RAW CAPTION: Got it, let's break this down. The video shows a football scene. First, identify the main subjects. There's a player in a red uniform (maybe the kicker?) who is on the ground near the red goal area. Then other players in dark uniforms (black jerseys with numbers) are around. The scene starts with the red-uniformed player on the ground, then he gets up. Wait, the first frame: player in red is lying on the ground by the red structure (end zone). Then he gets up, maybe falls again? Wait, no, the sequence is: [0.0] player in red is on the ground, [1.0] he's still there, [2.0] he's getting up, [3.0] he's standing, then [4.0] another player (white shirt, maybe staff) walks in. Wait, need to track motions chronologically.

Looking at the frames:

Frame 0: A player in red (jersey) is on the ground near the red end zone structure. Several players in black jerseys (35, 58, 71, etc.) stand nearby. A person in white shirt and light pants (official?) stands to the left.

Frame 1: Red player is still on the ground, but maybe moving? Wait, maybe he's getting up.

Frame 2: Red player is on the ground, then maybe he's being helped or getting up.

Wait, the key is motion. The red player starts on the ground, then gets up. Let's see the sequence:

0.0 - Red player (jersey) is on the ground in front of red structure.

1.0 - Red player is still on ground, maybe a slight movement.

2.0 - Red player is now getting up, moving towards standing.

3.0 - Red player is standing, then maybe falls again? Wait, no. Wait, the video shows the red player falls into the end zone structure? Wait, no, the structure is a red platform, maybe the kicker's area. Wait, maybe the player is the kicker, and he's fallen. Let's read the frames:

First frame: Red player (jersey) is on the ground, near the red platform (which is the goal area's padding). Players in black (jerseys with numbers) are around. A person in white shirt (official) stands to the left.

Then, in the next frames, the red player gets up, maybe stumbles. Then another player (white shirt, maybe a coach) walks in.

Wait, let's list the chronological steps:

- Initially, the red-uniformed player is on the ground near the red end zone structure.

- The player then rises from the ground, moving towards standing.

- During this, other players in black uniforms observe or move slightly.

- A person in a white shirt (likely a staff member) walks into the scene from the left side.

- The red player continues to move, possibly losing balance, and falls back onto the ground.

Wait, in frame 3, the red player is on the ground again? Wait, no. Let's check:

Frame 0: Red player on ground.

Frame 1: Red player still on ground, but maybe moving.

Frame 2: Red player is getting up, standing up.

Frame 3: Red player is standing, but then maybe falls again? Wait, frame 3 shows red player is in the air, falling? Wait, maybe the red player is the kicker who fell after kicking, but the frames show:

Wait, maybe the red player is the one who kicked the ball and then fell. Let's see:

The red player starts on the ground (after kicking), then gets up, then maybe falls again. Wait, the description: in frame 0, red player on ground. Frame 1: still on ground. Frame 2: he's getting up, moving towards the ground. Wait, no. Let's look at the video description:

[0.0] player in red is on ground near red structure.

[1.0] same, but maybe moves slightly.

[2.0] player in red is getting up, maybe standing.

[3.0] red player is now standing, but then maybe falls?

Wait, the third frame (2.5 seconds) shows the red player on the ground again? No, the frames:

Wait, the video shows:

At 0.0, red player on ground. Then, he gets up (1.0), then starts moving (2.0), then maybe stumbles (3.0), then another person in white (staff) walks in (4.0).

Wait, the correct chronological order:

- A football player wearing a red uniform lies on the ground near the red padded structure (end zone) on a football field.

Multiple individuals in sports uniforms (dark jerseys, red jerseys) and a white-shirted person exhibit locomotion (walking, shifting positions) around a red mat area on the field.

The field lines and background elements (e.g., red logo area) show no uniform shifting or fluid motion. No fire, water, smoke, or wind-driven effects observed.


A person wearing a black turtleneck and gold necklace holds an inhaler to their mouth, inhaling deeply while pressing the canister, then holds their breath for 5-10 seconds. The camera remains static in a medium shot with a plain background.

A person (solid object) is moving their arm to drink from a container, exhibiting discrete locomotion.

Background is a static plain wall with no shifting elements or fluid/environmental motion (fire, water, wind).


RAW CAPTION: Okay, let's tackle this video captioning task. First, I need to carefully read the user's instructions to make sure I understand all the requirements.

The video starts with a clock showing 3:18. Then it cuts to a classroom scene where a girl is sitting at a desk. She's wearing a white hoodie with a blue strap. She's looking at her phone, then puts it down. The text "I've learned my lesson" appears on screen, but according to the rules, I shouldn't include text recognition. So I need to ignore that text.

The user wants a concise chronological paragraph. Let me break down the sequence. The first frame is the clock. Then the scene shifts to the classroom. The main subject is the girl. She's at a desk, using her phone, then puts it down. The background is a classroom with empty desks and chairs. The camera moves from the clock to the girl, probably a cut transition. The camera angle for the girl is eye-level, maybe a medium shot.

I need to mention the motion: the girl checking her phone, then putting it down. Her appearance: white hoodie, blue strap. Spatial relationship: she's at a desk in the classroom, which has rows of desks and chairs. Background is minimal, so maybe just mention it's a classroom without going into detail.

Wait, the rules say to keep background descriptions minimal unless essential. So maybe just "empty classroom" or "rows of desks and chairs" but not too much.

Also, the camera movement: from the clock to the girl, which is a cut, so the camera perspective changes from top-down (for the clock?) to a medium shot of the girl. Wait, the first frame is the clock on a whiteboard. The camera is looking straight at the clock. Then it cuts to the girl at her desk. So the camera moves from a top-down view of the clock to a medium shot of the girl. But the instruction says to describe the camera perspective and movement. The transition is a cut, so the camera switches to the girl's scene.

Wait, in the video description, the first part is the clock, then the scene shifts to the classroom. So the camera perspective for the clock is a close-up or a static shot. Then it cuts to the girl. The camera is probably stationary in the classroom scene.

Wait, the user's example output says "Camera starts with a close-up of a clock, then cuts to a medium shot of a girl seated at a desk." So I need to mention the initial shot of the clock, then the transition.

Let me check the output format: chronological paragraph, describe motion and behavior in order.

So the sequence: Clock shows 3:18. Then the scene cuts to the classroom. The girl is sitting at a desk, looking at her phone, then putting it down. She's wearing a white hoodie with blue straps. The classroom has rows of empty desks and chairs.

Wait, in the video, the second frame shows the girl at the desk, and the text "I've learned my lesson" appears, but I have to exclude text recognition. So just focus on the girl's actions.

So the caption should start with the clock, then the girl in the classroom, her actions with the phone, then putting it down. Then mention the camera's transition.

Wait, the first frame is [0.0 seconds] the clock, then [1.4 seconds] the classroom. So the video starts with the clock, then cuts to the girl.

So the caption should be:

The video opens with a close-up of a whiteboard displaying a clock reading 3:18. It then cuts to a medium shot of a girl seated at a desk in an empty classroom, wearing a white hoodie with a blue strap. She holds a blue phone, looks down at it, then places it on the desk. The background shows rows of empty blue chairs and wooden desks. The camera remains stationary in the classroom scene.

Wait, but the rules say to mention spatial relationships if relevant. The girl is seated at a desk in the classroom, which is empty. So the background is minimal. The camera perspective changes from the clock (close-up) to the girl (medium shot). The camera movement is a cut transition.

Wait, the user says "Conclude with the camera perspective and movement". So after describing the action, mention how the camera was positioned.

Let me structure it step by step:

1. Clock displayed (first frame)
2. Cut to girl in classroom
3. Her actions: holding phone, looking at it, placing it down
4. Describe her appearance: white hoodie, blue strap
5. Background: empty classroom with desks and chairs
6. Camera: starts with close-up of clock, then cuts to medium shot of girl, remains stationary

But the output should be a single paragraph. Let

The girl's hands and the device she holds are moving due to her actions (picking up and using the device).

No shifting background or fluid/environmental motion (fire, water, wind) observed. Classroom background is static.


A person in an orange jacket and black pants skis forward on a snow-covered path, using two ski poles for balance. They move from the right side of the frame toward the left, passing near an orange cone on the grassy edge adjacent to the snow. The camera pans left to follow their motion, with trees and grass visible in the background.

A person in an orange jacket is skiing along a snow path, using ski poles for locomotion. The person is a solid, distinct object moving due to explicit physical forces (skiing).

The background elements (trees, grass, snow path) show no significant shifting or fluid motion. No fire, water, smoke, or wind-driven motion is dominant.


Hands place a beige rectangular tile on a textured surface, then position a second beige rectangular tile adjacent to it, adjusting both to fit together. The camera maintains a top-down perspective with slight movement to follow the tile placement.

Hands are manipulating a piece of paper (discrete object), creating motion through physical interaction (folding/bending).

The background (table/surface) shows no shifting motion; there are no fluid or environmental elements (fire, water, smoke, wind) present.


A shirtless person with dark hair swims through icy water filled with floating ice chunks, moving away from the rocky shore as the camera slowly zooms in, capturing their motion amidst the ice floes.

A person is swimming in the water, creating circular ripples and waves; ice chunks are floating but are not the primary moving object.

The background rocks are static. The water has ripples from the person swimming, but the dominant motion is the person's locomotion.


RAW CAPTION: Got it, let's tackle this. First, I need to describe the video chronologically. The main subjects are two people. Let's see the frames.

In the first frame, a man in a white t-shirt and light pants is standing, holding a hammer or something, working on a brick wall. The other person is wearing a wide-brimmed hat, beige shirt, and is crouching or bending over. Then in the next frames, the first man moves his arm, maybe striking the wall. The second person starts to stand up and moves towards the first man, possibly holding a tool. Wait, in frame 2, the first man is still holding the tool, then in frame 3, he moves his arm down, and the second person stands up and walks towards him. Then in frame 4, the second person is pointing at something on the wall, and the first man is standing with hands on hips. Then frame 5, the second person is still pointing, first man facing him.

