RAW CAPTION: Got it, let's break this down. The video shows a man working on a wooden board. He's wearing a black shirt and jeans, and he has a blue wristband. He's outdoors, with trees and a dirt road in the background. The main action is him using a tool on the board. Let's track the sequence:

Start: He's standing near a wooden structure, maybe a truck bed, handling a board. He's adjusting the board, maybe positioning it. Then he uses a tool, probably a saw, to cut or work on the board. His hand movements: first holding the board, then using the tool on the edge. The board is light brown with some red design. The background has greenery and a dirt path.

Need to describe chronologically: he's working on the board, adjusting it, using a tool. Appearance: man in black shirt, jeans, blue wristband. Spatial: the board is in front of him, maybe on a truck. Camera perspective: the video starts with a top-down or close-up view, then follows his actions. Background is minimal, just trees and road.

Rules: focus on motion, appearance, spatial, camera. Exclude text, names. Keep concise.

Let's structure the caption:

A man in a black shirt and jeans, with a blue wristband on his left wrist, stands outdoors near a dirt path and trees, working on a light brown wooden board with red markings. He adjusts the board with his right hand while using a tool with his left hand to cut or shape the board's edge. The camera captures his actions from a slightly angled perspective, remaining steady as he focuses on the task. Background elements include sparse trees and a dirt road, but the focus remains on his hands and the board.

Wait, check the rules: exclude text recognition (the red markings might be considered text? But the rules say exclude text recognition, so maybe describe the board as having red markings without identifying text). Also, mention the spatial relationships. The man is in front of the board, maybe on a vehicle? The video shows a truck bed with a black metal structure. So the board is on the truck bed. The man is positioned to the left of the board? Let's check the frames:

In frame 0: man is leaning over the board, right hand on board, left hand holding tool. Frame 1: same, frame 2: he's moving the board, frame 3: he's adjusting, frame 4: hands on board, frame 5: he's working on the edge. So the board is on a truck bed (the metal structure is part of the truck). So the board is placed on the truck bed.

So revised:

A man in a black short-sleeve shirt and jeans, wearing a blue wristband on his left wrist, works on a light brown wooden board with red markings positioned on a truck bed. He uses his right hand to adjust the board while his left hand operates a tool to cut or shape the board's edge, moving the tool along the board's surface. The camera remains steady, capturing the scene from a slightly elevated angle with the man facing the board. Background includes a dirt path and trees, but the focus is on the man's actions with the board.

Check rules: chronological, motion, appearance, spatial (board on truck bed), camera perspective. Avoid text recognition (red markings are described as markings, not text). Keep concise.

Another check: the man's motion is adjusting the board and using the tool. His appearance: black shirt, jeans, blue wristband. Spatial: board on truck bed, man in front of it. Camera: steady, slightly elevated.

Let's make it concise:

A man in a black shirt and jeans, with a blue wristband on his left wrist, adjusts a light brown wooden board with red markings on a truck bed. He uses his right hand to position the board while his left hand operates a tool to cut its edge. The camera maintains a steady angle, focusing on his actions against a backdrop of trees and a dirt path.

Wait, but the video has the man moving the board, then using the tool. Let's check the order:

Frames 0-2: he's holding the board, adjusting it. Frames 3-5: he's using the tool. So sequence: he adjusts the board (holding with right hand, moving it) then uses the tool with left hand.

Final caption needs to be chronological: first adjusting the board, then using the tool.

"An individual in a black short-sleeve shirt and jeans, with a blue wristband on their left wrist, adjusts a light brown wooden board with red markings while seated on a truck bed. They use their right hand to position the board and their left hand to operate a tool, cutting along the board's edge. The camera captures this from a stable, close-up

A man (discrete solid object) is moving his arms and body to adjust a large board.

Background (trees, sky) is static with no fluid/environmental motion (fire, water, wind).


A woman in a light blue shirt and dark pants sits on a bed, placing a blue packing board with white circles beside an open dark blue suitcase. She picks up a red garment from the board, folds it, and inserts it into the suitcase. The camera begins with a wide shot of the room and then focuses closely on her hands as she packs.

A person (solid object) is actively moving hands and body to place a red item into an open suitcase. The suitcase and red item also exhibit discrete motion as part of the packing action.

No shifting background elements (walls, ground) observed; no fire, water, smoke, or wind motion present. Background remains static throughout.


A person in a blue and gray striped shirt and dark pants stands on grass with scattered chopped wood. They walk forward, bend down, and pick up a piece of wood. A black car is visible to the left, and a building forms the background. The camera remains stationary with a slight shake.

A person is moving by walking and bending to gather leaves. The leaves are being manipulated by the person's hands.

The background (building, car, trees) is static. There are no fluid or environmental motions (fire, water, wind) dominating the scene.


Three young girls in light purple tutus and pastel leotards perform synchronized dance movements, shifting positions and turning as they move across the room. The camera captures their motion from a fixed perspective with slight movement, focusing on their coordinated gestures and spatial transitions against a blue wall backdrop with minimal background details.

Three girls in ballet tutus perform coordinated movements: arm raises, turns, stepping, and pose changes. Their motion is distinct, solid, and traceable via bounding boxes as discrete subjects.

The blue wall, wooden baseboard, and decorative garland remain static throughout the video. No fluid motion (fire, water, smoke) or wind effects are present; background elements show no uniform shifting.


A group of individuals in dark patterned shirts and protective masks stand on a grassy field with large inflatable obstacles. One person in the foreground points to the right, then steps back slightly while others adjust positions around the inflatables. The camera remains static throughout, capturing the group’s movements in a medium shot.

The group of people (wearing helmets and uniforms) are moving slightly due to locomotion (walking, turning).

The background (trees and inflatable structures) shows minimal movement, but no dominant fluid/environmental motion (fire, water, smoke, wind).


Initially, a hand presses a button on a gray machine's keypad. The scene then cuts to a person wearing a black hoodie and dark beanie standing in front of the machine near a brick wall with blue lockers; the person moves slightly. The camera perspective shifts from a close-up of the keypad to a wider shot encompassing the person and the surrounding area.

A hand (discrete object) is pressing buttons on an ATM keypad, and a person is standing in a bank lobby (stationary).

The background in both ATM and bank lobby scenes is static. No fluid/environmental motion (fire, water, wind) is present.


Two individuals sit on a couch, one in a white shirt and the other in a blue shirt, each holding a golden trombone. They raise the mouthpieces to their lips, move the slide mechanisms, and play the instruments. Music stands are positioned in front of them. The camera remains static throughout.

Two individuals playing trombones: their hands manipulate slide mechanisms, mouthpieces move in response to playing, and bodies show subtle seated motion from instrument handling.

Background elements (wall, furniture, floor) are static with no shifting or environmental motion. No fire, water, smoke, or wind present.


A man in a gray shirt and blue pants adjusts a large wooden beam on a workbench in a workshop, then steps back as another man in a red shirt enters from the right. The camera remains static, capturing the workshop's interior with stacked lumber and tools.

Two people: one in gray shirt and blue pants moves around the workshop (stepping and walking), and one in red shirt enters the frame and moves to stand by the table.

The background (wooden walls and stacks) shows no uniform shift, and there is no dominant fire, water, smoke, or wind motion. Dust particles are present but minimal and not dominant.


A child wearing a black t-shirt with a colorful graphic sits on a patterned couch, holding a white paper airplane. The child manipulates the airplane, moving it in various directions with both hands. The camera remains stationary, capturing the action from a direct frontal view.

The child manipulates a solid paper object through folding and hand movements, showing distinct discrete object physics.

The couch and table in the background remain static throughout; no fluid/environmental motion (fire, water, wind) observed.


A worker in a blue shirt and orange pants stands on scaffolding, handling bricks against a brick wall. A second worker in a white shirt and hat is positioned inside an open building opening, moving. The camera shifts focus between the two workers, capturing their construction activities with minimal movement.

Two people on scaffolding: one in orange pants climbing a ladder, the other in white shirt near the building entrance; both exhibit locomotive motion.

Static building structure and scaffolding with no observable shifting or fluid/environmental motion (fire, water, wind).


Two men in lab coats stand before a numbered compartment rack. The man in a white coat handles papers and a green tray, adjusts a compartment, then turns and walks left. The man in a blue coat holds a paper, remains stationary. Camera remains fixed.

Two men in lab coats are moving: the man in white coat is handling green trays and objects on the counter, and the man in blue coat is writing on a clipboard. These are solid, distinct objects moving due to human action.

The background includes stationary shelves and a rack of containers. No shifting background elements observed, and there is no fluid or gaseous motion (fire, water, smoke, wind).


RAW CAPTION: Got it, let's break this down. The video is a sequence of black-and-white clips. First, the opening shot is a person in a black jacket with "CHARLIE EVIN" on the back, standing in a car trunk. Then they're seen closing the trunk, moving to the passenger side, getting into the car. Next, they're at a gas station, pumping gas, and then walk away.

Need to focus on motion chronologically. Main subject is one person. Appearance: black jacket, dark pants. Actions: closes trunk, enters car, goes to gas pump, pumps gas, exits. Spatial relationships: in front of car, at gas pump. Camera movement: probably static shots, but the description says to mention camera perspective. The clips are different angles, so maybe each frame is a separate shot. Background minimal, so don't describe much.

Wait, the user says "chronological paragraph describing the provided video." So the order of the clips: first, trunk of car; then person closing trunk and getting in; then at gas station, pumping gas; then walking away.

So step by step:

- Person in black jacket (with text on back, but per rule f, exclude text recognition) stands in open trunk of a car. Closes trunk, moves to passenger side, enters car. Then stands at gas pump (pumping gas), then walks away from the pump.

Check rules: a) motion and behavior in order. b) appearance: color (black jacket, dark pants), size (one person). c) spatial: in front of car, at gas pump. d) camera perspective: the video has multiple shots, but the caption should conclude with camera movement. The clips are from different angles, so maybe "static shots" or "varying angles". But the user says "conclude with camera perspective and movement". Let's see examples: maybe "the camera captures each action from a static position, focusing on the subject's movements." Wait, the rules say "DO NOT include any reasoning in the caption tags." So output just the caption.

