RAW CAPTION: Got it, let's break this down. The video shows a javelin thrower. First, the athlete is in a starting position, holding the javelin. Then they run, building momentum. The javelin is released, and the athlete continues forward. The camera follows the javelin's flight.

Wait, need to describe chronologically. Start with the athlete's stance: holding javelin, preparing. Then running forward, javelin extended. Release, javelin flies. The camera follows the javelin.

Check rules: main subject is the athlete and the javelin. Appearance: athlete is wearing a white top and brown pants, maybe, but the video might not show details. But since it's a javelin thrower, they're holding the javelin. The javelin is long, slender.

Spatial relationships: athlete on the track, grass field behind. Camera perspective: probably tracking the throw.

Background: minimal, just track and grass.

So step by step:

At the start, a javelin thrower stands on a red track, holding a long javelin. They begin to run forward, javelin held high, then release it. The javelin flies through the air towards a grassy field. The camera follows the javelin's trajectory as it travels.

Check if chronological. Yes: start position, run, release, javelin flight.

Make it concise.

"An athlete wearing a white top and brown pants holds a long javelin on a red track, then begins running forward while extending the javelin. After releasing the javelin, it flies toward a grassy field, with the camera tracking its trajectory."

Wait, check the video frames. The first frame shows the athlete in a throwing stance (back turned, javelin up), then running, then the javelin is released and moving. The camera seems to follow the javelin.

So: The javelin thrower, dressed in a white top and brown pants, starts in a back-throw position on a red track, then runs forward while holding the javelin, releasing it at the end of the run. The javelin travels through the air toward a grassy field, with the camera following its path.

Wait, need to be concise. Let's make sure it's chronological.

Start: athlete holding javelin, preparing to throw. Then run. Then release. Then javelin flies.

"An athlete in a white top and brown pants holds a long javelin, begins running forward on a red track while maintaining the javelin's position, then releases it. The javelin flies through the air toward a grassy field, and the camera follows its trajectory."

Yes, that's chronological. Check for appearance: white top, brown pants (from the video), javelin is long. Spatial: track, grassy field. Camera: follows the javelin.

Background minimal: just track and grass, so that's okay.

Now, output format: <caption_output>...<caption_output>

So final caption:

<caption_output>An athlete wearing a white top and brown pants holds a long javelin on a red track, then runs forward while extending the javelin before releasing it. The javelin travels through the air toward a grassy field, with the camera following its flight path.<caption_output>
</think>

<caption_output>An athlete wearing a white top and brown pants holds a long javelin on a red track, then runs forward while extending the javelin before releasing it. The javelin travels through the air toward a grassy field, with the camera following its flight path.<caption_output>

Athlete and javelin are discrete solid objects: athlete performs a throwing motion with the javelin, generating motion through explicit physical force (throwing action).

Grassy field background is static with no significant fluid motion (water, smoke) or wind effects; track lines remain consistent across frames.


A woman with blonde hair tied in a bun, wearing a black long-sleeve top, black leggings, and black athletic shoes with green soles, performs a step-like exercise using two small hand grippers. She begins bent forward, hands gripping the handles, then shifts her weight by extending one leg forward in a controlled lunge motion while maintaining a low stance. The camera remains stationary in a top-down perspective throughout the sequence, capturing her movements against a minimal gym background.

A woman performing a lunge exercise with a dumbbell. The dumbbell and the woman's body are moving in a discrete, solid manner due to muscular effort.

No ambient environmental motion (e.g., fire, water, wind). The background (gym floor, equipment) is static with no uniform shifting.


A person in a light jacket, dark pants, and backpack bends down beside a light brown and white pony near a fence, then stands, walks toward the pony, and throws a blue ball. The pony moves toward the ball as it rolls away. The camera remains stationary, observing the scene from a fixed angle.

The man, horse, and a ball are moving: the man stands and walks, the horse walks and interacts with the man, and the ball rolls across the ground.

No significant ambient environmental motion; background elements (fence, tree, house) are static.


Two individuals, one in a light-colored shirt and the other in dark clothing, sit closely together in a dimly lit environment. The person in the light shirt moves their hands downward, then shifts their posture while the other remains seated with minimal motion. The camera maintains a static top-down perspective throughout the sequence, with indistinct background elements visible.

A person seated at a desk manipulates a small object (likely a phone or electronic device) with their hands, then crosses their arms. The hands and arms exhibit discrete, solid-body motion consistent with intentional physical actions.

No ambient environmental motion (fire, water, smoke, wind) observed. Background is too dark to assess for shifting, but no uniform background shift is evident due to lack of visible static elements (e.g., walls, floor) that would indicate camera motion.


RAW CAPTION: Okay, let's tackle this captioning task. First, I need to understand what the user is asking for. They want a concise, chronological paragraph describing the video, following specific rules.

Looking at the video frames provided. The first frame shows a person's hands adjusting something on a cow's leg. The cow is dark and white, maybe a bull? The person is wearing gloves. Then the next frames show the person moving around, handling the cow's leg. The person is wearing brown boots and blue jeans. There's a purple object on the ground, maybe a tool.

Wait, the rules say to focus on motion and behavior of main subjects. The main subjects here are the person and the cow. The person is adjusting the cow's leg, maybe putting a shoe or hoof covering on. The cow is standing still, I think. The person moves around the cow's leg, adjusting the device.

Need to describe chronological order. Start with the first frame: person adjusting the cow's leg. Then the person moves, shows their legs and gloves. Maybe the person is securing a hoof boot or something. The spatial relationships: person is next to the cow, handling its leg. Background has a couch with clothes, but minimal details as per rule e.

Check the output format. Must be a paragraph inside <caption_output> tags. No markdown, just plain text. Exclude text recognition, so don't mention any text on screen. Focus on motion: person adjusts device on cow's leg, then moves to the side, possibly tightening or securing it. The cow is standing, maybe slightly moving as the person works.

Camera perspective: starts close-up on the leg, then shifts to show the person's legs and the cow's lower body. The camera moves slightly, maybe following the person's movement. The background is a concrete floor with some objects, but keep it minimal.

Wait, the rules say to mention spatial relationships if relevant. So the person is in front of the cow, handling the leg. Maybe the cow is to the left or right? The first frame shows the cow's leg, then the person steps back, so maybe the person is moving around the cow's leg.

Need to be concise. Let me draft:

A person wearing black gloves and brown boots adjusts a device on the lower leg of a large, dark and white cow. The individual moves around the cow's hind leg, securing the device while standing on a concrete floor. The cow remains stationary, with its legs slightly extended. The camera remains steady, focusing on the interaction between the person and the cow, capturing the hand movements and the cow's leg from a close perspective.

Wait, check if it's chronological. First, person adjusts device on cow's leg. Then moves around, secures it. The camera shifts to show the person's legs and the cow's leg. Background elements like the purple object and couch are mentioned as minimal, but maybe the rules say to exclude unless essential. The purple object might not be essential, so maybe omit.

Wait, rule e: background descriptions minimal unless essential. The couch and clothes are in the background. The purple object is on the floor. Maybe mention it's a concrete floor, but not the couch. Hmm. The user's example output probably doesn't mention the couch. Let's check the sample input. In the frames, the couch is visible in the first frame. But the rules say to keep background minimal unless essential. Since the action is the person handling the cow's leg, the couch might not be essential. Maybe just say "concrete floor" as the setting.

Also, the cow's color: dark and white. The person's attire: black gloves, brown boots, blue jeans. The device they're handling is like a hoof boot or a bandage. The action is adjusting/fitting it.

So the caption should start with the person adjusting the device on the cow's leg. Then the person moves around, possibly tightening or positioning the device. The cow is stationary. The camera starts close-up, then shifts to show the person's legs and the cow's leg.

Wait, the first frame shows a close-up of the person's hands on the cow's leg. Then the camera moves to show the person standing next to the cow, wearing gloves and boots. So the camera might pan down or move to show the person's legs.

Let me structure it: A person wearing black gloves adjusts a device on a large dark and white cow's leg, then shifts position to secure it while standing on a concrete floor. The cow remains still, with the person’s movements focused on the lower hind leg. The camera maintains a close perspective, following the hand adjustments and the person’s legs as they move around the cow’s leg.

Check if it's concise and chronological. Yes. Mention appearance: cow is dark and white, person has black gloves, brown boots. Spatial: person moves around cow's

A person (wearing black gloves, blue shirt, dark pants) manipulates a sheep's lower legs/hooves, with the sheep remaining mostly stationary while the person's hands and legs move to interact with the sheep.

Background elements (floor, containers, static objects) show no uniform shifting; no fluid/environmental motion (fire, water, smoke, wind) present.


RAW CAPTION: Got it, let's break this down. The video shows a kitchen scene. First, identify the main subjects. There's a person in a red shirt, and objects like bowls, a pan, etc.

Looking at the timestamps:

0.0 to 1.0 seconds: The person is holding a spoon in a yellow bowl. The bowl has a yellow liquid, maybe eggs. Then, in the next frames, they add something from a container into the bowl. Wait, the action sequence is:

At [0.0], hands holding spoon over yellow bowl. Then, at [1.0], they're adding something—probably spices or seasoning—from a small container into the bowl. The person moves their hand from the container to the spoon. Then, in the next frame, they're stirring or mixing the contents.

Objects: Yellow bowl with blue rim, another yellow bowl with bread. Black pan on the counter. The background has tiles with floral patterns, pink wall.

Chronological order: Person adds an ingredient to the yellow bowl (using a small container), then stirs with a spoon.

Appearance: Person in red shirt, hands are visible. Bowl is yellow with blue pattern, contains a yellow liquid (eggs). Another bowl has bread.

Spatial: The person is to the right of the counter. The bowls are on the counter, with the pan behind them.

Camera perspective: Probably fixed, since no movement is mentioned. Top-down? Wait, the angle seems to be eye-level or slightly above, but the problem says to mention camera perspective. The original video's camera is static, so "static camera" or "fixed perspective".

Now, following the rules:

a) Motion: Person adds ingredient from container to yellow bowl, then stirs with spoon.

b) Appearance: Person in red shirt, hands; yellow bowl (blue rim) with yellow liquid; other yellow bowl with bread; black pan on counter.

c) Spatial: Person is on right side of counter; bowls are in front of the person; pan is behind the bowls.

d) Camera: Static, fixed perspective.

e) Background: Minimal, tiles and wall mentioned but keep it brief.

f) Exclude text, names.

