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At Seven Avenue Design we design projects in wide range of scales from one space to whole neighborhoods. At Seven Avenue Design we transform the interior of your space to make it functional, personal, according to your space and budget. Our architectural services include your conceptual and schematic design listening to your objectives, space requirements and even what you are planning ahead. We accompany you to make your design a palpable building. There are certain tools in the VoIP industry that help VoIP providers manage and secure their networks using a variety of available softwares and hardwares. These tools help ensure the smooth running of your operations and cutting of costs. With the rise of VoIP businesses, software that ties in all things VoIP for the customer has become critical for VoIP providers. Services that help manage billing, invoicing and everything else in between can help your VoIP business stay
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सेभेन एभेन्यु डिजाइनआव जों मोनसे जायगानिफ्राय गासै नसुंसेसिम गोबां स्केलफोराव प्रजेक्टफोरखौ डिजाइन खालामो। सेभेन एभेन्यु डिजाइनआव जों नोंथांनि जायगानि सिं बाहागोखौ नोंथांनि जायगा आरो बाजेटनि बायदियै खामानिगोनां, गावारि खालामनो थाखाय सोलायहोयो। जोंनि बुमिनसारारि सिबिथाइफोराव नोंथांनि थांखिफोर, जायगानि गोनांथिफोर आरो नोंथाङा सिगाङाव मा बिथांखि लादों बेखौ खोनासंनानै नोंथांनि सानदांथि आरो स्किमेटिक डिजाइन दं। जों नोंथांनि डिजाइनखौ मोनसे रोखा बिल्डिं खालामनो थाखाय नोंथांजों थाफायो। भिअ'आइपि दारिमिनाव माखासे आगजुफोर दं जाय भिअ'आइपि जगायग्राफोरखौ गोबां रोखोमनि मोननो हानाय सफ्टवेयार आरो हार्डवेयारफोरखौ बाहायनानै गावसोरनि नेटवर्कफोरखौ सामलायनो आरो रैखाथि होनो हेफाजाब होयो। बेफोर आगजुफोरा नोंथांनि अपारेसनफोरखौ मोजाङै सालायनो आरो बेसेनफोरखौ खमायनो हेफाजाब होयो। भिअ'आइपि फालांगिफोरनि जौगानायजों, सफ्टवेयार जाय बायग्रानि थाखाय भिअ'आइपिनि गासैबो आयदाफोरजों सोमोन्दो लाखियो, भिअ'आइपि जगायग्राफोरनि थाखाय गोनांथार जाबाय। सिबिथाइफोर जाय बिलिं, इनभ'इसिं आरो बेनि गेजेराव थानाय गासिबोखौ सामलायनायाव मदद खालामो, नोंथांनि भिअ'आइपि फालांगिखौ थानो थाखाय मदद खालामनो हागौ।
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ahead of the rest. A single solution to managing all aspects of cloud services that allows users to sell, deliver, manage and invoice is a great way to satisfy customer needs. Below are things to consider in choosing the most appropriate tools to ensure your customers get the best service. To help monitor your VoIP network, you need specialized software that analyses network strength, call conditions and other issues, allowing you to ensure call quality and reliability. Management tools are offered as a standard part of PBX systems features and handle a variety of tasks designed to help VoIP providers with the running of their business. However, standard VoIP systems are limited in what they can offer, so VoIP providers are increasingly seeking additional network management tools to enhance existing capacity. This is despite some businesses choosing to stick with PBX systems management tools, even with the evidence suggesting that
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गुबुनफोरनि सिगां। क्लाउड सिबिथायनि गासैबो बिथिंफोरखौ सामलायनायनि मोनसेल'राहा जाय बाहायगिरिफोरखौ फाननो, दैथायहरनो, सामलायनो आरो इनभ'इस खालामनो गनायथि होयो, बायग्रानि गोनांथिफोरखौ आबुं खालामनो थाखाय मोनसे मोजां राहा। नोंथांनि बायग्रानि साबसिन सिबिथाइखौ रोखा खालामनो थाखाय बयनिख्रुइबो आरजाथावसिन आगजुफोरखौ सायख'नायाव गाहायाव माखासे बाथ्राफोरखौ सान्ना नायनांगौ। नोंथांनि भिअ'आइपि नेटवर्कखौ नोजोर होनायाव मदद होनो थाखाय, नोंथांनो जुनिया सफ्टवेयारनि गोनांथि जायो जाय नेटवर्कनि गोहो, कलनि थासारिफोर आरो गुबुन जेंनाफोरखौ बिजिरो, जाय नोंथांखौ कलनि गुन आरो फोथायथिखौ रोखा खालामनो गनायथि होयो। सामलायथाय आगजुफोरखौ पि. बि. एक्स. सिस्टेमफोरनि आखुथायफोरनि मोनसे मानथाखो बाहागो महरै होनाय जायो आरो भिअ'आइपि जगायग्राफोरखौ गावसोरनि फालांगि सालायनो हेफाजाब होनो थाखाय महर होनाय बायदि रोखोमनि हाबाफोरखौ सामलायनाय जायो। बबेखानि, मानथाखो भिअ'आइपि सिस्टेमफोरा बिसोर होनो हानायाव सिमागोनां, बेनिखायनो भिअ'आइपि जगायग्राफोरा सोलिबाय थानाय गोहोखौ बांहोनो थाखाय दाजाबदेरनाय नेटवर्क सामलायथाय आगजुफोरखौ नागिरगासिनो दं। बेयो माखासे फालांगिफोरा पि. बि. एक्स. सिस्टेम सामलायथाय आगजुफोरजों थाबथानो सायख'नायनि उनावबो, फोरमानफोरा सुबुरुन होयो दि
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adding extra IP telephony management tools to your system actually saves costs. The ability to monitor the capacity of WAN infrastructure to handle VoIP calls allows you to continuously measure the quality of VoIP services, providing insights into VoIP network performance including packet loss, delay, and jitter. Other features offered with monitoring include performance reporting, where analyses of the source provide you with statistics on packet loss, delay, and jitter values, which, in turn, help you understand which side of the call experienced poor VoIP quality and why. Other VoIP analysis tools can track key metrics like call control and signaling, VoIP call status and caller details. This information can be helpful to you in many ways. A variety of tools exist to help manage and maintain your VoIP system, the three above are a great starting to point to ensure your operation are smooth and reliable. This beautiful Officially
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नोंनि सिस्टेमाव उफ्रा IP टेलिफनि सामलायथाय आगजुफोर दाजाबदेरनाया थारैनो बेसेनफोरखौ बासायो। VoIP कलफोरखौ सामलायनो थाखाय WAN दाथायारि सानज'थायखौ नोजोर होनो हानाय गोहोआ नोंखौ VoIP सिबिथाइफोरनि गुनखौ गले-गले सुनाय गनायथि होयो, पेकेट लस, गोबाव आरो जिटारजों लोगोसे VoIP नेटवर्क दिन्थिफुंनायनि सायाव मोनदांथि होयो। नोजोर होनायजों होनाय गुबुन आखुथायफोरा दिन्थिफुंनाय रिपर्टिंखौ लाफायो, जेराव फुंखानि बिजिरनाया पेकेट लस, गोबाव आरो जिटार बेसेनफोरनि सायाव सानरिखि होयो, जाय नोंथांखौ कलनि बबे फारसे गाज्रि VoIP गुन आरो मानो मोन्दांथि मोनदों बेखौ बुजिनो हेफाजाब होयो। गुबुन VoIP बिजिरसंनाय आगजुफोरा कल कन्ट्रल आरो सिगनेलिं, VoIP कल थाथाय आरो कलारनि फोरमायथिफोर बायदि गाहाय मेट्रिक्सफोरखौ ट्रेक खालामनो हायो। बे फोरमायथिया नोंथांनो गोबां रोखोमै हेफाजाब होनो हागौ। नोंथांनि VoIP सिस्टेमखौ सामलायनो आरो सामलायनायाव मदद होनो थाखाय बायदि रोखोमनि आगजुफोर दं, गोजौनि मोनथामआ नोंथांनि अपारेसनखौ गोरलै आरो फोथायजाथाव खालामनो थाखाय मोनसे मोजां जागायजेननाय। बे समायना मावख'आरि महरै।
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Licensed NYPD Challenge Coin is an NYFirestore.com EXCLUSIVE. These high quality, finely detailed coins are a wondersul tribute to NYC's "Finest". A must-have for every Challenge Coin collection. TBTB Adventure Camp is a full week of fun and activities created especially for your dog. In addition to chaperoned leash walks, your dog will be taken to the beach daily. Homer beaches are extremely dog friendly and our canine friends are free to run, romp, swim, sniff, and dig until their heart’s content. These basic doggie activities satisfy their natural instincts. There will be a weekly field trip across the bay for a trail adventure in the national park. Your dog will be transported on a chartered dog-friendly boat along with two chaperons. Weather permitting there will be shorter hikes on the trails in Homer during the week. Your dog will be served two delicious meals per day; the evening meal
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लाइसेन्स गोनां एन. वाइ. पि. डि. चेलेन्ज कइनआ मोनसे NYFirestore.com एक्सक्लुसिभ। बेफोर गोजौ थाखोनि, मोजाङै बुंफुरलु कइनफोरा एन. वाइ. सि. नि "साबसिन" नि थाखाय मोनसे सोमोनांथाव मान बाउनाय। मोनफ्रोमबो चेलेन्ज कइन बुथुमनायनि थाखाय मोनसे गोनांथार। टि. बि. टि. बि. एडभेन्सार केम्पआ नोंनि सैमानि थाखाय जर'खायै बानायजानाय रंजानाय आरो हाबाफारिफोरनि मोनसे आबुं सप्ता। चेपार'न्ड लिश वाकनि अनगायैबो, नोंनि सैमाखौ सानफ्रोमबो लैथो रुगुंआव लांनाय जागोन। ह'मर लैथो रुगुंफोरा जोबोद सैमा लोगोआरि आरो जोंनि सैमा लोगोफोरा खारनो, रंजानो, सानस्रिनो, मोनामनो आरो बिसोरनि बिखानि गोजोनजासिम जावनो थाखाय उदां। बेफोर गुदि सैमा मावथायफोरा बिसोरनि मिथिंगायारि मोनदांथिखौ गोजोनहोयो। हादोरारि पार्कआव मोनसे ट्रेल एडभेन्चारनि थाखाय लैथो रुगुंआव मोनसे सप्तायारि फोथार दावबायनाय जागोन। नोंनि सैमाखौ सानै चेपार'नजों लोगोसे मोनसे चार्टार्ड सैमा लोगोआरि नावआव रोगानाय जागोन। बोथोर गनायथि होनायाव सप्तानि समाव ह'मरनि लामाफोराव गुसुंसिन हाइकिं जागोन। नोंनि सैमाखौ सानसेयाव मोननै गोथाव जामुं होनाय जागोन; बेलासानि
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will be served in a Kong. Kong dining provides your dog a fun challenge and daily mental stimulation that house dogs often lack. With only 5 dogs permitted in camp per week, we have lots of time to pamper your dog. Homemade training treats will be given throughout his stay to reward your dog for good behavior. He will also have a pup tent of his own for private napping, or if he prefers he may sleep on the couch. Your dog will be drinking Pup-Pop filtered water treated onsite. You will receive a photographic greeting card of your dog with a written essay detailing his stay at Camp, a certificate of completion and a group 8×10 photograph for framing. Your dog will have so much fun he will want to come back year after year! $45/night with kibble, $50/night without. Multiple Dogs are $45/night for first dog,The Kennel Alternative,
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कंगआव जानाय-लोंनाय होनाय जागोन। कंग जानायआ नोंनि सैमाखौ मोनसे रंजाथाव चेलेन्ज आरो सानफ्रोमबोनि गोसोआरि थुलुंगानाय होयो, जायखौ न'नि सैमाफोरा गोबां समावनो मोना। सप्तायाव खालि सा 5 सैमाफोरखौल'केम्पआव गनायथि होनाय जायो, जोंहा नोंनि सैमाखौ मोजां खालामनो थाखाय गोबां सम दं। न'आव फोरोंनाय ट्रिटफोरखौ नोंनि सैमाखौ मोजां आखुनि थाखाय बान्था होनो थाखाय होनाय जागोन। बियो गावारि उन्दुनायनि थाखाय गावनि मोनसे सैमा टेन्टबो थागोन, एबा जुदि बियो मोजां मोनो अब्ला बियो सोफायाव उन्दुनो हागौ। नोंनि सैमाया पुप-प'प फिल्टार खालामनाय दैखौ अनसाइटआव लोंगोन। नों नोंनि सैमानि मोनसे फट'ग्राफिक हामलायनाय कार्ड मोनगोन, जेराव केम्पआव थानायनि सोमोन्दै लिरनाय लिरबिदां, आबुं जानायनि फोरमान बिलाइ आरो फ्रेमिंगनि थाखाय 8×10 सावगारिफोर थागोन। नोंनि सैमाया जोबोद रंजानाय मोनगोन, बियो बोसोरनि उनाव बोसोर फैफिननो लुबैगोन! किबलजों $45/हर, किबल गैयालासे $50/हर। गोबां सैमाफोरा गिबि सैमानि थाखाय $45/हर, दि केनेल अल्टारनेटिभ,
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$40/night for all other dogs. If we feed them kibble, add $5 to each of these prices. Your dog will socialize with canine friends and enjoy organically prepared meals and famous Kong dining. A daily two-hour exercise romp on the beach or trail will be chaperoned and morning and evening leash walks will be provided. Homemade training treats will be given throughout his stay to reward your dog for good behavior. He will have a pup tent of his own for private sleeping or if he prefers he may sleep on the couch. For an additional fee we offer you and your dog some optional services at TBTB. If you have something you’re interested in that is not included here, talk to us. We are happy to accommodate other expectations you have for the camp. This method will teach your dog what is appropriate behavior within a household, addressing specific
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गुबुन गासैबो सैमाफोरनि थाखाय हरसेआव $40। जुदि जों बिसोरखौ किबल जाहैयो, अब्ला बे बेसेनफोराव मोनफ्रोमबोआव $5 दाजाबदेर। नोंनि सैमाया सैमा लोगोफोरजों लोगो जागोन आरो अर्गानिक महरै संनाय जामुंफोर आरो मुंदांखा कंग जानायफोरखौ रंजागोन। लैथो रुगुं एबा लामायाव सानफ्रोमबो नै घन्टानि ब्याम खालामनाय जागोन आरो फुं आरो बेलासियाव लेश वाक होनाय जागोन। न'आव बानायनाय फोरोंथाय खाजाफोर होनाय जागोन नोंनि सैमाखौ मोजां आखुनि थाखाय बान्था होनो। बियो गावारि उन्दुनायनि थाखाय गावनि मोनसे सैमा टेन्ट थागोन एबा जुदि बियो मोजां मोनो अब्ला बियो सोफायाव उन्दुनो हागौ। मोनसे दाजाबदेरनाय मासुलनि थाखाय जों नोंखौ आरो नोंनि सैमाखौ TBTB आव माखासे सायख'जाथाव सिबिथाइफोर होयो। नोंनाव माबा मोनसे दं जायखौ नों गोसो दं जाय बेयाव लाफानाय गैया, अब्ला जोंजों रायज्लाय। जों केम्पनि थाखाय नोंनाव थानाय गुबुन मिजिंफोरखौ गोरोबहोनो खुसि। बे आदबा नोंनि सैमाखौ मोनसे न'खरनि सिङाव मा आरजाथाव आखु दं बेखौ फोरोंगोन, थि आखुखौ नोजोर होनानै।
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unwanted behavior patterns, using positive reward based motivation. Teaching home manners will be an ongoing process throughout the length of your dog’s stay. You will receive a review of your dog’s progress and written training recommendations to continue at home. In an organized classroom setting your dog will learn to sit, stay, down and come through repetition and rewards. The daily one-hour class will introduce him to focusing on the task at hand with the distraction of other dogs in the room. Practicing what is learned is essential and will be an ongoing focus for your dog while he is involved in other activities at camp. He will receive five basic lessons and will present what he has learned to you when you return. You will receive a review of your dog’s progress and continued recommendations to follow at home. * Organic Spa Treatments for Sensitive Skin. will work with
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मोजां बान्था बिथा खालामनाय थुलुंगा बाहायनानै नांथावै आखुथाय दाथायफोर। न'नि आदब-खान्थि फोरोंनाया नोंनि सैमानि थानायनि गोलाव समहालागै सोलिबाय थानाय मोनसे फारिखान्थि जागोन। नों नोंनि सैमानि दावगानायनि मोनसे बिसावरायनाय आरो न'आव सोलिबाय थानो थाखाय लिरनाय फोरोंथाय बोसोनफोर मोनगोन। मोनसे सामलायजानाय थाखो खथायाव नोंनि सैमाया जिरायनो, थानो, गाहायाव फैनो आरो खालामफिननाय आरो बान्थाफोरनि गेजेरजों फैनो सोलोंगोन। सानफ्रोमबोनि से-घन्टानि थाखोआ बिखौ खथायाव गुबुन सैमाफोरनि गोसो बायनायजों लोगोसे खामानियाव गोसो होनो सिनायथि होगोन। मा सोलोंदों बेखौ सोलोंनाया गोनांथार आरो नोंनि सैमाया केम्पआव गुबुन हाबाफोराव बाहागो लानाय समाव बेनि थाखाय मोनसे सोलिबाय थानाय नोजोर जागोन। बियो मोनबा गुदि सोलोंथायफोर मोनगोन आरो नों फैफिन्नायनि उनाव बियो मा सोलोंदों बेखौ नोंनो दिन्थिगोन। नों नोंनि सैमानि दावगानायनि मोनसे बिसावरायनाय आरो न'आव उनसंनो थाखाय गनायथिनायफोर मोनगोन। * सांग्रां बिगुरनि थाखाय अर्गेनिक स्पा ट्रिटमेन्टफोर। लोगोसे खामानि खालामगोन।
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a holistic expert to prescribe natural treatments. Using herbs and organic products, tinctures are made onsite to treat specific skin ailments, along with shampoos and conditioners, and oral treatments. Some ailments require internal cleansing as well as topical products. All products used are 100% organic and natural with no chemical preservatives. written instructions for continued treatment. * Grooming & Nail Clipping. If your dog needs a trim, a brand new doo, or a major makeover we will schedule an appointment and provide transportation to/from a professional salon. * Diet & Nutrition Evaluation. We will consult with a nutritional expert for evaluations on dogs that have food related problems with weight, food allergies, itchy skin and dull coats. A written report with diet and treatment recommendations will be provided to you. or fear, a 30-minute body massage can do wonders. Dogs love this individualized attention. Pickup service is available from the
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मिथिंगायारि फाहामथाय होनो थाखाय सासे आबुं रोंग'सा। मुलि-लाइफां आरो अर्गेनिक दिहुनथायफोरखौ बाहायनानै, थि बिगुरनि बेरामफोरखौ फाहामनो थाखाय अनसाइटआव टिंचार बानायनाय जायो, लोगोसे सेम्पु आरो कन्डिशनार आरो खुगाजों फाहामनाय। माखासे बेरामफोरा इसिङारि साफा खालामनाय आरो टपिकेल दिहुनथायफोरनि गोनांथि जायो। बाहायजानाय गासैबो दिहुनथायफोरा 100% अर्गेनिक आरो मिथिंगायारि, जेराव जेबो रासायनारि संरैखाथि गैया। सोलिबाय थानाय फाहामथायनि थाखाय लिरनाय बिथोनफोर। * ग्रुमिं आरो नेल क्लिपिं। जुदि नोंथांनि सैमाखौ ट्रिम, गोदान डु, एबा मोनसे गिदिर मेकअभारनि गोनांथि जायो, अब्ला जों मोनसे एपइन्टमेन्ट थि खालामगोन आरो मोनसे जिउराहायारि सेलुननिफ्राय/थांलाय फैलाय खालामगोन। * आदार आरो निउत्रिसन मूल्याङ्कन। जों सैमाफोरनि सायाव बिजिरनायनि थाखाय सासे निउत्रिसनेल रोंग'सारजों बोसोन लागोन, जायहा लिरथाय, आदार एलार्जि, माननाय बिगुर आरो गाज्रि कटफोरजों आदारजों सोमोन्दो गोनां जेंनाफोर दं। आदार आरो फाहामथायनि बोसोनजों मोनसे लिरनाय रिपर्ट नोंथांनो होनाय जागोन। नङाब्ला, 30 मिनिटनि देहा मालिसआ गोमोथाव खामानि मावनो हागौ। सैमाफोरा बे गावारि नोजोरखौ मोजां मोनो। पिकआप सिबिथाया बेनिफ्राय मोननो हायो।
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Homer Airport and included in the price of camp.Transportation arrangements from Anchorage and Kenai are made on an individual basis and charged accordingly. Favorite blanket, t-shirt or any clothing item that smells like you! Doggie Bed & Biscuit- $45/night with kibble, $40/night without. Multiple dog families: $45/night first dog, all others $40/night. If we feed them kibble, add $5 to each of these prices. "Now, don't be sad Tom. Do you know what grown-ups call that?" he said. "No" said Tom, shaking his head wildly... "Aspiration" he replied. This Privacy Statement applies to www.basecamp.wales owned and operated by Basecamp Wales. This Privacy Statement describes how we collect and use the information, which may include personal data, you provide on our web site: www.basecamp.wales. It also describes the choices available to you regarding our use of your personal data and how you can access and update this data. If you wish
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ह'मर बिरखं गाथोन आरो एंकर'ज आरो केनाइनिफ्राय camp.Transportation साजायनायनि बेसेनाव सोफादेरजानायफोरा गावारि बिथायाव बानायनाय जायो आरो बे बायदियैनो खाजोना लानाय जायो। मोजां मोनजानाय कम्बल, टी-सार्ट एबा जायखिजाया जि-जोम बेसाद जाय नोंथां बायदि मोनामनाय! डगी बेड आरो बिस्कुट-$45/हरजों किबलजों, $40/हरजों। गोबां सैमा नखरफोरः $45/हर गिबि सैमा, गासैबो गुबुन $40/हर। जुदि जों बिसोरखौ किबल जाहैयो, अब्ला बे बेसेनफोराव मोनफ्रोमबोआव $5 दाजाबदेर। "दा, दुखु दाजा टम। नों मिन्थियो नामा बैसोगोराफोरा बेखौ मा बुङो?" बिथाङा बुंदोंमोन। "नङा" टमआ खर'दुलुरनानै बुंदोंमोन... "एस्पिरेसन" बिथाङा फिन होदोंमोन। बे प्राइभेसि स्टेटमेन्टआ www.basecamp.wales आव बाहायजायो, जाय बेसक्याम्प वेल्सजों सामलायजानाय आरो सामलायजानाय। बे प्राइभेसि स्टेटमेन्टआ बरनायोदि जों माबोरै खौरां बुथुमो आरो बाहायो, जेराव गावारि खारि थानो हागौ, नोंथाङा जोंनि वेब साइटाव होयोः www.basecamp.wales। बेयो नोंथांनि गावारि खारिखौ जोंनि बाहायनायनि सोमोन्दै नोंथांनो मोन्नो हानाय सायख'नायफोरखौ आरो नोंथाङा बे खारिखौ
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to object to the processing set out under C-F and no opt-out mechanism is available to you directly (for instance in your account settings), to the extent applicable, please contact stay@basecamp.wales . We rely on you to ensure that your personal data is complete, accurate and current. Please do inform us promptly of any changes to or inaccuracies of to your personal data by contacting stay@basecamp.wales . We will handle your request in accordance with the applicable law. Across industries, consumers are increasingly balking at one-size-fits-all approaches that create confusion-and dissatisfaction. To keep customers engaged loyal and satisfied, utilities must develop relationships that are meaningful and individualized for each customer. Hyper-relevant, personalized experiences are good for consumers and for top-line growth. Thanks to big data, engaging with customers through personalized recommendations and targeted digital marketing are now the expectations regardless of industry. At every interaction, data should be used to
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C-F नि सिङाव थि खालामजानाय प्रसेसिंखौ हेंथा होनो थाखाय आरो नोंथांनो थोंजों जेबो अप्ट-आउट मेकानिजम गैया (बिदिन्थि महरै नोंथांनि एकाउन्ट सेटिंसआव), जेसेबांसिम बाहायजाथाव, अन्नानै stay@basecamp.wales जों सोमोन्दो खालाम। नोंथांनि गावारि खारिखौ आबुं, थार आरो आथिखालनि होनना रोखा खालामनो थाखाय जों नोंथांनि सायाव सोनारो। अन्नानै नोंथांनि गावारि खारिआव जायखिजाया सोलायनाय एबा गोरोन्थिनि बागै stay@basecamp.wales जों सोमोन्दो खालामनानै थाबैनो जोंनो फोरमायहर। जों नोंथांनि खावलायनायखौ बाहायजाथाव आयेन बायदियै सामलायगोन। दारिमिनफोराव, बाहायगिरिफोरा मोनसे-महर-गोरोबनाय-गासैबो राहाफोरखौ बांसिनै नेवसिगासिनो दं जाय गोनो-गोथो आरो असन्तोष सोमजिहोयो। बायगिरिफोरखौ फोथायजाथाव आरो गोजोन होनो थाखाय, बाहायथिफोरा मोनफ्रोमबो बायग्रानि थाखाय ओंथिगोनां आरो गावारि सोमोन्दोफोर जौगाहोनांगोन। बांद्राय-सोमोन्दो गोनां, गावारि रोंमोनदांथिफोरा बायग्रानि थाखाय आरो गोजौ-सारि जौगानायनि थाखाय मोजां। गिदिर खारिथिनि थाखाय, गावारि गनायथिफोर आरो थांखिगोनां डिजिटेल मार्केटिंनि गेजेरजों बायग्राजों सोमोन्दो लाखिनाया दा दारिमिननि अनगायै मिजिंथिजानाय। मोनफ्रोमबो रायज्लायनायाव, खारिखौ बाहायनो नांगौ।
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make it easier for customers to find and consume what they want, as well as how and when they want it. 92% of consumers surveyed would be more satisfied if their energy provider could personalize their overall customer experience. A Wise Choice Desert View Chapel has been family owned and operated for over 50 years. A Wise Choice focuses on giving families superior service at extremely affordable prices. We focus on each families individual needs, and assist them in honoring the life of their loved one in an inexpensive, unforgettable way. quality of service, at such reasonable prices. The perfect decor for your little one's first, second, third (the possibilities are endless) birthday! Attach to highchair, mantle or can even be used on a wreath! Looking for something more customized? No problem! Give us a call and we can create the perfect color combo to go with your birthday theme,
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बायग्राफोरनि थाखाय बिसोर लुबैनाय बेसादखौ नागिरनो आरो जानो गोरलै खालाम, लोगोसे माबोरै आरो माब्ला लुबैयो। सारभे खालामजानाय 92% बायगिरिफोरा बांसिन गोजोन जागोन जुदि बिसोरनि गोहो जगायग्राया बिसोरनि गासै बायग्रानि रोंमोनदांथिखौ गावारि खालामनो हायो। मोनसे वाइज चइस डेजार्ट भिउ चेपलआ 50 बोसोरनि बांसिन समनिफ्राय नखरनि बिगोमा आरो सामलायजानाय। मोनसे वाइज चाइसआ नखरफोरखौ जोबोद खम बेसेनाव साबसिन सिबिथाइ होनायाव गोसो होयो। जों मोनफ्रोमबो नखरनि गावारि गोनांथिफोराव गोसो होयो, आरो बिसोरखौ बिसोरनि मोजां मोनग्राफोरनि जिउखौ खम बेसेननि, बावनो हायै रोखोमै मान होनायाव हेफाजाब होयो। सिबिथायनि गुन, ओरैबायदि गनायथाव बेसेनाव। नोंनि फिसानि गिबि, नैथि, थामथि (जाथावनाफोरा जोबनो हायै) जोनोम साननि थाखाय आबुं साजायनाय! गोजौ मासि, मेन्टोलजों सरजाब एबा बिबारनि सायाव बाहायनो हायो! माबा मोनसे बांसिन कास्टमाइज्ड नागिरगासिनो दं नामा? जेबो जेंना गैया! जोंनो कल खालाम आरो जों नोंनि जोनोम साननि थीमजों गोरोबनो थाखाय आबुं गाबनि कम्बो बानायनो हायो,
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864-223-7886. Frigola Hotel, Lloret de mar...we stayed here in May 2011 and it was truly awful!. It was very cheap and so we didnt have high expectations, I do understand that generally you get what you pay for but this place was appalling. Run down and dirty with staff that were resigned to a summer of abuse from the very young, noisy guests...its a problem. The reception staff were fine with us because we didnt complain, we are older and I speak Spanish, in fact they even offered us a room at the top of the hotel as it was less noisy but the thought of being in a lift with any of the youngsters was enough to persuade us to stay put on the first floor. When you return to the Frigola at night, there are TWO guards in reception watching for trouble, which is fine downstairs, unfortunately they
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864-223-7886. फ्रिग'ला हटेल, ल'रेट दे मार... जों मे 2011 मायथाइयाव बेवहाय थादोंमोन आरो बेयो थारैनो गाज्रिमोन!. बेयो जोबोद खम बेसेननिमोन आरो बेनिखायनो जोंहा गोबां मिजिंफोर गैयामोन, आं बुजियो दि सरासनस्रायै नोंथाङा जायखौ रां होयो बेखौ मोनो नाथाय बे जायगाया जोबोद गाज्रिमोन। जोबोद उन्दै, दावराव-दावसि आलासिफोरनिफ्राय गोलोम बोथोराव गाज्रि बाहायनायनि थाखाय बिबान एंगारजानाय मावसाफोरजों गाज्रि आरो मैला जानानै खारलांनाया... बेयो मोनसे जेंना। रिसेपसन मावसाफोरा जोंनि थाखाय मोजांमोन मानोना जों अजद खालामाखैमोन, जों बैसो गोरा आरो आं स्पेनिश राव रायज्लायो, थारैनो बिसोरो जोंनो हटेलनि गोजौआव मोनसे खथा होदोंमोन मानोना बेयो खम दावराव-दावसिमोन नाथाय जायखिजाया लाइमोनफोरजों लिफ्टआव थानायनि साननाया जोंखौ गिबि थालायाव थानो थाखाय राजि खालामनो थाखाय थोजासेमोन। जेब्ला नोंथाङा हराव फ्रिग'लायाव फैफिनो, रिसेपसनाव सानै गार्डफोर थायो, जाय जेंनानि थाखाय नायगासिनो थायो, जाय गाहायाव मोजाङैनो दं, दुखुनांथावै बिसोर।
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dont stop the 5am football games upstairs or the door slamming or shouting, there is never a minute of the day or night that is quiet in this hotel. The Frigola hotel is too run down to attract family tourism and of course the 'cheap' youngsters often forced to stay 3 or 4 persons to a scruffy room designed as a twin, have no respect for the place/people at all...its a problem. On 15 May we’ll be covering three key themes: digitalisation, departments and assessing the ‘new' risk, and begin with a keynote that will redefine the perception of mobility. Join your peers, network, make new contacts, challenge conventional wisdoms and hear practical ideas to improve the performance of your travel programme. Travel buyers go for FREE! Practical ideas and solutions to common issues in the corporate travel sector that you can apply to your own travel programme. Now to
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गोजौ थालायाव फुंनि 5 रिंगानि जोलुर गेलेमु एबा दरजाखौ बुख्रुबनाय एबा होख्रावनायफोरखौ बन्द'दाखालाम, बे हटेलाव सानसे एबा हरनि मोनसेबो मिनिटबो सिरि जाया। फ्रिग'ला हटेलआ नखरारि दावबायनायखौ गोसो बोहोनो थाखाय जोबोद गाज्रि आरो थारैनो'खम बेसेननि'लाइमोनफोरा सरासनस्रायै 3 एबा 4 सुबुंफोरखौ जावजा महरै डिजाइन खालामनाय मोनसे गाज्रि खथायाव थानो थाखाय नारसिनजायो, जायगा/सुबुंफोरनि थाखाय जेबो मान गैया... बेयो मोनसे जेंना। 15 मेआव जों मोनथाम गाहाय आयदाफोरखौ खोबगोनः डिजिटेलाइजेसन, बिफानफोर आरो'गोदान'खैफोदनि बिजिरसंनाय, आरो मोनसे गाहाय बिबुंथिजों जागायगोन जाय खारथायनि मोनदांथिखौ गोदान महर होगोन। नोंथांनि लोगोफोर, नेटवर्कजों ज'जा, गोदान सोमोन्दो बानाय, दोरोङारि गियानफोरखौ चेलेन्ज खालाम आरो नोंथांनि दावबायनाय हाबाफारिनि दिन्थिफुंनायखौ साबसिन खालामनो थाखाय बाहायजाथाव सानस्रिफोरखौ खोनथा। दावबायनाय बायगिरिफोरा बेसेन नाङै थाङो! कर्परेट दावबायनाय सेक्टरनि सरासनस्रा जेंनाफोरनि थाखाय बाहायजाथाव सानस्रिफोर आरो राहाफोर जायखौ नोंथाङा नोंथांनि गावनि दावबायनाय हाबाफारिआव बाहायनो हायो। दा
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be part of the conversation – Corporate travel buyers go for FREE! Sponsorship of the BBT Forums gives you a seat on the planning committee and the chance to help shape the conversation, as well as the opportunity to engage with senior travel buyers & procurement professionals. Be part of the panel? What makes the forums different? I have written before about synaesthesia and how it effects me personally, and relates to my experience of music, both playing and listening to it. Synaesthesia is a physiological ‘condition’ (I hesitate to use this word, as I am in no way disabled by it), which literally means “a fusion of the senses”. Its incidence is considered to be about one in every two thousand people, though it may be far commoner, since its “sufferers” do not regard it as a condition for which they should seek help from a psychologist or neurologist.
