RAW CAPTION: Got it, let's break down the video. First, the main subject is a young child with blonde hair, wearing a light-colored pajama top with small patterns. She's in a kitchen. The video starts with her spreading something on bread slices. There are three slices of bread on the counter, a jar of mayonnaise (but the label is partially visible, so maybe not necessary to mention), and some lettuce.

At the beginning, she's spreading the bread. Then she takes a bite of the bread (maybe it's a sandwich?), then looks at the camera, smiles, and continues. Then the scene shifts a bit—maybe the camera moves or she moves? Wait, the video transitions to her holding a container, maybe the mayonnaise jar, and she's putting lettuce on the bread.

Need to follow chronological order. Let's list the actions:

1. The child spreads a substance (probably mayonnaise) on a bread slice using a knife.
2. She takes a bite of the bread, then looks at the camera and smiles.
3. Then she moves to put lettuce on the bread. Wait, the frames: first frame has three bread slices, jar of mayo, lettuce. Second frame she's spreading, third she takes a bite, fourth she's still spreading, fifth she's looking at camera, sixth she's holding the mayo jar and putting lettuce on bread. Wait, the video has 5 frames: 0-5 seconds.

Frame 0: child spreading on one bread slice, other two slices on counter, jar of mayo, lettuce.
Frame 1: same, but maybe spreading more.
Frame 2: she takes a bite of the bread (so she's eating it), then looks at camera.
Frame 3: she's looking at camera, hand on counter.
Frame 4: she moves to the left, maybe the camera pans? Wait, the video description says "then the scene shifts to her holding a container" but the user's input shows that in the 4th frame (frame 4), it's "a child in a kitchen holding a container of lettuce and placing it on bread" but wait the user's video frames:

Wait, the provided video frames are:

[0.0] <0.3 seconds>: child spreading mayonnaise on bread slice, with other breads, mayo jar, lettuce.

[1.4]: still spreading?

Wait, the user's input for the video description:

First frame: child spreading, then she takes a bite (frame 2), then looks at camera (frame 3), then frame 4 shows her holding a container (maybe the mayo jar) and putting lettuce on bread.

Wait, the exact frames from the user:

<0.3 seconds> [frame 0]: child spreading on bread slice (one slice has spread), other two slices, mayo jar (JIMMY'S? but not to mention), lettuce.

[1.4 seconds] [frame 1]: child still spreading, then takes a bite (so frame 2 is her eating), frame 3: she's looking at camera.

Wait, the user's input shows the video has frames 0-5 (0.3, 1.4, 2.5, 3.6, 4.7 seconds). So:

At 0.3s: child is spreading a substance on a bread slice using a knife.

At 1.4s: she continues spreading, then takes a bite of the bread (the slice she's spreading on).

At 2.5s: she looks at the camera, smiles.

At 3.6s: she continues spreading or moving.

Then the scene shifts to 4.7s: she's holding a container (maybe the mayo jar) and placing lettuce on a bread slice. Wait, the description says "then the scene shifts to her holding a container" — but in the user's input, the video shows that at 4.7s, she's in the kitchen with multiple bread slices, lettuce, and she's holding a container.

Wait, the user's video description says: "a child in a kitchen holding a container of lettuce and placing it on bread" — but no, the first part is spreading, then taking a bite, then looking at camera, then the scene shifts to her with lettuce. Wait, maybe the lettuce is in the background initially.

Wait, the key points:

- Child is a young girl with blonde hair, light-colored pajamas with small patterns.

- Actions: spreading a white substance (probably mayonnaise) on bread slices, taking a bite of the bread, looking at camera, then placing lettuce on a slice.

- Background: kitchen counter with microwave, wooden cabinets, lettuce, mayo jar.

- Camera: starts with a close-up, then maybe shifts to a wider shot at the end

Child's hands and knife move as they spread substance on bread and eat; bread slices and Nutella jar remain stationary.

Background kitchen elements (cabinets, microwave, countertop) remain static across frames; no fluid or environmental motion (fire, water, smoke) observed.


The video shows a yellow truck with an extended crane boom and a taller mobile crane positioned to the left, both operating near workers in bright orange safety vests who move around the equipment. The cranes adjust their positions while the workers remain active in the vicinity, and the camera stays mostly static with a slight shake throughout, capturing the industrial activity against a background of trees and structures.

Discrete objects include the yellow utility truck (with crane), workers in orange vests, and falling tree branches/debris. The crane arm is moving due to operation, workers are moving and working, and the tree is being cut causing branches to fall.

The background (houses, trees) is static with minimal wind movement that is not dominant. No fire, water, or smoke present.


RAW CAPTION: Got it, let's tackle this video caption. First, identify the main subjects. There are two people: one lying on a mat (base) and one standing on their feet (flyer). The base is wearing a black shirt and shorts, with red gloves, lying on a yellow mat. The flyer is in a white top and purple shorts, wearing red and black leggings.

Chronological order: At the start, the flyer is standing on the base's feet. Then, the flyer moves their arms, possibly shifting balance. Next, the flyer does a flip or maneuver, ending up upside down (head down, feet up) with the base still holding.

Spatial relationships: The base is on the mat, flyer above. Background has a screen, door, and another person walking in the back right. But per rules, keep background minimal.

Camera perspective: Seems like a fixed camera, no movement mentioned.

Now, structure the caption. Start with main action: Two performers, one lying on mat, one standing on their feet. Then motion: The standing performer bends forward, then flips over the base, ending in a handstand position with feet up.

Check rules: focus on motion, chronological, appearance (colors), spatial (flyer on base), background minimal, camera perspective.

Let me draft:

"Two performers: a person in a black shirt and red shorts lying on a yellow mat, supporting another person in a white top and purple shorts. The standing performer bends forward, then flips over the base, landing upside down with feet elevated while the base remains on the mat. A third person walks in the background. The camera remains stationary."

Wait, check if "red shorts" is accurate? Wait, the base's shorts—wait, the base is wearing black shirt and dark shorts, maybe black? Wait, the video shows the base in black shirt and dark shorts, flyer in white top and purple shorts with red leggings. Wait, the initial frame: base is black shirt, black shorts? Wait, no, the base is lying on the mat, the flyer is on their feet. Let me check:

In the first frame: base is black shirt, dark shorts (maybe black), red gloves. Flyer is white tank top, red/purple shorts. Wait, the description says "white top and purple shorts" for flyer.

Wait, let's correct:

First, appearance: base—black shirt, dark shorts (maybe black), red gloves, lying on yellow mat. Flyer—white tank top, purple shorts, red leggings.

Action: flyer starts standing on base's feet. Then, flyer bends forward, extends arms, then flips over the base, ending in inverted position (head down, feet up).

Check the video frames:

Frame 0: flyer standing on base's feet, hands on base's shoulders? Wait, no, the flyer's hands are on base's shoulders? Wait, first frame, flyer is standing on base's feet, arms extended. Then frame 1-2: flyer moves arms, frame 3: flyer is in mid-flip, frame 4: flyer is upside down, feet up.

So sequence: flyer begins standing on base's feet (legs together), then moves arms, then flips over, ending in a headstand position with feet up.

So caption should describe that motion.

Now, concise, chronological.

"Two individuals: one person in a black shirt and dark shorts lies on a yellow mat, supporting a second person in a white top and purple shorts. The standing performer bends forward, then executes a flip over the base, landing in an inverted position with feet elevated. A third person walks past in the background. The camera remains static."

Wait, but "dark shorts" might not be precise. Wait, the base is wearing dark shorts (maybe black), but the flyer's shorts are purple.

Alternatively, "a person in a black shirt and dark shorts" — but maybe "black shirt and red shorts" — no, the base's shorts in the video: looking at the first frame, the base's shorts are dark, maybe black. Wait, the flyer's shorts are purple. So the base has dark (black?) shorts.

But the rules say "briefly describe their appearance and number (color, size, orientation)". So maybe "a person in a black shirt and black shorts" — but the problem is if it's not clear. Let's go with what's visible.

Alternatively, "a person in a black shirt and dark shorts" — but maybe better to specify colors accurately. Wait, the flyer is in white top and purple shorts, the base is black shirt and dark shorts (maybe black).

But let's see the video:

In frame 0: base is lying on mat, black shirt, dark shorts, red gloves. Flyer is standing on

Two main subjects: a base (prone on floor) and a flyer (standing on base's shoulders performing a handstand). The flyer's motion is due to balancing and lifting, while the base remains stationary.

Background elements (doors, table) are stationary. No fire, water, or smoke visible. A background person walks but this is discrete object motion, not ambient environmental.


A person in a black shirt bends forward, lifting and moving a brown upholstered piece of furniture toward the right. They adjust the item's position, shifting it across the space. The background includes a beige wall, white radiator, and mounted equipment. The camera remains stationary in a low-angle position, observing the motion without movement.

A person in a black shirt is bending down and lifting a large brown fluffy object (likely a blanket or rug). The motion is due to the person's physical actions (bending, lifting).

The background (walls, radiator, ceiling fan) is stationary with no shifting. No fluid or environmental motion (fire, water, smoke, wind) observed.


A person wearing a red hoodie and dark cap sits at a table with a Scrabble board. They reach for a tile from a tray to the right, pick it up, and place it on the board in front of them. The board displays existing tiles, and a window with an outdoor view is visible behind the table. The camera remains stationary with a slight angle, capturing the scene from a medium distance.

The person's hands are moving, manipulating game pieces on a board, and adjusting gloves—discrete solid objects with clear physical motion due to intentional action.

The background consists of a window with foliage outside; no uniform shifting of background elements is observed, and there is no fire, water, or smoke present.


A woman in a white top and pink sari adjusts the fabric, pulling and positioning it around her waist and torso. She stands centered against a light purple backdrop, her hands moving to secure the sari. The camera maintains a fixed perspective, capturing her actions from a frontal angle.

