A metal pot on a stove holds a partially cooked egg with a bright yellow yolk and opaque white egg white. A hand holding a small, round metal slotted spoon enters from the top right, maneuvering the spoon over the egg within the pot. The camera remains in a close-up, static position focused on the pot and cooking process.

A hand holding a strainer pours contents into the frying pan; the strainer and hand exhibit controlled, discrete movement.

Background elements (stove, kitchen surface) remain stationary; no fluid/environmental motion (fire, water, smoke) dominates.


A hand holding a black pen adds two curly antennae to a black and white ladybug drawing with circular black spots on a white sheet of paper. The hand moves in from the top right, positioning the pen above the ladybug's head to sketch the antennae, with the ladybug centered on the page. The camera maintains a steady top-down view focused on the paper throughout.

A hand is moving to draw additional features (antennae) on a pre-existing soccer ball illustration. The hand's motion is deliberate and discrete, interacting physically with the paper.

The background (white paper) is static with no shifting elements or fluid/environmental motion (fire, water, wind) observed. No dominant ambient environmental motion.


A person in a blue top and white pants stands near a glass door in a room, then executes a high kick with their right leg while leaning against the door, followed by lowering the leg and returning to a standing position. The camera remains stationary throughout.

A person in blue top and white pants performs discrete physical movements: raising a leg to a high kick position while holding the mirror, then lowering the leg. The motion is locomotion-driven by muscle action.

The background elements (wooden door, tiled floor, mirror) are static with no uniform shifting or fluid motion. No fire, water, smoke, or wind is present.


Green herbs are poured from a white bowl into a pan containing cooked diced ingredients. Chopped white onions and green celery are added to the pan. Sliced pink sausages are then added from a pink bowl into the pan. The camera maintains a top-down perspective throughout the sequence.

Discrete solid objects moving: chopped onions, green peppers, sausage pieces (falling from bowls into pan) and a wooden spoon stirring the mixture (causing collisions and movement of ingredients).

Background shows static kitchen elements (stove, pan, counter) with no shifting or motion blur. Minimal steam is visible but not dominant; no fire, water, smoke, or wind present to qualify as ambient environmental motion.


A light-colored Siamese cat with dark facial markings and ears sits on a blue surface near a patterned cushion. A human hand with a ring enters from the left, approaching the cat. The cat looks at the hand, then interacts with it before the hand retreats. The cat looks downward. The camera maintains a close-up perspective with slight shake.

The cat and a human hand are moving. The hand moves toward the cat, and the cat turns its head to look at the hand and then away.

The background (blue wall and cat tree) is static with no fluid or environmental motion (fire, water, wind).


A person in a black and white sleeveless top and shorts stands inside a circular throwing area behind a chain-link fence. They hold a dark discus, rotate their body clockwise, extend their arm, and release the discus forward. The camera remains stationary with slight shake, capturing the motion from a fixed position.

The athlete (in black and white uniform) is performing a circular throwing motion (consistent with shot put), and the shot put is being swung and released by the athlete.

The background (chain-link fence, field, distant structures) is static and shows no signs of fluid or environmental motion (e.g., wind, smoke).


RAW CAPTION: Got it, let's tackle this. The video is black and white, showing an elephant and two people water skiing. First, the elephant is in the center, on two surfboards or skis, with a saddle. The people are on either side, each holding a pole. They're moving across the water, creating splashes. The elephant is large, dark, with a saddle. The people are wearing white helmets and swimwear, maybe. The background has a distant shore with trees and maybe a boat. The camera seems to follow them, maybe a steady shot. Let's break it down chronologically: start with the scene, then the movement. The elephant is being pulled by the two people? Wait, no, the people are on skis, elephant on skis too. Wait, the video shows the elephant between two people who are water skiing. So first frame: elephant on the water, two people on either side. Then as time goes on, they move forward. So the main subjects: elephant (large, dark, with saddle), two people (white helmets, swimwear). Their motion: moving forward on the water, creating waves. Spatial: people flank the elephant, left and right. Background: water, distant shore. Camera: seems to follow, maybe a slight shake. Need to keep it concise, chronological. Let's draft: In black and white footage, two individuals in white helmets and swimwear water ski on either side of a large dark elephant wearing a saddle, moving forward across choppy water while generating splashes; the camera follows their motion with a slight shake, set against a distant shoreline backdrop. Wait, but check the rules. Focus on motion and behavior. The elephant is on the skis too? Wait, the frames show the elephant on the water, so maybe the elephant is being pulled by the two people? Or the two people are skiing and the elephant is between them. The video shows them moving forward. Let's check each frame: first frame, the elephant is on a platform? No, the elephant is on two boards (like surfboards or skis), and the two people are on skis. So all three are moving. So the motion is them moving forward across the water. So the caption should describe that. Let's structure: In black and white video, a large dark elephant with a saddle stands on two water skis, flanked by two people in white helmets and swimwear who also ski on either side, all moving forward across the water while creating splashes; the camera maintains a steady follow shot with minimal movement, capturing the scene against a distant shoreline. Wait, but maybe the elephant is being ridden? No, the elephant is on skis. Wait, the video shows the elephant on the water, so perhaps the elephant is being pulled by a boat? But the frames don't show a boat. Wait, the first frame has a boat in the background? The background has a boat in the first frame, but the problem says to keep background minimal. Maybe the background is just water and shore. Let's check the rules: minimal background unless essential. So the background is water and distant shore, maybe not essential. Focus on the main subjects. So the main subjects: elephant (large, dark, saddle), two people (white helmets, swimwear). Their motion: moving forward on skis. Spatial: people on left and right of elephant. The video is a sequence where they move from left to right (or the other way). Let's write concisely: A large dark elephant with a saddle skis on choppy water, flanked by two individuals in white helmets and swimwear who also ski, all moving forward in a line; the camera follows their motion steadily with slight shake, capturing the scene against a distant shoreline. Wait, but the elephant is between the two people? In the frames, the elephant is in the center, people on either side. So the order is left person, elephant, right person. So they're moving forward together. Let's check the frames: frame 0: all three on water. Frame 1: same. So they're moving. So the caption: Two individuals in white helmets and swimwear water ski on either side of a large dark elephant wearing a saddle, moving forward across the water and generating splashes; the camera follows their motion with a slight shake, set against a distant shoreline. Wait, but the elephant is a main subject. Let's make sure it's chronological: the video starts with the three moving, and they continue moving. So the key points: main subjects (elephant, two people), their motion (forward on skis), appearance (elephant large, dark, saddle; people white helmets, swimwear), spatial (people flank elephant), camera (follow shot, slight shake). Now, check rules: concise, chronological. Avoid text recognition, etc. So draft:

The elephant, two people, and surfboards are discrete solid objects. The elephant walks on the surfboards while the people balance on the surfboards, with motion due to their own locomotion.

The background includes distant trees and land, which remain static with no uniform shifting. The water exhibits wave motion, which is a fluid environmental motion, but it is not the dominant motion.


RAW CAPTION: Got it, let's break this down. First, the video starts with a blurry image, then the camera moves to reveal a person. The person is a woman with blonde hair, wearing a blue shirt and dark pants. She's crouching next to a dishwasher. She opens the dishwasher door, which is white. Then she pulls out a plastic bag. The camera seems to be moving slightly, maybe handheld. Let's check the rules. Chronological order: first the camera moves, then reveals the woman, she opens the dishwasher, pulls out the bag. Appearance: blonde hair, blue shirt, dark pants. Spatial: she's in front of the dishwasher. Background is minimal, just the kitchen area. Camera perspective: starts with a close-up of a curtain, then shifts to show the woman, so the camera moves from left to right or pans? Wait, the video starts with a curtain, then the camera moves to the right to show the woman. So camera movement is panning right. Let's structure it: The video begins with a blurred view of a curtain, then the camera pans right to show a woman with blonde hair in a blue shirt and dark pants crouching beside a white dishwasher. She opens the dishwasher door and retrieves a plastic bag. The camera remains handheld, with slight movement throughout. Keep it concise. Check the rules: avoid text, named characters, etc. So no mention of specific items unless essential. Background is kitchen, but minimal. So the caption should be: A woman with blonde hair, wearing a blue shirt and dark pants, crouches beside a white dishwasher, opens the door, and pulls out a plastic bag as the camera pans right to reveal her from a blurred curtain. Wait, the first frame is blurred curtain, then the camera moves. Let's make sure chronological: 0-1s: blurred curtain, then camera moves to show the woman. So start with that. Then describe her actions. So: The video starts with a blurred curtain, then the camera pans right to show a woman with blonde hair in a blue shirt and dark pants crouching next to a white dishwasher. She opens the dishwasher door and retrieves a plastic bag. The camera moves slightly, maintaining a handheld perspective. Wait, need to be concise. Let's check the sample output format. The rules say keep background minimal. So no need to describe the kitchen except what's relevant. So: A woman with blonde hair, wearing a blue shirt and dark pants, crouches beside a white dishwasher, opens its door, and pulls out a plastic bag as the camera pans right from a blurred curtain to reveal her. That's chronological: camera starts blurred, then pans to show woman, she opens dish, pulls out bag. Spatial: she's in front of the dishwasher. Appearance: blonde hair, blue shirt, dark pants. Yes. Let's check the rules. Rule a: motion and behavior in order. So the sequence is: camera moves (panning right), then woman is revealed, she opens dish, pulls out bag. So caption should be: A woman with blonde hair, blue shirt, and dark pants crouches beside a white dishwasher, opens the door, and pulls out a plastic bag as the camera pans right from a blurred curtain to focus on her actions. Wait, the first frame is a blurred curtain, so the camera starts there. Then moves right to show the woman. So "The video opens with a blurred curtain, then the camera pans right to reveal a woman with blonde hair in a blue shirt and dark pants crouching next to a white dishwasher. She opens the dishwasher door and retrieves a plastic bag, with the camera remaining handheld and slightly shaky." Hmm, but the rules say "keep background descriptions minimal unless essential". The curtain is part of the initial frame, but maybe essential. Let's see. The first frames are blurred curtain, so the camera starts with that. Then moves to the woman. So: The camera begins with a blurred view of a curtain, then pans right to show a woman with blonde hair, wearing a blue shirt and dark pants, crouching beside a white dishwasher. She opens the door and pulls out a plastic bag, with the camera moving slightly handheld. That's concise. Now, check all rules: a) motion chronologically: curtain (initial), pan right to woman, she opens door, pulls bag. b) appearance: blonde hair, blue shirt, dark pants (number: one person). c) spatial: woman in front of dishwasher. d) camera: pans right, handheld, slight shake. e) background minimal (only curtain initial, then kitchen but not described). f) no text. g) internal thoughts, but no reasoning. So the final caption should be: <caption_output>A woman with blonde hair, blue shirt, and dark pants crouches beside a white dishwasher, opens its door, and pulls

A person wearing a blue shirt and black pants is crouching near a dishwasher, using both hands to open the door and reach inside. The person's body and hands exhibit discrete locomotion and manual actions.

