RAW CAPTION: Okay, let me try to figure out how to approach this. The user wants a caption for a video where two people are playing guitars. The rules specify focusing on motion, chronological order, appearance, spatial relationships, camera perspective, and keeping background minimal.

First, I need to watch the video frames provided. The first frame shows two individuals. One is sitting on a chair with an acoustic guitar, wearing a gray hoodie and jeans. The other is standing, playing an electric guitar, wearing a brown t-shirt with some text and black pants. The background has curtains.

Looking at the timestamps, from 0 to 5 seconds, they're both playing. The sitting person is on the left, the standing one on the right. The sitting person's guitar is acoustic, light brown. The standing person's guitar is white electric. They're both focused on their instruments.

The main action is them playing guitars. The sitting person strums, the standing person plays chords. The camera seems to be static, maybe a slight shake. The background has curtains, but maybe not essential. Need to mention their positions: sitting to the left, standing to the right.

Need to describe chronologically. Start with them playing, maybe mention the instruments' colors and their positions. The camera perspective: the video shows a medium shot, probably fixed camera with slight shake. Background is curtains, but minimal description.

Avoid text recognition, so don't mention the shirt text. Just describe the appearance: gray hoodie, brown t-shirt. Number of subjects: two people.

Check the rules again. Conclude with camera perspective. So the caption should be: Two individuals play guitars; one seated on a chair left in a gray hoodie and acoustic guitar, the other standing right in a brown t-shirt with a white electric guitar. Both strum and fingerpick rhythmically. Camera remains static with slight shake.

Wait, check the order. Chronologically, they're playing throughout the frames. The description should mention their actions as they happen. Maybe "Two individuals play guitars: seated left in gray hoodie strums acoustic, standing right in brown t-shirt plays white electric. Both maintain rhythmic strumming and fingerpicking. Camera static with slight shake."

Check for minimal background. The curtains are part of the background, but maybe just mention "indoor setting with curtains" but rule says minimal unless essential. Since the background is just curtains and not affecting the motion, maybe omit.

Wait, rule e: minimal unless essential. Since the curtains are part of the scene but don't affect the motion, perhaps not necessary. But maybe the presence of the chair (sitting person on it) is spatial. The sitting person is on a chair, which is left of the standing person.

So, "Two individuals play guitars; one seated on a chair to the left in a gray hoodie strums an acoustic guitar, while the other stands to the right in a brown t-shirt playing a white electric guitar. Both strum rhythmically. Camera remains static with slight shake."

Check if that meets all the rules. Focus on motion and behavior: strumming, playing. Appearance: gray hoodie, brown t-shirt, acoustic vs electric. Spatial: seated left, standing right. Camera: static, slight shake. Background minimal (curtains not mentioned, but maybe the room is implied).

Wait, the example output format says to exclude text recognition. The brown t-shirt has some text, but since it's a shirt design, maybe describe as "brown t-shirt" without the text. Yes, rule f says exclude text recognition.

Also, the caption should be concise. Let me try to make it shorter. "Two people play guitars; left seated in gray hoodie strums acoustic, right standing in brown t-shirt plays white electric. Both strum rhythmically. Camera static with slight shake."

Wait, the original frames have them both playing throughout the 5 seconds. The caption needs to be a paragraph. Maybe "Two individuals play guitars: one seated on a chair to the left in a gray hoodie strums an acoustic guitar, while the other stands to the right in a brown t-shirt playing a white electric guitar. Both maintain rhythmic strumming and fingerpicking motions. The camera remains static with slight shake."

Check if "strumming and fingerpicking" is accurate. From the frames, it looks like they're strumming, maybe some picking. But maybe just strumming. But the problem is the user says "briefly describe their appearance and number", so maybe just "strum rhythmically".

Also, need to make sure it's chronological. The video starts with them playing, so the caption starts with that action.

Another check: "Two individuals play guitars. One seated left in gray hoodie strums acoustic; the other stands right in brown t-shirt playing white electric. Both strum rhythmically. Camera static with slight shake."

Maybe better to structure

Two individuals (solid objects) moving their hands and bodies while playing guitars, demonstrating explicit physical interactions with instruments.

Background elements (curtains, wall) show no uniform shifting or fluid motion; no fire, water, smoke, or wind present.


A woman in a pink top and dark pants sits cross-legged on the floor, facing forward. A person wearing a red shirt enters the frame from the right side, moves left across the frame, and exits. The camera remains static throughout.

A person on the right side of the frame undergoes discrete motion (sitting down/adjusting position), while the central seated person remains stationary.

The background elements (whiteboard, cabinets, wall decorations) remain static across frames; no fire, water, smoke, or wind-driven motion is visible.


A person in a dark harness with red accents falls freely with arms extended, attached to a bungee cord. As the fall progresses, the cord stretches, slowing the descent and causing the person to ascend. The background consists of dense green foliage. The camera maintains a top-down perspective, tracking the subject's motion with slight shake.

A human subject (bungee jumper) is moving due to the elastic force of a bungee cord. The motion is pendulum-like, with the jumper oscillating vertically and horizontally as the cord stretches and recoils.

Background shows green foliage with slight swaying, but no dominant fluid motion (e.g., fire, water, smoke, or strong wind) indicating ambient environmental motion. Background elements do not shift uniformly across frames, ruling out camera-induced motion.


A person uses a green cloth to remove a red-borded tray of golden-brown roasted food from a stainless steel oven. They open the oven door, extract the tray, and close the door. The camera maintains a close-up perspective on the hands and oven throughout the sequence.

Person's hands (wearing teal oven mitts) and the pan containing cooked food move as the person places the pan into the oven.

Kitchen background (stove, counter) appears static; no fluid/environmental motion (fire, water, smoke, wind) dominates the scene.


A person wearing a white hat, light-colored shirt, and dark pants enters the frame from the right side, walking left across a grassy field toward a central stone cross with a rust-colored cross atop it. The individual carries a long object and stops in front of the cross, facing it directly. Two tall red poles and a white fence are visible in the background. The camera remains stationary throughout the sequence, capturing the person's approach and pause.

A single person (wearing a hat, holding a tool) enters the frame from the right, walks toward the monument, and performs rhythmic motions (consistent with digging or excavation) at the base of the monument.

The background elements (fence, trees, sky) remain static throughout the video. No fluid or environmental motion (fire, water, smoke, wind) is visible; trees show no swaying, and the sky is clear.


A climber wearing a white helmet, dark shirt, and shorts descends a steep rock face, maneuvering ropes while moving downward. A second climber, also equipped with gear, remains positioned higher on the rock, assisting with the ropes. The camera maintains a static perspective, capturing the descent against a clear blue sky with minimal background detail.

A climber (person) is ascending the rock face using ropes and climbing gear.

The background (rock face and clear sky) is static with no significant fluid or environmental motion; no fire, water, smoke, or wind are present.


A large group of people, mostly in dark and light clothing, initially lean back in a line on a field, then transition into running forward in a coordinated manner; some individuals stumble while others continue moving. The camera follows the group's motion with a slight shake.

Multiple people are moving across the field in coordinated motion, likely participating in a physical activity (e.g., a race or organized run), with clear locomotion and physical interaction.

No shifting background elements (e.g., ground lines remain stable) and no fluid/environmental motion (fire, water, smoke, or wind) observed.


A hand places light-colored clothing items into an open top-loading washing machine, followed by a second hand adding more garments and closing the lid. The person’s arm and torso are partially visible, with the washer positioned against a wall. The camera remains close to the action with slight movement, capturing the motion of loading the machine. Background details are minimal, focusing on the washer and hands.

A child and an adult's hand interact with the washing machine: the hand places a laundry bag into the washer, and the child adjusts items inside.

Background elements (walls, floor, washing machine) show minimal uniform shifting; no dominant fire, water, or wind motion observed.


A young girl in a yellow dress with pink trim and a tiara sits on a carpeted floor, leaning over a purple toy radio set with a blue microphone, adjusting its buttons. She sits upright, moving her hands over the toy. A gray and white cat stands beside her, then walks toward an orange couch, turning its head. The camera remains stationary, capturing the scene from an overhead perspective.

A cat moves across the frame, walking near the girl, while the girl shifts position slightly but remains seated on the floor.

The background elements (red couch, blue toy, carpet) show no uniform shifting, and there is no fire, water, or wind motion present.


A man in camouflage clothing, a dark shirt, and a white cap walks forward along a dirt path in a dry, grassy field bordered by leafless trees. Initially standing with hands in pockets, he turns slightly to face the camera, then continues walking toward it with hands moving to his sides. The camera remains stationary, capturing him from a frontal perspective as he approaches.

A man in camouflage clothing and a cap is walking towards the camera; his motion is due to his own locomotion.

The background (trees, dry grass, dirt path) is static with no significant fluid or environmental motion (e.g., wind is not evident as trees are still).


A person in a gray polo shirt moves their hands near the kitchen counter, then turns and walks toward the sink. A second person with long hair and a colorful graphic shirt enters the frame from the right, moving behind the first person. The camera remains stationary throughout, capturing the scene from a fixed position in the kitchen.

Two people: one male (in gray shirt) moves from left to right and then away; a female (in colorful shirt) enters from the right and walks behind the male.

Background is static (cabinets, microwave, counter items do not shift). No fluid/environmental motion (fire, water, wind) detected.


A small blue and yellow fish is held in an open palm. The hand rotates the fish, closes around it briefly, then releases it into the blue water. The fish swims away as the camera follows its descent into the water, with green vegetation visible in the background.

A human hand manipulates a small fish-like object, with discrete physical interactions (e.g., holding, repositioning) observed between the hand and the object.

The background contains water with subtle ripples and stationary grass/rocks, indicating minimal ambient environmental motion. These elements do not dominate the visual flow of the video.


An elderly woman with short gray hair, wearing a beige sweater, sits in a chair holding a red and white checkered cloth; she lifts it slightly with her hands before holding it steady. Behind her, a person rests in a blue chair, partially visible. The camera remains static, capturing the scene from a fixed angle with minimal background details.