A person is adjusting a sari, with hands and body movements indicating explicit physical actions (e.g., pulling fabric, positioning clothing).

The background is a static plain wall with no shifting elements, and there is no fire, water, smoke, or wind motion present.


The video begins with two individuals, one in an orange shirt and white shorts and another in a white shirt and black pants, positioned closely. The camera shifts to a close-up of hands interacting with objects near a tree trunk, then captures a view of the tree’s textured surface. The camera maintains a shaky, handheld perspective throughout, focusing on the subjects and their immediate surroundings.

Discrete solid objects (people) exhibit physical interactions: hands manipulating mechanical components, bodies shifting position during work activities.

Background elements (walls, window frames) show minimal uniform shifting; no fire, water, or smoke present. Ambient motion is negligible.


A performance unfolds on a raised stage in a large auditorium; two performers move rhythmically under stage lights. A woman in a blue dress stands on the pink-carpeted stairs leading to the stage, observing. Audience members seated in wooden pews watch the stage, with some capturing the event on cameras. The camera remains stationary, positioned within the audience area, looking toward the stage and stairs.

Discrete objects (audience members and a performer on stage) show minor movements (turning, shifting, gesturing) due to physical locomotion.

Background elements (stage, walls, seating) are stable with no shifting. No fire, water, smoke, or wind present.


A person in white clothing kneels beside another individual lying prone on a blue mat, adjusting their leg and then focusing on the foot. The camera pans slightly to the right, capturing the wooden floor and large windows in the background.

A person lying prone on a mat is being manipulated by a second person (therapist) who adjusts their leg position. The therapist’s movements involve physical contact and locomotion of the patient’s limbs.

The background elements (wooden floors, large windows, and distant mats) show no significant shifting or fluid motion. No fire, water, smoke, or wind-driven motion is present.


A person in dark clothing bends near a bush between a brick house and a metal shed, then stands and walks along the house’s brick wall while holding a long object, eventually stopping near the wall and facing upward. The individual moves from the bush toward the house, with minimal background details visible. The camera remains stationary in a low-angle position, capturing the sequence without movement.

A person in blue clothing (static/slightly moving) and a person in dark clothing (walking) are the discrete solid objects exhibiting motion.

No shifting background elements; no fire, water, or wind motion observed.


A baseball player in a blue jersey, gray pants, and red helmet stands at home plate on a green mat, initiating a swing with the bat held high and back. He rotates his body, extending the bat forward in a smooth arc, completing the motion with a follow-through that positions the bat behind his back. The background includes red and blue stadium seats, but the focus remains on the player's sequential swing motion. The camera maintains a steady, frontal perspective throughout.

The baseball player (wearing blue and white uniform) and the bat are moving due to the swing action. The baseball is visible in flight before and after the swing, indicating motion due to physical forces (pitch and hit).

The stadium background (seats and field) is static with no fluid motion (fire, water, wind) or significant environmental effects. No camera-induced shifting of background elements observed.


A person wearing a black long-sleeve shirt carefully places a rectangular stone tile onto the mantel of a stacked stone fireplace, adjusting its position with both hands to ensure alignment, then presses the tile into place while smoothing its surface. The stone tiles vary in color from light gray to brown, and the fireplace structure is visible below the mantel. The camera remains stationary in a close-up perspective throughout, focusing on the hands and the mantel area. Background elements are minimal, with a yellow container partially visible on the right.

A person's hands and arms are actively manipulating stone tiles on the fireplace mantel, moving them into place through physical contact and alignment actions.

The stone fireplace and surrounding walls remain stationary throughout the sequence, with no evidence of shifting backgrounds or fluid/environmental motion (e.g., fire, water, smoke, wind).


A toddler with light blonde hair and a gray long-sleeve shirt stands facing a full-length mirror, brushing teeth with a white toothbrush. The child moves the toothbrush upward and downward, then steps slightly back from the mirror while continuing to brush. The mirror reflects the child, a few scattered toys on the floor, and a doorway to another room. The camera maintains a static top-down perspective throughout the sequence.

A toddler is moving in front of a mirror, making hand gestures and shifting position. The mirror reflects the toddler's movement.

The background (walls, floor) is static with no shifting or fluid motion. No fire, water, or smoke detected.


Approximately ten dancers in dark and red tops perform synchronized and individual movements in a spacious dance studio. Initially, they step and extend arms across the glossy floor; subsequently, they leap and shift positions, with some dancers in the foreground and others near the barres in the background. The camera remains stationary, capturing the motion from a consistent eye-level perspective.

Multiple people are performing synchronized dance movements, moving via locomotion (leg/knee bends, arm swings), indicating solid objects in motion due to physical forces.

Background elements (walls, windows, ceiling lights) show no uniform shifting or fluid motion; no fire, water, or wind visible.


A hand approaches a red LEGO airplane with blue, yellow, and black components resting on a light surface beside a black ruler. The hands grasp the airplane, manipulating it by rotating and adjusting its nose and propeller sections. Fingers reposition the aircraft, focusing on the front and side elements. The camera maintains a top-down perspective with slight shifts to follow the hands’ movements, capturing the detailed assembly process against a plain background.

Hands manipulate a toy car (red/blue/yellow), adjusting parts with physical contact; the car itself shows minimal movement relative to the background.

Static background elements (black structure) show no shifting or fluid motion; no fire, water, or smoke present.


A woman in a gray cardigan over a pink top sits across from a man in a black shirt at a poker table; she places her hands together on the table surface and clasps them while the man faces her and adjusts his position. The camera shifts to show the man’s perspective with the woman’s back visible as they remain seated. The scene transitions to a graphic featuring a red star and playing cards against a dark background.

Discrete solid objects (human hands, poker chips, playing cards) exhibit motion from physical actions: hand movements for card handling, chip placement, and gesturing.

The background elements (dark walls, table surfaces) remain static with no fluid or environmental motion (fire, water, smoke, wind) observed.


A person lying on a bench press, wearing a light blue and white shirt, gray beanie, and black gloves, lowers a weighted barbell toward their chest, then presses it back up. A second person stands behind them, dressed in a white shirt, black shorts, and green gloves, observing and assisting. The lifter repeats the motion while the spotter remains positioned directly behind, hands near the barbell. The camera captures the action from a static, slightly elevated angle, focusing on the lifters and equipment.

A person lying on a bench performs a barbell lift, while a spotter stands behind; the barbell moves vertically due to the lifter's muscle exertion.

The background features static gym equipment (barbells, weight plates, benches) with no shifting or fluid motion (e.g., no fire, water, or wind effects).


A man in a gray shirt and dark pants, suspended by ropes from a building's exterior, cleans a large window. He begins at the lower left section, moving a tool across the glass as he ascends vertically, then shifts right to clean upper panes while adjusting his position. A bucket hangs below him. The camera follows his upward and lateral movement with a slight pan.

A person seated on a bucket is actively cleaning a window, moving their arms and body to apply cleaning solution and wipe the glass.

Background elements (white walls, building structures) show no uniform shifting; no fire, water, smoke, or wind effects observed.


RAW CAPTION: Got it, let's break this down. The video shows two people in a room. First, they're reaching towards each other, maybe high-fiving or something. Then the person in the green shirt stands up. Wait, the first frame: two people, one in red shirt, one in green. They're interacting—hands up, maybe a high-five. Then the green shirt person stands up (frame 2), moves away. Then they turn to look at the TV. Let's check the sequence.

Frame 0: Two people facing each other, hands extended. Person on left (red) and right (green). Then frame 1: same but maybe moving. Frame 2: green shirt stands up, moving. Frame 3: green shirt is still moving, maybe walking around. Frame 4: green shirt is near the TV, adjusting something? Frame 5: green shirt is back to the TV.

Wait, the main subjects are two people. Appearances: one in red shirt (left), one in green shirt (right), both male? The video is in a room with a TV, a yellow object (maybe a chair), framed pictures on the wall.

Chronology: Initially, the two people are interacting with hands raised (maybe high-fiving). Then the person in the green shirt stands up, moves towards the TV, and then turns around to face the TV. The camera is static, maybe a slight shake? The background has a wall with a framed picture and a curtain.

Need to keep it concise. Mention motion: first, two people with hands extended, then one stands up, moves to the TV, and adjusts or looks at it. Background minimal, focus on motion.

Check rules: chronological order. Start with the interaction, then the green shirt person standing, moving, interacting with TV. Spatial: the person in green moves from facing the other to facing the TV.

Camera perspective: seems to be a fixed camera, maybe a bit shaky, since it's a video.

Putting it all together: "Two people interact with raised hands, then the individual in the green shirt stands, moves toward the television, and adjusts its position while the other remains seated. The camera is static with slight shake."

Wait, need to mention the TV. In the video, the TV is on, showing something. The green shirt person interacts with the TV.

Let me check the frames again:

[0.0] Two people: left in red, right in green, hands up (maybe high-five). TV in front, showing content.

[1.4] Green shirt person stands up (moves away from the other), TV still on.

[2.5] Green shirt person is standing, moving towards the TV?

[3.6] Green shirt person is near the TV, maybe adjusting.

[4.7] Green shirt person is still near TV, turning around.

So the main motion: they start with an interaction, then the green-shirted person stands up, moves to the TV, and engages with it.

Appearance: two people, one in red shirt, one in green shirt.

Spatial: initially facing each other, then green-shirted moves to TV.

Conclude with camera: static, slight shake.

Now, structure the paragraph.

First sentence: "Two people, one in a red shirt and one in a green shirt, raise their hands toward each other. Then the individual in the green shirt stands up, moves toward the television, and adjusts or interacts with it while the other remains seated. The camera remains fixed with a slight shake throughout."

Check rules: avoid text recognition, named characters, stylistic. Yes.

Make it concise.

