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- transcript/reaction_0iCPCaalswU.txt +410 -0
- transcript/reaction_81GDmbzSnXk.txt +346 -0
- transcript/reaction_8pVXea261V8.txt +5 -0
- transcript/reaction_9JOQC4wmA38.txt +853 -0
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- transcript/reaction_qNqAopvpLQY.txt +93 -0
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- transcript/travel_0nG7pAXRgvE.txt +103 -0
- transcript/travel_2xJ_hbD4TQA.txt +36 -0
- transcript/travel_3dP6_zpbphw.txt +86 -0
- transcript/travel_6yMJqeV2wjY.txt +163 -0
- transcript/travel_AfutJkk0dO0.txt +66 -0
- transcript/travel_HJAJEc1wcKw.txt +99 -0
- transcript/travel_JiliSSKldH4.txt +4 -0
- transcript/travel_LEoR7_HBuBo.txt +2 -0
- transcript/travel_MGhjvist4gk.txt +514 -0
- transcript/travel_MYf0jBB_Ngw.txt +13 -0
- transcript/travel_N-DfdubmVss.txt +1 -0
- transcript/travel_Q-TQQE1y68c.txt +27 -0
- transcript/travel_QYA7Jy8Z0lA.txt +141 -0
- transcript/travel_WyiC5HT9TTk.txt +62 -0
- transcript/travel_YAV4SDgVv-o.txt +49 -0
- transcript/travel__9uXxudNc98.txt +9 -0
- transcript/travel_a96F4JOq-GI.txt +6 -0
- transcript/travel_cFLjudWTuGQ.txt +145 -0
- transcript/travel_chroICha45g.txt +65 -0
- transcript/travel_cpTgPsUOIOc.txt +47 -0
- transcript/travel_d3g7l3Ha0rI.txt +165 -0
- transcript/travel_eOHkrmfLwXQ.txt +259 -0
- transcript/travel_f5wXtpryDGo.txt +14 -0
- transcript/travel_h8Dul0MOvc8.txt +68 -0
- transcript/travel_lvxJoUuG018.txt +575 -0
- transcript/travel_pOR0iTCuj9E.txt +102 -0
- transcript/travel_qCo3wSGYRbQ.txt +23 -0
- transcript/travel_r0dD24TX3Yc.txt +94 -0
- transcript/travel_r0tWomRZMuA.txt +178 -0
- transcript/travel_u_KZTRy4pDM.txt +18 -0
- transcript/travel_vxqADBvHL18.txt +25 -0
- transcript/travel_xG1zuIXC9dc.txt +1 -0
- transcript/travel_xyyMgSbr11U.txt +9 -0
- transcript/unboxing_0ruY7aiZ-Ws.txt +23 -0
- transcript/unboxing_2i-7m5ZVNY4.txt +170 -0
- transcript/unboxing_30iFUks96NE.txt +244 -0
- transcript/unboxing_5hjL5IDmd9o.txt +126 -0
transcript/reaction_0iCPCaalswU.txt
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| 1 |
+
[0.000 --> 1.640] Hey everybody, Dr. G here.
|
| 2 |
+
[1.640 --> 3.380] I'm a licensed clinical psychologist
|
| 3 |
+
[3.380 --> 4.960] and body language expert.
|
| 4 |
+
[4.960 --> 6.640] And today, we're gonna be analyzing
|
| 5 |
+
[6.640 --> 9.640] the behavior and body language of Wade Wilson.
|
| 6 |
+
[9.640 --> 11.440] Wade Wilson was recently found guilty
|
| 7 |
+
[11.440 --> 14.320] for the murder of two women that he brutally strangled.
|
| 8 |
+
[14.320 --> 15.800] Before we get started with this analysis,
|
| 9 |
+
[15.800 --> 17.200] I wanna to remind you of a couple of things.
|
| 10 |
+
[17.200 --> 19.880] One, this is not a psychological evaluation of any kind.
|
| 11 |
+
[19.880 --> 21.560] These are just my opinions.
|
| 12 |
+
[21.560 --> 23.200] In addition to that, I do wanna remind you
|
| 13 |
+
[23.200 --> 25.680] to like and subscribe if you wanna see more content.
|
| 14 |
+
[25.680 --> 27.360] Just like this, all right, let's go.
|
| 15 |
+
[27.360 --> 28.520] What we're gonna be looking at today
|
| 16 |
+
[28.520 --> 31.000] is Wade Wilson's reaction to the penalty phase of his trial.
|
| 17 |
+
[31.000 --> 32.000] Let's just jump right in.
|
| 18 |
+
[36.640 --> 37.920] I have a verdict form.
|
| 19 |
+
[37.920 --> 39.560] Now the first thing you're probably noticing
|
| 20 |
+
[39.560 --> 41.240] as they're getting the verdict form ready
|
| 21 |
+
[41.240 --> 42.720] is these leaning back.
|
| 22 |
+
[42.720 --> 44.920] Now this is an attempt to appear casual.
|
| 23 |
+
[44.920 --> 47.000] It's an attempt to appear calm.
|
| 24 |
+
[47.000 --> 49.360] As you can see, he's got his nose in the air.
|
| 25 |
+
[49.360 --> 50.760] You're gonna see a lot more of this.
|
| 26 |
+
[50.760 --> 51.600] He's leaning back.
|
| 27 |
+
[51.600 --> 53.320] He's trying to appear calm,
|
| 28 |
+
[53.320 --> 54.560] but we're gonna see there's probably
|
| 29 |
+
[54.560 --> 56.080] a lot more emotion under the surface
|
| 30 |
+
[56.080 --> 57.480] than initially meets the eye.
|
| 31 |
+
[58.880 --> 62.680] I have a verdict form pierced to be in order.
|
| 32 |
+
[62.680 --> 65.520] We'll let the clerk publish the verdict.
|
| 33 |
+
[65.520 --> 66.360] Okay.
|
| 34 |
+
[66.360 --> 70.320] In the circuit court at the twelfth.
|
| 35 |
+
[70.320 --> 72.680] Now you probably noticed a lot of emotion just then.
|
| 36 |
+
[72.680 --> 75.800] First thing you see is a heavy swallow.
|
| 37 |
+
[75.800 --> 78.400] Now as we're allowed to dry out,
|
| 38 |
+
[78.400 --> 80.560] as we're getting more and more anxious,
|
| 39 |
+
[80.560 --> 83.680] it makes us aware of the different processes going on in our body.
|
| 40 |
+
[83.680 --> 86.520] So it ends up oftentimes causing us to think about the sensations
|
| 41 |
+
[86.520 --> 88.160] in our throat causes us to swallow.
|
| 42 |
+
[88.280 --> 89.240] So you're seeing him swallowing,
|
| 43 |
+
[89.240 --> 91.840] which means that he's got a lot of anxiety right now.
|
| 44 |
+
[91.840 --> 93.760] You're also seeing him look around everywhere.
|
| 45 |
+
[93.760 --> 95.440] He doesn't know where to put his eyes.
|
| 46 |
+
[95.440 --> 98.240] There's a lot of anxiety and stress under the surface
|
| 47 |
+
[98.240 --> 100.120] that he doesn't want to show.
|
| 48 |
+
[100.120 --> 101.880] Like I said, the leaning back is an attempt
|
| 49 |
+
[101.880 --> 103.600] to counterbalance how he's feeling.
|
| 50 |
+
[103.600 --> 106.040] Because right now he's probably feeling very intense.
|
| 51 |
+
[106.040 --> 108.480] But as we're gonna talk about with some of the tattoos,
|
| 52 |
+
[108.480 --> 110.200] that's the last way that he would want you
|
| 53 |
+
[110.200 --> 112.240] to think that he feels right now, I think.
|
| 54 |
+
[113.960 --> 116.440] I have a verdict form pierced to be in order.
|
| 55 |
+
[116.520 --> 118.120] Let the clerk publish the verdict.
|
| 56 |
+
[120.560 --> 123.240] In the circuit court of the 20th judicial,
|
| 57 |
+
[123.240 --> 125.240] see there's those deep swallows again.
|
| 58 |
+
[125.240 --> 127.040] He's starting to blink more.
|
| 59 |
+
[127.040 --> 130.080] The stress is building and building circuit
|
| 60 |
+
[130.080 --> 134.040] and in Fort Lee County, Florida, criminal action.
|
| 61 |
+
[134.040 --> 138.640] Fata, Florida, first way Wilson case number.
|
| 62 |
+
[138.640 --> 141.320] You can also see his chest moving up and down pretty rapidly.
|
| 63 |
+
[141.320 --> 144.440] Actually, he's taking heavy, deep breaths.
|
| 64 |
+
[144.440 --> 146.720] The reason we do that is when our heart pumps harder,
|
| 65 |
+
[146.720 --> 149.560] when our heart beats faster, it uses up more oxygen.
|
| 66 |
+
[149.560 --> 152.240] Therefore, we need to breathe heavier, we need to breathe more.
|
| 67 |
+
[152.240 --> 153.640] So right now you're seeing somebody
|
| 68 |
+
[153.640 --> 155.840] who's feeling a tremendous amount of stress.
|
| 69 |
+
[155.840 --> 158.000] As most people would in a situation like this,
|
| 70 |
+
[158.000 --> 159.720] but he doesn't want to show it.
|
| 71 |
+
[159.720 --> 162.280] So some people want you to see how stressed out they are.
|
| 72 |
+
[162.280 --> 163.240] Some people do not.
|
| 73 |
+
[163.240 --> 164.920] And some people don't seem to feel much of anything.
|
| 74 |
+
[164.920 --> 167.080] I've absolutely watched verdicts being read
|
| 75 |
+
[167.080 --> 170.120] where people seem to feel or experience very little.
|
| 76 |
+
[170.120 --> 171.920] This does not seem to be the case with him.
|
| 77 |
+
[171.920 --> 174.040] I think that he's someone that feels very intensely
|
| 78 |
+
[174.160 --> 176.840] and right now, as I said before, he's leaning back,
|
| 79 |
+
[176.840 --> 177.960] he's got his nose in the air,
|
| 80 |
+
[177.960 --> 179.680] we put our nose in the air to show everybody else
|
| 81 |
+
[179.680 --> 182.080] that we're better than them that we're above a certain situation.
|
| 82 |
+
[182.080 --> 184.680] So he's basically saying, this doesn't affect me,
|
| 83 |
+
[184.680 --> 187.040] but as we can see, it seems very much to affect him.
|
| 84 |
+
[188.360 --> 192.840] Fata, Florida, first way Wilson case number.
|
| 85 |
+
[192.840 --> 195.840] 19 CF 568.
|
| 86 |
+
[198.080 --> 200.840] Jury verdict form, penalty phase.
|
| 87 |
+
[201.680 --> 202.680] We the jury.
|
| 88 |
+
[202.720 --> 205.120] All right, now you see that little twitch in the corner of his mouth.
|
| 89 |
+
[205.120 --> 207.360] So they said penalty phase, big swallow,
|
| 90 |
+
[207.360 --> 208.840] so twitch in the corner of his mouth.
|
| 91 |
+
[208.840 --> 210.840] What this is is contempt.
|
| 92 |
+
[210.840 --> 213.920] Now, most emotions we see on both sides of the body,
|
| 93 |
+
[213.920 --> 214.840] except for contempt.
|
| 94 |
+
[214.840 --> 216.440] So when somebody smiles, both sides,
|
| 95 |
+
[216.440 --> 219.160] frowns both sides, you get the idea.
|
| 96 |
+
[219.160 --> 221.040] But when you see this weird little twitch,
|
| 97 |
+
[221.040 --> 222.440] that is a contemptuous feeling.
|
| 98 |
+
[222.440 --> 225.280] So he feels contempt that they're getting ready to read him
|
| 99 |
+
[225.280 --> 228.160] this verdict that they're getting ready to read him the penalty.
|
| 100 |
+
[229.160 --> 232.080] Jury verdict form, penalty phase.
|
| 101 |
+
[233.120 --> 234.360] That's the look right there.
