Two individuals stand on a golf course green; one person in a white shirt and dark pants positions themselves, bends over, and swings a golf club while the other remains stationary. The camera follows the person's movement from a side perspective with minimal background details visible.

A golfer is performing a swing motion, with the golf club and body moving due to explicit physical forces (muscle movement, swing mechanics).

The background features static buildings and a consistent green field with no shifting or fluid motion (e.g., no fire, water, wind).


A toddler in dark clothing and a white bib pushes a red toy cart loaded with colorful items (stuffed animals, plastic toys) along a hallway. The child moves forward, steering the cart with both hands as it rolls on wheels, while a person in dark pants walks past to the right. The cart’s contents shift slightly during motion, and the camera follows the toddler’s progression with a subtle pan to the right.

Child is pushing a toy cart (with red/white horse and flower bouquet) forward. Adult's legs appear briefly in background but are not the focus. Child's movement is driven by physical force (pushing cart).

Background elements (walls, floor) are static and show no uniform shifting. No fire, water, smoke, or wind visible; environment is controlled indoor space with no fluid motion.


A baby wearing a diaper with hair adorned by white flowers lies on the ground, holding a pink bottle. The baby moves the bottle away, raises their right hand, then touches their head with both hands. The camera maintains a top-down perspective with minimal movement.

The baby (a solid object) is moving: manipulating a bottle, turning the bottle, and moving its head and body.

The background is a static concrete floor with no fluid or environmental motion (fire, water, wind). Background elements do not shift uniformly.


A person in a white shirt and orange shorts, barefoot, moves around a red hanging punching bag in a gym, repeatedly throwing punches and kicks while shifting their position. A blue exercise ball sits on the red floor against a brick wall in the background. The camera remains stationary with a slight shake, capturing the subject's continuous motion.

The person (in white shirt and red shorts) is moving rhythmically by punching a heavy bag and stepping. The heavy bag moves in response to the punches.

The background (concrete wall, blue exercise ball, and floor) remains stationary without uniform shifting. No fluid, fire, water, or wind effects are present.


A man in a dark suit with a red tie stands at a wooden podium, speaking into a microphone. To his left is a man in a dark suit and gold tie, and to his right is a woman with dark hair. The man at the podium raises his right hand briefly while speaking. The scene is framed with dark blue curtains in the background, and the camera remains stationary.

The central man at the podium exhibits discrete physical motion: slight head movements and hand gestures (e.g., raising a hand toward the microphone). Two other individuals in the frame remain mostly static. All motion originates from explicit locomotion and gestures of solid objects (people).

The blue curtain background remains static throughout the video with no shifting, fluid motion, or environmental effects (fire, water, smoke, wind) observed. Background elements are uniformly fixed, indicating no ambient environmental motion.


A young girl in a pink striped outfit and yellow shoes sits on the front of an orange DL 250 construction vehicle. A boy in a red shirt moves from the left side of the frame toward the vehicle, then exits. The camera pans around the vehicle, capturing the girl remaining seated as a person in a black shirt with a patch approaches from the right. The camera maintains a handheld perspective with slight movements, shifting angles to show the vehicle and surrounding figures.

A child sits stationary on an orange loader, while a man in a red shirt moves around the loader (walking, gesturing) and other people interact in the background.

The background features a stationary red container and grass; no significant shifting or fluid motion (e.g., wind, water) is observed.


A person in a light blue shirt, dark pants, and white hat walks toward a stone gate, stops briefly, then turns and walks away. A second person in a red shirt enters from the left, walks past the first person, and continues moving. The camera remains stationary, capturing the scene from a fixed angle.

Two people (one in blue, one in red) walking away from the gate; another person (dark hair) walking past. Motion is locomotion of discrete objects.

The background (gate, trees) is stable with no shifting. No fire, water, or smoke. Minimal tree sway due to wind, but not dominant.


A hand holding a light brown wooden stick moves it over two red watermelon-shaped slices with black seeds and green rind. The hand positions the stick near the watermelons, shifting slightly as the stick interacts with the objects. The camera maintains a close-up perspective with slight handheld movement, focusing on the hand, stick, and watermelon slices.

A hand holding a wooden stick moves deliberately across stationary watermelon-shaped objects. The stick interacts with the watermelon displays but does not cause significant displacement.

The background elements (boxes, watermelon displays, and packaging) are static with no uniform shifting. No fluid/environmental motion (fire, water, smoke, wind) is present.


A person with dark hair and a striped crop top adjusts the top box of a red and white triangular box pyramid structure, then gestures toward it while seated. The individual, wearing a necklace, remains positioned behind the multi-level box arrangement as their hand movements stabilize or interact with the topmost box. The background is minimal, with the camera maintaining a static, slightly angled perspective throughout.

The person (a discrete solid object) is moving their hands and head, with no other significant discrete objects in motion. The bottle pyramid is static.

The background (wall) is static and shows no shifting. There are no fluids, fire, water, or wind present.


A woman with long dark hair holds a baby dressed in pink, smiling as she leans toward the baby. The baby, with a small earring, looks up at the woman, their faces growing closer. The camera slowly zooms in, capturing the intimate interaction with a slight shake, while the wooden door and wall remain in the background.

A baby (in pink) exhibits head movement and gaze direction changes; a woman holding the baby shows slight head motion, both representing discrete solid objects with intentional movement.

The background (door, wall) remains stationary with no uniform shifting or fluid/environmental motion (fire, water, wind) observed.


RAW CAPTION: Got it, let's break this down. First, I need to describe the video chronologically. The main subjects are a man and a German Shepherd dog. Let's start with the first frame: the man is walking with the dog on a leash. The dog is black and tan, medium-sized, following the man. Then, the man stops, maybe adjusts the leash, and the dog starts running. The dog is moving quickly, maybe chasing something? Wait, in the frames, the dog runs forward, and there's a background with a fence and an orange truck.

Wait, the rules say focus on motion and behavior chronologically. So step by step: first, man walking with dog. Then man stops, dog runs. Then dog continues running. Need to mention appearance: man is bald, light-colored shirt, cargo pants. Dog is German Shepherd, black and tan, medium. Spatial: dog is on leash, follows man. Then when man stops, dog runs ahead. Background: sandy area, fence, orange truck (but minimal background).

Wait, the first frame shows man walking, dog on leash. Then frame 2: man is talking on phone, dog still on leash? Wait, the video frames: [0.0] man and dog walking. [1.4] man talks on phone, dog runs. [2.5] dog is running, man maybe stops. [3.6] dog runs past man's leg. [4.7] dog continues running, man is out of frame.

Wait, let's check the frames. The video has a sequence where a man is walking with a German Shepherd on a leash. The dog is black and tan, medium-sized, follows the man. Then the man stops, perhaps talking on a phone (but rule f excludes text, so just the action). The dog then runs ahead, kicking up dust, moving forward past the man's legs. The background is a sandy area with a concrete wall and an orange truck in the distance.

Need to describe chronologically: man walking with dog (leashed), then man stops (maybe holding phone), dog runs ahead, then dog continues running. Also, mention the dog's movement: running, tail up, etc.

Now, following the rules: concise, chronological paragraph. Focus on motion. Appearance: man (bald, light shirt, cargo pants), dog (black and tan German Shepherd, medium). Spatial: dog is on leash, follows man; then runs ahead.

Background: sandy area, concrete wall, orange truck (minimal). Camera perspective: probably fixed or slight pan? The video shows the dog moving from left to right, so maybe the camera follows the dog.

Let's structure the caption:

A bald man in a light shirt and cargo pants walks alongside a black and tan German Shepherd on a leash through a sandy area. The dog, medium-sized with upright ears, runs ahead of the man, kicking up dust as it moves. The man stops and appears to adjust the leash, while the dog continues running forward, passing the man’s legs. The background features a concrete wall and an orange truck, with the camera following the dog's movement as it runs left to right.

Wait, but need to check if that's chronological. First, walking together. Then man stops, dog runs ahead. Then dog runs past. Also, the dog's behavior: running, maybe excited.

Wait, the frames: [0.0] man walking, dog on leash. [1.4] man is talking on phone (but rule f: exclude text, so just "man talks" maybe). Then dog is running. Wait, in frame 2, the dog is running. So sequence: man walks, dog on leash. Man stops (maybe to talk), dog starts running. Dog runs, passes man's legs.

So:

A bald man in light clothing walks with a black and tan German Shepherd on a leash across a sandy area. The dog, medium-sized with upright ears, begins running ahead of the man, kicking up dust as it moves forward. The man pauses briefly, then the dog continues running leftward, passing the man's legs. In the background, a concrete wall and orange truck are visible. The camera follows the dog's movement.

Wait, but rule d: conclude with camera perspective. The video shows the dog moving, so the camera might be static but tracking. Maybe "the camera follows the dog's movement" as the perspective.

Check rule b: mention appearance and number. Dog is one, German Shepherd. Man is one.

Let me try to write it concisely.

A bald man in a light shirt and cargo pants walks with a black and tan German Shepherd on a leash across a sandy area. The dog, medium-sized, runs ahead, kicking up dust as it moves leftward. The man pauses, and the dog

The dog is the primary moving object, exhibiting locomotion (lying down, getting up, running). The man remains stationary while holding the leash. Both are solid objects moving due to explicit physical forces (dog's running).

The concrete wall and truck in the background are stationary. Dust is kicked up by the dog's movement, but this is a minor secondary effect from discrete object motion and not dominant environmental fluid motion (e.g., no wind-driven smoke or water flow).


A girl with long dark hair wearing an orange sleeveless top sits on a couch, playing a tall wooden harp. Her hands move to pluck the strings, positioned in front of her. The harp stands vertically, with a beige curtain visible to the left. The camera remains relatively stable with a slight shake.

The girl's hands are moving to pluck harp strings, representing discrete solid-object motion due to intentional physical action.

The background elements (curtains, wall, couch) show no significant shifting or fluid motion; no fire, water, smoke, or wind-driven effects observed.


RAW CAPTION: Okay, I need to generate a concise caption for this video based on the user's instructions. Let me start by watching the video frames provided.

