RAW CAPTION: Got it, let's tackle this. First, the video shows a green poker table with Texas Hold'em. There's a hand moving. Let's break down the frames.

In frame 0, a person's hand is near the table. Then, in frame 1, the hand moves to pick up a card. Frame 2: hand is holding a card (the 6 of hearts maybe?), then moves it to the left? Wait, no. Let's see. The hand is on the left, then moves towards the cards. Wait, the video starts with the hand on the left, then in frame 1, the hand moves to the middle, picking up a card. Wait, no. Wait, the sequence:

Frame 0: hand is left side, near the table. Then frame 1: hand is moving towards the center. Frame 2: hand is holding a card (the 6 of diamonds? Wait, no, the cards are 9, A, 2, 5, 5 in the top row; bottom row has 10, J, Q, K, K. Wait, the hand in frame 2 is moving a card, maybe the 5 of diamonds? Wait, the caption needs to focus on motion.

So, the main subject is the person's hand (color? maybe skin tone, but description is "a person's hand, light skin tone, with a dark sleeve"). The hand moves from the left side of the table towards the center, picking up a card from the bottom row (the 5 of diamonds?), then moves it to the left, then back? Wait, frame 0: hand at left. Frame 1: hand moves to center. Frame 2: hand is holding a card (the 5 of diamonds?) and moves it to the left. Frame 3: hand is back to left. Wait, let's list each frame:

[0.0] Hand on left side, stationary.

[0.3] Hand moves slightly left, then right? No, the video description says:

[0] <0.3s> hand on left, then

[1] <1.4s> hand moves towards center (to pick up a card), then

[2] <2.5s> hand picks up a card (the 5 of diamonds?) from the bottom row, moves it left (to the top row?), then

[3] <3.6s> hand puts the card down, then

[4] <4.7s> hand moves back to left.

Wait, the key motions: hand moves from left to center, picks up a card (from the bottom row), moves it to the top row (or left?), then places it, then the hand goes back to left.

The cards: top row has 9, A, 2, 5, 5; bottom row has 10, J, Q, K, K. Wait, the 5 of diamonds is in the top row (second from right?), and the 5 of spades? Wait, maybe the hand is moving a card. Let's focus on motion: hand moves from left, picks up a card from the bottom row (the 10 of diamonds?), then moves it to the top row? Wait, no. The video shows the hand moving to the center (from left), then interacting with a card. Let's see the frames:

Frame 0: hand on left.

Frame 1: hand moves right, reaching towards the center.

Frame 2: hand is holding a card (which card? The 5 of diamonds is in the top row, but the bottom row has a 5 of hearts? Wait, no. Let's check the card positions. The text says "TEXAS HOLD 'EM" on the table.

Top row (left to right): 9 of diamonds, Ace of spades, 2 of diamonds, 5 of spades, 5 of diamonds.

Bottom row (left to right): 10 of diamonds, Jack of hearts, Queen of diamonds, King of hearts, King of spades.

Wait, the hand in frame 2 is moving the King of spades? Or another card. Wait, the motion: in frame 2, the hand is moving a card from the bottom row (King of spades) to the top row (replacing the 5 of diamonds?), but no. Wait, the hand in frame 2 is pointing at the 5 of diamonds in the top row. Then in frame 3, the hand is moving that card to the bottom row?

Wait, perhaps the hand picks up the 5 of diamonds from the top row, moves it to the bottom row (to the left of the 10 of diamonds?), then places it down. Let's check the sequence

The dealer's hands are moving to arrange and shuffle playing cards on the table.

The background is a static green table with no fluid motion (fire, water, smoke, wind).


A woman in a bright pink crop top and matching pants performs a dance sequence; she extends her arms outward, then raises one arm high above her head, and continues with fluid arm movements. She stands in the foreground, with a crowd of people and tables visible in the background. The camera remains static throughout the sequence.

Primary moving object: a woman in red dancing with arm movements and turns; secondary moving objects: crowd and band members moving slightly.

Background elements (stage, band, crowd) are stable; no shifting backgrounds or environmental fluids (fire, water, smoke, wind) observed.


A person wearing a helmet, white long-sleeve shirt, camouflage pants, and black boots ascends a concrete structure using ropes and a harness. They grip the rope with both hands, pull themselves upward, and adjust their body position while moving. The concrete wall and visible pipes form the background, with a dark opening to the left. The camera captures the movement from a top-down perspective, following the climber's ascent with slight motion.

A person (climber) is moving upward along a vertical surface using ropes and harness, demonstrating locomotion via physical effort.

The concrete wall and structural elements in the background remain static with no shifting or fluid motion (e.g., fire, water, smoke, wind).


A man in a dark blue tank top and black shorts lifts green weight plates overhead, lowers them to his chest, then raises them back up repeatedly, with his reflection visible in a wall mirror behind him. The background includes gym equipment and a television, while the camera remains stationary at eye level.

A person is lifting a green weight plate in a gym, performing a repetitive bicep curl motion. The motion is due to the person's muscular effort.

The background (walls, gym equipment, mirrors) is static with no shifting or environmental fluid motion (fire, water, wind).


A small child wearing a white Santa hat, pink shirt, and red apron stirs a large metal bowl of batter with a red spatula using both hands, then lifts the spatula to show the mixture, with a stand mixer visible to the left. The camera remains close and slightly shaky throughout.

Child's hands and red spatula move in circular motion stirring batter. The batter flows as a result of the spatula's physical interaction, but the spatula and child's hands are discrete solid objects performing explicit locomotion (stirring).

Background elements (walls, mixer, and person in red) remain stationary with no uniform shifting. No fire, water, smoke, or wind dominates the scene; the environment appears stable and indoor.


A large crowd of people, wearing various colored shirts including blue, green, yellow, and checkered patterns, moves dynamically outside a building with large windows and a covered walkway. Individuals shift positions, walk in different directions, and interact with one another, some moving toward the building while others step away. The camera captures the motion with slight handheld movement, maintaining focus on the group's activity as they navigate the space. The background remains minimal, emphasizing the crowd's movement.

Discrete solid objects (people) exhibit locomotion (walking, dancing) with visible bounding box movement; no collisions or explicit physics interactions between objects.

Static background elements (building facade, windows, ground) show no uniform shifting. No fire, water, smoke, or wind-driven motion observed; ambient elements are minimal and not dominant.


RAW CAPTION: Okay, let's tackle this video caption request. First, I need to understand the task properly. The user wants a concise, chronological paragraph describing the video, following specific rules. Let me go through the rules again to make sure I don't miss anything.

Rule a says to focus on the motion and behavior of main subjects in chronological order. The main subjects here are the three people in the video. They're underwater, wearing helmet-like devices. The video starts with them holding hands, then they move their hands, maybe gesturing. I need to note the sequence of their actions.

Rule b is to briefly describe their appearance and number. There are three people. The first person on the left is in an orange shirt, middle in black, right in black with red accents. They're all wearing helmets with clear domes. Since it's underwater, their positions relative to each other are important. The left person is holding the middle's hand, the middle is holding the right's, so they're in a line? Wait, looking at the frames, they might be in a group. Let me check the frames. The first frame shows them holding hands, then in subsequent frames, they're moving their hands up, maybe waving or giving thumbs up. The right person is making a peace sign, the left is giving a thumbs up.

Rule c: mention spatial relationships. So the left person is on the left, middle center, right on the right. They're in a line, maybe moving slightly as they gesture. The background has fish swimming around, but the rules say minimal background unless essential. So maybe just mention fish are present but don't go into detail.

Rule d: conclude with camera perspective and movement. The video seems to be shot from a fixed position, maybe a bit shaky, but the description says "slight shake" if applicable. Looking at the frames, the camera might be following them slightly, but the main movement is the subjects moving their hands. Wait, the camera's movement isn't specified in the video, but the user says "conclude with camera perspective and movement". Since it's a video, probably the camera is stationary or moving slightly, but the user's example in the rules might have specific terms. Maybe the camera is underwater, following the group. The problem is, the actual video description given here is the frames, so I have to infer from the frames. The video starts with three people, then the right person gestures, the left gives a thumbs up, etc. The camera might be moving with them slightly, but the user's example in the rules says "slight shake" as an example. Hmm. Maybe the camera is relatively stable but with some motion.

Rule e: background minimal. The background has fish and bubbles, so maybe mention "fish and bubbles in the background" but keep it minimal. The key is to focus on the main subjects.

Rule f: exclude text recognition, named characters, stylistic analysis. So no talking about the video style or anything like that.

So putting it all together. Let's start with the initial frame. Three people underwater, wearing helmets. The first person (left) in orange, middle black, right black with red. They are holding hands. Then, in subsequent frames, they move their hands: left gives thumbs up, right makes a peace sign, middle adjusts helmet. The fish are swimming around, but that's minimal. The camera perspective is likely underwater, maybe following them slightly, but the movement is the subjects' gestures. The camera might have a slight shake as it captures their movements. Wait, the user's example says "conclude with the camera perspective and movement". So the camera is probably underwater, tracking the group, maybe with a slight shake. But how to phrase it? Maybe "the camera maintains a steady underwater perspective, capturing the group's movements with slight motion."

Wait, the problem says "conclude with the camera perspective and movement (e.g., top-down, pan left, slight shake)." So I need to mention the camera's position and how it's moving. Since the video is underwater, the camera is also underwater. The movement might be following the group, so "follows the subjects with slight movement." But the user example says "slight shake", so maybe "the camera maintains a steady underwater perspective with minimal shake."

Wait, the video might be shot from a fixed position, so the camera isn't moving much. Maybe "the camera remains stationary underwater, capturing the group as they move their hands and gesture." But the instructions say "conclude with the camera perspective and movement", so it's part of the caption.

Let me structure the paragraph chronologically. First, describe the initial state: three people underwater wearing helmets. Left person in orange shirt, middle in black, right in black with red accents. They're holding hands. Then, the left person gives a thumbs up, the right makes a

Three people in wetsuits with helmets are holding hands and making subtle gestures (e.g., pointing, waving). Fish are also visible swimming in the background as discrete objects.