So chronological order:

- First, the man in white t-shirt and light pants (tall, back to camera) is actively working on the brick wall with a tool (hammer).

- The second person (wearing hat, beige clothing, bearded) is initially crouching, then stands up and moves toward the first man.

- Then the second person gestures towards the wall, possibly indicating something.

- The first man moves his tool, then turns to face the second person.

- Their interaction continues with the second person pointing at the wall.

Now, spatial relationships: first man is in front of the wall, second person starts crouching next to him, then stands and moves towards him. Background is the brick wall, maybe a tent on the left, but minimal. Camera perspective: it seems like a static shot, maybe slight movement? Wait, the frames change, so maybe the camera is stable. The problem says "conclude with camera perspective and movement". Let's check the frames. The camera doesn't seem to move much; it's a fixed view. So maybe "static" or "slight shake" but not much. Let's see. The video's frames have the camera angle same, so probably static.

Appearance: first man (white shirt, light pants, back to camera, medium height); second man (wide-brimmed hat, beige shirt, beard, crouching then standing).

Motion: first man uses tool on wall (hammering), then stops, turns to face second man. Second man stands up from crouching, moves towards first man, points at the wall.

Now, structure the caption.

Start with the first action: The man in white shirt and light pants stands before a brick wall, holding a tool and striking it. The second person, wearing a hat and beige clothing, is crouching near the wall. Then the first man moves his arm, the second person stands up, gestures toward the wall, and the first man turns to face him.

Check rules: a) motion in order: strike wall, then stand up, gesture, turn.

b) appearance: white shirt, light pants, hat, beige.

c) spatial: first man in front of wall, second person next to him.

d) camera: static (since frames show same angle).

e) background minimal: brick wall, maybe tent, but not essential.

f) exclude text, names.

So the caption should be:

A man in a white t-shirt and light pants stands before a brick wall, using a tool to strike the surface. Another person, wearing a wide-brimmed hat and beige clothing, initially crouches beside him, then stands, gestures toward the wall, and moves closer as the first man turns to face him. The camera remains static throughout.

Wait, check if it's concise. Let's make sure it's chronological.

Frame 0: man in white works on wall. Frame 1: same. Frame 2: man in white moves arm down. Frame 3: second person stands up and moves towards first. Frame 4: second points at wall, first man faces him.

So:

The man in white shirt and light pants stands before a brick wall, striking it with a tool. The second person, wearing a hat and beige clothing, starts crouched, then stands up, gestures toward the wall, and walks towards the first man as he turns to face him. The camera remains static.

That's good. Let's check rules:

a) motion: strike, crouch to stand, gesture, walk towards, turn.

b) appearance: white, light pants, hat, beige.

c) spatial: first man in front of wall, second person beside, then moves towards.

d) camera: static.

Two people are visible: one in a white shirt adjusting an object on the wooden structure and another in a beige shirt working with tools. Their movements are due to intentional physical actions (locomotion, tool manipulation).

The wooden structure, tents, and sky in the background remain stable across frames, showing no significant shifting or environmental fluid motion (e.g., no fire, water, or smoke).


The video begins with a close-up of a white and black printer's control panel. A blonde woman in a pink top presses the "Home" button on the printer's pad, then interacts with the touchscreen, pressing "Barrier". The camera shifts to capture her hand movements and the printer's interface from a frontal angle.

A person's hands move a sheet of paper into the printer's input tray and interact with the touchscreen interface, demonstrating deliberate locomotion of solid objects.

The background elements (printer structure, walls) remain static with no uniform shifting; no fire, water, smoke, or wind motion observed.


Two individuals on adjacent trampolines—one in dark clothing, the other in light—engage in acrobatic movements. The person in light clothing jumps toward the other, who then flips backward and lands horizontally on the trampoline before sitting up. The camera remains stationary with minimal shake.

Two people are moving on trampolines. Their motion is due to jumping and flipping, caused by the trampoline's elasticity and gravity. The motion is discrete and solid.

Background elements (trees, house) are static. No significant fluid/environmental motion (e.g., fire, water, smoke, strong wind) observed. Subtle tree sway due to wind is minimal and not dominant.


A blonde woman with shoulder-length hair, wearing a black top with sheer sleeves, lifts a clear glass containing amber liquid to her mouth, drinks, then lowers the glass. She remains seated in a room with light gray walls and visible ceiling fixtures; the camera maintains a steady close-up perspective.

The woman is the discrete object. She is drinking from a glass, causing motion in her arm, head, and the glass as she lifts it to her mouth and lowers it. The motion is due to her locomotion and physical actions.

Background is static (walls, window, furniture) with no shifting. No ambient environmental motion (fire, water, smoke, wind) detected.


Two individuals work at a metalworking station; the older person with gray hair, wearing a plaid shirt and dark apron, stands to the left holding a hammer, while the younger person in a black shirt stands to the right swinging a hammer at a metal piece clamped in a vise. They alternate striking the metal, with the younger person initiating a blow, then the older person responding. The camera remains stationary, capturing their coordinated actions against a backdrop of a stone wall and workshop tools.

Two men: one swings a hammer to strike metal on an anvil (discrete object motion), while the other adjusts the metal piece. Hammer movement is the primary discrete action.

Stone wall and workshop elements are static; no fire, water, or wind motion detected. Background shows consistent positioning with no fluid environmental elements.


A person in dark clothing stands behind a table with a floral-patterned tablecloth, handling potatoes. They hold a potato in both hands, manipulates it (likely peeling or separating), and then places a peeled potato into a clear glass bowl positioned to their left. The plate holding additional potatoes remains in front of them. The camera maintains a static, low-angle perspective focused on the table and the person’s hands, with minimal background visible beyond the kitchen setting.

A person's hands manipulate dough on a table, with discrete movements of dough pieces and tools (e.g., rolling pin) being used.

The background elements (walls, door, kitchen items) show no uniform shifting or fluid motion; no fire, water, or smoke present.


A small child in a pink swimsuit swims in clear blue water near dark lane dividers, surfacing and kicking legs while moving forward. The child turns toward the pool's edge, using arms for propulsion. The camera maintains a top-down perspective, slightly following the child’s motion.

The swimmer (a person) is moving through the water using swimming strokes, demonstrating locomotion.

The background (pool walls and lane lines) is static and shows no shifting. The water is disturbed by the swimmer, but this is an effect of the discrete object's motion and not the dominant ambient motion.


A girl wearing a pink shirt with orange trim holds a Rubik's Cube, manipulating it with both hands to rotate and display its colored faces (red, blue, yellow, white). She moves the cube to show different orientations, turning it to reveal various sides while positioned in front of a bed with purple and blue pillows. The camera maintains a close-up perspective, slightly shifting to follow the cube’s movement, with minimal background details visible.

The Rubik's cube is being manipulated by the child's hands, causing the cube to rotate and change its face orientations.

No shifting background or fluid/environmental motion observed. Background elements (pillows, poster) are static and show no uniform movement.


A person with long, wavy light brown hair wearing a blue textured sweater first touches their hair with their right hand, then lifts a pink hair straightener and runs it through a section of their hair. The background includes a room with a closed door and shelves but remains unobtrusive. The camera maintains a static perspective, focused on the upper body and movements.

A person is moving their hands and hair using a pink hair straightener. The person is styling their hair, which involves discrete object motion (the hair and the straightener moving due to the person's actions).

Background is static and shows no signs of fluid or environmental motion (e.g., fire, water, wind).


A person in a white short-sleeve shirt leans over a round table, moving hands across a colorful board. They adjust their position while interacting with the board. Another individual in a white jersey with the number 9 approaches from the right, standing beside the first person. Both remain focused on the table. The scene takes place in a dimly lit room with furniture visible in the background. The camera remains stationary, capturing the actions from a slightly angled perspective.

Two individuals interact with a table; one manipulates a map-like object while the other observes, demonstrating solid object movement via physical actions.

The background features static furniture and walls with no shifting elements or fluid/environmental motion (fire, water, wind).


RAW CAPTION: Got it, let's tackle this. First, the video shows a person on a snow blower. Need to describe the motion chronologically. The person is driving the snow blower across a snowy area. Let's check the sequence: the snow blower moves forward, pushing snow. The person is wearing a jacket, helmet maybe. The background has a street, houses, but keep it minimal.

Start with the main subject: a person operating a snow blower. The snow blower is white and black, maybe. The person is seated, driving it from left to right (since the video starts with the blower on the left, moving towards the right). The snow is being pushed ahead.

Wait, the first frame: snow blower is on the snowy area, person driving. Then as the video progresses, the blower moves forward, clearing snow. So chronological: person operates snow blower, moving it across the snow-covered yard, pushing snow to the side. The camera is positioned to follow the movement, maybe a steady shot, but check the movement. The camera seems to pan slightly to follow the blower.

Background: residential area, street, houses, but minimal. So focus on the action: person on snow blower, moving from left to right, clearing snow, snow being displaced.

Check the rules: chronological, appearance (person in dark jacket, helmet?), but maybe not too detailed. Size: small snow blower. Spatial: snow blower moves across the yard, near the street.

Conclude with camera: the camera is steady, possibly panning slightly to follow the snow blower's movement.

Let's draft:

"A person operates a white and black snow blower, driving it across a snow-covered yard toward the street, pushing large piles of snow ahead. The individual, wearing a dark jacket and helmet, maneuvers the machine from left to right, displacing snow to the sides. The camera remains steady, tracking the movement of the snow blower as it clears the area."

Wait, check if the camera moves. The frames show the blower moving, so the camera might be following. But the user says "conclude with camera perspective and movement".

Wait the video starts with the blower, then as it moves, the camera adjusts. So maybe "the camera follows the snow blower's movement, panning slightly to keep it centered." But need to be concise.

