RAW CAPTION: Okay, let's tackle this video caption. First, I need to focus on the main subjects, which are the three girls walking towards the camera. They start from the left side of the frame, moving towards the right as they approach. Each has different items: the first is holding a plate, the middle one has a drink and a hat, and the last one is carrying a large yellow bag.

I should note their appearance briefly. They're all women, wearing casual clothes—dark tops and pants for the first two, maybe a red top for the middle one. The girl on the right has a yellow bag. The camera seems to be stationary, maybe a slight zoom as they get closer. Background has houses and a lawn, but the rules say minimal background. The key is chronological motion: walking towards the camera, then entering the doorway.

Wait, the video starts with them outside, then they move towards the camera, and the last frame shows the phone screen. But the rules say exclude text recognition, so I shouldn't mention the "hurry" message. Focus on the movement.

Check the output format: concise paragraph, chronological order, mention spatial relationships. So they start from the left, walk towards the camera (right side of frame), pass by the doorway. Camera is stationary, maybe a slight zoom. Need to keep it brief.

Let me structure it: Three women walk towards the camera along a paved path; leftmost holds a plate, middle carries a drink and hat, rightmost has a large yellow bag. They approach the doorway, entering the frame as they get closer. Camera remains stationary with slight zoom.

Wait, the exact movement: first frame they're a bit further back, then they get closer, almost entering the doorway. So the motion is towards the camera, moving from the background towards the foreground. The camera might be at the doorway, so as they approach, they come into view.

Also, the background elements like the house, cars, palm trees are minimal. So in the caption, just mention they're on a paved path near a house. But the user says minimal background unless essential. So maybe just "a paved path near a house" but not too much.

Wait, the rules say: "Keep background descriptions minimal unless essential for understanding motion." So maybe just "in front of a house" is enough.

Putting it all together: Three women walk towards the camera along a paved path near a house; leftmost holds a plate, middle carries a drink and hat, rightmost holds a large yellow bag. They move closer, approaching the doorway of a building. The camera remains stationary with a slight zoom as they enter the frame.

Check the order: chronological, from start to end. The video shows them walking towards the camera, then the camera cuts to a phone screen. Wait, no—the last frame shows the phone screen, but the rules say to exclude text recognition. So the caption should cover the video until the phone screen, but the user says the video ends at the phone screen? Wait, the video provided has a transition from the three women to a phone screen. But the task is to describe the provided video. The user's example shows the video as a sequence where first it's the women walking, then the screen. But according to the problem statement, the video is [0.0 seconds] to [5.0 seconds], but the last frame is the phone screen.

Wait, the user says: "You are an expert video captioner. Your task is to generate a concise, chronological paragraph describing the provided video." The video starts with the three women walking, then transitions to the phone screen. So the caption should include both parts? But the rules say to exclude text recognition, so the phone screen part might just be a transition. Wait, but the user provided the video frames as [0.0] to [4.7] with the phone screen at [5.0] but the video ends there.

Wait, the problem says: "the provided video" which includes the phone screen. However, the rules state to exclude text recognition. So when the video cuts to the phone screen, I should mention the transition but not the text. So maybe the caption would describe the women walking, then the scene shifts to a phone screen displaying messages.

Wait, the user's instruction says: "Focus primarily on the motion and behavior of main subjects (people/animals/objects) in chronological order." So the main subjects are the three women walking, then the phone screen. But the phone screen's main subject is the screen itself, which is not a person or animal. However, the rules say to focus on motion and behavior of main subjects. If the main subjects shift from the women to the phone screen, how to handle it?

Looking at the example output format: the user's sample might not include the phone screen, but according to the video provided, the last

Three people are walking towards the camera along a pathway. Their motion is due to locomotion (walking).

The background (building, ground, trees) is stationary. No fluid/environmental motion (fire, water, wind) observed.


Two children sit on a concrete surface; one wears a green striped shirt and the other a blue patterned shirt. They gesture with their hands while playing rock-paper-scissor-dirt, then the child in green stands and moves toward the other child. The video transitions to a blue screen with a white circle and the word "NOW".

Two children actively moving hands/bodies during rock-paper-scissors-dirt game; one child bends to pick up and handle a dirt clump.

Background (concrete ground and wall) is static with no environmental motion (fire, water, wind). The ground and wall show no uniform shifting.


In a crowded nighttime street scene, a woman in a light purple dress dances amid a large, moving crowd, her arms swaying rhythmically as onlookers clap and gesture; she bends forward, interacting with people surrounding her, while others move and sway in the tight group; the camera follows closely, exhibiting slight shake.

Discrete solid objects (people) are actively moving; individuals in the crowd exhibit dance-like motion (swaying, clapping, stepping) as distinct physical actions.

The background consists of stationary buildings and streetlights with no significant shifting or fluid environmental motion (e.g., no fire, water, or smoke). Static elements (buildings, lighting) remain consistent across frames, indicating no dominant ambient environmental motion.


A person wearing a dark blue puffer jacket and white gloves uses a black power drill to bore into a rectangular wooden block placed on the ground near some grass; the individual adjusts their grip on the drill, which is angled downward toward the block, creating small wood shavings as they work, then lifts the drill away from the block. The camera maintains a close-up, steady perspective focused on the drilling action and the wooden block.

The drill (a solid object) is moving in and out of the wood block due to the person's hand operation. The person's hands are actively controlling the drill's motion, causing discrete, localized movement of the drill bit relative to the stationary wood.

The background (pavement and grass) remains static throughout the frames. No fluid or environmental motions (fire, water, smoke, wind) are observed, and the grass does not sway or move significantly.


A dealer in a black vest and white shirt arranges playing cards on a green table with "betsson" branding, then places a chip into a betting spot. The dealer's hands move to adjust the cards and chips on the table. The camera maintains a top-down perspective with no movement.

The dealer's hands are moving the chips on the table; the chips are being placed and moved by the dealer's physical interaction.

The background (casino interior) is static with no fluid or environmental motion (fire, water, wind).


A person manipulates a small metallic object with their hands, then uses blue-handled pliers to adjust it. The hands continue working with the object as the camera shifts to a top-down view of the person at a table, where a wooden board, metallic pen, and plastic bag of small metal pieces are visible. The person, wearing a patterned shirt, focuses on the task with the object.

A person's hands manipulate small solid objects (metal pieces) using blue-handled pliers, causing discrete motion in the hands and tools.

The background consists of a static table surface with stationary objects (wooden board, metal sheet, plastic bag). No shifting backgrounds or fluid/environmental motion (fire, water, wind) observed.


In a workshop setting, several people gather around white buckets and containers; one individual handles a bucket while others work nearby. The camera shifts to a close-up of a person holding a metal bowl. Next, a woman in an orange top interacts with a seated person wearing a pink cap, extending her hand. Finally, a person in a military uniform stands in the background. The camera alternates between these scenes with slight movements and shifts in perspective.

Discrete objects: person pouring liquid (arms, pot), cups being filled, people interacting (holding bowls, sitting, walking), and a person extending arms. Motion driven by intentional physical actions (pouring, walking, handling objects).

Static background elements (wooden walls, ladders, structures) remain fixed with no uniform shifting. Fluid motion (liquid pouring) occurs but is controlled and not dominant; no fire, smoke, wind, or large-scale water features.


A woman wearing a red cap and black top holds a book with a photograph, raising it toward the camera while gesturing with her free hand. Several people with brown and blonde hair surround her, observing the book from close proximity. The background features a black tarp and wooden posts. The camera remains static, capturing a medium shot from a slightly elevated angle.

The person wearing a red helmet is moving their head and hand to gesture while holding a picture frame. This motion is due to their own locomotion and gesture.

The background (dark fabric and wooden beams) is static. No shifting or fluid motion observed. The scene does not exhibit fire, water, smoke, or wind.


Two individuals stand in a parking lot beside a white pickup truck; one wears a green shirt and dark jacket, the other a brown hoodie and jeans, both holding brooms. The person in the green shirt moves leftward, while the other bends to place their broom on the ground, then stands upright. The camera remains static, capturing the scene from a frontal perspective.

Two people moving via walking and swinging a croquette bat; the bat strikes a ball-like object, with visible motion from deliberate locomotion and collision.

Background elements (truck, trees) show no uniform shifting; no fire, water, smoke, or wind present.


RAW CAPTION: Got it, let's break this down. The video starts with a group of people around an orange safety net. There's a man in a striped shirt leaning over, interacting with a child in a blue shirt. Then the scene shifts to a different person, maybe a man in a red vest, crouching near a stone wall or excavation site. Need to describe the sequence chronologically.

First part: multiple people gathered behind orange netting. A man in striped shirt (gray and white, maybe) is leaning towards a child (blue shirt) who's in front of him. The child is near the net. Then the camera moves to a different scene where a person in red vest and white shirt is crouching, working with stones or an excavation area. The background has more people and orange netting.

Check the rules: focus on motion and behavior in order. So start with the first scene, then the transition to the second. Mention spatial relationships (e.g., man leaning over child, child in front of net). Then the camera moves to another person crouching by stones.

Avoid text, named characters. Keep it concise.

Let me structure:

Initially, a crowd of people stands behind orange safety netting; a man in a striped shirt leans forward, guiding a child in a blue shirt positioned near the net. The camera then pans to a different location where a man wearing a red vest and white shirt crouches beside a stone excavation site, examining the ground.

Wait, need to check the frames: first frame shows the crowd with the striped shirt man and child, then the camera moves to the second scene with the red vest man.

Check the timestamps: [0.0] to [2.5] is first scene, then [2.5] to [4.7] is the second.

So the sequence: people behind net, man in striped shirt leaning towards child in blue. Then camera shifts to man in red vest crouching by stones.

Make sure to mention the transition. Also, appearance: striped shirt (color, size), blue shirt, red vest, etc.

Let's draft:

A group of people gathers behind an orange safety net; a man in a black-and-white striped shirt leans forward, guiding a child in a blue shirt positioned near the net. The camera then pans to a man wearing a red vest and white shirt crouching beside a stone excavation site, examining the ground with his hand.

