A person holds a white ceramic cup in their left hand while pouring milk from a metallic pitcher into it with their right hand. The milk flows steadily from the pitcher into the cup, creating a frothy pattern on the coffee surface. The pitcher is tilted above the cup, and the background includes a coffee machine and counter items. The camera maintains a close-up perspective, focusing on the pouring action with slight movement to follow the milk stream.

Discrete solid objects include the person's hands (pouring), the pitcher, and the cup. The motion is caused by explicit physical forces (human pouring action).

Background elements (kitchen counter, coffee machine) show no uniform shifting, indicating no camera movement. The fluid motion of milk pouring is secondary to the discrete human action.


A person seated on stage in front of a grand piano, holding a yellow ukulele, plays briefly before standing and lifting the instrument to display it, moving it side-to-side while gesturing. The audience is seated in front of the performer, with the piano's red and gold structure visible behind. The camera remains stationary, capturing the scene from a frontal perspective with minimal background detail.

The man is moving his arms and body while playing the ukulele and handling a yellow object (possibly a bag or cloth).

No shifting background (piano and microphone stand are static). No fire, water, smoke, or wind observed.


Two young girls play in a garden. The first girl, with blonde hair, wears a beige shirt and dark floral pants, stands on grass, holding her arms near her chest as water sprays in front of her. The second girl, in a pink and white hexagon-patterned dress, enters from the right, moves toward the first girl, and sprays water. The first girl turns slightly as the second girl approaches. The camera pans left to track the second girl’s movement.

Two girls: one in pink dress moves arms, turns, and interacts with the environment; the other in grey shirt holds hands near face, remaining mostly stationary.

Background elements (fence, plants) are static; water spray is present but not dominant motion. No significant fluid or gaseous motion dominates the scene.


A top-down view shows a purple embroidery hoop with three embroidered flowers—yellow, pink, and dark purple—arranged left to right, each with a white center. A hand enters holding a needle, moves it across the hoop, then sequentially points to each flower from left to right. The camera remains stationary, focusing on the hoop and hand actions.

The hand (fingers) moves in discrete motions to point at each flower (yellow, pink, and purple). The flowers are stationary.

The background (purple fabric) is static; no shifting backgrounds or fluid/environmental motion observed.


A man in a light blue shirt sits at a dark table, hands initially clasped. He extends both arms outward in a wide stretch, reaching fully to his sides, then returns hands to the table. The background is dark, with the table as the primary foreground element. The camera remains steady, focused on the man's upper body and movements throughout.

A single person (man in light blue shirt) is visible, moving their arms and hands in discrete, intentional gestures at a table.

The background is uniformly black with no discernible shifting elements or fluid/environmental motion (fire, water, smoke, wind). Static background elements (e.g., table, implied walls) show no uniform displacement.


A pair of hands holds a clear plastic container over a sink, pouring water from a blue plastic bottle into it. The hands then move the container to the sink, empty the water, and refill it with more water from the bottle. A pink towel lies on the countertop nearby, and a dish rack is visible in the background. The camera maintains a top-down perspective with slight movement throughout.

Hands manipulate containers and cloth, moving them under the faucet for washing.

No shifting background; water flow is present but not dominant.


A person uses their right hand to carve a light brown wooden object with a small tool while holding it steady with their left hand; they rotate the wood to continue carving different sections. The wooden worktable, marked with sawdust, sits above a crate, with logs visible in the background. The camera maintains a close-up, static perspective throughout.

The person's hands are manipulating a wooden object (likely a carved item), causing it to rotate and be examined. The hands move deliberately to adjust the object's position.

The background (table surface, black box, and surrounding items) remains static with no shifting or fluid motion. No fire, water, smoke, or wind is present.


A person with long dark hair wearing a white shirt lies down, their head moving slightly as they smile; a yellow pendant necklace is visible. The individual remains in the frame with minimal movement, surrounded by indistinct fabric textures in brown and green hues. The camera maintains a close-up perspective with slight shake, focusing on the upper body and face without significant spatial shifts.

The person's head and face are moving (head turning, mouth opening and closing) which is a form of discrete object physics (biological motion).

The background (bed and fabric) is static with no shifting, and there is no fire, water, smoke, or wind. Therefore, no ambient environmental motion is present.


A female athlete in a dark sleeveless top and shorts with bright green shoes jumps over a high bar, landing on an orange mat with visible text. She rolls onto the mat, pushes herself up, and runs away from the landing area. The camera maintains a fixed position, observing her motion from a side angle with minimal background activity.

The athlete (a person) is running, jumping, and recovering on the mat. Motion is due to muscular force (running, jumping) and gravity (falling/landing).

The background (spectators, tents, mountains) is stationary; no dominant fluid/environmental motion (fire, water, wind) is present. Background elements show no uniform shifting.


A man in a white shirt and blue jeans walks from a greenhouse toward the camera, then turns and walks back toward the greenhouse, moving across a dirt and grassy backyard area. The camera remains stationary throughout the sequence.

A man is walking and turning in the backyard, moving from the house toward the greenhouse and then back toward the house.

The background (greenhouse, house, and ground) remains stable with no uniform shifting; no fluid motion (fire, water, smoke) or wind dominates the scene.


In a church interior, a small ensemble of musicians plays instruments. Two women at the front left play flutes, moving their fingers on the keys, while a man at the front right plays a brass instrument. Behind them, several other musicians seated with guitars and a violin also play. The camera remains static with a slight shake.

Discrete objects (musicians) are moving their arms and hands while playing instruments.

The background (walls, arches) is static with no shifting. No fire, water, smoke, or wind is present.


A man in a light gray suit sits at a wooden grand piano, lifting his left hand from the keys before pressing both hands to play. A small fan stands to the right of the piano, and a window is visible behind it. The camera remains fixed with slight movement.

The person playing the piano has moving hands (discrete object motion), and the fan blades are spinning (discrete object motion).

The background elements (windows, lamp, and piano) are static. The fan spinning is a solid object moving due to a mechanical motor, not fluid or wind, so no ambient environmental motion.


Two hands interact with a keyboard: a right hand initially presses a key, followed by both hands moving across the keys in sequence to press multiple keys. The hands are positioned on the keyboard, which features black and white keys against a dark background. The camera maintains a top-down static perspective throughout.

A hand is moving over the keyboard, pressing keys. The hand is a discrete solid object undergoing locomotion (playing the piano).

The background is a static black color with no shifting elements or fluid/environmental motion. No fire, water, smoke, or wind are present.


A person with short, reddish-brown hair wearing a yellow T-shirt with a dark graphic design begins looking downward, then tilts their head upward and to the side, followed by raising their right hand toward their face. The background features decorative plates on a light-colored wall. The camera remains stationary with minor movement.

A person in a yellow shirt is moving their head and hands; the head moves down and up, then side to side, and the hand is brought to the head and moved.

The background (wall with decorative plate) is static and shows no shifting or environmental motion (fire, water, smoke, wind).


A child in a red shirt and dark blue pants with white polka dots arranges rocks into a circular pattern on a grassy lawn, then turns to pick up a white bucket and carries it away. The camera captures the scene from a consistent elevated angle, with no noticeable movement.

The child moves from standing to walking away, carrying a bucket.

The background (grass, tree, bucket) is static with no dominant environmental motion (e.g., fire, water, wind).


RAW CAPTION: Got it, let's break this down. First, the video shows a woman in a red apron and headband. She's at a table with various items. The sequence: at [0.0], she's holding a dark bottle. Then she places it on the table (left side), moves a small container, then picks up a bowl. Wait, the timestamps are 0 to 5 seconds. Let's check each frame.

Frame 0: She's holding a bottle (dark, maybe wine) above the table. Frame 1: She places the bottle down on the table to her left. Frame 2: She moves a small container (maybe a dish) from the table. Frame 3: She's reaching for something, maybe the bowl. Frame 4: She lifts the bowl. Frame 5: She moves the bowl towards the right.

Need to describe motions chronologically. Main subject: woman. Appearance: red apron, colorful headband. Actions: places bottle, moves container, picks up bowl, lifts it.

Spatial relationships: bottle placed to left of table; containers on table; bowl is being moved.

Background: green wall, mirror, chair, but minimal.

Camera: static, top-down? Wait, the video is probably static, as it's a fixed shot. The description says "camera perspective and movement"—since no movement, maybe "static shot" or "fixed camera."

Check rules: exclude text recognition, named characters. Focus on motion.

Putting it all together:

A woman in a red apron and colorful headband places a dark bottle on a table to her left, then rearranges a small container, and lifts a green bowl from the table toward the right. The scene is viewed from a static camera angle over a tiled table with various kitchen items, against a green wall with a decorative mirror.

Wait, check chronological order: first placing bottle, then moving container, then lifting bowl. Yes. Appearance: red apron, colorful headband (her hair is tied with a headband). Number of subjects: one woman.

Mention spatial: bottle to left, bowl being moved. Background minimal, so only necessary bits.

Camera: static (no movement mentioned, so "static camera").

Let's structure:

In the video, a woman wearing a red apron and a colorful headband first places a dark bottle on the table to her left, then repositions a small container, and lifts a green bowl from the table towards the right. The camera maintains a static overhead perspective as she works at a tiled table with various kitchen items, set against a green wall with a decorative mirror.

Wait, but "overhead"? The video might not be overhead, but the perspective is fixed, maybe eye-level? But the description doesn't specify, but the rules say "conclude with camera perspective and movement". Since it's a standard cooking video, often static shot. The user said "top-down" is an example, but if not, maybe "static" or "fixed".

In the example, maybe "static shot" is okay.

Let me check the rules: "Conclude with the camera perspective and movement (e.g., top-down, pan left, slight shake)."

So if it's a fixed shot, say "static camera".

Also, "briefly describe their appearance and number". Woman: one person, red apron, colorful headband.

So:

A woman in a red apron and colorful headband places a dark bottle on the table to her left, then adjusts a small container, and lifts a green bowl toward the right. The camera remains static, capturing her actions at a table with kitchen items against a green wall.