The background consists of calm water with no visible currents or waves, and fish swimming. The water itself is static and not the dominant motion; it serves as a medium without significant environmental fluid dynamics.


A hand dips a dosa into a bowl of curry, lifting the dosa with the curry clinging to it. The hand then holds the dosa over the bowl. The scene shifts to a plate containing chicken curry, rice, and a beverage can. The camera starts with a close-up of the hand and food, then transitions to a wider shot of the plate.

A hand (discrete object) moves to scoop food (discrete object) from a bowl using a spoon; motion is deliberate human interaction with solid objects.

No shifting backgrounds or fluid/environmental motion (fire, water, wind); background elements (tray, tablecloth, can) remain static across scenes.


A person with short red hair and a gray long-sleeve shirt holds a black flute, playing it while seated. They then cease playing, lower the flute, and look toward the camera. The background features a light-colored wall with a framed picture to the left. The camera remains static throughout.

The person (discrete solid object) moves their hands and mouth while playing the flute, demonstrating locomotion-driven motion (finger manipulation and breath control) without external environmental influence.

The background (wall and door frame) remains static throughout the video with no shifting or movement. No fire, water, smoke, or wind is visible, indicating no ambient environmental motion.


A person in a dark shirt, patterned shorts, and black sneakers runs into the frame from the left across a grassy yard, then jumps to throw a red frisbee toward a soccer goal in the background; the camera remains stationary with slight shake.

A person enters the frame, runs towards the center, jumps, and then stops. This is a discrete object moving due to locomotion.

The background (house, SUV, trees) is stationary. No visible fluid or wind motion.


A person wearing a gray long-sleeve shirt and blue jeans enters from the right, moves toward a table saw, and places a light brown wooden plank onto its bed, adjusting its position with their hands before stepping back. The background features a pegboard with hanging tools and workshop equipment. The camera remains stationary throughout, capturing the scene from a medium angle.

A person (wearing gray shirt and blue jeans) moves across the frame, holding and placing a wooden board on a workbench, and then works on it.

The background (pegboard and workshop items) is static and does not shift uniformly; no fire, water, smoke, or wind is present.


A person wearing a pink top, blue shorts, white socks, and sneakers performs walking lunges in a gym, stepping forward with one leg while bending the knee to lower the body, then pushing back to return to a standing position, repeating the motion. The individual moves forward in a straight line across the floor, with gym equipment visible in the background. The camera remains stationary, capturing the subject from a front-facing angle.

A single human subject (woman) performs walking lunges: discrete solid object moving via locomotion with clear bounding box tracking. Motion is consistent with intentional exercise movement.

The gym background (walls, equipment, floor) is stationary with no shifting motion. No fire, water, smoke, or wind present—purely static environmental elements.


Two young girls, one in a pink shorts swimsuit and the other in a striped one-piece swimsuit, play on an orange and blue inflatable dinosaur pool. They jump and move around the pool, interacting with each other as water splashes. The camera remains stationary, capturing their activity from a fixed angle.

Two young girls move on an inflatable dragon float, shifting positions (standing, sitting, stepping) through locomotion and interaction, indicating solid object motion due to physical forces.

The background (grass and bushes) shows no significant fluid or wind motion; elements are stationary with no uniform shifting. No fire, water, or smoke dominates the scene.


A girl wearing a white dress with red trim and black boots dances energetically in place, spinning and moving her arms and legs. She remains the central subject against a background of wooden furniture and a box on the floor. The camera maintains a slightly shaky, top-down perspective throughout the clip.

A girl in a white dress with red collar and black boots is performing discrete locomotion (stepping, arm movements, body turns). Her motion is solid and distinct, easily trackable as a bounding box.

The background elements (wooden cabinet, chair, floor) remain fixed with no uniform shifting or fluid motion. No fire, water, smoke, or wind is present.


A man in a gray t-shirt plays a blue electric guitar, his left hand moving along the fretboard while his right hand strums the strings; the guitar is held horizontally in front of him against a stone wall backdrop with a microphone stand to the right. The camera maintains a static close-up view on the guitar and his hands.

A person wearing a gray shirt is actively playing a blue electric guitar. The hands are moving in discrete, controlled motions: strumming the strings and fretting notes, demonstrating clear physical interaction with the instrument.

The background consists of a static tiled wall and a stationary microphone stand. No fluid motion (fire, water, smoke) or environmental effects (wind, waves) are present; the background elements show no uniform shifting.


RAW CAPTION: Got it, let's break this down. The video shows a person applying mascara. First, the person is using a mascara wand on their right eye, then maybe the left? Wait, the sequence: in the first few frames, they're applying to the right eye, then maybe the left. Then they use a tissue or something to wipe. Let's check the frames.

Frame 0: Person looking at camera, applying mascara to right eye. The wand is in the right eye area. Then frame 1: same, continuing on right. Frame 2: still right eye. Frame 3: moves to left eye? Wait, the hand is moving. Then frame 4: the hand is near the eye, maybe wiping or adjusting. Then frame 5: the hand is by the cheek, maybe wiping.

Main subject: a person, probably female, with long dark hair. Applying mascara. Actions: uses mascara wand on right eye, then left eye, then uses a tissue to wipe the eye area.

Appearance: the person has defined eyebrows, blue eyes, wearing makeup (eyeshadow, maybe). But focus on motion.

Chronological order: starts with applying mascara to the right eye, then moves to the left eye, then uses a tissue to wipe around the eye.

Spatial relationships: the hand is on the right side of the frame (when applying right eye), then moves to left side for left eye.

Camera perspective: close-up, static? The video is close-up of the face, no movement mentioned. Background minimal, just a room.

Exclude text, named characters. So no "BeYourselfwithJenna.com".

Now, structure the caption:

- Main subject: person applying mascara, hair color (dark), eye color (blue) maybe? Wait, but the rules say briefly describe appearance and number. So "a person with dark hair and blue eyes" – but need to see if that's essential. The key is motion.

Chronological: The person uses a mascara wand to apply makeup to their right eye, then to the left eye, followed by wiping the eye area with a tissue.

Background minimal, so don't mention. Camera: close-up, static.

Check rules:

a) Motion and behavior in chronological order. Correct: applying right eye, then left, then wiping.

b) Appearance: dark hair, blue eyes. Number: one person.

c) Spatial: hand moves from right to left eye.

d) Camera: close-up, static.

e) Background minimal.

f) Exclude text.

So draft:

A person with dark hair and blue eyes applies mascara to their right eye using a wand, then moves to the left eye for application, followed by wiping the eye area with a tissue. The camera remains in a close-up, static position focusing on the face.

Wait, check if "blue eyes" is necessary. The video shows blue eyes, but the rules say "briefly describe their appearance". Maybe "a person with dark hair" is enough. But in the first frame, the eyes are visible as blue. But maybe it's okay. The task is to focus on motion, so appearance briefly.

Another angle: the person has long dark hair, but the main action is the mascara application.

Let me check the frames again:

Frame 0: hand applying mascara to right eye.

Frame 1: continuing on right.

Frame 2: wand near right eye.

Frame 3: hand moves to left eye.

Frame 4: hand is on the left side of the face, maybe wiping.

Frame 5: hand near the cheek, wiping.

So sequence: apply right eye mascara, then left eye mascara, then wipe both eyes with tissue.

So the caption:

A person applies mascara to their right eye using a wand, then shifts to the left eye for application, and subsequently wipes the eye area with a tissue. The camera maintains a close-up view of the face throughout.

Wait, "shifts to the left eye" – that's the motion. And "subsequently wipes". Also, "person" – not specifying gender, since the rules say exclude named characters, so just "person".

Check if "dark hair" is essential. The video shows dark hair, so maybe include. But the rules say "briefly describe their appearance and number". So "a person with dark hair" could be part of it.

So revised:

A person with dark hair applies mascara to their right eye using a wand, then moves to apply mascara to the left eye, and finally wipes the eye area with a tissue. The camera remains static in a close-up view.

Wait, is there a tissue? In frame 4 and 5, the hand is holding a tissue or something to wipe. Yes, the action is wiping the eye area.

So the caption should include the wiping step.

Let's make sure it's chronological:

1. Applying mascara to right eye

A person (human) is moving her hand and head to apply makeup. The motion is deliberate and localized.

No significant shifting background; no fluids or environmental elements (fire, water, wind) present.


A person wearing a red shirt and dark sunglasses sits on a wooden chair, holding a harmonica to their mouth with both hands and playing. Their hands move slightly as they blow into the instrument. The camera remains static, focused on the individual.

A person (in red shirt) is moving their mouth and hands while eating/chewing.

The background (blue wall, wooden chair, table) is static and no fluid/environmental motions (like fire, water, wind) are present.


A person with visible tattoos on their arm, wearing dark clothing, uses a brush to groom a fluffy brown and white cat lying on a grooming table. The person moves the brush along the cat’s back, adjusting their grip, while the cat remains still. The scene is set in a room with a wooden door and a framed picture on the wall; the camera remains stationary.

A person's hands are actively grooming a stationary cat on a table; the person's hands exhibit discrete, purposeful motion while the cat remains still.

The background elements (door, framed picture, wall-mounted light) remain stationary across frames, showing no shifting or fluid environmental motion (e.g., smoke, fire).


A shirtless man in dark shorts and green shoes runs on a red track, leaps into a sandpit, lands and sits briefly before rising and walking back toward the track. The camera captures the sequence from a stationary viewpoint, shifting angles slightly to follow the action.

The athlete's running and jumping motion is tracked, with discrete body movements (e.g., sprint, takeoff, landing) showing physical locomotion and impact forces.

Background elements (track, trees, sandpit) remain static with no fluid or environmental motion (e.g., wind, smoke).


A person in dark clothing stands on a circular platform attached to green and orange structural beams under a corrugated metal roof, moving leftward across the platform. The camera maintains a low-angle view, panning slightly left to follow the individual's movement while the background features minimal industrial elements.

