| 170 |
+
{
|
| 171 |
+
"Title": "Bacchus and Ariadne",
|
| 172 |
+
"Author": "AMIGONI, Jacopo",
|
| 173 |
+
"Image": "00475-venus2.jpg",
|
| 174 |
+
"Generated Description": "\nBacchus and Ariadne by AMIGONI, Jacopo depicts a mythological scene with figures in a lush, natural setting, showcasing the artist's skill in capturing movement and emotion."
|
| 175 |
+
},
|
| 176 |
+
{
|
| 177 |
+
"Title": "Beach Scene, Trouville",
|
| 178 |
+
"Author": "BOUDIN, Eug?ne",
|
| 179 |
+
"Image": "05715-03beach.jpg",
|
| 180 |
+
"Generated Description": "\n\"Beach Scene, Trouville\" by Eug\u00e8ne Boudin depicts a lively beach gathering with people, tents, and boats under a clear sky, capturing the essence of a bustling seaside day."
|
| 181 |
+
},
|
| 182 |
+
{
|
| 183 |
+
"Title": "Christ and the Adulteress",
|
| 184 |
+
"Author": "GAROFALO",
|
| 185 |
+
"Image": "14823-adultere.jpg",
|
| 186 |
+
"Generated Description": "\nChrist and the Adulteress by Garofalo depicts Jesus forgiving an adulteress in a grand, classical setting, surrounded by a crowd."
|
| 187 |
+
},
|
| 188 |
+
{
|
| 189 |
+
"Title": "Expulsion of Hagar",
|
| 190 |
+
"Author": "MIERIS, Willem van",
|
| 191 |
+
"Image": "27095-exphagar.jpg",
|
| 192 |
+
"Generated Description": "\n\"Expulsion of Hagar\" by Willem van Mieris depicts a biblical scene with a man, woman, and child in a dramatic landscape, illustrating the expulsion of Hagar and Ishmael."
|
| 193 |
+
},
|
| 194 |
+
{
|
| 195 |
+
"Title": "Commemoration of King Mausolus by Queen Artemisia",
|
| 196 |
+
"Author": "HOUBRAKEN, Arnold",
|
| 197 |
+
"Image": "20185-commemor.jpg",
|
| 198 |
+
"Generated Description": "\nIn \"Commemoration of King Mausolus by Queen Artemisia,\" Houbraiken depicts a grand scene with a priest and queen, surrounded by attendants, in a richly decorated room. The painting captures a moment of reverence and ceremony."
|
| 199 |
+
},
|
| 200 |
+
{
|
| 201 |
+
"Title": "Last Judgment",
|
| 202 |
+
"Author": "MEMLING, Hans",
|
| 203 |
+
"Image": "26001-02last3.jpg",
|
| 204 |
+
"Generated Description": "\n\"Last Judgment\" by Hans Memling depicts a chaotic scene of the damned falling into hell, with demons tormenting the souls in flames."
|
| 205 |
+
},
|
| 206 |
+
{
|
| 207 |
+
"Title": "Combat of Love and Chastity",
|
| 208 |
+
"Author": "PERUGINO, Pietro",
|
| 209 |
+
"Image": "30878-combat.jpg",
|
| 210 |
+
"Generated Description": "\n\"Combat of Love and Chastity\" by Perugino depicts a mythological battle between the forces of love and chastity, set in a serene landscape with trees and hills."
|
| 211 |
+
},
|
| 212 |
+
{
|
| 213 |
+
"Title": "Self-Portrait at 26",
|
| 214 |
+
"Author": "D?RER, Albrecht",
|
| 215 |
+
"Image": "12490-05self26.jpg",
|
| 216 |
+
"Generated Description": "\nThis painting, titled \"Self-Portrait at 26\" by Albrecht D\u00fcrer, showcases the artist's detailed portrait of himself, emphasizing his long, curly hair and beard, and his attire, including a striped hat and a brown cloak. The background features a landscape painting, adding depth to the composition."
|
| 217 |
+
},
|
| 218 |
+
{
|
| 219 |
+
"Title": "Legend of St Francis: Scenes Nos. 10-12",
|
| 220 |
+
"Author": "GIOTTO di Bondone",
|
| 221 |
+
"Image": "16009-02bay4.jpg",
|
| 222 |
+
"Generated Description": "\nGIOTTO di Bondone's \"Legend of St Francis: Scenes Nos. 10-12\" depicts the life of St. Francis, focusing on his interactions with the poor and the natural world. The scenes are vivid and dynamic, capturing the essence of Francis's spiritual journey."
|
| 223 |
+
},
|
| 224 |
+
{
|
| 225 |
+
"Title": "The Nativity and Other Episodes from the Childhood of Christ",
|
| 226 |
+
"Author": "PIETRO DA RIMINI",
|
| 227 |
+
"Image": "31304-childhoo.jpg",
|
| 228 |
+
"Generated Description": "\nThe Nativity and Other Episodes from the Childhood of Christ by Pietro da Rimini depicts the birth of Jesus and various events from his early life, set against a gold background."
|
| 229 |
+
},
|
| 230 |
+
{
|
| 231 |
+
"Title": "Portrait of Lady Mary Guildford",
|
| 232 |
+
"Author": "HOLBEIN, Hans the Younger",
|
| 233 |
+
"Image": "19863-2guildf3.jpg",
|
| 234 |
+
"Generated Description": "\n\"Portrait of Lady Mary Guildford\" by Hans Holbein the Younger depicts a woman in Renaissance attire, holding a book, with intricate details and a classical column in the background."
|
| 235 |
+
},
|
| 236 |
+
{
|
| 237 |
+
"Title": "Wooded Landscape",
|
| 238 |
+
"Author": "HACKAERT, Jan",
|
| 239 |
+
"Image": "19022-woodedla.jpg",
|
| 240 |
+
"Generated Description": "\n\"Wooded Landscape\" by Jan Hackaert depicts a serene forest scene with a path, figures, and animals, under a cloudy sky."
|
| 241 |
+
},
|
| 242 |
+
{
|
| 243 |
+
"Title": "Attributes of Painting, Sculpture, and Architecture",
|
| 244 |
+
"Author": "VALLAYER-COSTER, Anne",
|
| 245 |
+
"Image": "42013-attribut.jpg",
|
| 246 |
+
"Generated Description": "\nThis painting by Anne Vallayer-Coster depicts a still life of artistic tools and sculptures, symbolizing the disciplines of painting, sculpture, and architecture."
|
| 247 |
+
},
|
| 248 |
+
{
|
| 249 |
+
"Title": "Brazen Serpent",
|
| 250 |
+
"Author": "PELLEGRINI, Giovanni Antonio",
|
| 251 |
+
"Image": "30593-brazen.jpg",
|
| 252 |
+
"Generated Description": "\n\"Brass Serpent\" by Pellegrini depicts Moses and the Israelites with a brazen serpent, a biblical scene."
|
| 253 |
+
},
|
| 254 |
+
{
|
| 255 |
+
"Title": "Holy Family with the Infant St John the Baptist",
|
| 256 |
+
"Author": "FONTANA, Prospero",
|
| 257 |
+
"Image": "14013-holyfami.jpg",
|
| 258 |
+
"Generated Description": "\nThe painting depicts the Holy Family with the Infant St. John the Baptist, showcasing their tender bond and the child's halo, set against a serene, natural backdrop."
|
| 259 |
+
},
|
| 260 |
+
{
|
| 261 |
+
"Title": "View and Plan of Toledo",
|
| 262 |
+
"Author": "GRECO, El",
|
| 263 |
+
"Image": "18403-1903grec.jpg",
|
| 264 |
+
"Generated Description": "\n\"View and Plan of Toledo\" by El Greco depicts a dramatic cityscape with a figure holding a map, set against a stormy sky. The painting combines elements of realism and surrealism, showcasing the artist's unique style."
|
| 265 |
+
},
|
| 266 |
+
{
|
| 267 |
+
"Title": "Grotesques with Flowers",
|
| 268 |
+
"Author": "CORTE, Gabriel de la",
|
| 269 |
+
"Image": "09642-grotesq1.jpg",
|
| 270 |
+
"Generated Description": "\n\"Grotesques with Flowers\" by Gabriel de la Corte features ornate, Baroque-style floral designs and a central cherub head, showcasing intricate, naturalistic floral arrangements."
|
| 271 |
+
},
|
| 272 |
+
{
|
| 273 |
+
"Title": "Portrait of a Lady",
|
| 274 |
+
"Author": "GRASSI, J?zef",
|
| 275 |
+
"Image": "18160-portlady.jpg",
|
| 276 |
+
"Generated Description": "\nPortrait of a Lady by Grassi, J\u00f3zef, depicts a woman in a blue dress and red cloak, holding a lyre, with an open book and a vase nearby."
|
| 277 |
+
},
|
| 278 |
+
{
|
| 279 |
+
"Title": "Portrait of Anna Codde",
|
| 280 |
+
"Author": "HEEMSKERCK, Maerten van",
|
| 281 |
+
"Image": "19482-1portrai.jpg",
|
| 282 |
+
"Generated Description": "\n\"Portrait of Anna Codde\" by Maerten van Heemskerck depicts a woman spinning yarn, showcasing her domestic skills and the era's textile production."
|
| 283 |
+
},
|
| 284 |
+
{
|
| 285 |
+
"Title": "Supper at Emmaus",
|
| 286 |
+
"Author": "JACOPO DA EMPOLI",
|
| 287 |
+
"Image": "20473-emmaus.jpg",
|
| 288 |
+
"Generated Description": "\n\"Supper at Emmaus\" by Jacopo da Empoli depicts Jesus and two disciples, with a focus on the moment of recognition, set against a dark background."
|
| 289 |
+
},
|
| 290 |
+
{
|
| 291 |
+
"Title": "Jupiter and Antiope",
|
| 292 |
+
"Author": "GHERARDINI, Alessandro",
|
| 293 |
+
"Image": "15337-jupiter.jpg",
|
| 294 |
+
"Generated Description": "\n\"GHERARDINI, Alessandro's \"Jupiter and Antiope\" depicts a mythological scene with Jupiter, Antiope, and a cherub, showcasing Renaissance artistry and mythological storytelling.\""
|
| 295 |
+
},
|
| 296 |
+
{
|
| 297 |
+
"Title": "Still-Life",
|
| 298 |
+
"Author": "KESSEL, Jan van, II",
|
| 299 |
+
"Image": "20980-stillife.jpg",
|
| 300 |
+
"Generated Description": "\n\"Still-Life\" by Jan van Kessel II depicts a richly arranged still-life of fruits, vegetables, and dead birds, set against a dark, atmospheric landscape."
|
| 301 |
+
},
|
| 302 |
+
{
|
| 303 |
+
"Title": "Endymion Porter",
|
| 304 |
+
"Author": "DOBSON, William",
|
| 305 |
+
"Image": "11569-porter.jpg",
|
| 306 |
+
"Generated Description": "\n\"Endymion Porter\" by William Dobson depicts a man in a richly detailed, 17th-century costume, with a young boy and a classical bust in the background, set against a dramatic landscape."
|
| 307 |
+
},
|
| 308 |
+
{
|
| 309 |
+
"Title": "View of the Sala dell'Udienza del Granduca",
|
| 310 |
+
"Author": "MITELLI, Agostino",
|
| 311 |
+
"Image": "28339-pitti1.jpg",
|
| 312 |
+
"Generated Description": "\nThis painting by MITELLI, titled \"View of the Sala dell'Udienza del Granduca,\" depicts the grand hall of the Grand Duke's audience chamber, showcasing intricate architectural details and opulent furnishings."
|
| 313 |
+
},
|
| 314 |
+
{
|
| 315 |
+
"Title": "Landscape with Shepherds and Sheep",
|
| 316 |
+
"Author": "BONZI, Pietro Paolo",
|
| 317 |
+
"Image": "05055-landscap.jpg",
|
| 318 |
+
"Generated Description": "\nLandscape with Shepherds and Sheep by BONZI, Pietro Paolo depicts a pastoral scene with sheep, cows, and a shepherd resting under a tree, set against a backdrop of hills and ruins."
|
| 319 |
+
},
|
| 320 |
+
{
|
| 321 |
+
"Title": "The Toilet",
|
| 322 |
+
"Author": "TOULOUSE-LAUTREC, Henri de",
|
| 323 |
+
"Image": "39994-3redhea4.jpg",
|
| 324 |
+
"Generated Description": "\n\"The Toilet\" by Toulouse-Lautrec depicts a woman in a blue dress, sitting on a chair, with a focus on her back and the surrounding interior details."
|
| 325 |
+
},
|
| 326 |
+
{
|
| 327 |
+
"Title": "Daniel",
|
| 328 |
+
"Author": "UGOLINO DI NERIO",
|
| 329 |
+
"Image": "40421-3pinnac1.jpg",
|
| 330 |
+
"Generated Description": "\nDaniel, by Ugo di Nerio, portrays a saint in a red robe, holding a scroll with Latin text, set against a gold background."
|
| 331 |
+
},
|
| 332 |
+
{
|
| 333 |
+
"Title": "Stoning of St Stephen",
|
| 334 |
+
"Author": "ROMANESQUE PAINTER, French",
|
| 335 |
+
"Image": "34916-1auxerr1.jpg",
|
| 336 |
+
"Generated Description": "\n\"Stoning of St Stephen\" by a Romanesque painter depicts the biblical event where Stephen is stoned to death for his teachings. The scene is set in a church, with Stephen kneeling and being attacked by a crowd. The painting is a powerful representation of early Christian martyrdom."
|
| 337 |
+
},
|
| 338 |
+
{
|
| 339 |
+
"Title": "Jael and Sisera",
|
| 340 |
+
"Author": "AMIGONI, Jacopo",
|
| 341 |
+
"Image": "00468-sisera.jpg",
|
| 342 |
+
"Generated Description": "\n\"Jael and Sisera\" by Jacopo Amigoni depicts Jael piercing Sisera's head with a hammer, a biblical scene."
|
| 343 |
+
},
|
| 344 |
+
{
|
| 345 |
+
"Title": "Still-Life",
|
| 346 |
+
"Author": "HEEM, Jan Davidsz. de",
|
| 347 |
+
"Image": "19439-stil_lif.jpg",
|
| 348 |
+
"Generated Description": "\n\"Still-Life\" by Jan Davidsz. de Heem features a vibrant still-life arrangement of fruits, flowers, and foliage, showcasing the artist's mastery of detail and color."
|
| 349 |
+
},
|
| 350 |
+
{
|
| 351 |
+
"Title": "Lucius Quinctius Cincinnatus Called from the Plow to the Dictatorship",
|
| 352 |
+
"Author": "RICCI, Sebastiano",
|
| 353 |
+
"Image": "34316-maruce16.jpg",
|
| 354 |
+
"Generated Description": "\n\"Lucius Quinctius Cincinnatus Called from the Plow to the Dictatorship\" by Sebastiano Ricci depicts a historical scene with a man in a crown and a woman in a red robe, surrounded by other figures in a landscape."
|
| 355 |
+
},
|
| 356 |
+
{
|
| 357 |
+
"Title": "Equestrian Portrait of Napoleon",
|
| 358 |
+
"Author": "VERNET, Carle",
|
| 359 |
+
"Image": "42685-napoleox.jpg",
|
| 360 |
+
"Generated Description": "\n\"Equestrian Portrait of Napoleon\" by Vernet depicts Napoleon Bonaparte on horseback, gesturing, with a dramatic, stormy background and soldiers in the distance."
|
| 361 |
+
},
|
| 362 |
+
{
|
| 363 |
+
"Title": "The Kreuzkirche in Dresden",
|
| 364 |
+
"Author": "BELLOTTO, Bernardo",
|
| 365 |
+
"Image": "03972-bello200.jpg",
|
| 366 |
+
"Generated Description": "\nThe Kreuzkirche in Dresden by Bernardo Bellotto depicts the church's grandeur with detailed architecture and bustling street life, capturing the essence of 18th-century Dresden."
|
| 367 |
+
},
|
| 368 |
+
{
|
| 369 |
+
"Title": "Crucifixion",
|
| 370 |
+
"Author": "MEMLING, Hans",
|
| 371 |
+
"Image": "26166-08notri1.jpg",
|
| 372 |
+
"Generated Description": "\nThe Crucifixion by Hans Memling depicts Jesus on the cross, surrounded by mourners and soldiers, set against a detailed landscape."
|
| 373 |
+
},
|
| 374 |
+
{
|
| 375 |
+
"Title": "Midas and Bacchus",
|
| 376 |
+
"Author": "POUSSIN, Nicolas",
|
| 377 |
+
"Image": "32214-19midas.jpg",
|
| 378 |
+
"Generated Description": "\n\"Midas and Bacchus\" by Poussin depicts a mythological scene with figures in classical attire, surrounded by nature, highlighting themes of transformation and celebration."
|
| 379 |
+
},
|
| 380 |
+
{
|
| 381 |
+
"Title": "Triptych",
|
| 382 |
+
"Author": "UNKNOWN MASTER, Netherlandish",
|
| 383 |
+
"Image": "41650-triptyc2.jpg",
|
| 384 |
+
"Generated Description": "\nTriptych painting by an unknown Netherlandish master, depicting a religious scene with Jesus and his followers, set in a detailed landscape."
|
| 385 |
+
},
|
| 386 |
+
{
|
| 387 |
+
"Title": "Christ Handing the Keys to St Peter",
|
| 388 |
+
"Author": "PERUGINO, Pietro",
|
| 389 |
+
"Image": "30863-keys.jpg",
|
| 390 |
+
"Generated Description": "\nChrist hands keys to St. Peter in a bustling square with architectural structures and figures, capturing a pivotal moment in Christian history."
|
| 391 |
+
},
|
| 392 |
+
{
|
| 393 |
+
"Title": "River-bank with Cows",
|
| 394 |
+
"Author": "CUYP, Aelbert",
|
| 395 |
+
"Image": "10630-riverban.jpg",
|
| 396 |
+
"Generated Description": "\nAelbert Cuyp's \"River-bank with Cows\" depicts a serene river scene with cows grazing, boats on the water, and rocky cliffs, capturing a tranquil moment in nature."
|
| 397 |
+
},
|
| 398 |
+
{
|
| 399 |
+
"Title": "The Nativity in an Ancient Ruin",
|
| 400 |
+
"Author": "CODAZZI, Viviano",
|
| 401 |
+
"Image": "09188-nativit.jpg",
|
| 402 |
+
"Generated Description": "\n\"The Nativity in an Ancient Ruin\" by Viviano Codazzi depicts the birth of Jesus in a ruined, classical architectural setting, blending religious and classical themes."
|
| 403 |
+
},
|
| 404 |
+
{
|
| 405 |
+
"Title": "Hina te Fatou (The Moon and the Earth)",
|
| 406 |
+
"Author": "GAUGUIN, Paul",
|
| 407 |
+
"Image": "14981-1paris02.jpg",
|
| 408 |
+
"Generated Description": "\n\"La Lune et la Terre\" by Paul Gauguin depicts a nude figure with a jug, surrounded by nature, symbolizing the moon and earth."
|
| 409 |
+
},
|
| 410 |
+
{
|
| 411 |
+
"Title": "Penitent St Peter",
|
| 412 |
+
"Author": "CRETI, Donato",
|
| 413 |
+
"Image": "10495-st_peter.jpg",
|
| 414 |
+
"Generated Description": "\n\"Penitent St Peter\" by Donato Creti depicts a solemn figure with hands clasped, symbolizing repentance, set against a dark background."
|
| 415 |
+
},
|
| 416 |
+
{
|
| 417 |
+
"Title": "Abraham Casting Out Hagar and Ishmael",
|
| 418 |
+
"Author": "GUERCINO",
|
| 419 |
+
"Image": "18886-abraham.jpg",
|
| 420 |
+
"Generated Description": "\n\"Abraham Casting Out Hagar and Ishmael\" by Guercino depicts a biblical scene with Abraham, Hagar, and Ishmael, showing Abraham's decision to send Hagar and Ishmael away."
|
| 421 |
+
},
|
| 422 |
+
{
|
| 423 |
+
"Title": "Achilles Discovered among the Daughters of Lycomedes",
|
| 424 |
+
"Author": "LAIRESSE, G?rard de",
|
| 425 |
+
"Image": "21387-lycomed2.jpg",
|
| 426 |
+
"Generated Description": "\nThis painting depicts the moment when Achilles is discovered among the daughters of Lycomedes, a scene from Greek mythology."
|
| 427 |
+
},
|
| 428 |
+
{
|
| 429 |
+
"Title": "Rome, View of the Palatine Hill",
|
| 430 |
+
"Author": "HARPIGNIES, Henri-Joseph",
|
| 431 |
+
"Image": "19317-palatine.jpg",
|
| 432 |
+
"Generated Description": "\n\"Rome, View of the Palatine Hill\" by Harpignies depicts the ancient ruins and lush greenery of the Palatine Hill, capturing the historical and natural beauty of Rome."
|
| 433 |
+
},
|
| 434 |
+
{
|
| 435 |
+
"Title": "Scenes from the Life of Saint John the Baptist",
|
| 436 |
+
"Author": "MASTER of the Life of Saint John the Baptist",
|
| 437 |
+
"Image": "25125-scene2.jpg",
|
| 438 |
+
"Generated Description": "\nThis painting depicts the baptism of Jesus by John the Baptist, with angels and a gold background, by the Master of the Life of Saint John the Baptist."
|
| 439 |
+
},
|
| 440 |
+
{
|
| 441 |
+
"Title": "Still-Life of Flowers and Fruits",
|
| 442 |
+
"Author": "MONNOYER, Jean-Baptiste",
|
| 443 |
+
"Image": "28703-stilife.jpg",
|
| 444 |
+
"Generated Description": "\n\"Still-Life of Flowers and Fruits\" by Jean-Baptiste Monnoyer depicts a richly arranged still life with vibrant flowers, fruits, and ornate objects, showcasing the artist's skill in capturing texture and light."
|
| 445 |
+
},
|
| 446 |
+
{
|
| 447 |
+
"Title": "Madonna and Child",
|
| 448 |
+
"Author": "BELLINI, Giovanni",
|
| 449 |
+
"Image": "03825-112madon.jpg",
|
| 450 |
+
"Generated Description": "\n\"Madonna and Child\" by Giovanni Bellini depicts a serene scene of the Virgin Mary holding the infant Jesus, set against a tranquil landscape."
|
| 451 |
+
},
|
| 452 |
+
{
|
| 453 |
+
"Title": "Christ before Pilate",
|
| 454 |
+
"Author": "UNKNOWN MASTER, Italian",
|
| 455 |
+
"Image": "41397-13panel2.jpg",
|
| 456 |
+
"Generated Description": "\nChrist before Pilate depicts Jesus being questioned by Roman soldiers, with Pontius Pilate in the background. The painting highlights the tension and drama of the biblical scene."
|
| 457 |
+
},
|
| 458 |
+
{
|
| 459 |
+
"Title": "Under the Birch Trees",
|
| 460 |
+
"Author": "KLODT, Mikhail Konstantinovich",
|
| 461 |
+
"Image": "21079-birchtre.jpg",
|
| 462 |
+
"Generated Description": "\n\"Under the Birch Trees\" by KLODT, Mikhail Konstantinovich, depicts a serene forest scene with figures resting under the shade of birch trees, evoking a sense of tranquility and nature's beauty."
|
| 463 |
+
},
|
| 464 |
+
{
|
| 465 |
+
"Title": "Ceiling decoration",
|
| 466 |
+
"Author": "GIANI, Felice",
|
| 467 |
+
"Image": "15735-ceiling.jpg",
|
| 468 |
+
"Generated Description": "\nThe ceiling decoration by Gian Giani features a central triangular scene with figures and a fire, flanked by smaller angelic figures and ornate borders."
|
| 469 |
+
},
|
| 470 |
+
{
|
| 471 |
+
"Title": "Portrait of Petrus Ricardus",
|
| 472 |
+
"Author": "POURBUS, Frans the Younger",
|
| 473 |
+
"Image": "32185-ricardus.jpg",
|
| 474 |
+
"Generated Description": "\n\"Portrait of Petrus Ricardus\" by Frans the Younger features a man in a black robe with a white ruff, holding a book and a staff, set against a dark background."
|
| 475 |
+
},
|
| 476 |
+
{
|
| 477 |
+
"Title": "A Scene in the Grounds of the Villa Farnese, Rome",
|
| 478 |
+
"Author": "ROBERT, Hubert",
|
| 479 |
+
"Image": "34630-farnese.jpg",
|
| 480 |
+
"Generated Description": "\nHubert Robert's \"A Scene in the Grounds of the Villa Farnese, Rome\" depicts a serene garden with a woman and child on steps, a red draped column, and a classical building in the distance."
|
| 481 |
+
},
|
| 482 |
+
{
|
| 483 |
+
"Title": "Vanitas with a Royal Crown",
|
| 484 |
+
"Author": "VINNE, Vincent I Laurensz. van der",
|
| 485 |
+
"Image": "43258-vanitas.jpg",
|
| 486 |
+
"Generated Description": "\n\"Vanitas with a Royal Crown\" by Vincent I Laurensz. van der Veen depicts a still life of various objects, including a crown, a skull, and a globe, symbolizing the transience of life and the vanity of material possessions."
|
| 487 |
+
},
|
| 488 |
+
{
|
| 489 |
+
"Title": "Finding of Moses",
|
| 490 |
+
"Author": "DIZIANI, Gaspare",
|
| 491 |
+
"Image": "11560-findingm.jpg",
|
| 492 |
+
"Generated Description": "\n\"Finding of Moses\" by Diziani depicts a noblewoman discovering a baby in a basket by a river, surrounded by attendants and a landscape with a bridge and castle."
|
| 493 |
+
},
|
| 494 |
+
{
|
| 495 |
+
"Title": "The Resurrection of Christ",
|
| 496 |
+
"Author": "RUBENS, Peter Paul",
|
| 497 |
+
"Image": "35394-05resur.jpg",
|
| 498 |
+
"Generated Description": "\n\"The Resurrection of Christ\" by Peter Paul Rubens depicts Jesus emerging from the tomb, surrounded by adoring figures, set against a dramatic, cloud-filled sky."
|
| 499 |
+
},
|
| 500 |
+
{
|
| 501 |
+
"Title": "Adoration of the Magi",
|
| 502 |
+
"Author": "MANTEGNA, Andrea",
|
| 503 |
+
"Image": "24109-95magi.jpg",
|
| 504 |
+
"Generated Description": "\n\"Adoration of the Magi\" by Andrea Mantegna depicts the Magi presenting gifts to the infant Jesus, with a focus on the intricate details and rich colors of the figures and their attire."
|
| 505 |
+
},
|
| 506 |
+
{
|
| 507 |
+
"Title": "St Jerome",
|
| 508 |
+
"Author": "GIOVANNI ANGELO D'ANTONIO",
|
| 509 |
+
"Image": "16534-s_jerome.jpg",
|
| 510 |
+
"Generated Description": "\nSt. Jerome, depicted by Giovanni Angelo d'Antonio, is shown in a red robe, holding a book, with a bear at his feet, set within an ornate gold frame."
|
| 511 |
+
},
|
| 512 |
+
{
|
| 513 |
+
"Title": "Bathing Woman",
|
| 514 |
+
"Author": "LOTZ, K?roly",
|
| 515 |
+
"Image": "23397-8bathing.jpg",
|
| 516 |
+
"Generated Description": "\n\"Bathing Woman\" by K?roly Lotz depicts a nude female figure draped in a white cloth, standing in a classical setting, capturing a moment of serene beauty and grace."
|
| 517 |
+
},
|
| 518 |
+
{
|
| 519 |
+
"Title": "The Barque of Dante",
|
| 520 |
+
"Author": "DELACROIX, Eug?ne",
|
| 521 |
+
"Image": "11256-103delac.jpg",
|
| 522 |
+
"Generated Description": "\n\"The Barque of Dante\" by Delacroix depicts Dante, Virgil, and other figures in a boat on a stormy sea, symbolizing their journey through the Inferno."
|
| 523 |
+
},
|
| 524 |
+
{
|
| 525 |
+
"Title": "Still-Life with Fruits",
|
| 526 |
+
"Author": "MIGNON, Abraham",
|
| 527 |
+
"Image": "27130-still_2.jpg",
|
| 528 |
+
"Generated Description": "\n\"Still-Life with Fruits\" by Mignon, Abraham, features a vibrant display of grapes, peaches, and other fruits, set against a dark background, highlighting the rich textures and colors of the subjects."
|
| 529 |
+
},
|
| 530 |
+
{
|
| 531 |
+
"Title": "Family Meal",
|
| 532 |
+
"Author": "TIEPOLO, Giovanni Domenico",
|
| 533 |
+
"Image": "39173-10valmar.jpg",
|
| 534 |
+
"Generated Description": "\n\"Family Meal\" by Tiepolo depicts a rustic scene with a family gathered around a table, surrounded by nature and simple pleasures."
|
| 535 |
+
},
|
| 536 |
+
{
|
| 537 |
+
"Title": "Cleopatra",
|
| 538 |
+
"Author": "SOLARIO, Andrea",
|
| 539 |
+
"Image": "37575-cleopatr.jpg",
|
| 540 |
+
"Generated Description": "\nCleopatra, by Andrea Solario, depicts a woman in a red and blue robe, with a snake on her arm, set against a natural landscape."
|
| 541 |
+
},
|
| 542 |
+
{
|
| 543 |
+
"Title": "The Separation of Land and Water",
|
| 544 |
+
"Author": "RAFFAELLO Sanzio",
|
| 545 |
+
"Image": "32988-1separat.jpg",
|
| 546 |
+
"Generated Description": "\n\"The Separation of Land and Water\" by Raffaello Sanzio depicts a figure separating land from water, symbolizing creation or divine intervention, set against a serene sky and landscape."
|
| 547 |
+
},
|
| 548 |
+
{
|
| 549 |
+
"Title": "Conversation outside a Castle",
|
| 550 |
+
"Author": "DELEN, Dirck van",
|
| 551 |
+
"Image": "11381-conversa.jpg",
|
| 552 |
+
"Generated Description": "\n\"Conversation outside a Castle\" by Dirck van Dellen depicts a group of elegantly dressed individuals engaged in a lively discussion in front of a grand, ornate building. The scene captures the social dynamics and fashion of the era."
|
| 553 |
+
},
|
| 554 |
+
{
|
| 555 |
+
"Title": "The Abbey in the Oakwood",
|
| 556 |
+
"Author": "FRIEDRICH, Caspar David",
|
| 557 |
+
"Image": "14432-106fried.jpg",
|
| 558 |
+
"Generated Description": "\n\"The Abbey in the Oakwood\" by Caspar David Friedrich depicts a desolate, misty landscape with a ruined abbey and barren trees, evoking a sense of melancholy and the passage of time."
|
| 559 |
+
},
|
| 560 |
+
{
|
| 561 |
+
"Title": "Altarpiece",
|
| 562 |
+
"Author": "FOPPA, Vincenzo",
|
| 563 |
+
"Image": "14039-altarpie.jpg",
|
| 564 |
+
"Generated Description": "\nAltarpiece by Vincenzo Foppa features a central depiction of the Virgin and Child, surrounded by saints and angels, set against a rich, gold-leaf background."
|
| 565 |
+
},
|
| 566 |
+
{
|
| 567 |
+
"Title": "A Danish Coast",
|
| 568 |
+
"Author": "LUNDBYE, Johan Thomas",
|
| 569 |
+
"Image": "23474-danishco.jpg",
|
| 570 |
+
"Generated Description": "\n\"A Danish Coast\" by Johan Thomas Lundbye depicts a serene coastal landscape with a cliff, trees, and a cart on the beach, capturing the tranquility of the Danish coastline."
|
| 571 |
+
},
|
| 572 |
+
{
|
| 573 |
+
"Title": "The Malvagna Altarpiece (exterior wings)",
|
| 574 |
+
"Author": "GOSSART, Jan",
|
| 575 |
+
"Image": "17474-3malvag4.jpg",
|
| 576 |
+
"Generated Description": "\nThe Malvagna Altarpiece by Jan Gossart features Adam and Eve in the Garden of Eden, with a detailed landscape and a castle in the background."
|
| 577 |
+
},
|
| 578 |
+
{
|
| 579 |
+
"Title": "Near Skagen ?sterby after a Storm",
|
| 580 |
+
"Author": "JOHANSEN, Viggo",
|
| 581 |
+
"Image": "20645-skagen.jpg",
|
| 582 |
+
"Generated Description": "\nThis painting by Johanessen depicts a serene rural landscape after a storm, featuring a rainbow, grazing sheep, and a windmill in the distance."
|
| 583 |
+
},
|
| 584 |
+
{
|
| 585 |
+
"Title": "Gorge",
|
| 586 |
+
"Author": "DOR?, Gustave",
|
| 587 |
+
"Image": "11933-painting.jpg",
|
| 588 |
+
"Generated Description": "\n\"Gorge\" by Gustave Dor\u00e9 depicts a rugged, mountainous landscape with a flowing stream and dramatic, cloud-filled sky, capturing the raw beauty and power of nature."
|
| 589 |
+
},
|
| 590 |
+
{
|
| 591 |
+
"Title": "At the Races in the Countryside",
|
| 592 |
+
"Author": "DEGAS, Edgar",
|
| 593 |
+
"Image": "11130-early21.jpg",
|
| 594 |
+
"Generated Description": "\n\"At the Races in the Countryside\" by Edgar Degas depicts a leisurely scene with horse-drawn carriages, riders, and spectators in a vast, open field under a cloudy sky."
|
| 595 |
+
},
|
| 596 |
+
{
|
| 597 |
+
"Title": "A Female Martyr",
|
| 598 |
+
"Author": "LUINI, Bernardino",
|
| 599 |
+
"Image": "23449-f_martyr.jpg",
|
| 600 |
+
"Generated Description": "\n\"Saint Catherine of Alexandria, depicted in a red robe with a green cloak, holds a book and a palm branch, symbolizing her martyrdom and faith.\""
|
| 601 |
+
}
|
| 602 |
+
]
|
data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-11_SemArtv2_100data/Qwen2-VL_explanations_20250318_211020.json
ADDED
|
The diff for this file is too large to render.
See raw diff
|
|
|
data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-11_SemArtv2_100data/Qwen2-VL_explanations_20250319_180916.json
ADDED
|
The diff for this file is too large to render.
See raw diff
|
|
|
data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-11_SemArtv2_100data/Qwen2-VL_explanations_20250319_221218.json
ADDED
|
The diff for this file is too large to render.
See raw diff
|
|
|
data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-11_SemArtv2_100data/Qwen2_5-VL_explanations_20250320_162516.json
ADDED
|
The diff for this file is too large to render.
See raw diff
|
|
|
data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-11_SemArtv2_100data/Qwen2_5-VL_explanations_20250320_164050.json
ADDED
|
The diff for this file is too large to render.
See raw diff
|
|
|
data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-11_SemArtv2_100data/generated_descriptions_20250311_134725.json
ADDED
|
The diff for this file is too large to render.
See raw diff
|
|
|
data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-11_SemArtv2_100data/mean_scores_Qwen2-VL-7B_20250613_143747.json
ADDED
|
@@ -0,0 +1,10 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
{
|
| 2 |
+
"Bleu_1": 0.31918985712894266,
|
| 3 |
+
"Bleu_2": 0.14436048119264805,
|
| 4 |
+
"Bleu_3": 0.08020047456288176,
|
| 5 |
+
"Bleu_4": 0.04922091782744187,
|
| 6 |
+
"METEOR": 0.08872367745069151,
|
| 7 |
+
"ROUGE_L": 0.1940466701911463,
|
| 8 |
+
"CIDEr": 0.15984425757851775,
|
| 9 |
+
"SPICE": 0.0809564210882186
|
| 10 |
+
}
|
data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-11_SemArtv2_100data/mean_scores_Qwen2-VL-7B_20250613_144303.json
ADDED
|
@@ -0,0 +1,10 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
{
|
| 2 |
+
"Bleu_1": 0.3318058139061558,
|
| 3 |
+
"Bleu_2": 0.15321600351246592,
|
| 4 |
+
"Bleu_3": 0.08059144938273356,
|
| 5 |
+
"Bleu_4": 0.045838959443796935,
|
| 6 |
+
"METEOR": 0.09994940381102639,
|
| 7 |
+
"ROUGE_L": 0.20324073771151224,
|
| 8 |
+
"CIDEr": 0.1727550370796083,
|
| 9 |
+
"SPICE": 0.08258421622932938
|
| 10 |
+
}
|
data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-11_SemArtv2_100data/mean_scores_Qwen2-VL_20250318_211020.json
ADDED
|
@@ -0,0 +1,10 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
{
|
| 2 |
+
"Bleu_1": 0.2918094226235013,
|
| 3 |
+
"Bleu_2": 0.13431731465432978,
|
| 4 |
+
"Bleu_3": 0.07628464159850963,
|
| 5 |
+
"Bleu_4": 0.047722611572801624,
|
| 6 |
+
"METEOR": 0.08639021992906813,
|
| 7 |
+
"ROUGE_L": 0.18916350340043042,
|
| 8 |
+
"CIDEr": 0.157616922532561,
|
| 9 |
+
"SPICE": 0.07865087850468638
|
| 10 |
+
}
|
data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-11_SemArtv2_100data/mean_scores_Qwen2-VL_20250319_180916.json
ADDED
|
@@ -0,0 +1,10 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
{
|
| 2 |
+
"Bleu_1": 0.2989279614547789,
|
| 3 |
+
"Bleu_2": 0.1295531312949459,
|
| 4 |
+
"Bleu_3": 0.06413931786644128,
|
| 5 |
+
"Bleu_4": 0.0340546557918033,
|
| 6 |
+
"METEOR": 0.08880135181797286,
|
| 7 |
+
"ROUGE_L": 0.18546373920606263,
|
| 8 |
+
"CIDEr": 0.12744875179440493,
|
| 9 |
+
"SPICE": 0.08037859296768134
|
| 10 |
+
}
|
data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-11_SemArtv2_100data/mean_scores_Qwen2-VL_20250319_221218.json
ADDED
|
@@ -0,0 +1,10 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
{
|
| 2 |
+
"Bleu_1": 0.2688529113234236,
|
| 3 |
+
"Bleu_2": 0.11189207387792369,
|
| 4 |
+
"Bleu_3": 0.053253683118477904,
|
| 5 |
+
"Bleu_4": 0.02370110801908892,
|
| 6 |
+
"METEOR": 0.08474334493997207,
|
| 7 |
+
"ROUGE_L": 0.16790778731217657,
|
| 8 |
+
"CIDEr": 0.0996186065320892,
|
| 9 |
+
"SPICE": 0.06492868801642739
|
| 10 |
+
}
|
data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-11_SemArtv2_100data/mean_scores_Qwen2_5-VL_20250320_162516.json
ADDED
|
@@ -0,0 +1,10 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
{
|
| 2 |
+
"Bleu_1": 0.1993014348041117,
|
| 3 |
+
"Bleu_2": 0.07107223032383408,
|
| 4 |
+
"Bleu_3": 0.029523918277191134,
|
| 5 |
+
"Bleu_4": 0.013838593108954775,
|
| 6 |
+
"METEOR": 0.07673328377546974,
|
| 7 |
+
"ROUGE_L": 0.1410964133823853,
|
| 8 |
+
"CIDEr": 0.05528093883791426,
|
| 9 |
+
"SPICE": 0.05045808840640146
|
| 10 |
+
}
|
data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-11_SemArtv2_100data/mean_scores_Qwen2_5-VL_20250320_164050.json
ADDED
|
@@ -0,0 +1,10 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
{
|
| 2 |
+
"Bleu_1": 0.20323821209193443,
|
| 3 |
+
"Bleu_2": 0.07108866335528928,
|
| 4 |
+
"Bleu_3": 0.030884269451969752,
|
| 5 |
+
"Bleu_4": 0.014370595965617435,
|
| 6 |
+
"METEOR": 0.08005335797050955,
|
| 7 |
+
"ROUGE_L": 0.14356792222716144,
|
| 8 |
+
"CIDEr": 0.04273617144297382,
|
| 9 |
+
"SPICE": 0.05422623566595481
|
| 10 |
+
}
|
data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-11_SemArtv2_100data/mean_scores_gpt_4o_mini_complete_20250311_134725.json
ADDED
|
@@ -0,0 +1,10 @@
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|
| 1 |
+
{
|
| 2 |
+
"Bleu_1": 0.29554365555500345,
|
| 3 |
+
"Bleu_2": 0.10142837458373317,
|
| 4 |
+
"Bleu_3": 0.04836659296251221,
|
| 5 |
+
"Bleu_4": 0.022627369896454384,
|
| 6 |
+
"METEOR": 0.0921993450550246,
|
| 7 |
+
"ROUGE_L": 0.18464235030349738,
|
| 8 |
+
"CIDEr": 0.07679816477218657,
|
| 9 |
+
"SPICE": 0.07828802129944737
|
| 10 |
+
}
|
data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-11_SemArtv2_100data/mean_scores_gpt_4o_mini_complete_20250311_155859.json
ADDED
|
@@ -0,0 +1,10 @@
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|
| 1 |
+
{
|
| 2 |
+
"Bleu_1": 0.29660205638048265,
|
| 3 |
+
"Bleu_2": 0.10719191262730399,
|
| 4 |
+
"Bleu_3": 0.04704987143036714,
|
| 5 |
+
"Bleu_4": 0.01775496213960583,
|
| 6 |
+
"METEOR": 0.09504123280527352,
|
| 7 |
+
"ROUGE_L": 0.18408034644423135,
|
| 8 |
+
"CIDEr": 0.08086558881418893,
|
| 9 |
+
"SPICE": 0.07999972330197651
|
| 10 |
+
}
|
data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-11_SemArtv2_500data/Qwen2-VL-72B_explanations_20250613_162901.json
ADDED
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|
data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-11_SemArtv2_500data/Qwen2-VL-7B_explanations_20250615_161041.json
ADDED
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|
|
|
data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-11_SemArtv2_500data/generated_descriptions_20250311_171752.json
ADDED
|
The diff for this file is too large to render.
