RAW CAPTION: Got it, let's tackle this. First, the video shows a person bungee jumping. The main subject is a person wearing a blue top and orange sleeves, helmet. Wait, in the frames, they're falling. Let's check the sequence.

Frame 0: Height 0.031, person is mid-air, suspended by bungee. They're falling, body horizontal? Wait, the positions: numbers 01,02,03,04 around. The person's orientation: in the first frame, they're kind of hanging, then in the next frames, they're still falling but the bungee is stretching. Wait, the height increases from 0.031 to 0.032, so they're moving down.

Wait, the person is bungee jumping, so they're falling downward. Let's describe their motion chronologically. At the start, the person is suspended, then continues to fall. Wait, the numbers 01-04 might be markers, but the task says exclude text recognition. So ignore the numbers. The person is wearing a helmet, blue and orange outfit, falling.

Wait, in the first frame, they're in a horizontal position, then as time goes, they continue to fall. Wait, the height is increasing (0.031 to 0.032), so maybe the height is a measure, but the person is moving down. Wait, maybe the height is a sensor, so they're moving downward.

So the main subject: a person in a blue and orange jumpsuit, helmet, bungee jumping. Chronologically: the person starts falling from a position, then continues to fall, body in a horizontal orientation (maybe), then as they fall, the bungee cord is taut. Wait, but the video shows them moving downward.

Wait, the background is a snowy area with a wall. But background descriptions should be minimal.

The camera perspective: the video seems to be a top-down or bird's-eye view, since the person is in the center, and the markers (01-04) are around, so the camera is overhead.

Wait, the first frame shows the person, then the next frames: the person is falling, maybe the bungee is stretching. Wait, in frame 0, they're falling, then frame 1, same, but height increases. Wait, maybe the height is a sensor reading, so they're moving downward.

So the main subject is a person in a blue top and orange sleeves (or jumpsuit), helmet, suspended by bungee cord, falling downward. Their orientation: initially, the body is horizontal (lying back), then as they fall, maybe the orientation changes slightly. But the key is the motion: falling downward.

Now, spatial relationships: the person is above the ground (since it's a bungee jump, they're in mid-air). The background is a snow-covered area with a wall, but minimal.

Camera perspective: the video shows a top-down view (since we see the person and the ground below, with markers around). The camera is stationary, probably. Wait, the frames don't show movement of the camera, just the subject's motion.

Putting it together: Chronologically, the person is bungee jumping, falling downward, wearing a blue and orange outfit and helmet, body horizontal initially, then continuing to fall. The camera is overhead, showing the person against a snowy background with a wall.

But need to be concise.

Let's structure:

A person in a blue and orange jumpsuit and helmet is bungee jumping, falling downward from a height. The individual maintains a horizontal orientation as they descend, suspended by the bungee cord. The camera captures the scene from a top-down perspective, showing the person against a snowy backdrop with a wall.

Wait, but the task says exclude text recognition, so no mention of height numbers. Also, need to check if the person's appearance: color, size, orientation.

Wait, the person is in the center. In the first frame, they're upside down? Wait, no. The background has a wall, and the person is falling. Wait, the first frame: the person is with legs up, maybe? Wait, the image shows the person suspended by the bungee, with the cord attached to their ankles. Wait, bungee jumping: the person is falling, then the cord stretches. So the motion is falling downward.

Wait, let's look at the frames again. First frame: Height 0.031, person is mid-air, bungee cord. Then, in subsequent frames, the height increases to 0.032, so they're moving downward. The person is wearing a blue top

The climber (a person) is moving upward along the climbing wall. The motion is due to the climber's locomotion (pulling themselves up using the holds).

The background (climbing wall with fixed holds) is static and does not shift. There are no fluid or environmental motions (fire, water, smoke) present.


A person in a white short-sleeved shirt stands behind a wooden desk, picks up white papers, folds them, then moves to the left side of the desk while holding the folded paper. The camera remains mostly fixed with slight shake, capturing the scene from a frontal perspective against a dark green wall with windows.

discrete_object_physics | ambient_environmental | camera_motion | ego_motion | static

Briefly describe what discrete, solid objects are moving.

Briefly check for shifting backgrounds or fluid/environmental motion (fire, water, wind).


A woman in a black skirt and dark top dances in the foreground, raising her arms, stepping, and turning rhythmically. Behind her, a seated woman in dark clothing plays the violin to the left, and another seated woman in dark clothing plays the guitar to the right. The camera remains stationary, capturing the scene from a wide angle against a distant cityscape.

Two people are visible: one dancing (primary motion) and another seated playing an instrument. The dancer exhibits intentional, locomotive movements (e.g., jumps, arm gestures), while the seated individual shows minor posture shifts.

The background includes a cityscape and trees; no dominant fluid motion (e.g., fire, water, smoke) or significant wind-induced swaying is observed. Background elements appear stable and static.


RAW CAPTION: Okay, let's see. I need to generate a concise caption for this video based on the provided frames. The user is an expert video captioner, so I should follow their rules carefully.

First, the video starts with a snowy scene showing the word "LOVE" written in red on a snow-covered surface. There's also "Minnesota Conferences" below it. Then the scene transitions to a close-up of a hand writing letters on a whiteboard. The hand is using a black marker to write "ABCDEF" while there's red text already on the board, like "abode" and "abed".

I need to focus on the motion and behavior of the main subjects. The main subjects here are the hand and the writing. The first part is a snowy scene, then the hand writing. The background in the first frame is snowy with trees, but the user says to keep background descriptions minimal unless essential. So maybe mention the snow-covered surface briefly.

Next, the hand is writing with a black marker. The letters are written one by one. The spatial relationship here is the hand moving across the whiteboard. The whiteboard has existing red text, but the rule says to exclude text recognition, so I shouldn't mention the specific words. Just note that there's red text already on the board.

The camera perspective changes from a top-down view of the snowy scene to a close-up of the hand. The movement is a transition from the snowy scene to the close-up.

I need to structure this chronologically. Start with the first frame's scene, then the transition to the writing. Mention the hand's actions, the marker, the writing process. Don't mention the specific letters, just that the hand writes "ABCDEF" or similar. Wait, the second frame shows the hand writing, and the third frame shows the same hand finishing the letters. So the hand is writing the letters in sequence.

Check the rules again: exclude text recognition, so I shouldn't say what's written, just that the hand is writing. Wait, the user's example in the problem statement might help. Wait, the user provided an example where the caption mentions "a hand writes letters in sequence" without specifying the letters. But the frames here have the letters ABCDEF. However, rule f says exclude text recognition, so maybe it's okay to mention the action but not the specific text. Hmm. Wait, the instruction says "exclude text recognition", so even if the letters are visible, we shouldn't mention them. So maybe say "a hand writes letters in sequence" without specifying which letters.

Wait, but the user's example in the problem statement shows that the output should avoid text recognition. So in the video, the hand is writing "ABCDEF", but according to the rules, we can't mention the specific letters. So instead, describe the action: "a hand writes letters on a whiteboard".

So the first part is a snowy scene with "LOVE" but since we can't mention text, maybe just say "a snow-covered surface with the word 'LOVE' visible" but wait, rule f says exclude text recognition. Wait, the rule says "Exclude text recognition, named characters, or stylistic analysis." So if the text is visible but not part of the main action, should I still mention it? The user example in the problem statement shows that in the video, there's text, but the caption doesn't mention it. Wait, looking back at the problem statement example:

The example video frames have text, but the rules say to exclude text recognition. So the caption shouldn't mention the text. So even though the video shows "LOVE" and "Minnesota Conferences", the caption shouldn't mention those. So the first part is a snowy scene with a white surface (maybe a table or something) with the word "LOVE" written, but we don't mention the text. Wait, but the first frame is a snowy scene with "LOVE" written on snow. However, the rule says to exclude text recognition, so the caption should not mention the text. So the first part is a snowy scene, maybe a surface with some writing, but we don't describe the text. Wait, but the problem states that the main subjects are people/animals/objects. In the first frame, the main subject is the snowy surface with "LOVE", but the text is not a subject. So perhaps the first frame is a snow-covered surface with some writing (but we don't mention the text), then the scene transitions to a hand writing letters.

Wait, the user's instruction says "Focus primarily on the motion and behavior of main subjects (people/animals/objects) in chronological order."

In the first frame, the main subject is the snowy scene, but it's a static image. The next frames show a hand writing. So the motion starts with the hand writing. So the

A hand (discrete solid object) is moving to write on paper, showing explicit physical forces (muscle movement) and locomotion (pen movement).

No shifting background (paper is stationary and no walls/ground visible) and no fluid/environmental motion (no fire, water, smoke, wind).


A shirtless man in light gray shorts sits on a white couch. Initially reclining with one arm raised, he sits upright, adjusts his shorts, and touches his chest. To his left, a small table holds flowers and framed photos, with a window featuring bars and curtains behind the couch. The camera remains stationary throughout.


A woman in a light gray hoodie and dark pants stands beside a large dark brown horse, adjusting its tail with her right hand while moving her left hand toward the horse’s hindquarters. The horse remains stationary with its back to her, positioned against a wooden wall. The camera maintains a steady perspective throughout the sequence.

A person is actively brushing a horse's tail, with clear hand movements interacting with the horse's body.

Wooden walls in the background show no shifting or fluid motion; no fire, water, smoke, or wind present.


Two men in a room, one in a black suit holding a purple tie and the other in a gray shirt adjusting a pink tie, face each other while manipulating their ties. A woman in a blue dress stands behind them, looking downward. The camera pans slightly left, capturing their interactions in a dimly lit indoor space with tables and seated people in the background.

Two men adjust their ties and shirts; hand movements and tie manipulation are discrete, solid-object motions involving deliberate physical interactions.

