A red circular object rests on a rusted metal surface, then slides horizontally across it. Pliers grasp the object, maneuvering it toward a wooden block, where hands use a tool to manipulate it further. The camera maintains a close-up perspective, focusing on the object's movement and handling with minimal background context.

The red-hot ring, hammer, and tongs are solid objects moving due to explicit physical forces (hammering, manipulation by tongs).

The background (anvil and workshop) is stationary with no fluid/environmental motion (fire, water, wind) dominating. The red glow on the ring is due to heat but not a dominant ambient feature.


A person in a gray shirt and white shorts lies on a bench press bench, lifting a barbell while a spotter in a black tank top and dark shorts stands behind, gripping the barbell to assist. The bench press individual raises the barbell upward from their chest, holds it briefly, then lowers it back down. The spotter maintains a supportive position directly behind the lifter throughout the motion. The camera captures the action from a static, eye-level perspective.

The person on the bench performs a bench press, lifting the barbell vertically. The barbell and lifter's upper body move due to physical force, with the spotter providing minor guidance. No other discrete objects exhibit significant motion.

No shifting background elements. No fire, water, smoke, or wind visible. The gym environment (walls, equipment, posters) remains static throughout the clip.


A woman in black clothing holds a baby wrapped in a gray baby carrier, then lifts the carrier to display its fabric, spreading it horizontally while maintaining the baby's secure position with her hands.

The woman and the baby carrier (gray fabric) are moving as she adjusts the carrier's position, demonstrating explicit physical manipulation of the object.

The background (white wall and blue couch) remains static throughout the video with no fluid or wind motion. No ambient environmental elements like fire, water, or smoke are present.


A person wearing blue gloves and a white shirt bends over a vertical concrete column, using a metal tool to adjust or secure an object against it. They manipulate the tool with both hands while shifting their body position, transitioning from a close-up view of the hands to a wider shot revealing their upper body working in front of the column. The camera starts focused on the hands and gradually pulls back to show the person’s full torso, with a concrete floor and minimal background elements visible.

A person (wearing gloves and a white shirt) is moving their hands and torso while working on a large cylindrical object; the person's limbs and tool exhibit controlled motion from deliberate physical actions.

No shifting background elements (bricks, floor remain fixed); no fluid/environmental motion (fire, water, smoke, wind) observed. Background appears static throughout the clip.


Two men sit at a table with multiple wine bottles; the man in the light blue shirt drinks from a glass, then lowers it, while the man in the striped shirt reaches for a bottle, picks it up, and holds it up. The background features a dark curtain, and the camera remains stationary.

Two people: one drinking from a glass and placing it down, the other gesturing toward bottles and handling a bottle.

Black curtain background is static; no fluid/environmental motion (fire, water, smoke, wind) observed.


A person in an orange vest and dark pants exits a truck, carrying a large cardboard box, then moves toward a yellow conveyor belt system, steps onto a ramp, and places the box onto the conveyor. The individual works within the truck’s loading area, with the conveyor belt positioned adjacent to the truck’s open door. The camera remains stationary, capturing the sequence from a fixed position.

A person in a yellow vest is pushing a yellow cart and handling a large cardboard box. The person moves the cart through a corridor and into a warehouse area, placing the box on the cart.

The background (walls, doors, structural elements) remains static; no fluid or environmental motion (fire, water, smoke, wind) is present.


A man in a dark blue shirt, with long hair tied back, holds a brass trombone. He lifts the instrument to his mouth, positioning it for playing. The background includes a drum set and speakers. The camera remains stationary, capturing the action from a fixed angle.

The trombone (moved by the musician's hand via slide) is the primary moving discrete object, exhibiting motion due to the musician's active manipulation.

No shifting backgrounds or fluid/environmental motion observed; studio setting with fixed background elements.


A person wearing a beige t-shirt and light shorts sits at a pottery wheel, holding a small tool and shaping a spinning brown clay pot. The individual manipulates the tool against the clay while seated, with a workshop background containing shelves of pottery tools. The camera remains stationary, capturing the action from a frontal perspective.

The person is moving their hands and arms to manipulate small objects; the motion is due to explicit physical forces.

The background is static with no shifting or environmental motion (no fire, water, smoke, wind).


A person wearing a black helmet, dark jacket, and beige pants skis downhill on a snow-covered slope, using ski poles to navigate turns and maintain balance. The skier moves steadily across the terrain, with the camera following closely behind, capturing their descent through snow-laden hills. Background elements include distant snow-capped mountains and sparse trees. The camera remains in a rear-facing position, exhibiting slight movement to track the skier’s motion.

A single skier (discrete solid object) is moving down the slope using ski poles. Motion is controlled by physical forces (skiing mechanics) and clearly trackable with a bounding box.

The snow-covered landscape (trees, mountains) shows no uniform shifting or fluid motion. No fire, water, smoke, or wind-driven phenomena dominate; background elements remain stable relative to the frame.


A man in a gray suit with a black tie hands a trophy to a person wearing a red and white striped shawl. The man steps back slightly while the shawl-wearing person adjusts their stance and turns. They remain close throughout the interaction, with the man’s hands near the trophy and the person’s body facing left. The camera maintains a steady, slightly shaky medium shot.

Two discrete solid objects (a man in a suit and a woman in a saree) are moving minimally: the man transfers a trophy to the woman, who then holds it. Motion includes slight weight shifts, hand gestures, and positioning changes due to human locomotion and interaction.

The background features a static wall with a poster (no fire, water, smoke, or wind motion observed). Background elements show no uniform shifting, indicating no environmental fluid dynamics.


A person in a blue and white sports jersey is shown in close-up, with a single tear rolling down their cheek; another individual with a beard is partially visible to the right. The camera maintains a steady close-up on the person as the tear continues to descend, then cuts to a static CBS NFL logo screen.

The person in the blue jersey exhibits minor facial/mouth movements (speaking), while the person in the white jersey remains static.

No significant shifting background elements (red stadium seats appear static) or fluid/environmental motion (fire, water, smoke) detected.


A person with long dark hair wearing a pink dress flips through an open book with illustrated pages featuring children and a tree, moving their hands to turn the pages. The book is held in front of them, with a bookshelf containing vertical books visible in the background. The camera starts close to the book, then pulls back to show the person from the chest up, maintaining a steady perspective throughout.

A person (solid object) is actively flipping through book pages, with hand movements indicating discrete physical interaction with the book.

Bookshelves in the background remain stationary, showing no fluid/environmental motion (fire, water, smoke, wind).


A pair of hands with red nail polish manipulates a small red bead, threading it onto a needle and adjusting its position. The hands work over a tray containing numerous red and white beads, with a partially completed beaded necklace lying to the left on a wooden surface. The camera maintains a static top-down perspective throughout the sequence.

Hands with red-painted nails manipulate red and white beads, including picking beads from the plate and threading them onto a string.

The background features a static wooden surface and a plate with beads; no fluid motion (fire, water, smoke) or environmental effects (wind, swaying trees) are present.


A group of football players in green uniforms and white helmets (offense) and white uniforms (defense) are positioned at the line of scrimmage. The quarterback throws the ball, which is caught by a green-uniformed receiver; he sprints downfield while evading a pursuing white-uniformed defender. The receiver continues running toward the end zone, with the camera panning right to follow his movement across the field. Background elements include a fenced field and distant spectators, though they remain minimally visible.

Discrete objects include football players in motion (kicking, running, catching) and the football; these objects exhibit clear physical locomotion driven by human action and ball dynamics.

Background elements (trees, hill, structures) are static with no fluid motion or environmental phenomena (fire, water, smoke); background does not shift uniformly, ruling out ambient_environmental.


A person in a white shirt and black skirt holding a tennis racket walks across a tennis court from left to right, swinging the racket to hit a tennis ball. The scene then cuts to a close-up of an older man in a dark shirt seated in a chair.

The person (wearing white shirt, black shorts) is moving across the tennis court, holding a racket, and performing motions consistent with tennis play (swinging, running, standing).

Background elements (walls, ground) are static and show no uniform shifting or environmental fluid motion (e.g., wind, water, smoke).


Three individuals stand outdoors on snow-covered ground near a truck; one wears a black hoodie, another a dark jacket with a yellow reflective vest, and the third a brown coat. They gesture and shift positions, with the person in the black hoodie bending down while the others remain standing and interacting. The camera maintains a static perspective with minor movement.

Three individuals are moving: one in a black hoodie adjusts equipment, another in a yellow vest shifts position, and a third in a brown jacket interacts with the first. Their motions involve hand gestures, stepping, and body shifts due to deliberate actions.

The background includes snow-covered terrain, trees, and a vehicle, which show no significant shifting or fluid motion. There are no signs of fire, water, smoke, or wind-driven environmental effects.


RAW CAPTION: Got it, let's see. The video shows a person carrying a child in a front carrier. First, the person is facing away, adjusting the carrier. Then they turn slightly, and the child is visible. Let's break it down chronologically.

Start: The adult, wearing a white shirt and dark pants, is facing away from the camera, holding a child in a black and gold carrier with floral patterns. The child is in front, legs wrapped, hands on the adult's shoulders. The adult adjusts the carrier with hands on hips.

Then, the adult turns to the side (left maybe), then turns back. Wait, in the frames: frame 0, adult back, child in carrier. Frame 1, same. Frame 2, adult turns right (so now we see the side, maybe the child's head is visible). Frame 3, adult turns front, child's face is visible? Wait no, in frame 3 the adult is turning, so the child's head is visible. Frame 4, adult turns to the left, back to camera, hands on hips again. Frame 5, adult turns back, similar to frame 0.

Wait, the main motions: the adult is adjusting the carrier, turning their body to different angles. The child is in the carrier, legs hanging, hands on the adult's shoulders. The background is plain, no text or characters.

