RAW CAPTION: Got it, let's tackle this video captioning task. First, I need to look at the provided frames. The video starts with a close-up of a person's face, specifically the eye area. In the first frame, a hand with light-colored nail polish is holding a yellow and white applicator near the eyebrow. Then, the next frame shows the same hand using the applicator to apply product along the eyebrow. Then the scene shifts to another close-up where a hand with red nail polish is using a brush to groom or style the eyebrow.

Wait, let's break down each part. The main subject is a person's face, focusing on the eyebrow and eye. The sequence of actions: first, a hand (light nails) applies something with a yellow applicator to the eyebrow area. Then, the next part shows a brush (maybe a brow brush) being used on the eyebrow, with red nail polish visible. The hands are manipulating the eyebrow with different tools.

Need to describe chronologically. First part: a hand with light-colored nail polish uses a yellow and white applicator to apply product to the eyebrow. Then, the scene transitions to another close-up where a different hand (red nail polish) uses a brush to groom the eyebrow.

Spatial relationships: the applicator is held near the eyebrow, the brush is used on the eyebrow. The camera is close-up, focusing on the eye and eyebrow. Background is minimal, as it's a close-up.

Check the rules: focus on motion and behavior. So first action: hand with light nails applies product with applicator to eyebrow. Then, hand with red nails uses brush to style eyebrow.

Make sure to mention appearance: light-colored nails (first hand), red nails (second hand). Applicator is yellow and white, brush is dark.

Chronological order: first, applying product with applicator; then, brushing the eyebrow.

Camera perspective: close-up, no significant movement mentioned, so probably static close-up.

Background: minimal, not essential.

So putting it all together: A close-up shows a hand with light-colored nail polish applying a yellow and white applicator to an eyebrow. The scene transitions to another close-up where a hand with red nail polish uses a dark brush to groom the eyebrow, moving the brush along the brow area. The camera remains in a tight, static close-up throughout, focusing on the eyebrow and hand movements.

Wait, check if the frames are sequential. The video starts at frame 0, then 1, 2, 3, 4, 5. So frame 0: hand with light nails applying with applicator. Frame 1: same. Frame 2: transition to brush. Frame 3: brush on eyebrow. Frame 4: brush moving.

So the chronological steps are:

1. Hand with light-colored nails uses a yellow and white applicator to apply product to the eyebrow.

2. Then, a hand with red nail polish uses a dark brush to groom the eyebrow, moving the brush along the brow.

Camera is close-up, no movement described.

Now, check the output format: concise paragraph, chronological.

Let me write it out:

A hand with light-colored nail polish applies a yellow and white applicator to an eyebrow in a close-up shot. The scene then shifts to another close-up where a hand with red nail polish uses a dark brush to groom the eyebrow, brushing along its length. The camera maintains a tight close-up perspective throughout, focusing on the hand movements and eyebrow area.

Wait, "shifts to" might not be the best term. Maybe "follows" or "continues" but the frames are sequential. The first part is applying product, then the next part is brushing. So "After applying product with a yellow and white applicator, a hand with red nail polish uses a dark brush to groom the eyebrow, moving it along the brow."

But need to be concise. Let's see:

In the video, a hand with light-colored nail polish uses a yellow and white applicator to apply product to an eyebrow, then a hand with red nail polish employs a dark brush to groom the eyebrow, moving the brush along its length. The camera remains in a tight close-up throughout, focusing on the eyebrow and hand actions.

Check if it's chronological. Yes: first applying, then grooming.

Check appearance: light nail polish, yellow/white applicator; red nail polish, dark brush.

Spatial: both hands are working on the eyebrow.

Camera: close-up, static.

Background minimal.

Looks good. Let's confirm if there's any other motion. The applicator is held near the eyebrow, then the brush is used on the eyebrow. No other elements.

So the final caption would be:

A hand with light-colored nail polish applies product using a yellow and white applicator

Hands applying makeup (eyeliner and mascara) are moving in discrete, controlled motions.

No shifting backgrounds or fluid/environmental motion observed; the video is a close-up on the eye and hands without visible environmental elements.


RAW CAPTION: Got it, let's tackle this captioning task. First, I need to look at the video frames provided. The user gave five frames, each showing a person's hands working on a woven basket.

Starting with the first frame: hands are handling a thin, light brown reed or stick. The person is wearing a blue shirt, and the basket is woven with natural materials. The hands are manipulating the reed, probably weaving it into the basket.

Second frame: the hands are still working on the basket, which has a pattern of green and brown. The person's hands are moving the reed to fit into the weave. The blue shirt is visible.

Third frame: similar action, hands positioning the reed. The basket's structure is visible with the weave.

Fourth frame: hands are pressing the reed into place, maybe securing it.

Fifth frame: hands adjusting the reed, continuing the weaving process.

Now, chronological order. The main subject is the person's hands (one person, blue shirt) working on a woven basket. The actions are weaving, manipulating the reed (light brown, thin), inserting it into the basket's structure. The basket is made of natural materials, maybe bamboo or rattan, with a pattern of green and brown.

Spatial relationships: the hands are in front of the basket, working on the weave. The camera seems to be close-up, focusing on the hands and the basket. The background is minimal, probably just the basket and maybe a surface, but the rules say minimal background.

Camera perspective: the video shows a close-up, top-down view of the hands and basket. The camera might be steady or slightly shaky, but the frames are focused on the hands.

Need to make sure the caption is concise, chronological. Let's put it together.

First, describe the main subject: a person's hands (wearing blue shirt) weaving a basket. The reed is light brown, thin. The basket has a woven pattern with green and brown. The actions: manipulating the reed, inserting into the weave, adjusting. Then camera perspective: close-up, top-down, slight shake maybe.

Check the rules: focus on motion, chronological, appearance, spatial, camera.

Let's draft:

A person's hands, clad in a blue shirt, manipulate a thin, light brown reed while weaving into a patterned basket with interlaced green and brown strands. The hands adjust and press the reed into place on the basket's surface, moving from left to right across the weave. The camera maintains a close-up, top-down perspective with minimal background, focusing on the hands' precise movements.

Wait, but need to be more concise. Also, "patterned basket with interlaced green and brown strands"—the basket in the frames has a visible pattern, maybe the green is from some part. Let's check the frames: the basket in frame 1 has brown and some green, maybe plant fibers.

Also, chronological: the video starts with hands holding the reed, then placing it, then adjusting. So the motion is: holding the reed, inserting into the basket's weave, pressing to secure.

Another version:

A person in a blue shirt uses their hands to weave a light brown reed into a basket made of interlaced brown and green strands. The hands manipulate the reed, inserting it into the basket's structure and adjusting its position. The camera provides a close-up, top-down view with slight movement, focusing on the hands' repetitive weaving motions.

Check if all rules are met:

a) Motion: weaving, manipulating reed, inserting, adjusting. Chronological.

b) Appearance: person's hands, blue shirt, reed (light brown, thin), basket (brown and green strands).

c) Spatial: hands are in front of the basket, working on it.

d) Camera: close-up, top-down, slight movement.

e) Background: minimal.

f) Excluded text, characters.

Yes, that should work.

Let me refine:

A person's hands, wearing a blue shirt, carefully weave a thin, light brown reed into a basket featuring interlaced brown and green strands. The hands manipulate the reed, inserting it through the basket's weave and adjusting its position to secure it. The camera maintains a close-up, top-down perspective with subtle movement, focusing solely on the hands' detailed weaving actions.

Check the length. Make sure it's concise. Maybe shorten:

A person in a blue shirt weaves a thin, light brown reed into a basket with interlaced brown and green strands, manipulating and adjusting the reed within the weave. The camera captures a close-up, top-down view of the hands' repetitive motions, showing minimal background.

Wait, the problem says "concise, chronological paragraph". Let's make it a single sentence or two.

How about:

A person

A person's hands are actively manipulating woven fibers, demonstrating discrete physical motion via weaving actions.

No shifting backgrounds or fluid/environmental motion (fire, water, wind); the woven structure background remains static.


A person's hands adjust a large black tire positioned on a mechanical device with silver components; the tire remains stationary as the hands make slight movements, with a yellow hose and white cloth visible nearby. The camera maintains a static top-down perspective throughout.

The person's hand is moving to adjust the tire, and the tire is rotating due to the machine's operation.

The background is static with no shifting elements, and there is no ambient environmental motion (fire, water, smoke, wind).


A hand approaches a vending machine, initially touching its interface near a metal container, then moves to hold multiple banknotes. The machine's screen displays a blue interface with colored buttons and a slot. The camera focuses closely on the hand and machine, capturing the motion of the hand transitioning from the machine to holding the banknotes.

A hand interacts with the ATM, moving to retrieve and count currency. The hand and the money being dispensed are discrete solid objects exhibiting motion due to explicit physical interaction (person withdrawing cash).

The background elements (ATM machine, trash can) show no uniform shifting or fluid motion. There is no fire, water, smoke, or wind present, so ambient environmental motion is absent.


Three people sit around a round wooden table with food trays. The person in a light gray hoodie on the left reaches for a dark beverage cup, then drinks. The person in a checkered shirt at the top unwraps a food item and eats. The individual with dark sleeves on the right hands food to another and then eats. All adjust and consume food items, moving hands toward trays. The camera provides a static top-down perspective of the table and interactions.

People's hands and arms are moving to interact with food items (picking up, holding), representing discrete solid objects in motion due to physical interactions.

Background elements (table, food containers) show no uniform shifting or fluid/environmental motion; no fire, water, or smoke observed.


RAW CAPTION: Got it, let's tackle this. The video shows a group of people playing a sport, probably netball or basketball, on an outdoor court. First, I need to focus on the motion and behavior. The main subjects are the players. Let's see the sequence.

At the start, the players are positioned on the court. Then, the text "Set up?" appears, but I have to exclude text recognition per the rules. So ignore that. The players start moving: some run, others might be setting up. The description should be chronological.

First frame: players standing on the court. Then, they start moving—some run towards the center, others adjust positions. There are multiple players, let's check count. The first frame has several, maybe 8-10? They're in athletic wear: some in dark tops, others in light. Colors like dark blue, black, maybe orange. Sizes are average adults.