Another angle: the snow blower is moving across the frame, so camera is following, so maybe "the camera remains stationary but adjusts to follow the snow blower's forward motion, capturing its progress as it clears the snow."

Wait, the initial frames: the blower is on the left, then moves towards the right. So the camera might be panning right to follow. Let's see the video: the first frame shows the blower on the left side of the frame, then in the next frames, it's moving to the right, so the camera is panning right to keep it in view. So the camera movement is a slight pan to the right.

Putting it all together:

"A person in a dark jacket and helmet operates a white and black snow blower, moving it forward across a snow-covered residential yard. The machine pushes large piles of snow to the sides as it travels from left to right toward the street. The camera pans slightly to the right, tracking the snow blower's motion."

Check if all rules are met. Chronological order: starts with person on blower, moves forward, pushes snow. Appearance: person's jacket, helmet, snow blower color. Spatial: moves from left to right, toward street. Camera: pans right. Background minimal (residential yard, street mentioned but not too much). Yes.

Let me make it more concise. Maybe:

"A person in a dark jacket and helmet operates a white snow blower, driving it across a snow-covered yard toward the street. The machine pushes snow to the sides as it moves left to right. The camera pans right to follow the snow blower's motion."

Wait, the direction: in the video, the blower starts on the left side of the frame and moves to the right, so the camera pans right to follow. So the motion is from left to right.

Wait, the first frame: the blower is on the left, then next frames show it moving right. So the person is driving the blower forward (toward the street), which is to the right in the frame. So "moves left to right" is correct.

Another check: "briefly describe appearance and number". Number: one person. Appearance: dark jacket, helmet. Snow blower: white, black.

Yes. So final caption:

<A person in a dark jacket and helmet operates a white snow blower, driving it forward across a snow-covered yard toward the street. The machine

A person operating a snow blower is moving across a snow-covered yard. The snow blower's motion is driven by the operator's locomotion and the machine's forward movement, with visible snow displacement.

The background elements (road, houses, trees) remain static with no uniform shifting or fluid motion. No fire, water flow, or wind effects are observed; the scene is dominated by solid objects and snow.


A person wearing a black top and dark pants performs a downward dog pose on a green mat, hands and feet on the floor, then transitions by moving their legs forward into a lunge position before standing up and moving away. The scene occurs on a rug in a room with minimal background furniture. The camera remains stationary throughout.


A person in a red and black checkered shirt holding an acoustic guitar moves around a wooden picnic table, adjusting their position while the seated individual in a dark green top eats watermelon from a plate. The guitarist turns their back to the camera and then approaches the table, while the seated person continues eating, occasionally leaning forward. The camera maintains a steady side-angle perspective throughout.

Two people are moving: one in a red checkered shirt walking with a guitar, and another at the table (who is adjusting posture).

The background (trees and grass) is static. There are no fluid or environmental motions (fire, water, smoke, wind) dominating the scene.


A shirtless man in light blue shorts enters the frame from the left, walking across a dimly lit living room past a couch and lamp, then proceeds toward the right, moving past a staircase with white railings. The camera tracks his motion as he walks through the space.

A person is moving by walking and climbing stairs. The motion is due to locomotion.

No shifting background or fluid/environmental motion observed. Background walls, stairs, and furniture remain static.


A pair of hands holds a small, dark and light-furred animal, moving it slightly; the hands then place the animal onto a light-colored surface, where the animal lies down. The camera remains close-up and shaky, following the hands and animal's movement.

Two human hands are manipulating the leg of a small animal (likely a puppy or kitten). The animal's leg moves discretely in response to manual manipulation, with clear physical interaction between the hands and the animal's limb.

The background consists of a static fabric surface (light blue/white material) with no shifting elements, fluid motion (water, smoke, fire), or wind-driven movement. No ambient environmental phenomena detected.


A person’s hand rotates a dark green watermelon with a light green stripe on a tiled floor, positioned next to blue jeans. The hand moves the watermelon, displaying its surface as it turns. The camera remains close, with slight adjustments to follow the watermelon’s movement.

A person's hands (discrete solid objects) are moving to cut and rotate a watermelon, demonstrating explicit physical forces (cutting, rotation) applied to the watermelon.

The background consists of static floor tiles and a person's legs; no shifting backgrounds or fluid/environmental motion (fire, water, wind) observed.


A person's hands fold a white sheet of paper on a light table, moving it across the surface and creasing it into a triangular form. Multiple white origami pieces, including triangular and pyramid-shaped structures, are positioned to the left and right of the paper. The camera maintains a static top-down view throughout the sequence.

Hands and paper are moving due to folding actions (explicit physical forces applied by hands causing paper deformation and displacement).

No shifting backgrounds or fluid/environmental motion; static white table surface with fixed origami structures.


RAW CAPTION: Okay, let's see. I need to generate a concise chronological paragraph for the video based on the provided frames. The user is an expert video captioner, so I have to follow all the rules they outlined.

First, the video starts with a black screen. Then there's a red screen with text "Assessing Tannin" but I need to exclude text recognition according to rule f. So I can't mention the text. Next, it cuts back to the person in the room. The person is wearing a gray t-shirt with a graphic on it. There's a wine rack with bottles in the background and a sign that says "WINE TASTING" but again, I shouldn't mention the text.

The person is holding a wine glass, maybe swirling it. They lift the glass up, look at it, and then bring it closer. The actions are sequential: first, the person is sitting, then holding the glass, then bringing it to their nose to smell. Then they might be talking while holding the glass.

Wait, the frames are [0.0], [1.4], [2.5], [3.6], [4.7]. The first frame is black, then red screen (text), then the person in the room, then the person holding the glass. The user wants the caption in chronological order, so starting from the black screen, then red screen (but exclude text), then the person appearing, then their actions.

Wait, rule a says focus on motion and behavior of main subjects. The main subject here is the person. So the caption should start with the person in the room. But the first frame is black, then red. However, the user's example output for the caption might skip the black and red screens if they aren't part of the main content. Wait, no, the video starts with a black screen (0.0), then red screen (1.4), then the person (3.6), then the person with glass (4.7). So the chronological order is: black screen, red screen (text excluded), person in room (gray shirt), holding wine glass.

But rule f says exclude text recognition. So the red screen's text is not mentioned. So the caption should describe the person's actions. The person is sitting in a room with a dark wall, wine rack to the right, sign on the wall. They're wearing a gray t-shirt with a graphic. They hold a wine glass, lift it up, examine it, then smell it.

Wait, the user's example in the problem statement shows the video starts with black, then red text, then the person. The caption should start from the person's actions. Let me check the rules again.

Rule a: Focus primarily on motion and behavior of main subjects in chronological order.

So the first thing after the initial black and red screens (which are not part of the main subject's actions) is the person appearing. The person is holding the glass. So the caption should start when the person is in the room.

The video starts at 0.0 with black screen. Then at 1.4, red screen (text excluded). Then at 3.6, the person is in the room (gray t-shirt, wine rack to the right, dark wall). Then at 4.7, the person is holding the wine glass, lifting it up to their nose.

So the chronological sequence of actions: The person is seated in a dark room with a wine rack visible to the right, wearing a gray t-shirt. They lift a wine glass, tilt it slightly to examine, then bring it close to their nose for smelling.

Wait, the frames: the person is holding the glass at 4.7, so the action is lifting the glass. Let's see the exact sequence.

In the provided frames: [0.0] black, [1.4] red screen (text), [2.5] red screen, [3.6] person sitting, [4.7] person holding glass. Wait, the user's description says:

<0.3 seconds> [black screen]

<1.4 seconds> [red screen with text]

<2.5 seconds> [red screen]

<3.6 seconds> [person sitting]

<4.7 seconds> [person holding glass]

Wait, maybe the red screen at 2.5 is another frame. So after the red screen (text), then the person appears at 3.6. Then at 4.7, the person is holding the glass.

So the caption should be:

A person in a gray t-shirt sits against a dark wall with a wine rack to the right, lifts a wine glass, and brings it close to their nose.

Wait, but need to mention the motion: they hold the glass, lift it up, then smell.

Also, the

The man's hand and wine glass exhibit discrete motion as he lifts the glass to his nose (smelling) and then to his mouth (tasting). The glass is a solid object moved by explicit physical action (hand locomotion).

The background (wine bottles, wall sign) remains static throughout the video with no shifting or environmental motion (fire, water, smoke, wind). The red title card segment is also static.


A small child in light-colored clothing holds a blue object while seated on the floor. An adult’s hand enters from the right, taking the blue object from the child. The child continues to adjust the item as the adult holds it. The background includes a Christmas tree and television, but these elements are minimal. The camera remains static with slight movement throughout.

Discrete solid objects: child's hands manipulating a blue object (likely a toy/kite), adult's hands adjusting the object; physical interaction between objects via human motion.

Background elements (TV, furniture, decor) show no uniform shifting; no fire, water, smoke, or wind present to dominate the scene.


A person's hands tie the laces of a blue sneaker with white laces on a red surface. The scene shifts to a top-down view of a tiled patio with reddish-brown tiles and blue-and-white decorative accents; a person wearing dark jeans and blue sneakers enters the frame, steps across the tiles, and exits the view. The camera remains stationary in a top-down perspective throughout.

A person (legs and feet visible) is walking across the tiled floor, stepping on the tiles.

The background (tiled floor and walls) is static with no shifting or environmental motion (e.g., no fire, water, smoke, wind).


A person in a dark shirt stands before a counter, extending their right arm to manipulate an object on the counter, then retracting their arm while holding a small item. The background includes cabinets and wall decorations, with the camera maintaining a handheld perspective showing slight motion.

A person (solid object) moves arms and hands to interact with objects on a counter; motion is deliberate and driven by physical actions (e.g., cutting, handling items).

Static kitchen background with shelves and counter; no shifting backgrounds or fluid/environmental motion (fire, water, smoke, wind) observed.