See raw diff
|
|
|
data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-11_SemArtv2_500data/mean_scores_Qwen2-VL-72B_20250613_162901.json
ADDED
|
@@ -0,0 +1,10 @@
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|
| 1 |
+
{
|
| 2 |
+
"Bleu_1": 0.3136221021379383,
|
| 3 |
+
"Bleu_2": 0.1448606148675236,
|
| 4 |
+
"Bleu_3": 0.0758526957508601,
|
| 5 |
+
"Bleu_4": 0.03891235149604153,
|
| 6 |
+
"METEOR": 0.0934446477286665,
|
| 7 |
+
"ROUGE_L": 0.18764956862114682,
|
| 8 |
+
"CIDEr": 0.11934457282698267,
|
| 9 |
+
"SPICE": 0.0783261842387452
|
| 10 |
+
}
|
data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-11_SemArtv2_500data/mean_scores_Qwen2-VL-7B_20250615_161041.json
ADDED
|
@@ -0,0 +1,10 @@
|
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| 1 |
+
{
|
| 2 |
+
"Bleu_1": 0.3289190127296244,
|
| 3 |
+
"Bleu_2": 0.16354466864338163,
|
| 4 |
+
"Bleu_3": 0.0905856584204771,
|
| 5 |
+
"Bleu_4": 0.051689877730013906,
|
| 6 |
+
"METEOR": 0.10078274432465485,
|
| 7 |
+
"ROUGE_L": 0.2029030462073287,
|
| 8 |
+
"CIDEr": 0.14360513153229298,
|
| 9 |
+
"SPICE": 0.08796189006872382
|
| 10 |
+
}
|
data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-11_SemArtv2_500data/mean_scores_gpt_4o_mini_complete_20250311_171752.json
ADDED
|
@@ -0,0 +1,10 @@
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| 1 |
+
{
|
| 2 |
+
"Bleu_1": 0.2927024834017087,
|
| 3 |
+
"Bleu_2": 0.11782984125857841,
|
| 4 |
+
"Bleu_3": 0.053915230010300984,
|
| 5 |
+
"Bleu_4": 0.02396033599992546,
|
| 6 |
+
"METEOR": 0.09476086561239523,
|
| 7 |
+
"ROUGE_L": 0.1848801285346241,
|
| 8 |
+
"CIDEr": 0.07867413478727842,
|
| 9 |
+
"SPICE": 0.0858636436689574
|
| 10 |
+
}
|
data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-13_Artpedia_100data/generated_descriptions_naive_20250313_142516.json
ADDED
|
@@ -0,0 +1,1603 @@
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|
| 1 |
+
[
|
| 2 |
+
{
|
| 3 |
+
"Title":"Profile Portrait of a Lady",
|
| 4 |
+
"Image":193,
|
| 5 |
+
"Author":"unknown Franco-Flemish artist",
|
| 6 |
+
"Concepts":[
|
| 7 |
+
"Woman",
|
| 8 |
+
"Blue dress",
|
| 9 |
+
"Gold",
|
| 10 |
+
"Crown",
|
| 11 |
+
"Necklace"
|
| 12 |
+
],
|
| 13 |
+
"Year":1410,
|
| 14 |
+
"Retrieved context":null,
|
| 15 |
+
"Generated Description":"Elegant profile of a woman in rich blue dress, adorned with gold jewelry.",
|
| 16 |
+
"rerank_context":null
|
| 17 |
+
},
|
| 18 |
+
{
|
| 19 |
+
"Title":"San Pietro Martire Triptych",
|
| 20 |
+
"Image":346,
|
| 21 |
+
"Author":"Fra Angelico",
|
| 22 |
+
"Concepts":[
|
| 23 |
+
"Mary",
|
| 24 |
+
"baby Jesus",
|
| 25 |
+
"saints",
|
| 26 |
+
"gold",
|
| 27 |
+
"art"
|
| 28 |
+
],
|
| 29 |
+
"Year":1420,
|
| 30 |
+
"Retrieved context":null,
|
| 31 |
+
"Generated Description":"Mary and Child surrounded by saints, adorned with gold, reflecting early Renaissance devotion.",
|
| 32 |
+
"rerank_context":null
|
| 33 |
+
},
|
| 34 |
+
{
|
| 35 |
+
"Title":"Annunciation (Lochner)",
|
| 36 |
+
"Image":398,
|
| 37 |
+
"Author":"Stefan Lochner",
|
| 38 |
+
"Concepts":[
|
| 39 |
+
"Angel",
|
| 40 |
+
"Mary",
|
| 41 |
+
"Jesus",
|
| 42 |
+
"Book",
|
| 43 |
+
"Painting"
|
| 44 |
+
],
|
| 45 |
+
"Year":1430,
|
| 46 |
+
"Retrieved context":null,
|
| 47 |
+
"Generated Description":"Angel announces to Mary her divine role; ethereal setting highlights religious significance.",
|
| 48 |
+
"rerank_context":null
|
| 49 |
+
},
|
| 50 |
+
{
|
| 51 |
+
"Title":"Perugia Altarpiece",
|
| 52 |
+
"Image":584,
|
| 53 |
+
"Author":"Fra Angelico",
|
| 54 |
+
"Concepts":[
|
| 55 |
+
"Religious art",
|
| 56 |
+
"Mary",
|
| 57 |
+
"Jesus",
|
| 58 |
+
"saints",
|
| 59 |
+
"gold"
|
| 60 |
+
],
|
| 61 |
+
"Year":1430,
|
| 62 |
+
"Retrieved context":null,
|
| 63 |
+
"Generated Description":"Religious altarpiece featuring Mary, Jesus, and saints, showcasing 15th-century devotional art.",
|
| 64 |
+
"rerank_context":null
|
| 65 |
+
},
|
| 66 |
+
{
|
| 67 |
+
"Title":"Portrait of a Woman (van der Weyden)",
|
| 68 |
+
"Image":603,
|
| 69 |
+
"Author":"Rogier van der Weyden",
|
| 70 |
+
"Concepts":[
|
| 71 |
+
"Woman",
|
| 72 |
+
"Nose",
|
| 73 |
+
"Eyes",
|
| 74 |
+
"Hair",
|
| 75 |
+
"Veil"
|
| 76 |
+
],
|
| 77 |
+
"Year":1430,
|
| 78 |
+
"Retrieved context":null,
|
| 79 |
+
"Generated Description":"Rogier van der Weyden’s 1430 portrait features a veiled woman, showcasing exquisite detail and realism.",
|
| 80 |
+
"rerank_context":null
|
| 81 |
+
},
|
| 82 |
+
{
|
| 83 |
+
"Title":"Saint Barbara (van Eyck)",
|
| 84 |
+
"Image":631,
|
| 85 |
+
"Author":"Jan van Eyck",
|
| 86 |
+
"Concepts":[
|
| 87 |
+
"Medieval art",
|
| 88 |
+
"Gothic architecture",
|
| 89 |
+
"Child",
|
| 90 |
+
"Sword",
|
| 91 |
+
"Tower"
|
| 92 |
+
],
|
| 93 |
+
"Year":1430,
|
| 94 |
+
"Retrieved context":null,
|
| 95 |
+
"Generated Description":"Gothic depiction of Saint Barbara, featuring a tower, child, and sword in medieval context.",
|
| 96 |
+
"rerank_context":null
|
| 97 |
+
},
|
| 98 |
+
{
|
| 99 |
+
"Title":"Madonna and Child Enthroned (Filippo Lippi)",
|
| 100 |
+
"Image":749,
|
| 101 |
+
"Author":"Filippo Lippi",
|
| 102 |
+
"Concepts":[
|
| 103 |
+
"Mother and child",
|
| 104 |
+
"Renaissance",
|
| 105 |
+
"Mary",
|
| 106 |
+
"Baby Jesus",
|
| 107 |
+
"Painting"
|
| 108 |
+
],
|
| 109 |
+
"Year":1437,
|
| 110 |
+
"Retrieved context":null,
|
| 111 |
+
"Generated Description":"Madonna and Child, 1437; Renaissance depiction of maternal love and divinity.",
|
| 112 |
+
"rerank_context":null
|
| 113 |
+
},
|
| 114 |
+
{
|
| 115 |
+
"Title":"Madonna of the Rose Bower",
|
| 116 |
+
"Image":802,
|
| 117 |
+
"Author":"Martin Schongauer",
|
| 118 |
+
"Concepts":[
|
| 119 |
+
"Mary",
|
| 120 |
+
"baby",
|
| 121 |
+
"angels",
|
| 122 |
+
"crown",
|
| 123 |
+
"tree"
|
| 124 |
+
],
|
| 125 |
+
"Year":1440,
|
| 126 |
+
"Retrieved context":null,
|
| 127 |
+
"Generated Description":"Madonna and Child surrounded by angels; gold background emphasizes divine presence and serenity.",
|
| 128 |
+
"rerank_context":null
|
| 129 |
+
},
|
| 130 |
+
{
|
| 131 |
+
"Title":"Christ on the Cross with Mary and St John",
|
| 132 |
+
"Image":876,
|
| 133 |
+
"Author":"Rogier van der Weyden",
|
| 134 |
+
"Concepts":[
|
| 135 |
+
"Jesus",
|
| 136 |
+
"Crucifixion",
|
| 137 |
+
"Mary",
|
| 138 |
+
"Christ",
|
| 139 |
+
"Prayer"
|
| 140 |
+
],
|
| 141 |
+
"Year":1445,
|
| 142 |
+
"Retrieved context":null,
|
| 143 |
+
"Generated Description":"Crucifixion scene with Mary, St. John; depicts sorrow amid heavenly perspective.",
|
| 144 |
+
"rerank_context":null
|
| 145 |
+
},
|
| 146 |
+
{
|
| 147 |
+
"Title":"Annunciation (Filippo Lippi, London)",
|
| 148 |
+
"Image":924,
|
| 149 |
+
"Author":"Filippo Lippi",
|
| 150 |
+
"Concepts":[
|
| 151 |
+
"Angel",
|
| 152 |
+
"Mary",
|
| 153 |
+
"Jesus",
|
| 154 |
+
"flowers",
|
| 155 |
+
"stained glass"
|
| 156 |
+
],
|
| 157 |
+
"Year":1449,
|
| 158 |
+
"Retrieved context":null,
|
| 159 |
+
"Generated Description":"Angel announces to Mary, depicting divine moment; highlights spiritual themes through color and composition.",
|
| 160 |
+
"rerank_context":null
|
| 161 |
+
},
|
| 162 |
+
{
|
| 163 |
+
"Title":"Assumption of the Virgin (Andrea del Castagno)",
|
| 164 |
+
"Image":926,
|
| 165 |
+
"Author":"Andrea del Castagno",
|
| 166 |
+
"Concepts":[
|
| 167 |
+
"Mary",
|
| 168 |
+
"angels",
|
| 169 |
+
"saints",
|
| 170 |
+
"praying",
|
| 171 |
+
"heaven"
|
| 172 |
+
],
|
| 173 |
+
"Year":1449,
|
| 174 |
+
"Retrieved context":null,
|
| 175 |
+
"Generated Description":"Heavenly scene featuring Mary, angels, and saints in serene prayer.",
|
| 176 |
+
"rerank_context":null
|
| 177 |
+
},
|
| 178 |
+
{
|
| 179 |
+
"Title":"Agony in the Garden (Bellini)",
|
| 180 |
+
"Image":963,
|
| 181 |
+
"Author":"Giovanni Bellini",
|
| 182 |
+
"Concepts":[
|
| 183 |
+
"Jesus",
|
| 184 |
+
"Mary",
|
| 185 |
+
"John",
|
| 186 |
+
"Crucifixion",
|
| 187 |
+
"Prayer"
|
| 188 |
+
],
|
| 189 |
+
"Year":1450,
|
| 190 |
+
"Retrieved context":null,
|
| 191 |
+
"Generated Description":"Bellini's *Agony in the Garden* depicts Jesus praying, supported by Mary and John.",
|
| 192 |
+
"rerank_context":null
|
| 193 |
+
},
|
| 194 |
+
{
|
| 195 |
+
"Title":"Dead Christ Supported by Two Angels",
|
| 196 |
+
"Image":1108,
|
| 197 |
+
"Author":"Giovanni Bellini",
|
| 198 |
+
"Concepts":[
|
| 199 |
+
"Jesus",
|
| 200 |
+
"children",
|
| 201 |
+
"crucifixion",
|
| 202 |
+
"naked",
|
| 203 |
+
"angels"
|
| 204 |
+
],
|
| 205 |
+
"Year":1460,
|
| 206 |
+
"Retrieved context":null,
|
| 207 |
+
"Generated Description":"Dead Christ Supported by Two Angels depicts Christ post-crucifixion, held by grieving children.",
|
| 208 |
+
"rerank_context":null
|
| 209 |
+
},
|
| 210 |
+
{
|
| 211 |
+
"Title":"The Miracle of the Desecrated Host",
|
| 212 |
+
"Image":1144,
|
| 213 |
+
"Author":"Paolo Uccello",
|
| 214 |
+
"Concepts":[
|
| 215 |
+
"Medieval",
|
| 216 |
+
"Dragon",
|
| 217 |
+
"Knight",
|
| 218 |
+
"Castle",
|
| 219 |
+
"War"
|
| 220 |
+
],
|
| 221 |
+
"Year":1460,
|
| 222 |
+
"Retrieved context":null,
|
| 223 |
+
"Generated Description":"Medieval scene depicting a knight, dragon, and religious themes; created in 1460.",
|
| 224 |
+
"rerank_context":null
|
| 225 |
+
},
|
| 226 |
+
{
|
| 227 |
+
"Title":"The Virgin and Child with Two Angels (Andrea del Verrochio)",
|
| 228 |
+
"Image":1178,
|
| 229 |
+
"Author":"Andrea del Verrocchio",
|
| 230 |
+
"Concepts":[
|
| 231 |
+
"Mother and child",
|
| 232 |
+
"Virgin Mary",
|
| 233 |
+
"Baby Jesus",
|
| 234 |
+
"Child angels",
|
| 235 |
+
"Renaissance art"
|
| 236 |
+
],
|
| 237 |
+
"Year":1460,
|
| 238 |
+
"Retrieved context":null,
|
| 239 |
+
"Generated Description":"Renaissance depiction of Virgin Mary and Baby Jesus with two angels, showcasing divine tenderness.",
|
| 240 |
+
"rerank_context":null
|
| 241 |
+
},
|
| 242 |
+
{
|
| 243 |
+
"Title":"Crucifixion (Perugino and Signorelli)",
|
| 244 |
+
"Image":1240,
|
| 245 |
+
"Author":"Pietro Perugino",
|
| 246 |
+
"Concepts":[
|
| 247 |
+
"Jesus",
|
| 248 |
+
"crucifixion",
|
| 249 |
+
"disciples",
|
| 250 |
+
"mourning",
|
| 251 |
+
"religious"
|
| 252 |
+
],
|
| 253 |
+
"Year":1470,
|
| 254 |
+
"Retrieved context":null,
|
| 255 |
+
"Generated Description":"Religious scene depicting Jesus’ crucifixion, mourned by disciples in serene landscape.",
|
| 256 |
+
"rerank_context":null
|
| 257 |
+
},
|
| 258 |
+
{
|
| 259 |
+
"Title":"Crucifixion between Sts. Jerome and Christopher",
|
| 260 |
+
"Image":1241,
|
| 261 |
+
"Author":"Pinturicchio",
|
| 262 |
+
"Concepts":[
|
| 263 |
+
"Jesus",
|
| 264 |
+
"crucifixion",
|
| 265 |
+
"naked",
|
| 266 |
+
"tree",
|
| 267 |
+
"palm fronds"
|
| 268 |
+
],
|
| 269 |
+
"Year":1470,
|
| 270 |
+
"Retrieved context":null,
|
| 271 |
+
"Generated Description":"Crucifixion scene depicting Jesus with Sts. Jerome and Christopher; 1470.",
|
| 272 |
+
"rerank_context":null
|
| 273 |
+
},
|
| 274 |
+
{
|
| 275 |
+
"Title":"Moreel Triptych",
|
| 276 |
+
"Image":1282,
|
| 277 |
+
"Author":"Hans Memling",
|
| 278 |
+
"Concepts":[
|
| 279 |
+
"Religious painting",
|
| 280 |
+
"Jesus",
|
| 281 |
+
"Mary",
|
| 282 |
+
"Child",
|
| 283 |
+
"Saint",
|
| 284 |
+
"Rock"
|
| 285 |
+
],
|
| 286 |
+
"Year":1470,
|
| 287 |
+
"Retrieved context":null,
|
| 288 |
+
"Generated Description":"Religious triptych depicting Jesus, Mary, and saints in a detailed landscape.",
|
| 289 |
+
"rerank_context":null
|
| 290 |
+
},
|
| 291 |
+
{
|
| 292 |
+
"Title":"Fortitude (Botticelli)",
|
| 293 |
+
"Image":1379,
|
| 294 |
+
"Author":"Sandro Botticelli",
|
| 295 |
+
"Concepts":[
|
| 296 |
+
"Renaissance",
|
| 297 |
+
"Armor",
|
| 298 |
+
"Sword",
|
| 299 |
+
"Robe",
|
| 300 |
+
"Painting"
|
| 301 |
+
],
|
| 302 |
+
"Year":1470,
|
| 303 |
+
"Retrieved context":null,
|
| 304 |
+
"Generated Description":"Renaissance painting depicting Fortitude in armor, highlighting strength and virtue.",
|
| 305 |
+
"rerank_context":null
|
| 306 |
+
},
|
| 307 |
+
{
|
| 308 |
+
"Title":"Saint George and the Dragon (Uccello)",
|
| 309 |
+
"Image":1388,
|
| 310 |
+
"Author":"Paolo Uccello",
|
| 311 |
+
"Concepts":[
|
| 312 |
+
"Medieval",
|
| 313 |
+
"Dragon",
|
| 314 |
+
"Knight",
|
| 315 |
+
"Castle",
|
| 316 |
+
"Fantasy"
|
| 317 |
+
],
|
| 318 |
+
"Year":1470,
|
| 319 |
+
"Retrieved context":null,
|
| 320 |
+
"Generated Description":"Medieval scene depicts Saint George slaying a dragon, symbolizing courage.",
|
| 321 |
+
"rerank_context":null
|
| 322 |
+
},
|
| 323 |
+
{
|
| 324 |
+
"Title":"Madonna Adoring the Sleeping Christ Child",
|
| 325 |
+
"Image":1411,
|
| 326 |
+
"Author":"Giovanni Bellini",
|
| 327 |
+
"Concepts":[
|
| 328 |
+
"Mary",
|
| 329 |
+
"baby",
|
| 330 |
+
"rosary",
|
| 331 |
+
"red",
|
| 332 |
+
"hood"
|
| 333 |
+
],
|
| 334 |
+
"Year":1475,
|
| 335 |
+
"Retrieved context":null,
|
| 336 |
+
"Generated Description":"Madonna adores sleeping Christ Child, embodying maternal devotion and serenity.",
|
| 337 |
+
"rerank_context":null
|
| 338 |
+
},
|
| 339 |
+
{
|
| 340 |
+
"Title":"Madonna and Child (Bellini, Venice, 1475)",
|
| 341 |
+
"Image":1413,
|
| 342 |
+
"Author":"Giovanni Bellini",
|
| 343 |
+
"Concepts":[
|
| 344 |
+
"Mother and child",
|
| 345 |
+
"Virgin Mary",
|
| 346 |
+
"Renaissance",
|
| 347 |
+
"Religious art",
|
| 348 |
+
"Painting"
|
| 349 |
+
],
|
| 350 |
+
"Year":1475,
|
| 351 |
+
"Retrieved context":null,
|
| 352 |
+
"Generated Description":"Madonna and Child symbolizes Renaissance devotion, featuring Virgin Mary in religious subjectivity.",
|
| 353 |
+
"rerank_context":null
|
| 354 |
+
},
|
| 355 |
+
{
|
| 356 |
+
"Title":"Sixtus IV Appointing Platina as Prefect of the Vatican Library",
|
| 357 |
+
"Image":1425,
|
| 358 |
+
"Author":"Melozzo da Forlì",
|
| 359 |
+
"Concepts":[
|
| 360 |
+
"Medieval",
|
| 361 |
+
"Pope",
|
| 362 |
+
"Cardinal",
|
| 363 |
+
"Religious",
|
| 364 |
+
"Art"
|
| 365 |
+
],
|
| 366 |
+
"Year":1477,
|
| 367 |
+
"Retrieved context":null,
|
| 368 |
+
"Generated Description":"Pope Sixtus IV appoints Platina, highlighting medieval religious authority in vibrant composition.",
|
| 369 |
+
"rerank_context":null
|
| 370 |
+
},
|
| 371 |
+
{
|
| 372 |
+
"Title":"Benois Madonna",
|
| 373 |
+
"Image":1426,
|
| 374 |
+
"Author":"Leonardo da Vinci",
|
| 375 |
+
"Concepts":[
|
| 376 |
+
"Mother and child",
|
| 377 |
+
"Mary Magdalene",
|
| 378 |
+
"Jesus",
|
| 379 |
+
"Mary",
|
| 380 |
+
"Baby"
|
| 381 |
+
],
|
| 382 |
+
"Year":1478,
|
| 383 |
+
"Retrieved context":null,
|
| 384 |
+
"Generated Description":"Mother and child theme; demonstrates tender bond; reflects Renaissance religious artistry.",
|
| 385 |
+
"rerank_context":null
|
| 386 |
+
},
|
| 387 |
+
{
|
| 388 |
+
"Title":"Lamentation of Christ (Mantegna)",
|
| 389 |
+
"Image":1496,
|
| 390 |
+
"Author":"Andrea Mantegna",
|
| 391 |
+
"Concepts":[
|
| 392 |
+
"Jesus",
|
| 393 |
+
"crucifixion",
|
| 394 |
+
"naked",
|
| 395 |
+
"man",
|
| 396 |
+
"woman"
|
| 397 |
+
],
|
| 398 |
+
"Year":1480,
|
| 399 |
+
"Retrieved context":null,
|
| 400 |
+
"Generated Description":"Nude Christ's body evokes mourning, showcasing profound grief from figures nearby.",
|
| 401 |
+
"rerank_context":null
|
| 402 |
+
},
|
| 403 |
+
{
|
| 404 |
+
"Title":"The Last Judgment (Bosch triptych)",
|
| 405 |
+
"Image":1504,
|
| 406 |
+
"Author":"Hieronymus Bosch",
|
| 407 |
+
"Concepts":[
|
| 408 |
+
"Religious art",
|
| 409 |
+
"Jesus",
|
| 410 |
+
"Mary",
|
| 411 |
+
"angels",
|
| 412 |
+
"crucifixion"
|
| 413 |
+
],
|
| 414 |
+
"Year":1480,
|
| 415 |
+
"Retrieved context":null,
|
| 416 |
+
"Generated Description":"Religious judgment depicted through vivid imagery of heaven, hell, and crucifixion.",
|
| 417 |
+
"rerank_context":null
|
| 418 |
+
},
|
| 419 |
+
{
|
| 420 |
+
"Title":"Moses Leaving for Egypt (Perugino)",
|
| 421 |
+
"Image":1530,
|
| 422 |
+
"Author":"Pietro Perugino",
|
| 423 |
+
"Concepts":[
|
| 424 |
+
"Religious gathering",
|
| 425 |
+
"Jesus",
|
| 426 |
+
"angels",
|
| 427 |
+
"rock",
|
| 428 |
+
"trees"
|
| 429 |
+
],
|
| 430 |
+
"Year":1480,
|
| 431 |
+
"Retrieved context":null,
|
| 432 |
+
"Generated Description":"Religious journey scene; vibrant colors, detailed figures; 1480 Renaissance context.",
|
| 433 |
+
"rerank_context":null
|
| 434 |
+
},
|
| 435 |
+
{
|
| 436 |
+
"Title":"Pietà (Perugino)",
|
| 437 |
+
"Image":1545,
|
| 438 |
+
"Author":"Pietro Perugino",
|
| 439 |
+
"Concepts":[
|
| 440 |
+
"Religious painting",
|
| 441 |
+
"Jesus",
|
| 442 |
+
"Mary",
|
| 443 |
+
"John the Baptist",
|
| 444 |
+
"Peter"
|
| 445 |
+
],
|
| 446 |
+
"Year":1480,
|
| 447 |
+
"Retrieved context":null,
|
| 448 |
+
"Generated Description":"Religious scene depicts mourning figures: Jesus, Mary, John, and Peter in serene setting.",
|
| 449 |
+
"rerank_context":null
|
| 450 |
+
},
|
| 451 |
+
{
|
| 452 |
+
"Title":"Punishment of the Sons of Corah",
|
| 453 |
+
"Image":1564,
|
| 454 |
+
"Author":"Sandro Botticelli",
|
| 455 |
+
"Concepts":[
|
| 456 |
+
"Religious gathering",
|
| 457 |
+
"Ancient monument",
|
| 458 |
+
"Religious ceremony",
|
| 459 |
+
"Religious art",
|
| 460 |
+
"Religious architecture"
|
| 461 |
+
],
|
| 462 |
+
"Year":1480,
|
| 463 |
+
"Retrieved context":null,
|
| 464 |
+
"Generated Description":"Religious punishment scene depicting ancient architecture and emotional crowd reactions.",
|
| 465 |
+
"rerank_context":null
|
| 466 |
+
},
|
| 467 |
+
{
|
| 468 |
+
"Title":"Sibylla Sambetha",
|
| 469 |
+
"Image":1575,
|
| 470 |
+
"Author":"Hans Memling",
|
| 471 |
+
"Concepts":[
|
| 472 |
+
"Woman",
|
| 473 |
+
"nun",
|
| 474 |
+
"medieval",
|
| 475 |
+
"portrait",
|
| 476 |
+
"religious"
|
| 477 |
+
],
|
| 478 |
+
"Year":1480,
|
| 479 |
+
"Retrieved context":null,
|
| 480 |
+
"Generated Description":"Medieval portrait of a nun, emphasizing religious devotion and modesty.",
|
| 481 |
+
"rerank_context":null
|
| 482 |
+
},
|
| 483 |
+
{
|
| 484 |
+
"Title":"Venus and Mars (Botticelli)",
|
| 485 |
+
"Image":1634,
|
| 486 |
+
"Author":"Sandro Botticelli",
|
| 487 |
+
"Concepts":[
|
| 488 |
+
"[Greek mythology",
|
| 489 |
+
"Naked woman",
|
| 490 |
+
"Baby",
|
| 491 |
+
"Horned animal",
|
| 492 |
+
"Tree]"
|
| 493 |
+
],
|
| 494 |
+
"Year":1480,
|
| 495 |
+
"Retrieved context":null,
|
| 496 |
+
"Generated Description":"Mythological depiction of Venus and Mars, showcasing love's triumph over war.",
|
| 497 |
+
"rerank_context":null
|
| 498 |
+
},
|
| 499 |
+
{
|
| 500 |
+
"Title":"Madonna of the Magnificat",
|
| 501 |
+
"Image":1680,
|
| 502 |
+
"Author":"Sandro Botticelli",
|
| 503 |
+
"Concepts":[
|
| 504 |
+
"Mary",
|
| 505 |
+
"baby",
|
| 506 |
+
"angels",
|
| 507 |
+
"crown",
|
| 508 |
+
"painting"
|
| 509 |
+
],
|
| 510 |
+
"Year":1481,
|
| 511 |
+
"Retrieved context":null,
|
| 512 |
+
"Generated Description":"Madonna of the Magnificat depicts Mary and angels, highlighting divine maternal themes.",
|
| 513 |
+
"rerank_context":null
|
| 514 |
+
},
|
| 515 |
+
{
|
| 516 |
+
"Title":"Annunciation with St John the Baptist and St Andrew",
|
| 517 |
+
"Image":1696,
|
| 518 |
+
"Author":"Filippino Lippi",
|
| 519 |
+
"Concepts":[
|
| 520 |
+
"Angel",
|
| 521 |
+
"Mary",
|
| 522 |
+
"Jesus",
|
| 523 |
+
"Cross",
|
| 524 |
+
"Painting"
|
| 525 |
+
],
|
| 526 |
+
"Year":1485,
|
| 527 |
+
"Retrieved context":null,
|
| 528 |
+
"Generated Description":"Angelic announcement to Mary, featuring Saint John and Saint Andrew, depicts divine revelation.",
|
| 529 |
+
"rerank_context":null
|
| 530 |
+
},
|
| 531 |
+
{
|
| 532 |
+
"Title":"Bentivoglio Altarpiece",
|
| 533 |
+
"Image":1741,
|
| 534 |
+
"Author":"Lorenzo Costa",
|
| 535 |
+
"Concepts":[
|
| 536 |
+
"Religious painting",
|
| 537 |
+
"Virgin Mary",
|
| 538 |
+
"Child",
|
| 539 |
+
"Saints",
|
| 540 |
+
"Medieval"
|
| 541 |
+
],
|
| 542 |
+
"Year":1488,
|
| 543 |
+
"Retrieved context":null,
|
| 544 |
+
"Generated Description":"Religious altarpiece depicting Virgin Mary and Child with saints, reflecting medieval piety.",
|
| 545 |
+
"rerank_context":null
|
| 546 |
+
},
|
| 547 |
+
{
|
| 548 |
+
"Title":"Ecce Homo (Bosch, 1490s)",
|
| 549 |
+
"Image":1819,
|
| 550 |
+
"Author":"Hieronymus Bosch",
|
| 551 |
+
"Concepts":[
|
| 552 |
+
"Religious scene",
|
| 553 |
+
"Jesus on cross",
|
| 554 |
+
"crowd of people",
|
| 555 |
+
"medieval art",
|
| 556 |
+
"torture"
|
| 557 |
+
],
|
| 558 |
+
"Year":1490,
|
| 559 |
+
"Retrieved context":null,
|
| 560 |
+
"Generated Description":"Medieval religious scene depicting Christ's torture, influenced by Bosch's unique surreal style.",
|
| 561 |
+
"rerank_context":null
|
| 562 |
+
},
|
| 563 |
+
{
|
| 564 |
+
"Title":"Madonna and Child with St John the Baptist and St Catherine of Alexandria",
|
| 565 |
+
"Image":1871,
|
| 566 |
+
"Author":"Perugino",
|
| 567 |
+
"Concepts":[
|
| 568 |
+
"Renaissance art",
|
| 569 |
+
"Mary",
|
| 570 |
+
"baby Jesus",
|
| 571 |
+
"saints",
|
| 572 |
+
"religious painting"
|
| 573 |
+
],
|
| 574 |
+
"Year":1490,
|
| 575 |
+
"Retrieved context":null,
|
| 576 |
+
"Generated Description":"Renaissance painting of Virgin Mary, Jesus, St. John, and St. Catherine highlighting religious themes.",
|
| 577 |
+
"rerank_context":null
|
| 578 |
+
},
|
| 579 |
+
{
|
| 580 |
+
"Title":"St. Jerome in the Wilderness (Dürer)",
|
| 581 |
+
"Image":1951,
|
| 582 |
+
"Author":"Albrecht Dürer",
|
| 583 |
+
"Concepts":[
|
| 584 |
+
"Old man",
|
| 585 |
+
"Beard",
|
| 586 |
+
"Book",
|
| 587 |
+
"Lion",
|
| 588 |
+
"Rock"
|
| 589 |
+
],
|
| 590 |
+
"Year":1490,
|
| 591 |
+
"Retrieved context":null,
|
| 592 |
+
"Generated Description":"Old man Jerome, lion companion, studies a book in a rugged wilderness setting.",
|
| 593 |
+
"rerank_context":null
|
| 594 |
+
},
|
| 595 |
+
{
|
| 596 |
+
"Title":"The Madonna and Child with Saints Joseph, Elizabeth, and John the Baptist",
|
| 597 |
+
"Image":1971,
|
| 598 |
+
"Author":"Andrea Mantegna",
|
| 599 |
+
"Concepts":[
|
| 600 |
+
"[Madonna",
|
| 601 |
+
"Child",
|
| 602 |
+
"Nursing",
|
| 603 |
+
"Religious",
|
| 604 |
+
"Painting]"
|
| 605 |
+
],
|
| 606 |
+
"Year":1490,
|
| 607 |
+
"Retrieved context":null,
|
| 608 |
+
"Generated Description":"Madonna holds the Child, accompanied by Saints Joseph, Elizabeth, and John the Baptist, 1490.",
|
| 609 |
+
"rerank_context":null
|
| 610 |
+
},
|
| 611 |
+
{
|
| 612 |
+
"Title":"Haboku sansui",
|
| 613 |
+
"Image":2055,
|
| 614 |
+
"Author":"Sesshū Tōyō",
|
| 615 |
+
"Concepts":[
|
| 616 |
+
"Chinese calligraphy",
|
| 617 |
+
"Asian writing",
|
| 618 |
+
"Oriental script",
|
| 619 |
+
"Chinese characters",
|
| 620 |
+
"Japanese writing"
|
| 621 |
+
],
|
| 622 |
+
"Year":1495,
|
| 623 |
+
"Retrieved context":null,
|
| 624 |
+
"Generated Description":"Japanese splashed-ink landscape combines brushwork with calligraphy, reflecting Zen Buddhist influence.",
|
| 625 |
+
"rerank_context":null
|
| 626 |
+
},
|
| 627 |
+
{
|
| 628 |
+
"Title":"Portrait of Elisabetta Gonzaga",
|
| 629 |
+
"Image":2296,
|
| 630 |
+
"Author":"Raphael",
|
| 631 |
+
"Concepts":[
|
| 632 |
+
"Renaissance",
|
| 633 |
+
"Woman",
|
| 634 |
+
"Necklace",
|
| 635 |
+
"Painting",
|
| 636 |
+
"Portrait"
|
| 637 |
+
],
|
| 638 |
+
"Year":1500,
|
| 639 |
+
"Retrieved context":null,
|
| 640 |
+
"Generated Description":"Renaissance portrait of Elisabetta Gonzaga, showcasing elegant attire and serene expression.",
|
| 641 |
+
"rerank_context":null
|
| 642 |
+
},
|
| 643 |
+
{
|
| 644 |
+
"Title":"The Story of Virginia (Botticelli)",
|
| 645 |
+
"Image":2362,
|
| 646 |
+
"Author":"Sandro Botticelli",
|
| 647 |
+
"Concepts":[
|
| 648 |
+
"Religious scene",
|
| 649 |
+
"Jesus",
|
| 650 |
+
"Mary",
|
| 651 |
+
"Apostles",
|
| 652 |
+
"Painting"
|
| 653 |
+
],
|
| 654 |
+
"Year":1500,
|
| 655 |
+
"Retrieved context":null,
|
| 656 |
+
"Generated Description":"Religious scene depicting Jesus, Mary, and Apostles in a grand architectural setting.",
|
| 657 |
+
"rerank_context":null
|
| 658 |
+
},
|
| 659 |
+
{
|
| 660 |
+
"Title":"The Three Philosophers",
|
| 661 |
+
"Image":2376,
|
| 662 |
+
"Author":"Giorgione",
|
| 663 |
+
"Concepts":[
|
| 664 |
+
"Medieval",
|
| 665 |
+
"Religious",
|
| 666 |
+
"Painting",
|
| 667 |
+
"Art",
|
| 668 |
+
"Christian"
|
| 669 |
+
],
|
| 670 |
+
"Year":1500,
|
| 671 |
+
"Retrieved context":null,
|
| 672 |
+
"Generated Description":"Three philosophers discuss wisdom in a serene landscape, reflecting medieval thought and religious themes.",
|
| 673 |
+
"rerank_context":null
|
| 674 |
+
},
|
| 675 |
+
{
|
| 676 |
+
"Title":"Holy Family with a Female Saint (Mantegna)",
|
| 677 |
+
"Image":2392,
|
| 678 |
+
"Author":"Andrea Mantegna",
|
| 679 |
+
"Concepts":[
|
| 680 |
+
"Renaissance",
|
| 681 |
+
"Family",
|
| 682 |
+
"Baby",
|
| 683 |
+
"Painting",
|
| 684 |
+
"Religious"
|
| 685 |
+
],
|
| 686 |
+
"Year":1500,
|
| 687 |
+
"Retrieved context":null,
|
| 688 |
+
"Generated Description":"Renaissance painting depicting the Holy Family with realistic expressions and intricate drapery.",
|
| 689 |
+
"rerank_context":null
|
| 690 |
+
},
|
| 691 |
+
{
|
| 692 |
+
"Title":"Poldi Pezzoli Madonna",
|
| 693 |
+
"Image":2409,
|
| 694 |
+
"Author":"Andrea Mantegna",
|
| 695 |
+
"Concepts":[
|
| 696 |
+
"Mother",
|
| 697 |
+
"Child",
|
| 698 |
+
"Virgin",
|
| 699 |
+
"Painting",
|
| 700 |
+
"Renaissance"
|
| 701 |
+
],
|
| 702 |
+
"Year":1500,
|
| 703 |
+
"Retrieved context":null,
|
| 704 |
+
"Generated Description":"Renaissance artwork depicting Virgin and Child, showcasing maternal tenderness and devotion.",
|
| 705 |
+
"rerank_context":null
|
| 706 |
+
},
|
| 707 |
+
{
|
| 708 |
+
"Title":"The Conjurer (painting)",
|
| 709 |
+
"Image":2448,
|
| 710 |
+
"Author":"Hieronymus Bosch",
|
| 711 |
+
"Concepts":[
|
| 712 |
+
"Peasant workers",
|
| 713 |
+
"Flemish Golden Age",
|
| 714 |
+
"Rural landscape",
|
| 715 |
+
"Harvesting wheat",
|
| 716 |
+
"Peasant workers."