So putting it all together:

A person in a red shirt adds an ingredient from a small container into a yellow bowl with a blue rim containing a yellow liquid, then stirs the mixture with a spoon. The person’s hands are visible, working on a granite countertop with another yellow bowl holding bread pieces and a black frying pan positioned behind the bowls. The camera remains static, capturing the scene from a fixed angle above the counter.

Wait, need to check chronology: first action is adding the ingredient (from container to bowl), then stirring.

Also, check if the bowls are arranged: two yellow bowls, one with bread, one with liquid. The person is adding to the liquid bowl.

Yes. Let's make it concise.

"An individual in a red shirt adds a substance from a small container into a yellow bowl with a blue rim filled with a yellow liquid, then stirs the contents with a spoon. The person’s hands are positioned above the counter, which holds two yellow bowls (one with bread pieces), a black frying pan behind them, and a blue-capped bottle. The scene is captured from a static, fixed perspective above the counter."

Wait, check rules: keep background minimal. Maybe don't mention the blue-capped bottle if not essential. The bottle is there, but maybe it's not crucial. The key elements are the action of adding and stirring.

Revised:

"An individual in a red shirt adds a substance from a small container into a yellow bowl with a blue rim containing a yellow liquid, then stirs the mixture with a spoon. The person’s hands are visible working on a granite countertop, with another yellow bowl holding bread pieces and a black frying pan positioned behind the bowls. The camera maintains a static, fixed perspective above the counter."

Check if all rules are followed.

a) Motion: adding, stirring (chronological).

b) Appearance: red shirt, yellow bowl (blue rim), yellow liquid, another yellow bowl with bread, black pan.

c) Spatial: person on counter, bowls in front, pan behind.

d) Camera: static, fixed above.

e) Background: minimal (only counter and items mentioned).

f) No text, names.

Yes, this should work.
</think>

<caption_output>A person in a red shirt adds a substance from a small container into a yellow bowl with a blue rim containing a yellow liquid, then stirs the mixture with a spoon. The individual’s hands are visible working on a granite countertop, with another yellow bowl holding bread pieces and a black frying pan positioned behind the bowls. The camera

A person in red is moving plates and food items: handling two plates (one with eggs and one with a sandwich), pouring liquid from a bottle into the sandwich plate, and using a fork to pick up food.

The background is static with no shifting (wall tiles and pink wall remain fixed). There is no fluid/environmental motion (fire, water, smoke, wind) present.


RAW CAPTION: Got it, let's tackle this. The video starts with a close-up of batter in a pan, bubbling. Then it flips to show the cooked side. So first, the batter is in the pan, light brown, bubbling. Then it's flipped, so the cooked side is brown with some lighter spots. Then it's flipped back? Wait, no. Let's check the timestamps.

Frame 0: batter in pan, bubbling, light color, small bubbles.

Frame 1-2: flipping the pancake? Wait, frame 1 shows the batter, then frame 2 is the cooked side. So the sequence is: batter in pan (bubbling), then the pancake is flipped to show the browned side. Then the pancake is cooked, maybe flipped again? Wait, the description says "flip the pancake" or the action. Let's see:

The video shows a pancake batter in a pan, then it's flipped, so the cooked side is visible. Then maybe it's being moved with a spatula. Let's parse each frame.

Frame 0: pancake batter in pan, light tan, bubbling.

Frame 1: same pan, batter is now part of the pancake, but the frame shows a darker, cooked side? Wait, no. Wait the first frame is batter (0.0s), then next frame (0.3s) shows the pancake flipped, so the cooked side is brown with some lighter spots. Then frame 1.4s shows the same pancake, maybe being flipped again or moved.

Wait, the user's video description: "The video starts with a close-up of batter in a pan, bubbling. Then it's flipped to show the cooked side (brown with lighter spots). Then the pancake is moved with a spatula. Then it's flipped again? No, let's check the frames given.

The frames:

0.0s: batter in pan, light tan, bubbles.

0.3s: the pancake (now cooked) with brown and lighter spots. So the batter has been flipped to show the cooked side.

Then 0.5s: maybe a spatula is used to flip? Wait, the third frame (0.8s) shows the pan with the pancake, and a spatula is moving it. Then 1.1s: the pancake is flipped, so the other side is now up.

Wait, but the key points are: batter bubbles, then flipped to show cooked side (brown with lighter patches), then the spatula moves it, then the pancake is flipped again? Wait, no. Let's look at the user's video description.

The video has frames: [0.0] batter, [0.3] flipped to cooked side, [0.5] same cooked side, [0.8] the pan with the pancake being moved by a spatula, [1.1] the pancake is flipped to show the other side.

Wait, no, the user's video frames are:

<0.3 seconds> [batter]

<1.4 seconds> [cooked side]

<2.5 seconds> [cooked side]

<3.6 seconds> [pan with pancake]

Wait, no, the user's video:

The first frame (0.0s) shows the batter in the pan, bubbling. Then 0.3s, the pancake is flipped to show the browned side. Then 0.5s, maybe the pancake is still in the pan. Wait, the user's description:

"[0.0] batter, [0.3] flipped pancake (cooked side), [0.6] same cooked side, [0.9] spatula flipping, [1.2] pancake is flipped, showing the other side."

Wait, no, the user provided:

<0.3 seconds> first frame: batter in pan (bubbling, light color)

<1.4 seconds> second frame: pancake flipped, cooked side (brown with lighter spots)

<2.5 seconds> third frame: same cooked side, maybe moving

<3.6 seconds> fourth frame: a spatula is moving the pancake

<4.7 seconds> fifth frame: pan with pancake, maybe flipped again

Wait, the actual frames:

Frame 0 (0.0s): batter in pan, light tan, bubbles.

Frame 1 (0.3s): pancake flipped to cooked side (brown with light patches).

Frame 2 (0.6s): same cooked side, maybe slightly moving.

Frame 3 (0.9s): spatula is seen moving the pancake (so the pancake is being flipped or turned).

Frame 4 (1.2s): pancake is

A pancake is flipped by a spatula, showing motion from one side to the other, and then rests on the pan.

The background (frying pan) is stationary; no dominant fluid/environmental motion (fire, water, smoke, wind) is present.


A group of female athletes in white jerseys and black shorts, some holding hockey sticks, huddle closely around a referee in a yellow shirt and black shorts. They gradually disperse, moving away from the huddle while maintaining a line formation. A goalkeeper in blue and red gear stands near the goalpost to the right, observing the team's movement. The camera remains stationary, capturing the team's transition from a clustered formation to a dispersed state on the indoor court.

Discrete solid objects (players in white/black uniforms, referee in yellow) exhibit localized motion: bending over, adjusting stances, and interacting as a group.

The background elements (blue wall, red fire extinguisher, red-and-white striped post) show no uniform shifting or fluid motion (fire, water, smoke, wind) across frames.


A large man in a green shirt holds a microphone, speaking to a person in a red and gold costume standing beside him. They converse as people walk past in the background, with the costumed individual occasionally shifting posture while engaging with the interviewer. The scene takes place in a bustling convention space with displays visible behind them, and the camera remains stationary throughout.

Two main subjects (interviewer in green shirt and interviewee in red costume) are moving via locomotion and gestures. Additional people in the background are walking.

Background (booths, walls) is static; no fire, water, smoke, or wind motion detected.


A right hand holding an orange marker with a red cap draws red ink in a spiral pattern on a white surface, while a left hand with a green tool is positioned to the left. The camera remains top-down with slight movement, capturing the continuous motion of the writing hand.

A hand holding a pencil is moving to draw a rose on paper; the hand and pencil exhibit discrete motion for creating the artwork.

Background is a static white surface with no shifting elements or fluid/environmental motion (fire, water, wind).


RAW CAPTION: Got it, let's break this down. First, the video shows an athletics event, probably javelin throw. The main subject is a person in a red and blue athletic outfit. Let's check the sequence.

At the start (0.0), the person in red (with a straw hat? Wait, no, the first frame: person in red, maybe holding something. Then they run. Let's see the timestamps.

0.0s: Person in red (shirt, blue shorts, maybe hat? Wait, the first frame: two people, one red, one blue shirt. Wait, the main athlete is in red, blue shorts. They start holding a javelin? Then at 0.2s, they start running. Wait, the video starts with the athlete (red top, blue shorts) holding a javelin, maybe preparing. Then they run along the track, javelin in hand, then throw. The javelin goes through the air, and then the athlete continues.

Wait, the description: the video is of a javelin throw. Let's track the main subject. The athlete is wearing red and blue (top red, shorts blue), running on the red track, javelin in hand. First, they're standing, then run towards the right, then throw. The camera follows their motion, panning right as they run and throw.

Background: stands, but minimal. Focus on motion.

Chronological order: athlete starts (0.0), holds javelin, runs forward (direction: left to right in the frame), throws the javelin, which arcs over the field. The camera follows the athlete's movement, panning to track their run and throw.

Wait, the first frame: athlete (red) with a hat? Wait, no, the first frame shows two people: one in red shirt (maybe with a hat), one in blue shirt. Wait, the main athlete is the one in red and blue, holding the javelin. Then they run, so the sequence is: the athlete begins with javelin, runs down the track, and throws.

Wait, the video starts with the athlete (red top, blue shorts) holding javelin, then runs forward (away from the camera, towards the right side of the frame), then releases the javelin. The camera pans to follow their movement.

Now, let's outline the caption:

Start: Athlete in red top and blue shorts holds javelin. Then starts running along red track towards right, javelin in right hand. As they run, they extend arm to throw, releasing the javelin. Camera follows their motion with a pan to the right.

Check rules: focus on motion, chronological order. Appearance: red top, blue shorts (since that's the main athlete). Number: one main athlete (plus others in background, but keep it minimal).

Spatial relationships: athlete runs on the red track, moving away from the camera (towards right).

Background: minimal, stands visible but not essential.

Camera: follows the athlete's movement, panning right.