Two people in winter coats (one green, one gray) and dark hats stand on a frozen lake. The person in green bends down, placing a hand on the ice, then steps back. The person in gray adjusts a metallic pole with a yellow light, then bends to check the ice. A brown dog remains in the foreground, moving slightly. The distant shoreline with trees is visible. The camera is stationary.

Two individuals and a dog exhibit discrete movements: one person bends to handle equipment on the ice, then adjusts stance; the other person manipulates tools while standing. The dog remains mostly stationary but shifts position slightly.

The background consists of a frozen lake and distant shoreline with static trees; no fluid motion (water, fire, smoke) or wind-induced swaying is present. Ice surface remains stable with no environmental distortion.


A shirtless baby with short hair lies on a bed with white sheets and a blue blanket, wearing light blue shorts. An adult's hand with a ring rests on the bed to the baby's right, while a person with dark hair leans in from the left. The baby smiles and moves their arms, then the person on the left gently touches the baby's chest before the baby turns away, continuing to smile. The camera maintains a close-up perspective with slight shake, focusing on the interaction between the baby and the person.

A baby exhibits discrete movements (head turning, smiling), with a partially visible adult's hand; both subjects display physical locomotion (e.g., facial expressions, head movement).

Static bed sheets and blue background elements show no uniform shifting or fluid motion; no fire, water, smoke, or wind present.


In a brightly lit room, a shirtless man wrapped in a green towel leans over a counter with arms crossed. A woman in a black polka dot dress with long hair stands to his right; she reaches up to adjust an item on a shelf, then turns to place a pearl necklace around his neck, prompting the man to shift his gaze and expression. The camera remains stationary, capturing the interaction from a front-facing angle.

The woman's arm and scissors are moving toward the man's arm, indicating discrete physical interaction (scissors cutting)

Background elements (walls, door, decor) show no uniform shifting or fluid motion; no fire, water, or smoke present.


A person in dark pants and white shoes pushes a yellow-topped curling stone across the ice. The scene transitions to a gray curling stone with a red handle; a person in black pants steps on it and crouches, adjusting its position. The camera maintains a close-up view, shifting focus between the stones and the players' actions on the ice.

Curling stones (discrete, solid) move across the ice; players (discrete, solid) push stones and walk on the ice surface.

No shifting background elements; no fluid/environmental motion (e.g., fire, water, wind) observed in the ice rink setting.


A girl with curly hair, wearing a pink, black, and white floral dress, stands in a kitchen. She holds a utensil, brings it to her mouth, opens her mouth as if tasting, then closes her mouth while keeping the utensil in hand. She remains stationary throughout the sequence. The camera is fixed with minimal movement.

The woman is the primary discrete object, performing deliberate hand-to-mouth movements (eating/tasting) and head adjustments, indicating self-driven locomotion.

The background (wooden cabinets, microwave, stove) remains static throughout; no shifting backgrounds or environmental motion (fire, water, smoke, wind) is observed.


A hand adjusts a light brown, pretzel-shaped item on a baking tray, moving it among numerous similar twisted items. The tray fills the frame, with the hand positioned in the lower left area. The camera maintains a top-down perspective with slight movement.

A human hand manipulates a pretzel (discrete solid object) on a tray, causing visible positional changes via direct physical contact.

Background consists of a static tray surface with no shifting elements, fluids, fire, smoke, or wind; ambient motion is absent.


RAW CAPTION: Okay, let's tackle this captioning task. The user provided a video clip where a hand is shifting a manual car's gear stick. First, I need to focus on the main subject, which is the hand and the gear shift. The rules say to describe motion and behavior chronologically.

Looking at the video, the hand is moving the gear stick through different positions. The first frame shows the hand holding the gear stick in a neutral position. Then, the hand moves it, probably shifting gears. The gear stick has H-pattern markings, so it's a manual transmission.

I need to mention the appearance: the hand is light-skinned, the gear stick is black with white markings. The camera angle is from inside the car, maybe the driver's perspective. The background is the car's interior, but minimal details are needed. The camera seems to be handheld, moving slightly as the hand shifts.

Wait, the user said to avoid text recognition and named characters. So I shouldn't mention anything like "H" on the gear stick if it's part of the symbol, but since the H is part of the gear pattern, maybe it's okay as part of the description. Wait, the rules say exclude text recognition. Hmm, but the H is a symbol on the gear stick. Maybe just describe it as a gear shift with numbered positions? Wait, the example shows "H" as part of the gear stick. Wait, no, the user's example in the problem statement says "H" but the rules say to exclude text recognition. Wait, the rules under f) say exclude text recognition. So maybe not mention the letters, but the gear shift pattern is H-shaped, so maybe describe it as a manual transmission gear shift with a pattern. But the user might expect mentioning the H if it's visible. Wait, the problem says "Exclude text recognition, named characters, or stylistic analysis." So if the H is a part of the gear stick's pattern, which is part of the object's appearance, then it's allowed. Wait, the example in the problem statement's sample video shows a gear stick with H, but the rules say not to include text recognition. So maybe I should describe it as a manual gear shift with a H-shaped pattern, but since H is a symbol, maybe not. Wait, maybe it's just a standard H pattern, so perhaps refer to it as a manual transmission gear shift with an H pattern. But the user's rule says to exclude text recognition. Hmm, tricky. Maybe just say "manual transmission gear stick with visible gear pattern".

The camera perspective is from inside the car, looking down at the gear stick. The movement is the hand shifting gears, the camera might be handheld, slightly shaky. The background is the car's interior, but minimal. The main subject is the hand shifting the gear.

So the chronological order: hand holding gear stick, then moving it through different gears (maybe up and down). The hand is moving the stick from position to position, possibly shifting gears in the car.

Now, the caption should be concise. Let me structure it: A hand shifts a manual transmission gear stick inside a car, moving it through various positions. The hand is light-skinned, the gear stick is black with a visible H-pattern. The camera is positioned from the driver's perspective, slightly shaky, capturing the motion of the gear shift within the car's interior.

Wait, but the rules say to mention spatial relationships if relevant. The hand is in front of the gear stick? No, the hand is holding the gear stick, so it's the main focus. The gear stick is in the center of the car's console.

Wait, the user example in the problem statement has a caption like "A hand shifts a manual gear stick inside a car. The gear stick is black with white markings. The hand moves it through various positions while the camera remains steady from a top-down perspective." But the actual video might have movement.

In the video provided, the frames show the hand moving the gear stick in different directions, with the camera following the motion. The camera perspective is from inside the car, maybe the driver's seat, looking down at the gear stick.

Also, the rules say to exclude text recognition, so maybe the H on the gear stick is part of the gear pattern, but since it's a symbol, perhaps not mention the letters. Wait, the problem statement's video shows the gear stick with H, but the user's rules say to exclude text recognition. Hmm, maybe it's safer to describe it as a gear shift with a pattern, without specifying the letters. So "manual transmission gear stick with a visible shift pattern".

Wait, maybe the H is part of the gear pattern, like H-shape, so maybe it's okay to mention the shape. So "black gear stick with an H-shaped shift pattern".

But the rules say exclude text recognition. The H is part

A hand (solid object) is manipulating a gear shift knob (solid object) within the car. The hand moves the gear shift through discrete positions (e.g., forward/backward), indicating intentional locomotion.

The car interior (dashboard, seats) shows no significant shifting or fluid motion. No fire, water, or smoke present. Background elements remain stable throughout.


A black and tan German Shepherd puppy sits on a concrete sidewalk, facing a person in blue jeans and white sneakers who stands to the right. The dog stands, steps forward toward the person, then sits; the person gestures with their right hand, and the dog lies down. The background includes grass and a brick building. The camera remains stationary throughout.

A dog exhibits locomotion (sitting, walking, lying down) and interaction with a stationary person; the dog's movement is physical and distinct.

The background elements (wall, grass) show no uniform shifting or fluid motion; no fire, water, or wind is visible.


Hands adjust a pink oval frame with three yellow flowers (each featuring pink centers and white dots) on a pink card. They position the frame, then zoom in to reveal the floral details. The camera maintains a top-down close-up, slightly shifting to focus on the design elements.

Hands are manipulating a card with flower-shaped stickers, moving the card and adjusting the stickers' positions through direct physical interaction.

The background elements (patterned paper, green cutting mat) remain static with no uniform shifting or fluid motion. No fire, water, or smoke is present.


A person wearing a blue long-sleeve shirt, white pants, blue socks, and a dark cap swings a baseball bat at a tire mounted on a stand. The bat makes contact with the tire, causing it to move slightly. The person then stops swinging, adjusts their cap, and stands still. The camera remains stationary, capturing the action from a fixed angle with green netting visible in the background.

A person is swinging a bat; the bat is moving due to the person's action. The tire is stationary.

No shifting background elements; no fluid or environmental motion (fire, water, smoke, wind) observed.


A skier in a purple jacket, red pants, and helmet uses ski poles to ski downhill on a snow-covered slope, turning left while maintaining a steady pace. Snow-covered trees line the left side of the slope, and the camera follows closely behind in a smooth tracking shot.

A skier in purple and red attire moves across the snowy slope, exhibiting distinct locomotion via skiing motion.

The background (snow-covered trees, mountains) shows no uniform shifting or fluid/environmental motion (fire, water, smoke, wind). Static elements like trees and terrain remain stable.


A person with dark hair and light-colored clothing claps their hands rhythmically in front of a plain beige wall, raising and lowering their hands multiple times; the camera, held in a first-person perspective with slight movement, captures the actions.

A person is making distinct arm movements, which are solid, discrete object motions driven by their own locomotion.

The background consists of a static plain wall with no visible shifting or fluid/environmental motion (e.g., no fire, water, smoke, or wind).