Spatial relationships: players are on a paved court with white lines. Some are near the center circle, others spread out. The court is open, background has trees, houses, streetlights—minimal background, so mention briefly if needed. The camera is static? Wait, the video description doesn't say camera movement. Let's check the rules: camera perspective and movement. The video seems to be a steady shot, maybe slight movement? Wait, the frames given are still, but maybe the video has some camera motion.

Wait, the user says "Conclude with the camera perspective and movement". So in the output, need to say if it's static, pan, etc. Let's see the video: the frames are similar, so maybe static shot. But the problem says "DO NOT include any reasoning in the caption tags", so the caption must end with camera info.

Now, structuring: start with the players' setup, then their motion. Mention appearance: number, clothing. Spatial: positions on court. Then camera.

Let's draft:

Several players (around 10) in athletic attire—some in dark shorts and tops, others in light—move on a paved court with white boundary lines. They transition from standing positions to running, with some advancing toward the center circle while others adjust their stances. The court is open with trees and buildings in the background. The camera remains stationary, capturing the action from a fixed angle.

Check rules: exclude text recognition (so no "Set up?"), focus on motion, chronological. The players start by standing (setup?), then move. So the chronological order is from initial position to movement.

Another part: the video shows players in motion, some passing or shooting. Wait, in the frames, the first part is setup, then they start moving. The caption should be a paragraph.

Let me refine:

A group of approximately ten players in athletic clothing—comprising dark and light jerseys and shorts—stand on a marked outdoor court. They begin moving: several runners advance toward the court's center, while others reposition themselves. The scene unfolds against a backdrop of trees and buildings under a clear sky. The camera remains static, providing a steady view of the activity.

Check if it's chronological: initial position (standing), then moving. Yes. Mention appearance: number, clothing. Spatial: court with lines. Background minimal, so include as "backdrop of trees and buildings under a clear sky" but rule e says "minimal unless essential for understanding motion". Maybe the background is essential here? The court is marked, so the lines are important for spatial relationship.

Another version:

Ten athletes in dark and light athletic gear move across a paved court with white boundary lines; some run toward the center while others adjust their positions. The scene occurs under a clear sky with trees and houses visible in the background. The camera maintains a fixed position, capturing the players’ motions from a direct angle.

Wait, need to be concise. Let's see the example output. The key is chronological, motion, appearance, spatial, camera.

"Several players (around 10) in athletic wear—some in dark, others in light—stand on an outdoor court with white lines. They begin moving: some advance toward the center while others reposition, indicating active gameplay. The court is bordered by trees and buildings under a clear sky. The camera remains stationary, offering a consistent view of the players’ movements."

Check rules: no text recognition (no "Set up?"), focus on motion, chronological. Yes. Number: several, around 10. Appearance: athletic wear, colors. Spatial: court with lines, center area. Background: trees, buildings (minimal). Camera: stationary.

Yes, that works. Let's check if it's concise. Maybe reduce "some in dark, others in light" to "in varied athletic attire" but need to mention colors. Wait, the first frame has people in different colors. So "in dark and light

Players are actively moving: running, dribbling, passing, and shooting the basketball. The ball is in motion during play, with distinct bounding box tracking of discrete solid objects.

No significant ambient environmental motion (e.g., fire, water, smoke, wind). Background elements (trees, fence, court lines) are stable and show no uniform shifting.


A man with a dark head covering and brown jacket holds a mug to his mouth, drinks, then lifts it slightly while another person walks from right to left in the background near a door. The camera remains static with minimal movement.

The main subject (a person) is actively manipulating a solid object (harmonica), with discrete, controlled movements corresponding to playing the instrument. A secondary figure in the background moves slowly but remains distinct from environmental effects.

The background (door, walls) shows no uniform shifting or environmental fluid motion (fire, water, smoke). Static elements remain consistent across frames, indicating no dominant ambient effects.


A bald baby wearing a black top and pink pants sits on a carpeted floor, holding an orange toy and looking down. The baby lifts their head to face forward, then adult hands enter from the right to assist with the toy. In the background, a child in red and blue jeans stands near a table, with scattered toys including a red drum visible. The camera remains stationary, capturing the scene from a slightly elevated angle.

The baby (wearing black top and pink pants) moves its head and hands while holding a toy. At 4.2s, an adult's hand (blue sleeve) enters from the left to assist with the toy, and another adult's hand (right side) enters to support the baby. All motions are discrete human actions.

The background (carpet, couch, table, toys) remains stationary throughout the video. No fluid or environmental motion (e.g., fire, water, smoke, wind) is present. Static elements show no uniform shifting.


A pair of hands removes a black cooling fan from an orange box, placing it on the table; the hands then adjust a square, gold-pinned CPU encased in clear plastic packaging. The scene transitions to a close-up of the CPU package as hands manipulate it. Background elements include a motherboard and RAM modules. The camera maintains a top-down perspective, shifting to a close-up view of the CPU.

Discrete solid objects (CPU cooler, plastic packages) are manipulated by hands—visible motion due to explicit physical forces (grasping, positioning).

Background elements (dark surface, motherboard, packaging) show no uniform shifting or fluid motion (fire, water, smoke, wind).


A young girl wearing a pink top over a white long-sleeve shirt and patterned pants stands in a room, making slight posture adjustments. She remains centered in the frame with minimal movement. To her left, a cardboard box filled with toys and a pink container sits near an air conditioner and a window with blinds; a closed door is visible to her right. The camera maintains a static, eye-level medium shot with no movement.

discrete_object_physics | ambient_environmental | camera_motion | ego_motion | static

Briefly describe what discrete, solid objects are moving.

Briefly check for shifting backgrounds or fluid/environmental motion (fire, water, wind).


A girl in a purple hoodie and light pink pants sits cross-legged on a bed with a blue patterned bedspread, holding a violin under her chin and drawing a bow across the strings; she pauses playing and lowers the violin. The camera remains stationary, capturing her from a fixed angle with minimal background elements.

The girl's arms and bow exhibit controlled, discrete motion as she plays the violin—specifically, bowing movements across the strings and finger movements on the fingerboard. The violin itself moves slightly with her arm motion.

The background (wall, bed, pillows, plant) remains static with no shifting or fluid motion. No fire, water, smoke, or wind is visible, confirming absence of ambient environmental motion.


RAW CAPTION: Got it, let's tackle this. First, I need to describe the video in chronological order. The main subject is a man juggling, maybe? Let's see the frames.

In the first frame, the man is sitting on a stool, surrounded by people. He's wearing a light shirt and beige pants. The people around him: there's a woman in a white top and jeans on his left, another person in a dark shirt on his right. He's juggling or maybe doing a trick with a ball? Wait, the video shows him interacting with a ball.

Chronologically: the man is seated on a stool, moving his hands. He's passing a ball between his hands, maybe? The people are watching. Let's check the frames. The video starts with him in the middle, then he moves his hands, the ball is in motion. The woman on his left is looking at him, the kid on his right is also watching.

Appearance: the man is older, light-colored clothes, the people around are various. Spatial: he's in the center, people to left and right. Background has buildings, but minimal. Camera: seems to be a slight shake, maybe handheld, moving a bit.

Wait, the rules say focus on motion and behavior. So the man is juggling or performing a trick. Let's structure:

At the start, a man sits on a stool, surrounded by a group of people. He wears a light shirt and beige pants. To his left, a woman in a white tank top and jeans observes; to his right, a child in a dark shirt also watches. The man manipulates a ball, passing it between his hands. As the video progresses, he continues the motion, engaging the audience. The camera remains relatively steady with slight movements, capturing the scene from a frontal perspective. Background structures are visible but not detailed.

Wait, need to be concise. Let's check the rules again. Chronological paragraph. So start with the initial position, then what happens.

Frame 0: man seated on stool, people around. Frame 1: he's moving, maybe juggling. Frame 2: same, frame 3: more movement, frame 4: he's leaning forward, maybe catching the ball.

So: A man in a light shirt and beige pants sits on a stool, surrounded by several onlookers including a woman in a white top and jeans to his left and a child in a dark shirt to his right. He manipulates a ball, passing it between his hands, with his body shifting slightly as he engages with the audience. The camera captures this from a frontal angle with minimal movement, focusing on the man’s actions and the immediate group.

Wait, but the video shows him juggling. Let's check the frames. The video has a person juggling, so the motion is continuous.

Need to make sure it's chronological. So first, man seated, people around. Then he moves his hands, juggling. The people watch.

Let me try:

A man wearing a light-colored shirt and beige pants sits on a stool, surrounded by a group of people. To his left, a woman in a white tank top and jeans observes, while a child in a dark shirt stands to his right. The man actively juggling a ball, passing it between his hands in a rhythmic motion, drawing attention from the onlookers. The camera maintains a steady frontal view with slight movement, capturing the scene in an outdoor urban setting with minimal background details.

Wait, the background is buildings, but minimal per rule e.

Check rule g: don't include reasoning. Output format.

Final caption needs to be concise, chronological. Let's structure:

At the start, a man in a light shirt and beige pants sits on a stool, flanked by onlookers: a woman in a white top and jeans to his left, a child in a dark shirt to his right. He juggling a ball, moving his hands rhythmically. The camera captures this from a frontal angle with slight movement, focusing on the man’s actions and the immediate audience.

Wait, but maybe "juggling" is the right term. Let's see the frames: the man is holding the ball, moving it between his hands. So juggling.

Let me check the rules again. Focus on motion and behavior. So the man's action is juggling.

Also, the number of people: several onlookers, but specify the main ones mentioned.

So the caption would be:

A man in a light shirt and beige pants sits on a stool, surrounded by several onlookers, including a woman in a white tank top and jeans to his left and a child in a dark shirt to his right. He juggling a ball, passing it between his hands in a continuous motion. The camera captures this from

A man actively plays drums with hand movements, causing motion of his arms and hands; nearby people exhibit minimal motion (sitting/observing).