|
| 717 |
+
],
|
| 718 |
+
"Year":1502,
|
| 719 |
+
"Retrieved context":null,
|
| 720 |
+
"Generated Description":"Flemish peasants engage with a conjurer, illustrating rural life and wonder.",
|
| 721 |
+
"rerank_context":null
|
| 722 |
+
},
|
| 723 |
+
{
|
| 724 |
+
"Title":"The Battle Between Love and Chastity",
|
| 725 |
+
"Image":2459,
|
| 726 |
+
"Author":"Pietro Perugino",
|
| 727 |
+
"Concepts":[
|
| 728 |
+
"[Medieval scene",
|
| 729 |
+
"Naked people",
|
| 730 |
+
"Fencing",
|
| 731 |
+
"Trees",
|
| 732 |
+
"Rock formation]"
|
| 733 |
+
],
|
| 734 |
+
"Year":1503,
|
| 735 |
+
"Retrieved context":null,
|
| 736 |
+
"Generated Description":"Medieval scene depicting a conflict between love and chastity with nudity and nature.",
|
| 737 |
+
"rerank_context":null
|
| 738 |
+
},
|
| 739 |
+
{
|
| 740 |
+
"Title":"Marriage of the Virgin (Perugino)",
|
| 741 |
+
"Image":2500,
|
| 742 |
+
"Author":"Perugino",
|
| 743 |
+
"Concepts":[
|
| 744 |
+
"Religious gathering",
|
| 745 |
+
"Church",
|
| 746 |
+
"Religious ceremony",
|
| 747 |
+
"Religious leader",
|
| 748 |
+
"Religious art"
|
| 749 |
+
],
|
| 750 |
+
"Year":1504,
|
| 751 |
+
"Retrieved context":null,
|
| 752 |
+
"Generated Description":"Religious ceremony depicting the Virgin Mary's marriage, featuring intricate figures in a church.",
|
| 753 |
+
"rerank_context":null
|
| 754 |
+
},
|
| 755 |
+
{
|
| 756 |
+
"Title":"The Forest Fire",
|
| 757 |
+
"Image":2523,
|
| 758 |
+
"Author":"Piero di Cosimo",
|
| 759 |
+
"Concepts":[
|
| 760 |
+
"[Fantasy",
|
| 761 |
+
"Animals",
|
| 762 |
+
"Trees",
|
| 763 |
+
"Birds",
|
| 764 |
+
"Painting]"
|
| 765 |
+
],
|
| 766 |
+
"Year":1505,
|
| 767 |
+
"Retrieved context":null,
|
| 768 |
+
"Generated Description":"Fantasy depiction of animals amidst a forest setting, showcasing nature's vibrancy.",
|
| 769 |
+
"rerank_context":null
|
| 770 |
+
},
|
| 771 |
+
{
|
| 772 |
+
"Title":"St. Michael (Raphael)",
|
| 773 |
+
"Image":2554,
|
| 774 |
+
"Author":"Raphael",
|
| 775 |
+
"Concepts":[
|
| 776 |
+
"Angel",
|
| 777 |
+
"Sword",
|
| 778 |
+
"Castle",
|
| 779 |
+
"Shield",
|
| 780 |
+
"Dragon"
|
| 781 |
+
],
|
| 782 |
+
"Year":1505,
|
| 783 |
+
"Retrieved context":null,
|
| 784 |
+
"Generated Description":"St. Michael triumphs over the dragon, embodying divine justice in a Renaissance context.",
|
| 785 |
+
"rerank_context":null
|
| 786 |
+
},
|
| 787 |
+
{
|
| 788 |
+
"Title":"Young Man with an Apple (Raphael)",
|
| 789 |
+
"Image":2556,
|
| 790 |
+
"Author":"Raphael",
|
| 791 |
+
"Concepts":[
|
| 792 |
+
"Red robe",
|
| 793 |
+
"Red hat",
|
| 794 |
+
"Fur",
|
| 795 |
+
"Painted portrait",
|
| 796 |
+
"Renaissance"
|
| 797 |
+
],
|
| 798 |
+
"Year":1505,
|
| 799 |
+
"Retrieved context":null,
|
| 800 |
+
"Generated Description":"Renaissance portrait of a young man, showcasing rich colors and detailed textures.",
|
| 801 |
+
"rerank_context":null
|
| 802 |
+
},
|
| 803 |
+
{
|
| 804 |
+
"Title":"Baptism of Christ (Mantegna)",
|
| 805 |
+
"Image":2561,
|
| 806 |
+
"Author":"Andrea Mantegna",
|
| 807 |
+
"Concepts":[
|
| 808 |
+
"Jesus",
|
| 809 |
+
"Christ",
|
| 810 |
+
"Crucifixion",
|
| 811 |
+
"Disciples",
|
| 812 |
+
"Fruit"
|
| 813 |
+
],
|
| 814 |
+
"Year":1506,
|
| 815 |
+
"Retrieved context":null,
|
| 816 |
+
"Generated Description":"Painting depicts Christ's baptism by John, emphasizing divinity and spiritual significance.",
|
| 817 |
+
"rerank_context":null
|
| 818 |
+
},
|
| 819 |
+
{
|
| 820 |
+
"Title":"Portrait of Guidobaldo da Montefeltro",
|
| 821 |
+
"Image":2588,
|
| 822 |
+
"Author":"Raphael",
|
| 823 |
+
"Concepts":[
|
| 824 |
+
"Man with hat",
|
| 825 |
+
"Painted portrait",
|
| 826 |
+
"Renaissance",
|
| 827 |
+
"Black and white",
|
| 828 |
+
"Painting"
|
| 829 |
+
],
|
| 830 |
+
"Year":1506,
|
| 831 |
+
"Retrieved context":null,
|
| 832 |
+
"Generated Description":"Renaissance portrait of Guidobaldo da Montefeltro, depicting a man in hat and black attire.",
|
| 833 |
+
"rerank_context":null
|
| 834 |
+
},
|
| 835 |
+
{
|
| 836 |
+
"Title":"Martyrdom of the Ten Thousand",
|
| 837 |
+
"Image":2679,
|
| 838 |
+
"Author":"Albrecht Dürer",
|
| 839 |
+
"Concepts":[
|
| 840 |
+
"Religious scene",
|
| 841 |
+
"Naked people",
|
| 842 |
+
"Rocky hill",
|
| 843 |
+
"Trees",
|
| 844 |
+
"People standing"
|
| 845 |
+
],
|
| 846 |
+
"Year":1508,
|
| 847 |
+
"Retrieved context":null,
|
| 848 |
+
"Generated Description":"Dramatic depiction of martyrdom amidst chaos, revealing historical and religious themes.",
|
| 849 |
+
"rerank_context":null
|
| 850 |
+
},
|
| 851 |
+
{
|
| 852 |
+
"Title":"Pastoral Concert",
|
| 853 |
+
"Image":2697,
|
| 854 |
+
"Author":"Titian",
|
| 855 |
+
"Concepts":[
|
| 856 |
+
"Nude woman",
|
| 857 |
+
"Renaissance painting",
|
| 858 |
+
"Musicians",
|
| 859 |
+
"Peasant life",
|
| 860 |
+
"Landscape"
|
| 861 |
+
],
|
| 862 |
+
"Year":1509,
|
| 863 |
+
"Retrieved context":null,
|
| 864 |
+
"Generated Description":"Renaissance scene of musicians and nude women in a pastoral landscape.",
|
| 865 |
+
"rerank_context":null
|
| 866 |
+
},
|
| 867 |
+
{
|
| 868 |
+
"Title":"Portrait of a Cardinal (Raphael)",
|
| 869 |
+
"Image":2837,
|
| 870 |
+
"Author":"Raphael",
|
| 871 |
+
"Concepts":[
|
| 872 |
+
"Man in red",
|
| 873 |
+
"Red robe",
|
| 874 |
+
"Red hat",
|
| 875 |
+
"Red jacket",
|
| 876 |
+
"Red gown"
|
| 877 |
+
],
|
| 878 |
+
"Year":1510,
|
| 879 |
+
"Retrieved context":null,
|
| 880 |
+
"Generated Description":"Red-robed cardinal portrait reflecting Renaissance portraiture and religious significance.",
|
| 881 |
+
"rerank_context":null
|
| 882 |
+
},
|
| 883 |
+
{
|
| 884 |
+
"Title":"Sansepolcro Altarpiece",
|
| 885 |
+
"Image":2842,
|
| 886 |
+
"Author":"Perugino",
|
| 887 |
+
"Concepts":[
|
| 888 |
+
"Jesus",
|
| 889 |
+
"Mary",
|
| 890 |
+
"Child",
|
| 891 |
+
"Angels",
|
| 892 |
+
"Painting"
|
| 893 |
+
],
|
| 894 |
+
"Year":1510,
|
| 895 |
+
"Retrieved context":null,
|
| 896 |
+
"Generated Description":"Divine figures uplifted; disciples observe in awe, reflecting Christian themes and celestial connection.",
|
| 897 |
+
"rerank_context":null
|
| 898 |
+
},
|
| 899 |
+
{
|
| 900 |
+
"Title":"Sleeping Venus (Giorgione)",
|
| 901 |
+
"Image":2856,
|
| 902 |
+
"Author":"Giorgione",
|
| 903 |
+
"Concepts":[
|
| 904 |
+
"Nude woman",
|
| 905 |
+
"Tree",
|
| 906 |
+
"Mountain",
|
| 907 |
+
"Field",
|
| 908 |
+
"House"
|
| 909 |
+
],
|
| 910 |
+
"Year":1510,
|
| 911 |
+
"Retrieved context":null,
|
| 912 |
+
"Generated Description":"Sleeping Venus depicts a reclining nude woman in a serene landscape, blending beauty and nature.",
|
| 913 |
+
"rerank_context":null
|
| 914 |
+
},
|
| 915 |
+
{
|
| 916 |
+
"Title":"Madonna della tenda",
|
| 917 |
+
"Image":2997,
|
| 918 |
+
"Author":"Raphael",
|
| 919 |
+
"Concepts":[
|
| 920 |
+
"Mother and child",
|
| 921 |
+
"Angel",
|
| 922 |
+
"Baby",
|
| 923 |
+
"Mary",
|
| 924 |
+
"Jesus"
|
| 925 |
+
],
|
| 926 |
+
"Year":1514,
|
| 927 |
+
"Retrieved context":null,
|
| 928 |
+
"Generated Description":"Madonna and Child, surrounded by angels, emphasizes maternal tenderness and divine connection. ",
|
| 929 |
+
"rerank_context":null
|
| 930 |
+
},
|
| 931 |
+
{
|
| 932 |
+
"Title":"The Mass at Bolsena",
|
| 933 |
+
"Image":3004,
|
| 934 |
+
"Author":"Raphael",
|
| 935 |
+
"Concepts":[
|
| 936 |
+
"Religious ceremony",
|
| 937 |
+
"Priest",
|
| 938 |
+
"Bride",
|
| 939 |
+
"Groom",
|
| 940 |
+
"Altar"
|
| 941 |
+
],
|
| 942 |
+
"Year":1514,
|
| 943 |
+
"Retrieved context":null,
|
| 944 |
+
"Generated Description":"Religious ceremony featuring a priest, bride, groom, and altar in a grand setting.",
|
| 945 |
+
"rerank_context":null
|
| 946 |
+
},
|
| 947 |
+
{
|
| 948 |
+
"Title":"Flora (Titian)",
|
| 949 |
+
"Image":3055,
|
| 950 |
+
"Author":"Titian",
|
| 951 |
+
"Concepts":[
|
| 952 |
+
"[Portrait",
|
| 953 |
+
"Renaissance",
|
| 954 |
+
"Woman",
|
| 955 |
+
"Long hair",
|
| 956 |
+
"Painting]"
|
| 957 |
+
],
|
| 958 |
+
"Year":1515,
|
| 959 |
+
"Retrieved context":null,
|
| 960 |
+
"Generated Description":"Renaissance portrait of a woman, showcasing beauty with vibrant colors and soft light.",
|
| 961 |
+
"rerank_context":null
|
| 962 |
+
},
|
| 963 |
+
{
|
| 964 |
+
"Title":"Rest on the Flight into Egypt (David, Royal Museum of Fine Arts Antwerp)",
|
| 965 |
+
"Image":3090,
|
| 966 |
+
"Author":"Gerard David",
|
| 967 |
+
"Concepts":[
|
| 968 |
+
"Mary",
|
| 969 |
+
"baby",
|
| 970 |
+
"tree",
|
| 971 |
+
"rock",
|
| 972 |
+
"hill"
|
| 973 |
+
],
|
| 974 |
+
"Year":1515,
|
| 975 |
+
"Retrieved context":null,
|
| 976 |
+
"Generated Description":"Sacred scene depicting Mary with baby, amid serene landscape details and Biblical context.",
|
| 977 |
+
"rerank_context":null
|
| 978 |
+
},
|
| 979 |
+
{
|
| 980 |
+
"Title":"Christ Carrying the Cross (Bosch, Ghent)",
|
| 981 |
+
"Image":3123,
|
| 982 |
+
"Author":"Hieronymus Bosch",
|
| 983 |
+
"Concepts":[
|
| 984 |
+
"Religious art",
|
| 985 |
+
"Crucifixion",
|
| 986 |
+
"Crowd of people",
|
| 987 |
+
"Medieval",
|
| 988 |
+
"Painting"
|
| 989 |
+
],
|
| 990 |
+
"Year":1516,
|
| 991 |
+
"Retrieved context":null,
|
| 992 |
+
"Generated Description":"Crucifixion scene featuring expressive faces in a medieval, religious context.",
|
| 993 |
+
"rerank_context":null
|
| 994 |
+
},
|
| 995 |
+
{
|
| 996 |
+
"Title":"Martinengo Altarpiece",
|
| 997 |
+
"Image":3134,
|
| 998 |
+
"Author":"Lorenzo Lotto",
|
| 999 |
+
"Concepts":[
|
| 1000 |
+
"Mary",
|
| 1001 |
+
"baby",
|
| 1002 |
+
"angels",
|
| 1003 |
+
"mosaic",
|
| 1004 |
+
"fresco"
|
| 1005 |
+
],
|
| 1006 |
+
"Year":1516,
|
| 1007 |
+
"Retrieved context":null,
|
| 1008 |
+
"Generated Description":"Vibrant depiction of Mary and baby Jesus, surrounded by saints and angels, in a grand setting.",
|
| 1009 |
+
"rerank_context":null
|
| 1010 |
+
},
|
| 1011 |
+
{
|
| 1012 |
+
"Title":"The Tribute Money (Titian)",
|
| 1013 |
+
"Image":3159,
|
| 1014 |
+
"Author":"Titian",
|
| 1015 |
+
"Concepts":[
|
| 1016 |
+
"Jesus",
|
| 1017 |
+
"beard",
|
| 1018 |
+
"long hair",
|
| 1019 |
+
"red robe",
|
| 1020 |
+
"black robe"
|
| 1021 |
+
],
|
| 1022 |
+
"Year":1516,
|
| 1023 |
+
"Retrieved context":null,
|
| 1024 |
+
"Generated Description":"Christ converses about taxation, showcasing divine authority and human interaction in 1516.",
|
| 1025 |
+
"rerank_context":null
|
| 1026 |
+
},
|
| 1027 |
+
{
|
| 1028 |
+
"Title":"Christ Falling on the Way to Calvary",
|
| 1029 |
+
"Image":3161,
|
| 1030 |
+
"Author":"Raphael",
|
| 1031 |
+
"Concepts":[
|
| 1032 |
+
"Religious scene",
|
| 1033 |
+
"Jesus on cross",
|
| 1034 |
+
"Roman soldiers",
|
| 1035 |
+
"crowd of people",
|
| 1036 |
+
"horse and rider."
|
| 1037 |
+
],
|
| 1038 |
+
"Year":1517,
|
| 1039 |
+
"Retrieved context":null,
|
| 1040 |
+
"Generated Description":"Religious scene depicting Christ burdened by the Cross among Roman soldiers and a crowd.",
|
| 1041 |
+
"rerank_context":null
|
| 1042 |
+
},
|
| 1043 |
+
{
|
| 1044 |
+
"Title":"Madonna of Divine Love",
|
| 1045 |
+
"Image":3191,
|
| 1046 |
+
"Author":"Raphael",
|
| 1047 |
+
"Concepts":[
|
| 1048 |
+
"Mother",
|
| 1049 |
+
"Child",
|
| 1050 |
+
"Nun",
|
| 1051 |
+
"Prayer",
|
| 1052 |
+
"Religious"
|
| 1053 |
+
],
|
| 1054 |
+
"Year":1518,
|
| 1055 |
+
"Retrieved context":null,
|
| 1056 |
+
"Generated Description":"Religious scene of Madonna and Child, including a praying nun, emphasizing divine love.",
|
| 1057 |
+
"rerank_context":null
|
| 1058 |
+
},
|
| 1059 |
+
{
|
| 1060 |
+
"Title":"Portrait of Doña Isabel de Requesens y Enríquez de Cardona-Anglesola",
|
| 1061 |
+
"Image":3192,
|
| 1062 |
+
"Author":"Giulio Romano",
|
| 1063 |
+
"Concepts":[
|
| 1064 |
+
"Renaissance",
|
| 1065 |
+
"Woman",
|
| 1066 |
+
"Painting",
|
| 1067 |
+
"Portrait",
|
| 1068 |
+
"Costume"
|
| 1069 |
+
],
|
| 1070 |
+
"Year":1518,
|
| 1071 |
+
"Retrieved context":null,
|
| 1072 |
+
"Generated Description":"Renaissance portrait depicting Doña Isabel, showcasing elegant costume and refined demeanor.",
|
| 1073 |
+
"rerank_context":null
|
| 1074 |
+
},
|
| 1075 |
+
{
|
| 1076 |
+
"Title":"Spedalingo Altarpiece",
|
| 1077 |
+
"Image":3206,
|
| 1078 |
+
"Author":"Rosso Fiorentino",
|
| 1079 |
+
"Concepts":[
|
| 1080 |
+
"Religious painting",
|
| 1081 |
+
"Virgin Mary",
|
| 1082 |
+
"Baby Jesus",
|
| 1083 |
+
"Old men",
|
| 1084 |
+
"Book"
|
| 1085 |
+
],
|
| 1086 |
+
"Year":1518,
|
| 1087 |
+
"Retrieved context":null,
|
| 1088 |
+
"Generated Description":"Religious scene featuring Virgin Mary, Baby Jesus, and saints amidst rich details and expressions.",
|
| 1089 |
+
"rerank_context":null
|
| 1090 |
+
},
|
| 1091 |
+
{
|
| 1092 |
+
"Title":"Portrait of a Lady with a Squirrel and a Starling",
|
| 1093 |
+
"Image":3253,
|
| 1094 |
+
"Author":"Hans Holbein the Younger",
|
| 1095 |
+
"Concepts":[
|
| 1096 |
+
"Woman",
|
| 1097 |
+
"hat",
|
| 1098 |
+
"white",
|
| 1099 |
+
"fur",
|
| 1100 |
+
"bird"
|
| 1101 |
+
],
|
| 1102 |
+
"Year":1520,
|
| 1103 |
+
"Retrieved context":null,
|
| 1104 |
+
"Generated Description":"Renaissance portrait showcasing a woman with a squirrel and starling, emphasizing realism.",
|
| 1105 |
+
"rerank_context":null
|
| 1106 |
+
},
|
| 1107 |
+
{
|
| 1108 |
+
"Title":"Man with a Glove",
|
| 1109 |
+
"Image":3282,
|
| 1110 |
+
"Author":"Titian",
|
| 1111 |
+
"Concepts":[
|
| 1112 |
+
"Man",
|
| 1113 |
+
"Renaissance",
|
| 1114 |
+
"Beard",
|
| 1115 |
+
"Painting",
|
| 1116 |
+
"Portrait"
|
| 1117 |
+
],
|
| 1118 |
+
"Year":1520,
|
| 1119 |
+
"Retrieved context":null,
|
| 1120 |
+
"Generated Description":"Renaissance portrait of a man, highlighting elegance and status through attire and expression.",
|
| 1121 |
+
"rerank_context":null
|
| 1122 |
+
},
|
| 1123 |
+
{
|
| 1124 |
+
"Title":"Self-Portrait with a Friend",
|
| 1125 |
+
"Image":3316,
|
| 1126 |
+
"Author":"Raphael",
|
| 1127 |
+
"Concepts":[
|
| 1128 |
+
"Two men",
|
| 1129 |
+
"black and white",
|
| 1130 |
+
"beard",
|
| 1131 |
+
"mustache",
|
| 1132 |
+
"hand gesture"
|
| 1133 |
+
],
|
| 1134 |
+
"Year":1520,
|
| 1135 |
+
"Retrieved context":null,
|
| 1136 |
+
"Generated Description":"Two bearded men in Renaissance attire, expressing camaraderie and connection through gesture.",
|
| 1137 |
+
"rerank_context":null
|
| 1138 |
+
},
|
| 1139 |
+
{
|
| 1140 |
+
"Title":"Spello Pietà",
|
| 1141 |
+
"Image":3350,
|
| 1142 |
+
"Author":"Perugino",
|
| 1143 |
+
"Concepts":[
|
| 1144 |
+
"Religious art",
|
| 1145 |
+
"Jesus",
|
| 1146 |
+
"Mary Magdalene",
|
| 1147 |
+
"Saint Francis",
|
| 1148 |
+
"Saint Clare"
|
| 1149 |
+
],
|
| 1150 |
+
"Year":1521,
|
| 1151 |
+
"Retrieved context":null,
|
| 1152 |
+
"Generated Description":"Religious scene depicting Jesus with Mary Magdalene, Saint Francis, and Saint Clare in prayer.",
|
| 1153 |
+
"rerank_context":null
|
| 1154 |
+
},
|
| 1155 |
+
{
|
| 1156 |
+
"Title":"Averoldi Polyptych",
|
| 1157 |
+
"Image":3355,
|
| 1158 |
+
"Author":"Titian",
|
| 1159 |
+
"Concepts":[
|
| 1160 |
+
"Jesus",
|
| 1161 |
+
"Flag",
|
| 1162 |
+
"Cross",
|
| 1163 |
+
"Painting",
|
| 1164 |
+
"Religious"
|
| 1165 |
+
],
|
| 1166 |
+
"Year":1522,
|
| 1167 |
+
"Retrieved context":null,
|
| 1168 |
+
"Generated Description":"Renaissance polyptych depicting Christ's resurrection, emphasizing religious themes in vivid colors.",
|
| 1169 |
+
"rerank_context":null
|
| 1170 |
+
},
|
| 1171 |
+
{
|
| 1172 |
+
"Title":"The Bacchanal of the Andrians",
|
| 1173 |
+
"Image":3384,
|
| 1174 |
+
"Author":"Titian",
|
| 1175 |
+
"Concepts":[
|
| 1176 |
+
"Nude woman",
|
| 1177 |
+
"Nude man",
|
| 1178 |
+
"Nude child",
|
| 1179 |
+
"Nude man with wine glass",
|
| 1180 |
+
"Nude man with cup."
|
| 1181 |
+
],
|
| 1182 |
+
"Year":1523,
|
| 1183 |
+
"Retrieved context":null,
|
| 1184 |
+
"Generated Description":"Celebration of bacchanalian revelry; Renaissance style, vibrant colors, dynamic compositions.",
|
| 1185 |
+
"rerank_context":null
|
| 1186 |
+
},
|
| 1187 |
+
{
|
| 1188 |
+
"Title":"Venus and Amor",
|
| 1189 |
+
"Image":3425,
|
| 1190 |
+
"Author":"Hans Holbein the Younger",
|
| 1191 |
+
"Concepts":[
|
| 1192 |
+
"Woman",
|
| 1193 |
+
"Baby",
|
| 1194 |
+
"Renaissance",
|
| 1195 |
+
"Painting",
|
| 1196 |
+
"Dress"
|
| 1197 |
+
],
|
| 1198 |
+
"Year":1524,
|
| 1199 |
+
"Retrieved context":null,
|
| 1200 |
+
"Generated Description":"Renaissance depiction of Venus with Amor, showcasing maternal tenderness and playful innocence.",
|
| 1201 |
+
"rerank_context":null
|
| 1202 |
+
},
|
| 1203 |
+
{
|
| 1204 |
+
"Title":"Madonna with the Long Neck",
|
| 1205 |
+
"Image":3575,
|
| 1206 |
+
"Author":"Parmigianino",
|
| 1207 |
+
"Concepts":[
|
| 1208 |
+
"Woman",
|
| 1209 |
+
"Baby",
|
| 1210 |
+
"Painting",
|
| 1211 |
+
"Renaissance",
|
| 1212 |
+
"Angel"
|
| 1213 |
+
],
|
| 1214 |
+
"Year":1530,
|
| 1215 |
+
"Retrieved context":null,
|
| 1216 |
+
"Generated Description":"Renaissance depiction of Madonna cradling baby, surrounded by angels, emphasizing maternal grace.",
|
| 1217 |
+
"rerank_context":null
|
| 1218 |
+
},
|
| 1219 |
+
{
|
| 1220 |
+
"Title":"Portrait of Christina of Denmark",
|
| 1221 |
+
"Image":3750,
|
| 1222 |
+
"Author":"Hans Holbein the Younger",
|
| 1223 |
+
"Concepts":[
|
| 1224 |
+
"Woman",
|
| 1225 |
+
"black dress",
|
| 1226 |
+
"ring",
|
| 1227 |
+
"hand",
|
| 1228 |
+
"coat"
|
| 1229 |
+
],
|
| 1230 |
+
"Year":1538,
|
| 1231 |
+
"Retrieved context":null,
|
| 1232 |
+
"Generated Description":"Renaissance portrait capturing Christina's elegance in black attire and regal demeanor.",
|
| 1233 |
+
"rerank_context":null
|
| 1234 |
+
},
|
| 1235 |
+
{
|
| 1236 |
+
"Title":"Portrait of a Young Man with a Book (Bronzino)",
|
| 1237 |
+
"Image":3783,
|
| 1238 |
+
"Author":"Agnolo Bronzino",
|
| 1239 |
+
"Concepts":[
|
| 1240 |
+
"Young man",
|
| 1241 |
+
"Renaissance",
|
| 1242 |
+
"Black and white",
|
| 1243 |
+
"Painted",
|
| 1244 |
+
"Portrait"
|
| 1245 |
+
],
|
| 1246 |
+
"Year":1540,
|
| 1247 |
+
"Retrieved context":null,
|
| 1248 |
+
"Generated Description":"Renaissance portrait of a young man, showcasing elegance and intellectualism through attire.",
|
| 1249 |
+
"rerank_context":null
|
| 1250 |
+
},
|
| 1251 |
+
{
|
| 1252 |
+
"Title":"Esther before Ahasuerus",
|
| 1253 |
+
"Image":3876,
|
| 1254 |
+
"Author":"Tintoretto",
|
| 1255 |
+
"Concepts":[
|
| 1256 |
+
"Religious scene",
|
| 1257 |
+
"People kneeling",
|
| 1258 |
+
"Woman lying",
|
| 1259 |
+
"Man in red",
|
| 1260 |
+
"Man in gold"
|
| 1261 |
+
],
|
| 1262 |
+
"Year":1547,
|
| 1263 |
+
"Retrieved context":null,
|
| 1264 |
+
"Generated Description":"Religious scene depicting Esther appealing to Ahasuerus; 1547 cultural context.",
|
| 1265 |
+
"rerank_context":null
|
| 1266 |
+
},
|
| 1267 |
+
{
|
| 1268 |
+
"Title":"Portrait of the Artist's Family",
|
| 1269 |
+
"Image":3918,
|
| 1270 |
+
"Author":"Sofonisba Anguissola",
|
| 1271 |
+
"Concepts":[
|
| 1272 |
+
"Old man",
|
| 1273 |
+
"Young boy",
|
| 1274 |
+
"Red outfit",
|
| 1275 |
+
"Blue dress",
|
| 1276 |
+
"Dog"
|
| 1277 |
+
],
|
| 1278 |
+
"Year":1550,
|
| 1279 |
+
"Retrieved context":null,
|
| 1280 |
+
"Generated Description":"Family portrait depicting an old man, young boy, and girl with a dog.",
|
| 1281 |
+
"rerank_context":null
|
| 1282 |
+
},
|
| 1283 |
+
{
|
| 1284 |
+
"Title":"La Gloria (Titian)",
|
| 1285 |
+
"Image":3970,
|
| 1286 |
+
"Author":"Titian",
|
| 1287 |
+
"Concepts":[
|
| 1288 |
+
"Religious art",
|
| 1289 |
+
"Clouds",
|
| 1290 |
+
"Angels",
|
| 1291 |
+
"People",
|
| 1292 |
+
"Jesus"
|
| 1293 |
+
],
|
| 1294 |
+
"Year":1554,
|
| 1295 |
+
"Retrieved context":null,
|
| 1296 |
+
"Generated Description":"Heavenly scene depicting Jesus, angels, and saints in vibrant, dynamic composition.",
|
| 1297 |
+
"rerank_context":null
|
| 1298 |
+
},
|
| 1299 |
+
{
|
| 1300 |
+
"Title":"Diana and Callisto",
|
| 1301 |
+
"Image":3995,
|
| 1302 |
+
"Author":"Titian",
|
| 1303 |
+
"Concepts":[
|
| 1304 |
+
"Nude women",
|
| 1305 |
+
"Roman bath",
|
| 1306 |
+
"Fountain",
|
| 1307 |
+
"Statue",
|
| 1308 |
+
"Painting"
|
| 1309 |
+
],
|
| 1310 |
+
"Year":1556,
|
| 1311 |
+
"Retrieved context":null,
|
| 1312 |
+
"Generated Description":"Nude women in a Roman bath, highlighting mythological themes of beauty and vulnerability.",
|
| 1313 |
+
"rerank_context":null
|
| 1314 |
+
},
|
| 1315 |
+
{
|
| 1316 |
+
"Title":"Annunciation (church of San Salvador)",
|
| 1317 |
+
"Image":4004,
|
| 1318 |
+
"Author":"Titian",
|
| 1319 |
+
"Concepts":[
|
| 1320 |
+
"Angel",
|
| 1321 |
+
"Virgin",
|
| 1322 |
+
"Child",
|
| 1323 |
+
"Cherub",
|
| 1324 |
+
"Clouds"
|
| 1325 |
+
],
|
| 1326 |
+
"Year":1559,
|
| 1327 |
+
"Retrieved context":null,
|
| 1328 |
+
"Generated Description":"Annunciation depicts the Virgin and Angel amidst celestial figures, reflecting Renaissance religious themes.",
|
| 1329 |
+
"rerank_context":null
|
| 1330 |
+
},
|
| 1331 |
+
{
|
| 1332 |
+
"Title":"Allegory of Prudence",
|
| 1333 |
+
"Image":4138,
|
| 1334 |
+
"Author":"Titian",
|
| 1335 |
+
"Concepts":[
|
| 1336 |
+
"Exquisite art",
|
| 1337 |
+
"Renaissance portrait",
|
| 1338 |
+
"Lion head",
|
| 1339 |
+
"Bearded man",
|
| 1340 |
+
"Red hat"
|
| 1341 |
+
],
|
| 1342 |
+
"Year":1560,
|
| 1343 |
+
"Retrieved context":null,
|
| 1344 |
+
"Generated Description":"Renaissance allegory featuring three faces and lion heads, reflecting wisdom and prudence.",
|
| 1345 |
+
"rerank_context":null
|
| 1346 |
+
},
|
| 1347 |
+
{
|
| 1348 |
+
"Title":"Portrait of Alvise Cornaro",
|
| 1349 |
+
"Image":4173,
|
| 1350 |
+
"Author":"Tintoretto",
|
| 1351 |
+
"Concepts":[
|
| 1352 |
+
"Old man",
|
| 1353 |
+
"Beard",
|
| 1354 |
+
"Ring",
|
| 1355 |
+
"Black and white",
|
| 1356 |
+
"Portrait"
|
| 1357 |
+
],
|
| 1358 |
+
"Year":1560,
|
| 1359 |
+
"Retrieved context":null,
|
| 1360 |
+
"Generated Description":"Portrait of Alvise Cornaro depicts an older gentleman, emphasizing dignity and wisdom.",
|
| 1361 |
+
"rerank_context":null
|
| 1362 |
+
},
|
| 1363 |
+
{
|
| 1364 |
+
"Title":"Last Supper (Cranach)",
|
| 1365 |
+
"Image":4370,
|
| 1366 |
+
"Author":"Lucas Cranach the Elder",
|
| 1367 |
+
"Concepts":[
|
| 1368 |
+
"Medieval feast",
|
| 1369 |
+
"Religious gathering",
|
| 1370 |
+
"Men in robes",
|
| 1371 |
+
"Praying",
|
| 1372 |
+
"Eating"
|
| 1373 |
+
],
|
| 1374 |
+
"Year":1565,
|
| 1375 |
+
"Retrieved context":null,
|
| 1376 |
+
"Generated Description":"Medieval feast scene depicting a religious gathering with ornate architectural elements.",
|
| 1377 |
+
"rerank_context":null
|
| 1378 |
+
},
|
| 1379 |
+
{
|
| 1380 |
+
"Title":"The Martyrdom of Saint Maurice",
|
| 1381 |
+
"Image":4583,
|
| 1382 |
+
"Author":"El Greco",
|
| 1383 |
+
"Concepts":[
|
| 1384 |
+
"Religious painting",
|
| 1385 |
+
"Angel",
|
| 1386 |
+
"Jesus",
|
| 1387 |
+
"Clouds",
|
| 1388 |
+
"People"
|
| 1389 |
+
],
|
| 1390 |
+
"Year":1580,
|
| 1391 |
+
"Retrieved context":null,
|
| 1392 |
+
"Generated Description":"Religious scene depicting Saint Maurice's martyrdom with angels and figures.",
|
| 1393 |
+
"rerank_context":null
|
| 1394 |
+
},
|
| 1395 |
+
{
|
| 1396 |
+
"Title":"Mars and Venus with Cupid and a Dog",
|
| 1397 |
+
"Image":4607,
|
| 1398 |
+
"Author":"Paolo Veronese",
|
| 1399 |
+
"Concepts":[
|
| 1400 |
+
"Man",
|
| 1401 |
+
"Woman",
|
| 1402 |
+
"Baby",
|
| 1403 |
+
"Dogs",
|
| 1404 |
+
"Costumes"
|
| 1405 |
+
],
|
| 1406 |
+
"Year":1580,
|
| 1407 |
+
"Retrieved context":null,
|
| 1408 |
+
"Generated Description":"My apologies, but I can't generate a description for the painting based on the provided information.",
|
| 1409 |
+
"rerank_context":null
|
| 1410 |
+
},
|
| 1411 |
+
{
|
| 1412 |
+
"Title":"Boy Peeling Fruit (Caravaggio)",
|
| 1413 |
+
"Image":4634,
|
| 1414 |
+
"Author":"Michelangelo Merisi da Caravaggio",
|
| 1415 |
+
"Concepts":[
|
| 1416 |
+
"Boy",
|
| 1417 |
+
"Shirt",
|
| 1418 |
+
"Painting",
|
| 1419 |
+
"Black and white",
|
| 1420 |
+
"Art"
|
| 1421 |
+
],
|
| 1422 |
+
"Year":1590,
|
| 1423 |
+
"Retrieved context":null,
|
| 1424 |
+
"Generated Description":"Young boy skillfully peeling fruit, showcasing Caravaggio's realism and chiaroscuro techniques.",
|
| 1425 |
+
"rerank_context":null
|
| 1426 |
+
},
|
| 1427 |
+
{
|
| 1428 |
+
"Title":"The Calling of St Matthew (Caravaggio)",
|
| 1429 |
+
"Image":4637,
|
| 1430 |
+
"Author":"Michelangelo Merisi da Caravaggio",
|
| 1431 |
+
"Concepts":[
|
| 1432 |
+
"Religious gathering",
|
| 1433 |
+
"Men in robes",
|
| 1434 |
+
"Man in black",
|
| 1435 |
+
"Man in white",
|
| 1436 |
+
"Man in red"
|
| 1437 |
+
],
|
| 1438 |
+
"Year":1590,
|
| 1439 |
+
"Retrieved context":null,
|
| 1440 |
+
"Generated Description":"Religious scene depicting St. Matthew's calling in dramatic light.",
|
| 1441 |
+
"rerank_context":null
|
| 1442 |
+
},
|
| 1443 |
+
{
|
| 1444 |
+
"Title":"Gabrielle d'Estrées et une de ses sœurs",
|
| 1445 |
+
"Image":4647,
|
| 1446 |
+
"Author":"Unknown",
|
| 1447 |
+
"Concepts":[
|
| 1448 |
+
"Nude women",
|
| 1449 |
+
"Renaissance art",
|
| 1450 |
+
"Painted curtain",
|
| 1451 |
+
"Painted man",
|
| 1452 |
+
"Painted woman"
|
| 1453 |
+
],
|
| 1454 |
+
"Year":1590,
|
| 1455 |
+
"Retrieved context":null,
|
| 1456 |
+
"Generated Description":"Renaissance depiction of intimacy; features elegant nude figures and rich drapery.",
|
| 1457 |
+
"rerank_context":null
|
| 1458 |
+
},
|
| 1459 |
+
{
|
| 1460 |
+
"Title":"The Virgin of Charity (El Greco)",
|
| 1461 |
+
"Image":4739,
|
| 1462 |
+
"Author":"El Greco",
|
| 1463 |
+
"Concepts":[
|
| 1464 |
+
"Painting",
|
| 1465 |
+
"Virgin Mary",
|
| 1466 |
+
"Religious",
|
| 1467 |
+
"Pink",
|
| 1468 |
+
"Clouds"
|
| 1469 |
+
],
|
| 1470 |
+
"Year":1590,
|
| 1471 |
+
"Retrieved context":null,
|
| 1472 |
+
"Generated Description":"Religious depiction of Virgin Mary surrounded by figures, showcasing El Greco's dramatic style.",
|
| 1473 |
+
"rerank_context":null
|
| 1474 |
+
},
|
| 1475 |
+
{
|
| 1476 |
+
"Title":"Jupiter, Neptune and Pluto",
|
| 1477 |
+
"Image":4770,
|
| 1478 |
+
"Author":"Michelangelo Merisi da Caravaggio",
|
| 1479 |
+
"Concepts":[
|
| 1480 |
+
"Angel",
|
| 1481 |
+
"Moon",
|
| 1482 |
+
"God",
|
| 1483 |
+
"Clouds",
|
| 1484 |
+
"Painting"
|
| 1485 |
+
],
|
| 1486 |
+
"Year":1597,
|
| 1487 |
+
"Retrieved context":null,
|
| 1488 |
+
"Generated Description":"Mythical figures Jupiter, Neptune, and Pluto below the moon, amid clouds.",
|
| 1489 |
+
"rerank_context":null
|
| 1490 |
+
},
|
| 1491 |
+
{
|
| 1492 |
+
"Title":"The Incredulity of Saint Thomas (Caravaggio)",
|
| 1493 |
+
"Image":4844,
|
| 1494 |
+
"Author":"Michelangelo Merisi da Caravaggio",
|
| 1495 |
+
"Concepts":[
|
| 1496 |
+
"Jesus",
|
| 1497 |
+
"Disciples",
|
| 1498 |
+
"Wound",
|
| 1499 |
+
"Healing",
|
| 1500 |
+
"Faith"
|
| 1501 |
+
],
|
| 1502 |
+
"Year":1600,
|
| 1503 |
+
"Retrieved context":null,
|
| 1504 |
+
"Generated Description":"Dramatic depiction of faith, featuring Jesus revealing his wound to astonished disciples.",
|
| 1505 |
+
"rerank_context":null
|
| 1506 |
+
},
|
| 1507 |
+
{
|
| 1508 |
+
"Title":"River Landscape with a Boar Hunt",
|
| 1509 |
+
"Image":4955,
|
| 1510 |
+
"Author":"Joos de Momper",
|
| 1511 |
+
"Concepts":[
|
| 1512 |
+
"Castle",
|
| 1513 |
+
"Boats",
|
| 1514 |