The background (walls, floor, cabinet, and door) shows no fluid or gaseous motion (fire, water, smoke, wind). The background elements are static, but the camera perspective shifts slightly from left to right to frame the subject, indicating controlled camera movement rather than dominant environmental phenomena.


A person in a green and blue sweater and dark pants walks across a grassy area toward a red and pink soccer ball, steps on the ball, and moves around it; the camera remains stationary with minimal movement.

A person (in green and blue clothing) is walking around a stationary red ball on the grass.

The background (wall and grass) is static with no visible fluid or wind motion. The ball remains stationary on the ground.


A hand moves across a whiteboard with musical notation, pointing to various sections above a piano keyboard. The hand gestures sequentially from left to right and up-down, with the camera remaining stationary and focused on the hand and whiteboard.

A hand is moving, pointing at the whiteboard, indicating discrete object motion due to physical interaction.

The background (whiteboard, keyboard) shows no uniform shifting, and there are no fluid/environmental elements (fire, water, smoke, wind) present.


RAW CAPTION: Got it, let's break this down. The video shows a girl and a woman interacting near a gate. First, the girl is reaching up towards the gate, then the woman is opening the gate. Let's check the timestamps. At 0.0, the girl is reaching up, woman is holding the gate. By 1.4, the gate is more open, woman is still holding it, girl is still reaching. Then in 2.5, the gate is fully open, woman steps out. Wait, no, the gate is a chain-link gate, so they're exiting through it. Let's see the sequence: the woman is holding the gate open, the girl is trying to climb up or reach inside. Wait, the girl is in front, woman is behind the gate? Wait, the gate is being opened. Let's look at the actions. The woman is manipulating the gate (opening it), the girl is reaching towards the gate, possibly trying to get through. The girl is wearing a white top and jeans, woman is dark top and light pants. They are near a structure with a gate. The gate opens, woman steps out, girl follows. Wait, no, the video starts with the gate closed, then opens. Let's describe chronologically: A young girl in a white top and light blue jeans reaches toward a chain-link gate while a woman in a dark purple top and light pants holds the gate open. The woman manipulates the gate handle to swing it open, allowing the girl to pass through. The girl steps through the gate while the woman remains partially inside. The scene is set against a light blue wall with a hanging green item to the left. Camera remains stationary, capturing the interaction from a medium distance. Need to make sure it's concise, chronological. Let's check the rules: motion and behavior, appearance, spatial, camera. So:

At the start, the girl (white top, jeans) reaches up toward a chain-link gate. A woman (dark purple top, light pants) holds the gate handle. The woman moves the gate handle, opening the gate. The girl then steps through the opening as the woman steps outside. The background includes a light blue wall with a green hanging object to the left. Camera stays fixed, medium shot.

Wait, the video clips: [0.0] girl reaches, woman holds gate. [1.4] gate is more open, woman still holding. [2.5] gate open, woman steps out. [3.6] girl is now next to woman, gate closed? Wait no, the gate is opening, so the sequence is the gate being opened, woman and girl passing through. Let's recheck the frames:

Frame 0: Gate partially closed, girl reaches up, woman holds gate.

Frame 1: Gate still partially open, girl is reaching, woman has hand on gate.

Frame 2: Gate more open, woman is moving the gate.

Frame 3: Gate fully open, woman is stepping through.

Frame 4: Woman is partially out, girl is still reaching.

Frame 5: Gate closed? No, wait, maybe the gate is a door that opens inward. Wait, the description says "chain-link gate", so it's a door. So the woman is holding the gate open, then the girl goes through, then the woman comes through. Wait, but in the frames, the girl is in front, woman behind. Let's see: At 0.0, girl is in front, reaching up, woman is behind the gate. Then the woman opens the gate, the girl steps through, then the woman steps through. But maybe the girl is trying to get into the gate area, but the gate opens, allowing them to pass. Let's describe the actions step by step.

First, a young girl with long hair, wearing a white long-sleeve shirt and light blue jeans, reaches upward toward a chain-link gate. A woman in a dark purple top and light-colored pants holds the gate handle, maneuvering it to open. The woman adjusts the gate, causing it to swing wide enough for the girl to step through. As the gate opens, the girl passes through the opening, followed by the woman. The scene occurs outside a building with a light blue wall and a green hanging item visible to the left. The camera remains stationary throughout, capturing the interaction from a medium perspective.

Wait, but need to be concise. Let's trim. "A young girl in a white top and light blue jeans reaches toward a chain-link gate, while a woman in a dark purple top and light pants holds the gate handle. The woman opens the gate, allowing the girl to step through, followed by the woman. The background includes a light blue wall with a green item to the left. The camera is stationary, medium shot."

Check rules: chronological, motion, behavior, appearance

Two discrete solid objects (a child and an adult) exhibit motion: the child extends an arm toward the gate, while the adult manipulates the gate mechanism. Their movements are driven by physical interaction (locomotion and manual manipulation of the gate).

The background elements (walls, structural frames, and hanging garments) remain static across frames, with no fluid motion (fire, water, smoke) or environmental effects observed. The gate is a solid structure with minimal motion attributed to object interaction rather than environmental forces.


A small child wearing a blue and pink shirt, white pants, and pink shoes begins in a squat position with legs spread wide. The child then sits down, spreading legs outward to sit cross-legged on the floor. The camera remains stationary throughout, capturing the child's movement in a room with minimal background details.

A child is performing deliberate body movements (leg spreading, postural shifts) as a discrete, solid object.

Background elements (walls, furniture, cloth) are static and show no uniform shifting or fluid motion (e.g., no fire, water, or wind effects).


A person wearing dark clothing sits on a red chair at a small table, holding a green and white book. They gradually flip through the book's pages, shifting their posture and gaze while moving their hands to turn the pages. The camera maintains a static perspective with minimal movement, capturing the individual against a dark background.

The person is moving their hands (turning pages) and head (looking at the book). The book is being held and turned by the person.

The background is dark and static (no shifting walls or ground). No fire, water, smoke, or wind present.


A man in a green shirt and khaki shorts stands on a green golf tee pad before stepping off-frame, followed by a second man in a dark blue shirt and black pants who steps onto the tee pad, adjusts his stance, and swings a golf club. The camera shifts perspective to follow their movements, capturing the action against a grassy field backdrop with minimal background detail.

Two individuals (golfers) are moving on green mats; one walks away from the camera, then another enters and adjusts stance. Their motions are discrete, solid-object movements due to locomotion (walking) and physical actions (golf swing preparation).

The background features a grassy field, trees, and paved area with no significant shifting or fluid motion. No fire, water, smoke, or wind-induced motion is observable.


A person in dark clothing walks toward a red football on a green field, kicks it, then walks away from the goalpost toward the right. Spectators stand behind barriers in the background. The camera follows the kicker's movement with a slight pan to the right.

A person (kicker) moves via locomotion (running) and a ball is propelled through air via collision with the kicker's foot. Both movements are solid, distinct objects exhibiting physical force-driven motion.

Static background elements (goalpost, banners, walls) show no uniform shifting or fluid/environmental motion. No fire, water, or smoke detected.


A person wearing a white shirt manipulates blue plastic cups on a wooden table. They lift a cup from a central stack, move it to the left side, and adjust the remaining cups. The camera maintains a fixed top-down perspective, focusing on the hands and cups against a plain background.

A person's hands manipulate three blue plastic cups (discrete solid objects) through lifting, rotating, and stacking motions.

The background (wall, furniture) is static with no uniform shifting or fluid motion (e.g., fire, water, smoke). No environmental forces dominate the scene.


A group of people, including a child in a white shirt and green shorts with a blue backpack, walks along a paved path, pulling a blue suitcase. A person in a gray shirt and dark shorts follows, pulling a black suitcase. The child is positioned to the left of the person in gray. The camera follows the group from behind, maintaining a steady perspective as they move forward.

Discrete solid objects (children, adults, suitcases) are moving via locomotion (walking/rolling) as the group progresses along the path.

Background elements (building walls, ground, plants) show no uniform shifting or fluid motion (e.g., fire, water, wind); static and stable.


A man in a yellow shirt and light blue pants sits on the floor in front of large bronze gongs. He holds a white cloth, moving it toward one gong, then picks up a mallet to strike the gong. The camera transitions from a filmstrip frame to a direct view, remaining stationary throughout.

A person in a yellow shirt is manipulating a mallet to strike a large gong. The mallet and gong exhibit discrete, solid-object motion due to physical impact and movement.

The background features a static mesh wall and indoor elements with no uniform shifting or fluid motion (e.g., fire, water, smoke). No significant ambient environmental motion is present.


A hand in a gray sleeve enters from the right to press a button on a silver and black espresso machine, then retracts as the machine operates with a portafilter in place. The background includes a wooden door with hanging cloths. The camera remains static, closely capturing the machine's function.

A person's hand (discrete object) moves to interact with the espresso machine (placing a container, adjusting controls).

Background elements (wall, door, hanging items) show no shifting or fluid motion; no fire, water, smoke, or wind present.


A hand holds a smartphone, its screen showing a person with long dark hair in a white top. The hand then moves to a wooden door handle, turns it, and opens the door. The camera starts as a close-up of the phone, then shifts to focus on the door action.

The person's hands are manipulating the door lock and holding the smartphone. The smartphone is moved to display a video, and the door is physically opened by the hands. The woman on the phone screen is not a physical object in the scene.

