A person with light-colored hair and a black top applies makeup using a brush, moving it from their nose to their right cheek, then to their left cheek, and back to their nose. The individual remains seated in front of a brown couch with white blinds in the background. The camera maintains a close-up, stationary perspective throughout the sequence.

A person uses a makeup brush to apply makeup to their face (eyes, cheeks, lips), with clear hand/brush movement as the primary discrete object motion.

The background (couch, windows, blinds) shows no uniform shifting or fluid motion (fire, water, smoke, wind). Static elements remain fixed across frames.


A person pours white liquid cream from a measuring cup into a glass bowl containing a whisk, then adds dark brown melted chocolate. The mixture is transferred to a wire grid on a wooden surface, where the person spreads the chocolate and sprinkles light brown hazelnuts over it. The camera remains top-down throughout the sequence.

Hands pouring liquid cream, chocolate, and nuts into a bowl; whisking; transferring mixture to wire rack; adding nuts. Solid objects (bowl, whisk, chocolate, nuts) move due to manual manipulation.

Kitchen background (stove, countertop) remains static; no fluid/environmental motions (fire, water, smoke, wind) observed.


A person in a yellow shirt and blue jeans walks a small brown dog across a concrete plaza; the person then runs toward the right, dragging the dog, before exiting the frame. The dog briefly stops, turns, and runs back toward the camera before disappearing into the distance. The camera remains stationary with minimal movement, capturing the scene from a fixed perspective with a slight shake.

A person in a yellow shirt and blue jeans, and a dog, are moving. The person walks away from the camera, turns to face the camera, and walks toward the camera before exiting the frame. The dog follows the person's movement.

No significant ambient environmental motion (no fire, water, smoke, or wind). Background elements (trees, building, concrete ground) remain static with no uniform shifting or fluid motion.


A man in a dark suit and a woman in a red dress walk together down an aisle lined with white floral arrangements, moving forward through a crowd of attendees who hold cameras and observe. The woman is to the right of the man as they proceed, maintaining close proximity. The camera follows their movement with a slight pan, capturing them from a frontal perspective as they advance toward the viewer.

The couple (man in suit, woman in red dress) and the crowd are moving. The couple is walking forward through the crowd, with crowd members stepping aside to allow passage, demonstrating locomotion due to explicit physical forces (walking).

The background (walls, archway, floral arrangements) is static and does not shift uniformly across frames. No fluid or environmental motions (fire, water, smoke, wind) are present.


RAW CAPTION: Got it, let's see. The video starts with a boy in a gray shirt arranging plastic cups. He has several cups with red text, maybe "Walmart" or something, but we don't need to recognize text. He's stacking them. First, the cups are on the table, he picks up a stack from the left, then lifts it up to place it on top of the existing structure. The background has a kitchen with a stove, orange towel, and a dog lying down. But the rules say minimal background unless essential. So focus on the boy's actions.

Chronological order: he starts with cups on the table, picks up a cup stack from the left, lifts it to place on top. So the motion is picking up, lifting, placing. The cups are clear with red text, stacked in a pyramid. The boy is sitting at the table, hand movements. Then the camera is stationary, top-down view maybe. Wait, the video is shot from a fixed angle, probably eye-level or top-down. The background is minimal, just the kitchen. The dog is there but not interacting. So the caption should mention the boy's actions with the cups.

Check the rules: exclude text recognition, so no "Walmart". Just describe the cups as plastic cups with red text, but maybe just "plastic cups with red lettering" to avoid text. Wait, rule f says exclude text recognition, so maybe just say "plastic cups" or "plastic cups with red markings" but since it's not essential, perhaps just "plastic cups".

Main subjects: boy (gray shirt), cups (clear plastic, multiple), dog (background). But focus on motion. So:

The boy, wearing a gray shirt, begins by holding a stack of clear plastic cups with red lettering. He lifts the stack from the left side of the table, aligns it above the existing cup structure, and places it on top. The cups are arranged in a pyramid on the table, with some stacked and others upright. A dog lies in the background to the right. The camera remains stationary, capturing the scene from a consistent angle.

Wait, need to be concise. Let's check rules:

a) Motion and behavior: picks up cups, lifts, places.

b) Appearance: boy (gray shirt), cups (clear plastic, red lettering, multiple).

c) Spatial: cups on table, boy's hands moving, dog in background.

d) Camera: stationary, fixed angle.

e) Background minimal: mention dog only if essential. But the dog is in the background, maybe not essential. The main action is the cups.

So revised:

A boy in a gray shirt picks up a stack of clear plastic cups with red markings from the left side of the table, lifts it, and places it atop a pyramid structure of similar cups. The cups are arranged in a multi-tiered formation on the table. The camera remains stationary, capturing the scene from a fixed angle.

Wait, but the initial frame shows the cups already partially stacked. Then he takes the stack from the left (the one that's stacked on the left) and adds it to the top. So the action is stacking the stack.

Another angle: The boy, wearing a gray shirt, selects a stack of clear plastic cups with red text from the left of the table, lifts it, and positions it onto the upper tier of the cup pyramid. The cups are arranged in a stable structure on the table, with additional cups nearby. The camera maintains a steady perspective throughout.

Check if it's concise. Let's make sure to mention chronological order: he starts with cups on table, picks up stack, lifts, places.

Yes: The boy in a gray shirt lifts a stack of clear plastic cups with red lettering from the left side of the table, aligns it above the existing cup structure, and places it on top to form a taller pyramid. The camera remains stationary, capturing the action from a fixed angle.

Wait, the problem says "generate a concise, chronological paragraph". So start with the initial state (cups on table), then his action.

Initial: Cups are arranged in a pyramid on the table, with a stack of cups to the left. The boy, in a gray shirt, picks up the left stack, lifts it, and places it on top.

So: A boy in a gray shirt picks up a stack of clear plastic cups from the left side of the table, lifts it, and places it on top of an existing cup pyramid. The cups are clear with red markings. The camera stays fixed, viewing the scene from a consistent angle.

Yes, that's concise, chronological, includes motion, appearance, spatial (left side), camera perspective.
</think>

<caption_output>A boy in a gray shirt picks up a stack of clear plastic cups with red markings from the left side of the table, lifts it, and

A child is moving a bottle (orange liquid) and handling glass cups, with the cup stacking motion being the primary physical interaction.

Background elements (cabinets, fridge, towels) show no uniform shifting or environmental fluid motion (fire, water, smoke, wind). No dominant ambient environmental forces are present.


A person wearing a black jacket, white shirt, and necklace holds a dark makeup brush with a light handle. They bring the brush from near their face down toward their chest, moving it slightly upward and downward. The person remains positioned in front of a wooden door and beige wall, with the camera maintaining a close-up, static view.

The person's hands and makeup brushes are the discrete solid objects in motion, moving in deliberate, controlled motions to apply makeup.

The background consists of a static wooden wall and indoor elements with no visible shifting or fluid motion (e.g., fire, water, smoke).


The video opens with three Behr Premium Weatherproofing paint cans arranged side-by-side on a wooden surface, each distinct in color and labeling. It transitions to a person wearing white gloves applying paint to a round wooden stool with a brush, moving it in circular motions across the stool's surface. The stool rests on a draped cloth in a workshop setting. The camera maintains a close-up focus on the painting action, capturing the brush's motion and the stool's wood grain, with minimal background details visible.

A person's gloved hand moves across a wooden stool in a sanding motion. The hand is a solid object undergoing explicit physical action (sanding), with clear motion tracking.

The background includes a wooden table and static elements (e.g., fabric backdrop). No shifting background, fire, water, smoke, or wind is present.


RAW CAPTION: Got it, let's break this down. First, the video starts with a close-up of a Scrabble board. There's the word "BEGIN" spelled with tiles: B, E, G, I, N. The tiles are on the board, which has colored squares—red, green, blue, orange. The board is square, tiles are rectangular, probably wooden. Then the next part shows a hand moving. The scene shifts to a blurred background (so focus on the hand), a person's hand reaches towards a tile rack. The hand is dark (maybe a dark sleeve), moves from the rack to place tiles. Wait, the sequence: first frames are the board with "BEGIN", then a hand from the top of the frame (maybe the person is leaning over) reaching towards the tile rack. The hand is picking up or placing tiles? The frames 2-4: the hand is in motion. Then frame 5-6: the hand is placing tiles into the rack? Wait, the video has 6 seconds. Let's check the timestamps.

Frame 0-2: close-up of Scrabble board with "BEGIN" tiles. Frame 3: blurred background, hand moving towards tile rack (the rack is on the table, board in front). Frame 4-5: the hand is in motion, maybe placing tiles. Wait, the description says "a hand reaches towards a tile rack" and "the hand moves from the rack to place tiles". So main subject is the hand, which is moving from the rack towards the board. Wait, the rack is the wooden holder for tiles. So in frame 3-4, the hand is from the top of the frame (so maybe person is sitting, hand coming from above), reaching down to the rack. Then in frame 4-5, the hand is moving to place tiles on the board. But the tiles are already on the board in the first part. Wait, the video starts with tiles already on the board spelling "BEGIN", then the hand comes in, maybe arranging tiles or placing new ones.

Wait, the rules: describe motion chronologically. So first part: Scrabble board with "BEGIN" tiles (static, then hand moves into frame). The hand is a human hand, skin tone, dark sleeve, moving from the top-right (since frame 3 shows the hand from above, background blurred). The hand moves towards the tile rack, which is on the table in front of the board. Then the hand places tiles (but in the description, it's "reaches towards a tile rack" and "moves from the rack to place tiles"—but the tiles are already in the rack, so maybe picking up tiles to place on the board).

Wait, the sequence: 0-2: static shot of board with "BEGIN" tiles. Then 3: the scene shifts to a hand (blurred background, so focus on hand) reaching towards the tile rack (which is on the table). The hand is moving, so motion: hand approaches the rack, then maybe places a tile on the board. But the tile rack is a holder for unused tiles, so maybe the hand is placing a tile on the board (since the board already has "BEGIN", adding more tiles?).