Wait, need to make sure chronological:

- 0-1 second: places bottle on table (left)

- Then, moves container (maybe from right to left or vice versa)

- Then lifts bowl

Yes.

Check if all parts are included: motion chronologically, appearance, spatial, camera.

Let's try:

In the sequence, a woman wearing a red apron and colorful headband places a dark bottle on the table to her left, moves a small container, and lifts a green bowl toward the right. The camera stays static as she prepares food at a table with various items, set against a green wall with a decorative mirror.

That's concise. Check rules:

a) Motion chronologically: yes.

b) Appearance: red apron, colorful headband, one person.

c) Spatial: bottle left, container moved, bowl lifted.

d) Camera: static.

e) Background minimal: green wall, mirror mentioned briefly.

f) No text, no named characters.

g) No reasoning.

Looks good.
</think>

<caption_output>A woman in a red apron and colorful headband places a dark bottle on the table to her left, then adjusts a small container, and lifts a green bowl toward the

A person in a red apron is actively moving their arms and body (pouring liquid, gesturing, adjusting items), demonstrating discrete physical motion from self-directed locomotion and manipulation.

The green wall, decorative mirror, and door remain static throughout the video, with no signs of fluid motion (fire, water, smoke, wind) or environmental distortion.


The adult wearing a black jacket and the child in a pink hoodie are seated at a dark table; the adult moves his hands across the table with small objects while the child moves her hands, then lifts the child from the seat, holds her up, and lowers her back to the table with the child remaining in front of the adult. The camera remains stationary throughout.

A man and a young girl are interacting with small objects on a table; their hands and upper bodies show controlled movement due to intentional physical actions (e.g., manipulating objects, shifting positions).

The background (wall, plant, lit area) remains static with no uniform shifting or fluid motion (fire, water, smoke, wind) observed.


A person in a bright yellow high-visibility jacket interacts with a person in a striped hoodie and jeans; the hoodie person walks away, then the officer leads them down a residential street with parked cars, the hoodie person keeping hands behind back. The camera remains static then follows the pair as they walk.

Two individuals (a police officer and a hooded person) are moving: the hooded person is being escorted away, with the officer walking alongside. Parked cars and buildings remain stationary.

Background elements (buildings, parked cars, walls) show no significant shifting or fluid motion. No fire, water, smoke, or wind-driven motion observed.


Hands arrange fresh green basil leaves onto a pizza topped with red cherry tomatoes and melted cheese. A metal knife slices through the pizza, separating a slice. The pizza is presented on a plate with a slice removed. The camera starts with a top-down view, transitions to a close-up of the slicing action, and returns to a top-down perspective.

Hands interact with the pizza by placing basil leaves, using a pizza cutter, and lifting a slice; the pizza itself is moved by the hands.

The wooden surface and plate in the background remain static; no fluid or environmental motion (fire, water, wind) is present.


A person in a checkered shirt and jeans stands in a room with wooden French doors and a fireplace, holding a yellow ball above their head before moving their hands to manipulate the ball and then turning right to walk out of the frame. The camera remains stationary throughout.

A man is moving his body and arms (talking on phone, gesturing, then turning to interact with objects on the table). His movements are discrete and self-driven locomotion.

No shifting backgrounds or fluid/environmental motion (fire, water, wind) observed. Background elements (wooden doors, fireplace mantel, wall decorations) remain static throughout the clip with no uniform displacement.


A hand manipulates a circular silver metal component with multiple holes, positioning it over a fixture, then inserts it and rotates it to secure in place. The metallic object is adjusted with precise hand movements, maintaining focus on the interaction between the component and the fixture. The camera maintains a static close-up perspective with minimal background detail.

A hand is manipulating a metallic object, moving it in a deliberate manner, likely for a mechanical task.

The background is static and dark with no fluid/environmental motion (fire, water, wind).


A person in a black top and light blue jeans walks away from the camera on a paved street, followed by another individual in a black and white striped long-sleeve top and dark pants. The striped individual runs forward, leaps into the air, and moves closer to the person in jeans, who then turns around to face them. The camera remains stationary, capturing the interaction from a rear perspective with a slight shake.

Two individuals: one person (striped top) walks towards the camera (locomotion), while another (black top) remains relatively stationary with minor posture adjustments (e.g., hand movements). Both are distinct solid objects with motion driven by explicit locomotion.

The background (road, curb, distant cars) shows no significant shifting or fluid motion. Shadows are consistent with sunlight direction, indicating no wind or environmental fluid dynamics. No ambient environmental elements like fire or smoke are present.


Three red and green birds shift positions among tree branches, moving closer to and farther from the camera; the handheld camera maintains a slight shake while panning to track their movements.

Two birds perched on a branch exhibit localized movements (head turns, minor body shifts) indicative of natural locomotion.

The background consists of static tree branches and foliage with minimal leaf movement due to wind; no dominant fluid or fire effects present.


A person with hands visible rearranges white cups with blue designs, initially adjusting a cup from the top of a pyramid stack and then moving it to the side; the cups are cylindrical, uniform in size, and positioned in a tiered arrangement on a blue surface. The camera maintains a steady top-down perspective throughout the sequence.

A person manipulates plastic cups (solid objects) by lifting, moving, and stacking them, indicating discrete object motion due to physical forces from hand movements.

The background contains static elements (e.g., walls, cardboard boxes) with no uniform shifting or fluid/environmental motion (fire, water, wind).


A hand holding a blue bottle pours clear liquid into a white bowl filled with pink glittery liquid, maintaining a top-down camera perspective throughout the action.

A hand holding a bottle pours contact solution into a bowl; the hand, bottle, and liquid surface show discrete motion due to human action.

The background (bowl, countertop) shows no uniform shifting; no fire, water flow, smoke, or wind motion observed. Fluid motion is limited to the controlled pouring of liquid, which is not dominant ambient environmental motion.


A bearded man in a dark t-shirt holds a beer bottle, adjusting it with his hands in a purple-tinted setting. The camera initially focuses on his hands and the bottle, then pulls back to show him standing in front of metal shelves filled with assorted items.

The person is moving their arms and the bottle, with clear discrete motion of solid objects (person, bottle) due to explicit physical actions (lifting, positioning, drinking).

The background consists of static shelves with items; no fluid motion (fire, water, smoke, wind) is present, and background elements do not shift uniformly.


A child in a white karate gi with a black belt executes a kicking motion, lifting their leg high before lowering it, while an instructor in a white gi assists by guiding their movement from behind. The child turns slightly mid-action as the instructor adjusts their position. The scene is filmed from a top-down perspective with minimal camera shake, with a Korean flag visible in the background.

Three individuals in martial arts uniforms move discretely: the foreground person performs stances, steps, and belt adjustments while the other two observe and interact.

The background (wall, Korean flag, and dojo equipment) remains stable throughout the video with no fluid motion or environmental effects (fire, water, wind).


A large yellow bulldozer with a wide metal blade advances slowly across a muddy field, its tracks displacing dirt as it moves. The blade pushes soil forward, lifting it to the left and scattering earth, while the vehicle remains upright. The camera stays stationary, capturing the action from a ground-level perspective with minimal background details.

The bulldozer is the discrete object moving due to its own locomotion, pushing dirt in front of it.

The background (dirt field and distant trees) is static with no uniform shifting, and there are no fluid or environmental motions (fire, water, smoke, wind).


RAW CAPTION: Got it, let's break down the video. First scene: vacuum cleaning hardwood floor, camera low angle showing floor and vacuum. Then close-up of hand turning a knob on the vacuum (silver with green button), text "It DRIES" but we ignore text. Next, vacuum moving over floor with person's foot visible. Then close-up of vacuum's base with "FloorMate Deluxe" but again, ignore text. Then person emptying vacuum tank (twin tanks mentioned, but text is excluded). Wait, need to focus on motion and subjects.

Main subjects: vacuum cleaner (silver, maybe), hand (wearing ring), foot (black shoe). Chronology: vacuum moving across floor, hand turning knob, vacuum moving again, close-up of base, person handling tanks.

Check rules: exclude text, focus on motion. So first, vacuum cleaner is used to clean hardwood floor. Then a hand turns a knob on the vacuum. Then the vacuum moves over the floor with a person's foot nearby. Then a close-up of the vacuum's base. Then the person empties the vacuum tank (twin tanks). Need to describe appearance: vacuum is silver, hand has ring, foot is black shoe. Spatial: foot is near vacuum when it moves. Camera perspective: starts low angle, then close-up, then top-down? Wait, first frame is low angle on floor and vacuum. Second frame close-up of hand and vacuum knob. Third frame vacuum moving with foot visible. Fourth frame close-up of vacuum base. Fifth frame person handling vacuum (showing twin tanks, but text is excluded). Wait, the fifth frame is person standing next to vacuum with tanks. So motion: vacuum cleaning, hand operating, vacuum moving, close-up base, person handling tanks.

Let's structure chronologically:

1. A silver vacuum cleaner moves across a hardwood floor in a room with white cabinets and a blue chair. The camera is at a low angle focusing on the floor and vacuum.

2. A hand with a ring turns a green button on the vacuum's handle; the camera zooms in on the hand and vacuum.

3. The vacuum continues cleaning the floor, with a person's black-shoed foot visible near the vacuum as it moves.

4. The camera focuses on a close-up of the vacuum's base, showing its internal components.

5. A person empties the vacuum's tanks, with the vacuum's twin tanks visible.

Now, simplify to one paragraph. Focus on motion and subjects in order. Avoid text. Mention appearance (silver vacuum, hand with ring, black shoe), spatial (foot near vacuum), camera movement (low angle, close-up, zoom).

Check rules: concise, chronological, exclude text. So:

A silver vacuum cleaner moves across a hardwood floor in a room with white cabinets; the camera is low angle. A hand with a ring turns a green button on the vacuum's handle, then the vacuum continues cleaning as a person's black-shoed foot moves nearby. The camera zooms to a close-up of the vacuum's base, then shows the person emptying the vacuum's twin tanks.

Wait, but the fifth frame is "Twin Tanks" text but we exclude text, so the action is person emptying tanks. So the main motion: vacuum cleaning, hand operating, vacuum moving, close-up base, person handling tanks.

