RAW CAPTION: Got it, let's tackle this caption. First, the main subject is a man in a light-colored shirt. He's standing in front of a whiteboard. The video starts with him pointing at the whiteboard, which has some writing. Then he turns to face the camera, holds a marker, and seems to be explaining. Let's check the rules.

a) Motion and behavior chronologically: He points (first action), then turns, holds a marker, maybe moves the marker. Wait, the video sequence: [0.0] he points at the whiteboard, then [1.4] he's holding a marker, moves to the left, then [2.5] he's holding two markers? Wait, no, the frames:

[0.0] He's pointing at the whiteboard, which has "de 120=72" maybe. [1.4] He's now holding something, moving. Then [2.5] he's holding a marker, then [3.5] he raises the marker. Wait, the video shows his actions: starts pointing, then turns, holds a marker, gestures, maybe moves markers.

Focus on motion: initial pointing, then turning to face camera, holding markers, raising one, then moving hand.

Appearance: man in light shirt, standing. Number: one man.

Spatial: in front of whiteboard, with objects on top (small figurines, framed picture).

But rules say exclude text recognition, so don't mention "de 120=72". Background: whiteboard with decorations, but minimal.

Camera: seems static, maybe slight movement? Wait, the frames don't show camera moving, but the video might have a static shot. Let's check. The description says "camera perspective and movement" – since the video is probably fixed, but the instruction says "conclude with camera perspective and movement". So maybe "static" or "fixed camera".

Now, chronology:

1. Man points at whiteboard with right hand.
2. Turns body to face camera, holds marker in hands.
3. Raises marker in right hand, gestures.
4. Moves marker to left hand, then right hand gesture.

Wait, from the frames:

Frame 0: points at whiteboard (right hand)
Frame 1.4: hands near chest, maybe adjusting
Frame 2.5: holding markers, turns to face camera
Frame 3.5: raises marker (right hand) with marker
Frame 4.7: holds markers, gestures

So step by step:

- Man initially points with right hand towards the whiteboard.
- He then turns his body to face the camera while holding markers.
- He raises a marker in his right hand, gesturing.
- He moves the marker to his left hand, then gestures with his right hand.

Appearance: Man wears a light-colored, buttoned shirt.

Spatial: Standing in front of the whiteboard, with small objects and a framed photo on top of the whiteboard.

But rules say "background descriptions minimal unless essential". So maybe just "whiteboard with decorative items on top".

Camera: The video uses a static camera angle, no noticeable movement.

Now, structure the paragraph:

A man in a light-colored shirt stands in front of a whiteboard with small decorations on top. Initially, he points toward the whiteboard with his right hand, then turns to face the camera while holding markers. He raises a marker in his right hand and gestures, subsequently moving the marker to his left hand.

Wait, need to be concise. Let's check the rules: chronological, motion, behavior.

First action: pointing at whiteboard (right hand)
Then: turns to face camera, holds markers (maybe two markers)
Then: raises one marker (right hand), gestures.

So:

The man in a light-colored shirt points toward a whiteboard with his right hand, then turns to face the camera while holding markers in both hands. He raises a marker in his right hand and gestures, subsequently moving it to his left hand.

Check background: minimal. The whiteboard has decorations but we don't need to detail. The camera is static.

Wait, the rules say "conclude with camera perspective and movement". So end with "static camera".

Putting it all together:

A man in a light-colored shirt stands before a whiteboard adorned with small decorations. He initially points at the whiteboard with his right hand, then turns to face the camera while holding markers, raises a marker in his right hand, and later moves it to his left hand. The camera remains static.

Wait, but "adorned with small decorations" – that's minimal. The problem says "background descriptions minimal unless essential for understanding motion". If the decorations are on the whiteboard, they don't affect motion, so maybe "whiteboard with decorations on top" but the instruction says minimal

The man is actively moving his arms (pointing, holding a red marker) and upper body, demonstrating discrete physical motion through locomotion and gestural actions.

The wall, red-framed picture, and static objects on the wall remain stationary throughout the video with no visible shifting or environmental motion (e.g., wind, smoke, or fluids).


RAW CAPTION: Okay, let me tackle this video captioning task. First, I need to understand what the user is asking for. They want a concise, chronological paragraph describing the video, following specific rules. Let me go through the rules again to make sure I don't miss anything.

The main points are: focus on motion and behavior of main subjects in chronological order, describe appearance and number (color, size, orientation), mention spatial relationships if relevant, conclude with camera perspective and movement, keep background minimal, exclude text recognition, named characters, or stylistic analysis.

Looking at the video clips provided. The first frame shows three women dancing in a room. The first woman is in a blue tank top, the second in purple with "ZUMBA" on the back, and the third in a purple top. They're moving energetically. Then the scene cuts to a black screen with "Reportage William Levasseur" text, but rule f says to exclude text recognition, so I shouldn't mention that. Next, there's a Zumba fitness logo with two women dancing against a pink background.

Wait, but the user provided four frames. The first frame is the dance studio scene, then a black screen with text (which I need to ignore), then the Zumba logo with two women. The task is to describe the provided video in chronological order.

So the video starts with three women dancing. The first part is the studio scene. Then it cuts to a black screen (but since we exclude text, maybe just note the transition). Then the Zumba logo scene. But the user says "provided video" which includes these frames. Wait, the video might have these as sequential frames.

Wait, the user provided four frames:

[0.0] shows three women dancing.

[0.0] is the first frame. Then [0.3] is black with text. Then [1.4] is the Zumba logo screen.

Wait, the timestamps given are 0.0, 0.3, 1.4, etc. But the actual video sequence is:

Frame 0: Three women dancing in a studio.

Frame 1: Black screen with text (but exclude text).

Frame 2: Zumba logo with two women.

So the chronological order of the video is:

1. Three women dancing in a studio.

2. Transition to a black screen (but no text mentioned as per rules).

3. Then the Zumba logo with two women dancing.

Wait, the user's example shows the video starts with the three women, then goes to a black screen (with text), then the Zumba logo. But according to the rules, exclude text, so the black screen might be just a transition, but maybe the caption should mention the transition. Wait, the user says "exclude text recognition", so if there's a black screen, do we mention it? The rules say "keep background descriptions minimal unless essential for understanding motion". A black screen isn't essential, but the transition from the dance studio to the logo scene is part of the video.

So the caption should note the initial dance, then a cut to the Zumba logo scene.

Let me structure it.

First part: Three women dancing. Describe their appearance: one in blue tank top, one in purple with "ZUMBA" on back (but rule f says exclude named characters, so maybe just "purple top", and the number is three. Their motion: moving in a dance studio. Background is floral wallpaper and red bench.

Then the transition to the black screen (but since text is excluded, just mention the transition), then the Zumba scene with two women in bright shirts.

Wait, but the exact sequence in the video:

Frame 0: three women dancing.

Frame 1: black screen (with text, which we ignore).

Frame 2: Zumba logo with two women.

So the caption should go: First, three women dance in a studio with floral wallpaper and a red bench. Then the scene cuts to a black screen followed by two women dancing against a pink background with the Zumba logo.

Wait, but the user says "conclude with camera perspective and movement". Let's see.

In the first scene, the camera is probably static, maybe a medium shot capturing the dancers. Then the transition to the Zumba scene, which is a static shot as well.

Wait, the first frame shows the three women moving; the camera might be stationary. The transition to the black screen, then the Zumba logo is a static image.

So the caption should mention the camera perspective in each scene.

Rule d: "Conclude with the camera perspective and movement (e.g., top-down, pan left, slight shake)."

So in the first part, the camera is probably a static shot (no movement mentioned). Then the transition to the next scene, which is a static image.

Wait, the first frame

Three distinct human dancers (two in purple, one in blue) move through locomotion in the first scene. Two distinct human dancers move through locomotion in the advertisement scene. All motions are due to explicit physical forces (muscle movement) and are trackable via bounding boxes.

No shifting backgrounds observed; walls and equipment in the first scene are static. The second scene features a uniform pink background with no fluid, fire, or wind motion. No environmental elements dominate the motion.


Two men sit at a wooden table; one wears a black shirt, the other a blue shirt, each with a glass of dark liquid in front of them, and a brown beer bottle with a green label centered between them. The man in the black shirt gestures with his right hand while speaking, then the man in the blue shirt gestures with both hands as they converse. The camera remains stationary, facing the subjects directly.

Two individuals are making hand gestures and slight head movements while conversing, representing discrete solid objects in motion due to human locomotion/gestures.

Background elements (signs, decorations) are static; no fluid or wind-driven motion observed (e.g., fire, water, smoke, or swaying trees).


A woman in a black blazer, a girl in a striped shirt, and a boy in an orange shirt interact in a room with wooden walls. Initially, the woman and girl hold hands; the girl then moves her hand, the boy raises his, and all three engage in playful hand motions while positioned with the boy between them. The camera remains stationary throughout.

The woman (black blazer), girl (striped shirt), and boy (orange shirt) are discrete objects moving: the woman gestures with hands while holding the girl's hand, the girl manipulates a purple cloth and moves her arms, and the boy adjusts his shirt and makes expressive hand movements.

The wooden wall, framed pictures, and guitar in the background show no shifting or motion. No fire, water, smoke, or wind is present, eliminating ambient environmental motion.


RAW CAPTION: Got it, let's break this down. First, the video starts with a close-up of a player in a dark jersey with a red stripe. Then it cuts to a wide view of the soccer field where players from two teams (one in dark, one in light) are near the goal. The ball is in play, players are moving towards the goal, the goalkeeper is in red. Then there's a close-up of two players in dark jerseys interacting. Need to make sure the caption is chronological: start with close-up of player, then wide shot of the field with action, then close-up of two players. Mention the main subjects: players, ball, goalkeeper. Spatial relationships: players around the goal, goalkeeper near the net. Camera moves from close-up to wide, then close-up. Background is the stadium but minimal. Exclude text, names. Let's structure it.

First part: Close-up of a player in a dark jersey with red accent. Then, the scene shifts to a wide view of the soccer match at the Parc des Princes, showing multiple players (dark and light jerseys) competing near the goal, with a goalkeeper in red defending. The ball is passed towards the goal, and players move dynamically. Next, close-up of two players in dark jerseys interacting. Camera transitions from close-up to wide, then to another close-up. Keep it concise, chronological.

