RAW CAPTION: Okay, let's tackle this captioning task. First, I need to focus on the main subjects and their actions in chronological order. The video shows a person on stage. Let me check the frames.

In the first frame, there's a person standing on a stage. The background has a screen with "Atlanta Pride" but the rules say to exclude text recognition, so I shouldn't mention that. The main subject is the person in a gray t-shirt and jeans. They're moving their hands, maybe gesturing. The camera seems to be panning slightly, following their movement. There's another person on stage in the background, maybe a musician, but the main focus is the foreground person.

Wait, the rules say to mention spatial relationships. So the main subject is in front of the stage, with the band setup behind. The person is moving, turning slightly, holding something. The background has drums and other equipment, but keep background minimal. The camera movement is a slight pan, following the person's movement.

Let me structure it: The main subject is a person in a gray t-shirt and blue jeans standing on a stage. They gesture with their hands while moving slightly. Another person is visible in the background near the drums. The camera pans left, following the main subject's motion. Keep it concise, chronological.

Check the output format. Make sure not to include text or named characters. Avoid stylistic analysis. Let me verify the rules again. Rules a) motion and behavior in order. So start with the person's actions. They're moving their hands, maybe adjusting something. Then the camera movement. The other person in the background is part of the scene but not the main subject.

Wait, the user says "main subjects (people/animals/objects)". So the primary subject is the person in front. The other person is secondary but might need a brief mention. But the instruction says to focus primarily on main subjects. Maybe just mention the main person's actions, then the camera.

Hmm, the frames show the person moving from the left to the right, turning, maybe speaking. The camera follows that movement. Let me phrase it as:

A person wearing a gray t-shirt and blue jeans gestures with both hands while standing on a stage platform, moving slightly to their right. Another individual stands near the drums in the background. The camera pans left, following the main subject's motion.

Wait, check the order. The main person is moving, so first they gesture, then move. The camera movement is following their motion. Let me check if the camera is panning left or right. In the video, the person moves from the left side of the frame to the right, so the camera might pan left to follow. Wait, in the frames given, the person starts on the left side and moves towards the right, so the camera would pan right? Wait, the frames go from [0.0] to [5.0], so the person is moving from left to right. The camera might be panning right to keep them in frame.

Wait, the description says the camera perspective and movement. Let me check the frames: the first frame shows the person slightly left, then they move right. So the camera is panning to the right, following their movement. But the user might have different camera movement. Wait, the video might have the camera moving in a way that the person stays centered. Maybe the camera is panning left, but the person moves right. Hmm, maybe not. Maybe the camera is steady, and the person moves. Wait, the user's example might not have that info. Let's think.

The problem says "conclude with camera perspective and movement". Since it's a stage, the camera is probably at a medium distance. The movement is a slight pan, perhaps following the person. Let me stick to the description given.

The caption should be:

A person in a gray t-shirt and blue jeans gestures with both hands while moving slightly to their right on a stage platform. Another individual is visible near the drum set in the background. The camera pans left, following the main subject's motion.

Wait, but does the camera pan left or right? If the person is moving right, the camera should pan right to keep them centered. But maybe it's panning left. Wait, the user's instruction says to mention the camera movement. Let's look at the frames: in frame 0, the person is slightly left of center, frame 1 shows them moving right. So the camera must have panned right to follow. But the user's example might have different direction. Wait, the user's instructions say to describe what happens. Maybe it's safer to say the camera follows the subject's movement, which would be a pan to the right. But the user's example says "pan left" in the output example, but maybe it's a mistake. Wait, no, the

A person on stage is moving, likely gesturing or walking, with minimal background motion.

Background elements (stage, 'Atlanta Pride' sign, trees) are static with no significant shifting or environmental fluids; no fire, water, or smoke.


A man wearing a black shirt sits at a wooden table, positioned in front of a red curtain against a white wall. He raises both hands near his face, then clasps them together, subsequently lifting one hand while the other remains near his head, and finally lowers both hands. The camera maintains a fixed, eye-level perspective throughout.

A person is performing hand gestures, with the hands being the primary discrete, solid object moving due to explicit physical actions.

The background consists of a static red curtain and white wall with no uniform shifting or fluid/environmental motion (fire, water, smoke, wind) observed.


A man in a red and white checkered shirt stands at a podium holding a device, facing forward. The camera pans to a wide shot of a large audience seated at tables in a dimly lit room, facing the stage where the speaker is positioned. The view then returns to the man at the podium. The camera moves from a close-up of the speaker to a wide-angle view of the room and back to the speaker.

The speaker's hands are making deliberate gestures (discrete object movement), while audience members are seated with minimal visible motion.

No shifting backgrounds or fluid/environmental motion (fire, water, wind) observed; walls, ceiling, and stage elements remain static throughout both close-up and wide shots.


A man wearing a dark patterned shirt and glasses plays a brown violin, holding it under his chin and drawing the bow across the strings while his left hand moves fingers along the neck. He is seated in front of a closed white door. The camera remains stationary, capturing his upper body and the violin from a fixed angle.

A man playing violin: left hand moves on fingerboard, right hand moves bow across strings.

Background (door and walls) is static, no fire, water, or wind. No ambient environmental motion detected.


RAW CAPTION: Okay, let's see. I need to create a concise caption based on the video frames provided. The user wants a chronological paragraph focusing on the motion and behavior of main subjects.

First, the first frame shows a person's hand adjusting knobs on an audio mixing console. The console has many knobs and buttons, and the hand is moving, so that's the main action here. The hand is likely the main subject. Then the next frames switch to someone handling red cables on a rack of equipment. The person is moving the cables, maybe plugging them in or rearranging. The description should mention the appearance: red cables, maybe the person's hand or arm.

Wait, the user specified to focus on motion and behavior in chronological order. So first, the hand adjusting knobs, then the person working with the cables. The background elements are the mixing console and the rack. But according to rule e, keep background minimal unless essential. So maybe mention the console and rack as part of the background but not too much.

Check the rules again: a) motion and behavior in order, b) appearance and number, c) spatial relationships if relevant, d) camera perspective, e) minimal background, f) exclude text, named characters, etc.

The first scene: hand on mixing console. Hand is adjusting knobs. Maybe the hand is wearing a light-colored shirt? Wait, in frame 0, the hand is in a white shirt. Then in the next frames, another person with a blue shirt is handling red cables. Wait, the second frame shows a hand in a blue shirt. Wait, the user provided frames: [0.0] has a hand adjusting knobs on a mixer. Then [1.4] shows a different person (or same?) with red cables. Wait, the frames are sequential. Let me parse the frames.

Looking at the user's input:

Frame 0: close-up of hand adjusting knobs on a mixing console (with buttons, knobs, sliders). Hand is in white shirt.

Frame 1.4: close-up of another person's hand (blue shirt?) handling red cables on a rack of equipment. The rack has rows of small sockets, and the person is plugging or adjusting the red cables.

Wait, the user's frames:

0.0: hand adjusting knobs on audio mixer.

1.4: person (blue shirt) handling red cables on a rack.

2.5: same person working with red cables.

3.6: same action.

4.7: same.

So the main subjects are the hands: first a hand in white shirt on the mixer, then a hand in blue shirt with red cables.

Chronic order: first, hand adjusts knobs on mixer; then, hand adjusts red cables on rack.

Appearance: first hand is in white shirt, second in blue. Red cables are visible.

Spatial relationships: the first action is on the mixer, the second is on a rack of equipment. The background elements are the console and the rack.

Camera perspective: close-up shots. Probably static close-ups, maybe slight movement but not specified. The rules say "conclude with camera perspective and movement".

Wait, the user says "camera perspective and movement (e.g., top-down, pan left, slight shake)". In the given frames, it's close-up shots, so maybe static close-up. But the video transitions between two different shots: first mixer, then rack. So the camera moves from one close-up to another.

So the caption should mention the sequence: first the hand on the mixer, then the other hand on the rack.

Let me try structuring it.

"In the opening frame, a hand in a white shirt adjusts knobs on an audio mixing console. The scene transitions to a close-up of another person’s hand in a blue shirt manipulating red cables on a rack of equipment, connecting them to a grid of sockets. The camera remains static, focusing closely on each action without additional movement."

Wait, need to be more concise. Also, mention number of people: two hands, but perhaps not specify "another person" if not clear. But maybe just "a person" handling the cables.

Wait, the user's rules: "mention spatial relationships if relevant". The mixer is separate from the rack, but the first scene is mixer, second is rack. So maybe "the hand adjusts knobs on the console, then the person handles red cables on a nearby rack."

But the exact wording must follow the output format. Let's check the example in the rules. The output should be a paragraph in chronological order.

Also, exclude text recognition. So no "P" logo mentioned, but in the frames there's a "P" logo in frame 1.4, but according to the rules f, exclude text recognition. So don't mention the "P" logo.

So, in the caption, skip any text elements.

Putting it all together:

A hand

A hand (discrete solid object) manipulates red wires, moving them in a precise, physical interaction with the electronic components. The hand’s motion is deliberate and mechanically driven by the operator.

The background consists of stationary electronic equipment (knobs, wires, metal panels) with no shifting or fluid motion (e.g., no fire, water, or smoke). Background elements remain uniformly fixed, indicating no environmental fluid dynamics.


Two people, one in a dark blue shirt and the other in a blue shirt, stand behind a kitchen counter with small glasses, pitchers, and a floral arrangement. The man raises his right hand, then gestures with both hands; the woman claps her hands and gestures. The camera cuts to a close-up of a woman with white hair, then returns to the wide shot of both individuals at the counter.

Two distinct solid objects (people) moving: person in dark shirt raises hand, claps, and gestures; person in blue shirt claps and makes hand gestures. All motions are deliberate locomotion with no environmental interaction.

Background (kitchen cabinets, window, vase of flowers) remains static throughout. No fluid motion (fire, water, smoke) or wind effects observed; all environmental elements are fixed.


