RAW CAPTION: Got it, let's break down the video. First, there's a split screen: left bowl has a hand dipping food into flour, right bowl has a liquid batter. The hand is moving, coating the food. Then, the scene changes to the coated food on a paper towel. Next, a pan with batter and a spoon.

Wait, the video segments: first, two bowls, left with flour, right with batter. A hand dips something (probably chicken) into flour. Then, the next frame shows the coated pieces on a paper towel. Then, a kitchen sink with a pan (maybe for frying) and a spoon.

Need to describe chronologically. Start with the hand in the flour bowl. Then, the coated pieces on paper towel. Then, the sink with pan and spoon.

Check rules: focus on motion, main subjects. Main subject is the hand and the food.

First part: A hand coats a piece of food in a light brown flour mixture in a glass bowl, then transfers it to a glass bowl containing a light brown liquid batter.

Wait, the first frame: left bowl is flour, right is batter. Hand is in left bowl. Then, the next frames show the hand moving, then the coated food on paper towel. Then the sink.

Wait, the timestamps: [0.0] to [2.5] is the hand dipping in flour. Then [2.5] to [3.6] shows the coated food on paper towel. Then [3.6] to [4.7] is the sink with pan and spoon.

So chronological order:

1. A hand dips a piece of food into a glass bowl filled with light brown flour, moving it to coat the food.
2. The coated food is transferred to a paper towel-lined surface, where multiple coated pieces are arranged.
3. The scene shifts to a kitchen sink area with a black-handled pan containing a light brown liquid, and a metal spoon resting on the sink's edge.

Check spatial relationships: in the first part, two bowls side by side, left flour, right batter. Hand is in left bowl. Then the coated food is on a white paper towel. Then the sink with pan (black handle) and spoon.

Appearance: flour is light brown, batter is similar. The food pieces are small, browned from flour. Paper towel is white.

Background: minimal, white surface.

Camera perspective: top-down in all scenes, no movement mentioned.

Now, concise paragraph. Let's structure it:

A hand coats a piece of food in a light brown flour mixture within a glass bowl, then transfers the coated food to a glass bowl of light brown liquid batter. The coated pieces are placed on a white paper towel, arranging into a small pile. The scene shifts to a kitchen sink where a black-handled pan with light brown liquid and a metal spoon rest on the sink's edge.

Wait, the sequence: first the hand in flour (left bowl), then the hand moving the food, then the coated food on paper towel. Then the sink with pan and spoon.

Wait the video starts with two bowls: left is flour (hand in it), right is batter. The hand dips into flour, then the next frame shows the food with flour on it in the right bowl? No, the third frame is "two glass bowls of flour and batter" then the next is the coated food on paper towel.

Wait the provided frames:

[0.0] two bowls, left hand in flour, right batter.

[1.4] same, hand moving.

[2.5] two bowls, maybe the food is in the batter? Wait no, the next frame [3.0] shows "two glass bowls of flour and batter" but the hand is no longer there. Wait, no, the third frame (after 2.5) is "coated food on paper towel".

Wait the user provided frames:

<0.3 seconds> two bowls: left flour, right batter. Hand in left.

<1.4> same, hand moving.

<2.5> two bowls with flour and batter. Hand is gone, maybe the food is in the batter? No, the next is <3.6> paper towel with coated pieces.

Then <4.7> sink with pan and spoon.

So:

- A hand dips a piece of food into a light brown flour mixture in a glass bowl.

- The coated food is placed onto a white paper towel, accumulating into a small pile.

- The scene transitions to a kitchen sink where a black-handled pan containing a light brown liquid and a metal spoon rest on the sink's edge.

Wait, but the first part: the hand is in the flour bowl, then maybe the food

A hand is moving within a bowl, manipulating a solid, granular substance (e.g., flour or sugar) through discrete, explicit physical motion (e.g., stirring or mixing).

No shifting backgrounds or fluid/environmental motion (fire, water, wind) observed; static white surfaces and solid objects dominate the background.


Several humanoid robots in white costumes dance in sync down a street, moving in coordinated steps and gesturing their arms. The robots are positioned centrally between crowds lining both sides of the street, with some stepping forward while others respond in sequence. The camera remains steady, slightly following the robots' movement.

Multiple individuals in white costumes (resembling stormtroopers) are performing synchronized dance movements. Their arms and legs move rhythmically in discrete, solid motions consistent with intentional locomotion and interaction.

The background includes static buildings and stationary crowds on both sides of the street. No fluid motion (fire, water, smoke, or wind) is present; the environment is dry and stable.


A man in a light shirt, blue jeans, and white socks sits on the floor in a kitchen, opening a white washing machine door and retrieving a light-colored cloth. The scene cuts to a second man, shirtless and wearing light pants and dark socks, sitting on the floor to the left of the first man; both face the cloth the first man holds. The camera remains static throughout both segments, capturing the pair in a medium shot against the kitchen backdrop.

Discrete objects: two men (one in the kitchen, one in the bathroom) and a piece of clothing (shirt) being manipulated by their hands and bodies.

The background in both scenes is static with no fluid motion (e.g., fire, water, smoke, wind).


Two individuals sit on a couch; a person with dark hair in a bun, wearing a black top and pink pants, is on the left, adjusting a yellow pillow with their hands. A person in a black shirt and black pants with white stripes sits to the right, resting an arm on the couch. The person on the left continues to handle the pillow while the other remains still. The camera is static with a minimal background showing a window.

Two people seated on a couch: the person on the left (wearing cap and black shirt) makes subtle hand movements (e.g., turning pages of a yellow/red book), while the person on the right (wearing black pants with white stripes) exhibits minimal posture shifts. Both motions are localized and discrete.

The background (walls, window, couch) remains stable with no shifting or environmental fluid motion (fire, water, smoke, wind). No ambient environmental phenomena dominate the scene.


A woman in black athletic wear kneels on a green mat in a gym. A man in a white and black shirt and black pants approaches her, assists her to stand, and they face each other while conversing. The background features stationary exercise bikes, and the camera remains stationary throughout.

Two people (one in black attire, one in white) are moving: the person in black transitions from a kneeling pose to standing and walking, while the person in white steps forward to interact with the other individual. Their motion is driven by physical locomotion and interaction.

The background consists of stationary exercise bikes and a wall, which remain fixed throughout the video. No fluid motion (e.g., fire, water, smoke) or environmental effects (e.g., wind) are present.


A light-skinned hand with a dark sleeve grips a silver cylindrical gear shift lever in a car’s center console. The hand shifts the lever upward through positions, releases it, and moves away. The camera maintains a close-up, static perspective focused on the gear shift area with minimal surrounding interior details visible.

A hand (discrete solid object) manipulates a car gear shift lever, moving it through various positions (e.g., P, R, N, D) with physical force.

No fire, water, smoke, or wind visible. Car interior background (dashboard, console, seat) is static and shows no uniform shifting or fluid motion.


A crowd of people is seated, some clapping. The scene transitions to a black-and-white view of another seated group clapping. Next, a person in a green shirt holds an object near a large white object with black spots. The screen then turns black.

Discrete solid objects include the crowd members (clapping hands) in the first scene and the person in the green shirt (head movement, hand gestures with microphone and pink object) in the second scene. These motions are physical actions (locomotion, hand movements) rather than environmental or camera-induced effects.

No shifting backgrounds observed in either scene; the first scene features a static crowd backdrop (theater setting), and the second scene shows a static wall with decorative patterns. No fire, water, smoke, or wind-driven motion detected.


A woman in black athletic wear stands, first clasping her hands, then raising one arm to her side, extending both arms horizontally, and jumping with arms outstretched. She is positioned in a park with grass, benches, and trees in the background. The camera remains stationary, capturing her full body movements.

A single person (woman) is performing intentional arm and body movements, consistent with locomotion or exercise.

Background elements (benches, trees, monument) show minimal movement; no significant wind-driven environmental motion or fluid dynamics observed.


A hand reaches into a bathtub containing dark clothing, then a black dog jumps into the tub and moves around. A person wearing a red shirt and jeans enters the frame near the tub, interacting with the dog. The camera pans slightly with a handheld shake, capturing the dog's movements and the person’s presence in the bathroom setting.

A dog (discrete object) moves within the bathtub (jumping, repositioning), and a person (discrete object) interacts with the dog (washing, reaching into the tub)

Background elements (bathtub, walls) show no uniform shifting; no dominant fluid/environmental motion (water is incidental to the context, not the primary motion)


RAW CAPTION: Got it, let's tackle this captioning task. First, I need to watch the video frames. The first frame shows a woman in a long gray dress with a red underskirt, standing in a room next to a spinning wheel. She's near a wall with a dark panel and a window. Then the video cuts to a close-up of hands holding a thread, with a spinning wheel in the background. The person is wearing striped pants.

So the main subjects: the woman initially, then the close-up of hands. The sequence is: first, the woman standing by the spinning wheel. Then the camera shifts to a close-up of hands handling thread near the wheel.

Chronological order: start with the woman in the room, then the close-up of hands working with the thread. Need to mention her appearance (gray dress, red underskirt, white cap), her position (standing next to spinning wheel). Then the hands (striped pants, holding thread, spinning wheel background). Spatial relationships: woman to the right of the spinning wheel? Wait, in the first frame, she's standing next to the spinning wheel, which is on a table. Then the second part, the close-up is of hands near the wheel.

Background minimal, so don't describe much except necessary. The first scene has a room with a window, table, red stool. But according to rules, keep background minimal unless essential. So maybe just mention the room setup briefly if needed.

Camera perspective: first, wide shot of the woman. Then close-up on hands. So camera moves from wide to close-up.

Now, structure the caption:

1. Initial scene: Woman in gray dress (red underskirt, white cap) stands in a room with a spinning wheel; she’s positioned near the wheel and a window.

