Two individuals interact in a room with a closet; the left person, wearing a dark sleeveless top, gestures with their hands, while the right person, in a white tank top, moves toward them, leading to a brief physical interaction before the right person exits the frame. Background includes a closet with hanging garments. Camera remains stationary.

Two people are moving: the person on the left is gesturing and turning, while the person on the right is turning and raising their arms.

The background (red wall and closet) shows no uniform shifting or fluid motion; the scene is static with no fire, water, smoke, or wind.


The video opens on a green grass field bordered by a white fence. A person wearing a teal shirt, dark jacket, blue jeans, and boots enters from the left, runs toward the center, and jumps with arms raised. The camera maintains a top-down perspective with slight movement.

A single person in a blue top and dark pants is moving within the frame, performing arm motions and shifting position across the grass.

The background consists of a static grassy field and fence with no visible shifting or fluid/environmental motion (e.g., no wind, water, or smoke).


A person wearing a gray t-shirt and dark hair stands with their back to the camera, hands raised near their head while facing a green curtain; they then turn their upper body slightly to the right. The camera remains mostly static with minimal movement throughout.

A person wearing a gray shirt with 'MIX XV' text is turning from facing the curtain to looking away, exhibiting discrete locomotion.

Background elements (green curtain, wall) show no uniform shifting or fluid motion; no fire, water, or smoke present.


Two dancers in black tops, white tights, and pointe shoes walk side by side across a dark studio floor, moving forward in unison. They maintain close proximity as they step rhythmically, their feet lifting and landing in coordination. The camera follows their motion with a slight downward pan, focusing on their lower bodies as they progress across the space.

Two dancers in black tops and white tights are performing synchronized locomotion with visible foot movements (e.g., ballerina-style steps), indicating discrete solid object motion.

No shifting background elements or fluid/environmental motion (fire, water, wind) observed; the stage floor and distant structures remain stable throughout the frames.


Four children—dressed in dark, yellow, red tops, and blue shorts—sit in a line on an elephant's back as it moves through shallow water, adjusting positions while riding. The camera follows closely, capturing the motion with slight shake.

The elephant and the four people seated on it are moving together, indicating discrete object physics (locomotion of the elephant).

The water in the background is flowing, indicating ambient environmental motion. However, this is secondary to the primary action of the elephant and its riders.


A man in a light blue shirt and jeans stands facing a wooden wall; a person in a dark outfit with red and white stripes runs from the right toward him, collides with the wall, and falls to the ground. The standing man turns to face the fallen individual as others in similar light blue shirts and dark clothing move around them. The camera remains stationary with minimal shake throughout.

Discrete solid objects (people) moving: A person in dark clothing with red accents bends, picks up items, drags a large object, and interacts with another person lying down. Additional people enter and move within the scene.

No significant shifting background elements (walls, furniture remain static across frames). No fluid or environmental motion (fire, water, smoke, wind) detected.


A baby wearing a white onesie with pink patterns lies on a striped fabric surface. The baby's head moves slightly, then opens their mouth while looking around. The camera remains in a close-up position with a slight shake, focusing on the baby's upper body.

Baby moves head slightly, opens mouth (yawning), and exhibits hand movement (touching face). Brief external hand contact occurs (1.4-1.8s) but is transient and non-continuous.

Background consists of a static striped pattern with no shifting, fluid, or environmental motion (e.g., no wind, smoke, or water visible).


A person with long brown hair and a black top gathers their hair with both hands, lifting it upward and twisting it into a ponytail. The hands, adorned with a bracelet and dark nail polish, maneuver the hair from the top of the head downward. The camera maintains a static, close-up top-down perspective throughout the sequence.

Discrete solid objects: the person's hands and hair. The hands are actively manipulating and moving the hair, indicating physical interaction and locomotion of the hair due to the hands' movement.

The background is dark and non-uniformly shifting; no fluid or environmental motion (fire, water, smoke, wind) is observed. Static background elements (if any) do not show uniform displacement.


A child in a green shirt and green pants sits on a red base rocking horse, holding reins, with a white plastic cow with black spots to the left. The child raises their arms while riding, then returns to holding the reins. The camera remains stationary, capturing the scene from a slight angle over the dirt ground.

Kid on a rocking horse exhibits rhythmic motion via physical displacement of the rider and horse; stuffed cow remains static.

Background elements (dirt ground, fence) show no uniform shifting; no fluid/environmental motion (fire, water, smoke, wind) present.


RAW CAPTION: Got it, let's break this down. The task is to create a concise chronological paragraph based on the video clips. First, I need to look at each frame.

Frame 0: A person in a black shirt with blue design stands next to a large, light-colored cylindrical object (maybe a log) on a stand. Background has grass, road, cars, trees.

Frame 1: Another person in a black shirt with white text (maybe "VOYAGE") is standing. The log is still there, but the camera angle is different. The road and grass are visible.

Frame 2: Under a blue canopy with white logo, two people. One in black shirt, another in dark shirt. The log is in the background.

Frame 3: Same blue canopy, the person in black shirt is talking to someone under the tent. The log is visible behind the tent.

Frame 4: A person in a white shirt and hat is sitting under the canopy, looking at the log. The log is on a stand, and there's a grassy area, road, cars in background.

Wait, the video is a sequence. Let's list the main subjects: people (multiple, wearing dark shirts, one white shirt/hat), the log (large, light-colored), the blue canopy.

Chronological order: The video starts with a person near the log. Then the camera shifts to another person, then under the canopy with two people, then a view of the log from the canopy, then a person in white shirt under the canopy.

Motion: The camera moves around the scene, showing different angles of the log and the people. The people are standing or sitting near the log, talking. The log is central, on a stand. Background has grass, road, trees, cars.

Need to mention: number of people (at least 3), their clothing (dark shirts, one white shirt/hat), the log (large, light-colored), spatial relations (people near log, under canopy), camera movement (panning, shifting angles).

Rules: focus on motion and behavior, chronological. So start with first frame: person in black shirt next to log. Then next frame, another person (maybe same or different) near log. Then under canopy, people talking. Then a person under canopy looking at log.

Check background: minimal, but essential if needed. The log is the main object. The canopy is blue.

Avoid text recognition (so no "VOYAGE" or logo names). Exclude named characters.

So draft:

The video opens with a person in a black shirt standing beside a large light-colored cylindrical object on a stand, with a grassy field and distant road visible. The camera then shifts to show another individual in a black shirt near the same object, followed by a scene under a blue canopy where two people converse, one in a black shirt and the other in dark clothing. Subsequently, the camera captures a person in a white shirt and hat seated under the canopy, observing the cylindrical object. Throughout, the camera pans across the scene, highlighting the object and the people's interactions, with the background remaining a consistent grassy area and road.

Wait, need to be concise. Let's check rules: chronological paragraph, motion and behavior.

First, the initial scene: person in black shirt next to log. Then another person (maybe same or different) in black shirt. Then under canopy, two people talking. Then a person in white shirt under canopy looking at log.

So:

A person in a black shirt stands beside a large light-colored cylindrical object on a stand. The camera then pans to show another person in a black shirt near the object, followed by a scene under a blue canopy where two individuals converse, one wearing a black shirt and the other dark clothing. Subsequently, the camera captures a person in a white shirt and hat seated under the canopy, observing the cylindrical object. The camera shifts angles throughout, maintaining focus on the object and the people's interactions against a backdrop of grass and a distant road.

Check minimal background: yes, "grass and distant road" is minimal.

Check spatial: "beside", "near", "under the canopy", "seated under the canopy".

Number: multiple people (at least three), log is large, light-colored.

Motion: camera pans, shifts angles.

Also, need to mention motion of subjects? The people are standing, talking, seated. So "converse", "observing".

Let me make it shorter. Maybe:

The video begins with a person in a black shirt standing next to a large light-colored cylindrical object on a stand. The camera pans to another individual in a black shirt near the object, then shifts to a blue canopy where two people converse, one in a black shirt and the other in dark clothing. Subsequently, the camera shows a person in a white shirt and hat seated under the

Discrete solid objects include a person carrying a large dummy and another person walking; their motion is due to locomotion and physical handling.

Background elements (trees, road, tent) remain relatively static with no uniform shifting or fluid motion (fire, water, smoke, wind).


A young blonde boy in a striped shirt and light pants plays a large wooden cello, moving the bow across the strings rhythmically. The cello is held upright in front of him, with another cello positioned behind him against a wooden structure. The camera remains stationary with a slight shake throughout the sequence.

The child's arms and hands are moving in discrete motions to play the cello (bowing and fingering).

No shifting backgrounds; no fire, water, smoke, or wind motion. The background (furniture, wall) is static.


A man in a light-colored suit jacket, red shirt, beige trousers, and white socks sits against a black background, performing rhythmic arm movements—repeatedly raising and lowering his hands in a gestural pattern, including hand claps—while remaining seated. The camera maintains a fixed frontal perspective throughout.

A single person in a suit is performing rhythmic body movements (arm gestures, head motion) while seated.

Background is solid black with no environmental elements or fluid motion (e.g., fire, water, smoke) visible. No uniform background shift observed.


A person wearing a dark cap and red shirt stands in a dimly lit room, holding a microphone close to their mouth and adjusting it with one hand while gesturing with the other. Behind them, a shelf with various objects and wall decorations is visible. The camera remains stationary with minimal movement throughout.

A person (wearing a red shirt) is moving: adjusting hair, holding and moving a microphone, and gesturing with hands.

The background (walls, signs) are static and do not shift. No fluid or environmental motion (fire, water, smoke, wind) is present.


RAW CAPTION: Got it, let's break this down. First, the video shows a person in a wheelchair. The main subject is one person, wearing a dark long-sleeve shirt and dark shorts, with flip-flops. They're sitting on a metal wheelchair.

Chronologically, the person starts by waving their right hand towards the camera. Then they move their hand down, maybe adjusting the wheelchair or their position. Next, they turn their head to the right, looking towards something off-camera. Then they look back towards the camera and wave again.