An elderly person seated in a chair exhibits subtle hand movements and slight head adjustments, representing discrete solid-object motion from intentional locomotion or interaction with objects.

Background elements (fan, window, furniture) remain stationary across frames with no uniform shifting, indicating no ambient environmental motion (fire/water/wind) or camera-induced background movement.


In a workshop, a person in blue overalls and flip-flops operates a lathe, generating bright sparks as a metal rod spins; another person in dark shorts and flip-flops stands nearby. The camera pans around the work area, capturing the lathe’s motion and the workers’ actions with minimal background detail.

Discrete objects include a person welding (moving hands/tool) and a metal piece being welded. The motion is controlled by explicit physical forces (welding process, tool manipulation).

Background elements (floor, metal structures, equipment) show no uniform shifting; welding arc is a localized light source but not fluid/environmental motion (fire, water, wind).


RAW CAPTION: Got it, let's break this down. The video starts with two girls and two dogs in a backyard. First, the girl in a dark shirt and red shorts is on a blue mat, then she steps off. Then another girl in a white shirt and light shorts joins her, followed by the second girl (in dark shirt and red shorts?) Wait, no, in the first frame, one girl is in dark shirt/red shorts, another in white shirt. Then they move. The dogs: two black dogs. The first girl (dark shirt) walks away, then the girl in white shirt walks towards the mat, then steps on it, then the first girl comes back. The dogs are moving around. Let's list the actions chronologically.

Frame 0: Girl in dark shirt (red shorts) stands on blue mat, other girl (white shirt) walks towards her, two black dogs near. Frame 1: The first girl (dark shirt) steps off mat, the other girl (white) steps on, and the dogs move. Frame 2: The first girl walks away, the second girl (white) is on mat, dogs follow. Frame 3: The white-shirt girl steps off, the first girl (dark) is now near. Wait, need to track movement.

Wait, the video starts with two girls: one in dark top (red shorts) on blue mat, another in white shirt (light shorts) approaching. Then the girl in dark shirt steps off the mat, the girl in white steps on the mat. Then the girl in dark shirt walks towards the right, the girl in white stays on the mat. Then the girl in white steps off the mat, and the dark shirt girl is now walking away. Wait, no, let's check the frames:

[0.0] Girl A (dark top, red shorts) on blue mat. Girl B (white shirt, light shorts) approaching from right. Dog 1 (black) and Dog 2 (black) near. [1.0] Girl A steps off mat to left, Girl B steps on mat (left to right?), dogs move. [2.0] Girl B (white) walks on mat, Girl A walks away left. [3.0] Girl A walks back, Girl B is on mat, dogs are near. [4.0] Girl B steps off mat, Girl A walks away. Wait, but the description is to list chronological order of motions.

Main subjects: two girls (one in dark top/red shorts, one in white shirt/light shorts), two black dogs. Blue mat in middle of yard. Chronological:

- Initially, Girl A (dark top, red shorts) stands on blue mat. Girl B (white shirt, light shorts) walks towards the mat. The two black dogs are nearby. Then Girl A steps off the mat (moving left), Girl B steps onto the mat (moving left towards the mat). As they move, the dogs walk around the mat. Then Girl B steps off the mat (moving right), and Girl A walks away from the mat. The dogs continue to move around the area.

Wait, need to check each frame:

Frame 0: Girl A (dark, red shorts) on mat, Girl B (white, light shorts) is walking towards mat from right. Dogs are near. Frame 1: Girl A steps off mat (left), Girl B steps on mat (left to right?), dogs move. Frame 2: Girl A walks away left, Girl B on mat, dogs follow. Frame 3: Girl A walks back, Girl B steps off mat. Frame 4: Girl B is walking away, Girl A is on the right side.

Wait, the user provided a sequence of frames, so the chronology is frame 0 to 4. Let's sequence the actions:

- At 0s: Two girls (one in dark top/red shorts, one in white shirt/light shorts) and two black dogs are in the yard. Girl A (dark) is standing on a blue mat, Girl B (white) is walking towards the mat from the right. The dogs are near the mat.

- At 1s: Girl A steps off the mat to her left, Girl B steps onto the mat, moving towards the mat. The dogs move around the mat.

- At 2s: Girl A walks away to the left, Girl B remains on the mat, the dogs are near.

- At 3s: Girl A walks towards the right, back to the mat area, Girl B steps off the mat to the right. The dogs follow.

- At 4s: Girl A walks away to the right, Girl B walks away to the left. The dogs are in the background.

Wait, but need to keep it concise. Focus on motion and behavior.

The caption should be a paragraph:

Two girls and

Two individuals (one in pink shorts, one in white) and a dog exhibit locomotion. The dog moves freely, and the people walk and interact with the dog.

The brick wall, garage, and trees show no uniform shifting. No fluid motion (fire, water flow, smoke) is present; the ground patterns are static.


A person wearing a white T-shirt with a graphic design plays a bass guitar, their hands moving along the fretboard and strings. The individual is positioned in front of a kitchen setting featuring a refrigerator and chairs. The camera maintains a close-up perspective with slight movement, capturing the guitar and the player's upper body.

A person is playing a bass guitar; the hands and head are moving rhythmically as the person plucks and presses strings.

The background (refrigerator, cabinets) is stationary. No fire, water, smoke, or wind is visible, indicating no dominant environmental motion.


RAW CAPTION: Got it, let's break down the video. First, the video starts with a close-up of sliced cauliflower and red bell peppers in a pan. Then, the scene shifts to a pot of boiling water, maybe adding ingredients? Wait, no, the next part shows the same veggies being poured into the pot? Wait, the first frame is the veggies in the pan, then the second frame is more veggies added. Wait, looking at the timestamps:

Frame 0: cauliflower and red peppers in a pan.

Frame 1: more red peppers added, maybe stirring?

Frame 2: a pot of liquid (water?) with the veggies being added? Wait, no, frame 2 is the pot with the veggies submerged.

Wait, the video sequence:

0.0 - Close-up of mixed cauliflower florets and red bell pepper strips in a pan.

0.5 - More red pepper strips added to the pan, with visible steam or movement.

1.0 - View of a pot of boiling liquid (water) with the veggies, maybe the peppers are in there.

1.5 - Then, sliced tomatoes added to the pot, being stirred.

Wait, the user provided the video frames:

[0.0] shows cauliflower and red peppers.

[1.0] shows more red peppers added, maybe stirring.

[2.0] shows a pot with liquid, then [3.0] shows a spoon adding tomato slices.

[4.0] shows the tomato slices being added to the pan with the veggies.

So the chronological order:

1. Start with mixed cauliflower and red bell peppers in a pan (close-up).

2. Red peppers continue to be added or stirred.

3. The scene shifts to a pot of liquid (maybe water) where the veggies are added.

4. Then, a spoon adds sliced tomatoes into the pot.

5. Finally, the tomatoes are mixed into the vegetable mix.

Now, need to focus on motion and behavior. Main subjects: vegetables (cauliflower, red peppers, tomatoes), and a spoon.

Appearance: cauliflower is white, cauliflower florets; red peppers are sliced, bright red; tomatoes are red, sliced.

Motion: Adding red peppers to the pan, then adding tomatoes into the pot.

Spatial relationships: Initially, veggies in pan, then added to a pot (maybe the pot is next to the pan? Or same pan? Wait, the video goes from pan to pot. Hmm. Maybe the pan is the pot? Or transition to a pot.

Wait, frame 2 is a pot with liquid, so maybe the vegetables are being added to boiling water.

Then, the spoon adds tomatoes.

So steps:

- Initial shot: cauliflower and red peppers in a pan.

- Red peppers are added, stirred.

- View shifts to a pot of liquid (water) with the vegetables.

- Sliced tomatoes are added using a spoon.

- Tomatoes are mixed into the pot.

Now, camera perspective: close-up shots throughout, maybe slight movements.

Following the rules:

a) Motion and behavior chronological.

b) Describe appearance: cauliflower (white, florets), red peppers (bright red, sliced), tomatoes (red, sliced).

c) Spatial: veggies in pan, then added to pot (the pot is the container).

d) Camera: top-down? Close-up, possibly pan left? Wait, the video description says "top-down" maybe? But in the frames, it's close-up of the ingredients.

Wait, the output should conclude with camera perspective and movement. The frames are close-ups, so camera is close-up, maybe slight shake or static.

Wait, the user says "Conclude with the camera perspective and movement (e.g., top-down, pan left, slight shake)."

In the video, it's a close-up of the ingredients, so camera perspective is top-down (looking down into the pan/pot). The movement: between frames, maybe static, but perhaps slight shifts.

Now, let's structure:

First, the scene shows a pan with cauliflower florets and red bell pepper strips. Then, more red pepper strips are added and stirred. The camera shifts to a pot of boiling liquid into which the vegetables are being added. A spoon then adds sliced red tomatoes into the pot, which are mixed into the vegetable mixture. The camera remains in a close-up view throughout, with slight movement as ingredients are added.

Wait, need to be concise, chronological paragraph.

Let's check the rules:

a) Focus on motion and behavior in order.

b) Appearance and number.

c) Spatial relationships.

d) Camera perspective and movement.

e) Background minimal.

f) Exclude text, etc.

So:

The video opens with a close-up of white cauliflower florets and bright red bell pepper strips in a pan. Red pepper strips are then added and stirred. The scene transitions to a pot of boiling liquid where the vegetables are placed. A spoon introduces sliced

Discrete solid objects (cauliflower florets, carrot slices, red bell pepper strips) are being stirred and added to the pan; a spoon is also visible moving through the ingredients, causing localized motion within the pan.

No shifting backgrounds or dominant fluid/environmental motion (fire, water, smoke, wind) observed; the background remains consistent with the cooking pan and ingredients as the primary focus.


A gloved hand applies a white non-woven strip to a person's smooth, slightly glossy thigh with visible red spots and small blemishes, positioned to the left of the skin. The hand then swiftly removes the strip from the thigh. The scene is captured from a top-down perspective with a static camera.

