Two people are in a room; the person in a red sleeveless top is in the foreground, bending forward with hands extended, then moving hands while slightly leaning back and stepping back. Behind them, a person in a gray shirt stands initially, then steps forward to move closer to the foreground person. The camera remains static throughout.

Two people are visible; the person in red attire exhibits controlled motion (leaning forward, gesturing), while the person in the background shows subtle movement. These are solid, discrete objects moving due to deliberate physical actions.

The background elements (white walls, structural fixtures) remain stationary across frames, with no visible fluid or environmental motion (fire, water, smoke, wind).


A person wearing a maroon tank top, dark shorts, and pink sneakers performs a lunge with a dumbbell, stepping forward with their left leg, returning to standing, then stepping right and executing a lunge with their right leg. The individual moves across the gym floor past a dumbbell rack and stairs. The camera remains stationary at eye-level, capturing the motion in a well-lit gym space.

A person is performing locomotive movements: walking and executing lunges/squats, demonstrating distinct physical motion.

Background elements (gym equipment, stairs, walls) remain static with no uniform shifting or fluid motion (fire, water, smoke, wind).


A person with curly blonde hair and a dark blue T-shirt with a white graphic interacts with wooden pipes, moving their hands along the structure and shifting position slightly while standing in a room with wooden architectural elements. The camera follows their motion with a slight shake, maintaining a close perspective on their actions.

A person (discrete solid object) is actively handling a violin, manipulating it with hands and moving it within the scene.

The background consists of static wooden structures and antlers that show no significant shifting or environmental fluid motion (e.g., fire, water, wind).


A young girl wearing a pink polo shirt with a design and orange shorts stands in front of a mirror. She turns her head left, extends her right arm toward the mirror, then moves both arms outward. The camera remains close, handheld with slight shake.

A child (discrete object) is moving: crying and extending her arms toward the mirror.

The background (bathroom walls and mirror) is static with no fluid or wind motion. No fire, water, or smoke visible.


The video begins with a blurred figure, then transitions to close-up shots of a person’s hands in a white shirt and dark vest folding a white cloth on a wooden table, followed by a close-up of a tie.

Discrete solid objects moving: A person's hands (folding paper) and partial body (vest, shirt) exhibiting physical motion due to hand gestures and slight body shifts.

No shifting backgrounds or fluid/environmental motion (fire, water, wind) observed. The background elements (wooden table, dark interior) remain static throughout the sequence.


A large crowd of adults, dressed in casual clothing and some wearing hats, moves forward in a synchronized dance line across a spacious indoor hall. They step rhythmically in unison, maintaining close proximity; the camera follows their motion with a slight shake, capturing their forward progression from a frontal perspective.

Solid, discrete objects (people) are moving through locomotion (dancing). Each person's motion is distinct and trackable, indicating physical forces from their own movement.

Background elements (walls, American flags, ceiling decorations) remain static across frames with no uniform shifting or fluid motion (fire/water/smoke/wind). No ambient environmental motion dominates.


A person with curly hair and a striped shirt manipulates a colorful Rubik's cube, turning its faces clockwise and counterclockwise as per a sequence, with the cube held in both hands. A smartphone rests on the table to the right. The camera maintains a static top-down perspective.

The person (wearing a striped sweater) is moving their hands to interact with a device (likely a phone) on the table. This is discrete physical motion due to human locomotion and manipulation.

The background (walls and table) is static with no shifting or fluid motion. The green screen on the left is fixed. No fire, water, smoke, or wind observed.


RAW CAPTION: Got it, let's break this down. The video shows a young girl playing a keyboard. First, I need to note her actions chronologically. She's wearing a striped dress with polka dots, headphones, sitting on the floor. The camera moves slightly, zooming in a bit maybe? Let's check the frames.

Start: She's pressing keys. Then the camera moves closer, focusing on her hands and the keyboard. The background has a bed with pink and blue covers. But according to the rules, minimal background unless essential. So mention the bed briefly if needed, but focus on her motion.

Appearance: Girl, small, wearing striped sleeveless top with red and white, red polka dot skirt. Headphones on. Sitting on the floor. Keyboard is gray, in front of her.

Motion: She plays the keyboard, hands moving on keys. Camera starts with a medium shot, then zooms in slightly to show her hands and the keyboard more closely. The camera movement is a slight downward tilt or zoom in.

Check the rules: chronological order. So first she's playing, then camera moves. Also, spatial relationships: she's in front of the bed, keyboard in front of her.

Make sure not to mention text or names. So the caption should be: A young girl in a striped sleeveless top and red polka dot skirt, wearing headphones, sits on the floor and plays a gray keyboard. She presses the keys with her hands, and the camera slowly zooms in from a medium shot to a closer view of her hands on the keyboard. The background includes a bed with pink and blue bedding. But need to keep it concise.

Wait, rule f says exclude text recognition, named characters, stylistic analysis. So no "pink and blue bedding" maybe? Wait, background is minimal unless essential. The bed is in the background, but if it's not essential for motion, maybe omit. Wait, the girl is sitting in front of the bed? Maybe not necessary. Let's see the frames: in the video, the bed is behind her, so spatial relationship: she's seated in front of the bed. But maybe the bed is just part of the room.

Wait, the key points: main subject (girl) action (playing keyboard), appearance (striped top, polka dot skirt, headphones), motion (pressing keys), camera movement (slight zoom in).

Let me structure it:

A young girl with dark hair, wearing a striped sleeveless top and red polka dot skirt, sits on the floor while wearing headphones. She plays a gray keyboard, pressing the keys with her hands. The camera gradually zooms in from a medium shot to a closer view of her hands on the keyboard. She remains seated in front of a bed with pink and blue bedding, but focus on her actions.

But need to be concise. Rule a: chronological order. So first, she sits and plays, then camera moves. So:

A young girl in a striped sleeveless top and red polka dot skirt, wearing headphones, sits on the floor and plays a gray keyboard, pressing the keys with both hands. The camera slowly zooms in, focusing on her hands and the keyboard.

Yes, that's concise. Let's check all rules:

a) Motion: playing keyboard, pressing keys, camera zooms in.

b) Appearance: striped top, polka dot skirt, headphones, gray keyboard.

c) Spatial: sitting on floor, in front of bed? Maybe not necessary, since background is minimal. The rules say "if relevant". The bed is in the background, but maybe it's not essential for motion. So omit?

d) Camera: slowly zooms in.

e) Background minimal: maybe the bed is there, but if not essential, skip.

So the caption should be:

A young girl wearing headphones, a striped sleeveless top, and a red polka dot skirt, sits on the floor playing a gray keyboard, pressing its keys with both hands. The camera slowly zooms in to focus on her hands and the keyboard.

Check word count. Need to be concise.

Wait, the example output in the rules says: "concise, chronological paragraph". So let's make it a sentence.

"A young girl with dark hair, dressed in a striped sleeveless top and red polka dot skirt, sits on the floor wearing headphones and plays a gray keyboard, pressing the keys with her hands; the camera slowly zooms in from a medium shot to a closer view of her hands on the keyboard."

But "dark hair" might be optional. The video shows her hair is dark, but maybe not necessary. Let's just focus on what's clear: the girl's clothing, action, camera.

Another version: A young girl wearing headphones and a striped sleeveless top with red polka dot skirt sits on the floor, playing a gray keyboard by pressing its keys with both

A child is actively moving their hands on a keyboard, with discrete motion of the hands (solid objects) interacting with the keyboard keys.

The background (bed, walls, floor) shows no significant shifting or environmental fluid motion (fire, water, smoke, wind). Static background elements remain consistent throughout the video.


RAW CAPTION: Okay, let's tackle this video captioning task. First, I need to understand what the user is asking for. They want a concise, chronological paragraph describing the video, following specific rules. Let me go through the rules again to make sure I don't miss anything.

Rule a says focus on motion and behavior of main subjects in chronological order. The main subject here is the yellow tractor moving through the orchard. There are two people on it. So I need to describe how they're moving and any actions they take.

Rule b: briefly describe appearance and number. The tractor is yellow, large, with two people (maybe wearing light-colored clothes? The video shows them in the video, but since it's old footage, maybe the colors are faded). Need to mention the number, which is two people.

Rule c: mention spatial relationships. The tractor is moving between rows of trees, so the trees are on both sides. The people are on the tractor, which is moving forward. So maybe "the tractor advances between rows of dense green trees, with two individuals seated on the rear platform."

Rule d: conclude with camera perspective and movement. The video starts with a view of the tractor approaching, so the camera is static, maybe slightly shaky? The description says "slight shake" in the example. The camera seems to be positioned at the front, looking towards the tractor, maybe from a stationary position.

Rule e: minimal background unless essential. The background here is the orchard, so mentioning the trees is essential for context.

Rule f: exclude text, named characters, stylistic analysis. So no mention of "John" or anything like that.

Now, looking at the video frames provided. The tractor is moving forward through the orchard. The people are on the back. The tractor is yellow, large wheels. The movement is forward, through the trees. The camera perspective seems to be from a fixed position, maybe slightly shaky. The tractor is in the center of the frame, moving towards the camera initially, but then maybe the camera is following it? Wait, the frames show the tractor moving towards the camera, then slightly turning. Wait, the first frame shows the tractor approaching, then the next frames show it getting closer. So the camera is probably stationary, and the tractor is moving towards it. But the user says "conclude with the camera perspective and movement". So the camera is stationary, maybe slightly shaky.

Wait, the example output in the rules says "top-down, pan left, slight shake" etc. So the camera here is likely stationary with a slight shake, positioned in front of the tractor, maybe from a vehicle or a fixed point.