Final draft:

"Two people, one wearing a red shirt and the other a green shirt, interact with raised hands. The green-shirted person then stands, moves toward the television, and adjusts its position while the other stays seated. The camera is static with a slight shake."

Wait, in frame 2, the green shirt person stands and moves. Let's confirm the steps:

0.0: hands raised (interaction)

1.4: green shirt stands (motion starts)

2.5: green shirt is standing, moving

3.6: green shirt near TV

4.7: green shirt is next to TV, maybe adjusting.

So the sequence: interaction, then green shirt stands and moves to TV.

Yes. So the caption should be chronological.

Now, check if spatial relationships are needed. Initially, they are sitting facing each other (in front of TV maybe). Then green shirt stands and moves toward TV.

So: "Two people, one in a red shirt and one in a green shirt, face each other and raise their hands. The green-shirted person then stands up, moves toward the television, and adjusts it while the other remains seated. The camera is static with minimal shake."

But need to be concise.

Two people interact: the person in green shirt bends down, picks up a yellow object, and manipulates a blue object; the person in red shirt initially engages and then moves out of frame.

No shifting backgrounds or fluid/environmental motion observed. The walls, framed pictures, and window remain stationary relative to the room. No fire, water, smoke, or wind present.


A person holding a bottle exhibits discrete movements: drinking from the bottle, gesturing with hands, and adjusting the bottle's position.

Background elements (walls, light fixtures) show no uniform shifting or fluid motion; no fire, water, smoke, or wind visible.


A pair of light-skinned hands interacts with an open scrapbook, lifting a patterned page adorned with decorative elements to reveal a handwritten page beneath it. The hands continue turning the scrapbook's pages, adjusting their position as the book shifts orientation. The camera remains stationary in a top-down view, focusing on the hands' movements over the book's open pages against a plain surface.

Two hands manipulate a book and its internal components (e.g., folding pages, placing decorative elements). The hands and book exhibit deliberate physical movements driven by human interaction.

The background consists of a flat surface (likely a table) with no shifting or environmental motion (e.g., no fire, water, or wind effects). Static elements like the table remain unaltered throughout.


Two individuals with visible hands (wearing white shirts) interact with white dominoes marked with black dots arranged on a weathered wooden table. A hand lifts a domino and repositions it among the scattered tiles, while other hands remain stationary. The camera maintains a static top-down perspective, capturing the table surface and the hands' movements.

Hands (discrete solid objects) are actively manipulating dominoes on the table, exhibiting clear physical motion due to explicit forces (e.g., grasping, placing dominoes).

The table surface and plate remain static throughout the frames; no shifting background elements or fluid/environmental motion (fire, water, wind) are observed.


A pair of light-skinned hands manipulates a bicycle wheel with a black tire and silver rim; the first hand adjusts the tire's position while the second hand touches the tire surface, both hands working in front of the wheel against a pegboard background. The camera remains stationary throughout.

A bicycle wheel is being manipulated by two hands. The hands apply physical forces (pushing, pulling) to adjust the wheel's position, demonstrating discrete solid-object motion driven by manual interaction.

The background features a stationary pegboard with tools and items; no fluid or environmental motion (fire, water, wind) is present. Background elements remain fixed without uniform shifting, indicating no camera-induced motion.


A hand pours a thick brown liquid into a rectangular aluminum foil-lined tray. The hand then uses a roller to spread the liquid evenly across the tray's interior. The camera maintains a top-down perspective throughout.

Hand pouring liquid and using spatula to spread the liquid in a foil-lined pan. The hand and spatula are discrete solid objects moving under explicit control.

Background is static green surface. The fluid motion of the liquid is controlled by hand and spatula, not uncontrolled environmental fluid motion.


A man in a green striped shirt stands behind a seated man wearing a pink shirt and headphones, massaging his shoulders and upper back. The seated man faces forward, engaged with a computer at a desk. The camera remains stationary, capturing the interaction in a studio environment.

Two people are interacting; one in a striped shirt is adjusting or touching the other person's back, demonstrating physical contact and movement.

The background consists of a static blue wall with no shifting elements or fluid motion (e.g., fire, water, smoke).


A hand holds a small yellow object over a beige fabric with black circular patterns, moving it slightly before placing it down. Another hand then holds a thin wooden tool, manipulating the yellow object while the fabric and wooden sticks remain in the background. The camera maintains a top-down view throughout.

A small, yellowish dough-like object is being manipulated by hands (stretched, folded, shaped) due to explicit physical forces from the hands.

The background (dark wooden surface and patterned fabric) is static with no shifting or fluid motion. No fire, water, smoke, or wind is visible.


A person wearing blue gloves uses a wooden rolling pin to flatten a circular beige dough piece on a speckled countertop, then lifts the dough and places it onto a yellow plate, with two other yellow plates visible to the right. The camera maintains a static top-down perspective throughout.

Hands (wearing blue gloves) actively rolling and shaping dough on a countertop; dough is a solid object moving due to explicit physical force (rolling, pressing).

No shifting background elements (countertop, plates remain static); no fluid/environmental motion (fire, water, smoke, wind) present.


A person in dark clothing plays a violin near a window, turns to face the camera while holding the instrument, then walks toward the camera and exits the frame as the camera pans up to the window.

A person (playing violin then walking) is the moving discrete object due to locomotion.

The background elements (door, ladder, walls) are stationary with no fluid/environmental motion (fire, water, wind) observed.


A large crowd of people crosses a city intersection, moving in various directions across the crosswalk. The crowd consists of individuals in diverse clothing, spread across the pedestrian crossing. Background buildings and vehicles are visible but minimal. The camera maintains a static wide perspective throughout the sequence.

Pedestrians are moving across the crosswalk at the intersection.

The background buildings and crosswalk are stable with no shifting. No ambient environmental motion (fire, water, smoke, wind) is present.


A chef in a white coat stands at a kitchen counter, holding a knife, then places it down, gestures with her hands while speaking. The kitchen features cabinets and a sink in the background. The camera remains static.

The chef (a solid, distinct human object) is making controlled hand gestures and slight body movements while speaking; no other discrete objects exhibit significant motion.

The kitchen background (cabinets, walls, window) shows no shifting or uniform motion; no fire, water, smoke, or wind is present, indicating static environmental conditions.


RAW CAPTION: Got it, let's break this down. The video starts with a close-up of a coloring page. First frame shows two cartoon characters: a mouse and a smaller animal, maybe a mouse or something else, on a bed with blue lines. Then the next frames show a brush applying blue paint to the mouse's face. Wait, no, the second frame has a brush with blue glitter? Wait, no, looking at the video: the first frame is a sketch with blue lines (like the page), then the brush is applying glitter or paint. Wait, the problem says the video has [0.0] to [5.0] seconds. Let's look at the frames:

Frame 0: Close-up of a coloring page with outlines. A mouse and a smaller animal (like a squirrel or mouse) are on a bed. The bed has blue decorative patterns, and there's a yellow moon shape and red lips in the background.

Frame 1: The brush is moving over the mouse's face, applying blue glitter or paint. The brush is white with an orange tip, and it's applying the color to the mouse.

Frame 2: Brush continues to apply blue to the mouse's face.

Frame 3: Same action, brush moving.

Frame 4: Brush still applying blue.

Frame 5: Brush moving away.

So the main action is a brush applying blue to the mouse's face on the coloring page. The mouse is outlined, sitting on a bed with blue patterns. The smaller animal is also there. The brush moves from left to right (or whatever direction) across the mouse's face.

Chronological order: The video starts with a view of the coloring page (sketch of two characters), then a brush enters, applying blue to the mouse's face, moving across it, and then the brush moves away.

Main subjects: the brush (white, orange tip) and the mouse (outline, small character on the bed). The smaller animal is also present but the brush action is on the mouse.

Spatial relationship: The brush is above the mouse's face, applying color. The mouse is on the bed, which has blue lines.

Camera perspective: Close-up, top-down view of the coloring page.

Background: Minimal, just the page with blue lines (bed patterns), yellow moon, red lips.

No text, no named characters, so exclude that.

Now, following the rules:

a) Motion: Brush applies blue to mouse's face.

b) Appearance: Brush is white with orange tip; mouse is small, outlined (black lines), on a bed with blue decorative patterns.

c) Spatial: Brush moves over the mouse's face (in front of the mouse).

d) Camera: Close-up, top-down, no movement (static).

e) Background: Minimal, just the coloring page elements (blue lines, moon, lips).

f) Exclude text, named characters.

So the caption should be:

A white brush with an orange tip applies blue glitter to a small outlined mouse on a coloring page; the mouse sits on a bed with blue decorative patterns while the brush moves across its face. The camera maintains a close-up, top-down perspective throughout.

Wait, check the frames: in the first frame, the mouse is on the bed with blue lines. The brush is applying blue to the mouse's face. The smaller animal is also there (the one with the tail, maybe a squirrel). But the main motion is the brush on the mouse.

Let me check the exact frames. First frame shows a drawing with two characters: a mouse (top) and a smaller one (bottom) on a bed. Then the brush enters and applies blue to the mouse's face. So the mouse is the one being painted.

So the caption:

A white brush with an orange tip moves across a small outlined mouse's face on a coloring page, applying blue glitter; the mouse sits on a bed with blue decorative patterns. The camera remains in a close-up, top-down view.

Yes, that's concise. Let's check the rules:

a) Motion: brush moving, applying blue.

b) Appearance: brush white/orange, mouse small/outline.

c) Spatial: brush over mouse's face.

d) Camera: close-up, top-down.

e) Background: minimal (bed patterns).

f) No text or names.

Also, the first frame is the coloring page before the brush starts. Then the brush starts applying. So the sequence is: start with page (sketch), brush enters, applies blue, moves, then exits.