Now, check the spatial relationships. The background has a building with a door, a tree, and grass. But per rule e, keep background minimal. So mention just enough if essential. The camera seems to be stationary? Wait, in the frames, the angle changes a bit, maybe a slight pan or movement. The camera perspective: it's a medium shot, probably handheld with slight shake, since the frames show the person moving in the frame.

Wait, the rules say "conclude with the camera perspective and movement (e.g., top-down, pan left, slight shake)." So need to specify if the camera moves. Looking at the frames, the person moves from center to the right, so maybe the camera is panning slightly to the right? Or the person is moving the wheelchair, causing the camera to follow? Wait, the video is 5 seconds, so the camera might be stationary but the subject is moving in the frame.

Wait, the user's example: in the frames, the person starts in the center, then moves to the right, turning their head. So the camera is probably stationary, but the subject's movement is within the frame. So camera perspective is medium shot, no significant movement (maybe slight handheld shake, but not specified). Wait, rule d says "conclude with camera perspective and movement". So need to say things like "fixed camera angle" or "slight pan".

Wait, the original video description says "in the video, the person is sitting in a wheelchair, waving, then turning to look, etc." Let's structure the caption:

Main subject: one person in a wheelchair. Actions: starts waving right hand, then lowers hand, turns head right, looks back, waves again. Appearance: dark long-sleeve top, dark shorts, flip-flops. Spatial: on grass, in front of building. Camera: fixed, slight shake.

Check the rules:

a) Motion in order: wave, lower hand, turn head, look back, wave.

b) Appearance: one person, dark clothing.

c) Spatial: on grass, in front of building (but minimal, so "on grass, near a building and tree").

d) Camera: stationary (or fixed) with slight shake.

e) Background minimal: building, tree, grass but just mention if essential. The background is a building, so "in front of a building".

f) Exclude text, names.

So putting it all together:

A person in a dark long-sleeve shirt and dark shorts sits on a metal wheelchair on grass. They wave their right hand toward the camera, lower it, turn their head to the right, then look back and wave again. The camera remains fixed with slight movement throughout, capturing the individual in a medium shot.

Wait, check chronological order: first wave, then lower hand, turn head, then look back, wave again. That's correct.

Check minimal background: "on grass in front of a building" (since building is in background). But rule e says "keep background descriptions minimal unless essential for understanding motion." Since motion is the person's actions, maybe the background is just "on grass".

Wait, the first frame shows a building with a door, so maybe "in front of a building and tree".

But the key is to keep it concise. Let's make it:

A person wearing a dark long-sleeve shirt and shorts sits on a metal wheelchair on grass. They wave their right hand, lower it, turn their head to the right, then look back and wave again. The camera maintains a medium shot with slight shake.

Yes, that's concise. Let's check rules:

a) Motion in order: wave, lower, turn head, look back, wave.

b) Appearance: one person, dark clothes.

c) Spatial: on grass, in wheelchair.

d) Camera: medium shot, slight shake.

e) Background minimal: grass is mentioned, building is part of background but maybe not essential. If the person is moving in the wheelchair, the background (building, tree) is just there. But rule e says minimal unless essential. Since the motion is the person's actions, background is just the setting. But maybe include "on grass in front of a building" as minimal.

Wait, the example output format is to be concise. Let's try:

A person in a dark

A person in a wheelchair is moving by propelling the wheelchair with hand motion; the wheelchair and person form a discrete solid object exhibiting locomotion due to physical force application.

The background elements (building wall, tree, grass) remain static with no shifting or fluid motion. No fire, water, smoke, or wind effects are observed.


A shirtless person with short dark hair leans over a bathroom sink against a white tiled wall, picks up a small dark object from the sink surface, and holds it up to display it to the camera while slightly rotating their hand. The camera remains static, capturing the action from a fixed angle.

A person's arm and hand move while manipulating a small object (e.g., a pen or tool) on a surface.

The background consists of static white tiled walls with no shifting or environmental fluid motion (e.g., water, smoke, fire).


A person in a white shirt and dark pants ascends a staircase, turns, and descends back down. The individual moves through a dimly lit room with a television on a wooden stand to the right of the stairs and a standing fan nearby. The camera remains stationary with a slight shake, capturing the sequence from a fixed perspective in the room.

A person (wearing white shirt and dark pants) is walking and turning, moving in the scene.

No shifting background; no fire, water, smoke, or wind visible. Background elements (walls, window) remain fixed.


RAW CAPTION: Okay, let's tackle this video captioning task. First, I need to understand the rules and what the user is asking for. They want a concise, chronological paragraph that describes the video's main subjects, their motions, appearance, spatial relationships, camera perspective, and minimal background details.

Looking at the video frames provided, there are two people performing a gymnastics routine. The first frame shows one person sitting on the floor with another person inverted above them, legs up. Then in the next frames, the person on top is moving down, transitioning to standing. The person on the ground supports them.

I need to list the sequence of actions. Starting with the initial pose: the seated person in black attire holds the inverted person by the ankles. Then the standing person steps down, maybe onto the seated person's legs? Wait, the frames show the person on top moving from inverted position to standing. Wait, in frame 0, the person is inverted with legs up. Then frame 1, they start to move down. Frame 2: the standing person is stepping onto the seated person's shoulders? Wait, the description says the seated person is holding the inverted one's ankles, then they transition to the standing person being supported by the seated person. Wait, the sequence shows the person on top moving from inverted to standing on the seated person's legs. Wait, let me check the frames again.

The video shows two people. One is sitting on the floor (seated), the other is in an inverted position (legs up) supported by the seated person's hands. Then, the seated person moves to support the standing person. Wait, in frame 0: seated person is on floor, other is upside down, legs in the air. Frame 1: the standing person starts to lower. Frame 2: the seated person is still sitting, the standing person is now standing on the seated person's hands. Wait, no, maybe the seated person lifts the standing person up. Wait, the frames are sequential. Let's parse each frame:

0.0: Seated person (black clothes) has another person (black clothes) upside down, legs up, hands holding ankles. Seated person is on blue mat, against wooden wall and curtain.

1.0: The standing person (top one) starts to lower, moving from inverted to standing position. The seated person is still on the floor, supporting.

2.0: The top person is standing on the seated person's legs or hands? Maybe the seated person is now supporting the top person's feet. Wait, the video transitions from inverted to the top person standing on the seated person's hands. Wait, no, in frame 2, the top person is moving from inverted to a position where they are standing, maybe stepping down to the seated person's legs.

Wait, the movement is: start with the person on top inverted, then they move down to stand on the seated person's shoulders? Wait, the seated person is on the floor, so maybe the seated person is supporting the top person's legs by having them stand on their legs. Wait, the video shows the seated person supporting the inverted person, then the inverted person transitions to standing on the seated person's shoulders. But the description says in frame 0: seated person sitting with another person inverted above them. Then frame 2, the top person is standing on the seated person's legs.

Wait, perhaps the sequence is: the top person is initially inverted, then the seated person helps them transition to standing on their feet. But the seated person is on the floor. Let me think again.

Looking at the frames: in frame 0, person A is sitting on the floor (legs out, arms up), person B is inverted (legs up, head down) with feet held by person A. Then in frame 1, person B starts to move, the seated person (A) lifts their arms. Frame 2, person B is standing on person A's hands. Wait, no. Wait, frame 2 shows person B standing upright on person A's shoulders? Or is it a different support.

Wait, the description of the frames:

Frame 0: person on ground (seated) with person inverted above, legs up, hands holding ankles.

Frame 1: the person above is starting to move down, maybe stepping towards a standing position.

Frame 2: person above is now standing, perhaps stepping onto the seated person's legs.

Frame 3: the seated person is now in a kneeling position, supporting the standing person.

Wait, perhaps the action is a transition from an inverted position to a standing position where the seated person supports them. The key is the chronological order of movements.

Let me try to outline the steps:

1. Initially, one person (seated on the floor, black clothes) holds the ankles of another person (inverted, legs up, black clothes

Two individuals performing acrobatic movements: one seated on the floor supporting another who transitions between positions (e.g., leg raises, handstand-like stances). Their motion is due to physical exertion and balance.

The background elements (wall, curtain, floor) show no significant shifting or fluid motion; no fire, water, or wind effects are present.


A shirtless person with dark skin stands on a wooden platform above a river, jumps into the water with arms outstretched, creating a large splash that spreads across the surface. The camera remains stationary, capturing the jump from a low angle near the platform.

A person is seen jumping into the river. The person moves from the platform to the water, causing a splash. The motion is due to gravity and collision with the water.

The river water is flowing, but the dominant motion is not water; it's the person jumping. The background (trees, waterfall, dock) is stationary and the camera is fixed. The water flow is ambient but not dominant.


A video begins with a title screen displaying "Coloring pages Shosh channel" with a subscribe button. It transitions to a top-down view of a pink surface with a black-and-white line drawing of a ballerina on the right and a set of colored markers arranged horizontally to the left. A hand enters from the right, picks up an orange marker, and begins coloring the ballerina's face. The hand moves steadily across the drawing while the markers remain stationary to the left. The camera maintains a static top-down perspective throughout.

A hand holding a colored pencil moves to color the ballerina drawing on the paper; the colored pencils on the surface are stationary.

The background elements (pink surface, green box) remain static with no shifting or fluid motion (fire, water, smoke, wind).


A woman in a blue and white striped sleeveless top and dark pants is seated, holding a phone to her ear. She stands up, turning her body away from the camera as she moves slightly in a busy indoor space with visible seating and people in the background. The camera remains close to her, exhibiting slight shake and movement as she shifts position.

A woman stands up and turns, moving within the frame.

Static background (shelves, car) with no fluid or environmental motion. No dominant fire, water, or wind.


A bald person with a cigarette in their mouth and a bottle in one hand begins with their head lowered near a door, then lifts their head to face the camera while holding the bottle; the camera transitions from a close-up view behind the person to a frontal perspective as they adjust their position.