No fluid or environmental motion (fire, water, smoke, wind) observed. The wooden door and wall background remain static; no uniform shifting or fluid motion detected.


A person in a green cardigan and white top stands before an open closet, manipulating a pink circular object with both hands, rotating and adjusting its position in front of themselves. The closet contains hanging garments, including red and striped shirts; the camera remains stationary throughout.

The woman (a person) is moving a pink fabric object in her hands, demonstrating discrete physical motion by manipulation.

Background is static; no shifting or fluid/environmental motion detected.


RAW CAPTION: Got it, let's break this down. First, the video starts with a person on a bicycle near a parked blue car. The person is wearing dark clothing and holding the handlebars. Then, there's a transition to a black screen with the logo and text, but according to the rules, I need to exclude text recognition. So skip that. Next, the scene shifts to the same person (or maybe another) riding the bike on a street, now with an orange rain poncho. Wait, the first part: the person is on a bike, blue car in background. Then the logo screen (but ignore text). Then the person riding with orange poncho. Need to describe in chronological order.

Main subjects: person on bike. First scene: standing with bike, blue car to the left. Then moving to riding on street, wearing orange poncho. The camera: first close-up on bike and person, then maybe follows the rider. Background minimal. Let's structure.

First, the person stands on a sidewalk next to a blue car, holding the bicycle. Then the scene cuts to the person riding the bicycle on a street, now wearing an orange poncho. Camera starts with close-up on the bike and rider, then transitions to following the rider as they move. Background: blue car, then street with buildings. But keep background minimal.

Check rules: focus on motion and behavior in chronological order. So start with the person with the bike (standing, maybe preparing to ride?), then the next scene is riding. Wait, the video shows: [0.0] person on bike, blue car behind. [1.4] same, bike moving? Then [2.5] black screen with logo (skip), [3.5] logo text (skip), [4.5] person riding with orange poncho.

So chronological: first, a person holds a bicycle while standing near a parked blue car on a sidewalk. Then, the person rides the bicycle down a street wearing an orange poncho. The camera starts with a close-up of the bicycle and rider, then follows the rider as they move along the street.

Wait, need to check the frames. Frame 0: person on bike, blue car to left. Frame 1: same, bike moving a bit. Then frame 2: black screen (logo), frame 3: same logo (text), frame 4: person riding with orange poncho. So the main action is: the person is first standing with bike next to blue car, then later riding with orange poncho. The black screen with logo is a transition, but we should ignore it as per rule f (exclude text recognition). So the video shows two main scenes: person with bike near blue car, then person riding with orange poncho.

So structure: In the initial scene, a person stands on a sidewalk holding a bicycle, with a blue car visible to their left. The scene transitions to the person riding the bicycle along a street, now wearing an orange poncho. The camera begins with a close-up of the bicycle and rider, then shifts to follow the rider as they move forward. Background elements are minimal except for the blue car in the first scene and the street in the second.

But need to be concise. Let's see: A person stands on a sidewalk holding a bicycle beside a blue car; later, the person rides the bicycle down a street wearing an orange poncho. The camera starts with a close-up of the bicycle and rider, then follows the rider as they move.

Wait, check appearance: the first person is in dark clothing, then orange poncho. Number: one person throughout. Motion: first standing (preparing?), then riding.

Let me draft: Initially, a person in dark clothing stands on a sidewalk holding a bicycle next to a blue car. Subsequently, the same person rides the bicycle along a street while wearing an orange poncho. The camera captures a close-up of the bicycle and rider before shifting to follow the rider as they move forward.

Check rules: a) motion in chronological order. b) appearance: dark clothing, then orange poncho. c) spatial: blue car to left in first scene. d) camera: close-up then follows rider. e) background minimal (blue car and street). f) no text. g) no reasoning.

Yes. Make it concise. Let's try: A person in dark clothing stands on a sidewalk holding a bicycle beside a blue car; later, the person rides the bicycle down a street wearing an orange poncho. The camera starts with a close-up of the bicycle and rider, then follows the rider as they move.

Wait, "stands on a sidewalk holding a bicycle" – in the first frame, they are on the bike, so maybe "rides the bicycle on the sidewalk" but the first scene shows them holding the bike. Wait, frame 0: person on bike

A person on a bicycle moves toward the camera in the first scene and then moves along a road in the second scene.

No shifting background elements; no fire, water, or smoke. Background is static.


A woman in a blue shirt and dark apron works with dough on a kitchen counter, handling ingredients and tools. The scene shifts to close-up shots of hands with a silver bracelet cutting and shaping dough on a marble surface, using a wooden rolling pin placed on a cloth; the hands gather dough pieces into a bowl shape, leaving small bits scattered nearby. The camera transitions from a medium shot to a close-up, focusing on the dough manipulation.

Hands actively manipulating dough (folding, pressing, shaping) on a marble countertop; dough is the primary discrete solid object exhibiting motion.

No shifting background or fluid/environmental motion observed; kitchen elements (window, utensils, flags) remain static throughout.


RAW CAPTION: Okay, let's tackle this video caption. First, I need to understand the main elements. The video shows a gym scene with two people. The main subject is a person lying on a bench doing a barbell press. They're wearing black clothes. Another person, probably a trainer, is sitting next to them, assisting. The trainer is in a black shirt with a logo and white sneakers.

Chronologically, the person on the bench lifts the barbell up, then lowers it. The trainer is positioned to the right, maybe spotting. In the background, there's another person working out, but since the rules say to keep background minimal, maybe just mention it briefly.

The camera starts with a medium shot, then transitions to a logo screen at the end. The logo is blue with white letters, and the website. But according to the rules, exclude text recognition. Wait, the user said to exclude named characters or text recognition, so the logo part might be mentioned as a transition but not the text itself. The last frame is a blue logo screen, so the camera movement is a cut to that.

Wait, the video ends with a black screen that transitions to a blue logo. The instructions say to describe camera perspective and movement. So the camera starts with a fixed shot, then cuts to the logo screen. Need to mention that.

Now, the main action: the person on the bench does a bench press, the trainer assists. The trainer is seated to the right, hands on the barbell maybe. The person in black lifts the barbell up, then lowers it. Then the video cuts to the logo.

Check the rules again: focus on motion in chronological order. So first, the person lying down lifts the barbell, then lowers it. The trainer is there watching. Background has gym equipment, but minimal description.

Appearance: person in black clothes, trainer in black shirt with white shoes. Spatial relationship: trainer is to the right of the bench.

Camera starts with a medium shot, then transitions to a close-up of the logo (but the logo is blue with white letters, but we can't mention text). So the camera cuts to a black screen with the logo, but since we don't include text, maybe just say "the camera cuts to a blue logo screen."

Wait, the last frame is a blue logo with the website, but rules say exclude text recognition. So the caption should mention the logo screen but not the text. So "the camera transitions to a blue logo screen."

So the caption should be:

In a gym setting, a person wearing black attire lies on an orange bench, performing a barbell bench press while a trainer in a black shirt and white sneakers sits to their right, assisting. The lifter lifts the barbell upward, holds it briefly, then lowers it back down. The camera maintains a fixed medium shot throughout, then transitions to a blue logo screen.

Check if the background is necessary. The rules say minimal background unless essential. The gym has equipment, but since it's the setting, maybe "in a gym" is enough. The other person in the background is working out, but the main action is the bench press.

Wait, the initial frames have another person in the background. The rules say minimal background. Maybe mention "in a gym with visible equipment" but not the other person. Hmm.

The user's example output: "In a gym, a person in black clothing performs a bench press on an orange bench while a trainer in black attire and white shoes assists. The lifter lifts and lowers a barbell, with the trainer observing closely. The camera remains stationary before cutting to a blue logo screen."

But need to follow the rules. Let's structure it:

- Main subjects: lifter (black, lying on bench) and trainer (black shirt, white shoes) on the right.

- Action: lifter lifts barbell up, lowers, repeats.

- Background: gym equipment, minimal mention.

- Camera: fixed, then cuts to logo.

Exclude text, so no website.

So: "A person in black clothing lies on an orange bench, lifting a barbell during a bench press. A trainer in a black shirt and white sneakers sits to the right, observing closely. The lifter repeatedly raises and lowers the barbell, while the trainer maintains a supportive position. The camera remains static throughout the sequence before cutting to a blue logo screen."

Check if "static" is the right term. The description says the camera is fixed. Maybe "stationary" or "fixed."

Also, the number of people: two main people. The background has another person, but not essential, so don't mention.

The caption should be concise. Maybe shorten: "In a gym, a person in black performs a bench press on an orange bench, lifting a barbell with assistance from a trainer in a black shirt and white sneakers seated to their right. The lifter raises

A person performing a bench press (arms lifting/dropping barbell) and the barbell itself are moving due to explicit physical force. A spotter is positioned nearby but exhibits minimal motion.

The gym background (walls, equipment) shows no shifting or fluid motion; no fire, water, smoke, or wind present. Environment remains static throughout.


A hand emerges from the water, reaching toward a greenish, encrusted object on the seabed composed of rocks and shells. The hand grasps the object, lifting it upward while revealing its textured surface. The hand, positioned above the submerged rocks, moves steadily to elevate the item. The camera maintains a close-up perspective, focusing on the hand and the object against the seabed background.

Hand (discrete object) moves to pick up a small object (shell) from the seabed, demonstrating physical interaction.

Background (seabed rocks) is stationary; water motion is minimal and not dominant. No shifting background observed.


RAW CAPTION: Got it, let's tackle this. The video shows a person doing a Russian deadlift. First, the person is in a gym. They're wearing a blue shirt, black shorts, white sneakers. They pick up a barbell with green weights. Then they lift it, keeping weight on heels. Then lower it back down. The background has gym equipment like a treadmill, red ball, weight rack with colored weights, doors. The camera is static, probably medium shot. Need to follow the rules: chronological order, motion, appearance, spatial relationships, camera perspective.

So step by step:

1. Person in gym, blue shirt, black shorts, white shoes.
2. Bends down, grips barbell with green plates.
3. Lifts barbell to waist level, weight on heels.
4. Slowly lowers barbell back down.
5. Background elements are minimal, just gym stuff.
6. Camera is static, no movement.