Now, check for minimal background. Background: white cabinets, blue chair in first frame, but maybe too much. Rule e: minimal background unless essential. So maybe just mention the room has furniture but focus on the vacuum's action.

Revised:

A silver vacuum cleaner moves across a hardwood floor; a hand with a ring turns a green button on its handle, then the vacuum continues cleaning the floor with a person's black-shoed foot visible nearby. The camera focuses on a close-up of the vacuum's base, then shows the person emptying the vacuum's tanks.

Wait, need to mention chronology. Let's list each action in order:

1. Vacuum cleans floor (low angle, shows floor and vacuum).
2. Hand turns button (close-up on hand and vacuum knob).
3. Vacuum moves over floor with foot (foot visible).
4. Close-up of vacuum base.
5. Person handles tanks (emptying).

So paragraph:

A silver vacuum cleaner moves across a hardwood floor. A hand with a ring turns a green button on the vacuum's handle. The vacuum continues cleaning as a person's black-shoed foot passes nearby. The camera then zooms to a close-up of the vacuum's base, followed by a person emptying the vacuum's tanks.

Check rules: exclude text, focus on motion and behavior. "Twin Tanks" is text, so we don't mention it, just the action of emptying. The vacuum is silver, hand has ring, foot is black. Spatial: foot is near vacuum. Camera: starts low angle

The vacuum cleaner (a solid object) is being pushed across the floor by a person (whose foot and body are visible). The motion is due to explicit physical forces (the person pushing the vacuum).

The background (wooden floor, white cabinets, blue chair) is static and does not shift. There are no fluid or environmental motions (e.g., fire, water, smoke, wind).


A person in a plaid shirt stands in a kitchen, playing an accordion with black and red bellows. They move the accordion's bellows back and forth as they play, positioned in front of wooden cabinets and a stove. The camera remains static throughout the sequence.

A person holding an accordion moves their hands and upper body slightly while playing, representing solid object motion due to locomotion and muscle action.

Kitchen background elements (cabinets, refrigerator, stove) remain fixed with no shifting or environmental motion. No fire, water, smoke, or wind dominates the scene.


RAW CAPTION: Got it, let's tackle this. First, the video starts with an ATM machine. The screen shows "BILLETES" and then bills are being dispensed. A hand takes the money. Then the scene shifts to someone handling a card—they insert it into the ATM's card slot. There's text on screen, but according to the rules, we don't include text recognition. So focus on the actions: dispensing money, taking it, then the hand with the card.

Let's break it down chronologically. First, the ATM ejects a stack of bills (the 10 euro notes, but maybe just note the motion). Then a hand reaches in to take the money. Next, another scene: a person in a suit (black suit, since it's visible) inserts a card into the ATM's card slot. The text on screen is a warning, but we ignore that. Then the card is being placed into a wallet or something.

Wait, the second part: "a hand inserts a card into the ATM's card slot, then the card is placed into a wallet." So the actions are: ATM dispenses cash, hand retrieves cash, then hand inserts card into ATM, then removes card and puts it into a wallet.

Wait, the video sequence:

Frame 0: ATM showing "BILLETES" with bills coming out.

Frame 1: Hand taking the bills (the 10s).

Frame 2: A person (in suit, black) inserts a card into the ATM's slot. The screen shows a video, but we don't mention that. The hand is holding the card, then inserting it into the slot.

Frame 3: The person is putting the card into a wallet (or something black).

Frame 4: Then "Para tu seguridad..." but we ignore text.

So chronological: ATM dispenses money, hand takes money, then hand inserts card into ATM slot, then hand removes card and places it into a wallet.

Now, describe each step in order.

First, the ATM dispenses a stack of banknotes (brown, 10 euro notes) from its bill slot. Then a hand (skin tone, fingers visible) retrieves the money. Next, a person wearing a black suit (sleeves visible) inserts a plastic card into the ATM's card slot. Finally, the same hand holds the card and places it into a black wallet or case.

Check spatial relationships: The ATM is the main object. The hand is in front of the ATM. The wallet is near the hand.

Camera perspective: The video starts with a close-up of the ATM's bill slot, then a close-up of the hand taking money, then a close-up of the card insertion, then the wallet.

Wait, the first part is close-up of the ATM, then the hand takes the money (so camera angle is close to the ATM, maybe static). Then the next scene is another angle: the person in a suit inserting the card into the card slot. So the camera shifts between close-ups of the ATM's components and the hands.

But the rules say "describe the motion and behavior of main subjects in chronological order".

So:

1. The ATM's bill slot ejects a stack of brown banknotes (likely 10 euro notes). A hand (skin tone) moves forward to retrieve the money.

2. The scene transitions to a person (wearing a black suit) inserting a plastic card into the ATM's card slot.

3. The person then removes the card and holds it over a black wallet, placing the card into the wallet.

Now, check the background: minimal, so we don't mention it.

Camera movement: close-ups throughout, shifting between the ATM's bill slot, the hand, and the card slot.

But according to the output format, need to be concise.

Final caption: The ATM dispenses a stack of brown banknotes, which a hand retrieves. A person wearing a black suit inserts a plastic card into the ATM's card slot, then removes the card and places it into a black wallet. The camera maintains close-up shots of the ATM components and the hands performing the actions.

Wait, let's make sure we don't include text. The text is "ANTES DE RETIRARTE RECUESTA GUARDAR TU TARJETA" and "PARA TU SEGURIDAD" but we exclude text recognition.

Also, number of subjects: main subjects are the hand (one hand) and the person (one person in a suit). The ATM is the object.

So:

A hand retrieves a stack of brown banknotes from an ATM's bill slot. A person in a black suit inserts a plastic card into the ATM's card slot, then removes the card and places it into a black wallet. The camera stays in close-up shots, focusing on the ATM and the hands throughout.

Check the rules: a)

The hand moves to withdraw cash from the ATM, and the cash is dispensed. Then the hand moves to insert a card into the ATM.

The background (ATM machine and surrounding wall) is static and does not shift uniformly. There is no fluid/environmental motion (fire, water, smoke, wind).


A woman in a black tank top, dark leggings, and green sneakers performs battle rope exercises in a gym, maintaining a squat position while gripping two black ropes and swinging them rhythmically in a wave motion. The background includes gym equipment and an open doorway. The camera remains stationary, capturing the exercise from a slightly low angle.

A person (solid object) performs jump rope exercise: legs repeatedly jump while arms swing the rope in circular motion. The rope itself is a discrete object moving due to the person's arm actions, with clear interaction between the person and rope.

The background features a static garage interior with fixed walls, floor, and stationary furniture (chairs, tables) visible through an open door. No fluid, gaseous, or wind-driven motion (fire, water, smoke) is present; environmental elements remain stable and non-uniformly shifting.


A person in dark winter clothing drives a black ATV with a front-mounted snow plow through deep snow, pushing snow to the sides as the vehicle moves forward. The camera pans from the front to the side, then to the rear of the ATV, capturing its steady progression across the snow-covered terrain before returning to a frontal view.

A snow plow vehicle (discrete object) is moving forward through snow, with its plow attachment displacing snow. The driver is visible operating the vehicle.

Background elements (trees, snow-covered ground) show no uniform shifting, indicating a stationary camera. Smoke is visible from the vehicle, but it is a minor fluid element and not the dominant motion.


A person in a white sleeveless shirt and blue shorts stands on a concrete throwing area, spins clockwise while holding a discus, releases it forward, then crouches slightly after the throw. The camera remains stationary, capturing the motion from a side perspective.

The primary discrete object is the man (in blue shorts and white shirt), who is moving due to his throwing motion (spinning and releasing an object, likely a discus).

The background (trees, building) is static with no dominant fluid or environmental motion (no fire, water, smoke, or significant wind effects).


A man in a green shirt and dark pants lifts a pinkish-red, suspended pig against a large tractor tire under a wooden shelter. He adjusts the pig's position, then steps back. The scene occurs beneath a covered structure with scattered farm equipment visible in the background. The camera remains stationary, capturing the action from a fixed perspective.

A person is moving (bending, throwing hay) and a hay bundle is being thrown.

Background (wooden structure, vehicles) is static. No fire, water, smoke, or wind dominating the scene.


Three children sit inside a vehicle; a boy in a green shirt gestures with his right hand, then extends his hand toward another child in a plaid shirt who responds with a hand movement, while a third child in an orange shirt leans forward with a raised hand. The green-shirted boy and plaid-shirted child are seated adjacent to each other, with the orange-shirted child positioned to their right. The camera remains stationary inside the car, capturing the children’s interactions from a close-up perspective with minimal background detail.

Children and adults in the car are moving their hands (reaching, clapping, interacting) due to explicit physical actions.

The car interior background (seats, window frames) shows no shifting or fluid motion. No fire, water, smoke, or wind dominates the scene.


RAW CAPTION: Got it, let's break down the video. First, there are two main subjects: two men in martial arts uniforms. One is in blue pants, the other in white. They're in the center of a mat, surrounded by a crowd. The crowd is mostly in white, sitting and standing around the perimeter.

In the video sequence: at the start, they're facing each other. Then, the blue-panted man does a kick, maybe a sweep? Then the white-panted man responds. The movements are quick—they're sparring. The crowd is watching closely.

Need to describe chronologically. Start with their positions, then actions. Mention their appearances: one blue pants, one white (but maybe the other is in white pants? Wait, the description says blue and white. Wait, first frame: "blue" and "white"—so one is blue pants, the other white. Then their movements: they exchange kicks, maybe the blue one kicks, then the white one counters. The crowd is around them, some sitting, some standing.

Spatial: they're in the middle, crowd on all sides. Background: indoor, with lights, maybe a stage. But keep background minimal.

Camera: it's a slight shake, maybe handheld. Perspective is from above or side? The description doesn't specify, but the user says "camera perspective and movement". The original video is from a fixed camera, maybe slightly shaky.