Now, the caption must focus on motion and behavior in chronological order. So:

- Initially, a Scrabble board displays the word "BEGIN" with tiles on white squares surrounded by red, green, and blue squares. Then, a hand (dark sleeve, skin tone) enters from the top of the frame, moves toward the tile rack on the table, and places tiles on the board. The camera shifts from a close-up of the board to a focus on the hand's movement, with the background blurred.

Wait, but rule f says exclude text recognition. So we can't mention "BEGIN" because it's text. Wait, rule f: "Exclude text recognition, named characters, or stylistic analysis." So we can't describe the word "BEGIN" as text. Oh! Right, so in the first frames, the tiles are arranged, but we have to describe the tiles as objects, not the text they form.

So first part: Close-up of a Scrabble board with wooden tiles arranged horizontally. The tiles are placed on colored squares (red, green, blue). Then the scene transitions to a hand (adult, dark sleeve) moving from the top toward the tile rack (wooden holder on the table), extending fingers to place tiles on the board. The camera shifts from top-down view of the board to a focus on the hand's motion, background blurred.

Wait, let's check the frames:

[0.0] - close-up of board, tiles spelling "BEGIN". But we can't mention "BEGIN", so describe as: wooden tiles arranged to spell a word, but just say the tiles are placed on

A human hand manipulates Scrabble tiles, demonstrating explicit physical movement (reaching, placing tiles) with no environmental fluid motion.

No shifting backgrounds or fluid/environmental motion (fire, water, wind) observed. The Scrabble board and couch remain static throughout the clip.


A shirtless man wearing a camouflage hat and gray pants kneels on grass, handling a large piece of wood and smaller sticks near a brown fire pit; he stands, carries the wood toward the pit, and leans over it to place it inside. The camera follows his movements with a slight pan, capturing a red folding chair and grassy ground in the background.

The shirtless man (discrete solid object) moves by locomotion (kneeling, standing, bending) and manipulates wood and an axe. The wood and axe exhibit motion due to physical interaction with the man's actions.

Background elements (grass, red folding chair, blue structure) show no uniform shifting. No fire, water, smoke, or wind motion dominates the scene.


RAW CAPTION: Got it, let's tackle this. First, the video shows a shirtless boy. I need to describe his actions chronologically. Let's see: the first frame is him looking to the side, then he turns his head, maybe opens his mouth, then brings his hand to his face. Wait, the timestamps: 0.0 to 4.7 seconds.

So, start with the boy's appearance: shirtless, short hair. Then his actions: initially looking off-screen, then turning his head towards the camera, opening his mouth (maybe speaking or reacting), then bringing his fist to his mouth.

Check rules: focus on motion and behavior in order. Appearance: shirtless, short dark hair. Number: one boy. Spatial: he's the main subject, background is minimal (maybe indoor, but keep background descriptions minimal).

Camera perspective: the video seems to be a close-up, maybe handheld, slight shake.

Let's structure the caption. Chronological order: starts looking to the side, turns head toward camera, opens mouth, then covers mouth with fist.

Now, wording. Concise paragraph.

" A shirtless boy with short dark hair begins by looking off-screen to the right; he then turns his head toward the camera, opens his mouth as if speaking or reacting, and subsequently brings his right fist to his mouth. The camera maintains a close-up, slightly shaky perspective focused on the boy's upper body, with minimal background detail."

Wait, check if spatial is needed. The background is just a wall, but rule e says minimal. So maybe "background is indistinct" but rule e says minimal unless essential. Since it's just a wall, maybe just "indistinct background".

Also, the movement: the camera is close-up, maybe handheld. The boy's actions in order: initial look, turn, open mouth, fist to mouth.

Make sure to mention appearance (shirtless, short dark hair), number (one boy), motion in order.

Let me refine:

"A shirtless boy with short dark hair is shown in a close-up shot. He initially looks to his right, then turns his head toward the camera, opens his mouth as if vocalizing, and finally brings his right fist to his mouth. The camera remains stationary with slight shake, focusing on the boy’s upper body against a plain, indistinct background."

Wait, the camera movement: rule d says "conclude with camera perspective and movement". So "camera remains stationary with slight shake" maybe.

Check if the description is chronological: yes. Actions in order: look right, turn head, open mouth, fist to mouth.

Appearance: shirtless, short dark hair.

Number: one.

Spatial: background is plain, but since it's minimal, maybe "indistinct background" is okay.

Also, check rule b: "briefly describe their appearance and number (color, size, orientation)". Size: since it's a child, "small" maybe? Wait, the description says "shirtless boy", so maybe "a small shirtless boy with short dark hair". Wait, the user's video shows a child, so "boy" is correct.

Wait, the original video: the boy is shirtless, so "shirtless boy" is fine.

Let me check the rules again.

a) Motion and behavior in chronological order.

b) Appearance and number: shirtless, short dark hair, one boy.

c) Spatial relationships: if relevant. Here, the background is minimal, so maybe just "against an indistinct background".

d) Conclude with camera perspective and movement: close-up, slight shake.

So putting it all together:

"A shirtless boy with short dark hair is the main subject. He starts by looking to his right, then turns his head toward the camera, opens his mouth as if speaking, and finally brings his right fist to his mouth. The camera maintains a close-up perspective with slight shake, focusing on the boy against a plain background."

Wait, maybe more concise. Let's see:

"A shirtless boy with short dark hair looks to his right, turns his head toward the camera, opens his mouth as if vocalizing, and then covers his mouth with his right fist. The camera holds a close-up, slightly shaky view of the boy, with minimal background detail."

Yes, that's better. "Covers his mouth with his right fist" instead of "brings his fist to his mouth".

Check if all rules are followed.

- Chronological order: yes, the actions are in sequence.

- Appearance: shirtless, short dark hair, one boy.

- Spatial: minimal background, so "minimal background detail" is okay.

- Camera: close-up, slightly shaky.

- Background minimal

discrete_object_physics | ambient_environmental | camera_motion | ego_motion | static

Briefly describe what discrete, solid objects are moving.

Briefly check for shifting backgrounds or fluid/environmental motion (fire, water, wind).


A man in a green vest and striped shirt stands beside a yellow surveying instrument mounted on a tripod, gesturing toward it while speaking. He adjusts his stance and raises his hand to point, with two other individuals observing from behind him; one wears a blue shirt and the other a dark jacket. The camera pans slightly to capture the group’s positions, showing the man frequently moving his hands to emphasize points near the instrument. The background includes a sandy terrain with sparse structures and utility poles. The camera maintains a medium shot, shifting angles to follow the man’s gestures and the group’s orientation around the tripod.

The reporter (man in vest) is moving through small gestures and stepping motions; other people in the background are stationary.

No shifting background elements; no environmental motion (fire, water, wind, smoke) observed. Background includes static structures and terrain.


In a spacecraft interior, multiple individuals in green flight suits and one in a blue suit interact around tables with laptops. A man in a green suit gestures while seated, then stands and moves left, prompting others to shift positions—some crouch or adjust equipment. The camera maintains a fixed perspective with minimal movement.

Discrete solid objects (people in uniforms) exhibit locomotion: one man stands and interacts with another, others move slightly while working at stations. Physical interactions (hand gestures, leaning, pointing) and seated/standing movements are clearly visible.

The background elements (walls, ceiling, blue airbags, and fixed equipment) remain static with no uniform shifting. No fire, water, smoke, or wind-dominated environmental motion is present. The environment is indoor and controlled.


A light orange, fluffy cat is held by a person wearing a pink sleeve in a soapy sink, appearing uneasy as the hand gently scrubs its body. The cat’s eyes are partially closed, and it shifts position slightly while being washed. The camera remains steady, focusing closely on the interaction between the cat and the person’s hands.

A cat is held by a person's hands; the cat's motion (e.g., lifting, turning) is directly driven by the hands petting and positioning it.

The sink background remains static with no significant shifting. Minor water ripples in the sink are caused by the cat's movement and hands, not ambient fluid motion (e.g., flowing water or wind).


A person wearing a green shirt with a colorful bracelet moves their arm to turn on the faucet of a bathroom sink, then rinses their hands under running water. The sink has a chrome faucet, a blue bottle, and a container nearby. The camera is shaky, panning around the sink area and focusing on the hands and faucet. Background includes tiled walls and cabinets. The person’s arm moves in front of the sink, and the camera shifts between close-ups of the hands and the sink fixtures.

A person's hand (solid object) moves under the faucet, performing hand-washing actions (rubbing, rinsing) driven by physical forces (water, friction).

Background elements (sink, faucet, cabinet) are static but exhibit minor shifts due to camera movement; no dominant fluid/environmental motion (water flow is incidental to hand-washing, not primary).


Five children stand on a dirt area near a road: a child in red top and pink pants, a child in dark clothing holding an object, a taller child in black and red athletic wear, a child in blue and black sportswear, and another child crouching. The crouching child rises and moves toward the group; the child in gray jacket and white pants runs toward the others, while the child in pink pants moves toward a brick wall. The group scatters as the child in dark clothing walks and the child in blue and black sportswear turns; the child in pink pants nears the wall. The camera remains stationary, capturing the scene from a fixed position.

Discrete solid objects (people) are moving: a person in pink, two children, and multiple adults walking across the sidewalk. Their motion is due to locomotion (walking) with clear bounding box tracking.

The background (road, buildings, trees) remains stationary across frames with no uniform shifting, and no fire, water, smoke, or wind-driven motions are present. Ambient environmental motion is not dominant.


A small child in light-colored pajamas with red patterns crawls across a red mat on a blue patterned floor, moving toward a white fan positioned to the left, then reaches out to touch the fan. The camera follows the child’s movement with slight shakiness.

A baby in pajamas is crawling on a red surface, moving from the center to the left side of the frame while interacting with a nearby fan.

Background elements (patterned floor, walls) show no uniform shifting or fluid motion; no fire, water, or smoke observed.


A small child with short dark hair, wearing a purple sleeveless top, stands at a kitchen sink, scrubbing dishes with a sponge, then lifts a metal plate to rinse it under the faucet and moves it to the side of the sink basin while adjusting other items; the handheld camera captures the scene from a close-up perspective with slight shake.