So putting it all together:

An athlete in a red top and blue shorts holds a javelin, then begins running forward on a red track while holding the javelin in their right hand, extending their arm to release it into the air. The camera pans right to follow the athlete's motion across the track.

Wait, check if the initial position is holding it, then running. The first frame shows them with the javelin (maybe preparing), then they run. So sequence: hold javelin, run, throw.

Wait, in the video: [0.0] athlete is standing with javelin, then at [1.0] they start moving, [2.0] running, [3.0] extending to throw. So the motion is: athlete starts holding javelin, then runs along the track, then throws the javelin.

So the caption should describe that.

Also, check appearance: red top, blue shorts (the athlete's outfit).

Now, let's write concisely:

The video shows an athlete in a red top and blue shorts holding a javelin, then running forward on a red track while holding the javelin in their right hand, extending their arm to release it into the air. The camera pans right to follow the athlete's movement.

Wait, is the athlete running towards the right? Yes, the direction of the track.

Check if there are other subjects. The video has other people in the background (officials, maybe), but according to rules, focus on main subjects (the athlete). So the main subject is the javelin thrower.

Also, the camera movement: the video starts with a medium shot, then as the athlete runs, the camera pans right to follow.

Let me check the exact frames:

Frame 0: athlete (red top, blue shorts) with javelin, standing near the start line

The javelin thrower (in red/blue) runs and throws the javelin; the javelin moves through the air. An official (in blue) walks and tracks the thrower. The motion is solid, distinct, and due to physical forces (locomotion and projectile motion).

The background (bleachers, track barriers) is stable with no uniform shifting or fluid motion. There is no fire, water, smoke, or dominant wind indicated.


A person wearing blue jeans, beige boots, and light-colored gloves with orange stripes crouches over a large, irregularly shaped rusted metallic object on a rocky ground. They use both hands to lift, adjust, and reposition the object, shifting its orientation while manipulating it. The camera remains stationary in a top-down perspective, capturing the interaction between the person and the object against the rocky terrain.

The person's hands (wearing gloves) are moving to pour liquid from a container onto a rock and then to clean the rock with a cloth. The container and the person's legs are also moving.

The background (dirt and leaves) is static with no shifting. There is no dominant fluid or wind motion (the pouring of liquid is a controlled action by the person, not ambient).


The video opens with a person in a white coat in a kitchen, then transitions to a close-up of a hand using a metal rolling pin on dough. Next, a tray of round, golden-brown pastries is pushed into an oven. A hand then removes the baked pastries from the oven. Finally, a chef wearing a green head covering carries a tray of the pastries through the kitchen. The camera shifts from close-up shots to medium and wide angles, capturing the sequence of dough preparation, baking, and serving.

Discrete solid objects moving due to physical forces: (1) A metallic roller being manually rolled across a surface; (2) A tray of baked goods being pulled from an oven by a hand; (3) A person in a white uniform moving near the counter. All motions are controlled by explicit human actions.

No shifting background or fluid/environmental motion (fire, water, wind). Background elements (e.g., kitchen surfaces, oven, shelves) remain static and show no uniform shifting across frames. No prominent ambient phenomena detected.


RAW CAPTION: Got it, let's break this down. The task is to create a concise chronological paragraph for the video. First, look at each scene.

Scene 1: A woman in a white top with red pattern is looking at her phone. She's near a car, outdoors with palm trees. Then scene 2: Same woman now in a white dress with floral pattern, sitting on a black leather couch, holding phone. Scene 3: A man in a blue t-shirt, sunglasses, holding phone, maybe in a public place. Scene 4: A person at a GTBank ATM, with text about visiting any ATM. Scene 5: A person using the ATM keypad.

Need to focus on motion and behavior in order. Describe appearance briefly: colors, sizes. Spatial relationships? Like in front of, etc. Conclude with camera perspective. Exclude text, names, styles.

Start with first scene: woman (white top, red pattern) uses phone near car. Then second scene: woman (white floral dress) sits on black couch, uses phone. Third: man (blue shirt, sunglasses) holds phone. Fourth: person at ATM (blue shirt, bag) approaches. Fifth: person uses ATM keypad.

Check chronological order: 0.3s to 5s. Scenes in order:

1. Woman outside (car background) looking at phone.

2. Woman on couch with phone.

3. Man with phone.

4. ATM scene: person going to ATM, then using it.

Now, describe each step. Mention appearance: woman's top (white with red), dress (white floral), man's blue shirt. Spatial: first scene near car, second on couch, third public place (maybe sidewalk), fourth ATM area.

Cameras: probably static shots for each scene, transitions between them. No camera movement mentioned, so maybe each scene is a cut.

Let's draft:

A woman in a white top with red patterns uses her phone while standing near a car with palm trees in the background. She then sits on a black leather couch in a room, wearing a white floral dress and continuing to use her phone. A man in a blue shirt and sunglasses holds his phone, standing outdoors. The video cuts to a person in a blue shirt approaching a GTBank ATM, followed by the individual using the keypad.

Wait, but need to be concise. Check rules: mention motion and behavior in chronological order.

First scene: woman (white top, red pattern) holds phone, looks at it near car. Second: same woman (white floral dress) on black couch, holds phone. Third: man (blue shirt, sunglasses) holds phone. Fourth: person (blue shirt, bag) moves to ATM. Fifth: person uses ATM keypad.

Need to connect these steps chronologically.

Possible caption:

A woman in a white top with red patterns stands by a car, using her phone. She then sits on a black leather couch in a room, wearing a white floral dress and holding her phone. A man in a blue shirt and sunglasses holds his phone while standing outdoors. The scene shifts to a person in a blue shirt with a bag approaching a GTBank ATM, followed by the individual inserting a card and pressing keypad buttons.

Check rules: exclude text recognition, so don't mention transaction ID. Focus on people's actions. Minimal background. Conclude with camera perspective: the video cuts between these scenes, each shot is static.

So final draft:

A woman in a white top with red patterns uses her phone while standing beside a car with palm trees visible. She then sits on a black leather couch, wearing a white floral dress and holding her phone. A man in a blue shirt and sunglasses holds his phone in an outdoor setting. The video transitions to a person in a blue shirt with a bag approaching a GTBank ATM, then using the keypad.

Check if all parts are covered:

a) Motion/behavior: using phone, sitting, holding phone, approaching ATM, using keypad. Chronological order: yes.

b) Appearance: colors, sizes. White top, red patterns; white floral dress; blue shirt, sunglasses; blue shirt, bag.

c) Spatial: beside car, on couch, outdoors, approaching ATM.

d) Camera: transitions between scenes, static shots (each scene cut).

e) Background minimal: palm trees, room (with couch), outdoor, ATM area.

f) Exclude text, names, styles. Did we? Yes, no text mentioned.

Seems good. Let's make it concise.
</think>

<caption_output>A woman in a white top with red patterns uses her phone while standing beside a car with palm trees in the background. She then sits on a black leather couch in a room, wearing a white floral dress and holding her phone. A man in a blue shirt and sunglasses holds his phone while standing outdoors. The video transitions to a person in a blue shirt with a bag approaching a

Solid objects (people) exhibit motion due to locomotion (e.g., walking to ATM, using mobile phones), with clear bounding box tracking of their movement.

No shifting backgrounds or fluid/environmental motion (fire, water, wind) detected; all background elements (buildings, cars, furniture, trees) remain static across frames.


A female in a black and white striped tank top stands in a room with beige walls and a window. She lowers her head, then raises both hands to her face, turns to face the camera, and shifts her stance while moving slightly. The camera, handheld, exhibits a slight shake throughout.

A woman in a striped dress moves her body: bending down, drinking, adjusting hair, and posing. Her motion is due to her own locomotion and actions.

The background (wall, window, lamp) is static with no shifting or environmental motion (fire, water, wind).


A person's hands hold a small, flat metallic object against a textured surface; a metal tool is used to press and adjust the object's edge, moving methodically along its length. The hands maintain a firm grip, with the tool applying precise pressure, while the object remains stationary on the surface. The camera captures a close-up, top-down view with minimal background detail, focusing solely on the interaction between the hands, tool, and metallic object.

A hand is manipulating a knife, moving it in a deliberate, controlled manner (likely sharpening or adjusting). The knife and hand are solid objects exhibiting physical motion from explicit human action.

The concrete surface in the background shows minimal shifting; no fire, water, smoke, or wind-driven motion is present. Background elements remain stable without uniform displacement.


RAW CAPTION: Got it, let's tackle this. First, the video shows a person in a snowy backyard. The person is wearing dark clothes, maybe a black jacket and blue jeans. They're interacting with a snowman. Let's check the sequence.

At the start, the person is near the snowman. Then they bend down, probably adding snow or adjusting. The snowman is large, white, and stands in the middle of the yard. The background has a wooden fence and trees. The camera seems stationary, no movement mentioned.

Need to describe motion chronologically. The person moves from upright to bending over the snowman, maybe adding snow. Spatial: person is to the right of the snowman? Wait, the snowman is in front, person is behind? Wait, in the frames, the person is positioned next to the snowman, bending towards it.

So, the main subject: a person in dark clothing (jacket, jeans) works on a large snowman in a snowy backyard. Actions: bends over, adjusts snow. Background: fence, trees. Camera: stationary, top-down? Wait, the video is shot from a fixed position, no camera movement.

Check rules: concise, chronological. So start with person near snowman, bends down to add snow. Then continues. Mention appearance: dark jacket, blue jeans. Spatial: person is to the left or right? In the video, the person is positioned to the right of the snowman? Wait, looking at the frames: the snowman is on the left side of the image, person is to the right, bending towards it. Wait, maybe not. Wait, in the frames, the person is next to the snowman, so spatial relationship: person is adjacent to the snowman, bending towards it.

Let's draft: A person wearing a dark jacket and blue jeans bends over a large snowman in a snowy backyard, adding snow to its structure. The person remains focused on the snowman, moving slightly as they work. The background features a wooden fence and trees. The camera remains stationary, capturing the scene from a fixed position.

Wait, need to be concise. Let's check the rules again. Focus on motion and behavior, chronological. So sequence: person starts standing, bends down, interacts with snowman.

So: A person in dark clothing and blue jeans bends over a large snowman, adjusting or adding snow. The individual remains positioned adjacent to the snowman throughout, with minimal movement as they focus on the task. The background includes a wooden fence and snow-covered trees. The camera stays stationary, providing a consistent view of the scene.