Check the rules: exclude text recognition, so don't mention "RUSSIAN DEADLIFT" text. Focus on motion. Make it concise.

So the caption should describe the sequence: person picks up barbell, lifts, lowers. Mention appearance briefly. Spatial: gym setting, but minimal background. Camera static.

Let's draft:

A person in a blue shirt, black shorts, and white sneakers bends down to grasp a barbell with green weight plates in a gym. They lift the barbell to waist level while keeping weight on their heels, then lower it back to the floor. The gym background includes a treadmill, red exercise ball, and weight rack with colored weights. The camera remains static throughout.

Wait, check the time points: in the video, the action is: first frame shows person bending, then standing up, then bending again. Wait the first frame (0.0) shows person bent, then [1.2] standing with barbell, [2.5] bending, [3.5] lifting, [4.5] bending. Wait, the text says "RUSSIAN DEADLIFT WEIGHT BACK ON YOUR HEELS" which is instruction. So the person does the deadlift: bend down to grip, lift up, then lower. So chronological: starts by bending down to pick up barbell, lifts to standing, then lowers back down.

Wait, the video starts with person bending, then stands up holding barbell, then bends down again to lift. Wait, no: first frame [0.0] person is bent over, hands on barbell. Then [1.0] they stand up holding barbell, then [2.5] they bend down again to pick up (no, wait the barbell is on the floor, so first they bend to pick up, then lift, then lower). Wait, the sequence:

Frame 0: bent over, grabbing barbell from floor.

Frame 1: standing with barbell, holding it.

Frame 2: bending down to lower the barbell back.

Frame 3: standing with barbell.

Wait no, the video shows: the person is doing the deadlift. So steps:

1. Lower body bends down, hands grasp barbell (which is on the floor).

2. Lifting the barbell to standing position, keeping weight on heels.

3. Lowering the barbell back to the floor.

So in the video: the person starts in a bent position, lifts the barbell up (to waist), then lowers it. Wait the frames:

0.0: bent over, hands on barbell (on floor).

1.2: standing with barbell (lifting).

2.5: bending down (lowering).

Wait maybe the video is showing a repetition: pick up, lift, lower. So first frame is mid-lift, then standing, then bending.

But regardless, the key is the motion: the person bends down to grasp the barbell, lifts it to waist level, then lowers it back.

Appearance: blue shirt, black shorts, white sneakers. Barbell with green plates.

Background: gym with treadmill, red ball, weight rack, doors. But minimal.

Camera: static, no movement.

So caption:

A person in a blue shirt, black shorts, and white sneakers bends to lift a barbell with green weight plates from the floor in a gym. They raise the barbell to waist level while maintaining weight on their heels, then lower it back to the floor. The background includes a treadmill, red exercise ball, and weight rack. The camera remains stationary throughout.
</think>

<caption_output>A person in a blue shirt, black shorts, and white sneakers bends to lift a barbell with green weight plates from the floor in a gym. They raise the barbell to waist level while maintaining weight on their heels, then lower it back to the floor. The background includes a treadmill, red

The man and the barbell are discrete solid objects moving due to his physical lifting motion (Russian Deadlift).

The gym background (walls, equipment, door) is static; no fluid or environmental motion (fire, water, smoke, wind) is present.


A person in a black shirt stands behind a bar, picks up a yellow cup from the counter, pours its contents into a martini glass, and then places the yellow cup back on the counter. The camera remains stationary, capturing the actions from a frontal perspective.

A person is actively pouring liquid from a bottle into a glass, with visible hand and arm movements; the bottle and glass are discrete solid objects undergoing physical interaction.

The background elements (red curtains, 'SKY' sign) show no uniform shifting or fluid/environmental motion. No fire, water, or smoke visible.


A person in a black and white sports jersey and dark shorts bends over near a wooden fence, gathering small orange objects from the dirt ground. They stand, holding two orange objects, and turn toward the camera while handling them. The background features a weathered wooden fence and scattered leaves. The camera remains stationary with a slight shake.

A child is seen crouching, standing, and handling an orange object. The child's movements (locomotion, picking up the object) are distinct solid-object motions.

The wooden fence and ground remain static throughout the video; no shifting background elements or fluid/environmental motion (fire, water, wind) is observed.


A person in black winter clothing and a gray beanie snowboards across a snowy area, leaning forward to balance then straightening their stance while gliding on a colorful snowboard. The camera follows their movement with a slight shake, set against a backdrop of trees.

A single person snowboarding, moving with controlled motions on a snowboard; the snowboarder's actions involve balancing, shifting weight, and maneuvering, indicating deliberate physical locomotion.

The background consists of snow-covered ground and trees, which show no uniform shifting or fluid/environmental motion (e.g., no fire, water, smoke, or significant wind effects).


A person in a dark coat and red-and-white striped scarf snowboards across a snowy park, then loses balance and falls to the ground. Two other individuals, one in red and one in dark clothing, are visible in the background. The camera follows the snowboarder with slight movement.

A snowboarder (red/black jacket) moves across the scene, falls, and slides; a secondary person (red jacket) appears in the background moving.

Static trees and snow-covered ground show no uniform shifting; no fire, water, or significant wind motion detected.


Two individuals sit in front of a lit Christmas tree; one wears a white Santa hat and dark top, the other a red-and-white striped knit hat and light top. The person in the dark top opens a white gift box with red ribbon, while the other holds a green object before placing it into the box. The camera remains stationary, capturing the interaction from a fixed position.

Two people interact with a box and items; hands move to open the box and handle objects, showing explicit physical actions.

The background (Christmas tree, furniture) is static; no shifting backgrounds or fluid/environmental motion (fire, water, smoke, wind) is present.


A person in a white shirt and dark pants stands in a grassy field, holding an object. A cyclist in dark clothing rides a bicycle from the right, passes the person, and then falls, causing the bicycle to topple to the ground. The camera remains stationary.

A cyclist enters from the right, rides toward the stationary woman, and falls off the bike due to physical collision with the ground. The motion is discrete and tracked by bounding box.

The background (house, trees, grass) remains static with no shifting or fluid motion (e.g., wind, smoke). No fire, water, or environmental fluids are present.


A person stacks bright red plastic cups into a pyramid structure, then shifts a vertical stack from the right side to the left. The cups are medium-sized and oriented upright. The camera remains stationary with minor adjustments to follow hand movements.

The person's hands and red plastic cups are moving. The cups are being manipulated (stacked, moved) by the person's physical actions.

The background (bed, wall, poster) shows no significant shifting or fluid motion. No fire, water, smoke, or wind is present.


A close-up view of a motorcycle's engine features a green bottle and a brown towel. A tattooed hand enters from the left, holding a container, and pours liquid into the green bottle. The camera remains static throughout the sequence.

A human hand holding a bottle pours liquid onto a cloth, with the hand and bottle moving in discrete, controlled motions.

The background features motorcycle engine components that remain static with no shifting or fluid motion (fire, water, smoke, wind).


RAW CAPTION: Okay, let's tackle this video captioning task. First, I need to understand the rules thoroughly. The user wants a concise chronological paragraph focusing on the motion and behavior of the main subjects. The main subjects here are two people standing in front of a curtain.

Looking at the video frames provided, there are two individuals. The first frame shows them standing still, maybe smiling. Then in subsequent frames, they start moving. The second frame has them both moving their arms, possibly dancing or gesturing. The third frame shows more movement, maybe swaying or stepping. The fourth frame seems like they're still in motion, perhaps continuing the dance.

I need to describe their appearance briefly. The left person is wearing a white top and black pants, the right one a plaid shirt and jeans. They're standing side by side, front of a curtain with a pattern. The background is the curtain, which is important to mention but keep minimal.

Chronological order: start with them standing, then moving their arms and bodies. The camera is static, but the video might have some slight shake as mentioned in the rules. Wait, the user says to mention camera perspective and movement. The frames here are a bit blurry, but the camera seems stationary. However, the rules say to note camera movement if present. The given description mentions a "slight shake" in the rules example, but in the video provided, maybe the camera is fixed. Wait, the user provided an example in the rules where the camera has a slight shake. But in the given video, the frames show them moving, but the camera might be still. Wait, the problem says "conclude with camera perspective and movement". So need to check if the camera is moving or static.

The original video description in the problem statement: the frames are from 0 to 5 seconds. The first frame is clear, then motion blur starts. The movement is the subjects moving their arms and possibly dancing. The camera might be stationary, but perhaps the video is shaky. The user's example in the rules mentions "slight shake", so maybe the camera is slightly shaking. But how to determine that? Since the video is described as "blurred", maybe the camera is moving a bit. The user says to mention camera movement if relevant. So perhaps "slight camera shake" is the way to go here.

Now, structuring the caption: chronological order. Start with the two people standing in front of the curtain. Then describe their movements: they raise their arms and sway their bodies, possibly dancing. Their appearance: left in white top and black pants, right in plaid shirt and jeans. Spatial relationship: side by side, front of curtain. Camera: static or slight shake. Wait, the user's rules say "conclude with camera perspective and movement". So maybe the camera is static but with a slight shake. The problem states the video has motion blur, which could be due to camera shake.

Putting it all together: Two people stand side by side in front of a patterned curtain; the left wears a white top and black pants, the right a plaid shirt and jeans. They raise their arms and sway their bodies in coordinated motion, stepping slightly as they continue moving. The camera remains static with a slight shake.

Wait, need to check if the camera is static. If the video is shaky, then "slight shake" is part of the camera movement. The problem's example includes "slight shake" as part of the camera movement. Since the frames are blurry, maybe the camera is shaking, so mention that.

Wait, the user's example in the rules has a camera with "slight shake". So in this case, maybe the camera is slightly shaking. Let me confirm the exact movement. The user's instruction says: "conclude with the camera perspective and movement (e.g., top-down, pan left, slight shake)."

So in the caption, end with camera perspective and movement. So the camera is probably static but with slight shake. Let me structure the sentence.

First, describe the subjects: two people standing in front of a curtain. Then their actions in chronological order. The video starts with them standing, then they begin moving, raising arms, swaying. The background is minimal. Then camera movement.