Need to describe the motion: the adult is carrying the child in a front carrier, turning their body from back view to side view to front view and back. The adult's appearance: white shirt, dark pants. Child: light blue shirt, dark pants. Carrier is black with floral patterns and gold straps.

Chronological order: The adult begins facing away, adjusts the carrier by shifting weight, turns to the side to look at the child, then turns to face forward (so the child is visible), then turns back to the side, and finally back to the initial position.

Wait, the video has 6 frames. Let's check:

Frame 0: back view, adult holding child in carrier.

Frame 1: same as 0, maybe slight shift.

Frame 2: adult turns right, so we see the right side, child's head visible.

Frame 3: adult turns front (so we see the adult's face and child's face).

Frame 4: adult turns left, back view again.

Frame 5: adult turns back to right side, then back to front? Wait no, the frames:

Looking at the given frames:

[0.0] adult back, child in carrier.

[1.4] adult back, hands on hips, child in carrier.

[2.5] adult turns left (so now we see the side where child's head is visible), child's face is visible.

[3.6] adult turns back to front, child's head is visible (maybe turning to the right to face forward).

[4.7] adult turns back to right side, hands on hips, child in carrier.

Wait, maybe better to track the direction of rotation.

First, the adult is facing away from the camera (back view), then turns to the left (so right side of the frame), then turns forward (front view), then turns to the right (back view again?).

Wait, let's see the frames:

In frame 0: back view.

Frame 1: same back view.

Frame 2: adult turns to the left (so we see the side where the child's head is visible), child's face is visible.

Frame 3: adult turns to face forward, so the child's face is visible.

Frame 4: adult turns to the right (back view again).

Frame 5: adult turns to face the right (side view).

Wait, maybe the motion is: the adult adjusts the carrier, then turns left, turns front, turns right.

Need to describe the motion chronologically.

Let's outline:

- A person wearing a white short-sleeve shirt and dark pants carries a child in a black front carrier with gold straps and white floral patterns. The child wears a light blue long-sleeve top and dark pants.

- The person starts facing away from the camera, hands on hips, adjusting the carrier.

- They turn their body to the left, revealing the child's head over the person's shoulder.

- The person then turns forward, facing the camera, with the child's face visible.

- Finally, the person turns back to the right, returning to a back-facing position with hands on hips.

Camera perspective: steady, medium shot from behind and side, no significant movement. Background is neutral.

Check rules: focus on motion, appearance, spatial relationships, camera.

Appearance: adult (white shirt, dark pants), child (light blue, dark pants), carrier (black, floral, gold).

Motion

Two solid objects (an adult and a child) move via physical actions: the child shifts weight, moves arms, and adjusts position on the adult’s back, while the adult slightly adjusts posture.

Background is a static plain wall with no shifting or fluid motion (e.g., no fire, water, smoke, or wind).


A man in a white shirt and wristwatch raises his right hand to eye level, holding a glass, then lowers it while turning slightly left. A woman in a light gray shirt and white hat stands to his right, holding a bottle. The background features a brown leather couch and glass display shelves. The camera follows the man’s movement with a slight tilt and pan.

The man on the left is moving his arm and hand (discrete object motion), while the woman remains stationary.

Background is static with shelves and bottles. No fire, water, smoke, or wind observed.


RAW CAPTION: Got it, let's tackle this. The video starts with coffee beans being poured into a large red drum. Then the drum's lid is lifted by a person in a pink shirt and hat. The person adjusts the lid. Need to describe chronologically. Main subjects: the beans, the drum, the person.

First frame: beans pouring into red drum. Then the lid (part of the machine) moves down to close? Wait, no, in the video, the initial frames show beans pouring into the drum. Then in frame 2, the top part (maybe the hopper) is moving, and then the person appears. Wait, the first frame: coffee beans pouring from a machine into a red drum. Then the drum has a rotating part (like a stirrer). Then in frame 3, a person in pink shirt and hat approaches, holding a control panel. Then in frame 4 and 5, the person lifts the lid (which is the top part of the machine) to adjust it.

So chronological order:

- Coffee beans flow from a metallic machine into a large red drum with internal metal arms.
- A person in a light pink shirt and dark hat approaches the machine.
- The person lifts a circular metal lid (attached to the machine) and adjusts it.

Check the rules: focus on motion and behavior. Main subjects: beans (falling), drum (receiving), person (approaching and lifting lid).

Appearance: beans are dark brown. Drum is red with metal parts. Person: pink shirt, hat.

Spatial: person is to the left of the machine.

Camera: starts with close-up of drum, then maybe slight pan to include person? The description says camera perspective and movement. Let's see the video: starts with close-up on beans pouring, then maybe the camera angle shifts to show the person. So camera perspective: initially top-down on the drum, then shifts to show the person's action.

Need to be concise. Let's structure:

Initial scene: Dark brown coffee beans pour into a large red industrial drum with internal metal arms. A person in a light pink shirt and dark hat approaches the machine, lifts a circular metallic lid, and adjusts its position. The camera maintains a steady perspective, initially focusing on the drum's contents and shifting to capture the person's interaction with the machine.

Wait, check the rules: keep background minimal. So background isn't essential. Focus on motion.

Revised:

Coffee beans flow from a metallic hopper into a large red drum with rotating metal arms. A person in a light pink shirt and dark hat approaches the machine, lifts a circular metallic lid, and adjusts its position. The camera stays steady, starting with a close-up of the drum and shifting to show the person’s actions.

Check if that's chronological. Yes: beans pouring first, then person approaching and lifting lid.

Also, mention appearance: beans are dark brown, drum is red, person's shirt color, hat.

Spatial: person is near the machine (left side).

Camera: starts close-up, then shifts. But the instruction says "conclude with camera perspective and movement". So "The camera maintains a steady close-up, then shifts to show the person interacting with the machine."

Wait, the example in the problem: Output format is a paragraph. Let's check the example structure.

Possible caption:

Dark brown coffee beans pour from a metallic machine into a large red drum with internal metal arms. A person in a light pink shirt and dark hat approaches the drum, lifts a circular metallic lid, and adjusts it. The camera starts with a close-up of the drum's contents and shifts to capture the person's interaction with the machine.

Wait, but the video shows the machine's lid opening. Wait, in frame 2, the hopper is lifting. Wait, frame 0: beans pouring into drum. Frame 1: more pouring. Frame 2: the hopper (top part) is moving away, drum is full. Frame 3: person comes in. Frame 4: person lifting the lid. So the motion: beans pouring into drum, then person approaches and lifts the lid.

So:

Coffee beans fall from a metallic hopper into a large red drum with metal arms. A person in a pink shirt and dark hat steps forward, lifts a circular metal lid attached to the machine, and adjusts it. The camera remains mostly static, initially focusing on the drum's contents and then shifting to show the person's actions.

Check if all rules are followed:

a) Motion in order: beans pouring, person approaching and lifting lid.

b) Appearance: beans dark brown, drum red, person pink shirt, dark hat.

c) Spatial: person is to the left of the machine (assuming from the video).

d) Camera: starts close-up, shifts.

e) Background minimal.

f) Exclude text, names.

Yes.

Now, let

Discrete solid objects include a person (in pink shirt) moving their arm to interact with machinery, and mechanical components (e.g., hopper pouring dark substance into a rotating drum) undergoing controlled motion.

The background elements (industrial machinery, walls) remain static and show no uniform shifting. No fire, water, smoke, or wind is visible; the dominant motion is mechanical operation of equipment and human interaction.


A person's hand uses metal tongs to flip multiple browned steaks with grill marks on a gas grill, moving the tongs to turn each steak over the grates while the hand remains in front of the grill; the camera maintains a static close-up perspective.

A person's hand using tongs manipulates grilled meat on the barbecue grill, with discrete movement of the tongs and meat due to physical interaction.

Background elements (metal fence, outdoor structures) show no uniform shifting; flames from the grill are present but not dominant motion.


Hands with a beige-handled spatula dip into a small light green square jar to scoop creamy substance, then transfer the cream onto an open palm with a ring on the ring finger; the jar rests on a lace tablecloth background as the camera maintains a static top-down view throughout.

Discrete solid objects: hands (people), spatula, and cream container. Hands move to spread cream onto the palm, demonstrating controlled physical interaction.

Background elements (lace tablecloth, wall, plant) remain static with no shifting or fluid motion (fire, water, smoke, wind).


Two individuals sit at a table; one in a light patterned top drinks from a cup while the other in a dark top eats. The camera shifts to a close-up of a person’s face eating, then to hands holding food, followed by a close-up of two people sharing food from a bowl. The sequence concludes with a tight focus on the food-sharing action.

Two individuals (discrete solid objects) performing eating actions: hands manipulating food items (sandwiches/burritos), mouth movements, and head positioning shifts.

No shifting backgrounds or fluid/environmental motion (fire, water, wind) observed; static indoor elements (window, table) remain consistent with no uniform displacement.


Two toddlers stand in a sunlit room: one in dark clothing (left) holds an object, while the other (right) in light gray stands near a colorful toy cart. The left child raises their arm, then turns and runs leftward toward the camera, passing a wooden chair, while the right child remains near the cart. The camera pans left, following the moving child with a slight shake.

Two toddlers are moving: one walks toward a chair while gesturing, and the other shifts position while seated.

The background elements (white wall, tiled floor, furniture) show no uniform shifting or fluid motion; no fire, water, or smoke is present.


A person in a blue shirt is in a kitchen with wooden cabinets above. They begin by placing both hands on their head, then move hands to cover their mouth and nose, followed by rubbing their face. The background includes wooden cabinets and hanging clothes. Camera remains stationary, close-up shot.

A person's hands and face are moving in discrete motions: initially holding the head, then bringing hands to the face, rubbing, and adjusting posture.

The background consists of static wooden cabinets and ceiling elements with no visible uniform shifting or fluid environmental motion (fire, water, smoke, wind).