Background elements (buildings, street structures) show no uniform shifting or fluid motion; no fire, water, or smoke visible.


A pair of hands holds a vintage book with a brown, gold-embossed spine featuring red decorative patterns, using a chisel-like tool to carve or repair the spine. The book rests on a wooden block as the hands maneuver the tool along the spine's edge. The camera gradually zooms to a close-up of the tool interacting with the book’s ornate surface, focusing on the hands and the book’s decorative details.

A person's hands and a chisel are moving, applying force to a wooden block during woodworking.

Background elements (workbench, tools, cloth) show no uniform shifting; no fluid/environmental motion (fire, water, wind) observed.


A person with gray hair, wearing a blue shirt and dark sleeves, and safety glasses, holds a small glowing object in their right hand while moving it toward a laptop screen on a cluttered table; the individual adjusts their grip and position, turning slightly to their right, with the laptop displaying a blue interface; the camera pans left to reveal the person's side profile and the table's contents, including a black device and glass materials, while maintaining a close-up perspective of the hand and object.

A person wearing a head-mounted display interacts with a microscope and handheld device; hands and upper body exhibit controlled movements while operating the equipment.

Background elements (laptop, table, walls) remain static across frames with no uniform shifting or environmental fluid motion (fire, water, smoke, wind) observed.


A person's hands play a guitar, with the left hand pressing strings on the fretboard and the right hand strumming rhythmically; the fingers move across the neck in sequence. The scene is dimly lit with minimal background elements. The camera stays close to the hands and instrument, exhibiting slight shake.

A person's hands are moving discretely on a guitar, pressing frets and strumming strings. The guitar remains stationary while the hands exhibit controlled locomotion due to explicit physical forces (playing technique).

The background is dark and indistinct, with no visible shifting elements (walls, ground) or fluid/environmental motion (fire, water, smoke, wind). No ambient environmental phenomena are present.


A person wearing dark shorts and a dark shirt sits on a metal chair, using a green tool to manipulate a black shoe placed on a concrete floor. Their hands move the tool over the shoe, adjusting its position while the camera maintains a top-down perspective throughout the sequence.

A person is opening a bottle; their hands and arms move to twist the cap, causing motion in the bottle and the person's limbs.

The background (wall and floor) is static with no environmental motion (fire, water, smoke, wind).


RAW CAPTION: Got it, let's break down the video frames. First frame: hands on a faucet, adjusting it. The hands are wearing a white shirt, one has a ring. Background is brick wall. Second frame: same hands, maybe turning the faucet handle. Third frame: a person holding a yellow and black pressure washer nozzle, gripping it. Fourth frame: a person (maybe the same) using the pressure washer on the house exterior.

Wait, need to go chronologically. Let's list each frame's action:

0.0s: Close-up of two hands (one with ring, white shirt) manipulating a metallic faucet against a brick wall.

0.3s: Hands adjusting faucet handle, then moving away.

1.4s: Transition to hands holding a pressure washer nozzle (yellow and black) connected to a hose, person in dark clothes and white shirt.

2.5s: Person using pressure washer on the house exterior, standing on a patio near sliding glass doors.

Wait, the frames are 0.0, 0.3, 1.4, 2.5, 3.6, 4.7. Wait the user provided 5 frames? Let's check:

<0.3 seconds> frame 1: hands on faucet.

<1.4 seconds> frame 2: hands adjusting faucet.

<2.5 seconds> frame 3: hands holding pressure washer nozzle.

<3.6 seconds> frame 4: person using pressure washer on house.

<4.7 seconds> frame 5: same or different person using pressure washer.

Wait, the user's input has 5 frames (0.3,1.4,2.5,3.6,4.7). Let's list:

Frame 0.3s: hands on a silver faucet with brass handle, adjusting.

Frame 1.4s: same hands turning the handle, maybe.

Frame 2.5s: close-up of a hand holding a pressure washer nozzle (black, yellow, metal), green hose.

Frame 3.6s: person (white shirt, dark pants) using the pressure washer on a brick house exterior, standing on patio.

Frame 4.7s: same person, now spraying the house, showing the nozzle in action.

So chronological order: First, hands adjust a faucet. Then, hold pressure washer nozzle. Then, use it on the house.

Now, rules: concise paragraph, chronological.

Main subjects: hands (two hands), then person using pressure washer.

Appearance: hands in white shirt, one with ring; pressure washer nozzle yellow/black; person in dark pants and white shirt.

Spatial: faucet against brick wall; then person standing on patio near house.

Camera: close-up of hands, then transition to medium shot of person using washer.

Need to keep background minimal. Brick wall is essential for the first part, but house in later frames.

Let's draft:

Two hands in a white shirt (one with a ring) adjust a metallic faucet against a brick wall. The hands manipulate the faucet handle, then shift focus to a hand holding a yellow and black pressure washer nozzle with a green hose. A person wearing a white shirt and dark pants uses the pressure washer to clean the exterior of a brick house from a patio, spraying water onto the siding.

Check rules:

a) Motion: adjusting faucet, holding nozzle, using washer.

b) Appearance: hands (white shirt, ring), nozzle (yellow/black), person (white/dark).

c) Spatial: faucet against brick wall; person on patio near house.

d) Camera: starts close-up, then medium shot.

e) Background: brick wall (first part), house (later), minimal.

f) Exclude text, names.

Let's make it concise.

"Two hands with a ring on one finger, wearing a white shirt, adjust a metallic faucet against a brick wall. The hands then hold a yellow and black pressure washer nozzle connected to a green hose. A person in a white shirt and dark pants uses the pressure washer to clean the brick house exterior from a patio."

Check length. Maybe:

"Two hands, one with a ring and wearing a white shirt, adjust a metallic faucet against a brick wall. The hands then hold a yellow and black pressure washer nozzle with a green hose. A person in a white shirt and dark pants uses the pressure washer to spray the brick house exterior from a patio."

Yes. Now, camera perspective: starts close-up, then medium shot. The user says conclude with camera perspective and movement.

Original frames: first is close-up (hands), then medium shot (person using washer).

So add: "The camera starts with a close-up of the hands, then transitions to a medium shot of the person using the pressure washer."

Wait, the rules: "Conclude with the camera perspective and movement (e.g., top-down, pan left

Hands manipulating a faucet handle (discrete object physics), a person holding a pressure washer nozzle (discrete object physics), and a person on a ladder (discrete object physics) exhibit intentional, physical movements.

The brick wall background is static in initial frames. The house and surrounding elements (e.g., water tank) are stationary in wider shots; no dominant fluid motion (fire, water, smoke) or wind-driven movement is observed.


A person wearing gray shorts steps their bare feet into a white rectangular tub filled with dark red berries, first lifting one leg, then the other, submerging their feet into the berries. The camera remains closely focused on the legs and tub throughout, capturing the motion from a slightly low angle with minimal background visibility.

A person's legs (in gray shorts) are moving intentionally as they step into and interact with dark red berries in a white container. The motion is localized to the feet and involves displacement of berries due to physical contact.

The background features a stationary tiled wall, a green bottle, and a blue container. No shifting background elements or fluid/environmental motion (e.g., fire, water, wind) is observed.


A man in a gray shirt and a woman in a red top sit side by side on a dark couch; the woman holds a blue tablet, then raises her right hand to cover her face, lowers it, and leans forward, while the man looks at her and turns his head left. The camera remains stationary, focusing on the pair.

Two people on a couch exhibit deliberate movements: the woman touches her head, leans forward, and interacts with a device; the man maintains posture while observing the woman.

Static background elements (couch, red blanket) show no uniform shifting or fluid/environmental motion (e.g., fire, water, wind).


RAW CAPTION: Got it, let's break this down. The video shows a swimming pool at night. First, there's a group of people in the pool. The water is turquoise, and the pool has a wave-making section. The main subjects are swimmers. Let's see the sequence.

In the first frame, some people are near the far end. Then, a swimmer enters from the bottom, moving towards the group. The swimmer is wearing a dark swim cap, maybe black or dark blue. The group at the far end has multiple people, maybe 3-4, doing something—maybe treading water or swimming. The swimmer in the foreground is moving forward, arms outstretched, heading towards the group.

Chronological order: the swimmer starts in the water, moves towards the group. The group is at the end, so the swimmer is approaching them. Spatial relationship: the swimmer is in the foreground, moving towards the group in the background. Camera perspective: it's a fixed camera, maybe top-down or angled, since we see the pool from above but not directly overhead. The camera doesn't move much, stays steady. Background is dark, pool has white foam on one side.

Check rules: focus on motion and behavior. Main subjects are swimmers. Number: one swimmer in the foreground, group (3-4) at the far end. Appearance: swimmer with dark cap, no shirt. Spatial: swimmer approaching group. Camera: static, no movement.

Let me structure the caption:

"Multiple swimmers are visible in a turquoise nighttime pool; a dark-capped swimmer enters from the bottom and swims forward toward a group of three to four swimmers positioned at the far end, where the water is foamy. The camera remains stationary, capturing the swimmer’s approach in a fixed overhead perspective."

Wait, need to check if "foamy" is essential. The first part says "foamy" from the left side? The video shows the pool has a section with white foam (probably the wave machine). So the background has the foam. But the rules say minimal background. Maybe "the water on the left side is foamy" but no, rules say minimal. Maybe just mention the pool's water is turquoise, and the foam is part of the pool's feature. But maybe it's not essential for understanding motion. The main motion is the swimmer moving towards the group.

Let me revise. Focus on the swimmer's motion.

"In a nighttime pool with turquoise water, a swimmer with a dark cap enters from the bottom and swims toward a group of three swimmers at the far end. The swimmer moves forward, arms outstretched, while the group remains stationary in the water. The camera maintains a fixed position, observing the swimmer's approach from a slightly elevated angle."

Check the sequence: first frame shows the group, then the swimmer comes into view. So chronological: the swimmer starts in the water, then swims toward the group.

Another version: "A dark-capped swimmer begins swimming toward a group of three swimmers at the far end of a nighttime pool with turquoise water, moving from the bottom of the frame. The group remains stationary in the water as the swimmer approaches. The camera stays static, capturing the motion from an overhead perspective."