RAW CAPTION: Got it, let's break this down. The video starts with a close-up of a smartphone screen showing app icons. A finger taps on an app, which transitions to a login screen. Then the screen changes to another app, and a finger interacts with it. Need to capture the sequence: finger taps on app, screen changes, then another interaction. Focus on motion: finger movement, screen transitions. Avoid text recognition, so don't mention app names. Mention the smartphone, the finger (color? maybe not necessary, but "a finger" is fine). Spatial: finger is interacting with the phone. Camera is close-up, maybe slight movement but in the video, it's a close-up view. Let's structure chronologically: initial view of phone screen, finger tapping an app, screen changes to login, then finger on the login screen, then another app screen. Wait, the video clips: [0] shows phone with icons, finger taps (from [1] the screen shows app opening), [2] shows the app interface, [3] switches back to icons, [4] shows another app screen. Wait the frames: [0] is phone screen with apps, finger appears and taps. Then [1-2] the phone screen changes to an app interface (Sey Hi?), then [3] the phone screen goes back to icons, then [4-5] another app. So the motion: finger taps on the phone screen (first tap), screen transitions to an app interface (with buttons), then the screen changes again (maybe back to home screen), then the finger taps another app. Wait, let's look at the frames:

0. Phone screen showing multiple app icons (e.g., "Sey Hi", "Hello", etc.), finger is about to tap.

1. After tap, the phone screen shows a different app interface (maybe login screen), but the finger is still there.

2. The screen shows the app interface with a "Log in" button.

3. Then the finger taps another icon, and the screen changes to a different app (with "Sey Hi" text maybe? Wait no, the fourth frame is "Sey Hi" screen with logo, then finger tapping login button.

Wait the sequence:

- Frame 0: Phone screen (home screen) with app icons, finger is visible on the right, about to tap.

- Frame 1: After tap, phone screen shows an app interface (possibly a login screen with "Hello" and "Log in").

- Frame 2: Screen shows the app interface, finger is on the screen.

- Frame 3: Screen transitions back to home screen (app icons), finger is still there.

- Frame 4: The phone screen shows a different app ("Sey Hi" with logo), finger is tapping the "Log in" button.

Wait the frames are:

[0] shows phone with app icons, finger approaching.

[1] shows phone screen changing (maybe tapping the app opens it).

[2] shows phone screen with a blue background and some UI elements.

[3] shows phone screen with a different set of app icons (same as [0] maybe), finger is on the screen.

[4] shows phone screen with "Sey Hi" app interface, finger tapping.

Wait the key points: finger interacting with the phone, tapping to open apps, screen transitions between home screen and app interfaces.

So the caption should be:

A hand interacts with a smartphone, tapping an app icon on the home screen, causing the screen to transition to an app interface. The screen then shifts back to the home screen, where the hand continues to tap, opening another app. The camera remains in a close-up perspective, focusing on the phone and hand movements throughout.

Check rules: no text recognition (so don't mention app names like "Sey Hi"), just motion. Mention finger (a finger), smartphone. Chronological: first tap, screen change, then another tap.

Wait the video shows:

Start: phone screen with apps, finger (right side, moving to tap).

After tap: phone screen shows app interface (no text, just UI elements).

Then phone screen shows home screen again (maybe a swipe back?), then another tap on an app.

So the steps:

- The phone displays its home screen with various app icons. A finger approaches from the right and taps one of the icons, causing the screen to transition to a different interface. The screen then reverts to the home screen, and the finger taps another icon, opening another application. The camera maintains a close-up view, focusing on the phone's display and the finger's movements, with minimal background detail.

But need to be concise. Let's see:

A finger taps on an app icon on a smartphone's home screen, transitioning the display to an application interface. The screen then returns to the home screen, where the finger taps another icon

The hand (a solid, distinct object) is moving to interact with the smartphone screen, tapping on icons and launching an app.

The background (wall) is static and not shifting. No fire, water, or smoke is present. Ambient environmental motion is absent.


RAW CAPTION: Got it, let's tackle this. First, the video shows a person rolling out dough. Let's check the frames. The first frame has a rolling pin on the dough. Then the person uses their hands to adjust the dough, maybe after rolling. Wait, the sequence: start with hands near rolling pin, then maybe spreading the dough. Wait, the video is a short clip. Let's list the actions.

Frame 0: hands holding rolling pin over dough on a wooden board. Then frame 1: rolling the pin, spreading the dough. Frame 2: dough is flat, hands patting. Frame 3: hands pressing corners. Frame 4: rolling again. Frame 5: folding the dough. Wait, the frames are 0 to 5.0, so let's see.

The main subject is a person (hands visible) working with dough. The dough is light-colored, on a wooden board. The actions: rolling out the dough, adjusting edges, maybe folding. Let's check the order.

First, the person uses a rolling pin to flatten the dough (frame 0 to 2). Then, hands smooth the edges (frame 2-3). Then, possibly folding or rolling again. Wait, the description says "chronological paragraph". So the sequence is: the person rolls the dough with a rolling pin, then adjusts the dough's edges, then folds or presses it.

Appearance: dough is light beige, rolling pin is cylindrical, wooden board is light brown.

Spatial: dough on wooden board, rolling pin is used on top of dough.

Background: minimal, just the board and maybe a container in the top left (small metal container). But per rule f, background descriptions minimal unless essential. So maybe just note the board.

Camera: top-down view, no movement mentioned. The video is a top-down shot, fixed camera.

Let's structure the caption:

A person's hands use a rolling pin to flatten a light-colored dough on a wooden board, then adjust the dough's edges by pressing and smoothing, followed by folding the dough. The scene is viewed from a top-down perspective with no camera movement.

Wait, check the frames. Frame 0: hands hold rolling pin over dough. Frame 1: rolling pin is rolling, dough spreads. Frame 2: dough is flat, hands patting. Frame 3: hands press corners. Frame 4: hands roll again (or fold). Frame 5: dough is folded. Wait, the video starts with dough rolled partially, then person rolls it out further, adjusts, folds.

Wait, the instructions: "concise, chronological paragraph".

So steps:

1. Person rolls dough with rolling pin on wooden board.

2. Adjusts dough edges by pressing.

3. Folds dough.

Now, appearance: person is wearing white clothing (visible from waist down), hands are working. Dough is light beige, rolled out.

Spatial: dough is centered on the board, rolling pin is used on the dough.

Background: the wooden board is on a counter, a small metal container is in the top left (but minimal).

Camera: top-down, fixed.

So the caption should be:

A person's hands roll a light-colored dough on a wooden board using a rolling pin, then smooth and adjust the dough's edges, followed by folding it. The scene is filmed from a top-down perspective with no camera movement.

Check rules: chronological order, motions, appearance (light-colored dough, rolling pin), spatial (dough on board), camera (top-down). Background minimal, so only mention if essential. The small container is in the background but maybe not essential. Since it's minimal, maybe omit. Wait, rule e: "minimal unless essential for understanding motion". The container isn't relevant to the motion, so can be omitted.

Let's rephrase:

A person's hands use a rolling pin to flatten a light-colored dough on a wooden board, then press and smooth the dough's edges before folding it. The camera maintains a top-down view with no movement.

Check if "folding it" is correct. The last frame shows the dough folded. Yes.

Another way:

The person rolls a light-colored dough with a rolling pin on a wooden board, adjusts the edges by pressing, and then folds the dough. The scene is captured from a top-down perspective with no camera movement.

Yes, that's concise. Let's check the required elements:

- Motion/behavior: rolling, adjusting edges, folding (chronological)

- Appearance: light-colored dough, rolling pin, wooden board (but board is the surface, not appearance of the subject. Wait, the main subject is the hands and dough. The dough's color is important.

- Spatial: dough is on board.

- Camera: top-down, no movement.

Yes. So the caption should be:

A person's hands roll a light-colored dough on a wooden

Discrete objects: hands (person) manipulating dough and a rolling pin. The hands apply physical forces to roll, cut, and fold the dough, with the rolling pin moving linearly across the board.

Background elements (wooden cutting board, countertop, container) are static with no uniform shifting or fluid motion (fire, water, wind, smoke). No ambient environmental phenomena detected.


A child’s hands, wearing a light green shirt and a thin bracelet, manipulate a white book on a dark wooden table; the right hand flips a page while the left hand holds the book steady, with fingers moving across the pages. The book lies flat on the table, positioned slightly to the left of the frame. The camera maintains a top-down perspective with slight movement and shake throughout the sequence.

Two hands manipulate a paper sheet through explicit folding actions, showing discrete object-to-object interaction (hands applying force to paper).

Background (wooden table) remains static throughout. No ambient environmental motion (fire, water, smoke, or wind) detected.


A person in a white and green soccer jersey with black shorts bends over a soccer ball on a grassy field. They stand upright, then kick the ball forward with their right foot. The camera remains stationary with slight handheld movement, capturing the action from a medium distance as the person moves slightly to the right.

A person (discrete object) executes a kicking motion, propelling a soccer ball (discrete object) forward across the field. The ball's trajectory is a clear result of physical force application.

Static background elements (grass, dirt path, buildings) show no uniform shifting or environmental fluid motion (fire, water, smoke, wind).


A person wearing a yellow shirt and green gloves uses a power tool on a wooden frame with metal bars, then shifts to a close-up of hands operating a yellow and black jigsaw to cut a wooden piece adjacent to metal components. The person’s wrist features a watch, and the background shows a dark work surface with scattered debris. The camera perspective transitions from a top-down view to a close-up of the cutting motion.

A hand holding a power tool (jigsaw) moves in a controlled linear motion to cut a metal piece. The hand and tool are discrete solid objects exhibiting physical interaction with the material.

The background (metal structure and workbench) is static with no shifting or uniform movement. No fire, water, smoke, or wind-driven motion is visible.


A wooden spoon stirs a pan of diced white chicken pieces mixed with red bell peppers, green bell peppers, and orange carrots, moving them in circular motions to combine evenly. The camera maintains a top-down perspective, focusing on the pan's contents.

