RAW CAPTION: Okay, let's tackle this video caption request. First, I need to understand the rules properly. The user wants a concise, chronological paragraph describing the video, focusing on motion and behavior of main subjects. Let me look at the frames provided.

The video starts with a person sitting, wearing a dark shirt with some text. There's a bottle on the table. The first frame shows the person's torso and the bottle. Then in the next frames, the person's hands come into view, moving towards the bottle. They're making hand gestures—clapping or showing fingers. The hands are in front of the bottle. The background is dim, maybe a room with warm lighting.

Rule a says focus on motion and behavior in chronological order. So start with the person sitting, then hands moving. Need to mention the bottle is on the table. The person's shirt is dark, maybe the text is part of the shirt, but rule f says exclude text recognition. So just say dark shirt. The hands are moving towards the bottle, clapping or gesturing. The bottle is clear, maybe with a label, but again, no text.

Spatial relationships: hands are in front of the bottle. Camera perspective—looks like a close-up, maybe static camera. The video might be slightly shaky, but the user says to mention camera movement if relevant. The example output in the rules mentions "slight shake," but in this case, maybe the camera is steady. Wait, the first frame to the fifth, the camera seems to stay focused on the hands and bottle. Maybe no movement except the subject's actions.

Background is minimal. The lighting is warm, but since it's minimal, maybe just note the room is dim.

Wait, the rules say to keep background descriptions minimal unless essential. So maybe just say "dimly lit room" but not too much.

The caption needs to be chronological: first the person sits with the bottle, then hands move up, clap, etc. The person is moving their hands in front of the bottle. So the main subjects are the person (dark shirt) and the bottle.

Check if there are multiple people or objects. Only one person visible. The bottle is clear, standing on the table.

Now, structure the paragraph: start with the person sitting, then their hands moving towards the bottle, making gestures. Mention the bottle's position relative to the hands. Conclude with camera perspective—close-up, static maybe.

Wait, in the frames, the camera seems to stay focused on the hands and bottle, so maybe it's a close-up shot without movement. The user's example says "slight shake" but maybe here it's steady.

Wait, the rules for camera perspective: mention if top-down, pan left, slight shake. If the camera is steady, just say "static close-up" or similar. But the example output uses "slight shake." Hmm. Let me check the provided example. The user's example in the rules isn't given, but the output format says to follow it exactly.

Wait, the task says "Conclude with the camera perspective and movement (e.g., top-down, pan left, slight shake)." So if the camera is static, maybe say "static close-up." But in the video, maybe it's slightly shaky? The frames look a bit grainy, but maybe it's the lighting. The user's example might have a slight shake, but in this case, perhaps it's a steady shot. But since the problem doesn't specify, maybe the camera is static.

Putting it all together: A person wearing a dark shirt sits with a clear bottle on the table. The person raises their hands, moving them in front of the bottle, making clapping motions. The hands then move toward the bottle, palms facing outward. The camera maintains a static close-up shot throughout.

Wait, check the sequence: frame 0 shows the person and bottle. Then frame 1: person raises hands. Frame 2: hands moving towards bottle. Frame 3: hands clapping. Frame 4: hands moving again. So the motion is hands moving up, clapping, then back. So the description should be chronological: first hands raised, then clapping motions, then hands moving towards the bottle.

Wait, the actual frames:

0: person sitting, bottle on table.

1: person raises hands (palms up, maybe showing fingers)

2: hands clap or gesture

3: hands move towards bottle

4: hands moving again

Wait, the frames as per user's input:

Frame 0: person sitting, bottle.

Frame 1: hands raised.

Frame 2: hands making gestures (clapping maybe?)

Frame 3: hands moving towards bottle.

Frame 4: hands moving again.

So the motion is the person's hands moving in front of the bottle, gesturing, possibly clapping.

A person's hands are moving in discrete gestures (e.g., showing fingers, clapping motions) while holding a bottle; the bottle remains stationary. Motion is driven by the person’s explicit physical actions.

Background elements (dark indoor setting) show no significant shifting or fluid motion; no fire, water, or smoke observed. Ambient motion is absent.


A hand enters the frame from the top right, moving across a vibrant cosmic painting featuring a red sun, blue sky, tree branches, and stars, then retracts. The hand’s motion is observed over the artwork as the camera remains stationary with slight movement.

Artist's hand and brush moving in controlled motions to apply paint to the canvas, with visible brush strokes and color application.

No shifting background elements or fluid/environmental motion (e.g., fire, water, wind). The workspace (table, containers) remains static relative to the camera frame.


A large group of soldiers in dark gray uniforms and caps march forward in formation across an open area, moving in unison. As they advance, several raise their right hands in a salute, holding the gesture while continuing to walk. The camera follows closely behind the group, maintaining a steady rear perspective with minimal movement, capturing the soldiers' synchronized motion and salutes against a sparse backdrop of distant buildings and vehicles.

Soldiers in uniform marching in formation, exhibiting discrete solid object motion due to explicit locomotion (marching) and coordinated movement.

No fluid/environmental motion (fire, water, wind) observed. Static background elements (buildings, ground) remain fixed without uniform shifting, indicating no dominant ambient environmental motion.


RAW CAPTION: Got it, let's break this down. The video starts with a person adjusting a tie. First, they're in a white shirt, dark striped tie. Then they pull the tie up, maybe untie it? Wait, the sequence: first, hands on tie, then pulling the tie, showing the knot. Then the camera moves down to the waist area? Wait, the video has frames: 0.0 to 5.0. Let's see each frame.

Frame 0: Person in white shirt, adjusting tie (hands on neck). Background has a wall with signs.

Frame 1: Hands pulling tie, maybe adjusting the knot.

Frame 2: Shows the tie being pulled, maybe untied? Wait, the person is handling the tie, maybe removing it. Frame 3: Camera moves down to show the person's lower body? Wait, frame 3: the person is holding the tie, maybe showing it. Then frame 4: holding the tie, perhaps the tie is untied.

Wait, the task is to describe motion chronologically. So:

- The person, wearing a white shirt, adjusts a dark striped tie. They pull the tie, then the camera moves down to show the tie being handled (maybe taking it off?).

Wait, let's parse each frame:

0.0: Person in white shirt, tie (dark with white stripes), hands adjusting tie (knot area).

1.0: Hands pull tie, maybe loosening.

2.0: Camera tilts down? Shows the tie being pulled away, the person steps back? Wait, frame 2: "pulls the tie" and then shows the tie hanging.

3.0: Camera moves down further to show the lower body (black pants), person is holding the tie.

4.0: Person is holding the tie, maybe examining it.

Wait, the key points: person in white shirt, dark striped tie; adjusts, then pulls, then shows tie being held, camera moves down to waist area, then to lower body. Spatial: the person is in front of a wall with signs (but background minimal). Camera starts close-up on face, then moves down to chest, then waist, then lower body.

So chronology:

- A man in a white dress shirt and dark striped tie adjusts his necktie with both hands, pulling it loose and then moving the tie away from his neck. The camera follows the motion, panning downward to reveal his black trousers as he continues handling the tie, eventually showing the tie held in both hands.

Wait, need to check if there's a person (only one, as the video shows one person). Appearance: white shirt, dark striped tie (maybe black with white stripes), black pants. Motion: adjusting tie (pulling, loosening), then camera moves down to show the rest of the body.

Let's structure it:

A man in a white dress shirt and dark striped tie adjusts the knot with both hands, pulling the tie away from his neck and then holding it to display the loosened knot. The camera pans downward from his upper body to his waist and lower body as he continues to handle the tie.

Wait, but in frame 2, the person is moving, maybe the camera tilts. Let's check the frames:

Frame 0: Close-up of man's face, hands adjusting tie.

Frame 1: Hands pulling tie, showing the tie's position.

Frame 2: Camera moves down, showing the tie being pulled, maybe the person steps back.

Frame 3: More downward, showing black pants.

Frame 4: Person holds the tie in hands, showing it.

So the motion is:

The man, wearing a white shirt and dark striped tie, uses both hands to adjust his necktie, pulling it down and then holding it to display the loosened knot. The camera pans downward from his chest to his waist and lower body as he continues to handle the tie.

Wait, need to be concise. Let's make sure it's chronological.

First, adjust tie (hands on neck), then pull the tie away, then camera moves down to show lower body, then holding the tie.

Yes:

A man in a white dress shirt and dark striped tie adjusts the tie with both hands, pulling it down and away from his neck; the camera then pans downward to reveal his black trousers as he holds the tie in his hands.

Check if background is minimal. The wall with signs is there but only mention if essential. Since the rules say "exclude text recognition", but background is just a wall, maybe mention as minimal.

Wait, rule e: Keep background descriptions minimal unless essential for understanding motion. So the background is a wall, but maybe not necessary. So focus on the person and motion.

Let's try:

A man wearing a white dress shirt and a dark striped necktie uses both hands to adjust the tie, pulling it

A man is adjusting his tie: pulling the tie upward, turning it, and manipulating the knot with deliberate hand movements. The tie and hands exhibit controlled, discrete motion due to physical manipulation.

Background elements (wall, blue/white sign, door) are static with no shifting or fluid motion. No fire, water, smoke, or wind detected.


A person in a red striped shirt with glasses and a white bracelet interacts with small colorful objects on a table, moving a right-side item leftward, then repositioning a dark cluster and blue object toward the left while adjusting scattered pieces. The camera maintains a steady, eye-level perspective throughout.

A person is actively moving small solid objects (toys, possibly Legos) across a table using hand movements.

Background elements (walls, baseboard) show no shifting or fluid motion. No fire, water, smoke, or wind present.


A person in a black suit with a striped tie and gold crest on the jacket stands outdoors, raising a camera to their face to take a photograph, then lowering it and repositioning for another shot. The background includes a partly cloudy sky and green field. The camera perspective is handheld and slightly shaky, following the subject’s movements.

A man in a suit is moving his head and body, holding a camera. His movements are deliberate (e.g., lifting the camera, turning to the side, adjusting position).