A person (man) transitions from crouching to standing, walks toward the car, and enters the vehicle; discrete locomotion with visible bounding box movement.

Static desert landscape with minimal grass sway; no dominant environmental motion (fire, water, smoke, or strong wind) observed.


A man in dark clothing and shoes walks toward a basketball hoop in an indoor court, bends to pick up a basketball, shoots it through the hoop, and then moves toward the right side of the frame. The camera remains stationary throughout.

A person (discrete solid object) is moving: dribbling a basketball, jumping, and shooting. The motion is driven by explicit physical forces (locomotion, collisions with the ball).

The gym walls, windows, and basketball hoop remain static with no fluid or environmental motion (e.g., fire, water, wind) observed. Background elements do not shift uniformly.


A person's hands manipulate a cylindrical bamboo sushi mat wrapped in clear plastic, rolling it over a bed of rice and fillings on a wooden board. The hands press firmly to shape the roll, then peel back the plastic wrap to reveal the formed sushi cylinder. Surrounding the mat are slices of green cucumber, lemon wedges, and pieces of raw fish. The camera maintains a close-up, steady perspective focused on the hands and the mat throughout the sequence.

Hands manipulate a sushi roll (solid object) and plastic wrap; discrete motions include unrolling, positioning, and cutting the roll with precise movements.

Background elements (wooden surface, lemon, cucumber) are static; no shifting backgrounds or fluid/environmental motions (fire, water, smoke, wind) observed.


A child wearing a red helmet with colorful decorations sits in a high chair, facing a birthday cake with multiple lit candles. An adult's hand reaches in to light an additional candle on the cake, then withdraws. The child appears to blow out the lit candles, while surrounding adults and children observe; one adult holds a smartphone to photograph the scene. The camera remains close to the child, with slight movements and a shaky perspective.

A child wearing a birthday hat is seen blowing out candles on a cake. Discrete movements include the child's head motion (blowing), hand gestures (possibly holding a candle lighter), and minor shifts of surrounding people.

The background features static elements like people, furniture, and a cake; no uniform shifting of background elements is observed. Flame motion from candles is minimal and secondary to the main subject.


A person in a yellow-green shirt and blue pants handles white strings, their hands shown in close-up as they manipulate the strands. The camera zooms into their hands, then pans right to reveal a second individual in a blue patterned top with an orange-green skirt, holding strings with a red bead. A third person in a red shirt appears beside them. The camera continues to pan, showing all three seated against a plain wall, each engaged with the strings. Background remains unobtrusive.

Three people are manipulating ropes with hands, showing discrete hand movements and rope interactions (tying/pulling).

Background consists of a static wall with no shifting elements or fluid/environmental motion (e.g., fire, water, wind).


The person, wearing a purple shirt and black vest, stands against a light-colored background. They initially hold a coin in their right hand, then move the coin slightly, followed by gesturing with both hands before lowering them. The camera remains stationary throughout.

The person (wearing purple shirt and black vest) and a die held in hand exhibit discrete, solid-object motion through deliberate hand gestures and manipulation of the die.

The background is a static plain wall with no shifting or environmental effects. No fire, water, smoke, or wind present.


A person in a light shirt and dark sandals holds the paw of a light-colored Labrador Retriever sitting on a marble floor. The dog, panting with its mouth open and tongue out, lifts its paw and then lowers it while the person shifts their grip. Potted plants are visible behind the dog. The camera remains stationary with a slight tilt.

The person's hand and the dog are discrete solid objects moving due to physical interaction (petting and the dog's response), with clear bounding box tracking of their motions.

Background elements (potted plants, tiled floor) are stationary with no uniform shifting or fluid/environmental motion (e.g., no fire, water, or wind effects observed).


A person in a blue shirt and dark shorts runs across a grassy field, kicks a small ball towards another person wearing a white shirt and light shorts standing in front of a goal. The white-shirted individual then sprints to retrieve the ball. The camera remains stationary throughout the sequence.

Two players: blue-shirted player executing a swing (hitting a ball) and white-shirted player moving to field the ball. The ball follows a clear trajectory after impact and gravity-induced motion. All objects are solid and discretely tracked.

Static background with trees and grass showing no fluid motion, wind effects, or environmental elements like fire/water. Background remains uniformly stable throughout.


A fork stirs orange pasta with visible vegetable pieces in a bowl. The scene transitions to a plate holding two hot dogs with mustard, a side of pasta, and a small container of sauce. Next, a person in a green shirt eats from a bowl. Finally, a hand in a green sleeve peels bright orange carrots under running water in a sink. The camera maintains close-up shots during each action, shifting between the food items and the peeling process without significant movement.

Discrete objects (fries, hot dogs, carrots) are moved by hands (a discrete object) in each scene. The carrots are washed in water, but their motion is primarily due to the hand's action.

The background elements (walls, table, sink) are static throughout the video. In the carrot washing scene, water flows from the tap, but the dominant motion is the hands moving the carrots, not the water flow.


A person in a light blue shirt and dark pants carries a large white rectangular object and a smaller white item along the side of a building. They move forward, then bend slightly forward, adjusting the items. The camera maintains a fixed overhead perspective throughout the sequence.

A person is moving: walking while carrying a large white container and blue bag, then bending down to interact with the blue bag. The person's movements are distinct and solid.

The background (building wall and sidewalk) shows no shifting or movement. No fire, water, smoke, or wind is present; environment appears static and dry.


Two men, one shirtless in black pants and the other in a red shirt with dark pants, face each other and engage in a series of coordinated stepping and blocking movements outdoors; the camera remains stationary.

Two people (one in red, one in brown) are moving; their motion is due to explicit physical forces (locomotion and martial arts-like actions).

Background elements (fence, trees, building) are stationary and do not shift uniformly. No fluid or environmental motion (fire, water, smoke, wind) detected.


A group of people, some carrying skateboards, stand on a sidewalk. Individuals wear various colored shirts (orange, blue, black, white). A person in a black shirt with a backpack walks through the crowd from left to right, moving toward the center as others shift positions or walk away. The camera remains steady, capturing the scene with minimal movement.

Multiple pedestrians are walking on the sidewalk, exhibiting locomotion.

The background (buildings, trees) is static. No dominant fluid or wind motion is observed.


RAW CAPTION: Got it, let's tackle this. First, the video starts with a garage and a van. People are moving around. Let's see the sequence.

Initial frame: A garage with open door, white van with rear door open. A yellow step stool. People are near the garage. Then, a man walks out pushing a yellow dirt bike. Another person is there. Then they load the bike into the van. Wait, no, the bike is moved from garage to van. Let's check the frames.

Frame 0: Garage open, van door open, step stool. People near garage. Frame 1: More people, maybe one walking. Frame 2: A man with a dirt bike (yellow, number 21?) is brought out. Then they push it towards the van. Then the bike is loaded into the van. Then a dog runs by. Wait, the captions need to be chronological.

So step by step: First, people are in the garage area. Then a man (wearing dark shirt, maybe) pushes a yellow dirt bike with number 21 out of the garage. He moves towards the van's ramp. Then another person helps, and the bike is loaded into the van. Then a dog runs across the scene. Let's check the frames:

Frame 0: Garage, van, step stool, people walking. Frame 1: Same, more people. Frame 2: A man is pushing the dirt bike (yellow, visible front with 21) out of garage. Frame 3: Bike is near step stool, people around. Frame 4: Bike is being loaded into van, using ramp. Frame 5: Bike is in van, people standing, dog runs past.

Wait, the description: The bike is yellow, maybe with a number 21. The people are moving around, loading the bike into the van. The dog runs in front of the van.

So chronological order:

- Initially, people are present near the garage and van.

- A man pushes a yellow dirt bike (with visible number 21) from the garage towards the van's open rear door.

- The bike is maneuvered onto the ramp of the van, with assistance from others.

- A dog runs across the scene in front of the van.

Now, describe appearance: yellow dirt bike, number 21, people in dark shirts (maybe), dog.

Spatial relationships: bike is moved from garage (inside) to van (outside, ramp), dog runs past van.

Camera perspective: seems like a fixed shot, maybe slight movement? But rule d says conclude with camera perspective. The problem says "keep background minimal unless essential". So focus on motion.

Let's structure:

A group of people move a yellow dirt bike (marked with number 21) from the open garage into the rear of a white van via an extended ramp. The bike is pushed by one person, assisted by others, with a dog briefly running across the scene in front of the van. The camera remains stationary throughout, capturing the loading process from a frontal perspective.

Wait, but need to check the actual frames. Let's look at the video:

Frame 0: Garage with open door, van door open. Step stool. People are near garage, some walking.

Frame 1: More people. The dirt bike is not yet visible.

Frame 2: A person is moving towards the bike, which is now visible (yellow, front with 21). Then in frame 2, they bring it out.

Frame 3: The bike is near the step stool, people standing around.

Frame 4: Bike is on the ramp, being loaded into the van.

Frame 5: Bike is inside the van, people are near van, dog runs past.

So the sequence is:

People move the yellow dirt bike (number 21) from the garage area to the van, using the ramp. They push it out, load it into the van. A dog runs across the scene.

Appearance: yellow dirt bike with number 21, people wearing dark clothing, dog (color? maybe black, but not specified, so "dog" is fine).

Spatial: bike is moved from inside garage to van (external), dog runs in front of van.

Now, write concisely:

A yellow dirt bike (marked with number 21) is pushed from the open garage into the rear of a white van via a ramp, with multiple people assisting in its movement. A dog runs across the scene in front of the van as the bike is loaded. The camera remains stationary, capturing the action from a fixed frontal angle.

Check rules:

a) Motion: pushing bike, loading, dog running. Chronological: bike moved to van, dog runs.

b) Appearance: yellow bike, number 21, people (dark shirts), dog.

c) Spatial: bike from garage to

Discrete solid objects include people walking and interacting, motorcycles being wheeled/positioned, and a dog moving. These motions are driven by human locomotion and object handling.