So structure: Two men in martial arts uniforms (one in blue pants, one in white pants) stand facing each other on a mat in the center of an indoor space. The blue-panted man initiates a kick, followed by a low stance; the white-panted man counters with a movement, then the blue-panted man continues with another kick. Surrounding them, a large crowd in white attire watches closely from the perimeter. The camera remains stationary with slight shake, capturing the action from a frontal perspective.

Wait, need to check the rules: "Focus primarily on the motion and behavior of main subjects in chronological order." So list the actions step by step.

Frame 0: two men (blue pants, white pants) face each other.

Frame 1: blue man kicks, white man steps back.

Frame 2: blue man does a low kick, white man ducks.

Frame 3: blue man recovers, white man steps forward.

Frame 4: blue man does a sweep, white man steps back.

Wait, the video sequence: [0.0] both standing, then [1.0] blue kicks, white steps back; [2.0] blue low stance, white moves; [3.0] blue stands up, white steps back; [4.0] blue kicks again, white reacts.

So chronological: The two men engage in a martial arts sparring match; the man in blue pants performs a kick towards the man in white pants, who steps backward and ducks. The blue-panted man then lowers his body into a stance, while the white-panted man counters with a movement. Continuing the exchange, the blue-panted man executes another kick as the white-panted man steps away. A large crowd, mostly dressed in white, observes from the surrounding area. The camera remains stationary with a slight shake, capturing the action from a frontal perspective.

Need to make it concise. Let's condense:

Two men in martial arts uniforms (one in blue pants, one in white pants) spar on a mat: the blue-panted man initiates a kick, the white-panted man steps back and ducks, then the blue-panted man lowers into a stance while the white-panted man moves to counter. The crowd in white attire surrounds them. Camera is stationary with slight shake.

Check the rules: mention appearance, motion, chronological. Don't include background details unless essential. Background is minimal, so just say "surrounding crowd".

Let me try to structure:

In an indoor space, two men—dressed in blue pants and white pants, respectively—engage in martial arts sparring. The man in blue pants performs a kick, prompting the man in white pants to step back and duck; the blue-panted man then lowers his stance, while the white-panted man counters with a movement. The crowd, largely wearing white, watches closely from the perimeter. The camera remains stationary with a slight shake, capturing the action from a frontal view.

Yes, that's concise, chronological, mentions appearance (blue/white pants), motion (kick, step back, duck, lower stance, counter), spatial (crowd perimeter), camera (stationary, slight shake).
</think>

<caption_output>Two men in martial arts uniforms—one in blue pants, the other in white—spar on a mat. The blue-panted man initiates a kick, prompting the white-panted man to step back and duck; the blue-panted man

Two martial artists (one in blue pants, one in white pants) are moving through discrete physical interactions: grappling, dodging, and blocking movements. Their motion is tracked via explicit physical forces (muscle contractions, contact forces), distinguishable from camera effects.

The background features a stationary crowd and fixed walls/floor pattern with no environmental motion (fire, water, wind). Crowd members are mostly static, and no fluid/environmental elements are present.


A person in black clothing and bare feet crouches beside wooden deck steps, adjusting the structure. They then position a drill to bore holes into the step treads. The camera begins with a close-up of the steps, shifts to the person working, and then focuses on the drill in action.

A person (discrete solid object) moves by stepping onto the deck and kneeling, using a power drill to create holes in wooden step heads. The drill and the person's hands exhibit distinct motion due to physical forces.

The background (grass, wooden deck, fence) shows no fluid motion (fire, water, smoke) or environmental sway. Background elements are static with no uniform shifting.


Two shirtless individuals sit on a dark couch; the person on the right, wearing red and white shorts, lifts a white pillow from their lap, raising it upward until it exits the frame, while the person on the left, in light-colored shorts, remains seated with hands near a small object. The camera maintains a fixed perspective with slight shake, capturing the scene against a backdrop of a wall with a framed picture and a television stand.

Two people on a couch: the man moves his limbs and throws a pillow, which lands on the woman. The pillow is a solid object moving due to explicit physical forces (throwing).

The background elements (wall, framed picture, desk) are static and show no shifting or environmental motion (fire, water, etc.).


In a martial arts dojo, a person in a white uniform with a black belt holds a child in a white uniform; the child runs away, moving toward the back of the room, while the adult walks toward the left. Other children in white uniforms sit on the floor to the left, observing. A woman in black attire stands to the right, filming the scene. The camera remains stationary throughout, capturing the action from a fixed perspective in the dojo.

Multiple individuals (people) are moving: one person in a white shirt practices martial arts movements with another person, while others sit or stand in the background. These are solid, discrete objects undergoing locomotion.

Static background elements (walls, floor, red door) show no shifting or fluid motion. No fire, water, or smoke present.


A pair of hands, one with a yellow wristband and dark sleeves, places pink playing cards from a stack onto a green diamond-patterned table. The hands repeatedly move cards from the stack to the table, spacing them out in sequence. The camera captures this top-down perspective with slight shake.

Two hands (dealer and player) are moving playing cards: the dealer's hand shuffles and deals cards from a stack, while the player's hand receives cards. The cards exhibit discrete physical motion due to hand manipulation.

The background (green felt table pattern and casino chip) remains static with no uniform shifting. No fire, water, smoke, or wind is present in the scene.


A person in a green shirt, black pants, and white shoes bends over, gripping a barbell loaded with black weights, then lifts it vertically to waist level while standing upright. Colorful weight plates (red, green, yellow, blue) are positioned against a wooden wall to the right. The camera remains static at eye level.

The person (a solid discrete object) is lifting a barbell. The motion of the person and barbell is due to explicit physical forces (muscle contraction and weight displacement).

The wooden wall panels and weight plates in the background show no shifting or displacement. There are no visible fluid motions (fire, water, smoke) or wind effects; the environment is static.


A person in a colorful floral shirt and brown pants moves across the frame, approaching a seated individual in a gray suit and cowboy hat positioned on a stool. The floral-shirted person interacts with the seated individual, leaning forward and moving around the stool, while another person in a yellow top and purple skirt walks past. The camera pans slightly to follow the main subjects' motion.

Multiple discrete objects (people) are moving: a person in a white suit sitting on a chair (dancing), another person in a white suit dancing in the foreground, a person in a floral shirt moving around the seated person, and a person in a pink dress interacting with the scene. These motions are due to human locomotion and dancing.

The background elements (ceiling, walls, structural elements) are fixed and show no uniform shifting. There is no fire, water, smoke, or wind as dominant motion. The scene is an indoor market with a crowd of people moving.


In a kitchen with wooden cabinets and a white refrigerator, two individuals move rapidly: one in a light-colored shirt and another in a red shirt. A third person in a white shirt sits at a table. The person in the light shirt moves toward the camera, then runs past it, causing the camera to shake intensely. The background includes a cluttered countertop and hanging items. The camera remains handheld, exhibiting significant motion blur during the individuals’ swift movements.

Multiple discrete solid objects (people in red, white, and green shirts) move dynamically across the frame, exhibiting locomotion and physical motion consistent with dancing or active movement.

Background elements (wooden cabinets, refrigerator, walls) remain static with no uniform shifting or fluid environmental motion (fire, water, smoke). No ambient environmental phenomena observed.


A woman in a black grooming outfit approaches a large white dog standing on a table, picks up clippers, and begins trimming its fur while the dog remains stationary. In the background, another woman attends to a smaller black and white dog on a separate table. The camera remains static, capturing the scene from a fixed perspective.

The groomer's hands move to brush the dog, and a background person adjusts their position; both motions are deliberate and driven by human action on discrete solid objects (people, dog).

Background elements (walls, furniture, window) are static and show no shifting or fluid motion. No fire, water, smoke, or wind is visible. Ambient environmental motion is absent.


RAW CAPTION: Got it, let's tackle this. First, I need to describe the video chronologically. The main subjects are the people playing lacrosse, right? Let's see the sequence.

At the start, there's a group of players. They're running on a field. The first frame shows players in motion—some in white jerseys, others in darker ones. Then the camera pans left, following the players. The players are moving towards the right side of the screen maybe? Wait, the video shows them running across the field. Let's check each frame.

Frame 0: Players are running, some with sticks. Background has spectators and buildings.

Frame 1: Camera shifts a bit, still showing players moving. Maybe the ball is in play?

Frame 2: More players, the camera pans left, so the action moves from right to left as seen.

Frame 3: Players continue running, some near the fence. The fence is on the left side of the frame.

Frame 4: Players are spreading out, moving towards the left as the camera follows.

Frame 5: Players are still running, maybe the play is developing.

So chronologically, the players are actively moving across the field, running with lacrosse sticks. They're in various positions, some ahead, some behind. The camera is panning left to follow the main action. The background has a crowd, but minimal description. Need to mention appearance: jerseys (white, dark), maybe numbers (77, 13), but the rules say exclude text recognition, so maybe just say "players in white and dark uniforms". Wait, rule f says exclude text recognition, so no numbers.

Appearance: players are wearing sports uniforms, some in white shirts with dark shorts, others in dark shirts with light shorts? Wait, the first frame has a player in black and white striped shirt. Oh, right, the problem says "color, size, orientation" but since they're people, maybe describe uniforms.

Wait, rule b: "briefly describe their appearance and number (color, size, orientation)". So "players in white and dark athletic uniforms with lacrosse sticks". Number: how many? Let's see, each frame shows multiple, maybe 10-20? But not sure. Maybe "several players".

Spatial relationships: in front of, behind. For example, "a player in a black and white striped shirt runs ahead, followed by others".

Camera perspective: it's a ground-level shot, panning left. The movement is from right to left as the camera follows the action.

Background: minimal, but there's a crowd in the distance, buildings, but rule e says minimal unless essential. So maybe just mention "spectators in the background" if necessary, but maybe not.

Let's structure it:

Chronological: Players (in white and dark uniforms with sticks) run across the field. A player in a black and white striped shirt leads, followed by others. They move in a line, with some players to the left and right. The camera pans left, tracking the action as the players continue running.

Wait, need to be concise. Let's check the rules again.

a) Motion and behavior in chronological order. So sequence of actions.

b) Appearance and number: "several players in athletic uniforms (white, dark) with lacrosse sticks"

c) Spatial relationships: e.g., "a player in a black and white striped shirt runs ahead of others, with teammates flanking"

d) Camera perspective and movement: "camera pans left, following the players' movement"

e) Background minimal: "spectators visible in the distance"

f) Exclude text, named characters.

