A person in a blue shirt holds a peeled yellow banana, bringing it to their mouth to take a bite, then adjusts the banana with their left hand while continuing to eat; the scene occurs in a kitchen with wooden cabinets and a microwave visible behind, viewed from a static front perspective.

The person (a human) and the banana are moving as the person peels the banana and brings it to their mouth, with hand movements clearly visible.

The background (kitchen cabinets, microwave, and appliances) is static with no shifting or environmental motion (fire, water, smoke, wind).


A hand dips a brush into a small red-rimmed container of white paint, then moves the brush across a rectangular red artwork with gray accents, applying paint to the surface. The container remains to the right of the artwork as the hand continues painting. The camera maintains a top-down perspective with no movement.

A hand (discrete solid object) moves to interact with a small container (e.g., cup), pouring a substance and manipulating its position; both objects show clear physical displacement due to manual action.

Background elements (table, red book) remain static with no uniform shifting; no fluid/environmental motion (fire, water, smoke, wind) detected.


A person wearing a black shirt, black shorts with a gray stripe, and a cap stands in a batting cage, gripping a bat. They swing the bat forward, making contact with a ball, then follow through and stand with the bat lowered. The background features a netted enclosure. The camera remains stationary throughout.

A person (wearing black athletic wear and yellow cap) and a bat are moving: the person swings the bat, then stops and adjusts their stance. Motion is due to explicit physical forces (swinging action).

The chain-link fence and green ground in the background are static with no shifting or fluid motion. No fire, water, smoke, or wind is visible.


A person in a blue shirt and gray pants begins crouched on a chair by a large window, then stands and uses a squeegee to wipe the glass upward and downward. The individual is inside a room with a city building visible through the windows. The camera remains stationary, facing the windows.

A person on a ladder is actively moving their arms to clean windows, exhibiting discrete locomotion and physical interaction with the window surface.

No shifting backgrounds or fluid/environmental motion (fire, water, wind) observed; static interior elements (walls, windows, furniture) remain consistent with no uniform displacement.


RAW CAPTION: Got it, let's tackle this captioning task. First, I need to watch the video and note the main actions. The video shows two people in a dance studio. Let's see the chronological order.

Starting at the first frame: a person in blue shirt and dark pants is moving. Then in the next frames, another person enters from the left, wearing similar dark pants and blue shirt. The first person moves towards the second, then they interact—maybe a dance move? The first person does a low stance, then stands up, and the second person is watching. Wait, the description says "two people in a dance studio with wooden floors and mirrors."

Wait, the rules: focus on motion and behavior chronologically. Let's break it down.

0.0s: One person in blue shirt, dark pants, barefoot, moving in the room. The room has mirrors on the left wall.

1.0s: Another person enters from the left (mirror side), same attire. The first person is moving towards the left, maybe.

2.0s: The first person is in a lower position (like a squat), facing the second person. Second person is standing still.

3.0s: The first person stands up, then turns.

4.0s: The first person moves back, gesturing with hands.

5.0s: Both are moving, maybe a dance step.

Wait, need to describe the motions step by step. Let's check each frame:

Frame 0: Person A (blue shirt, dark pants, barefoot) moves rightward across the room.

Frame 1: Person B (same attire) enters from left (mirror side), standing. Person A continues moving right.

Frame 2: Person A turns towards Person B, lowers body (squat).

Frame 3: Person A rises from squat, faces Person B. Person B is still standing.

Frame 4: Person A moves back, arms out, then turns to face away.

Frame 5: Person A runs towards the right, Person B remains left.

Wait, but need to make it concise chronological paragraph. Also, spatial relationships: Person B is to the left of Person A initially, then Person A moves towards Person B.

Appearance: two people, same clothes (blue shirt, dark pants), barefoot. Size: similar, probably same height. Orientation: initially Person A moving, then turns to face Person B.

Background: dance studio, wooden floor, mirrors on left wall, but minimal background.

Camera: static? The video description says "camera perspective"—probably static, no movement. Wait, the rules say "conclude with camera perspective and movement".

So, let's structure:

- Start with two people in dance studio (background minimal). Person A (blue shirt, dark pants) moves across room. Person B (same) enters from left. Person A turns towards Person B, lowers stance, then rises. Person A moves away, then turns to face right. Camera is static, medium shot.

Wait, need to be concise. Let's check each frame:

0.0: One person in blue shirt and dark pants moves right in a dance studio with wooden floors and mirrors.

1.0: Second person in same attire enters from left.

2.0: First person squats, facing second person.

3.0: First person rises, faces second person.

4.0: First person moves back, extends arms.

5.0: First person runs right, second person remains left.

But in the video, frame 0 has one person. Frame 1: second person appears. So the sequence:

A person in a blue shirt and dark pants moves rightward across a wooden-floored studio with mirrors. A second person, similarly dressed, enters from the left and stands. The first person turns to face the second, lowers their stance into a squat, then rises. They step back, extending their arms, before moving away to the right as the second person remains stationary to the left.

Camera is static, medium shot.

Wait, need to check if "dance studio" is essential. The background is a studio with wooden floors and mirrors, but according to rule e, minimal background unless essential. Since it's a dance studio, maybe just mention the wooden floor.

Also, check the appearance: two people, blue shirts, dark pants, barefoot.

Now, let's craft the caption.

"Two people, both in blue shirts and dark pants, are in a dance studio with wooden floors. The first person moves rightward, then turns to face the second person as they enter from the left; the first person squats, rises, steps back while extending arms, and then moves right. The second person remains stationary to the left throughout. The camera maintains a static medium shot."

Wait, need to check chronological order. Let's see:

- Initial: one person moving.

Two individuals: one primary subject moving dynamically (locomotion/exercise) and a secondary stationary observer.

Stable walls and floor with no shifting background elements; no fluid/environmental motion (fire, water, smoke, wind) present.


A man wearing a black shirt and light pants unfolds and adjusts a large white cloth in front of a red radiator, positioning it against the structure. The camera remains stationary throughout.

A person (discrete solid object) is unfolding a cloth, with hands and body movements driven by physical action (tugging, adjusting fabric).

Static background elements (red structure, floor) show no shifting; no fluid/environmental motion (fire, water, smoke, wind) present.


A large gray and white wolf stands on sunlit grass, facing right. A person in dark pants pets its head; another person in a green top approaches from the left to pet the wolf's side. The wolf shifts its head slightly while being petted. The camera remains stationary, focusing on the interaction.

The dog exhibits subtle head-turning and body adjustments, while the person moves their hands to pet the dog—both motions are discrete, solid-object movements driven by physical interaction.

The background (grass and trees) shows no significant shifting or fluid motion; no fire, water, or wind effects are present to trigger ambient environmental classification.


Two individuals stand on a driveway in front of a garage; one wears a white shirt and dark shorts, the other a white shirt and light pants. The person in light pants moves left, passes a basketball to the stationary individual in dark shorts, then walks back toward the center. Camera remains static.

Two people in white shirts move toward the garage/car, interact with objects near the garage, and walk around the driveway area.

Background elements (house, garage, car, and grassy hill) show no uniform shifting or fluid motion (e.g., no fire, water, smoke, or wind-driven movement).


A person in a black shirt holds a light brown ukulele, strumming with their right hand while their left hand presses frets on the neck. The person's hands move rhythmically, adjusting finger positions and strumming motions. The ukulele case sits closed in the background near a window. The camera remains static, focused closely on the person's upper body and the instrument.

The person's hands and the ukulele are moving as the person plays the instrument, with distinct motion patterns.

The background elements (ukulele case) show no uniform shifting or fluid motion; no fire, water, or wind is present.


A person in a red top and dark pants rides a light-colored scooter forward across a grassy field, with the camera tracking their movement at a consistent distance.

A person on a scooter is moving forward across the grassy field, with clear locomotion due to physical forces (pedaling/riding).

Background elements (trees, grassy field) show no significant shifting or fluid motion; no fire, water, or smoke present.


A hand with visible wrinkles holds a small white glue gun against a yellow background, then positions a metallic fishing hook to reveal a small black object attached to its tip, followed by placing a glittery purple fish lure on a metal tool. The camera maintains a close-up perspective, shifting focus between the hand, hook, and lure.

A hand is holding and manipulating a small, metallic fishing lure with a hook; the hand and lure exhibit deliberate, controlled motion as the hand adjusts the lure's position and orientation.

The background is a solid, static yellow surface with no visible shifting or environmental elements (e.g., no fire, water, smoke, or wind).


A young person wearing a blue shirt, brown patterned vest, and blue jeans stands in a living room, adjusting their vest. They begin by holding hands near their face, then raise hands to adjust the vest, moving slightly forward and turning. The floral-patterned sofa is behind them, with a beige chair positioned to the right. The camera remains static with a slight shake.

A person (child) is moving via stepping, jumping, and arm movements.

The background (couch, door, walls) remains stationary with no fluid motion (fire, water, smoke, or wind) or uniform shifting indicating camera movement.


RAW CAPTION: Got it, let's break this down. The video shows a wedding scene. First, the main subjects are people walking down the aisle. In the initial frame, there's a crowd on both sides, some taking photos. Then, as it progresses, the focus is on two people (the couple?) walking down the aisle. Wait, the description says "BENIT ZAVITAS" but we can't include text. So focus on motion.

First, the crowd is on either side of the aisle, people are taking pictures with phones. Then, two individuals (a man and a woman, maybe?) walk down the aisle. The aisle has pink decorations on the pews. The camera is moving slightly, following the people. Let's check the rules: chronological order, motion of main subjects.

