RAW CAPTION: Got it, let's break this down. First, look at the video: four men working on a concrete slab. Need to describe their actions chronologically.

Start with the first frame. Four men: one in white shirt (left), one in white shirt and pants (middle), one in dark shirt (crouching), one in orange vest (right). They're spreading concrete. Let's check movements.

First, the guy in white shirt on left is using a tool to level. Then the guy in white shirt (maybe the one bending) is working. The one in dark shirt is crouching, maybe smoothing. The orange vest guy is standing with a tool.

Need to list actions in order. Let's see the sequence:

- The man in white shirt (left) is moving his tool across the concrete, smoothing it.
- The man in white shirt (middle) is bending over, possibly using a rake or something to spread.
- The man in dark shirt is crouching, working on the edge.
- The man in orange vest is standing near the building, holding a long tool.

Wait, the video shows them in motion. Let's check the frames. Each frame shows them moving. So the actions: they are all engaged in smoothing or spreading concrete. The camera is stationary, right? Because the background doesn't change, so camera perspective is fixed.

Now, chronologically: four men work together on a concrete slab. The man in light gray shirt (left) uses a long tool to level concrete; the man in white shirt (center) bends and spreads; the man in dark shirt (front) crouches and smoothes; the man in orange vest (right) stands, holding a tool. All move their tools across the slab.

Wait, the caption needs to be concise. Let's structure it:

"Four men work on a concrete slab: a man in a light gray shirt and jeans levels the concrete with a long tool on the left; a man in a white shirt bends over the slab, spreading it; a man in a dark shirt crouches, smoothing the edge; and a man in an orange vest stands to the right, holding a tool. They move their tools rhythmically across the surface. The camera remains stationary."

Check the rules: focus on motion, chronological. So describe actions in order of time. Let's make sure each action is part of the process. The key is their motions as they work.

Also, mention spatial relationships: left, center, front (crouching), right. The concrete slab is in front of a building with a black fence.

Wait, background: a building with a black metal fence. But background descriptions minimal. So maybe just note the location (concrete slab near a building with fence) but not too much.

So the caption should be:

Four men work on a concrete slab. The man in a light gray shirt and jeans levels the concrete with a long tool on the left; the man in a white shirt bends and spreads it; the man in a dark shirt crouches to smooth the edge; and the man in an orange vest stands to the right holding a tool. They move their tools rhythmically across the slab. The camera is stationary.

Wait, check the rules: chronological paragraph. So list the actions in the order they happen. But in the video, all are working at the same time, so describe their positions and actions as they work.

Also, appearance: color, size, orientation. So for each, their clothes.

Let's list:

- Man 1: light gray shirt, jeans, left side, using tool to level.
- Man 2: white shirt, bending over, center, spreading.
- Man 3: dark shirt, crouching, front, smoothing edge.
- Man 4: orange vest, right side, standing, holding tool.

Yes, that's the order. Now, make a concise paragraph.

Possible caption: "Four men work on a concrete slab: a man in a light gray shirt and jeans levels it with a long tool on the left, a man in a white shirt bends over to spread it, a man in a dark shirt crouches to smooth the edge, and a man in an orange vest stands to the right holding a tool. They move their tools rhythmically across the surface. The camera remains stationary."

Check for rules: a) motion and behavior in chronological order (they are working simultaneously, so describe their actions as the process). b) appearance and number (four men, their clothes). c) spatial relationships (left, center, front, right). d) camera perspective (stationary). e) background minimal (the slab is near a building with fence, but "concrete slab" is enough). f) no text, no named characters.

Yes, that should work.
</think>

<caption_output>Four men

Three workers exhibit discrete, solid motion: a standing worker (left) moves slightly while smoothing concrete, a kneeling worker (center) shifts position while spreading material, and a standing worker (right) adjusts his tool. All movements are due to manual labor.

The background (fence, house, trees) is stable with no significant ambient environmental motion; trees show minimal sway but no dominant fire, water, smoke, or wind effects.


Two boys sit on a beige couch; the boy in a red long-sleeve shirt holds shoes while the boy in a blue short-sleeve shirt gestures with his hands. The red-shirted boy looks down at his hands, then the blue-shirted boy reaches toward the right side of the couch. The camera remains stationary throughout.

Two children (boys) sitting on a couch: the boy on the right moves his arms and the object he holds (e.g., adjusting position, gesturing), while the boy on the left shifts his legs and occasionally interacts with an object in his hands.

The background (wall and decorative metal piece) remains static throughout; no shifting background elements or environmental fluids (fire, water, smoke, wind) are present.


A person with long dark hair and earrings brings their right hand to their mouth, then moves the hand away, followed by lifting their right hand to adjust their hair. The background features a green wall and window. The camera maintains a close-up, static perspective.

The person (discrete solid object) is moving their head and hand, indicating deliberate motion from the subject's actions.

The background (green wall and window) is static with no fluid or environmental motion; no uniform shifting of background elements.


A hand with a bracelet threads a gold needle through white fabric stretched on an embroidery hoop, manipulating the thread to form stitches. The camera slightly pans to reveal scissors and supplies on a table, then returns to the hand’s precise threading motion. The perspective remains close-up throughout, focusing on the detailed embroidery process.

The hand manipulates a needle and thread, moving them through the fabric in an embroidery action. The needle is pulled through the fabric, creating a loop.

The background (table, card, and objects) is mostly stationary with no fluid or environmental motion. There is minimal background shift, but not uniform (e.g., no panning), so not camera_motion.


In a sunlit backyard, a man in a dark shirt and jeans kneels on a patterned blanket spread over grass, holding a rifle with both hands. He adjusts his grip on the rifle, shifting its position slightly. Various items, including a water bottle and a bag, lie on the blanket nearby. The background features a house and trees. The camera remains stationary with a slight shake throughout the sequence.

A person sitting on a blanket is manipulating an object (likely a small animal or toy) with their hands. The hands and the object are moving due to the person's actions.

The background (building, grass, trees) is stationary. No fire, water, smoke, or wind is observed. The scene is calm.


RAW CAPTION: Got it, let's tackle this video caption. First, the main subjects are a group of performers on stage. They're holding tall, colorful batons with lights at the top. Let's check the number: there are several, maybe around a dozen? They're in pink and purple costumes. The motion: they start with batons raised, then move them in synchronized patterns. The spatial arrangement—they're grouped, maybe in a formation where some are in the center, others around. The camera perspective: the video seems to have a slight shake, maybe handheld, and it's a medium shot from the audience's view. Background is dark with stage lighting, so minimal details. Need to be chronological: start with their pose, then movement. Let's outline:

1. Performers in pink and purple costumes hold illuminated batons on stage.
2. They move batons in synchronized patterns, raising and lowering them.
3. Camera captures from audience perspective with slight shake.
4. Background is dark, stage lights highlight the performers.

Wait, need to keep it concise, chronological. Let's check the rules: focus on motion and behavior in order. So first, initial pose, then actions. The video starts with them holding batons high, then moving. Let's see the frames: they're dancing, batons move up and down. Number: around 10-12 performers. Appearance: bright pink and purple, batons with colored lights (red, green, purple maybe). Spatial: group in a line or formation. Camera: slight shake, medium shot.

Putting it all together:

A group of dancers in pink and purple costumes perform on stage, each holding tall, illuminated batons. They begin with batons raised high, then synchronize movements to lower and raise the batons in rhythmic patterns. The performers maintain a compact formation, with some positioned slightly behind others. The camera captures the action from a fixed audience perspective with a subtle shake, emphasizing the dynamic motion against a dark backdrop.

Wait, check if all rules are met: chronological (yes), appearance and number (pink/purple costumes, batons), spatial (compact formation), camera (fixed audience, shake), background minimal. Also exclude text, names, etc.

Wait the video shows them moving the batons up and down, maybe some spins? The first frame shows them high, then moving. Let's make it more precise. "A group of dancers in pink and purple costumes hold tall batons with illuminated tops, performing synchronized movements on stage. They begin with batons raised vertically, then lower and raise them in coordinated patterns, maintaining a tight formation. The camera remains stationary with a slight shake, capturing the performers’ dynamic motion against a dark stage backdrop."

Hmm, need to check the number of people—probably 10-12. Also, baton colors: red, green, purple. Maybe mention baton colors? The first frame shows red, green, purple. But maybe just "illuminated batons" is enough. Let's see.

Another angle: "Dancers in pink and purple outfits raise tall batons with glowing ends, moving in unison on stage. They coordinate to raise and lower the batons in rhythmic patterns, forming a dense group. The camera, positioned at audience level with a slight shake, captures their performance against a dark background."

Wait, the rules say "briefly describe appearance and number". So "a group of dancers (approx. 10-12) in pink and purple costumes" – but maybe just "a group of dancers in pink and purple costumes" is okay.

Let me check the example structure. The output should be a paragraph. Let's try:

A group of dancers in pink and purple costumes perform on stage, each holding tall batons with illuminated tops. They begin with batons raised high, then synchronously lower and raise the batons in rhythmic patterns, maintaining a tight formation. The camera captures the scene from a fixed audience perspective with a slight shake, focusing on the dancers' coordinated movements against a dark backdrop.

Yes, that covers chronological order (begin with raised, then lower/raise), appearance (pink/purple costumes, batons), spatial (tight formation), camera (fixed audience, shake), background minimal. Let's check rules:

a) Motion in order: yes.

b) Appearance and number: yes, "group of dancers in pink and purple" (number is implied, not exact).

c) Spatial: "tight formation".

d) Camera: "fixed audience perspective with slight shake".

e) Background minimal.

f) Excluded text, etc.