RAW CAPTION: Okay, let me tackle this video captioning task. First, I need to understand the user's requirements. They want a concise chronological paragraph describing the video, following specific rules.

Looking at the video frames provided. The first frame shows three people in a gym-like setting. There's a red and gray floor, a black wall with some text. One person is shirtless in black shorts, another in a gray tank top with black shorts, and a third in blue shorts. The shirtless guy is holding hands with someone. There are clothes on the floor.

Next frames show movement. The person in gray runs towards the shirtless guy, who then steps back. The third person in blue shorts is also moving. The action seems like a training or sparring session. The camera is static, maybe a slight shake, but the user says to mention camera perspective and movement. Since the video seems to be recorded from a fixed position, maybe the camera is stationary.

I need to list the actions in chronological order. Start with the initial positions: three people standing. Then the person in gray approaches, the shirtless guy steps back, maybe they engage in some kind of martial arts move. The third person might be observing or moving out of the way. The clothes on the floor are part of the background but not essential.

Check the rules. Exclude text recognition (so don't mention "EQUILUMUR" on the wall). Don't name characters. Focus on motion. Mention spatial relationships like "to the left" if relevant. The shirtless guy is against the wall initially, then moves. The person in gray runs from the left towards him. The third person in blue shorts is moving away.

Camera perspective: the video is shot from a fixed angle, maybe slightly shaky. The background is minimal, just the floor and wall.

Now, structure the paragraph: start with the initial scene, then describe the sequence of movements. Mention the number of people, their appearances briefly (color, clothing). Keep it chronological.

Possible caption:

Three individuals stand on a red and gray floor near a black wall; one shirtless man in black shorts holds hands with another in a gray tank top, while a third person in blue shorts moves nearby. The person in gray advances quickly toward the shirtless man, who steps back against the wall, and the third individual steps away. The camera remains stationary with slight shake.

Wait, need to check the exact sequence. In frame 0, three people. Frame 1: same. Frame 2: the gray person runs in. Frame 3: they interact. Frame 4: maybe the shirtless guy is moving. The description should be in order.

Let me check each frame:

Frame 0: Shirtless (black shorts), person in gray tank (black shorts), person in blue shorts. The shirtless is touching the blue shorts person? Wait, first frame: the person in gray is holding hands with the shirtless guy? Wait, looking at the first frame description: "three people in a gym-like setting. One shirtless in black shorts, another in gray tank top, third in blue shorts. The shirtless guy is holding hands with someone, maybe the blue shorts person."

Wait, the first frame: [0.0 seconds] shows three people: one shirtless (black shorts), one in gray tank top (black shorts), one in blue shorts. The shirtless guy is holding hands with the blue shorts person, maybe. Then in frame 1, the person in gray runs towards the shirtless guy. Wait, the frames are:

[0.0] three people standing, shirtless in black shorts, gray tank in black shorts, blue shorts. The shirtless is touching the blue shorts person's shoulder?

[0.1] same.

[0.2] the person in gray runs towards the shirtless guy, who steps back. The blue shorts person is moving away.

[0.3] the gray person continues moving towards the shirtless guy.

[0.4] the shirtless guy steps back, arms raised.

Wait, the video sequence is:

Start with three people: two males (shirtless and gray tank) and a female in blue shorts. The shirtless guy is holding hands with the female. Then the gray tank person runs towards the shirtless guy, who steps back, and the female moves away. The gray person seems to be engaging in a movement, maybe a martial arts technique, pushing the shirtless guy against the wall.

Wait, in frame 0: shirtless man (black shorts) is holding hands with the woman in blue shorts. Then in frame 1, the woman moves away. The next frame shows the shirtless man holding hands with someone else? Wait, the video description might be a bit confusing. Let me recheck the user's input.

User's input:

[0.0] three people: shirt

Two people (one in gray shirt, one shirtless) moving due to physical interactions (boxing, punching, dodging).

No shifting backgrounds or fluid/environmental motion (fire, water, wind) detected. Background elements (wall, floor) are static.


A man in a light gray shirt and dark pants holds a large dark-colored alligator by its tail in a fenced arena. He walks backward while the alligator drags on the ground, then turns and swings the alligator forward, causing it to lurch. The man continues moving across the sandy area, the alligator remaining on the ground, with bleachers visible in the background. The camera follows the man and alligator's motion, exhibiting slight shake.

A man in a white shirt and dark pants is moving while dragging a long, dark object (likely an animal or heavy item) across the ground. Both subjects exhibit clear, solid motion driven by physical force.

Static background elements (railings, bleachers, signage) show no uniform shifting. No fire, water, smoke, or wind-dominated motion detected.


A group of children and adults move on a tennis court. A man in a blue shirt and white cap walks left, while a child in a blue dress stands near the net. Another adult in a light blue shirt walks toward the net, and kids in colorful clothing run across the court, hitting a ball toward the net. Other people move in the background. The camera remains stationary, capturing the scene from a fixed perspective.

Multiple people (children and adults) are moving on the tennis court; they are running, swinging rackets, and interacting with a tennis ball.

The green fence and trees in the background show no significant uniform shifting or fluid motion; there are no fire, water, smoke, or wind-driven effects visible.


A person in a brown and beige striped hoodie and blue jeans stands on a rooftop, holding a wooden panel against a light-colored structure with an open wooden frame. Another individual in a sleeveless top and blue jeans enters from the left, carrying a power drill with a coiled hose, and positions themselves to the left of the first person. The second person uses the drill to attach the wooden panel to the structure as the first person holds it steady. The camera remains stationary, capturing the action from a slight upward angle against a backdrop of distant buildings and rooftop equipment.

Two people are present: one holds a wooden microwave frame stationary, while the other manipulates a power tool (sander) to apply force to the frame. The tool's motion and the operator's arm movement are discrete physical interactions.

The background (clear sky, structural elements) is static with no shifting. No fire, water, smoke, or wind motion observed, ruling out ambient environmental motion.


A person's hands place a yellow rectangular pad onto a black griddle, then close the griddle's silver lid. After lifting the lid, a browned, cooked surface is revealed. The camera remains stationary, capturing the sequence from a fixed angle.

A person manipulates a flat, yellowish food item (likely a pancake or batter) on a griddle: lifting, flipping, and repositioning it. The griddle's lid is also handled.

Background elements (bottles, papers, table) remain stationary; no fluid motion (fire, water, smoke) or environmental wind effects observed.


A man wearing a gray jacket, gray pants, and black shoes stands beside a tree in a park. He repeatedly executes high kicks with his right leg, synchronizing arm movements as he maintains balance. The background features sparse trees and distant buildings. The camera remains stationary throughout the sequence.

A person is performing discrete physical exercises (kicking, stretching, arm movements) due to their own locomotion. The motion is controlled and solid, with clear bounding box tracking.

The background (trees, ground, distant buildings) is static with no uniform shifting. No fluid/environmental motions (fire, water, wind) are visible; trees remain still and the ground shows no wind-induced movement.


RAW CAPTION: Okay, let me tackle this video captioning task. First, I need to understand the video content. The video shows a person in an orange shirt and dark shorts pulling a small machine, probably a lawnmower, across a snowy or icy surface. The person is moving from left to right, and the machine is connected by a rope.

The user specified that I should focus on motion and behavior chronologically. So, starting with the initial frame, the person is standing and pulling the machine. Then, they move forward, and the machine drags behind. The camera seems to follow the action, maybe panning slightly.

I need to mention the person's appearance: orange shirt, dark shorts, barefoot. The machine is small, dark-colored. The ground is snowy or icy, which is the background. Spatial relationships: the person is in front of the machine, pulling it towards them as they move.

Wait, the video shows the person moving towards the right, so the machine is behind them. The camera might be tracking their movement. The background is a blue wall or structure with some snow on the ground. But according to rule e, keep background minimal unless essential. The ground is snowy, which is relevant for the motion since it's slippery.

Check the rules again. Exclude text, names, etc. Don't mention the camera movement in detail unless necessary. The output should be a concise paragraph.

Possible structure: Person in orange shirt and dark shorts pulls a small, dark machine with a rope across a snowy surface, moving from left to right. The machine drags behind as they proceed. The camera follows the action with slight movement.

Wait, the problem says "conclude with camera perspective and movement". So after describing the actions, mention camera. The original video's camera might be static or panning. The user example says "slight shake" but maybe in this case, it's a handheld follow.

Wait, the video description mentions "camera perspective and movement". The user says "DO NOT output your reasoning", so just state it. Let me check the output format.

The example output would be something like: A person in an orange shirt and dark shorts pulls a small, dark machine across a snowy surface, moving forward while dragging it behind them. The camera follows the subject with slight movement.

But need to be precise. Let's see the frames: the person starts by pulling the machine, then moves. The machine is connected by a rope. The camera seems to pan slightly to follow the movement.

Possible caption: A person wearing an orange shirt and dark shorts pulls a small dark machine across a snowy surface, moving forward while dragging it behind them. The camera follows the subject with slight panning movement.

Wait, the machine's description: "small dark machine", but the original video shows a lawnmower-like device. The color might be dark, maybe black. The person is barefoot, which is part of their appearance.

Check if "barefoot" is necessary. Rule b says "briefly describe their appearance and number (color, size, orientation)". So "person in orange shirt, dark shorts, barefoot". The machine: "small dark machine".

So the chronological order: starts pulling, moves forward, continues pulling, machine drags.

Final caption: A barefoot person in an orange shirt and dark shorts pulls a small dark machine across a snowy surface, moving forward while dragging it behind them. The camera follows the subject with slight movement.

Wait, but the video's background is a blue wall, maybe the "snowy surface" is the ground, which is covered in snow or ice. The background description is minimal, so maybe just mention "snowy surface".