Start with the initial scene: people gathered on both sides of the aisle, some holding phones to record. Then, the couple (or people) walk down the aisle, moving forward. They are surrounded by the crowd on both sides, which is taking photos. The camera seems to follow their movement, maybe panning slightly to keep them in frame.

Wait, the video starts with a view of the aisle, people on the sides. Then the camera moves forward as the people walk. So the sequence: people on both sides, then the main subjects (the two walking) approach the camera, moving down the aisle. The pink decorations are on the pews. The background has a decorated arch with "BENIT ZAVITAS" but we don't mention text. So focus on what's visible: people in pink dresses on the pews, others holding phones.

So the caption should be chronological: first, the crowd on either side of the aisle, taking photos with phones. Then, a man and woman (or two people) walk down the aisle, moving toward the camera. They are flanked by the crowd on both sides. The camera follows their movement, panning slightly.

Check the rules: no text recognition, so don't mention the "BENIT ZAVITAS" sign. Keep background minimal. Mention spatial relationships: people on both sides of the aisle, moving toward the camera.

Let's structure it:

A crowd of people stands on both sides of a decorated aisle, many holding smartphones to record. Two individuals walk down the aisle toward the camera, flanked by attendees in pink dresses seated on either side. The camera follows their movement with a slight pan, capturing their approach from behind.

Wait, but the first frame shows people walking towards the camera. Wait, the video starts with the view of the aisle, people on both sides. Then the two people (the couple) are walking down the aisle, moving towards the camera. Wait, in the video description, the sequence is: [0.0] shows the crowd, then [1.4] the people are walking towards the camera (the couple). So the motion is the couple walking down the aisle, approaching the camera.

So the caption should be:

In a church aisle lined with pink-dressed attendants on wooden pews, a crowd of people on both sides takes photos with smartphones as two individuals walk down the aisle toward the camera. The camera follows their movement with a slight pan, capturing their progression from the back of the church to the front.

Wait, but need to be concise. Let's check the rules: "concise, chronological paragraph". So first, the crowd is present, then the two people walking. Mention their appearance briefly: "two individuals" (maybe a man and woman, but no need for gender if not sure, just "two individuals"). The pink dresses on the pews: "pink-dressed attendants on wooden pews".

Check the rules: "briefly describe their appearance and number (color, size, orientation)". So two individuals: color? Maybe not specified, just "two individuals" (since the description doesn't mention color). The attendants: "pink dresses" (color), "seated on wooden pews".

Spatial relationships: "flanked by attendees in pink dresses seated on either side".

Camera movement: follows the people, slight pan.

So putting it all together:

A crowd of people stands on both sides of a church aisle, many holding smartphones to record. Two individuals walk down the aisle toward the camera, flanked by attendees in pink dresses seated on wooden pews. The camera follows their approach with a slight pan.

Check if that's concise. Let's make sure it's chronological. The first part: crowd taking photos. Then the two people walk down the aisle. That's the order. Yes.

Check rules:

a) Motion and behavior in order: crowd present, then two people walking toward camera.

b) Appearance: two individuals (no color specified, but maybe the attendees have pink dresses, which is color). Attendees in pink dresses (color), seated

People (bridesmaids, guests, officiants) walking down the aisle; individuals holding cameras/phones recording the event.

No shifting background elements (walls, chairs, archway remain stationary); no fire, water, or smoke present in the scene.


A person wearing a black hoodie and dark pants stands outdoors among trees, holding a yellow can. They lift the can upward, adjust its position with their hands, and gesture while holding it. The camera remains static throughout.

A person is making hand gestures and holding a yellow ball and a stick. The ball and stick are manipulated by the person's movements.

The background (trees, bushes) remains stable with minimal leaf movement due to a light breeze, which is not dominant. No fire, water, or strong wind.


A group of people gathers around a white table scattered with small colorful objects (pink, green, yellow) and debris. A seated individual in a black shirt and cap manipulates a yellow object on the table’s left, while another person in a gray suit leans over the right side. As the video progresses, the seated person adjusts the yellow object with both hands, the gray-suited person stands, and the group shifts positions; some move closer to the table, others lean in to observe. The camera maintains a top-down perspective with slight movement, capturing the table’s activity and the people’s interactions.

Multiple people's hands and arms moving (e.g., manipulating objects on the table) represent discrete solid object motion; table-top objects (e.g., small tokens) are also moving via human interaction.

No shifting background elements (floor and standing people are stationary relative to each other); no fire, water, smoke, or wind motion observed.


A small child in a pink and green plaid coat with a white hood and pink gloves walks toward the camera on a dark asphalt surface. As the child approaches, the camera zooms in to a close-up, capturing their smiling face as they laugh. The camera moves forward toward the child, transitioning to a close-up perspective.

The child is the only discrete solid object, moving toward the camera through voluntary locomotion (walking). The child's bounding box changes size and position consistently as they approach, with no ambiguity in tracking.

The background is a static asphalt surface with scattered white patches (likely snow/ice), showing no fluid motion (fire, water, smoke) or wind-driven movement (e.g., swaying trees). Background elements remain fixed relative to the frame, indicating no uniform shifting.


A person wearing gray pants and brown shoes uses a green mop pad attached to a metal handle, moving it back and forth across a dark floor. The individual shifts their stance as the mop glides horizontally, with the camera maintaining a top-down perspective throughout the sequence.

The mop (a solid object) is being pushed across the floor by a person's hand and foot, exhibiting motion due to applied force.

The background (floor) is static with no shifting. No fluid or environmental motion (fire, water flow, smoke, wind) is dominant.


A hand holds a black tool, applying it to a light wooden block with an eye and floral design. The hand moves the tool across the block’s surface, adding detail. The camera gradually pulls back, revealing more of the workspace with additional tools and wooden pieces on the table. The hand maintains motion on the block, with the camera remaining steady in a top-down perspective.

A hand is actively moving to draw on a wooden surface, with distinct motion of the hand and drawing tool.

Background elements (wooden surface, tools, other objects) show no uniform shifting; no fire, water, smoke, or wind observed.


A person with short dark hair and wearing a white jacket holds a green toothbrush in one hand and a purple toothpaste tube in the other. They bring the toothbrush to their mouth, beginning to brush their teeth. The camera shifts from a close-up to a wider angle, revealing a white partitioned background and a person in the distance. The subject continues brushing while the camera slightly pans to the left, maintaining focus on their upper body and hands.

The person in the white jacket is moving their head and hands (brushing teeth), with discrete, solid motion from their locomotion and hand movements.

The background consists of static white walls and ceiling elements with no shifting or fluid motion (e.g., fire, water, wind).


A person in a yellow dress with a sash and colorful necklace gestures with their right arm extended while speaking; another individual in a red dress with black gloves stands to their left, holding an object. The camera maintains a steady close-up perspective.

The main subject, a woman in a yellow dress with a sash, is moving her head, mouth, and arm (gesturing) due to her own physical movement while speaking.

The background (plants and wall) is static with no fluid or wind motion. The background elements do not shift uniformly, indicating no camera panning or tilting.


A bald person in a red shirt and dark apron bends beside a white door, adjusting an object on the floor. The camera shifts to a close-up of their hands using a tool to draw a curved line on the carpet next to a light wooden counter. The person then stands upright, facing the camera. The camera transitions from a medium shot of the person bending to a close-up of the handwork, then to a medium shot of the person standing.

A person in red clothing uses hands and feet to manipulate a white marker and a hammer-like tool on a wooden surface, demonstrating intentional physical interactions with discrete objects.

Background elements (wooden floor, white wall, furniture) remain static with no uniform shifting or fluid/environmental motion observed.


RAW CAPTION: Got it, let's break down the video. First, the scene is a snowy path between hedges. There's a person in a dark jacket and red pants sliding on a blue sled. The video starts with them sliding, then the camera moves closer, showing them as they go down the slope. The person is on their stomach on the sled, moving forward. The background has a car and buildings, but we keep that minimal. The camera seems to pan slightly to follow the motion. Let's structure the caption chronologically: start with the person sliding, describe their appearance and movement, then the camera movement. Need to mention the sled is blue, person's clothing, direction of movement. Also, check the rules: no text, no named characters. Let's make it concise.

First part: A person in a dark jacket and red pants lies on a blue sled, sliding down a snow-covered path between green hedges. The camera follows their movement as they glide forward, passing a parked car. Then, as they continue, the camera shifts slightly to capture their motion. Wait, need to be chronological. Let's order the events:

- Initial frame: person sliding on sled.
- Then, as the video progresses, the sled moves, camera follows.
- The person is on their stomach, moving forward.
- Background has hedges, car, buildings (but minimal).
- Camera movement: follows the sled, maybe panning.

Wait, the video starts with the person already sliding, then the camera moves towards them. So the order is: The video opens with a person in dark clothing and red pants lying prone on a blue sled, sliding down a snow-covered path flanked by green hedges. The camera gradually moves closer, capturing the sled’s progression as the person continues sliding forward, passing a parked car. The camera maintains a low angle, following the sled’s motion with slight adjustments.

Wait, need to check the rules: "chronological paragraph describing the provided video." So step by step.

First frame: person sliding on sled. Then, as the video goes on, the person is moving down, camera follows.

So: A person wearing a dark jacket and red pants slides on a blue sled along a snow-covered path between green hedges. The camera tracks the sled’s movement, showing the person’s prone position as they glide forward, passing a parked car. The camera maintains a following perspective with slight motion.

Check the rules: "Focus primarily on motion and behavior... chronological order."

Let's refine:

A person in dark clothing and red pants slides on a blue sled down a snow-covered path bordered by green hedges. The camera moves closer to capture the person’s prone motion as they continue sliding forward, passing a parked vehicle. The camera follows the sled’s trajectory with slight adjustments, maintaining a low angle.