Possible caption: Two individuals stand side by side in front of a patterned curtain; the left wears a white long-sleeve top and black pants, the right a plaid shirt and jeans. They raise their arms and sway their bodies in coordinated motion, stepping slightly as they continue moving. The camera remains static with a slight shake.

Wait, but the order of their movements: the first frame shows them standing, then in frame 2, they move arms, frame 3 and 4 continue the motion. So the action starts at 0.3 seconds, then they begin moving. So the caption should note the sequence

Two distinct human subjects (women) exhibit coordinated locomotion and body movements, including stepping, arm motions, and torso shifts, indicating intentional physical displacement without external fluid dynamics.

The curtain background remains static throughout the frames with no shifting, fluid motion (e.g., fire, water, smoke), or wind-driven effects. Background pattern is consistent and unchanging.


Multiple people's hands are seen on a green casino table with a blue border, arranging white chips and interacting with a black roulette wheel. Initially, hands move chips toward the wheel, then adjust their positions, pushing chips closer to the wheel's center. The camera maintains a top-down perspective, slightly panning to follow the hands as they shift chips and interact with the wheel. The background remains dark, emphasizing the table and actions.

Multiple hands and arms (discrete solid objects) moving in coordinated motion around a central circular object on the table.

No shifting background elements (table edges remain stable); no fire, water, smoke, or wind present.


A person's brown hand, wearing a dark purple jacket with a visible zipper, moves across a white surface scattered with small dark specks. The hand gestures over the surface, then the camera shifts upward to reveal the person’s torso and a wooden structure in the background, with slight camera shake throughout.

A human hand is moving across a white surface, exhibiting deliberate motion consistent with physical interaction (e.g., tapping or sliding).

No fire, water, smoke, or wind observed. Background elements (wooden structure, white surface) appear static without uniform shifting.


A toddler in red and white striped pajamas stands in front of a mirror, slightly shifting position and occasionally turning their head while looking at their reflection. The child remains facing the mirror throughout, making minor movements. The camera maintains a top-down perspective with no significant movement.

A child in red and white striped pajamas is moving slightly, turning their head and shifting their body, which is due to the child's own locomotion.

The background (tiled floor, chair, table) is static and does not show any uniform shifting. There is no fire, water, smoke, or wind, so ambient environmental motion is absent.


A hand in a dark sleeve uses a tool to adjust components on a black car wheel hub with visible lug nuts. The hand manipulates the tool, repositions it, and briefly holds a small part near the hub before the hand withdraws. The wheel remains stationary, and the camera maintains a close-up perspective focused on the hub and hand throughout the sequence.

A person's hand (wearing a black glove) uses a tool to turn lug nuts and then removes the wheel. The wheel is seen being pulled off the hub.

The background (car body and ground) remains static throughout the video. No ambient environmental motion (fire, water, smoke, wind) is present.


A person in a red shirt holds a peeled banana, brings it to their mouth, takes a bite, and covers their mouth with their hand. The background features blurred shelves with assorted objects. The camera remains stationary in a close-up view.

A person in a red shirt consumes a banana, showing discrete movements: hand lifting the banana to mouth, head tilting for bites, and chewing motions. The banana is held and manipulated by the person's hand.

Static background with no shifting walls or environmental fluids (fire, water, smoke, wind). Background elements (walls, posters) remain fixed throughout the frame.


A hand uses a red, white, and green floral-patterned cloth to cover a white bowl with a blue rim, then lifts the cloth to reveal the bowl's interior while adjusting the cloth around the bowl's edges. The scene is viewed from a top-down perspective, focusing on the hand and cloth movements with minimal background details.

The teapot (a solid object) is being tilted by an implicit hand to pour liquid into a stationary cup.

The background (table and cloth) is static and unchanging. No ambient environmental motion (fire, water, smoke, wind) is present. The pouring action is controlled and not ambient.


A man wearing a white t-shirt, gray shorts, and a dark cap with a red emblem stands under a wooden structure with a brick wall background. He raises both arms upward with clenched fists, then lowers them to his sides in a continuous motion. The camera remains stationary, capturing him from a frontal perspective with minimal background details visible beyond the brick wall and structural elements.

A person is performing discrete arm movements (stretching/waving) with clear physical motion.

Background elements (wooden panels, concrete pillars) show no uniform shifting or fluid motion (e.g., no fire, water, smoke).


RAW CAPTION: Got it, let's break this down. First, the video is a kitchen scene. There are three people: a woman in a white tank top and shorts, a man in a dark shirt and pants, and another person (maybe a woman) in a white tank top and dark pants.

Starting at the first frame: the woman in white tank top is near the counter, the man is standing by the stove, and another person is on the right. Then, in the next seconds, the woman on the right moves towards the center, then the person in the white tank top (maybe the same? Wait, no—wait, the video shows three people. Wait, first frame: left side, a person (woman) in white tank top and dark pants, middle man in dark shirt, right woman in white tank top and shorts. Then, the woman on the left moves towards the center, then the woman on the right moves to the left. Wait, let's track motion.

Chronologically:

At 0.0s: Three people in the kitchen. Left: woman (white tank top, dark pants) at counter. Middle: man (dark shirt, jeans) standing. Right: woman (white tank top, shorts) near window.

Then, at 1s: The woman on the left (white tank) moves towards the center. The woman on the right (white tank, shorts) is still there.

At 2s: The woman in white tank top (from left) moves further left, while the man is still standing. Wait, no—wait, the video: first frame shows the woman on the left, then she moves towards the right, then exits the frame? Wait, let's check the frames. Wait, the first frame: left person (white tank, dark pants) is standing by counter, middle man (dark shirt, jeans), right person (white tank, shorts). Then, in frame 2, the left person moves towards the center, right person moves left. Then frame 3: the right person is moving left, and the man is still there. Frame 4: the woman in white tank top (from right) is now near the counter, and the man is still standing. Then frame 5: the woman (white tank, shorts) is gone, and the man is now holding something.

Wait, perhaps the main motions: the woman in white tank top and shorts moves from the right side of the frame towards the center, then steps forward to the counter. The man in dark shirt remains near the stove, and the person in white tank top and dark pants moves towards the center. Let's clarify:

- Subject 1: Woman in white tank top and shorts (right side). Moves left, approaches the counter.
- Subject 2: Man in dark shirt and jeans (middle). Stands, then remains.
- Subject 3: Woman in white tank top and dark pants (left side). Moves towards the center, then to the right.

Wait, maybe better to track each person:

First, the woman on the right (white tank, shorts) walks left, approaches the counter, and then is at the counter. The woman on the left (white tank, dark pants) moves to the right, then exits the frame. The man stays in the middle.

But need to describe chronologically. Let's list the actions step by step.

Frame 0: Three people present. Left: woman (white tank top, dark pants), middle: man (dark shirt, jeans), right: woman (white tank top, shorts).

Frame 1: Woman on left moves towards center. Woman on right is still on right.

Frame 2: Woman on left is moving further, woman on right moves left.

Frame 3: Woman on right is now near center, woman on left is exiting the frame. Man remains.

Frame 4: Woman on right (white tank) is at the counter, man is still there.

Frame 5: Woman on right is at the counter, man is holding something.

So the main motions: the woman in white tank top and shorts walks from the right side towards the center and stops at the counter. The woman in white tank top and dark pants moves from the left side towards the right, eventually exiting the frame. The man in dark shirt and jeans remains stationary near the stove.

Appearance: The woman in white tank top and shorts (right) is wearing a white tank top and dark shorts. The woman in white tank top and dark pants (left) wears a white tank top and dark pants. The man is in a dark shirt and jeans.

Spatial relationships: Initially, the man is between the two women. Then the women move towards each other, with the right woman moving left, the left woman moving right.

Background: Kitchen with wooden cabinets, Christmas lights, counter with various items.

Discrete solid objects (people) move via locomotion: one person walks across the frame, another interacts with items at the sink, and others shift positions within the kitchen space.

Static background elements (cabinets, window frames, hanging lights) show no uniform shifting or fluid motion. No fire, water, smoke, or wind-driven elements are present.


An adult male with a bald head, light gray shirt, and blue pants stands to the left of a child with curly hair, a black shirt with a skeleton design, and blue jeans. The adult bends forward, extending his right hand toward the child's chest area. The child remains standing in front of a large television on a wooden stand. The background includes a wall clock and a desk with a computer. The camera maintains a static position throughout.

Two solid objects (an adult and a child) are moving: the adult gestures with arms, leans toward the child, and shifts posture, while the child interacts with the adult via body movements.

The background elements (clock, computer setup, furniture) are stationary across frames, showing no shifting or fluid motion. No fire, water, smoke, or wind is present.


RAW CAPTION: Got it, let's tackle this. First, the video starts with a close-up of a wooden surface. Then, a hand with a cloth wipes it. The next part shows the hand moving the cloth across the surface. Then, the scene shifts to a circular wooden surface with a hand applying a stain, moving the cloth in a stroke. Need to follow chronological order.

Check the rules: focus on motion and behavior, chronological. Main subjects are the hand and the cloth. Describe their actions step by step.

First frame: hand wipes wooden surface. Then, the hand continues wiping. Then, a different scene where the hand applies stain (using cloth) on a circular wooden surface. Wait, the sequence is:

0.0: wooden surface, hand enters with cloth.

1.4: hand wiping surface with cloth.

2.5: hand moves the cloth across the surface.

3.6: scene shifts to circular surface, hand applies stain with cloth.

Wait, the video has frames:

- [0.0]: wooden surface, text "wipe surface clean" (but we exclude text, so ignore that).

- [1.4]: hand with cloth wiping the wooden surface (same as before, but action continues).

- [2.5]: hands (maybe two hands?) with cloths wiping the surface? Wait, the description says "hands" at frame 2.5, but maybe one hand. Wait, the frames:

Frame 0: "A hand with a cloth wipes a wooden surface."

Frame 1: "A hand with a cloth wipes a wooden surface."

Frame 2: "A hand with a cloth wipes a wooden surface."

Then frame 3: "A hand with a cloth applies stain on a circular wooden surface." Wait, the video has:

[0.0] starts with wooden surface, text, then [1.4] shows hand with cloth wiping.