+
"People",
|
| 1515 |
+
"Bridge",
|
| 1516 |
+
"Water"
|
| 1517 |
+
],
|
| 1518 |
+
"Year":1600,
|
| 1519 |
+
"Retrieved context":null,
|
| 1520 |
+
"Generated Description":"Breathtaking landscape depicting a boar hunt, highlighting nature and human activity.",
|
| 1521 |
+
"rerank_context":null
|
| 1522 |
+
},
|
| 1523 |
+
{
|
| 1524 |
+
"Title":"Crucifixion of Saint Peter (Caravaggio)",
|
| 1525 |
+
"Image":4961,
|
| 1526 |
+
"Author":"Michelangelo Merisi da Caravaggio",
|
| 1527 |
+
"Concepts":[
|
| 1528 |
+
"Crucifixion",
|
| 1529 |
+
"Jesus",
|
| 1530 |
+
"Roman soldiers",
|
| 1531 |
+
"torture",
|
| 1532 |
+
"Christianity"
|
| 1533 |
+
],
|
| 1534 |
+
"Year":1601,
|
| 1535 |
+
"Retrieved context":null,
|
| 1536 |
+
"Generated Description":"Dramatic depiction of Saint Peter's crucifixion, reflecting Christian themes and Baroque style.",
|
| 1537 |
+
"rerank_context":null
|
| 1538 |
+
},
|
| 1539 |
+
{
|
| 1540 |
+
"Title":"Ecce Homo (Caravaggio)",
|
| 1541 |
+
"Image":4983,
|
| 1542 |
+
"Author":"Michelangelo Merisi da Caravaggio",
|
| 1543 |
+
"Concepts":[
|
| 1544 |
+
"Jesus",
|
| 1545 |
+
"crucifixion",
|
| 1546 |
+
"nails",
|
| 1547 |
+
"rope",
|
| 1548 |
+
"barber"
|
| 1549 |
+
],
|
| 1550 |
+
"Year":1605,
|
| 1551 |
+
"Retrieved context":null,
|
| 1552 |
+
"Generated Description":"Crucifixion scene, dramatic chiaroscuro, reflecting Baroque emotional intensity.",
|
| 1553 |
+
"rerank_context":null
|
| 1554 |
+
},
|
| 1555 |
+
{
|
| 1556 |
+
"Title":"Portrait of Marchesa Brigida Spinola-Doria",
|
| 1557 |
+
"Image":4988,
|
| 1558 |
+
"Author":"Peter Paul Rubens",
|
| 1559 |
+
"Concepts":[
|
| 1560 |
+
"Woman",
|
| 1561 |
+
"ruffled collar",
|
| 1562 |
+
"lace",
|
| 1563 |
+
"pearls",
|
| 1564 |
+
"gown"
|
| 1565 |
+
],
|
| 1566 |
+
"Year":1606,
|
| 1567 |
+
"Retrieved context":null,
|
| 1568 |
+
"Generated Description":"Renaissance portrait of a noblewoman showcasing elegance and opulence in attire.",
|
| 1569 |
+
"rerank_context":null
|
| 1570 |
+
},
|
| 1571 |
+
{
|
| 1572 |
+
"Title":"Sleeping Cupid (Caravaggio)",
|
| 1573 |
+
"Image":5009,
|
| 1574 |
+
"Author":"Michelangelo Merisi da Caravaggio",
|
| 1575 |
+
"Concepts":[
|
| 1576 |
+
"Baby",
|
| 1577 |
+
"bird",
|
| 1578 |
+
"arrow",
|
| 1579 |
+
"feather",
|
| 1580 |
+
"black background"
|
| 1581 |
+
],
|
| 1582 |
+
"Year":1608,
|
| 1583 |
+
"Retrieved context":null,
|
| 1584 |
+
"Generated Description":"Sleeping Cupid depicts a serene baby against a stark black background.",
|
| 1585 |
+
"rerank_context":null
|
| 1586 |
+
},
|
| 1587 |
+
{
|
| 1588 |
+
"Title":"Saint John the Evangelist (El Greco, Madrid)",
|
| 1589 |
+
"Image":5037,
|
| 1590 |
+
"Author":"El Greco",
|
| 1591 |
+
"Concepts":[
|
| 1592 |
+
"Man",
|
| 1593 |
+
"Painting",
|
| 1594 |
+
"Jesus",
|
| 1595 |
+
"Pink",
|
| 1596 |
+
"Robe"
|
| 1597 |
+
],
|
| 1598 |
+
"Year":1609,
|
| 1599 |
+
"Retrieved context":null,
|
| 1600 |
+
"Generated Description":"Evocative portrayal of Saint John with a chalice, reflecting El Greco's spiritual intensity.",
|
| 1601 |
+
"rerank_context":null
|
| 1602 |
+
}
|
| 1603 |
+
]
|
data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-13_Artpedia_100data/generated_descriptions_naive_20250313_142730.json
ADDED
|
@@ -0,0 +1,1603 @@
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|
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|
| 1 |
+
[
|
| 2 |
+
{
|
| 3 |
+
"Title":"Profile Portrait of a Lady",
|
| 4 |
+
"Image":193,
|
| 5 |
+
"Author":"unknown Franco-Flemish artist",
|
| 6 |
+
"Concepts":[
|
| 7 |
+
"Woman",
|
| 8 |
+
"Blue dress",
|
| 9 |
+
"Gold",
|
| 10 |
+
"Crown",
|
| 11 |
+
"Necklace"
|
| 12 |
+
],
|
| 13 |
+
"Year":1410,
|
| 14 |
+
"Retrieved context":null,
|
| 15 |
+
"Generated Description":"Elegant profile of a woman in rich blue dress, adorned with gold jewelry.",
|
| 16 |
+
"rerank_context":null
|
| 17 |
+
},
|
| 18 |
+
{
|
| 19 |
+
"Title":"San Pietro Martire Triptych",
|
| 20 |
+
"Image":346,
|
| 21 |
+
"Author":"Fra Angelico",
|
| 22 |
+
"Concepts":[
|
| 23 |
+
"Mary",
|
| 24 |
+
"baby Jesus",
|
| 25 |
+
"saints",
|
| 26 |
+
"gold",
|
| 27 |
+
"art"
|
| 28 |
+
],
|
| 29 |
+
"Year":1420,
|
| 30 |
+
"Retrieved context":null,
|
| 31 |
+
"Generated Description":"Mary and Child surrounded by saints, adorned with gold, reflecting early Renaissance devotion.",
|
| 32 |
+
"rerank_context":null
|
| 33 |
+
},
|
| 34 |
+
{
|
| 35 |
+
"Title":"Annunciation (Lochner)",
|
| 36 |
+
"Image":398,
|
| 37 |
+
"Author":"Stefan Lochner",
|
| 38 |
+
"Concepts":[
|
| 39 |
+
"Angel",
|
| 40 |
+
"Mary",
|
| 41 |
+
"Jesus",
|
| 42 |
+
"Book",
|
| 43 |
+
"Painting"
|
| 44 |
+
],
|
| 45 |
+
"Year":1430,
|
| 46 |
+
"Retrieved context":null,
|
| 47 |
+
"Generated Description":"Angel announces to Mary her divine role; ethereal setting highlights religious significance.",
|
| 48 |
+
"rerank_context":null
|
| 49 |
+
},
|
| 50 |
+
{
|
| 51 |
+
"Title":"Perugia Altarpiece",
|
| 52 |
+
"Image":584,
|
| 53 |
+
"Author":"Fra Angelico",
|
| 54 |
+
"Concepts":[
|
| 55 |
+
"Religious art",
|
| 56 |
+
"Mary",
|
| 57 |
+
"Jesus",
|
| 58 |
+
"saints",
|
| 59 |
+
"gold"
|
| 60 |
+
],
|
| 61 |
+
"Year":1430,
|
| 62 |
+
"Retrieved context":null,
|
| 63 |
+
"Generated Description":"Religious altarpiece featuring Mary, Jesus, and saints, showcasing 15th-century devotional art.",
|
| 64 |
+
"rerank_context":null
|
| 65 |
+
},
|
| 66 |
+
{
|
| 67 |
+
"Title":"Portrait of a Woman (van der Weyden)",
|
| 68 |
+
"Image":603,
|
| 69 |
+
"Author":"Rogier van der Weyden",
|
| 70 |
+
"Concepts":[
|
| 71 |
+
"Woman",
|
| 72 |
+
"Nose",
|
| 73 |
+
"Eyes",
|
| 74 |
+
"Hair",
|
| 75 |
+
"Veil"
|
| 76 |
+
],
|
| 77 |
+
"Year":1430,
|
| 78 |
+
"Retrieved context":null,
|
| 79 |
+
"Generated Description":"Rogier van der Weyden’s 1430 portrait features a veiled woman, showcasing exquisite detail and realism.",
|
| 80 |
+
"rerank_context":null
|
| 81 |
+
},
|
| 82 |
+
{
|
| 83 |
+
"Title":"Saint Barbara (van Eyck)",
|
| 84 |
+
"Image":631,
|
| 85 |
+
"Author":"Jan van Eyck",
|
| 86 |
+
"Concepts":[
|
| 87 |
+
"Medieval art",
|
| 88 |
+
"Gothic architecture",
|
| 89 |
+
"Child",
|
| 90 |
+
"Sword",
|
| 91 |
+
"Tower"
|
| 92 |
+
],
|
| 93 |
+
"Year":1430,
|
| 94 |
+
"Retrieved context":null,
|
| 95 |
+
"Generated Description":"Gothic depiction of Saint Barbara, featuring a tower, child, and sword in medieval context.",
|
| 96 |
+
"rerank_context":null
|
| 97 |
+
},
|
| 98 |
+
{
|
| 99 |
+
"Title":"Madonna and Child Enthroned (Filippo Lippi)",
|
| 100 |
+
"Image":749,
|
| 101 |
+
"Author":"Filippo Lippi",
|
| 102 |
+
"Concepts":[
|
| 103 |
+
"Mother and child",
|
| 104 |
+
"Renaissance",
|
| 105 |
+
"Mary",
|
| 106 |
+
"Baby Jesus",
|
| 107 |
+
"Painting"
|
| 108 |
+
],
|
| 109 |
+
"Year":1437,
|
| 110 |
+
"Retrieved context":null,
|
| 111 |
+
"Generated Description":"Madonna and Child, 1437; Renaissance depiction of maternal love and divinity.",
|
| 112 |
+
"rerank_context":null
|
| 113 |
+
},
|
| 114 |
+
{
|
| 115 |
+
"Title":"Madonna of the Rose Bower",
|
| 116 |
+
"Image":802,
|
| 117 |
+
"Author":"Martin Schongauer",
|
| 118 |
+
"Concepts":[
|
| 119 |
+
"Mary",
|
| 120 |
+
"baby",
|
| 121 |
+
"angels",
|
| 122 |
+
"crown",
|
| 123 |
+
"tree"
|
| 124 |
+
],
|
| 125 |
+
"Year":1440,
|
| 126 |
+
"Retrieved context":null,
|
| 127 |
+
"Generated Description":"Madonna and Child surrounded by angels; gold background emphasizes divine presence and serenity.",
|
| 128 |
+
"rerank_context":null
|
| 129 |
+
},
|
| 130 |
+
{
|
| 131 |
+
"Title":"Christ on the Cross with Mary and St John",
|
| 132 |
+
"Image":876,
|
| 133 |
+
"Author":"Rogier van der Weyden",
|
| 134 |
+
"Concepts":[
|
| 135 |
+
"Jesus",
|
| 136 |
+
"Crucifixion",
|
| 137 |
+
"Mary",
|
| 138 |
+
"Christ",
|
| 139 |
+
"Prayer"
|
| 140 |
+
],
|
| 141 |
+
"Year":1445,
|
| 142 |
+
"Retrieved context":null,
|
| 143 |
+
"Generated Description":"Crucifixion scene with Mary, St. John; depicts sorrow amid heavenly perspective.",
|
| 144 |
+
"rerank_context":null
|
| 145 |
+
},
|
| 146 |
+
{
|
| 147 |
+
"Title":"Annunciation (Filippo Lippi, London)",
|
| 148 |
+
"Image":924,
|
| 149 |
+
"Author":"Filippo Lippi",
|
| 150 |
+
"Concepts":[
|
| 151 |
+
"Angel",
|
| 152 |
+
"Mary",
|
| 153 |
+
"Jesus",
|
| 154 |
+
"flowers",
|
| 155 |
+
"stained glass"
|
| 156 |
+
],
|
| 157 |
+
"Year":1449,
|
| 158 |
+
"Retrieved context":null,
|
| 159 |
+
"Generated Description":"Angel announces to Mary, depicting divine moment; highlights spiritual themes through color and composition.",
|
| 160 |
+
"rerank_context":null
|
| 161 |
+
},
|
| 162 |
+
{
|
| 163 |
+
"Title":"Assumption of the Virgin (Andrea del Castagno)",
|
| 164 |
+
"Image":926,
|
| 165 |
+
"Author":"Andrea del Castagno",
|
| 166 |
+
"Concepts":[
|
| 167 |
+
"Mary",
|
| 168 |
+
"angels",
|
| 169 |
+
"saints",
|
| 170 |
+
"praying",
|
| 171 |
+
"heaven"
|
| 172 |
+
],
|
| 173 |
+
"Year":1449,
|
| 174 |
+
"Retrieved context":null,
|
| 175 |
+
"Generated Description":"Heavenly scene featuring Mary, angels, and saints in serene prayer.",
|
| 176 |
+
"rerank_context":null
|
| 177 |
+
},
|
| 178 |
+
{
|
| 179 |
+
"Title":"Agony in the Garden (Bellini)",
|
| 180 |
+
"Image":963,
|
| 181 |
+
"Author":"Giovanni Bellini",
|
| 182 |
+
"Concepts":[
|
| 183 |
+
"Jesus",
|
| 184 |
+
"Mary",
|
| 185 |
+
"John",
|
| 186 |
+
"Crucifixion",
|
| 187 |
+
"Prayer"
|
| 188 |
+
],
|
| 189 |
+
"Year":1450,
|
| 190 |
+
"Retrieved context":null,
|
| 191 |
+
"Generated Description":"Bellini's *Agony in the Garden* depicts Jesus praying, supported by Mary and John.",
|
| 192 |
+
"rerank_context":null
|
| 193 |
+
},
|
| 194 |
+
{
|
| 195 |
+
"Title":"Dead Christ Supported by Two Angels",
|
| 196 |
+
"Image":1108,
|
| 197 |
+
"Author":"Giovanni Bellini",
|
| 198 |
+
"Concepts":[
|
| 199 |
+
"Jesus",
|
| 200 |
+
"children",
|
| 201 |
+
"crucifixion",
|
| 202 |
+
"naked",
|
| 203 |
+
"angels"
|
| 204 |
+
],
|
| 205 |
+
"Year":1460,
|
| 206 |
+
"Retrieved context":null,
|
| 207 |
+
"Generated Description":"Dead Christ Supported by Two Angels depicts Christ post-crucifixion, held by grieving children.",
|
| 208 |
+
"rerank_context":null
|
| 209 |
+
},
|
| 210 |
+
{
|
| 211 |
+
"Title":"The Miracle of the Desecrated Host",
|
| 212 |
+
"Image":1144,
|
| 213 |
+
"Author":"Paolo Uccello",
|
| 214 |
+
"Concepts":[
|
| 215 |
+
"Medieval",
|
| 216 |
+
"Dragon",
|
| 217 |
+
"Knight",
|
| 218 |
+
"Castle",
|
| 219 |
+
"War"
|
| 220 |
+
],
|
| 221 |
+
"Year":1460,
|
| 222 |
+
"Retrieved context":null,
|
| 223 |
+
"Generated Description":"Medieval scene depicting a knight, dragon, and religious themes; created in 1460.",
|
| 224 |
+
"rerank_context":null
|
| 225 |
+
},
|
| 226 |
+
{
|
| 227 |
+
"Title":"The Virgin and Child with Two Angels (Andrea del Verrochio)",
|
| 228 |
+
"Image":1178,
|
| 229 |
+
"Author":"Andrea del Verrocchio",
|
| 230 |
+
"Concepts":[
|
| 231 |
+
"Mother and child",
|
| 232 |
+
"Virgin Mary",
|
| 233 |
+
"Baby Jesus",
|
| 234 |
+
"Child angels",
|
| 235 |
+
"Renaissance art"
|
| 236 |
+
],
|
| 237 |
+
"Year":1460,
|
| 238 |
+
"Retrieved context":null,
|
| 239 |
+
"Generated Description":"Renaissance depiction of Virgin Mary and Baby Jesus with two angels, showcasing divine tenderness.",
|
| 240 |
+
"rerank_context":null
|
| 241 |
+
},
|
| 242 |
+
{
|
| 243 |
+
"Title":"Crucifixion (Perugino and Signorelli)",
|
| 244 |
+
"Image":1240,
|
| 245 |
+
"Author":"Pietro Perugino",
|
| 246 |
+
"Concepts":[
|
| 247 |
+
"Jesus",
|
| 248 |
+
"crucifixion",
|
| 249 |
+
"disciples",
|
| 250 |
+
"mourning",
|
| 251 |
+
"religious"
|
| 252 |
+
],
|
| 253 |
+
"Year":1470,
|
| 254 |
+
"Retrieved context":null,
|
| 255 |
+
"Generated Description":"Religious scene depicting Jesus’ crucifixion, mourned by disciples in serene landscape.",
|
| 256 |
+
"rerank_context":null
|
| 257 |
+
},
|
| 258 |
+
{
|
| 259 |
+
"Title":"Crucifixion between Sts. Jerome and Christopher",
|
| 260 |
+
"Image":1241,
|
| 261 |
+
"Author":"Pinturicchio",
|
| 262 |
+
"Concepts":[
|
| 263 |
+
"Jesus",
|
| 264 |
+
"crucifixion",
|
| 265 |
+
"naked",
|
| 266 |
+
"tree",
|
| 267 |
+
"palm fronds"
|
| 268 |
+
],
|
| 269 |
+
"Year":1470,
|
| 270 |
+
"Retrieved context":null,
|
| 271 |
+
"Generated Description":"Crucifixion scene depicting Jesus with Sts. Jerome and Christopher; 1470.",
|
| 272 |
+
"rerank_context":null
|
| 273 |
+
},
|
| 274 |
+
{
|
| 275 |
+
"Title":"Moreel Triptych",
|
| 276 |
+
"Image":1282,
|
| 277 |
+
"Author":"Hans Memling",
|
| 278 |
+
"Concepts":[
|
| 279 |
+
"Religious painting",
|
| 280 |
+
"Jesus",
|
| 281 |
+
"Mary",
|
| 282 |
+
"Child",
|
| 283 |
+
"Saint",
|
| 284 |
+
"Rock"
|
| 285 |
+
],
|
| 286 |
+
"Year":1470,
|
| 287 |
+
"Retrieved context":null,
|
| 288 |
+
"Generated Description":"Religious triptych depicting Jesus, Mary, and saints in a detailed landscape.",
|
| 289 |
+
"rerank_context":null
|
| 290 |
+
},
|
| 291 |
+
{
|
| 292 |
+
"Title":"Fortitude (Botticelli)",
|
| 293 |
+
"Image":1379,
|
| 294 |
+
"Author":"Sandro Botticelli",
|
| 295 |
+
"Concepts":[
|
| 296 |
+
"Renaissance",
|
| 297 |
+
"Armor",
|
| 298 |
+
"Sword",
|
| 299 |
+
"Robe",
|
| 300 |
+
"Painting"
|
| 301 |
+
],
|
| 302 |
+
"Year":1470,
|
| 303 |
+
"Retrieved context":null,
|
| 304 |
+
"Generated Description":"Renaissance painting depicting Fortitude in armor, highlighting strength and virtue.",
|
| 305 |
+
"rerank_context":null
|
| 306 |
+
},
|
| 307 |
+
{
|
| 308 |
+
"Title":"Saint George and the Dragon (Uccello)",
|
| 309 |
+
"Image":1388,
|
| 310 |
+
"Author":"Paolo Uccello",
|
| 311 |
+
"Concepts":[
|
| 312 |
+
"Medieval",
|
| 313 |
+
"Dragon",
|
| 314 |
+
"Knight",
|
| 315 |
+
"Castle",
|
| 316 |
+
"Fantasy"
|
| 317 |
+
],
|
| 318 |
+
"Year":1470,
|
| 319 |
+
"Retrieved context":null,
|
| 320 |
+
"Generated Description":"Medieval scene depicts Saint George slaying a dragon, symbolizing courage.",
|
| 321 |
+
"rerank_context":null
|
| 322 |
+
},
|
| 323 |
+
{
|
| 324 |
+
"Title":"Madonna Adoring the Sleeping Christ Child",
|
| 325 |
+
"Image":1411,
|
| 326 |
+
"Author":"Giovanni Bellini",
|
| 327 |
+
"Concepts":[
|
| 328 |
+
"Mary",
|
| 329 |
+
"baby",
|
| 330 |
+
"rosary",
|
| 331 |
+
"red",
|
| 332 |
+
"hood"
|
| 333 |
+
],
|
| 334 |
+
"Year":1475,
|
| 335 |
+
"Retrieved context":null,
|
| 336 |
+
"Generated Description":"Madonna adores sleeping Christ Child, embodying maternal devotion and serenity.",
|
| 337 |
+
"rerank_context":null
|
| 338 |
+
},
|
| 339 |
+
{
|
| 340 |
+
"Title":"Madonna and Child (Bellini, Venice, 1475)",
|
| 341 |
+
"Image":1413,
|
| 342 |
+
"Author":"Giovanni Bellini",
|
| 343 |
+
"Concepts":[
|
| 344 |
+
"Mother and child",
|
| 345 |
+
"Virgin Mary",
|
| 346 |
+
"Renaissance",
|
| 347 |
+
"Religious art",
|
| 348 |
+
"Painting"
|
| 349 |
+
],
|
| 350 |
+
"Year":1475,
|
| 351 |
+
"Retrieved context":null,
|
| 352 |
+
"Generated Description":"Madonna and Child symbolizes Renaissance devotion, featuring Virgin Mary in religious subjectivity.",
|
| 353 |
+
"rerank_context":null
|
| 354 |
+
},
|
| 355 |
+
{
|
| 356 |
+
"Title":"Sixtus IV Appointing Platina as Prefect of the Vatican Library",
|
| 357 |
+
"Image":1425,
|
| 358 |
+
"Author":"Melozzo da Forlì",
|
| 359 |
+
"Concepts":[
|
| 360 |
+
"Medieval",
|
| 361 |
+
"Pope",
|
| 362 |
+
"Cardinal",
|
| 363 |
+
"Religious",
|
| 364 |
+
"Art"
|
| 365 |
+
],
|
| 366 |
+
"Year":1477,
|
| 367 |
+
"Retrieved context":null,
|
| 368 |
+
"Generated Description":"Pope Sixtus IV appoints Platina, highlighting medieval religious authority in vibrant composition.",
|
| 369 |
+
"rerank_context":null
|
| 370 |
+
},
|
| 371 |
+
{
|
| 372 |
+
"Title":"Benois Madonna",
|
| 373 |
+
"Image":1426,
|
| 374 |
+
"Author":"Leonardo da Vinci",
|
| 375 |
+
"Concepts":[
|
| 376 |
+
"Mother and child",
|
| 377 |
+
"Mary Magdalene",
|
| 378 |
+
"Jesus",
|
| 379 |
+
"Mary",
|
| 380 |
+
"Baby"
|
| 381 |
+
],
|
| 382 |
+
"Year":1478,
|
| 383 |
+
"Retrieved context":null,
|
| 384 |
+
"Generated Description":"Mother and child theme; demonstrates tender bond; reflects Renaissance religious artistry.",
|
| 385 |
+
"rerank_context":null
|
| 386 |
+
},
|
| 387 |
+
{
|
| 388 |
+
"Title":"Lamentation of Christ (Mantegna)",
|
| 389 |
+
"Image":1496,
|
| 390 |
+
"Author":"Andrea Mantegna",
|
| 391 |
+
"Concepts":[
|
| 392 |
+
"Jesus",
|
| 393 |
+
"crucifixion",
|
| 394 |
+
"naked",
|
| 395 |
+
"man",
|
| 396 |
+
"woman"
|
| 397 |
+
],
|
| 398 |
+
"Year":1480,
|
| 399 |
+
"Retrieved context":null,
|
| 400 |
+
"Generated Description":"Nude Christ's body evokes mourning, showcasing profound grief from figures nearby.",
|
| 401 |
+
"rerank_context":null
|
| 402 |
+
},
|
| 403 |
+
{
|
| 404 |
+
"Title":"The Last Judgment (Bosch triptych)",
|
| 405 |
+
"Image":1504,
|
| 406 |
+
"Author":"Hieronymus Bosch",
|
| 407 |
+
"Concepts":[
|
| 408 |
+
"Religious art",
|
| 409 |
+
"Jesus",
|
| 410 |
+
"Mary",
|
| 411 |
+
"angels",
|
| 412 |
+
"crucifixion"
|
| 413 |
+
],
|
| 414 |
+
"Year":1480,
|
| 415 |
+
"Retrieved context":null,
|
| 416 |
+
"Generated Description":"Religious judgment depicted through vivid imagery of heaven, hell, and crucifixion.",
|
| 417 |
+
"rerank_context":null
|
| 418 |
+
},
|
| 419 |
+
{
|
| 420 |
+
"Title":"Moses Leaving for Egypt (Perugino)",
|
| 421 |
+
"Image":1530,
|
| 422 |
+
"Author":"Pietro Perugino",
|
| 423 |
+
"Concepts":[
|
| 424 |
+
"Religious gathering",
|
| 425 |
+
"Jesus",
|
| 426 |
+
"angels",
|
| 427 |
+
"rock",
|
| 428 |
+
"trees"
|
| 429 |
+
],
|
| 430 |
+
"Year":1480,
|
| 431 |
+
"Retrieved context":null,
|
| 432 |
+
"Generated Description":"Religious journey scene; vibrant colors, detailed figures; 1480 Renaissance context.",
|
| 433 |
+
"rerank_context":null
|
| 434 |
+
},
|
| 435 |
+
{
|
| 436 |
+
"Title":"Pietà (Perugino)",
|
| 437 |
+
"Image":1545,
|
| 438 |
+
"Author":"Pietro Perugino",
|
| 439 |
+
"Concepts":[
|
| 440 |
+
"Religious painting",
|
| 441 |
+
"Jesus",
|
| 442 |
+
"Mary",
|
| 443 |
+
"John the Baptist",
|
| 444 |
+
"Peter"
|
| 445 |
+
],
|
| 446 |
+
"Year":1480,
|
| 447 |
+
"Retrieved context":null,
|
| 448 |
+
"Generated Description":"Religious subjects with strong emotional expressions and classical architecture; 1480 historical significance.",
|
| 449 |
+
"rerank_context":null
|
| 450 |
+
},
|
| 451 |
+
{
|
| 452 |
+
"Title":"Punishment of the Sons of Corah",
|
| 453 |
+
"Image":1564,
|
| 454 |
+
"Author":"Sandro Botticelli",
|
| 455 |
+
"Concepts":[
|
| 456 |
+
"Religious gathering",
|
| 457 |
+
"Ancient monument",
|
| 458 |
+
"Religious ceremony",
|
| 459 |
+
"Religious art",
|
| 460 |
+
"Religious architecture"
|
| 461 |
+
],
|
| 462 |
+
"Year":1480,
|
| 463 |
+
"Retrieved context":null,
|
| 464 |
+
"Generated Description":"Ancient religious punishment scene depicting chaos and divine judgment in grand architecture.",
|
| 465 |
+
"rerank_context":null
|
| 466 |
+
},
|
| 467 |
+
{
|
| 468 |
+
"Title":"Sibylla Sambetha",
|
| 469 |
+
"Image":1575,
|
| 470 |
+
"Author":"Hans Memling",
|
| 471 |
+
"Concepts":[
|
| 472 |
+
"Woman",
|
| 473 |
+
"nun",
|
| 474 |
+
"medieval",
|
| 475 |
+
"portrait",
|
| 476 |
+
"religious"
|
| 477 |
+
],
|
| 478 |
+
"Year":1480,
|
| 479 |
+
"Retrieved context":null,
|
| 480 |
+
"Generated Description":"Medieval portrait of nun, emphasizing religious devotion and modest attire.",
|
| 481 |
+
"rerank_context":null
|
| 482 |
+
},
|
| 483 |
+
{
|
| 484 |
+
"Title":"Venus and Mars (Botticelli)",
|
| 485 |
+
"Image":1634,
|
| 486 |
+
"Author":"Sandro Botticelli",
|
| 487 |
+
"Concepts":[
|
| 488 |
+
"[Greek mythology",
|
| 489 |
+
"Naked woman",
|
| 490 |
+
"Baby",
|
| 491 |
+
"Horned animal",
|
| 492 |
+
"Tree]"
|
| 493 |
+
],
|
| 494 |
+
"Year":1480,
|
| 495 |
+
"Retrieved context":null,
|
| 496 |
+
"Generated Description":"Mythological scene depicting a nude Venus with Mars and playful cherubs. ",
|
| 497 |
+
"rerank_context":null
|
| 498 |
+
},
|
| 499 |
+
{
|
| 500 |
+
"Title":"Madonna of the Magnificat",
|
| 501 |
+
"Image":1680,
|
| 502 |
+
"Author":"Sandro Botticelli",
|
| 503 |
+
"Concepts":[
|
| 504 |
+
"Mary",
|
| 505 |
+
"baby",
|
| 506 |
+
"angels",
|
| 507 |
+
"crown",
|
| 508 |
+
"painting"
|
| 509 |
+
],
|
| 510 |
+
"Year":1481,
|
| 511 |
+
"Retrieved context":null,
|
| 512 |
+
"Generated Description":"Madonna with baby, angels; crowned Mary, rich colors, Renaissance serenity.",
|
| 513 |
+
"rerank_context":null
|
| 514 |
+
},
|
| 515 |
+
{
|
| 516 |
+
"Title":"Annunciation with St John the Baptist and St Andrew",
|
| 517 |
+
"Image":1696,
|
| 518 |
+
"Author":"Filippino Lippi",
|
| 519 |
+
"Concepts":[
|
| 520 |
+
"Angel",
|
| 521 |
+
"Mary",
|
| 522 |
+
"Jesus",
|
| 523 |
+
"Cross",
|
| 524 |
+
"Painting"
|
| 525 |
+
],
|
| 526 |
+
"Year":1485,
|
| 527 |
+
"Retrieved context":null,
|
| 528 |
+
"Generated Description":"Angel announces to Mary; John and Andrew witness scene; Renaissance spirituality emphasized.",
|
| 529 |
+
"rerank_context":null
|
| 530 |
+
},
|
| 531 |
+
{
|
| 532 |
+
"Title":"Bentivoglio Altarpiece",
|
| 533 |
+
"Image":1741,
|
| 534 |
+
"Author":"Lorenzo Costa",
|
| 535 |
+
"Concepts":[
|
| 536 |
+
"Religious painting",
|
| 537 |
+
"Virgin Mary",
|
| 538 |
+
"Child",
|
| 539 |
+
"Saints",
|
| 540 |
+
"Medieval"
|
| 541 |
+
],
|
| 542 |
+
"Year":1488,
|
| 543 |
+
"Retrieved context":null,
|
| 544 |
+
"Generated Description":"Religious depiction of Virgin Mary, Child, and saints in a medieval setting.",
|
| 545 |
+
"rerank_context":null
|
| 546 |
+
},
|
| 547 |
+
{
|
| 548 |
+
"Title":"Ecce Homo (Bosch, 1490s)",
|
| 549 |
+
"Image":1819,
|
| 550 |
+
"Author":"Hieronymus Bosch",
|
| 551 |
+
"Concepts":[
|
| 552 |
+
"Religious scene",
|
| 553 |
+
"Jesus on cross",
|
| 554 |
+
"crowd of people",
|
| 555 |
+
"medieval art",
|
| 556 |
+
"torture"
|
| 557 |
+
],
|
| 558 |
+
"Year":1490,
|
| 559 |
+
"Retrieved context":null,
|
| 560 |
+
"Generated Description":"Religious scene of Jesus on the cross, depicting medieval spectacle and torture.",
|
| 561 |
+
"rerank_context":null
|
| 562 |
+
},
|
| 563 |
+
{
|
| 564 |
+
"Title":"Madonna and Child with St John the Baptist and St Catherine of Alexandria",
|
| 565 |
+
"Image":1871,
|
| 566 |
+
"Author":"Perugino",
|
| 567 |
+
"Concepts":[
|
| 568 |
+
"Renaissance art",
|
| 569 |
+
"Mary",
|
| 570 |
+
"baby Jesus",
|
| 571 |
+
"saints",
|
| 572 |
+
"religious painting"
|
| 573 |
+
],
|
| 574 |
+
"Year":1490,
|
| 575 |
+
"Retrieved context":null,
|
| 576 |
+
"Generated Description":"Renaissance painting depicting Mary and Jesus with St. John and St. Catherine.",
|
| 577 |
+
"rerank_context":null
|
| 578 |
+
},
|
| 579 |
+
{
|
| 580 |
+
"Title":"St. Jerome in the Wilderness (Dürer)",
|
| 581 |
+
"Image":1951,
|
| 582 |
+
"Author":"Albrecht Dürer",
|
| 583 |
+
"Concepts":[
|
| 584 |
+
"Old man",
|
| 585 |
+
"Beard",
|
| 586 |
+
"Book",
|
| 587 |
+
"Lion",
|
| 588 |
+
"Rock"
|
| 589 |
+
],
|
| 590 |
+
"Year":1490,
|
| 591 |
+
"Retrieved context":null,
|
| 592 |
+
"Generated Description":"Old man with a book and lion, set in a serene wilderness.",
|
| 593 |
+
"rerank_context":null
|
| 594 |
+
},
|
| 595 |
+
{
|
| 596 |
+
"Title":"The Madonna and Child with Saints Joseph, Elizabeth, and John the Baptist",
|
| 597 |
+
"Image":1971,
|
| 598 |
+
"Author":"Andrea Mantegna",
|
| 599 |
+
"Concepts":[
|
| 600 |
+
"[Madonna",
|
| 601 |
+
"Child",
|
| 602 |
+
"Nursing",
|
| 603 |
+
"Religious",
|
| 604 |
+
"Painting]"
|
| 605 |
+
],
|
| 606 |
+
"Year":1490,
|
| 607 |
+
"Retrieved context":null,
|
| 608 |
+
"Generated Description":"Madonna holds the Child, surrounded by Saints Joseph, Elizabeth, and John the Baptist.",
|
| 609 |
+
"rerank_context":null
|
| 610 |
+
},
|
| 611 |
+
{
|
| 612 |
+
"Title":"Haboku sansui",
|
| 613 |
+
"Image":2055,
|
| 614 |
+
"Author":"Sesshū Tōyō",
|
| 615 |
+
"Concepts":[
|
| 616 |
+
"Chinese calligraphy",
|
| 617 |
+
"Asian writing",
|
| 618 |
+
"Oriental script",
|
| 619 |
+
"Chinese characters",
|
| 620 |
+
"Japanese writing"
|
| 621 |
+
],
|
| 622 |
+
"Year":1495,
|
| 623 |
+
"Retrieved context":null,
|
| 624 |
+
"Generated Description":"Calligraphic scroll combining text and splashed-ink landscapes, illustrating Zen Buddhist influence.",
|
| 625 |
+
"rerank_context":null
|
| 626 |
+
},
|
| 627 |
+
{
|
| 628 |
+
"Title":"Portrait of Elisabetta Gonzaga",
|
| 629 |
+
"Image":2296,
|
| 630 |
+
"Author":"Raphael",
|
| 631 |
+
"Concepts":[
|
| 632 |
+
"Renaissance",
|
| 633 |
+
"Woman",
|
| 634 |
+
"Necklace",
|
| 635 |
+
"Painting",
|
| 636 |
+
"Portrait"
|
| 637 |
+
],
|
| 638 |
+
"Year":1500,
|
| 639 |
+
"Retrieved context":null,
|
| 640 |
+
"Generated Description":"Renaissance portrait of Elisabetta Gonzaga, showcasing detailed clothing and serene expression.",
|
| 641 |
+
"rerank_context":null
|
| 642 |
+
},
|
| 643 |
+
{
|
| 644 |
+
"Title":"The Story of Virginia (Botticelli)",
|
| 645 |
+
"Image":2362,
|
| 646 |
+
"Author":"Sandro Botticelli",
|
| 647 |
+
"Concepts":[
|
| 648 |
+
"Religious scene",
|
| 649 |
+
"Jesus",
|
| 650 |
+
"Mary",
|
| 651 |
+
"Apostles",
|
| 652 |
+
"Painting"
|
| 653 |
+
],
|
| 654 |
+
"Year":1500,
|
| 655 |
+
"Retrieved context":null,
|
| 656 |
+
"Generated Description":"Religious scene depicting Jesus, Mary, and Apostles in a grand architectural setting.",
|
| 657 |
+
"rerank_context":null
|
| 658 |
+
},
|
| 659 |
+
{
|
| 660 |
+
"Title":"The Three Philosophers",
|
| 661 |
+
"Image":2376,
|
| 662 |
+
"Author":"Giorgione",
|
| 663 |
+
"Concepts":[
|
| 664 |
+
"Medieval",
|
| 665 |
+
"Religious",
|
| 666 |
+
"Painting",
|
| 667 |
+
"Art",
|
| 668 |
+
"Christian"
|
| 669 |
+
],
|
| 670 |
+
"Year":1500,
|
| 671 |
+
"Retrieved context":null,
|
| 672 |
+
"Generated Description":"Three philosophers contemplate knowledge, blending medieval and religious themes in serene landscape.",
|
| 673 |
+
"rerank_context":null
|
| 674 |
+
},
|
| 675 |
+
{
|
| 676 |
+
"Title":"Holy Family with a Female Saint (Mantegna)",
|
| 677 |
+
"Image":2392,
|
| 678 |
+
"Author":"Andrea Mantegna",
|
| 679 |
+
"Concepts":[
|
| 680 |
+
"Renaissance",
|
| 681 |
+
"Family",
|
| 682 |
+
"Baby",
|
| 683 |
+
"Painting",
|
| 684 |
+
"Religious"
|
| 685 |
+
],
|
| 686 |
+
"Year":1500,
|
| 687 |
+
"Retrieved context":null,
|
| 688 |
+
"Generated Description":"Renaissance depiction of the Holy Family, showcasing maternal bond and religious significance.",
|
| 689 |
+
"rerank_context":null
|
| 690 |
+
},
|
| 691 |
+
{
|
| 692 |
+
"Title":"Poldi Pezzoli Madonna",
|
| 693 |
+
"Image":2409,
|
| 694 |
+
"Author":"Andrea Mantegna",
|
| 695 |
+
"Concepts":[
|
| 696 |
+
"Mother",
|
| 697 |
+
"Child",
|
| 698 |
+
"Virgin",
|
| 699 |
+
"Painting",
|
| 700 |
+
"Renaissance"
|
| 701 |
+
],
|
| 702 |
+
"Year":1500,
|
| 703 |
+
"Retrieved context":null,
|
| 704 |
+
"Generated Description":"Madonna embraces Child, embodying Renaissance devotional intimacy and maternal love.",
|
| 705 |
+
"rerank_context":null
|
| 706 |
+
},
|
| 707 |
+
{
|
| 708 |
+
"Title":"The Conjurer (painting)",
|
| 709 |
+
"Image":2448,
|
| 710 |
+
"Author":"Hieronymus Bosch",
|
| 711 |
+
"Concepts":[
|
| 712 |
+
"Peasant workers",
|
| 713 |
+
"Flemish Golden Age",
|
| 714 |
+
"Rural landscape",
|
| 715 |
+
"Harvesting wheat",
|
| 716 |
+
"Peasant workers."