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रायज्लायनायनि बाहागो जा-कर्परेट दावबायनाय बायगिरिफोरा बेसेन नाङै जायो! बि. बि. टि. फोरामनि मदद होग्राया नोंथांनो सानथांखि आफादाव मोनसे मासि होयो आरो सावरायनायखौ महर होनो हेफाजाब होनो खाबु होयो, लोगोसे गागि दावबायनाय बायगिरिफोर आरो बुथुमनाय रोंग'सारफोरजों सोमोन्दो लाखिनायनि खाबु होयो। पेनेलनि बाहागो जा? मा फोरामफोरखौ गुबुन खालामो? आं सिनेस्थेसियानि बागै सिगाङाव लिरबाय आरो बेयो आंखौ गावारि महरै माबोरै गोहोम खोख्लैयो, आरो आंनि देंखोनि रोंमोनदांथिजों सोमोन्दो दं, दामनाय आरो खोनासंनाय मोन्नैबो। सिनेस्थेसियाया मोनसे देहायारि'थासारि'(आं बे सोदोबखौ बाहायनो हायासै, मानोना आं बेजों जेबो रोखोमै बेंगुरा नङा), जायनि सोदोबारि ओंथिया "मोनदांथिफोरनि मोनसे गलायमोन्देर"। बेनि जाथायफोरा मोनफ्रोम नै रोजा सुबुंफोरनि गेजेराव सासेसो होनना मानिनाय जायो, बबेखानि बेयो जोबोद सरासनस्रा जानो हागौ, मानोना बेनि "भुगिग्राफोरा" बेखौ मोनसे थासारि महरै मानिया जायनि थाखाय बिसोरो सासे गोसो बिगियानगिरि एबा निउर'ल'जिस्टनिफ्राय मदद लानांगौ।
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It is more common in women than in men. Musical synaesthesia is “one of the most common [forms], and perhaps the most dramatic” (Oliver Sacks). It is not known whether it is more common in musicians or musical people, but musicans are more likely to be aware of it. I have always had it, and until quite recently, I assumed that everyone else had it. It was only at dinner one evening, when I revealed that Monday is always red, Thursday is a brownish-mauve, and the key of B-flat major is sea-green, and my friends looked at me slightly askance and declared “You’re nuts, Fran!”, that I realised I was one of the one in two thousand…. A quick browse of the internet threw up some interesting articles, including colour analyses of some of Beethoven’s music, including the Kreutzer Sonata and the Pathetique. However, these are not the work of
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बेयो हौवाफोरनिख्रुइ आइजोफोरनाव बांसिन नुनो मोनो। देंखोआरि सिनेस्थेसिया "बयनिख्रुइबो सरासनस्रासिन [महरफोरनि गेजेराव मोनसे], आरो जानो हागौ बयनिख्रुइबो थुनफावथायारि" (अलिभार सेक्स)। बेखौ मिथिनाय जाया दि बेयो देंखोगिरिफोर एबा देंखोआरि सुबुंफोरनाव बांसिन नुनो मोनो ना नङा, नाथाय देंखोगिरिफोरा बेनि बागै बांसिन मिन्थिजायो। आं जेब्लाबो बेखौ मोनदोंमोन, आरो बावैसोसिम, आं सान्दोंमोन दि गुबुन गासैबोहा बेखौ दंमोन। बेयो सानसे बेलासियाव जानाय-लोंनायावल'मोन, जेब्ला आं फोरमायदोंमोन दि समबारआ जेब्लाबो गोजा, बृहस्पतिबारआ मुगा-मुगा, आरो बी-फ्लेट मेजरनि साबिआ लैथो-गोथां, आरो आंनि लोगोफोरा आंखौ एसे सोंनानै नायदोंमोन आरो फोसावदोंमोन "नों बादाम, फ्रान!", आं हमदांनो हादोंमोन दि आं नै रोजानिबो सासेमोन।... इन्टारनेटनि मोनसे गोख्रै ब्राउजआ माखासे गोसोनांथाव लिरबिदांफोर दिहुनदोंमोन, जेराव बिटह'भेननि माखासे देंखोनि गाब बिजिरथिफोर दंमोन, जेराव क्रेउट्जार स'नाटा आरो पाथेटिकबो दंमोन। बबेखानि, बेफोर खामानि नङा।
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a synaesthete; rather a means of mapping the music in a more visual, easy-to-follow way. The most common form of synaesthesia is the experience of colours linked to letters and numbers (‘grapheme-colour’ synaesthesia), which is what I have. Synaesthetes are often highly intelligent, ambidexturous, creative individuals, with excellent memories. Synaesthetes are not mad! Nor is true synaesthesia a form of hallucination (though the drug LSD can induce temporary synaesthesia): for each synaesthete, their particular experience is unchanging. Aristotle wrote that the harmony of colours was like the harmony of sounds. This set the stage for a later connecting of specific light and sound frequencies, as Aristotle’s works were translated and incorporated into European scientific study. From the late 15th century, academics, scientists (including Isaac Newton) and musicians were assigning colour schemes to notation, intervals, and the musical scale. Musicians who were genuine synaesthetes include Franz Lizst, American pianist and composer,
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मोनसे सिनेस्थेट; बबेखानि देंखोखौ बांसिन नुथायारि, गोरलैयै उनसंनो हानाय राहाजों मानसावगारि खालामनायनि मोनसे राहा। सिनेस्थेसियानि बयनिख्रुइबो सरासनस्रा महरा जादों हांखोफोर आरो अनजिमाफोरजों सोमोन्दो थानाय गाबफोरनि रोंमोनदांथि ('ग्राफीम-गाब'सिनेस्थेसिया), जाय आंनाव दं। सिनेस्थेटफोरा गोबां समावनो जोबोद सोलो गोनां, एम्बिडेक्सचारास, सोरजिलु सुबुंफोर, साबसिन गोसोखांथिफोरजों। सिनेस्थेटफोरा पागल नङा! नंगुबै सिनेस्थेसियाया मोनसे हेलुसिनेसननि महरबो नङा (एलएसडि मुलिआ अरायथा नङै सिनेस्थेसिया सोमजिहोनो हायोब्लाबो): मोनफ्रोमबो सिनेस्थेटनि थाखाय, बिसोरनि जुनिया रोंमोनदांथिया सोलायस्लु नङा। एरिस्टटलआ लिरदोंमोन दि गाबफोरनि गोरोबथिया सोदोबफोरनि गोरोबनाय बायदिमोन। बेयो मोनसे उननि थि सोरां आरो सोदोब फ्रिकुयेन्सिफोरनि फोनांजाबनायनि थाखाय जौसां गायसनदोंमोन, मानोना एरिस्टटलनि खामानिफोरखौ इउर'पनि बिगियानारि फरायसंनायाव राव दानस्लायनाय आरो सोफादेरनाय जादोंमोन। 15थि जौथाइनि जोबनायनिफ्राय, सोलोंथायगिरिफोर, बिगियानगिरिफोर (आइज्याक निउटनजों लोगोसे) आरो देंखोगिरिफोरा न'टेसन, थाद'नाय आरो देंखोआरि स्केलआव गाब
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Amy Beach (1867-1944), who had both perfect pitch and a set of personal colours for musical keys, Rimsky-Korsakov, and Olivier Messaien. Scriabin claimed to have synaesthesia, but it is more likely that he was simply responding to the then salon fashion for “colour music”, and the writings of Russian mystic Madame Blavatsky, founder of the Theosophical Society. Founder of the Futurist movement in art, Marinetti, aspired to have all the senses (he counted five) employed in “interactive synesthetic ecstasy”, and The Futurist Manifesto includes suggestions as to how colours, shapes and sounds combine, which has influenced composers and musicians, as well as artists. English composer Sir Arthur Bliss wrote a Colour Symphony, but this is not the product of a synaesthetic mind. Like Scriabin, he was influenced by the idea of “colour music”, though it was not a mystic association for him but rather a response to the symbolism usually
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एमी बीच (1867-1944), जायहा देंखोआरि किफोरनि थाखाय आबुं पिच आरो गावारि गाबफोरनि मोनसे सेट दंमोन, रिमस्की-कर्साक'भ आरो अलिभियर मेसायेन। स्क्रिबिनआ दाबि खालामदोंमोन दि बिथांहा सिनेस्थेसिया दं, नाथाय बेयो बांसिन जाथावना दि बिथाङा खालि बै समनि "गाबगोनां देंखो" नि सेलुन फेशन आरो थिय'सफिकेल ससाइटिनि गायसनगिरि रासियानि मिस्टिक मेडाम ब्लाभाटस्कीनि लिरबिदांफोरखौ फिन्नाय होदोंमोन। आरिमुआव फ्यूचरिस्ट सोमावसारनायनि गायसनगिरि, मारिनेटीआ "इन्टारेक्टिभ सिनेस्थेटिक एक्सटेसी" आव बाहायजानाय गासैबो सेन्सफोरखौ (बिथाङा मोनबा सानदोंमोन) मोन्नो लुबैदोंमोन, आरो द फ्यूचरिस्ट मेनिफेस्ट'आव गाब, महर आरो सोदोबफोरा माबोरै ज'जायो बेनि बोसोनफोर दं, जाय सुजुगिरिफोर आरो देंखोगिरिफोरजों लोगोसे आरिमुगिरिफोरखौ गोहोम खोख्लैदों। इंराज सुजुगिरि सार आर्थर ब्लिसआ मोनसे कालार सिम्फनी लिरदोंमोन, नाथाय बेयो सिनेस्थेटिक मेलेमनि दिहुनथाइ नङा। स्क्रिबिन बायदि, बिथाङा "गाबगोनां देंखो" नि सानदांथिजों गोहोम खोख्लैजादोंमोन, बबेखानि बेयो बिथांनि थाखाय मोनसे मिस्टिक सोमोन्दो नङामोन, नाथाय सरासनस्रायै नेरसोनथिनि मोनसे फिनजाथायमोन।
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associated with the colours of the English heraldic tradition. Messiaen’s music, for me, vibrates with colour. The fourth Vingt Regard, which I am studying, is full of chords with rich layers of colours stacked atop one another, flashes of bright gold, orange, royal blue, deep red. Combinations of colours were very important in his compositional process. “I see colours when I hear sounds, but I don’t see colours with my eyes. I see colours intellectually, in my head.” He found that raising a note an octave produced a paler shade of the same colour, while lowering the note produced a darker hue. Only if the pitch altered would the colour change (my experience is identical). His colour associations were very consistent (as mine are), and so to help musicians understand his particular colour schemes, he annotated his scores with the precise colours he perceived. The piano part, in the second
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इंराजि हेराल्डिक दोरोंनि गाबफोरजों सोमोन्दो गोनां। मेसियाननि देंखोआ, आंनि थाखाय, गाबजों रिंखाङो। ब्रैथि भिंट रिगार्ड, जायखौ आं फरायगासिनो दं, मोनसेयाव गुबुन मोनसे गाबनि गोबां थोरफोफोरजों बुंफबनाय, गोजों सना, खमला, राजायारि निला, गोथौ गोजा जोंख्लाबनाय। गाबफोरनि जथायनाया बिथांनि सुजुनाय खान्थियाव जोबोद गोनांथारमोन। "आं सोदोबफोर खोनायोब्ला गाबफोरखौ नुयो, नाथाय आं आंनि मेगनजों गाबफोरखौ नुनो मोना। आं आंनि खर'आव गोसोआरि महरै गाबफोरखौ नुयो।" बिथाङा मोनदोंमोन दि मोनसे न'टखौ गोजौ खालामनायाव मोनसे अक्टेभआ एखे गाबनि मोनसे गोमो गाब सोमजिहोयो, जेराव न'टखौ गाहाय खालामनाया मोनसे गोसोम गाब सोमजिहोयो। पिचखौ सोलायोब्लाल'गाब सोलायगोन (आंनि रोंमोनदांथिया रोखोमसे)। बिथांनि गाब सोमोन्दोआ जोबोद गोरोबनायमोन (आंनि बायदि), आरो बेनिखायनो देंखोगिरिफोरखौ बिथांनि थि गाब स्किमफोरखौ बुजिनो हेफाजाब होनो थाखाय, बिथाङा गावनि स्क'रफोरखौ थि गाबफोरजों फोरमायदोंमोन, जायखौ बिथाङा मोनदांदोंमोन। नैथिआव पियान'बाहागोआ।
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movement of his extraordinary and moving Quartet for the End of Time, written in a German PoW camp in 1940-41, contains the instruction to aim for “blue-orange” chords, a difficult concept for a non-synaesthete to grasp, perhaps. I have yet to meet a fellow synaesthete who is also a musician. The subject fascinates me, in a non-scientific way, and I would be delighted to hear from other musicians who also see colours, either when they listen to music, or when they read it off the score. My experience tends to be more intense when I am actually reading music. A friend (and lover, as it turned out) of my mother, who fancied himself as a unreconstructed hippie and who used to smoke hand-rolled joints in the back garden of our house in the leafy commuter town of Rickmansworth, gave me a new compilation tape every birthday during the years that
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जार्माननि प'व केम्पआव लिरजानाय बिथांनि सोमोनांथाव आरो गोसो गुदुं क्वार्टेट फर दि एन्ड अफ टाइमनि सोलायनाया "निला-कमला" कर्डफोरखौ थांखि लानो बिथोन होयो, जाय सासे सिनैस्थेट नङैनि थाखाय बुजिनो गोब्राब सानदांथि जानो हागौ। आं दासिमबो सासे लोगो सिनैस्थेटखौ लोगो मोनाखै, जाय सासे देंखोगिरिबो। बे आयदाया आंखौ बिगियानारि नङि रोखोमै गोसो बोहोयो, आरो आं गुबुन देंखोगिरिफोरनिफ्राय खोनानो खुसि जागोन, जायफोरा गाबफोरखौबो नायो, जेब्ला बिसोरो देंखो खोनासङो, एबा जेब्ला बिसोरो बेखौ स्करनिफ्राय फरायो। आंनि रोंमोनदांथिया बांसिन गोख्रों जायो जेब्ला आं थारैनो देंखो फरायगासिनो थायो। आंनि बिमानि सासे लोगो (आरो मोजां मोनग्राया, जेरै बेयो नुजादोंमोन), जाय गावखौ सासे लुजायै हिप्पि महरै सानदोंमोन आरो रिकमेनस्वर्थनि बिलाइ गोनां दावबायारि सोहोराव जोंनि न'नि उन बिबारबारियाव आखाइजों र'ल्ड गान्थिफोर सोबदोंमोन, बै बोसोरफोराव मोनफ्रोमबो जोनोम सानाव आंनो मोनसे गोदान जथाय टेप होदोंमोन।
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he and my mother enjoyed an association. For my 18th birthday, it was a collection of songs from the year of my birth, 1966, which was quite inventive. I used to play it a lot, and it included tracks like ‘Paint it Black’ and ’19th Nervous Breakdown’ (The Rolling Stones), ‘Summer in the City’ (The Lovin’ Spoonful), ‘Shapes of Things’ (The Yardbirds), and ‘Sunshine Superman’ (Donovan). At the time, I was deeply into late 60s bands like The Doors and Jefferson Airplane, and female protest singers such as Joan Baez, Janis Joplin and Joni Mitchell. The compilation tape, made for a friend, or, more significantly, a boyfriend, became a vehicle for unexpressed or inexpressible emotions and barely-concealed longing. On a radio programme I caught the other day, one of the guests was lamenting the demise of the compilation tape, now that we don’t have cassette players any longer. But with
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बियो आरो आंनि बिमाया मोनसे सोमोन्दोखौ मोजां मोनोमोन। आंनि 18थि जोनोम साननि थाखाय, बेयो आंनि जोनोमनि बोसोर, 1966 मायथाइनि मेथाइफोरनि बुथुमनायमोन, जाय जोबोद दिहुनथायगोनांमोन। आं बेखौ गोबां दामदोंमोन, आरो बेयाव'पेन्ट इट ब्लेक'आरो'19थि नार्भास ब्रेकडाउन'(द र'लिं स्ट'न्स),'समर इन द सिटी'(द लाभिन'स्पुनफुल),'शेप्स ऑफ थिंग्स'(द यार्डबार्ड्स), आरो'सनशाइन सुपरमेन'(ड'नावान) बायदि ट्रेकफोर दंमोन। बै समाव, आं 60 जिथाइनि जोबनायथिंनि बेन्डफोर जेरै द'र्स आरो जेफारसन एयारप्लेन, आरो आइजो हेंथा रोजाबगिरिफोर जेरै ज'आन बेज, जेनिस ज'प्लिन आरो ज'नि मिचेलजों गोथौवै सोमोन्दोगोनांमोन। सासे लोगोनि थाखाय बानायनाय जथाय टेप, एबा, बांसिन ओंथिगोनाङै, सासे मोजां मोनग्रानि थाखाय, फोरमायजायै एबा फोरमायनो हायै आबेगफोर आरो गोथाङै लुबैनायनि बाहन जादोंमोन। मोनसे रेडिय'हाबाफारिआव आं सानसेखालि हमदोंमोन, आलासिफोरनि गेजेराव सासेया जथाय टेपनि थैनायखौ दुखु होगासिनो दंमोन, दा जेब्ला जोंनि खाथियाव केसेट दामग्राफोर गैया। नाथाय लोगोसे।
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the advent of iTunes and similar music programmes, it is possible to create compilations and “mixes” once again – and it’s a whole lot easier these days because you simply “drag and drop” the tracks into the new playlist. Newer versions of iTunes have a neat function called ‘Genius’ which will create compilations for you, based on a highlighted track. It looks clever, as if the artificial intelligence of iTunes is able to match certain tracks with others to create a coherent playlist, but in reality all it is doing is using some kind of techie ju-ju and searching by genre and tempo. It copes less well with classical music, for example, pairing a Bach Cantata with a Chopin Prelude. I still make my own mixes, mostly for listening in the car. I do not have a CD player in the house any longer: when it finally gave up the
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आइट्युन्स आरो रोखोमसे देंखो हाबाफारिफोरनि नुजाखांनायजों, जथायनाय आरो "मिक्स" बानायनाया फिन खेबसेबाव जाथावना-आरो आथिखालाव बेयो जोबोद गोरलै मानोना नोंथाङा ट्रेकफोरखौ गोदान प्लेलिस्टआव "ड्रेग आरो ड्रप" खालामो। आइट्युन्सनि गोदान रोखोमफोराव'जीनियास'मुंनि मोनसे मोजां फांसन दं, जाय नोंथांनि थाखाय जथायनायफोर बानायगोन, मोनसे हाइलाइट ट्रेकनि सायाव बिथा खालामनानै। बेखौ सोलो गोनां नुयो, जेरै आइट्युन्सनि आर्टिफिसियेल इन्टेलिजेन्सआ माखासे ट्रेकफोरखौ गुबुनफोरजों गोरोबहोनो हायो आरो मोनसे गोरोबनाय प्लेलिस्ट बानायनो हायो, नाथाय मोगथाङाव बेयो गासिबो माबा रोखोमनि तेकि जु-जु बाहायगासिनो आरो रोखोम आरो टेम्प'नि गेजेरजों नागिरगासिनो दं। बेयो क्लासिकेल देंखोजों एसेल'मोजाङै जुजिङो, बिदिन्थि महरै, बाख केन्टाटाखौ च'पिन प्रिलुडजों ज'खालामनाय। आं दासिमबो आंनि गावनि मिक्सफोर बानायो, बांसिनै काराव खोनासंनो थाखाय। आंहा न'आव सिडि प्लेयार गैयाः जेब्ला बेयो जोबनायाव नागारदोंमोन।
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ghost last year, I didn’t bother to replace it. Instead, all my music is stored on the main house computer and is streamed to a high-quality sound system in the sitting room via the magical gadget that is Apple TV. I also have a very old, now very collectible first generation iPod, on which almost my entire music library is stored. The iPod is so old (barely 10 years!) that its battery no longer charges, but it works off the mains and can be plugged into the hi-fi. So I make ‘mixes’ for long car journeys, a trio of CDs especially for the campervan (when I had it), or for 8-hour drives down the autoroute to the Alps when you need stuff you can sing along to to keep you awake (‘Hallejulah’ by K D Lang was popular at Christmas!). I also keep a CD of my current repertoire for
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थांनाय बोसोराव, आं बेखौ सोलायनो गोसो जायाखैमोन। बेनि सोलायै, आंनि गासैबो देंखोखौ गाहाय न'नि कम्पिउटाराव दोनथुमनाय जायो आरो जिरायनायनि खथायाव मोनसे गोजौ थाखोनि साउन्ड सिस्टेमाव जादुगोनां गेजेट एपल टिभिनि गेजेरजों स्ट्रिम खालामनाय जायो। आंहा मोनसे जोबोद गोजाम, दा जोबोद बुथुमनो हानाय गिबि जोलैनि आइपडबो दं, जेराव आंनि गासै देंखो बिजाब बाख्रिया दोनथुमनाय। आइपडआ ओरैबायदि गोजाम (10 बोसोरसो!) दि बेनि बेटारिया चार्ज जाया, नाथाय बेयो मेननिफ्राय खामानि मावो आरो हाइ-फाइआव प्लाग खालामनो हायो। बेनिखायनो आं गोलाव कार दावबायनायनि थाखाय'मिक्स'बानायो, गुबैयै केम्पारवाननि थाखाय सिडिफोरनि मोनसे त्रियो (जेब्ला आंनाव दंमोन), एबा आल्प्ससिम अट'रुटनिफ्राय 8 घन्टानि ड्राइभनि थाखाय जेब्ला नोंथांनो जिरायनो थाखाय रोजाबनो गोनां मुवाफोर नांगौ जायो (के डी लेंनि'हालेजुलाह'आ क्रिसमासआव मुंदांखामोन!)। आं आंनि आथिखालनि रिर्पर्टनि मोनसे सिडिखौबो दोनो।
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listening to when I’m driving. Then there’s ‘Chopin Favourites’, ‘Schubert Favourites’, ‘Shorter Beethoven’ and ‘Oddments’, a collection of mostly piano music ranging from Bach to John Adams which just seems to fit together nicely. and is enjoyable and stimulating to listen to. One of the best features of iTunes is that you can purchase a single track, rather than a whole album. So I bought Sheila Chandra’s ‘Ever So Lonely’, hit the Genius button, and hey presto! there was an hour of mostly ‘ambient’ music which seems to suit the late evening when everyone’s had one too many glasses of wine and wants to chill on the sofa. Brian Eno’s ‘An Ascent’ (from the ‘Apollo Atmospheres and Soundtracks’ album) threw up an even more laid back mix via the power of Genius. I’ve found a truly charming and very unusual venue for my Christmas concert – and it’s only 10
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आं गारि सालायनाय समाव खोनानो मोनो। बेनि उनाव दं'च'पिन फेभ'राइट्स','शुबार्ट फेभ'राइट्स ','शर्टर बीथोवेन'आरो'अडमेन्टस ', बाखनिफ्राय लानानै जन एडाम्ससिम गोबां पियान'देंखोनि बुथुमनाय, जाय मोजाङै गोरोबनाय बायदि मोनो। आरो खोनासंनो थाखाय गोजोनथाव आरो थुलुंगागोनां। आइट्युन्सनि मोनसे साबसिन आखुथाया जादों दि नोंथाङा मोनसे ट्रेक बायनो हायो, गासै एलबामनि अनगायै। बेनिखायनो आं शीला चन्द्रानि'एभार स'लनली'बायदोंमोन, जिनियसनि बाटोनखौ दामदोंमोन, आरो हे प्रेस्ट'! बेयाव मोनसे घन्टानि बांसिन'एम्बियन्ट'देंखो दंमोन, जाय हरनि जोबनायथिं गासैबो मोनसे गोबां गिलास जौ लोंदोंमोन आरो स'फायाव जिरायनो लुबैदोंमोन। ब्रायन एन'नि'एन एसेन्ट'('एप'ल'एटम'स्फियार्स एन्ड साउन्डट्रेक्स'एलबामनिफ्राय) आ जिनियसनि गोहोजों आरोबाव बांसिन गोजोनथाव गलायमोन्देर खालामदोंमोन। आं आंनि क्रिसमास कनसार्टनि थाखाय थारैनो मोनसे समायना आरो जोबोद सरासनस्रा नङै थावनि नागिरना मोनदों-आरो बेयो खालि 10 ल'।
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minutes from where I live. There are many hidden gems in and around London which serve as music venues. Last summer, I discovered Sutton House, a fine Elizabethan building in Hackney, managed by the National Trust. It boasts a charming, intimate and friendly recital space, and in the interval you can enjoy drinks and strawberries and cream in the pretty courtyard. I was impressed not just by the space but by the audience when I visited last summer: a very different crowd from the Wigmore, and one sensed a great deal of support and enthusiasm from the audience throughout the performance. Across the river, at Walton, is Riverhouse Barn, a converted 18th century barn, which retains many of its original features. It hosts music events, as well as exhibitions and other arts and drama activities for children and adults. The Red Hedgehog in Highgate looked so unprepossessing the first time
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आं थानाय जायगानिफ्राय मिनिटफोर गोजानाव। लन्दन आरो बेनि खाथि-खालायाव गोबां दोनखोमानाय रत्नफोर दं, जाय देंखोनि थावनि महरै खामानि मावो। थांनाय गोलोम बोथोराव, आं सटन हाउसखौ नागिरना मोनदोंमोन, हेकनीआव मोनसे समायना एलिजाबेथन बिल्डिं, जायखौ नेशनेल ट्रास्टआ सामलायो। बेयो मोनसे समायना, खाथि-खाला आरो लोगोआरि रोजाबनाय जायगा, आरो गेजेर समाव नोंथाङा समायना सिथलायाव लोंग्राफोर आरो स्ट्रबेरी आरो क्रिमखौ रंजानो हायो। आं खालि जायगाजोंल'नङा, नाथाय थांनाय गोलोम बोथोराव नायगिरिफोरजोंबो गोहोम खोख्लैजादोंमोनः विगम'रनिफ्राय जोबोद गुबुन मोनसे होंगो दोंगो, आरो दिन्थिफुंनायनि समाव नायगिरिफोरनि गोबां हेफाजाब आरो थुलुंगाखौ मोनदांदोंमोन। दैमानि सेर सेर, वाल्टनआव, रिभारहाउस बार्न दं, मोनसे सोलायजानाय 18थि जौथाइनि गुदाम, जाय गावनि गोबां गुबै आखुथाइफोरखौ लाखिबाय। बेयो देंखो हाबाफारिफोर, लोगोसे गथ'फोर आरो बैसोगोराफोरनि थाखाय दिन्थिफुंनायफोर आरो गुबुन आरिमु आरो फावथाय हाबाफारिफोरखौ खुङो। हाइगेटनि रेड हेजहगखौ गिबि खेब जोबोद गोजाम नुदोंमोन।
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I visited it in winter 2006 that I walked straight past it: from the outside, it looked like a kebab shop! (It has since undergone considerable restoration.) Once inside, it is a little like visiting Schubert’s salon (it is in fact named after the coffee house in Vienna which Schumann, Mendelssohn and especially Brahms and friends liked to visit). It offers a variety of music, poetry and drama events throughout the year and has been host to some eminent performers, including pianist Peter Donohoe and actor Simon Callow. The great thing about attending a musical event in places such as these is that one can get up close and personal with the performers in a way that is impossible in a bigger venue. Watching the Fitzwilliam Quartet playing Haydn, Shostakovich and Mozart last summer was fascinating: how the players interact with each other, and the soloist (my piano teacher), see
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आं बेखौ गोजां बोथोर 2006 आव नायहैदोंमोन जेब्ला आं बेखौ थोंजों बारलांदोंमोनः बायजोनिफ्राय, बेयो मोनसे काबाब गला बायदि नुजादोंमोन! (बेनि उनाव बेयो गोबां फोसाबनाय जादों।) सिङाव हाबफैनाया एसे शुबार्टनि सेलुनखौ नायहैनायनि बायदि (बेयो थारैनो भियेनानि कफि हाउसनि मुङै मुं दोनजानाय, जेराव शुमेन, मेन्डेलसन आरो गुबैयै ब्रह्मस आरो लोगोफोरा दावबायनो मोजां मोनो)। बेयो बोसोरनाङै बायदि रोखोमनि देंखो, खन्थाइ आरो फावथाइ हाबाफारिफोर जासियो आरो माखासे मुंदांखा दिन्थिफुंगिरिफोरनि थाखाय बानजायजानाय, जेराव पियानिस्ट पिटार ड'नह'आरो फावखुंगुर साइमन केल'बो दं। बेफोर बायदि जायगाफोराव मोनसे देंखोआरि हाबाफारिआव बाहागो लानायनि गेदेर बाथ्राया बेनो दि सासेआ दिन्थिफुंगिरिफोरजों खाथि आरो गावारि महरै ओरैबायदि ओंखारनो हायो जाय मोनसे गिदिर जायगायाव जाथावै। थांनाय गोलोम बोथोराव हेडन, शस्टाक'भिच आरो मजार्टखौ दामनाय फिट्जविलियाम क्वार्टेटखौ नायनाया गोसो बोनो हानायमोनः दामगिरिफोरा माबोरै गावजों गाव मोगामोगि जायो, आरो हारसिं दामग्रा (आंनि पियान'फोरोंगिरि), नाय।
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the sweat on their brows which are furrowed with concentration, and all the other gestures, big and small, which go into producing music. It reminds us that so much of the music that was written before circa 1850 was meant to be enjoyed in this way: it was salon music, to be played for friends and amongst friends. The new recital season at the Red Hedgehog opens on 7th October with what promises to be a fine concert celebrating the bicentenaries of two great composers for the piano, Chopin and Schumann. The Red Hedgehog is conveniently located close to Highgate tube station. Sutton House in Hackney is the regular home of Sutton House Music Society, whose concert programme for the 2010/11 opens next month, and concludes, in June next year, with a performance by my teacher, Penelope Roskell, which includes Schumann’s ‘Papillons’ and the Sonata in G minor. ‘Moderate’, ‘restrained’,
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बिसोरनि मेगननि मोदोमफोराव गोलोमदै जाय गोसो होसारनायजों बुंफबनाय, आरो गुबुन गासैबो गिदिर आरो फिसा हाव-भावफोर, जाय देंखो दिहुननायाव थाङो। बेयो जोंखौ गोसोखांहोयो दि 1850 मायथाइनि सिगां लिरजानाय देंखोनि गोबां बाहागोआ बे रोखोमै रंजानो थाखायमोनः बेयो सेलुन देंखोमोन, जाय लोगोफोरनि थाखाय आरो लोगोफोरनि गेजेराव दामनो थाखायमोन। रेड हेजहगआव गोदान रोजाबनाय बोथोरा 7 अक्ट'बराव खुलियो, जाय सानै गेदेमा देंखोगिरिफोर, च'पिन आरो शुमाननि नैजौ बोसोर बैसोनि रंजानाय मोनसे मोजां कनसार्ट जागोन। रेड हेजहगआ हाइगेट ट्युब स्टेशननि खाथियाव सुबिदायै दं। हेकनीआव सटन हाउसआ सटन हाउस मिउजिक ससाइटिनि सरासनस्रा न ', जायनि 2010/11 नि कनसार्ट हाबाफारि फैगौ दानाव खुलियो, आरो फैगौ बोसोरनि जुनआव आंनि फोरोंगिरि पेनेल'प रस्केलनि मोनसे दिन्थिफुंनायजों जोबहैयो, जेराव शुमाननि'पेपिलन्स'आरो जी माइनरआव स'नाटा दं।'म'डारेट','रेस्टेन्ड',
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e.g. allegro moderato (‘a little slower than allegro ’). In moderate tempo……. Used chiefly as a direction. ‘Moderato’ is one of those rather nebulous musical terms, like andante (“at a walking pace”). If I ask one of my students what it means, they say “moderately”. But what does it really mean? At the most basic level, it is a tempo marking, slower than allegretto, but faster than andante. The modern metronome gives a marking of 96 to 100, a very narrow range – and I would always guard against assigning a specific metronome mark to a piece marked moderato, or allegro moderato, or molto moderato. Like so much else in music, moderato is not just a tempo marking; it also suggests mood and character. It is personal feeling and sense of music, and one person’s moderato might be rather different from another’s, both in terms of tempo and character. The
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जेरै एलग्र'मडारेटो ('एलग्र'निख्रुइ एसे लासै')। गेजेर थाखोनि टेम्प'आव........................................................................................................................................................................................................................................