Wait, the problem is the background. The video is night, pool has a wave section with white foam (left side). But the rules say minimal background. So maybe mention the pool's color and time (night), but not the foam. Wait, the first frame shows "foamy" water on the left—maybe that's part of the pool's design. But since the main action is the swimmer moving, maybe just say "a pool with turquoise water, with some foamy sections".

But the rules say minimal. Let's see the example. The task is concise. So:

"Multiple swimmers are in a nighttime pool with turquoise water; a swimmer with a dark cap swims from the bottom toward a group of three swimmers at the far end. The swimmer moves forward through the water, while the group remains stationary. The camera is fixed, observing the scene from an overhead angle."

Check if "overhead angle" is right. The video seems to be from a high angle, maybe a camera positioned above the pool.

Also, the number: "a group of three swimmers" — in the first frames, maybe 3-4. Let's say "a group of swimmers" but better to be specific if visible. In the video, the group at the end: maybe 3 or 4. Let's go with "three swimmers".

Putting it all together:

"Three swimmers are positioned at the far end of a nighttime pool with turquoise water, while a dark-capped swimmer enters the

Two people are visible: one in the foreground swimming towards the pool edge and one in the background near the edge. They are moving by swimming (locomotion).

The water in the pool is turbulent due to the swimmers, but the dominant motion is the movement of the people. The concrete pool edge remains static, indicating no camera motion. The water turbulence is a consequence of the discrete objects' motion, not the dominant ambient motion.


Hands fold a bright pink napkin in half, then fold the resulting half again. The napkin lies on a wooden table with a golden plate beneath it and silverware to the right, while a pink floral bouquet is positioned to the left. The camera remains top-down throughout.

Hands manipulate a solid pink napkin, folding it via explicit physical forces (compression, alignment), with the napkin and hands as discrete moving objects.

The background (wooden table, plates, glasses, floral arrangement) remains static across frames; no fluid/environmental motion (fire, water, smoke, wind) is present.


A hand shapes light brown clay on a spinning potter's wheel, initially molding the interior and then moving upward to refine the pot's rim. The hand's motion focuses on smoothing and defining the clay's form as the wheel rotates. The camera maintains a close-up, top-down perspective with subtle movement, capturing the continuous shaping process against a minimal background of tools and materials.

A hand is moving to shape clay on a spinning pottery wheel. The hand applies force to deform the clay, which is rotating due to the wheel.

The background (patterned surface) is stationary and shows no shifting. There is no fire, water, smoke, or wind. The motion is due to the pottery wheel rotation and hand movement.


A hand places a blurred object in front of a white appliance, then holds a dark square dish with food topped by a bay leaf, placing it onto a red cloth. The hand subsequently arranges sliced food on a plate next to a small bowl of garnish, followed by mixing colorful chopped vegetables in a bowl. The camera remains in close-up, static shots, focusing on hand movements and food preparation.

Hands manipulate solid objects (minced meat, container lid, salad bowl, fruit plate) via explicit physical actions (pouring, placing, closing, arranging).

Background elements (kitchen counters, red cloth, white surfaces) remain static across frames; no fire, water, smoke, or wind effects observed.


A person with long hair, wearing a black sleeveless top and a ring on their right hand, holds a blue and red decorative object, rotating it to display different angles. The camera maintains a close-up perspective with slight shake, focusing on the hands manipulating the object against a blurred background.

A person's hands are manipulating a small blue and red beaded ornament, showing discrete motion due to physical handling.

No shifting background or fluid/environmental motion (fire, water, wind) observed; background is static.


A person in a red shirt swinging a baseball bat, with the bat and body moving in discrete, solid-object motion due to physical forces from the swing.

No shifting backgrounds (walls and netting are static), no fire, water, or smoke motion observed. The environment is a controlled indoor batting cage with no fluid environmental elements.


A small child in a red top and dark dress pushes a red and white toy cart loaded with multiple pink plush bunnies across a carpeted floor, moving steadily from left to right. The child navigates past a stone wall and colorful toys in the background. The camera follows the movement with a slight pan to the right.

Child (person) and red toy cart (solid object) moving forward due to child's physical push; motion tracked by bounding box.

Static background elements (stone wall, chair, ground) show no uniform shifting or fluid motion; no fire, water, smoke, or wind present as dominant motion.


A person wearing a gray short-sleeved shirt with a white undershirt holds a metallic fork in their right hand. Initially, they raise the fork upward, then lower it toward their mouth, bringing it close to their face, and finally lower their hand after moving the fork away. The individual stands in front of beige curtains with a wall visible in the background. The camera remains stationary throughout the sequence.

Person (hand and fork) moving in controlled, discrete motions; fork is manipulated by hand without independent environmental forces.

Static background (curtains and wall) with no fluid/environmental motion; no fire, water, smoke, or wind visible.


RAW CAPTION: Got it, let's break this down. The video shows a person using a tool, probably a laser engraver, on wooden utensils. First, there's a top-down view of several wooden spoons and spatulas on a dark wooden surface. The person's hands are visible, holding a green tool (maybe a laser) and engraving words like "STIR" and "TOSS" on the utensils. The sequence shows the tool moving over the utensils, and the hands repositioning the utensils to engrave different ones.

Need to focus on motion and behavior. The main subjects are the hands and the utensils. The utensils are light brown, wooden, with text being engraved. The hands move the tool to engrave, then adjust the utensils. Spatially, the utensils are spread out on the table. Camera is top-down, no movement mentioned. Background is the wooden table, minimal.

Avoid text recognition (so don't mention "STIR", "TOSS"), but the problem says exclude text recognition per rule f. Wait, rule f says exclude text recognition, named characters, stylistic analysis. So in the caption, don't mention the words being engraved, just the action.

So chronologically: Hands use a tool to engrave on wooden utensils. The utensils are light brown, multiple (spoons/spatulas), arranged on a dark surface. The hands position the utensils and move the tool over them. Camera is top-down, static.

Let me check the rules again.

a) Motion: hands moving tool, adjusting utensils.

b) Appearance: light brown wooden utensils, hands.

c) Spatial: utensils spread on dark surface, hands manipulating.

d) Camera: top-down, no movement mentioned.

e) Background minimal: dark wooden surface.

f) Exclude text recognition (so no "STIR", etc.)

g) Think internally but don't output reasoning.

So the caption should describe the action, not the text.

Let's draft:

A pair of hands uses a small green tool to engrave marks on several light brown wooden utensils arranged on a dark wooden surface. The hands reposition the utensils and guide the tool across their surfaces, altering their orientation as they work. The camera maintains a static top-down perspective throughout the sequence.

Wait, the video shows the tool being used on different utensils. The initial frame has two spoons, then a spatula with "STIR" (but can't mention that). So the action is engraving on utensils, hands moving tool, changing position of utensils.

Check if spatial relationships: utensils are spread on the surface, hands are holding tools and utensils.

"Hand" is singular? Wait, two hands: one holding the tool, one moving the utensil.

"Two hands manipulate a green-handled tool to engrave on light brown wooden utensils. The utensils, including spoons and spatulas, are arranged on a dark wooden surface. The left hand repositions the utensils while the right hand operates the tool, shifting their placement as engraving progresses. The camera remains stationary in a top-down view."

Wait, the problem says "concise, chronological paragraph". So start from the beginning.

First frame: hands using tool on a utensil. Then the utensil is moved, then another, etc.

So: In the video, a pair of hands uses a green-handled tool to engrave marks on multiple light brown wooden utensils laid out on a dark wooden surface. The hands adjust the positions of the utensils, moving them to different areas of the surface, while guiding the tool along their lengths to create engravings. The camera maintains a consistent top-down perspective throughout, capturing the manual process.

Wait, but the problem says "exclude text recognition", so no mention of the words. So just say "engrave marks" without specifying what they are.

Check rule f: Exclude text recognition, named characters, or stylistic analysis. So "engraving" is okay, as it's the action, not the text.

Also, the utensils: number is multiple, color light brown, type spoons and spatulas (since there are different shapes).

So the caption:

A pair of hands uses a green-handled tool to engrave marks on multiple light brown wooden utensils arranged on a dark wooden surface. The hands adjust the utensils' positions, repositioning them to different areas of the surface while guiding the tool along their lengths. The camera remains stationary in a top-down view, capturing the sequential engraving process.

Check if it's chronological. Yes: starts with engraving on one, then moving utensils, continuing to engrave others.

Is it concise? Seems okay.

Another check: "light brown wooden utensils" – correct.

"adjust the utensils' positions" – yes, they move

Hand moving marker to write on utensils and rearranging utensils; discrete solid objects (marker, utensils) exhibiting controlled motion due to hand manipulation.

Static wooden table background with no shifting or environmental fluids; no fire, water, smoke, or wind motion present.


The person, wearing a dark hoodie, holds a green cylindrical object with both hands, then brings it toward their mouth. They remain positioned in front of a computer monitor displaying a video. The camera maintains a static position throughout the sequence.

A person is performing discrete hand movements (holding and eating a green object) with clear physical locomotion.

Static background elements (computer monitor, keyboard, boxes) show no uniform shifting or fluid motion. No fire, water, smoke, or wind present.


A man in a black tank top and black shorts lies on a bench, lifting a barbell from chest height to overhead in a controlled motion. The camera transitions from a medium shot of the gym setting to a close-up of his upper body during the lift.

A person is performing a bench press exercise, lifting a barbell; the barbell and the person exhibit controlled motion due to physical exertion (muscle force), with clear bounding box tracking.

Background elements (walls, equipment, lighting) show no uniform shifting or fluid environmental motion (e.g., no fire, water, smoke, or wind-driven movement).


. </think>  <caption_output>A skater in dark clothing starts on the ice within a blue and red circular marking, then stands and skates forward toward the right. A second skater in red approaches from the left, skating toward the center. Other skaters are visible moving along the rink's perimeter. The camera maintains a static top-down perspective throughout.

