RAW CAPTION: Got it, let's break down the video. First, the video starts with a person from the back, curly hair, wearing a white shirt. Then, there's a close-up of a hand using a flat iron on straight hair. The hand is holding the iron, moving it down the hair. After that, the person's hair is now straight. Then, a box is shown. Wait, need to check the frames.

Frame 0: Back view of person with voluminous curly hair, white shirt, white background. Frame 1: Transition? No, frame 2: Close-up of hand (with dark nail polish) using a flat iron on straight hair. Frame 3: Same hand continuing to use the iron. Frame 4: Back view of person with straight hair. Frame 5: A box (labeled "PRO STYLING" maybe, but we can't mention text) showing the iron.

Now, following the rules: chronologically. First, person with curly hair. Then hand using flat iron on hair (changing hair from curly to straight). Then the straight hair view. Then the box. Need to describe motion: hair being straightened by the flat iron.

Appearance: person has curly hair initially, then straight. Hand with dark nail polish. Iron is white. Box is white with black.

Spatial: hand is holding iron to hair, which is in front of the person.

Background: minimal, white, so maybe not essential.

Conclude camera perspective: starts with back view, then close-up of hand, then back view, then box.

Let's structure:

The video begins with a person viewed from behind, featuring voluminous curly hair and a white shirt against a white background. A hand with dark nail polish then moves a white flat iron down a section of straight hair, straightening it. The person’s hair appears smooth and straight from the back view. Finally, the video shows a white box containing the flat iron. Camera angles transition from a back view to a close-up of the hair styling, then to the product box.

Wait, check rules: don't mention text, so "PRO STYLING" is excluded. Also, exclude named characters, so no "person" unless necessary. The main subject is the person's hair, the iron, the hand.

Chronological:

- Initial scene: back view of person with curly hair, white shirt.

- Close-up: hand (dark nail polish) uses flat iron on straight hair, moving from top to bottom.

- Result: back view of person with straight hair.

- Then, a white box (product box) shown.

Make sure to keep concise. Avoid text. Mention motion: hand straightening hair with iron. Spatial: hand is holding iron to hair.

Final caption:

The video opens with a person seen from behind, their voluminous curly hair and white shirt visible against a plain white background. A hand with dark nail polish then uses a white flat iron to straighten a section of straight hair, gliding the iron downward. The person’s hair appears smooth and straight in a subsequent back view. The sequence concludes with a shot of a white box containing the flat iron. Camera transitions from a back view to a close-up of the hair styling process, then to the product packaging.

Wait, but "gliding the iron downward" might be too descriptive? Just "straightening hair with flat iron." Also, check if the box is shown as the last frame. Yes, frame 5 is the box.

Another version:

A person with curly hair faces away, wearing a white shirt against a white backdrop. A hand with dark nail polish uses a white flat iron to straighten the hair, moving the iron along the hair length. The hair then appears smooth and straight from behind. The video ends with a white box displaying the flat iron.

Wait, "displays" might not be right. The box is shown, maybe "the video shows a white box containing the flat iron."

Need to check rules: exclude text recognition, so don't mention "PRO STYLING" but the box is a product box. But the task says "exclude text recognition", so if the box has text, we don't mention it. So just describe the box as a white box.

Let's structure the caption:

The video starts with a person viewed from behind, their curly hair and white shirt visible against a white background. A hand with dark nail polish uses a white flat iron to straighten a section of hair, moving the iron smoothly along the hair length. The person’s hair then appears straight and smooth in a back view. The sequence concludes with a white box containing the flat iron. Camera angles shift from a rear view to a close-up of the styling process, then to the product box.

Yes, that's concise. Check all rules:

a) Motion: curly hair to straight via iron, then box. Chronological

The hair is being actively straightened by a flat iron held by a hand; the hand moves along the hair to apply heat and pressure, causing the hair to change from curly to straight.

The background consists of a static white wall with no shifting elements or fluid motion (e.g., no fire, water, wind).


At night, three people stand outside a building's illuminated entrance. A man in a dark jacket and gray pants holds a knife in his right hand, then lowers it and walks toward the steps. Behind him, two individuals stand on the steps: one holds a bright flashlight, the other uses a camera. The camera remains stationary, capturing the scene from a ground-level perspective.

Two people are moving: one initially near the doorway, then stepping down the steps, while another person in the foreground shifts position and moves toward the doorway subject.

Background elements (building walls, steps, plant) show no uniform shifting or fluid motion; no fire, water, or smoke present to indicate ambient environmental motion.


RAW CAPTION: Got it, let's tackle this. The video is in black and white. First, the main subject is a person wearing a dark hoodie and a hat, sitting on a couch. They're near a window with heavy curtains. The person is holding something to their mouth, maybe smoking or vaping, and there's visible steam or vapor. The action starts with them bringing the object to their mouth, holding it there for a few seconds, then lowering it. The background has a door with "RELAX" letters, some framed pictures, and a fan. But I need to keep background minimal. The person is seated, maybe on the right side of the frame. The camera seems to be static, no movement mentioned, but the frames show slight motion. Let's structure it chronologically: person sits, brings object to mouth, holds, then lowers. Appearance: dark hoodie, hat, seated on couch near window. Spatial: left side of frame? Wait, in the frames, the person is on the right, near curtains. Background elements like door and fan are on the left. Camera is probably static, but maybe slight shake? The video has 5 frames, each showing the action. So the caption should be concise, describe the motion step by step.

Check rules: focus on motion, appearance, spatial, camera. Exclude text recognition (like "RELAX" is text, so skip), named characters. So: A person wearing a dark hoodie and hat sits on a couch near a window with heavy curtains. They bring an object to their mouth, hold it, then lower it. The person is positioned to the right of the frame, with the background including a door and framed items on the left. The camera is static with minimal movement.

Wait, rule e says background minimal unless essential. So maybe just mention the door and window if needed, but maybe not. Let's see. The main motion is the person's action. So:

In a black-and-white indoor scene, a person in a dark hoodie and hat sits on a couch, facing slightly left. They bring an object to their mouth, hold it, and exhale visible vapor, then lower the object. The background includes a door and framed items on the left side, with heavy curtains covering a window to the right. The camera remains static with slight frame-to-frame shake.

Wait, need to be concise. Let's check the example. The output should be a paragraph. Let's structure:

A person in a dark hoodie and hat sits on a couch near a window with heavy curtains. They hold an object to their mouth, exhale vapor, then lower it. Positioned to the right of the frame, the background shows a door and framed pictures on the left. The camera remains stationary with minimal movement.

But "exhale vapor" is part of the motion. Let's make it chronological: starts with the person sitting, then bringing the object to mouth, holding, exhaling (vapor visible), then lowering. So:

A person wearing a dark hoodie and hat sits on a couch near a window with heavy curtains. They bring an object to their mouth, hold it, exhale visible vapor, and then lower the object. The person is positioned to the right of the frame, with a door and framed items on the left in the background. The camera is static with slight shake.

Check rules: appearance (dark hoodie, hat), motion (bring to mouth, hold, exhale, lower), spatial (right of frame, door left), camera (static, slight shake). Background minimal? "Door and framed items on left" is minimal. Excluding text recognition (like "RELAX" isn't mentioned here). Number: one person. Color: dark hoodie, black and white so not color, but "dark" is okay.

Wait, the video is black and white, so we don't talk about colors, just dark hoodie. The person is wearing a hat, dark hoodie, sitting on couch. The object they're holding is maybe a vape pen, but don't name it. Just "object".

So:

A person in a dark hoodie and hat sits on a couch near heavy curtains. They bring an object to their mouth, hold it, exhale vapor, and lower the object. Positioned to the right of the frame, with a door and framed items visible on the left. The camera remains static with slight movement.

Wait, the rules say "concise, chronological paragraph". Let's make sure it's chronological: starts sitting, then action of bringing to mouth, holding, exhaling, lowering. So:

A person wearing a dark hoodie and hat sits on a couch to the right of the frame, near heavy curtains. They bring an object to their mouth, hold it for several seconds, exhale visible vapor, and then lower the object. The background shows a door and framed items on the left side. The camera is static with minimal

A person wearing a hat and hooded jacket is drinking from a cup. The hand and cup exhibit discrete motion as the person raises, holds, and lowers the cup near their mouth.

No shifting background elements observed; walls, curtains, and decorations remain static throughout. No fluid/environmental motion (fire, water, wind) present.


A person wearing a pink headscarf and camouflage-patterned jacket gestures with raised arms while standing behind a table filled with bananas and other goods, facing a customer in a white shirt and dark cap. Nearby, another individual in a yellow shirt and a child stand in the background. The camera pans slightly, following the vendor's motions, with the foreground customer shifting position as they interact.

Discrete objects: Person in camouflage uniform (gesturing, interacting with customers), person with backpack (moving through frame), and children in background (walking). All exhibit locomotion due to intentional movement.

Static background elements (yellow '20' sign, market structures) show minimal displacement; no fire, water, smoke, or wind motion observed.


A large crowd of casually dressed people dances and moves rhythmically under a red and yellow striped tent, with some individuals raising their arms and swaying. Positioned near a metal barrier, the crowd’s energetic motion continues as they interact closely, while the tent’s illuminated stripes and hanging lights form a vibrant backdrop. The camera remains handheld, exhibiting slight shake and minimal pan to capture the scene’s dynamic energy.

People are moving by dancing, waving, and shifting positions, which is locomotion and interaction. This motion is discrete and can be tracked as individual objects.

The background (red/yellow tent and metal barricade) is static and shows no shifting. There is no fire, water, smoke, or wind dominating the scene.


A young gymnast in a neon green leotard and black shorts performs on a gym floor, starting with arms raised high, then stepping forward while lowering her arms and moving rightward across the mat. The camera follows her motion with a slight pan to the right, maintaining focus on her dynamic stance and progression across the floor. Background elements include blue and white gym walls and mats, minimal in detail. The camera remains steady, capturing her movement from a ground-level perspective.