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opening movement of Schubert’s last sonata is marked molto moderato, literally “very moderately”. And taken literally, that could result in a very slow tempo, virtually alla breve (two beats in a bar), which can make the music appear to drag. Schubert also used the German term mässig, implying the calm flow of a considered allegro. But the word “allegro” suggests a certain character as well as a certain speed, and so the moderato marking is more appropriate, Schubert suggesting in it a graceful strolling tempo. There are many, many different interpretations of Schubert’s marking, resulting in some wildly varying lengths of the first movement. Richter’s is an almost self-indulgent 25 minutes – listening to it, you get the feeling he is thinking about every single note and where to place it; while Maria Joao Pires brings it in at 20 minutes, which feels both fluid and eloquent, and Imogen Cooper
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शुबेर्टनि जोबथा स'नाटानि जागायजेननाय खारथायखौ म'ल्ट'मडारेटो महरै सिन होनाय जायो, जायनि ओंथिया "जोबोद गेजेर"। आरो बेखौ सोदोबारि महरै लानाय जायो, जायनि फिथाय महरै मोनसे जोबोद लासै टेम्प'जानो हागौ, फ्राय अला ब्रेभ (मोनसे बाराव मोननै बिट), जाय देंखोखौ बोनाय बायदि नुनो हागौ। शुबेर्टआ जार्मान सोदोब मेसिगखौबो बाहायदोंमोन, जाय मोनसे गनायजानाय एलग्र'नि नि निजोम बोहैनायखौ फोरमायो। नाथाय "एलग्र'" सोदोबा मोनसे थि आखुजों लोगोसे मोनसे थि गोख्रैथिखौ फोरमायो, आरो बेनिखायनो मडारेटो मार्किंआ बांसिन आरजाथाव, शुबेर्टआ बेयाव मोनसे समायना थाबायनाय टेम्प'नि सुबुरुन होयो। शुबेर्टनि मार्किंनि गोबां, गोबां गुबुन-गुबुन ओंथिफोर दं, जायनि फिथाय महरै गिबि खारथायनि माखासे जोबोद गुबुन-गुबुन गोलावथिफोर जायो। रिख्टारनि मोनसे फ्राय गाव-गोसोआरि 25 मिनिट-बेखौ खोनानानै, नोंथाङा मोनो दि बिथाङा मोनफ्रोमबो न'ट आरो बेखौ बबेहाय दोननांगौ बेनि बागै सानगासिनो दं; जेराव मारिया ज'आव पायर्सआ बेखौ 20 मिनिटआव लाबोयो, जाय लाव-लाव आरो गोहोगोरा मोन्नैबो मोनो, आरो इम'जेन कुपार।
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at 16 minutes, which is thoughtful and serene. In another recording I have, one which I listen to most often, and used as a benchmark when I was learning the piece, the movement lasts just over 21 minutes, yet at no point is there a sense of the music stagnating, even in the most poignant sections; it moves forward with grace. When I was learning the sonata a couple of years ago, I had a tendency to play the opening movement “molto molto moderato”! This was partly to enable me to cope with some of the more tricky measures in the development section, but whenever I played it, I had a terrible sense of the music plodding. When I listen to the piece, I always feel the opening movement suggests a great river broadening into its final course before reaching the sea: unhurried but with continual forward motion. There are
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16 मिनिटआव, जाय सानस्रिनाय आरो गोजोन। आं मोनसेबाव रेकर्डिं खालामदों, जायखौ आं बांसिन खोनादों, आरो जेब्ला आं बे थुख्राखौ सोलोंगासिनो दंमोन, अब्ला बे दामोलआ 21 मिनिटनि एसे बांसिन सोलियो, अब्लाबो देंखोनि दिदोमथिनि मोनदांथि गैया, जोबोद गोसो गुदुं बाहागोफोरावबो; बेयो साबनाहामना सिगांथिं दावखोयो। जेब्ला आं माखासे बोसोर सिगां स'नाटा सोलोंगासिनो दंमोन, अब्ला आंहा "मल्ट'मल्ट'मडारेटो" दामनायनि मोनसे गोसो दंमोन! बेयो माखासे बाहागो महरै आंखौ जौगाथाय खोन्दोआव माखासे गोब्राब राहाफोरजों मोगा-मोगि जानो हानायमोन, नाथाय जेब्लानो आं बेखौ दामोमोन, आं देंखोनि फाव खालामनायनि मोनसे गाज्रि मोनदांथि मोनदोंमोन। जेब्ला आं थुख्राखौ खोनासङो, आं जेब्लाबो मोनदाङो दि बेखेवनायनि दामोलआ लैथोआव सौहैनायनि सिगां मोनसे गिदिर दैमाखौ गावनि जोबथा लामायाव फेहेरनायनि सुबुरुन होयोः गोख्रै नङि नाथाय अरायथा सिगांथिं खारनायजों।
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moments of “other-wordliness” in this movement as well, which demand sensitive rubato playing and some very fine pianissimos. There are storms too, but these are short-lived, and do not disturb the overall, almost hymn-like, serenity of the movement. But no matter how often I practised the wretched movement, it always sounded chunky, and “notey”, as if the river was made of treacle through which one was wading painful step after painful step! Discussing my difficulty with my friend Michael was more a discussion of the meaning of moderato in a literal sense rather than in relation to Schubert. In the end, Michael suggested I tried playing the movement quicker: the difference was instant. Never mind that some passages were still very rough in my hands, the overall sense of the music was of a relaxed serenity and spaciousness. There was still time to hear every note and to enjoy each
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बे सोमावसारनायावबो "गुबुन-सोदोबआरि" समफोर दं, जाय मोनदांथि गोनां रुबाट'दामनाय आरो माखासे जोबोद मोजां पियानिसिम'फोरनि गोनांथि जायो। बारहुंखाबो दं, नाथाय बेफोरो गुसुं समनि, आरो सोमावसारनायनि गासै, फ्राय मेथाइ बायदि, गोजोनथिखौ खायसो खालामा। नाथाय आं बेसेबां गले-गले गाज्रि सोमावसारनायखौ सर'खालामाब्लाबो, बेयो जेब्लाबो गोथाव आरो "न'टि" खोनायो, जेरै दैमाआ ट्रेकेलजों बानायनायमोन जायनि गेजेरजों सासेया सानाय गोनां आगाननि उनाव दुखुगोनां आगान सुरगासिनो दंमोन! आंनि गोब्राबथिखौ आंनि लोगो माइकेलजों सावरायनाया स्कुबार्टजों सोमोन्दो गैयालासे सोदोबारि ओंथियाव मोडारेट'नि ओंथिनि सायाव बांसिन सावरायदोंमोन। जोबनायाव, माइकेलआ सुबुरुन होदोंमोन दि आं सोमावसारनायखौ गोख्रै दामनो नाजादोंमोनः फारागथिया गोख्रैमोन। जेबो बाथ्रा गैया दि माखासे खोनदोफोरा आंनि आखायाव जोबोद गोब्राबमोन, देंखोनि गासै मोनदांथिया मोनसे गोजोन गोजोन आरो गुवारमोन। दासिमबो मोनफ्रोमबो न'टखौ खोनानो आरो मोनफ्रोमबोखौ रंजानो सम दंमोन।
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one, but there was also a much greater forward propulsion, especially in the climactic passages of the development section, which highlight Schubert’s long lines of melody and the overall evolution of the movement. Armed with Michael’s helpful advice and my renewed interest in the work, it was one of the first pieces I presented to my teacher when I started having lessons again, nearly two year’s ago. In Chopin’s Ballade in G minor, a piece of fluctuating tempos and ever-changing moods and textures, the first theme is also marked moderato. Here, I would read this marking as a much slower tempo than in the Schubert sonata. The mood is very different too: the key is darker, and the off-beat quaver figures and the rather uncertain harmonies, with the prominent use of diminished and dominant seventh chords to add moments of tension which are not always resolved immediately, create a sense
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मोनसे, नाथाय मोनसे जोबोद गिदिर सिगांथिं दावगाहोनायबो दंमोन, गुबैयै जौगाथाय बाहागोनि क्लाइमेक्टिक बाहागोफोराव, जाय शुबार्टनि गोलाव देंखोनि सारिफोर आरो सोमावसारनायनि गासै जौगानायखौ दिन्थियो। माइकेलनि हेफाजाबारि बोसोन आरो खामानियाव आंनि गोदान गोसोजों बुंफबनाय, बेयो आंनि फोरोंगिरिनाव गिबि थुख्राफोरनि गेजेराव मोनसेमोन, जेब्ला आं फ्राय नै बोसोर सिगां फिन सोलोंजेनदोंमोन। जि माइनरनि च'पिननि बेलाडआव, मोनसे सोलायसोल'जानाय टेम्प'फोर आरो अराय-सोलायनाय मुड आरो टेक्सचारफोरनि थुख्रा, गिबि थीमखौबो मोडारेटो महरै सिन होनाय जादों। बेयाव, आं बे सिनखौ शुबार्ट सोनाटानि रुजुनायाव जोबोद लासै टेम्प'महरै फरायगोन। मुडआबो जोबोद गुबुनः किआ गोसोम, आरो अफ-बिट क्वेभार फिगरफोर आरो रोखा नङै हारमनिफोर, जेराव खम जानाय आरो गोहोम गोनां स्निथि कर्डफोरनि गाहाय बाहायनायजों जिंगानि बुब्लिफोर दाजाबदेरनाय जायो, जाय जेब्लाबो थाबैनो सुस्रां जाया, मोनसे मोनदांथि सोरजियो।
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of hesitancy in the music, as if it is not quite sure where it is going. After the fioritura, the opening theme returns, slightly elaborated with a sighing quaver figure, but rather than increase the sense of forward motion, I feel the music becomes more suspended; thus when one reaches the direction agitato, there is a far greater sense of climax. This continues right through to the arpeggiated figures and onwards, in a section marked sempre piu mosso. After the great, memorable second theme is heard, the first theme returns, this time in A minor, and the music returns to the moderato tempo and mood of the opening. Here once again, uncertain harmonies are used to contrive a feeling of suspense, while the insistent repeated low E’s in the bass tether the music even more firmly in one place. This is a useful device for introducing another climax, which seems
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देंखोआव गोनो गोथोनि, जेरै बेयो रोखा नङा दि बेयो बबेथिं थांगासिनो दं। फिअ'रिटुरानि उनाव, बेखेवनाय थीमआ फैफिनो, एसे हां बोयो, नाथाय सिगांथिं खारनायनि मोनदांथिखौ बांहोनायनि सोलाय, आं देंखोखौ बांसिन थाद'नाय मोनो; बेनिखायनो जेब्ला सासेया दिग एजिटाट'सिम सौहैयो, अब्ला मोनसे गोबां बांसिन क्लाइम्याक्सनि मोनदांथि थायो। बेयो आर्पेजिएटेड महरफोरसिम आरो बेनि उनाव, सेमप्रे पियु म'स'महरै सिन होजानाय मोनसे बाहागोआव सोलिबाय थायो। गिदिर, गोसोखांथाव नैथि थीमखौ खोनानायनि उनाव, गिबि थीमआ फैफिनो, बे खेब ए माइनरआव, आरो देंखोआ बेखेवनायनि मोडारेटो टेम्प'आरो मुडआव फैफिनो। बेयाव फिन खेबसेबाव, रोखा नङै हारमनिफोरखौ मोनसे ससपेन्सनि मोनदांथिखौ सोरजिनो बाहायनाय जायो, जेराव बेसआव गले गले गाहाय इ'फोरा देंखोखौ मोनसे जायगायाव आरोबाव गोख्रोंयै थि खालामो। बेयो गुबुन मोनसे क्लाइम्याक्सखौ सिनायथि होनो थाखाय मोनसे बाहायजाथाव आगजु, जाय ओरैबादि मोनो।
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to suddenly free itself from the restraints of the moderato marking; the restatement of the second theme on a far grander scale than its first appearance. So, one could argue here that the use of moderato at the opening of the piece, and its reappearance later on, is a very deliberate device which serves to create moments of great tension, suspense and climax. An interesting discussion of tempo came up during the piano course I attended in the spring. One of the students played some Bach, one of the French suites, I believe, the opening movement of which he took at such a lick, we could hardly hear the notes. When asked to put the brakes on, the result was charming: measured and elegant. This led to a discussion about “comfortable tempos”: just as one person’s moderato may be different from another’s, it is also true for presto or allegro.
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हरखाबै मोडारेट'मार्किंनि हेंथाफोरनिफ्राय गावखौ उदां खालामनो; नैथि थिमखौ बेनि गिबि नुथायनिख्रुइ जोबोद गिदिर स्केलआव फिन बुंफोरनाय। बेनिखायनो, बेयाव सासेया बाथ्रा दान्थेलायनो हायोदि थुख्रा बेखेवनायाव मोडारेट'नि बाहायनाय, आरो उनाव बेनि फिन नुजानाया, मोनसे जोबोद सान्दांथि गोनां आगजु जाय गोबां जिंगा, ससपेन्स आरो क्लाइमेक्सनि समफोर सोरजिनो हेफाजाब होयो। टेम्प'नि मोनसे गोसोनांथाव सावरायनाया आं उदां बोथोराव बाहागो लानाय पियान'कर्सनि समाव फैदोंमोन। फरायसाफोरनि गेजेराव सासेया माखासे बाख दामदोंमोन, जाय फ्रेन्स सुइटफोरनि गेजेराव मोनसेमोन, आं फोथायो, जायनि जागायजेन्नाय खारथाइखौ बिथाङा ओरैबादि मोजां मोनदोंमोन, जों नटफोरखौ माब्लाबासो खोनानो हायाखैमोन। ब्रेक लागायनो थिननायाव, फिथायआ मुहिनिगोनांमोनः सुनाय आरो समायना। बेयो "आरामगोनां टेम्प'" नि सायाव मोनसे सावरायनायखौ दैदेनदोंमोनः जेरै सासे सुबुंनि मोडारेट'आ गुबुननिफ्राय गुबुन जानो हागौ, बेयो प्रेस्ट'एबा एलग्र'नि थाखायबो सैथो।
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Nimbleness of brain and fingers can result in very lively, speedy, clean playing: if you feel comfortable playing at that speed, good for you. But speed at the expense of accuracy or musicality can wreck a piece. The opening movement of Poulenc’s Suite in C, which I am currently learning, is marked Presto, and on my recording Pascal Rogé takes it at an alarming presto, far quicker than my 44 year old brain and fingers can manage – at the moment. Thus, I am practising it at a “comfortable” tempo; eventually, I hope that comfortable tempo will be quicker – the music needs to sound light yet sophisticated (its C Major key gives it an innocence which should shine through all the time) – but for the time being I am concentrating on accuracy, with a beautiful sound. It ain’t easy: sometimes just learning the notes is hard enough, without
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मेलेम आरो आसिफोरनि गोख्रैथिया जोबोद जिउगोनां, गोख्रै, साखोन-सिखोन दामनायाव फिथाय होनो हागौः जुदि नोंथाङा बै गोख्रैथियाव दामनायाव गोजोन मोनो, अब्ला नोंथांनि थाखाय मोजां। नाथाय थि एबा देंखोआरि बेसेननि गोख्रैथिया मोनसे बाहागोखौ गाज्रि खालामनो हागौ। C आव प'लेंक्स सुइटनि बेखेवनाय खारथाइ, जायखौ आं आथिखालाव सोलोंगासिनो, प्रेस्ट'महरै सिन होनाय जादों, आरो आंनि रेकर्डिंआव पास्केल र'जेआ बेखौ मोनसे गिख्रंथाव प्रेस्ट'आव लायो, आंनि 44 बोसोर बैसोनि मेलेम आरो आसिफोरा सामलायनो हानायनिफ्राय जोबोद गोख्रैसिन। बेनिखायनो, आं बेखौ "आरामगोनां" टेम्प'आव सर'खालामगासिनो; जोबनायाव, आं आसा खालामो दि आरामगोनां टेम्प'आ गोख्रैसिन जागोन-देंखोआ रेजें नाथाय गोदानसिन रिंसारनांगौ (बेनि C मेजर किआ बेखौ मोनसे गोरोनथि गैयै होयो जाय जेब्लाबो जोंख्लाबनांगौ)-नाथाय बे समाव आं मोनसे समायना रिंसारथिजों थिथियाव गोसो होगासिनो दं। बेयो गोरलै नङाः माब्लाबा माब्लाबा न'टफोरखौ सोलोंनाया थोजासे गोब्राब, जेबो गैयालासे।
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all the other attendant directions and markings one has to take note of and execute! Posted in General, Practising, Repertoire, Technique and tagged as Chopin G minor Ballade, moderato, musical directions, Schubert, Schubert B flat sonata. The place we stayed, Yukawa Onsen, is an excellent place. They provide ice climber reduction, and in fact on that evening only ice climbers were there. Dinner and breakfast was excellent, and Masumi and I even got our meat-free diet. During the dinner we chatted with other ice climbers, got lots of good tips, and made new friends. Great things and people that I discovered, learned, read, met, etc. in 2012. No particular ordering is implied. Not everything is new. A short lesson in perspective — easily the best post of 2012 in my mind. The personal analytics of my life — Wolfram’s dogged drive to collect data on his life, day in, day
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गुबुन गासैबो हेफाजाबगिरि दिथाफोर आरो नेरसोनफोरखौ सासेया नोजोर होनांगौ आरो मावफुंनांगौ! General, Practising, Repertoire, Technique आव पस्ट खालामनाय आरो Chapin G minor Ballade, moderato, musicial Directions, Schubert, Schubert B flat sonata महरै टेग खालामनाय। जों थानाय जायगा, Yukawa Onsen, मोनसे साबसिन जायगा। बिसोर बरफ गाखोग्राफोरखौ बाङाइ खालामो, आरो थारैनो बै बेलासियाव बरफ गाखोग्राफोराल'दंमोन। ओंखाम जानाय आरो ब्रेकफास्टआ जोबोद मोजांमोन, आरो मासुमि आरो आं जोंनि बेदर गैयै आदारबो मोनदोंमोन। जानाय-लोंनायनि समाव जों गुबुन बरफ गाखोग्राफोरजों रायज्लायदोंमोन, गोबां मोजां टिप्स मोनदोंमोन, आरो गोदान लोगोफोर बानायदोंमोन। मोजां बाथ्राफोर आरो मानसिफोर जायखौ आं 2012 मायथाइयाव नागिरना दिहुनदोंमोन, सोलोंदोंमोन, फरायदोंमोन, लोगो मोनदोंमोन बायदि बायदि। जेबो थि अर्डार खालामनाया ओंथि गैया। गासैबो गोदान नङा। नोजोरनि मोनसे सुंद'सोलोंथाय-गोरलैयैनो 2012 मायथाइनि बयनिख्रुइ साबसिन पस्ट आंनि गोसोआव। आंनि जिउनि गावारि बिजिरसंनाय-वल्फ्रामनि गावनि जिउनि, साननि, साननि खारि बुथुमनो थाखाय गोख्रों नाजानाय।
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out, over the course of decades. A Yesod tutorial — I had great plans to create something with this post as a basis, but alas… still a great post though. APL is more French than English — I had never read this before this year and loved it. How to Host a Dungeon — A highly addictive game that I found this year. Engelbart’s Violin — A beautiful post about keyboards and chording and enhancing the human potential. 10 Technical Papers Every Programmer Should Read (At Least Twice) — My most popular post of 2011 was also my most popular of 2012 — go figure. Warren’s Abstract Machine: a tutorial reconstruction by Hassan Aït-Kaci — I’ll need to go through this a few more times to truly get it, but it’s clear that it’s something special. Real World Haskell by Bryan O’Sullivan, Don Stewart, and John Goerzen — I’m not
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आउट, जिथायफोरनि गेजेरजों। मोनसे यस'द टिउटरियेल-आं बे पस्टखौ बिथा खालामनानै माबा मोनसे सोरजिनो मोजां सानथांखि लादोंमोन, नाथाय हाय... दासिमबो मोनसे मोजां पस्ट। APL आ इंराजिनिख्रुइ बांसिन फ्रेन्स-आं बेखौ बे बोसोरनि सिगां माब्लाबाबो फरायाखैमोन आरो बेखौ मोजां मोनदोंमोन। हाउ टु ह'स्ट ए डन्जियन-मोनसे जोबोद निसागोनां गेलेमु जायखौ आं बे बोसोराव मोनदोंमोन। एंगेलबार्टनि भाय'लिन-कीब'र्ड आरो क'र्डिं आरो सुबुं गोहोखौ बांहोनायनि सोमोन्दै मोनसे समायना पस्ट। 10 टेकनिकेल पेपारफोर मोनफ्रोमबो प्रग्रामारआ फरायनांगौ (खमैबो खेबनै)-2011 मायथाइनि आंनि बयनिख्रुइबो मुंदांखासिन पस्टाबो 2012 मायथाइनि आंनि बयनिख्रुइबो मुंदांखासिनमोन-गो फिगर। वारेननि एबस्ट्रेक्ट मेसिनः हासान एट-काचीनि मोनसे टिउटरियेल रिकनस्ट्राकसन-आं बेखौ थारैनो मोननो थाखाय आरोबाव माखासे खेब बेखौ नायनांगोन, नाथाय बेयो रोखा दि बेयो माबा मोनसे जुनिया। ब्रायान अ'सुलिभान, डन स्टुअर्ट, आरो जन ग'र्जेननि रियेल वर्ल्ड हास्केल-आं नङा।
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sure why I waited so long to read this, but I’m thankful that I finally did. The Recursive Universe: Cosmic Complexity and the Limits of Scientific Knowledge by William Poundstone — A beautiful book about cellular automata that I learned of via the inimitable Reginald Braithwaite. Bootstrapping: Douglas Engelbart, Coevolution, and the Origins of Personal Computing by Thierry Bardini — a wonderful book about one of the true pioneers of computing, his philosophy and his dismissal that I found via Stanislav Datskovskiy. Mindstorms: Children, Computers, And Powerful Ideas by Seymour Papert — I’ve read bits and pieces of Papert’s works, but I finally had the pleasure to read his most famous work. Electronic Music Review — a long dead journal, but still a compelling read. Borges: A Life by Edwin Williamson — an account of the life of one of my favorite authors who was less messed up than I
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थारैनो आं बेखौ फरायनो थाखाय मानो गोबाव नेदोंमोन, नाथाय आं जोबोद साबायखर बावदों दि जोबनायाव आं बेखौ खालामदोंमोन। विलियम पाउन्डस्टोननि दि रिकार्सिव इउनिभार्सः कसमिक कमप्लेक्सिति एन्ड दि लिमिट्स अफ साइन्टिफिक नलेज-सेलुलार अट'मेटा सोमोन्दै मोनसे समायना बिजाब जायखौ आं रुजुजायै रेजिनाल्ड ब्रेथवेटनि गेजेरजों सोलोंदोंमोन। बुटस्ट्र्यापिंः डगलास एंगेलबार्ट, क'इभोल्युसन, एन्ड दि अरिजिन्स अफ पार्सनेल कम्पिउटिं थियेरी बार्डिनिनि-कम्प्युटिंगनि सासे नंगुबै लामा दिन्थिगिरि, बिथांनि सानथौ आरो बिथांनि नेवसिजानायनि सोमोन्दै मोनसे सोमोनांथाव बिजाब जायखौ आं स्टेनिस्लाव डाट्सक'वस्किनि गेजेरजों मोनदोंमोन। माइन्डस्टर्मसः चिल्ड्रेन, कम्पिउटार, एन्ड पावारफुल आइडियाज सेमुर पेपार्टनि-आं पेपार्टनि खामानिफोरनि माखासे बाहागोफोर फरायबाय, नाथाय जोबनायाव आं बिथांनि बयनिख्रुइबो मुंदांखा खामानिखौ फरायनायाव गोजोन मोनो। इलेक्ट्रनिक मिउजिक रिभिउ-मोनसे गोलाव समनि थाखाय थैनाय लाइसि, नाथाय दासिमबो मोनसे गोसो बोनो हानाय फरायनाय। बर्गेसः ए लाइफ एडविन विलियमसननि-आंनि मोजां मोनजानाय लिरगिरिफोरनि जिउनि मोनसे फोरमायथि जाय आंनिख्रुइ खम गुलाय-गुजायमोन।
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thought. In Patagonia by Bruce Chatwin — I’ve wanted to read this for years, but could never find an affordable copy. It was well worth the wait. The Idiot by Dostoevsky — through some odd confluence of events I’ve never read Dostoevsky, so it was very nice to finally read this tense, yet approachable work. Botchan by Natsume Soseki — written in 1906 in Japan this book has a surprisingly modern feel. The Machinery of Life by David Goodsell — learned of this through Alan Kay and was blown away by it. Amazing illustrations and understandable explanations are a humbling inspiration for someone who’s tried to teach a technical topic. The Star Rover by Jack London — in American high schools many kids are made to read London’s Call of the Wild. A truly progressive school would assign this gem. The Rings of Saturn by Sebald — falls right in
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सानदोंमोन। ब्रुस चाटविननि पेटागोनियायाव-आं बेखौ गोबां बोसोरनिफ्राय फरायनो लुबैदोंमोन, नाथाय माब्लाबाबो मोनसे बेसेनगोसा कपि मोननो हायाखैमोन। बेयो नेनायनि बेसेन गोनांमोन। दस्तयेभस्किनि दि इडियट-माखासे सोमोनांथाव जाथायफोरनि गोरोबनायनि गेजेरजों आं दस्तयेभस्किआ माब्लाबाबो फरायाखै, बेनिखायनो जोबनायाव बे गोब्राब, नाथाय मोनहैथाव खामानिखौ फरायनाया जोबोद मोजांमोन। नातसुम ससेकिनि ब'टचान-1906 मायथाइयाव जापानाव लिरजानाय बे बिजाबहा मोनसे सोमोनांथाव गोदान मोनदांथि दं। डेभिड गुडसेलनि दि मेसिनारि अफ लाइफ-बेखौ एलन केनि गेजेरजों सोलोंदोंमोन आरो बेजों सोमोनांदोंमोन। गोमोथाव सावगारिफोर आरो बुजिनो हाथाव बुंफोरनायफोरा सोरबा सासेनि थाखाय मोनसे गाहाय थुलुंगानाय जाय मोनसे बिरोंदामिनारि आयदा फोरोंनो नाजायो। जेक लन्दननि दि स्टार रभार-आमेरिकानि गोजौ फरायसालिफोराव गोबां गथ'फोरखौ लन्दननि कल अफ दि वाइल्ड फरायनो थाखाय बानायनाय जायो। मोनसे थारैनो दावगालु फरायसालिआ बे रत्नखौ थिसनगोन। सेबाल्डनि दि रिंग्स अफ सेटार्न-थारै बेयाव गोग्लैयो।
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the vein of House of Leaves, Kafka, Ovid and the works of Borges. My wife, my kids, Chris Houser, Rich Hickey, David Nolen, Stuart Halloway, Russ Olsen, Peter Seibel, Sam Aaron, Brenton Ashworth, Craig Andera, Brian McKenna, Outlaw Vern, Jim Weirich, Jeremy Ashkenas, Oleg Kiselyov, Dave Herman, Mahmud, Carin Meier, Ambrose Bonnaire-Sergeant, Phil Bagwell, and Reginald Braithwaite. More Ruby — I pulled this off while working at Relevance but have scaled back since leaving. I do miss it from time to time. Make my way through the core.logic README — My trip through the README turned into an enormous yak shave. However, I think the core.logic plan was satisfied in other ways. Holy smokes, man. How do you get all this stuff done? Reading all this gives me the impression that you do little besides read and code. I’m soooo happy for you. And envious. The moment when one first
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हाउस अफ लिभ्सनि रोदा, काफ्का, अभिद आरो बर्गेसनि खामानिफोर। आंनि बिसि, आंनि गथ'फोर, क्रिस हाउसार, रिच हिकी, डेभिड न'लेन, स्टुअर्ट हेल'वे, रास अलसेन, पिटार सेइबेल, सेम एरन, ब्रेन्टन एशवर्थ, क्रेग एन्डेरा, ब्रायन मैककेना, आउटल'भार्न, जिम वेइरिच, जेरेमी एशकेनास, ओलेग किसेलिव, डेभ हारमान, महमुद, केरिन मायार, एम्ब्र'ज बनारे-सार्जेंट, फिल बागवेल आरो रेजिनाल्ड ब्रेथवेट। आरोबाव रुबी-आं रिलेभेन्सआव खामानि मावनाय समाव बेखौ दिहुनदोंमोन नाथाय नागारनायनि उनाव उनफिनदोंमोन। आं सम-सम बेखौ बावगारो। core.logic README नि गेजेरजों आंनि लामाखौ बानाय-README नि गेजेरजों आंनि दावबायनाया मोनसे गिदिर याक शेभआव सोलायदोंमोन। बबेखानि, आं सानो दि core.logic सानथांखिआ गुबुन रोखोमै गोजोनदोंमोन। गोथार थांखु सोबग्राफोर, मानसि। नों बे गासैबो खामानिखौ माबोरै खालामो? बे गासैबो फरायनाया आंखौ ओरैबादि मोनदांथि होयो दि नों फरायनाय आरो क'डनि अनगा एसेबो खालामा। आं नोंनि थाखाय जोबोद
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discovers Klaus Nomi is magical. The wondrous consternation, the disbelief, and then its utter suspension. And Ulysses is overrated. Don’t sweat it. I’d skip Snow Crash. Long story short: Online game is used as a trojan horse to deliver a virus to the brains of hackers themselves; it’s mutating virus that crosses from the virtual to the bio. And then the samurai swords come out. Very creative and cutting edge (written in ’92, it predates 2nd Life & WoW by at least 10 years). However, not Stephenson’s best writing. I think Cryptonomicon (the usage of “computers” in WWII to crack code) is a better subject and is better written. I’ll have to do some serious reading before I can comment on much else that you posted here. Thanks for links! Great selection, but my bigger question is how on earth do you find all this time for reading with kids?