Static background elements (walls, distant figures) show no uniform shifting or environmental fluid motion (e.g., no fire, water, smoke, or wind).


A wooden table displays several playing cards: a 7 of diamonds, 9 of spades, and 3 of clubs are arranged side-by-side near the top. A hand moves a 10 of hearts into the center of the table. Another hand (wearing a striped shirt) rearranges cards, while a different pair of hands gathers multiple cards—including the 10 of hearts, 9 of spades, and a 5 of diamonds—into one hand. The camera remains static in a top-down view, capturing the table surface and card movements with minimal background details.

Hands actively moving and placing playing cards on the table, demonstrating solid object interactions.

The wooden table background remains consistent with no shifting or fluid motion; no fire, water, or smoke observed.


A person wearing a light blue blanket over their head and plaid shorts kneels on a carpeted floor, initially holding a small red object in their right hand. They move slowly toward a blue bucket positioned to their right near a doorway, then lower their head and place the object into the bucket. The camera maintains a slightly tilted, fixed perspective from an overhead angle, capturing the person’s motion and the bucket’s placement against the light-colored carpet and dark furniture edge on the left.

A person is crawling on the floor, moving their hands and knees. This motion is discrete and due to physical locomotion.

The background (carpet, wall, bucket) remains static throughout the video. No ambient environmental motion (fire, water, wind) is observed.


The video opens with several red-brown playing cards fanned out, followed by a circular CD and a sheet with multiple small images appearing beside the cards. It then transitions to an outdoor dining scene where four people (two men, two women) are seated around a white tablecloth-covered table; a woman in a maroon top stands near the table, possibly serving or adjusting items, while the others remain seated. The background features trees and a patio setting. The camera shifts from static object displays to a static shot of the group at the table.

Discrete solid objects (people seated at a table) exhibit subtle movements (head gestures, conversation-related motions) due to their own locomotion and interaction.

The background consists of static trees and foliage with no fluid or gaseous motion (fire, water, smoke, wind) observed. Background elements remain stationary throughout the outdoor scene.


A person wearing a dark cap and red shirt kneels on a wooden floor, using chalk to draw on a black chalkboard; the hand moves to sketch a curved line and then a circular shape. The camera maintains a top-down perspective, capturing the drawing process with the chalkboard positioned on the floor.


A person in a light blue shirt bends over a shiny, corrugated metal wall, adjusting their position while working on it; the camera moves slightly, maintaining a close-up view from above.

A person in a white shirt is performing deliberate hand movements against the wall, indicating purposeful locomotion or interaction with the surface.

The wooden panel background remains static with no uniform shifting or fluid environmental motion (fire, water, smoke, wind) detected.


A person in a dark top and light pants dribbles a basketball low while maneuvering around orange cones on a paved surface. They turn their lower body as they navigate the cones, maintaining a low dribble. The camera remains steady, capturing the sequence from a consistent angle.

The basketball player and ball exhibit discrete motion: the player dribbles low, turns, and moves across the court while interacting with the ball.

The background (court, trees) shows no shifting or uniform motion; the yellow flame overlay is an artificial effect and not real environmental motion. No fire, water, smoke, or wind is present in the actual scene.


A young boy with short brown hair, wearing a gray striped shirt and blue jeans, sits and plays a black and white bass guitar. His left hand moves along the fretboard while his right hand plucks the strings. The camera remains stationary, capturing him from a medium angle against a plain background.

The boy's hands and bass guitar exhibit localized, rhythmic motion from string plucking and fretting—clear discrete object movement due to physical interaction with the instrument.

Background shows a static wall and chair with no shifting or environmental effects (e.g., wind, smoke, water). No fluid motion present.


RAW CAPTION: Got it, let's tackle this video caption. First, the main subject is a cat. Let's check the frames. The video starts with a close-up of a white and gray cat standing on a person's hand. The cat has a mix of white and gray fur, and it's small. Then, the cat moves its head, maybe sniffing or looking around. In the next frame, the cat is still on the hand, and then the hand moves, maybe the person is interacting. The background has a cow-patterned rug, but I need to keep background minimal. The person's hand is visible, with a ring, so the hand is moving, possibly petting or letting the cat walk. The cat's orientation: in the first frame, it's facing to the right, then the person's hand moves, and the cat stays on the hand. The camera seems to be handheld, maybe a bit shaky, as it's following the cat and hand. Let's structure the caption chronologically.

Start: A white and gray cat stands on a person's hand. The cat moves its head, sniffing or looking. The hand is extended, with a ring visible. The cat remains on the hand as the hand moves slightly. Background has a cow-print rug, but minimal. Camera is close-up, handheld, slight shake. Need to keep it concise.

Let me check rules. Focus on motion and behavior. Main subject: cat. Appearance: white and gray, small. Motion: stands on hand, head moves, stays on hand as hand moves. Spatial: cat on hand, hand in front of cow-print rug. Camera: close-up, handheld, slight shake.

Now, put it into a paragraph. Let's see:

"A small white and gray cat stands on a person's hand, moving its head as it sniffs or looks around. The hand, adorned with a ring, remains steady while the cat stays on top. The background features a cow-print rug, but the focus stays on the cat and hand. The camera is handheld, providing a close-up view with slight movement."

Wait, but need to be more chronological. Let's check each frame:

[0.0] Cat on hand, looking to the right.

[0.3] Cat still on hand, maybe moving head.

[1.4] Hand moves slightly, cat stays.

[2.5] Cat moves head, hand is still.

[3.6] Hand moves, cat is on hand.

[4.7] Hand moves, cat stays.

So sequence: cat is on hand, then hand moves, cat stays, and the hand continues moving. Also, the cat's action: maybe it's interacting, like the hand is offering something, but the video might show the cat staying on the hand.

Another point: in frame 4, the hand has a pink object, maybe a toy. But rule f says exclude text recognition, but "pink object" is a physical object, maybe mention if relevant. Wait, the task says "briefly describe their appearance and number" but for objects, maybe minimal. The pink object is part of the hand's movement. So perhaps the hand holds a pink item, but not sure. But the main focus is cat and hand.

Let me try again:

A small white and gray cat stands on a person's hand, moving its head as it sniffs. The hand, with a visible ring, remains steady while the cat stays perched. The hand then shifts slightly, with the cat still on top. The background includes a cow-print rug, but the camera focuses closely on the cat and hand. The view is handheld with slight motion.

Wait, the problem says "chronological paragraph". Let's sequence the actions:

- Starts with cat on hand, head oriented to the right (frame 0)
- Cat moves head (frame 1-2)
- Hand moves slightly (frame 3)
- Cat continues on hand as hand moves (frames 4-5)

So the caption should follow:

A white and gray cat stands on a person's hand, moving its head as it sniffs. The hand, adorned with a ring, shifts slightly while the cat remains on top. The background features a cow-print rug, but the focus stays on the interaction between the cat and hand. The camera maintains a close-up, handheld perspective with minor movements.

Wait, but need to mention the number of people: one person (hand). The cat is the main animal.

Let me check if I missed anything. The cat's color is white and gray, size small. The hand is moving, cat stays. Spatial: cat is on hand, which is in front of the cow-print rug.

Okay, maybe:

A small white and gray cat stands on a person's hand, moving its head as it sniffs around. The hand, with a ring visible, shifts slightly while

A cat interacts with a human hand by moving its paws and head, while the hand moves to engage with the cat.

The background elements (cow-print rug, mug) show no significant shifting or fluid motion; no fire, water, or smoke present.


A person in a white shirt and red-striped shorts lies on a surface, holding a small object. Another individual’s hands approach and interact with the object, adjusting or taking it while the first person’s arms move to handle it. The second individual’s hands remain in the frame, with minimal background elements like pink fabric visible. The camera maintains a close-up, slightly tilted perspective with minimal movement.

A person lying down moves their arms and head in controlled motions (e.g., raising/lowering arms, head turning), indicating intentional physical actions without collisions or external force interactions.

Background elements (chair, patterned fabric, static objects) remain fixed throughout; no fluid motion (fire, water, smoke, wind) or environmental effects observed.


A man wearing a white shirt and gray pants plays a dark brown grand piano with an open lid while seated on a red stool in a wooden-paneled room. His hands move across the piano keys as he performs, with several audience members visible in front of him, their backs to the camera. The background includes a floral arrangement against the wooden walls, and the camera remains stationary, capturing the scene from a frontal view.

The pianist's hands are exhibiting discrete motion as they press piano keys, representing explicit physical interaction (playing the instrument) while the pianist's torso and the audience remain largely stationary.

No shifting backgrounds or fluid/environmental motion observed. The wooden walls, piano, and audience remain consistently static; no fire, water, or wind effects are present.


A person in a green shirt and black shorts ascends a rope by pulling themselves upward with bent knees and hands gripping the rope. They move steadily between two vertical poles in front of a window, maintaining a fixed position as their body rises. The camera remains static, capturing the motion from a frontal perspective without movement.

A person (wearing green shirt and black shorts) is climbing a rope vertically.

The background (window, walls, and room behind) is static and does not shift uniformly. No fire, water, smoke, or wind motion observed.


A man in a black polo shirt and blue jeans walks toward the camera while bouncing a basketball; a child in a purple shirt sits in a stroller to his left in the background. The camera remains steady, slightly panning to follow the man’s movement as he approaches.

A person holding a basketball moves across the frame, exhibiting locomotion and hand movements. The basketball is manipulated through discrete actions (e.g., lifting, lowering), indicating solid object physics.

Background elements (trees, house, trash can) show no uniform shifting motion; no fire, water, or smoke present. Static environmental features remain consistent across frames.


RAW CAPTION: Got it, let's tackle this. First, the video shows hands holding basketballs. The text "1 High 1 Low" is there, but per the rules, exclude text recognition. So focus on motion.