A gymnast (discrete solid object) is moving via walking, stepping, and leaping. Her motion results from explicit physical forces (muscle contraction, balance adjustments) during her routine.

The background (blue walls, white doors, and gym floor markings) remains static and shows no shifting or fluid motion. No fire, water, smoke, or wind is visible, so ambient environmental motion is absent.


A soccer player in a red jersey, white shorts, red socks, and black cleats approaches a black-and-white soccer ball positioned on a white sideline. The player moves forward, gently kicking the ball along the line, then steps away as the ball rolls toward the camera. A hand enters the frame from the right, reaching toward the ball. The camera maintains a static top-down perspective over the green field throughout.

A soccer player in red and white uniform kicks a black-and-white soccer ball, causing it to move along the white boundary line. A human hand briefly enters the frame (frames 4-5) to point at the ball.

No shifting backgrounds or fluid/environmental motion. The green grass and white boundary line remain static throughout, with no signs of fire, water, smoke, or wind.


A person's two hands move rhythmically over a black perforated metal surface with circular holes, tapping and sliding across it in a repetitive motion. The hands are positioned in front of the surface, with fingers occasionally interlacing. The background features blurred trees, and the camera remains stationary in a close-up view focused on the hands and surface.

Discrete solid objects (human hands) are moving across a perforated surface through explicit physical contact and locomotion (pressing, sliding).

Static background with trees shows no uniform shifting or fluid motion (e.g., wind, water), confirming no ambient_environmental or camera_motion dominance.


In a bathroom, a person with long brown hair and a black off-the-shoulder top brushes their hair. They lift a section of hair with one hand, use a gray brush to glide downward through the strands, and adjust the hair strands with their other hand as they continue brushing. The camera remains static in a medium shot.

A person with long hair is moving their hands and hair via brushing actions; the person's body and hair are discrete, solid objects exhibiting motion due to physical interaction.

Background elements (bathroom fixtures, towels, bottles) are static; no fluid or environmental motion (fire, water, wind) observed.


A person in a white shirt and dark pants stands at a kitchen sink, holding a large white bowl. They pour water from the bowl into the sink, then rinse the bowl under the faucet. Afterward, they place the rinsed bowl into a dish rack positioned to the right of the sink. The background includes a dish rack with various kitchen items. The camera maintains a static perspective with slight movement.

Person's hands and arms moving to manipulate dishes (plates/bowls) and rinse them under the faucet; dishes are lifted from the sink to a drying rack and back to the sink for rinsing.

No significant ambient motion (no fire, water, smoke, or wind dominating). Background walls and fixtures remain static throughout the sequence with no uniform shifting.


A person wearing a white t-shirt, green pants, and a blue cap stands in a room with tables and chairs, holding a black bass guitar. The individual adjusts their stance and the instrument’s position slightly, maintaining the guitar between their legs while the camera remains steady in a front-facing view with minor movement.

A person is playing a guitar; hand movements on the guitar string and fretboard are the discrete object motion.

Background elements (chairs, tables, wall) are static. No fluid or environmental motion (fire, water, smoke, wind) observed.


A person wearing a white shirt and green pants sits on a bed, holding a small light-colored kitten. The kitten struggles, kicking and jumping as the person lifts it upward and moves it across the bed. The kitten remains agitated, attempting to escape the person’s grasp while being held securely. The camera maintains a static top-down perspective throughout the sequence.

The kitten (a solid object) is moving independently due to its own locomotion. The person's hands are moving to hold and adjust the kitten but are not the primary motion source.

The background (wall and floor) is static with no fluid/environmental motion (fire, water, smoke, wind) or camera-induced motion (shifting background).


A person with curly hair and a gray shirt holds a small object in their right hand, lifting it toward their mouth, then moving it downward while looking at the object. The individual stands in a dimly lit indoor space with string lights overhead and a tiled wall in the background. The camera remains fixed throughout the sequence.

A person is moving their arms, holding an object (likely a phone), and adjusting posture within the frame.

Background elements (string lights, wall) show no significant shifting or fluid motion; no fire, water, smoke, or wind visible.


A person in a blue shirt rearranges white plastic cups on a colorful mat. Their hands lift and shift the cups, moving tall stacks and adjusting their positions; the cups, some marked with faint blue lines, are reorganized across the mat as the person’s movements alter their height and orientation. The camera maintains a close-up perspective, slightly shaky, focusing on the hands and cups throughout the sequence.

Solid plastic cups are being moved by a person's hands: stacked, unstacked, and rearranged through explicit physical manipulation.

No shifting background elements (the mat and walls are static), and no fluid/environmental motion (fire, water, smoke, wind) present.


A person in a black shirt and blue shorts jumps upward, lands, turns, and walks toward another individual in a dark blue jacket with red stripes and dark pants, who stands stationary. The first person moves from left to right, positioning themselves beside the second person. The camera remains static throughout.

Two people: one jumps over a stationary barbell and then walks; the other stands and steps.

Background elements (banner, crates) remain static; no environmental motion (fire, water, smoke, wind) detected.


A dark hand enters from the left, adjusting a red and white chevron-patterned wrapping paper roll on a wooden table. The hand shifts the roll slightly, causing it to move across the table surface. In the background, a small green Christmas tree is visible. The camera remains close to the table, exhibiting a slight shake during the interaction.

A hand picks up and displays a small decorative Christmas tree object (on a red base). The hand and object move as a discrete unit, with clear bounding box tracking during the pick-up and display sequence.

Initial static background (bed, Christmas tree, floor) with no shifting. No ambient environmental motion (fire, water, smoke, wind) observed; background elements remain fixed throughout.


A person in a red shirt is seated inside a car, facing the camera. They remain relatively still initially, then slightly move their head and mouth as if speaking. The background consists of a bright, overexposed car window. The camera maintains a steady frontal perspective with minimal movement throughout.

A person in a red shirt exhibits discrete motion through head movements and mouth articulation, consistent with speaking. No other solid objects (e.g., balls, cars) show meaningful motion.

No shifting backgrounds or fluid/environmental motion (fire, water, smoke, wind) observed. The car interior background (ceiling, window) remains static with consistent lighting, indicating no ambient environmental motion.


RAW CAPTION: Okay, let me try to figure out how to approach this. The user wants a concise, chronological paragraph describing the video based on the provided frames. Let me start by looking at the video description.

First, the video starts with a dark scene showing an archway with a crowd. There's a large screen in the background. The word "Juno" appears in pink on the right. Then, a person in a dark outfit climbs up the archway, moving vertically. They're hanging from the top and then descend. The crowd is gathered below, watching. The camera stays steady but might have a slight shake.

I need to follow the rules: focus on motion and behavior in chronological order. Mention appearance (dark outfit, size, orientation), spatial relationships (person climbing the arch, crowd below), conclude with camera perspective. Minimal background. Exclude text like "Juno" since it's text recognition which the rules say to exclude.

Wait, rule f says to exclude text recognition, named characters, or stylistic analysis. So even though "Juno" is there, I shouldn't mention it. But the user's example output might have to include it? Wait no, the rules say to exclude text recognition. The instructions say "Exclude text recognition, named characters, or stylistic analysis." So "Juno" is text, so I should not mention it.

Looking at the frames: the first frame is dark with a crowd and archway. Then a person starts climbing up the archway. They go up, reach the top, then start descending. The crowd is below. The camera seems to be stationary but maybe slightly shaky.

The main subject is the person climbing. Need to describe their movement chronologically: starting from the bottom, climbing up the archway, reaching the top, then descending. They're wearing dark clothing. The crowd is below, watching.

Spatial relationships: the climber is in front of the archway, with the crowd beneath. The screen is in the background but maybe not essential unless needed. Background minimal.

Camera perspective: the camera is fixed, maybe handheld with slight shake. The video starts with the person appearing at the top of the archway, then moving down. Wait, in frame 0, the person isn't visible yet. In frame 1, they start to appear. Wait, looking at the video description:

Frame 0: dark scene, archway, crowd, screen with "Juno" text.

Frame 1: the person is climbing up the archway.

Frame 2: continuing to climb.

Frame 3: almost at the top.

Frame 4: reaching the top.

Frame 5: starting to descend.

So the order is: the person starts at the bottom, climbs up the archway, reaches the top, then descends.

Wait, but in the initial frame, the person is not visible. Then frame 1 shows them climbing. So the sequence is: the climber begins ascending the archway, moving upward from the ground level toward the top of the arch, then begins descending.

Wait, the first frame (0.0) shows the archway with a crowd, but the climber isn't there. Then at 0.1, the climber starts to appear, moving up. So the video starts with the climber beginning to climb the archway, ascending, then reaching the top, then descending.

Wait, but the frames say:

<0.3 seconds> [initial scene]

<1.4 seconds> [person starts climbing]

<2.5> [continuing up]

<3.6> [almost at top]

<4.7> [reaching top and starting down]

So the chronological order is: the person begins ascending the archway from the ground level, moving upward toward the arch's apex, then begins descending.

The climber is wearing dark clothing, appears as a silhouette against the archway.

The crowd is gathered at the base of the arch, watching the climber.

The background includes a large screen with colorful lights (but since we have to be minimal, maybe just mention the screen but not the content).

Camera perspective: the camera is positioned at a slight angle, looking upward at the archway, with minimal movement (maybe a slight shake). The camera is stationary but possibly handheld.

So putting it all together:

A person in dark clothing begins ascending a stone archway, moving upward from the ground level toward the arch's apex. The individual's silhouette is visible against the arch structure as they climb. Below, a crowd gathers at the archway's base, observing the ascent. After reaching the apex, the climber starts descending, lowering themselves back down the arch. The camera remains stationary, with slight handheld shake, capturing the climber's motion from a ground-level perspective facing the arch.

Wait, but the rule says to mention spatial relationships if relevant. So the climber

Multiple people move through the scene (e.g., walking past the window and exiting the frame), exhibiting distinct locomotion patterns.

The background elements (archway, walls, window frame) remain fixed without uniform shifting; no fluid motion (fire, water, smoke) or wind effects are visible.