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क्लाउस न'मीआ जादुगोनां होन्ना मिथिनो मोनो। गोमोथाव गोनो-गोथो, फोथायथि गैयै, आरो बेनि उनाव बेनि आबुं सासपेनसन। आरो युलिसिसआ बांद्राय बेसेन होजायो। बेखौ गोलोमदै गारनो नाङा। आं स्नो क्रेशखौ नागारगोन। गोलाव सल'सुंदः अनलाइन गेलेमुखौ ट्र'जान हर्स महरै हेकर्सनि मेलेमसिम मोनसे भाइरास दैथायहरनो थाखाय बाहायनाय जायो; बेयो सोलायस्लु भाइरास जाय भार्च्युएलनिफ्राय बाय'सिम बारलाङो। आरो बेनि उनाव सामुराइ थुंग्रिफोरा ओंखारबोयो। जोबोद सोरजिलु आरो साबसिन ('92 आव लिरजानाय, बेयो 2थि लाइफ आरो व'वनि खमैबो 10 बोसोर सिगां)। बबेखानि, स्टेफेनसननि साबसिन लिरनाय नङा। आं सानो क्रिप्ट'न'मिकन (कोडखौ क्र्याक खालामनो थाखाय WWII आव "कम्पिउटार" नि बाहायनाय) मोनसे साबसिन आयदा आरो साबसिन लिरनाय। नों बेयाव पस्ट खालामनाय गोबां बाथ्राफोरनि सायाव बिबुंथि होनायनि सिगां आं माखासे गोथौ फरायनांगोन। लिंकफोरनि थाखाय साबायखर! मोजां सायख'नाय, नाथाय आंनि देरसिन सोंथिया जादों नों गथ'साफोरजों फरायनो थाखाय बे गासै समखौ माबोरै नागिरो?
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My wife and I have our first, now one year old, and my reading has ground to a near-halt. find all this time for reading with kids? My kids are older. It’s definitely easier to find time now then it was when they were 1. Xiaomi launched the Redmi Y1, a budget smartphone under the new ‘Redmi Y’ series in India earlier this month. This introduced in China recently as Redmi Note 5A. This comes after a successful Redmi 4 that was launched earlier this year. This also comes with a 16-megapixel front-facing camera that you rarely see in smartphones in the price range. Specifications of the phone look impressive for the price, is this one of the best in the price range? Let us find out in the review. We recently unboxed the Redmi Y1, check out the video below. The Redmi 4A has a 5.5-inch HD 2.5D curved
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आंनि बिसि आरो आं जोंनि गिबि, दा बोसोरसे बैसोनि, आरो आंनि फरायनाया मोनसे खाथि-खालानि थासारि सोमजिहोदोंमोन। गथ'साफोरजों फरायनो थाखाय बे गासै समखौ नागिरना ला? आंनि गथ'साफोरा गेदेरसिन। दा सम नागिरनाया थारैनो गोरलैसिन, जेब्ला बिसोर 1 बोसोर बैसोनिमोन। शाओमिआ रेडमी वाई1 खौ ल'न्च खालामदोंमोन, जाय गोदान'रेडमी वाई'सिरिजनि सिङाव मोनसे बाजेट स्मार्टफोनमोन, जाय बे दाननि जागायजेन्नायाव भारतआव जादोंमोन। बेयो बावैसो चीनआव रेडमी न'ट 5ए महरै ल'न्च जादोंमोन। बेयो मोनसे जाफुंसार रेडमी 4 नि उनाव फैयो, जायखौ बे बोसोरनि जागायजेन्नायाव ल'न्च खालामनाय जादोंमोन। बेयो 16-मेगापिक्सेल फ्रन्ट-फेसिं केमेराजोंबो फैयो, जायखौ नोंथाङा बेसेन रेन्जनि स्मार्टफनफोराव माब्लाबासो नुनो मोनो। फ'ननि स्पेसिफिकेसनफोरा बेसेननि थाखाय गोसो बोनो हाथावना नुयो, बेयो बेसेन रेन्जनि साबसिनफोरनि गेजेराव मोनसे नामा? फै जों बिसावरायनायाव नागिरना दिहुन। जों बावैसो रेडमी वाई1 खौ आनबक्स खालामदोंमोन, गाहायाव होनाय भिडिअ'खौ नाय। रेडमी 4एआव 5.5-inch HD 2.5D कार्भ दं।
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display with a resolution of 1280 by 720 pixels and a pixel density of about 267 PPI. It has 1000:1 contrast ratio, 72% NTSC color gamut and 450 nits brightness. The phone also has Corning Gorilla Glass protection. The display is bright, colors are vibrant and the sunlight legibility is good as well. Even though the pixel density is less than the 5-inch HD screen on the Redmi 4 and 4A, the display is good for the price. There is a black border around the display, which might look weird for some. It is 153 mm tall, 76.2mm wide and has a screen-to-body ratio of about 72%, which is similar to most of the phones with a 5.5-inch screen. Under the display options there are different options to adjust colors and contrast based on your preference. There is also reading mode that lets you reduce the display’s blue light emission
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1280 बाइ 720 पिक्सेल रेजलुसन गोनां डिसप्ले आरो 267 पिपिआइसो पिक्सेल डेन्सिटि दं। बेयाव 1000:1 कनट्रास्ट रेशियो, 72% NTSC गाबनि गामुट आरो 450 निट्स ब्राइटनेस दं। फनाव कर्निं गरिला ग्लासनि रैखाथिबो दं। डिसप्लेआ गोजों, गाबफोरा जोंख्लाबनाय आरो साननि सोरांनि सुथावनायाबो मोजां। पिक्सेल डेन्सिटिआ रेडमी 4 आरो 4एआव थानाय 5 इन्चि HD स्क्रिननिख्रुइ खमब्लाबो डिसप्लेआ बेसेननि थाखाय मोजां। डिसप्लेनि सोरगिदिं गोसोम बर्डार दं, जाय माखासेनि थाखाय गोमोथाव नुनो हागौ। बेयो 153 मिमि गोजौ, 76.2mm गुवार आरो 72% सो स्क्रिन-टु-बडी रेशियो दं, जाय 5.5-inch स्क्रिन गोनां बांसिन फ'नजों रोखोमसे। डिसप्ले अपसननि सिङाव गाब आरो कनट्रास्टखौ नोंथांनि गोसो जानाय बादियै गोरोबहोनो थाखाय गुबुन गुबुन अपसनफोर दं। बेयाव फरायनाय मदबो दं, जाय नोंथांखौ डिसप्लेनि निला सोरां हगारनायखौ बाङाय खालामनो होयो।
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so it doesn’t cause eye strain when you are reading at night. It has a 16-megapixel camera above the display, next to the earpiece and there is also an LED flash light on the right side, next to the usual set of ambient light and proximity sensors. There is also a notification LED next to the camera, which is hardly visible when it’s off. It also has a gyroscope and a magnetic sensor, otherwise known as a magnetometer. The usual menu, home, and back buttons are present below the display. These are not backlit but offers haptic feedback when pressed. Xiaomi doesn’t miss out the Infrared sensor on the top for Remote function. 3.5mm audio jack and a secondary microphone are present on the top. Micro USB slot is present on the bottom and the loudspeaker is present on the right side of the USB slot, while the one on
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जाहाथे हराव फरायनाय समाव मेगननि सायाव नारसिननाय जाया। बेयाव डिसप्लेनि गोजौआव, खोमानि खाथियाव 16 मेगापिक्सेलनि केमेरा दं आरो आगदा फारसे एलइडि फ्लेश लाइटबो दं, सरासनस्रा एम्बिएन्ट लाइट आरो प्रक्सिमिटि सेन्सर्सनि खाथियाव। केमेरानि खाथियाव मोनसे फोसावथाय एलइडिबो दं, जाय बन्द जायोब्ला माब्लाबासो नुनो मोनो। बेयाव जायर'स्क'प आरो मेगनेटिक सेन्सरबो दं, जायखौ मेग्नेट'मिटारबो बुंनाय जायो। सरासनस्रा मेनु, हम आरो बेक बटना डिसप्लेनि गाहायाव थायो। बेफोर बेकलिट नङा नाथाय नारसिननायाव हेप्टिक फिडबेक होयो। शाओमीआ रिम'ट फांसननि थाखाय गोजौआव इन्फ्रारेड सेन्सरखौ मोना। 3.5mm अडिअ'जेक आरो सेकेन्डारि माइक'नफोरा गोजौआव दं। माइक्र'इउएसबि स्लटआ गाहायाव दं आरो लाउडस्पीकारआ इउएसबि स्लटनि आगदा फारसे दं, जेराव अन।
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the left just houses a microphone. On the right side, volume rockers and the power button are present and the SIM and microSD slots are present on the left side. Unlike its earlier phones, Xiaomi has finally added a dedicated dual SIM and microSD slots arranged in a single tray. This is a welcome move. The phone has a 13-megapixel rear camera with LED flash on the back. There is also a fingerprint sensor below it. Even though the phone has a large 5.5-inch screen, the fingerprint sensor is easily accessible when holding the phone on a single hand. The back has a brushed metallic finish and the phone has an aluminium alloy frame to reduce the heat, according to the company. The back is a bit slippery for one-handed usage. It has a 3080mAh built-in battery. It weighs 153 grams, which is good considering the huge battery. The Redmi
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आगसिथिं खालि माइक्र "फन दं। आगदाथिं भल्युम रकार्स आरो पावार बाटोन दं आरो आगसिथिं सिम आरो माइक्र" एसडि स्लट दं। सिगांनि फनफोरनि उल्था शाओमीआ जोबनायाव मोनसेल "ट्रेआव थिखानाय जावजा सिम आरो माइक्र" एसडि स्लट दाजाबदेरदों। बेयो मोनसे बरायथाव आगान। फनहा 13 मेगापिक्सेलनि उननि केमेरा दं जायनि बिखुङाव एलइडि फ्लेश दं। बेनि गाहायाव फिंगारप्रिन्ट सेनसरबो दं। फनहा मोनसे गिदिर 5.5-inch स्क्रिन दंब्लाबो, फ "नखौ मोनसे आखायाव हमनायाव फिंगारप्रिन्ट सेनसरखौ गोरलैयै मोननो हायो। बिखुङाव ब्रास मेटालिक फिनिश दं आरो फ" नाव बिदुंखौ बाङाय खालामनो थाखाय एलुमिनियाम एलाय फ्रेम दं, कम्पानिनि बायदिब्ला। मोनसे आखाइजों बाहायनो थाखाय बिखुङा एसे स्लिपार। बेयाव 3080एमएएचनि बिल्ट-इन बेटारि दं। बेनि लेरथाया 153 ग्राम, जाय गिदिर बेटारिखौ नायनानै मोजां। रेडमी
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Y1 comes with a 13-megapixel rear camera with LED flash, PDAF and f/2.2 aperture. It also has a 16-megapixel front-facing camera with LED flash, 5-element lens, 76.4-degree wide-angle lens, OmniVision sensor and f/2.0 aperture. The camera UI is familiar with other Xiaomi smartphones with flash and HDR toggles on the top, front camera toggle on the bottom along with option to select modes (Panorama, Timer (3 to 10 seconds), Audio trigger, manual mode to adjust white balance and ISO (100 to 3200), Straighten, Beautify, HHT (Hand held twilight), Scene and Tilt-shift to blur a part of an image. It has image preview window, camera and video buttons on the right side. For the front camera, it has beautify mode, pro mode and smart mode that guesses your age using facing recognition algorithm. Coming to the image quality, daylight shots are good in bright conditions and some images are dull when
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वाई1 आ 13 मेगापिकसलनि रियर केमेराजों एलइडि फ्लेश, पिडिएएफ आरो एफ/2.2 एपार्सारजों लोगोसे फैयो। बेयाव एलइडि फ्लेश, 5-एलिमेन्ट लेन्स, 76.4-degree वाइड-एंगल लेन्स, अमनिभिजन सेन्सर आरो एफ/2.0 एपार्सारजों लोगोसे 16 मेगापिकसलनि फ्रन्ट फेसिं केमेराबो दं। केमेरानि इउआइआ गुबुन शाओमि स्मार्टफनफोरजों मिथिजानाय, जायनि सायाव फ्लेश आरो एइचडिआर टगलफोर दं, गाहायाव फ्रन्ट केमेराया टगल खालामो लोगोसे सायख'नाय मोडफोरनि सायख'नाय (पैनोरामा, टाइमार (3 निफ्राय 10 सेकेन्ड), अडिअ ट्रिगार, गुफुर बेलेन्स आरो आइएसअ'(100 निफ्राय 3200) गोरोबहोनो थाखाय मेनुएल मोड, स्ट्रेइटेन, बिउटिफाइ, एइचएचटि (हेन्ड हेल्ड ट्वाइलाइट), सिन आरो टिल्ट-शिफ्टजों मोनसे सावगारिनि बाहागोखौ ब्लार खालामनो हायो। बेयाव इमेज प्रिभिउ उइन्ड', आगदा फारसे केमेरा आरो भिडिय'बटनफोर दं। फ्रन्ट केमेरानि थाखाय, बेयाव बिउटिफाइ मोड, प्र'मोड आरो स्मार्ट मोड दं जाय मोखां सिनायनाय एलगरिद'मखौ बाहायनानै नोंथांनि बैसोखौ आन्दाज खालामो
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it’s cloudy, HDR shots better, macro shots are good. Low-light shots have a lot of noise as usual. Images with flash are good and the flash is not overpowering. At the launch the company said that the front camera uses pixel binning to reduce noise and for clearer and sharper final image. Daylight front camera shots are good, but in low-light you can see a lot of noise in the image even when LED flash is on. Overall the phone has a good selfie camera, but the rear camera is just average. It can record videos at 1080p resolution at 30 fps. Video quality is decent and the audio is crisp, thanks to the secondary microphone. It has time-lapse, but doesn’t have slow-motion video recording. Check out the Full HD video sample below. Unlike most of the budget Redmi smartphones that run Android 6.0 (Marshmallow), this runs Android 7.1.2 (Nougat)
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जोमै जोंख्लाबनाय, HDR शटफोरा साबसिन, मेक्र "शटफोरा मोजां। खम सोरांनि शटफोरा सरासनस्रा बायदि गोबां दावराव-दावसि थायो। फ्लैश गोनां सावगारिफोरा मोजां आरो फ्लैशआ बांद्राय गोहो गोनां नङा। लन्चआव कम्पानिया बुंदोंमोन दि मोखांनि केमेराया सोदोबखौ बाङाय खालामनो आरो रोखा आरो गोफार जोबथा सावगारिनि थाखाय पिक्सेल बिनिं बाहायो। साननि सोरांनि सिगां केमेरानि शटफोरा मोजां, नाथाय खम सोरांाव नोंथाङा एलइडि फ्लैश अन थानाय समावबो सावगारिनि गोबां दावराव-दावसि नुनो मोनो। गासै फनाव मोजां सेलफि केमेरा दं, नाथाय उननि केमेराया सरासनस्रा। बेयो 1080p रेजलुसनआव 30 fpsआव भिडिअ'रेकर्ड खालामनो हायो। भिडिअ'गुनआ मोजां आरो अडिय'आ गोजों, नैथि माइक्र'फननि थाखाय साबायखर। बेयाव सम-लेप्स दं, नाथाय लासै-खारथाय भिडिअ'रेकर्डिं गैया। गाहायाव होनाय आबुं HD भिडिअ'नमुनाखौ नाय। बांसिन बाजेट रेडमी स्मार्टफोनफोर जाय एनड्रइड 6.0 (मार्शमेल') खौ सालायो, बेनि उलथा, बेयो एनड्रइड 7.1.2 (न'गट) खौ सालायो।
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out of the box with MIUI on top. Our unit was running MIUI 9 Global Beta. The company has already started testing stable ROM and should push out the final update in the next few days as it had promised. MIUI 9 adds a lot of features including improved notifications, split screen, improved apps like Mi Drop to transfer of files between any Android device without requiring an internet connection. It also has new App Vault feature that shows shortcuts to access apps quickly by when you swipe left in the homescreen. You can add up to 8 shortcuts. There is also App lock that lets you protect your apps with a password and the dual apps feature lets you run app like WhatsApp with two different accounts at the same time. Out of 3GB RAM, you get 2.8GB of usable RAM, and 1.5GB of RAM is free when default
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आउट अफ दा बक्स जेराव MIUI आ गोजौआव दं। जोंनि इउनिटआ MIUI 9 ग्लबेल बिटाखौ सालायगासिनो दंमोन। कम्पानिया सिगांनिफ्रायनो दिदोम रमखौ आनजाद नायनो जागायदों आरो फैगौ माखासे सानफोराव जोबथा आपदेटखौ हगारनांगौ जेरै बियो खोथा होदोंमोन। MIUI 9 आ गोबां सुबिदाफोर दाजाबदेरो, जेराव साबसिन फोसावनायफोर, स्प्लिट स्क्रिन, साबसिन एपफोर जेरै Mi ड्रप दं, जाय जायखिजाया एन्ड्रइड डिभाइसनि गेजेराव फाइलफोरखौ इन्टारनेट कानेकसननि गोनांथि गैयालासे ट्रेन्सफार खालामनो हायो। बेयाव गोदान एप भल्ट आखुथायबो दं, जाय न'नि स्क्रिनआव आगसिथिं स्वाइप खालामनायाव एपफोरखौ गोख्रै सौहैनो थाखाय सर्टकाट दिन्थियो। नोंथाङा 8 शर्टकाटफोर दाजाबदेरनो हायो। एप लकबो दं, जाय नोंथांखौ नोंथांनि एपफोरखौ पासवार्डजों रैखाथि होनो होयो आरो जावजा एपफोरनि आखुथाया नोंथांखौ मोनसे समावनो मोननै गुबुन-गुबुन एकाउन्टफोरजों WhatsApp बायदि एप सालायनो होयो। 3GB रेमनिफ्राय नोंथाङा 2.8GB बाहायजाथाव रेम मोनो, आरो 1.5GB रेमआ दिफल्ट महरै बेसेन नाङै जायो।
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apps are running in the background. Out of 32GB, you get 23.49GB of free storage since OS and apps take over 7GB of space. The built-in Cleaner inside the storage lets free up space by clearing cache and obsolete files. Apart from the usual set of utility apps, Google apps and Xiaomi’s own set of apps, it comes pre-loaded with Amazon Shopping, WPS Office and UC News apps. You can easily uninstall these apps. Since the phone has an infrared sensor for remote function, it comes with Mi Remote that lets you control your home appliances easily. It worked flawlessly with Airtel Set-top box, Samsung TV and AC. It also supports A/V receiver, DVD Player, Projector, Camera and more. The phone has a fingerprint sensor on the back. It immediately unlocks phone just by keeping your finger on the home button so that you don’t have to press it. You
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बेकग्राउन्द आव एप आ सोलिगासिनो दं। 32 जिबि नि गेजेराव नोंथाङा 23.49GB फ्रि स्टरेज मोनो मानोना अ एस आरो एप आ 7 जिबि नि बारा जायगा लायो। स्टरेज नि सिङाव थानाय बिल्ट इन क्लिनार आ केशे आरो गोजाम फाइलफोरखौ साफा खालामनानै जायगा उदां खालामो। सरासनस्रा इउटिलिटि एप, गुगल एप आरो शाओमि नि गावनि एप नि सेट नि अनगायै, बेयो एमेजन शपिं, डब्लिउ पि एस अफिस आरो इउ सि निउज एप जों लोगोसे प्रि-लोड जानानै फैयो। नोंथाङा गोरलैयैनो बे एपफोरखौ आनइनस्टल खालामनो हायो। मानोना फनाव रिमोट फांसन नि थाखाय इन्फ्रारेड सेन्सर दं, बेयो Mi रिमोट जों लोगोसे फैयो, जाय नोंथांखौ नोंथांनि न'नि आइजेंफोरखौ गोरलैयै सामलायनो होयो। बेयो एयारटेल सेट टप बक्स, सेमसां टिभि आरो एसि जों लोगोसे मोजाङै खामानि मावो। बेयो A/V रिसीभार, DVD प्लेयार, प्रजेक्टर, केमेरा आरो गोबां सापर्ट खालामो। फननि बिखुङाव मोनसे फिंगारप्रिन्ट सेन्सर दं। बेयो नोंथांनि आसिखौ हम बटनाव दोननानै फनखौ थाबैनो आनलक खालामो जाहाथे नोंथाङा बेखौ प्रेस खालामनो गोनां जाया।
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can add up to 5 fingerprints. The Mi Music Player is the default music player. There is also equalizer. It also has FM Radio with recording. Audio through the speaker is decent. Since the speaker is present on the bottom, audio doesn’t get muffled when the phone is on a flat surface. Audio through earphones is good as well. It has the usual set of connectivity features such as Wi-Fi 802.11 b/g/n, Bluetooth 4.2, GPS + GLONASS. It also has USB OTG support that lets you connect external drives. It has 4G connectivity and also has Voice-over-LTE (VoLTE) support for Reliance Jio. Both the SIMs support 4G, but you can enable 4G only in one SIM at a time, while the other goes to 3G. You can set preferred SIM for a voice call, text and data from the SIM card manager. It also has LTE band 1 (2100MHz) for
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5 सिम फिंगारप्रिन्ट ज'खालामनो हायो। Mi मिउजिक प्लेयारआ दिफल्ट मिउजिक प्लेयार। बेयाव इकुएलाइजारबो दं। बेयाव रेकर्डिंजों लोगोसे FM रेडिय'बो दं। स्पिकारनि गेजेरजों अडिय'आ मोजां। स्पिकारआ गाहायाव थानायनि थाखाय फ'नआ दाब्ले बिखंआव थानाय समाव अडिय'आ मफल जाया। इयारफ'ननि गेजेरजों अडिय'आबो मोजां। बेयाव सरासनस्रा कानेक्टिभिटि सुबिदाफोर जेरै Wi-Fi 802.11 b/g/n, Bluetooth 4.2, GPS + GLONASS दं। बेयाव USB OTG सापर्टबो दं जाय नोंथांखौ बायजोआरि ड्राइभफोरखौ फोनांजाबनो होयो। बेयाव 4G कानेक्टिभिटि दं आरो रिलायेन्स जिय'नि थाखाय भ'यस-अभार-LTE (VoLTE) सापर्टबो दं। मोननैबो सिमआ 4G सापर्ट खालामो, नाथाय नोंथाङा मोनसे सिमावल'4G इनेबल खालामनो हायो, जेराव गुबुन सिमआ 3G आव थाङो। सिम कार्ड मेनेजारनिफ्राय भ'यस कल, टेक्सट आरो डेटानि थाखाय मोजां मोनजानाय सिम सेट खालामनो हायो। बेयाव LTE बेन्ड 1 (2100MHz) बो दं।
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Vodafone 4G in some circles, unlike some Redmi phones that lack it. The dialer and messaging UI are similar to other Xiaomi smartphones running MIUI 9. Since this is a dual SIM phone, you get the option to select either SIMs when calling or sending a text message. There are no call drops and the earpiece volume is good. Coming to the performance, the phone is powered by an Octa-Core Snapdragon 435 Mobile Platform with eight ARM Cortex A53 cores clocked at 1.4GHz per core and has 3GB or 4GB of RAM depending on the model. The performance is good without any lags. It get a bit heated on intensive gaming and 4G data use, but it doesn’t too hot to handle. It also has a Adreno 505 GPU that offers good gaming performance. Since the phone has a HD display, the SoC coupled with up to 4GB is more
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Vodafone 4G कुछ सर्किलों में, कुछ रेडमी फोनों के विपरीत जिनमें इसकी कमी है। डायलर और मैसेजिंग UI MIUI 9 चलाने वाले अन्य Xiaomi स्मार्टफोन के समान हैं। चूंकि यह एक डुअल सिम फोन है, इसलिए आपको कॉल करते समय या टेक्स्ट मैसेज भेजते समय सिम चुनने का विकल्प मिलता है। इसमें कोई कॉल ड्रॉप नहीं है और ईयरपीस वॉल्यूम अच्छा है। प्रदर्शन की बात करें तो फोन एक अक्टा-कोर स्नैपड्रैगन 435 मोबाइल प्लेटफॉर्म द्वारा संचालित है जिसमें आठ ARM Cortex A53 कोर प्रति कोर 1.4GHz पर क्लक किए गए हैं और मॉडल के आधार पर 3GB या 4GB रैम है। प्रदर्शन बिना किसी देरी के अच्छा है। यह गहन गेमिंग और 4G डेटा उपयोग पर थोड़ा गर्म हो जाता है, लेकिन यह संभालने के लिए बहुत गर्म नहीं है। इसमें एड्रेनो 505 GPU भी है जो अच्छी गेमिंग प्रदर्शन प्रदान करता है। फोन में HD डिस्प्ले होने के कारण, SoC को 4GB तक के साथ जोड़ा गया है।
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than enough to power the phone. That said, check out some synthetic benchmark scores below. It scored 45551 points and topped the AnTuTu Benchmark 6. It scored 675 points in Geekbench 4 Single-Core benchmark and grabbed the second spot. It scored 2573 points in Geekbench 4 Multi-Core benchmark and grabbed the second spot. It scored 9932 points and topped the 3D Mark Ice Storm Unlimited GPU benchmark. Coming to the battery life, the 3080mAh (typical) / 3000mAh (minimum) built-in battery offers decent battery life, even though the it doesn’t have a huge battery like a Redmi Note 4 or the Redmi 4. It lasts for a whole day even with heavy use and with average use it lasts more than a day, thanks to optimization in the MIUI 9. Sadly, the phone doesn’t have fast charging so it takes about 2 and half hours to charge the phone. It achieved