Gloved hands apply and remove a waxing strip from a person's skin. The hands and wax strip are discrete, solid objects undergoing manual manipulation.

Background elements (white cloth/surface) show no shifting or uniform movement. No fire, water, smoke, or wind present in the scene.


A green dump truck with a raised bed begins unloading dark soil; as the bed tilts downward, a growing pile of soil accumulates at the truck’s rear. The truck remains stationary on a muddy ground, with trees visible in the distance. The camera maintains a fixed low-angle perspective, capturing the continuous flow of soil from the truck to the pile.

The green dump truck is actively tilting its bed to unload dirt. The dirt is being moved from the truck's bed to the ground, resulting in a growing pile.

The background (trees and sky) is static with no significant movement. There is no fire, water, smoke, or wind causing fluid motion.


A right hand holding a blue pen writes on a paper while a left hand keeps the paper steady. The right hand moves the pen across the page to form written characters, with the left hand remaining still on the left side of the paper. The camera captures a static top-down view of the hands and paper with no noticeable movement.

The moving objects are the hands and pen, performing the physical action of writing on paper with clear, discrete motion patterns.

The background (table surface) is static with no shifting or fluid motion. No fire, water, wind, or other environmental elements present.


A person wearing black pants and black roller skates glides forward on a tiled kitchen floor, shifting weight between skates and moving in a forward motion. The camera maintains a static top-down perspective, capturing the lower body and surrounding elements like wooden cabinets, a white refrigerator, and a wooden stool.

A person wearing black pants and roller skates is moving across the floor, performing discrete locomotion motions (weight shifting, gliding, turning) due to their own physical action.

Background elements (refrigerator, stool, cabinets) are static with no shifting or environmental motion (fire, water, wind). No fluid dynamics or ambient phenomena observed.


RAW CAPTION: Got it, let's tackle this. First, the video starts with a goat with long horns and shaggy fur drinking from a black container. Then, a smaller brown goat joins, maybe. Next, a person in white shorts and a shirt reaches out to touch the goats. The scene has a wooden deck, fence, trees. The camera moves around, showing the goats from different angles. Let's structure it chronologically.

First frame: goat drinking. Then another goat approaches. Then a person interacts. Then the goats eat from the container. Camera moves from showing the first goat, then the person's hand, then the goats together.

Check the rules: focus on motion, chronological, appearance, spatial, end with camera perspective.

Start: A shaggy brown goat with long horns drinks from a black container on a wooden deck. A smaller brown goat approaches from the left. A person in light-colored clothing reaches out to pet the goats. The goats then shift to eat hay from the container. The camera moves from a ground-level view to a close-up of the person's hand, then to a wider shot of the goats on the deck. Background includes a wooden fence and trees, but keep it minimal.

Wait, need to be concise. Let's write step by step.

0.0-0.3: A shaggy brown goat with large curved horns drinks from a black container on a sunlit wooden deck.

0.3-1.0: The goat lifts its head, revealing a dark face, as a smaller brown goat approaches from the left.

1.0-2.5: A person in white shorts reaches out to touch the goats, while the smaller goat nuzzles the container.

2.5-4.0: The shaggy goat returns to the container, eating hay, with the smaller goat now beside it.

4.0-4.7: The camera pans to a wider view, showing the goats on the deck with a wooden fence in the background.

Wait, but the video has a sequence: first goat drinking, then camera moves to show another goat (smaller, brown) approaching, then a person's hand comes into frame (touching), then the shaggy goat lowers head to eat.

Wait, the frames: [0.0] shows goat drinking, [0.3] shows a closer view of the goat's head (dark color, horns), [1.0] shows the person reaching, [2.0] shows person petting, [3.0] shows both goats eating.

Wait, maybe the sequence:

- Initial: Shaggy brown goat with large horns drinks from black container on wooden deck.

- Then, the goat lifts its head, showing dark face, and the camera angle shifts to show a person in white shorts reaching to interact.

- The person's hand touches the goat, while a smaller brown goat approaches the container.

- Finally, the shaggy goat lowers its head to eat from the container, with the smaller goat nearby.

Need to be concise. Let's phrase:

A shaggy brown goat with long curved horns drinks from a black container on a wooden deck. The goat lifts its head, revealing a dark face as a smaller brown goat approaches from the left. A person in light-colored clothing reaches out to touch the goats, then steps back. The shaggy goat returns to the container, eating hay alongside the smaller goat. The camera shifts from close-up to a wider view, capturing the goats on the deck with a wooden fence in the background.

Check rules: chronological, motion, appearance (color, size), spatial (left, beside), conclude with camera perspective (shifts from close-up to wider view).

Wait, the rules say "conclude with the camera perspective and movement". So the last part should be about how the camera ends.

Also, mention the number of people: 1 person.

Let's check the video description:

<0.3> goat drinking.

<1.4> close-up of goat's head (dark, horns), person's arm maybe.

<2.5> person in white shorts reaching, touching.

<3.6> person steps back, two goats (shaggy and smaller) eating.

So:

A shaggy brown goat with large curved horns drinks from a black container on a wooden deck. It lifts its head, showing a dark face, as a smaller brown goat approaches from the left. A person in light clothing reaches out to touch the goats, then steps back. The shaggy goat resumes eating hay from the container beside the smaller goat. The camera transitions from a close-up view to a wider shot of the goats on the deck.

That's concise. Check rules: chronological order, main subjects (goats, person), motion (drinking, lifting head, approaching, touching, eating), appearance (shaggy brown, large

Two goats and two people are moving: the goats are eating from a bowl and interacting with the people, while the people are petting the goats. The motion is due to physical forces (e.g., goats' heads moving to eat, hands moving to pet).

Background elements (fence, trees, ground) are stable and show no significant uniform shifting. No dominant fluid or environmental motion (like fire, water, wind) is present.


A person in dark clothing stands on a snow-covered field, holding a kite. They begin moving forward across the snow, propelled by the kite's pull, then leap into the air, soaring above the snowy terrain. The camera follows the subject from a slightly shaky, ground-level perspective, maintaining focus on their motion.

A single person (discrete object) is moving across the snow, exhibiting locomotion consistent with snowboarding/skiing, with clear bounding box tracking.

Background shows static snowscape and sky with no shifting of static elements (e.g., horizon line remains consistent), no fluid environmental motion (water, fire, smoke, or wind) detected.


Several students in white lab coats work at lab tables, adjusting and observing through microscopes. The first student manipulates the microscope’s focus, followed by another student adjusting their eyepiece. The camera pans left to focus on a third student fine-tuning the microscope’s components, with other students visible in the background.

People (in lab coats) adjusting microscopes and looking through eyepieces.

No significant shifting background or fluid motion observed.


Two individuals engage in arm wrestling at a patterned table under a wooden shelter; one wears a black sleeveless top, the other a red shirt with white stripes. They grip hands, strain, and lean toward each other, with the person in red shifting posture. The camera remains fixed, close-up on the arm-wrestling action.

Two individuals are arm wrestling; their arms and hands are moving due to physical force, exhibiting discrete object motion.

The background (trees and grass) is static with no significant fluid motion or environmental effects; no fire, water, or wind dominates the scene.


Two individuals in white beekeeping suits with veiled headgear and yellow gloves stand outdoors. The scene shifts to a close-up of one beekeeper holding a honeycomb frame filled with bees aloft against a clear blue sky. The beekeeper rotates the frame slightly while inspecting it, with trees visible in the background. The camera transitions from a medium shot of both subjects to a tight close-up of the beekeeper’s hands and the frame.

A person in a beekeeping suit holds and adjusts a honeycomb frame; bees are visible on the frame but are part of the frame’s contents rather than primary moving objects. The person’s hands and the frame exhibit slight motion as they manipulate the frame.

Clear blue sky and distant trees show no significant shifting or fluid motion (e.g., no fire, water, smoke, or wind-driven movement observed). Background elements remain static.


A hand pours a liquid into a white rectangular beehive box resting on a wooden base, then retracts; the hive, now containing the substance, is visible against a grassy background. The camera maintains a static top-down perspective.

The concrete material being poured from the pipe is the only moving solid object, with motion due to the pouring action.

The background (ground and concrete structures) is static; no fluid or wind motion observed.


A person wearing a checkered jacket is seated, then the camera focuses on their hands placing a small object onto a laptop keyboard. The view returns to the person's face as they continue interacting with the device. The camera shifts between close-up shots of the person and a top-down perspective of the hands engaging with the laptop.

A person's hands manipulating a blue object (likely a phone or wallet) over a laptop; the person's upper body and hands exhibit discrete motion from manual interaction.

No shifting background elements (walls, furniture remain stable); no fluid/environmental motion (fire, water, wind) present.


RAW CAPTION: Got it, let's break this down. The video shows a few people. First, there's a person in black clothing sitting on a bed, maybe? Then two others, one in white and another in light blue, are around them. Let's see the sequence.

In the first frame, the person in white is on the left, hands near the person in black. The person in light blue is behind, touching their shoulder. Then the person in black is turning, maybe. The scene is a room with a yellow wall, some folded clothes in the background.

Chronological order: The person in black is seated on a bed. Two individuals, one in white (right side, maybe) and one in light blue (left?), approach. The person in white is holding a cloth or something, wiping the person in black's neck or face. The person in light blue is adjusting or holding them.

Spatial: The person in black is central. The white-clad person is to the left, light blue to the right. Background has yellow walls and folded items.

Camera movement: It's a handheld shot, slightly shaky, maybe. The angles change a bit as the people move.

Need to make it concise. Describe motion: The person in black is seated on a bed, with two others assisting. The person in white uses a cloth on their neck, while the light blue person supports them. Then they adjust positions, maybe.

Wait, in the frames, the person in black is being helped to sit up or adjust. Let's check the timestamps:

[0.0] Person in white on left, light blue on right, touching the person in black's shoulder.

[1.4] Person in black moves, the white person's hands are on the bed, light blue is behind.

[2.5] Person in black is sitting up, white person is standing, light blue is on the floor.

[3.6] The person in black is seated, white person is holding their arm, light blue is next to them.