Looks good.
</think>

<caption_output>A group of dancers in pink and purple costumes perform on stage, each holding tall batons with illuminated tops. They begin with batons raised high, then synchronously lower and raise the batons in rhythmic patterns, maintaining a tight formation. The

Discrete solid objects (dancers) moving via locomotion; their bounding boxes are stable and trackable as they perform coordinated movements on stage.

No shifting background elements or fluid/environmental motion (fire, water, smoke, wind) observed; stage backdrop and curtains remain static throughout the frames.


A person wearing a red dress stands near a window with intricate wall art, turns left, reaches upward, lifts their arm, then lowers it. The camera remains static.

A person is moving (turning, reaching, adjusting posture) in the room.

The background (walls, window) is stable with no shifting. No ambient environmental motion (fire, water, smoke, wind) is present.


A man in a dark shirt holds a young girl wearing a red shirt with colorful balloon graphics as she stands in front of a pink frosted cake with two lit candles. The girl leans forward, focusing on the flames, then blows out the candles while the man supports her from behind. The camera remains stationary, capturing the interaction from a fixed angle with minimal background detail visible.

The child (wearing red shirt) moves her head and body to blow out the candles, and the adult holds her with minor movements.

Background includes kitchen elements (refrigerator, cabinets) which are static. Candles are burning, but the motion is minor and not dominant; therefore, not classified as ambient_environmental.


A woman in a green top and black pants uses crutches to walk forward, accompanied by a man in a dark shirt and jeans. She moves in front of the man, who stays to her right, then turns slightly to her right. The camera follows their movement with a slight shake, capturing them in a room with scattered chairs and tables.

Two individuals are walking: a person using crutches and another person following. The walking motion is due to explicit physical forces (locomotion) and can be tracked with bounding boxes.

The background elements (walls, chairs, table) remain static and do not shift uniformly, indicating no camera-induced background motion. There is no fluid or environmental motion (fire, water, smoke, wind) present.


A man wearing a light gray t-shirt, gray cap, and glasses holds two objects, moving them up and down rhythmically in front of his body. The background features a window to the left with light, a black suitcase, and a clothing rack. The camera remains stationary with a slight shake.

A man is moving his hands and body while holding a microphone and a banana, with clear discrete object motion from his gestures and speech.

The background (window, furniture) is static and unchanging; no ambient environmental motion (fire, water, wind) is observed.


RAW CAPTION: Got it, let's tackle this. First, I need to describe the video in chronological order. The video starts with a group playing ice hockey at night. Let's check the frames.

Frame 0: Four people. One in black on left, red shirt in middle, two others. They're on ice, holding sticks. The scene is lit by overhead lights, snow around.

Frame 1: Maybe they move. The person in red is skating, maybe passing. Wait, need to track motion.

Frame 2: More movement. The person in red is moving, others are skating. The camera might pan.

Frame 3: The action continues, people moving around the rink.

Frame 4: They're skating in different directions, maybe pursuing the puck.

Frame 5: Still playing, the puck is being chased, players moving.

Now, focus on main subjects: four people (colors: black, red, dark blue, maybe another black? Wait, first frame: left person black, red shirt, then two others—maybe two more? Wait, frame 0 shows four people. Let's confirm. The video has four players. Colors: one in black (left), red shirt, another in dark blue (right), and maybe a fourth? Wait, frame 0: left is black, red, then two others (one in dark blue, one maybe another). Wait, let's count.

In frame 0: four people. Left: black jacket, red shirt (middle), dark blue (right), and another? Wait, maybe three? Wait, no, the first frame shows four. Let's see the movement.

Chronologically:

- Starts with four people on ice rink. One in black, red shirt, another in dark blue, and maybe a fourth? Wait, frame 0: positions: leftmost is black (jacket, helmet), then red shirt, then a person with stick (maybe dark blue), and another person (maybe black) on the right. Wait, maybe four players.

Then, in the video, they start moving. The person in red skates towards the puck, then passes. The others move accordingly.

Need to describe each step briefly.

Main subjects: four hockey players (one in black, one in red, two in dark colors).

Action: At night, on ice rink under lights. They pass the puck, skate around. The camera moves to follow the action, panning as they move.

Let's structure:

At night on an ice rink illuminated by overhead lights, four hockey players (one in black, one in red, two in dark blue/black) begin playing. The player in red skates toward the puck, passes it, and the others move to chase. They glide across the ice, shifting positions as the puck travels. The camera pans left to follow the action, capturing their dynamic movements against the snow-lined rink.

Wait, need to be concise. Check rules: chronological, motion, appearance, spatial, camera.

First, list the main subjects: four players. Colors: black, red, two others (maybe dark blue or black). Motion: starting in a formation, passing, skating.

Let me check the frames again.

Frame 0: Players at the start. Left: black, red shirt, then two (one dark blue, one maybe another dark).

Frame 1: Players move. The red shirt skates towards the center, others adjust.

Frame 2: Action continues, maybe the puck is moved by someone.

Frame 3: Players are spreading out, skating.

Frame 4: More movement, puck being chased.

Frame 5: Still in motion.

So the sequence: The four players start in a group. The player in red skates forward, passes the puck. The others move to intercept. The camera pans to follow their movement.

Need to mention spatial: e.g., player in red is in front, others behind.

Wait, in frame 0: the puck is on the ice. The player in red is holding the stick, maybe about to hit. Then, as the video progresses, the red player moves, the puck is hit, others chase.

Let's draft:

At night, four hockey players (one in black, one in red, two in dark blue) on an ice rink with snowbanks and overhead lights start playing. The red-shirted player skates toward the puck, passes it, and the others move to chase. They glide across the ice, shifting positions as the puck travels. The camera pans left to follow the action, capturing their dynamic skating against the snow-lined rink.

Check rules: chronological order, motion, appearance, spatial (e.g., red player moves toward puck, others chase), camera movement (pan left), minimal background.

Make sure not to include extra details. Keep it concise.

Alternative:

Under nighttime lights on an ice

Multiple individuals on skates exhibit locomotion with visible motion (sliding, turning) across the snowy surface, driven by physical forces from skating.

No shifting background elements (ground, structures) or fluid/environmental motion (fire, water, wind) observed. Background remains static under consistent lighting.


The video shows multiple people in a room around a table filled with electronic components and tools. A person in a white shirt crouches to work on items, while another in a blue shirt bends over the table. A woman in a black hoodie adjusts her hair and gestures near the table. Other individuals, including one in a purple shirt, move around the room, with some standing and others engaged with the table. The camera remains slightly shaky, panning to capture the group's activities and spatial arrangement around the table.

Multiple people are moving: one adjusts hair, others interact with objects on tables (e.g., bending, reaching).

Background elements (walls, furniture) show no uniform shifting. No fire, water, smoke, or wind present.


A woman lies face down on a massage table, covered with a white towel except for her bare back, while a person in a blue shirt uses a white cloth to massage her upper back. The masseuse moves the cloth in circular motions across her back, their hands positioned behind her. To the right, a blue bottle and red containers sit on a wooden tray. The camera remains stationary at a close angle, capturing the massage process without movement.

The massager's hands (discrete solid object) move rhythmically across the woman's back, applying pressure and shifting position during the massage. The woman remains stationary (lying still) while the massager's hands exhibit controlled locomotion.

No shifting background elements. The window frame and distant trees remain stationary throughout the sequence. No fire, water, smoke, or wind-induced motion observed in the environment.


The video begins with a black screen, transitioning to a white screen. It then cuts to a person in a white polo shirt standing behind a metal table cluttered with multiple yellow flashlights and tools. The individual holds a yellow flashlight in one hand and gestures with the other while speaking. The background is a plain gray backdrop, and the camera remains stationary in a medium shot.

The man is holding and manipulating a flashlight with hand movements; all objects on the table (flashlights, tools) are stationary.

Background is static light gray curtain with no shifting or movement; no fire, water, smoke, or wind observed.


A person wearing a blue shirt and long dark hair leans over a yellow basin. They hold a clear glass container with their right hand, moving it downward toward the basin. The person maintains a bent-forward posture while interacting with the container. Background elements include indistinct metallic structures. The camera provides a top-down view with slight movement, focusing on the person’s hands and the basin.

A person in a blue shirt is actively moving their head and hands while holding a large white bowl on a yellow tray. Motion is localized to the person's upper body due to intentional actions (e.g., adjusting grip, turning head).

The kitchen background (cabinets, sink, countertops) is static with no shifting elements or fluid/environmental motion (fire, water, smoke, wind). Background remains consistent across all frames.


RAW CAPTION: Got it, let's tackle this video caption. First, I need to follow the rules. The video shows hands working on something. Let's break down the frames.

In the first frame, there's a close-up of hands. One hand holds a green fuzzy object, the other is holding a pair of pliers or scissors maybe. The green object is being manipulated. Then in the next frames, the green fuzzy part is attached to a hair-like structure (the brownish hair). The person is using their fingers to adjust the green part, maybe attaching it to the hair. The main subjects are the hands, the green fuzzy object, and the hair.

Chronic order: hands hold green fuzzy object, then use pliers to attach to hair, then adjust the green part with fingers. The green object is small, fuzzy, bright green. The hair is light brown, long. Hands are working on a dark surface maybe (black shirt). Background is minimal, so focus on motion.

Spatial: hands in front, green object is being handled by hands. The pliers are held in one hand, green object in the other. Then the hair is on the other side of the pliers.

Camera perspective: close-up, maybe slightly shaky, focusing on hands and objects. No movement mentioned, just close-up.

Now, structure the caption:

- Start with hands holding green fuzzy object, then using pliers to attach to hair, adjusting.

Check rules: chronological motion, appearance (green fuzzy, light brown hair), spatial (hands manipulating), camera close-up.

Let me draft:

A pair of hands manipulates a bright green fuzzy object, using pliers to attach it to a light brown hair-like strand. The hands adjust the green object with fingers, positioning it against the hair. The camera maintains a close-up perspective, focusing on the hands and objects with slight movement.

