A man in a dark gray and purple short-sleeve shirt with light pants pours contents from a jar into a pan on the kitchen counter, then turns toward the counter and places the jar down. To his right, a man with dreadlocks, wearing a gray hoodie and blue pants, films the action with a camera. The kitchen features white cabinets and various items on the counter; the camera remains stationary throughout.

Two solid objects (people) are moving: the male figure engages in cooking motions (stirring, handling items), while the female figure adjusts her posture and holds a device (phone) for recording.

The kitchen background (cabinets, wall, countertop items) shows no uniform shifting; no fire, water, smoke, or wind-driven motion is present.


A small baby wearing a yellow shirt and black shorts holds onto the edge of a wooden table, walking around it from left to right while maintaining a grip. The camera follows the baby’s movement with a slight pan, capturing the motion in a room with minimal background details.

The baby (wearing yellow shirt and black shorts) is the primary discrete object moving. It locomotes around the table, pushing against it for support, demonstrating intentional walking motion. The table is fixed and does not exhibit independent motion.

The background includes a stationary wooden piano and floor; no shifting backgrounds or fluid/environmental motion (fire, water, wind) are observed. Background elements remain static.


Hands hold a white mug containing two cracked eggs. A spoon stirs the eggs inside the mug. Salt and pepper are added from small shakers. The mug is placed into an open black microwave oven, the door is closed, and the timer is adjusted. The camera captures close-up, top-down shots of the mug and hands during preparation, then shifts to a frontal view of the microwave.

Hands and the mug are discrete solid objects moving: hands crack the egg, stir the mixture, add salt/pepper, and place the mug into the microwave. These actions involve explicit physical manipulation (e.g., stirring, pouring) by human limbs.

The background (neutral countertop surface) remains static with no shifting or environmental fluid motion (e.g., fire, water, smoke). No wind or dynamic natural phenomena are present.


A person in a light-colored shirt sits in a dimly lit room, holding a round donut with both hands. They bring the donut to their mouth, taking bites while their eyes reflect a blue light. The background includes a wooden shelf with objects and a wall, but the focus remains on the person's actions. The camera remains static throughout the sequence.

A person (solid object) is consuming a donut, with visible hand and mouth movements corresponding to eating action.

Background elements (door, furniture, wall) are static across frames; no fire, water, smoke, or wind motion observed.


A person in a blue shirt and red shorts stands on a treadmill, gripping the handrails; they begin moving forward slowly, maintaining their stance as the treadmill belt operates. The camera remains stationary, capturing slight motion in the frame, with the individual positioned centrally throughout the sequence.

A person on a treadmill is moving due to locomotion (walking/running on the treadmill belt). The treadmill itself is a solid object with moving parts.

Background elements (e.g., 'TRAINING' sign, wall) show no uniform shifting or fluid motion. No fire, water, or smoke present.


Several children stand near an indoor climbing wall; a girl in a pink shirt and dark shorts moves rightward, while others—including a child in a white top and denim shorts and another in a light blue and white dress—stand to the left. A child in a white top begins climbing the wall, reaching upward. The scene abruptly cuts to black.

Three distinct individuals (two climbers, one observer) moving via locomotion (walking, climbing) with clear bounding box tracking.

No shifting background elements (climbing wall, green structures remain fixed); no fire, water, smoke, or wind present.


Beginning with a black screen, the video transitions to a top-down view of two hands on a light wooden surface over a beige cutting board. One hand, wearing a dark sleeve, holds a blue cylindrical object adorned with yellow circular patterns; the other hand positions it horizontally. The object is then transferred to the open palm of the dark-sleeved hand, which tilts it slightly. A small brown object rolls onto the board before the blue item is released. The background features a wooden floor. Camera remains stationary and top-down throughout.

Two hands and a pencil are moving. The right hand moves the pencil across the left hand's palm in a controlled manner. This motion is due to direct physical interaction between the hands and the pencil.

The background (wooden floor and table) is static. No fire, water, smoke, or wind is present. No ambient environmental motion detected.


RAW CAPTION: Got it, let's tackle this. The video shows a baby. First, the baby is lying on a checkered surface, maybe a blanket. The baby has light hair, blue eyes, wearing a dark outfit. The baby is holding something orange, like a carrot, in their hand, bringing it to their mouth. Then, the baby moves the carrot around, chewing maybe. The camera is close-up, maybe handheld, with slight movement. Background has a chair and some indoor setting, but minimal. Need to describe chronologically: baby's action of holding the carrot, moving it to mouth, maybe chewing. Spatial: baby on checkered surface, hand near mouth. Camera: close-up, slight shake. Let's put it together.

Check the rules: focus on motion and behavior, chronological. Baby's main action: holding orange object (carrot), bringing to mouth, possibly chewing. Appearance: light hair, blue eyes, dark clothing. Spatial: on checkered surface. Background: indoor with chair, but minimal. Camera: close-up, slight shake. Need to be concise.

So the caption should start with baby's actions. Let's see the frames: in frame 0, baby is holding the carrot, bringing it up. Then frame 1-4, baby has the carrot in mouth, then moves it. So chronological: baby holds an orange object (carrot) and brings it to their mouth, then chews or moves it around.

Now, structure the paragraph:

"A baby with light hair and blue eyes, wearing dark clothing, lies on a checkered surface, holding an orange object. The baby brings the object to their mouth, chews, and moves it slightly. The background shows a blurred indoor setting with a chair, but the focus remains on the baby's actions. The camera maintains a close-up perspective with minimal movement."

Wait, check rules: mention spatial relationships if relevant. Here, baby is on checkered surface, so "lies on a checkered surface" is good. Background is minimal, so just mention as necessary. Camera perspective: close-up, slight shake? The video might have a slight shake, but the user said "DO NOT include any reasoning in the caption tags"—but the rules say to conclude with camera perspective. Let's see the frames: the video might have a slight movement, but the output should state what's observed.

Looking at the frames, the camera is close-up on the baby, maybe handheld with slight movement. So "camera maintains a close-up perspective with minimal movement."

Now, check if all rules are covered:

a) Motion and behavior: baby holding object, bringing to mouth, chewing.

b) Appearance: light hair, blue eyes, dark clothing (color, size, orientation—size is baby, orientation is lying).

c) Spatial: on checkered surface.

d) Camera: close-up, minimal movement.

e) Background minimal, so just "blurred indoor setting with a chair" (but maybe too much? The rules say "minimal unless essential for understanding motion". Is the chair essential? Maybe not, but the baby is lying on a checkered thing, which is a surface. Maybe background is just the room, but since the main focus is baby, maybe omit specific background unless needed. Wait, the problem says "background descriptions minimal unless essential for understanding motion". The motion here is baby eating, so background not essential. So maybe "background is indistinct indoor setting".

Wait, the video has chairs in the background. But since it's minimal, perhaps don't mention the chairs. But the rules say "briefly describe their appearance and number (color, size, orientation)." So for the baby: appearance—light hair, blue eyes, dark clothing. Number: one baby.

Motion: holds orange object, brings to mouth, chews, moves object.

So let's rephrase:

"A baby with light hair and blue eyes, dressed in dark clothing, lies on a checkered surface. The baby holds an orange object, bringing it to their mouth and moving it slightly while chewing. The camera maintains a close-up perspective with minimal movement."

Check if this follows all rules.

a) Motion: holds, brings to mouth, moves, chews—chronological.

b) Appearance: light hair, blue eyes, dark clothing—color, size (baby), orientation (lying).

c) Spatial: on checkered surface.

d) Camera: close-up, minimal movement.

e) Background minimal: "indistinct indoor setting" but the baby is lying on checkered surface, which is part of the background. But since it's not essential for motion (motion is baby's action), maybe don't mention background at all? Wait, the background is part of the scene, but the rule says "keep background descriptions minimal unless essential for understanding motion". The motion here is baby eating, so background isn't essential. So perhaps no

Baby is moving its head and hand (holding an orange object) in small, discrete motions while chewing.

Background is mostly static checkered pattern and furniture; no fire, water, smoke, or wind motion observed.


A person in a blue shirt, dark hat, and beige pants stands on a boat, holding a fishing rod and casting. The camera cuts to a close-up of the person reeling, then shifts to show the rod bending as they actively fight a fish. The individual continues pulling the line while remaining on the boat, with the camera capturing dynamic motion and slight shake throughout.

Discrete objects include a person (fishing, reeling motion), a fishing rod, and a fish (jumping out of water). These solid objects exhibit motion due to physical forces (e.g., rod tension, fish movement).

Background elements (sky, distant shore, water surface) show minimal shifting; water splashes from the fish jump are transient and not dominant ambient motion.


The video opens with a close-up of several dark red roses with green leaves resting on a white surface. A hand adorned with a pink bracelet enters the frame, carefully adjusting the stems and petals of a vibrant red bouquet, positioning them into a vase. The camera shifts slightly to follow the hand's motion as it arranges the flowers, maintaining focus on the floral arrangement process from a low-angle perspective.

A hand (with pink bracelet) is moving a bouquet of red roses, causing the roses to shift slightly.

No shifting background or fluid motion. Background remains static (white surface and blurred surroundings).


A person's hands move across the interior of a large, shallow, light-colored pottery bowl, smoothing its surface. The hands work over the bowl's center while the bowl remains stationary in the frame, with a workbench and scattered tools visible in the background. The camera maintains a static top-down perspective throughout the sequence.

A human hand (discrete solid object) moves within the bowl, stirring its contents. The hand's motion is explicit and caused by physical interaction with the bowl and water.

The background contains static workbench items (tools, materials) with no uniform shifting or environmental fluid motion (fire, water, smoke, wind) dominating the scene. The water in the bowl is secondary to the hand's action and not the primary ambient element.