Wait, "prone" might be okay, but maybe "on their stomach" is more descriptive. Let's check the video frames: in the frames, the person is on the sled, which is blue, moving. So "lies on their stomach" or "slides prone."

Let's write:

A person in dark clothing and red pants slides on a blue sled down a snow-covered path between green hedges. The camera follows the sled as the person moves forward, maintaining a low angle perspective. The person remains prone on the sled, passing a parked car. The camera slightly shifts to track the sled’s motion.

Wait, need to be concise. Let's check the sample output. The example in the problem statement has a similar structure.

Wait, the user says "concise, chronological paragraph". So let's make it a single paragraph.

"An individual in dark clothing and red pants slides on a blue sled along a snow-covered path between green hedges. The camera follows the sled as the person moves forward, keeping a low angle perspective. The individual remains prone on the sled, passing a parked car, with the camera making slight adjustments to track their motion."

But need to check if "prone" is correct. Looking at the video: in the frames, the person is on the sled, which is blue, lying down. So "prone" is accurate.

Also, mention number: "a person" (singular).

Background minimal: so "path between green hedges" is enough.

Camera perspective: "low angle perspective" but the problem says "conclude with the camera perspective and movement (e.g., top-down, pan left, slight shake)." So the camera movement is "follows the sled, with slight adjustments" or "panning" maybe.

Wait, in the video, the camera moves towards the person, so it's following.

Another way: "A person in dark clothing and red pants slides on a blue sled down a snow-covered path between green hedges. The camera tracks their motion as they glide forward, passing a parked car, with the perspective shifting slightly to

A person on a blue sled is sliding down a snow-covered path. The sled moves from the top of the frame to the bottom due to gravity and friction. The person is wearing a helmet and winter clothing.

The background (buildings, cars, bushes) remains static with no significant shifting or environmental effects (no fire, water, smoke, or wind). The snow is static and no fluid motion is observed.


A person in a black shirt handles a tray of sliced red meat at a food counter, moving the tray toward a prepared dish. They then pick up a bread roll from a container and place it onto the dish. The counter holds various ingredients including green vegetables, red peppers, and shredded cheese, with the tray of meat positioned in front of the person. The camera remains static with slight movement, capturing the actions from a slightly angled perspective.

Person's hands moving to add ingredients from a container into a bowl; the bowl and container are solid objects.

Background elements (counter, containers) are static; no fluid or environmental motion (fire, water, wind) observed.


A man wearing a red and black helmet and blue shirt welds a black metal gate, producing bright sparks; he stands to the left while another man in a light gray shirt holds the gate steady to the right. The welder shifts position slightly, causing sparks to fade, while the second man maintains his grip on the gate. The background features green foliage and a chain-link fence. The camera remains stationary with minimal movement.

Two people: one welding (helmeted, holding welding tool) and one assisting (holding gate). Their movements are controlled, deliberate actions (welding, stabilizing gate), not fluid environmental motion.

Background elements (trees, fence) show no uniform shifting. Welding sparks are transient but not dominant ambient phenomena (fire/smoke/wind); sparks are byproduct of discrete physical interaction.


A shirtless man in black shorts stands on a wooden deck surrounded by trees, initially squatting with arms extended and holding a yellow resistance band. He lifts the band above his head while maintaining the squat, then stands upright, keeping the band around his waist. The camera remains stationary throughout.

A person performing exercises with a yellow resistance band. The band and person exhibit controlled, solid-object motion due to physical exertion (lifting, extending arms).

Background elements (trees, wooden deck) show minimal movement; no significant fluid motion (fire, water, smoke) or wind-driven swaying observed. Trees appear static relative to the frame.


RAW CAPTION: Got it, let's tackle this. First, the video shows hands applying cream to a shoe. The main subject is the hands and the shoe. Let's note the steps: the hands are using a sponge to apply cream in circular motions. The shoe is black, and the hands move it around. The background is minimal, just white, so focus on motion.

Chronological order: The hands hold the shoe, then apply cream with the sponge in circular movements. Then maybe flip the shoe? Wait, in the frames, they move the shoe to different angles. Let's check the frames. Frame 0: hands on shoe, sponge on top. Frame 1: maybe adjusting. Frame 2: hands turning the shoe to apply to other parts. Frame 3: still applying, maybe different part. Frame 4: hands moving the shoe. Frame 5: maybe showing the shoe after application.

Appearance: Hands are light-skinned, shoe is black with ECCO logo. Sponge is grayish. Spatial: Hands are holding the shoe, sponge is used on the shoe's surface. Motion: Circular application, then perhaps moving the shoe to apply to different areas.

Camera perspective: Top-down view, as seen from above. No movement mentioned, so fixed camera. Background is white, minimal.

Now, structure the caption: Start with hands applying cream on the black shoe using a sponge in circular motions, then moving the shoe to different positions while applying, all in a top-down view.

Check rules: Focus on motion, chronological. Mention appearance (black shoe, hands), spatial (hands holding shoe, sponge on shoe), camera (top-down). No text recognition, so ignore the text in the video.

Let's draft: A pair of hands holds a black ECCO shoe and uses a gray sponge to apply cream in circular motions across the shoe's surface. The hands adjust the shoe's position to reach various areas while continuing the circular application. The camera maintains a top-down perspective throughout the sequence, capturing the precise motion of the sponge against the shoe's leather.

Wait, but the rules say "exclude text recognition", so don't mention ECCO logo. Wait, the logo is on the shoe, so it's part of the object's appearance. But maybe the task says "describe appearance and number", so color of the shoe (black) is important. The ECCO logo is visible but perhaps not necessary? Wait, the problem says "appearance and number (color, size, orientation)"—so color is black for the shoe, the logo is part of the shoe's appearance but maybe the caption should just mention black shoe. Hmm, but the logo is part of the object. However, the user said "exclude text recognition", which refers to the text in the video (like the instructional text). The logo is part of the shoe's visual, not the text in the video. Wait, the example in the problem statement: "Exclude text recognition, named characters, or stylistic analysis." So text recognition would be like the words in the video (the "2. Aplicar..." text). The logo on the shoe is part of the object, so it's okay to mention the shoe is black (color) and maybe "with an ECCO logo" but wait, the user might consider that as a detail. Wait, the problem says "briefly describe their appearance and number (color, size, orientation)". The shoe is black, size is a regular shoe, orientation is being held by hands. The logo is part of the shoe's appearance.

But let's check the example given in the task: the user provided a video with text, but the caption should exclude the text (the "2. Aplicar..." part). So the logo on the shoe is part of the object, so it's okay. But maybe the task wants to be concise. Let's see.

Alternative: "A pair of hands uses a gray sponge to apply cream in circular motions on a black shoe, rotating the shoe to cover different surfaces while continuing the application. The camera remains fixed in a top-down view, focusing on the precise movement of the sponge against the shoe’s surface."

Wait, check the rules: "b) Briefly describe their appearance and number (color, size, orientation)." So shoe is black, size is a standard shoe (but size might not be needed, just color and type). The hands are light-skinned (but maybe not necessary, since "hands" are the main subject—maybe just "a pair of hands"). The sponge is gray.

Chronological: First, hands hold shoe, apply cream with sponge in circular motions, then move shoe to different positions to apply to other areas, then maybe finish. The video shows the hands applying, moving the shoe around, and the sponge motion.

So, structuring:

- Hands hold black shoe, using gray sponge to apply cream in circular motions.
-

Two hands are actively moving a black shoe in circular motions to apply cream, with the shoe being held and manipulated by the hands. The motion is deliberate and controlled by the hands.

The background is a static white surface with no shifting elements, fluid motion (fire, water, smoke), or environmental effects. No ambient environmental motion is present.


A person in a yellow and white shirt adjusts the arm of a person in a black and white striped shirt. The yellow-shirted individual then looks up and smiles. A third person in a beige shirt and jeans stands to the right, partially visible. The scene occurs in a room with white chairs and a whiteboard in the background. The camera remains stationary throughout.

Two people (a student in yellow shirt and an instructor in striped shirt) interact; the instructor adjusts the student's arm, causing deliberate human motion.

Static indoor background (walls, whiteboard, chairs) with no fluid or environmental motion. Background elements do not shift uniformly.


A person's hand, partially visible with a red sleeve, stirs a dark bowl containing a purple substance. The hand then moves to sprinkle white powdered sugar over a glass pie dish holding a brown cake. Following this, the hand pours a white liquid from a white bowl into the pie dish. The camera maintains a close-up perspective throughout, focusing on the hands and baking items on a kitchen counter.

A hand is pouring batter from a container into a baking dish and then stirring. The batter is being moved by the hand, indicating discrete object movement.

The background (kitchen counter) is static with no uniform shifting. No dominant fire, water, smoke, or wind motion is present; the pouring of batter is a controlled action.


A hand with dark skin moves along a white outline on a vibrant blue surface, carefully placing small golden and green decorative elements in sequence. The hand adjusts each piece to align with an intricate pattern featuring repeating gold and green motifs. In the background, a white plate with gold jewelry is partially visible. The camera maintains a steady top-down perspective throughout the sequence.

discrete_object_physics | ambient_environmental | camera_motion | ego_motion | static

Briefly describe what discrete, solid objects are moving.

Briefly check for shifting backgrounds or fluid/environmental motion (fire, water, wind).


RAW CAPTION: Got it, let's break down the video. First, the main subjects are a person's hands and electronic equipment. The hands are interacting with a device that has a keypad. The equipment includes a device with yellow displays showing numbers like 310, 002, 000, and there's an oscilloscope in the background.