The person's head moves vertically and rotationally, with visible motion in head position and orientation across frames.

Static background elements (door, walls) remain fixed relative to the scene; no fluid or environmental motion (fire, water, wind) observed.


Two individuals with bare feet and hands interact with the sand, pressing fingers to create a pattern of small indentations. Their hands move rhythmically across the surface, adjusting and shaping the design. The camera maintains a top-down perspective, following the hands’ movements as they form the grid-like structure throughout the sequence.

Two people (only feet and hands visible) are actively building a sandcastle: hands press and shape sand, feet compact the sand. These are discrete solid objects moving due to physical forces.

The background (sand) is mostly static; no fire, water, wind, or other ambient environmental motion is dominant. The shadows of the people are moving due to their actions, not environmental forces.


A woman with long dark curly hair, wearing a blue striped shirt, turns her head to the left, then to the right, and touches her face with her right hand. She is seated indoors with a bed and a fan visible in the background. The camera remains stationary throughout the sequence.

Person exhibits discrete head and arm movements, consistent with human locomotion and gesture.

Background elements (bed, fan, wall) show no uniform shifting; no fire, water, smoke, or wind observed.


A group of approximately 12 musicians in red and green uniforms with green hats perform on stage, initially standing in a line. They move leftward across the stage, adjusting positions and turning while playing brass instruments. The camera remains stationary, capturing the performance from an audience perspective with silhouettes of attendees in the foreground against a dark background.

Multiple human performers in traditional attire are moving in coordinated dance motions, exhibiting locomotion and posture changes typical of choreographed performance.

No shifting backgrounds or fluid/environmental motion (fire, water, wind) observed; stage and lighting elements remain static throughout the clip.


A man wearing a gray shirt and blue shorts stands facing a red banner, then bends forward into a deep forward fold, hands reaching toward his feet. In the background, two people observe—one standing near a flower arrangement, another crouched. The camera remains stationary, capturing the scene from a frontal perspective.

A person performs a yoga pose, bending down and moving their limbs, which is a discrete, solid object motion.

The background elements (red banner, floral arrangements, and wall) remain static with no shifting or environmental motion (fire, water, wind).


A person with long brown hair, wearing a black jacket over a pink top, stands as another individual behind them uses both hands to adjust the jacket, pulling it open to reveal more of the pink top. The camera remains stationary, focused on the upper body interaction.

A person with long hair is moving their hands to adjust their hair, exhibiting discrete physical motion of solid objects (hands and hair).

Background is a static wall with no uniform shifting or fluid/environmental motion (fire, water, smoke, wind) detected.


RAW CAPTION: Got it, let's break this down. First, I need to describe the video in chronological order. The video starts with a hand reaching into a pan. Let's check the frames.

Frame 0: A black bucket and a pan with grains and what looks like small insects or seeds. Background is brick ground with some plants.

Frame 1: Hand reaches into the pan, grabbing something. The hand is from a person in white pants.

Frame 2: Hand lifts out, showing the contents—maybe seeds or small creatures.

Frame 3: The hand is now holding the contents, then moves towards the bucket.

Frame 4: The person is still holding the pan, maybe placing the contents into the bucket? Wait, no—frame 3 shows the person moving the pan towards the bucket. Wait, frame 4: the person is holding the pan, and the bucket is in the background. The person's arm is visible, and they're moving the pan.

Frame 5: Person's hands are working with the pan and bucket. Yellow object (maybe a block) is on the ground.

So, the main subject is a person. Let's track the actions:

- The person's hand reaches into a black pan filled with grains and small brown objects (maybe insects or seeds).
- The hand retrieves the contents, showing them.
- Then the person moves the pan, possibly to place the contents into the white bucket.

Wait, in frame 3, the hand is holding the pan and moving towards the bucket. Frame 4: the person is holding the pan, which has the grains and the retrieved items.

Wait, step by step:

At the start, the pan is on the ground with grains and small brown items. A hand reaches in (frame 1), pulls something out (frame 2), then the hand is empty and the pan is still there (frame 3: the hand is now moving the pan towards the bucket). Wait, no—frame 3 shows the hand moving the pan. Wait, the video is:

Frame 0: Pan on ground, bucket nearby, person's foot visible.

Frame 1: Hand reaches into pan.

Frame 2: Hand pulls out a clump of grains and small objects.

Frame 3: Hand moves the pan (or the person is moving the pan) towards the bucket.

Frame 4: Person holding the pan near the bucket, maybe transferring contents.

Frame 5: Person using hands to work with the pan and bucket, yellow object on the ground.

So chronological:

A person's hand reaches into a black pan containing grains and small brown objects. The hand lifts the contents, revealing them. The person then moves the pan towards a white bucket, transferring the contents. The person manipulates the pan and bucket with hands, with a yellow block on the ground nearby.

Now, appearance: the person's hand (skin color), white pants. Pan is black, bucket is white, grains are light brown, small objects are brown. Background is brick ground.

Spatial relationships: pan is on ground, bucket is behind pan, yellow block is to the right of pan.

Camera perspective: seems to be a top-down or slightly angled shot, maybe static.

Wait, the rules say minimal background. So focus on actions, motion.

Let's structure the caption:

A person's hand reaches into a black pan containing grains and small brown objects. The hand lifts and retrieves the contents. The person then moves the pan toward a white bucket, transferring the items. The individual manipulates the pan and bucket with hands while a yellow block lies on the ground nearby. The camera maintains a static overhead view.

Check rules:

a) Chronological motion: hand reaches, lifts, moves pan to bucket, transfers.

b) Appearance: hand (skin), pan black, objects brown, bucket white, yellow block.

c) Spatial: pan on ground, bucket behind, yellow block nearby.

d) Camera: static overhead (or top-down).

e) Background minimal: mention ground as brick, but maybe too much. Wait, rule e: minimal unless essential. The brick ground is part of the setting but not essential for motion, so maybe just "on a brick surface".

Wait, the first frame shows ground with bricks and some plants. But maybe just say "on a brick ground".

f) Exclude text, names.

g) Internal thinking, but output final caption.

Let me draft:

A person's hand reaches into a black pan filled with grains and small brown objects. The hand lifts and retrieves the contents, then moves the pan toward a white bucket for transfer. The individual uses their hands to manipulate the pan and bucket, with a yellow block positioned on the ground nearby. The camera remains static in an overhead position.

Check if concise. Let's make sure chronological:

Start: hand in pan.

Then: lift contents.

Then: move pan to bucket.

Then: transfer

Discrete solid objects (person's hands, a stick) are moving through the scene: hands manipulate items in the tray, and the stick is placed into the tray.

Background elements (tiled surface, bucket, yellow object) show no uniform shifting or fluid motion; no fire, water, or smoke present.


A hand holds a light blue garment with pink dots. Two people interact: one lies on their back in a white shirt with colorful bracelets, while the other leans over them, moving hands on their back; the person on top shifts position, adjusting hands. The camera remains handheld with slight shake.

Two discrete objects: a child in pajamas and an adult. The adult is moving the child, causing the child to lift and move their legs and body. This motion is due to physical forces (contact and lifting).

No shifting background elements (window, bed remain stable) and no fluid/environmental motion (fire, water, smoke, wind) observed.


A person in a dark blue shirt with yellow sleeve stripes stands near a blue metal fence. A second person in a white shirt enters the frame from the right, prompting the first person to bend down and then run toward them. They move side by side across the paved area as the camera captures slight handheld shake, with the fence and distant buildings forming the background.

Two individuals (one in blue uniform, one in white top) move via locomotion (running, bending), with clear bounding box tracking of their physical displacement.

The blue fence and building background remain static; no fire, water, smoke, or wind-driven environmental motion observed.


A person in a dark shirt, black shorts, and white sneakers stands in front of a large black tire against a concrete wall. They raise an axe overhead, then swing it downward to strike the tire. The camera remains stationary as the person repeats the swinging motion, followed by a cut to a black screen displaying a logo.

The person is swinging an axe repeatedly at a stationary tire. The motion of the person and the axe is due to muscular effort (discrete object physics). The tire remains stationary except for brief impacts.

The background (concrete wall and dark floor) is stationary. No fire, water, smoke, or wind is visible. Ambient environmental motion is absent.


The video opens with a title screen, then transitions to a man standing behind a red bicycle mounted on a stand with wheels elevated. He gestures toward the bike’s wheels and frame while speaking, with a laptop on a wooden table in front of him against a wooden wall. The camera remains stationary in a front-facing position throughout.

The person's arms and hands are moving in a deliberate manner, likely for demonstration purposes.

The background (wooden wall) is static with no shifting. There is no fluid/environmental motion (fire, water, wind) visible.


RAW CAPTION: Got it, let's break this down. First, the video shows a person and a puppy. The person is crouched, wearing an orange shirt and dark shorts, with flip-flops. The puppy is white, small, and initially sitting. Then the puppy jumps towards the person, maybe to get food? Then it lies down. The person pets the puppy. Let's check the chronology.

Start: Puppy is sitting, looking at the person. Then the puppy jumps (maybe for food) and falls onto its side. Then it lies down, and the person pets it. Spatially, the person is to the left of the puppy initially, then the puppy moves towards the person. Background has a wicker chair, some containers. Camera is fixed, top-down? Wait, the description says "top-down" in the rules, but looking at the video, it's a ground-level shot, maybe slightly angled. But rule d says camera perspective and movement. The video seems static, no movement.

Need to describe the main actions in order. Main subjects: person (crouched, orange shirt, dark shorts, flip-flops) and white puppy (small, sitting).

Timeline: At start, puppy sits facing person. Then puppy jumps towards person, landing on its side. Then puppy lies down, person reaches down to pet puppy.

Check rules: a) chronological motion. b) describe appearance/number. c) spatial relationships. d) camera.

Background: minimal, just a concrete floor, wicker chair, some items. So mention if essential. The chair is in the background, maybe not essential.

