RAW CAPTION: Got it, let's break this down. First, the video starts with two men in a grand room. One is in a light pink hoodie, the other in dark green with a beanie. They're facing each other. Then the pink hoodie guy moves forward, grabs the other, and they hug. Wait, no—wait, the next part shows a green screen. Wait, the video sequence: first scene is the room, then they hug, then cuts to green screen where one is lifting the other. Let's check the frames.

Frame 0: two men in a room. Man A (pink hoodie) gestures with hand, Man B (dark green, beanie) stands facing him.

Frame 1: Man A moves toward Man B, maybe stepping forward.

Frame 2: Man A's arm up, reaching toward Man B.

Frame 3: Man A has arm around Man B, leaning in.

Frame 4: They're in a hug, Man A's arms around Man B.

Frame 5: Suddenly, the scene cuts to a green screen. On green screen, Man A (still in pink hoodie) is holding Man B (now in darker clothing, maybe the same beanie?) lifting him up.

So the sequence: two men in a lavish room with chandelier, purple chairs, TV, etc. Man A (light pink hoodie, dark pants) approaches Man B (dark green jacket, beanie, dark pants), they embrace, then the scene transitions to a green screen where Man A lifts Man B. Wait, the caption needs to be chronological. So first, in the room, the two men interact: Man A gestures, moves toward Man B, they hug. Then, the scene changes to green screen where Man A is lifting Man B.

Now, the rules: focus on motion and behavior, chronological. So describe each step in order.

First part: two men (Man 1: light pink hoodie, dark pants; Man 2: dark green jacket, beanie, dark pants) stand in a grand room with white walls, arched doorways, purple chairs, chandelier. Man 1 gestures toward Man 2, then moves forward, wraps arms around Man 2 in a hug. Then, the scene transitions to a green screen where Man 1 (now in white shirt, maybe a different angle?) is lifting Man 2 (now in dark top, beanie) off the ground. Wait, no, in the frames: frame 4 is the room, they're hugging. Frame 5 is green screen, Man 1 is lifting Man 2. So the transition from room to green screen.

But the caption should be chronological. So:

Two men stand in a grand interior room with ornate furniture and a chandelier; the man in a light pink hoodie gestures toward the other man, who wears a dark green jacket and beanie. The man in pink moves forward, embraces the other man in a hug. The scene then cuts to a green screen background where the man in pink lifts the man in dark clothing.

Wait, but need to check appearance: in the first part, the man in pink is hoodie (light pink), dark pants. The other is dark green jacket, beanie, dark pants. In the green screen part, the man in pink is still in pink hoodie (maybe same), and the other is in dark clothing (possibly same). But the caption should mention their appearance briefly.

Also, spatial relationships: in the room, they are facing each other, then Man 1 moves to hug Man 2. Then green screen, Man 1 lifts Man 2.

Camera perspective: first, the room is shot with standard camera (no movement mentioned), then cuts to green screen (which is a different camera setup).

Now, following the rules: keep background minimal unless essential. The grand room is described briefly but the green screen is the main focus for the later part.

Let's structure it:

Two men interact in a lavishly decorated room with white walls, arches, and purple chairs; one wears a light pink hoodie and dark pants, the other a dark green jacket and beanie. The man in pink gestures toward the other, then steps forward to hug him. The scene transitions to a green screen where the man in pink lifts the other man off the ground.

Wait, but need to check the exact frames. Frame 4 is the room, they're hugging. Frame 5 is green screen. So the chronological order is: in the room, they approach and hug, then cut to green screen where one lifts the other.

Also, in the green screen part, the background is solid green, so camera is on green screen.

Now, the caption must be concise. Let's write it.

Two men stand in an opulent room with white arches and purple chairs; the man in a light pink hoodie

Two individuals engage in physical interaction: grappling, lifting, and embracing. Their motion is driven by physical forces and collisions, visible in the struggle and struggle for control.

The background in the initial scene (room with arches, chairs, TV) is static; no environmental motion (fire, water, smoke, wind) is present. The green screen background is uniform and motionless, lacking ambient elements.


Five light-skinned hands arranged around a dark circular table initially form a circle; they then sequentially move to create a star shape, followed by a heart shape, with fingers interlocking and repositioning. The camera maintains a static top-down perspective throughout.

Multiple hands (discrete, solid objects) are moving to form patterns (circle, star, and center). The motion is due to people moving their hands intentionally.

The background (table and floor) is static and shows no shifting. There is no fluid or environmental motion (fire, water, smoke, wind).


A hand with a green bowl feeds a brown goat with curved horns through a metal cage; the goat approaches the cage rail. Two girls, one in a pink shirt and one in a blue shirt, then move toward the cage, interacting with the goats. Brown and black goats crowd near the cage as the girls observe. The camera shifts to capture the goats' movements and the girls' interactions, panning slightly across the scene. Background details are minimal, focusing on the cage and subjects.

Discrete solid objects include: a human hand feeding a goat, the goat's head moving to eat, children walking alongside the fence, and a black goat moving toward the fence. All motions are driven by physical interactions (feeding, locomotion).

Background elements (fences, ground, distant structures) show no significant uniform shifting or fluid motion; no fire, water, smoke, or wind dominating the scene.


A person in a blue-and-white checkered shirt sits at a desk, holding a phone while using a computer. Another person’s arm with a gray sleeve reaches to take the phone, prompting the first person to move it away. The camera then shifts to a wider view showing both individuals seated at the desk.

Discrete solid objects moving: a person in a checkered shirt holding a device, another person's hand interacting with the device, and the device itself. Motion includes hand gestures, device handling, and physical interaction between hands.

The background elements (desk, computer monitor, blue mats) remain static across frames with no fluid or environmental motion (fire, water, smoke, wind) observed.


RAW CAPTION: Okay, let's tackle this captioning task. First, I need to understand the user's requirements. They want a concise, chronological paragraph describing the video. The rules are pretty specific.

Starting with the main subject: a woman in a red strapless top. She's moving around energetically. The first frame shows her leaning forward with arms raised. Then she raises both arms high, maybe in celebration. Next, she brings her hands to her face, maybe touching her hair or adjusting something. Then she moves her arms out to the sides, and in the last frame, she's gesturing with her hands.

I need to focus on the motion in order. So chronological order: initial pose, raising arms, touching face, arms out, gesturing. Her appearance: red strapless top, long dark hair, headband. Background has a bed, some furniture, but minimal details as per rule e.

Spatial relationships: she's in front of a bed, maybe a window behind. But keep background minimal. Camera perspective: it's a fixed shot, no movement mentioned. The user says to mention camera perspective and movement. The video description doesn't mention camera moving, so probably static. So "static camera" or "fixed perspective".

Check rule f: exclude text recognition, named characters. So no mention of the green box or any text. Just describe the actions.

Make sure it's a paragraph, not bullet points. Keep it concise. Let me structure it step by step.

Start with the woman's actions in order. Describe her movements, appearance. Mention her hair, top. Background briefly. Camera is static.

Possible wording: A woman in a red strapless top with long dark hair and a headband moves energetically; she leans forward, raises arms, touches her face with her hands, then extends arms outward while gesturing. She remains centered in front of a bed with minimal background details. The camera maintains a static perspective throughout.

Wait, check the rules again. Rule b: mention appearance and number (color, size, orientation). The woman is one person, red top, long hair. Size isn't specified, so maybe not necessary. Rule c: spatial relationships if relevant. She's in front of a bed, maybe the window is behind.

Wait, the background elements: bed with striped blanket, window with blinds, maybe a green box. But rule e says minimal background unless essential. The bed is part of the background, but the main action is her movements, so maybe just mention she's in front of a bed.

Check the example outputs. The user provided an example in the problem statement, but the user is now asking me to generate the caption.

Wait, the user's task is to generate a caption for the provided video. The video starts with her leaning forward, then arms up, then touching face, arms out, then gesturing. So chronological order: 1. Leaning forward, 2. Raising arms, 3. Touching face, 4. Arms out, 5. Gesturing.

Putting it all together in a paragraph. Let me check the rules again to ensure compliance.

- Chronological order of motions: yes.

- Appearance: red strapless top, long dark hair, headband.

- Spatial: in front of a bed, possibly a window behind.

- Camera: static.

- Background minimal: mention bed and window briefly.

Avoid text recognition (green box is there, but rule f says exclude text recognition, so probably ignore the green box unless it's part of the motion. The video shows a green box in the background, but rule e says minimal background unless essential. If the green box isn't part of the motion, then maybe not mention it. But the problem says "exclude text recognition", so maybe the green box is just an object, but since it's not text, maybe it's okay. Wait, the rule says "Exclude text recognition, named characters, or stylistic analysis." So the green box might be a physical object, so it's allowed as background. But the user says to keep background minimal. Hmm.

Original frames: in frame 0, there's a green box on the bed. So maybe include it as "a bed with a green box". But rule e says minimal unless essential. Since it's part of the background but not necessary for motion, maybe just mention "in front of a bed".

Let me check the example output the user provided. Wait, no, the user's instructions are to generate the caption. The example in the problem statement isn't there. Wait, looking back, the user says "You MUST follow this format EXACTLY. Do NOT include any reasoning in the caption tags."

Wait, the user has given a sample video with frames, and the task is to generate a caption based on those frames.

So the main subject is the woman. Her actions: starts by leaning forward

The main discrete object is a woman in a red strapless dress performing deliberate gestures and body movements (arm raises, head turns, hand gestures), indicating intentional locomotion.

The background (walls, furniture, and static objects) shows no shifting or fluid motion; no fire, water, smoke, or wind effects are present.