The background elements (building, truck, yellow step ladder) remain stationary across frames, showing no uniform shifting. No fire, water, smoke, or wind-driven motion is visible.


A person wearing a gray tank top with brown sleeves holds a white sprinkled donut. They raise their right hand upward, then bring the donut closer to the camera. The background includes a window with bright light and colorful objects. The camera maintains a close-up perspective with slight shake.

The person is moving their hands and holding a glass. The dog is lying on the couch with minor movements.

Background is static (no shifting walls or windows). No fire, water, smoke, or wind visible.


A person in blue scrubs and white gloves applies a cotton pad to the forehead and eye area of another person lying down, who wears a striped shirt and has long dark hair. The standing individual presses and wipes the area gently while the reclining person remains still. The camera maintains a close-up, static view focused on the upper bodies and faces.

The technician's hands (wearing gloves) are actively moving to perform a procedure on the patient's face, while the patient remains mostly static with minor head adjustments.

Background (window and wall) is static with no shifting; no fluid or environmental motion (fire, water, wind) observed.


A black SUV accelerates and turns left at a traffic intersection, followed by a white car moving from the left side of the frame. A white van approaches from the opposite direction, and a silver car enters the scene from the left. The camera remains stationary, capturing the vehicles' motion from a fixed viewpoint at the intersection.

discrete_object_physics | ambient_environmental | camera_motion | ego_motion | static


Two dancers, one in a purple leotard and the other in a blue top with black pants, leap and spin in a bright studio. Initially holding hands, they separate slightly, with the purple dancer moving left and the blue dancer continuing to the right while maintaining energetic movements. The camera remains static throughout the sequence.

Multiple solid human dancers (discrete objects) perform coordinated locomotion and body movements in a dance studio setting.

Background elements (walls, ceiling lights, railing) are stationary and show no uniform shifting; no fire, water, smoke, or wind-driven motion present.


RAW CAPTION: Got it, let's tackle this. First, I need to observe the video. There are four musicians. Let's list them: a violinist in black, a cellist (maybe two? Wait, the video shows a cellist, a violinist, a double bassist? Wait, the image has a violinist standing, a cellist sitting, a double bassist? Wait, the frames show: left side, a violinist (black outfit, standing), then a cellist (sitting, cello), then a double bass? Wait no, the second frame shows a person with a cello, then a violinist, then a person in white dress playing a string instrument (maybe viola or another cello). Wait, the description says "a woman in a white dress" playing. So let's count: four people.

First frame: violinist (black, standing), cellist (sitting, cello), a person with a violin (maybe another violinist?), and a woman in white dress. Wait, maybe two string players: violin and cello, then another? Wait, the video shows four musicians. Let's check the frames.

In frame 0: violinist standing left, cello player sitting middle, another person (maybe viola or another cello) in the back, and a woman in white dress on the right. Wait, the woman in white is playing a string instrument. So four people total.

Now, the actions: they are playing instruments. The camera moves slightly, maybe panning or shifting. The background is an outdoor area with plants and a building.

Chronologically: the musicians are performing. The violinist moves their bow, the cellist plays, the other string player (maybe viola) plays, and the woman in white (dress) plays her instrument. The camera seems to shift slightly, maybe a slight pan.

Need to describe motion: they are playing their instruments, moving bows. Spatial: violinist is left, cellist middle, woman in white right.

Appearance: violinist in black, cellist in black, another player (maybe black or dark), woman in white dress.

Camera movement: slight pan, maybe.

Now, structure the caption:

Four musicians perform: a standing violinist in black, a seated cellist in black, another seated string player, and a woman in a white dress. The violinist moves the bow, the cellist plays, the woman in white strums or bows. The camera slightly shifts perspective, capturing them in an outdoor setting with plants in the background.

Wait, need to be concise, chronological. Let's outline:

Start with the scene: four musicians playing instruments. The standing violinist (black outfit) moves bow. The seated cellist (black outfit) plays cello. A person in dark clothing (maybe viola) plays. The woman in white dress plays her instrument. The camera shifts slightly, showing their positions (left to right: violinist, cellist, dark-clad player, white-dress woman). Background has plants and a building, but minimal description.

Check rules: focus on motion and behavior. Main subjects: four people, their actions.

So: Four musicians perform outdoors: a standing violinist in black moves their bow, a seated cellist in black plays, another seated string player (dark clothing) plays, and a woman in a white dress plays her instrument. The camera slightly shifts perspective, capturing their positions in front of a building with plants in the background.

Wait, make it chronological. The video starts with them playing, then maybe the camera moves. Let's see the frames: the first frame shows them playing, then frame 1 shifts a bit, frame 2 shifts, etc. So the camera has a slight pan or movement.

Final caption should be:

Four musicians play string instruments outdoors: a standing violinist in black moves the bow, a seated cellist in black plays, another seated musician in dark clothing plays, and a woman in a white dress plays. The camera shifts slightly, showing them arranged left to right with the building and plants in the background.

Wait, check for conciseness. Let's see the example output.

Wait, the instructions say "concise, chronological paragraph". So:

In the video, four musicians perform string instruments. A violinist in black stands and moves their bow; a cellist in black sits and plays; another musician in dark clothing plays; a woman in a white dress plays her instrument. The camera slightly shifts perspective, capturing them in front of a building with greenery in the background.

But need to make sure it's chronological. The video is a sequence where they're playing, and the camera moves.

Wait, the frames show different angles, so the camera is moving.

Let me check the frames:

Frame 0: wide shot, all four.

Frame 1: camera angle shifts, showing more of

Discrete solid objects (musicians playing instruments, adjusting postures) move due to physical actions: violinists bowing, cellist manipulating strings, and a seated musician bending to adjust equipment.

The background elements (walls, ground, plants) show no uniform shifting or fluid motion. There are no fire, water, smoke, or wind-driven environmental effects.


A bald man in a green shirt walks away from a light wooden structure with a window, then reappears holding a wooden panel and moving toward the structure. The camera remains stationary, capturing the man’s movements and the structure’s details.

A person in a green shirt is walking around the wooden structure, moving from left to right and exiting the frame.

The background (wooden structure and green hedge) is static with no fluid or environmental motion observed. No smoke, fire, or wind effects.


A person wearing a pink shirt and blue jeans stands against a yellow wall, holding a violin and bow, moving the bow across the strings to play. Stacked items covered with a cloth are visible to the right of the person. The camera remains stationary throughout the sequence.

A person (girl) playing violin, moving arms rhythmically due to bowing and fingering. Motion is solid and distinct, caused by physical forces of playing the instrument.

Background is static: yellow wall and table with folded clothes. No fluid/environmental motion (fire, water, smoke, wind) present.


A person in blue starts sliding down a green and white water slide, moving through curved sections of the structure before plunging into a blue pool. The camera tracks the descent, panning downward to follow the person's path from the slide’s top to the pool entry.

Static background elements (green slide structure, grass, distant landscape) shift uniformly across the screen, indicating camera movement. The pool's water is calm with no significant wave motion, so no ambient environmental effects dominate.


A person holds a pineapple on a wooden cutting board with one hand while using a knife with the other to slice off the top portion; they then rotate the pineapple to reveal the smooth, yellow interior of the cut section, maintaining a steady top-down camera perspective throughout.

Human hands actively cutting and rotating a pineapple, causing discrete solid-object motion due to physical interaction (cutting, repositioning).

Static background elements (wall, wooden structure, white basket) show no uniform shifting; no fire, water, or wind-induced motion detected.


A bald man in black attire stands on a red mat with white lines, facing an upright bat. He swings the bat overhead, then lowers it to his side, bends down to retrieve a ball from a white bucket to his right, and lifts the bat again. The scene is set against a netted backdrop with green turf surrounding the mat. The camera remains stationary, capturing the action from a fixed angle.

A person (shot put thrower) and a shot put are moving. The thrower rotates body, swings arm, and releases the shot put; the shot put is visible in motion during release.

Background (concrete wall, green turf) is static with no shifting or environmental fluid motion (fire, water, wind, smoke). No ambient effects detected.


Two individuals sit side-by-side in a dining area with empty tables and chairs. The person on the right, wearing dark clothing with a Puma logo, holds a sheet of paper and gestures with their left hand, while the person on the left, dressed in a dark suit with a red scarf, holds a notebook and pen and adjusts their posture. The background features stacked plates and wooden tables, and the camera remains mostly static with slight adjustments.

Two people seated at a table exhibit subtle motion (e.g., adjusting posture, holding papers), representing discrete solid objects moving via explicit physical forces (locomotion/interaction).

Background elements (tables, chairs) are static and do not shift uniformly across frames; no fire, water, smoke, or wind effects observed.


A man holds a small child in a kitchen; the child grasps a paper, brings it to their mouth, then moves it away. The man adjusts his grip as the child shifts position, holding the paper. The camera remains stationary in a medium shot.

The child interacts with a book by turning pages and holding it, while the adult manipulates the book and points toward it; all motions are solid-object actions (hand movements, page turning) with clear bounding box tracking.

The kitchen background (cabinets, microwave) remains stationary with no shifting, fluid motion (fire/water/smoke), or environmental disturbances observed.


In a gym with yellow walls, multiple people (some in white shirts, one in a dark top with red shorts) initially stand. They then bend and jump; the person in red shorts jumps repeatedly, while others move around the space. The camera remains steady with slight shake, capturing the group's movement in the gym.

The person in purple and red shorts moves from sitting to standing and performs a jump rope exercise. Other people shift positions slightly while standing.

No shifting background or fluid/environmental motion observed.


A person in a black and white striped sleeveless top with visible arm tattoos holds a red-handled hula hoop, raising it above their head while rotating their torso and arms. They then lower the hoop in a controlled motion, turning their head to follow the hoop’s path. The camera remains stationary, capturing the action from a medium distance in a dimly lit indoor setting with blurred colorful background lights.