So the caption should be chronological:

The video opens with a close-up of a coloring page featuring two outlined cartoon characters on a bed with blue decorative patterns. A white brush with an orange tip then enters the frame, moving across the face of the upper character (a mouse) to apply blue glitter, gradually covering its features. The camera stays fixed in a top-down perspective

A marker is moving across the drawing, applying color to a static illustration of a character (discrete object in motion).

Static background elements (blue pattern, red lips) show no uniform shifting or fluid motion (no fire, water, smoke, wind).


A woman with brown hair, wearing a black sleeveless top, is seated at a maroon poker table. She moves her hands across the table, rearranging the playing cards in front of her, then rests her hands on the table surface. The camera maintains a steady top-down perspective, capturing her actions without movement.

The woman is actively moving her hands and body slightly while interacting with the desk and screen, representing discrete solid-object motion.

The green background wall remains static with no uniform shifting, and there are no fluid/environmental motions (e.g., fire, water, smoke) present.


A flooded street scene shows a white sedan partially submerged in murky water, surrounded by trees and distant buildings. A hand enters from the right, pointing directly at the car, then shifts position while gesturing toward it. The hand, with visible skin texture and a dark bracelet, moves slightly to emphasize the vehicle's submerged state. The camera remains mostly static with a subtle shake, capturing the scene from a low angle across the water.

A human hand (discrete solid object) is moving in the foreground, pointing at the water and boat. The hand moves independently without interacting with other discrete objects (the boat remains stationary).

The background (trees and river bank) is static with minimal ripples in the water. There is no dominant environmental motion (like wind, flowing water) that would be classified as ambient. The water's surface ripples are subtle and not the primary motion.


A man in a white shirt, dark shorts, and white athletic shoes stands on a grassy golf course. He positions himself in front of a golf ball, swings a golf club, makes contact with the ball, and completes his follow-through. He then stands still. The camera remains stationary, capturing the scene from a medium distance.

Golfer and golf club moving as the golfer performs a swing; the motion is due to physical forces (muscle movement) and is discrete.

Background (buildings, trees) is static; no significant ambient environmental motion (fire, water, smoke, or wind-induced movement) observed.


Three people interact in a room with patterned curtains. A woman in a white tank top on the left eats, a woman in another white tank top in the middle claps, and a woman in a pink dress on the right adjusts her clothing. The left woman lowers her arm, the middle woman gestures, and the right woman shifts position. The camera is handheld and shaky, capturing their movements from a slightly low angle.

Three individuals (people) exhibit discrete movements including gesturing, shifting positions, and interacting through physical motions (e.g., arm movements, leaning).

Background elements (curtains, walls) show no uniform shifting or fluid environmental motion (fire, water, wind, smoke).


An elderly man with white hair in a blue-and-white checkered shirt carefully places a copper vase holding pink and purple flowers against a marble wall adorned with plaques and golden urns, adjusting the bouquet. Another person in a beige jacket briefly assists him. The camera remains in a close-up position with minimal movement.

An elderly man interacts with a vase of flowers (adjusting placement, gesturing), and his hands/body exhibit deliberate motion during these actions.

Background elements (wall plaques, vases, marble surface) show no uniform shifting or fluid motion; no fire, water, smoke, or wind present.


RAW CAPTION: Got it, let's break down the video. First, the scene is a beach with pebbles. There's a grill on the ground. The main subject is a person in a blue shirt and dark shorts. They're handling food. Let's see the sequence:

0.0s: Person crouches by the grill, which has various foods like skewered items, corn, and maybe chicken. Then the camera shifts to a close-up of the grill.

1.2s: The person is placing something on the grill. Wait, the second frame shows them using a white cloth to handle something, maybe the skewers or the grill?

2.5s: Person is now sitting on the pebbles, with the grill in front of them. They have a plate with food, maybe marinated items, and a yellow bottle (maybe oil).

3.6s: Close-up of the grill again, showing the skewered items cooking.

4.7s: The person holds a plate with food that has red and yellow elements, maybe the cooked items.

Now, chronological order: The person is preparing food on the beach. They handle skewers, place them on the grill, adjust the food, and then present a plate.

Appearance: The person wears a blue t-shirt and dark shorts, crouching or sitting on pebbles. The grill has white grates, with skewered chicken (light-colored), corn, and other items. The background is a rocky beach with the ocean visible in some frames.

Spatial relationships: The grill is on the pebbles, the person is next to it. The plate is held by the person.

Camera movements: Starts with a top-down view of the grill, then shifts to a closer view of the person’s actions, maybe a pan to show the person and the setup, then close-up of the grill and the plate.

Rules: Exclude text, focus on motion. So the caption should describe the sequence step by step.

Let me structure it:

- Person crouches by the grill on pebbled beach, placing skewered chicken and corn onto the grill.
- They adjust the food, handling items with a cloth.
- Then they sit on the pebbles, holding a plate with marinated food (red and yellow items).
- Camera moves from top-down to close-ups of the grill and the plate.

Check for concise, chronological, motion-focused.

First, the person is at the beach, grill has food. Then they adjust the grill. Then sit, hold plate.

Wait, the frames:

0.0: close-up of grill with food, person’s hand adjusting.

1.2: person crouching, moving hand over grill.

2.5: person sitting, plate and bottle nearby.

3.6: close-up of grill, food cooking.

4.7: person holding plate.

So chronological order:

The person adjusts skewered chicken and corn on the beach grill, then sits on pebbles, handles a plate of marinated food, and presents it while the grill cooks.

Appearance: The person wears a blue shirt and dark shorts. The grill has white grates, skewered light-colored chicken pieces, corn, and other items. The plate has red and yellow food.

Spatial: Grill is on pebbled beach; person is next to the grill.

Camera: Starts with top-down view of grill, then shifts to close-ups of person’s actions, followed by a close-up of the plate.

Now, write the caption:

A person in a blue shirt and dark shorts crouches on a pebbled beach, adjusting skewered chicken and corn on a white grill grate with a lit fire. They then sit on the pebbles, holding a plate with marinated red and yellow food items, while the grill continues cooking. The camera shifts from a top-down view of the grill to close-ups of the person’s hands and the plate.

Wait, check if "crouches" is correct. Frame 0.0 shows them crouching. Then in frame 1.2, they’re still crouching but adjusting. Then frame 2.5 shows them sitting (kneeling or sitting).

Also, need to mention the action order:

0.0: close-up of grill with food, person’s hand adjusting.

1.2: person crouches, moving a white cloth over the grill.

2.5: person sits on pebbles, plate and yellow bottle nearby.

3.6: close-up of grill, food cooking.

4.7: person holds plate with food.

So:

A person in a blue shirt and dark shorts crouches on a pebbled beach, adjusting

The person (wearing a blue shirt) moves their hands to adjust skewers on the grill and holds a plate with food. The skewers, plate, and grill grate are solid objects exhibiting motion due to manual manipulation.

The pebble beach and distant ocean serve as static background elements that do not shift uniformly; the fire under the grill is a minor ambient feature but not dominant. No significant fluid motion (water, smoke) dominates the scene.


RAW CAPTION: Got it, let's break this down. The video shows a person in a kitchen. First, the person is wearing a dark shirt with red text. They're standing at a counter with two apples: one yellow, one red. The person uses a knife to cut the red apple. Then they move the yellow apple, maybe? Wait, the sequence: at the start, the person is holding something, then picks up the red apple, cuts it with the knife. Then maybe handles the yellow apple. Let's check the frames.

Frame 0: person in black shirt with red text, two apples on counter (yellow and red). Frame 1: person holds knife, moves red apple. Frame 2: cuts red apple. Frame 3: maybe picks up yellow apple? Wait, the actions are chronological. So first, the person is at the counter with two apples. Then they use a knife to cut the red apple. Then perhaps move the yellow apple. The background has a kitchen with cabinets, fridge, etc., but minimal description. Camera is fixed? Or slight movement? The rules say conclude with camera perspective. Since it's a static shot maybe, but the problem says "conclude with camera perspective and movement".

Wait, the output needs to be a concise paragraph in chronological order. So:

A person wearing a dark shirt with red text stands at a kitchen counter with a yellow apple and a red apple. They pick up the red apple, use a knife to cut it, then move the yellow apple. The camera remains stationary, capturing the actions from a fixed angle.

Wait, need to check the rules. Focus on motion and behavior in order. Briefly describe appearance (shirt is dark with red text, apples are yellow and red). Spatial relationships: apples are on counter, person is in front. Background minimal. Camera perspective: fixed.

Let me structure it:

A person in a dark shirt with red text stands at a kitchen counter with a yellow apple and a red apple. They use a knife to cut the red apple, then move the yellow apple. The camera remains stationary, capturing the actions from a fixed angle.

Wait, but check the video: frame 0 shows the person, then frame 1 they hold the knife and move the red apple. Frame 2: cutting the red apple. Frame 3: maybe moving the yellow apple. Let's see the timestamps:

[0.0] person is there, apples on counter.

[1.0] person holds knife, adjusts red apple.

[2.0] cuts the red apple.

[3.0] moves yellow apple.

[4.0] continues cutting or handling.

Wait, the video description:

At 0, person in black shirt (text), two apples. Then 1: person holds knife, moves red apple. 2: cuts red apple. 3: moves yellow apple? Wait, the user provided the video frames as [0.0], [1.0], etc.

Wait, the user's video description: <0.3 seconds> shows person with shirt, two apples. <1.4> person holds knife, moves red apple. <2.5> cuts red apple. <3.6> moves yellow apple? Wait, no, the frames are:

[0.0] person in black shirt, two apples on counter (yellow and red). [1.0] person uses knife on red apple. [2.0] cuts red apple. [3.0] moves yellow apple. Wait, the user's video frames:

The first frame: person with black shirt (text), two apples (yellow and red). Then second frame (1.4s): person holds knife, moves red apple (so the red apple is being handled). Third frame (2.5s): cuts red apple. Fourth frame (3.6s): moves yellow apple. Wait, the user's description:

[0.3] - person in black shirt with text, two apples on counter.