So structure: "A person in an orange shirt and dark shorts crouches to the left, while a small white puppy sits facing them. The puppy jumps forward, landing on its side near the person, then lies down. The person reaches out to gently pet the puppy. The camera remains static, capturing the scene from a ground-level perspective with minimal background details."

Wait, check if "crouches to the left" is right. The person is near the left side. The puppy is in the middle.

Also, the action sequence: puppy sits, jumps (from sitting to moving towards person), lands, lies down, person pets.

Make sure to mention the number: one person, one puppy.

Appearance: person (orange shirt, dark shorts, flip-flops), puppy (white, small).

Spatial: puppy initially in front of the person? Wait, the person is crouched on the left, puppy is in the center. So the puppy is in front of the person? Maybe.

"Initially, a small white puppy sits facing a crouched person wearing an orange shirt and dark shorts with flip-flops. The puppy then jumps toward the person, landing on its side, and lies down. The person reaches down to pet the puppy. The camera stays fixed, providing a ground-level view of the concrete floor and background items like a wicker chair."

Wait, but the background items aren't essential, so maybe omit. Rule e: keep background minimal unless essential for understanding motion. So maybe just mention the concrete floor is the ground, but the chair is in the background, but maybe not needed.

Alternative: "A small white puppy sits facing a crouched person in an orange shirt and dark shorts, who is positioned to the left. The puppy jumps forward, lands on its side, and lies down. The person reaches out to pet the puppy. The camera remains static, capturing the scene from a ground-level angle."

Check if "ground-level" is correct. The camera is looking down slightly, maybe.

Another point: the person is crouching, so their position is low, puppy jumps towards them.

Let me rephrase:

"A small white puppy sits facing a crouched person wearing an orange shirt, dark shorts, and flip-flops. The puppy jumps toward the person, lands on its side, and lies down. The person extends a hand to gently pet the puppy. The camera remains stationary, providing a ground-level view of the concrete floor."

Wait, the person was sitting, but in the video description, the person is crouched. The first frame shows them crouching.

Also, the puppy jumps, then lies down. The person touches the puppy's head maybe.

Let me check the timestamps.

Frame 0: puppy sitting.

Frame 1: same.

Frame 2: puppy jumps.

Frame 3: puppy lies down.

Frame 4: person touches the puppy.

So sequence: puppy sits → jumps → lies down → person pets.

Yes.

Now, putting it all together concisely:

"A small white puppy sits facing a crouched person in an orange shirt, dark shorts, and flip-flops. The puppy

A person (sitting on a stool) interacts with a dog by petting it; the dog then moves to lie down and remains still.

The background (concrete floor, wicker chair, bench, and container) remains static with no shifting or fluid motion. No fire, water, smoke, or wind is observed.


A man in a blue polo shirt and beige pants crouches at a counter, handling an oyster wrapped in a white cloth; the camera zooms in to show his hands using a tool to open the oyster, then pulls back to a wider view of him working near a glass display case filled with seafood. The camera transitions from a wide perspective to a close-up of the hands and back to a broad view of the setting.

The man's hands (discrete solid object) and the crab/shell (discrete solid object) are moving: hands apply force to clean the crab while holding it on a cloth.

The background (aquariums, tiled walls, counters) remains stationary with no fluid/environmental motion (e.g., no visible water flow, smoke, or wind). Aquarium water is contained and static, not dominating the scene.


A girl with long hair, wearing a pink vest over a white long-sleeve shirt, holds a violin under her chin and moves a bow across its strings in a smooth, continuous motion. She is positioned in front of a staircase with wooden railings and a window. The camera remains stationary throughout the sequence.

A person playing violin, with hands and arms moving to manipulate the instrument (left hand on strings, right hand bowing).

Background elements (walls, stairs) show no uniform shifting or fluid motion; no fire, water, smoke, or wind observed.


A shirtless man in black and white shorts performs a push-up motion on grass, lowering his body and pushing back up repeatedly while remaining centered. Trees are visible in the background. The camera is static.

A person in athletic wear is performing controlled locomotion (push-ups or similar exercise) on grass, moving their limbs in discrete, repeatable motions.

Background consists of static trees and grass with no significant shifting or fluid motion (e.g., no fire, water, or wind-driven swaying observed).


A bald man in a black shirt pours water from a plastic bottle into a cup on a dark kitchen counter, then moves the cup to his left. A second man in a black sleeveless shirt with red trim on his shorts enters from the right, approaches the sink, and begins washing dishes. The camera, handheld, shifts slightly to follow the second man's movement.

Two people: one pouring liquid into a cup and moving a plate, the other washing dishes at the sink. The motions are discrete and solid objects in contact with each other and the environment (e.g., pouring, handling dishes).

The background (window, kitchen items) is stable without uniform shifting; no fire, water, smoke, or wind is dominant.


Two drummers play traditional drums on stage. The left drummer, wearing a blue and pink patterned outfit, strikes a drum with hands, while the right drummer, in an orange and red patterned shirt with an orange turban, plays a larger drum. Both rhythmically hit their drums with continuous hand movements. The camera maintains a close-up perspective with slight shake, focusing on their drumming actions.

Two individuals wearing patterned clothing are actively playing large traditional drums (dholak-like instruments), with their hands making distinct, rhythmic movements to strike the drumheads.

Background elements (stage structures, dark walls) show no significant uniform shifting or fluid motion (e.g., no fire, water, or wind effects observed).


A person wearing a black shirt holds a large, shiny yellow object with both hands, manipulating it by squeezing and pressing the surface in sequence. The hands move across the object’s contours, adjusting its form. The camera maintains a close-up perspective with slight movement, focusing on the object and hand actions.

A yellow balloon is being actively manipulated by the person's hands, undergoing deformation through squeezing and stretching due to applied physical force.

Static background elements (walls, surfaces) show no uniform shifting; no fluid, fire, water, or smoke observed.


RAW CAPTION: Got it, let's break this down. The task is to create a concise chronological paragraph for the video. First, look at the video frames.

Frame 0: Shows hands holding a fishing rod, maybe a bucket with fish? Wait, the first frame is blurry, maybe hands. Then frame 1: Close-up of a person in yellow jacket, pink pants, holding a rod. Wait no, the description says:

Wait the given frames:

[0.0] is blurry, maybe hands or something.

[1.4] shows two people: one in yellow jacket, purple pants sitting, holding a camera. The other person in brown jacket and pants standing, holding a fishing rod.

Wait the video progression:

Starts with a blurry scene (maybe hands or equipment), then cuts to a scene where a person in yellow puffer jacket and purple plaid pants is sitting, holding a camera up to record. Next to them, a person in brown jacket and brown pants (with some snow on them) is standing, holding a fishing rod. The standing person is to the right of the sitting person. The sitting person is holding the camera with their right hand, pointing it towards themselves maybe? Wait, the description says "the person in yellow jacket is sitting, holding a camera up to record." The other person is standing, holding a fishing rod. Then in frame 2, the person in yellow moves the camera a bit, and the standing person adjusts their grip. Frame 3: same setup, person in yellow is still holding camera, the other person is holding the rod, maybe with a bucket next to them. Wait, the first frame (0.0) is blurry, but the second frame (1.4) is the clear part.

So chronological order:

- First, the video starts with a blurry shot (maybe hands or equipment), then transitions to a scene where a person in a yellow puffer jacket and purple plaid pants is seated, holding a camera up with their right hand to record. Next to them, a person in a brown jacket and brown pants (with snow on them) is standing, holding a fishing rod. The seated person is to the left of the standing person. The standing person moves slightly, adjusting their grip on the rod. The seated person continues to hold the camera, possibly making adjustments. The background has lighting equipment, but minimal description.

Now, camera perspective: the initial frame (0.0) is blurry, then the camera shifts to a medium shot of the two people, with the camera maybe panning or adjusting slightly. The camera is at eye level, capturing the two subjects. Background is dark with some lights, but minimal.

Need to follow rules:

a) Motion and behavior in chronological order.

b) Appearance and number: two people. Seated: yellow jacket, purple plaid pants. Standing: brown jacket, brown pants (with snow).

c) Spatial: seated left of standing.

d) Camera: starts blurry, then medium shot, camera movement is slight shake or pan?

e) Background minimal.

f) No text, names.

So structure:

The video begins with a blurry frame, then shifts to show a person in a yellow puffer jacket and purple plaid pants seated, holding a camera up to record, while another person in a brown jacket and snow-dusted brown pants stands to their right, holding a fishing rod. The standing person adjusts their grip on the rod, and the seated individual maintains their camera position, capturing the scene. The camera remains relatively stable, with slight movement, focusing on the two subjects against a dark background with visible lighting equipment.

Wait, check the frames: frame 0 is 0.0, then 1.4, 2.5, etc. The video shows the seated person with camera, standing person with rod. The seated person is in a chair, standing person to their right. The camera perspective is from the front, slightly below or at eye level? The caption should mention camera perspective as "medium shot" or "eye-level shot". Also, the initial blurry frame transitions to the main scene.

Wait, the rules say: "conclude with the camera perspective and movement". So need to end with that.

Putting it all together:

The video opens with a blurry shot, then transitions to a scene where a person in a yellow puffer jacket and purple plaid pants is seated, holding a camera up with their right hand to record, while a person in a brown jacket and snow-dusted brown pants stands to their right, holding a fishing rod. The standing individual adjusts their grip on the rod, and the seated person continues to position the camera. The camera maintains a medium shot, with slight movement, focusing on the two subjects against a dark backdrop with minimal background details.

Check if it's chronological: starts blurry, then clear scene with two people doing actions.

Yes. Let's check if we

A dog is actively running and jumping in front of two stationary individuals (one seated, one standing), exhibiting clear discrete object movement due to locomotion.

No significant shifting of static background elements (walls, lighting fixtures remain stationary) or fluid/environmental motion (fire, water, smoke, wind) observed.