Let me check if "barefoot" is needed. The user said "briefly describe their appearance and number (color, size, orientation)". Barefoot is part of appearance.

So, including barefoot is okay.

Putting it all together: A barefoot person in an orange shirt and dark shorts pulls a small dark machine with a rope across a snowy surface, moving forward while dragging it behind them. The camera follows the subject with slight panning movement.

Wait, the problem says "conclude with the camera perspective and movement". So the last part should be about the camera. The video might be shot with a handheld camera that's following the subject, causing slight movement.

Alternatively, "The camera maintains a steady follow shot with minimal movement." But the user example says "slight shake" maybe. Let me see the original video's description. The user provided a video of a person pulling a machine, and the camera seems to follow.

So, the final caption should be: A barefoot person in an orange shirt and dark shorts pulls a small dark machine across a snowy surface, moving forward while dragging it behind them. The camera

A person in an orange shirt and black shorts is actively manipulating a mechanical device (likely a pool cleaner) by moving their arms and body; the device also shifts due to the person's actions.

The blue wall and concrete floor show no significant shifting or fluid motion; no fire, water flow, smoke, or wind is visible.


RAW CAPTION: Got it, let's break this down. The video shows two people using leaf blowers. First, I need to track their movements chronologically.

In the first frame, there's a person in red on the left, then another in red on the right. The text says "Symphony for Two Leaf Blowers" but we can't mention that. The main subjects are two individuals with leaf blowers.

Looking at the sequence: the person on the left starts moving towards the right, and the person on the right is also moving, maybe from right to left? Wait, the video frames show them moving. Let's check the motion.

First frame: left person is on the left, then in the next frames, they move towards the center. The right person moves from right to left, maybe. The captions need to be chronological.

So, start with the left person (red, maybe) using a leaf blower, moving across the lawn. The right person (also red) is using a leaf blower, moving towards the left. They're both working on the grass and bushes.

Spatial relationships: the building is in the background, bushes along the building. The person on the left is on the grassy area, the right person is near the bushes.

Camera perspective: the video seems to be a static shot, maybe a slight pan? Wait, the frames change, so the camera might be static but the subjects move. Wait, the user says "describe the provided video" as a paragraph.

Wait, the output must be a chronological paragraph. So:

At the beginning, two individuals in red are seen using leaf blowers. The person on the left moves across the lawn from left to right, while the person on the right moves from right to left along the edge of the building. Both are positioned in front of the building's bushes and grassy area. The camera remains stationary, capturing their movement.

Check the rules: focus on motion and behavior, chronological.

Let's make sure:

- Main subjects: two people (color red, maybe, but rule b says "briefly describe appearance and number". So "two individuals in red" or "two people wearing red jackets".

In the video, the people are in red. So "two people wearing red jackets" — but the problem says "briefly describe their appearance and number (color, size, orientation)". So color is red, number two.

Motion: left person moves towards the right, right person moves towards the left.

Background: building is in the background, but minimal description.

Camera: stationary? Or does it move? The frames show them moving, but the camera perspective — the video is likely a static shot.

Let me check the frames. The first frame shows the left person, then in frame 2, they move right, frame 3, more right, etc. So the camera is static, and the subjects move.

So the paragraph would be:

Two individuals wearing red jackets use leaf blowers; the person on the left moves across the grassy lawn toward the right, while the person on the right moves along the edge of the building's bushes toward the left. The camera remains stationary throughout, capturing their synchronized movement against the backdrop of the building and landscaping.

Wait, but "synchronized movement" — the video's title is "Symphony for Two Leaf Blowers", so maybe their movements are coordinated, but the rule says exclude text recognition, so we can't mention the title. So just describe their motion.

Check rule f: exclude text recognition, named characters, stylistic analysis. So don't mention the title.

Let's rephrase to be concise.

Two people in red use leaf blowers; one moves left to right across the grass, the other moves right to left along the building's edge. The camera stays still, showing their movements in the outdoor setting.

Wait, but chronological order. Start with the initial positions, then their movement.

In the video, at the start, one person is on the left side of the frame, moving right; the other is on the right side, moving left. Both use leaf blowers.

So:

Initially, a person in red on the left moves rightward across the lawn, while another person in red on the right moves leftward along the building’s bushes. Both operate leaf blowers as they traverse the grassy area. The camera maintains a fixed position, capturing their continuous motion.

Yes, that's chronological. The movement is described step by step.

Check rules:

a) Motion and behavior in chronological order — yes, initial position then movement.

b) Appearance and number: two people in red, so "two people in red" (color, number).

c) Spatial relationships: one on left, one on right; left moves right, right moves left; along building edge.

Two people are moving across the lawn, operating leaf blowers. Their motion is discrete and driven by locomotion and tool operation (leaf blower airflow).

The background (building, grass, trees) shows no significant shifting or fluid motion. No fire, water, or dominant wind-driven elements are visible.


A man in a white shirt and gray pants walks left across a red, yellow, and orange striped mat, while another man in a dark shirt and plaid pants enters from the right, bends toward a metallic structure, then kneels to adjust it. The camera remains overhead with a slight shake, capturing the two individuals’ movements.

Two distinct people: one in a white shirt moving and interacting, and another in dark clothing performing actions on the floor (crouching, handling tools).

The background (striped floor and walls) is stationary; no fluid/environmental motion (fire, water, wind) is present.


A man on a brown horse stands near a fence with a black dog and other people in the background. The horse and rider begin moving forward, kicking up dust as they gallop past the fence; the black dog runs alongside. The rider continues galloping across the dirt area, with the dog maintaining pace beside the horse. The camera follows the motion with a slight shake, capturing the dynamic movement against a backdrop of a white building and vehicles.

Horse and rider moving at high speed, black dog running alongside; all subjects exhibit clear locomotion due to physical forces.

No shifting background elements (buildings and ground remain static relative to frame), no fire, water, smoke, or wind effects observed.


RAW CAPTION: Got it, let's break this down. First, the video starts with a dark alley. There's a person in red and white clothing near a metal wall. Then a red, glowing humanoid figure moves from the background towards the foreground. Next, the scene shifts to a bright outdoor setting with a person doing a handstand on a railing. The person flips upside down, then the scene changes again. Wait, the timestamps are [0.0] to [4.7] with two scenes.

First part: dark alley. Subject is a person in red and white (maybe a costume) standing near corrugated metal wall. Then a red glowing figure (maybe a robot or something) moves from the background (right side) towards the left. Then scene cuts to bright sky, person on railing, jumps up, does a flip. Wait, the second scene is person doing a handstand, then flipping. Let's check the frames:

Frame 0-2: alley, person in red/white (left side), red glowing figure (right) moves forward. Then frame 3: bright sky, person on railing, arms up. Frame 4: person upside down. Frame 5: maybe another scene? Wait, the user provided 5 frames but the output is a paragraph.

Need to sequence chronologically. First scene: dark alley. A person in red and white stands near metal wall (left). A red, glowing, humanoid figure (maybe with lights) moves from the right background towards the left. Then scene changes to bright outdoor: a person in dark clothing (maybe shirtless) stands on a railing, raises arms, flips upside down. Then... the next frame might be another action, but the user says up to 4.7 seconds.

So chronology: First, in a dim alley, a person in red and white stands left of frame, while a red glowing humanoid figure moves from right towards left. Then, scene shifts to bright sky, a person on a railing jumps up and flips upside down.

Wait, the first two frames (0.0 and 0.3) show the alley. Then at [1.4] maybe the red figure moves. Then [2.5] scene changes to outdoor. Then [3.6] person on railing, [4.7] upside down.

So the sequence is:

- In a dark alley, a person in red and white clothing stands near a corrugated metal wall on the left. A red, illuminated, humanoid figure moves from the right background towards the left foreground.
- The scene transitions to a bright outdoor setting where a person wearing dark clothing stands on a railing, raises their arms, and flips upside down against a clear sky.

Now, check rules: motion chronologically, appearance, spatial, camera perspective.

First part: alley scene, camera static (since no movement mentioned, probably static shot). Second part: outdoor scene, camera looking up at the person.

Also, background minimal. So describe the main subjects' movements.

First action: red figure moves from right to left in alley. Then person in red/white stands there. Wait, the first frame has the person standing, then the red figure moves.

So chronological:

At the start, a person in red and white clothing stands near a corrugated metal wall on the left side of a dark alley. A red, illuminated humanoid figure moves from the right background toward the left foreground. Then, the scene transitions to a bright outdoor setting with a clear sky, where a person in dark clothing stands on a railing, raises their arms, and flips upside down.

Check for minimal background: the alley has walls, but we can mention "dim alley" as background. The outdoor has clear sky, minimal background.

Also, camera perspective: first scene is eye-level (static), second is low-angle looking up.

Now, write concise paragraph.

First, the alley scene: main subject is the person in red/white (standing), then the red figure moving. Then scene change to outdoor where person on railing flips.

So:

A person in red and white clothing stands near a corrugated metal wall in a dim alley, while a red, illuminated humanoid figure moves from the right background toward the left foreground. The scene transitions to an outdoor setting with a clear sky, where a person in dark clothing stands on a railing, raises their arms, and flips upside down. The camera remains static during the alley sequence and shifts to a low-angle perspective for the outdoor action.

Wait, "transitions" is okay. Let's check rules: include camera perspective. First scene camera is static, second is low-angle.

Check for minimal background. The alley is dark with walls, so "dim alley" is sufficient. Outdoor has clear sky, so "bright outdoor setting with clear sky".

Also, appearance: red and white clothing, red humanoid figure (illuminated), person

A person (discrete solid object) is actively moving in the second scene: jumping, hanging upside down, and maintaining posture. This motion is driven by the person's own locomotion and physical actions.

In the first scene (0.0-1.7s), the background wall and ground show minimal motion. In the second scene (1.8s+), the sky and buildings are static, with no significant environmental elements (fire, water, smoke, wind) present. The background does not shift uniformly, ruling out camera-induced motion.