Wait, check rule f: exclude text, named characters. So no mention of pliers name, just "pliers" is okay.

Wait, in frame 2, it's a green fuzzy part being attached to a hair strand. The hands are working. Let's make sure it's chronological.

Frame 0: hands holding green fuzzy object (possibly with pliers? Wait, frame 0 shows hands, one holding a thin wire maybe with green fuzzy on top, the other hand holding pliers? Wait, no. Wait, the first frame: a person's hands, left hand holding a thin wire with green fuzzy at the top, right hand holding pliers. Then frame 1: close-up of the green fuzzy part being pulled by pliers (maybe the pliers are used to hold the hair strand). Wait, the second frame shows a green fuzzy part, with a black tool (pliers) holding a brown hair strand. Then the hands are adjusting the green fuzzy part.

So sequence:

- Hands hold a green fuzzy object (attached to a wire) and pliers holding a brown hair strand.

- The hands manipulate the green fuzzy object, using fingers to position it against the hair strand.

So the steps:

1. The hands hold a green fuzzy object (bright green, small) with a thin wire, and use pliers to hold a light brown hair strand.

2. The hands adjust the green fuzzy object, positioning it against the hair strand.

3. The hands continue manipulating the green object, securing it to the hair.

Camera: close-up, focusing on hands and objects, slight movement.

Now, condense into a concise paragraph.

"A pair of hands manipulates a bright green fuzzy object, using pliers to position it against a light brown hair-like strand. The hands adjust the green object with fingers, securing it to the hair. The camera maintains a close-up perspective, focusing on the hands and objects with minimal movement."

Wait, check if the green object is on a wire. In frame 0, the left hand is holding a wire with green fuzzy, so maybe the wire is part of the object. But the rules say describe appearance: bright green fuzzy object (size, color), hair-like strand (light brown).

Check for minimal background: background is dark, but rules say minimal unless essential. So maybe mention the dark shirt (since it's a person's shirt), but the rules say "background descriptions minimal unless essential". Since the shirt is part of the person, maybe "a person wearing a dark shirt" is okay? Wait, the first frame shows part of a person's face (lower part, mouth), so the person is in a dark shirt. But maybe the background is the shirt, which is dark. But the rules say minimal, so perhaps "a person in a dark shirt" is okay. Wait, rule b: "briefly describe their appearance and number (color, size, orientation)"—the main subjects are hands, green object, hair.

So maybe:

"Hands hold a bright green fuzzy object on

Hands manipulate green string and a tool (likely a heat tool) to shape the string, applying explicit physical forces.

No shifting background; no fire, water, smoke, or wind present. Background remains static.


Hands hold a light brown egg above a clear glass bowl, then crack the egg open; egg white and yolk stream into the bowl as the shell halves separate. The hands remain positioned above the bowl throughout, with the background blurred. Camera maintains a close-up perspective, capturing the egg-cracking motion in detail.

Hands actively cracking an egg, with shell pieces separating and egg contents dripping into a glass bowl. Discrete objects (hands, egg, shell) exhibit motion from applied force.

Background (white fabric) shows no uniform shifting; egg white dripping is a fluid motion but secondary to discrete actions. No fire, water, smoke, or wind dominates.


A baby wearing a pink outfit with an orange shirt lies on a carpeted floor, surrounded by scattered toys including a red structure, green house, and colorful blocks. The baby raises their right arm upward, then the left arm, followed by kicking their legs. The camera maintains a static top-down perspective throughout.

Baby (discrete solid object) moves by itself (head turning, limb movements), indicating physical locomotion.

Background is static (carpet and toys remain fixed). No environmental fluids (fire, water, smoke, wind) detected.


Hands dip a piece of food into a white bowl containing yellow egg mixture, then transfer it to a plate of brown breadcrumbs, pressing the crumbs onto the food. The sequence is repeated twice with the bowls positioned side by side on a wooden surface. The camera maintains a top-down perspective throughout.

Hands manipulate solid objects: dipping bread into yellow liquid (eggs), coating with brown crumbs, and placing into a frying pan.

Background elements (wooden table, plates) show no shifting or uniform motion; no fire, water, smoke, or wind present.


A person’s hand, clad in a green and black striped sleeve, presses down on a stack of white paper positioned on a black printer. The hand remains stationary, applying pressure to the paper stack as it sits on the printer’s input tray. The camera maintains a top-down perspective with minimal movement, capturing the hand’s action against a background of cables and electronic equipment.

A person's hand is slightly moving to adjust a sheet of paper on a printer, representing a discrete solid object (the hand) in controlled motion.

The background elements (printer, desk, and surrounding office items) are stationary with no visible shifting or environmental motion (e.g., fire, water, wind).


A gray robotic arm on a perforated metal surface moves right to grasp a small white cylindrical object. The arm lifts the object from the right side of the frame, holding it upward. The camera maintains a top-down view with slight shake, focusing on the arm’s motion against the grid-patterned background.

A hand holding a bottle pours liquid into a container (cup), with solid objects (hand, bottle, cup) moving due to physical pouring action.

Static grid floor and walls with no uniform shifting; no fire, water, or wind dominating the scene.


A blonde woman in a black sports outfit and black boots and an older man in a black t-shirt, beige shorts, and white sneakers stand on grass before a brick building. The woman moves her arms while holding an object, then bends forward to adjust it, while the man similarly bends to examine his item. They remain positioned in front of the building with a green chair visible in the background. The camera is stationary with a slight shake.

Two solid objects (a young woman in athletic wear and an older man in casual clothing) exhibit discrete physical motion: the woman throws a red object (likely a frisbee), the man bends and reacts to the throw, and both manipulate small handheld items. Their movements are caused by explicit physical forces (throwing, catching, bending) and are trackable as distinct entities.

The background (brick building, windows, green folding chair, grass) shows no shifting or environmental fluid motion (fire, water, smoke, wind). All static elements remain fixed throughout the frames, indicating no ambient environmental dominance.


Hands hold a clear container with water and a small green object over a wooden surface. The hands then manipulate a metallic tool with a yellow handle, positioning it on a metal rod atop a black work surface scattered with small metallic pieces. A person wearing a pink shirt and blue safety goggles holds the tool while working under a bright light. The camera shifts between close-up views of the hands and tool and a medium shot of the person.

A person's hands are manipulating a solid tool (green/yellow object) against a metal rod. The tool moves incrementally as the person applies force, indicating discrete solid-object motion.

The background includes a workbench with tools and containers; no fluid/environmental motion (fire, water, wind) is observed. Background elements (e.g., workbench, wall) show no uniform shift, indicating no dominant ambient environmental motion.


A person with light brown hair and a light gray top adjusts their forehead with one hand, then moves the hand toward their eye area, briefly pointing at their eye. The camera maintains a close-up perspective with slight movement, capturing the sequence of hand motions against a blurred indoor background.

A person (discrete solid object) is moving their head and hand. The motion is due to voluntary physical movement.

The background changes from a scene with shelves to a plain wall, indicating a scene transition rather than uniform background shift. No environmental fluids (fire, water, smoke) are present.


A person uses a brush to apply foundation across the forehead and cheeks, then moves the brush to the eyelids, and finally to the neck, spreading the product evenly with visible brush strokes. The camera remains closely focused on the face and neck during the application sequence.

The person's hand moving a makeup brush across the face and neck is the discrete solid object in motion, applying foundation.

The background is a static wall with no fluid or environmental motion (no fire, water, smoke, or wind).


An ice climber in an orange jacket, black pants, and helmet ascends a snow-covered icy cliff using ice axes and crampons. The camera begins with a medium shot from behind the climber, then zooms in on their legs and crampons as they secure their position, and continues to follow the climber's upward motion. Snow and ice formations form the background.

A climber (wearing red jacket, black pants, ice axe, and crampons) is ascending a snow/ice-covered slope, with discrete movements of limbs and equipment interacting with the ice surface.

Background elements (ice wall, snow, trees) remain static with no uniform shifting; no fire, water, or significant wind motion observed in the environment.


A man in a light green shirt and beige pants stands facing a group of men, gesturing as he speaks. The group includes men in white, red, and dark clothing, some holding items like a clipboard while others stand with arms crossed. The man in green turns slightly, moving across the frame while addressing the crowd. The camera follows his movement with a slight pan. Background elements include parked cars and a green tent, but focus remains on the interaction between the speaker and the group.

Discrete solid objects (people) exhibit minimal locomotion—subtle shifts in posture, gestures, and slight positional adjustments as they interact (e.g., conversing, observing). No collisions or rapid physical forces are evident.

The background features static elements like trees, tents, and vehicles. No significant fluid motion (fire, water, smoke) or environmental sway (wind) is observed. Background elements remain consistent across frames with no uniform shifting.


A person wearing blue shorts lowers their legs into a white bucket filled with a dark, granular substance, moving their hands through the contents while standing on grass scattered with fallen leaves; a metal chair is visible to the right of the bucket. The camera maintains a top-down perspective with slight movement.

A person's feet (in blue shorts) are actively moving and displacing mud within a white bucket, demonstrating discrete object motion due to physical force application.

The background (grass, fallen leaves, metal chair) remains stable with no shifting motion or ambient environmental phenomena (e.g., fire, flowing water, wind).


A barefoot woman in a white sleeveless dress stands in a room, gesturing with her hands before spinning in place, her dress flowing as she moves. The camera remains stationary.

A woman (solid object) is performing dance movements with arms and body motions; her motion is discrete and tracked via bounding box.

Background elements (walls, furniture, floor) show no uniform shifting or fluid motion; no fire, water, smoke, or wind detected.