|
| 102 |
+
[234.360 --> 236.880] A one-sided smirk, a quick twitch on his face,
|
| 103 |
+
[236.880 --> 238.960] because the feelings of contempt are so intense.
|
| 104 |
+
[238.960 --> 241.840] And part of the reason is that he has no control at this point.
|
| 105 |
+
[241.840 --> 243.600] You got to realize somebody like him
|
| 106 |
+
[243.600 --> 247.480] is going to absolutely want to be in complete and utter control
|
| 107 |
+
[247.480 --> 248.440] at any given time.
|
| 108 |
+
[248.440 --> 249.920] And in this situation right here,
|
| 109 |
+
[249.920 --> 252.360] when you have a jury member reading something to you
|
| 110 |
+
[252.360 --> 253.600] and you have no control,
|
| 111 |
+
[253.600 --> 255.760] that's going to stir up feelings of contempt
|
| 112 |
+
[255.760 --> 257.360] and probably other feelings as well.
|
| 113 |
+
[257.520 --> 261.200] He's in a bold doubt that Wade Wilson was previously
|
| 114 |
+
[261.200 --> 266.200] convicted of a felony and under sentence of imprisonment.
|
| 115 |
+
[266.320 --> 268.800] Now, something that's going to be absolutely torturous to him
|
| 116 |
+
[268.800 --> 270.640] is how long it's taking,
|
| 117 |
+
[270.640 --> 273.640] because there's a process the jury has to read through this.
|
| 118 |
+
[273.640 --> 276.080] They have to read the statement
|
| 119 |
+
[276.080 --> 277.720] in essence that's written down.
|
| 120 |
+
[277.720 --> 279.680] And so he's not going to like this.
|
| 121 |
+
[279.680 --> 281.720] He's going to want to just go ahead and get things over with.
|
| 122 |
+
[281.720 --> 283.280] So he is sitting there.
|
| 123 |
+
[283.280 --> 284.040] He's simmering.
|
| 124 |
+
[284.040 --> 286.680] He's struggling to make it through this,
|
| 125 |
+
[286.680 --> 288.160] because he has to sit there and listen
|
| 126 |
+
[288.160 --> 289.960] yet he wants an answer quickly.
|
| 127 |
+
[289.960 --> 292.640] So for somebody like him who's probably impatient,
|
| 128 |
+
[292.640 --> 294.080] probably impulsive,
|
| 129 |
+
[294.080 --> 296.920] this is going to be torturous for him basically.
|
| 130 |
+
[296.920 --> 299.520] Or placed on community control
|
| 131 |
+
[299.520 --> 302.440] or unfelomy probation.
|
| 132 |
+
[302.440 --> 303.280] Yes.
|
| 133 |
+
[304.320 --> 308.720] We the jury find unanimously that this state has established.
|
| 134 |
+
[308.720 --> 310.640] And as you can see, the deep swallowing again,
|
| 135 |
+
[310.640 --> 312.160] he also looked at the camera right here.
|
| 136 |
+
[312.160 --> 313.280] Watch this right here.
|
| 137 |
+
[314.240 --> 315.960] We the jury.
|
| 138 |
+
[316.000 --> 318.720] He has a lot of anxiety and he knows it.
|
| 139 |
+
[318.720 --> 320.080] And I think that he wants to make sure
|
| 140 |
+
[320.080 --> 322.880] that everybody sees what he wants people to see.
|
| 141 |
+
[322.880 --> 325.160] I mean, you have to think about the tattoos that he has.
|
| 142 |
+
[325.160 --> 327.040] He's very big on appearance.
|
| 143 |
+
[327.040 --> 328.840] You don't get a schwas to get tattooed in your face
|
| 144 |
+
[328.840 --> 330.560] without knowing that people are looking at you
|
| 145 |
+
[330.560 --> 332.840] and thinking about how people are perceiving you.
|
| 146 |
+
[332.840 --> 334.400] He wants people to be afraid of him.
|
| 147 |
+
[334.400 --> 335.560] He wants to be intimidating.
|
| 148 |
+
[335.560 --> 337.560] He wants to control how others feel.
|
| 149 |
+
[337.560 --> 339.360] And he has no control right now.
|
| 150 |
+
[339.360 --> 340.800] So knowing he's being recorded,
|
| 151 |
+
[340.800 --> 342.320] knowing this is taking a while,
|
| 152 |
+
[342.320 --> 344.680] these are all things are going to add to his frustration
|
| 153 |
+
[344.680 --> 345.920] and his stress.
|
| 154 |
+
[345.920 --> 349.080] Very fine unanimously that this state has established
|
| 155 |
+
[349.080 --> 352.000] beyond a reasonable doubt that Wade Wilson
|
| 156 |
+
[352.000 --> 356.280] was previously convicted of another capital felony
|
| 157 |
+
[356.280 --> 360.360] or of a felony involved in the use of threat of violence
|
| 158 |
+
[360.360 --> 361.800] to the person.
|
| 159 |
+
[361.800 --> 363.400] Yes.
|
| 160 |
+
[363.400 --> 365.800] Now you saw him blink very slowly right there.
|
| 161 |
+
[365.800 --> 367.720] Now blinking naturally is very quick.
|
| 162 |
+
[367.720 --> 369.720] That was very slow, which means it was intentional.
|
| 163 |
+
[369.720 --> 370.840] Watch this again.
|
| 164 |
+
[370.840 --> 374.240] Use of threat of violence to the person.
|
| 165 |
+
[374.240 --> 375.080] Yes.
|
| 166 |
+
[375.960 --> 377.400] We the jury.
|
| 167 |
+
[377.400 --> 378.560] So that's slow blink.
|
| 168 |
+
[378.560 --> 380.160] This means that he is giving thought
|
| 169 |
+
[380.160 --> 381.480] to how he's being perceived.
|
| 170 |
+
[381.480 --> 382.440] He blink slowly.
|
| 171 |
+
[382.440 --> 383.680] He looked at the camera.
|
| 172 |
+
[383.680 --> 385.200] He's trying to remain calm
|
| 173 |
+
[385.200 --> 387.720] because I think that that's how he wants to appear
|
| 174 |
+
[387.720 --> 389.240] to everybody else that he's calm.
|
| 175 |
+
[389.240 --> 390.040] That he's above this.
|
| 176 |
+
[390.040 --> 391.480] He doesn't care what's being said.
|
| 177 |
+
[391.480 --> 393.320] He doesn't care the outcome here.
|
| 178 |
+
[393.320 --> 395.240] That he is unaffected,
|
| 179 |
+
[395.240 --> 398.360] which once again does not seem to be the case.
|
| 180 |
+
[398.360 --> 400.520] You may not honestly find that this state has
|
| 181 |
+
[400.520 --> 401.920] and there was that contempt again.
|
| 182 |
+
[401.920 --> 403.280] Watch this right here.
|
| 183 |
+
[403.280 --> 404.760] To the person.
|
| 184 |
+
[404.760 --> 406.600] Yes.
|
| 185 |
+
[406.600 --> 410.040] We the jury unanimously find that.
|
| 186 |
+
[410.040 --> 413.120] So we the jury unanimously find immediately.
|
| 187 |
+
[413.120 --> 415.120] I think he's preparing himself once again
|
| 188 |
+
[415.120 --> 416.360] for what's getting ready to be said.
|
| 189 |
+
[416.360 --> 418.360] He knows it's not going to go his way,
|
| 190 |
+
[418.360 --> 420.880] but he knows how uncomfortable it's going to feel
|
| 191 |
+
[420.880 --> 422.560] to have to hear this, have to listen to this,
|
| 192 |
+
[422.560 --> 425.080] have people looking at him when this is being said.
|
| 193 |
+
[425.080 --> 428.080] And so once again, there's that contempt right there.
|
| 194 |
+
[428.080 --> 430.800] You need to be find that the state has established
|
| 195 |
+
[430.800 --> 434.640] beyond a reasonable doubt that the first degree murder
|
| 196 |
+
[434.640 --> 439.160] was especially pennious, atrocious, or cruel, yes.
|
| 197 |
+
[442.200 --> 445.640] We the jury unanimously find that this state
|
| 198 |
+
[445.640 --> 448.360] has established beyond a reasonable doubt
|
| 199 |
+
[448.360 --> 451.240] that the first degree murder was committed
|
| 200 |
+
[451.240 --> 455.240] in a cold, calculated, and premeditated manner
|
| 201 |
+
[455.240 --> 458.760] without any pretense of moral or legal justification.
|
| 202 |
+
[458.760 --> 460.680] I do think the fact that there's a process,
|
| 203 |
+
[460.680 --> 462.840] the fact that he has no control once again,
|
| 204 |
+
[462.840 --> 463.840] is making him struggle.
|
| 205 |
+
[463.840 --> 465.200] You see that he doesn't know where to look.
|
| 206 |
+
[465.200 --> 466.520] He keeps looking around.
|
| 207 |
+
[466.520 --> 468.320] And then he continues to look back at the camera.
|
| 208 |
+
[468.320 --> 469.960] He seems to have this pattern of looking around,
|
| 209 |
+
[469.960 --> 471.040] looking at the camera.
|
| 210 |
+
[471.040 --> 474.240] There's just so much discomfort right now.
|
| 211 |
+
[474.240 --> 476.720] That Wade Wilson should be sentenced to death.
|
| 212 |
+
[479.640 --> 484.240] As to count for, first degree murder, Diane Ruiz,
|
| 213 |
+
[484.240 --> 488.080] we did jury unanimously find that this state has established
|
| 214 |
+
[488.080 --> 489.600] beyond a reasonable doubt.
|
| 215 |
+
[489.600 --> 491.640] And as you can see, he was taking deep breaths,
|
| 216 |
+
[491.640 --> 493.800] staring straight ahead after hearing that,
|
| 217 |
+
[493.800 --> 496.280] trying to process the fact that they basically said
|
| 218 |
+
[496.280 --> 497.840] that he's gonna get the death penalty.
|
| 219 |
+
[497.840 --> 499.840] So at that point, he'd been waiting for it.
|
| 220 |
+
[499.840 --> 501.160] He'd been anticipating it.
|
| 221 |
+
[501.160 --> 502.680] And then he's trying to manage the feelings
|
| 222 |
+
[502.680 --> 503.680] that come with that.
|
| 223 |
+
[503.680 --> 507.760] Of aggravating factors.
|
| 224 |
+
[507.760 --> 510.440] We the jury can make...
|
| 225 |
+
[510.440 --> 512.040] So if you look at the tattoos that he has,
|
| 226 |
+
[512.040 --> 513.360] obviously there's a couple of schwases
|
| 227 |
+
[513.360 --> 515.360] because they're the whole goal is to assert
|
| 228 |
+
[515.360 --> 516.840] mental dominance over people.
|
| 229 |
+
[516.840 --> 519.280] So when people look at him, they know that he is hateful.
|
| 230 |
+
[519.280 --> 521.520] They know that he's angry to go ahead
|
| 231 |
+
[521.520 --> 523.640] and assert dominance of some kind.
|
| 232 |
+
[523.640 --> 526.280] If you look at the mouth stitches,
|
| 233 |
+
[526.280 --> 528.440] what looks to be so in-shoot, it's presumably,
|
| 234 |
+
[528.440 --> 530.560] I assume some of it, that's probably a throwback
|
| 235 |
+
[530.560 --> 534.080] to the Joker from the Dark Knight who had the cuts on his face.
|
| 236 |
+
[534.080 --> 536.360] And so there's some idea that he's unpredictable,
|
| 237 |
+
[536.360 --> 537.480] that he's wild.
|
| 238 |
+
[537.480 --> 539.600] But the point is, is that with these tattoos,
|
| 239 |
+
[539.600 --> 542.440] he's trying to wear who he is very much on his face.
|
| 240 |
+
[542.440 --> 543.760] He wants you to see this.
|
| 241 |
+
[543.760 --> 546.960] This is the goal of this, is to show you who he is.
|
| 242 |
+
[546.960 --> 548.600] The goal of this is to make a statement
|
| 243 |
+
[548.640 --> 549.440] when people look at him.