|
| 717 |
+
],
|
| 718 |
+
"Year":1502,
|
| 719 |
+
"Retrieved context":null,
|
| 720 |
+
"Generated Description":"Peasant workers captivated by a conjurer’s tricks in a Flemish rural setting.",
|
| 721 |
+
"rerank_context":null
|
| 722 |
+
},
|
| 723 |
+
{
|
| 724 |
+
"Title":"The Battle Between Love and Chastity",
|
| 725 |
+
"Image":2459,
|
| 726 |
+
"Author":"Pietro Perugino",
|
| 727 |
+
"Concepts":[
|
| 728 |
+
"[Medieval scene",
|
| 729 |
+
"Naked people",
|
| 730 |
+
"Fencing",
|
| 731 |
+
"Trees",
|
| 732 |
+
"Rock formation]"
|
| 733 |
+
],
|
| 734 |
+
"Year":1503,
|
| 735 |
+
"Retrieved context":null,
|
| 736 |
+
"Generated Description":"Medieval allegory of love versus chastity; vibrant scenes depict conflict amidst nature.",
|
| 737 |
+
"rerank_context":null
|
| 738 |
+
},
|
| 739 |
+
{
|
| 740 |
+
"Title":"Marriage of the Virgin (Perugino)",
|
| 741 |
+
"Image":2500,
|
| 742 |
+
"Author":"Perugino",
|
| 743 |
+
"Concepts":[
|
| 744 |
+
"Religious gathering",
|
| 745 |
+
"Church",
|
| 746 |
+
"Religious ceremony",
|
| 747 |
+
"Religious leader",
|
| 748 |
+
"Religious art"
|
| 749 |
+
],
|
| 750 |
+
"Year":1504,
|
| 751 |
+
"Retrieved context":null,
|
| 752 |
+
"Generated Description":"Religious ceremony in a church, showcasing harmony and divine connection.",
|
| 753 |
+
"rerank_context":null
|
| 754 |
+
},
|
| 755 |
+
{
|
| 756 |
+
"Title":"The Forest Fire",
|
| 757 |
+
"Image":2523,
|
| 758 |
+
"Author":"Piero di Cosimo",
|
| 759 |
+
"Concepts":[
|
| 760 |
+
"[Fantasy",
|
| 761 |
+
"Animals",
|
| 762 |
+
"Trees",
|
| 763 |
+
"Birds",
|
| 764 |
+
"Painting]"
|
| 765 |
+
],
|
| 766 |
+
"Year":1505,
|
| 767 |
+
"Retrieved context":null,
|
| 768 |
+
"Generated Description":"Fantasy scene of animals amidst trees, depicting a forest fire's chaos. ",
|
| 769 |
+
"rerank_context":null
|
| 770 |
+
},
|
| 771 |
+
{
|
| 772 |
+
"Title":"St. Michael (Raphael)",
|
| 773 |
+
"Image":2554,
|
| 774 |
+
"Author":"Raphael",
|
| 775 |
+
"Concepts":[
|
| 776 |
+
"Angel",
|
| 777 |
+
"Sword",
|
| 778 |
+
"Castle",
|
| 779 |
+
"Shield",
|
| 780 |
+
"Dragon"
|
| 781 |
+
],
|
| 782 |
+
"Year":1505,
|
| 783 |
+
"Retrieved context":null,
|
| 784 |
+
"Generated Description":"St. Michael defeats a dragon, symbolizing good versus evil in visual narrative.",
|
| 785 |
+
"rerank_context":null
|
| 786 |
+
},
|
| 787 |
+
{
|
| 788 |
+
"Title":"Young Man with an Apple (Raphael)",
|
| 789 |
+
"Image":2556,
|
| 790 |
+
"Author":"Raphael",
|
| 791 |
+
"Concepts":[
|
| 792 |
+
"Red robe",
|
| 793 |
+
"Red hat",
|
| 794 |
+
"Fur",
|
| 795 |
+
"Painted portrait",
|
| 796 |
+
"Renaissance"
|
| 797 |
+
],
|
| 798 |
+
"Year":1505,
|
| 799 |
+
"Retrieved context":null,
|
| 800 |
+
"Generated Description":"Portrait of a young man in Renaissance attire, reflecting humanism and individuality.",
|
| 801 |
+
"rerank_context":null
|
| 802 |
+
},
|
| 803 |
+
{
|
| 804 |
+
"Title":"Baptism of Christ (Mantegna)",
|
| 805 |
+
"Image":2561,
|
| 806 |
+
"Author":"Andrea Mantegna",
|
| 807 |
+
"Concepts":[
|
| 808 |
+
"Jesus",
|
| 809 |
+
"Christ",
|
| 810 |
+
"Crucifixion",
|
| 811 |
+
"Disciples",
|
| 812 |
+
"Fruit"
|
| 813 |
+
],
|
| 814 |
+
"Year":1506,
|
| 815 |
+
"Retrieved context":null,
|
| 816 |
+
"Generated Description":"Religious scene depicting Jesus' baptism, influenced by Christian themes in 1506.",
|
| 817 |
+
"rerank_context":null
|
| 818 |
+
},
|
| 819 |
+
{
|
| 820 |
+
"Title":"Portrait of Guidobaldo da Montefeltro",
|
| 821 |
+
"Image":2588,
|
| 822 |
+
"Author":"Raphael",
|
| 823 |
+
"Concepts":[
|
| 824 |
+
"Man with hat",
|
| 825 |
+
"Painted portrait",
|
| 826 |
+
"Renaissance",
|
| 827 |
+
"Black and white",
|
| 828 |
+
"Painting"
|
| 829 |
+
],
|
| 830 |
+
"Year":1506,
|
| 831 |
+
"Retrieved context":null,
|
| 832 |
+
"Generated Description":"Renaissance portrait of Guidobaldo da Montefeltro, showcasing nobility and landscape background.",
|
| 833 |
+
"rerank_context":null
|
| 834 |
+
},
|
| 835 |
+
{
|
| 836 |
+
"Title":"Martyrdom of the Ten Thousand",
|
| 837 |
+
"Image":2679,
|
| 838 |
+
"Author":"Albrecht Dürer",
|
| 839 |
+
"Concepts":[
|
| 840 |
+
"Religious scene",
|
| 841 |
+
"Naked people",
|
| 842 |
+
"Rocky hill",
|
| 843 |
+
"Trees",
|
| 844 |
+
"People standing"
|
| 845 |
+
],
|
| 846 |
+
"Year":1508,
|
| 847 |
+
"Retrieved context":null,
|
| 848 |
+
"Generated Description":"Religious scene depicting martyrdom amidst a chaotic rocky landscape with numerous figures.",
|
| 849 |
+
"rerank_context":null
|
| 850 |
+
},
|
| 851 |
+
{
|
| 852 |
+
"Title":"Pastoral Concert",
|
| 853 |
+
"Image":2697,
|
| 854 |
+
"Author":"Titian",
|
| 855 |
+
"Concepts":[
|
| 856 |
+
"Nude woman",
|
| 857 |
+
"Renaissance painting",
|
| 858 |
+
"Musicians",
|
| 859 |
+
"Peasant life",
|
| 860 |
+
"Landscape"
|
| 861 |
+
],
|
| 862 |
+
"Year":1509,
|
| 863 |
+
"Retrieved context":null,
|
| 864 |
+
"Generated Description":"Renaissance scene featuring musicians and nude figures in a pastoral landscape.",
|
| 865 |
+
"rerank_context":null
|
| 866 |
+
},
|
| 867 |
+
{
|
| 868 |
+
"Title":"Portrait of a Cardinal (Raphael)",
|
| 869 |
+
"Image":2837,
|
| 870 |
+
"Author":"Raphael",
|
| 871 |
+
"Concepts":[
|
| 872 |
+
"Man in red",
|
| 873 |
+
"Red robe",
|
| 874 |
+
"Red hat",
|
| 875 |
+
"Red jacket",
|
| 876 |
+
"Red gown"
|
| 877 |
+
],
|
| 878 |
+
"Year":1510,
|
| 879 |
+
"Retrieved context":null,
|
| 880 |
+
"Generated Description":"Cardinal portrait showcasing vibrant red attire, reflecting Renaissance religious influence.",
|
| 881 |
+
"rerank_context":null
|
| 882 |
+
},
|
| 883 |
+
{
|
| 884 |
+
"Title":"Sansepolcro Altarpiece",
|
| 885 |
+
"Image":2842,
|
| 886 |
+
"Author":"Perugino",
|
| 887 |
+
"Concepts":[
|
| 888 |
+
"Jesus",
|
| 889 |
+
"Mary",
|
| 890 |
+
"Child",
|
| 891 |
+
"Angels",
|
| 892 |
+
"Painting"
|
| 893 |
+
],
|
| 894 |
+
"Year":1510,
|
| 895 |
+
"Retrieved context":null,
|
| 896 |
+
"Generated Description":"Divine figures unite with believers, showcasing Christian themes in a harmonious composition.",
|
| 897 |
+
"rerank_context":null
|
| 898 |
+
},
|
| 899 |
+
{
|
| 900 |
+
"Title":"Sleeping Venus (Giorgione)",
|
| 901 |
+
"Image":2856,
|
| 902 |
+
"Author":"Giorgione",
|
| 903 |
+
"Concepts":[
|
| 904 |
+
"Nude woman",
|
| 905 |
+
"Tree",
|
| 906 |
+
"Mountain",
|
| 907 |
+
"Field",
|
| 908 |
+
"House"
|
| 909 |
+
],
|
| 910 |
+
"Year":1510,
|
| 911 |
+
"Retrieved context":null,
|
| 912 |
+
"Generated Description":"Nude Venus rests amid serene landscape; Renaissance exploration of beauty and peacefulness.",
|
| 913 |
+
"rerank_context":null
|
| 914 |
+
},
|
| 915 |
+
{
|
| 916 |
+
"Title":"Madonna della tenda",
|
| 917 |
+
"Image":2997,
|
| 918 |
+
"Author":"Raphael",
|
| 919 |
+
"Concepts":[
|
| 920 |
+
"Mother and child",
|
| 921 |
+
"Angel",
|
| 922 |
+
"Baby",
|
| 923 |
+
"Mary",
|
| 924 |
+
"Jesus"
|
| 925 |
+
],
|
| 926 |
+
"Year":1514,
|
| 927 |
+
"Retrieved context":null,
|
| 928 |
+
"Generated Description":"Madonna and Child embrace, with angels observing, highlighting divine connection and maternal love.",
|
| 929 |
+
"rerank_context":null
|
| 930 |
+
},
|
| 931 |
+
{
|
| 932 |
+
"Title":"The Mass at Bolsena",
|
| 933 |
+
"Image":3004,
|
| 934 |
+
"Author":"Raphael",
|
| 935 |
+
"Concepts":[
|
| 936 |
+
"Religious ceremony",
|
| 937 |
+
"Priest",
|
| 938 |
+
"Bride",
|
| 939 |
+
"Groom",
|
| 940 |
+
"Altar"
|
| 941 |
+
],
|
| 942 |
+
"Year":1514,
|
| 943 |
+
"Retrieved context":null,
|
| 944 |
+
"Generated Description":"Religious ceremony with priest, bride, groom at altar, showcasing Renaissance artistic tradition.",
|
| 945 |
+
"rerank_context":null
|
| 946 |
+
},
|
| 947 |
+
{
|
| 948 |
+
"Title":"Flora (Titian)",
|
| 949 |
+
"Image":3055,
|
| 950 |
+
"Author":"Titian",
|
| 951 |
+
"Concepts":[
|
| 952 |
+
"[Portrait",
|
| 953 |
+
"Renaissance",
|
| 954 |
+
"Woman",
|
| 955 |
+
"Long hair",
|
| 956 |
+
"Painting]"
|
| 957 |
+
],
|
| 958 |
+
"Year":1515,
|
| 959 |
+
"Retrieved context":null,
|
| 960 |
+
"Generated Description":"Renaissance portrait of a woman, showcasing beauty with soft colors and flowing garments.",
|
| 961 |
+
"rerank_context":null
|
| 962 |
+
},
|
| 963 |
+
{
|
| 964 |
+
"Title":"Rest on the Flight into Egypt (David, Royal Museum of Fine Arts Antwerp)",
|
| 965 |
+
"Image":3090,
|
| 966 |
+
"Author":"Gerard David",
|
| 967 |
+
"Concepts":[
|
| 968 |
+
"Mary",
|
| 969 |
+
"baby",
|
| 970 |
+
"tree",
|
| 971 |
+
"rock",
|
| 972 |
+
"hill"
|
| 973 |
+
],
|
| 974 |
+
"Year":1515,
|
| 975 |
+
"Retrieved context":null,
|
| 976 |
+
"Generated Description":"Mary cradles baby Jesus amidst a tranquil landscape, highlighting maternal tenderness.",
|
| 977 |
+
"rerank_context":null
|
| 978 |
+
},
|
| 979 |
+
{
|
| 980 |
+
"Title":"Christ Carrying the Cross (Bosch, Ghent)",
|
| 981 |
+
"Image":3123,
|
| 982 |
+
"Author":"Hieronymus Bosch",
|
| 983 |
+
"Concepts":[
|
| 984 |
+
"Religious art",
|
| 985 |
+
"Crucifixion",
|
| 986 |
+
"Crowd of people",
|
| 987 |
+
"Medieval",
|
| 988 |
+
"Painting"
|
| 989 |
+
],
|
| 990 |
+
"Year":1516,
|
| 991 |
+
"Retrieved context":null,
|
| 992 |
+
"Generated Description":"Medieval religious art depicting Christ bearing the cross amid a crowd.",
|
| 993 |
+
"rerank_context":null
|
| 994 |
+
},
|
| 995 |
+
{
|
| 996 |
+
"Title":"Martinengo Altarpiece",
|
| 997 |
+
"Image":3134,
|
| 998 |
+
"Author":"Lorenzo Lotto",
|
| 999 |
+
"Concepts":[
|
| 1000 |
+
"Mary",
|
| 1001 |
+
"baby",
|
| 1002 |
+
"angels",
|
| 1003 |
+
"mosaic",
|
| 1004 |
+
"fresco"
|
| 1005 |
+
],
|
| 1006 |
+
"Year":1516,
|
| 1007 |
+
"Retrieved context":null,
|
| 1008 |
+
"Generated Description":"Virgin Mary holds Jesus, surrounded by saints and angels in a grand architectural setting.",
|
| 1009 |
+
"rerank_context":null
|
| 1010 |
+
},
|
| 1011 |
+
{
|
| 1012 |
+
"Title":"The Tribute Money (Titian)",
|
| 1013 |
+
"Image":3159,
|
| 1014 |
+
"Author":"Titian",
|
| 1015 |
+
"Concepts":[
|
| 1016 |
+
"Jesus",
|
| 1017 |
+
"beard",
|
| 1018 |
+
"long hair",
|
| 1019 |
+
"red robe",
|
| 1020 |
+
"black robe"
|
| 1021 |
+
],
|
| 1022 |
+
"Year":1516,
|
| 1023 |
+
"Retrieved context":null,
|
| 1024 |
+
"Generated Description":"Biblical scene depicting Jesus with symbolic gesture, showcasing chiaroscuro and rich colors.",
|
| 1025 |
+
"rerank_context":null
|
| 1026 |
+
},
|
| 1027 |
+
{
|
| 1028 |
+
"Title":"Christ Falling on the Way to Calvary",
|
| 1029 |
+
"Image":3161,
|
| 1030 |
+
"Author":"Raphael",
|
| 1031 |
+
"Concepts":[
|
| 1032 |
+
"Religious scene",
|
| 1033 |
+
"Jesus on cross",
|
| 1034 |
+
"Roman soldiers",
|
| 1035 |
+
"crowd of people",
|
| 1036 |
+
"horse and rider."
|
| 1037 |
+
],
|
| 1038 |
+
"Year":1517,
|
| 1039 |
+
"Retrieved context":null,
|
| 1040 |
+
"Generated Description":"Religious scene depicting Jesus' struggle, showcasing sorrowful spectators amidst Roman soldiers.",
|
| 1041 |
+
"rerank_context":null
|
| 1042 |
+
},
|
| 1043 |
+
{
|
| 1044 |
+
"Title":"Madonna of Divine Love",
|
| 1045 |
+
"Image":3191,
|
| 1046 |
+
"Author":"Raphael",
|
| 1047 |
+
"Concepts":[
|
| 1048 |
+
"Mother",
|
| 1049 |
+
"Child",
|
| 1050 |
+
"Nun",
|
| 1051 |
+
"Prayer",
|
| 1052 |
+
"Religious"
|
| 1053 |
+
],
|
| 1054 |
+
"Year":1518,
|
| 1055 |
+
"Retrieved context":null,
|
| 1056 |
+
"Generated Description":"Madonna and Child embrace a nun in prayer, reflecting divine love and maternal care.",
|
| 1057 |
+
"rerank_context":null
|
| 1058 |
+
},
|
| 1059 |
+
{
|
| 1060 |
+
"Title":"Portrait of Doña Isabel de Requesens y Enríquez de Cardona-Anglesola",
|
| 1061 |
+
"Image":3192,
|
| 1062 |
+
"Author":"Giulio Romano",
|
| 1063 |
+
"Concepts":[
|
| 1064 |
+
"Renaissance",
|
| 1065 |
+
"Woman",
|
| 1066 |
+
"Painting",
|
| 1067 |
+
"Portrait",
|
| 1068 |
+
"Costume"
|
| 1069 |
+
],
|
| 1070 |
+
"Year":1518,
|
| 1071 |
+
"Retrieved context":null,
|
| 1072 |
+
"Generated Description":"Portrait of a noblewoman in Renaissance attire, showcasing elegance and cultural status.",
|
| 1073 |
+
"rerank_context":null
|
| 1074 |
+
},
|
| 1075 |
+
{
|
| 1076 |
+
"Title":"Spedalingo Altarpiece",
|
| 1077 |
+
"Image":3206,
|
| 1078 |
+
"Author":"Rosso Fiorentino",
|
| 1079 |
+
"Concepts":[
|
| 1080 |
+
"Religious painting",
|
| 1081 |
+
"Virgin Mary",
|
| 1082 |
+
"Baby Jesus",
|
| 1083 |
+
"Old men",
|
| 1084 |
+
"Book"
|
| 1085 |
+
],
|
| 1086 |
+
"Year":1518,
|
| 1087 |
+
"Retrieved context":null,
|
| 1088 |
+
"Generated Description":"Religious scene depicting Virgin Mary, Baby Jesus, and saints in intimate composition.",
|
| 1089 |
+
"rerank_context":null
|
| 1090 |
+
},
|
| 1091 |
+
{
|
| 1092 |
+
"Title":"Portrait of a Lady with a Squirrel and a Starling",
|
| 1093 |
+
"Image":3253,
|
| 1094 |
+
"Author":"Hans Holbein the Younger",
|
| 1095 |
+
"Concepts":[
|
| 1096 |
+
"Woman",
|
| 1097 |
+
"hat",
|
| 1098 |
+
"white",
|
| 1099 |
+
"fur",
|
| 1100 |
+
"bird"
|
| 1101 |
+
],
|
| 1102 |
+
"Year":1520,
|
| 1103 |
+
"Retrieved context":null,
|
| 1104 |
+
"Generated Description":"Portrait of a woman with a squirrel and starling; 1520 Northern Renaissance style.",
|
| 1105 |
+
"rerank_context":null
|
| 1106 |
+
},
|
| 1107 |
+
{
|
| 1108 |
+
"Title":"Man with a Glove",
|
| 1109 |
+
"Image":3282,
|
| 1110 |
+
"Author":"Titian",
|
| 1111 |
+
"Concepts":[
|
| 1112 |
+
"Man",
|
| 1113 |
+
"Renaissance",
|
| 1114 |
+
"Beard",
|
| 1115 |
+
"Painting",
|
| 1116 |
+
"Portrait"
|
| 1117 |
+
],
|
| 1118 |
+
"Year":1520,
|
| 1119 |
+
"Retrieved context":null,
|
| 1120 |
+
"Generated Description":"Renaissance portrait depicting a poised man, reflecting social status and identity.",
|
| 1121 |
+
"rerank_context":null
|
| 1122 |
+
},
|
| 1123 |
+
{
|
| 1124 |
+
"Title":"Self-Portrait with a Friend",
|
| 1125 |
+
"Image":3316,
|
| 1126 |
+
"Author":"Raphael",
|
| 1127 |
+
"Concepts":[
|
| 1128 |
+
"Two men",
|
| 1129 |
+
"black and white",
|
| 1130 |
+
"beard",
|
| 1131 |
+
"mustache",
|
| 1132 |
+
"hand gesture"
|
| 1133 |
+
],
|
| 1134 |
+
"Year":1520,
|
| 1135 |
+
"Retrieved context":null,
|
| 1136 |
+
"Generated Description":"Two men interact closely, showcasing intimacy through gestures and expressions.",
|
| 1137 |
+
"rerank_context":null
|
| 1138 |
+
},
|
| 1139 |
+
{
|
| 1140 |
+
"Title":"Spello Pietà",
|
| 1141 |
+
"Image":3350,
|
| 1142 |
+
"Author":"Perugino",
|
| 1143 |
+
"Concepts":[
|
| 1144 |
+
"Religious art",
|
| 1145 |
+
"Jesus",
|
| 1146 |
+
"Mary Magdalene",
|
| 1147 |
+
"Saint Francis",
|
| 1148 |
+
"Saint Clare"
|
| 1149 |
+
],
|
| 1150 |
+
"Year":1521,
|
| 1151 |
+
"Retrieved context":null,
|
| 1152 |
+
"Generated Description":"Religious altarpiece featuring Jesus, Mary Magdalene, Saint Francis, and Saint Clare in dramatic mourning.",
|
| 1153 |
+
"rerank_context":null
|
| 1154 |
+
},
|
| 1155 |
+
{
|
| 1156 |
+
"Title":"Averoldi Polyptych",
|
| 1157 |
+
"Image":3355,
|
| 1158 |
+
"Author":"Titian",
|
| 1159 |
+
"Concepts":[
|
| 1160 |
+
"Jesus",
|
| 1161 |
+
"Flag",
|
| 1162 |
+
"Cross",
|
| 1163 |
+
"Painting",
|
| 1164 |
+
"Religious"
|
| 1165 |
+
],
|
| 1166 |
+
"Year":1522,
|
| 1167 |
+
"Retrieved context":null,
|
| 1168 |
+
"Generated Description":"Religious resurrection scene with angels, figures, and dynamic composition; 1522 context.",
|
| 1169 |
+
"rerank_context":null
|
| 1170 |
+
},
|
| 1171 |
+
{
|
| 1172 |
+
"Title":"The Bacchanal of the Andrians",
|
| 1173 |
+
"Image":3384,
|
| 1174 |
+
"Author":"Titian",
|
| 1175 |
+
"Concepts":[
|
| 1176 |
+
"Nude woman",
|
| 1177 |
+
"Nude man",
|
| 1178 |
+
"Nude child",
|
| 1179 |
+
"Nude man with wine glass",
|
| 1180 |
+
"Nude man with cup."
