RAW CAPTION: Got it, let's break this down. The video starts with a person sitting cross-legged on a yoga mat. They're wearing a gray long-sleeve top and black pants with a belt. The background is a wooden floor and a light-colored wall. Then, in the next frames, the person moves one leg to cross over the other, holding the foot. The camera seems to zoom in on the lower body, focusing on the legs and hands. The spatial relationship is the person sitting on the mat, moving legs. Need to keep it chronological: first sitting, then moving legs, crossing one over the other, holding the foot. Background is minimal, so mention only the mat and floor. Camera perspective starts as a medium shot, then closer. Let's structure the caption.

First, describe the initial pose: person seated cross-legged on a brown yoga mat. Then the action: shifts position, crosses one leg over the other, holds foot. Mention appearance: gray top, black pants. Spatial: sitting on mat, legs moving. Camera: starts medium, then close-up on legs. Keep it concise.

Check rules: focus on motion, chronological. So order is start pose, then movement. Also, exclude text, named characters. So no mention of the paper on the floor (since it's minimal and not essential). Wait, the first frame shows a small piece of paper, but rule e says minimal background unless essential. So probably ignore the paper.

So drafting: A person in a gray long-sleeve top and black pants sits cross-legged on a brown yoga mat. They shift position, crossing one leg over the other while holding the foot with both hands, then adjust the leg and foot position. The camera transitions from a medium shot of the seated figure to a close-up of the legs and hands, maintaining a neutral background.

Wait, need to be more concise. Let's see:

"A person wearing a gray long-sleeve top and black pants sits cross-legged on a brown yoga mat. They move one leg to cross over the opposite thigh, then grasp the foot with both hands, adjusting the leg and foot position. The camera begins with a medium shot of the person and transitions to a close-up of the legs and hands."

Check if all rules are followed. Motion chronological: sit, move leg, grasp foot. Appearance: gray top, black pants. Spatial: on mat. Camera: medium to close-up. Background minimal (wooden floor, light wall, but only mention if essential; since it's not, maybe omit background details except as needed. Wait, the first frame has a wooden floor and wall, but rule e says minimal unless essential. So maybe mention "on a wooden floor" if it's relevant, but in the video, the mat is on the floor, so maybe not necessary. But the task says "keep background descriptions minimal unless essential for understanding motion". Here, the motion is on the mat, so background is the floor and wall, but not essential for the motion, so maybe omit. So just focus on the mat.

Wait, the rules say "background descriptions minimal unless essential for understanding motion". Since the motion is on the mat, the background (floor) is not essential, so maybe just mention the mat.

So revised: A person in a gray long-sleeve top and black pants sits cross-legged on a brown yoga mat. They cross one leg over the other, grasp the foot with both hands, and adjust the position. The camera transitions from a medium shot to a close-up of the legs and hands.

Check if all parts of the rules are covered:

a) Motion and behavior in chronological order: yes, sitting cross-legged, then crossing leg, grasping foot, adjusting.

b) Appearance: gray top, black pants.

c) Spatial relationships: sitting on mat, legs moved over.

d) Camera perspective: medium to close-up.

e) Background minimal: no mention beyond mat, which is essential as the action is on the mat.

f) Exclude text, characters: no text, no named people.

g) Internal thinking, output just caption.

So the final caption should be concise. Let's make it a paragraph.

"A person wearing a gray long-sleeve top and black pants sits cross-legged on a brown yoga mat. They shift one leg over the opposite thigh, grasp the foot with both hands, and adjust the position. The camera begins with a medium shot of the seated figure and transitions to a close-up of the legs and hands."

Check word count. Make sure it's concise.

Alternatively: A person in a gray top and black pants sits cross-legged on a brown yoga mat. They cross one leg over the other, hold the foot with both hands, and adjust their position. The camera moves from a medium shot to a close-up of the legs and hands.

Yes, that's concise. Let's go with that.
</think>

<caption

The person's legs and feet are moving through deliberate stretching motions, including foot rotations, leg lifts, and ankle manipulations.

The background (plain wall and wooden floor) is static with no shifting or environmental elements (e.g., fire, water, wind).


A boy wearing a light blue polo shirt and striped tie sits on a couch with colorful cushions. He holds a framed picture, lifts it to cover his face, then lowers it. The background includes a television and a door. The camera remains stationary.

A boy is manipulating a framed picture and a book, lifting, holding, and flipping through pages. These are discrete, solid objects in motion due to the boy's deliberate actions.

The background elements (walls, TV, furniture) are static and show no uniform shifting or environmental motion (fire, water, wind, etc.).


A child wearing a red winter hat with a pom-pom and a white jacket sits in a car seat, moving their head and raising their arms while looking around; the camera remains inside the vehicle with slight movement.

Child in car seat exhibits clear discrete motion: head tilts, arm raises (0:04-0:05), mouth opening, and body shifting within seatbelt constraints. Solid object movements driven by physical actions.

Background shows stationary trees and vehicle interior; no dominant fluid motion (fire/water/smoke/wind) observed. Trees appear minimal sway, not driving motion.


Two children, a girl in a yellow sleeveless top and another in a colorful striped shirt, stand facing each other in front of a bookshelf filled with books. They clasp hands, then raise their arms up and down in a synchronized clapping motion. The camera remains stationary with slight shake.

Two girls (solid objects) exhibit rhythmic hand-clapping and arm movements due to their own locomotion; motion is discrete and trackable with bounding boxes.

No shifting background elements observed; bookshelves, cabinet, and television remain static throughout. No fluid/environmental motion (fire, water, smoke, wind) present.


RAW CAPTION: Got it, let's tackle this. The video shows a person in a kitchen. First, the person is holding a meat grinder. There's a tray of ground meat, a large bowl, and a tray with more meat. The person is near a window with blinds. Let's break down the actions.

In the first frame, they're holding the grinder. Then they place it down, maybe? Wait, the sequence: starts with holding the grinder over the tray. Then moves the grinder to the side, then picks up the large metal bowl. Wait, no, looking at the frames:

Frame 0: person holding meat grinder (black) above a tray with ground meat.

Frame 1: they lower the grinder, maybe? Then frame 2: they're holding the grinder, then in frame 3, they reach to the large metal bowl. Wait, the description says:

At [0.0], person holds meat grinder; [0.7], moves grinder to left, right hand near bowl; [1.2], hand reaches to bowl; [1.4], lifts grinder. Wait, no, the video frames are as follows:

The video starts with person holding meat grinder (black) above a tray (tray has ground meat). Then, they move the grinder down, place it on the counter? Then pick up the large metal bowl. Then pour meat from the grinder into the bowl? Wait, looking at the description:

In frame 0, person holds meat grinder; frame 1, they hold grinder, then move it to the side; frame 2, hand reaches to bowl; frame 3, person lifts grinder. Wait, the given frames are:

[0.0] person holds meat grinder (black) above tray with ground meat.

[0.7] person holds grinder, moves it to left, right hand near bowl.

[1.2] hand reaches to bowl.

[1.4] person lifts grinder.

Wait, maybe the sequence is: the person is holding the meat grinder, then they place it on the counter, then take the metal bowl, then pour meat into the bowl? Let's read the instructions again. The user provided a video with frames 0 to 5.0, but the user's example shows a specific set.

Wait, the user's input is a video snippet with timestamps [0.0] to [5.0], but the frames described are:

[0.0] person holds meat grinder (black) above tray with ground meat.

[0.7] person holds grinder, moves it to left, right hand near metal bowl.

[1.2] hand reaches to bowl.

[1.4] person lifts grinder.

Wait, let's parse the video description:

In frame 0: person holds meat grinder (black) above tray (tray has ground meat).

Then, the person moves the grinder to the left side, then their right hand is near a metal bowl. Then they reach into the bowl, then lift the grinder. Wait, the action is: the person is using the meat grinder, maybe grinding meat, then moving the grinder, then handling the bowl.

Wait, the key actions:

- Person holds meat grinder (black, held above tray with ground meat).

- Then, the person moves the grinder to the side (left), then reaches for the large metal bowl with right hand.

- Then, lifts the grinder again.

Wait, the chronological steps:

1. The person holds the meat grinder (black) above a tray filled with ground meat (positioned in front of the person, near the window with blinds).

2. The person moves the meat grinder to their left (placing it on the counter), and their right hand reaches toward a large metal mixing bowl (positioned to the right of the grinder).

3. The person then lifts the meat grinder again, possibly to continue grinding or transferring meat.

Wait, but the frames show: at [0.0], holding grinder; [0.7], moving grinder to left, right hand near bowl; [1.2], hand reaches to bowl; [1.4], lifts grinder.

So the main actions are: the person holds the meat grinder (black), then moves it leftward, then uses their right hand to interact with the metal bowl, then lifts the grinder again.

Appearance: person is wearing a black shirt. The meat grinder is black. The tray has ground meat (red, likely raw), the metal bowl is large and silver. The background has a window with white blinds and beige curtains.

Now, the caption should be concise, chronological. Start with the person holding the grinder, then moving it, then interacting with the bowl.

Let's structure:

A person in a black shirt stands behind a table with a meat grinder, tray of ground meat, and large metal bowl. They hold the black meat grinder above

Person moves arms to hold/drink from glass and interacts with table objects (bowl); discrete solid object motions due to explicit physical actions.

Background elements (window blinds, curtains, wall) show no uniform shifting or fluid motion; no fire, water, smoke, or wind present.


RAW CAPTION: Got it, let's tackle this. First, identify the main subjects: two girls sitting at a table. They're wearing white shirts, have dark hair in pigtails. The table has a grid board, maybe a game. Background: wooden floor, green chairs.

Now, chronological order. Start with the first frame: both girls looking at the board. Then in frame 2, a yellow disc appears on the table? Wait, no, frame 2: the left girl moves her hand, maybe places something. Frame 3: left girl raises fist, right girl looks up. Frame 4: right girl raises hand. Frame 5: both are moving, maybe interacting.