Start with the first frame: two hands, one high (maybe raised), one low (lower). Then the hands move, maybe throwing or dribbling. The next frames show a person in a gym, shooting a basketball against a wall. Wait, the video starts with close-up of hands holding balls, then transitions to a person shooting.

Chronological order: first, close-up of two hands (one high, one low) holding basketballs. Then the hands move, maybe the person throws one ball up and the other down. Then the scene shifts to a person in a gym setting (wall, floor) shooting a basketball against a wall. Wait, the video shows the hands holding balls, then the person holding a ball, shooting it up, then the hands again.

Wait, the frames: [0.0] two hands, one high one low (close-up). [0.3] same hands. [1.4] same. [2.5] a person (dark-skinned, maybe) holding a ball up, in a gym with yellow wall and pink background. [3.6] hands again, close-up. [4.7] person holding ball up.

So main subjects: hands/arms, then a person (but maybe the hands are part of a person). Need to describe motion. First, close-up of two hands holding basketballs, one elevated (high), one lower (low). Then the hands move, perhaps passing or throwing. Then the scene shows a person in a gym, holding a basketball above head, preparing to shoot. Then back to hands.

Wait, the rules: focus on motion and behavior. So the sequence:

- Close-up view of two hands (dark skin) holding basketballs; one hand is positioned higher, the other lower.

- The hands move, possibly in a passing motion, with the elevated hand releasing a ball upward and the lower hand also moving.

- The scene transitions to a wider shot of a person (dark-skinned) in a gym setting, holding a basketball high above their head near a wall.

- Then the view returns to a close-up of the hands holding the basketballs in the same high-low position.

- Background: gym environment with walls and floor visible in the wider shot, but keep it minimal.

Camera perspective: starts with close-up (top-down? No, maybe eye-level close-up), then wide shot (showing the person), then back to close-up. Camera movement: maybe slight shifts between close-up and wide shot.

Wait, the first few frames are close-up of hands, then frame 3 shows a person, so camera pans out to show the person, then back to close-up.

Now, concise paragraph. Let's structure:

A person's hands (dark skin) hold two basketballs, one elevated above the other in a close-up view. The hands move, with the higher hand releasing a ball upward. The scene shifts to a wider shot of the person in a gym, holding a basketball high above their head near a wall. The camera then returns to a close-up of the hands in the original high-low position. The background includes gym walls and floor but is minimal.

Check rules: exclude text, names. Focus on motion, appearance (color, size). Spatial: one hand high, one low, then person holding high near wall.

Appearance: hands (dark skin), basketballs (standard size, color brown). Number: two hands (one hand high, one low), then one person holding a ball.

Motion: hands hold two balls (high and low), move to release (maybe pass), then wider shot of person holding one ball high, then back to hands.

Wait, the first frame shows two hands holding two balls. Then next frames, the hands move. The text "1 High 1 Low" is there but we can't mention text. So describe the position.

Let's put it together:

Two dark-skinned hands hold basketballs in a close-up, one positioned higher than the other. The hands move, with the elevated hand releasing a ball upward. The camera shifts to a wider shot of the person in a gym setting, holding a basketball high above their head near a wall. The view then returns to a close-up of the hands holding the basketballs in the same high-low configuration.

Check if it's concise, chronological.

Yes, starts with close-up hands, motion, then wider shot, then back to close-up.

Check for background: minimal, gym walls/floor in wider shot but not detailed.

Camera perspective: close-up (eye level), then wide (eye level, showing surroundings), then close-up.

Yes.
</think>

<caption_output>A pair

Discrete objects: hands hitting purple balls (attached to sticks) and a child hitting a ball against a wall.

The background walls remain static with no shifting or environmental motion (fire, water, wind).


RAW CAPTION: Got it, let's break down the video. First, the main subject is a person in the kitchen. They're wearing a red patterned sleeveless top. The action starts with them cooking eggs. In the first frame, they're standing at the stove, maybe adjusting something. Then the camera zooms in on the frying pan with two eggs cooking—yolks are visible, whites are setting. The person is in front of the stove, and the kitchen has appliances like a fridge, microwave, oven. The background includes wooden cabinets and a brick wall, but focus on the main action.

Chronological order: Person is cooking, then close-up of eggs. Describe the motion: person's hands, then the eggs in the pan. Spatial relationships: person is at the stove, eggs are in the pan. Camera movement: starts wide, then zooms in to show the eggs. Keep it concise.

Check rules: focus on motion, appearance, spatial, camera. Exclude background details unless essential. So, the person (red top) is cooking, places eggs in pan (but wait, the video shows eggs already in pan? Wait, the first frame shows them maybe adding something, but the close-up is eggs cooking. So: The woman in a red patterned top stands at the stove, adjusts the pan, and two eggs begin cooking in the pan. The camera zooms in to show the eggs with yolks and setting whites. Then pull back to show the kitchen setup.

Wait, the video starts with her at the stove, then the close-up on the pan. So the sequence is: woman cooking, camera zooms in on the pan with two eggs cooking. Need to mention the motion—she's handling the pan, then the eggs are in the pan. The eggs are two, yellow yolks, white whites. Camera starts wide, then zooms in.

So the caption should be: A woman in a red patterned sleeveless top stands at the kitchen stove, adjusting a frying pan. The camera zooms in to show two eggs cooking in the pan with visible yellow yolks and setting white egg whites, then pulls back to display the kitchen setup with appliances and ingredients.

Wait, check for rules: concise, chronological. So first, woman at stove. Then camera zooms in on eggs. Mention the eggs' appearance (two, yellow yolks, white whites). Camera movement: zoom in then pull back.

Yes, that's the sequence. Also, background: minimal, so just note the kitchen setup when pulling back, but keep it brief.

Let me write it out: A woman in a red patterned sleeveless top stands at the stove, adjusts a frying pan, and two eggs begin cooking in it. The camera zooms in to show the eggs with yellow yolks and setting white egg whites, then pulls back to reveal the kitchen appliances and ingredients on the counter.

Check if it's concise. Maybe shorten "adjusts a frying pan" to "adjusts the pan". Also, "begins cooking" vs "cooking". The video shows the eggs already cooking, so "two eggs cook in the pan with visible yellow yolks and white egg whites". Then camera zooms in to show that, then pulls back.

Another angle: The woman in a red sleeveless top is cooking eggs at the stove. The camera focuses on the frying pan containing two eggs with yellow yolks and white egg whites as they cook. The scene starts with a wide shot of the kitchen, then zooms in on the pan, and finally pulls back to show the kitchen setup.

Wait, need to be in chronological order. So first: woman at stove (wide shot), then camera zooms in to show eggs, then pulls back. But the video starts with woman at stove, then cuts to close-up of eggs, then back to woman. Let's check the frames:

[0.0] woman at stove (wide)

[1.4] close-up of pan

[2.5] same close-up

[3.6] same

[4.7] woman back at stove (wide)

So chronological: woman at stove, camera zooms in to show two eggs cooking (yolks and whites), then camera pulls back to show woman at stove with kitchen.

So caption: A woman in a red patterned sleeveless top stands at the kitchen stove, then the camera zooms in on a frying pan containing two eggs with yellow yolks and white egg whites as they cook, before pulling back to show the woman and surrounding kitchen appliances.

Check rules: motion (standing, zooming, pulling back), appearance (red top, two eggs), spatial (stove, pan), camera movement (zoom in, pull back). Background minimal, so "surrounding kitchen appliances" is okay.

Make it concise: A woman in a red patterned sleeveless top adjusts a frying

The eggs in the pan are discrete solid objects exhibiting motion due to cooking (heat-induced physical changes, such as setting of egg whites).

The kitchen background (cabinets, oven) remains static with no uniform shifting; the water in the pan shows fluid motion, but this is secondary to the main subject.


A man in a camouflage uniform initially looks down, then bends his head further downward, before slightly lifting his head. In the background, a person in a white shirt and camouflage pants walks away from the camera. The camera maintains a close-up, steady perspective focused on the man in camouflage.

A person in military uniform is visible, with subtle head movements (looking down then lifting head).

No shifting background elements; clothing racks and distant figures remain static throughout. No fire, water, smoke, or wind observed.


A child in a blue shirt and light shorts bends over near the feet of an adult lying on a red, white, and blue quilted blanket, then falls backward onto the grass, rolls onto their back, and sits up. An adult in a dark shirt and shorts sits to the right of the blanket, while another person with black shoes lies on the blanket. The camera remains stationary, capturing the action on a grassy field with distant buildings and a parking lot visible in the background.

A child moves from sitting to lying down on a blanket, then to lying on the stomach, and then moves to the side of the blanket. This is a discrete, solid object moving due to physical locomotion.

The background (grassy field and distant trees) shows no significant shifting or fluid motion (fire, water, smoke, wind).


A person uses two wooden drumsticks to play a drum set, striking white drumheads and brass cymbals in a rhythmic sequence. The hands move between the snare drum, toms, and cymbals, alternating strikes with fluid motion. The drum set is arranged in a standard configuration with multiple drums and cymbals visible, positioned in front of the drummer. The camera captures the action from a close-up, slightly angled overhead perspective, remaining stationary throughout the sequence.

The drummer's hands and drumsticks move to strike the drums and cymbals. This is discrete, solid object motion from explicit physical forces (muscle movement).

The background (walls and room corner) is static with no shifting or fluid motion. No fire, water, smoke, or wind is present.


A pair of hands manipulates red and blue shoelaces attached to a black shoe, looping and pulling the laces to tie them; the hands move in front of the shoe on a plain surface, with the camera maintaining a close-up, stable perspective throughout.

Hands (a person) are moving to tie shoelaces on a black shoe. The shoelaces are being manipulated by the hands.

The background is a static light-colored surface with no fluid or environmental motion (e.g., fire, water, wind) present.