A person and a curling stone are moving across the ice; the stone slides due to physical force application from the person.

No shifting background elements (walls, barriers remain static); no fire, water, smoke, or wind-driven motion observed.


A row of seated individuals claps rhythmically; some wear jeans and sandals, others business attire with dark shoes, while one holds a bottle. The group remains seated in a line, hands moving in unison across the frame. The camera maintains a static, low-angle perspective focused on the audience’s legs and hands, capturing their synchronized motion against a plain floor background.

People's hands clapping, indicating motion due to explicit physical action.

Background elements (floor) show no uniform shift; no fire, water, or wind present.


A person in a green shirt and blue jeans uses a yellow-handled saw with a long silver blade to saw a light-colored wooden block on a workbench, moving the saw back and forth through the wood. The camera remains stationary and close-up with minimal background elements.

A person (wearing jeans and a green shirt) is actively sawing a wooden block, with the hand saw moving in a back-and-forth motion relative to the block.

The background features static wooden stacks and structures with no uniform shifting or fluid motion (e.g., no fire, water, or wind-driven elements).


Three workers in blue uniforms, hairnets, and aprons move sequentially along a stainless steel counter, handling metal trays and bowls of seafood; the camera pans right, tracking their motion from left to right across the kitchen workspace, with minimal background detail visible.

Multiple people in uniforms are moving within the frame: one person with a blue head covering moves along the counter, another person with a white apron approaches, and additional staff move through the space, indicating discrete human locomotion and task-oriented movement.

Background elements (walls, counters, aquarium fixtures) show no uniform shifting or environmental fluid motion (water in aquarium is not dominant; fish movement is minor and secondary to human activity)


A young boy in a red shirt sits at a table, flipping pages of a book with his right hand while his left hand holds the book open. The camera maintains a static, front-facing perspective against a background of light-colored cabinets.

Child's hands moving while writing/drawing on a piece of paper.

No shifting background; no fluids or wind-driven motion observed.


Two adult hands with visible wrinkles grip a small, brownish object on a dark surface. The hands apply pressure, causing the object to fracture into smaller pieces; the right hand moves slightly to separate the fragments while the left hand stabilizes. The camera maintains a static, close-up perspective throughout, focusing on the hands and the object against the dark background.

Two hands are manipulating a small, brittle object, breaking it apart with visible fragments. The hands are moving to apply force and handle the broken pieces.

The background is a static dark surface with no shifting or fluid/environmental motion (fire, water, smoke, wind).


tags. </think>  <caption_output>The video opens with a view of a parking lot featuring white utility boxes and houses; the camera pans left to focus on a man in a blue shirt and gray cap writing in a notebook on a vehicle's hood, with a mobile phone placed nearby, then zooms in on his hands as he continues writing.

A person in a blue shirt walks into the frame, stops, and writes in a notepad while positioned next to a vehicle; the person's locomotion and hand movements constitute clear, solid object motion due to physical forces.

The background (houses, trailer, trees) shows no significant fluid motion or environmental effects like wind-blown foliage; all static elements remain uniformly fixed without shifting or swaying, indicating no dominant ambient environmental motion.


RAW CAPTION: Got it, let's break this down. First, the video starts with a close-up of hands near a white-framed mirror. There's a bottle of contact lens solution and small containers on a white table. The hands are holding a contact lens. Then, the scene shifts to a close-up of an eye, where the person uses their fingers to put the lens in. Next, the view changes to a wider shot of the person in front of the mirror, adjusting their hair or face. Now, I need to structure this chronologically.

First frame: Hands handling a contact lens near a mirror. The mirror shows part of the person's reflection. There's a bottle and containers on the table. Then, the camera focuses on the eye as the lens is placed. Then, the person is in front of the mirror, maybe adjusting their face.

Key points:

1. Initial scene: hands (light-skinned) near white mirror, with contact lens solution bottle and small containers on white table. Hand holds contact lens.
2. Close-up of eye: finger inserting contact lens.
3. Wider shot: person in front of mirror, hands near face.

Spatial relationships: table with objects (bottle, containers), mirror to the right of the table? Wait, the first frame shows the mirror, so the table is below or next to it. The hands are on the table, mirror is behind or to the side.

Motion: hands pick up lens, then insert into eye, then mirror scene.

Background minimal, so just mention table and mirror.

Camera perspective: starts with top-down? Or close-up? First frame is top-down view of hands on table with mirror. Then close-up of eye, then medium shot of person in front of mirror.

Need to describe in chronological order:

- A person's hands (light-skinned) hold a contact lens near a white-framed mirror on a white table, with a bottle of contact lens solution and small containers nearby. The hands then move to a close-up of an eye, where a finger carefully places the lens onto the eye. Finally, the camera shows the person in front of the mirror, adjusting their face with both hands.

Check the rules: mention motion and behavior chronologically. Appearance: hands light-skinned, mirror white frame, bottle is white, containers small. Spatial: table under mirror, hands on table, eye close-up, then person in front of mirror.

Conclude with camera perspective: starts with close-up, then close-up of eye, then medium shot.

Let me structure the caption:

The video begins with a close-up of light-skinned hands handling a contact lens above a white table with a white-framed mirror, a bottle of contact lens solution, and small containers; the hands then move to a close-up of an eye where a finger inserts the lens, followed by a wider shot of the person adjusting their face in front of the mirror. Camera transitions from close-up to close-up of the eye to medium shot.

Check if it's concise. Also, "light-skinned" might be necessary. Also, ensure not to include text (LTC logo is there but exclude text recognition).

Another pass:

A light-skinned person's hands hold a contact lens over a white table with a white-framed mirror, a contact lens solution bottle, and small containers; the hands then move to a close-up of an eye where a finger places the lens, then the camera shows the person in front of the mirror adjusting their face. Camera transitions from close-up to eye close-up to medium shot.

Yes. Let's check each rule:

a) Motion chronologically: hands handle lens, insert into eye, adjust face.

b) Appearance: light-skinned hands, white table, mirror, bottle, containers. Eye (brown, but maybe not necessary, just "eye").

c) Spatial: table with objects, mirror behind table? First frame shows mirror, so hands are on table, mirror to the side.

d) Conclude camera: starts with close-up (table and hands), then close-up eye, then medium shot.

e) Background minimal: table, mirror, bottle, containers are essential.

f) Exclude text: LTC logo is not named, so okay.

So the caption should be:

The video opens with a close-up of light-skinned hands holding a contact lens above a white table with a white-framed mirror, a bottle of contact lens solution, and small containers; the hands then transition to a close-up of an eye where a finger carefully places the lens, followed by a medium shot of the person adjusting their face in front of the mirror. Camera angles shift from top-down to close-up of the eye to medium shot.
</think>

<caption_output>A light-skinned person's hands hold a contact lens above a white table with a white-framed mirror, a contact lens solution bottle, and small containers; the hands

Hand manipulates contact lens into eye; lens and hand exhibit discrete, solid object motion during insertion.

No shifting backgrounds or fluid/environmental motion (fire, water, wind); initial background elements (mirror, table) are static and not uniformly shifting during camera transitions.


A person in a dark patterned jacket sits in a wheelchair. The camera cuts to a close-up of a yellow digital display showing black numbers "6.90" and "3.084". Next, a dark-skinned hand presses a metallic button. The camera shifts from a medium shot of the seated person to close-ups of the digital display and the hand, focusing on each subject sequentially with minimal background detail.

A hand interacts with a machine, pressing a button. The machine's digital display shows changing numerical values, indicating discrete object motion (the hand and the machine's components).

The background elements (walls, structural components of the machine) show no uniform shifting or fluid motion. No fire, water, smoke, or wind is visible, so ambient environmental motion is absent.


A person wearing a white diaper walks barefoot from a beige rug onto a wooden floor, moving toward the back of the room while passing near a red bag and a wooden cabinet. The camera remains stationary, capturing the motion from a fixed perspective.

A child (solid, distinct object) walks across the scene, picks up toys from the floor, and interacts with them. The child's locomotion and object manipulation (e.g., bending to pick up items) represent discrete, physics-driven motion.

The background elements (wooden floor, walls, furniture) remain static throughout the video; no fluid motion (fire, water, smoke) or environmental effects (wind, swaying trees) are present.


A baby wearing a white patterned top and dark head covering sits in a car seat. A hand enters from the right, briefly covers the baby’s mouth, causing the baby to react; the hand withdraws, then a hand holding a blue sippy cup appears near the baby. The camera remains steady in a close-up perspective.

An adult's hand moves a cloth to wipe the child's face and then moves a blue bottle to the child. The child is stationary except for minor movements when being wiped.

Static background (car seat and window) with no significant fluid/environmental motion (fire, water, smoke, wind).


A group of adults and children move quickly in an indoor space, with individuals in a pink and yellow top, a pink-shirted child, and others in dark clothing running and scattering in various directions. The crowd disperses as the camera follows the motion with a slight shake, maintaining a handheld perspective.

Discrete solid objects (people) are moving: individuals are walking, interacting, and shifting positions within the scene, with clear locomotion and physical interactions.

The background features static walls and structural elements that do not exhibit uniform shifting or fluid motion (e.g., no fire, water, or smoke).


A man in a dark jacket and a young girl in a gray shirt with a flower hair clip sit at a table. The girl moves her hand toward a white drink with a straw on the right, then the man assists her as she interacts with a chocolate cake with white frosting on a plate before them. The camera remains stationary, capturing their actions from a frontal angle.

A child and an adult interact with objects: the child moves her hands (stirring a drink, adjusting cake), and the adult assists. These are discrete solid objects moving due to intentional actions.

The background (patterned wall, furniture) shows no shifting or uniform motion. No fire, water, smoke, or wind-driven environmental effects are present.


RAW CAPTION: Got it, let's tackle this. First, I need to understand the video sequence. The first scene: a person at a wooden table, holding a small object (maybe a bottle) and a green item. Then, they move to a kitchen counter with purple flowers, handling the flowers.

Check the rules: chronological order, motions, appearance, spatial relations, camera perspective.