Wait, in the video, the second scene shows a man crouching, looking at the ground, maybe working. The stones are part of the excavation.

Check rule f: exclude text recognition, so no labels.

Also, "briefly describe appearance and number" so mention the main subjects (people) and their colors.

Number of people: the first scene has a crowd, but focus on main ones: the man in striped and child, then the man in red vest.

So:

In the initial scene, a crowd stands behind an orange safety net; a man in a black-and-white striped shirt leans over, interacting with a child in a blue shirt positioned in front of the net. The camera then shifts to a second scene where a man wearing a red vest and white shirt crouches beside a stone excavation site, closely examining the ground.

Wait, the second scene: the man is crouching, hand on the ground. The stones are large, part of the excavation.

Also, check spatial relationships: in the first scene, the man is leaning towards the child (child in front of net, man behind net? Or both behind net? Wait, the net is orange, so people are behind it, and the child is maybe behind the net, and the man is leaning over to the child. The child is in front of the net? Or the net is between the crowd and the excavation.

Wait, the video shows the crowd behind the orange net, and the man in stripes leaning towards the child who's near the net (so child is on the other side of the net? Or maybe the net is a barrier, and the child is inside the site.

Looking at frame 0.0: people behind the net, man in stripes leaning over the net towards a child who's on the other side (child is in front of the net, maybe in the excavation area). Then frame 2.5: camera cuts to a different person (red vest) crouching by stones.

So in the first part, the main subjects are the man in striped shirt and the child in blue. They're near the orange net. The man is leaning over the net towards the child, who is on the other side (so child is in front of the net, man behind). Then camera moves to another person (red vest) crouching by stones (excavation site).

Now, let's write concisely:

A crowd gathers behind an orange safety

Two distinct scenes: (1) A man in a striped shirt moves his hand while leaning over an orange safety net; (2) A person in a red vest kneels and digs with a tool in rocky soil.

No shifting background elements observed. No fire, water, smoke, or wind motion detected.


A person in a black and purple robe holding a silver-topped staff gestures with their right hand while standing to the right of a person in a pink top and gold skirt, who keeps hands clasped. Other individuals in dark robes with red accents stand to the left and behind, some holding swords. The staff-wielder's hand movements are visible as the camera slightly pans left, capturing the group against a whiteboard backdrop.

Discrete solid objects (people) exhibit motion: the individual in the purple robe makes hand gestures and shifts posture, while others slightly adjust positions. These movements are distinct, physical locomotion or gestures, not camera artifacts.

The background elements (wall, chair) remain stationary across frames, showing no fluid or environmental motion (e.g., no fire, water, smoke, or wind effects).


A man in a blue jacket and black pants with white stripes and a woman in a red jacket and black pants stand near a chain-link fence. The man extends both arms horizontally, while the woman steps forward, places her hands on his arms, and guides him to maintain the extended position. They remain close as the woman adjusts his posture. The camera is steady with minimal movement tracking their actions.

The man in blue and woman in red are moving their arms and bodies in coordinated gestures (e.g., extending arms, leaning). These are solid objects moving due to explicit physical forces.

Background elements (chain-link fence, trees, distant structures) are stable with no uniform shifting; no fire, water, smoke, or wind motion dominates the scene.


A person in a black shirt and blue jeans sits on a grassy area, then stands and walks across the grass toward the right side of the frame. The camera remains stationary throughout.

A person performs a jump and subsequent locomotion across the grassy area, with clear bounding box tracking of their movement.

Background elements (trees, sidewalk, road, white van) remain static; no fluid motion (fire, water, wind) observed.


Two light-skinned hands manipulate a small white rectangular object over a black surface, lifting and rotating it while the background features a cluttered desk with a red box and keyboard. The camera maintains a close-up, slightly shaky perspective focused on the hands' motion.

A small rectangular object (likely a card or box) is being manipulated by hands: held, rotated, and moved across a black surface.

Background elements (desk, computer, boxes) are static with no shifting or fluid motion. No fire, water, smoke, or wind observed.


A woman with shoulder-length brown hair wearing a light gray shirt stands at a sink, lifting a white object. She then turns toward another person in a brown shirt working at the sink, draping a red cloth over the second person's shoulders. The background includes a washing machine and wooden shelving. The camera remains stationary throughout.

Two people: a woman moving her arms while waving a red cloth and interacting with another person, and a man in the background engaged in kitchen activity. Their motions (arm movements, cloth waving, body turns) are explicit physical actions driven by human locomotion and manipulation of objects.

No shifting background or fluid/environmental motion observed. Kitchen elements (wooden structure, counter, appliances) remain static throughout the frames, with no fire, water, smoke, or wind effects.


RAW CAPTION: Got it, let's break down the video. First, the scene is a baseball game. The main subjects are players. In the initial frame, there's a batter (blue uniform), pitcher (white), and others. Then the batter hits the ball, which goes towards the outfield. The pitcher runs towards first base, and other players move. Let's see the sequence:

0.0s: Batter (blue) swings, ball hit. Pitcher (white) in the mound. Catcher and umpire at home.

1-3s: Ball is in play, pitcher runs to first base. A player in blue runs towards first. The fielder (maybe second baseman) moves.

3-5s: The runner in blue approaches first base. The fielder (in blue or white?) is at first. They might be trying to get the runner out. The runner steps on first.

Wait, need to track movements chronologically.

First, batter hits the ball (action of hitting). Then, the ball is fielded or the runner runs. Let's check the frames:

Frame 0: Batter (blue) hits ball. Pitcher (white) is on mound.

Frame 1: Ball is in the air, player (white uniform) is running to catch? Wait, the player in blue (batter) is running towards first. The pitcher is at first base? No, pitcher is on the mound initially. Wait, in baseball, after hitting, the batter runs to first. The pitcher, if the ball is hit, might be going to first. But in the first frame, pitcher is on mound, then moves towards first.

Wait, let's look at the positions:

In frame 0:

- Batter (blue, at home plate) has just hit the ball.

- Pitcher (white) is on the mound (center of the infield).

- Catcher (blue) and umpire behind home.

Then, frame 1: the ball is in the air. The batter (blue) is running towards first base. The pitcher (white) is moving towards first base.

Frame 2: The batter continues running. The pitcher is now near first base.

Frame 3: The batter is approaching first base. The fielder (white uniform) is at first base, trying to catch the ball to get the runner out. The runner (blue) is running towards first.

Frame 4: Runner (blue) is at first base, maybe stepping on the base. The fielder (white) is there, but the runner is safe? Or the fielder is holding the ball.

Wait, but need to focus on motion.

Chronological order:

1. A batter in a blue uniform swings and hits the ball, sending it towards the infield.

2. The pitcher, wearing a white uniform, runs from the pitcher's mound towards first base.

3. The batter, now running towards first base, continues moving as the ball is fielded by a player (possibly in a white uniform) near first base.

4. The fielder attempts to tag the runner, who is advancing to first base.

5. The runner reaches first base, with the fielder nearby.

Now, check the spatial relationships: The batter is in front of the pitcher initially (since pitcher is on mound, batter at home plate). Then batter runs towards first, which is in front of home plate. The fielder is near first base.

Appearance: Blue-uniformed batter, white-uniformed pitcher. Number: At least two players visible (batter and pitcher, others in background).

Camera: Probably a wide shot of the field, possibly panning left to follow the runner's movement. Background is the baseball field with grass and dirt.

But need to be concise. Let's structure:

A baseball player in blue swings and hits the ball, then runs toward first base. The pitcher in white runs from the mound toward first base. The batter approaches first base as a fielder in white attempts to tag him. The runner reaches first base while the fielder stands nearby. The camera follows the runner's movement with a slight pan to the left.

Check if minimal background: The field is grass and dirt, but maybe not essential. Focus on motion.

Also, rules: no text recognition, so ignore "Royals TV WLW" etc.

Let's draft:

A baseball batter in a blue uniform hits the ball and begins running toward first base. The pitcher in a white uniform runs from the pitcher's mound toward first base. The batter continues to approach first base as a fielder in white attempts to tag him. The runner reaches first base while the fielder stays near the base. The camera pans slightly left to follow the runner's movement.

Check chronological order:

1. Hit the ball, run toward first.

2. Pitcher

Discrete solid objects include the pitcher, batter, catcher, ball, and fielders; their motion involves pitch, hit, and running bases due to physical forces and collisions.

Background elements (baseball field dirt, grass, and outfield) show no significant uniform shifting or fluid/environmental motion (e.g., no fire, water, smoke, wind).


An adult wearing a light blue shirt and dark pants sits on the left, strumming a large acoustic guitar. A small child in a red and yellow outfit sits on the floor to the right, holding and strumming a miniature guitar. Both remain seated throughout the sequence, with the child looking toward the adult while playing. The background features beige cabinets. The camera remains stationary, capturing the scene from a medium angle.

Two discrete objects (adult and child) are moving: adult's hands strumming guitar, child's hands playing ukulele. These are solid, distinct motions driven by physical interaction with instruments.

Background elements (cabinets, walls) show no significant shifting or fluid motion; no fire, water, or wind effects detected.


A group of five dancers, wearing blue patterned shirts, dark pants, and hats, perform a synchronized routine in unison. They advance across a paved area, stepping and kicking in coordinated movements as the camera pans slightly to follow their progression. The crowd seated in the background observes their performance.

Multiple dancers (solid objects) are moving in a coordinated dance routine, showing discrete locomotion.

Background elements (trees, buildings, crowd) are stable with no fluid/environmental motion (fire, water, wind).


A brown-skinned hand holds a black marker, moving across a white paper sketch with blue outlines of a pigtailed character, adding black lines to the sketch. The hand traces and fills details, moving from left to right. The camera maintains a close-up, static view of the drawing process.

A human hand is moving to draw on paper, interacting with the sketch of a character (discrete solid object moving due to physical drawing action).

Background is a static white surface with no shifting elements, and there are no fire, water, smoke, or wind effects present.