[4.7] White person uses cloth on the person's neck, light blue is behind.

So the action is: Two individuals assist a seated person in black clothing. One in white uses a cloth on the person's neck while the other in light blue supports from behind. The person in black adjusts their position. The camera is handheld with slight shake, capturing the interaction from a medium angle.

Need to keep it concise. Let's structure:

A person in dark clothing sits on a bed as two assistants—one in white and one in light blue—provide support. The white-clad individual uses a cloth to wipe the seated person’s neck, while the light blue individual adjusts their position from behind. The seated person moves slightly, shifting posture. The camera maintains a steady medium shot with minor handheld shake throughout.

Wait, check rules: "Focus primarily on motion and behavior... chronological order."

Start with the first frame: seated person, two assistants. Then their actions.

"Two individuals in white and light blue attire assist a seated person in dark clothing. The person in white uses a cloth to wipe the seated individual’s neck, while the person in light blue supports them from behind. The seated person adjusts their posture, turning slightly. The camera remains stationary with minor handheld movement."

Wait, in the video, the camera is moving? The frames shift angles. So maybe "handheld camera with slight shake" as per the rules.

Also, background: minimal, so mention "yellow wall with folded items" but rule e says "minimal unless essential." Since it's a room, maybe not necessary. Focus on people.

Let's try:

Three people are present: a seated individual in dark clothing, and two assistants—one in white and one in light blue. The white-clad assistant uses a cloth on the seated person’s neck, while the light blue assistant adjusts their position from behind. The seated person shifts their posture, turning slightly. The camera captures the scene with a handheld perspective, showing slight movement.

Check rules: a) motion and behavior chronological. Yes. b) appearance and number: three people, described. c) spatial: seated person in center, assistants on sides. d) camera: handheld, slight movement. e) background minimal. f) exclude text. g) no reasoning.

Another check: In the first frame, the person in white is on the left, light blue on the right. The person in black is seated. Then the person in black moves, the white person's hands are on the bed. Then in frame 2, the person in black is sitting up, white person stands, light blue is on floor. Then frame 3, white person is holding their arm, light blue next to them. Frame 4, white person uses cloth on neck. So the sequence is:

The seated person in dark clothing is assisted by two individuals:

Three individuals are present: one seated person (dark top, white pants) being attended to, and two standing individuals (light blue/white clothing) performing actions like adjusting the seated person's position and handling a white object.

The background (yellow walls, wooden furniture, and static objects) shows no uniform shifting or fluid motion (no fire, water, smoke, or wind).


A black screen transitions to a close-up of a metallic machine on a dark countertop with a black cable. A hand enters the frame from the right, presses a button on the machine, and then withdraws. The camera remains stationary in a close-up position.

discrete_object_physics | ambient_environmental | camera_motion | ego_motion | static

Briefly describe what discrete, solid objects are moving.

Briefly check for shifting backgrounds or fluid/environmental motion (fire, water, wind).


A person wearing a dark jacket and dark pants manipulates a large, tangled bundle of thin brown branches with both hands, adjusting and repositioning the branches while standing in a wooded area. The camera maintains a static medium shot focused on the person's upper body and hands.

A person is manipulating a woven basket filled with sticks, moving the basket and repositioning the sticks with their hands.

The background consists of static trees and ground with dry leaves; no significant fluid or wind-driven motion (e.g., no swaying trees or blowing leaves) is observed.


A person with long dark hair, wearing a white t-shirt layered over a patterned dress, initially holds an object in front of their body. They raise both hands to adjust their hair, then extend arms outward in a gesture while turning slightly. The background features a wall with a clock and a ladder, visible but not central. The camera remains stationary throughout.

A girl (discrete solid object) moves her arms and body (adjusting hair and waving).

Background is static (white wall with a circular object and a metal structure). No fluid or environmental motion observed.


A person in dark clothing sits on a bed, holding a light brown acoustic guitar. Their left hand moves along the fretboard pressing strings, while the right hand strums the strings. The background includes a bed with white and red blankets and a red bag. The camera remains stationary, providing a close-up view of the guitar and the person's hands.

A person's hands are moving to strum and press guitar strings, representing solid, discrete motion of a human body part interacting with the guitar.

Static blue wall and patterned fabric background show no significant shifting or fluid motion (e.g., no fire, water, or wind effects).


Two women arm wrestle at a table; the woman in a blue shirt with long curly hair and the woman in a green shirt with a green cap grip each other's hands. Several people stand behind them, some holding drinks. The camera remains stationary, capturing the match from a close angle with minimal background detail.

Two individuals engaged in arm wrestling; their arms and upper bodies exhibit distinct physical motion due to force application during the contest.

Background elements (people standing, structural poles) show minimal motion; no fluid/environmental elements (fire, water, smoke, wind) present.


A person in a dark blue shirt sits in a room, holding a white sheet of paper before lowering it and picking up a thin, elongated object from a surface, holding it up. To the right is a bed with pillows, and a colorful poster is on the left wall. The camera remains stationary in a frontal perspective.

Person holding a paper and pen, making hand gestures (pointing, raising hand) while speaking. Motion is consistent with intentional human movement.

Static background elements (Union Jack poster, door, bed) show no uniform shifting. No fire, water, smoke, or wind present.


A person wearing a black top and jeans, with headphones, plays a large wooden cello. Their right hand moves a bow across the strings while the left hand presses the strings on the cello's neck. The cello is positioned in front of the person, with a black keyboard visible to the left. The camera remains stationary in a close-up view, focusing on the cello and upper body throughout the bowing motion.

A person is playing a cello, with discrete movements of hands (bowing, finger placement) on solid objects (cello, bow) driven by physical interactions.

The background (piano and wall) remains static with no uniform shifting; no fluid/environmental motion (fire, water, wind) is present.


The bride in a white gown, a man in a black suit, and a person in white with a hat hula hoop in a courtyard. The man in black raises his arms while the bride holds a hoop, and the person in white continues hooping. A person in a white shirt enters from the right, partially blocking the view. The camera remains static with slight shake, featuring a hand visible in the foreground on the right.

Discrete objects include the bride (white dress), groom (black suit), and multiple people interacting with hula hoops. The person in the white shirt actively spins hula hoops, while others move across the frame (e.g., a person in the background running).

The stone structures, trees, and ground remain static throughout the sequence, with no signs of fluid motion (fire, water, smoke) or environmental swaying dominating the scene. Background elements show no uniform shifting.


A person with short dark hair and glasses, wearing a dark gray shirt, holds a brown flute to their mouth and plays it, moving fingers over the instrument's holes. They stand in front of a white cabinet and a colorful curtain, with a small figurine on a blue stand visible behind them. The camera remains static, capturing the action from a frontal view.

A person playing a flute, with hand and head movements; the motion is due to explicit physical forces (muscle movements for playing the instrument).

No shifting background elements; no fire, water, smoke, or wind motion detected.


A person wearing a black hoodie walks from the left side of the frame toward a blue industrial machine, then turns to face a wall sign and gestures with their right hand. The camera remains stationary throughout.

A person in dark clothing is moving: walking away from the machine, handling a white bag, and adjusting their head covering.

Background elements (walls, machine structure) are static with no uniform shifting or fluid/environmental motion (fire, water, wind).


A pair of wrinkled hands guides a light-colored fabric with a subtle pattern through a white sewing machine, adjusting the fabric to maintain even stitching as the needle moves up and down; the camera maintains a close-up perspective focused on the hands and machine.

Discrete objects include human hands manipulating fabric and the sewing machine needle. The hands guide the fabric through the machine while the needle moves rapidly in a precise up-and-down motion.

The background shows an outdoor scene with trees and a building, but these elements are mostly static with no significant environmental motion (e.g., no fire, water, smoke, or dominant wind effects). Subtle background movement is minimal and not dominant.


A person in a black shirt and dark pants kneels beside a light green bicycle with purple accents and white wheels, surrounded by scattered bike parts and tools. They align a white wheel with the bike’s frame, then use their hands to secure the axle, tightening components. The camera shifts from a wide view to close-ups of the hands adjusting the wheel’s position and attachment points against a plain white background.

A person in a black shirt interacts with a disassembled bicycle, manipulating its wheel, frame, and components. The person’s hands and the bicycle parts exhibit discrete, solid-object motion.

The background is a plain white surface with no shifting elements or fluid/environmental motion (e.g., fire, water, smoke, wind).


A person in a white robe and black-and-white striped pants performs martial arts movements on a grassy area beside a body of water. Initially standing with arms extended forward, they pivot and raise one arm while the other moves downward, then lower into a squat with arms crossed over the torso. They rise, turning to face away from the camera while extending arms outward. The background consists of calm green water and sparse grass. The camera remains stationary throughout.

A single human subject in white attire performs deliberate martial arts movements (arm swings, stances, torso rotations) with clear physical locomotion and force application.

Background consists of a static green wall and grassy ground with no fluid/environmental motion (e.g., no water, smoke, or significant wind-driven movement). Background elements remain stationary across frames.


A person in a black shirt plays a light brown bass guitar with a dark fretboard, their left hand moving along the neck and right hand plucking the strings. The background is a plain wall, and the camera maintains a close-up perspective with slight shake, capturing the continuous motion of the hands on the instrument.

A person playing a bass guitar; hands move across the strings and fretboard in discrete, localized motions consistent with instrument playing.

Static wall background with no shifting or environmental fluid motion (no fire, water, smoke, or wind).


A woman in a green sleeveless dress stands and plays violin, moving her arms and bow across the strings; behind her, a man in black sits at a piano. The camera remains static with slight shake.

Violinist demonstrates discrete arm movements (bowing) and body shifts; pianist shows discrete hand motions on keys and subtle body movements during performance.

The wooden paneled wall background remains static with no shifting or environmental motion (fire, water, smoke, wind); no fluid phenomena observed.


A person wearing dark pants with white stars and a red top enters the frame from the left, holding a red leaf blower with a black tube. They rotate the blower, displaying its side and front, while moving slightly forward. The camera remains stationary, focused on the person and the blower, with a bench and potted plants in the background.