The child (a person) is moving their arms and hands to wash dishes. The dishes (plates, cups) are being moved by the child.

Background (sink, walls, counter) is static. Water in the sink is controlled and part of the dishwashing activity, not dominant fluid motion.


A person in a white shirt and patterned apron bends over a black oven, opens the door, and retrieves a tray of golden-brown cookies. They place the cookies onto a white plate positioned on a wooden counter. The person’s hands are visible arranging the cookies on the plate. The camera remains focused on the action, shifting slightly to capture the placement of cookies from the tray to the plate.

The person's hands and the cookies are the discrete solid objects in motion. The person opens the oven, places a baking tray inside, and later arranges cookies on a plate. The cookies move due to manual placement and handling.

The kitchen background (cabinets, oven, countertop) shows no uniform shifting or fluid/environmental motion (e.g., no fire, water, smoke, or wind). Static elements remain fixed throughout the clip.


In a nighttime wooded area, a person wearing a gray shirt and dark shorts bends over near camping gear, then stands and walks toward the camera, passing a large rock. The background features trees and tents. The camera remains stationary throughout.

A person moves from a stationary position near a bag/container and walks away, indicating locomotion of a discrete solid object.

The background (trees and grass) is static with no uniform shifting or fluid motion (fire, water, wind).


A person seated on the left side puts on a headset, while the right side displays a green poker table with the pot size increasing. The camera maintains a static split-screen perspective.

Discrete solid objects include poker chips and playing cards on the table, which show movement consistent with physical interactions (e.g., being shuffled, dealt, or moved by players). The person in the top-left corner also exhibits localized motion.

The background elements (green felt table, table edges, and static background elements like walls) show no uniform shifting. There are no fluid environmental motions (fire, water, smoke) or wind effects observed.


A girl wearing a pink hat sits at a table with a birthday cake featuring lit candles and a drink, next to a boy in a black shirt. She looks at the cake, then stands up from her seat while the boy remains seated, observing. The camera stays relatively still with minimal movement during the transition.

A girl wearing a pink hat and a boy beside her exhibit slight head/body movements (e.g., adjusting position, blowing out candles) as discrete solid objects.

Blue booth walls and background elements are static; no fire, water, smoke, or wind motion detected.


Two female dancers in red leotards perform on a dark stage under circular spotlights. Initially, both stand on separate lights; one bends backward, then they move to distinct positions. One leaps high while the other executes a handstand. Subsequently, a dancer spins on one hand before repositioning to another light. The camera follows their movements with gentle pans.

Two dancers moving in a dance routine under spotlights, exhibiting jumps, spins, and coordinated movements.

No shifting background elements; no fire, water, smoke, or wind observed.


RAW CAPTION: Got it, let's break this down. The video starts with a close-up of a person's eye, where a mascara wand is being used on the lower lashes. Then, the view shifts to show the eye with the mascara applied, and the person blinks. Next, the camera shows both eyes, indicating the mascara is done on both. Then there's a black screen with "Finished" text, which we have to exclude per the rules. After that, the scene changes to a person indoors, near a sliding door with a room and plants in the background.

Need to follow the rules: focus on motion and behavior chronologically. Start with the eye close-up, mascara application, then moving to both eyes, then the indoor scene. Describe appearance briefly: mascara wand, eyes, then the person in the room. Spatial relationships: mascara wand in front of the eye, then the person indoors. Camera movement: starts close-up, zooms out slightly to show both eyes, then cuts to a wider shot of the person. Exclude text and named characters.

So step by step:

1. Close-up of one eye with mascara wand applying to lower lashes. Wand is black, moving across the lashes.
2. Then the camera shows the eye after application, then shifts to show both eyes (so the person looks to the side, maybe?).
3. Then black screen with "Finished" – but exclude text, so move to the next scene: person indoors, room with plants, sliding doors.

Wait, the rules say exclude text recognition, so when the "Finished" appears, we just note the transition but not the text. So the sequence is: close-up eye with mascara wand, then eye with applied mascara, then both eyes, then cut to person indoors.

Now, concisely in chronological order. Let's structure:

The video begins with a close-up of a person's eye as a black mascara wand applies product to the lower lashes. The wand moves across the lashes, then the camera pulls back slightly to reveal both eyes with applied mascara. The scene transitions to a medium shot of the person indoors, positioned near a sliding door with a room containing furniture and plants in the background. The camera remains static in the indoor scene.

Check the rules: a) motion chronologically – yes, wand application, then showing both eyes, then transition. b) appearance: mascara wand (black), eyes (brown?), but need to be brief. The video shows the eye with brown iris. c) spatial: wand in front of the eye, then the person near the sliding door. d) camera: starts close-up, pulls back to show both eyes, then cuts to medium shot (static). e) background minimal: only the room and plants in the indoor scene, which is essential for understanding the setting. f) exclude text – we don't mention "Finished". g) no reasoning.

So draft:

A close-up of a person’s eye shows a black mascara wand applying product to the lower lashes, moving from the inner to outer corner. The camera shifts to reveal both eyes with mascara applied, then transitions to a medium shot of the person indoors near a sliding door, with furniture and plants visible in the background. The camera remains static in the indoor scene.

Check if it's concise. Let's make sure. "A close-up of a person’s eye shows a black mascara wand applying product to the lower lashes, moving from the inner to outer corner. The camera shifts to reveal both eyes with mascara applied, then transitions to a medium shot of the person indoors near a sliding door, with furniture and plants visible in the background. The camera remains static in the indoor scene."

Is "moving from the inner to outer corner" correct? The first frame shows the wand on the lower lash, so movement across the lower lash. Then the next frames show the eye, then both eyes. Yes.

Another check: "A close-up of a person’s eye as a black mascara wand applies product to the lower lashes. The camera pulls back to show both eyes with mascara applied, then transitions to a medium shot of the person indoors near a sliding door, with furniture and plants in the background. The camera remains static in the indoor scene."

That's a bit shorter. Let's see.

Make sure to include the chronological order: wand application on one eye, then both eyes, then the person indoors.

Yes. Now, check for rules. No text, no names. Spatial: wand in front of eye, person near sliding door. Camera movement: close-up, pulls back (to show both eyes), then cut to medium shot (static). Background minimal: furniture and plants in the indoor scene are just mentioned as part of the setting, which is essential for the scene transition.
</think>

<caption_output>A close-up of a person’s eye shows a black mascara wand applying product to the lower lashes. The camera pulls back to reveal both eyes with

Discrete solid objects moving: the person's eye (blinking and gaze shifts), mascara wand (applying makeup), and the person's head/hand (adjusting hair and talking).

The background (white card, room interior) is static throughout. No fire, water, smoke, or wind is present; environmental motion is absent.


A man in a white T-shirt and gray pants holds a red frisbee on a rocky terrain with a rocky cliff in the background. He steps to his left and then throws the frisbee. The camera remains stationary.

A man is moving: walking and gesturing. He is a discrete solid object exhibiting locomotion and voluntary movement (e.g., pointing, walking).

Background (rocks and sand) is static with no fluid or environmental motion. No significant ambient effects observed.


A person in a dark shirt and light jeans steps onto a stool positioned near a white house's green hedge, trims the bushes while standing on the stool, moves around the hedge, and then steps down from the stool. The camera remains static throughout.

A person is moving while trimming bushes with a hedge trimmer, exhibiting locomotion (walking/stepping) and tool manipulation.

Background elements (house wall, bushes) are static with no uniform shifting or fluid/environmental motion (e.g., wind, water) dominating the scene.


The video depicts a pool hall with multiple green tables and red flooring. A man in a white shirt stands at the central table, preparing to take a shot with a pool cue. Simultaneously, another man in a white shirt moves leftward from a nearby table toward the back wall. A third man in a blue shirt enters from the right side of the frame, walks past the central table, and exits toward the left. The camera remains stationary throughout, capturing the scene from a fixed perspective.

Discrete objects moving: Cue ball (hit by cue stick and moving across table), person in white shirt (taking shot and minor repositioning), person in blue shirt (walking around table and exiting frame). All movements are due to physical locomotion or collision.

Background elements (walls, pool tables, ceiling lights) show no uniform shifting or fluid motion. No fire, water, smoke, or wind present; environment is static.


RAW CAPTION: Got it, let's tackle this video caption. First, the video starts with a man in a dark suit bending over a table with a cake. He's near a woman in a white dress standing by the table. Then he straightens up, and the woman moves slightly. The background has a room with tables and chairs, but I need to keep background minimal. Let's check the rules: chronological order, focus on motion, main subjects.

First frame: man bends over, woman stands. Then he stands up, woman shifts. The cake is on the table. The man is dark suit, woman white dress. Spatial: man is in front of the woman? Wait, the woman is standing near the table, man bends over. Then he stands, moves back. Need to describe motion step by step.

Check the frames:

0.0s: woman (white dress) standing near table with cake, man (dark suit) bending over table.

0.3s: man still bent, woman maybe adjusting.

1.4s: man stands up, woman remains.

2.5s: man stands up, woman is to his left (since he's turning, maybe). Wait, in frame 2.5s, the man is standing, looking at the cake. Wait, let's parse each frame:

Frame 0: woman (white dress) standing, man (dark suit) bent over cake on table.

Frame 1: same, but man is still bent, woman maybe moving.

Frame 2: man straightens up, turns towards woman.

Frame 3: man stands fully, woman is to his left.

Frame 4: man and woman interact, man gestures, woman moves.

Frame 5: man bends again, woman steps away.

Wait, the video is 5 seconds. Let's list each frame:

[0.0] Woman (white dress) stands left of table with cake; man (dark suit) bends over table.

[0.3] Man remains bent, woman adjusts.

[1.4] Man stands up, woman shifts.

[2.5] Man stands, turns towards woman; woman steps away.

[3.6] Man leans towards woman, she steps back.

[4.7] Man bends again, woman moves away.

Wait, the user provided frames: 0 to 4.7. Let's see:

0.0s: woman (white, standing), man (dark suit, bent over table).