2. Then, camera shifts to close-up of hands (wearing striped pants) holding and manipulating thread, with the spinning wheel visible in the background.

Check rules: focus on motion and behavior. The woman is standing, then hands are holding thread. The motion is the hands working with the thread.

Make it concise.

Let me draft:

A woman in a long gray dress with red underskirt and white cap stands beside a wooden spinning wheel in a room; she holds the wheel's handle. The camera then shifts to a close-up of hands in striped pants manipulating a thread near the spinning wheel, demonstrating the thread's texture and movement.

Wait, but in the first frame, she's standing next to the wheel, holding the handle? The first frame shows her hand on the wheel. Then the next part is close-up of hands holding thread.

So chronological: first, woman standing by wheel (holding handle), then close-up of hands with thread.

Appearance: woman's dress, pants.

Spatial: woman is next to wheel, hands are near wheel.

Background minimal, so room is just there, but not much detail.

Check rules: exclude text, named characters, etc. So no "a woman" but maybe describe as "a person in a gray dress" but the caption says "main subjects (people/animals/objects)". So the main subjects are the woman and the hands (though it's the same person). Wait, the hands are the same person, so maybe just describe the person in the first scene, then the hands in the second.

So:

The video opens with a person in a long gray dress with red underskirt and white cap standing next to a large wooden spinning wheel in a room. They grip the wheel's handle. The camera then cuts to a close-up of the person's hands, clad in striped pants, holding and examining a thin, light-colored thread against the spinning wheel background.

Check if that's concise, chronological.

"clad in striped pants" – yes, the hands are wearing striped pants.

"holding and examining a thin, light-colored thread" – yes, in the close-up, hands are holding thread.

"against the spinning wheel background" – mentions the spatial relationship.

"video opens with..." – chronological.

Yes.

Now, check the rules:

a) motion and behavior: woman stands/grips handle, hands hold/examine thread.

b) appearance: gray dress, red underskirt, white cap, striped pants.

c) spatial: woman next to wheel, hands near wheel.

d) camera: wide shot to close-up.

e) background minimal: room is mentioned but not detailed.

f) no text, named characters.

g) internal thinking done.

So the caption should be:

<caption_output>A woman in a long gray dress with red underskirt and white cap stands beside a wooden spinning wheel in a room, gripping its handle. The camera transitions to a close-up of her hands, clad in striped pants, manipulating a light

A person's hands are manipulating yarn near a spinning wheel, demonstrating discrete object motion through manual operation.

No shifting backgrounds observed; no fluid or environmental motion (e.g., fire, water, smoke, wind) present in the scene.


Two men stand at a table covered with a dark patterned cloth; the man on the left, wearing a dark blue hoodie, adjusts his hair while the bald man on the right, in a dark shirt, interacts with objects on the table. The left man then stands up, moving away from the table, as the bald man picks up a white paper and stands, holding it. The camera remains stationary, providing a top-down view of the scene.

Two men are moving: one points at the table, picks up paper, stands, and adjusts his shirt; the other stands, moves to the refrigerator, and returns to the table.

The background (refrigerator, tablecloth) is static with no shifting or fluid motion (e.g., fire, water, wind).


A person in a teal shirt holds a blue and silver object, moving it over a teal fabric item placed on a wooden surface. The individual’s hands manipulate the fabric, shifting it slightly while interacting with the object. The camera maintains a close-up, slightly shaky perspective centered on the hands and objects.

The person's hand (holding a blue tool) manipulates a teal cloth, causing the cloth to move due to direct physical force application from the hand. The hand and cloth are distinct solid objects exhibiting clear locomotion.

The wooden surface and teal garment in the background are static with no shifting or environmental fluid motion (fire, water, smoke, wind). Background elements remain uniformly fixed throughout the clip.


A man with light brown hair and a beard, wearing a green shirt, is seated in a dimly lit living room. He raises his right hand to his mouth, appearing to eat or drink, then lowers it. The background includes a television on a stand, a dark chair with a white pillow, and a window with white curtains. The camera remains static with a slight shake, capturing the scene from a fixed angle.

A person is performing discrete actions: bringing hands to mouth (eating/gesturing) with clear, localized movements.

Background elements (couch, TV, window curtains, lamp) remain static with no uniform shifting. No fire, water, smoke, or wind motion observed.


Two women wearing white tank tops and dark shorts dance in sync, stepping and swaying rhythmically while moving forward and backward. Positioned side by side, they occasionally raise their arms. The camera remains close and exhibits a slight shake throughout the sequence, with minimal background details visible.

Two women in white tank tops and shorts are the discrete solid objects moving in a synchronized dance routine, exhibiting clear locomotion with arm and body movements.

The background (walls, furniture) remains static throughout the frames with no uniform shifting or fluid environmental motion (e.g., fire, water, smoke). No environmental elements exhibit fluid dynamics.


A person wearing a brown and white striped sweater, glasses, and a necklace sits, holding a white sheet of paper upright in front of them, then lowers the paper. The background includes a lamp and floral arrangement to the right, with a calendar visible on the wall. The camera remains stationary throughout.

A person manipulates a solid paper object with hand movements; the paper is the discrete moving object.

Background is static (wall, lamp, vase, picture) with no shifting. No fluid/environmental motion (fire, water, wind) observed.


A child in a light-colored top and jeans kneels on a wooden floor, adjusting red rugs. They shift position, moving one rug forward and then stand to reposition another rug. The camera remains stationary, capturing the scene from a fixed angle.

A child (person) is moving by crawling, sitting, and pushing red mats on the floor.

No shifting background elements (room furniture and walls remain stationary). No fluid or environmental motion (e.g., fire, water, wind) observed.


RAW CAPTION: Okay, let's tackle this video captioning task. The user provided a sequence of frames showing a rugby match. My job is to generate a concise, chronological paragraph following the specific rules.

First, I need to focus on the motion and behavior of the main subjects, which are the players. Let me check the frames. In the first frame, there's a scrum with players in blue and white jerseys. The players are huddled together, pushing. Then, in the next frames, the scrum seems to be breaking, with players moving away. There are referees and other players around.

I should mention the number of players, their colors. The blue team and the white team (maybe green? Wait, looking at the frames, some are in white, some in blue. Wait, the first frame: players in blue and white are in the scrum. The referee is in black and white. Wait, the rules say to mention color, size, orientation. So blue and white jerseys. Maybe the white team has some in green? Hmm, maybe the green is part of their uniforms. Let me check the frames again. The players in the scrum are mostly blue and white, but some might have different colors. But the user says to be concise, so maybe just mention the main teams as blue and white.

The spatial relationships: the scrum is in the center, with players pushing. The referee is approaching, maybe moving towards the scrum. Other players are around the scrum. The background has empty seats, but minimal description is needed. Camera is top-down, maybe slightly panning? The user says to mention camera perspective and movement. The description says "top-down" but the actual frames might be a slightly elevated angle, but the user's example says "top-down". Wait, the sample output in the instructions might not be present, but the user's example shows that the camera is top-down. Wait, in the provided frames, the camera is looking down on the field, so it's a top-down perspective. The movement: the camera seems to stay in place but maybe slightly moves. The user's rules say to conclude with camera perspective and movement.

So the caption should be chronological: starting with the scrum, then the players breaking out, the referee moving towards it, others moving around. Mention the number of players. Let's see: in the first frame, there's a large group in the scrum, then in the next frames, they start moving. The players in blue and white jerseys. The referee is in black and white. The camera is top-down, with slight movement.

Wait, the user says to exclude text recognition, so ignore the "0.3 seconds" etc. Just focus on the action. So the main action is the scrum, then the players breaking away. So the paragraph should start with the scrum forming, then the players pushing, then the scrum breaks, players disperse, referees approach.

Let me structure it:

"A group of rugby players in blue and white jerseys form a scrum in the center of the field. Players from both teams push against each other, with some falling. The scrum breaks, and players scatter; blue and white jerseys move in different directions. Referees in black and white approach the action from the right. The camera maintains a top-down view with slight panning."

Check rules:

a) Motion in chronological order: scrum forms, pushes, breaks, players scatter, refs approach.

b) Mention appearance and number: blue and white jerseys, referees in black/white.

c) Spatial: scrum in center, refs approach from right.

d) Camera: top-down, slight panning.

e) Background minimal (empty stands not mentioned except as background).

f) Exclude text, names.

Wait, the user says "background descriptions minimal unless essential". The stands are part of the background but maybe not essential. So perhaps omit them. Let me check the sample. The original instruction says to keep background minimal. So maybe don't mention the stands. The main focus is on the players.

So revise: "A scrum of rugby players in blue and white jerseys forms in the field's center. Players push against each other, with some falling. The scrum disbands as players move away in various directions; blue and white teams scatter. Referees in black and white approach from the right. The camera provides a top-down view with slight movement."

Check the number of players: "group" is vague, but maybe "multiple players" in blue and white. The rule says "mention number (color, size, orientation)"—but it's tricky. Maybe say "players in blue and white jerseys engage in a scrum".

Wait, the user's example might have something like "a group of blue and white players..." but since it's a caption, need to be concise.

Another check: the scr

Rugby players in a scrum engage in physical pushing and collisions. Discrete solid objects (players) move due to explicit physical forces (weight transfer, contact) during the scrum, with clear bounding box tracking possible.

The background (stands, field lines) shows no shifting or fluid motion. No fire, water, smoke, or wind dominates the scene; stands remain static throughout.


The video opens with a cluttered desk by a window containing a laptop, plastic bag, and other items. A hand holding a small device appears, followed by a person wearing a red wrestling mask using a tool on their arm. The person raises their arm, moves the tool along it, and the camera shifts to a close-up of the mask and their face. The background includes curtains and a window, with the camera moving from the desk to the hand to the person's upper body.