A person in a purple sleeveless top and colorful patterned shorts stands on a wooden deck, shifting weight and moving arms before bending forward to touch the ground with hands and feet. The camera remains stationary, capturing the individual against a backdrop of outdoor furniture and a house with a balcony.

A person (girl) in a purple tank top and shorts is the main object. She moves from a standing position to a forward bend, placing her hands on the ground, and then moves to a position where she is supporting herself on her hands and feet (a handstand or similar pose).

The background (house, trees, patio furniture) shows no significant shifting or fluid motion. Trees may sway slightly due to wind, but this is not dominant and not fluid (like water or smoke).


An orange excavator with an extended arm operates on a dirt-covered construction site; the operator is visible inside the cabin. The excavator’s arm moves downward into the soil, scooping material, then lifts the bucket slightly upward. The camera maintains a top-down perspective with slight panning to follow the excavator’s arm movement.

Orange excavator moves its arm and bucket to dig into the ground, demonstrating discrete solid-object locomotion and interaction with the environment.

Static background elements (ground, distant vehicles) show no uniform shifting; no fluid/environmental motion (e.g., fire, water, wind) observed.


The video opens with a close-up of a pressure washer setup showing a large coiled light blue hose, a silver tank, and blue-and-white striped components arranged on a wooden surface. It transitions to a man standing outdoors in front of a lake, wearing a black t-shirt and sunglasses, holding a long vertical pipe. The camera remains static throughout both scenes.

The primary discrete object is the man, who is holding a long pole. He is moving his arms and the pole, which is due to his own physical actions (demonstration). There are no other discrete objects moving.

The background (lake and distant trees) is static with no significant motion or environmental effects (e.g., no waves, wind, or smoke). The water appears calm and the trees are stationary. Therefore, no dominant ambient environmental motion.


A person wearing a blue short-sleeve shirt holds a smartphone in their left hand, looking down at it. They raise their right hand to gesture, then bring it to their chin before lowering it back. The camera remains static throughout, capturing the individual seated with a patterned wall and chairs in the background.

A person is holding a smartphone, making hand gestures and slight head movements, indicating discrete, solid object motion.

The background features a static wall pattern with no uniform shifting or fluid/environmental motion (fire, water, smoke, wind).


A black bundle tied with white string lies on a concrete surface. A person wearing blue pants kneels beside it and pours liquid from a small container onto the bundle. The camera remains in a top-down view throughout the sequence.

Small black object (likely a toy/pet) is manipulated by a person's hand, exhibiting discrete motion due to physical contact.

Concrete background is static with no shifting elements; no fire, water, or wind-driven motion observed.


A person in a gray shirt and dark shorts lies on a yellow bench, lifting a barbell loaded with blue and dark weights, while a second person in a green shirt stands behind, spotting. The lifter lowers the barbell, then the bar falls, causing the lifter to sit up on the bench. The spotter steps back. The camera remains stationary throughout the sequence.

A person is performing a bench press (lifting a barbell), with a spotter assisting. The barbell and the person's body move due to physical exertion.

Background is static (yellow walls, posters, fan). No ambient environmental motion (no fire, water, wind).


In a gymnasium, four individuals in dark athletic attire interact. Two on the left (one in dark shorts and shirt) throw a ball toward the center; the central figure (black shirt, gray shorts) holds and passes it to the right individual (black outfit, white cap), who moves to receive. The camera remains stationary, capturing the motion from a fixed angle.

discrete_object_physics | ambient_environmental | camera_motion | ego_motion | static

Briefly describe what discrete, solid objects are moving.

Briefly check for shifting backgrounds or fluid/environmental motion (fire, water, wind).


RAW CAPTION: Got it, let's tackle this. First, the video starts with a close-up of a toilet. A hand is holding the toilet seat, which is white with a red rim. The toilet bowl is visible, and there's a roll of toilet paper in the background. Then, the text "Clean the Toilet Step 1" appears. Next, the hand moves the seat, maybe lifting it, and then the scene transitions to a colorful background with "What comes in the box?" text.

Now, following the rules: focus on motion and behavior. Main subject is the hand and the toilet. First, hand holds toilet seat (white with red rim), lifts it (motion). Then, the scene changes to a colorful background. Need to describe chronological order: hand interacts with toilet, then transition to background.

Check appearance: toilet seat is white, red rim. Hand is visible (color? maybe brown, but not sure, but since it's a hand, maybe just say "a hand"). Number: one hand, one toilet.

Spatial relationships: hand is in front of the toilet (since it's holding the seat). Background elements: toilet paper roll.

Camera perspective: starts with close-up, then transitions to a full-screen background (maybe top-down? No, the first part is close-up, then the background is a gradient).

Wait, the first part is a close-up of the toilet, hand moving the seat. Then the screen changes to a pink/orange gradient with text. So the motion is: hand moves toilet seat, then scene transitions.

So the caption should be chronological. First, hand interacts with toilet seat (lifting it), then the scene cuts to a colorful background. Keep background minimal unless essential. The toilet is in the first part, background has toilet paper. But rule e says minimal background descriptions unless essential. So maybe mention the toilet's position (toilet is in the scene, with toilet paper in background).

Let's structure:

In the opening, a hand adjusts a white toilet seat with a red rim, lifting it from the closed position to an open state. The toilet bowl and a roll of toilet paper are visible behind the seat. The scene then transitions to a colorful gradient background with decorative text. The camera starts in a close-up perspective of the toilet and shifts to a full-screen background during the transition.

Wait, but need to be concise. Let's check the rules again. Focus on motion: hand moving seat (lifting), then transition. Mention appearance: toilet seat white with red rim, hand is there. Spatial: hand is holding the seat, which is in front of the toilet. Then the scene changes.

Wait, the first frame shows a hand on the seat, then the seat is being lifted. Then the scene cuts to the gradient. So "A hand lifts a white toilet seat with a red rim, moving it from a closed to an open position. The toilet bowl and a roll of toilet paper are visible behind the seat. The scene then transitions to a colorful gradient background."

Check if background is essential. The gradient is part of the video, so maybe the transition is part of the video. Also, rule g says exclude text recognition, so the text "What comes in the box?" is excluded. Wait, the rules say exclude text recognition. So the caption shouldn't mention the text. Oh! Right, rule f: Exclude text recognition, named characters, or stylistic analysis. So the colorful background has text, but we can't mention it. So the description of the background should be just the colors and transition, but no text.

Ah, right. So in the video, after the toilet scene, there's a transition to a pink/orange background with text, but we don't mention the text. So the caption should say: "A hand lifts a white toilet seat with a red rim, moving it from a closed to an open position. The toilet bowl and a roll of toilet paper are visible behind the seat. The scene then transitions to a colorful gradient background."

But check camera perspective: the first part is close-up (top-down? No, the first frame is a close-up of the toilet, hand holding seat. So camera is close, focusing on the toilet seat. Then the transition is to the gradient background, so camera moves to full screen.

Wait, rule d: conclude with camera perspective and movement. So the first part: close-up, then transitions to gradient (camera movement? The transition is a cut, so maybe the camera cuts from close-up to full screen).

Putting it all together:

A hand adjusts a white toilet seat with a red rim, lifting it from the closed position. The toilet bowl and toilet paper roll are visible in the background. The scene then transitions to a colorful gradient background.

Check rules: chronological, motion of main subject (hand), appearance (white seat, red rim), spatial (toilet paper in background), camera starts

Hand (person) manipulating a toilet part; the discrete solid object (toilet component) is moved by human action, with no collisions or independent locomotion.

No shifting background elements; bathroom scene remains static, and the text/background transition (3-5s) shows no fluid environmental motion (fire, water, smoke, wind).


A hand with red-painted nails performs a gentle massage on a person's neck, then shifts to the ear, and subsequently moves to the collarbone area. The hand, positioned in front of the person’s neck and ear, executes pressing motions in chronological sequence. The camera maintains a steady close-up perspective throughout.

Hands of the masseur moving in rhythmic circular motion on the subject's neck and shoulder, which is the dominant physical motion.

Static background with no shifting elements or fluid/environmental motion observed.


RAW CAPTION: Got it, let's tackle this video captioning task. First, I need to understand the video. The video shows a person in a blue shirt holding a champagne bottle wrapped in a white cloth. The actions are: holding the bottle, tilting it, and then moving the bottle up and down, maybe to open it? Wait, the sequence is from 0 to 5 seconds. Let's break down each frame.

Frame 0: Hand holding a bottle with a white cloth. The person is in blue. Bottle is dark, maybe champagne. The cloth is wrapped around the bottle.

Frame 1: Similar, but the bottle is tilted a bit more. The cloth is still around it.

Frame 2: Bottle is tilted, person's hand adjusts. Maybe the cloth is being used to grip the bottle while opening.

Frame 3: Bottle is held, cloth is still there. Person's hand is on the bottle's neck, probably preparing to open.

Frame 4: Hand is holding the bottle neck, the cloth is still there. The bottle is tilted, so the person is getting ready to uncork.

Frame 5: The bottle is held up, the cloth is still around it, but the person's hand is on the neck. Maybe the cork is being removed.

So the chronological order is: person holds champagne bottle wrapped in white cloth, tilts it, then holds the neck with the hand, possibly preparing to open.

Appearance: Person in blue shirt. Bottle is dark glass with a gold foil top. Cloth is white, wrapped around the bottle. The hand is manipulating the bottle.

Spatial relationships: The bottle is in front of the person, held with the cloth. The hand is on the bottle, moving it.

Background: Minimal, maybe a dark room with some objects, but not essential.

Camera perspective: Close-up, focusing on the hands and bottle. No significant movement, just a slight shift as the person moves the bottle.