Chronicling the motion: The hands are pressing buttons on the front panel of the main device. The background has other equipment—oscilloscope on a shelf above, another device to the left. The camera is fixed, so no movement. Let's structure it.

Start with the hands: a pair of hands (no color specified, but just hands) pressing buttons on a gray electronic device with yellow digital displays. The device has multiple displays showing numbers. Then the oscilloscope in the background shows a waveform, maybe changing? The hands move across the keypad, pressing different buttons. The spatial relationship: the main device is on a table, oscilloscope above it on a shelf, other equipment to the left.

Need to keep it concise. Background is minimal, so mention the oscilloscope briefly. Camera perspective: fixed, top-down or close-up? The video shows a close-up of the hands and the device.

Let's put it together: A pair of hands manipulates a keypad on a gray electronic device with yellow digital displays showing "310," "002," and "000," while the background features a screen displaying a waveform above the device and another electronic unit to the left. The hands press various buttons sequentially, adjusting the device's settings. The camera remains stationary, focusing closely on the hands and the equipment.

Check rules: no text recognition (but displays are part of the equipment, but rule f says exclude text recognition, so maybe avoid the numbers? Wait, the instruction says "exclude text recognition"—wait, the user says "Exclude text recognition, named characters, or stylistic analysis." So the numbers on the displays are text, so we should not mention them? Wait, no—wait the example might be different, but the rule says "exclude text recognition". So perhaps don't mention the numbers. Wait, but the task is to describe motion and behavior. Let's read rule f: "Exclude text recognition, named characters, or stylistic analysis." So numbers on displays are text, so we shouldn't say "showing 310", etc. Hmm, but the displays are part of the equipment's appearance. Wait, the problem is, if the text is on the equipment, do we describe it or not?

Wait, the user's instruction says: "a) Focus primarily on the motion and behavior of main subjects (people/animals/objects) in chronological order." So the main subject is the hands pressing buttons. The equipment's displays are part of the scene. But rule f says exclude text recognition. So maybe mention the displays as "yellow digital displays" without the numbers.

Wait, let's check the example. Suppose the video shows a device with displays, but we don't mention the numbers. So in the caption, we can say "a gray electronic device with yellow digital displays" but not the numbers. Because "text recognition" is the numbers being read. So the rule says exclude that.

So adjust: hands press buttons on a gray electronic device with yellow digital displays, while an oscilloscope with a waveform screen is visible above. The hands move across the keypad, adjusting settings. The camera stays fixed, close to the hands and equipment.

Let's structure:

A pair of hands manipulates a keypad on a gray electronic device with yellow digital displays, pressing buttons sequentially. In the background, an oscilloscope with a screen displaying a waveform sits on a shelf above the device, and another electronic unit is positioned to the left. The hands continue adjusting the device’s controls while the camera remains stationary, maintaining a close-up view of the hands and equipment.

Check rules:

a) Motion: hands pressing buttons chronologically. Correct.

b) Appearance: hands (no color, but just hands), gray device, yellow displays, oscilloscope. Mentioned.

c) Spatial: oscilloscope above, other unit to left. Correct.

d) Camera: stationary, close-up. Correct.

e) Background minimal: oscilloscope and other unit mentioned as part of background, but minimal.

f) Exclude text recognition: numbers not mentioned. Good.

g) Internal thought but not output. So final caption.
</think>

<caption_output>A pair of hands manipulates a keypad on a gray electronic device with yellow digital displays, pressing buttons sequentially. In the background, an oscilloscope with a waveform screen sits on a shelf above the device, and another electronic unit is positioned to the left. The hands continue adjusting the device’s controls while the camera remains stationary, maintaining a close-up view

A pair of hands is actively turning a rotary knob on a signal generator, demonstrating discrete, solid-object motion due to human manipulation.

No shifting background elements or fluid/environmental motion detected (no fire, water, smoke, or wind). Static background (wooden shelf and electronic devices) remains consistent throughout.


A child in a teal top and yellow pants crawls on the carpet toward the left, approaching a stack of plastic containers near the window, then stands up and walks away. The camera remains in a top-down perspective with minimal background elements.

A person in a yellow shirt and blue pants is bending down, standing up, and walking away across the room.

Background is static (walls, floor do not shift). No fire, water, smoke, or wind observed.


Several children in blue uniforms run across a grassy field to chase a white soccer ball kicked by an adult in a white shirt and black shorts, while another adult in a blue shirt observes nearby. The yellow goal is visible to the left as the camera pans to follow the movement of the ball and players.

Several players (in blue and white jerseys) are actively running and kicking a soccer ball, with the ball moving due to the kicks.

The background (trees, grass, goalpost) shows minimal wind-induced movement but no dominant fluid or environmental motion. No fire, water, or smoke.


A child in a pink hoodie with a purple design sits in a car seat, initially looking to the side. The child turns toward the camera, smiles broadly, laughs, and raises their arm slightly. The camera remains in a close-up position with minor movement.

The child in the car seat exhibits discrete motion: moving arms, shifting posture, and facial expressions indicating voluntary movement.

The background consists of static car seat elements and vehicle interior; no shifting backgrounds or fluid/environmental motion (fire, water, wind) is observed.


A person in a white shirt and dark shorts stands within a metal caged structure, throwing an object into the air; they rotate their body after releasing, then walk toward a concrete block, pausing to face it. The camera remains stationary, capturing the scene through the cage netting.

A person (athlete) performs a throwing motion (swinging, releasing an object), with the thrown object moving through the air.

No shifting background elements (fence, trees, building remain fixed). No fluid/environmental motion (clouds are static, no visible wind, water, or smoke).


A person in a white shirt and black pants stands in front of a large office printer, reaching into its open top to adjust contents. They close the printer lid, then turn to retrieve a sheet of paper from a stack on a small table beside the machine. The scene includes a window with blinds and a white wall in the background. The camera remains stationary, capturing the actions from a fixed rear perspective.

A woman (discrete object) operates a machine: moving hands to interact with controls, adjusting paper trays, and shifting body position while handling documents.

Background (wall and window) is static with no shifting elements. No fire, water, smoke, or wind motion detected.


RAW CAPTION: Got it, let's break down the video. First, there are two kids: a boy and a girl. The boy is wearing a sleeveless shirt with orange and white, gray shorts, and dark shoes. The girl has a pink helmet, pink shirt, beige shorts, and red shoes. They're on a sidewalk in a park. The boy is standing near a bike. The girl runs away from him, then turns back and runs towards the boy. Wait, no: in the first frame, they're standing. Then the girl runs forward, the boy bends down. Then the girl runs back, and the boy follows. Let's check the timestamps.

At [0.0], they're on the sidewalk. [1.4], girl runs forward, boy stands. [2.5], boy bends down, girl is in front. [3.6], boy stands, girl is behind. [4.7], girl bends down, boy moves towards her. Wait, no, the frames: 0.0: both on sidewalk, boy left, girl right. 1.4: girl runs towards the right (away from camera), boy stays. 2.5: girl runs back, boy bends down (to the right). Wait, maybe the girl runs away, then comes back. Let's see movement.

Chronological: Initially, the boy (wearing orange/white sleeveless shirt, gray shorts) and girl (pink helmet, pink top, beige shorts, red shoes) stand on a sidewalk. The girl then runs forward (toward the grassy area), turns around, and runs back toward the boy. The boy bends down (likely to pick something up) while the girl moves towards him. The girl bends down near the sidewalk as well. Background has a bike, picnic tables, grass, trees. Camera is static? No, maybe slight movement. Wait, the rules say camera perspective and movement. The video seems to be a stable shot, maybe slight shake. Background is a park with grass, trees, a car, bike, etc.

Now, focus on motion: two children. Boy: short, wearing orange/white sleeveless top, gray shorts, dark shoes. Girl: short, pink helmet, pink shirt, beige shorts, red shoes. Initially, they stand on the sidewalk. The girl runs forward (away from the camera), then turns and runs back toward the boy. The boy bends down (appears to pick up an object). The girl then bends down near the sidewalk. The camera is stationary, with a slight shake. Background has a bicycle parked on the left, a grassy area with picnic tables, and trees. But keep background minimal.

So structure: Start with main subjects (two children), their actions in order. Boy and girl on sidewalk; girl runs away, turns, runs back; boy bends down; girl bends down. Mention their appearance briefly. Spatial: girl in front initially, then runs back. Camera: static with slight shake.

Now, write concisely:

Two children stand on a sidewalk: a boy in an orange-and-white sleeveless top and gray shorts, and a girl in a pink helmet, pink top, beige shorts, and red shoes. The girl runs forward away from the camera, then turns and runs back toward the boy, who bends down. The girl bends down near the sidewalk as well. The camera remains stationary with minimal shake, capturing the park setting with grass, trees, and a bicycle in the background.

Wait, check for chronological order: initial standing, girl runs forward (away), then turns and runs back, boy bends, girl bends. Yes. Mention appearance: boy's shirt, shorts; girl's helmet, top, shorts, shoes. Spatial: girl in front then behind. Camera: stationary with slight shake.

Make sure it's concise. Let's draft:

A boy in an orange-and-white sleeveless top and gray shorts, and a girl in a pink helmet, pink shirt, beige shorts, and red shoes stand on a sidewalk. The girl runs forward away from the camera, then turns and runs back toward the boy, who bends down. The girl bends down near the sidewalk. The camera remains stationary with a slight shake, capturing a park with grass, trees, and a bicycle.