A bird is moving (flying) around the platform. The person on the platform is stationary.

The background (ceiling and structural beams) is static with no shifting. No fire, water, smoke, or wind is visible as the dominant motion.


A person in a red shirt and blue shorts lies supine while another individual with purple gloves and light brown hair tied up works on their upper back. The gloved person manipulates tools from a metal tray held in front, which contains scissors, tweezers, and cotton balls; their hands move between the tray and the lying person’s skin. The camera remains close and slightly shaky, capturing the interaction from an overhead angle with minimal background detail.

The standing person (wearing blue gloves and white top) is moving by bending over and then straightening up, likely due to their own physical actions.

The background is dark and not well-defined; no shifting background elements (walls, ground) are visible. No fluid or environmental motion (fire, water, wind) observed.


The video opens with a blue glove resting on a hay bale, followed by a close-up of the glove's textured surface. A person in a red shirt then interacts with a black and white cat seated on a wooden chair, using the blue glove to pet the cat. The sequence concludes with the blue glove placed on a metal bowl. Camera movement transitions from a blurred initial shot to a close-up of the glove, then stabilizes during the petting action, ending with a close-up on the bowl.

Discrete solid objects: white/black cat moving due to petting and locomotion, person's hand (wearing blue glove) moving to interact with the cat. Motion results from physical contact and animal behavior.

Initial frames show blurry abstract motion likely due to camera effects, but main scenes feature static background elements (wooden chair, floor) with no dominant environmental fluid dynamics (fire, water, smoke, wind).


A hand spreads red sauce across a round, light brown flatbread placed on a surface, with a partially opened cheese package positioned to its left. The camera maintains a close-up, slightly shaky perspective throughout the sequence as the hand continues applying the sauce in a circular motion.

A hand enters the frame (0.7s), holds a bottle (1.0s), and exits (1.5s). A finger then moves to add a white substance to the pizza (2.0s-5.0s), demonstrating intentional human motion.

Background elements (package, plastic bag, table surface) remain stable with no uniform shifting or fluid motion; no fire, water, smoke, or wind observed.


A person wearing a blue plaid shirt, brown pants, and brown boots walks up wooden steps from the bottom while sweeping with a broom. The scene begins with a view of the deck beside a stone wall, a wheelbarrow in the background, and a wicker chair to the right. The person moves upward, sweeping across the deck, and exits the frame after reaching the top. The camera remains stationary with slight movement, capturing the action from an overhead perspective.

A person (wearing blue checkered shirt and brown pants) walks down steps, picks up a rake, and sweeps the deck. A black bird flies briefly from the ground into the frame before leaving. Both objects move due to locomotion.

The brick wall and ground remain static with no uniform shifting (e.g., no panning, tilting, or zooming). No fluid/environmental motion (fire, water, smoke, wind) is dominant; only minor ambient movement (e.g., subtle leaf sway) is present but not significant.


A baby wearing a pink top, dark shorts, and white socks sits in a brown bouncer with pink accents on a wooden floor. The baby moves their legs and arms, shifts position slightly, and looks around. The camera maintains a top-down perspective with slight movement, capturing the baby's gentle motions.

A baby in a bouncer exhibits leg movements and slight upper body motion, with discrete solid object movement due to voluntary locomotion.

The wooden floor and furniture base are static with no fluid motion (fire, water, smoke) or wind effects observed; background elements show minimal shift.


A man in a white shirt and black shorts stands on a tennis court, walks forward to hit a tennis ball against a green wall with a racket, then pauses, walks backward, and swings the racket again. The camera remains stationary throughout the sequence.

The tennis player (solid object) moves via locomotion and racket swings, while the tennis ball (solid object) moves in discrete collision paths after being hit against the wall.

The green wall background and ground are static with no shifting; no fire, water, smoke, or wind effects are present, eliminating ambient environmental motion.


A man with dark hair and a dark gray polo shirt sits at a desk, facing a laptop. He interacts with the laptop, occasionally turning his head slightly to the side and smiling. The red curtains and a window with natural light are visible in the background. The camera remains stationary throughout, capturing a close-up view from the front.

The person is moving their head and facial expressions, showing discrete motion of a solid object (human) due to locomotion.

No shifting background elements; no fluid/environmental motion (fire, water, smoke, wind) observed.


Two men stand in a bathroom; the man in a red shirt uses a tool on the wrist of the man in a white shirt, who holds his wrist forward. The red-shirted man leans over while the white-shirted man remains still. The camera remains stationary throughout the sequence.

Two solid human subjects interact with an object (likely a device/tool), exhibiting hand movements and postural changes due to intentional physical actions.

Background elements (walls, glass surfaces) show no uniform shifting; no fluid or environmental motion (fire, water, smoke, wind) detected.


A man in a white shirt and beige pants stands to the right of a wooden structure, holding a leash attached to a medium-sized brown and black dog. The dog emerges from behind the structure, jumps down, and runs forward past the man. The camera remains stationary with slight shake.

A dog is actively moving within a wooden pen, displaying locomotion (entering, walking, turning) as a distinct solid object.

Background elements (house, trees, grass) show minimal or no uniform shifting; no obvious fluid/environmental motion (fire, water, smoke, wind) detected.


A person in a yellow tank top and dark shorts grips a rope, swings forward from a metal platform, and is pulled through the air by the rope's tension. Behind them, multiple individuals on an elevated structure observe the motion. The camera follows the action with a slight shake, capturing industrial metal beams and wooden supports in the background.

A person in a yellow shirt on a platform is performing controlled body movements (reaching, shifting posture), with other individuals in the background also engaged in static or minor positional adjustments.

No shifting background elements; industrial setting with walls and pipes remains static across frames. No fire, water, smoke, or wind-driven motion observed.


RAW CAPTION: Got it, let's tackle this captioning task. First, I need to observe the video frames. The video starts with a person with curly hair holding a camera or phone, looking directly at the camera. In the next frames, they're adjusting the device, maybe taking a photo or video. The person is in the center, with a bright light on the left side (like a lamp or window). The background has a wall and some hanging items, but since background should be minimal, focus on the main subject.

Rule a: Motion chronologically. So first, person holds device (maybe phone), then adjusts it, possibly bringing it up to their face. Let's check the timestamps: frame 0 shows the person holding something near the face, frame 1 they're holding it, frame 2 they're using both hands, frame 3-5 they're adjusting. So sequence: person holds device, adjusts it with hands, bringing it closer to the camera or face.

Rule b: Appearance—curly hair, maybe wearing a dark top (since the device is dark). Number is 1 person.

Rule c: Spatial relationships—bright light source to the left, device in front of the person.

Rule d: Camera perspective—looks like a selfie, so front-facing. Movement? The camera is held by the person, so maybe slight movement as they adjust.

Rule e: Background minimal. Mention if essential—bright light on left, but maybe skip unless needed. The background has a wall and some object (like a plant or frame) but not essential.

Rule f: Exclude text (like "SOS" but wait, in the background there's a purple sign with text, but rule f says exclude text recognition. So don't mention that.

So putting it together: Person with curly hair holds a dark device (phone/camera), adjusts it with both hands, bringing it closer to their face. Bright light source is to the left. Camera perspective is front-facing, likely held by the person with slight movement during adjustment.

Need to be concise, chronological. Let's structure:

At the beginning, a person with curly hair holds a small dark device in front of their face. They adjust the device with both hands, moving it slightly closer. A bright light source is visible to the left. The camera maintains a front-facing perspective with minimal movement as the person manipulates the device.

Check rules: Motion chronologically (holding, adjusting), appearance (curly hair, dark device), spatial (light left), camera perspective (front-facing), background minimal. No text, no names.

Wait, the video starts with the person holding the device, then in next frames they're adjusting. So first frame: holding, then moving hands to adjust. So the caption should be in order.

Final caption: A person with curly hair holds a dark rectangular device in front of their face, adjusting it with both hands while bringing it closer. A bright light source is visible to the left. The camera maintains a static front-facing perspective as the person manipulates the device.

Wait, but the camera is handheld, so maybe slight movement. But the rule d says "conclude with camera perspective and movement". The video's camera is held by the person, so the perspective is front-facing (selfie), and since the person is moving, the camera might have slight shake. But the problem is, the user's instruction says "conclude with the camera perspective and movement".

So maybe: "The camera captures a front-facing view with slight movement as the person adjusts the device."

But let's check the exact rules. Rule d: "Conclude with the camera perspective and movement (e.g., top-down, pan left, slight shake)."

So the caption should end with that.

Putting it all together:

A person with curly hair holds a small dark device in front of their face, adjusting it with both hands to bring it closer. A bright light source is visible to the left. The camera maintains a front-facing perspective with minimal movement as the person manipulates the device.

Wait, check if "dark device" is accurate. The device in the video is a black or dark color, maybe a phone or camera.

Let me check the frames:

Frame 0: person with curly hair, holding something near face. Light on left.

Frame 1: person holding device with both hands.

Frame 2: same, hands on device.

Frame 3: device near mouth, hands adjusting.

Frame 4: device being held up.

So the sequence is holding the device, adjusting it with hands, moving it.

So the caption should describe that motion.

Another version:

A person with curly hair holds a dark rectangular device, adjusting it with both hands while bringing it closer to their face. A bright light source is visible to the left. The camera maintains a static front-facing perspective as the person manipulates the device.

But "static" might

The subject's hands are manipulating a small discrete object (likely a camera or phone) with localized movements, consistent with manual operation without external forces.

The background (wall and ceiling) shows no uniform shifting or environmental fluid motion (fire, water, smoke, wind). The bright light source remains fixed relative to the frame, indicating a stable environment.


In a well-lit gym, multiple people (wearing varied colors like yellow shirts and dark clothing) perform synchronized step aerobics on black platforms. They move rhythmically, stepping on and off the platforms in unison, with some individuals stepping forward or backward relative to others. The camera maintains a stationary perspective, capturing the group’s motion from a medium distance without significant movement or shake.