Check rules: focus on motion, chronological order. Describe appearance: dark jerseys with red stripe, light jerseys, red goalkeeper. Spatial: near the goal, players surrounding the goal area. Camera: starts close-up, then wide (top-down?), then close-up. Background minimal. Exclude text.

Let me draft:

A player in a dark jersey with a red stripe is shown in close-up. The scene transitions to a wide view of a soccer field where multiple players in dark and light jerseys are competing near the goal; a red-jerseyed goalkeeper defends, while the ball moves toward the net as players maneuver around it. The camera then cuts to a close-up of two dark-jerseyed players interacting. The sequence progresses with the camera shifting from close-up to wide-angle and back to close-up, capturing the dynamic movement of players near the goal.

Wait, check the video: the first frame is a close-up (0.0s), then 0.0-0.3s is close-up, then 0.3-0.4s is wide shot of the field with players near goal, then 0.4-0.5s is still wide but maybe the ball is kicked, then 0.5-0.6s is the goalkeeper, then 0.6-0.7s is close-up of two players. So chronological order: close-up of player, then wide shot of the field with players around goal (including goalkeeper), then close-up of two players. Also, the players: number not specified, but "multiple" or "several". Appearance: dark jerseys (some with red stripes), light jerseys, red goalkeeper. Spatial: players near the goal, goalkeeper near the net. Camera movement: starts close-up, then cuts to wide-angle (top-down?), then cuts to close-up.

Need to be concise. Let's make it:

A player in a dark jersey with a red stripe appears in close-up. The camera shifts to a wide view of the soccer field where several players in dark and light jerseys compete near the goal, with a goalkeeper in red defending; the ball is kicked toward the net as players move dynamically around it. The sequence concludes with a close-up of two players in dark jerseys interacting. The camera alternates between close-up, wide-angle, and close-up shots throughout.

Check if background is minimal: the video has the stadium, but we don't mention it as per rules (background descriptions minimal unless essential). The stadium is part of the context but not necessary for motion. So just focus on the players and action.

Another check: the first frame is a close-up (0.0s), then 0.3s is wide shot of the field (players in action), then 0.6s is close-up of two players. So the order is: close-up of player, then wide shot of field with players near goal (ball movement), then close-up of two players.

Final caption:

A player in a dark jersey with a red stripe is shown in close-up. The camera transitions to a wide view of the soccer field, where multiple players in dark and light jerseys compete near the goal; a goalkeeper in red defends while the ball moves toward the net as players maneuver. The sequence ends with a close-up of two players in dark jerseys interacting. The camera alternates between close-up, wide-angle, and close-up perspectives.

Wait, the problem says "concise, chronological paragraph". Let's make it shorter:

A player in a dark jersey

Soccer players (solid objects) locomote across the field, pass the ball, and interact with it through physical forces (kicks, collisions). The soccer ball moves due to explicit physical forces (player kicks).

Stadium background (advertisements, stands, field lines) remains static with no uniform shifting or fluid motion (no fire, water, smoke, or wind).


A man in a dark button-up shirt and glasses stands at a microphone, adjusting items on a music stand, while another man in a checkered shirt is initially positioned behind him before stepping left and exiting the frame. The primary subject remains focused on the stand, with the camera maintaining a fixed perspective throughout.

Two people: one in the background walks out of the frame (left to right), and the foreground person remains stationary at the microphone.

Background is static (wall and door do not shift). No environmental elements (fire, water, smoke, wind) are present.


An adult wearing a dark robe and a colorful patterned head covering stands at a kitchen counter, manipulating items with their hands while facing away from the camera. A child in a striped shirt stands behind the counter, observing. The adult shifts their posture slightly, continuing to interact with objects on the counter. The camera remains stationary, capturing the scene from a fixed angle with wooden cabinets visible in the background.

The adult's hands are moving to manipulate objects on the counter; the child is mostly stationary with minimal movement.

The kitchen background (cabinets, counter) is static with no signs of environmental fluid motion (fire, water, smoke, wind).


A baby in a light pink onesie with red hearts and a yellow bunny design sits on a teal carpet, holding a small white object. The camera zooms in to focus on the baby’s hands as they manipulate the object, then shifts to show the baby looking up and smiling while moving the object toward themselves. The camera maintains a top-down perspective with slight movements throughout, keeping the plain carpet background visible.

A child in pink pajamas is the primary discrete object, performing movements such as holding objects, shifting posture, and waving hands.

The background consists of a static dark green surface with no fluid or environmental motion (e.g., fire, water, smoke, wind) detected. No uniform background shift observed.


A gloved individual in a light-colored shirt slices red meat pieces on a white cutting board, repositioning and cutting the meat into smaller portions with a knife; the camera maintains a close perspective, slightly shaky, focusing on the hands and board with minimal background detail.

Hands wearing gloves and a knife are moving to cut and reposition pieces of raw meat on a cutting board. The motion involves explicit physical interactions (cutting, lifting, and repositioning meat fragments).

No shifting background or fluid/environmental motion (fire, water, wind) observed. The background elements (e.g., cutting board, purple cloth, table) remain static throughout the clip.


A pair of hands places a light-colored rectangular baking tray with round molds into a dark oven, closes the door, then retrieves the tray after baking. The scene shifts to a top-down view of a white bowl on an orange-and-white checkered surface, where a metallic knife stirs a thick orange mixture.

A hand manipulates a baking tray (with compartments) and places it in the oven and removes it. The hand also stirs a yellow substance in a bowl. These are discrete, solid objects moved by explicit physical forces (human locomotion).

The background (oven tiles, checkered tablecloth) is static. No fire, water, smoke, or wind is visible. The motion of the oven door opening/closing and the tray being placed is due to human action, not environmental elements.


Five people gather in a medical office; a woman in a patterned shirt writes on a clipboard while standing next to a seated individual in a blue hoodie and white beanie, who sits on an exam table with hands clasped. A woman in a black shirt stands near the table, and another woman in a black top gestures with her hands. The group remains stationary throughout the sequence, with the camera maintaining a static perspective.

Seated individuals exhibit minor discrete movements: hand gestures, head turns, and writing motions. These are solid objects (people) interacting via physical locomotion/gestures.

No shifting background elements (walls, bench, and room fixtures remain static across frames). No fluid or environmental motion (e.g., fire, water, wind) present.


RAW CAPTION: Got it, let's break down the video. First scene: a person in a patterned hoodie and black cap is near a fridge covered with magnets. They're standing, looking down. Then the scene cuts to another person in a bright yellow shirt, sitting on a bed with a pillow and clothes around, holding a phone and looking at it. The camera moves from the first person to the second, so it's a sequence of two different shots. Need to describe each in order.

First, the person by the fridge: wearing a patterned hoodie (red and white, maybe), black cap. They're standing in front of the fridge, which has lots of magnets. Then the second person: yellow shirt, sitting on a bed, holding a phone, maybe using it. The background in the first scene has stairs on the left, fridge with magnets. Second scene has bed, pillow, clothes. Camera cuts from one to the other, so the movement is a cut between the two scenes.

Need to follow the rules: chronological order, motion/behavior. First person (hoodie, cap) stands near fridge, looks down. Then cuts to second person (yellow shirt) sitting, using phone. Mention spatial relationships: first person in front of fridge, second on bed. Background minimal. Exclude text.

So the caption would start with the first scene: a person wearing a patterned hoodie and black cap stands in front of a fridge covered with magnets, looking down. Then the scene cuts to another person in a bright yellow shirt sitting on a bed with a pillow and clothes, holding a phone and focusing on it. Camera perspective: cuts between two static shots.

Check rules: no text recognition, no named characters. Keep it concise. Let's draft:

"A person in a patterned hoodie and black cap stands in front of a fridge covered with magnets, looking down. The scene cuts to another person in a bright yellow shirt sitting on a bed, holding a phone and focusing on it. The camera remains static in each shot with a cut transition between them."

Wait, need to check if "bed with a pillow and clothes" is essential. Rule e says minimal background unless essential. The bed's background is part of the scene, but maybe it's okay. Let's see the original frames: first frame has fridge with magnets, stairs on left. Second frame has bed, pillow, clothes on the bed. So those are the backgrounds.

Also, the person's actions: first person is looking down (maybe looking at something in hands, but the video shows them standing, then maybe moving? Wait, in frame 0: a person stands by fridge, then frame 1: same person moving, then frame 2: cuts to other person. Wait, the video sequence is: frame 0: person by fridge, frame 1: person moving (maybe stepping back?), frame 2: cuts to person in yellow shirt. Wait the timestamps: [0.0], [1.4], [2.5], [3.6], [4.7] seconds. So 0-1.4: person by fridge, then 1.4-2.5: same person moving (maybe walking away?), then 2.5-4.7: cuts to the other person. Wait, no, the [2.5] is the cut. Wait the original video: first scene (0-2.5 seconds) shows the first person, then cuts to the second person starting at 2.5. Let me check the timestamps:

<0.3 seconds> - first frame: person by fridge

<1.4 seconds> - same person, maybe moving (looking down)

<2.5 seconds> - cut to next scene

<3.6 seconds> - second person in yellow shirt

<4.7 seconds> - same.

So the first person is in the fridge scene for 0-2.5 seconds, then cut to the second person from 2.5 onward. So the motion for first person: stands near fridge, looking down, then maybe turns or moves (but not clear). The second person is sitting on bed, holding phone, looking at it.

So the caption should describe each part in order.

First, the person in a patterned hoodie and black cap stands in front of a fridge covered with magnets, looking down. The camera remains static. Then the scene cuts to another person in a bright yellow shirt sitting on a bed, holding a phone and focusing on it, with minimal background details. Camera cuts between the two scenes, each static.

Check if "patterned hoodie" is okay (yes, color: red and white patterns). "Black cap" - yes. "Fridge covered with magnets" - yes. Then second person: bright yellow shirt, sitting on bed (which has pillow and clothes), holding

Two discrete solid objects: a person in a patterned sweater (moving slightly near fridge) and a person in a bright green shirt (holding a phone while seated). Their motion is driven by explicit physical actions (locomotion, holding device).