Let's draft:

A person in a black jacket and dark pants closes the trunk of a car, then moves to the passenger side and enters the vehicle. They proceed to a gas pump, operate the pump, and exit the station area. The camera remains static, capturing the sequence through individual frames with minimal background details.

Wait, need to be concise. Let's check the rules again. Rule f: exclude text recognition, so no "CHARLIE EVIN". So description of person: black jacket, dark pants.

Sequence:

1. In car trunk: person in black jacket, dark pants stands in trunk of car. (frame 0)
2. Closes trunk (frame 1-2), then moves to passenger side (frame 2-3), enters car (frame 3)
3. At gas pump (frame 4), pumps gas (frame 5), walks away (frame 6?)

Wait the provided frames:

<0.0> person in car trunk.

<1.4> person closing trunk, then getting into car.

<2.5> closing trunk, then entering car.

<3.6> person at gas pump (pumping gas), then walking away.

So chronological:

Person in black jacket and dark pants stands in the trunk of a car. They close the trunk, move to the passenger side, and enter the vehicle. The person then approaches a gas pump, operates the pump, and walks away from the pump area. The camera maintains static positions, capturing each action in separate frames with limited background context.

But need to be concise. Let's trim.

A person wearing a black jacket and dark pants stands in a car trunk. They close the trunk, enter the passenger side of the car, and move to a gas pump. The person pumps fuel and then walks away. The camera captures these actions through fixed-angle shots with minimal background detail.

Check rules: exclude text, so no "CHARLIE EVIN" mentioned. Spatial: trunk, passenger side, gas pump.

Another version:

A person in a black jacket and dark pants stands in a car trunk. They close the trunk, enter the vehicle from the passenger side, and proceed to a gas pump where they pump fuel before walking away. The camera remains static throughout the sequence, focusing on the subject's movements.

That's concise. Let's make sure to have chronological order: trunk -> enter car -> gas pump -> walk away.

Yes. Check all rules:

a) motion and behavior in order: yes.

b) appearance: black jacket, dark pants, one person.

c) spatial: trunk, passenger side, gas pump.

d) camera: static, fixed-angle shots.

e) background minimal: yes.

f) no text, no names.

g) no reasoning in caption.

Police officer moving arms (to operate gas nozzle) and body (turning); gas nozzle being inserted and pulled from car; car stationary.

Static background with no fluid or wind motion; building and ground are stable.


A person in a black shirt with a colorful design and gray pants kneels on the floor, moving their hands before picking up a dark object and examining it closely. Another person in dark clothing sits to the right, partially visible. The background features a dark couch and wall decorations. The camera remains stationary.

A child interacts with small objects on a table (likely marbles or toys), moving their hands to manipulate and push the objects. The child's body and hands exhibit distinct, solid-object motion due to physical forces.

Background elements (couch, wall decorations, lamp) remain stationary throughout the frames, showing no uniform shifting. No fire, water, smoke, or wind-driven motion is present.


A person with clay-covered hands moves from behind a wooden cabinet to stand in front of a pottery wheel, shaping a gray cylindrical pot as it rotates. The pot spins on the wheel within a metal tray containing a sponge. Wooden cabinets form the background. The camera stays fixed on the wheel and the person’s hands.

A person wearing gloves manipulates clay on a pottery wheel, moving hands to shape the object through physical force.

Background (wooden panels, cabinet) shows no uniform shifting; no fluid/environmental motion (fire, water, smoke, wind) dominates.


A person's hands position a light-colored wooden rod on a curved wooden base. The right hand steadies the rod while the left hand uses a chisel to carve along its edge, removing small wood shavings. The camera maintains a close-up, static perspective focused on the hands and the work area, capturing the precise motion of shaping the wood.

Person's hands and sanding block moving over wooden object (surfboard-like shape); motion is deliberate sanding action.

Static background elements (red mat, wooden surface) show no uniform shifting. No fire, water, smoke, or wind motion observed.


A person lifts a metal pan with a cloth, inverting a round, golden-brown bundt cake onto a floral-patterned plate. The pan is removed, revealing the cake upright on the plate. The camera stays close to the action throughout.

A metal lid is lifted off a cake by a hand, revealing the stationary cake on a decorative plate.

The background (kitchen tiles and counter items) is static and shows no fluid or environmental motion (fire, water, wind).


RAW CAPTION: Got it, let's break down the video. First, the video starts with a hand using blue-handled tongs to move something on a metal plate with ash and sticks. Then the plate is lifted to reveal a round pan with a brown liquid that has bubbles. Next, the pan is shown with a dark liquid, maybe a batter or mixture, and then a hand uses tongs to place a piece of metal into the liquid. Wait, no, the sequence: frame 0 is hand with tongs on a plate with ash. Frame 1: plate is lifted, revealing a pan with liquid. Frame 2: the pan is shown with the liquid. Frame 3: maybe adding something? Wait, the frames are:

0: Hand with blue tongs on a metal plate (has ash, twigs) on grass.

1: Plate is lifted, showing a round pan underneath with a brown liquid (bubbling).

2: Pan is shown with brown liquid (maybe a mixture, like a cake batter).

3: A hand uses tongs to place a small piece of metal (or something) into the liquid. Wait, the last frame is a hand holding tongs, placing something into the pan.

Wait, the problem says "consecutive frames", so:

Frame 0: Hand (right hand) with blue-handled tongs manipulates objects on a round metal plate that contains ash and twigs, placed on grass.

Frame 1: The plate is lifted, revealing a round black pan beneath with a brown liquid surface that has white frothy bubbles.

Frame 2: The pan is shown from above, with the brown liquid still bubbling.

Frame 3: A hand uses blue-handled tongs to place a small metallic object (possibly a coin or disc) into the liquid.

Wait, the description: "a hand uses blue-handled tongs to place a small metallic object into the brown liquid."

So the sequence is:

1. A hand with blue-handled tongs adjusts items on a metal plate with ash and twigs.

2. The plate is lifted to reveal a round pan with bubbling brown liquid.

3. The pan is shown with the brown liquid.

4. A hand uses the tongs to place a small metallic object into the liquid.

Wait, the frames are 0 to 4, so:

0: Hand uses tongs on plate (ash, twigs).

1: Plate lifted, showing pan with brown liquid.

2: Pan with brown liquid (close-up).

3: Hand uses tongs to place metal object into liquid.

Now, the caption needs to be chronological. Let's structure:

- Start with the first action: hand with blue tongs on metal plate (ash, twigs).

- Then the plate is lifted, showing the pan with brown liquid (bubbling).

- Then the pan is shown with the liquid.

- Then the hand uses tongs to place a metal object into the liquid.

Now, details:

- Hand: right hand, blue-handled tongs.

- Plate: round, metal, contains ash, twigs.

- Pan: round black pan, brown liquid with white frothy bubbles.

- Metal object: small, metallic, placed into the liquid by tongs.

Spatial: the plate is on grass. When lifted, the pan is underneath.

Camera movement: starts with close-up of hand and plate, then the plate is lifted (so camera angle changes to show pan), then close-up of pan, then hand placing object.

But the rules say: concise chronological paragraph, describe motion and behavior.

So the caption should be:

A right hand with blue-handled tongs adjusts items on a round metal plate containing ash and twigs; the plate is lifted to reveal a round black pan beneath with a bubbling brown liquid that has white frothy bubbles. The pan is then focused on, and the hand uses the tongs to place a small metallic object into the liquid.

Check rules:

a) Motion in order: hand adjusts plate items, lifts plate, reveals pan, focuses on pan, places object.

b) Appearance: hand (right, blue tongs), plate (round metal, ash, twigs), pan (black, brown liquid, bubbles), metallic object (small).

c) Spatial: plate on grass, pan beneath plate, hand using tongs to place object into pan.

d) Camera: starts close-up, then shows pan when plate is lifted, then close-up on pan, then action of placing.

e) Background: grass is minimal, but mentioned as the plate is on grass.

f) Exclude text, names, etc.

Now, check conciseness.

Let's draft:

A right hand with blue-handled tongs manipulates objects on a round metal plate with ash and twigs, then lifts the plate to reveal a round black pan containing a bubbling brown liquid with white fro

Hand using tongs to lift a lid, and a container pouring liquid into another container—both involve solid objects moving due to physical forces.

The grass background is static, with no uniform shifting indicating camera motion. Embers (fire) are present but not dominant; the primary action involves discrete object movement.


RAW CAPTION: Okay, let's see. I need to create a concise caption for this video. The user wants it chronological, focusing on motion and behavior of main subjects.

First, the video starts with a woman in a black tank top and gray pants sitting on a rock. She's holding an alligator. The alligator is brownish, maybe medium-sized. Then another person in dark pants is standing to her right. The woman is holding the alligator's head, maybe petting or adjusting it. The alligator's tail is visible, and it's on the rock. The background is a stone wall and a small body of water.

I should note the order: first, the woman is sitting, holding the alligator. Then she moves her hands around the alligator's head. The other person is standing nearby, maybe watching. The alligator stays mostly still but might move slightly. The camera angle is static, looking straight at them. Need to mention the spatial relationship: the woman is on the left, the person is on the right. The alligator is in front of her.

Wait, the video description says the woman is sitting with the alligator in front of her. The alligator is on the rock, maybe the woman is sitting on the rock too. The other person is standing to her right. The background is a stone wall and water. The camera doesn't move much, maybe slight shake? But the rules say minimal background unless essential. So maybe just mention the stone wall and water briefly.

So the main points: woman in black tank top holds alligator's head, person in dark pants stands to her right. Alligator is brown, medium-sized. The woman adjusts her hands on the alligator's head over time. The camera is static, slightly shaky.

Check the rules: chronological order, motion of subjects. Start with the woman sitting, holding alligator. Then her actions: adjusting hands on alligator's head. The alligator is still. The other person stands still. Background minimal. Camera static.

Make sure to mention appearance (black tank top, gray pants, dark pants), size (medium alligator), spatial (woman on left, person on right), motion (woman adjusts hands, alligator stays still).