A man in a black hoodie and red shorts performs a squat, lifting a barbell upward while standing. Another individual in a dark shirt adjusts equipment near him, and a person in a red hoodie walks past in the background. The camera remains static, capturing the scene from a fixed angle within the gym.

Discrete solid objects (people, barbells, gym equipment) moving: the foreground subject performs barbell lifts with controlled motions, while other gym-goers exhibit locomotion and weight handling.

Background elements (walls, gym equipment, mirrors) remain stationary with no fluid/environmental motion (fire, water, smoke, wind) dominating the scene. No uniform background shift observed.


RAW CAPTION: Okay, let's see. I need to create a concise caption for this video. The user provided the video frames and specific rules.

First, the main subjects are two people playing guitars on a street. The first person is wearing a colorful rainbow beanie and a green shirt. The second has long hair, a black shirt with a design. They're sitting on a bench or step. The background has a storefront with "LE PIGEOT" but I shouldn't mention text.

Chronicling their actions: they're playing guitars, maybe strumming. The person with the beanie is on the left, the other on the right. The video starts with both playing, maybe moving their hands. People in the background are standing or walking.

Spatial relations: the two main subjects are seated side by side, left to right. Background has pedestrians, store with a red awning. The camera is stationary, maybe a slight shake. Need to mention camera perspective.

Rules say exclude text recognition, so skip "LE PIGEOT". Focus on motion: strumming, maybe head movement. Background minimal, so just mention pedestrians.

Check the output format: must be a paragraph, chronological. Start with main subjects' actions, their appearance, then background briefly, camera movement.

Wait, the example in the problem statement might help. Let me check the rules again. The caption should be a paragraph, chronological. Main subjects: two people playing guitars. Describe their appearance (colors, sizes). Spatial relationships: seated side by side, left and right. Background: pedestrians, storefront (but minimal). Camera is stationary with slight shake.

Wait, the first frame shows them playing. Maybe the video starts with them playing, maybe their hands moving. The caption should mention that they're seated, strumming guitars. The person in rainbow beanie on left, black shirt on right. Background has people walking, but mention minimally.

So the caption would be: Two individuals sit side by side on a street bench, playing acoustic guitars. The person on the left wears a rainbow beanie and green sweater, strumming with their right hand; the person on the right, in a black shirt with long hair, strums with both hands. Pedestrians stand in the background near a storefront with a red awning. The camera remains stationary with slight handheld movement.

Wait, need to check the rules. "Mention spatial relationships if relevant (e.g., in front of, to the left)." So the main subjects are seated next to each other, left and right. Also, the background pedestrians are behind them. "Conclude with the camera perspective and movement."

Need to make sure it's chronological, but since it's a short video, just describe the main action. The two are playing, maybe moving hands. The caption should be concise.

Check for excluding text recognition. Don't mention the store name. So "storefront with a red awning" but not the name. Also, exclude named characters, so no names.

Possible final caption: Two people sit on a street bench, playing guitars. The left individual, wearing a rainbow beanie and green shirt, strums with their right hand; the right individual, in a black shirt with long hair, strums with both hands. Pedestrians walk behind them near a storefront. The camera remains fixed with slight shaking.

Wait, but the background has a store with a red awning. The rule says minimal background. Maybe "a red awning" is okay. But need to keep it concise.

Let me check the example output format. The user provided an example: "Two individuals sit on a bench, playing guitars. One wears a rainbow beanie and green sweater, strumming with their right hand. The other, in a black shirt with long hair, strums with both hands. Pedestrians stand in the background near a storefront. The camera is stationary with slight shake."

That's a good structure. So following that, adjusting for the specific elements. The main point is their actions, appearance, background briefly, camera.

So in the video, they're both playing guitars. Left: rainbow beanie, green shirt, strumming right hand. Right: black shirt, long hair, strums with both. Background: pedestrians, storefront with red awning. Camera: fixed, slight shake.

Yes, that should fit the rules. Let's make sure it's a concise paragraph, chronological. The video shows them playing, so starting with the action.
</think>

<caption_output>Two individuals sit side by side on a street bench, playing acoustic guitars. The person on the left, wearing a rainbow beanie and green sweater, strums with their right hand while looking toward the other musician. The person on the right, with long dark hair and a black shirt, strums with both hands, occasionally moving their head. Pedest

A person playing guitar exhibits hand movements for chord strumming, and a seated individual next to them shows minor head/body shifts. These motions are discrete and attributable to intentional physical actions (musical performance).

Background elements (buildings, pedestrians) show no uniform shifting. No fire, water, smoke, or wind-driven fluid motion dominates the scene.


A person in dark clothing crouches to adjust a white sneaker with red accents on another individual's foot; the crouching person manipulates the shoe with their hands while the standing individual remains still. The camera maintains a top-down perspective with slight shake.

A crouching individual manipulates another person's shoe with hand movements, representing solid, distinct object interaction.

The concrete ground is static with no visible shifting or fluid motion; no fire, water, smoke, or wind is present.


A person in a green jumpsuit with long dark hair flips from an upright position to inverted while others in blue and gray jumpsuits observe in the background. The camera follows the motion with a slight shake.

Two individuals in military-style uniforms interact dynamically—one is lifted and rotated by the other, with a third person in blue visible in the background. Their motion is due to physical contact and force application.

No shifting backgrounds or fluid/environmental motion (fire, water, wind); static elements like walls and signage remain consistent without uniform displacement.


An espresso machine dispenses dark liquid into two small glasses positioned beneath its spouts. A hand with a blue sleeve enters from the right, adjusts the glasses, and lifts them away from the machine. The camera remains in a close-up perspective before slightly widening to follow the hand's motion.

Hands (discrete solid objects) move to interact with the coffee machine (placing cups, adjusting components), and coffee flows into cups due to the machine's operation.

The background elements (coffee machine, counter, cups) remain static with no uniform shifting. No fire, water, smoke, or wind-driven motion is visible.


A pair of hands with rings uses a knife to slice a light yellow onion into small pieces on a white cutting board, with chopped pieces accumulating to the left of the remaining onion half. The hands then remove and discard the end of the onion slice. The camera maintains a close-up, top-down view focused on the cutting board throughout.

Discrete objects: hands and onion. Motion is due to manual chopping (cutting the onion into pieces).

Background elements (kitchen cabinets, countertop) are static; no fluid/environmental motion (fire, water, smoke, wind) observed.


A shirtless man in dark shorts bends toward the water, then stands and walks forward along the lake's edge, followed by a girl in a white top and green shorts and a girl in an orange dress. The man bends down again, briefly touching the water before standing. The camera remains stationary, capturing the scene from a fixed position near the shore.

Three people (two girls, one shirtless man) are moving: the man bends down, stands up, interacts with the ground; the girl in red moves toward the water, bends down, and the girl in white stands near them. These are discrete, solid objects with clear locomotion.

The background (lake, distant trees, shoreline) shows no uniform shifting or significant fluid motion. The water appears calm with minor ripples, not dominant enough to qualify as ambient_environmental.


A person with short hair and a striped shirt sits before a mirror, their hands moving from near the reflective surface to their head and back while manipulating an object. The camera captures the reflection, with a teal wall and closet in the background.

A person is moving their head and hands while holding a cup, with discrete motions such as lifting the cup to their mouth and placing it back down.

The background consists of a static teal wall and bookshelf with no shifting or environmental motion (fire, water, wind).


A pair of hands initially rests on a piano keyboard, lifts upward, moves laterally across the keys, and presses the keys again. The camera maintains a top-down perspective throughout, focusing on the hands' motion over the keyboard without significant background detail.

Person's hands moving to press the keyboard keys in a discrete, controlled manner.

No shifting background or fluid/environmental motion observed. Background elements (table, clothing) are static.


RAW CAPTION: Got it, let's break this down. First, identify the main subject. The video shows a person using a floor polisher. Let's note the actions chronologically.

In the video, a person (wearing dark clothing, black shirt and pants, white undershirt visible, sneakers) is operating a floor polishing machine. They're moving it across the floor, pushing it forward. The background has glass display cases with dishes, but we need to keep background minimal. The person starts at one position, moves the machine along the floor, adjusting direction.

Check the rules: focus on motion and behavior, chronological. So start with the person using the polisher, moving it. Describe appearance briefly: dark outfit, sneakers. Spatial: they're near glass cases. Then camera movement—wait, the video seems to follow the person as they move, so maybe slight camera follow or static? The frames show the person moving, so camera might be stationary or following. But rule d says camera perspective and movement. Let's see: the video shows the person moving from left to right (assuming the frames), so camera is probably static, capturing the motion.

Wait, the first frame is [0.0], then they move. So camera is likely fixed, showing the person pushing the polisher along the floor, moving from one side to another, adjusting the machine's position. Background has glass cases with plates, but we can mention minimally.

Now, structure:

A person in dark clothing and sneakers pushes a floor polisher across a wooden floor, moving from left to right while adjusting the machine’s position near glass display cases containing dishes. The camera remains stationary, capturing the continuous motion.

Wait, check if it's chronological. Yes: starts pushing, moves, adjusts. Mention appearance: dark shirt, pants, white undershirt, sneakers. Spatial: near glass cases. Background minimal. Camera: stationary.

Let me check the rules again. Avoid text recognition, named characters. So no mentioning of people in background except as minor elements (the other people are in the background, but rule says minimal background, so maybe mention "others in the background" but rule e says minimal unless essential. The main subject is the person with the polisher. The background people are probably not essential. So focus on the main person.

So final caption should start with the main subject's action, their appearance, motion, then camera.

" A person in dark clothing and sneakers operates a floor polisher, pushing it across a wooden floor from left to right while adjusting its position near glass display cases. The camera remains stationary, capturing the continuous motion."

Wait, check the number: the person is one. Appearance: dark shirt, pants, white undershirt (since white is visible under the shirt), sneakers. Motion: pushing the polisher, moving left to right. Background: glass cases with dishes (minimal, since essential for context maybe? The problem says "minimal unless essential". The glass cases are part of the setting, so maybe necessary.