First part: Person sits at table, hands show a bottle and green thing. Then they stand up, move to kitchen counter (different setting), now handling purple flower bundles.

Background: first scene has cabinets, plants; second scene has kitchen items like sink, red basket. But background should be minimal.

Main subjects: person, objects (bottle, green item, flower bundles).

Chronological: starts at table, then moves to kitchen counter.

Camera: first scene is frontal shot, then second scene is probably a different angle, maybe same or panning.

Now, structure the caption:

Start with first action: person at table with a wooden table, holding a small bottle and a green object. Then transitions to kitchen counter, handling purple flower bundles. Mention the movement from table to counter.

Check appearance: person in dark shirt, objects (bottle, flowers).

Spatial: table has scissors and other items. Kitchen counter has sink, red basket.

Camera: first is steady, then maybe pan to the new location.

Need to be concise. Let's draft:

A person in a dark shirt sits at a wooden table, holding a small clear bottle and a green object, with scissors and a bundle of sticks nearby. They then stand and move to a kitchen counter, where they handle purple flower bundles near a sink with a red container in the background. The camera shifts from a frontal table view to a top-down kitchen perspective.

Wait, check if background is essential. The rules say minimal background unless essential. The kitchen scene's red container might not be essential, but maybe the sink is part of the action.

Also, the first scene: "holding a small clear bottle and a green object" — the green object might be a cup or something. In the video, first frame: they're holding a small bottle (maybe with a green item inside?), then in second frame, they hold the bottle up. Then transition to kitchen.

In the second scene, they are working with purple flowers, maybe cutting or arranging.

Let me check the frames:

Frame 0: person at table, hands up, holding something (bottle and green item).

Frame 1: same person at table, now holding the bottle up, maybe showing it.

Frame 2: scene changes to kitchen, person standing, arms extended, then moves to handle flowers.

So the sequence: sitting at table, showing bottle, then moving to kitchen, handling flowers.

Now, concise paragraph:

A person wearing a dark shirt sits at a wooden table, holding a small clear bottle and a green object while gesturing with their hands; the table holds scissors and a bundle of sticks. They then stand and transition to a kitchen counter, where they manipulate purple flower bundles near a sink, with a red container visible in the background. The camera shifts from a frontal table view to a top-down perspective of the kitchen workspace.

Wait, but the problem says "DO NOT include any reasoning in the caption tags." So just output the caption.

Check rules: a) motion and behavior chronologically. So sitting, showing objects, then moving to kitchen, handling flowers.

b) appearance: dark shirt, small bottle, green object, purple flowers.

c) spatial: table items, kitchen counter, sink.

d) camera perspective: first frontal, then top-down.

e) background minimal: first has cabinets, but maybe not mention. Second has sink and red container, but maybe minimal.

f) exclude text, named chars, style.

So final caption should be:

A person in a dark shirt sits at a wooden table, holding a small clear bottle and a green object while gesturing with their hands, with scissors and a bundle of sticks placed on the table. They then stand and move to a kitchen counter, where they handle purple flower bundles near a sink, with a red container in the background. The camera shifts from a frontal table view to a top-down perspective of the kitchen workspace.

Wait, but in the video, the first part (table) has the person holding the bottle and green item. Then the scene cuts to kitchen. So the transition is a scene change.

Check if "transition" is correct.

Also, in the kitchen scene, the person is handling the flower bundles.

Let me make sure it's chronological:

1. Person at table, holding bottle and green item, gesturing.

2. Person moves to kitchen counter, handles purple flowers.

Camera: first frontal

Briefly describe what discrete, solid objects are moving.

Briefly check for shifting backgrounds or fluid/environmental motion (fire, water, wind).


An indoor ice rink with wooden beams overhead shows a group of people skating. Individuals in dark and light clothing move forward across the ice, with some positioned to the left and right of the central skater. The camera follows a person in black attire as they skate, capturing the fluid motion of the crowd navigating the rink, with slight panning to maintain focus on the skaters' movement.

Multiple people actively skating on ice—solid, discrete objects moving via locomotion (skating) and interactions (e.g., gliding, turning). Their motion is distinct and trackable as bounding boxes.

Indoor ice rink environment; structural elements (beams, walls) appear static with no significant fluid or environmental motion (fire, water, wind). No dominant ambient elements.


A hand sprinkles seasoning over raw pink chicken pieces in a glass bowl, then mixes the chicken to evenly coat them with the seasonings. The camera maintains a top-down view throughout.

A hand is actively mixing chicken pieces and adding seasonings in a glass bowl, representing discrete solid object interactions.

The white tiled background is static with no shifting or movement; no environmental elements (fire, water, smoke, wind) are present.


A woman with long, wavy brown hair and large hoop earrings appears in a close-up shot, initially blurry then sharpening. She smiles, sticks out her tongue, and moves her mouth while occasionally shifting her head. The background shows an indistinct indoor setting with shelves and faint lights. The camera maintains a handheld close-up perspective with slight movement throughout.

A single person (with long hair and hoop earrings) exhibits localized facial motion (talking, lip movements) within a stable bounding box.

Background elements (bed, room interior) are static with no shifting or fluid motion; no fire, water, or wind-driven phenomena observed.


A group of basketball players in white jerseys with visible "UNI" text and numbers huddle around a coach in a black suit. The coach gestures while speaking to the players, who sit or stand close by; one player drinks from a water bottle, while others look down or at the coach. The camera remains stationary, focusing on the huddle from a medium distance.

Discrete solid objects (players in white jerseys, coach in black suit) exhibit motion through interpersonal interactions (talking, gesturing, slight body shifts).

The background includes a basketball court with static elements (floor lines, walls) that do not shift uniformly; no fire, water, smoke, or wind is visible.


A woman with a bun and patterned short-sleeve top stands behind an oval wooden table, folding a fabric item. She adjusts the fabric with her hands, moving it slightly across the table. To her left are an iron, two wine glasses, and a pair of shoes; to her right lies a sheet of paper. The background shows chairs and stacked items near a window. The camera remains stationary, positioned directly in front of the table.

The person is the primary discrete object moving via hand gestures and body motion; other objects on the table remain stationary.

The background (window, walls, furniture) is static and shows no shifting or environmental effects (like fire, water, wind, or smoke).


A man in a white shirt and yellow shorts stands near a wire fence as a large dark alligator splashes in the water in front of him; the man takes a step toward the alligator, then retreats, with the alligator remaining active in the water. The camera remains stationary with a slight shake.

A person in yellow shorts and an alligator are the discrete objects. The alligator moves through the water with visible locomotion, and the person walks and interacts with the alligator, exhibiting intentional movement.

The background elements (fence, audience stands) show minimal shifting, with no dominant fluid or environmental motion like fire, smoke, or strong wind. Water movement appears as part of the environment but is not the primary motion focus.


A baby in a light-colored dress with a pink bow sits in a high chair, holding a cloth in one hand and repeatedly bringing the other hand to their mouth. The background features indistinct adults and objects, with the baby remaining the central focus. The camera maintains a static perspective with minimal movement.

The baby is the primary discrete object moving, exhibiting hand movements and mouth motion while eating.

The background elements (blue object, people) are stationary; no fluid or environmental motion observed (fire, water, smoke, wind).


A baseball player in a white jersey and dark cap runs on a field with green grass and brown dirt, then turns his head to the side while raising his right arm. The camera tracks the player's movement with slight shake.

The primary discrete object is a baseball player in a 'NEW YORK' uniform, moving his hands (adjusting glove, gesturing), turning, and walking on the field. His motions are deliberate and solid.

The background consists of a static green field and brown dirt area with no shifting or fluid motion (e.g., no fire, water, or wind-driven movement).


RAW CAPTION: Got it, let's tackle this. First, I need to follow the rules. The video has several scenes. Let's break down each frame.

Frame 0: A boy in blue shirt, purple shorts, white socks, gray shoes is swinging a bat at a ball on a stand. There's a white bucket, some equipment, and a house in the background. The scene is a backyard.

Frame 1: The boy is still swinging, same outfit, but the background is a different area with a lake, houses, and another person in blue. Maybe the location changed.

Frame 2: Now it's a boy in gray shirt, red shorts, blue shoes swinging a bat. There's a ball on a stand, green grass, lake, houses. Another person in blue is in the background.

Frame 3: A person in red shirt and black shorts stands near a net, and another in blue shirt and red cap is swinging. White bucket with "Troy" maybe? The net is in front, grass, house.

Frame 4: The person in red shirt is now swinging at the ball on the stand. The other person in blue is watching.

So chronological order: First, the boy in blue shirt (but maybe not, let's see the order of frames). The video starts with frame 0: boy in blue shirt, purple shorts, swinging. Then frame 1: same boy but different background (lake). Frame 2: a different boy (gray shirt, red shorts) swinging. Frame 3: two people near net, one swinging. Frame 4: the person in red shirt swings.

Wait, the user says "chronological paragraph describing the provided video" which is the sequence of frames. So order of frames is 0,1,2,3,4.

Let's list each scene in order:

Frame 0: A boy wearing a blue shirt, purple shorts, white socks, and gray shoes swings a bat at a ball on a stand. A white bucket and other equipment are on the grass. A house and a paved area are in the background.

Frame 1: A boy in a gray shirt, red shorts, and blue shoes swings a bat at a ball on a stand. A lake, houses, and another person in a blue shirt and gray shorts are visible in the background.

Frame 2: A person in a red shirt and black shorts stands beside a large net, while another individual in a navy shirt, blue shorts, and a red cap swings a bat at a ball on a stand. A white bucket is nearby. Houses and a black fence are in the background.

Frame 3: The person in the red shirt swings a bat at the ball on the stand, with the other person in the navy shirt and red cap standing nearby.

Now, need to make a concise paragraph. Focus on motions, chronological.

Start with first scene: A boy in blue shirt and purple shorts swings a bat at a ball on a stand. Then the scene shifts to another boy in gray shirt and red shorts swinging in a grassy area near a lake. Next, two individuals near a net: one in red shirt and black shorts, another in navy shirt, blue shorts, red cap swinging. Then the person in red shirt swings the bat.