|
| 244 |
+
[549.440 --> 552.360] So you gotta think about the fact that somebody
|
| 245 |
+
[552.360 --> 555.920] that has these types of tattoos really is trying
|
| 246 |
+
[555.920 --> 558.040] to speak to people without saying anything.
|
| 247 |
+
[558.040 --> 560.120] Features built for the death penalty,
|
| 248 |
+
[560.120 --> 563.200] your recommendation must be for a penalty of life
|
| 249 |
+
[563.200 --> 567.480] and prison without the possibility of parole.
|
| 250 |
+
[567.480 --> 569.720] If eight or more jurors vote for him.
|
| 251 |
+
[569.720 --> 571.840] It also looks like he's trying to keep us
|
| 252 |
+
[571.840 --> 573.920] a slight smirk on his face right now.
|
| 253 |
+
[573.920 --> 575.120] It's a little bit hard to tell.
|
| 254 |
+
[575.120 --> 576.320] And the fact that there's that tattoo
|
| 255 |
+
[576.320 --> 577.240] makes it more distracting,
|
| 256 |
+
[577.240 --> 580.880] but it looks like he's trying to keep a slight smile
|
| 257 |
+
[580.880 --> 581.800] on his face.
|
| 258 |
+
[581.800 --> 584.160] Although based on all of the stress he's shown so far,
|
| 259 |
+
[584.160 --> 586.280] I'm not sure that he actually feels any happiness
|
| 260 |
+
[586.280 --> 588.680] or that he actually feels any degree of being pleased
|
| 261 |
+
[588.680 --> 590.160] with anything going on right now.
|
| 262 |
+
[590.160 --> 592.520] If anything, I think that he's probably very frustrated
|
| 263 |
+
[592.520 --> 595.000] by the fact that he has no control in this moment.
|
| 264 |
+
[595.000 --> 597.080] And once again, you look at his tattoos,
|
| 265 |
+
[597.080 --> 598.280] those are all about controlling,
|
| 266 |
+
[598.280 --> 600.760] controlling how other people feel when they look at him.
|
| 267 |
+
[600.760 --> 603.520] Because the death penalty, your recommendation must be
|
| 268 |
+
[603.520 --> 606.040] for the death penalty.
|
| 269 |
+
[606.040 --> 608.800] We have further considered whether Wade Wilson
|
| 270 |
+
[608.800 --> 611.200] should be sentenced to life and prison
|
| 271 |
+
[611.200 --> 614.760] without the possibility of parole or death.
|
| 272 |
+
[616.240 --> 620.280] With a jury, find by a vote of 10 to 2,
|
| 273 |
+
[620.280 --> 623.640] that Wade Wilson should be sentenced to death.
|
| 274 |
+
[623.640 --> 628.640] They did this 25th day of June, 2024, and me county.
|
| 275 |
+
[628.760 --> 631.080] Now, right now to me, after they had said
|
| 276 |
+
[631.080 --> 632.320] that he should be sentenced to death,
|
| 277 |
+
[632.320 --> 635.040] he looks to me like he's trying to hide a little bit.
|
| 278 |
+
[635.040 --> 637.160] Because at that point, he's sitting very still.
|
| 279 |
+
[637.160 --> 639.200] Watch this part right here.
|
| 280 |
+
[639.200 --> 644.440] Of 10 to 2, that Wade Wilson should be sentenced to death.
|
| 281 |
+
[644.440 --> 648.400] They did this 25th day of June, 2024,
|
| 282 |
+
[648.400 --> 652.600] and me county, Florida, four person, two, third.
|
| 283 |
+
[652.600 --> 654.480] So oftentimes, when we feel danger,
|
| 284 |
+
[654.480 --> 656.760] when we feel a threat, we tend to freeze.
|
| 285 |
+
[656.760 --> 658.960] And I think at that moment, that's exactly what's happening.
|
| 286 |
+
[658.960 --> 660.240] He's freezing.
|
| 287 |
+
[660.240 --> 662.320] He hears that he's going to be sentenced to death,
|
| 288 |
+
[662.320 --> 663.520] that makes him freeze.
|
| 289 |
+
[663.520 --> 666.880] And that's the body response to that in a very literal way.
|
| 290 |
+
[666.880 --> 667.720] Number four.
|
| 291 |
+
[671.640 --> 675.600] Does anybody want the jurors to be pulled?
|
| 292 |
+
[675.600 --> 676.960] OK.
|
| 293 |
+
[676.960 --> 679.080] Members of the jury, we're going to ask each of you
|
| 294 |
+
[679.080 --> 683.040] about the jury's decisions that you have just heard.
|
| 295 |
+
[683.040 --> 685.160] And I'm going to go juror by juror by number.
|
| 296 |
+
[685.160 --> 690.360] So juror, do you juror 97 agree that the decisions
|
| 297 |
+
[690.360 --> 695.280] as read by the clerk accurately reflect with the jury decided?
|
| 298 |
+
[695.280 --> 697.680] Juror 205.
|
| 299 |
+
[697.680 --> 700.360] Do you agree that the decisions as read by the clerk
|
| 300 |
+
[700.360 --> 702.360] accurately reflect with the jury?
|
| 301 |
+
[702.360 --> 705.040] So as he's going through and asking each juror
|
| 302 |
+
[705.040 --> 706.960] if they in fact made that decision
|
| 303 |
+
[706.960 --> 709.080] or if they agree with what's being said,
|
| 304 |
+
[709.080 --> 711.600] you can see he's looking at people one after the other.
|
| 305 |
+
[711.600 --> 713.400] And this is meant to be intimidating.
|
| 306 |
+
[713.400 --> 715.680] So now, when he's not having to sit and listen
|
| 307 |
+
[715.680 --> 718.000] to what's getting ready to be read, he was looking around.
|
| 308 |
+
[718.000 --> 718.920] He was looking anxious.
|
| 309 |
+
[718.920 --> 721.160] Now he's looking directly at people from what I can tell.
|
| 310 |
+
[721.160 --> 724.760] He's probably looking at each juror trying to be intimidating.
|
| 311 |
+
[724.760 --> 728.000] Decide it.
|
| 312 |
+
[728.000 --> 731.840] Juror 101, do you agree that the decisions
|
| 313 |
+
[731.840 --> 734.400] as read by the clerk accurately reflect with the jury
|
| 314 |
+
[734.400 --> 736.360] decided?
|
| 315 |
+
[736.360 --> 740.320] Juror 215, do you agree that the decisions
|
| 316 |
+
[740.320 --> 743.760] as read by the clerk accurately reflect with the jury decided?
|
| 317 |
+
[743.760 --> 745.760] Yes, juror.
|
| 318 |
+
[745.760 --> 746.440] Juror.
|
| 319 |
+
[746.440 --> 748.520] And this is something I say on a number of videos.
|
| 320 |
+
[748.520 --> 751.280] But I really want you to consider the kind of person
|
| 321 |
+
[751.280 --> 754.440] that would commit the types of acts that Wade Wilson did.
|
| 322 |
+
[754.440 --> 756.880] The kinds of things that he did, the amount of control
|
| 323 |
+
[756.880 --> 760.000] that he needs, the amount of control that's lost right here
|
| 324 |
+
[760.000 --> 763.200] is probably almost too much to bear.
|
| 325 |
+
[763.200 --> 765.960] It's so significant for somebody like this
|
| 326 |
+
[765.960 --> 768.600] to be on the receiving end of having no control
|
| 327 |
+
[768.600 --> 770.280] and having people saying in a very direct way,
|
| 328 |
+
[770.280 --> 772.760] yes, I believe that this person should be sentenced to death.
|
| 329 |
+
[772.760 --> 775.520] That the decisions as read by the clerk accurately reflect
|
| 330 |
+
[775.520 --> 776.640] with the jury decided?
|
| 331 |
+
[776.640 --> 778.440] Yes, sir.
|
| 332 |
+
[778.720 --> 782.080] Juror 315, do you agree that the decisions
|
| 333 |
+
[782.080 --> 784.760] as read by the clerk accurately reflect with the jury?
|
| 334 |
+
[784.760 --> 787.000] And as you can see, he's only moving his eyes
|
| 335 |
+
[787.000 --> 789.120] rather than moving his whole head and looking at people
|
| 336 |
+
[789.120 --> 791.360] because he wants to get off an air of nonchalance.
|
| 337 |
+
[791.360 --> 793.240] He wants to make it seem like he doesn't really care
|
| 338 |
+
[793.240 --> 795.160] but also wants to seem intimidating.
|
| 339 |
+
[795.160 --> 798.080] So his style of doing this, his style of sitting still
|
| 340 |
+
[798.080 --> 800.160] and then staring at people are only using his eyes
|
| 341 |
+
[800.160 --> 803.480] to look is really a way to appear calm.
|
| 342 |
+
[803.480 --> 805.800] Juror 09, do you agree that the decisions
|
| 343 |
+
[805.800 --> 808.000] as read by the clerk accurately reflect
|
| 344 |
+
[808.000 --> 809.200] with the jury decided?
|
| 345 |
+
[811.880 --> 813.640] Ladies and gentlemen, I wish to thank you
|
| 346 |
+
[813.640 --> 815.920] for your time and consideration of this case.
|
| 347 |
+
[815.920 --> 817.400] I also wish to advise you
|
| 348 |
+
[817.400 --> 820.480] of some very special privileges enjoyed by jurors.
|
| 349 |
+
[820.480 --> 822.880] With that, we thank you again for your service.
|
| 350 |
+
[822.880 --> 825.080] Gather your belongings, make sure you don't leave anything
|
| 351 |
+
[825.080 --> 827.400] in the jury room and the bailiff will escort you
|
| 352 |
+
[827.400 --> 829.160] out, you are discharged.
|
| 353 |
+
[829.160 --> 830.000] All right.
|
| 354 |
+
[835.960 --> 838.840] Now, as you can see, he turns to actually face the jury
|
| 355 |
+
[838.840 --> 839.680] a little bit.
|
| 356 |
+
[839.680 --> 841.600] He's keeping his chest open, basically saying,
|
| 357 |
+
[841.600 --> 842.880] I don't feel threatened by you.
|
| 358 |
+
[842.880 --> 845.360] I'm going to stay open and I don't need to protect myself
|
| 359 |
+
[845.360 --> 846.120] from you.
|
| 360 |
+
[846.120 --> 848.080] He's also got his thumbs tucked into his pants,
|
| 361 |
+
[848.080 --> 850.200] which in some ways is to show that he's feeling casual.
|
| 362 |
+
[850.200 --> 852.560] It's an attempt to try to appear nonchalant
|
| 363 |
+
[852.560 --> 853.720] about what's going on.
|
| 364 |
+
[853.720 --> 856.480] But as he's facing the jury, it's meant to both not only
|
| 365 |
+
[856.480 --> 858.840] look nonchalant but also to look intimidating.
|
| 366 |
+
[858.840 --> 861.280] The idea of facing and the idea of looking at them.
|
| 367 |
+
[866.280 --> 867.800] I mean, you really have to consider the fact
|
| 368 |
+
[867.800 --> 871.240] that this is someone who has literal visible schwassticas
|
| 369 |
+
[871.240 --> 873.440] tattooed on his face and on his head.
|
| 370 |
+
[873.440 --> 876.480] The goal of intimidating people is clear for him.
|
| 371 |
+
[876.480 --> 878.640] That's obviously something that's important to him
|
| 372 |
+
[878.640 --> 879.920] and something that he wants to do.
|
| 373 |
+
[879.920 --> 882.240] And I really think that he's trying to do that right now.
|
| 374 |
+
[887.280 --> 888.640] All right, please be seated.
|
| 375 |
+
[893.000 --> 894.840] All right.
|
| 376 |
+
[894.840 --> 897.440] What says the state in regards to San Francisco?
|
| 377 |
+
[897.440 --> 898.600] I know we have to have this.
|
| 378 |
+
[898.600 --> 901.320] And look how wide open his legs are right now.
|
| 379 |
+
[901.320 --> 902.440] Now part of the reason we do this
|
| 380 |
+
[902.440 --> 903.640] is to assert dominance.