The person wearing a red and white mask moves by flexing their arm and removing the mask. A hand holding a small object (tape measure) is visible in the initial frames.

The background (window, curtains, table) does not show uniform shifting. No fire, water, smoke, or wind is visible. The environment appears static.


A person wearing a plaid shirt climbs onto a blue train car and spray paints graffiti, moving slightly as they work on the side of the train. The camera remains stationary, capturing the action from a low angle.

A person on the train is moving, exhibiting discrete locomotion (e.g., walking or repositioning), which is a solid object under explicit physical forces.

Background elements (train wall with graffiti) are static and show no shifting or fluid motion (e.g., no fire, water, or wind effects).


A carpenter in a maroon shirt leans over a wooden workbench, handling a long white strip of material while adjusting it with both hands. Multiple onlookers in various colored shirts stand behind and beside him, observing his actions. The camera maintains a steady focus on the carpenter's hands and the strip as he maneuvers the material, with the background featuring a crowded indoor space.

The carpenter's hands and the wooden workpiece show controlled motion from deliberate physical actions (shaping wood).

Background elements (staircase, walls, distant people) show no uniform shifting or fluid/environmental motion; no fire, water, smoke, or wind dominates.


A person in a white shirt and dark pants runs from the doorway into the bedroom. A girl in a white and black top, initially lying on a pink bedspread, sits up and moves toward the couch where another person in pink clothing is reclining under a white sheet. The camera follows the girl’s motion with a slight shake.

A person in a white shirt moves by walking to the door and exiting. A child on the floor changes position (sitting to lying down and moving around).

The background elements (walls, bed, chair) are static and do not shift. No fluid/environmental motion (fire, water, smoke, wind) is present.


Two women in white t-shirts stand at a kitchen sink, working together. They turn to face each other and one hands a box to the other, then return to the sink. The camera remains static.

Two people (solid, distinct objects) are moving. Their motions include hand movements (washing, scrubbing), turning to face the camera, and handling a towel. The motion is due to their own physical actions (locomotion and manipulation of objects).

The background (cabinets, sink, walls) is static and consistent across frames. No fluid or environmental motion (fire, water, smoke, wind) dominates. The sink water is part of the activity but not a primary ambient motion.


In an indoor fencing facility, multiple fencers in white and dark protective uniforms with helmets engage in dynamic motion; initially two fencers near a curved wooden barrier move toward each other, followed by additional fencers entering from the left and right, weaving around the space with rapid directional shifts and interactions. The camera pans smoothly to follow the fencers' movements, capturing their engagement in the spacious, well-lit room.

Multiple individuals in martial arts uniforms are moving: performing strikes, dodges, and footwork; their motion is discrete and solid with explicit physical locomotion.

Background elements (walls, archway, floor) show no uniform shifting; no fire, water, smoke, or wind motion observed.


A woman wearing a black tank top and purple shorts interacts with a large green exercise ball on a gym floor. She begins crouched with hands on the ball, then shifts her body forward, lifting one leg while maintaining balance and contact with the ball. The background includes stacked dumbbells and a staircase. The camera remains static, observing the motion from a fixed angle.

A person in athletic wear is performing a physical exercise involving a green exercise ball, with visible movement of the person's limbs and the ball's position due to deliberate physical effort.

Background elements (gym equipment, walls) remain stationary across frames with no uniform shifting or fluid motion; no fire, water, smoke, or wind present.


A person wearing a white shirt and dark pants slides down a curved track, moving forward as the track bends left. They continue sliding along a straight section of the track, with grassy fields and distant buildings visible in the background. The camera follows closely behind, capturing the motion with slight shake.

discrete_object_physics | ambient_environmental | camera_motion | ego_motion | static


RAW CAPTION: Got it, let's break down the video. First scene: a baby in a blue shirt on a red and white patterned mat, reaching for a colorful block. An adult's hand (wearing a white shirt with black dots) is removing a blue bootie from the baby's foot. Then, the next scene shows several sippy cups on a surface—orange, black with a monkey, green, and a cup with a zigzag pattern. The cups have different beverages. Then, the baby is in a red chair, adult hand holding a red sippy cup to the baby's mouth.

Need to describe in chronological order. Focus on motion and behavior. First scene: baby crawling, adult removing bootie. Second scene: close-up of sippy cups. Third scene: baby in chair, adult feeding.

Check rules: no text recognition, so ignore the text on screen. Mention appearance: baby's blue shirt, red mat, adult's white shirt with dots. Spatial relationships: adult's hand is near baby's foot, cups are on a surface, baby in chair with adult hand holding cup.

Camera perspectives: first shot is top-down maybe? Then close-up of cups, then another shot of baby in chair.

Now structure the caption:

Start with first scene: Baby in blue shirt crawls on red and white patterned mat, reaching for colorful blocks. Adult’s hand (in white dotted shirt) removes blue bootie from baby’s foot. Then, a close-up shows multiple sippy cups on a surface, each containing different beverages (orange, clear with monkey, dark red, and colorful patterned cup). Next, baby sits in red chair as adult’s hand offers red sippy cup to baby’s mouth. Camera shifts from top-down to close-up of cups, then to a medium shot of baby feeding.

Wait, need to keep it concise. Let's make sure:

First part: Baby crawls on red/white mat, adult removes bootie. Second: Close-up of sippy cups. Third: Baby in chair, adult feeding.

Check for motion: crawling, removing bootie, sippy cups displayed, feeding.

Appearance: baby blue shirt, adult white shirt with dots, sippy cups with different colors and designs, red chair.

Spatial: adult's hand near baby's foot, cups on surface, baby in chair with adult hand holding cup.

Now write the paragraph:

A baby in a blue shirt crawls on a red and white patterned mat, reaching for colorful blocks while an adult’s hand (wearing a white shirt with black dots) removes a blue bootie from the baby’s foot. The camera then shifts to a close-up of several sippy cups arranged on a surface, each containing different beverages. Next, the baby sits in a red chair as the adult’s hand offers a red sippy cup to the baby’s mouth.

Check if that's chronological. Yes: first scene (crawling, removing bootie), then sippy cups, then feeding. No text recognition, good. Spatial relationships: adult's hand near baby's foot, cups on surface, baby in chair. Camera movements: top-down (first scene), close-up (cups), then medium shot (feeding). The rules say conclude with camera perspective. Wait, the output format says "Conclude with the camera perspective and movement". So in the caption, need to mention how the camera moves.

Wait, the first scene: probably a top-down shot. Then close-up of cups (so camera moves to close-up), then shot of baby in chair (maybe medium shot). So the caption should end with camera perspectives.

Let's adjust:

A baby in a blue shirt crawls on a red and white patterned mat, reaching for colorful blocks while an adult’s hand (in a white dotted shirt) removes a blue bootie from the baby’s foot. The camera shifts to a close-up of multiple sippy cups on a surface, each holding different beverages. Next, the baby sits in a red chair as the adult’s hand offers a red sippy cup to the baby’s mouth; the camera transitions from top-down to close-up and then to a medium shot.

Wait, but "conclude with the camera perspective and movement" so the last part should be the camera movement. Let's see. The first scene is top-down, then close-up (so camera moves to close-up), then medium shot (feeding scene). So the caption ends with the camera perspective for the last scene. But the last action is baby in chair, adult feeding. So the camera is in a medium shot for that.

Wait, the rules: "Conclude with the camera perspective and movement (e.g., top-down, pan left, slight shake)."

So the caption should end with what the camera was doing for the last scene. Let's structure:

1. Describe the first action (baby crawling

The baby and adult's hands are moving objects (toys and bottles) in the first and third scenes; the second scene has no motion.

The background in all scenes is static. No fluid motion (fire, water, wind) and no uniform background shift.


A person in a red swimsuit swims in a pool, initially partially submerged with arms extended forward. The swimmer lifts their head above water, performing arm strokes, then submerges again while kicking with legs. They continue alternating between surface and underwater motion, moving steadily forward. The camera maintains a vertical orientation with slight handheld movement, capturing the swimmer from a side perspective within the pool.

A person (swimmer) in a red and white swimsuit is moving through the water, creating splashes and changing position. The swimmer's motion is due to swimming locomotion.

The background (pool wall) is static and does not shift uniformly. The water movement is a consequence of the swimmer's locomotion, not the dominant environmental motion. There is no fire, smoke, wind, or ocean-like wave motion as the primary subject.


A man in a blue shirt and black pants dances with a woman in a blue shirt and white shorts. The woman extends her arm upward toward the man, then spins as he steps back, continuing their coordinated movements. The scene is set in a room with a white refrigerator to the left and other dancers visible through a mirror in the background. The camera remains fixed on the couple, capturing their interaction from a frontal view without movement.

Two primary individuals (dancer pair) and a secondary observer are engaged in discrete, rhythmic locomotion (dancing) with clear physical interaction (hand-to-hand movements, body swaying).

Background elements (refrigerator, walls, flooring) remain stationary with no uniform shifting or fluid environmental motion (fire, water, smoke, wind).


A hand reaches toward a scattered set of metallic coins and small dark objects on a light, textured surface. The hand picks up one coin, moves it slightly, then holds it up to display its detailed design. The camera maintains a top-down perspective, focusing on the hand and coin throughout the sequence.

The hand moves to pick up and hold a coin, displaying it in close-up. The coin is a discrete solid object moved by physical interaction (hand motion) without significant background distortion.

The background is a stable textured surface with no fluid or gaseous motion (fire, water, wind). The ground shows no uniform shifting, indicating no ambient environmental motion or camera-induced background displacement.