[1.4] - person holds knife, moves red apple.

[2.5] - person cuts red apple (since the red apple is being cut).

[3.6] - person moves yellow apple.

[4.7] - person uses knife again, maybe cutting the yellow apple.

Wait, but need to get the sequence right. The key actions: person is cutting the red apple with a knife, then maybe the yellow apple.

So the caption should list the chronological steps.

Let's write:

A person wearing a dark shirt with red text stands at a kitchen counter with a yellow apple and a red apple. They pick up the red apple, use a knife to cut it, then move the yellow apple. The camera remains stationary throughout, capturing the actions from a fixed perspective.

Check rules:

a) Motion and behavior chronological: correct, cutting red then moving yellow.

b)

A person's hands manipulate discrete solid objects (apples, lemon), causing their motion via explicit physical forces (throwing, moving).

Background elements (cabinet, fridge, walls) show no uniform shifting or fluid/environmental motion (fire, water, smoke, wind). Static environment.


...<caption_output>  Finalize:  <caption_output>A person wearing a blue floral shirt handles a light brown snake coiled on a floral-patterned table. They lift the snake upward with both hands, shifting it across the table surface while maintaining a firm grasp. The camera captures the action from a static close-up perspective with slight movement.

The person's hands and the pink sausage are moving as the person manipulates the sausage with their hands.

Background is static (tablecloth and kitchen items remain fixed in position). No fluid or environmental motion (fire, water, smoke, wind) detected.


An African American man in a black tuxedo and bow tie claps his hands in a seated audience; his hands move up and down rhythmically while a woman in a black dress sits to his right. The background shows other attendees, but the focus remains on the man's clapping motion. The camera maintains a close-up, steady shot capturing the subject's upper body and hand movements.

The man in the suit is clapping, causing his hands to move up and down in a rhythmic motion. Other audience members are mostly static.

No significant fluid or environmental motion (fire, water, smoke, wind). Background elements (curtains, audience) are static or exhibit minimal movement consistent with a seated crowd.


RAW CAPTION: Got it, let's see. The video shows an aquarium with fish. First, there are two fish. One is pinkish, the other is brown with patterns. They move around. Let's check the sequence. At the start, maybe the pink one is on the left. Then they swim around. The camera probably stays in the aquarium's view. Need to describe their motion chronologically. Let's break it down.

First frame: two fish, one pink, one brown. Then they move. The pink fish swims upwards, then the brown one follows. Then the pink moves left, brown moves right. Then they continue swimming. Background has plants, but keep it minimal. Camera perspective is from the front of the tank, maybe static? Wait, the rules say camera movement at the end.

Wait, the video starts with two fish. First frame: pink fish on left, brown on right. Then they move. The pink fish swims up and to the left, the brown swims up and to the right. Then the pink moves out of frame? Or continues. Need to be chronological.

Let's structure it: Initially, two fish (pink and brown) swim in the aquarium. The pink fish, with a light pink body and dark stripes, swims upward while the brown fish, patterned with dark markings, swims to the right. They move in a synchronized manner, with the pink fish occasionally turning to face the brown. Then, the pink fish moves leftward near aquatic plants, and the brown fish stays near the center. The camera remains fixed, providing a frontal view of the tank, with the background consisting of blurred green plants and a dark substrate.

Wait, need to check the rules. Keep background minimal. So maybe say "the tank features green plants and dark substrate" but minimal. Also, number: two fish. Colors: pink and brown. Motion: swim upward, then left/right.

Wait the video's frames: frame 0 has two fish. Frame 1: same. Frame 2: maybe one is up, the other is lower. Frame 3: pink up, brown lower. Frame 4: pink moves left, brown up. Frame 5: pink left, brown right. Wait the description says "two fish swim in the aquarium". Let's make it chronological.

Start: two fish (pink, patterned brown) swim near the top of the aquarium. The pink fish swims upward while the brown fish moves slightly downward. Then, the pink fish turns left and swims near the left side of the tank, passing by green aquatic plants, while the brown fish swims rightward, maintaining a vertical orientation. Both fish continue swimming in opposite directions, with the pink fish moving toward the left edge and the brown fish towards the center-right. The camera remains stationary, offering a frontal view of the aquarium's interior, with a faint reflection visible on the glass.

Wait, check the rules: focus on motion and behavior in chronological order. Number and appearance. Spatial relationships (e.g., left of, in front of). Conclude with camera perspective and movement.

Let's try again. Initially, two fish swim within the aquarium: a pink fish with a slender body and a brown fish with dark patterns. The pink fish moves upward and to the left, while the brown fish swims upward and to the right. As they continue, the pink fish glides near the left side of the tank, passing green aquatic plants, while the brown fish remains near the center-right. The camera maintains a fixed position, providing a clear frontal view of the fish and the tank's interior.

Wait, the background is minimal, so mention plants briefly. The camera movement: the problem says "conclude with camera perspective and movement". The video seems to have a static camera, maybe a slight pan? Wait the frames: the description of the video has no camera movement mentioned, so probably fixed. So "the camera remains stationary, offering a frontal view".

Check the rules: "Conclude with the camera perspective and movement (e.g., top-down, pan left, slight shake)." So need to specify if it's fixed or moving. Since the video description doesn't indicate camera movement, assume static.

So putting it all together:

Two fish swim in an aquarium: a pink fish with a slender body and a brown fish with dark patterns. Initially, they move upward; the pink fish turns leftward, swimming near green aquatic plants, while the brown fish moves rightward. Both continue swimming in opposite directions, with the pink fish near the left edge and the brown fish toward the center-right. The camera remains stationary, providing a frontal view of the tank.

Wait, but need to check if the spatial relationships are correct. In the frames, maybe the pink is left, brown right. Then the pink moves left (more left), brown moves right. But the video's frames might show them moving in different directions.

Wait the first

Two distinct fish are moving within the tank; their locomotion is clearly visible as swimming motions with consistent trajectories.

The aquarium background (glass, plants) remains static with no uniform shifting. Water in the tank is still, not exhibiting dominant fluid motion (e.g., waves, currents), so no ambient environmental motion is observed.


A baby wearing red pants and a dark jacket sits in a blue sled on a gravel surface, initially facing the camera with a smiling expression before opening their mouth. The sled moves downward along a slope, with the baby remaining seated and looking toward the camera as it slides. The camera follows the sled's motion, maintaining a close-up perspective on the baby's upper body and face, with minimal background detail visible.

A baby (discrete, solid object) seated on a swing; the baby's position shifts due to the swing's oscillation, representing physical motion driven by the swing's mechanics.

The background consists of a static textured surface (likely ground), showing no shifting or fluid/environmental motion (e.g., fire, water, wind). No uniform background displacement indicates camera motion.


A person with curly hair and large hoop earrings appears in close-up, then turns their head to reveal their side profile. They raise their right hand to adjust their face, followed by holding up a round decorative mirror while examining their reflection. The camera remains handheld with slight movement, capturing the individual's actions against a minimal background featuring a door with a knob.

A person is moving their head and hand (holding a mirror and makeup tool) in a controlled manner, showing discrete motion of solid objects.

The background (wall, door) remains static with no shifting or fluid motion. No fire, water, smoke, or wind present.


A person in green shorts with white stripes and a blue shirt begins lying on their back on a beige floor, raising their legs and arms. They transition to a sitting position, then sit upright with arms raised, smiling. The camera starts top-down, follows the person's movements with a slight shake, and captures scattered shoes in the background.

A person in green shorts moves their arms and legs in discrete motions (e.g., raising arms, leg movements), consistent with physical locomotion or movement.

Background elements (floor, shoes) remain static across frames with no fluid motion or environmental shifts detected. No fire, water, or smoke present.


A small child in a sleeveless blue and white top sits on a tiled floor, reaching for a puzzle piece on the ground. She picks up the piece and attempts to place it into a partially assembled puzzle in front of her, adjusting her hand position as she works. The camera maintains a top-down perspective throughout the sequence.

Child (person) moves arms and body to interact with puzzle pieces, placing them on the puzzle board; puzzle pieces are discrete objects being manipulated by physical forces.

No shifting background; tiled floor remains static with no fluid motion (fire, water, smoke, wind) observed.


A person wearing a white shirt and black pants hula hoops, spinning a metallic circular hoop around their waist while moving their arms and body in a circular motion; they rotate slightly, shifting orientation as the hoop continues to spin. The camera remains focused on the person with a slight handheld shake, capturing the motion against a grassy background with minimal visible trees.

A person (wearing white shirt and black pants) and a metal hula hoop are moving; the person rotates the hoop around their waist through coordinated arm movements and body rotation.

Background consists of static trees and grass; no dominant fluid/environmental motion (fire, water, smoke) observed. Minor possible wind movement in trees but not dominant or shifting uniformly across the frame.


A hand with a light-colored substance coating its fingers holds a cylindrical object emerging from a white, vented machine. The hand remains steady, guiding the object as it moves slightly from the machine's output. A white bucket sits to the right of the machine on a metallic surface. The camera maintains a static, close-up perspective throughout, focusing on the hand and the machine interaction.

A hand is holding and slowly rotating a cylindrical object against a stationary sanding/polishing device, indicating controlled physical manipulation.

The background (white bucket, machine base) is stationary with no shifting or environmental motion. No fire, water, smoke, or wind is present.


A hand places a red playing card on a green felt surface surrounded by red and blue poker chips. Two hands then shuffle a deck of cards, with one hand holding the deck and the other manipulating the cards. A hand subsequently deals a single card onto the table. Finally, hands arrange various colored poker chips (green, blue, red, white) in front of the dealt card. The camera maintains a close-up perspective focused on the hands, cards, and chips throughout, with no noticeable movement or shift in angle.

Hands are moving discrete solid objects: shuffling cards, placing cards face-down, and rearranging poker chips (red, white, blue, green stacks). These motions are deliberate and controlled by human interaction.