Let me structure the caption:

Chronological order: The tractor starts moving forward through the orchard, the two individuals are seated on the rear platform. As it moves, it continues between the trees. The camera is stationary, slightly shaky, capturing the tractor approaching and moving through the rows.

Wait, the video starts with the tractor approaching the camera, then moving through the orchard. So the order is tractor moving towards camera, then continues forward. The camera is static, so the movement is the tractor coming closer.

Wait, the first frame shows the tractor at a distance, then in subsequent frames, it's closer. So the tractor is moving towards the camera, then continues past, but maybe the camera is fixed. Wait, the video has the tractor coming towards the camera, then maybe turning slightly to the left. But the description says "advancing between rows of trees". So the tractor is moving forward through the orchard.

So the caption should mention the tractor moving through the orchard, the two people on it, the trees on both sides, and the camera's position.

Let me check the rules again for each point.

a) Motion: tractor moving forward, people seated. Chronological: starts distant, approaches, continues through orchard.

b) Appearance: yellow tractor, two people (maybe light clothing, but maybe not necessary to specify color unless visible; the problem says "briefly describe appearance and number", so color of tractor is yellow, two people.

c) Spatial: trees on both sides, tractor between rows.

d) Camera: stationary, slight shake.

e) Background minimal: orchard rows, trees.

f) Exclude text, etc.

So the caption would be:

A yellow tractor with two people seated on its rear platform advances slowly through a narrow dirt path between dense green trees, moving closer to the camera and continuing forward through the orchard. The camera remains stationary with a slight shake, capturing the tractor from a frontal perspective as it progresses through the row.

Wait, "advances slowly" – is the speed mentioned? The video shows it moving, but maybe the speed isn't critical. Just motion.

Check if "narrow dirt path" is correct. The path is between trees, so yes.

"Moving closer to the

The background trees are static with no significant shifting or fluid motion.


Two men in white uniforms with blue star emblems engage in a dynamic interaction, starting bent low to the ground before rising and grappling; one pushes the other backward as they move. The camera follows their motion with a slight shake. In the background, several spectators sit and stand, clapping while observing the action. The scene occurs outdoors on a paved area with trees and buildings visible.

Two individuals in white uniforms exhibit discrete motion through physical interaction: grappling, pushing, and locomotion. Their movements are driven by explicit physical forces (contact, resistance, and body displacement) within the martial arts context.

The background elements (trees, buildings, seated audience) show no significant shifting or fluid motion. No fire, water, smoke, or wind effects are present; trees and structures remain static relative to the scene.


A boy wearing a white cap, white shirt, and black shorts performs a golf swing on a fairway. He begins in a backswing position with arms raised, then swings the club forward, rotating his body and completing the follow-through. The background includes a sand trap and distant figures on the course. The camera tracks his movement, panning slightly to follow the swing’s motion.

A golfer (discrete solid object) performs a swing motion, demonstrating physical forces from muscle movement and club rotation.

No fire, water, or wind-driven motion observed; background elements (trees, grass, sand trap, road) remain static relative to each other across frames.


The video opens with a blurred, chaotic crowd scene, then shifts to a person wearing a black vest over a white shirt with red stripe sleeves, seated at a drum set, playing drums with drumsticks; the camera moves from a shaky, wide view to a close-up of the drummer's hands striking the white drumhead and cymbals.

A person (drummer) is moving their arms and hands to play the drums, which is discrete object motion.

Initial frames show camera shake, but the background becomes static after 1.0 seconds. No fire, water, smoke, or wind present.


A person wearing a light-colored shirt and dark pants stands on a grassy area in a park surrounded by trees. They jump upward, reaching a peak in mid-air, then land back on the ground. The camera remains stationary, capturing the motion from a fixed position in front of the individual.

A person in a white shirt and dark pants is moving across the grassy area, exhibiting typical locomotion (walking) with arm movements; no other discrete objects show significant motion.

The background (trees, grass, distant structures) shows no uniform shifting or fluid motion; the sun's position changes slightly but this is due to time progression, not environmental fluid dynamics.


A person in a dark shirt and cap leans toward a white wall with a framed object, using their right hand to adjust it. They straighten their posture while positioning the frame, occasionally moving their arm upward. A bookshelf with stacked books is visible in the background. The camera remains static throughout.

A person is actively moving (adjusting a white object on the wall) and manipulating objects.

Background elements (walls, window frame) are static. No fluid motion or environmental phenomena observed.


A hand stirs a yellow mixture in a frying pan on a stovetop, with a bowl of sliced bananas positioned to the left and a small glass container with liquid nearby; the hand continues stirring while the camera maintains a static top-down view.

A hand is actively stirring eggs in a pan (discrete, solid object motion), while the pan containing food items remains static. The stirring motion is clearly driven by explicit physical force.

The background (stovetop, pans, and countertop) shows no shifting or uniform motion. No fire, water, smoke, or wind is present, ruling out ambient environmental motion.


A woman in a black and white striped short-sleeve top sits and uses a hairdryer, raising it above her head and moving it across her hair to dry it, adjusting her arm position as she styles. The camera remains stationary, capturing her from a medium close-up angle.

The woman's arms and hair are moving as she actively styles her hair using a hairdryer. The hairdryer is held in her hand and directed toward her hair, causing the hair to shift and flow due to the airflow.

The pink wall and wooden door in the background remain stationary throughout the video. No shifting background elements are observed, and there are no fluid or environmental motions (e.g., fire, water, smoke, wind) present.


A person with long, light brown hair and a black shirt plays a silver flute, moving their fingers over the keys while seated. They are positioned in front of a bed with a light-colored wall in the background. The camera remains static throughout.

A person is moving their hands and fingers while playing a flute, representing discrete solid object motion driven by explicit physical interaction (wind instrument playing).

The background (wall, bed) is static with no shifting or environmental motion (no fire, water, smoke, or wind detected).


A hand holds a Sudoku puzzle while another hand introduces a red pen, moving it across the puzzle’s grid. The pen traces the cells as the hand manipulates it. The camera maintains a top-down perspective with no movement.

Hand holding a pencil, moving to interact with the puzzle grid.

Static background (table surface) with no shifting. No fire, water, smoke, or wind present.


A woman in a black tank top and blue jeans crouches on grass with hands extended forward, then stands upright and walks to the right, turning to face the camera while gesturing with her arms. The background includes a brown fence and foliage; the camera follows her movement with slight adjustments.

A person transitions from a crawling position to standing and performing dance-like movements, with clear bounding box tracking of discrete human motion.

The wooden fence and plant background remain static across frames, showing no shifting or environmental fluid motion (e.g., wind, smoke).


The video opens on a sunlit courtyard featuring a tree, a stone stove with a large, glowing red metal piece, and a blue tarp-covered structure. A person in a plaid shirt enters from the left, walks across the frame, and exits to the right. The camera remains stationary throughout.

A person (wearing black top and patterned pants) walks across the scene from left to right.

Background elements (tree, structures) are static; fire in the pot is burning but not dominant. No significant fluid/environmental motion (fire, water, wind) dominates the scene. Temporary darkness (0.5-0.7s) is likely due to external obstruction, not camera or environment.


RAW CAPTION: Got it, let's break this down. First, the video starts with a man doing an Over Head Tricep Rope Extension. He's in a gym, wearing a black shirt and pink shorts. He's holding a rope above his head, pulling it down. Then the screen blurs, and there's a "FOLLOW US!" message with social media info.

Need to describe in chronological order. First scene: man in gym, black shirt, pink shorts, performing the exercise—pulling rope overhead, then extending arms down. Then the scene transitions to a blurred screen, then text about following.

Check rules: focus on motion and behavior. Main subject is the man. His appearance: black shirt, pink shorts. Motion: starts with arms up, pulls rope down. Then transition. Background: gym with equipment, but minimal description.

Camera perspective: starts with a steady shot, then blurs.

So put it together. First, the man is doing the exercise, then the scene changes.

Wait, the video starts with him in position, then moves to the next frame. So chronological: man holding rope overhead, pulling down, then the screen blurs, then shows the follow text.

But need to be concise. Let's structure:

A man in a black shirt and pink shorts stands in a gym, holding a rope above his head with both hands, pulling it downward in a tricep extension motion. The scene then blurs, transitioning to a white screen with text prompting viewers to follow on social media platforms.

Check rules: exclude text recognition? Wait, the text "FOLLOW US!" is part of the video's content. Wait, rule f says exclude text recognition, named characters, or stylistic analysis. Wait, the instruction says "Exclude text recognition, named characters, or stylistic analysis." Wait, but the text on the screen is part of the video's content. Wait, no—the rules say: "Exclude text recognition, named characters, or stylistic analysis." So do we skip the text? Wait, the user says: "f) Exclude text recognition, named characters, or stylistic analysis."

Wait, the example video has text "Over Head Tricep Rope Extension" in red, then "FOLLOW US!" etc. But according to rule f, we should exclude text recognition. So maybe we don't mention the text. So the caption should focus on the visual content, not the text.

Wait, the instruction says: "Exclude text recognition, named characters, or stylistic analysis." So text on screen is to be excluded. So the video has text, but we don't mention it. So the caption should only describe the visual elements: the man, his actions, the gym, etc., without referring to the text.

Wait, the first frame has "Over Head Tricep Rope Extension" but according to rule f, exclude text recognition. So the caption shouldn't mention that text.

So first part: a man in a black shirt and pink shorts performs an overhead tricep rope extension in a gym, pulling a rope from above his head down toward his shoulders. The scene then transitions to a blurred view, followed by a white screen with text.

Wait, but text recognition is excluded, so the white screen with text—do we mention the text? Rule f says exclude text recognition. So even though the screen has text, we can't mention it. So we can just say "the scene transitions to a blurred view, followed by a white screen."