The background includes a clear sky and a building with green trim; no fire, water, smoke, or significant wind-driven motion observed. Background elements (building, sky) are static and not shifting uniformly.


A person in a pink shirt and light blue jeans, wearing a baseball glove, fields a ball on a grassy field and then runs toward the infield dirt, with another player in a uniform visible in the background. The camera follows the main subject with a slight shake.

The batter (in pink shirt and blue pants) moves by swinging, running, and falling. The pitcher (in dark uniform) throws the ball and runs.

The background (baseball field) is stable with no uniform shifting. No fire, water, or wind motion dominates the scene.


A dark brown horse with a red bridle stands near a red structure, its head facing forward. A child in a red plaid jacket and black hat approaches from the right, holding a small bucket. The child bends down and pours water from the bucket onto the horse's front hoof, then moves to the other front hoof. The camera follows the child's movement downward and slightly shifts to focus on the horse's legs. Background elements include a white wall and ground, with minimal detail. The camera remains mostly stationary but adjusts to capture the interaction.

A person in a red jacket is actively moving (kneeling, cleaning the horse's hoof) while the horse remains mostly stationary.

Background elements (wall, ground) are static with no fluid/environmental motion (fire, water, wind).


A hand cracks an egg into a black frying pan, releasing the egg white and yellow yolk which spread across the pan's surface; the hand then moves away as the egg begins to cook. The camera maintains a top-down close-up perspective throughout.

A hand (discrete solid object) is moving to crack and pour an egg into a pan. The egg is a discrete object that is initially poured and then begins to cook (minimal motion).

The background (stovetop) is static with no shifting. No fluid or environmental motion (fire, water, wind) is dominant.


A man in a gray long-sleeve shirt and dark pants holds a blonde woman in a striped top and black bottoms from behind as they stand on a paved path. The scene transitions to the couple sitting on stone stairs; the man, now in a red sweater, ripped jeans, and black beanie, embraces the woman, who wears a black dress, black stockings, and boots. The camera remains static throughout, capturing their close physical interaction in each setting.

Two people (a man and a woman) are engaging in physical interaction (kissing, embracing) with minimal movement within each scene. Motion is discrete and due to their own actions.

Background elements (fence, vegetation, stairs, ground) are static with no shifting or fluid motion (fire, water, wind).


A person in a blue hoodie, wearing sunglasses and a wristwatch, works on a colorful jigsaw puzzle spread across a wooden table. They pick up a white mug from the table’s left side, hold it up, and then place it back down while continuing to handle puzzle pieces. The camera remains stationary, capturing the scene from a fixed overhead angle.

A person's hands are actively manipulating jigsaw puzzle pieces: picking up, placing, and adjusting individual pieces on the table surface.

Background elements (wooden table, mug, plastic bags) are static and show no uniform shifting or environmental motion (e.g., no fire, water, or wind).


A hand holding red-handled scissors cuts a piece of nori seaweed sheet, then uses a spoon to place the cut nori pieces onto rice balls within a turquoise bento box. The bento contains a snowman-shaped rice ball, heart-shaped crackers, and other food items arranged on a light-colored surface. The camera remains stationary in a top-down perspective.

A human hand is moving discrete solid objects (cookies/bento items) into a container, demonstrating explicit physical placement and interaction.

Static background elements (table, notebook, sticky note) show no uniform shifting or fluid motion; no fire, water, or wind is present.


A hand with dark skin holds a lined sheet of paper, while a black pen writes additional text on the right side. The hand remains steady, fingers positioned on the left edge of the paper. The camera maintains a close-up, static view of the writing process.

A hand and pen are moving discretely to write text on the paper, demonstrating explicit physical locomotion (hand motion for writing).

The background (paper surface) is static with no fluid/environmental motion (fire, water, wind). No shifting background elements observed.


A person in a yellow tank top and dark shorts stands on a basketball court, then walks toward the basketball hoop. The grassy area adjacent to the court shifts from green to brown, then to red and purple hues. The camera remains stationary, positioned at a low angle with a vehicle's edge visible in the foreground.

A person is moving (running/walking) and appears to interact with a ball, both exhibiting distinct solid-object motion.

Background elements (trees, house, road) show no significant shifting or fluid motion; no fire, water, smoke, or wind-driven movement observed.


Two individuals in dark clothing dance on a club floor under rapidly changing colored lighting (pink, then yellow, then green), moving in coordinated motions with occasional arm extensions while other dancers are visible in the background. The camera follows their movement with a slight shake.

Multiple people (dancers) are moving in a dance floor, exhibiting rhythmic motion typical of dancing (locomotion). They are solid, discrete objects.

The background elements (bar, walls, and curtains) are static and do not shift uniformly. There are no signs of fire, water, smoke, or wind. The scene is indoors with artificial lighting and no fluid environmental motion.


A large German Shepherd with a brown and black coat stands on a purple platform near a window as a woman with short hair and dark clothing crouches beside it, attending to the dog's paws. The dog turns its body, the woman rises to her feet, and the dog steps back onto the platform. The scene is captured by a stationary camera.

Dog moves head/body on mat; person (partially visible) interacts with dog via hand movements, both exhibiting discrete locomotion.

Background elements (wooden walls, tool cabinet, window) show no shifting or environmental motion; outdoor snowy scene lacks active fluid motion (e.g., wind, falling snow).


A girl in a tie-dye shirt and purple shorts performs a split on a light-colored floor. She extends her arms forward, bends forward to touch the ground, and then returns to an upright position. The background includes a chair and indistinct objects; the camera maintains a static perspective throughout.

A person is performing stretching movements, including shifting posture and lowering the body to the floor.

The background elements (chair, bowl) remain static; no fluid or environmental motion (fire, water, wind) is present.


RAW CAPTION: Okay, let's tackle this video captioning task. First, I need to understand what the user wants. They provided a video with several scenes, and my job is to create a concise chronological paragraph based on the rules given.

Looking at the video frames, the first scene shows three people on a couch. Wait, the first frame mentions a girl sitting on the floor, but in the next frame, the scene changes. Hmm, maybe there's a transition. Let me check the timestamps. The initial frame is [0.0], then [1.4], [2.5], [3.6], [4.7]. Each frame is a different shot.

Wait, the user says to focus on motion and behavior in chronological order. So I need to describe what happens in each frame in the order they appear.

First frame: three people on a couch. The description says two on the couch and one on the floor. Wait, the first frame shows a girl on the floor with two on the couch. But in the next frame ([1.4]), the scene shifts to two people on the couch, but the frame count jumps. Wait, maybe the video starts with three people (including the girl on the floor), but the next frame is a close-up of a girl with headphones. Wait, the first frame has three people: two on the couch (one wearing a white shirt with "FOREVER" and another in black), and a girl on the floor. Then in frame [1.4], the scene changes to two people on the couch, but maybe the girl on the floor is now sitting on the couch? Wait, the user's input shows:

[0.0] shows three people: two on the couch, one on the floor.

[1.4] shows two people on the couch (the same two, but now the girl on the floor is gone? Or maybe the girl on the floor is part of the two? Wait, the first frame says two on the couch and one on the floor. Then the next frame [1.4] shows two on the couch again. Wait, maybe the first frame has three people (two on couch, one on floor), then in the next frame, the person on the floor is now sitting on the couch? Or maybe the scene changes.

Wait, the second frame (1.4) says "two people sitting on a couch". The third frame (2.5) is a close-up of a girl with headphones. The fourth frame (3.6) shows two people on the couch again, and the fifth frame (4.7) is a close-up of the girl on the floor.

Wait, the user's description for each frame:

<0.0> shows three people: two on couch (one white shirt, one black), one on floor.

<1.4> shows two people on couch (same two, maybe the person from floor is now on couch? Or maybe the frame is a different angle).

Wait, the actual problem is that the video starts with three people (two on couch, one on floor), then transitions to two on couch, then a close-up of the girl with headphones, then two on couch again, then a close-up of the girl on the floor.

But the task is to describe the motion and behavior in chronological order. So starting from the first frame (0.0), then 1.4, 2.5, 3.6, 4.7.

Let me parse each frame:

- 0.0: Three people. Two on a floral couch (one in white shirt with "FOREVER", another in black hoodie), one girl on the floor with a controller. The girl on the floor is holding a controller, the couch people are also holding controllers. The room has a coffee table with snacks, a window with plants outside.

- 1.4: Two people on couch (same as before), now the girl on the floor is gone? Wait, the description says "two people sitting on a couch" in this frame. So maybe the person from the floor has moved up.

- 2.5: Close-up of a girl with headphones (white, red cable), smiling. She's probably one of the people from the couch or the floor. The background has a brick wall.

- 3.6: Two people on couch again, but now the girl on the floor is back? Wait, the description says "two people on couch" and "a girl with headphones in front of them"? No, the 3.6 frame description: "two people on the couch, one in white shirt and one in black hoodie, with a girl in blue shirt moving in front of them."

Wait, the user provided each frame's description as:

<0.0> [initial frame]

<1.4> [next frame] two people on couch

Two individuals on the couch throw solid objects (pillows/blankets) at each other. A woman wearing headphones throws a phone. These objects move due to explicit physical forces (throws) and collisions with other objects or people.

The background elements (stone wall, window with greenery, couch) are stationary throughout the couch scenes. No fluid or environmental motions (fire, water, smoke, wind) are present as dominant features. The scene cuts to a woman with headphones, but this is editing, not continuous environmental motion.


A crowd of seated spectators lines the left side of a paved area, observing two men in the center. The first man, wearing a gray shirt and dark shorts, bends over, then stands and walks toward the second man, who is dressed in a black tank top and dark shorts while holding a blue object. They move toward each other, approaching within arm's reach. The camera remains stationary, capturing the interaction from a frontal perspective with minimal background detail.

Discrete solid objects (people) are moving via locomotion; individuals are walking across the scene.

The background elements (buildings, ground markings) remain static with no significant shifts or fluid environmental motion (fire, water, smoke, wind).


An infant wearing a pink shirt and light-colored pants lies on a striped blanket, shifting position and moving arms slightly while looking around. The camera maintains a close-up perspective with minor movement.