RAW CAPTION: Got it, let's break this down. The video shows a person in a pool. First, they're underwater, arms outstretched. Then they swim, moving through the water with arms and legs. They come up to the surface, maybe a splash, and then get out of the pool, standing on the edge. Wait, let's check the timestamps.

At [0.0], the person is in the water, maybe diving or submerging. Then [1.0], still underwater, moving. [2.0], arms up, moving. [3.0], head above water, maybe resurfacing. [4.0], they're near the pool edge, getting out. [5.0], standing by the pool.

Main subject: one person. Appearance: dark hair, swimsuit. Motion: starts underwater, swims with arms and legs, surfaces, then climbs out of the pool. Spatial: in the pool, then moving towards the edge. Background: pool water, minimal. Camera: seems to be a fixed perspective, maybe top-down but shifting? Wait, the video starts with a view of the water, then the person moves through. The camera probably stays focused on the person as they move from underwater to the pool edge.

Need to describe chronologically. So first, the person is submerged, arms extended. Then they swim, arms moving, legs kicking, resurfacing. Then they reach the pool edge and climb out.

Wait, the video: [0] shows the person underwater, arms out. [1] still underwater, arms moving. [2] arms up, maybe kicking. [3] head out of water, then [4] emerging, [5] standing by the edge.

So the caption should be:

A person with dark hair and a swimsuit is seen underwater in a pool, initially with arms extended, then swimming with arms and legs, resurfacing, and finally standing at the pool's edge.

Check rules: chronological, main subject's motion. Appearance: dark hair, swimsuit. Spatial: in the pool, then near edge. Camera: the video starts with a view of the pool, then focuses on the person. The camera movement? Maybe slight movement but not specified. The rules say conclude with camera perspective. Let's see the video: the camera seems to follow the person from underwater to the edge. Probably a fixed camera or following the action.

Wait, the output must be concise. Let's structure:

The video shows a person with dark hair swimming underwater in a pool. They move with arms extended, then propel themselves forward with arms and legs, resurface near the pool's edge, and stand up by the side of the pool.

Wait, let's check each frame:

[0.0] - person underwater, arms outstretched, head down.

[1.0] - still underwater, arms moving, legs kicking.

[2.0] - arms raised, continuing to swim.

[3.0] - head breaking the surface, body still underwater.

[4.0] - person is at the pool edge, water around them.

[5.0] - person stands on the pool deck, water splashing.

So sequence: underwater swim, resurfacing, climbing out.

Appearance: one person, dark hair, swimsuit.

Motion: underwater swim (arms and legs), then resurfacing, then exiting pool.

Spatial: in pool, then at edge.

Camera perspective: likely a fixed camera capturing from above or the side, focusing on the person.

Conclude camera perspective: fixed position, maybe overhead.

Wait, the first frames are from underwater view? No, the video starts with a shot of the water, then the person is in it.

Wait, the caption needs to be chronological paragraph.

So: A person with dark hair and a swimsuit swims underwater in a pool, moving their arms and legs to propel themselves forward. They gradually resurface, emerging from the water, and then climb onto the pool's edge, standing up by the side as water splashes around them. The camera maintains a consistent focus on the subject throughout, capturing the motion from a fixed perspective.

Wait, but rules say keep background minimal. Background is pool, so maybe mention pool but not too much.

Let me refine:

A person with dark hair in a swimsuit swims underwater in a pool, extending their arms and kicking their legs to move through the water. They resurface, breaking the water's surface, and then climb out of the pool onto the deck, standing by the edge. The camera follows the subject's motion from a fixed overhead perspective.

Wait, check if the camera is overhead. The first frames look like a top-down view of the pool. Then the person moves. So camera is likely top-down, fixed.

Yes, the initial frame is a pool, then the person is in it, so

A single swimmer (human) performs coordinated arm/leg movements in a pool, creating localized water displacement. Motion is tracked via distinct body movements (e.g., arm strokes, head turns).

Pool water shows gentle ripples and bubbles due to swimmer movement, but the background walls remain static. No uniform background shift or fluid-dominated motion (fire/water/smoke) is observed as the primary effect.


A person wearing a maroon hoodie and light blue jeans bends down, then walks toward the right side of the frame, passing a wooden chair. They move toward a window area with curtains, stopping to interact with something near the window. The background includes a table with a red cloth and chairs. The camera follows the person’s movement with a slight shake.

A person (wearing red shirt and light pants) is moving by walking and bending, interacting with furniture (chairs, tables).

Background elements (walls, furniture) are stationary. No fire, water, or wind detected.


A construction worker wearing a blue helmet, gray shirt, blue pants, and black vest uses a shovel to push sand along a wooden barrier. He repeatedly lifts the shovel, moves it through the sand pile, and walks forward along the barrier, shifting sand toward the wooden structure. The worker’s movements are continuous as he navigates the sandy area beside a brick building with a white fence in the background. The camera remains stationary, capturing the worker’s actions from a fixed perspective.

A construction worker is moving across the site, performing actions like walking and interacting with materials (e.g., handling pipes or tools).

Static background elements (white wall, concrete structure, brick wall) show no uniform shifting. No fire, water, smoke, or significant wind-driven motion detected.


RAW CAPTION: Got it, let's tackle this. First, the video shows a person using a Bosch drill. The main subject is the person with bright yellow gloves holding the drill. They start by showing the drill close-up, then move to drilling into wood. Let's break it down chronologically.

First, the person's hands are holding the drill (close-up, gloves are bright yellow, drill is dark blue with red accents). Then, the camera angle shifts to show the person using the drill on a wooden structure. The person is wearing a hat and a maroon shirt, gloves are yellow. They're drilling into the wood, so the motion is drilling. Background is wooden planks, maybe a construction setting.

Need to mention the order: close-up of drill, then person drilling. Appearances: gloves (yellow, with text), drill (Bosch, dark blue, red button), person in maroon shirt, hat. Spatial: drill held in hands, then positioned on wood. Camera starts close, then pulls back to show person and wood. Background is minimal, just wood.

Avoid text recognition (so don't mention "Bosch" as text, but since it's part of the object, maybe it's okay? Wait, rule g says exclude text recognition, named characters. Wait, the drill has "BOSCH" but the rule says exclude text recognition. Wait, rule f: exclude text recognition. So don't mention the brand? Wait, no, the instruction says "Exclude text recognition, named characters, or stylistic analysis." So perhaps the brand name is text recognition, so shouldn't be mentioned. But the drill is a Bosch, but the rule says exclude text recognition, so we can't mention "Bosch". Wait, but the user says "Focus primarily on the motion and behavior", so maybe the drill's color and type (like cordless, electric) but not the brand. Wait, the problem says "Exclude text recognition", so if the text is on the object, we shouldn't mention it. But the main object is a power drill, so we can describe it as a dark blue electric drill with red button, but not the brand.

Wait, looking back: "Exclude text recognition, named characters, or stylistic analysis." So text on the object (like "Bosch") is text recognition, so we don't mention it. So the drill is a dark blue power drill with a red button. The gloves are bright yellow with some text, but we can't mention the text, so just "bright yellow gloves".

Let's restructure:

1. Close-up of hands holding a dark blue power drill with red button, wearing bright yellow gloves.
2. Then, the person (in maroon shirt, white hat) uses the drill to drill into wooden planks.
3. Camera shifts from close-up of drill to a wider shot showing the person and wood structure.
4. Background is wooden planks and construction materials.

So the caption should be chronological: starts with close-up of drill in hands, then the person drilling into wood, camera movement from close-up to wider view.

Now, check rules:

a) Motion and behavior: hands hold drill, then drill into wood.

b) Appearance: gloves (bright yellow), drill (dark blue, red button), person (maroon shirt, white hat).

c) Spatial: drill held in hands, then positioned against wood (to the right, maybe).

d) Camera: starts close-up, then pulls back to show person and wood.

e) Background: minimal, just wood.

f) Exclude text: so don't mention "Bosch", just describe the drill as a dark blue electric drill with red button.

g) Think internally.

Putting it all together:

A person wearing bright yellow gloves holds a dark blue electric drill with a red button. They position the drill against a wooden plank, then drill into the wood. The camera starts with a close-up of the drill and hands, then shifts to a wider shot showing the person in a maroon shirt and white hat using the drill on the wooden structure.

Check for rules:

- Chronological: starts with holding drill, then drilling.

- Appearances: gloves (yellow), drill (dark blue, red button), person (maroon, hat).

- Spatial: drill against wood.

- Camera: close-up then wider.

- Background: minimal (wood).

- No text recognition (so no brand name).

Yes, that works.
</think>

<caption_output>A person wearing bright yellow gloves holds a dark blue electric drill with a red button, positioning it against a wooden plank. They drill into the wood, shifting from a close-up of the drill and hands to a wider shot revealing the person in a maroon shirt and white hat working on the wooden structure. The camera moves from a tight focus on the drill to a broader view, capturing the drilling

A person wearing yellow gloves and a red shirt is operating a Bosch electric drill on a wooden structure; the drill and the person's arm are the primary moving discrete objects.

Background consists of static wooden structures (stairs) with no shifting or environmental motion (e.g., wind, water, fire).


A person wearing a black top and a headband holds a blue compact mirror in their left hand, using their right hand to apply makeup to their face while looking at the mirror. They move their right hand across their face multiple times, occasionally adjusting their position. The background features a room with furniture and wall decorations, but the focus remains on the person’s actions. The camera maintains a steady close-up angle throughout the sequence.

A person is moving their hand to touch their face, holding a mirror, and making deliberate gestures.

Background elements (wall decorations, furniture) show no uniform shifting or fluid/environmental motion (fire, water, wind).