In a restaurant setting, a woman in a striped dress and red skirt stands left, clapping and gesturing with her hands. A man in a beige outfit plays an accordion on the right, moving his hands across the instrument. A seated man in the center, wearing a dark hoodie over a blue shirt, interacts with a plate. The camera remains steady, capturing the scene from a fixed perspective.

Solid objects: Woman in dress (left) gesturing, man playing accordion (right) with hand/body movement, boy in foreground turning head. Motion due to human locomotion and instrument playing.

Background elements (door, walls, sign) show no significant shifting or uniform motion. No fluid/environmental motion (fire, water, smoke, wind) is present.


A person wearing a white shirt and dark pants folds a black and white striped shirt on a light-colored surface. They manipulate the shirt's folds, lift it, and reposition it on the surface, adjusting its alignment. The camera maintains a top-down perspective with slight movement.

A person manipulates a black-and-white striped shirt: folding, lifting, rotating, and adjusting its position on a table.

Background elements (wall panels, table) are static with no uniform shifting. No fire, water, smoke, or wind motion observed.


A child in blue pajamas with red heart patterns dances energetically, moving across the frame and spinning toward the camera, while a second child in white patterned pajamas sits on a couch to the left. The camera follows the dancing child with slight shake, capturing their motion as they approach the lens, with a television screen visible in the background.

Two individuals: one standing person actively dancing with arm/body motion, and a seated person moving (e.g., clapping or body shifts). These are distinct solid objects with clear physical locomotion.

Background elements (walls, furniture, TV) show no uniform shifting or fluid motion. No fire, water, smoke, or wind effects observed.


A woman with a floral shirt, face mask, and ponytail brushes a black dog with a blue brush, moving the brush through the dog’s fur while adjusting her stance. The dog faces away, standing close to the woman. Yellow walls with framed dog portraits form the background. The camera remains steady.

A person is grooming a dog, with the person’s arms moving to brush the dog's fur; the dog's fur moves in response to the brushing action, representing discrete object motion.

Background elements (yellow walls, framed dog pictures) are static with no shifting motion. No fluid/environmental motion (fire, water, smoke, wind) detected.


A man in light-colored clothing rides a brown horse forward in front of a building with red carpet and columns, moving the horse's body as it progresses. The rider maintains position atop the horse, which appears to be in motion. The camera follows the movement with slight shake, capturing the action from a slightly low angle.

A bull (solid object) bucking vigorously in circular motion; a rider (solid object) mounted on the bull, adjusting posture through physical forces while maintaining contact.

The background (crowd, building, red curtains) shows no fluid motion (fire, water, smoke) or wind-induced sway. Static elements like walls and curtains remain fixed without uniform shifting.


A person with a tattooed arm, wristwatch, and bracelet cracks two yellow eggs into a pan containing a reddish-brown mixture, positioning the eggs above the pan to release their contents. In the background, a glass lid and a tray of eggs sit on the stove. The camera remains stationary, close-up, focusing on the hands and pan.

Discrete objects include the person's hands moving to add potatoes into the pot and the potatoes themselves as they are placed into the dish.

Background elements (stove, pot, kitchen items) are stable with no uniform shifting or fluid motion (fire, water, smoke, wind).


Two armored individuals in black skirts and metal armor face each other in an open field, each holding a long sword. They advance toward one another; the left figure swings his sword, while the right figure parries. After the clash, they step back, maintaining their positions. A group of people stands behind a wooden post near the center, and spectators sit in the foreground. The camera remains at ground level with slight movement, capturing the interaction from a frontal perspective.

Three individuals are engaged in a sword fight: two on the sides moving towards each other and one in the middle (blue) also moving. Their motion is due to physical forces (locomotion, sword strikes).

The background (trees, sky) is static; no prominent fluid/environmental motion (fire, water, smoke) or strong wind. Minor ambient elements are negligible.


A shirtless person with hair tied up applies makeup with a brush to their eye, then moves the brush away, turns their head to the side, looks around, and faces the camera. The background includes a window with light filtering through. The camera maintains a close-up perspective with slight movement.

A person (discrete solid object) moves their hand to adjust eyewear, with controlled motion indicating explicit physical action (locomotion/collision of hand with glasses).

Background elements (walls, window) remain static and show no uniform shifting or fluid motion. No fire, water, or wind-based ambient phenomena observed.


A hand adjusts a dark brown leather shoe with silver eyelets, then uses a light-colored cloth to polish the shoe's surface in circular motions. The shoe's textured leather and visible stitching are highlighted as the cloth moves across its upper. The background features a wooden floor. The camera maintains a close-up perspective, slightly shifting to follow the polishing action.

Discrete solid objects: A hand holding a polishing cloth moving over a leather shoe. The hand applies frictional motion to the shoe surface for polishing, with clear bounding box tracking.

Static wooden background with no shifting or environmental motion (e.g., no fire, water, wind). Background elements remain fixed relative to the frame.


A person in a white and blue outfit bends down near a bicycle, then pushes it forward along a paved path. The bike moves from near a fence toward the center of the frame as the person walks beside it. Camera remains static with minor shake.

A person on a bicycle performing maneuvers (e.g., crouching, shifting weight, moving the bike) in a playground setting. The motion is due to the person's locomotion and physical actions.

No shifting background elements; no fluid/environmental motion (fire, water, smoke, wind) observed.


A person wearing a sleeveless patterned top and denim shorts opens a white front-loading washing machine door, then bends to a nearby laundry basket to retrieve colorful garments, transferring them into the machine. The camera maintains a close perspective with slight shaking, following the person’s movements chronologically.

Discrete solid objects (clothes and the person) are moving due to human action: the person retrieves clothes from the washing machine and transfers them to a basin, with the clothes' motion being directly caused by the person's hands.

The background includes static elements like the washing machine, walls, and floor, which show no uniform shifting or fluid motion. No fire, water, smoke, or wind is visible, so ambient environmental motion is absent.


A line of people in casual clothing, including colorful bows, stand on a grassy field. They draw arrows back, aim forward, and release shots sequentially. The group moves slightly as they shoot, with some individuals in the foreground and others behind. The camera pans left slowly, capturing the motion from a ground-level perspective.

Multiple archers are actively drawing bows and releasing arrows. The arrows exhibit rapid projectile motion, while archers themselves show subtle shifts in posture and position during the shooting sequence.

The background consists of stationary trees and grass with no significant fluid motion (e.g., wind, fire, or water) dominating the scene. Trees show minimal swaying, indicating ambient wind is negligible and not the primary motion source.


RAW CAPTION: Got it, let's break this down. The video shows a kitchen scene with a stove. First, there's a frying pan with a yellow egg mixture on the burner. A hand enters, holding a spatula, and moves the spatula over the egg, probably to stir or check it. Then the hand moves away. The main subject is the hand and the spatula interacting with the egg. The background has other pots and a tiled wall. The camera is static, top-down view. Let's structure the caption: start with the setup, then the action of the hand and spatula, then the movement. Keep it chronological.

Check the rules: focus on motion and behavior of main subjects (hand, spatula, egg). Describe appearance briefly: yellow egg in pan, black spatula, hand. Spatial: hand is in front of the pan. Background minimal. Camera perspective: top-down, no movement. So the caption should be:

In a kitchen setting with a tiled backsplash, a hand holding a black spatula moves toward a frying pan containing a yellow egg mixture on a gas stove burner; the spatula is positioned over the egg, then lifted slightly while the hand shifts position, with other pots visible in the background. The camera maintains a static top-down perspective throughout.

Wait, let's check the frames. The first frame shows the pan with egg. Then the hand (right side) comes in with spatula, touches the egg, moves it, then pulls back. So the action is: hand with spatula approaches pan, interacts with egg, then moves away. So the description should be chronological: first, the pan with egg. Then hand enters with spatula, moves over egg (stirring or checking), then hand and spatula move away.

Let's make it concise. "A hand holding a black spatula moves toward a frying pan on a gas stove burner containing a yellow egg mixture, then lifts the spatula slightly while interacting with the egg before retracting. Other pots sit on adjacent burners, with a tiled backsplash in the background. The camera remains stationary in a top-down view."

But need to check if "other pots" is necessary. The rules say minimal background. So maybe: "A hand holding a black spatula approaches a frying pan on a gas stove burner with a yellow egg mixture, moves the spatula over the egg, and then retracts. The pan is situated among other cookware on the stove, with a tiled backsplash visible. The camera maintains a static top-down perspective."

Wait, the problem says "briefly describe their appearance and number (color, size, orientation)". The egg is yellow, pan is black? Wait, the pan in the video: in frame 0, the pan with egg is black, maybe? The hand is moving the spatula. Let's see.

Original frames: [0] shows a pan with yellow egg, other pots (one with a lid, one without) on the stove. The hand comes in from the right with a spatula (black). In frame 1, the hand is using the spatula on the egg. Frame 2: hand lifts spatula, moves it away. Then frame 3: hand is moving the spatula away. Frame 4: hand still moving. Frame 5: spatula is back, hand is moving. Wait, maybe the action is: hand enters with spatula, stirs the egg (or checks), then lifts the spatula, moves it away. So the motion is the hand using the spatula to interact with the egg.

So the caption: A hand holding a black spatula moves toward a frying pan containing a yellow egg mixture on a gas stove burner, gently lifts and adjusts the spatula over the egg, then pulls the spatula back. The pan is positioned on the stove, with other pots visible nearby. The camera stays in a top-down view throughout.

Check if it's concise. Let's make sure to mention the sequence: hand comes, uses spatula, moves it. The egg is yellow, pan is part of the scene. Other pots are in the background but minimal.

Okay, the final caption should follow all rules. Let's draft:

A hand holding a black spatula approaches a frying pan with a yellow egg mixture on a gas stove burner, then lifts the spatula slightly to interact with the egg before retracting. Other cookware sits on adjacent burners against a tiled backsplash. The camera remains in a static top-down position.