A green forklift, operated by a person in a black shirt, lifts a stack of silver kegs secured with yellow and green straps from a large green truck. The forklift then moves forward, carrying the kegs away from the truck, while a second green forklift is visible in the background. The camera follows the moving forklift, panning slightly to track its motion.

A green forklift is moving horizontally from left to right, carrying a stack of metal barrels. The forklift operator is visible inside the cabin and the barrels are securely stacked.

The background (trees, building, and other vehicles) is static and shows no uniform shifting. No fire, water, smoke, or wind is dominant.


A man wearing a light blue shirt and glasses plays a golden trombone, moving its slide while seated. He is positioned in front of a partially visible car with a wheel and tire. The camera maintains a close-up perspective with slight shake, focusing on the man's upper body and the trombone.

The person playing the trombone exhibits discrete motion (e.g., hand movements on valves, slight body shifts), and the trombone itself moves with the person's actions.

The background (including the car, wall, and floor tiles) remains static across frames with no visible shifting or environmental fluid motion (e.g., wind, water, fire).


Multiple cheerleaders in navy blue uniforms with white accents perform a synchronized routine in a gymnasium, lifting one teammate high above their heads while others support her base; the elevated cheerleader extends her arms outward as the group moves forward, maintaining the stunt with coordinated steps; the camera follows their motion with a slight shake, capturing the dynamic formation against a backdrop of blue walls and an audience seated near the bleachers.

Cheerleaders are moving in formation, performing stunts (lifting, dismounting) with coordinated movements. Their motion is due to physical forces (muscle power, stunts) and locomotion.

The background (walls, flag, banners) is stationary and shows no fluid motion (fire, water, smoke, wind). No ambient environmental motion is present.


A person uses a knife to peel a red apple with yellow flesh, holding the apple firmly while slicing the outer skin. The scene transitions to a top-down view of a wooden surface with a clear bowl containing multiple red apples, a blue peeler positioned to the left of the bowl, a wide fork next to the peeler, and a red power drill placed to the right of the bowl. The camera perspective shifts from close-up to top-down, focusing on the arrangement of objects.

The apple is being peeled by a person using a knife; the apple and knife are moving due to the peeling action (explicit physical force).

The background (white surface and green object) is static; no shifting background or fluid/environmental motion (fire, water, smoke, wind) observed.


A man in a blue shirt and dark pants leans over a large floral arrangement of red and white roses with greenery, adjusts items near the flowers, then steps back. A woman in a pink jacket holding a bouquet enters the frame from the right. The camera pans right to focus on the woman.

Two solid objects (a man in blue and a woman in purple) exhibit distinct locomotion: the man gestures and turns, while the woman holds and adjusts a bouquet. Their movements are discrete and attributable to human action.

The background (walls and floral arrangements) remains static with no shifting or fluid motion. No fire, water, smoke, or wind is visible; all elements appear fixed relative to the scene.


RAW CAPTION: Okay, I need to generate a concise chronological paragraph for this video. Let me start by watching the video.

First, there are two people in military uniforms. They're at a table. One is on the left, the other on the right. They seem to be arm wrestling. The person on the left has a cap, and the other has a mustache. They're both leaning over the table, hands clasped. Then, the person on the left pushes the other's hand down, and the other guy looks like he's losing. After that, they both sit back, maybe laughing. The room has other people in the background, but I don't need to mention them. The camera is stationary, a bit shaky.

Wait, the rules say to focus on motion and behavior in chronological order. So start with the arm wrestling, then the outcome. The main subjects are two men in camo uniforms. Their appearance: both military, one with a cap, mustache on the other. Spatially, they're opposite each other at the table. Then the left person wins, they let go, sit back. Background is minimal. Camera is fixed but slightly shaky.

Make sure to mention the sequence: they start arm wrestling, the left person wins, then they stop and sit back. Avoid background details unless essential. Camera perspective is fixed, maybe a slight shake. The output should be a paragraph, concise. Check the rules again.

Need to exclude text recognition, named characters. So no names, just describe the actions. Check if there's any other motion. The video shows them moving hands, then relaxing. The other people in the room aren't part of the main action, so maybe just mention that there are others in the background but not necessary. But rule e says minimal background unless essential. So maybe just note "background contains other individuals seated at tables" briefly.

Wait, in the video, the background shows some other people sitting, but it's not crucial. The main focus is the two arm wrestling. So maybe just mention that there are other people in the room but not in the main action. But rule e says minimal background unless essential. So perhaps omit the background unless it affects the motion.

The caption should be chronological: they start arm wrestling, then the left person wins, they release hands, sit back. Camera is stationary with slight shake.

Let me draft it: Two men in camouflage military uniforms engage in arm wrestling at a wooden table; the man on the left, wearing a cap, overpowers the mustachioed man on the right, who leans back and releases his grip. Both then sit back, relaxing. The camera remains fixed with slight shake, capturing the scene in a room with minimal background detail.

Wait, check the appearance: "camouflage military uniforms", "cap", "mustachioed". The sequence: start arm wrestling, left wins, right leans back, then sit back. Spatial relationships: opposite each other at table. Background minimal. Camera fixed, slight shake.

Maybe "Two men in camouflage uniforms arm wrestle at a wooden table; the left man, wearing a cap, overpowers the mustachioed right man, who leans back and releases his grip. Both then relax in their seats. The camera remains stationary with slight shake."

Wait, the video shows them sitting back after the arm wrestle. Let me check the timestamps. The first part is them leaning in, then the left pushes the right's hand down, then the right gives up, then they both sit back. So maybe "The left man pushes the right man's arm down, causing him to lose; both then retract their hands and sit back." But need to be concise.

Another way: Two military personnel in camouflage uniforms engage in arm wrestling at a table. The man on the left, wearing a cap, overpowers the mustachioed man on the right, who leans back and relinquishes the contest. Both then sit back, their hands still on the table. The camera remains fixed with a slight shake throughout.

Wait, the video might have a quick movement where after the arm wrestle, the left man wins, then they both pull back. Let me confirm the actions.

In the video: At 0.0s, they're holding hands over the table. At 1.5s, the left man pushes the right man's hand down. By 2.5s, the right man looks up, possibly defeated. Then 3.5s, the left man is still leaning, right man is sitting back. Then the camera pans left, showing the room.

Wait, the video description might have a camera pan. But according to the video frames: the user provided 6 frames. The caption should mention camera movement. The original video may have a slight shake and maybe pan left. But in the problem statement, the user says "the camera perspective and movement"

Two soldiers in camouflage uniforms move around a table: one stands and walks away, the other remains seated and adjusts position. Solid, distinct objects (people) exhibit locomotion due to intentional movement.

Static walls, door, and furniture show no uniform shifting or fluid motion (fire/water/wind). No ambient environmental elements present.


A girl in a white shirt and red shorts runs across a grassy field while holding a purple stick, moving from left to right. She passes a white pole marker as the camera follows her motion, keeping her centered in the frame.

A person in athletic wear is actively running and swinging a bat-like object, displaying discrete locomotion and physical movement consistent with human motion.

The background features static trees and grass with no significant fluid or wind-driven motion; background elements remain consistent across frames, indicating no dominant ambient environmental forces.


tags.  So the final caption should be:  <caption_output>A child in a light pink long-sleeve shirt sits at a wooden dining table with a white tablecloth and red placemats, arranging white plates, white cups, clear glasses, and a tall candle. The child picks up a clear glass, moves a white plate, and adjusts the chair, maintaining a static camera perspective throughout.

A person is moving by turning, reaching, and adjusting items on the table. The motion is discrete and due to the person's actions.

Background elements (painting, window, wall) are static. No ambient environmental motion (fire, water, smoke, wind) is present.


A person moves steadily through a tall grassy field, silhouetted against a backdrop of distant trees and a hazy sky. The camera maintains a static wide shot, observing the individual's motion from a distance as they traverse the open landscape.

A person is moving across the field from left to right (or right to left).

Background (trees, ground) is static; no significant fluid or wind motion detected.


A person in a dark blue shirt moves a long metal bar from left to right across a workbench toward a green industrial machine, pushing it onto the machine's surface; the camera pans slightly right to follow the bar's motion.

A person (discrete solid object) moves across the workbench area, adjusting posture and positioning, indicating locomotion or task-based motion.

Background elements (red fire extinguisher, windows, green machinery) remain static with no shifting or fluid motion (fire, water, wind).


Multiple basketball players in white and maroon jerseys on a court; white team members dribble and pass the ball toward the basket, while maroon team members defend, resulting in a successful shot. The camera captures the action from a top-down perspective with slight movement.

Basketball players (in red and white uniforms) are moving (running, dribbling, passing, shooting) and the basketball is in motion due to player actions.

The background (court, walls, spectators) is stationary. No fluid/environmental motion (fire, water, smoke, wind) is present.


A group of individuals in light blue shirts and dark pants perform synchronized dance movements on a red carpet in a large indoor space. As the video progresses, additional dancers in white shirts join the formation, maintaining coordinated steps and arm motions. The dancers move forward in a line, with some stepping to the side and others extending arms. The camera pans left across the group, capturing the collective motion with a slight shake. Background elements include chairs and windows, but focus remains on the dancers' synchronized actions.

Group of people in white shirts and dark pants moving synchronously in a dance or martial arts routine, with discrete locomotion.

Background elements (walls, windows) are stationary; no fluid/environmental motion (fire, water, smoke, wind) detected.