Static background elements (fridge with magnets, staircase, couch, wall) show no uniform shifting or fluid motion (fire, water, wind). No environmental elements exhibit ambient motion.


A man in a red shirt with blue patterns sets a table with white napkins, plates, and cutlery. He then turns and walks toward the back of the room, carrying a tray with glasses. The man moves past seated students, some with hands raised, toward a projection screen and wall with framed pictures. The camera follows his movement, panning left as he progresses through the room.

The man in the red shirt moves from the front to the back of the room (locomotion), holding a tray with objects. Seated individuals at the table are stationary.

The background (windows, whiteboard, walls) remains stationary and consistent across frames. No fluid motion (fire, water, smoke) or wind is present; background elements do not shift uniformly.


A person wearing black leggings and a black crop top uses a blue spatula to stir a yellow egg mixture with green herbs in a black frying pan on a white gas stove. The individual moves the spatula in circular motions to mix the contents, maintaining consistent contact with the pan's surface. The camera remains stationary in a top-down perspective, focusing on the stirring action throughout the sequence.

A person’s hand and a blue spatula move within a pan, stirring yellow sauce. The spatula and sauce exhibit discrete, solid-object motion due to physical manipulation.

Background elements (kitchen counter, stove, tiled floor) are static with no uniform shifting or environmental fluid motion (e.g., no fire, water, smoke).


In the video, three men—blue-shirted, pink-shirted, and white-shirted—stand near a projector screen and map. The blue-shirted man approaches the white-shirted man, who holds a microphone; they briefly interact before the blue-shirted man moves past the white-shirted man. The pink-shirted man steps back and observes. All three walk toward the right side of the frame, with the audience seated in front. The camera remains mostly stationary but captures their movement across the scene.

Three men are moving by walking, turning, and interacting (shaking hands).

The background (wall, whiteboard) is stationary; no fluid or environmental motion (fire, water, smoke, wind) is observed.


A hand pours a yellow butter-like substance into a metallic pan on a stovetop. Two yellow eggs with distinct yolks are added to the pan. A wooden spatula stirs the eggs and butter mixture, blending them into a uniform yellow liquid. The camera remains in a close-up, top-down perspective throughout.

A wooden spoon is moving, stirring the egg mixture within the pan.

Static background elements (stovetop, pan) show no shifting; no dominant fire, water, smoke, or wind motion.


A young girl in a beige coat, dark pants, and boots walks across a chalk-drawn hopscotch grid on a paved area, stepping forward and hopping through the squares. She moves from the left side of the grid toward the center, maintaining balance on each square. The camera follows her movement closely, capturing her motion with a slight shake. Background elements include a building with steps and a bench, but focus remains on her hopping action.

A single child is moving across a hopscotch grid, exhibiting discrete locomotion (hopping, walking) with clear bounding box tracking.

Background elements (buildings, benches, ground markings) show no uniform shifting or fluid motion; no fire, water, or smoke observed.


A man in a yellow shirt and dark pants moves across a paved path, kicking a small object toward a crowd of onlookers. The crowd, consisting of adults and children in varied colorful clothing (including red, green, orange, purple), stands in a loose line. The man runs leftward, then rightward, engaging with the crowd. The camera pans slightly to follow his movement, capturing his actions from a ground-level perspective with minimal background detail.

Two individuals (yellow-shirted man and red-panted dancer) exhibit discrete locomotion: the yellow-shirted person performs martial arts-style movements (kicks, stances), while the red-panted individual executes rhythmic steps. Spectators remain stationary.

Background elements (paved ground, trees, stationary spectators) show no uniform shifting or fluid motion. No fire, water, smoke, or wind phenomena are present.


A man in a red and white checkered shirt and blue jeans writes on a blackboard, then turns to face the camera while erasing or modifying the board, and walks leftward. The camera remains static initially before shifting to capture him from the front as he moves.

A person in a checkered shirt is moving, writing on the chalkboard, and walking away. This is a discrete solid object (human) exhibiting locomotion and physical interaction with the chalkboard.

The background consists of a static green chalkboard with writing; no shifting backgrounds or fluid/environmental motion (fire, water, wind) is present.


A person's wet leg, covered in soap, rests in a bathtub with a blue bucket nearby; a hand holding a toothbrush scrubs the leg's surface, then the person shifts their leg upward and outward while standing, revealing dark shorts; the camera maintains a close-up perspective, slightly panning to follow the leg's movement against tiled walls.

The person's leg (with soap), hand (scrubbing), and foot are discrete objects moving due to explicit physical actions (washing, lifting, and scrubbing movements).

The bathroom tiles and blue bucket remain static throughout; no fluid motion (water, fire, smoke) dominates the scene, so ambient environmental motion is negligible.


A person in a blue shirt, dark shorts, and gray gloves bends over a black metal object on a concrete surface, manipulating it with their hands while an orange gas cylinder sits nearby. They adjust and lift components of the object, moving parts with their gloved hands. The camera remains stationary with slight movement, capturing the actions from a medium angle.

A person is hammering a metal object on an anvil. The hammer and metal move in discrete, solid motions due to the person's actions.

The background (ground, gas can, structures) is static with no uniform shifting or fluid motion (fire, water, smoke, wind).


A woman wearing a black top and purple skirt with a decorative hem carries a baby wrapped in white fabric on her back, initially facing away from the camera. She then turns to face forward, adjusting the wrap as she rotates. The baby remains secured against her back throughout the movement. The background is a plain wall, and the camera remains stationary throughout the sequence.

The woman and baby are discrete solid objects moving due to the woman's walking locomotion. Baby remains stationary relative to the carrier while woman turns and walks.

The background is a static plain wall with no environmental motion (e.g., fire, water, wind, or smoke). Wall remains uniformly fixed with no shifting.


A group of people in red dresses, black vests, and white shirts gather around a large wooden barrel. They begin dancing in a clockwise circle, stepping and interacting as they rotate. As the dance progresses, some dancers step forward while others move backward, maintaining the circular formation. The camera remains relatively steady with minor handheld movement, focusing on the dancers' motion around the barrel.

Multiple people in traditional attire are engaged in coordinated circular movement, shifting positions, turning, and interacting with one another as part of a dance.

No significant ambient environmental motion (fire, water, smoke, wind). Static background elements (e.g., walls, chairs, ground) remain stationary throughout the sequence.


A man in a dark shirt with a gray jacket draped over his shoulders puts on a camouflage cap, adjusting it with both hands while facing the camera in a store aisle with shelves of blue garments behind him; the camera remains close and slightly shaky.

A man adjusts a cap on his head, moving his hands and head to put on the hat.

Background shelves with clothing items are static; no shifting backgrounds or fluid/environmental motion (fire, water, smoke, wind) observed.


RAW CAPTION: Got it, let's break this down. The user wants a concise chronological paragraph for the video. First, I need to observe the video frames.

Frame 0: The video starts with a shaky camera showing an indoor room. There's a TV on the wall, some people sitting, and the room has beige walls with a logo (maybe military?) on a podium. The camera is moving, probably handheld.

Frame 1: Camera pans to the left, revealing more people. A man in a dark uniform (maybe military) is standing, arms raised. Others are clapping. The podium has a logo, so maybe a ceremony or event. The room is large, with people seated and standing.

Frame 2: Camera continues panning left, focusing on the man at the podium. He's raising his arms, and people around him are clapping. The background shows more people, some in uniforms, others in regular clothes. The TV is still visible but less so now.

Frame 3: Camera moves to show a wider view. The man at the podium is still raising his arms, and more people are visible. The podium has a circular logo. The room has wooden panels on the walls, and there are boxes or objects on the floor.

Frame 4: Camera continues panning, showing the man and the group. The man's arms are up, and people are clapping. The room is well-lit, with a ceiling light visible.

Frame 5: The camera shows the man with arms still raised, and the group clapping. The background includes a wall with red and blue stripes, maybe a decorative pattern.

Now, need to put this in chronological order. The main subject is the man at the podium, raising his arms, with people clapping. The camera starts with a shaky view, then pans left to reveal more of the room and the group. The people are in uniforms (dark), some in regular clothes. The spatial relationship: the man is at the podium, people behind him clapping. Background: room with beige walls, TV, logo on podium.

Rules: focus on motion and behavior of main subjects (man, group clapping), chronological order. Mention appearance (dark uniforms, man raising arms), number (group of people), spatial (man at podium, people around him). Conclude with camera perspective: shaky, panning left.

Avoid text recognition, named characters, stylistic analysis.

Let's structure it:

- Start: camera shaky, shows room with TV, people. Man in dark uniform at podium raises arms, group claps. Camera pans left, revealing more people (some in dark uniforms) around podium. Man continues raising arms, group clapping. Camera movement: shaky pan left.

Check rules: concise, chronological, motion behavior, appearance, spatial, camera perspective.

Draft:

The video opens with a shaky camera showing an indoor room where a man in a dark uniform stands at a podium, raising his arms, while a group of people claps. The camera pans left, revealing more individuals in dark uniforms and others in regular attire around the podium, all clapping as the man continues raising his arms. The camera remains shaky throughout, shifting left to capture the full scene.

Wait, check the number: in the video, there are multiple people. The description says "a group of people" so maybe "several people" or "a crowd". But rule b says "briefly describe their appearance and number (color, size, orientation)". So "a group of people in dark uniforms and regular attire" and "number" as "several".

Also, in the frames, the man is at podium, raising arms, people clapping. So:

The video begins with a shaky camera panning across a room, where a man in a dark uniform stands at a podium, raising his arms while several people clapping. The camera continues panning left, revealing more individuals in dark uniforms and regular clothing gathered around the podium, all clapping as the man maintains his raised-arm pose. The camera remains shaky, capturing the scene from a low angle.

Wait, but the camera starts with the room, then pans left. The first frame is blurry, but as it moves, the man is central. Let's check the frames:

[0] blurry, room with TV, people.

[1] camera pans left, man raising arms, others clapping.

[2] continues panning, more people visible.

[3] wider view, man at podium, group clapping.

So chronological order: camera starts with room, then moves left, focusing on man and group.