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फ'नखौ गोहो होनो थाखाय थोजासे। बिदिब्ला, गाहायाव माखासे सिन्थेटिक बेन्चमार्क स्क'रफोरखौ नाय। बेयो 45551 पइन्टफोर मोननो हादोंमोन आरो एनटुटु बेन्चमार्क 6 आव जौसिन जादोंमोन। बेयो गीकबेन्च 4 सिङ्गल-क'र बेन्चमार्कआव 675 पइन्टफोर मोननो हादोंमोन आरो नैथि जायगाखौ मोननो हादोंमोन। बेयो गीकबेन्च 4 माल्टि-क'र बेन्चमार्कआव 2573 पइन्टफोर मोननो हादोंमोन आरो नैथि जायगाखौ मोननो हादोंमोन। बेयो 9932 पइन्टफोर मोननो हादोंमोन आरो 3डी मार्क आइस स्टर्म अनलिमिटेड GPU बेन्चमार्कआव गोजौसिन जायगा मोननो हादोंमोन। बेटारि जिउनि फारसे फैब्ला, 3080mAh (सरासनस्रा)/3000mAh (बाङाइसिन) बिल्ट-इन बेटारिआ मोजां बेटारि जिउ होयो, बबेखानि बेयाव रेडमी न'ट 4 एबा रेडमी 4 बायदि गिदिर बेटारि गैया। बेयो गोबां बाहायनायजों लोगोसे गासै सानहालागै सोलियो आरो सानजेर बाहायनायजों बेयो सानसेनि बांसिन जोरो, MIUI 9 आव अप्टिमाइजेसननि थाखाय। दुखु नांथावै, फ'नाव गोख्रै चार्जिं गैया बेनिखायनो फ'नखौ चार्ज खालामनो फ्राय 2 आरो खावसे घन्टा लायो। बेयो जाफुंसारदोंमोन।
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a One Charge Rating of 14 hours and 37 minutes mainly due to brilliant talk time. Check out the complete set of Redmi Y1 battery life test results here. The Xiaomi Redmi Y1 goes on sale every week exclusively on Amazon.in and Mi.com. To summarize, here are the pros and cons of the smartphone. Early detection of breast cancer symptoms can save lives. Using a digital mammography, breast cancer can be diagnosed very early or ruled out. Digital mammography is an X-ray examination with a very low radiation dose. Tumours can also be detected that cannot yet be felt. And if symptoms such as lumps, hardened areas or pain have been detected, mammography helps to clarify these. It is also possible to carry out mammography after plastic surgery. We use a modern full-field digital mammography system, a GE Senographe Essential. The system adapts optimally to the breast volume and the
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14 घन्टा 37 मिनिटनि मोनसे चार्ज रेटिं गाहायै गोजों ट'क टाइमनि थाखाय। रेडमी वाई1 बेटारि लाइफ टेस्टनि आबुं फिथाइफोरखौ बेयाव नाय। शाओमी रेडमी वाई1 आ मोनफ्रोम सप्तायाव एक्सक्लुसिभ महरै Amazon.in आरो Mi.com आव फानजायो। सुंद'यै बुंनो थाङोब्ला, स्मार्टफननि मुलाम्फा आरो खहाफोरखौ बेयाव होनाय जादों। आबुनि केन्सारनि लैखोनफोरखौ थाब सिनायनाया जिउफोरखौ रैखा खालामनो हायो। डिजिटेल मेम'ग्राफि बाहायनानै, आबुनि केन्सारखौ जोबोद थाब एबा नेवसिगारनो हायो। डिजिटेल मेम'ग्राफिआ जोबोद खम रेडिएसन ड'जजों एक्स-रे आनजाद। टिउमारफोरखौबो सिनायनो हायो जायखौ दासिमबो मोनदांनो हाया। आरो जुदि लैखोनफोर जेरै लाम्प्स, गोरा जायगाफोर एबा सानायखौ सिनायथिनाय जादों, अब्ला मेम'ग्राफिआ बेफोरखौ रोखा खालामनायाव मदद खालामो। प्लास्टिक सार्जारिनि उनाव मेम'ग्राफि खालामनायाबो जाथावना। जों मोनसे गोदान मुगानि आबुं-फोथार डिजिटेल मेम'ग्राफि सिस्टेम, जिइ सेन'ग्राफ एसेंशियेलखौ बाहायो। बिखान्थिया आबुनि बिबां आरो बेरामखौ साबसिनै गोरोबहोयो।
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breast density. The best combination of the imaging parameters for optimal image quality at the lowest radiation dose is automatically chosen for each breast. The diagnosis monitors are regularly checked according to EUREF®. MR mammography: Using the new 18-channel mamma coil on our 3-tesla and 1.5-tesla MRT scanners, the approx. 1,500 MR mammographies carried out every year are optimised even further. How is a mammography examination carried out? A mammography is a radiological examination of the breast. It has to be slightly compressed for this – two X-rays are taken of each breast. The digital images are then stored in our image archive and are therefore always available for comparison. The compression of the breast can be slightly unpleasant, but the examination does not take very long. We recommend that hormonally active women make an appointment for the examination in the second week of their cycle because the breast is
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आबुनि रोजाथि। बयनिख्रुइ बाङाइसिन रेदिएसन ड'जआव साबसिन सावगारि गुननि थाखाय इमेजिं पेरामिटारफोरनि साबसिन जथायनाया मोनफ्रोम आबुनि थाखाय गावनो गाव सायख'जायो। बेराम सिनायनाय मनिटरफोरखौ नेमबादियै EUREF® नि बायदिब्ला नायसंनाय जायो। MR मेम'ग्राफिः जोंनि 3-टेस्ला आरो 1.5-tesla MRT स्केनारफोराव गोदान 18-चेनेल मामा क'इलखौ बाहायनानै, बोसोरफ्रोमबो खालामनाय फ्राय. 1,500 MR मेम'ग्राफिफोरखौ आरोबाव साबसिन खालामनाय जायो। मेम'ग्राफि आनजादखौ माबोरै खालामनाय जायो? मेम'ग्राफिआ आबुनि मोनसे रेडिय'ल'जिकेल आनजाद। बेनि थाखाय बेखौ एसे नारसिननांगौ जायो-मोनफ्रोमबो आबुनि मोननै एक्स-रे लानाय जायो। बेनि उनाव डिजिटेल सावगारिफोरखौ जोंनि सावगारि आर्काइभआव दोनथुमनाय जायो आरो बेनिखायनो जेब्लाबो रुजुथायनि थाखाय मोननो हायो। आबुनि नारसिननाया एसे गोजोनथाव जानो हागौ, नाथाय आनजाद नायनाया जोबोद गोबाव लाया। जों बोसोन होयो दि हर्म'नेलियै सांग्रां आयजोफोरा गावसोरनि साइकेलनि नैथि सप्तायाव आनजादनि थाखाय एपइन्टमेन्ट ला मानोना आबुआ
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then at its least sensitive. When and how often should I have a mammography? As part of the new early detection programme for breast cancer, women between the ages of 45 and 70 are invited by letter to a mammography screening every two years. Women between the ages of 40 and 44 and from the age of 70 have the possibility of requesting an invitation to a mammography screening by telephone on the hotline 0800 500 181 or online at www.frueh-erkennen.at. Does a mammography examination involve risks? The radiation dose of a mammography for two X-rays per breast only corresponds to about ten per cent of the natural radiation to which we are exposed on average per year in Austria. Through regular mammography examinations, cancer can be detected when it is still at a treatable stage. Since breast cancer is the most common form of cancer among women, it is
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अब्ला बेनि एसेब्लाबो मोनदांथि गोनां। आं माब्ला आरो बेसेबां खेब मेम'ग्राफि खालामनांगौ? आबुनि केन्सारनि थाखाय गोदान आगु सिनायनाय हाबाफारिनि बाहागो महरै, 45 निफ्राय 70 बोसोर बैसोनि आयजोफोरखौ मोनफ्रोम नै बोसोराव मेम'ग्राफि स्क्रिनिंनि थाखाय लाइजामजों लिंहरनाय जायो। 40 निफ्राय 44 बोसोर बैसोनि आरो 70 बोसोर बैसोनि आयजोफोरा हटलाइन 0800 500 181 आव टेलिफ'नजों एबा अनलाइन www.frueh-erkennen.at आव मेम'ग्राफि स्क्रिनिंनि थाखाय खावलायनो थाखाय खावलायनो हाथावना दं। मेम'ग्राफि आनजाद नायनाया खैफोद गोनां नामा? मोनफ्रोम आबुआव मोननै एक्स-रेनि थाखाय मेम'ग्राफिनि रेडिएसन द'जआ अस्ट्रियायाव बोसोरफ्रोमबो सानजेराव जों मोगामोगि जानाय मिथिंगायारि रेडिएसननि जि जौखोन्दोसोनि खाथि-खाला जायो। नेमबादि मेम'ग्राफि आनजादफोरनि गेजेरजों, केन्सारखौ फाहामनो हानाय थाखोआव थानाय समाव नागिरना दिहुननो हायो। मानोना आबुनि केन्सारआ आयजोफोरनि गेजेराव केन्सारनि बयनिख्रुइबो सरासनस्रा महर, बेयो जादों
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a much larger risk not to have the examination. We recommend that you come in the second week of your cycle. Women who do not have a cycle can make the appointments for examinations at any time. On the day of the examination, please do not use any cream or powder and inform us beforehand if you could be pregnant. If you have any images or results of earlier examinations, surgical reports or histological results, please bring these with you to the mammography. Getting ready for super bowl weekend in ATL! I will be revealing the 2 Stripper outfits I choose to wear this weekend! watch until the end to see reveal! ????FOLLOW my son channel for the kids ! Aliexpress Badminton Gear is Super cheap and super Awesome.. Hell yeah! Exclusive Edition-Arizona Mojave Black Turquoise (Pear 16.00 Ct), Amethyst and Rhodolite Garnet Pendant in Platinum Overlay Sterling Silver 20.000
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आनजाद नायजायैनि मोनसे जोबोद गिदिर खैफोद। जों सुबुरुन होयो दि नों नोंनि साइकेलनि नैथि सप्तायाव फै। जाय आइजोफोरा साइकेल गैया, बिसोर जायखिजाया समावनो आनजादनि थाखाय एपइन्टमेन्ट लानो हायो। आनजादनि सानाव, अन्नानै जेबो क्रिम एबा पाउडार बाहायना नों गोरबोआव थानो हायोब्ला जोंनो सिगांनिफ्राय खोन्था। नोंनाव सिगांनि आनजादफोर, सार्जारि रिपर्टफोर एबा हिस्ट'ल'जिकेल फिथायफोरनि माबाफोर सावगारि एबा फिथाय दंब्ला, अन्नानै बेफोरखौ मेम'ग्राफिआव लाबो। ATL आव सुपार बाउल सप्तानि जोबनायसिम थियारि! आं बे सप्तानि जोबनायाव गान्नो थाखाय सायख'नाय 2 स्ट्रिपार आउटफिटफोरखौ दिन्थिगोन! जोबथा समसिम नाय आरो गथ'फोरनि थाखाय आंनि फिसाज्ला चेनेलखौ नाय! एलिएक्सप्रेस बेडमिन्टन गियारआ जोबोद खम बेसेननि आरो जोबोद मोजां। नरक नंगौ! एक्सक्लुसिभ एडिशन-एरिज'ना म'जाभे ब्लेक टरक्वाइज (नासपति 16.00 Ct), एमेथिस्ट आरो रड'लाइट गार्नेट पेन्डेन्ट इन प्लेटिनम अभारले स्टर्लिंग सिलभार 20.000
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Ct. Colour up your mundane, everyday ensemble with this transfixing pendant from TJC. Stealing the show at the first glance is the glorious 16.00 carats black Mohave Turquoise pear-shaped stone. You will also find pebbled African Amethyst and Rhodolite Garnets encrusted in a captivating alternate pattern. Jewelled in platinum overlaying sterling silver design of 20.000 carats, this pendant will be a penchant for your dreams. Mojave Black Turquoise Pear 22x16 Cabochon 1 16.000ct. Amethyst Round 4 Faceted 9 2.000ct. Rhodolite Garnet Oval 4x3 Faceted 9 2.000ct. Police are appealing for help after a break-in to a Bearsden sports centre. The Allander Sports Centre at Milngavie Road was targeted overnight on Saturday, November 24 and Sunday, November 25. It is believed the thieves may have been disturbed as there was no damage and nothing was stolen from the premises. If anyone saw anything suspicious in the vicinity of the centre, please
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सि. टि. आ नोंनि सरासनस्रा, सानफ्रोमबोनि गाननाय-जोमनायखौ टि. जे. सि. नि बे ट्रेन्सफिक्सिं पेन्डेन्टजों गाब हो। गिबि नुथायावनो दिन्थिफुंनायखौ खावनाया गोग्गाथाव 16.00 केरेट गोसोम महावे टरकुइज नासपति महरनि अन्थाइ। नों आफ्रिकान एमेथिस्ट आरो रड'लाइट गार्नेटफोरखौ मोनसे गोसोबोथाव गुबुन महरजों खोबथेनाय मोनगोन। प्लेटिनमजों बुंफबनाय 20.000 केरेटनि स्टार्लिं सिलभार डिजाइनजों साजायनाय, बे पेन्डेन्टआ नोंनि सिमांफोरनि थाखाय मोनसे गोसोबोथाव जागोन। म'जाभे ब्लेक टरकुइज नासपति 22x16 केब'चन 1 16.00 0ct. एमेथिस्ट राउन्ड 4 मोखां 9 2.000ct. रड'लाइट गार्नेट अभाल 4x3 मोखां 9 2.000ct। पुलिसआ बियार्सडेन गेलेमु मिरुआव मोनसे ब्रेक-इननि उनाव हेफाजाबनि थाखाय खावलायगासिनो दं। मिलंगेभि र'डआव थानाय एलेन्डार गेलेमु मिरुखौ सनिबार, 24 नबेम्बर आरो रबिबार, 25 नबेम्बरनि मोनायाव नोजोर होनाय जादोंमोन। बेखौ फोथायनाय जायो दि सिखावफोरा खायसो खालामजायाबो जानो हागौ मानोना जेबो खहा जायाखैमोन आरो न'खरनिफ्राय जेबो खावजायाखैमोन।
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contact Milngavie police on 101. In just a few days it will be time to celebrate one of the diciest holidays of the year: New Year's. New Year's (well New Year's eve) can be fun, but can also be miserable because the parties are often bad, transportation is usually scarce, and there are expectations about staying up late. Exactly 100 years ago today, someone named David Epstein wrote this great letter to the New York Times slamming the celebration. Hilary Sargent dug it out of the archives and tweeted it yesterday. UPDATE: And here are some more letters from the same date, which show that the more things change, the more things stay exactly the same. Your Trusted Small Business Funding specialist. Since 2005. For over a decade, Liberty Capital Group has provided Small Business Funding in California and across the nation. We are your trusted Small Business Funding specialist.
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101 आव मिलंगेवी पुलिसजों सोमोन्दो खालाम। माखासे सानफोरनि गेजेरावनो बोसोरनि बयनिख्रुइ गोजोनथावसिन जिरायनाय सानफोरनि गेजेराव मोनसेखौ फालिनायनि सम जागोनः गोदान बोसोरनि। गोदान बोसोरनि (गोदान बोसोरनि सान) रंजानाय जानो हागौ, नाथाय दुखुबो जानो हागौ मानोना पार्टीफोरा गोबां समावनो गाज्रि जायो, हान्था-मेलाया सरासनस्रायै एसेल'जायो, आरो गोबावै सिरिमोननायनि मिजिं दं। थारै 100 बोसोर सिगां दिनै, डेभिड एपस्टीन मुंनि सोरबा सासेया निउयर्क टाइम्सनो बे फोरबोखौ सोंखारिना बे गिदिर लाइजामखौ लिरदोंमोन। हिलारी सार्जेंटआ बेखौ आर्काइभनिफ्राय दिहुनदोंमोन आरो मैया टुइट खालामदोंमोन। आपदेटः आरो बेवहाय एखे अक्ट'निफ्राय आरोबाव माखासे लाइजामफोर दं, जाय दिन्थियो दि जेसेबां बांसिन बाथ्राफोरा सोलायो, एसेबांनो बांसिन बाथ्राफोरा एखे जाना थायो। नोंथांनि फोथायजाथाव फिसा फालांगि फान्डिं रोंग'सा। 2005 मायथाइनिफ्राय। जिथायनिबो बांसिन समनिफ्राय, लिबार्टी केपिटेल ग्रुपआ केलिफ'र्निया आरो हादोरनाङै फिसा फालांगि फान्डिं रोंग'सा होदों। जों नोंथांनि फोथायजाथाव फिसा फालांगि फान्डिं रोंग'सा।
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Additionally, we have helped small business owners access quick, reliable, and hassle-free small business loans. We understand that small businesses are the foundation of our economy. In 2004 when many financial institutions tightened their lending criteria, so we took a stand for main street businesses across the nation. As a stakeholder in the American Dream, Liberty Capital Group makes it possible for any business to compete and grow in today’s economy. With over 29 million small businesses in America, 23 million are self employed, therefore our economy relies on small businesses. Around half of the American workforce is employed by a small business, and almost 67% of all new jobs are generated by small businesses. Sadly, when it comes to accessing the capital a business needs, many small business owners struggle, turning to banks and government only to be denied or written off in favor of bigger businesses. The average
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बेजों लोगोसे, जों फिसा फालांगि बिगोमाफोरखौ गोख्रै, फोथायजाथाव आरो जेंना गैयै फिसा फालांगि दाहारफोर मोननो हेफाजाब होदों। जों बुजियो दि फिसा फालांगिफोरा जोंनि रांखान्थिनि बिथा। 2004 मायथाइयाव जेब्ला गोबां रांखान्थियारि फसंथानफोरा गावसोरनि दाहार होनायनि मानदान्दाखौ गोरा खालामदोंमोन, अब्ला जों हादोरनाङै गाहाय लामा फालांगिफोरनि थाखाय गसंथायो। आमेरिकान ड्रिमनि बाहागोआरि महरै, लिबार्टि केपिटेल ग्रुपआ आथिखालनि रांखान्थि राहायाव जायखिजाया फालांगिखौ बादायनो आरो जौगाहोनो हानायखौ जाथावना खालामो। आमेरिकायाव 29 मिलियननि बांसिन फिसा फालांगिफोरजों, 23 मिलियनआ गावनो खामानि मावो, बेनिखायनो जोंनि रांखान्थिया फिसा फालांगिफोरनि सायाव सोनारो। आमेरिकानि खावसेसो मावसा गोहोआ मोनसे फिसा फालांगिजों खामानि मावजायो, आरो गासै गोदान खामानिफोरनि 67% सोआ फिसा फालांगिफोरजों सोमजिहोजायो। दुखुगोनाङै, जेब्ला मोनसे फालांगिनि गोनांथिनि थाखाय धोनखौ मोननो थाखाय फैयो, अब्ला गोबां फिसा फालांगि बिगोमाफोरा जुजियो, बेंक आरो सोरखारनि फारसे गिदिंना गिदिर फालांगिफोरनि फारसे नेवसिजायो एबा लिरजायो। सानजेर
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small business loan is $150,000, about only 10% of all SBA loans go to small businesses who request $150,000 or less. Is it possible for a small-scale business to flourish despite the rising interest dominated environment? What Does Deployment Working Capital Mean for Business Owners? When you become a Liberty Capital Group customer, you’ll notice what separates us from the competition. We are your Trusted Small Business Funding specialist. Whether it’s our unprecedented customer service, or our unprecedented support or our custom-built term options. You are backed by our beat or meet pledge, yes the difference is clear. Have a Jennings Victory Chief. Have to manually return handle after each play. Took pump apart. Large rubber gasket around front of the push rod looks good. Small rubber (?) gasket on inside of cap is worn. Several questions. What do I replace the small gasket with & should it be glued
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फिसा फालांगिनि दाहारआ 150,000 डलार, गासै एस. बि. ए. दाहारफोरनि 10% सो फिसा फालांगिफोरनो थाङो, जाय 150,000 डलार एबा बेनि बाङाइ बिबाङाव खावलायो। बांलांनाय सुतनि गोहोम गोनां आबहावानि गेजेरावबो मोनसे फिसा-थाखोनि फालांगिया जौगानो हागोन नामा? डिप्लायमेन्ट वर्किङ केपिटेलनि ओंथिया फालांगिनि बिगोमाफोरनि थाखाय मा? जेब्ला नोंथाङा लिबार्टि केपिटेल ग्रुपनि ग्राहक जायो, अब्ला नोंथाङा नुगोन दि जोंखौ बादायलायनायनिफ्राय मा आलादा खालामो। जों नोंथांनि फोथायजाथाव फिसा फालांगि फान्डिं रोंग'सा। बेयो जोंनि रुजुजायै बायग्रा सिबिथाइ, एबा जोंनि रुजुजायै हेफाजाब एबा जोंनि कास्टम-बिल्ट टार्म अपशनफोर जाथों मानो। नोंथाङा जोंनि बीट एबा मीट प्लेजजों मदद होजायो, नंगौ फारागथिया रोखा। जेनिंग्स भिक्ट'रि चीफ ला। मोनफ्रोम गेलेनायनि उनाव आखाइजों होफिननांगोन। पाम्पखौ आलादा खालामनाय जायो। पुश रडनि सिगाङाव थानाय गिदिर राबार गास्केटखौ मोजां नुयो। केपनि सिङाव थानाय फिसा राबार (?) गास्केटखौ गान्नाय जायो। गोबां सोंथिफोर। आं फिसा गास्केटखौ मानिजों सोलायनांगोन आरो बेखौ लागायनांगोन।
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to the inside of the cap? Is this an air cylinder only -- no fluid? After cleaning the cylinder should the rod be oiled or greased? Anything else to know? Thanks! The pump head is not rubber. It is made of leather. Very hard to find a replacement, Usually go buy some leather scraps if you have a leather store or buy a pair of cheap leather gloves a cut them up to the size your original pump leather is. The plunger side should not have anything around it, it should be free moving. Thanks mechanic. Neophyte here. So I cut the leather to fit snugly around the push rod & glue it to the back cap? The plunger looks good & moves freely. Anything else to know? No glue !! Just screw the new leather to the rod and ease it into the tube. Clean tube and all other
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केप सिङाव? बेयो खालि एयार सिलिन्डारल'नामा-- जेबो फ्लुइड गैया? सिलिन्डारखौ साफा खालामनायनि उनाव रडखौ थाव लगायनांगौ ना ग्रीस खालामनांगौ? आरो माबा मिन्थिनांगोन? साबायखर! पाम्प हेडआ राबार नङा। बेयो सामब्राजों बानायनाय। सोलायनो नागिरनाया जोबोद गोब्राब, सरासनस्रायै नोंहा सामब्रानि गला दंब्ला माखासे सामब्रानि थुख्राफोर बायनो थां एबा खम बेसेननि सामब्रानि ग्लब्स मोनसे जरा बायनो थां, बेफोरखौ नोंनि गुबै पाम्प सामब्रानि महरसिम दान। प्लांजार फारसे जेबो थानो नाङा, बेयो उदां थाबायनाय जानांगौ। साबायखर मेकानिक। बेयाव निअफाइट। बेनिखायनो आं सामब्राखौ थुख्रानि सोरगिदिं मोजाङै फिट खालामनो थाखाय दानदों आरो बेखौ उननि केपआव लागायदों? प्लांजारखौ मोजां नुयो आरो उदाङै सोलियो। आरो माबाफोर मिन्थिनांगोन नामा? ग्लु गैया!! गोदान सामब्राखौ रडआव स्क्रू खालाम आरो बेखौ ट्युबआव गोरलै खालाम। साफा ट्युब आरो गुबुन गासैबो।
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parts first. A little oil on the rod 3 in one or 30 weight just with a cloth or use your finger. That should be about it. Thanks again. Will do & post result. Just 1 more question as the leather was totally deteriorated. Should I cut it the size if a nickel or as large as the cylinder? Take the original leather off and flatten it to get your diameter. It should fit over the brass spokes. then you carefully slide it into the cleaned tube. Suction should be right away. Then reassemble. Thanks to both of you. Just bought 2 just in case. This forum is so great! Nice to know help & support is just a few clicks away. Santa Monica, CA, July 8, 2016 – Skydance Television today announced that award-winning producer-writer Marti Noxon, who has a multi-year overall development deal with the Company, has named
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गिबि बाहागोफोर। रड 3 आव एसे थाव एबा 30 लिरथाइ खालि जिजों एबा नोंनि आसिखौ बाहाय। बेयो बेनि सोमोन्दै जानांगौ। फिन खेबसेबाव साबायखर। खालामगोन आरो फिथाय होगोन। सामब्राया आबुङै गाज्रि जालांनायनि जाहोनाव आरोबाव मोनसे सोंथि। आं बेखौ निकेल एबा सिलिन्डार बायदि गिदिरब्ला दानना होनांगौ नामा? गुबै सामब्राखौ बोखार आरो बेखौ समान खालाम आरो नोंनि डायामिटारखौ ला। बेयो ब्रास स्प'क्सनि सायाव फिट जानांगौ। बेनि उनाव नों बेखौ सांग्राङै साफा खालामनाय नोलिआव स्लाइड खालाम। साकसनआ थाबैनो जानांगौ। फिन फिन ज'खालाम। नों सानैनि थाखाय साबायखर। खालि 2 बायदों। बे फ'रामआ जोबोद मोजां! मदद आरो मददखौ मिथिनो मोजां मोनो, माखासे क्लिकनि गोजानाव। सान्टा मनिका, CA, जुलाइ 8,2016-स्काइडान्स टेलिभिजनआ दिनै फोसावदोंमोन दि बान्था मोनगिरि दिहुनगिरि-लिरगिरि मार्टि नक्सन, जायहा कम्पानिजों गोबां बोसोरनि गासै जौगाथाय रादाइ दं, बिथाङा मुं दोनदों।