...<caption_output>  Also, make sure it's concise. Maybe shorten:  "A metal box grater with a white handle sits on a white cutting board on a wooden table, with a blue-and-white patterned bowl holding two halved light brown potatoes to its right. A pair of hands enters: the left hand holds the grater’s handle while the right hand picks up a potato, positioning it against the grater and moving it back and forth to grate. The background includes a clear container and a red plate. The camera maintains a top-down perspective with slight movement."  That's concise, covers motion and chronology, appearance, spatial, camera. </think>  <caption_output>A metal box grater with a white handle rests on a white cutting board atop a wooden table, with a blue-and-white patterned bowl containing two halved light brown potatoes positioned to its right. A pair of hands enters the frame: the left hand grips the grater’s handle while the right hand lifts a potato from the bowl, aligning it against the grater’s surface and moving it back and forth to begin grating. The background includes a clear container and a red plate, remaining unobtrusive. The camera maintains a top-down perspective with subtle movement.

Hands move a potato against a metal grater in a controlled back-and-forth motion, causing shredded potato to accumulate in the grater's tray.

The background (wooden table, bowl of potatoes, bottle) is stationary with no uniform shifting or fluid motion (fire, water, wind). No environmental elements dominate.


Hands are moving in the first segment, manipulating aluminum foil to form a parcel. The foil parcel and the hands are discrete solid objects. In the second segment, the foil parcel and surrounding objects are stationary.

No shifting background or fluid/environmental motion (fire, water, wind) observed. The background in the first segment is a static baking tray, and the second segment is a static dirt ground. Both are solid and non-moving.


A group of six ballerinas in white tutus performs synchronized ballet movements on a dark purple stage. They leap and turn in unison, shifting formation as some dancers move forward while others follow behind. The camera remains steady, slightly panning to track their fluid motion across the stage as they execute coordinated jumps and spins, maintaining cohesive positioning throughout the sequence.

Multiple ballerinas in tutus are performing ballet movements. They are discrete, solid objects moving through space with coordinated dance steps, turns, and formations.

The background is a static purple stage with no environmental motion (fire, water, wind, smoke). The stage floor is fixed and shows no shifting.


RAW CAPTION: Got it, let's break this down. First, the video shows a person and a dog. The dog is a light-colored Labrador, sitting on the floor. The person is wearing a gray shirt, and they're interacting with the dog.

Chronologically: At the start, the dog is pawing at the person's hand. Then the person moves their hand, and the dog lifts its paw to touch the person's hand again. The dog seems to be trying to get attention or play.

Appearance: The dog is light beige, medium size, sitting. Person is partially visible, gray shirt.

Spatial: The dog is near a wooden panel wall, maybe a corner. The person is leaning towards the dog.

Camera: It's a close-up, probably static, looking down a bit. The movement is minimal, just the interaction between them.

Background: Minimal, just the wooden wall and floor.

Need to be concise. Let's structure it:

A light-colored Labrador sits on a wooden floor against a wooden panel wall, engaging with a person in a gray shirt. The dog repeatedly lifts its front paw to touch the person’s outstretched hand, which moves back and forth in front of the dog. The camera remains static, capturing the interaction from a close, slightly elevated angle.

Wait, check rules: focus on motion and behavior in chronological order. So first, dog paws at person's hand. Then person moves hand, dog responds by lifting paw again. So the sequence is dog's action then person's, then dog's.

Make sure to mention appearance: dog is light beige, person's shirt is gray.

Also, spatial: dog is against the wall, person is to the left (since the person is on the left side of the frame, leaning in).

Background: wooden panel wall, floor. But minimal, so just mention if essential. The wall is part of the setting, maybe necessary for context.

Camera perspective: close-up, slightly elevated, static.

Let's draft:

A light-colored Labrador, sitting on a wooden floor near a wooden panel wall, repeatedly lifts its front paw to interact with a person wearing a gray shirt. The person extends their hand toward the dog, which responds by pawing at the hand; the hand then retracts, prompting the dog to lift its paw again. The camera captures the interaction from a close, slightly elevated angle without movement.

Check if all rules are followed:

a) Motion and behavior chronological: dog paws, person moves hand, dog paws again. Yes.

b) Appearance: dog color, size (medium?), person shirt color. The dog is light beige (from video, looks like yellow lab), medium size. Person's shirt is gray.

c) Spatial: dog near wall, person to the left (since in the frames, person is on left side). "Sitting on a wooden floor near a wooden panel wall" – the wall is behind the dog, so dog is against the wall.

d) Conclude camera: close, slightly elevated, static.

e) Background minimal: wooden panel wall is mentioned but it's essential for context (the dog is against it), so okay.

f) Exclude text, named characters: yes.

Now, check conciseness. Let's make it shorter.

A light-colored Labrador sits against a wooden panel wall on a wooden floor, engaging with a person in a gray shirt. The dog repeatedly lifts its front paw to touch the person’s hand, which moves back and forth in front of the dog. The camera remains static at a close, slightly elevated angle.

Wait, "moves back and forth in front of the dog" – the hand moves towards the dog, then away, so the dog responds each time. Maybe "the person extends and retracts their hand, prompting the dog to lift its paw repeatedly."

Hmm. Let's try:

A light-colored Labrador sits on a wooden floor against a wooden panel wall, interacting with a person wearing a gray shirt. The dog lifts its front paw to touch the person’s hand, which retracts, and the dog repeats the motion. The camera captures the scene from a close, slightly elevated, static perspective.

Yes, this flows. Let's check rules again.

a) Motion chronological: dog paws, person retracts hand, dog paws again. Correct.

b) Appearance: dog light-colored, person gray shirt. Good.

c) Spatial: dog against wall, person is interacting. The "against a wooden panel wall" sets the location.

d) Camera: close, slightly elevated, static. Correct.

e) Background minimal: wooden panel wall is mentioned, which is necessary for the dog's position.

f) No text or names.

Okay, that should work.
</think>

<caption_output>A light-colored Labrador sits on a wooden floor against a wooden panel wall, engaging with a person in a gray shirt. The

A person's hand and a dog interact: the dog moves its paw to touch the hand, sits, stands, and shifts position; the hand moves to engage with the dog's paw.

The background (wooden panel, floor) shows no uniform shifting; no fire, water, or wind is visible, ruling out ambient environmental motion.


A person wearing white gloves manipulates a black cylindrical component on a red and silver mechanical device, using a tool to adjust its position. The component is positioned vertically on the device, with the person's hands working around it. Tools are arranged on a blue cloth to the right of the device. The camera maintains a static close-up perspective focused on the hands and device throughout the sequence.

Discrete solid objects include the gloved hands manipulating tools (pliers, screwdriver), metal components on the workbench, and the blue cloth with mechanical parts. Motion involves precise manual actions and tool manipulation.

No shifting background elements observed; no fire, water, smoke, or wind motion present in the scene.


RAW CAPTION: Got it, let's break down the video. First, the scene is a toilet in a bathroom. The main action is someone's hands and arm. Let's check the timestamps. At the start, hands are near the toilet, then the arm moves to adjust the toilet seat. Wait, the video starts with the toilet, then hands appear. The arm is dark, maybe sleeves. The person adjusts the seat and lid, then flushes. Let's track the motion:

- Initial frame: toilet with lid up, water visible.
- Then a hand (dark sleeve) moves towards the toilet, adjusts the lid (closing it? Wait, in frame 1:00, lid is up, then in frame 1:01, hands are near, then the arm moves to the seat area. Wait, the sequence: first, hands (dark sleeves) reach towards the toilet seat. Then the lid is adjusted (maybe closed), then the toilet is flushed (water swirls). Let's check the frames:

Frame 0: Toilet lid up, no hands. Time 00:01:48:26.

Frame 1: Hands (dark sleeves) move towards the toilet, touch the lid.

Frame 2: Hands adjust the lid, maybe closing it.

Frame 3: Arm moves to the side of the toilet, possibly flushing.

Frame 4: Water swirls in the bowl, indicating flush.

Frame 5: Water drains, lid is up again.

So chronological order: A person's hands (dark sleeves) reach toward the toilet, adjust the lid, then the person flushes the toilet, causing water to swirl and drain.

Now, appearance: hands have dark sleeves, so the person's arm is dark. Toilet is white, lid is up initially, then adjusted. Spatial relationships: hands are in front of the toilet, adjusting the seat and lid. Background is tiled wall, minimal.

Camera perspective: close-up on the toilet, static camera, no movement mentioned. The camera stays focused on the toilet throughout.

Need to keep it concise. Let's structure:

- Start with the toilet (white, lid up), then hands (dark sleeves) adjust the lid and seat, then flush (water swirls and drains).

Check rules: motion in chronological order, appearance (dark sleeves on hands), spatial (hands near toilet), camera static close-up.

Make sure to exclude text, no named characters.

So draft: A person's dark-sleeved hands adjust the white toilet seat and lid, then flush the toilet, causing water to swirl and drain. The camera remains static in a close-up view of the toilet.

Wait, check frame by frame:

0:00:01:48:26 - toilet lid up.

0:00:01:49:00 - hands (dark sleeves) move to the lid, adjust.

0:00:01:50:00 - arm moves, probably to the flush handle.

0:00:01:51:00 - water swirls, flush.

0:00:01:52:00 - water drains.

So the action is hands adjusting seat/lid, then flushing.

"Dark-sleeved hands approach the white toilet, adjust the seat and lid, then flush the toilet, causing the water to swirl and drain. The camera remains stationary in a close-up view of the toilet."

Check for minimal background: background is tiled wall, but rule f says exclude unless essential. The tiled wall is part of the setting but not essential for motion. So maybe just say "toilet in a bathroom" but no, the background is minimal as per rule e.

Wait, rule e: "Keep background descriptions minimal unless essential for understanding motion." The motion is around the toilet, so background is just tiled wall, but not necessary to mention. So focus on the main subject (toilet and hands).

So revised: Dark-sleeved hands approach a white toilet with the lid raised, adjust the seat and lid, then flush the toilet, causing the water to swirl and drain. The camera remains static in a close-up view.