Avoid mentioning text, names, stylistic stuff. Keep it concise. Let me try drafting:

"A woman in a black tank top and gray pants sits on a rock, holding a medium-sized brown alligator's head, adjusting her hands on its snout. To her right, a person in dark pants stands barefoot on the rock. The alligator remains still, with its tail visible. The camera maintains a static, slightly shaky perspective, capturing the interaction against a stone wall and water background."

Wait, "barefoot" is part of the description. The person is standing on the rock. Maybe "stands barefoot on the rock" is correct. The background: stone wall and water, which is essential for context. The alligator is in front of the woman. The video shows her adjusting hands over time. Need to make sure it's chronological: she starts holding, then adjusts hands. So "adjusts her hands on its snout" as the action.

Check if the rules say to exclude named characters, so no "woman" or "person" as names, but just describe. Wait, the user says "exclude text recognition, named characters, or stylistic analysis." So we don't name people, but describe them as "a person in dark pants." That's okay.

The caption should be in a paragraph. Let me condense:

A woman wearing a black tank top and gray pants sits on a rock, holding a medium-sized brown alligator’s head and adjusting her hands on its snout. To her right, a person in dark pants stands barefoot on the rock. The alligator remains still with its tail visible, while the background features a stone wall and shallow water. The camera remains static with slight movement, capturing the interaction from a frontal angle.

Wait, "frontal angle" might not be necessary. Maybe "static, slightly shaky perspective." The user says "conclude with camera perspective and movement."

Also, check the order: first, the woman's actions, then the person, then background. The alligator's state. Maybe better to structure chronologically as the video progresses.

The video shows the woman holding the alligator, then she adjusts her hands. The person is standing there. So the main actions are the woman adjusting hands, alligator stays, person standing. So the caption should mention the sequence.

Let me try again:

A woman in a black tank top and gray pants sits on a rock, holding a medium-sized brown alligator’s head. She adjusts her hands on the alligator’s snout while the animal remains still. To her right, a person in dark pants stands barefoot on the rock. The background includes

A woman in a tank top is moving (adjusting position, standing up), and another person is partially visible; these are solid, discrete objects exhibiting locomotion due to physical action.

Background elements (stone wall, river, ground) show no significant uniform shifting or fluid motion; river is static, not dominant ambient motion.


A woman in a red-and-white striped tank top adjusts a red scarf on a white snowman with a black top hat and orange carrot nose; adjacent to it, another similar snowman stands near a window. As the camera pans left, a child in a pink shirt and others approach the snowmen, with the woman moving away and additional people interacting with the snowmen, adjusting their features. The camera shifts perspective slightly, capturing the group’s movements around the two snowmen positioned against the window.

Multiple children (e.g., girl in pink striped shirt, others in background) move via locomotion (walking, bending) while interacting with stationary snowmen. The children's movements include reaching, adjusting snowman features, and shifting positions within the scene.

The background (window, walls, indoor furniture) shows no uniform shifting or environmental fluid motion. Outdoor elements through the window (trees) exhibit minimal wind-induced sway, but it is not dominant. No fire, water, smoke, or significant wind effects are visible.


Two individuals, one in a white top and light jeans, the other in a light top and black pants, collaborate to move a large wooden cabinet with multiple drawers and doors. They hold red and white straps, initially positioning the cabinet against a wall near a lattice screen and framed artwork; they then shift direction, guiding the cabinet toward an open doorway with green curtains, eventually moving it outside the room. The camera remains mostly stationary, briefly panning left to follow the cabinet's movement. Background elements include tiled flooring and wall decorations, but focus remains on the subjects' coordinated motion.

Two people (solid objects) are moving their arms and bodies around the cabinet, exhibiting locomotion and deliberate motion.

The background elements (wooden cabinet, walls, window curtains) show no uniform shifting or environmental fluid motion (fire, water, smoke, wind).


A metal vise with adjustable bolts gradually closes around a rusty hexagonal bolt fastened to a teal pipe. The vise's jaws move inward, compressing the bolt against the pipe. The camera maintains a top-down perspective, focusing closely on the tightening motion.

Two metal clamps are moving in a coordinated manner, opening and closing around a bolt. The motion is due to mechanical actuation.

The background (brown surface and blue pipe) is static. No fluid or environmental motion (fire, water, wind) is present.


An adult wearing a gray shirt and dark pants stands on a ladder positioned in front of dense green bushes, trimming the foliage. The person moves slowly along the ladder from right to left, extending their arms to cut the bushes. The background features a white industrial building with large windows. The camera remains stationary throughout the sequence.

A person is moving in discrete, solid motion: walking around a wheelbarrow in the garden. This motion is consistent with locomotion (pedestrian movement) and is clearly tracked against the static background.

The building, trees, and garden elements (yellow flowers, grass) show no uniform shifting or fluid motion. No fire, water, smoke, or wind-induced environmental effects are visible; the scene remains stable with static background components.


A woman with dark hair and black top leans over a white microscope with blue base, adjusting its blue focus knob while looking through the eyepiece. The camera zooms in to focus on her hand turning the knob, with a plain white background.

A person's hands are moving to adjust the microscope stage, representing discrete solid-object motion due to deliberate physical action.

The background consists of a static plain wall with no shifting elements. No fluid or environmental motion (fire, water, smoke, wind) is present.


A person in dark clothing stands beside tall grass near water, holding a fishing rod. They cast the line, sending an orange float airborne, then reel the line back. The camera maintains a top-down perspective throughout the sequence.

A person is actively reeling in a fishing line, causing the rod and attached bobber to move. The person's body position and rod manipulation show discrete locomotion due to physical force application.

The background consists of static grass and calm water with minimal surface ripples. No significant fluid motion (e.g., waves, smoke) dominates the scene; the water and vegetation remain largely undisturbed.


RAW CAPTION: Got it, let's break this down. First, the video starts with a Monopoly board on the floor. There are two people: one in a white shirt and blue pants, sitting on the right. The other person is partially visible on the left, wearing a white shirt. The first person (left) is placing the Monopoly board, then adjusts it. The second person (right) is sitting, maybe getting ready to play. Then, the person on the left picks up a card, and the camera moves a bit, showing more of the right person. The board is spread out, with the Monopoly logo visible. The background has a bunk bed with pink sheets, so that's the setting. Now, follow the rules: chronological order, motion of main subjects. So start with the board being laid out, then the person adjusting it, then the card being picked up. Mention the spatial relations: left person placing the board, right person sitting. Camera movement: starts with a view of the board, then maybe a slight pan or move as the person interacts. Need to exclude text recognition, so don't mention "Monopoly" as text, but it's in the board. Wait, the rules say exclude text recognition. So can't mention the word Monopoly? Wait, the video shows the Monopoly board, but the rules say "exclude text recognition". So maybe avoid mentioning the name. Wait, but the problem says "Exclude text recognition, named characters, or stylistic analysis." So if the text is part of the object, like the board has "Monopoly" written, but we can't refer to it. Hmm. Wait, the user says "exclude text recognition", so probably don't mention the word. But the task is to describe the scene, so maybe it's acceptable to describe the board as a Monopoly game board, but the rules say "exclude text recognition". Maybe the model should not mention the word "Monopoly" because it's text. Wait, the problem statement says: "Exclude text recognition, named characters, or stylistic analysis." So "Monopoly" is a named character? Wait, Monopoly is the game, so maybe not. Wait, the user says "exclude text recognition", which would include recognizing text like "Monopoly". So perhaps we need to describe the board as a game board without naming it. But the problem is, the video shows the game board. Hmm. Let's check the problem statement again. "Exclude text recognition, named characters, or stylistic analysis." So text recognition means don't mention any text you can read. So if the board has "Monopoly" written, you don't say "the Monopoly board". Instead, describe it as a game board. Wait, but the problem says "focus on motion and behavior". So maybe the main action is placing the board, adjusting it, handling a card. Let's see the video: the first frame shows a hand placing the board (the game board is being laid out). Then the board is spread out. Then the hand picks up a card (the orange question mark card). The person on the right is sitting. So step by step: A hand adjusts a large game board on the floor, spreading it out. Another person sits to the right, then shifts position. The hand picks up a card from the board. Background includes a bunk bed. Camera starts with a low angle, then moves slightly to show the person on the right. Wait, the camera perspective: the first frame is a low angle, looking down. Then the camera moves to show the board being placed, then the person adjusting. Need to describe camera movement: starts with a view of the board, then a slight movement to capture the person. Let's structure the caption: A person in a white shirt and blue pants sits on the right side of the frame, adjusting their position. Another person extends their arm to spread a large game board across the floor, positioning it. The first person then shifts slightly, and the second person reaches for a card on the board. The camera maintains a low angle, moving slightly to follow the interaction with the board. Background includes a bunk bed with pink bedding. But wait, need to mention the motion in chronological order. Let's try: A person in a white shirt and blue pants sits on the right, then moves their hand. Another person places a large game board on the floor, adjusting its position. The second person picks up a card from the board. The camera starts at a low angle, then pans slightly to show the interaction. Wait, the video starts with a hand placing the board (frame 0), then the board is laid out (frame 1), then the hand points to a card (frame 3), then the person on the right moves (frame 4). So the main actions: first, the person extends their arm to place the board (

Hands (discrete objects) are moving the Monopoly board and placing game pieces on the board.

The orange wall and bed in the background show no shifting or fluid motion; no fire, water, or wind is visible.


A person wearing black boots and red-black pants stands near a circular ice hole on a blue tarp, adjusting their position slightly while handling fishing equipment. The camera maintains a top-down perspective, focusing on the ice hole and the individual’s lower body as they interact with the hole and gear.

Small ice chunks are breaking off the edge of the hole and falling into it; a foot (boot) on the right side shows minimal movement but is not the primary motion source.

Stable background elements (ice surface, blue tarp, and fixed objects) show no uniform shifting. Only discrete ice chunks breaking off and falling into the hole are visible, not fluid or gaseous motion.


In a fabric store, a man in a gray jacket adjusts the light blue dress on a standing woman, who raises her right hand toward her head while the third person in black with yellow stripes observes from the left. The camera remains steady with minimal movement.