So the caption should be:

The video starts with a shaky camera showing a room with beige walls and a large screen; a man in a dark uniform stands at a podium, raising his arms, while a group of people in dark uniforms and casual clothing claps. The camera pans left, revealing more

discrete_object_physics | ambient_environmental | camera_motion | ego_motion | static


Two individuals build with LEGO bricks at a table. The person in the white shirt with a black and red design places yellow bricks onto a colorful structure (yellow, orange, blue, red) and later adds green bricks, while the person in the gray sweater picks bricks from a container. Drawing papers lie beneath the structure, and containers of bricks sit on either side. The camera maintains a top-down, static perspective throughout.

Two individuals are moving solid, distinct plastic blocks (e.g., colorful building blocks) into a tray, with their hands applying physical forces to manipulate the objects.

The background features a static window with bars and no visible fluid or environmental motion (fire, water, smoke, wind). No uniform shifting of background elements is observed.


A white spoon stirs white rice in a red bowl. The scene transitions to a wooden spoon stirring green vegetables in a black pan on a stovetop. The camera shifts from a close-up of the bowl to the stovetop pan.

The wooden spoon is moved by a hand, stirring the onions in the pan, causing the onions to move.

The background (stove, tiled wall) remains stable with no uniform shifting. No fire, water, smoke, or wind is observed.


A person with short blonde hair and a black top drinks from a glass, then leans forward with their head down, places their right hand on a wooden table, picks up a white cup with their left hand, and drinks from it. Various objects including a can and other glasses are visible on the table in a dimly lit setting. The camera remains close to the subject, slightly shifting to follow their upper body movements.

A person (solid discrete object) performs actions: drinking, moving hand, interacting with table items (cup, plate), and adjusting posture.

No shifting backgrounds or fluid/environmental motion (fire, water, wind) detected; background appears static with minimal ambient elements.


A person in a pink top and light blue shorts sits on a wooden floor, holding a banana peel, while another person in black shorts lies on their back with legs raised. The first person bends forward to apply the banana peel to the second person's foot, then shifts focus to the second person's lower body. The camera moves downward from a mid-level angle to a closer view of the second person's feet, with minimal background details visible.

Two individuals: one in pink applying a substance to another person's leg (discrete physical action), with limited positional shifts of solid objects.

Background elements (furniture, table, bananas) remain stationary across frames; no fluid or fire motion detected.


In a cathedral setting, a man in a dark suit holds a tall censer with a long handle, swinging it in a circular motion while standing to the left of a woman at a piano. The woman, dressed in dark clothing, plays the piano, and a second man in dark attire stands behind her. The man with the censer turns slightly, continuing his motion. The camera maintains a fixed eye-level perspective throughout the sequence.

The officiant (in blue suit) is moving his hands in ritual gestures. The piano player(s) are also moving their hands to play.

Background is static. No fluid/environmental motion (fire, water, wind) observed.


RAW CAPTION: Got it, let's break this down. The video shows a hand adding something to a bowl. First, the hand is near a white bowl with a brown powdery substance. Then the hand moves down, and the bowl is shown with the powder. Wait, the first frame is a hand, then the hand moves away, revealing the bowl. Then the bowl is lifted, showing the powder. Wait, the sequence: [0.0] hand over bowl with powder; [0.1] hand still there; [0.2] hand moves away, bowl with powder; [0.3] hand over bowl, maybe adding more? Wait no, the timestamps: [0.0] hand near bowl (powder), [0.1] hand moves, [0.2] hand gone, [0.3] maybe pouring? Wait the video description:

Frame 0: hand over bowl with powder (white bowl, brown powder)
Frame 1: hand still there, maybe adding
Frame 2: hand moves away, bowl with powder (now the powder is spread out)
Frame 3: hand is now on top of the powder, maybe smoothing it?
Wait no, the actual video:

[0.0] hand in foreground, white bowl with brown powder (powder is in the bowl)
[0.1] hand moving away from bowl, showing more of the bowl
[0.2] hand is gone, bowl with powder
[0.3] hand moves towards bowl again, maybe adding something?
Wait no, the frames:

0.0: close-up of hand (pinkish, maybe palm) over a white bowl with brown powder (powder is in the bowl, like sprinkled)
0.1: hand is lifting a white bowl (maybe the bowl is being held), the powder is visible
0.2: hand is holding the bowl, now showing the powder is in the bowl (maybe a bit of powder is sticking)
0.3: hand is moving away, bowl is held at an angle, showing the powder in the bowl
0.4: bowl is now lifted, showing the powder (maybe the bowl is being tilted)

Wait the user says the video starts with [0.0] hand over bowl, then [0.1] hand moving, [0.2] hand gone, [0.3] hand over powder again. Wait no, the exact frames:

<0.3 seconds> - [0.0] hand in foreground, over white bowl with brown powder (powder is in the bowl, maybe the hand is adding it)
[0.1] hand is still near the bowl, but the bowl is visible more, powder is spread
[0.2] hand is moving away, bowl with powder is visible (bowl is white with brown powder)
[0.3] hand is now on top of the powder (maybe the hand is adding something else?)
[0.4] hand moves away, bowl is held, powder is visible

Wait no, the actual video sequence:

First frame (0.0): close-up of a hand (light skin tone) above a white bowl filled with brown powder.
Second frame (0.1): hand is still above the bowl, maybe adding more powder.
Third frame (0.2): hand moves away, showing the bowl with powder.
Fourth frame (0.3): hand is now on the powder, maybe smoothing it.
Fifth frame (0.4): hand moves away, bowl is held, showing the powder spread.

Wait, the caption needs to be chronological. So the hand is the main subject. It starts by being over the bowl (adding powder), then moves away, then comes back over the powder, then moves away again.

Wait, let's re-express:

The video begins with a hand (light skin, palm visible) positioned over a white bowl containing brown granular powder. The hand then moves slightly, revealing more of the bowl's contents. As the hand continues to move, it is no longer visible, leaving the bowl with the powder in focus. Subsequently, the hand returns to the bowl, interacting with the powder. The hand then withdraws, and the bowl is held at an angle, displaying the powder. The background is minimal, primarily a dark kitchen setting.

Wait, but the rules: Focus on motion and behavior of main subjects (people/objects) in chronological order. The main subject is the hand and the bowl.

Chronological order:

- At the start (0.0s), a light-skinned hand is positioned above a white bowl filled with brown powder.
- The hand moves downward, slightly obscuring the bowl's contents.
- The hand then moves away, revealing the bowl with the powder.
- The hand re-enters the frame

A hand is manipulating a dough-like substance (solid object) by pressing and shaping it. The dough is then placed into a pot.

The background consists of a static table and pot. There is no fluid motion (water, fire, smoke) or wind. The background elements do not shift uniformly across the screen, indicating no significant camera motion.


A man in a blue shirt and khaki pants uses a yellow paint roller with a blue handle to apply yellow paint to a white wall, moving the roller vertically downward. The gray floor shows scattered yellow paint splatters. A close-up reveals the roller covered in yellow paint. Hands peel away protective tape from the wall’s edge. The man continues rolling the roller along the wall, spreading the yellow paint. Camera angles shift between wide shots of the wall and floor, close-ups of the roller in motion, and the tape removal process.

A person (blue shirt, khaki pants) moves while painting the wall with a roller. The roller applies paint across the wall and baseboard. The person also applies painter's tape to the floor and adjusts a drop cloth.

No dominant fluid motion (fire, water, smoke, wind) or uniform background shifting. The wall and floor remain static; camera movement is minimal and controlled for framing, not pervasive.


A hand with light skin scrubs a blue fabric, moving in circular motions. The scene transitions to a hand pouring liquid detergent into a washing machine's dispenser. The camera maintains close-up views throughout, focusing on the actions without significant movement.

A hand holding a yellow sponge and a blue detergent bottle are moving. The hand applies the sponge to fabric and pours detergent into the washing machine, indicating physical manipulation of objects.

No shifting backgrounds or fluid/environmental motion observed. The background consists of static elements like the washing machine interior and fabric, with no uniform motion.


A large armored character in blue and orange moves rapidly across a central track, advancing from left to right while interacting with glowing indicators. A second figure in dark clothing appears in the background, positioned to the right of the track. The camera follows the armored character’s motion with a slight shake, maintaining a close-up perspective focused on the track and the character’s movement.

Discrete objects include the person's hands moving to interact with the guitar controller and the game's virtual note tracks, both exhibiting clear physical motion due to the player's actions.

No shifting backgrounds or fluid/environmental motion (fire, water, wind) detected; the room's walls and static elements remain consistent across frames.


A man in a black shirt and light blue shorts performs pull-ups on a metal bar in a backyard. He swings his legs, alternates between straight and bent knees, and lifts his body upward while gripping the bar. To his right, a brown dog stands on the dirt ground, observing. The wooden fence and bare trees form the background. The camera remains stationary throughout.

A person performing pull-ups on a bar, moving their body up and down with controlled motion, and a stationary dog in the foreground. Both are solid objects undergoing discrete physical motion due to muscle-driven locomotion.

The background consists of a wooden fence, trees, and ground, which show no significant shifting or fluid motion (e.g., wind-induced swaying of trees is negligible and not dominant).


A person wearing dark clothing holds a yellow potato and peels it with an orange-handled peeler, moving the potato back and forth over a newspaper-covered table. A large pile of potato peels accumulates on the newspaper, with scattered items like a milk carton and egg carton visible on the table's edge. The camera maintains a top-down perspective with slight shake throughout the sequence.

A person's hands are actively peeling a potato, with the potato and peelings moving due to manual action (discrete solid object motion).

Background elements (bottles, table surface) show no uniform shifting; no fluid/environmental motion (fire, water, smoke, wind) is present.


A hand holds a yellow bar. A blonde-haired person brings the bar to their mouth and eats it. A person in a blue shirt and white pants jumps into water, creating splashes. A man with sunglasses appears, followed by another close-up of a hand holding the yellow bar.

The hand holding the candy, the person eating the candy, and the wakeboarder performing a trick are discrete solid objects moving due to physical forces (e.g., eating action, water jet propulsion).

The background in most frames (trees, sky) is static. In one frame (wakeboarding), there is water splashing, but it is not the dominant motion in the video.