Discrete solid objects (people) are moving: multiple individuals exercising on treadmills and walking, exhibiting locomotion due to their own physical movement.

Background elements (ceiling, walls, floor) are stable with no uniform shifting; no fire, water, smoke, or wind present. Ambient environmental motion is absent.


A person lies with eyes closed, wearing a colorful patterned shirt, as black-gloved hands approach their face. The hands position themselves near the nose and mouth area, manipulating an object. The camera maintains a close-up perspective with slight movement throughout.

Gloved hands are actively moving to perform a procedure on the nose; the person's head is stationary.

No shifting background observed. No fluid or environmental motion (fire, water, smoke, wind) detected.


An adult in a dark blue shirt and dark shorts sits on a floral-patterned bed, holding a bald baby wrapped in a yellow blanket on their lap. The adult uses a small blue object to interact with the baby’s head, moving it gently while the baby faces the adult with hands near their face. The camera maintains a close-up, slightly shaky perspective from a top-down angle with minimal background detail.

The adult (in blue shirt) is holding the baby (wrapped in yellow cloth) and using a small tool (comb/brush) on the baby's head. The adult's hands and the tool are moving in a controlled manner to groom the baby.

No shifting background elements; no fire, water, smoke, or wind present. Background remains static with a floral bedspread and indoor furniture.


A child in a red shirt sits barefoot on a tiled floor, manipulating colorful circular puzzle pieces with various designs; the child moves the pieces around, adjusting their positions on the floor. The camera maintains a top-down perspective with slight movement, capturing the child’s hands and the scattered puzzle pieces.

The child (person) is moving their hands to interact with the cards (solid objects), causing the cards to shift on the floor.

Background (floor tiles) is static; no fluid or environmental motions (fire, water, wind) present.


A man in a dark suit stands to the right of a tall, light blue and white tiered cake, using a knife to slice it. He holds the knife with both hands, moving it downward through the cake. Lit candles on a table in the background illuminate the scene. The camera remains stationary with minimal movement.

A person (discrete solid object) is actively moving their hands near a cake, performing actions likely involving manipulation of the cake or surrounding objects.

Background elements (building facade, lights) show no uniform shifting or fluid motion; no fire, water, or significant wind effects observed.


A person in a green jersey with number 50, black shorts, blue cleats, and a white helmet crawls forward on grass, transitioning from a prone position to a kneeling stance. Other players in various colored uniforms stand in the background. The camera follows the subject with slight movement, maintaining a low angle.

A child in a green jersey (number 50) is crawling on the grass, with their body moving forward in discrete, intentional motions. Other individuals in the background are standing or moving minimally, but the primary moving object is the crawling child.

The grassy field and static background elements (white lines, distant figures) show minimal shifting; no fire, water, or smoke is present, ruling out ambient_environmental motion.


RAW CAPTION: Okay, let's tackle this video captioning task. First, I need to understand the user's requirements. They want a concise chronological paragraph focusing on the motion and behavior of the main subjects. The main subjects here are the people dancing.

Looking at the video frames: the first frame shows a group of people dancing outdoors. There are four individuals in the initial frame. The next frames show them moving around. The description needs to mention their appearance briefly—like clothing colors and sizes. They seem to be wearing light-colored outfits, maybe white and pink. Their movements are energetic, dancing in a circle or moving around.

Spatial relationships: They're on a patio with chairs and a fence in the background. The camera seems to pan around them, following their movement. The background has some greenery and white chairs, but the rules say to keep background minimal unless essential. Since they're dancing, the patio is the setting, so maybe mention it briefly.

Chronological order: Start with the group dancing, then their movements. Need to note the direction they're moving. The camera perspective is probably handheld, with slight shakes as it follows them. The video starts with them in motion, maybe turning around, and continuing to dance.

Check the rules: Exclude text, named characters. So no names. Focus on motion. Mention number of people: four. Their clothing colors: white, pink, black. They're moving in a circular pattern. Camera is panning left and right, maybe slightly shaky.

Wait, the frames show different positions. In frame 0, they're in a group. Frame 1, they're moving to the left. Frame 2, still moving. Frame 3, more movement. Frame 4, another angle. So the camera is following their movement, maybe panning around them.

Need to structure the caption: Start with the group of four people dancing on the patio. Describe their movements chronologically—swaying, stepping, turning. Mention their clothing: white, pink, black outfits. The camera follows them with slight shake, panning around the group. Background has chairs and greenery but minimal description.

Check the output format: Must be a paragraph inside <caption_output> tags. No markdown. Keep it concise. Let me draft:

"Four people in white, pink, and black clothing dance energetically on an outdoor patio, swaying and stepping in a circular motion. They move in tandem, shifting positions as one individual in white turns left while others follow, their movements fluid and rhythmic. The camera pans slightly around the group, capturing their dynamic interactions with minor shakes, set against a backdrop of white chairs and greenery."

Wait, the user says "briefly describe their appearance and number (color, size, orientation)." So maybe "four people wearing light-colored clothing, including white and pink tops and black pants" but need to be concise.

Also, "conclude with the camera perspective and movement." So after describing the motion, mention camera is following, slightly shaky.

Let me try again:

"A group of four people—wearing white, pink, and black attire—dance on a sunlit patio, moving in a circular pattern with coordinated steps and arm gestures. They shift positions dynamically, with one individual in white turning left while others rotate around them. The camera follows their movement with a slight shake, panning left to capture their interactions, set against a blurred background of chairs and greenery."

Check if it's chronological: starts with the group dancing, then their movements. Yes. Appearance: four people, clothing colors. Spatial: moving around each other. Camera: panning left, slight shake. Background minimal. Seems okay.

Wait, the user said "in chronological order" so maybe start with initial position, then actions. The first frame shows them in a group, then moving. The caption should reflect the sequence. The first part is "dance energetically," then "swaying and stepping," then "shift positions."

Hmm. Maybe better to structure as:

"Four people in white, pink, and black clothing dance energetically on a patio. Initially positioned in a circle, they begin swaying and stepping in unison, then transition to rotating as one individual in white turns left while others follow. Their movements remain fluid, with coordinated arm gestures. The camera pans left slightly, capturing their dynamic motion with minor shakes, set against a backdrop of white chairs and greenery."

Wait, but the background should be minimal. The rules say "keep background descriptions minimal unless essential for understanding motion." Since the motion is on the patio, mentioning "patio" is enough. Maybe "on an outdoor patio" without details of chairs and greenery. The user's example might have included chairs, but the rule says minimal. Maybe just say "patio" as the setting.

Also, "briefly describe their appearance and number (color, size, orientation)." So color:

Multiple people in white attire are performing synchronized dance movements; their limbs and body positions change in discrete, solid motion.

Static background elements (bench, building, greenery) show no uniform shifting; no fire, water, or wind-driven fluid motion observed.


A girl with brown hair, wearing a blue sweater over a white collared shirt, holds a pink and yellow object. She raises her right hand to her head, moving the object near her hair, then lowers it. The background features a black couch with red cushions and a small table. The camera remains stationary, capturing her from the front.

A girl interacts with a colorful object (held in hand), moving it across her head and body; this constitutes discrete solid object motion driven by explicit physical actions.

Background elements (couch, red pillows, small table) remain stationary across frames; no shifting backgrounds or fluid/environmental motion (fire, water, smoke, wind) detected.


A person in a red jersey, white pants, and red shoes begins in a lunge position with one foot on a blue dome. They shift their body, raise a baseball glove to their chest, and then throw a ball forward. The action occurs against a red backdrop with minimal background elements. The camera remains static throughout the sequence.

The baseball player (solid object) moves arms/glove to throw a baseball, causing the baseball to travel through the air. The blue exercise ball remains stationary under the player's foot.

The background (red wall with 'Liga Olmeca' text and green field) shows no shifting, fluid motion, or environmental effects like wind/water. No ambient environmental elements are present.


A boy in a blue hoodie and jeans walks across a stone-paved patio while holding a basketball, moving from near a stone wall with wooden pallets toward the center of the space, turning slightly toward the camera. The camera follows his motion from a top-down perspective with a steady focus.

A person in blue clothing carries a basketball, moving from the left side of the frame toward the center and ascending stairs. The basketball is held by the person and exhibits discrete, intentional motion consistent with human locomotion.

The stone wall, ground tiles, and wooden crates remain consistently positioned across frames with no fluid motion (e.g., water, smoke, wind) or significant environmental shifts. No fire, water, or wind is observed.


A person in dark clothing with black gloves leans over three metallic containers, manipulating one with a tool while others stand in the background. Another individual with a yellow mechanical tool approaches the containers, moving toward them. The scene occurs inside a transparent enclosure, with the camera positioned inside looking outward, maintaining a steady perspective.

A person's hands/tools (discrete objects) interact with metallic canisters and piping, showing controlled physical manipulation.

No shifting background elements (walls, ground) or fluid/environmental motion (fire, water, wind) observed. Static background structures remain stable.


A woman in a black blazer over a white top, wearing large hoop earrings, holds a black clarinet vertically at her lips. She blows into the instrument’s yellow mouthpiece, her lips pursed and slightly moving as she plays. The camera remains static in a close-up, focusing on her upper body against a plain gray background.

A person (discrete solid object) is playing a flute; motion is limited to hand and finger movements on the instrument and subtle facial movements from blowing air.

The background is a static gray wall with no shifting or fluid motion. No fire, water, smoke, or wind effects are present.


Three children are seated on a carpeted floor amid scattered wrapped gifts and opened boxes. A child in a red striped top sits left, a child in a yellow hooded costume is center, and a child in blue patterned pajamas stands right holding a gift box. The standing child lifts the box toward the camera, while the seated children interact with items on the floor. The scene includes a lit Christmas tree with ornaments and wrapped presents in the background. The camera remains stationary, capturing the children’s movements within the room.

Discrete solid objects (children) moving via locomotion and interaction with gifts; the child in yellow costume stands and shifts position, while the child in green shirt moves closer to the others, causing visible displacement of gifts and wrapping paper.