Baby (a solid distinct object) exhibits minimal movement: head turning, facial expressions changing, and slight limb movements.

No shifting background or fluid/environmental motion (fire, water, wind) observed.


RAW CAPTION: Got it, let's break this down. The video starts with a view of a grocery store aisle labeled "Milk" above a refrigerated section. Then, a person in a gray shirt and dark shorts pushes a shopping cart into the frame from the right, moves forward through the aisle, and exits the frame. The camera stays stationary. Need to follow the rules: focus on motion, chronological order, describe appearance briefly, spatial relationships, camera perspective. Background is the shelves and fridge, but minimal description. Don't mention "Milk" as text, but since it's part of the scene, maybe just note the signage as background? Wait, rule f says exclude text recognition. Wait, rule f says "Exclude text recognition, named characters, or stylistic analysis." So the "Milk" sign is text, so we shouldn't mention it. Hmm. So the scene is a grocery store aisle with shelves on both sides, refrigerated section in the back. The main subject is the person pushing the cart.

Wait, first frame: aisle with shelves on left and right, refrigerated section behind. Then a person enters from right, pushes cart, moves left to right? Wait, in frame 2: person is entering from right, pushing cart. Frame 3: they're moving through the aisle, closer to the center. Frame 4: they push the cart past the center, moving towards the left side of the frame, then exit left. So the motion is: person pushes cart from right side into the aisle, moves through the center, and exits to the left. Camera is stationary. Background: shelves with various items, refrigerated section behind.

So the caption should be: A person wearing a gray shirt and dark shorts pushes a shopping cart through a grocery store aisle, moving from the right side of the frame toward the left, passing the refrigerated section. The camera remains stationary.

Wait, check rules: mention appearance (color, size, orientation), spatial relationships. So the person is in gray shirt, dark shorts. The cart is being pushed. The aisle has shelves on both sides, but background minimal. So:

A person in a gray shirt and dark shorts pushes a shopping cart through a grocery store aisle, moving from the right toward the left. The shelves on either side and refrigerated section are visible in the background. The camera remains stationary.

Wait, but rule e says "background descriptions minimal unless essential for understanding motion." The motion is the person moving through the aisle, so the background (shelves, fridge) is part of the setting but minimal. So perhaps: A person in a gray shirt and dark shorts pushes a shopping cart through a grocery store aisle, entering from the right and exiting to the left. Shelves line both sides, with a refrigerated section in the background. The camera remains stationary.

Wait, but the video starts with the fridge visible, so the background is the fridge and shelves. But we need to keep background minimal. Let's see. The key is motion: person enters from right, moves through aisle, exits left. Camera is fixed.

So final caption: A person wearing a gray shirt and dark shorts pushes a shopping cart into the grocery store aisle from the right, moves through the center, and exits to the left. Shelves with assorted items line both sides of the aisle, and a refrigerated section is visible in the background. The camera remains stationary.

Wait, but the problem is rule g says "exclude text recognition", so "Milk" sign is text, so we shouldn't mention it. So the background is shelves and fridge, no mention of "Milk". So that's correct.

Let me check the examples. The user provided a video with a "Milk" sign, but rule f says exclude text recognition. So we don't mention "Milk". So the background is shelves and fridge, but we don't talk about the sign. So the caption should not refer to the "Milk" sign.

So the main subject is the person pushing the cart. Chronological order: enters from right, moves left, exits.

So:

A person in a gray shirt and dark shorts pushes a shopping cart through a grocery store aisle, entering from the right side of the frame, moving toward the center, and exiting to the left. Shelves with assorted items line both sides of the aisle, and a refrigerated section is visible in the background. The camera remains stationary.

Check rules:

a) Motion and behavior: person pushes cart, enters, moves, exits. Chronological.

b) Appearance: gray shirt, dark shorts, shopping cart.

c) Spatial: enters from right, moves toward center, exits left. Shelves on sides.

d) Camera: remains stationary.

e) Background minimal: shelves and fridge mentioned, but minimal as they're part of the setting.

f) Exclude text recognition: correct, no mention of "M

A person pushing a shopping cart moves linearly from right to left through the aisle; motion is distinct and trackable as discrete locomotion.

Background elements (shelves, refrigerated display, 'Milk' sign) remain stationary throughout; no shifting or fluid motion (fire, water, smoke, wind) observed.


RAW CAPTION: Got it, let's break this down. First, the video starts with a close-up of a hand using a yellow pencil to fill a Sudoku grid. The hand is moving over the grid, writing numbers. Then, the scene transitions to a man sitting at a table. He's wearing a blue polo shirt with red and white trim, and he's holding a pencil. The table has a checkered tablecloth, and there's a bowl of plums. The man is speaking and gesturing with his hands.

So, chronological order: first, the hand on the Sudoku, then the man at the table. Need to describe the motion and behavior. For the first part, the hand (color? not sure, but maybe just "a hand") using a yellow pencil on a Sudoku grid. Then the man sitting, gesturing, holding a pencil. Spatial relationships: the Sudoku is on the table, the man is at the table with the grid in front. Background: checkered tablecloth, white tiles in the second scene.

Check the rules: focus on motion and behavior. First part: hand writes on Sudoku. Second part: man gestures while speaking, holding pencil. Appearances: hand (color? maybe just "a hand"), man in blue polo, pencil. Spatial: grid on table, man seated at table with grid in front. Camera: first close-up, then medium shot of the man.

Exclude text recognition (like numbers on Sudoku), named characters (no names), stylistic analysis.

So, putting it together:

The video opens with a close-up of a hand using a yellow pencil to fill in numbers on a Sudoku grid. The scene then cuts to a man in a blue polo shirt with red and white trim sitting at a table covered with a blue-and-white checkered tablecloth; he gestures with his hands while holding a pencil. In the background, a bowl of plums sits on the table, and the man appears to be speaking. The camera shifts from a top-down view of the grid to a medium shot of the man.

Wait, need to check the rules. Rule d: conclude with camera perspective and movement. The first scene is top-down (close-up of hand on grid), then the next scene is a medium shot. So camera perspective: first top-down, then medium shot. Also, the man's gestures: "gestures with his hands" as he speaks. The background minimal: just mention the bowl of plums and checkered tablecloth in the second scene.

Avoid text recognition, so don't mention the numbers on the grid. The man is bald, wearing glasses? Wait, the first image shows his hands, then the second scene shows him. The second scene: "a man in a blue polo shirt with red and white trim" — the description says "blue polo shirt with red and white trim", so that's appearance. He's holding a pencil, gesturing. The Sudoku grid is on the table in front of him.

So, revise:

The video begins with a close-up of a hand using a yellow pencil to fill numbers on a Sudoku grid. It then transitions to a man in a blue polo shirt with red and white trim seated at a table with a blue-and-white checkered tablecloth; he gestures while holding a pencil, with a bowl of plums on the table to his right. The camera shifts from a top-down view of the grid to a medium shot of the man.

Wait, the background for the second scene: white tiled wall. The problem says "background descriptions minimal unless essential". So "white tiled wall" might be essential? The user's second scene description: "white tiled wall". So include that.

So final:

The video starts with a close-up of a hand using a yellow pencil to fill a Sudoku grid. It then cuts to a man in a blue polo shirt with red and white trim seated at a table with a blue-and-white checkered tablecloth; he gestures while holding a pencil, with a bowl of plums on the table to his right and a white tiled wall in the background. The camera moves from a top-down view of the grid to a medium shot of the man.

Check if all rules are followed:

a) Motion and behavior in order: hand fills grid, then man gestures. Correct.

b) Appearance: hand (yellow pencil, Sudoku), man (blue polo, red/white trim). Correct.

c) Spatial: grid on table, man at table with grid in front, plums to his right. Correct.

d) Camera: top-down to medium shot. Correct.

e) Background minimal: white tiled wall is essential (since it's the background of the man), plums are on the table so maybe essential. The user's second scene says "white tiled wall".

f) Excluded text recognition (numbers on grid), named characters, stylistic. Correct.

g) Internal reasoning,

Discrete solid objects: The man's hands move while writing on the grid paper, and the man's torso/gestures shift as he speaks. Paper is manipulated by hands but remains a solid object.

Background is static white wall with no shifting elements; no fire, water, smoke, or wind detected. Tablecloth and grapes remain stationary.


A person in a dark jacket and jeans positions a log on a wooden plank atop a tree stump, then adjusts and operates an orange and white chainsaw to cut the log. Another individual in jeans stands nearby, observing the action. The camera maintains a close-up, slightly shaky perspective focused on the cutting process, with a cobblestone ground and scattered logs visible in the background.

A person in blue clothing moves their arm to swing an axe toward a tree stump; another person in jeans stands still in the background.

No shifting background elements (bricks, stones remain stationary). No fire, water, smoke, or wind present.


RAW CAPTION: Okay, let's see. The user wants me to generate a concise, chronological paragraph describing the video provided. The main rules are to focus on the motion and behavior of the main subjects in order, describe their appearance and number, mention spatial relationships if needed, conclude with camera perspective and movement, keep background minimal, and exclude text recognition or stylistic analysis.

First, I need to look at the video frames. The first frame shows hands cutting a yellow pumpkin on a blue background. There are some pumpkin pieces already cut. Then the next frames have the text "Your pumpkin design" appearing, and then a still image of a decorated pumpkin. Wait, but the user said to exclude text recognition, so I should ignore the text parts. The instructions say to focus on the motion and behavior of the main subjects.

The main subjects here are the hands and the pumpkin. The hands are cutting the pumpkin. The pumpkin is yellow, and they're slicing it into pieces. The background is blue, which is minimal. The sequence starts with hands cutting, then maybe the pieces are arranged, but the text appears in the middle. But since text is excluded, maybe the transition to the decorated pumpkin is part of the video, but the user said to exclude text recognition, so I shouldn't mention the text. Wait, the video has the text "Your pumpkin design" in some frames, but the rules say to exclude text recognition, so I should describe the action before and after, but not the text.