Wait, but the problem is that the user's task is to describe the video, which includes the text on screen. But rule f says exclude text recognition. So maybe the caption should only describe the visual elements, ignoring the text. So in the first part, the man is doing the exercise. Then the screen blurs, then a white screen (but no text described). Wait, but the user's example video shows "FOLLOW US!" but rule f says exclude that. Hmm.

Let me re-read the rules: "Exclude text recognition, named characters, or stylistic analysis." So text on screen is to be excluded. So in the caption, we don't mention the text, just the visual action.

So first frame: man in black shirt, pink shorts, performing tricep extension. Motion: holding rope overhead, pulling down.

Then the screen blurs (transition).

Then the white screen with text—since we can't mention text, just say the screen is white, but perhaps the transition to a white screen with text is not to be described. Wait, but the video does show the text, but according to rule f, we can't mention it.

So the caption should be:

A man in a black shirt and pink shorts stands in a gym, holding a rope above his head with both hands, pulling it downward. The scene then blurs, transitioning to a

The person is the discrete object moving during pull-ups, exhibiting controlled upward and downward motion due to physical exertion.

The gym background (dumbbells, wall chart) remains stationary with no fluid/environmental motion. The video transitions to a white screen with text, which has no ambient motion.


A person in a red shirt, dark shorts, and red socks stands on a grassy soccer field near a goalpost. They step forward, kick a rolling soccer ball toward the goal, and follow through with their leg. The camera remains static, positioned to capture the action from a frontal view.

A person in a red shirt and blue shorts is actively running and kicking a soccer ball; the ball moves in a discrete trajectory after impact.

The background (trees, goalpost, and grassy field) is static with no shifting or environmental motion (fire, water, smoke, wind). Static elements remain fixed throughout the frame.


A person manipulates three bright red plastic cups on a table, rapidly lifting and repositioning them to form a stacked arrangement; the cups shift in orientation and spatial placement as the hands move them. The camera maintains a fixed top-down perspective throughout the sequence.

Red cups are being explicitly manipulated by a person's hands, showing discrete physical motion through lifting, repositioning, and stacking. The cups' movement is clear, solid, and trackable via bounding boxes.

The blue wall and static background elements (e.g., green square, poster) remain fixed with no uniform shifting. No fire, water, smoke, or wind is observed, confirming absence of ambient environmental motion.


A person wearing a maroon shirt and beige shorts rides a unicycle toward the camera across a paved area, balancing with arms extended; the van is parked to the right, with trees and a rocky hill in the background. The camera remains stationary.

A person riding a bicycle is the primary discrete object moving forward due to locomotion (pedaling), with the bicycle and rider clearly distinguishable and tracked throughout the sequence.

The background elements (trees, building, van, and ground) remain static with no shifting or fluid motion. No wind-induced swaying, fire, water, or smoke is present; trees are still under clear skies.


A person in blue jeans and brown work boots adjusts a light-colored wooden plank, positioning it horizontally onto a wooden frame structure by pressing it into place. The individual shifts their stance to align the plank, with hands guiding it into the frame. The camera maintains a close-up perspective focused on the hands, plank, and frame, capturing the motion from a slightly angled top-down view.

A person (wearing jeans and boots) is manipulating a wooden plank, moving it into position on a wooden structure. The plank and the person's hands/feet are the discrete moving objects.

The background elements (wooden structure, house wall) show no uniform shifting or fluid motion; no fire, water, or smoke present.


A person wearing beekeeping gear is moving a beehive frame; the frame and the person's hands are discrete objects undergoing motion due to manual handling.

Background elements (trees, river) show no significant uniform shifting or fluid motion; no fire, water, or smoke dominates the scene, though slight wind may affect foliage.


A person uses cloth-wrapped handles to lift a black wok containing shredded orange carrots and green broccoli from a gas stove, then moves it toward a marble countertop, tipping the wok to pour the vegetables onto the surface. The camera follows the wok’s movement, maintaining a close-up perspective throughout.

A wok containing vegetables is being held and tilted by a person, transferring the contents to a countertop. The wok and food are solid objects with motion driven by human manipulation.

The background (stove, countertop, utensils) shows no uniform shifting or fluid motion; steam from the wok is minimal and not dominant.


YOUR FINAL CAPTION HERE

A hand is stirring mashed potatoes in a glass bowl, with the hand and bowl being discrete objects experiencing physical interaction through stirring motion.

Background elements (kitchen counter) are static; no fluid or environmental motion detected.


RAW CAPTION: Got it, let's see. The video starts with a person in a bouncy castle. First, they're standing near the netting. Then they start jumping. Wait, the first frame is at 0.0, then they move towards the camera. Let's break down the sequence.

In the first frame, the person is in the background, maybe near the yellow wall. Then they start moving forward, jumping. The netting is in the foreground, so the person is behind the net. Then they jump, maybe towards the camera, and in the next frames, they get closer. The colors: the bouncy castle has red, blue, yellow walls. The person is wearing a gray outfit, maybe a jacket and pants. They're jumping in the enclosed area.

Chronological order: The person is initially standing (maybe) in the bouncy castle, then begins to move towards the camera, jumping. As they jump, they get closer to the netting, which is the foreground. The camera is probably static, but maybe there's a slight movement. Wait, the caption needs to mention camera perspective and movement.

Wait, the video starts with the person on the right side, then moving left, jumping. The netting is a grid in the foreground. So the person is moving through the bouncy castle, jumping towards the camera.

Let's structure it: A person wearing a gray jacket and gray pants jumps inside a colorful enclosed bouncy castle with red, blue, and yellow walls. Initially positioned near the right side, they move forward toward the camera, jumping repeatedly while approaching the netting in the foreground. The camera remains static, capturing the person’s motion through the enclosure.

Check rules: Focus on motion and behavior chronologically. Mention appearance (gray jacket/pants), number (1 person). Spatial relationships: moving toward camera, near netting. Background minimal. Camera perspective: static (since the netting is in front, maybe the camera is fixed).

Wait, the video starts with the person on the right, then moving left, so the movement is from right to left? Wait, frame 0: person on the right side, then frame 1, they move left, frame 2, more left, frame 3, closer to netting. Then in frame 4, they jump over the netting? Wait, the video shows the person moving towards the camera, which is inside the bouncy castle. The netting is part of the enclosure, so the camera is inside, looking through the netting.

So the person is inside the bouncy castle, moving from the back towards the front (toward the camera), jumping. The netting is the foreground, so the person is behind the netting, moving towards the camera. So as they move, they come closer to the camera, passing through the netting area.

Wait, the video starts with the person behind the netting (the netting is the frame of the video), so the person is in the enclosure, and the camera is outside or inside? The video shows the person moving through the enclosure, and the netting is part of the enclosure's boundary. So the camera is positioned inside the enclosure, looking through the netting.

So the sequence: The person, wearing a gray jacket and gray pants, starts at the back of the enclosed bouncy castle (near the yellow wall), moves forward through the enclosure, jumping repeatedly toward the camera. They approach the netting in the foreground, with the red and blue padded floor visible. The camera remains stationary, capturing the person’s forward motion and jumps.

Now, check if background is minimal: yes, mention the colors (red, blue, yellow walls) only if essential. The rules say minimal background unless essential. The walls are part of the enclosure, so they are essential for setting the scene.

Wait, the caption should be concise. Let's condense:

A single person wearing a gray jacket and gray pants jumps inside a colorful enclosed bouncy castle. Initially positioned near the right side of the enclosure with yellow walls, they move forward toward the camera, leaping repeatedly. The netting forms the foreground, with red and blue padded flooring visible. The camera remains stationary, capturing the individual’s approach through the enclosure.

Check the rules: a) motion in chronological order: starts at right, moves forward, jumps. b) appearance: gray jacket/pants, 1 person. c) spatial: right side, moving toward camera. d) camera: stationary. e) background minimal: yellow walls, red/blue floor. f) exclude text, named characters. g) internal thought.

Yes, that seems to fit. Let's make it shorter:

A person in a gray jacket and gray pants jumps inside a bouncy castle with red, blue, and yellow walls. Starting near the right side, they move forward toward the camera, leaping repeatedly while approaching the net

A child is bouncing on a trampoline, exhibiting locomotion due to physical forces (trampoline elasticity and gravity).

The background (yellow walls, red and blue padding) is static; no shifting of background elements observed. No fluid or environmental motion present.


A person with long blonde hair and a white top opens a large brown fabric bag, revealing colorful items inside, then lifts and adjusts the bag while standing on a grassy area near a picnic table. The camera starts with a close-up of the hands and bag, then pulls back to show the person and surrounding outdoor environment, maintaining a slight shake during the movement.

A person in a white dress manipulates a brown fabric bag, pulling it from a car and carrying it across a grassy area. The person's hands and the bag exhibit explicit locomotion due to physical forces (pulling, walking).

The background includes grass, a picnic table, and house structures. No uniform shifting of background elements indicates camera-induced motion; no fire, water, smoke, or wind dominates the scene.


RAW CAPTION: Okay, I need to generate a concise chronological paragraph for this video. Let me look at the provided frames.

First frame is black with text, but the rules say to exclude text recognition, so I'll skip that. The next frames show a construction site. There's a person working on decking. The main subject is a man in a beige jacket and dark pants, wearing green boots. He's crouching on wooden framing, then walks towards the house, carrying a piece of plywood. The house has Tyvek siding, and there's a trailer in the background.

I need to focus on his actions: crouching, then walking with the plywood. Spatial relationships: he's on the deck framing, near the house. Background has grass, trailer, maybe a dog? Wait, frame 3 mentions a dog, but the rules say minimal background unless essential. Maybe just mention the trailer and house.