Another point: the polisher is black with wheels, but maybe too detailed. Rule c: spatial relationships—near glass cases.

Let me check the frames: in frame 0, person is on the left, moving right. The glass cases are behind them. So "near glass display cases containing dishes".

Putting it all together concisely:

A person in dark clothing and sneakers pushes a floor polisher across a wooden floor, moving from left to right and adjusting the machine's position near glass display cases with dishes. The camera remains stationary throughout.

Wait, but the polisher has a hose and is being operated. Maybe mention "operating a floor polisher" instead of "pushing". But the action is pushing it.

Alternatively: A person wearing a dark shirt, black pants, and sneakers operates a floor polisher, moving it across a wooden floor while adjusting its position near glass display cases. The camera stays fixed, capturing the motion.

Wait, need to be chronological. So start with the person beginning to push, then moving, adjusting.

" A person in dark clothing and sneakers pushes a floor polisher across a wooden floor, moving from left to right and adjusting the machine's position near glass display cases. The camera remains stationary, documenting the continuous operation."

Check if all rules are followed: a) motion and behavior chronological—yes, pushing, moving, adjusting. b) appearance: dark clothing, sneakers. c) spatial: near glass cases. d) camera stationary. e) background minimal (glass cases with dishes mentioned but brief). f) no text or names.

Yes. Now, check word count. It should be concise.

Maybe shorter:

A person in dark clothing and sneakers operates a floor polisher, pushing it across a wooden floor from left to right and adjusting its position near glass display cases. The camera remains stationary.

Wait, "

A person operating a floor cleaning machine moves it across the floor in a deliberate manner; the person's locomotion and the machine's operation are the primary motion sources.

The background (glass shelves and building structure) remains static without uniform shifting; no fluid or environmental motion (fire, water, smoke, wind) observed.


A person with long blonde hair and a dark top adjusts their hair with both hands, then moves one hand to the side to reveal their face, followed by gesturing with their right hand. The camera remains static in a close-up view of the individual.

A person with long blonde hair is moving their head and hands, displaying deliberate gestures and head movements.

Background elements (dresser, items) are stationary with no shifting or environmental motion (fire, water, wind).


A young girl in an orange shirt and purple shorts, holding a cup, stands and moves toward a black plant pot near white curtains, bends down to interact with the area, then stands up. The camera follows her with slight shake.

A child in an orange shirt and purple shorts is moving: walking, bringing a cup to their mouth, bending down, and standing upright. These are distinct, solid object motions driven by locomotion and interaction with the cup.

Background elements (black trash can, white curtains, chair) show no uniform shifting or environmental fluid motion (no fire, water, wind effects).


RAW CAPTION: Got it, let's tackle this video caption. First, identify the main subject. It's a person walking. Let's check the frames. The person is wearing a black crop top, blue jeans, black boots, and has long dark hair. They're holding a cane in their right hand and a white object in their left.

Starting from the first frame: they're standing in a doorway. Then they start walking towards the camera. In the next frames, they move forward, passing through the doorway. By frame 3, they're in the middle of the hallway. Frame 4 shows them stepping onto a pink rug. Then frame 5, they're almost at the camera, and frame 6, they're close up.

Spatial relationships: they start in the doorway, move towards the camera, step onto the rug. Background has a room with a mirror, a sink, maybe some furniture, but minimal description. The camera seems to be static but maybe a slight shake as they get closer? Wait, the video description says the camera perspective: let's see, the video starts with the person in the doorway, then as they walk, the camera might be fixed but the movement is from the person approaching. Wait, the movement is the person moving towards the camera, so the camera is stationary. But in the frames, the action is the person walking forward.

So chronological order: the person is standing in a doorway, walks forward through the doorway, steps onto a pink rug, and approaches the camera. Appearance: female, black top, blue jeans, black boots, long dark hair, holding a cane and a white object.

Background: minimal, just the hallway with doorways, a room with a sink visible.

Camera: the camera seems to be stationary, but the movement is the person moving towards it. Wait, the video might have a slight shake, but the rules say to mention camera perspective and movement. The last frame shows the person close to the camera, so the camera is fixed, maybe with a slight shake as the person gets closer. But need to check if the camera moves. The video description: "You are an expert video captioner. Your task is to generate a concise, chronological paragraph describing the provided video."

So focus on motion: the person walks from the doorway towards the camera. Describe their appearance: black crop top, blue jeans, black boots, long dark hair, holding a cane. Spatial: starts in the doorway, moves through into the hallway, steps onto pink rug.

Wait, frame 0: standing in doorway. Frame 1: walking, frame 2: moving forward, frame 3: in hallway, frame 4: stepping onto rug (pink), frame 5: closer, frame 6: almost at camera.

So the motion is continuous walking forward.

Now, the caption must be concise, chronological.

Let me draft:

A person with long dark hair, wearing a black crop top, blue jeans, and black boots, walks forward through a doorway into a hallway while holding a cane in their right hand and a white object in their left. They step onto a pink rug and continue moving closer to the camera, which remains stationary with a slight shake.

Wait, check the rules: exclude text recognition, named characters, stylistic analysis. So "a person" is okay.

Appearance: color, size, orientation. So "a person with long dark hair, wearing a black crop top, blue jeans, black boots" — that's appearance.

Motion: starts standing in doorway, walks through doorway, steps onto pink rug, approaches camera.

Background minimal: just the hallway, some rooms. But rule e says "minimal unless essential". The pink rug is part of the action (stepping onto it), so mention it.

Camera: stationary with slight shake? Or did the camera move? The video shows the person approaching, so camera is fixed.

Wait, the problem says "conclude with the camera perspective and movement". So "the camera remains stationary" or "the camera is fixed".

Putting it all together:

A person with long dark hair, wearing a black crop top, blue jeans, and black boots, walks forward through a doorway into a hallway, holding a cane in their right hand and a white object in their left. They step onto a pink rug and continue moving closer to the camera, which is fixed with a slight shake.

Wait, check the order: chronological. First, they are standing in the doorway, then walk through, step onto rug, approach camera. So "walks forward through a doorway into a hallway" — that's the start. Then "step onto a pink rug" as part of the movement.

Yes. Now, check if "white object" is correct. The video says "holds a white object" — probably a cane, but wait: the first

A person walking through a hallway, holding a stick. The person moves from the background towards the camera and then turns to the right.

No shifting background or fluid motion detected.


Two shirtless men, one in blue shorts and the other in dark shorts, interact in an outdoor courtyard. The man in dark shorts holds a bottle aloft while walking toward the other, who stands near a stone wall. They embrace as the camera follows their movement with a slight shake. Background includes a stone wall, gate, and scattered objects.

Two shirtless men interact; one walks while carrying an object, they shake hands and engage in physical contact, exhibiting locomotion and deliberate movement.

Static background elements (buildings, structures, ground) show no uniform shifting. No fire, water, smoke, or wind dominant motion.


Two boys interact in a cluttered indoor space; one wears a dark hoodie with red lettering and jeans, the other a light gray hoodie. The dark-hoodie boy begins near a plastic storage unit to the left, jumps toward the camera with outstretched arms, then steps back. The light-hoodie boy moves forward and turns left, facing the first boy. The camera, handheld with slight shake, captures the boys' motion from a slightly low angle.

Two people (adult and child) moving: adult crouches, stands, walks to the storage unit and green bag; child moves towards adult and follows.

No shifting background or fluid/environmental motion. Walls and storage unit are stationary. No fire, water, smoke, or wind observed.


A pair of hands manipulates a small white rectangular card on a dark speckled surface, opening it and placing it to the center. An orange-handled pair of scissors is then introduced into the frame from the right, positioned near the card. The camera maintains a static top-down view throughout.

The person's hands move a small white object and place it on the table, then a pair of scissors is placed on the table.

No shifting background; no fire, water, smoke, or wind present.


A close-up shows a green-handled floor squeegee with a blue microfiber pad on a wooden floor, with a person’s black shoes visible in the background. A hand adjusts the squeegee, then the camera pulls back to reveal a man in a light-colored jacket and jeans using the squeegee to clean the floor in a gymnasium. The camera maintains a steady perspective, transitioning from close-up to medium shot.

A small dog (light-colored, likely a pug) moves discretely across the frame, stepping onto and interacting with a stationary mop (blue cloth, green handle). The dog's locomotion is the primary physical movement.

The wooden floor background shows no shifting or environmental motion (e.g., fire, water, wind); static elements like the court line remain fixed and stable throughout the clip.


RAW CAPTION: Got it, let's break down the video. First, the video shows a tall building in Guangzhou, China. There are people on the building's exterior. Let's check the frames.

Frame 0: The building is tall, people are on the facade, maybe climbing. The view is from below, looking up at the building. The sky is light, maybe overcast.

Frame 1: Similar, but the camera angle might be shifting. The people are still on the building.

Frame 2: Text "Guangzhou, China" appears, but we need to exclude text recognition per rule f. So ignore that.

Frame 3: Back to the building, people moving. They look like workers or climbers.

Frame 4: More people visible, some moving. The building has a grid-like structure with windows or panels.

Frame 5: The camera is moving, maybe panning up or around. The people are on different parts of the building.

Now, main subjects: three people (assuming, since frame 0 has three, frame 1 maybe more, but let's see). They are wearing dark clothing, maybe harnesses, moving along the building's exterior. They are small in the frame because the building is tall.

Chronological order: The video starts with the building and people on it. Then maybe the camera moves to show them moving. The camera perspective is from a low angle, looking up, and there's slight movement (pan or tilt).

Need to mention motion: the people are moving along the building's facade, possibly climbing or working. Spatial relationships: they are positioned at different heights and positions on the building's exterior.

Background: minimal, just the building and sky. No need to describe unless essential.

Rules: exclude text, named characters, so no "Guangzhou" in the caption.

Let's structure the paragraph:

- Start with the scene: a tall building's facade with several workers (dark clothing) moving along its exterior.
- Describe their motion: they are climbing or moving upward/downward, positioned at various heights.
- Camera perspective: low-angle shot, camera pans slightly upward, showing the workers as they traverse the building.
- Keep concise.