Three girls stand in a dance studio: a girl in a pink leotard and white tights on the right, a girl in a purple dress and white tights in the middle, and a girl in a black dress and white tights on the left. The pink-leotard girl moves left across the floor, turns, and spins, then a girl in a green top and black shorts enters from the right. The pink-leotard girl and the green-top girl move toward each other as the pink-leotard girl continues her motion. The camera remains stationary, capturing the wooden floor and minimal background elements.

Three dancers exhibit distinct locomotion (e.g., leg kicks, arm movements, body shifts) consistent with human movement and physical interaction.

Background elements (walls, windows, ballet barres) remain static and uniform across frames; no fluid motion (fire, water, smoke, wind) is present.


A light-skinned hand manipulates a small component on a densely wired circuit board, moving it slightly to the left and adjusting its position while pressing against the board's surface, which features a pink capacitor and blue connectors. The camera maintains a close-up top-down view with minimal movement, focusing on the hand's interaction with the board.

A human hand is moving, interacting with electronic components on a circuit board. The hand's motion involves pushing and manipulating a discrete solid object.

The background consists of static circuit board components and wires, showing no fluid motion (fire, water, smoke) or uniform shifting. No ambient environmental motion is present.


A person in a light shirt and jeans lifts a large wooden cabinet, rotating it to display its interior and back. The cabinet is held over a table with tools, moving from a vertical to a horizontal orientation. The background shows a house with a porch. Camera remains static.

A man manipulates a large wooden board by rotating and tilting it; the board's motion is driven by explicit physical forces from the man's hands and body movements.

The background elements (house, table, ground) remain stable with no uniform shifting or fluid motion. No fire, water, smoke, or significant wind is observed, ruling out ambient environmental motion.


RAW CAPTION: Got it, let's tackle this. First, the video starts with a static shot of a landscape: a road, greenery, buildings, some vehicles. Then a person walks across the frame from left to right. After that, the scene cuts to a person in a blue shirt sitting in a wooded area. Need to describe chronologically.

Check the rules: focus on motion and behavior. First scene: static, then a person walks (so motion). Then cut to the seated person. Background descriptions minimal unless essential. Exclude text, so don't mention the "Champagne-Ardenne" text.

Breakdown:

- Opening shot: static view of a road with green field in foreground, buildings and vehicles in background. Then, a person (appears as a blur, so motion) walks quickly from left to right across the frame. Then the scene changes to a person in a blue shirt sitting in a forested area (now static, sitting). Camera movement: first static, then maybe a cut (so no movement between scenes), but for the first part, the initial shot is static, then the person walks, then cuts to the second scene.

Wait, the first few frames: the initial view is static. Then a person walks (so the movement is the person crossing the frame). Then the scene cuts to the seated person.

So chronological order:

1. The video opens with a static shot of a landscape featuring a road, green vegetation in the foreground, and distant buildings with vehicles parked. A person in motion walks across the frame from left to right.
2. The scene then cuts to a person in a blue shirt seated in a wooded area, facing the camera.

Check spatial relationships: in the first scene, the person walks across the foreground (road is behind the greenery). In the second scene, the person is sitting in front of trees.

Camera perspective: first static, then cut to another static shot (no movement in the second scene).

Make it concise. "The video opens with a static shot of a landscape with a road, green vegetation in the foreground, and buildings with vehicles in the background. A person walks quickly from left to right across the frame. The scene then cuts to a person in a blue shirt seated in a wooded area, facing the camera."

Wait, need to check if "walks quickly" is accurate. The video shows a person moving rapidly, so "quickly" might be okay. Also, describe appearance: the person walking is a blur (but rules say "briefly describe appearance and number" — "a person" without color? Wait, in the first scene, the person's color isn't mentioned (they're a blur, so maybe just "a person"). The second person is in a blue shirt, so "blue shirt" is okay.

Let me rephrase for conciseness:

The video begins with a static landscape shot featuring a road, green field in the foreground, and distant buildings with vehicles. A person walks rapidly from left to right across the frame. The scene then cuts to a person in a blue shirt seated in a wooded area, facing the camera.

Check rules: background minimal? The first scene's background is the buildings and vehicles, which are essential for the landscape. But the rule says "minimal unless essential for understanding motion". The motion of the person walking is in front of the road and vegetation, so maybe the background is necessary.

Also, "spatial relationships": in first scene, person is in front of the road (since they walk across the frame, which is part of the landscape). In second scene, seated in front of trees.

Camera perspective: first static, then cut (no movement). So "static" for first scene, then "cut" to the second.

Wait, the output format says "conclude with the camera perspective and movement". So for the first part, the camera is static. The movement between scenes is a cut, but the video doesn't mention camera movement within the scene. Let's check the video:

First 3 seconds: static shot, then a person walks (so the camera is static while the person moves). Then the scene changes to a new shot of the seated person.

So camera movement: first static, then the scene cuts to a new static shot.

So the caption should end with "The camera remains static throughout the first scene, then cuts to a static shot of the seated person."

Wait, the rules say: "Conclude with the camera perspective and movement (e.g., top-down, pan left, slight shake)."

So for the first scene: the camera is static. Then, when the scene cuts, the camera is static again.

Putting it all together:

<caption_output>The video opens with a static shot of a landscape featuring a road, green vegetation in the foreground, and distant buildings with vehicles. A person walks rapidly from left to right across the frame. The

A person walks across the frame from left to right, demonstrating distinct locomotion motion of a solid object (human) with clear bounding box tracking.

The background (buildings, trees, road) shows no uniform shifting or fluid/environmental motion (fire, water, wind). Static background elements remain consistent throughout the clip.


A person with long hair and glasses, wearing a dark top with white sleeves, sits on a dark-clothed couch, holding a light brown violin between their legs. They move a bow across the violin’s strings in a back-and-forth motion, with their left hand pressing strings on the neck. The camera remains static, capturing the scene from a fixed angle without movement.

A person is moving their hands and arm to play the cello, with discrete motion patterns consistent with bowing and fingering.

The background consists of a static dark couch with no shifting elements or fluid/environmental motion (fire, water, smoke, or wind).


A group of four people on stage: a woman in a black top and patterned skirt holds a framed award, a man in a gray suit and yellow tie stands beside her, a woman in a black dress with a necklace holds papers, and a man in a dark suit stands nearby. The woman hands the award to the man in the gray suit, who then walks toward a podium. As he moves, the woman with papers sits on a chair, followed by the man in the dark suit and the other woman. The man in the gray suit approaches the podium, and the camera follows his movement with a slight pan to the right.

Multiple people (at least 4) are moving: a man in a gray suit walks across the stage towards a podium, while others (women and men in formal attire) adjust positions, sit, or stand. These movements are due to locomotion (walking) and other physical actions.

The background (black curtain and stage elements) is static with no shifting or fluid motion. No fire, water, smoke, or wind is present.


A person in a dark blue shirt holds a golden trombone, gradually raising it to their mouth to play; the instrument's polished brass reflects light. Background elements include blurred trees and a wooden railing. The camera maintains a handheld perspective with slight movement throughout.

The trombone slide is moved by the player's hand, representing discrete object motion.

Background shows trees swaying slightly due to wind, indicating minor ambient environmental motion, but it is not dominant.


A hand opens a black oven door, revealing the illuminated interior, then places a rectangular tray with food items onto the oven rack, and closes the door. The oven sits against wooden cabinets. The camera maintains a close-up, static perspective throughout.

A person's hand moves to open the oven door and place a tray inside, with the tray undergoing controlled displacement due to human action.

Background elements (oven, kitchen cabinets) are stationary; no fluid/environmental motion (fire, water, smoke) is present.


A person in a red and black long-sleeve shirt and black pants kneels on a dirt surface, using a small trowel to work the soil near a yellow marker and a coiled white wire. They adjust their position, moving the trowel across the ground, then reposition to interact with the marker. A metal bucket containing tools sits nearby. The camera maintains a top-down view, shifting slightly to follow the person’s movements.

Person (solid object) moves via locomotion (kneeling, standing, reaching) and tool manipulation (brush, trowel). The yellow marker and string are displaced by the person's hands.

Background elements (dirt pit walls, ground, and static objects like buckets) show no uniform shifting. No fire, water, smoke, or wind-driven motion dominates the scene; ambient elements are negligible.


A person's foot steps near a golf practice mat with white tees; the individual then stands on a grassy course, positioning a golf club over the tees; the club strikes a ball, launching it into the air; finally, the person crouches to adjust the mat. The camera shifts from a close-up of the tees to a wider view of the golfer, then focuses on the swing, and ends with a low-angle shot of the person crouching.

A person (in black pants and shoes) is walking and swinging a golf club; the golf ball is hit and rolls on the putting mat.

The background in both indoor and outdoor scenes is static (no shifting) and there is no fire, water, smoke, or wind motion.


A dark-colored fish swims within a blue aquarium, moving upward and toward the top-right corner, eventually exiting the frame. The camera remains fixed, capturing the tank from an angled perspective with minimal background details.

A fish is swimming within the aquarium, moving from the top to the bottom and then to the right side of the frame.

The background (blue wall and aquarium glass) is static. The water contains bubbles, but these are not dominant; the dominant motion is the fish.


A pair of hands manipulates a small white electronic component near a metallic soldering iron, which heats a circuit board with visible wires. The left hand holds the component steady while the right hand adjusts its position on the board; the soldering iron emits a bright glow as it contacts the board, illuminating the orange surface below. The camera maintains a static close-up perspective, focusing tightly on the precise soldering action without background distractions.

Hands and a mechanical device (likely soldering equipment) are discrete solid objects moving as the hands manipulate the device.

Background is a static orange surface with no shifting or fluid/environmental motion (fire, water, wind) visible. No ambient elements dominate.


RAW CAPTION: Got it, let's break this down. First, the video shows two people in a bedroom. The main subjects are two women. Let's look at their actions chronologically.