A person's light-sleeved hand places a puzzle piece near a red circular segment, followed by a dark-sleeved hand positioning a piece adjacent. The light-sleeved hand then adjusts a green rectangular piece within the puzzle grid, while the dark-sleeved hand continues placing other pieces. Loose puzzle pieces surround the partially assembled grid, which features colorful, intricate segments. The camera maintains a fixed top-down perspective, capturing the hands' precise movements throughout.

Two hands manipulate circular tokens (solid objects) on a board: picking up, moving, and placing tokens in discrete motions. Tokens are moved by direct human contact, showing clear object-to-object interactions.

Background shows a static table surface with a printed board; no fire, water, smoke, or wind present. Table and board elements remain fixed without uniform shifting.


The video begins with three large clear water jugs, labeled "Hudson Valley Water," stationary on a shelf. It transitions to a man in a blue shirt moving multiple water jugs in a warehouse setting, handling them between storage racks. The camera shifts from a static close-up of the jugs to a wider view of the man's activity, maintaining a steady perspective throughout.

A man in a blue shirt moves a large water bottle while standing in front of a rack of water bottles. The bottle's motion is due to direct physical force from the man's hands.

The background (walls, racks, and water bottle containers) remains static throughout the video. No shifting backgrounds or fluid/environmental motion (fire, water, smoke, wind) is observed in either the initial static scene or the second scene with the moving subject.


RAW CAPTION: Got it, let's tackle this. First, the video shows a hand interacting with a book. The hand is blue-tinted, maybe from lighting. The book is open, and the hand moves over the page. Let's check the steps.

Start: Hand is on the book page. Then, the hand moves, maybe flipping or touching. The book is silver or white with some text, but we can't focus on text. The hand is blue, so color is important. The book is open, so spatial relationship—hand is on top of the book page. Then the hand moves across the page, maybe flipping it. Wait, the frames show the hand moving, so chronological: first, the hand is on the page, then it moves, perhaps sliding or flipping. Wait, the video is short: 0 to 5 seconds. Let's list actions:

0s: Hand on book page. 1s: Hand moves over page. 2s: Hand continues moving. 3s: Hand moves to the side, maybe flipping? Wait, the description says "the hand's motion and behavior". So in chronological order: a blue-tinted hand rests on a white book page with visible water droplets, then moves across the page, and finally flips the page or adjusts the book. Wait, the video has the hand moving from left to right, maybe, then adjusting. But need to be concise.

Appearance: hand is blue (tint), book is white/silver with some markings. Number: one hand. Spatial: hand is on the open book page. Motion: hand moves across the page, then moves to the side, perhaps flipping. Camera perspective: close-up, top-down maybe? The video is a close-up shot, so camera is close to the book.

Background: minimal, dark background. Rules say exclude text recognition, so don't mention the "1" on the page. So focus on motion: hand moves over the page, then adjusts the book's page.

So putting it together:

A blue-tinted hand moves across a white book page, adjusting its position and flipping the page. The hand's motion is sequential, starting from the left side of the page and progressing rightward, then shifting to the book's edge. The camera remains static in a close-up view, focusing on the interaction between the hand and the book. Background is dark.

Wait, need to check rules: chronological paragraph, focus on motion. Let's see the frames:

Frame 0: Hand on page (fingers spread).

Frame 1: Hand moves up slightly.

Frame 2: Hand continues moving.

Frame 3: Hand shifts to the right, fingers pressing down.

Frame 4: Hand moves to the left, maybe flipping.

Wait, the video description says "the hand's motion and behavior in chronological order".

So: At 0s, a blue-tinted hand rests on a white book page. By 1s, the hand moves upward across the page. At 2s, the hand continues its motion, shifting rightward. By 3s, the hand adjusts the book's edge. The camera maintains a static close-up, capturing the hand's interaction with the open book against a dark background.

But need to be concise. Let's try to condense.

A blue-tinted hand moves across a white book page, shifting from left to right and adjusting the page's position. The hand's motion begins with a resting position, transitions to a rightward glide, and concludes with a subtle page adjustment. The camera provides a static close-up view, focusing on the hand's interaction with the open book, set against a dark backdrop.

Wait, check the rules: "Conclude with camera perspective and movement". So need to end with camera.

Also, number of hands: one hand.

Appearance: blue-tinted hand (so color), white book page.

Spatial: hand is on the open book (so in front of the book, but the book is open, so the hand is on the page).

Let's write it:

A single blue-tinted hand moves across a white book page, shifting rightward and adjusting the page’s edge. The motion begins with the hand resting on the page, progresses through a rightward slide, and ends with a subtle page adjustment. The camera maintains a static close-up perspective focused on the hand and book, with a dark background.

Check if text is excluded: the "1" on the page is mentioned? Wait, the instruction says "Exclude text recognition". The "1" is part of the page, but we don't have to mention it. So the description should not refer to the text on the page. So in the caption, don't mention any text.

Yes, so "white book page" without mentioning the text. So that's good.

Check chronological order: starts with resting

A gloved hand moves over a white surface (likely a book or paper) in a writing or drawing motion; the hand is the primary moving object, and the paper is moved as a consequence of the hand's contact.

The background (dark surface) is static with no shifting, and there is no fire, water, smoke, or wind present.


A small child in dark blue with white stripes runs forward along a concrete sidewalk, moving away from the camera toward a red-brick building. The child continues running past grassy areas and bushes, with an adult in a red hoodie and jeans entering the frame from the right and walking behind the child. The child maintains a steady pace ahead of the adult as they move along the sidewalk; the camera follows the child's motion, remaining focused on their movement with minimal background detail.

Discrete solid objects (child and adult) are moving: child walks along sidewalk while holding an object, adult enters frame and walks alongside child; motion due to voluntary locomotion.

Background elements (sidewalk, grass, building, bushes) remain static with no fluid motion (fire, water, smoke, wind); no significant ambient environmental motion observed.


A pair of hands with a ring holds a clear glass, while another hand pours dark liquid from a dark bottle with a decorative label into the glass. The bottle is tilted to fill the glass, and the liquid rises within it. Background foliage remains blurred. Camera maintains a close-up, static perspective.

Discrete solid objects: hands holding the glass and bottle, and the bottle being tilted to pour. The motion is due to explicit human action (pouring).

Background trees are stationary with no uniform shifting; no fire, water, smoke, or wind dominates the scene. The liquid pouring is controlled by the hands, not uncontrolled fluid motion.


A person with short, two-toned hair (red and black) wearing a black top and gold necklace adjusts their hair. They use their right hand to pull strands back, then adjust the hair on top of their head while bending forward, with a wooden dresser visible behind them and a green bag to the left. The camera remains stationary throughout.

A person with red hair moves their head and arms in controlled, deliberate motions while interacting with their hair.

Background elements (wooden dresser, green container) show no shifting or environmental motion; no fire, water, or wind present.


A pair of hands holds a light yellow, medium-sized potato, using a knife to peel its skin and then slice the peeled potato into pieces on a cutting board. The camera maintains a close-up perspective with slight handheld shake, focusing on the hands and potato against a blurred background of food displays.

The hands and apple/knife are discrete solid objects; the apple is being sliced by the knife due to manual manipulation, showing clear physical interaction (cutting motion).

The background consists of static shelves with food items; no shifting background elements or fluid/environmental motion (e.g., fire, water, wind) is observed.


A pair of dark-skinned hands, dressed in dark sleeves, positions a dark fabric under a white sewing machine with a yellow thread spool. The hands adjust and guide the fabric through the machine's needle area before withdrawing. The camera maintains a top-down perspective throughout the sequence.

Person's hands and a screwdriver tool are manipulating a mechanical component; discrete solid objects exhibit controlled, deliberate motion due to manual interaction.

No shifting backgrounds or fluid/environmental motion (fire, water, wind) detected. Background elements (machine structure, yellow wheel, metal components) remain stationary with no uniform displacement.


A person in an orange shirt and black pants jumps in a sandpit, then runs onto a grassy area, performs a handstand on a concrete block, and executes a flip on the grass. The camera remains handheld with slight shake.

A person in an orange shirt performs acrobatic motions (flips, handstands) while a dog shifts position in a sandbox. Both are solid objects with distinct, trackable movements.

Background elements (building, grass, road) are stationary with no uniform shifting; no fluid/environmental motion (fire, water, smoke, wind) is observed.


A person lies face down on a mat, covered by a green towel from the waist down, while another individual in a white shirt and red pants kneels beside them, using both hands to massage their upper back in circular motions. The masseur’s hands move rhythmically across the back, maintaining contact as the camera shifts from a top-down view to a slightly wider angle, revealing a patterned floor and a purple mat in the background. The camera remains steady with minimal movement throughout.

Two solid objects: a person lying prone (discrete object) and another person massaging their back (discrete object). The massaging hands and slight body movement of the prone individual are the primary motions.

Background elements (patterned floor, furniture) show no significant shifting or fluid motion. No fire, water, smoke, or wind observed.


A small child in dark clothing bends near a brick fireplace, then stands upright holding a light blue toy, walking forward toward the camera. The child moves from the fireplace area toward the foreground, maintaining a steady pace. The camera remains slightly shaky, capturing the motion from a frontal perspective with minimal background details.

A child is moving: standing up, walking, and manipulating a blue toy. The motion is due to locomotion and object manipulation.

The background (brick fireplace, cabinet, floor) is static with no shifting. No fluid or environmental motion (fire, water, smoke, wind) is present.


A hand holding a purple makeup pencil applies it to the closed eye of a person, then withdraws the pencil as the eye opens. The hand and pencil are positioned in front of the eye, with the camera maintaining a close-up perspective throughout, capturing the motion of the pencil and the eye’s opening.

The hand holding the brush moves across the eyelid to apply makeup, and the person's eye opens and closes. These are discrete solid objects moving due to explicit physical forces (the artist's action).

The background consists of static bokeh lights with no environmental motion (fire, water, smoke, wind). Static background elements (the lights) are fixed and do not shift uniformly.


A person wearing a red and white sleeveless top is seated at a table, facing slightly toward the camera. They raise their right hand to their mouth, appearing to chew or eat, then lower the hand away from their mouth. The background features shelves stocked with colorful packaged items. The camera maintains a static close-up perspective throughout.