The primary solid object is the person performing choreographed movements, including twirling a baton around their head. The baton's motion is driven by the person's explicit physical actions (arm movements and body rotation), with no other discrete objects exhibiting significant motion.

The background (walls, floor, and static set elements) shows no uniform shifting or environmental motion. No fire, water, smoke, or wind effects are present; the colorful lighting is part of the static set design.


A person in a black apron pours water from a metallic pitcher into a stainless steel electric kettle on a countertop. The individual then inserts a coffee filter into the kettle and pours the brewed coffee from the kettle into a white cup placed on a saucer. The camera transitions from a medium shot of the person to close-up views of the hands and pouring action.

Discrete objects moving: person's hands (pouring water, placing portafilter, pressing plunger), kettle, and coffee maker's plunger mechanism. All motions are intentional human actions with clear bounding boxes.

Background elements (kitchen counter, stove, table) are static with no uniform shifting; no fire, water flow, smoke, or wind is dominant. Controlled pouring of water/coffee is discrete human action, not ambient fluid motion.


Two girls, one in a maroon jacket and blue jeans with a white hat, the other in an orange-pink jacket, black pants, and a white hat, work together at a hole in a frozen surface. The first girl pulls a bucket from the hole while the second retrieves a small object and a yellow item. They then move away from the hole: the second girl carries the bucket and yellow object, followed by the first girl. The camera follows their movements with a slight shake, capturing the icy background.

Two children (discrete objects) are moving: one is pulling an object from the hole and then walks away, while the other remains but also moves slightly.

The background (ice surface) is static. There is minor splashing water around the hole, but it is not dominant and is a consequence of the children's actions. No fire, smoke, or wind is visible.


A person with long, light brown hair featuring lighter streaks begins with hands covering their mouth and nose. They then move their right hand to adjust their hair while the left hand stays near the mouth, followed by the right hand touching near the eye area. The background includes a plain light wall and a ceiling vent. The camera maintains a fixed, close-up perspective throughout.

A person's hand and head are moving to apply makeup (e.g., touching eye area and adjusting hair).

Background elements (wall and cabinet edge) are static. No fire, water, smoke, or wind observed.


A hand holding a blue pen moves across a white sheet of paper, then draws a vertical line while adjusting the pen's position. The hand is positioned to the right of the paper's center. The camera maintains a top-down view, focusing on the hand and paper.

A hand (discrete, solid object) is actively writing on paper, demonstrating motion due to physical forces (muscle movement).

The background consists of a static wooden surface with no shifting elements or fluid/environmental motions (e.g., fire, water, smoke).


A hand holds a brown, flat, irregularly shaped object with small spots in front of a chain-link fence, rotating it slightly to display different angles. Another hand enters, flipping the object to reveal its underside. The camera maintains a close-up perspective, slightly shaking, focusing on the object and hand movements against the fenced background.

A hand is actively manipulating a brown object (likely a cookie or similar item), with the hand moving the object in a controlled manner across the frame.

The background consists of a stationary wire mesh and greenery with no uniform shifting or fluid/environmental motion (e.g., no fire, water, or wind-driven movement observed).


A right hand holding an orange pencil with a blue tip writes on a white sheet of paper, which is held steady by a left hand. The hand moves methodically across the paper's surface, making marks. The background features a patterned surface, and the camera maintains a static top-down perspective.

A hand holding a pencil is moving to write on a paper; discrete solid motion from locomotion (hand movement) with clear bounding box tracking.

The background (wooden surface with pattern) is static; no shifting, fluid motion, or environmental effects (fire, water, smoke, wind) observed.


A person wearing a floral-patterned shirt picks up a red plastic block, then a yellow block, and finally an orange block from a wooden table in front of an open book, moving them toward the book’s pages. Colorful plastic blocks (red, yellow, orange) are scattered across the table, with the open book positioned centrally. The background includes kitchen cabinets and a sink. The camera remains stationary, focused on the table top.

A person's hands manipulate small solid objects (e.g., candies or similar items) from a container, placing them into an open book. The objects and hands exhibit deliberate, physical movement due to human action.

The kitchen background (cabinets, appliances) remains static with no shifting or fluid motion (fire, water, smoke, wind); no ambient environmental elements dominate.


RAW CAPTION: Got it, let's tackle this. First, the video shows a table setup. The first frame has a dark table with water goblet, wine glasses, napkin, knife, fork, and flowers. Then text says to place water goblet at top of table knife and wine glasses at 45 degrees. But the user says to exclude text recognition, so focus on actions.

Next, a hand places a folded napkin in the middle of the knife and fork. Check position central. So the main subject here is the hand placing the napkin. The napkin is folded, white, rectangular. The knife and fork are on the table, so the napkin is placed between them.

Then the view shows the table with napkin in place, and there's a transition to an outdoor scene? Wait, no, the video cuts to an outdoor scene but maybe that's a different part. Wait, the user says to focus on motion and behavior in chronological order.

Let's list the steps:

1. The table has a dark surface with water goblet (tall glass), two wine glasses, folded white napkin, knife, fork, and a small plate. A hand places the folded napkin between the knife and fork, ensuring it's central. Then the view shows the table with the napkin placed correctly.

Wait, the first frame is the table setup, then the next frame shows a hand placing the napkin. The text says "Place folded napkin in middle of table knife and table fork. Check that position is central."

So the main action is the hand placing the folded white napkin between the knife and fork, checking its position. The background has a dark table, maybe a chair, flowers (white lilies), but keep background minimal.

Camera perspective: starts with top-down view of the table, then a close-up of hands placing the napkin, then back to top-down of the table with napkin in place. The camera moves from top-down to close-up of hands, then back to top-down.

Now, following the rules: concise chronological paragraph, focus on motion and behavior of main subjects (hand), appearance (folded white napkin, knife, fork), spatial relations (between knife and fork, central position), camera perspective (top-down, close-up, top-down).

Exclude text recognition, so don't mention the text on screen. Just describe what's happening.

Let me draft:

A hand places a folded white napkin between a table knife and fork on a dark table, adjusting it to center the napkin. The napkin is positioned horizontally between the utensils, with the knife to the right and fork to the left. The camera shifts from a top-down view of the table setup to a close-up of the hand placing the napkin, then back to a top-down view showing the napkin properly positioned between the knife and fork.

Wait, need to check the steps in order. First frame: table with various items. Then next frames: hand placing napkin. Then the table with napkin placed. So chronological order: initial table setup (but the action is placing the napkin). The user says focus on motion and behavior of main subjects (people/animals/objects). So the main action is the hand placing the napkin.

Let's refine:

A hand places a folded white napkin between a table knife and fork on a dark table, ensuring it is centered. The napkin is positioned horizontally, with the knife to the right and fork to the left. The camera moves from a top-down view of the table to a close-up of the hand adjusting the napkin, then back to a top-down view confirming the napkin’s central placement between the knife and fork.

Wait, in the first frame, the table has the goblet, glasses, etc. But the action described is placing the napkin. The video starts with a top-down view of the table with items, then shows hands placing the napkin. So the chronological order is: initial table setup (static), then hand placing napkin, then confirming position.

But the user says "chronological paragraph describing the provided video". So the video starts with the table setup (but maybe the first frame is the setup before the action). Then the next frames show the action.

In the provided video segments:

[0.0] shows the table with items (goblet, wine glasses, napkin, etc.)

[1.4] shows text about placing napkin

[2.5] shows hands placing folded napkin between knife and fork

[3.6] shows table with napkin placed correctly.

So the main action is the hand placing the napkin. So the caption should describe that action.

The main subject is the hands (human) placing the folded white napkin between the table knife and fork, checking its central position.

Spatial: napkin is placed in the middle of knife

Discrete solid objects (hands, folded napkin, glassware) move as a person places and adjusts items on the table; motion is localized to the hands manipulating objects.

Background elements (dark table, chairs, flowers) remain static throughout; no shifting backgrounds or fluid/environmental motion (fire, water, wind) observed.


A girl in a striped swimsuit stands at the pool's edge, then jumps into the water, creating a splash, while another person remains in the pool. The camera stays stationary, capturing the scene from a fixed angle.

A child dives into the pool and then swims; another person is already in the pool and swims. A head appears in the foreground (likely another person) and moves.

The background walls and deck are static. The water shows ripples and splashes due to the diver, but this is secondary to the discrete object motion and not dominant (ambient rule does not apply as water is not the primary subject).


RAW CAPTION: Okay, let's tackle this video caption. First, I need to understand the rules. The user wants a concise paragraph in chronological order, focusing on the main subject's motion and behavior. The main subject here is a baby.

Looking at the frames: the baby is in a high chair. The video starts with the baby looking to the left. Then the baby moves their right hand towards their mouth. Next, they bring the hand up to their mouth, then lower it. Then the baby looks down and moves their left hand.

Wait, the timestamps are 0.0 to 5.0 seconds. Let's break it down. At 0.0, baby is seated, looking left. At 1.0, starts moving right hand. By 2.0, hand is near mouth. At 3.0, hand is in mouth, then they pull it away. Then maybe look down. The fourth frame (4.0) shows the baby looking down, arms out. Then 5.0, similar position.

So the sequence is: baby turns head left, reaches right hand, brings to mouth, chews or sucks fingers, then looks down, moves hands. The baby is in a teal high chair with white tray. Background has wooden floor and cabinet.

Appearance: baby has short hair, white shirt with colorful design. Baby is seated, so orientation is facing forward but turning head.

Spatial relationships: baby is in high chair, which is near a cabinet. The camera is fixed, no movement mentioned. Background minimal, so just mention wooden floor and cabinet if essential. The user says to keep background minimal unless essential. Since the high chair is the main focus, maybe the cabinet is part of the background but not necessary. Wait, the first frame mentions "wooden floor" and "cabinet" in the background. So maybe mention the setting as wooden floor and cabinet, but keep it minimal.