A person wearing black pants and a red shirt moves across the frame while holding a red leaf blower. The motion involves the person's locomotion and the leaf blower being carried.

Background elements (bench, plants, wall) remain static and do not shift uniformly. No fire, water, smoke, or wind-driven motion is visible.


RAW CAPTION: Got it, let's tackle this caption. First, the video starts with a group of dancers. Let's check the first frames: 5 dancers (wait, count: in frame 0-3, there are 5? Wait, frame 0: 5 dancers with red flags. They're in a line, holding red flags, dancing. Then frame 4, the scene changes to another group. Wait, frame 3 to 4: the background changes, lights come on. Let's list each segment.

First part (frames 0-3): A group of five dancers in black outfits stand on a dark stage, each holding a red flag. They move in unison, raising and lowering the flags. The lighting is dim, with a spotlight on them.

Then frame 4-5: The scene transitions to a brighter stage with multiple spotlights. A larger group (let's count: 7 dancers? Frame 4 shows 7 dancers in black and white outfits, dancing in a line. They move forward, arms extended, stepping in sync.

Need to describe chronologically. So first segment: 5 dancers with red flags, black dresses, dark stage, moving. Then transition to another scene with more dancers (maybe 7), different stage lighting, moving in formation.

Check the rules: focus on motion, appearance, number, spatial relationships (but maybe not too much), camera perspective.

Start: Five female dancers in black dresses hold red flags on a dim stage. They move in unison, raising flags overhead and extending arms. The scene transitions to a brighter stage with seven dancers (some in black and white outfits) moving in a line, arms extended, stepping forward under spotlights.

Wait, frame 4: the first group (5) are on a dark stage, then frame 4 is a new scene. So the video starts with 5 dancers, then shifts to 7 dancers.

Camera perspective: The first part is a fixed shot? The video might have a cut between scenes. The caption should note the transition.

Let's structure:

At the beginning, five dancers in black dresses hold red flags on a dimly lit stage, moving in unison with synchronized flag movements. The scene then transitions to a brighter stage with seven dancers in black and white outfits, moving in a line under spotlights, stepping forward with arms extended.

Check for chronology: first part (5 dancers), then second part (7 dancers).

Appearance: first group: black dresses, red flags. Second group: black and white outfits (but frame 4 shows them in black dresses with white sleeves? Wait, frame 4: the dancers are in black dresses with white sleeves? Wait, the description says "black and white outfits" maybe. But need to check.

Wait, the user's example: "five female dancers in black dresses hold red flags on a dimly lit stage, moving in unison with synchronized flag movements. The scene then transitions to a brighter stage with seven dancers in black and white outfits, moving in a line under spotlights, stepping forward with arms extended."

But need to check the video:

Frame 0: 5 dancers (count: left to right, 5), black dresses, red flags. Moving in unison, flags raised.

Frame 1: same 5, but one is raising the flag more.

Frame 2: same.

Frame 3: the background is red, and the dancers are in a formation, maybe a bit more spread out.

Then frame 4: scene changes, the stage is brighter, more dancers (7?), in black outfits but maybe with white accents? Frame 4 shows 7 dancers (left to right: 1st, then others). They're moving in a line, arms extended.

So first part: 5 dancers, black dresses, red flags. Motion: synchronized, raising and lowering flags.

Second part: 7 dancers, black outfits (maybe white sleeves?), moving in a line, stepping forward, arms extended.

Camera perspective: first part is a fixed shot (no movement mentioned), then the transition (cut) to the second scene.

Now, the caption should be concise. Let's write it.

"Five dancers in black dresses hold red flags on a dark stage, moving in unison with synchronized flag movements. The scene transitions to seven dancers in black and white outfits moving in a line under spotlights, stepping forward with extended arms."

Check rules:

a) Motion in order: yes.

b) Appearance and number: yes.

c) Spatial: not much, but the transition is mentioned.

d) Camera: fixed in first part, then cut to new scene.

e) Background minimal: yes.

f) Exclude text, names: yes.

Yes, this works.
</think>

<caption_output>Five dancers in black dresses hold red flags on a dark stage, moving in unison with synchronized flag movements

Dancers (people) moving across the stage in synchronized choreography.

Static background (dark curtain initially, then patterned backdrop) with no fluid or environmental motion (fire, water, wind).


A man in a light blue V-neck shirt and jeans sits against a plain wall. He raises his right hand to his face, then lowers it, adjusts his waist area with both hands, and brings his hand back to his mouth. The camera remains static throughout.

A person is moving their hands and torso (e.g., covering mouth, adjusting clothing) in discrete actions.

The background (white wall and door) is static with no shifting or fluid/environmental motion observed.


A person wearing blue jeans and black sneakers with white laces pushes a gray lawnmower across green grass, moving it back and forth to trim the grass. The camera maintains a low angle, closely following the mower’s path along the ground as it cuts through the vegetation.

A metallic pipe is visible moving across the frame, with a person's feet (in blue jeans and work boots) partially in view. The pipe’s motion appears to be driven by physical interaction (e.g., handling or manipulation).

Grass and static ground elements show no significant shifting or fluid motion (e.g., no wind-driven swaying, water flow, or smoke). No environmental phenomena dominate the scene.


The video is a split-screen showing a person playing a sunburst bass guitar; the top frame displays hands strumming the strings with the left hand on the fretboard, while the bottom frame features a hand pointing at the fret positions and then pressing down on a fret, all against a black background. Camera remains static in a split-screen layout.

The person's hands are moving on the bass guitar's fretboard to press strings and change notes, indicating discrete solid object motion.

The background is static and dark; no fluid or environmental motion (fire, water, smoke, wind) is present.


A large crowd dances energetically in a dimly lit ballroom with red and purple lighting; individuals move in pairs and groups across the central dance floor, some holding hands, others swaying. Diverse attire (dresses, suits, casual) is visible as the camera pans slightly right, capturing the dynamic movement and lively atmosphere while seated guests at perimeter tables observe.

A large crowd of people are dancing with distinct locomotion (stepping, swaying) and arm movements. Their motion is driven by explicit physical forces (muscle movement) and interactions within the dance floor.

The background (walls, curtains, ceiling lights) remains static throughout the clip with no shifting or fluid motion. No fire, water, smoke, or wind is present; the scene is purely indoor with fixed architectural elements.


A person presses a green cactus-shaped tool into a clear glass bowl containing a cracked egg, transferring the yellow yolk into a smaller clear glass bowl positioned to the right. The cactus tool, attached to a brown pot, is lifted and repositioned to separate more yolk. The camera maintains a top-down view, focusing on the hands and bowls against a plain gray background.

Person's hands move to pour the green cactus toy and transfer yellow liquid between bowls. The cactus toy and bowls exhibit explicit displacement due to manual action.

The background (gray wall and wooden table) is static with no shifting. No fluid/environmental motion (fire, water, smoke, wind) dominates the scene; the yellow liquid is controlled pouring, not free-flowing.


An orange-yellow object enters the frame from the top right, moving downward and leftward to interact with green, hole-riddled leaves and brown dried plant matter. The object displaces the foliage and debris, which remain in the foreground. The camera remains static in a close-up perspective throughout.

The hand (partially visible) is moving the green leaves and yellow fruits. The leaves and fruits are shifting in position due to the hand's motion.

The background (wooden surface and out-of-focus elements) remains stationary with no uniform shifting. There is no fire, water, smoke, or wind motion observed.


RAW CAPTION: Got it, let's break this down. The video starts with raw chicken on a grill pan. First frame shows the chicken with a sauce drizzled on top, maybe honey or something. Then a utensil flips it—tongs, I think. The chicken is now cooking, getting browned. Then it's flipped again, maybe, to cook the other side. Then it's moved to a plate with some garnish, like herbs. Need to describe each step chronologically.

Check the rules: focus on motion, main subjects (chicken), chronological order. Describe appearance: raw pink chicken, then browned as it cooks. Spatial: on the grill, flipped, then moved to plate. Background minimal, so just the grill and plate. Camera perspective: probably top-down for the first parts, then maybe a slight shift when moving to the plate.

First part: raw chicken with sauce, being cooked. Then tongs flip it, it's searing, browned. Then flipped again, showing the cooked side. Then placed on a plate with herbs. Camera moves from top-down to maybe a slight angle when placing on plate.

Let me structure it:

- Start: Raw chicken breast on grill pan, light pink with golden sauce drizzled on top.
- Then: Tongs flip the chicken to the other side, cooking on the grill, developing browned edges.
- Then: The flipped chicken shows cooked side, slightly golden-brown.
- Then: The cooked chicken is placed onto a plate with green garnish.

Camera: Top-down during cooking, then a slight shift when moving to plate.

Need to keep it concise. Let's draft:

"Raw chicken breast, light pink with golden sauce, rests on a grill pan. Tongs flip the chicken to cook the other side, revealing browned edges as it sears. The cooked chicken is then transferred to a plate with green garnish. The camera maintains a top-down view during cooking and shifts slightly when placing the chicken on the plate."

Wait, check if the chicken is flipped once or twice. The second frame: "tongs flip the chicken" (from first to second, which is when it's cooking). Third frame: "flipped chicken" (so maybe a second flip to show the other side). Wait the video clips:

Frame 0: raw chicken with sauce on grill.

Frame 1: tongs flip it (so now cooking on the other side).

Frame 2: chicken is seared, browned.

Frame 3: flipped again (showing the cooked side).

Frame 4: placed on plate with herbs.

Wait the user's input:

[0.0] chicken raw with sauce.

[1.4] tongs flip it (so now cooking, the other side).

[2.5] flipped chicken on grill, cooking.

[3.6] chicken placed on plate.

Wait the user's input: the video is 0.0 to 4.7, with frames as 1.4 (flip), 2.5 (searing), 3.6 (plated).

So:

- Starts with raw chicken breast (light pink) on grill pan with golden sauce drizzled on top.

- Tongs flip the chicken, revealing the opposite side, which begins searing.

- The chicken continues cooking on the grill, developing a golden-brown crust.

- Finally, the fully cooked chicken is transferred to a plate adorned with green garnish.