1.4s: same positions? Or slight movement.

2.5s: man stands, woman is to his left.

3.6s: man and woman face each other.

4.7s: man bends again.

Need to capture motion chronologically.

Main subjects: woman (white dress), man (dark suit).

Actions: man bends over table, stands up, interacts with woman, bends again.

Spatial: woman is near the table, man is at the table. Woman is to the left of the man initially.

Background: tables and chairs, but minimal.

Camera: seems static, no movement mentioned.

So, start with woman standing, man bending. Then man stands, woman moves. Then man interacts, woman steps back. Then man bends again.

Let's structure:

At the beginning, a woman in a white dress stands beside a table with a cake; a man in a dark suit bends over the table. The man then stands up, turns toward the woman, who steps back. The man gestures with his hand while the woman adjusts her position, then bends over the table again as the woman moves away. The camera remains static throughout.

Wait, check rules: concise, chronological. Let's make it shorter.

"Initially, a woman in a white dress stands near a table with a cake while a man in a dark suit bends over it. The man stands up, turns toward the woman, who steps back. The man gestures with his hand as the woman adjusts her position, then bends over the table again as the woman moves away. The camera remains static."

Check if minimal background: yes, since it's minimal. Mention appearance: white dress, dark suit. Motion: bend, stand, turn, step, gesture, adjust, bend again.

Wait, in the frames, the man bends, then stands, then turns, then gestures, then woman steps back. Let's check the frames again:

0.0: woman (white) stands, man (dark) bends.

0.3: same, man still bent.

1.4: man stands up.

2.5: man stands, woman is to his left.

3.6: man and woman face each other (he leans in), woman steps back.

4.7: man bends again, woman moves away.

So chronological order: man bends over table, stands up, turns toward woman, woman steps back, man gestures,

A person in a white dress (bride) and a person in a dark suit (groom) exhibit discrete movements: the groom bends over a table, stands, turns, and interacts with the bride, who shifts position. These motions are clearly physical actions of solid objects.

The background (walls, table, chairs) shows no shifting or fluid motion. No fire, water, smoke, or wind is visible in the scene.


RAW CAPTION: Got it, let's tackle this. First, I need to describe the video in chronological order. The video starts with a dark scene, then a person appears. Let's see: in the first frame, it's dark, maybe a person is there but not visible. Then at 0.3 seconds, a person in a pink top, dark skirt, and black boots is seen with glowing fire sticks. Wait, the description says "glowing fire sticks" but the video shows what looks like fire poi. So the main subject is a person dancing with two fiery objects.

Chronological order: The video begins in darkness, then a person enters the frame, holding glowing fire poi. They start spinning them, creating circular motions. The person moves across the sandy ground, with the fire lights visible. As they dance, they turn and move, the fire poi swirling around. There are other people in the background, but the main focus is the dancer. The camera seems to be at eye level, maybe slightly moving to follow the dancer. Background is dark with some people standing, but minimal description.

Let's structure it:

- Start: Dark scene, then person with glowing fire poi (pink top, dark skirt, black boots) appears.
- Actions: Spins the poi, creating light trails. Moves across the sand, turns, continues spinning.
- Background: Some onlookers in the distance, but not detailed.
- Camera: Follows the dancer, slight movement.

Check rules: focus on motion, chronological, appearance (pink top, dark skirt, black boots), spatial (dancer in center, background people), conclude with camera (follows subject, slight movement).

Now, write concisely:

A person wearing a pink top, dark skirt, and black boots dances with two glowing fire poi on a sandy ground. The dancer moves across the frame, spinning the poi to create bright circular trails of light. As they twist and turn, the fire poi illuminate their motion. In the background, a few figures stand at a distance. The camera follows the dancer's movements with slight shifts.

Wait, check for chronological order: starts with dark, then dancer appears, moves, spins, turns, etc. Need to be precise.

Original frames: [0.0] dark, [0.3] person starts, [1.4] person with poi, [2.5] spinning, [3.6] moving, [4.7] turning.

So: The video opens in darkness, then a person wearing a pink top, dark skirt, and black boots appears, holding two glowing fire poi. They begin spinning the poi, creating bright light trails, and move across the sandy ground. The dancer turns and continues their motion, the poi swirling around them. In the background, several figures are visible but remain still. The camera follows the dancer with minimal movement.

Make sure to mention appearance (pink top, dark skirt, black boots), motion (spinning poi, moving across sand, turning), spatial (dancer central, background figures), camera (follows, minimal movement).

Check rule e: background minimal unless essential. Here, background figures are mentioned but only briefly.

Now, draft:

A person in a pink top, dark skirt, and black boots begins dancing with two glowing fire poi on a sandy surface. They spin the poi, creating bright light trails, and move across the frame while turning. The dancer's motion is illuminated by the poi, with a few onlookers visible in the distant background. The camera follows the dancer with slight adjustments to maintain focus.

Wait, "opens in darkness" is part of the start. Let's include that:

The video starts in darkness, then a person wearing a pink top, dark skirt, and black boots appears, holding two glowing fire poi. They spin the poi, creating bright light trails, move across the sandy ground, and turn. In the background, several figures stand at a distance. The camera follows the dancer’s movements with slight shifts.

Check for conciseness. Remove "starts in darkness" as maybe the first frame is dark but the action starts with the dancer.

Original frames: [0.0] dark, then [0.3] starts showing dancer. So the caption should start with the action.

Another version:

A person wearing a pink top, dark skirt, and black boots dances with two glowing fire poi on a sandy ground. They spin the poi, creating bright circular light trails, move across the frame, and turn. The dancer’s motion is illuminated by the poi, with a few onlookers visible in the background. The camera follows the dancer with minimal movement.

Yes, that's better. Let's check all rules:

a) Motion and behavior: spinning poi, moving across ground, turning. Chronological: starts with dancer appearing, then spinning, moving, turning.

b) Appearance: pink top, dark skirt, black

A performer is moving through space, manipulating light sticks; the motion is controlled locomotion and arm movements.

Background elements (people, ground) are static; no fire, water, smoke, or wind dominant.


A pair of hands with brown skin handles a translucent plastic sheet, positioning it over a white ceramic bowl on a wooden surface. The hands stretch and adjust the sheet to cover the bowl’s opening, moving the sheet in various directions while maintaining contact with the bowl. The camera maintains a top-down perspective throughout, capturing the hands’ precise movements against the simple wooden background.

Hands manipulating a translucent plastic sheet over a white bowl; the plastic sheet deforms and moves due to physical forces applied by the hands.

The background (wooden surface and white bowl) is static; no shifting or environmental motion (fire, water, wind) present.


A kayaker in a white kayak, wearing a red-and-white top, paddles steadily on calm blue water, while a sailboat with a blue sail and red hull, crewed by one person, approaches from behind. The sailboat gradually moves closer to the kayaker, positioning itself slightly to the right. The camera tracks their movement with a slight pan, maintaining focus on both subjects against a distant shoreline.

Two discrete objects are moving: a person in a white kayak paddling (generating forward motion via paddling) and a sailboat with a blue sail sailing in the water. Both motions are driven by explicit physical forces (human paddling, wind on sails).

The background (shoreline, distant trees, and horizon) remains static throughout the video, showing no uniform shifting. The water surface has minimal ripples and is not the dominant motion source.


A person's hands work on a floral-patterned paper; the right hand holds a paintbrush, dipping it into a white container then applying paint to the paper, while the left hand stabilizes the paper. A yellow container and other art supplies are visible on the workspace. The camera captures the scene from a top-down perspective without movement.

A person's hands and a yellow pencil are moving. The hands actively manipulate the pencil to draw on paper, with deliberate motions (e.g., rotating, pressing) indicating controlled physical interaction.

No shifting background or fluid/environmental motion (fire, water, wind). The table, containers, and paper remain static throughout the sequence.


A person wearing a black jacket, brown pants, and a wide-brimmed hat bends down in shallow, rocky water to pick up an object. They stand, bring the object to their mouth, and chew or taste it while walking forward. As they move, another individual in a white cap appears behind them. The camera follows the main subject at a medium distance, maintaining a steady perspective as they traverse the wet, rocky shoreline with the background featuring a distant beach and scattered figures.

A man is performing discrete physical actions: bending to pick up an object, standing upright, and drinking from it. His movements are localized and driven by intentional locomotion.

The beach background (sand, water, distant land) shows minimal wave motion with no dominant fluid or wind-driven phenomena; static elements like trees and distant figures remain stable.


A man in a black sleeveless shirt and dark pants, secured with climbing gear, sits on a rocky ledge. He holds a red rope with his right hand and then raises his arm upward while looking up. Behind him, a green, hilly landscape with distant buildings is visible. The camera remains close to the subject, with a slight shake throughout.

A person (wearing a black tank top and gloves) is adjusting their harness and standing up. Their movements are discrete, voluntary actions (e.g., lifting arms, shifting weight), consistent with physiological locomotion.

The background (hills, greenery, and distant structures) shows minimal movement with no significant fluid or environmental motion (e.g., fire, water, smoke, or strong wind). Tree swaying is negligible and not dominant, indicating ambient elements are not primary.


RAW CAPTION: Got it, let's break this down. First, the video starts with a close-up of an eye. The main subject is a person applying mascara. The eye is visible, with a well-groomed eyebrow. Then, a mascara wand (black, with a brush tip) is used to coat the eyelashes. The action is applying mascara from the roots to the tips. The sequence shows the wand moving across the lashes, building up the length and volume. Then, the scene transitions to a shot of various makeup products—eyelash extensions in boxes, a blue ribbon on a gift box, and a card with "Queen" (but we can't mention text per rules f). Wait, the second frame (scene 6) is a top-down view of products, but the first part is the eye. Wait, the video has two parts: the first part (0-5 seconds) is the eye with mascara application, then the next part is the product display.

Wait, the user provided 6 frames: [0.0], [1.0], [2.0], [3.0], [4.0], [5.0]. Let's check each:

Frame 0: Close-up of an eye, person's hand is touching the eye (maybe wiping? but first frame is eye with open eyelid).