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Maria Grasso to the newly created position of President of Tiny Pyro, effective immediately. Grasso will report to Noxon and in her new role will oversee all development for Noxon’s production company, including Skydance’s Dietland, an adaptation of the novel by the same name written by Sarai Walker. Set against the backdrop of the beauty industry, this part character drama and part revenge fantasy will explore society’s obsession with weight loss and beauty in a bold, original and funny way. Tiny Pyro was founded in 2015 and in addition to its current production of CBS medical drama Code Black, has multiple projects in development. “As our priority development slate with Skydance Television rapidly expands, I am thrilled to have found in Maria a new creative partner to help shepherd Tiny Pyro’s efforts in bringing a diverse slate of high quality series to the screen,” commented Marti Noxon. “Maria is an
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मारिया ग्रास'आ टाइनी पायर'नि गोदानै सोरजिजानाय आफादगिरिनि मासियाव, जाय थाबैनो गोहोम खोख्लैगोन। ग्रास'आ नक्स'ननो फोरमायगोन आरो गावनि गोदान बिफावआव नक्स'ननि प्रडाक्शन कम्पानिनि थाखाय गासिबो जौगानायखौ नायग्रोमगोन, जेराव स्काइडान्सनि डायटलेन्डबो दं, जाय साराई वाकरजों लिरजानाय एखे मुंनि सल'मानि मोनसे सोलायनाय। समायना दारिमिननि उननुनि बेरेखायै सेट खालामनाय, बे बाहागोनि आखुथाय फावथाइ आरो बाहागोनि प्रतिशोधारि सानबोलावरिआ समाजनि लिरथाय खमायनाय आरो समायनानि फारसे गोसो जानायखौ मोनसे गोख्रों, गुबै आरो मिनिथाव राहाजों नायबिजिरगोन। टाइनी पायर'खौ 2015 मायथाइयाव गायसननाय जादोंमोन आरो सिबिएस मेडिकेल ड्रामा क'ड ब्लेकनि दानि दिहुनथायनि अनगायैबो, गोबां बिथांखिफोर जौगानायाव दं। "स्काइडान्स टेलीविजनजों जोंनि गिबि जौगाथाय स्लेटआ गोख्रैयै गोसारनायजों, आं मारियायाव टाइनी पायर'नि मोनसे बायदि रोखोमनि गोजौ थाखोनि फारिफोरखौ फैसालियाव लाबोनो नाजानायफोरखौ हेफाजाब होनो थाखाय मोनसे गोदान सोरजिलु लोगो मोन्नो हानायाव रंजाखांदों", मार्टी नक्स'ना बिबुंथि होदोंमोन। "मारियाया मोनसे मोजां सुबुं।
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extremely accomplished creative executive whose depth and breadth of experience will serve as a strong extension to Skydance Television’s already highly productive working relationship with Marti and the Tiny Pyro team,” added Marcy Ross, President of Skydance Television. “I have long admired Marti’s talent and taste in material. At the same time, I am so impressed with Skydance Television’s deep commitment to storytelling and the outstanding reputation it has earned among writers, so joining this team is an incredibly exciting next step for me and I cannot wait to get started,” said Grasso. Grasso has vast experience as a television executive running development and programming departments at a number of networks and studios, including Lifetime, The WB, Warner Bros and Universal. She has developed and overseen production of such hit series as Supernatural, Army Wives, One Tree Hill and Everwood. At Grasso’s own production company, One-Two Punch Productions, she oversaw
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जोबोद आखा-फाखा सोरजिलु मावफुंगिरि, जायनि गोथौथि आरो रोंमोन्दांथिनि गुवारथिया स्काइडान्स टेलिभिजननि मार्टी आरो टाइनी पायर'टीमजों सिगांनिफ्रायनो गोबां दिहुनथायारि खामानि मावनाय सोमोन्दोआव मोनसे गोख्रों फेहेरनाय महरै खामानि होगोन ", स्काइडान्स टेलीविजननि आफादगिरि मार्सी र'सआ दाजाबदेरदोंमोन।" आं मार्टीनि रोंग'थि आरो बेसादनि थावनायखौ गोबाव समनिफ्रायनो बाख्नायदोंमोन। एखे समावनो, आं स्काइडान्स टेलीविजननि सल'बुंनायनि गोथौ बाउसोमनाय आरो लिरगिरिफोरनि गेजेराव बेयो आर्जिनाय साबसिन मुंजों जोबोद गोहोम खोख्लैजादों, बेनिखायनो बे हानजायाव हाबनाया आंनि थाखाय मोनसे जोबोद गोसो बोनो हाथाव उननि आगान आरो आं जागायनो थाखाय नेनो हाया ", ग्रास'आ बुंदोंमोन। ग्रास'नाव गोबां नेटवर्क आरो स्टुडिय'फोराव जौगाथाय आरो प्रग्रामिं बिफानफोर सालायग्रा मोनसे टेलीविजन मावफुंगिरि महरै गुवार रोंमोन्दांथि दं, जेराव लाइफटाइम, दि डब्लिउबि, वार्नार ब्र'स आरो इउनिभार्सेल दं। बिथाङा सुपारनेसारेल, आर्मी वाइव्स, वान ट्री हिल आरो एभारवुड बायदि हिट सिरिजफोरनि दिहुनथायखौ जौगाहोदों आरो नायग्रोमदों। ग्रास'नि गावनि दिहुनथाय कम्पानि, वान-टू पंच प्रडाक्शन्सआव, बिथाङा नायग्रोम
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projects at such premium outlets as HBO, AMC and Amazon, and also executive produced Finding Carter for MTV. Deb Spera, Grasso’s partner at One-Two Punch, will continue to run the production company under a first look deal at ITV Studios America. How many miles per gallon does a 2014 Ford Motor Company Escape Awd get? A 2014 Ford Motor Company Escape Awd gets up to 21 miles per gallon in the city, up to 28 miles per gallon on the highway. This means a 2014 Ford Motor Company Escape Awd can get up to 24 miles per gallon overall. Music directors—traditionally known as conductors, are the artistic leaders of musical theater productions, operas and symphonies. Their job duties may vary depending on the place of work and include the selection of music needed to be performed, ensuring the musicians or cast are well-acquainted with the music, supervision in the interpretation
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एचबिअ ', एएमसि आरो एमेजन बायदि प्रिमियाम आउटलेटफोराव बिथांखिफोर आरो एमटिभिनि थाखाय फाइन्डिं कार्टरखौ मावफुंगिरि महरै दिहुनदोंमोन। वन-टू पंचआव ग्रास'नि पार्टनार देब स्पेराआ आइटिभि स्टुडिय'ज आमेरिकायाव मोनसे फार्स्ट लुक डीलनि सिङाव प्रडाक्शन कम्पानिखौ सोलिहोबाय थागोन। 2014 मायथाइनि फ'र्ड मटर कम्पानि एस्केप अ'डआ बेसेबां माइल मोनफ्रोम गेलन मोनो? 2014 मायथाइनि फ'र्ड मटर कम्पानि एस्केप अ'डआ सोहोराव 21 माइल मोनफ्रोम गेलनसिम मोनो, राजालामायाव 28 माइल मोनफ्रोम गेलनसिम। बेनि ओंथिया जादों 2014 मायथाइनि फ'र्ड मटर कम्पानि एस्केप अ'डआ गासै 24 माइल मोनफ्रोम गेलनसिम सौहैनो हायो। देंखो दिथागिरिफोर-दोरोङारि महरै कन्डक्टर महरै मिथिजानाय, देंखोआरि थियेटार प्रडाक्शन, अपेरा आरो सिम्फ'निफोरनि आरिमुआरि दैदेनगिरि। बिसोरनि खामानिनि बिबानफोरा खामानिनि जायगानि सायाव सोनारना गुबुन-गुबुन जानो हागौ आरो दिन्थिफुंनो गोनां देंखोनि सायख'नायखौ लाफानो हागौ, रोखा खालाम दि देंखोगिरिफोर एबा कास्टफोरा देंखोजों मोजाङै मिथिजानाय, फोरमायथियाव नोजोर होनाय।
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of the music and organization of the orchestra. Music directors have a great role to play in the casting of musicians. They are the masters of music, and without them no artistic performance is complete. The idea of music in our lives is more or less inspired by the wonderful scores these conductors create. Music direction is among the most popular freelance options currently. With the progressive expansion of the freelance community, especially with the advent of the Internet, there is a dramatic increase in the number of work opportunities. One can establish a rich career as a music director in the freelance community by keeping in mind certain pointers. Well, now, you may wonder what those pointers are, and how to go about them. There are hundreds of disciplines in music direction, and you will have to decide what kind of music you will be comfortable with. For example,
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अर्केस्ट्रा नि देंखो आरो आफाद नि। देंखोगिरि नि कास्टिं आव देंखो दिथागिरि नि गिदिर बिफाव दं। बिसोर देंखो नि गोरों, आरो बिसोर गैयाब्ला जेबो आरिमुवारि दिन्थिफुंनाय आ आबुं जाया। जोंनि जिउआव देंखो नि सानस्रि आ बेफोर कन्डाक्टर फोरा सोरजिनाय सोमोनांथाव स्कर जों थुलुंगा मोननाय। देंखो दिथा आथिखालाव बयनिख्रुइबो मुंदांखासिन फ्रिलान्स अपसनफोरनि गेजेराव मोनसे। फ्रिलान्स हारिनि दावगालु गोसारनायजों, गुबैयै इन्टारनेट नि फैनायजों, खामानि नि खाबु नि अनजिमायाव मोनसे फावथायारि बांदों। माखासे पइन्टारफोरखौ गोसोआव लाखिनानै फ्रिलान्स सुबुं समाजाव सासे देंखो दिथागिरि महरै सासे धोनि जिउ राहा गायसननो हायो। मोजां, दा, नोंथाङा साननो हागौ बै पइन्टारफोरा मा, आरो बेफोरखौ माबोरै खालामनो हायो। देंखो दिथा आव गोबां जौ आयदाफोर दं, आरो नोंथाङा मा रोखोमनि देंखो जों गोजोन जागोन बेखौ थि खालामनो नांगोन। बिदिन्थि महरै,
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not everyone is comfortable with orchestral music or jazz, and therefore, you will have to keenly research in this area before actually planning to become a freelance music director. Let us just presume you know what kind of music you want to learn, then follow whatever is written in the following paragraphs and implement them with due consideration. In addition to that, you must possess knowledge of musical instruments and other basics. While you may have acquired it through training, certificate courses or music-related degree courses may help you a great chunk in this regard. Keeping that in mind, we shall enumerate a few music schools in India, which offer a myriad of music courses. VisvaBharati University, Shantiniketan, West Bengal is a reputed autonomous university, which offers a range of courses in music; The University of Delhi offers post-graduate degree courses in music and Ph.D. in Music; Delhi School of
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गासैबो अरकेस्ट्रल देंखो एबा जाजजों गोजोनथाव नङा, आरो बेनिखायनो, नोंथाङा थारैनो सासे फ्रिलान्स देंखो दिथागिरि जानो सानथांखि खालामनायनि सिगां बे बिथिङाव गोथौवै बिजिरसंनांगोन। जों बेखौ सान्ना ला दि नोंथाङा मा रोखोमनि देंखो सोलोंनो लुबैदों, अब्ला गाहायाव होनाय पेराग्राफफोराव जायखौ लिरनाय दं बेखौ उनसं आरो बेफोरखौ नांगौ बायदि सान्ना बाहाय। बेनि अनगायैबो, नोंथाङा दामजु आरो गुबुन गुदिफोरनि गियान थानांगौ। नोंथाङा बेखौ फोरोंथायनि गेजेरजों आरजिदोंमोनब्लाबो, फोरमानलाइ फरायफारि एबा देंखोजों सोमोन्दो थानाय डिग्री फरायफारिफोरा नोंथांनो बे बिथिङाव मोनसे गिदिर बाहागो मदद होनो हागौ। बेखौ नोजोर होनानै, जों भारतनि माखासे देंखो फरायसालिफोरखौ सानगोन, जाय गोबां देंखो फरायफारिफोर होयो। विश्वभारती मुलुगसोलोंसालि, शान्तिनिकेतन, सोनाब बेंगलआ मोनसे मुंदांखा गावखुंथायारि मुलुगसोलोंसालि, जाय देंखोआव गोबां फरायफारिफोर होयो; दिल्ली मुलुगसोलोंसालिया देंखोआव पोस्त-ग्रेजुएशन डिग्री फरायफारिफोर आरो देंखोआव पिएच. डि. होयो; दिल्ली स्कुल अफ मिउजिक
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Music is a prestigious music school in the country, having a tie up with a number of internationally renowned music schools such as Trinity College of Music, London; KM Music Conservatory has been established by none other than A.R. Rahman and provides two globally recognized degrees in collaboration with Middlesex University, UK, etc. In case you wish to learn music direction in a foreign institution, you may go for Royal Academy of Music, England; Berkeley School of Music, Boston; the Julliard School of Music, New York; Radcliffe Institute of Advanced Study, Massachusetts. Formal education is important and so is the experience. The portfolio of skills must highlight your list of experiences, and to ensure you have the best of them, you will have to gain performance experience. Become an apprentice to professional music directors in the region or country, and study the art of direction more closely. Find out about
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देंखोआ हादोरनि मोनसे मुंदांखा देंखो फरायसालि, जायहा गोबां हादोर गेजेरारि मुंदांखा देंखो फरायसालिफोर जेरै ट्रिनिटी कलेज अफ मिउजिक, लन्दनजों सोमोन्दो दं; केएम मिउजिक कनजारभेटरिखौ ए. आर. रहमानआ गायसनदों आरो मिडलसेक्स मुलुगसोलोंसालि, इउ. के. बायदिजों लोगो जानानै मोननै बुहुमनां गनायथि होजानाय दिग्रिफोर होयो। जुदि नोंथाङा गुबुन हादोरारि फसंथानाव देंखो दिथा सोलोंनो लुबैदोंब्ला, नोंथाङा रयेल एकादेमि अफ मिउजिक, इंलेन्ड; बार्कले स्कुल अफ मिउजिक, बस्टन; जुलियार्ड स्कुल अफ मिउजिक, निउयर्क; रेडक्लिफ इनस्टिट्युट अफ एडभान्सड स्टडि, मैसाचुसेट्सआव थांनो हायो। खान्थियारि सोलोंथायआ गोनांथार आरो रोंमोन्दांथिआबो। रोंग'थिफोरनि पर्टफ'लिय'आ नोंथांनि रोंमोन्दांथिफोरनि फारिलाइखौ हाईलाइट खालामनांगौ, आरो नोंथांनाव बेफोरनि साबसिनखौ रोखा खालामनो थाखाय, नोंथाङा दिन्थिफुंनायनि रोंमोन्दांथि मोन्नो नांगोन। ओनसोल एबा हादोरनि जिउराहायारि देंखो दिथागिरिफोरनि थाखाय सोलोंसा जा, आरो दिथा होनायनि आरिमुखौ बांसिन खाथिनिफ्राय फराय। बेनि सोमोन्दै नागिर।
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orchestras in the country and work in them. In India, the Symphony Orchestra of India is a prominent symphony orchestra founded by the National Centre for the Performing Arts, Mumbai. Outside India, there are a number of orchestras such as Vienna Philharmonic, Cleveland Orchestra, Saito Kinen Orchestra, Leipzig Gewandhaus, Russian National Orchestra, etc. Music direction is a tedious job, requiring a lot of patience, hard work, and coordination. Thus, without considerable skills, you will not be able to come up with a composition. Interpretative skills: You must work on your interpretative skills and instincts. For that to happen, you must engage in different types of direction experiences such as a soloist, orchestral musician, chamber musician, conductor, etc. You must frequently attend musical performances and learn from them. Communicating the thought: There is always a purpose in music. When composing a musical piece, you are trying to give melodious contours to
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हादोराव थानाय अर्केस्ट्रा आरो बेयाव खामानि मावनाय। भारत हादोराव थानाय सिम्फनि अर्केस्ट्रा अफ इन्डियाआ मुम्बाइनि नेशनेल सेन्टार फर पारफर्मिं आर्टसजों गायसनजानाय मोनसे मुंदांखा सिम्फनि अर्केस्ट्रा। भारतनि बायजोआव गोबां अर्केस्ट्राफोर दं जेरै भियेना फिलहारमनिक, क्लिभलेन्ड अर्केस्ट्रा, साइत'किनन अर्केस्ट्रा, लिपजिग गेवान्डहाउस, रासियान नेसनेल अर्केस्ट्रा बायदि। देंखो दिथा होनायआ मोनसे मेंनाय गोनां खामानि, जायनि थाखाय गोबां सहायनाय, गोब्राब मावसोमनाय आरो गोरोबनायनि गोनांथि जायो। बेनिखायनो गोबां रोंग'थि गैयाब्ला नों मोनसे रनसायनाय दिहुननो हानाय नङा। ओंथि बेखेवनो हानाय रोंग'थिः नों गावनि ओंथि बेखेवनो हानाय रोंग'थि आरो मोनदांथिनि सायाव खामानि मावनो नांगोन। बेखौ खालामनोब्ला नों गुबुन गुबुन रोखोमनि दिथा रोंनाय जेरै हारसिं दामग्रा, अर्केस्ट्रा दामग्रा, चेम्बार देंखोगिरि, कन्डाकटर बायदि बायदिफोराव बाहागो लानो नांगोन। नों देंखोआरि दिन्थिफुंनायफोराव गले-गले थांनांगौ आरो बेनिफ्राय सोलोंनांगौ। साननायखौ फोरमायनायाः देंखोआव जेब्लाबो मोनसे थांखि थायो। देंखोआरि बाहागोखौ रनसायनाय समाव नों देंखोआरि महर होनो नाजागासिनो दं।
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the idea behind it. This skill is extremely difficult to explain, but those who know the overtone in the statement must have already understood. Creating emotional responses: The music director must have the capacity to evoke sentimental, dramatic and powerful imageries. The audience must feel the message being communicated to them through music. Deep understanding of instruments: You must be well-acquainted with all the instruments being used in the performance. Conducting skills: There are a number of techniques involved in conducting a musical performance such as the Baton technique, which involves the ability to sustain the continuity of line, rhythm, structure and interpretative integrity throughout the performance; rehearsal techniques, which require the ability to diagnose, recognize, correct music, identify intonation problems, etc. Inter-personal skills: You must be able to communicate your thoughts and suggestions to the musicians working along. Without injuring their dignity, you must express your disappointment but also
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बेनि आन्दोनि सानस्रि। बे रोंग "थिखौ फोरमायनाया जोबोर गोब्राब, नाथाय जाय फोरमायथियाव बांद्राय रिंसारथिखौ मिथिगौ बिसोर सिगांनिफ्रायनो बुजिनो हादों जानांगौ। गोसोआरि फिनजाथाय सोरजिनायः देंखो दिथागिरिया आबेगारि, थुनफावथायारि आरो गोहोगोरा सावगारिफोर फोजानो हानाय गोहो थानांगौ। खोनासंगिरिफोरा देंखोनि गेजेरजों बिसोरसिम फोरमायजानाय खौरांखौ मोनदांनो नांगोन। दामजुफोरनि गोथौ बुजिनायः दिन्थिफुंनायाव बाहायजानाय गासैबो दामजुफोरजों नों मोजाङै मिथिजानांगोन। सामलायनाय रोंग" थिः देंखो दिन्थिफुंनाय खुंनायाव गोबां आदबफोर दं जेरै बेट "न आदब, जेराव दिन्थिफुंनायनि समाव सारि, खबाम, दाथाय आरो ओंथि बेखेवलु गोरोनथिखौ लाखिनो हानाय गोहो थायो; रिहार्सेल आदबफोर, जायनि थाखाय देंखोखौ सिनायनाय, सिनायनाय, फोसाबनाय, रिंसारथि जेंनाफोरखौ सिनायनाय बायदिनि गोहो नांगौ। गावारि रोंग" थिः नों गावनि साननाय आरो बोसोनफोरखौ खामानि मावग्रा देंखोगिरिफोरनो फोरमायनो हानाय जानांगौ। बिसोरनि मानखौ खहा खालामालाबानो नों गावनि दुखुखौ फोरमायथारनांगोन नाथाय
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ensure they are not discouraged in playing music. Administrative skills: Music direction involves the interplay of a number of administrative matters such as fundraising, governance, public relations, business operations, etc. Thus, administrative skills are important for handling the operations effectively. You can start your own orchestra and become its conductor, or become a conductor for an already established orchestra. You may start a career in the film and music industry and offer music direction in related projects. There is a lot of scope as a music director in religious organizations, dance troupes, opera companies, etc. Becoming a music director is not that simple, but keeping tabs on job availability has become relatively easy. There are a number of websites that offer the convenience of finding all kinds of jobs in one place and only a few clicks away. To secure the benefits of these websites, create profiles, update a properly
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बेखौ रोखा खालामदि बिसोरो देंखो दामनायाव गोसो बायनाय नङा। खुंथायारि रोंगथिः देंखो दिथा होनायआ गोबां खुंथायारि आयदाफोर जेरै रां बुथुमनाय, खुंथाय, सुबुं सोमोन्दो, फालांगि मावनाय बायदि बायदिनि गोरोबलायनाय। बेनिखायनो, खुंथायारि रोंगथिफोरा खामानिफोरखौ गोहोम गोनाङै सामलायनो थाखाय गोनांथार। नोंथाङा गावनि अर्केस्ट्रा जागायजेननो हायो आरो बेनि सामलायगिरि जानो हायो, एबा सिगांनिफ्रायनो गायसनजानाय अर्केस्ट्रानि सामलायगिरि जानो हायो। नोंथाङा सावथुन आरो देंखो दारिमिनाव मोनसे जिउ राहा जागायनो हागौ आरो सोमोन्दो गोनां बिथांखिफोराव देंखो दिथा होनो हागौ। धोरोमारि आफादफोर, मोसानाय हान्जाफोर, अपेरा कम्पानिफोर बायदिफोराव देंखो दिथागिरि महरै गोबां खाबु दं। देंखो दिथागिरि जानाया एसेबां गोरलै नङा, नाथाय साख्रि मोनथावनानि सायाव नोजोर लाखिनाया रुजुनायाव गोरलै जाबाय। गोबां वेबसाइटफोर दं जाय मोनसे जायगायाव गासैबो रोखोमनि साख्रि नागिरनायनि खाबु होयो आरो माखासे क्लिकफोरल'गोजानाव। बेफोर वेबसाइटफोरनि मुलाम्फाखौ रैखाथि होनो थाखाय, प्रफाइलफोर बानाय, मोजाङै आपडेट खालाम।
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drafted portfolio of skills and submit applications. When creating profiles, the website will usually create a database of your preferred skills and will, accordingly, send emails whenever a job related to any of the preferred skills is posted. Examples of these websites are freelance.com, worknhire.com, letsintern.com, and linkedin.com. The pay scale varies depending upon a host of factors such as the educational qualifications and work experience of the music director, the status of the workplace, the degree of direction involved, and whatnot. While in freelancing the freelancer often quotes the price, but if the freelancer is fresh in the field, he may not necessarily enjoy much discretion in this respect; on the other side, an experienced music director knows his value and will name the price accordingly. Thus, a lot of research is needed to be carried out. How to use wildcards with pkg-upgrade? What is the correct way to
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रोंग'थिफोरनि ड्राफ्ट खालामनाय पर्टफ'लिय'आरो आर'जलाइफोरखौ जमा खालाम। प्रफाइलफोर बानायनायाव, वेबसाइटआ सरासनस्रायै नोंथांनि मोजां मोन्नाय रोंग'थिफोरनि मोनसे डाटाबेस बानायगोन आरो बेनि बायदियैनो, जायखिजाया मोजां मोन्नाय रोंग'थिफोरजों सोमोन्दो थानाय साख्रिखौ पस्ट खालामनाय समाव इमेल हरगोन। बेफोर वेबसाइटफोरनि बिदिन्थिफोरा जाबाय freelance.com, worknhire.com, letsintern.com, आरो linkedin.com। बेथन स्केलआ गोबां जाहोनफोरनि सायाव सोनारना गुबुन-गुबुन जायो जेरै देंखो दिथागिरिनि सोलोंथायारि रोंग'थि आरो खामानि रोंमोन्दांथि, खामानि थिलिनि थाथाय, दिथा होनाय थाखो, आरो मा बायदि। फ्रिलान्सिंआव फ्रिलान्सारआ गोबां समावनो बेसेनखौ रायखाङो, नाथाय जुदि फ्रिलान्सारआ फोथाराव थाजिम, अब्ला बियो बे बिथिङाव गोनांथार महरै गोबां गोसोआरि मोन्दांथि मोना जानो हागौ; गुबुन फारसेथिं, सासे रोंमोन्दां देंखो दिथागिरिया गावनि बेसेनखौ मिथियो आरो बेसेननि मुंखौ बेनि बायदियै होगोन। बेनिखायनो, गोबां बिजिरसंनायनि गोनांथि दं। pkg-upgrade जों वाइल्डकार्डफोरखौ माबोरै बाहायनो? थि राहाया मा?