A girl is actively moving her head, hands, and mouth while eating; her discrete solid motions include hand movements toward her mouth and chewing actions.

The background (shelves with hanging items) shows no significant shifting or fluid motion; no fire, water, smoke, or wind dominates the scene.


A person wearing a light pink dress shirt adjusts a red necktie, manipulating the fabric to form a knot, starting with positioning the tie at the collar and progressing to tightening. The individual stands in a room with a fireplace and greenery visible in the background. The camera remains static, capturing the upper body and actions.

A person in a white shirt and red tie is making deliberate hand movements to adjust the tie, demonstrating discrete solid-object motion due to manual manipulation.

The background (wall, plant, painting) is static with no fluid motion or environmental effects. No fire, water, smoke, or wind observed.


A person with long black hair sits with a black cape draped over their shoulders. Another individual, partially visible, uses a red hairdryer to style the seated person’s hair, moving the device through the hair in a sweeping motion. The stylist remains positioned to the left of the seated person, adjusting the hairdryer’s angle. The camera maintains a close, handheld perspective with slight movement, capturing the interaction from a slightly shaky angle.

A person's hair is being styled by a hairdresser using a hairdryer; the hairdresser's hand and hairdryer exhibit controlled movement to manipulate the hair.

Static background elements (shelves with bottles, walls) show no uniform shifting or fluid motion (e.g., no fire, water, smoke).


Two fencers in white uniforms and helmets spar in an indoor gymnasium, moving dynamically across the wooden floor. Initially facing each other, they exchange lunges and parries: one fencer advances while the other steps back and deflects, continuing their offensive and defensive maneuvers as they shift positions. The camera maintains a fixed perspective, capturing their interaction from a stationary angle.

Two fencers in white uniforms moving with fencing weapons; their motions include lunging, parrying, and stepping.

No shifting background; no fire, water, smoke, or wind observed. Background elements (walls, doors) are stationary.


The person's hands and head move to hold and display the bottle, pour water, and wash the face. The bottle and water container are also moving as discrete objects.

The background (metallic wall) is static. There is a brief pouring of water (from a container) and water on the face, but these fluid events are not dominant; they are short and controlled actions. No significant ambient environmental motion dominates the video.


Two girls, one in pink and one in blue, interact on a grassy field. Initially, the pink girl crawls left while the blue girl sits up and adjusts, then remains seated. The pink girl stands and walks right, passing the blue girl. The camera stays in a steady ground-level view, capturing their movements with the open field as the minimal background.

Two children are discrete objects: a child in blue performs a somersault and rolls on the ground, while a child in pink sits, stands, and walks away. Their motion is due to intentional locomotion and collisions (e.g., landing from somersault).

The background consists of a grassy field with trees and distant structures. There is no significant fluid motion (fire, water, smoke) or dominant environmental motion (wind); grass movement is subtle and not fluid-like. Static background elements (trees, field boundaries) remain stable with no uniform shifting.


A man in a striped polo shirt with dark collar and sleeves walks forward while speaking, approaching the camera in an indoor public space. Behind him, several people sit and stand near columns, some with luggage. The camera remains static at eye level.

The foreground man (in striped polo) is making gestures and moving slightly (talking in place). In the background, a person walks from right to left and some seated people show minimal movement.

The background (wall, floor, static structures) is stable with no shifting. There are no fluids (fire, water, smoke) or wind effects visible. Only discrete objects (people) are moving.


Two individuals, one in a red shirt and the other in a black shirt with a graphic design, stand close together in a room; the person in red holds a yellow object while embracing the other. They shift positions slightly, moving closer and adjusting their stance, with the camera rotating clockwise and tilting downward, capturing them from various angles as they interact. The background includes a couch and curtains, but remains out of focus. The camera exhibits a slight shake, maintaining a close-up perspective on their movements.

Two people are moving together in a circular motion (spinning) as a discrete solid object.

No fire, water, smoke, or wind; background elements (walls, furniture) do not shift uniformly.


A hand with a blue spoon stirs a mixture of diced red, yellow, green, and purple vegetables in a pink square bowl on a green wooden surface; the camera zooms in to show the mixing motion, then the hand pours a liquid from a small white bowl into the vegetables, with a glass bowl of kale positioned to the left. The camera maintains a top-down perspective throughout, shifting slightly to focus on the stirring and pouring actions.

Hands using a blue spatula stir chopped vegetables (red, yellow, green) in a pink bowl. The vegetables and spatula move as discrete solid objects due to manual stirring.

The wooden background remains static with no uniform shifting or fluid/environmental motion (e.g., no fire, water, or smoke).


A person with a brown bracelet writes on white paper using a multi-colored pen, their hand moving rhythmically across the page. The individual then lifts the pen, pausing briefly before resuming writing. To the right, a wooden desk holds a black and red bag, with the paper resting on a green surface. The camera maintains a close-up, steady perspective throughout.

Solid objects (person's hand, pen) exhibit discrete motion as the person writes on paper, with clear physical movement due to writing action.

Background elements (desk, wall, wooden structure) remain stable with no uniform shifting or fluid/environmental motion (fire, water, wind) observed.


RAW CAPTION: Got it, let's tackle this video captioning task. First, I need to focus on the main subjects: three people. Let's look at each frame.

In the first frame, three people are standing. Left is a person in a green beanie and blue plaid shirt, middle is in a green hooded outfit with a belt, holding something (maybe a toy), right is in a green shirt with a guitar. The background has a crowd, but per rule e, minimal background.

Then, in frame 2, the middle person is looking up, maybe talking. Frame 3, they're still standing, middle person is holding something. Frame 4, the person on the left moves their head, maybe laughing. Frame 5, left person touches their head, middle person is smiling, right person still holding guitar.

Need to sequence the motion chronologically. Let's list the actions:

- Initial pose: three people stand. Left (green beanie, plaid), middle (green hood, holding object), right (green shirt, guitar).
- Then, middle person raises their head (maybe speaking), then looks down.
- Left person shifts head, maybe adjusting hat.
- Right person moves guitar slightly.

Check spatial relationships: left of middle, right of middle.

Camera: seems static, slight shake maybe? The problem says camera perspective and movement. In the frames, the camera is steady but maybe has a slight shake as the action progresses.

Background: there's a crowd behind, but minimal.

Now, structure the caption:

Start with initial position: three people stand. Describe their appearance briefly. Then their actions in order.

Left person: green beanie, blue plaid shirt. Middle: green hooded dress with belt, holding an object. Right: green t-shirt, holding guitar.

Actions:

- Frame 1-2: middle person looks up (maybe talking), then back.
- Frame 3-4: left person moves head, maybe smiling.
- Frame 5: left person touches head, middle smiles, right plays guitar.

Wait, the user says "chronological paragraph". So sequence the actions as they happen.

Let me check the frames again:

0.0: all standing, middle holding object, right holding guitar.

0.3: same, but middle is speaking (mouth open), right holding guitar.

0.5: middle looks up, right turns guitar.

0.8: left person turns head, middle looks down.

1.0: left turns head, middle holds object, right plays guitar.

Wait, the video is 5 seconds, but the description is per frame.

The key motions:

- The person in the green hooded outfit (middle) looks up and then down.

- The person in the green beanie (left) moves their head, possibly adjusting their hat.

- The person in the green shirt (right) holds a guitar, playing it.

Now, chronological:

Three individuals stand: left (green beanie, plaid shirt), middle (green hooded outfit, belt), right (green t-shirt, guitar). Middle person looks upward and then downward. Left person shifts head and adjusts their hat. Right person strums the guitar. The camera remains mostly static with a slight shake.

Wait, need to be concise. Let's check rules:

a) Motion and behavior of main subjects in chronological order.

b) Brief appearance: colors, size, orientation.

c) Spatial relationships: left, middle, right.

d) Conclude with camera perspective and movement.

e) Background minimal, so mention if necessary but not much.

f) Exclude text, names, etc.

So, start with three people standing. Their positions: left, middle, right. Descriptions: left in green beanie and plaid, middle in green hooded outfit with belt, right in green shirt with guitar.

Then actions in order:

- Middle person raises their head and speaks (mouth open).

- Left person moves their head, possibly laughing or reacting.

- Right person strums the guitar.

- Left person touches their head.

Now, putting it together concisely.

"Three individuals stand in a line: left (green beanie, plaid shirt), middle (green hooded dress, belt), right (green shirt, guitar). Middle person raises head and speaks, then looks downward. Left person shifts head, smiles, and touches their head. Right person strums the guitar. Camera remains static with slight shake."

Check if chronological: first middle speaks, then left reacts, right plays. That's the order.

Wait, the video starts with them standing, then middle looks up (maybe talking), then left moves, right plays.

Yes.

Now, check if appearance is brief:

- left: green beanie, plaid shirt (color, size, orientation)

- middle: green hooded dress with belt (color

Three people in the foreground exhibit discrete motion: head turns, hand gestures, and body shifts due to voluntary locomotion or interaction (e.g., the person in plaid shirt moves hands/turns head, the person in green outfit shifts posture, the person in green shirt interacts with a phone).

Static background elements (e.g., black curtain, distant people) show no uniform shifting; no fluid/environmental motion (fire, water, smoke, wind) observed.


A worker wearing a white hard hat, light blue shirt, dark pants, and boots is crouched on wet concrete, then stands and walks along the right wall of the concrete structure while working, smoothing the surface. Two small debris piles are visible on the concrete. The camera maintains a top-down perspective with slight movement.

A worker (discrete object) moving by walking and using a trowel to smooth concrete.

Static background (concrete walls and floor) with no shifting or fluid motion (e.g., fire, water, wind).


A person wearing a dark shirt and light pants sits on a chair, operating a wooden spinning wheel by turning its handle, their hands moving rhythmically. The individual is positioned in front of shelves stocked with yarn and fabric items, with a trash can and other objects nearby. The camera remains stationary, capturing the scene from a fixed angle.