Describe their actions step by step. First, two girls sit at table with a grid board between them. Then left girl moves her hand (maybe placing a piece), then raises fist, right girl responds by raising hand. Spatial: they're sitting across from each other at the table. Background: wooden floor, another person walking in the back (but minimal). Camera is top-down view, no movement mentioned, so static top-down.

Check rules: focus on motion, chronological. So start with their initial positions, then actions. Mention appearance: two girls, white shirts, dark hair in pigtails. Table with grid board. Then their movements: left girl moves hand, raises fist; right girl raises hand. Conclude with camera: top-down, static.

Avoid text recognition, so no details about the board's text. Keep it concise. Let's draft:

Two girls in white shirts with dark hair in pigtails sit across a wooden table with a grid board between them. The left girl first moves her hand towards the board, then raises her fist while the right girl lifts her head and raises her hand in response. A small yellow disc rests on the table, and another figure walks in the background. The camera maintains a static top-down perspective.

Wait, check if the yellow disc is mentioned. In frame 0, there's a yellow disc. Then frame 1, maybe the disc is there. But the rules say minimal background. Maybe the disc is part of the object on the table, so mention it briefly.

Wait, the video frames: frame 0 has the disc, frame 1 shows the disc. So the disc is on the table. So include "a small yellow disc on the table".

Also, check chronological order. Frame 0: both looking at board. Frame 1: left girl moves hand, disc is there. Frame 2: left girl raises fist. Frame 3: right girl raises hand. Frame 4: both moving.

So:

Two girls in white shirts and dark pigtails sit opposite each other at a wooden table with a grid board. A small yellow disc rests on the table. The left girl moves her hand toward the board, then raises her fist, while the right girl lifts her head and raises her hand in response. Another person walks past in the background. The camera remains static from a top-down angle.

Wait, in frame 0, the right girl is resting her head on her hand? Wait, frame 0: right girl has her head down, left girl looking at board. Then frame 1: left girl moves hand, disc is there. Frame 2: left girl raises fist, right girl looks up. So first, the left girl moves her hand (maybe placing a piece), then raises fist, right girl responds by raising hand.

So adjust the order: initial position: left girl seated, right girl with head down. Then left girl moves hand (action), then raises fist; right girl lifts head and raises hand.

But need to be concise. Let's structure:

Two girls in white shirts with dark pigtails sit at a wooden table with a grid board. A small yellow disc is on the table. The left girl first moves her hand toward the board, then raises her fist while the right girl lifts her head and raises her hand in response. The background shows a wooden floor and a passing figure. The camera maintains a top-down perspective with no movement.

Check rules: exclude named characters, text recognition. So "grid board" is okay, it's an object. "wooden floor" is background, minimal.

Also, make sure to mention number: two girls. Appearance: white shirts, dark hair in pigtails.

So final draft:

Two girls in white shirts with dark pigtails sit across a wooden table featuring a grid board and a small yellow disc. The left girl moves her hand toward the board, then raises her fist, while the right girl lifts her head and raises her hand in response. A figure walks in the background. The camera captures a static top-down view.
</think>

<caption_output>Two girls in white shirts with dark pigtails sit across a wooden table with a grid board and a small

Two girls (discrete solid objects) are interacting with a game board; their hands and upper bodies move as they engage in gameplay, indicating explicit physical forces from their actions.

The background (wooden floor and static elements) shows no uniform shifting, and there are no fluid/environmental motions like fire, water, or smoke present.


A person in a gray shirt and dark pants steps away from a white van parked near a fence, then walks along a concrete sidewalk toward the camera, moving from the van's vicinity across the grassy area adjacent to the sidewalk. The camera maintains a fixed, overhead perspective throughout, capturing the person’s continuous forward motion along the path.

A person is walking along the sidewalk, moving from the background towards the camera.

Background elements (truck, grass) are static; no fire, water, smoke, or wind observed.


A man in a gray shirt and blue jeans pushes a wheelbarrow loaded with wooden debris across a dirt area, starting from the left side of the frame and moving rightward. The camera remains stationary throughout the sequence.

A person (wearing a gray shirt and blue jeans) is pushing a wheelbarrow loaded with wooden planks, moving forward across a concrete surface. The wheelbarrow and person exhibit clear locomotion due to physical effort.

The background consists of stationary wood piles and dirt ground with no significant shifting or fluid motion (e.g., fire, water, smoke). No dominant ambient environmental elements are present.


A person in a purple top works on the front tire of a teal truck parked under a gas station canopy. The individual shifts position slightly while handling the tire, remaining near the truck's front. The camera remains stationary inside a vehicle, capturing the scene from the driver's perspective with minimal background details.

Two people at the gas pump: one in a red shirt and one in a blue shirt, engaging in conversation or refueling, showing small movements (turning, stepping).

No significant ambient environmental motion (no fire, water, smoke, or wind). Background elements (building, gas pump) are stable with minimal camera shake.


Two young children, a girl in a light pink dress with pigtails and a boy in a red striped shirt, embrace tightly. The boy leans his head toward the girl while they remain close, then they shift position slightly toward a doorway, with the girl’s arms maintaining a hug. The camera remains static with minimal movement, capturing their interaction from a frontal perspective.

Two children (girl in pink dress, boy in red striped shirt) exhibit solid object motion through hugging and embrace adjustments, with clear physical interaction.

Background elements (building facade, windows, door) are static with no uniform shifting; no fire, water, smoke, or wind motion detected.


A boy in a blue shirt with a Garfield graphic and an orange crown sits at a red table with a girl in a white shirt featuring purple details, both focused on a chocolate-frosted birthday cake decorated with sprinkles and a Garfield topper. The boy blows out candles on the cake while the girl watches; an adult hand rests on the table to his left. The camera remains close to the children and cake, showing slight movement as the boy adjusts his position and the girl shifts her gaze.

Children's hands and arms move toward the cake (touching or adjusting decorations), indicating discrete physical interactions with solid objects.

The background (wooden floor, colorful chair, and table) remains static with no uniform shifting. No fluid or environmental motion (e.g., fire, water, smoke, wind) is present.


Soccer players in white and dark jerseys move dynamically across the field; a group of players in red and white jerseys advances toward the goal while opponents in dark jerseys defend; the ball is contested near the goalpost as players run to intercept; camera pans from a wide overhead view to a closer angle of the goal area.

Soccer players and the ball are moving due to locomotion (running, kicking), with discrete bounding boxes tracking their physical interactions and motion.

No environmental fluids (fire, water, smoke, wind) present. Stadium background elements (stands, field lines) show uniform shifting due to camera panning, but no dominant ambient motion.


A man in a white polo shirt holds a microphone while standing beside a man in a green t-shirt; a person in a red shirt films the scene from the left, and a person in a blue shirt sits on a couch with a glowing device on a small table. The man in green then takes the microphone from the white-shirted man. The camera pans slightly right and zooms in toward the two men, maintaining focus on their interaction with the background remaining minimal.

Discrete objects (people) exhibit movement through locomotion (walking, gesturing) and speaking into microphones.

Background elements (walls, framed pictures) show no uniform shifting; no fire, water, or smoke present.


RAW CAPTION: Got it, let's break this down. First, I need to look at the video frames and describe the actions chronologically.

Frame 0: A person in a yellow shirt is sitting at a desk with a computer, holding a clear plastic sheet. Another hand (from someone off-screen) is reaching towards them. The desk has a phone, keyboard, etc.

Frame 1: Quick cut to a person in a green shirt pushing a metal cart with a large black fan-like object. The background is an office with cabinets and a trash can.

Frame 2: A person in a green shirt is extending their arm to hand something (a yellow envelope?) to someone at a desk. The desk has a computer and a keyboard. The person in green is holding a cart.

Frame 3: A woman in a black and white striped sleeveless top sits at a desk, holding up a yellow envelope. She's reacting, maybe surprised.

Frame 4: The person in the green shirt walks away from the desk, pushing the cart. The camera follows them as they move past office cubicles.

Now, need to put this in order. Start with the first scene: man in yellow shirt at desk, receiving a plastic sheet. Then cut to the person with the fan on a cart. Then the hand extending the envelope, then the woman taking it, then the person walking away.

Check rules: focus on motion and behavior, chronological. Mention appearance briefly (yellow shirt, green shirt, striped top), spatial relationships (person in green pushing cart, holding envelope, etc.)

Background: minimal, just office elements like desks, computers, cubicles.

Camera: the video seems to have cuts between scenes, so camera moves between shots.

Let's structure:

The video starts with a man in a yellow dress shirt seated at a desk, holding a clear plastic sheet as another hand extends toward him. The scene cuts to a person in a green shirt pushing a metal cart loaded with a large black industrial fan. Next, the person in green extends their arm to hand a yellow envelope to a person at a desk; a woman in a black-and-white striped sleeveless top lifts the envelope upward. The person in green then pushes the cart away, moving past office cubicles while the camera follows their motion.

Wait, check frame 2: the person in green is extending an arm to hand the envelope. In frame 3, the woman is at a desk taking it. Then frame 4: person in green walking away with cart.

Make sure chronological order: frame 0 → frame 1 → frame 2 → frame 3 → frame 4.

Frame 0: Man in yellow shirt at desk, receiving plastic sheet (another hand is handing it to him? Wait, frame 0 shows a hand from left extending, and the man in yellow is holding the plastic sheet, maybe handing back? Wait, the first frame: "a hand reaches towards the man in yellow, who holds a clear plastic sheet." So the action is the hand handing the plastic sheet, he's holding it. Then frame 1: person in green pushing cart with fan. Then frame 2: person in green extending arm to hand an envelope. Then frame 3: woman taking envelope. Then frame 4: person in green walking away with cart.