Check the rules:

a) Focus on motion: yes, workers moving.

b) Appearance: dark clothing, several (maybe 3-4), small due to height.

c) Spatial: on different parts of the building, moving across.

d) Camera: low angle, slight pan.

e) Background minimal: building and sky, but only essential.

f) Exclude text: yes.

Now, draft:

"Three workers in dark clothing are seen moving along the exterior of a tall building's facade, progressing upward and across its grid-like structure. They are positioned at various heights, with some ahead of others as they traverse the building's surface. The camera maintains a low-angle perspective, panning slightly upward to follow their movement against the overcast sky."

Wait, check number: in frame 0, there are three people. Frame 1: maybe more? Let's see. The video has frames showing 3 to 4 people. Let's say "several workers" but maybe specify number if clear.

Frame 0: three people. Frame 1: three. Frame 2: text. Frame 3: three. Frame 4: more? Let's say "three workers in dark clothing" as the first frame shows three.

But maybe in the video, it's three.

So: "Three workers in dark clothing move along the facade of a tall building, ascending and traversing its grid-patterned exterior. They are positioned at different heights, with one worker slightly ahead of the others as they progress. The camera captures the scene from a low-angle perspective, panning upward to follow their movement."

Check if "grid-patterned" is necessary. The building has rectangular windows or panels, so "grid-like structure" is okay.

Also, background: minimal, so overcast sky is part of background but maybe essential? The rule says minimal. Since the sky is part of the scene, maybe mention "overcast sky" but keep minimal.

"Three workers in dark clothing are visible on the exterior of a tall building's grid-patterned facade, moving upward and across the structure. They maintain a formation, with one worker ahead of the others as they traverse the building. The camera, positioned at a low angle, pans slightly upward to follow their motion against an overcast sky."

Wait, the video's first frame is from a low angle looking up. Then the camera moves, maybe.

Check the frames: the first frame is a low angle, then as time goes, the camera might pan or tilt.

The problem says "chronological paragraph", so the order of events.

Let's see the sequence:

- Frame 0: building, three people on facade, low angle.

- Frame 1

Discrete solid objects: multiple people moving along the top edge of the building. Their motion suggests locomotion (e.g., walking, climbing) without visible collisions or external force interactions beyond their own movement.

The background consists of a static building facade with no shifting elements or fluid/environmental motion (e.g., fire, water, smoke). The sky appears uniform without environmental agitation.


A male pitcher in a gray shirt and red shorts stands on the pitcher's mound, raises his right arm, steps forward, and throws a baseball toward home plate. After releasing the ball, he steps back to his original position. The camera remains stationary throughout, capturing the pitcher's motion against a backdrop of a grassy field and distant structures.

The pitcher (a person) is performing a pitching motion, moving his body, arms, and legs. The baseball is thrown and moves through the air.

The background (fence, dugout, grass) is static with no shifting or fluid motion. No fire, water, smoke, or wind effects are visible.


A person wearing a red bikini and white cap emerges from icy water, supported by onlookers in winter clothing. They grip the ice edge, pull themselves up, and stand on the frozen surface as spectators gather closely around. The camera remains steady, capturing the sequence from a frontal perspective.

A person in swimwear emerges from water onto ice, exhibiting locomotion (pulling themselves up, walking) driven by physical forces.

The background features ice and static standing figures; no significant fluid motion (water, wind) or shifting background elements are observed.


A shirtless man with short hair and black shorts holds a small object in his right hand, moving across a room with framed pictures on the wall and a television displaying content on the right. He raises the object upward while walking, then lowers it, continuing his movement. The camera follows his motion with a slight shake, maintaining a medium shot focused on his actions against the dimly lit background.

A shirtless person is moving their arm and body while holding an object, with discrete motions such as raising and lowering the object and shifting position within the frame.

No significant shifting background or fluid motion; static elements like walls, framed pictures, and the TV screen remain consistent across frames with no indication of ambient environmental phenomena (fire, water, smoke, or wind).


A red snowmobile, positioned behind leafless bushes in a snowy field, accelerates leftward, kicking up a snow spray as it moves, then disappears behind the bushes. The camera remains stationary throughout.

A red snowmobile enters the frame, moving left to right across snow-covered terrain while displacing snow behind it. The vehicle is the primary discrete object exhibiting clear locomotion.

Static background elements (bushes, distant trees) show no uniform shifting; snow displacement is a result of discrete object motion rather than fluid/environmental forces.


A person wearing a red polo shirt and sunglasses holds a bottle against a light gray brick wall, then unscrews the bottle cap with their right hand. The camera maintains a close-up perspective with slight shake throughout.

Man's hands and bottle undergo discrete manipulations (unscrewing cap, lifting bottle to nose, rotating bottle) driven by physical human actions.

White brick wall background remains static with no shifting or environmental motion; no fire, water, smoke, or wind visible.


A pair of hands manipulates a broken, light brown pottery shard, using a tool to chip away at its surface, revealing white residue beneath. The hands then continue working on another fragmented piece, causing additional shards to break off. The sequence concludes with a close-up of a pile of scattered, broken pottery fragments. The camera remains in a close-up, top-down perspective throughout, focusing on the hands and objects with minimal background detail.

Hands and a piece of leather are moving; the hands apply a substance to the leather through explicit physical interaction (brushing), with the leather showing discrete motion due to the applied force.

The background (work surface) is static throughout; minor dust particles falling in the second segment are ambient but not dominant. No shifting backgrounds or significant fluid/environmental motion (fire, water, smoke, wind) observed.


A hand with dark nail polish holds a red eyebrow pencil, moving it along the left eyebrow in a precise, back-and-forth motion to shape and fill it. The hand remains positioned to the left of the face, with the pencil tip making contact along the eyebrow's edge. The camera maintains a close-up static perspective throughout the sequence.

A hand holding a red tool moves across the eyebrow to apply makeup; motion is localized and discrete, driven by human action.

Background is static (no shifting or environmental motion like fire, water, wind; curtains and walls remain fixed).


A bride in a flowing white gown and a groom in a dark suit dance together on a crowded dance floor, moving in a circular motion with arms extended as colorful stage lights shift rapidly through red, blue, green, and yellow hues. The couple spins and steps across the floor, surrounded by a dense crowd of people in formal attire who occasionally sway or gesture. The camera follows their movement closely, maintaining a slightly shaky handheld perspective that tracks their motion from a low angle near the dance floor.

Discrete solid objects: people (bride in white gown, groom in suit, guests) moving via locomotion (dancing, stepping) in a crowded dance floor. Motion tracked via bounding boxes showing distinct trajectories.

Background elements (walls, ceiling, static decor) remain stationary; no shifting or uniform motion observed. Ambient lighting changes (color shifts) are due to stage lighting effects, not fluid/environmental motion (fire, water, smoke, wind).


A person in a white long-sleeve shirt and black pants lies on a black mat, lifting one leg then rolling onto their side while extending an arm. The camera maintains a top-down perspective throughout, capturing the movement against a gym background with exercise equipment visible.

The person lying on the mat is moving their arms and body in a discrete manner (performing an exercise).

Background elements (stone wall, blue balls, and standing people) are stationary; no fluid or environmental motion observed.


A woman in a white tank top and black shorts begins lying supine on a blue mat, surrounded by multiple kettlebells. She sits up, raises her arms upward in a clapping motion, then settles into a seated position with arms lowered. A blue punching bag is positioned to her left, and a rope hangs to her right, with the camera maintaining a static top-down perspective.

A person (a discrete solid object) is moving by performing an exercise: lying on the floor, then lifting their upper body and legs to sit up, and holding the position. This movement is due to voluntary muscle contraction.

The background elements (blue walls, floor, punching bag, and dumbbells) remain static throughout the video, showing no shifting or environmental motion (such as fire, water, or wind).


A person in brown clothing with yellow cuffs sits on the ground, holding a light-colored object (likely bone) in one hand and using a small tool in the other to shape it, rotating the object while applying pressure. They then move the object toward a wooden board with a yellowish item positioned to their right. The background consists of a leaf-strewn earth surface, and the camera remains in a close-up, static shot focused on the person's hands and the objects.

Person's hands and held objects (bottle, block-like item) exhibit discrete physical interactions involving manipulation and positioning.

Background consists of static ground/rock elements with no uniform shifting or fluid motion (fire, water, smoke, wind); background remains stationary.


Three cheerleaders in white shirts and red shorts perform a routine on a platform, beginning with arms extended to the sides before raising them overhead. The crowd stands in front of them, observing the performance. The camera remains stationary throughout.

Cheerleaders in white/red uniforms perform synchronized movements (arm gestures, body shifts) due to choreographed locomotion.

Background elements (banner, building, audience) are stable with no shifting or fluid motion. No fire, water, smoke, or wind dominates the scene.


A person wearing a dark shirt with light lettering folds a white sheet of paper into a triangular paper airplane, holds it above a black surface, and moves it toward the camera. The camera maintains a top-down perspective throughout, focusing on the hands and paper against the black surface.

A person's hands and a paper airplane are the discrete objects moving. The hands manipulate the paper airplane through folding and positioning actions, representing physical interaction between solid objects.

The background elements (table, black mat) remain stationary across frames, with no fluid motion or environmental phenomena (fire, water, smoke) detected. The black screen transition with text is an artificial overlay, not ambient motion.


RAW CAPTION: Got it, let's tackle this. The video shows a crowd at an event, probably a concert. First, I need to describe the motion chronologically. The crowd is dense, people are raising hands, making hand gestures like peace signs. Let's check the sequence: in the first frame, crowd is there, then hands go up, more people raise hands with different gestures. The camera moves through the crowd, so perspective is moving forward, maybe panning.

Start with the main subjects: large crowd of people, diverse in appearance (men, women, various clothing, some with hats). They're raising hands, moving them up, making peace signs. Spatially, the crowd is in front of a stage (though background is minimal), with tall structures (like lighting rigs) visible. Camera starts with a wide shot of the crowd, then moves forward through the crowd, capturing the hand movements.