The background (green felt table) is static with no shifting or ambient environmental motion (no fire, water, smoke, or wind). Chips and cards are present but not exhibiting fluid dynamics.


A young boy in a white tank top and colorful shorts sits on an orange couch, holding a clarinet. He moves his fingers on the clarinet's keys while seated, with a keyboard and sheet music positioned to his right. The background includes wooden dining chairs and a table. The camera remains static, providing a frontal view of the boy.

The child is playing the clarinet, with finger movements on the instrument and subtle head movements. The child's body remains seated on the couch.

The background (chairs, table, painting, plant) is stationary with no shifting or fluid motion. No fire, water, smoke, or wind observed.


A red and white land sail vehicle with a blue and green sail is initially stationary on a sandy beach before beginning to move forward across the sand toward the right side of the frame, with the camera panning right to track its motion.

A small sailboat-like vehicle with a blue and green sail is the discrete object; it moves steadily across the sandy beach due to wind interacting with the sail, indicating explicit physical forces driving its locomotion.

The static background elements (sky, distant horizon, sand dunes) show minimal displacement across frames, indicating no significant ambient environmental motion (e.g., waves, wind-driven phenomena) dominating the scene.


An adult in a dark shirt holds a child wearing a gray and black striped long-sleeve shirt. The child, positioned on the adult’s lap, shifts their gaze downward and looks around. The adult moves their head downward and then looks to the side. The camera maintains a close-up, handheld perspective with slight movement.

An adult (in black top) and a child (in striped top) exhibit subtle head/upper body movements; the adult adjusts posture while holding the child, and the child's head shifts slightly.

Static background elements (walls, chair, framed pictures) show no uniform shifting or fluid motion; no fire, water, or smoke present.


RAW CAPTION: Got it, let's tackle this. First, the video starts with two frames on a beige background, then changes to black. The frames have "ARROW" and "FOLD" inside. Then it cuts to a person holding a white plate with food. Wait, the instructions say to focus on motion and behavior of main subjects. So first part: the frames transition from beige to black. Then the scene shifts to a person (hands visible) holding a plate with food. Let's check the frames. The first frame is beige, then darkens. The text in frames changes color? Wait, no, the first frame is beige background with two framed words, then darkens to black background. Then the next part is a person's hands holding a white plate with food. The description should be chronological. So start with the initial frames: two decorative frames with "ARROW" and "FOLD" on beige, then transition to black, then show hands holding a plate. Need to describe the motion. The frames go from beige to black, then the scene changes to hands. The person's hands are holding a white plate with what looks like food (maybe rice, vegetables). Then maybe the camera shifts to a top-down view? Wait, the last frame (frame 6) is a top-down view of hands holding the plate. Let's parse the frames:

Frame 0: beige background, two frames (ARROW and FOLD)
Frame 1: dark background, two frames (ARROW and FOLD)
Frame 2: black background, two frames (ARROW and FOLD)
Frame 3: black background, two frames (ARROW and FOLD) but maybe fading? Wait, no, frame 3 is black with frames.
Frame 4: black background, frames, then the scene cuts to a person's hands holding a plate.
Frame 5: person's hands holding a white plate with food (rice, veggies)
Frame 6: top-down view of hands holding plate.

Wait, the user's video description has:

[0.0] beige background with two frames, ARROW and FOLD
[1.4] dark background, same frames
[2.5] black background, same frames
[3.6] black background, frames, then maybe the scene changes to a person holding a plate.
Wait, the frames after 4: "a person holding a white plate with food" and then frame 5: same, frame 6: top-down.

So the sequence is:

1. Initial frames: two decorative frames with text on beige, then darkening to black.
2. Transition to a person's hands holding a white plate with food (rice, vegetables).
3. The camera shows a top-down view of the hands and plate.

Need to follow chronological order. Focus on motion: the frames change background color from beige to black, then the scene shifts to hands holding a plate. The person's hands are in the center, holding the plate. The plate is white, with food (rice, maybe some orange/veggies). The background when hands are shown is not described much (minimize background). Then the camera is top-down.

So the caption should start with the frames, then the person's hands.

Let's draft:

The video begins with two decorative frames labeled "ARROW" and "FOLD" on a beige background, transitioning to a black background. The frames remain static until the scene cuts to a person’s hands holding a white plate with food (rice and vegetables), viewed from a top-down perspective.

Wait, check the rules: exclude text recognition. Oh! Rule f: Exclude text recognition. So don't mention "ARROW" and "FOLD" because they're text. Oh! I missed that. So the frames have text, but we can't mention the text. So need to describe the frames as decorative frames, maybe their appearance but not the text.

Wait, rule f: "Exclude text recognition, named characters, or stylistic analysis." So even if there's text in the frames, we don't mention it. So for the first part: two decorative frames on a beige background, then transitioning to black. But the frames themselves are decorative, so "two decorative frames with intricate borders" but don't mention the text inside.

So revising:

The video starts with two decorative frames with intricate borders on a beige background, which darken to black. The scene then shifts to a person’s hands holding a white plate filled with rice and vegetables, viewed from a top-down angle.

Check rules: a) motion and behavior. The frames transition from beige to black (motion of background color change), then scene cuts to hands holding plate. b) appearance: decorative frames, hands, white plate, rice/veg. c) spatial: hands hold plate, plate is central. d) camera: top-down

A person's hands folding a piece of paper; the paper and hands exhibit discrete motion due to physical manipulation.

Background is static; no shifting walls or fluid/environmental motion (fire, water, smoke, wind) observed.


A woman with brown hair tied in a bun lies face down on a purple mat, wearing yellow bottoms, as a person in a white shirt massages her back. The masseuse’s hands move from the upper back toward the lower back in a continuous motion. The camera stays close to the back, focusing on the hands’ movement, with minimal background detail visible. The scene transitions from a white striped screen to this massage sequence.

Therapist's hands moving on client's back, causing client's skin to move slightly.

Background is static; no fluid/environmental motion detected.


A pair of hands adjusts a purple object near a person's neck, then moves it toward the head; the person, wearing a necklace and a headset, tilts their head back. The scene shifts to three women seated on a red couch, interacting while seated in a dimly lit setting. The camera moves from a close-up of the initial action to a wider shot of the women on the couch.

Discrete solid objects: a person drinking (head movement, hand gestures) and three seated women making hand gestures.

Background elements (stage backdrop, studio setup) show minimal shifting; no fluid/environmental motion (fire, water, wind) observed.


A hand holds a light blue card, then flips it to reveal a vibrant multicolored card back featuring red, blue, and green floral and geometric patterns, holding the card steady over a wooden surface. The camera remains top-down and stationary.

A hand manipulates a single playing card, rotating it to display both its back (decorated) and front sides. The card's motion is a result of deliberate physical handling by the hand.

The background consists of a static wooden table surface with no shifting elements or fluid/environmental motion (e.g., fire, water, smoke, wind).


A person wearing a black cardigan over a pink and white shirt holds a bouquet of yellow and red flowers, adjusting the stems and flowers by rotating the bouquet and moving individual blooms. A white wedding dress hangs to the left of the person. The camera remains static throughout.

The woman's hands and bouquet of flowers are moving as she adjusts and holds the bouquet; motion is intentional and controlled, not environmental.

The background (white dress and purple wall) is static with no shifting or environmental motion (no fire, water, smoke, or wind visible).


In a grassy outdoor setting, three individuals wearing white shirts and gloves gather around a blue trash bag held open by a central person. A person to the right approaches and throws a plastic bottle into the bag, followed by a person to the left doing the same. The camera remains stationary, focusing on the group’s coordinated action of depositing bottles into the bag.

The discrete objects are people wearing gloves who are actively putting items (like plastic bottles and other trash) into a blue trash bag. Their hands and arms move in discrete motions as they manipulate the bag and the trash.

The background shows a park with trees and grass that exhibit minimal sway due to wind, but this is not dominant. No significant fluid motion (fire, water, smoke) is observed.


A person in black attire mops the curved staircase, moving upward. A person in a blue shirt and black pants ascends the stairs, accompanied by a child in a blue headscarf and pink skirt holding the railing. In the background, a person in a pink shirt stands near the upper landing. The camera remains stationary, capturing the scene from a fixed position at the lower section of the staircase.

Multiple people (e.g., a person in blue shirt ascending stairs, a person in black shirt ascending stairs, a person in pink shirt in background) moving due to locomotion.

No shifting background; no fluid/environmental motion (fire, water, wind) observed.


A black punching bag hangs motionless against a brick wall. A blond-haired person in a dark blue jacket with a red collar enters from the right, approaches the bag, and begins punching it repeatedly while facing away from the camera. The individual remains positioned in front of the bag throughout the action. The camera remains stationary, capturing the scene from a fixed angle.

A person in blue clothing moves toward and interacts with a hanging punching bag, delivering repeated strikes. The bag swings in response to the physical contact.

The brick wall and punching bag background show minimal motion; no fire, water, or smoke present. Shadows shift due to the person's movement, not environmental fluid dynamics.


A person in a green long-sleeve shirt and brown apron operates a metallic wood-shaving machine, feeding a piece of wood against the spinning blade to generate shavings. Their hands adjust the wood’s position sequentially, guiding it through the machine while shavings accumulate on the work surface. The person moves slightly backward after completing the shaving action, with tools visible in the background. The camera remains static, capturing a close-up view of the machine and the person’s hands.

A person's hands and a workpiece (held against a grinding wheel) move discretely due to grinding actions, with the grinding machine itself stationary.

Static background with no shifting elements; no fire, water, smoke, or wind present as dominant motion.


A person in a white T-shirt with a red bow design stands indoors, facing the camera. They raise both hands to their face, moving them across their cheeks and nose in a rubbing motion. Their short dark hair is visible, and the background shows a door and part of a room. The camera remains stationary, capturing the person's upper body and hand movements from a frontal perspective.