RAW CAPTION: Got it, let's break this down. The video starts with a close-up of a power drill, specifically a Ryobi drill, drilling into wood. The drill is held by a hand, and there are wood shavings flying. The drill has a transparent section showing internal parts, maybe the battery or motor. Then, the scene transitions to a person wearing safety goggles and a checkered shirt, carrying a wooden structure. The person places the wooden structure onto a larger wooden frame. Next, there's a close-up of the person's hand using the drill to work on the wood.

Wait, the rules say to focus on motion and behavior in chronological order. So first, the drill is in action. Then a person moves a wooden piece. Then the person uses the drill on the wood. Let's list the sequence:

1. Close-up of a hand holding a Ryobi drill drilling into wood, with wood shavings (the drill has visible internal components, maybe the battery is yellow/green).
2. Cut to a person wearing safety goggles and a checkered shirt, lifting and positioning a wooden structure (maybe a frame) onto a larger wooden assembly.
3. Close-up of a hand using the drill on a wooden surface (drill bit is working, maybe fastening or drilling into wood).

Need to mention appearance: the drill is black with yellow/green accents (the internal parts are visible, maybe the battery). The person has safety goggles, checkered shirt (red and blue?), holding a wooden piece. The spatial relationships: in the first scene, drill is near a wooden post. Then person is outdoors, moving the wooden structure.

Background: minimal unless essential. The first scene has a grassy background, but maybe just "outdoor setting" for simplicity. The person is outdoors, trees in the background.

Camera perspective: first is close-up (static?), then cuts to medium shot of person, then close-up again.

Wait, the first frame is a close-up of the drill, then the next shows the drill as the Ryobi brand is visible, then the person is holding a wooden structure, then the person's hand holding the drill.

Let me structure the caption:

Start with the drill action: a hand holds a black and yellow Ryobi power drill, drilling into a wooden post with wood shavings flying, showing internal components. Then the scene shifts to a person in safety goggles and a checkered shirt carrying a wooden frame, positioning it onto a larger wooden structure. Finally, the hand uses the drill to work on the wooden surface.

Check rules: exclude text recognition (the text in the video is in French, like "Jusqu'a 40%...", so we don't mention that). Named characters? The person is just a person, no name. Stylistic analysis? No.

Chronological order: 1. Drill drilling into wood. 2. Person lifting and placing wooden structure. 3. Person using drill on wood.

Mention appearance: drill is black with yellow/green internal parts, person wears safety goggles and checkered shirt, wooden structure is light brown.

Spatial: drill is near the wooden post (first scene), person is outdoors holding the structure (next scene), then the drill is on the wooden surface.

Camera: starts with close-up of drill, then medium shot of person, then close-up of hand with drill.

Let's draft:

A hand holds a black and yellow Ryobi power drill, drilling into a wooden post with wood shavings flying while showing internal components. The scene cuts to a person wearing safety goggles and a checkered shirt carrying a light brown wooden structure, positioning it onto a larger wooden assembly. Finally, the person uses the drill to work on the wooden surface, with the drill bit moving in and out of the wood.

Wait, need to check if "Ryobi" is part of the text recognition, which we should exclude. Oh right, the rules say exclude text recognition, so we can't mention the brand name. Oops, that's a mistake. So the drill is described as a power drill, not Ryobi. Because the text "Ryobi" is part of the video's text, so we have to exclude that.

So first frame: close-up of a power drill, black with yellow/green internal parts, drilling into wood, shavings flying. Then the scene shifts: a person in safety goggles, checkered shirt, carrying wooden frame, placing it onto another wooden structure. Then a close-up of a hand using the drill on wood.

So adjust:

A hand holds a power drill with visible internal components (black and yellow/green), drilling into a wooden post as wood shavings fly. The camera shifts to a person wearing safety goggles and a checkered shirt carrying a light brown wooden structure, positioning it onto a larger wooden assembly. The scene then shows the person using the drill on a wooden surface,

The power drill bit is rotating and translating into the wood due to user force. The man's hand is moving to adjust the wooden structure and pick a drill bit. These are discrete solid objects moving due to explicit physical forces.

Background elements (wooden surface, grass, trees) are static or only slightly swaying (not dominant). No fluid motion (fire, water, smoke) or significant wind. Background does not shift uniformly, indicating no camera motion.


A man in a gray cardigan over a black shirt sits at a table with hands on a red placemat. A person’s arm from the left touches his shoulder, then moves to his chest; he lifts his right hand. The background includes a framed artwork and furniture, with the camera maintaining a static shot.

A person (man) is making hand movements and gestures; another person's arm is visible and moves slightly (e.g., touching the man's shoulder). These are discrete solid objects moving due to physical actions.

Background elements (wall, framed picture, door) are static; no fire, water, smoke, or wind motion observed.


A woman with long dark hair and a dark patterned top stands to the right of a tall, wooden-framed harp with numerous strings. She gestures toward the harp, then places her hand on the instrument's strings, adjusting them slightly. The camera remains stationary, capturing her actions from a medium shot against a plain wall background.

The woman's hands and arms are moving to play the harp, a discrete solid object motion due to physical interaction with the instrument.

The background (walls and harp structure) is static with no shifting or fluid motion (e.g., fire, water, wind).


A group of seven people wearing hats (white, red, and black) and casual clothing walks in unison across a spacious room with tiled floors, moving from the foreground toward the back wall. The camera follows the group's movement, capturing their synchronized motion as they progress through the room.

Multiple people (wearing hats) are moving in coordinated dance patterns, exhibiting locomotion through intentional body movements and directional shifts.

No shifting backgrounds or fluid/environmental motion detected. Walls and floor remain static throughout the sequence, with no signs of fire, water, smoke, or wind.


A hand holds a small, clear glass flower-shaped object with intricate etched patterns, containing a round orange yolk. The hand tilts the glass, pouring the yolk into a stainless steel sink with a grid pattern. The camera maintains a close-up perspective, following the motion of the glass and yolk as they move toward the sink.

Discrete solid objects: hand holding bottle pouring liquid into bowl with egg, then moving bowl to stove. Motion due to physical interactions (pouring, movement of solid objects).

Background elements (stove burners, countertop) remain stationary; no dominant fluid/environmental motion (fire, water, smoke, wind) observed.


A woman in a white polo shirt and lanyard extends her hand toward another person in beige pants and a white shirt, who stands on a platform holding a container. The first woman shifts her gaze to the side and smiles as the second person steps down, then turns away. The scene occurs near a body of water with trees in the background; the camera remains stationary with slight shake.

Three people (a woman, a boy, and another woman) are moving: the initial woman steps back while holding a device, the boy enters from the left holding the same device, and a second woman steps in from the right. All movements are due to human locomotion (walking/stepping).

The background (mural depicting landscape) is static with no uniform shifting. No fire, water, smoke, or wind motion observed; the environment appears stable with no fluid or gaseous dynamics.


A woman wearing a gray top and yellow-brown striped scarf holds a small baby in a white patterned outfit, adjusting the baby’s position from her chest to a lower hold. The baby, initially facing away, turns its head toward the camera. The woman remains stationary against a plain white wall with a framed red flower in the background. The camera maintains a fixed perspective throughout.

The woman and baby are moving: the woman adjusts her hold and turns her head slightly, while the baby moves its head and body.

The background (wall and framed picture) is static with no shifting. No environmental elements such as fire, water, or wind are present.


A person with curly brown hair, crouching, uses both hands to lift the white toilet seat from a closed position to an open position, then holds it open before lowering the seat back down to its closed state. The individual is positioned in front of the toilet, with a black dispenser visible to the left. The camera maintains a top-down perspective with slight movement throughout.

A person's hands are actively scrubbing the toilet bowl, exhibiting discrete, solid-object motion driven by physical interaction.

The bathroom background (tiles, toilet paper dispenser) remains static with no shifting elements or fluid environmental motion (e.g., water, smoke, fire).


RAW CAPTION: Got it, let's break this down. The video starts with a person in a gray t-shirt with "I ♥ WEEKENDS" visible. They're holding a red object, maybe a container. Then they move to a table, open a container, and interact with something inside—like pouring or handling items. The background has a ceiling fan and wooden trim. Need to describe the sequence chronologically. Focus on motions: holding red object, moving to table, opening container, handling contents. Mention appearance: gray shirt, red object, container. Spatial: person in front of table, ceiling fan above. Camera perspective—probably static or slight movement. Avoid text recognition (so don't mention the shirt text explicitly? Wait, no, rule f says exclude text recognition. Wait, rule f: "Exclude text recognition, named characters, or stylistic analysis." So the shirt text is part of the appearance but since it's text, we can't mention it. Oh, right, the caption should not include text from clothing. So need to describe the shirt without saying the text. Like "a person wearing a gray t-shirt with a red heart graphic." Wait, but rule f says exclude text recognition. So maybe describe the shirt as gray, maybe the heart is a red design, but not the words. Wait, the problem says "Exclude text recognition"—so the actual words on the shirt (I ♥ WEEKENDS) are text, so we can't mention them. So just describe the shirt as gray with a red heart. Wait, but the video shows it, so in the caption, we have to be careful. Let's check the rules again: "Exclude text recognition, named characters, or stylistic analysis." So "I ❤ WEEKENDS" is text recognition, so we shouldn't say that. So the shirt is gray with a red heart, but no text. Wait, but the video shows the text, but the caption can't include it. So perhaps describe the shirt as gray with a red heart graphic. But since the rule says exclude text recognition, maybe just say gray t-shirt with a red heart design. Then proceed.

First frame: person in gray t-shirt, holding red object (maybe a plate or container). Then moves, opens a clear container, pours something. So motions: holding red item, moving to table, opening container, handling contents (like pouring or placing).

Chronological: The person holds a red object, then moves to a table, opens a clear container, and handles contents from the container.

Appearance: Person wears gray t-shirt, red object, clear container.

Spatial: Ceiling fan visible above, room with wooden trim.

Camera: Probably fixed, slight movement.

Background: Minimal, but mention ceiling fan and wooden trim if essential.

Let's structure:

A person in a gray t-shirt holds a red object, then moves to a table. They open a clear container and manipulate items inside, including pouring a substance. The ceiling fan is visible above, with wooden trim in the background. The camera remains mostly stationary with slight movement.

Wait, but need to be concise. Let's try:

A person in a gray t-shirt holds a red object, then moves to a table to open a clear container and handle its contents. The ceiling fan and wooden trim are visible in the background. The camera remains stationary with slight movement.