Wait, the user's example shows that in the caption, they mention the action of slicing, then the decorated pumpkin. But according to the rules, text recognition is excluded, so maybe the transition to the decorated pumpkin is part of the video but not described as text. Wait, but the fourth frame has the text, but the next frame is a still image of a pumpkin design. So the video probably shows the hands cutting, then transitions to a finished pumpkin design. But since text is excluded, maybe the caption should mention the cutting process and then the finished pumpkin.

Wait, the user's example for the caption would be: "A pair of hands slices a yellow pumpkin on a blue surface, producing thin strips that fall away. The hands continue cutting, revealing a partially carved pumpkin. The scene transitions to a completed carved pumpkin design with decorative patterns."

But need to follow the rules. Let me check the rules again.

a) Motion and behavior in chronological order.

b) Appearance and number (color, size, orientation).

c) Spatial relationships.

d) Camera perspective and movement.

e) Minimal background unless essential.

f) Exclude text recognition, named characters, stylistic analysis.

So first part: hands cutting a yellow pumpkin on blue background. The pumpkin is being sliced, pieces fall away. Then maybe the next step is the finished design. The video transitions from cutting to the decorated pumpkin.

But in the provided frames, the first part is the hands cutting, then text appears, then the decorated pumpkin. But since text is excluded, the caption should describe the action without mentioning the text. So the sequence is: hands cutting the pumpkin, then the result is the carved pumpkin.

Wait, the video frames:

[0.0] Hands cutting yellow pumpkin, pieces on blue background.

[1.4] Similar, more pieces.

[2.5] The text "Your pumpkin design" appears over the cutting.

[3.6] Transition to a still image of a decorated pumpkin.

So the actual video starts with cutting, then transitions to the finished product. But the caption should describe the motion in chronological order. So first, the hands cutting the pumpkin, then the transition to the decorated pumpkin.

But the user's rules say to exclude text recognition, so the caption should not mention the text. So the caption would be: "A pair of hands slices a yellow pumpkin on a blue surface, creating thin strips that fall to the side. The hands continue carving, revealing a partially shaped pumpkin. The scene then cuts to a completed pumpkin design with intricate patterns."

Wait, but the user says to keep background minimal. The blue background is mentioned, but it's essential for context. The pumpkin is yellow, and the hands are working on it. The camera perspective seems to be top-down, as the view is directly above the hands and pumpkin.

Check the rules for camera perspective: must conclude with camera perspective and movement. The initial frames are top-down. The transition to the decorated pumpkin might be a cut, but the camera movement for the initial part is top-down.

So putting it all together:

The caption should start with the hands cutting the pumpkin, describing the action, appearance (yellow pumpkin, hands), then the transition to the finished design. The background is blue, but minimal. Camera is top-down.

Wait, the user's example in the problem statement shows the video transitions from cutting to the decorated pumpkin. So the main motions are the hands slicing the

A hand is moving to cut a pumpkin, causing yellow petals to fall.

The background is static (initially solid blue, then transitions to a still image of a pumpkin). There is no ambient environmental motion (no fire, water, smoke, wind).


A group of soccer players, some in blue and white uniforms, move across a green field. A blue-shirted player runs toward a stationary ball, then kicks it forward. As the ball travels, a white-shirted player runs to intercept, moving toward the ball’s trajectory while another white-shirted player stands nearby. The ball rolls toward the center of the field, passing near a circular marking. The background features trees and distant tents, but the focus remains on the players and ball movement. The camera maintains a static ground-level perspective throughout the sequence.

Multiple players (blue and white jerseys) are actively running, kicking a soccer ball, and moving across the field. The ball exhibits clear displacement due to locomotion and collisions with players.

No shifting background elements; trees, goalpost, and tent remain stationary. No fluid/environmental motion (fire, water, smoke, wind) visible in any frame.


A young child in a blue jacket and dark pants plays a brass trombone while moving across a checkered floor, walking in front of a white door and a radiator; the child holds the instrument upright, shifts position, and continues playing as the camera follows with slight movement.

Discrete solid objects: A child (moving body) and a trombone (moved by the child's physical actions). The trombone slides horizontally as the child manipulates it, and the child's body shifts slightly while playing.

Background elements (door, radiator, floor tiles) show no uniform shifting or environmental motion (fire, water, wind). Static background remains consistent throughout the frames.


A person wearing a light blue shirt with a number 7 and gray pants sits on a purple inflatable object with a cartoon face, making minor forward and backward adjustments while seated. The individual remains in front of a pink building with barred windows and a metal gate, where scattered items like shoes and a ladder are visible. The camera captures the movement with a slight shake.

A person is bouncing on a purple exercise ball, causing the ball to move up and down. The motion is due to physical interaction (person's weight and movement).

No shifting background; no fluid or environmental motion (fire, water, wind) observed. Background elements (wall, door, windows) are static throughout.


RAW CAPTION: Got it, let's tackle this. First, the video starts with a scene of a stadium. The first frame shows a person in a red jersey with a microphone, but the next frames are the same person speaking. Wait, the video is a series of frames. Let's break down the frames:

Frame 0: The first frame shows a person in a red jersey (FCB) with a microphone, standing in front of a crowd. The stadium is full of people, colorful.

Frames 1-5: The person is speaking into the microphone. The jersey is red, has the FC Bayern logo (the badge with stars), and a blue patch on the sleeve. The background is a large stadium crowd. The person is holding the microphone, which is red with the FC Bayern logo. The camera is focused on the person, close-up.

Need to follow the rules. Focus on motion and behavior: the person is speaking (so mouth movement, holding mic). Appearance: red jersey, bald, holding red mic. Spatial: in front of stadium crowd. Background: stadium with many spectators, but minimal description. Camera: close-up, probably steady (no movement mentioned).

Chronological order: starts with the person in the stadium, then speaking. So the main subject is the person speaking.

Now, structure the caption:

First, describe the scene: The video begins with a person wearing a red FC Bayern jersey standing on a field, holding a red microphone. Then, the person speaks while the camera maintains a close-up shot, capturing their upper body as they address the audience. The background shows a large crowd in the stadium. Camera is steady, close-up on the individual.

Wait, check the rules: "Focus primarily on the motion and behavior of main subjects (people/animals/objects) in chronological order." So main subject is the person. Motion: speaking, holding mic. Appearance: red jersey, bald, holding red mic. Spatial: in front of stadium crowd. Background minimal. Camera: close-up, steady.

Let's check each rule:

a) Motion: speaking, holding mic.

b) Appearance: red jersey, bald, holding red mic. Number: 1 person.

c) Spatial: in front of stadium crowd.

d) Camera: close-up, steady.

e) Background minimal: only stadium crowd is mentioned, but briefly.

f) Exclude text recognition, etc. The logo on the jersey is just part of appearance, not text recognition.

Now, write it concisely.

Possible caption:

A bald person in a red FC Bayern jersey holds a red microphone, speaking to the camera while standing on a field. The background shows a large stadium crowd. The camera remains in a steady close-up shot throughout the sequence.

Wait, but need to follow rules: "Exclude text recognition, named characters..." So "FC Bayern" is part of the jersey's design, but it's a logo, not text recognition. So it's okay to describe the jersey as red with the team's badge.

Wait, the rules say "Exclude text recognition, named characters, or stylistic analysis." So if the jersey has the team name, it's part of the appearance but not text recognition (since it's a logo, not text). So it's okay.

Wait, the first frame has "FCB.tv" in the corner, but the rules say exclude text recognition, so don't mention that.

So focus on the person: bald, red jersey with a logo, holding red mic, speaking. Background is stadium crowd. Camera close-up, steady.

Let's write:

The video shows a bald individual wearing a red FC Bayern jersey speaking into a red microphone while standing on a field. The camera captures a close-up of the person, with a large stadium crowd visible in the background. The individual maintains a steady posture, holding the microphone near their mouth throughout the sequence.

Check rules:

a) Motion: speaking, holding mic (chronological: starts speaking, continues).

b) Appearance: red jersey, bald, red mic.

c) Spatial: in front of stadium crowd.

d) Camera: close-up, steady.

e) Background minimal: "stadium crowd visible" is minimal.

f) Exclude text recognition (no text mentioned beyond the logo on jersey, which is appearance).

Yes, that works.

Wait, the first frame is the person in the stadium, then the video continues with the person speaking. So the sequence is: person in stadium, speaking, same person.

So the caption should be chronological: the person is speaking, so "the video shows a... speaking into... while standing..."

Let me adjust:

The video features a bald individual in a red jersey holding a red microphone, speaking to the camera while standing on a field. The background displays a crowded stadium, and the camera remains in a steady close-up position throughout the sequence, focusing on the person’s upper body as they address the audience.

The person in the red jersey is moving their head and mouth slightly while speaking.

The stadium background is static with no significant fluid/environmental motion (no fire, water, smoke, or wind).


Two children, a boy in a striped shirt and a girl in a gray hoodie, interact in a mall. Initially, the boy points forward with his right hand while the girl stands beside him; they then embrace in a hug, followed by the girl spinning around. The camera remains handheld with slight movement.

Two children are interacting—holding each other and moving their arms; their motion is distinct and consistent with intentional physical interaction.

Background features (red columns, chairs, stationary people) show no significant uniform shifting. No fire, water, smoke, or wind motion observed in the scene.


A pair of hands manipulates a long sword with a metallic blade and black hilt, initially unsheathing or adjusting it in front of a wooden shelf stocked with metal containers and small items. The hands then move the sword, rotating it to display the blade, while the camera shifts to a new setting where a metal shelf with stacked objects appears in the background. The person continues to hold and examine the sword’s blade and hilt from various angles. The camera perspective transitions from a close-up of the hands and sword to a slightly wider angle, capturing the sword being showcased against the new backdrop.

A person's hands manipulate a knife in a sharpening motion against a fixed sharpening tool; the knife and hands move in discrete, controlled physical interactions.

Background elements (shelves, glassware, metal racks) are stationary and show no uniform shifting or fluid motion (fire, water, smoke, wind).