A wooden spoon is actively stirring solid, distinct objects (chopped chicken, vegetables) within the pan, demonstrating clear physical interaction.

The background (stovetop and pan surface) is static with no shifting elements or fluid/environmental motion (e.g., fire, smoke, flowing water).


A grassy field is initially shown, then a person in a blue shirt and orange shorts runs toward a red ball across the grass. The scene shifts to another individual in a pink and yellow patterned top and pink shorts, holding a hockey stick, standing to the left of the field and facing the direction of the runner. The background includes a fence and distant vehicles, with the camera maintaining a stable perspective while focusing on the movement of the subjects.

A girl (hitting a ball with a bat) and a distant person move; the ball exhibits clear projectile motion after being struck by the bat.

Background elements (fence, ground, distant structures) remain stable with no uniform shifting; minimal grass sway is not dominant ambient motion.


A woman with blonde hair and a light gray shirt holds a white object near her mouth, then moves her left hand with pink nail polish forward to display a pink item in the foreground. The white object remains in her right hand as she shifts focus to the pink item, keeping the background elements (a circular wall art and framed photos) visible but secondary. The camera maintains a steady close-up perspective throughout.

The woman is holding and manipulating a lip balm tube, moving it in front of the camera.

The background (mandala tapestry and framed pictures) is static; no fluid motion (fire, water, smoke) or wind effects observed.


Two men sit in a church interior; the left man, in dark clothing, holds a stringed instrument, while the right man, wearing maroon, plays a lute. The left man turns his head toward the right man, who continues playing. A person enters the background from the right. The camera remains stationary throughout.

Two seated individuals are moving their hands (playing instruments) with subtle body shifts; their motion is distinct and attributable to explicit physical actions (instrument playing).

The background features static architectural elements (altar, walls) with no uniform shifting or fluid/environmental motion (fire, water, smoke, wind).


An athlete in dark athletic wear with a yellow accent holds a green pole, raising it above their head before vaulting over a blue bar. Several individuals in the background sit or stand on the track, observing the action. The camera maintains a static side perspective.

A pole vaulter is moving via explicit physical locomotion (running and vaulting), with other individuals in the background remaining static.

Background elements (seated individuals, ground markings) remain stationary; no fluid/environmental motion (fire, water, smoke, wind) is present.


Two riders on horses (one on a white horse, one on a brown horse) enter a dirt arena, approach a black goat, and chase it as it runs across the enclosure. The riders follow closely behind, with the camera panning left to track their movement.

Two riders on horses and a black cow move across the arena; motion driven by horseback riding and cow movement, with riders pursuing the cow.

No shifting background elements (fences, terrain remain stable), no fluid/environmental motion (fire, water, smoke, wind) observed.


Two men in blue uniforms and white gloves interact near a blue dumpster; one wears a dark cap, the other a beige hat. Initially facing each other, they turn toward the dumpster, with the cap-wearer leaning into its opening, followed by the hat-wearer also leaning in to assist. The dumpster features a yellow caution label, and the background includes a beige wall. The camera remains steady with minimal movement throughout.

Two men in blue uniforms/gloves move a mechanical object (metallic component) into a blue container; their hands and the object exhibit discrete, manual motion with clear physical interaction.

Background elements (vertical bars, building wall) remain static throughout; no fluid/environmental motion (fire, water, smoke, wind) observed.


RAW CAPTION: Okay, let's see. The user wants me to generate a caption for this video based on the given rules. First, I need to parse the video frames provided.

The video starts with a group of cheerleaders on stage. The stage is red, and there's a starry backdrop. They're all in coordinated outfits, probably red and white, doing a synchronized routine. The first frame shows them in various poses, maybe some jumping or dancing. The second frame seems like they're mid-performance, maybe some are lifting others or doing stunts. Then the scene cuts to a red screen with text, but the rules say to exclude text recognition, so I shouldn't mention "THE RED HOT FLAMES" part.

Wait, the rules say to exclude text recognition. So even though the video has text, I shouldn't include it in the caption. The user's example output didn't include the text, so I need to stick to the actions.

Next part: the video shows the cheerleaders performing energetically. They're moving in sync, maybe some are in the center being lifted, others around them. The background is a dark backdrop with stars, which is minimal according to the rules. The audience is visible in the foreground, taking photos. Then the video transitions to the red screen with text, but again, ignore that text.

The main subjects are the cheerleaders. Need to describe their appearance: probably uniform color (red and white?), number (several, maybe 15-20?), movements (dancing, stunts, jumps). Spatial relationships: some in the center, others around, maybe some in front of the backdrop. Camera perspective: starts with a wide shot of the stage, then maybe a slight pan or zoom? Wait, the user said "camera perspective and movement". The first part is a stage performance, so the camera is probably capturing the whole stage. The transition to the red screen might be a cut, but maybe the camera is static.

Wait, the rules say to conclude with camera perspective and movement. So after describing the action, mention what the camera was doing. The first few seconds show the cheerleaders, then a quick transition to the red screen with text. But since we exclude text, focus on the performance part.

Let me check the example output again. The example is "A large group of cheerleaders in red and white uniforms performs synchronized stunts on a red stage. They execute jumps, lifts, and coordinated formations, with some members positioned centrally while others move around them. The camera remains stationary, capturing the performance from a frontal perspective." So following that structure.

So the caption should be chronological: start with the group performing, describe their actions, then the camera movement.

Wait, the video starts with the cheerleaders, then transitions to the red screen. But according to the rules, exclude text recognition, so the transition might not be part of the caption. The user says "Focus primarily on the motion and behavior of main subjects in chronological order."

So the main part is the cheerleaders' performance. The text part is the end, but since it's text, exclude it. So the caption should be about the cheerleaders dancing.

Wait, the user provided the video frames as [0.0], [1.0], [2.0], etc. The first frame shows the cheerleaders on stage, then the next frames show them performing, then the transition to text. But the task is to describe the video up to the text part? Or just the performance part.

The rules say to exclude text recognition, so the caption should not mention the text. So the main content is the cheerleaders performing.

So, the caption should start with the cheerleaders on the stage, their movements, number, appearance, spatial relationships, then camera perspective.

Let's break it down:

- Main subjects: cheerleaders, multiple (say 15-20), wearing red and white uniforms.

- Actions: synchronized stunts, jumps, lifts, formations.

- Spatial: some in center, others around, moving dynamically.

- Background: red stage, starry backdrop, but minimal.

- Camera: frontal view, maybe steady or slight zoom.

The user's example says "camera remains stationary, capturing the performance from a frontal perspective."

Wait, in the first frame, the audience is visible, so maybe the camera is at a distance, capturing the whole stage. The performance is dynamic, so the camera might pan or zoom slightly, but if it's stationary, then stick to that.

Also, need to mention the number: "a large group" or "multiple cheerleaders."

Avoid specific numbers unless known. The video says "a large group" in the example.

So the caption would be: A large group of cheerleaders in red and white uniforms performs synchronized stunts on a red stage. They execute jumps, lifts, and coordinated formations, with some members positioned centrally while

Dancers (people) perform synchronized movements on stage, indicating distinct solid objects moving due to locomotion.

The stage and backdrop remain static throughout the performance segment, with no significant fluid or environmental motion (e.g., fire, water, wind).


A hand holds a small rectangular remote with blue circular buttons and a red button, moving it toward a television screen. The TV displays changing content, including a menu and a crowd scene. The remote remains pointed at the screen as the hand adjusts its position. The camera maintains a close-up perspective with slight movement to follow the remote's motion.

A hand moves a remote control towards and away from the television, pressing buttons. The remote is a discrete object manipulated by physical locomotion, and the TV screen displays changing video content.

The background wall is static and unchanging, showing no fluid or environmental motion. The TV screen content changes due to video playback, but this is not ambient environmental motion (fire, water, wind).


A pair of hands holds a white oval plate with brown decorative patterns, using tweezers to adjust small elements on the design. The hands rotate the plate slightly while manipulating the details, with a golden Buddha statue and additional decorative plates visible in the background. The camera maintains a top-down perspective with minimal movement, focusing on the hands and plate.

A hand manipulates a white plate, rotating and tilting it to display a design; the plate is a discrete solid object moved by explicit physical forces (hand motion).

Background elements (golden Buddha statue, blue wall, table) are stationary and consistent throughout; no fluid/environmental motion (fire, water, smoke, wind) is present.


A climber in a dark shirt ascends a blue wall with a beach-themed mural using a yellow ladder structure, moving step by step upward. Four spectators stand in front: two women (one in a black tank top and plaid skirt, the other with a backpack), a girl in a gray tank top, and a man in a black shirt holding a plush toy. The spectators remain stationary while observing the climber, with the camera maintaining a steady, medium shot perspective.

Discrete solid objects include people (e.g., the child in the gray shirt walking toward the wall, individuals with backpacks, and a person holding balloons) exhibiting locomotion and minor positional changes due to physical movement.

The background mural and walls show no uniform shifting or environmental fluid motion (e.g., water, smoke); static structures like the ladder and decorative elements remain consistent across frames.


RAW CAPTION: Got it, let's break this down. The task is to create a concise chronological paragraph for the video. First, identify the main subjects: two women. They're arranging flowers. Let's check the frames.

In the first frame, two women are in a kitchen-like setting. One in a black vest over white shirt, the other in brown sweater. They're working with flowers. Then the camera zooms in on their hands arranging a floral arrangement with pink roses and silvery leaves. The woman in brown is placing a flower, the other is holding something. Then the camera shows the arrangement on a table, with the woman in black vest moving her hand near a bowl of green leaves. The background has a clock and window, but minimal.

Chronological order: First, both women are seen, then close-up on hands arranging flowers, then the arrangement is shown with the woman in black vest handling leaves. Need to mention their appearance briefly: two women, one in black vest/white shirt, other in brown sweater. Their actions: arranging flowers, placing petals, handling leaves.