A person in a light striped shirt and short brown hair holds a clear glass, tilting their head back to drink from it, then lowers the glass. The background features a red wall and blurred objects. Camera remains stationary.

Briefly describe what discrete, solid objects are moving.

Briefly check for shifting backgrounds or fluid/environmental motion (fire, water, wind).


A person uses a spoon to transfer a white, lumpy substance from a stainless steel pot into a white plastic container placed inside a perforated metal colander. The colander rests on a wooden base, with the pot positioned to its left. The person’s hand, adorned with a watch, moves the spoon from the pot toward the colander’s container, guiding the substance into it. The camera maintains a top-down perspective throughout the sequence, focusing on the transfer action without movement.

The discrete objects moving are a spoon (stirring the liquid in the left pot) and a measuring cup (pouring liquid into the colander).

The background (stovetop and kitchen elements) is static. There is no fire, water flow, smoke, or wind as the dominant motion. The liquid in the pot is being stirred by a spoon, so the motion of the liquid is not ambient but caused by a discrete object.


A person in a dark jacket adjusts a red and black digital device with a blue screen and handles an orange spool of wire on snow-covered ground inside a tent, moving the device toward the center and repositioning the spool near a hole in the ice, with the camera maintaining a top-down perspective and slight movement.

A person's hand is manipulating discrete objects (a red circular object and a blue device) on a furry surface inside a tent.

No shifting background or fluid/environmental motion observed. The background is static (tent fabric).


A man in a white cap and gray hoodie sits at a table, eating a sandwich while holding a piece of food. He lowers the food, gestures with his right hand, and then a tattooed person in a black shirt enters from the left, reaching toward the table. The background features bookshelves and a lamp; the camera remains static throughout.

The seated person gestures with hands and interacts with food, while a second person (with glowing arm) enters from the left, touches the seated person's shoulder, and moves their arm.

Bookshelves and wall in the background are static with no uniform shifting or fluid motion (e.g., no fire, smoke, or wind).


A person with shoulder-length hair and a sleeveless top strums an acoustic guitar, their hands moving rhythmically over the strings. They sit in front of a bookshelf filled with books, with stacked items visible to the left. The camera remains stationary in a medium shot, capturing the subject's upper body and the guitar.

The woman's hands and the guitar exhibit discrete motion from strumming and fretting actions.

Static bookshelves and boxes in the background show no uniform shifting or fluid motion (fire, water, wind).


A person’s hands, one adorned with a bracelet and the other with a flip-flop, interact with a silver alloy car wheel featuring a black tire. The right hand touches the wheel, then withdraws, while the left hand picks up and examines a small black lug nut. The background consists of gravel. The camera maintains a static, close-up perspective on the wheel and hands.

The person's hands are moving to interact with a small object (likely a tool or part), demonstrating discrete solid object motion due to manual manipulation.

The background (ground, car wheel) shows no shifting or fluid motion. No fire, water, smoke, or wind is present.


RAW CAPTION: Got it, let's see. The video shows a scene on a cruise ship deck. There's a pool area with people. In the center, a man is kneeling in the water, and water is splashing up, so he's probably doing something like a water show. Then another man in a white and blue shirt comes in, holding a microphone, maybe hosting. The crowd is sitting around, some watching, some taking photos. The camera seems to be moving slightly, maybe panning around the area. Need to focus on chronological order: first the man in the pool, then the host approaching, people reacting. Check the rules: concise, motion, appearance, spatial. Background is the cruise ship deck, but minimal. Camera perspective—probably a steady shot but maybe slight movement. Let's structure it.

First, the scene: many people seated around a pool area. A man in white shirt kneels in shallow water, creating splashes. Then a man in white and blue shirt with suspenders approaches, holding a microphone, moving towards the pool. Crowd watches, some take photos. Camera moves slightly, capturing the interaction. Keep it concise.

Now, check rules: motion and behavior in order. Main subjects: the man in pool, then the host. Appearance: first man (white shirt, kneeling), second (white/blue, suspenders, microphone). Spatial: host approaches from right, crowd around. Background minimal. Camera: slight movement.

So draft: "A man in a white shirt kneels in a shallow pool, splashing water, as a crowd of people in colorful swimwear watch and take photos. A second man in a white and blue shirt with suspenders approaches the pool from the right, holding a microphone, moving toward the splashing man. The camera slightly pans right, capturing the host's movement and the audience's reactions."

Wait, need to make it chronological. Start with the splashing, then the host moving in. Also, check if the host is taking a photo? In the video, the host is holding a mic, maybe a camera? Wait, in the video, the first frame shows the man in white kneeling, water splashing. Then a man with mic comes in, moves towards him. The crowd is seated around. Let's confirm: in frame 0, man in white is kneeling in pool, water splashing. Frame 1-5: the man with mic (white/blue) moves closer, taking a photo maybe? Wait, the second man is holding a mic and maybe a camera? Let's look: the user's description says "a man in a white and blue shirt with suspenders approaches the pool from the right, holding a microphone, moving toward the splashing man." So that's the sequence.

So final caption should be chronological: the kneeling man creates splashes, then the host approaches. Crowd watches. Camera movement.

Check for minimal background, focus on motion. Let's write:

"A man in a white shirt kneels in a shallow pool, splashing water, as a crowd of people in colorful swimwear surrounds the area, watching and photographing. A second man in a white and blue shirt with suspenders approaches from the right, holding a microphone, moving toward the splashing man. The camera slightly pans right, capturing the host's movement and the audience's reactions."

Wait, "kneeling" is correct. The splashing happens because he's in the water, maybe a water cannon or something? But the video shows water splashing up, so the man is causing it. Then the host moves in. Also, mention number? "A crowd" is okay, since it's many. Check if the host is moving towards the pool, which is the area where the man is. Spatial: host is on the deck, approaching the pool where the man is. The pool is on the deck, people seated around the pool. The camera perspective: the video seems to be shot from a position that's slightly moving, maybe panning.

Another point: the crowd is seated around the pool, so in front of the pool or around the pool area. The pool has blue tiles. But background is minimal, so just mention the crowd.

Let me check the rules again: exclude text, named characters. So no names, just descriptions.

Okay, let's condense:

"A man in a white shirt kneels in a shallow pool, generating water splashes, while a crowd of people in swimwear sit around the pool, observing and taking photos. A second man in a white and blue shirt with suspenders approaches from the right, holding a microphone and moving toward the splashing man. The camera slowly pans right, following the host's movement and capturing the audience's reactions."

Wait, "generating water splashes" is accurate. The crowd is around, observing. The host approaches. Camera pans right. That's chronological: first the man

Multiple discrete human subjects are moving via locomotion (walking, standing, interacting), with clear bounding box tracking of individuals such as the person in the white shirt navigating the crowd.

No significant shifting of static background elements (e.g., railings, deck structures) or dominant fluid/environmental motion (fire, water, smoke, wind) observed. Background appears stable relative to the scene.


A man in a light blue shirt and shorts and a woman in a sleeveless dress sit on a floral-patterned couch; the woman takes a small object from the man’s hands, holds it up while gesturing, and the man responds with hand movements. The camera pans around the couch to show a table in front with two water bottles and a laptop.

Two people are moving: the woman hands a bottle to the man, then shows a phone to him; the man receives the bottle and views the phone. These are discrete, solid objects (humans) with motion due to physical interaction.

The background (couch, wall, curtains) remains static with no uniform shifting or environmental fluids (fire, water, smoke, wind) detected.


tags. </think>  <caption_output>A man in a black shirt and beige pants crouches, repeatedly dipping his hands into a blue plastic basin on the ground to wash an object, while several people in green and blue shirts stand closely around him. The camera remains stationary with a slight shake, focusing on the man and basin from a close angle.

A person in a black shirt and beige pants is performing hand movements near a blue container, indicating physical interaction (e.g., washing or handling an object).

The background (ground, people, bags) shows no uniform shifting, and there is no dominant fluid/environmental motion (fire, water, smoke, wind) observable.


A person in a blue shirt and dark pants carries a large stack of transparent ice blocks across a snowy slope, then crouches to position them into a vertical structure beside a blue bucket. Another individual in dark clothing stands nearby, occasionally moving. The camera pans slightly, capturing the ice blocks’ alignment against distant mountains and ski lifts as the construction progresses.

Discrete solid objects (people and ice blocks) are moving: individuals stack ice blocks, adjust their positions, and walk around the structure. The ice blocks are manipulated through explicit physical actions (lifting, placing).

The snow-covered ground and distant mountains remain static with no significant fluid/environmental motion (fire, water, smoke, or wind). The background does not shift uniformly, ruling out ambient_environmental dominance.


A pair of hands uses a knife to slice a bright orange segment on a blue cutting board, moving the knife to cut the orange into smaller pieces which are then placed on the board near already sliced orange segments; the camera remains stationary in a top-down view.

A person's hands and a knife move to slice an orange into segments. The orange segments are displaced by the cutting action, demonstrating solid-object motion due to explicit physical forces (knife contact).

The blue cutting board and kitchen counter background remain static with no fluid motion, smoke, fire, or wind. Background elements show no uniform shifting.


A child in a red hoodie holds a blue sippy cup with a white straw, lifting it to their mouth to drink while seated at a table in an indoor setting with wooden booths and tables visible in the background; the camera follows the child's movements with slight shake.

The child (solid object) moves head/mouth during drinking action; the cup (solid object) is held and slightly repositioned. No other discrete objects exhibit significant motion.

No shifting background elements (tables, chairs, walls) observed; no fire, water, smoke, or wind dominance. Restaurant interior remains stable throughout the clip.


A person in blue clothing runs from left to right across the lower section of the frame, carrying a white object, while a large screen in the background displays a hockey game. The camera remains static with a slight shake, focusing on the scene.