Check rules:

a) Motion and behavior in order: holds red object, moves to table, opens container, handles contents.

b) Appearance: gray t-shirt, red object, clear container.

c) Spatial: ceiling fan above, table in front.

d) Camera: stationary, slight movement.

e) Background minimal, only essential (ceiling fan, wooden trim).

f) No text recognition (so don't mention "I ♥ WEEKENDS", just gray t-shirt with heart design? Wait, the shirt has a red heart, but since it's a graphic, not text, maybe it's allowed. Wait, rule f says "Exclude text recognition"—so if the graphic is a heart, not text, that's okay. So the shirt has a red heart, but since the text is part of the shirt's design, but the rule is to exclude text recognition. So the heart is a symbol, not text, so it's okay to mention. But the actual text "I LOVE WEEKENDS" is text, so we shouldn't mention that. So the shirt is gray with a red heart symbol. So in caption, say "gray t-shirt with a red heart design".

Putting it all together:

A person wearing a gray t-shirt with a red heart design holds a red object, moves to a table, opens a clear container, and pours a substance from it. The ceiling fan and wooden trim are visible in the background. The camera remains stationary with slight movement.

Check if all rules are met:

a) Motion: holds, moves,

The person's hands move a red/blue container and extract a blue cloth, with the cloth being manipulated in a solid, discrete manner. The container and cloth exhibit clear physical displacement due to the person's deliberate actions.

Background elements (ceiling fan, windows, walls) remain static with no uniform shifting or environmental motion (fire, water, smoke, wind). The ceiling fan and window frames are fixed relative to the scene, indicating no ambient fluid or gaseous motion.


A person with long blonde hair and a light gray shirt sits at a sink, initially clapping their hands together. They then lift their hands to their face, briefly covering it, before moving both hands through their hair, working it back and forth. A metallic container sits on the right side of the frame, near the sink. The camera remains stationary, capturing the upper body and hands from a slightly angled perspective with minimal background detail.

Person with long blonde hair actively manipulating hair and hands; hair movement is driven by deliberate physical actions (e.g., pulling, twisting), not environmental forces.

Static bathroom background (sink and metal container) with no fluid motion (e.g., water flow, smoke) or environmental effects (wind). Water from the sink is not visible or dominant.


Two hands interact with components on a motherboard; the left hand manipulates a small connector while the right hand adjusts a white connector on the right side. The hands then move away, revealing the motherboard's surface, followed by a hand entering from the top to point at the white connector before moving left across the board. The camera maintains a static top-down perspective throughout.

Two hands are moving and manipulating a component (likely a capacitor) on the motherboard. The hands are discrete solid objects.

No ambient environmental motion (fire, water, smoke, wind). Background (motherboard and its components) is static with no fluid motion.


A person's hands are manipulating straw to weave a circular object (e.g., basket), with the straw being moved through explicit physical interaction (pulling, positioning).

The brick wall and wooden surface remain stationary across frames, showing no uniform shift indicative of camera motion. No fire, water, smoke, or wind-driven fluid motion is present.


A person applies a product to their face in a close-up shot, followed by a woman in a sleeveless top standing before a counter displaying multiple skincare items, holding a small bottle and gesturing toward the products. The scene then returns to the close-up of the arm applying the product. The camera alternates between close-up and medium shots, focusing on the application and product demonstration.

The woman's hands move deliberately to perform a facial massage on the man's face, involving discrete physical interactions (pressure, sliding motions).

Background elements (counter, bottles, walls) remain static with no shifting or fluid motion. No fire, water, smoke, or wind present.


A person in a dark blue shirt with white stars stands near a large aquarium filled with blue water, where dolphins swim. A child in a dark purple shirt with red stripes approaches the tank. The dolphin swims closer to the glass, prompting the person to lean forward and interact with it. The camera remains stationary, capturing the interaction from a frontal perspective.

Discrete solid objects (people) are moving via locomotion (walking, turning) around the aquarium tank, with no significant collisions or interactions between the people themselves.

The aquarium walls and background elements remain static with no uniform shifting, and the water inside the tank exhibits fluid motion (dolphins swimming), which is ambient but not dominant over human movement.


A person in a light gray shirt and dark pants uses a black shovel to move snow across a snow-covered area at night, pushing the shovel forward, lifting snow, and shifting it to the side while moving through the scene. The background includes faint structures and vegetation, with the camera remaining handheld and slightly shaky throughout.

A person is moving a shovel to clear snow, with visible locomotion and physical force application on the snow.

Static background elements (wooden posts, ground) show no uniform shifting; snow is present but not exhibiting fluid motion (fire, water, smoke, wind).


RAW CAPTION: Got it, let's see. The video starts with two people on a grassy field. One is lying down, wearing black shorts, and the other is standing on their feet. Wait, no, the first frame shows the person standing on the other's feet. Wait, step by step. First frame: person A (bottom) is lying on the grass, legs up, person B (top) is standing on their feet. Then in the next frames, person B does a handstand on person A's shoulders? Wait, no, let's check the timestamps.

Frame 0: Two people. The person on the bottom is lying on the grass, legs bent up, person on top is standing on their feet, arms up. Then frame 1: The top person raises arms, maybe a pose. Frame 2: Top person spreads arms, legs extended. Frame 3: Top person is in a handstand? Wait, no. Wait, the second person (top) is moving into a pose where their arms are outstretched, legs are in a split maybe? Wait, looking at the sequence:

0.0: Bottom person (black shorts) is lying on back, legs up, top person (shirtless) is standing on their feet, arms raised.

1.3: Top person raises arms, maybe extending legs? Wait, no, the next frame shows top person in a split position, arms out. Wait, the movement is: top person transitions from standing on bottom person's feet to a handstand or split. Wait, let's parse the video.

First, the bottom person is lying on the grass (back, legs up), top person is standing on their feet (so feet on bottom person's feet, top person's legs up). Then top person extends arms and legs into a horizontal pose (like a T-shape). Then maybe a flip? Wait, the frames go from 0 to 5. Let's see:

0.0: Person A (bottom) on grass, lying on back, legs bent up, Person B (top) standing on A's feet, arms up.

1.3: Person B raises arms, legs extended outward (maybe a pose where they're like a star).

2.5: Person B spreads arms and legs to the sides, forming a T-shape, standing on A's feet.

3.6: Person B is now in a handstand position? Wait, no, maybe the legs are straight up. Wait, the video shows movement: the top person is performing a series of poses, transitioning from standing on the bottom person's feet into a balanced pose where arms and legs are extended.

Then at the end, the scene changes to a different person in a park? Wait, no, the last frame (5.0) is a different scene? Wait, the user provided up to [5.0] but the video clips are:

[0.0] to [5.0], but in the video, the first part is two people in a park, then at [5.0] it cuts to a different scene. Wait, the user's input shows:

[0.0] ... [1.4] ... [2.5] ... [3.6] ... [5.0] ... but the last frame is a different person. Wait, no, the problem says "the provided video" which includes those timestamps. Let's check the video description:

The first part: two people on grass. Person A (bottom) in black shorts, lying on back. Person B (top) shirtless, standing on A's feet. Then Person B does a pose with arms and legs spread. Then the video cuts to a different scene at [5.0] where a person (maybe the same as A?) is standing on a rock, doing a handstand or something. Wait, no, the [5.0] frame shows a person in a park, maybe a different location.

Wait, according to the user's input, the video is split into [0.0] to [5.0] with the first segment being two people, then a cut. Wait, the frames are:

- [0.0] shows two people on grass.

- [1.4] same scene, top person moving.

- [2.5] same scene.

- [3.6] same scene.

- [5.0] shows a different scene: a person in a park (maybe same as before?), but the first part is two people, then a cut.

Wait, the problem says "consecutive frames" but the user provided a list. Let's focus on the first part (before the cut) as the main subject, then the last frame. Wait, the instruction says "chronological paragraph describing the provided video". The video includes the first part (two people) then cuts

The person is the only discrete object moving, performing physical actions (handstand, lying down, and a jump/flip).

The background (trees and sky) is static with no environmental motion (e.g., wind, water, fire). The transition between scenes is abrupt but not indicative of ambient motion.


A woman in a white shirt and blue jeans kneels on a gray floor, adjusting black hinges on the side of a long light brown wooden cabinet. She positions one hinge, then shifts to the other end of the cabinet, continuing to secure the hinges with her hands. Tools and a wooden board lie to her left on the floor. The camera begins with a close-up of her hands and the cabinet, then pulls back to a wider shot showing her body and the surrounding workspace.

A woman is moving (kneeling, adjusting position) and interacting with a wooden furniture piece; both are solid, distinct objects exhibiting motion due to physical manipulation.

Background elements (wall, floor) show no uniform shifting; no fire, water, smoke, or wind present.


A person in a black shirt holds a large brown cello, positioned to the left of a white sheet music stand displaying a musical score; they lift the bow from the cello, then turn left and exit the frame, leaving the sheet music stand visible. The camera remains stationary throughout.

The human subject and the cello are the discrete solid objects in motion. The person moves laterally (leftward) while holding the cello, with the cello being manipulated via the bow and body position. This motion is driven by explicit locomotion and physical interaction with the instrument.

The background elements (wall, door, music stand) remain static throughout the video, with no fluid or environmental motion (fire, water, smoke, wind) observed. The sheet music and structural elements do not exhibit shifting or billowing behavior.


A person wearing a dark green shirt and blue jeans stands in front of a white house with a metal roof, trimming a large green and brown bush with a hedge trimmer. They move the trimmer along the bush, adjusting their stance slightly while focusing on the task. The camera remains stationary throughout, capturing the scene from a fixed perspective with minimal background details beyond the house and surrounding foliage.

A person in a green jacket is actively trimming bushes using handheld tools, exhibiting deliberate motion related to their task.

The background elements (house, roof, grass) show no uniform shifting or fluid motion. No fire, water, smoke, or wind-driven motion is visible in the environment.


A person wearing a gray long-sleeve shirt and a blue, pink, and green striped beanie is crouched beside a brown and white spotted cow, milking into a metal bucket. The person’s hands move rhythmically to extract milk, with the bucket positioned directly beneath the cow’s udder. The camera shifts from a top-down angle to a closer side view, showing the person’s lower body and the cow’s side, while the background remains a dry, earthy ground. The cow stands still, maintaining a calm posture during the milking process.