So step-by-step:

1. A man in a yellow dress shirt sits at a desk, holding a clear plastic sheet as a hand from the left extends toward him.
2. The scene cuts to a person in a green shirt pushing a metal cart carrying a large black industrial fan.
3. The person in green extends their arm to hand a yellow envelope to a person at a desk.
4. A woman in a black-and-white striped sleeveless top lifts the envelope upward while seated at her desk.
5. The person in green pushes the cart away, moving past office cubicles.

Camera perspective: cuts between scenes, with no significant movement (since it's a sequence of static shots then follow). Wait, frame 4 shows the person walking, so camera follows. Let's see: frame 4 is "the person in green walking away, pushing cart; camera follows." So camera follows motion in the last frame.

Now, check the caption rules:

a) Chronological motion: yes, order of events.

b) Appearance: yellow shirt, green shirt, striped top.

c) Spatial relationships: "seated at a desk", "pushing a cart", "extending arm to hand", "seated at her desk", "pushing cart away past cubicles".

d) Camera: starts with static shots, then cuts, then follows the person in green.

e) Background: minimal (office, desks, cubicles).

f) Exclude text, names.

Now, write concise paragraph:

A man in a yellow dress shirt sits at a desk, holding a clear plastic sheet

The video shows a man pushing a wheeled cart and a hand handing a document to another person. The motion of the cart and the people are solid, distinct movements due to physical forces (pushing, handing).

The background in all scenes is static (no shifting background, no fire, water, smoke, or wind).


A person wearing a blue long-sleeve shirt and a yellow bow tie adjusts the tie, manipulating the ends to form a bow. The individual stands in front of a beige curtain with a desk and books visible to the right. The camera remains stationary, capturing the upper body and hand movements as the person ties the bow tie.

A person (discrete solid object) is moving their hands and body to tie a necktie, demonstrating explicit physical locomotion.

The background (wooden panels and bookshelf) shows no shifting or fluid motion; no fire, water, smoke, or wind present.


A hand stirs a stainless steel frying pan containing scrambled eggs and green leafy vegetables with a wooden spoon over a gas stove. The hand lifts the pan and pours the mixture onto a white plate holding a dark brown cooked item, moving the pan from the stove to the countertop. The camera follows the pouring motion, capturing the transfer from pan to plate with the stove and kitchen counter visible in the background.

A hand holding a wooden spoon stirs the contents of a pan, then lifts the pan to transfer food onto a plate. The pan, spoon, and food exhibit distinct physical motion due to human interaction.

The kitchen background (stove, countertops, appliances) remains stationary with no uniform shifting, and there are no fluid or wind-driven environmental elements present.


RAW CAPTION: Got it, let's break this down. First, the video shows hands handling LEGO pieces. The main subjects are the hands and the LEGO bricks. Chronologically: start with hands sorting pieces, then a hand picks up a dark brick, then moves to the blanket. Background has a purple shirt on a hanger and a door, but keep background minimal. Camera is close-up, probably top-down or close to the table. Need to describe motion: hands gathering, picking, placing. Let's structure it.

First frame: hands on LEGO pieces. Then hands sort, pick up dark brick (maybe black or dark gray), then move away. Then the hands are gone, showing scattered pieces. Background: blanket, door, purple shirt. But background should be minimal. So focus on hands' actions. Number of hands: two. LEGO colors: various (black, white, blue, etc.). Spatial: hands are over the blanket, pieces on blanket.

Now, write concise chronological paragraph. Start with hands manipulating LEGO bricks, then picking up a dark brick, moving hands, then pieces scattered. Camera: close-up, static or slight movement? The video transitions, so maybe top-down. Let's check the output rules.

"Two hands manipulate various colored LEGO bricks (black, white, blue, orange) scattered on a dark green and white striped blanket. The left hand gathers pieces, the right hand picks up a dark brick, then both hands move away, leaving the LEGO pieces spread across the blanket. The camera remains close-up, top-down, with minimal movement, focusing on the hands and bricks against a blurred background featuring a wooden door and purple garment."

Wait, need to check rules. Exclude background unless essential. But the background (door, purple shirt) is in the video, but maybe too much. Rule e: keep background minimal unless essential for understanding motion. Since the motion is on the blanket, maybe background isn't essential, but it's part of the scene. But the problem says "minimal". Maybe just mention if relevant. Let's see the example. In the video, background has door and purple shirt. Maybe include "a wooden door and purple garment" as part of background, but brief.

Wait, the task says "keep background descriptions minimal unless essential for understanding motion". Since the motion is hands on blanket, background isn't essential, so maybe just say "a background with a wooden door and purple garment (partially visible)" but keep it minimal.

But the caption needs to be concise. Let's try:

"Two hands sort through scattered LEGO bricks (black, white, blue, orange) on a dark green and white striped blanket. The right hand picks up a dark brick, then both hands move away, leaving the pieces spread across the blanket. The camera maintains a close-up, top-down perspective with minimal movement."

Wait, but the first frame shows hands on the pieces, then hands sort, then pick up a brick, then move away. So chronological: start with hands holding/adjusting pieces, then one hand picks up a dark piece, then the hands are no longer visible, showing the pieces scattered.

So: "Two hands manipulate assorted colored LEGO bricks (black, white, blue, orange) on a striped blanket. The right hand lifts a dark brick, then both hands withdraw, leaving the bricks scattered. The camera remains static in a close-up, top-down view, with a blurred background of a wooden door and purple garment."

But need to check if "static" is correct. The video might have slight movement, but the problem says "camera perspective and movement" - in the sample, maybe top-down, slight shake? Wait, the user didn't specify camera movement, but the output format just needs to mention it.

Wait, the video: the first frame shows hands, then the hands move the pieces, then pick up a brick, then move away. So the camera doesn't move much; it's close-up, focusing on the hands and pieces. So "close-up, top-down, with minimal movement".

Now, check rule g: do not output reasoning.

Now, structure the caption:

- Chronological: hands first manipulate, then pick up brick, then withdraw.

- Appearance: two hands, LEGO bricks in various colors.

- Spatial: hands on blanket, pieces scattered on blanket.

- Camera: close-up, top-down.

Background: minimal, so "a wooden door and purple garment (partially visible)" but maybe just say "a background with a wooden door and purple garment" as minimal.

Wait, the problem says "keep background descriptions minimal unless essential for understanding motion". Since the motion is on the blanket, the background isn't essential, but it's part of the scene. However, the user provided the video, so it's part of the context. Maybe just mention it briefly.

Let me try to draft:

"Two hands gather and sort various colored LEGO bricks

The hands and a LEGO piece are being manipulated by the person.

The background elements (blanket, person in purple, door) are mostly static with no significant fluid or environmental motion observed.


A man in a white shirt and beige pants kneels on sandy beach, holding a phone to capture a group of people. Several adults stand around him, including a woman in a yellow dress, a woman in a blue floral dress, and a man holding a baby. A child in a white shirt and black shorts walks toward the group. The woman in yellow turns and steps back, while another woman in a light purple off-shoulder dress adjusts her hair, moving slightly to her right. The group shifts positions, with individuals stepping forward or adjusting their stances. The camera remains stationary, observing the interactions against the backdrop of the ocean and shoreline.

Multiple solid human subjects (adults and children) exhibit locomotion (walking, repositioning) in the foreground; their motion is discrete and attributable to explicit physical movement.

Background elements (ocean, sand, distant land) show no uniform shifting; waves are present but not dominant motion. No fire, smoke, or significant wind-driven motion.


RAW CAPTION: Got it, let's tackle this captioning task. First, the video shows a person sitting on a cushion, playing large bronze gongs. The main subject is a person with a ponytail, wearing a colorful top and jeans. They're seated on a white cushion. The gongs are mounted on stands; there are three visible, with the person interacting with the leftmost one. The person's action is striking the gong with a mallet. The background is minimal, just a plain wall and some equipment.

Chronologically, the person is seated, then leans forward to hit the gong. Need to mention the motion: from a seated position, they move their arm to strike the gong. Appearance: person has long dark hair in a ponytail, wearing a blue and red top, jeans. The gongs are large, bronze, mounted on black stands. Spatial: person is in front of the gongs, seated on a cushion. Camera is static, no movement, top-down? Wait, the video is a single frame-like setup, so probably a fixed camera. Background is minimal, so maybe just mention the plain wall.

Rules: focus on motion and behavior in order. So start with the person seated, then the action of hitting the gong. Mention the number (one person, three gongs? But the main subject is the person). Wait, the problem says "main subjects (people/animals/objects)"—the person is the main subject, the gongs are objects. So describe the person's actions with the gongs.

Let me structure it:

A person with long dark hair in a ponytail, wearing a blue and red top and jeans, sits on a white cushion. They lean forward and strike the leftmost large bronze gong with a mallet. The gongs are mounted on black stands against a plain wall. The camera remains static.

Check rules: chronological order. First seated, then lean forward, strike. Mention appearance (hair, clothing), motion (leaning, striking), objects (gongs, cushion, stands). Spatial: person in front of gongs, on cushion. Background minimal. Camera static. Exclude text, names.

Yes, that should work. Let's put it into a concise paragraph.

Wait, the video shows the person from the side initially, then moving to strike the gong. So "seated on a white cushion, turns slightly to the left to strike the leftmost large bronze gong with a mallet."

Wait, the video frames: first, the person is seated facing the gongs, then in frame 3-4, they turn and strike. So chronological: the person is seated, then turns towards the gong and strikes it.

So caption:

A person with long dark hair in a ponytail, wearing a blue and red top and jeans, is seated on a white cushion. They turn their upper body to the left and strike the leftmost large bronze gong with a mallet, while the other two bronze gongs remain stationary on black stands against a plain wall. The camera remains fixed in a static position.