No shifting background or fluid motion (fire, water, smoke, wind). Background elements (wall, TV, Christmas tree) remain static and uniformly positioned throughout the frames.


RAW CAPTION: Got it, let's tackle this caption. First, identify the main subject: a person in a red hoodie, camouflage pants, and a beanie with a respirator. They're using a sander on a wooden table. The table has two halves, maybe a tabletop being sanded.

Chronological order: the person is holding a sander, moving it across the table surface. The action starts with them placing the sander on the table, then sanding. The table is oval-shaped, with a metal leg. The background has a corrugated metal wall, window, some tools. But background should be minimal.

Mention appearance: red hoodie, camouflage pants, dark beanie, respirator mask. The sander is in their right hand. The table is wooden, oval, with a metal base.

Spatial: The person is standing to the right of the table, working on the right half of the table. The left half is already sanded or separate.

Camera: The camera seems to be static, maybe slight angle but no movement mentioned. The description says "slight shake" but the video might not have that, but the rules say to mention camera perspective. Wait, the rules say "Conclude with the camera perspective and movement (e.g., top-down, pan left, slight shake)." The video's camera seems to be a steady shot, possibly static.

Wait, the video description: the first frame shows the person working, and the camera angle is from a slightly low angle, maybe, but the main point is it's a static shot. The problem says "camera perspective and movement". Since the video is short, maybe no movement. Let's see the rules: "Conclude with the camera perspective and movement". So need to say something like "static shot" or "fixed perspective".

Putting it all together:

A person wearing a red hoodie, camouflage pants, and a beanie with a respirator mask sands the surface of an oval wooden table with a metal base. The individual, positioned to the right of the table, uses a handheld sander to smooth the tabletop, moving the tool across the wood in a back-and-forth motion. The table is divided into two sections, with the sander focused on the right half. The camera remains static, capturing the action from a slightly angled perspective.

Wait, need to be concise. Let's check the rules:

a) Motion and behavior in chronological order: starts sanding, continues.

b) Appearance: red hoodie, camouflage pants, beanie, respirator.

c) Spatial: person to the right of table, sander on right half of table.

d) Camera: static, maybe slight angle.

e) Background minimal: just say "indoor workshop setting" but maybe not necessary.

f) Exclude text, etc.

So:

A person in a red hoodie, camouflage pants, and a beanie with a respirator mask sands an oval wooden table with a metal base. Positioned to the right of the table, they move a handheld sander across the right half of the tabletop in a back-and-forth motion, generating sawdust. The camera remains static, capturing the action from a fixed angle.

Wait, the rules say "concise", so maybe shorten. Let's see:

In a workshop, a person wearing a red hoodie, camouflage pants, and a beanie with a respirator mask sands the right half of an oval wooden table with a metal base. They use a handheld sander in a back-and-forth motion, generating dust. The camera is static, viewing the scene from a fixed angle.

But maybe remove "in a workshop" since background is minimal. Let's check the rules: "background descriptions minimal unless essential". The setting is a workshop with corrugated walls, but maybe not necessary. The main focus is the action.

Another version:

A person dressed in a red hoodie, camouflage pants, and a beanie with a respirator mask sands the surface of an oval wooden table. Standing to the right of the table, they move a handheld sander across the right section in a back-and-forth motion. The camera remains static, capturing the action from a consistent angle.

That's concise. Let's check all rules:

a) Motion: sander movement, chronological order (starts sanding, continues).

b) Appearance: red hoodie, camouflage pants, beanie, respirator.

c) Spatial: right of table, right section.

d) Camera: static, fixed angle.

e) Background minimal: not mentioned much, so okay.

f) No text, characters, etc.

Yes.
</think>

<caption_output>A person in a red hoodie, camouflage pants, and a beanie with a respirator mask sands the right half of an oval wooden table with a metal base. Standing to the right of the table, they move a handheld sander in a back-and-forth motion,

A person (discrete solid object) is actively moving their hands to manipulate materials on a table, with visible hand motion and material interaction.

Background elements (walls, window) are stationary; no significant fluid motion (fire, water, smoke) dominates the scene beyond minimal steam near the work surface.


A shirtless man wearing a dark cap and dark shorts sits against a light-colored wall with a white door to his right. He begins with arms raised, then moves them upward and outward in a repetitive motion while holding small weights. The camera remains stationary throughout, capturing the upper body movement against the plain background.

A shirtless man is performing bicep curls with two dumbbells, moving them in a discrete, solid motion due to arm contractions and limb movement.

The background consists of a static wall and door with no shifting or environmental motion (e.g., no fire, water, wind, or fluid dynamics).


A hand manipulates a pink patterned rectangular box on a white surface, folding its edges and shifting its position across the surface; the camera maintains a close-up perspective with slight movement as the hand interacts with the box.

A person's hands manipulate a light pink patterned fabric, folding and positioning it on the table surface. The fabric moves in discrete steps due to manual folding actions.

Background includes a static table surface and computer monitor; no shifting background elements or fluid/environmental motion (fire, water, smoke, wind) observed.


RAW CAPTION: Got it, let's break down the video. First, the main subject is a woman. She's in a room, maybe a bathroom. She's wearing a light blue sleeveless top with red stains. She's holding a red cloth. The actions: she starts by holding the cloth, then moves it around, bringing it up near her face, maybe wiping or something. Let's check the frames. Frame 0: she's holding the cloth, red on it. Frame 1: same, but moving. Frame 2: she lifts the cloth higher, maybe to her head. Frame 3: she's adjusting the cloth. Frame 4: brings it down. Frame 5: holds it near her face. So the motion is her manipulating the red cloth, moving it from her hands up to her face and around. Appearance: long brown hair, top with red stains. Background has a door, maybe a mirror or something, but keep minimal. Camera perspective: looks like a fixed camera, maybe handheld, slight shake? Wait, the instructions say to describe camera perspective. The video is from a low angle, looking up at her, so camera is below her, looking up. So "low-angle shot". Now, chronological order: she starts holding the cloth, then moves it upwards, then brings it near her face, maybe wipes her face. Wait, frame 0: hands moving cloth. Frame 1: same. Frame 2: she lifts the cloth higher (maybe to her head), then frame 3: brings it down. Frame 4: holds it near her face. So sequence is holding cloth, moving it up, adjusting, then bringing to face. Background: door, maybe a towel or something, but minimal. So caption should be: A woman with long brown hair, wearing a light blue sleeveless top stained with red, holds a red cloth. She moves the cloth upward from her hands, then brings it near her face, adjusting its position. The camera maintains a low-angle perspective, capturing her from below with slight movement. Background elements include a door and a wall-mounted object, but are secondary. Wait, need to keep it concise. Let's check rules: focus on motion, behavior in chronological order. So: A woman with long brown hair, wearing a light blue sleeveless top with red stains, manipulates a red cloth. She raises the cloth upward, then brings it close to her face, adjusting its position. The camera is positioned low, looking up at her with minor movement. Background includes a door and a wall fixture. Wait, but background description minimal. So maybe omit "background includes..." unless essential. Essential for understanding motion? Probably not. So just focus on the action. Let's structure: Chronological order of actions. 1. Holds red cloth. 2. Moves cloth upward. 3. Adjusts cloth near face. So: A woman with long brown hair and a light blue sleeveless top stained with red holds a red cloth. She moves the cloth upward with both hands, then brings it close to her face, adjusting its position. The camera remains in a low-angle shot, capturing her movements with slight motion. Wait, but need to be concise. Let's make it shorter. "A woman with long brown hair, wearing a light blue sleeveless top stained with red, holds a red cloth. She lifts the cloth upward, then brings it near her face while adjusting its position. The camera maintains a low-angle perspective with minimal movement." Check rules: a) motion and behavior chronological. Yes. b) appearance: color (light blue top, red stains, red cloth), size (not specified, but implied), orientation (top sleeveless, hair long). c) spatial relationships: cloth is held by her, moved upward from her hands to face. d) camera: low-angle, slight movement. e) background minimal: not mentioned much. f) no text, names. g) no reasoning. So final caption: A woman with long brown hair and a light blue sleeveless top stained with red manipulates a red cloth. She lifts the cloth upward, then brings it near her face, adjusting its position. The camera captures her from a low angle with slight movement. Wait, "manipulates" might be okay. Let's check the exact steps. Frame 0: hands holding cloth. Frame 1: same, moving. Frame 2: cloth is higher, maybe to head. Frame 3: lower. Frame 4: brings to face. So sequence: holding, moving up, adjusting, bringing to face. So: A woman with long brown hair, wearing a light blue sleeveless top with red stains, holds a red cloth. She moves the cloth upward from her hands, then brings it near her face while adjusting its position. The camera is positioned low, looking up at her, with slight motion.

A person is moving their arms and head, holding a red cloth. The motion is deliberate and discrete (e.g., wiping or moving the cloth).

The background (walls, picture) is stationary with no shifting or environmental motion (fire, water, smoke, wind) observed.


A hand holds a small pile of green seeds, with two white pigeons (one with gray markings) pecking at them. As the hand lifts upward, the pigeons step back and one flies off-screen to the left, leaving the hand empty. The camera maintains a close-up, slightly shaky perspective throughout the sequence.

The birds are moving (pecking at the seeds in the hand), which is due to their own locomotion. The hand is mostly stationary (held by a person).

The ground background remains consistent without shifting, indicating no significant environmental motion. No fire, water, or wind is present as the dominant motion.


A man in a white shirt and dark pants shifts from a leaning position to sit upright on a chair, adjusting his posture while facing forward. In the background, a second person in a blue shirt is near a counter with various items. The camera remains handheld with slight movement, capturing the main subject’s motion.

A person in the foreground moves their legs, adjusts posture, and sits up; another person in the background is visible but shows minimal motion. Both exhibit solid, distinct physical movements.

Background elements (wall, table, lamp, green bowl) remain static with no uniform shifting or fluid environmental motion (fire, water, smoke, wind) observed.