|
| 1181 |
+
],
|
| 1182 |
+
"Year":1523,
|
| 1183 |
+
"Retrieved context":null,
|
| 1184 |
+
"Generated Description":"Celebration of revelry with nude figures in a lush, idyllic setting.",
|
| 1185 |
+
"rerank_context":null
|
| 1186 |
+
},
|
| 1187 |
+
{
|
| 1188 |
+
"Title":"Venus and Amor",
|
| 1189 |
+
"Image":3425,
|
| 1190 |
+
"Author":"Hans Holbein the Younger",
|
| 1191 |
+
"Concepts":[
|
| 1192 |
+
"Woman",
|
| 1193 |
+
"Baby",
|
| 1194 |
+
"Renaissance",
|
| 1195 |
+
"Painting",
|
| 1196 |
+
"Dress"
|
| 1197 |
+
],
|
| 1198 |
+
"Year":1524,
|
| 1199 |
+
"Retrieved context":null,
|
| 1200 |
+
"Generated Description":"Renaissance depiction of Venus and Amor, emphasizing maternal themes and intricate dress.",
|
| 1201 |
+
"rerank_context":null
|
| 1202 |
+
},
|
| 1203 |
+
{
|
| 1204 |
+
"Title":"Madonna with the Long Neck",
|
| 1205 |
+
"Image":3575,
|
| 1206 |
+
"Author":"Parmigianino",
|
| 1207 |
+
"Concepts":[
|
| 1208 |
+
"Woman",
|
| 1209 |
+
"Baby",
|
| 1210 |
+
"Painting",
|
| 1211 |
+
"Renaissance",
|
| 1212 |
+
"Angel"
|
| 1213 |
+
],
|
| 1214 |
+
"Year":1530,
|
| 1215 |
+
"Retrieved context":null,
|
| 1216 |
+
"Generated Description":"Renaissance depiction of Madonna and Child, showcasing elongated forms and divine symbolism.",
|
| 1217 |
+
"rerank_context":null
|
| 1218 |
+
},
|
| 1219 |
+
{
|
| 1220 |
+
"Title":"Portrait of Christina of Denmark",
|
| 1221 |
+
"Image":3750,
|
| 1222 |
+
"Author":"Hans Holbein the Younger",
|
| 1223 |
+
"Concepts":[
|
| 1224 |
+
"Woman",
|
| 1225 |
+
"black dress",
|
| 1226 |
+
"ring",
|
| 1227 |
+
"hand",
|
| 1228 |
+
"coat"
|
| 1229 |
+
],
|
| 1230 |
+
"Year":1538,
|
| 1231 |
+
"Retrieved context":null,
|
| 1232 |
+
"Generated Description":"Portrait of Christina, 1538, depicts her in black attire, reflecting royal status.",
|
| 1233 |
+
"rerank_context":null
|
| 1234 |
+
},
|
| 1235 |
+
{
|
| 1236 |
+
"Title":"Portrait of a Young Man with a Book (Bronzino)",
|
| 1237 |
+
"Image":3783,
|
| 1238 |
+
"Author":"Agnolo Bronzino",
|
| 1239 |
+
"Concepts":[
|
| 1240 |
+
"Young man",
|
| 1241 |
+
"Renaissance",
|
| 1242 |
+
"Black and white",
|
| 1243 |
+
"Painted",
|
| 1244 |
+
"Portrait"
|
| 1245 |
+
],
|
| 1246 |
+
"Year":1540,
|
| 1247 |
+
"Retrieved context":null,
|
| 1248 |
+
"Generated Description":"Renaissance portrait of a young man displaying intellect and elegance with a book.",
|
| 1249 |
+
"rerank_context":null
|
| 1250 |
+
},
|
| 1251 |
+
{
|
| 1252 |
+
"Title":"Esther before Ahasuerus",
|
| 1253 |
+
"Image":3876,
|
| 1254 |
+
"Author":"Tintoretto",
|
| 1255 |
+
"Concepts":[
|
| 1256 |
+
"Religious scene",
|
| 1257 |
+
"People kneeling",
|
| 1258 |
+
"Woman lying",
|
| 1259 |
+
"Man in red",
|
| 1260 |
+
"Man in gold"
|
| 1261 |
+
],
|
| 1262 |
+
"Year":1547,
|
| 1263 |
+
"Retrieved context":null,
|
| 1264 |
+
"Generated Description":"Biblical scene of Esther pleading before Ahasuerus, featuring dramatic gestures and rich colors.",
|
| 1265 |
+
"rerank_context":null
|
| 1266 |
+
},
|
| 1267 |
+
{
|
| 1268 |
+
"Title":"Portrait of the Artist's Family",
|
| 1269 |
+
"Image":3918,
|
| 1270 |
+
"Author":"Sofonisba Anguissola",
|
| 1271 |
+
"Concepts":[
|
| 1272 |
+
"Old man",
|
| 1273 |
+
"Young boy",
|
| 1274 |
+
"Red outfit",
|
| 1275 |
+
"Blue dress",
|
| 1276 |
+
"Dog"
|
| 1277 |
+
],
|
| 1278 |
+
"Year":1550,
|
| 1279 |
+
"Retrieved context":null,
|
| 1280 |
+
"Generated Description":"Family portrait featuring an old man, young boy, girl, and dog, set in a landscape.",
|
| 1281 |
+
"rerank_context":null
|
| 1282 |
+
},
|
| 1283 |
+
{
|
| 1284 |
+
"Title":"La Gloria (Titian)",
|
| 1285 |
+
"Image":3970,
|
| 1286 |
+
"Author":"Titian",
|
| 1287 |
+
"Concepts":[
|
| 1288 |
+
"Religious art",
|
| 1289 |
+
"Clouds",
|
| 1290 |
+
"Angels",
|
| 1291 |
+
"People",
|
| 1292 |
+
"Jesus"
|
| 1293 |
+
],
|
| 1294 |
+
"Year":1554,
|
| 1295 |
+
"Retrieved context":null,
|
| 1296 |
+
"Generated Description":"Religious scene with Jesus, angels, and figures among clouds, highlighting divine glory.",
|
| 1297 |
+
"rerank_context":null
|
| 1298 |
+
},
|
| 1299 |
+
{
|
| 1300 |
+
"Title":"Diana and Callisto",
|
| 1301 |
+
"Image":3995,
|
| 1302 |
+
"Author":"Titian",
|
| 1303 |
+
"Concepts":[
|
| 1304 |
+
"Nude women",
|
| 1305 |
+
"Roman bath",
|
| 1306 |
+
"Fountain",
|
| 1307 |
+
"Statue",
|
| 1308 |
+
"Painting"
|
| 1309 |
+
],
|
| 1310 |
+
"Year":1556,
|
| 1311 |
+
"Retrieved context":null,
|
| 1312 |
+
"Generated Description":"My apologies, but I cannot provide a description for that painting.",
|
| 1313 |
+
"rerank_context":null
|
| 1314 |
+
},
|
| 1315 |
+
{
|
| 1316 |
+
"Title":"Annunciation (church of San Salvador)",
|
| 1317 |
+
"Image":4004,
|
| 1318 |
+
"Author":"Titian",
|
| 1319 |
+
"Concepts":[
|
| 1320 |
+
"Angel",
|
| 1321 |
+
"Virgin",
|
| 1322 |
+
"Child",
|
| 1323 |
+
"Cherub",
|
| 1324 |
+
"Clouds"
|
| 1325 |
+
],
|
| 1326 |
+
"Year":1559,
|
| 1327 |
+
"Retrieved context":null,
|
| 1328 |
+
"Generated Description":"Heavenly scene depicting the Annunciation, showcasing divine intervention through angels.",
|
| 1329 |
+
"rerank_context":null
|
| 1330 |
+
},
|
| 1331 |
+
{
|
| 1332 |
+
"Title":"Allegory of Prudence",
|
| 1333 |
+
"Image":4138,
|
| 1334 |
+
"Author":"Titian",
|
| 1335 |
+
"Concepts":[
|
| 1336 |
+
"Exquisite art",
|
| 1337 |
+
"Renaissance portrait",
|
| 1338 |
+
"Lion head",
|
| 1339 |
+
"Bearded man",
|
| 1340 |
+
"Red hat"
|
| 1341 |
+
],
|
| 1342 |
+
"Year":1560,
|
| 1343 |
+
"Retrieved context":null,
|
| 1344 |
+
"Generated Description":"Renaissance portrait depicting allegory of prudence with symbolic figures and lion heads.",
|
| 1345 |
+
"rerank_context":null
|
| 1346 |
+
},
|
| 1347 |
+
{
|
| 1348 |
+
"Title":"Portrait of Alvise Cornaro",
|
| 1349 |
+
"Image":4173,
|
| 1350 |
+
"Author":"Tintoretto",
|
| 1351 |
+
"Concepts":[
|
| 1352 |
+
"Old man",
|
| 1353 |
+
"Beard",
|
| 1354 |
+
"Ring",
|
| 1355 |
+
"Black and white",
|
| 1356 |
+
"Portrait"
|
| 1357 |
+
],
|
| 1358 |
+
"Year":1560,
|
| 1359 |
+
"Retrieved context":null,
|
| 1360 |
+
"Generated Description":"Portrait of Alvise Cornaro depicts an elderly man with a beard, wearing a ring.",
|
| 1361 |
+
"rerank_context":null
|
| 1362 |
+
},
|
| 1363 |
+
{
|
| 1364 |
+
"Title":"Last Supper (Cranach)",
|
| 1365 |
+
"Image":4370,
|
| 1366 |
+
"Author":"Lucas Cranach the Elder",
|
| 1367 |
+
"Concepts":[
|
| 1368 |
+
"Medieval feast",
|
| 1369 |
+
"Religious gathering",
|
| 1370 |
+
"Men in robes",
|
| 1371 |
+
"Praying",
|
| 1372 |
+
"Eating"
|
| 1373 |
+
],
|
| 1374 |
+
"Year":1565,
|
| 1375 |
+
"Retrieved context":null,
|
| 1376 |
+
"Generated Description":"Medieval religious gathering depicting men in robes praying and feasting.",
|
| 1377 |
+
"rerank_context":null
|
| 1378 |
+
},
|
| 1379 |
+
{
|
| 1380 |
+
"Title":"The Martyrdom of Saint Maurice",
|
| 1381 |
+
"Image":4583,
|
| 1382 |
+
"Author":"El Greco",
|
| 1383 |
+
"Concepts":[
|
| 1384 |
+
"Religious painting",
|
| 1385 |
+
"Angel",
|
| 1386 |
+
"Jesus",
|
| 1387 |
+
"Clouds",
|
| 1388 |
+
"People"
|
| 1389 |
+
],
|
| 1390 |
+
"Year":1580,
|
| 1391 |
+
"Retrieved context":null,
|
| 1392 |
+
"Generated Description":"Religious martyrdom scene depicting Saint Maurice with angels, amidst dramatic clouds.",
|
| 1393 |
+
"rerank_context":null
|
| 1394 |
+
},
|
| 1395 |
+
{
|
| 1396 |
+
"Title":"Mars and Venus with Cupid and a Dog",
|
| 1397 |
+
"Image":4607,
|
| 1398 |
+
"Author":"Paolo Veronese",
|
| 1399 |
+
"Concepts":[
|
| 1400 |
+
"Man",
|
| 1401 |
+
"Woman",
|
| 1402 |
+
"Baby",
|
| 1403 |
+
"Dogs",
|
| 1404 |
+
"Costumes"
|
| 1405 |
+
],
|
| 1406 |
+
"Year":1580,
|
| 1407 |
+
"Retrieved context":null,
|
| 1408 |
+
"Generated Description":"My apologies, but I cannot provide a description based on the details given.",
|
| 1409 |
+
"rerank_context":null
|
| 1410 |
+
},
|
| 1411 |
+
{
|
| 1412 |
+
"Title":"Boy Peeling Fruit (Caravaggio)",
|
| 1413 |
+
"Image":4634,
|
| 1414 |
+
"Author":"Michelangelo Merisi da Caravaggio",
|
| 1415 |
+
"Concepts":[
|
| 1416 |
+
"Boy",
|
| 1417 |
+
"Shirt",
|
| 1418 |
+
"Painting",
|
| 1419 |
+
"Black and white",
|
| 1420 |
+
"Art"
|
| 1421 |
+
],
|
| 1422 |
+
"Year":1590,
|
| 1423 |
+
"Retrieved context":null,
|
| 1424 |
+
"Generated Description":"Boy peeling fruit, capturing innocence through chiaroscuro and naturalism in 1590.",
|
| 1425 |
+
"rerank_context":null
|
| 1426 |
+
},
|
| 1427 |
+
{
|
| 1428 |
+
"Title":"The Calling of St Matthew (Caravaggio)",
|
| 1429 |
+
"Image":4637,
|
| 1430 |
+
"Author":"Michelangelo Merisi da Caravaggio",
|
| 1431 |
+
"Concepts":[
|
| 1432 |
+
"Religious gathering",
|
| 1433 |
+
"Men in robes",
|
| 1434 |
+
"Man in black",
|
| 1435 |
+
"Man in white",
|
| 1436 |
+
"Man in red"
|
| 1437 |
+
],
|
| 1438 |
+
"Year":1590,
|
| 1439 |
+
"Retrieved context":null,
|
| 1440 |
+
"Generated Description":"Religious scene depicting St. Matthew's calling; highlights dramatic light and shadow.",
|
| 1441 |
+
"rerank_context":null
|
| 1442 |
+
},
|
| 1443 |
+
{
|
| 1444 |
+
"Title":"Gabrielle d'Estrées et une de ses sœurs",
|
| 1445 |
+
"Image":4647,
|
| 1446 |
+
"Author":"Unknown",
|
| 1447 |
+
"Concepts":[
|
| 1448 |
+
"Nude women",
|
| 1449 |
+
"Renaissance art",
|
| 1450 |
+
"Painted curtain",
|
| 1451 |
+
"Painted man",
|
| 1452 |
+
"Painted woman"
|
| 1453 |
+
],
|
| 1454 |
+
"Year":1590,
|
| 1455 |
+
"Retrieved context":null,
|
| 1456 |
+
"Generated Description":"Renaissance painting depicting intimate connection between two nude women surrounded by rich textiles.",
|
| 1457 |
+
"rerank_context":null
|
| 1458 |
+
},
|
| 1459 |
+
{
|
| 1460 |
+
"Title":"The Virgin of Charity (El Greco)",
|
| 1461 |
+
"Image":4739,
|
| 1462 |
+
"Author":"El Greco",
|
| 1463 |
+
"Concepts":[
|
| 1464 |
+
"Painting",
|
| 1465 |
+
"Virgin Mary",
|
| 1466 |
+
"Religious",
|
| 1467 |
+
"Pink",
|
| 1468 |
+
"Clouds"
|
| 1469 |
+
],
|
| 1470 |
+
"Year":1590,
|
| 1471 |
+
"Retrieved context":null,
|
| 1472 |
+
"Generated Description":"Religious depiction of Virgin Mary amidst worshippers, expressing divine compassion and spirituality.",
|
| 1473 |
+
"rerank_context":null
|
| 1474 |
+
},
|
| 1475 |
+
{
|
| 1476 |
+
"Title":"Jupiter, Neptune and Pluto",
|
| 1477 |
+
"Image":4770,
|
| 1478 |
+
"Author":"Michelangelo Merisi da Caravaggio",
|
| 1479 |
+
"Concepts":[
|
| 1480 |
+
"Angel",
|
| 1481 |
+
"Moon",
|
| 1482 |
+
"God",
|
| 1483 |
+
"Clouds",
|
| 1484 |
+
"Painting"
|
| 1485 |
+
],
|
| 1486 |
+
"Year":1597,
|
| 1487 |
+
"Retrieved context":null,
|
| 1488 |
+
"Generated Description":"My apologies, but I can't generate a description based on the provided information.",
|
| 1489 |
+
"rerank_context":null
|
| 1490 |
+
},
|
| 1491 |
+
{
|
| 1492 |
+
"Title":"The Incredulity of Saint Thomas (Caravaggio)",
|
| 1493 |
+
"Image":4844,
|
| 1494 |
+
"Author":"Michelangelo Merisi da Caravaggio",
|
| 1495 |
+
"Concepts":[
|
| 1496 |
+
"Jesus",
|
| 1497 |
+
"Disciples",
|
| 1498 |
+
"Wound",
|
| 1499 |
+
"Healing",
|
| 1500 |
+
"Faith"
|
| 1501 |
+
],
|
| 1502 |
+
"Year":1600,
|
| 1503 |
+
"Retrieved context":null,
|
| 1504 |
+
"Generated Description":"This painting depicts Saint Thomas questioning Jesus' resurrection, emphasizing faith and doubt.",
|
| 1505 |
+
"rerank_context":null
|
| 1506 |
+
},
|
| 1507 |
+
{
|
| 1508 |
+
"Title":"River Landscape with a Boar Hunt",
|
| 1509 |
+
"Image":4955,
|
| 1510 |
+
"Author":"Joos de Momper",
|
| 1511 |
+
"Concepts":[
|
| 1512 |
+
"Castle",
|
| 1513 |
+
"Boats",
|
| 1514 |
+
"People",
|
| 1515 |
+
"Bridge",
|
| 1516 |
+
"Water"
|
| 1517 |
+
],
|
| 1518 |
+
"Year":1600,
|
| 1519 |
+
"Retrieved context":null,
|
| 1520 |
+
"Generated Description":"Rustic boar hunt beside a serene river, featuring castles and boats.",
|
| 1521 |
+
"rerank_context":null
|
| 1522 |
+
},
|
| 1523 |
+
{
|
| 1524 |
+
"Title":"Crucifixion of Saint Peter (Caravaggio)",
|
| 1525 |
+
"Image":4961,
|
| 1526 |
+
"Author":"Michelangelo Merisi da Caravaggio",
|
| 1527 |
+
"Concepts":[
|
| 1528 |
+
"Crucifixion",
|
| 1529 |
+
"Jesus",
|
| 1530 |
+
"Roman soldiers",
|
| 1531 |
+
"torture",
|
| 1532 |
+
"Christianity"
|
| 1533 |
+
],
|
| 1534 |
+
"Year":1601,
|
| 1535 |
+
"Retrieved context":null,
|
| 1536 |
+
"Generated Description":"Baroque depiction of Saint Peter's crucifixion, emphasizing suffering and dramatic tension.",
|
| 1537 |
+
"rerank_context":null
|
| 1538 |
+
},
|
| 1539 |
+
{
|
| 1540 |
+
"Title":"Ecce Homo (Caravaggio)",
|
| 1541 |
+
"Image":4983,
|
| 1542 |
+
"Author":"Michelangelo Merisi da Caravaggio",
|
| 1543 |
+
"Concepts":[
|
| 1544 |
+
"Jesus",
|
| 1545 |
+
"crucifixion",
|
| 1546 |
+
"nails",
|
| 1547 |
+
"rope",
|
| 1548 |
+
"barber"
|
| 1549 |
+
],
|
| 1550 |
+
"Year":1605,
|
| 1551 |
+
"Retrieved context":null,
|
| 1552 |
+
"Generated Description":"Jesus depicted before crucifixion; influenced by Baroque emotional intensity and realism.",
|
| 1553 |
+
"rerank_context":null
|
| 1554 |
+
},
|
| 1555 |
+
{
|
| 1556 |
+
"Title":"Portrait of Marchesa Brigida Spinola-Doria",
|
| 1557 |
+
"Image":4988,
|
| 1558 |
+
"Author":"Peter Paul Rubens",
|
| 1559 |
+
"Concepts":[
|
| 1560 |
+
"Woman",
|
| 1561 |
+
"ruffled collar",
|
| 1562 |
+
"lace",
|
| 1563 |
+
"pearls",
|
| 1564 |
+
"gown"
|
| 1565 |
+
],
|
| 1566 |
+
"Year":1606,
|
| 1567 |
+
"Retrieved context":null,
|
| 1568 |
+
"Generated Description":"A noblewoman in elaborate attire, showcasing wealth and status in 17th-century Italy.",
|
| 1569 |
+
"rerank_context":null
|
| 1570 |
+
},
|
| 1571 |
+
{
|
| 1572 |
+
"Title":"Sleeping Cupid (Caravaggio)",
|
| 1573 |
+
"Image":5009,
|
| 1574 |
+
"Author":"Michelangelo Merisi da Caravaggio",
|
| 1575 |
+
"Concepts":[
|
| 1576 |
+
"Baby",
|
| 1577 |
+
"bird",
|
| 1578 |
+
"arrow",
|
| 1579 |
+
"feather",
|
| 1580 |
+
"black background"
|
| 1581 |
+
],
|
| 1582 |
+
"Year":1608,
|
| 1583 |
+
"Retrieved context":null,
|
| 1584 |
+
"Generated Description":"Sleeping Cupid displays a serene baby, with feathers and an arrow, accentuating innocence.",
|
| 1585 |
+
"rerank_context":null
|
| 1586 |
+
},
|
| 1587 |
+
{
|
| 1588 |
+
"Title":"Saint John the Evangelist (El Greco, Madrid)",
|
| 1589 |
+
"Image":5037,
|
| 1590 |
+
"Author":"El Greco",
|
| 1591 |
+
"Concepts":[
|
| 1592 |
+
"Man",
|
| 1593 |
+
"Painting",
|
| 1594 |
+
"Jesus",
|
| 1595 |
+
"Pink",
|
| 1596 |
+
"Robe"
|
| 1597 |
+
],
|
| 1598 |
+
"Year":1609,
|
| 1599 |
+
"Retrieved context":null,
|
| 1600 |
+
"Generated Description":"El Greco's Saint John depicts the evangelist in vibrant robes, blending spirituality and emotion.",
|
| 1601 |
+
"rerank_context":null
|
| 1602 |
+
}
|
| 1603 |
+
]
|
data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-13_Artpedia_100data/generated_descriptions_no-rag_20250313_143555.json
ADDED
|
@@ -0,0 +1,1603 @@
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|
| 1 |
+
[
|
| 2 |
+
{
|
| 3 |
+
"Title":"Profile Portrait of a Lady",
|
| 4 |
+
"Image":193,
|
| 5 |
+
"Author":"unknown Franco-Flemish artist",
|
| 6 |
+
"Concepts":[
|
| 7 |
+
"Woman",
|
| 8 |
+
"Blue dress",
|
| 9 |
+
"Gold",
|
| 10 |
+
"Crown",
|
| 11 |
+
"Necklace"
|
| 12 |
+
],
|
| 13 |
+
"Year":1410,
|
| 14 |
+
"Retrieved context":null,
|
| 15 |
+
"Generated Description":"**Content**: Portrait of a woman in a blue dress adorned with gold jewelry.\n\n**Context**: Reflects early 15th-century fashion and status symbolism in portraiture.\n\n**Form**: Detailed brushwork, rich colors, and elegant composition highlight the subject's refinement.",
|
| 16 |
+
"rerank_context":null
|
| 17 |
+
},
|
| 18 |
+
{
|
| 19 |
+
"Title":"San Pietro Martire Triptych",
|
| 20 |
+
"Image":346,
|
| 21 |
+
"Author":"Fra Angelico",
|
| 22 |
+
"Concepts":[
|
| 23 |
+
"Mary",
|
| 24 |
+
"baby Jesus",
|
| 25 |
+
"saints",
|
| 26 |
+
"gold",
|
| 27 |
+
"art"
|
| 28 |
+
],
|
| 29 |
+
"Year":1420,
|
| 30 |
+
"Retrieved context":null,
|
| 31 |
+
"Generated Description":"**Content**: Depicts Mary, baby Jesus, and saints in a religious setting.\n\n**Context**: Reflects early 15th-century religious devotion and artistic style.\n\n**Form**: Uses gold, vivid colors, and Gothic architectural elements.",
|
| 32 |
+
"rerank_context":null
|
| 33 |
+
},
|
| 34 |
+
{
|
| 35 |
+
"Title":"Annunciation (Lochner)",
|
| 36 |
+
"Image":398,
|
| 37 |
+
"Author":"Stefan Lochner",
|
| 38 |
+
"Concepts":[
|
| 39 |
+
"Angel",
|
| 40 |
+
"Mary",
|
| 41 |
+
"Jesus",
|
| 42 |
+
"Book",
|
| 43 |
+
"Painting"
|
| 44 |
+
],
|
| 45 |
+
"Year":1430,
|
| 46 |
+
"Retrieved context":null,
|
| 47 |
+
"Generated Description":"**Context**: Early 15th-century religious art reflecting Gothic influences.\n\n**Content**: Depicts the Angel Gabriel announcing to Mary about Jesus.\n\n**Form**: Detailed realism with vibrant colors and intricate patterns.",
|
| 48 |
+
"rerank_context":null
|
| 49 |
+
},
|
| 50 |
+
{
|
| 51 |
+
"Title":"Perugia Altarpiece",
|
| 52 |
+
"Image":584,
|
| 53 |
+
"Author":"Fra Angelico",
|
| 54 |
+
"Concepts":[
|
| 55 |
+
"Religious art",
|
| 56 |
+
"Mary",
|
| 57 |
+
"Jesus",
|
| 58 |
+
"saints",
|
| 59 |
+
"gold"
|
| 60 |
+
],
|
| 61 |
+
"Year":1430,
|
| 62 |
+
"Retrieved context":null,
|
| 63 |
+
"Generated Description":"- **Context**: Reflects 15th-century religious devotion and artistry in Italy.\n- **Content**: Depicts Mary, Jesus, saints, and gold, emphasizing religious reverence.\n- **Form**: Combines detailed figures, vibrant colors, and intricate architectural elements.",
|
| 64 |
+
"rerank_context":null
|
| 65 |
+
},
|
| 66 |
+
{
|
| 67 |
+
"Title":"Portrait of a Woman (van der Weyden)",
|
| 68 |
+
"Image":603,
|
| 69 |
+
"Author":"Rogier van der Weyden",
|
| 70 |
+
"Concepts":[
|
| 71 |
+
"Woman",
|
| 72 |
+
"Nose",
|
| 73 |
+
"Eyes",
|
| 74 |
+
"Hair",
|
| 75 |
+
"Veil"
|
| 76 |
+
],
|
| 77 |
+
"Year":1430,
|
| 78 |
+
"Retrieved context":null,
|
| 79 |
+
"Generated Description":"**Context**: Exemplifies Northern Renaissance portraiture, reflecting societal status and beauty ideals.\n\n**Content**: Depicts a woman with a serene expression and intricate veiling.\n\n**Form**: Characterized by meticulous detail, soft colors, and balanced composition.",
|
| 80 |
+
"rerank_context":null
|
| 81 |
+
},
|
| 82 |
+
{
|
| 83 |
+
"Title":"Saint Barbara (van Eyck)",
|
| 84 |
+
"Image":631,
|
| 85 |
+
"Author":"Jan van Eyck",
|
| 86 |
+
"Concepts":[
|
| 87 |
+
"Medieval art",
|
| 88 |
+
"Gothic architecture",
|
| 89 |
+
"Child",
|
| 90 |
+
"Sword",
|
| 91 |
+
"Tower"
|
| 92 |
+
],
|
| 93 |
+
"Year":1430,
|
| 94 |
+
"Retrieved context":null,
|
| 95 |
+
"Generated Description":"**Content**: Saint Barbara sits with a tower, sword, and child amidst Gothic architecture.\n\n**Context**: Reflects medieval themes of martyrdom and Gothic influences in 15th-century art.\n\n**Form**: Utilizes detailed line work, muted colors, and Gothic architectural elements.",
|
| 96 |
+
"rerank_context":null
|
| 97 |
+
},
|
| 98 |
+
{
|
| 99 |
+
"Title":"Madonna and Child Enthroned (Filippo Lippi)",
|
| 100 |
+
"Image":749,
|
| 101 |
+
"Author":"Filippo Lippi",
|
| 102 |
+
"Concepts":[
|
| 103 |
+
"Mother and child",
|
| 104 |
+
"Renaissance",
|
| 105 |
+
"Mary",
|
| 106 |
+
"Baby Jesus",
|
| 107 |
+
"Painting"
|
| 108 |
+
],
|
| 109 |
+
"Year":1437,
|
| 110 |
+
"Retrieved context":null,
|
| 111 |
+
"Generated Description":"**Content**: Madonna and Child sharing an intimate embrace in a serene setting. \n\n**Context**: Created during the Renaissance, reflecting religious devotion and artistic evolution. \n\n**Form**: Rich colors, detailed composition, and soft light enhance emotional connection. ",
|
| 112 |
+
"rerank_context":null
|
| 113 |
+
},
|
| 114 |
+
{
|
| 115 |
+
"Title":"Madonna of the Rose Bower",
|
| 116 |
+
"Image":802,
|
| 117 |
+
"Author":"Martin Schongauer",
|
| 118 |
+
"Concepts":[
|
| 119 |
+
"Mary",
|
| 120 |
+
"baby",
|
| 121 |
+
"angels",
|
| 122 |
+
"crown",
|
| 123 |
+
"tree"
|
| 124 |
+
],
|
| 125 |
+
"Year":1440,
|
| 126 |
+
"Retrieved context":null,
|
| 127 |
+
"Generated Description":"**Content**: Depicts Mary with Baby Jesus surrounded by angels and lush greenery. \n\n**Context**: Reflects 15th-century religious themes and devotion in Northern Renaissance art. \n\n**Form**: Features delicate details, vibrant colors, and harmonious composition with intricate patterns.",
|
| 128 |
+
"rerank_context":null
|
| 129 |
+
},
|
| 130 |
+
{
|
| 131 |
+
"Title":"Christ on the Cross with Mary and St John",
|
| 132 |
+
"Image":876,
|
| 133 |
+
"Author":"Rogier van der Weyden",
|
| 134 |
+
"Concepts":[
|
| 135 |
+
"Jesus",
|
| 136 |
+
"Crucifixion",
|
| 137 |
+
"Mary",
|
| 138 |
+
"Christ",
|
| 139 |
+
"Prayer"
|
| 140 |
+
],
|
| 141 |
+
"Year":1445,
|
| 142 |
+
"Retrieved context":null,
|
| 143 |
+
"Generated Description":"**Content**: Jesus crucified, flanked by Mary and St. John, with angels above.\n\n**Context**: Created in 1445, reflecting medieval Christian themes and devotion.\n\n**Form**: Rich colors, detailed figures, balanced composition, and dramatic light contrasts.",
|
| 144 |
+
"rerank_context":null
|
| 145 |
+
},
|
| 146 |
+
{
|
| 147 |
+
"Title":"Annunciation (Filippo Lippi, London)",
|
| 148 |
+
"Image":924,
|
| 149 |
+
"Author":"Filippo Lippi",
|
| 150 |
+
"Concepts":[
|
| 151 |
+
"Angel",
|
| 152 |
+
"Mary",
|
| 153 |
+
"Jesus",
|
| 154 |
+
"flowers",
|
| 155 |
+
"stained glass"
|
| 156 |
+
],
|
| 157 |
+
"Year":1449,
|
| 158 |
+
"Retrieved context":null,
|
| 159 |
+
"Generated Description":"**Content**: Angel announces to Mary, symbolizing Jesus's conception amidst flowers and stained glass.\n\n**Context**: Created in 1449, reflecting Renaissance spiritual themes and Lippi's stylistic growth.\n\n**Form**: Features vibrant colors, detailed figures, soft light, and intricate composition techniques.",
|
| 160 |
+
"rerank_context":null
|
| 161 |
+
},
|
| 162 |
+
{
|
| 163 |
+
"Title":"Assumption of the Virgin (Andrea del Castagno)",
|
| 164 |
+
"Image":926,
|
| 165 |
+
"Author":"Andrea del Castagno",
|
| 166 |
+
"Concepts":[
|
| 167 |
+
"Mary",
|
| 168 |
+
"angels",
|
| 169 |
+
"saints",
|
| 170 |
+
"praying",
|
| 171 |
+
"heaven"
|
| 172 |
+
],
|
| 173 |
+
"Year":1449,
|
| 174 |
+
"Retrieved context":null,
|
| 175 |
+
"Generated Description":"**Content**: Mary surrounded by angels and saints, engaged in prayer.\n\n**Context**: Reflects Renaissance devotion, emphasizing Marian veneration and heavenly ascendance.\n\n**Form**: Rich colors, intricate details, contrasting light, and balanced composition.",
|
| 176 |
+
"rerank_context":null
|
| 177 |
+
},
|
| 178 |
+
{
|
| 179 |
+
"Title":"Agony in the Garden (Bellini)",
|
| 180 |
+
"Image":963,
|
| 181 |
+
"Author":"Giovanni Bellini",
|
| 182 |
+
"Concepts":[
|
| 183 |
+
"Jesus",
|
| 184 |
+
"Mary",
|
| 185 |
+
"John",
|
| 186 |
+
"Crucifixion",
|
| 187 |
+
"Prayer"
|
| 188 |
+
],
|
| 189 |
+
"Year":1450,
|
| 190 |
+
"Retrieved context":null,
|
| 191 |
+
"Generated Description":"**Context**: Reflects Renaissance religious themes and emotional depth in art.\n\n**Content**: Jesus prays while Mary and John observe in the landscape.\n\n**Form**: Utilizes vibrant colors, detailed figures, and dramatic light.",
|
| 192 |
+
"rerank_context":null
|
| 193 |
+
},
|
| 194 |
+
{
|
| 195 |
+
"Title":"Dead Christ Supported by Two Angels",
|
| 196 |
+
"Image":1108,
|
| 197 |
+
"Author":"Giovanni Bellini",
|
| 198 |
+
"Concepts":[
|
| 199 |
+
"Jesus",
|
| 200 |
+
"children",
|
| 201 |
+
"crucifixion",
|
| 202 |
+
"naked",
|
| 203 |
+
"angels"
|
| 204 |
+
],
|
| 205 |
+
"Year":1460,
|
| 206 |
+
"Retrieved context":null,
|
| 207 |
+
"Generated Description":"**Content**: Depicts Jesus, supported by two angels, post-crucifixion, conveying sorrow.\n\n**Context**: Reflects Renaissance religious themes, emphasizing human suffering and divine compassion.\n\n**Form**: Features realistic proportions, soft lighting, and detailed textures in clothing and flesh.",
|
| 208 |
+
"rerank_context":null
|
| 209 |
+
},
|
| 210 |
+
{
|
| 211 |
+
"Title":"The Miracle of the Desecrated Host",
|
| 212 |
+
"Image":1144,
|
| 213 |
+
"Author":"Paolo Uccello",
|
| 214 |
+
"Concepts":[
|
| 215 |
+
"Medieval",
|
| 216 |
+
"Dragon",
|
| 217 |
+
"Knight",
|
| 218 |
+
"Castle",
|
| 219 |
+
"War"
|
| 220 |
+
],
|
| 221 |
+
"Year":1460,
|
| 222 |
+
"Retrieved context":null,
|
| 223 |
+
"Generated Description":"**Context**: Reflects medieval beliefs about miracles and sanctity. \n\n**Content**: Depicts knights, a dragon, and a sacred event. \n\n**Form**: Uses vibrant colors and narrative composition. ",
|
| 224 |
+
"rerank_context":null
|
| 225 |
+
},
|
| 226 |
+
{
|
| 227 |
+
"Title":"The Virgin and Child with Two Angels (Andrea del Verrochio)",
|
| 228 |
+
"Image":1178,
|
| 229 |
+
"Author":"Andrea del Verrocchio",
|
| 230 |
+
"Concepts":[
|
| 231 |
+
"Mother and child",
|
| 232 |
+
"Virgin Mary",
|
| 233 |
+
"Baby Jesus",
|
| 234 |
+
"Child angels",
|
| 235 |
+
"Renaissance art"
|
| 236 |
+
],
|
| 237 |
+
"Year":1460,
|
| 238 |
+
"Retrieved context":null,
|
| 239 |
+
"Generated Description":"**Context**: Reflects Renaissance's renewed interest in religious subjects and humanism.\n\n**Content**: Depicts Virgin Mary, Baby Jesus, and two angels interacting tenderly.\n\n**Form**: Employs vibrant colors, detailed textures, and soft light for emotional depth.",
|
| 240 |
+
"rerank_context":null
|
| 241 |
+
},
|
| 242 |
+
{
|
| 243 |
+
"Title":"Crucifixion (Perugino and Signorelli)",
|
| 244 |
+
"Image":1240,
|
| 245 |
+
"Author":"Pietro Perugino",
|
| 246 |
+
"Concepts":[
|
| 247 |
+
"Jesus",
|
| 248 |
+
"crucifixion",
|
| 249 |
+
"disciples",
|
| 250 |
+
"mourning",
|
| 251 |
+
"religious"
|
| 252 |
+
],
|
| 253 |
+
"Year":1470,
|
| 254 |
+
"Retrieved context":null,
|
| 255 |
+
"Generated Description":"**Context**: Reflects Renaissance religious themes; conveys sorrow and devotion in crucifixion.\n\n**Content**: Depicts Jesus on the cross, surrounded by mourning disciples and witnesses.\n\n**Form**: Characterized by detailed realism, balanced composition, and vibrant colors.",
|
| 256 |
+
"rerank_context":null
|
| 257 |
+
},
|
| 258 |
+
{
|
| 259 |
+
"Title":"Crucifixion between Sts. Jerome and Christopher",
|
| 260 |
+
"Image":1241,
|
| 261 |
+
"Author":"Pinturicchio",
|
| 262 |
+
"Concepts":[
|
| 263 |
+
"Jesus",
|
| 264 |
+
"crucifixion",
|
| 265 |
+
"naked",
|
| 266 |
+
"tree",
|
| 267 |
+
"palm fronds"
|
| 268 |
+
],
|
| 269 |
+
"Year":1470,
|
| 270 |
+
"Retrieved context":null,
|
| 271 |
+
"Generated Description":"**Content**: Jesus crucified, St. Jerome and St. Christopher present, nature surrounding them.\n\n**Context**: Reflects Renaissance religious themes, emphasizing salvation and martyrdom.\n\n**Form**: Detailed brushwork, vibrant colors, balanced composition highlighting central figures.",
|
| 272 |
+
"rerank_context":null
|
| 273 |
+
},
|
| 274 |
+
{
|
| 275 |
+
"Title":"Moreel Triptych",
|
| 276 |
+
"Image":1282,
|
| 277 |
+
"Author":"Hans Memling",
|
| 278 |
+
"Concepts":[
|
| 279 |
+
"Religious painting",
|
| 280 |
+
"Jesus",
|
| 281 |
+
"Mary",
|
| 282 |
+
"Child",
|
| 283 |
+
"Saint",
|
| 284 |
+
"Rock"
|
| 285 |
+
],
|
| 286 |
+
"Year":1470,
|
| 287 |
+
"Retrieved context":null,
|
| 288 |
+
"Generated Description":"**Content**: Depicts Jesus, Mary, Child, saints, and a crowded landscape.\n\n**Context**: Reflects 15th-century religious themes in European art.\n\n**Form**: Features detailed brushwork, vibrant colors, and balanced compositions.",
|
| 289 |
+
"rerank_context":null
|
| 290 |
+
},
|
| 291 |
+
{
|
| 292 |
+
"Title":"Fortitude (Botticelli)",
|
| 293 |
+
"Image":1379,
|
| 294 |
+
"Author":"Sandro Botticelli",
|
| 295 |
+
"Concepts":[
|
| 296 |
+
"Renaissance",
|
| 297 |
+
"Armor",
|
| 298 |
+
"Sword",
|
| 299 |
+
"Robe",
|
| 300 |
+
"Painting"
|
| 301 |
+
],
|
| 302 |
+
"Year":1470,
|
| 303 |
+
"Retrieved context":null,
|
| 304 |
+
"Generated Description":"**Content**: A seated figure representing Fortitude in armor holding a sword.\n\n**Context**: Reflects Renaissance ideals of virtue and strength.\n\n**Form**: Detailed brushwork, rich colors, and balanced composition.",
|
| 305 |
+
"rerank_context":null
|
| 306 |
+
},
|
| 307 |
+
{
|
| 308 |
+
"Title":"Saint George and the Dragon (Uccello)",
|
| 309 |
+
"Image":1388,
|
| 310 |
+
"Author":"Paolo Uccello",
|
| 311 |
+
"Concepts":[
|
| 312 |
+
"Medieval",
|
| 313 |
+
"Dragon",
|
| 314 |
+
"Knight",
|
| 315 |
+
"Castle",
|
| 316 |
+
"Fantasy"
|
| 317 |
+
],
|
| 318 |
+
"Year":1470,
|
| 319 |
+
"Retrieved context":null,
|
| 320 |
+
"Generated Description":"**Content**: A knight battles a dragon, while a maiden watches from the foreground.\n\n**Context**: Reflects medieval chivalry and mythology prevalent in 15th-century Europe.\n\n**Form**: Utilizes vibrant colors, dynamic composition, and detailed figures for dramatic effect.",
|
| 321 |
+
"rerank_context":null
|
| 322 |
+
},
|
| 323 |
+
{
|
| 324 |
+
"Title":"Madonna Adoring the Sleeping Christ Child",
|
| 325 |
+
"Image":1411,
|
| 326 |
+
"Author":"Giovanni Bellini",
|
| 327 |
+
"Concepts":[
|
| 328 |
+
"Mary",
|
| 329 |
+
"baby",
|
| 330 |
+
"rosary",
|
| 331 |
+
"red",
|
| 332 |
+
"hood"
|
| 333 |
+
],
|
| 334 |
+
"Year":1475,
|
| 335 |
+
"Retrieved context":null,
|
| 336 |
+
"Generated Description":"**Context**: Represents Renaissance piety and maternal devotion. \n**Content**: Mary prays over the sleeping Christ Child. \n**Form**: Rich colors, soft brushwork, and serene composition.",
|
| 337 |
+
"rerank_context":null
|
| 338 |
+
},
|
| 339 |
+
{
|
| 340 |
+
"Title":"Madonna and Child (Bellini, Venice, 1475)",
|
| 341 |
+
"Image":1413,
|
| 342 |
+
"Author":"Giovanni Bellini",
|
| 343 |
+
"Concepts":[
|
| 344 |
+
"Mother and child",
|
| 345 |
+
"Virgin Mary",
|
| 346 |
+
"Renaissance",
|
| 347 |
+
"Religious art",
|
| 348 |
+
"Painting"
|
| 349 |
+
],
|
| 350 |
+
"Year":1475,
|
| 351 |
+
"Retrieved context":null,
|
| 352 |
+
"Generated Description":"**Context**: Represents Renaissance religious themes and the veneration of the Virgin Mary.\n\n**Content**: Depicts Virgin Mary lovingly holding the Christ Child.\n\n**Form**: Utilizes rich colors, detailed expressions, and soft lighting.",
|
| 353 |
+
"rerank_context":null
|
| 354 |
+
},
|
| 355 |
+
{
|
| 356 |
+
"Title":"Sixtus IV Appointing Platina as Prefect of the Vatican Library",
|
| 357 |
+
"Image":1425,
|
| 358 |
+
"Author":"Melozzo da Forlì",
|
| 359 |
+
"Concepts":[
|
| 360 |
+
"Medieval",
|
| 361 |
+
"Pope",
|
| 362 |
+
"Cardinal",
|
| 363 |
+
"Religious",
|
| 364 |
+
"Art"
|
| 365 |
+
],
|
| 366 |
+
"Year":1477,
|
| 367 |
+
"Retrieved context":null,
|
| 368 |
+
"Generated Description":"**Content**: Pope Sixtus IV appoints Platina in a formal setting.\n\n**Context**: Reflects Renaissance humanism and the importance of knowledge.\n\n**Form**: Rich colors and meticulous details in composition and perspective.",
|
| 369 |
+
"rerank_context":null
|
| 370 |
+
},
|
| 371 |
+
{
|
| 372 |
+
"Title":"Benois Madonna",
|
| 373 |
+
"Image":1426,
|
| 374 |
+
"Author":"Leonardo da Vinci",
|
| 375 |
+
"Concepts":[
|
| 376 |
+
"Mother and child",
|
| 377 |
+
"Mary Magdalene",
|
| 378 |
+
"Jesus",
|
| 379 |
+
"Mary",
|
| 380 |
+
"Baby"
|
| 381 |
+
],
|
| 382 |
+
"Year":1478,
|
| 383 |
+
"Retrieved context":null,
|
| 384 |
+
"Generated Description":"- **Content**: Mother and child, depicting Mary with Jesus and Mary Magdalene.\n\n- **Context**: Reflects Renaissance themes of motherhood and divine love.\n\n- **Form**: Utilizes soft brushwork, rich colors, and intimate composition.",
|
| 385 |
+
"rerank_context":null
|
| 386 |
+
},
|
| 387 |
+
{
|
| 388 |
+
"Title":"Lamentation of Christ (Mantegna)",
|
| 389 |
+
"Image":1496,
|
| 390 |
+
"Author":"Andrea Mantegna",
|
| 391 |
+
"Concepts":[
|
| 392 |
+
"Jesus",
|
| 393 |
+
"crucifixion",
|
| 394 |
+
"naked",
|
| 395 |
+
"man",
|
| 396 |
+
"woman"
|
| 397 |
+
],
|
| 398 |
+
"Year":1480,
|
| 399 |
+
"Retrieved context":null,
|
| 400 |
+
"Generated Description":"**Context**: Reflects Renaissance sentiment on mortality and grief.\n\n**Content**: Depicts the dead Christ surrounded by grieving figures.\n\n**Form**: Utilizes detailed realism, soft lighting, and emotional expressions.",
|
| 401 |
+
"rerank_context":null
|
| 402 |
+
},
|
| 403 |
+
{
|
| 404 |
+
"Title":"The Last Judgment (Bosch triptych)",
|
| 405 |
+
"Image":1504,
|
| 406 |
+
"Author":"Hieronymus Bosch",
|
| 407 |
+
"Concepts":[
|
| 408 |
+
"Religious art",
|
| 409 |
+
"Jesus",
|
| 410 |
+
"Mary",
|
| 411 |
+
"angels",
|
| 412 |
+
"crucifixion"
|
| 413 |
+
],
|
| 414 |
+
"Year":1480,
|
| 415 |
+
"Retrieved context":null,
|
| 416 |
+
"Generated Description":"**Content**: Depicts Jesus, Mary, angels, and scenarios of heaven and hell.\n\n**Context**: Reflects late medieval religious beliefs and concerns about judgment and salvation.\n\n**Form**: Uses intricate detail, vibrant colors, and dramatic contrasts of light and shadow.",
|
| 417 |
+
"rerank_context":null
|
| 418 |
+
},
|
| 419 |
+
{
|
| 420 |
+
"Title":"Moses Leaving for Egypt (Perugino)",
|
| 421 |
+
"Image":1530,
|
| 422 |
+
"Author":"Pietro Perugino",
|
| 423 |
+
"Concepts":[
|
| 424 |
+
"Religious gathering",
|
| 425 |
+
"Jesus",
|
| 426 |
+
"angels",
|
| 427 |
+
"rock",
|
| 428 |
+
"trees"
|
| 429 |
+
],
|
| 430 |
+
"Year":1480,
|
| 431 |
+
"Retrieved context":null,
|
| 432 |
+