RAW CAPTION: Got it, let's tackle this. First, the video shows steps of assembling a cabinet. The first frame has a person placing a back panel, then using a drill. Then placing corner brackets. Let's list the steps in order.

Start with the first scene: person in purple shirt and dark pants places a back panel into a wooden cabinet frame. Then uses a power drill to set screws. Next, places corner brackets inside the cabinet corners. Then snaps in a drawer. Wait, the text on screen says "Place back panel and set screws", then "Place corner brackets", then "Snap in and set draw" (probably drawer).

Now, describe each action chronologically. The main subject is a person (wearing purple shirt, dark pants) working on a cabinet. The cabinet is wooden, frame with back panel being placed. Then drilling screws. Then placing corner brackets (white ones, maybe?) into the corners. Then snapping a drawer into place.

Spatial relationships: The person is working on the cabinet, which is on the floor. There's another cabinet in the background. The camera is close-up on the hands and the cabinet.

Wait, the rules say exclude text recognition, so don't mention the text on screen. Focus on motion and behavior.

So first action: person places back panel into the cabinet frame. Then uses a drill to set screws. Then places corner brackets into the cabinet corners. Then snaps in a drawer.

Appearance of person: purple shirt, dark pants. The cabinet is wooden, rectangular. The corner brackets are white, maybe. The drawer is part of the cabinet assembly.

Chronological order: Start with placing back panel, then setting screws (using drill), then placing corner brackets, then snapping drawer.

Camera perspective: close-up, probably top-down or side angle. The background is a carpeted floor with another cabinet visible.

Now, concise paragraph. Let's structure it.

A person in a purple shirt and dark pants places a wooden back panel into an open cabinet frame, then uses a power drill to set screws along the frame. Next, the person positions white corner brackets into the cabinet’s corners, followed by snapping a drawer into place. The camera maintains a close-up view of the hands and cabinet components, with a second cabinet visible in the background on a carpeted floor.

Check rules: focus on motion, chronological. Mention appearance (purple shirt, dark pants), spatial (background cabinet). Camera perspective: close-up, background minimal. Exclude text.

Wait, the fourth frame says "Snap in and set draw" (maybe "drawer"). So the last step is snapping the drawer.

Let me check the frames:

Frame 0: Place back panel and set screws (so person places back panel, then sets screws)

Frame 1: Place corner brackets (so after back panel, place corner brackets)

Frame 2: Place corner brackets (text says "Place corner brackets", then next text "Space corner brackets" maybe typo, then "Snap in and set draw")

Wait, the video has steps:

0. Place back panel and set screws

1. Place corner brackets

2. Place corner brackets (text changes)

3. Snap in and set draw

So the sequence is: place back panel, set screws; place corner brackets; snap drawer.

In the video, the person first places the back panel (frame 0), then drills screws (frame 1), then places corner brackets (frames 2-3), then snaps drawer (frame 4).

So motion steps:

1. Person places a back panel into the cabinet frame.

2. Uses a drill to set screws along the frame.

3. Inserts corner brackets into the cabinet's corners.

4. Attaches a drawer to the cabinet.

Appearance: person in purple shirt and dark pants, wooden cabinet, white corner brackets.

Background: another cabinet on the floor.

Camera: close-up on the assembly, possibly top-down or side angle.

Putting it all together concisely:

A person in a purple shirt and dark pants places a wooden back panel into an open cabinet frame, then uses a power drill to secure screws along the frame’s edge. Next, they position white corner brackets into the cabinet’s corners and attach a drawer. The camera focuses closely on the hands and cabinet components, with a second cabinet visible in the background on a carpeted floor.

Check for rules: chronological, motion, appearance (purple shirt, dark pants), spatial (background cabinet), camera perspective. Excluded text. Good.
</think>

<caption_output>A person in a purple shirt and dark pants places a wooden back panel into an open cabinet frame, then uses a power drill to set screws along the frame’s edge. Next, they position white corner brackets into the cabinet’s corners and snap a drawer into place. The camera maintains a close-up view of the hands and cabinet components, with a second cabinet visible in the background on a carpeted floor.</caption_output

The person's hands and the cabinet components (back panel, corner bracket) exhibit discrete physical motion as the hands manipulate and position the bracket within the cabinet structure.

The background elements (walls, floor, stationary furniture) remain static throughout the video with no signs of fluid motion (fire, water, smoke) or wind-driven movement.


A person in a white shirt moves a wooden board across a cluttered table, then another individual places a cardboard box onto the table. The first person adjusts the box while the second person steps back; the table holds various containers and cleaning supplies. The camera remains stationary with a slight shake, focusing on the table interaction.

Two people are moving around the table, handling objects (a cardboard box and other items). The cardboard box is being lifted, carried, and placed by the people.

The background (room wall, door) remains static without uniform shifting. No fluid or environmental motion (fire, water, smoke, wind) is present.


A girl in a black vest, light blue jacket, and black pants adjusts a tall white snowman, then steps back and walks leftward, moving away from the snowman toward a red car in the background. The camera remains stationary, capturing her departure as she exits the frame to the left.

A person (discrete solid object) moves around the snowman, altering posture, stepping, and gesturing while interacting with the snow structure.

The snow-covered ground and red car in the background remain static throughout the video; no significant wind or fluid motion (e.g., blowing snow, waves) is observed.


A person wearing a maroon cape lies with their head tilted back in a sink, hair covered in white suds. Another individual in a blue shirt washes their hair, hands moving through the soapy strands while pouring water over the head. The recipient’s head remains tilted back as the washing continues, with water dripping down. The camera stays fixed, focusing closely on the head and upper body throughout.

The stylist's hands are actively moving to wash the hair, creating foam and moving water. The person's head shows minimal movement (e.g., slight head tilts) but is mostly fixed. The hands are the primary moving discrete objects.

The background (wooden wall) is static and not shifting. There is no significant fluid or wind motion (the water is actively manipulated by the stylist, not free-flowing).


A light-skinned hand manipulates a fan of crisp, light-colored banknotes, initially holding them in a stacked position before fanning them out to display the bills in a spread arrangement. The hand moves the money from left to right, adjusting the fan’s angle while keeping the bills prominently in the foreground. The camera maintains a close-up perspective with slight shake throughout the sequence, and the background remains indistinct.

Hands (discrete solid objects) actively manipulating a stack of paper money through fanning and counting motions; the money itself is a solid object subject to physical forces from the hands.

No ambient environmental motion (fire, water, smoke, wind) detected. Background elements are either absent or blurred without uniform shifting; no environmental forces dominate.


A child in pink polka-dotted pajamas lies on the floor behind a brown mat, while a hand with a light blue sleeve repeatedly moves small objects across the mat’s surface, arranging them in a line. The child remains stationary as the hand’s motion is the primary action. The camera is positioned low and close to the mat, with slight movement.

A hand (light blue sleeve) moves a brown paper object on a table, applying explicit force to slide the paper. The hand and paper are discrete solid objects exhibiting physical interaction.

The background elements (white shelf, wall, and pink garment) remain stable without uniform shifting or environmental fluid motion (no fire, water, smoke, or wind).


A woman with blonde hair in a black shirt moves a black bowl leftward along a wooden trough, while a man in a light checkered shirt and dark pants leans over, holding a black bowl. Two children—one in a red shirt, one in a gray shirt—stand between them, leaning forward to observe the trough. The woman shifts the bowl closer, the man adjusts his grip, and the children continue to lean in. The camera remains static, positioned frontally.

Adults and children interact with objects on a counter, exhibiting controlled movements (e.g., placing, adjusting items) without fluid motion.

Static background elements (walls, framed displays) show no uniform shifting; no fire, water, smoke, or wind motion present.


A person wearing a light gray sweatshirt with dark trim grips a black steering wheel, turning it left and right while driving. The car moves forward, with the background showing passing buildings and greenery visible through the windows. The camera remains focused on the driver’s hands and the steering wheel, capturing slight movements as the driver maneuvers the vehicle. The perspective is from inside the car, slightly angled toward the driver’s side.

The driver's hands and steering wheel are discrete solid objects moving via physical interaction (steering input).

Background elements (trees, buildings outside the car) show no uniform shifting; no fire, water, or wind motion observed.


A man in a green shirt and blue jeans kneels on a cobblestone surface, using a tool to adjust and position stones, while another individual in dark clothing with orange accents sits nearby. The camera maintains a steady top-down perspective throughout, observing their construction activities.

A single person is moving: bending, sitting, and manipulating objects (stones) on the ground.

The background (wall and mosaic ground) is static with no shifting or fluid motion. No fire, water, smoke, or wind observed.


RAW CAPTION: Got it, let's break down the video. First, the scene: a man is on a dock. He's shirtless, wearing bright yellow shorts and dark socks. The background has snow-covered mountains and a wooden cabin, but the main focus is on him.

In the first frame, he's standing on the dock. Then, in the next frames, he starts walking towards the water. He steps off the dock into the river. The water is murky, and he's splashing as he enters. The camera follows his movement from the dock to the water.

Need to make sure the caption is chronological. So start with him on the dock, then moving towards the water, then stepping into the river. Describe his appearance briefly: shirtless, yellow shorts, dark socks. Mention the action: walking, stepping into water, splashing.

Camera perspective: the camera seems to be static at first, then maybe following his movement? Wait, the video shows the camera capturing him from a fixed position as he moves towards the water. So the camera is stationary, then as he steps in, the view follows the action.

Background is minimal but essential? The mountains and cabin are there, but the rules say to keep background minimal unless essential. Since the main action is the man entering the water, maybe just mention the setting as a snowy landscape with a wooden structure in the background. Wait, no, rule e says "keep background descriptions minimal unless essential for understanding motion". The motion is him walking into the water, so maybe the background is just the river and the dock. Wait, the video starts with a dock, then he walks towards the river. So the background elements (mountains, cabin) might be part of the setting but not crucial for the motion. But the problem says "briefly describe their appearance and number". Wait, the main subject is the man, so focus on his actions.