Check if "adjust the seat and lid" is accurate. In frame 1, hands are moving towards the lid. Frame 2, the lid is being adjusted (maybe closing). Then frame 3, the arm moves to flush. Yes.

Now, conciseness. "A person's dark-sleeved hands adjust the white toilet seat and lid, then flush the toilet, causing water to swirl and drain. The camera stays in a static close-up of the toilet."

Wait, the problem says "main subjects (people/animals/objects)" — so the hands are part of a person, but since it's a video caption, maybe just "hands" since we can't name the person.

A person's hands are moving to pour liquid into the toilet bowl and adjust the toilet seat. The hands and the liquid being poured are the discrete solid/liquid objects in motion.

The background elements (toilet, wall) show no uniform shifting or fluid motion. There is no fire, water flow, smoke, or wind dominating the scene. The liquid in the toilet is part of an action but not the primary environmental motion.


A shirtless man in black shorts stands in a park crowd, surrounded by people sitting on blankets and umbrellas. The camera pans right to show two women: one in a blue dress holding a red hula hoop aloft, and another in a short dress holding a pink hula hoop, both moving rhythmically. The background features seated spectators, but focus remains on the women's hula hoop performance. The camera follows their motion with a slight pan to the right.

Discrete objects (people hula hooping, moving in circular motion, walking) exhibit explicit physical forces from human locomotion and interaction with hula hoops.

Background elements (trees, crowd) show no uniform shifting or fluid motion; no fire, water, or smoke present.


A person holds a bass guitar in a room with equipment; the camera zooms in to show their left hand positioning a finger on the third fret of the guitar neck.

The player's hands are moving along the bass guitar fretboard and strings to play music.

The background (wall and door) is static and not shifting uniformly. No fire, water, smoke, or wind is present.


RAW CAPTION: Got it, let's break down the video. First, the main subject is a girl playing the cello. She's wearing a purple sleeveless top and black pants, with a bow in her hair. She's sitting on a stool, holding the cello, and moving the bow. The camera starts with her in the frame, then pans to the right to show another person at a keyboard. The background has a brick wall and a flag. The girl is on the left, the keyboardist is to her right. The camera moves slightly, maybe panning right, and there's a slight shake. Need to keep it chronological: start with girl playing, then camera pans to show the other person. Mention their positions, what they're doing. Avoid text, names, etc.

So, first part: girl in purple top plays cello, seated on stool, bow moving. Then camera pans right to reveal another person at keyboard. Describe their appearance briefly. Spatial: girl left, keyboardist right. Background minimal. Camera movement: slight pan right, maybe shake.

Let's structure the caption. Start with the girl's action, then the camera movement revealing the other person. Mention their positions. Keep it concise.

Check rules: chronological, motion and behavior, appearance (color, size), spatial relationships, camera perspective/movement, minimal background.

Okay, draft: A girl in a purple sleeveless top and black pants plays the cello while seated on a stool; the camera pans right to reveal a second person at a keyboard to her right, both positioned against a brick wall backdrop, with the camera exhibiting slight movement throughout.

Wait, need to make sure it's chronological. First the girl is playing, then camera moves. So: A girl in a purple sleeveless top and black pants plays the cello while seated on a stool. The camera then pans right to reveal a second person seated at a keyboard to her right. Both are positioned against a brick wall, and the camera maintains a slight shake during the pan.

But need to check all rules. Appearance: girl's top is purple, sleeveless; pants black. The other person's appearance? Rule says "briefly describe their appearance and number (color, size, orientation)". The other person: maybe mention "a person in dark clothing" since we don't know specifics. But the problem says exclude named characters, but description of appearance (color, size, orientation) is allowed. The keyboardist's clothes: dark, maybe. But maybe just "a person" since we don't have details. Wait, the video shows the keyboardist in dark clothing. So "a person in dark clothing" or "a person at a keyboard".

Wait, the caption should focus on motion and behavior. So the girl plays cello, camera pans right, shows another person at keyboard. Let's see:

"A girl in a purple sleeveless top and black pants plays the cello while seated on a stool. The camera pans right to reveal a second person in dark clothing seated at a keyboard to her right, both positioned against a brick wall, with the camera exhibiting slight shake."

Is that too long? Need concise. "A girl in a purple sleeveless top and black pants plays the cello while seated on a stool; the camera pans right to reveal a second person at a keyboard to her right. Both are positioned against a brick wall, and the camera has slight movement."

Check if "second person" is okay (number). Yes. Appearance: girl's clothing (purple top, black pants), keyboardist's dark clothing (since it's visible). Orientation: seated. Spatial: girl left, keyboardist right. Motion: playing cello, camera pans right.

Another point: in the video, the first part shows the girl playing, then the camera moves to the right, showing the keyboardist. The background has a brick wall and a flag, but rule says "keep background descriptions minimal unless essential". The flag might not be essential, but the brick wall is part of the background. However, maybe just mention "brick wall backdrop" as minimal.

So final draft:

"A girl in a purple sleeveless top and black pants plays the cello while seated on a stool. The camera pans right to reveal a second person in dark clothing seated at a keyboard to her right, positioned against a brick wall. The camera exhibits slight shake during the pan."

Wait, "exhibits slight shake" is camera perspective/movement. Yes.

Check all rules:

a) Motion: girl playing cello, camera pan right, reveal keyboardist.

b) Appearance: girl's clothing, number (1 girl, 1 keyboardist).

c) Spatial: girl left, keyboardist right.

d) Camera perspective: pan right, slight shake.

e) Background: brick wall (minimal).

f) Exclude text, names, etc.

Yes, this should work.
</think>

<caption

Two discrete objects (musicians) exhibit solid, distinct motion: the cellist moves the bow across the cello strings and shifts body position, while the pianist plays the keys with hand movements. These motions result from explicit physical forces (musical performance).

The brick wall and flag show no significant shifting or fluid motion; no fire, water, smoke, or wind dominates the scene. The flag remains largely static, indicating no ambient environmental motion.


A person with short hair, wearing a light denim vest over a black top and a black choker, looks downward before lifting a white shirt and holding it up in front of the camera. The background features a wall with faint pink floral designs and a hanging garment, but the camera remains fixed throughout the sequence.

A person moves their arms to handle a white cloth and a shoe, demonstrating deliberate physical actions with discrete solid objects.

The background (walls, window) shows no uniform shifting; no fluid/environmental motion (fire, water, smoke, wind) is present.


RAW CAPTION: Okay, let's tackle this. So, the user wants me to generate a caption for a video where a person is playing a ukulele. The rules are pretty specific. Let me read through them again to make sure I don't miss anything.

First, the caption needs to be chronological, focusing on the motion and behavior of the main subjects. The main subject here is the person playing the ukulele. I need to describe their actions step by step as they happen in the video.

Appearance and number: The person is wearing a black t-shirt, a hat, glasses, and has a beard. The ukulele is light brown. But wait, the rules say to mention appearance and number (color, size, orientation). So maybe I should note the shirt color, hat, and the ukulele's color.

Spatial relationships: The person is sitting in front of a wall with a door and a table. The table has some items on it. But rule e says to keep background minimal unless essential. Since the table and items are part of the background, but maybe not essential for motion. The person is seated, so perhaps just mention they're sitting, not the specific objects.

Conclude with camera perspective and movement. The video seems to be a static shot, no movement mentioned. So the camera is stationary, maybe a medium shot.

Exclusion: No text recognition, named characters, stylistic analysis. So don't mention the t-shirt's graphic or any specific names.

Let me break down the video frames. The first frame shows the person holding the ukulele, strumming. The next few frames show similar actions. So the main action is the person playing the ukulele, strumming and adjusting fingers.

Chronological order: The person starts by holding the ukulele, then strums, maybe adjusts fingers on the fretboard. But since it's a short video, maybe just describe the continuous action.

Appearance: Man with gray beard, glasses, hat, black shirt. Ukulele is light brown, possibly with a wooden body.

Spatial: Seated, ukulele held vertically, strumming. Background has a door and table, but minimal description.

Camera: Static shot, no movement.

So putting it all together: A man with a gray beard, glasses, and a hat sits holding a light brown ukulele, strumming and adjusting his fingers on the fretboard. He remains seated in a room with a door and table in the background. The camera stays stationary in a medium shot.

Wait, but rule c says mention spatial relationships if relevant. The person is sitting, so "seated" is okay. The background elements like door and table might be minimal, but maybe necessary for context? The rules say "minimal unless essential for understanding motion." Since the motion is the playing, maybe the background isn't essential. But the problem is the user's example in the rules doesn't specify, but in the provided video, the background has a door and table. However, the user says to keep background descriptions minimal. So maybe just mention "in a room with a door and table" but very briefly.

Wait, the output format example (if there was one) but here the user provided the rules. Let me check again.

Rule e: "Keep background descriptions minimal unless essential for understanding motion." So if the background isn't affecting the motion, just a few words. The person is sitting in a room with a door and a table. Maybe "seated in a room with a door and table visible in the background."

But maybe even less. Since the main focus is the person playing, the background can be mentioned as "in a room with a door and table" but concise.

Also, the video shows the person's hands moving: strumming with the right hand, fretting with the left. So describe the actions as strumming and adjusting fingers.

Now, the caption should be concise, chronological. So: A man with a gray beard, glasses, and a hat sits in a room, holding a light brown ukulele. He strums with his right hand while adjusting his left hand on the fretboard. The camera remains stationary in a medium shot.

Check the rules: Focus on motion and behavior in chronological order. So the sequence is: sitting, holding, strumming, adjusting fingers.

Appearance: black shirt, hat, glasses, beard. Ukulele color.

Wait, the t-shirt is black, so mention that.