So putting it together:

In the video, several players in white and dark athletic uniforms with lacrosse sticks run across a field. A player in a black and white striped shirt leads, followed by others; some players move ahead while others trail, with spatial separation as the action unfolds. The camera pans left, tracking the players' movement, with spectators visible in the background.

Wait, but need to be chronological. Let's see the frames:

Frame 0: players running, some in front, some behind.

Frame 1: players still running, camera shifts.

Frame 2: camera pans left, showing more players.

Frame 3: players moving towards left side, near fence.

Frame 4: players spread out, running left.

Frame 5: players continue moving.

So the sequence is players running, camera panning left to follow.

Let's write a concise paragraph:

Several players in white and dark athletic uniforms with lacrosse sticks run across a field. A player in a black and white striped shirt leads the group, followed by others who move in a line; the camera pans left, tracking their motion as the players separate and advance towards the left side of the frame. Spectators are visible in the background, but

Multiple runners (people) are moving in a race-like manner, with clear locomotion patterns; some spectators stand near barriers.

The background consists of buildings, spectators, and ground markings that remain stationary across frames; no fluid motion (fire, water, smoke) is present.


RAW CAPTION: Got it, let's tackle this. The video shows a man in a gym. First, he's lifting something with both arms up. Then he lowers his arms, maybe flexing. Wait, the frames: frame 0 to 5. Let's check each.

First frame (0.0s): man in blue tank top, black pants, lifting arms forward. Then frame 1.4s: arms up, maybe bringing to chest? Wait, no, let's see the sequence. The video starts with him holding arms up, then he moves his arms to flex, maybe a bicep curl? Wait, no, looking at the actions. Let's list the motion.

The main subject is a man. His appearance: blue tank top (with "GOLDEN GYM" maybe, but rule g says exclude text recognition, so just blue tank top), black pants, sneakers. He's in a gym with equipment around.

Chronology: starts with arms raised, then brings them down to chest, then raises arms to flex biceps. Wait, frame 0: arms up, maybe overhead press. Frame 1: arms down, then frame 2: arms up to chest, then frame 3: arms flexed (biceps). Then frame 4: arms down to sides. Wait, need to check the frames.

Wait, the user provided frames:

[0.0] : man with arms up, hands in front, blue tank, black pants.

[1.4] : man with arms down, maybe after lifting?

Wait, no, let's see the video description. The user says the video is 6 frames. Let's think step by step.

The sequence: man in gym, blue tank top, black pants, sneakers. He starts with arms raised (maybe overhead), then lowers them, then moves to flex biceps (arms bent at elbows, hands near chest), then extends arms. Wait, the frames:

0.0s: arms up, hands maybe in front.

1.4s: arms down, maybe after a lift.

2.5s: arms raised, hands up, then to chest.

Wait, the key is the motion: he starts lifting (maybe a weight or just arm movement), then moves his arms in different positions.

He's the only person. Background: gym with equipment, but minimal description.

Chronological: man in blue tank top and black pants lifts arms up, then lowers them, then brings arms to chest to flex muscles, then extends arms downward.

Camera: seems to be a steady shot, possibly handheld, slight movement? But rule d says camera perspective and movement. Since the video is vertical, maybe the camera is handheld, slightly shaky, but the problem says "conclude with camera perspective and movement". Let's check the frames: the video is a vertical video, so camera is positioned to capture him from the front, maybe. The movement: no significant pan, but slight shake.

Now, rules:

a) Focus on motion: man starts with arms raised, then moves to flex biceps, then lowers arms.

b) Appearance: male, blue tank top, black pants, sneakers.

c) Spatial: in gym, with equipment visible.

d) Camera: front view, minimal movement, maybe slight shake.

e) Background minimal: gym environment, equipment.

f) Exclude text (so don't mention "GOLDEN GYM").

Now, putting it all together in chronological order.

First, he holds arms up, then lowers them, then flexes biceps, then extends arms.

Let's write:

A man in a blue tank top and black pants stands in a gym, lifting both arms upward, then lowering them to chest level while flexing his biceps, followed by extending his arms downward. The camera remains stationary with slight movement, capturing him from the front against a backdrop of gym equipment.

Wait, check rule d: "Conclude with the camera perspective and movement". So end with that.

Also, keep it concise. Let's see:

A man in a blue tank top and black pants lifts his arms upward, then lowers them to flex his biceps before extending his arms down, all while positioned in a gym with equipment visible in the background. The camera maintains a steady front view with minor movement.

Wait, but the exact sequence: the frames show him raising arms, then to chest, then to arms extended down.

Wait, frame 0: arms up.

Frame 1: arms down (maybe after a lift).

Frame 2: arms up to chest.

Frame 3: arms flexed (biceps).

Frame 4: arms down.

So the motion is: starts with arms up, then lowers to chest to flex, then extends down.

So:

The man begins by holding his arms raised, then lowers them to his chest to flex his biceps, followed by

The man in the blue tank top performs discrete weightlifting motions: lifting a barbell overhead, lowering it to his chest, and holding it. His movements are deliberate and physically driven by muscle contraction, with the barbell moving as part of the discrete object interaction.

The gym background (floor, blue platform, distant equipment) remains static with no fluid motion or environmental effects like fire, water, or wind. Background elements are consistently positioned without shifting.


A young girl with a ponytail, wearing a red patterned long-sleeve shirt and dark pants, rides a light blue balance bike with purple training wheels. She pedals slowly, moving in a circular path on a concrete pavement while maintaining balance. The camera follows her motion from a top-down perspective, capturing her progression around the circle.

A child on a tricycle is moving forward. The tricycle's wheels are rotating, and the child is actively pedaling or pushing to move. This is a solid object with clear locomotion.

The background consists of a paved surface with no fluid or gaseous motion. Shadows are present but are due to the moving subject and not environmental wind or similar. No fire, water, or smoke observed.


A person wearing black pants and shoes is standing on a black-and-white cow-print chair positioned near a wooden wardrobe and a bed. The person jumps off the chair, moving rapidly toward the left side of the frame and exiting the view, leaving the chair tilted and empty. The camera remains stationary throughout, capturing the room's interior with minimal background detail.

A person (wearing jeans and a patterned shirt) moves by jumping onto a stool and then walking/interacting with objects in the room. The stool itself also moves as the person interacts with it.

No shifting backgrounds or fluid/environmental motion observed; wooden cabinet and bed remain static throughout the clip.


A hand holds a small white cup with a handle, containing a dark substance, positioned above a white paper on a light blue surface. The cup is tilted, causing the dark substance to flow out onto the paper. The substance gradually spreads across the paper as the cup moves slightly. The camera maintains a close-up, steady perspective focused on the cup and the pouring action, with minimal background detail visible.

A hand manipulates a sieve containing powder; the sieve is shaken vertically, causing powder to flow through the sieve's mesh onto a paper surface.

Background elements (blue surface, white wall) remain static; no fluid motion (water, smoke, fire) or wind-driven movement observed.


A person with long hair and a red hoodie moves their head and arms while standing in front of a sink with metallic faucets. They tilt their head upward, then downward, and raise their arms toward their face in a sequence of motions. The camera remains handheld with slight movement, capturing the subject's upper body against the sink background.

A person wearing a red hoodie is performing discrete actions: moving arms, head, and interacting with objects (e.g., eating, handling items).

No significant shifting background or fluid/environmental motion (fire, water, wind) observed. Background elements (wall, sink fixtures) remain stable across frames without uniform movement.


A boy in a red shirt with blue sleeves and a woman in a black top sit at a wooden table. The boy repeatedly picks up small objects from one clear glass container and places them into another, while the woman watches and occasionally extends her hand toward the containers. The table holds several clear glass cups and scattered items, with the two subjects positioned side by side. The camera maintains a static perspective throughout.

The child and adult are making small hand and body movements, and the child is moving a bottle on the table.

The background (walls, window, tree, and picture) is static with no visible environmental motion (fire, water, wind, etc.).


RAW CAPTION: Okay, let me tackle this video captioning task. First, I need to understand the rules. The user wants a concise, chronological paragraph focusing on the main subjects' motion and behavior. They mentioned focusing on people, animals, or objects in order. So I should look at the video frames provided.

The video is split into two parts, top and bottom. The top shows a person in red skiing on a snowy slope with tripods around. The bottom has a group near a structure, with people moving. Let me check the frames:

Frame 0: Top has a skier in red with a helmet, standing. Bottom has a group, some with ski poles, moving towards the right.

Frame 1: Top skier starts moving left. Bottom group continues moving.

Frame 2: Top skier is going left, bottom group moves further right.

Frame 3: Top skier continues left, bottom group is still moving right.

Frame 4: Top skier is still going left, bottom group moves to the right.

Frame 5: Top skier is now further left, bottom group continues right.

Wait, but the user said to list the main subjects' motion chronologically. So start from the first frame.

In the top half, a single person in red ski gear starts moving left, then continues. In the bottom half, a group of people (maybe 4-5) are skiing or walking towards the right. The bottom group moves in a line, with some carrying poles.

Need to mention their appearance: red outfit for the top skier, the bottom group has various colors but maybe not specified. The background is snowy slopes and structures, but minimal description is needed.

Spatial relationships: Top skier is on the slope with tripods around. Bottom group is near a structure, moving right.

Camera perspective: Split screen, so top and bottom are separate. No movement mentioned, so static shots? But the frames show movement over time.

Wait, the video might be a split-screen recording of two different angles. The top is a wide shot of the skier, bottom is another angle with the group. The camera doesn't move; it's two static shots. So in the caption, mention the split-screen, top-down? Wait, the top might be a top-down view? Or maybe both are same perspective.

Wait, the first frame shows the top part has a person in red standing on a snowy slope with tripods. The bottom part has a group near a structure. As the frames progress, the skier in the top moves left, and the bottom group moves right.

So chronological order:

Start: Top skier in red stands, bottom group is stationary.