The video shows a snowy scene with a white truck and two workers unloading boxes. First, in frame 0, there are two people: one in a blue vest and another in darker clothing. The truck's back is open with large cardboard boxes labeled "Beverage." The worker in blue is pushing a box towards the building. The ground has some snow and yellow lines.

In frame 1, the worker in blue is still handling a box, maybe lifting it. The other worker is moving towards the truck. The truck is parked near a building with a loading dock.

Frame 2: The blue-vested worker is pushing a box up the ramp. The other worker is inside the building, possibly waiting to receive the box. The boxes are stacked on the truck.

Frame 3: The worker in blue is now pulling the box off the truck. The other worker is inside the building, holding a cart or something. Snow is visible on the ground.

Frame 4: The blue-vested worker is carrying the box towards the building. The other worker is still inside. The truck's ramp is down.

Frame 5: Both workers are moving boxes. The blue-vested worker is pushing a box up the ramp, and the other is on the ground. The scene is still snowy.

Frame 6: The worker in blue is holding the box near the building entrance. The other worker is inside, possibly directing. The boxes are labeled "Beverage."

Now, I need to describe this chronologically. Main subjects: two workers, white truck, cardboard boxes. Appearances: blue vest (one worker), dark clothing (the other). Actions: moving boxes from truck to building. Spatial relationships: worker in blue moves from truck to building, other worker inside. Background: snowy, parking lot with yellow lines, building entrance.

Check the rules: focus on motion and behavior, chronological order, mention appearance and number, spatial relationships, camera perspective. Exclude text recognition, names.

Camera perspective: it's a stationary shot, probably slightly shaky since the video might have some movement, but the user didn't mention camera movement. Wait, the user says "conclude with camera perspective and movement." The example says "top-down, pan left, slight shake." But in the video, it's likely a fixed camera, maybe slight shake. Need to check.

The video seems to be taken from a stationary position, looking at the scene. Maybe slight shake? The user's example says "slight shake" as a possible movement. But the description says "background descriptions minimal unless essential." The main focus is the workers moving boxes.

So, putting it all together: two workers (one in blue vest, one in dark clothes) unload boxes from a white truck into a building, moving them via a ramp. The ground has snow. Camera is stationary, maybe slight shake.

Check the rules: avoid text recognition (so "Beverage" is not mentioned). Mention appearance: blue vest, dark clothes. Number: two workers. Motion: pushing, pulling, carrying boxes. Spatial: worker in blue moves from truck to building, other worker inside. Background: snowy, parking lot.

The caption should be concise. Let me draft:

Two workers, one in a blue vest and another in dark clothing, move large cardboard boxes from a white truck to a building. The worker in blue pushes and pulls boxes along a ramp while the second worker positions boxes inside. Snow covers the ground near yellow-painted parking lines. The camera remains stationary with slight movement.

Wait, but need to be chronological. Start with first action: workers are unloading boxes from the truck. Maybe frame 0 shows the start, so first action is pushing the box. Let's see:

"Two workers, one in a blue vest and another in dark clothing, unload large cardboard boxes from a white truck onto a loading dock. The worker in blue pushes a box toward the building entrance, while the second worker assists with positioning boxes inside. Snow covers the ground near yellow-painted parking lines. The camera remains stationary with slight shake."

Wait, the user says "conclude with camera perspective and movement." So the last part should state that.

Check for minimal background: "snow covers ground" is essential for context. "Yellow-painted lines" is part of the background but maybe necessary.

Now, check if there's any text recognition to exclude. The boxes have "Beverage" but according to rules f), exclude text recognition. So don't mention the labels.

Let me check the example again. The output format requires the caption to be in <caption_output> tags.

Make sure it's concise, chronological. Start with the action sequence:

At the start, two workers (blue vest, dark

Multiple people (at least 3) and large cardboard boxes are moving. The people are lifting and carrying the boxes, with coordinated motions to unload from the truck.

The background (truck, building, ground markings) is stationary. There is no significant environmental motion (e.g., fire, water, wind) dominating the scene. The snow on the ground is static.


Four individuals in black martial arts uniforms with white sashes stand in a covered outdoor area at night; one person with a yellow turban remains stationary while another moves forward and to the left, passing others, as the camera slightly pans to follow their motion.

Multiple individuals in traditional attire are moving: one person bows, others walk and adjust positions. These motions are due to explicit locomotion (walking) and physical actions (bowing), indicating discrete object physics.

The background (roof structure, walls, ground) shows no significant shifting or fluid motion (e.g., fire, water, smoke). Background elements remain consistent across frames, indicating no dominant ambient environmental motion.


The video opens with a group of people gathered around a casino table, featuring a woman in a light-colored top seated and a man in dark clothing standing beside her. The scene transitions to a top-down view of the table, where hands place poker chips and cards, arranging them with $10000 markers around the cards, showing the motion of shuffling and positioning the chips and cards.

The hands (dealer and players) are moving cards and chips on the table. The motion is explicit manipulation by the dealer.

The background (walls, arches, painting) is static. No fluid motion (fire, water, smoke, wind) is observed.


A person with short red hair, wearing glasses and a red patterned top, is seated in a white chair. They initially look downward, then raise both hands to adjust their glasses. The background shows a room with a mirror. The camera remains static throughout.

A person (wearing glasses and a red patterned top) is moving: head and hands are adjusting glasses and mouth is moving (talking).

Background is static (room walls and furniture). No fluid or gaseous motion (fire, water, smoke) detected. No wind or environmental effects.


A person in a bright yellow safety vest stands beside a black sedan, then steps back as the car begins driving. The car moves forward along the urban street, the person walking away to the left while the vehicle continues driving. The camera follows the car's movement with a slight pan to the right.

A police officer walking toward the camera, a black SUV driving away, and a cyclist moving across the street.

No fluid/environmental motion (fire, water, wind) present; background elements (buildings, trees) appear static and show no uniform shifting.


A person in a pink shirt holds a yellow sponge near their face, applying it to their cheek and eye area with gentle motions; the camera remains in a close-up, steady position against a plain light-colored background.

A person is moving their hand to apply a product to their face, demonstrating discrete locomotion from physical action.

The background is a static plain wall with no shifting or environmental motion (fire, water, wind). No fluid or gaseous elements are present.


A person in dark clothing runs from right to left across a grassy area with dense forest background, swinging a long object during their movement. The camera remains stationary.

A person is moving, performing walking and swinging motions (likely an athletic movement).

The background (trees and grass) is static with no uniform shifting, and no fire, water, smoke, or wind effects are visible.


A man in a red shirt with a quiver of arrows on his back draws a bow, aims at a distant target, and releases an arrow. He adjusts his stance and grip while preparing to shoot, maintaining focus on the target positioned in front of him. The camera captures his motion from a side perspective with minimal movement, emphasizing the archery action in an outdoor setting.

The man (in red shirt) draws and releases the bow, causing the arrow to fly towards the target. The arrow is a solid object propelled by the bow.

The background (wooden fence, trees, target) shows minimal sway due to wind, but it is not dominant. There is no fire, water, smoke, or significant wind-driven motion. Background elements do not shift uniformly.


A person in a dark shirt with a red design and dark pants moves toward the camera, holding a pink object in their right hand; they raise the object upward as they advance before lowering it. The background includes interior elements like shelves and a door. The camera is stationary with slight shake.

A person (wearing a hat and a graphic t-shirt) is moving: turning, gesturing, and holding a red object. The motion is due to their own locomotion.

No shifting backgrounds; no fire, water, smoke, or wind observed.


In a snowy field, two individuals (one in dark clothing and white hat, the other in dark top and white hat) interact with blue buckets and sleds. Initially, the left person bends over a blue bucket near a white chair, while the right person handles another bucket. The left person then walks left toward the chair, and the right person moves rightward carrying a blue sled. By the final frame, the left person stands near the chair, and the right person has walked away. The camera remains stationary, capturing the scene from a fixed angle.

A person is moving across the snowy terrain, interacting with a sled. The person and sled are discrete solid objects exhibiting locomotion due to physical forces (walking).

Background elements (trees, hills) remain static with no uniform shifting. No fire, water, smoke, or significant wind-driven motion is observed.


The camera pans right across a group of seated individuals wearing pink checkered shirts and dark ties, capturing them engaged in writing or note-taking with pens. The background is a plain wall, and the camera movement includes a slight shake while panning left to right to reveal the entire row.

Multiple people in pink shirts exhibit discrete movements: one individual handles an object (possibly a bottle), others adjust seating positions and interact with the object.

Background elements (walls, furniture) show no uniform shifting; no fire, water, smoke, or wind present.


A person in a blue shirt stands with their back to the camera, hands on their lower back, then gradually bends backward, arching their spine. The individual remains centered in the frame against a plain white background. The camera maintains a static front perspective throughout the sequence.

A person (discrete solid object) performing a backward bend exercise: slowly arching their back while holding hands behind their back. Motion is controlled and localized to the torso.

Plain white background with no shifting elements or fluid/environmental motion (fire, water, wind). Background remains uniformly static throughout the clip.


A person in blue jeans and sandals uses a tool on a large gray rock amid scattered debris on the ground, then shifts position to reposition the rock while bending forward, with the camera following their movement from a close-up angle to a slightly lower perspective.

A person's hands and body move to manipulate a large rock, with the rock shifting position due to physical force applied by the person.

Static background elements (ground tiles, rocks, debris) show no uniform shifting; no fluid/environmental motion (fire, water, smoke, wind) detected.


A person wearing a white apron splits a large green-striped watermelon in half on a wooden cutting board, then places the two halves side by side with bright red flesh exposed before slightly separating them. The camera maintains a top-down perspective with no movement.

Person's hands manipulate solid watermelon halves, moving them on the cutting board via physical contact (cutting and positioning).

Static background elements (wooden cutting board, person's apron) show no uniform shifting or fluid motion; no fire, water, smoke, or wind present.