The person is operating a spinning wheel; the wheel is visibly rotating as a discrete solid object due to manual operation.

The background features static shelves, furniture, and a white picket fence with no uniform shifting or fluid motion (e.g., fire, water, wind).


A person wearing a red shirt bends forward, lowers their head, then lifts it to reach toward a white bowl, subsequently bringing their hands to their face before lowering them. The camera remains close and slightly shaky, capturing the actions from a frontal perspective.

Discrete solid objects in motion: a person in a red shirt and blue jeans actively bending over and moving their hands/arms in a sink, likely washing hair or an object. Their body and limbs exhibit controlled physical motion.

Background elements (sink, countertop) show no uniform shifting or environmental motion (no fire, water flow, smoke, or wind dominance). The scene is indoors with static fixtures, indicating minimal ambient influence.


A person in a blue checkered shirt uses both hands to manipulate a light-colored fabric item while holding a small round object; the right hand moves the object while the left hand secures the fabric, with the camera maintaining a close-up, static perspective on the hands against a dark background.

A person's hands and a small cylindrical object (likely a can/bottle) are moving discretely; the hands manipulate the object through opening and positioning actions.

The background is dark and static with no visible fluid or environmental motion (fire, water, smoke, wind). Background elements (if any) show no uniform shifting.


A person wearing a bright yellow shirt, black shorts, and pink sneakers walks away from a yellow soccer ball on a green field, pauses, then steps forward to kick the ball. The camera remains stationary, capturing the action from a side angle with goalposts visible in the background.

A person (wearing yellow shirt) and a soccer ball are moving; the person walks and kicks the ball, causing discrete motion of the ball.

Background elements (goals, advertisements, trees) show no shifting or uniform motion; no fluid/environmental motion (fire, water, smoke, wind) is present. Trees are static.


A person wearing a black shirt and blue shorts stands on a snow-covered rooftop, raising a sledgehammer above their head before swinging it downward to strike a large black tire resting on the snow; the camera remains stationary, capturing the action from a fixed perspective.

A person is swinging a hammer repeatedly at a stationary tire; motion is due to the person's arm and body movements and the hammer's trajectory.

Background (buildings, satellite dish, ground) is static; no fluid/environmental motion (fire, water, smoke, wind) observed. Snow is static.


In a dimly lit room, two individuals wearing white karate uniforms with black belts stand near a window. The person on the right initiates a jump, lifting both legs high while airborne, performing a dynamic kick towards the left person. The individual on the left raises their arm, possibly blocking or reacting to the kick. After the jump, the kicker lands, and the observer steps back. The camera remains stationary with a slight shake throughout the sequence.

Two individuals in martial arts uniforms: one performs a dynamic high kick (leg elevated, body in mid-air), while the other stands stationary, supporting the kicking person. Their movements are deliberate, controlled locomotion and physical interactions.

The background elements (window panes, door, walls) remain static and do not shift uniformly across frames. No fire, water, smoke, or wind motion is present.


A person wearing a black jacket plays a light brown four-string bass guitar, with their left hand moving along the fretboard and right hand plucking the strings; visible tattoos appear on the left arm. A white door and a red guitar with decorative patterns hang on the wall in the background. The camera remains stationary, providing a close-up view focused on the instrument and the player.

The person's hands move on the bass guitar strings, and the body exhibits slight motion while playing. The guitar remains mostly stationary but shows minor vibrations from playing.

The background (wall and door) shows no shifting or uniform motion. No fluid elements (fire, water, smoke, wind) are present; the environment is static.


RAW CAPTION: Okay, I need to create a concise caption for this video based on the provided rules. Let's see.

First, the video shows someone cooking shrimp and scallops on a grill. The main subject is a person wearing white gloves using a spatula to move the food. The scene starts with the person flipping the seafood, which is sizzling and steaming. The text overlay mentions cooking until they lose their translucent color, shrimp turning pink and scallops white, but I have to exclude text recognition per rule f.

So, chronological order: The person is cooking, stirring with a spatula. The main subjects are the hands in gloves, the spatula, and the seafood. Need to describe the motion—flipping, stirring. The seafood is golden-brown, maybe with some green bits (scallions?), but the rules say to mention appearance briefly. The spatial relationship: the hands are above the grill, spatula moving the food. Background is minimal, just the grill.

Camera perspective: close-up, probably top-down? Wait, the video shows a close-up of the grill, so maybe a close-up shot focusing on the cooking. The camera doesn't move much, just stays on the action.

Wait, the output format must be in a caption tag. Let me check the rules again.

a) Motion and behavior in order: Person uses spatula to flip shrimp/scallops. They cook until done. The seafood changes color.

b) Appearance: hands in white gloves, spatula, seafood turning pink and white. But the text is part of the video, but we have to exclude text recognition. So mention the color change as part of the behavior. But rule f says exclude text recognition, so maybe just describe the visual changes without citing the text.

Wait, the user says to exclude text recognition, named characters, stylistic analysis. So I shouldn't mention the text on screen. So the caption should focus on what's happening without the text.

So: A gloved hand uses a spatula to stir sizzling shrimp and scallops on a grill. The seafood, initially translucent, gradually turns pink and white as it cooks. The camera maintains a close-up view of the grill throughout, capturing the steam and motion.

Wait, but the rules say to mention spatial relationships. The hands are above the grill. Maybe: A person wearing white gloves uses a spatula to flip golden-brown shrimp and scallops on a hot grill, where steam rises. The seafood pieces are stirred repeatedly, changing color as they cook. The camera stays close-up, focusing on the cooking process.

Wait, need to be concise. Let's see the example output.

Wait, looking at the sample rules. For example, if the video shows a person stirring food on a grill, the caption should state the action in order.

Original video: A person with white gloves uses a spatula to cook shrimp and scallops on a grill. The seafood sizzles and steams. The person flips and stirs the pieces. The seafood loses translucency, shrimp turn pink, scallops white. But exclude text recognition, so the caption should mention the color change as part of the visual, not the text.

So: A gloved hand uses a spatula to stir sizzling shrimp and scallops on a grill, causing steam to rise. The seafood, initially translucent, turns pink and white as it cooks. The camera remains close-up, capturing the motion of the spatula and the cooking process.

Check the rules again. Focus on motion and behavior chronologically. The main subject is the person's hands (gloved) stirring the food. The seafood is sizzling, steaming, changing color. Spatial relation: hands are above the grill. Camera is close-up.

I need to make it concise. Maybe: A gloved hand stirs sizzling shrimp and scallops on a grill, causing steam to rise. The seafood changes from translucent to pink and white as it cooks. The camera maintains a close-up view of the cooking process.

Wait, but the rules say to mention number, color, size. The seafood is shrimp and scallops. They're golden-brown perhaps, with some green bits. But maybe just describe the color change. The rule b says briefly describe appearance and number. So "shrimp and scallops" (plural), maybe golden-brown color initially, then turning pink and white.

Let me try:

A person wearing white gloves uses a spatula to flip golden-brown shrimp and scallops on a hot grill. Steam rises as the seafood sizzles and loses its translucent color, turning pink and white. The camera remains in a close-up position, focusing on the cooking process.

Wait, but "person" is excluded per rule g? No, rule g says exclude named characters, but it's about "named characters" like "Chef John", so "a person" is okay as long

A gloved hand using tongs to stir and move shrimp and vegetables on the grill, representing discrete solid objects interacting through physical manipulation.

The background consists of a static grill and cooking surface with no uniform shifting; minor steam from the grill is present but not dominant.


Two men stand at a kitchen counter cluttered with peeled and unpeeled white potatoes. The man in a gray tank top peels a potato while the man in a light blue shirt picks up a peeled potato, examines it, and then eats it. Both face the counter, with cleaning supplies and a sink visible in the background. The camera remains stationary.

Two individuals interact with objects (fruit, utensils) on a kitchen counter; their hand movements and positioning changes are distinct physical actions.

Background elements (cabinets, window) remain static with no shifting motion or fluid/environmental phenomena (e.g., fire, smoke, water).


The video opens at a construction site with a yellow excavator and people under a tent. A man in a gray coat writes on a whiteboard, then holds a paper while another person in a brown coat stands nearby. The camera then shows the excavator digging into muddy ground, causing mud to splash.

Discrete solid objects (people, signs) exhibit motion from explicit physical actions: a person holds and adjusts a sign with numbers, another interacts with the sign while others observe, and a yellow excavator is visible but stationary in later frames.

No significant shifting background or fluid/environmental motion observed. Background elements (tents, structures) remain relatively static with no uniform displacement indicating camera-induced motion or ambient phenomena like wind.


RAW CAPTION: Got it, let's break this down. The video shows two people dancing. First, describe their actions chronologically. The first person is wearing a black shirt with "Banana" (but rule g says exclude text recognition, so just say black shirt, maybe "dark shirt" to avoid text), black pants, white shoes, and a cap. The second person has a dark top, black pants, teal shoes. They start by holding hands, then move around. The third person is sitting on a red couch, so background but minimal.

Check the rules: focus on motion, chronological. So start with their initial position: standing on a tiled floor, maybe the two dancers. Then their movements: they twirl, maybe the woman's hair swings. Then the man adjusts his stance, they keep moving.

Spatial relationships: the dancer in black shirt (man) and dark top (woman) are in front of the red couch. The sitting person is on the couch.

Camera: looks like a top-down or slightly angled view, but the video description says "top-down" in some contexts. Wait, the video is shown from a high angle, maybe handheld. Rule d: camera perspective and movement. "Slight shake" maybe.

Background: minimal, red couch, green curtains, but keep it minimal.

Now, structure the paragraph:

Two people dance on a tiled floor. The person in black shirt, black pants, white shoes, and cap holds hands with another person in dark top, black pants, teal shoes. They spin and move around, the woman’s hair swinging as they shift positions. The seated person on the red couch remains still. Camera angle is top-down with slight shake.

Wait, need to be concise. Let's check each rule.

a) Motion: chronological. So start with their initial dance move, then next action.