Now, following the rules. Need to be concise, chronological. Mention main subject (person, bottle), appearance (blue shirt, dark bottle, white cloth), motions (holding, tilting, moving the bottle up and down), spatial (hand on bottle, cloth around it), conclude with camera (close-up, stable).

Let me draft:

A person in a blue shirt holds a dark glass champagne bottle wrapped in a white cloth. The hand grips the bottle, tilting it upward while maneuvering the neck toward the top, then holds the bottle upright with the cloth still wrapped around it. The camera remains in a close-up, stable shot focused on the hands and bottle.

Wait, check rules. Rule b: describe appearance and number. So person's shirt is blue, bottle is dark glass, cloth white. Rule a: motion in chronological order. The video starts with holding the bottle, then tilting, then moving up, then holding upright. Rule c: spatial relationships—if the hand is on the bottle, cloth around. Rule d: camera perspective and movement. Close-up, no movement (stable).

Let me check the frames again. In frame 0-3, the person is holding the bottle with cloth, tilting it. Then frame 4-5, the hand moves to the neck, then the bottle is held up. So the motions: holding bottle with cloth, tilting upward, then gripping the neck (maybe uncorking).

But the description should be concise. Maybe: A person in a blue shirt holds a dark glass champagne bottle wrapped in a white cloth. They tilt the bottle upward with one hand while gripping the neck with the other, then hold the bottle upright. The camera maintains a close-up focus on the hands and bottle.

Wait, the frames: frame 0, person holds bottle with cloth. Frame 1, still holding, bottle tilted. Frame 2, bottle tilted more. Frame 3, bottle held, cloth around. Frame 4, hand on neck, bottle tilted. Frame 5, hand on neck, bottle held up.

So sequence: holds bottle (with cloth), tilts it (upward), then moves to grip the neck, then holds upright.

Appearance: person in blue shirt (color), bottle is dark glass, cloth white.

Motions: holding, tilting, gripping neck, holding upright.

Spatial: hand on bottle, cloth wrapped around.

Camera: close-up, no movement.

So the caption should be: A person in a blue shirt holds a dark glass champagne bottle wrapped in a white cloth. They tilt the bottle upward with one hand, then grip the bottle's neck with the other hand before holding it upright. The camera remains in a close-up, stable shot focused on the hands and bottle.

Wait, but the rules say "concise" and "chronological paragraph". Let's check for conciseness.

Alternative: A person in a blue shirt manipulates a dark glass champagne

A person's hands manipulate a champagne bottle, with the cork being unscrewed through physical twisting motion; the bottle and cork are discrete solid objects undergoing explicit mechanical action.

Background elements (shelves, surfaces) remain static with no uniform shifting or fluid motion observed; no fire, water, smoke, or wind is present.


A person in a dark shirt with red accents adjusts a light wooden cabinet’s middle shelf, moving their hands to position and secure the shelf within the cabinet’s vertical structure. The person works from the right side of the frame, with the cabinet resting on a workbench. The camera remains steady, capturing the action in a medium shot.

Discrete objects in motion: The person's hands and tool (chisel) are moving with controlled, explicit physical actions (carving wood) while the wooden cabinet remains stationary.

Background elements (wall, shelves, cabinet) remain stationary and show no shifting or environmental fluid motion (fire, water, wind). No ambient environmental phenomena detected.


A person in a white shirt adjusts a red smartphone mounted on a bicycle handlebar, using both hands to secure the device and interact with its screen. The camera remains stationary, capturing the action against a plain white background.

A person (solid object) is interacting with a smartphone mounted on a bicycle handlebar; their hands move to press/tap the screen, demonstrating explicit physical forces (touch) on the device.

The background is a static white surface with no shifting elements or fluid/environmental motion (e.g., fire, water, smoke, wind).


A seated person in a bright pink floral shirt receives a haircut from a standing individual in a dark sleeveless top and jeans, who works behind them with their hands to trim and adjust the hair. The stylist remains positioned directly behind the seated individual, with minimal background details visible, and the camera maintains a static perspective throughout the sequence.

Two discrete objects (a seated child in a pink shirt and a standing stylist) exhibit localized motion: the stylist's hands move to cut the child's hair, while the child remains mostly stationary with minor head movements.

Background elements (bookshelf, computer, furniture) remain static across frames, showing no fluid motion or environmental shifts. No fire, water, or wind effects observed.


RAW CAPTION: Got it, let's break this down. First, the video starts with several people in a muddy area. Let's count: there's a group, maybe 5-6 people. They're all in the water, some with tools. The main action is them working with buckets.

Looking at the frames: initial frame has people in a shallow stream, some bending over buckets. Then camera moves closer. Frame 2 shows a person in striped shirt holding a yellow pole (like a rake), another in white shirt handling a bucket. Then frame 3-4: two people in the water, one in striped shirt, one in white, both interacting with a bucket. The bucket has something dark, maybe fish or mud.

Need to describe chronologically. Start with the scene: several people in shallow water, some holding buckets and tools. Then focus on the two main people: a person in striped shirt (holding yellow tool, bent over) and another in white shirt (bending, handling a bucket). They're both working with the bucket, maybe transferring contents. The background is muddy stream, others in the background.

Camera moves closer, maybe a slight pan. Let's check the video sequence. From frame 0 to 4, camera zooms in on the two people by the bucket. So the caption should mention the group first, then the focus on the two people's actions, then camera movement.

Appearance: striped shirt (light blue and white), yellow tool (rake or pole), white shirt, dark bucket. People are wading in water, legs in mud. Spatial: two people in front, others in background.

So the caption: Start with the group, then specific actions. Chronological: people working in stream, two individuals focus on bucket, camera zooms in.

Check rules: motion and behavior in order. So:

Several people wade in a shallow stream, some holding buckets and tools. A person in a striped shirt holds a yellow pole while bending over, and another person in a white shirt assists with a dark bucket. They work together to handle the bucket's contents in the muddy water. The camera gradually zooms in on this pair, focusing on their interaction with the bucket.

Wait, need to be concise. Let's make it shorter.

"Multiple individuals wade in a shallow stream, some using buckets and tools. A person in a striped shirt holds a yellow pole, bending over a bucket with another person in a white shirt. They jointly handle the bucket's contents while standing in the water. The camera slowly zooms in on this pair, capturing their interaction from a slightly elevated perspective."

Check if background is minimal: yes, background is stream, not over-described. Mention spatial: two in front, others behind. Camera movement: zoom in, slight shake? The user said "slight shake" but in the video, it's a pan maybe. Wait the example output format says "camera perspective and movement (e.g., top-down, pan left, slight shake)." So in the video, the camera is moving closer (zoom), so "gradually zooms in".

Also, people's appearance: striped shirt, white shirt, yellow pole, dark bucket. Number: several, then two main.

Let me structure:

At the start, several people are in a muddy stream, some bending over buckets. A person in a striped shirt (light blue/white) holds a yellow tool, while a person in a white shirt assists with a dark bucket. They work together to transfer or inspect the bucket's contents in the water. The camera gradually zooms in on this pair, focusing on their hands and the bucket, with others visible in the background.

Wait, "gradually zooms in" is camera movement. Also, "wade in shallow stream", "muddy water".

Make it concise. Let's check:

"Multiple people wade in a shallow muddy stream, some holding buckets and tools. A person in a striped shirt with a yellow pole bends over, while another in a white shirt handles a dark bucket; they jointly interact with the bucket’s contents. The camera zooms in on this pair, capturing their actions from a slightly elevated angle, with others working in the background."

Check rules: chronological (starts with group, then focus on two), appearance (striped, white, yellow pole, dark bucket), spatial (two in front, others behind), camera (zoom in, elevated angle).

Yes, that works. Keep it under 3-4 lines. Let's try:

Several individuals stand in a shallow stream, working with buckets and tools. A person in a striped shirt holds a yellow pole, while another in a white shirt assists with a dark bucket; they bend over and manipulate the bucket’s contents together. The camera gradually zooms in on this pair, focusing on their hands and the bucket, with other workers visible in the background.

Yes

People are bending, lifting buckets, and using tools, showing discrete object motion.

The background (trees, grass) is static. Water is flowing but not dominant; it is a secondary element.


A person wearing a dark sleeve pours liquid from a container onto a pile of mixed-sized gray and white rocks, then steps back and moves out of the frame. The rocks remain stationary on the ground, with grass visible in the background. The camera maintains a stationary ground-level perspective throughout the sequence.

The person (wearing helmet and dark clothing) is moving rocks (discrete solid objects) by lifting and placing them.

Static background (grass and ground) with no fluid or environmental motion; no fire, water, smoke, or wind.


RAW CAPTION: Got it, let's tackle this video captioning task. First, I need to focus on the main subjects and their motions in chronological order. The video shows people hula hooping at an outdoor event. Let's break it down frame by frame.

Frame 0: A person in a bright green shirt and black shorts is hula hooping. They're standing near a yellow trash can. In the background, there's a crowd. The main subject here is the green-shirted person moving the hoop around their waist.

Frame 1: The camera shifts to another person in a white sleeveless top and black shorts hula hooping. There's a person in blue clothing also hula hooping behind them. So now, two people are visible, one in front (white top), one in back (blue).

Frame 2: The camera moves to a girl in a white shirt and black shorts hula hooping, with a woman in a green shirt standing behind her. Then another person in blue jumps in. The motion is continuous, with people moving the hoops.

Frame 3: A person in a white top and black shorts is seen hula hooping, with another person in black shorts standing behind. The crowd is around, but the main action is the hula hooping.

Frame 4: A person in a white tank top and black shorts is hula hooping, with a person in blue clothing in the background. The scene is outdoors, grassy area with trees.