Two hands in blue sleeves manipulate silver knitting needles and a light blue yarn ball against a dark background. The left hand holds the yarn ball while the right hand guides the needles to form a loop, moving the yarn through the needles in a continuous motion. The yarn ball stays positioned to the left of the hands, and the needles remain horizontally aligned. The camera maintains a static top-down perspective throughout the sequence.

Discrete objects include the hands, crochet hook, and yarn. The hands perform repetitive motions to manipulate the yarn and hook, creating crochet stitches through looping and pulling actions.

The background is a static, dark surface with no environmental motion (e.g., no fire, water, wind, or fluid effects). The scene remains consistently composed with no shifting background elements.


RAW CAPTION: Got it, let's break this down. The video shows a man in a blue shirt sitting at a table. He's handling cards. First, he has a stack in his right hand. Then he places one card down, then another, then another. The table has some objects: a deck on the left, a book on the right. The background is a plain wall. Camera is fixed, top-down view maybe. Need to describe the sequence.

Start with the main subject: man in blue shirt. Actions: he's dealing cards. Chronological: first he places a card from his hand onto the table, then another, then another. The cards are red, face up. Spatial: the cards are placed in front of him on the table. Background minimal. Camera is steady, top-down? Wait, the video is a fixed camera, no movement mentioned. So conclude with camera perspective: static, overhead or top-down? The video's shot is from above, so top-down.

Check rules: focus on motion, chronological. So first, man in blue shirt sits at table, holds cards. Then places cards one by one on table. Describe appearance: blue polo shirt, cards are red (maybe hearts or diamonds, but color red). Number: three cards placed on table. Spatial: cards are in front of him. Background: plain wall, table with deck on left, book on right but minimal.

Putting it together: A man in a blue polo shirt sits at a wooden table, holding a deck of playing cards. He places three red playing cards face up in front of him on the table, sequentially arranging them from left to right. The table also holds a deck of cards on the left and a closed book on the right. The camera maintains a static overhead perspective throughout the sequence.

Wait, check rules: background descriptions minimal unless essential. The deck on left and book on right are part of the table setup, so maybe include as minimal. The main action is the man dealing the cards. Let's structure:

First, main subject: man in blue shirt. Actions: dealing cards. Chronological steps: he starts with cards in hand, then places one, then another, then another. The cards are red, face up. Number of cards placed: three. Spatial: table in front, left to right.

Check if "red" is correct—playing cards, face up, so color of the card is red (since they're standard). Yes.

So caption:

A man wearing a blue polo shirt sits at a wooden table and deals three red playing cards face up, placing each sequentially from left to right in front of him. The table also contains a deck of cards on the left and a closed book on the right, with the camera maintaining a static top-down view.

Wait, "three red playing cards"—the initial frames show three cards already on the table? Wait, in the first frame, he has a stack in hand, and three cards on table. Then in the next frames, he places another card? Wait, the first frame: three cards on table. Then he's holding a stack. Then he places a fourth? Wait, let's check the frames:

Frame 0: three cards on table, he's holding a stack.

Frame 1: same, he's placing a card.

Wait, the video starts with three cards on table. Then he places another, so total four? Wait, the frames:

[0.0] he's holding a stack, three cards on table.

[1.4] he places a card from his hand, so now four on table? Wait, no. Wait, frame 0: left hand has a stack, right hand is placing a card. Then frame 1: the first card is placed (now four cards on table? No, initial three, then adding one makes four. Wait, no, the first frame shows three cards on table. Then he places a fourth. Wait, the video description:

Frame 0: man in blue shirt, holding cards (stack in left hand), three cards on table.

Frame 1: placing a card, so now four cards? Wait, no, the three cards are on the table, and he's placing one from his hand. So the sequence is he has a stack in his hand, and three cards on the table. Then he places a fourth card.

Wait, the frames:

At 0.0s: man holds a stack in his right hand, three cards face up on the table.

At 1.4s: he places a card (from his hand) onto the table, so now four cards on the table.

Wait, but the initial description says "three cards on the table" in the first frame. Wait, no, looking at the frames:

The first frame (0.0) shows three cards on the table and a stack in his hand.

Then

A person's hands manipulate playing cards (shuffling, repositioning), with distinct physical interactions between cards.

Background elements (wall, table) show no uniform shifting. No fire, water, smoke, or wind present.


A person with short blonde hair and a white t-shirt sits facing the camera, moving their hands rhythmically in front of their body. The individual gestures with both hands, occasionally raising them near chest level. Behind them, a window with visible bars and a drum set are positioned to the left, while a guitar leans against the wall to the right. The camera remains stationary but exhibits slight shake throughout the sequence, maintaining a frontal perspective of the subject.

The person (blonde hair, white shirt) is making deliberate hand gestures and arm movements, representing discrete solid object motion driven by intentional physical action.

Background elements (window, furniture, guitar) remain stationary throughout the clip; no fluid motion (fire, water, smoke) or wind effects observed. Static walls and objects confirm no ambient environmental motion.


A person in a dark blue shirt with a light blue V-neck adjusts a metallic mechanical object clamped in a vise, manipulating small components with their hands. The object features circular knobs and a curved metallic section, positioned horizontally. The individual’s hands move to reposition and adjust parts of the mechanism, with the camera maintaining a fixed, close-up perspective on the upper body and the object throughout the sequence.

A person's hands manipulate a small object (likely a mechanical part or tool) with deliberate, precise movements.

The background is dark and static; no shifting backgrounds or fluid/environmental motion (fire, water, wind) observed.


A person in a blue welding jacket and helmet welds, generating bright sparks in an industrial setting. The scene transitions to a close-up of the same individual welding inside a circular pipe, continuing the spark emission. Finally, the video displays a split-screen showing an offshore oil rig on the left and another welding scene on the right. The camera shifts from a medium shot to a close-up, then to a split-screen format.

Welder's hands and tools moving during welding (discrete solid objects), with minor spark particles.

No shifting backgrounds; industrial setting is static. No fire, water, or smoke dominating the scene. Welding sparks are minor particles, not environmental fluid motion.


A hand grips the handle of a stainless steel frying pan containing a simmering yellow liquid, moving the pan back and forth on a gas stove. The hand is positioned to the right of the pan, which rests on a white stove with black grates. The camera maintains a steady, close-up view focused on the pan and hand throughout the sequence.

A hand is moving the frying pan, causing the eggs inside to shift. The hand and pan are discrete solid objects.

The background (stove) is static. There is no fluid/environmental motion (e.g., fire, water, smoke, wind) dominating the scene.


A ballerina in a white leotard begins balancing on one foot with arms raised high on a green stage, then extends her right leg forward in a sweeping motion while turning her torso and lowering her arms. The audience sits to her left, behind red curtains and decorative panels, with the camera remaining stationary throughout.

The ballerina (discrete solid object) is performing ballet moves: arm raises, leg lifts, and a leap. Her motion is due to explicit physical locomotion.

Background elements (red curtain, patterned wall) are static; no environmental fluids (fire, water, smoke) or wind observed.


A young child with short brown hair and a light blue long-sleeve shirt stands at a kitchen counter, pressing an orange half into a white electric juicer. Juice flows from the orange into the container as the child applies pressure with both hands, surrounded by orange pulp and halves on the counter. The background features a microwave, colorful plates, and a stove; the camera remains stationary, capturing the child’s focused action from a medium perspective.

Child's hands actively squeezing a lemon over a bowl; motion is discrete and solid (lemon, hands, bowl) with repetitive manual movement.

Static kitchen background with no shifting elements (microwave, walls, fruits). No fire, water, or smoke observed.


The video opens with a close-up of a weaving machine’s vertical needles moving rhythmically over a black-and-white checkered fabric. The camera then pans left to reveal a person in a floral shirt operating the machine, adjusting its components while guiding the fabric through the mechanism. The fabric advances steadily beneath the needles, with the person positioned to the left of the machine. The camera maintains a steady perspective throughout, shifting focus from the machine’s intricate motion to the operator’s actions.

Discrete solid objects (people, fabric/materials) moving via manual handling and weaving actions.

Initial frames show static loom structure and floor; no fluid or environmental motion (fire, water, wind). Transition to a scene with people working on materials, no ambient environmental elements.


RAW CAPTION: Okay, let's see. I need to create a concise chronological paragraph for this video. The user provided the video frames and specific rules.

First, the video is dark, so the main subjects are hard to see. The first frame shows a woman in a light-colored dress with her back to the camera, moving. There's another person in a green top nearby. The next frames show her walking away, maybe turning around. She's the main subject here. The background is dark, but there's some light reflecting off her dress.

I should focus on motion and behavior. The woman is walking, maybe dancing or moving in a room. The other person in green is moving too, but maybe not the main focus. Need to mention her appearance: dress is light, maybe floral. Size? Not sure, but probably average. Orientation: back to camera initially, then maybe turning.

Spatial relationships: the other person is to her right or left? The video shows her moving with others, so maybe she's leading or in a group. But the rules say minimal background, so maybe don't mention the other people too much unless essential.

Camera movement: it seems shaky, maybe handheld. The camera follows her movement, maybe panning slightly. The perspective is from behind her, following her steps.

Wait, the user's example output has specific points. Let me check the rules again. Focus on motion and behavior chronologically. Start with the first frame: woman in light dress walking away. Then maybe another person in green top moving with her. Then she turns around. The camera stays behind, slightly shaky. Background is dark with some light spots.

Need to be concise. Let's structure it:

A woman in a light floral dress walks away from the camera, her back visible, moving through a dark environment. Another person in a green top moves alongside her. She turns slightly, revealing her back and dress details. The camera follows her movement with a slight shake, maintaining a rear perspective.

Check the rules: avoid text, named characters. Keep background minimal. Mention spatial relations: the green top person is nearby. Camera movement: slight shake, follows her. Okay, that should work.

Wait, the user said "conclude with camera perspective and movement". So the last part of the caption should be about the camera. Let's see.

First part: main subject's actions chronologically. Then camera.