Camera: Top-down view for the grilling sequence, shifting to a close-up as it's placed on the plate.

Wait, need to check each step:

Frame 0: chicken on grill, raw, with sauce.

Frame 1.4: tongs flip it. So motion: flipping the chicken.

Frame 2.5: chicken is now cooking (searing, browned edges).

Frame 3.6: flipped (maybe second flip? Or same as before) and then placed on plate. Wait the user's description says:

"1.4 seconds] <2.5 seconds] ... [3.6 seconds] ... placed on a plate with green garnish."

Wait the second frame is [1.4] tongs flipping, then [2.5] chicken cooking, [3.6] plated.

So:

Start: Raw chicken breast with golden sauce on a grill pan.

Then: Tongs flip the chicken to the other side, starting to sear.

Then: The chicken continues cooking, developing a golden-brown crust.

Finally: The cooked chicken is placed onto a plate with green garnish.

Camera perspective: Top-down during grilling, then shifts to a close-up for the plating.

Now, concise chronological paragraph. Avoid text (no "yum junk" text, exclude). So:

"Raw chicken breast, light pink with golden sauce, sits on a grill pan. Tongs

A single piece of chicken breast is manipulated by tongs, undergoing flipping and cooking. The chicken is a discrete solid object moving due to physical forces (tongs) and thermal changes (browning).

The background consists of a static grill surface with no significant shifting or fluid motion (e.g., no fire, water flow, or wind-driven elements). Minor steam or oil vapor is present but not dominant.


Two individuals sit side by side: one in an orange shirt, the other in a gray shirt with sunglasses. The person in orange holds a small object near their mouth, then brings it to their mouth as if consuming, while the person in gray shifts their head and body slightly. The camera remains static, capturing them from the front against a plain background.

Two people (discrete solid objects) are moving: the person on the left is making hand gestures and bringing hands to mouth, the person on the right is making slight head and mouth movements.

The background is a static wall with no shifting or environmental motion (e.g., fire, water, wind).


A gray industrial machine with a paper roll outputs red, plastic-wrapped meat packages onto a conveyor belt, which transports them continuously toward a blue cart positioned to the right; the packages move in a straight line, entering the cart as they progress. The camera remains mostly static with minor adjustments, capturing the automated packaging motion from a fixed perspective.

Pink bags moving along a conveyor belt system; the conveyor belt is a mechanical system transporting the bags from one point to another.

No shifting background or fluid/environmental motion observed (no fire, water, smoke, wind). Background elements (wall, machinery) are static.


A person wearing orange and black gloves holds a yellow and white handheld device, pressing a button on its surface. The concrete ground serves as the background. The camera maintains a close-up perspective focused on the hands and device throughout the pressing motion.

A person wearing orange and yellow gloves is manipulating a solid device (likely an AED/defibrillator) with deliberate hand movements.

Concrete ground background is static with no shifting elements or fluid environmental motion (e.g., water, smoke, wind).


In the video, a person uses a slotted spoon to transfer golden, cooked potato chunks from a large stainless steel pot on a black stovetop to a white plate positioned to the right of the pot. The person’s hands manipulate the spoon, lifting potatoes from the pot and placing them onto the plate, with the pot containing remaining potatoes and some browned residue. The camera maintains a static top-down view throughout the sequence, capturing the transfer motion against a wooden floor background.

Discrete solid objects (potatoes, ladle) are moved: potatoes are transferred from a plate to the pot and stirred within the pot using the ladle, driven by explicit physical forces (human manipulation).

Static background elements (wooden floor, stove) show no uniform shifting. Boiling water exhibits ambient environmental motion, but it is not the dominant visual focus.


A person in a brown suit and white shirt holds a clarinet, positioning their hands on the instrument's keys; the camera slowly moves upward, revealing the individual bringing the clarinet to their mouth to play, with a microphone visible to the left. The camera maintains a close-up perspective, gradually shifting to capture the upper body and face as the person begins to play.

The primary discrete objects are a person (saxophonist) and a saxophone. The person’s hands and head move to play the instrument, indicating physical motion from intentional action.

The background features a static blue-and-white backdrop with no visible shifting, fluid motion, or environmental effects (e.g., no fire, water, smoke, or wind-driven movement).


A person wearing black gloves pours oil from a metallic bottle into a car engine's oil fill port, tilting the bottle to direct the stream. The hands, positioned in front of the open engine, steadily guide the bottle as the oil flows into the port. The camera remains close-up and static, focusing on the pouring action with minimal background detail.

Gloved human hands and a tool (screwdriver) are moving discretely to manipulate engine components, showing explicit physical forces (manual work).

The workshop background (tools, containers, walls) is static with no fluid environmental motion (fire, water, smoke, wind) or uniform shifting.


A person in a dark blue shirt and blue jeans adjusts bicycle spokes with a tool, lifts the wheel to reposition it, and then manipulates the bicycle frame. The camera maintains a close perspective, shifting slightly as the person moves the wheel and interacts with the frame.

Person manipulates a bicycle wheel (spinning, adjusting spokes) using tools; discrete solid objects (person, bike wheel, tools) move due to physical interactions.

Static background elements (windows, wall) show no uniform shifting; no fluid/environmental motion (fire, water, smoke, wind) present.


A person wearing a blue striped shirt uses a metallic fork to twirl spaghetti and meat sauce on a white plate, lifting the fork with pasta toward their mouth. The plate rests on a brown paper mat atop a white table, with a small white object positioned to the right. The camera maintains a static top-down view throughout the sequence.

Discrete solid objects include the person’s hands and the fork interacting with pasta; the fork stirs the pasta and lifts a portion to the mouth.

The background consists of a static table surface, plate, and dark backdrop with no shifting or fluid motion (e.g., no fire, water, smoke, or wind).


A hand presses a round, golden-brown bread-like object into a white bowl filled with a granular substance, moving it in circular motions to coat the surface. The hand continues rotating and pressing the bread into the bowl, which rests on a patterned table surface. The camera maintains a steady top-down perspective throughout.

A hand is actively shaping and manipulating a soft, dough-like object within a bowl, demonstrating discrete solid object motion driven by physical force.

Static background with polka dot tablecloth and stationary objects; no shifting backgrounds, fire, water, smoke, or wind observed.


A single person in black attire performs a series of movements in a yellow-walled room with wooden flooring; they begin with arms outstretched, pivot to face the rear of the room, walk toward a door while extending arms, then turn back to face the camera with arms extended. The background includes a table, chairs, and closed doors, but the focus remains on the person's motion. The camera remains stationary throughout.

A single person (dancer) is moving through a series of dance steps and arm movements, demonstrating locomotion and body motion.

Background is static (no shifting of walls or doors); no fluid/environmental motion (no fire, water, smoke, wind).


A young boy in a gray shirt sits at a table, initially holding a spoon near his face. He then uses a fork to scoop noodles from a white bowl and brings them to his mouth. On the table, a clear cup filled with orange liquid and a large orange Fanta bottle are positioned to the right of the bowl. Behind him, beige couches and a computer are visible in the background. The camera remains stationary throughout the sequence.

A child is actively eating; discrete motion includes head movements, hand gestures, and bringing food to mouth, indicating solid object locomotion due to self-initiated physical actions.

Background elements (sofas, window, walls) remain static across frames with no shifting or environmental motion (fire, water, smoke, wind) observed.


A person with long curly hair and glasses, wearing a dark shirt, holds a white flute horizontally. They lift it to their mouth, play briefly, then lower it away. The background includes a window with panes and a framed picture. The camera maintains a close-up perspective with slight movement.

The person is moving their hands to play a flute-like instrument; finger movements and the act of blowing into the instrument are discrete solid object motions.

Background elements (window, painting) are stationary. No fluid or environmental motion (fire, water, wind) observed.


Two hands are positioned in front of a black laptop on a brown table. Initially, the hands are clasped together; then, fingers interlock with one hand moving over the other in a smooth motion. The hands remain the central focus, with the laptop visible behind them. The camera maintains a static top-down perspective throughout.

Two human hands are moving; one hand manipulates the other in a gesture, indicating solid, discrete objects in motion due to physical interaction.

The background contains a stationary laptop and table; no shifting background elements or fluid/environmental motion (fire, water, smoke, wind) is observed.


tags.  Let me draft:  A tabby cat with brown and black stripes sits upright on a small wooden table. A person's hand in a red sleeve enters from the right, lifting the cat by its front legs as the cat's hind legs dangle. The hand holds the cat up, moving it slightly. The background features a green wall with faint scribbles and a brown cushion. The camera remains static throughout.  Check if all rules are followed: chronological order (yes), appearance and number (tabby cat, one hand), spatial (hand from right, cat on table), camera static. Background minimal, no text, no named characters. Looks good. </think>  <caption_output>A tabby cat with brown and black stripes sits upright on a small wooden table. A person's hand in a red sleeve enters from the right, lifting the cat by its front legs as the cat's hind legs dangle. The hand holds the cat up, moving it slightly. The background features a green wall with faint scribbles and a brown cushion. The camera remains static throughout.

A tabby cat and a human hand are the discrete objects. The cat stands on hind legs, jumps, and reaches for the hand, while the hand actively pets and lifts the cat. Motion is driven by direct physical interaction (hand contact) and the cat's reaction.

The green wall and surrounding elements (e.g., couch, electrical cord) remain static with no fluid or gaseous motion (fire, water, smoke, wind). Background shows consistent, non-uniform motion patterns indicating no environmental fluid dynamics.


The video opens with a close-up of hands holding a clarinet, followed by a cut to a person wearing a dark gray shirt over a purple undershirt standing against a plain white background. The individual faces the camera directly, maintaining a neutral posture. The camera perspective shifts from a tight focus on the clarinet to a medium shot of the person, capturing their upper body. The background remains unobtrusive and consistently plain throughout.

A person is speaking, with minimal head and mouth movement indicating voluntary locomotion (e.g., speech-related motion).

The background is a plain white wall with no shifting or fluid motion; no fire, water, smoke, or wind effects observed.