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accomplish this? Browse other questions tagged freebsd package-management wildcard freebsd-ports or ask your own question. Find (un)used packages on CentOS/Fedora? Björk performs the world’s first 360-degree virtual reality live stream! This public filming/streaming is a collaborative work between Björk and production team Dentsu Lab Tokyo , and is part of the Björk Digital exhibition that opens at the Miraikan Museum Tokyo tomorrow. For the performance Björk will be wearing a special ‘Rottlace’ mask, designed by Professor Neri Oxman of MIT Media Lab and the Mediated Matter Group which was created with Stratasys’ 3D printing technology. I just want to voice my disgust at the way Joseph Kennedy, the third candidate for Massachusetts� U.S. Senate seat, was totally ignored. He was the one who had anything to say that made sense. People should listen to what he has to say, but I guess that is hard to do when you aren�t
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बेखौ जाफुंसार खालाम? फ्रीबीएसडी पेकेज-मेनेजमेन्ट वाइल्डकार्ड फ्रीबीएसडी-पोर्टस टेग खालामजानाय गुबुन सोंथिफोरखौ ब्राउज खालाम एबा गावनि सोंथि सों। सेन्टअ'एस/फेड'राआव बाहायजानाय पेकेजफोरखौ नागिर? ब्जर्कआ मुलुगनि गिबिसिन 360-डिग्री भार्च्युएल रियेलिटि लाइभ स्ट्रिम दिन्थिफुङो! बे रायजोआरि सावथुन सेबखांनाय/स्ट्रिमिंआ ब्जर्क आरो प्रडाक्शन टीम डेन्टसु लेब टकिय'नि गेजेराव मोनसे हेफाजाबारि खामानि, आरो बेयो गाबोन मिराइकान मिउजियम टकिय'आव खुलिनाय ब्जर्क डिजिटेल दिन्थिफुंनायनि बाहागो। दिन्थिफुंनायनि थाखाय ब्जर्कआ मोनसे जर'खा'रटलेस'मास्क गानगोन, जायखौ एमआईटी मीडिया लेब आरो मेडिएटेड मेटार ग्रुपनि प्रफेसार नेरी अक्समेनआ डिजाइन खालामदोंमोन, जायखौ स्ट्रेटासिसनि 3डी प्रिन्टिं बिरोंदामिनजों बानायनाय जादोंमोन। आं ज'सेफ केनेडी, मेसाचुसेट्स इउ. एस. सेनेट मासिनि थामथि बिनायगिरिखौ आबुङै नेवसिनायखौ आंनि रागा जोंनायखौ फोरमायनो लुगैदों। बिथाङा बैमोन जायहा बुंनो जेबो दंमोन जाय ओंथिगोनांमोन। सुबुंफोरा बिथांनि बुंनायखौ खोनासंनांगौ, नाथाय आं सानो दि जेब्ला नोंथाङा नङा अब्ला बेखौ खालामनाया गोब्राब।
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given a chance to speak as the other two were. It was supposed to be three candidates debating, but the time that was given was not anywhere in the realm of even. The newspaper was just as bad, because in a half-page article there is only one paragraph indicating that Mr. Kennedy was even in the race (Telegram & Gazette, Jan. 12). I�m sick of only hearing the side of the candidates who have money. It�s supposed to be a country where everyone is equal to pursue their dream, but just remember: You can only do that if you have the almighty dollar to back you up. All of us need and strive to discover the best, be it such a thing - a good casino. Removed are the days when you have to maneuver physically to go to casinos by the usage of a vehicle with valet parking -
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गुबुन सानैजों रायज्लायनो खाबु होनाय जादोंमोन। बेयो साथाम बिजाथिफोर बाथ्रा दान्थेलायनाय जानांगौमोन, नाथाय जाय समखौ होनाय जादोंमोन बेयो जेरावबो समान नङामोन। खौरां बिलाइआ एसेबांनो गाज्रिमोन, मानोना खावसे बिलाइनि लिरबिदांआव मोनसेल'पेराग्राफ दं जाय दिन्थियो दि मिस्टार केनेडीआ समान थाखोआव दंमोन (टेलिग्राम आरो गेजेट, 12 जानुआरि)। आं खालि बै बिनायगिरिफोरनि फारसे खोनानो रागा जोंदों जायहा रां दं। बेयो मोनसे हादोर जानांगौ जेराव गासैबो गावसोरनि सिमांखौ उनसंनो समान, नाथाय गोसोआव लाखिः नों बेखौ अब्लासो खालामनो हायो जेब्ला नोंनाव मदद होनो थाखाय गोहोगोरा डलार थायो। जोंनि गासिबोनो नांगौ आरो साबसिनखौ नागिरनो नाजायो, बेयो ओरैबायदि जाथों-मोनसे मोजां केसिनो। बोखारजानाय सानफोरा बै सानफोर जेब्ला नों देहायारि महरै केसिन'आव थांनो थाखाय भेलेट पार्किं गोनां गारि बाहायनानै सोलायनांगौ जायो -
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आरो बेनि उनाव हा-बिथा केसिनोनि गासैबो नेमखान्थिफोर आरो थासारिफोरखौ होनाय जायो। बै गासै दोरोङारि केसिनो जुवा गेलेनायखौ आथिखालाव अनलाइन केसिनोफोराव खम खालामनाया केसिनो गेलेमुफोरखौ मोजां मोनग्रा सुबुंफोरनि थाखाय रागा जोंनाय जागोन। जौसिन अनलाइन केसिनोफोरनि सेटआव बयनिख्रुइबो मुंदांखासिन कम्पानिफोरनि गेजेराव मोनसेआ जादों स्विस केसिनो। बे केसिनोआव हाइलाइट खालामनाय जेकपट्सफोरा थारैनो लासै-लासै आरो गोमोथावै गोजौ। स्विस केसिनोआव गोबां गेलेगिरिफोरा दा बेफोर जेकपट्सफोरखौ मोन्नो थाखाय जोबोद खाफालगोनां जाबाय। रोखाथिनि मुलाम्फानि थाखाय, नोंथाङा गावनो आरो गेमिं फोरमफोराव वेबसाइटाव जेकपट्स देरहागिरि बायगिरिफोरनि गनायथिफोरखौ फरायनो हायो। स्विस केसिनोनि बिगोमा आरो लुपआ जादों बिविन सेलिब्रेशन डिजिटेल लेजार पिएलसी। बे अपारेटरआ मुलुगनि बयनिख्रुइ देरसिन आरो गोबां मानगोनां अनलाइन गेमिं आफादफोरनि गेजेराव मोनसे। बिविन सेलिब्रेशन इलेक्ट्रनिक लेजार पिएलसीआ एफटीएसईनि सुबुंल'नङा।
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rating the most effective casino games and on the web casinos. This SAP Version is currently not available in the management tool. We have a pretty actual Patch level, so the question is do we need a new patch or can we use the 7.4 template? Do we need a "Sonderfreigabe"? My apologies for the long delay, we had an outage here. The problem has been forwarded, and we expect to have an answer for you soon. Your assumption was correct. You'd have to contact your account manager to open a Sonderfreigabe. Your sponge STINKS! Ours DON’T! The Problem: Standard kitchen sponges begin to smell foul within a few days use. That awful smell comes from the 10 million bacteria per square inch found in the typical sponge, making the kitchen sponge the dirtiest thing in the typical home. And you use that filthy sponge to “clean” things in your
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बयनिख्रुइबो गोहोम गोनां केसिनो गेमफोर आरो वेब केसिन'फोराव रेटिं होनाय। बे SAP भारसनआ आथिखालाव मेनेजमेन्ट टुलआव गैया। जोंनि खाथियाव मोनसे नंगुबै पैच लेभेल दं, बेनिखायनो सोंथिया जादों जोंनो गोदान पैच नांगौ ना 7.4 टेमप्लेट बाहायनो हागोन? जोंनो "सन्डारफ्रेगाबे" नांगौ नामा? गोबाव गोबाव जानायनि थाखाय आं निमाहा बियो, जों बेयाव आउटेज जादोंमोन। जेंनाखौ फरवार्ड खालामनाय जाबाय, आरो जों नोंथांनो थाबैनो फिन मोनगोन होनना मिजिंथियो। नोंथांनि सान्नाया थारमोन। नोंथाङा मोनसे सन्डारफ्रेगाबे खुलिनो थाखाय नोंथांनि एकाउन्ट मेनेजारजों सोमोन्दो लाखिनांगोन। नोंथांनि स्पन्ज स्टिंक्स! जोंनि नङा! जेंनाः सरासनस्रा ओंखाम संग्रानि स्पन्जफोरा माखासे साननि गेजेराव गाज्रि मोनामनाय मोनामनो हमो। बे गाज्रि मोनामनाया सरासनस्रा स्पन्जआव मोन्नाय मोनफ्रोम बर्ग इन्सिआव 10 मिलियन बेक्टेरियानिफ्राय फैयो, जाय ओंखाम संग्रानि स्पन्जखौ सरासनस्रा न'आव बयनिख्रुइ मैलासिन मुवा खालामो। आरो नोंथाङा बै मैला स्पन्जखौ नोंथांनि न'आव जिरादफोरखौ "साफा" खालामनो बाहायो।
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kitchen then throw it away because you can’t stand the smell. That’s gross! The Everest™ Solution: The NoStench™ Utility Sponge is GUARANTEED not to stink for 90 days! NoStench™ technology prevents bacteria from living on / in the sponge for 90 days without using poisons! No more stench – no more spreading of those nasty germs. The non-toxic protection resides throughout the entire sponge material - it doesn’t wash out and doesn’t fade. This is the perfect utility sponge! Each NoStench™ Sponge is unconditionally guaranteed against stench caused from bacterial growth for a full 90 days from the date of purchase. If at any time during the 90 day period the NoStench™ Sponge stinks, it can be returned for a full refund. Ultra High Quality: NoStench™ Sponges are made with the highest quality materials and construction for the height of effectiveness and durability. Simply the best kitchen sponge available. Each
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ओंखाम संग्रानि उनाव बेखौ गारहर, मानोना नों मोनामनायखौ सहायनो हाया। बेयो जोबोद गाज्रि! एभारेस्ट TM सल्युशनः न'स्टेन्च TM इउटिलिटि स्पन्जआ 90 सानसिम मोनामनाय गैयै रोखा! न'स्टेन्च TM बिरोंदामिनआ बेक्टेरियाखौ बिस बाहायालाबानो 90 सानसिम स्पन्जआव थानो/थानो होबथायो! आरोबाव मोनामनाय गैया-बै गाज्रि बिजानुफोरनि गोसारनाय गैया। बिस गैयै रैखाथिआ गासै स्पन्ज बेसादआव थायो-बेयो गारो आरो जोबलाया। बेयो आबुं इउटिलिटि स्पन्ज! मोनफ्रोमबो न'स्टेन्च TM स्पन्जआ बायनायनि अक्ट'निफ्राय आबुं 90 सानसिम बेक्टेरिया देरनायनिफ्राय जानाय मोनामनायनि बेरेखायै सर्त गैयालासे रोखा। 90 साननि समफारियाव जायखिजाया समावनो न'स्टेन्च TM स्पन्जआ मोनामनाय मोनोब्ला, बेखौ आबुं होफिन्नायनि थाखाय होफिननो हायो। आल्ट्रा हाइ क्वालिटीः न'स्टेन्च TM स्पन्जफोरखौ जौसिन गुननि मुवाफोर आरो गोहोम आरो दिदोमथिनि जौथायनि थाखाय लुनायजों बानायनाय जायो। मोनफ्रोमबो साबसिन ओंखाम संग्रानि स्पन्ज।
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sponge is 5.25 inches x 3.5 inches of fantastic cleaning and NoStench wonderment! Detailed Science: The amazing NoStench™ Sponge is factory treated with the same revolutionary long lasting Everest™ antimicrobial that uses a physical kill of microbes NOT poisons. The factory treatment forms a nano-scale biostatic layer throughout the sponge materials. This protection is invisible and can’t be felt. It consists of millions of carbon-based nano-spikes that self-assemble in layers (see Fig 1) and bond covalently and intertwine with the sponge structure. Each nano-spike is made up of a carbon shaft with a nitrogen molecule at it’s base. The positively charged nitrogen interacts with the negatively charged germs/mold/mildew/fungus like a magnet that draws it down onto the carbon spike. The result is a physically ruptured or “stabbed” germ that can’t survive – or adapt to become resistant. Bacteria cannot get established within the NoStench™ Sponge. That is how it remains
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स्पन्जआ 5.25 इन्सि x 3.5 इन्सि जोबोद मोजां साफा खालामनाय आरो न'स्टेन्च गोमोथाव! गुवारै बिगियानः सोमोनांथाव न'स्टेन्च टिएम स्पन्जआ एखे जांख्रिथायारि गोलाव समनि एभारेस्ट टिएम एन्टिमाइक्र'बायेलजों फाहामजानाय कारखाना जाय माइक्र'बफोरनि देहायारि बुथारनायखौ बाहायो जाय बिस नङा। कारखानानि फाहामथाया स्पन्ज मुवाफोराव मोनसे नेन'- स्केल बाय'स्टेटिक थोरफो बानायो। बे रैखाथिया नुजायै आरो मोनदांनो हाया। बेयाव लाख-लाख कार्बन-बिथा नेन'- स्पाइकफोर थायो जाय थाखोफोराव गावनो ज'जायो (सावगारि 1 नाय) आरो स्पन्ज दाथायजों लोगोआरि आरो ज'जायो। मोनफ्रोमबो नेन'- स्पाइकआ मोनसे कार्बन शाफ्टजों बानायजानाय जायनि बिथायाव मोनसे नाइट्र'जेन मलिक्युल थायो। पजिटिभ चार्ज खालामनाय नाइट्र'जेनआ नेगेटिभ चार्ज जानाय बिजानुफोर/मोल्ड/माइल्ड्यु/फांगासजों मोनसे मेगनेट बायदि मोगामोगि जायो जाय बेखौ कार्बन स्पाइकआव गाहायाव बोहोयो। फिथाय महरै मोनसे देहायारि महरै गावस्रानाय एबा "स्टाप्ड" बिजानु जायो जाय थांना थानो हाया-एबा होबथाग्रा जानो थाखाय गोरोबहोनो हाया। न'स्टेन्च टिएम स्पन्जनि सिङाव बेक्टेरियाखौ गायसननो
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free of the foul odors germs cause! The nano-spikes are very durable and will remain viable and safely protect the sponge from bacterial contamination for at least 90 days – no matter how many times it is used or washed. Fig 1. Self-assembled layers of the active ingredient attaches to all available bonding sites, leaving a ‘forest’ of molecules that extend from the surfaces and intertwine throughout all voids, preventing adhesion of microbes at interface, and causing a physical disruption of membrane function which causes bacterial cell death. A recent study by an independent research lab confirmed that our treated sponges were able to kill 99.9% of 22,000,000 colony forming units (cfu) of live e.coli bacteria in 1 hour. By the 4 hour mark, our sponge had killed 99.99999% of the e.coli. And this protection lasts day after day, use after use. * This treated item does not impart pesticide
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गाज्रि मोनामनाय बिजानुफोरनिफ्राय उदां! नेन'- स्पाइकफोरा जोबोद जोरथाव आरो स्पन्जखौ खमैबो 90 सानसिम बेक्टेरिया गाज्रि जानायनिफ्राय रैखा खालामगोन-बेखौ बेसेबां खेब बाहायब्लाबो एबा सुनानैब्लाबो। सावगारि 1. सांग्रां थाफादेरनि गाव-जथायनाय थोरफोफोरा गासैबो मोनथावना बन्डिं साइटफोराव नांफाना थायो, जाय मोनसे'अरन'नि मलिक्युलफोरखौ हगारो जाय सा-बाहागोनिफ्राय गोसारो आरो गासैबो खालि जायगाफोराव गावजों-गाव नांफाना थायो, इन्टारफेसआव माइक्रोबफोरनि सिथाबनायखौ होबथायो, आरो मेम्ब्रेन फांसननि मोनसे देहायारि हेंथा सोमजिहोयो जाय बेक्टेरिया जिबख्रि थैनायनि जाहोन जायो। मोनसे उदां बिजिरसं लेबजों बावैसोनि बिजिरसंनाया रोखा खालामदों दि जोंनि फाहामजानाय स्पन्जफोरा 1 घन्टायाव गोथां e.coli बेक्टेरियाफोरनि 22,000,000 कल'नि बानायनाय इउनिट (cfu) नि 99.9% खौ बुथारनो हादोंमोन। 4 घन्टानि बिन्दोसिम, जोंनि स्पन्जआ 99.99999% e.coli खौ बुथारदोंमोन। आरो बे रैखाथिआ साननि उनाव सानसिम थायो, बाहायनायनि उनाव बाहाय। * बे फाहामजानाय बेसादआ एम्फौ बुथारग्रा मुलि होआ।
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or antimicrobial properties to other surfaces. HOW TO USE: The NoStench™ Utility Sponge is very simple to use. Use in the same fashion that you would use a traditional kitchen sponge. Use it to clean kitchen / bathroom surfaces or dirty dishes. The only requirement is that it be RINSED very well after each use. Then simply set it aside to let it dry. It will be ready to provide stench free service whenever you need it! Sponges can be washed in dishwasher or laundry without losing their antimicrobial properties. NOTE: if food debris / dirt is not completely rinsed from the sponge, then bacteria could possibly survive ON the debris and cause odor - all that is needed to return your sponge to it’s odor-free state is to completely rinse it out and let it dry. The Sponge That Doesn't Stink! Christmas was supposed to make a big move
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गुबुन बिखंफोराव एन्टिमाइक्रोबियल एबा एन्टिमाइक्रोबियल गुनफोर। माबोरै बाहायनोः न'स्टेन्च TM इउटिलिटि स्पन्जखौ बाहायनाया जोबोद गोरलै। नोंथाङा दोरोङारि ओंखाम संग्रानि स्पन्जखौ बाहायनाय रोखोमसे बाहाय। बेखौ ओंखाम संग्रानि/दुगैग्रा खथानि बिखं एबा मैला थोरफोफोरखौ साफा खालामनो बाहाय। मोनसेल'गोनांथिआ बेनो दि मोनफ्रोम बाहायनायनि उनाव बेखौ मोजाङै रिनसेड खालाम। बेनि उनाव बेखौ गोरान खालामनो थाखाय आलादा दोन। जेब्ला नांगौ अब्ला बेयो मोनामनाय गैयै सिबिथाइ होनो थाखाय थियारि जागोन! स्पन्जफोरखौ डिशवाशर एबा लान्ड्रियाव सुस्रानो हायो, बिसोरनि एन्टिमाइक्रोबियल गुनफोरखौ खोमानाय गैयालासे। नोजोर होः जुदि स्पन्जनिफ्राय आदारनि मैला/मैलाखौ आबुङै सुस्रानाय जाया, अब्ला बेक्टेरियाया बायखोन्दाफोराव थांना थानो हागौ आरो मोनामनाय सोमजिहोनो हागौ-नोंथांनि स्पन्जखौ बेनि मोनामनाय गैयै थासारियाव लाबोफिन्नो थाखाय बेखौ आबुङै सुस्रानांगौ आरो बेखौ गोरान खालामनो होनांगौ। मोनामनाय गैयै स्पन्ज! क्रिसमासआ मोनसे गिदिर आगान होनो गोनांमोन।
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by back dooring Mark. She was so pleased but how dumb! She could have put Paul up instead and that would have really been a big move. She has done nothing this season so that would have made a name for her in the jury house. She was stupid to pass on putting up Paul. Getting Paul in that position at that time was huge. Now they may never get another chance. They seem like they are just playing with the thought or hope they'll be along side Paul in final two. How stupid. They need to get him out instead of the easier houseguests like Kevin ..... who is their next target. I honestly think these houseguests were/are the stupidest in history. Anti social Cody should never have been cast. I agree with you that Xmas' big move was a dud but say that she did put King Paul
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मार्कखौ उनथिंजायनिफ्राय द'रिं खालामनानै। बियो जोबोद खुसिमोन नाथाय बेसेबां मोख्रा! बियो पलखौ गोजौआव दोन्नो हायोमोन आरो बेयो थारैनो मोनसे गिदिर आगान जागोन। बियो बे सिजनाव जेबो खालामाखै, बेनिखायनो बियो जुरि हाउसआव गावनि मुं दोन्नो हायोमोन। बियो पलखौ गोजौआव दोन्नो नागारनाया मोख्रा। बै समाव पलखौ बै मासियाव लाबोनाया जोबोद गिदिरमोन। दा बिसोर माब्लाबाबो आरोबाव मोनसे खाबु मोना जानो हागौ। बिसोर ओरैबायदि सानो दि बिसोरो खालि बे साननायजों गेलेगासिनो दं एबा मिजिंथियो दि बिसोरो जोबथा मोननैआव पलजों लोगोसे थागोन। बेसेबां मोख्रा। बिसोरो बिखौ बायजोआव दोन्नो नांगौ, केभिन बायदि गोरलै न'नि आलासिफोरनि बदलै....... जाय बिसोरनि उननि थांखि। आं सैथोयै सानो दि बे न'नि आलासिफोरा जारिमिनाव बयनिख्रुइबो मोख्राथारमोन। समाज बेरेखा क'डीखौ माब्लाबाबो कास्ट खालामनो नाङामोन। आं नोंथांजों गोरोबदों दि क्रिसमासनि गिदिर आगानआ मोनसे नंखायमोन नाथाय बुङो दि बिथाङा किं पलखौ गोजौआव दोन्दोंमोन।
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on the block. The only way to really get King Paul out would be to backdoor him and that would all depend on who would win veto and what they would do with the veto. Then you have most of the house still under King Paul's spell and more than likely would vote out the other person on the block thus leaving Xmas in the line of fire of King Paul & his sheep in the following weeks. I think that the big move she should have made was put up Alex and take out the female version of King Paul first. Just my opinion. Even though I liked him, I think Marcellas was the dumbest player in BB history. Then again, there are many HGs this season that make me rethink this. Paul could not be put up that week because Mark gave him the safety from the Tree
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ब्लकआव। राजा पलखौ थारैनो होखारनायनि मोनसेल'राहाया बिथांखौ बेकड'र खालामनाय जागोन आरो बेयो गासिबो बेनि सायाव सोनारो दि सोर भिट'खौ देरहागोन आरो बिसोर भिट'जों मा खालामगोन। अब्ला नोंथांनि न'नि बांसिन बाहागोआ दासिमबो राजा पलनि समफारियाव दं आरो बांसिन जाथावनायै ब्लकआव थानाय गुबुन सुबुंखौ भ'ट आउट खालामगोन, जायनि जाहोनाव फैगौ सप्तायाव राजा पल आरो बिथांनि बोरमा मेन्दानि अरनि सारियाव क्रिसमासखौ दोननांगौमोन। आं सानो दि बिथाङा जाय गिदिर आगानखौ लानांगौमोन बेयो एलेक्सखौ फज'नायमोन आरो सिगां राजा पलनि आइजो रोखोमखौ बोखारनायमोन। आंनि बिबुंथिल'। आं बिखौ मोजां मोनदोंमोनब्लाबो, आं सानो मार्सेलासआ बिबि जारिमिनाव बयनिख्रुइबो मूर्खसिन गेलेगिरिमोन। फिन, बे सिजनाव गोबां एचजिफोर दं जाय आंखौ बेखौ फिन साननो थाखाय थुलुंगा होयो। पलखौ बै सप्तायाव फज'नो हायाखैमोन मानोना मार्कआ बिथांखौ बिफांनिफ्राय रैखाथि होदोंमोन।
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of Temptation or life or whatever. On tonight's show, All I could do was sit there and watch in awe when Josh said he thought Paul had been the hinky vote all season. Xmas immediately took him to task for questioning Paul's motives or his loyalty to Paul. She was like a cult member. There will be no questioning of the deity in her presence. I so wish they would have them all back 3 months following the final and after they watched their season to see how incredibly ignorant they were. Don't they do that in some way on the Bachelor? I'd really like to know how they feel about being completely played by Paul. I am resigned to Paul winning this season. I just want it to be over now. I must like to torture myself because I still will watch the show even though I dislike all
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टेम्पटेशन एबा जिउ एबा जायखिजाया मोनसेखौ नायनो थाखाय। दिनैनि श'आव, आं बैयाव जिरायनानै गोमोथावै नायनो हायोमोन, जेब्ला ज'शआ बुंदोंमोन दि बिथाङा सानोमोन दि पलआ गासै सिजनआव हिंकी भ'टमोन। क्रिसमासआ थाबैनो बिथांखौ पलनि थांखिफोर एबा पलनि फारसे बिथांनि फोथायथिखौ सोंनायनि थाखाय दाय होदोंमोन। बियो सासे काल्ट सोद्रोमामोन। बिथांनि नुथायाव मोदाइखौ सोंनायनि जेबो राहा थानाय नङा। आं जोबोद मोजां मोनो दि बिसोर फाइनेलनि 3 दान उनाव आरो गावसोरनि सिजन नायखांनायनि उनाव बिसोरखौ मोनफिननो हायोमोन दि बिसोरो बेसेबां फोथायथावै गियान गैयैमोन। बिसोर बेचेलारआव माबा मोनसे रोखोमै बेबादि खालामाखै नामा? आं थारैनो मिथिनो लुबैदों दि पलजों आबुङै गेलेजानायनि बागै बिसोर माबोरै मोन्दांथि मोनो। आं पलनि बे सिजन देरहानायनि थाखाय दुखु मोनदों। आं बेखौ दा फोजोबनो लुबैदों। आं गावखौ साजा होनो लुबैदों मानोना आं दासिमबो श'खौ नायगोन, बबेखानि आं गासिबो मोजां मोना।
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of them and cringe listening to them talk about their master, Paul. In the beginning, BB seemed to portray Christmas as a very smart, successful person. She tries to portray herself that way too. The further into the season we get, the more obvious it is that this is not even remotely true. I'd really like to know how they feel about being completely played by Paul. I am resigned to Paul winning this season. I just want it to be over now. I must like to torture myself because I still will watch the show even though I dislike all of them and cringe listening to them talk about their master, Paul. This exactly how I feel! Yes they do about 2, 3 months after the tapings but before they reveal the newly engaged couple. It's called the Women/Men Tell All and they also have After the Final Rose
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बिसोरनि सायाव आरो बिसोर गावसोरनि मास्तर, पलनि सोमोन्दै रायज्लायनायखौ खोनानो रागा जोंखाङो। जागायजेननायाव, बीबीआ क्रिसमासखौ सासे जोबोद गोरों, जाफुंसार सुबुं महरै दिन्थिदोंमोन। बियो गावखौ बे रोखोमै दिन्थिनो नाजायो। जों जेसेबां बोथोरखौ आवगायो, एसेबांनो रोखा जायो दि बेयो गोजानसिमबो सैथो नङा। आं थारैनो मिथिनो लुबैगोन दि बिसोर पलजों आबुङै फाव खालामजानायखौ माबोरै मोनो। आं पलनि बे सिजनखौ देरहानायनि थाखाय दुखु मोनो। आं बेखौ दा फोजोबनो लुबैदों। आं गावखौ साजा होनो लुबैदों मानोना आं दासिमबो श'खौ नायगोन, बबेखानि आं बिसोरखौ गासिबो मोजां मोना आरो बिसोरनि मास्तर, पलनि बागै रायज्लायनायखौ खोनानो रागा जोङो। आं बेबायदि मोनो! नंगौ, बिसोर टेपिंनि फ्राय 2,3 दान उनाव नाथाय गोदानै हाबा जानाय जराखौ फोरमायनायनि सिगां खालामो। बेखौ उइमेन/मेन टेल अल बुंनाय जायो आरो बिसोरनाव आफटार दि फाइनाल रोजबो दं।
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with the new couple IF they're still together. Quit watching that about 3 seasons ago. But I'm still watching BB and always hoping that something is bound to happen. Hard to believe that out of all of them not even one wakes up long enough to realize what's happening and the ones who did are gone. For this season, Jillian stood out first when I read the topic. After she was evicted and Julie asked her if she could go back in, who would she align with and Jillian said, "Elena". If anyone throws HOH to another hg and then ends up on the block or voted out, I don't think you could be much more stupid than that. If he was dumb then so is Jessica, Cody, Elena and mark and every other hg who believe they had backing from the house. I would say he was too trusting
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गोदान जराफोरजों, जुदि बिसोर दासिमबो जयै दं। बेखौ 3 सिजनसो सिगां नायनायखौ नागार। नाथाय आं दासिमबो बीबी नायगासिनो दं आरो जेब्लाबो मिजिंथियो दि माबा मोनसे जानो गोनां। फोथायनो गोब्राब दि बिसोरनि गेजेराव सासेआबो गोबाव सम फोजाया दि मा जागासिनो दं आरो जायफोरा जादोंमोन बिसोर थांबाय। बे सिजननि थाखाय, जिलियानआ गिबि खेब नुजादोंमोन जेब्ला आं आयदाखौ फरायदोंमोन। बिखौ होखारनायनि उनाव आरो जुलिया बिखौ सोंदोंमोन दि बियो सोरजों गोरोबगोन आरो जिलियानआ बुंदोंमोन, "एलेना।" जुदि सोरबा HOH खौ गुबुन सासे HG आव गारहरो आरो फिन ब्लकआव थाङो एबा भ'ट आउट जायो, आं सानो दि नों बेनिख्रुइ बांसिन मूर्ख जानो हाया। जुदि बियो मोख्रा अब्ला जेसिका, क'डी, एलेना आरो मार्क आरो गासिबो HG जाय फोथायो दि बिसोरहा न'निफ्राय मदद दंमोन। आं बुंगोन बियो जोबोद फोथायजाथावमोन।
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and not dumb. One thing I will say, he made that move with his heart. Marcellus is my third favorite hg with Jason 2 and Danielle #1. BB3. I liked Marcellas, but really? If you have a veto and you're on the block, USE IT! Yes! A reunion show where they play highlights and then ask what were you thinking to the HGs. Although it was one of the most boneheaded moves in reality history, Marcellas did that because he was trying to honor his word. That was back in the early days of reality tv and there were people on that believed you could play honorably and still win. I think most fans thought the same. Now we know that playing honorably tends to get you evicted, rather than closer to the prize. If he were on the show now, I am pretty sure he would hang on to
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आरो मोख्थाङारि नङा। मोनसे बाथ्रा आं बुंगोन, बिथाङा गावनि गोसोजों बे आगानखौ लादोंमोन। मार्सेलासआ जेसन 2 आरो डेनियेल #1 जों आंनि थामथि मोजां मोनजानाय एचजि। BB3। आं मार्सेलासखौ मोजां मोनोमोन, नाथाय थारैनो? नोंनाव भिटो दंब्ला आरो नों ब्लकआव दंब्ला, बेखौ बाहाय! नंगौ! मोनसे गोरोबनाय श'जेराव बिसोरो हाइलाइटफोरखौ दामो आरो फिन सोङो दि नोंथाङा एचजिफोरखौ मा सान्दों। बबेखानि बेयो रियेलिटि जारिमिनाव बयनिख्रुइ बांसिन मेलेम गोनां आगानफोरनि गेजेराव मोनसेमोन, मार्सेलासआ बेबादि खालामदोंमोन मानोना बिथाङा गावनि बाथ्राखौ मान होनो नाजागासिनोमोन। बेयो रियेलिटि टिभिनि गिबि सानफोरावमोन आरो बेयाव ओरैबायदि मानसिफोर दंमोन जाय फोथायोमोन दि नोंथाङा सनमानजों दामनो हायो आरो दाबो देरहानो हायो। आं सानो बांसिन मोजां मोनगिरिफोरा बेबादि सानदोंमोन। दा जों मिथियो दि सनमानजों दामनाया नोंथांखौ होखारो, बान्थानि खाथियाव नङा। जुदि बिथाङा दा श'आव थायोमोन, आं रोखा दि बिथाङा बेखौ हमथाना लाखिगोन।