But need to be more precise. Let's see the video frames: the person starts by being next to the snowman, then bends down (first frame: person is bending, then continues to bend further). So motion: the person bends over the snowman, possibly rolling snow or adding to it.

Let me structure it: A person wearing a dark jacket and blue jeans bends over a large, white snowman in a snowy backyard, adding snow to its form. The individual shifts slightly while maintaining a position adjacent to the snowman. The background features a wooden fence and snow-covered trees. The camera remains stationary, capturing the scene from a fixed perspective.

Check for concise. Maybe: A person in dark clothing and blue jeans bends over a large snowman, adding snow to its structure. They remain near the snowman, with minor movements as they work. The snowy backyard is bordered by a wooden fence and trees. The camera is stationary, maintaining a consistent view.

Wait, the rules say minimal background unless essential. So maybe omit the fence and trees? No, they are part of the setting but maybe necessary for context. But the instruction says "minimal background descriptions unless essential". The fence and trees might be essential for the location.

Wait, the task is to generate a concise paragraph. Let's try to be as concise as possible.

Final draft: A person in dark clothing and blue jeans bends over a large white snowman in a snowy backyard, adding snow to its base. The individual remains focused on the task, shifting slightly while positioned to the right of the snowman. The background includes a wooden fence and snow-covered trees, while the camera remains stationary, capturing the scene from a fixed angle.

Wait, but maybe "to the right" isn't necessary. Let's check the frames: the snowman is on the left side of the frame, person is to the right of it, bending towards it. But maybe it's better to say "adjacent to" without direction.

Another version: A person wearing a dark jacket and blue jeans bends over a large snowman, adjusting its structure by adding snow. The individual remains close to the snowman, with minor movements throughout the sequence. The snowy backyard is bordered by a wooden fence and trees. The camera is stationary,

A black dog is moving around the snowman; the snowman is static.

The background (fence, trees) is static with no significant shifting. Snow on ground is mostly still, with no dominant fluid or wind motion observable (trees are not swaying, snow is not blowing vigorously).


Two individuals stand in a kitchen; one wears a white apron over dark clothing, the other wears black, positioned at a counter with various items. The camera shifts to a close-up of four golden-brown seared scallops on a white plate. The scene returns to the kitchen, where the person in black gestures toward a pan on the stovetop. The camera moves from a wide kitchen shot to a close-up of the plate, then back to the wide kitchen perspective.

A fork moves to cut scallops on a plate; a person's hand moves in the kitchen to interact with objects.

No shifting background elements; no environmental fluids (fire, water, smoke) detected.


A person wearing a dark hoodie, black pants, and white socks enters through a doorway carrying a red bucket and a mop. They step into the room, dragging the bucket behind them while sweeping the wooden floor with the mop. The individual moves past a metal chair and table, then stops near a wall, continuing to sweep. The camera remains stationary with a slight shake, observing the motion from a fixed perspective.

A person in a hoodie and pants is moving and sweeping the floor with a mop. The person is the primary discrete object in motion.

Background (walls, floor, chair) is static; no shifting or fluid motion observed.


A man in a gray shirt and blue jeans bends near a bucket on a cobblestone street, then stands and walks away. A woman in a pink shirt and black shorts carrying a green bag walks past him. The man turns and approaches another person in black clothing standing on a small platform, facing one another. The camera follows their movements with slight pan adjustments.

The man (discrete object) is walking, and the bus (discrete object) is driving on the street. Other pedestrians are also moving.

The background (buildings, street, and bus) is static; no fluid motion (fire, water, smoke, wind) is present.


Two individuals engage in arm wrestling at a table, with the person on the left having shorter dark hair and the person on the right longer light brown hair; several onlookers surround them, some leaning in to watch, while others gesture animatedly. The camera shifts slightly to reveal more of the group before returning to focus on the arm wrestlers, maintaining a close perspective with minimal background details visible. The scene features a slight camera shake as it captures the interaction.

Two individuals are engaged in arm wrestling, moving their arms against each other. One spectator in the background briefly raises their hands above their head.

The background (walls, laptop, bottles) is static with no fluid or environmental motion (fire, water, smoke, wind).


A person in a light blue shirt holds a baby in a green shirt indoors. The baby, with light hair, raises one arm and then lowers it, while the person supports the baby. The camera remains close-up with minor movements.

Discrete solid objects: infant (waving arms, moving hands) and adult (holding infant with slight posture adjustments). Motion is explicit limb movement from the infant due to muscular activity.

Background consists of stationary wall and window with no uniform shifting or fluid/environmental motion (e.g., no fire, water, wind). Background elements remain consistent without blurring or displacement.


Two men stand behind a wooden counter; the man in a blue shirt and the man in a light pink shirt hold a wine bottle together. The blue-shirted man steps away as the pink-shirted man pours wine into a glass on the counter. Wine racks filled with bottles form the background. The camera remains static.

Two individuals interact with physical objects (wine bottle, glass) through actions like pouring and holding, with clear movement of solid objects due to human motion.

Background elements (wine racks, bottles) show no uniform shifting or fluid motion; no fire, water, or wind is present.


A person in a yellow hoodie and black pants sits on the floor, holding two white balloons stacked vertically. They adjust the top balloon, then use a white hot glue gun to apply glue to its surface. Various tools and materials, including scissors and a glue gun, are scattered around on the floor. The camera maintains a top-down perspective throughout.

The person's hands are moving to manipulate the snowman (placing it down, attaching a carrot, using a glue gun) and other small objects. The snowman remains mostly stationary except for adjustments.

The background (window, floor) is static with no shifting. No ambient environmental motion (fire, water, smoke, wind) present.


A person in a black top holds a plastic-wrapped bundle containing a doll in red, green, and white attire, then lowers it onto the table to reveal the doll. A person in a white shirt sits to the right, manipulating items near a bottle of dark liquid. The camera captures the scene from a top-down angle with no noticeable movement, focusing on the plastic-covered table surface. Background elements include wooden chairs and a decorative metal panel.

A person moves a plush doll across the table using their hand; a child holds a bottle. The doll's motion is driven by human interaction (explicit physical force).

Background elements (wooden chair, decorative metal structure) are stable; no fluid/environmental motion (fire, water, smoke, wind) observed.


Two children, one in dark clothing and one in light hooded jacket, walk away from the camera across a sandy beach toward the horizon. A silver hatchback with a red and white emblem enters the frame from the right, driving left along the beach and passing the children, who continue walking ahead. The car gradually exits the frame to the left as the children move further into the distance. The camera remains stationary, capturing the scene with minimal background detail.

Two people (walking leftward) and a silver SUV (driving leftward) are discrete objects exhibiting locomotion. The SUV's movement is continuous and directional, while the people walk at a steady pace across the frame.

The sandy beach, ocean horizon, and sky show no fluid motion (e.g., waves, smoke). Background elements like the lighthouse and distant horizon remain static relative to the frame, indicating no environmental fluid dynamics or wind-driven motion.


A large black snowplow truck moves from left to right across a snow-covered yard, plowing snow into a pile and spraying snow into the air. The truck advances in front of a white house with a red brick foundation as the camera pans slightly right to track its movement.

A tractor is moving, plowing snow, and causing snow displacement.

The background (house, trees) is stationary. Snow displacement is caused by the tractor and is not dominant ambient motion (like wind or smoke).


In an indoor tennis court, a person in a red shirt and another in a white shirt stand on opposite sides of the net. The red-shirted individual, holding a tennis racket, shifts position and swings to hit a ball, while the white-shirted person steps forward. The court has scattered tennis balls, with a net dividing the space. The camera remains stationary, capturing a top-down view of the scene.

Two tennis players (one in white, one in yellow) moving via locomotion on the court; distinct solid objects exhibiting physical motion through intentional movement.

No shifting backgrounds or fluid/environmental motion (e.g., fire, water, wind). Indoor court walls and lines remain static throughout.


A light-skinned hand enters the frame from the right, moving toward a keypad on a blue screen and pressing multiple square keys, including "ENTER", with fingers making contact. The camera maintains a close-up perspective of the keypad, showing slight movement as the hand interacts with the buttons. The background remains out of focus, emphasizing the hand's motion and the keypad's surface.

A hand is moving to press buttons on the keypad, which is a discrete solid object motion due to physical forces (muscular action).

The background is a static blue keypad screen with no fluid motion (fire, water, smoke) or wind effects. The keypad itself does not shift uniformly, indicating no camera motion. The dominant motion is the hand pressing buttons.


A small child in red floral pajamas kneels on a wooden floor, opening a wrapped gift box; the child stands, adjusts the box, and shifts position slightly to the right. The background includes a lit Christmas tree and scattered wrapping paper. The camera maintains a static top-down perspective.

A child in red pajamas is actively manipulating a box, adjusting its position, and interacting with objects around them.

Background elements (floor, furniture, Christmas tree) remain static and show no shifting; no fire, water, smoke, or wind motion observed.


RAW CAPTION: Got it, let's tackle this. First, the video starts with a close-up of a slice of cake on a blue plate. Then it cuts to a person cutting the cake in half and placing it into a greased pan lined with plastic wrap. Next, there's a shot of someone handling the cake, probably soaking it.

Need to describe the motion chronologically. Start with the first scene: close-up of cake slice. Then the person cuts the cake, so actions like cutting, placing into pan. Then the next scene shows a person's hands (wearing a patterned apron) placing the cake slice into the pan. The text says "Corte o bolo ao meio e coloque na forma forrada com filme plastico" so the action is cutting and placing. Then "Molhe o bolo (sua preferencia)" so soaking.

Check the rules: focus on motion, chronological, describe appearance (cake is light yellow, maybe with bits of orange), main subjects are hands and the cake. Spatial relationships: the cake is on the plate, then cut and placed into the pan. Camera perspective: starts with close-up, then top-down or close-up on hands.

Make sure to exclude text recognition, so don't mention the text. Describe what's happening. Let's structure:

First, close-up of a cake slice on a blue plate. Then, a person cuts the cake into two halves, lifts one half, and places it into a baking pan lined with plastic wrap. Then, another shot shows hands (wearing a patterned apron) placing the cake slice into the pan. Finally, the hands move the cake into position. Camera moves between close-up and top-down shots of the actions.