The person (wearing a beanie and gray shirt) is actively milking the cow. Their hands and arms move rhythmically to extract milk, with the cow standing still. No other discrete objects exhibit meaningful motion.

The background consists of a static ground surface and parts of the cow's legs. There are no fluid motions (water, fire, smoke) or significant wind effects. Background elements remain relatively stable with minimal shifting, indicating no dominant environmental motion.


A hand with a camouflage-patterned sleeve and a ring manipulates a green cable near a copper pipe and metallic engine components, adjusting its position within the engine bay. The camera maintains a close-up perspective with slight movement, focusing on the hand’s actions as it works with the cable.

The person's arm (in camouflage pants) and the tool they are holding are moving, performing a mechanical task. This motion is due to the person's deliberate action.

The background (engine bay) is static with no shifting. No fluid or environmental motion (fire, water, smoke, wind) is present.


A child with short black hair observes a pair of adult hands flipping the pages of a colorful book with pink and purple illustrations. The hands turn the page, revealing new artwork, as the child maintains focus on the book. The camera remains close-up, slightly shaky, capturing the interaction.

The book is turned by an adult's hand, and the child's head moves slightly.

No shifting backgrounds or fluid/environmental motion. Background remains static (person in white shirt and beige pants).


A top-down view shows a small light brown wooden box with a lid on a colorful patterned cloth. A hand enters the frame, picks up the cloth, and gently presses and moves it across the box’s surface to eliminate creases, maintaining contact with the box throughout the motion. The camera remains stationary overhead.

A person's hands are interacting with objects: opening a box, using a brush, and handling a cloth. These hands exhibit distinct, solid-object motion due to intentional physical actions.

Background features a static patterned surface with no visible shifting or fluid/environmental motion (fire, water, wind). Background elements remain stable and do not show uniform displacement.


A person wearing a teal shirt, black pants, and white sneakers begins leaning backward on a large silver exercise ball, then pushes up to sit on it, stands upright, and the ball rolls away across the wooden floor. The background includes a couch with patterned cushions and a small side table. The camera remains stationary with slight movement.

The person moves from lying on the exercise ball to standing and leaving the ball, causing the ball to roll away. Both the person and the ball exhibit discrete, solid object motion.

The background (wall, couch, table) is static with no shifting or environmental motion. No fire, water, smoke, or wind observed.


Two men stand in a dimly lit space; the man in a light gray shirt and tie gestures with his right hand while the other man in a dark patterned shirt adjusts his arm. They shift positions slightly, remaining close together. The camera maintains a steady frontal perspective with minimal movement.

Two individuals are standing and making subtle gestures and body movements.

The background is dark and static; no shifting background elements or environmental motion (fire, water, wind) detected.


A man wearing a colorful striped hat and denim shirt strums an acoustic guitar while a woman to his left sings into a microphone, both positioned in front of a black music stand. The man's hands move rhythmically across the guitar strings, and the woman's head subtly tilts with the music. The camera remains in a steady close-up, capturing their performance against a minimal background with an orange wall visible to the right.

The musician (with guitar) and the singer in the background are moving due to their physical actions (strumming guitar, singing).

No shifting background or fluid/environmental motion observed. The background (red wall and stage) is static throughout the frames.


Hands hold a light brown square slice of bread with butter and place it into a metal bowl; a second slice of bread is placed on top of the first slice in the bowl; the stacked bread is then moved to a metal plate. The camera maintains a close-up top-down view of the actions.

Hands actively manipulate bread slices and butter, moving the bread into position and spreading butter on the slices; these are solid, distinct objects in motion due to physical interaction.

Static background elements (countertop, plates, butter dish) show no uniform shifting or fluid/environmental motion; no fire, water, or smoke present.


RAW CAPTION: Okay, let's tackle this video caption request. The user wants a concise, chronological paragraph following specific rules. First, I need to parse the video frames provided.

Looking at the frames: The main subject is a person wearing a red and white cap, purple tank top. They start by pointing towards the camera. Then they smile, bring up an orange object (maybe a lollipop), and quickly turn their head down. Wait, in frame 3, they're holding something orange, but the next frame shows them tilting their head down, maybe looking at the object.

Wait, the video description says: "a person wearing a red and white cap, purple tank top" but the initial frame shows a red cap. Then in frame 2, they're smiling and holding something. Frame 3, they take a bite of the orange object. Frame 4, they tilt their head down. Frame 5, they're looking down with the cap now white? Wait, no—the cap is red and white, but in the second frame, maybe they flipped it? Wait, the third frame description says "white cap" but the first frame is red. Wait, the frames are:

0.0s: red cap, purple tank. Pointing.

1.4s: same, smiling.

2.5s: white cap? Wait, the user's input shows:

[0.0] red cap, purple.

[1.4] same, smiling.

[2.5] holds orange object (maybe lollipop), then tilts head down.

Wait, the provided frames:

First frame: person in red cap, purple tank, pointing.

Second: same, smiling.

Third: person is holding an orange object (like a lollipop) and tilting their head down.

Fourth: cap is white? Wait, no—the description says in frame 2, they're holding an orange thing, then in frame 3, they tilt head down. The cap might be flipped. Wait, the user's input shows:

Frame 0: red cap.

Frame 1: red cap, pointing.

Frame 2: smiling, same cap.

Frame 3: cap now white? Wait, the user's description says:

At frame 2: person holds orange object and tilts head down.

Wait, the original user's frame descriptions:

[0.3] red cap, purple tank, pointing.

[1.4] same, smiling.

[2.5] holds orange object (maybe lollipop), then tilts head down.

[3.6] cap is white? Wait, the user's input shows "in frame 2, they hold an orange object", then in frame 3, "cap is white" but maybe the cap is red/white, so flipping it.

Wait, the user's input for the frames:

0.0: red cap, purple tank, pointing.

1.4: same, smiling.

2.5: holds orange object (lollipop), tilts head.

3.6: white cap? Wait, the third frame in the video says "white cap", but maybe it's the same red/white cap flipped. Wait, the user's input for frame 2 (2.5s) says "holds an orange object (like a lollipop) and tilts head down", then frame 3.6 shows "white cap" but maybe the cap is turned around.

Wait, maybe the person is wearing a red and white cap, so flipping it to show the white side.

Now, the caption needs to be chronological. So:

Start: person points (red cap), then smiles, then brings an orange object to mouth (maybe lollipop), tilts head down. Then the cap is now white.

Wait, the video frames are:

[0.0] pointing.

[1.4] smiling.

[2.5] holds orange object, tilts head.

[3.6] cap is white? Or the cap is flipped, so they're wearing it backwards.

Wait, the user's input says:

In frame 2 (2.5s): "holds an orange object" (probably lollipop) and then tilts head.

Then frame 3.6: "white cap" but it's the same person. So the cap is red and white, so flipping it to show white side.

But the user's instruction says to mention appearance: color, size, orientation.

So the main subject is one person, wearing red and white cap, purple tank top.

Actions:

1. Points to camera.

2. Smiles.

3. Brings orange object (lollipop) to mouth.

4. Tilts head down.

5. Cap is now white (maybe flipped).

Wait, in frame 3.6, the cap is white, so the person is turning their head, maybe flipping the cap to white side

The subject (person) exhibits discrete solid object motion: head tilting, arm movements (extending, raising), and consumption of an ice lollipop, all driven by physical locomotion.

Background elements (mirror, furniture) show no uniform shift; no fire, water, or smoke present, indicating no ambient environmental motion.


The video begins with a person in a dark shirt facing right amid green foliage. Next, a person in a white cap with a logo and pink shirt bends forward. A hand places and adjusts dominoes on a board, followed by the person in the white cap smiling while standing beside someone in a blue shirt. The camera focuses on close-ups of the dominoes being moved by hands and the individuals' actions.

A hand moves dominoes on a table, demonstrating discrete solid object motion due to physical forces (human hand pushing).

The background consists of greenery and a table, both static with minimal natural movement (e.g., leaves in wind). No environmental fluids (fire, water, smoke) are present, so not ambient_environmental.


A hand grips and shifts a manual gear lever inside a car, moving it upward and downward. The interior features a wooden steering wheel with a circular logo and analog gauges on the dashboard. The hand interacts with the gear shift, positioned in front of the steering wheel to the left. The camera maintains a steady close-up perspective focused on the gear shift and steering wheel area throughout.

A human hand is actively moving the gear shift lever, demonstrating discrete solid-object motion from explicit physical interaction (shifting gears).

The car's interior background (steering wheel, dashboard) shows no significant shifting or fluid motion. No fire, water, or smoke is present, and static elements remain consistent.


RAW CAPTION: Got it, let's tackle this. First, identify the main subjects: a person in a pink shirt and dark shorts, a metal cart with wheels, and two dogs. The video starts with the person pushing the cart. In the first frame, there are cars and a dog near the cart. Then the person moves the cart forward, the dogs follow. Let's check the sequence.

Frame 0: Person (pink shirt, dark shorts) pushing cart. Cart has a cage with items, two dogs nearby. Cars (yellow, orange) in background.

Frame 1-2: Person continues pushing, cart moves. One dog is on the right, following. The background has more vehicles, like a white pickup.

Frame 3-4: Person turns slightly, cart moves. The dog is now on the right side of the cart, following.

Frame 5: Person is walking with cart, dog is behind. The cart has a cage, items inside.

Now, chronological order: Person pushes cart, the cart moves forward, the two dogs follow. Wait, how many dogs? In frame 0, two dogs (one brown, one black maybe). Wait, the description says two dogs.

Appearance: Person in pink shirt, dark shorts. Cart is metal, two wheels. Dogs: one light-colored (tan?), one darker. Wait, in frame 0, one dog is tan, another black? Let me check the frames.

Looking at the video:

Frame 0: Person (pink, dark shorts) pushing cart. Cart has cage, items. Two dogs: one brownish (tan), one blackish. A yellow car, orange SUV, and other cars in background.

Frame 1: Person is moving cart, dog (tan) is behind the cart, moving. The black dog is maybe closer.

Frame 2: Person continues pushing, cart moves. The tan dog is behind, following.