RAW CAPTION: Okay, let's tackle this caption request. The user wants a concise chronological paragraph describing the video. First, I need to watch the video segments provided.

The first part shows a person wearing a blue and red cap with a maroon shirt. The person is facing left, then turns their head to the right. Then they tilt their head down and raise their right hand to adjust the cap. After that, the scene cuts to a close-up of colorful ribbons.

So the main subjects here are the person and the ribbons. For the person: blue and red cap, maroon shirt. Actions: turns head, tilts, adjusts cap. Then the ribbons appear, which are various colors like black, dark blue, pink, etc., lined up. The background is plain white, so minimal description needed.

Rules say to focus on motion and behavior in chronological order. Mention appearance and spatial relationships. Camera movement: the first part is a side view, then the person turns, then the camera cuts to the ribbons. The ribbons are shown in a close-up, so camera perspective is top-down? Wait, the ribbons are lying flat, so maybe a close-up shot.

Need to keep it concise. Start with the person's actions, then the transition to the ribbons. Don't mention background unless essential, but the plain white is necessary for context. Avoid text recognition or stylistic analysis.

Let me structure it: The person (describe appearance) turns head, tilts, adjusts cap. Then cuts to ribbons. The ribbons are in a row, colors mentioned. Camera perspective: starts with side view, then close-up on ribbons.

Check rules: mention spatial relationships. The person is in front of white background. The ribbons are arranged in a line. Camera movement: slight pan left when the person turns, then cuts to ribbons. Wait, the first clip is a side view, then they turn their head, so maybe the camera moves slightly? Or it's a fixed shot. The video shows the person turning their head, so the camera might be static but the person moves. Then the scene cuts to the ribbons.

So the caption should be: A person with long blonde hair, wearing a blue and red cap and maroon shirt, turns their head right and then tilts down while raising their right hand to adjust the cap; the scene cuts to a close-up of multicolored ribbons (black, dark blue, green, pink, light blue) laid out side by side on a white surface. The camera remains static except for the cut to the ribbons.

Wait, need to check the exact order. The first part is the person, then the ribbons. The person's actions are turning head, then tilting, then adjusting cap. Then the ribbons. The camera perspective: the first part is a side view, then when they adjust the cap, maybe a slight shake? But the rules say to mention camera perspective at the end. The last instruction says "conclude with the camera perspective and movement". So after describing the events, state the camera.

Wait, the example in the rules says "Conclude with the camera perspective and movement (e.g., top-down, pan left, slight shake)". So the caption should end with that.

So the person is in a side view, then turns, etc., then the camera cuts to a close-up of the ribbons. So camera movement: starts with a static side shot, then cuts to a close-up of the ribbons. So the final part would be "The camera remains static initially before cutting to a close-up of the ribbons."

Wait, but the user says "conclude with the camera perspective and movement". So the last sentence should be about the camera.

Let me draft it:

A person with long blonde hair, wearing a blue and red cap and maroon shirt, turns their head to the right, tilts their head down, and raises their right hand to adjust the cap; the scene then cuts to a close-up of multicolored ribbons (black, dark blue, green, pink, light blue) arranged in a line on a white surface. The camera remains static during the person's actions before cutting to the ribbons.

But the rules say "conclude with the camera perspective and movement". So maybe the last part should be "The camera starts with a side view, then cuts to a top-down close-up of the ribbons."

Wait, the ribbons are shown lying flat, so the camera is top-down? Or is it a standard close-up? The description says "a close-up of multicolored ribbons (black, dark blue, green, pink, light blue) arranged in a line". So the camera angle for the ribbons is a close-up, but maybe from above? The video description says "a close-up of multicolored ribbons"

A person is moving their head and hand (waving and adjusting cap); the subsequent scene shows static ties.

The background is a static white wall with no shifting or environmental motion. The only motion is the person's head and hand movements.


A person in a gray t-shirt uses a green power drill to work on a horizontal wooden plank supported by a wooden block; the camera zooms in to show the drill bit penetrating the wood.

The person's hands and power drill are moving; the drill is actively rotating and applying force to the wood, causing discrete motion.

Background elements (e.g., wall decorations) are static with no shifting or fluid motion detected.


RAW CAPTION: Got it, let's break this down. The video shows two people on a sailboat. First, I need to note the chronological order. The first frame has them on the boat, moving. Let's check the actions. They're handling the sails or steering. The person in the front (taller, dark hoodie, maybe a hat) is facing forward, then the other person (shorter, also dark hoodie, maybe a cap) is behind. Wait, the video starts with a view from the deck, then the camera moves around. Wait, the movement: in the first few frames, the camera is on the boat, showing the two people. The main subjects: two men. One is older, wearing a dark hoodie, light pants, facing forward. The other is younger, maybe in a dark jacket, also facing forward. They're on the sailboat, which has a white sail. The background is the ocean, a lighthouse in the distance. But per the rules, minimal background.

Chronic order: The video starts with the two individuals on the sailboat. The older man in the dark hoodie is standing near the sail, the younger man is behind him. Then the camera moves slightly, showing their positions. The older man turns slightly, maybe adjusting the sail. The younger man is looking forward. Then the camera pans around, showing their movement. Wait, the description needs to be chronological.

Wait, the video: the first frame shows the two people from the front, then the camera moves, showing them from different angles. Let's see: the first frame (0.0) has the older man in front, then as the video progresses, the camera shifts, showing the younger man in the foreground. The two people are on the boat, sailing.

Appearance: two men. Older man: gray hair, dark hoodie, light pants. Younger man: brown hair, dark jacket, maybe sunglasses. They're standing on the deck of a sailboat with a white sail. The sail is on the right. They're facing the direction of travel, with the ocean and a lighthouse in the background.

Spatial relationships: The older man is slightly ahead of the younger man. The younger man is positioned to the left of the older man (from the camera's perspective in some frames). Wait, in the first frame, the older man is to the left, but maybe the camera moves.

Camera perspective: The camera starts from a position on the boat, looking forward, then moves to the side, capturing both individuals. The camera movement is a slight pan.

Background: Minimal, just ocean and lighthouse, but per rules, keep it minimal. So focus on the subjects' motion.

The two men are actively sailing. The older man adjusts his position, perhaps managing the sail, while the younger man follows.

Putting it all together chronologically: The video begins with two men on a sailboat; the older man in a dark hoodie and light pants stands forward, while the younger man in a dark jacket stands behind him. They move slightly as they navigate, with the older man adjusting his stance. The camera pans to the side, capturing their positions on the deck.

Check rules: a) motion and behavior in chronological order. The video starts with them on the boat, then they move (adjusting positions), camera pans.

b) appearance: two men, older (gray hair, dark hoodie, light pants), younger (brown hair, dark jacket).

c) spatial: older ahead of younger, younger to the left in some frames.

d) camera: starts from deck, pans slightly.

e) background minimal.

f) exclude text, names, etc.

So the caption should be concise. Let's draft:

Two men are aboard a sailboat; the older man in a dark hoodie and light pants stands forward, while the younger man in a dark jacket is positioned behind him. They adjust their stances as they navigate, with the older man turning slightly. The camera pans around the deck, capturing their movements.

Wait, need to be more precise. Let's check the frames. The first frame shows the older man (gray hair) facing the lighthouse direction, the younger man (brown hair) is behind him. Then the camera moves, so the order changes.

Chronological: The video opens with the two men on the sailboat, the older man in a dark hoodie and light pants facing forward, the younger man in a dark jacket standing behind him. They shift positions slightly as they sail, with the older man turning his head. The camera pans to the left, showing their movements on the deck.

Wait, but the rules say "briefly describe their appearance and number (color, size, orientation)". So for appearance: two men, older: dark hoodie, light pants, gray hair, tall; younger: dark

Two people are visible on the sailboat. One person is actively adjusting the sail (moving arms and upper body), while the other remains seated. Their movements are distinct physical actions on the boat's deck.

The background includes the ocean and clear sky. The water shows gentle waves (ambient environmental), but the horizon remains static, indicating no significant background shift. The sky is clear with no wind-induced motion visible.


A shirtless person in dark swim trunks swims on their back across a pool, moving toward the right edge where a person in white shorts stands near the pool steps. The swimmer approaches the edge while the camera, positioned at the poolside, exhibits slight movement and shake.

A swimmer (human) moves through the pool using swimming strokes, with their motion clearly tracked as a distinct object interacting with the water.

The pool edge, lane dividers, and spectators in the background remain static across frames; no significant fluid motion (e.g., waves, currents) dominates the scene.


A woman in a green tank top and blue jeans assists a man in a maroon shirt and jeans, who is seated on the tailgate of a blue pickup truck, as he adjusts orange and pink stilts. The man stands, and the woman holds his hands to steady him as he moves forward in the parking lot. The camera pans slightly, capturing surrounding vehicles and open field.

The woman is moving the tricycle while interacting with the man seated in the truck bed; the man exhibits slight shifts in posture, and the tricycle's motion is driven by explicit physical forces from the woman.

The background consists of stationary parked cars and trees with no visible fluid or gaseous motion (fire, water, smoke). Background elements remain uniformly fixed relative to the frame, indicating no ambient environmental motion.


A boy in a teal hoodie sits at a wooden table, methodically placing puzzle pieces onto a colorful mat. To his right, a red puzzle box containing a small truck rests on the table. The camera maintains a top-down perspective with slight movement, capturing his focused manipulation of the puzzle pieces against a kitchen background with wooden cabinets and a chair.

A person seated at a table is manipulating objects (e.g., writing/drawing) with hand movements; motion is discrete and physical.

Background elements (cabinets, chair) show no significant shifting or fluid motion; no fire, water, or smoke present.


