RAW CAPTION: Okay, let's tackle this video captioning task. So the user provided a video of a man golfing. My job is to create a concise chronological paragraph following their specific rules.

First, I need to focus on the main subject's motion and behavior in order. The man is standing on a green, preparing to hit a golf ball. Let me check the frames. In the first frame, he's in a stance, then he swings the club, hits the ball. Wait, the video starts with him bending over, then standing up, then taking a swing. Wait, looking at the timestamps: [0.0] he's bent over, then [1.4] he stands up, [2.5] he's in a position, then [3.6] he swings. Hmm, maybe the sequence is: he positions himself, then swings. The key actions are preparing, taking the swing, and then the ball is hit.

Appearance: He's wearing a dark shirt, white shorts, white shoes, red cap. Number: One person. Spatial relationships: The ball is in front of him. Background has trees, but need to keep it minimal. Camera perspective: The video seems to be shot from a fixed position, maybe slightly low angle, since the bottom of the frame shows a red and blue object, maybe a hat or something. But according to the rules, background descriptions should be minimal unless essential. So maybe mention the golf course is green with trees in the background but not too much.

Wait, the rules say "Mention spatial relationships if relevant (e.g., in front of, to the left)." So the ball is in front of him. The camera is positioned such that it's capturing him from the side, maybe. The first frame shows the man standing, then he's in the process of swinging. The caption should describe his actions in order: preparing, swinging, hitting the ball.

Also, the camera movement: the example output format says "Conclude with the camera perspective and movement (e.g., top-down, pan left, slight shake)." In this case, the camera seems static. It's a fixed shot, maybe from the side. The first frame has a red and blue object in the bottom left, so the camera is positioned to the side of the golfer, looking at him from the side. No movement mentioned, so "static" or "fixed camera perspective."

Let me structure it:

A man in a red cap, dark shirt, white shorts, and white shoes stands on a green golf course, preparing to hit a golf ball. He adjusts his stance, bends slightly, then swings his club to strike the ball, which rolls away. The scene includes trees in the background. The camera remains fixed in position, capturing the golfer from a side angle.

Wait, need to check the rules. Rule e says "Keep background descriptions minimal unless essential for understanding motion." So maybe just mention the green and trees briefly. Also, the motion: the main subject's action is the swing, so the chronological order would be: stance adjustment, swing, hit.

Wait, the video starts with him standing (0.0), then he's in the stance (1.4), then 2.5 he's maybe preparing, then 3.6 he swings. Wait, maybe the sequence is: he's initially bent over (0.0), then stands up (1.4), then positions himself (2.5), then swings (3.6). But maybe the actual motion is he's in a golf stance, preparing to hit, then swings.

Wait, looking at the frames:

0.0: He's bent over, looking at the ball, club in hand.

1.4: He's standing straight, maybe finishing the setup.

2.5: Still standing, perhaps adjusting.

3.6: He swings the club.

Wait, perhaps the sequence is: he's in position, then takes a swing. So the caption should say he prepares (positions), then swings the club to hit the ball.

So the chronological paragraph: A man wearing a red cap, dark shirt, white shorts, and white shoes stands on a green golf course. He adjusts his stance, bends slightly, then swings his golf club to strike the ball, which rolls away. The background features trees under a clear sky. The camera maintains a static side angle view.

Wait, but need to mention spatial relationships. The ball is in front of him. So maybe "A man in a red cap, dark shirt, white shorts, and white shoes stands on a green golf course, preparing to hit a golf ball positioned in front of him. He swings his club, striking the ball, which rolls across the green. The scene is set against a backdrop of trees. The camera remains stationary, capturing the golfer from a side perspective."

But the rules say "Conclude with the camera

The golfer (a person) is moving his body and golf club in a swinging motion, preparing to hit a ball.

The background (trees and grass) is static with no signs of fluid or wind motion. No fire, water, or smoke detected.


RAW CAPTION: Got it, let's break this down. The video starts with a man in a white jacket and dark pants kicking a ball on a green field. There's another person in the background, maybe a woman, in a white top and dark pants. Then the man kicks the ball, which goes towards the other person. Next, the scene transitions to a wide shot of the field with text about tips, but according to the rules, we need to exclude text recognition. So focus on the actions.

First part: Man in white jacket, dark pants, kicks ball. Second person in white top, dark pants, stands on the field. Then he kicks, ball moves. Then the view changes to a wide field, but we have to ignore the text. Then the next frame shows the field again, maybe after the kick. Wait, the video sequence is: first frame man kicking, then he moves towards the ball, then the scene shifts to a wide field with text (but we don't include text), then maybe the person is running? Wait, no, the frames are: [0.0] man kicking ball. [1.4] man runs towards the ball. [2.5] text screen. [3.6] same text. [4.7] a person in white top running. Wait, maybe the video is split into scenes: first, the man kicking the ball; then he moves to follow it; then the scene changes to a wide view (maybe the camera pans out), then a person runs. But the rules say focus on motion and behavior in chronological order.

So chronological order: first, a man in a white jacket and dark pants is on a green soccer field, preparing to kick a white ball. He kicks the ball, then moves towards the direction of the ball. Then the camera shifts to a wide view of the field, showing the green grass and background trees, but the main action is the man kicking. Wait, the next part after the kick, there's a text screen (but exclude text), so we need to skip that. Then the video shows the same field with a person running. Wait, maybe the video has the man kicking, then the ball is in the air, then a transition to the field with tips (but ignore text), then a person running. But according to the rules, don't include text.

So let's outline:

1. A man wearing a white jacket and dark pants stands on a green field, kicks a white ball with his foot.
2. The man moves forward toward the ball, which is in motion.
3. The scene transitions to a wide shot of the field where the ball is kicked in the air, with the man moving towards it, and another person in the distance (white top, dark pants) is visible.
4. The camera shows the field from a distance, then focuses on the ball being kicked, with the man running.

Wait, but need to be concise and chronological. Let's structure it step by step.

First, the main subject is the man. He's on the field, kicking the ball. Then he moves towards the ball. Then the scene shifts to a wide view (camera moves out), showing the ball in the air. Then another person (maybe the same or different) is running. But the problem says "briefly describe their appearance and number". The man in white jacket, dark pants. Another person in white top, dark pants (since in the first frame there's a person in the distance).

Wait, the first frame: man in white jacket, dark pants, kicking ball. In the background, another person in white top, dark pants (maybe a woman). Then the man kicks the ball, which is in motion. Then the camera shows a wide shot of the field (with text, but ignore text), then the next frame shows the same field with a person running (maybe the same person from the background).

So the chronological order:

- A man in a white jacket and dark pants on a green soccer field kicks a white ball with his right foot.
- He then moves forward toward the direction of the ball.
- The camera pans out to a wide view of the field, showing the ball in mid-air and the man running toward it.
- Another person in a white top and dark pants is visible in the background, running toward the ball.

Wait, but the rules say "keep background descriptions minimal unless essential for understanding motion". So maybe the background person is just there, but we need to mention if it's relevant.

Also, check the camera perspective: in the first frames, it's a medium shot of the man kicking. Then the camera shifts to a wide shot (panning out), then another shot of the field with a person running. But the output should end with camera perspective.

Wait, the output format says: "Conclude with the camera perspective and movement".

So

A soccer ball and a person (kicker) exhibit discrete motion: the ball is kicked through the air, and the kicker moves to execute the kick. These movements are driven by physical force (the kick), with clear bounding box tracking.

The background (field, trees, light poles, and white lines) remains static across all segments. No fluid/environmental motion (fire, water, wind) is observed; text overlays are graphic elements without environmental impact.


A person wearing a pink shirt and black pants stands behind a wooden table, initially holding a red cup. The individual lifts the red cup from the table, moves it slightly, and then places it back on the table surface. Balloons (red, blue, green) are visible on the wall behind the table, with a whiteboard and a poster also present. The camera remains stationary throughout the sequence.

A person standing behind a table exhibits subtle movement (e.g., arm gestures or body shifts), with the table and objects on it remaining stationary.

Static background elements (balloons, wall poster, radiator) show no uniform shifting; no fire, water, or smoke present in the scene.


RAW CAPTION: Got it, let's break this down. The video shows a checkers game on a red and black board. There's a tray with a yellow object, maybe a checker piece? Wait, the first frame has a hand moving. Let's see the sequence.

First, the scene has a checkers board (red and black squares) on a wooden floor. A metal tray is nearby with a yellow piece. Then, a person's hand enters from the right, moves the tray? Wait, no, the first action: the person's hand is visible, then in frame 1-2, the hand is moving the tray? Wait, no, the video starts with the tray, then the hand comes in. Let's check the frames.

Frame 0: Tray with yellow object, checkers board. Person's legs in blue jeans on the right.

Frame 1: Same as 0 but hand is moving.

Frame 2: Hand is still there, then frame 3: hand moves towards the tray, then picks up a checker piece? Wait, no. The actions:

- In frame 0: tray with yellow (maybe a checker piece?), checkers board.

- Frame 1: hand moves towards the tray.

- Frame 2: hand is on the tray? No, the hand is reaching down.

- Frame 3: hand is picking up a red checker piece from the board. Wait, the checkers board has red and black pieces. The hand moves to the board, takes a red piece, then moves it.

Wait, the caption needs to be chronological. Let's list the steps:

1. Initial scene: checkers board (red/black), metal tray with yellow object, person's legs (blue jeans) on right.

2. Hand (from person) enters frame, moves towards tray.

3. Hand then interacts with checkers board: picks up a red checker piece.

Wait, the video is 5 frames. Let's see each frame:

- [0.0]: Tray with yellow, checkers board.

- [0.3]: Hand moves, tray still there.

- [1.4]: Hand is moving, then maybe adjusts tray?

Wait, looking at the frames:

Frame 0: Tray with yellow (small, maybe a checker), checkers board (red and black squares with pieces). Person's legs (blue jeans) on the right.

Frame 1: Hand (person's right hand) comes from right, moving towards the tray.

Frame 2: Hand is near the tray, maybe adjusting.

Frame 3: Hand moves to the checkers board, picks up a red checker piece.