[2.5] shows hands (maybe two hands) wiping? But the rule says focus on motion.

Wait, the video's frames:

- Frame 0: shows a wooden surface, then a hand enters with a cloth, wipes.

- Frame 1: same action, hand wiping.

- Frame 2: hand continues wiping.

- Frame 3: shifts to a circular wooden surface, hand applies stain (stainer) with cloth.

Wait, the problem is the description says:

[0.0] [0.0] wooden surface, text "wipe surface clean".

[1.4] [1.4] hand with cloth wiping the wooden surface.

[2.5] [2.5] hand with cloth wiping (maybe same as before).

[3.6] [3.6] hand applying stain on circular wooden surface.

Wait, the given frames:

<0.3 seconds> [0.0] shows wooden surface, hand enters with cloth, starts wiping. But text is there, which we ignore.

[1.4] shows hand continuing to wipe.

[2.5] shows hands (maybe two hands) wiping? Wait, the description for frame 2.5 is "two hands with cloths wiping the wooden surface"? Wait no, the user provided:

<0.3 seconds> [0.0] wooden surface, text "wipe surface clean"

<1.4> [1.4] hand with cloth wiping the surface.

<2.5> [2.5] hand with cloth wiping (maybe same hand).

<3.6> [3.6] hand applying stain on circular surface.

Wait, the user's input for the video is:

Frame 0: "wooden surface, text 'wipe surface clean'"

Frame 1: "hands with cloths wipe the wooden surface"

Frame 2: "hand with cloth wipes the surface"

Frame 3: "hand with cloth applies stain on circular wooden surface"

Wait, no. The given text for the video is:

<0.3 seconds> [0.0] wooden surface, then text "wipe surface clean" appears (but we exclude text)

<1.4> [1.4] hands with cloths wiping the wooden surface (wait, description says "a hand with a cloth wipes a wooden surface" for the first one, but frame 1.4 says "hands" maybe two hands? Wait the user's description:

First frame: "wooden surface, text 'wipe surface clean'"

Then [1.4]: "a hand with a cloth wipes the wooden surface"

Then [2.5]: "a hand with a cloth wipes the wooden surface" (same as before)

Then [3.6]: "a hand applies stain on circular wooden surface with cloth"

Wait, let's recheck the user's provided video description:

The user says:

<0.3 seconds> [0.0] wooden surface, text "wipe surface

A hand and cloth are moving to wipe the surface; then a hand and stain applicator are moving to apply stain.

The background is a static wooden surface with no shifting or environmental elements (fire, water, wind).


A boy in a black shirt and gray shorts, barefoot, stands facing away from the camera on grass near a wooden fence. An adult in a white shirt and gray shorts, also barefoot, stands behind him, guiding his arms. They slowly move left across the lawn as the camera pans left; the background includes a tree and stacked bricks near the fence.

Two distinct solid objects (a person in a white shirt/gray shorts and a child in dark clothing) are moving. The adult is physically interacting with the child, adjusting their position.

Background elements (fence, ground, tree) remain static and show no uniform shifting. No fire, water, smoke, or wind-driven motion is visible.


A bald man in a white shirt and red shorts lies on a yellow and blue weight bench, performing leg presses by repeatedly lowering and raising weight plates. To his left, a man in a pink shirt and black shorts stands observing. The camera remains static, capturing the exercise motion and the observer’s position in a gym with blue walls and equipment.

The barbell is being lifted vertically by the man performing a bench press, with the man's torso shifting slightly during the lift. Both are discrete solid objects moving due to muscular forces.

The background features gym equipment (yellow and black machines) and blue walls that remain static throughout the video. No fluid motion (fire, water, smoke) or environmental wind effects are observed.


A person's hands in black and white footage manipulate playing cards with striped backs on a dark surface. Initially arranging face-down cards, then flipping one to reveal a face-up ace of diamonds, followed by picking up and moving additional cards. The camera maintains a top-down static perspective throughout.

Hands actively manipulating playing cards: shuffling, arranging, and flipping individual cards. The cards are solid, distinct objects moving due to manual manipulation.

Static table surface and uniform background elements with no shifting or fluid motion (fire, water, smoke, wind) observed. Background remains stable throughout the sequence.


RAW CAPTION: Got it, let's break this down. The video shows a scene with two people on stairs. First, I need to track their movements chronologically.

In the first frame, there's a person in white (maybe a sword) and another in dark clothes. The person in white is on the stairs, the dark one is moving. Let's see the actions:

- The person in dark (maybe black) is running up the stairs, then swings something (a sword maybe) towards the person in white. The white-clad person is on the stairs, then falls back, maybe gets hit. Then the dark person continues moving. Wait, looking at the frames:

Frame 0: Two people, one in white, one in dark, on stairs. The dark one is running up, white one is standing.

Frame 1: Dark person is still moving, white person maybe getting hit? Wait, no, frame 0 to 1, the dark person is moving, then frame 2, dark person jumps over the white person? Wait, no, frame 0 shows the dark person (left side) running up the stairs, white person (right) on stairs. Then frame 1, dark person is still moving towards white, white is on stairs. Frame 2: Dark person is moving towards white, white is falling? Wait, the action: the dark person (black outfit) runs up the stairs, swings a sword (or similar) and the white-clad person is struck, then falls back. Then frame 4, the dark person is still moving, white person is down. Wait, the video shows a fight on stairs.

Let's list the main subjects: two people. The first (dark clothing) is moving up the stairs, swinging an object (maybe a sword). The second (white clothing) is on the stairs, gets hit, falls back. Then the dark person continues moving.

Appearance: two people, one in dark (black shirt maybe), one in white (white shirt, pants). Number: two.

Spatial: the dark person is to the left, white to the right, on the stairs. They move towards each other, dark attacks, white falls.

Camera: the viewer is watching from a distance, maybe the camera is stationary, looking down the stairs. Background is a building with columns, but minimal.

Chronology: The person in dark clothing runs up the stairs, swings an object towards the person in white clothing. The white-clad individual falls backward onto the stairs. The dark-clad individual continues moving upward.

Need to check frames:

[0.0]: Both on stairs. Dark is running up, white is standing.

[1.4]: Dark is moving, white is maybe hit.

[2.5]: Dark continues, white falls.

[4.7]: Dark is still moving, white is down.

So the sequence: dark person moves up stairs, attacks white person who then falls back. Dark person continues moving up.

Camera perspective: The video is shot from a fixed position, looking up the stairs at the subjects. The camera is stationary, with the audience (back of heads) visible in the foreground. Wait, in the video, there's a crowd in the foreground (backs of heads), so camera is at the bottom of the stairs, facing up.

So background: the stairs are in front of a building with columns. The main action is on the stairs, with the crowd watching.

Putting it all together:

Two people engage in a physical confrontation on a staircase. The person in dark clothing runs up the stairs, swings an object, and strikes the person in white clothing, causing them to fall backward onto the steps. The dark-clad individual continues moving upward. The camera remains stationary, positioned at the base of the stairs, with spectators visible in the foreground.

Wait, need to be concise. Let's structure:

Chronological order:

- The dark-clothed individual moves up the stairs, approaching the white-clothed individual.

- The dark-clothed individual swings an object, causing the white-clothed individual to fall backward.

- The dark-clothed individual continues moving up the stairs.

Appearance: two individuals, one in dark clothing, one in white clothing.

Spatial: the dark-clothed person approaches from the left side, the white-clothed person is positioned on the stairs.

Camera: stationary, looking up the stairs from a distance, with spectators in the foreground.

Let me check the rules:

a) Motion and behavior in chronological order. Yes.

b) Briefly describe appearance and number. Two people: one dark, one white.

c) Spatial relationships: dark from left, white on stairs.

d) Conclude with camera: stationary, looking up from base, spectators in front.

e) Background minimal: building with columns is background, but mention only if essential. Maybe "st

Discrete solid objects (people) are moving: individuals are walking down the stairs, with visible locomotion and interactions (e.g., passing each other).

The background (columns, building structure) shows no uniform shifting or fluid motion; no fire, water, or smoke is visible, ruling out ambient environmental motion.


Two individuals sit on a couch; the person in a red shirt and light shorts throws a green pillow while the other, dressed in a dark top and blue shorts, interacts by throwing a dark pillow in return. They alternate tossing pillows, with the red-shirted person extending the green pillow and the dark-shirted individual responding with a dark pillow. The scene is set against a plain backdrop with a table in front holding colorful items. The camera remains fixed and stationary.

Two people actively throwing and colliding a green pillow and a black pillow; discrete solid objects (pillows) exhibit clear force-driven motion through interactions with each other and the people.

Static indoor background with no shifting walls or environmental fluids (fire/water/wind); background elements (couch, wall, table) remain fixed.


A person wearing a red top holds a newspaper behind their back, reading its contents; the camera focuses on the newspaper, then shifts to show the person's hands flipping through the pages, with close-ups emphasizing the motion of turning the paper. The background remains indistinct, keeping attention on the newspaper and the person’s actions, while the camera maintains a close-range perspective that transitions between the newspaper’s surface and the hands manipulating it.

Discrete solid objects: The person's hand and newspaper. Motion occurs as the hand turns the newspaper pages, driven by explicit physical forces (gripping and manipulation).

No fluid or environmental motion (fire, water, smoke, wind) observed. Background elements are indistinct and not shifting uniformly; the focus is on the newspaper and hand, with no visible static background to evaluate.


A man in a gray tank top, red shorts, and a necklace stands in a gym, moving his arms before bending forward and lowering his head toward the floor. Other individuals work out in the background, with gym equipment visible. The camera remains static, capturing the scene from a frontal perspective.

A person (discrete solid object) performs a dumbbell exercise, moving their arms and upper body. The dumbbells are solid objects undergoing controlled physical motion due to the exercise.

The gym background (weight machines, floor, other people) shows no fluid motion or environmental shifts (e.g., no smoke, water, or wind effects). Static elements like gym equipment remain fixed relative to the frame.


A person in a dark sleeve holds a small brush with a ring, moving it toward another individual's face. The second person, wearing a black top and with brown hair, receives makeup application near the eye using a small container. The camera maintains a close-up view focusing on the application process.

Makeup artist's hand (with brush) and the subject's face show deliberate motion as makeup is applied to the eye area.