Two people (a man adjusting a woman's clothing and the woman responding) exhibit discrete movement; a third person in the background also shows minor motion.

Static shelves and hanging fabrics show no uniform shifting; no fire, water, smoke, or wind motion detected.


A woman in a white sweatshirt and blue jeans holds a young girl's hand; the girl, wearing a pink floral jacket and red pants with curly hair, grips a metal railing while a boy in a red and black striped hoodie stands to her right. The girl looks down, then the boy reaches toward her. The camera follows their motion, maintaining a close-up perspective with slight movement.

Discrete objects: children (a boy in red/black striped shirt and a girl in a patterned dress) and an adult (in white shirt) are moving. The children exhibit small motions such as bending and reaching, while the adult's hand moves slightly.

The background (white wall and ground) is static with no shifting; no ambient environmental elements (fire, water, smoke, wind) present.


A hand holding a blue pen writes on white paper placed on a dark surface, moving across the page to add text lines in chronological sequence; the hand then withdraws from the frame. The camera maintains a top-down perspective with no movement.

A hand holding a pen moves to write on the paper, exhibiting discrete, solid object motion due to muscular action.

The background consists of a static dark surface and a light-colored paper; no fluid environmental motion (fire, water, wind) or significant background shifts are observed.


A person with short dark hair and a dark jacket starts by looking downward, then raises their head upward and shifts their head to the side within the frame. The camera is handheld with a slight shake, focusing closely on the subject outdoors near a building.

A person is visible, exhibiting head and body movements (e.g., shifting posture, head turning) consistent with deliberate locomotion or gesture.

The brick building and fence in the background show no significant uniform shift or fluid/environmental motion (e.g., fire, water, wind).


A person in dark attire with a white collar plays a light brown stringed instrument, using their left hand to press strings on the neck and right hand to strum. The camera maintains a close-up view on the instrument and hands, with minimal background detail.

A person's hands are moving to play a stringed instrument (lute), with visible strumming/plucking motion of discrete solid parts (fingers, instrument strings).

Background elements (hooks/shelves) show no uniform shifting or environmental fluid motion (fire, water, wind); static and consistent throughout frames.


A close-up of a human eye with a dark brown iris, long dark lashes, and a neatly groomed eyebrow. The eye initially gazes forward, then shifts its gaze left and upward, revealing more of the sclera. The camera remains static in a tight close-up, focusing on the eye and surrounding skin.

The eye (including eyelid) moves via blinking and eye-tracking (natural physiological motion).

No visible background; no fluid/environmental motion (fire, water, wind) detected. Motion is confined to the eye.


A man in a black and white shirt plays a gold trombone, moving its slide back and forth while standing in a room filled with musical instruments. The camera pans slightly to the right throughout the sequence.

A person playing a flute exhibits small, discrete motions (e.g., finger movements, head adjustments) due to playing the instrument.

Background elements (shelves, items) are static; no fluid/environmental motion (fire, water, smoke, wind) detected.


A hand manipulates a newspaper, flipping through pages; the newspaper is a solid object undergoing discrete motion due to human interaction.

No shifting background elements or fluid/environmental motion (fire, water, smoke, wind) observed; background remains static throughout.


Hands hold a metallic sharpener, inserting a wooden fastel halfway into its opening and rotating it around the blade. The scene transitions to a hand giving a thumbs-up beside a sharpened pencil. Camera maintains a close-up perspective throughout, shifting between the sharpening action and the thumbs-up gesture.

Hands manipulate a small metallic object and a pencil, showing deliberate movements like rotation, presentation, and a thumbs-up gesture.

Background is a plain, static wall with no shifting or environmental effects (no fire, water, smoke, or wind).


A person wearing a green skirt with red and orange trim lifts and adjusts the skirt, turning their body to display the fabric while holding the hem to spread it out. The camera remains stationary.

A person is manipulating a green and red fabric (likely a sari), exhibiting movements such as lifting, rotating, and positioning the cloth with hands.

The wall, floor, and static painting show no shifting or movement. No fluid/environmental motion (fire, water, wind) is present.


A white and teal object is shown close-up. The scene shifts to a silver copier panel (model C22201) with a digital display. A person's arm, adorned with a bracelet, extends into the frame and places a white sheet into the copier, then retracts. The camera remains in a close-up, static position focused on the copier.

A hand (with visible bracelet) moves to place a sheet of paper into the fax machine. The paper sheet moves through the machine's tray.

No shifting background; no fire, water, smoke, or wind. Fax machine and surrounding environment are static with no fluid/environmental motion.


The video opens with a green rectangular toolbox positioned on a wooden surface. A hand wearing a light-colored sleeve lifts the toolbox lid, revealing the contents inside. The camera maintains a close-up focus on the toolbox and the hand’s motion throughout the sequence.

A hand is moving a black box on a table; the motion is due to the hand pushing the box.

The background (table, wall) is stable with no uniform shifting. No fluid/environmental motion (fire, water, wind) present.


A person wearing a black crop top, sparkly skirt, and black leggings dances in a room, raising arms and turning around to face away, then continuing movement. A red table with objects and framed pictures are visible in the background. The camera remains steady with slight shake.

A single person (dancer) is moving in a rhythmic manner, exhibiting arm and body motions.

The background (walls, furniture, table) is static with no shifting or fluid motion (fire, water, etc.).


A person in light clothing runs across the road while holding a white object, then collides with the vehicle, causing the windshield to shatter. The individual falls to the ground on the road as the vehicle proceeds. The camera, positioned inside the vehicle, captures the impact and resulting windshield damage.

A person in purple clothing runs toward the camera, collides with the windshield, and falls. Vehicles on the road are also moving along the roadway.

The background elements (road, utility poles, trees) remain stationary with no uniform shifting or fluid environmental motion (e.g., wind, smoke). No fire, water, or waves are visible.


A person in a dark hoodie spins wool using a wooden spindle, their hands rhythmically manipulating the spindle to draw dark wool into a continuous thread as the spindle rotates. The camera remains close to the action, slightly shaky, focusing on the hands and spindle while the background stays blurred and indistinct.

The primary discrete objects are the person spinning the wool and the spindle. The motion is rotational spinning of the spindle and the wool, caused by the person's hand.

The background is indistinct due to low video quality and blurriness, but no fire, water, smoke, or wind is present as dominant motion. No uniform shifting of background elements is evident.


A group of soccer players in black and red jerseys huddle closely on a nighttime field, then disperse into a line, walking toward the camera. The players, wearing various numbers, move from a tight circle to a single-file formation as the camera pans left to follow their movement.

A group of people (discrete solid objects) are moving collectively, shifting positions and walking in a line across the field.

The background features static elements (fences, lighting structures) with no uniform shifting or fluid motion (e.g., no fire, water, smoke, or wind effects).


A person uses two wooden spoons to stir a salad in a light blue bowl containing leafy greens and orange vegetable pieces. They then add small white crumbly pieces and brown bits into the bowl from above. The camera shifts from a medium view of the stirring hands to a top-down perspective during the ingredient addition.

Discrete solid objects: person's hands and wooden spoons actively stirring the salad, with lettuce, carrots, and other ingredients being mixed due to physical forces from the hands.

Background elements (wooden table, white wall) show no uniform shifting or fluid/environmental motion (fire, water, wind, smoke); all background components are static and consistent across frames.


A hand with long, light pink nails holds and adjusts a clear plastic object on a white paper towel, then transitions to filing the nails of another older hand wearing silver rings using a silver nail file. The camera maintains a top-down close-up perspective throughout, focusing on the precise hand movements against the paper towel background.

Discrete solid objects (hands with long nails, a small manicure tool) are moving as the hands manipulate the nails and apply the tool to the nail surface.

The background consists of a static white paper towel with embossed patterns; no shifting backgrounds or fluid/environmental motion (fire, water, wind) is observed.


A person lies on a bed covered with a black and white patterned blanket. Another person with blonde hair and a dark sleeveless top stands to the right of the bed, placing their hand on the first person’s chest and making slight hand movements. The camera remains static in a close-up view, focusing on the interaction between the two individuals.

Slight head/body adjustments by the seated woman; no other significant discrete object motion detected.

Static background elements (couch, wall) show no uniform shifting. No fire, water, smoke, or wind present.


Two individuals sit on a bed with pink bedding; the person on the left, wearing a black top, holds a plate of food and raises their hands, while the person on the right, in a gray shirt, holds a plate and interacts. The camera remains static with minor shaking throughout.

Two people are moving their hands (e.g., holding and passing food, gesturing).

Background is static; no ambient environmental motion (fire, water, smoke, wind) is present.


Hands manipulate a small object (likely a toy) using tweezers, with motion resulting from explicit physical manipulation (grasping, twisting).

Background elements (countertop, box) are stationary; no fluid, fire, or wind-driven motion observed.


A pair of hands, one adorned with a gold ring, manipulates a rotary tool against a white stone sculpture with brownish patches, while the other hand stabilizes the stone. The tool rotates, carving the stone and generating fine dust particles that settle around the work area. The camera maintains a steady, close-up top-down perspective throughout the sequence.

The person's hands and the carving tool are the moving discrete objects. The hands are actively applying force to carve the stationary material.

Background is static (workshop setting with no shifting elements). No fluid or environmental motion (fire, water, wind) observed.


A person pushes a large gray curling stone with a blue handle across the ice; the stone glides smoothly as the individual’s black pants are visible. The stone moves away from the camera, which maintains a low angle and follows its motion closely. In the background, two figures stand near the rink’s edge.

A curling stone is propelled across the ice by a person (legs visible), while an orange broom is swept in front of the stone to influence its trajectory. Both objects exhibit discrete, solid motion.

The background elements (walls, ice rink structure, distant people) remain static across frames with no fluid motion (fire, water, smoke, wind) observed.


A top-down view displays a wooden surface with white cloth bundles secured by string and a blue-handled tool within a tray containing orange and red dyes. A person wearing white gloves submerges a white cloth bundle into a dark dye container, while other color-dyed bundles (red, purple, orange) rest in adjacent trays. The camera remains stationary in a top-down perspective throughout the sequence.