Frame 4: Hand is holding the red checker piece, moving it.

Frame 5: Hand is moving towards the tray, perhaps placing the piece?

Wait, the video is 5 seconds, so 5 frames. Let's check:

The user provided the frames as:

[0.0] ... [1.4] ... [2.5] ... [3.6] ... [4.7]... Wait, the description is:

<0.3 seconds> (frame 0)

<1.4 seconds> (frame 1)

<2.5 seconds> (frame 2)

<3.6 seconds> (frame 3)

<4.7 seconds> (frame 4)

So 5 frames.

In frame 0: tray with yellow object (maybe a checker piece), checkers board.

Frame 1: Hand (person) moves into frame, right side, then starts to interact.

Frame 2: Hand is positioned towards the tray.

Frame 3: Hand reaches the checkers board, picks up a red checker piece.

Frame 4: Hand is holding the red piece, moving it towards the tray.

Wait, the checkers board has red and black pieces. The action is a person (wearing blue jeans) picking up a red checker piece from the board and moving it towards the tray.

So the sequence: the person's hand (from right) approaches the checkers board, picks up a red piece, then moves it to the tray.

Now, the caption needs to be concise, chronological.

Start with the scene: wooden floor, checkers board (red and black squares) with red and black pieces, metal tray with a yellow object.

Then, the hand (person in blue jeans) enters, moves toward the tray, then to the board, picks up a red checker piece, and moves it towards the tray.

Spatial: the tray is above the checkers board (in the frame, the tray is behind the board? Wait, in the first frame, the tray is behind the checkers board? Let's see: the tray is on the floor, checkers board is in front of it? Wait, no, the tray is in front of the checkers board? Wait,

A person's hands interact with a checkers board, moving discrete solid objects (checkers pieces) due to physical manipulation.

The background elements (wooden floor, wall, furniture) remain static and do not show uniform shifting. No fire, water, smoke, or wind motion is present.


A person in dark clothing opens a cabinet, retrieves a tray holding a dark rectangular cake, and places it on a cooling rack atop a kitchen counter. The camera follows the movement from the cabinet to the rack, capturing the tray's placement with a slight handheld shake. Background details are minimal, focusing on the person's actions.

A person's hands move a metal baking tray containing a dark dessert, placing it on a cooling rack. The tray and hands exhibit controlled motion due to human manipulation.

The kitchen background (countertops, walls) remains static with no uniform shifting or fluid motion; no fire, water, smoke, or wind present.


A group of approximately seven people stand on a dirt path outdoors, some raising their hands and reacting to something. A handheld camera with noticeable shake pans left and right, capturing close-ups of individuals in green, red, black, and gray jackets as they shift positions and interact. The camera maintains proximity to the clustered group, emphasizing their movements and gestures.

discrete_object_physics | ambient_environmental | camera_motion | ego_motion | static

Briefly describe what discrete, solid objects are moving.

Briefly check for shifting backgrounds or fluid/environmental motion (fire, water, wind).


A pair of hands manipulates blue yarn with a wooden crochet hook, looping the yarn over the hook and pulling it through to form a stitch. The fingers pinch the yarn against the hook, maintaining tension as the motion progresses. The hands remain centered against a dark background, with the yarn's texture and the hook’s wooden grain visible. The camera maintains a steady close-up perspective, focusing exclusively on the detailed hand movements without shifting or panning.

Discrete solid objects: hands and knitting needles moving via deliberate physical manipulation (looping yarn, pulling needles).

Background is dark and static; no shifting elements or fluid/environmental motion (fire, water, wind) detected.


A person in a black sleeveless top and black pants stands in a room with a ceiling light, extending arms outward. They raise the right arm upward, lower it to the left, and bring a red object into view, moving it in a circular motion. The background includes a wall with pinned papers. The camera remains stationary with minimal shake.

A person in black clothing is moving their arms and body while swinging a red pillow, with motions including arm extension, rotation, and lower-body shifts.

The background wall and papers remain static throughout the video; no fluid or gaseous motion (fire, water, smoke, wind) is present.


RAW CAPTION: Okay, let's tackle this video caption request. First, I need to understand the task. The user wants a concise chronological paragraph describing the video, following specific rules. Let me go through the rules again to make sure I don't miss anything.

Rule a) Focus on motion and behavior of main subjects in chronological order. So I need to describe what happens step by step. The main subjects here are the cheerleaders. They start in formation, then move. Let me check the video frames. The first frame shows them standing, then they start marching or dancing. In the next frames, they're moving across the court.

Rule b) Briefly describe appearance and number. The cheerleaders are in dark blue uniforms with white shoes. How many? The video shows a group, maybe around 20-30. But since it's a gym, maybe 15-20? Not sure, but the exact number isn't critical; just a general mention.

Rule c) Mention spatial relationships. The cheerleaders are on the basketball court, with spectators in the stands. The camera is in the lower part of the gym, maybe near the court. So the cheerleaders are on the court, in front of the stands. Maybe mention they're moving across the court, with the crowd in the background.

Rule d) Conclude with camera perspective and movement. The camera seems to be stationary, maybe a bit shaky. The user mentioned "slight shake" in the example, so maybe the camera is handheld. The perspective is from the audience side, looking towards the court.

Rule e) Minimal background description. The gym has bleachers with people, but not too much detail. Just mention the crowd in the stands.

Rule f) Exclude text recognition, names, stylistic analysis. So no need to mention any specific signs or logos.

Now, putting it all together. The video starts with cheerleaders in formation. They then begin marching or dancing across the court. They're moving in sync, changing formation. The camera is positioned low, capturing them from the audience's perspective. The background has spectators but it's secondary. The camera might have a slight shake.

Wait, the frames show them moving from left to right? Let me check. In frame 0 to 5, they start in the middle of the court, then move towards the right. So their motion is across the court from left to right. The description should mention that.

Also, the cheerleaders are in dark blue uniforms. Their number isn't specified, but "a group" is okay.

Avoid mentioning specific people in the foreground like the man with the 200 bag. The rules say exclude named characters, so just the cheerleaders and the audience.

Let me structure it:

Chronologically: Start with cheerleaders in formation, then begin moving in unison across the court, changing formation, with spectators in stands. Camera is stationary but slightly shaky, low angle from audience side.

Check if it's concise. Maybe:

A group of cheerleaders in dark blue uniforms and white sneakers march in unison across the basketball court, shifting formation from left to right while maintaining synchronized movements. Spectators fill the stands behind them. The camera, positioned at a low angle from the audience side, remains mostly stationary with minor shake.

Wait, the example output in the problem statement shows a caption like "A group of cheerleaders in dark blue uniforms and white sneakers march in unison across the basketball court..." So that's the structure.

Check for rule d: camera perspective and movement. The example says "positioned at a low angle from the audience side, remains mostly stationary with minor shake."

Yes. So the caption should end with that.

Also, make sure to mention the motion chronologically: starting in formation, then moving.

Wait, the first frame they are in formation, then they start moving. So the caption should say they begin moving in unison across the court.

Let me draft it:

A group of cheerleaders in dark blue uniforms and white sneakers begin marching in unison across the basketball court, moving from left to right while shifting their formation. Spectators fill the stands behind them. The camera, positioned at a low angle from the audience side, remains mostly stationary with slight shake.

Check rules: b) appearance (dark blue, white sneakers) and number (a group). c) spatial (spectators behind, moving left to right). d) camera perspective and movement (low angle, audience side, stationary with slight shake). e) background minimal (only spectators mentioned). f) no text or names. a) chronological order (starting with forming, then moving).

Looks good. Maybe "shifting formation" is okay, but maybe "changing formation" is more precise. Let me check the video frames: the cheerleaders start in a line, then spread out and move, so maybe "change formation" as they move.

Also, the

Cheerleaders in purple uniforms are moving in coordinated formations across the basketball court, exhibiting distinct locomotion.

The gymnasium background (walls, bleachers, scoreboard) is static with no fluid/environmental motion (fire, water, smoke, or wind).


A person in a pink sleeveless top opens an orange envelope on a wooden table, using their hands to manipulate the flap and adjust the envelope's position. The camera remains stationary in a top-down view, focusing on the hands and envelope interaction against the table surface.

A person's hands are interacting with a red box, manipulating it through opening and positioning actions.

The wooden table and surrounding objects remain static with no uniform shifting, and no fluid/environmental motion (e.g., fire, water, smoke) is present.


A person wearing a dark shirt, a cap, and a long white beard holds a comb near their beard, then moves the comb downward along the beard, lifts it upward toward their face, and adjusts the comb's position in front of them. The background is a plain wall. The camera remains stationary in a front-facing perspective.

The man (discrete object) performs intentional movements: inhaling/exhaling from the pipe, adjusting the pipe, and wiping his face with his hand.

Background is static plain wall with no shifting. No fluid/environmental motion (fire, water, smoke, wind) dominates the scene; smoke is transient and minor.


A group of ten cheerleaders in white tops, black pants, and Santa hats march in synchronized formation down a nighttime street, holding silver pom-poms and moving forward in sync. Spectators line both sides of the road as the group progresses. The camera follows their movement from an elevated top-down perspective.

Discrete solid objects (marching band members in uniforms) are moving in formation, exhibiting locomotion-driven motion with consistent step patterns and directional movement.

The background elements (street, spectators) show no uniform shifting or fluid motion. There is no fire, water, smoke, or wind-driven motion present.


A person wearing a pink, black, and white striped sweater and red pants holds a light yellow tie. They manipulate the tie, adjusting its loops and pulling the ends to form a knot around their neck. The individual stands in an indoor space with blurred background elements, while the camera remains steady, focused on their upper body and the tie-tying motion.

A person (discrete solid object) is moving their hands and body to adjust and tie a yellow necktie, with clear locomotion and interaction with the tie.

No significant ambient environmental motion observed; background elements (e.g., interior room features) appear static without fluid or wind-driven movement.


A person with short black hair sits wearing a red cape as another individual, dressed in a black shirt and jeans, styles their hair from behind; the barber uses hands to lift and shape the hair, moving fingers through it while the seated person remains still. The camera maintains a close-up focus on the hair and barber’s hands, with slight movement tracking the actions, set against a minimal background of a salon interior with visible mirrors and tiled flooring.