Original video: they start holding hands, then the man spins, the woman spins, etc. So:

The two dancers begin by holding hands, then spin around on the tiled floor, their movements fluid. The person in black shirt and dark top continue rotating, with the woman’s hair swinging. A third person sits on a red couch in the background, remaining still. The camera maintains a top-down perspective with slight movement.

But need to check appearance: "black shirt" but avoid text, so "dark shirt" maybe. Wait, the shirt has "Banana" but rule f says exclude text recognition, so just describe as black shirt, but since it's a detail, maybe just "black shirt" but not the text.

Rule c: spatial relationships. The two dancers are in front of the red couch.

Rule b: number and appearance. Two people dancing (man: black shirt, black pants, white shoes, cap; woman: dark top, black pants, teal shoes). Third person seated.

But keep it concise.

Let's draft:

Two individuals dance on a wooden-tiled floor. The first person wears a black shirt, black pants, white shoes, and a cap; the second wears a dark top, black pants, and teal shoes. They begin by holding hands and spin in a circle, moving fluidly. A third person remains seated on a red couch behind them. The camera captures the scene from a top-down angle with slight movement.

Check if background is minimal: red couch is mentioned, but others are minimal. Yes.

Check chronological: start with holding hands, spinning, then the seated person is background.

Yes. Now, make sure it's a paragraph, concise.

Let's refine:

Two dancers on a tiled floor start by holding hands, then spin around. The first, in a black shirt, black pants, white shoes, and cap, moves alongside the second, in a dark top, black pants, and teal shoes, their hair swinging as they rotate. A third person sits still on a red couch in the background. The camera angle is top-down with slight shake.

That's better. Check all rules.

a) Motion: chronologically (holding hands → spinning → rotating).

b) Appearance: two dancers described (clothing), third person seated.

c) Spatial: third person on couch behind.

d) Camera: top-down, slight shake.

e) Background minimal: red couch, but not over-described.

f) Excluded text recognition, named characters.

g) No reasoning in output.

Yes. Now, write in the required format.
</think>

<caption_output>Two individuals dance on a tiled floor; one wears a black shirt, black pants, white shoes, and a cap, while the other wears a dark top, black pants, and teal shoes. They begin by holding hands, then spin in a circle with fluid movements, the second person’s hair swinging as they rotate. A third person remains seated on a red couch in the background. The camera captures the scene from a top-down perspective with slight movement

Two people (a man and woman) are interacting: the man holds the woman's hands, spins her around, and they move across the floor. Their motion is due to physical forces (e.g., gripping, pivoting, locomotion) with clear bounding box tracking.

The tiled floor, red chair, purple chair, and green curtains remain stationary throughout the frames with no shifting or fluid motion (fire, water, smoke, wind). Background elements are fixed relative to each other, indicating no environmental fluid dynamics.


A person in dark clothing runs across a dry grass field from the right side toward the left, moving past the center line and exiting the frame. The background includes distant buildings and a small inset video in the top left. Camera remains stationary.

A person is running across the field, moving from right to left and then turning to run back, indicating locomotion.

The background (green building, trees, and field) is static with no significant fluid or wind motion; the field is dry grass with no visible water or smoke.


A person wearing a black and white checkered shirt and a red and black cap holds a microphone close to their mouth while seated in front of a wooden desk with a computer monitor. Behind them, a chair and small appliance are visible. The camera remains stationary, capturing the individual from the front as they vocalize into the microphone.

A person (Joseph Poolpo) is making hand gestures and head movements while speaking into a microphone.

The background (desk, monitor, walls) is static. No fluid or environmental motion detected.


RAW CAPTION: Got it, let's break this down. First, the video starts with a close-up of a hand holding a small object, maybe a cookie or something similar. The hand is light-skinned, and there's a dog's nose visible in the background, so the dog is probably near the hand. Then, the hand moves the object away, maybe dropping it? Wait, the second frame is a bit blurred, but the next frame shows the hand holding a cookie jar with a white substance inside, maybe frosting. Then the hand opens the jar and takes out a cookie with colorful sprinkles and chocolate stripes. The cookie is placed into a box.

So chronological order: first, a hand holds a small item (maybe a cookie) with a dog nearby. Then the hand moves the item, maybe into a jar. Wait, frame 0: hand holding a small object, dog's nose in background. Frame 1: hand moves, maybe the object is being placed or moved, dog is still there. Frame 2: hand holding a jar with a white substance (like icing) being squeezed out? Then frame 3: the jar is opened, and the next frame shows a cookie with sprinkles and chocolate on it.

Wait, let's re-examine each frame:

[0.0] Close-up of a light-skinned hand holding a small, light-colored object (maybe a cookie) with a dog's nose visible in the background.

[1.4] The hand moves the object, causing a blur, the dog is still present.

[2.5] Hand holding a metal jar (like a cookie jar) with a white substance (icing) being poured out, maybe onto a plate.

[3.6] The hand places a cookie with yellow icing and colorful sprinkles onto the plate, with chocolate stripes on top.

Wait, maybe frame 2 shows the jar being held, and then frame 3-4 shows the cookie being placed. Let's sequence:

Start: hand holds object, dog nearby.

Then hand moves object, maybe putting it into a jar or handling it.

Then, the hand is holding a jar with icing, then placing a cookie with sprinkles onto the plate.

Now, spatial relationships: dog is near the hand in the first frames. The jar is held in the hand, then the cookie is placed in front of the hand, onto a white surface (box).

Camera: close-up, maybe handheld, slight shake as it moves.

Background: minimal, just the hand, object, dog, and then the jar and cookie.

Main subjects: hand (light-skinned, visible), dog (nose visible), cookie (yellow with sprinkles, chocolate stripes), jar (metal).

Chronological:

- Hand holds a small object (maybe a cookie) with a dog's nose in the background.

- Hand moves the object, causing blur, dog remains.

- Hand opens a metal jar containing white substance, pours it.

- Hand places a cookie with yellow icing, colorful sprinkles, and chocolate stripes onto a white surface.

Wait, frame 2.5 is "hand holding a jar with white substance" but it's a bit blurred. Frame 3.6 is "hand holding a jar with white substance, pouring onto a plate" or the jar is open, and then the cookie is placed on a white surface.

Wait, the fourth frame (4.0) shows the hand holding a cookie with chocolate stripes and sprinkles, placing it onto a white box. So:

Step 1: Close-up of hand holding an object (maybe a cookie) with a dog's nose visible.

Step 2: Hand moves object, blur.

Step 3: Hand holding a metal jar with white substance (icing), possibly pouring.

Step 4: Hand places a cookie with yellow icing, colorful sprinkles, and chocolate stripes onto a white surface.

But need to be concise.

Main subjects: hand (light-skinned), dog (nose visible), cookie (yellow icing, sprinkles, chocolate stripes), jar (metal).

Motion: hand holds object → moves it → opens jar → places cookie.

Spatial: dog near hand initially, cookie placed on white surface.

Camera: close-up, handheld (slight shake).

Background: minimal.

So the caption would be:

A light-skinned hand holds a small object while a dog’s nose appears in the background; the hand moves the object, causing a blur, then opens a metal jar containing a white substance before placing a cookie with yellow icing, colorful sprinkles, and chocolate stripes onto a white surface. The camera remains close-up and handheld with slight movement.

Wait, need to be concise. Let's check rules:

a) Motion in chronological order.

b) Describe appearance and number (color, size, orientation).

c) Spatial relationships.

d) Conclude with camera.

e) Minimal background.

f) Exclude text, characters

Hands are manipulating a partially eaten donut (with chocolate drizzle) and a sprinkle-covered cookie. The hands move the objects, showing discrete object interactions.

The background appears to be non-uniform and blurred, with no consistent shifting of static elements (walls, ground) indicating camera motion. No fire, water, smoke, or wind is present.


A volleyball game progresses with players in dark blue and light blue jerseys on an indoor court. A dark blue player hits the ball, prompting light blue teammates to react and one to jump to block. Players shift positions across the net, tracking the ball's trajectory. The camera maintains a static overhead view, capturing the continuous motion of the teams during the rally.

Players (in white and purple uniforms) and the volleyball are moving. Players jump, run, and hit the ball. The ball moves through the air after being struck.

The background (walls, court lines) is static with no shifting. No fire, water, smoke, or wind is present.


A capoeira performer in a white uniform executes a high kick in the center of a circle of onlookers, then performs an acrobatic flip, rotating in the air before landing. The surrounding group of people, dressed in white uniforms, includes standing and seated individuals. The camera follows the performer’s dynamic movements, maintaining a slight shift to keep the action centered.

A martial artist in the center is performing dynamic moves (kicks, flips) while the surrounding group (in white uniforms) are mostly stationary.

No shifting background; no fire, water, smoke, or wind. The banner and walls are stationary.


Several polo riders on dark brown horses gallop rapidly across a grassy field, riders in white and dark uniforms holding mallets; horses are in mid-stride, closely positioned as one horse's hoof strikes a ball on the ground. The camera follows the motion with a slight pan, capturing the dynamic movement of the riders and horses.

Multiple riders on horses galloping with discrete motion, a polo ball being kicked by a mallet, and horses' limbs moving during locomotion. These objects exhibit clear physical interactions (e.g., horse galloping, ball trajectory).

Background elements (grass field, distant trees, fences) remain consistently stationary across frames. No significant fluid motion (e.g., wind, water, smoke) is observed.


The video opens with a man in a dark suit walking through an office space, passing by seated individuals and a standing person near a doorway. It then transitions to a map animation displaying multiple dots and a circular graphic with numeric text, followed by a logo. Finally, it shows an outdoor scene with several people around an ATM booth; some sit on the ground while others stand or walk near bicycles and vehicles. The camera shifts from a medium shot in the office, to a top-down map view, and then to a static outdoor scene.

Discrete solid objects (people) are moving via locomotion (walking, interacting with ATMs), with no visible collisions or external forces altering their motion.

No shifting backgrounds or fluid/environmental motion (fire, water, wind) observed. Static elements like buildings and trees remain stable without uniform displacement.