|
| 381 |
+
[903.640 --> 907.000] As to show I can take up as much space as humanly possible.
|
| 382 |
+
[907.000 --> 908.960] It's I'm going to show no difference to the court.
|
| 383 |
+
[908.960 --> 912.640] I'm going to be as big as I can be because I'm important
|
| 384 |
+
[912.640 --> 914.800] and I can take up whatever room I want.
|
| 385 |
+
[914.800 --> 916.200] And so hearing.
|
| 386 |
+
[916.200 --> 917.360] Yes.
|
| 387 |
+
[917.360 --> 919.040] And if you need to go ahead.
|
| 388 |
+
[919.040 --> 920.360] So we'll go ahead and stop here.
|
| 389 |
+
[920.360 --> 922.440] Today we saw somebody who seems to really
|
| 390 |
+
[922.440 --> 924.640] want to give off the impression that they were feeling calm,
|
| 391 |
+
[924.640 --> 926.760] that they were above everything going on around them,
|
| 392 |
+
[926.760 --> 928.880] that they weren't intimidated by the things happening.
|
| 393 |
+
[928.880 --> 930.960] But at the same time, it appeared at times
|
| 394 |
+
[930.960 --> 932.160] that he wanted to intimidate.
|
| 395 |
+
[932.160 --> 934.520] He wanted to scare the jury, I'm guessing.
|
| 396 |
+
[934.520 --> 936.480] He wanted to feel powerful in those moments
|
| 397 |
+
[936.480 --> 939.080] because this at a very real way is a situation
|
| 398 |
+
[939.080 --> 941.360] where he doesn't have any power.
|
| 399 |
+
[941.360 --> 942.920] Hopefully this is helping you better understand
|
| 400 |
+
[942.920 --> 944.440] some of the behavior and the body language
|
| 401 |
+
[944.440 --> 945.320] that we saw today.
|
| 402 |
+
[945.320 --> 946.840] If you have any other thoughts, please let me know
|
| 403 |
+
[946.840 --> 947.680] in the comments below.
|
| 404 |
+
[947.680 --> 950.160] And if there are other situations, other trials,
|
| 405 |
+
[950.160 --> 952.800] anything else you want me to analyze, please let me know.
|
| 406 |
+
[952.800 --> 953.920] Last thing before we get finished up
|
| 407 |
+
[953.920 --> 955.640] is I do want to remind you to like and subscribe
|
| 408 |
+
[955.640 --> 957.200] if you want to see more content.
|
| 409 |
+
[957.200 --> 957.800] Just like this.
|
| 410 |
+
[957.800 --> 959.800] All right, thanks for watching.
|
transcript/reaction_81GDmbzSnXk.txt
ADDED
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|
| 1 |
+
[0.000 --> 4.160] Today, I'm going to talk about Bill Cosby. He got in trouble for some pretty heinous stuff a
|
| 2 |
+
[4.160 --> 7.840] little while back. And now he's out free right around. Greg, what are you going to tell us about
|
| 3 |
+
[7.840 --> 12.720] the videos we're going to watch? Yeah, these videos were not meant to be about criminal charges
|
| 4 |
+
[12.720 --> 19.840] against Cosby. These videos were originally part of an interview by AP about an Arctic exhibit.
|
| 5 |
+
[19.840 --> 23.760] And this reporter happened to ask him questions about the charges at the end.
|
| 6 |
+
[24.720 --> 30.400] I have to ask about your name coming up in the news recently regarding this comedian.
|
| 7 |
+
[31.120 --> 36.800] No, no, we don't answer that. Okay, I just wanted to ask if you wanted to respond at all about
|
| 8 |
+
[36.800 --> 46.800] whether any of that was true. There's no response. Okay, can I ask you if with the persona that people
|
| 9 |
+
[46.800 --> 53.040] know about Bill Cosby, should they believe anything differently about what? There is no comment
|
| 10 |
+
[53.040 --> 64.560] about that. Okay. And I'll tell you why. I think you were told I don't want to compromise your
|
| 11 |
+
[64.560 --> 75.600] integrity, but we don't I don't talk about it. If you don't know who we are, we're the behavior
|
| 12 |
+
[75.600 --> 80.480] panel. And I'm Scott Rouse. I'm a body language expert and analyst and I train law enforcement
|
| 13 |
+
[80.480 --> 84.960] in the military and interrogation and body language. And I created the number one online body language
|
| 14 |
+
[86.320 --> 91.840] course. We Greg Hartley body language tactics mark. I'm Mark Bowden. I'm an expert in human
|
| 15 |
+
[91.840 --> 96.160] behavior and body language help people all over the world to stand out, win trust, gain credibility
|
| 16 |
+
[96.160 --> 101.920] every time they communicate, including some of the leaders of the G7 chase. I am cheese used to
|
| 17 |
+
[101.920 --> 105.360] 20 years in the military room. The number one best selling book on behavior profiling and
|
| 18 |
+
[105.360 --> 110.640] influence. I teach intelligence operatives and the general public in those things today. Greg
|
| 19 |
+
[111.680 --> 116.000] Greg Hartley, I'm a former Army interrogator interrogation instructor, resistance to interrogation
|
| 20 |
+
[116.000 --> 120.080] instructor. Never written 10 books on body language and behavior. I spend most of my time in business.
|
| 21 |
+
[120.880 --> 124.880] All right, Mark, what do you got? Yeah, so there's quite a bit of distancing in here. Well,
|
| 22 |
+
[124.880 --> 131.200] first of all, we get your name, which is distancing and there's some waiver in the interviewer's
|
| 23 |
+
[131.200 --> 136.080] voice. I think the interviewer is already under a lot of pressure here. Why not? You got Bill Cosby
|
| 24 |
+
[136.080 --> 143.120] there, arguably at the time, one of the most famous comedians ever. What are how many albums?
|
| 25 |
+
[143.120 --> 148.720] Probably Scott Diddy-Sell. I mean, more than most ever comedians ever sold. Everybody had,
|
| 26 |
+
[148.720 --> 156.240] you know, one of his albums. So extremely famous person there and and and a high value person
|
| 27 |
+
[156.240 --> 163.120] to be interviewing. So even to approach this subject, there's some distancing going on,
|
| 28 |
+
[163.120 --> 169.440] but Cosby doesn't close any of that distance at all. So we've got your name, this comedian,
|
| 29 |
+
[169.440 --> 175.920] we we don't answer that. Now, why is he using we? Potentially his wife is next to him. So it may be
|
| 30 |
+
[175.920 --> 182.640] maybe involving the wife in the interview. The persona of Bill Cosby, the guy's there right in front
|
| 31 |
+
[182.640 --> 191.600] of you. You don't need to to distance, but he is distancing. There is no comment. You, I
|
| 32 |
+
[191.600 --> 201.840] he does say you in the end. I don't want to compromise you. But we don't I don't your integrity.
|
| 33 |
+
[202.480 --> 206.880] I don't know, there's just a lot of distancing in there. That's all I got on that one. Chase,
|
| 34 |
+
[206.880 --> 212.000] what do you think? Yes, so right here, you could see this this this trepidation in the interviewer's
|
| 35 |
+
[212.000 --> 219.360] voice. I think for the rest of the interview is pretty smooth. And I think this was an anticipation
|
| 36 |
+
[219.360 --> 223.920] of asking this question. And I think this is a fighter flight response where this muscle starts
|
| 37 |
+
[223.920 --> 231.440] to shake right here. It's an internal response to that. You can see Cosby exerting some serious
|
| 38 |
+
[231.440 --> 236.800] self control here. And you can see it in this little tiny kind of side to side movement. And you
|
| 39 |
+
[236.880 --> 243.120] can see it in the clip pretty clearly. And I think that what you're seeing is is a very polished
|
| 40 |
+
[243.120 --> 250.080] person. And he's developed a lot of little routines to control nervousness throughout his life.
|
| 41 |
+
[250.080 --> 253.600] Anybody who spends time in front of the camera is going to have some of these habits like this.
|
| 42 |
+
[253.600 --> 256.720] We'll get into a lot more of this in the next clip. Scott, we go.
|
| 43 |
+
[257.680 --> 262.720] All right. When he says we don't answer that, we see like a little grimace on his face. I think
|
| 44 |
+
[262.720 --> 267.600] you're right. I think he's going into fighter flight. I think he's about to get mad as what it is.
|
| 45 |
+
[267.600 --> 272.960] He's trying to hold that anger. Like you're saying, Mark, he's sort of bringing things in tight
|
| 46 |
+
[272.960 --> 278.160] and things absolutely doesn't lose it on him. I think he's speaking very quietly. Almost,
|
| 47 |
+
[278.800 --> 284.000] it's almost creepy. He's speaking so quietly. His breathing rate increases a little bit. And it's
|
| 48 |
+
[284.000 --> 288.080] shallow and from the chest, obviously, which is what we expect when you're in that frame of mind.
|
| 49 |
+
[288.720 --> 294.960] And his cadence slows begins to slow. And when he says we don't talk about that,
|
| 50 |
+
[294.960 --> 300.080] as he starts talking about it, his chin goes down, your garden is throat.
|
| 51 |
+
[300.080 --> 305.200] Now, usually see that when a person is like in fighter flight or they're worried about something
|
| 52 |
+
[305.200 --> 310.320] or there, there's a myriad of reasons that people do that. But in this case, I think it's because
|
| 53 |
+
[310.320 --> 315.600] he's getting ready to, it feels like he's being aggressive at this point. He wants to show the
|
| 54 |
+
[315.600 --> 321.200] guy he's being aggressive. He's almost brow beating him. But I think his head's coming forward to
|
| 55 |
+
[321.200 --> 325.120] show he's the guy in charge or he's the one that's going to do something if something's going to be
|
| 56 |
+
[325.120 --> 330.080] done. And he starts talking to the guy like he's a little child to the interviewer. And then,
|
| 57 |
+
[332.560 --> 338.160] I think you can see the anger building in him. That's why he's so locked down. And his eyes are,
|
| 58 |
+
[338.160 --> 342.160] his eyes, it's odd because they know he's got an eye problem. So he's just looking everywhere.
|
| 59 |
+
[342.160 --> 346.080] I don't know if you're trying to recall anything or what, but he's just he's looking around
|
| 60 |
+
[346.080 --> 349.760] everywhere. I don't know if that's part of his eye problem or not, but it's that was fairly
|
| 61 |
+
[350.640 --> 355.120] odd to me anyway. Greg, what do you got? Yeah, you guys have covered most of it. I'll probably hit
|
| 62 |
+
[355.120 --> 359.680] a couple of them again. You hear that vocal fry and diminished pronunciation from the interviewer.
|
| 63 |
+
[359.680 --> 363.440] That's clearly, like you said, Chase, when we talk about fighter flight, we're not talking about
|
| 64 |
+
[363.440 --> 368.880] full blown coming across the table all the time. But that mere register that there's somebody
|
| 65 |
+
[368.880 --> 373.280] sitting in front of you has absolute power compared to you probably will weigh in. I mean,
|
| 66 |
+
[373.280 --> 378.880] imagine any of us meeting a guy like that for the first time. He has for me, because I'm a child
|
| 67 |
+
[378.880 --> 383.440] of the 60s and 70s, he's got a little piece of real estate in my head from fat Albert to comedian
|
| 68 |
+
[383.440 --> 389.760] to you name it. So he's an icon is the way I would put it before he got in trouble. Then you get
|
| 69 |
+
[389.760 --> 394.720] one of my favorite things I've ever seen in an interview. And it is when he comes to the second
|
| 70 |
+
[394.720 --> 398.800] thing. First of all, let's go back and he says, we don't answer that. That's probably prepared
|
| 71 |
+
[398.800 --> 404.000] and maybe even advice of counsel. We just don't talk about those things. But then when he says
|
| 72 |
+
[404.000 --> 410.160] there is no comment, he enhales. That's preparation to speak. And when you hear that,
|
| 73 |
+
[410.160 --> 414.880] shut up. And this guy does a pretty good job of letting him talk because he comes back out and says
|
| 74 |
+
[414.880 --> 420.160] something else. He said, and I'll tell you why. Because he did a little to the end when he said
|
| 75 |
+
[420.160 --> 424.640] no comment. That inhale is key. Start listening to people. You'll hear him do it when they have more
|
| 76 |
+
[424.640 --> 429.520] to say and they're not yet giving it to you. They said, I'll tell you why. He jumps to this advice
|
| 77 |
+
[429.520 --> 434.640] piece and he starts using what in the interrogation world we would call a pride and ego up. Your young
|
| 78 |
+
[434.640 --> 438.480] man, you get integrity, boom, boom, boom, you're working him and he'll flip it around and go at him
|
| 79 |
+
[438.480 --> 444.160] with a P&E down in a few minutes as he starts to talk about if you want to be taken seriously. Boom.