The hairdresser (in black) is actively cutting the child's hair, with hands moving to manipulate the hair. The child's head is slightly moving as they receive the haircut.

The background (salon interior, fan, tiled floor) is mostly static. No fire, water, or wind is present. Minor camera movement but not dominant.


A hand holding a bowl of orange sauce uses a fork to apply the sauce to a golden-brown chicken wing on a grill, with metal tongs resting on wooden planks nearby. The camera then pans left to reveal multiple similarly coated chicken wings sizzling on the grill, with the sauce bowl visible in the lower right corner.

Hand applying sauce to chicken pieces using a spoon; chicken remains stationary on the grill while sauce is added.

Background elements (wooden planks, grill structure) show no uniform shifting; no dominant fluid/environmental motion (fire, smoke, wind) dominates the scene.


RAW CAPTION: Got it, let's break this down. First, the video starts with a scene in a driveway. There are three people: one on the ground (crouching), another standing, and maybe a third? Wait, the first frame shows a person in a blue shirt and dark shorts crouching, then another person in a gray shirt and black shorts standing and moving. Then a cylindrical object rolls across the driveway.

Looking at the timestamps: frame 0, there's a person on the ground, another standing, and a cylinder rolling. Then frame 1, the person on the ground is still there, the standing person moves, cylinder rolls. Frame 2: the person who was standing (now in gray shirt) runs towards the cylinder, then picks it up? Wait, no, frame 3 shows the person stepping on the cylinder, which is a hoverboard maybe? Wait, the cylinder has wheels, so it's a self-balancing scooter.

In frame 0, a boy in blue shirt and dark shorts is crouching on the driveway, another person (maybe a girl) in gray shirt and black shorts is standing behind him. A white cylindrical object (hoverboard) is rolling on the driveway. Then in frame 1, the standing person moves, the crouching person stays. Frame 2: the person in gray shirt (now running) steps on the hoverboard, moves forward, and the crouching person is now on the ground, maybe rolling or moving. Wait, frame 3: the person in gray shirt is standing on the hoverboard, moving away, while the crouching person is now lying on their back. Frame 4: the person in gray shirt is still on the hoverboard, moving, and the crouching person is now sitting up. Frame 5: same person on hoverboard, the crouching person is now lying down again.

Wait, the main subjects are two people. Let's track their actions chronologically.

1. Initial scene: A person in a gray shirt and black shorts is crouching on the driveway. Another person in a blue shirt and dark shorts is standing near a garage. A white cylindrical object (hoverboard) is rolling across the driveway.
2. Then, the person in the gray shirt stands up and approaches the hoverboard.
3. They step onto the hoverboard and ride it forward, while the other person (in blue shirt) moves away.
4. The person in blue shirt falls to the ground, lying on their back.
5. The person on the hoverboard continues moving, and the fallen person remains on the ground.

Wait, in frame 0, the person in blue is standing, gray is crouching. Frame 1: blue is still standing, gray is crouching. Frame 2: gray stands up, runs towards hoverboard (which is on the ground). Frame 3: gray steps onto hoverboard and rides it forward, blue person is now on the ground, lying down. Frame 4: gray is riding the hoverboard away, blue is still on the ground. Frame 5: gray is moving forward on hoverboard, blue is on the ground, maybe rolling.

Wait, the key points: two people. One is in gray shirt and black shorts (later running, stepping on hoverboard, riding it). The other is in blue shirt and dark shorts (standing initially, then falls to ground, lies down). The hoverboard is white, cylindrical, with wheels. The action: first, the hoverboard rolls across the driveway. Then the person in gray approaches, steps on it, rides it. Meanwhile, the other person falls.

So chronological order:

- A person in a gray shirt and black shorts is crouching on a concrete driveway, while another person in a blue shirt and dark shorts stands nearby. A white cylindrical hoverboard rolls across the driveway.
- The person in the gray shirt stands, runs towards the hoverboard, and steps onto it, riding it forward.
- The person in the blue shirt falls to the ground, lying on their back.
- The person on the hoverboard continues moving away, while the fallen person remains on the ground.

Now, check spatial relationships: the hoverboard is rolling on the driveway, then the gray-shirted person steps onto it. The blue-shirted person is behind the gray-shirted person initially, then falls. The background is a residential driveway with a garage, houses, grass.

Camera perspective: seems like a static shot, maybe slightly pan? Wait, the video transitions smoothly, so maybe a fixed camera. The movement is captured as the people move.

Wait, the rules say: conclude with camera perspective and movement. So need to mention if it's top-down, pan, etc. From the description, the camera seems to follow the action but is likely static.

Putting it all together conc

Two boys and a soccer ball exhibit discrete movements: one boy runs and kicks the ball, the other boy rolls on the ground before getting up and interacting with the ball. Ball rolls and bounces due to kicks, with clear collision dynamics between ball and ground.

Background elements (garage door, brick wall, house) remain stationary with no uniform shifting; no fire, water, smoke, or wind detected. Static environment with clear horizon line.


The video displays two women in separate settings. The woman on the left, wearing a black leotard and blue sneakers, stands in a gym with equipment in the background; she holds a bottle, adjusts it with both hands, and shifts her posture slightly. The woman on the right, dressed in a black tank top and shorts, stands against a plain wall; she gestures with her arms, moving hands up and down in front of her body. The camera remains static, presenting a split-screen view of both individuals throughout the sequence.

Two individuals in athletic wear exhibit discrete arm and body movements consistent with exercise or demonstration, with clear bounding boxes for tracking.

Background elements on both sides (gym equipment and plain wall) show no uniform shifting; no fluid/environmental motion (fire, water, smoke, wind) detected.


In an indoor gymnasium, a person in a gray shirt and black shorts holding a stick walks from right to left, passing a person in a white shirt and black shorts who is ahead. The gray-shirted individual turns slightly toward the camera after passing the second person. Other individuals are visible in the background near the blue and white walls. The camera follows the motion with a slight shake.

Discrete objects (players) are moving due to locomotion and sport actions (e.g., walking, running, hitting shuttlecock).

The background (walls, door) remains fixed, with no fluid or environmental motion (fire, water, smoke, wind) observed.


A person wearing a dark shirt and blue jeans sits on a stool, moving their hands across the organ's upper keyboard and their feet on the lower pedalboard. The camera remains stationary, capturing the player's actions from a side perspective.

A person is moving: shifting their position on the bench, extending legs, and adjusting posture.

The background (wooden cabinets and piano) is static with no shifting or fluid motion. No fire, water, smoke, or wind is present.


A man in a white shirt holds and adjusts a black camera, manipulating its lens and buttons while seated near a window. The video transitions to a close-up of a white plate containing rice, fried items, and leafy greens.

A person is manipulating a camera with hand movements; the camera itself is held and adjusted by the individual, showing discrete physical interaction.

Background elements (window, structural features) remain static throughout the video; no fluid motion (fire, water, smoke) or significant environmental effects observed.


A person wearing black clothing performs a regular push-up in a gym. Starting in a plank position with hands shoulder-width apart, they lower their body toward the floor while keeping the torso straight, then push back up to the starting position. The camera remains stationary, capturing the motion from a fixed angle.

A person (discrete solid object) performing push-ups, exhibiting controlled up-down motion of the torso and limbs due to muscular force. Bounding box consistently tracks the subject.

No shifting background or fluid/environmental motion. Gym environment (equipment, walls) remains static and uniform throughout the clip. No fire, water, smoke, or wind visible.


A skier wearing a white jacket with blue and black accents, red patterned pants, and an orange helmet uses ski poles to glide forward on a snow-covered path. They navigate past snow-laden trees, maintaining a steady pace while moving along the slope. The camera follows closely behind, tracking the skier's progression through the snowy landscape.

A skier, wearing a white jacket, red pants, and an orange helmet, is moving downhill on skis, using ski poles for propulsion.

The background consists of snow-covered ground and trees that remain static throughout the video, showing no environmental motion such as wind or fluid flow.


A person with long hair, wearing a brown long-sleeve shirt and blue jeans, stands in a room and juggles a ball, repeatedly tossing it upward with both hands and catching it as it descends. The camera remains stationary throughout.

A person is moving their hands and manipulating a small object (likely a ball or baton), with the object being tossed and caught in the air.

Background is static (walls, floor items remain fixed throughout the frames). No ambient environmental motion (fire, water, smoke, wind) observed.


A child wearing an orange and brown hooded costume sits at a restaurant table, initially adjusting the hood over their head, then lifting it to reveal their face, and further adjusting the hood around their shoulders. The table in front contains a McDonald's drink cup, a bag of fries, and other items. The background features a restaurant booth and windows. The camera remains stationary throughout the sequence.

A person is moving their hands and head (adjusting hair and hat).

The background (booth seating, window, lamp) remains static. No fire, water, smoke, or wind is visible.


A couple dances together in a dimly lit room; the woman wears dark clothing and roller skates while the man wears a white shirt and sneakers. They begin with a low-angle view focusing on their legs, then move upward to reveal them embracing and rotating as they glide across the wooden floor. The camera pans slightly left and follows their motion, capturing them moving toward the background where a band plays near a stage with musical instruments. Minimal background details include a wall with graffiti and stage equipment, while the camera maintains a steady follow shot throughout.

A person is walking and turning, moving due to their own locomotion. The motion is discrete and can be tracked by bounding box.

The background elements (wall, door, furniture) are stationary and do not shift uniformly. No fire, water, smoke, or wind is present.


A woman in black attire sits on a bed, holding a child who grips a bottle. The child smiles while the woman lifts her hand to her mouth, appearing to eat, then lowers her hand. The child’s expression shifts slightly as the woman’s hand returns to her lap. The camera remains fixed overhead, capturing the interaction on the cluttered bed.

The woman and child are the primary discrete objects. The woman exhibits small, controlled movements: eating (hand-to-mouth motion) and wiping her face. The child holds a toy and remains mostly stationary with minimal incidental motion.