Check if all rules are met: motion in order (seated, turn, strike), appearance (hair, clothing), objects (gongs, cushion, stands), spatial (leftmost gong, person seated), camera static. Background minimal (plain wall mentioned, but minimal). Exclude text, names. Yes.

Wait, the video has three gongs? The image shows three: left (partially visible), middle, right. The person is hitting the middle one? Wait, in the frames: the first frame, the person is seated, then in frame 3-4, they lean forward to hit the middle gong? Let me check the video description. The user provided 5 frames: [0.0] to [4.7]. The video starts with the person seated, then in frame 3-4, they move to strike the leftmost gong. Wait, the first frame: person sitting, facing right (since they are silhouetted, but facing the gongs). The gongs are three, left, middle, right. The person is hitting the left one.

Wait, the key is to look at the motion: from seated, they lean forward to strike the gong. The description says "the person leans forward to strike the leftmost large bronze gong".

Yes, the caption should reflect the sequence: seated, then leaning to strike.

Let's refine:

A person with long dark hair in a ponytail, wearing a blue and red top and jeans, sits on a white cushion. They lean forward and strike the leftmost large bronze gong with a mallet, while the middle and right gongs remain stationary on black stands. The camera is static.

That's concise, chronological, mentions appearance, motion, spatial (leftmost), camera static.

Check

A person (solid, distinct object) is moving their head and body while seated, exhibiting discrete locomotion due to intentional physical movement.

Background elements (drums, stands, walls) show no uniform shifting; no fire, water, or smoke present. Environmental motion is minimal.


An adult wearing a blue shirt with colorful squares holds a young child in a green shirt; both stand in a bathroom near a shower door, brushing their teeth. The child, positioned to the right and slightly in front of the adult, moves their toothbrush while the adult maintains steady brushing motion. The camera remains handheld with minimal movement throughout.

Two discrete solid objects (an adult and a child) moving: the adult and child are brushing teeth, with visible hand and mouth movements.

Background elements (walls, door, glass) show no uniform shifting; no fluid or environmental motion (fire, water, wind) observed.


An adult woman with glasses and a ponytail, wearing a light top, stands facing a seated girl in a patterned shirt and dark shorts on a kitchen counter. The woman and girl engage in a rhythmic hand-clapping sequence: initially holding hands, they raise their hands together, then separate and repeat the motion with the woman leading. The girl remains seated on the counter, while the woman stands to her left. The camera maintains a static perspective with slight shake throughout.

Two people (an adult woman and a girl) engage in coordinated hand movements (clapping, hand-holding, and arm motions). These are discrete, solid objects moving due to explicit physical forces from their own locomotion and interaction.

No shifting background or fluid/environmental motion observed. Background elements (walls, door, refrigerator) remain static throughout the sequence.


An older man in a dark cap and black shirt stands outdoors, turning his head to survey a construction site with buildings and equipment in the background. The camera pans slightly as he moves, then cuts to three individuals at an excavation: two crouched workers in blue and beige tops, and one in a yellow high-visibility vest, all focused on digging with tools. The camera perspective shifts to a static top-down view of the dig site, emphasizing their collaborative excavation efforts.

A man is speaking and moving his head/body in the first segment; three workers are actively engaged in digging in the second segment.

Background remains stable in both segments (buildings in first, rocks/earth in second) with no fluid motion or wind. No fire, water, or smoke observed.


A person wearing a gray sweater, blue jeans, and black shoes stands on a grassy field, holding a golf club. They swing the club to hit a golf ball on the ground, then step back after completing the motion. The golf cart is visible in the distant background. The camera maintains a static side-angle perspective throughout the sequence.

A person (solid object) is walking and swinging a golf club, while the golf ball moves after being struck. These are discrete, solid objects experiencing physical forces (locomotion and collision).

The background consists of static grassy terrain and distant trees/flags with no visible fluid motion (fire, water, wind). No shifting background elements indicate ambient environmental motion is absent.


A person in a white t-shirt kneels on the floor, carefully positioning brown and beige bricks onto a partially built wall in a staggered pattern, using both hands to adjust each brick. The camera maintains a close-up perspective, slightly shifting to follow the person's hand movements as they work on the lower section of the wall.

A person is actively moving (working on installing wooden planks), using tools like a trowel. The person's body and tools exhibit discrete, solid-object motion.

The background elements (wall structure, ground) show no shifting or fluid motion. No fire, water, smoke, or wind effects are present.


A young girl in a yellow dress sits at a small blue table, eating spaghetti. She lifts strands of spaghetti to her mouth with her right hand, then adjusts the plate with her left hand while continuing to eat. The camera remains stationary, capturing her from a frontal perspective.

A child in yellow clothing is moving her arms and head while eating (using a fork), with motion originating from deliberate physical actions (e.g., manipulating utensils, head movement).

Background elements (wall with decorations, window) are static with no uniform shifting or environmental fluid motion (e.g., no fire, water, smoke, or wind effects).


A person in a white shirt, colorful striped wrap, and tied-up hair adjusts their garment near a red container and dresser, then turns and walks toward a window area while passing shelves with assorted items. The camera follows the movement with a slight pan.

The person (woman) moves by turning and reaching, carrying a stack of folded clothes; the clothes shift position as held and placed.

The background (cabinet, red table, shelves) remains static with no shifting or fluid motion; no fire, water, or wind observed.


Three men in business attire sit at office desks with computers; the central man, wearing a light blue shirt and glasses, works on a monitor before raising his right hand. The man to his left wears a striped shirt, while another figure is partially visible behind them. The desks hold multiple monitors, papers, a telephone, and a soda can. The camera maintains a static side view of the scene.

Two people in business attire are moving: one types and gestures with a hand, another interacts with desk items. Their motion is due to discrete physical actions (typing, hand movements).

Static office background with no shifting elements (walls, desks) or fluid/environmental motion (fire, water, smoke, wind).


RAW CAPTION: Got it, let's tackle this. First, the video has three clips. Let's break them down chronologically.

First scene (0.0s): Two people in a gym. One in black top and red pants, the other in white gi. They're boxing or sparring, close to each other. The background is a white wall with vents, green floor.

Second scene (1.2s): The setting changes to a different gym. Still two people, but now the one in blue is sparring with someone in white. The cage is visible.

Third scene (2.5s): Now the person in blue is facing another individual in a white top and black pants. They're in the ring, maybe a cage. The background has windows and the cage structure.

Wait, the timestamps: the first frame is [0.0], then [1.2], [2.5], [3.6], [4.7]. Wait, the user provided the clips as [0.0] to [4.7] with five frames. Let's check:

The video shows:

0.0s: two people in a room with white walls, green floor. One person (female, black top, red pants) is sparring with male (white gi).

1.2s: the scene changes. Two people, one in blue (male?) and white. They're in a cage. The person in blue is throwing a punch.

2.5s: same cage, the blue person is in a stance, white person (maybe the same?) is facing him.

Wait, maybe the video cuts between different sparring sessions. Let's list the key points:

- First segment: Two sparring partners in a gym with white walls, green flooring. The person on the left wears a black top and red pants; the other wears a white uniform with dark blue accents. They engage in close combat, exchanging strikes.

- Second segment: Transition to a boxing ring with metal railings. Two individuals: one in blue athletic wear, the other in white with dark blue pants. They are inside the ring, moving dynamically. The person in blue throws a punch.

- Third segment: Inside the ring, the blue-clad person is positioned to the left, facing the white-clad opponent. Both are in defensive stances, circling each other.

Wait, need to be concise. Let's structure chronologically:

Start with first scene: two people in a gym. Then scene cuts to a ring where two others spar. Then another scene in the ring.

Wait, the video has three distinct segments (given the timestamps). Let's describe each in order.

First, 0.0s: Two individuals, one in black top and red pants, the other in white uniform, engage in close combat in a room with white walls and green floor. The black-clad person moves forward, the white-clad person blocks.

Then at 1.2s, the scene shifts to a boxing ring with metal rails. Two new individuals: one in blue athletic wear, the other in white with dark blue accents. They face each other, the blue-clad person throws a punch.

At 2.5s, the blue-clad person is in motion within the ring, moving towards the white-clad opponent. The background includes railings and windows.

At 3.6s, they're still in the ring, the blue-clad person is now positioned to the right, the white-clad person circles left.

Wait, maybe the video has two main clips? Let's check the user's input:

The user provided five frames:

[0.0] -> two people in gym (white walls, green floor)

[1.2] -> same gym? Or different? Wait, [1.2] is a different scene. The first frame is a gym with white walls, then [1.2] shows a boxing ring with metal rails. Then [2.5] is inside the ring, etc.

Wait, the description says: "In a gym with white walls and green floor, two people sparring. Then the scene changes to a boxing ring with metal railings, where two individuals in blue and white athletic wear engage in combat. The blue-clad person moves dynamically, throwing punches and evading. The white-clad individual counters, both circling each other within the ring. The background shows railings and windows. Camera remains steady, capturing the sparring from a frontal perspective."

But need to be concise, chronological. Let's structure:

First, two people (one in black top, red pants; other in white uniform with dark accents) spar in a gym with white walls and green floor. The black-clad person advances, the white-clad person blocks. Then, the scene transitions to a boxing ring with metal railings; two new individuals (one in

Two individuals (one in dark clothing with red pants, one in white) are engaged in boxing/martial arts drills. They move their arms and legs in a coordinated manner, delivering and dodging punches. The motion is tracked as solid, distinct objects.

No shifting backgrounds or fluid/environmental motion observed; both scenes feature static backgrounds (walls, floors) and no fire, water, smoke, or wind.


A hand holding a wooden-handled pen with a black tip moves across a beige paper, adding dark ink lines to an existing sketch of a fox and numerical markings. The camera maintains a close-up, top-down view, focusing on the hand's motion over the paper.

A hand holding a brush moves deliberately across a canvas, applying paint in controlled strokes to create an image.