In a dimly lit indoor space with a high ceiling and fluorescent lighting, a group of adults wearing casual clothing (white t-shirts, a red cap) stand with their backs to the camera. Initially stationary, they gradually shift positions: a person in a white t-shirt steps forward, others adjust their stances, and minor crowd movement occurs as individuals sway or move slightly. The camera, handheld and exhibiting a slight shake, pans subtly to the right while maintaining a rear perspective on the group, capturing their motions against a backdrop of chairs and a door.

Discrete human subjects (e.g., individuals in white shirts) exhibit locomotion and interaction, moving within the scene due to explicit physical forces (walking, gesturing).

Static background elements (ceiling beams, walls) show no uniform shifting; no fire, water, smoke, or wind present.


Two hands manipulate colorful wires inside an open computer case, adjusting their position near a green graphics card with a fan. The hands then reposition the graphics card, moving it slightly within the case. The camera maintains a close-up view, focusing on the hands and internal components with minimal background details.

The person's hands and a screwdriver are moving to manipulate wires and electronic components; distinct solid objects interacting with explicit physical forces (manual manipulation).

No shifting background or fluid/environmental motion (fire, water, wind) detected. The background consists of static internal components (circuit boards, metal chassis) with no uniform displacement across the frame.


A man in a green sleeveless shirt, camouflage shorts, and white cap bends toward a gray donkey wearing a halter, then stands to drink from a bottle before approaching the donkey again, reaching out to touch its face as the donkey remains stationary; the camera maintains a steady perspective with minimal movement.

A person in a green shirt and cap interacts with a donkey: moving toward it, taking photos, and touching its head. The donkey shifts position slightly while the person moves around it.

The wooden fence and grassy background show no significant uniform shifting or fluid motion (e.g., no fire, water, or wind-driven movement).


A person wearing blue jeans uses a thin tool to shape a spinning brown clay vase on a pottery wheel, moving the tool along the vase's surface as it rotates; the vase is round with horizontal ridges, positioned on a green base, while the camera remains close-up and slightly shifts to follow the tool's motion against a blurred background of grass and wooden posts.

A person's hands (discrete object) interact with a spinning pottery wheel, applying force to shape the clay pot.

Background elements (grass, wooden posts) show no uniform shifting or fluid motion; no fire, water, or wind dominant.


A person in a black beanie and black shirt strums a small brown ukulele while standing in front of a garage door, then stops playing, turns to face the camera, smiles, and gestures with the ukulele. The camera remains static.

The person is moving their hands to play the ukulele; the ukulele is being held and manipulated.

No shifting background or fluid motion observed.


A person wearing a dark blue shirt sits on a dark couch, moving their hands expressively before lifting a smartphone with both hands to hold it in front of them. A black lamp is positioned to the left of the frame. The camera remains static, capturing a medium shot throughout.

Tony Howell (a distinct human subject) moves his hands and body while speaking and picks up a phone. These are solid, discrete objects exhibiting clear physical motion from explicit locomotion (gesturing, head movement) and object manipulation.

The background (plain wall and monitor) is entirely static with no shifting or environmental motion. No fluids, fire, water, smoke, or wind effects are present.


A person in a black wetsuit jumps from a red boat onto a blue windsurfing board with an orange sail, then balances upright on the board as the boat moves through water. The camera, positioned on the boat, captures the motion with slight shake.

A person is actively moving on the sailboat, demonstrating physical actions such as balancing, stepping, and raising arms, which are discrete movements of a solid object.

The background consists of water and sky, with subtle ambient motion from water movement. However, the water motion is not dominant, as the primary focus is on the human subject.


A hand enters from the left, placing a golden bell-shaped object onto a central blue sphere within a circular decorative object with eight surrounding smaller spheres. The sphere emits a bright blue glow that expands outward in swirling blue and purple patterns. The camera remains close-up, focused on the central area with no significant movement.

A hand (discrete object) moves a yellow spherical object (ball) across the circular pattern. The ball's motion is directly caused by physical interaction with the hand.

The background consists of a static circular pattern with no fluid or environmental motion (e.g., fire, water, wind). No uniform shifting of background elements is observed.


RAW CAPTION: Got it, let's break down the video. First, the scene is an outdoor area with a blue canopy, maybe a workshop or backyard. There's a person in a yellow shirt and dark pants. The video starts with them facing the camera, then they turn around. Let's check the steps:

At the start (0.0), the person is in the center, facing forward. Then at 0.3, they're still there. By 1.0, they start turning, maybe swinging their arms. At 2.0, they're more turned, then at 3.0, they're almost facing away, then at 4.0, they turn back to face the camera again. Wait, the timestamps: 0.0 to 0.3 is first frame, then up to 5.0. Wait, the video has frames from 0 to 5 seconds. Let's see the actions:

The person (one individual, yellow shirt, dark pants) begins by facing the camera, then turns their body to the side, then turns around to face away from the camera, then turns back to face the camera again. So chronological order: starts facing forward, turns side, turns away, then turns back.

Spatial: they're under a blue canopy, with a large wheel (maybe a barrel) nearby, and a building with a garage door in the background. The background has some tools, but minimal description.

Camera: seems to be a fixed shot, no movement mentioned, so static camera. The description should be concise.

Now, check rules: focus on motion, chronological. Start with "A person in a yellow shirt and dark pants..." Then describe actions: "starts facing the camera, turns their body to the side, then turns away, and finally turns back to face the camera." Then background: minimal, maybe "under a blue canopy with a large wheel nearby." But need to keep it concise.

Wait, the output must be a paragraph. Let's structure:

"A person in a yellow shirt and dark pants stands under a blue canopy, initially facing the camera. They turn their body to the side, then rotate fully away from the camera, and finally turn back to face the camera again. The background includes a large wheel and a building with a closed garage door. The camera remains static throughout."

Check if background is essential: the problem says minimal unless essential. The wheel is in the scene, so maybe mention "large wheel" as part of the environment. The camera perspective is static.

Wait, the video frames: the first frame shows the person, then they move. Let's check the motion: in frame 0, person is facing front; frame 1, they start turning; frame 2, mid-turn; frame 3, more turned; frame 4, facing away; frame 5, turning back? Wait, the video is 5 seconds, so from 0 to 5.

Wait, the video description: in frame 0.0, person is facing camera; at 0.3, they begin turning; 1.0, turning; 2.0, turning; 3.0, facing away; 4.0, turning back; 5.0, back to facing camera? Wait, no. The video is 5 seconds, so the last frame is 5.0. Let's look at the provided frames:

The user provided [0.3], [1.4], etc. Wait, the video has 5 seconds, each frame marked as [0.0], [0.3], [1.4], [2.5], [3.6], [4.7] – wait no, the user's input shows "0.3 seconds" as the first frame, but the instruction says "provided video" which is 5 seconds. Wait, the problem states: the video is a sequence of frames, but the user provided a list of timestamps: [0.0], [0.3], [1.4], [2.5], [3.6], [4.7], [5.0]. Wait, no, the user's input is:

[0.3 seconds] <frame>... [1.4 seconds] <frame>... etc. Wait, the user's input is a sequence of frames with timestamps, but the actual video is 5 seconds. The first frame is at 0.3 seconds? No, the user's input is:

The video starts at 0.3 seconds, but the first frame is labeled "[0.3 seconds]". Wait, no, the user provided the video description as:

"[0.3 seconds] [frame]" followed by [1.4], [2.5], [3.6], [4.7], [5.0]. So the video duration is

A person wearing a yellow shirt and dark pants walks from left to right across the frame, then turns to walk deeper into the garage. The person's motion is discrete and clearly tracked by bounding box.

Static garage background (walls, concrete floor, bicycle, lawn chair) shows no uniform shifting or environmental fluid motion (no fire, water, smoke, or wind visible). Shadows remain consistent with sun position.


A person with dark skin, wearing a red and white striped shirt and blue shorts, uses a green-handled knife to cut a pineapple on a colorful vegetable-themed cutting board. The individual holds the pineapple with their left hand and slices it with their right hand, moving the knife downward to separate the fruit. The camera provides a top-down view, focusing on the hands and cutting board, with a white doily and glass table visible in the background.

Person's hands actively cutting a pineapple with a knife; the knife and pineapple exhibit discrete physical motion due to applied force.

The background (tiled floor, white chair) is static with no uniform shifting. No fire, water, smoke, or wind motion observed.


A person in a shiny pink short-sleeved top with a blue circular emblem and red skirt moves their arms dynamically, beginning with arms extended, then turning their upper body left, raising arms above their head, and finally crossing arms across their chest. The background features a cluttered arrangement of posters and decorative items. The camera maintains a close-up perspective with slight movement.

A person in a red/pink dress moves with visible arm and body motion, suggesting intentional locomotion or dance.

Background elements (beads, posters) show no uniform shifting; no fire, water, smoke, or wind detected.


A person with long gray hair, a beard, and glasses, wearing a white shirt, plays a wooden acoustic guitar. Initially, the camera focuses on their right hand pressing strings on the fretboard, fingers moving slightly as they strum. The camera then shifts to show their face, revealing the person's focused expression while playing. The background includes a textured stone wall and green plants. The camera returns to a close-up of the hand on the guitar, maintaining minimal movement between close-ups of the hand and the player's face.

discrete_object_physics | ambient_environmental | camera_motion | ego_motion | static


A pair of hands holds a white remote control with a blue display screen, featuring a digital readout and a red button. The right hand presses a button, flipping open a keypad section to reveal multiple buttons including a blue-labeled section. The background remains plain white, and the camera maintains a steady close-up perspective on the remote and hands throughout the sequence.

Hands are moving: pressing buttons and rotating a dial on the thermostat. The thermostat is being manipulated by the hands, but the hands are the discrete solid objects causing motion.

Static white background, no shifting or environmental motion (fire, water, wind).


A person wearing a dark hoodie and jeans holds a small dark object with light-colored patches in their right hand, rotating it to display different angles. They then bring a red tool close to the object with their left hand. The background shows a dirt ground. The camera maintains a close-up view, following the hand movements with slight adjustments.

The person's hands manipulate a small mechanical object (likely a toy/model) and a screwdriver. The object is rotated and adjusted with the tool, indicating discrete physical interactions.