Check the rules: focus on motion (hands up, gestures), appearance (crowd size, diverse), spatial (in front of stage, structures behind), camera movement (moving through crowd, slight pan). Exclude background details unless essential—here, the structures are part of the scene but not essential, but maybe mention the stage structure as part of the setting.

Chronological order: The video begins with a dense crowd, then people raise hands, make gestures (peace signs), camera moves through the crowd. So the paragraph should flow from start to end.

Let me draft: A large dense crowd of diverse people, many raising their hands and making peace signs, moves in front of a stage structure with tall lighting rigs. As the camera moves forward through the crowd, individuals continue waving their arms and gesturing, with some faces visible behind raised hands.

Wait, check if numbers: "large dense crowd" (size). Appearance: diverse, but no specific colors unless mentioned. The video shows red lighting maybe? Wait, the description says "people's faces" and in the frames, maybe red lighting, but the rules say "briefly describe appearance and number". So "crowd of diverse people with varied clothing and some wearing hats".

Wait, the user's rule b: "Briefly describe their appearance and number (color, size, orientation)." So color: maybe the lighting is red, but not sure. The video might have red lighting on the crowd. Let's check the frames: [0.0] is a crowd with red lighting maybe. So "people with reddish lighting on their faces".

Wait, the problem says "Exclude text recognition, named characters, or stylistic analysis." So don't mention the text "LIVE" or anything.

Putting it all together:

A large dense crowd of diverse individuals, many raising hands and making peace signs, stands in front of stage structures with tall lighting rigs. As the camera moves forward through the crowd, people continue gesturing with arms raised, some faces visible behind their hands. The perspective shifts slightly, capturing the movement of the crowd from a ground-level view.

Wait, need to make it concise. Let's check the rules again.

"Focus primarily on the motion and behavior of main subjects (people/animals/objects) in chronological order."

So motion: hands rising, gestures. Chronological: start with crowd, then hands move up, gestures made.

"Describe their appearance and number" → "large crowd of diverse people (size, color: reddish lighting? but maybe just "people" without color unless essential). Wait, the rule says "briefly describe their appearance and number (color, size, orientation)." So "diverse group of people" – maybe "crowd of people with varied clothing".

"spatial relationships" → in front of stage, behind lighting rigs (though maybe not essential). "Conclude with camera perspective and movement" → camera moves through crowd, ground-level, slight pan.

"background descriptions minimal" → stage structures are in the background.

Let me draft again:

A large dense crowd of diverse people with raised hands and peace signs moves in front of stage structures. As the camera moves forward through the crowd, individuals gesture with arms raised and waving motions. The perspective shifts slightly, capturing the crowd from a ground-level view as hands continue to rise.

Wait, check if chronological. The video starts with the crowd, then hands come up, gestures made. The motion is hands rising (over time). So:

The video opens with a dense crowd of people, many raising their hands and making peace signs; as the camera moves forward through the crowd, individuals continue gesturing upward, with some faces visible behind raised arms.

Hmm, "chronological paragraph" so start to end.

First frame: crowd, hands up. Then more hands, gestures. Camera moves through.

So the caption should mention the order: initially, the crowd is visible; then people raise hands; the camera moves through them.

Maybe:

A large dense crowd of diverse people begins

Discrete solid objects (people) are moving; their arms are raised, waving, and making gestures (e.g., peace signs), indicating active locomotion or expressive motion.

Background elements (trees, tower structure) remain static and do not shift uniformly; no fluid/environmental motion (fire, water, smoke, wind) dominates the scene.


A shirtless man in dark patterned shorts executes a handstand, transitioning his legs from an extended vertical position to a bent position while balancing on his hands. He remains centered in the frame with stacked green egg cartons on either side. The camera stays stationary, capturing the motion from a ground-level perspective.

A person performs handstand movements and transitions to a seated position, with visible locomotion and physical force application.

Static background elements (stacked boxes, walls) show no shifting or environmental motion; no fire, water, or smoke present.


A young girl in a purple shirt, yellow skirt, and black shoes dances in a hallway, moving her arms, jumping, and spinning in place while facing the camera and then turning. The hallway has beige walls, a tiled floor, and a door at the end. The camera remains stationary, capturing her movements from a fixed perspective.

A child (solid, distinct object) performs locomotive movements including jumping, turning, and arm motions.

The background elements (walls, door, floor) show no shifting or fluid motion; no fire, water, smoke, or wind is present.


RAW CAPTION: Got it, let's break this down. First, the video starts with two people running side by side. Left side: a person in a white top and blue shorts, right side: a person in red. They're moving, split by a vertical line. Then it cuts to black. Next, a person in a pink top and black shorts is jumping in front of a garage door. Wait, the second scene: the person is in a garage, standing, then jumps. Let's check the timestamps. The first part is two runners, then black screen (1.3s), then the garage scene (2.5s). So the sequence is:

1. Two people running: left (white crop top, blue shorts, white shoes) and right (red long sleeve, black pants, white shoes) in outdoor settings (left has a mural, right has trees). They're both mid-stride.

2. Then black screen (briefly).

3. Then a woman in a pink tank top, black shorts, blue sneakers, and black gloves (wait, the description says "black gloves"? Wait, the third frame: "a woman in a pink top and black shorts" – but the video description says "pink tank top, black shorts, blue sneakers" – wait, no, the user's video description for frame 2: "a woman in a pink tank top, black shorts, blue sneakers, and black gloves? Wait, the original video:

Frame 0: two runners, split by red and yellow lines.

Frame 1: black screen.

Frame 2: garage door, woman in pink tank top, black shorts, blue sneakers, standing.

Frame 3: same woman jumping, moving in place? Wait, the description says "standing, then jumping".

Wait, the problem says: the video is split into segments. Let's parse the user's input.

User input:

[0.0] two people running side by side, left (white crop top, blue shorts, white shoes, on a sidewalk with a mural), right (red long sleeve, black pants, white shoes, on a path with trees). Separated by a vertical line (red and yellow?).

Then [1.3] black screen.

Then [2.5] a woman in a pink tank top, black shorts, blue sneakers, standing in front of a garage door (with some items on the left: a red container, a black bag).

Then [3.6] the same woman jumping, moving in place.

Wait, the user's video descriptions:

Frame 0: two people running, left: white top, blue shorts; right: red top, black pants.

Frame 1: black (1.3s).

Frame 2: woman in pink tank top, black shorts, blue sneakers, standing in front of garage door.

Frame 3: same woman, now jumping (so her action changes from standing to jumping).

So the chronological sequence is:

1. Two individuals run side by side; the left runner wears a white crop top and blue shorts, while the right runner wears a red long-sleeve top and black pants.

2. The scene transitions to black.

3. A woman in a pink tank top, black shorts, and blue sneakers stands in front of a garage door, then jumps.

Now, the caption needs to be concise, chronological.

Check the rules:

a) Focus on motion and behavior, chronological.

b) Briefly describe appearance and number.

c) Mention spatial relationships if relevant.

d) Conclude with camera perspective and movement.

e) Background minimal.

f) Exclude text, names, style.

So:

First part: two people running. Left: white crop top, blue shorts; right: red top, black pants. They are running side by side in outdoor environments.

Then black screen.

Then a woman in pink tank top, black shorts, blue sneakers stands in front of garage door, then jumps.

Camera perspective: in the first scene, likely static (no movement mentioned, just two people running). Second scene (garage) is static, as she's standing then jumping.

Wait, the problem says "conclude with camera perspective and movement". So need to note camera for each part?

Wait, the output is a single paragraph. Let's see:

Original video sequence:

- Start: two people running (left and right), split by a vertical line.

- Then black screen.

- Then a woman jumping in front of garage door.

So the caption should cover all:

Two individuals run side by side: left in white crop top and blue shorts, right in red top and black pants. The scene cuts to black, then a woman in a pink tank top, black shorts, and blue sneakers stands in front of a garage door before jumping. The camera remains static throughout the outdoor and garage sequences.

Wait, check background: minimal. For the first scene

The primary discrete object is a person (runner) moving from left to right in front of a garage door. The initial frames show two runners in separate environments, but the dominant motion is the garage runner.

The background (garage door and surrounding structures) is static and does not shift. There is no ambient environmental motion (fire, water, wind).


RAW CAPTION: Got it, let's tackle this video caption. First, I need to observe the main subjects and their actions chronologically. The video shows a dining room scene. There's a group of people around a table. Let's list the key actions.

In the initial frames, people are seated around a table with plates and glasses. A person in a red shirt raises their hand (maybe cheering or waving). Another person is taking a photo with a phone. Then, the person in red brings their hand down, maybe to eat. The person in the green shirt is taking a photo. The person in the dark coat (maybe a server) is moving around, perhaps serving or pouring. The background has a chandelier, dining room with windows, but keep background minimal.

Wait, chronological order. Let's check the frames:

Frame 0: People seated, one taking photo. Person in red raises hand.

Frame 1: Person in red is still raising, maybe waving.

Frame 2: Person in red lowers hand a bit, others move.

Frame 3: Person in red sits down, hand down.

Frame 4: Person in red is eating, others continue.

Wait, the video transitions: The main actions are the person in red raising their hand (cheering), then bringing hand down to eat, someone taking photos, and the person in the middle (maybe serving) moving around.

Also, spatial relationships: The table is central. Person in red is on the right, taking photo on left (green shirt). Person in dark coat stands behind the table.

Appearance: Person in red shirt, person in green shirt, person in dark coat (maybe wearing a scarf or something), others seated.

Mentions motion: Raising hand, lowering hand, taking photo.

Camera perspective: The video seems to be from a fixed camera angle, maybe slightly shaky. Since it's a video of a dinner scene, the camera is likely stationary, capturing the room.

Now, structure the caption: start with the scene, main subjects' actions in order.