Background is dark and stationary with no shifting; no fluid/environmental motion (fire, water, smoke, wind) observed.


A woman in a blue and white striped dress pets a gray kitten lying on its back on her lap. The kitten stretches, moves its legs, and interacts with the woman’s hands as she gently strokes its body. The camera maintains a close top-down perspective with slight movement, capturing the intimate interaction between the woman and the kitten.

A person and a cat are the discrete objects. The cat exhibits rolling and stretching movements while being petted by the person, who uses their hands to interact with the cat.

No shifting backgrounds or fluid/environmental motion observed. The bed sheets and static elements remain stable, with no signs of fire, water, smoke, or wind dominating the scene.


A single dark kite moves steadily from the right side of the frame toward the left, passing in front of the bright sun centered in the sky over a snowy landscape. The kite’s position shifts leftward across the sky while the camera remains stationary, capturing the motion against the sunlit, snow-covered terrain with minimal background detail.

A single bird is visible moving across the sky, representing a discrete object with clear trajectory changes.

The snowy landscape and cloud formations show no significant shifting or fluid motion (e.g., wind or water), confirming no dominant ambient environmental motion.


A person in dark clothing walks from the door toward a wooden desk, then leans over it. Another person in pink bends over a pink box to the right of the desk. The camera remains static with a slight shake.

Two people: one standing at the counter (dark clothing) moving arms/body, and one sitting on the floor (pink clothing) interacting with a pink box.

The background elements (wall, framed picture, lamp, door) are stable and show no shifting or environmental motion (fire, water, smoke, wind).


A person wearing a white t-shirt and dark shorts plays tennis near a chain-link fence. They swing a tennis racket, then move laterally in front of the fence while continuing their motion. The camera follows their movement with a slight pan.

A person in a white shirt is moving while holding a tennis racket, exhibiting locomotion (walking, swinging) and consistent displacement across frames.

The background consists of a stationary chain-link fence with no visible fluid motion (fire, water, smoke) or significant environmental movement (e.g., wind-blown trees).


A person in a gray hoodie holds a blue-handled tool above a purple sheet on a light-colored table. They lower the tool, place their right hand on the sheet, lift the purple sheet vertically, fold it along its center, and hold it upright. The camera maintains a top-down perspective, focusing on the hands and sheet against a dark background.

A purple sheet of paper is manipulated by a person's hands, exhibiting discrete motion as it is picked up, flipped, and presented. The paper's movement is driven by manual physical forces from the hands.

The background is dark and static; no fluid or environmental motion (fire, water, smoke, wind) is present. The table surface and dark backdrop remain consistently in place without shifting.


RAW CAPTION: Got it, let's break this down. The user wants a concise chronological paragraph about the video, following specific rules.

First, look at the frames. Frame 0 has a phone screen with a "Yes" button and some text, maybe a call in progress. Then frame 1 shows a woman in a blue hoodie outside, near a tree. The text on screen says "Limit the cuts between characters and phones."

Rules: focus on motion and behavior of main subjects in order. Main subjects are the phone and the woman. First, the phone is held (probably by someone), then the woman is standing outside. Her motion: she's looking around, then down. The background has a building and tree.

Need to mention appearance: woman in blue hoodie, tree trunk. Spatial: woman is in front of the tree, building behind. Camera perspective: maybe close-up on phone first, then medium shot of woman. Camera movement: probably static or slight movement.

Exclude text recognition (the "Limit..." text isn't part of the scene's action, so skip). Named characters? No, just "a woman".

Chronological order: starts with phone screen showing call (with "Yes" button), then cuts to woman outside. She stands by the tree, looks around, then down.

Putting it together: First, a phone screen displays a call interface with a "Yes" button. Then, a woman in a blue hoodie stands outside near a tree, looking around and then downward. Background includes a building. Camera shifts from close-up of the phone to a medium shot of the woman.

Check rules: motion/behavior (phone display, woman standing, looking), appearance (blue hoodie, tree), spatial (tree in front, building behind), camera (close-up to medium shot), minimal background. Exclude text (the instruction text isn't the scene's action, so don't mention).

Make sure it's concise. Let's draft:

A phone screen shows a call interface with a "Yes" button. A woman in a blue hoodie stands outside, leaning against a tree trunk, looking around before lowering her gaze. The background includes a building. The camera transitions from a close-up of the phone to a medium shot of the woman.

Wait, but rule f says exclude text recognition. The "Yes" button is part of the phone screen, so that's part of the object's appearance. But the text overlay ("Limit the cuts...") is excluded. So the phone's "Yes" button is okay as it's part of the phone's display.

Wait, the user says "Exclude text recognition, named characters, or stylistic analysis." So the "Yes" button is text on the phone, but it's part of the object's state, so maybe include it as part of the phone's appearance.

Now, the woman's movement: the frames show her standing, then looking down. So she's leaning against the tree, looking around (eyes moving), then looking down.

Let me structure:

The video opens with a close-up of a smartphone screen showing a call interface with a "Yes" button. The scene then cuts to a woman in a blue hoodie standing outside, leaning against a tree trunk, her head turning slightly as she looks around before looking down. A building is visible in the background. The camera moves from a close-up of the phone to a medium shot of the woman.

Check if it's chronological: starts with phone, then woman. Correct. Mention appearance (blue hoodie, tree trunk). Spatial: tree trunk is behind her? No, she's leaning against the tree, so tree is in front of her. Background building is behind.

Wait, in frame 1, the woman is in front of the tree (since she's leaning against it), so tree is adjacent. Then building behind.

But the rules say minimal background descriptions unless essential. So "building in background" is minimal.

Camera perspective: starts with close-up of phone, then medium shot of woman. So camera movement: cut from close-up to medium shot.

Also, rule d: conclude with camera perspective and movement. So "The camera transitions from a close-up of the phone to a medium shot of the woman."

Now, check all rules:

a) Motion and behavior: phone display (static, but the screen shows a call), woman standing, looking around, then down. Correct.

b) Appearance: blue hoodie (color, size—she's an adult, so size medium), tree trunk (brown, large). Correct.

c) Spatial: woman leaning against tree trunk (so tree is in front of her), building in background. Correct.

d) Camera: transitions from close-up to medium shot. Correct.

e) Background minimal: building mentioned once. Correct.

f) Exclude text recognition: the "Yes" button is part of the phone's display, which is describing the object, so that's

The woman's head moves slightly (looking down and then up) indicating a discrete object physics movement of a solid object (human head).

The background (tree and house) is static with no environmental elements such as fire, water, smoke, or wind. No ambient environmental motion observed.


A single person, wearing a swimsuit, is initially floating on the water's surface with arms extended. They gradually submerge, moving downward through the water as their body and limbs adjust. The camera maintains a top-down perspective throughout, capturing the individual's descent into the water.

Two swimmers (solid, distinct objects) moving through the water via swimming locomotion.

The background (pool walls) is static. The water is calm and serves as the environment, but the motion of the water itself is not dominant; minor disturbances are caused by the swimmers' movement.


Two individuals in dark suits and ties raise brass trombones to their lips to play, standing side by side against a plain wall with a ceiling light. The camera remains static, capturing the scene from a fixed angle.

Two men playing trombones; the trombones are moved by sliding motions (discrete object motion) and the men are blowing into the mouthpieces.

Static background with no shifting elements or environmental fluids; no fire, water, or wind motion observed.


A boy wearing an orange and white shirt with a dark "Y" logo enters the frame from the right, moving toward a table. He sits and brings a small object to his mouth, appearing to eat. The background includes a window with potted plants, but the focus remains on the boy’s actions. The camera is stationary with minimal movement.

A person (wearing an orange shirt with a 'the Y' logo) is moving: turning toward the camera, adjusting their posture, and manipulating an object (possibly a pen or small item).

The background elements (windows, plants, chairs) are static with no shifting. No fluid or environmental motion (fire, water, smoke, wind) observed.


A person in a white polo shirt and dark pants sits on a blue patterned couch. They hold a small object, raise their right arm, then pick up a yellow-covered book from their left side, holding it in their left hand. The background includes a patterned pillow on the couch. The camera remains stationary with slight movement.

The person (solid object) moves their hands and arms to reach for and manipulate a book (another solid object). The book is lifted and turned by the person's explicit physical actions.

The blue couch pattern and static background elements (pillows, book) show no uniform shifting or environmental fluid motion (fire, water, smoke, wind). Background remains fixed throughout the clip.


A hand manipulates a dark green weaving strip, inserting it between light brown wooden slats of a basket. The hand pulls the strip through the slats, tightening the weave. The basket remains stationary on a surface, with the hand positioned in front of it. The camera maintains a close-up, static perspective focused on the weaving process.

A human hand is actively manipulating a woven basket, performing weaving actions with a dark cord. The hand moves discretely to pull and adjust the cord within the basket structure.

No shifting backgrounds or fluid/environmental motion (fire, water, wind) observed. The wooden slats and basket structure remain static throughout the sequence.


A person with long dark hair and a white top moves through a room near a window, turning their head and shifting position. The handheld camera, slightly shaky, follows the individual’s motion from left to right and toward the camera, with minimal background details visible.

A woman is the primary discrete object, moving through the kitchen via locomotion (walking, turning, interacting with cabinet). Her motion is tracked independently.

The kitchen background (cabinets, windows, curtains) remains largely static; no dominant fluid or environmental motion (fire, water, smoke, wind) is present. Curtain movement is minimal and not fluid.


A person wearing black shorts and blue athletic shoes walks, then bends forward. The scene widens to show the individual pushing a large black tire across a gym floor, with another person visible in the background. The camera transitions from a close-up of the legs to a wider view capturing the tire-pushing motion and surrounding gym equipment. Background details are minimal.

A person moves a bar, then pushes a large tire, and then walks. These are discrete solid objects moving due to physical forces (the person's movement).