Gloved hands manipulate a solid object (likely a ball or tool) into a container, demonstrating explicit physical interaction and locomotion of discrete solid objects.

Background elements (table, containers, colored objects) remain static and show no shifting or fluid motion. No fire, water, smoke, or wind is present.


A dark hand moves from left to right, adjusting a light-colored curtain near a window, pulling it toward the person before withdrawing. The window provides a bright background with minimal detail. The camera captures the scene in a close-up, slightly shaky perspective.

Hands (discrete solid objects) are manipulating a small object (possibly a ball or toy), exhibiting controlled motion through grasping, positioning, and releasing actions.

Background elements (window, curtains) show minimal movement, no significant fluid/environmental motion (fire, water, wind) detected; background remains relatively stable.


A light-skinned hand manipulates a small brown twig-like object near the hip area of a person wearing dark underwear with yellow stripes, adjusting its position while partially pulling the underwear aside. The hand moves the object in and out of the hip crease, with the camera maintaining a close-up, slightly shaky perspective focused on the hand and object, showing minimal background details of a rocky outdoor setting.

A hand manipulates a thin string attached to the skin, pulling and releasing it through deliberate motion; the skin shows minimal displacement due to hand contact.

No fluid or environmental motion (e.g., fire, water, wind) detected. Background (patterned fabric and stones) remains static with no uniform shifting.


Two individuals in a kitchen—one wearing a blue shirt with a red and yellow emblem, the other in a light gray shirt—collaborate. The person in gray uses a spoon to transfer dough from a large white mixing bowl to a baking sheet lined with portions of dough. The blue-shirted individual stands to the left of the bowl. The camera remains static throughout.

Two people move: one walks left and right (locomotion), the other uses a spatula to manipulate dough pieces on a baking sheet. The spatula and dough are discrete solid objects undergoing explicit physical interaction.

The kitchen background (cabinets, window, countertop) is stable with no shifting or fluid motion. No fire, water, smoke, or wind detected.


A boy in a white shirt and striped shorts lies on his back on the playground gravel, then sits up and rises to his feet, walking away from yellow and red playground structures. The camera starts low, tilts upward as he stands.

A child moves from lying on the ground to crawling and reaching for the bench, driven by physical locomotion.

The background (playground structure, grass, trees) is static with no significant environmental motion (e.g., wind, water).


A pair of hands repeatedly picks up individual puzzle pieces from a scattered pile, aligns them, and inserts them into a partially assembled 500-piece puzzle depicting a detailed cityscape with buildings and street elements. The hands move methodically across the table, focusing on fitting pieces into the adjacent gaps of the emerging image. The scene is viewed from a top-down perspective, maintaining a steady focus on the puzzle and the hands' actions, with the completed portion of the puzzle gradually expanding.

A human hand manipulates solid puzzle pieces, placing them into the partially assembled jigsaw puzzle.

Background elements (table, puzzle box) are static with no uniform shifting or fluid motion (fire/water/smoke/wind).


A person in a light blue shirt and brown pants uses a dark metal hand plane with a wooden handle on a light brown wooden board. Their right hand holds the plane, left hand guides it as they push the plane along the board, shaving off wood shavings. The camera remains close-up and static, focusing on the hands and plane.

A person's hands manipulate a hand plane against a wooden block, causing wood shavings to dislodge. The hand plane and wooden block exhibit controlled, physical interaction.

The workshop background (workbench, tools) shows no shifting or fluid motion; no fire, water, smoke, or wind is visible. Background elements remain static.


A person in a blue shirt adds slices of avocado from a glass bowl onto a piece of bread already topped with lettuce and red onion slices on a wooden cutting board; the board also holds small glass bowls containing vegetables and a blue-handled knife positioned to the left of the bread. The camera maintains a top-down perspective with no movement.

The person's hands are moving to place discrete solid objects (avocado slices, red pepper pieces) onto a sandwich. These objects exhibit controlled motion due to explicit physical action (hand manipulation).

No shifting backgrounds or fluid/environmental motion (fire, water, wind). The wooden cutting board and kitchen environment remain static throughout the video.


A person wearing a black shirt and blue pants moves upward to grasp a horizontal bar, lifting their body with arms extended and legs bent, feet near the bar. The individual hangs suspended from the bar, viewed from a top-down perspective as the camera shifts from a lower angle to overhead. The background features a plain white wall with minimal detail. The camera remains mostly static except for the transition to a top-down view.

A person is performing a lifting motion with a barbell; the discrete objects (person, barbell) are moving due to explicit physical exertion.

The background is a static wall with no shifting or fluid environmental elements (fire, water, wind), so ambient environmental motion is absent.


A person in a pink and white costume waves a large flag, moving their arms and shifting the flag’s position in front of the stage. To their right, another individual in a white shirt and dark pants holds a stationary yellow umbrella. The camera remains stationary with a slight shake throughout the sequence.

A person in a pink dress (and other individuals holding yellow balloons) are moving via locomotion and arm gestures, representing discrete solid objects exhibiting explicit physical motion.

No shifting background elements (banner remains static throughout). No fluid/environmental motion (fire, water, smoke, wind) observed.


A man in a purple jacket and blue jeans stands in a garden with red roses and a rustic shed. He bends down to pick up an object from the ground, then stands and walks toward the shed. The camera remains stationary, capturing his movements from a medium distance.

A man is moving (walking, bending) while interacting with objects (e.g., picking something from the ground, holding a container). These movements are distinct, solid object motions.

Background elements (shed, vegetation) remain static with no uniform shifting or fluid motion. No significant wind-driven swaying or environmental fluids observed.


A person wearing blue jeans and dark shoes walks forward on muddy ground bordered by dried corn stalks; the camera captures their steps from a low angle, tracking their movement as they navigate the terrain.

A person wearing blue jeans is walking, with discrete foot movements visible. The motion consists of repeated stepping actions where feet compress and lift mud, clearly indicating locomotion.

The muddy ground and dry corn stalks form a static background with no discernible fluid motion (e.g., water, smoke, wind). The ground texture and stalk positions remain consistent, indicating no significant ambient environmental effects.


A woman in a black dress stands at a wooden podium, speaking into a microphone. She takes a few steps forward, moving slightly to the right. To her right, a man in a white robe and yellow hat is seated. The camera pans left slowly.

Discrete solid objects include a person at the podium gesturing (hands moving) and musicians (e.g., drum player) performing, showing localized motion due to locomotion or physical action.

The background features red curtains and static architectural elements (podium, chairs) with no visible fluid motion (fire, water, smoke) or environmental wind effects. Background elements remain stationary across frames, indicating no ambient environmental motion.


A woman with long brown hair, wearing a floral sleeveless top and pink shorts, crouches on a wooden deck beside a metal railing. She looks at her phone, then turns toward vibrant orange and yellow autumn leaves piled behind the railing, reaching out to touch them before glancing back at the camera. The camera remains stationary in a medium shot, capturing her interactions with the leaves.

The girl is moving her arms to interact with and move the leaves. The leaves are discrete solid objects being displaced by the girl's direct contact.

The background (ground, railing) is static with no shifting. No fire, water, smoke, or wind is dominant. The leaves are static except for being moved by the girl's interaction, which is discrete object motion.


RAW CAPTION: Got it, let's tackle this. First, the video shows a man on a golf course. He's wearing a gray sweater and black pants. He's holding a golf club, preparing to hit a golf ball. Let's check the sequence. The video starts with him in a stance, then he adjusts his position maybe, and then he swings? Wait, the frames are from 0 to 5 seconds. Looking at the description: he's bending over, then maybe takes a swing. Wait, the key is chronological.

So, first, he's standing on the green, golf club in hands, ball on the ground. Then he adjusts his stance, maybe shifts weight, then swings the club. Wait, in the video, the man is in a golfing position, preparing to hit. Let's see the motion: he's bending over, then straightens up a bit, maybe the swing. Wait, the caption needs to be chronological.

Appearance: man, gray sweater, black pants, black shoes. He's holding a golf club, white golf ball. Background is a house with a green lawn, but minimal background as per rules.

Chronological: starts with him in stance, then moves to swing. Let's break it down.

0.0s: man stands on green, golf club in hands, ball on ground. He's bent over, preparing to hit.

Then, he might adjust his grip or stance, then swings. The frames show him moving slightly, so the motion is preparing to take a swing.

So, the caption should be: A man wearing a gray sweater and black pants stands on a green golf course, holding a golf club and positioning himself to hit a white golf ball. He adjusts his stance slightly, then swings the club, propelling the ball forward. The camera remains stationary, capturing a medium shot of the golfer and the surrounding grassy area.

Wait, but need to check the rules. Rule e: keep background minimal. So maybe mention the house only if essential. But the house is in the background, but the main action is the golfer. So maybe "a grassy golf course with a house visible in the background" but minimal. Let's see.

Wait, the user says "background descriptions minimal unless essential for understanding motion." Here, the house is just part of the background, not essential for motion. So maybe just say "on a green golf course."

Also, the camera: the description says "camera perspective and movement". In the video, the camera seems stationary, maybe a medium shot. The frames are static, so camera is fixed.

Putting it all together:

A man in a gray sweater and black pants stands on a green golf course, holding a golf club and a white golf ball. He adjusts his stance, bending over slightly and shifting his weight, then swings the club forward, striking the ball. The camera remains stationary, capturing a medium shot of the golfer and the surrounding grass.

Wait, check the chronological order. The video starts with him preparing (bent over), then he moves to swing. The frames show him in the process of swinging? Let's check the frames: [0.0] he's bent over, [1.4] still bent, [2.5] bent, [3.6] bent but maybe moving, [4.7] he's straightening up? Wait, maybe he's in the middle of a swing. Wait, maybe the swing is happening. So the motion is: he's in a golf stance, then swings the club, hitting the ball.

So the chronological description would be: A man wearing a gray sweater and black pants stands on a green golf course, holding a golf club and a white golf ball. He bends over, adjusts his grip and stance, then swings the club forward to strike the ball. The camera remains stationary, capturing a medium shot of the golfer and the green.