Then, top skier starts moving left, bottom group begins moving right.

Continue moving left and right respectively.

Number: Top has one person, bottom has multiple (let's say a small group).

Appearance: Top skier in red, bottom group in various colors, skiing.

Background: Snowy landscape with tripods on the slope, structure on the bottom.

Camera perspective: Split screen, two separate static shots. No camera movement mentioned.

So the caption should note the split screen, the motion of each part, the number of people, their directions.

Check the rules again: Focus on motion and behavior in chronological order. Mention appearance (color, size, orientation). Spatial relationships if relevant. Conclude with camera perspective.

Possible caption:

"The video shows a split-screen view: top, a single person in red ski gear skis leftward across a snowy slope marked by tripods; bottom, a small group of people in varied attire ski rightward near a structure. The top skier progresses steadily left, while the bottom group moves in a line rightward. Both segments are static camera angles capturing the subjects' directional motion against a snowy backdrop."

Wait, but need to be concise. Let me check if "marked by tripods" is necessary. The rules say minimal background description. Maybe just "snowy slope" and "near a structure".

Also, the bottom group: "a small group of people in varied attire" – maybe "people in different colored jackets".

Wait, in the frames, the bottom has several people, some with ski poles. So "multiple people skiing rightward".

Wait, the user says "concise", so maybe shorten.

Let me try:

"Split-screen view: top, a person in red skis left across a snowy slope with tripods; bottom, multiple people in assorted colors ski right near a structure. The top skier moves steadily left, while the bottom group progresses rightward in a line. Both segments are static camera angles capturing their directional motion."

Check the rules: a) motion chronological – yes, starts with standing then moving. b) appearance: red skier, multiple people in different colors. c) spatial relationships: top slope with tripods

Multiple skiers are moving across the snowy terrain. These discrete solid objects exhibit locomotion due to skiing, with clear bounding box tracking of individual movements.

The background (snow-covered mountains and landscape) is static with no fluid motion (fire, water, smoke) or wind effects. The scene shows no significant ambient environmental motion.


A person with short blonde hair, wearing a dark gray long-sleeve top, stands with hands on hips in front of white cabinets. They pick up a gray and white striped cardigan, pull it over their head, adjust it around their torso, and extend the sides outward. The camera remains static throughout.

The person is the only moving object, performing discrete actions: lifting the cardigan, pulling it over shoulders, buttoning, adjusting the waist, and spreading the garment. These are solid, distinct movements due to explicit physical actions (muscle-driven locomotion).

The background (white cabinet and wooden sign) is static with no shifting or fluid motion. No fire, water, smoke, or wind effects are present.


tags.  Let's structure it:  "A man in a black shirt and camouflage pants hangs wallpaper on a wall, smoothing it with his hands as he works. Later, a woman smooths another section of wallpaper on the wall. The camera focuses on close-up shots of hands adjusting the wallpaper, capturing the alignment process."  Wait, need to be more concise. Maybe:  A man in a black shirt and camouflage pants applies wallpaper to a wall, smoothing it with his hands. Subsequently, a woman smooths a section of wallpaper on the wall. The camera alternates between close-up shots of hands aligning the wallpaper and wider views of the individuals working.  Check if that's chronological, includes motion, appearance, spatial relationships (wall), camera movement (close-up to wider). Yes. </think>  <caption_output>A man in a black shirt and camouflage pants applies wallpaper to a wall, smoothing it with his hands while standing on a ladder. Later, a woman smooths a section of wallpaper on the wall. The camera focuses on close-up shots of hands adjusting the wallpaper and shifts to wider views of the individuals working on the wall.

Two individuals (a man in a black shirt and a woman in a white shirt) are moving their hands and arms while applying materials to a wall. These are solid, discrete objects exhibiting physical motion due to manual labor.

The background features a stationary wall with a light blue and white pattern; no shifting backgrounds or fluid/environmental motion (e.g., fire, water, wind) is observed.


A group of young football players in green uniforms with white helmets and black pants and orange uniforms with white helmets and pink pants line up facing each other on a grassy field. The green team moves forward in a line, then bends low into a stance as the orange team remains stationary before both teams begin to engage in play. The camera maintains a stationary wide perspective throughout, capturing the players' movement and positioning against a backdrop of trees and spectators.

Two teams of players in distinct uniforms (green and red/orange) engage in active locomotion: running toward each other during a football play. Players exhibit coordinated movement with directional changes and potential minor collisions, all tracked with clear bounding boxes.

The background (trees, field markings, and distant fence) remains static throughout the sequence with no discernible fluid motion, wind effects, or environmental disturbances. No fire, water, or smoke is visible.


A person in a red shirt stands before shelves filled with colorful bins, placing a tape dispenser on a white and blue box, then lifting the box. The camera remains static throughout.

A person in a red shirt manipulates a blue-and-white box (opening it) and extracts a large sheet of paper. Both actions involve discrete solid object movements due to physical handling.

The background shelves and items remain stationary with no uniform shifting, indicating stable static environment. No fire, water, smoke, or wind motion is present.


RAW CAPTION: Got it, let's tackle this. First, the video shows a hand dealing cards. The main subject is a person's hand, wearing a checkered shirt. The cards are on a black table. Let's see the sequence.

Start with [0.0] to [5.0] seconds. The hand is shuffling or dealing. Initially, some cards are laid out: two face-up (like 7 of hearts, 9 of diamonds?), then a 9 of clubs, and two face-down cards. The hand is moving cards from a deck (red, maybe a playing card deck) onto the table. The actions: the hand picks up cards from the deck, places them one by one.

Chronological order: the hand is in motion, dealing cards. The cards on the table: first, the two face-up cards (but maybe the first two are 7 of hearts, then 9 of diamonds, then 9 of clubs), and then two face-down. The hand is adding cards to the right side, maybe. Wait, in the frames, the hand is moving cards from the deck to the table. The table is black, cards are standard playing cards.

Spatial relationships: the hand is above the table, moving cards to the right side. The existing cards are on the table: left side has two face-up (7 and 9), then a 9 of clubs, then two face-down. The hand is adding more cards to the right of the 9 of clubs, but the first two frames show the hand holding a deck (red, maybe the back of the deck is red), then releasing cards.

Appearance: the hand is a person's hand, checkered shirt visible. Cards: standard, red and black suits. The table is black, textured.

Camera perspective: top-down view, looking directly at the table. No movement mentioned, so static top-down.

Now, the caption needs to be chronological. Start with the hand's action. First, the hand is holding a deck of cards (red back, maybe), then moving to place cards on the table. The existing cards are in order: left to right: two face-up cards (7 and 9 of hearts and diamonds?), then 9 of clubs, then two face-down. The hand is placing additional cards to the right of the 9 of clubs. So the sequence: hand holds deck, releases cards one by one onto the table to the right of the existing cards.

Wait, in the first frame, the hand is near the deck, then starts moving the deck. The cards on the table are: leftmost is 7 of hearts (but actually, the first card on the left is a 7 of hearts, then a 9 of diamonds? Wait, the frames show: the leftmost cards are two face-up (7 of hearts and 9 of diamonds), then 9 of clubs, then two face-down. Then the hand is adding cards to the right of the 9 of clubs.

So the motion: the hand is shuffling or dealing cards from a deck (red deck) onto the black table. It places several cards to the right of the existing 9 of clubs and face-down cards. The hand moves the deck, then places cards one by one.

Now, write the caption in chronological order. Start with the hand's position and action.

"A hand wearing a checkered shirt sleeve shuffles a red-backed deck of cards above a black textured table. The hand releases multiple playing cards sequentially, placing them to the right of existing face-up cards (including a 7 of hearts, 9 of diamonds, and 9 of clubs) and face-down cards. The hand repeatedly moves the deck and distributes cards toward the right side of the table. The camera maintains a static top-down view throughout."

Wait, but the rules say exclude text recognition, so don't mention "7 of hearts" explicitly. Oh, the user says "exclude text recognition", so we can't mention the specific card values. So instead, "face-up cards" (but not specifying suits). So adjust.

So: "A hand with a checkered shirt sleeve shuffles a red-backed deck of cards above a black table. The hand releases multiple playing cards one by one, placing them to the right of existing face-up and face-down cards. The hand repeats the motion of dealing cards toward the right side of the table. The camera remains stationary in a top-down perspective."

Check rules: focus on motion and behavior. Appearance: hand (checkered sleeve), deck (red-backed), cards (standard playing cards), table (black). Spatial: cards placed to the right of existing ones.

Yes, that's better. Avoid specific card numbers.

Let me check the frames again. The first frame shows the hand holding the deck, then moving to place cards. The cards on the table: left side two face-up (

Hands and playing cards are the discrete objects moving: hands actively shuffle and place cards on the table, demonstrating controlled locomotion of solid objects.

The background consists of a stationary dark table surface with no shifting elements, fire, water, smoke, or wind. Background remains fixed throughout the clip.


A hand uses an orange hot glue gun to apply glue to the center of a wooden bowl with floral etchings, while a small wooden square with a central hole rests on a green grid cutting mat to the right; the camera maintains a top-down perspective throughout.

The hand is moving the hot glue gun to apply glue to the wooden bowl. The glue gun is a discrete solid object.

The background (green cutting mat) is static and does not shift uniformly. There is no fire, water, smoke, or wind. No ambient environmental motion.


A hand with a needle manipulates gold and black threads through a dark fabric featuring a golden pattern, pulling and adjusting the threads in a close-up view. The hand shifts position, repositioning the threads while working on a grid-patterned embroidery surface. The camera maintains a tight, slightly shifting focus on the hand and fabric, with minimal background context.

A hand is moving to manipulate wires. The hand is the primary discrete object in motion.

The background (floor and artwork) is static and shows no uniform shifting. No fluid or gaseous environmental motion (fire, water, smoke, wind) is present.


A tattoo artist wearing a gray striped shirt and black gloves with visible tattoos on his arms uses a tattoo machine on the neck of a client in a red shirt. The artist leans forward, applying the machine with steady hands while the client lies still. The camera starts with a close-up of the artist’s hands and machine, then shifts to a wider angle showing both individuals, before returning to a close-up of the tattooing process. The perspective remains focused on the hands and machine throughout, with minimal background detail visible.