So the caption needs to list the actions in order: seated in high chair, turns head left, reaches right hand to mouth, brings hand to mouth, looks down, moves arms.

Wait, the video shows: at 0.0, baby looking left. Then at 1.0, starts moving right arm. By 2.0, hand up near mouth. 3.0, hand in mouth. 4.0, looks down, arms out. 5.0, similar.

So the chronological order: The baby, seated in a teal high chair with white tray, turns head left, then raises right hand to mouth, brings it to their mouth, then lowers the hand, looks down, and moves arms outward.

Wait, the first frame (0.0) shows baby looking left. Then at 0.2, baby starts moving right hand. Then by 0.4, hand is up to mouth. 0.6, hand in mouth. 0.8, hand away. Then 1.0, looking down. So the sequence is: baby turns head left, reaches right hand to mouth, places it in mouth, then removes hand, looks down, moves arms.

Wait, the user provided the frames as [0.0] to [5.0], but the actual video might have a few seconds. Let's check the given frames:

[0.0] baby looks left, arm out.

[0.5] baby reaches right hand to mouth.

[1.0] hand near mouth, maybe bringing it to mouth.

[1.5] hand in mouth.

[2.0] hand moving away from mouth, looking down.

[2.5] looking down, arms out.

[3.0] similar.

Wait, the user provided frames as:

0.0: baby sitting, arm out to the left.

1.0: baby turns head, right arm up.

2.0: hand near mouth.

3.0: hand in mouth.

4.0: looks down, arms out.

5.0: same as 4.0.

So the motion is: baby starts by looking left, then turns head, raises right hand to mouth, brings it to mouth, then looks down, moves arms.

Wait, the sequence is: the baby is seated, first looks to the left, then raises the right hand to their mouth, brings it to their mouth, then lowers the hand, looks down, and moves both arms.

Wait, the first frame (0.0) is baby looking left, arm out. Then 0.5 (frame 1) baby moves right hand to mouth. 1.0 (frame 2) hand in mouth. 1.5 (frame 3) hand still in mouth. 2.0 (frame 4) hand moving away. 2.5 (frame 5) looking down, arms out. 3.0 (

The baby (discrete solid object) exhibits intentional movement: arm/hand motion reaching toward and interacting with the mouth, with no external collisions or environmental forces observed.

Static background elements (cabinets, wooden floor) show no uniform shifting or fluid motion (fire, water, wind); no ambient environmental phenomena detected.


A person in a dark shirt and shorts bends over a bathtub in a bathroom, then the camera zooms in on their face as they speak. The person stands and walks toward the toilet, with the camera maintaining a slightly shaky perspective throughout the sequence.

A single person (discrete solid object) is moving: bending over the toilet, adjusting posture, and interacting with the toilet area. The motion is due to explicit physical forces (locomotion and manual actions).

Background elements (bathroom walls, tub, toilet) remain static with no shifting or fluid motion; no fire, water flow, smoke, or wind is present.


A person in black adjusts the handle of a rotisserie, rotating a large golden-brown whole pig over charcoal coals, while another person in a checkered shirt stands nearby holding a tray. The pig spins clockwise, and the camera pans right to follow the pig’s motion and the hand on the handle, with a white van and parked cars visible on the wet pavement.

Rotating rotisserie with meat (solid object) spinning on a spit mechanism; two people (static observers) near the setup.

Background elements (concrete wall, white structure, parked car) show no significant shifting or fluid motion; wet ground is static environmental feature but not dominant ambient.


A person with curly hair, wearing a gray shirt, holds a violin, moving the bow across the strings and pressing fingers on the neck; positioned in front of a blue bulletin board, the camera remains static in a medium close-up shot.

A person (violinist) moves hands: left hand on fingerboard and right hand with bow, performing discrete solid-object motion (locomotion of limbs and bow across strings).

The background (blue wall, poster, and white wall) remains static with no uniform shifting. No fire, water, smoke, or wind motion observed.


The video opens with a crowd of children and adults gathered closely together outdoors, some extending their arms. It transitions to an indoor gym where two men in black shirts stand; one gestures while the other remains still. Next, a person in a black shirt trains with a red punching bag, moving rapidly to strike it. The scene returns to the two gym men, where one covers his face with both hands. The camera alternates between these settings, capturing each action with brief static and medium shots.

Briefly describe what discrete, solid objects are moving.

Briefly check for shifting backgrounds or fluid/environmental motion (fire, water, wind).


Two people sit facing each other: a person in a blue dress on a dark chair strums a ukulele, and a person in a pink cap, light pink top, and blue jeans on a green chair strums a ukulele. Both maintain seated positions while playing, with no significant movement or change in posture throughout the scene. The camera remains stationary, capturing the pair from a fixed perspective.

Two seated individuals playing ukuleles: consistent hand/arm movements (chord changes, strumming) with localized motion confined to their upper bodies while maintaining stable seated positions.

Static background elements (wooden cabinets, TV, counter) show no shifting or environmental motion. No fluid dynamics (fire, water, smoke) or wind effects observed.


A toddler with light hair sits in a high chair, holding a spoon and eating from a brown bowl. The child lifts the spoon to their mouth, then food drips from the spoon onto their face. The camera gradually zooms in on the toddler as they eat, with chairs and a table visible in the background.

The baby (a person) is actively moving: reaching into the bowl, bringing food to the mouth, and pointing. The bowl is stationary.

The background (furniture, walls) is stable with no uniform shifting. No fluid or environmental motions (fire, water, wind) are present.


Three individuals sit at a restaurant table. The left person, with long blonde hair and glasses, holds a peace sign throughout. The middle person wears a white panda hat. The right person, with light hair, initially faces the camera with an open mouth, then moves their right arm across the table, rests it on the left person’s shoulder, and finally extends the arm outward. A ketchup bottle, pancakes, and glass remain on the table in front of them. The camera captures the scene from a fixed, slightly shaky position.

Three people seated at a table exhibit discrete movements (head gestures, facial expressions, hand motions) consistent with voluntary locomotion.

Background elements (walls, window, decorative plant) show no uniform shifting; no fire, water, smoke, or wind motion detected.


A person in a blue martial arts uniform performs sequential movements on a grassy hillside. Beginning in a wide stance with arms extended, they shift to a side stance, then step forward while rotating their body, eventually bringing their hands together in front of their chest. The camera follows the subject’s motion with a slight pan, maintaining a medium shot throughout.

A person in blue attire performs martial arts movements, including stance shifts, arm gestures, and footwork. Motion is discrete, solid, and consistent with human locomotion and explicit physical actions.

Background elements (hillside, vegetation) show no uniform shifting; no fire, water, smoke, or wind-driven motion observed.


RAW CAPTION: Got it, let's break this down. The video shows a close-up of nail art supplies. First, the scene has nail stickers, a container with glitter, and a wooden stick. Then, a hand enters holding the stick, moves it over a sticker sheet, and applies something (maybe glue or adhesive) to a nail design. The hand is manipulating the stick to place the adhesive. Let's check the rules: focus on motion, chronological order. Main subjects are the hand and the stick. Appearance: hand with orange nail polish (since the nails are visible), stick is wooden. Spatial: hand is on the right, working on the sticker sheet. Background has other stickers and supplies. Camera is top-down, no movement mentioned. Need to avoid text recognition (like "Camelot" on the stickers, but the rules say exclude text recognition). So, describe the hand's action: using the stick to apply adhesive to a nail design sticker. Chronological: starts with setup, then hand uses stick. Let's structure the caption.

First, the initial scene: a hand (with orange nail polish) uses a wooden stick to apply adhesive to a nail art sticker sheet. The sticker sheet has decorative designs (like jewels) and is placed on a white surface. The hand moves the stick from left to right, applying the adhesive. Other stickers are nearby (left and right of the main sheet). Camera is top-down, static. Need to keep it concise.

Wait, the video shows the hand picking up the stick and then moving it over the sticker. So the action is the hand using the stick to apply to a specific nail design on the sheet. Let's write it step by step:

At the start, the scene shows multiple nail art sticker sheets on a white surface, including a pack labeled "Calmadas Mariposa" (but exclude text, so just say decorative nail stickers). A wooden stick is placed nearby. Then, a hand with orange-painted nails enters from the bottom, picks up the stick, and applies a substance (likely adhesive) to one of the nail designs on a yellow-bordered sticker sheet. The hand moves the stick across the sticker, focusing on the rightmost nail design. Other stickers are visible in the background (left and right). The camera remains top-down with no movement.

Wait, the rules say exclude text recognition, so don't mention the labels. So describe the stickers as decorative nail art sheets with jewel-like designs. The hand uses the stick to apply something to a specific nail on a sticker sheet.

Let me check the frames: the first frame has the stickers. Then, a hand uses a stick to place a dot (or apply adhesive) on the nail design. So the action is the hand holding the stick and applying to the sticker.

Final caption should be concise:

A hand with orange-painted nails uses a wooden stick to apply adhesive to a decorative nail art sticker sheet, moving the stick across a specific nail design. The sticker sheet features jeweled nail designs on a yellow border, placed on a white surface with other sticker sheets nearby. The camera maintains a static top-down view throughout.

Wait, need to be more chronological. The video shows the initial setup, then the hand's action. So:

The video opens with decorative nail art sticker sheets arranged on a white surface, including a sheet with leopard print borders and jewel designs. A hand with orange-painted nails enters the frame, picks up a wooden stick, and applies adhesive to a nail design on a yellow-bordered sticker sheet. The hand moves the stick from left to right across the sticker, focusing on one design. The camera remains fixed in a top-down position with no movement.

Check rules: no text recognition, so don't mention "Calmadas" or brand names. Instead, describe the stickers as decorative with jewel designs, leopard print borders, etc. But the rules say "briefly describe their appearance and number (color, size, orientation)"—so for the stickers, mention they have jewel designs, leopard print, etc. but not the text.

Yes, the main motion is the hand using the stick to apply adhesive to a specific nail on a sticker sheet.