A person wearing blue gloves, a blue and black shirt, and black shorts works on the rear wheel of an orange bicycle mounted on a stand. They use a tool to adjust the chain while holding a green bottle, then reposition the bottle on the bike frame and step back. The camera remains stationary, focusing on the repair action.

Discrete solid objects include a person (wearing blue shirt and gloves) performing manual work on a stationary bicycle frame; the person's hands and body exhibit deliberate motion while adjusting components.

Static background elements (blue wall, bike stand, tools) show no uniform shifting or fluid motion (fire, water, smoke, wind); no ambient environmental motion detected.


RAW CAPTION: Got it, let's break this down. First, the video shows a person. Let's check the appearance: they're wearing a yellow polo shirt, light gray shorts, barefoot. The background is dark, and the floor is blue. The person starts standing still, then walks to the left, turns around, and stops. Wait, the sequence: in frame 0, they're standing facing right. Then at 1-3 seconds, they walk to the left (since the position moves left on the screen), then at 4-5 seconds, they turn to face forward (so from leftward movement, they turn around, maybe? Wait, no. Let's see the frames:

Frame 0: standing, side view, facing right.

Frame 1: starts moving left (walking towards the left side of the screen).

Frame 2: moving left, side view, body turned towards left.

Frame 3: continues walking left, now more towards center? Wait, no. Wait, the movement is from the right side of the screen to the left? Wait, in the first frame, the person is on the right side of the screen, standing. Then in frame 2, they start walking to the left (so moving across the screen from right to left). Then frame 3, still walking left. Frame 4: they turn around to face forward (so now they're walking towards the camera's left? Wait, no. Wait, in frame 4, they're facing front (towards camera). Wait, maybe the movement is: starts on the right, walks left (across the screen), then turns to face front. Let's check the frames:

Original frames:

0: standing, side profile, facing right (so we see their right side, body oriented right, so the screen's right side is where they face).

1: starts walking towards the left (so moving from right to left across the screen).

2: walking left, still side profile, moving further left.

3: walking left, now more center? Wait, but the next frame:

4: they're facing front (so turned around, facing the camera). So from the leftward walking, they turn to face forward.

5: standing, facing forward.

So the chronological motion:

- Starts standing at the right side, facing right.

- Walks left across the screen.

- Turns around to face front (towards camera).

- Stops.

Appearance: single person, yellow polo, light gray shorts, barefoot.

Spatial: starts on right, moves left, then turns to face forward.

Background: dark, blue floor. Minimal, so describe briefly.

Camera perspective: seems static, no movement. The camera is fixed, top-down? Wait, the background is dark, and the floor is blue, so it's a side view. Camera is probably a fixed shot, no movement.

So putting it all together:

A person wearing a yellow polo shirt, light gray shorts, and barefoot stands on a blue floor against a dark background. Initially facing right, they walk left across the frame, then turn to face forward and stop. The camera remains stationary, capturing the subject from a side perspective without movement.

Wait, check rules. Focus on motion chronologically.

Chronological:

- Starts standing (frame 0): position right side, facing right.

- Walks left (frames 1-3): moving across the screen from right to left.

- Turns to face forward (frame 4-5): now facing camera.

- Stops.

Appearance: single person, yellow shirt, gray shorts, barefoot.

Spatial: movement from right to left, then turning.

Background: dark, blue floor (minimal, so just mention).

Camera: static, side view (since it's a side profile initially, and the perspective is consistent).

So the caption should be concise.

Let me draft:

A barefoot individual in a yellow polo shirt and light gray shorts stands on a blue floor against a dark backdrop. Starting at the right side, they walk left across the frame, then turn to face forward and remain stationary. The camera remains fixed, capturing the motion from a side perspective with no movement.

Check the rules:

a) Motion chronological: yes, starts standing, walks left, turns, stops.

b) Appearance: described (yellow shirt, gray shorts, barefoot, single person).

c) Spatial: starts right, moves left, turns.

d) Camera: fixed, side perspective.

e) Background: dark, blue floor (minimal, so "dark backdrop" is okay).

f) Excludes text, etc.: yes.

Yes, that's good.
</think>

<caption_output>A barefoot person in a yellow polo shirt and light gray shorts stands on a blue floor against a dark backdrop. Initially facing right, they walk left across the frame, then turn to face forward and stop. The camera remains stationary

A person is walking and turning around on the blue floor, with motion due to locomotion.

The background is a static black wall and blue floor with no fluid motion (fire, water, smoke, wind).


Two individuals in blue shirts are actively handling a pile of debris (likely leaves or organic material), with visible hand movements and body positioning changes as they interact with the pile.

Background elements (grass, trees, wooden structures) remain relatively stable with no significant uniform shifting or fluid motion. No fire, water, or smoke dominates the scene; the primary visual content is solid objects interacting with a pile of debris.


A person in a blue-and-white checkered robe and beige cap adjusts items on a white counter, then steps back to the right as a second person in a red shirt and dark pants approaches from the left. The second person begins arranging the items on the counter while the first person observes from the right. The camera remains static throughout, capturing the scene from a frontal perspective.

Two people (one in red shirt, one in checkered shirt) interact with a countertop; solid objects (human bodies) move via deliberate hand gestures and body shifts while handling materials.

Background elements (walls, countertop) show no uniform shifting. No fire, water, smoke, or wind present; indoor setting with controlled motion.


A person's hands are moving and manipulating a mechanical device (with visible internal components), while the green square object remains static on the left.

The background (wooden surface and green square) is static with no uniform shifting, and there is no fire, water, smoke, or wind. No ambient environmental motion is present.


A woman with a bun adjusts a purple baby carrier, pulling the fabric over her shoulder to reposition the baby on her back, which shifts slightly as she turns her body; the baby, wearing a blue outfit, remains secured in the carrier against a plain white backdrop, with the camera maintaining a static perspective throughout.

The woman (discrete object) adjusts the purple wrap while shifting posture and turning; the baby (discrete object) moves slightly within the wrap. Both exhibit solid, distinct motion due to muscle-driven locomotion and physical interactions.

The background is a static white wall with no fluid motion (fire, water, smoke, wind). Wall remains uniformly fixed throughout the video.


In a dimly lit club with purple lighting, several people dance on the floor, their silhouettes moving rhythmically. A group of 3–4 individuals in dark clothing sway and step in sync, with some positioned centrally and others near the back. As the video progresses, the lighting shifts to red and blue hues, dancers continue fluid movements. The camera pans left across the dance floor, capturing dynamic motion with a slight shake.

Multiple discrete human subjects (dancers) are moving across the dance floor, performing coordinated locomotion and interactions. Their motion is clearly distinguishable as individual entities with consistent bounding box tracking.

No shifting backgrounds or fluid/environmental motion (fire, water, smoke, wind) observed. Background elements (walls, ceiling, distant structures) remain relatively stable without uniform displacement.


A blonde-haired child in blue pajamas with colorful patterns sits on a brown couch. The child initially looks slightly left, then raises their right hand in a wave, lowers it, and moves both hands together in front of their chest. The camera remains stationary in a close-up shot, focusing on the child against the couch background.

A child (solid object) moves their hands and arms in various gestures (waving, pointing, clapping), indicating voluntary locomotion.

The background (brown couch and stationary furniture) shows no shifting or environmental motion (e.g., no fire, water, smoke, or wind). Background elements are stable with no uniform displacement.


A hand holding a marker draws three horizontal lines with blue upward and downward arrows above and below them on a white surface. It then draws a square with blue grid lines, writes text next to the square, and finally draws a downward-pointing triangle beneath the square. The camera remains fixed in a top-down perspective throughout the sequence.

A single hand is moving to write and draw on the whiteboard, with discrete motion corresponding to pen movements and text creation.

The background is a static whiteboard with no shifting or fluid environmental motion (fire, water, smoke, wind). Background elements remain stationary throughout.


A dark-skinned hand holds a white hand mixer, moving it in circular motions to blend a yellow liquid in a clear glass bowl placed on a countertop. The camera maintains a top-down view, capturing the mixing action from above.

A white electric mixer is actively moving in a circular motion to blend a liquid substance in a glass bowl. The mixer and bowl are the primary discrete objects interacting physically.

Background elements (countertop surface) show no significant shifting or fluid motion. No fire, water, smoke, or wind dominates the scene.


A man in a white shirt and brown cap stands near a green dumpster, handling cardboard boxes, while another man in a brown shirt, wide-brimmed hat, and large backpack leans on a concrete barrier to his left. The man in the white shirt bends slightly toward the dumpster, adjusting the boxes, as the man in the brown shirt shifts his posture, resting his arm on the barrier. The camera remains stationary, capturing the scene from a slight distance with minimal background detail.

Two solid objects (people) exhibit minor movements: one leans over a concrete structure, possibly adjusting position; the other stands near a cardboard box with slight posture changes.

Background elements (trees, house, concrete structure) show no uniform shifting or fluid motion; no fire, water, or smoke present.


RAW CAPTION: Got it, let's break this down. The video shows a sequence of actions. First, there's a close-up of gloved hands handling RAM sticks. The hands are white, manipulating the RAM modules labeled "HYPER" and "FURY". Then, the scene shifts to a computer case. The gloved hands open the side panel of the case, revealing the internal components. Now, let's structure this chronologically.

Start with the hands and the RAM: gloves are white, handling DDR4 RAM modules. Then the transition to the computer case, opening the panel. Need to mention the spatial change from handling RAM to opening the case. Also, describe the motion: hands moving the RAM, then opening the case panel.

Check rules: focus on motion and behavior. First scene: hands adjust RAM modules. Second scene: hands open computer case side panel. Background minimal. No text recognition. So, the caption should be a paragraph in order.

Make sure to mention the gloves are white, the RAM has labels, the case is opened. Camera perspective: close-up in first part, then maybe a bit of a shift to the case. But the rules say describe camera perspective at the end. Wait, the output format says conclude with camera perspective and movement.

Wait, the example in the problem: "Start with the main actions. Describe motion, appearance, spatial, then camera."

So steps:

1. First scene: White-gloved hands manipulate black DDR4 RAM modules labeled "HYPER" and "FURY", adjusting them in front of a motherboard.