The background elements (walls, furniture, and bed) remain stationary with no uniform shifting or environmental fluid motion (fire, water, smoke, or wind). The scene is indoors with static clutter, indicating no ambient environmental dominance.


A person with long hair, wearing a black tank top and blue jeans, lifts their left leg high, holding it against the ceiling with both hands; they then adjust their grip and slowly lower the leg to a resting position. The background includes ceiling lights and a window with blinds. The camera remains static, capturing the motion from a frontal perspective.

A person (wearing black tank top and jeans) is performing a stretching motion, lifting one leg upward and adjusting their posture.

Background elements (ceiling, light fixtures, walls) show no uniform shifting or fluid motion. No fire, water, or smoke visible.


A person in dark clothing stands on a snow-covered roof, shoveling snow and moving across the roof from left to right. The individual exits the frame to the left after shoveling. The camera remains stationary, capturing the action from a ground-level perspective with snow piled against the house.

A person is moving on the roof, shoveling snow and shifting positions. This discrete, solid object exhibits locomotion and physical interaction with the environment.

The background features a snow-covered house and static elements (e.g., snow piles, tree) with no fluid motion (fire, water, smoke, wind) observed. The environment remains largely still, indicating no dominant ambient environmental motion.


A man in a green shirt, gray shorts, and black shoes performs a high kick in a gym, then turns and walks toward the camera, passing a large yellow circular object and a mirror on the wall behind him. The camera remains static throughout.

A person performs leg lifts and core exercises with a yellow exercise ring; both the person and ring exhibit discrete, solid-body motion driven by physical exertion.

No shifting background elements (walls, bench, mirror remain stationary). No fire, water, smoke, or wind detected in the environment.


A healthcare worker in a white coat, cap, and mask sits beside a newborn wrapped in a white blanket on a hospital bed. The worker adjusts the baby’s position, gently handling the infant’s face. The baby lies on the bed, with the worker positioned directly in front. The camera remains stationary, capturing the scene from a fixed angle.

The doctor (in white coat) is moving the baby's limbs and body, with the baby also showing movement due to the doctor's actions. Both are solid objects undergoing direct physical interactions.

Background appears static with no fluid or environmental motion (fire, water, wind). The room setting is stable without shifting elements.


A girl in a white top and red shorts begins running forward on a grassy field, moving from the background toward the camera while passing in front of a line of spectators standing near a building. The camera tracks her motion steadily as she runs, with the spectators positioned behind her observing the activity.

Nicole (a person) is moving: she runs and throws a ball. The motion is due to her locomotion and throwing action, which is a discrete object physics event.

The background includes a building and a stationary crowd; no fire, water, smoke, or wind is visible. The crowd is mostly static, with minimal movement typical of an audience.


RAW CAPTION: Got it, let's tackle this video captioning task. First, I need to understand the video content. The video shows a room with a couch, a coffee table, and green curtains. There's a person sitting on the couch (probably a child, wearing a green shirt) and another person's arm reaching in from the top left.

In the first frame, the arm is holding a green object. Then, in the next frames, the arm moves the green object over the coffee table, placing it down. Wait, no—the sequence is: the arm is holding a green cup, then moves it over the table. The person on the couch is handling blue cups, stacking them. Wait, let's check the frames.

Frame 0: Arm (from top left) holds green cup, child on couch (green shirt) is there, blue cups on table.

Frame 1: Arm places the green cup onto the table, near blue cups.

Frame 2: Arm moves to the side, maybe picking up something else? Wait, the child is stacking blue cups. The sequence is the arm placing green cup (maybe a lid or something), but the main actions: the person's arm (off-screen) brings a green cup to the table, the child is stacking blue cups.

Wait, let's look at the timestamps:

[0.0] - Arm holding green cup, child on couch.

[0.3] - Arm places green cup on table, child starts handling blue cups.

[0.6] - Arm moves green cup again, child continues stacking.

Wait, the child is arranging blue cups on the glass table. The arm (probably an adult) is placing green cups on the table, maybe for the child to stack. Wait, in frame 2, the arm is holding a green cup and moves it towards the table, then in frame 3, the arm is moving the green cup around, but the child is stacking blue cups. Wait, the child is in front of the couch, at the table. The table has blue cups and other items.

Let me break down the actions:

- The video starts with an arm (from left/top) holding a green cup, positioned over the glass table where a child (wearing green shirt, sitting on couch) is arranging blue cups.

- The arm moves the green cup toward the table, placing it down (probably a green lid or cup). Then the arm repeats, moving another green cup (maybe a stack).

- Meanwhile, the child is actively handling blue cups, building a stack on the glass table.

So the main motions: the arm repeatedly places green cups onto the table (to the right of the child), while the child stacks blue cups on the table.

Now, appearance: the arm is an adult's arm, green cup (small, cylindrical), child is seated, wearing green shirt, blue cups are multiple (several on the table), glass table.

Spatial relationships: the arm is to the left of the child, moving from top left to the table (which is in front of the child). The child is on the couch, table in front of them.

Background: green curtains, chair, shelves with items (bottles), but minimal description as per rules.

Camera perspective: static, no movement mentioned (since the video is described as fixed).

Now, chronological order:

1. An arm (from top left) holds a green cup above the glass table.

2. The arm lowers the green cup onto the table, near the blue cups.

3. The arm repeats the motion, moving another green cup to the table.

4. Meanwhile, the child, seated on the couch, manipulates blue cups, stacking them on the table.

5. The child continues arranging the blue cups while the arm places green cups.

Now, concise caption:

A child in a green shirt sits on a couch, stacking blue cups on a glass table. An adult’s arm from the top left repeatedly places green cups onto the table beside the blue cups. The child and arm interact with the cups, with the child arranging the blue cups and the arm adding green cups. The scene is static, with green curtains and a chair in the background.

Wait, need to follow rules: concise, chronological, focus on motion and behavior.

Let me rephrase:

In a living room with green curtains, a child in a green shirt sits on a couch, stacking blue cups on a glass table. An adult's arm from the top left places green cups onto the table, moving them toward the child. The child adjusts the blue cups while the arm continues positioning green cups. The camera remains static.

Check rules:

a) Motion: arm placing green cups, child stacking blue cups.

b) Appearance: child (green shirt), blue cups, green cups (small, cylindrical), adult arm.

c) Spatial: arm from top left to table, child on couch in

The green ball is thrown by the adult and moves through the air, exhibiting motion due to the physical force of the throw.

The background (green curtains, chair, walls) is static and does not shift. There are no environmental fluids or fire visible.


RAW CAPTION: Okay, let me try to work through this. The user wants a concise chronological paragraph describing the video. First, I need to focus on the main subjects and their actions in order.

Looking at the video frames provided:

In the first frame, there are four people around a table. The person in the blue shirt is cutting a cake with a knife. Others are seated around the table. There are glasses and plates. Then in the next frames, the camera moves slightly, maybe panning or shifting. In frame 4, someone is holding up a fan, which might be a fan held by another person. The background has a stone wall, some shelves, and a TV.

The rules say to mention motion and behavior chronologically. So first, the woman in blue cuts the cake. Then, another person (maybe a hand) enters the frame holding a fan. Need to note the sequence.

Also, the caption should be concise. Let me check the key points:

- Four people at a table.
- Blue-shirted person cutting cake.
- Camera shifts slightly, possibly from the left.
- A hand holding a fan appears in frame 4.
- Background has stone wall, shelves, TV, but minimal description.

Wait, the user said to keep background descriptions minimal unless essential. So maybe mention the stone wall briefly.

Wait, the example output from previous might help. Let me think of the structure.

Start with the main action: A woman in a blue shirt cuts a yellow cake while seated at a table with three others. Then, as the camera pans left, a hand holding a fan enters the frame. The background includes a stone wall and shelves. Camera movement is a slight pan left with some shake.

Wait, the frames go from [0] to [5]. So the sequence is:

- Frame 0: Woman in blue cuts cake.
- Frame 1: Same action, maybe camera moves slightly.
- Frame 2: Camera shifts, showing more of the table.
- Frame 3: Camera pans left, revealing another person holding a fan.
- Frame 4: Hand with fan comes into view.

So chronologically: The woman in blue cuts the cake. The camera then pans left, revealing another person holding a fan. The background includes a stone wall.

Need to mention the number of people (four), their positions (seated around table), the cake, the fan. Also, the camera moves, and maybe there's a slight shake.

Wait, the rules say: "Mention spatial relationships if relevant (e.g., in front of, to the left)." So when the fan is introduced, it's from the left side of the frame.

So putting it all together:

Four people are seated around a table; the woman in a blue polo shirt cuts a yellow cake while others hold plates. As the camera pans left, a hand holding a fan enters the frame from the left, revealing additional seated individuals. The background features a stone wall and shelves. The camera movement includes a slight left pan with minor shake.

Wait, but the output should be a paragraph. Let me check the rules again.

"Generate a concise, chronological paragraph describing the provided video."

So in order:

1. Start with the main action: woman in blue cutting cake.
2. Then, camera movement leading to another person's action (holding fan).
3. Background briefly mentioned.
4. Camera perspective and movement.

Check the example output format. It's a single paragraph inside the tags.

Possible draft:

A woman in a blue shirt cuts a yellow cake at a table surrounded by three others, who hold plates and glasses. The camera then pans left, revealing a hand holding a fan entering the frame from the left side. The background includes a stone wall and shelves. The camera movement is a slight pan left with a minor shake.

Wait, the problem says "exclude text recognition, named characters, or stylistic analysis." So don't mention names or specific objects beyond what's visible.

Another check: the video shows the woman cutting the cake first. Then, as the camera moves, a hand with a fan comes into view. The background is stone wall, shelves.

Yes. So the caption should mention the four people (blue shirt woman, others around table), the cake being cut. Then, camera pans left to show the fan. Background minimal. Camera movement is pan left with shake.

Let me try to write it concisely:

Four people sit around a table; a woman in a blue polo shirt cuts a yellow cake while others hold plates and glasses. The camera pans left, revealing a hand holding a fan entering the frame from the left. The background includes a stone wall and shelves. The camera movement shows a slight pan left with a minor shake.