A person in light-colored clothing is suspended upside down during a bungee jump, rotating backward while moving against a clear blue sky with faint clouds. They swing upward, transitioning through inverted and upright positions, with the camera following their motion closely, exhibiting a slight shake as they complete the swing cycle.

A person (bungee jumper) is the discrete object, swinging back and forth due to elastic forces from the bungee cord and gravity. The motion is clearly tracked as a solid object responding to physical forces.

The background consists of a clear blue sky with wispy clouds. While the clouds show minimal atmospheric motion (wind), this is not dominant; the scene lacks fire, water, or smoke. Cloud movement is ambient but secondary to the subject motion.


The video begins with a pink fabric, followed by a hand lifting the fabric to reveal the shirtless torso of a muscular man. The camera captures the upward movement of the fabric, exposing his chest and abdomen as he adjusts his shirt. The scene maintains focus on his upper body with slight camera shake against a dark background.

A person lying on a couch is moving (adjusting position, turning head, moving arms).

No significant ambient motion (fire, water, smoke, wind). Background elements (room, couch) are static and not shifting uniformly.


A person wearing a black and white top, purple leggings, and neon green shoes pushes a silver pickup truck forward along a paved road. The individual starts with their hands on the truck’s tailgate, leaning backward, then shifts to push the vehicle steadily. The truck moves slowly, with the person positioned directly behind it, maintaining contact with the rear. The background includes grassy areas and trees, but remains peripheral to the motion. The camera captures the action from a stationary, rear-facing perspective, following the truck’s movement.

A person in athletic wear is actively pushing against the rear of a stationary pickup truck. The person's motion is characterized by repeated, forceful body movements (leaning, straining) as they attempt to move the truck.

No shifting backgrounds or fluid/environmental motion observed (e.g., no fire, water, smoke, or wind-driven motion). Static elements like grass, trees, and the road remain stable throughout the sequence.


A young child wearing a green shirt sits in a high chair, bringing hands to mouth, then raising one hand toward the face while looking directly at the camera and moving fingers near the nose and mouth. The camera maintains a close-up perspective with slight shake, focusing on the child's upper body and hand movements.

The child (in green shirt) is moving their hand and mouth to eat food, with deliberate hand movements (e.g., bringing food to mouth, wiping hands). No other discrete objects exhibit motion.

No shifting backgrounds observed; no fluid or environmental motion (e.g., fire, water, smoke, wind) present. Background elements (yellow container, metal chair) remain stationary throughout.


RAW CAPTION: Got it, let's break this down. First, the video shows a tray with cookies. A hand uses a cloth to lift the tray, then moves it. Then the tray is placed next to a wire rack. The text says to place cookies on the wire for 15 minutes. Wait, but I need to follow the rules: exclude text recognition, so ignore that text. Focus on motion.

Main subjects: hand, tray with cookies, wire rack. Chronological order: first, tray with cookies on table. Hand lifts tray with cloth (from tray to table?), then moves tray to the side, then places the cookies on the wire rack. Wait, in the frames: frame 0 has tray with cookies on paper. Frame 1: hand with cloth touches tray. Frame 2: tray is lifted, showing some cookies on table. Frame 3: tray is moved to the left, wire rack is on the right. Frame 4: hand places the wire rack? Wait, no. Let's see:

Frame 0: Tray with 9 cookies on baking paper. Frame 1: Hand holds cloth, lifting the tray (so moving tray off the table). Frame 2: Tray is partially lifted, showing more of the table. Frame 3: Tray is moved to the left, and wire rack is on the right. Frame 4: Hand places a cookie on the wire rack? Wait, no, the text says "place cooked cookies on a wire for next 15 minutes". But the action: the tray is lifted, then the wire rack is brought into position, then the cookies are placed on the rack.

Wait, step by step:

1. Initial: Tray with cookies on baking paper on wooden table. 2. A hand uses a white cloth to lift the baking tray. 3. The tray is moved to the left side of the frame, revealing a wire rack to the right. 4. The hand then places the cookies from the tray onto the wire rack.

Wait, in the video:

Frame 0: Tray with 9 cookies on paper. Frame 1: Hand with cloth moves the tray (lifts it, so taking it off the table). Frame 2: Tray is held, showing some cookies on the table (so the tray was lifted, and now it's being moved). Frame 3: Tray is on the left, wire rack on the right. Frame 4: Hand moves the wire rack? Wait, no, the text says "place cooked cookies on a wire". So the action is placing the cookies on the wire rack. So the sequence:

- A hand uses a cloth to lift the baking tray containing cookies. - The tray is moved to the left, leaving the wire rack visible on the right. - The cookies are then placed onto the wire rack.

Also, the cookies are golden brown, round, with chocolate chips. But need to mention appearance briefly. Number: 9 cookies. Spatial: tray is on the table, wire rack is to the right of the tray when the tray is moved left.

Camera perspective: top-down view throughout.

Now, structure the caption:

Start with initial scene: tray with 9 golden-brown chocolate chip cookies on baking paper on wooden table. Then a hand uses a white cloth to lift the tray, moving it left. Then, the tray is positioned so the cookies are placed onto a nearby metal wire rack. The camera remains top-down, showing the transfer of cookies from the tray to the rack.

Check rules:

- Motion and behavior: hand lifting tray, moving it, placing cookies on rack.

- Appearance: cookies are golden-brown, round, with chocolate chips; 9 of them.

- Spatial: tray initially on table, wire rack to the right when tray is moved left.

- Camera: top-down, no movement (stays top-down).

- Background: minimal, just wooden table.

- Exclude text, so no mention of the text overlay.

So:

A hand uses a white cloth to lift a baking tray holding nine golden-brown chocolate chip cookies from a wooden table, moving the tray to the left side of the frame. The tray is then positioned next to a metal wire rack on the right, and the cookies are placed onto the rack. The camera maintains a top-down view throughout the sequence.

Wait, but how do the cookies get placed on the rack? In frame 3, the hand is near the rack, maybe moving the rack? Wait, the video frames:

Frame 0: Tray with cookies.

Frame 1: Hand with cloth lifts tray (tray is lifted, cookies still on tray).

Frame 2: Tray is held, showing the table (so tray is moved away from table, leaving the rack visible).

Frame 3: Wire rack is brought closer? Frame 4: The hand moves the rack. Wait, the text

A hand moves a baking tray with cookies, placing them onto a wire rack. The tray and cookies are discrete solid objects moved by an explicit physical force (human hand action).

Background elements (wooden table) are static; no environmental fluids, fire, or wind observed. Static table surface and stationary wire rack indicate no ambient motion.


A climber wearing a white helmet, green shirt, and black pants ascends a rocky cliff, gripping a yellow and blue rope while adjusting brown climbing ropes. They shift weight upward, manipulating the ropes as they move. The background features rocky terrain. The camera maintains a stable perspective with slight movement to follow the climber.

A person (rock climber) is ascending a rock face using ropes and climbing gear, making deliberate movements.

Background elements (rock face and terrain) are static with no shifting motion. No fluid or environmental motion (e.g., fire, water, wind) is present.


A person in a dark jacket adjusts a silver bicycle frame’s rear components while standing beside a blue workbench. They move their hand from the bike’s chain area to their side. The camera pans left, revealing more of the cluttered workshop with tools and containers on shelves, including a yellow toolbox and mechanical parts. The background features a pegboard with stored items and a green bin.

A person's hands and a bicycle component are moving, with the person adjusting parts of the bicycle frame.

The background contains shelves and tools that remain stationary relative to the frame; no fluid motion (fire, water, wind) is present.


A boy in a white graphic tee and plaid shorts stands in a living room, holding a trombone to his lips and moving the slide. Another child in a dark shirt and jeans emerges behind him, holding a red object, standing close to the first boy's back. The camera remains stationary throughout, capturing the scene from a fixed angle with minimal background detail.

Briefly describe what discrete, solid objects are moving.

Briefly check for shifting backgrounds or fluid/environmental motion (fire, water, wind).


A hand with a dark sleeve manipulates Christmas-themed wrapping papers, lifting and rearranging red and green patterned sheets featuring holly, diamonds, and snowflakes. The hand then shifts to reveal a red card with a green decorative tree cutout. The scene is set on a holly-patterned tablecloth, viewed from a top-down perspective with minimal camera movement.

A person's hand is actively moving a book/card, flipping pages and repositioning it. The book itself exhibits discrete motion due to manual manipulation.

Background consists of static patterned fabric with no shifting or fluid motion; no fire, water, smoke, or wind present.


A swimmer in a black swimsuit and white cap performs a freestyle stroke in a pool, moving forward with alternating arm movements and kicking legs; the swimmer remains centered in the frame as the camera follows their motion from a side perspective, capturing their progression through the water against the pool's blue surface and lane lines.

A single swimmer in a black swimsuit and white cap is the discrete object, moving through water via swimming motions.

Background elements (pool lane lines and walls) are static with no uniform shifting; water movement is secondary to the swimmer's motion and not dominant.


Close-up of two light-skinned hands holding and manipulating a smartphone against a blurred sunset backdrop with water and distant hills. The scene transitions to a person seated by a pool, wearing a plaid shirt and white shorts, holding a smartphone with both hands; the background shows a calm pool and blurred greenery. The camera shifts from a close-up of hands to a medium shot of the seated person, cutting between the two scenes without noticeable movement.

Hands holding and interacting with a smartphone (typing, swiping) and a seated person by the water holding a phone exhibit discrete solid-object motion from intentional physical actions.

The background (water, trees, sky) shows minimal movement with subtle ripples in the water, which are not dominant; no uniform shifting of static background elements (e.g., trees, horizon) indicates camera motion, and there is no fire, smoke, or strong wind motion.


RAW CAPTION: Got it, let's see. The video starts with two people holding hands. They're wearing colorful traditional clothes, one in red and black patterns, the other in green with yellow and red. They're standing in a room with a door and some cabinets in the background. Then, they shake hands firmly. The camera angle is steady, focusing on their hands. After that, the scene cuts to a blue screen with text, but we have to exclude text recognition. So the main motion is the handshake. Let's structure it chronologically.