So: In a dimly lit setting, a woman in a light, floral-patterned dress walks away from the camera, her back to the viewer, moving through a dark space. A second person in a green top follows closely to her right. As she continues walking, she turns slightly, showcasing her dress's flowing skirt. The camera maintains a shaky rear perspective, tracking her movement with minor pans.

Wait, the rules say "keep background descriptions minimal". So maybe don't mention the dark space as "dimly lit", but since the background is dark, maybe just say "dark environment".

Also, the dress is described as light-colored, maybe with patterns. The second person is in green. Need to check if the dress is floral. The frames show it as "light-colored" and "floral-patterned" maybe.

Let me rephrase: A woman in a light floral dress walks away from the camera in a dark environment, her back visible as she moves. A second person in a green top follows her to the left. She continues walking, turning slightly to reveal her dress's details. The camera follows her movements with a slight shake, maintaining a rear perspective.

Wait, does the second person move to the left or right? The frames show the woman moving leftward, with the green top person nearby. Maybe "to her left" or "alongside her".

Alternatively: A woman in a light floral dress walks away from the camera through a dark space, her back visible. A second person in a green top moves alongside her. She turns slightly, revealing more of her dress. The camera follows her from behind with a slight shake, capturing her motion.

Check if this meets all rules. Chronological: start with walking away, then turning. Camera at the end. Yes.

Also, check if the description is concise. Avoid excessive details. The key points: main subjects' actions, appearance (light dress, green top), their positions relative to each other, and camera movement.

Yes, I think that works. Let me make sure to not include anything about the background except what's necessary. Since it's dark, but the main focus is on the people moving. So "dark environment" is okay.

Final version: In a dark environment, a woman in a light floral dress walks away from the camera, her back visible as she moves. A second person in a green top follows closely to her left. She turns slightly, revealing her dress's details while continuing forward. The camera maintains a shaky rear perspective, tracking her

Discrete solid objects (dancers in formal attire) are moving through space; their motion is consistent with locomotion (dancing) and appears trackable as distinct subjects.

The background is dark with minimal distinct elements (e.g., distant lights), showing no uniform shifting of static background features. No fluid/environmental motion (fire, water, smoke, wind) is visible.


Two hands engage in crocheting; the left hand holds a pink yarn strand and a purple crocheted piece, while the right hand maneuvers a blue hook to insert into stitches and pull yarn through, forming new loops. The purple fabric remains stationary in front of the hands, with pink yarn trailing to the left. The camera captures a steady, close-up top-down perspective throughout the sequence.

The hands are moving the knitting needles and yarn, performing the knitting action.

Background elements (paper and table) are static with no shifting. No fire, water, smoke, or wind observed.


Two male basketball players, one in a white shirt and black shorts, the other in a dark shirt and gray shorts, stand on a wooden court with marked lines. The player in the dark shirt executes a reverse pivot on the foot nearest the hoop, moving backward while the other player steps back. The camera maintains a stationary top-down perspective throughout.

A single basketball player is moving across the court, performing a reverse pivot and preparing to shoot; motion is driven by their own locomotion and physical actions.

The basketball court lines and backboard are static; no shifting backgrounds or fluid/environmental motion (fire, water, smoke, wind) observed.


A pair of hands grips and turns a black steering wheel with a central emblem, then shifts to different gripping positions. The camera maintains a close-up perspective focused on the steering wheel and hands, remaining stationary throughout.

A hand (discrete object) is turning the steering wheel (discrete object) by applying physical force, causing rotational motion of the wheel.

No shifting background elements (car interior remains static) and no ambient environmental motion (fire, water, smoke, wind) observed.


A man in a black suit plays a grand piano with his hands, seated at the instrument. A man in a light blue shirt and dark pants stands to his right, holding a microphone and singing. The camera remains stationary, capturing the two performers in a room with brick walls.

Two distinct solid objects (pianist and singer) exhibit discrete motion: pianist's hands moving on piano keys, singer's head/body gestures during vocal performance.

Stationary stone walls, columns, and piano remain fixed; no fluid motion (fire, water, smoke) or wind effects observed in the environment.


A shirtless man in dark swim trunks stands on a rocky cliff edge overlooking the ocean. He raises both arms, bends forward, and leaps off the cliff into the water. The camera remains stationary, capturing the jump from a frontal perspective against the open sea.

A person jumps from a cliff into the ocean, with clear motion trajectory.

The ocean shows minor wave motion, but the background elements (cliff and distant rocks) are stable, indicating no dominant environmental motion.


A person in a black T-shirt and dark pants stands on a paved road, moving their arms and legs rhythmically while stepping. A small dark object lies on the road to their right. The camera remains stationary with a slight shake, capturing the scene against a dry grassy field with a tree in the distance.

A person is performing deliberate physical movements (kicking, jumping, arm swings) while a static object (bag) remains on the ground.

Static background elements (grassy field, tree) show no uniform shifting. No fire, water, or smoke visible. Ambient environmental motion is absent.


A person in a white t-shirt with black Chinese characters stands against a beige wall, arm extended to the side. The scene cuts to a close-up of a dancer in black clothing performing a hand wave motion, showing the arm and hand movements. The dancer’s upper body is visible, with the arm raised and hand gesturing. The camera transitions from a static shot of the first person to a close-up of the dancer’s arm, then to a wider view of the dancer’s upper body.

The moving objects are the person performing a handstand (in black attire) and the person pointing (in a white t-shirt). Both are solid objects moving due to their own physical actions.

The background is a static wall with no fluid or environmental motion (fire, water, wind).


RAW CAPTION: Got it, let's tackle this. First, I need to describe the video chronologically. The video shows a person weaving hand-loomed fabric. Let's break down the steps.

The main subject is a person in a pink shirt. They're working on a loom. In the first frame, they're handling threads, maybe threading the loom. Then, they move the wooden beam (the heddle or something), pulling the threads. Next, they adjust the fabric on the loom, maybe tightening or guiding it. Then, they use their hands to manipulate the threads further.

Appearance: Person in pink shirt, hands with bracelets. The loom has wooden parts, colorful fabric (blue, brown, purple stripes). Background is tiled floor, maybe some tools.

Chronic order: Starts with threading or preparing, then moving the beam, adjusting the fabric, and continuing weaving.

Spatial: The person's hands are on the loom, the fabric is between the beams. The person is seated, working on the loom.

Camera perspective: It seems like a close-up, maybe following the hands. The camera moves slightly to show different parts of the loom and hands.

Background: Minimal, just the floor and some items, not essential for motion.

Rules: Exclude text recognition, so don't mention "Weaving Hand-Loomed Fabric". Focus on motion.

So, structure: Person in pink shirt weaves using a loom. First, hands thread or adjust threads, then move wooden beam, guide fabric through, continue weaving. Camera close-up, following hands.

Check rules: a) motion in order. b) appearance: pink shirt, hands with bracelets. c) spatial: hands on loom, fabric on loom. d) camera: close-up, slight movement. e) background minimal. f) no text.

Let me draft:

A person wearing a pink shirt manipulates threads on a wooden hand loom, first guiding white thread through the loom's mechanism, then pulling a wooden beam across the fabric, followed by adjusting and smoothing the multicolored striped fabric (blue, brown, purple) with their hands. The camera maintains a close-up perspective, shifting slightly to capture the hands' movements and the loom's operation.

Wait, check chronology: first threading (white thread), then moving beam, then adjusting fabric.

Wait the video starts with hands handling white thread, then moving the beam (the wooden part), then adjusting the fabric. So:

A person in a pink shirt works at a wooden hand loom, first threading white thread through the loom's structure, then pulling a wooden beam horizontally across the fabric, and subsequently smoothing the striped fabric (blue, brown, purple) with both hands. The camera remains close, tracking the hands and loom components as the weaving process continues.

Wait, need to be concise. Let's check the rules again.

a) Chronological: step by step.

b) Appearance: pink shirt, hands with bracelets (but maybe just mention pink shirt, hands).

c) Spatial: hands on loom, fabric between beams.

d) Camera: close-up, slight shift.

e) Background: minimal.

f) Exclude text.

So:

A person in a pink shirt weaves on a wooden loom, initially threading white thread through the loom's mechanism, then moving a wooden beam across the fabric, followed by smoothing the multicolored striped fabric with both hands. The camera captures close-up shots of the hands and loom, shifting slightly to follow the weaving actions.

Wait, the video shows the person in pink, hands working, loom parts. Let's make sure it's chronological.

Start: hands handling white thread (maybe threading), then moving the beam (the horizontal part), then adjusting the fabric.

Yes. Let's write:

A person wearing a pink shirt manipulates a hand loom, first threading white thread through its structure, then pulling a wooden beam horizontally across the fabric, and subsequently smoothing the striped fabric (blue, brown, purple) with both hands. The camera maintains a close-up perspective, slightly shifting to follow the hands' motion on the loom.

Check for conciseness. Maybe "initially threading white thread" instead of "first threading white thread".

"Initially threading white thread through the loom, then pulling a wooden beam across the fabric, and finally smoothing the multicolored striped fabric (blue, brown, purple) with both hands. The camera remains close, tracking the hands and loom components during the weaving process."

Wait, need to ensure no text recognition, so don't mention the title. Also, "multicolored striped fabric" – the video shows stripes of blue, brown, purple.

Let me check the frames:

Frame 0: hands handling white thread, loom.

Frame 1: hands pulling beam, fabric moving.

Frame 2: hands adjusting fabric.

The primary discrete objects are the person's hands and the weaving threads. Their motion is structured, involving precise manipulation of the loom's heddles and threads to create fabric, with distinct, controlled movements.

The background includes static elements like the loom structure, floor tiles, and fabric remnants; no fluid motion (fire, water, smoke) is present. Background elements show no uniform shifting, indicating no ambient environmental motion.


Two individuals in a space station cabin, both wearing black shirts and khaki pants, stand with hands clasped initially. The person on the left gestures while speaking, moving their right hand outward. They remain positioned against a backdrop of equipment and wires. The camera maintains a static medium shot throughout.