At the start (0.0s), one woman is on the bed, wearing a red tank top, and the other is partially visible. Then, the woman in red moves her hands, maybe gesturing or dancing. The other woman is there too, moving. Wait, the sequence: first, the woman in red is on the bed, then the other woman (in a white top) comes into view, they interact. Then the woman in red raises her hands, maybe making a gesture. Then she moves to the right, and the other woman exits the frame.

Need to describe their motion. First, both are in the room. The woman in red (red tank top) is on the bed. Then, the other woman (white top, sunglasses?) moves into the frame. Then the red-top woman gestures, then the other woman moves out. The camera is static? Let's check. The video has a slight shake, maybe. Camera perspective: seems like a fixed shot, but maybe slight movement.

Background: bedroom with a metal bedhead, two framed pictures, lamp. But background descriptions minimal. So focus on actions.

Chronological:

- Initially, two women in the bedroom. One (red tank top) is on the bed, the other is partially visible. Then the red-top woman gestures with both hands, then the other woman (white top) moves out of the frame, leaving the red-top woman alone, who then gestures with one hand, making a peace sign.

Wait, let's check the timestamps. Frame 0: both present. Frame 1: the woman in red moves, maybe. Frame 2: the white top woman moves out of the frame, and the red-top woman is more visible. Then she gestures with one hand, maybe.

Wait, the problem says "chronological paragraph describing the provided video".

So step by step:

At the beginning, two women are present: one in a red tank top seated on a bed, another partially visible on the left. The red-top woman makes hand gestures, while the other woman moves out of the frame, leaving the red-top woman alone. She continues gesturing, making a peace sign with one hand.

Camera perspective: seems to be a fixed camera with slight movement (maybe shake).

Background: minimal, just the bedroom elements.

Now, check rules:

a) Motion and behavior in chronological order.

b) Appearance and number: two women, one in red tank top (seated on bed), other in white top (partially visible).

c) Spatial: red-top woman is on bed, other is to the left, then moves out.

d) Camera: fixed, slight shake.

e) Background minimal.

f) Exclude text, names, style.

So draft:

Two women are in a bedroom; one woman in a red tank top sits on a bed, while another woman in a white top is partially visible. The red-top woman gestures with her hands, then the other woman moves out of the frame. The red-top woman continues making hand motions, including a peace sign, while remaining seated on the bed. The camera remains fixed with a slight shake throughout the scene.

Wait, check the frames. The first frame shows the two women, then the other woman moves to the left (out of frame), then the red-top woman is alone. So the chronological order is:

- Both present.

- Red-top woman gestures.

- The other woman exits left.

- Red-top woman continues gesturing.

Yes.

Also, the number: two women, but one exits, so at the end, one remains.

Appearance: red tank top (woman), white top (other woman).

Motion: gestures, moving out of frame.

Check for minimal background. The bed, wall with two pictures, lamp. But rules say minimal, so maybe just mention the bed.

But the rules say "background descriptions minimal unless essential for understanding motion". Here, the bed is where they are, so maybe essential.

So final caption:

Two women are in a bedroom; one seated on a bed in a red tank top, the other in a white top partially visible. The red-top woman gestures with both hands, then the white-top woman moves out of the frame to the left. The red-top woman continues making hand motions, including a peace sign, while seated on the bed. The camera remains static with slight shake.
</think>

<caption_output>Two women are in a bedroom; one seated on a bed in a red tank top, the other in a white top partially visible. The red-top woman gestures with both hands, then the white-top woman moves out of the frame to the left. The red-top woman continues making hand motions, including a peace sign, while seated on

Two women (discrete solid objects) are moving: one in a red tank top dances with arm movements, and the other in a white top exhibits hand gestures. Their motion is due to intentional physical locomotion and muscular actions.

The background elements (walls, framed pictures, headboard) show no shifting or environmental motion; no fire, water, smoke, or wind is present. The room appears static.


A person in a blue jacket and beige glove manipulates the edge of a large black cylindrical container, using a tool to scrape or inspect its surface. The camera then shifts to a top-down interior view of the container, revealing a brownish interior with a central rectangular patterned object. The scene returns to the exterior, where the person continues interacting with the container's edge.

A person in blue gloves uses a tool to interact with a surface; another person in a blue suit performs manual work near a structure. Both are solid, discrete objects moving due to explicit physical actions.

No shifting backgrounds; no fire, water, or smoke visible in the frames. All background elements (walls, structures) remain static.


A spatula stirs a pot on a stovetop containing partially cooked eggs and other ingredients. The stirring causes the eggs to break and mix, with close-up shots revealing broken shells and blended yolks and whites. The scene concludes with a plate holding the cooked egg mixture and a spoon. The camera starts with a top-down view, shifts to a close-up of the pot, and ends on the plated dish.

discrete_object_physics | ambient_environmental | camera_motion | ego_motion | static


RAW CAPTION: Got it, let's tackle this. First, I need to describe the video in chronological order. The main subject is a girl hula hooping. Let's check the frames.

In the first frame, she's on a concrete area with a wall and plants. Then she moves along a pathway. Her appearance: white t-shirt with text, denim shorts, pink shoes. The hula hoop is pink and white striped.

Chronological steps: She starts hula hooping in an open area, then moves into a narrow pathway between two walls. She's moving forward, spinning the hoop around her waist. The camera seems to follow her, maybe panning or moving with her.

Need to mention motion: she's actively hula hooping, moving from one area to the next. Spatial relationships: she's moving along a path, with walls on either side. Background: concrete surfaces, walls, plants—keep minimal.

Check rules: no text recognition, so ignore the shirt text. Focus on motion.

Start with "A young girl with dark hair, wearing a white t-shirt, denim shorts, and pink shoes, hula hoops while moving along a concrete pathway. She spins a pink and white striped hoop around her waist, transitioning from an open area near a wall with greenery to a narrow corridor between light blue and green walls. The camera follows her movement, maintaining a slightly low angle as she continues hula hooping in the enclosed space." Wait, but need to be concise.

Wait, the rules say chronological paragraph. Let's break down each frame:

Frame 0: she's standing on a concrete surface, hula hooping, background has a blue structure, trees, wall.

Frame 1-5: she moves along a pathway between a brown structure and light blue wall. She's actively hula hooping, turning the hoop around.

So the caption should start with her initial position, then movement, then the path.

Appearance: "a young girl with dark hair, wearing a white t-shirt, denim shorts, and pink shoes"

Motion: "hula hoops while moving from an open concrete area into a narrow pathway between a brown wall and a light blue wall."

Camera: "The camera follows her movement, panning left as she navigates the corridor, maintaining a slightly low angle."

Wait, the video shows her moving along the path, so camera follows. Let's check the camera movement. The first frame is a wider shot, then maybe the camera follows her as she walks.

Make sure to exclude text on shirt (since it's not text recognition, but rule f says exclude named characters or text—so don't mention the shirt text).

So final caption should be: A young girl with dark hair, wearing a white t-shirt, denim shorts, and pink shoes, hula hoops while moving along a concrete pathway. She transitions from an open area near a wall with greenery to a narrow corridor between a brown wall and light blue wall, spinning a pink and white striped hoop around her waist. The camera follows her movement, panning left as she continues hula hooping in the enclosed space.

Wait, need to be concise. Let's check the rules again: "concise, chronological paragraph". Let's shorten.

"A young girl with dark hair, wearing a white t-shirt, denim shorts, and pink shoes, hula hoops while moving along a concrete pathway. She transitions from an open area to a narrow corridor between a brown wall and light blue wall, spinning a pink and white striped hoop around her waist. The camera follows her movement, panning left to maintain her position within the frame."

Wait, "pans left"—but maybe just "follows her movement, maintaining a steady perspective as she hula hoops through the corridor."

Check the rules: camera perspective and movement. So "The camera follows her movement, maintaining a slightly low angle as she hula hoops through the corridor."

Yes. Let's put it all together:

A young girl with dark hair, wearing a white t-shirt, denim shorts, and pink shoes, hula hoops while moving along a concrete pathway. She transitions from an open area with a brown wall and greenery to a narrow corridor between a brown wall and light blue wall, spinning a pink and white striped hoop around her waist. The camera follows her movement, maintaining a slightly low angle as she continues hula hooping in the enclosed space.

Wait, background: minimal. So "open area with a brown wall and greenery" is okay. But maybe just "open concrete area near a brown wall".

Let's adjust: "A young girl with dark hair, wearing a white t-shirt, denim shorts, and pink shoes, hula hoops while moving along a concrete pathway. She transitions from an open concrete area near a brown wall to a narrow corridor between a brown wall and light blue wall,

A girl is actively hula hooping, with her body and the hoop moving in distinct, solid-object motion driven by her locomotion.

Background elements (wall, ground, plants) show no uniform shifting or fluid motion; no fire, water, smoke, or wind-driven effects observed.


A person in a maroon shirt and white gloves feeds raw meat from a clear tray into a metal meat grinder with a red wheel, moving their gloved hand to guide the meat into the machine. The person stands in front of a wooden table with additional kitchen items, including a glass bowl of meat and a green container, while the camera maintains a close-up perspective with slight movement.

A person (wearing gloves) is actively moving hands to handle solid objects: metal containers, a tray with meat, and other kitchen items. Motion is localized to the person's hands and objects they interact with.

Background elements (wall, kitchen items) show no uniform shifting or fluid motion; no fire, water, or smoke detected.


A woman with short brown hair, wearing a green coat and earrings, stands in front of a microphone, speaking with her mouth moving and occasionally gesturing with her right hand. The background features soft, light-colored circular patterns. The camera maintains a static close-up perspective on her upper body and the microphone.

A woman in a green jacket is speaking into a microphone, exhibiting discrete solid-object motion through head movements, facial expressions, and hand gestures while maintaining a fixed position relative to the camera.