2. Transition to the next scene: White-gloved hands open the side panel of a silver computer case, revealing internal components.

3. Camera movement: Close-up shots transitioning to a medium shot of the case.

Wait, but need to be concise. Let's draft.

White-gloved hands adjust black DDR4 RAM modules with "HYPER" and "FURY" branding, positioning them onto a motherboard. The hands then move to open the side panel of a silver computer case, revealing the interior. The camera maintains close-up framing during the RAM handling, transitioning to a medium shot as the case panel is opened.

Wait, check rules: exclude text recognition. So "HYPER" and "FURY" are part of the appearance, so mention as labels. But the rule says "Exclude text recognition, named characters, or stylistic analysis." Wait, the rule is "Exclude text recognition", but the labels are part of the object's appearance. Wait, the instruction says: "Exclude text recognition, named characters, or stylistic analysis." Hmm, but the text on the RAM (HYPER, FURY) is part of their appearance. Maybe need to mention the text as part of the description but without naming it? Wait, no, the rule says "Exclude text recognition", so maybe just describe the object as having labels but not write out the text. Wait, the example in the problem: the first frame shows "HYPER" and "FURY" on the RAM. The user's instruction says "Exclude text recognition", but maybe it's a bit conflicting. Wait, the user's rules: "Exclude text recognition, named characters, or stylistic analysis." So if the text is part of the object's appearance, do we have to describe it? Maybe since it's part of the object, we can mention the branding as part of the description, but not the actual text. Wait, the problem says "Exclude text recognition", so maybe we don't include the actual words, but describe the presence of labels. Wait, but the example in the problem's input includes "HYPER" and "FURY" as part of the video. But the task is to generate a caption that doesn't include text recognition. Wait, the user's instruction says: "Exclude text recognition, named characters, or stylistic analysis." So the caption should not include any text that is recognized from the video (like the word "HYPER"), but since the video shows those labels, but maybe we can describe the objects as having labels without mentioning the specific words. Hmm, maybe the problem expects to include the labels but without the exact text, but no—the rules are strict. Wait, the user's example input has "HYPER" in the video, but the output should exclude text recognition. So perhaps, the correct approach is to describe the objects in terms of their appearance without mentioning the text. For example, "black RAM modules with branding" but not specifying the text. Wait, but the user's example input shows "HYPER" and "FURY" on the RAM. The instruction says to exclude text recognition, so maybe we can say "black RAM modules with visible branding" but not name the brand. Hmm, this is tricky. Let's check the problem statement again.

"Exclude text recognition, named characters, or stylistic analysis."

Gloved hands manipulating a RAM module (labeled 'FURY' and 'HYPERX') and a computer case, with visible displacement of the RAM and case components due to manual handling.

No shifting background elements observed; no fire, water, smoke, or wind present in the scene.


A person at a poker table manipulates a deck of cards, moving them across the table's surface; their hands shift the cards, positioning some face up while others remain face down. The camera maintains a static top-down view of the table and the person's hand movements.

The cards on the poker table are moving in discrete steps (e.g., being placed or rearranged by hand), representing solid, distinct objects undergoing explicit locomotion.

The beach scene background (woman, palm trees) is static and does not exhibit fluid motion or environmental effects. No fire, water, or smoke is present.


A climber wearing a white helmet and dark sleeveless shirt, secured by orange ropes, grips and adjusts his position on a rocky surface while ascending. The camera maintains a close-up perspective, slightly shaking, capturing his movements against a backdrop of green foliage.

A person wearing a white helmet and dark clothing is seen moving slightly while working on a wooden structure; discrete movement of the individual is evident.

Static background elements (trees) show no shifting or fluid motion; no fire, water, smoke, or wind dominates the scene.


A person uses a syringe to inject liquid into a green and white soccer ball, holding the ball steady with one hand while inserting the syringe into its valve with the other; a small bowl containing liquid sits to the right of the ball, and a green and black pump tool is visible to the left. The camera maintains a top-down perspective throughout the sequence.

Hands are moving to apply a substance from a small container onto a soccer ball, indicating discrete object motion due to explicit physical action.

Background elements (white surface, green objects) show no uniform shifting, and there is no fire, water, or smoke. Ambient environmental motion is not dominant.


A girl in a white top with red sleeves sits and plays an acoustic guitar, strumming the strings with her hands. The camera then shifts to a close-up of the guitar’s fretboard, focusing on the instrument’s details. Background elements are indistinct. Camera movement transitions from a medium shot of the girl to a tight close-up of the guitar.

The child's hands (discrete solid objects) are moving to play the guitar, with clear motion of strumming and fretting.

The background is a static blue screen with floral patterns; no fluid/environmental motion is present. The background does not shift uniformly, so it is not camera_motion.


A person in a white shirt holds a black camera, then brings it up to their face while adjusting its position. The camera remains steady, capturing the subject against an indoor background with minimal visible details.

The boy is holding a camera (or phone) and making discrete hand movements, indicating explicit physical motion of the solid object (camera) due to his actions.

The background (blue wall and stationary furniture) shows no shifting or fluid motion. No fire, water, smoke, or wind is present.


In the video, hands knead dough on a counter, followed by two individuals—one in a beige apron and another in dark clothing—working at a kitchen table. The apron-wearer flattens dough circles, while the other places a red bowl nearby. The camera then shifts to show a tray of baked goods arranged on a cooling rack. The scene occurs in a kitchen with visible windows, and the camera perspective transitions from close-up to wider angles with slight movement.

Two people are manipulating dough on a table, cutting and shaping it; the dough pieces are then placed on a baking tray.

The background (room with windows, furniture) does not shift uniformly; no fire, water, smoke, or wind observed.


A person wearing a maroon shirt, dark pants, and white shoes sits on a large light-colored rock in a dry, rocky terrain with sparse grass. They hold a cylindrical object and a small item, moving their hands to manipulate them. The camera maintains a top-down perspective with slight movement.

A person in a red shirt is sitting on a rock and making slight movements (adjusting position).

The water flowing in the background is an ambient environmental motion, but it is not dominant. The main background (ground, rocks) is static. The water flow is localized and does not cause a uniform background shift.


A person wearing dark clothing and a hat stands on a sandy beach beside a trike glider with a green and white sail. The individual walks toward the glider, adjusts the sail to an upright position, and maneuvers the glider slightly as it shifts on the sand. The camera remains stationary, capturing the action from a fixed perspective with minimal background detail.

The person is interacting with the trike, pushing, adjusting, and moving it forward. The trike is a solid object being displaced by the person's actions.

The background (sandy beach and distant trees) is static with no shifting or fluid motion. No signs of fire, water, smoke, or strong wind effects.


A woman in a purple crop top and long purple skirt with a gold waistband dances barefoot on a paved patio. She begins with arms raised, then extends her arms outward while stepping and twirling, her skirt flowing. She moves to the right, turning her body, arms sweeping in fluid motions. The background features a gray house with windows and potted plants. The camera remains stationary throughout.

A woman in a purple and yellow dress is performing a dance, with movements including arm extensions and body swaying.

The background (house, windows, plants) is stationary with no shifting or environmental motion (e.g., fire, water, smoke, wind).


The video opens with a top-down view of multiple archaeologists at a sunlit excavation site under a thatched shelter, some in white clothing digging or examining the earth while others sit with tools. The scene transitions to a ground-level shot of a group near a stone wall, where one individual in a purple vest and white cap operates equipment, with others standing nearby observing. The camera remains static in both scenes, capturing the workers’ activities from above and eye level.

Discrete solid objects (workers) are moving: individuals are bending, digging, and manipulating materials with their hands and tools, demonstrating locomotion and physical interaction.

The background consists of static elements like muddy ground, a canopy structure, and concrete walls in different segments. There are no fluid motions (fire, water, smoke) or wind-driven movements visible. The background does not shift uniformly across the screen, indicating no significant camera motion.


A man in a dark blue shirt stands at a boat's helm, facing forward. He turns his head, gestures with his right hand toward the water, and adjusts the steering controls. The background shows a marina with docked yachts. The camera remains stationary, capturing the man from a side angle at the boat's cockpit.

A man on the boat is performing discrete hand movements (e.g., adjusting controls, gesturing) with clear locomotion of his hands and body.

Background shows calm marina water and static boats/docks with no significant fluid motion (e.g., waves, water flow) or environmental forces like wind affecting the scene.


RAW CAPTION: Got it, let's tackle this. First, the video shows a person cutting a tree branch. The main subject is a person wearing a white helmet, dark shirt, and blue pants. They're on a tree branch, holding a tool (probably a saw or pruner). The text "First cut" is there, but I need to exclude text recognition. So focus on the motion. The person is making the first cut, so their action is cutting the branch. The diagram on the right shows the cuts (sawcut, final cut, branch collar), but again, no text. So describe the person's action chronologically.

The person is positioned on a tree branch, leaning over, using a tool to cut. The camera is split-screen: left is the person, right is the diagram. But for caption, focus on the main subject's motion. The person's appearance: white helmet, dark shirt, blue pants, maybe gloves? Wait, the video shows them holding the branch and the tool. The motion is cutting the branch, starting with the first cut. Then, maybe moving the tool. Also, the background is trees and maybe another person in the distance, but minimal background.

Wait, the caption should be concise, chronological. So the person is seen making the first cut on a tree branch. They are in a tree, using a tool. Let's structure it: the person (wearing white helmet, dark shirt, blue pants) is positioned on a tree branch, holding a tool (likely a saw) and cutting the branch. The action is the first cut. Then, maybe the next steps, but the video frames show the first cut. Wait, the frames go from [0.0] to [4.7], so the person is actively cutting, making the first cut. The diagram is on the right, but we don't mention text.

So putting it together: A person wearing a white helmet, dark shirt, and blue pants is positioned on a tree branch, leaning forward to make the first cut on a smaller branch using a tool. The person's hands are gripping the branch and the tool, executing the cut. The camera maintains a static split-screen view, showing the person's action on the left and a diagram on the right.