The background (green/brown wall) is static with no shifting or fluid motion; no fire, water, or wind present.


A boy in a yellow shirt and dark shorts stands indoors, holding a brass trumpet. He plays the instrument while positioned in front of a music stand with sheet music near a window with curtains, then stops playing and lowers the trumpet. The camera remains static throughout, capturing the scene from a fixed angle.

A boy is moving his arms and the trombone while playing, indicating discrete object motion due to physical forces (playing the instrument).

Background elements (window, curtains, furniture) are static with no fluid/environmental motion (e.g., fire, water, smoke, wind).


A man in a black shirt, white pants, and dark cap runs left to right across a grassy baseball field near a blue outfield wall. The scene cuts to a second man in a black jacket and black pants standing on the field, gesturing with his hands while facing the camera. The camera transitions from a wide shot of the runner to a medium close-up of the standing man.

A baseball player runs across the field in the first segment; a man gestures and speaks in the second segment. Both are solid objects moving due to locomotion and hand movements.

No shifting backgrounds (blue wall, fence static) or fluid/environmental motion observed. Background elements (trees, wall) remain fixed throughout the video sequence.


Two hands, one adorned with a bracelet and the other with a watch, actively mix chopped green lettuce in a clear glass bowl, tossing and combining the pieces. The camera remains in a close-up position with slight movement, focusing on the bowl's contents as the hands work together. The background is minimal, with only a tray and foil partially visible.

Hands manipulating lettuce in a glass bowl; solid objects (hands, lettuce) exhibit motion due to physical forces from the hands pressing and moving the lettuce.

No shifting background elements or fluid/environmental motion (fire, water, wind) observed; background remains static with no uniform shifts.


Two men stand near a wooden shed structure in a grassy backyard; one wears a gray shirt and dark pants, the other dark clothing. The man in dark clothing moves toward the shed, enters, then exits, while the man in gray shirt steps away. The camera maintains a static top-down perspective throughout.

Two individuals move discretely: one enters/exits the structure, another approaches and interacts with the first person.

No significant shifting background elements (fence, house, grass remain stationary); no fire, water, smoke, or wind-driven motion observed.


A person in a gray t-shirt holds a black digital watch with blue accents, moving it toward the camera to display the face. The watch is brought from their side to the foreground. Background features a wooden ceiling. The camera remains static.

The boy is holding and moving a watch, which is a discrete solid object. The motion is caused by the boy's physical action (hand movement).

The background (wooden ceiling and white wall) is static. No fluid motion (fire, water, wind) is present.


A person in a teal shirt stands in darkness, holding multiple glowing items (pink, yellow, blue). Initially holding pink and yellow objects, they move their hands to transition into holding pink and blue items while manipulating the glowing objects. The individual shifts positions, rotating the items throughout the sequence. Camera perspective is close-up with slight handheld movement.

A person (teal shirt) is moving, holding and manipulating glowing sticks (changing colors and positions).

The background is dark and lacks visible static elements that shift uniformly; no fluid or environmental motion (fire, water, smoke, wind) is present.


RAW CAPTION: Got it, let's break this down. First, the video starts with a close-up of a brick wall. Then a hand appears holding a white object, maybe a mailer? Wait, no, the next frame shows a hand inserting something into a mailbox labeled "APT 2". The mailbox is mounted on the brick wall. Then the hand is seen with a newspaper or magazine going into the mailbox. Then it cuts to green trash bins, a hand opening one, and then a hand holding a metal object, maybe a tool? Let's sequence the actions.

First scene: close-up of a brick wall. Then a hand holding a black object (maybe a mailbox cover) and inserting a paper (newspaper) into the mailbox. The mailbox is on the brick wall. Then a hand interacts with green trash bins, opening one lid. Then a hand holding a metal tool, maybe a pry bar, in front of a white vehicle.

Wait, let's check the frames:

Frame 0: Close-up of brick wall, part of a metal object (maybe a pipe or rod) on the wall.

Frame 1: Hand holding a white object (maybe a piece of paper or mail) near the brick wall. Wait, the first frame after [0.0] is a hand with a white object, then the next is the hand putting something in the mailbox labeled "APT 2". So:

1. A hand places a white object into a black mailbox marked "APT 2" mounted on a brick wall. Then, the hand is seen with a newspaper or magazine being inserted into the mailbox. Then, the scene shifts to a hand opening the lid of a green trash bin. Then, a hand holds a metal tool (like a pry bar) near a white vehicle.

Wait, the frames are:

[0.0] Close-up of brick wall with a metal pipe or rod.

[0.3] Hand holding a white object (maybe a mailer) near the brick wall.

[1.4] Hand inserting a newspaper into the mailbox (APT 2).

[2.5] Hand with newspaper in mailbox.

[3.6] Hand opening a green trash bin lid.

[4.7] Hand holding a metal tool (pry bar) in front of a white vehicle.

Wait, the video sequence is:

0.0: close-up of brick wall with a metal pipe/rod.

0.3: hand holding a white object (maybe a piece of paper) near brick wall.

1.4: hand inserts a newspaper into the black mailbox labeled "APT 2" (mounted on brick wall).

2.5: hand still inserting newspaper into mailbox.

3.6: hand opens the lid of a green trash bin (with "RESIDUO" label).

4.7: hand holds a metal tool (pry bar) near a white vehicle.

But the caption needs to be chronological. Let's structure it:

The video starts with a close-up of a brick wall. A hand then appears, holding a white object, and inserts it into a black mailbox marked "APT 2" mounted on the brick wall. Subsequently, the hand is seen placing a newspaper into the same mailbox. The scene shifts to a hand opening the lid of a green trash bin. Finally, a hand holds a metal tool in front of a white vehicle.

Wait, but need to follow the rules: focus on motion and behavior in chronological order. Describe appearance briefly.

Main subjects: hand (skin tone, but maybe don't mention color, just "a hand"), objects like mailbox (black, with "APT 2"), newspaper, trash bin (green), metal tool.

Spatial relationships: mailbox on brick wall, trash bin on ground, tool near white vehicle.

Camera perspective: close-ups, probably no camera movement mentioned, just the scenes changing.

Let's draft:

A hand places a white object into a black mailbox marked "APT 2" mounted on a brick wall, then inserts a newspaper into the same mailbox. Next, the hand opens the lid of a green trash bin. Finally, a hand holds a metal tool in front of a white vehicle. The camera maintains close-up shots of each action without noticeable movement.

Wait, but need to check if "white object" is correct. The first frame is a hand holding a white object (maybe a piece of mail), then the next is the hand inserting into the mailbox. But the rules say exclude text recognition, so don't mention "APT 2" as text, but the description says "marked 'APT 2'"—wait, rule f says exclude text recognition. Oh, right! Rule f: Exclude text recognition, named characters, or stylistic analysis.

Ah, important. So can't mention "APT 2" because that's text. So need to describe the mailbox without referring to the text on it.

So the

Hands interact with discrete solid objects: moving a tool against a brick wall, opening a car door handle, manipulating a mailbox, and opening trash can lids.

Static background elements (brick walls, car, door, mailbox) remain unshifted across frames; no fluid/environmental motion (fire, water, wind) observed.


A person in a green shirt with yellow trim and a white Nike logo holds a golden saxophone, initially positioning it vertically before adjusting their hands on the instrument's keys. The individual's hands move methodically over the saxophone's keys, with the camera shifting from a wider view of the person to a closer focus on their hands and the saxophone. The background remains indistinct, with the camera maintaining a steady perspective that slightly zooms in on the instrument and the person's hands.

The person's hands are manipulating the saxophone, showing discrete, solid object motion through finger movements and key presses.

Background elements (e.g., furniture) remain static; no fluid/environmental motion (fire, water, wind) is observed.


A hand holding a dark green wine bottle with a visible label pours red wine into a clear wine glass. The person’s hand, adorned with a ring and bracelet, tilts the bottle to fill the glass with red liquid. The glass sits on a surface near a white cushioned chair, with a wooden background. The camera remains in a close-up position, focusing on the pouring action.

Discrete solid objects: human hand holding wine bottle, glass, and wine flowing as a result of controlled pouring action. Hand and bottle exhibit precise motion to direct wine flow into glass.

Background elements (white surface, red fabric) show no uniform shifting; wine pouring is a controlled fluid motion but not dominant environmental fluid dynamics (no fire, uncontrolled water flow, etc.)


RAW CAPTION: Okay, let's tackle this video captioning task. First, I need to understand what the user is asking for. They provided a video clip of a karate dojo scene and want a concise chronological paragraph following specific rules.

Looking at the rules: focus on motion and behavior of main subjects in order. Describe appearance and number briefly. Mention spatial relationships if relevant. Conclude with camera perspective and movement. Keep background minimal. Exclude text, names, stylistic stuff.

The video shows a karate class. There's a person in a white gi with a red belt (maybe a sensei) kneeling, holding a pad. Another person in a white gi with a blue and red belt does a high kick towards the pad. There's a third person in the background also in a white gi with a red belt, observing. The floor has blue and yellow mats. The camera is static, probably a fixed position.

I need to list the sequence: first, the main subject (the kicker) approaches. Then the kick, then the kick lands on the pad. The observer is in the background. The camera doesn't move, so it's a static shot.

Check if the background is minimal. The dojo has wooden walls, maybe a chalkboard, but maybe that's not necessary. The main focus is on the action. The people: three people, but the main ones are the kicker and the pad holder. The observer is in the background.

So the order: the kicker (white gi, blue/red belt) executes a high kick towards the kneeling person (white gi, red belt holding pad). The observer is standing nearby. The camera is static.

Need to mention spatial relationships: the kicker is in front of the kneeling person, the observer is behind or to the side.

Wait, in the frames, the kicker is moving from left to right maybe? The video starts with the kicker facing the pad holder. The kick is a high kick, so the kicker jumps and kicks towards the pad. Then the kick lands, then maybe the kicker steps back. The pad holder stays in position.

Also, the caption must be in chronological order. So first, the kicker approaches, then the kick, then the kick makes contact. The observer watches.

Now, check the rules: focus on motion and behavior. So describe the action step by step.

Appearance: white uniforms, red and blue belts.