Frame 1: Hand (finger) is on the eyelid? Wait, no, the first frame shows a hand applying something (maybe eyeliner) but the second frame is the mascara application.

Wait, the sequence:

0.0: Eye with eyelashes, maybe before mascara.

1.0: A finger (or tool) is near the eye, maybe eyeliner?

Wait, no. Wait the first part is applying mascara. Let's see:

At 0.0: Close-up of an eye, eyelid partially open, mascara is being applied. The wand is coming in.

Wait, the user's video description: the first frame is an eye with a hand applying something (mascara). Then frame 1: hand still there. Then frame 2: wand applying. So the main action is a hand applying mascara to an eyelash.

Then the transition: after the mascara application, the next scene is a top-down view of various makeup products: eyelash extension boxes (white with black, two pairs each), a gift box with a blue ribbon, and a card (which is "Queen", but exclude text).

Wait, but the user's video description says:

[0.0] ... [5.0] which is a top-down view of products.

So the video has two segments: first, applying mascara to an eye (close-up), then a top-down shot of makeup products.

Now, for the caption, follow the rules:

a) Focus on motion and behavior of main subjects chronologically.

First part: A person's hand uses a mascara wand (black, brush tip) to apply mascara to an eyelash. The eyelash is long, dark. The action starts with the wand approaching the lashes, then moving along the lashes to coat them. Then, the scene transitions to a top-down view of several makeup products: two pairs of eyelash extension cases (white with black labels), a gift box with a blue ribbon, and a card.

b) Describe appearance and number: mascara wand is black, eyelashes are long, dark. Products: multiple eyelash extension cases (two pairs), a gift box, a card.

c) Spatial relationships: In the first part, the hand and wand are in front of the eye. In the second part, the products are arranged on a surface (top-down).

d) Conclude camera perspective: First part is close-up (eye), then top-down.

e) Background minimal: first part has minimal background (eye area), second part is the product arrangement.

f) Exclude text: "Queen" on the card is excluded.

g) Think internally.

Now, structure the paragraph chronologically:

First, the mascara application: a hand uses a black mascara wand to apply product to an eyelash, moving from the base to the tip, coating the lashes. Then, the camera cuts to a top-down view of makeup items, including multiple eyelash extension cases (white boxes), a gift box with a blue ribbon, and a card, all placed on a flat surface.

Wait, check if the number is correct. The products: two pairs of eyelash extension cases (so four individual cases? But the description says "two pairs", each pair in a box. So boxes are white with black, two pairs (so two boxes with two pairs each? Or each box has a pair, so multiple boxes). The description says: "two pairs of eyelash extension cases (white with black labels), a gift box with blue ribbon, a card". So in the top-down shot, there are

Discrete objects include the mascara wand (moving to apply makeup) and the hand (applying product). The eyelashes are being altered via direct contact with the wand.

No shifting background elements observed; no fire, water, smoke, or wind motion present. Static background is absent in the primary eye-focused frames, with only a brief table scene at the end.


A person in a gray sweatshirt and gray pants lifts a barbell with green and yellow weights from shoulder height to overhead, holds it briefly, then lowers it back down. The scene occurs in a gym with wooden boxes and an Adidas banner visible in the background. The camera remains stationary, capturing the full motion from a fixed angle.

A person is lifting a barbell in a gym. The barbell moves from the shoulders to an overhead position and back down, driven by the person's muscular effort.

No shifting backgrounds or fluid/environmental motion (fire, water, wind) observed. Background elements (walls, equipment) remain stationary relative to the frame.


A young child in a light shirt and jeans stands among a group of sheep in a fenced, sandy area as an adult in a striped shirt and jeans gestures toward the sheep from the left. The child moves closer to the sheep, reaching out as the sheep crowd around and nuzzle the child. The camera slightly shakes and pans, following the child’s movement through the scene.

Child (white shirt, blue pants) and adult (light shirt, blue jeans) exhibit slight locomotion; multiple sheep (white, brown, black) move naturally and interact with humans and each other.

No shifting background elements (ground and fence posts remain stable throughout); no dominant fluid/environmental motion (no fire, water, smoke, or visible wind-driven motion like dust billowing).


A person wearing a white t-shirt and dark pants rides a unicycle down a residential street, extending arms for balance while moving forward. The camera follows behind, maintaining a steady but slightly shaky perspective, with a dark fence and houses visible in the background.

A person on a unicycle is moving forward due to pedaling.

The background (houses, hedges) is static and stationary; no fluid or wind motion detected.


A white-gloved hand applies dark, glossy hard wax to a person's lower back skin, spreading it smoothly across the area before swiftly removing it. To the left, a package of blue hard wax beads is visible, and to the right, a purple wax warmer with wooden sticks appears. The camera maintains a static view, focusing on the central sequence of wax application and removal across the three-panel layout.

A hand (wearing a glove) applies a wax strip to the skin and then pulls it off. The motion involves the hand moving the strip, causing the wax to adhere and remove hair.

The background (skin and surrounding area) is static; no fluid, fire, water, or wind motion observed. The video is split into three panels, but the central panel's background (skin) does not shift uniformly.


RAW CAPTION: Okay, let's see. The user wants me to generate a concise, chronological paragraph for the video based on the provided frames. The rules are specific, so I need to follow them carefully.

First, the video starts with a close-up of a container with a white creamy substance being stirred. There's a hand holding the container and a yellow spatula mixing it. The text "MIX WELL" is visible. Then, the scene transitions to someone holding a bottle labeled "IRIS DIFFUSER OIL (APPLE CINNAMON)".

The main subjects here are the hand stirring the mixture, the container, the spatula, and the oil bottle. I need to describe their actions in order. The stirring motion is key here. The spatula is yellow, the container is clear plastic, and the mixture is white. The hand is holding the container from the left side.

Next, the scene changes to showing the essential oil bottle. The hand is now holding the bottle, which is white with green text. The bottle is labeled for Apple Cinnamon. So the transition is from stirring to adding the oil.

I need to mention the spatial relationships. The spatula is inside the container, moving in a circular motion. The hand holding the container is on the left. Then the hand moves to hold the bottle, which is now in the frame.

The camera perspective is top-down initially for the stirring, then shifts to a close-up of the bottle. The background is minimal, just the container and the hand.

I have to exclude text recognition, so I shouldn't mention "MIX WELL" or the brand name. Wait, but rule f says to exclude text recognition. So even though "MIX WELL" is there, I shouldn't include it. But the user's example in the problem statement shows that the text is part of the video, but according to the rules, I need to exclude it. Wait, the rules say: "Exclude text recognition, named characters, or stylistic analysis." So the "MIX WELL" text should not be mentioned. But the video has that text, but per the rules, I need to ignore it.

So in the caption, I should describe the actions without mentioning the text.

Wait, the first part is a hand stirring a white creamy substance in a clear container with a yellow spatula. Then the scene changes to a hand holding an essential oil bottle labeled for Apple Cinnamon.

But according to the rules, exclude text recognition, so even the label text shouldn't be included. Wait, the rule f says "Exclude text recognition, named characters, or stylistic analysis." So if the bottle has text like "Apple Cinnamon", I shouldn't mention it. But the user provided the video frames where the bottle is labeled, so perhaps the caption should refer to the oil as "essential oil" without specifying the type. Wait, the problem says to exclude text recognition, so maybe just say "essential oil bottle" without the flavor. Let me check the example.

In the initial problem statement, the video shows "IRIS DIFFUSER OIL (APPLE CINNAMON)" but according to the rules, we must exclude text recognition. So in the caption, we can't mention the specific type of oil. So just say "essential oil bottle".

Wait, but the user's example for the output format doesn't have any mention of the text, so the correct approach is to describe the objects without referencing the text. So in the second part, the hand is holding an essential oil bottle, which is white with green labeling, but the caption should say "hand holding a white essential oil bottle with green text" but since we can't mention text, perhaps "hand holding a white essential oil bottle".

Wait, the rule says "Exclude text recognition", so we shouldn't mention any text on the bottle. So just describe the bottle's appearance as a white bottle with a green label, but since text recognition is excluded, perhaps just say "white bottle".

Wait, the example given in the user's instruction has a sample where the caption would include "ADD ESSENTIAL OIL (APPLE CINNAMON)" but according to the rules, that's excluded. Wait, the user's problem states that in the video, the text "MIX WELL" is present, but the caption should exclude it. So in the final output, I should not mention any text from the video.

Therefore, the caption should focus on the motion and the objects without mentioning the text.

So the steps:

First scene: A hand holds a clear container filled with a white creamy substance. A yellow spatula stirs the mixture in a circular motion. The container is on a wooden surface.

Second scene: The hand now holds a white essential oil bottle with a green label, presenting it to the camera.

But according to rules, exclude text recognition, so the green label's text isn't mentioned

A yellow spatula is stirring a white mixture in a bowl; a hand holds the bowl and a bottle of essential oil appears later.

No shifting background elements; mixture motion is induced by spatula stirring, not inherent environmental flow (no fire, water, smoke, or wind dominance).


RAW CAPTION: Got it, let's break this down. The video shows a person interacting with cards on a table. First, the person is shuffling cards (they're holding a deck). Then, they place a few cards face up on the table: 9 of spades, 3 of hearts, and 7 of diamonds? Wait, no, the cards shown are 9 of spades, 3 of hearts, and 7 of diamonds? Wait, the video starts with the person holding a deck, then they place cards on the table. Let's check the frames. The main subject is a person wearing a white shirt with a design, a tattoo on their arm, and a bracelet. They have a deck of cards. The action: they shuffle the deck (first frame, hands moving), then lay out cards on the table. The table has a wooden surface, and there's a brown couch and a box in the background, but background should be minimal. The cards are face up on the table. The person's hands move to place the cards, then maybe pick them up again? Wait, the sequence is: hands shuffling (frame 0), then hands spread to place cards (frame 1: hands moving, cards on table), frame 2: hands on table, cards visible, frame 3: hands moving, frame 4: cards being rearranged. The key motions: shuffling, placing cards on the table, rearranging the cards. The person's appearance: white shirt with pattern, tattoo on left arm, bracelet. The cards are on the table, face up. Camera is top-down, looking straight down at the table. No text, no named characters. Need to describe chronologically.