So: A man in a black shirt, wearing glasses, a hat, and a gray beard, sits holding a light brown ukulele. He strums with his right hand and adjusts his left hand on the fretboard. The camera stays in a fixed medium shot.

Is "fixed" correct? The user said "camera perspective and movement". So "stationary" or "fixed".

Also,

Man and ukulele exhibit solid object motion: hands strumming and fretting the ukulele string, with the instrument moving slightly due to physical playing actions.

Background elements (white wall, furniture) remain static with no shifting or fluid motion; no fire, water, smoke, or wind present.


A brown camel wearing a red halter lifts its head from a metal trough, then walks forward past a kneeling person in a green shirt and blue pants. The camel continues moving toward a wooden fence, with the person standing up as it proceeds. The camera follows the camel’s movement with a slight shake.

A large brown animal (likely an ox or buffalo) and a person in blue clothing are moving. The animal appears to be being guided along the fence, with the person holding it. Both objects exhibit solid, discrete motion due to locomotion.

The background consists of vertical wooden stakes forming a fence. No shifting of background elements or fluid/environmental motion (fire, water, wind) is observed; the fence remains static relative to the frame.


A person wearing a black jacket and jeans is seated on a red motorcycle. They raise their right hand to make a gesture, then lift both hands upward. The background features other motorcycles. The camera remains stationary with a slight shake.

The man makes discrete hand movements (waving, pointing) with his right arm; these are controlled motions of a solid object (human body) without environmental interaction.

Static background with parked motorcycles shows no shifting, fluid motion (fire/water/smoke/wind), or environmental distortion. Background elements remain stable throughout.


A man in a dark blue shirt and denim shorts stands in a store aisle between shelves, initially raising both arms overhead in a stretching motion. He gradually lowers his arms while shifting his stance slightly. Behind him, another person is partially visible among the shelves. The camera, held at eye level with a slight shake, captures the scene from a static position as the man moves.

A person performs controlled body movements (arms raised, turning, bending) while holding a hula hoop; the hula hoop is in motion due to the person's physical action.

Background shelves and store elements remain stationary; no fluid motion (fire, water, smoke) or wind-driven effects observed.


A pair of hands holds a large rectangular white board with a gray marble pattern, rotating it to showcase its surface. The board is positioned over a cardboard surface, with white geometric objects visible to the left. The camera maintains a close-up perspective, tracking the board's movement as it is maneuvered.

A person's hands are moving a large white sheet-like object, adjusting its position and orientation.

Background elements (cardboard box, white boxes) remain static with no uniform shifting; no fire, water, smoke, or wind present.


A person with curly hair, wearing a red top and tan scarf, lies on a white quilted surface. Initially holding their head with one hand, they shift their head and hand position, adjusting on the quilt. The camera maintains a top-down perspective with slight movement.

A person wearing a red top and yellow scarf is moving their head and upper body; this is a discrete solid object moving due to intentional physical actions (head turns, posture adjustments).

The background features a static white brick wall with no fluid motion (fire, water, smoke, wind) or uniform shifting indicating camera movement.


A person in a light-colored kimono with a green obi stands at a black table, handling a small dark bowl. They lift the bowl, use chopsticks to transfer an item from the bowl into a black pot positioned to the right, then place the bowl back on the table. The table also holds a green container to the left, a red cloth, and other small objects. The background is a plain wall, and the camera remains stationary throughout.

A person in traditional clothing is moving their hands to manipulate objects on a table (e.g., adjusting containers, handling tools), demonstrating discrete solid object motion via manual interaction.

The background elements (white wall, table, and stationary objects) show no uniform shifting, indicating no camera-induced or environmental motion dominance. No fire, water, smoke, or wind is present.


RAW CAPTION: Got it, let's break this down. First, the video starts with three people standing in front of a backdrop with ABC logos. One is carrying another on their shoulders. Then there's a transition to a framed photo of that scene. Next, the scene changes to two people in front of the same backdrop, but one is now in a different shirt. They move around, and then another framed photo. Then a person in a white shirt stands alone, and then another framed photo.

Need to focus on motion and behavior in chronological order. Let's list the key moments:

1. Initial scene: Three people (one carrying another on shoulders) standing in front of ABC backdrop.
2. Transition to a framed image of the same scene.
3. Scene changes: Two people (one in white shirt, one in black) moving around the backdrop.
4. Transition to another framed image of those two.
5. Single person in white shirt stands still.
6. Another transition to a framed photo of the single person.

Wait, the video steps:

[0.0] Frame: Three people (one with a child on shoulders, two standing front) in front of ABC backdrop.

[1.4] Frame: Same as above but now a white border (framed photo).

[2.5] Frame: Two people (one in white shirt, one in dark) moving away from the backdrop.

[3.6] Frame: Same two people but now with one in red shirt? Wait, the third frame (after the first two) is two people, then a photo, then another scene.

Wait, let's read the timestamps:

<0.3> Scene 1: Three people (one carrying another on shoulders, two standing) in front of ABC backdrop.

<1.4> Same scene but in a framed photo (white border).

<2.5> Scene 2: Two people (one in white shirt, one in dark) standing, then moving.

<3.6> Same two people but in a photo.

<4.7> Scene 3: A person in white shirt standing, then a photo of them.

Wait, the actual video description:

First frame: three people (one with child on shoulders, two standing). Then a photo of that.

Then two people (one in white, one in black?) moving around, then a photo.

Then a single person in white shirt standing, then a photo.

So the motions:

1. Initial setup: three people (one carrying another on shoulders, two standing front) pose in front of backdrop.

2. Frame transitions to a static image of that setup.

3. Then two people move around the backdrop (possibly dancing or gesturing), then a photo of them.

4. Then a single person stands, then a photo.

Now, describe in chronological order.

First scene: three people, one carrying another on shoulders, two standing front, in front of ABC backdrop.

Then a transition to a framed image of that scene.

Next, two people (one in white, one in dark) move around the backdrop.

Then a framed image of those two.

Then a person in white shirt stands still.

Then a framed image of that person.

Wait, the video's sequence:

Time 0.0: 3 people, 1 carrying another on shoulders, 2 standing in front. Background: ABC backdrop.

Time 1.4: The same 3 people are shown as a framed photo.

Time 2.5: Two people (one in white shirt, one in dark shirt) are standing, but then move (they run away from the backdrop?).

Time 3.6: Same two people in a framed photo, waving.

Time 4.7: A single person in a white shirt stands, then a framed photo.

Now, need to condense into a concise paragraph.

Main subjects: people.

First, three individuals: one person with a child on their shoulders, two others standing in front, all in front of the ABC-themed backdrop. The scene transitions to a framed photograph of the same group. Next, two people (one in a white shirt and another in a dark shirt) move across the backdrop, followed by a framed image of them. Finally, a single person in a white shirt stands, then a framed photograph of them.

Check the rules: focus on motion and behavior chronologically.

So:

Initial scene: three people (one carrying another on shoulders, two standing) pose in front of an ABC backdrop. A photo frame captures this moment. The scene changes to two people moving around the backdrop (one in white, one in dark), then a photo frame of them. Lastly, a single person in white stands, followed by a photo frame.

Keep it concise.

Possible caption:

Three individuals stand before an ABC backdrop: one carries another on their shoulders while two others pose. The scene transitions to a framed photograph

Two individuals (one in black shirt, one in red shirt) exhibit discrete locomotive motion through arm/upper body gestures during a dance sequence; the central individual (white shirt) remains stationary.

The backdrop (repeated logo pattern) remains uniformly static across frames; no shifting or fluid environmental motion (fire, water, wind) is observed.


A person's arm, wearing a black sleeve, pours a light-colored substance from a small glass container into a large metal pot containing raw chicken legs and orange carrots. The hand then shifts to another small glass jar, pouring a clear liquid into the pot. The pot sits on a stovetop, with a plate of green herbs and small glass jars positioned to the right. The camera remains in a steady close-up, focusing on the pot and the pouring action.

Discrete solid objects: The person's hands (grating/adding garlic to the pot) and garlic pieces (moving into the pot). Motion is driven by explicit physical action (grating, adding ingredients).

No shifting background elements (stove, countertop, pots remain static). No fluid/environmental motion (fire, water, smoke, wind) present.


A person in a white shirt and apron adjusts two red-fleshed watermelon wedges with green rinds on a white cutting board, moving one slice to the right and then placing it down while the other remains partially visible to the left; the scene is filmed from a close-up, static perspective showing the person's hands and the kitchen background with a stove and knife.

Discrete objects include the person's hands manipulating watermelon slices, with motion from cutting actions (e.g., slicing, positioning).

Background elements (stove, kitchen surfaces) show no significant shifting or environmental motion; no fire, water, or smoke present.


RAW CAPTION: Got it, let's tackle this. First, the video starts with a man in a plaid shirt on a ladder, reaching up to the roof of a shed. There are two other people on the roof: one in a blue jacket sitting, another in a gray shirt moving. Then the scene cuts to a close-up of hands working on wooden planks on the ground. Next, it shows a wider view of the shed with more people—some on the roof, others on ladders or the ground.

Need to describe in chronological order. Start with the first scene: man in plaid shirt (light-colored, maybe blue/white plaid) on ladder, helping with roof. Then the person in blue jacket on the roof, and the other moving. Then switch to close-up of hands assembling wooden planks on the ground (wooden planks, maybe 4-5 pieces). Then wider shot of the shed with multiple people: three on the roof, two on ladders, one on the ground with a board.

Check spatial relationships: first scene, man on ladder left of shed, people on roof. Then close-up on ground, maybe background with trees. Then wider shot, shed surrounded by grass, ladders on ground.

Camera movement: starts with low angle (looking up at shed), then close-up on planks, then wider shot.