Check rules: focus on motion, chronological. Yes. Appearance: correct. Spatial: girl's movement. Background minimal. Camera: stationary, slight shake. Good.
</think>

<caption_output>A boy in an orange-and-white sleeveless top and gray shorts, and a girl in a pink helmet, pink shirt, beige shorts, and red shoes stand on a sidewalk. The girl runs forward away from the camera, turns, and runs back toward the boy, who bends down. The girl bends down near the sidewalk. The camera remains stationary with a slight shake, capturing a park setting with grass, trees, and a

Two children (a boy and a girl) are moving on the sidewalk: the boy bends down to interact with the ground (1.8s), then stands; the girl walks forward and bends down (4.0s). Their motions are due to locomotion and intentional actions.

The background (trees, grass, playground structure, and distant car) remains static with no significant shifting or fluid environmental motion (e.g., no wind-driven leaf swaying or smoke).


A shirtless man wearing dark shorts and barefoot sits on a wooden bench, with a backpack resting on the sidewalk to his left. As the video progresses, a white taxi drives past from left to right, followed by a white truck, and then another taxi. The man remains seated, occasionally adjusting his position, while vehicles continue moving on the street in front of him. The camera remains stationary throughout, capturing the scene from a fixed ground-level perspective.

The moving discrete objects are cars and trucks traveling along the street. The person and dog on the bench exhibit minimal movement.

The background elements (buildings, trees, bench, and trash can) are static and show no signs of fluid motion or wind. The ambient conditions are calm with no fire, water, smoke, or significant wind detected.


A young girl with pigtails, wearing a pink and white striped long-sleeve shirt and shorts, walks from a brick patio onto a grassy area while holding a garden hose, with the camera tracking her movement as she transitions between the two surfaces. Background elements include a corrugated wall and scattered hoses but remain secondary to her motion.

A child (solid object) is moving via locomotion (walking, turning), holding a hose that emits water flow (fluid motion).

The background elements (wall, grass, and static objects) show no uniform shifting; water spray from the hose is a fluid motion but not dominant in the scene.


The main discrete objects moving are the woman's hand and the bottle (Avon). The hand is moving to hold and rotate the bottle to display it.

The background is a solid pink color in most frames and remains static. There are no environmental elements like fire, water, or smoke; the transitions (e.g., 1.5-2.0) are visual effects, not environmental motion.


RAW CAPTION: Got it, let's tackle this. First, the video shows a person's hands on a table with a green and white checkered tablecloth with floral patterns. The person is moving a small object, maybe a card or a piece of paper, across the table. Let's break it down.

The main subject is the person's hands. They're wearing a green shirt and a blue bracelet. The hands are manipulating a small item, like a card with a colorful design (maybe a fruit or flower). The action is moving the object from one spot to another on the table. The tablecloth has green and white squares with flowers in each square.

Chronic order: The hands are positioned on the table, moving the object. Let's see the sequence: at the start, hands are near the top right, then they move the object to the left, maybe? Wait, the video starts with hands moving, so first, the hands are handling the object. The object is small, maybe a card, with a design. The background has some items like a drum and a plastic container, but we need to keep background minimal.

Appearance: Hands, green shirt, blue bracelet. The tablecloth is green and white with floral patterns. The object being moved is small, colorful (like a fruit or flower image).

Spatial relationships: The hands are on the table, which is the main focus. The object is moved across the table. Background elements are behind but not essential.

Camera perspective: It's a top-down view, fixed, no movement mentioned. So "top-down static" maybe.

Now, structure the caption: chronological order of motion. Start with hands moving the object, describe appearance, spatial, then camera.

Let's draft:

A person wearing a green shirt and a blue bracelet uses their hands to manipulate a small, colorful card featuring a fruit design on a green-and-white checkered tablecloth with floral patterns. The hands move the card from one square to adjacent squares on the table, shifting it leftward. The background includes a drum and plastic container but remains out of focus. The camera maintains a top-down static perspective throughout.

Wait, check rules: exclude text recognition, named characters, so no "person" but "hands". Wait, the rule says "main subjects (people/animals/objects)" so people are the main subject here. But the caption should focus on motion and behavior. So "A person's hands, adorned with a blue bracelet and green shirt, move a small colorful card across a green-and-white checkered tablecloth with floral designs. The hands shift the card leftward through adjacent squares, with the background containing a drum and plastic container blurred. The camera remains in a top-down static view."

Wait, but rule b: "briefly describe their appearance and number (color, size, orientation)". So for the hands: color (skin tone), size (adult hands), orientation (positioning). The card: size (small), color (colorful), design (fruit).

Let me check the video frames:

[0.0] - hands are on table, moving an object. The object is in a square.

[1.4] - hands move the object to the right? Wait, the movement is from right to left? Let's see the video: the hands take the object from the right side of a square and move it to the left, placing it in another square. So the motion is leftward.

First frame: hands are near a square with a red fruit (maybe). Then they move it to the left.

So the card is moved leftward across the tablecloth.

Now, let's structure the caption:

A person’s hands, wearing a green shirt and a blue wrist bracelet, manipulate a small colorful card with a fruit design on a green-and-white checkered tablecloth. The hands move the card leftward across adjacent squares, shifting it from one square to another. The background features a drum and plastic container, but remains out of focus. The camera provides a static top-down view throughout the sequence.

Wait, rule e: "keep background descriptions minimal unless essential for understanding motion". Here, the background isn't essential for motion, so maybe just mention briefly.

Also, the tablecloth has floral patterns in each square (like green leaves, orange flowers, blue flowers). So the tablecloth has green and white squares with various flowers.

Let me rephrase to be concise:

A person’s hands, with a blue bracelet and green shirt, move a small colorful card (featuring a fruit) across a green-and-white checkered tablecloth with floral designs. The hands shift the card leftward between adjacent squares on the table. The background includes a drum and plastic container, but remains indistinct. The camera maintains a static top-down perspective.

Check if this follows all rules:

a) Motion and behavior chronologically: hands move card leftward.

b) Appearance: hands (

Discrete solid objects (hands and tiles) moving: hands manipulate tiles by sliding and rearranging them across the table surface, driven by physical contact forces.

No shifting backgrounds or fluid/environmental motion observed. Tablecloth pattern and background objects (e.g., chair) remain static relative to the camera, with no wind, fire, or water effects present.


A pair of hands slices red tomatoes with a black knife on a wooden cutting board, then transfers the slices into a bowl filled with green leafy vegetables. The camera pulls back to reveal a person arranging various vegetables in a kitchen setting with a stainless steel pot and other produce on the counter.

Hands (chopping tomatoes with a knife) and tomato pieces (being transferred to a salad bowl) exhibit discrete solid-object motion via physical interactions.

Background elements (cutting board, vegetables, pot) show no uniform shifting; no fluid/environmental motion (fire, water, wind) present.


A child wearing a red hat, gray/yellow shirt, and blue shorts stands in front of a bathroom mirror, holding a green cup. They lift the cup to their mouth, drink, then lower it. A soap dispenser sits on the sink to their left, and white towels hang on a rack to their right. The camera remains stationary.

The child (a solid object) is moving the green cup from a held position to their mouth and back down. This discrete locomotion is driven by explicit physical forces (muscle movement) and involves clear, trackable bounding box motion.

The bathroom background (sink, mirror, walls) shows no shifting or uniform movement. No fluid or environmental motion (fire, water, smoke, wind) is present; the mirror reflection remains static and the fixtures are fixed.


A pair of hands holds a small, square-shaped object with a vibrant pattern of multicolored circles (orange, green, blue, white, black), rotating it to display all sides against a brown textured background. The camera maintains a close-up perspective, slightly adjusting to follow the object’s motion as the hands manipulate it.

Discrete solid objects: hands manipulating a colorful, patterned box. Motion consists of hand-driven rotation and positioning of the box, with no collisions or external forces depicted.

Background is static brown textured surface (likely couch); no shifting backgrounds or fluid/environmental motion (fire, water, wind, etc.) detected.


RAW CAPTION: Got it, let's tackle this. First, the video shows a person polishing a wooden surface. The main subject is a man's hand (since we see his arm in a plaid shirt and jeans). He's using a cloth. The action is擦拭 (polishing) the dark brown wooden table. Chronologically: he moves the cloth back and forth. The cloth is white, the table is shiny. Background has some items but minimal. Camera is close-up, maybe slightly moving but mostly focused on the hand and table. Need to keep it concise.

Check rules: motion and behavior in order. Main subject: person's hand (plaid shirt, jeans). Action: wiping table with cloth. Spatial: hand is on the table, cloth moves across. Background minimal. Camera: close-up, steady? Let's see the frames. The camera seems to follow the hand movement, maybe a slight pan but mostly fixed on the action.

So the caption should start with the hand, what it's doing, objects involved. Let's phrase: A person wearing a blue and white plaid shirt and blue jeans uses a white cloth to polish a dark brown wooden table, moving the cloth back and forth across the surface. The camera focuses closely on the hand and table, with minimal background items visible. Wait, need to be concise. Maybe: A man in a blue and white plaid shirt and blue jeans wipes a dark brown wooden table with a white cloth, moving the cloth in circular and back-and-forth motions. The camera maintains a close-up perspective on the hand and table, with brief shifts following the cloth's movement. Background elements are mostly out of focus. But need to follow rules: exclude background unless essential. So maybe just mention the main action and camera.