Wait, the video has: [0.0] cake on plate, [1.0] cake cut in pan with plastic, [2.0] same, [3.0] hands cutting, [4.0] hands placing into pan.

So the sequence:

- Initial shot: cake slice on blue plate.

- Then, a person uses a knife to cut the cake in half; one half is placed into a greased baking pan covered with plastic wrap.

- The hands, wearing a patterned apron, position the cake slice into the pan.

Camera perspective: close-up starts, then shifts to top-down on hands and pan.

Now, write concisely.

Focus on motion: cutting, placing. Describe appearance: light yellow cake with small orange bits, hands in patterned apron.

Chronological order:

The video begins with a close-up of a light yellow cake slice with small orange bits on a blue plate. A person cuts the cake into two equal halves. One half is then lifted and placed into a rectangular baking pan lined with plastic wrap. The hands, wearing a patterned apron, position the cake slice into the pan. The camera maintains close-up and top-down angles throughout, focusing on the hands and the pan.

Check rules: no text, no named characters. Mention appearance (light yellow cake), motion (cutting, placing), spatial (pan lined with plastic wrap). Background minimal. Camera movement: close-up to top-down.

Wait, the rules say "Conclude with camera perspective and movement". So end with that. Let's structure:

The video starts with a close-up of a light yellow cake slice with small orange bits on a blue plate. A person uses a knife to cut the cake into two equal halves, then lifts one half and places it into a rectangular baking pan lined with plastic wrap. Hands wearing a patterned apron position the cake slice inside the pan. The camera remains in close-up and top-down angles, focusing on the hands and the pan.

Wait, check the timestamps: first frame is cake on plate, then the next frames show the cutting and placing. So the main actions are cutting, placing into pan.

Another way:

Initially, a light yellow cake slice with small orange bits rests on a blue plate. A person cuts the cake in half; one half is then placed into a greased rectangular pan lined with plastic wrap. The hands, clad in a patterned apron, adjust the cake slice within the pan. The camera captures close-up and top-down views of the cutting and placement processes.

Make sure it's concise. Let's try:

The video opens with a close-up of a light yellow cake slice with small orange bits on a blue plate. A person cuts the cake into two equal halves and places one half into a rectangular baking pan lined with plastic wrap. Hands wearing a patterned apron position the cake slice inside the pan. The camera focuses on close-up and top-down angles throughout the sequence.

Check for exclusion of text: yes, didn't mention the text. Appearance: light yellow cake with orange bits. Motion: cutting, placing. Spatial:

A human hand (discrete solid object) moves to cut the cake, exhibiting physical interaction with the cake.

Background elements (countertop, kitchen items) show no significant shifting or fluid motion. No fire, water, smoke, or wind is present.


A small child in a green sleeveless top and barefoot walks from a wooden door toward a pink and white high chair in a room with wooden flooring and a nearby shelf, moving slightly to the right across the floor; the camera maintains a static overhead perspective as the child approaches the high chair.

A toddler (solid, distinct object) moves across the scene, reaching for objects and interacting with the environment (rocking chair, bookshelf).

Background elements (wooden floor, door frame, bookshelf) show no uniform shifting. No fire, water, smoke, or wind motion detected.


RAW CAPTION: Got it, let's break down the video. First, the person is standing behind a table outdoors. They're wearing a black tank top. On the table, there's a green bowl, a small panda figurine to the left, and some items on the right like a bottle and a red object. The background has trees and a fence.

The sequence: The person starts with hands on the green bowl. Then they lift the bowl, revealing it's filled with a salad (carrots, lettuce, maybe other veggies). They hold the bowl up, showing the contents. Then they bring it closer, maybe to eat? Wait, the first frame shows them holding the bowl, then lifting it, so motion is lifting and displaying the bowl.

Need to describe chronological motion. So step by step:

- Person stands behind table, holds green bowl (initial position, hands on bowl).
- Lifts bowl up (motion: lifting), revealing salad inside.
- Holds bowl up, showing contents (salad with various veggies).
- Then maybe brings bowl closer, but the video shows from 0 to 5 seconds. The last frame has the person holding the bowl with a spoon or something? Wait, the frames: [0.0] person holds bowl, [1.0] hands on bowl, [2.0] lifting, [3.0] lifting more, [4.0] holding up, [5.0] maybe eating a bite.

Wait, the video: the person is holding the green bowl, then lifts it up to display the salad (which has colorful veggies), then brings it closer to their mouth. So the main actions are lifting the bowl, revealing contents, then possibly eating.

Appearance: person in black tank top, green bowl, salad with carrots (orange), lettuce (green), etc. Panda figurine to the left of the bowl on the table.

Spatial: panda is left of the bowl, bottle and red object are right of the bowl.

Background: outdoor, trees, fence, but minimal.

Camera: probably static, no movement, since the person is in the center.

So the caption needs to be chronological.

Start: Person stands behind white table, hands on green bowl. Then lifts bowl upward, revealing salad inside (green and orange vegetables). Then holds bowl near mouth, possibly preparing to eat. The panda figurine remains on the left of the bowl, while a bottle and red object stay on the right.

Wait, the instructions say "focus on motion and behavior in chronological order". So:

- Initial: person holds green bowl on table.
- Action: lifts bowl upward, exposing salad with colorful vegetables (carrots, lettuce).
- Then: holds bowl close to mouth, suggesting eating.

Check the frames: frame 0: hands on bowl. Frame 1: hands on bowl. Frame 2: lifting bowl. Frame 3: bowl lifted, salad visible. Frame 4: bowl held up, person's mouth near it. Frame 5: person eats from bowl.

So the sequence is: person lifts green bowl from table, displaying salad contents, then brings bowl to mouth to eat.

Now, concise paragraph. Exclude background unless essential. Background is outdoor, but maybe not essential. Keep it minimal.

So the caption:

A person in a black tank top stands behind a white table, initially holding a green bowl. They lift the bowl upward to reveal a salad containing green and orange vegetables, then bring the bowl close to their mouth as if to eat. A small panda figurine sits to the left of the bowl, while a bottle and red object remain to the right. The camera remains static throughout.

Wait, check rules: "Mention spatial relationships if relevant" so panda left of bowl, bottle and red object right.

Also, "appearance and number": person in black tank top (color), green bowl (color), salad with green/orange veggies (colors).

"Conclude with camera perspective and movement": static.

Background minimal, so mention "outdoor" maybe? But rule e says minimal unless essential. The action is on the table, so background is not essential for motion, so maybe omit.

So revised:

A person in a black tank top stands behind a white table, holding a green bowl. They lift the bowl upward to display a salad with green and orange vegetables, then bring the bowl to their mouth. A small panda figurine is positioned to the left of the bowl, and a bottle with a red object are to the right. The camera remains static.

Wait, check frame 5: the person has the spoon, maybe eating. But the video shows up to 5 seconds. So the action is lifting, displaying, then eating.

But need to be concise.

Let's make sure it's chronological.

1. Person holds green bowl.
2. Lifts bowl to show salad.
3. Brings bowl to mouth.

Yes.

Now,

The person is lifting and displaying a green bowl containing colorful contents.

Background shows trees with slight wind-induced movement, but the dominant motion is the person's actions.


A hand holds a light-colored cylindrical object above a wooden surface. The scene transitions to a person in a red shirt gripping a black power drill with visible red branding, adjusting the tool’s position while manipulating it. The camera focuses closely on the drill, capturing hand movements as the person handles the device, with minimal background detail. The perspective remains tight on the objects and hands throughout, showing slight shifts to follow the interactions.

A hand rotates a candle and manipulates a power drill; both are discrete solid objects moved by explicit physical forces (hand movement) and locomotion.

The background (red wall, product boxes) remains static with no uniform shifting; no fluid or environmental motion (fire, water, smoke, wind) observed.


A man in a dark jacket, khaki shorts, and white sneakers bends over a black platform on grass near a wooden deck attached to a red brick house. He adjusts the platform with a tool, then stands, steps back, and returns to the platform to continue working. The camera remains stationary at a low angle, capturing the scene with minimal background details.

A man is performing discrete physical actions: bending over, stepping onto a board, and adjusting his stance on the grass near a house deck.

The background (house, trees, grass) shows no significant shifting or fluid motion; no fire, water, smoke, or wind is visible as dominant environmental elements.


A person in a black shirt stands at a counter, using a knife to cut the top of a large green-and-white striped watermelon. They lift the cut section and place it onto a white plate positioned to the right of the watermelon. The camera remains stationary, capturing the action from a fixed angle.

The person is cutting a watermelon with a knife; the knife and watermelon are moving due to the cutting action.

Background elements (wall, refrigerator) are static; no fluid or environmental motion (fire, water, smoke, wind) is dominant.


A person in a white shirt and brown shorts bends over a silver bicycle on a dirt path, adjusting components and shifting position while working on it. The background includes a dome-shaped building and utility poles. The camera maintains a static, wide-angle view.

A person is interacting with an object on the ground, moving their body and arms, causing the object to move.

Background elements are stable with no shifting. No fire, water, smoke, or wind visible.


The video begins with a static view of an indoor swimming pool with blue tiles and red lane dividers. A swimmer wearing a purple cap, goggles, and blue swimsuit enters from the far end, swimming toward the camera using freestyle strokes. The swimmer advances across the pool, passing the poolside ladder, and emerges near the camera before exiting the frame. The camera remains stationary throughout, capturing the swimmer's progression against the background of wooden walls and hanging bunting.

A single swimmer (wearing a purple swimsuit and cap) enters the water, swims toward the camera with visible strokes, and exits the frame. The motion is discrete and clearly attributable to the swimmer's locomotion.

The pool environment shows minor water ripples caused by the swimmer, but the background elements (walls, ceiling decorations) remain static with no uniform shifting. The water motion is secondary to the swimmer's actions and not dominant fluid movement.


A child wearing a purple top and dark pants sits in a vehicle seat near a bright window, raising their right arm, bringing it to their face, then raising it again. The camera remains static, capturing the child from the side.

A child in a car seat is moving their arms and head in discrete, solid motions.