Frame 5: The camera pans to a person in a white tank top hula hooping, with a person in blue in the background. A yellow trash can is visible on the left.

Now, putting this into chronological order. The main subjects are multiple people hula hooping, wearing different colored shirts (green, white, blue). They move the hoops around their waists. The camera moves around, panning between different hula hoopers. Background has a crowd, grass, trees, but keep background minimal.

Need to mention appearance: green shirt, black shorts; white top, black shorts; blue clothing. Actions: hula hooping. Spatial relationships: one person in front of another, sometimes the camera shifts to different people. Conclude with camera perspective: the camera pans left and right, showing different hula hoopers.

Check rules: chronological order, motion and behavior. Avoid text, named characters. Keep concise.

Draft: People in various colored shirts (green, white, blue) hula hoop at an outdoor event. The green-shirted individual moves a hoop around their waist near a yellow trash can. A person in a white sleeveless top hula hoops, with a blue-clad person behind them; a girl in a white shirt and black shorts also hula hoops while others stand nearby. The camera pans across the scene, capturing multiple hula hoopers in motion with the crowd in the background.

Wait, need to be more chronological. Start from the first frame: first person (green shirt) hula hooping. Then camera shifts to another (white top). Then another person. Then the girl, then the white tank top.

Wait, the video starts with green shirt, then white top (frame 1), then frame 2 shows a girl, frame 3 shows white top again, frame 4 shows white tank top, frame 5 shows white tank top.

Wait, let's check the provided frames:

Frame 0: person in bright green shirt (black shorts, black shoes) hula hooping, yellow trash can to left, crowd behind.

Frame 1: person in white sleeveless (black shorts) hula hooping, person in blue (blue shirt, blue pants) behind them. Yellow trash can still left.

Frame 2: a girl in white shirt, black shorts hula hoops, woman in green shirt standing behind. Then a person in blue jumps in.

Frame 3: person in white tank top (black shorts) hula hoops, person in blue (blue shirt, blue pants) in front of crowd.

Frame 4: person in white tank top (black shorts) hula hoops, person in blue (blue shirt, blue pants) behind them. Yellow trash can left.

Frame 5: person in white tank top (black shorts) hula hoops, person in blue (blue shirt, blue pants) behind. Crowd and trees in background.

So the main actions: various people hula hooping, moving the hoops around their waists. The camera shifts focus between different individuals: a person in a bright green shirt and black shorts hula hoops near a yellow trash can. Then the camera moves to a person in a white sleeveless top and black shorts hula hooping, with a person in blue clothing behind them. Next, a girl in a white shirt and black shorts hula hoops while others stand nearby. The camera continues to

The primary moving objects are the hula hoops (spinning due to human action) and the people performing the hula hoop activity (including the person in blue and the person in white tank top).

The background (grass, trees, people) is mostly static with no significant fluid or environmental motion (e.g., wind, water, fire). The yellow bin and trees remain fixed.


A person's hands, clad in dark sleeves, hold a light brown wooden cylindrical object and a small silver metallic piece. The hands maneuver the metallic piece toward the wooden object, adjusting their positions with slight movements. Background green grass is visible behind the hands. The camera maintains a close-up, steady focus on the hands and objects throughout the sequence.

Hands manipulating a small object (seed or shell) with a tool to open it; the object is breaking due to applied force.

Background is static with greenery and a dark vertical structure; no fluid or wind motion detected.


A person in an orange long-sleeve shirt carves a wooden block with a handheld tool, generating wood shavings that accumulate on the bench surface; the hands move rhythmically to shape the block, with the camera maintaining a close-up perspective focused on the carving action and the block's textured surface.

A person in a red jacket uses tools to work on a wooden structure protruding from the wall, causing discrete motion of hands and tools.

The background wall is static with no shifting. No fluid or environmental motion (fire, water, smoke, wind) is present.


A baby in a white onesie crawls on a carpeted floor toward wooden cabinets, moving leftward while passing near an adult's leg in shorts lying on the floor behind. The camera remains stationary in a top-down view, capturing the baby's movement with minimal background details.

A baby in white clothing is crawling on the floor, moving from the right side of the frame toward the left, with visible limb movements and repositioning.

Background elements (wooden cabinets, floor, chair) remain static throughout the frames; no fluid motion (fire, water, smoke) or wind-driven effects are present.


A small child wearing a red patterned shirt and purple pants sits on a tiled floor, initially facing away. The child picks up a black shoe, holds it with both hands, and turns to face the camera while moving the shoe near their face. The camera rotates around the child, exhibiting a slight shake as it captures the movements. Background details include a tiled floor and distant furniture, with minimal emphasis on environmental elements.

A child (discrete solid object) is moving by turning their body, shifting position, and manipulating an object (likely a toy or phone) in their hands. The motion is self-driven locomotion and object interaction.

The background consists of a static tiled floor and indistinct furniture. No fluid motion (fire, water, smoke) or environmental elements like wind are visible. Background elements show no uniform shifting.


RAW CAPTION: Got it, let's tackle this video caption. First, identify the main subject. There's a person in a colorful costume, maybe a superhero or something with a cactus on it, holding a sword above their head. They're under a red canopy. The person is moving the sword up, then maybe down? Wait, the frames show them holding the sword high, then maybe lowering it a bit. The background has a few people standing around, a white car, and some trees. The camera is probably stationary, but maybe a slight shake? Let's check the rules.

Chronological order: The person starts with sword raised, then moves it slightly. The costume is red, yellow, with a cactus. Number of people: main subject plus a few onlookers. Spatial: the person is under the red canopy, onlookers are around. Background minimal, so mention the car and trees briefly. Camera perspective: likely handheld, slight shake. Let's structure.

Start with the main action: a person in a vibrant red and yellow costume with a cactus emblem raises a sword above their head. Then, they lower the sword slightly while the onlookers stand nearby. The red canopy covers the scene, with a white car and trees in the background. Camera is slightly shaky, capturing the motion from a low angle.

Wait, the frames show the person holding the sword up, then maybe moving it. Let's check the video frames. The first frame has the sword high, then in subsequent frames, the sword is still high but maybe the person is moving. Wait, the video is from 0 to 5 seconds. The person is raising the sword (maybe already raised) then holding it. The onlookers are watching.

So, the caption should be concise. Let's draft:

A person in a vibrant red and yellow costume with a green cactus emblem raises a sword above their head under a red canopy. The individual holds the sword aloft while surrounded by several onlookers, including children and adults, who stand to the left and right. A white car and trees are visible in the background. The camera remains stationary with a slight shake, capturing the scene from a low angle.

Wait, but need to be chronological. So the action starts with raising the sword, then maintaining. Let's check the frames: first frame (0.0) sword is up, then (0.3) still up, so maybe the action is raising, then holding. But in the video, it's a sequence where the person is holding the sword up. So the main action is the person holding the sword high, then maybe the motion is a slight lowering.

Wait, the user says "chronological paragraph describing the provided video". So the order of events: the person raises the sword, then possibly holds it, maybe lowers it a bit. Let's check the frames. From 0.0 to 5.0 seconds, the person is holding the sword high, but maybe the movement is the sword being raised initially, then held.

Wait, the first frame (0.0) has the sword up, then (0.3) same, so maybe the action is a person raising a sword above their head under a red canopy, with onlookers around. Then, the person maintains the pose.

So, the caption: A person in a vibrant red and yellow costume with a green cactus emblem raises a sword above their head under a red canopy. They hold the sword aloft while several onlookers stand nearby, including children and adults to the left and right. The background features a white car and trees, with the camera capturing the scene from a low angle and showing slight motion.

Wait, need to be concise. Let's trim.

"A person in a vibrant red and yellow costume with a green cactus emblem raises a sword above their head under a red canopy, then holds it aloft while surrounded by onlookers, including children and adults. A white car and trees are visible in the background, with the camera maintaining a low angle and slight shake."

Check rules: a) motion and behavior in chronological order: raises sword, holds aloft. b) appearance and number: main subject (1 person, costume details), onlookers (multiple). c) spatial: onlookers to left/right. d) camera: low angle, slight shake. e) background minimal (white car, trees). f) exclude text, names, etc. g) no reasoning.

Okay, let's refine.

"A person in a vibrant red and yellow costume with a green cactus emblem raises a sword above their head under a red canopy. They hold the sword aloft while surrounded by several onlookers, including children and adults standing to the left and right. A white car and trees are visible in the background. The camera captures the scene from a low angle with slight movement."

Yes, that fits

A person wearing a colorful costume is performing a motion with a sword held above their head. The person's arms and body exhibit controlled movement, likely due to deliberate physical action (e.g., martial arts or ceremonial gesture).

The background includes static elements like trees, cars, and a red canopy. There is no visible fluid motion (fire, water, smoke) or significant wind-induced movement in the environment. The background does not shift uniformly, indicating no camera-induced motion.


A hand applies a white substance to a person's closed eye's eyebrow, spreading it downward toward the eyelid, then moves to apply the product to the person's forehead. The person has dark hair and visible eyebrows, with the eye closed throughout. The camera maintains a steady close-up perspective focused on the face, with minimal background details.

A hand is moving towards the subject's face, likely interacting with the eye area (e.g., applying a cosmetic tool or product).

No fluid/environmental motion (fire, water, smoke, wind) detected; background is indistinct but shows no uniform shifting.


A person with shoulder-length light brown hair stands in front of a bathroom mirror, adjusting their hair while facing it. Another individual with lighter hair briefly enters from the left, moving slightly into the frame before exiting. The camera remains stationary, positioned over the shoulder of the main subject, capturing their actions against the mirror and light switch on the wall.

A person (reflected in the mirror) is moving their head and hands, indicating discrete object motion.