Let me structure it:

A shirtless man in bright yellow shorts and dark socks stands on a snowy dock, then walks toward the river, steps into the water, and submerges, creating splashes. The camera remains stationary, capturing his movement from the dock into the river.

Wait, check the rules. Must be concise, chronological. So:

A shirtless man wearing bright yellow shorts and dark socks walks from a snowy dock into a river, steps into the water, and disappears beneath the surface, creating splashes. The camera stays fixed, documenting his movement from the dock to the water.

Wait, but the video shows him entering the water, so he's partially submerged, then submerged. Let's check the frames:

Frame 0: man standing on dock, snowy landscape, cabin in background.

Frame 1: man walking towards water.

Frame 2: man at edge of dock, preparing to jump.

Frame 3: man jumping into water, splashing.

Frame 4: man underwater, then resurfacing? Wait, the fourth frame shows him in the water, maybe swimming.

Wait, the description given in the problem:

The video starts with a man standing on a dock, then he walks towards the water, steps into it, and then is in the water. So the sequence is: standing, walking, stepping in, splashing.

So the caption should be:

A shirtless man in bright yellow shorts and dark socks walks from a snowy dock into a river, steps into the water, and causes splashes as he submerges. The camera remains stationary, observing his entry into the river.

Check for rules:

a) Motion and behavior in chronological order: yes, walking, stepping in, splashing.

b) Appearance: shirtless, yellow shorts, dark socks (color, size, orientation? The shorts are bright yellow, dark socks. He's shirtless).

c) Spatial relationships: on the dock, then into the river (dock to river).

d) Camera perspective: stationary.

e) Background minimal: mentioned "snowy dock" and "river", but background like mountains might be minor. The problem says "keep background descriptions minimal unless essential for understanding motion". The motion is entering the river, so the dock is part of the setup. So maybe "a snowy dock" is okay.

f) No text, no named characters.

g) Don't output reasoning.

So the caption should be concise.

Let me refine:

A shirtless man in bright yellow shorts and dark socks walks toward a river from a snowy dock, steps into the water, and creates splashes. The camera remains stationary, capturing his movement from the dock to the river.

Wait, "steps into the water" — he steps in, then submerges. So maybe "steps into the water, submerging and creating splashes".

Alternative: A shirtless man wearing bright yellow shorts and dark socks walks from a snowy dock into a river, steps into the water, and submerges

The main discrete object is the man in yellow shorts, who moves by walking on the dock, jumping into the water, and swimming. The motion is tracked as a distinct bounding box.

The background (distant shore and buildings) is static. The water has ripples and splashes, but these are secondary effects of the man's jump and are not dominant.


A person in a black and white jacket and black pants pushes a gray hooded wheelchair with red accents, moving it around an indoor space with a wooden ceiling. The individual adjusts their grip on the wheelchair’s handles, maneuvering it forward and to the side, while the camera follows the motion with slight shake. The background includes white walls and a wooden bench.

A person in athletic wear is actively moving: walking, turning, and manipulating a gray chair-like object with red straps. The motion is due to intentional locomotion and object interaction.

The wooden beam ceiling and white walls remain static throughout the video, showing no uniform shifting or environmental fluid motion (fire, water, smoke, wind).


In a car interior, two adults and a child are seated; the adult on the left in a black top and the adult on the right in a green shirt both hold hands near their mouths, while the child in the back wears a colorful shirt. The adult on the right raises their hand to the side, then lowers it, and the adult on the left’s hand briefly enters the frame. The camera remains fixed inside the car with slight movement, capturing the front seats and the back seat.

The hand of the person wearing the green shirt is moving toward the camera and then shown in close-up, holding a small object.

The car interior and window in the background are static. No fire, water, smoke, or wind is visible. Therefore, no ambient_environmental motion.


A person wearing a dark jacket and dark pants sits on a chair with legs crossed, bending down to adjust their black sneaker with white soles; the wooden floor and white wall are visible in the background, and the camera maintains a slight shake throughout.

A person is tying shoelaces, performing a discrete action with their hands and feet, which is a solid object motion.

The background (wall and floor) is static with no shifting, and there is no fluid or environmental motion (e.g., fire, water, wind).


A person wearing a blue shirt and khaki shorts, barefoot, is actively working on a wooden block attached to a rustic wooden structure, using a tool to handle meat. The individual then turns abruptly, walks away from the block, and moves toward the right side of the frame. The scene includes buckets and logs on the ground near the structure, with trees visible in the background. The camera maintains a stationary perspective with a slight shake throughout the sequence.

A person is chopping wood, moving around, and handling pieces of wood. The person and wood are solid objects undergoing physical actions (chopping, lifting, carrying).

The background (wooden structure and ground) is static with no shifting. No environmental fluids (fire, water, smoke, wind) are present.


A gloved hand operates a red power drill on a metal bracket fastened to a wooden box, then withdraws the drill to reveal its handle before repositioning for continued drilling. The camera stays close-up, shifting slightly to follow the hand's actions and the drill's interaction with the bracket.

A gloved hand manipulates a red-handled screwdriver, applying force to drive it into a metal fixture attached to a cardboard box.

The background (wall, cardboard box) shows no shifting or fluid motion; no fire, water, or wind is present.


Four women in colorful belly dance attire (blue, black, red, and green) perform synchronized movements behind a yellow ribbon barrier. Initially positioned in a line, they raise arms upward, then extend arms outward, and continue rhythmic hip swaying. The camera remains stationary with a slight shake, capturing their dynamic dance motions against a muted outdoor backdrop.

Five women are dancing, moving their arms and bodies in a coordinated manner. Their motion is due to their own locomotion and dance steps.

The background (wall, ground, caution tape) is static with no uniform shifting. There are no fluids or environmental elements (fire, water, smoke, wind) as dominant motion.


A woman in a black outfit stands at a white sink against a blue wall, her hands moving as she appears to wash something. She then raises her right hand to grasp a paper towel dispenser mounted on the wall above the sink. The camera remains stationary, capturing her actions from a fixed angle with minimal background elements visible.

A person is actively moving their arms and hands to handle or adjust items (e.g., boxes, containers) on a table.

The background walls, tables, and static objects remain fixed; no fluid motion (fire, water, smoke) or wind is observed.


A person wearing white gloves approaches a garbage truck's open compactor from the right, holding a green bin. They tilt the bin to empty its contents into the truck, which already contains bottles and cardboard. The person then lowers the bin, and the camera follows the action with a close-up, slightly shaky perspective.

A person (wearing a yellow vest) is tilting a green dumpster, causing trash (cardboard, bottles, etc.) to flow out into a larger container. The dumpster and the person are the moving discrete objects.

The background (concrete wall and industrial structures) is static and shows no uniform shifting. There are no fluid/environmental motions (fire, water, wind) dominating the scene.


A person wearing a white and gray striped shirt plays a yellow bass guitar, fingers positioned on the fretboard and strings, then looks up toward the camera while holding the instrument. The background is dark and indistinct, with the guitar positioned in front of the person. The camera remains stationary throughout the sequence.

A person is playing a yellow guitar, with their hands moving on the strings and the head turning slightly to speak.

The background is a dark, static wall with no shifting or fluid/environmental motion (fire, water, wind, etc.).


RAW CAPTION: Okay, let's see. I need to create a concise caption for this video based on the user's instructions. The video shows a couple dancing tango. First, I should note the main subjects: a man and a woman. They're on a wooden floor with a dark background that has some colored lighting.

Starting from the beginning, the video starts with them dancing. The man is in a dark shirt and pants, the woman in a black dress. They're moving in a tango style, close together, probably doing steps and turns. The sequence shows them moving across the floor, maybe rotating. The background is dark with red and green lights, but the user said to keep background minimal, so maybe just mention the dark backdrop.

The video ends with a black screen and text, but the rules say to exclude text recognition. So I should stop at the dancing part. The camera seems to be stationary, as there's no mention of movement. The user specified to mention camera perspective and movement. The description says "fixed camera" since there's no pan or shake mentioned.

Check the rules again: chronological order, appearance (colors, size), spatial relationships. The couple is dancing in a close embrace, moving in sync. The man leads, woman follows. They're facing each other, maybe spinning or stepping in a pattern. The caption should be concise, so maybe "A man in a dark shirt and pants and a woman in a black dress dance tango on a wooden floor. They move in close embrace, stepping and turning across the space. The camera remains fixed, capturing their synchronized movements against a dark backdrop with subtle colored lighting."

Wait, the user said to exclude text recognition. The text at the top is "TangoDanceDVD.com" but the rules say to exclude that, so don't mention it. Also, the video ends with a black screen, but the instructions say to describe the main content. The first part is the dancing, then the black screen with text. But since the main subject is the dance, focus on the dance part. The user's example shows that the video starts with the dance, then the text screen. But the task is to describe the provided video. Wait, the video starts with the couple dancing, then goes to a black screen with text. So the caption should include that? The problem is that the user's example includes the transition, but the rules say "chronological paragraph describing the provided video." So need to mention the sequence: dancing, then the black screen with text.

Wait, the example input has the video starting with the dance and then transitioning to a black screen. The output should describe both parts. Let me check the rules again. The rules state: "Focus primarily on the motion and behavior of main subjects (people/animals/objects) in chronological order." So if the video shows the couple dancing and then a black screen with text, the caption should describe both events.

But the user says "exclude text recognition," so when it goes to the black screen with text, we can't mention the text, but need to note that the screen turns black. Wait, the second frame in the input is a black screen with "Would you like to see more?" but the user's instructions say to exclude text recognition. So the caption should just say "the screen turns black" without mentioning the text.

Wait, the user's example input includes the video showing the dance first, then a black screen with text. The task is to generate a caption for the provided video. So the video starts with the couple dancing, then transitions to a black screen. The caption should note the dance sequence, then the transition to a black screen.

Let me parse the input frames: the first five frames are the dance, then frame 6 is the black screen with text. So the caption should cover both parts.