A person in blue clothing moves across the frame from left to right, exhibiting locomotion.

Background elements (purple banners, structural beams) show no uniform shifting or fluid motion; no fire, water, smoke, or wind present.


RAW CAPTION: Got it, let's tackle this. First, I need to describe the video chronologically. The video starts with a person lying face down on a blue examination table. They're wearing a red checkered vest over a black top and dark pants. Another person, in a white coat, is standing behind them, placing hands on the person's back. Then, the scene shifts—maybe a different angle? Wait, the second part shows a person in a white coat leaning over someone sitting on the floor, maybe? Wait, no, the video has two segments. Wait, the first frame: person lying on table, white-coated person placing hands on back. Then second part, maybe a different angle where the white-coated person is doing something else. Wait, the video shows:

[0.0] Person in red vest on blue table, white-coated person hands on back.

[1.4] Same, white-coated person moves hands.

[2.5] Scene changes: person in white coat bending over someone sitting on the floor (black top, pink sleeves, jeans). Then [3.6] same, white-coated person adjusting position, maybe. [4.7] maybe the same? Wait, the user provided four frames. Let's parse each.

First frame: Patient prone (face down) on blue exam table. Wears red checkered vest, black top, dark pants. Clinician in white coat places hands on patient's back.

Second frame: Same, clinician moves hands.

Third frame: Scene shifts to clinician leaning over a seated patient (black top, pink sleeves, jeans) in a room with tiled floor and curtain.

Fourth frame: Clinician adjusts position, hands on patient's back/hips.

So need to chronologically describe: first, the prone patient on table with clinician; then the seated patient with clinician. Keep concise.

Main subjects: two patients? Or same patient? Wait, the video shows different scenes. So first scene: patient prone on blue table, red vest, clinician white coat. Then second scene: another patient (or same?) seated on floor, black top, pink sleeves, clinician white coat.

Wait, the video has two different setups. First segment: patient lying face down on blue examination table. Second segment: patient sitting on the floor (or maybe on a chair? The frame shows a person in black top and pink sleeves sitting, clinician in white coat bending over).

So need to describe in order. First, the person in red vest on the blue table, with white-coated person touching back. Then, the scene changes to a person sitting (black top, pink sleeves), white-coated person leaning over.

Also, spatial relationships: in first scene, clinician is behind the patient; second scene, clinician is in front or leaning over the seated patient.

Appearance: first patient: red checkered vest, black top, dark pants. Second patient: black top, pink sleeves, jeans (maybe). Clinician: white coat in both.

Background: tiled floor, walls, maybe curtain in second scene.

Camera: top-down in first scene, then maybe a different angle, maybe side view.

Need to keep background minimal. Focus on motion: clinician adjusting hands on patient's back in first part; then in second part, clinician leaning over seated patient.

Now, structure:

Start with first scene: Patient lies prone on blue exam table, wearing red checkered vest over black top and dark pants. Clinician in white coat positions hands on patient's back. Scene transitions to a seated patient (black top, pink sleeves, jeans) on a tiled floor, where the clinician bends over and adjusts the patient's position.

Wait, the frames:

0.0-1.4: patient prone, clinician hands on back.

2.5-4.7: scene shifts to clinician leaning over seated patient (black top, pink sleeves).

So chronological order: The video begins with a person lying face down on a blue examination table, wearing a red checkered vest, black top, and dark pants. A person in a white coat places hands on the person's back. Then the scene transitions to a different setting where a person in a black top with pink sleeves and jeans sits on the floor. The person in the white coat leans over them, adjusting their position.

Check rules:

a) Motion: hands on back, then adjusting position.

b) Appearance: describe colors, clothing.

c) Spatial: behind in first, leaning over in second.

d) Camera: top-down in first, then maybe side view? The description says "camera perspective and movement" at the end. First scene: top-down, then perhaps a different angle.

e) Background minimal: tiled floor mentioned, but only necessary.

f) Exclude names, text.

g) Think internally, but output caption.

So final

The doctor (in white coat) moves their hands and body to interact with the patient (who is lying on the table). The doctor's actions include placing hands on the patient's back and legs, and adjusting their position.

The background (tiled floor, wall, radiator, curtain) is static and shows no shifting or fluid motion. No fire, water, smoke, or wind is present.


A hand uses a tool to adjust a bolt on a metallic component with multiple bolts, then shifts to a different metallic part with a green base where the hand manipulates a stripped bolt with a wrench. The camera maintains close-up shots of the hands and tools interacting with the mechanical parts throughout.

A hand manipulates tools (wrench, screwdriver) and bolts on a metal plate, with discrete movements of the tools and bolts due to physical interaction.

Background elements (e.g., wooden surface, metal plate, tools) show no uniform shifting; no fire, water, smoke, or wind is present.


A person in a black shirt with pink patterns lifts a small light-colored dog upward and rotates it, causing the dog to wriggle; a child with light brown hair watches from behind. The camera remains stationary in a close-up view.

Two human subjects are visible: one subject (in black shirt) is applying a substance to the back of another nude subject. Physical interactions involve hand movements and body positioning.

Background elements (curtains, wall, glassware) show no uniform shifting or fluid motion; no fire, water, or smoke present.


A person wearing a black headband with white patterns and a black sleeveless shirt is seated, facing the camera. They initially look forward, then raise their right hand to their neck area, adjusting their hair or clothing, and subsequently lower the hand. The background shows a dimly lit indoor space with minimal details. The camera remains in a steady first-person perspective with slight movement.

A person (solid object) is moving: gestures including hand to face, mouth, and head adjustment. Motion is deliberate and controlled.

Background is static indoor setting (room with door and furniture). No fluid or environmental motion (fire, water, smoke, wind) detected. Background elements remain fixed.


A person’s left hand, wearing a wristwatch, holds a dark eyeglass frame while the right hand pours a substance from a small white container into the frame’s hinge. The hands then manipulate the frame to display the hinge mechanism, followed by using a black cloth to wipe the hinge area. The camera remains in a close-up perspective, focusing on the hands and frame with slight movements to follow the actions.

Hands manipulate discrete solid objects (e.g., rubber band, small component, tool) through explicit physical actions like pressing, applying substance, and positioning.

No shifting backgrounds or fluid/environmental motion observed. Static background elements (e.g., floor, workspace) remain stable across frames, indicating no significant ambient environmental motion.


Two individuals in vibrant traditional attire—one in yellow with orange accents, the other in a multicolored striped costume with a headdress—dance in a sunlit plaza with stone tile flooring and potted plants. A man in dark clothing enters from the left, walks past the dancers, and exits to the right. The camera remains stationary, capturing the dancers' movements and the pedestrian passing through the plaza, with a crowd and buildings visible in the background.

Discrete solid objects: A person in yellow costume, a person in red/blue costume, and a pedestrian walking past. Their movement is due to locomotion (walking, interacting).

Static background elements (trees, planters, buildings) show no uniform shifting. No fire, water, smoke, or wind-driven environmental motion is present.


A woman in black athletic wear holds a plank position on a blue mat, leaning forward with hands on the mat and legs extended. A small child in gray and white striped pajamas crawls from the left toward the camera, passing in front of the woman as they move closer to the lens. The camera remains stationary, focusing on the child's progression toward the foreground.

Woman (in black) performs a yoga pose with controlled movements of arms and legs; baby (in striped onesie) moves head and body independently.

Background elements (wall, door, cabinet) are stationary and show no shifting. No fire, water, smoke, or wind present.


The video opens with red, blue, and yellow cones scattered on a carpeted floor. A person in a green and white shirt and dark pants bends down, picks up the cones, and moves them toward a door. They open the door, carry the cones through, and exit the frame. The camera remains mostly static but shows slight movement as the person interacts with the cones.

Discrete solid objects (traffic cones) are moved by explicit physical interaction: a person picks up and repositions the cones (yellow, blue, red). The person's locomotion and hand movements are tracked as discrete object motion.

No shifting backgrounds or environmental fluids observed. Background elements (walls, door) remain static with no uniform motion. No fire, water, smoke, or wind present.


Video opens with a still painting of a woman in a red dress seated under a tree, holding a lute, with a deer resting nearby and additional musical instruments scattered around her. It then transitions to a man in a light blue sweater seated indoors, holding and strumming a lute, with wooden cabinets featuring glass doors visible behind him. The camera remains static throughout both segments.

A person's hands are moving to play a string instrument (lute), demonstrating discrete physical motion.

No shifting background elements observed (wooden cabinets remain static); no fire, water, smoke, or wind present.


In an indoor venue with seated onlookers, a bald man in a black vest and gray pants dances with a woman in a black outfit; he steps forward, lifts her leg, and they move across the room toward the right. The camera follows their motion with a slight pan right.

A male dancer in a dark vest is performing locomotive movements (steps, turns), interacting with a partner; other seated patrons remain stationary.

Background elements (walls, furniture, seated patrons) show no uniform shifting or fluid motion; no fire, water, or wind effects are present.


A person wearing a striped polo shirt with dark blue, green, white, and red horizontal bands begins by holding a small white object in their hands. They lift the object upward, manipulate it with both hands, and bring it close to their face while adjusting their grip. The background features an indistinct indoor setting with minimal visible details. The camera maintains a steady close-up perspective focused on the upper body and hands throughout the sequence.

Briefly describe what discrete, solid objects are moving.

Briefly check for shifting backgrounds or fluid/environmental motion (fire, water, wind).


A sheep with thick brown and white wool lies on its side on a ground surface, restrained by a person in blue jeans who holds shears and begins cutting the wool from the sheep's body. As the shearing progresses, a second individual in red clothing enters the frame, briefly interacting with the sheep's legs. The sheep remains motionless throughout, while the shearer adjusts their position and shears the wool in a downward motion. The background features wooden panels with purple lines, and the camera maintains a steady, close-up perspective focused on the shearing action.