The background (mirror, wall, light fixture, towel rack) is static with no ambient environmental motion (fire, water, wind).


RAW CAPTION: Got it, let's tackle this. First, the video starts with a person in a dark shirt with a name tag, raising arms. Then cuts to another person in a light shirt with "DANOR" text, arms outstretched. Next, a person in a dark sleeveless top with number 26, running or moving, with others in the background. Need to be chronological. Focus on motion and behavior. Describe appearance briefly: first person dark shirt, second light shirt, third dark sleeveless with number 26. Spatial relationships: first scene, then cut to second person, then third person. Background minimal. Camera: starts with a shot, cuts to next, then another. Let's structure:

- First frame: A person in a dark shirt raises arms, then lowers them.
- Second frame: Another person in a light shirt with "DANOR" text extends arms, then holds them out.
- Third frame: A person in a dark sleeveless top with number 26 runs or moves forward, with others behind.
- Camera: cuts between subjects, no specific movement mentioned beyond cuts.

Check rules: exclude text recognition (so don't mention "PIATNYSTO" or "DANOR" directly, but rule f says exclude named characters, so maybe avoid specifics). Wait, rule f says exclude text recognition, named characters. So in caption, don't say "shirt with 'PIATNYSTO'". So just describe as "dark shirt" or "light shirt". Rule b: mention color, size, orientation. So first person: dark shirt, short hair, arms raised. Second: light shirt, short hair, arms extended. Third: dark sleeveless top, number 26 (but exclude text recognition? Wait rule f says exclude text recognition, so maybe don't mention number 26? Wait rule f: "Exclude text recognition, named characters, or stylistic analysis." So text on shirts is text recognition, so don't mention it. So third person: person in dark sleeveless top, moving. Wait, the third frame has "26" on shirt, but we can't mention text. So just describe as "person in dark sleeveless top".

Chronological order: first scene (person 1), then person 2, then person 3.

Check rule a: motion and behavior in chronological order.

First subject: raises arms (from low to high), then lowers them? Wait the first frame shows person raising arms, then next frames show them lowering (frame 1-2: person raises arms, frame 3 shows arms lowered). Wait the first frame [0.0] shows arms raised, then [0.3] shows arms raised? Wait no, let's see the frames:

Frame 0.0: person with dark shirt, arms raised high.

Frame 0.3: another person in light shirt, arms extended outward (maybe raising or moving).

Frame 1.3: same person in light shirt, arms extended.

Frame 2.0: person in dark sleeveless top with number 26, running or moving.

Wait the user provided:

[0.0] first frame: person in dark shirt, raising arms (maybe after finishing a race, celebrating), text on screen (but exclude text recognition).

[0.3] second frame: person in light shirt, arms outstretched (maybe similar celebration).

[1.3] third frame: person in light shirt, same as above.

[2.0] fourth frame: person in dark sleeveless top, moving (running).

Wait the video has four frames: 0.0, 0.3, 1.3, 2.0. Wait the user's description:

<0.3 seconds> [frame 0.0]: person in dark shirt (with text, but exclude text), raising arms.

<1.4 seconds> [frame 1.4? Wait no, the time stamps are 0.0, 0.3, etc. Wait the user's input has:

[0.0] first frame: person in dark shirt, arms raised.

[0.3] second frame: person in light shirt, arms outstretched.

[1.3] third frame: person in light shirt (same as above? Wait the user's input says:

<0.3 seconds> [frame 0.0] - person in dark shirt.

[0.3 seconds] [frame 0.3] - person in light shirt.

[1.3 seconds] [frame 1.3] - same person in light shirt (maybe another angle).

[2.0 seconds] [frame 2.0] - person in dark sleeveless top with number 26 (but exclude text, so just dark sleeveless).

Wait let's parse:

The user

Discrete solid objects: A male athlete (wearing uniform with number 26) performing locomotion (running/stretching) with visible arm movements and torso motion. The athlete's movements are distinct, trackable, and driven by physical exertion.

No shifting background elements (walls, ground) observed; no fire, water, smoke, or wind motion present in any segment. Backgrounds (metal structures, track, stands) remain static or exhibit minimal movement consistent with scene composition.


A person in a dark pool, wearing a red shirt, raises their right arm upward holding an object. They lower the arm to bring the object to their mouth, appearing to drink or sip, then lower the object away. The camera stays close to the subject, slightly shaky, focusing on upper body movements with dark water as the background.

A person wearing a red shirt is moving their arm and head: drinking from a bottle, lowering the bottle, and turning their head. These are discrete, intentional motions of a solid object.

The pool water exhibits minor surface ripples due to the subject's movement, but these are secondary effects caused by the person's action rather than dominant fluid motion. No significant ambient environmental phenomena (e.g., flowing water, wind-driven waves) are visible.


RAW CAPTION: Got it, let's break this down. The video starts with a kitchen scene. There are people around a counter with a birthday cake. First, the main subjects: a group of kids and adults. The cake has lit candles. Then, the kids are leaning in, probably blowing out candles. Then, a man in a black shirt picks up a child. Let's check the sequence.

First frame: kids near cake, man in blue shirt standing with arms crossed. Then, the kids are still at the counter, but the man in black shirt (maybe the one with "DRE" on his shirt) is now holding a child. Wait, the video shows a transition from kids looking at cake to the man lifting a child. So chronological order: initial scene with kids and adults around cake, then a man picks up a child from the counter.

Appearance: the cake is round, lit candles. The kids are kids, probably 3-6 years old. The man standing is in a dark blue shirt. The man picking up the child is in a black shirt.

Spatial: the counter is central, cake on it. People around the counter.

Then, after the man picks up the child, he's holding the child, and the kids are still there. Camera perspective: it's a fixed shot, maybe slight shake? The background is kitchen with cabinets, window, bowls.

Need to keep it concise. Mention the motion: children gathering around cake with lit candles, then a man lifts a child from the counter. Keep background minimal.

Let me structure:

In a kitchen, several children and adults gather around a counter with a round birthday cake lit with candles. The children lean in towards the cake, and a man in a black shirt lifts a child from the counter. The scene remains focused on the group with minimal background details, captured from a stationary camera with slight movement.

Check rules: chronological, main subjects' motion, appearance, spatial, camera. Yes.

Wait, the first few frames show the kids at the cake, then the man picks up the child. So "children lean in towards the cake, then a man in black shirt lifts a child from the counter."

Also, number: "several children" – but maybe specify "multiple children" or "a group of children".

"Adults gather around" – maybe "a man stands with arms crossed, then another man lifts a child".

Wait, the first frame: man in blue shirt (striped) with arms crossed, then the next frames show a man in black shirt (with "DRE" maybe, but exclude text) lifting a child.

So:

In a kitchen, multiple children and adults gather around a counter with a round birthday cake topped with lit candles. The children lean forward toward the cake, and a man in a black shirt lifts a child from the counter. The scene maintains focus on the group with kitchen elements in the background, captured by a stationary camera with minimal movement.

Wait, "several children" – let's count. There are three or four kids in the frames. The man standing with arms crossed is one adult, then the man in black is another.

But need to keep it concise.

"Several children and two adults gather around a kitchen counter with a round birthday cake featuring lit candles. The children lean in toward the cake, and one adult in a black shirt lifts a child from the counter. The scene focuses on the group with kitchen details in the background, filmed from a stationary perspective with slight camera movement."

Wait, but the rules say "exclude text recognition", so don't mention "DRE" on shirt.

Also, the video shows the cake's candles are lit, then the kids are blowing? Wait, the video is short: from 0.0 to 5.0. In the first part, kids are near cake, then man picks up child.

So the motion: children are at the cake, then a man lifts a child.

Another point: the camera might have slight shake, but not sure. The user says "camera perspective and movement".

The video is a home video, so camera is likely handheld, maybe slight shake.

So final:

In a kitchen, several children and two adults gather around a counter with a round birthday cake lit with candles. The children lean toward the cake, and one adult in a black shirt lifts a child from the counter. The scene remains focused on the group, with minimal background detail, captured by a stationary camera exhibiting slight movement.

Check all rules:

a) Motion: children gather, lean, adult lifts child. Chronological.

b) Appearance: round cake, lit candles, children, adults. Mentioned.

c) Spatial: around counter, child lifted from counter.

d) Camera: stationary with slight movement.

e) Background minimal.

f) No text.

Yes.
</think>

<caption_output>In a kitchen, several children and two adults gather around a

Children and adults are moving: a child interacts with a cake, others shift positions (e.g., standing, sitting, holding), and a child transitions from leaning on the table to being held by an adult.

The background elements (walls, windows, furniture) remain stable with no uniform shifting or environmental fluid motion (e.g., fire, water, smoke). The candle flame is minor and not dominant.


RAW CAPTION: Got it, let's break this down. First, the video starts with a mirror showing a person in a dark sweater and bandana. The person is in front of the mirror, then waves their hand and turns away. Then the scene cuts to a hallway with a window; the person is reflected in the window, moving through the hallway. Need to capture the chronological order: first the mirror scene, then the hallway.

Check the rules: focus on motion and behavior. The person in the mirror waves and exits, then the next scene shows them moving through the hallway as seen through the window. Appearance: dark sweater, bandana. Spatial: first in front of the mirror, then in the hallway. Background minimal. Camera perspective: first fixed on mirror, then fixed on the hallway window.

Let's structure it. Start with the first scene: a person wearing a dark sweater and bandana is seen in a mirror, waves, then turns and walks away. Then the scene shifts to a hallway where the same person is visible through a window, moving through the hallway.

Make sure to keep it concise, chronological. Avoid extra details. Check for rules: no text, no named characters, just motion.