The background (gym equipment, walls, floor) is static with no fluid motion (fire, water, wind).


A person in a purple jacket stands facing a gray wall, using a spray can to apply red graffiti. Their arm moves to form letter shapes, with their back to the camera. The camera remains stationary, capturing the action from behind the individual.

A person (discrete object) is moving their arm and hand to spray paint on the wall, exhibiting explicit locomotion and physical force application. The motion is easily trackable with a bounding box.

The background (wall) is static with no shifting or fluid motion (fire, water, smoke, wind). No environmental elements exhibit dynamic movement.


RAW CAPTION: Got it, let's tackle this. First, the video shows a person in a green apron handling a pineapple. The main actions are cutting the pineapple. Let's break it down chronologically.

In the first frame, the person is pressing a cylindrical object (maybe a pineapple core) into the pineapple. Then, they use a knife to cut the pineapple into slices. The next step is removing the core or the cut part, then placing the pineapple on a cutting board. Wait, the video shows cutting the pineapple, then the person removes the top part. Then, there's a shot of the pineapple being held, and text about conserving juice, but we need to exclude text recognition. So focus on the actions.

The person is wearing a green apron. The pineapple is on a green cutting board. They use a knife to cut the pineapple into slices. Then, they remove the core or the cut section. Then, they hold the pineapple, maybe after cutting. The main subjects are the person's hands, the pineapple, the knife, the cutting board.

Chronological order: Start with cutting the pineapple (using a knife to slice), then removing the cut part, then holding the pineapple. The spatial relationships: pineapple on green cutting board, knife to the left, person's hands in action. Camera perspective: close-up shots, maybe top-down or close-up on hands and pineapple.

Let's structure the caption:

A person in a green apron uses a knife to slice a pineapple on a green cutting board, then removes a cylindrical section from the pineapple, revealing the core. The person holds the pineapple, displaying the cut surface. The camera maintains a close-up perspective on the hands and pineapple, focusing on the cutting action.

Check rules: focus on motion and behavior chronologically. Mention appearance: green apron, green cutting board, pineapple (yellow flesh, brown skin). Spatial: knife to left of pineapple. Exclude text. Camera: close-up.

Let's make it concise. Let's see:

A person in a green apron cuts a pineapple on a green cutting board, slicing it into pieces, then lifts the core section, holding the pineapple to display the cut. The camera stays close-up, focusing on the hands and pineapple.

Wait, the first frame shows pressing a cylindrical object into the pineapple. Wait, the video starts with a hand pressing a white object (maybe a core) into the pineapple, then using a knife to cut. Wait, maybe the core is being removed.

Looking at the frames:

[0.0] Hand presses a white cylindrical object into a pineapple on a green cutting board, next to a whole pineapple.

[1.4] Hand uses a knife to cut the pineapple, which is now partially hollowed out.

[2.5] Person cuts the pineapple into slices, removing the core.

[3.6] Person holds the pineapple, showing the cut pieces.

[4.7] Person holds the pineapple with text "Conserve le jus de l'ananas" (but we exclude text).

So the actions: first, inserting a core into the pineapple (maybe to extract juice?), then cutting. Wait, the second frame shows a knife cutting, then the person lifts the pineapple. Wait, maybe the process is: the person is using a tool to remove the core, then slices.

But the key is chronological motion. So:

A person in a green apron uses a knife to cut a pineapple on a green cutting board, then removes a cylindrical section from the pineapple, holds the pineapple, and displays the cut surface. The camera remains close-up, focusing on the hands and the pineapple.

Check for rule f: exclude text recognition. The text is there but we don't mention it.

Rule d: camera perspective and movement. The camera is close-up, slight movement? The description says "camera perspective and movement (e.g., top-down, pan left, slight shake)". The video seems to have close-up shots without significant movement, so "close-up perspective".

Also, background: minimal, so mention only if essential. The background is a white counter, but maybe not essential. So focus on the main elements.

Let's write:

A person wearing a green apron cuts a pineapple on a green cutting board, slicing the fruit into pieces, then lifts the core section and holds the pineapple to display the cut. The camera maintains a close-up focus on the hands and the pineapple throughout.

Check if it's concise. Let's make sure it's chronological: cutting first, then removing core, then holding.

Yes. Let's check the rules:

a) Motion and behavior: cutting, removing core, holding.

b) Appearance: green apron, green cutting board, pineapple (yellow flesh, brown skin).

c) Spatial: knife to the left of the pineapple.

d) Camera: close-up.

e) Background: minimal (white counter not mentioned, so okay).

f)

Discrete solid objects (person's hands, pineapple) move: hands cut and position pineapple slices, with the pineapple being manipulated by physical force.

Background elements (green mat, white surface) show no uniform shifting or fluid environmental motion (no fire, water, smoke, wind).


A white van, small to medium in size, moves across a sandy beach, turning left and continuing its journey along the shoreline. The van remains centered in the frame as it navigates the beach, with the ocean visible in the background. The camera maintains a static perspective throughout, capturing the van's movement from right to left.

A single white van is moving leftward along the beach, with its position changing consistently across frames. No other discrete objects exhibit significant motion.

The background shows a static beach with gentle ocean waves. While waves exhibit ambient motion, they are not dominant; the primary focus is the van's movement across the scene.


RAW CAPTION: Okay, let me tackle this captioning task. First, I need to understand the user's instructions. They want a concise, chronological paragraph describing the video, focusing on the main subjects' actions and motions. The rules specify to avoid text recognition, named characters, and stylistic analysis. So I should ignore the "GARDEN TIME WITH SEDAR ARAPOGULI" text.

Looking at the video frames provided, there are two people: a woman and a man. The woman is standing on the left, wearing a dark coat. The man is on the right, wearing a striped sweater, and he's trimming the hedge. He steps up on a chair to reach the hedge. The background includes a house with a balcony and a hedge. The camera seems to be stationary, maybe a slight pan or static.

I need to describe the chronological order. First, the man is standing on the chair, trimming the hedge. Then he steps down. The woman is observing, maybe talking to him. The camera movement: since the frames are static, maybe the camera is fixed. Wait, the video shows the man moving from standing to stepping down. The woman is stationary. The background is the house and hedge.

Wait, the first frame shows the man on a chair. Then in the next frames, he steps down. So the sequence is: man trims hedge from chair, then steps down. Woman stands nearby, watching. The camera stays in the same position, maybe a slight pan left or right? The user said to mention camera perspective and movement at the end. The problem states that the camera movement is "slight shake" but in the example maybe not. Wait, the user says "DO NOT output your reasoning" so I have to just follow the example.

Wait, looking at the rules again: "Conclude with the camera perspective and movement (e.g., top-down, pan left, slight shake)." So I need to note if the camera moves. The frames provided are from 0 to 5 seconds, and the description says "camera perspective and movement." In the given frames, the camera seems to stay fixed, maybe a static shot. So perhaps "static camera" or "stationary camera."

Now, the user wants a concise paragraph. Let's structure it:

- Main subjects: woman and man. Woman in dark coat, man in striped sweater.

- Actions: Man trims hedge while standing on chair, then steps down. Woman observes.

- Spatial relationships: woman stands to the left, man to the right, near the hedge.

- Camera: static.

Avoid mentioning the text on screen. So the caption should be:

"A woman in a dark coat stands to the left, observing a man in a striped sweater who trims a hedge while standing on a chair. He steps down from the chair as he continues working, with the camera maintaining a static perspective."

Wait, but need to check chronological order. The video starts with man on chair trimming, then he steps down. The woman is standing there. The camera is static.

Check the rules again: focus on motion and behavior in chronological order. So first, the man is trimming the hedge from the chair, then steps down. The woman is stationary.

So the caption should mention the man's actions in order, then the woman's position.

Also, mention their appearance briefly: woman's dark coat, man's striped sweater.

Check if spatial relationships are needed: yes, "woman stands to the left, man to the right, near the hedge."

Camera: static, no movement.

Let me draft:

"The woman in a dark coat stands to the left of a hedge, observing the man in a striped sweater who trims the hedge while standing on a chair. He steps down from the chair as he continues trimming, with the camera remaining stationary."

Check if all rules are followed:

a) Motion: man trimming, stepping down. Woman observing. Correct.

b) Appearance: dark coat, striped sweater. Yes.

c) Spatial: woman left, man right, near hedge. Yes.

d) Camera: static. Yes.

e) Background minimal: hedge and house are in the background, but maybe not essential. The problem says "keep background descriptions minimal unless essential for understanding motion." The motion is trimming the hedge, so the hedge is essential. But maybe "hedge" is sufficient.

f) Exclude text. Correct.

g) No reasoning in output.

Yes. Let's see if it's concise. Maybe shorten:

"A woman in a dark coat stands left of a hedge, watching a man in a striped sweater trim the hedge while on a chair. He steps down from the chair, with the camera remaining static."

Wait, the rule says "concise, chronological paragraph." So maybe "A woman in a dark coat stands left of a hedge, observing a man in a striped sweater who trims the hedge from a chair

Two people are present; one is stationary observing, while the other is actively moving (trimming the hedge) using a gardening tool.

The background elements (hedge, building, ground) are static with no uniform shifting or fluid/environmental motion (fire, water, wind).


A person wearing a dark red and black plaid shirt stands in a room with a floral-patterned curtain to their left and a couch with striped pillows behind them. They gesture with their hands while speaking, then bring their hands together in a clapping motion multiple times. The camera remains stationary throughout.

A person (solid, discrete object) is moving their hands and arms intentionally through gesture, with no collisions or external forces (e.g., wind) affecting their motion.

Background elements (curtain, wall, couch) show no uniform shifting or environmental motion; no fire, water, smoke, or wind present. Static background indicates no ambient environmental or camera-induced motion.