|
| 80 |
+
[444.160 --> 450.560] That's what I got. Awesome. And Greg, I was just love a soap to get the car grease off your hands.
|
| 81 |
+
[451.360 --> 454.160] Yeah, can you see it? A lot of soap doesn't work.
|
| 82 |
+
[454.800 --> 460.640] What does it? No. Dang it. I just used a lot of different kinds of stuff. It just takes time to get
|
| 83 |
+
[460.640 --> 467.680] rid of it. I have to ask about your name coming up in the news recently regarding this comedian.
|
| 84 |
+
[468.320 --> 474.000] No, no, we don't answer that. Okay. I just wanted to ask if you wanted to respond at all about
|
| 85 |
+
[474.080 --> 483.680] whether any of that was true. There's no response. Okay. Can I ask you if with the persona that
|
| 86 |
+
[483.680 --> 490.240] people know about Bill Cosby, should they believe anything differently about what? There is no comment
|
| 87 |
+
[490.240 --> 501.760] about that. Okay. And I'll tell you why. I think you were told. I don't want to compromise your
|
| 88 |
+
[501.760 --> 513.760] integrity, but we don't. I don't talk about it. As the interview wound down, Cosby then continued
|
| 89 |
+
[513.760 --> 519.600] the conversation. The camera was still running and Cosby and his wife were wearing lapel microphones.
|
| 90 |
+
[519.600 --> 524.960] Thank you very much. Thank you. Appreciate your time. Thank you. Now can I get something from you?
|
| 91 |
+
[525.760 --> 536.320] That none of that will be shown. I can't promise that myself, but you didn't say anything. I know I
|
| 92 |
+
[536.320 --> 543.440] didn't say anything, but I'm asking your integrity that since I didn't want to say anything,
|
| 93 |
+
[544.080 --> 551.600] but I did answer you in terms of I don't want to say anything of what value will it have? I don't
|
| 94 |
+
[551.680 --> 559.600] think it will. Ma'am, what'd you say? Sorry. What did you say? I don't think it has any value either.
|
| 95 |
+
[559.600 --> 566.880] Yeah. And I would appreciate it if it was scuttled. I hear you. All right. Chase, what do you got?
|
| 96 |
+
[567.760 --> 573.680] Cosby and his wife have pretty much spent a lifetime in front of the camera and here they're both
|
| 97 |
+
[573.680 --> 580.800] well regulated from the chest up. Their hands immediately shift into the self soothing. What Greg
|
| 98 |
+
[580.800 --> 587.840] and Scott would often call adapters. And right when he says I would appreciate it if it was scuttled,
|
| 99 |
+
[587.840 --> 592.720] I'm going to show you something here that's in this clip, but I'm also going to give you a tool
|
| 100 |
+
[592.720 --> 598.720] that you can instantly apply to almost any situation. When somebody is sitting especially, you just
|
| 101 |
+
[598.720 --> 604.720] pay attention to the overall shape of their body. In this moment, you can see there's a lot of movement.
|
| 102 |
+
[604.720 --> 609.520] So the way that you can filter what this might mean is by asking yourself one question,
|
| 103 |
+
[610.080 --> 617.120] is this new position making it easier or harder to stand up and run away? So comfort
|
| 104 |
+
[617.760 --> 623.600] tends to make us do things that make it harder for us to quickly escape from a seated position.
|
| 105 |
+
[624.240 --> 630.320] And right here, you can see that his leg comes back under the chair almost as if to stand up and
|
| 106 |
+
[630.320 --> 636.960] his hand is placed on the knee almost as if to help him get up a little bit faster. And Camille's
|
| 107 |
+
[637.280 --> 643.280] already subtly performing what we call a little chin thrust, which we associate with challenging
|
| 108 |
+
[643.280 --> 648.400] someone else or issuing a challenge or strong disagreement there. I'll leave a lot of the other
|
| 109 |
+
[648.400 --> 654.960] stuff to you guys. Greg, what do you got? Yeah, so he shows some concerns he daps by doing something
|
| 110 |
+
[654.960 --> 659.840] inside of his mouth. I don't see it another time. And I think he goes after an out. And then he
|
| 111 |
+
[659.840 --> 664.480] starts to do this thing. I think they've forgotten. They could have just gotten up and left,
|
| 112 |
+
[664.480 --> 668.960] but instead because he still has a mic on, he has a dursed moment. Remember dursed, uh-oh,
|
| 113 |
+
[668.960 --> 673.200] the gig is up. Same thing. The mic was still on. If you just shut up, taking the mic off,
|
| 114 |
+
[673.200 --> 677.760] got up and said that off mic, he would have been fine. He moves to front of the mouth talking,
|
| 115 |
+
[677.760 --> 681.760] listen to the change in the tone of his voice. He's like he's asking for something. You know,
|
| 116 |
+
[681.760 --> 687.280] he's going to, he gets softer. And then he starts asking voice, both of these guys are burying.
|
| 117 |
+
[687.280 --> 691.440] In different ways, her hands are locked. His are kind of in front of him. They move to steeply
|
| 118 |
+
[691.440 --> 696.000] and then they lock again, he moves his hand to his knee and both adapt. Now I call it sacred space
|
| 119 |
+
[696.000 --> 700.720] when you create your own space and then you adapt and release nervous energy. They do that.
|
| 120 |
+
[700.720 --> 704.560] She's got a very contained face. I don't know if there's disdain or it's just her face.
|
| 121 |
+
[704.560 --> 709.760] As she's looking in there. And then here he goes. He attacks the integrity of this guy. And then he
|
| 122 |
+
[709.760 --> 713.920] realizes his mistakes and that's not working and he tries another approach. We'll see another one
|
| 123 |
+
[713.920 --> 718.800] in a minute, but that's where we're at now. Scott, what do you got? All right. At the very first,
|
| 124 |
+
[718.800 --> 723.360] where he says, now can I get something from you? He tries to be this malcy little pitiful old man
|
| 125 |
+
[723.360 --> 727.920] who's asking for a favor, you know, come from this guy who used to be one of the biggest comedians on
|
| 126 |
+
[727.920 --> 732.800] the plane, probably the biggest, most famous comedian on the planet. He's asking this guy for a favor.
|
| 127 |
+
[732.800 --> 737.280] Can I get something from you? And it's a big ask, even though it's coming on like it's nothing much
|
| 128 |
+
[737.280 --> 742.640] to ask for. And that's when he starts the hand adapters. He'll start seeing that as we were talking
|
| 129 |
+
[742.640 --> 747.840] about. You guys were talking about a couple minutes ago. And his hand covers his growing. We'll see that
|
| 130 |
+
[747.920 --> 754.720] when some is insecure. They're maybe worried about what's going to happen next. They don't know what's
|
| 131 |
+
[754.720 --> 759.840] going to happen next. You'll see that quite often at that point. At the point where he says,
|
| 132 |
+
[760.640 --> 766.400] what did you say? And he says it twice. He heard what she said, but he wanted her to reiterate what
|
| 133 |
+
[766.400 --> 772.240] she said so the room could hear it. And he could give his point a little bit more as he went along.
|
| 134 |
+
[773.200 --> 780.000] Then that's when his hand goes to his knee. And he leans to one side and he gives his order about
|
| 135 |
+
[780.000 --> 786.480] how he wants it scuttled. To me, just looked, it's not going to be pre-violence because it's Bill
|
| 136 |
+
[786.480 --> 791.440] Cosby. But those are the kind of things you look for. So we'll lean back on their dominant side
|
| 137 |
+
[791.440 --> 796.800] before they come at you. Those are the things. But at the same time, looking at his feet and his legs,
|
| 138 |
+
[796.880 --> 802.320] you're right, Chase, because your mind is where your feet are pointing. And he's got that thing set
|
| 139 |
+
[802.320 --> 807.280] up like he's getting ready to leave. He's all set up getting ready to run. He's not going to run
|
| 140 |
+
[807.280 --> 814.000] anywhere, but his brain is saying, let's get out of here. This is not good. So let's prep ourselves
|
| 141 |
+
[814.000 --> 820.400] to get ready to get out of here. And I think at that point, as her head is up like that, I think she's
|
| 142 |
+
[820.480 --> 827.280] trying to be, I don't know if that's aggression as much as it is trying to show that she's standing
|
| 143 |
+
[827.280 --> 835.520] by her man. Because he's accused of doing some really, really bad stuff. And she's going to sit
|
| 144 |
+
[835.520 --> 839.040] there with him and take it when it comes up. And so it's that really uncomfortable smile. When she
|
| 145 |
+
[839.040 --> 844.560] first starts smiling, you'll watch that, I think it's her right side, it just really kicks over a
|
| 146 |
+
[844.560 --> 849.760] little bit as she's trying to keep that smile going. So she's really uncomfortable. So I think that's
|
| 147 |
+
[849.760 --> 853.920] what she's we're seeing there. She's bracing herself as her head goes back at that point.
|
| 148 |
+
[853.920 --> 859.120] Where do you got? Yeah, the thing you're right. I think what she's trying to show is dignity
|
| 149 |
+
[859.120 --> 866.000] at this point because because she's going to lose a lot of power herself. And all of this is about
|
| 150 |
+
[866.000 --> 873.120] the subtlety of displays of power. When he says, now can I get something from you? Yeah, it is quite
|
| 151 |
+
[873.120 --> 879.200] quiet. It is quite kind of meek. But ultimately, it suggests this person just got something of
|
| 152 |
+
[879.200 --> 886.160] value. Now we're going to do a swap. Well, hang on, I mean, you don't you don't ask Bill Cosby to
|
| 153 |
+
[886.160 --> 892.400] come to an interview. Bill Cosby offers an interview, especially to something like AP. Clearly,
|
| 154 |
+
[892.400 --> 898.880] Bill Cosby had something else to pitch, something else to sell, some kind of other PR to do. His PR
|
| 155 |
+
[898.880 --> 903.760] people in himself have said, I will offer AP an interview because he knows that's going to be
|
| 156 |
+
[903.760 --> 910.640] distributed. So he's there delivering a message that he knows is going to be distributed across,
|
| 157 |
+
[910.640 --> 916.480] essentially, Hurst's media because AP is run by Hurst, one of the biggest conglomerates
|
| 158 |
+
[916.480 --> 922.480] of media on the planet goes right back to Randolph Hurst. So, incredible company. Now,
|
| 159 |
+
[924.880 --> 929.760] none of this will be shown. And we see a really nice big wipe gesture there. We know what he wants
|
| 160 |
+
[929.760 --> 936.400] it to do. He wants it to be shoved to one side. Very, very clear. And then one last thing on this
|
| 161 |
+
[936.400 --> 944.400] around the people not compromising their integrity, he says, I would appreciate it if it was
|
| 162 |
+
[944.400 --> 951.760] scuttled. Scuttled is a great word. It comes back to the Navy chase. I'm sure I'm sure a term that
|
| 163 |
+
[951.760 --> 956.480] you might have used at some point, though, maybe never have done. It's when you sink your own ship.
|
| 164 |
+
[956.480 --> 963.760] So when you put a hole in your own ship, you purposely send your own ship down. He's asking
|
| 165 |
+
[963.760 --> 972.400] for them to purposely spike this story. Well, that's a, that is a big ask for any kind of
|
| 166 |
+
[973.520 --> 979.920] integrity within the media. I'm not saying AP has any integrity or it doesn't have any integrity.