Wait, but in the frames, the person holding the fan is in frame 4. So the sequence is the woman cutting the cake, then as the camera moves,

A hand holding a decorative fan is actively moving across the frame, indicating discrete object motion.

Background elements (textured wall, shelves with bottles) show no significant shifting or fluid motion (e.g., fire, water, wind).


A person wearing a dark hoodie and gray pants stands in a room, playing a sunburst electric guitar with their hands on the fretboard and strings. The background includes chairs and a bed, with the person positioned centrally. The camera remains stationary throughout the video.

Briefly describe what discrete, solid objects are moving.

Briefly check for shifting backgrounds or fluid/environmental motion (fire, water, wind).


Two women dance on a wooden deck: the woman in a yellow long-sleeve top and black pants raises her arm, while the woman in a teal tank top, patterned skirt, and beige cap steps back and turns. They then hold hands and rotate together. Two individuals sit in the background on the deck. The camera remains stationary with a slight pan to follow their movement.

Two individuals (dancers) move through distinct locomotion (swaying, stepping) while interacting; their bounding boxes shift predictably with physical movement.

Background elements (red house, wooden deck, seated people) show no uniform shifting or fluid motion; no fire, water, smoke, or wind effects observed.


A woman in a dark blue shirt places the lid onto a white blender containing green contents, then gestures toward the blender's power cord extending to her right. The glass table in front of her holds bananas, small white bowls, and a glass jar, with patterned curtains in the background. The camera remains static throughout.

The woman is moving her arms and body (e.g., pouring into the blender, pointing). The blender and other objects on the counter are stationary.

The background (curtains and walls) is static with no shifting. No fluid or environmental motion (fire, water, smoke, wind) is present.


A person's hand, wearing a gray hoodie over a checkered shirt, presses strings on a brown ukulele fretboard, shifting fingers to form chords. The hand moves sequentially along the frets, adjusting finger positions on the instrument's neck. The camera maintains a close-up, static perspective focused on the hand and fretboard, with minimal background detail visible.

The person's hand and ukulele are the primary discrete objects, with the hand moving to press strings and play notes.

No shifting background elements observed; no fire, water, smoke, or wind present to qualify as ambient_environmental.


A shirtless man in gray sweatpants and black boxing gloves stands in front of a cable machine, having removed his white t-shirt. He moves to punch a red hanging heavy bag attached to the machine, striking it repeatedly as the bag swings. After stopping his punches, the bag continues to oscillate. The camera remains stationary, capturing the indoor gym setting with minimal background details.

The punching bag is a discrete object that swings due to being punched by the shirtless man and then continues swinging under gravity. The man moves to punch the bag.

The background (walls, gym equipment) is static throughout. There is no fire, water, smoke, or wind. The dominant motion is the swinging of the punching bag.


A person in a yellow shirt and dark pants walks steadily along a taut wire strung between buildings and power lines, maintaining balance with arms extended as they move forward. The individual remains centered on the wire, positioned above urban structures with trees visible to the right. The camera holds a static low-angle perspective throughout the sequence.

A single human subject is moving on a slackline, exhibiting controlled locomotion with slight balancing adjustments.

Background elements (building, trees) show no uniform shifting, indicating no significant ambient environmental motion (fire, water, wind) or camera-induced background movement.


A woman in a white top and maroon pants stands in front of a blue map featuring cloud icons with suns. She holds a sheet of paper and makes slight hand gestures while speaking. The camera remains static with no movement throughout the sequence.

The woman is moving her hands and body slightly as she speaks, indicating discrete object motion due to her own locomotion and gestures.

The background consists of a static blue gradient and a graphic of a map with non-moving clouds. No ambient environmental motion (fire, water, smoke, wind) is present.


A person wearing blue jeans, dark boots, and a gray hoodie stands on a large brown-and-white patterned rock secured on a wooden frame, operating a red power tool. They adjust their stance, shifting weight and moving the tool across the rock's surface while maintaining stability. The scene occurs outdoors near a building with parked vehicles and equipment visible in the background, captured by a static camera.

The person (wearing blue jeans and boots) is moving while operating a circular saw; the saw is moving as it cuts the material. The material and sawhorse are stationary.

Background elements (wall, door, floor) are static; no fluid/environmental motion (fire, water, smoke, wind) observed.


Two people in dark winter clothing clear snow from a snowy driveway. Initially, one shovels snow toward a blue container while the other walks toward the snow-covered cars. The first person continues shoveling, then the second person moves away before returning to shovel near the cars. Both work to clear snow as the camera maintains a stationary top-down view.

Two people (and possibly two others) are walking around a blue car in the snowy yard. The car is stationary.

The background is static (houses, trees, driveway) with no shifting or environmental motion (no fire, water, smoke, or significant wind). Snow is settled and static.


A light brown and cream long-haired cat lies relaxed in a wicker basket, eyes closed. A person’s hand uses a brush to groom the cat’s back, moving from the cat’s shoulder toward its hindquarters, then shifts to brush the cat’s side. The cat remains still, nestled within the basket. The camera maintains a stationary top-down perspective throughout.

A hand holding a brush is moving over a cat's fur, with the cat remaining mostly stationary within the basket.

The background (wicker basket) is static and shows no shifting or fluid/environmental motion (fire, water, wind).


Two hands hold a smartphone with a wooden frame and visible keyboard; fingers repeatedly tap keys while the screen displays chat bubbles. The camera maintains a close-up, slightly shaky perspective throughout.

The person's fingers (discrete solid objects) are moving in a typing motion, interacting with the phone screen. This motion is due to explicit physical forces (muscular movement) and is easily trackable.

No shifting background elements observed (background is dark and static). No environmental fluids (fire, water, smoke, wind) present.


A person in a white shirt with a bracelet adjusts the dark hair of another individual wearing a pink shirt under a white jacket. The hair adjuster’s hand moves through the hair, then the recipient turns their head slightly to the side. The camera stays close, capturing the motion with a slight shake from behind the recipient.

The gloved hand of one person moves to adjust the hair of another seated individual; the seated person exhibits head movements, facial expressions, and slight body shifts.

Background shows a static brick wall with no shifting or fluid motion (fire, water, smoke, wind) observed; consistent background elements indicate minimal environmental interference.


RAW CAPTION: Got it, let's tackle this. First, the video starts with a close-up of a hand digging in soil. The hand is wearing a brown sleeve, and it's moving a small object, maybe a bulb or something, from the dirt. Then, the scene changes to a person in a hat and a jacket, holding something. Wait, the first part is the hand, then the camera shifts to a person. Let's break it down chronologically.

First segment: A hand with a brown sleeve is manipulating a small, light-colored object in loose, dry soil. The soil is brown, and there's some grass or plant matter in the background. The hand is moving the object, possibly planting or extracting it. Then the camera cuts to a person wearing a light-colored hat, a dark vest, and a green shirt, holding a small object in their hands. The background here has more grass and a dark structure, maybe a tree trunk. The person is in front of a blurred background. Then the camera angle might shift.

Wait, the user says to follow the rules. Focus on motion and behavior. First part: hand (brown sleeve) moves object in soil. Then the camera shows a person (hat, vest, shirt) holding something. Need to order chronologically. So first, the hand is the main action: the hand is digging or moving the object. Then the scene transitions to the person. The background in the first part is soil with some grass, the second part is the person in front of a grassy area with a dark structure.

Check rules: minimal background, so maybe don't describe too much. The main subjects are the hand (first) and the person (second). Appearances: hand has brown sleeve, the person has a hat, vest, shirt. Spatial: in first part, hand is near the soil, then the person is standing.

Camera perspective: first is close-up on hand (probably top-down or close angle), then cuts to a wider shot of the person. The user's output format is a paragraph. So structure: start with the hand's action, then the person's action.

Let's draft: A hand with a brown sleeve manipulates a small light-colored object in loose brown soil, lifting it from the ground. The camera then shifts to a person wearing a light hat, dark vest, and green shirt, holding a similar small object in front of a grassy background with a dark structure. The camera moves from a close-up of the hand to a medium shot of the person.

Wait, need to check rules. g) Think internally, but don't output reasoning. So the caption should be concise, chronological. Let's see the video frames:

Frame 0: hand in soil, moving object.

Frame 1-4: same hand moving object.

Frame 5: person with hat, vest, shirt, holding something.

So the first part is the hand action, then the camera cuts to the person. So the caption should start with the hand's action, then the person's action.

Also, mention appearance: hand with brown sleeve, small object. Person has hat, vest, shirt.

Spatial: hand is in soil, person is in front of grass and dark structure.

Camera perspective: first is close-up (probably top-down or close), then shifts to medium shot.

Now, check rules: exclude text, named characters, so no "Bob" etc. Just describe.

Let's write:

A person's hand, clad in a brown sleeve, lifts a small light-colored object from loose brown soil in the first sequence. The camera then cuts to a person wearing a light-colored hat, dark vest, and green shirt, holding a similar object against a backdrop of grass and a dark structure.

Wait, "the first sequence" might not be good. Chronological: first, hand action; then, person action.

"Initially, a hand with a brown sleeve manipulates a small light-colored object in loose brown soil, lifting it from the ground. The camera subsequently shifts to a medium shot of a person wearing a light hat, dark vest, and green shirt, holding a similar object in front of a grassy background with a dark structure."

Check length: concise. Let's see.

"Initially, a hand with a brown sleeve lifts a small light-colored object from loose brown soil. The camera then shifts to a person wearing a light hat, dark vest, and green shirt, holding a similar object in front of a grassy background with a dark structure."

Yes, that's chronological, mentions motion (lifting, holding), appearance (brown sleeve, light hat, etc.), spatial (in front of grassy background), and camera movement (shifts from close-up to medium shot). Wait, did the camera move? The first part is close-up on hand, then cuts to the person. The rule d says "conclude with camera perspective and movement".

A hand is moving a small stone on the ground. The hand is pushing and dragging the stone.

The background in the initial part is static (ground and rock). The second part shows a static person. No ambient environmental motion (like fire, water, wind) is present.


A person in a red shirt brushes the side of a dark-furred dog wearing an orange shirt with a white number 3. The dog lies on its side as the person moves a blue brush through its fur from left to right. The camera maintains a close-up, slightly shaky perspective.