Wait, but need to check the rules: exclude text recognition, named characters, stylistic analysis. So "First cut" is text, but we can't mention it. So describe the action as the first cut, but since it's a caption of the video, the action is the first cut. Wait, but the rule says "exclude text recognition", so don't mention "First cut" as text. So instead, describe the action as the first cut. Wait, no—the caption should describe the video's content. The video shows a person making a cut, which is labeled "First cut" in the video, but according to rule f, exclude text recognition. So we don't mention "First cut" as text, but describe the action of the cut.

So the person is cutting the branch. Let's see: the person is on a tree branch, using a tool to cut a branch. The motion is cutting the branch, starting with the first cut. So the caption should describe that.

Let's draft:

A person wearing a white helmet, dark shirt, and blue pants is positioned on a tree branch, gripping a tool with both hands to make the first cut on a smaller branch. The person leans forward, focusing on the cut. The camera captures a static split-screen view, with the person's action on the left and a diagram on the right.

But need to check rules: a) motion and behavior in chronological order. So "making the first cut" is the behavior. b) appearance: white helmet, dark shirt, blue pants. c) spatial: on a tree branch, gripping tool. d) camera: split-screen, static. e) background minimal: trees in the background. f) exclude text. g) no reasoning.

Wait, the diagram on the right is part of the video, so the split-screen is part of the visual. So the camera is split-screen, left shows the person, right shows the diagram. The caption should mention the split-screen view.

So revised:

A person wearing a white helmet, dark shirt, and blue pants is on a tree branch, using a tool to cut a smaller branch. The person leans forward, holding the branch with one hand and the tool with the other, executing the first cut. The video displays a split-screen view, with the person's action on the left and a diagram illustrating the cut on the right.

Wait, "executing the first cut" but need to exclude text recognition. The action is the first cut, but since the text is not to be mentioned, we can just say the person is making a cut (the first one is part of the

A person is actively cutting a branch with a tool, exhibiting discrete physical motion (hand/branch movement) due to explicit physical force application.

The static diagram on the right and background foliage show no significant shifting or fluid motion. No fire, water, or wind-driven environmental effects are present.


A man wearing a white graphic t-shirt and sunglasses plays a blue harmonica while standing in a wooded area with trees and dirt ground; the camera remains stationary throughout the clip.

The person's hand and the camera they are holding show minimal movement as they adjust to take a photo.

Background (trees and ground) is static with no dominant fluid/environmental motion (e.g., fire, water, wind).


A child in a green shirt manipulates dominoes on a white table, arranging them into a shape, then raises both arms upward. A second child in a yellow shirt, positioned to the right, claps their hands. The camera maintains a top-down perspective with slight movement to capture the children’s interactions.

Child in green shirt manipulates mosaic pieces; child in yellow shirt claps/hands move; green smartphone is touched by the child in green.

Brief check: no fire, water, smoke, or wind. Background (white table and wall) is static with minimal camera adjustments.


A person in a black polo shirt and blue jeans plays a pan flute while the camera pans left, revealing a stone wall with framed pictures and musical equipment to the right.

A person (solid, distinct object) is moving their hands and arms while playing a flute, with motion driven by physical forces related to instrument manipulation.

Stone walls and framed pictures in the background show no uniform shifting or fluid/environmental motion (fire, water, smoke, wind) throughout the video.


A pair of hands manipulates light brown rectangular wooden blocks on a white surface. Initially, the hands arrange a block with a dotted pattern between two vertical stacks, then move it leftward. Subsequently, the hands adjust a single block from the right stack to the left of the dotted block and reposition another block. Throughout, the blocks remain upright, some stacked vertically and others laid horizontally. The camera maintains a static top-down view with no movement, focusing on the hands' actions against the plain white background.

A pair of hands manipulates wooden blocks, repositioning them on the table surface (e.g., moving blocks from one location to another).

The background (table surface and surrounding area) remains static with no uniform shifting or fluid environmental motion (e.g., fire, water, wind).


A person wearing a gray shirt and sunglasses plays a red electric guitar, strumming with their right hand and fretting with their left hand while seated. The individual shifts slightly in position as they play, remaining in front of a plain wall with two ceiling lights visible. The camera maintains a static perspective throughout.

A person playing a guitar; the hands and body are moving to play the instrument.

The background (walls, ceiling) is static with no fluid or gaseous motion. No fire, water, smoke, or wind detected.


Two men in dark suits sit at a wooden table; the left man with a light blue tie speaks into a microphone, raising his right hand to gesture while looking toward the right, and the right man with a red striped tie remains seated, looking downward. A white cup and papers are visible on the table. The camera maintains a static view.

Two seated individuals: the person on the left is holding a microphone and making hand gestures while speaking, indicating intentional locomotion/interaction.

No shifting background elements or fluid/environmental motion observed; the room appears static with consistent wall and furniture placement.


The video opens with a close-up of a white plate holding golden-brown scallops atop a vegetable medley. A person in a striped apron uses a knife to cut food on a wooden surface. Hands then arrange scallops onto multiple plates with vegetables, followed by two individuals working side by side at a table—one in a black shirt and the other in a striped apron—preparing dishes. The sequence concludes with a close-up of scallops on a plate with vegetables, captured from a slight overhead angle.

Discrete objects (chef's hands, utensils, and food items) are moving: hands placing food on plates, spoon adding sauce to scallops, and writing in a book.

The background (purple wall and kitchen elements) is stationary with no fire, water, or smoke. No significant ambient environmental motion detected.


A person's brown hand uses a knife to part dry and green grass, revealing a wicker basket filled with brown and green mushrooms. The hand then lifts a brown mushroom from the grass, holding it momentarily before moving it toward the basket. The camera shifts from a top-down view of the grass to follow the hand's motion, maintaining a slight shake during the sequence.

discrete_object_physics | ambient_environmental | camera_motion | ego_motion | static


A hand uses a green-handled tool to spread small, golden-brown beans across a metal tray on a grill. The beans expand and fill the tray as the tool moves methodically across the surface. The camera maintains a top-down perspective, remaining stationary throughout.

A hand holding a spatula is actively spreading beans across the grill tray. The beans are being manipulated by the spatula, resulting in discrete movement of the beans as they are redistributed.

The grill grates and countertop in the background remain stationary throughout the clip, indicating no shifting background elements. There is no visible fire, water, or smoke, so ambient environmental motion is absent.


A hand holds a white sneaker with black stripes above a sink, rotating it to display the upper side, toe area, and sole while another sneaker rests on the sink's edge. The camera maintains a close-up perspective, following the shoe's movement without significant angle shifts.

The hands manipulate a white Adidas sneaker with black stripes. The shoe moves as the hands adjust its position and angle, indicating physical interaction by the hands.

The background (white surface, sink, and stationary shoe) shows no uniform shifting or fluid motion (e.g., no water, smoke, or wind effects). Static elements remain fixed relative to each other.


Three individuals—one in a blue shirt, one in a black shirt, and one in a light green shirt—initially seated on a bed and couch; they abruptly stand and move rapidly, with the blue-shirted person engaging the black-shirted individual, while the green-shirted person runs toward the camera, all within a room with a table holding food. The camera follows their motion with a slight shake.

Three people (in blue, black, green shirts) are moving due to physical interactions: pushing, pulling, falling. A stuffed animal is carried and thrown.

Background elements (walls, bed, couch) are static and do not shift uniformly. No fire, water, smoke, or wind observed.


A young girl in a white top and pink pants bends down to pick up a white object from a chair seat, then sits upright while holding it up. An older woman in a red top assists by holding the girl’s hand. The girl examines the object while seated, with the woman positioned to her left. The camera remains mostly stationary with minor movement.

The child (in pink pants and white shirt) is actively moving: bending to adjust her shoes, picking up a container, and drinking from it. The adult (in red patterned top) shows minimal movement, primarily slight hand adjustments while seated.

No shifting background or fluid motion observed. The tablecloth, chair, and wall remain stable with no signs of fire, water, smoke, or wind. Background elements are stationary relative to the frame.


RAW CAPTION: Okay, let's tackle this captioning task. First, I need to understand the video. The user provided a short clip with two people. The main subjects are two individuals, one in a green shirt and another in blue. The green-shirted person has glasses and a watch. The blue-shirted person is doing something with their hands.

Looking at the frames: In the first frame, the blue-shirted person's hand is near the green-shirted person's arm. Then, in the next frames, the blue-shirted person moves their hand up, maybe adjusting something or gesturing. The green-shirted person is leaning forward, maybe looking at the blue-shirted person's action.

I need to describe the motion chronologically. So the blue-shirted person starts by reaching towards the green-shirted person's arm, then moves their hand upwards. The green-shirted person remains mostly in the same position, watching. The background has a tiled wall and a door, but the rules say to keep background minimal unless essential. Since it's a bathroom-like setting, but maybe not necessary to mention. The camera is static, no movement mentioned, so probably a fixed angle.

Wait, the rules say to exclude text recognition, named characters, and stylistic analysis. So I shouldn't mention anything about the watch details or the shirt colors being specific. Wait, no—the appearance should include color and size. The green shirt, blue shirt, glasses, watch. But the user says "briefly describe their appearance and number (color, size, orientation)".

So for the main subjects: two people, one wearing a green shirt with a white stripe, another in a blue shirt. The person in green has glasses and a watch. The blue-shirted person moves their hand towards the green-shirted person's arm and then lifts it up.

Chronological order: The blue-shirted individual reaches their hand towards the green-shirted person's arm, then raises their hand above their head. The green-shirted person leans forward, observing the action. The camera stays static throughout, focusing on the two individuals.

Check the rules: spatial relationships—if the blue-shirted person is to the right of the green-shirted person (as in the first frame, the blue shirt is on the right), but maybe that's not necessary. Maybe just say "two individuals, one in green and one in blue, with the blue-shirted person moving their hand towards the green-shirted person's arm and then lifting it."

Wait, the first frame: green-shirted person is on the left, blue on the right. The blue person reaches towards the green's arm, then moves their hand up. So the action is the blue person's hand moving from near the green's arm up to their head.