|
| 167 |
+
[979.920 --> 986.080] But ultimately, it should be a really big ask for any kind of media outlet that you say,
|
| 168 |
+
[986.080 --> 994.000] spike this story, scuttled this, this ship for your own integrity. No, the two things do not fit
|
| 169 |
+
[994.000 --> 1000.240] in any way whatsoever. The interviewer is asking the right questions from a public point of view,
|
| 170 |
+
[1000.880 --> 1008.720] from, from a media point of view, not the right questions for somebody who's trying to retain their
|
| 171 |
+
[1008.720 --> 1014.480] power. And therefore, the wife they're just trying to keep her dignity around this.
|
| 172 |
+
[1014.560 --> 1020.240] As the interview wound down, Cosby then continued the conversation. The camera was still running
|
| 173 |
+
[1020.240 --> 1024.720] and Cosby and his wife were wearing lapel microphones. Thank you very much. Thank you.
|
| 174 |
+
[1024.720 --> 1030.480] Appreciate your time. Thank you. Now, can I get something from you? What's that? That none of that
|
| 175 |
+
[1030.480 --> 1040.800] will be shown. I, I can't promise that myself, but you didn't say anything. I know I didn't say
|
| 176 |
+
[1040.800 --> 1048.560] anything, but I'm asking your integrity that since I didn't want to say anything, but I did
|
| 177 |
+
[1048.560 --> 1055.920] answer you in terms of I don't want to say anything of what value will it have? I don't think it will.
|
| 178 |
+
[1055.920 --> 1063.520] Ma'am, what'd you say? Sorry. What did you say? I don't think it has any value either. Yeah.
|
| 179 |
+
[1064.480 --> 1071.840] And I would appreciate it if it was scuttled. I hear you. Tell that to my editors and,
|
| 180 |
+
[1071.840 --> 1078.880] and, and I think that they more understand. Well, I think if you want to consider yourself to be
|
| 181 |
+
[1078.880 --> 1090.160] serious, that it will not appear anywhere. Okay. I appreciate what you've asked. Thank you. Thank you.
|
| 182 |
+
[1090.160 --> 1097.600] And we thought, by the way, because it blows AP, that it wouldn't be necessary to
|
| 183 |
+
[1098.800 --> 1104.800] go over that question. And we haven't written about this at all in the past two months,
|
| 184 |
+
[1106.320 --> 1112.960] but they might have my boss as one of you. All right. Greg, what do you got? I'll be short on this one.
|
| 185 |
+
[1112.960 --> 1118.560] Yeah. There's a bump in this guy's posture when he says, I'll, I'll tell that to my boss,
|
| 186 |
+
[1118.560 --> 1122.880] and we'll see what's up. And he lits at the end of that. I appreciate that he comes back. This
|
| 187 |
+
[1122.880 --> 1127.920] is a give and take. And this guy knows how gritty what he's just been asked to do is and how complex
|
| 188 |
+
[1127.920 --> 1131.440] it's going to be to get away from him. But it doesn't get a job again to wait. More interestingly,
|
| 189 |
+
[1131.440 --> 1136.880] for me, as Camille has got the right answer, get this thing off me. I want out of here. And that's
|
| 190 |
+
[1136.880 --> 1142.560] what Bill calls me. I just don't know the beginning. I'll live it. Is it? What's that? Oh, like, oh,
|
| 191 |
+
[1142.560 --> 1146.080] yeah, like, yeah, like, yeah, like, like, like, like, like, like, like, like, like, like, like, like,
|
| 192 |
+
[1146.080 --> 1150.800] yeah, it's all leave it at that. And I'll say chase. What do you got? Yeah. I agree with you.
|
| 193 |
+
[1150.800 --> 1157.440] And this video is also one of the greatest illustrations of behaviors that we show you as a
|
| 194 |
+
[1157.440 --> 1163.680] subscriber all the time. But in this clip, it is glaringly apparent. And this is called digital
|
| 195 |
+
[1163.680 --> 1170.400] flexion. And this digital flexion is when the fingers pull inward toward the palm. And when they
|
| 196 |
+
[1170.400 --> 1177.040] pull in, this is a typically a sign of discomfort or stress. And clearly, he's figuring out at this
|
| 197 |
+
[1177.040 --> 1181.600] moment that the reporter is essentially saying he's not going to do anything at all. Oh, yeah, I'll
|
| 198 |
+
[1181.600 --> 1187.600] speak. I'll, I'll put it in a word. So you can see this realization, take place pretty quickly
|
| 199 |
+
[1187.600 --> 1193.120] right after this kind of throwaway statement about the editors here. And you can see the hand,
|
| 200 |
+
[1193.120 --> 1199.040] you can see Cosby's hand kind of just curl into his pant leg right there, which is a great
|
| 201 |
+
[1199.040 --> 1203.920] illustration. We talk about digital flexion all the time. This is one of those behaviors that
|
| 202 |
+
[1204.720 --> 1210.560] if you could watch people watching an investment pitch and just get a close-up image of everyone's
|
| 203 |
+
[1210.560 --> 1216.720] hand in the room live just their hand, you could see a whole lot of behavior and you could make
|
| 204 |
+
[1216.720 --> 1221.520] some pretty interesting predictions just based on this little digital flexion and extension there.
|
| 205 |
+
[1221.520 --> 1228.880] Scott, what do you think? Okay. He tries to make the AP sound, which it is, it's huge,
|
| 206 |
+
[1228.880 --> 1234.560] but it goes like Mark would say it's huge, but he makes it sound like this giant conglomerate
|
| 207 |
+
[1234.560 --> 1239.680] thing that's so powerful that that the integrity of that company is how could you question it?
|
| 208 |
+
[1240.320 --> 1245.440] So he's putting that the integrity of the company and he's on the blaming it on the on the
|
| 209 |
+
[1245.440 --> 1251.120] shoulders of this guy if he's he was to add this to his story. And that which is why he's there
|
| 210 |
+
[1251.120 --> 1256.640] to get stuff like that. That's what they live for. It's AP. They want to get news. That would be news
|
| 211 |
+
[1256.640 --> 1262.560] if he got that, which he did get. So that's kind of that's crazy asking him not to do it. He wouldn't
|
| 212 |
+
[1262.560 --> 1266.560] he knows it. I think he knows it's going to it's going to happen, but he's swinging for the
|
| 213 |
+
[1266.560 --> 1272.160] fence is trying to get him not to do it. But he puts all that weight of this guy's reputation
|
| 214 |
+
[1272.240 --> 1277.680] and and AP's reputation on this guy on the on the interviewer. So I didn't think that was that
|
| 215 |
+
[1277.680 --> 1283.840] was I don't think it was very cool. That's not fair. And so he stays rigid and he adapts with his
|
| 216 |
+
[1283.840 --> 1289.200] hands more. He puts that on his knee like Chase was saying he adapts he he pulls on his pants
|
| 217 |
+
[1289.200 --> 1295.520] like there and then he guards his growing and he does and he does that that thing that Andrew
|
| 218 |
+
[1295.520 --> 1300.720] Tate was doing. It looks very really similar to that. And he was really worried about what he
|
| 219 |
+
[1300.880 --> 1305.520] was saying as well as he was doing his apology video or whatever video that was he was doing.
|
| 220 |
+
[1306.240 --> 1312.240] So I thought that was interesting how they they both did that and both being sort of on the spot
|
| 221 |
+
[1312.240 --> 1316.880] at that point. Mark, what do you got? Yeah, so I agree. There's that movement of the fingers,
|
| 222 |
+
[1316.880 --> 1322.800] the digital flexion and on the knee as well. So that's a joint as well. So protecting that joint
|
| 223 |
+
[1322.800 --> 1328.640] and that flexion becoming a kind of self soothing as well. So Cosby under a lot of stress at this
|
| 224 |
+
[1328.640 --> 1335.600] point it's an interesting play of power going on because just as everybody's been saying Cosby
|
| 225 |
+
[1335.600 --> 1343.040] says, hey, I thought, you know, AP had integrity and you know, nobody interviewer, you're going to
|
| 226 |
+
[1343.040 --> 1348.320] ruin this. And so the interviewer goes, yeah, you know, I'll take that to my editors. I'll take
|
| 227 |
+
[1348.320 --> 1356.160] that to my boss because they asked me to ask this. Well, now we're in trouble because if an editor
|
| 228 |
+
[1356.160 --> 1361.520] is asking for this question to be asked, it means that they think they can send that upstairs,
|
| 229 |
+
[1361.520 --> 1368.560] which ultimately means it's going to other news agencies. Some huge news agencies owned by
|
| 230 |
+
[1369.120 --> 1375.760] Hurst. And so they're looking for a really good story and they've got one. And yeah, when Cosby
|
| 231 |
+
[1375.760 --> 1381.120] maybe had some power had some performance power, they may have buried a story like they I'm not
|
| 232 |
+
[1381.120 --> 1385.840] saying that they did, but there would be enough power to bury these kind of stories.
|
| 233 |
+
[1386.480 --> 1392.240] Potentially again, not saying, you know, in a fantasy world that may happen. Well,
|
| 234 |
+
[1392.240 --> 1396.880] the power isn't there anymore. And so you're seeing somebody who had a lot of power,
|
| 235 |
+
[1397.520 --> 1405.840] maybe realizing that they don't have that kind of power anymore at all. There, that's all I've got
|
| 236 |
+
[1405.840 --> 1412.480] on that one. Excellent. Mark, I thought Mark was going to say, have them all.
|
| 237 |
+
[1415.040 --> 1420.880] Did you guys hear me slurp my coffee? No, that's what you're laughing at, Greg. No.
|
| 238 |
+
[1422.000 --> 1427.760] Tell that to my editors and I think that they more understand.
|
| 239 |
+
[1427.760 --> 1434.320] Well, I think if you want to consider yourself to be serious, that it will not appear anywhere.
|
| 240 |
+
[1436.640 --> 1445.680] I appreciate what you've asked. Thank you. Thank you. And we thought, by the way, because it was
|
| 241 |
+
[1445.680 --> 1455.040] AP, that it wouldn't be necessary to go over that question. And we haven't written about this at all
|
| 242 |
+
[1455.040 --> 1463.760] in the past two months. And my boss is one of me. My boss is one of me.
|
| 243 |
+
[1465.840 --> 1472.800] If you will just tell your boss the reason why we didn't say that upfront was because we thought
|
| 244 |
+
[1473.760 --> 1488.240] that AP had the integrity to not ask. One other point on that, one of the three major TV writers
|
| 245 |
+
[1488.240 --> 1496.960] for the AP in Los Angeles called me up and asked me, Lynn Elbert. We're not addressing it.
|
| 246 |
+
[1496.960 --> 1504.560] So she said fine, and she just closed it off. And I think you need to get on the phone with his
|
| 247 |
+
[1504.560 --> 1511.840] person immediately. Okay. Okay, thank you. Chase, what you got?
|
| 248 |
+
[1512.240 --> 1517.920] There's something in this video that maybe you guys will cover, maybe not.
|
| 249 |
+
[1519.440 --> 1527.760] But I want to just maybe name this the confidence loss cascade. And this is right at the moment
|
| 250 |
+
[1527.760 --> 1532.880] where he's saying you need to get in touch with his person immediately. I want you to watch this
|
| 251 |
+
[1532.880 --> 1539.360] cascade of confidence here. This pointing, the way he's pointing indicates uncertainty first.
|
| 252 |
+
[1539.360 --> 1544.640] His hand comes right back to home base very quickly. And the hands are close
|
| 253 |
+
[1545.600 --> 1551.600] into this interlace position now. But the thumbs point up to retain some sort of confidence.