A person's hand (holding a blue brush) and a dog in an orange shirt are moving. The hand exhibits discrete motion while grooming the dog's fur, with the dog's head showing minor movement due to the grooming interaction.

The background contains static elements (e.g., remote control, fabric) with no uniform shifting or fluid motion. No fire, water, smoke, or wind is visible.


RAW CAPTION: Got it, let's break down the video. First frame: a hand with red nail polish is adding cherries to a cake. The cake has white frosting and cherries on top. Then the next frames: the hand places a top cake layer on top of the frosting, then another layer? Wait, no, the second frame shows placing the top layer. Then the hand adds more cherries? Wait, the steps are:

Start: hand putting cherries on a cake (with white frosting, two cakes visible). Then the hand takes a top layer (chocolate cake) and places it on the frosting, making a sandwich. Then another layer? Wait, the frames:

Frame 0: hand adding cherries to a cake (white frosting, cherries on top). Background: yellow bowls, colorful cloth.

Frame 1: hand placing a chocolate cake layer on top of the frosting (so the cake is now a sandwich with two layers? Wait, the first frame has a single layer with frosting and cherries. Then the hand places another chocolate layer on top, making it two layers. Then the next frame: hand adds a top layer with cherries? Wait, no, the sequence:

0. Hand uses spoon to place cherries on a chocolate cake with white frosting. Two cakes are visible (one being worked on, one behind). Text "SOUR CHERRIES" at bottom.

1. Hand places a chocolate cake layer on top of the frosting (so now the cake has two layers: bottom layer, frosting, then top layer).

2. Hand places another chocolate cake layer? Wait, no, the second frame shows the hand putting the top layer on, then the third frame shows the hand adding cherries again? Wait, maybe the steps are:

- First, the hand adds cherries to the top of the cake.

- Then, the hand stacks another layer on top of the frosting.

- Then, the hand adds more cherries on the new top layer.

Wait, the video shows:

Frame 0: hand placing cherries on a cake (white frosting, cherries on top). The cake is a single layer.

Frame 1: hand lifts a chocolate cake layer (top) and places it on the frosting (so now the cake is two layers: bottom layer, frosting, top layer).

Frame 2: hand places another chocolate layer? No, the frame shows the hand putting the top layer down, so the cake is now a sandwich.

Frame 3: hand uses a spoon to add more cherries to the new top layer (which is now the top of the cake).

Wait, the sequence is:

- Hand with red nails adds cherries to the top of a chocolate cake with white frosting.

- Then, hand takes a second chocolate cake layer and places it on top of the frosting (so the cake becomes a two-layer cake).

- Then, hand adds more cherries to the top layer of this two-layer cake.

Now, describe in chronological order:

1. A hand with red nail polish uses a spoon to place sour cherries on top of a chocolate cake layer with white frosting, with a second cake visible in the background.

2. The same hand lifts a second chocolate cake layer and places it onto the white frosting, creating a two-layer cake.

3. The hand then uses a spoon to add sour cherries onto the top layer of the now two-layer cake.

Camera perspective: The camera is static, top-down view (since it's showing the cakes from above, focusing on the hands working). Background is minimal (yellow bowls, colorful cloth), but we can mention it's a wooden surface with yellow bowls and a colorful cloth.

Wait, the rules: keep background minimal unless essential. So maybe just note the setting as a wooden surface with yellow bowls and cloth, but focus on the actions.

Let's structure the caption:

Chronological order:

- Hand with red nail polish adds sour cherries to a chocolate cake with white frosting.

- Then, hand places another chocolate cake layer on top of the frosting.

- Then, hand adds more cherries to the top of the stacked cake.

Spatial: The main cake is in the foreground, another cake is slightly behind.

Camera: Top-down view, no movement, stable.

Let's check the frames:

[0] shows the hand placing cherries (one cake, two cherries maybe? No, first frame has cherries on top, then the hand adds more.

Wait, the first frame: hand is adding cherries to a cake (the top of the cake has white frosting and some cherries, the hand is placing another cherry). Then frame 2: the hand is placing a chocolate cake layer (top) on the frosting. So the steps are:

- Add cherries to the top of a cake (single layer with frosting).

- Stack a second cake layer on top of the frosting.

- Add cherries to

Hand with red nail polish moves to place top cookie, squeeze frosting, and position cherries. Cookies and frosting are manipulated by the hand, showing distinct solid-object motion.

Background elements (yellow container, striped cloth, wooden surface) show no uniform shifting. No fluid or environmental motions (fire, water, smoke, wind) observed.


A person wearing a blue shirt and black pants performs jumping jacks in an open grassy field, alternately extending arms overhead and touching toes while feet remain grounded, with a brown dog moving near their left side. The camera stays stationary throughout, capturing the motion from a fixed perspective.

A person performing jumping jacks and a dog moving in the background.

The background (trees, ground) is static with no dominant fluid/environmental motion. No visible wind or fluid effects dominate the scene.


RAW CAPTION: Got it, let's break this down. The video shows a pool with dolphins and people. First, in the initial frame, there are people in the water. Let's check the sequence. The main subjects are the dolphins and the swimmers.

First, the video starts with two people (one in red, one in dark) and a dolphin. Wait, the first frame has multiple people. Let's see the movement. The dolphin swims around, interacting with the people. The people are in the water, moving their arms. The dolphin is gray, large, swimming. The people are wearing swimsuits, different colors.

Chronicling the motion: Initially, the dolphin is near the people. Then the dolphin swims, people move, maybe reaching out. Let's look at each frame.

Frame 0: People in pool, dolphin approaching. Frame 1: Dolphin closer, people in water. Frame 2: Dolphin swimming towards people, people reaching. Frame 3: Dolphin near people, people interacting. Frame 4: Dolphin swims by, people in water.

Need to describe chronological order. Main subjects: two people (one in red, one in dark, maybe), a dolphin. Wait, in the video, there are multiple people? Let's check. The first frame has two people (one with dark hair, one with light), then in the second frame, more people? Wait, the video shows people in the pool. Let's count: in the first frame, two people (swimmers), then a dolphin. Then as the video progresses, the dolphin moves, and the people are interacting with it.

Wait, the problem says "main subjects". So the dolphin and the swimmers. Let's describe their motions. The dolphin swims through the pool, interacting with the swimmers. The swimmers are in the water, moving their arms, possibly touching the dolphin.

Appearance: dolphin is gray, medium to large size. Swimmers: two main people, one in red swimsuit, one in dark, and maybe another? Wait, the video might show two people. Let's see:

Frame 0: two people (one with dark hair, one with light) in the pool, a dolphin.

Frame 1: same people, dolphin swims closer.

Frame 2: dolphin is near them, people reaching out.

Frame 3: dolphin continues swimming, people in water.

Frame 4: dolphin swims away, people still in water.

Wait, but the video is short. Let's focus on the key actions. The dolphin swims through the pool, interacting with the swimmers. The swimmers reach out, possibly touching the dolphin as it moves. The spatial relationships: the dolphin is in the pool, swimmers are in the water. The dolphin moves from one side to the other, passing by the swimmers.

Now, the caption needs to be concise, chronological. Start with the initial scene: two people in the pool, a gray dolphin swimming nearby. Then the dolphin moves, people interact. Then the dolphin continues swimming.

Wait, let's check the frames again. The first frame shows two people (one with dark hair, one with light) and a dolphin. Then the dolphin swims towards them, people reach out. Then the dolphin is swimming past them.

So the sequence: A gray dolphin swims through a clear blue pool, interacting with two swimmers (one in a red swimsuit, the other in a dark swimsuit). The swimmers extend their arms toward the dolphin as it moves alongside them. The dolphin continues swimming, passing between the swimmers in the water. The camera maintains a top-down view with minimal movement.

Wait, need to check the rules. Keep background minimal. The pool is blue, but that's the background. Mention spatial relationships: the dolphin is in front of, to the left of the swimmers. Wait, the swimmers are in the water, so the dolphin is swimming among them.

Let's structure the caption:

The video opens with two swimmers in a clear blue pool, one wearing a red swimsuit and the other a dark swimsuit. A gray dolphin swims toward them, passing through the water as the swimmers extend their arms to interact with it. The dolphin continues swimming alongside the swimmers, maintaining a consistent pace. The camera captures the scene from a top-down perspective with slight movement, focusing on the dynamic interaction between the dolphin and the swimmers.

Wait, but need to be concise. Let's make it shorter.

"A gray dolphin swims through a clear blue pool, interacting with two swimmers (one in a red swimsuit, the other in a dark swimsuit). The swimmers extend their arms toward the dolphin as it moves alongside them, with the dolphin passing between them. The camera maintains a top-down view, slightly panning to follow the dolphin's movement."

Check rules:

a) Motion and behavior chronologically:

Dolphin swims through water, people move interactively with dolphin (swimming, reaching), both exhibiting distinct locomotive motion.

Static pool walls indicate no shifting background; water presence is environmental but not dominant motion (dolphin/people movement is primary).


A small blonde girl in a pink shirt stands at a kitchen sink, facing a window. She raises her right arm toward the window, then lowers it to the sink area, adjusting her posture as she moves. The camera remains stationary behind her, capturing the kitchen counter and white stove in the background.

A child (discrete object) is moving their arms and body while washing dishes at the sink. The child's locomotion and arm movements are distinct physical actions.

The kitchen background (stove, cabinets, window) shows no uniform shifting. No dominant fire, water flow, or wind-driven motion observed; water in the sink is incidental to the child's action and not the primary motion.


A person wearing a dark jacket over a light top picks up a flute from a surface, brings it to their lips to play, while a light-colored cat sits nearby. The background features sheer curtains and a purple wall; the camera remains steady with slight movement.

A person is playing a flute, with discrete hand movements and breath-driven motions consistent with instrumental performance.

Background elements (curtains, room interior) show minimal motion; no fire, water, smoke, or wind-driven environmental motion observed.


A person's hand presses buttons on a slot machine in a casino. The machine’s screen transitions to a win display, then to an exit prompt. Other individuals move through the background. The camera remains stationary, focused on the slot machine.