"Multiple people gather around a dining table covered with plates and glassware. A person in a red shirt raises their hand toward the ceiling, then lowers it to eat. Another individual in a green shirt captures the moment with a smartphone, while a person in a dark coat moves near the table’s center. The scene occurs in a dimly lit dining room with a chandelier; the camera remains stationary with minimal movement."

Wait, check the rules: focus on motion and behavior in chronological order.

First, person in red raises hand (frame 0-1), then lowers (frame 2-3), then eats. Person in green takes photo. The person in dark coat moves.

Also, the background: the room has windows with lights outside, but keep background minimal. The main motion is the person raising hand, lowering, others taking photo, moving.

So, the chronological order:

1. A person in red shirt raises their hand (cheering/waving).

2. The person lowers their hand to eat.

3. Someone with a green shirt continues taking a photo with a smartphone.

4. A person in a dark coat (possibly standing behind the table) moves, perhaps serving.

Also, other seated people: the person in the red shirt is on the right, green shirt on the left.

Let's draft:

"Several people are seated around a dining table with plates and glassware. A person in a red shirt raises their hand upward, then lowers it to their chest. Another individual in a green shirt takes a photo with a smartphone, while a person in a dark coat moves near the table’s center. The scene is set in a dimly lit room with a chandelier; the camera remains stationary with slight shake."

Check the rules: exclude text, named characters. So no "someone", but "person".

Wait, the video: first frame, person in red raises hand (up), then in next frames, hand is lower, then person is eating. So the motion is raising hand (up), then lowering.

Also, the person in the green shirt is holding the phone, taking a photo throughout.

The person in the dark coat is standing, maybe pouring a drink (since they have a bottle), then moves.

Wait, in the first frames, the person in the dark coat is standing by the table, holding a bottle (maybe pouring), then moving.

So:

"A person in a red shirt raises their hand upward, then lowers it to eat. A person in a green shirt photographs the scene with a smartphone. A standing individual in a dark coat, holding a bottle, moves near the table. The camera remains fixed with minimal movement, capturing the group in a dimly lit dining room."

Check if chronological:

- First action: red shirt raises hand (up).

- Then red shirt lowers hand (maybe to eat, as in frame 3-4).

- Meanwhile,

Discrete solid objects (people) exhibit minor movements such as shifting posture, head turns, and subtle interactions while seated at the table.

The background elements (chandelier, walls, doors) show no significant shifting or fluid motion. No fire, water, smoke, or wind is observed in the environment.


RAW CAPTION: Got it, let's break this down. The video shows a person doing a movement. First, at the start, the person is on the floor in a lunge position, hands on the ground, one leg back. Then they shift their weight, maybe doing a push-up or a lunge transition. The background is a plain room with a blue mat. The main subject is a man in a white shirt and black shorts. Let's check the rules: chronological order, describe motion, appearance, spatial relationships. Camera is static, I think. Let's structure it.

First frame: man in lunge, hands on floor, one leg forward, one back. Then he moves, so in the next frames, he shifts. Let's see the sequence: the first frame he's in a position where his front leg is bent, back leg extended. Then he lowers his body, maybe doing a push-up motion, so his hands might push up, legs move. Wait, the video shows him transitioning from a lunge to maybe a push-up or a different exercise. The key is the motion: he starts in a lunge (hands on floor, front leg bent, back leg straight), then shifts to push up (body lowering, hands pushing), then maybe back to lunge. Wait, the frames show: frame 0: he's in a position where front hand is on floor, back hand maybe? Wait, no, the video is a person in a room. Let's look at the frames.

Frame 0: the person is in a quadruped position? No, he's on his hands and one leg. Wait, the description says he's in a lunge, but in a lunge he usually has two legs, but here he's on hands. Wait, maybe it's a pistol squat or a push-up variation. Let's see: first frame, he has hands on floor, one leg forward bent, one leg back extended. Then in the next frames, he shifts his weight forward, so the front leg straightens, back leg comes forward? Wait, the frames show movement. The user provided the frames: [0.0] to [5.0] seconds. Let's see the motion.

The man is wearing a white shirt, black shorts, white socks, dark shoes. He's in a room with a blue mat on the floor to the right. The walls are plain. The movement: he starts in a position where his body is low, hands on floor, front leg bent (like a lunge), back leg extended back. Then he pushes up, moving his body forward, so the front leg straightens, back leg moves forward. Wait, no, the second frame shows his legs: he's now in a position where the front leg is straightened, back leg is bent? Wait, no, the frames are sequential. Let's read the frames:

At [0.0]s: he's in a position where his hands are on the floor, front leg is bent (knee down), back leg is extended behind him.

At [1.4]s: he shifts his weight, front leg straightens, back leg comes forward to the front? Wait, no, the next frames show: [0.0] to [5.0], the motion is a transition from a lunge-like position to a push-up or a different exercise.

Wait, perhaps it's a "lunge to push-up" movement. Let's see: the first frame, he's on his hands and one foot (like a handstand on one leg? No). Wait, the person is on the floor, hands on ground, one leg forward, one leg back. So it's a lunge position but on hands, which is like a "lunge push-up" or "reverse lunge."

The motion: he starts in a lunge (hands on ground, front leg bent, back leg extended), then lowers his body (so the front leg extends more, back leg comes closer), then pushes back up. Wait, the video shows him moving: at [0.0] he's in a position, then [1.4] he's shifting, [2.5] etc.

Wait, the key is to describe the movement in chronological order. The main subject is a man in a white shirt, black shorts, doing a movement on the floor. The background has a blue mat to the right. The camera is stationary, top-down view? Wait, the camera is looking at the person from the front, so eye-level?

Let's structure the caption:

A man in a white shirt and black shorts performs a lower-body exercise. He begins in a lunge position with hands on the floor, front leg bent, back leg extended. He then shifts his weight forward, straightening the front leg while lowering his body, followed by pushing back up

A person in a white shirt and black shorts is performing a lunge exercise, moving their legs and body in a controlled manner.

The background (wall and floor) is static and shows no shifting or environmental motion. No fire, water, smoke, or wind is present.


A person with gray hair, wearing a green cap and dark clothing, uses a trowel to apply plaster to a wall, moving the tool in smooth, horizontal motions across the surface while standing near a wooden-framed window. The camera remains stationary, capturing the action from a side perspective as the individual works upward and across the wall.

A person (plasterer) moves their hands and body while applying lime plaster to the wall. Discrete solid motion from deliberate physical actions.

The background (walls, wooden beams) remains static with no fluid motion, fire, water, or wind effects. No environmental shifts observed.


A person with long dark hair and a blue shirt holds a brass trombone, lifting it upward, moving it horizontally, and lowering it while maintaining the instrument in front of the camera. The camera remains static with a slight shake, set in a room with a desk and computer monitor in the background.

A person is moving a trombone (solid object) by sliding the attachment and bringing it to their mouth to play.

Background (wall, bookshelf, monitor) is static; no shifting or fluid motion (fire, water, wind) observed.


A person in a white and red striped shirt and blue jeans rides a black and white mechanical bull within an orange and green inflatable ring. The bull begins spinning clockwise, lifting the rider and causing them to bounce up and down while gripping the saddle. The bull's head sways side-to-side as it rotates continuously. The camera remains fixed but exhibits slight shake from the bull's motion.

A mechanical bull (black and white) is actively moving due to rider interaction, with the rider (wearing a white shirt) demonstrating locomotion and physical forces.

Background elements (walls, inflatable structures) remain largely static with no significant fluid or environmental motion (fire, water, wind).


A person in light blue shirt and shorts bends over a red car, handling a dark blue tire and positioning it near the car's wheel well. They adjust the tire and wheel, shifting their stance while working, with the camera following their movements in a slightly shaky, close perspective.

A person in a light blue shirt and white shorts manipulates a black tire and works on the car's wheel hub. The tire is lifted, rotated, and positioned by the person's hands and body, showing discrete physical interaction.

The background elements (maroon car, ground, and patterned mat) are stable with no fluid motion, fire, water, or wind observed. No environmental effects dominate the scene.


A large two-toned bus moves through an intersection, followed by multiple motorcyclists wearing helmets who navigate around it. Pedestrians and a silver car appear in the background as the motorcyclists continue moving. The camera maintains a steady tracking shot capturing the flow of traffic.

Bus, motorcycles, cars, and pedestrians moving due to locomotion; solid, distinct objects with clear trajectories.

No shifting background elements (traffic lights, power lines remain fixed relative to frame); no fluid or environmental motion (fire, water, smoke, wind) observed.


A woman in a light gray tank top and black leggings uses a cable machine, pulling the handle upward from her side to shoulder height and then raising it overhead in a smooth motion, before lowering it and turning to face the camera while gesturing with her hands. The camera remains stationary, capturing her movements in a gym setting with exercise equipment visible in the background.

A woman performs a resistance training exercise (lifting a cable with a band), exhibiting controlled, solid-object motion due to physical exertion. Her arms and torso move in discrete, predictable patterns consistent with exercise mechanics.

The gym background (weights, equipment) is static with no fluid/environmental motion (fire, water, smoke, wind). Background elements remain fixed, indicating no ambient environmental motion.


A person wearing a purple shirt and white apron pours white beans from a can onto a pizza topped with brown sauce, positioned on a white counter. Nearby, a white bowl, red bowl with shredded cheese, and pepper shaker are visible. The camera transitions from a medium shot of the person to a close-up of the hands distributing the beans over the pizza, with kitchen appliances in the background. The perspective shifts from a medium view to a top-down close-up of the pizza and ingredients.

Person's hands pouring beans from a jar and spreading them on a dish using a spoon.

Static background (table and objects remain fixed). No fluid or environmental motion (fire, water, wind) is present.


RAW CAPTION: Got it, let's see. The video starts with a person in a white lab coat standing in a lab. There are glass flasks with liquids, some red, maybe. Then the camera cuts to a close-up of some apparatus, maybe electrodes or something with light? Then back to the person. Wait, the frames: first frame person in lab, then cuts to a close-up of some equipment with light pulses, then back to the person. Let me check the sequence.