|
| 254 |
+
[1552.240 --> 1558.160] Then the thumbs fall and then the thumbs hide behind the hands. And these are happening in steps
|
| 255 |
+
[1558.160 --> 1564.800] here. There's a little bit of fidgeting that happens next with his left arm, which he just used
|
| 256 |
+
[1564.800 --> 1570.560] to point at the guy. So this left arm is feeling guilty. Now I'm going to cover this up. He then
|
| 257 |
+
[1570.560 --> 1576.240] covers the left hand or the fingers on the left hand entirely. And then kind of pulls it back
|
| 258 |
+
[1576.240 --> 1581.600] into this kind of groin protecting position. And we tend to protect our groin during three key
|
| 259 |
+
[1581.600 --> 1588.720] times when we're feeling vulnerable, threatened or insecure. And those are the key genital protection
|
| 260 |
+
[1589.440 --> 1594.880] potentials or indicators. That's all I got there for that. Mark, would you go?
|
| 261 |
+
[1594.880 --> 1600.960] Yeah, really interesting. I mean, in a moment of power, what should happen is his Cosby should say,
|
| 262 |
+
[1600.960 --> 1606.880] get the president first on the phone right now. I'll talk. And the phone would be,
|
| 263 |
+
[1606.880 --> 1611.680] you know, yeah, this Bill Cosbyl, what can I do for you? Well, I've got a bit of a problem here.
|
| 264 |
+
[1611.680 --> 1618.160] And everything would go away. But he's there going, you need to talk to his guy
|
| 265 |
+
[1618.960 --> 1626.080] immediately. And that elongation of that, that's about the last bit of power that is being shown
|
| 266 |
+
[1626.080 --> 1632.560] there. Of let me force, let me force that you need to talk to his person who I don't know the names
|
| 267 |
+
[1632.560 --> 1639.600] of anybody here. I got zero contacts and therefore zero power. But I need it done immediately. Because
|
| 268 |
+
[1639.600 --> 1649.680] I think that's the thing that might save me running out of power here. Yeah, it's a disaster
|
| 269 |
+
[1649.680 --> 1656.400] for him at this point. Greg, what do you got? Yeah, agreed. I think the immediately is Bill Cosby
|
| 270 |
+
[1656.400 --> 1660.960] in his old days. And I think he's using that same thing that's worked for him in the past when he
|
| 271 |
+
[1660.960 --> 1666.800] said immediately, people jumped around him. There's no jumping. This is not happening. But I also would
|
| 272 |
+
[1667.040 --> 1673.760] say in the beginning, we see our long vowel when he says the reason why we, he does a long,
|
| 273 |
+
[1673.760 --> 1678.160] long vowel, we're has given himself time to think. And that's what we're seeing happen. I love the
|
| 274 |
+
[1678.160 --> 1682.640] fact that he leans in like he's going to say something, but then he does the biggest single
|
| 275 |
+
[1682.640 --> 1687.760] adapter anybody can possibly do. And that's rubbed your thighs with both hands. That is one of the
|
| 276 |
+
[1687.760 --> 1692.000] biggest adapters ever. The batter on box, everybody says they're wiping sweat off their palms, but they
|
| 277 |
+
[1692.000 --> 1696.480] have pine tar on their hands. It's an adapter. It's a way to release nervous energy. And then he
|
| 278 |
+
[1696.480 --> 1702.400] got tries again for this P and E up. We thought you had more, more cloud, more status than that. He
|
| 279 |
+
[1702.400 --> 1706.160] does what I call protecting the precious when he does all that hand movement chase. I remember,
|
| 280 |
+
[1706.160 --> 1711.360] he's an old man too. Remember this not a young man. So his energy is going to be lower than yours will
|
| 281 |
+
[1711.360 --> 1716.560] be. And so puts his hands in front of his crotch. I call protecting the precious. Then he tries to
|
| 282 |
+
[1716.560 --> 1720.640] steeple again. And then you're right. He adds those thumbs. We had our thumbs usually when we're
|
| 283 |
+
[1720.640 --> 1725.600] feeling insecure about something. And then it's an attorney or whoever that is that's talking. He
|
| 284 |
+
[1725.600 --> 1731.440] ceases on him and says go get him immediately. I think that is as much for show for that kid
|
| 285 |
+
[1731.440 --> 1735.520] sitting across from him as it is for actually getting anything done. Just my opinion. Scott,
|
| 286 |
+
[1735.520 --> 1740.320] what do you have? I agree with you. I think that's his publicist. We've ever set that set the
|
| 287 |
+
[1740.320 --> 1744.080] thing up. Yeah, I would think so. I don't know. I mean, that's what it seems like would be in that
|
| 288 |
+
[1744.080 --> 1750.000] situation. But and the part where he says your writers says we went the really long we
|
| 289 |
+
[1750.720 --> 1754.800] and starts rubbing his pants. This is where I think we're seeing him all get into a panic mode
|
| 290 |
+
[1754.800 --> 1760.240] at this point. And then again, he gives the AP this non-existent trust thing that he trusts
|
| 291 |
+
[1760.240 --> 1765.120] some and knows the end to you know, it's just really bad. Then when the pubs is chimed in
|
| 292 |
+
[1767.680 --> 1772.160] and he says you need to get on the phone and run away, I think he's he's disrespecting the
|
| 293 |
+
[1772.160 --> 1776.960] interviewer at that point too, making him feel bad like oh man, I better get this done. I better
|
| 294 |
+
[1776.960 --> 1782.800] do that. I'm in trouble. Talking to him like he's a kid. This is a narcissistic move or
|
| 295 |
+
[1784.720 --> 1789.920] not a move, but you can see that mask go away for a minute when he does that because he would never
|
| 296 |
+
[1789.920 --> 1795.200] want anybody to see him say that. Coming from the person he's supposed to be this this wonderful
|
| 297 |
+
[1795.760 --> 1801.920] jolly humorous guy talking to somebody like that and and making that guy look bad and feel bad.
|
| 298 |
+
[1802.400 --> 1807.680] So I think we see that little mask slip right there. We see that narcissist hiding behind there
|
| 299 |
+
[1807.680 --> 1813.440] at that point. So I think that's that's really an important thing to keep in mind. You're talking
|
| 300 |
+
[1813.440 --> 1817.920] about Bill Cosby. What kind of person he might be. We've all heard wild stories about this guy
|
| 301 |
+
[1818.400 --> 1823.680] outside of what he's accused of doing about how you make people when he would go somewhere,
|
| 302 |
+
[1823.680 --> 1827.760] would make those staffs that they're watching the heat and they wouldn't need. That's the one I
|
| 303 |
+
[1827.760 --> 1832.480] hear time and time again, whether it's true or not, I have no other idea. But people who were there,
|
| 304 |
+
[1833.120 --> 1838.480] I've heard they've told me, you know, I was there and saw this. It's just stuff like that,
|
| 305 |
+
[1838.480 --> 1844.080] but that actually catch it on video. That mask slip and you see that narcissist hiding behind
|
| 306 |
+
[1844.080 --> 1850.560] there looking around beside the side of it. And I think I think his voice starts to get louder
|
| 307 |
+
[1850.560 --> 1855.520] because and ramping up because he realizes he's got a problem at this point. He's thinking about it
|
| 308 |
+
[1855.520 --> 1858.960] because he takes those long pauses and it's dawn on him in there. What all's happening.
|
| 309 |
+
[1859.520 --> 1863.520] That's why that's another reason he gets that publicist as you talk to him right now,
|
| 310 |
+
[1864.240 --> 1871.520] as soon as you can because that's going to be as it is now. It shows who he is. It's going to be a real problem for him.
|
| 311 |
+
[1876.080 --> 1883.040] If you will just tell you boss, the reason why we didn't say that up front was because we thought
|
| 312 |
+
[1884.000 --> 1898.480] the AP had the integrity to not ask. One other point on that, one of the three major TV writers
|
| 313 |
+
[1898.480 --> 1907.200] for the AP in Los Angeles called me up and asked me Lynn Elbert. We're not addressing it.
|
| 314 |
+
[1907.280 --> 1914.800] So she said fine. And she just closed it off. Okay. And I think you need to get on the phone with his
|
| 315 |
+
[1914.800 --> 1922.960] I will person immediately. Okay. Okay. Thank you. Okay. All right. Well, let's roll around
|
| 316 |
+
[1922.960 --> 1927.680] the room real quick and sort of sum up what we got. What we've seen so far. Mark, what'd you get?
|
| 317 |
+
[1927.680 --> 1933.360] You want to go first? Yeah. Sure. A lovely example there of some really quite subtle power plays
|
| 318 |
+
[1933.360 --> 1937.680] that if you go into the linguistics and you see some of the subtle body language that's happening
|
| 319 |
+
[1937.680 --> 1946.080] there, you really see how Cosby is trying to fight for some power and really is losing by the end
|
| 320 |
+
[1946.080 --> 1952.800] of it. I mean, he starts off pretty optimistic about the piece, but then by the end of it, he knows
|
| 321 |
+
[1952.800 --> 1958.960] is in trouble. Chase, what do you think? Yeah, I think the interviewer would have done a lot better
|
| 322 |
+
[1959.040 --> 1965.680] if he would have said, you know, Mr. Cosby instead of Bill, Mr. Cosby, I watched you as a kid.
|
| 323 |
+
[1965.680 --> 1970.000] You have a really special place in my heart. And I just wanted to ask you for me and the
|
| 324 |
+
[1970.000 --> 1976.800] millions of other people who have the exact same special memories of you, just that you provide
|
| 325 |
+
[1976.800 --> 1983.440] us some some reassurance that we can still look up to you. I think that would have gone over a lot
|
| 326 |
+
[1983.520 --> 1989.360] differently. Instead of this like pointed sharp made for TB interview questions, they could have
|
| 327 |
+
[1989.360 --> 1996.480] used actual techniques and some actual skill in human psychology there. If you know you're dealing
|
| 328 |
+
[1996.480 --> 1999.760] with an ego, you need to use that ego. Great. What do you got?
|
| 329 |
+
[2004.000 --> 2009.040] Oh man, I thought for sure. I agree with you. There probably are some tools you could use, but
|
| 330 |
+
[2009.040 --> 2012.720] I would also say this is a pretty polished and pretty tough mind to guy who's been around a
|
| 331 |
+
[2012.720 --> 2019.680] long time. Remember he was in what the spy show when I was a toddler. So that's a long time ago.
|
| 332 |
+
[2019.680 --> 2025.440] Think of that. This guy's been in front of and behind the camera more times than we can imagine.
|
| 333 |
+
[2025.440 --> 2030.960] And I think he came with a plan and he just stepped in it. I think he made a mistake. And that's
|
| 334 |
+
[2030.960 --> 2036.080] when he quickly went to his plan that was like, we don't talk about that. He just didn't remember
|
| 335 |
+
[2036.080 --> 2039.920] to take that mic off. If you'd taken that mic off, we would never know any of this happened. We would
|
| 336 |
+
[2039.920 --> 2044.880] just see an interchange. It would be second hand information. It probably has played out that way
|
| 337 |
+
[2044.880 --> 2048.720] more times than we can imagine. Just this one it didn't plan the way Scott would have got.
|
| 338 |
+
[2048.720 --> 2054.800] Yeah. Oh man. Yeah. I totally agree with you. I think this is a great example of seeing the mask
|
| 339 |
+
[2054.800 --> 2060.400] sort of slip on a narcissist. And I think it's a great example of seeing somebody who we think we
|
| 340 |
+
[2060.400 --> 2064.960] know and think you've known for years and years and years as another person, who they really are.
|
| 341 |
+
[2064.960 --> 2069.280] Not their showperson, not the person they put up for you to see and to be the public
|
| 342 |
+
[2070.160 --> 2073.680] personality, but who they really are at this point because he's talking to these people
|
| 343 |
+
[2074.480 --> 2079.760] in that fashion or as you would if you were doing that. So I think that's I think I'll leave it at
|
| 344 |
+
[2079.760 --> 2084.880] that because I think that's such a good example there. So all right, fellas, I think this was a
|
| 345 |
+
[2084.880 --> 2087.200] good one. And we'll see you next time. See you.
|
| 346 |
+
[2099.920 --> 2102.880] I'll see you next time.
|
transcript/reaction_8pVXea261V8.txt
ADDED
|
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| 1 |
+
[0.000 --> 15.160] You're right. Your cat is happy. Believe it or not, cats will show that kind of happiness
|
| 2 |
+
[15.160 --> 21.120] some of them by what's called the mockspray. So instead of spraying, it's just that quiver.