Two astronauts (discrete solid objects) moving due to their own locomotion in microgravity (floating and hand movements).

Background is static with no shifting or environmental motion (no fire, water, smoke, wind).


A person in dark clothing stands on a sidewalk at night near a stone wall, holding a burning object. They begin walking away from the wall along the sidewalk. As they move, a dark vehicle approaches from the right, passes them, and exits the frame. The camera remains stationary throughout, capturing the scene from a fixed position on the sidewalk.

A person (holding a torch) walks toward a stone wall, stops, and stands still. A car also moves past the person from the right side of the frame.

The stone wall and ground remain static throughout the frames, indicating no uniform background shift. The fire from the torch exhibits fluid motion, but it is not the dominant visual motion in the scene.


A boy in a green shirt and a girl in a yellow shirt interact at a desk with a microscope. The boy holds the microscope's arm, adjusting its position while the girl assists; he then leans forward to view through the eyepiece. Other students are visible in the background, but the focus remains on the two children. The camera gradually pulls back, revealing more of the classroom setting.

Two children (solid objects) are moving: one in green shirt operating a faucet, the other in yellow assisting with containers.

Background elements (blackboard, walls, shelves) are static. Water flow from the tap is controlled and not dominant ambient motion.


Three individuals stand in a snowy park; the person on the left wears a blue jacket and red Santa hat, the middle person is in dark clothing, and the right person is in black attire. They begin swinging shovels rhythmically, moving their arms in a coordinated motion, with the left individual lifting a black shovel and the middle and right individuals using red and white shovels respectively. They maintain their positions in a line, facing forward, as the camera captures the scene from a fixed, slightly low angle with minimal background detail. The camera remains steady throughout, focusing on the repetitive motion of the shoveling action.

Three people (discrete objects) skiing, moving due to their own locomotion (using poles and gliding on snow). They are carrying bags which are also moving with them.

Background shows static trees and snow-covered ground. No dominant fire, water, smoke, or wind motion; the snow is being disturbed by the skiers but not as the primary motion.


A person's hands manipulate a small black spiky brush, positioning it onto a metallic tool with a textured grip, then adjust its placement. The background shows a striped fabric. The camera maintains a close-up perspective, tracking the hands' movements.

Hands manipulating a black bristle brush attached to a cylindrical device (likely a tool), exhibiting deliberate physical manipulation without environmental fluid dynamics.

Static striped shirt background with no shifting elements or fluid/environmental motion (fire, water, smoke, wind) observed.


A hand holds an orange pumpkin with a black-drawn line; another hand uses a double-edged saw to cut the pumpkin lid along the line at an angle, removing the lid which rests below. The scene transitions to two carved pumpkins with their lids placed on a wooden surface beside them. The camera maintains a close-up perspective, focusing on the pumpkin and hands during cutting, then showing the two pumpkins.

Discrete solid objects in motion: the hand (cutting the pumpkin), the knife (moving to cut the pumpkin), and the pumpkin lid pieces (being cut and placed on the table).

The background (countertop) is static and unchanging. No fire, water, smoke, or wind is present. Therefore, no ambient_environmental motion.


Five women in casual attire (yellow, white, red, beige tops) perform synchronized dance movements in a line: swaying bodies, stepping side-to-side, then raising arms upward, while additional figures stand behind them. The camera maintains a static medium shot with slight shake.

Discrete solid objects (multiple people) are performing coordinated movements (arm gestures, shifts in stance), indicating intentional locomotion/physical motion.

The static background elements (walls, framed pictures, posters) show no uniform shifting across frames. No fire, water, smoke, or wind is visible.


A group of indistinct dark figures move across a wooden bridge at night, initially distant and gradually approaching the camera's perspective. They walk in a loose formation along the bridge's planked surface, with dimly lit buildings visible in the background. The camera remains static, capturing the scene without significant movement.

discrete_object_physics | ambient_environmental | camera_motion | ego_motion | static

Briefly describe what discrete, solid objects are moving.

Briefly check for shifting backgrounds or fluid/environmental motion (fire, water, wind).


The video begins with the text "Tricep Stretch" displayed on a black screen. It transitions to a gym setting where a person in a white shirt and dark pants stands in front of equipment, arms raised behind their head with hands clasped. The person remains in this stretching position. The camera is stationary, capturing the individual from a frontal perspective with minimal background details.

A single person (discrete solid object) performs a triceps stretch: arms are raised and extended upward behind the head, with controlled movement and static posture during the hold.

The gym background (walls, door, equipment) remains stationary throughout; no fluid motion, fire, water, or wind is present.


A person in a pink top and dark pants begins seated on a red mat against a brick wall, then lowers themselves backward onto the mat while extending arms upward as if pulling an imaginary rope, followed by lifting their upper body back up in a repeating motion. The camera maintains a stationary top-down perspective.

A person (the woman) is performing sit-ups, moving her upper body and legs in a repetitive motion due to physical exertion.

The background (brick wall and wooden floor) is static with no visible shifting or fluid motion (fire, water, wind).


A person wearing a red and black hooded sweatshirt with visible text and chevron-patterned pants sits cross-legged on a surface against a green wall. They initially hold a small object in both hands, then lower their hands to rest on their lap. The camera remains static with a slight shake, focusing on the subject from a frontal perspective.

A person (solid object) manipulates an item (likely a phone or small object) with hand movements while seated on a bed.

The green wall and bed background are static; no fluid/environmental motion (fire, water, wind) detected.


A hand uses silver pliers to adjust a metallic component on a yellow plastic block with multiple bolts, moving the pliers in a twisting motion around a central screw. The camera zooms in closely, focusing on the pliers' interaction with the metallic part, which is positioned against the block's curved surface. The background remains dark and out of focus, emphasizing the mechanical action. Camera maintains a top-down perspective with slight zooming and stabilization throughout.

A metallic tool (e.g., pliers) is manipulating a small mechanical component on a yellow fixture, showing controlled, repetitive motion for adjustment/assembly.

The yellow structural background remains static with no visible shifting or fluid/environmental motion (e.g., fire, water, wind).


A person in a black suit hugs another from behind; the scene shifts to a close-up of a person in a blue suit holding a blue folder while speaking, then a woman in a black suit embraces someone else while clutching the blue folder. The background is a plain white setting with light-colored panels. The camera alternates between medium shots and close-ups, focusing on the interactions without significant movement.

Two people are engaged in physical interaction (hugging, holding a folder), with clear locomotion and force-based movement (e.g., hugging motion, hand gestures).

The background consists of static walls and no visible fluid/environmental motion (fire, water, smoke, wind). Background elements show no uniform shifting.


A bride in a white gown with a veil and a groom in a black suit stand beside a white multi-tiered wedding cake adorned with purple floral decorations. They ignite sparklers and move them in a manner that emits bright light trails toward the cake; the purple curtains form the backdrop, and the camera maintains a slight shake throughout the sequence.

The bride and groom are actively moving their arms and hands to guide a knife through the cake. The knife is the primary discrete object exhibiting motion due to explicit physical interaction (cutting the cake).

The purple curtains and wall background remain static across frames, with no shifting or uniform motion indicating camera-induced movement. No fire, water, smoke, or wind dominates the scene.


Several people underwater wearing snorkel masks with breathing apparatuses swim in a group; they adjust their masks and move forward together, some in blue striped swimsuits, others in dark swimwear, while fish swim around them. The camera follows the group from a slightly low angle, panning to maintain focus on their synchronized movement across the sandy seabed.

Multiple divers are moving through the water by swimming; their motion is due to their own physical locomotion.

The underwater environment has bubbles rising from the divers' equipment, but the seabed remains static and the dominant motion is not fluid (water) motion.


A seated person in a black shirt and dark pants holds a large brown cello, moving a bow across its strings while adjusting their left hand position on the neck; the background features a wooden wall with posters and a piano but remains static. The camera maintains a fixed, eye-level perspective throughout.

A person is playing the cello, with localized hand and arm movements. The cello itself is being moved by the player's actions.

No shifting background elements. No environmental motions (fire, water, smoke, wind) detected.


A man in a gray t-shirt, black shorts, and white sneakers walks toward a barbell on the gym floor, bends down to grasp it, and lifts it to his shoulders. The background features plywood walls and colored weight plates against the wall. The camera remains stationary throughout.

The man moves from right to left, picks up a barbell, and lifts it to his shoulders. The barbell is lifted due to the man's physical force.

The background (plywood walls and gym equipment) is static with no shifting. No ambient environmental motion (fire, water, wind) is present.


A person in dark clothing and jeans jumps repeatedly near a doorway, extending arms mid-air while holding a red object; they move in front of a garden backdrop. The camera remains stationary with a slight shake.

The primary discrete object is a person performing rhythmic dance movements (jumping, arm extensions) with clear locomotion and bounding box changes.

The background (walls, window frame, and outdoor greenery) is static with no shifting or fluid motion. No fire, water, smoke, or wind-driven motion is observed.


Two individuals lie on a blue mat in a gym; one wears black clothing while the other wears a dark top and blue shorts. They perform sit-up motions, lifting their upper bodies toward their knees and lowering back down repeatedly. Gym equipment is visible in the background. The camera remains stationary throughout the sequence.

Two individuals on a mat are moving through discrete physical actions (rolling, pushing, transitioning between positions), indicating intentional locomotion and interaction.

Background elements (gym equipment, walls) remain stationary and do not shift uniformly across frames. No fluid or environmental motion (fire, water, smoke, wind) is present.


A gloved hand holds a black sander with a green hose, moving it in circular motions over a brown surface on a white table, creating dust as the sander’s white plate with a dark center grinds the material; the hand applies steady pressure while the sander’s orbit covers the surface, viewed from a static top-down angle.

A person using an orbital sander (discrete solid object) on a circular material; the sander's motion is deliberate and contact-based with the surface.

Static background (countertop surface) with no shifting elements; no fluid/environmental motion (fire, water, smoke, wind) present.