So the caption should start with the person shuffling cards, then laying them out on the table, adjusting their positions. Mention the appearance of the person (white shirt, tattoo, bracelet), the cards (face up on table), spatial relationship (cards on the table in front of the person). Camera perspective: top-down, no movement mentioned, so just top-down.

Let's structure it:

A person wearing a white shirt with a colorful design, a visible arm tattoo, and a bracelet shuffles a deck of cards. They then place three face-up playing cards (9 of spades, 3 of hearts, and 7 of diamonds) onto a wooden table in front of them, adjusting their positions with their hands. The background includes a brown couch and a cardboard box, but the focus remains on the card placement. The camera maintains a top-down perspective throughout.

Wait, but need to check the exact card faces. The video shows 9 of spades, 3 of hearts, 7 of diamonds? Wait, the first frame: 9♠, 3♥, 7♦? Wait, the user's video description: <0.3 seconds> the person is shuffling. Then <1.4> hands on table, cards laid out: 9♠, 3♥, 7♦? Let's see: in the frames, the cards are 9 of spades, 3 of hearts, 7 of diamonds. But the caption should describe the cards as face-up on the table, maybe not the exact ranks unless necessary. Wait, the rules say "briefly describe their appearance and number (color, size, orientation)". So the cards are face-up, playing cards (color: red and black suits, size: standard deck), orientation: lying flat on the table. The person's hands move to place the cards. So the caption:

A person in a white patterned shirt with an arm tattoo and bracelet shuffles a deck of cards, then places three face-up playing cards (with red and black suits) onto a wooden table in front of them. They adjust the cards' positions with their hands. The camera remains stationary in a top-down view, capturing the table and the person’s hands.

But need to be concise. Let's check the rules:

a) Chronological motion: shuffling, placing cards, adjusting.

b) Appearance: person's shirt (white with design), tattoo, bracelet; cards (face-up, standard deck).

c) Spatial: cards on table in front of person.

d) Camera: top-down.

e) Background minimal: couch, box, but maybe mention only if essential. The background is just a couch and box, but since the focus is on the action, maybe omit unless necessary. The problem says "exclude text recognition", but the cards' suits are part of the objects' appearance.

Wait, the rules say "briefly describe their appearance and number (color, size, orientation)". So cards: color (red and black), size (standard), orientation (face-up on table). The person: white shirt, tattoo on arm, bracelet.

Putting it all together:

A person wearing a white patterned shirt

Discrete solid objects (person's hands, playing cards) exhibit motion: hands shuffling and placing cards, with cards being moved and stacked. These movements are distinct, solid interactions driven by physical forces (shuffling, handling cards).

Background elements (wooden table, brown chair) are static and show no shifting or environmental fluid motion (fire, water, smoke). No ambient environmental features dominate the scene.


A person wearing a hat and long coat holds a megaphone close to their mouth, adjusting the device slightly while speaking into it. The subject remains centered in the frame with minimal movement, positioned against a bright background. The camera maintains a steady medium close-up perspective throughout.

A person wearing a hat and coat holding a megaphone shows subtle head and mouth movements consistent with speaking, indicating localized discrete object motion.

The background is a uniform white with no discernible features or shifts; no fluid/environmental motion (fire, water, wind) is present.


A person wearing a white shirt, khaki pants, and white shoes dances in a room with wooden flooring. They step forward, swing their arms, jump with one leg lifted, and shift body position in front of a banner on the wall. The camera remains stationary, capturing the sequence from a fixed angle.

The man is the primary discrete object performing a dance routine with coordinated movements of arms, legs, and torso, driven by explicit physical forces (locomotion and body motion).

No shifting background or fluid/environmental motion observed. Background elements (walls, door, framed pictures) remain static throughout the video, indicating no ambient environmental effects.


A person in a blue coverall, green gloves, and blue cap walks down a narrow metal walkway between concrete walls, using a long-handled tool to push debris forward; the individual moves away from the camera along the path, maintaining a steady pace while working on the wet surface. The camera remains stationary, capturing the scene from a fixed position.

A person wearing blue overalls and a helmet is walking along the corridor, moving towards the camera and then away.

Background elements (concrete walls, metal railings) are static with no environmental motion (fire, water, smoke, wind).


A man in a black T-shirt, gray jeans, and white sneakers operates a yellow and green floor sander in a room with brown walls and white trim. He starts by pushing the sander along the wall, then turns and moves it toward the window, maintaining contact with the light wooden floor. The camera remains stationary throughout the sequence, capturing the action from a fixed position.

The person operating the vacuum cleaner and the vacuum cleaner itself are discrete solid objects exhibiting motion due to intentional locomotion and physical interaction.

The background (walls, window, floor) shows no shifting or uniform motion; no fluid/environmental elements like fire, water, or smoke are present.


A person wearing a light blue t-shirt and white shorts, barefoot, sits on a dark chair. They move their arms in a rhythmic motion, then pull their shorts up. The background includes a fireplace and red furniture. The camera is static with a slight shake.

A person is moving their arms and legs rhythmically in a dance-like manner.

The background (blue wall, red chairs) is static and shows no fluid motion (fire, water, smoke, wind).


A boy in a green shirt and beige pants sits on the floor, adjusting blue plastic cups arranged in a pyramid. He moves a cup from the right side, lifts another, and repositions them to alter the structure. The camera remains stationary, capturing the activity from a fixed overhead perspective.

Solid blue cups are manipulated by a boy's hands—picked up, repositioned, and stacked—demonstrating explicit physical interaction and displacement.

Background elements (wooden dresser, crib) remain stationary with no uniform shifting; no fire, water, smoke, or wind motion present.


A person in a dark shirt and light pants is positioned at the top of a wooden staircase, bending over while handling blue hoses. They then descend the stairs while continuing to maneuver the hoses. The camera maintains a fixed top-down perspective, capturing the person's movement from the upper to lower sections of the stairwell.

A person at the top of the staircase is moving slightly (bending over and adjusting position).

Background is static (staircase and walls). No fluid/environmental motion (fire, water, wind) observed.


A woman with long dark hair and a black top sits at a table cluttered with papers, a green object, and a striped bag. She leans forward, then turns her back to the camera, moving her right arm across the table as she handles an object. The camera remains static, capturing her actions against a brick wall and blue door background.

The woman (discrete solid object) is moving by turning her head, shifting her body, and making hand gestures. Other objects on the desk are stationary.

No shifting background (brick wall and blue door are stationary). No environmental fluids (fire, water, smoke, wind) observed.


The video opens with a blurry frame, then shifts to a top-down view of two people's hands working on a red and yellow patterned table. One person rolls a white fabric item while the other adjusts white cloths; a green plastic object and purple cloth lie nearby. The camera remains steady, focusing on the hands and table surface.

Discrete solid objects include hands (from at least two individuals) actively folding and manipulating a white cloth; the cloth is being moved by explicit physical forces from the hands.

The background consists of a static tablecloth with a consistent red and yellow pattern; no ambient environmental elements such as fire, water, smoke, or wind are present.


A person wearing a denim shirt over a gray shirt cuts an onion half on a dark cutting board; their right hand holds the knife, slicing the onion while the left hand steadies it, with another onion half positioned to the left on the board. The camera maintains a top-down perspective throughout the sequence, capturing the hands and cutting board in the foreground against a kitchen background with stacked storage baskets visible. No other significant movements or subjects are present.

A person's hands are actively moving a knife to slice an onion on a cutting board. The knife's motion is discrete and controlled, causing the onion to split into pieces.

The kitchen countertop, containers, and sink in the background show no shifting or fluid motion. No fire, water, smoke, or wind is visible; the scene is dry and static.


A girl wearing a light blue shirt and red shorts stands in front of a mirror in a bedroom, raising her hands to adjust her hair. She moves her hands repeatedly near her head, maintaining a consistent position in front of the mirror. The camera remains stationary, focusing on her upper body and the bed with a floral-patterned bedspread in the foreground.

A person (reflected in mirror) is moving their hands and arms above their head, adjusting hair or similar.

The background walls and bed are static; no fluid or environmental motion (e.g., fire, water, wind) is present.


Three children stand in front of a weather forecast display. The child in a blue shirt shifts position and gestures with their arm, then the child in a dark shirt moves their hands while looking downward, followed by the child in an orange shirt adjusting their stance. The camera remains stationary in a frontal view throughout.

Three children exhibit minimal movements (shifting weight, adjusting posture).

The background (weather forecast board) is static with no environmental motion (fire, water, wind).


Three people are on a couch; a woman in a pink shirt lies on the left with her hand near her mouth, a woman in a gray tank top and pink pants sits in the center moving her arms animatedly, and a child in an orange shirt sits behind her. The woman in gray gestures with her hands while the child shifts position. The camera captures the scene from a close, handheld angle with slight shake.

The woman in the gray tank top moves her legs, adjusts her position, and gestures with her hands. The woman in the red shirt remains seated but may shift slightly. The woman in the pink shirt is mostly stationary.

The background (walls, furniture) shows no uniform shifting. No fluid or environmental motion (fire, water, smoke, wind) is present.


RAW CAPTION: Got it, let's break down the video. First, the scene is a football game. Players in red and white uniforms are running. Let's check the sequence.

At the start (0.0s), several players in red and white are sprinting across the field. The red team has players with red jerseys and white pants, white team with white jerseys and maybe dark pants? Wait, the first frame shows reds and whites running. Then the camera moves, maybe following the action.

In frame 1.0s, a referee in black and white stripes is visible, running towards the action. Then at 2.5s, a player in white (maybe) is tackled by a red player? Wait, the third frame (2.5s) shows a player in white being tackled by red. Then frame 3.6s, players are still running, referee is there. Frame 4.0s, more running. Frame 4.7s, referee is still moving.

Need to chronologically describe: start with players running, then tackle, then continue running. Mention colors: red uniforms (jerseys and pants), white uniforms (jerseys, maybe different pants). Number: several players, maybe 5-6 visible.