The shearer's hands and body (manipulating shears on the sheep), the sheep (stationary but with wool being sheared), and a person in red (entering the frame from the right) exhibit discrete solid-object movement due to physical actions.

Static background elements (wooden structure, purple posts) show no uniform shifting or environmental motion (fire, water, wind, smoke).


A person in a white chef's coat lifts an iron above a yellow cloth on a white table, then places the iron down and adjusts the cloth with their hands. The camera remains static from a frontal perspective.

A person (solid object) manipulates a white iron and a yellow cloth/object—lifting the iron, adjusting its position, and handling the cloth through discrete physical actions.

Background (wall, chair) remains static with no shifting or environmental motion (fire, water, smoke, wind); consistent across all frames.


A person in a camouflage jacket and black pants enters from the right, holding a hockey stick and a black puck. They move leftward across the snow toward a red and white mesh goal net positioned against a wooden structure. The individual stops near the net, retrieves the puck with the stick, and prepares to shoot. The camera remains stationary, capturing the scene from a ground-level perspective.

A person in winter clothing uses a stick to hit a ball, causing the ball to roll and the person to move across the snow. These are solid, distinct objects interacting via physical forces (impact, locomotion).

The background elements (wall, chair, net) show no uniform shifting. Snow on the ground is static with no fluid environmental motion (fire, water, wind) dominating the scene.


RAW CAPTION: Got it, let's tackle this. First, the video shows two people on a stage. The main subjects are a person in an orange shirt and black pants, and another in a gray vest over a white shirt with black leggings and gold boots. They're holding a rope. The person in orange is on the left, the other on the right.

Chronologically: At the start, the person in orange is holding one end of the rope, the other person is moving. Then the person in orange steps back, the other person moves towards the rope. Wait, let's check the frames. Frame 0: both holding rope, person in orange (left) steps back, person in vest (right) is moving forward? Wait, frame 1: person in orange extends hand, person in vest is stepping. Frame 2: person in orange steps back, person in vest is holding the rope, moving. Frame 3: person in vest is moving towards the left, person in orange is near the stairs. Frame 4: person in orange is standing, person in vest is closer to the center. Frame 5: person in orange is reaching, person in vest is moving. Wait, need to describe the sequence.

Main actions: The person in orange shirt and black pants (left) interacts with the person in gray vest, white shirt, black leggings, gold boots (right). They hold a rope. The person in orange steps back, then extends a hand towards the rope. The other person moves towards the left, then steps back. Wait, the video shows the person in vest moving, possibly performing a trick. Let's outline:

- Initially, both are on stage, holding the rope. The person in orange (left) steps back, then extends hand. The person in vest (right) moves towards the rope, steps forward, then steps back. They are on a stage with a banner in the background, but background is minimal.

Appearance: Two people. Left: red hair, orange shirt, black pants, red shoes. Right: brown hair, gray vest over white shirt, black leggings, gold boots.

Motion: Person in orange starts by holding rope, steps back, then reaches towards the rope. Person in vest holds the other end, moves towards the left, then steps back, and the rope is pulled.

Spatial: Left person is on the left side of stage, right person on the right. Banner behind them.

Camera: It's a fixed shot, no noticeable movement. The video is from a static perspective.

Now, following the rules: focus on motion, chronological, appearance, spatial (minimal), camera.

So paragraph:

Two individuals interact on a stage: the left person, wearing an orange shirt, black pants, and red shoes, holds one end of a rope and steps back while extending their hand toward the rope. The right person, dressed in a gray vest over a white shirt, black leggings, and gold boots, moves toward the rope, steps forward, then back, adjusting their position. They remain on the stage with a banner in the background, and the camera maintains a static perspective throughout.

Wait, check for conciseness. Let's see:

In frame 0: both hold rope. Frame 1: left person steps back, right person moves. Frame 2: left steps back, right steps. Frame 3: left is near stairs, right moves. Frame 4: left steps, right moves toward center. Frame 5: left reaches, right moves.

Chronological order: The person in orange steps back, then extends hand. The person in vest moves toward the rope, steps forward, then steps back, adjusting position. They are on the stage with a banner behind.

Make sure not to mention text (banner says "RATERNAN" etc. but exclude text recognition). So background is minimal, just mention banner exists but not the text.

Also, number of subjects: two people.

Appearance: Left person has red hair (but maybe not necessary to say hair color if not crucial). Wait, the rules say "briefly describe their appearance and number (color, size, orientation)". So color of clothes: orange shirt, black pants vs gray vest, white shirt, black leggings, gold boots.

So:

Two people perform on a stage: one in an orange shirt and black pants holds a rope end while stepping back and extending a hand; the other, in a gray vest over a white shirt, black leggings, and gold boots, moves toward the rope, steps forward, then back, adjusting position. The camera remains static, capturing their interaction with a banner in the background.

Check if it's chronological: first, the person in orange steps back, then extends hand. The person in vest moves, steps forward, steps back. That's the sequence.

Yes, this seems good.
</think>

<caption_output>Two individuals interact on a stage:

Two distinct solid objects (people) move: one person in red shirt pulls a rope connected to another person in white shirt on a board, causing controlled locomotion across the stage. The rope transmits force between objects.

Static backdrop and stage floor show no shifting or environmental fluid motion (fire, water, smoke, wind). No ambient environmental elements present.


In a fencing arena, two fencers in white uniforms and headgear stand on the strip; one fencer with a blue helmet adjusts his equipment, turns his back, and steps away. The camera shifts to focus on a person in a white polo shirt clapping near the strip's edge as the sequence progresses.

Two fencers (wearing white uniforms and headgear) are moving dynamically: lunging, parrying, and striking with swords. The referee (in black) and spectators in the background exhibit minimal movement (clapping), but the primary motion is from the fencers' locomotion and combat actions.

No shifting backgrounds; no fire, water, smoke, or wind. Controlled indoor environment with static walls and arena elements visible throughout.


A person in a dimly lit workshop handles a large black tire, positioning it on the ground and using a pump to inflate it; the individual maneuvers the tire and operates the pump, with a bike and scattered tools visible in the background, while the camera maintains a static close-up perspective.

A person (wearing a white shirt) moves their hands to operate an air pump, inflating a tire. The tire shows slight displacement due to inflation pressure.

No shifting backgrounds or fluid/environmental motion (fire, water, wind) observed. Static garage elements (tools, tire racks, walls) remain fixed relative to each other.


An elderly man with silver hair, wearing a light shirt and red scarf, crouches beside a large spinning pottery wheel. He places his hands on the rotating clay, adjusts his posture, and manipulates the clay's shape as the wheel turns. The scene occurs against a brick wall backdrop; the camera remains stationary throughout.

A person is interacting with a spinning pottery wheel, manipulating clay with hands and body movements while the wheel rotates.

No shifting background elements (brick wall, ground remain consistent); no fluid/environmental motion (fire, water, wind) observed.


A person with curly hair, wearing a green headband and a beaded choker, stands in front of a wall displaying multiple pairs of sunglasses. They hold and adjust a pair of sunglasses on their face, making small hand movements to position them, while occasionally shifting their head. The camera remains stationary, capturing a close-up view of the individual and the surrounding sunglasses display.

Person's head and hands moving (adjusting glasses, gesturing, tilting head), with no other discrete solid objects exhibiting motion.

Background (wall with sunglasses) is static; no shifting or fluid environmental motion (fire, water, wind) detected.


A person in dark blue attire stirs the contents of a blue cooking pan on a stove using a wooden spoon, moving the spoon in a circular motion. The pan contains visible ingredients like shredded carrots and pieces of chicken. The stove features blue burners, with an empty blue pan positioned to the right and a sink in the background. The camera remains stationary with a top-down view.

A person is actively stirring food in a pan, causing the pan and contents to move due to manual manipulation. The person's hands and the pan are discrete solid objects undergoing motion from physical forces.

Background elements (sink, countertop, kitchen items) show no uniform shifting or fluid motion. No fire, water flow, or smoke present in the scene.


RAW CAPTION: Got it, let's tackle this. First, the video shows a chessboard with black and white pieces. The main action is a hand moving a white chess piece. Let's break down the timeline.

In the first frame, a hand is moving a white pawn from the left side (probably the white player's side, but wait, chess boards have black and white, so the hand is moving a white piece, which would be the white player's move). The hand lifts the piece, moves it forward a few squares, then places it down. Then the hand moves to the left side, maybe to move another piece? Wait, the video has multiple frames. Let's check the frames:

Frame 0: Hand moves white pawn (maybe from d7 to d5? Not sure, but the action is moving the piece. Then in the next frames, the hand moves to the black side (black pieces) but wait, no—chess players alternate. Wait, the hand is moving a white piece, so it's the white player's turn. The hand is manipulating a white pawn. Let's see the sequence:

- Frame 0: Hand picks up a white pawn (positioned on the board), moves it forward (to the right, since in chess, white moves up, so from row 2 to row 4? Wait, the board is shown with black and white squares. The hand is moving a white pawn from the left (white side) to a forward position.

Wait, the video is a short sequence. Let's note:

- A hand (light-skinned, visible) moves a white chess pawn from the left side of the board (white player's side) forward. The pawn is moved from its starting position (probably the second row) to the fourth row, indicating a two-square move (since in chess, pawns move forward one or two squares from the start). Then the hand places the piece down. Then the hand moves to the left, perhaps to move another piece? Wait, the frames show the hand moving the white pawn, then in subsequent frames, the hand is near the black pieces (black side). Wait, no—black pieces are on the bottom (if white is at the top), but maybe the camera is fixed. Let's check the positions.