Background minimal: grass, trees in background, but focus on actions.

Avoid text recognition (like "Oreida Daily Dispatch" is excluded).

Now structure the paragraph:

First scene: Man in plaid shirt (light blue/white plaid) on ladder, assisting on shed roof; two people on roof (one in blue jacket seated, one in gray shirt moving). Second scene: Close-up of hands assembling light wooden planks on ground. Third scene: Wide view of shed with three people on roof, two on ladders, one on ground with blue board. Camera perspective: starts low angle, shifts to close-up, then wide.

Check rules: motion and behavior in order, appearance (colors), spatial, camera movement.

Let me draft:

A man in a light blue and white plaid shirt on a ladder reaches toward a green shed’s roof, where two people are present: one in a blue jacket sits, while another in a gray shirt moves. The scene shifts to a close-up of hands arranging light wooden planks on the ground. It then widens to show multiple people working on the shed—three atop the roof, two on ladders, and one on the ground holding a blue board. The camera transitions from a low angle to close-up and finally a wide shot.

Wait, need to mention number: "two people" on roof initially? Wait first frame: man on ladder (one), two on roof. So "one man on a ladder reaches toward a green shed’s roof, where two people are: one in a blue jacket seated, another in a gray shirt moves."

Then the next scene: close-up of hands working on wooden planks (maybe 4 planks) on a wooden surface. Then wider view: multiple people on the roof (three?), ladders (two red ladders), one person with blue board.

Wait the third frame shows three people on the roof: one in gray shirt (who was moving earlier), one in blue jacket (now sitting), and a third person in dark clothes. Then on the ground: two ladders, one person with a blue board, another person.

Wait the third frame: "three people on the roof: a person in a gray shirt, one in a dark top, and another in blue (but the blue jacket was sitting before). Wait the initial frames: [0.0] man in plaid (left), person in gray shirt (right on roof), person in blue jacket (right on roof). Then [1.4] gray shirt person moves away. [2.5] another scene: the person in blue jacket is now sitting, and the gray shirt person is moving off.

Wait the second clip (frame 3) is a close-up of wooden planks being worked on by hands. Frame 4: wider view with three on roof, two on ladders, one on ground.

So timeline:

1. First shot: Man in plaid shirt on ladder, reaching toward shed roof. Two people on roof: one in blue jacket sitting, one in gray shirt moving.

2. Second shot: Close-up of hands assembling light wooden planks on a wooden surface.

3. Third shot: Wider view showing multiple workers: three on shed roof (including previous blue jacket and gray shirt person, and another), two people on ladders, and one person on ground holding a blue board.

Now, check the number: initial first frame: 1 man on ladder, 2 on roof. Second scene: hands (two hands).

Discrete solid objects include people on the roof (moving to adjust position, interact with tools) and a person operating a circular saw (cutting wood while moving hands).

Static background elements (house walls, grass, and structural components) show no uniform shifting or fluid motion; no fire, water, or smoke is present in the frames.


A young blonde child in white underwear stands on a concrete pathway, moving their arms and turning slightly to face away from the camera. The child remains on the pathway near a wooden railing, with green grass and a brick building in the background. The camera maintains a top-down perspective throughout the sequence.

Two discrete solid objects: a child (moving slightly towards an adult) and an adult (stationary near the railing). The child's motion is due to locomotion.

The background (sidewalk, grass, plants, wooden railing) shows no uniform shifting or fluid environmental motion (fire, water, smoke, wind); all elements remain stationary relative to each other.


A dealer in a white shirt and dark vest positioned behind a red poker table manipulates a stack of cards, initially moving them across the table surface to arrange them in front of designated player positions. The dealer then gathers the cards into a neat stack, lifting them toward their body while continuing to handle the cards with their hands. The camera remains fixed in a top-down perspective, capturing the dealer's actions and the table layout without movement.

The dealer (person) is moving his hands to deal cards. The cards are being moved from the dealer's hands to the table. These are discrete solid objects with explicit physical motion.

The background (walls, table, casino elements) shows no shifting or uniform movement. No fire, water, or smoke is present. Ambient environmental motion is absent.


A gloved hand places a metallic object into a large green industrial machine, adjusts its position, and guides it through the machine's opening. The hand then retrieves the processed white metal piece, holding it up for inspection. The camera begins with a top-down view of the machine, shifts to follow the hand's motions, and concludes with a close-up of the held piece.

Hand manipulates a metal sprinkler base, moving it into and out of the machine's slots via physical interaction.

Background elements (machine structure, floor) show no uniform shifting; no fire, water, smoke, or wind present.


A green beehive box rests on a roof, revealing golden honeycomb structures inside; the camera zooms in on the honeycomb, then pans left to show a person in white clothing approaching the beehive from the side. The camera follows the person’s movement toward the structure.

A person enters the frame, moving toward the green structure. The person's motion is explicit locomotion, with clear displacement across frames.

Background elements (trees, distant structures, ground) show no significant uniform shifting or fluid/environmental motion (fire, water, smoke, wind).


A hand with a light-colored sleeve pets the back of a medium-sized tabby cat with brown and black stripes lying on a surface. The hand moves across the cat’s fur, then the cat turns its head and shifts its body, extending one paw. The camera remains in a close-up position with slight movement.

The person's hand (wearing patterned sleeve) moves to pet the tabby cat, which then moves (stretching, turning head) in response to the petting.

Background is stable (wall, bags). No fluid/environmental motion (fire, water, wind) present.


tags. No extra text.  Possible sentence: "A hand places peeled, light yellow potatoes into a metal bowl filled with water. The potatoes, round and smooth, are transferred from a container into the bowl, increasing the quantity. The camera maintains a close-up, top-down view of the action."  Wait, the rules say "Briefly describe their appearance and number (color, size, orientation)." So maybe specify that they're peeled, light yellow, round, and the hand adds several. Also, check if the spatial relationship is needed. The hand is moving from the right, placing into the bowl. Maybe "a hand adds peeled potatoes to a metal bowl of water, moving them from a smaller container into the bowl."  Wait, the video shows the hand adding potatoes step by step. So the sequence is: initial potatoes in the bowl, then hand adds more. So "A hand adds peeled, light yellow potatoes into a metal bowl of water. The potatoes, round and smooth, are transferred one by one from a smaller container into the bowl, increasing the quantity. The camera remains focused in a close-up top-down perspective throughout."  But the user says "concise" and "chronological paragraph." Need to make it tight. Let me check the example output structure. The example in the problem statement (not given, but user provided) would follow the rules.  Wait, the user's example output is like: <caption_output>your caption here

A human hand enters the frame, interacts with a solid food item (likely a peeled potato or egg) in the bowl, performing actions like lifting and manipulating the object. The hand is a discrete solid object undergoing physical motion due to deliberate interaction.

The background consists of a static metallic surface and bowl; no shifting background elements or fluid/environmental motion (e.g., water flowing, smoke) is observed. The bowl's position and surface remain consistent across frames.


RAW CAPTION: Got it, let's tackle this. First, the video starts with a woman in a blue shirt with a name tag. She's standing in an office-like setting. Then it cuts to under a vehicle, where a person is working, maybe using a tool. Then there's a close-up of some cylindrical objects, probably filters, in a container. Need to describe chronologically.

First scene: woman in blue shirt, standing, name tag. Then shift to under a car, person working (maybe under the vehicle, using a tool). Then close-up of three cylindrical objects (filters) in a dark container. Check rules: motion and behavior in order. Mention appearance and number. Spatial relations: the woman is in the office, then the person under the vehicle, then the filters in the container.

Camera perspective: starts with a shot of the woman, then cuts to under the vehicle (so camera is under the vehicle), then close-up of the filters.

Make sure to exclude text recognition, so don't mention the name on the tag. Also, keep background minimal. For the office part, maybe just the background has a computer and a board. Under the vehicle, the background is the vehicle's underside and maybe a workshop.

Wait, the first frame: woman in blue shirt, name tag (red and white), office with a computer monitor and a board. Then cut to under a vehicle, a person (maybe mechanic) working, hands visible, under the car. Then close-up of three cylindrical objects (filters, white, dirty) in a container.

So chronological order: woman standing, then person working under car, then close-up of filters.

Now structure the caption:

A woman in a blue shirt with a name tag stands in an office setting with a computer monitor and board. The scene shifts to a person working under a vehicle, using a tool near the wheels. Next, the camera focuses on three cylindrical, white filters in a dark container.

Wait, check rules: "Focus primarily on the motion and behavior of main subjects". For the first scene, the woman is standing (no motion, but maybe she's speaking? But the task says motion and behavior, so maybe just her standing). Then the person under the vehicle—working, motion of using tool. Then the filters are in a container, static.

Also, "briefly describe appearance and number". So woman: blue shirt, name tag (but the rule says exclude text, but maybe just the color). Wait, the rule says "exclude text recognition"—so name tag is a label but the color is part of appearance. Wait, the rule says "Exclude text recognition, named characters, or stylistic analysis." So name tag's text isn't mentioned, but color is okay? Like "woman in blue shirt with a name tag" but not the text.

But in the first frame, the name tag is red and white, but since it's text, maybe say "name tag" without color? Or maybe just "name tag" since the text isn't specified. Wait, the rules say "exclude text recognition"—so if it's a name tag, we can say "name tag" as it's a label, but not the text on it.

Wait, the instruction says: "Exclude text recognition, named characters, or stylistic analysis." So the name tag's text is text recognition, so don't mention. So describe the woman as "a woman in a blue shirt with a name tag".

Then under the vehicle: person (maybe a mechanic) working, using a tool. The filters are three cylindrical objects, white, possibly dirty.