A man in a red suit and white hat and a woman in a red dress with white trim dance salsa on stage. They begin closely, the man lifting the woman into a spin, then moving across the stage with coordinated turns and steps. The camera follows their motion as they dance in front of a band setup under stage lighting, with the background remaining dark.

Two dancers (human subjects) exhibit distinct locomotion: dynamic kicks, spins, and coordinated dance movements involving limb articulation and positional shifts.

The stage background (banners, lighting rigs) shows no significant shifting or fluid motion; no fire, water, or smoke present. Background elements remain consistent across frames.


A young boy in a blue hoodie and blue pants crouches on the floor against a wall, manipulating a pair of black shoes. He adjusts the shoes, then stands upright, holding one shoe toward the camera. The background includes a white chair with folded items. The camera maintains a top-down perspective with slight movement.

A child (discrete object) moves from crouching to standing position while interacting with black shoes and holding a toy gun. The child's motion is driven by voluntary locomotion and object manipulation.

Background elements (wall, white plastic chair, floor) remain stationary with no uniform shifting. No fire, water, smoke, or wind observed in the environment.


RAW CAPTION: Got it, let's tackle this video caption. First, the video starts with a close-up of a wooden surface with two metal discs attached by chains. Then it cuts to an outdoor scene where a person in a red and black jacket, dark pants, and a beanie is pushing a wheelbarrow. The person is moving from left to right, pouring something into a black tarp. Let's check the rules.

Main subject: the person in red/black jacket. Actions: pushing wheelbarrow, pouring contents. Background: backyard with trees, buildings, grass. Camera movement: first close-up, then maybe a pan to show the person. Wait, the first frame is close-up of the wood and metal discs, then the scene shifts to the person. So chronological order: start with close-up of the wooden structure with metal discs, then transition to the person pushing the wheelbarrow outdoors.

Appearance: person has red and black jacket, dark pants, beanie. Number: one person. Motion: pushing wheelbarrow, moving forward, pouring from wheelbarrow into black tarp. Spatial: person is in front of a tree and buildings. Background minimal, but necessary? The rules say minimal background. So mention the backyard elements briefly.

Camera perspective: first close-up (top-down maybe? The first frame is a close-up of the wood and discs), then the next scenes are a medium shot of the person. Wait, the first frame is [0.0] which is close-up of the wood with metal discs. Then [1.0] to [4.0] shows the person pushing wheelbarrow. So the camera moves from a close-up of the structure to showing the person. The transition is from close-up to a wider shot of the person. So the caption should note the transition.

Let's structure it: Start with the initial close-up (wooden surface with metal discs), then the person pushing the wheelbarrow in the backyard, pouring into a tarp. Mention the person's appearance, actions. Camera moves from close-up to a shot of the person, possibly a slight pan or transition.

Check rule a: motion and behavior in chronological order. So first, the wooden structure with metal discs (static), then the person moving. Wait, the first frame is a static close-up, then the video cuts to the person moving. So the sequence is: close-up of wood with metal discs, then the person pushing wheelbarrow.

So caption: The video opens with a close-up of a wooden surface featuring two circular metal discs attached by chains, then transitions to an outdoor scene where a person wearing a red and black jacket, dark pants, and a beanie pushes a wheelbarrow across a grassy backyard. The person moves from left to right, pouring contents from the wheelbarrow onto a black tarp laid on the ground. The background includes leafless trees and buildings. The camera shifts from a close-up shot to a medium shot capturing the person's movement.

Wait, but need to be concise. Let's make it shorter.

"Starting with a close-up of a wooden structure with two circular metal discs connected by chains, the video transitions to a person in a red and black jacket, dark pants, and a beanie pushing a wheelbarrow through a backyard. The individual moves forward, pouring black material from the wheelbarrow onto a black tarp, with leafless trees and buildings visible in the background. The camera shifts from a close-up to a medium shot following the person's motion."

Check rules: chronological order (close-up first, then person), appearance (red/black jacket, dark pants, beanie), motion (pushing wheelbarrow, pouring), spatial (backyard with trees and buildings). Background minimal but necessary for context. Camera perspective: starts with close-up, then medium shot. Exclude text, named characters, etc.

Let me check if it's concise. Maybe shorten the background: "with leafless trees and buildings" is minimal.

Another version: "The video begins with a close-up of a wooden surface displaying two metal discs attached by chains; it then cuts to a person in a red and black jacket, dark pants, and a beanie pushing a wheelbarrow across a grassy backyard. The individual pours contents from the wheelbarrow onto a black tarp, moving left to right. The background includes sparse trees and residential buildings. The camera shifts from a close-up to a medium shot."

Wait, the movement is "left to right" (since the person starts on the left in the frame). Let's check the video: [0.0] is close-up, [1.0] shows person on left, pushing wheelbarrow. So motion is from left to right.

Yes, so "moves left to right" or "advances from left to right".

Also, the contents being poured: in the frames, the

A person in a red jacket and helmet is moving around a fire pit, interacting with objects in the scene (e.g., adjusting items near the fire pit).

Background elements (trees, house, ground) remain static with no uniform shifting; no significant fire, water, or wind-driven fluid motion dominates the scene.


A person in dark clothing swings on a trapeze bar, legs extended outward, moving in a pendulum motion. They adjust body orientation mid-swing, legs bending slightly as they traverse the arc from a low position to a higher point and back. The background includes a room with windows and furniture, but the focus remains on the dynamic swinging motion. The camera perspective is slightly shaky, following the trapeze bar’s movement throughout the sequence.

A person (aerialist) performing controlled locomotion on aerial silk, using muscular force to maneuver through positions (split, vertical, horizontal) with clear separation from the environment.

The background (walls, windows, furniture) remains static and unshifted. No fire, water, smoke, or wind is visible; environmental elements show no fluid or atmospheric motion.


A person wearing a blue shirt and red shorts rides a skateboard on a gravel path, then lifts one foot off the board and jumps, landing back on the skateboard while moving forward. The background features houses and trees. The camera remains stationary throughout.

A person skateboarding (solid object) is moving via locomotion, with clear tracking of their legs and skateboard.

Background elements (trees, buildings, pavement) are static with no uniform shifting or fluid motion (e.g., no fire, water, wind).


A hand places a rectangular block onto a grid-patterned surface, then uses a small tool to press or carve it. To the left of the block, a wooden tool and round objects remain stationary. The camera captures the action in a static, top-down close-up view.

Hands manipulating a rectangular block, using a roller and carving tool. Motion involves precise placement, rolling, and incising actions on solid objects.

No shifting background elements. No fire, water, smoke, or wind visible. Grid surface and tools remain stationary relative to the frame.


A hand with a dark sleeve enters the frame from the right, pulling back a white quilted mattress protector to reveal the underlying mattress. The hand then smooths and adjusts the protector over the mattress. The scene remains a close-up shot with no camera movement.

A human hand interacts with a white comforter, moving it across the bed surface through physical manipulation (pulling, smoothing, adjusting).

The blue wall and floor in the background remain stationary across frames, with no shifting or fluid environmental motion (fire, water, wind) observed.


A person wearing a gray hoodie and a wristband uses a tool on a concrete stone structure, then removes the tool and picks up a bright pink object, moving it toward the left. The camera remains stationary, capturing the actions from a slightly angled perspective.

A person (wearing a gray shirt and dark pants) is moving their hands and body while working on the stone surface, likely using a tool for sanding or polishing.

The stone structure in the background shows no shifting or fluid motion; no fire, water, smoke, or wind is visible.


A yellow tape measure is positioned vertically on a dark, textured ground with orange markers. The scene transitions to a warehouse where a shirtless man in dark pants stands on a concrete floor, then leaps upward before landing. Industrial equipment and stacked crates form the background. The camera shifts from a close-up of the tape measure to a wide shot capturing the man’s jump in the warehouse.

A person (discrete solid object) is moving within the warehouse, exhibiting locomotion (walking, turning) without significant environmental interaction.

The warehouse background (walls, metal structures, pallets) shows no uniform shifting or fluid motion; no fire, water, smoke, or wind is present.


A hand pours light yellow batter into a round metal pan, then removes the pan from an oven. A person places a round, golden-brown baked cake layer onto a white plate, stacks a second cake layer on top, and spreads thick white frosting over the top layer. The camera focuses on close-up shots of each action, transitioning between top-down and side views with slight shifts.

Discrete solid objects (cake layers, frosting) are moved by hands: cake layers stacked, frosting spread. Human hands act as physical agents causing motion.

The kitchen background (oven, countertop) shows no uniform shifting of static elements; no fire, water, or smoke visible. Ambient environmental motion is absent.


A person in a maroon shirt with a yellow emblem and a necklace holds a clear plastic cup with an orange straw, lifts it to their mouth to drink, then lowers the cup while slightly adjusting their position. The camera maintains a close-up perspective with subtle movement, capturing the individual against a plain white background.

Discrete solid objects moving: person (head/upper body motion), cup with straw, and yellow object (held and manipulated by the person).

Background shows static white door and wall with no shifting or fluid motion; no fire, water, smoke, or wind visible.


A hand holding scissors interacts with a black-framed stitched design featuring blue and white elements on white mesh fabric, cutting thread near the design, then withdraws the scissors, leaving the completed design visible. The camera remains in a top-down perspective with no movement throughout.

A hand (discrete object) moves to interact with a wall-mounted slot, using a tool (tweezers) to adjust or place a wire. The hand and tool are the only moving objects.

The background (textured wall with grid pattern) is static throughout. No fluid or environmental motion (e.g., fire, water, wind) is observed.


RAW CAPTION: Got it, let's tackle this. First, I need to look at each frame in order. The video starts with a person in a black t-shirt and jeans, hands moving. Then the next frame shows the same person maybe adjusting something. Then a person in a yellow shirt handling a pink object. Then a group sitting, some looking down.

So chronologically: First frame, a man in black t-shirt and jeans gestures with hands. Then another frame, same person, hands moving. Then a man in yellow shirt (long sleeve) holds a pink item over a dark surface. Then a group of people seated on a couch; some are sitting upright, others leaning, one person in blue shirt.

Wait, the inset is a small figure in each frame, but the rule says exclude named characters, so maybe focus on the main subjects. The main subjects are the people in the main video.