Camera perspective: starts with a static shot, then follows him as he moves. The video shows him moving from the foreground to the house. The camera might be stationary but following his movement. Wait, the first frame after black is the man crouching, then he walks towards the house. The camera angle seems to be from a low angle, maybe looking up a bit.

Wait, the user's example for the output format says to describe the motion in chronological order. Let me structure it: The man crouches on the wooden framing, then stands and walks towards the house carrying plywood. The background includes a trailer and Tyvek-covered house. Camera stays static but the man moves through the frame.

Check rules: a) focus on motion of main subject, chronological. So first, crouching (position), then walking with plywood. Appearance: beige jacket, dark pants, green boots. Number: one person. Spatial: on the deck framing, in front of the house with Tyvek siding. Background minimal. Camera: static, possibly following the man's movement.

Avoid mentioning the text, the dog, or details like "Tyvek HomeWrap" since it's not essential. The dog is in frame 3 but maybe not necessary. Wait, the user's example includes "a dog" in the background? Wait, the first frame shows a dog. But rule e says minimal background unless essential. Maybe the dog is not essential here. The main action is the man working on the decking.

So the caption should start with the man crouching on the wooden framing, then walking towards the house carrying plywood. The house is covered in Tyvek, trailer in background. Camera static.

Wait, the video starts with a black screen with text, but the rules say exclude text recognition. So the first action is the man crouching. Then he stands and walks. The video sequence: frame 2 shows him crouching, frame 3 he's moving, frame 4 he's walking towards the house with the plywood. So chronological order: crouching, then walking with the board.

Need to mention he's carrying a large piece of plywood. The camera stays static, observing his movement from the framing towards the house. The background has the trailer and grassy area, but keep it minimal.

Let me put it all together: A man in a beige jacket and dark pants, wearing green boots, crouches on wooden deck framing before standing and walking toward the Tyvek-covered house while carrying a large plywood sheet. The trailer is visible in the background. The camera remains stationary, capturing his movement from the framing toward the house.

Wait, check the rules again: "mention spatial relationships if relevant (e.g., in front of, to the left)". So he's moving from the framing towards the house, so "in front of the house" or "toward the house".

Also, the rules say "briefly describe appearance and number". So "a man in a beige jacket..." etc. Number is one.

Conclude with camera perspective: static, no movement mentioned. The example output says "The camera remains stationary" or similar.

Avoid "Tyvek" as it's part of the house but maybe it's essential to mention the house's covering. Wait, the rules say "keep background descriptions minimal unless essential for understanding motion". The house's siding (Tyvek) is part of the setting. Maybe it's okay to mention "Tyvek-covered house" as it's a key part of the scene.

Wait, the problem says "Exclude text recognition, named characters, or stylistic analysis." So Tyvek is part of the visual, not text. So it's okay to mention the house has Tyvek siding. But the user example might not include that. Hmm.

Wait, in the video, the house has Tyvek HomeWrap, but since it's a visual element, maybe it's essential to describe the house as Tyve

A person is moving across the deck carrying wooden planks, performing actions like walking, lifting, and placing the planks on the deck structure.

The background (house walls, deck frame, grass) remains static throughout the video; no shifting or fluid motion (fire, water, wind) is observed.


The video opens with a metal rack holding folded green and blue garments. The camera pans downward to reveal a person’s hands smoothing a green fabric with red patterns, moving from left to right. The hands are positioned below the rack, with the person’s arms partially visible. The camera remains steady, focusing on the hands’ motion against the fabric.

A person's hands are moving across the green surface, indicating discrete object motion due to physical interaction with the environment.

The background consists of a static green surface and a rectangular container with minimal environmental motion; no significant fluid or atmospheric phenomena (fire, water, smoke, wind) are present.


In a spacecraft cabin, a person in a red shirt gestures toward another individual in a striped shirt. The second person then takes a blue and green globe, holding it against their chest. The camera pans slightly to the right, focusing on the individual with the globe as the background reveals control panels and equipment.

Two individuals are interacting with a globe: the person in red shirt hands it to the person in striped shirt, who then holds and rotates it. The globe is a solid object moved via explicit physical contact.

The cockpit background (panels, controls, ceiling) shows no uniform shifting or fluid motion (fire, water, smoke); no environmental motion is present.


A young girl in a teal striped shirt with a blue bow reaches toward a brown horse's side, then shifts her gaze while others, including children and adults, stand nearby. The camera, slightly shaky, follows her movements as she interacts with the horse in a cluttered indoor space with hay on the ground.

A child's hand moves toward and away from a horse, indicating discrete physical interaction (touching/petting). Other people in the background are mostly stationary.

Background elements (people, horse, ground) show minimal uniform shift; no fire, water, smoke, or wind-driven motion detected.


A man in a checkered shirt and gray pants sits before an ornate organ with gold and red decorative elements, his hands moving across the keyboard and stop knobs as he plays; the camera maintains a static side view, focusing on his interactions with the instrument.

The primary discrete object is the man playing the organ; his hands move the keys and possibly pedals due to manual locomotion.

The background consists of ornate, stationary organ panels and pipes with no visible shifting, fluid motion (fire/water/smoke), or wind-driven movement.


A woman in a white hoodie and a man in a dark jacket interact closely within a dimly lit crowd. The woman raises her arm upward, then moves it across her body while turning toward the man, maintaining proximity. The camera follows their movement with a shaky handheld perspective.

A person in a white hoodie adjusts their hood through deliberate arm movements (lifting, turning, and positioning), while another individual in the background similarly adjusts their hood. These are discrete solid objects moving due to explicit physical actions (manual manipulation).

The background (ceiling, structural elements, and distant figures) shows no uniform shifting or fluid motion. No fire, water, smoke, or wind is present, and the environment remains static.


RAW CAPTION: Got it, let's tackle this caption. First, look at the video. The main subjects are people at what seems like a wedding. The bride in a white dress is moving. Let's list the actions chronologically.

Start with the initial frame: group of people, bride in white, others in suits, some in pink, red pants. Then the bride moves forward, walking past the group. The camera follows her movement. The background has a band (musicians, some with instruments), a child in a white dress holding something. The bride walks from left to right (assuming the frame's direction). The camera pans to follow her.

Check rules: focus on motion and behavior. Main subjects: bride (white dress, walking), others in the group (suits, pink shirt, red pants). Mention appearance briefly. Spatial: bride moves in front of the group, the child is near the band.

Background minimal: mention the band but not too much. Camera movement: pans left as she walks (since she's moving from left to right, the camera follows).

Let's structure:

At the start, a group of people stands in a room with a band in the background. A bride in a white dress walks through the group, moving from left to right. The bride’s movement causes the group to shift, with a child in a white dress standing near the band. The camera pans left to follow the bride’s path.

Wait, check the actual frames: in frame 0, she's on the left, frame 1-5 she moves right. So camera pans left? Wait, when the subject moves left, camera pans right. Wait, if the subject moves from left to right, the camera should pan right. But let's check the movement. The bride starts on the left side of the frame, then moves towards the right, so the camera follows her, panning right. But the description says "pan left"? Wait, no. Let's think: if the subject moves right, the camera pans right. But maybe in the video, as she moves, the camera follows. Let's see the frames: frame 0, bride on left; frame 1, she's a bit more right; frame 2, even more right; frame 3, moving through; frame 4, almost out of frame. So the camera is panning right to follow her.

Wait, but the user's example: "the camera pans left to follow the bride’s path" — no, if she moves right, camera pans right. But maybe I'm confused. Let's just describe the camera movement as following her motion.

Let's write:

A group of people, including a bride in a white dress, stands in a dimly lit room with a band playing in the background. The bride walks forward from left to right, passing by a man in a black suit and a child in a white dress holding a book. As she moves, the camera follows her, panning right to maintain her position in the frame.

Wait, check the number: the group has several people, but the main subjects are the bride and the people around.

Also, the band: "a band with musicians holding instruments stands in the background".

Let's try:

In a dimly lit room, a bride in a white dress walks forward through a group of people including a man in a black suit and a child in a white dress holding a book. Behind them, a band with musicians stands near a music stand. The bride moves from left to right, causing the group to shift; the camera pans right to follow her movement.

Wait, the background: the orange balloon, but rule e says minimal background. So maybe just mention the band as part of background.

Finalizing:

A bride in a white dress walks through a group of people in a room with a band in the background. She moves from left to right, passing a man in a black suit and a child in a white dress holding a book. The camera follows her motion, panning right to maintain focus.

Check rules:

a) motion: bride walks, group shifts.

b) appearance: bride white dress, man black suit, child white dress.

c) spatial: bride in front of group, child near band.

d) camera: pans right (since she moves left to right, camera pans right).

e) background: minimal (band in background).

f) exclude text: no text.

Yes, that should work.
</think>

<caption_output>A bride in a white dress walks forward through a group of people, including a man in a black suit and a child in a white dress holding a book, in a dimly lit room with a band playing in the background. She moves from left to right, causing the group to shift, while the camera follows her motion by panning right.</

The bride and groom are moving (walking) as discrete solid objects; musicians are relatively stationary or moving minimally.

The background (walls, ceiling, fixed decorations) is static and shows no significant shifting or environmental motion (fire, water, wind, etc.).


The video begins with a blurred, orange-tinted scene that transitions to a man in a white shirt seated indoors, holding a megaphone to his mouth. Behind him, another person sits on a chair. The camera, handheld and slightly shaky, focuses on the man as he speaks into the megaphone.

A man seated in a room, holding a megaphone. He exhibits minimal motion, including slight head movements and hand adjustments while speaking into the megaphone.