Now, camera movements: first scene is a medium shot of the woman. Then cuts to under the vehicle (camera positioned under the vehicle, looking up). Then close-up of the filters.

So:

A woman in a blue shirt with a name tag stands indoors. The scene transitions to a person working under a vehicle, using a tool near the wheels. Next, the camera focuses on three cylindrical white objects in a dark container.

Check if spatial relationships are needed. For the woman, background has computer and board. But rule e says minimal background unless essential. So maybe just "stands indoors" (background is office, but minimal).

For the person under vehicle: they are under the vehicle, so the camera is positioned under, looking up.

Now, make it concise.

First part: woman in blue shirt with name tag stands in an office setting. Then cuts to person under vehicle working with tool. Then close-up of three white cylindrical objects in a container.

Wait, the second frame is under the vehicle, person working. The person is under the vehicle, so the camera is under, so the person's head is visible, working.

Third frame is close-up of three filters.

Putting it all together:

A woman in a blue shirt with a name tag stands in an office. The scene shifts to a person working

A child's hand is moving (pointing upward and then lowering) in the under-vehicle scene. This is a solid, distinct object (a person) moving due to explicit physical forces (muscle movement).

The background in the under-vehicle scene (vehicle undercarriage and red structure) is stationary. No fluid or environmental motion (fire, water, wind) is present. The office and pan scenes are static.


RAW CAPTION: Okay, let's tackle this. The user wants a concise chronological paragraph describing the video. First, I need to look at the provided frames.

The first frame shows someone stirring lettuce in a wok. The text says stir for 30-60 seconds until wilted but crispy. The main action here is stirring the green lettuce with a spatula. The person's hand is visible, so the main subject is the hand stirring.

Next, the second frame is similar but maybe the stirring continues. Then it cuts to a close-up of the cooked lettuce on a plate. The text says "Serve as a side dish." Then another frame with romaine lettuce, saying you can use that too.

Rules say to focus on motion and behavior chronologically. So first, stirring the lettuce in the wok. Then serving it on a plate, and mentioning romaine as an alternative.

Need to describe the appearance: green lettuce, maybe in a wok. Then the plate is white or beige. The spatial relationship is the wok on the stove, then the plate on a table.

Camera movement: the first part is a close-up of the wok, then a close-up of the plate. Maybe the camera pans from the wok to the plate.

Avoid text recognition, so don't mention the text on screen. But the user said exclude text recognition, so just describe the actions. The text is part of the video but the caption should not include it. So focus on the actions: stirring, serving.

Check the rules: mention spatial relationships. The lettuce is in the wok, then transferred to a plate.

So the chronological order: person stirs lettuce in wok, then the lettuce is served on a plate, and another plate with romaine is shown.

Wait, the video transitions from stirring in the wok to a close-up of the cooked lettuce, then to romaine on a plate.

So the main subjects: hand stirring lettuce, then the lettuce on a plate, then romaine on another plate.

Appearance: green lettuce, wilted but crispy. Romaine is also green.

Background: minimal, so maybe just the kitchen setting but not too much detail.

Camera perspective: top-down for the wok, close-up for the plates.

Wait, the first frame is a top-down view of the wok. Then the next shot is a close-up of the lettuce on a plate.

So the caption should be:

A hand stirs green leafy lettuce in a black wok using a metal spatula, moving the lettuce in a circular motion. The cooked lettuce, wilted but still crisp, is then transferred to a white plate. The camera shifts to a close-up of the plated lettuce, followed by another close-up showing romaine lettuce arranged on a beige plate.

Wait, but the rules say keep background minimal. So don't mention the kitchen, just the objects.

Check the rules again: focus on motion and behavior of main subjects. So the main actions are stirring, transferring, plating.

Also, the lettuce is being stirred until wilted, then served as a side dish. But the caption shouldn't include the text, just the action.

So:

A hand stirs green lettuce in a black wok with a spatula, moving it in a circular motion. The wilted yet crisp lettuce is then plated on a white dish, followed by a close-up of romaine lettuce arranged on a beige plate.

Need to check if the number of lettuce leaves is mentioned. The video shows multiple leaves, so "green lettuce" is okay.

Spatial relationships: the hand is in front of the wok, the lettuce is in the wok, then on the plate.

Camera movement: the first shot is a close-up of the wok, then close-up of the plate.

Wait, the first frame is a top-down view of the wok. Then the next shot is a close-up of the plated lettuce.

So maybe:

A hand stirs green lettuce in a black wok from a top-down perspective. The lettuce is then transferred to a white plate, where it appears wilted but crisp. The camera shifts to a close-up of the plated lettuce, followed by another close-up of romaine lettuce on a beige plate.

But need to be concise. The user said "concise, chronological paragraph."

Possible output:

A hand stirs green lettuce in a black wok with a metal spatula, moving the leaves in a circular motion. The wilted yet crisp lettuce is then placed on a white plate, followed by a close-up of romaine lettuce arranged on a beige plate.

Check if the camera perspective is mentioned. The first part is top-down, then close-ups.

Wait, the first frame: "Stir for 30 seconds..." so the camera is focused on the wok, probably top-down.

Then the next frames are close-ups of the plated lettuce.

So

Lettuce leaves are being stirred in a wok by a utensil (wooden spoon), with discrete movement as they are lifted and dropped during cooking.

Background elements (wok, cutting board, plate) are static with no shifting or environmental motion; no fire, water, smoke, or wind dominates the scene.


tags.  Final check: chronological order, mention appearance (colors), motion (grip, wrestle, lean), camera perspective (close-up, slight shake). Background minimal. </think>  <caption_output>Two individuals, one in a white short-sleeved t-shirt and the other in a green short-sleeved t-shirt, are seated at a dark table. The person in white extends their right hand to grip the green-shirted person's right hand, initiating an arm wrestling match. They lean forward with visible strain, their arms locked on the table as they exert force against each other. The camera maintains a close perspective with slight shaking, capturing their interaction from a slightly angled top-down view.

Two individuals (one in white shirt, one in green shirt) are engaged in arm wrestling. Their arms and upper bodies move due to physical force exertion and grip.

Background elements (chairs, monitors) show minimal shift. No fire, water, smoke, or wind visible. The scene is indoor and static.


A person in a pink shirt adjusts a white snowman figurine with a pink ribbon and black button details, positioned on a wooden surface. The person raises both hands, holding a white object, then lowers their hands toward the snowman's head, manipulating the ribbon. The setting features a corrugated metal roof and wooden structures in the background. The camera maintains a fixed eye-level perspective throughout.

A person in a pink shirt interacts with a snowman (adjusting its hat, face, and bow), with hand movements being the primary discrete motion.

Background elements (metal roof structure, walls) show no uniform shifting; no fire, water, smoke, or wind-driven motion present.


A group of about eight older adults, wearing casual attire in colors like pink, blue, and white, hold hands and dance in a circle, moving clockwise while turning continuously. The camera remains stationary with a slight shake, capturing their synchronized movement in a room with wooden flooring.

Multiple people are engaged in a synchronized dance, holding hands and rotating in a circle. Their motion is due to deliberate locomotion (dancing).

Background elements (walls, door, framed pictures, and seating area) remain stationary; no fire, water, smoke, or wind observed.


A shirtless man with short, balding hair lies on a bed, shifting positions. Initially prone, he lifts his head, smiles, then turns his face toward the camera before moving his head downward. The camera remains in a close-up, slightly shaky perspective, tracking his movements.

A person (man) moving head and upper body through discrete locomotion (head turns, smiles, blinks), exhibiting clear solid-object motion.

No shifting backgrounds or fluid/environmental motion observed; bed and surroundings remain static throughout the sequence.


A person adjusts a white bra, beginning with hands securing the front, then turning to position the bra at the back, completing the fit. The individual is shown in close-up, with hands visible manipulating the garment. The camera stays fixed, focusing on the motion from front to back against a product display background.

A person is visible moving (adjusting clothing, turning around), representing discrete, solid motion due to locomotion.

The background consists of a static purple screen with text overlays. No fluid, fire, water, or wind motion is present. Background elements do not shift uniformly.


tags.  So final version:  <caption_output>A man in a gray t-shirt and green shorts plays a white and black electric guitar, his left hand moving along the fretboard while his right hand strums. Speakers are positioned on either side, with a computer screen visible behind. The camera remains stationary, capturing the performance from a frontal perspective.

The discrete solid object moving is the person (specifically their hands and torso) playing an electric guitar. The motion involves hand movements over the fretboard and strumming action, driven by physical locomotion.

The background elements (speakers, monitor, keyboard) remain stationary across all frames; no fluid motion (fire, water, smoke, wind) or environmental shifts are observed. The setting is a static indoor studio with no ambient environmental motion.


A marching band in black uniforms with red accents begins moving in formation across a street, transitioning from a stationary position to marching forward in coordinated lines. The group, consisting of brass and percussion musicians, progresses past a white truck and a red brick building, with spectators gathered along the sidewalks. The camera pans right to follow the band’s movement, maintaining a ground-level perspective as the ensemble advances through the urban setting.

Discrete solid objects (marching band members) are moving in coordinated formation, exhibiting locomotion typical of a marching band.

The background features stationary buildings and parked vehicles with no significant uniform shifting or fluid environmental elements (e.g., fire, water, smoke, wind) observed.


A person in a black shirt manipulates a black curved leather object, lifting it to reveal its stitched interior and then repositioning it on a work surface. Another individual in a tank top sits in the background at a table with tools. The camera maintains a close-up, steady perspective focused on the hands and the leather object.

A person is manipulating a flexible black object (possibly a tire or cushion), stretching and rotating it with their hands. This involves discrete, solid-object motion due to manual interaction.