Let me structure it:

A hand with orange-painted nails uses a wooden stick to apply adhesive to a nail art sticker sheet. The sticker sheet displays jewel designs on a yellow border, positioned on a white surface with other sticker sheets nearby. The hand moves the stick across a specific nail design, applying the substance from left to right. The camera remains stationary in a top-down view.

Yes, that's concise, chronological, includes motion, appearance (hand, stick, stickers), spatial (nearby stickers), and camera (top-down, static).
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<caption_output>A hand with orange-painted nails uses a wooden stick to apply adhesive to a decorative nail art sticker sheet featuring jewel designs on a yellow border, positioned on a white surface with additional

A wooden stick is being manipulated by a hand (implied motion), causing discrete movement of the stick across the scene.

No shifting background elements (static white surface with nail polish strips and small bottle). No fluid/environmental motion (fire, water, wind) observed.


A shirtless individual holds an acoustic guitar with a wooden body, positioned in front of a light-colored wall with a dark garment hanging. The person’s hands move across the fretboard and strings as they play, occasionally looking toward the camera. The camera remains mostly static with a slight handheld shake.

The person's hands and head are moving as they play the guitar, showing discrete physical motion due to the act of playing.

The background (wall and hanging item) is stationary; no fluid or environmental motion detected.


A baby in a pink sleeveless top sits in a high chair with a white and green cushion, eating spaghetti with their hand as scattered noodles cover the tray. The scene transitions to another baby in a red and white striped shirt seated in a gray-patterned high chair, eating sauce-covered food with their hand while sauce stains spread across the tray. Both shots are static overhead views with minimal camera movement.

The baby is a discrete object actively moving (eating, hand gestures) within the high chair; other objects (spaghetti, tray) exhibit minimal motion.

Static background elements (walls, furniture, high chair structure) are consistent across frames with no uniform shifting or fluid motion (fire, water, smoke, wind).


A person wearing a black shirt and dark pants stands on a gym machine, lifting a barbell from overhead to shoulder level, then returning it to overhead in a repeating motion. The gym features blue weight machines and red walls in the background. The camera remains stationary, capturing the subject from the front.

A person is performing a weightlifting exercise (squatting and rising with a barbell), moving due to muscle exertion and gravity. The motion is discrete and solid.

Background is static gym equipment and walls without uniform shifting. No fire, water, smoke, or wind observed.


A person’s hands adjust a light brown wooden box component, then lift and rotate the box to stand upright on a white tarp, adjusting its position while wearing khaki shorts and white sneakers. The camera follows the motion closely with slight shake.

A wooden box is being manipulated by a person's hands, with visible motion including lifting, rotating, and positioning the box. The person's arms and hands also move to interact with the box.

The white sheet and ground background elements show no significant uniform shifting or fluid/environmental motion (fire, water, wind); background remains relatively static.


A hand in a dark long-sleeve shirt reaches upward to adjust the branches of a tall Christmas tree adorned with white and red ornaments and string lights, then moves downward before returning upward to reposition the branches. The camera maintains a close-up perspective, slightly following the hand’s movement as it interacts with the tree.

A person (wearing dark clothing) is moving their hands to adjust decorations on a Christmas tree; the tree is stationary.

No shifting background or fluid/environmental motion observed; the background (room and tree) is stable and static, with no fire, water, smoke, or wind.


The video opens with a close-up of a gray floor sander with a visible motor resting on polished wooden flooring. A person wearing white sneakers and dark pants approaches, pushing the sander forward across the surface. The camera shifts from a tight shot of the sander to a wider view showing the person’s feet maneuvering the machine, maintaining a steady perspective throughout.

The floor sander (solid machine) and the person's feet (wearing white shoes) are discrete objects moving due to physical forces. The sander is pushed across the floor by the person, with the feet shifting position to operate the device.

The background (wooden floor and wall) shows no uniform shifting or environmental fluid motion (e.g., no fire, water, smoke, or wind). The floor appears static except for localized sanding marks, indicating no ambient environmental dominance.


An older man with gray hair and a blue shirt sits to the left of a bald baby wearing a green bib with colorful patterns, seated in a high chair. The man initially holds a white napkin and smiles at the baby, who smiles back. The man then claps his hands, prompting the baby to laugh and open his mouth wide; the man also opens his mouth and laughs. The camera remains stationary, focusing closely on their interaction.

Two discrete solid objects (adult and baby) exhibit motion: the baby’s facial expressions and slight head movements, and the adult’s hand gestures and facial expressions.

Background elements (plant, chair, walls) are static and show no uniform shifting or fluid motion (e.g., no fire, water, or wind effects).


RAW CAPTION: Got it, let's break this down. The video shows a person in a room. First, the person is near a bed with purple sheets. They move, then sit down. Let's check the details. The person is wearing a light gray shirt and blue shorts. They pick up something from the bed, then sit on a wooden drawer unit. The background has a dresser with a TV and some clothes on the bed. The camera seems to be static, maybe a slight shake? Need to follow the rules: focus on motion, chronological order, minimal background.

First, the person moves towards the bed, picks up an object (maybe a pen?), then sits on the drawer. The dresser is to the left of the bed. The camera perspective is likely a fixed shot, maybe slight shake. Let's structure it: start with the person's actions step by step.

So, the sequence: Person bends over bed, picks up item, sits on drawer. Description: person with dark hair in a bun, light gray shirt, blue shorts. Spatial: bed with purple sheets, dresser with TV to left. Camera: fixed, slight shake.

Wait, rules say minimal background. So background details only if essential. Dresser with TV is part of the room, but maybe mention if needed. The bed has purple sheets, and some clothes. But focus on the person's motion.

Let me draft: A person with dark hair tied in a bun, wearing a light gray shirt and blue shorts, bends over a bed with purple bedding, picks up an orange item, then sits on a wooden drawer unit next to the bed, adjusting their posture while holding the item. The room features a wooden dresser with a television to the left of the bed. The camera remains mostly static with a slight shake.

Wait, need to be concise. Let's check the video frames. Frame 0: person standing by bed, hand reaching. Frame 1: moving. Frame 2: bending. Frame 3: sitting. Frame 4: sitting, holding item. So motion: moves from standing to sitting, picks up item. Appearances: hair in bun, gray shirt, blue shorts. Spatial: bed with purple sheets, dresser left. Camera: static, slight shake.

Let's condense: A person with dark hair in a bun, wearing a light gray shirt and blue shorts, bends over a bed with purple bedding, picks up a pink item, then sits on a wooden drawer unit beside the bed, holding the item while adjusting their position. The dresser with a television sits to the left of the bed. The camera is mostly static with minimal movement.

Check rules: chronological, motion first. Avoid background details unless essential. "Dresser with TV" is part of background but maybe necessary for spatial context. The bed's purple sheets are part of the scene. But the main action is the person moving.

Wait, the problem says "keep background descriptions minimal unless essential for understanding motion." So if the dresser is part of the setting, maybe mention if it's relevant. The person moves towards the bed, so the bed is central. The dresser is to the left, but maybe not essential. Let's see. The main motion is the person's actions: bending, sitting, picking up.

Let me try again: A person with dark hair in a bun, wearing a light gray shirt and blue shorts, bends over a bed with purple sheets, picks up a pink object from the bed, then sits on a wooden drawer unit next to the bed, holding the object while adjusting their posture. The camera remains mostly static with slight movement.

Yes, that seems to cover the main points. Check the rules: chronological (bends, picks up, sits), appearance (hair, clothes), spatial (bed, drawer unit), camera (static, slight movement). Background details like dresser and TV are not mentioned unless essential. Since the dresser is in the background but maybe not directly related to the person's motion, perhaps it's better to keep it minimal. The problem says "minimal unless essential." So maybe omit the dresser and TV. Wait, the bed has purple sheets, which is part of the scene. But the key is the person's actions.

Wait, in the video, the bed has purple sheets, and there's a dresser to the left. But the main action is the person moving. Let's make sure to focus on the person's motion.

Final caption: A person with dark hair tied in a bun, wearing a light gray shirt and blue shorts, bends over a bed with purple bedding, picks up a pink item from the bed, then sits on a wooden drawer unit beside the bed, holding the item while adjusting their position. The camera is stationary with a slight shake.

Yes, that's concise, covers motion chronologically, appearance, spatial (bed, drawer unit), camera movement. Background details are kept minimal (only bed's

A person moves discretely: bending over, sitting on the bed, and manipulating a small object (likely a toothbrush) with hand motion.

Background elements (dresser, bed, wall) remain stationary with no uniform shifting or environmental fluid motion (e.g., fire, water, smoke).


A man in a black t-shirt and white shorts sits on a chair outside a house with light siding and a window, holding a clear plastic container. He stands up, moves forward, and extends his right arm toward the camera while keeping the container in his left hand. The camera remains mostly stationary with slight movement.

A person wearing a black shirt and white pants is moving: standing up, gesturing with hands, and holding objects (possibly bottles).

The house wall and window in the background remain static with no signs of shifting or fluid motion (fire, water, wind).


RAW CAPTION: Got it, let's break this down. The video shows a man in a white shirt and dark pants standing on a sandy surface. He's under a covered structure with lights. First, he moves his arms, maybe throwing something? Wait, the action: he starts with arms out, then brings them in, maybe throwing a ball? Wait, in the frames, he's doing some motion. Let's check each second.

Frame 0: man standing, arms out. Frame 1: arms moving. Frame 2: arms up. Frame 3: maybe throwing? Then frame 4: arms down, frame 5: he moves to the left. Wait, the sequence: he's in the center, then moves left. So chronological order: he's standing on sandy ground under a roof with lights. He extends arms, then brings them up (maybe catching or throwing), then lowers them, and then moves left. Background is the covered structure with lights, minimal description. Camera is static? Or slight shake? The video's description says "slight shake" maybe. But need to check.