Frame 3: Person is pushing, cart moves. Dog is still following.

Frame 4: Person is now walking the cart, dog follows. The cart is moving forward.

Now, the motion: The person pushes the cart forward. The cart has wheels, so it's rolling. The person starts from the left, moves right. The dogs follow the cart. The two dogs are near the cart as it moves.

Spatial relationships: The person is pushing the cart, dogs are behind or near the cart. As the cart moves, the person is in front of the cart (since she's pushing it), so the cart is behind the person. Wait, no: when pushing a cart, the person is in front, cart behind. Wait, no, in the first frame, the person is on the left, pushing the cart forward. So the cart is moving in the direction the person is pushing.

Wait, the cart has a handle, so the person is holding the handle and pushing it. So the person is at the front of the cart, moving the cart forward. So the cart is behind the person? No, no: when you push a cart, you're at the front, so the cart is moving forward, with the person ahead. Wait, no, the cart's wheels are at the back. Wait, the cart is a metal cart with two wheels, so the person is holding the handle (which is at the front), so the cart moves forward with the person pulling it. Wait, in the video, the person is pushing the cart. Wait, in the first frame, the person is on the left side of the cart, pushing it. So the cart moves from left to right. The person is moving to the right, pushing the cart.

Dogs: in frame 0, two dogs. One is tan, one is darker (maybe black). They are near the cart. As the cart moves, the dogs follow. One dog is behind the cart, the other might be close to the cart.

Now, the caption needs to be chronological. Let's structure it:

Start with the person pushing the cart. Then the movement: the person walks forward, pushing the cart. The dogs follow the cart. Describe their appearance briefly.

Person: pink shirt, dark shorts, hair in ponytail (maybe? The description says "a woman with a ponytail" in the video). Wait, the rules say "briefly describe appearance and number (color, size, orientation)".

So: A woman in a pink shirt and dark shorts pushes a metal cart with two wheels. The cart holds a cage containing items. Two dogs (one light-colored, one darker) follow the cart as it moves forward. The woman walks to the right, the cart moving parallel to her path. Background includes parked vehicles, but minimal.

Wait, check the frames: in frame 0, the person is on the left, pushing the cart. In frame 1, she's moved to the right,

A woman (in pink shirt) is pushing a metal cart. A dog is walking alongside the cart. Both the woman and the dog are moving due to their own locomotion.

The background (parked cars, buildings) is static and shows no shifting. No ambient environmental motion (fire, water, wind) is present.


A person in a blue shirt, khaki shorts, and bare feet holds the head of a large dark crocodile lying on sandy ground near a green pool. The person steps back, moves left, and exits the frame while the crocodile remains stationary. The camera follows the person's movement with a slight pan left, capturing the stone wall and pool in the background.

A person (blue shirt, shorts) is seen physically interacting with an alligator (pushing/moving it on the ground). The alligator subsequently moves independently, exhibiting clear locomotion due to physical forces.

Background elements (stone wall, ground, pool) show no uniform shifting; water in the pool is still with no significant wave or flow motion. No fire, smoke, or wind-driven motion observed.


RAW CAPTION: Got it, let's see. The video starts with a shot of a sign for Midland Masonry. There's a person in a brown shirt, maybe a mason, holding the sign. The sign is orange, has text on it. Then the person moves, maybe adjusting the sign. The background has a brick wall and some tools. Wait, the rules say to exclude text recognition, so I shouldn't mention the text on the sign. Focus on motion and behavior.

First frame: Person in brown shirt is near the sign, which is orange. The sign is held by the person. Then the person moves their hand, maybe adjusting the sign. The camera moves a bit, shows the person's arm and the tools on the ground. Background is a brick wall. Need to describe the motion chronologically.

So, the main subject is the person in brown shirt. They hold the orange sign, then move their hand (maybe adjusting the sign), then the camera pans left, showing more of the brick wall and the person's arm with tools. Wait, the video goes from frame 0 to 5. Let's check the timestamps.

Frame 0: Person in brown shirt holds the sign, which is in front of them. Background: brick wall, some tools (like a brick on the ground). Frame 1: Same, person moves slightly. Frame 2: Person's hand moves towards the sign, maybe adjusting. Frame 3: Person's head is near the sign, then moves away. Frame 4: Person's arm is visible with tools, sign is still there. Frame 5: Camera pans left, showing the brick wall and the person's arm holding tools.

Wait, the rules say focus on motion and behavior of main subjects. Main subject is the person (brown shirt, maybe a worker). They hold the sign, then move their hand (adjusting), then move their head, then the camera shifts.

Need to describe chronological order: Initially, the person holds the orange sign, then moves their hand towards the sign, then shifts their head position, and the camera pans left, showing the brick wall and the person's arm with tools.

Also, appearance: person in brown shirt, size? Maybe average, but the rules say briefly describe appearance (color, size, orientation). So "a person in a brown shirt" (color), maybe "standing" (orientation). Spatial relationships: the sign is in front of them, tools on the ground.

Wait, the caption should exclude text recognition, so no mention of "Midland Masonry" or phone number. Just the sign's color (orange).

So putting it together:

A person wearing a brown shirt holds an orange sign, then moves their hand toward the sign. The person shifts their head position, and the camera pans left, revealing a brick wall and the person’s arm with tools on the ground.

Check rules: chronological order (yes), motion (holding, moving hand, shifting head, camera panning), appearance (brown shirt, orange sign), spatial (sign in front, tools on ground), camera movement (pan left). Background minimal (brick wall mentioned as relevant). No text recognition (don't mention the text on the sign). Number of subjects: one person.

Wait, the video shows the person moving, so the main subject is the person. Let's verify each frame:

0-3: Person holds sign, moves hand (maybe adjusting the sign), shifts head.

4-5: Camera pans left, showing brick wall and arm with tools.

Yes, so the caption should be:

A person in a brown shirt holds an orange sign, then moves their hand toward the sign and shifts their head position. The camera pans left, revealing a brick wall and the person's arm with tools on the ground.

Wait, does the person have a mason's hat? The second frame shows a white hard hat? Wait, the first frame: the person is in front of the sign, has a hard hat? Wait, in frame 0: "a person in a brown shirt" and maybe a hard hat (since it's masonry). Wait, the rule says to describe appearance briefly. So if they have a hard hat, but the first frame shows a white hard hat? Let me check the video description.

Wait, the user provided the video frames. The first frame: [0.0 second] has "a person in a brown shirt" and "an orange sign". In frame 1: person's head is near the sign. In frame 2: person's hand is moving. Frame 4: person's arm with tools.

Wait, the problem is that the user's input includes the video frames, but as a captioner, we can't see the video, but the user provided the frames. Wait, no, the user is giving the video frames as text, but in the problem statement, the user

Two individuals wearing white helmets are moving: one appears to be gesturing/pointing, the other is engaged in manual activity (e.g., handling tools or materials) near the sign.

No shifting backgrounds (brick wall, window remain static) and no fire, water, smoke, or wind. Background elements show no uniform motion.


A woman in a blue top and multicolored patterned skirt sits on a woven chair, shaping clay on a potter's wheel. She manipulates the clay with both hands as another individual, partially visible from the left in light blue pants, assists by smoothing the clay. The camera remains stationary, capturing the collaborative pottery process against a textured wall backdrop.

A person in a blue shirt is shaping clay on a pottery wheel; another person’s legs are visible assisting. The pottery wheel rotates, and the person’s hands move to shape the clay.

Static stone walls and ground are visible with no uniform shifting; no fire, water, or smoke present, indicating no ambient environmental motion.


Multiple archers in white and orange uniforms draw bows and aim at targets on a grassy field. The camera pans left across the group, capturing each archer in sequence as they prepare to shoot, with some positioned in front of others and targets visible in the distance.

Multiple archers exhibit discrete motion: drawing bows, aiming, and releasing arrows through muscular actions. Limb movements are distinct physical actions with clear bounding boxes.

Background features static mountains, grassy field, and distant structures with no fluid motion (fire, water, smoke) or wind-driven effects. Ambient environmental elements are absent.


A person wearing a white shirt and white gloves dips their gloved hand into a small, rectangular metal container with a brownish lid, then lifts out a white cloth or material. The container sits on a surface with bicycle wheels visible in the background. The person moves the cloth toward the camera, revealing a dark, textured interior of the container. The camera maintains a close-up, slightly shaky perspective focused on the person’s hands and the container, with the bicycle components remaining partially visible in the background.

A person wearing gloves manipulates a container and pours contents into it; the person's arm and hand movements are distinct solid-object motions driven by physical action (pouring).

Background elements (bike wheels, mechanical parts) remain stable with no uniform shifting, and there is no fluid/environmental motion (fire, water, smoke, wind) dominating the scene.


A whole pink pig lies on a blue tablecloth with tools including hammers and mallets; a person in a blue hoodie and black pants with white stripes approaches, lifts the pig, and places it into an open metal smoker container filled with charcoal. The camera shifts from the table to the smoker, capturing the person’s motion as they position the pig inside.

Person in blue shirt manipulating grill contents with tongs, and another person handling the animal on the blue cloth; solid objects (human limbs, grill, animal) exhibit motion due to manual interaction.

Static background elements (grass, chair, ground) remain fixed without uniform shifting; no fire, water, smoke, or wind-driven motion observed.


A girl in a pink plaid shirt and shorts stands on a wooden ladder, reaching toward a windowsill with blue items. A boy in a green shirt and black shorts climbs the ladder, steps down, and turns to face the camera. The camera remains stationary with minimal movement.

A person in a green shirt and black shorts moves down a ladder; their locomotion (descending the ladder) is explicit and involves physical force/interaction with the ladder.

The background elements (walls, dresser, door) show no uniform shifting or fluid motion (fire, water, smoke, wind).


A person's hands hold a white plastic oil container above a yellow funnel positioned in a car's open engine bay, tilting the container to pour golden liquid into the funnel; the hands then lower the container as the pouring stops. The engine components and hood are visible, with a residential background. The camera remains static, focused on the pouring action.

A person's hand pours oil from a container into the engine's oil funnel; the container and hand exhibit controlled motion due to pouring action.

No significant background shifts or environmental fluid motion (fire, water, wind) observed; static background elements (car hood, windshield) remain stable throughout.