Wait, the rules say "keep background descriptions minimal unless essential for understanding motion." Here, the background isn't crucial, so maybe just say "minimal background" or omit. Let's try: A person’s hand, wearing a blue and white plaid shirt sleeve, wipes a dark brown wooden table with a white cloth, moving it in smooth motions across the surface. The camera remains close to the action, following the hand’s movement with slight adjustments. But wait, the person's arm is visible, not just hand. Wait, the video shows the person's arm, so "a person in a blue and white plaid shirt and blue jeans" but rules say "briefly describe their appearance and number (color, size, orientation)". So maybe: A person wearing a blue and white plaid shirt and blue jeans uses a white cloth to polish a dark brown wooden table, moving the cloth in back-and-forth motions. The camera focuses closely on the table and hand, with minimal background details.

Wait, check the output format: concise, chronological paragraph. So:

A person in a blue and white plaid shirt and blue jeans wipes a dark brown wooden table with a white cloth, moving it back and forth across the surface. The camera maintains a close-up view of the action, following the cloth's motion with slight shifts.

Wait, but need to be chronological. The first frame shows the hand wiping, then continues. So the action is the hand wiping, moving the cloth. Let's make sure it's chronological.

So the caption: A person wearing a blue and white plaid shirt and blue jeans uses a white cloth to polish a dark brown wooden table, moving the cloth in smooth back-and-forth motions. The camera stays close to the table and hand, adjusting slightly to follow the cloth’s movement.

Wait, check rules: "Mention spatial relationships if relevant (e.g., in front of, to the left)." Here, the hand is on the table, so maybe "a person’s hand, in a plaid shirt, wipes a dark brown table..." but need to be concise.

Alternative: A man in a blue and white plaid shirt and blue jeans wipes a dark brown wooden table with a white cloth, moving the cloth in circular and back-and-forth motions. The camera focuses closely on the hand and table, with minimal background details.

Wait, the rules say "exclude text recognition, named characters, or stylistic analysis." So "man" is okay, but maybe "person" is more neutral. Let's use "a person".

Final attempt: A person wearing a blue and white plaid shirt and blue jeans uses a white cloth to polish a dark brown wooden table, moving the cloth in back-and-forth motions. The camera maintains a close-up perspective on the hand and table, with slight adjustments to follow the cloth's movement.
</think>

<caption_output>A person wearing a blue and white plaid shirt and blue jeans uses a white cloth to polish a dark brown wooden table, moving the cloth in smooth back-and-forth motions across the surface. The camera stays close to the table and hand, following the cloth’s movement with slight

Hand and cloth moving in repetitive wiping motion on the table surface.

Background elements (chair, bowl, cup) are static; no fire, water, smoke, or wind present.


A person in an orange short-sleeve shirt uses a black hair curler while seated on a bed with a patterned bedspread. They hold the curler in their right hand, lift a section of long dark hair with their left hand, and wrap the hair around the curler. The setting features light purple walls in the background; the camera remains static at a close angle, focusing on the upper body and the curling motion without significant movement.

A person in an orange shirt is actively moving their arms and hair while using a hair dryer; discrete solid object motion driven by physical action (hair styling).

Static background elements (purple walls, ceiling, bed) show no uniform shifting or environmental fluid motion (fire, water, smoke, wind).


A person in a black and white jacket adjusts a white bicycle while a child in a blue dress stands nearby; the scene then transitions to a person in red pajamas leaping onto a pile of wrapped gifts with a Christmas tree in the background.

Two people in the first scene (moving arms and bodies) and one person in red moving from couch to standing and walking in the second scene.

Background (walls, Christmas tree, furniture) is static in both scenes. No fluid or environmental motion (fire, water, smoke, wind) observed.


A person wearing a pink and white striped shirt is seated indoors against teal walls. Initially, they hold a small object in their right hand near their face, then raise their right hand to point at their forehead. The background features a wall clock and posters, but the focus remains on the person's hand movements. The camera maintains a steady, frontal perspective throughout.

Person is moving hand and pointing to eye, demonstrating discrete solid object motion.

Background shows green walls and decorations without shifting; no fire, water, smoke, or wind visible.


In a grassy park with scattered trees, a person in a blue long-sleeve shirt and brown pants raises their arms while moving. A second person in a black striped shirt and blue jeans approaches from behind, extending their arms for a high-five; they touch hands and then continue moving together with playful gestures. The camera follows their interactions with a slight shake.

Two individuals (a person in a blue shirt and a person in a black shirt) are moving. The blue-shirted person performs arm swings and body movements; the black-shirted person moves to follow and interact. Both motions are discrete, solid-object movements driven by physical actions.

The background consists of static trees and grass with minimal swaying (subtle wind effect), not dominant fluid/environmental motion. No fire, water, or large-scale wind-driven phenomena observed.


RAW CAPTION: Okay, let's tackle this captioning task. The user provided a video clip and wants a concise chronological paragraph following specific rules. First, I need to parse the video frames.

Looking at the frames, there's a person wearing a black jacket with green letters "SCH" visible. They're indoors, maybe a store with shelves in the background. The person's hair is curly, and they're facing the camera.

Rule a says focus on motion and behavior. The person's mouth moves slightly between frames, suggesting they're speaking. Their head might tilt a bit, but the main action is talking. Rule b: describe appearance. Black jacket, green letters, curly hair, indoors.

Rule c: spatial relationships. The background is a store with shelves, but minimal details. Rule d: camera perspective. It's a close-up shot, no movement mentioned, so probably static.

Rule e: minimal background. Just mention the shelves as part of the setting. Rule f: no text recognition, so avoid mentioning "SCH" if it's not part of the subject's action. Wait, the letters are on the jacket, but the rule says exclude text recognition. Hmm, the user said "exclude text recognition," so maybe don't mention the letters. But the jacket is part of the subject's appearance. The rule says "briefly describe their appearance," so maybe mention the jacket color and letters as part of the description, but the instruction says "exclude text recognition." Wait, the rule f says "Exclude text recognition, named characters, or stylistic analysis." So if the text on the jacket is part of the appearance, should we include it? The example in the user's rules says "exclude text recognition," which probably means not to transcribe or explain the text, but perhaps just note the presence. Hmm, maybe the jacket has "SCH" but since it's part of their clothing, it's part of the appearance. The rules say "briefly describe their appearance (color, size, orientation)." So the jacket is black with green letters. But since the rule says to exclude text recognition, maybe avoid mentioning the letters. Wait, the user's example for rule f says "Exclude text recognition," which might mean don't mention the text if it's part of the scene. For example, if the jacket has "SCH" on it, but the task is to describe appearance, maybe it's okay to say "black jacket with green letters" as part of appearance. But the rule says to exclude text recognition. Maybe "text recognition" refers to identifying what the text says, so just mention the presence of letters without specifying. Hmm, but in the problem statement, the user says "Exclude text recognition," so perhaps don't mention the letters. Wait, the problem statement says "Exclude text recognition, named characters, or stylistic analysis." So if the letters are part of the appearance, describing the jacket's color and the letters without reading the text would be okay. But maybe the user just wants to avoid naming the specific text (like "SCH" as letters), but in the caption, it's necessary to describe the jacket. Let me check the example in the rules. The user says "Exclude text recognition," which probably means don't transcribe the text, but if the text is part of the appearance description, you can say "black jacket with green text" without stating what the text says. So in the caption, it's okay to say "black jacket with green letters" but not say what the letters spell.

Back to the sequence. The person is speaking, head slightly moving. The camera is static, close-up, no movement. Background has shelves but not detailed. So the caption should mention the person speaking, wearing a black jacket with green letters, in a store-like setting. Camera is close-up, static.

Wait, the rule d says conclude with camera perspective and movement. The camera is static, so "static close-up" or "fixed close-up."

Let me structure it:

A person with curly hair wears a black jacket with green letters, standing indoors near shelves. They speak while slightly moving their head, maintaining eye contact with the camera. The camera remains fixed in a close-up position throughout.

But need to check the rules. Rule a: motion and behavior chronologically. The main action is speaking, so "speaks while slightly moving head." Appearance: black jacket with green letters, curly hair. Spatial: indoors with shelves in background (minimal). Camera: static close-up.

Avoid text recognition (so don't say "SCH" but mention the letters). Since the user's example in the rules says "exclude text recognition," maybe we shouldn't mention the letters at all? Wait, the instruction says "briefly describe their appearance (color, size, orientation)" so the jacket's color and the letters' color. If the letters are part of the jacket

Briefly describe what discrete, solid objects are moving.

Briefly check for shifting backgrounds or fluid/environmental motion (fire, water, wind).


RAW CAPTION: Okay, let's tackle this video captioning task. The user provided a video clip showing a baby lying on a quilt. My job is to generate a concise chronological paragraph following the specific rules they outlined.

First, I need to focus on the main subject, which is the baby. The video starts with the baby lying on a quilt with Winnie the Pooh designs. The baby's outfit is white with yellow polka dots and a Winnie the Pooh graphic. I should note the baby's actions: looking around, moving their head slightly, and maybe opening their mouth.

The rules say to mention appearance and number. The baby is one, appears to be a toddler or infant, with short brown hair. The quilt has colorful patterns, including Winnie the Pooh and other characters. But the background should be minimal unless essential. Since the quilt is the main setting, maybe just mention the colorful quilt as the background.

Next, spatial relationships. The baby is lying on the quilt, so maybe "lying on a colorful quilt with Winnie the Pooh patterns". The camera perspective: it seems like a close-up shot, possibly handheld, with slight movement as the baby moves. The video starts with the baby looking at the camera, then turning their head to the left, then back. The camera might be slightly shaky, following the baby's movements.

Chronological order: The baby starts by looking towards the camera, then turns their head to the left, looks up, and then back. Maybe the baby moves their mouth, perhaps cooing or making sounds. But the rules say to exclude text recognition and named characters, so no mention of Winnie the Pooh as a character, just the patterns on the quilt.