Wait, "static top-down" is correct. No movement. Let's check the rules again. For d) conclude with camera perspective and movement: "top-down, no movement" or "static top-down".

Yes. Let's put it all together.
</think>

<caption_output>A hand holding a black spatula approaches a frying pan containing a yellow egg mixture on a gas stove

Person's hands and a frying pan with egg are moving due to explicit physical actions (stirring, positioning, adding ingredients).

Static tiled kitchen background with no shifting or fluid motion (no fire, water, smoke, wind).


The video opens with a street scene where multiple police officers in dark uniforms surround a person lying on the pavement. The camera zooms in to show the person, who has brown hair and wears a patterned top and dark pants, being restrained by several officers. Officers are positioned around her, with some holding her arms. The camera perspective shifts from a wider shot of the intersection to a close-up of the interaction, maintaining focus on the restrained individual and officers.

Police officers are moving around and restraining a person on the ground; the person is also moving (struggling or responding to restraint).

The background includes buildings, trees, and street, which are stationary. No fire, water, smoke, or wind is visible to dominate the scene.


RAW CAPTION: Got it, let's tackle this captioning task. First, I need to observe the video. The main subject is a person playing a guitar. Let's break down the elements.

The person is wearing a sleeveless top, a cap, and jeans. They're seated, holding a red electric guitar. The guitar has a black pickguard and some stickers. The person is strumming or picking the strings with their right hand, and fretting with the left. The background has a patterned wallpaper and a chair, but the rules say to keep background minimal.

Chronological order: The video starts with the person playing the guitar. They're seated on what looks like a bed with clothes, but focus on the motion. The person's hands are moving on the guitar—right hand strumming, left hand pressing frets. The camera is stationary, fixed on the person.

Now, structure the caption. Start with the subject: A person wearing a sleeveless top, dark cap, and jeans is seated, playing a red electric guitar. Describe the motion: Their right hand strums the strings while the left hand moves along the fretboard. Mention spatial: The person is seated, guitar held horizontally. Background is minimal, but note the setting briefly if essential. Wait, rules say minimal background unless essential. The chair is behind, but maybe not necessary. Camera is fixed, no movement.

Check rules: a) motion and behavior in chronological order. So the action is continuous: playing guitar. b) appearance: describe what's visible—sleeveless top, cap, jeans, red guitar. c) spatial: seated, guitar in hands. d) camera: fixed, no movement. e) background minimal, so maybe just mention the room is simple but not too much. f) exclude text, names, etc.

Putting it all together: "A person wearing a sleeveless top, dark cap, and light blue jeans is seated on a bed, strumming a red electric guitar with their right hand while fretting with their left hand. The guitar has a black pickguard and visible stickers. The individual remains stationary, focused on playing, with a chair and patterned wallpaper in the background. The camera maintains a fixed, steady position throughout the sequence." Wait, but need to be concise. Let's shorten.

"Seated on a bed, a person wearing a sleeveless top, dark cap, and light blue jeans plays a red electric guitar, strumming with their right hand and fretting with their left. The guitar features a black pickguard and stickers. The background includes a chair and patterned wallpaper; the camera remains stationary, capturing the individual's continuous guitar playing."

Wait, check if background is essential. The rules say minimal. Maybe just "background" without details. Let's see. The video shows the person in a room, but maybe just say "in an indoor setting with minimal background details". But the rules say "keep background descriptions minimal unless essential for understanding motion". Here, the motion is playing guitar, so background isn't essential, but the chair is part of the setting. Maybe "a chair and patterned wallpaper are visible in the background".

Also, the person's posture: seated, legs bent, guitar across lap. The guitar is red, so color is important.

Let me draft: "A person wearing a sleeveless top, dark cap, and light blue jeans sits on a bed, strumming a red electric guitar with their right hand and fretting with their left. The guitar has a black pickguard and stickers. The individual remains focused on playing, with a chair and patterned wallpaper visible in the background; the camera is stationary, capturing the continuous motion of guitar playing."

Check length. It's a paragraph. Let's make sure it's chronological. The action is ongoing—playing guitar. The order is the person sitting, playing, with hands moving.

Another angle: The person starts playing, continues, no significant changes. So "A person dressed in a sleeveless top, dark cap, and light blue jeans is seated, playing a red electric guitar. Their right hand strums the strings while the left hand presses the fretboard. The guitar has a black pickguard and visible stickers. The background includes a chair and patterned wallpaper; the camera remains fixed, capturing the individual's steady guitar playing."

Wait, "steady" might not be right—maybe "continuous".

Final check: Does it follow all rules? a) motion in order: playing guitar, hands moving. b) appearance: described. c) spatial: seated on bed, guitar in hands. d) camera: fixed. e) background minimal—yes, just mentions chair and wallpaper. f) no text, etc.

Okay, let's write it concisely.
</think>

<caption_output>A person wearing a sleeveless

The person (specifically hands and torso) and the guitar are moving: hands strumming and fretting the strings, body slightly swaying.

The background elements (wall and bed) are static and show no movement. No fluid or environmental motion detected.


An older man wearing a white tank top and blue pants plays a brown accordion, moving its bellows and buttons. A person in blue clothing sits behind him in a room with light blue walls. The camera maintains a slight shake and an angled perspective, capturing his continuous playing motion.

The man is moving his hands and arms to play the accordion, which is a discrete object physics motion.

No shifting backgrounds or fluid/environmental motion observed. Background (walls, furniture) remains static.


A man in a white shirt, black shorts, and white sneakers stands against a plain wall. Initially, he holds two objects at his sides; he then raises both arms horizontally outwards, followed by pulling the objects up to chest level, and finally returning them to his sides. The camera remains stationary, capturing the man from a frontal perspective with no movement.

A single person is performing discrete arm movements (raising, lowering, and rotating arms), which are solid, distinct motions of a human subject.

The background consists of a static wall and floor with no shifting, fluid, or environmental motion (fire, water, wind, etc.).


A child in a white shirt and dark pants walks toward a red toy car, bends down to interact with it, then stands and walks toward the camera. The camera remains stationary throughout.

A person moves across the room: walking, bending down, picking up an object, and walking back. This discrete human motion involves locomotion and object interaction.

The background elements (walls, shelves, bed, balloon) remain stationary with no uniform shifting or fluid environmental motion (fire, water, smoke, wind) observed.


A person’s hand with a black wristwatch lifts and positions a large dark gray tile onto a beige and pink checkered floor, adjusting its placement while pressing it down. Another hand uses a tool to cut the tile, with the camera maintaining a close-up perspective focused on the hands’ actions.

A hand manipulates a gray floor tile, moving it across the floor, and places a beige tile. A foot steps near the tiles, and another hand adjusts the gray tile. All actions involve solid, discrete objects (hands, tiles) moving due to physical interaction.

Background elements (tiled floor, wall) show no uniform shifting or environmental fluid motion (fire, water, smoke, wind). Static background remains consistent with no significant environmental forces.


A boy wearing a white shirt, blue shorts, and red shoes runs across a gym floor toward the right, then extends his arm forward in a throwing motion. The background features blue doors and a utility cart. The camera remains stationary throughout.

A person (white shirt, blue shorts) kicks a red ball, then runs to retrieve it. The ball moves across the gym floor due to the kick. Both the person and ball exhibit clear solid-object motion.

Background elements (blue doors, wall, gym equipment) remain stationary with no uniform shifting. No fire, water, smoke, or wind effects present.


A boy in a blue shirt and jeans walks clockwise around a white outdoor ping pong table, moving from the right to the left side. The camera follows his motion with a slight shake, maintaining a medium shot as he navigates around the table. Background consists of a grassy field with trees.

A boy (solid object) moves from standing to walking and then sitting at a ping pong table, indicating locomotion.

Subtle wind-induced leaf movement in trees is present but not dominant; background elements are largely static.


A man wearing a dark shirt and a cap holds an object vertically in front of him, moving it slightly upward while looking toward the object; he then turns his head briefly. The camera maintains a close-up perspective with a slight shake, capturing his upper body against a dimly lit room interior.

The man is moving via locomotion (walking/holding bottle), and the bottle is a solid object being manipulated. The water spray is a transient fluid event but not the dominant subject.

The background (walls, door, ceiling light) remains static without uniform shifting. No dominant fluid/environmental motion (fire, water, smoke, wind) is present; the water spray from the bottle is transient and localized, not the primary motion.


A person with long dark curly hair, wearing a light blue top and striped socks, lies on a checkered floor to the right of a keyboard, moving their hands across it. They then lift their head and push up to sit up, looking toward the camera. The camera remains static throughout.

A person is moving from a lying position to an upright position on the floor, with clear locomotion and physical movement.

Background elements (bookshelves, floor tiles) show no uniform shifting or fluid motion; no fire, water, or wind effects present.


RAW CAPTION: Okay, let's tackle this video captioning task. First, I need to understand the user's requirements. They want a concise, chronological paragraph that describes the video based on the given frames. The key points are focusing on motion and behavior of main subjects, their appearance, spatial relationships, camera perspective, and minimal background details.

Looking at the provided frames, there's a young girl with blonde hair tied back, wearing a pink shirt with red trim. She's seated, probably in a chair. The background has some blurred elements like a TV showing colorful images and maybe some household items. The video starts with her looking down, then she turns her head to the right, smiles, and looks around. The camera seems to be handheld, maybe slightly shaky.

I need to structure this chronologically. Start with her initial position, then her movement (turning head, smiling), and the camera's movement. Mention her appearance: blonde hair in a ponytail, pink shirt. Spatial relationships: she's in a chair, TV in the background. Camera is close-up, slightly shaky.