The background consists of static elements (curtains, furniture) in the majority of the video. There is no environmental motion (fire, water, wind) present. The initial part (0.0-0.9 seconds) shows camera shake, but the background in the stable frames (1.3-5.0 seconds) is static.


Two brown-skinned hands manipulate a blue crochet hook and a pink yarn piece on a white patterned tablecloth, inserting the hook into the yarn, pulling yarn through to form a stitch, with an orange yarn strand visible to the left. The camera maintains a static top-down perspective throughout.

Hands manipulating a crochet hook and yarn; solid objects (hands, hook, yarn) exhibit deliberate, controlled motion from manual dexterity.

Static tablecloth background with no shifting or fluid motion (fire, water, wind); scissors visible in top-left corner remain stationary.


The video opens with three individuals dancing outdoors at night, wearing blue-lit headphones and casual attire, moving rhythmically in a dimly lit area. It then transitions to a crowd scene where numerous individuals dance energetically, some raising their arms, all wearing headphones with colored lights. Finally, the scene shifts to a studio where seven people gather around a table, shaking hands and interacting, with the camera capturing a medium shot of the group.

People are the discrete objects moving—dancing, waving arms, and interacting in the outdoor scene, and gesturing/clapping in the indoor scene—all exhibiting clear locomotion without environmental fluid effects.

The background (trees, buildings, indoor walls, and floor) remains static across scenes; no fire, water, smoke, or wind motion is present as dominant elements.


Several individuals in red life jackets and dark head coverings are aboard a sailboat, moving dynamically across the deck while interacting. The camera, positioned close to the crew, pans slightly to reveal more people as they adjust positions, with the open ocean and clear sky visible in the background.

People wearing red life jackets are visible, moving through small adjustments in position (e.g., shifting weight, gesturing) as they interact on the sailboat.

The background includes a clear sky and ocean with subtle wave motion; static elements like the horizon line remain relatively stable, indicating minimal ambient environmental motion dominance.


A small child wearing a blue and green helmet, gray hoodie, black shorts, and blue sneakers stands on a chalk hopscotch grid drawn on a concrete surface in a park. The child moves slightly forward, hops onto the grid, and then turns around to face the opposite direction. Playground equipment is visible in the background. The camera maintains a top-down perspective with minimal movement.

A child wearing a blue helmet is moving via hopping on a hopscotch grid; discrete solid object motion due to locomotion (hopping) without fluid or camera interference.

Static background elements (playground slide, blue mat, grass) show no uniform shifting or environmental motion; no fire, water, smoke, or wind effects observed.


RAW CAPTION: Got it, let's break this down. The video starts with a skier from behind, going down a slope. Then the skier turns, maybe a jump or maneuver, and we see them from different angles. There are other skiers in the background. Need to describe chronologically.

First, the skier is skiing downhill, back view. Then they turn, maybe jump (the video shows a jump action). Then they land, and continue. Then they're moving towards other skiers. The main subject is the one skier, black jacket, green helmet, red boots. Other skiers in the background. Camera follows the skier, maybe shifting angles. Background is snowy slope, trees.

So step by step: initial shot from behind, skier descending. Then they perform a jump (or maneuver), seen from the side. Then they land, then continue skiing towards other people. Camera moves to follow the skier, changes angle from behind to side to front maybe.

Check rules: chronological, motion, appearance (black jacket, green helmet, red boots), spatial relationships (other skiers in background). Background minimal. Camera perspective.

Let me draft:

A skier in a black jacket, green helmet, and red boots descends a snowy slope, initially viewed from behind. The skier then turns and performs a jump, revealing red ski boots and orange ski tips. Landing, they continue skiing downhill toward other skiers on the slope. The camera follows the skier's movement, shifting from a rear view to a side view and then a frontal perspective as the skier approaches other individuals.

Wait, but need to check the video frames. Let's see:

[0.0] skier from behind, snow, trees.

[1.4] skier in mid-air? Wait, the description says "jump", but maybe it's a turn. Wait the video: first frame is skier going, then 2nd frame they are in a position where maybe they jump (the ski tips are up), then 3rd frame they're landing.

Wait the user's video:

[0.0] back view of skier going down.

[1.4] skier turns, maybe mid-motion, skis crossed.

[2.5] close-up of skier's legs and skis.

[3.6] skier in mid-air, then [4.7] skier near other people.

Wait, no. The actual video:

Frame 0: skier going down slope, back view.

Frame 1: skier turns, looking at camera, then maybe jumping? Wait the user's video description:

[0.0] skier from behind, snow.

[1.4] skier in mid-air (jumping), with skis and poles.

[2.5] skier landing, legs bent.

[3.6] skier continuing down, now with other skiers in background.

Wait, the user's video clips:

0.0: skier going down, back view.

1.4: skier is in a turn, maybe jumping.

2.5: close-up of skier's legs and skis, showing red boots.

3.6: skier now near other people (more skiers), looking back.

4.7: skier moving towards other skiers.

So the sequence:

- Starts with skier descending downhill, back view.

- Then the skier turns and jumps (mid-air), showing skis.

- Then lands, skier's boots are red.

- Then continues skiing, approaching other skiers.

Now, the main subject is the skier: black jacket, green helmet, red boots. Other skiers in background (multiple, but not detailed).

Camera movement: follows the skier, changing angles from behind to side to front as they move.

Background: snowy slope, trees (minimal as per rule e).

So the caption should be chronological:

A skier in a black jacket, green helmet, and red boots descends a snowy slope, initially viewed from behind. The skier then turns and jumps mid-air, revealing orange ski tips. Upon landing, they continue skiing downhill toward other skiers on the slope. The camera follows the skier's movement, shifting from a rear view to a side view and then a frontal perspective as they approach other individuals.

Check rules:

a) Motion chronological: descending, jumping, landing, approaching others. Good.

b) Appearance: black jacket, green helmet, red boots. Mentioned.

c) Spatial: other skiers in background. Good.

d) Camera: follows skier, shifts angles. Good.

e) Background minimal (snowy slope, trees only in brief mentions).

f) No text, named characters.

So this works.
</think>

<caption_output>A skier in a black jacket, green helmet, and red boots descends

The skier (a discrete object) is moving downhill using ski poles, exhibiting locomotion. Other objects (trees, people in background) are static or moving minimally.

Background (trees, poles, signs) is static and not shifting. No fire, water, or smoke. No significant environmental fluid motion (e.g., wind causing tree sway) observed.


RAW CAPTION: Got it, let's tackle this. First, the video starts with a black screen, then transitions to a classroom setting. The main subject is a person in a white polo shirt. They're sitting, maybe in a classroom. Then there's another person in the background, wearing a green patterned shirt, standing near a desk. The main person is in front of the camera, maybe talking or preparing to beatbox. The text "Beatbox by Jamie" appears but we need to exclude text recognition, so focus on motion. The camera seems steady, no movement mentioned. Background has desks, windows, maybe some posters. Let's structure it chronologically: start with black screen, then main person in classroom, background person moving (like turning around), main person's actions. Wait, in the frames, the main person is seated, then text appears, then the main person is still. Wait, the frames go from 0 to 5 seconds. Let's check each frame. Frame 0: black. Frame 1: main person in white polo, text. Frame 2: text, main person. Frame 3: text fades, main person. Frame 4: main person, background person (green shirt) is standing behind. Frame 5: same as 4. So the main subject is the person in white polo, seated. Background has another person in green shirt. The main person's motion: maybe looking at the camera. The background person is behind, maybe moving. Let's outline the chronological sequence. The video starts with a black screen. Then cuts to a classroom where a person in a white polo shirt is seated in the foreground. Behind this person, another individual in a green patterned shirt stands near a desk. The foreground person remains seated, with minimal movement, while the background person is visible throughout. The camera maintains a fixed perspective, focused on the seated individual, with the background slightly out of focus. Now, following the rules: no text, no named characters, focus on motion. So the main subject (person in white polo) is seated, background person in green is standing. Need to describe motion: the main person's motion is mostly static, maybe slight head movement. The background person might be moving (like turning) but in the frames, maybe just standing. Let's check the frames. Frame 1: text, main person. Frame 2: text, main person. Frame 3: text fades, main person. Frame 4: main person, background person in green. Frame 5: same. So the background person is there, perhaps turning around. So the main subject is the seated person in white polo, who is in front of the camera. The background has another person in green shirt, moving (maybe turning). The camera is static, fixed on the main subject. So the caption should be: The video begins with a black screen, then transitions to a classroom setting where a person in a white polo shirt is seated in the foreground. Behind this person, another individual in a green patterned shirt stands near a desk, occasionally shifting position. The seated person remains mostly motionless, while the camera maintains a static, eye-level perspective focused on the foreground subject. But need to make it concise. Let's check the rules. Must be chronological, motion and behavior. So:

At the start, the screen is black. Then, a person wearing a white polo shirt is seated in a classroom, facing the camera. Behind them, another person in a green patterned shirt stands near a desk. The seated individual remains still, while the background figure shifts slightly. The camera stays fixed, capturing the scene from a frontal perspective with minimal movement.

Wait, but need to be concise. Let's see. The output should be a paragraph. Let's structure:

The video opens with a black screen, then cuts to a classroom where a person in a white polo shirt sits in the foreground. Behind this individual, another person in a green patterned shirt stands near a desk, occasionally moving. The seated person remains still, and the camera maintains a steady, frontal view throughout.

Check the rules: exclude text, named characters (so no "Jamie"), so "Beatbox by Jamie" is text, so we ignore it. So the main subjects are the two people: one in white polo, one in green. Their behavior: seated person is still, background person moves slightly. Camera is static. Background: classroom setting, desks, windows, but minimal description.