The person's hands and face are moving discretely: making gestures (e.g., forming shapes, covering face) and applying a product to facial areas (nose, eyes, mouth). These motions are deliberate and solid-object movements.

The background (walls, door, and floor) remains static with no shifting or environmental elements (fire, water, smoke, wind) observed. No fluid motion is present.


A woman in dark clothing and jeans stands indoors with a brown dog on a leash; the dog jumps up on its hind legs. The room contains chairs in the background. The camera remains stationary with a slight shake.

The dog jumps vertically from ground to airborne position, and the trainer makes minor adjustments while holding the leash.

The background (walls, floor, chairs) is stationary with no shifting or fluid motion. No fire, water, or wind is present.


A woman with a ponytail, wearing a white crop top and jeans, dances energetically in a crowded indoor space. She moves through the crowd, turns to interact with a woman in a black dress who dances beside her, and continues swaying. Other dancers in various outfits, including black and patterned tops, move around them, some facing the camera while others dance away. The camera follows her closely with slight shake, capturing the lively motion of the scene.

Multiple people (dancers) moving in various directions due to dancing.

No shifting background elements; no fire, water, smoke, or wind present.


A tall silver statue of a baseball player holding a bat stands on a pedestal in an indoor space with colorful floral displays. A woman in a red jacket and dark pants approaches the statue from the right, extends her arm, and touches the statue's outstretched hand. The camera remains steady with slight movement, capturing the woman's interaction with the statue from a frontal perspective.

A woman in a red top moves from the background to the foreground, poses by bending and standing, and then walks away. Another person is also seen walking in the background.

The background (ceiling, walls, structural elements) is static with no shifting. No environmental fluids or wind effects observed.


RAW CAPTION: Got it, let's tackle this caption. First, the video shows two people running on a path. Let's check the rules. Need to describe motion chronologically. The two individuals are in motion, so start with that.

Looking at the frames: they're running towards the camera? Wait, no, the path is moving, so they're moving away. Wait, in the video, the camera is static, so the runners start further back and come closer, then continue? Wait, the frames show them moving from the background towards the middle. Wait, the first frame has them further back, then they get closer. So the order is: two people (female, wearing dark tops and shorts) running along a dirt path, moving toward the camera. Wait, no, let's check each frame.

Frame 0: They are in the distance, running towards the camera. Frame 1-5: they get closer, then continue. So chronologically, they start at a distance and run toward the camera, moving along the path.

Appearance: two women, wearing dark clothing (black and dark purple), running. Spatial: one on the left, one on the right, side by side.

Background: park setting, trees, grass, but minimal as per rule e. Camera: stationary, fixed position, so no movement. The caption needs to mention camera perspective.

Let me structure it: Two women in dark athletic wear run side by side along a dirt path, moving toward the camera. The woman on the left wears a black outfit, while the one on the right wears a dark purple top and shorts. As they progress, they maintain a consistent pace, with the path lined by trees and grassy areas. The camera remains stationary, capturing the scene from a fixed position.

Wait, check the rules. Must be concise, chronological paragraph. Avoid background details unless essential. So maybe: Two women in dark athletic attire run side by side on a dirt path, moving toward the camera. The woman on the left wears black, while the one on the right wears dark purple. They maintain a steady pace as they approach, with the camera remaining stationary throughout.

Wait, the problem says "briefly describe their appearance and number". So color, size, orientation. So size: two females, approximate size, but not too detailed. Orientation: running towards camera (since the path is going forward, and they get closer).

Check if background is essential. The path is in a park, but maybe not necessary. The key is motion.

Also, the caption must be chronological. So the sequence: they start running, move closer, etc.

Let me draft:

Two female runners in dark athletic wear (one in black, one in dark purple) run side by side along a dirt path, moving toward the camera. They maintain a steady pace as they approach, with the path flanked by trees and grass. The camera remains stationary, capturing the motion from a fixed position.

Wait, but the background should be minimal. So maybe remove the "flanked by trees and grass" as per rule e. Rule e: background descriptions minimal unless essential. Is the park setting essential? The motion is on the path, so maybe the path is in a park, but if we don't mention the park, it's fine. Wait, the video shows trees, so maybe "dirt path lined with trees" but maybe just "dirt path".

Let me check the example. The video starts with them on a path under trees. So perhaps "dirt path" is enough.

Also, rule c: spatial relationships. The two are side by side, so "running side by side".

Rule b: describe appearance: two women (female), dark clothing (black and dark purple), size: approximate, but since they're running, maybe "two women" is enough.

So the caption: Two women in dark athletic wear run side by side along a dirt path, moving toward the camera. The woman on the left wears black, while the one on the right wears dark purple. They maintain a steady pace as they approach. The camera remains stationary, capturing the scene from a fixed position.

Wait, is "moving toward the camera" correct? In the video, the camera is static, so the runners are moving from a distance toward the camera, so yes.

Check rules: concise, chronological paragraph. Let's see.

"Two women in dark athletic attire run side by side along a dirt path, moving toward the camera. The woman on the left wears black, and the one on the right wears dark purple. As they progress, they maintain a consistent pace. The camera remains stationary, capturing the motion from a fixed perspective."

Yes, that's concise, chronological (starting with them running, then moving toward, pace, camera). Check if all rules are followed: motion first (running), appearance (two women, color of their clothes), spatial

Two distinct human subjects (runners) moving toward the camera with consistent locomotion, easily trackable as solid objects.

Background elements (trees, ground, distant structures) show no significant shifting or fluid motion; trees are stationary, and there are no signs of wind-induced swaying or environmental fluids.


Five individuals stand in a straight line against a plain wall; from left to right, the first wears a white top and black pants, the second a dark coat and light pants, the third a brown outfit, the fourth a dark top and jeans, and the fifth a brown jacket and jeans. They perform synchronized hand movements: initially raising arms outward, then bringing hands to chest level, followed by returning hands to sides. The camera remains static throughout, capturing the group in a frontal view with no background details emphasized.

Five people (discrete solid objects) are performing hand gestures, moving their hands and arms to form sign language movements.

The background (wall and floor) is static and shows no shifting or environmental motion. There are no fluids, fire, or smoke present.


A hand holds and rotates a shiny metallic cylindrical device with a glass top, positioned on a brass base. Another hand enters from the right, holding a smartphone near the device. Background shows a window with greenery. Camera remains close, shifting slightly to track the device's movement.

Discrete objects include hands manipulating a brass cylindrical device (likely a lamp or mechanical apparatus), with clear physical interaction and movement.

Background elements (windows, outdoor greenery) appear static with no significant shifting or fluid motion; no fire, water, or smoke observed.


A person in dark clothing, initially lying on a bed, reaches down to place a wooden block onto a large triangular Jenga pyramid situated on a striped rug. They then step off the bed, move around the pyramid’s base, and sit on the floor adjacent to it. The camera remains stationary, maintaining a consistent angle throughout the sequence.

A person (discrete solid object) moves across the scene, interacting with a brick pyramid structure (picking up, placing, and adjusting bricks).

Static background elements (bed, rug, furniture) show no uniform shifting or fluid motion; no fire, water, or wind present.


A hand with a light-colored wristwatch reaches from the left to pull a sheet of paper from the output tray of a white and black Kyocera printer. The hand lifts the paper, displaying printed content, then moves it toward the printer's input tray, positioning it for insertion. The camera maintains a close-up perspective, following the hand's motion with slight shifts to track the paper's movement.

A hand manipulates a sheet of paper, moving it into the printer and displaying its content. The printer and hand are distinct solid objects with motion driven by human action.

Background elements (wall, printer base) remain static with no fluid/environmental motion (fire, water, smoke, wind).


The video opens with a wide shot of a rural landscape featuring grassy terrain, scattered bushes, and distant houses along a dirt path. A hand holding a white smartphone enters the frame, positioned in front of the landscape, and the phone's screen displays a countdown timer decreasing from 23 to 20. The camera remains focused on the phone as the timer counts down, with minimal movement.

A hand holds and manipulates a smartphone, moving it into the frame; the phone is a discrete solid object with visible motion due to manual handling.

The background consists of static elements (ground, grass, buildings) with no shifting or environmental motion (fire, water, wind); no ambient environmental motion detected.


RAW CAPTION: Got it, let's tackle this. First, the video shows a man in a kitchen. He's wearing a black shirt and light shorts. The sequence: he raises his arm, maybe adjusting something, then lowers it. Let's check the frames. Frame 0: he's reaching up, arm extended. Frame 1: still reaching. Frame 2: arm is down, maybe adjusting. Wait, no, the actions are chronological. Let's see the first part: he's in the kitchen, raises his right arm high, then brings it down. Then he moves to the counter, maybe adjusting items.

Main subject: a man, black shirt, light shorts. Actions: raises arm, then lowers, then reaches towards the counter. Spatial: kitchen setting, cabinets, chairs. Background minimal. Camera is static, I think. Let's check the rules. Focus on motion in order.

So start: man in black shirt and light shorts stands in kitchen. Raises right arm upward, then lowers it. Moves to the counter, extends right arm to interact with objects there. Camera perspective: fixed, no movement. Background elements like cabinets, chairs are there but minimal.

Now, structure the caption. Chronological order: initial action, then next. Keep concise.

"An older man in a black shirt and light shorts stands in a kitchen. He raises his right arm upward, then lowers it to the counter. He extends his right arm to interact with items on the counter. The camera remains static, capturing the scene from a fixed angle."

Wait, need to check the frames. Let's see: frame 0: he's reaching up, arm high. Frame 1: arm still high. Frame 2: arm lower. Frame 3: he's moving towards the counter, arm extended to the right. So step-by-step: raises arm, then moves to counter, reaches.