In an indoor venue, a man in a dark shirt stands on a raised platform, holding a yellow balloon; he lifts it upward, raising it high above his head while a crowd surrounds him, some holding yellow balloons. The camera pans slightly, capturing his motion and the audience’s attention.

Discrete objects: people (dancers on stage and in the audience) moving due to dancing and locomotion. Balloons are stationary or held by people.

The background (ceiling, walls) does not show uniform shifting. No fire, water, smoke, or wind is visible. The scene is indoors with solid objects.


A dealer in a red vest and white shirt with blonde hair distributes cards to seated players around a green casino table. The players include a man in a red jacket, a man in a white shirt with sunglasses, and a woman in a sleeveless top. The dealer moves cards toward each player, placing them in front of them, while the players observe. The camera maintains a close-up perspective focusing on the table and the interaction between the dealer and players.

Dealer (woman in red) distributes cards; players interact with chips and table. Card placement, chip handling, and hand movements are discrete solid-object motions.

The casino interior background (ceiling lights, walls) shows no uniform shifting or fluid motion. No fire, water, or wind effects are present.


A young girl wearing a red long-sleeve shirt and blue apron with yellow and white patterns sits at a wooden table. She uses both hands to interact with a red book placed atop a stack of books, moving her fingers across the book’s cover. The camera remains stationary, capturing her from a straight-on perspective with minimal background detail visible.

A child interacts with a book, moving their hands to turn pages or touch the book.

Background is static with no environmental motion (no fire, water, smoke, or wind).


Several individuals on small tractors—green, blue, and black—ride through a grassy field with hay bales, moving forward and rightward. The green tractor leads, followed by the blue and black tractors, as they navigate around bales and exit the frame. The camera pans right, tracking the movement, with orange safety netting in the foreground.

Discrete solid objects (people on ATVs/tractors) are moving along a course, exhibiting locomotion due to engine power and steering.

Static background elements (orange netting, trees, hay bales) show no uniform shifting or fluid motion; no fire, water, or wind-driven environmental phenomena detected.


A hand with visible hair holds a small blue figurine with detailed limbs, using a thin tool to adjust it; the hand then positions the figurine onto a dark cylindrical object. The background is plain white. The camera maintains a close-up, top-down perspective with minimal movement to document the manipulation sequence.

A hand (solid object) manipulates a small blue figurine, with the hand exhibiting intentional movement to position the figurine.

Background is a static white surface with no shifting elements or fluid/environmental motion (fire, water, wind).


A person in a white striped shirt and khaki pants stands in front of a beige building with a barred window, holding an object in their hands. They shift their posture, moving slightly to the side while adjusting the object, then bend downward. The camera follows the person with a slight shake, capturing their movements from a close perspective.

A person in a white striped shirt and khaki pants is actively moving: adjusting clothing, turning, and shifting posture, representing discrete solid object motion due to human locomotion.

The yellow wall and windows in the background remain static with no uniform shifting or environmental fluid motion (e.g., fire, water, smoke), indicating no dominant ambient environmental forces.


Two women sit side by side in a kitchen; the left woman, with long dark hair, white shirt, and red polka-dot apron, gestures with her hands while speaking and turns her head toward the right woman. The right woman, with dark hair in a ponytail, red turtleneck, and black-and-white patterned apron, shifts her gaze to the right. The camera remains stationary, capturing the scene from a fixed angle.

Two people are moving: the woman on the left gestures with her hands and moves her head, while the woman on the right turns her head slightly. These are solid, distinct objects moving due to locomotion and conversation.

The background (cabinets, microwave) is static with no shifting. No environmental elements (fire, water, smoke, wind) are present.


A hand holds a round, yellow fruit with slight blemishes on a white surface while another hand uses a knife to slice vertically through the center, splitting it into two equal halves. The hands then separate the fruit halves, revealing the inner pinkish-red flesh. The background features a dark chair and draped fabric, but remains out of focus. The camera maintains a top-down perspective with no noticeable movement.

A hand holds a mango while a knife cuts through it, causing the mango to split into two halves. The mango halves exhibit motion due to the knife's action, and the hand moves to stabilize the fruit during cutting.

Background elements (e.g., fabric or objects behind the mango) are stationary; no fluid motion (fire, water, wind) or significant environmental effects are present.


A person wearing a red safety vest with yellow stripes, blue helmet, and gray pants uses an orange hedge trimmer to trim a large green bush. Moving around the bush, they adjust their position to trim its edges from different angles while the camera follows their movement with slight panning to maintain focus.

The person (wearing high-visibility vest) moves around the bush while operating a hedge trimmer, exhibiting discrete locomotion and tool manipulation.

Background elements (buildings, street, parked vehicle) are static with no shifting or fluid motion. No fire, water, or wind effects observed.


A yellow bulldozer with a black blade moves forward across a muddy field, pushing a large mound of brown dirt. The operator remains visible inside the cabin as the machine advances. The camera pans left, following the bulldozer’s movement to maintain a side perspective.

A yellow bulldozer moves forward, pushing dirt with its blade; its motion is consistent with mechanical locomotion and material displacement.

Static background elements (trees, distant structures, ground) show no uniform shifting or fluid motion (e.g., no wind-driven swaying, water flow, or smoke).


A person in a white coat uses both hands to manipulate a patient's foot, which rests on a white surface. The hands grip, rotate, and press the foot in a circular motion, with a small red bowl visible on the table to the right. The background features blurred furniture, and the camera maintains a close-up perspective, slightly shaky, focused on the hands and foot throughout the sequence.

The hands (one person) are manipulating the foot (another person's foot), applying pressure and moving the ankle. This involves discrete solid objects (human limbs) moving due to physical forces.

The background elements (e.g., furniture) are relatively static with no significant shifting or fluid motion (fire, water, smoke, wind).


Two light-skinned hands manipulate a single standard deck of blue-backed playing cards on a green felt surface. Chronologically, they hold the deck vertically with backs facing upward, then press and split it into two halves, maneuvering the halves horizontally while adjusting their positions. The camera maintains a static top-down perspective throughout the sequence.

The hands and the deck of cards are moving. The hands perform a shuffling action, which is a discrete physical manipulation of the deck.

The background (green table) is static and does not shift. No environmental elements (fire, water, smoke, wind) are present.


A hand with a gray sleeve writes "THE WRITING ON THE WALL" in chalk on a brick wall. A man in a dark suit and gray hair walks into the frame from the right, stops in front of the wall, and gestures with his hands. The camera remains static throughout, focusing on the wall and the man's movements.

A single human subject (Alan Weiss) is visible, moving through the scene via walking and gesturing motions, which are discrete, solid-object behaviors.

The brick wall background remains static throughout the video, with no shifting or environmental effects (e.g., smoke, fire, wind) observed.


A person wearing gray shorts and a dark shirt lies on a bench, lifting a barbell with weights from chest height to overhead, then lowering it back to chest height. The camera remains stationary, providing a top-down view of the exercise.

A person performing a bench press with a barbell; the barbell moves vertically due to muscle exertion and gravity, while the person's body adjusts position in response to the lift.

No shifting backgrounds or fluid/environmental motion observed; gym walls and equipment remain stationary across frames, indicating no dominant ambient elements.


RAW CAPTION: Got it, let's tackle this video caption. First, the main subject is the frying pan with vegetables. The video shows vegetables being cooked. Let's see the sequence. At the start, there's a pan with broccoli, bok choy, and maybe onions. Then, a hand (maybe a person) adds more ingredients or stirs? Wait, the video clips show the pan, then steam, then a hand adding something. Wait, the first frame is the pan with veggies, then a spoon adds something, then stir. Wait, let's check the timestamps.

Frame 0: Pan with veggies. Frame 1: Same. Frame 2: Maybe a spoon adding liquid? Frame 3: More stirring. Frame 4: Hand with a utensil (like a spatula) moving the veggies. Frame 5: Another view, maybe a hand stirring. Wait, the description says "a hand with a spoon adds a liquid" but the actual video shows the pan on the stove. Let's break down each frame:

- [0.0]: Pan with green vegetables (broccoli, bok choy), some white (maybe onions), in a black frying pan on a stove. Steam rises.
- [1.0]: Same pan, steam.
- [2.0]: A spoon adds a liquid (maybe soy sauce or broth) into the pan. The liquid is dark.
- [3.0]: The spoon is lifted, and then the hand (probably the cook) moves the vegetables by stirring.
- [4.0]: Close-up of the pan, the hand stirs the veggies, mixing them.
- [5.0]: The pan is still on the stove, now a hand with a spoon is adding more ingredients or stirring (maybe a different action).

Wait, the key is chronological motion. So first, the pan has veggies. Then a liquid is added. Then stirring happens. Then the stirring continues.

The main subjects: the frying pan, the vegetables (green and white), a hand (but since it's a cooking video, the hand is the cook's hand, but we don't name, just describe motion). The vegetables are chopped, green and white, in the pan. The hand uses a spoon to add liquid and a spatula to stir.

So chronological order:

1. The frying pan on the stove contains chopped green vegetables (broccoli, bok choy) and white vegetables (onions).
2. A spoon adds a dark liquid into the pan.
3. A hand stirs the vegetables with a utensil, mixing them.
4. The stirring continues, with the vegetables moving in the pan.

Now, spatial relationships: the pan is on the stove, the hand is above the pan.

Background: minimal, the stove is visible, maybe a countertop, but not essential.

Camera perspective: starts with a close-up of the pan, then slight movement, maybe a pan left to show the hand. But the rules say minimal background, so focus on motion.

So caption needs to be concise, chronological, mention main subjects (vegetables in pan, hand stirring), appearance (green and white veggies), motion (stirring, adding liquid), camera movement (close-up, slight pan).

Wait, the rules say: "Focus primarily on the motion and behavior of main subjects (people/animals/objects) in chronological order."

Main subjects: the vegetables (objects), the hand (person). But since it's a video, the hand is the actor.