So, the caption should be:

A person wearing a dark sweater and bandana is reflected in a mirror, waves their hand, then turns and walks away from the mirror. The scene transitions to a hallway where the person is seen through a window, moving through the hallway.

Wait, need to check the video segments. First 3 seconds: mirror, person in sweater, bandana. At [0.0] they are standing, then [1.4] they wave, [2.5] turn and walk away (from mirror). Then [3.6] scene changes to hallway with a window, and the person is seen through the window moving.

So the motion: first in the mirror, wave, turn away; then in hallway through window.

Also, mention spatial relationships. In the mirror scene, the person is in front of the mirror. In the hallway, the person is visible through the window, so the window is in the hallway, and the person is in front of the window (but the window is in the hallway, so the person is in the hallway behind the window? Wait, the window is mounted on the wall in the hallway. So the person is in the hallway, and the window is on the wall, so the reflection would show the person moving in the hallway as seen through the window. Wait, no: the window is a window, so maybe it's a paned window on the hallway wall. The person walks through the hallway, and the window shows their reflection? Or the window is a view into another room? The video says: "a hallway with a window" and "the person is seen through the window".

So maybe the window is in the hallway, and the person is walking past it. So the scene after the mirror shows the hallway, with a window on the wall, and the person is moving through the hallway, visible through the window.

So the first part: the person in a dark sweater and bandana is reflected in a mirror, waves their hand, then turns and walks away. The scene then cuts to a hallway, where the same person is visible through a window as they move through the hallway.

Check if background is minimal. In the mirror scene, background has some furniture (bed maybe), but rules say minimal unless essential. Since it's a mirror, the background behind the person in the mirror is part of the room. But maybe just describe the immediate surroundings as needed.

The output needs to be concise. Let's try:

A person in a dark sweater and bandana is seen in a mirror, waves their hand, then turns and walks away. The scene transitions to a hallway, where the person is visible through a window as they move through the hallway.

Check rules: motion and behavior in chronological order. Yes: mirror scene (wave, walk away), then hallway scene (move through).

Appearance: dark sweater, bandana (color? The video is black and white, but the caption says color, but since it's B&W, maybe just "dark" for sweater). Wait, the rule says "color, size, orientation". But in B&W, color is not applicable, but the description can use terms like dark, light. The caption says "dark sweater and bandana" which is fine.

Spatial: in the mirror scene, person is in front of the mirror. In the hallway, the person is visible through the window (so the window is on the wall, the person is in the hallway, so spatial relationship: the person is in the hallway, visible through the window).

Camera perspective: first fixed on the mirror, then fixed on the hallway (since it's a window, camera is outside the hallway or fixed on the wall).

A person is moving: turning, waving, and walking away in the mirror reflection (first scene); then walking through a hallway (second scene). Solid, distinct object motion due to locomotion.

No shifting backgrounds or fluid/environmental motion (fire, water, wind) detected. Walls and mirror reflections remain static in both scenes; no environmental elements dominate the motion.


Two children sit on a gray couch, facing each other. The child on the left, wearing a sleeveless shirt and shorts, plays a banjo with both hands, strumming the strings. The child on the right, in a blue sleeveless shirt with a colorful design and blue shorts, plays a white acoustic guitar, plucking the strings. Both move their hands rhythmically over their instruments. The camera maintains a static top-down view, capturing the children and the couch. Background details are minimal, focusing on the subjects and their actions.

Two children are seated on the couch; their hands and arms exhibit rhythmic motion as they strum and pluck string instruments (banjos). The children's bodies remain largely stationary, with movement confined to upper extremities due to intentional physical actions.

The couch background remains static throughout the video with no shifting or fluid motion. No fire, water, smoke, or wind is present in the scene, confirming the absence of ambient environmental elements.


Five individuals seated in a line play string instruments (guitars), wearing white shirts and dark pants, with hands rhythmically strumming and plucking over the strings. They maintain consistent postures in front of music stands, positioned in a row with slight spacing between them. Background includes wooden panels and a dimly lit room; camera remains static, capturing the ensemble from a frontal angle with minimal framing changes.

Discrete objects (people) are moving by playing musical instruments (e.g., strumming guitars, hand movements), with localized motions driven by their own locomotion.

Background elements (whiteboard, walls, and wooden panels) show no shifting or uniform motion; no fluid/environmental effects (fire, water, smoke, wind) present.


A person's hands, one in a red sleeve and the other in a patterned shirt, hold a wooden block with a partially carved blue and green fish design. The right hand uses a thin tool to etch details into the wood, moving the tool across the block's surface while the left hand steadies it. The hands remain focused on the carving, with minimal movement of the wooden block. The camera maintains a static top-down perspective throughout, capturing the hands and the block against a blurred wooden surface background.

Person's hands and tool (chisel-like instrument) moving in controlled, deliberate motions to carve/shape a piece of wood.

No shifting background or fluid/environmental motion observed; wooden structure and patterned cloth remain static throughout the clip.


A person's hands manipulate a long, pinkish sausage on a red surface, coiling it into loops while adjusting its shape. Additional coiled sausages lie nearby, and a metallic sausage stuffer with a white tube rests to the right. The camera maintains a static top-down perspective throughout.

Discrete solid objects (sausages) are being manipulated by human hands, with visible physical forces from the hands causing the sausages to move and deform.

The background consists of a static pink surface with no shifting elements, and there is no fire, water, smoke, or wind motion observed.


A man in a white traditional Tai Chi uniform leads a group of approximately twenty people in synchronized movements on a brick-paved park area. The participants, dressed in casual clothing of various colors including blue, black, and yellow, follow his lead, extending and moving their arms in coordinated gestures. The group stands in a line with the leader at the front, positioned on a brick pathway surrounded by grass and trees. The camera remains stationary throughout, capturing the scene from a fixed perspective with minimal background details.

Discrete solid objects (people) are moving: 10+ individuals performing coordinated Tai Chi motions, with arms and bodies shifting in controlled, deliberate patterns. No object-object collisions or complex physics interactions detected.

Background elements (brick path, grass, trees) show no shifting or fluid motion. No fire, water, smoke, or significant wind effects observed. Trees are static, and ground remains consistent across frames.


RAW CAPTION: Got it, let's break down the video. First, the main subject is a man. He's running towards the camera, then jumps onto a platform. Let's check the sequence. At the start, he's on the platform, then runs, jumps, and lands. His appearance: gray shirt, camouflage pants. He's the only person. The background has blue walls, but we need to keep it minimal. Camera perspective: it's a fixed camera, top-down or overhead. Let's make sure to follow the rules. Don't mention text, just motion.

First, the man is standing on a platform, then runs towards the camera. Wait, the video starts with him running. Wait, the frames: [0.0] he's in motion, running. Then at 0.3 seconds, he's on the platform? Wait, looking at the video description:

Frame 0: "a man in a gray shirt and camouflage pants runs towards the camera, then jumps onto a platform."

Wait, the sequence is: he's running, then jumps. So first, he's moving towards the camera (running), then jumps onto a platform. Wait, the frames: [0.0] he's on the platform? Wait no, the first frame is "a man ... runs towards the camera, then jumps onto a platform". Wait, the user provided the video frames:

[0.0] shows him running towards camera, then he jumps. Wait, the first frame (0.0) is him running, then 0.3 seconds he's on the platform? Wait, the video sequence:

0.0: Man running towards camera (so he's moving forward, approaching).

0.3: He's on the platform (maybe he jumped up? Wait, no. Let's see the description:

Wait, the user's video description says:

<0.3 seconds> [frame 0.0] shows man running towards camera.

<1.4 seconds> he continues running.

<2.5 seconds> he's on the platform, jumps.

Wait, the exact frames: The first frame (0.0) is the man running towards the camera. Then, at 0.3 seconds, he jumps. Wait, maybe it's a sequence where he starts running, then jumps onto a platform. Wait, the video:

The man is running towards the camera (initial movement), then jumps (so his action is running, then jumping onto a platform). Let's parse the motion:

- At the beginning, the man is running towards the camera (so he's moving from the back towards the front of the frame).

- Then he jumps onto a platform (so he jumps up onto the platform).

Wait, in frame 0.0, he's running towards camera. Then frame 1.4: he's still running? Wait, maybe the sequence is:

The man is on a platform initially, then runs, then jumps. Wait, no. Let's read the frames as described:

<0.3 seconds> [frame 0.0] shows man running towards camera.

Wait, the user provided:

<0.3 seconds> [frame 0.0] the man is running towards the camera.

Wait, perhaps the frames are sequential: at 0.0s, he's on the platform, then starts running. Wait, but the first frame description says "a man in a gray shirt and camouflage pants runs towards the camera, then jumps onto a platform." Wait, no, the user's input is the video frames, and our task is to describe the motion chronologically.

Let me check the exact user input:

<0.3 seconds> shows man running towards camera.

<1.4 seconds> he is still running.

<2.5 seconds> he jumps onto the platform.

<3.6 seconds> he lands on the platform.

Wait, the user's input is:

<0.3 seconds> [frame 0.0] the man is running towards camera.

<1.4 seconds> [frame 1.4] he continues running.

<2.5 seconds> [frame 2.5] he jumps.

<3.6 seconds> [frame 3.6] he lands.

Wait, no, the user's input is a sequence of frames with timestamps, but the description provided by the user is:

"[0.0] shows man running towards camera, then jumps onto platform."

Wait, no, the user's input is:

<0.3 seconds> [frame 0.0] shows man running towards camera (he's moving towards the camera, so his back is to the camera initially? Wait, in frame 0.0, he's running towards the camera, so his front is towards the camera. Wait, no: if he's running towards the camera, his back is away from the

A single person (discrete solid object) is moving on a horizontal bar structure. The motion includes walking, stepping, and shifting posture while maintaining balance on the bar.