Spatial relationships: woman in brown is arranging flowers in a vase, woman in black vest is working nearby. Camera moves from wide shot to close-up on hands, then to the arrangement. Background minimal, so focus on motion.

Need to follow rules: focus on motion, chronological order, appearance (color, size), spatial, camera perspective.

Let's structure:

Two women, one in a black vest over white shirt and the other in a brown sweater, arrange flowers in a kitchen setting. The woman in brown carefully places a pink rose into a glass vase with silvery leaves and green stems, while the other woman gestures toward a bowl of green leaves. The camera zooms in on their hands working together, showing the floral arrangement on a wooden table with additional greenery. The scene concludes with a close-up of the completed bouquet, captured from a top-down angle that shifts to focus on the hands and flowers.

Wait, need to check exact actions. In frame 0: two women sitting, then frame 1: they're arranging. Frame 2: close-up on hands arranging the vase. Frame 3: hands placing flowers. Frame 4: the woman in black vest is holding a bowl of leaves, the other is arranging.

So chronological:

First, two women sit at a table; one in black vest/white shirt, the other in brown sweater. They interact with flowers. The camera focuses on their hands as they arrange a floral bouquet with pink roses, silvery leaves, and green stems in a glass vase. One woman adjusts the flowers while the other handles a bowl of green leaves. The camera shifts to a close-up of the arrangement on the wooden table, showing the completed bouquet with detailed floral elements.

Wait, the instruction says "chronological paragraph describing the provided video." So need to list the sequence of actions.

Let me outline:

1. Initial shot: Two women at a table, one in black vest/white shirt, the other in brown sweater, interacting with floral items.
2. Camera zooms to show hands arranging flowers in a vase (pink roses, silvery leaves).
3. One woman places a flower, the other gestures towards a bowl of green leaves.
4. Close-up of the arrangement, showing the bouquet with flowers and leaves.

Now, write concisely:

Two women, one wearing a black vest over a white shirt and the other in a brown sweater, sit at a table arranging a floral bouquet. The woman in brown adjusts pink roses and silvery leaves in a glass vase while the other gestures toward a bowl of green leaves. The camera zooms in on their hands, focusing on the detailed placement of flowers and foliage, then shifts to a close-up of the completed arrangement on a wooden table.

Check rules: focus on motion (arranging, placing, gesturing), chronological order, appearance (color of clothes), spatial (at table, hands near vase, bowl), camera perspective (zoom in, close-up). Exclude text recognition (the time, days, etc., since rule f says exclude text recognition). So don't mention the time stamps.

Yes, so the caption should not include the text elements like RIGHT NOW: 11, etc.

So final draft:

Two women, one in a black vest over a white shirt and the other in a brown sweater, arrange flowers at a table. The woman in brown places pink roses and silvery leaves into a glass vase while the other gestures toward a bowl of green leaves. The camera zooms in on their hands working together, then focuses on the completed floral arrangement with detailed greenery and blooms.
</think>

<caption_output>Two women, one wearing a black vest over a white shirt and the other in a brown sweater, arrange flowers at a table. The woman in brown places pink roses and silvery leaves into a glass vase while the other gestures toward

Discrete solid objects moving: the hands of both women actively adjusting and repositioning flowers and leaves within the vase. The flowers themselves shift due to manual manipulation, with no independent fluid motion.

Background elements (wall, window, furniture) show no uniform shifting or fluid motion. No fire, water, smoke, or wind effects observed; environment is static and controlled indoors.


A young boy wearing an orange polo shirt sits in a car seat, holding a yellow chip bag in his left hand and bringing a chip to his mouth with his right hand. He takes a bite, then looks up. To his left is a dark-colored garment with a blue strap, and a blue sippy cup rests near his lap. The camera remains stationary, capturing the scene from a close angle focused on the boy.

Child in orange shirt performs discrete hand-to-mouth movements while eating from a chip bag. No other solid objects exhibit motion.

Background shows static car interior elements (seat, dark fabric) with no shifting or fluid motion. No fire, water, smoke, or wind detected.


RAW CAPTION: Got it, let's break this down. The video starts with a woman facing away, then turns to face another woman. The main subjects are two women. First, the first woman (with brown hair, longer, maybe in front) approaches the second woman (blonde, shorter hair). The first woman gestures with her hand, palm up, then moves it towards the second woman's face. The second woman covers her face with one hand, then moves her hand. The background is a wooden wall, but minimal. Camera seems to stay static, maybe slight zoom? Let's check the frames: first frame shows both, then close-up. Wait, the description says "chronological paragraph." So order: first woman turns, gestures, second woman covers face, then interacts. Need to mention appearance: first woman has long brown hair, second has long blonde hair. They're facing each other. Spatial: first woman to the left of the second? Wait, frame 0: back to camera, then frame 1: turns to face the other woman. So they're in front of the wooden background. Camera: starts with a medium shot, then maybe a close-up. But rule f: exclude text, so not relevant. Let's structure: Two women, one with long brown hair and one with long blonde hair, interact. The brown-haired woman turns to face the blonde woman, gestures with her right hand (palm up) toward the blonde woman, who then covers her face with her right hand, then moves it. Background is a wooden wall. Camera remains static, with a slight zoom toward the women. Wait, but need to keep it concise. Let's check rules: a) motion chronologically. b) appearance (color, size, orientation). c) spatial relationships. d) camera perspective. e) minimal background. So: A woman with long brown hair faces another woman with long blonde hair; the brown-haired woman gestures with her open right hand toward the blonde woman, who then raises her right hand to cover her face while looking up. The two are positioned side by side against a wooden backdrop. The camera maintains a close-up view, focusing on their interaction. Wait, but frame 0: first woman with back to camera, then frame 1: she turns to face the other. So maybe: The woman with long brown hair turns to face the woman with long blonde hair, extending her open right hand toward the latter. The blonde woman then raises her right hand to cover her face while maintaining eye contact. They are positioned adjacent to each other against a wooden wall. The camera stays close, capturing their gestures without significant movement. Yes, that's better. Check if it's concise, chronological. Let's make sure to not include any text or named characters. So the caption should be: Two women, one with long brown hair and one with long blonde hair, interact closely. The brown-haired woman turns to face the blonde woman, gesturing with her open right hand toward her. The blonde woman then raises her right hand to cover her face, looking upward. They are positioned side by side against a wooden backdrop. The camera remains in a close-up view throughout, focusing on their interaction. Wait, but need to be concise. Let's trim: A woman with long brown hair faces a woman with long blonde hair; the brown-haired woman gestures with her right hand toward the blonde woman, who then covers her face with her right hand. They stand side by side against a wooden wall. The camera stays close, capturing their gestures. But the first frame shows the brown-haired woman with her back to the camera, then she turns to face the other. So the chronology: 0: brown-haired woman's back is to camera, blonde woman faces her. 1: brown-haired woman turns to face blonde woman, gesturing. 2-5: interaction with the hand cover. So: The woman with long brown hair turns to face the woman with long blonde hair, extending her right hand toward her. The blonde woman then raises her right hand to cover her face while looking up. They are positioned adjacent against a wooden backdrop. The camera remains close, focusing on their interaction with minimal movement. Yes, that's good. Now check all rules: a) motion chronological: turn, gesture, cover face. b) appearance: brown hair, blonde hair, right hand. c) spatial: adjacent, facing each other. d) camera: close-up, minimal movement. e) background minimal (wooden backdrop mentioned once). f) no text, no named characters. So final caption:

<caption_output>A woman with long brown hair turns to face a woman with long blonde hair, gesturing with her open right hand toward her. The blonde woman then raises her right hand to cover her face, looking upward. They stand adjacent against a wooden backdrop as the camera maintains a close-up view throughout.</caption_output

Two women; one is applying product to the other's face. Hand movements are discrete and trackable.

Background is static wall with no shifting. No environmental elements (fire, water, smoke, wind).


A field hockey player in a black and green jersey, orange shorts, and black gear dribbles a white ball with a hockey stick on a green field. The player runs forward, maintaining control of the ball, then approaches a goal with a goalkeeper in red and blue attire. The player shoots the ball toward the goal, while the goalkeeper extends to block. The camera tracks the player's movement across the field, remaining focused on the action.

Hockey player (green/orange) dribbling and striking the ball; blue player (goalkeeper) moving to defend; ball in motion towards goal.

Background (field, goalpost) is stable with no uniform shifting; no fire, water, or smoke observed. Only minor motion blur due to movement of the subject.


A man in a white shirt and dark pants walks left across a sandy beach, bends down to pick up a white frisbee. Two women, one in a red dress, walk behind him. Camera follows his movement with a slight pan left. Background features stone walls and buildings.

A person running on the beach (discrete, solid object) moving due to locomotion; no other distinct moving objects detected.

No shifting backgrounds (buildings and ground remain static across frames); no fluid/environmental motion (e.g., fire, water, wind) observed.


A person with long blonde hair and a brown shirt holds a pink shoe with light blue shoelaces, manipulating the laces by pulling them apart and adjusting the loops around the shoe's opening. The person moves the shoe slightly while focusing on the lacing area, with their hands positioned in front of the body. Background elements include a wall with photos and a clothes rack. Camera remains stationary, capturing the scene from a front perspective.

The person's hands and the pink object (likely a small device) show discrete movement as they manipulate the string and the object.

The background includes static elements (wall with photos, closet) that do not shift uniformly; no fire, water, smoke, or wind motion is present.


A woman stands outdoors on a paved area, holding a microphone with both hands, wearing a gray cardigan over a purple top. The scene transitions to a male dancer in a red sleeveless top and dark pants performing ballet movements on a stage with a dark backdrop; he executes dynamic poses including high kicks and arm extensions. The camera remains stationary, capturing both subjects from a frontal perspective throughout.

The dancer (in red top) performs ballet movements with clear locomotion and physical forces; the reporter is stationary.