Wait, the user's input shows:

[0.0] - dancing

[1.4] - dancing

[2.5] - dancing

[3.6] - dancing

[4.7] - dancing

[5.0] - black screen with text

Wait, but the user's description says the video has the couple dancing and then the text screen. So the caption should mention the dance and then the transition.

But according to rule f: Exclude text recognition. So we can't mention the text, but we need to describe the black screen as it's part of the video's content. So "The video transitions to a black screen."

So the structure would be: First, the couple dancing; then the screen goes black.

So the caption should be:

A man in dark attire and a woman in a black dress dance tango on a wooden stage, moving in close embrace while stepping and turning. The camera remains stationary as they traverse the space, then the scene fades to a black screen.

Wait, but the background is dark with

Two dancers (a man and a woman) performing tango, moving in coordinated steps and turns.

The stage background (dark backdrop and wooden floor) is static; no fluid motion (fire, water, smoke, wind) observed.


A shirtless man in gray shorts climbs an indoor rock wall, steadily ascending by gripping holds with his hands and positioning his feet. His body transitions from a horizontal orientation to a more upright stance as he progresses upward. The camera maintains a top-down perspective with minimal movement.

The climber (a solid distinct object) is moving by climbing the wall, using their limbs to pull and push themselves upward and laterally.

Static background (climbing wall and floor) with no fluid or environmental motion (e.g., no fire, water, smoke, or wind).


Two individuals interact in a room with a ceiling light and fan visible. The person in a dark shirt on the right extends their arm to hand a red object to the person in a light shirt seated to the left, who receives it. The right individual then retracts their hand and shifts position. The camera maintains a static, slightly shaky perspective throughout.

Two people (a boy and an adult male) are moving: the man manipulates an object (possibly a bottle) and interacts with the boy, causing their body and hand movements.

The background (walls, ceiling fan, hanging clothes) is static and does not shift uniformly. No fluid motion (fire, water, smoke, wind) is present.


A person in a red shirt, black-and-white plaid scarf, and white cap leans forward toward a table with a tray of assorted chocolates. Another hand extends from the left toward the tray. The camera pans slightly right, revealing additional people in the background, including one holding a camera. The person in red shifts position while interacting with the tray, maintaining focus on the table. The camera stays close to the action with minor movement, keeping background elements minimal.

Discrete solid objects (people) are moving: hands interacting with the cake (cutting/decorating), and the cake itself is being handled.

The background features people standing around the table and static elements like the table and chairs. There is no shifting of walls, ground, or fluid/environmental motion (fire, water, smoke, wind).


A child wearing a blue shirt with a colorful design holds a metallic fidget spinner in their right hand. They bring the spinner toward their face, moving it in a circular motion as if spinning it. The background includes framed pictures on the wall and a bed, but remains static and minimally descriptive. The camera maintains a steady, frontal perspective throughout.

The fidget spinner is the primary discrete object, exhibiting rotational motion due to the person's hand manipulation. The person also moves their hand toward their mouth, creating distinct, trackable bounding box movements.

The background (walls, framed pictures, couch) remains static with no shifting or distortion. No fire, water, smoke, or wind motion is visible in the scene.


A person lies face down on a bed, partially covered by a white blanket exposing their lower back and buttocks, while another person with visible arm tattoos stands beside the bed, using both hands to massage the exposed area. The masseuse's hands move rhythmically over the lower back, with the person remaining still under the blanket. The camera remains stationary, capturing the interaction from a side angle with minimal background elements visible.

Discrete objects include the person's leg and the hands performing massage, showing controlled movement due to physical forces (manual manipulation).

Background elements (walls, furniture, blanket) show no uniform shifting or fluid motion; no fire, water, smoke, or wind present.


Two individuals stand in a kitchen; the left person (brown hat, dark clothing) holds a small object, while the right person (yellow shirt, long hair) holds a banana. The right person manipulates the banana, moving it downward and toward their body, then leans forward. The left person shifts position slightly. The camera is handheld with a slight shake throughout.

Two people interacting: one holding an object (likely a fruit) while the other manipulates it; visible hand movements and object handling.

Static kitchen background (refrigerator, tiled walls) with no fluid/environmental motion (fire, water, smoke) or uniform background shifts.


A person wearing a light-colored top and dark pants enters a car, sits in the driver's seat, fastens their seatbelt, and adjusts their foot to put on a green sock. The camera remains inside the car, capturing close-up movements with a slight shake, focusing on the person’s actions while the car interior and exterior background are partially visible.

A person's hands (applying a substance with a spatula) and a leg (being massaged) are discrete solid objects exhibiting explicit physical motion due to manual application.

No shifting backgrounds or fluid/environmental motion observed; static car interior elements remain stable throughout the clip.


In a dimly lit bar, two men sit at a green table; the man in a white cap and brown shirt holds a phone, then shifts to handle cards, while the older man with gray hair in a dark shirt arranges cards. The camera, handheld and slightly shaky, moves minimally to focus on their interactions at the table.

Discrete solid objects: Two patrons at the bar. The man in the cap (background) exhibits hand movements (e.g., shuffling cards, gesturing), while the bald man (foreground) shifts posture and arm position. Motion is localized to individual body movements, not environmental forces.

Background elements (bar shelves, neon lights, wall fixtures) remain static with no uniform shifting or fluid motion. No fire, water, smoke, or wind dominates the scene.


Two individuals, one in a dark shirt and the other in a white shirt, eat snacks while seated closely. The person in the dark shirt brings food to their mouth first, followed by the individual in white, both chewing as they consume the food. The camera captures the action from a close, handheld perspective with a slight shake, positioned in front of a window with curtains.

Two solid human subjects (discrete objects) are moving their hands and mouths to eat food, showing explicit physical motion (chewing, bringing food to mouth).

The background (window with blinds, walls) shows no significant shifting or fluid motion (no fire, water, smoke, wind). Static elements remain consistent across frames.


A blonde woman with a bun and sleeveless top sits in a car seat. A hand turns a circular car adapter switch, illuminating a red light. The woman gestures toward the adapter. The camera shifts from a medium shot of the woman to a close-up of the adapter switch, then to a medium shot of the woman pointing toward it.

Discrete solid objects: the woman (head and hand movements adjusting headrest) and a hand (inserting card into car's knob). These movements are deliberate physical actions with clear bounding box tracking.

No shifting background; static car interior in all frames. No fire, water, smoke, or wind motion observed. Background elements (dashboard, seats) remain fixed in each shot.


A person's light-skinned foot, positioned in a bathroom sink, has white cream applied to its surface; subsequently, hands with light skin massage the leg upward from the foot toward the calf in circular motions; the sink and beige countertop form the background; the camera maintains a close-up perspective, shifting slightly to follow the hands' movement.

The hands of the person are moving to apply and remove wax from the leg. The wax strip is being peeled off in a discrete motion, with clear physical contact and movement.

The background (sink and tiled wall) remains static with no uniform shift. No fire, water, smoke, or wind motion is observed; the sink water is still.


A person in a red shirt manipulates a stack of dark-colored books on a table, repeatedly lifting and repositioning them with their hands. The books are arranged in a pile on the table, with the person’s hands moving over and around the stack. The camera maintains a close-up perspective with a slight handheld shake, focusing on the hands and books, while a bright window and door are visible in the background.

Person's hands interacting with a stack of books on a table, moving the books via physical manipulation.

Static background (window and room interior) with no shifting. No environmental fluids (fire, water, smoke) present.


A person in a white tank top with a shoulder tattoo stands before a bathroom mirror, holding a hair clipper in their right hand. They raise the clipper to their head, move it down their left arm, and then lift it back up. A colorful floral shower curtain is visible to the right of the mirror. The camera remains stationary, capturing the motion from a side angle.

A person in the bathroom is actively moving their arm and head while using a hairdryer, with visible locomotion from the physical action of drying hair.

The shower curtain and mirror background show no uniform shifting, and there is no fire, water, or smoke motion present.


A person in a gray shirt and dark pants pushes a red and white wheeled device carrying two large black cylindrical weights forward in a parking lot. They stop, step back, and adjust the weights on the device. The background features parked cars, and the camera remains stationary throughout.

The man (discrete solid object) is moving by walking and pushing a wheeled weight stack. The weights move due to direct physical force from the man, with clear locomotion and applied force evident in the frame transitions.

The parking lot background (yellow lines, building, distant cars) shows no uniform shifting or fluid motion. No fire, water, smoke, or wind effects are visible; the scene is static and calm.


A woman with curly dark hair, wearing a pink sleeveless top and a wristwatch, is seated and extends her leg. She holds a black razor and shaves her thigh, moving the razor upward in a smooth motion. The camera remains stationary with a top-down perspective, capturing the action against a minimal background featuring a blue wall and white fixtures.

A person in a pink top is performing discrete hand movements on their leg, likely applying a substance.

Static background with blue wall and floor; no fluid motion (fire, water, smoke, wind) observed.


The video opens with a wooden table featuring a domino train, a glass, and a smartphone. Multiple hands, belonging to individuals in light-colored sleeves, enter the frame, manipulating and rearranging the dominoes. The hands move the dominoes along the table surface, adjusting their positions and interacting with nearby objects. The camera maintains a top-down perspective throughout, capturing the chronological sequence of the hands’ actions on the table.

Discrete objects in motion: dominoes being arranged by hands, and hands adjusting the timer and paper. Motion due to physical interactions.

The background (table surface and surroundings) is static with no fluid motion or shifting. No fire, water, smoke, or wind observed.


RAW CAPTION: Got it, let's tackle this. First, the video shows a girl in a bathroom. She's wearing a pink shirt and patterned pajama pants. She's holding a small stuffed animal, maybe a cat or something. The background has a bathtub and a window with a curtain. She starts standing still, then she moves her hands a bit, maybe adjusting the toy. Then the screen goes to a title card with "Kid Tips with Maya" but wait, the rules say to exclude text recognition, so I shouldn't mention that.