Wait, rule f says to exclude named characters or stylistic analysis. So I shouldn't refer to Winnie the Pooh as a character, just say "print with cartoon characters" or something. But the user's example in the problem statement might have included Winnie the Pooh, but according to the rules, I need to exclude named characters. Wait, looking back, the user's example in the problem statement (the first part) says the baby's shirt has a Winnie the Pooh image, but the rules state to exclude named characters. Hmm, this is tricky. The rule says "Exclude text recognition, named characters, or stylistic analysis." So if the shirt has a Winnie the Pooh character, but since it's a visual element, maybe I can describe it as a cartoon character without naming it? Wait, the rule says "exclude named characters", so if it's a specific character like Winnie the Pooh, then I should avoid naming it. But the problem is that the image clearly shows Winnie the Pooh, but according to the rules, we can't mention the name. So perhaps describe it as a yellow cartoon bear or something generic.

Wait, but the user's own example in the problem statement (the first part) shows the baby wearing a shirt with Winnie the Pooh. However, the instructions say to exclude named characters. So maybe in the caption, I should refer to the cartoon character on the shirt without naming it. For example, "a shirt with a yellow cartoon bear print". But the user's rules state to exclude named characters. So perhaps it's better to just say "a shirt with a cartoon character print". Alternatively, maybe the user expects us to mention it, but according to the rules, we shouldn't. Wait, the rules say "Exclude text recognition, named characters, or stylistic analysis." So named characters like Winnie the Pooh are excluded. Therefore, the description should avoid naming the character, just describe the visual element generically.

So, the baby's outfit: white shirt with a cartoon bear print on it. The quilt has colorful patterns including bears and flowers.

Now, the chronological order: the baby starts looking towards the camera, then turns their head to the left, looks up, then back. The camera is close-up, possibly handheld, moving slightly to follow the baby's movements.

Let me structure the caption:

The baby, lying on a colorful quilt with cartoon patterns, wears a white shirt with a yellow cartoon bear design. Initially facing the camera, the baby moves their head slightly to the left, then looks upward before returning to face forward. The camera maintains a close-up perspective with minimal movement, following the baby's subtle shifts in position.

Wait, check the rules: keep background descriptions minimal unless essential. The quilt is the background, which is essential as it's where the baby is lying. The baby's appearance: short brown hair, infant.

Wait, the rules say "mention spatial relationships if relevant". The baby is lying on the quilt, which is in front of the camera. Maybe "lying on a colorful quilt" is sufficient.

Let me check the required points:

a) Motion and behavior

The baby's head moves slightly, indicating localized physical motion of a solid object (baby) due to self-driven movement.

No shifting backgrounds or fluid/environmental motion observed; background elements (quilt patterns, pillows) remain stationary relative to each other.


The video opens with a close-up of three costumed figures—red, white, and green—each with leaf-like extensions, moving in sync. The camera then pulls back, revealing more performers in identical green, red, and white outfits arranged in rows, executing coordinated movements. These figures, positioned in front of a blue-curtained stage backdrop, continue their rhythmic motion as the camera pans left and gradually widens the view to encompass the full group. The background remains minimal, emphasizing the synchronized dance-like actions of the performers.

Green and red puppet-like figures (multiple discrete solid objects) move in coordinated patterns across the stage, exhibiting locomotion and physical interaction.

The background features a stage with blue curtains and structural elements that remain stationary; no fluid motion (fire, water, wind) is present.


RAW CAPTION: Got it, let's break this down. The video starts with a view of a concrete floor with some bricks and a wall. Then, a person wearing light-colored pants and brown shoes enters the frame. They pick up bricks from the ground, move them toward a bucket of cement, and start handling the bricks. The main actions are the person's movements: picking up bricks, holding them, and working with the cement. The background is a wall with a mesh and some greenish discoloration, but we keep background minimal. The camera is static or maybe slight movement? Wait, the description says camera perspective. Let's check the frames. The first frame is a static shot, then the person moves into view. The caption needs to be chronological. So first, the scene shows the floor and wall. Then a person (light pants, brown shoes) appears, picks up bricks, carries them to the bucket, and manipulates them. Spatial relationships: the person is near the wall, bricks are on the floor. The camera is probably static but maybe shifts slightly as the person moves? Wait, the rules say "conclude with camera perspective and movement". The example might be top-down, but here it's more of a ground-level shot. Let's structure it.

Start with the initial scene: a concrete floor with scattered bricks and a weathered wall with mesh. Then, a person (light blue pants, brown sandals) enters, picks up a brick from the floor, lifts it, and places it near a gray cement bucket. They repeat this action with another brick. The camera remains fixed, capturing the person's lower body and the surrounding area. Background is minimal, just the wall and floor.

Check rules: chronological, focus on motion, appearance (light pants, brown shoes), spatial (near wall, bucket), camera perspective (fixed, ground-level). Exclude text, named characters. Okay.

Now, write the caption. Make it concise.

"Initially, a concrete floor with scattered bricks and a weathered wall with mesh is visible. A person wearing light blue pants and brown sandals enters, picks up bricks from the floor, lifts them, and places them near a gray cement bucket. They repeat this action with additional bricks, moving within the frame. The camera maintains a static ground-level perspective throughout."

Wait, but the video shows the person's actions step by step: first the scene, then person picking up, then handling bricks. Let's check the timestamps. Frame 0: shows floor, wall, bricks. Frame 1: person's legs. Frame 2: person picking up a brick. Frame 3: holding brick. Frame 4: moving towards bucket. Frame 5: holding brick. So the sequence is: person appears, picks up brick, carries to bucket, maybe dips or mixes? Wait, the bucket has cement, so maybe they're preparing to lay bricks. But the main action is picking up bricks and moving them to the bucket.

So the caption should be: "A concrete floor with scattered bricks and a textured wall is shown. A person in light blue pants and brown sandals enters the frame, picks up a brick from the ground, lifts it, and positions it near a gray cement bucket. They repeat this action with subsequent bricks, moving within the frame. The camera remains stationary, capturing the lower half of the person and surrounding area."

Check rules: chronological (from start to actions), appearance (pants color, shoes), spatial (near wall, bucket), camera (stationary). Background minimal, as wall is part of the scene but we mention only if essential. Here, the wall is part of the background, but it's not essential for the motion, but the problem says "mention spatial relationships if relevant". The person is near the wall. So "near a weathered wall with mesh" might be okay, but since the rules say "background descriptions minimal", maybe just "concrete floor" and "wall" without details.

Wait, rule e: "Keep background descriptions minimal unless essential for understanding motion." The wall's texture (mesh) might not be essential, but the brick placement is against the wall? No, in the video, the bricks are on the floor. So maybe the wall is just part of the background. So the caption can be:

"A concrete floor with scattered bricks and a wall is shown. A person wearing light blue pants and brown sandals picks up bricks from the floor, lifts them, and moves them toward a gray cement bucket. They repeat this action, handling multiple bricks. The camera maintains a static ground-level view."

Yes, that's concise, chronological, covers the motion, appearance, spatial (toward bucket), camera.
</think>

<caption_output>A concrete floor with scattered bricks and a wall is shown. A person wearing light blue pants and brown sandals enters the frame, picks up bricks from the floor, lifts them, and moves them toward a gray cement

A person is moving, handling a bag and a container, and pouring material into a bucket.

No shifting background elements; no fire, water, or smoke detected.


A woman wearing a sleeveless vest, dark jeans, flip-flops, and a red cap walks away from the camera along a concrete path, moving leftward past a wooden slatted structure with a blue bag on the ground. The camera remains stationary, capturing her steady motion.

A person wearing a sleeveless top and jeans is walking across the concrete surface, moving from left to right and then reversing direction, exhibiting clear locomotion.

The background consists of a stationary wooden fence and grassy area with no visible fluid or environmental motion (fire, water, wind); background elements remain fixed across frames.


A man in a light shirt and dark pants and a woman in dark clothing dance together in a dimly lit venue. They move across the floor, the man leads while they spin and briefly lift the woman; the camera follows their movement with slight shake.

Discrete solid objects: a man and woman dancing centrally (coordinated locomotion), and pedestrians walking through the foreground (e.g., person in black tank top at 0:01-0:02). These movements are distinct and trackable as individuals.

The background (walls, ceiling lights, distant signs) shows no uniform shifting. No fluid/environmental motion (fire, water, smoke, wind) observed; the club environment remains static with consistent lighting and structural elements.


A person's hands reach toward a small white dish containing colorful chocolates, pick up a blue-wrapped chocolate piece, and open the wrapper. The hands then place the chocolate onto a round pizza topped with shredded ingredients, which rests on a white plate. A small dish of mixed items sits to the left of the pizza, and a dark jar is visible in the background. The camera remains stationary, focusing closely on the hands and pizza throughout the sequence.

A person's hands are moving: picking up a chocolate bar from a plate, breaking it, and placing pieces onto a pie. These are solid, distinct objects exhibiting physical interactions (grasping, breaking, placing).

Background elements (wall, table, and dish setup) remain static throughout the video. No fluid motion (fire, water, smoke) or wind-driven motion is present.


A person with purple nail polish and a black top applies makeup using a sponge, moving it across their face; they then rest their chin on their hand while looking at the camera. The camera maintains a close-up perspective with slight movement, focusing on the subject's face against a minimally visible background.

A person is moving their head and hands, which are discrete, solid objects moving due to intentional motion.

The background (red wall and framed pictures) is static and does not shift uniformly. There is no fluid or environmental motion (fire, water, smoke, wind) present.