A hand holds a peeled white onion half on a white cutting board, slicing it vertically with a knife. The camera pulls back to a top-down view, revealing the cutting board with the sliced onion half, scattered onion skin pieces, and a whole brown onion to the left as hands continue cutting the onion.

A hand and knife interact with a solid onion half, moving the knife to cut the onion. The onion and knife are discrete solid objects undergoing collision/force-driven motion (knife cutting through onion).

The background consists of a stable white cutting board with no shifting or fluid motion (e.g., fire, water, smoke). Static elements (cutting board, onion peels) remain fixed without uniform background displacement.


A male athlete in dark clothing stands in the throwing circle, facing away from the camera, with a crowd of spectators behind a chain-link fence. He takes a step backward, swings his arm, and releases a shot put, which arcs through the air toward the sand. The crowd remains stationary, observing the throw. The camera maintains a static, low-angle perspective throughout.

discrete_object_physics | ambient_environmental | camera_motion | ego_motion | static

Briefly describe what discrete, solid objects are moving.

Briefly check for shifting backgrounds or fluid/environmental motion (fire, water, wind).


A person in a dark kilt, white socks, and feathered hat plays bagpipes on a grassy cliffside overlooking the ocean, with a stone castle ruin visible in the distance. The camera pans left and right, capturing the piper’s subtle movements as they stand near a fence, while a few people are visible near the cliff edge. The camera remains at eye level with minimal motion, focusing on the piper’s performance against the coastal landscape.

A person in a dark jacket is moving slightly on grass; their position changes due to locomotion, indicating discrete solid object motion.

Background elements (cliffs, ocean, wooden fence) remain consistent across frames with no uniform shifting. Minor grass sway suggests subtle wind, but no dominant fluid/environmental motion (fire, water, smoke).


A person wearing a dark shirt and blue shorts manipulates a thin, light-colored rope with both hands, twisting and adjusting it while seated. The wooden drawer unit with a metal knob is visible behind them, holding a plastic bag and other items. The camera remains stationary, focused closely on the hands and rope throughout the sequence.

A person's hands are manipulating a rope, showing discrete physical motion due to manual action.

The background (wooden drawer and cloth) is stable with no uniform shifting. No fluid or environmental motion (fire, water, smoke, wind) is present.


A single person, blurred from motion, leaps leftward from the upper left corner of the frame, moving away from a brick building. The camera remains static, capturing the individual's movement against the brick wall and adjacent structures.

A person is observed moving along the brick wall structure.

Background elements (brick wall, concrete ground) show no uniform shifting across frames. No fluid or gaseous motion (fire, water, smoke) is present.


A shirtless man in blue shorts and flip-flops performs repeated squat movements. He starts in a low squat position, stands up with arms raised, then returns to the squat stance. A person in yellow shorts is partially visible on the left. The camera remains static with slight shake.

A shirtless man in blue shorts is performing weightlifting exercises (lifting a barbell). His body and limbs move in discrete, intentional motions consistent with exerting physical force on the weight.

Background elements (bench, rack, cabinet) remain static across frames with no uniform shifting or fluid motion (e.g., fire, water, smoke). No ambient environmental motion is present.


RAW CAPTION: Got it, let's tackle this. First, the video shows a clown. The clown has red hair, a colorful outfit with blue, yellow, red, green, checkered patterns. There's a group of people around: kids and adults. The clown is standing, maybe performing. Let's check the timeline.

At the start, the clown is holding something, maybe a ball. Then, in the next frames, the clown is moving their hands, perhaps juggling or doing a trick. There's a small table with bottles and a green ring. A man in a blue shirt is in the background, and another person is holding a baby. The kids are sitting or standing in front of the clown. The spatial relationship: the clown is central, kids in front, adults behind.

Chronic order: Clown starts with hands together, then moves to show a ball (maybe), then the baby is handed over? Wait, in frame 2, a child reaches up, then frame 3, the baby is being held. Wait, the baby was being held by an adult, then maybe the adult lifts the baby to the clown? Wait, no: in frame 0, the baby isn't visible. Frame 1: baby being held by an adult. Frame 2: child reaches up, then frame 3: baby is lifted up by the adult, so maybe the clown is interacting with the baby.

Wait, the clown's actions: first, the clown is standing, hands down. Then, the clown holds something (maybe a ball) and then in frame 2, a child reaches up, then frame 3, the baby is presented to the clown. So the clown is engaging with the kids, possibly doing a trick involving the baby.

Let me outline:

- Clown (red hair, multicolored outfit) stands at center, surrounded by people.
- Initially, hands are clasped, then moves to hold a white object (maybe a ball).
- A child in front reaches up toward clown.
- An adult lifts a baby (wearing light clothes) toward clown.
- The clown interacts with the baby and the child.

Background: gravel ground, small table with bottles and green ring, a man in blue shirt, others standing.

Camera is top-down, no movement mentioned, so probably static. Background minimal.

Now, structure the caption:

"Starting with the clown (red hair, colorful checkered and diamond-patterned suit) standing centrally, hands clasped, a small group of children and adults gather around. The clown moves hands to hold a white object, as a child extends an arm toward them. Simultaneously, an adult lifts a baby dressed in light clothing to the clown, who interacts with both the child and the baby. The scene includes a small table with bottles and a green ring to the left of the clown, set against a gravel surface. The camera maintains a static top-down view throughout."

Check rules: chronological order, main subjects' motion, appearance, spatial relationships, camera. Minimal background.

Need to keep it concise. Let's adjust:

"Clown with red hair and multicolored outfit (blue, yellow, red, green, checkered patterns) stands centrally, hands initially clasped, then manipulating a white object. Children and adults surround him; a child reaches toward the clown, while an adult lifts a baby (light clothing) to him for interaction. To the left, a small table holds bottles and a green ring on gravel. Camera remains static top-down."

Wait, check if that's chronological. The first frame shows the setup, then the child reaches, then the baby is lifted. So:

"Beginning with the clown (red hair, vibrant multicolored checkered and diamond-patterned suit) standing in the center, hands clasped. The clown moves hands to hold a white object as a child in front reaches up toward him. Simultaneously, an adult lifts a baby (light clothing) to the clown, who engages with both. A small table with bottles and a green ring sits to the clown's left on a gravel surface. The camera maintains a static top-down perspective."

Yes, that's chronological. Mention appearance (red hair, multicolored outfit), motion (hands clasped then moving, child reaching, adult lifting baby), spatial (table left of clown), camera static top-down.

Let's make it concise. Remove "beginning with", use simple past for actions.

"Clown with red hair and multicolored checkered/diamond-patterned suit stands center, hands clasped then manipulating a white object. A child extends arm toward him; an adult lifts a baby (light clothing) for interaction. Small table with bottles and green ring is left of clown on gravel. Camera is static top-down."
</think>

<caption_output>A clown with red hair and a vibrant multicolored checkered/diamond-patterned suit stands centrally, hands

The clown is making gestures (arm movements, head movements). Children and adults in the crowd are moving (e.g., a child is lifted and put down, adults turn and look).

No shifting background; no fire, water, smoke, or wind observed. The environment appears static with the exception of the people in the crowd.


A hand with a silver ring and black sleeve moves left across a speckled countertop; the camera pulls back to reveal a person in a gray apron handling multiple light yellow dough pieces on the counter, lifting one piece. Background includes kitchen cabinets and hanging pans. Camera transitions from top-down close-up to a medium shot.

A hand manipulates and shapes dough on a countertop; discrete solid objects (dough) undergo physical deformation due to manual force application.

Background elements (countertop, cabinets, hanging pots) remain static with no uniform shifting or fluid motion (e.g., fire, water, smoke). No environmental forces dominate.


In a dimly lit indoor venue with colorful ceiling decorations, multiple people in blue shirts and white hats gather around a table with red cups. A person in blue moves toward the table, exchanges a red cup with someone in a white vest, then steps back. Another individual in blue approaches from the right. The camera remains fixed.

Multiple people are moving around a table, with discrete locomotion (walking, turning, interacting) visible as distinct solid objects.

Background elements (ceiling, walls, furniture) show no uniform shifting or fluid motion; no fire, water, or smoke present.


A person in a red hoodie, black leggings, red socks, and black sneakers walks on a blue arrow marked on the pavement, stops to pick up a yellow ball, then throws it forward while stepping forward. The camera remains stationary.

A person in a red jacket performs discrete locomotion: stepping on a blue mat, lifting a ball, and executing arm/leg movements (e.g., jumping, reaching).

Background elements (hedges, rock, palm tree) show no uniform shifting or fluid motion; no fire, water, smoke, or wind effects are present.


RAW CAPTION: Okay, let's tackle this video captioning task. First, I need to understand the requirements. The user wants a concise, chronological paragraph that describes the video according to specific rules. Let me go through each rule to make sure I cover everything.

Rule a says to focus on motion and behavior of main subjects in chronological order. The video shows a person playing a flute. The main subject is a child in a pink shirt. The emoji covers their face, but I shouldn't mention that since it's not part of the subject's appearance. Wait, the rules say to describe appearance and number, so the child is wearing a pink shirt, and there's one person.

Rule b: mention appearance and number. The child is in a pink shirt, holding a silver flute. The flute is silver, which is the color. Number is one person.

Rule c: spatial relationships. The child is sitting on a couch with a white pillow. The background is a yellow wall. The flute is held up to their mouth. So maybe the child is seated with the pillow to the right or behind, but the description needs to be minimal. Maybe just note the position relative to the background.

Rule d: conclude with camera perspective. The camera is stationary, close-up on the child playing the flute. No movement mentioned in the video description, so the camera is static.

Rule e: minimal background unless essential. The background is a yellow wall and a white pillow, which might be essential since it's the setting.