Let's break down each part:

Frame 0: Man in black t-shirt (with graphic), blue jeans, standing, hands moving (gesturing). Background has red chairs, another person's leg.

Frame 1: Similar man, hands still moving, maybe slightly different angle. Background same.

Frame 2: Man in yellow long-sleeve shirt, dark pants, holding pink object (maybe a book or phone) over a dark surface. Background yellow wall.

Frame 3: Group of people seated on a brown couch. A woman in black top sitting, arms crossed. Others leaning forward, one in blue shirt, another in red. Background pink and yellow walls.

Now, need to describe in chronological order, focusing on motion. The first two frames show a man gesturing, then a shift to a man with a pink item, then a group seated.

Let me structure:

The video begins with a man in a black graphic t-shirt and blue jeans gesturing with his hands while standing near red chairs. He continues to move his hands. The scene transitions to another man in a yellow long-sleeve shirt and dark pants holding a pink object over a dark surface, standing against a yellow wall. Next, the video shows a group of people seated on a brown couch; a woman in a black top sits with crossed arms, while others, including one in a blue shirt, lean forward and interact.

Check the rules: Focus on motion and behavior. The man's gestures are motion. Then the second man holding an object. Then the group's seating.

Simplify:

The video starts with a man in a black t-shirt and blue jeans gesturing his hands. He then continues to move his hands. Next, a man in a yellow shirt holds a pink item over a dark surface. Finally, a group of people sit on a couch; some lean forward while one woman sits with crossed arms.

Wait, but need to check the frames. Let's see the actual frames:

First frame: Person in black shirt (text visible but we can't mention text), jeans, hands gesturing.

Second frame: Same person, hands moving.

Third frame: Person in yellow shirt, holding pink object.

Fourth frame: Group seated (woman in black, others leaning).

So the main subjects in order: man in black shirt gesturing (twice), then man in yellow shirt holding pink item, then group seated.

But the caption needs to be concise, chronological paragraph.

So:

A man in a black graphic t-shirt and blue jeans gestures with his hands while standing. The scene shifts to a man in a yellow long-sleeve shirt holding a pink object over a dark surface. Finally, the video shows a group of people seated on a brown couch; one woman in black sits with crossed arms, others lean forward.

Check if background is minimal. The background has chairs, walls, etc., but we can mention as necessary. For example, "near red chairs" in first part.

Wait, frame 0: red chairs visible. Frame 3: brown couch. So:

The video opens with a man in a black graphic t-shirt and blue jeans gesturing his hands near red chairs. He continues moving his hands. Then, a man in a yellow long-sleeve shirt holds a pink item over a dark surface against a yellow wall. Finally, the scene shows a group of people seated on a brown couch, including a woman in a black top with crossed arms and others leaning forward.

Wait, but the instruction says "briefly describe their appearance and number (color, size, orientation)". So for the group: multiple people (seated), woman in black, others in blue/red.

Also, check the camera perspective: the video seems to have close-ups of the people, maybe some medium shots. The frames show different angles, so maybe "the camera shifts between close-ups and medium shots".

But the output format's rule d says "conclude with the camera perspective and movement".

Discrete solid objects moving: A person handling a phone (putting it in pocket), a person folding and placing a paper, and individuals sitting on a couch with minimal movements.

No shifting backgrounds or fluid/environmental motion (fire, water, wind) observed. Background elements (chairs, walls, couch) are static in each scene.


A person in a dark coat and hat plays a large wooden harp while seated on a stool, plucking strings with their hands. To their left, two people sit on concrete steps, while others walk past. The camera pans slightly right, capturing the harpist’s movements against a backdrop of stairs, trees, and a street.

The harpist's hands are actively plucking the harp strings, demonstrating discrete motion from explicit physical interaction (playing the instrument). Background individuals are static or minimally moving.

Background elements (trees, pathway, buildings) remain stable with no significant uniform shifts or fluid/environmental motion (fire, water, smoke, wind).


Two people, one in a red shirt and the other in a white outfit, walk across a sandy beach. Numerous white seagulls scatter and fly around them as they move. The individuals remain in the foreground with tall beige buildings visible in the background. The camera, positioned low, remains mostly static with a slight shake.

Discrete objects include people walking/standing on the beach and birds in flight; these move due to locomotion and flight, with distinct bounding boxes visible.

Background buildings are stationary; no significant shifting of static elements (e.g., walls, ground) observed. No fluid/environmental motion (fire, water, smoke, wind) dominates the scene.


A child in a striped shirt stands facing a seated adult in a black graphic t-shirt; the child gestures with hands while the adult holds an object, then moves it toward the child, who subsequently covers their mouth with one hand. The adult remains seated, occasionally adjusting the object. The scene occurs in an indoor setting with the child positioned in front of the adult. The camera maintains a steady medium shot throughout.

A child and an adult (solid objects) exhibit motion: the child walks, gestures, and interacts with the adult, while the adult makes hand movements. These motions are driven by physical interaction and locomotion.

The background elements (walls, door, shelves) show no uniform shifting or fluid motion. No fire, water, or smoke is present, ruling out ambient environmental motion.


RAW CAPTION: Got it, let's break down the video. First scene: a person in a light brown coat with a scarf is in a grocery store, holding a black basket, standing near shelves. Then cut to another scene: two people in a store aisle, one in a dark jacket and light pants, the other in a green jacket. Next, a person is lying on the floor, next to a shopping cart, near shelves. Then a close-up of a person with light hair, wearing a dark jacket and light blue shirt. The text "Use condoms" is there, but we exclude text recognition. Need to order chronologically.

Main subjects: first person (coat, basket), then two people in aisle, then person on floor, then close-up of another person. Spatial relationships: first in front of shelves, second scene two people in aisle, third person on floor near cart and shelves. Camera perspective: first is eye-level, then maybe same, then top-down for the person on floor (since it's a high angle shot of the floor), then close-up.

Check rules: focus on motion and behavior. First, person with basket moves? Wait, the first frame shows them standing. Then second scene, two people walking in aisle. Third, person falls or is lying on floor (motion: falling or lying). Fourth, close-up of a person.

Describe chronologically:

1. A person wearing a light brown coat and scarf stands in a grocery store aisle holding a black basket near shelves.
2. Cut to two people walking in an aisle; one wears a dark jacket and light pants, the other a green jacket.
3. A person lies on the store floor near shelves and a shopping cart, appearing to have fallen.
4. A close-up of a person with light hair, wearing a dark jacket and light blue shirt.

Camera movement: first frame is eye-level, then possibly same, third is top-down (since it's looking down at the person on the floor), then close-up.

Check minimal background: mention shelves, shopping cart only if essential.

Now make concise paragraph.

First: Person in light brown coat stands in grocery aisle with basket. Then two people walk in aisle (one in dark jacket, one in green). Then person lies on floor near shelves and cart. Then close-up of person with light hair.

Camera perspective: initial eye-level, then possibly same, then top-down for the floor scene, then close-up.

Final caption should be chronological. Let's structure:

A person in a light brown coat and scarf stands holding a black basket in a grocery store aisle. Two people walk through another aisle; one wears a dark jacket and light pants while the other wears a green jacket. A person lies on the store floor near shelves and a shopping cart, suggesting a fall. A close-up shows a person with light hair wearing a dark jacket and light blue shirt. The camera shifts from eye-level to a top-down view of the floor scene, then to a close-up.

Wait, check rules: exclude text recognition (the "Use condoms" is text, so omit).

Confirm each part:

- Main subjects and motion: standing, walking, lying (fall), close-up.

- Appearance: light brown coat, dark jacket, green jacket, light hair.

- Spatial: in aisle, near shelves and cart.

- Camera: eye-level, then top-down, then close-up.

Now write concise paragraph.

A person in a light brown coat and scarf stands holding a black basket in a grocery store aisle. Two people walk through another aisle; one wears a dark jacket and light pants while the other wears a green jacket. A person lies on the store floor near shelves and a shopping cart. A close-up shows a person with light hair wearing a dark jacket and light blue shirt. The camera begins eye-level, transitions to a top-down view during the floor scene, then moves to a close-up.

Check if concise. Maybe:

A person in a light brown coat stands in a grocery store aisle holding a black basket. Two people walk through an aisle; one wears a dark jacket and light pants, the other a green jacket. A person lies on the store floor near shelves and a shopping cart. A close-up features a person with light hair in a dark jacket and light blue shirt. The camera starts eye-level, shifts to top-down for the floor scene, then to close-up.

Yes, that's better. Now check all rules:

a) Motion and behavior in order: standing, walking, lying (fall), close-up.

b) Appearance: light brown coat, dark jacket, green jacket, light hair. Number: one, two, one, one.

c) Spatial: in aisle, near shelves/cart.

d) Camera perspective and movement: eye-level to top-down to close-up.

e) Background minimal: shelves mentioned only as necessary for context

Discrete solid objects (people) are moving: one person bends down to pick up an item, another person lies on the floor with slight movements (e.g., adjusting position), and a third person stands still in the background.

The video shows static supermarket shelves and floors across different scenes, with no fluid motion (fire, water, smoke, wind) or uniformly shifting background elements. The scene transitions involve cuts rather than continuous background movement.


A woman with long curly black hair, wearing a white sleeveless top and a blue-black necklace, sits in front of green plants. She covers her mouth with a tissue, then lowers her hands, looks directly at the camera, and touches her hair. The camera remains static throughout, maintaining a medium shot focused on her upper body.

A woman (discrete object) is moving: drinking from a glass, covering her face with hands, and gesturing while speaking.

The background consists of static plants and a red object. No significant environmental motion (fire, water, smoke, wind) is observed. The plants have minimal movement but are not dominant.


A person wearing a helmet operates a red tractor moving forward across a green field. The tractor continues advancing through the field, with trees visible in the background. The camera remains stationary with a slight shake, capturing the tractor's motion from a fixed angle.

A red vehicle with a driver is moving across the grassy field; motion is consistent with locomotion of a solid object.