The background elements (e.g., the person seated in the distance, walls) show minimal shifting, indicating no significant ambient environmental motion (fire, water, wind). No fluid or gaseous elements are present.


RAW CAPTION: Got it, let's break this down. The video shows a person milking a horse. First, the main subject is a person in a white shirt, bending over the horse's udder. The horse has a dark mane, and the person is using a milking device. There's a metal bucket under the horse's teats to catch the milk. The action starts with the person adjusting the milking apparatus, then the milk flows into the bucket. The camera angle changes slightly, focusing on the milking action. Background is gravel, but we keep that minimal. Need to describe chronologically: person milking, milk dripping into bucket, camera movements. Let's structure the caption.

Check rules: focus on motion, chronological. Main subjects: person (white shirt, bending), horse (light brown, dark mane). Motion: person milks, milk flows. Spatial: person in front of horse, bucket below. Camera: starts with close-up, then shifts to show milking process. Avoid text like "LIVE" since it's text recognition. Keep background minimal (gravel). Conclude with camera perspective.

Draft: A person in a white shirt milks a light brown horse with a dark mane, positioning a metal bucket beneath the horse's udder to collect milk. The person manipulates a milking device, causing milk to drip into the bucket. The camera focuses closely on the milking action, shifting angles to show the milk flow and the person's hands adjusting the device, with the gravel ground visible in the background.

Wait, need to be concise. Let's make it shorter. Maybe: A person in a white shirt milks a light brown horse with a dark mane, holding a milking apparatus against the horse's udder while a metal bucket collects milk. Milk drips into the bucket as the person adjusts their grip. The camera shifts focus between the person's hands and the bucket, maintaining a close-up perspective on the milking process, with gravel visible beneath the horse.

Check rules: chronological, motion. Let's make sure it's chronological. Start with person milking, then milk flows. So: A person in a white shirt bends over a light brown horse with a dark mane, milking the horse using a device while a metal bucket beneath the udder collects the milk. As the person adjusts the device, milk drips into the bucket. The camera maintains a close-up view, shifting angles to capture the milking action and the milk flow into the bucket, with gravel visible on the ground.

Hmm, maybe tighten. "A person in a white shirt milks a light brown horse with a dark mane, positioning a metal bucket under the udder to collect milk. The person manipulates a milking device, causing milk to drip into the bucket as they adjust their grip. The camera focuses closely on the milking action, shifting angles to show the milk flow and the person's hands, with gravel visible beneath the horse."

Wait, rules say "conclude with camera perspective and movement". So need to include that. Let's check the output format example. It's a paragraph.

Let me structure:

- Chronological: start with milking action, then milk flow, camera movement.

"First, a person in a white shirt bends over a light brown horse with a dark mane, positioning a metal bucket beneath the horse's udder. They manipulate a milking device, causing milk to drip into the bucket. The camera maintains a close-up perspective, shifting angles to follow the milking motion and the milk flow into the bucket, with gravel visible on the ground."

Yes, that's chronological. Check if all rules are followed:

a) Motion and behavior in order: milking, milk flowing.

b) Appearance: person (white shirt), horse (light brown, dark mane), bucket (metal), milk (dripping).

c) Spatial: person in front of horse, bucket under udder.

d) Camera: close-up, shifts angles.

e) Background minimal (gravel).

f) Excluded text.

g) No reasoning.

So the caption should be concise. Let's try:

A person in a white shirt milks a light brown horse with a dark mane, guiding a milking device against the udder while a metal bucket collects milk. As the person adjusts the device, milk drips into the bucket. The camera remains close-up, shifting angles to focus on the milking action and milk flow, with gravel on the ground.

Wait, "guiding a milking device against the udder" might not be accurate. The device is being pressed, but maybe "uses a milking device to extract milk". Let's see the video: the person is using a milking machine or device. The video shows the person holding the device near the udder, so "uses a milking device to extract milk

The person (milker) is actively milking the cow by compressing the udder, causing milk to flow into a bucket. The cow remains mostly stationary while the milker's hands and body move to perform the action.

Background is static (straw, bucket, walls remain fixed). No dominant ambient fluid motion (e.g., water, smoke, wind) is present; the milk flow is a result of the milking process and not ambient.


Two adult hands hold a small, light yellow object between the index fingers, adjusting grip and rotating it to display from various angles against a plain white background. The hands remain centrally positioned in the frame as the camera maintains a static close-up perspective without movement.

Two hands manipulating a small solid object (likely food or item); hands exhibit precise pinching and repositioning movements with clear physical force application.

Static plain background (wall) with no shifting or environmental motion; no fire, water, smoke, or wind observed.


A girl with long blonde hair, wearing a pink shirt and red pants, bends down to interact with a black cow, reaching toward its udder. She then lifts her head, smiling, as a white bucket rests on the ground nearby. The camera maintains a handheld, slightly shaky perspective focused on the girl and the cow.

The girl (solid object) is moving her head, body, and arms; an adult's arm is also visible and moving.

No shifting background or fluid/environmental motion (fire, water, wind) observed. The background remains static with no uniform movement.


A pair of light-skinned hands, one adorned with a thin bracelet, cracks an egg, separating the shell halves and pouring the yolk and white into a clear glass bowl. The scene shifts to a wider kitchen counter view, where the hands place the empty shell halves while additional clear bowls, a jar, and whole eggs are visible in the background. The camera then focuses on the bowl containing the egg mixture, showing small shell fragments at the surface. The perspective remains top-down throughout, with minimal movement, capturing the pouring action and subsequent bowl display.

Egg being cracked: egg white and yolk fall into a bowl. Hands perform the action of cracking and separating the egg components.

Static dark surface and kitchen counter background with no shifting or fluid motion. No fire, water, smoke, or wind visible in any frame.


A silhouetted person climbs a tree, gripping branches and ascending upward; they shift positions on the branches while moving higher. The background shows sparse trees against a clear sky. The camera maintains an upward perspective, slightly following the climber's movement.

A single human subject is seen climbing a tree. The person's movement is distinct, involving upward and lateral motion as they ascend, with clear limbs and body posture shifts indicating intentional locomotion.

The background consists of static tree branches against a clear sky. There is no visible shifting of background elements (e.g., walls, ground) to indicate camera motion. Ambient motion (e.g., wind affecting leaves) is minimal and not dominant, as the branches are mostly still with no fluid-like motion (e.g., swaying leaves, smoke).


A person with red hair wearing a black t-shirt adjusts components on a silver bicycle mounted on a stand, shifting their position to examine the frame and handlebars while moving around the bike. The camera remains static throughout the sequence.

A person is physically manipulating a bicycle frame, moving it to adjust its position; the bike frame and the person's body exhibit discrete, solid object motion due to manual handling.

The background consists of static elements (posters, walls, and shelves) with no observable shifting or fluid motion (e.g., fire, water, wind). The environment shows no ambient environmental phenomena.


The video opens with heavy traffic on a multi-lane highway, where numerous vehicles of various colors and sizes move forward through congestion. The scene transitions to a garage interior, where a man in a white shirt and dark pants stands beside a beige car elevated on a lift, interacting with a gray tire pressure monitoring device labeled "RTI." He adjusts the device near the car’s tire while tools and equipment are visible in the background. The camera shifts from a wide shot of the highway to a fixed perspective in the garage.

Discrete objects include moving cars on the street (locomotion) and a mechanic's hands tightening a tire (manual work). Both exhibit solid object motion due to explicit physical forces.

In the street scene (0.0-3.3s), background elements (trees, buildings) are static with no uniform shifting. No fire, water, smoke, or wind-driven motion is observed. In the garage scene (3.3-5.0s), background elements (walls, tools) are static with no fluid or environmental motion.


A person in dark winter clothing enters the frame from the left, bending down while moving through the snow-covered yard viewed through a window grid, occasionally touching the ground. The camera remains stationary, capturing the scene through the window.

A human figure moves through the snow, bending down and walking toward the window, exhibiting clear locomotion and discrete physical actions

Static background elements (trees, snow, window grid) are fixed; no significant wind-driven motion or fluid effects (e.g., snowfall is minimal and not dominant)


A person in white clothing falls into a swimming pool, causing a splash, while another individual with dark hair swims nearby. The scene transitions to a different pool where multiple people—including a child in a blue swimsuit—are in the water; some sit on the red-tiled edge while others swim. The background shows a grassy area and fence. The camera shifts to a side view of the pool, capturing the group's interactions with slight movement.

Multiple individuals (people) in the pool are actively swimming, with visible limb movements and body displacement. These are discrete solid objects moving due to locomotion.

Background elements (pool edge, grass, structures) remain consistent across frames, showing no uniform shifting. Water movement is caused by human activity (swimming), not dominant environmental fluid motion.


A child in a green checkered onesie with a red belt stands near a wall, turns, and moves forward while bouncing and dancing. The child continues moving across the room, passing in front of three seated adults who observe. The camera remains fixed with a slight shake, capturing the scene from a medium distance.

A person in a green camouflage outfit is performing discrete locomotive movements (dancing) with clear, distinct motion patterns. The subject is tracked consistently without background blurring or camera-induced distortion.

The background elements (walls, floor, seated individuals) show no uniform shifting or fluid motion (fire, water, smoke, wind). Static background remains consistent across frames.


A man in a black shirt and black shorts stands in a batting cage, holding a bat. He swings the bat in a smooth arc, completing a full follow-through motion. A cart is positioned to his left, with a wooden wall in the background. The camera remains stationary, capturing the action from a fixed angle.

A person (swinging a bat) and the bat itself are moving due to physical locomotion (swinging motion). The motion is distinct and trackable as a solid object.

The background (wooden walls, green ground, and cart) shows no uniform shifting or fluid motion. No fire, water, or smoke is present, ruling out ambient environmental motion.