Wait, check the frames:

Frame 0: boy blue shirt, purple shorts (swinging)

Frame 1: boy gray shirt, red shorts (swinging)

Frame 2: two people near net: one red shirt, black shorts (standing), another blue shirt, red cap (swinging)

Frame 3: person in red shirt swings (from frame 2, now swinging)

Wait, frame 3: The person in red shirt is standing, then swings. The previous frame (frame 2) shows them standing, then frame 3 they swing.

So chronological order:

First, a boy in a blue shirt and purple shorts swings a bat at a ball on a stand. Then, a different boy in a gray shirt and red shorts swings a bat at a ball on a stand. Next, two individuals stand near a large net; one in a red shirt and black shorts observes as another person in a navy shirt, blue shorts, and red cap swings a bat at a ball on a stand. Finally, the individual in the red shirt swings a bat at the ball on the stand.

Now, keep background minimal. So background elements are houses, lake, grass, net, etc., but only mention if essential.

Check the rules: focus on motion and behavior, chronological, appearance (color, size, orientation), spatial relationships (e.g., in front of, to the left), conclude with camera perspective and movement.

What's the camera movement? The description doesn't mention, but the rules say "conclude with camera perspective and movement (e.g., top-down, pan left, slight shake)". The video

A boy swings a bat and hits a ball (first scene); a man in red swings a bat and hits a ball (second scene). Both involve discrete solid objects (people, bats, balls) moving due to explicit physical forces (swinging, impact).

No shifting background or fluid/environmental motion (e.g., water flowing, wind). Lake water remains still, trees and houses are static, and no dominant environmental effects are present.


A person in blue jeans and brown shoes pushes a dark metal lawn edger with two large wheels featuring yellow bands across a tiled floor, moving it forward and backward while the wheels rotate; the edger remains positioned in front of a white paneled door throughout, with the camera maintaining a static top-down perspective.

A person (legs and feet visible) is pushing a wheeled machine (with two front wheels and one rear wheel). Both the person and the machine exhibit controlled translational motion along the floor, driven by explicit physical force from the person.

The tiled floor and wall background remain static with no shifting or environmental fluid motion (water, fire, smoke, wind) observed. Background elements maintain consistent positioning across frames.


RAW CAPTION: Got it, let's tackle this. First, the video has two split screens. Let's look at the left and right sides.

In the first frame, left side: a hand holding a thin object (maybe a string or wire) above a palm. Right side: another hand with the same object, fingers curled. Then over time, the hands move. The left hand seems to move the object down, maybe placing it on the palm? Wait, the sequence: frame 0: left hand holds object, right hand has fingers. Frame 1: left hand moves object to palm, right hand fingers open. Frame 2: left hand holds object near palm, right hand flat. Frame 3: left hand moves object away, right hand fingers together. Frame 4: left hand holds object, right hand fingers spread.

Wait, need to track the motion. The main subjects are two hands (left and right panels), each performing actions. The background is white, minimal.

Chronological order:

Start: Left panel shows a hand (dark skin tone, size medium) holding a thin looped object (like a rubber band) over an open palm. Right panel shows a hand (similar skin tone) with fingers slightly curled, holding the same object.

Then: The left hand lowers the object onto the palm, fingers close. Right hand opens fingers, releasing the object.

Next: Left hand moves the object away from the palm, fingers extend. Right hand fingers come together.

Then: Left hand holds the object in a fist. Right hand fingers spread, as if displaying the object.

Wait, the video is split into two sides. Each side is a separate hand. Let's check the frames:

Frame 0: left hand holds object (looped, like a rubber band) above open palm; right hand holds object with fingers curled.

Frame 1: left hand moves object to palm (now object is on palm, hand closed); right hand opens fingers, object is in the air.

Frame 2: left hand has object on palm, fingers closed; right hand is flat, fingers extended.

Frame 3: left hand moves object away from palm (object is being pulled up), fingers extend; right hand fingers are together.

Frame 4: left hand holds object in a fist; right hand fingers are spread (like a peace sign).

Wait, need to make sure. Let's list each frame's action:

0: Left hand (dark skin, medium size) holds a thin looped object above an open palm. Right hand (same skin tone) holds the object with fingers curled.

1: Left hand moves the object down onto the palm, hand closes around it. Right hand releases the object, fingers open.

2: Left hand holds the object on the palm, fingers closed. Right hand is flat, fingers extended.

3: Left hand moves the object away from the palm (palm open), fingers extend. Right hand fingers come together (closed).

4: Left hand holds the object in a fist (closed fingers). Right hand fingers are spread (open, maybe forming a gesture).

Wait, the user's example shows the hands moving. The key is chronological order. Let's structure the caption:

Two hands (dark skin tone, medium size) appear in split-screen format against a white background. Initially, the left hand holds a thin looped object above an open palm, while the right hand holds the object with curled fingers. The left hand then moves the object downward onto its palm, closing the fingers around it; simultaneously, the right hand releases the object, opening its fingers. Next, the left hand maintains the object on its palm with fingers closed, while the right hand extends its fingers flat. The left hand subsequently moves the object away from the palm, extending its fingers, and the right hand closes its fingers. Finally, the left hand grasps the object into a fist, and the right hand spreads its fingers in an open gesture. Camera remains static in a split-screen view with no movement.

Wait, need to make it concise. Let's check the rules: chronological paragraph, focus on motion, appearance, spatial relationships (but split screen, so left and right), background minimal.

Possible caption:

Two dark-skinned hands (medium size) appear in a split-screen format against a white background. Initially, the left hand holds a thin looped object above an open palm while the right hand grips it with curled fingers. The left hand lowers the object onto its palm and closes the fingers around it, as the right hand releases the object and opens its fingers. The left hand then holds the object on its palm with closed fingers, while the right hand extends its fingers flat. Next, the left hand moves the object away from the palm with extended fingers, and the right hand closes its fingers. Finally, the left

A person's arm and hand are moving, performing discrete motions (e.g., gripping, manipulating a small object, or gesturing). The hands are solid, distinct objects with clear physical motion.

The background is a uniform white surface with no shifting elements or fluid/environmental motion (e.g., fire, water, wind). No ambient environmental motion detected.


The video opens with close-up circular patterns drawn in white on a sandy surface. A person wearing dark pants and a black shoe steps into frame, approaching the patterns from above, and presses down on one of the white circles with their foot. The camera remains top-down, shifting slightly to follow the person’s movement as they interact with the sand art.

A human foot (wearing dark pants and shoes) moves across the sandy ground, interacting with the white chalk markings through locomotion.

Background shows a static sandy surface with white chalk markings; no fluid motion (fire, water, smoke) or significant wind-driven elements observed.


RAW CAPTION: Got it, let's break this down. The video starts with a close-up of hands on a wooden table. There's a bottle and a bowl in the background. First, hands are seen holding a card, then move it around. The hands shuffle or move the card, then the card is placed down. Then the hands move away, and the bottle and bowl are more visible. The camera is close to the table, so it's a low angle, maybe tabletop perspective. No text or named characters. Let's make sure to describe the motion chronologically.

First, the hands are manipulating a card on the table. Then the hands move the card to the right, place it down, and then the hands move away, leaving the bottle and bowl. The background is minimal, just the table, bottle, and bowl. Camera is stationary? Wait, the video shows the hands moving, so camera is static, low angle. Let's check the frames:

Frame 0: hands on table, card, bottle, bowl.

Frame 1: hands still holding card.

Frame 2: hands move card to the right, maybe placing it.

Frame 3: card is moved, hands move away. Then the hands come back? Wait no, the video sequence: first, hands are holding card, then move card to the right, then hands move away, then the card is left on the table, then hands come back? Wait, looking at the frames:

[0.0] - hands are near the card, maybe placing it.

[1.4] - hands are moving the card to the right.

[2.5] - hands move away, the card is on the table, bottle and bowl visible.

[3.6] - hands move back to the left.

[4.7] - hands are moving the card again? Wait, the description says:

0.0: hands on table, card, bottle, bowl.

1.4: hands moving card (so card is being shifted).

2.5: hands move to the left, card is on table, bottle and bowl in background.

3.6: hands move back to the right, perhaps?

Wait, the key is chronological motion. Let's list the actions:

- Initial frame: hands are on table, holding a small card (probably a playing card) near the center. Bottle (green label, dark) and bowl (golden, large) are in the background, right side of the frame.

- At 1.4s: hands move the card to the right, then maybe place it down on the table.

- By 2.5s: hands move away from the card, now the card is stationary on the table, the bottle and bowl are more prominent.

- Then at 3.6s: hands come back into the frame from the left, possibly to manipulate the card again.

- At 4.7s: hands are moving the card towards the right again.

Wait, but the exact frames: the user provided 5 frames from 0 to 4.7s.

The main subjects are the hands (two hands, light-colored sleeves), the card (small, white or light color), the bottle (dark glass, green label), and the bowl (golden-brown, large).

Chronic order:

1. Hands manipulate a small card on the wooden table. The card is initially held between the hands and then moved to the right side of the table.

2. After releasing the card, the hands move leftward, revealing the dark glass bottle with a green label and the golden-brown bowl in the background.

3. The hands then re-enter the frame from the left, continuing to interact with the card by moving it toward the right side again.

4. The camera remains static, positioned at a low angle looking up at the table, with the background consisting of a brown wall and the objects on the table.

Need to keep it concise. Let's structure:

A pair of light-colored sleeved hands manipulates a small light card on a wooden table. The hands initially move the card to the right, then withdraw leftward, revealing a dark glass bottle with a green label and a golden-brown bowl in the background. The hands re-enter from the left to adjust the card toward the right. The camera maintains a low-angle, static position focused on the table surface.

Check rules: chronological, motion of main subjects (hands and card), appearance (light sleeves, small card, bottle with green label, golden bowl), spatial (hands move card right, then left, background objects), camera perspective (low angle, static).

Excludes text recognition (no text), named characters (no), stylistic analysis (no).