The background consists of static trees and open field; no significant shifting or fluid environmental motion (fire, water, smoke, wind) observed.


A boy in a blue shirt with a red collar holds a clarinet, positioned in front of a computer screen to his left; he subtly shifts his stance and head angle while playing, with a bookshelf containing CDs visible in the background. The camera remains stationary in a medium close-up view.

Boy (a solid object) is moving his head and body slightly, consistent with natural locomotion and speaking.

Background elements (wall, bookshelf) are static; no fluid or environmental motion (fire, water, wind) observed.


RAW CAPTION: Got it, let's tackle this video captioning task. First, I need to understand the video's content. The main subject is a person. Let's check the frames.

In the first frame, the person is raising their right arm up, holding something (maybe a phone) in their hand. Then in subsequent frames, they move their arm down, rotating their body. They're wearing a gray and navy shirt, jeans. The background has a bed with a colorful blanket, some sports equipment (like a bat) leaning against the wall, and a framed picture on the wall.

Chronological order: The person starts by raising their right arm, then lowers it, turns their body to the right, and moves towards the bed. Wait, the actions are: arm up, then arm moving across the body, then body turning. Let's list the steps:

1. Person raises right arm upwards.
2. Then moves arm down and across the body, turning head and body to the right.
3. Continues moving, body turns more, facing away from the camera towards the bed.

Appearance: Person is male, wearing a gray and navy short-sleeve shirt, dark pants.

Spatial relationships: Initially, the person is near the bed (which has a colorful patterned blanket), with sports items (like a bat) to the left, and a framed picture on the wall to the right.

Camera perspective: The camera is static, as there's no mention of movement like pan or tilt. The camera angle is eye-level, capturing the person's full body.

Now, follow the rules: focus on motion, chronological order, appearance (brief), spatial relationships if relevant, conclude with camera.

Avoid background details unless essential. The bed and sports items might be relevant for context but keep minimal. The key motion is the arm movement and body rotation.

Let's draft:

A person wearing a gray and navy shirt and dark pants raises their right arm upward, then lowers it while rotating their body to the right, turning their head and back toward a bed with a colorful blanket. The background includes a wall with a framed picture and sports equipment. The camera remains static in a frontal perspective.

Check if this fits the rules. Concise, chronological. Mention appearance: shirt color, pants. Motion: raising arm, lowering, rotating. Spatial: bed with blanket, wall with picture. Camera: static, frontal.

Wait, the video shows the person moving, so the camera doesn't move. The person's position changes relative to the camera. So "static camera" is correct.

Another check: the person is the main subject, so focus on their actions. The caption should not mention the phone specifically (since it's an object, but rule g says exclude text, but the phone is an object. Wait, rule f: exclude text recognition. The phone is a generic object, but since it's part of the action (holding), maybe describe the action without naming it. Wait, the problem says "exclude text recognition, named characters, or stylistic analysis." The phone is a device, but not text, so maybe okay. But in the video, the person is holding a device (phone or tablet), but the caption should focus on motion. So the motion is: raises arm holding device, then moves arm down, turns body.

So "raises their right arm holding a device" but maybe better to say "raises right arm" since the device is part of the motion but not essential. Wait, the video shows them holding something up, so maybe "raises their right arm while holding an object" but the instruction says "briefly describe their appearance and number (color, size, orientation)". The object's color is not specified, so maybe not necessary. Just describe the motion of the arm and body.

So the caption should be:

A person wearing a gray and navy shirt and dark pants raises their right arm upward, then lowers it while rotating their body to the right, turning their head and back toward a bed with a colorful blanket. The camera remains static in a frontal perspective.

Check for rules:

a) Motion and behavior: yes, chronological.

b) Appearance: shirt color, pants color. Number: one person.

c) Spatial: bed with blanket, wall with picture (minimal background).

d) Camera: static, frontal.

e) Background minimal: bed and picture are minimal for understanding.

f) No text, named characters.

g) Followed.

Looks good. Let's make sure it's concise. Maybe shorten:

A person in a gray and navy shirt and dark pants raises their right arm, then lowers it while rotating their body rightward, facing a bed with a colorful blanket. The camera remains static.

Yes, that's concise. Let's check the frames:

Frame 0: arm up.

Frame 1: arm moving down.

Frame 2: arm extended to the side.

Frame 3

A single person is moving their arms and torso in a deliberate manner (stretching or reaching), with clear bounding box tracking of their body motion.

The background elements (wall, framed picture, furniture) show no uniform shifting or fluid motion. No fire, water, smoke, or wind-driven motion is present.


A man wearing a white t-shirt with red and blue graphics and dark shorts sits on the ground covered in bamboo strips. He picks up a long, light brown bamboo piece, rotates it to inspect, and then places it horizontally in front of him. The camera remains stationary, capturing the scene from a frontal perspective with the background showing a wall and scattered objects.

A person manipulates a wooden board with hands, moving it horizontally and vertically across the frame while interacting with debris.

Concrete walls and debris background remain static; no fire, water, smoke, or wind motion observed.


A person in camouflage pants, a checkered shirt, and dark shoes walks leftward across a concrete courtyard near a brick wall with stacked logs and a red object. They turn around and walk back toward the wall, moving in a circular path around the logs. The camera remains static throughout.

A person in a brown jacket and camouflage pants is moving via locomotion (walking) across the scene.

Static brick wall and ground elements show no uniform shifting; no fire, water, smoke, or wind motion present.


A person in athletic attire stands in a throwing circle on a grassy field, rotating their body with arms extended backward before forward motion, releasing a discus-like object that travels through the air. The individual then steps away from the circle. Several other people, including those standing near orange cones and others seated in the background, observe the action. The camera remains stationary, with a white plastic bag visible in the foreground.

Multiple people in the distance are moving (walking/running), exhibiting discrete locomotion due to physical forces.

Background elements (trees, grass, distant structures) show no significant shifting or fluid motion; no fire, water, or wind effects are visible.


A pair of hands manipulates a metallic fishing lure with feathered appendages, adjusting it while positioning a white feather onto a cylindrical component. The hands carefully secure the feather to the lure using a tool, maintaining precise control over the attachment process. The scene centers on the hands and lure, with a dark background providing minimal context. The camera maintains a steady close-up perspective throughout the sequence.

The hands (discrete solid objects) are manipulating a small bird (or model), moving it due to explicit physical forces (holding and adjusting).

The background is dark and static, with no shifting elements or fluid/environmental motion (fire, water, smoke, wind).


A man in a purple and white checkered shirt holds a brass saxophone. He begins holding it at chest level, then lifts it upward with both hands, adjusting his grip and shifting his stance slightly to his left while maintaining a smile. The background remains a plain white space. The camera remains static throughout.

The man (a solid, distinct object) is moving due to playing the saxophone, including body movements, finger movements on the keys, and head movements.

The background is a static white wall with no shifting or environmental motion (e.g., fire, water, wind).


A person in dark clothing slides a large white sheet horizontally across a green industrial machine in a workshop, moving the sheet from left to right until it exits the frame; the background includes scattered debris and wall fixtures, with the camera remaining stationary throughout.

A person is actively pushing a large sheet toward a stationary machine, with the sheet moving due to the person's physical force and locomotion.

Background elements (walls, air conditioner, floor) remain static with no uniform shifting, and no fire, water, smoke, or wind effects are present.


A woman in a black shirt with crossed arms stands facing another woman in a blue shirt, both outdoors near a palm tree and white wall. The scene shifts to a man in a gray shirt, khaki shorts, and black cap with a teal towel draped over his shoulder; he wipes a glass panel with a cloth in circular motions, then steps back. The camera remains static in both scenes.

Briefly describe what discrete, solid objects are moving.

Briefly check for shifting backgrounds or fluid/environmental motion (fire, water, wind).


A large crowd of people in casual summer clothing, including red, black, and yellow tops, dance energetically. They jump, sway, and move in unison across the frame, with some individuals wearing shorts and sneakers. The group remains densely packed, with dancers shifting positions dynamically in front of others. The camera is handheld, shaky, and pans left to right through the crowd, capturing the fluid motion of the participants.

The primary moving objects are the people in the crowd, who are dancing and moving in a coordinated manner. Each person is a distinct object with clear locomotion.

The background (including the sky and the edge of the crowd) does not show significant shifting. There are no fluid/environmental motions (fire, water, smoke, wind) dominating the scene.


A girl in a turquoise shirt and denim shorts rides a large yellow exercise ball, bouncing and shifting her position as she moves forward and backward. A man in a green striped shirt sits on the floor to her right, observing her. The camera remains static, capturing the motion in a room with sparse background details.

The girl is moving on the yellow exercise ball by stepping and sitting, causing the ball to roll and tilt. The man remains mostly stationary with minimal arm movement.

The background elements (table, chairs, lamp) are static with no uniform shifting. No fire, water, smoke, or wind present.


A person wearing a white sleeveless shirt and dark shorts stands up from a blue chair positioned within a circular concrete throwing area on a grassy field. They shift their body, transitioning from a seated to a standing position while facing outward. In the background, several figures are visible on the field. The camera maintains a static perspective with slight shake.

A person on a stool performs a throwing motion (e.g., shot put/discus), with visible limb movement. Distant figures in the background exhibit slow, non-uniform motion.

Background elements (grass, trees, field lines) show minimal uniform motion; no dominant fluid/environmental phenomena (fire, water, smoke, wind) are present.


A hand holds a smartphone, initially displaying a timer and weather information on its screen. The phone is tilted, transitioning to a home screen with various app icons visible. The hand adjusts the phone's angle slightly, keeping it in the frame. The background remains dark, with the phone screen as the primary focus. The camera maintains a close-up perspective with minor movements as the hand repositions the device.

The smartphone screen is the primary discrete object; it is being held and adjusted by a hand, with minimal motion visible in the frames.

The background is dark and lacks discernible static elements (e.g., walls, ground) that would shift uniformly; no fluid or environmental motion (fire, water, wind) is present.