The background (car interior and window) is static with no fluid or environmental motion. No fire, water, smoke, or wind visible.


A man wearing a light shirt, light pants, and a beige cap bends over in a dense green field, picking vegetation; the camera zooms in on his hands as he handles the plants, with lush greenery surrounding him.

A person wearing a hat and casual clothing is actively using a tool to cut vegetation, with hands and body movement clearly visible.

Background trees and foliage remain static with no uniform shifting; no dominant fire, water, smoke, or wind motion observed.


A person in a blue sleeveless shirt and white gloves lifts a large tire with a shiny silver rim towards a red machine, positioning it onto the machine's platform. The camera zooms in closely on the tire as it is secured, focusing on the metallic rim and tire tread. Background elements include gym equipment but remain peripheral to the main action.

A person in blue shirt/gloves operates a tire changer, causing the tire to rotate. The person's hands and body move to adjust the tire and machine components.

No shifting backgrounds; no fire, water, smoke, or wind visible. Static workshop environment with stable walls and floor.


A person lifts a large blue lidded container from a countertop, revealing a white substance inside; the container is held up to display its contents, with a metal bowl of white powder and a blue can visible on the counter. The person moves the container outward while the camera follows, maintaining a slightly shaky perspective. Background includes outdoor elements like grass and a black container.

A person is manipulating a blue container (lid and base), lifting, rotating, and holding it—solid object movement due to manual action.

Background elements (counter, items, outdoor grass) show no uniform shifting; no fire, water, smoke, or wind-driven motion present.


RAW CAPTION: Got it, let's break this down. First, the video starts with hands holding a scallop. The hands are in focus, showing the scallop inside its shell. Then the shell is opened, revealing the scallop meat. Next, a hand pours oil onto a grill pan, creating droplets. Then the scallop (with the shell maybe?) is placed on the grill. Wait, the sequence: first hands holding scallop in shell, then opening the shell to show the meat, then pouring oil on the grill, then placing the scallop (the meat part) on the grill.

Need to describe chronological order. So:

- Start: hands holding a scallop in its shell. The scallop is white with a bit of orange, the shell is light-colored.
- Then, the shell is opened, so now hands hold the shell and the meat separately. Maybe the meat is a light beige with a red part?
- Then, oil is poured onto the grill pan (black, ridged surface), creating small droplets.
- Then, the scallop meat is placed onto the grill pan.

Check the rules: focus on motion and behavior. So actions: holding, opening, pouring oil, placing scallop.

Appearance: scallop meat is light beige with an orange-red part, shell is white. Grill pan is black, ridged.

Spatial relationships: hands in front of the grill pan (when pouring oil and placing scallop).

Background minimal, so just mention the grill pan.

Camera perspective: close-up shots throughout, maybe slight movement but not much.

Let's structure it step by step.

1. Close-up of hands holding a scallop within its shell, the scallop showing a light beige and orange-red coloration.
2. Hands open the shell, revealing the scallop meat resting against the shell.
3. A hand pours oil onto a black ridged grill pan, creating multiple small droplets.
4. The scallop meat is placed onto the grill pan, landing on the oil-covered surface.

Check if all rules are met: chronological, mention appearance (color, size), spatial (hands above grill), camera is close-up.

Now, condense into a concise paragraph.

"Hands hold a scallop within its light-colored shell, revealing a light beige and orange-red scallop meat. The hands then open the shell, exposing the scallop. A hand pours oil onto a black ridged grill pan, forming droplets, before placing the scallop meat onto the oil-covered surface."

Wait, need to make sure it's chronological: holding shell, then opening, then pouring oil, then placing scallop. Also, mention the shell and meat being held, then separating.

Wait, the first frame: hands holding the shell with scallop inside. Then second frame: hands hold shell and scallop meat separate. So "hands hold a scallop inside its shell, then separate the shell from the scallop meat."

But the video sequence: [0.0] hands holding shell with scallop; [1.4] hands hold shell and scallop meat; [2.5] pouring oil on pan; [3.6] pouring oil; [4.7] placing scallop on pan.

So:

A pair of hands holds a scallop inside its light-colored shell, then separates the shell from the scallop meat, revealing the beige and orange-red scallop. A hand pours oil onto a black ridged grill pan, creating small droplets, before placing the scallop meat onto the oil-covered surface.

Yes, that's chronological. Now check appearance: scallop meat is beige and orange-red, shell is light. Grill pan is black. Actions: holding, separating, pouring oil, placing.

Also, spatial: hands in front of grill pan when pouring and placing.

Camera: close-up shots throughout.

Now, make it concise:

"Hands hold a scallop within its shell, then separate the shell to expose the beige and orange-red scallop meat. A hand pours oil onto a black ridged grill pan, forming droplets, before placing the scallop meat onto the oil-covered surface."

Check if it's concise. Maybe "A pair of hands holds a scallop in its light-colored shell, revealing the beige and orange-red meat; the hands then separate the shell. A hand pours oil onto a black ridged grill pan, creating small droplets, and places the scallop meat onto the oil-covered surface."

But need to be more concise. Let's see:

"Hands hold a scallop inside its shell, then open the shell to reveal the beige and orange-red scallop meat. A hand pours oil onto a black ridged grill pan, forming droplets, before placing the scallop meat onto the oil-covered surface."

Yes, that's good. Now, check rules:

a) Motion in order: holding, opening shell, pouring oil, placing scallop. Check

Hands manipulate a shell and a small object, pour oil onto the grill, and place the object on the grill. These actions involve solid, discrete objects moving due to physical interactions.

The background consists of a stationary grill with ridges; no shifting background elements or fluid/environmental motion (fire, water, smoke) observed.


A person wearing an orange shirt sits in a room with light green cabinets and shelves, holding their face with both hands near the eyes. The individual maintains this position with minimal hand movement. The camera remains static throughout, capturing the scene from a fixed perspective.

A person in an orange shirt is performing a hand-to-face motion, likely rubbing or covering their face. This is a discrete solid object's movement due to explicit physical action.

Background elements (cabinets, wall posters) are static and show no shifting or fluid motion. No environmental phenomena (fire, water, smoke, wind) are present.


A man in a gray hoodie, cap, and jeans crouches by a muddy water pool, repeatedly dipping a blue plastic basin into the water while holding it near the edge. A green basin and another blue basin lie on the ground to his right. The camera remains stationary, capturing the scene from a fixed angle with no noticeable movement.

A person is interacting with the water by scooping and pouring using blue and green containers. The person's hands and body are moving due to their own physical actions.

The background (wooden fence and ground) is stationary. The water in the stream is flowing but is not the dominant motion; it is secondary to the person's actions.


RAW CAPTION: Got it, let's tackle this video caption. First, I need to observe the sequence. The video starts with three people on ice: one in blue, one in black, and another in blue (wait, no, first frame has two: blue and black, then a third joins). Wait, first frame: left is girl in blue, middle is another girl (maybe blue too?), right is girl in black. Then the next frames show more people. Let's track the main subjects.

Frame 0: Two girls on ice, one in blue jacket (left), one in black hoodie (right), an orange cone in center. Then frame 1: same, maybe the blue girl moves. Frame 2: a third person (girl in pink, maybe?) enters, then frame 3: a girl in pink (right) and another in dark (left) approach. Then frame 4: the pink girl and dark girl skate towards the orange cone. Frame 5: multiple people gather around the cone.

Main subjects: several skaters (at least four, but maybe more). Appearances: blue jacket, black hoodie, pink jacket (or pink top), dark clothing. Colors: blue, black, pink. Number: four skaters? Let's check:

- Start: two (blue and black)
- Then a pink one enters
- Then another dark one (maybe gray) enters
- So four people? Wait, frame 2: two on left, one in middle (blue?), one on right (black). Then frame 3: a pink skater (right) and dark (left) approach. So by frame 3, four people: blue, black, pink, and another. Then frame 4: all four are near the cone.

Motion: The blue-jacketed skater moves left, the black hoodie skater is still. Then a pink skater enters from right, moves left. Then another dark skater enters from left, moves right. They all converge towards the orange cone. Then they all skate around the cone.

Spatial relationships: Initially, the cone is center. The blue and black are on either side of the cone. Then the pink skater comes from the right (of the cone), dark skater from left (of the cone). They approach the cone, then gather around it.

Camera: It's a fixed camera, no movement, but maybe slight shake? The video has a slight shake because it's handheld, but the instruction says to note camera perspective. The background is an ice rink with boards, but keep background minimal.

Now, chronological order:

- Start: Two skaters (blue jacket, black hoodie) on ice; orange cone center.
- Then a pink-skated person enters from right, moves left.
- Another dark-skated person enters from left, moves right.
- All four skaters converge towards the cone, then skate around it, gathering near the cone.

Colors: blue, black, pink, dark (gray or black). But need to be concise.

Also, mention the action: skaters skating towards each other and the cone.

Now, structure the caption:

First, describe initial scene: two individuals on ice, one in blue jacket, one in black hoodie, with an orange traffic cone at center. Then a pink-jacketed individual skates into the frame from the right, followed by a dark-clad individual skating from the left. All four gather around the cone, circling it, before moving in a group.

Check rules: focus on motion and behavior in chronological order. Mention appearance (color, number). Spatial relationships (e.g., pink from right, dark from left). Conclude with camera: fixed, slight shake.

Wait, the camera: the video has a slight shake, but the movement—no pan, just a fixed camera with slight shake.

Now, write:

In the indoor ice rink, two skaters (one in blue jacket, one in black hoodie) stand near the center orange traffic cone; a pink-jacketed skater skates from the right toward the cone, while a dark-clad skater enters from the left and skates toward the cone; all four skaters gather around the cone, circling it and moving as a group. The camera remains stationary with minimal shake.

Wait, check for minimal background: the rink has boards, but maybe not necessary. The rules say "exclude background unless essential for understanding motion"—the cone is essential, but the boards are part of the rink, which is the setting. But the instruction says "keep background descriptions minimal", so maybe just mention the ice rink but no details. Wait, the initial frame has the rink, but in the caption, focus on main subjects.

Let me refine:

At the indoor ice rink, two skaters (blue jacket, black hoodie) approach the central orange traffic cone

Multiple individuals on roller skates moving around an orange cone; their motion is due to intentional locomotion and interaction with each other.