Now, make it concise.
</think>

<caption_output>A pair of light-colored sleeved hands manipulates a small light card on a wooden table, moving it rightward and then

Two hands are moving a white object (likely paper or card) on a wooden table. The motion is caused by the hands pushing and sliding the object.

The background (bottle and bowl) is static and does not show any shifting. There are no environmental fluids (fire, water, smoke, wind) present.


The video begins with a close-up of a motorcycle's rear wheel and suspension components, then cuts to a pressure gauge on red machinery. It transitions to an outdoor scene with motorcycles parked outside a building, followed by a man in a red shirt kneeling to inspect and adjust a motorcycle's rear tire. The camera shifts between close-ups and wider shots, focusing on the mechanical details and the man's actions.

A man (discrete solid object) walks into the frame and interacts with a motorcycle, exhibiting locomotion and physical manipulation. The pressure gauge needle shows minor movement but is secondary to the man’s actions.

Background elements (walls, workshop structures) show no uniform shifting; no fire, water, smoke, or wind present. The video transitions between static scenes via cuts, not environmental motion.


A person wearing a black shirt sits on a dark couch, holding a dark-colored drink glass in their right hand. They bring the glass to their mouth to drink, lower it, gesture with their right hand while speaking, and repeat the drinking motion. The camera remains static.

The man (discrete solid object) is moving: gesturing with hands, drinking from a glass, and speaking. These are explicit physical actions (locomotion/gestures) with clear bounding box tracking.

Background consists of static wooden walls and two signs. No fire, water, smoke, or significant wind motion detected. Background elements remain stationary throughout the clip.


A man in a black shirt and dark shorts approaches a large orange exercise ball in a garage gym. He sits down on the ball, adjusts his position, stands up, and bends to move the ball forward. The gym features various equipment in the background. The camera remains stationary at a low angle throughout.

A person interacts with an exercise ball: the individual steps toward the ball, sits on it, and subsequently moves away. The ball remains stationary on the floor except during the brief interaction where it may shift slightly due to the person's weight.

The gym background (windows, equipment, walls) remains static with no fluid motion (fire, water, smoke) or environmental wind effects observed. Background elements show no uniform shifting.


Sailboat with crew is the primary discrete object moving across water due to wind force; distant beachgoers are stationary or moving minimally.

Sand dunes in background are static; water shows wave motion, but dominant motion is not fluid-driven (fire/water/smoke). Waves are ambient but secondary to the main subject.


A pair of hands spreads white rice onto a dark seaweed sheet resting on a white surface. The hands then place an orange slice in the center of the rice, followed by adjustments from another hand. The camera remains in a close-up perspective with slight movement throughout.

Discrete solid objects (hands, sushi ingredients like rice and egg) are moving; hands manipulate ingredients via physical forces (pressing, spreading) on a mat.

The background (table, book, kitchen items) remains static with no uniform shifting or environmental motion (fire, water, smoke, wind).


A woman in a red sleeveless top and dark pants holds a blue and white Santa Claus figurine with gold accents, approaching a decorated Christmas tree with blue ribbons, purple and gold ornaments, and small lights. She carefully places the figurine onto the tree, adjusting its position with both hands. The camera zooms in closely on her hands as she secures the figurine among the branches, focusing on the detailed decorations.

A Santa ornament (blue/white) is being positioned on the Christmas tree; the woman's hands move to adjust its placement.

Background elements (curtain, Christmas tree) are static; no shifting backgrounds or fluid/environmental motion (fire, water, smoke, wind) observed.


A person in a light-colored shirt holds a pink ukulele, strums the strings while moving fingers across the fretboard, positioned in front of a cloudy sky; the camera remains static in a medium shot.

The person's hands and ukulele exhibit discrete, controlled motion from strumming and finger placement, representing solid object locomotion.

Clouds in the sky show minimal, non-uniform movement; no significant fluid/environmental motion (fire, water, smoke) detected, indicating background is largely static.


A person in a red top and black wetsuit balances on a white sailboat with a black sail as it heels sharply to one side, skimming the ocean surface; the boat tilts further, nearly capsizing, while the person holds onto rigging, with a distant sailboat visible on the horizon. The camera follows the boat’s motion with a slight shake, capturing the dynamic tilt and the person’s precarious position against the churning water.

The sailboat (including the person on board) is a discrete solid object moving due to wind forces on the sails and water resistance, with visible tilting and displacement.

The ocean exhibits fluid motion (waves, splashing) which is ambient environmental. The distant horizon and sailboats remain largely static, indicating minimal background shift.


A person wearing a dark shirt, light pants, and dark gloves kneels on dirt, bending forward to work with the ground. They maintain a bent posture throughout, hands engaged with the dirt. The scene is viewed from a top-down camera angle with no noticeable movement.

A person is performing digging motions with hands and tools, exhibiting clear physical locomotion (kneeling, reaching, and manipulating soil).

Static ground and shadows are visible with no shifting uniform background elements; no fire, water, smoke, or wind-driven motion detected.


A person in a red hooded jacket, dark pants, and boots stands on a wet, reflective surface near flowing water. The individual bends down to place a white cylindrical object on the ground, then stands upright. The scene is filmed from a top-down perspective with slight tilt, showing minimal background beyond the water and rocky terrain.

A person in a red jacket and white hat is moving, adjusting their position and interacting with the environment.

Background elements (wall, ground) are static with no significant fluid or environmental motion (e.g., fire, water, wind) detected.


A person in an orange jacket and dark hat crouches beside a snowman, adjusting its features, then stands and steps back to survey the snowman. The scene takes place in a snow-covered backyard with a green shed and wooden fence in the background, while the camera remains static throughout.

A person in an orange jacket is building a snowman. The person moves from crouching to standing and then walks around the snowman, showing discrete locomotion.

The background (shed, fence, trees) remains static. No fluid motion (water, fire, smoke) or wind is visible. Snow is static and not moving as a fluid.


A man with a long white beard, wearing a white jacket over a striped shirt, sits on a bicycle. He raises his right hand to hold a red object against his ear, then lowers it. A blue and yellow item is visible to his left, with a bicycle wheel behind him. The camera remains in a close-up position with slight movement.

Man's hand and arm exhibit discrete motion (holding phone, lowering it), with visible displacement from the torso.

Background elements (bicycle wheel, ground) show minimal uniform movement; no fire, water, smoke, or wind visible.


A bride in a white gown and veil holding a bouquet is assisted by two men in dark suits. A man in a gray suit joins them from the right, positioning himself beside the bride. The group aligns into a line with the bride centrally positioned. The camera remains steady, capturing the formation of the group.

Discrete objects include the bride (white dress), groom (dark suit), and two male attendants (black and gray suits) moving through intentional locomotion (walking, posing for photos). All objects maintain consistent bounding boxes without fluid deformation.

The background (colorful wall, van, stacked tires) shows no significant shifting or fluid motion. No fire, water, smoke, or wind is visible; the scene is static with no ambient environmental motion.


A group of people gather in an indoor office setting. A man in a dark military uniform approaches a man in a dark business suit, shaking hands and engaging in conversation. Other individuals, including those in casual and business attire, stand nearby observing the interaction. The camera remains relatively steady with slight movement throughout the sequence.

Discrete objects (people) are moving through subtle locomotion and gestures during interaction, with visible head movements, posture shifts, and hand motions.

The background (wall, clock, counter with 'COBAN' logo) shows no significant shifting or fluid motion. No fire, water, smoke, or wind is present.


A firefighter in brown and yellow uniform with a helmet moves toward a large metal structure, then positions himself to the left of it while manipulating tools, while another person in dark clothing stands stationary in the background to the right. The camera remains static throughout the sequence.

A firefighter (in full gear) moves around the equipment, adjusting posture and handling tools. Another person stands near the background but remains relatively still. Both are discrete solid objects exhibiting locomotion.

The background includes stationary industrial equipment and ground; no uniform shifting or fluid motion (fire, smoke, water) is observed. Background elements remain static relative to the scene.


A hand adjusts the lid of a black pot with a silver rim resting on a metal stand outdoors; the camera then cuts to a metal can filled with liquid placed atop a bed of gray coals. The pot sits on a weathered metal surface with grass and gravel in the background, while the can is surrounded by small stones and sand. The camera perspective shifts from a top-down view of the pot to a close-up of the can, maintaining minimal background details.

A hand is seen moving a grill lid in the first segment; the can on rocks is stationary in the second segment. The hand's motion is discrete and driven by physical interaction (adjusting the lid).

The background elements (grass, rocks, grill structure) remain static in both segments; no fire, water, or wind-induced motion is present. The scene transitions between two static shots without environmental fluid motion.


A right hand holding a pen moves over a white paper placed on a green surface, writing or pointing at specific areas on the paper, with the hand's motion indicating interaction with the paper's content. The camera maintains a top-down perspective with no visible movement.

A hand is moving to write on paper, exhibiting discrete solid motion due to physical action.

The background (green surface, paper) is static with no shifting elements; no fluid/environmental motion (fire, water, smoke, wind) detected.


A woman with long brown hair and a sleeveless top sits at a table, manipulating small objects with both hands. She adjusts items on the table, then lifts a white, leaf-shaped object to display it. The background includes a mirror reflecting her back and shelves with miscellaneous items. The camera remains stationary throughout.

The woman is manipulating a small object (e.g., a phone or similar) on the table, with her hands moving to interact with it; she also holds and displays a white bottle-like object.

The background is static with no fluid or environmental motion (e.g., no fire, water, smoke, wind).


A woman in a red shirt enters the frame from the right, approaching a tall, decorated tree adorned with green, gold, and purple ornaments. She adjusts the tree's decorations with both hands, shifting slightly as she works. The camera remains stationary, capturing her movements against a solid red background with faint text patterns. Minimal background details are visible beyond the tree and wall.

A person in a red shirt moves their hands to place ornaments and lights on a stationary Christmas tree. The person's hand motions are deliberate interactions with the tree, showing discrete object-to-object physics.

The red wall background remains static throughout the video with no shifting or environmental fluid motion (fire, water, smoke, wind) detected. The background text and decorations do not move uniformly.