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that veto as if his life depended on it. Sorry folks but the dumbest BB houseguest of all time goes to Michael "Cowboy" Ellis. Throw a penny in a round room, tell him it's in a corner and he would still be searching for it. They are still in the house, therefore not as "dumb" as the hg that have been evicted. Yep, it's all down to levels of dumbness as this point. Then there's, Matt and Jason were OTB. Matt won POV and used it on Jason. Casting knew exactly what they were doing when they psych-evaluated and IQ'ed these characters. An easy road to the finals for Paul. On Monday, the company is announcing a global research and development consortium that will tap brainpower from Samsung, China Mobile, the Massachusetts Institute of Technology and other participants. The goal of the consortium, called Green Touch, will be to demonstrate
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बै भिटोआ ओरैबायदि दि बिनि जिउआ बेनि सायाव सोनारो। निमाहा हो, नाथाय गासै समनि बयनिख्रुइबो गोरासिन बिबि हाउसगेस्टआ माइकेल "काउब'य" एलिसनाव थाङो। मोनसे दुलुर खथायाव मोनसे रां गारहर, बिखौ खोन्था दि बेयो मोनसे खनायाव दं आरो बियो दासिमबो बेखौ नागिरगासिनो दं। बिसोरो दासिमबो न'आव दं, बेनिखायनो होखारजानाय हिज बायदि "गोरासिन" नङा। नंगौ, बेयो गासिबो बे बिन्दोनि बायदि गोरासिननि थाखोसिम गाहायाव। अब्ला दं, मेट आरो जेसनआ OTB मोन। मेटआ POV देरहादोंमोन आरो जेसननि सायाव बेखौ बाहायदोंमोन। कास्टिंआ थारैनो मिथिदोंमोन दि बिसोर मा खालामगासिनोमोन जेब्ला बिसोरो गोसोआरि-बिजिरदोंमोन आरो IQ आ बेफोर आखुफोरखौ खालामदोंमोन। पलनि थाखाय फाइनालनि थाखाय मोनसे गोरलै लामा। समबाराव, कम्पानिया मोनसे बुहुमनां बिजिरसंनाय आरो जौगाथाय जथाय फोसावदोंमोन जाय सेमसां, चाइना म'बाइल, मैसाचुसेट्स इनस्टिट्युट अफ टेक्न'ल'जि आरो गुबुन बाहागो लागिरिफोरनिफ्राय मेलेम गोहोखौ नाजावगोन। ग्रीन टाच मुंनि आफादनि थांखिया दिन्थिगोन।
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dramatically more efficient wired and wireless network gear within five years. Recognizing that networks, like data centers, don't run on good intentions alone, the head of research at Alcatel's storied Bell Labs wants telecom's top scientists to start with a blank slate and reinvent telecommunications infrastructure to use less power. If Green Touch hits its targets, the new equipment will run for three years on the power that current systems use up in just one day, said Gee Rittenhouse, vice president of research at Bell Labs and the head of Green Touch. "What we're trying to do is really think about it afresh," said Rittenhouse, a longtime researcher at the lab. Whereas vendors today design products for high performance while also considering power requirements, Green Touch is going to design them for efficiency first while also keeping performance in mind. "Normally, the research done today is about taking today's network
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बा बोसोरनि गेजेराव गोबां गोहोम गोनां तार गोनां आरो तार गैयै नेटवर्क गियार। बेखौ सिनायनानै दि नेटवर्कफोरा, जेरै डाटा सेन्टारफोरा, हारसिङै मोजां थांखिजों सोलिया, अल्काटेलनि थाला गोनां बेल लेब्सनि बिजिरसंनि गाहायआ लुबैयो दि टेलिकमनि गोजौ थाखोनि बिगियानगिरिफोरा मोनसे लांदां स्लेटजों जागायो आरो खम गोहो बाहायनो थाखाय टेलिकम्युनिकेसन्स इन्फ्रास्ट्राकचारखौ फिन दिहुनफिनो। जुदि ग्रीन टाचआ गावनि थांखिफोरखौ जाफुंसारो, अब्ला गोदान आगजुफोरा थाम बोसोरसिम बै गोहोनि सायाव खारगोन जायखौ आथिखालनि सिस्टेमफोरा सानसेआवनो बाहायो, बेल लेब्सनि बिजिरसंनि लेङाइ आफादगिरि आरो ग्रीन टाचनि गाहाय जी रिटनहाउसा बुंदोंमोन। "जों मा खालामनो नाजागासिनो दं, थारैनो बेनि बागै गोदानै सान", रिटनहाउसा बुंदोंमोन, जाय लेबनि गोलाव समनि बिजिरसंगिरि। जेराव आथिखालाव फानग्राफ्रा गोजौ दिन्थिफुंनायनि थाखाय दिहुनथायफोरखौ डिजाइन खालामो आरो मोब्लिबनि गोनांथिफोरखौबो सान्ना लायो, ग्रीन टाचआ बेफोरखौ गिबि जाफुंसारनायनि थाखाय डिजाइन खालामनो थांगासिनो दं आरो दिन्थिफुंनायखौबो गोसोआव लाखिगोन। "सरासनस्रायै, दिनै खालामनाय बिजिरसंनाया दिनैनि नेटवर्कखौ लानायनि सोमोन्दै।
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and refining it ... instead of erasing the board, starting from an open mind, and building up from there," Rittenhouse said. The power-saving technology available today, even if it were applied throughout all networks, would only keep power consumption flat over the coming years, he said. "We've never said, 'Stop. If we were to design a network that was optimized for energy, what would it look like?'" The minimum power consumption for today's Internet and carrier networks around the world would be zero, which would be achieved by turning them all off, Rittenhouse said. Assuming no one wants to do that, the theoretical minimum power for actually running those networks would be lower than today's energy use by a factor of 10,000, he said. Green Touch intends to achieve just one-tenth of that, but even for this effort the group wants to bring in experts from throughout the industry. In
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रिटनहाउसा बुंदोंमोन दि, "दिनै मोनथावना मोब्लिब-रैखा खालामनाय बिरोंदामिनखौ बोखारनायनि सोलायै, मोनसे उदां गोसोजों जागायजेननानै, आरो बेनिफ्राय जौगाहोयो"। दिनै मोनथावना मोब्लिब-रैखा खालामनाय बिरोंदामिनखौ गासैबो नेटवर्कफोराव बाहायनाय जायोब्लाबो, फैगौ बोसोरफोराव मोब्लिबनि बाहायथिखौ समान लाखिगोन। "जों माब्लाबाबो बुंफेराखै,'बन्द खालाम। जुदि जों मोनसे नेटवर्क डिजाइन खालामो जाय गोहोनि थाखाय साबसिन जायो, अब्ला बेयो मा बायदि नुगोन?'" आथिखालनि इन्टारनेट आरो मुलुगनि केरियार नेटवर्कफोरनि थाखाय बाङायसिन मोब्लिब बाहायनाया लाथिख'जागोन, जायखौ बेफोर गासैबोखौ बन्द खालामनानै मोननो हागोन, रिटनहाउसा बुंदोंमोन। सोरबा बेखौ खालामनो लुबैया होन्ना सान्ना ला, बैफोर नेटवर्कफोरखौ थारैनो सालायनो थाखाय बुंफुरलुआरि बाङायसिन गोहोआ दिनैनि गोहो बाहायनायनि रुजुनायाव 10,000नि मोनसे जाहोनजों खम जागोन, बिथाङा बुंदोंमोन। ग्रीन टाचआ बेनि जिथि बाहागोखौल'मोन्नो थांखि लायो, नाथाय बे नाजानायनि थाखायबो हानजाया गासै दारिमिननिफ्राय रोंग'सारफोरखौ लाबोनो लुबैयो।
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addition to Samsung, China Mobile and MIT, the consortium will include Freescale Semiconductor, SwissCom, Telefonica, Stanford University, the French National Institute for Research in Computer Science and Control, and other entities. But many other key players, such as Ericsson, Cisco and any major U.S. carrier, were not listed as members. The most efficient parts of the global infrastructure are fiber-optic networks, which transmit streams of data as wavelengths, or colors, of light. They are nearly 100 percent efficient, according to Rittenhouse. But at the ends of those fiber networks are usually older copper wires or wireless systems that don't work as efficiently. The most waste comes from cellular systems, because they have to send a signal out over a wide area just to reach the one subscriber it is meant for, Rittenhouse said. Though a clean-slate approach may deliver fresh ideas, it's likely to take a long time for the
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सेमसां, चाइना मबाइल आरो एमआइटिनि अनगायै, बे जथाय आफादा फ्रिस्केल सेमिकन्डक्टर, स्विसकम, टेलिफ'निका, स्टेनफ'र्ड मुलुगसोलोंसालि, फ्रेन्स नेशनेल इनस्टिट्युट फर रिसार्स इन कम्पिउटार साइन्स एन्ड कन्ट्रल आरो गुबुन फसंथानफोरखौ लाफागोन। नाथाय गोबां गुबुन गाहाय गेलेगिरिफोर, जेरै एरिक्सन, सिस्क'आरो जायखिजाया गाहाय इउ. एस. केरियारखौ सोद्रोमा महरै फारिलाइ खालामनाय जायाखैमोन। बुहुमनां दाथायनि बयनिख्रुइबो आखा-फाखा बाहागोफोरा जाबाय फाइबार-अप्टिक नेटवर्कफोर, जाय सोरांनि तरङ्गदैथि एबा गाब महरै खारिखौ दैथायहरो। रिटेनहाउसनि बायदिब्ला बेफोरो 100 जौखोन्दोसो आखा-फाखा। नाथाय बै फाइबार नेटवर्कफोरनि जोबनायाव सरासनस्रायै गोजाम तामानि तारफोर एबा वायरलेस सिस्टेमफोर थायो, जाय एसेबां मोजाङै खामानि मावा। बांसिन गारनाया सेलुलार सिस्टेमफोरनिफ्राय फैयो, मानोना बिसोर मोनसे गुवार ओनसोलाव सिगनेल दैथायहरनांगौ जायो, खालि बै सासे ग्राहकसिम सौहैनो थाखाय जायनि थाखाय बेयो बाहायजायो, रिटेनहाउसा बुंदोंमोन। क्लिन-स्लेट आदबा गोदान सानस्रिफोर होनो हागौब्लाबो, बेयो गोबाव सम लानो हागौ।
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revolutionary products that come from Green Touch to start saving energy. Between standardization, product development and trials, it typically takes between five and 10 years after the first lab demonstrations for a totally new technology to be deployed, Rittenhouse said. The Green Touch initiative is critical for the long-term future of communications, though it faces some challenges, according to analyst Kneko Burney of Compass Intelligence. "There is no other objective more pressing than to ensure that the demand for energy does not exceed the limitations of our ability to generate it," Burney said in an e-mail interview. "There does not seem to be a clear plan for Alcatel in this consortium, and the list of members is still quite modest. But, this is to be expected. It will take time for Alcatel to pull in more members and really make some scientific and technical breakthroughs," she said. "The big question
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ग्रीन टाचनिफ्राय फैनाय जांख्रिथायारि दिहुनथायफोरा गोहो बासायनो जागायो। मानथाखो खालामनाय, दिहुनथाय जौगानाय आरो आनजादफोरनि गेजेराव, मोनसे आबुङै गोदान बिरोंदामिन थिसनजानो थाखाय गिबि लेब दिन्थिफुंनायनि उनाव सरासनस्रायै बा आरो 10 बोसोरनि गेजेराव सम लायो, रिटनहाउसा बुंदोंमोन। ग्रीन टाच मावथांखिआ सुंज्रोबनि गोलाव समनि इयुननि थाखाय गोनांथार, बबेखानि बेयो माखासे जेंनाफोरजों मोगा-मोगि जानो गोनां जायो, कम्पास इन्टेलिजेन्सनि बिजिरसंगिरि नेक'बर्नीनि बायदिब्ला। "गोहोनि गोनांथिया बेखौ सोमजिहोनो जोंनि गोहोनि सिमाफोरखौ बारनो हाया बेखौ रोखा खालामनायनि अनगायै गुबुन जेबो थांखि गैया", बर्नीआ मोनसे ई-मेल मोगा-मोगियाव बुंदोंमोन। "बे जथाय आफादाव अल्काटेलनि थाखाय मोनसे रोखा बिथांखि गैया, आरो सोद्रोमाफोरनि फारिया दासिमबो जोबोद एसेल'। नाथाय, बेखौ मिजिंथिनाय जायो। अल्काटेलआ बांसिन सोद्रोमाफोरखौ बुनो आरो थारैनो माखासे बिगियानारि आरो बिरोंदामिनारि जाफुंसारनायफोर खालामनो सम नांगोन", बिथाङा बुंदोंमोन। "गिदिर सोंलु।
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is, how long can the scientists in Alcatel do their science thing in this highly competitive market without the wolves of capitalism requiring profit-generating activities from them," Burney added. For Rittenhouse and Alcatel, Green Touch is an aspirational as much as a practical effort. "This allows us to set an ambitious goal, a very high bar, with an exciting possibility at the end," he said. This beatiful 2012 MB E350 Convertible is a local Ontario vehicle with a clean Carproof report. It comes equipped with AMG Wheels, Power Convertible Hard Top, Keyless Entry, Keyless Start, Navigation, Backup Camera, Parking Sensors, Blind Spot Assist, Lane Keeping Assist, Attention Assist, ESP, Heated Seats, Harman/Kardon Sound System, Bluetooth, AUX, Sirius XM, USB, CD, Bluetooth Audio, AMG Wheels, Bi Xenon Headlights, and lots more!!! She told me this was a Labrador but I think it's ears are too big! I can says lots but,
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बार्नीआ दाजाबदेरदोंमोन, बे जोबोद बादायारि हाथायाव अल्काटेलनि बिगियानगिरिफोरा बेसे गोबावसिम गावसोरनि बिगियाननि खामानिखौ मावनो हागोन, जेराव पुजिबादनि ल'व्सफोरा बिसोरनिफ्राय मुलाम्फा-दिहुनथाय मावथायफोरनि गोनांथि गैया ",। रिटनहाउस आरो अल्काटेलनि थाखाय, ग्रीन टाचआ मोनसे मिजिंथिथाव नाजानायजों लोगोसे मोनसे मोख्थाङारि नाजानायबो।" बेयो जोंनो मोनसे गोसो गुदुं थांखि थि खालामनो गनायथि होयो, मोनसे जोबोद गोजौ थाखो, जोबनायाव मोनसे गोसो बोनो हानाय जाथावना ", बिथाङा बुंदोंमोन। बे समायना 2012 एमबि इ350 कनभार्टिबलआ मोनसे जायगायारि अन्टारिय'गारि, जेराव मोनसे साखोन-सिखोन कारप्रुफ रिपर्ट दं। बेयो एएमजि हुइलस, पावार कनभार्टिबल हार्ड टप, कीलेस एन्ट्रि, कीलेस स्टार्ट, नेभिगेसन, बेकआप केमेरा, पार्किं सेन्सर्स, ब्लाइन्ड स्पट एसिस्ट, लेन किपिं एसिस्ट, एटेनसन एसिस्ट, इएसपि, हीटेड सिट, हारमान/कार्डन साउन्ड सिस्टेम, ब्लुटुथ, अक्स, सिरियास एक्सएम, इउएसबि, सिडि, ब्लुटुथ अडिय ', एएमजि हुइलस, बाइ जेनन हेडलाइटस आरो गोबांजों बुंफबनाय!!!
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barking is below me! New Postman starting next week ! Today I was finally born. I’m sorry you went through so much pain, but I’m here now, and all that’s over. Now we both need to rest. Because there’s an exciting world out there for me to explore with you and Daddy! I’m so glad to finally be out, because there just wasn’t any more room for me. But those first few minutes outside were a bit scary. It was cold, and the lights were so bright! There were people everywhere, and I didn’t know who they were. And I needed to be wrapped up really well. Those warm blankets felt so good, and my little hat with that bow on it made my head feel so warm (even though it messed up my hair)! I love bows, by the way, Mommy. I was exhausted from all of the stress
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आं बुख्रुबबाय! फैगौ सप्तायाव गोदान पस्टमेन जागायनो हमगोन! दिनै आं जोनोम जादों। आं दुखु मोनो दि नों जोबोद दुखु मोनदों, नाथाय आं दा बेयाव दं, आरो बे गासिबो जोबबाय। दा जों सानैबो जिरायनांगौ। मानोना नों आरो आफाजों लोगोसे आं मोनसे रंजाथाव मुलुग नागिरनो दं! जोबनायाव बायजोआव फैनायाव आं जोबोद खुसि, मानोना आंनि थाखाय जेबो जायगा गैयामोन। नाथाय बै गिबि माखासे मिनिटफोरा बायजोआव एसे गिथावमोन। बेयो गुसुमोन, आरो लाइटफोरा जोबोद गोजोंमोन! जेरावबो मानसिफोर दंमोन, आरो आं मिथियामोन दि बिसोर सोरमोन। आरो आं जोबोद मोजाङै खोबजानो गोनांमोन। बै गुदुं कम्बलफोरा जोबोद मोजां मोनदोंमोन, आरो बै बोरलाजों आंनि फिसा टुपीआ आंनि खर'खौ जोबोद गुदुं खालामदोंमोन (बेयो आंनि खानाइखौ गाज्रि खालामदोंमोनब्लाबो)! आं बोरलाबनायखौ मोजां मोनो, जेरैखिजाया, बिमा। आं गासिबो जिंगानिफ्राय मेंदोंमोन।
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of being born, and I couldn’t keep my eyes open. But when the doctor put me in your arms, I immediately knew who you were. You see, I heard your heartbeat, and the rhythm of your breathing; I smelled your scent, and heard your voice. I managed to open my little eyes for a few seconds, and as soon as I saw you, I fell even more in love with you! And Daddy, too! I’m the luckiest baby in the world to have you two as my parents! I know you two will love me and care for me and keep me safe. And my grandparents…I got to see them in the hallway on the way to the nursery, you know. I opened my eyes, and there was my grandmother. She’s beautiful. Just like you. And she reminded me so much of your own grandmother. I tried to smile at
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जोनोम जानायनि, आरो आं आंनि मेगनखौ गेवनो हायाखैमोन। नाथाय जेब्ला डाक्टारा आंखौ नोंनि आखाइजों दोनदोंमोन, अब्ला आं थाबैनो मिन्थिदोंमोन नों सोर। नों नाय, आं नोंनि बिखा मावखांनाय आरो नोंनि हां लानायनि खबामखौ खोनादोंमोन; आं नोंनि मोदोमनाय मोनामदोंमोन, आरो नोंनि गारांखौ खोनादोंमोन। आं माखासे सेकेन्डनि थाखाय आंनि फिसा मेगनखौ खेवनो हादोंमोन, आरो नोंखौ नुबाय थानाय लोगो-लोगो, आं नोंखौ आरोबाव बांसिन मोजां मोनदोंमोन! आरो आफायाबो! आं बुहुमनि बयनिख्रुइबो खाफालगोनांसिन खुदिया दि नों सानैखौबो आंनि बिमा-बिफा महरै मोन्नो हादोंमोन! आं मिथियो नों सानैया आंखौ मोजां मोनगोन आरो आंखौ जोथोन लागोन आरो आंखौ रैखाथि होगोन। आरो आंनि बिबौ-बिबौ... आं बिसोरखौ नार्सारि थांनाय लामायाव थानाय हलवेआव नुनो मोनदोंमोन, नों मिथियो। आं आंनि मेगनखौ खेवदोंमोन, आरो आंनि बिबौमोन। बियो समायना। नों बायदि। आरो बियो आंखौ नोंनि गावनि बिबौनि बागै जोबोद गोसोखांहोदोंमोन। आं मिनिनो नाजादोंमोन।
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her, and I think maybe I did, but I was so tired. My grandfather was there, too. He looked like he was getting ready to cry. That was so cute. Daddy never left my side while they were taking me to the nursery in that little crib, and he stayed right there until I got settled. He was making sure I was comfortable and warm, and he just couldn’t stop looking at me, and telling me how much he loved me. After he left, the doctors kept examining me and not letting me sleep; that did get a little old after a while. But I guess it was for my own good. After giving me a quick warm sponge bath, which tickled, by the way, my nurse put a little shirt on over my head to help keep me warm before she wrapped me in the blanket. I think it’s
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बियो, आरो आं सानो जानो हागौ आं खालामदोंमोन, नाथाय आं जोबोद मेंदोंमोन। आंनि बिबौआबो बैयाव दंमोन। बिखौ ओरैबायदि नुदोंमोन दि बियो गाबनो थियारि जागासिनो दं। बेयो जोबोद समायनामोन। आफाया माब्लाबाबो आंनि फारसे नागाराखैमोन जेब्ला बिसोरो आंखौ बै फिसा खथायाव नार्सारियाव लांगासिनो दंमोन, आरो बियो आं थि जायागौमानि बैयावनो थादोंमोन। बियो रोखा खालामगासिनो दंमोन दि आं आरजाथाव आरो गुदुं, आरो बियो आंखौ नायनायखौ बन्द'खालामनो हायाखैमोन, आरो आंखौ बेसेबां मोजां मोनो खोन्थादोंमोन। बियो थांखांनायनि उनाव, डाक्टरा आंखौ आनजाद नायबाय थादोंमोन आरो उन्दुनो होआखैमोन; बेयो एसे गोबावनि उनाव एसे गोजाम जादोंमोन। नाथाय आं सानो बेयो आंनि गावनि मोजांनि थाखायमोन। आंनो गोख्रै गुदुं स्पन्ज दुगैनायनि उनाव, जाय मिनिथावमोन, आंनि नार्सआ आंनि खर'आव मोनसे फिसा सार्ट गानदोंमोन जाहाथे आं दुंब्रुद थानो हायो आरो उनाव आं कम्बलआव खोबथेयो। आं सानो बेयो मोजांमोन।
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going to take a little while for me to get used to wearing clothes, because they feel a little strange on my skin. But I know I’ll get used to them, and I know you have lots of pretty ones waiting for me at home. There was just so much going on all the time, no wonder I kept sleeping! It was exhausting! Finally they brought me in your room. I just wanted to be with you! I love how we have those matching bracelets…you and me and Daddy! Not that you’d ever not know it was me, but it made me feel good to know they were being so careful. But that sensor tag on my ankle was a bit much, wasn’t it!? I’m sure we’ll laugh about that later. It wasn’t easy getting the hang of that bottle either; those first few times with it I wasn’t real
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आं जि गान्नायनि हुदा जानो एसे सम नांगोन, मानोना बेफोर आंनि बिगुराव एसे गोमोथाव मोनो। नाथाय आं मिथियो दि आं बेफोरखौ बाहायगोन, आरो आं मिथियो दि नोंनाव न'आव गोबां समायनाफोर दं। जेब्लाबो गोबां जागासिनो दंमोन, जेबो सोमोनांथाव नङा दि आं उन्दुलाङोमोन! बेयो मेंनायमोन! जोबनायाव बिसोरो आंखौ नोंनि खथायाव लाबोदोंमोन। आं नोंजों थानो लुबैदोंमोन! आं मोजां मोनोदि जोंहा बैफोर गोरोबनाय ब्रेसलेटफोर दं... नों आरो आं आरो आफा! नों माब्लाबाबो मिथियामोन दि बेयो आंमोन, नाथाय बेयो आंखौ मोजां मोनदांहोदोंमोन दि बिसोरो जोबोद सांग्राङै दंमोन। नाथाय आंनि आथिंनि आथिंआव थानाय सेन्सर टेगआ एसे बांसिनमोन, नंगौना नङा!? आं रोखा दि जों बेनि बागै उनाव मिनिगोन। बै बथलखौ फुनोबो गोरलै नङामोन; गिबि माखासे खेब बेखौ बाहायनायाव आं नंगुबै नङामोन।
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sure what to do. But my little tummy was rumbling so I knew I had to learn! After a few tries I caught on, and that formula tasted pretty good! You and Daddy are really good at feeding me, too. It’s such a special time together, isn’t it?? My grandmother and grandfather enjoyed feeding me, too. Grandmom holds me and talks to me, and sometimes she just looks at me and smiles and smiles! I bet she did that when you were first born, too. I can’t tell you what she was talking to me about, but I’m sure she’ll tell you one day. Now in case you’re wondering how I’m still writing to you even though I’m finally born, and no longer inside of you, it’s really very simple. God wanted to surprise you, so He’s letting me do this for a few more days. I don’t know exactly
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मा खालामनांगौ रोखा। नाथाय आंनि फिसा उदैया दावराव-दावसि खालामगासिनोमोन, बेनिखायनो आं सोलोंदोंमोन दि आं सोलोंनांगोन! माखासे नाजानायनि उनाव आं लोगो हमदोंमोन, आरो बे फर्मुलाया जोबोद मोजां मोनदोंमोन! नों आरो आफाया आंखौ जाहोनो जोबोद मोजां। बेयो जोबोद जुनिया सम, नंगौना नङा? आंनि बिबौ आरो बिबौआबो आंखौ जाहोनो मोजां मोनोमोन। बिबौआ आंखौ हमनानै रायज्लायो, आरो माब्लाबा बियो आंखौ नायबाय थायो आरो मिनिो आरो मिनिो! आं खाथायो दि बियो बेबादि खालामदोंमोन जेब्ला नों गिबि जोनोम जादोंमोन। आं नोंनो बुंनो हाया बियो आंजों मा बाथ्रा रायज्लायगासिनो दंमोन, नाथाय आं रोखा दि बियो सानसे नोंनो खोन्थागोन। दा नों सानदों आं माबोरै नोंनो लिरगासिनो दं, बबेखानि आं जोबनायाव जोनोम जादों, आरो नोंनि सिङाव गैया, बेयो थारैनो जोबोद गोरलै। इसोरआ नोंखौ गोमोहोनो लुबैदोंमोन, बेनिखायनो बियो आंखौ आरोबाव माखासे साननि थाखाय बेखौ खालामनो होयो। आं थारै मिथिया।
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for how long yet, so we’re just going to enjoy it while we can. I don’t think you mind, do you Mommy? And I’m really more tired now than I was before I was born. You notice I’m sleeping most of the time, right? I have to get a lot of rest right now, so I’ll be sleeping a lot for the next few weeks. And when I get more energy we’ll have so much fun together! What an exciting day it’s been though, right!? I’m so excited to finally be out and meeting you and all of my family! And I’m so looking forward to my new life here!!! I love you!! Click on a link below to fill out a short form and receive a response in 24-48 hours. CIM300 is a family of integrated products that provide the software development tools for implementing the GEM 300 SEMI
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बेसे गोबावहालागै, बेनिखायनो जों बेखौ रंजानो हागोन, जेब्लासिम जों हायो। आं सानो नों जेबो सानाखै, मा नों बिमा? आरो आं जोनोम जानायनि सिगांनिफ्राय दा थारैनो बांसिन मेंदों। नों नोजोर होदों आं बांसिन सम उन्दुगासिनो दं, नंगौना? आं दा गोबां जिरायनाय लानांगौ, बेनिखायनो आं फैगौ माखासे सप्ताफोरनि थाखाय गोबां उन्दुगोन। आरो जेब्ला आं बांसिन गोहो मोनगोन जों ज'जानानै जोबोद रंजानाय मोनगोन! नाथाय मा मोनसे रंजाथाव सान जाबाय, नंगौना!? आं जोबनायाव बायजोआव ओंखारनानै नोंखौ आरो आंनि गासै नखरखौ लोगो हमनो थाखाय जोबोद रंजाखांदों! आरो आं बेवहाय आंनि गोदान जिउनि थाखाय जोबोद नेगासिनो!!! आं नोंखौ मोजां मोनो!! गाहायाव होनाय मोनसे लिंकआव क्लिक खालाम, मोनसे गुसुं फर्म आबुं खालामनो आरो 24-48 घन्टायाव फिननायखौ मोन्नो थाखाय। CIM300 आ इन्टिग्रेटेड प्रडाक्टफोरनि मोनसे नखर जाय GEM 300 SEMI खौ बाहायनायनि थाखाय सफ्टवेयार जौगाथाय आगजुफोर जगायो।
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standards. CIM300 is generally purchased by the semiconductor equipment supplier. It can be installed either directly onto the machine’s computer or onto a front-end computer. To implement the controlling and data gathering functionality, software developers must integrate the software with the equipment control software. CIMConnect products provide an efficient, cost-effective method that enables equipment manufacturers to supply SECS/GEM communication interfaces to their customers. CIMConnect also offers the inherent ability for a single equipment to provide information to multiple host interfaces. CIMPortal Plus is a software product that enables equipment suppliers to implement high speed data collection for EDA, a historical database, and other applications. CIMPortal Plus primary customers are equipment suppliers that integrate the product within the equipment control system. SECSConnect is a software development kit for implementing either host or equipment SECS-II messaging in a software application. The communication protocol can be either SECS-I or HSMS. As a COM
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मानथाखो। CIM300 खौ सरासनस्रायै सेमिकन्डक्टर आगजु जगायग्राया बायो। बेखौ मेसिननि कम्पिउटाराव एबा मोनसे फ्रन्ट-एन्ड कम्पिउटाराव थोंजोङै फज'नो हायो। कन्ट्र'लिं आरो डाटा बुथुमनाय खामानिखौ मावफुंनो थाखाय, सफ्टवेयार देभेलपारफोरा सफ्टवेयारखौ आगजु सामलायनाय सफ्टवेयारजों सरजाबनांगोन। CIMConnect दिहुनथायफोरा मोनसे आखा-फाखा, बेसेन-गोनां आदब जगायो जाय आगजु बानायग्राफोरखौ गावसोरनि बायगिरिफोरनो SECS/GEM सुंज्रोब इन्टारफेस जगायनो हायो। CIMConnect आ मोनसे आगजुखौ गोबां ह'स्ट इन्टारफेसफोरनो खौरां जगायनो थाखाय गुबै गोहोबो होयो। CIMPortal Plus आ मोनसे सफ्टवेयार दिहुनथाय जाय आगजु जगायग्राफोरखौ EDA, मोनसे जारिमिनारि डाटाबेस आरो गुबुन बाहायथिनि थाखाय गोजौ गोख्रैथि खारि बुथुमनायखौ मावफुंनो हायो। CIMPortal Plus गुदि बायगिरिफ्रा आगजु जगायग्राफोर जाय दिहुनथायखौ आगजु सामलायनाय खान्थिनि सिङाव सरजाबो। SECSConnect आ मोनसे सफ्टवेयार बाहायथियाव ह'स्ट एबा आगजु SECS-II मेसेजिंखौ बाहायनायनि थाखाय मोनसे सफ्टवेयार जौगाथाय किट। सुंज्रोब प्रट'कलआ SECS-I
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