A man in a light blue and white striped shirt and dark shorts sits on a red bucket, using a tool to work on a wooden piece atop stacked planks. He adjusts his grip and position slightly, moving the tool across the wood while seated. To his left, a red metal structure stands against the wall, with weathered surfaces visible in the background. The camera remains stationary, capturing the scene from a fixed angle.

A person is actively moving their hands and body while working with wooden materials (e.g., cutting, shaping).

Background elements (walls, wooden structures, floor) remain static across frames. No fire, water, smoke, or wind motion detected.


RAW CAPTION: Got it, let's tackle this. First, the video shows a person applying makeup. The main subject is a person with a light skin tone, visible ear with black earrings, and some hair pulled back. The action starts with them using a makeup sponge on their nose, then moving to the forehead. Then they use a brush on the nose area. The background is plain gray, which is minimal. The camera is close-up, focusing on the face, and there's no significant movement. Let's structure the caption chronologically.

First part: person applies product with sponge to nose. Then adjusts, maybe moving to forehead? Wait, the frames show sponge on nose (frame 0), then moving to forehead (frame 1), then back to nose with brush (frames 2-4). So the sequence is: sponge on nose, then forehead, then brush on nose.

Need to mention the person's appearance briefly: light skin, black earrings, dark top. But rule says "briefly describe their appearance and number". So maybe "a person with light skin, dark hair pulled back, and black earrings applies makeup".

Motion: starts with sponge on nose, then moves to forehead, then uses brush on nose area. Spatial: the sponge is applied to nose, then forehead. Camera is close-up, steady.

Let's check rules. Avoid text recognition (NikkieTutorials.com is text, so exclude). Named characters? No, since it's not the name.

So structure:

A person with light skin, dark hair pulled back, and black earrings applies makeup. They use a sponge on their nose, then move it to the forehead, and subsequently use a makeup brush on the nose area. The camera remains a close-up shot, focusing on the face with minimal movement.

Wait, need to be chronological. Start with the first action. Frame 0: sponge on nose. Frame 1: looking, maybe the sponge is on forehead? Frame 2: brush on nose. Frame 3: brush moving. Frame 4: brush on nose.

So the sequence: The person uses a sponge to apply product to their nose, then shifts the sponge to their forehead, and finally uses a brush to blend makeup on the nose area.

Check for spatial: sponge to nose, then to forehead, then brush to nose.

Background: gray, minimal. So don't mention unless essential.

Appearance: light skin, black earrings, dark top (visible straps).

Camera: close-up, steady.

So putting it all together:

A person with light skin, black earrings, and a dark top applies makeup. They use a sponge on their nose, then move the sponge to their forehead, and subsequently use a brush to blend makeup on the nose area. The camera maintains a close-up perspective with minimal movement, focusing on the facial application.

Wait, rule f says exclude text recognition. The website text is in the top right, but we don't mention it.

Rule d: conclude with camera perspective and movement. So end with that.

Let's check length. Concise.

Another version:

A person with light skin, black earrings, and visible dark top straps applies makeup. They first use a sponge on their nose, then shift it to the forehead, followed by using a brush to blend makeup on the nose. The camera remains a close-up shot with slight movement.

Hmm, maybe "slight movement" but the video seems steady. The description says "camera perspective and movement" so if it's steady, say "steady close-up".

Wait, the user says "conclude with camera perspective and movement (e.g., top-down, pan left, slight shake)". So if it's close-up and steady, say "close-up, steady".

Let me check the video: the frames are close-up on the face, no pan or shake. So "close-up, steady".

Now, the chronological order:

- First, the person uses a sponge to apply product to the nose (frame 0: sponge on nose, then frame 1: sponge on forehead? Wait, frame 1 shows the person looking down, maybe the sponge is on forehead. Then frame 2: brush on nose.

Wait, looking at the frames:

[0.0] shows sponge on nose.

[1.0] shows the person looking up, maybe the sponge is on forehead.

[2.0] shows brush on nose.

[3.0] shows brush moving.

[4.0] shows brush on nose.

So the sequence is: sponge on nose → sponge on forehead → brush on nose.

So the caption should list the actions in order.

So:

A person with light skin, black earrings, and dark top straps applies makeup. They begin by using a sponge on their nose, then move the sponge to their forehead, and later use a brush to blend makeup

A person applying makeup with their hand and head moving in discrete, controlled motions to apply products to the face.

The background is a static gray wall with no shifting or fluid motion (fire, water, smoke, wind). No ambient environmental motion detected.


A person in red pants with white stripes and a yellow shirt adjusts a metal object on the lower leg of a dark brown horse, carefully positioning and securing it. The horse remains stationary as the individual manipulates the object, with another person partially visible in the background. The camera maintains a close-up perspective, focusing on the interaction between the person and the horse's leg.

Adult's hands and a tool (hammer) are moving to strike the child's leg, creating discrete strikes.

Background is static (ground and shadows). No ambient environmental motion (fire, water, wind).


Two individuals interact closely outdoors; a person in a teal top and blue shorts leans forward toward another person in a red top, their faces nearing each other, followed by a kiss. The background includes green foliage and a light-colored building. The camera remains close to the subjects with minimal movement, capturing the action from a slightly shaky perspective.

Two distinct people (a girl and an adult) are moving: the girl leans in to kiss the adult, and they adjust their positions. This is solid, distinct motion.

The background (wall, trees) is mostly static with minimal wind-induced leaf movement, which is not dominant. No uniform shifting of background elements indicating camera motion. Ambient motion is negligible.


RAW CAPTION: Got it, let's tackle this. First, the video shows a close-up of someone slicing an orange. The main subject is the orange and the hands using a knife. Let's break down the sequence.

At the start, there's a whole orange cut in half, so the first frame shows one half, then another slice is made. Wait, the first frame is a slice? Wait, the video starts with [0.0] showing a slice, then [0.5] the knife is cutting through. Wait, the description says: [0.0] is a hand holding a slice of orange, then [0.5] the orange is being cut, so the action is slicing.

So chronological order: the hands hold an orange slice (maybe one half?), then a knife cuts through, making another slice, and then the slices are stacked.

Main subjects: hands (probably one person), orange (two halves initially, then slices), knife.

Appearance: orange is bright, juicy, slices are round, with segments. The hands are partially visible, manipulating the orange and knife.

Motion: hands hold the orange, knife slices through it, creating a new slice that's placed on top of the existing ones.

Spatial relationships: the orange slice is on a wooden surface, the knife moves from above to cut through the orange. The new slice is placed in front of the previous one.

Camera perspective: close-up, static (no movement mentioned), so probably fixed shot focusing on the orange and hands.

Background: minimal, wooden surface, dark background.

Now, need to describe in chronological order. Start with the hands holding the orange, then the knife cutting, then the slice being placed.

Wait, the first frame is [0.0] showing a hand holding a slice of orange, then [0.5] the knife is cutting through, so the action starts with the orange being held, then sliced.

So:

- At the start, a hand holds a slice of orange (the orange is sliced into two halves, one half is held up). Then the knife enters the frame, cuts through the orange, creating another slice, which is then placed on top.

So the sequence:

1. Hands hold a round orange slice (juicy, segments visible) against a wooden surface.

2. A knife slices through the orange, creating a new slice.

3. The newly cut slice is positioned on top of the existing slice.

Check for rules: chronological, mention motion, appearance (size, color), spatial (on wooden surface), camera perspective (close-up, static).

Avoid background details unless essential. Background is wooden surface, minimal.

So putting it all together:

A hand holds a vibrant orange slice with visible segments on a wooden surface. A knife then slices through the orange, creating a second slice that is placed on top of the first. The camera maintains a close-up, static view throughout the sequence.

Wait, check the frames:

[0.0] shows a slice (so initial state: one slice), then [0.5] the knife cuts through (so the orange is being cut into two slices), [1.0] the knife is still cutting, then [1.5] the slice is placed on top.

So the motion is: the orange is held (maybe the first slice is on the surface), then the knife cuts another slice, which is then placed on top.

Wait, the first frame (0.0) is a slice of orange, then at 0.5, the knife is cutting through, so the action is slicing a new slice from the orange (so the orange is a whole fruit that's being cut into slices). Wait, maybe the first frame is a half of the orange, then the knife cuts another slice from the half.

Wait, the user's frames: [0.0] "hand holding a slice of orange" (so one slice), then [0.5] "a knife cuts through the orange" (so the orange is being cut into another slice), so the main subject is the orange being sliced into two slices. So:

Start: hands hold one slice of orange on a wooden surface. Then, a knife slices through the orange (the other half?), creating a second slice which is placed on top.

Wait, no. The first frame is [0.0] showing a slice (so one slice), then [0.5] the knife is cutting, so the orange is being sliced, so the initial state is a whole orange or a half? Wait, the description says [0.0] is "a hand holding a slice of orange", so that's one slice. Then the knife cuts through, so the action is cutting a new slice. So the orange is being sliced into multiple slices.

So the steps:

1. A hand holds a single orange slice (juicy, orange color, round, segments visible) resting on a

A hand is using a knife to slice an orange, causing the orange slices to separate and move due to direct physical force (cutting action).

The background consists of a static wooden surface with no shifting elements or fluid/environmental motion (e.g., no fire, water, smoke, or wind).


A person in a dark sweater stands indoors with a hand near their face. The scene shifts to a second individual in a red vest and beige pants standing on a ladder, working on a wall. It then returns to the first person, who remains stationary.

Two discrete solid objects: a person on a ladder (actively moving while working) and another person in the background (walking), both exhibiting motion due to their own locomotion.

No shifting backgrounds or fluid/environmental motion observed; walls, door frames, and exit signs remain static across frames.