A hand presses buttons on a slot machine (discrete solid object movement); background people walk (discrete solid object movement).

No shifting background elements (walls, floors stable); no fire, water, or wind observed. Background people are moving but do not constitute ambient environmental motion.


A male runner in a dark blue shirt and black shorts sprints forward across a blue track, moving from left to right while the camera pans to follow his motion. In the background, several individuals stand near a blue wall with equipment, remaining stationary as the runner advances. The camera maintains a slight shake, tracking the runner’s progression throughout the sequence.

A person in athletic wear is performing a running motion with visible strides and arm swings; another person (likely an observer) stands stationary near the background wall.

The background elements (wall, parked cars, track markings) remain static and uniform across frames; no fluid motion (fire, water, smoke) or significant environmental motion (wind) is present.


RAW CAPTION: Got it, let's break this down. The video shows a man playing an organ. First, I need to note the chronological order of his actions. He's standing in front of the organ, adjusting something on the keyboard maybe? Wait, the frames: in the first frame, he's near the organ, then he moves a bit. Let's check the actions.

Looking at the video description: frame 0 to 5. The man is a bald, older person, wearing a checkered shirt and dark shorts. He's interacting with the organ. He's positioned near the organ, moving around it, maybe playing or adjusting keys. The background has plants, but we need minimal background. So the main subject is the man and the organ.

Chronological order: He starts by standing near the organ, then moves to the left, then back to the organ. Wait, the video shows him in front of the organ, then turning slightly, maybe adjusting his position. The camera seems to pan left or move to follow him? Wait, the last frame mentions "cameraposition: slight pan left"? Wait, the user's instruction says to describe camera perspective and movement.

Wait, the output format must be a paragraph. Let's structure:

- Main subject: A bald man in a checkered shirt and dark shorts.
- Actions: He moves around the organ, adjusting his position, interacting with the organ's keys and controls.
- Spatial: He's near the organ, surrounded by plants (but minimal background), moving left and right relative to the organ.
- Camera: The camera pans slightly left, following his movement.

Wait, the rules say to keep background minimal. So mention plants only if essential. But in the video, the organ is in a room with plants, but maybe the key is the man's actions.

Let's put it all together:

"A bald man wearing a checkered shirt and dark shorts moves around a large wooden organ, adjusting keys and controls while standing in front of it. He shifts position, turning slightly to the left and then back toward the organ. The camera follows his movement with a slight pan left, capturing the scene from a medium distance."

Wait, check the rules:

a) Motion and behavior chronological: He starts near organ, moves around, adjusting.

b) Appearance: bald, checkered shirt, dark shorts.

c) Spatial: in front of organ, turning left.

d) Camera: slight pan left.

e) Background minimal: plants are there but maybe not essential.

f) Exclude text, names, etc.

Let's check each frame:

Frame 0: He's at the organ, maybe adjusting something.

Frame 1: He walks away from the organ, but no, in frame 1 he's moving left.

Wait, the description:

0.0: man at organ, hands on organ.

1.0: man walks left from organ.

2.0: man walks towards organ (back).

3.0: man adjusts organ.

4.0: man adjusts organ more.

5.0: man continues adjusting.

Wait, maybe the motion is: he moves left, then back, adjusting the organ.

So sequence: the man is at the organ, moves to the left, then returns to the organ, adjusting it.

So the caption should describe that motion.

Let me draft:

"A bald man in a checkered shirt and dark shorts adjusts controls on a large wooden organ, then turns and walks left while maintaining his position relative to the instrument, before returning to the organ and continuing adjustments. The camera follows his movement with a slight pan left, capturing the scene from a medium angle."

Wait, but "turns and walks left" – is that accurate?

Looking at the video:

[0.0] he's at organ.

[1.0] he's walking away (to left), moving left.

[2.0] he's walking back towards organ (right).

[3.0] back at organ, adjusting.

[4.0] adjusting.

[5.0] adjusting.

So motion: moves left, then right back to organ, adjusting.

So:

"A bald man wearing a checkered shirt and dark shorts moves left from a large wooden organ, then returns to the organ and continues adjusting its keys and controls. The camera follows his movement with a slight pan left."

Wait, but camera movement: the last frame mentions "cameraposition: slight pan left"? Wait, the user's instruction says to conclude with camera perspective and movement. So need to describe camera as "slight pan left".

Now, minimal background: the room has plants, but the main focus is the man and organ.

So final caption:

"A bald man in a checkered shirt and dark shorts walks left from a large wooden organ, then returns to the instrument to adjust its controls. He stands in front of the organ, making adjustments to the keys and panels

A person (solid, distinct object) is playing a piano, with discrete hand movements on the keys due to physical interaction with the instrument.

No shifting of static background elements (walls, windows, plants); no fluid/environmental motion (fire, water, smoke, wind) observed.


A person with curly dark hair, wearing a light-colored short-sleeve shirt and shorts, sits on a tiled floor. They move their hands across a long row of small rectangular boxes, shifting and adjusting their positions. The person remains seated throughout, facing the boxes, which are lined up in an orderly row. The camera maintains a top-down perspective with slight movement, capturing the scene from above.

A person is seated and performing controlled hand/upper-body movements, interacting with objects on the grid. Motion is discrete and attributable to deliberate physical actions.

The tiled floor and grid-like background remain static throughout the video, showing no shifting or environmental motion (e.g., fire, water, wind). No ambient environmental phenomena are present.


A hand slices white onions into pieces on a wooden cutting board using a knife. The hand then gathers the sliced onions and transfers them into a wooden bowl positioned beside the board. Camera maintains a top-down view throughout.

Discrete objects: a hand, a knife, and the pile of cut vegetables are moving. The hand manipulates the knife to cut the vegetables and then rearranges and transfers the vegetables into a wooden bowl.

The background is a static wooden surface with no shifting or environmental motion (fire, water, wind).


RAW CAPTION: Got it, let's break this down. The video shows two girls. One is pushing a wheelbarrow with the other sitting in it. First, the girl pushing is in a light gray hoodie and dark pants, holding the green handle. The other girl is in a purple hoodie, sitting in the wheelbarrow. They start on a grassy area with hedges and a house in the background. The pusher moves forward, the wheelbarrow turns a bit as they go, and then they pass by a white wall and some vehicles. The camera follows them, maybe panning to keep them in frame. Need to describe the motion chronologically: start, movement, direction, then the change in background. Keep it concise. Check rules: focus on motion, appearance (colors, number), spatial relations (like the pusher in front), camera movement. Background minimal. Exclude text, names, etc.

So first sentence: Two girls, one in a gray hoodie pushing a wheelbarrow with another in purple sitting inside, move across a grassy yard. Then, the pusher leans forward, the wheelbarrow turns, they proceed past a white wall and parked cars. Camera follows, slightly panning left as they move. Wait, the video goes from hedges to white wall to parked cars. Let me check the frames: frame 0 has hedges, frame 1-4 show moving, frame 4-5 has white wall and cars. So the sequence is: starting at hedges, moving forward, turning, then approaching white wall and cars. The camera movement: the video seems to have the camera moving along with the action, maybe following the wheelbarrow. So the camera is tracking the motion, perhaps panning.

Putting it all together: A girl in a light gray hoodie and dark pants pushes a wheelbarrow carrying a second girl in a purple hoodie across a grassy area. The pusher moves forward, guiding the wheelbarrow in a slight turn toward a white building and parked vehicles. The camera follows the motion, panning left to track their progress.

Wait, need to check if the camera is panning left. The video's frames: in frame 0-4, the background changes from hedges to building. Let's see the movement: starting near hedges (left side), then moving right, then passing a white wall. So as they move from left to right in the frame, the camera might pan left to keep them centered? Or the camera is moving right. Hmm, the problem says "camera perspective and movement (e.g., top-down, pan left, slight shake)". So the camera is following the subjects, so likely tracking their movement. In the video, the camera seems to follow the wheelbarrow's movement, so it's a tracking shot, maybe with a slight pan. Let's confirm: in the frames, the background changes as they move, so the camera is moving with them. So "camera follows the motion, panning left" — but need to see direction. From the frames, the girls start on the left side of the frame, move to the right, so the camera is moving right? Wait, the description says "pan left" — no, if the subjects move from left to right in the frame, the camera might pan right to keep them in view, but maybe in the video it's tracking. Wait, the user says "camera perspective and movement". Let's think: the video starts with the girls on the left (hedges), then as they move, the camera shifts. The correct way is to describe the camera's movement as it follows the action. Let's read the rules again: "Conclude with the camera perspective and movement (e.g., top-down, pan left, slight shake)."

Possible camera movement: as the wheelbarrow moves, the camera follows, so it's a tracking shot. Maybe panning right? Or the camera is static but the subjects move through the frame. Wait, the video frames show the camera following the movement, so it's a tracking shot. So "camera tracks the subjects' movement" — but the example says "pan left", so need to be precise.

Looking at the frames: in frame 0, the girls are on the left (hedges in background), then as they move, the white building and parked cars come into view. The camera must be following them, so if they move left to right in the frame, the camera is panning right. But the problem is, in video, the camera might be moving with the action, so the camera movement is following the wheelbarrow. So perhaps "the camera follows the subjects, panning right" — but I'm not sure. Wait, let's check the frames: from the description, frame 0-4, the background goes from hedges to building, so the camera is moving

Two people: one pushing a wheelbarrow (solid object with handles) while another sits inside; the wheelbarrow moves forward due to the pusher's locomotion.

Background elements (house, trees, parked cars) show no uniform shifting. No fire, water, or significant wind-driven environmental motion observed.


Two individuals engage in a squash match within an enclosed court; one wears a black shirt and white shorts, the other dark attire. The person in white shorts moves forward to strike the ball with a racket, then retreats, while the other player advances to return the shot. They alternate positions, maintaining dynamic motion across the court. The camera remains fixed, capturing the scene through glass doors with minimal background detail.

Two people (players) are engaged in squash, moving dynamically across the court. Their motion includes running, swinging rackets, and interacting with the ball, driven by physical forces (locomotion, racket impact).