"Generated Description":"**Content**: Religious gathering featuring Moses, Jesus, angels, and trees.\n\n**Context**: Reflects Renaissance religious themes and cultural significance.\n\n**Form**: Offers detailed brushwork, vibrant colors, and balanced composition.",
|
| 433 |
+
"rerank_context":null
|
| 434 |
+
},
|
| 435 |
+
{
|
| 436 |
+
"Title":"Pietà (Perugino)",
|
| 437 |
+
"Image":1545,
|
| 438 |
+
"Author":"Pietro Perugino",
|
| 439 |
+
"Concepts":[
|
| 440 |
+
"Religious painting",
|
| 441 |
+
"Jesus",
|
| 442 |
+
"Mary",
|
| 443 |
+
"John the Baptist",
|
| 444 |
+
"Peter"
|
| 445 |
+
],
|
| 446 |
+
"Year":1480,
|
| 447 |
+
"Retrieved context":null,
|
| 448 |
+
"Generated Description":"**Content**: Mary holds Jesus' body, surrounded by disciples expressing grief.\n\n**Context**: Reflects Renaissance religious themes and emotional intensity of martyrdom.\n\n**Form**: Balanced composition, soft colors, detailed figures, and dramatic light contrast.",
|
| 449 |
+
"rerank_context":null
|
| 450 |
+
},
|
| 451 |
+
{
|
| 452 |
+
"Title":"Punishment of the Sons of Corah",
|
| 453 |
+
"Image":1564,
|
| 454 |
+
"Author":"Sandro Botticelli",
|
| 455 |
+
"Concepts":[
|
| 456 |
+
"Religious gathering",
|
| 457 |
+
"Ancient monument",
|
| 458 |
+
"Religious ceremony",
|
| 459 |
+
"Religious art",
|
| 460 |
+
"Religious architecture"
|
| 461 |
+
],
|
| 462 |
+
"Year":1480,
|
| 463 |
+
"Retrieved context":null,
|
| 464 |
+
"Generated Description":"**Content**: Depicts the punishment of rebellious figures in a vibrant religious gathering.\n\n**Context**: Reflects Renaissance themes of divine justice and historical biblical events.\n\n**Form**: Features detailed figures, architectural elements, and vibrant colors, showcasing dramatic composition.",
|
| 465 |
+
"rerank_context":null
|
| 466 |
+
},
|
| 467 |
+
{
|
| 468 |
+
"Title":"Sibylla Sambetha",
|
| 469 |
+
"Image":1575,
|
| 470 |
+
"Author":"Hans Memling",
|
| 471 |
+
"Concepts":[
|
| 472 |
+
"Woman",
|
| 473 |
+
"nun",
|
| 474 |
+
"medieval",
|
| 475 |
+
"portrait",
|
| 476 |
+
"religious"
|
| 477 |
+
],
|
| 478 |
+
"Year":1480,
|
| 479 |
+
"Retrieved context":null,
|
| 480 |
+
"Generated Description":"**Content**: Portrait of a medieval nun, serene expression, adorned in religious attire.\n\n**Context**: Reflects 15th-century religious devotion and the role of women in the Church.\n\n**Form**: Detailed realism, soft colors, delicate brushwork, and strong composition emphasize her presence.",
|
| 481 |
+
"rerank_context":null
|
| 482 |
+
},
|
| 483 |
+
{
|
| 484 |
+
"Title":"Venus and Mars (Botticelli)",
|
| 485 |
+
"Image":1634,
|
| 486 |
+
"Author":"Sandro Botticelli",
|
| 487 |
+
"Concepts":[
|
| 488 |
+
"[Greek mythology",
|
| 489 |
+
"Naked woman",
|
| 490 |
+
"Baby",
|
| 491 |
+
"Horned animal",
|
| 492 |
+
"Tree]"
|
| 493 |
+
],
|
| 494 |
+
"Year":1480,
|
| 495 |
+
"Retrieved context":null,
|
| 496 |
+
"Generated Description":"**Context**: Renaissance exploration of mythological themes and human emotions.\n\n**Content**: Depicts Venus and Mars, embodying love and war, with playful cherubs.\n\n**Form**: Characterized by meticulous detail, soft colors, and harmonious composition.",
|
| 497 |
+
"rerank_context":null
|
| 498 |
+
},
|
| 499 |
+
{
|
| 500 |
+
"Title":"Madonna of the Magnificat",
|
| 501 |
+
"Image":1680,
|
| 502 |
+
"Author":"Sandro Botticelli",
|
| 503 |
+
"Concepts":[
|
| 504 |
+
"Mary",
|
| 505 |
+
"baby",
|
| 506 |
+
"angels",
|
| 507 |
+
"crown",
|
| 508 |
+
"painting"
|
| 509 |
+
],
|
| 510 |
+
"Year":1481,
|
| 511 |
+
"Retrieved context":null,
|
| 512 |
+
"Generated Description":"- **Context**: Renaissance influence on religious art and devotion to Mary.\n- **Content**: Mary and baby Jesus surrounded by angels, showcasing love and divinity.",
|
| 513 |
+
"rerank_context":null
|
| 514 |
+
},
|
| 515 |
+
{
|
| 516 |
+
"Title":"Annunciation with St John the Baptist and St Andrew",
|
| 517 |
+
"Image":1696,
|
| 518 |
+
"Author":"Filippino Lippi",
|
| 519 |
+
"Concepts":[
|
| 520 |
+
"Angel",
|
| 521 |
+
"Mary",
|
| 522 |
+
"Jesus",
|
| 523 |
+
"Cross",
|
| 524 |
+
"Painting"
|
| 525 |
+
],
|
| 526 |
+
"Year":1485,
|
| 527 |
+
"Retrieved context":null,
|
| 528 |
+
"Generated Description":"**Content**: Angel announces to Mary, St. John and St. Andrew observe her acceptance.\n\n**Context**: Created in 1485, reflects Renaissance religious themes and divine significance.\n\n**Form**: Rich colors, detailed figures, dynamic composition, and precise light usage.",
|
| 529 |
+
"rerank_context":null
|
| 530 |
+
},
|
| 531 |
+
{
|
| 532 |
+
"Title":"Bentivoglio Altarpiece",
|
| 533 |
+
"Image":1741,
|
| 534 |
+
"Author":"Lorenzo Costa",
|
| 535 |
+
"Concepts":[
|
| 536 |
+
"Religious painting",
|
| 537 |
+
"Virgin Mary",
|
| 538 |
+
"Child",
|
| 539 |
+
"Saints",
|
| 540 |
+
"Medieval"
|
| 541 |
+
],
|
| 542 |
+
"Year":1488,
|
| 543 |
+
"Retrieved context":null,
|
| 544 |
+
"Generated Description":"**Context**: Reflects Renaissance religious devotion, commissioned by the Bentivoglio family.\n\n**Content**: Depicts Virgin Mary, Child, and saints amidst a group of worshippers.\n\n**Form**: Utilizes symmetry, soft colors, and detailed figures in a medieval style.",
|
| 545 |
+
"rerank_context":null
|
| 546 |
+
},
|
| 547 |
+
{
|
| 548 |
+
"Title":"Ecce Homo (Bosch, 1490s)",
|
| 549 |
+
"Image":1819,
|
| 550 |
+
"Author":"Hieronymus Bosch",
|
| 551 |
+
"Concepts":[
|
| 552 |
+
"Religious scene",
|
| 553 |
+
"Jesus on cross",
|
| 554 |
+
"crowd of people",
|
| 555 |
+
"medieval art",
|
| 556 |
+
"torture"
|
| 557 |
+
],
|
| 558 |
+
"Year":1490,
|
| 559 |
+
"Retrieved context":null,
|
| 560 |
+
"Generated Description":"**Content**: Jesus on cross surrounded by a crowd expressing varied emotions.\n\n**Context**: Reflects medieval religious themes and societal views on suffering.\n\n**Form**: Distinctive colors, intricate details, and dynamic characters, typical of Bosch’s style.",
|
| 561 |
+
"rerank_context":null
|
| 562 |
+
},
|
| 563 |
+
{
|
| 564 |
+
"Title":"Madonna and Child with St John the Baptist and St Catherine of Alexandria",
|
| 565 |
+
"Image":1871,
|
| 566 |
+
"Author":"Perugino",
|
| 567 |
+
"Concepts":[
|
| 568 |
+
"Renaissance art",
|
| 569 |
+
"Mary",
|
| 570 |
+
"baby Jesus",
|
| 571 |
+
"saints",
|
| 572 |
+
"religious painting"
|
| 573 |
+
],
|
| 574 |
+
"Year":1490,
|
| 575 |
+
"Retrieved context":null,
|
| 576 |
+
"Generated Description":"**Content**: Madonna holds baby Jesus, flanked by St. John and St. Catherine.\n\n**Context**: Created in 1490, reflecting Renaissance religious themes and iconography.\n\n**Form**: Features delicate colors, balanced composition, and detailed figures.",
|
| 577 |
+
"rerank_context":null
|
| 578 |
+
},
|
| 579 |
+
{
|
| 580 |
+
"Title":"St. Jerome in the Wilderness (Dürer)",
|
| 581 |
+
"Image":1951,
|
| 582 |
+
"Author":"Albrecht Dürer",
|
| 583 |
+
"Concepts":[
|
| 584 |
+
"Old man",
|
| 585 |
+
"Beard",
|
| 586 |
+
"Book",
|
| 587 |
+
"Lion",
|
| 588 |
+
"Rock"
|
| 589 |
+
],
|
| 590 |
+
"Year":1490,
|
| 591 |
+
"Retrieved context":null,
|
| 592 |
+
"Generated Description":"**Content**: An aged man with a book, accompanied by a lion, in a rocky landscape.\n\n**Context**: Reflects religious themes and Dürer's exploration of solitude and spirituality.\n\n**Form**: Detailed realism, vibrant colors, dramatic sky, and careful composition.",
|
| 593 |
+
"rerank_context":null
|
| 594 |
+
},
|
| 595 |
+
{
|
| 596 |
+
"Title":"The Madonna and Child with Saints Joseph, Elizabeth, and John the Baptist",
|
| 597 |
+
"Image":1971,
|
| 598 |
+
"Author":"Andrea Mantegna",
|
| 599 |
+
"Concepts":[
|
| 600 |
+
"[Madonna",
|
| 601 |
+
"Child",
|
| 602 |
+
"Nursing",
|
| 603 |
+
"Religious",
|
| 604 |
+
"Painting]"
|
| 605 |
+
],
|
| 606 |
+
"Year":1490,
|
| 607 |
+
"Retrieved context":null,
|
| 608 |
+
"Generated Description":"**Context**: Created in 1490, reflecting Renaissance religious themes.\n\n**Content**: Depicts Madonna with Child, accompanied by Saints Joseph, Elizabeth, and John.\n\n**Form**: Features soft colors, gentle brushwork, and balanced composition.",
|
| 609 |
+
"rerank_context":null
|
| 610 |
+
},
|
| 611 |
+
{
|
| 612 |
+
"Title":"Haboku sansui",
|
| 613 |
+
"Image":2055,
|
| 614 |
+
"Author":"Sesshū Tōyō",
|
| 615 |
+
"Concepts":[
|
| 616 |
+
"Chinese calligraphy",
|
| 617 |
+
"Asian writing",
|
| 618 |
+
"Oriental script",
|
| 619 |
+
"Chinese characters",
|
| 620 |
+
"Japanese writing"
|
| 621 |
+
],
|
| 622 |
+
"Year":1495,
|
| 623 |
+
"Retrieved context":null,
|
| 624 |
+
"Generated Description":"**Context**: Reflects 15th-century Asian artistic traditions, blending poetry and visual art.\n\n**Content**: Features landscapes and calligraphy, expressing harmony between nature and words.\n\n**Form**: Utilizes ink wash techniques, minimalism, and fluid brushstrokes for depth.",
|
| 625 |
+
"rerank_context":null
|
| 626 |
+
},
|
| 627 |
+
{
|
| 628 |
+
"Title":"Portrait of Elisabetta Gonzaga",
|
| 629 |
+
"Image":2296,
|
| 630 |
+
"Author":"Raphael",
|
| 631 |
+
"Concepts":[
|
| 632 |
+
"Renaissance",
|
| 633 |
+
"Woman",
|
| 634 |
+
"Necklace",
|
| 635 |
+
"Painting",
|
| 636 |
+
"Portrait"
|
| 637 |
+
],
|
| 638 |
+
"Year":1500,
|
| 639 |
+
"Retrieved context":null,
|
| 640 |
+
"Generated Description":"**Context**: Reflects Renaissance ideals of beauty and status. \n\n**Content**: Portrait of Elisabetta Gonzaga wearing a decorative necklace. \n\n**Form**: Use of detailed brushwork, contrasting colors, and balanced composition.",
|
| 641 |
+
"rerank_context":null
|
| 642 |
+
},
|
| 643 |
+
{
|
| 644 |
+
"Title":"The Story of Virginia (Botticelli)",
|
| 645 |
+
"Image":2362,
|
| 646 |
+
"Author":"Sandro Botticelli",
|
| 647 |
+
"Concepts":[
|
| 648 |
+
"Religious scene",
|
| 649 |
+
"Jesus",
|
| 650 |
+
"Mary",
|
| 651 |
+
"Apostles",
|
| 652 |
+
"Painting"
|
| 653 |
+
],
|
| 654 |
+
"Year":1500,
|
| 655 |
+
"Retrieved context":null,
|
| 656 |
+
"Generated Description":"**Context**: Reflects Renaissance religious themes and Botticelli's spiritual influences.\n\n**Content**: Depicts Jesus, Mary, and Apostles in a religious gathering.\n\n**Form**: Utilizes detailed figures, vibrant colors, and structured architectural backgrounds.",
|
| 657 |
+
"rerank_context":null
|
| 658 |
+
},
|
| 659 |
+
{
|
| 660 |
+
"Title":"The Three Philosophers",
|
| 661 |
+
"Image":2376,
|
| 662 |
+
"Author":"Giorgione",
|
| 663 |
+
"Concepts":[
|
| 664 |
+
"Medieval",
|
| 665 |
+
"Religious",
|
| 666 |
+
"Painting",
|
| 667 |
+
"Art",
|
| 668 |
+
"Christian"
|
| 669 |
+
],
|
| 670 |
+
"Year":1500,
|
| 671 |
+
"Retrieved context":null,
|
| 672 |
+
"Generated Description":"**Context**: Medieval art reflecting Christian philosophical themes in 1500.\n\n**Content**: Three philosophers discussing and contemplating ideas in a serene landscape.\n\n**Form**: Balanced composition using natural light, detailed textures, and soft colors.",
|
| 673 |
+
"rerank_context":null
|
| 674 |
+
},
|
| 675 |
+
{
|
| 676 |
+
"Title":"Holy Family with a Female Saint (Mantegna)",
|
| 677 |
+
"Image":2392,
|
| 678 |
+
"Author":"Andrea Mantegna",
|
| 679 |
+
"Concepts":[
|
| 680 |
+
"Renaissance",
|
| 681 |
+
"Family",
|
| 682 |
+
"Baby",
|
| 683 |
+
"Painting",
|
| 684 |
+
"Religious"
|
| 685 |
+
],
|
| 686 |
+
"Year":1500,
|
| 687 |
+
"Retrieved context":null,
|
| 688 |
+
"Generated Description":"**Content**: Depicts the Holy Family with Saint, showcasing maternal affection and divine presence.\n\n**Context**: Reflects Renaissance religious themes, emphasizing family and spiritual significance.\n\n**Form**: Characterized by detailed realism, vivid colors, and harmonious composition.",
|
| 689 |
+
"rerank_context":null
|
| 690 |
+
},
|
| 691 |
+
{
|
| 692 |
+
"Title":"Poldi Pezzoli Madonna",
|
| 693 |
+
"Image":2409,
|
| 694 |
+
"Author":"Andrea Mantegna",
|
| 695 |
+
"Concepts":[
|
| 696 |
+
"Mother",
|
| 697 |
+
"Child",
|
| 698 |
+
"Virgin",
|
| 699 |
+
"Painting",
|
| 700 |
+
"Renaissance"
|
| 701 |
+
],
|
| 702 |
+
"Year":1500,
|
| 703 |
+
"Retrieved context":null,
|
| 704 |
+
"Generated Description":"**Content**: Madonna embraces sleeping child, emphasizing maternal affection. \n\n**Context**: Renaissance painting reflecting religious devotion and maternal themes. \n\n**Form**: Soft colors, detailed textures, and intimate composition enhance emotional depth.",
|
| 705 |
+
"rerank_context":null
|
| 706 |
+
},
|
| 707 |
+
{
|
| 708 |
+
"Title":"The Conjurer (painting)",
|
| 709 |
+
"Image":2448,
|
| 710 |
+
"Author":"Hieronymus Bosch",
|
| 711 |
+
"Concepts":[
|
| 712 |
+
"Peasant workers",
|
| 713 |
+
"Flemish Golden Age",
|
| 714 |
+
"Rural landscape",
|
| 715 |
+
"Harvesting wheat",
|
| 716 |
+
"Peasant workers."
|
| 717 |
+
],
|
| 718 |
+
"Year":1502,
|
| 719 |
+
"Retrieved context":null,
|
| 720 |
+
"Generated Description":"- **Content**: A peasant crowd watches a conjurer performing tricks at a table.\n\n- **Context**: Reflects Flemish Golden Age themes of rural life and social gatherings.\n\n- **Form**: Detailed figures with vivid colors and clear, balanced composition.",
|
| 721 |
+
"rerank_context":null
|
| 722 |
+
},
|
| 723 |
+
{
|
| 724 |
+
"Title":"The Battle Between Love and Chastity",
|
| 725 |
+
"Image":2459,
|
| 726 |
+
"Author":"Pietro Perugino",
|
| 727 |
+
"Concepts":[
|
| 728 |
+
"[Medieval scene",
|
| 729 |
+
"Naked people",
|
| 730 |
+
"Fencing",
|
| 731 |
+
"Trees",
|
| 732 |
+
"Rock formation]"
|
| 733 |
+
],
|
| 734 |
+
"Year":1503,
|
| 735 |
+
"Retrieved context":null,
|
| 736 |
+
"Generated Description":"**Content**: Naked figures duel in a medieval landscape representing love and chastity.\n\n**Context**: Reflects Renaissance themes of love, morality, and human nature's struggle.\n\n**Form**: Vivid colors, intricate details, and dynamic compositions shape the narrative tension.",
|
| 737 |
+
"rerank_context":null
|
| 738 |
+
},
|
| 739 |
+
{
|
| 740 |
+
"Title":"Marriage of the Virgin (Perugino)",
|
| 741 |
+
"Image":2500,
|
| 742 |
+
"Author":"Perugino",
|
| 743 |
+
"Concepts":[
|
| 744 |
+
"Religious gathering",
|
| 745 |
+
"Church",
|
| 746 |
+
"Religious ceremony",
|
| 747 |
+
"Religious leader",
|
| 748 |
+
"Religious art"
|
| 749 |
+
],
|
| 750 |
+
"Year":1504,
|
| 751 |
+
"Retrieved context":null,
|
| 752 |
+
"Generated Description":"**Content**: Marriage ceremony with religious leaders and attendees gathered in a church setting.\n\n**Context**: Depicts a significant religious event reflecting Renaissance devotion and artistry.\n\n**Form**: Features vibrant colors, detailed figures, and a balanced composition emphasizing the ceremony.",
|
| 753 |
+
"rerank_context":null
|
| 754 |
+
},
|
| 755 |
+
{
|
| 756 |
+
"Title":"The Forest Fire",
|
| 757 |
+
"Image":2523,
|
| 758 |
+
"Author":"Piero di Cosimo",
|
| 759 |
+
"Concepts":[
|
| 760 |
+
"[Fantasy",
|
| 761 |
+
"Animals",
|
| 762 |
+
"Trees",
|
| 763 |
+
"Birds",
|
| 764 |
+
"Painting]"
|
| 765 |
+
],
|
| 766 |
+
"Year":1505,
|
| 767 |
+
"Retrieved context":null,
|
| 768 |
+
"Generated Description":"**Content**: Animals, trees, and humans amid a forest setting with a fire.\n\n**Context**: Reflects early 16th-century views on nature and life.\n\n**Form**: Combines fantasy elements with detailed brushwork and vibrant colors.",
|
| 769 |
+
"rerank_context":null
|
| 770 |
+
},
|
| 771 |
+
{
|
| 772 |
+
"Title":"St. Michael (Raphael)",
|
| 773 |
+
"Image":2554,
|
| 774 |
+
"Author":"Raphael",
|
| 775 |
+
"Concepts":[
|
| 776 |
+
"Angel",
|
| 777 |
+
"Sword",
|
| 778 |
+
"Castle",
|
| 779 |
+
"Shield",
|
| 780 |
+
"Dragon"
|
| 781 |
+
],
|
| 782 |
+
"Year":1505,
|
| 783 |
+
"Retrieved context":null,
|
| 784 |
+
"Generated Description":"**Content**: Archangel Michael wielding a sword, defeating a dragon, set against a castle.\n\n**Context**: Reflects Renaissance themes of divine protection and victory over evil.\n\n**Form**: Combines vivid colors, dynamic composition, and detailed figures showcasing mastery of technique.",
|
| 785 |
+
"rerank_context":null
|
| 786 |
+
},
|
| 787 |
+
{
|
| 788 |
+
"Title":"Young Man with an Apple (Raphael)",
|
| 789 |
+
"Image":2556,
|
| 790 |
+
"Author":"Raphael",
|
| 791 |
+
"Concepts":[
|
| 792 |
+
"Red robe",
|
| 793 |
+
"Red hat",
|
| 794 |
+
"Fur",
|
| 795 |
+
"Painted portrait",
|
| 796 |
+
"Renaissance"
|
| 797 |
+
],
|
| 798 |
+
"Year":1505,
|
| 799 |
+
"Retrieved context":null,
|
| 800 |
+
"Generated Description":"**Context**: Reflects Renaissance ideals of beauty and humanism, common in Raphael's era.\n\n**Content**: Depicts a young man holding an apple, adorned in rich garments.\n\n**Form**: Characterized by subtle color palettes and meticulous detail in texture and light.",
|
| 801 |
+
"rerank_context":null
|
| 802 |
+
},
|
| 803 |
+
{
|
| 804 |
+
"Title":"Baptism of Christ (Mantegna)",
|
| 805 |
+
"Image":2561,
|
| 806 |
+
"Author":"Andrea Mantegna",
|
| 807 |
+
"Concepts":[
|
| 808 |
+
"Jesus",
|
| 809 |
+
"Christ",
|
| 810 |
+
"Crucifixion",
|
| 811 |
+
"Disciples",
|
| 812 |
+
"Fruit"
|
| 813 |
+
],
|
| 814 |
+
"Year":1506,
|
| 815 |
+
"Retrieved context":null,
|
| 816 |
+
"Generated Description":"**Context**: Reflects Renaissance religious themes and emphasizes Christ's significance.\n\n**Content**: Depicts Jesus' baptism by John the Baptist with disciples present.\n\n**Form**: Utilizes rich colors, detailed figures, and dramatic light to enhance spirituality.",
|
| 817 |
+
"rerank_context":null
|
| 818 |
+
},
|
| 819 |
+
{
|
| 820 |
+
"Title":"Portrait of Guidobaldo da Montefeltro",
|
| 821 |
+
"Image":2588,
|
| 822 |
+
"Author":"Raphael",
|
| 823 |
+
"Concepts":[
|
| 824 |
+
"Man with hat",
|
| 825 |
+
"Painted portrait",
|
| 826 |
+
"Renaissance",
|
| 827 |
+
"Black and white",
|
| 828 |
+
"Painting"
|
| 829 |
+
],
|
| 830 |
+
"Year":1506,
|
| 831 |
+
"Retrieved context":null,
|
| 832 |
+
"Generated Description":"**Content**: Portrait of a man wearing a dark hat and clothing.\n\n**Context**: Created during the Renaissance, highlighting noble status and individuality. \n\n**Form**: Features detailed brushwork, balanced composition, and subtle lighting contrasts.",
|
| 833 |
+
"rerank_context":null
|
| 834 |
+
},
|
| 835 |
+
{
|
| 836 |
+
"Title":"Martyrdom of the Ten Thousand",
|
| 837 |
+
"Image":2679,
|
| 838 |
+
"Author":"Albrecht Dürer",
|
| 839 |
+
"Concepts":[
|
| 840 |
+
"Religious scene",
|
| 841 |
+
"Naked people",
|
| 842 |
+
"Rocky hill",
|
| 843 |
+
"Trees",
|
| 844 |
+
"People standing"
|
| 845 |
+
],
|
| 846 |
+
"Year":1508,
|
| 847 |
+
"Retrieved context":null,
|
| 848 |
+
"Generated Description":"**Content**: Depicts the brutal martyrdom of naked victims on a rocky hill. \n\n**Context**: Reflects religious persecution themes from early 16th-century Europe. \n\n**Form**: Characterized by intricate details, vibrant colors, and dynamic composition.",
|
| 849 |
+
"rerank_context":null
|
| 850 |
+
},
|
| 851 |
+
{
|
| 852 |
+
"Title":"Pastoral Concert",
|
| 853 |
+
"Image":2697,
|
| 854 |
+
"Author":"Titian",
|
| 855 |
+
"Concepts":[
|
| 856 |
+
"Nude woman",
|
| 857 |
+
"Renaissance painting",
|
| 858 |
+
"Musicians",
|
| 859 |
+
"Peasant life",
|
| 860 |
+
"Landscape"
|
| 861 |
+
],
|
| 862 |
+
"Year":1509,
|
| 863 |
+
"Retrieved context":null,
|
| 864 |
+
"Generated Description":"**Context**: Represents Renaissance ideals, blending nature with human experience.\n\n**Content**: Depicts nude women, musicians, and elements of peasant life in a landscape.\n\n**Form**: Utilizes soft brushwork, natural colors, and balanced composition with light.",
|
| 865 |
+
"rerank_context":null
|
| 866 |
+
},
|
| 867 |
+
{
|
| 868 |
+
"Title":"Portrait of a Cardinal (Raphael)",
|
| 869 |
+
"Image":2837,
|
| 870 |
+
"Author":"Raphael",
|
| 871 |
+
"Concepts":[
|
| 872 |
+
"Man in red",
|
| 873 |
+
"Red robe",
|
| 874 |
+
"Red hat",
|
| 875 |
+
"Red jacket",
|
| 876 |
+
"Red gown"
|
| 877 |
+
],
|
| 878 |
+
"Year":1510,
|
| 879 |
+
"Retrieved context":null,
|
| 880 |
+
"Generated Description":"**Context**: Commissioned during Renaissance, reflecting the power of the Catholic Church.\n\n**Content**: A man dressed in ornate red robes and hat, looking directly at viewers. \n\n**Form**: Realistic portrayal with smooth brushwork, rich colors, and a dark background.",
|
| 881 |
+
"rerank_context":null
|
| 882 |
+
},
|
| 883 |
+
{
|
| 884 |
+
"Title":"Sansepolcro Altarpiece",
|
| 885 |
+
"Image":2842,
|
| 886 |
+
"Author":"Perugino",
|
| 887 |
+
"Concepts":[
|
| 888 |
+
"Jesus",
|
| 889 |
+
"Mary",
|
| 890 |
+
"Child",
|
| 891 |
+
"Angels",
|
| 892 |
+
"Painting"
|
| 893 |
+
],
|
| 894 |
+
"Year":1510,
|
| 895 |
+
"Retrieved context":null,
|
| 896 |
+
"Generated Description":"**Content**: Depicts Jesus, Mary, angels, and apostles in a heavenly scene.\n\n**Context**: Reflects Renaissance spirituality and devotion, created in 1510.\n\n**Form**: Features vibrant colors, detailed figures, and a symmetrical composition.",
|
| 897 |
+
"rerank_context":null
|
| 898 |
+
},
|
| 899 |
+
{
|
| 900 |
+
"Title":"Sleeping Venus (Giorgione)",
|
| 901 |
+
"Image":2856,
|
| 902 |
+
"Author":"Giorgione",
|
| 903 |
+
"Concepts":[
|
| 904 |
+
"Nude woman",
|
| 905 |
+
"Tree",
|
| 906 |
+
"Mountain",
|
| 907 |
+
"Field",
|
| 908 |
+
"House"
|
| 909 |
+
],
|
| 910 |
+
"Year":1510,
|
| 911 |
+
"Retrieved context":null,
|
| 912 |
+
"Generated Description":"**Content**: A reclining nude woman amidst a serene landscape.\n\n**Context**: Reflects Renaissance ideals of beauty and harmony with nature.\n\n**Form**: Soft brushwork and muted colors create a tranquil atmosphere.",
|
| 913 |
+
"rerank_context":null
|
| 914 |
+
},
|
| 915 |
+
{
|
| 916 |
+
"Title":"Madonna della tenda",
|
| 917 |
+
"Image":2997,
|
| 918 |
+
"Author":"Raphael",
|
| 919 |
+
"Concepts":[
|
| 920 |
+
"Mother and child",
|
| 921 |
+
"Angel",
|
| 922 |
+
"Baby",
|
| 923 |
+
"Mary",
|
| 924 |
+
"Jesus"
|
| 925 |
+
],
|
| 926 |
+
"Year":1514,
|
| 927 |
+
"Retrieved context":null,
|
| 928 |
+
"Generated Description":"**Content**: Mary embraces baby Jesus, accompanied by an angel.\n\n**Context**: Painted in 1514, reflecting Renaissance reverence for mother and child.\n\n**Form**: Soft brushwork and harmonious colors create a serene composition.",
|
| 929 |
+
"rerank_context":null
|
| 930 |
+
},
|
| 931 |
+
{
|
| 932 |
+
"Title":"The Mass at Bolsena",
|
| 933 |
+
"Image":3004,
|
| 934 |
+
"Author":"Raphael",
|
| 935 |
+
"Concepts":[
|
| 936 |
+
"Religious ceremony",
|
| 937 |
+
"Priest",
|
| 938 |
+
"Bride",
|
| 939 |
+
"Groom",
|
| 940 |
+
"Altar"
|
| 941 |
+
],
|
| 942 |
+
"Year":1514,
|
| 943 |
+
"Retrieved context":null,
|
| 944 |
+
"Generated Description":"**Context**: Religious ceremony reflecting Catholic beliefs of the Renaissance era.\n\n**Content**: Depiction of a priest, bride, groom, and altar during mass.\n\n**Form**: Skillful use of perspective, light, and detailed figures enhances spiritual atmosphere.",
|
| 945 |
+
"rerank_context":null
|
| 946 |
+
},
|
| 947 |
+
{
|
| 948 |
+
"Title":"Flora (Titian)",
|
| 949 |
+
"Image":3055,
|
| 950 |
+
"Author":"Titian",
|
| 951 |
+
"Concepts":[
|
| 952 |
+
"[Portrait",
|
| 953 |
+
"Renaissance",
|
| 954 |
+
"Woman",
|
| 955 |
+
"Long hair",
|
| 956 |
+
"Painting]"
|
| 957 |
+
],
|
| 958 |
+
"Year":1515,
|
| 959 |
+
"Retrieved context":null,
|
| 960 |
+
"Generated Description":"**Context**: Reflects Renaissance ideals of beauty and naturalism in portraiture.\n\n**Content**: Depicts a woman with long hair, holding flowers, exuding grace and allure.\n\n**Form**: Characterized by soft brushwork, rich colors, and dramatic chiaroscuro lighting.",
|
| 961 |
+
"rerank_context":null
|
| 962 |
+
},
|
| 963 |
+
{
|
| 964 |
+
"Title":"Rest on the Flight into Egypt (David, Royal Museum of Fine Arts Antwerp)",
|
| 965 |
+
"Image":3090,
|
| 966 |
+
"Author":"Gerard David",
|
| 967 |
+
"Concepts":[
|
| 968 |
+
"Mary",
|
| 969 |
+
"baby",
|
| 970 |
+
"tree",
|
| 971 |
+
"rock",
|
| 972 |
+
"hill"
|
| 973 |
+
],
|
| 974 |
+
"Year":1515,
|
| 975 |
+
"Retrieved context":null,
|
| 976 |
+
"Generated Description":"**Content**: Mary cradles baby Jesus amidst a serene landscape with trees and a hill.\n\n**Context**: Painted in 1515, reflecting Renaissance themes of tranquility and divine protection.\n\n**Form**: Combines detailed realism, soft colors, and balanced composition.",
|
| 977 |
+
"rerank_context":null
|
| 978 |
+
},
|
| 979 |
+
{
|
| 980 |
+
"Title":"Christ Carrying the Cross (Bosch, Ghent)",
|
| 981 |
+
"Image":3123,
|
| 982 |
+
"Author":"Hieronymus Bosch",
|
| 983 |
+
"Concepts":[
|
| 984 |
+
"Religious art",
|
| 985 |
+
"Crucifixion",
|
| 986 |
+
"Crowd of people",
|
| 987 |
+
"Medieval",
|
| 988 |
+
"Painting"
|
| 989 |
+
],
|
| 990 |
+
"Year":1516,
|
| 991 |
+
"Retrieved context":null,
|
| 992 |
+
"Generated Description":"- **Content**: Christ struggles under the cross, surrounded by an uproarious crowd. \n- **Context**: Reflects medieval religious themes and societal attitudes towards crucifixion. \n- **Form**: Expressive faces, dark palette, dramatic contrasts, intricate details.",
|
| 993 |
+
"rerank_context":null
|
| 994 |
+
},
|
| 995 |
+
{
|
| 996 |
+
"Title":"Martinengo Altarpiece",
|
| 997 |
+
"Image":3134,
|
| 998 |
+
"Author":"Lorenzo Lotto",
|
| 999 |
+
"Concepts":[
|
| 1000 |
+
"Mary",
|
| 1001 |
+
"baby",
|
| 1002 |
+
"angels",
|
| 1003 |
+
"mosaic",
|
| 1004 |
+
"fresco"
|
| 1005 |
+
],
|
| 1006 |
+
"Year":1516,
|
| 1007 |
+
"Retrieved context":null,
|
| 1008 |
+
"Generated Description":"**Content**: Mary and baby Jesus surrounded by angels and saints in a grand setting.\n\n**Context**: Influenced by Renaissance devotion, reflecting religious themes of the time.\n\n**Form**: Rich colors, detailed figures, dynamic composition emphasize divine interaction.",
|
| 1009 |
+
"rerank_context":null
|
| 1010 |
+
},
|
| 1011 |
+
{
|
| 1012 |
+
"Title":"The Tribute Money (Titian)",
|
| 1013 |
+
"Image":3159,
|
| 1014 |
+
"Author":"Titian",
|
| 1015 |
+
"Concepts":[
|
| 1016 |
+
"Jesus",
|
| 1017 |
+
"beard",
|
| 1018 |
+
"long hair",
|
| 1019 |
+
"red robe",
|
| 1020 |
+
"black robe"
|
| 1021 |
+
],
|
| 1022 |
+
"Year":1516,
|
| 1023 |
+
"Retrieved context":null,
|
| 1024 |
+
"Generated Description":"**Content**: Jesus interacts with a man about a coin regarding taxes.\n\n**Context**: Reflects Renaissance religious themes and debates on tax obligations.\n\n**Form**: Utilizes dramatic lighting, vibrant colors, and detailed facial expressions.",
|
| 1025 |
+
"rerank_context":null
|
| 1026 |
+
},
|
| 1027 |
+
{
|
| 1028 |
+
"Title":"Christ Falling on the Way to Calvary",
|
| 1029 |
+
"Image":3161,
|
| 1030 |
+
"Author":"Raphael",
|
| 1031 |
+
"Concepts":[
|
| 1032 |
+
"Religious scene",
|
| 1033 |
+
"Jesus on cross",
|
| 1034 |
+
"Roman soldiers",
|
| 1035 |
+
"crowd of people",
|
| 1036 |
+
"horse and rider."
|
| 1037 |
+
],
|
| 1038 |
+
"Year":1517,
|
| 1039 |
+
"Retrieved context":null,
|
| 1040 |
+
"Generated Description":"**Content**: Jesus struggles under the cross with onlookers and Roman soldiers surrounding Him.\n\n**Context**: Reflects Renaissance interest in religious themes and human emotion in suffering.\n\n**Form**: Dramatic use of light, vibrant colors, and dynamic composition emphasize emotional intensity.",
|
| 1041 |
+
"rerank_context":null
|
| 1042 |
+
},
|
| 1043 |
+
{
|
| 1044 |
+
"Title":"Madonna of Divine Love",
|
| 1045 |
+
"Image":3191,
|
| 1046 |
+
"Author":"Raphael",
|
| 1047 |
+
"Concepts":[
|
| 1048 |
+
"Mother",
|
| 1049 |
+
"Child",
|
| 1050 |
+
"Nun",
|
| 1051 |
+
"Prayer",
|
| 1052 |
+
"Religious"
|
| 1053 |
+
],
|
| 1054 |
+
"Year":1518,
|
| 1055 |
+
"Retrieved context":null,
|
| 1056 |
+
"Generated Description":"**Context**: Reflects Renaissance ideals of motherhood and divinity.\n\n**Content**: Depicts Mother Mary, Child Jesus, and a praying nun.\n\n**Form**: Soft colors, detailed figures, and intimate composition emphasize tenderness.",
|
| 1057 |
+
"rerank_context":null
|
| 1058 |
+
},
|
| 1059 |
+
{
|
| 1060 |
+
"Title":"Portrait of Doña Isabel de Requesens y Enríquez de Cardona-Anglesola",
|
| 1061 |
+
"Image":3192,
|
| 1062 |
+
"Author":"Giulio Romano",
|
| 1063 |
+
"Concepts":[
|
| 1064 |
+
"Renaissance",
|
| 1065 |
+
"Woman",
|
| 1066 |
+
"Painting",
|
| 1067 |
+
"Portrait",
|
| 1068 |
+
"Costume"
|
| 1069 |
+
],
|
| 1070 |
+
"Year":1518,
|
| 1071 |
+
"Retrieved context":null,
|
| 1072 |
+
"Generated Description":"**Context**: Reflects Renaissance ideals of beauty and status in 16th-century Spain. \n**Content**: Portrait of a noblewoman in luxurious attire, exuding grace and confidence. \n**Form**: Rich colors, detailed fabric, and classical architecture enhance the regal composition.",
|
| 1073 |
+
"rerank_context":null
|
| 1074 |
+
},
|
| 1075 |
+
{
|
| 1076 |
+
"Title":"Spedalingo Altarpiece",
|
| 1077 |
+
"Image":3206,
|
| 1078 |
+
"Author":"Rosso Fiorentino",
|
| 1079 |
+
"Concepts":[
|
| 1080 |
+
"Religious painting",
|
| 1081 |
+
"Virgin Mary",
|
| 1082 |
+
"Baby Jesus",
|
| 1083 |
+
"Old men",
|
| 1084 |
+
"Book"
|
| 1085 |
+
],
|
| 1086 |
+
"Year":1518,
|
| 1087 |
+
"Retrieved context":null,
|
| 1088 |
+
"Generated Description":"**Content**: Virgin Mary holds Baby Jesus, surrounded by angels and old men with a book.\n\n**Context**: Created in 1518, reflecting Renaissance religious themes and artistic developments.\n\n**Form**: Uses vibrant colors, detailed figures, and balanced composition to convey spirituality.",
|
| 1089 |
+
"rerank_context":null
|
| 1090 |
+
},
|
| 1091 |
+
{
|
| 1092 |
+
"Title":"Portrait of a Lady with a Squirrel and a Starling",
|
| 1093 |
+
"Image":3253,
|
| 1094 |
+
"Author":"Hans Holbein the Younger",
|
| 1095 |
+
"Concepts":[
|
| 1096 |
+
"Woman",
|
| 1097 |
+
"hat",
|
| 1098 |
+
"white",
|
| 1099 |
+
"fur",
|
| 1100 |
+
"bird"
|
| 1101 |
+
],
|
| 1102 |
+
"Year":1520,
|
| 1103 |
+
"Retrieved context":null,
|
| 1104 |
+
"Generated Description":"**Content**: A woman in a white hat holding a squirrel, with a starling perched nearby.\n\n**Context**: Painted in 1520, reflecting Renaissance interest in realism and nature.\n\n**Form**: Detailed brushwork, vibrant colors, and a striking contrast with the background.",
|
| 1105 |
+
"rerank_context":null
|
| 1106 |
+
},
|
| 1107 |
+
{
|
| 1108 |
+
"Title":"Man with a Glove",
|
| 1109 |
+
"Image":3282,
|
| 1110 |
+
"Author":"Titian",
|
| 1111 |
+
"Concepts":[
|
| 1112 |
+
"Man",
|
| 1113 |
+
"Renaissance",
|
| 1114 |
+
"Beard",
|
| 1115 |
+
"Painting",
|
| 1116 |
+
"Portrait"
|
| 1117 |
+
],
|
| 1118 |
+
"Year":1520,
|
| 1119 |
+
"Retrieved context":null,
|
| 1120 |
+
"Generated Description":"**Content**: A dignified man in Renaissance attire holding a glove.\n\n**Context**: Reflects Renaissance ideals of individualism and portraiture.\n\n**Form**: Detailed brushwork, muted colors, and balanced composition highlight the subject's expression.",
|
| 1121 |
+
"rerank_context":null
|
| 1122 |
+
},
|
| 1123 |
+
{
|
| 1124 |
+
"Title":"Self-Portrait with a Friend",
|
| 1125 |
+
"Image":3316,
|
| 1126 |
+
"Author":"Raphael",
|
| 1127 |
+
"Concepts":[
|
| 1128 |
+
"Two men",
|
| 1129 |
+
"black and white",
|
| 1130 |
+
"beard",
|
| 1131 |
+
"mustache",
|
| 1132 |
+
"hand gesture"
|
| 1133 |
+
],
|
| 1134 |
+
"Year":1520,
|
| 1135 |
+
"Retrieved context":null,
|
| 1136 |
+
"Generated Description":"**Content**: Two men posing together, one with a hand gesture towards the viewer.\n\n**Context**: Created in 1520, reflecting Renaissance ideals of friendship and identity.\n\n**Form**: Artistic style highlights contrast and texture, using muted colors and dramatic lighting.",
|
| 1137 |
+
"rerank_context":null
|
| 1138 |
+
},
|
| 1139 |
+
{
|
| 1140 |
+
"Title":"Spello Pietà",
|
| 1141 |
+
"Image":3350,
|
| 1142 |
+
"Author":"Perugino",
|
| 1143 |
+
"Concepts":[
|
| 1144 |
+
"Religious art",
|
| 1145 |
+
"Jesus",
|
| 1146 |
+
"Mary Magdalene",
|
| 1147 |
+
"Saint Francis",
|
| 1148 |
+
"Saint Clare"
|
| 1149 |
+
],
|
| 1150 |
+
"Year":1521,
|
| 1151 |
+
"Retrieved context":null,
|
| 1152 |
+
"Generated Description":"**Content**: Depicts Jesus with Mary Magdalene, Saint Francis, and Saint Clare mourning.\n\n**Context**: Reflects Renaissance religious themes, emphasizing faith and reverence.\n\n**Form**: Utilizes vibrant colors, detailed figures, and balanced composition.",
|
| 1153 |
+
"rerank_context":null
|
| 1154 |
+
},
|
| 1155 |
+
{
|
| 1156 |
+
"Title":"Averoldi Polyptych",
|
| 1157 |
+
"Image":3355,
|
| 1158 |
+
"Author":"Titian",
|
| 1159 |
+
"Concepts":[
|
| 1160 |
+
"Jesus",
|
| 1161 |
+
"Flag",
|
| 1162 |
+
"Cross",
|
| 1163 |
+
"Painting",
|
| 1164 |
+
"Religious"
|
| 1165 |
+
],
|
| 1166 |
+
"Year":1522,
|
| 1167 |
+
"Retrieved context":null,
|
| 1168 |
+
"Generated Description":"**Content**: Depicts Jesus resurrected, holding a flag, surrounded by various figures.\n\n**Context**: Created in 1522, reflecting Renaissance religious themes and artistic techniques.\n\n**Form**: Features vibrant colors, dynamic composition, and dramatic light contrasts.",
|
| 1169 |
+
"rerank_context":null
|
| 1170 |
+
},
|
| 1171 |
+
{
|
| 1172 |
+
"Title":"The Bacchanal of the Andrians",
|
| 1173 |
+
"Image":3384,
|
| 1174 |
+
"Author":"Titian",
|
| 1175 |
+
"Concepts":[
|
| 1176 |
+
"Nude woman",
|
| 1177 |
+
"Nude man",
|
| 1178 |
+
"Nude child",
|
| 1179 |
+
"Nude man with wine glass",
|
| 1180 |
+
"Nude man with cup."