Wait, the rules say: focus on motion and behavior. So man in white shirt, dark pants. He is standing on sandy ground, under a structure with overhead lights. He moves his arms in a sequence: starts with arms extended to sides, then raises arms up, then lowers them, and then steps to the left. Then the camera perspective: the video's frame might have a slight shake, but the output needs to mention camera perspective. Wait, the video is shot from a fixed position? The description says "slight shake" but maybe not. Wait, the user's example might not have that, but the rules say to conclude with camera perspective.

Wait, the video shows the man in a covered area (like a tunnel or underpass), sandy ground. Let's structure the caption.

First, subject: a man wearing a white shirt and dark pants. Actions: he stands on sandy ground, moves his arms outward, then raises them above his head, lowers them, and steps left. Background: the structure has a roof and lights, but keep background minimal. Camera: static? Or slight shake? The video's first frame is stable, but maybe there's a slight shake. Wait, the problem says "conclude with camera perspective and movement".

Wait, in the video, the camera might be fixed but with a slight shake. Let's check. The instructions say: "Keep background descriptions minimal unless essential for understanding motion." So background: covered structure with overhead lights, but since it's the setting, maybe mention briefly.

So:

A man in a white shirt and dark pants stands on a sandy ground under a covered structure with overhead lights. He first extends his arms to the sides, then raises them above his head, lowers them, and steps left. The camera remains relatively static with a slight shake.

Wait, need to check chronological order. Let's list the actions as per frames:

0.0s: man stands, arms out (left and right).

0.1s: arms moving.

0.2s: arms up.

0.3s: arms lower.

0.4s: steps left.

Wait, the first frame: arms out. Then he moves arms up, then lowers, then steps left.

So the caption should be chronological.

" A man in a white shirt and dark pants stands on sandy ground beneath a roofed structure with overhead lights. He initially extends his arms outward, then raises them above his head, lowers them, and steps leftward. The camera remains fixed with minor shaking."

Wait, check if "roofted structure" is correct. The background shows a structure with a roof, so yes.

Now, check if background is minimal. The structure has lights, so "under a roofed structure with overhead lights" is minimal.

Now, confirm the subject's appearance: white shirt, dark pants, male.

Number: one person.

Motion: arm movements then stepping left.

Camera: fixed, slight shake.

Let's put it all together concisely.

"A man in a white shirt and dark pants stands on sandy ground under a roofed structure with overhead lights. He extends his arms outward, raises them above his head, lowers them, and steps left. The camera remains static with slight shake."

Wait, "static" might not be right if there's shake. The rule says "conclude with the camera perspective and movement (e.g., top-down, pan left, slight shake)". So "slight shake" is the movement.

Let's adjust: "A man in a white shirt and dark pants stands on sandy ground beneath a roofed structure with overhead lights. He extends his arms outward, raises them above his head, lowers them, and steps left. The camera remains fixed with slight shake."

Check if "fixed" is appropriate. The problem

A person (solid, distinct object) moves their arms and body in rhythmic motions consistent with exercise or dance.

The concrete structure and ground background remain static with no shifting or fluid motion; no fire, water, smoke, or wind is visible.


A group of approximately 15 people in diverse athletic attire perform synchronized dance movements in a dance studio with wooden flooring and mirrored walls. They step forward in unison, raise their arms, and move rhythmically across the room. The camera maintains a static wide-angle perspective, capturing the group’s coordinated motion from a fixed position.

A group of dancers performing synchronized dance movements; their motion is due to locomotion (muscular effort).

Background (purple walls and wooden floor) is static; no fluid or environmental motion detected.


A person wearing blue jeans and brown shoes pushes a green and white floor sander labeled "Lagler" across a wooden floor, moving from left to right with a yellow power cord trailing behind. The camera follows the motion in a top-down perspective as the sander is operated.

A person (visible only from the waist down) is moving a floor buffer machine (green with a cylindrical tank) across the wooden floor. The buffer and the person's legs are discrete, solid objects undergoing locomotion due to physical forces.

The background (walls, wooden floor) remains static throughout the video with no shifting or environmental motion (e.g., no fire, water, wind). Background elements are consistently positioned without uniform displacement.


A hooded individual with long hair in a grayscale interior space slowly raises their hands to cover their face, then gradually lowers the hands, revealing their face and moving the hands outward. The background features indistinct cabinetry. The camera remains stationary.

A single human-like figure (head and upper torso) exhibits subtle movement including head turning and facial motion (e.g., breathing, shifting expression), indicating discrete object locomotion without collision or external forces.

The background (building structure) remains static throughout the video with no shifting elements, fluids, or environmental motion (e.g., no fire, water, smoke, or wind visible).


RAW CAPTION: Got it, let's break down the video. First, the scene is a top-down view. There are a few people. Let's count: one person in a green shirt, another in a black shirt with red stripes, then a person in a checkered shirt, and maybe a few more. Wait, the video shows people around a blue counter. The main actions: the person in checkered shirt is moving, maybe reaching or interacting with others. Let's see the sequence.

At the start, people are positioned around a counter. The person in checkered shirt (light colors, maybe white and brown) is leaning over, then moves their arm. Then they adjust their posture, maybe sitting or standing up. Others are near the counter, some leaning. The blue counter is central. Background has some lights and maybe a store setup, but minimal.

Chronological: First, people are gathered around the counter. The checkered shirt person moves their arm, then shifts position. Others stay relatively still. Camera is top-down, static maybe, but the video might have slight shake.

Need to keep it concise. Mention the main actions: people interacting, movements of hands/arms, positions. Describe appearance briefly: checkered shirt (light, patterned), green shirt, black with red stripes. Spatial: around blue counter.

Let's structure:

In a top-down view, several people interact around a blue counter. A person in a checkered shirt (light colors) leans forward, moves their arm, then adjusts their posture. Another person in a black shirt with red stripes leans over the counter, while a person in a green shirt stands nearby. The scene is set in a lit indoor space with minimal background details. The camera remains stationary, capturing the interactions from above with slight motion.

Check rules: chronological order, main subjects' motions, appearance, spatial, camera. Exclude text, names. Keep background minimal.

Wait, the video starts with a person in checkered shirt (maybe sitting), then they lean, move arms, etc. Let's see the frames:

Frame 0: people around counter, checkered shirt person is seated.

Frame 1-5: checkered shirt person moves arm, then maybe stands up? Or adjusts position. Others near counter.

So chronological:

A group of people, including one in a checkered shirt (light and dark patterns), gather around a blue counter. The checkered-shirt individual leans forward, moves their arm, and shifts their body position, while others near the counter maintain their postures. The scene occurs in a well-lit indoor space with minimal background elements. The camera maintains a top-down perspective with slight movement.

Wait, need to be concise. Let's make it a paragraph.

The video shows a top-down view of several people interacting around a blue counter. A person wearing a checkered shirt (light colors) leans forward, moves their arm, and adjusts their posture. Nearby, individuals in a black shirt with red stripes and a green shirt lean over the counter. The scene takes place in a lit indoor space with sparse background details. The camera remains stationary, capturing the interactions from above with minor motion.

Wait, check if "adjusts posture" is correct. From the frames, the person in checkered shirt moves from sitting to maybe standing? The video might be slightly shaky. Let's confirm the actions.

From the frames: the checkered shirt person is initially seated, then moves their arm, then shifts their body (maybe standing up). Others are near the counter.

So revised:

In a top-down view, a group of people interact around a blue counter. A person in a checkered shirt (light and dark pattern) sits and then moves their arm forward, shifts their body position, and adjusts their stance. Nearby, an individual in a black shirt with red stripes leans over the counter, while another in a green shirt stands by. The scene occurs in a well-lit indoor space with minimal background elements. The camera maintains a top-down perspective with slight movement.

Wait, need to be concise. Let's make it shorter:

A top-down view captures several people around a blue counter. A person in a checkered shirt (light colors) leans forward, moves their arm, and adjusts their position. Individuals in a black shirt with red stripes and a green shirt lean over the counter. The scene is set in a lit indoor space with sparse background. The camera remains stationary, observing the interactions from above with minor motion.

Yes, that's better. Check the rules:

a) Motion: checkered shirt person moves arm, shifts position; others lean over counter.

b) Appearance: checkered shirt (light), black with red stripes, green shirt.

c) Spatial: around counter.

d) Camera: top-down, slight movement.

e) Background minimal.

f) No text, names.

Good. Now check if chronological: first the checkered shirt person moves, then

Two individuals are present: one lying on a bed (adjusting position) and one sitting on a chair (shifting or moving). Their movements are discrete and solid, indicating physical locomotion.

The background elements (walls, furniture) are stable and show no signs of fluid or environmental motion. No fire, water, smoke, or wind is visible.


A child in a green shirt stands in a kitchen, then moves toward a table with a cake lit by candles, turns away, and an adult in a purple shirt enters from the right as the camera follows the child's motion with a slight shake.

A child is turning and bending down to blow out candles on a cake. An adult hand enters from the right to blow out the candles.

Background elements (refrigerator, cabinets, window) are static. The fire (candles) is present but not dominant; it is being interacted with and not the primary motion.


A person in a dark green shirt and beige shorts bends over a leafy plant with large green leaves, using pruning shears to cut a branch. They adjust their grip, make a precise cut, then shift position to continue trimming the plant's branches. The brick building forms the background. The camera maintains a static close-up perspective focused on the pruning activity.

The person (wearing a green shirt and khaki shorts) is actively moving their hands and using pruning shears to cut branches. The shears and branches exhibit discrete, solid-object motion due to intentional physical force (cutting).

The brick wall and window in the background remain static across frames, with no uniform shifting indicating camera motion or environmental fluid motion (fire/water/wind). Leaf movement appears minimal and secondary to human activity.


A person wearing a gray headscarf and black clothing sits on a green couch, holding and examining a small object with both hands. The background includes a textured white wall and a framed picture positioned to the left. The camera remains stationary throughout the sequence.