The chessboard is split: left side has black pieces (since in chess, black is on the bottom, white on top, but depending on perspective). Wait, in the first frame, the left side has black pieces (like rooks, knights, bishops), and the right side has white pieces. So the white player's side is on the right (top of the board), black on the left (bottom). Wait, no—standard chess: white pieces on the top (row 1 and 2), black on the bottom (row 8 and 7). But the video's perspective: the board is shown as a top-down view. So the top row is white pieces, bottom is black.

In the first frame, a hand moves a white pawn (from the white side) forward. The hand is on the top part of the board, moving a white piece. The action is the hand picking up the white pawn (small, light-colored), moving it to the right (toward the black side), then placing it down. Then the hand moves to the left side of the board (black side) but wait, the next frames: the hand is moving a black piece? Wait, no—maybe the hand is of the player moving, but the video might show the opponent's turn, but the hand is moving a piece.

Wait, the key is to describe the motion. The main subject is the hand moving a chess piece. Let's structure:

- A light-skinned hand picks up a white pawn (small, cylindrical, light color) on a chessboard, moving it forward two squares (toward the black side), then places it down. The hand then moves to the left side of the board to interact with a black piece (but in the next frames, the hand is moving the white pawn, then in the subsequent frames, the hand is near the black pieces but perhaps another move).

Wait, the frames:

Frame 0: Hand is moving a white pawn (from the white side) to a new position.

Frame 1: The hand releases the pawn, it's in position.

Frame 2: The hand moves to the left side (black side), maybe to move a black piece.

Frame 3: Hand is over a black piece, maybe adjusting.

But the problem is to describe in chronological order.

So, the sequence:

1. A light-skinned hand manipulates a white pawn (small, light-colored) on a black-and-white chessboard, lifting it from its original position and moving it forward two squares toward the black side, then placing it down.

2. The

A human hand is moving a chess piece across the board, indicating discrete solid object interaction.

No shifting background elements (chessboard remains stationary), no fluid or environmental motion (fire, water, smoke, wind) present.


RAW CAPTION: Okay, let's tackle this video captioning task. First, I need to understand the rules. The user wants a concise, chronological paragraph focusing on the motion and behavior of the main subjects. They mentioned two people in a room, so the main subjects are the two individuals.

Looking at the video description: it's a black-and-white scene. There are two people. The first frame shows them sitting, maybe in an office with various equipment. The second frame, person on the left is moving their hands, maybe gesturing. Then person on the left bends down, and the person on the right leans forward. Then the left person sits up again. The camera is stationary, but maybe a slight shake? The background has some office items like chairs and boxes.

I need to describe the sequence step by step. Start with their initial positions. The first person (left) is shirtless, long hair, sitting. The right person has long hair, striped top. Then left person moves hands, bends down, maybe interacting with something on the floor. Then the right person leans forward. Then left person sits up again. The camera is fixed, maybe slightly shaky.

Check the rules: avoid text, names, stylistic analysis. Keep background minimal. Spatial relationships: left and right. Mention their appearance briefly: shirtless, striped top, long hair.

So the caption should be chronological. Start with the two people sitting. Then left person gestures, bends down. Right person leans forward. Then left sits up again. Background is office setting but minimal. Camera is stationary with slight shake.

Wait, in the video description, the first frame shows both sitting. Then left person moves, maybe adjusts their chair or gestures. Then the left person bends down (maybe to look at something), then sits up. The right person is leaning in. The camera is static but maybe a slight shake.

Need to make sure it's concise. Let me structure it:

Two individuals, one shirtless with long hair seated on left, the other with long hair in striped top on right, sit in a cluttered room. The shirtless individual gestures with hands then bends forward, lowering their torso toward the floor, while the striped-top individual leans forward, adjusting their position. The shirtless individual then sits upright again. The camera remains stationary with minimal shake.

Check the rules: chronological order, appearance (color, size, orientation), spatial relationships (left and right), camera perspective (stationary, slight shake). Background is mentioned as cluttered but minimal. No text, names. Seems okay.

Wait, the video is in black and white, but the appearance should mention color? Wait, the rules say "briefly describe their appearance and number (color, size, orientation)." But since it's black and white, maybe color isn't relevant. The user says "color, size, orientation" so maybe for black and white, just mention the features like shirtless, striped top, long hair.

So the caption should be:

In a dimly lit room with office equipment, two people sit: one shirtless with long hair on the left, the other in a striped top with long hair on the right. The shirtless individual gestures with their hands, bends forward to look downward, then sits upright again. The striped-top individual leans forward, adjusting their posture. The camera remains static with a slight shake.

Wait, but the original frames show the left person moving their hands, then bending, then sitting up. The right person is leaning forward. The camera is fixed. Need to make sure the sequence is correct. Also, the background is office equipment, but minimal.

Wait, the user says "mention spatial relationships if relevant (e.g., in front of, to the left)". So the shirtless person is to the left, striped top to the right. They are seated side by side. The actions: shirtless moves hands, bends down, then sits up. Striped top leans forward. So the caption should follow that order.

Let me try again:

Two people sit side by side in a room with office equipment: a shirtless individual with long hair on the left and a person with long hair wearing a striped top on the right. The shirtless person gestures with their hands, bends forward to lower their torso toward the floor, then sits upright. The striped-top individual leans forward, adjusting their position. The camera remains stationary with minimal movement.

Check if it's chronological. Yes: initial position, then actions in order. Mention their appearance (shirtless, striped top, long hair), spatial relationship (left and right). Background minimal. Camera static. Looks good. Should be concise. Let me check the rules again. No text, named characters, etc. Yes. Okay.
</think>

<caption_output>In a dimly lit room with office equipment, two people sit side by side: a shirtless individual with long hair on the left and a person with

Two people are moving: left individual shifts head/body position, right individual looks down and interacts with objects; these are discrete solid objects exhibiting physical motion (e.g., head movements, hand gestures).

Background elements (chair, dresser, static household objects) remain stationary across frames; no visible fluid/environmental motion (fire, water, smoke, wind) present.


RAW CAPTION: Okay, let's tackle this video captioning task. First, I need to understand the requirements. The user wants a concise, chronological paragraph focusing on the main subjects' motion and behavior. The main subjects here are the two bears and the person interacting with them.

Looking at the video frames provided: in the first frame, two brown bears are standing upright behind a fence. One is raising its paws, maybe reaching towards the person. The person's arm is visible, waving or feeding the bear. Then, the person's arm moves, maybe holding food. The bears are in a grassy area with trees in the background. There's a brief shot of a hand holding a package of food, but the user says to exclude text recognition, so I shouldn't mention the brand.

I need to list the actions in order. Start with the bears' initial position, then their movement (standing up, raising paws), the person's interaction (arm moving, feeding), then the camera shifts to show the food package. But wait, the rules say to exclude text recognition, so even though the package has "Trapp" or something, I shouldn't mention it. So the camera movement: maybe the camera is inside a vehicle, looking out through a window. The last frame shows a hand holding the package, so the camera moves from the bears to the package.

Check the rules again: describe appearance and number, spatial relationships. The bears are brown, two of them. One is to the left, one to the right of the fence. The person's arm is on the right side of the frame. The camera is from inside, so it's a point-of-view shot from a vehicle.

Need to be concise. Start with the bears sitting/standing, then the person feeding, then the camera shows the food. Also, mention the background briefly if essential. The background has grass, trees, maybe a field. But keep it minimal.

Wait, the second rule says "briefly describe their appearance and number (color, size, orientation)." So the bears are brown, two, upright. The person's arm is reaching through the window.

Chronological order: The video starts with two brown bears standing upright behind a fence, one raising paws. A person's arm reaches through a window to feed them. The bears move their paws, maybe taking food. Then the camera shifts to show the person's hand holding a package of food.

But the user says to exclude text recognition, so the package's label isn't mentioned. So just say the hand holds a package.

Wait, the fifth frame shows a close-up of the hand with the package. So the sequence is: bears interacting, person feeding, then camera focuses on the food package.

Also, the camera perspective is from inside a vehicle looking out, so the caption should mention that.

Let me structure it:

Two brown bears stand upright behind a fence, one raising its paws toward a person's outstretched arm. The person repeatedly moves their arm toward the bears, who respond by lifting their paws. The camera shifts to a close-up of the person's hand holding a packaged food item before returning to the bears.

Wait, but the rules say "conclude with camera perspective and movement". So after describing the actions, mention that the camera is inside a vehicle, possibly from a window view.

Check the output format: must be a paragraph within <caption_output> tags.

Let me try:

Two brown bears stand upright behind a fence, one raising its paws toward a person's extended arm. The person's arm moves repeatedly toward the bears, who respond by lifting their paws. The camera shifts to a close-up of the person's hand holding a packaged food item before returning to the bears, observed from inside a vehicle.

But maybe the camera movement is not specified. Wait, the fifth frame is a close-up of the hand, so the camera moves from the bears to the package.

Wait, the last frame (5th) is a hand holding the package. So the sequence: starts with bears, person feeds, then camera shows the package.

The caption needs to be chronological. So:

Initially, two brown bears stand upright behind a fence, one raising paws. A person's arm extends from the right, moving toward the bears as they respond with raised paws. The camera then focuses on the person's hand holding a packaged food item before returning to the bears' interaction.

But need to be concise. Also, check spatial relationships: the person's arm is on the right side of the frame.

Wait, the first frame shows the person's arm from the right. The bears are in front of the fence. So "The person's arm extends from the right side of the frame toward the bears, who stand upright behind a fence."

Possible caption:

Two brown bears stand upright behind a fence, one raising its paws. A person's arm extends

Two bears exhibit distinct motion: one raises a paw toward the human hand (interacting with the hand’s movements), while the other remains relatively stationary. The human hand moves repeatedly to interact with the bears, demonstrating explicit physical forces and discrete object interactions.