Static background elements (ice rink walls, yellow barriers, orange cone) show no uniform shifting or fluid motion (e.g., fire, water, smoke). No environmental fluid dynamics observed.


RAW CAPTION: Got it, let's tackle this. First, the video shows a group of basketball players in white jerseys with "UNI" on them. They're huddled together, probably a team talk. The main subjects are the players and a coach. The coach is in a dark suit, standing among them. The players are wearing white jerseys with numbers like 44 and 22. They're on a basketball court, so the background has the court and some spectators. The camera is close-up, focusing on the huddle. The motion is them listening to the coach, maybe some gestures. Let's check the rules: chronological order, motion, behavior. The huddle starts, they're talking, maybe the coach is speaking. The camera is steady, close-up. Background minimal. Let's structure the caption.

First, the main subjects: group of basketball players (white jerseys, "UNI" text, numbers visible), coach in dark suit. They're gathered in a huddle on the court. Players are facing inward, listening to coach. Coach is in the center, speaking. The huddle is tight, so spatial relationships: players around coach. Camera is close-up, no movement. Need to mention appearance: white jerseys, numbers, coach in suit. Motion: huddled together, listening. Chronological: they are gathered, coach is addressing them.

Now, put it together concisely. Avoid text recognition (so don't say "UNI" as text, but since it's part of their jerseys, maybe it's okay as part of appearance). Wait, the rules say "exclude text recognition" but the jerseys have "UNI" which is part of their appearance. Wait, rule f says "Exclude text recognition, named characters, or stylistic analysis." So text like "UNI" might be excluded? Wait, the example in the rules: "Exclude text recognition"—so maybe just describe the jerseys as "white with purple lettering" or something, but the problem is that the jersey has "UNI". But maybe the rules mean don't mention the specific text, but since it's part of their appearance, we can say "white jerseys with purple team lettering" or something. Wait, the task says "briefly describe their appearance and number (color, size, orientation)". So number is part of their appearance. So players have white jerseys, purple lettering (UNI), numbers on them (like 44, 22). Coach is in dark suit.

So let's structure:

A group of female basketball players in white jerseys with purple accents and visible numbers (e.g., 44, 22) huddle closely around a coach in a dark suit on a basketball court. The players face inward, listening attentively as the coach speaks. Their body language shows engagement, with some players gesturing slightly. The camera remains steady, focused on the huddle, capturing the players' upper bodies and the coach’s interactions.

Check rules: chronological order (huddle, listening, coach speaking), motion (huddling, listening), appearance (white jerseys, purple, numbers, coach in suit), spatial (players around coach), camera (steady, close-up). Background minimal. Exclude text recognition: instead of saying "UNI", describe as "purple team lettering" but maybe the problem says to include the jersey details. Wait, the example in the problem: the video shows "UNI" on the jerseys. The rules say "exclude text recognition"—so maybe we can't mention "UNI" as text. But the jersey has the text, but since it's part of the appearance, maybe we have to describe the jerseys as having team insignia without specifying the text. Hmm, but the user says "mention their appearance and number (color, size, orientation)". So numbers are part of it. So players have white jerseys with purple numbers or lettering. But maybe "white jerseys with purple accents and visible numbers" is okay.

Wait, the problem says "Exclude text recognition"—so don't include the actual text like "UNI" or "University of Northern Iowa" but just describe the color and numbers. So "white jerseys with purple lettering (though the exact text is excluded) but the numbers are visible (like 44, 22)".

So let's rephrase: A group of female basketball players in white jerseys with purple lettering and visible numbers (e.g., 44, 22) huddle closely around a coach in a dark suit on a basketball court. The players face inward, listening attentively as the coach speaks. Their body language shows engagement, with some players gesturing slightly. The camera remains steady, focused on the huddle, capturing the players' upper bodies and the coach’s interactions.

Wait, but the rules say "briefly describe their appearance and number (color, size

Players in white and purple jerseys are moving minimally during a huddle, demonstrating discrete, solid object motion due to interpersonal interaction and locomotion.

The background (basketball court and stands) is static with no shifting or environmental motion (e.g., wind, smoke, fire) observed.


RAW CAPTION: Got it, let's break this down. The video starts with a view from inside a large tube slide, looking out. Then, as the camera moves forward, it's like someone is sliding down. The main subject is a person in dark clothing sliding down the tube, maybe? Wait, the first frame shows the tube's interior, then the person comes into view. Wait, in the sequence, the camera perspective is from the slide's interior. So the video begins with the camera inside the slide, looking towards the exit. Then the person slides down, and the scene shifts to the exit area.

Wait, let's check the frames. Frame 0: view from inside the tube, seeing outside through the opening. Frame 1: same, maybe moving. Frame 2: the person is seen sliding down. Then frame 3: the person exits the tube and lands on a surface. Wait, the sequence is: the camera starts inside the tube, looking towards the end. Then the person (maybe a child) is sliding down the tube. Then they exit the tube onto a flat area. There's another person in the background, maybe standing near the exit.

Wait, the rules say to focus on main subjects in chronological order. The main subject is the person sliding down. Let's see: first, the view is from inside the tube (so the camera is fixed there, maybe the person is on the slide). Then the person slides down, and exits the tube. Then the person is on the ground, maybe running or moving. Let's note the appearance: the person sliding is dark-colored clothing, maybe small, like a child. Then there's another person in the background, wearing light colors, maybe white, standing near the exit.

Wait, the video starts with the tube's interior, so the camera is positioned at the start of the tube. Then the slide moves, so the camera perspective is moving as the person slides. So the sequence: person begins sliding down the tube (dark clothing), then exits the tube onto a flat surface. Then, the person is seen running or moving away, while another person is standing nearby.

Let me structure it chronologically:

1. The video begins with a view from inside a large cylindrical slide, looking toward the exit where a child in dark clothing is visible at the end of the slide.

2. As the slide progresses, the child slides downward and exits the tube onto a flat surface.

3. Once outside, the child moves forward on the surface, while a person in light-colored clothing stands nearby.

4. The camera remains fixed inside the slide, capturing the descent and exit in a continuous shot.

Wait, but the camera perspective: the video is shot from inside the tube, so the camera is moving with the person sliding? Or is it fixed? Wait, the first frame shows the tube, then the next frames show the person approaching, so the camera is inside the tube, and as the person slides, the view changes. Wait, maybe it's a first-person perspective of someone sliding down the tube.

So, in the first part, the viewer sees through the tube towards the outside, then the person (the one filming?) slides down. Wait, the video starts with the tube's interior, then the person is seen inside the tube moving towards the exit. Then they exit, and the background is a field or park with a fence.

Let me re-express: The video opens with a view from inside a large plastic tube slide, looking toward the exit where a person in dark clothing is visible at the far end. As the camera perspective moves forward (simulating sliding), the person in dark clothing slides down the tube, exits onto a flat surface, and then runs forward. In the background, a person in light-colored clothing stands near the exit area. The camera remains stationary inside the slide, capturing the motion of descent and exit.

Wait, but the rules say to mention spatial relationships. So, the person in dark clothing is initially at the end of the slide, then slides down, exits, and moves forward. The person in light clothing is in the background near the exit.

Also, the background is minimal, so maybe just note that there's a field or park.

Now, putting it into the caption:

The video begins with a view from inside a large cylindrical slide, showing a person in dark clothing at the slide's exit. As the camera moves forward along the slide, the person slides downward, exits onto a flat surface, and then runs forward. A second person in light-colored clothing stands near the exit in the background. The camera remains fixed inside the slide throughout, capturing the descent and exit.

Wait, but the video sequence: first frame is inside the tube, then the next frame shows the tube's interior, then the person (maybe the camera is moving with them) as they approach the exit. Wait, maybe it's a first-person shot

discrete_object_physics | ambient_environmental | camera_motion | ego_motion | static

Two people are moving: one person is actively sliding or running through the tube, and another person is visible at the exit.

The background (trees and fence) shifts uniformly due to the camera moving. There is no fire, water, smoke, or wind that dominates the scene.


A large yellow bulldozer is stationary on a gravel surface with trees in the background. It then rotates left, pivoting on its tracks while the blade lowers and shifts position. The camera remains fixed, capturing the machine's gradual movement without additional motion.

The yellow bulldozer is the only discrete solid object moving, moving forward (left to right) on the gravel surface.

The background (trees, ground) is stationary with no significant environmental motion (no fire, water, smoke, or strong wind). The trees are still and the ground is consistent.