The background (light-colored wall with curved design) shows no shifting or fluid motion (fire, water, smoke, wind); it remains consistently static throughout the frames, indicating no dominant ambient environmental motion.


A boy in a black suit adjusts a mannequin dressed in a black suit using a pink tool, standing near a table with plants and clothing; several children observe from around him as the camera remains stationary.

Two people are interacting; one person is holding or throwing an object while the other is reacting, exhibiting discrete solid object motion.

Background is static: table, chairs, and wall pattern do not shift. No fluid/environmental motion (fire, water, wind) detected.


RAW CAPTION: Got it, let's break this down. The video starts with a close-up of hands using tweezers to place small yellow objects onto a white, irregularly shaped object that's on a metal mesh. Then, the next frames show more of the setup: the tweezers are placing these yellow pieces, maybe like beads or something. Then it cuts to a wider shot of a person in a red shirt working on the same setup. The person is holding a tool, maybe a brush, and there's a pile of small brown pieces and yellow beads on the table. The sequence shows the process of assembling or decorating the white object with the yellow items.

Now, the rules: need to describe chronologically. First part is close-up of tweezers handling yellow pieces on the white object. Then the person in red shirt working, using a tool, with small brown and yellow objects around. Spatial relationships: hands are manipulating objects on the mesh, the white object is on the mesh, the person's hands are working on the table. Background is minimal, just a white surface maybe. Camera starts close-up, then maybe pans out to show the person.

Let's structure it. Start with the first action: hands with tweezers placing yellow objects onto white object on metal mesh. Then the next part shows the person in red shirt using a tool (brush) on the mesh, with small brown pieces and yellow beads scattered on the table. Then the camera perspective: starts with close-up, then widens to show the person.

Check rules: focus on motion and behavior chronologically. Describe appearance: yellow small objects, white object (irregular), red shirt, metal mesh. Spatial: hands in front of mesh, person working on table. Background minimal. Exclude text.

So draft: A pair of hands uses tweezers to position small yellow beads onto a white, irregularly shaped object resting on a metal mesh. The scene transitions to a wider shot of a person in a red shirt manipulating the object with a brush while small brown fragments and yellow beads scatter on the white work surface. The camera shifts from a close-up of the mesh to a medium shot capturing the person’s hands and workspace.

Wait, check the video frames. Frame 0: hands with tweezers, yellow beads on white object on mesh. Frame 1-2: same, then frame 3: wider shot of person in red shirt, hands holding tool (brush) on mesh. Frame 4: person in red shirt, working, with brown pieces and yellow beads on table. So the sequence is: close-up of tweezers placing yellow beads on white object on mesh → then person in red shirt using a brush on the mesh, with small brown and yellow objects on the table.

So the caption should start with the hands placing beads, then the person working with the brush. Mention the objects: yellow beads (small, bright yellow), white object (irregular, covered with some powder maybe? In frame 0, the white object has some dust).

Another point: in frame 0, the white object is on the mesh, being held by tweezers? No, tweezers are placing the yellow beads onto it. So the action is placing yellow beads on white object.

Chronologically:

1. Close-up: hands holding tweezers place small yellow beads onto a white, irregularly shaped object resting on a metal mesh.
2. Then, the scene shows a person in a red shirt using a brush to adjust the beads on the mesh, with small brown fragments and yellow beads scattered on the white work surface.

Camera: starts close-up, then shifts to a medium shot of the person.

So the caption: Hands use tweezers to position small yellow beads onto a white, irregularly shaped object on a metal mesh. The camera then transitions to a wider view of a person in a red shirt manipulating the object with a brush while small brown fragments and yellow beads lie scattered on the white work surface.

Check for minimal background: background is white surface, maybe not essential. The rules say "keep background descriptions minimal unless essential for understanding motion" – here, the white surface is the workspace, so maybe it's okay.

Wait, the first frame's background is white, so the work surface is white. But maybe it's better to not mention if not essential. Wait, the main action is on the mesh, so the background is just the white surface, which is the workspace. So maybe include "on a white work surface" as part of the setting.

Let me check the rules again: "Mention spatial relationships if relevant (e.g., in front of, to the left)."

So the white object is on the mesh (which is on the white surface). The tweezers are in front of the mesh. The person is at the work surface, hands working on the mesh.

Hands (discrete solid objects) manipulate a small metallic object (gold-colored) and tweezers, applying physical force to adjust and position the object. The object is held in a clamp and moved precisely by the hands.

The background (wire mesh, table, and static elements) remains stationary throughout the video with no fluid or gaseous motion observed. No fire, water, smoke, or wind is present.


A person wearing black gloves and a blue shirt kneels beside a large black tire, using tools from a blue case. They first adjust tools on the ground, then wipe the tire's sidewall with a white cloth while applying liquid from a small bottle. The person moves the cloth around the tire's damaged area, maintaining a top-down camera perspective that captures the action with minimal background detail.

A person wearing gloves manipulates tools and a cloth near the motorcycle tire, with hands and tools moving in discrete, purposeful motions.

Background elements (white ground, motorcycle tire) show no uniform shifting or fluid motion; no fire, water, or wind visible.


RAW CAPTION: Got it, let's tackle this video caption. First, identify the main subjects. There's a child in a green shirt and blue shorts holding a "SLOW" sign, another child on a bike (green shirt, green shorts), and an adult in a blue sleeveless shirt and camouflage shorts.

Start chronologically. The video begins with the child holding the sign standing on a sidewalk. The child on the bike is next to them, maybe moving. Then, the adult is pushing the bike? Wait, in the frames, the child on the bike is moving, and the adult is behind, maybe guiding. Let's check the sequence.

Frame 0: Child with sign stands; child on bike (green) with adult (blue) behind. Frame 1: Child on bike moves forward, adult pushes. Frame 2: They move past, the child on bike continues. Frame 3: Adult is now pushing the bike, child with sign is still there. Frame 4: The child on bike is moving further, adult behind. Frame 5: They're moving away, child with sign stays.

So the motion: The child holding the "SLOW" sign stands on the sidewalk. A child on a bicycle moves forward, guided by an adult who pushes the bike from behind. The adult and child on the bike move past the standing child. The adult continues pushing the bike away from the camera, while the standing child remains in place.

Appearance: Standing child—green shirt, blue shorts, pink shoes, holding a yellow "SLOW" sign. Child on bike—green shirt, green shorts, on a bike. Adult—blue sleeveless shirt, camouflage shorts, pushing the bike.

Spatial: Standing child is on the sidewalk. The child on bike and adult move in front of the standing child, then away. Background has cones, trees, houses.

Camera perspective: The camera is stationary, filming from a fixed position, slightly low angle as it's near the sidewalk.

Now, follow the rules. Focus on motion, chronological. Start with standing child holding sign. Then the biking child moves forward, guided by adult. The adult and bike move past the standing child, continuing away.

Mention appearance briefly: two children (one standing, one on bike) and an adult. Colors: standing child's green shirt, blue shorts; biking child green; adult blue shirt.

Spatial: The standing child is on the sidewalk, the biking child and adult move in front of them, then away.

Conclude camera: Fixed position, slight shake maybe? The video has some slight movement but probably stationary.

Check rules: exclude text recognition (so "SLOW" sign is mentioned as the sign, but not the text since rule f says exclude named text? Wait, rule f says "Exclude text recognition"—but the sign has "SLOW", but the instruction says to not include text recognition. Wait, the rules say "Exclude text recognition, named characters, or stylistic analysis." So do we mention the sign? The sign is a yellow circular sign, so describe it as a yellow sign, not the text. Wait, the user says "Exclude text recognition"—so maybe not mention the word "SLOW" but the sign's presence? Wait, the example: "a yellow circular sign" without the text. But the problem says "Exclude text recognition, named characters, or stylistic analysis." So if the sign has text, we don't mention the text, but describe the sign's appearance (yellow, circular).

Wait, in the problem statement, the rules: "Exclude text recognition, named characters, or stylistic analysis." So for the sign, we can say "a yellow circular sign" but not the word "SLOW".

Wait, the user's example: the video has a "SLOW" sign. But the rules say to exclude text recognition, so we don't mention the text on the sign, but the sign's presence.

But the caption needs to be concise. Let's see.

So first sentence: A child stands on a sidewalk holding a yellow circular sign. A child on a bicycle, wearing green, rides forward while an adult in a blue sleeveless shirt pushes the bicycle from behind.

Then the motion: The child on the bicycle and the adult move past the standing child, continuing along the sidewalk.

Check chronological:

- Initial frame: standing child with sign; child on bike and adult behind.

- Then, the child on bike moves forward (bike starts moving), adult pushing.

- They move past the standing child.

- By the end, the adult and bike are further down the sidewalk, the standing child remains.

So caption structure:

A child in a green shirt and blue shorts stands on a sidewalk holding a yellow circular sign. A child on a bicycle, also in green, rides forward with an adult in a blue sleeveless shirt and camouflage shorts pushing from behind. The adult

The boy in the green shirt on the bike is moving forward. The boy in the blue shirt is pushing the bike from behind and moving with it. The girl holding the 'SLOW' sign is stationary.

The background (building, 'SLOW' sign, trees, cones) is stationary. No fire, water, smoke, or wind-blown motion is dominant.


A boy in a navy shirt holds a microphone while standing on a gym floor marked with orange cones. A person in a dark jacket and pants walks past him from left to right, arms extended. The boy shifts position slightly, then continues holding the microphone. The camera remains stationary throughout, capturing the scene from eye level with minimal background detail.

A man in a sports jersey runs from left to right, jumps, and exits the frame; a boy holding a microphone remains mostly stationary while speaking.

Background elements (wooden walls, cones, floor markings) are static with no shifting or fluid motion. No fire, water, smoke, or wind observed.