Rule f: exclude text, names, stylistic analysis. The emoji is part of the video but not text recognition. Since it's a smiley face covering the face, but the rules say to exclude stylistic analysis. Wait, the rules say to describe the motion and behavior. The main subject is the person playing the flute, so the emoji is part of the video but the caption should focus on the person's actions. So maybe the person is playing the flute with their hands moving on the keys, the flute is held up, and they're seated.

Wait, the rules say to focus on the main subjects' motion. The person is playing the flute, so the movement is their hands moving over the keys. The flute is silver, they're wearing a pink shirt. The background has a yellow wall and a pillow.

Let me structure the caption chronologically. The video starts with the person holding the flute, then moving fingers on the keys as they play. They're seated on a couch with a white pillow behind them, against a yellow wall. The camera is static, close-up.

Wait, the first frame shows the person with the flute in front of their face, so the flute is held up to their mouth. Then, as the video progresses, their fingers move on the keys. So the action is playing the flute, with hands manipulating the keys.

So the caption should mention the child in a pink shirt playing the flute, hands moving over the silver instrument. The child is seated with a white pillow behind them against a yellow wall. The camera stays fixed, close-up on the person and the flute.

Check the rules again. Exclude text recognition, so no mention of the emoji. Wait, the problem says "exclude text recognition, named characters, or stylistic analysis." The emoji is a visual element, but since it's covering the face, the caption should just describe the person's actions without referring to the emoji. So the caption should say the person is holding a flute, playing, etc., without mentioning the smiley face.

Wait, the problem states that the user is an expert video captioner, and the task is to generate a caption based on the provided video. The video description includes a child with a smiley face covering their face. But the rules say to exclude text recognition, so maybe the caption should ignore the emoji as part of the visual content, focusing on the person's actions. However, the rules also say to describe the appearance. Hmm.

Wait, rule b says "Briefly describe their appearance and number (color, size, orientation)." The person's appearance: they're wearing a pink shirt, and the flute is silver. The emoji is part of the visual, but the rules say not to do text recognition. Wait, the emoji is a graphic element, not text. The caption should describe the person's clothing and the flute, ignoring the emoji since it's a stylistic element. Wait, the problem says "exclude text recognition, named characters, or stylistic analysis." So the smiley face is a stylistic choice, so the caption shouldn't mention it. Therefore, the main subject is the child in pink, playing the flute.

So the caption would be: A child wearing a pink shirt holds a silver flute, moving their fingers over the keys as they play. The child is seated on a couch with a white pillow behind them against a yellow wall. The camera remains stationary, capturing a

A person's hands are moving on a flute as they play; the person is seated and the body is stationary.

The background (yellow wall and couch) is static with no shifting. No fluid or environmental motion (fire, water, smoke, wind) observed.


Two men stand in front of red targets mounted on hay bales. The man in a black shirt and jeans throws an axe toward his target, then turns to observe. The man in a patterned shirt and jeans throws an axe toward his target. Both targets feature circular rings. The camera remains stationary throughout.

Two human figures exhibit discrete motion: one actively launching projectiles (arrows) toward targets, while the other adjusts stance and position. Projectile motion and human locomotion are evident.

Background elements (red target boards, large structures) show no uniform shifting; no fire, water, smoke, or wind visible. Ambient environmental motion is absent.


A person with long brown hair, wearing a white top and blue scarf, speaks animatedly while turning their head slightly. The camera maintains a close, shaky perspective, capturing their upper body against a dark background with distant lights.

A person holding a microphone is visible; head and facial movements suggest vocalization or expressive gestures.

Background elements (lights, distant structures) show minimal uniform shifting; no fire, water, smoke, or wind effects detected.


A man in a white shirt handles pink playing cards, shuffling them with both hands; the scene cuts to another man in a black suit and white shirt holding pink cards, who examines them while seated; the video returns to the first man displaying the cards. The camera alternates between medium shots of the two men, cutting between their actions with minimal movement.

Two men are manipulating playing cards, with hands moving to shuffle and hold the cards, and one card is thrown.

The background in both scenes (yellow lamp and dark walls, bar with bottles) is static with no shifting or environmental motion (fire, water, etc.).


RAW CAPTION: Got it, let's tackle this. First, I need to describe the video chronologically. The main subjects are three people on a beach. Let's check the frames.

In the first frame, there are three people: one girl in white and gray, one in green jacket and black shorts, and one bending down in white. The second frame, the girl in white walks towards the green jacket, and the bent one is still bending. Third frame, they're moving closer; the green jacket person is walking, the white one is behind. Fourth frame, they're closer together, the bent person is still bent. Fifth frame, the two girls are walking, the bent person is now standing up maybe? Wait, no, the video shows them moving.

Wait, the description should be step by step. Let's list the actions:

- First, three people on the beach: left is a girl in white top and gray shorts (barefoot), middle is a girl in green jacket and black shorts with a bag, right is a person in white shirt bending down (holding something).

Then, the two standing girls walk towards the bent person. The bent person remains bent initially, then later moves? Wait, in the frames, the bent person is bending, then in later frames, maybe standing up. Wait, no, the video is short. Let's check the sequence.

Frame 0: all three. The two standing girls are walking towards the bent one. The bent person is bending down.

Frame 1: the two girls have moved closer, the bent person is still bent.

Frame 2: the two girls are side by side, walking towards the right (the bent person is on the right, still bent).

Wait, the order of actions: The two standing women (one in white, one in green) walk from left to right towards the person who is bent over on the right. The bent person remains in a bent position, possibly searching or picking up something on the beach.

Appearance: Two women walking (one white top, gray shorts; one green jacket, black shorts, pink flip-flops), and a person in white shirt, dark hair, bending over. They are on a sandy beach with seaweed, ocean in background.

Chronological: The women approach the bent person. The bent person stays bent throughout the frames (maybe until later, but in the given clips, they don't stand up).

Spatial: The two women start on the left, move towards the center-right, while the bent person is on the right.

Camera: The camera is static, no movement (pan or zoom), top-down? Wait, no, the camera is level, probably handheld but stable.

Background: Minimal, just beach and ocean.

Now, the caption must be concise, chronological.

So: Two women, one in white top and gray shorts, the other in green jacket and black shorts, walk together from the left towards the right across a sandy beach. They approach a third person in a white shirt who remains bent over the sand, searching. The camera remains stationary, capturing the scene from a ground-level perspective with the ocean and distant trees in the background.

Wait, but need to follow the rules. Let's check:

a) Motion and behavior in chronological order: The two women start walking, move closer, the bent person stays bent.

b) Appearance: Describe them. The two women: one white top, gray shorts; one green jacket, black shorts. Third person: white shirt, bent over.

c) Spatial: The two women are to the left of the bent person initially, moving towards them.

d) Camera: Stationary, ground-level.

e) Background minimal: ocean, trees in background.

f) Exclude text, names, etc.

So the caption should be:

On a sandy beach, two women—one in a white top and gray shorts, the other in a green jacket and black shorts—walk together from the left toward the right. A third person in a white shirt bends over the sand, searching, remaining in that position as the women approach. The camera remains stationary, capturing the scene from a ground-level perspective with the ocean and distant trees visible in the background.

Check length: It's concise. Let's make sure it's chronological: the women move, the third person is bent. Yes.

Another check: The two women walk towards the right (the bent person's position). The bent person stays bent. The background is minimal. Camera is stationary.

Yes, that works.
</think>

<caption_output>On a sandy beach, two women—one in a white top and gray shorts, the other in a green jacket and black shorts—walk together from the left toward the right. A third person in a white shirt bends over the sand, searching, remaining in that position as the women approach. The camera remains stationary, capturing the scene from a ground-level perspective with the ocean and distant trees visible

Three distinct individuals are present: two standing people (one in white top/dark shorts, one in green top) walking slowly across the beach, and one person in white crouching while manipulating objects on the sand. Their movements are discrete, solid, and attributable to intentional locomotion or manual actions.

The background (distant trees, shoreline, and horizon) shows no significant shifting or uniform movement. The water at the shoreline exhibits gentle, minimal wave motion, which is not dominant or fluid enough to qualify as ambient_environmental per Rule 1. No fire, smoke, or strong wind effects are observed.


RAW CAPTION: Got it, let's tackle this. The video shows two people mowing a lawn. First, the main subject is a man in a dark shirt and khaki shorts pushing a red lawnmower. He's moving from right to left. Then, a child in a blue shirt and dark shorts is also pushing a lawnmower, maybe behind him? Wait, in the first frame, the man is on the left, then he moves, the child is behind? Wait, no, let's check the sequence.

Frame 0: Man in dark shirt, khaki shorts, pushing red lawnmower. Child in blue shirt, dark shorts, behind him? Or maybe they're both pushing? Wait, the first frame shows both: the man is in front, child behind. Then frame 1: the man turns, pushes the mower, child is still there. Frame 2: the man is pushing the mower, then he runs back? Wait, no, the action is that the man is mowing, then he stops, turns, and pushes the mower forward. Wait, the sequence: the man is pushing the lawnmower, then he turns the mower around (so he's moving the mower to the left), then the child is also pushing a lawnmower? Wait, no, looking at the frames:

First frame: two people, man in front (dark shirt, khaki shorts, pushing red mower), child behind (blue shirt, dark shorts, pushing a lawnmower). Then frame 2: the man is moving the mower, the child is still there. Then frame 3: the man is running away from the mower? Wait, no, the man steps back, maybe? Wait, the movement is that the man is pushing the lawnmower, then he turns it around (so the mower is moving left), then he runs to the left? Wait, the description says:

0.0: Both pushing mowers. Man in dark shirt, khaki shorts; child in blue shirt, dark shorts. They are on grass, white shed on right, trees left.

1.4: Man is pushing mower forward, child is behind. Wait, no, the next frame (1.4) shows the man turning the mower, moving left.