Final caption:

The video begins with a black screen, then shows a person wearing a white polo shirt seated in a classroom. Behind this person, another individual in a green patterned shirt stands near a desk, shifting position slightly. The seated individual remains still, and the camera holds a static, frontal perspective.
</think>

<caption_output>The video opens with a black screen, then transitions to a classroom setting where a person

A person (Jamie) in the foreground exhibits slight head and body movements consistent with speaking or interacting, while background individuals remain largely stationary.

The background features static elements (e.g., posters, windows) with no fluid or environmental motion (fire, water, smoke, wind). Background shifts are absent, indicating no dominant ambient environmental motion.


A person in a light gray long-sleeve shirt and dark pants uses a black and gray random orbital sander to smooth the wooden interior of an open cabinet, moving the tool back and forth across horizontal slats. The camera maintains a top-down perspective with minimal movement, focusing on the sanding action against a background of indistinct furniture.

A person's hands and a sander are moving across the wooden drawer, with visible motion due to physical interaction (sandering).

Static wooden shelves and furniture in the background; no shifting backgrounds or fluid/environmental motion (fire, water, wind) observed.


RAW CAPTION: Got it, let's tackle this. The video starts with a close-up of a golf green. There's a golf club, maybe a putter, on the green. Then it cuts to a black screen with text, but the rules say to exclude text recognition. So focus on the visuals. First scene: golf green, putter on it. Then the text screens, but since we can't mention text, skip those. Then the Nike logo with "3G" and "Nike Golf Performance". Wait, the rules say exclude text recognition, so even the logos? Wait, the instruction says "Exclude text recognition, named characters, or stylistic analysis." So the text screens (like "KNOW YOUR GAME") are text, so we don't mention them. So the main visual parts: the golf green with the club, then the logo screen. Wait, the video is:

[0.0] Close-up of a golf green with a golf club (putter) near the top right, slightly out of focus, green grass.

[1.4] Black screen with text (but exclude text, so skip)

[2.5] Black screen with text (skip)

[3.6] Black screen with text (skip)

[4.7] Logo screen: circular logo with "3G" and Nike swoosh. Wait, but the rules say exclude text recognition, so "3G" is text, so we don't mention it. But the logo is an object. Wait, the task is to describe motion and behavior of main subjects. So first scene: golf club on green. Then the logo appears. But the logo is a static image. Let's check the rules:

a) Focus on motion and behavior of main subjects. So in the first scene, the golf club is on the green (static?), then the next scenes are text/logo. But the problem is the text screens are excluded. So the main visual elements are the golf green and the club, then the logo.

Wait, the first frame shows the green with the club. Then cuts to black with text (but we ignore that). Then the logo. So the chronological order:

1. Close-up of a golf green. A golf putter is visible on the green, positioned slightly off-center to the right, with the head of the club near the center. The grass is short and well-maintained.

2. Then, the scene transitions to a black background with a circular logo (the "3G" logo with Nike swoosh) in the center.

Wait, but the rules say to exclude text recognition, so "3G" and "Nike Golf Performance" are text, so we don't mention. So for the logo part, we just describe the logo as a circular object (but not the text). Wait, but the logo is the main subject here.

Wait, the problem is that the user says "exclude text recognition", so we don't mention the text on the screen, but the logo itself is a visual element. So the logo is a circular emblem with a Nike swoosh, but since it's a logo, perhaps we can describe it as a circular object with a swoosh.

But the task is to describe motion and behavior. The first scene: the golf club is on the green (static), then the scene changes to the logo (static). So the main subjects are the golf club and the logo.

Let's structure the caption:

First, the close-up of the golf green with the putter. Then the transition to the logo screen.

But need to be concise, chronological.

First part: A golf putter rests on a well-manicured green, its clubhead near the center and shaft extending upward, positioned slightly to the right. The grass is short, vibrant green.

Then, the scene cuts to a black background with a circular emblem featuring a Nike swoosh, which appears centered.

Wait, but the rules say to mention spatial relationships. Let's check the first frame: the putter is on the green, which is the main subject. Then the logo.

Wait, the video's first frame is a close-up of the green with the putter. Then the next frames are text/logo, but we ignore the text. So the main motion is the transition from the green scene to the logo.

But the caption should be chronological. Let's break it down:

1. At the beginning, the video shows a close-up of a golf green. A golf putter is visible on the green, with the clubhead near the center and the shaft angled slightly upward. The green's grass is short and evenly cut.

2. The scene then transitions to a black background, where a circular logo (with a Nike swoosh) appears in the center, remaining static.

Wait, but the rules say "exclude text recognition" so the logo's text (like "3G") is excluded,

Golf putter and ball; ball moves due to collision with putter.

No shifting backgrounds; no fluid/environmental motion (fire, water, wind) detected in the golf scene.


RAW CAPTION: Got it, let's see. The video shows a person using a yellow and black sander on a wooden surface. The person is wearing a blue shirt. The motion starts with the sander being pressed down on the wood, then moved back and forth. Then there's a close-up of the wood after sanding, showing the smoothed surface.

First, identify the main subject: a person (wearing blue, so color mentioned), the sander (yellow and black, rectangular maybe), and the wooden board (light brown, with visible grain).

Chronological order: The person applies the sander to the wood, moving it in a back-and-forth motion. Then the camera shifts to show the sanded wood's surface, which is smooth with fine lines.

Spatial relationships: The sander is held by the person's hands, over the wooden board. The board is on a table, maybe a workbench.

Camera perspective: The initial shots are top-down, then there's a close-up of the wood.

Background is minimal, so focus on the actions.

So the caption should describe the person using the sander, the motion, then the result. Let's structure it:

A person in a blue shirt uses a yellow and black handheld sander on a light brown wooden board, moving it back and forth across the surface. The camera then shifts to a close-up of the smooth, finely textured wood after sanding.

Wait, need to check the rules. Focus on motion and behavior chronologically. So first the sander is used, then the close-up of the wood.

Also, mention appearance: sander is yellow and black, person's blue shirt.

Check the output format: must be a paragraph in <caption_output> tags.

Let me make sure:

- Chronological: First, the person sands, then the close-up.

- Motion: pressing the sander, moving it, then the smooth wood.

- Spatial: sander is held over the wood.

- Camera: initial top-down, then close-up.

Background is minimal, so don't mention much else.

So the caption would be:

A person wearing a blue shirt uses a yellow and black handheld sander to smooth a light brown wooden board, moving the tool back and forth across its surface. The camera then shifts to a close-up of the sanded wood, revealing a smooth, evenly textured finish.

Wait, the video shows the person pressing the sander down, then moving it, then the close-up of the wood. The second frame might be a bit different, but the key is the sequence.

Also, the first part is the sander being moved, then the hand touches the wood (maybe after sanding). Wait, the fourth frame is a hand smoothing the wood. Wait, let's check the frames:

Frame 0: hands pressing sander on wood.

Frame 1: sander being pulled back, maybe.

Frame 2: sander in motion.

Frame 3: sander moved further.

Frame 4: hand touches the wood (maybe after sanding, showing the smooth surface).

So the sequence is: person uses the sander on the wood, then a hand runs over the smoothed surface.

Ah, I missed that. So first, sander is used, then the hand is shown touching the wood. So chronological: sander movement, then hand smoothing the wood.

So revise:

A person wearing a blue shirt uses a yellow and black handheld sander to smooth a light brown wooden board, moving the tool back and forth across its surface. The camera then transitions to a close-up of the wood, where a hand gently runs over the newly sanded, smooth surface.

Yes, that's better. The fourth frame is a hand on the wood, so the hand runs over it.

Check the appearance: the wood is light brown, the sander yellow and black.

Camera: initial top-down (since the first frames are from above), then close-up of the wood.

Also, the background is minimal (workshop maybe, but not essential).

So the caption should be concise, chronological. Let's make sure it's a paragraph.

" A person in a blue shirt operates a yellow and black handheld sander on a light brown wooden board, moving it back and forth across the surface. The camera then shifts to a close-up of the wood, where a hand glides over the smooth, textured finish created by sanding."

Wait, the fourth frame is a hand on the wood, so "glides over" might be accurate.

Alternatively: "A person wearing a blue shirt uses a yellow and black sander on a light brown wooden board, moving the tool back and forth. The camera then focuses on the hand smoothing the sanded wood surface, highlighting its even texture."

But need to be chronological

A hand (solid object) manipulates a yellow and black sander (solid object) across the wooden surface, with the hand's movement and sander's motion being the primary active actions.

No shifting background elements observed; wooden table and blue surface remain stationary throughout the clip. No fire, water, smoke, or wind motion detected.


A person in a black and orange life vest holds a gray dolphin in clear water; the dolphin’s tail lifts and moves as the person remains in the water. The scene transitions to three people in the water, wearing blue and purple life vests, raising their hands toward the camera. The camera captures the initial interaction from a medium perspective before shifting to a top-down view of the three individuals.

The dolphin is swimming (moving tail, body), and three people are waving and moving in the water.

The background consists of water with natural wave motion, but this is not the dominant motion; the dominant motion is the movement of the dolphin and people.


Two players, one in a light blue shirt and dark shorts, the other in a white shirt and black shorts, engage in a squash rally on an enclosed court. The blue-shirted player moves left, bends low to strike the ball, then runs right, while the white-shirted player follows, shifting position to return the ball. The camera remains stationary, capturing the action from a fixed front perspective with minimal background detail.

Two players (solid objects) and a squash ball are moving. Players run, jump, and hit the ball; ball moves due to collisions.

Background is static (walls, window fixed). No fluid or environmental motion (fire, water, smoke, wind) observed.