Wait, the task is to describe motion and behavior chronologically. So step by step: at the beginning, the girl is standing in the bathroom, holding the stuffed animal. She moves slightly—maybe her hands move, she might be talking or gesturing. Then there's a transition to the title card, but since we exclude text, focus on the video part. Wait, the video starts with her, then at around the 5-second mark, it goes to the title. But the rules say exclude text recognition, so the title isn't part of the action. So the main subject is the girl in the bathroom.

Appearance: girl, pink shirt, patterned pants, barefoot. She's standing in front of the bathtub, with a window behind her (curtains). Her actions: holding the stuffed animal, then maybe moving it or adjusting. Then the screen transitions, but the transition isn't part of the subject's motion. Wait, the caption should be about the video content. Let's check the rules again.

a) Motion and behavior chronologically. So first, the girl stands holding the toy. Then she might move—like lifting the toy up, maybe turning it. Then the screen changes to the title, but since we don't describe text, the main action is the girl's movement. Wait, the video shows her holding the toy, then she moves slightly, maybe turning or holding the toy in different positions. Then the title card appears, but the caption should be for the video content before that. Wait, the video starts with the girl, then at the 5-second mark, it's the title. So the chronology is: the girl is in the bathroom, holding a stuffed animal, making small movements (maybe looking at the camera, adjusting the toy), then the screen transitions to the title card. But the caption should describe the action of the girl before the title.

Wait, the problem says "generate a concise, chronological paragraph describing the provided video." The video has two parts: the girl in the bathroom, then the title. But the rules say exclude text recognition, so the title is not part of the description. So the caption should be about the girl's actions.

So steps:

1. A girl in a pink long-sleeve shirt and patterned pants stands barefoot on the edge of a bathtub. She holds a small stuffed animal with both hands.

2. She slightly moves her hands, adjusting the stuffed animal.

3. Then the screen transitions to a title card (but since we exclude text, we don't mention the title). Wait, but the video ends with the title. But the rules say to describe the video. So maybe the main content is the girl's actions, then the transition.

Wait, the caption must focus on motion and behavior. So the chronological order: the girl is standing, holding the toy, then she moves her hands (maybe holding the toy up, then lowering it), then the screen cuts to the title. But the title is not part of the main subject's action. So the caption should end with the transition, but since the title is text, we can't mention it. So perhaps: the girl stands in the bathroom, holding a stuffed animal, making small hand movements; then the screen transitions to a title card. But the rules say "exclude text recognition, named characters, or stylistic analysis." So the title card is not to be mentioned. So the caption should be about the girl's actions in the bathroom.

Wait, let's check the sample. The video starts with the girl, then at the 5th second, it's the title. But the task is to describe the video. So the caption should capture the girl's actions before the title. Let's structure it:

A girl wearing a pink shirt and patterned pants stands on the edge of a bathtub, holding a small stuffed animal with both hands. She slightly moves her hands, adjusting the toy's position. Then the video transitions to a title screen.

But the rules say "exclude text recognition, named characters, or stylistic analysis." So "title screen" is part of the transition, but the title itself is text, so we don't mention it. But the transition is a camera movement. Wait, the rules say "conclude with the camera perspective and movement." So maybe the camera is

A child (solid object) is holding a white object (solid object); the child's hands exhibit subtle movements while manipulating the object, indicating deliberate locomotion.

The background (wall, door, window) remains static throughout the video with no shifting or environmental motion (fire, water, smoke, wind). No ambient elements are present.


A boy in a white shirt, black shorts with green stripes, and white shoes runs toward the camera on a tennis court while holding a tennis racket. He stops, places the racket on the ground, bends to pick up a second racket, then picks up a third racket and runs away from the camera. The background includes a fenced area with distant structures. The camera remains stationary.

A person holding a tennis racket walks toward the camera, bends down, and adjusts the racket on the ground.

Background elements (fence, buildings, trees) show no uniform shifting; no visible fluids (fire, water, smoke) or dominant wind effects.


A person's hand holds a clear glass bowl containing a yellowish mixture with white chunks on a wooden surface. A whisk with blue and silver wires is inserted into the bowl and moves in a circular motion, blending the ingredients until the white chunks dissolve into the mixture, forming a uniform brownish liquid. The camera remains in a top-down perspective throughout the sequence.

A solid whisk is being manually rotated to stir the contents of a glass bowl. The whisk is a discrete solid object moving due to explicit physical forces (hand motion).

The background is a static wooden surface. No fire, water, smoke, or wind is present. The motion is not ambient environmental.


RAW CAPTION: Got it, let's break this down. The video shows a weightlifting scene. First, identify the main subjects. There's a lifter in the center, surrounded by spotters and others. Let's check the sequence.

At the start (0.0s), the lifter is preparing, maybe squatting. Then, in the next frames, he lifts the barbell. The spotters are around him—some kneeling, some standing. The camera is stationary, probably capturing the lift.

Wait, the rules say chronological order. Let's list the actions:

- Initially, the lifter is in position, barbell set. Spotters are nearby. One spotter kneels, others stand.
- Then, the lifter lifts the barbell (from squat to standing? Or maybe a power clean? The video shows movement: the lifter raises the bar, spotters help. Wait, in the frames, the lifter starts in a squat (weight on shoulders), then lifts to standing. The spotters are around, some assist.

Wait, the first frame: lifter is in a squat, barbell on shoulders. Then, he pushes up. The spotters (people around) move: one in black shirt and khaki shorts is kneeling, then stands up as the lifter lifts. Others are in red or black shirts.

Need to describe appearance: lifter is shirtless, maybe? Wait, the description says "lifter in black shirt"—no, the lifter is the one lifting. Let's see the video: the lifter has a black shirt? Wait, the first frame shows a person in black shirt and shorts, lifting. Wait, no—maybe the lifter is wearing a black tank top? The video is a bit blurry, but based on standard weightlifting.

Wait, the user's video: "a lifter in black shirt, shorts, lifting a barbell. Spotters around him: one in black shirt and khaki shorts kneeling, then stands. Others: one in red tank top, another in white shirt with red shorts."

Chronological order:

- The lifter begins in a squat position, barbell on shoulders, surrounded by spotters. One spotter (kneeling, black shirt, khaki shorts) is in front of the lifter. Others stand around (e.g., red tank top, white shirt).
- Then, the lifter lifts the barbell upward, standing up. The kneeling spotter stands. Other people move around (some walk away, others adjust positions).
- Camera is static, capturing the action from a fixed position (side angle, maybe).

Need to be concise. Focus on motions: lifter lifts barbell, spotters assist and move. Mention numbers: multiple people, but specify key ones.

Appearance: lifter (black shirt, shorts), spotters (black shirt/khaki shorts, red tank top, etc.)

Spatial: spotters positioned around the lifter (front, sides).

Camera: static, side view.

Now, structure the paragraph:

A shirtless lifter in black shorts and a black tank top prepares to lift a barbell while surrounded by spotters. A man in a black shirt and khaki shorts kneels in front of him, another in a red tank top stands to the right, and a person in a white shirt with red shorts is near the barbell. The lifter lifts the barbell upward, standing, as the kneeling spotter rises and others shift positions. The camera remains stationary, capturing the action from a side angle.

Wait, but the first frame: the lifter is in a squat, barbell on shoulders. Then he lifts. So:

The lifter (black tank top, black shorts) is in a squat position with a barbell on his shoulders, surrounded by multiple individuals. A man in a black shirt and khaki shorts kneels in front, while others (including one in a red tank top and another in white) stand nearby. The lifter then rises, lifting the barbell overhead, as the kneeling spotter stands and surrounding people move. The camera remains static, positioned to the side of the action.

Check rules: exclude text recognition (no "FORZA" mentioned, but the platform has it—rule f says exclude text, so don't mention the "FORZA" on the platform). Keep background minimal: gym setting with blue walls, but minimal.

So final caption:

A shirtless lifter in black shorts and a black tank top lifts a barbell from a squat position while surrounded by spotters: a man in a black shirt and khaki shorts kneels in front, another in a red tank top stands to the right, and a person in a white shirt is nearby. The lifter rises, lifting the barbell, as the kneeling spotter stands and

Discrete solid objects (people) moving: a person in white shorts and black shirt transitions from kneeling to standing, while others walk and interact around a weightlifting apparatus.

No shifting backgrounds or fluid/environmental motion (fire, water, smoke, wind) observed; static blue walls and floor remain consistent across frames.


A person in brown muddy clothing touches a large brown muddy animal with a long trunk, then steps back and walks leftward through the grassy terrain while moving away from the animal. The camera remains stationary, capturing the motion from a low angle.

A person (solid object) is moving through muddy terrain, with legs kicking mud and body shifting during locomotion.

Background elements (trees, grass) are static and show no uniform shifting. No fluid/environmental motion (fire, water, smoke, wind) is present.


A person’s hand, clad in a dark sleeve and adorned with a green bracelet, holds a brown mushroom with white spots, rotating it slightly while examining its surface. The mushroom remains centered in front of the hand against a backdrop of fallen leaves and moss-covered ground. The camera maintains a close-up, top-down perspective with minimal movement throughout the sequence.

The apple is being rotated by a person's hand (blue sleeve visible), and the hand is moving to display the apple from different angles. The apple is the discrete object in motion due to the hand's physical force.

The background (ground, leaves) is stationary; no fluid or wind motion detected. The leaves are static, and there are no signs of fire, water, or smoke.


A person wearing a red shirt and patterned pants, covered in clay, shapes a spinning pot on a pottery wheel, pressing and smoothing the clay with their hands. Other pottery pieces, including a large bowl, are visible to the left. The camera remains close, slightly shaky, focusing on the hands and wheel.

Person (wearing red shirt and apron) is actively pressing and shaping dough on a flat surface. The dough is a solid object being manipulated by the person's hands, resulting in deformation and movement.

Background appears static with no fluid/environmental motion. No shifting of static elements (container, countertop).