Wait, the video's progression: The man in a dark shirt and khaki shorts pushes a red lawnmower, while a child in a blue shirt and dark shorts follows behind. As the man maneuvers the mower, he steps away, then the child continues pushing, and the man runs to the left. Then the child is still pushing, the man is moving out of frame. Then the man comes back? Wait, no, the frames show:

In frame 0, both are present. Frame 1: man is moving the mower to the left, child behind. Frame 2: man has turned the mower around, now the mower is facing left, and the man is running to the left. Frame 3: man is now pushing the mower in the opposite direction, moving left. Frame 4: man is pushing the mower, child is behind. Frame 5: man is pushing the mower, child is still there. Wait, no, the video's sequence is:

The man starts pushing the lawnmower from the right side of the frame (towards the left). As he pushes, he turns the mower around (so he's moving it towards the left), then steps back and pushes it forward again. The child is also pushing a lawnmower, staying behind the man. But maybe the child is moving with the man. Wait, the key is to describe the motion chronologically.

First, two people: a man (dark shirt, khaki shorts) and a child (blue shirt, dark shorts) are pushing lawnmowers on a grassy area near a white shed. The man pushes his red lawnmower from right to left, turning the mower around (so he's moving it back towards the right), then steps back, and the child continues pushing. Wait, no, let's look at the frames:

Frame 0: Both on the right, man in front, child behind. Man is pushing the mower (red) towards left. Child is pushing a mower (maybe the same? Or different).

Frame 1: Man is pushing the mower, child is still behind. Then frame 2: Man is turning the mower around, so he's moving it to the left, but then he steps back. Frame 3: Man is running away from the mower to the left, child is behind. Then frame 4: Man is back, pushing the mower again.

Wait, maybe the man is moving the mower, then he stops, turns it, and runs left, then comes back. But the chronological order should be:

- A man in a dark shirt and khaki shorts pushes a

Primary discrete object: a person pushing a lawnmower across the lawn, moving from left to right. Secondary object: a stationary person near the shed. Both show distinct locomotion due to physical forces.

The background (white shed and trees) remains static with no uniform shifting. No fire, water, smoke, or wind-driven motion is dominant; grass cutting is due to the lawnmower, not environmental forces.


A person with white body paint and a red headband sits on a colorful blanket, playing a long orange instrument with yellow bands. They intermittently lift their hand while playing, with additional similar instruments arranged around them. The camera remains stationary, capturing the individual from a frontal perspective with minimal background details.

The person is moving their hands and upper body while interacting with the long orange pipes, demonstrating intentional locomotion and manipulation.

No shifting backgrounds or fluid/environmental motion observed. Static pavement and structures indicate no significant ambient motion.


A person in a pink shirt, dark shorts, and white sneakers performs repeated deadlifts with a barbell loaded with black weights in a gym. They bend at the knees to lower the barbell to the ground, then stand up to lift it back. Another individual in white shorts stands to the left. The camera remains stationary, capturing the action from a fixed position with no movement.

A person in a pink shirt lifts a barbell, performing bending and standing motions. Other discrete individuals (e.g., person in white) exhibit minor locomotion within the gym environment.

The gym background (walls, equipment, floor) shows no uniform shifting or fluid motion; no fire, water, or smoke present. Static structural elements are consistent across frames.


Two people move in a cluttered office: a person in a light gray shirt and dark pants walks from the left toward the center desk, then turns to face it; another person in a striped shirt and light pants enters from the right, walks leftward, and passes the first person before moving away. The camera remains static with slight shake.

Multiple people are moving through the office space, walking between desks and interacting, representing discrete solid objects (humans) in motion.

The office background (shelves, whiteboard, desks) remains static with no uniform shifting or fluid environmental motion (e.g., fire, water, smoke).


RAW CAPTION: Got it, let's break this down. First, the video starts with a close-up of hands doing a nail procedure. The main subject is a person's hand (left, with light skin) being worked on by another pair of hands (right, also light skin, maybe a nail technician). The technician is using a tool, maybe a file or brush, on the nail. Then it cuts to a wider shot of a salon with chairs and a sink.

Need to describe chronologically. First part: close-up of nail work. The hands: the client's hand is in the foreground, technician's hands are working on the nail. The tool is being used, maybe applying product. Then the scene shifts to a wider view of the salon room.

Check rules: focus on motion/behavior, chronological. First, the nail procedure: technician manipulates the client's fingernail with a small tool. Then the camera shifts to show the salon interior with chairs, a sink, and a counter.

Appearance: client's hand (light skin, nails already prepped?), technician's hands (light skin, maybe wearing gloves? Wait, the video shows hands, so probably no gloves. The tool is a fine brush or file).

Spatial: in the first scene, the technician's hands are near the client's finger, working on the nail. Then the camera moves to a wide shot, showing multiple chairs (brown, with pink towels), a sink, and the room's layout.

Background: minimal, but in the first scene, the background is blurred, then the second scene shows the salon interior.

Excluded: text (BIG logo is there, but rule f says exclude text recognition, so skip that).

Structure the caption:

Start with the close-up action: A pair of hands carefully manipulates a client's fingernail using a small tool, applying product to the nail. Then the scene transitions to a wider view of a nail salon, revealing multiple brown leather chairs with pink towels, a sink, and a countertop.

Check for chronology: first the close-up of the nail work, then the wider salon shot.

Make it concise.

"Hands carefully work on a client's fingernail with a small tool, applying product in a close-up shot. The scene transitions to a wider view of a nail salon featuring brown leather chairs with pink towels, a sink, and a countertop."

Wait, need to mention the main subjects: the client's hand (light skin) and the technician's hands (light skin). Maybe specify the number: two hands (technician's) working on one client's finger.

Also, the first scene: the client's hand is extended, technician's hands are using the tool. So:

"A pair of hands uses a small tool to apply product to a client's fingernail in a close-up shot. The camera then shifts to a wider view of a nail salon with brown leather chairs, pink towels, and a sink."

Check rules: focus on motion and behavior in chronological order.

First action: hands working on nail. Then scene change to salon.

Include spatial: in the first scene, the hands are in close proximity; in the second, the salon is shown.

Make sure it's concise. Let's draft:

"Two hands carefully apply product to a client's fingernail with a small tool in a close-up shot. The scene then transitions to a wider view of a nail salon featuring brown leather chairs with pink towels, a sink, and a countertop."

Wait, the first frame shows hands working on the nail. The client's hand is resting on a surface (maybe a napkin), the technician's hands are manipulating the nail. The tool is small, maybe a nail file or brush.

Also, the background in the first scene is blurred, so minimal background.

In the second scene: two brown chairs (with pink towels), a sink (black basin), a small table with water bottle, and the room's walls.

So the caption should mention the transition from close-up nail work to the salon interior.

Final check: exclude text recognition, so no "BIG" logo.

So the caption:

"Hands carefully work on a client's fingernail with a small tool, applying product in a close-up. The scene transitions to a wider view of a nail salon with brown leather chairs, pink towels, and a sink."

Is that concise enough? Let's see if it meets all rules.

a) Motion and behavior: working on nail, applying product; then transitioning to salon.

b) Appearance: hands (light skin), small tool. Salon has brown chairs, pink towels.

c) Spatial: close-up shot, then wider view.

d) Camera perspective: close-up, then shifts to wider.

e)

Discrete solid objects: Client's hand (stationary), nail technician's hands (moving to manipulate nails). Motion is due to physical forces (nail application/trimming).

The background in the first segment (nail work) shows a blurred purple object (static environment), and the salon room in the second segment has static chairs/walls with no uniform shifting. No fluid/environmental motion (fire, water, smoke, wind) is present.


RAW CAPTION: Got it, let's tackle this. First, the video shows two people: one lying on a bed, shirtless, wearing dark pants, and another sitting beside them. The person lying down has a tattoo on their chest, maybe a small one. The other person is wearing a black shirt with red text.

Starting from the first frame: the standing person is holding a piece of paper, maybe a note, and the lying person is looking up, laughing or shouting. Then, the standing person moves the paper towards the lying person's chest area. The lying person shifts, maybe tries to reach for it. The standing person then moves away, and the lying person sits up a bit.

Need to note the chronological order: the standing person presents the paper, the lying person reacts (moves, adjusts), then sits up. Spatially, the standing person is to the side of the bed, the lying person is on the bed. Background is a room with a blue sheet on the bed, some objects like a brown container and a black case, but keep background minimal.

Camera perspective: it's a close-up shot, maybe static, no major movement.

Now, structure the caption: main subjects' actions in order. Focus on motion.

First, the standing person (wearing black shirt) holds a white object (paper/note) and approaches the shirtless person lying on the bed. The shirtless person (with chest tattoo, dark pants) is reclined, initially laughing with mouth open. As the standing person moves the object near the chest, the shirtless person shifts their body, raises their left arm, and then sits up more, turning their head. The standing person then moves the object away.

Wait, need to be concise. Let's check rules: chronological, motion, appearance, spatial, camera.

" A shirtless man in dark pants lies on a bed covered with a blue sheet, laughing with his mouth open as another person in a black shirt holds a white object near his chest. The shirtless man shifts his body, lifts his left arm, and turns his head while the second person moves the object away, then steps back. The camera remains static, capturing the interaction from a close, side perspective."

Wait, but "white object" — maybe "paper" but rule f says exclude text recognition. So just "white object" is okay. Also, check if background is essential. The background has a brown container and dark items, but minimal.

Let me rephrase:

"A shirtless man wearing dark pants lies on a blue-sheeted bed, laughing with his mouth open. A person in a black shirt holds a white object near the man's chest, then moves it toward his torso as the man shifts his body, raises his left arm, and turns his head. The second person steps back, and the camera maintains a static close-up perspective."