First, two individuals with vibrant, patterned clothing shake hands. The first person (left) has red and black attire, the second (right) green with yellow and red. They stand facing each other, hands clasped. Then, the camera moves slightly downward as the handshake tightens. The background has a light-colored door and cabinets, but keep it minimal. End with the camera perspective: close-up on hands, then the blue screen, but the rules say exclude text, so focus on the action before the text. Wait, the video has 5 seconds: first 3 seconds of handshake, then transition to blue screen with text. But the caption should focus on motion. So the main event is two people shaking hands firmly, described in order.

Need to mention appearance (color, pattern), motion (handshake), spatial (facing each other), background minimal. Camera: starts close-up on hands, maybe slight movement. Let's draft:

Two individuals in colorful patterned traditional garments engage in a handshake. The person on the left wears red and black designs, while the right individual has green with yellow and red patterns. They face each other, hands clasped tightly. The camera maintains a close-up focus on their hands as they maintain a firm grip. In the background, a light-colored door and cabinets are visible but remain out of focus. The scene transitions to a blue screen after the handshake, but the primary action centers on the handshake motion.

Wait, but the rules say exclude text recognition, so the blue screen with text is mentioned as part of the video, but we don't include the text. So the transition to blue screen is part of the video's flow but not the main action. The main action is the handshake. Let's check the video: first 3-4 seconds of handshake, then blue screen. So the caption should cover the handshake action.

Let me check the rules again: a) motion and behavior in chronological order. So first, two people shake hands. Their appearance: color, pattern. Spatial: facing each other. Background: minimal. Camera: close-up, maybe slight movement.

So the caption would be:

Two people wearing vibrant, patterned traditional clothing shake hands firmly. The individual on the left has red and black designs, while the right individual wears green with yellow and red patterns. They face each other, hands clasped in a tight grip. The camera focuses closely on their hands, remaining steady as the handshake occurs. In the background, a light-colored door and cabinets are visible but do not obstruct the main action. The scene transitions to a blue screen after the handshake sequence.

Wait, but the blue screen is part of the video, but the rules say exclude text, so the transition is noted but not the text. Also, the camera movement: in the first part, the camera might move slightly downward as the video progresses (from frame 0 to 3, the hands are shown from different angles). The original video shows the hands moving slightly, so maybe "the camera maintains a close-up focus, shifting slightly downward as the handshake continues."

Let me check the video frames:

Frame 0: hands clasped, background door.

Frame 1-2: hands still clasped, maybe slight movement.

Frame 3: same, then frame 4: blue screen.

So the motion is the handshake (firm grip), then transition to blue screen.

So the caption should be:

Two individuals in colorful traditional garments—left in red and black patterns, right in green with yellow and red patterns—engage in a firm handshake. They face each other, hands clasped tightly. The camera maintains a close-up view, shifting slightly downward as the handshake persists. The background includes a light-colored door and cabinets, but the focus remains on the handshake. The scene then transitions to a blue screen.

But need to check the rules: c) mention spatial relationships if relevant. They are facing each other, so in front of each other.

Also, keep it concise. Let's shorten:

Two people wearing vibrant, patterned traditional clothing shake hands firmly. The left individual has red and black designs, the right has green with yellow and red. They face each other, hands clasped tightly. The camera focuses closely on their hands, shifting slightly downward during the handshake. A light-colored door and cabinets are visible in the background but remain out of focus. The

Two people (solid objects) are shaking hands, which involves controlled movement of hands and arms due to explicit physical forces (handshake).

The background (indoor room with door and walls) is static with no fluid/environmental motion. The transition to a blue screen with text is a static image, not a motion event.


A clear glass with an etched pattern sits on a perforated metallic surface. A dark cylindrical object pours liquid into the glass, which fills gradually. A hand with orange-tinted skin appears, gripping the glass from below. The camera maintains a close-up view focused on the glass, capturing the liquid pouring and the hand's positioning, with minimal background visible.

A hand manipulates a glass containing liquid with rising bubbles; the glass is the primary discrete object undergoing motion due to manual handling.

Static background elements (perforated tray) show no shifting or uniform motion. Fluid motion (bubbles in liquid) is present but not dominant compared to discrete object interaction.


Hands typing on a smartphone (finger movement on keyboard) and a person walking outside a building (locomotion) are solid, distinct objects moving due to explicit physical forces (typing motion and walking).

No shifting backgrounds; no fire, water, wind, or other fluid/environmental motion detected. Static background elements (building, ground) are present and show no uniform movement.


A group of six dancers in white dresses move across the stage holding a large white cloth, shifting positions to manipulate the fabric into dynamic shapes. A silhouette of a person appears in the foreground, gesturing toward the performance. The dancers continue their coordinated motion, with the cloth forming a horizontal line that tilts as they move. The camera maintains a fixed audience perspective, slightly shaky, capturing the scene from a low angle with a dark curtain backdrop.

Multiple dancers in white costumes are moving synchronously, holding a long fabric that extends across the stage. Their motion involves coordinated lifting, shifting, and repositioning of the fabric and their bodies.

The stage background (dark walls, floor) shows no uniform shifting; no fire, water, smoke, or wind effects present. Static background elements (e.g., stage edges) remain consistent across frames.


A hand holding a pink and purple toilet brush scrubs the interior of a white toilet bowl with the lid raised. The hand moves the brush in circular motions within the bowl, then retracts. The camera maintains a top-down perspective throughout, capturing the cleaning action against a minimal bathroom floor background.

A hand holding a toilet brush moves in circular motions to scrub the interior of the toilet bowl, with the brush and hand being distinct solid objects subject to applied force.

The background (toilet seat and wall) is static with no uniform shifting. The water in the toilet bowl is stirred by the brush but is a secondary effect of the discrete object motion, not dominant fluid/environmental motion.


RAW CAPTION: Got it, let's break this down. First, the video starts with a person in a room with bookshelves. The person has blonde hair, wearing a black top, sitting at a table. On the table, there's a drawing of an apple, art supplies, a mug, and a camera. Then, the scene transitions to a close-up of the person handling a black object, probably a camera, on the table. The person manipulates the object, opening it to take out a small item, maybe a memory card. The background includes art supplies like brushes and a blue tray. The camera shifts from a wider shot to a close-up of the hands and the drawing. The main actions are the person sitting at the table with art supplies, then focusing on handling the camera device. Need to describe the motion chronologically: first the person in the room, then the action of opening the device. Also, mention spatial relationships—like the apple drawing in front, art supplies to the left. Keep background minimal. Camera moves from a general view to a close-up.

Check rules: a) motion in order, b) appearance (blonde hair, black top, apple drawing), c) spatial (apple drawing on table, supplies left), d) camera perspective: starts with medium shot, then close-up, e) minimal background (bookshelves in first frame, then art supplies), f) no text. So the caption should start with the person at the table with the apple drawing, then the action of handling the camera. Let's draft:

A person with blonde hair and a black top sits at a table in a room with bookshelves, arranging art supplies including a drawing of a red and yellow apple. The camera focuses on their hands as they manipulate a black device, opening it to extract a small item, with art tools like brushes and a blue tray visible to the left. The camera transitions from a wider shot to a close-up of the hands and the drawing.

Wait, check the video frames: first frame shows the person at the table with bookshelves in the background, then the second frame is a close-up of the hands on the table. The initial frame [0.0] is a wide shot: person sitting at table, bookshelves behind, mug, camera, drawing. Then [1.4] to [5.0] is close-up on hands handling a black object (maybe a camera), drawing on paper in front. So the sequence is: person at table with apple drawing, then close-up of hands opening the device.

So chronologically: First, the person (blonde, black top) sits at a table in a room with bookshelves; on the table are a drawing of a red apple, art supplies, and a camera. The camera then shifts to a close-up of the person’s hands manipulating a black device, opening it to retrieve an item, with the apple drawing visible on the table in front. The camera moves from a medium shot to a close-up.

Ensure concise, chronological. Let's put it together:

A person with blonde hair wearing a black top sits at a table surrounded by art supplies and bookshelves; a drawing of a red and yellow apple rests on the table. The camera focuses on their hands as they handle a black device, opening it to extract a small object, with art tools positioned to the left of the drawing. The camera transitions from a medium shot to a close-up of the hands and the apple drawing.

Check for rule compliance: a) motion order (sitting, handling device), b) appearance (blonde hair, black top, apple), c) spatial (drawing in front, tools left), d) camera movement (medium to close-up), e) background minimal (bookshelves mentioned but not overemphasized), f) no text. Yes.

Now, make sure concise. Maybe shorten:

A blonde-haired person in a black top sits at a table with art supplies and a bookshelf in the background; a red and yellow apple drawing is on the table. The camera shifts to a close-up of their hands opening a black device to retrieve an item, with art tools visible to the left of the drawing.

Wait, the initial frame shows the person sitting, then the next frames are close-up. So the first action is the person sitting (with context), then the hands manipulating the device.

Another version:

The video opens with a person with blonde hair and a black top seated at a table in a room with bookshelves; an apple drawing and art supplies are on the table. The camera then focuses on the person’s hands as they open a black device to remove a small object, keeping the apple drawing visible in the foreground.

That's better. Let's check length. Needs to be concise. Final version:

A blonde-haired person in a black top sits at a table with a bookshelf background,

The person (wearing black) is moving their hands to pick up and adjust a camera. The camera is a discrete object being manipulated by the person's hands.

The background (bookshelves, desk, etc.) is static and shows no shifting or fluid motion. No fire, water, smoke, or wind is present.


A person in a gray hoodie sits in a chair as another individual in a light purple shirt applies a bandage to their forehead; the seated person smiles and looks around after the bandage is placed, with the standing person stepping back. The camera remains close-up and slightly shaky, capturing the interaction with minimal background details.

Discrete solid objects (a seated person and a hand applying a bandage) show physical motion through explicit interactions (bandage placement, facial expressions, head movements).

Background elements (window, furniture, table items) show no uniform shifting or fluid motion (fire, water, smoke, wind).