Spatial: red and white teams running towards each other or same direction? The first frame shows both teams running, maybe in a play. The tackle happens, then players keep running.

Camera: starts with wide shot, then maybe follows the players, so the camera moves with the action, possibly panning.

Background: trees and field, but minimal.

Let's structure it:

Initially, multiple players in red jerseys and white pants sprint across a grassy field, alongside players in white jerseys and dark pants. A referee in black-and-white striped uniform enters the frame, running towards the action. As the sequence progresses, a player in white is tackled by a red-clad opponent. Subsequently, players from both teams continue running, with the referee moving alongside the play. The camera follows the players’ movement, panning slightly to capture the unfolding action.

Wait, check if the white team's pants are white or dark. The first frame: white team players—maybe white jerseys and dark pants? Or light gray? The problem says "briefly describe appearance". Let's see: "players in red and white uniforms" so red jerseys/pants, white jerseys/pants. But maybe the white team has different pants? The video might have white jerseys with dark pants (like the first frame shows some white jerseys with dark pants, red with white). Let's check.

Frame 0: red players (red jerseys, white pants) and white players (white jerseys, maybe dark pants—since the third frame, the player tackled is wearing white jersey, dark pants? Or light gray? The description says "white uniforms", but maybe the white team has white jerseys and dark pants.

So, main subjects: multiple players in red jerseys and white pants, and white jerseys with dark pants (or white jerseys and white pants? Not sure. But the key is to note color.

Chronologically:

At the beginning, a group of football players in red jerseys and white pants run across a grassy field, accompanied by players in white jerseys and dark pants. A referee in a black-and-white striped uniform runs into the frame from behind. As the video progresses, a player in a white jersey and dark pants is tackled by a player in a red jersey and white pants. Following the tackle, both teams continue sprinting, with the referee moving to stay in the action. The camera pans to follow the runners, maintaining a dynamic perspective of the play.

Wait, the rules say "keep background descriptions minimal unless essential". So background is grassy field, trees, but maybe just mention the field.

Let me check the frames:

[0.0] Several players in red jerseys and white pants sprint forward; white jerseys (maybe dark pants) players also sprint. Background: trees.

[1.4] Referee enters, running towards the action.

[2.5] A player in white is tackled by red.

[3.6] Players continue running, referee near.

[4.7] Players running, referee is still moving.

So the caption should be in chronological order.

Let's draft:

A group of football players, including those in red jerseys and white pants and others in white jerseys with dark pants, sprint across a grassy field. A referee in a black-and-white striped uniform runs into the frame from behind. As the play continues, a player in a white jersey and dark pants is tackled by a red-jerseyed opponent. Subsequently, both teams resume sprinting, with the referee moving alongside the action. The camera follows the runners, panning slightly to capture the movement.

Check the rules: mention appearance (color, size, orientation) but "size" might not

Multiple players (red/white jerseys) engaging in active locomotion (running, chasing, physical collisions) and ball handling. Solid, distinct objects exhibiting clear physical interactions.

Static trees and field with no significant wind-induced swaying or fluid motion (fire, water, smoke). Background elements remain stable throughout.


RAW CAPTION: Got it, let's tackle this captioning task. First, I need to focus on the motion and behavior of the main subject here. The video shows a Sudoku puzzle on a screen, and a finger interacting with it.

Looking at the timestamps: at 0.0s, the screen shows the Sudoku grid. Then a finger appears, moving to the right, clicking on a cell. Wait, in frame 1 (0.3s), a finger is at the top, then in frame 2 (1.4s), the finger moves to the cell with 9, then in frame 3, the finger moves to another cell, and so on. The finger is tapping different cells.

Wait, the main subject is the finger (a human hand part), so describe its motion. The finger is moving across the Sudoku grid, tapping cells. Let's note the sequence: starts at the top, moves to different cells, maybe changing the numbers? Wait, but the rules say exclude text recognition, so don't mention the numbers. Just the finger's action.

Appearance: finger is a human finger, color skin tone (but since it's a video, maybe just "a finger" without color unless essential). The finger is interacting with the touchscreen.

Spatial relationships: the finger is on the Sudoku grid, which is on a screen. The grid has yellow cells, but since background is minimal, maybe just mention the grid is on the screen.

Chronological order: The finger first appears at the top of the grid (frame 1), then moves right, taps a cell (frame 2), then moves to another cell (frame 3), then another (frame 4), then to a cell with a triangle (frame 5).

Wait, the video frames: [0.0], [0.3], [1.4], [2.5], [3.6], [4.7], [5.8]? Wait no, the user provided frames as [0.0], [0.3], etc. Wait the input shows: [0.0] is the initial frame, then [1.4], [2.5], [3.6], [4.7], [5.8]? Wait the user's input has 6 frames:

<0.3 seconds> [frame 0.3]

<1.4> [frame 1.4]

<2.5> [frame 2.5]

<3.6> [frame 3.6]

<4.7> [frame 4.7]

<5.8>? Wait the user's input says:

<0.3 seconds> (frame 0.3)

[1.4] (frame 1.4)

[2.5] (frame 2.5)

[3.6] (frame 3.6)

[4.7] (frame 4.7)

Then the last part shows the finger moving to a triangle, but the input has up to <4.7>?

Wait the user's input is:

[0.3] [1.4] [2.5] [3.6] [4.7] (and the next frame is the last one with the finger at the triangle)

Wait the user's input lists each frame as <0.3 seconds> ... etc., but the actual video is a sequence of frames. So the motion is:

At frame 0.3: finger is at the top, moving right.

At 1.4: finger is on the cell with 9 (but no text recognition).

At 2.5: finger moves left.

At 3.6: finger moves to a cell above.

At 4.7: finger moves to a cell, then at 5.8 (not shown) but the last frame is finger at triangle.

But according to the problem, focus on chronological order of the main subject (finger) motion.

The main subject is the finger (human hand part), moving across the Sudoku grid on a screen.

Chronological description: A finger enters the frame from the top of the Sudoku grid screen, moving rightward to tap a cell, then shifts leftward to tap another cell, continues moving across the grid, and finally taps a cell with a triangle symbol.

Appearance: The finger is a light-skinned human finger, relatively short, interacting with the touchscreen.

Spatial relationships: The finger is on the Sudoku grid, which is displayed on a screen (the grid occupies most of the frame, with a vertical yellow column on the left, etc. but background minimal).

Camera perspective: Top-down view of the screen, no significant camera movement.

Wait, rules say exclude text recognition, so don't mention the triangle or numbers. So just say "a cell with a symbol (but no, exclude text recognition. So

A pencil (discrete solid object) is moved across the Sudoku grid to point at specific numbers, indicating intentional physical movement by a hand.

Static Sudoku grid and interface elements (e.g., 'Borrar', 'Guarda') show no shifting or fluid motion; no fire, water, smoke, or wind present.


A young girl in a pink ruffled top holds a green toy with a yellow handle, rotating it in circular motions. She then turns her head to the side, focusing on the toy. The camera remains close, capturing slight movements as she shifts her attention.

The girl and her green toy (with yellow handle) are moving in a circular motion via her arm manipulations.

Background elements (wall, cabinet, toys) show no uniform shifting or fluid motion; no fire, water, or smoke observed.


A man in a red shirt and blue jeans holds a long rod with an orange tip as he walks through an industrial workshop, approaching a workbench, rotating the rod horizontally, then moving rightward while passing another person working in the background. The camera follows his motion with slight shake.

A person in a red shirt moves across the frame while handling a long rod; another individual in the background also moves. Both exhibit solid, distinct motion due to explicit physical actions.

Background elements (shelves, tools, walls) remain static with no uniform shifting. Minor fire presence in the background is not dominant motion.


RAW CAPTION: Okay, let's tackle this captioning task. First, I need to understand the video frames provided. The user wants a concise, chronological paragraph focusing on the motion and behavior of main subjects, their appearance, spatial relationships, camera perspective, and following the rules.

Looking at the first frame: there's a black vintage car with a person inside. A woman is sitting on the curb, holding a small dog. There are pink flamingo decorations on the car. The background has a house with a gate.

Second frame: The scene shifts. A woman is pushing a stroller. She's wearing a beige coat and dark skirt. There's a boy in the foreground with a pink umbrella. A silver car is parked behind her. The background has trees and a sidewalk.

Third frame: The woman continues pushing the stroller. The boy is still there, holding a yellow and black umbrella. The silver car remains in the background. The environment shows a residential street.

Fourth frame: The scene changes to a brick building with a large window. No people visible, just the building. Maybe a quick cut to another location.

Now, I need to order these chronologically. The first part shows the car and the woman with the dog, then transitions to the woman pushing the stroller with the boy. The camera moves from the car scene to the street scene where the woman is pushing the stroller, then possibly another scene with the brick building. Wait, the user's example says the video has 5 frames, but the provided frames are 0 to 4. Wait, the user's input lists frames [0.3], [1.4], [2.5], [3.6], [4.7], so five frames. Wait, but the example shows four frames. Let me check again.

Wait, the user provided five frames: 0.3s, 1.4s, 2.5s, 3.6s, 4.7s. So the first frame is the car with the woman and dog. Then the next scene shows the woman pushing a stroller on the sidewalk. Then another shot of the same woman pushing the stroller. Then the scene shifts to the brick building.

Wait, the first frame (0.3s) shows a black vintage car with a woman sitting on the curb with a dog, pink flamingos. Then at 1.4s, the scene changes to a woman pushing a stroller with a boy in the foreground holding pink umbrellas. Then at 2.5s, same as previous, maybe the woman continues. Then 3.6s, the woman is still pushing the stroller, and at 4.7s, the scene shifts to a brick building with a window.

Wait, but the user's instruction says "chronological paragraph," so the order should follow the sequence of the frames. Let's break it down.

Frame 0.3: Black vintage car, woman sitting on curb with dog, pink flamingos on car. House in background.