Check rules:

a) motion and behavior in chronological order: yes, bending, adjusting, swinging.

b) appearance: gray sweater, black pants, golf club, white ball.

c) spatial: standing on green, no specific spatial relations mentioned beyond being on the course.

d) camera: stationary, medium shot.

e) background minimal: house is mentioned but maybe not necessary. Wait, the background has a house, but the rule says minimal unless essential. Since the action is on the green, the house is part of the background but not essential. So maybe omit house. Let's see the original video: the house is in the background, but the main action is the golfer. So perhaps just "on a green golf course."

f) exclude text, named chars: yes.

g) internal thinking done.

So final caption:

A man in a gray sweater and black pants stands on a green golf course, holding a golf club and a white golf ball. He bends over slightly,

A man (solid object) swings a golf club, causing a golf ball (solid object) to move from rest to motion via collision. The ball then rolls across the green.

The background (house, pond, grass) is static with no significant shifting. No dominant fluid/environmental motion (fire, water flow, smoke, or strong wind) is observed. The pond water is still.


RAW CAPTION: Okay, let's tackle this. The user wants a concise chronological paragraph describing the video. First, I need to look at the provided frames.

The first frame shows hands using a cloth napkin. The text says "Use cloth napkins instead if you have some!" but according to rule f, exclude text recognition. So focus on the actions.

The hands are folding a white cloth napkin on a plate. The plate is on a table with some background elements like a lace doily and a candle. The next frames show the hands manipulating the napkin, maybe tying it. Then the scene shifts to the plate with the napkin placed, next to a glass vase with flowers and a candle.

Wait, the user said to mention spatial relationships. So the napkin is being placed on the plate, which is on a table. The cloth is white, the plate is white with a gold rim. The background has a pink doily and a silver container. The camera starts with a close-up of the hands and the napkin, then pulls back to show the full plate setup.

I need to structure this in chronological order: first the hands folding the napkin, then placing it on the plate, then the final arrangement with other items. But the video frames go from 0 to 5 seconds, so the sequence is folding the napkin on the plate, then the plate is shown with the napkin placed next to the vase and candle.

Wait, the second frame (1.4s) shows the hands placing the napkin on the plate. Then the next frames (2.5s to 4.7s) continue folding. Then frame 5 is the plate with the napkin, vase, and candle.

So the main actions: hands fold white cloth napkin on a white plate with gold rim. The plate is on a table with a pink lace doily and a silver container. Then the camera pulls back to show the completed setting with a glass vase of pink flowers and a candle.

But the caption should be chronological, so first the folding process, then the final arrangement. Also, need to mention the appearance: white napkin, white plate with gold rim, pink flowers in glass vase, silver candle holder.

The background elements are minimal, but the pink doily is part of the background. The camera starts top-down, then moves to a wider shot. Wait, the user says camera perspective and movement: the first part is top-down view of hands and plate, then the final shot is a wider view of the table setting.

So the caption should mention the top-down perspective initially, then the camera pulls back to show the full plate arrangement.

Check the rules again: focus on motion and behavior in chronological order. Mention appearance (color, size, orientation), spatial relationships (e.g., napkin on plate, vase next to plate). Conclude with camera perspective and movement.

Make sure not to mention the text, names, or stylistic analysis. Keep it concise. Let's draft:

Hands fold a white cloth napkin on a white plate with a gold rim, positioning it centrally. The plate rests on a table with a pink lace doily and a silver container to the left. The camera maintains a top-down view as the napkin is tied into a knot, then pulls back to reveal the plate with the folded napkin, adjacent to a glass vase holding pink flowers and a small candle holder.

Wait, need to check the sequence. The first part is folding the napkin on the plate (frames 0-4), then frame 5 shows the plate with the napkin, vase, candle. So the action is folding the napkin, then the final setup.

But the user says chronological paragraph describing the provided video. So the video shows the hands folding the napkin (0-5 seconds), then the final setup. Wait, the fifth frame is the completed plate with the napkin, vase, and candle. So the sequence is:

0-4 seconds: hands folding the napkin on the plate.

5 seconds: the plate with the napkin, vase, candle.

So the caption should first describe the folding action, then the final arrangement.

Let me structure it:

Hands fold a white cloth napkin onto a white plate with a gold rim, manipulating it into a knot. The plate sits on a table with a pink lace doily and a silver container visible to the left. The camera maintains a top-down perspective throughout the folding process before pulling back to reveal the completed plate setting, with the folded napkin beside a glass vase containing pink flowers and a small candle holder.

Check if all rules are followed: chronological order, appearance (white, gold rim, pink flowers), spatial relationships (left of plate), camera perspective (top-down then pull back). Excluded text, names. Should be okay.
</think>

<caption_output>Hands fold a white cloth napkin onto a white

Hands are manipulating a cloth napkin, causing it to fold and tie.

The background elements (tablecloth, glass) are static; no fluid or environmental motion is visible.


RAW CAPTION: Got it, let's tackle this. First, the video shows a man in a pool. Let's break down the frames.

At the start, he's holding a red paddle, partially submerged. Then he moves the paddle, raises it, maybe preparing to paddle. The background is greenery, but the rules say minimal background unless essential. So focus on the man and his actions.

Chronological order: He starts with the paddle, then moves it up, maybe in a paddling motion. Describe his appearance: shirtless, red paddle. Spatial: in the pool, the water reflects the surroundings. Camera perspective: seems static, maybe low angle? Wait, the description says "top-down" but in the frames, it's looking from the water level, maybe a low angle shot. But rule d says conclude with camera perspective.

Wait, the video is from a low angle, so the camera is near the water surface, looking up at the man. Let's check the frames: the first frame shows the man's head above water, then he raises the paddle, moves it.

So the steps: Man in pool, shirtless, holds red paddle. He moves the paddle from a lower position to above his head, then brings it down. Maybe part of a paddleboarding motion.

Now, the caption needs to be concise, chronological. Mention appearance (shirtless, red paddle), motion (raises paddle, moves it), spatial (in the pool), camera perspective (low angle, static? The frames don't show camera movement, so "static" or "fixed").

Wait, the rules say "conclude with the camera perspective and movement (e.g., top-down, pan left, slight shake)". So here, the camera is likely at a low angle, looking up, maybe static.

Putting it all together:

A shirtless man in a pool raises a red paddle from a low position, then lifts it above his head in a paddling motion, with his upper body visible above the water. The camera remains static at a low angle, capturing the man's movements against the pool's edge and greenery.

Wait, but need to be concise. Let's check the rules: "Focus primarily on the motion and behavior of main subjects (people/animals/objects) in chronological order." So first, the man is in the pool holding the paddle. Then he moves the paddle up. So:

A shirtless man in a pool holds a red paddle, raising it from a submerged position to above his head in a paddling motion, with his upper body visible above water. The camera is static at a low angle, capturing his movement against the pool's edge.

Wait, the video shows the man first holding the paddle, then raising it. Let's check the frames: [0.0] he has the paddle up, then [1.4] he brings it down, then [2.5] raises it again. Wait, no, the description says:

Frame 0: man in pool, paddle in hand. Frame 1: same. Frame 2: he brings paddle up. Frame 3: paddle raised high. Frame 4: he lowers it. Wait, maybe it's a sequence of paddling. But the user's frames description: "in frame 0, man holding paddle, then in frame 1-4 he raises the paddle, holds it, then lowers."

Wait, the problem says "consecutive frames" but in the example, the user provided [0.0], [1.4], etc. So the video shows the man raising the paddle. So the caption should say he raises the paddle.

So:

A shirtless man in a pool raises a red paddle from a lower position to above his head, then lowers it, with his upper body visible above water. The camera remains static at a low angle, capturing his motion against the pool’s edge and green surroundings.

But need to be concise. Let's trim:

A shirtless man in a pool raises a red paddle from a submerged position to above his head, then lowers it, with his upper body visible above water. The camera is static at a low angle, capturing his movement against the pool’s edge.

But the rules say "minimal background unless essential". So maybe omit "green surroundings", just "pool’s edge" since the pool edge is visible.

Wait, the frames show the pool's edge (the tiled part). So "pool’s edge".

Let me check the exact frames: the first frame shows the man in the pool, head above water, holding a paddle. Then he raises the paddle, then lowers it. So the motion is raising then lowering.

So:

A shirtless man in a pool raises a red paddle from a lower position to above his head, then lowers it, with his upper body visible above water. The camera is static at a low angle, capturing his movement against

A person in the pool interacts with a red object (e.g., lifting, positioning), exhibiting distinct locomotion and object manipulation. The person's movements are clearly tracked as solid, discrete objects.

Background elements (trees, pool edges) show no uniform shifting; water ripples in the pool are present but not dominant. The primary ambient motion (water) is secondary to discrete object movement.


Two individuals carry a large black rectangular object wrapped in blue plastic across a snowy driveway, moving from left to right past a yellow taxi and toward a building; the camera follows their motion with a slight shake.

Two individuals are carrying a large flat-screen TV (or similar object) across a street and loading it into a truck. The TV is a solid object moved by explicit physical locomotion.

The background consists of static buildings, a yellow taxi, and trees with no fluid or gaseous motion (fire, water, smoke, wind). Background elements show no uniform shifting.


Two people are outdoors on a grassy area. A person in black athletic wear swings a bat from a stance, progressing through a backswing to a forward motion, while another person in a blue shirt and black shorts stands to the right holding a white object. The batter’s swing culminates in a follow-through, with the second individual remaining stationary. The camera remains steady with slight shake.

The person in black (batter) is swinging a bat, exhibiting discrete motion; the person in blue is stationary.

Background elements (house, trees, grass) remain static without uniform shifting; no fluid or environmental motion (e.g., wind, water) observed.