A man in a striped shirt holds a light brown wooden cross in his right hand, then lifts it upward while turning it slightly to display its structure. He remains seated at a wooden workbench cluttered with stacked wooden crosses and tools, with a window and shelves visible behind him. The camera maintains a static perspective throughout.

A person is actively moving their hands while holding a bottle and manipulating a cardboard box on a table; these are solid, discrete objects undergoing intentional motion due to human action.

Background elements (wooden shelves, window, table) are static with no uniform shifting or fluid environmental motion (fire, water, smoke, wind) detected.


RAW CAPTION: Got it, let's break this down. The video starts with a man in a dark jacket and jeans hugging a woman in an orange jacket. There's another woman in orange with a pink bag reading a book. Then the man and woman move to hug someone else? Wait, no, in the next frames, they interact with more people. Let's check the sequence.

First frame: Man in dark jacket (height maybe average, posture embracing) hugs woman in orange (bright orange, jeans, beige boots). Another woman in orange with pink bag is reading. Background has cars, pedestrians, bus.

Second frame: They walk, the man gestures with hand, maybe pointing or moving away. The woman in orange (with pink bag) is still there. Then third frame: The man and the woman he was hugging are now talking to another person? Wait, no, the description says "man in dark jacket and jeans hugs woman in orange" then "they move to interact with others."

Wait, the user's instruction says: focus on motion and behavior of main subjects chronologically.

Let's list the main subjects: the group in orange jackets (there are at least two, maybe three). The man in dark jacket. The woman in orange with pink bag (she's reading a book at first).

First scene: Man (dark jacket, jeans) embraces woman (orange jacket, jeans, beige boots). A second woman (orange jacket, pink bag, reading) stands nearby. People walk in background.

Then, the man and the woman he was hugging move—maybe they separate, and the man gestures (like raising hand). Then, in the next part, they interact with a group: a man in blue denim and a woman in red top, etc. Wait, the frames:

Frame 0: Two people hugging (man dark, woman orange), another woman orange with pink bag reading.

Frame 1: Same group, moving, the man now is gesturing (hand raised), the woman he was hugging is next to him, the reader is still there.

Frame 2: Now, a group: man in dark jacket, woman in orange (was hugged), now talking to others. Wait, maybe the man and the hugged woman are now engaging with more people. The woman with pink bag is still present, maybe reading.

Frame 3: The scene shifts to a different group: a man in blue denim, woman in red top, another woman in dark blue, and a man with backpack. They seem to be walking or interacting.

Wait, but the user says "chronological paragraph", so need to order the actions.

Starting with the first frame: A man in a dark jacket and jeans embraces a woman wearing an orange jacket, blue jeans, and beige boots. Nearby, a second woman in an orange jacket and blue jeans holds a pink bag while reading a book. Both groups interact with pedestrians as the man and the hugged woman separate, the man gesturing with his right hand. They then move towards a larger group where several people, including a man in a blue denim jacket and a woman in a red top, are walking together. The scene transitions to show multiple pedestrians moving across the frame, with the camera panning left to capture the flow of people.

Wait, but need to follow rules: mention main subjects (people), their appearance (color, size, orientation), spatial relationships, camera movement.

Main subjects: the man in dark jacket, the two women in orange jackets. Then other people (like the man in blue, etc.) are part of the scene but maybe not main? Wait, the first frames have the main action around the man and women, then the camera shifts to other groups.

Wait, the instruction says "main subjects (people/animals/objects)", so the key interactions are the hugging, then moving, then other groups.

Let me structure:

- Initial: Man (dark jacket, jeans) hugs woman (orange jacket, jeans, beige boots). Another woman (orange jacket, blue jeans, pink bag) reads a book. They are on a sidewalk with vehicles and pedestrians in the background.

- Then: The man and the hugged woman separate, the man gestures with his right hand, moving towards a group. They interact with a woman in red (or maybe red top) and a man in blue denim.

- Then: The scene shows more pedestrians, including a man in blue denim jacket, a woman in red top, another woman in dark blue, and a man with a backpack walking together.

Wait, but the frames show a transition. The first few frames have the hug, then they move, then the camera shifts to a different part of the sidewalk with more people.

Camera movement: The video starts with a static view, then the camera pans left to capture the flow of pedestrians.

Wait, the first frame is a street scene. The camera probably moves along the sidewalk,

Multiple discrete solid objects (people) exhibit locomotion (walking, interacting) and physical contact (e.g., handshakes, gestures). Bounding boxes for these objects can be tracked consistently across frames.

Background elements (buildings, vehicles, pavement) show no uniform shifting or fluid environmental motion (e.g., fire, water, smoke). No wind-induced swaying of static elements observed.


A pair of hands manipulates a metallic crochet hook and yellow yarn over a blue crocheted square, forming stitches through circular motions. The hands position the hook through yarn loops, pulling the yarn to create new stitches while maintaining the square's structure. The beige textured background remains static beneath the work. The camera maintains a steady top-down view focused on the hands and crocheting process.

Hands and a crochet hook are moving in discrete, physical interactions (looping yarn, manipulating the hook).

The background (textured carpet) shows no uniform shifting or fluid motion; no fire, water, smoke, or wind is present.


RAW CAPTION: Got it, let's break this down. First, the video starts with a person sitting at a table. The person is wearing a black shirt with a red undershirt, and they're behind a wooden table. On the table, there's a glass of water and a black object (maybe a bottle). The text "Testing Scenario: High Power Short Distance" is on screen, but we need to exclude text recognition per the rules. Then, the person gestures towards a plate that appears with a sandwich. The scene transitions to black.

So chronological order: The person is seated at the table, then they gesture towards a plate (which was previously not there? Wait, no—wait, in the frames, the first frame has the text, then the second frame also has the text but the plate is there? Wait, no. Let's check the timestamps.

Frame 0: person at table, text on screen, glass, black object. Frame 1: same person, text, glass, black object. Frame 2: text, glass, black object, but the plate with sandwich appears. Then frame 3: the person reaches towards the plate. Frame 4-5: black screen.

So the main subject is the person. They are seated at a table, in front of them is a glass of water and a black object (maybe a bottle). Then, a plate with a sandwich is introduced, and the person reaches towards it. Then the screen goes black.

Appearance: The person wears a black shirt with red undershirt (but per rule g, exclude named characters, so just say "a person" but the description can include their shirt color as appearance). Wait, rule b says "briefly describe their appearance and number (color, size, orientation)". So for the person: dark-colored shirt, red undershirt visible.

Spatial relationships: The person is seated at a round table, with a glass of water and a black object (bottle?) to their left. The plate with a sandwich appears on the table. Then the person reaches towards the plate.

Camera perspective: Starts with a fixed shot of the person at the table, then transitions to black.

Background: Minimal, but there's a dark tablecloth in the background with some objects, but per rule e, keep background minimal. So maybe "white walls and dark tables in background".

But the rules say exclude text, so don't mention the text.

Let's structure the chronology:

1. A person in a dark-colored shirt with a red undershirt sits at a round table; on the table are a glass of water and a black object.
2. A plate with a sandwich appears on the table, and the person gestures toward it.
3. The person reaches toward the plate.
4. The screen goes black.

Wait, in frame 2, the plate with sandwich appears. Then frame 3: the person moves their hand toward the plate. Then frame 4: black.

So in chronological order:

- The person is seated at a table with a glass of water and a black object (bottle) in front of them.
- A plate with a sandwich is placed on the table, and the person gestures toward it.
- The person reaches toward the plate.
- The scene cuts to black.

Now, appearance: "a person wearing a dark shirt with red undershirt" – but rule b says "briefly describe their appearance and number (color, size, orientation)". The person is one, size medium (assumed), orientation facing the camera.

Spatial relationships: The table is round; the glass is to the left of the person, the black object (bottle) is to the right, then the plate with sandwich is placed in front of the person.

Wait, in the first frame: the person's hands are on the table, glass on the left, black object (bottle) on the right? Or glass is on the left, black object is to the right of the glass? Let's check: in the first frame, the person is sitting, hands on table. On the table: left side is a glass of water, and to the right of that, a black object (maybe a bottle). Then the plate with sandwich is placed in front of the person? Wait, no. Wait, in frame 2, the plate with sandwich is on the table. So the sequence is:

Frame 0: person at table, glass (left), black object (right), no plate.

Frame 1: same, but plate appears with sandwich.

Frame 2: person gestures toward the plate.

Frame 3: person reaches toward the plate.

Frame 4-5: black.

So the plate appears on the table, then the person gestures toward it.

So the chronology:

The person, wearing a dark shirt with a red undershirt

The person's hand moves toward the plate on the table during a brief gesture, indicating voluntary locomotion (no collisions or external physical forces involved).

No shifting backgrounds or fluid/environmental motion observed. The walls, table, and static objects (plate, glass) remain consistent with no fire, water, or wind effects throughout the visible frames.


RAW CAPTION: Got it, let's break down the video frames. First frame: a person in black top and patterned skirt holds a basket, reaching up to a tree branch. Second frame: same person holds a glass dish, placing something into it. Third frame: a person in light shirt holds a glass dish, with another person in the background. Fourth frame: same person in light shirt holds the dish, another person behind.

Need to sequence chronologically. Start with the first action: person (black top, skirt) gathers items from tree branch, then moves to a glass dish. Then another person (light shirt) is seen holding a dish, with a background person working.

Check rules: focus on motion, chronological order, appearance (colors, size), spatial relationships (front, left), camera perspective (no mention of camera movement except maybe implied by frame changes).

First part: A person in a black top and patterned skirt collects items from tree branches, placing them into a glass dish. Then, another person in a light blue shirt holds a glass dish, while a third person works in the background.