Wait, chronological order:

1. Start: shirtless man lying, laughing. The other person holds a white object (paper) near chest.

2. The person moves the object towards the chest (action).

3. Shirtless man shifts, lifts arm, turns head.

4. Person moves object away, steps back.

Yes, that's the order.

Check for appearance: shirtless man (chest tattoo, dark pants), person in black shirt. Spatial: person beside bed, shirtless on bed. Camera: static, close-up.

Now, make it concise. "A shirtless man in dark pants lies on a blue bed sheet, laughing as a person in a black shirt holds a white object near his chest. The shirtless man shifts his body, lifts his left arm, and turns his head while the other person moves the object away and steps back. The camera remains static in a close-up view."

Wait, rule d: conclude with camera perspective. So after describing actions, say the camera is static close-up.

Also, rule c: spatial relationships — "the person in black shirt is beside the bed".

Let me check the rules again.

a) motion and behavior chronologically: yes.

b) appearance and number: shirtless man (dark pants), person in black shirt.

c) spatial: the person in black shirt is beside the bed, the shirtless man is on the bed.

d) camera: static, close-up.

e) background minimal: yes, only mentioning the bed sheet as essential.

f) exclude text recognition: yes, no text.

g) no reasoning.

So final caption:

"A shirtless man in dark pants lies on a blue bed sheet, laughing as a person in a black shirt holds a white object near his chest. The shirtless man shifts his body, lifts his left arm, and turns his head while the other person moves the object away and steps back. The camera remains static in a close-up view."

Wait, but in the video, the shirtless man

Shirtless man moves arms/body while lying on bed; person in black shirt manipulates bottle and applies substance to man's chest using hand movements. Motion is discrete and solid.

Background is static; no shifting backgrounds or fluid/environmental motion (fire, water, wind) observed. Wall, bed, and furniture remain fixed throughout the sequence.


A man in a yellow shirt and black pants walks from the left side of the frame toward the right, passing a silver SUV parked on the street while holding a dark object in his right hand; he then turns left. The background features a building with large windows and trees. The camera remains stationary.

A man in a yellow shirt is the primary moving object. He performs discrete locomotion (walking, turning) and an action (swinging a tennis racket). Parked cars and building elements are static.

The background consists of a building, trees, and parked cars. While trees show slight swaying (likely wind), there is no dominant fluid motion (fire, water, smoke) or significant environmental disturbance. Background elements remain stable without uniform shifting.


A person in a black top and blue skirt stands in a dimly lit yellow-walled room, holding a light blue towel. They raise the towel above their head, then unfold it and adjust it over their shoulder. The room features a bed to the left, a window with curtains, and a doorway to the right. The camera remains stationary.

A person in a blue dress manipulates a blue blanket/sheet through intentional movements: lifting it vertically (0.0-1.0s), holding it against their body (1.0-3.0s), and adjusting its position (3.0-5.0s). The motion is discrete and solid.

No shifting background elements observed. Walls, door, and coat rack remain stationary throughout. No fire, water, smoke, or wind motion detected.


Two fencers in white uniforms engage in a bout within an indoor gym, facing each other. The left fencer moves left, the right fencer advances forward, causing the left fencer’s helmet to fall to the floor. The left fencer steps back while the right fencer continues moving toward the right side of the frame. Several spectators stand and observe in the background. The camera remains stationary, capturing the action from a fixed wide perspective.

Two individuals in white uniforms are performing martial arts movements (kicking, stepping), with a third person observing nearby.

Background elements (walls, ceiling, windows) remain static with no fluid motion or environmental effects detected.


A hand uses metal tongs to flip light pink raw chicken pieces in a large metallic pot. Then, the hand adds a brown rectangular package into the pot containing now golden-brown cooked chicken. The camera maintains a top-down perspective focused on the pot and hands.

A hand uses a utensil to stir chicken pieces in a pot. The hand and utensil exhibit distinct motion due to physical interaction (stirring), with the chicken pieces moving in response.

Background elements (stove, pot handles) are static; no shifting or fluid motion observed (no fire, water, smoke, or wind dominating the scene).


RAW CAPTION: Got it, let's break down the video. First scene: a person in a blue shirt and white shorts is pouring something (looks like milk or cream) from a white container onto their head, standing in front of refrigerators filled with dairy products. Then the scene cuts to a person in a white shirt at a table with a plate of Oreos and a container. They pick up an Oreo from the stack on the plate and place it into the container. Need to capture the sequence chronologically.

Check the rules: focus on motion and behavior. First part: person pouring liquid on head (but wait, the first frame shows them pouring, but in the description, it's the action of pouring, so "a person in a blue shirt and white shorts pours a white liquid from a container over their head". Then the second scene: a person in a white shirt at a table with a plate of Oreos and a container; they take an Oreo from the plate and put it into the container.

Background: first scene has refrigerators, second scene is a dark background, but rule e says minimal background unless essential. The first scene's background is the grocery store with freezers, but maybe just mention the setting briefly. But the task is concise, so maybe "in front of refrigerated displays" for first scene.

Order: start with the first scene's action, then the second scene's action.

Now, structure:

In a grocery store setting, a person wearing a blue shirt and white shorts pours a white liquid from a container over their head while standing in front of refrigerated displays stocked with dairy products. The scene transitions to a person in a white shirt at a table with a blue cloth, who picks up an Oreo cookie from a stack on a white plate and places it into a white container.

Check rules:

a) Motion and behavior in chronological order. Correct.

b) Describe appearance: blue shirt, white shorts; white shirt. Mention number (one person in each scene).

c) Spatial: first scene in front of refrigerators. Second scene at table with plate and container.

d) Camera perspective: first scene is a static shot (no movement mentioned), second scene is close-up (the person's hands and objects). But rule d says conclude with camera perspective and movement. The first scene is likely a static wide shot, second is close-up. But the problem is, the output should conclude with camera perspective. Wait, the rules say "Conclude with the camera perspective and movement". So the final part of the caption should mention camera perspective for both scenes? Or overall? Let's see.

The example output format is a paragraph. So the caption is a paragraph that starts with first scene, then second, and ends with camera perspective. Wait, rule d: "Conclude with the camera perspective and movement". So the last part of the caption should describe camera perspective.

In the first scene: static wide shot. Second scene: close-up on the hands and objects. But need to see.

First scene: likely a medium shot showing the person and refrigerators. Second scene: close-up on the table.

So putting it all together:

A person in a blue shirt and white shorts pours a white liquid from a container over their head while standing before refrigerated displays stocked with dairy products; this transitions to a person in a white shirt at a table with a blue cloth, who picks up an Oreo cookie from a stack on a white plate and deposits it into a white container. The camera maintains a static wide view in the first scene and shifts to a close-up of the table in the second scene.

Check if rules are followed:

a) Chronological: yes, first scene then second.

b) Appearance: blue shirt, white shorts; white shirt. Sizes and orientations: person standing, hands moving.

c) Spatial: in front of refrigerators; at table with plate and container.

d) Camera perspective: static wide, then close-up. So conclude with that.

e) Background: minimal, mentioned only as refrigerated displays (which are essential for the setting) and the blue cloth (part of the table setup).

f) Exclude text: the OREO text is excluded as per rule f (text recognition excluded).

g) Internal thinking, but no output.

Now, check if it's concise. Let's make sure.

Alternative wording:

In a grocery store, a person in a blue shirt and white shorts pours a white liquid from a container onto their head in front of refrigerated dairy displays. The scene changes to a person in a white shirt at a table with a blue cloth; they pick up an Oreo from a plate and place it into a container. The camera remains static in the first scene and shifts to a close-up of the table in the second.

That's concise.

Check if all rules are met:

- Motion: pouring liquid,

Hand and Oreo cookie moving as the hand dips the cookie into the milk in the second scene.

Background in both scenes is static (store aisle and blue tablecloth) with no shifting or fluid/environmental motion.


A group of seven people gather around a wooden table in a sunlit wooden room. A seated individual in a green striped shirt extends their hand toward a seated person in a white shirt holding a glass, while a standing man in a light striped shirt holds a cup to the left of the table. Throughout the sequence, the green-shirted person continues gesturing toward the white-shirted individual, who responds with similar hand movements; the remaining seated people hold cups or observe. The camera maintains a fixed, slightly angled perspective.

Multiple people are sitting around a table; one person is standing and gesturing, others are interacting with hand movements and body shifts.

Background (walls, windows, furniture) is static with no shifting or movement. No fire, water, smoke, or wind visible.


A pair of hands manipulates a small dark object on a light wooden surface, moving it in a back-and-forth motion across the table, then positioning it near the center before briefly moving it left. The camera maintains a top-down perspective with no significant movement.

The hands (wearing a Washington-themed shirt) are moving in a repetitive manner, likely tapping or manipulating an object on the table.

The background (a flat table surface) is static with no shifting or environmental motion. No fire, water, or wind present.


A person in a dark hooded jacket, dark pants, and white shoes is initially visible inside an open window of a brick building. They then exit the window and walk along a brick pathway, kicking their leg upward while moving. The camera transitions from a fixed view of the window to a top-down perspective of the pathway.

A person adjusts the window (moving the window frame) and a person walks on the paved area while making hand gestures; both movements are discrete locomotion and actions by solid objects.

The brick wall and clock in the initial scene, and the paved ground with grass in the second scene, remain static with no shifting background elements. No fire, water, smoke, or wind dominates the motion.


A boy wearing a white shirt and dark tie raises both arms to pull his shirt over his head, then adjusts the collar while facing the camera. The room background includes a bed and framed pictures, with the camera remaining stationary throughout.

The boy is moving by adjusting his shirt and tie; his hands and body exhibit distinct motion due to physical actions.

No shifting background or fluid/environmental motion observed. Background elements (walls, picture, flag) remain static.