So the caption should be: A man in a black shirt and light shorts raises his right arm upward in a kitchen, then lowers it and extends his right arm toward the counter. The camera remains stationary, positioned at a fixed angle.

Wait, but the first frame shows him reaching up (arm high), then the next frames show him lowering. Then he moves to the counter. Let's see the exact sequence:

0.0: arm up

0.3: arm still up

1.0: arm lower (maybe adjusting something)

1.4: arm down, turning?

Wait, the frames:

[0.0] he's standing with arm raised high, right hand.

[0.3] same position.

[1.0] arm is still raised, but he's moving slightly.

[1.4] arm down, he's turned a bit.

[2.0] arm down, standing by counter.

[2.3] arm down, then he moves to the counter, extends right hand.

Wait, the video has 5 frames, each labeled with time. Let's list the frames:

0.0: arm up, right hand extended, maybe adjusting a light or something on the ceiling?

0.3: same as 0.0? Wait, the description says "arm extended" in first frame, then in 1.4 he's turning.

Wait, the user's input has frames:

[0.0] <0.3 seconds> - man with arm up.

[1.4] ... he raises arm (wait no, maybe first action is raising, then lowering).

Wait, the description says: "at frame 0, he is reaching up. At frame 1, he is still reaching. At frame 2, he lowers arm. At frame 3, he moves to the counter, extending right arm."

Wait, no, the user provided the video as a sequence of frames with times:

<0.3 seconds> frame 0: man raises right arm high.

Then at frame 1.4, he's still holding up arm.

Then frame 2.0, he lowers arm.

Then frame 2.3, he moves to the counter and reaches.

Wait, the user's description says:

Frame 0: man with arm raised.

Frame 1: same.

Frame 2: arm lower (maybe after raising and lowering).

Frame 3: he extends right arm to counter.

Wait, no. Let's read the user's input:

The video starts at [0.0] frame: man raises right arm (arm up).

Then at [0.3] frame: same action.

Then [1.0]: man lowers arm.

[1.4]: man moves to counter, extends right arm.

[2.0]: man reaches counter.

Wait, the video has a sequence of actions:

1. Man raises right arm upward (from frame 0.0 to 0.3).

2.

A person (discrete solid object) is moving: reaching for items on upper shelves, turning at the counter, and extending arms in a sweeping motion toward the sink area. No other solid objects exhibit significant motion.

The background (walls, door, shelves, and fixed kitchen elements) remains static throughout the clip with no shifting or fluid motion (fire, water, smoke, wind).


Two women stand against a solid blue backdrop; the woman in a red dress drapes a black saree with white spots around the woman in a gold sequined crop top, leaving 2 meters of fabric on the left side of the second woman and resting the remainder on the right. The red-clad woman adjusts the saree over the gold-clad woman’s shoulder and body, maintaining a static camera perspective with no movement.

Two women; the woman in red manipulates a dupatta (cloth) by moving it from her right to left and draping it over the other woman's shoulder. The cloth moves due to human action.

Solid blue background is static with no shifting. No fire, water, smoke, or wind present.


A person wearing a pink helmet and yellow-orange life vest sits on a windsurfing board, holding a yellow sail. They adjust the sail’s position with their hands, slightly shifting their posture while maintaining a seated stance. The camera remains in a steady side perspective throughout the sequence, capturing the individual’s movements against an open water backdrop.

The person wearing a pink helmet and yellow jacket is making slight head and hand movements, indicating self-motion.

The background (flat ground and clear sky) is static with no ambient motion (no fire, water, wind).


A person in a blue shirt holds and rotates a multicolored cylindrical object with their hands. Behind them, a person in a black top sits with one hand resting on their chin, facing a computer screen. The camera maintains a static medium shot focused on the hands and object, with the background figure slightly out of focus.

The main discrete objects are the person's hands adjusting a colorful blanket around a baby. The baby is mostly still, and the motion is due to deliberate human action.

The background consists of a static curtain and laptop screen without any shifting or fluid motion (fire, water, wind). No ambient environmental elements are present.


RAW CAPTION: Got it, let's tackle this. First, I need to describe the video chronologically. The video shows a band performing. Let's list the people and their actions.

Start with the first frame: there are several band members. Let's see, the main subjects are the musicians. From left to right: a woman in black top and denim shorts, black boots. Then a person at the keyboard, wearing a gray jacket and jeans. Next, a person in green shirt and green boots playing guitar. Then a guy in black shirt, red undershirt, blue jeans, red sneakers, playing bass. Then a girl in black top, pink skirt, black boots with studs, playing electric guitar.

Now, the actions: in the initial frames, they're standing. Then, the woman on the left (first person) starts moving. Let's check the frames. Frame 0 to 5: the woman in black top and denim shorts moves from a standing position to walking towards the center. The others are mostly stationary, playing their instruments.

So chronological: the band is on stage, playing instruments. The woman in black top, denim shorts, black boots starts walking forward (from left side towards center), while others remain in place. The camera is stationary, capturing the scene from a fixed position, likely at a medium distance, showing the stage setup.

Now, mention spatial relationships: the woman is on the far left, then keyboardist next to her, then guitarist, bassist, and guitarist on the right. The woman moves towards the center, passing the keyboardist.

Appearance details: woman has black top, denim shorts, black boots. Keyboardist: gray jacket, jeans. Guitarist (green shirt, green boots). Bassist: black shirt, red shirt underneath, blue jeans, red sneakers. Guitarist on right: black top, pink skirt, black boots.

Camera perspective: stationary, medium shot, looking at the stage from a fixed position. No camera movement mentioned, so probably static.

Background: minimal, just the stage with drums in the back, but rules say minimal background. So focus on the subjects.

Now, structure the paragraph:

At the start, a band of five musicians performs on stage; a woman in a black top, denim shorts, and black boots stands left, a keyboardist in a gray jacket and jeans sits nearby, a guitarist in green shirt and green boots plays, a bassist in a black shirt, red undershirt, blue jeans, and red sneakers plays, and a guitarist in a black top, pink skirt, and black boots stands right. The woman on the left moves forward toward the center, while others maintain their positions. The camera remains stationary, capturing the performance from a fixed angle.

Check if it's chronological: describes the initial state, then the woman's movement. Also check rule a: focus on motion of main subjects. The main motion is the woman walking.

Also, mention number: five musicians. Appearance: color, size (but size might be hard, but "several" is okay, but specify "five musicians" maybe. Wait, the video shows five: left woman, keyboardist, guitarist, bassist, right guitarist. Yes, five.

Spatial: woman is on the far left, then keyboardist to her right, then guitarist, bassist, and guitarist on the right.

Now, let's make it concise. Let's see the example rules.

"Five musicians perform on stage; a woman in black top, denim shorts, and black boots stands left, a keyboardist in gray jacket and jeans sits to her right, a guitarist in green shirt and green boots plays next, a bassist in black shirt, red undershirt, blue jeans, and red sneakers plays, and a guitarist in black top, pink skirt, and black boots stands far right. The woman moves forward toward the center while others remain in place, all playing instruments. The camera remains stationary throughout."

Check if it's concise. Let's see the required elements.

Chronic order: starts with the setup, then the woman moving.

Appearance: include colors and key items (tops, shorts, boots, etc.)

Spatial: left, right, etc.

Camera: stationary.

Yes.

Wait, the video starts with the band in place. Then the woman starts moving. The frames show her moving. So the caption should note that movement.

Now, check the rules again:

a) Focus on motion: the woman moving is the key motion.

b) Briefly describe appearance and number: five musicians, their clothes.

c) Spatial relationships: left, right, positions.

d) Camera perspective: stationary.

e) Background minimal: yes, just the stage, so maybe don't mention background unless essential.

f) Exclude text, names, style.

So the caption:

Five musicians perform on stage; a woman in a black top, denim shorts, and black boots stands

Multiple people on stage exhibit slight movements (e.g., shifting positions, subtle body motions) consistent with human locomotion or posture changes, all within a stage environment.

Background elements (ceiling, walls, stage structure) show no uniform shifting or fluid motion (fire, water, smoke, wind). Static background remains consistent across frames.


Two people stand near a tree; the person in a light shirt turns and walks away, leaving the other person in dark clothing standing near the tree. The camera remains stationary, capturing the scene from a fixed perspective with minimal background details.

A person walks from left to right, then turns and walks back to the left, exiting the frame.

The background (trees and sky) remains static throughout the video with no shifting or environmental fluid motion.


A person in light-colored pants uses a hammer and chisel to refine a white bird sculpture with spread wings positioned on a gravel surface. They adjust the sculpture's orientation, lifting it slightly and repositioning it with their hands. The camera remains stationary in a top-down perspective throughout the sequence.

A person's hands and a hammer are manipulating clay, with the clay exhibiting controlled deformation due to physical force application.

Static ground and surrounding elements (e.g., sticks, sand) show no uniform shifting; no fire, water, smoke, or wind motion detected.


In an indoor gymnasium with wooden and green walls, several players in blue and gray jerseys engage in a futsal game. A player in gray throws the ball toward the goal, where a goalkeeper in red stands. Players in blue and gray move dynamically, running toward the goal to intercept or position, with some in front of the goal and others near the court’s center. The camera pans across the court, following the action as players pass the ball and defend.

Discrete human subjects (volleyball players) moving via jumping, running, and ball striking actions.

Background walls and gym structures show no significant uniform shifting; no fire, water, or smoke present.


A construction worker in an orange long-sleeve shirt, dark pants, and gray cap places a brick against a brick wall near a window, then moves to a wooden-framed area with stacked bricks and a concrete pile, using a trowel to spread the concrete. The camera follows his movements with slight shifts in angle.

The person in the orange jacket is actively moving their arms and body to manipulate bricks and cement, with discrete motions including lifting, placing, and spreading materials.

The brick wall and structural elements in the background remain stable with no uniform shifting or fluid environmental motion (e.g., fire, water, smoke, wind).