Avoid text recognition, so don't mention any specific text on the screen. Also, don't include named characters. Keep it concise. Let me check the rules again to make sure. Focus on motion and behavior first. The girl is the main subject. She moves her head, smiles. The camera is close, maybe handheld. Background is minimal.

Possible issues: making sure not to include background details unless essential. The TV is in the background, but maybe it's not necessary. The user said minimal background, so maybe just mention the TV as part of the setting without details. The camera movement is slight shake. The caption should end with camera perspective and movement.

Let me draft: A young girl with blonde hair in a ponytail, wearing a pink shirt with red trim, is seated in a chair. She initially looks downward, then turns her head to the right, smiling broadly as she looks around. The camera maintains a close-up perspective with slight movement, capturing her expressions against a dimly lit background featuring a television screen. Wait, the TV is mentioned, but maybe the user wants minimal background, so maybe just "dimly lit room" instead of specific background elements. The user said exclude text recognition, so the TV content isn't important. Maybe just "a television screen in the background".

Wait, the example given in the rules says "Keep background descriptions minimal unless essential for understanding motion." Since the motion isn't explained by the background, maybe just a general mention. So perhaps "in a dimly lit room with a television visible in the background".

But the user's example output should be concise. Let's see: "A young girl with blonde hair in a ponytail, wearing a pink shirt with red trim, sits in a chair. She turns her head to the right, smiles, and looks around. The camera remains close-up with slight movement, capturing her expressions against a dimly lit background."

Wait, the video starts with her looking down, then turns head right, smiles. So chronological order: initial position (looking down), then turns head right, smiles, looks around. So the caption should follow that sequence.

Also, check the output format: must be within <caption_output> tags. No markdown. Just the paragraph.

Let me check the rules again: "Conclude with the camera perspective and movement (e.g., top-down, pan left, slight shake)."

So the last part should be about the camera. The example says "The camera remains close-up with slight movement..." which is correct.

Putting it all together:

"A young girl with blonde hair tied back and wearing a pink shirt with red trim sits in a chair. She initially looks downward, then turns her head to the right, smiling broadly as she looks around. The camera maintains a close-up perspective with slight movement, capturing her expressions against a dimly lit background."

Wait, the background is minimal. The user's example includes "a television screen in the background" but the rule says "minimal unless essential". The TV might be essential because it's part of the setting, but maybe not necessary. However, since the video shows a TV, maybe it's part of the background. But the user says exclude text recognition, so the TV content isn't mentioned. So just "a television screen in the background".

But the user's instruction says "Keep background descriptions minimal unless essential for understanding motion." Since the motion isn't explained by the TV, maybe it's okay to omit. But perhaps the presence of the TV is part of the setting. Let's see: the original frames mention the TV in the background. So it's part of the setting. Maybe include "with a television screen visible in the background".

Wait, the user example says "in a dimly lit room with a television screen in the background" so maybe it's acceptable.

Another check: the

A child (solid object) is moving minimally: slight head turns and facial expressions, indicating natural body movement.

The background is static (dark room with a TV screen); no fire, water, smoke, or wind observed. Background elements (TV, objects) do not shift uniformly.


RAW CAPTION: Got it, let's break this down. The video shows a softball or baseball game. First, the batter is in position, wearing a beige uniform with the number 3, black helmet, and protective gear. The catcher is in black, crouched behind home plate. The umpire is behind the catcher.

In the sequence: The batter swings (action), hits the ball, then the catcher catches it? Wait, no, in the frames, the batter swings, then the catcher moves to catch, but wait the frames are sequential. Let's check the timestamps.

Frame 0: Batter is holding bat, ready. Frame 1: Same. Frame 2: Batter swings, maybe hits the ball. Frame 3: Catcher throws the ball, but wait, the catcher is in position. Wait, the action is: batter swings (hits), then catcher catches? Wait no, the next part: after the swing, the batter runs towards first base? Wait, in the video, the batter (wearing 3) swings the bat, hits the ball (so ball is in play), then the batter starts running towards first base, while the catcher throws the ball to the first base or maybe the pitcher? Wait, no, the catcher is the one who catches? Wait, no, in baseball, the catcher is behind home plate, but in softball it's similar. Wait, the sequence:

- At [0.0], batter (beige, number 3, black helmet, black socks) stands at home plate, bat up. Catcher (black, helmet) crouched behind. Umpire (blue shirt) behind catcher.

- At [1.0], batter is still at home plate, maybe ready to swing.

- At [2.0], batter swings, hits the ball (so the ball is in motion). The catcher (black uniform) extends to catch? Wait, no, the catcher is behind. Wait, maybe the batter makes contact, then runs. Wait, in the next frames: the batter (3) runs away from home plate towards first base. The catcher (black) gets up, throws the ball. Wait, the catcher's action: in frame 2, the catcher is standing up? Wait, the frames show:

[0.0]: batter (3), catcher crouched.

[1.0]: batter still, catcher crouched.

[2.0]: batter swings, then the catcher moves to catch? Wait, no, the catcher is behind, so if the ball is hit, the catcher might not catch it. Wait, maybe the batter hits the ball, then runs. The catcher is behind, then throws the ball to first base. Wait, the video shows the batter (3) swinging the bat, then turning to run towards first base. The catcher (black) is standing up, maybe throwing the ball. Wait, let's look at the frames:

Frame 0: batter at home plate (standing, bat held), catcher crouched behind, umpire behind catcher.

Frame 1: same as frame 0? Or slight movement.

Frame 2: batter swings bat (motion), maybe hits the ball. Then the catcher (black) moves to the side, maybe catches the ball? Wait, no, the catcher is in a fielding position. Wait, the video shows the batter (3) swinging, then the catcher throws the ball (so the ball is now in the air, maybe the catcher caught it, then threw it to first base). Wait, in the sequence:

- Frame 0: Batter (beige, number 3, black helmet, black socks) at home plate, bat held. Catcher (black, helmet) crouched behind. Umpire (blue shirt) behind catcher.

- Frame 1: Same as frame 0? Or minor movement.

- Frame 2: Batter swings, bat in motion. Then the catcher (black) moves to catch (maybe the ball is hit, but the catcher is fielding). Wait, no, in the video, the batter hits the ball, then starts running. Wait, in frame 3: batter (3) is moving away from home plate, running towards first base. The catcher (black) is now standing up, maybe throwing the ball. Wait, the frames:

[0.0]: Batter (beige, 3, helmet) at home plate, bat. Catcher (black, helmet) crouched.

[1.0]: Same setup.

[2.0]: Batter swings, hits ball. Then catcher (black) stands up, maybe to field the ball.

[3.0]: Batter (3) runs towards first base (moving left in frame?), catcher (black) is now standing behind home plate, maybe throwing the ball. Wait, the frame 3

Batter swinging bat, catcher throwing ball, and the batter running after hitting—solid objects moving due to physical forces (swing, throw, run).

Background elements (fence, trees) are static; no fluid or environmental motion present.


A person’s hands, with light skin and visible veins, manipulate a pale yellow, long, thin strand of dough in front of a metallic pasta machine. The hands feed the dough into the machine’s rollers, guiding it through while the machine flattens and extends the dough into a wider, thinner sheet. The person then pulls the processed dough away from the machine, showcasing the expanded, flat sheet. The camera maintains a close-up perspective, focusing on the hands and machine with minimal background detail.

Discrete solid objects: hands manipulating dough and operating a pasta machine. Motion involves feeding dough into the machine through physical handling.

Background elements (kitchen items, person in green shirt) remain static with no uniform shifting. No fluid/environmental motion (fire, water, smoke) observed.


A person in dark clothing and black pants skis downhill on a snowy slope, using two ski poles for balance and propulsion. They move steadily, then turn slightly right while progressing, with other skiers visible in the distance. The camera follows from behind with minimal movement.

A skier (primary discrete object) is moving across the snow using ski poles for propulsion. Other skiers appear in the background but are secondary and less prominent.

The background (snow, buildings, distant figures) shows no fluid motion (e.g., fire, water, wind); it remains static and consistent throughout the frames. Ambient environmental conditions are calm and non-dominant.


An adult in a light sleeveless shirt, beige shorts, white sneakers, and gloves uses an axe to split wooden logs on a dirt surface. They strike the axe into the logs, step back, and adjust the tool. A child in a red shirt and dark pants enters from the right, bending to rearrange the split wood pieces near the adult. The background includes a parked car and sparse grass; the camera remains stationary throughout the sequence.

Two people are moving: one person using an axe to chop wood (discrete motion: axe impacting wood) and another person (in red) moving wood. The wood pieces are also moving due to being chopped and rearranged.

The fire is burning, which is an ambient environmental motion, but it is not the dominant motion. The background (car, ground) is static. The primary motion is from discrete objects (people chopping wood).


RAW CAPTION: Got it, let's tackle this. First, the video shows a person doing push-ups on a mat. Let's check the rules. The main subject is a person, so describe their motion. They start in a push-up position, hands on the mat, body low. Then they push up, so movement from down to up. Number: one person. Appearance: wearing dark shorts and a sleeveless top, maybe? Wait, in the frames, the person has their hair down, maybe braids. But the rules say briefly describe appearance. So "a person in dark shorts and sleeveless top" maybe. Spatial relationships: the room has a red rack to the left, a water bottle on the floor, etc. But background minimal unless essential. So focus on the person's motion.

Chronic order: starts in push-up position (hands on black mats), pushes up, then maybe moves? Wait, the video shows them doing push-ups. Let's see: frame 0 to 5, the person is moving up and down. So the action is performing push-ups. Then camera movement: the video seems to be a bit shaky, maybe the camera is moving slightly, following the person? The camera angle: starts top-down, then shifts, maybe follows the person as they move.

So the caption should be: A person in dark shorts and a sleeveless top performs push-ups on black mats, moving their body up and down from a low position. The camera follows their movement with slight shaking, capturing the motion from a top-down perspective that shifts slightly as the person moves.