So the caption should be: Two individuals, one in a green shirt with a white stripe and glasses, the other in a blue shirt, interact closely. The blue-shirted person reaches their hand toward the green-shirted person's arm, then lifts their hand upward. The green-shirted person leans forward, observing. The camera remains stationary, capturing the interaction from a frontal perspective.

Check if it's concise. Maybe shorten the description of the person: "One individual in a green shirt with glasses, another in blue." Then the action: The blue-shirted person moves their hand toward the green-shirted person's arm and raises it. The green-shirted person remains leaning forward. Camera static.

Wait, the user's example output might have specific structure. Let me check the rules again.

The output should be a paragraph describing motion chronologically. Mention appearance (color, size, orientation), spatial relations (if relevant), camera perspective and movement. Background minimal.

So: "Two people, one wearing a green shirt with white stripes and glasses, the other in a blue shirt, are positioned close together. The person in blue raises their hand toward the green-shirted person's arm and then lifts it upward. The green-shirted individual leans forward, observing the motion. The camera remains fixed, capturing the interaction from a close-up angle without movement."

But need to make it concise. Maybe "Two individuals interact closely: one in a green shirt with glasses, the other in blue. The blue-shirted person raises their hand toward the green-shirted person's arm, then lifts it upward. The green-shirted individual leans forward, observing. The camera remains stationary, focused on their interaction."

Check the rules: "Focus primarily on motion and behavior in chronological order." So the motion is the blue person moving their hand towards the green's arm and then up. The green person is leaning forward. The camera is static.

Yes, that seems right. Also, "briefly describe their appearance and number (color, size, orientation)." So specify colors of shirts, maybe size (but probably not necessary unless mentioned in video). Since they're both medium-sized, but maybe

Two people: one drinking from an object (white cup), the other observing and leaning in. The motion is deliberate human movement.

Background (mirror and wall) is static with no environmental motion (fire, water, etc.) detected.


RAW CAPTION: Got it, let's break this down. First, I need to observe the video. The main subjects are people moving around. In the first frame, there's a person pushing a cart with boxes, another person walking. Then the camera moves to show a woman in a dark jacket with a ponytail pushing a blue hand truck. She's moving from left to right. The background has trucks, buildings, and other people. Let's list the chronological events.

Start with the initial scene: a person in a blue shirt pushes a wooden cart loaded with white crates. Another person in dark clothes walks. Then, the camera shifts to focus on a woman in a dark jacket with white stripes on sleeves, pushing a blue hand truck. She moves across the frame, passing by the cart. The background includes a yellow forklift, people standing, and a white car. The camera moves slightly to follow the woman, maybe a pan to the right. The background is a busy dock or port area.

Check rules: focus on motion, appearance, spatial relations. Number: multiple people, but main subjects are the woman and the cart-pusher. Describe their movement. Background minimal, but essential for context (port area, vehicles). Camera movement: following the woman, so panning right. Conclude with camera perspective.

Now, structure the paragraph:

In a busy port area, a person in a blue shirt pushes a wooden cart stacked with white crates. A woman in a dark jacket with light stripes on the sleeves pushes a blue hand truck from left to right, passing the cart. Behind her, another individual in dark clothing walks. The background includes a yellow forklift, buildings, and moving vehicles. The camera pans slightly to the right, following the woman’s movement.

Wait, need to check chronological order. First scene: initial frame with cart and person, then the woman appears. So first, the cart is pushed, then the woman pushes the hand truck. The sequence is: first the cart (with white crates, wooden), then the woman in dark jacket with ponytail (her appearance) pushing the blue hand truck. The camera moves to show her, so the movement is the camera panning to follow.

Let me refine:

A person in a blue shirt pushes a wooden cart loaded with white crates across a port area. A woman with a ponytail, wearing a dark jacket with light stripes on the sleeves, pushes a blue hand truck from the left side of the frame toward the right. She moves past the cart, while another individual in dark clothing walks nearby. The background features a yellow forklift, trucks, and buildings. The camera pans slightly to the right, tracking the woman’s motion.

Check if it's concise and chronological. Yes, first the cart, then the woman, then other elements. Appearance: blue shirt, wooden cart, white crates; woman's description. Spatial: woman passes the cart (in front of? or to the right? The video shows the cart moving left to right, woman also moving left to right, but the cart is first, then she moves. Wait, the video starts with the cart and person, then the woman comes into view. So the cart is moving, then the woman moves. So the order is: the cart is pushed, then the woman pushes her cart. So the woman's movement is after the initial scene.

Yes. The caption should flow: initial action, then the woman's action, then the camera movement.

Final check:

- Motion: cart pushed, woman pushes hand truck.
- Appearance: blue shirt, wooden cart, white crates; woman in dark jacket with light stripes, ponytail; hand truck blue.
- Spatial: woman moves past the cart (so the cart is in front of her initially? Or she's behind? Wait, in the video, first the cart is on the left, then the woman appears pushing her hand truck. So the cart is moving left to right, woman also left to right. So the woman is moving alongside or after.

Wait, the frames:

Frame 0: cart with white crates, person pushing, another person walking.

Frame 1: woman in dark jacket (ponytail) pushing blue hand truck, cart is still there.

Frame 2: woman pushing hand truck, cart is behind her? Or moving.

Need to check the sequence:

First frame: a person pushes wooden cart (white crates) on left. A person walks on right.

Second frame: woman in dark jacket (ponytail) pushes blue hand truck, cart is still there.

Third frame: she's pushing hand truck, passing the cart.

So chronological: the cart is being pushed by a person, then the woman (in dark jacket, ponytail) pushes the blue hand truck, moving through the scene.

So caption:

In a port setting, a person in a blue shirt pushes a wooden cart loaded with white crates. A woman with

Discrete solid objects (people pushing carts, walking, and pulling luggage) are moving due to explicit locomotion and physical interaction with their environment.

Static background elements (buildings, parked vehicles, and infrastructure) show no uniform shifting or fluid motion. No fire, water, smoke, or wind-driven phenomena are visible.


RAW CAPTION: Got it, let's break this down. The video shows a person in a costume. First, the person is wearing a white top, pink skirt, long gloves, and a pink and white mask with ears, maybe like a cartoon character. They start with arms outstretched, then jump or move forward. The camera moves closer as they approach, so the perspective shifts. Background has a door, dresser, and some items, but keep it minimal. Need to describe the motion chronologically: initial pose, jumping/moving toward camera, then close-up. Mention appearance: pink hair, mask, outfit. Spatial relationships: starts in the room, moves towards camera. Camera perspective is from a fixed position, then moves closer, maybe a slight shake as they get near.

Wait, the rules say minimal background unless essential. So maybe just mention the door and dresser briefly. Let's structure the caption:

A person in a white short-sleeve top, pink skirt, gray gloves, and a pink mask with large ears and sharp teeth jumps toward the camera. They begin with arms extended, then raise hands while moving forward, closing the distance. The camera remains steady until the person approaches, resulting in a close-up view of their face. Background includes a white door and pink dresser.

Wait, check the timing: first frame, person is jumping, arms out. Then they move, hands up, then close in. Need to be chronological. Also, the person's hair is pink, mask is prominent. Let's make sure to include the key elements.

Another point: the person is wearing long black sleeves under the white top? Wait, in the description: "gray gloves" but the video shows black sleeves? Wait, the video: "long gray gloves" maybe. The costume: white shirt, pink skirt, long gloves (maybe black), pink and white mask with ears. Let's confirm.

In the video, the person has a white top, pink skirt, black sleeves (under the white shirt), gray gloves? Wait, the video shows gloves as gray, but maybe the sleeves are black. The mask is pink with ears, big eyes, teeth. So appearance: pink hair, mask with ears and teeth, white shirt, pink skirt, black sleeves, gray gloves.

Now, motion: starts with arms out, then jumps upward (or moves forward), then moves toward camera, so the camera moves closer as they come. The camera's perspective is from a low angle initially, then shifts to close-up.

So the caption should be:

A person wearing a pink mask with ears, large teeth, a white shirt, pink skirt, black sleeves, and gray gloves jumps forward with arms extended. They move closer to the camera, raising their hands, resulting in a close-up view of their masked face. The background includes a white door and pink dresser.

Wait, need to check the video frames. The first frame: person is mid-air, arms out, left leg up. Then next frames: they move forward, hands up, then very close. So the sequence is: jumps/falls toward camera, then gets close.

So chronological: Person begins in mid-air with arms outstretched, then moves forward toward the camera, raising hands, and the camera captures a close-up of their masked face as they approach.

Appearance: pink hair (the mask has pink features, maybe hair is pink too), mask with pink and white, teeth, ears. But the rules say "briefly describe appearance and number (color, size, orientation)". So mention key colors: pink mask, white shirt, pink skirt.

Spatial: starts in a room, door in background, dresser.

Camera: starts with a steady view, then the person moves close, camera ends up close-up, maybe with a slight shake as they approach.

So putting it all together:

A person in a pink and white mask with ears, large teeth, a white shirt, pink skirt, and gray gloves jumps forward with arms extended, moving toward the camera. They approach closely, filling the frame as the camera captures a close-up of their masked face, with a white door and pink dresser visible in the background.

Wait, check if "gray gloves" is accurate. The video shows gloves that are gray, maybe. Let's confirm the video: "gray gloves" is in the video description. Yes, the person has gray gloves. So that's part of the appearance.

Also, the person's hair is pink, which is visible. So mention pink hair.

So revised:

A person with pink hair, wearing a pink and white mask with large ears and sharp teeth, a white shirt, pink skirt, and gray gloves, jumps forward with arms outstretched. They move closer to the camera, raising their hands, resulting in a close-up of their masked face. The background features a white door and pink dresser.

Check the rules: exclude text, named characters, stylistic

A person in a pink/white costume (with pig mask) performs dynamic locomotion: kicking, arm movements, and forward motion. Motion is discrete and solid with clear bounding box tracking.

Background elements (white door, dresser, wall decorations) remain static with no fluid/environmental motion (fire, water, smoke, wind) detected. Background shifts are inconsistent with uniform camera movement.