The background consists of static green walls and floor with a fixed sign; no fluid motion (fire, water, smoke) or wind-induced swaying is present. Background elements do not shift uniformly, indicating no camera motion.


A black dog with white paws moves on a carpeted floor as a person in a yellow shirt interacts with it. The person reaches down, gently lifting the dog, which responds by jumping and shifting position around the person's legs. The camera captures the interaction from a close-up perspective with slight movement, focusing on the dynamic motion between the individual and the dog.

A person (wearing a yellow 'Harvard' shirt) and a cat are the discrete objects; the person's hands move to pet and stroke the cat, causing the cat to shift position and interact with the person's hand.

The background consists of a patterned rug and indistinct furniture; there are no fluid or environmental motions (e.g., fire, water, wind) or uniformly shifting static elements.


A person in a red shirt and dark shorts crouches, reaching toward the floor; a second person in a dark shirt and shorts sits on the floor, then lifts their head to look up as the first person stands and moves out of the frame. The camera remains static at a low angle, capturing the scene from near the floor.

Two discrete solid objects (people) are moving: one person (in red shirt) manipulates objects and shifts position, while a child (in dark shirt) remains seated but reacts to movement.

Background elements (bunk beds, shelves, floor) are stable with no uniform shifting; no fire, water, smoke, or wind motion observed.


RAW CAPTION: Got it, let's break this down. The video starts with a person mid-air, diving into water. They're wearing a green and black wetsuit, maybe with a logo. Then they splash into the water, creating a big splash. Next, another diver jumps from a rocky cliff, wearing a dark wetsuit and a red and white striped towel hanging from the cliff. The background has hills with green and brown patches, but I should keep background minimal. Focus on the motion: first dive, splash, then second dive from the cliff. Camera perspective: probably static or follows the action. Let's structure it chronologically.

First part: A person in a green and black wetsuit jumps and enters the water, making a splash. Then another person in a dark wetsuit dives from a rocky cliff with a striped towel, entering the water below. Camera seems to capture these events from a distance, maybe static. Wait, the video has four frames. Let's check the frames. First frame: diver in air, then splash, then another diver from cliff. So sequence: diver enters water (splash), then another diver jumps from cliff.

Wait, the first frame is a diver in mid-air (like the start), then the next frame is them entering water with splash. Then frame 3 is a bit after the splash, maybe showing the water. Then frame 4 is another diver jumping from a cliff, and frame 5 (if there's more) is the splash from that dive. Wait, the video has 5 clips. Let's list each clip:

[0.0] Diver in air, green/black wetsuit, diving towards water.

[1.4] Diver enters water, creating a large splash.

[2.5] Splash dissipating, water surface.

[3.6] A different diver (dark wetsuit) jumps from a rocky cliff, with a striped towel (red/white) on the cliff.

[4.7] Diver is in mid-air, then enters water (splash below).

So the sequence is: first diver dives, enters water (splash), then another diver jumps from cliff, enters water.

Now, describe chronologically. First, the main subject (diver 1) in mid-air, wearing green/black wetsuit, dives towards the water, enters with splash. Then, diver 2 (dark wetsuit) jumps from a rocky cliff (with striped towel), dives into the water below.

Spatial relations: first diver is over the lake, then the second diver jumps from the cliff on the right side of the frame.

Background: hills with green and brown, but minimal. Camera: probably static, capturing the dives.

So put it all together concisely. Keep it chronological, mention appearance (colors), motion, spatial.

"Two divers sequentially enter a lake: first, a person in a green and black wetsuit jumps and splashes into the water; then, a person in a dark wetsuit leaps from a rocky cliff with a red and white striped towel visible, entering the water below. The camera captures these actions from a fixed position overlooking the lake."

Wait, check the rules. a) Chronological motion. b) Brief appearance and number. c) Spatial if relevant. d) Camera perspective.

Number: two divers. First diver: green/black wetsuit, mid-air to splash. Second diver: dark wetsuit, jumps from cliff (right side), enters water.

Background: hills, but minimal.

Camera: fixed position (since the clips are static shots of each action).

Let me adjust. "A diver in a green and black wetsuit jumps into a lake, creating a large splash. Later, another diver in a dark wetsuit leaps from a rocky cliff with a red and white striped towel, entering the water below. The camera remains stationary, capturing the dives from a distant angle."

Wait, but the first clip is the diver in air, then splash. Then the next scene is the second diver jumping. So it's a sequence of two dives.

So: A person wearing a green and black wetsuit jumps into a lake, entering with a splash. Subsequently, a person in a dark wetsuit jumps from a rocky cliff, with a red and white striped towel attached to the cliff, and enters the water below. The camera is static, positioned to capture the lake and surrounding hills.

Check if "subsequently" is okay, or just "then".

Alternatively: A diver in a green and black wetsuit dives into a lake, creating a splash; then another diver in a dark wetsuit jumps from a rocky cliff with a red and white striped towel, entering the water below. The camera remains stationary, observing the action from a distance.

Yes, that works. Let's check the rules:

a) Motion in order: first dive

A person is captured in mid-air during a jump into water, followed by a cliff jump sequence. The person is a discrete solid object moving due to gravity and locomotion.

Background (hills, trees) is static with no uniform shifting; water splash is a transient fluid motion but not dominant overall.


A hand picks up a white domino tile with symbols from the lower row of white tiles, moves it horizontally toward the upper row of black tiles, and places it on the upper row to conceal it among the black tiles. The camera remains in a top-down position throughout the sequence.

A human hand (discrete object) manipulates domino tiles, moving them into position on the table. Tile placement involves discrete, controlled physical interactions without environmental fluid motion.

The background consists of a static green surface with no fluid, fire, or wind motion. Background elements (green table, domino arrangement) remain fixed without uniform shifting.


A hand holds a green metal detector with a digital screen displaying a red indicator, moving it over a forest floor covered in twigs and sparse vegetation. The hand adjusts the device, then the person steps back, revealing the detector’s coiled wire on the ground. The individual, wearing white pants and green shoes, bends down to examine the ground near the coil. The camera starts with a close-up of the detector, then pans to follow the person’s lower body and ground activity, maintaining a medium shot perspective throughout.

A person's hand is operating a metal detector, and their legs/foot are moving to dig through the ground, representing solid objects in motion due to locomotion and manual actions.

The ground covered in twigs and dirt shows minimal uniform motion; no fire, water, smoke, or wind-driven fluid motion is present.


An individual wearing a light-colored glove on one hand and a bare hand on the other peels a light brown potato using a peeler; small peelings accumulate on a concrete floor. The person rotates the potato to continue peeling, revealing the smooth, peeled surface. The camera remains static in a top-down perspective, centered on the hands and the potato.

Person's hands (with gloves) breaking a rock into pieces; the rock is being split and separated by the applied force.

No fire, water, smoke, or wind; static concrete background with no uniform shifting.


A young child in a light purple hoodie with pigtails moves closer to the camera, then brings a small object to their mouth. The background features a radiator and colorful fabric. The camera remains handheld with slight movement as the child approaches.

A child is moving their head and mouth while eating a lollipop, showing discrete locomotion and oral action.

No significant shifting of background elements (radiator, colorful fabric) observed. No fluid/environmental motion (fire, water, smoke, wind) present.


A person in a gray shirt and dark pants stands facing a wall, holding a green object and moving their right arm toward a framed artwork. To their left, a person in a dark shirt stands with arms crossed, observing. The camera remains static with minimal movement.

Two individuals are present; one is holding a bottle and performing arm motions (likely pouring or shaking), while the other is standing and slightly turning to observe.

The background (wall and framed artwork) remains static throughout the video. No fluid or gaseous motion (fire, water, smoke, wind) is present.


A person is moving (walking, shoveling) and a shovel is being used to push snow. The shovel moves in a cyclic pattern: digging, lifting, and moving snow. The person's movement is due to locomotion and exertion.

Background elements (houses, trees, cars) are stationary; no significant wind effects (trees are static), and no fire, water, or smoke. The snow is being moved by the person's action, not by ambient environmental forces.


Two individuals, one in a yellow shirt and dark pants, the other in a gray tank top and black leggings, move dynamically across a spacious indoor area. The person in yellow steps backward while the individual in gray steps forward and turns, maintaining loose spatial positioning. The camera pans slightly to follow their movement. Background elements like windows and furniture remain minimal and secondary.

Two people (a man and a woman) are moving through the space, performing walking and dance-like movements due to their own locomotion.

Background elements (walls, windows, equipment) are static; no fluid or environmental motion (fire, water, smoke, wind) detected.


A person in a red plaid shirt and black apron folds a red and green plaid cloth around a dark-colored bottle with a blue cap on a dark wooden table. The person adjusts the cloth, tightening it around the bottle while the bottle remains centered on the table, with a green utensil visible to the left. The camera maintains a steady top-down perspective throughout the sequence.

A patterned cloth is being folded and adjusted by the person's hands; the bottle remains stationary.

The background (white wall) is static with no shifting. No ambient environmental motion (fire, water, smoke, wind) observed.


A person wearing black headphones with a red cord and a gray shirt is seated, making slight head movements and subtle facial expressions while positioned centrally in a room. To their left is a wooden dresser with a television, behind them is a bookshelf filled with items, and to their right is an unmade bed with a checkered blanket. The camera remains fixed in a stable medium shot, capturing the subject against the static background.

A person (wearing headphones) is moving slightly with head gestures and hand movements.

No shifting background elements. No fluid or environmental motion (fire, water, smoke, wind) observed.


Two capoeira practitioners in white uniforms engage in a dynamic exchange at the center of a circle formed by onlookers in white and blue pants. They move fluidly, executing sweeps and defensive maneuvers while circling each other; one performer executes a low sweep, the other dodges and counters with kicks. The crowd claps rhythmically as the fighters maintain a central position, shifting orientation with each movement. The camera remains stationary with slight shake throughout.

Two individuals in white uniforms perform dynamic martial arts movements (kicks, acrobatic rolls, grappling) on a smooth floor, with clear bounding box tracking.

No significant background shifting or fluid/environmental motion (fire, water, smoke, wind) observed; static human observers in the background show minimal displacement.