The tattoo artist's hands and the tattoo machine move deliberately to apply ink; the subject's head exhibits minimal movement during the procedure.

Background elements (e.g., wall, furniture) show no uniform shifting or fluid motion; no fire, water, or smoke present.


RAW CAPTION: Got it, let's break this down. The video starts with a maroon background showing text. Then it cuts to a wine bottle on a dark surface. Next, a close-up of the bottle label. Then a hand with red nails and a watch opening the bottle.

First scene: maroon background, text (but we can't mention text per rules). Wait, rule f says exclude text recognition. So skip the text. Next, bottle on dark surface, label visible. Then a hand with red nails (so color, size—hand, red nails, watch) opening the cork.

Chronological order: scene 0 (maroon with text) → scene 1 (bottle on dark surface) → scene 2 (close-up of bottle label) → scene 3 (hand opening cork).

Main subjects: bottle, hand.

Describe motion: bottle is stationary, then hand appears to open the cork (using a tool, maybe a corkscrew).

Appearance: bottle is dark with a label; hand has red nails, silver watch.

Spatial: hand is in front of the bottle.

Camera movement: first frame is static, then close-up of bottle, then close-up of hand.

Exclude text, so don't mention "VINHO TINTO" etc.

Start with the first frame: a maroon background (but rules say minimal background unless essential. Maybe just mention the scene change. Wait, the first frame is a title card with maroon background, then it cuts to a wine bottle on a wooden surface. Then a close-up of the bottle. Then a hand opening the cork.

Wait, rule a: focus on motion. So the sequence is:

- Initial frame (maroon background) → then a bottle appears on a dark surface (wooden table maybe) → then a close-up of the bottle's label → then a close-up of hands opening the cork.

Main subjects: the bottle and the hands.

Motion: the bottle is stationary, then hands enter the frame to open the cork.

Appearance: the bottle is dark with a label; hands have red-painted nails and a silver watch.

Spatial: the hands are in front of the bottle.

Camera perspective: initial wide shot (but maybe just say the bottle is centered, then close-up on label, then close-up on hands.

Let's structure:

The video begins with a maroon background, then transitions to a dark wine bottle on a wooden surface. A close-up of the bottle's label is shown, followed by a pair of hands with red-painted nails and a silver watch using a tool to open the cork.

Wait, check rules:

- Exclude text recognition: so skip any text. The first frame has text, but we don't mention it.

- Focus on motion: the main action is the hands opening the cork.

- Chronological order:

1. Maroon background (static, but then it cuts to the bottle)

2. Bottle on dark surface (stationary)

3. Close-up of the bottle's label (camera moves to label)

4. Close-up of hands opening cork (camera focuses on hands)

So description:

A wine bottle with a light-colored label is positioned on a dark wooden surface. The camera zooms in on the bottle's label, then shifts to a close-up of a hand with red-painted nails and a silver wristwatch using a tool to extract the cork from the bottle.

Wait, check spatial: "hand... using a tool to extract the cork from the bottle" — shows the spatial relationship.

Also, the bottle is dark (so color, size—bottle is standard size, dark color). The hands have red nails, watch.

Let's make sure to follow rules:

a) Motion: bottle is static, hands move to open cork.

b) Appearance: bottle (dark, label), hands (red nails, watch).

c) Spatial: hands in front of bottle.

d) Camera: starts with static frame (maroon), then bottle centered, then zoom on label, then close-up on hands.

e) Background minimal: maroon was just a start, but after that, dark surface and then the hand scene.

f) Exclude text: yes, we don't mention the text.

So final caption:

The video opens with a maroon background, then shows a dark wine bottle with a light-colored label on a wooden surface. The camera zooms in on the bottle's label, followed by a close-up of a hand with red-painted nails and a silver wristwatch using a tool to remove the cork from the bottle.
</think>

<caption_output>The video begins with a maroon background, then transitions to a dark wine bottle with a light-colored label placed on a wooden surface. The camera zooms in on the bottle's label, followed by a close-up of a hand with red-painted nails and a silver

The hands with red nail polish are moving to open the wine bottle, which is a solid object.

The background is static (dark surface and wall) in the main content. No fluid or environmental motion is present.


RAW CAPTION: Got it, let's tackle this captioning task. First, I need to focus on the chronological order of the video. The video starts with a title card showing "SingHealth presents Hand Hygiene (Soap & Water)" in orange and white. Then it cuts to a scene in a hospital setting where a person is at a sink.

Looking at the scenes: the first part is the title screen. Then scene 2 shows a person in a white uniform (since it's Singapore General Hospital) at a sink. The person is wearing a mask, hair tied up. They turn on the faucet, wet their hands. The text "Wet hands with water" appears, but according to the rules, we exclude text recognition. So I need to describe the actions without mentioning the text.

Wait, the rules say: "exclude text recognition, named characters, or stylistic analysis." So in the caption, we can't mention the text like "Wet hands with water." Just describe the motion.

So sequence:

1. Title screen: orange and white with SingHealth and Hand Hygiene.
2. Scene shifts to a hospital room where a person (in white uniform, mask, hair tied back) approaches a sink, turns on faucet, wets hands.

Now, chronological paragraph. Let's structure it step by step.

First frame: Title screen with orange border, white background, SingHealth logo, then "Hand Hygiene (Soap & Water)" in orange. Then transitions to the next scene.

Second scene: Hospital setting, person in white short-sleeve shirt, face mask, hair in bun, at a sink. They turn on the faucet, wet their hands.

Need to describe appearance: person in white uniform, mask, hair tied up. Actions: approaches sink, turns on faucet, wets hands.

Spatial relationships: person is in front of sink, with a faucet, wall with instructions (but background minimal, so maybe just say "at a sink in a hospital room").

Camera perspective: initially static title screen, then cuts to medium shot of the person at the sink. The camera seems to stay steady, no movement mentioned, so maybe "steady shot" or "static camera."

Wait, the video description says the second scene is a "medical staff member" but we can't name characters. So "a person" in white uniform.

Let's check the rules again: "Focus primarily on the motion and behavior of main subjects (people/animals/objects) in chronological order."

So main subject is the person at the sink.

Chronological order:

- The video begins with a title screen displaying "SingHealth presents Hand Hygiene (Soap & Water)" against an orange and white background.
- It then transitions to a scene where a person wearing a white uniform, face mask, and with hair tied back stands at a sink in a hospital room. The person turns on the faucet and wets their hands.

Now, check for appearance: "white uniform," "face mask," "hair tied back" – that's okay. Motion: turns on faucet, wets hands.

Spatial: "stands at a sink in a hospital room" – minimal background description.

Camera perspective: The first frame is a static title screen; then the scene shifts to a medium shot of the person at the sink. The camera remains steady throughout the action.

Wait, the rules say "conclude with camera perspective and movement."

So the caption should be a paragraph:

"Starting with a title screen showing 'SingHealth presents Hand Hygiene (Soap & Water)' on an orange and white background, the video transitions to a medium shot of a person in a white uniform, wearing a face mask and with hair tied in a bun, standing at a sink in a hospital room. The person turns on the faucet and wets their hands; the camera remains static throughout."

Wait, but the title screen has "Hand Hygiene (Soap & Water)" but that's part of the title. However, the rules say exclude text recognition. Wait, the instructions say: "Exclude text recognition, named characters, or stylistic analysis."

Wait, the problem is, do we have to mention the title text? The rules say exclude text recognition. So in the caption, we can't describe the text on the screen. So the first part is "a title screen with an orange and white border and logo" – but not mention the text. Wait, the initial frame is: <0.3 seconds> shows an orange and white screen with SingHealth logo and "Hand Hygiene (Soap & Water)" text. But according to rule f: "Exclude text recognition". So we can't say the text. So how to describe that?

Hmm. The rules are: "exclude text recognition". So the caption should not mention the text on the screen, only describe the visual elements.

So the first frame is a title screen with an orange and white border.

The nurse (discrete solid object) moves her hands in a controlled manner for hand washing. This motion is explicit physical locomotion driven by the subject's actions.

The background (wall, blue board, and poster) is static with no shifting or environmental motion. The water in the sink is contained and manipulated by the subject, not a natural fluid flow (e.g., river, waterfall), so it does not trigger the Ambient Rule.


tags. No extra text. </think>  <caption_output>A woman in a light-colored, knee-length dress dances energetically at the center of a crowded ballroom, initially raising her arms before lowering them and stepping forward. A large group of formally dressed men and women surrounds her, clapping and observing from various angles. The camera remains stationary with slight shake, capturing her movements from a medium distance as the background features a band and ornate decor.

The bride in the white dress and the surrounding crowd (including bridesmaids and groomsmen) are moving due to dancing and clapping.

The floor pattern and surrounding crowd are visible; no uniform shifting of background elements observed, and no fire, water, smoke, or wind present.


A person in light blue shorts stands on a concrete edge beside a circular gravel pit marked by orange cones. A vehicle pours gravel into the pit via a hose, while two individuals—one in dark shorts and boots, the other in light blue shorts—move around the pit, using tools to spread the gravel. The camera pans around the gravel circle, capturing the pouring and spreading actions from a ground-level perspective.

Discrete solid objects moving: a person raking gravel (using a tool), another person standing near the gravel area, and a child in shorts. These objects are actively displacing gravel due to manual effort.

The background elements (concrete surface, orange traffic cones, gravel edge) show no uniform shifting across frames, indicating stable environmental conditions. No fire, water, smoke, or wind-driven motion is present.


RAW CAPTION: Okay, I need to create a concise chronological paragraph for this video. Let me look at the frames provided. The video shows a person walking on a checkered floor. The person is wearing dark pants with a yellow stripe and dark shoes. The camera seems to follow them as they move. There's another person in the background, but they're partially visible. The main subject is walking from the left side of the frame towards the right. The floor has black and white squares. The camera is probably handheld, moving slightly to track the person's movement. I should mention the motion chronologically: the person starts walking, moves forward, and the camera follows. Need to keep it brief, mention appearance (dark pants, yellow stripe), spatial relationship (another person in background), camera movement (slight shake, following the subject). Avoid background details unless essential. Let me check the rules again. Focus on motion, appearance, spatial relationships, camera perspective. Don't mention any names or text. So the caption should start with the main subject's action, describe their appearance, then the background person, then camera movement. Let me structure it.