A large marching band in blue uniforms with gold accents marches across a football field from left to right, carrying and waving pink flags. Drummers in blue uniforms are positioned within the formation. The camera remains stationary in a high-angle view, observing the band's progression.

The marching band members and drummers are moving in formation, exhibiting coordinated locomotion (e.g., marching steps, arm movements) as discrete solid objects.

The football field markings and stands remain consistently positioned across frames, with no visible fluid motion (fire, water, smoke) or significant wind effects. Background elements show no uniform shifting indicative of environmental motion.


RAW CAPTION: Got it, let's break this down. First, the video shows two people: an older woman and a young girl. The older woman is holding a bottle with a red cap and a pink Lip Blok (but we can't mention the name, just describe the object). The girl is drinking from the bottle. The woman is in front of the girl, maybe to the left? The girl is sitting, wearing a colorful dress. The bottle is yellow liquid. The camera seems steady, maybe a close-up shot. The background is indoors, minimal details. Let's structure chronologically: the woman holds the bottle, the girl sips, then maybe the screen goes to a logo. Wait, the frames show the woman feeding the girl, then the ARK logo appears. So the sequence is: woman holds bottle with girl drinking, then logo. Need to describe motion: woman's hand holding bottle, girl sipping, then the logo overlay. But the rules say exclude text recognition, so don't mention the text on screen. Focus on actions. So:

An older woman with gray hair and glasses holds a clear bottle with yellow liquid and red cap, offering it to a young girl in a colorful sleeveless dress. The girl uses a pink lip device to drink from the bottle. The woman’s hand stays steady while the girl sips, then the scene transitions to a logo overlay. Camera remains static with close-up perspective.

Wait, check rules: exclude text recognition, so no mention of the website. The logo appears, but as per rule g, don't mention the logo's text, just the presence. But the task is to describe the video, so the logo is part of the visual. But the problem says "exclude text recognition", but the logo is a visual element. Hmm. Wait, the user says "Exclude text recognition, named characters, or stylistic analysis." So the logo is a visual element but not text (since it's a logo, maybe the text is part of it, but the instruction says exclude text recognition, so perhaps describe the logo as an overlay without the text. Wait, the rules say "Exclude text recognition", meaning don't mention the text on the screen. But the logo is a visual. Let's check the example: the user provided a video with text on screen, but the rules say exclude text recognition, so in the caption, don't mention the text. So in the video, there's text saying "and the Lip Blok promotes correct lip and tongue position" but the caption shouldn't mention that. So the focus is on the action.

So, main subjects: woman (gray hair, glasses, blue shirt) and girl (colorful dress). Actions: woman holds bottle (yellow liquid, red cap), girl drinks with pink lip device. Then the logo (ARK) appears. But the caption should be chronological. So:

In the video, an older woman with short gray hair and glasses holds a clear bottle containing yellow liquid and a red cap, presenting it to a young girl wearing a sleeveless colorful dress. The girl uses a pink lip device to sip from the bottle as the woman supports the bottle. The camera maintains a close-up, static view focusing on the interaction, then transitions to a logo overlay.

Wait, but the logo appears, but the rules say "mention spatial relationships if relevant". The logo is a screen overlay, so the video shows the two people, then the logo. So the sequence is: first the woman and girl, then the logo.

But according to the video frames: the first 5 seconds show the woman and girl, then frame 4 shows the logo. So in the caption, describe the action first, then the logo transition.

Let me check the rules again:

a) chronological order: so the video starts with the woman feeding the girl, then the logo appears.

b) appearance: woman has gray hair, glasses, blue shirt; girl has colorful dress.

c) spatial: woman to the left, girl to the right? Maybe the woman is in front of the girl, holding the bottle towards her.

d) camera: close-up, static.

e) background minimal.

f) exclude text recognition (so no mention of the subtitles).

So putting it all together:

An older woman with short gray hair and glasses holds a clear bottle filled with yellow liquid and a red cap, offering it to a young girl in a sleeveless colorful dress. The girl uses a pink lip device to drink from the bottle while the woman steadies the container. The camera remains stationary in a close-up perspective, then transitions to a logo overlay.

Wait, but the logo is part of the video. But the rule says exclude text recognition, but the logo isn't text (the text is part of the logo, but the rule says exclude text recognition, so perhaps the caption shouldn't mention the logo's text but the visual of the logo. Hmm,

The girl's head and the bottle are moving as she drinks; the woman holds the bottle and moves it slightly to feed the girl.

The background (walls, door frame) is static and shows no shifting or environmental motion. No fluid or wind effects are present.


RAW CAPTION: Got it, let's tackle this video captioning task. First, I need to observe the video frames. The main action seems to be a group of people around a wooden log, maybe a log rolling event or something similar. Let's break it down chronologically.

In the first few frames, there are several people. The main subjects are a man in a dark shirt and white shorts, another in a white shirt, and a person in a green shirt and hat. They're all positioned around a large wooden log. The man in dark shirt is pushing or moving the log. The log is on the ground, and there are other people in the background, maybe spectators. The action starts with them handling the log, then the log starts moving. The camera seems to be shaky, maybe handheld.

Wait, the rules say to focus on motion and behavior in chronological order. So first, identify the main subjects: multiple people (approx 4-5 visible), main ones are pushing the log. The log is large, cylindrical, wooden. Then, their actions: they are pushing the log, causing it to move. Spatial relationships: the man in dark shirt is on the left side of the log, the man in green is on the right. The crowd is behind them, watching. The camera is slightly shaky, maybe moving a bit.

Need to mention appearance: dark shirt, white shorts; white shirt; green shirt, hat. The log is brown, large. The background is a room with people standing, but minimal details.

Chronological order: People gather around the log, push it, causing it to roll. The movement starts with them applying force, then the log moves forward. The camera perspective is from a slightly low angle, maybe handheld, with slight shake.

Check if background is essential. The background has people watching, but the main action is the pushing. So keep background minimal.

Now, structure the caption:

- Main subjects: multiple people (men), log. Describe their appearance briefly: one in dark shirt/white shorts, another in white shirt, one in green shirt/hat. The log is large, brown.

- Motion: They collectively push the log forward. The log starts rolling, moving from left to right in the frame.

- Spatial: The man in dark shirt is on the left of the log, man in green on the right. Spectators behind.

- Camera: Handheld, slight shake, perspective is from a position where the log is central, maybe a bit low angle.

Wait, the first frame shows people pushing the log, then the log is moving. So the sequence: initial push, then the log rolls. The people are exerting force, causing the log to move. The camera is shaky, capturing the action.

Now, draft:

A group of men, including one in a dark shirt and white shorts, another in a white shirt, and a third in a green shirt with a hat, gather around a large brown wooden log on a wooden floor. They collectively push the log forward, causing it to roll toward the right side of the frame. Spectators stand behind them, observing. The camera, positioned at a low angle, remains slightly shaky throughout the action.

Wait, check the number: in the frames, maybe more than 3, but the key ones are the main pushers. The rule says "briefly describe their appearance and number (color, size, orientation)". So mention the number as "several men" or specify the main ones.

Wait, the problem says "main subjects (people/animals/objects)". The main subjects here are the people pushing and the log. So:

Several men, including a man in a dark shirt and white shorts, a man in a white shirt, and a man in a green shirt with a hat, push a large brown wooden log across a wooden floor. The men apply force from both sides, causing the log to roll forward. A crowd of spectators stands behind them, watching the action. The camera, handheld, maintains a slightly shaky perspective focused on the log and pushing men.

But need to be concise, chronological. Let's make sure it's in order:

Start: Men gather around log, push. Then log moves. So:

A man in a dark shirt and white shorts and another in a white shirt push a large brown wooden log on a wooden floor, while a man in a green shirt and hat assists from the right. The group exerts force, causing the log to roll forward. Spectators stand in the background. The camera, handheld, captures the scene with a slight shake.

Hmm, maybe better to mention the sequence: initial pushing leads to rolling.

Final draft:

Several men, including one in a dark shirt and white shorts, one in a white shirt, and one in a green shirt with a hat, push a large brown wooden log across a wooden floor. They collectively apply force, causing the log

Discrete solid objects (people) moving: A man in a dark shirt and light pants is actively moving his arms and body, interacting with other individuals around a table. Other people in the scene are also exhibiting positional changes.

No significant shifting of static background elements (walls, furniture) or fluid/environmental motion (fire, water, smoke) observed. Background appears relatively stable with no uniform motion patterns indicating environmental or camera-induced shifts.


The video opens with an open scrapbook: the left page is maroon with a light blue glitter frame and pink hearts, while the right page is green with a pink square and heart shapes. A hand enters from the right, moves toward the green page, and lifts the pink square off the page. The camera remains in a close-up perspective, slightly shifting to follow the hand’s motion as it interacts with the scrapbook elements.

A hand moves a pink square card across the scrapbook page, representing discrete, solid object interaction.

The scrapbook pages and heart decorations show no uniform shifting (background static), with no fire, water, smoke, or wind present.


The video opens with a white golf ball resting on a green near the hole. It then splits into two frames, each showing a golfer standing on the green; the left golfer takes a high chip shot, sending the ball upward, while the right golfer takes a low chip shot, sending the ball lower. Both golfers wear light-colored tops and dark pants. The camera remains stationary, presenting the two chip techniques side by side.

Golf ball moves toward the hole; golfer swings club and follows through. Both are solid objects with clear motion due to explicit physical forces (club impact).

No shifting background or fluid/environmental motion (fire, water, wind). Background elements (trees, green, sand trap) remain stable and consistent across frames.


A hand holding a cutting tool approaches a circular wooden sign with a skull emblem, then begins cutting along its edge. The scene shifts to a top-down view where two hands manipulate the tool, carefully separating the sign from a larger wooden sheet. The cut sign is lifted, revealing the completed circular shape. The camera remains stationary during the initial close-up, then transitions to a top-down perspective throughout the cutting process.

Discrete hands are moving, actively manipulating a stencil and applying paint to the wooden board. The hands are solid, distinct objects performing physical work (stenciling/graffiti).