The woman (solid object) manipulates a small object (likely a phone or toy) with her hands, causing subtle movements of the hands and the object due to explicit physical forces (her own actions).

The background (wall and framed picture) shows no shifting or motion; no fire, water, smoke, or wind is present. Background elements remain static throughout the video.


A person wearing a black-and-white striped long-sleeve top and black pants sits on a couch with a gray pillow to the left and a checkered pillow to the right. They hold a light blue cloth, manipulating it with both hands, then lift it upward. The camera remains stationary with slight movement, capturing the scene from a close angle.

A person’s hands manipulate a blue object (likely a cloth or toy) with deliberate physical actions.

Background elements (couch, pillows, floor) show no uniform shifting or fluid motion; no fire, water, smoke, or wind observed.


RAW CAPTION: Okay, let's tackle this video caption. First, I need to focus on the main subjects and their movements. The video shows an ice rink with several people skating. The main subject here is a girl in a white shirt and dark pants, right? She's bending over, maybe balancing or preparing to move. Then there are other skaters around her.

Looking at the timestamps: at 0.0 seconds, she's bent over. By 1.4 seconds, she's still bending. Then in 2.5 seconds, she starts to move, maybe straightening up. Wait, the description says she's in the middle, but other skaters are moving around her. There's a girl in a red top and white pants with a metal frame thing—maybe a skate aid? She's moving from the left side towards the center.

Other people: a person in a gray hoodie skating towards the left, maybe. Then another person in the background, like a woman in a pink top. The camera seems to pan left as the scene progresses, following the movement of the skaters. The background has the rink's barriers and some spectators, but the user said to keep background minimal. So I should mention the rink and maybe the people in the background briefly.

Wait, the rules say to focus on motion and behavior in chronological order. So start with the girl bending over, then her moving as others pass by. The camera is panning left, following the action. Need to note the direction of movement of each skater relative to others. For example, the girl in red moves from left to center, passing by the main subject. The main subject straightens up as the others move around.

Also, need to mention the number of people. Let's count: the main girl, a few others. The description says "several people" but the user's example output says "multiple skaters" so maybe just say several.

Appearance: main subject is girl in white shirt and dark pants, bending. Others: a girl in red top and white pants, another in gray hoodie, etc. But need to keep it concise.

Spatial relationships: the main girl is in the center, others moving around her. The person with the skate aid is to her left initially, then moves towards her.

Wait, in the frames: at 0.0, main girl is bending. Then at 1.4, she's still bending. At 2.5, she starts to stand up, and the girl in red is moving past her. The camera moves left, so the main subject might be moving towards the camera's right? Wait, the camera is panning left, so the action is moving from right to left in the frame.

Wait, the video starts with the main girl in the center, then as the camera pans left, we see more skaters coming into view from the left. So the main girl is stationary for a moment, but others move around her. The caption should describe the chronological order: first, the main girl bends, then she starts moving (straightening up), others pass by, the camera pans left, capturing more skaters.

Wait, maybe the main action is the girl in white bending, then standing up as others skate past. The camera pans left to follow the movement of skaters from the left side into the frame.

Let me structure it:

The main subject is a girl in a white shirt and dark pants bending over on the ice. She slowly straightens up as multiple skaters, including a girl in a red top with a metal frame and another in a gray hoodie, move around her from the left. The camera pans left, tracking the skaters as they glide across the rink, with the main girl gradually resuming her motion. Background elements are minimal, focusing on the ice surface and the skaters' movements.

Wait, the user says to mention spatial relationships. So maybe "the girl in red skates past her to the left" or something. Also, the main girl is central, others moving around her.

Wait, in the video description, the first frame shows the main girl in the center, then as time progresses, she's still bending, and then starts to move. The others are moving from the left to the center.

So the chronological order would be: main girl bending (0s), then others moving around her (1s onwards). The camera moves left, following the skaters.

I need to check the exact movements. The first frame has the main girl bending, then she stands up as the camera pans left. So the caption should note the main girl straightening as the camera moves left, capturing more skaters entering the frame.

Also, the user said to keep background minimal. So mention the rink, but not the spectators too much.

Putting it all together:

A girl in a white shirt and dark pants bends over on

Briefly describe what discrete, solid objects are moving.

Briefly check for shifting backgrounds or fluid/environmental motion (fire, water, wind).


A man in a light blue striped shirt and dark tie begins in a dimly lit room with his head tilted backward, then extends his arms outward in a sweeping motion as he shifts his body forward. The background includes dark shelves and a wall poster, but remains minimally visible. The camera stays mostly stationary with slight movement.

A man in a striped shirt and tie is moving: bending forward, swaying, and then removing his shirt. His motion is explicit physical locomotion and object manipulation.

The background elements (bulletin board, printer, bookshelf) remain stationary and do not shift uniformly. No fire, water, smoke, or wind motion is present.


In a kitchen, four individuals interact around a counter. A person in a black tank top gestures with their hands while standing. A seated person in pink is to the left, and another in blue stands to the right near a pink bowl. As the video progresses, a fourth person enters from the right, clapping their hands. The counter holds a water bottle, golden decor, and bowls. The camera remains stationary, capturing the group from a frontal angle.

Three people exhibit discrete motion: the person in orange moves toward the pink bowl (reaching), and the other two interact with the counter and each other (gesturing, leaning forward). These are solid, distinct objects with explicit physical actions.

The kitchen background (walls, refrigerator, cabinets) shows no significant shifting or fluid motion. No fire, water, smoke, or wind-dominated elements are present.


Approximately fifteen cheerleaders in blue and white uniforms perform on a red running track. Initially positioned in a loose formation, they move in unison toward the center, shifting positions and gathering closely. As they converge, several cheerleaders lift one teammate vertically into the air, executing a coordinated stunt. The camera maintains a stationary, top-down perspective, capturing their synchronized movements against a green field background.

A group of people in blue/white uniforms are moving (running, dancing), exhibiting distinct locomotion patterns.

Background elements (track, grass) show no uniform shifting or fluid motion; no fire, water, smoke, or wind observed.


A girl wearing a white cardigan over a black-and-white striped shirt stands at a kitchen counter, manipulating a small object in her hands before lifting and placing down a brown paper bag. The counter holds a large glass bowl with a mixture, a bag of flour, and a red container. The camera remains stationary throughout.

A child is moving between objects on the counter (picking up containers, walking to the refrigerator), with clear locomotion and hand interactions.

Background elements (refrigerator, cabinets, microwave) remain stationary; no fire, water, smoke, or wind motion observed.


A person wearing a gray shirt and green shorts stands at a wooden table, aiming a rifle toward targets mounted on a wall. They hold the rifle steadily, then turn their body to the left, moving away from the targets. The background features a wall with multiple targets and some equipment, while the camera remains mostly stationary with a slight shake. The person’s motion is primarily focused on aiming and turning, with spatial positioning centered on the table and targets.

Two people: one taking photographs (stationary initially, then walks slightly) and another person enters from the left and walks towards the first person.

Background is static (walls, table) and no fluid/environmental motions observed.


A hand enters the frame from the left, adjusting the white roses and green foliage in a vase. The hand rearranges the flowers before withdrawing, leaving the vase centered against a plain background. The camera remains steady with minimal movement throughout the sequence.

A human hand interacts with a floral arrangement (white roses and green foliage), moving to adjust/position the flowers.

Dark background with no visible static elements shifting uniformly; no fire, water, smoke, or wind present.


Two girls sit side by side facing the camera; the girl on the right wears a red headband. Initially, both look directly at the camera. The right girl moves her head slightly left, leans forward, and raises her right hand near her face. The left girl gestures with her right hand, then shifts her hand position. The camera remains stationary, capturing their movements against a plain room background with minimal visible motion.

Two people are moving their heads, hands, and faces in discrete gestures and reactions.

Background is static (wall, door) with no shifting. No fire, water, smoke, or wind visible.


A person in a white shirt and blue life vest rides a jet ski across the ocean, gripping handlebars and generating a turbulent wake. The jet ski advances steadily, initially revealing a small wooden boat trailing behind, followed by a larger cargo ship emerging in the distance to the left. The camera maintains a stable first-person perspective, slightly shaking with the motion of the jet ski as it cuts through the water. Background details include distant clouds and open sea, with minimal emphasis on the horizon.


A toddler in a blue jacket and white shirt with colorful accents sits in a high chair at a table, blowing out candles on a pizza slice while an adult in a dark jacket sits to her right and claps. The toddler then covers her eyes, the adult continues clapping, and the toddler looks down. The camera remains static with minimal movement.

A child and adult are interacting; the adult claps their hands and the child moves their hands and body, exhibiting explicit physical actions (clapping, gesturing) without fluid or environmental motion.

Background elements (shelves, walls, framed pictures) remain static with no uniform shifting or fluid motion (e.g., no fire, water, smoke, or wind dominating the scene).


A man wearing a black shirt, hat, and beard holds a plate in his left hand and lifts a food item to his mouth with his right hand. He then adjusts the plate with both hands, lowers the food item slightly, and brings it back to his mouth. The background features rocky terrain and greenery. The camera remains stationary.

A man (solid object) performs deliberate hand gestures: raising and lowering his right hand while holding a plate. The motion involves controlled limb movement due to voluntary action, with no collisions or complex physics interactions.

The background consists of static bushes and rocky terrain with minimal leaf sway; no fire, water, smoke, or dominant wind motion is visible. Background elements remain uniformly stable without significant shifting.


A dark-skinned hand stirs a colorful mixture of fried rice and vegetables in a black frying pan on a gas stove using a wooden spoon, moving the spoon through the rice to lift and mix, then placing the spoon back into the pan. The pan rests on the stove's grates. The camera maintains a static close-up top-down view focused on the pan and hand.

A hand uses a wooden spoon to stir ingredients in a frying pan, causing visible movement of the food mixture.

The background (stove, countertop) shows no shifting or fluid motion. No fire, water, or smoke present.