The grassy field and distant trees show no significant shifting or fluid motion (no fire, water, smoke, or wind-driven movement dominating the scene). Static background elements remain consistent across frames, indicating no ambient environmental motion.


A person wearing a light gray shirt sits at a table with a white sheet. They reach forward, holding a blue and white marker close to the camera, displaying it to the viewer. The background includes a window with curtains and a wall with small decorative items. The camera remains stationary and close-up throughout the sequence.

The person's hands and a pen move in discrete, solid motions to write on paper: the hands position the pen and execute writing strokes with clear physical interaction.

The background (wall, curtain, radiator) shows no shifting or fluid motion; static elements remain fixed across frames, indicating no ambient environmental forces (fire, water, smoke, wind).


A person in a light blue shirt and dark shoes uses tongs to flip a piece of grilled meat on a small charcoal grill positioned on gravel beside a green canoe; the meat is moved from one side of the grill to the other as the person steps back, with a lake visible in the background. The camera remains stationary throughout the sequence.

A person's hand (wearing a glove) moves to place food onto a metal grill over burning coals; the hand and food exhibit discrete, purposeful motion due to manual placement.

The background (green tent, ground, and water) shows minimal movement; water has subtle ripples but not dominant fluid motion, and the fire is present but not the primary visual motion.


A person with red lipstick and dark hair applies mascara, first to the upper eyelashes using a black wand, then shifts to the lower eyelashes while holding the wand near their eyes. The camera remains in a close-up position, steadily focused on the face without significant movement.

Discrete solid object: A person's hand applying mascara to their eyelashes; the hand moves in a controlled, physical manner to apply the product.

Background is dark and static; no shifting backgrounds or fluid/environmental motion (fire, water, wind) observed.


A hand holds a smartphone with a lit screen showing a keyboard; the thumb repeatedly presses keys in sequence. The phone is held vertically, with the hand positioned to the right of the device. The camera maintains a close-up, steady perspective focused on the phone and hand, capturing the typing motion against a dark background.

A hand is moving to type on a smartphone keyboard, exhibiting discrete physical motion.

Background is dark and static; no fluid or environmental motion (fire, water, smoke, wind) detected.


The person in a black shirt moves their hands over a blue blackjack table with scattered red, black, and white chips and face-up cards, then positions their hands still on the table. The camera maintains a top-down view throughout.

The person's right hand exhibits deliberate movement (e.g., shifting position from center to right side of the table) while interacting with cards. Card positions remain mostly static except for minor rearrangements caused by hand motion.

The background (tablecloth, wall, and person's clothing) remains static with no uniform shifting or fluid/environmental motion (fire, water, wind) observed. All background elements are consistently positioned throughout the frames.


A person wearing a patterned beanie and dark shirt sits in a room, speaking while moving their head slightly side to side; background includes a couch, lamp, and framed pictures on the wall. The camera remains stationary, capturing the subject from a frontal perspective.

The only discrete object moving is the person (a solid, distinct object) with minimal head and facial movements due to speaking.

The background (couch, lamp, pictures) is static and shows no shifting. There are no signs of fire, water, smoke, or wind (ambient environmental motion).


RAW CAPTION: Okay, let me tackle this video captioning task. So, the user provided a video of coffee beans being stirred, and I need to generate a concise chronological paragraph following the rules they specified.

First, I'll look at the video frames. The first frame shows a pile of dark brown coffee beans on a white surface. Then, in the next frames, a wooden spoon starts stirring them. The spoon moves through the beans, creating a swirling motion. The beans are being turned around, so they're in constant motion as the spoon moves.

I need to focus on the motion and behavior of the main subjects. The main subject here is the wooden spoon stirring the coffee beans. The appearance of the beans is dark brown, and they're numerous, filling most of the frame. The spoon is light brown, probably wooden, and it's moving in a circular pattern to stir the beans.

Spatial relationships: The spoon is moving through the beans, so it's interacting with them. The beans are on a white surface, which is the background. But the rules say to keep background descriptions minimal, so maybe just mention the white surface briefly.

Chronological order: Start with the beans being stationary, then the spoon enters the frame, stirs them, and the beans move around. The video shows the spoon moving in a circular motion, causing the beans to shift positions.

Camera perspective: It's a top-down view, looking directly at the beans and spoon. There's no camera movement mentioned, so probably a static top-down shot. The video might have a slight shake, but the user's example shows "slight shake" as an example, but in the video, if it's steady, maybe not. Wait, the user's example says "top-down, pan left, slight shake" as possible movement. In this video, the camera seems to stay in the same position, so maybe static top-down.

Now, applying the rules. Rule a) Motion: The spoon stirs the beans, moving them around. Rule b) Appearance: Beans are dark brown, spoon is light brown. Rule c) Spatial: Spoon moves through the beans. Rule d) Camera: Top-down, static. Rule e) Background minimal, so mention white surface briefly. Rule f) Exclude text, etc.

Wait, the video starts with beans, then spoon enters. So the first action is the spoon stirring the beans. The beans are being moved around by the spoon. The spoon's motion is circular, causing the beans to swirl. The beans are dark brown, small, and there are many of them. The white surface is the background.

I need to structure it chronologically. Start with the initial state (beans on white surface), then the spoon stirring them, describing the motion and interaction.

Let me check the sample output. The user's example has a caption like: "A wooden spoon stirs dark brown coffee beans on a white surface. The spoon moves in circular motions, causing the beans to swirl and shift positions. The camera maintains a static top-down view throughout."

But according to the rules, need to mention appearance and number. The beans are numerous, dark brown, small. The spoon is light brown.

Wait, the problem says "briefly describe their appearance and number (color, size, orientation)." So for the beans: numerous dark brown coffee beans. The spoon is a light brown wooden spoon.

So putting it all together:

A light brown wooden spoon stirs a large pile of dark brown coffee beans on a white surface. The spoon moves in circular motions, causing the beans to swirl and shift positions. The camera remains stationary in a top-down view throughout the sequence.

Check if it's chronological: yes, starts with the spoon stirring, then the motion. Maybe add that the spoon enters the frame, but the first frame shows the beans before stirring. Wait, the first frame is the beans, then the spoon appears and starts stirring.

Wait, the video starts with coffee beans, then a spoon is moving in, stirring them. So the chronological order is: initially, beans are static on the surface, then the spoon enters and stirs them.

So the caption should start with the beans being present, then the spoon begins to stir them.

Possible caption: "Dark brown coffee beans rest on a white surface before a light brown wooden spoon enters and stirs them in circular motions. The beans swirl and shift as the spoon moves, maintaining a top-down camera perspective."

Wait, but the first frame is beans, then the spoon starts stirring. So "initially, the coffee beans are stationary on a white surface. A wooden spoon then enters the frame and begins stirring, causing the beans to swirl and shift positions."

But the rules say "concise, chronological paragraph", so maybe combine into a single sentence.

"Dark brown coffee beans, scattered on a white surface, are stirred by a light brown wooden spoon moving in circular motions. The

A spoon is moving through a pile of coffee beans, causing the beans to shift and rotate as the spoon stirs them. Both the spoon and beans are solid, distinct objects with motion driven by physical interaction (stirring).

The background (white surface) shows no shifting or uniform movement, and there are no fluid/environmental motions (fire, water, smoke, wind) present.


A woman in a green shirt sits at a table, holding a rope with both hands. She lifts her right hand to her mouth, appearing to eat or drink. The stone wall behind her and wooden chairs in the background are visible. The camera remains stationary throughout.

The woman is the discrete object moving by swinging in her chair and then drinking from a cup.

The background (stone wall, tables, bottles) is static with no fluid motion (fire, water, smoke) or significant wind. No uniform background shifting observed.


A hand presses against the black tire's tread, then retracts; the tire is mounted on a silver alloy wheel. The camera maintains a stationary close-up view on the tire and hand, with minimal background visible.

A hand (discrete solid object) is moving to interact with the tire.

The background (car wheel, rim, wooden structure) is static with no fluid/environmental motion (fire, water, smoke, wind).


A boy in a green shirt sits at a metal trough, manipulating a colorful striped cloth with both hands, pressing and twisting it. Several people stand and crouch around him, observing. The scene includes a red basin and scattered dishes to the right. The camera maintains a steady overhead view.

The child's hands and body exhibit deliberate movement while interacting with objects (e.g., handling items on the table), representing solid, distinct motion.

Background elements (people, containers, table) show no uniform shifting; no visible fire, water, smoke, or wind effects dominate the scene.


A person in a black long-sleeve top and light blue shorts sits on a blue yoga mat, reaching for a black bolster beside a brown bottle and blue-green yoga blocks. They shift into a side-lying position, extending their right leg and supporting themselves with their left hand, maintaining contact with the bolster. The camera stays stationary, top-down, against a wooden wall background.

The discrete objects moving are the person (woman), black disc, and brown bottle. The person shifts position (rolling onto her side, adjusting posture), moves the disc under her hip, and repositions the bottle. All motion is caused by explicit physical forces from the person's locomotion and exertion.

The wooden wall and blue mat in the background remain static throughout the video. No fluid or environmental motion (fire, water, smoke, wind) is present, so ambient environmental motion is absent.


Two children, one in light clothing and another in a light dress, enter the inflatable bounce house from opposite sides. The child in light clothing moves toward the center while the other exits first. Both children then exit the bounce house in sequence. The camera remains static, capturing the scene from a frontal perspective.

A child is actively moving on an inflatable bouncy castle, exhibiting locomotion (jumping, sliding) due to physical forces on the structure.

The background walls and floor remain static across frames with no uniform shifting or fluid motion (e.g., fire, water, wind), ruling out ambient environmental dominance.