The background (wooden board and wall) shows no uniform shifting or fluid environmental motion (no fire, water, smoke, or wind). The board and wall remain static throughout the video.


A person's head is partially visible near a wooden fence, followed by a brown and white goat with large ears and a blue collar being held by an individual in a blue shirt. The goat leans forward over the fence, its head extending toward the ground. The camera focuses on the goat's head as it lowers toward the fence, capturing the animal’s movement and interaction with the barrier. The perspective shifts slightly upward to center on the goat’s actions, with minimal background detail.

Discrete objects include a goat (with large ears) moving its head/neck, a person in a blue shirt interacting with the goat, and another person (partially visible) near the fence. These objects exhibit solid motion due to physical interactions (petting, feeding, head movements).

Background elements (wooden fence, metal mesh) show no uniform shifting, and there is no fire, water, smoke, or wind motion present. The scene is static except for foreground objects.


A man in a gray hoodie and dark pants stands near a yellow motorcycle with red/black discs on the pavement, holding a device; the camera pans right, focusing on him as he shifts position slightly while the motorcycle and brick wall remain in the background.

The person (discrete solid object) exhibits slow, localized movement (e.g., stepping back, shifting position) near the scooter and motorcycle.

The brick wall, plants, and stationary scooter/motorcycle in the background show no significant shifting or fluid environmental motion (e.g., wind, water). Plant swaying is minimal and not dominant.


RAW CAPTION: Got it, let's tackle this. First, the video starts with a scene of people working in what looks like an archaeological site with lots of rectangular trenches or pits in the sand. There are three people visible. Let's check each frame.

In the first frame, there are people: one in a white shirt crouching, another in a green shirt maybe, and a person in dark clothes standing. Then in subsequent frames, their positions change. The camera seems to pan or zoom to show more details of the trenches.

Rule a: focus on motion and behavior in chronological order. So first, people are at the site. The main subjects are three individuals: one in white shirt crouching (maybe examining something), another in green shirt, and a person in dark shirt. Their actions: crouching, walking, standing.

Chronological order: first, the scene shows them working. Then the camera shifts to a close-up of the trenches.

Rule b: appearance and number. Three people. White shirt (crouching), green shirt (standing further back), dark shirt (standing).

Rule c: spatial relationships. The person in white is crouching near the trenches, the green shirt is behind or to the side, dark shirt is on the right.

Rule d: camera perspective. Starts with a wider shot, then zooms in to show the trenches.

Rule e: minimal background. The background is sandy, with some trees in the distance, but not essential.

Rule f: no text or names.

Now, structure the caption. Start with the initial scene: three people working at an archaeological site with sand and rectangular trenches. Describe their positions and actions. Then the camera shifts to a close-up of the trenches.

Make sure it's concise. Let's see:

"Three individuals work at a sandy archaeological site with rectangular trenches; a person in a white shirt crouches near the trenches, another in green stands slightly behind, and a third in dark clothing walks across the site. The camera then pans to a close-up of the trenches, highlighting their arrangement in the sand."

Wait, check the frames. The first frame has the three people, then as the video progresses, they move. The camera moves from a wider shot to a closer view of the trenches. So the chronological order: first, the people are visible, then the camera focuses on the trenches.

Also, the number: first, three people. Then the camera shifts.

Let's check the exact movements. In frame 0, people are there. Then frame 1-2, they adjust positions. Frame 3, the camera moves to the trenches.

So the caption should start with the people's actions, then the camera movement to the trenches.

"Three people work at a sandy archaeological site: a person in white crouches near rectangular trenches, another in green stands to the left, and a third in dark clothing walks across the sand. The camera pans right and zooms in to show a close-up of the trenches' sandy interiors."

Wait, the video shows the people moving. Let's check the frames:

Frame 0: people are in the scene. Frame 1: more people visible (three). Frame 2: the person in dark clothing is on the right. Frame 3: the camera shifts to the trenches.

So the motion: people are active (crouching, walking), then the camera focuses on the trenches.

Make sure to mention the order: first the people's actions, then the camera movement.

Another angle: "In a sandy archaeological site, three individuals are present: a person in white crouches near rectangular trenches, a person in green stands further back, and a person in dark clothing walks across the sand. The camera then shifts to a close-up of the trenches, displaying their sandy interiors."

But check the spatial relationships. The person in white is near the trenches, green is behind, dark clothing is on the right.

Yes, so the caption should capture that. Also, the number of people: three.

Check if the caption is concise. Let's draft:

"Three people work at a sandy archaeological site with rectangular trenches; a person in white crouches near the trenches, another in green stands behind, and a third in dark clothing walks across the site. The camera then pans to a close-up of the trenches, highlighting their arrangement."

Wait, but the rules say "chronological order". So first the people's actions (crouching, walking, etc.), then the camera's movement.

Also, in the frames, the camera starts with a wider shot and then zooms in. So "the camera pans and zooms to a close-up of the trenches."

Let me check the sample output format. The user wants a paragraph.

Another check: exclude text recognition, so no names or

Multiple people are visible, moving through the site (e.g., walking, adjusting positions), indicating discrete solid objects with locomotive motion.

Background elements (trenches, ground) show no uniform shifting or fluid motion; no fire, water, or smoke detected.


A light-skinned person's hands reach toward a white door handle, grasp it, and pull the door open. The hands then move away from the door. The camera remains handheld with slight shake, capturing close-up views of the hands and door from a slightly angled perspective.

Hands (discrete solid objects) are actively moving, manipulating an object (possibly a pen or small tool), demonstrating physical interaction and locomotion.

No clear shifting background elements or fluid/environmental motion (fire, water, wind) detected; background remains largely out of focus but shows no uniform displacement.


In a gymnasium, a man in a green shirt and black shorts crouches to the left of a man in a black shirt, black shorts, and white cap holding a basketball. The man in black moves left while dribbling, extending his arm toward the man in green, who shifts position to guard. The man in black continues moving, then jumps slightly, as the man in green reacts by extending his arm further. Several children stand in the background observing. The camera remains stationary throughout the sequence.

Two primary solid objects (people) interact: one in green shirt pushes another in black attire, causing motion. The black-shirted person moves and falls, then runs away while the green-shirted person chases.

Background elements (gym walls, wooden floor) show no significant shifting or environmental motion (no fire, water, or smoke).


RAW CAPTION: Got it, let's see. The video shows a blackjack table. First, there's a dealer's hand, and the player's hand. The dealer's hand has a 10 and a Jack, which is a blackjack. The player's hand has two 8s and an Ace, maybe? Wait, the cards are changing. Let's check the frames.

In the first frame, the dealer's cards: 10 of diamonds and Jack of diamonds. Then in the next frames, the dealer moves the cards. Wait, the dealer's hands—there's a hand moving cards. The dealer's left hand is visible, and the right hand is placing cards. The player's cards: 8 of spades and 8 of clubs? Wait, no, in the first frame, the player's cards are 8 of hearts (wait, 8 of hearts is 8H), and 8 of clubs? Wait, no, 4 of spades, 9 of hearts? Wait, no, looking at the video description.

Wait, the problem is to describe the motion chronologically. Let's break down each frame.

Frame 0: Hands (dealer's hands) on the table. Dealer's hand: one hand is moving, the other is on the side. Cards: dealer has 10♦ and J♦, player has 4♠, 3♥, 9♥? Wait, no, the cards on the table: player's cards are 4♠, 8♥, 3♣, 8♣? Wait, the first frame shows: dealer's cards are 10♦ and J♦ (maybe, since 10 is the 10 of diamonds, Jack of diamonds). Then the player's cards: 4♠, 3♣, 8♥, 9♥? Wait, no, the first frame has the player's hand: 4♠ and 9♥? Wait, no, the cards are arranged as 4♠, 3♣, 8♥, 9♥? Wait, no, let's check the frames:

Frame 0: The dealer's hands are visible. The dealer's right hand is moving a card, the left hand is on the side. The table has the dealer's cards (10 and Jack) and the player's cards (4♠, 3♣, 8♥, 9♥). Then in frame 1, the dealer's right hand is moving the Jack of diamonds to the side, maybe? Wait, no. The video shows the dealer moving the Jack of diamonds from the dealer's hand to the player's area? Wait, no, the action is the dealer's hand moving cards. Let's think step by step.

The main subject is the dealer's hands. There are two hands: left and right. The dealer's right hand is moving a card. The player's cards are placed in front of the dealer's area. The motion: in frame 0, dealer's right hand is near the 10 and Jack. Then in frame 1, the right hand moves the Jack of diamonds to the left, then in frame 2, the right hand moves the Jack further, and then in frame 3, the dealer's right hand places a new card (like a 9 of hearts) on the player's area? Wait, no. Wait, the description says:

[0.0] shows dealer's hands: right hand moving, left hand on side. Cards: dealer has 10♦ and J♦, player has 4♠, 3♣, 8♥, 9♥ (wait, no, the player's cards are 8♥, 3♣, 9♥? Wait, no, the first frame has 4♠ and 8♥ as part of the player's hand? Wait, the player's cards in the first frame are 4♠, 3♣, 8♥, and 9♥? No, looking at the image:

The table has the dealer's cards: 10♦ and J♦ (top). The player's cards: 4♠, 3♣, 8♥, 9♥ (but maybe the player has two cards). Wait, maybe the player has a hand of two cards (like 4♠ and 3♣) and then another hand? No, blackjack typically has two hands per player. Wait, the player's cards are arranged as two pairs: 4♠ and 8♥ (maybe one hand), and 3♣ and 9♥ (the other hand). But maybe the player has two hands: one with 4♠ and 8♥, the other with 3♣ and 9♥. Then the dealer's cards are 10♦ and J♦.

In frame 0: dealer's right

Discrete solid objects (human hands) are moving cards and chips on the table, with clear physical interactions (e.g., placing, rearranging cards).

The background features a static casino table with blue surface, chips, and cards; no shifting backgrounds or fluid/environmental motion (fire, water, wind) observed.