First, the main subject is walking on the checkered floor. They have dark pants with a yellow stripe. They move from left to right. The second person is in the background, maybe also walking. Camera is following the main subject, slightly shaky. Background is minimal, just the floor. Let me check if the background person is part of the motion. The video shows two people, but the main one is the focus. So the caption should mention the main person's movement, their appearance, the presence of another person in the background, and the camera movement.

Wait, in the frames, the person is moving across the checkered floor, and the camera is following them. The other person is in the mirror reflection maybe? Wait, no, in the video description, it's two people: one in the foreground and another reflected or in the background. Wait, looking at the video frames, the person is walking, and there's a reflection in the mirror behind them. Wait, the video shows the person walking towards the mirror, and their reflection is visible. So the second person is actually the reflection. Hmm, but the user says "main subjects". Wait, the first frame shows a person's legs, then the next frames show them walking, and in the mirror, there's another person. But in reality, the reflection is the same person. So maybe there's only one person, and the mirror creates the illusion of two. Wait, the problem says "main subjects (people/animals/objects)". So maybe the main subject is one person, with their reflection visible. But the user's instructions say to mention spatial relationships. So perhaps the main subject is walking towards a mirror, seeing their reflection. But the task is to describe the motion. Let me see: the video starts with the person's legs visible, then they walk forward, moving across the checkered floor. The reflection in the mirror is behind them. So the main subject is walking towards the mirror, and their reflection is visible in the background. But the reflection is not a separate person. Wait, maybe the second person is a different individual. But looking at the frames, it's the same person. So perhaps the video is of one person walking, with their reflection in the mirror behind them. So in the frames, the person is in front, and their reflection is behind. So spatial relationship: the main subject is moving forward, with their reflection visible in the mirror behind them.

But according to the rules, if it's a reflection, it's still part of the subject. Wait, but the user says "main subjects". So maybe the reflection isn't considered a separate subject. Hmm, this is tricky. The problem is that the video shows the person and their reflection. But the task says to describe the main subjects. Maybe the reflection is part of the scene but not a separate subject. So the main subject is the person walking. So in the caption, mention the person walking, their appearance, then the mirror reflection. But according to rule c: mention spatial relationships if relevant. So the person is walking towards a mirror, with their reflection visible in the background. So the main subject's motion is walking across the floor, moving towards the mirror, with their reflection behind them. But the reflection is not a separate person. Hmm, but the video frames show two legs in the mirror. Wait, the video starts with legs, then the person walks, and the mirror shows another pair of legs. So maybe it's a mirror, so the reflection is the same person. So in the video, the person is walking, and their reflection is visible. So in the caption, the main subject is walking, with their reflection in the mirror behind them. But how to describe that. Let me check the example.

The output should

A person in dark pants with a yellow stripe is walking across the frame, with another person partially visible in the background; both exhibit locomotion due to physical movement.

The checkered floor tiles and surrounding static elements (e.g., walls) remain stationary relative to the camera; no fluid/environmental motion (fire, water, smoke, wind) is present.


A child in a striped shirt sits at a table with a plate of food in front, initially looking at the camera, then opening their mouth as if to eat, smiling, and finally looking down at the plate. The background includes a couch and a television, with the camera remaining stationary throughout.

Child exhibits discrete movements: head bending down (to eat), lifting up, and facial expressions (smiling, looking around). Plate of food remains stationary on the table.

Background elements (couch, television, furniture) are static with no uniform shifting or fluid motion. No fire, water, smoke, or wind present.


A hand with red nail polish holds a white milk carton above a yellow bowl filled with cereal, then pours milk into the bowl while the carton is tilted; the hand remains to the right of the bowl on a brown countertop, captured from a static top-down perspective.

The milk carton is being held and tilted by a hand to pour milk into a stationary bowl. The milk itself is flowing from the carton into the bowl due to gravity and the pouring action.

The background (kitchen counter, sink, etc.) is static with no shifting or environmental motion. The milk pouring is a controlled action and not ambient fluid motion.


Two infants sit on a couch; one wears a pink outfit, the other a striped shirt. A hand offers a green object to the infant in pink, who brings it to their mouth. The infants remain seated side by side as the hand repeatedly feeds the pink-clad infant. The camera maintains a close-up, slightly shaky perspective throughout.

A hand feeds the baby, causing the baby to turn its head and move. The hand and baby are discrete objects moving due to explicit physical forces (feeding).

No shifting background elements. No fluid/environmental motion (fire, water, smoke, wind) observed. Background (laptop, dog, couch) is static.


RAW CAPTION: Got it, let's tackle this. First, the video shows a person grooming a horse. The main subjects are a person and a horse. The person has blonde hair in a ponytail, wearing a white shirt. The horse is white with some spots. The person is using a brush on the horse's body.

Chronological order: The video starts with the person brushing the horse's side, moving the brush in a scrubbing motion. Then the camera shifts to show different angles, like from the side and back. The person is moving the brush along the horse's body, maybe the neck and side.

Spatial relationships: The person is next to the horse, brushing its body. The horse is standing, and the person is on the side.

Background: Minimal, probably a stable or barn, but the rules say keep background minimal unless essential. So maybe just mention the setting is a stable but not too much.

Camera perspective: The camera shows close-ups of the brushing action, moving to different angles, like close to the horse's side, then from behind the person. So camera moves around, maybe panning or shifting angles.

Need to exclude text recognition (like "REIT TV" on the shirt), so don't mention that. Named characters? No, the person is just a person.

So putting it together: A person with blonde hair tied back in a ponytail, wearing a white shirt, brushes a white horse with dark spots. The person moves the brush along the horse's body, shifting positions to clean different areas. The camera captures close-up views of the brushing motion, transitioning between angles showing the person's back and the horse's side.

Check the rules: chronological order, motion and behavior. Focus on main subjects. Appearance: person's hair, shirt color; horse's color and spots. Spatial: person next to horse, brushing. Camera perspective: close-up, shifting angles.

Let me draft:

A person with long blonde hair tied in a ponytail brushes a white horse with dark spots. The individual moves the brush in a circular motion across the horse’s side, adjusting position to cover different areas. The camera focuses closely on the brushing action, shifting angles to show the person’s back and the horse’s body.

Wait, need to check if it's chronological. Start with the brushing, then movement. The video starts with the person brushing, then camera moves. So the sequence: person brushes (motion), then camera shifts to show different parts.

Also, mention the motion: "brushing the horse's side with a dark brush, moving in a sweeping motion, then shifting to brush the horse’s neck."

Wait, the video shows the person moving the brush over the horse's body. The horse is standing, person is beside it.

Let me make sure it's concise.

"A person with blonde hair in a ponytail brushes a white horse with dark spots. The individual uses a brush to scrub the horse’s body, moving from the side to the neck area. The camera captures close-up shots of the brushing motion, shifting angles to follow the person’s movements along the horse’s side."

But need to check if it's chronological. First, person brushes side, then moves to neck. The camera shifts to show different positions.

Also, the horse's harness is visible (black straps), but maybe that's too much detail. The rules say minimal background, so maybe include it if it's relevant for motion? Like the harness is on the horse, but not sure. The problem says "exclude text recognition, named characters, or stylistic analysis", so don't mention the harness unless necessary.

Wait, the video shows the horse has a black harness, but the main focus is on the brushing. Maybe just mention the horse's body.

Let me try again:

A person with long blonde hair in a ponytail brushes a white horse with dark spots. The individual moves the brush in a circular motion along the horse’s side, then shifts to brush the neck. The camera focuses on the brushing action, transitioning between close-up views of the horse’s body and the person’s movements.

Wait, the video starts with the person brushing the side, then the camera shifts to show the back of the person, then the side again. So the sequence is: person brushes side, camera moves to show back, then to another side.

Another way: The person, wearing a white shirt and with blonde hair tied back, uses a brush to groom a white horse with dark spots. They scrub the horse’s side with a dark brush, then move to the neck area. The camera captures the action from various angles, focusing on the brushing motion and the person’s movements.

Yes, this is better. Focus on motion: scrubbing side, then neck. Camera shifts angles.

Check if all rules are followed:

a) Motion and behavior: person brushes horse's side, moves to neck. Chronological: starts brushing

A person (brushing the horse) and the horse are discrete solid objects. The person’s arm and hand move rhythmically to brush the horse’s coat, representing explicit physical motion due to the brushing action.

Background elements (stable structure) remain static; no fluid motion (fire, water, smoke) or wind-driven movement observed. Background does not shift uniformly, ruling out camera-induced motion as the dominant factor.


The video shows three individuals in an indoor racquetball court. A person in a white tank top and dark shorts stands near the glass wall, holding a racquet, while a second person in red shirt and red shorts moves away from the wall and a third person in white shirt and dark shorts is visible on the right. The person in white tank top then walks toward the wall, adjusting their stance. The camera follows the movement from behind the main subject, maintaining a steady perspective as they move.

Two players (one in red, one in white) and a squash ball are moving. The ball is hit by the racket and moves across the court; players are running and walking.

The background (walls and floor) is static with no shifting or environmental motion (fire, water, smoke, wind).


A dealer in a white shirt deals cards to a group of people seated around a green poker table, with red cups and colorful chips scattered across its surface. The group includes individuals with blonde and red hair, some leaning forward as the dealer moves his hand to distribute cards; one person gestures toward the table while others observe. The camera pans slightly to the right, maintaining a medium shot of the table and players from a slightly elevated angle.

People at the table show subtle movements (e.g., hand gestures, head turns), and the dealer (in white shirt) actively interacts with the table. These are solid objects with distinct, localized motion.

Background elements (cars, buildings, basketball hoop) remain static and do not exhibit uniform shifting. No fire, water, smoke, or wind motion is present in the scene.