Static backgrounds in both outdoor and stage scenes; no fluid or environmental motion (e.g., fire, water, wind) observed.


A bald man wearing glasses and a white shirt sits at a desk, facing a television on a stand; he gestures with his hands while speaking, with the desk holding a telephone, keyboard, and cables. The camera remains steady, capturing him from a rear perspective.

The person (a solid discrete object) is turning their head and manipulating a small object (possibly a toy or tool) with their hands, indicating locomotion and object manipulation.

The background (office wall, computer monitor, telephone, desk) is static and does not shift. There are no fluid/environmental motions (fire, water, wind, smoke) present.


A hand manipulates a brass tool against a wooden box’s deadbolt lock. The scene splits, showing the hand holding the tool on the left and a person in a store on the right. The hand uses the tool to bump the lock while the person stands in the background. The tool is then withdrawn from the lock. Camera maintains close-up shots with a split-screen transition.

Hands (both left and right panes) manipulating a key and a tool (screwdriver) on the key. The key is moved by the hand in the left pane, and the person in the right pane is holding and turning the key.

The background in both panes is static (workshop setting in right pane, close-up without background in left pane). No fluid motion or wind effects are present.


A group of approximately 10–15 women, wearing workout attire in black, pink, and white tops with shorts, perform synchronized arm and leg movements in a brightly lit indoor space. They begin by raising arms overhead while stepping rhythmically, then continue with coordinated motions, maintaining a loose formation. The women are positioned in front of a white wall with large windows, with blue and red exercise mats on the floor holding shoes and a water bottle. The camera remains stationary, capturing the scene from a frontal perspective with no movement.

The group of people (dancers) are moving in a synchronized dance routine, which is due to their own locomotion.

The background (walls, floor, and fixed objects) is stable with no shifting, and there is no fluid/environmental motion (fire, water, smoke, wind).


A barefoot child wearing a white shirt, maroon pants, and a dark hat holds a white stick and moves from the right side of the room toward the television, eventually standing in front of it. The camera remains stationary throughout.

A child holding a stick moves across the room via locomotion; the TV screen displays changing content but is not a physical object motion.

Background elements (bed, TV stand, shelves) show no uniform shifting; no fire, water, or wind-driven fluid motion observed.


A silhouetted person stands on a beach at sunset, then steps toward the water, bends forward, and extends their arm to touch the calm sea surface. The camera remains stationary, capturing the figure from the side as they move closer to the shoreline.

A single person (discrete object) moves across the frame, exhibiting locomotion (walking) with visible arm and body motion.

The background (sky, distant landmass, water surface) shows gentle water ripples and stable horizon line; no uniform shifting of static background elements indicates camera motion. Water ripples are minor ambient motion but not dominant.


RAW CAPTION: Got it, let's break this down. The video starts with a person in red and gray holding a ball, maybe a frisbee? Then another person in blue runs towards them. The person in red throws the ball, and the blue person catches it? Wait, no, the blue person is running, then the person in red is hit by the ball? Wait, the video shows a person in red and gray (left side) throwing a ball, then a person in blue (middle) runs towards the red person, maybe to catch or something. Wait, the action: in the first frame, red person is holding a ball. Then, the blue person is in mid-air? Wait, no, frame 1: red person (left) holding ball, blue person (middle) jumping or catching? Wait, the sequence: [0.0] red person holds ball, blue person is in motion (maybe catching), then [1.0] blue person is closer, red person moves, [2.0] blue person is near red person who is falling? Wait, let's check the frames.

Frame 0: Person in red and gray (shorts, shirt) on left, holding a ball (red? brown?). Person in blue (shirt, dark shorts) mid-air, person in black (center-right) walking, person in green (right) standing. Background: grass, wall, trees.

Frame 1: Red person is moving, blue person is closer, maybe catching the ball. Black person is still, green person is moving.

Frame 2: Blue person is now running towards the red person, who is bending forward? Wait, red person is maybe falling? Wait, frame 2: red person (left) is still, blue person (middle) is in motion, black person is moving towards the red person?

Frame 3: Red person is falling or sliding on the ground, blue person is near them, black person is closer. Green person is moving.

Frame 4: Red person is on the ground (kneeling or lying?), blue person is running towards the right, black and green persons are moving. The white pole (maybe a goal post) is on the right.

Frame 5: The person in blue has moved away, red person is now sitting up, black person is walking away, green person is in the back. The pole is still there.

So chronological order:

- Start: Person in red and gray holds a ball. Person in blue (blue shirt, dark shorts) is in mid-air (maybe catching) near a person in black (dark shirt, dark pants) and green-shirt person.

- Then, the red person throws the ball (action), blue person moves towards red person.

- Red person falls to the ground (sliding or falling), blue person approaches, black person moves closer.

- Blue person then moves away from red person, red person sits up, black person and green person move away.

Now, appearance: red person (red shirt, gray shorts), blue person (blue shirt, dark shorts), black person (dark shirt, dark pants), green person (green shirt, dark pants). Number: four people.

Spatial relationships: red person left, blue middle, black right-middle, green far right. Red person throws ball, blue runs towards red, red falls near the white pole.

Camera: seems static, maybe slight pan? The text "MADE WITH SLOPRO FOR IPHONE" is at bottom, but we exclude text.

Background: grass, wall, trees—minimal, as per rule e.

Now, construct the caption:

First, main subjects: four people. Red-shirted person (left) holds a ball. Blue-shirted person (middle) runs toward red person. Red person throws ball, then falls to ground near white pole. Blue person moves toward red, then away. Black and green shirted people move around.

Chronological:

At the start, a person in a red shirt and gray shorts holds a ball on the left side of the frame, while a person in a blue shirt and dark shorts moves toward them. The red-shirted person throws the ball, causing the blue-shirted person to approach. The red-shirted person then falls to the ground near a white pole, while the blue-shirted person continues moving toward the right. The black-shirted and green-shirted individuals walk around the scene.

Camera: the camera remains relatively static with slight movement, capturing the action from a ground-level perspective.

Check rules:

a) Motion: yes, chronological.

b) Appearance: color, size, orientation—red shirt/gray shorts, blue shirt/dark shorts, black shirt/dark pants, green shirt/dark pants.

c) Spatial: left, middle, right, near pole.

d) Camera: ground-level, slight movement.

e) Background minimal—just grass, wall,

Discrete solid objects (people) are moving: a person in blue clothing runs toward another individual, initiating a collision. Other figures move independently (e.g., walking, reacting to the interaction), indicating explicit physical locomotion and contact forces.

Static background elements (wall, grass) show no uniform shifting. No dominant fluid/environmental motion (fire, water, smoke, or strong wind) observed; trees and ground appear stationary.


A black sedan is stationary in a well-lit garage. A person wearing black pants, a light gray shirt, and black-and-white sneakers approaches from behind the car, positions a red-and-black jack under its rear, steps on the jack handle, and adjusts the jack while standing to the left of the vehicle. The camera captures the action from a low angle, maintaining a steady focus on the car and person.

A person (discrete object) is walking around a stationary black car, exhibiting clear locomotion motion.

The background consists of a static indoor parking garage with consistent pillars and ceiling. No shifting background elements or fluid/environmental motion (fire, water, smoke, wind) are present.


A hand picks up a light brown wooden stick and moves it against a wooden surface, sanding or shaping it. Baskets filled with similar wooden tools and cloth are visible in the background. The camera stays close, emphasizing the hand’s motion and the stick’s interaction with the surface, with minimal background detail.

A hand is manipulating a wooden stick, moving it in a controlled manner (likely turning a screw or similar action).

The background (floor, bowls, bananas) is static with no shifting. There is no fluid/environmental motion (fire, water, smoke, wind) dominating the scene.


The video begins with a woman in a light striped dress standing on the right side of the frame, holding a blue cup, then moving left while carrying it. A seated person in a black top and patterned shorts remains on the left, engaged in gardening activities. The scene is observed through a static mesh screen with minimal background details.

Discrete solid objects (people) are moving: one person near the fence walks slightly, another person in white dress moves toward and away from the fence, and a third person is seated/crouched with minor shifts.

Background elements (fence, house, ground) show no uniform shifting or fluid motion; no fire, water, smoke, or significant wind effects observed.


Five individuals on an outdoor court; one person in a gray shirt and black shorts holds a ball, then throws it toward a group of four (two in red, two in gray shirts) who move to dodge. The thrower steps forward, while others scatter. Camera remains static with slight movement to track the action.

Discrete solid objects (people) are moving: multiple individuals are running, jumping, and interacting on a court. Their motion is driven by physical exertion (e.g., sprinting, leaping to hit/throw an object).

Background elements (buildings, trees, sky) show no uniform shifting; no fire, water, smoke, or dominant wind-driven motion visible. Trees and structures remain static relative to the scene.


A person in a light gray beekeeping suit and white pants adjusts a wooden beehive box on grass. They lift the top section of the hive with both hands, then reposition the box. The hive, featuring multiple stacked wooden boxes, is situated next to another hive and a stone wall. The camera shifts to display the hive after the adjustment.

A beehive box (solid, distinct object) is moved by a person via explicit physical force (pushing, repositioning), with clear locomotion of the box across the frame.

The stone wall and grass in the background show no uniform shifting, indicating no ambient environmental motion (fire, water, smoke, wind) or camera-induced panning/tilting; background elements remain stable relative to the scene.


A person with dark hair uses a moist cotton pad to gently wipe the area around their eye, moving the pad in circular motions to remove color. The individual is positioned in front of a curtain, with the camera maintaining a close-up, static shot throughout the sequence.

A human subject (face/head) is moving a cotton pad across their eye area, exhibiting solid-object motion (hand movements, contact with skin).

Background elements (brown curtains, wall) show no uniform shifting or environmental fluid motion (fire, water, smoke, wind). The background remains static across frames.