Wait, check the rules. Background minimal: mention only if essential. The red rack is in the background but maybe not essential. So focus on the main subject. Also, "briefly describe appearance and number" – one person, their clothes (dark shorts, sleeveless top, maybe black shoes?).

Wait, in the first frame, the person is in a push-up position, hands on the mats, body lowered. Then they push up, so motion is up and down. So chronological: starts in push-up position, pushes up, then back down.

Let's structure:

"A person with braided hair, wearing dark shorts and a sleeveless top, performs push-ups on black mats in a gym. They move their body up and down, starting from a low position, with hands placed on the mats. The camera follows their motion with slight shaking, capturing the action from a top-down angle that shifts to the left as the person moves."

Check rules:

a) Motion and behavior: push-ups in chronological order. Correct.

b) Appearance: one person, dark shorts, sleeveless top. Correct.

c) Spatial: maybe the mats are on the floor, but background minimal. So not much needed.

d) Camera perspective: top-down, shifts slightly. Correct.

e) Background minimal: gym setting with red rack, but maybe just say "gym" as part of the setting but not essential. Wait, the rules say minimal unless essential. So maybe the gym is implied by the equipment (red rack, weights), but since it's a gym, it's fine.

f) No text recognition, names.

g) No reasoning.

So final caption should be concise. Let's try:

A person in dark shorts and a sleeveless top performs push-ups on black mats, moving their body up and down. The camera follows the motion with slight shaking from a top-down perspective that shifts to the left as they move.

Wait, maybe "braided hair" but not essential. Let's keep it concise. The video shows the person doing push-ups, hands on mats, body moving up and down. Camera moves slightly.

Another angle: "A person wearing dark shorts and a sleeveless top executes push-ups on black mats, alternating between a lowered and elevated position. The camera captures the motion with slight shaking, maintaining a top-down view that shifts left as the person moves."

But need to be concise. Let's make sure to have all parts: motion, appearance, camera.

Yes. Let's go with:

A person in dark shorts and a sleeveless top performs push-ups on black mats, moving their body up and down. The camera follows their motion with slight shaking from a top-down perspective that shifts left as they move.

Check rules:

- Motion: push-ups, chronological (up and down)
- Appearance: one person, dark shorts, sleeveless top (briefly)
- Spatial: mats on floor, but not essential
- Camera: top-down, shifts left, slight shake
- Background minimal: gym implied but not detailed
- No text, names.

Yes, that works.
</think>

<caption_output>A person in dark shorts and a sleeveless top performs push-ups on black mats, moving their body up and down from a low position. The camera follows their motion with slight shaking from a top-down perspective that

A person is performing push-ups, with their body moving in discrete, solid motion due to explicit physical exertion (arms pushing off the ground, torso lifting and lowering).

The background elements (red shelf, equipment, walls) remain stationary across frames, showing no shifting or fluid motion. No fire, water, smoke, or wind is present.


A hand manipulates a black and gold tool near a green fuzzy object on an orange work surface, then uses a small brush to apply material to the object; the hand adjusts the tool and brush in sequence while the camera maintains a close-up perspective with slight movement.

Hands manipulating a green fishing lure with attached feathers, adjusting its components through precise movements.

Background features a static wooden surface with printed text; no shifting backgrounds or fluid/environmental motion (fire, water, smoke, wind) detected.


RAW CAPTION: Got it, let's see. The video starts with a cake with white frosting and a single strawberry. Then more strawberries are added. Next, chocolate pieces are placed, followed by some kind of spun sugar. So the main objects are the strawberries and chocolate. Need to describe the sequence.

First frame: cake with white frosting, one strawberry on top. Then, strawberries are added one by one. Wait, the video shows the cake initially with frosting, then strawberries being placed (from frame 1 to 2, strawberries appear). Then frame 3: chocolate shards on top, and then frame 4: spun sugar being added.

So chronological order: starts with cake with white frosting and one strawberry (but wait, first frame has one strawberry? Wait no, first frame: [0.0] shows a cake with white frosting, and one strawberry? Wait no, first frame says: [0.0] has a cake with white frosting, and then in [1.4] two strawberries are placed. Wait, the video clips:

[0.0] - cake with white frosting, one strawberry? Wait no, looking at the timestamps:

[0.0] shows the cake with white frosting, maybe no strawberries yet? Wait no, the first frame: "a cake with white frosting and a single strawberry?" Wait no, the user's description:

<0.3 seconds> [0.3s] shows cake with white frosting, no strawberries? Wait no, let's read the user's input:

The first line: [0.3s] has a cake with white frosting, and then at 1.4s, strawberries are added. So frame 0.3s: cake with white frosting (maybe no strawberries yet? Wait, the first frame description: "a cake with white frosting and a single strawberry?" Wait no, looking at the user's input:

First frame: [0.3] "a cake with white frosting and a single strawberry?" Wait no, the user says:

[0.3 seconds] has "a cake with white frosting and a single strawberry?" Wait no, the first frame description: "a cake with white frosting and a single strawberry?" Wait the user's input:

<0.3 seconds> [0.3s] shows a cake with white frosting, and maybe a strawberry? Wait the user's input:

The first frame: "a cake with white frosting and a single strawberry?" No, let's check:

User's input:

<0.3 seconds> [0.3s] has "a cake with white frosting" (the first frame). Then at 1.4s: "a cake with white frosting and strawberries added" (strawberries placed on top). Then 2.5s: "a cake with white frosting, strawberries, and chocolate shards". Then 3.6s: "chocolate shards with spun sugar".

So the sequence:

- 0.3s: cake with white frosting, possibly one strawberry? Wait no, the first frame is "a cake with white frosting, with one strawberry" (but user's description says: [0.3s] has "a cake with white frosting and a single strawberry" (no, the user's input shows:

Wait, the user's input:

<0.3 seconds> [0.3s] describes "a cake with white frosting and a single strawberry" (no, the user's input says:

Wait, no, let's look:

User's input:

<0.3 seconds> [0.3s] shows a cake with white frosting (maybe no strawberries yet). Then at 1.4s: "strawberries are placed on top, increasing the number from one to five?" Wait the user's input:

The first frame (0.3s) has a cake with white frosting (maybe no strawberries), then at 1.4s, strawberries are added (two or three?), wait the user's input:

The user says:

[0.3s] [1.4s] shows the cake with white frosting, and then at 1.4s, strawberries are added (from the description: "a cake with white frosting and strawberries on top"). Wait the user's input description:

<0.3 seconds> [0.3s] is "a cake with white frosting and a single strawberry" (no, the user's input for [0.3s] is: "a cake with white frosting and a single strawberry" (no, the user's input says:

Wait the user's input:

<0.3 seconds> shows a cake with white frosting and a single strawberry.

Wait no, looking at the user's input:

The first line: <0.3 seconds> has "a cake with white frosting and a single strawberry" — no, actually the user's input description for the first

Strawberries are placed on the cake (discrete solid objects moving due to placement) and chocolate shavings are falling due to gravity (discrete solid objects moving due to physical force).

The background (black surface and white border) is static. There is no fire, water, smoke, or wind; thus, ambient environmental motion is not present.


In a kitchen with a white washing machine and bottles on the counter, a man in a blue shirt holds a large broom, raises his right arm, then brings the broom forward, while a man in a black tank top with a white towel over his shoulder holds a bottle and adjusts it. The camera remains stationary.

The boy is moving his body and holding a broom, raising it and then moving it down. The adult male is sitting and holding a bottle, making minor hand movements.

Background elements (wall, shelf, plant) are static. No fluid motion (fire, water, smoke, wind) observed.


A woman in a red dress and a man in a red shirt walk from the left side of the frame toward a group of seated children holding accordions. The children, dressed in various colors including black and pink, sit in chairs arranged in a semi-circle, playing their instruments. The man gestures with his hands while the woman stands beside him, occasionally adjusting her position. Adults in the background observe, some standing near the walls. The camera remains stationary throughout, capturing the scene from a fixed angle at eye level with minimal background details visible.

A woman in red and a man in red are moving (walking) while seated audience members make minor adjustments. The motion is due to human locomotion.

Background elements (walls, framed pictures) are static; no fluid or environmental motion (fire, water, wind) is present.


A shirtless man with short hair stands in front of a wooden-framed bathroom mirror. He initially looks at his reflection, then raises his right hand to adjust his face, followed by moving his hand to his neck. The camera remains stationary throughout.

A shirtless man performs hand-to-face motions (checking skin, adjusting hair), and a second person enters the frame from behind. Both are discrete solid objects with intentional physical movements.

The bathroom background (mirror, wall, fixtures) remains static throughout the sequence. No fire, water, smoke, or wind-induced motion is present.


Under a blue canopy, multiple people in white martial arts uniforms (some with belts) and casual attire stand or sit. A girl in white uniform with a red belt stands from a seated position, moves rightward toward a woman in a black top and white shorts, and interacts; she then shifts back. Other individuals observe from nearby. The camera remains static with minimal movement.

Discrete solid objects (people) exhibit motion: a person in white stands up, moves toward the center, and engages in a hug with another seated individual. Other people adjust positions, including sitting/standing shifts. These movements are due to human locomotion and physical interactions.

The background elements (trees, fence, tent structure) remain static with no shifting or environmental fluid motion (fire, water, smoke, wind). Ambient conditions are stable with no atmospheric effects.


A hand wearing a red sleeve paints a cow’s head on a canvas, applying red paint to the face and dark tones to the ears and features, moving methodically across the canvas. The camera maintains a close-up, fixed angle throughout the sequence.

The hand of the painter (wearing a pink sleeve) and the paintbrush are moving in a controlled manner to apply paint to the canvas.

No shifting background or fluid/environmental motion observed. The background (wall and easel) is static.