RAW CAPTION: Got it, let's tackle this. First, the video starts with a man in a purple shirt and light shorts standing on a grassy field. There's a red truck in the background. Then he moves to a different part of the field, holding a yellow frisbee. He throws it. Need to describe the motion in order. Check the rules: chronological, focus on main subject's motion, appearance (purple shirt, light shorts, yellow frisbee), spatial relationships (initially near truck, then on grass field), camera movement. Wait, the video transitions between scenes: first scene has truck, then next scenes are on grass. The caption should follow the sequence. Let's outline:

- Scene 0: Man in purple shirt, light shorts, pink shoes stands on grass near a red truck. Then moves to a grassy field (different spot, no truck now). Picks up yellow frisbee, throws it.

Wait, the video has three clips: first frame shows man near truck, then next two frames are him in the field. So chronological:

1. Man in purple shirt, light shorts, pink shoes stands on a grassy area with a red truck and trees in background.
2. Moves to another grassy field (fence in background), holds yellow frisbee, throws it.

Check the rules: brief, chronological. Avoid background details unless essential. The truck is in first scene, but maybe not necessary? Wait, rule e says minimal background unless essential. So first scene: he's standing on grass, with a red truck behind. Then he walks to another grassy area (fence in background), throws frisbee.

Let's structure:

A man in a purple shirt and light-colored shorts stands on a grassy field near a red truck. He walks to an open grassy area with a fence in the background, holds a yellow frisbee, and throws it.

Wait, the video's first frame: [0.0] he's standing, then [1.4] he's in a different spot (no truck, fence). So the sequence is:

Starts on grass near truck, then moves to another grassy area, throws frisbee.

Camera perspective: in the video, it's a top-down or aerial view? Wait, the description says "aerial view" maybe. The caption should mention camera movement. The video transitions between shots, so maybe the camera moves from one position to another. But rule d says conclude with camera perspective and movement.

Looking at the frames: first frame is an aerial view of the man near the truck. Then the next frames are also aerial, but the man is in a different spot. So camera is aerial, possibly panning? Or the camera moves with the man.

Wait, the task says "conclude with the camera perspective and movement (e.g., top-down, pan left, slight shake)."

In the video, the camera seems to follow the man, so maybe a following shot, but since it's aerial, perhaps "aerial view transitioning to a follow shot of the man throwing the frisbee."

But need to be concise.

Let's draft:

A man wearing a purple shirt and light shorts stands on a grassy field, initially near a red truck. He walks to an open grassy area with a fence in the background, holds a yellow frisbee, and throws it. The camera maintains an aerial perspective, panning to follow his movement.

Wait, check rules:

b) Mention appearance and number: man, purple shirt, light shorts, yellow frisbee.

c) Spatial relationships: initially near red truck, then in open grassy area (fence background).

d) Camera perspective: aerial, panning.

e) Background minimal: red truck (only in first scene), fence (in second scene). So maybe keep it.

f) Exclude text recognition (there's a truck with ads, but not to mention), named characters (no), stylistic (no).

So final caption:

A man in a purple shirt and light shorts stands on a grassy field near a red truck, then walks to an open grassy area with a fence in the background, holding a yellow frisbee and throwing it. The camera maintains an aerial view, panning to follow his movement.

Wait, but the video shows him throwing, then what? The frames: [0] man standing, [1] man standing, [2] man holding frisbee, [3] throwing, [4] man after throwing.

So chronological: starts standing, then holds frisbee, then throws.

So revise:

A man in a purple shirt and light shorts stands on a grassy field near a red truck. He walks to an open grassy area, picks up a yellow frisbee, and throws it. The camera provides an aerial view, panning to follow his

A person in a purple shirt throws a yellow frisbee; the frisbee moves through the air due to the throw, and the person's body shifts during the throwing motion.

Background elements (fence, buildings, grass) show no uniform shifting; no visible fire, water, smoke, or wind-driven motion.


RAW CAPTION: Got it, let's tackle this video caption. First, I need to follow the rules. The video shows a room with a lot of LEGO pieces. There are people: two older adults and a child. Let's check the sequence.

At the start (0.0s), two people are crouching—one in a dark shirt and white pants, the other in a light shirt and dark pants—sorting LEGO. Then, a child in red appears (around 1s), runs in, picks up LEGO. Then another child in white runs in, also picking up. Wait, the timestamps: [0.0] to [5.0] frames.

Chronological order: first, two adults are in the room, then a child in red enters, bends to pick up LEGO, then another child (maybe same or different) in white runs in, moves around. Then the adults are still there. Let's note appearance: adults have white hair, one in dark patterned shirt, one in light shirt. Child in red shirt, child in white shirt.

Spatial relationships: in the living room, couches in background, LEGO scattered on floor. Adults are crouching, children join in.

Camera perspective: seems like a static shot, no mention of movement. The problem says "conclude with camera perspective and movement." The video might be a fixed camera, so "static" or "fixed camera".

Now, structure:

- Start: two adults crouching, sorting LEGO.
- Then child in red enters, picks up LEGO.
- Another child (white shirt) enters, moves around.
- Adults still crouching, interacting with LEGO.
- End: children move away, adults continue.

Background: minimal, just furniture, but maybe not essential. The rules say "minimal unless essential for understanding motion." Here, the room with couches is just setting, but maybe we need to mention it's a living room? Wait, the problem says "background descriptions minimal unless essential." So maybe just "living room with couches" but not too much.

Let's draft:

In a living room filled with scattered LEGO pieces, two adults crouch to sort the toys—one in a dark patterned shirt and white pants, the other in a light shirt and dark pants. A child in a red shirt enters, bends to pick up LEGO, then another child in a white shirt runs in, moving through the pile. The adults continue sorting while the children interact with the pieces. The camera remains static throughout.

Check rules:

a) Motion: chronological—adults start, then kids enter. Correct.

b) Appearance: colors, number (two adults, two kids). Yes.

c) Spatial: kids join adults, moving through pile. Yes.

d) Camera: static. Correct.

e) Background: minimal (living room, couches maybe, but "filled with LEGO" is the main thing).

f) No text, names, etc. Good.

Wait, the video shows the adults first, then kids. Let's check the frames:

0.0: two adults, one on left (dark shirt), one on right (light shirt), both crouching, LEGO scattered.

1.0: same, but maybe the left adult moves? Wait, the description says "two adults crouch to sort the toys"—yes.

2.0: child in red enters from left, bends down.

3.0: another child (white shirt) enters from right, bends down.

4.0: first child (red) moves away, second child (white) still picking up.

5.0: adults and children are still there, but kids moving.

So the order: adults crouching, then red child enters, then white child enters, then kids move.

So the caption should be chronological:

In a living room with scattered LEGO bricks, two adults crouch to sort the pieces—one wears a dark patterned shirt and white pants, the other a light shirt and dark pants. A child in a red shirt enters, bends to gather bricks, followed by a child in a white shirt who also moves through the pile. The adults continue sorting as the children interact with the toys. The camera maintains a static perspective.

Check for minimal background: "living room" is essential for context, "scattered LEGO bricks" is the main action. The couches in the background aren't needed, so "living room" is enough.

Wait, the rules say "briefly describe their appearance and number (color, size, orientation)." So:

- Adults: two, one in dark shirt/white pants, one in light shirt/dark pants.

- Children: two (red shirt, white shirt).

Motion: adults crouch to sort, then kids enter and move through LEGO pile.

Yes.

Final check: "conclude with camera perspective and movement" — "camera maintains a static perspective."

Putting it all

Children and adults interact with scattered toys; discrete solid objects (people, toys) move via physical interactions (bending, reaching, picking up toys).

Background elements (armchairs, coffee table) show no uniform shifting; no fluid/environmental motion (fire, water, smoke, wind) present.


RAW CAPTION: Got it, let's tackle this. First, the video starts with a logo screen, but according to the rules, we need to focus on motion and behavior of main subjects. The first part is the logo, but the next scenes are in a gym. Let's look at the sequence.

The video starts with the logo (0.0s), then transitions to a gym scene (2.5s onwards). The main subject is a man in a white tank top and dark shorts. He's in a gym with mirrors, kettlebells, punching bags, etc. At 2.5s, he's standing, then moves to a squat position (3s), then does a push-up or similar movement (4s). Wait, the frames: [2.5] shows him standing, [3.5] he's in a squat, then [4.5] he's in a plank position (on hands and feet). Then the next frame is 5.5s, he's on the ground.

Wait, the description says: [2.5] shows him in the gym, standing. Then [3.5] he steps back, bends down into a squat. Then [4.5] he's in a plank position. Wait, the timestamps: 2.5s is the first gym frame, then 3.5s he's in motion, 4.5s he's in a lower position (maybe a push-up or lunge).

Let's break down chronologically:

- Starts with logo (ignore, since it's intro, but rules say focus on motion and behavior of main subjects. The logo is just a screen, so after logo, the gym scene starts).

Main subject: a man in white tank top, dark shorts, green shoes (from the frames). He's in a gym with mirrors, kettlebells (red, blue, etc.), punching bags, exercise equipment. He starts standing (2.5s), then bends down to squat (3.5s), then lowers himself to a prone position (4.5s), hands and feet on ground, possibly preparing for a push-up or similar.

Background: gym equipment, mirrors, but minimal. Camera perspective: starts with logo (black screen with logo), then transitions to gym. The gym scene is a static shot? Wait, the video transitions from logo to gym, so the camera movement is from the logo (fixed) to the gym (fixed camera in gym).

Wait, the rules say: "Mention spatial relationships if relevant (e.g., in front of, to the left)". The gym has other people in the background, but maybe not essential.

Wait, in the gym scene: the man is near the kettlebells (red, blue, etc.), next to punching bags. He's in front of the mirrors. His movement: starts standing, then takes a step back, bends down into a squat, then lowers his body to the ground (hands on the floor, knees bent? Or maybe a push-up).

Chronological order: Man in white tank top, dark shorts, green shoes is in a gym. He stands, steps back, bends into a squat position, then lowers himself to a prone position with hands and feet on the ground.

Camera perspective: The camera is static during the gym scene, looking at the man from the side (since he's in front of mirrors, maybe a side view).

Wait, the frames: 2.5s is the gym scene, 3.5s he's moving to squat, 4.5s he's in a lower position. So the motion is: stand → step back → squat → lower to ground.

Appearance: man, white tank top, dark shorts, green shoes.