Static background elements (blue walls, ceiling fixtures, framed pictures, and signs like 'BREKAM' and 'KUALA') show no uniform shifting or fluid motion. No fire, water, or wind effects are present.


The video opens with dominoes laid on a hexagonal-tiled table, then a person’s hand with a watch places additional dominoes in sequence. The hand manipulates the dominoes, which are white with black dots, while another hand joins to adjust their positions. The camera shifts from a top-down view to a closer perspective of the hands interacting with the dominoes on the table.

A hand (discrete solid object) is actively moving and adjusting dominoes on the table. The dominoes are solid, distinct objects being repositioned by the hand's physical contact.

The background consists of a static table with a checkered pattern (gray and black squares). No ambient environmental elements (fire, water, smoke, wind) are present, and the table surface shows no shifting or fluid motion.


A group of people gathers around a large wooden barrel in an outdoor setting. A person in a black-and-white checkered shirt and dark shorts bends over the barrel, assisting an individual with legs submerged inside. Nearby, a woman in a white top and green-patterned shorts sits on a chair, while another person in a multicolored dress and denim shorts sits on a nearby chair. The camera shifts slightly, maintaining an overhead perspective with minor shake, capturing the group’s interactions and casual positioning around the barrel.

People (e.g., the individual in the checkered shirt) are moving their hands and bodies while interacting with a large bucket, representing discrete solid objects in motion due to manual activity.

No significant shifting background elements or fluid/environmental motion (fire, water, wind) observed. The green structure and trees remain stationary throughout the frames.


A person in a green shirt and camouflage pants holds a small white object over a smoldering campfire, rotating it to display its surface. The fire emits smoke, with scattered twigs and leaves around the base. The camera maintains a close-up perspective, slightly shaky, focusing on the hand and fire.

A person's hands and a knife are moving to cut a white block, indicating discrete object physics.

The video contains smoke from a fire (ambient environmental), but the dominant motion is the person's hand movements and the knife.


The video begins with a close-up of a red and gray LEGO vehicle with visible wheels. A pair of hands enters, manipulating the LEGO structure by adjusting its components, focusing on the central section. The hands reposition the pieces, showcasing the detailed movements. The camera maintains a close-up perspective throughout, capturing the interaction without significant background details.

Hands are manipulating a LEGO piece (red brick with '7942' marking) to integrate it into the vehicle structure, indicating physical interaction.

Background is stationary (no shifting surfaces or fluid motion). No environmental elements like fire, water, or smoke.


A man wearing a black t-shirt, gray sweatpants, and black-and-white sneakers performs a dynamic leg exercise on a yellow mat placed on a wooden floor. He begins in a lunge position with hands on the mat, then alternates between pulling one knee toward his chest and extending the opposite leg backward, maintaining his upper body stable on the mat throughout the motion. The camera remains static, capturing the exercise from a fixed angle with a plain wall in the background.

A person is performing a lower-body exercise (likely lunges) on a yellow mat, with discrete, solid body movements visible through repeated knee extension and retraction.

The background (wall and wooden floor) shows no uniform shifting or fluid motion; static elements remain fixed across frames.


A person wearing a white tank top stands in front of a white door, initially facing forward. They raise both hands, holding a green object in the right and yellow object in the left, then turn their back to the camera. The camera remains mostly static with a slight shake, capturing the person’s movements against the plain background.

The person moves their arms and head, holding a yellow object and a green object. They also place a cloth on their head. These are discrete solid objects undergoing motion due to physical forces (manipulation by the person).

The background (white door and walls) remains static with no shifting. There is no fire, water, smoke, or wind present.


RAW CAPTION: Okay, let me break this down. The user wants me to create a concise caption for the video based on the given frames. First, I need to follow all the rules they provided. Let me read through the rules again to make sure I don't miss anything.

Rule a says to focus on the motion and behavior of main subjects in chronological order. The main subjects here are the two people in the pool. They're swimming, so I need to describe their actions step by step.

Rule b is about appearance and number. There are two people. The first person has a white cap, maybe a swim cap, and the other has a dark cap. They're both in the water, so their sizes would be medium since they're in a pool. I should mention their colors briefly.

Rule c: spatial relationships. In the frames, they're moving along the lane lines. The yellow and black markers are there. The person with the white cap is on the left side of the yellow line, and the other is to the right. As they swim, they might be moving towards each other or apart? Let me check the frames. The first frame shows them in the water; in the next frames, they seem to be swimming towards the camera, maybe?

Wait, looking at the video description. The video starts with two people in the pool. The first frame has them, then in subsequent frames, they move. Let me check the sequence. The first frame shows them in the water, maybe floating. Then in the next frames, they start swimming. The person with the white cap is on the left, the other with the dark cap on the right. The yellow buoys are on the left, black ones on the right.

Rule d: camera perspective. The camera is looking down, probably from above the pool. It might be a top-down view, maybe slightly moving. The user mentioned "top-down, pan left, slight shake" as examples, but I need to see if there's camera movement. The frames show the camera might be stationary but focusing on the swimmers as they move. Wait, the first frame to the fifth, the camera seems to follow their movement, maybe panning slightly. But the rule says to mention camera perspective and movement. The user example says "top-down, pan left, slight shake." Let me see. The video starts with a top-down view, then maybe moves slightly to follow the swimmers. But since the frames are sequential, maybe the camera is stationary but the swimmers are moving towards the camera. Wait, the frames show the swimmers moving from left to right? Or towards the bottom of the frame?

Wait, looking at the description: in frame 0, two people in the pool. Then frame 1: they're moving. Frame 2: same. Frame 3: moving. Frame 4: one person is moving towards the right, the other to the left? Wait, the video description says: [0.0] two people. [1.4] two people. [2.5] same. [3.6] same. [4.7] same. The description shows that the swimmer with the white cap is on the left, moving towards the camera, and the other is moving towards the right. Wait, maybe the camera is following them as they swim.

But the user's example output might be "top-down view, camera remains stationary". Wait, but in the description, the camera might be tracking their movement. Let me check the video again. The video is a pool scene, with the camera positioned above, possibly fixed. As the swimmers move, the camera might pan to follow them. But according to the user's example, if it's a top-down view with a slight pan, that's okay.

Rule e: background minimal unless essential. The pool's blue water, lane markers (yellow and black buoys) are important for context. Maybe mention the lane lines.

Rule f: exclude text, named characters, etc. So no mentioning names or specific text.

Putting it all together: two swimmers, one in a white cap on the left, another in a dark cap on the right. They swim towards the camera, the white-capped swimmer moving leftward, the dark-capped moving rightward. Lane markers (yellow and black buoys) line the pool. Camera is top-down, remains steady but slightly follows their movement. Wait, but the rules say to mention camera perspective and movement. The first frame shows them in the pool, then as the video progresses, maybe the camera shifts slightly. But the user's example says "top-down, pan left, slight shake." Wait, in the given frames, maybe the camera is moving slightly to follow the swimmers. Let me check the sequence.

The first frame: two people. Second frame: same. Third: same. Fourth

Two swimmers are visible, moving through the water using arm and leg motions characteristic of swimming, with clear tracking of their physical displacement relative to lane markers.

The background features lane dividers that remain stationary across frames, with no significant water flow or environmental motion dominating the scene. The water's surface movement is secondary to the swimmers' actions.


A person wearing a dark top and VR headset sits at a table, manipulating small objects. They pick up a cylindrical tube with their right hand, then use both hands to adjust or attach the tube to a smaller item. Various tools and cylindrical objects lie on the table in front of them. The camera maintains a fixed top-down perspective.

A person is manipulating wooden sticks and other objects on a table, moving them with their hands.

Background is static with no fluid/environmental motion (fire, water, smoke, wind) observed.


An orange with a digitally added face sits on a surface, then transitions to a close-up of hands rolling the orange on a flour-dusted wooden cutting board in front of a toaster. The orange reappears on a surface, displaying successive facial expressions including wide eyes and an open mouth with visible teeth. Camera remains in close-up, focusing on the orange's movements and expressions throughout.

Discrete solid objects (dough, hands) exhibit motion from rolling with a pin; hands apply physical force to deform and move the dough on the cutting board.

No shifting background elements or fluid/environmental motion (fire, water, wind) observed; background objects (cutting board, coffee machine) remain static throughout the frames.


A person in a black shirt and red shorts runs across a grassy field holding a javelin, then stops at the edge of a track, turns, and walks away. The camera follows the subject's movement through the sequence.

A person wearing a black top and red shorts is running across the grass and moving toward the baseball diamond area. The motion is consistent with human locomotion.

The background (grass, trees, fence, buildings) shows no shifting or fluid motion. Trees and structures remain stationary relative to the frame, indicating no significant wind or environmental fluid dynamics.


A person wearing a green t-shirt and dark pants stands in a kitchen, raising their right arm above their head before lowering it to their chest and continuing rhythmic arm movements. The background includes a refrigerator with magnets and shelves. The camera remains static.

A person (solid object) is performing rhythmic arm and body movements (dancing/exercising), exhibiting discrete locomotion through self-initiated motion with clear bounding box tracking.

The background elements (refrigerator, door, wall decorations) remain stationary with no uniform shifting or environmental fluid motion (fire, water, smoke, wind). No ambient environmental phenomena are present.


A person with long light hair adjusts large dark sunglasses, initially holding them on the sides of their head before pulling them down over their eyes and then removing them entirely to reveal their face. The background includes a bed with a zebra-patterned blanket and a white dresser. The camera maintains a static, close-up perspective throughout.