Number: three people. But maybe two main subjects (kicker and pad holder), with a third observer.

Spatial: kicker is in front of pad holder, observer is behind.

Camera: static, no movement.

Background: minimal, but the dojo setting is implied. The blue and yellow mats are part of the setting but maybe not necessary unless essential for motion. The key motion is the kick, so maybe the mats are relevant as the floor.

Wait, rule e says minimal background unless essential. The mats might be part of the essential context for a dojo, so perhaps mention the blue and yellow mats.

So putting it all together:

In a dojo with blue and yellow mats, a person in a white karate gi with a red and blue belt executes a high kick toward another person kneeling in a white gi with a red belt holding a pad. A third person in a white gi with a red belt stands behind the kicker, observing. The camera remains static throughout the sequence.

Wait, but the order should be chronological. Let me check the frames. The video starts with the kicker in position, then the kick is executed, then the kick lands, then the kicker returns. The observer is present.

Wait, the user's example output: The video shows two children in white uniforms performing karate moves. The child on the left wears a red belt, while the child on the right, wearing a blue belt, executes a high kick toward the left child. A third person in the background observes. The camera remains static.

Hmm, but in the user's provided example, they mention "two children" but maybe in our case it's three people. Let me check the actual frames.

Looking at the video description: the first frame has a person kicking towards someone holding a pad. The kicker has a blue belt, the pad holder red. There's another person in the background (same as the first frame, a third person). So three people. The caption should mention all three, but focus on the main action.

Wait, the task says "main subjects (people/animals/objects)", so perhaps the main ones are the kicker and the pad holder. The third person is secondary but maybe part of the scene.

But the user's rules say "main subjects", so maybe only the two primary ones. Wait, the rules: "focus primarily on the motion and behavior of main subjects (people/animals/objects) in chronological order."

So the main subjects are the ones doing the action. The kicker and the pad holder. The third person is in the background

Multiple karate practitioners in white uniforms with colored belts perform discrete martial arts movements (kicks, strikes) as solid objects interacting via explicit physical forces (locomotion, impact).

The background (walls, door, wooden paneling) remains static and unshifted across frames, with no signs of fluid motion (fire, water, smoke, wind).


RAW CAPTION: Got it, let's break this down. The video starts with two people standing in a kitchen. The first frame shows them at a counter with two eggs. Then the camera cuts to a pot on the stove. Next, there's a close-up of hands cracking an egg into a small bowl. Then pouring that egg into the pot. So I need to describe the sequence chronologically.

First, two men (plaid shirt and brown shirt) stand at a granite counter with two white eggs. Then camera shifts to a stainless steel pot on a stove. Then close-up of hands cracking an egg into a black bowl (on a white surface). Then pouring the egg from the bowl into the pot. Check the rules: focus on motion, chronological, appearance, spatial, camera perspective.

Make sure to mention the people's clothes, the eggs, the pot, the actions. Keep it concise. Let's structure it:

Two men stand at a kitchen counter; one in a plaid shirt, the other in a brown shirt, with two white eggs on the granite surface. The camera cuts to a stainless steel pot on a gas stove. Close-up of hands cracking a white egg into a small black bowl placed on a white cloth. Then, the hands pour the egg from the bowl into the pot.

Check if all rules are met. Chronological order: yes. Motion: standing, cutting to pot, cracking, pouring. Appearance: plaid shirt, brown shirt, eggs, pot, bowl. Spatial: eggs on counter, pot on stove, bowl on cloth. Camera perspective: starts with medium shot, then close-up, then top-down maybe? Wait, the third frame is top-down of hands cracking, then pouring into pot (which might be a top-down or close-up).

Wait the video frames:

Frame 0: two men at counter.

Frame 1: pot on stove.

Frame 2: hands cracking egg into black bowl.

Frame 3: pouring from bowl to pot.

So the camera moves from medium shot (men) to close-up (pot), then close-up (hands cracking), then close-up (pouring).

Need to mention camera perspective: starts with medium shot, then close-up of pot, then close-up of hands, then top-down or close-up.

Wait the problem says "conclude with camera perspective and movement". So in the caption, end with how the camera is positioned and moved.

Let me draft:

Two men stand side-by-side at a granite kitchen counter; one wears a plaid shirt, the other a brown t-shirt, with two white eggs placed between them. The camera shifts to a top-down view of an empty stainless steel pot on a gas stove. Then, hands crack a white egg into a small black bowl resting on a white cloth, followed by pouring the egg from the bowl into the pot.

Check if minimal background: yes, kitchen is mentioned but not detailed. Excluded named characters. Mentioned spatial (eggs between them, bowl on cloth, pot on stove). Motion: standing, cutting to pot, cracking, pouring. Appearance: plaid, brown shirt, eggs, pot, bowl.

Wait "two white eggs placed between them" – in the first frame, they are on the counter in front of them. So "with two white eggs on the counter".

Let me check the rules again:

a) chronological order: yes.

b) appearance: colors, sizes, orientation. Men's shirts, eggs (white), pot (stainless steel), bowl (black).

c) spatial: eggs on counter, pot on stove, bowl on cloth.

d) camera perspective: medium shot (start), close-up (pot), close-up (hands), top-down (cracking).

e) background minimal: kitchen is implied, but not detailed.

f) exclude text, names: yes.

So final draft:

Two men stand at a granite kitchen counter; one in a plaid shirt, the other in a brown t-shirt, with two white eggs on the surface. The camera cuts to a close-up of a stainless steel pot on a gas stove. Hands crack a white egg into a small black bowl on a white cloth, then pour the egg into the pot.

Check if camera perspective movement: "cuts to close-up", then "close-up", then "hands crack... then pour". The last part is the camera is close-up on the pouring action.

Wait the rules say "conclude with camera perspective and movement". So the ending should mention the camera's view at the end.

In the last frame, it's pouring from bowl to pot, so camera is close-up. So:

Two men stand at a granite kitchen counter; one in a plaid shirt, the other in a brown t-shirt, with two white eggs on the surface. The camera shifts to a close-up of a stainless steel pot on a gas stove. Hands crack a white egg into a small

Hands and egg are the discrete solid objects: hands crack an egg and pour the contents into a pot, showing explicit physical interactions (cracking, pouring).

No shifting backgrounds or fluid/environmental motion (fire, water, wind) observed. Kitchen background elements (cabinets, stove) remain static throughout the sequence.


The video opens with a badminton net on a concrete court, a shuttlecock mid-air, and several women near the net. The camera pans across the scene, showing women in black, white, and gray outfits serving and moving around the court. One woman in a gray shirt serves the shuttlecock, while others adjust positions; motorcycles and greenery appear briefly in the background. The camera shifts to follow the players' dynamic motions, capturing interactions and movements across the court.

Discrete solid objects (people) are moving: a person in black attire is seen hitting an object (possibly a ball), while other individuals walk and interact on the court. These motions are due to explicit physical actions (locomotion, collision with the ball).

No shifting background elements (trees, buildings, ground remain static across frames), and no fluid/environmental motion (fire, water, smoke, wind) observed. The background is stable with no uniform motion indicating ambient effects.


A group of dancers in yellow outfits and white hats perform on stage. Initially four dancers move in sync, stepping and raising arms; more dancers in similar attire join from the background, expanding the group as they dance across the stage. The dancers maintain close formation, executing coordinated movements. The camera follows their motion with a slight pan, capturing the performance against a backdrop of brown curtains.

Multiple dancers in yellow costumes are moving through synchronized locomotion (stepping, arm gestures, turns) with distinct bounding boxes.

The stage curtain and floor remain static throughout; no fire, water, smoke, or wind motion is visible. Background elements show no uniform shifting.


A shirtless, muscular man with dark hair stands on a wooden porch under an overhang, with green foliage visible in the background. He moves his left hand downward, then raises his right hand to adjust his lower body, followed by bringing his right arm across his chest. The camera remains static with slight shake, capturing the subject from a low angle as he turns his head slightly to the side.

A shirtless man with tattoos is moving his head, torso, and arms.

No shifting background; trees show minimal sway but no dominant fluid/environmental motion.


In a narrow alley with concrete walls, a person in a dark and white jersey (number 105) lies on the ground while another individual in dark clothing stands near a brown wall. The first person rises and walks toward the camera, followed by the second person, who moves alongside them. The camera remains stationary throughout.

Two people: one initially lying on the ground who gets up and walks, and another person standing who also moves. Their motion is due to locomotion (walking) and physical interaction (assisting the fallen person).

The alleyway background (walls, ground) shows no uniform shifting or fluid motion; no fire, water, or smoke is present.


A man wearing a red sweater and dark pants stands in front of stadium bleachers and a fence. He then moves to a grassy field, lifts a bat overhead, and swings it in a horizontal motion. The camera remains static throughout, capturing his movements against the outdoor stadium background.

The man in the red shirt and the golf club are moving; the man is swinging the club, causing the club to move through the air.

The background in both scenes (bleachers and building/fence) is static and shows no signs of fluid or environmental motion (fire, water, smoke, wind).


A right hand holding a black marker draws chaotic black lines across a white sheet of paper placed on a wooden surface. The hand moves from left to right, adding increasingly dense scribbles. In the top-right corner, a green object rests on the wooden surface. The camera maintains a static top-down view throughout the sequence.

A hand is moving, actively drawing on paper, which is a discrete solid object undergoing locomotion (drawing motion) due to physical action.

Background elements (wooden surface, green object) are stationary; no fluid/environmental motion (fire, water, smoke, wind) observed.


A person with long brown hair sits with their back to the camera, wearing a light pink top. Another individual in a pink and white floral shirt and wristwatch stands behind them, using both hands to gather and smooth the hair upward, then moving hands down the length to flatten it. The background features a brick window ledge with orange flowers. The camera remains stationary in a medium close-up shot.

The standing person's hands are actively manipulating the sitting person's hair, creating distinct motion of the hands and hair strands due to deliberate physical action. This motion is clearly attributable to discrete object interactions (hand-hair contact).

The brick window ledge and potted plants in the background remain stationary throughout the sequence. No fluid motion (water, fire, smoke) or wind-induced movement (e.g., swaying leaves) is observed in the environment.