RAW CAPTION: Got it, let's break this down. The video shows a person in a throwing area, probably a hammer throw or discus, but looking at the equipment. Wait, the person is holding a long object, maybe a javelin? Wait, no, in the first frame, the person is raising their arm, then rotating. Let's check the sequence.

Frame 0: Person in a circle, holding an implement (maybe hammer or shot put? But shot put is a ball. Wait, the implement looks like a long one. Wait, the person is in a netted area, which is typical for hammer throw. Wait, no, hammer throw is in a cage, but the net here. Wait, the person is wearing a white and red shirt, black shorts. They start in a position, then swing the implement around in a circular motion. Let's see the timestamps:

0.0s: Person is holding the implement, arm raised, ready to throw.

1.4s: They start moving, rotating around the circle.

2.5s: Continuing the rotation.

3.6s: Still rotating, and then...

4.7s: The person has finished the rotation, and they've released the implement? Wait, in the last frame, they're not holding it anymore, maybe the implement has been thrown.

Wait, the person is in a throwing circle, which is typical for hammer throw or discus. But discus is not a long implement. Wait, the implement here is a long pole, so maybe it's a hammer throw? Wait, no, hammer throw is a heavy ball attached to a wire. Hmm, maybe it's a javelin throw. Wait, javelin is thrown from a running start. But the person is in a circle. Wait, the video is shot from outside the net, so the net is there to contain the throw.

The sequence: The person starts in the circle, holding the implement (let's say it's a hammer throw implement, but the description should be based on what's visible). The person is wearing a white shirt with red on it, black shorts. They rotate clockwise, moving around the circle. The net is around the circle, so the person is inside the netted area. The background is a grassy field with some structures in the distance.

Chronological order: The person is holding the implement, then begins to spin in a circular motion, rotating multiple times (from the frames), and then releases the implement. Wait, in the last frame, they're not holding it anymore, so they've thrown it.

Appearance: One person, male, wearing white and red short-sleeve shirt, black shorts, barefoot? Or sandals? Wait, the shoes are not clear, but the description says "shoes" maybe. Wait, the problem says "appearance and number (color, size, orientation)". So the person is wearing white shirt with red, black shorts.

Spatial relationships: The person is inside a circular throwing area (like a throwing circle), surrounded by a green net. The net is to the right of the person (since the pole is on the right). The background has a grassy field, some distant structures.

Camera perspective: The camera is stationary, shot from outside the net, looking into the throwing circle. No movement mentioned, so maybe fixed.

Background: Minimal, just grass, field, distant structures, but keep it minimal per rule e.

So putting it all together:

A person wearing a white and red short-sleeve shirt and black shorts stands in a circular throwing area enclosed by a green net. They begin by holding an implement, then rotate clockwise in a circular motion, completing multiple spins before releasing the implement. The camera remains stationary, capturing the action from a fixed position outside the net.

Wait, check the timing: The video is from 0 to 4.7 seconds. So the sequence is: 0s: starting position, 1.4s: moving, 2.5s: continuing, 3.6s: rotating, 4.7s: released. So the motion is spinning around the circle, then releasing.

Need to be concise. Let's check the rules: "Focus primarily on the motion and behavior of main subjects in chronological order."

So:

A person in a white and red shirt and black shorts rotates within a circular throwing area enclosed by a green net, swinging an implement in a clockwise motion before releasing it. The camera remains stationary, capturing the action from a fixed external perspective.

Yes, that's better. Let's check all rules.

a) Motion: rotating, swinging, releasing. Chronological.

b) Appearance: white and red shirt, black shorts. One person.

c) Spatial: inside netted circle, green net around. Background minimal.

d) Camera: stationary, fixed external.

e) Background: minimal (grassy field,

A person (discrete solid object) performs rotational and translational motion in a circular throwing area, consistent with athletic throwing events (e.g., shot put or hammer throw).

Background elements (net, grass, distant structures) remain static with no uniform shifting or fluid motion; no fire, water, smoke, or wind effects observed.


A person wearing red sneakers, a dark shirt, and dark shorts performs a high kick on a wooden pier, balancing on one foot while lifting the opposite leg high. The individual then bends forward, lowers the leg toward the ground, and transitions to standing upright, walking to the right along the pier. The background shows a beach and ocean with a railing separating the pier from the water. The camera remains stationary throughout.

A person (solid object) performs a handstand, then transitions to running on a pier. Motion is driven by explicit physical locomotion and force application.

The ocean and distant cityscape show minimal fluid motion; waves are present but not dominant. Background elements (horizon, buildings) remain stable without uniform shifts, indicating no significant ambient environmental motion.


A person wearing a striped short-sleeve shirt and black shorts performs a handstand against a weathered concrete wall, gradually straightening their legs while balancing on their hands. A potted plant is visible to the left of the wall. The camera remains stationary throughout the sequence, capturing the motion from a low angle.

A person (discrete solid object) is performing a handstand against the wall, making small adjustments to body position (e.g., leg movement, torso alignment) through muscular effort.

The concrete wall and tiled floor background show no shifting or movement. No fire, water, wind, or other fluid/environmental elements are present; the plant remains stationary.


A person in a white robe holds a pink and purple patterned hair dryer, lifting it toward their head while standing in front of a dresser with a computer. They lower the dryer and gesture with their right hand. The camera remains stationary.

The person (in a white robe) is moving their arms, head, and body while using a hair dryer. The hair dryer is being held and maneuvered by the person.

The background (desk, computer, closet) is static and does not shift. No fire, water, smoke, or wind is present.


A woman in a black tank top and dark shorts begins running across a grassy field from left to right, moving steadily toward the right side of the frame. In the foreground, three people sit on the grass: a red-haired woman in a white tank top and shorts, a dark-haired woman in a blue top, and an older person with gray hair, all observing the runner. A person in red stands in the background on the far left. The camera remains stationary, capturing the scene from a ground-level perspective with minimal movement.

Two distinct solid objects (people) are moving: a runner (dark shirt) in locomotion and seated individuals (foreground) with minor posture changes.

The background consists of static trees and grass with minimal movement, indicating no significant fluid/environmental motion (e.g., no fire, water, or wind-dominant swaying).


Two divers in transparent spherical helmets swim underwater, wearing dark wetsuits; one holds a yellow object. Black and white fish swarm around their helmets, darting close to their faces. As the camera pans left, a third diver in a red wetsuit enters the frame, interacting with the fish. The fish continue circling the divers, some approaching the helmets, while the camera maintains a slight shake, capturing the dynamic motion from a submerged perspective.

Discrete solid objects: people in submersible suits (with clear domes) moving arms and interacting with fish; fish swimming around the suits. Motion is due to active locomotion (people gesturing, fish swimming).

Underwater environment with water as the primary medium; no dominant fluid motion (e.g., waves, currents) visible beyond the background water layer, which is not the main source of motion.


A man in a white shirt, blue shorts, and white shoes dribbles a basketball with rhythmic hand movements, shifting his stance while maintaining a low position on a gymnasium court. In the background, a person in blue attire stands near the far end. The camera remains stationary, capturing the player’s actions from a frontal perspective.

A person is dribbling a basketball, with discrete motion of the player's arms, legs, and the ball due to physical contact and locomotion.

The basketball court background (floor, walls, hoop) is static with no visible fluid motion (fire, water, smoke) or environmental movement (wind). Background elements do not shift uniformly.


A pair of hands uses a knife to chop white onions on a wooden cutting board, with sliced yellow bell peppers and green beans positioned to the right. The hands move rhythmically, slicing the onions into small pieces while the knife glides through the pile. The camera maintains a steady top-down perspective with minimal movement.

Hands and knife performing chopping motion, with onions being sliced and displaced by the knife.

No shifting background or fluid/environmental motion observed; cutting board and produce are static.


Two people sit at a table; one in a blue long-sleeve top (left) and another in a pink short-sleeve top (right) solve Rubik's cubes by twisting and rotating their colored faces. The pink-shirted individual manipulates the cube with both hands, while the blue-shirted person also turns the cube’s layers. The background shows a room with chairs and other individuals; the camera remains stationary.

Two individuals manipulating Rubik's cubes with their hands, causing discrete, solid object motion via physical twisting and turning.

Background elements (chairs, walls) are static and show no uniform shifting or fluid motion. No fire, water, or wind present.


A light-skinned hand uses a utensil to handle marinated meat on a metallic grill. Initially, the hand presses a tool onto the grill; then, it lifts glossy red meat pieces with the utensil, revealing their glaze. Finally, the hand repositions the meat onto the grill's grates. The grill sits on a wooden-patterned table with plates visible nearby. The camera maintains a close-up, top-down perspective, slightly shifting to follow the hand’s motion.

A hand manipulates slices of meat, placing and repositioning them on a grill. The meat and hand are solid, distinct objects undergoing physical manipulation.

Static background elements (table, plates) show no uniform shifting. Fire is present but not dominant; it is secondary to the discrete object motion.


A person in a blue jacket with red lining stands on a tennis court at night, holding black over-ear headphones. They lift the headphones to their head and adjust them into position. The background includes a fenced court, basketball hoop, and trees; the camera remains static throughout.

The person is moving their hands and head to put on headphones, which is a controlled locomotion of a solid object.

The background (fence, trees, basketball hoop) is static with no shifting or fluid environmental motion (e.g., fire, water, wind) observed.


A blonde child in a blue striped hoodie approaches a seated black and white goat near a green wall, then turns to interact with a standing brown goat behind a hay bale, walking past it while other goats graze in the background; the camera follows the child with slight shake.

A child (boy) and multiple goats exhibit locomotion (walking, interacting); solid objects moving via physical forces (walking, movement).

Background elements (metal wall, hay, fence) remain static; no fire, water, smoke, or wind observed.