Discrete solid object: The person (woman) moves hands to adjust sunglasses, hold objects, and shift head position; all movements are voluntary locomotion of body parts.

Static background elements (window, whiteboard, bed) show no shifting or environmental motion; no fire, water, smoke, or wind observed.


A person's hands sprinkle white flour onto raw purple meat on a wooden cutting board, then move the meat to dip into a yellow bowl of beaten eggs to the left, followed by transferring the coated meat to a plate of light brown breadcrumbs below. The camera remains stationary in a top-down perspective throughout, capturing the sequential coating process of the meat.

Hands are moving to coat raw meat with flour and dip it into egg mixture—solid objects (meat, flour, egg) undergo physical interaction driven by manual motion.

No shifting background elements (bowls, cutting board remain stationary). No fluid/environmental motion (fire, water, smoke, wind) detected.


A person wearing a light gray shirt, white apron, gray cap, and orange gloves sits while handling bright red crawfish in a large orange bowl. They use their gloved hands to pick up and manipulate the crawfish, moving them within the bowl. To the left, a partially visible individual in a red patterned garment assists. The background includes a small round table with a cake and various household items. The camera remains stationary with minimal movement, capturing the scene from a slightly elevated angle.

Person's hands and the orange container with red objects (likely lobsters) are the primary discrete objects moving; hands pour liquid into the container and manipulate the contents.

Background elements (table, plates, wall) are stationary; no shifting or fluid environmental motion (fire, water, smoke, wind) detected.


Three individuals in a small, flat-bottomed boat navigate a murky waterway, moving forward and generating ripples. The group, wearing varied clothing including blue and dark colors, adjusts their positions as the boat creates a large splash mid-motion before resuming steady movement. The camera maintains a top-down perspective with slight shaking, capturing the boat’s progression through the water. Background vegetation remains minimal and static.

Two people in a small boat are moving due to rowing or propulsion, causing the boat to glide across the water.

The background (trees and shore) is static. Water has minor ripples caused by the boat's movement, which is not a dominant environmental motion (like flowing water or wind).


A pair of hands holds a slice of white bread with a thick layer of red sauce spread over it, positioned above two small green bowls containing red and white substances. The hands use a spoon to add more red sauce, spreading it evenly across the bread. The bread is held over a wooden cutting board, with the green bowls placed to the right and slightly behind the bread. The camera maintains a top-down perspective with minimal movement throughout the sequence.

Discrete solid objects include hands spreading sauce on bread, a spoon transferring ingredients, and green containers holding sauces. These objects exhibit explicit physical interactions (spreading, transferring, holding).

The background (wooden cutting board and white surface) shows no uniform shifting or fluid/environmental motion (fire, water, smoke, wind). Static background elements remain stable across frames.


A woman in a white tank top and cross necklace speaks while standing near a tennis court with a green fence and net in the background. The scene transitions to another woman in a red tank top and black pants swinging a tennis racket and hitting a ball on the court, surrounded by trees and a chain-link fence. The camera maintains medium shots of each subject throughout, with no significant movement or shake.

The woman in the red top is swinging a tennis racket and hitting a ball, causing the ball to move. The motion is due to physical forces (racket impact).

The background (trees, fence) is static with no significant fluid motion or wind-induced swaying. No fire, water, or smoke observed.


A person uses their hands to adjust and assemble parts on a light blue bicycle. The left hand holds a small plastic bag containing mechanical components near the bike's front wheel, while the right hand positions and tightens the bike's frame. The person moves the bike slightly, shifting the camera's focus from the front wheel to the frame and handlebars. The background features a concrete surface with scattered tools. The camera remains close to the action, with slight handheld movements tracking the hands' motions and the bike's parts.

Discrete objects include the person's hands (with a watch), the bicycle handlebar, and a small component (brake part). The hands move the handlebar and manipulate the small component, showing physical interaction.

The background consists of a concrete ground and bicycle frame, which is static. No fire, water, smoke, or wind is present. The background does not shift uniformly, so ambient motion is not dominant.


RAW CAPTION: Got it, let's break this down. First, the video starts with a person in a blue tank top and black shorts lifting a barbell. They're in a gym with orange and beige walls, weights on racks. Then the scene shifts to a different gym area where a person in a white shirt and black shorts is doing a jump or lunge. Next, another scene: a person in a purple shirt and white shorts lifts a barbell in a larger space with a wooden shelf and open door. Then there's a blurry shot, followed by the logo.

I need to describe chronologically. Start with the first action: a person lifting barbell. Then the next person's action, then the third. Mention their appearance (clothes, color), what they're doing. Spatial relationships? The first gym has equipment in the background. Second gym has more open space. Third has a shelf and door. Then the logo is shown.

Also, camera perspective: first scene is eye-level, then maybe similar, then top-down? Wait, the third scene: "an overhead shot of a person" – so that's top-down. Then the logo is a close-up.

So the chronological order:

1. Person in blue tank top, black shorts, lifting barbell in gym with orange walls and weight racks.
2. Person in white shirt, black shorts, performing a jump or lunge in a brighter gym area with equipment.
3. Person in purple shirt, white shorts, lifting barbell in a spacious gym with wooden shelves and an open door.
4. Blurry shot transitioning to logo.

Wait, the video has five segments? Wait the frames: 0.0, 1.0, 2.0, 3.0, 4.0, 5.0. Wait the description says:

<0.3 seconds> [gym, blue tank, lifting barbell]

<1.4 seconds> [another gym, white shirt, jumping]

<2.5 seconds> [overhead shot, purple shirt lifting]

<3.6 seconds> [blurry shot]

<4.7 seconds> [logo]

So the sequence is:

- A person in a blue tank top and black shorts lifts a barbell overhead in a gym with orange and beige walls, weight plates on racks, and a motivational poster.

- The scene changes to a person in a white shirt and black shorts performing a jump exercise in a well-lit gym area with various equipment and an open doorway.

- Then an overhead view shows a person in a purple shirt and white shorts lifting a barbell in a spacious gym with wooden shelves and an open door.

- A blurry transition leads to a logo display.

Now, need to follow rules:

a) Chronological motion: each action in order.

b) Appearance: color, size, orientation. For example, "person in blue tank top, black shorts" etc.

c) Spatial relationships: first gym has orange walls, weight plates. Second gym has open doorway. Third is overhead, so maybe "in front of" or "under" but the rule says if relevant. Maybe "in a gym with..." as background.

d) Conclude camera perspective: first is eye-level, second eye-level, third overhead, then blurry, then logo.

e) Background minimal: mention key elements (walls, equipment) but not too much.

f) Exclude text: logo is shown but the text is part of the logo, but rule says exclude text recognition. Wait, the logo is "BOXFIT" but the rule says exclude text recognition. So in the caption, don't mention the text, just that a logo appears.

Wait, the output should not include text from the logo. So when the logo is shown, say "a logo is displayed" without describing the text.

Wait, the task says: "Exclude text recognition, named characters, or stylistic analysis." So if the logo has text, don't mention it. Just say "a logo is shown."

Let's structure:

First scene: Person (blue tank top, black shorts) lifts barbell overhead in gym with orange walls and weight plates.

Second scene: Person (white shirt, black shorts) jumps in gym with open doorway.

Third scene: Person (purple shirt, white shorts) lifts barbell overhead, overhead shot.

Fourth scene: Blurry transition.

Fifth scene: Logo displayed.

Now, chronological:

The video begins with a person wearing a blue tank top and black shorts lifting a barbell overhead in a gym with orange and beige walls and weight plates on racks. Next, a person in a white shirt and black shorts performs a jump exercise in a brightly lit gym area with equipment and an open doorway. Then, an overhead shot captures a person in a purple shirt and white shorts lifting a barbell in a spacious gym with wooden shelves. A blurry transition follows, leading to the display

Briefly describe what discrete, solid objects are moving.

Briefly check for shifting backgrounds or fluid/environmental motion (fire, water, wind).


A man in a dark blue shirt, black pants, and white sneakers stands on a gravel path. Initially holding an object with both hands, he raises his right hand to bring the object to eye level while extending his left hand outward. The background features a grassy lawn and brick buildings. The camera remains stationary, capturing the man’s upper body and surroundings from a medium shot.

A man is actively moving his arms and hands while holding a ball, exhibiting discrete locomotion and interaction (throwing/catching). Both the man and the ball are solid, distinct objects with clear physical motion.

Background elements (building, grass, hedges) remain static with no uniform shifting. No fluid/environmental motion (fire, water, wind) detected in the scene.


A hand uses a knife to slice raw meat on a red surface, then displays the sliced pieces, followed by a cooked slice of meat. The camera remains static, focusing on the cutting process and results.

Hands and meat are moving due to cutting actions; solid objects interacting via physical forces (knife contact).

The red surface background is static with no shifting or environmental fluid motion (fire, water, wind).


A person in a white coat with a red sash, black apron, and black cap operates a tool on a large transparent object, moving it along the surface while shifting position slightly. The individual maintains focus on the object, with minimal background details visible. The camera remains static throughout the sequence.

A person in a white coat and red apron is actively manipulating an ice sculpture, with movements including posture adjustments and tool handling.

The background (windows, walls) shows no uniform shifting or fluid/environmental motion (e.g., fire, water, wind); static elements remain consistent across frames.


A golfer in a green shirt, dark pants, and white cap stands on the green, preparing to putt. As he maintains his stance, three individuals walk past him: one in a white and blue shirt with white pants, another in a dark shirt with white pants, and a third in a white shirt, each moving from left to right across the frame. The camera remains stationary, capturing the golfer’s focus and the passing figures.

Golfers walking and swinging clubs, moving due to locomotion and physical force of the swing.

Background elements (trees, sign) are stationary; no fluid motion or wind-dominated effects.