RAW CAPTION: Got it, let's break this down. The video shows a birthday scene. First, there's a woman in a coral sweater sitting at a table with a cake. She blows out candles. Then, the man behind her claps, and the woman in white also claps. Let's note the sequence: start with the woman blowing, then others clapping. Appearance: woman in coral, man in dark shirt, woman in white with scarf. Spatial: woman in coral is seated, man behind her, woman in white to the left. Background: room with furniture, maybe a fireplace, but minimal. Camera is static, no movement mentioned. So structure: chronological order, motions, appearances, spatial. Keep it concise. Let's draft: "A woman in a coral sweater sits at a table, blowing out candles on a chocolate cake adorned with strawberries and white candles. She then turns her head, while a man in a dark shirt and a woman in a white top with a blue scarf stand behind her; both begin clapping as the woman in coral continues to sit, with the table holding a mug and a plate. The scene is viewed from a static camera angle in a warmly lit room with minimal background details." Wait, check rules: exclude named characters, so no "woman in white top with blue scarf" maybe say "a woman in a white top and blue scarf" but rules say no named characters. Wait, the rules say "exclude named characters", but in the video description, they're just people. Wait, the task says "exclude text recognition, named characters, or stylistic analysis". So we can't refer to them by name, but describe their appearance. So "a woman wearing a coral sweater" etc. Let's adjust. Also, check chronological order: first woman blows candles, then stops, turns head, then the two people clap. The sequence in the video: frame 0, woman is blowing, frame 1, still blowing but maybe more motion, frame 2, she stops, frame 3, they clap. So "A woman in a coral sweater sits at a table, blowing out candles on a chocolate cake with strawberries and white candles. She ceases blowing, turns her head slightly, while a man in a dark shirt and a woman in a white top stand behind her; both begin clapping. The table holds a mug and a plate, with the scene captured from a static camera in a room with subtle background elements." Check rules: keep background minimal. The room has furniture, so "a room with minimal background details". Also, mention spatial: the woman in coral is seated at the table, the man and other woman are behind her. Wait, in the first frame, the woman in coral is in front, the others are behind. So "a woman in a coral sweater sits at a table, blowing out candles on a chocolate cake decorated with strawberries and white candles. She stops blowing and turns her head, while a man in a dark shirt and a woman in a white top with a blue scarf stand behind her; both begin clapping. The table holds a mug and a plate, and the scene is filmed from a static camera angle in a softly lit room with subtle background elements." But wait, the rules say "exclude text recognition, named characters" — but the characters are just people, so describing their appearance (color, size, etc.) is okay. Also, "conclude with camera perspective". So final draft: "A woman in a coral sweater sits at a table, blowing out candles on a chocolate cake topped with strawberries and white candles. She stops blowing, turns her head, while a man in a dark shirt and a woman in a white top with a blue scarf stand behind her, both clapping. The table holds a mug and a plate, and the scene is viewed from a static camera in a room with minimal background details." Wait, but the rules say "briefly describe their appearance and number (color, size, orientation)". So "a woman in a coral sweater" — color, size maybe implied as medium (since they're seated), orientation is seated. The man is in dark shirt, standing behind. The woman in white top with blue scarf, standing behind. Then the actions: blowing candles, stopping, turning head, clapping. Spatial: the woman in coral is in front of the table, the others are behind. Background: room with a fireplace, but minimal. So maybe: "A seated woman in a coral sweater blows out candles on a chocolate cake with strawberries and white candles. She stops, turns her head, and two people behind her—a man in a dark shirt and a woman in a white top with a blue scarf—begin clapping. The table holds a mug and a plate, and the scene is captured from a static camera in a softly lit room with minimal background details." Wait, the video starts with the woman

Discrete solid objects (people) exhibit movement: the person in red (seated) interacts with a cup and cake, while the person in dark clothing (standing) makes subtle hand movements.

Background elements (walls, furniture) show no uniform shifting or fluid motion; no fire, water, or smoke present.


RAW CAPTION: Got it, let's break down the video steps. First, the video starts with a close-up of a person's hands using a knife to slice a chocolate-covered cake. The cake is on a tray, and the knife cuts through the chocolate layer, revealing layers inside. Then, in the next frame, the person moves the knife away, and the cake is shown with a slice cut off. Wait, no, the third frame shows a hand pouring chocolate sauce over the cake. Let's check the timestamps:

Frame 0: Hands slicing a chocolate-covered rectangular cake on a tray. The cake has a glossy chocolate top, layers visible when cut.

Frame 1: Close-up of the cake with a slice removed, showing layers (chocolate, maybe raspberry, cream).

Frame 2: A hand pours chocolate sauce over the cake (which is now on a wire rack, tray below). The hand is holding a pitcher, pouring thick chocolate sauce over the top and sides.

So chronological order: First, slicing the cake (showing the layers), then pouring chocolate sauce.

Now, describe the motion and behavior. Main subjects: hands (person's hands), cake, knife, pitcher.

First scene: Hands use a knife to cut through the chocolate-coated cake. The cake is rectangular, on a tray, glossy chocolate top. As the knife slices, it reveals internal layers (chocolate, perhaps fruit or cream, lighter layers).

Second scene: A hand pours thick chocolate sauce from a pitcher over the cake, which is now on a wire rack. The cake has the sliced edge showing, and the sauce is drizzled over the top.

Wait, the video transitions: from slicing (showing the cake being cut) to pouring sauce. So the sequence is: slicing the cake (with knife), then pouring chocolate sauce over the cake.

Now, appearance: cake is dark brown, glossy chocolate exterior. When sliced, layers of different colors (chocolate, maybe red/pink from fruit, light cream). The hands are in the frame; when pouring, the pitcher is dark red, pouring thick sauce.

Spatial: first scene, hands are above the cake, knife moving through the chocolate. Second scene, hand holding pitcher is to the side, pouring over the cake.

Camera perspective: close-up shots, probably static, but the video might be a series of close-ups. The problem says camera perspective and movement at the end.

Rules: focus on motion chronologically. So:

Start with slicing: hands use knife to cut a chocolate-covered rectangular cake on a tray, revealing layered interior. Then, a hand pours thick chocolate sauce from a pitcher over the cake (now on a wire rack), coating the top and sides.

Mention appearance: cake is rectangular, dark chocolate exterior, internal layers include chocolate, possibly fruit filling, and lighter layers. The pitcher is dark red, holds thick sauce.

Spatial: slicing scene, hands above cake; pouring scene, hand holding pitcher to the right of the cake, pouring over it.

Background minimal.

Conclude with camera: close-up, static shots (since it's a series of close-ups, no movement mentioned except the action).

Now, construct the caption:

A person uses a knife to slice a glossy chocolate-coated rectangular cake on a tray, revealing layered interior with chocolate, red fruit, and light cream layers. The hands then pour thick chocolate sauce from a dark red pitcher over the cake, which is now placed on a wire rack, coating the top and sides. Camera remains close-up, static throughout the sequence.

Wait, check the frames:

Frame 0: slicing, knife cutting through chocolate, showing layers.

Frame 1: after slicing, the cake has a slice removed (so the cut is there, showing the cross-section).

Frame 2: pouring sauce on the cake (which is on a wire rack, so tray with rack).

So the sequence is: slice cake (showing layers), then pour sauce over it.

In the caption, need to be chronological:

First, slicing: hands slice the chocolate cake, revealing internal layers. Then, a hand pours chocolate sauce over the cake.

Now, concise and chronological:

Hands slice a glossy chocolate-covered rectangular cake on a tray, exposing layered interior with chocolate, red, and light cream layers. A hand then pours thick chocolate sauce from a dark red pitcher over the cake, which is positioned on a wire rack.

Check rules: appearance of subjects (hands, cake, pitcher), motion (slicing, pouring), spatial (cake on tray/rack, pitcher pouring over), camera perspective (close-up).

Background minimal: the background is blurred, not essential.

So the caption should be:

<caption_output>Hands use a knife to slice a glossy chocolate-coated rectangular cake on a tray, revealing layered interior with chocolate, red, and light cream layers. A hand then pours thick chocolate sauce from a dark red pitcher over the cake,

Hands holding a chocolate container pour liquid onto a layered cake, with the container and hands exhibiting controlled motion.

Static wooden background with no shifting elements; no fire, water, smoke, or wind dominating the scene.


A person wearing a blue cap and black jacket, carrying a backpack with visible equipment, walks slowly across a grassy area while looking downward. They move leftward, with the camera panning left to follow their motion, passing near short posts and a paved road lined with trees and parked cars. The camera remains steady with slight movement as the person continues walking, maintaining a side perspective.

A person wearing a blue cap is moving their head and upper body, indicating discrete locomotion or adjustment (not continuous walking or large-scale movement).

Static background elements (trees, grass, road) show no uniform shifting. No fluid/environmental motion (fire, water, smoke, wind) is present.


A person wearing a sweatshirt with a graphic and a bun extends their arms outward, then retracts them while standing in a room with a door to their left and furniture below; the scene transitions from a colorful abstract background to a black-and-white sketch, then briefly shifts to a greenish tint, with the camera remaining static throughout.

A person (drawn in sketch style) is moving their arms and body, indicating locomotion (e.g., dancing or gesturing).

The background (room with door and two objects) is static and does not shift uniformly. No fire, water, smoke, or wind is present.


A person in a bright orange vest with colorful striped patterns holds a bamboo pan flute tied with blue string, positioning it to their mouth and moving fingers over the tubes to play. The camera gradually zooms in on their hands and the instrument, focusing on the motion of their fingers pressing the flute's tubes. Background guitars are visible but remain out of focus as the camera maintains a steady close-up perspective throughout.

The person's hands and the musical instrument (pan flute) show discrete movements due to active playing, with clear bounding box tracking of the instrument and hand gestures.

Background elements (musical instruments) are static with no shifting or fluid motion; no fire, water, smoke, or wind present.


A man in a dark shirt and jeans sits on a wooden bench, initially stretching with arms extended. He then adjusts his posture, moving his arms inward. A woman in a light top stands behind him, holding a bag, then steps left and exits the frame. The man continues to sit on the bench as the woman disappears. The camera remains stationary, capturing the scene from a fixed perspective with a green building and window in the background.

Briefly describe what discrete, solid objects are moving.

Briefly check for shifting backgrounds or fluid/environmental motion (fire, water, wind).


A man in a green shirt, black cap, and black gloves manipulates a large black tire, using his hands to adjust or tighten its tread while seated. Behind him, a blue chair and red folding chair are visible against a backdrop of trees and a wooden fence. The camera stays stationary, capturing the man’s focused actions up close.

A person wearing gloves manipulates a tire and associated tools; their hands and arms exhibit distinct, purposeful motion while working on the tire.

Static background elements (blue chair, red folding chair, trees) show no uniform shifting or fluid motion. No fire, water, smoke, or significant wind motion detected.


A person wearing a maroon shirt and a dark watch stands near a wooden door, using a mirror to apply a substance to their right eye. The individual then moves to a counter with a mirror, a white bottle, and other small items, drops two eye drops into their left eye, and rubs the eye. The camera transitions from a close-up of the person near the door to a view of the counter setup, maintaining a steady perspective throughout.

A person (discrete solid object) moves their hands and interacts with lab equipment, showing explicit physical motion from locomotion/interaction.

Background elements (door, wall, lab equipment) remain static; no shifting background or fluid/environmental motion (fire, water, smoke, wind) detected.


Two people stand facing the camera; the individual on the left wears a dark blue vest over a light shirt, while the person on the right wears a black top and glasses. The person on the right raises their right hand in a waving motion, then lowers it, while the individual on the left remains mostly still. The camera remains static throughout, capturing the subjects from a frontal perspective with minimal background details visible.

Two individuals (a man and a woman) exhibit discrete motion: the woman gestures with her hand and shifts head position, while the man shows minor head movements; all motion is self-driven.

Background elements (door, wall) show no uniform shifting or fluid motion; no fire, water, smoke, or wind present.