First frame: person in white coat, lab setting, flasks on left, red liquid. Then second frame: close-up of some apparatus, maybe a glass tube or something with a light? Wait, the description says [2.5] is a close-up of equipment with light. Then [3.6] back to person. Wait, the video has frames 0, 1, 2, 3, 4, 5. Let's list:

Frame 0: Person in white coat, lab, looking to the right. Flask with red liquid. Equipment around.

Frame 1: Cut to close-up of some device with light? Wait, the description for frame 1 says "a close-up of some equipment with a bright light source". Wait, the user's given video description:

[0.0] <0.3 seconds> shows person in lab coat.

[1.4] shows close-up of equipment (maybe the glass tube with liquid or something).

[2.5] back to person.

[3.6] close-up of equipment again.

[4.7] back to person.

Wait, the user's video details:

First frame: person in lab. Then cut to equipment (frame 1.4), then back to person (frame 2.5), then equipment (frame 3.6), then person (frame 4.7). So the video alternates between the person in the lab and close-ups of equipment.

Main subject: the person in white lab coat. Appearance: white coat, brown hair. Behavior: standing in lab, looking to the right, then maybe shifting gaze. The equipment close-ups show some light (maybe flashes or light pulses in the equipment). The equipment is in the lab, so the person is near the equipment. The equipment has glass tubes or something with a light.

Now, chronological order:

- Starts with person in lab coat standing, looking right.

- Camera cuts to close-up of equipment (maybe two glass tubes with light flashes).

- Returns to person.

- Cuts again to equipment close-up.

- Returns to person.

Need to describe motions: person is stationary, maybe turns head? Equipment shows light pulses.

Appearance: person is in white coat, dark hair. Equipment: glass apparatus with light.

Spatial relationships: person is near lab equipment, which is in front of him.

Background: lab with flasks, etc., but minimal.

Camera movement: alternates between wide shot of person and close-up of equipment.

Now, writing the caption.

First, main subject: a person in a white lab coat (brown hair, height not specified) stands in a laboratory, facing right, near glassware with red liquid.

Then, the camera cuts to a close-up of a glass apparatus with vertical tubes emitting light pulses.

Then returns to the person.

Then cuts again to the apparatus.

Then back to the person.

Wait, the video is 5 frames: 0.0, 1.4, 2.5, 3.6, 4.7. So the sequence is: person (0.0), equipment (1.4), person (2.5), equipment (3.6), person (4.7). So the actions are: person standing, camera cuts to equipment, back to person, equipment, back to person.

So the caption should be chronological:

A person in a white lab coat stands in a laboratory, facing right near glassware with red liquid. The camera cuts to a close-up of a glass apparatus with vertical tubes emitting light pulses. It returns to the person, then cuts again to the apparatus, and finally back to the person.

Check rules: focus on motion. The person is mostly standing, maybe slight head turn. Equipment shows light pulses.

Mention appearance: white coat, person (no name). Spatial: person in lab, equipment in front of him.

Camera perspective: cuts between medium shot of person and close-up of equipment.

Now, concise.

"A person in a white lab coat stands in a laboratory, facing right near glassware with red liquid. The camera cuts to a close-up of a glass apparatus emitting light pulses, then returns to the person before cutting again to the apparatus and returning to the person."

Wait, but need to be concise. Let's see.

Original video description:

<0.3> person in lab

<1.4> close-up

Two distinct solid pendulum bobs (discrete objects) suspended by strings within a vacuum chamber, exhibiting periodic swinging motion due to gravity and tension forces. Motion is tracked frame-by-frame with clear bounding boxes.

The lab background (shelves, glassware) shows no shifting during person scenes; the apparatus chamber background (dark walls with static labels) remains uniform and fixed throughout the apparatus close-ups. No fire, water, smoke, or wind motion present.


In a gymnasium, several individuals in white karate uniforms with belts walk toward a table where seated officials are positioned, with a person in a purple uniform standing nearby. The group moves toward the table, then the camera pans left and shakes slightly, revealing additional participants in white uniforms in the foreground.

Two martial artists in white uniforms are moving: stepping, turning, and executing a kick. The referee is also moving slightly.

The gym background (walls, floor) remains stable. The video glitch at the end is an artifact, not environmental motion or camera movement.


A person in a dark shirt and blue pants lies on the brick pavement left of center, with a brown dog resting nearby; a light brown dog lies in the foreground. A man in a white shirt and jeans walks right to left past the foreground dog, followed by a woman pushing a stroller that moves from right to left. A woman in a black dress walks from the background toward the lying person. The dogs remain stationary throughout. The camera is fixed, capturing the scene from a slightly elevated perspective with minimal movement.

A dog (initially lying, then standing and walking) and multiple people (walking, including one pushing a stroller) are moving due to locomotion.

The background (brick pavement and building) is static and unchanging; no fire, water, smoke, or wind effects are observed.


A person in a gray jacket and blue jeans stands on grass, holding a white bat, swings it forward, then lowers it while adjusting their stance. A yellow stand is positioned in front of them. The camera remains slightly shaky throughout.

Discrete objects: a person swinging a bat, with motion from physical force (swing action).

Background elements (fence, grass) are static with no visible fluid/environmental motion (fire, water, smoke, wind).


A man in a sleeveless top and dark pants walks toward a log in a grassy yard, lifts an axe, and swings it downward toward the log, casting a long shadow on the ground. The camera follows his movement with a slight pan left.

A person (discrete solid object) is moving while swinging an axe; the person's locomotion and axe motion are distinct physical actions driven by the person's own force.

The wooden fence and grass background show no uniform shifting; minor grass movement is present but not dominant. No fire, water, or significant wind effects observed.


Seven dancers in black and red attire move in unison across a dance studio floor, stepping rhythmically and swinging sticks in synchronized motion; they advance from left to right, forming a line that shifts leftward as they progress. Camera remains stationary, capturing the group from a fixed angle.

Multiple dancers (solid, distinct objects) move in coordinated formations across the floor, exhibiting locomotion-driven motion (dancing)

Static walls with logos (e.g., 'HARLEQUIN') show no uniform shifting or fluid motion; no fire, water, smoke, or wind present.


A person in black shorts, black tank top, black gloves, and black shoes lifts a black barbell from a squat position, standing upright while holding it horizontally in front. The camera begins with a close-up of the lower body and barbell, then transitions to a full-body view.

A person (discrete object) performs a barbell lift, moving the barbell upward through controlled motion. The barbell and weight plates are solid objects exhibiting explicit physical motion due to the person's lifting action.

The background is a uniform white space with no shifting elements or environmental fluids (fire, water, smoke, wind). Static background elements remain consistent across frames, indicating no ambient environmental motion.


YOUR FINAL CAPTION HERE

The shirtless drummer and drum set are discrete objects: the drummer's arms/hands move to strike cymbals and drums, causing vibrations and displacement of drumsticks and drumheads.

The background walls are static with no shifting or fluid motion; no fire, water, smoke, or wind is present.


A female dancer in a white top and black shorts, barefoot, performs on stage. She begins spinning rapidly with arms extended, then leaps into the air, landing on one leg while extending the other. She continues spinning with fluid, synchronized arm and leg movements. The camera remains steady, capturing her performance against a dark stage backdrop.

A ballerina (solid, distinct object) performs discrete dance movements including leaps, spins, and balance holds with precise limb motions.

The stage background (dark backdrop with static text) shows no shifting or environmental motion; no fire, water, smoke, or wind present.


A person’s hands open a small white-lidded container over a green bowl on a metallic surface, then set the container aside and stir the bowl’s contents with a utensil. The hands move rhythmically, mixing the ingredients. The camera maintains a close-up, slightly shaky perspective focused on the hands and bowl.

Discrete objects: egg (being cracked) and spoon (stirring contents). Both move due to explicit physical forces applied by hands.

Background is static (kitchen counter, containers, etc.) with no fluid or environmental motion (fire, water, smoke, wind). Dominant motion is from human hands.


A man in a black shirt stands in a gym, holding a metallic dumbbell with both hands, moving his arms in a rotational motion. He is positioned in front of weight racks and gym equipment. The camera remains static throughout.

The man performs a weightlifting motion (bicep curl) with a barbell, moving his arms and the weights vertically. Solid objects (man, barbell) exhibit clear, repeatable physical motion due to muscle force.

The gym background (equipment, signage) is stationary with no fluid motion (fire, water, smoke) or wind. Static elements like the 'THE DUNN' sign and weight racks show no shifting, indicating no ambient environmental motion.


A high school track race features multiple runners in red and white uniforms competing on a green field. A runner in a white top and blue shorts approaches a hurdle, jumps over it, and stumbles, falling backward onto the track. A second runner in a red shirt continues running past the fallen athlete. The camera remains stationary, capturing the sequence from a fixed position on the track side.

Athletes running and jumping over hurdles exhibit locomotion and collisions, which are discrete solid object motions.

The background (track, grass, hurdles) is static and shows no fluid or environmental motion (e.g., fire, water, wind).


A man in a blue shirt and dark shorts sits on a black mat, pulling a resistance band attached to his right foot, moving it backward and forward. He remains seated on the mat with legs extended, while the band is held with both hands. The scene occurs indoors with a white rack holding blue exercise balls positioned behind him, and an orange cone structure to the right. The camera maintains a static, medium shot perspective throughout.

A person is performing a seated leg-stretching motion with hands gripping a strap, exhibiting discrete physical movement (leg extension/retraction, hand positioning).

Static background elements (shelf with blue balls, cardboard box, floor) show no uniform shifting or environmental motion (e.g., no fire, water, smoke, wind).


A person wearing a white shirt and blue pants walks from the left side of the frame toward a whiteboard on the right, then reaches upward with both hands to interact with it. The individual moves quickly across the room, passing by scattered chairs and dark walls in the background. The camera remains stationary with a slight shake throughout the sequence.

A person moves around the room, lifting and repositioning pillows, demonstrating locomotion and object handling with clear bounding box tracking.

Background elements (walls, furniture) remain static with no uniform shifting or fluid motion (fire, water, smoke, wind) observed.