Frame 1.4: Woman in beige coat pushing a stroller on sidewalk. Boy in foreground with pink umbrellas (maybe two? since there are two pink flamingos in the first frame, but maybe the umbrellas are pink). A silver car parked behind.

Frame 2.5: Same as frame 1.4 but maybe the woman is moving the stroller. The boy is still there.

Frame 3.6: Same scene. Woman pushing stroller, boy with umbrellas.

Frame 4.7: Brick building with large window.

Wait, but the problem is that the transition between frames. So the video starts with the car scene, then cuts to the woman pushing the stroller, then maybe a different angle, then the brick building.

But according to the rules, the caption should describe the motion in chronological order. So first the car scene, then the stroller scene, then the brick building.

Wait, the first frame (0.3s) shows the car, then the next frame (1.4s) is the woman pushing the stroller. So the video starts with the car, then cuts to the stroller scene. The third frame (2.5s) is another angle of the stroller scene. Then the fourth frame (3.6s) is the same. Then frame 4.7s is the brick building. Wait, but in the user's example, the frames are 0.3s, 1.4s, 2.5s, 3.6s, 4.7s, but the user's description says "the provided video" with these frames. So the sequence is: first a black car with a woman on the curb and a dog, then a woman pushing a stroller, then the same woman and boy, then the brick building.

The woman in the second scene bends down and stands up, and then walks away. The child in the foreground is stationary. The car and truck are static.

Static background elements (trees, ground, building) are observed. No fluid or wind motion detected.


A person in a green shirt sits on a floral-patterned couch, clapping their hands together, then crossing their arms, followed by pointing with one finger and raising both hands in front of them. The camera remains fixed throughout.

A person in a green shirt is performing deliberate hand/arm movements (e.g., pointing, gesturing), representing solid, distinct object motion driven by physical forces (muscle movement).

Background elements (floral curtain, couch with blanket) are static with no uniform shifting or fluid motion (e.g., fire, water, smoke); no environmental fluid dynamics present.


A person in a dark shirt adjusts a large orange-brown framed artwork on a wall, repositioning it with both hands while other photographs and framed pieces are visible. The camera remains static, observing the action from a fixed angle.

A person (solid object) moves their hand and arm to adjust an orange framed artwork on the wall, showing distinct physical locomotion and interaction.

The wall and framed pictures are static; no fluid/environmental motion (fire, water, smoke, wind) is present. Background elements remain fixed relative to each other.


RAW CAPTION: Okay, let's tackle this video captioning task. So, the user wants a concise chronological paragraph based on the provided video. Let me first look at the frames given.

In the first frame, there's a boy standing on a court with a red line. He's wearing a blue shirt, gray shorts, and flip-flops. The background is a plain wall. Then, in the next frames, he raises his arm, throws something, maybe a ball, and then turns around. Then another person enters from the right, wearing a red top and black shorts.

I need to follow the rules: focus on motion and behavior in chronological order, mention appearance briefly, spatial relationships, and camera perspective. Exclude text recognition, names, etc.

Start with the boy: he's standing, then throws the ball. Then the second person comes in. Wait, the video has timestamps but we can't mention them.

Let me check the timestamps. The video shows the boy throwing, then the timestamp changes slightly. Then another person enters. So the sequence is: boy throws ball, turns, then a girl enters.

Need to mention the appearance: boy in blue shirt, gray shorts, flip-flops. The second person in red top and black shorts.

Spatial relationships: the second person comes from the right.

Camera perspective: it's a static shot, maybe slightly shaky? The user says to mention camera movement, but the examples given might not have any movement, so maybe just "static" or "fixed."

Wait, the rules say conclude with camera perspective and movement. So the camera is probably fixed, no movement.

Background is minimal, so mention the wall but not too much.

Let me draft the caption:

A young boy in a blue shirt, gray shorts, and flip-flops stands on a beige court with a red line. He lifts his right arm, throws a small object toward a white wall, then turns his head to observe the bounce. A second person in a red top and black shorts enters from the right, moving toward the boy. The camera maintains a static perspective throughout.

Wait, but the second person might be holding something? In the frames, the first person is throwing, then the second person appears. Let me check the frames again. In frame 5, the second person is entering from the right, maybe holding something. But the user says to exclude named characters, so just describe as "a second person."

Wait, the video might have the first person throwing, then the second person comes in. So the chronological order is: boy throws, then second person enters.

Check the timestamps. The first frame is 14:09, then 14:10, etc. But the user says to exclude text recognition, so ignore the time.

So the main points:

1. Boy stands on court, throws object, turns to look.

2. A second person (red top, black shorts) enters from right.

Camera is static.

Wait, in the frames, the boy is standing at the red line. The wall is white. The court is beige.

Let me structure it step by step.

- Start with the boy: standing, then throws the ball (or object), turns to watch.

- Then the second person appears from the right.

Describe each action in order.

Also, mention the spatial relationship: the second person enters from the right, so "from the right side of the frame."

Check for minimal background: the wall is white, court is beige.

Now, put it all together concisely.

"A young boy wearing a blue shirt, gray shorts, and flip-flops stands on a beige court marked with a red line. He raises his arm, throws a small object against a white wall, and turns to observe its reflection. A second individual in a red top and black shorts enters the frame from the right. The camera remains static throughout, capturing the scene from a frontal perspective."

Wait, the camera is from a frontal perspective? The video shows the boy facing the wall, so maybe the camera is positioned to the side? But the user says to mention camera perspective. Maybe "static, frontal" or "fixed shot."

Alternatively, "fixed camera angle" as the perspective.

Let me check the example output format. The user's example says: "The camera remains static throughout, capturing the scene from a frontal perspective."

Yes, that's acceptable.

Check if all rules are followed:

a) Motion and behavior in chronological order: boy throws, then person enters.

b) Brief appearance: blue shirt, gray shorts, flip-flops for boy; red top, black shorts for the other.

c) Spatial relationship: person enters from the right.

d) Camera: static, frontal.

e) Background minimal: beige court, white wall.

f) Exclude text, names, etc.: yes.

g) No reasoning.

Okay

A boy is seen throwing a ball and then standing still; a woman enters the frame and runs from right to left (possibly throwing a ball). Both actions are discrete and solid objects moving due to explicit physical forces.

The background consists of a static wall and ground with minimal water movement that does not dominate the scene. There is no significant fluid motion (fire, water, smoke, wind) that would qualify as ambient_environmental.


A person wearing a light-colored shirt and glasses holds a silver flute to their lips, fingers pressing and releasing keys while playing. The individual is centered in the frame, with a staircase visible in the background. The camera remains static, focusing on the flute and hand movements.

Discrete solid objects: person's hands manipulating a flute (pressing keys, moving fingers) due to explicit physical action of playing the instrument.

Background elements (stairs, railing, wall) are static and show no uniform shifting or fluid/environmental motion (fire, water, smoke, wind).


Multiple basketball players in uniforms move across the court, dribbling and running toward the basket while officials stand near the sidelines. Spectators surround the court, some standing and others seated in the stands, observing the play. The camera maintains a static top-down perspective throughout the sequence.

Basketball players and the ball are moving due to dribbling, passing, and shooting, with the crowd (people) also exhibiting discrete motion.

No shifting backgrounds or fluid/environmental motion (fire, water, wind) observed. The background elements (arena, court) are static relative to the camera.


A man in a dark jacket with a dragon emblem walks from left to right, leading a group of people in white shirts and black pants who stand in a line, some with hands on hips. The camera pans right, capturing the man’s movement and the group’s formation as they shift positions within the gym.

Discrete solid objects (people) moving: the man in the dark jacket gestures and turns while instructing; group members adjust stances and hand positions (e.g., placing hands on hips) in response to the instructor.

Static background with no shifting elements; no fire, water, or wind motion detected (walls, windows, and gym equipment remain fixed).


A hand manipulates a tool on a black, worn tire's edge, followed by pliers adjusting a component near the tire's rim. A tool is applied to the tire's tread surface, then a person uses a tool to adjust the tire. The camera maintains close-up angles focusing on the tire and tools, with minimal background detail visible.

A hand and mechanical tools (e.g., pliers) move to adjust a vehicle tire, indicating discrete solid objects interacting via physical forces.

No shifting backgrounds or fluid/environmental motion (fire, water, wind); workshop setting remains stable with no significant environmental movement.


The video opens with a person in a light top and necklace, hand near their face, against vertical multicolored stripes. This transitions to two smiling individuals against pink and yellow stripes. Next, four people dance in sync against a purple and orange radiating background; from left, a person in a light dress, followed by one in a dark top, then a person in an orange dress, and a final individual in a black top and light pants. The background shifts through various vibrant hues, with the dancers maintaining their formation. The camera remains stationary, capturing the group's coordinated movements.

The group of dancers (four people) are moving in place, performing dance motions. Their movement is due to locomotion (dancing) and is tracked with bounding boxes.

No shifting background; the background is a static digital pattern with color changes (not fluid or environmental).


A drummer with dark hair plays a drum set from a top-down perspective, rhythmically striking the white drumhead and multiple golden cymbals. The drum kit features silver drums and metallic cymbals arranged in a standard configuration, with the drummer positioned centrally in front of the set. The camera remains stationary, capturing the full drum kit and the drummer's hand movements throughout. Background elements include wooden flooring and sparse furniture, but focus remains on the rhythmic drumming actions.

The drummer's hands and drumsticks are moving as they strike the drums and cymbals. This motion is due to the physical force applied by the drummer.

The background (wooden floor) is static with no fluid or wind effects. No fire, water, or smoke present. Background elements do not shift uniformly.


A hand opens the lid of a white top-loading washing machine, then places a translucent mesh bag filled with white garments into the drum before closing the lid. The hand moves from the lid to the bag, positioning the bag inside the machine, with the brick wall background remaining static. Camera maintains a close-up, frontal view throughout.

A hand moves to open the washing machine door, places a mesh bag of clothes inside, and then closes the door. The hand and the mesh bag are discrete solid objects moving due to physical forces.

The background (brick wall) is stationary. No fluid or environmental motion (fire, water, smoke, wind) dominates; the washing machine drum is static at the moment the bag is placed.