Spatial relationships: in the gym, with kettlebells to his left (red, blue, etc.), punching bags behind him.

But rules say "background descriptions minimal unless essential". So maybe just note the gym setting.

Camera: static shot, fixed on the man.

Now, structure the caption:

Start with the main subject's actions in order. Ignore the logo (since it's not motion/behavior of people, but the intro. However, the video starts with logo, but the main content is the gym scene. The rules say "chronological paragraph describing the provided video", so include the sequence.

Wait, the video is: [0] logo, [1] black screen, [2] transition to gym, [3] man in gym standing, [4] moving into squat, [5] prone position.

So the caption should include the transition, then the man's actions.

But according to the rules, focus on motion and behavior of main subjects. The logo is not a main subject's behavior, so maybe the caption starts from the gym scene.

Wait, the task is to generate a caption for the provided video.

A person (discrete solid object) is moving, specifically bending down and shifting position in a gym setting, indicating locomotion due to explicit physical forces.

No shifting backgrounds or fluid/environmental motion (fire, water, wind) observed. Gym equipment and walls remain static throughout the sequence.


A child in a red and black checkered jacket, black pants, and black hooded gloves stands on a frozen surface holding a hockey stick. The child walks forward, bends slightly, and uses the stick to interact with a black puck on the ice. The camera follows the child’s movements in a steady perspective, capturing the motion against the icy background.

A person in a red jacket and black pants uses a hockey stick to interact with a puck on ice. The puck moves after being struck, and the person's body motion is controlled (bending, stick movement).

The snow-covered ground is static with no discernible shifting or fluid motion (e.g., wind, water, smoke). No fire or environmental fluids dominate the scene.


A traffic controller wearing a bright yellow-green vest and white helmet stands at a crosswalk, raising one arm to direct traffic. A white sedan passes in front of him, followed by a blue van, as the controller maintains his position and gestures. The camera remains stationary, capturing the controller's movements and the passing vehicles.

Cars and a traffic officer (stationary) are present. The cars exhibit locomotion due to their own motion through the intersection, while the officer remains largely stationary with minimal movement.

The background elements (building, traffic light pole) are stationary and do not shift uniformly across frames. No fire, water, or smoke is present, so no ambient environmental motion is detected.


A person in a light-colored shirt sits at a table, rubbing their face with both hands in circular motions. They lift both hands to press against their forehead, then resume rubbing the face. A close-up shot follows, showing residue on their face. The setting includes a glass bowl on the left and a checkered curtain behind, with the camera remaining stationary and close to the subject throughout.

Person's hands and face moving as they apply product (rubbing, patting), a solid object motion due to explicit physical forces.

Static background (checkered curtain, door) with no fluid motion or camera-induced shifts. No fire, water, smoke, or wind.


A person wearing a white t-shirt and dark pants stands in a gym, holding dumbbells. They raise the right dumbbell in front of their body, then lower it to their side; repeat the motion with the left dumbbell. The gym background features various equipment, including weight racks and exercise machines. The camera remains stationary, facing the person directly from the front.

A person is performing overhead dumbbell lifts; the dumbbells and limbs exhibit solid, discrete motion due to explicit physical force (lifting).

Background elements (green walls, gym equipment, doors) show no uniform shifting or fluid motion (fire/water/smoke/wind).


A person with dark hair tied in a bun and wearing a white sleeveless top applies a substance to their face, using both hands to move it in circular motions across the cheeks and nose. The camera maintains a steady close-up perspective focused on the upper body and face.

A person applying a face mask: hand movements on the face, moving the hand to apply the product.

No shifting background; no fire, water, smoke, or wind present.


A woman with long brown hair, wearing a silver top and white pants with a belt, dances in a room. She starts with arms raised, then moves her arms outward, turns to face away from the camera, and adjusts her pants. The background features a dresser with a mirror, and the camera remains fixed with a slight shake.

A single discrete human subject (woman) performs deliberate movements: raising arms, turning body, adjusting waistband and clothing. Motion is characterized by controlled locomotion and object manipulation without fluid dynamics.

Background elements (wall, dresser, mirror) remain static throughout the sequence. No fluid or environmental motion (fire, water, wind) is present. The room's interior is stable with no smoke or wave-like effects.


A hand rests on a pale yellow, smooth surface. Subsequently, two flour-dusted hands manipulate a large, flat, light yellow dough-like object on a floured surface, pressing and stretching it. The hands move rhythmically, folding and smoothing the dough. The camera maintains a close-up perspective focused on the hands and dough, with minimal background detail visible.

A hand and rolling pin are moving to deform dough through physical contact and force application.

Background is static countertop with no ambient environmental motion (no fire, water, wind).


RAW CAPTION: Got it, let's tackle this. The video has steps. First, Step 1: gathering materials. The scene shows a blue metal table with a clear plastic container (has some food, maybe cereal) and a light blue plate with green spoon and knife. Then Step 2: taking bread out of the bag. A person (wearing black) handles bread, places it on the plate. There's a purple jar (blueberry jam maybe) and other items.

Need to describe chronologically. Start with Step 1: materials on table. Then Step 2: person takes bread, puts on plate. Avoid text recognition. Focus on motions.

First part: objects on blue mesh table. Container with cereal, light blue plate with utensils. Then person removes bread from bag, places on plate. The purple jar is there. Spatial: container to left of plate? Maybe.

Wait, in Step 1, the items are on the table: clear container (with contents), light blue plate (with spoon/knife). Then Step 2: person (black clothing) takes bread, places on plate. The jar is visible.

So chronological: Start with materials laid out on the table (Step 1). Then person takes bread from bag and places it on the plate (Step 2).

Need to mention appearance: clear container, light blue plate, purple jar. Person in black clothing.

Spatial: in Step 1, container and plate are on table. In Step 2, person is handling bread, plate is there, jar is on table.

Camera: top-down view for Step 1, then maybe same angle.

Follow rules: no text, just motion/behavior.

Let's structure:

In Step 1, a clear plastic container with granular contents and a light blue plate with a green spoon and knife rest on a dark blue mesh table. In Step 2, a person wearing a black top takes a white bread slice from a plastic bag, then places it onto the plate; a purple-lidded jar and a small transparent container are also on the table near the plate. The camera maintains a top-down perspective throughout, capturing the objects and the person’s actions without significant movement.

Check rules: no text recognition (ignored), motion described (taking bread, placing), appearance (black top, white bread, purple jar), spatial (jar near plate), camera (top-down). Background minimal (table is main setting).

Make sure concise. Let's adjust:

A clear plastic container with granular food and a light blue plate holding a green spoon and knife sit on a dark blue mesh table. A person wearing a black top removes a white bread slice from a plastic bag and places it onto the plate; a purple-lidded jar and a small transparent container are also on the table. The camera remains in a top-down position, showing the items and the person's actions.

Wait, the first frame shows Step 1: gather materials. Then Step 2: take bread out. So two steps. Need to mention both steps chronologically.

First sentence: Step 1 shows materials on table. Step 2 shows taking bread.

So:

Step 1 displays a clear plastic container with granular contents and a light blue plate with a green spoon and knife on a dark blue mesh table. Step 2 shows a person in black clothing removing a white bread slice from a plastic bag and placing it onto the plate, with a purple-lidded jar and a small transparent container on the table. The camera maintains a top-down view throughout, focusing on the items and the person’s actions.

But rule f says exclude text recognition. So can't say "Step 1 displays", but the video has "STEP 1" text, but we need to exclude text recognition. Wait, the instruction says: "Exclude text recognition, named characters, or stylistic analysis." So the "STEP 1" text is text recognition, so we shouldn't mention it. So just describe the action.

So the first scene is items on table (no text mentioned), then step 2: person takes bread.

So:

A clear plastic container filled with granular food and a light blue plate with a green spoon and knife rest on a dark blue mesh table. A person wearing a black top removes a white bread slice from a plastic bag and places it onto the plate; a purple-lidded jar and a small transparent container are also on the table. The camera maintains a top-down view during both sequences, capturing the objects and the person’s actions.

Check: no text (so no "step 1", just describe what's shown). The "STEP 1" and "STEP 2" are text, but we exclude that. So we just talk about the visuals.

Yes. So the caption should describe the actions and objects as per

A person's hands move bread and a container on the table, demonstrating explicit physical manipulation of discrete solid objects.

Background (mesh table surface) shows no shifting or fluid motion; no fire, water, or wind effects present.


A batter in a gray uniform and helmet positions himself, then swings a bat; a person in a blue shirt and red shorts crouches nearby. The batter swings and makes contact with a ball, while the other individual remains in a crouched stance. The camera maintains a stationary perspective throughout, capturing the scene from a medium distance on an outdoor baseball field with a chain-link fence and green turf in the background.

The batter (in white uniform) swings a bat, and the ball is hit. The catcher (in blue shirt and red shorts) is stationary but the motion of the batter and the bat is due to physical forces.

The background (fence, trees) is static and shows no shifting or fluid motion. There is no ambient environmental motion such as fire, water, or wind.


A group of children and adults, most wearing white caps and colorful casual clothing, gather near a brick building. A man in a blue shirt and gray pants holds a blue bow and arrow, demonstrating its use to the group. He adjusts the bow against the brick wall, moving slightly as he explains, while the children observe closely. The camera shifts focus to the man, following his movements as he demonstrates the bow.

The man (in dark shirt) is moving his arms and bow, drawing the bowstring in an archery demonstration. Children and adults are stationary.

No ambient motion (fire, water, wind, smoke) present. Background (brick wall) is static and clear.


The video opens with a close-up of a metallic assembly featuring a green smiley face and a 30° angle marker. It transitions to a hand operating a metallic wrench to turn a bolt on a metal component, while an inset shows the wrench rotating the bolt. The camera maintains a close-up perspective on the hand's action against a dark surface, with the inset providing a secondary close-up view of the bolt-turning process.

A hand is using a wrench to turn a bolt on a metal bracket. The motion is due to physical torque applied by the hand.

The background (dark floor and metal structure) is static and unchanging. No fluid motion (fire, water, smoke, wind) is present.