Wait, the frames are sequential. Frame 0: person with basket, reaching up. Frame 1: same person holding dish, placing into it. Frame 2: another person in light shirt holding dish, with someone else in background. Frame 3: same person (light shirt) holding dish, background person still there.

So chronological: First, a person in black top and patterned skirt collects fruit from tree branches into a glass dish. Then, a person in a light blue shirt holds a glass dish, with another person working in the background.

Wait, need to check the order. The video starts with frame 0: person (black) holding basket, reaching up. Frame 1: same person with glass dish, placing items. Then frame 2: person in light shirt holding dish, another person (black top) in background. Frame 3: same light shirt person, background person still working.

So sequence: Person 1 (black top, patterned skirt) gathers fruit from tree, places into dish. Person 2 (light shirt) holds dish, with Person 1 in background. Then Person 2 holds dish, Person 1 still working in background.

Wait, the frames are:

[0.0] - Person in black top, patterned skirt, holding a basket, reaching up to a tree branch with fruit.

[1.4] - Person in black top, patterned skirt, holding a glass dish, placing items into it.

[2.5] - Person in light shirt holding a glass dish, another person in black top working in the background.

[3.6] - Person in light shirt holding dish, background person still working.

So chronologically:

A person in a black top and patterned skirt reaches up to a tree branch, collecting items, then places them into a glass dish. A second person in a light blue shirt holds a glass dish, while a third person in a black top and patterned skirt works in the background. The camera remains static, capturing the scene from a ground-level perspective.

Wait, but need to be concise. Let's structure:

First, the person in black top and patterned skirt collects fruit from a tree branch and places it into a glass dish. Then, another person in a light blue shirt holds a glass dish, with a third person working in the background. The camera maintains a steady ground-level view.

Check rules: avoid text recognition (like LIMPOPO, the text is not part of the video content). So don't mention LIMPOPO. Also, exclude named characters.

So rephrase:

A person wearing a black top and patterned skirt collects items from tree branches, then places them into a glass dish. Another person in a light blue shirt holds a glass dish, while a third person works in the background. The camera remains stationary at ground level.

Wait, but need to check the frame order. First frame: person (black) with basket, reaching up. Second: same person with dish, placing. Third: light shirt person with dish, background person. Fourth: same light shirt, background.

So sequence:

The person in a black top and patterned skirt gathers items from a tree branch into a glass dish. A person in a light blue shirt holds a glass dish, with another person in the background working. The camera captures the actions from a static ground-level perspective.

Yes, that's chronological. Check appearance: black top, patterned skirt (color, size, orientation), light blue shirt (color). Spatial: background person. Camera perspective: static ground level.

So the caption:

A person in a black top and patterned skirt collects items from tree branches and places them into a glass dish. A person in a light blue shirt holds a glass dish, while another

Two people (a woman and a man) are gesturing and speaking. A hand holding a branch with berries is visible. Their movements are discrete and due to their own actions.

The background consists of dense foliage with minimal sway, not enough to dominate the scene. No fire, water, smoke, or strong wind is evident.


A person wearing a green and white long-sleeve shirt and blue pants lies on a yellow and white checkered bed, legs bent and one arm behind their head; the individual makes slight shifting movements while remaining prone, viewed from a top-down camera angle with minimal motion throughout.

A single person lying on the floor exhibits subtle positional adjustments (e.g., slight shifts in torso/head), consistent with human movement.

The background (patterned carpet) is static with no shifting or environmental fluid motion (fire, water, wind).


A man in a dark sweater gestures while speaking to a woman in a blue jacket holding papers, who stands behind him in front of a building with an orange door. The scene transitions to an archaeological excavation site where a person in a white shirt digs in a trench, with two individuals standing on the trench's edge observing; the camera shifts from a medium shot to a wide shot of the excavation.

Discrete solid objects (two people in the initial scene, and workers in the trench scene) are moving due to their own locomotion (talking, gesturing, walking).

The background in both scenes (buildings, trees, trench walls) is static. No significant ambient environmental motion (fire, water, smoke, wind) is observed.


A person wearing a black sleeveless top, black shorts, and black sneakers stands on a paved surface marked with yellow lines. They grip a thick rope, pulling it backward and forward in a rhythmic motion, bending at the knees and waist while maintaining a stance. The background includes a fence, grass, trees, and a partly cloudy sky. The camera remains stationary, capturing the subject from a medium distance with a slightly low angle.

A person is swinging a rope, moving due to physical forces (muscular effort), and the motion is easily trackable as a discrete object.

The background (fence, trees, sky) is static with no uniform shifting; no dominant fluid/environmental motion (fire, water, smoke, or wind) is present.


Two individuals, one in dark attire and one in light blue clothing, wrestle on a red floor. They grapple closely, then shift positions with one rolling over while the other maneuvers to gain control. The background shows a few spectators near the walls. The camera remains stationary with slight movement.

Two individuals engaged in grappling combat on a red floor; their movements involve pushing, pulling, and repositioning via direct physical contact.

Background elements (walls, floor, distant figures) show no uniform shifting or fluid motion; no fire, water, smoke, or wind observed.


A hand places a dark brown cookie atop a cupcake with light green frosting; the cupcake rests on a white platform with additional cupcakes visible. The scene transitions to a top-down view of two hands breaking a block of white chocolate into smaller pieces on a wooden cutting board. The camera starts with a close-up shot, then shifts to a top-down perspective.

Hands actively cutting white chocolate with a knife, producing discrete chocolate pieces. The cutting action is driven by explicit physical force (knife motion on chocolate).

Static blue wooden background and wall with no fluid motion, fire, or wind. Background elements (wall, cutting board) remain stationary with no uniform shifts.


A bald bartender in a purple shirt stands behind a bar, facing the camera. He holds a metal shaker, pours its contents into a clear glass, then sets the shaker down on the bar. The bartender adjusts the glass as he works, with shelves of liquor bottles visible behind him. The camera remains stationary, capturing the scene from a frontal perspective.

The man (discrete object) is actively pouring a drink, moving his hands and the bottle through explicit physical forces (human locomotion). The glass remains stationary until filled.

The background (bar shelves and bottles) remains static with no shifting patterns. No ambient environmental motion (fire, water, smoke, wind) is present.


A young girl in a light purple shirt, gray pants, and pink belt stands before a glass window, using a squeegee to wipe it downward. She then turns to face the camera, lowering the tool. Behind her, a woman in a light top and dark pants holds a squeegee. The camera remains static, viewing the scene from a slightly low angle.

A child (discrete solid object) moves their arms and body while interacting with a glass surface, demonstrating locomotion and physical interaction.

Static background elements (wall, indoor fixtures) show no uniform shifting or fluid motion; no fire, water, or smoke present.


A chef in a white uniform and tall chef hat stirs a pan on a stove with a spoon, then hands pour liquids from two bottles into the pan. The chef holds the bottles near his mouth before turning to interact with another chef wearing a red cloth around the neck, who holds a plate. The camera captures close-up shots of these actions with minimal background details.

The main discrete solid objects moving are the chefs (bodies and hands) during interaction and pouring actions. The pouring hand and bottles are moving due to explicit physical forces.

The background (kitchen setting with walls and equipment) is static and does not shift uniformly. No significant fluid motion (fire, water, smoke, wind) dominates the scene.


A person in a black shirt with red and white text lies on a surface, moving their arms and adjusting their position; a blonde individual is partially visible nearby. The person interacts with their arm, shifting it in front of their body while a second arm (from the blonde person) is briefly seen. The camera maintains a close, slightly shaky perspective, panning minimally as the scene progresses.

Two individuals (a person in a black shirt and another in a white shirt) exhibit discrete motion: arm movements and positional shifts consistent with human locomotion/interaction.

Background elements (plants, container) appear static with no uniform shifting or fluid motion (fire/water/smoke/wind).


A man in a black shirt and gray pants stands on a metal platform beside a brick wall, adjusting a metal bar attached to a stand. He steps off the platform, turns, and walks away from the camera toward a wooden fence, passing a tire on the ground. The camera remains stationary, capturing the scene from a fixed angle.

A human subject is moving through space (stepping back from a machine), demonstrating explicit physical locomotion.

Static background elements (brick wall, ground, fence) show no uniform shifting or fluid motion; no fire, water, or smoke present.


A group of children in yellow and orange soccer jerseys run toward the center circle on a green field, passing the ball while a man in a white shirt and dark shorts observes from the sidelines. The camera pans left, following the players’ movement as they interact near the goal area, with urban buildings visible in the background.

Soccer players in yellow, orange, and white uniforms are actively moving, passing, and running on the field, indicating distinct locomotion of solid objects.

The background elements (buildings, fence, and field markings) show no uniform shifting across frames, and there are no fluid/environmental motions (fire, water, smoke, wind) observed.


A person with brown hair and a dark hoodie holds a yellow balloon, first raising it to their face, then lowering it while manipulating it with both hands, and finally lifting it back toward their face. The background includes indistinct household items. The camera remains static throughout.

The person (solid object) is eating a yellow banana, moving their hands to bring it to their mouth and then chewing. The banana is held and manipulated by the person's hands.

The background (kitchen walls, cabinets, refrigerator) is static with no shifting or fluid motion. No evidence of fire, water, smoke, or wind.


A pair of hands with purple nail polish spreads tomato sauce over a square pizza using a metal spoon on a round ridged pan, then sprinkles shredded cheese onto the sauce. The camera remains top-down with no movement.

Hands (solid objects) are moving: one hand spreads tomato sauce with a spoon, then the other hand adds shredded cheese. Motion is controlled and due to explicit physical forces (muscle movement).

The background (countertop and grill pan) is static with no shifting; no environmental fluids (fire, water, smoke, wind) are present.