The background (pavement and greenery) shows no significant shifting or fluid motion; no fire, water, smoke, or wind is visible. Static elements remain stable throughout.


Several children, including a boy in a red shirt and a boy in black, are in a grassy field. The boy in red runs toward a dirt pile, holding a stick, while the boy in black moves away. Another child in orange stands nearby, observing. The camera pans right, following the children's movements across the open field.

Discrete objects include people walking/standing around the fire pit. Their motion is due to locomotion (walking) and is easily trackable with bounding boxes.

Background elements (trees, grass) show no uniform shifting. Fire is present but not dominant; its motion is fluid and environmental (flames burning).


A man in a gray shirt and dark shorts crouches on the floor, then stands and runs toward a television set on a wooden stand. He picks up a green and blue object from the floor and extends his arm toward the TV. The room features a patterned rug and a red exercise ball. The camera remains stationary with a slight shake.

A person in a gray shirt interacts with a green object, lifting and throwing it. The motion involves deliberate physical forces (e.g., pushing, lifting, throwing) by a human subject and the object being manipulated.

The background elements (rug, walls, furniture) show no uniform shifting or fluid motion (e.g., no fire, water, or smoke). Static background is consistent across frames.


RAW CAPTION: Okay, let's tackle this video caption request. First, I need to understand the user's instructions. They want a concise, chronological paragraph describing the video. The key points are focusing on motion and behavior of the main subject, which is a person in the video. The person is tying a tie.

Looking at the frames provided, the video starts with the person adjusting their tie. They're wearing a light blue dress shirt and an orange tie. The background is wooden paneling and a door, but the rules say to keep background minimal unless essential. Since the background is static and not affecting the action, maybe just mention it briefly.

The main actions are: the person is tying the tie. The sequence shows them manipulating the tie, probably making a knot. Let's check the timestamps. From frame 0 to 5 seconds, the person is adjusting the tie. The hands are moving, so the caption should note the motion step by step.

Appearance details: male, light blue shirt, orange tie. Number of subjects is one. Spatial relationships: the person is in front of the wooden wall. Camera perspective seems to be a fixed shot, no movement mentioned. So the camera is static.

Need to avoid mentioning the door unless necessary. Since it's part of the background but not relevant to the motion, maybe just say "wooden wall" or "wooden paneling." Wait, the background has a door as well, but the user says "minimal" background. Maybe "wooden wall and door" but keep it short.

The chronological order: starting with adjusting the tie, then moving hands to form the knot. The caption should say the person is tying a knot, hands moving, etc.

Also, need to check the output format. The tags must be exactly as specified. No extra text. Just the caption inside the tags.

Let me structure it: A person in a light blue dress shirt and orange tie adjusts and ties a knot on their neck in front of a wooden wall. Hands manipulate the tie through a series of motions. Camera remains stationary.

Wait, need to be concise. Let's make sure it's a single paragraph. "A person wearing a light blue dress shirt and an orange necktie adjusts and ties the knot in front of a wooden wall. Their hands move the tie through sequential motions to form the knot. The camera remains stationary throughout."

Check if all rules are met. Focus on motion and behavior: yes. Appearance: color, size (not specified, so maybe just colors). Spatial relationships: in front of wooden wall. Background minimal. Camera perspective: stationary.

Possible issues: "size" isn't mentioned, but the rule says "briefly describe their appearance and number (color, size, orientation)." Size might not be relevant here. The person is an adult, but maybe not necessary. The tie is orange, shirt is light blue. So mention colors.

Also, the person is male, but the rules don't specify gender as part of the description. Wait, the rules say "color, size, orientation" but not gender. However, the video shows a person, so maybe just "a person." The example in the problem statement doesn't specify gender, so better to say "a person" instead of "man" or "woman."

Wait, the first rule says "main subjects (people/animals/objects)" and "describe their appearance and number (color, size, orientation)." So for a person, color of clothes, size might be relative (e.g., medium), but maybe not necessary here. Since the video is close-up, maybe size isn't needed. The user's example doesn't specify size, so focus on colors.

So revised: "A person wearing a light blue dress shirt and an orange necktie adjusts the tie, manipulating it with both hands to form a knot in front of a wooden wall. The camera remains stationary throughout the sequence."

Check if that's chronological: starting with adjusting, then forming the knot. The motion is in order. Mentioning the hands moving through sequential motions.

Another check: "briefly describe appearance and number" — the person's shirt color, tie color. Number is one.

Spatial relationship: in front of wooden wall.

Camera: stationary.

Looks good. Let me make sure it's concise. Maybe "A person in a light blue dress shirt and orange necktie adjusts and ties the knot on their tie in front of a wooden wall. Their hands move the tie through sequential motions to form the knot. The camera remains static."

But maybe "adjusts the tie, then manipulates it to form a knot" as per the chronological order.

Wait, the video shows the person starting to tie the tie, so the actions are: first adjusting the tie, then knotting. So the caption should note the sequence.

Hmm, the problem statement says "chronological paragraph describing the provided video." So the steps in order.

First frame

A person (solid, distinct object) is actively moving their hands and neck to tie a necktie. The motion involves deliberate, controlled gestures with no fluid or environmental interference.

The wooden wall background remains static throughout the video, showing no shifting, fluid motion, or environmental elements (e.g., no fire, water, or wind).


A person's hands hold a round, light-colored stone and rub it against a dark, irregularly shaped rock with a white, crumbly substance. The hands move the stone back and forth across the rock's surface, causing the white material to adhere and mix. The background is blurred green grass, but the focus remains on the hands and the stone-rock interaction. The camera maintains a close-up, steady perspective throughout.

Hands are actively manipulating a dark stone and a lighter rock, applying force to create friction or shape the stone through physical interaction.

The background shows static grass with no shifting elements or fluid motion (no fire, water, smoke, or wind dominating).


A person in jeans and a gray shirt holds a toothbrush and treat while a fluffy tortoiseshell cat stands on its hind legs to reach the person. The person pets the cat, which then sits down and turns to follow the person as they walk away. The cat subsequently walks toward a small bowl on the floor. The scene occurs in a kitchen with wooden cabinets; the camera remains stationary.

The person (wearing blue jeans and gray socks) and the cat (a tabby cat) are moving. The person brushes the cat and then steps back. The cat then sits, then gets up and walks away.

The background (white floor, wooden cabinets) is static with no shifting or environmental fluid motion. No fire, water, smoke, or wind present.


A woman with long dark hair, wearing a patterned top, plays a string instrument while seated; the camera zooms in on her hands strumming the strings. The scene cuts to a man with curly hair in a pink shirt, also seated and playing the same instrument, focused on his hands. Both are filmed against a dark background with the camera alternating between medium shots of the musicians and close-ups of their hands and the instrument. The camera remains steady with minimal movement between shots.

Two musicians (a woman and a man) are playing stringed instruments; their hands move on the fretboard and strings in discrete motions.

The background is a static dark stage with no shifting elements or environmental motion (fire, water, wind).


A woman in a purple top adjusts a light pink baby carrier on her chest, repositioning the straps and shifting the carrier while standing near a lake. People are visible in the background near the water. The camera maintains a steady frontal view throughout.

A woman and a child (held by the woman) are moving. The woman is walking, and the child is being carried in her arms.

The background includes the ocean with waves (ambient water motion) but the dominant motion is the woman and child. The background elements (trees, ground) are static and do not shift uniformly.


A person in a purple shirt stands left of a table with stacked cups, gestures with their right hand toward the left side, then moves toward the table while another person in a black shirt enters from the right and adjusts items on the table's right end. The first person exits left of the frame, and the camera remains stationary throughout.

Two individuals interact with objects on a table: one person (purple shirt) moves around the table, handling items like cups; another person’s arm adjusts items. Solid objects (cups, table items) are displaced through physical interaction.

Background elements (curtains, banner, wall) show no uniform shifting. No fire, water, or wind-driven environmental motion observed.


A hand places a single raw, pinkish slice of meat into a shallow bowl of light brown granular breadcrumbs, pressing it to coat evenly. The coated meat is then transferred to a white plate beside a separate dish containing a yellow liquid. The meat rests partially submerged in the crumbs, with additional crumbs sprinkled on top. The camera shifts to a top-down view, capturing the motion of the hand and the texture of the crumbs against the meat's surface.

A hand places raw bacon slices into a bowl of breadcrumbs, with the bacon and hand moving due to physical placement.

The background (white bowl, countertop) shows no uniform shifting; no fire, water, smoke, or wind present.


A person in dark clothing sits on a light-colored floor, manipulating wooden planks. They pick up and rearrange the planks, moving them around the floor. The camera angle shifts slightly, capturing the person’s actions from a top-down perspective as they continue organizing the planks.

A person is actively moving and arranging wooden pieces on the floor; these discrete solid objects exhibit motion due to manual manipulation.

The wall and floor in the background show no uniform shifting or fluid motion (e.g., no fire, water, or smoke). Background elements remain stable across frames.


A metal tray filled with colorful scalloped paper shapes in pink, yellow, blue, and other hues is shown from a top-down perspective. A hand enters, picks up a light blue scalloped paper piece, holds it briefly, and places it back onto the tray. The hand then reaches for a pink scalloped paper piece, lifting it from the tray. The camera remains steady, focusing on the tray's contents with minimal movement.

A hand is moving cut paper pieces within a tray, with discrete solid objects (the paper pieces) being manipulated by physical contact from the hand.

The background consists of a static tray and cut paper pieces with no shifting background elements or fluid/environmental motion (e.g., fire, water, smoke, wind) observed.


A person in a black and white floral skirt and dark top bends over on a dirt surface near a wooden structure, then straightens while another individual in a striped shirt walks into the frame from the right. The scene is viewed through a metal fence with purple foliage in the foreground. Camera remains stationary.

A bird with black and white patterned feathers is walking on the ground, and a boy in a striped shirt walks through the scene.

The background (wooden fence and concrete ground) is static with no uniform shifting, and there are no fluid/environmental motions observed.