A person wearing a white hoodie with black striped sleeves bends over a grassy area, repeatedly moving their hands on the ground. They remain crouched, focused on the earth beneath them, with minimal background details visible beyond sparse vegetation and distant structures. The camera maintains a fixed perspective with slight shake throughout the sequence.

A person (wearing white hoodie with black stripes) performs controlled digging/patting motions with hands and feet in the soil, exhibiting discrete solid-object movement due to explicit physical actions.

The background (grass, trees, house) remains static with no fluid/environmental motion (e.g., fire, water, wind) dominating the scene. Background elements show consistent positioning across frames, indicating no significant environmental drift.


A hand applies lipstick to a woman's lips; she then closes her eyes and turns her head to the left. The woman has long blonde hair. The camera remains in a close-up position with no significant movement.

The woman's head turns (locomotion) and a makeup artist's hand applies lipstick (explicit physical force).

No shifting background or fluid/environmental motion (fire, water, wind). Background remains static with shelves and products.


A person wearing a red sleeveless top and black pants rotates on a paved outdoor area, swinging a heavy implement with a long handle in a circular motion to build momentum before releasing it into the air. The background includes a clear blue sky and distant trees, with the camera remaining stationary throughout the sequence.

A person in a red shirt and black pants is swinging a bat-like object; their body and the bat exhibit distinct, solid motion from active swinging.

Static background elements (trees, sky, ground) show no significant shifting or fluid motion; no fire, water, or smoke present. Trees appear minimally swaying but do not dominate the scene.


A pair of hands, one adorned with a gold ring, uses a metal sculpting tool to carve a white head sculpture, moving the tool in a steady back-and-forth motion across its surface. The camera remains fixed in a close-up perspective, focused on the hands and the sculpture against a wooden surface in the background.

Hands holding a tool are actively carving a white bust, exhibiting discrete, solid object motion due to physical force application.

Background elements (white bust, wooden surfaces) are static; no fluid/environmental motion (fire, water, smoke, wind) detected.


Several polo players on horses (wearing light blue and green jerseys; horses in brown, white, and dark coats) begin moving in unison, galloping toward a ball on the ground. Riders maneuver around each other, with some advancing ahead while others follow, their horses’ legs extended. The camera follows the action, maintaining a slight shake as the players charge through the arena.

Riders and horses are moving due to locomotion and interactions; motion is explicit physical (e.g., galloping, turning, and collision avoidance).

Background elements (walls, stands) are stationary and not shifting uniformly. No fluid/environmental motion (fire, water, smoke, wind) is dominant.


RAW CAPTION: Got it, let's tackle this. First, the video shows a person lying down, wrapped in aluminum foil, with their head covered. Another person in gloves is doing something. Let's break it down chronologically.

The main subjects: one person (recipient) lying on their back, covered with foil, wearing a white cloth over the chest. The other person (applying) is wearing gloves, holding a green bottle. The recipient's head is wrapped, and the applicator is using a tool, maybe a brush or something, near the face.

First frame: recipient has foil, white cloth. Applicator with gloves, green bottle, moving over the head. Then, the applicator's hands are on the head, possibly applying something. The recipient's eyes are closed. The applicator is using a tool, maybe a spray or brush. The spatial relationship: applicator is to the right of the recipient, working on their head.

Next, the applicator continues applying, maybe using a brush on the foil or head. The recipient remains still. The background has some boxes and maybe a mirror, but keep it minimal. Camera is close-up, maybe slightly shaky, top-down view as it's a close-up of the head and hands.

Need to describe motion: applicator moves hands over the recipient's head, applying substance. Recipient is lying still, covered in foil. Camera stays close, following the applicator's movements.

Now, structure the caption: Chronological order. Start with recipient lying, foil, white cloth. Applicator in gloves using tool on head, moving, applying. Mention the green bottle. Then conclude camera perspective.

Check rules: motion and behavior first. Appearance: recipient has foil, white cloth; applicator has gloves, green bottle. Spatial: applicator to the right. Background minimal. Camera: close-up, slight shake, top-down.

Let me draft:

A person lies supine, wrapped in aluminum foil with a white cloth over their chest, eyes closed. Another individual wearing blue gloves uses a green bottle and a tool to apply a substance to the first person's head, moving their hands over the foil-covered area. The applicator remains positioned to the right of the recipient throughout, performing the application. The camera maintains a close-up, slightly shaky perspective focused on the head and hands.

Wait, need to check if the tool is a brush or something else. In the frames, the applicator is holding a small brush or similar. The video shows the applicator applying something near the face.

Let me adjust: The second person (applicator) uses a small brush to apply a substance to the recipient's face area, which is covered in foil.

Wait, in the frames: the first frame shows the applicator holding a green bottle, then using a tool. Maybe the green bottle is for spray, then using a brush.

But the rule is to describe motion and behavior. So:

A person lies supine, wrapped in aluminum foil with a white cloth over their chest, eyes closed. Another individual wearing blue gloves uses a green bottle and a small brush to apply a substance to the first person's head, moving their hands over the foil-covered area. The applicator remains positioned to the right of the recipient throughout. The camera maintains a close-up, slightly shaky perspective focused on the head and hands.

Check if "supine" is appropriate. The person is lying on their back, which is supine. Yes.

Appearance: recipient has foil, white cloth; applicator has blue gloves, green bottle, brush.

Motion: applicator applies substance with brush, moving hands over head.

Background: minimal, just some boxes but not essential.

Camera: close-up, slight shake, top-down.

Does the camera move? The description says "slight shake" and "focused on head and hands". The video frames show the camera moving a bit, but the main focus is on the head.

Wait, the first frame is a bit different, but the overall camera is close-up.

Another check: the rule says "conclude with camera perspective and movement". So after describing the actions, end with camera.

Let's finalize:

A person lies supine, wrapped in aluminum foil with a white cloth over their chest, eyes closed. Another individual wearing blue gloves uses a green bottle and a small brush to apply a substance to the first person's head, moving their hands over the foil-covered area. The applicator remains positioned to the right of the recipient throughout the sequence. The camera maintains a close-up, slightly shaky perspective focused on the head and hands.

Wait, the rule says "briefly describe their appearance and number". The recipients: one person; applicator: one person. So that's covered.

Spatial relationships: applicator is to the right.

Motion: applicator applies substance with brush, moving hands.

Background minimal.

Camera: close-up, slight shake, top

Two discrete human subjects: one reclining with aluminum foil on their head (receiving treatment), and another actively applying a product to their hair using gloved hands. The hands move deliberately during the treatment process.

No shifting background elements or fluid/environmental motion (fire, water, wind) detected. The background appears static with minor focus on the subjects.


The video opens with a courtroom scene showing a seated man at a desk, a standing woman in a dark suit to his right, and a standing man in a gray suit with a red tie near a table with papers. The camera then zooms in on the man in the gray suit and red tie, followed by a cut to a seated woman in a black robe with a white collar, positioned with an American flag behind her. The camera shifts from a wide shot to close-ups of the standing man and the judge.

People (a woman, a man in a suit, and a judge) are moving their heads and mouths while speaking.

The background remains static (wooden benches, wall, table) with no shifting. No fluid or environmental motion observed.


A hand from the right side of the frame approaches a loom with red, yellow, and blue threads between wooden frames, briefly adjusts components, then withdraws. The camera maintains a top-down perspective with slight movement throughout.

A shuttle (solid object) is repeatedly moved horizontally by a human hand within the loom mechanism, exhibiting controlled motion due to explicit physical manipulation.

Background elements (loom structure, blue checkered cloth) remain static and show no shifting or fluid motion. No fire, water, smoke, or wind present.


A person with dark sleeves inserts an orange plastic bottle into a metal machine from the right, then removes a second identical orange bottle from the machine. The bottles are tall, cylindrical, and filled with orange liquid. The camera remains static throughout.

A person's hands interact with the equipment, handling yellow containers and pouring liquid. The discrete objects (hands, containers) move due to intentional physical actions (locomotion, handling objects), while the liquid is a fluid but its motion is controlled by human action rather than ambient environmental forces.

The background elements (wall, equipment, table) remain static with no uniform shifting, and there is no fire, water flow, smoke, or wind motion dominating the scene. The yellow liquid being poured is part of discrete object interaction, not ambient environmental motion.


A person in dark clothing sits centered against a forested mountain backdrop, maintaining a still posture. In the bottom right inset, a smaller figure in similar dark attire claps repeatedly while facing forward. The camera remains fixed, capturing both the seated figure and the inset movement without shifting perspective.

The primary solid object is a person (Kim Jong Un) speaking, with minor head/face movements. A smaller inset image of another person is visible but static.

The background is a static forest scene with no visible fluid motion (fire, water, smoke, or wind). No significant environmental motion dominates the frame.


A person in a black shirt folds a green fabric on a pink surface, pressing it down into a compact shape, then lifts the folded item. The camera maintains a top-down view throughout, capturing the hands and fabric against the pink background.

Person's hands manipulating a green cloth on a pink surface (discrete, solid object motion due to manual folding/pressing).

No shifting background elements (wooden wall, bag, books remain static); no fluid/environmental motion (fire, water, wind) present.


A boy in a red shirt sits behind a black drum set with silver accents, positioned against a plain wall. He moves his hands to strike the drums and cymbals rhythmically, with the bass drum visible in front of him. The camera remains stationary, capturing the scene from a fixed angle with no noticeable movement.

Drummer's hands and drumsticks move in discrete, repetitive motions to strike the drums, causing vibrations and visible impact on the drum heads. The drums themselves vibrate but do not translate spatially.

Background static. No fire, water, smoke, or wind visible; walls and furniture remain stationary throughout the sequence.


A man in a gray tank top and black shorts performs a deadlift in a gym, starting in a bent-over position with a barbell loaded with weights, lifting it to waist level while standing, then lowering the barbell back to the ground. The treadmill is visible to the left of the frame, and weight racks are positioned behind him. The camera remains stationary, capturing the motion from a front-facing perspective with no movement.

A person moves through locomotion (walking) and performs a standing motion, with clear bounding box tracking of their movement.

No shifting background elements (gym equipment remains static) or fluid/environmental motion (no fire, water, smoke, or wind present).