So sequence:

- Initially, a black frying pan on a stove contains chopped green and white vegetables (broccoli, bok choy, onions).
- A hand uses a spoon to add dark liquid into the pan.
- Then, the same hand uses a utensil to stir the vegetables, mixing them.
- The stirring continues, with the vegetables moving within the pan.

Camera: starts with a close-up of the pan, then shifts slightly (maybe pan left) to show the hand stirring.

Wait, the video has frames where the camera angle changes a bit. Let's check the frames:

Frame 0: pan on stove, veggies.

Frame 1: similar, but maybe a little zoom.

Frame 2: spoon adding liquid.

Frame 3: spoon moving away, then the pan.

Frame 4: hand stirring.

Frame 5: another view of the pan with the hand stirring.

So camera movement: close-up, then slight pan to show the hand.

Now, following the rules: concise, chronological paragraph.

Let's draft:

A black frying pan on a stove holds chopped green and white vegetables, including broccoli and onions. A hand adds dark liquid with a spoon, then stirs the vegetables using a utensil, mixing them as they sizzle. The camera maintains a close-up view, slightly panning to capture the stirring motion.

Wait, but the video shows the

Vegetables (bok choy) and spatula moving due to stirring action; solid objects interacting under explicit physical force (spatula pushing vegetables).

Background (stove, countertop) is static with no shifting; minimal steam but not dominant fluid/environmental motion (fire, water, wind).


A person in a light blue jacket uses a green pipette to apply liquid to a yellow fire hydrant with a white ring. The scene transitions to a close-up of gloved hands (white) manipulating a brown object, likely a horse’s hoof, against a metal structure. Both segments feature tight framing with no camera movement.

A person wearing white gloves manipulates a shoe, applying a substance to its surface (e.g., polishing or gluing). The hands and shoe are the discrete solid objects exhibiting physical motion due to manual interaction.

The background in the shoe scene (patterned surface with stripes) shows no uniform shifting or environmental fluid motion (e.g., fire, water, smoke, wind). The cake scene at the start has static background elements.


A man in black clothing and a cap uses a paint roller to apply pink paint to a light gray exterior wall, moving the roller horizontally from left to right; a woman in a light-colored top stands in the open doorway behind him, observing. The camera remains stationary throughout.

A person is moving while painting a wall: stepping back and forth, holding a roller, and applying paint. The motion is distinct and attributable to human locomotion and physical action.

No shifting background elements (walls, door, window remain static). No fluid/environmental motion (fire, water, wind, or smoke) observed in the scene.


A pair of adult hands positions a wooden stick within a gray metal ring containing a blue substance. The hands then use a hammer to strike the stick repeatedly, maintaining the ring's stability. The blue material remains contained within the ring during the strikes. The camera maintains a close-up, static perspective focused on the hands and ring throughout the sequence.

Hands and a hammer are the discrete objects moving; the hands manipulate the hammer to strike a purple material within a circular mold, demonstrating explicit physical forces (impact) from the hammer.

The background consists of a dark, static surface (likely a workbench) with no shifting or fluid motion (no fire, water, smoke, or wind). Background elements remain stationary relative to the frame.


RAW CAPTION: Got it, let's break this down. First, the video starts with a nighttime shot of a metal utility box. Inside, there's a blue item with a gold border, maybe a geocache. Then, a hand with red nail polish enters the frame holding a green plastic container attached to a chain. The hand places the container into the box. Finally, the video cuts to a wooden background with "Thanks for watching!" and some logos, but we need to exclude text recognition. Wait, the rules say exclude text recognition, so skip that part. Now, chronological order: first, the utility box at night with the blue item. Then the hand with red nails adds the green container. Then the end screen (but since we exclude text, focus on the action up to the hand moving). Let's structure it.

Main subjects: the utility box (metal, open, blue item inside), then a hand (red nail polish) holding a green container with a chain. The hand moves the container into the box. Background is dark with trees. Camera starts with a close-up of the box, then the hand enters, moves the container, and then the video ends with the end screen (but we don't describe the end screen since it's text and we exclude text recognition). Wait, the rules say "exclude text recognition, named characters, or stylistic analysis", so the end screen's text is ignored. So the key actions: night scene, utility box, blue item inside; hand with red nails places green container into box.

Wait, the sequence:

0.0s: Metal box open, blue item inside (maybe a geocache container), dark background with trees.

1.0s: Hand with red nail polish appears, holding a green plastic container attached to a chain.

2.0s: Hand places the green container into the metal box.

3.0s: Transition to end screen (but we don't include text, so maybe skip the end screen as per rules).

So the caption should focus on the actions up to the hand placing the container. Let's check the rules: a) motion and behavior in chronological order. So first, the utility box is shown (static), then the hand moves into frame, holds the container, places it into the box.

Appearance: metal box (gray, open), blue item inside (small, blue with gold border), hand with red nail polish, green container (plastic, small, attached to chain).

Spatial: hand is in front of the box, placing the container into it.

Camera: starts with close-up of the box, then hand enters, then maybe a slight shift to show the action.

Wait, the first frame is the box at night. Then a hand holding the container comes into view (close-up of the hand and container), then the hand places it into the box. Then the video cuts to the end screen.

But we need to exclude the end screen because of text recognition. So the main sequence is the box, then the hand adding the container.

Let's write it:

A close-up of a metal utility box at night reveals a small blue item with a gold border inside. A hand with red nail polish enters the frame holding a green plastic container attached to a chain, moving it toward the box and placing it inside. The camera remains focused on the hand and box throughout, with the background showing dark trees.

Wait, but the rules say "background descriptions minimal unless essential". Dark trees are essential for context (night scene), so maybe mention "dark background with sparse trees". But let's check the first frame: "dark background with trees" (from the first frame description).

Wait, the first frame: "a metal utility box at night with a blue item inside; dark background with trees visible". Then the hand comes in.

So putting it all together:

At night, a metal utility box is shown with a small blue item inside; a hand with red nail polish holding a green plastic container on a chain enters the frame, places the container into the box, and withdraws. The camera maintains a close-up view focused on the box and hand throughout.

Wait, but the video might have the hand moving the container into the box (so placing it, not withdrawing). Let's check the timestamps:

Frame 0: box open, blue item inside.

Frame 1: hand holding container (green, chain) comes into frame.

Frame 2: hand holds container closer to box.

Frame 3: hand places container into box.

Then the next frames are the end screen.

So the action is hand moving the container into the box.

Also, the container is "green plastic container with a chain". The hand has red nail polish.

So the caption:

A metal utility box is shown at night with a small blue item inside; a hand with red nail polish holding a green plastic container on a chain enters the frame and places the container into the

A human hand (with red nail polish) manipulates a green geocaching box, moving it into and out of the frame while interacting with the utility box's opening.

The background consists of a stationary utility box and wires, with no fluid motion (fire, water, wind) or shifting environmental elements; the background remains static throughout the clip.


A man in a white shirt shapes clay on a pottery wheel, his hands molding the spinning form. A person in a light green shirt approaches from the left, assisting by adding clay from a yellow bucket. They collaborate, the second individual positioning clay on the wheel while the first continues shaping. The camera pans slightly, capturing their synchronized movements amid a cluttered workspace of tools and clay.

Discrete solid objects: a person's hands actively shaping clay on a potter's wheel. The clay and hands exhibit motion due to physical forces (molding and spinning).

The background elements (walls, buckets, clay pieces) are static and show no uniform shifting or fluid motion (e.g., no fire, water, smoke, or wind-driven movement).


A close-up shot focuses on a person's ear and eye with blue eyeshadow and dark hair; a hand holding a makeup brush enters from the left, applying product to the eyebrow area before moving along the brow. The camera maintains a tight, slightly shaky perspective throughout, with minimal background visible.

discrete_object_physics | ambient_environmental | camera_motion | ego_motion | static

Briefly describe what discrete, solid objects are moving.

Briefly check for shifting backgrounds or fluid/environmental motion (fire, water, wind).


A person in a gray hoodie and blue jeans using crutches is assisted by a person in a green shirt and beige pants as they walk toward a wooden door. The helper places a hand on the crutch user’s waist, guiding them to the door. They stop, the crutch user opens the door, and both enter the room. The camera remains stationary, capturing the hallway scene with framed photographs on the wall.

Two people are walking: one person using a cane, assisted by another individual. Their movement is discrete locomotion with clear bounding box tracking.

Background elements (walls, door, framed pictures) show no uniform shifting; no fluid/environmental motion (fire, water, smoke, wind) present.


A person wearing blue jeans cleans a blue and gold sneaker with a white brush over a wooden table, positioned in front of a black bucket filled with water and bubbles. The person holds the sneaker in one hand, scrubbing its surface, then places the brush on a green cloth to the right of the bucket. Next, they use the green cloth to wipe the sneaker, moving it in circular motions. The scene includes a green sponge and a white bottle on the table, with a green floor and white lines in the background. The camera maintains a top-down perspective throughout, remaining static.

A person is actively cleaning a shoe using a cloth; the shoe and cloth exhibit distinct, solid-object motion due to manual wiping action.

The background elements (wooden table, black container) show no uniform shifting; no fluid or environmental motion (fire, water flow, smoke, wind) dominates the scene.


A person's hands with gold rings cut black string using turquoise-handled scissors on a white paper bordered in green, held by black clips on a wooden surface. The hands then move the scissors aside, pick up a needle threaded with black string, and thread the needle through pre-punched dots along the paper’s edge. The camera remains fixed in a steady top-down perspective throughout the sequence.

Discrete solid objects (human hands, drawing tools, wires) move in response to explicit physical actions (drawing, pin placement, wire adjustment).

The wooden table and stationary background elements (papers, notebook) show no uniform shifting, indicating no camera motion or environmental fluid dynamics (fire, water, smoke, wind).