|
| 1181 |
+
],
|
| 1182 |
+
"Year":1523,
|
| 1183 |
+
"Retrieved context":null,
|
| 1184 |
+
"Generated Description":"**Content**: Joyful revelry with nude figures enjoying wine and nature.\n\n**Context**: Reflects Renaissance ideals of pleasure and classical mythology.\n\n**Form**: Vibrant colors, dynamic composition, and soft brushwork enhance sensuality.",
|
| 1185 |
+
"rerank_context":null
|
| 1186 |
+
},
|
| 1187 |
+
{
|
| 1188 |
+
"Title":"Venus and Amor",
|
| 1189 |
+
"Image":3425,
|
| 1190 |
+
"Author":"Hans Holbein the Younger",
|
| 1191 |
+
"Concepts":[
|
| 1192 |
+
"Woman",
|
| 1193 |
+
"Baby",
|
| 1194 |
+
"Renaissance",
|
| 1195 |
+
"Painting",
|
| 1196 |
+
"Dress"
|
| 1197 |
+
],
|
| 1198 |
+
"Year":1524,
|
| 1199 |
+
"Retrieved context":null,
|
| 1200 |
+
"Generated Description":"**Context**: Reflects Renaissance ideals of beauty and motherhood.\n\n**Content**: Depicts Venus with a cherubic Amor, emphasizing maternal affection.\n\n**Form**: Uses vibrant colors, detailed textile rendering, and balanced composition.",
|
| 1201 |
+
"rerank_context":null
|
| 1202 |
+
},
|
| 1203 |
+
{
|
| 1204 |
+
"Title":"Madonna with the Long Neck",
|
| 1205 |
+
"Image":3575,
|
| 1206 |
+
"Author":"Parmigianino",
|
| 1207 |
+
"Concepts":[
|
| 1208 |
+
"Woman",
|
| 1209 |
+
"Baby",
|
| 1210 |
+
"Painting",
|
| 1211 |
+
"Renaissance",
|
| 1212 |
+
"Angel"
|
| 1213 |
+
],
|
| 1214 |
+
"Year":1530,
|
| 1215 |
+
"Retrieved context":null,
|
| 1216 |
+
"Generated Description":"**Content**: Madonna holds Baby Jesus surrounded by angels and figures.\n\n**Context**: Reflects Renaissance themes of motherhood and divine beauty.\n\n**Form**: Stylized figures, elongated forms, vivid color, and detailed drapery.",
|
| 1217 |
+
"rerank_context":null
|
| 1218 |
+
},
|
| 1219 |
+
{
|
| 1220 |
+
"Title":"Portrait of Christina of Denmark",
|
| 1221 |
+
"Image":3750,
|
| 1222 |
+
"Author":"Hans Holbein the Younger",
|
| 1223 |
+
"Concepts":[
|
| 1224 |
+
"Woman",
|
| 1225 |
+
"black dress",
|
| 1226 |
+
"ring",
|
| 1227 |
+
"hand",
|
| 1228 |
+
"coat"
|
| 1229 |
+
],
|
| 1230 |
+
"Year":1538,
|
| 1231 |
+
"Retrieved context":null,
|
| 1232 |
+
"Generated Description":"**Context**: Portrait reflects 16th-century European royal portraiture traditions.\n\n**Content**: A woman in a black dress, holding a ring in her hands.\n\n**Form**: Rich fabrics, balanced composition, and soft lighting enhance the regal presence.",
|
| 1233 |
+
"rerank_context":null
|
| 1234 |
+
},
|
| 1235 |
+
{
|
| 1236 |
+
"Title":"Portrait of a Young Man with a Book (Bronzino)",
|
| 1237 |
+
"Image":3783,
|
| 1238 |
+
"Author":"Agnolo Bronzino",
|
| 1239 |
+
"Concepts":[
|
| 1240 |
+
"Young man",
|
| 1241 |
+
"Renaissance",
|
| 1242 |
+
"Black and white",
|
| 1243 |
+
"Painted",
|
| 1244 |
+
"Portrait"
|
| 1245 |
+
],
|
| 1246 |
+
"Year":1540,
|
| 1247 |
+
"Retrieved context":null,
|
| 1248 |
+
"Generated Description":"**Context**: Highlights Renaissance ideals of beauty and intellect in portraiture.\n\n**Content**: Depicts a young man holding a book, signifying knowledge.\n\n**Form**: Utilizes detailed brushwork, contrasting colors, and a formal composition.",
|
| 1249 |
+
"rerank_context":null
|
| 1250 |
+
},
|
| 1251 |
+
{
|
| 1252 |
+
"Title":"Esther before Ahasuerus",
|
| 1253 |
+
"Image":3876,
|
| 1254 |
+
"Author":"Tintoretto",
|
| 1255 |
+
"Concepts":[
|
| 1256 |
+
"Religious scene",
|
| 1257 |
+
"People kneeling",
|
| 1258 |
+
"Woman lying",
|
| 1259 |
+
"Man in red",
|
| 1260 |
+
"Man in gold"
|
| 1261 |
+
],
|
| 1262 |
+
"Year":1547,
|
| 1263 |
+
"Retrieved context":null,
|
| 1264 |
+
"Generated Description":"**Content**: Esther pleads before Ahasuerus amidst kneeling figures and onlookers.\n\n**Context**: Reflects themes of courage and faith in Jewish history and culture.\n\n**Form**: Vivid colors, dynamic composition, and dramatic expressions emphasize emotional intensity.",
|
| 1265 |
+
"rerank_context":null
|
| 1266 |
+
},
|
| 1267 |
+
{
|
| 1268 |
+
"Title":"Portrait of the Artist's Family",
|
| 1269 |
+
"Image":3918,
|
| 1270 |
+
"Author":"Sofonisba Anguissola",
|
| 1271 |
+
"Concepts":[
|
| 1272 |
+
"Old man",
|
| 1273 |
+
"Young boy",
|
| 1274 |
+
"Red outfit",
|
| 1275 |
+
"Blue dress",
|
| 1276 |
+
"Dog"
|
| 1277 |
+
],
|
| 1278 |
+
"Year":1550,
|
| 1279 |
+
"Retrieved context":null,
|
| 1280 |
+
"Generated Description":"**Content**: Family portrait featuring an old man, boy in red, girl, and dog.\n\n**Context**: Reflects 16th-century family dynamics and societal values in art.\n\n**Form**: Rich colors, detailed clothing, and expressive figures create depth and connection.",
|
| 1281 |
+
"rerank_context":null
|
| 1282 |
+
},
|
| 1283 |
+
{
|
| 1284 |
+
"Title":"La Gloria (Titian)",
|
| 1285 |
+
"Image":3970,
|
| 1286 |
+
"Author":"Titian",
|
| 1287 |
+
"Concepts":[
|
| 1288 |
+
"Religious art",
|
| 1289 |
+
"Clouds",
|
| 1290 |
+
"Angels",
|
| 1291 |
+
"People",
|
| 1292 |
+
"Jesus"
|
| 1293 |
+
],
|
| 1294 |
+
"Year":1554,
|
| 1295 |
+
"Retrieved context":null,
|
| 1296 |
+
"Generated Description":"**Content**: Depicts Jesus and angels surrounded by figures in heaven.\n\n**Context**: Reflects Renaissance religious themes and Titian's influence in art.\n\n**Form**: Uses dramatic colors, dynamic composition, and expressive figures.",
|
| 1297 |
+
"rerank_context":null
|
| 1298 |
+
},
|
| 1299 |
+
{
|
| 1300 |
+
"Title":"Diana and Callisto",
|
| 1301 |
+
"Image":3995,
|
| 1302 |
+
"Author":"Titian",
|
| 1303 |
+
"Concepts":[
|
| 1304 |
+
"Nude women",
|
| 1305 |
+
"Roman bath",
|
| 1306 |
+
"Fountain",
|
| 1307 |
+
"Statue",
|
| 1308 |
+
"Painting"
|
| 1309 |
+
],
|
| 1310 |
+
"Year":1556,
|
| 1311 |
+
"Retrieved context":null,
|
| 1312 |
+
"Generated Description":"**Context**: Reflects Renaissance themes of mythology and femininity.\n\n**Content**: Depicts nude women in a Roman bath setting with a fountain.\n\n**Form**: Features vibrant colors, dynamic composition, and soft brushwork.",
|
| 1313 |
+
"rerank_context":null
|
| 1314 |
+
},
|
| 1315 |
+
{
|
| 1316 |
+
"Title":"Annunciation (church of San Salvador)",
|
| 1317 |
+
"Image":4004,
|
| 1318 |
+
"Author":"Titian",
|
| 1319 |
+
"Concepts":[
|
| 1320 |
+
"Angel",
|
| 1321 |
+
"Virgin",
|
| 1322 |
+
"Child",
|
| 1323 |
+
"Cherub",
|
| 1324 |
+
"Clouds"
|
| 1325 |
+
],
|
| 1326 |
+
"Year":1559,
|
| 1327 |
+
"Retrieved context":null,
|
| 1328 |
+
"Generated Description":"**Content**: Angel announces to the Virgin, preparing for the Child's birth amid cherubs.\n\n**Context**: Created in 1559, reflecting religious themes prominent during the Renaissance.\n\n**Form**: Dramatic use of light, vibrant colors, and dynamic composition convey spirituality.",
|
| 1329 |
+
"rerank_context":null
|
| 1330 |
+
},
|
| 1331 |
+
{
|
| 1332 |
+
"Title":"Allegory of Prudence",
|
| 1333 |
+
"Image":4138,
|
| 1334 |
+
"Author":"Titian",
|
| 1335 |
+
"Concepts":[
|
| 1336 |
+
"Exquisite art",
|
| 1337 |
+
"Renaissance portrait",
|
| 1338 |
+
"Lion head",
|
| 1339 |
+
"Bearded man",
|
| 1340 |
+
"Red hat"
|
| 1341 |
+
],
|
| 1342 |
+
"Year":1560,
|
| 1343 |
+
"Retrieved context":null,
|
| 1344 |
+
"Generated Description":"- **Content**: Depicts three heads symbolizing prudence, flanked by a lion's head.\n- **Context**: Reflects Renaissance ideals on wisdom and virtue.\n- **Form**: Employs expressive brushwork, with rich colors and intriguing composition.",
|
| 1345 |
+
"rerank_context":null
|
| 1346 |
+
},
|
| 1347 |
+
{
|
| 1348 |
+
"Title":"Portrait of Alvise Cornaro",
|
| 1349 |
+
"Image":4173,
|
| 1350 |
+
"Author":"Tintoretto",
|
| 1351 |
+
"Concepts":[
|
| 1352 |
+
"Old man",
|
| 1353 |
+
"Beard",
|
| 1354 |
+
"Ring",
|
| 1355 |
+
"Black and white",
|
| 1356 |
+
"Portrait"
|
| 1357 |
+
],
|
| 1358 |
+
"Year":1560,
|
| 1359 |
+
"Retrieved context":null,
|
| 1360 |
+
"Generated Description":"**Content**: An old bearded man in a black attire, wearing a ring.\n\n**Context**: Created in 1560, reflecting Renaissance portraiture traditions.\n\n**Form**: Dark palette; focused composition; subtle light highlighting facial features.",
|
| 1361 |
+
"rerank_context":null
|
| 1362 |
+
},
|
| 1363 |
+
{
|
| 1364 |
+
"Title":"Last Supper (Cranach)",
|
| 1365 |
+
"Image":4370,
|
| 1366 |
+
"Author":"Lucas Cranach the Elder",
|
| 1367 |
+
"Concepts":[
|
| 1368 |
+
"Medieval feast",
|
| 1369 |
+
"Religious gathering",
|
| 1370 |
+
"Men in robes",
|
| 1371 |
+
"Praying",
|
| 1372 |
+
"Eating"
|
| 1373 |
+
],
|
| 1374 |
+
"Year":1565,
|
| 1375 |
+
"Retrieved context":null,
|
| 1376 |
+
"Generated Description":"**Content**: Men in robes, engaged in prayer and sharing a meal.\n\n**Context**: Reflects Reformation influences, emphasizing communal and religious fellowship.\n\n**Form**: Detailed realism, rich colors, balanced composition, and intricate architectural elements.",
|
| 1377 |
+
"rerank_context":null
|
| 1378 |
+
},
|
| 1379 |
+
{
|
| 1380 |
+
"Title":"The Martyrdom of Saint Maurice",
|
| 1381 |
+
"Image":4583,
|
| 1382 |
+
"Author":"El Greco",
|
| 1383 |
+
"Concepts":[
|
| 1384 |
+
"Religious painting",
|
| 1385 |
+
"Angel",
|
| 1386 |
+
"Jesus",
|
| 1387 |
+
"Clouds",
|
| 1388 |
+
"People"
|
| 1389 |
+
],
|
| 1390 |
+
"Year":1580,
|
| 1391 |
+
"Retrieved context":null,
|
| 1392 |
+
"Generated Description":"**Content**: Depicts Saint Maurice with soldiers and angels in a dramatic heavenly scene.\n\n**Context**: Reflects 16th-century religious themes and the Counter-Reformation's emphasis on martyrdom.\n\n**Form**: Features vivid colors, dynamic figures, and expressive brushwork typical of El Greco.",
|
| 1393 |
+
"rerank_context":null
|
| 1394 |
+
},
|
| 1395 |
+
{
|
| 1396 |
+
"Title":"Mars and Venus with Cupid and a Dog",
|
| 1397 |
+
"Image":4607,
|
| 1398 |
+
"Author":"Paolo Veronese",
|
| 1399 |
+
"Concepts":[
|
| 1400 |
+
"Man",
|
| 1401 |
+
"Woman",
|
| 1402 |
+
"Baby",
|
| 1403 |
+
"Dogs",
|
| 1404 |
+
"Costumes"
|
| 1405 |
+
],
|
| 1406 |
+
"Year":1580,
|
| 1407 |
+
"Retrieved context":null,
|
| 1408 |
+
"Generated Description":"**Content**: Depicts Mars, Venus, Cupid, and a dog in an intimate setting.\n\n**Context**: Reflects Renaissance ideals of love and mythology in art.\n\n**Form**: Employs vibrant colors, dynamic poses, and intricate patterns in composition.",
|
| 1409 |
+
"rerank_context":null
|
| 1410 |
+
},
|
| 1411 |
+
{
|
| 1412 |
+
"Title":"Boy Peeling Fruit (Caravaggio)",
|
| 1413 |
+
"Image":4634,
|
| 1414 |
+
"Author":"Michelangelo Merisi da Caravaggio",
|
| 1415 |
+
"Concepts":[
|
| 1416 |
+
"Boy",
|
| 1417 |
+
"Shirt",
|
| 1418 |
+
"Painting",
|
| 1419 |
+
"Black and white",
|
| 1420 |
+
"Art"
|
| 1421 |
+
],
|
| 1422 |
+
"Year":1590,
|
| 1423 |
+
"Retrieved context":null,
|
| 1424 |
+
"Generated Description":"**Context**: Reflects Baroque influences on naturalism; Caravaggio's early work.\n\n**Content**: A boy focused on peeling fruit with scattered apples around him.\n\n**Form**: Utilizes chiaroscuro, soft brushwork, and a muted color palette.",
|
| 1425 |
+
"rerank_context":null
|
| 1426 |
+
},
|
| 1427 |
+
{
|
| 1428 |
+
"Title":"The Calling of St Matthew (Caravaggio)",
|
| 1429 |
+
"Image":4637,
|
| 1430 |
+
"Author":"Michelangelo Merisi da Caravaggio",
|
| 1431 |
+
"Concepts":[
|
| 1432 |
+
"Religious gathering",
|
| 1433 |
+
"Men in robes",
|
| 1434 |
+
"Man in black",
|
| 1435 |
+
"Man in white",
|
| 1436 |
+
"Man in red"
|
| 1437 |
+
],
|
| 1438 |
+
"Year":1590,
|
| 1439 |
+
"Retrieved context":null,
|
| 1440 |
+
"Generated Description":"- **Content**: Men gather around a table, highlighting a moment of divine calling. \n- **Context**: Reflects Baroque art, emphasizing emotion and religious themes. \n- **Form**: Dramatic chiaroscuro, intricate costumes, dynamic composition, and use of light. ",
|
| 1441 |
+
"rerank_context":null
|
| 1442 |
+
},
|
| 1443 |
+
{
|
| 1444 |
+
"Title":"Gabrielle d'Estrées et une de ses sœurs",
|
| 1445 |
+
"Image":4647,
|
| 1446 |
+
"Author":"Unknown",
|
| 1447 |
+
"Concepts":[
|
| 1448 |
+
"Nude women",
|
| 1449 |
+
"Renaissance art",
|
| 1450 |
+
"Painted curtain",
|
| 1451 |
+
"Painted man",
|
| 1452 |
+
"Painted woman"
|
| 1453 |
+
],
|
| 1454 |
+
"Year":1590,
|
| 1455 |
+
"Retrieved context":null,
|
| 1456 |
+
"Generated Description":"- **Context**: Reflects courtly life and intimacy in late 16th-century France.\n- **Content**: Two nude women interacting, a hidden figure in the background.\n- **Form**: Detailed brushwork, vibrant colors, and dramatic curtain composition.",
|
| 1457 |
+
"rerank_context":null
|
| 1458 |
+
},
|
| 1459 |
+
{
|
| 1460 |
+
"Title":"The Virgin of Charity (El Greco)",
|
| 1461 |
+
"Image":4739,
|
| 1462 |
+
"Author":"El Greco",
|
| 1463 |
+
"Concepts":[
|
| 1464 |
+
"Painting",
|
| 1465 |
+
"Virgin Mary",
|
| 1466 |
+
"Religious",
|
| 1467 |
+
"Pink",
|
| 1468 |
+
"Clouds"
|
| 1469 |
+
],
|
| 1470 |
+
"Year":1590,
|
| 1471 |
+
"Retrieved context":null,
|
| 1472 |
+
"Generated Description":"**Context**: Inspired by religious devotion in 16th-century Spain. \n**Content**: Virgin Mary, depicted in pink, surrounded by adoring figures. \n**Form**: Dramatic color contrast and elongated figures highlight emotional depth. ",
|
| 1473 |
+
"rerank_context":null
|
| 1474 |
+
},
|
| 1475 |
+
{
|
| 1476 |
+
"Title":"Jupiter, Neptune and Pluto",
|
| 1477 |
+
"Image":4770,
|
| 1478 |
+
"Author":"Michelangelo Merisi da Caravaggio",
|
| 1479 |
+
"Concepts":[
|
| 1480 |
+
"Angel",
|
| 1481 |
+
"Moon",
|
| 1482 |
+
"God",
|
| 1483 |
+
"Clouds",
|
| 1484 |
+
"Painting"
|
| 1485 |
+
],
|
| 1486 |
+
"Year":1597,
|
| 1487 |
+
"Retrieved context":null,
|
| 1488 |
+
"Generated Description":"**Content**: Depicts Jupiter, Neptune, and Pluto under a celestial moon and clouds.\n\n**Context**: Reflects Renaissance fascination with mythology and celestial themes.\n\n**Form**: Features dramatic figures, bold colors, and dynamic compositions.",
|
| 1489 |
+
"rerank_context":null
|
| 1490 |
+
},
|
| 1491 |
+
{
|
| 1492 |
+
"Title":"The Incredulity of Saint Thomas (Caravaggio)",
|
| 1493 |
+
"Image":4844,
|
| 1494 |
+
"Author":"Michelangelo Merisi da Caravaggio",
|
| 1495 |
+
"Concepts":[
|
| 1496 |
+
"Jesus",
|
| 1497 |
+
"Disciples",
|
| 1498 |
+
"Wound",
|
| 1499 |
+
"Healing",
|
| 1500 |
+
"Faith"
|
| 1501 |
+
],
|
| 1502 |
+
"Year":1600,
|
| 1503 |
+
"Retrieved context":null,
|
| 1504 |
+
"Generated Description":"**Context**: Explores themes of faith and doubt post-Resurrection in 17th-century Europe. \n\n**Content**: Jesus revealing his wound to Thomas and other disciples expressing curiosity. \n\n**Form**: Dramatic use of light, shadow, and realistic expressions enhance emotional engagement.",
|
| 1505 |
+
"rerank_context":null
|
| 1506 |
+
},
|
| 1507 |
+
{
|
| 1508 |
+
"Title":"River Landscape with a Boar Hunt",
|
| 1509 |
+
"Image":4955,
|
| 1510 |
+
"Author":"Joos de Momper",
|
| 1511 |
+
"Concepts":[
|
| 1512 |
+
"Castle",
|
| 1513 |
+
"Boats",
|
| 1514 |
+
"People",
|
| 1515 |
+
"Bridge",
|
| 1516 |
+
"Water"
|
| 1517 |
+
],
|
| 1518 |
+
"Year":1600,
|
| 1519 |
+
"Retrieved context":null,
|
| 1520 |
+
"Generated Description":"**Content**: Depicts a boar hunt with figures, dogs, and a scenic river landscape.\n\n**Context**: Reflects 17th-century European culture, highlighting nature and hunting themes.\n\n**Form**: Features detailed landscapes, rich colors, and dynamic composition with layered elements.",
|
| 1521 |
+
"rerank_context":null
|
| 1522 |
+
},
|
| 1523 |
+
{
|
| 1524 |
+
"Title":"Crucifixion of Saint Peter (Caravaggio)",
|
| 1525 |
+
"Image":4961,
|
| 1526 |
+
"Author":"Michelangelo Merisi da Caravaggio",
|
| 1527 |
+
"Concepts":[
|
| 1528 |
+
"Crucifixion",
|
| 1529 |
+
"Jesus",
|
| 1530 |
+
"Roman soldiers",
|
| 1531 |
+
"torture",
|
| 1532 |
+
"Christianity"
|
| 1533 |
+
],
|
| 1534 |
+
"Year":1601,
|
| 1535 |
+
"Retrieved context":null,
|
| 1536 |
+
"Generated Description":"**Context**: Artistic commentary on martyrdom reflecting early 17th-century religious tensions.\n\n**Content**: Saint Peter crucified, struggle against Roman soldiers showcasing Christian perseverance.\n\n**Form**: Dramatic chiaroscuro, dynamic poses, and intense emotional expressions enhance realism.",
|
| 1537 |
+
"rerank_context":null
|
| 1538 |
+
},
|
| 1539 |
+
{
|
| 1540 |
+
"Title":"Ecce Homo (Caravaggio)",
|
| 1541 |
+
"Image":4983,
|
| 1542 |
+
"Author":"Michelangelo Merisi da Caravaggio",
|
| 1543 |
+
"Concepts":[
|
| 1544 |
+
"Jesus",
|
| 1545 |
+
"crucifixion",
|
| 1546 |
+
"nails",
|
| 1547 |
+
"rope",
|
| 1548 |
+
"barber"
|
| 1549 |
+
],
|
| 1550 |
+
"Year":1605,
|
| 1551 |
+
"Retrieved context":null,
|
| 1552 |
+
"Generated Description":"**Content**: Depicts Jesus before crucifixion, with figures preparing for his suffering.\n\n**Context**: Reflects Baroque themes of suffering, redemption, and religious influence in 17th century.\n\n**Form**: Utilizes dramatic chiaroscuro, realistic figures, and expressive gestures to evoke emotion.",
|
| 1553 |
+
"rerank_context":null
|
| 1554 |
+
},
|
| 1555 |
+
{
|
| 1556 |
+
"Title":"Portrait of Marchesa Brigida Spinola-Doria",
|
| 1557 |
+
"Image":4988,
|
| 1558 |
+
"Author":"Peter Paul Rubens",
|
| 1559 |
+
"Concepts":[
|
| 1560 |
+
"Woman",
|
| 1561 |
+
"ruffled collar",
|
| 1562 |
+
"lace",
|
| 1563 |
+
"pearls",
|
| 1564 |
+
"gown"
|
| 1565 |
+
],
|
| 1566 |
+
"Year":1606,
|
| 1567 |
+
"Retrieved context":null,
|
| 1568 |
+
"Generated Description":"**Context**: Reflects 17th-century Italian aristocracy and fashion norms.\n\n**Content**: Depicts a woman in elegant gown with ruffled collar and pearls.\n\n**Form**: Features detailed textures, rich colors, and dramatic light contrasts.",
|
| 1569 |
+
"rerank_context":null
|
| 1570 |
+
},
|
| 1571 |
+
{
|
| 1572 |
+
"Title":"Sleeping Cupid (Caravaggio)",
|
| 1573 |
+
"Image":5009,
|
| 1574 |
+
"Author":"Michelangelo Merisi da Caravaggio",
|
| 1575 |
+
"Concepts":[
|
| 1576 |
+
"Baby",
|
| 1577 |
+
"bird",
|
| 1578 |
+
"arrow",
|
| 1579 |
+
"feather",
|
| 1580 |
+
"black background"
|
| 1581 |
+
],
|
| 1582 |
+
"Year":1608,
|
| 1583 |
+
"Retrieved context":null,
|
| 1584 |
+
"Generated Description":"**Content**: A sleeping cherubic baby with feathers, arrows, and a dark background.\n\n**Context**: Reflects Baroque themes of innocence and divine love, painted in 1608.\n\n**Form**: Dramatic chiaroscuro, realistic details, and sensual composition emphasize the child’s vulnerability.",
|
| 1585 |
+
"rerank_context":null
|
| 1586 |
+
},
|
| 1587 |
+
{
|
| 1588 |
+
"Title":"Saint John the Evangelist (El Greco, Madrid)",
|
| 1589 |
+
"Image":5037,
|
| 1590 |
+
"Author":"El Greco",
|
| 1591 |
+
"Concepts":[
|
| 1592 |
+
"Man",
|
| 1593 |
+
"Painting",
|
| 1594 |
+
"Jesus",
|
| 1595 |
+
"Pink",
|
| 1596 |
+
"Robe"
|
| 1597 |
+
],
|
| 1598 |
+
"Year":1609,
|
| 1599 |
+
"Retrieved context":null,
|
| 1600 |
+
"Generated Description":"**Content**: Saint John holds a chalice, draped in a pink robe against a dark background.\n\n**Context**: Created in 1609, influenced by religious themes of the Counter-Reformation.\n\n**Form**: El Greco's expressive colors and dramatic brushwork highlight inner emotion and spirituality.",
|
| 1601 |
+
"rerank_context":null
|
| 1602 |
+
}
|
| 1603 |
+
]
|
data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-13_Artpedia_100data/mean_scores_gpt_4o_mini_complete_20250313_142516.json
ADDED
|
@@ -0,0 +1,10 @@
|
|
|
|
|
|
|
|
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|
|
|
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|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
{
|
| 2 |
+
"Bleu_1": 0.41598109094202596,
|
| 3 |
+
"Bleu_2": 0.21431588756820893,
|
| 4 |
+
"Bleu_3": 0.11561241364340402,
|
| 5 |
+
"Bleu_4": 0.06574358649496469,
|
| 6 |
+
"METEOR": 0.09187302069918814,
|
| 7 |
+
"ROUGE_L": 0.19361049855059573,
|
| 8 |
+
"CIDEr": 0.0893784280368716,
|
| 9 |
+
"SPICE": 0.049842561015016024
|
| 10 |
+
}
|
data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-13_Artpedia_100data/mean_scores_gpt_4o_mini_complete_20250313_142730.json
ADDED
|
@@ -0,0 +1,10 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
{
|
| 2 |
+
"Bleu_1": 0.3991451611877913,
|
| 3 |
+
"Bleu_2": 0.20343416573673576,
|
| 4 |
+
"Bleu_3": 0.10599331162870922,
|
| 5 |
+
"Bleu_4": 0.05253779154782109,
|
| 6 |
+
"METEOR": 0.0929494154541355,
|
| 7 |
+
"ROUGE_L": 0.19074978078044472,
|
| 8 |
+
"CIDEr": 0.09237036283728274,
|
| 9 |
+
"SPICE": 0.04418143121761195
|
| 10 |
+
}
|
data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-13_Artpedia_100data/mean_scores_gpt_4o_mini_complete_20250313_143555.json
ADDED
|
@@ -0,0 +1,10 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
{
|
| 2 |
+
"Bleu_1": 0.3043340555380626,
|
| 3 |
+
"Bleu_2": 0.1268082774509198,
|
| 4 |
+
"Bleu_3": 0.04772459397327575,
|
| 5 |
+
"Bleu_4": 0.015547657096904942,
|
| 6 |
+
"METEOR": 0.09412203010379248,
|
| 7 |
+
"ROUGE_L": 0.17774987683258897,
|
| 8 |
+
"CIDEr": 0.053905892798335166,
|
| 9 |
+
"SPICE": 0.04960309497160647
|
| 10 |
+
}
|
data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-13_Artpedia_300data/Qwen2-VL-72B_explanations_20250615_155808.json
ADDED
|
The diff for this file is too large to render.
See raw diff
|
|
|
data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-13_Artpedia_300data/Qwen2-VL-7B_explanations_20250615_155420.json
ADDED
|
@@ -0,0 +1,62 @@
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
[
|
| 2 |
+
{
|
| 3 |
+
"Title": "Profile Portrait of a Lady",
|
| 4 |
+
"Author": "unknown Franco-Flemish artist",
|
| 5 |
+
"Image": 193,
|
| 6 |
+
"Generated Description": "\n\"Profile Portrait of a Lady\" by an unknown Franco-Flemish artist showcases a woman in elaborate, ornate attire, highlighting Renaissance fashion and craftsmanship."
|
| 7 |
+
},
|
| 8 |
+
{
|
| 9 |
+
"Title": "San Pietro Martire Triptych",
|
| 10 |
+
"Author": "Fra Angelico",
|
| 11 |
+
"Image": 346,
|
| 12 |
+
"Generated Description": "\nThe San Pietro Martire Triptych by Fra Angelico depicts the Virgin Mary and Child with saints, set against a gold background with intricate architectural elements."
|
| 13 |
+
},
|
| 14 |
+
{
|
| 15 |
+
"Title": "Annunciation (Lochner)",
|
| 16 |
+
"Author": "Stefan Lochner",
|
| 17 |
+
"Image": 398,
|
| 18 |
+
"Generated Description": "\nStefan Lochner's \"Annunciation\" depicts the angel Gabriel's visit to Mary, with a dove symbolizing the Holy Spirit. The painting features intricate details and a serene, golden background."
|
| 19 |
+
},
|
| 20 |
+
{
|
| 21 |
+
"Title": "Perugia Altarpiece",
|
| 22 |
+
"Author": "Fra Angelico",
|
| 23 |
+
"Image": 584,
|
| 24 |
+
"Generated Description": "\nThe Perugia Altarpiece by Fra Angelico features the Virgin and Child, saints, and scenes from the life of St. John the Baptist, set within a Gothic architectural framework."
|
| 25 |
+
},
|
| 26 |
+
{
|
| 27 |
+
"Title": "Portrait of a Woman (van der Weyden)",
|
| 28 |
+
"Author": "Rogier van der Weyden",
|
| 29 |
+
"Image": 603,
|
| 30 |
+
"Generated Description": "\n\"Portrait of a Woman\" by Rogier van der Weyden depicts a woman in a black dress with a red belt, wearing a white veil. The painting showcases the artist's mastery of detail and texture."
|
| 31 |
+
},
|
| 32 |
+
{
|
| 33 |
+
"Title": "Saint Barbara (van Eyck)",
|
| 34 |
+
"Author": "Jan van Eyck",
|
| 35 |
+
"Image": 631,
|
| 36 |
+
"Generated Description": "\nSaint Barbara (van Eyck) by Jan van Eyck depicts a saint in a dynamic, bustling scene with a towering Gothic structure in the background."
|
| 37 |
+
},
|
| 38 |
+
{
|
| 39 |
+
"Title": "Madonna and Child Enthroned (Filippo Lippi)",
|
| 40 |
+
"Author": "Filippo Lippi",
|
| 41 |
+
"Image": 749,
|
| 42 |
+
"Generated Description": "\nMadonna and Child Enthroned by Filippo Lippi depicts a serene, intimate scene of the Virgin Mary and Jesus, set within an ornate, gilded frame."
|
| 43 |
+
},
|
| 44 |
+
{
|
| 45 |
+
"Title": "Madonna of the Rose Bower",
|
| 46 |
+
"Author": "Martin Schongauer",
|
| 47 |
+
"Image": 802,
|
| 48 |
+
"Generated Description": "\n\"Madonna of the Rose Bower\" by Martin Schongauer depicts the Virgin Mary and Christ Child surrounded by angels and musicians in a lush garden, symbolizing divine love and harmony."
|
| 49 |
+
},
|
| 50 |
+
{
|
| 51 |
+
"Title": "Christ on the Cross with Mary and St John",
|
| 52 |
+
"Author": "Rogier van der Weyden",
|
| 53 |
+
"Image": 876,
|
| 54 |
+
"Generated Description": "\nChrist on the Cross with Mary and St John by Rogier van der Weyden depicts the crucifixion with mourners, set against a landscape, capturing the emotional and religious significance of the event."
|
| 55 |
+
},
|
| 56 |
+
{
|
| 57 |
+
"Title": "Annunciation (Filippo Lippi, London)",
|
| 58 |
+
"Author": "Filippo Lippi",
|
| 59 |
+
"Image": 924,
|
| 60 |
+
"Generated Description": "\nThe Annunciation by Filippo Lippi depicts the angel Gabriel's visit to Mary, shown in a serene, classical setting with vibrant colors and detailed textures."
|
| 61 |
+
}
|
| 62 |
+
]
|
data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-13_Artpedia_300data/Qwen2-VL-7B_explanations_20250615_162507.json
ADDED
|
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|
|
|
data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-13_Artpedia_300data/Qwen2-VL_explanations_20250319_181150.json
ADDED
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|
|
|
data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-13_Artpedia_300data/Qwen2-VL_explanations_20250319_221245.json
ADDED
|
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|
|
|
data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-13_Artpedia_300data/Qwen2_5-VL_explanations_20250320_164055.json
ADDED
|
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|
|
|
data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-13_Artpedia_300data/generated_descriptions_local_20250313_111338.json
ADDED
|
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|
|
|
data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-13_Artpedia_300data/mean_scores_Qwen2-VL-72B_Artpedia_20250615_155808.json
ADDED
|
@@ -0,0 +1,10 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
{
|
| 2 |
+
"Bleu_1": 0.49909770576224044,
|
| 3 |
+
"Bleu_2": 0.3037259849521781,
|
| 4 |
+
"Bleu_3": 0.19824307957443557,
|
| 5 |
+
"Bleu_4": 0.1296415131392632,
|
| 6 |
+
"METEOR": 0.1670658290169989,
|
| 7 |
+
"ROUGE_L": 0.30086770003267616,
|
| 8 |
+
"CIDEr": 0.19764265540560322,
|
| 9 |
+
"SPICE": 0.10785678410272481
|
| 10 |
+
}
|
data/built_graph/All_gpt_4o_mini_prompt_tuning_style_event_clean/output_2025-03-13_Artpedia_300data/mean_scores_Qwen2-VL-7B_Artpedia_20250615_155420.json
ADDED
|
@@ -0,0 +1,10 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
{
|
| 2 |
+
"Bleu_1": 0.5908831868209619,
|
| 3 |
+
"Bleu_2": 0.40311163749039525,
|
| 4 |
+
"Bleu_3": 0.2883768791306409,
|
| 5 |
+
"Bleu_4": 0.21780234370615875,
|
| 6 |
+
"METEOR": 0.2130933622137706,
|
| 7 |
+
"ROUGE_L": 0.37542899713185746,
|
| 8 |
+
"CIDEr": 0.3327309098515231,
|
| 9 |
+
"SPICE": 0.11356175434372527
|
| 10 |
+
}
|