|
| 3 |
+
[21.120 --> 25.280] And I get it. Why everybody would think, oh my god, your cat is peeing on your couch,
|
| 4 |
+
[25.280 --> 32.440] but no, there's no pee. But number two, it is definitely sometimes a happy, I love you
|
| 5 |
+
[32.440 --> 35.560] and my tail has a going back to prove it.
|
transcript/reaction_9JOQC4wmA38.txt
ADDED
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| 1 |
+
[0.000 --> 2.000] How can you even call yourself a kid?
|
| 2 |
+
[2.000 --> 4.000] I need to make a record of some of my mistakes.
|
| 3 |
+
[4.000 --> 6.000] I need to make a record too.
|
| 4 |
+
[6.000 --> 7.000] You don't want to.
|
| 5 |
+
[7.000 --> 9.000] Wait, am I going to get the chance to do that?
|
| 6 |
+
[9.000 --> 12.000] All right, I need to make a record he's being removed to the other courtroom.
|
| 7 |
+
[12.000 --> 13.000] What's going on, everyone?
|
| 8 |
+
[13.000 --> 14.000] Welcome to the Behavioral Arts.
|
| 9 |
+
[14.000 --> 17.000] My name is Spidey, and I use my degree in sociology and psychology.
|
| 10 |
+
[17.000 --> 21.000] My certifications in criminal interrogation and body language analysis.
|
| 11 |
+
[21.000 --> 26.000] And over 10 years as an award-winning mentalist to teach behavioral analysis and practical psychology
|
| 12 |
+
[26.000 --> 28.000] on stages and TV shows all over the world.
|
| 13 |
+
[28.000 --> 33.000] In this video, we are looking at one of the craziest trials I've seen in my entire career.
|
| 14 |
+
[33.000 --> 42.000] The subject is Darryl Brooks, who was charged and convicted of 76 charges after he drove his car through a crowded parade in Waukeshaw, Wisconsin.
|
| 15 |
+
[42.000 --> 52.000] Now, one of the interesting things about this case is that when it came time to go to trial, he decided to present himself, despite having very little knowledge of how these proceedings work.
|
| 16 |
+
[52.000 --> 55.000] So the trial has been insured a massive circus.
|
| 17 |
+
[55.000 --> 64.000] You can pretty much go to any point in this trial, and you're going to see a bunch of arguments, intention, and the judge having to explain to him how things work.
|
| 18 |
+
[64.000 --> 69.000] And we're going to look at a lot of these behaviors from both a behavioral and legal standpoint.
|
| 19 |
+
[69.000 --> 78.000] For the legal perspective, I've brought in a guest who is no stranger to the channel, and someone who has a really keen eye for the details of these cases.
|
| 20 |
+
[78.000 --> 79.000] But I do want to say this.
|
| 21 |
+
[79.000 --> 81.000] We've split this video into two parts.
|
| 22 |
+
[81.000 --> 90.000] So one part is right here, you're watching it, but I will leave a link in the description where you can go check out the rest of this analysis on his channel.
|
| 23 |
+
[90.000 --> 93.000] And there's a lot of great stuff in both, so I really do encourage you.
|
| 24 |
+
[93.000 --> 97.000] When you're done with this video, there's no real order. Part one, part two, it doesn't really matter.
|
| 25 |
+
[97.000 --> 101.000] When you're done with this, you can go check out the other half on his channel.
|
| 26 |
+
[101.000 --> 105.000] Today's guest is someone that regular viewers of the channel are very familiar with.
|
| 27 |
+
[105.000 --> 115.000] He is one of my favorite lawyers on YouTube, and he was very helpful during the famous Amber Heard versus Johnny Depp trial, because he was actually in that courtroom.
|
| 28 |
+
[115.000 --> 118.000] But in his practice, he specializes in family law and litigation.
|
| 29 |
+
[118.000 --> 123.000] So I'll come back to the channel, Rob Morton from Law and Lumber.
|
| 30 |
+
[123.000 --> 125.000] Hey, Spidey, how you doing?
|
| 31 |
+
[125.000 --> 127.000] How you doing, man? This is exciting.
|
| 32 |
+
[127.000 --> 134.000] I'm so excited to tackle this with you, because from both the legal angle and the behavioral angle, there's so much going on.
|
| 33 |
+
[134.000 --> 139.000] And this particular case took me not by surprise. I knew there were going to be fireworks.
|
| 34 |
+
[139.000 --> 145.000] I didn't know we were going to get to this level, but it wasn't until about week two or three that I really started to draw my attention.
|
| 35 |
+
[145.000 --> 150.000] And that was when I contacted you, and I was saying, this is something we have to take a look at.
|
| 36 |
+
[150.000 --> 155.000] And here we are. Here we are. So let's dive right in, starting with the first clip.
|
| 37 |
+
[155.000 --> 160.000] I would like an update on whether Mr. Brooks filled out a subpoena for Don Wood.
|
| 38 |
+
[160.000 --> 165.000] I provided that to the state. Has that been done?
|
| 39 |
+
[165.000 --> 173.000] No, we haven't received anything in your honor. And obviously she can appear here voluntarily.
|
| 40 |
+
[173.000 --> 178.000] Our position would be your honor that we will not be responsible in any fashion.
|
| 41 |
+
[178.000 --> 181.000] If you see Miss Woods, Mr. Brooks talks to her on a daily basis.
|
| 42 |
+
[181.000 --> 184.000] If he wants her here, he can produce her on Monday.
|
| 43 |
+
[184.000 --> 186.000] And he ain't got to worry about that.
|
| 44 |
+
[186.000 --> 189.000] So I just wanted to know because I know subpoena form was filled out.
|
| 45 |
+
[189.000 --> 192.000] If I wanted to be here, she'd go be here.
|
| 46 |
+
[192.000 --> 199.000] I agree with the state that she could certainly appear.
|
| 47 |
+
[199.000 --> 203.000] It ain't even got to be no arrangement. All I got to say is come. She don't come.
|
| 48 |
+
[203.000 --> 207.000] That simple.
|
| 49 |
+
[207.000 --> 210.000] Mr. Brooks, do you intend to call her as a witness?
|
| 50 |
+
[210.000 --> 213.000] Because I'm directing you to have her here at night.
|
| 51 |
+
[213.000 --> 215.000] I don't know how to act at the beginning, man.
|
| 52 |
+
[215.000 --> 220.000] But I don't even want to be here that much longer. Just do what you got to do so I can get up out of here.
|
| 53 |
+
[220.000 --> 224.000] I'm trying to be in the courtroom that has no integrity whatsoever.
|
| 54 |
+
[224.000 --> 226.000] How can you even call yourself a judge?
|
| 55 |
+
[226.000 --> 229.000] Mr. Brooks, I need to make a record of something.
|
| 56 |
+
[229.000 --> 231.000] I need to make a record too.
|
| 57 |
+
[231.000 --> 233.000] You don't want to be a judge.
|
| 58 |
+
[233.000 --> 236.000] I need to make a record. He's being removed to the other courtroom.
|
| 59 |
+
[236.000 --> 241.000] Okay, so that was just an example of an early clip of a confrontational moment with him and the judge.
|
| 60 |
+
[241.000 --> 243.000] And we saw this kind of thing a lot.
|
| 61 |
+
[243.000 --> 251.000] And it's one of the reasons this trial gained a lot of popularity in the media because he kept getting confrontational with the judge, with the state.
|
| 62 |
+
[251.000 --> 253.000] And this just kept happening.
|
| 63 |
+
[253.000 --> 256.000] So Rob, I want you to talk about what we're seeing here.
|
| 64 |
+
[256.000 --> 259.000] This kind of attitude, this kind of lashing out.
|
| 65 |
+
[259.000 --> 261.000] How often in your career have you seen this kind of thing?
|
| 66 |
+
[261.000 --> 265.000] How often have you seen someone in a case like this represent themselves?
|
| 67 |
+
[265.000 --> 266.000] It's important to note.
|
| 68 |
+
[266.000 --> 268.000] He's made that decision to represent himself.
|
| 69 |
+
[268.000 --> 271.000] So how often in a case of this magnitude?
|
| 70 |
+
[271.000 --> 274.000] Have you seen someone represent themselves?
|
| 71 |
+
[274.000 --> 276.000] And how often have you seen this kind of attitude?
|
| 72 |
+
[276.000 --> 277.000] Rob, go.
|
| 73 |
+
[277.000 --> 279.000] Never.
|
| 74 |
+
[279.000 --> 281.000] Never on both counts.
|
| 75 |
+
[281.000 --> 283.000] I've seen some crazy things in court.
|
| 76 |
+
[283.000 --> 286.000] But I don't think I've ever seen something like I saw with this particular trial.
|
| 77 |
+
[286.000 --> 291.000] Now, when you sent me this clip, I didn't know how many takes it would take us to go through this.
|
| 78 |
+
[291.000 --> 295.000] But I figured it had to be at least more than one because I thought I would be throwing something against the wall.
|
| 79 |
+
[295.000 --> 298.000] Once I heard him go into his outrage towards the court.
|
| 80 |
+
[298.000 --> 304.000] As an attorney, you don't have the ability or the right to show this level of disrespect to the tribunal.
|
| 81 |
+
[304.000 --> 305.000] You must be respectful.
|
| 82 |
+
[305.000 --> 310.000] You must abide by rules of decorum and standard that have to take place in that courtroom.
|
| 83 |
+
[310.000 --> 313.000] He disregarded that at every single turn.
|
| 84 |
+
[313.000 --> 318.000] What's notable is in this particular case, in this instance here that we're watching.
|
| 85 |
+
[318.000 --> 321.000] He's talking about a subpoena for his mother to testify on his behalf.
|
| 86 |
+
[321.000 --> 325.000] Now, the state in the case up to this point has been gracious enough to donate their time.
|
| 87 |
+
[325.000 --> 332.000] And I do mean gracious to sign and execute those subpoenas to issue them to get his witnesses there to court for him.
|
| 88 |
+
[332.000 --> 336.000] That is not something that a opposing council will do in any particular case.
|
| 89 |
+
[336.000 --> 339.000] In this instance, he says, I don't need you to do that.
|
| 90 |
+
[339.000 --> 342.000] If it's my mom, if she's going to be here, she's going to be here.
|
| 91 |
+
[342.000 --> 344.000] If I ask her to be here, she'll be here.
|
| 92 |
+
[344.000 --> 345.000] Well, spoiler alert.
|
| 93 |
+
[345.000 --> 347.000] She didn't show.
|
| 94 |
+
[347.000 --> 352.000] Now, there was something in this that I flagged immediately for your input.
|
| 95 |
+
[352.000 --> 358.000] One, when he pulls the mask down, I don't think I've seen a more textbook look of contempt.
|
| 96 |
+
[358.000 --> 360.000] And I wanted to get your input on that.
|
| 97 |
+
[360.000 --> 365.000] And two, he moves the book around and does some paper shuffling that threw me off.
|
| 98 |
+
[365.000 --> 367.000] I didn't really know how to read that.
|
| 99 |
+
[367.000 --> 369.000] So I wanted to get your take on both of those.
|
| 100 |
+
[369.000 --> 370.000] Awesome.
|
| 101 |
+
[370.000 --> 374.000] And I'm so glad that you talked about those two moments because they're both in my notes.
|
| 102 |
+
[374.000 --> 378.000] So a few things from me from a behavioral standpoint.
|
| 103 |
+
[378.000 --> 381.000] First of all, right here, it says on my notes, ego, ego, ego.
|
| 104 |
+
[381.000 --> 389.000] So a lot of what we're going to see, not just in that moment, but moving forward, is him understanding that he's in a position where he doesn't have that much power.
|
| 105 |
+
[389.000 --> 392.000] But his ego doesn't allow him to deal with that.
|
| 106 |
+
[392.000 --> 397.000] So every chance he gets to assert power, to exercise power, he's going to take that chance.
|
| 107 |
+
[397.000 --> 401.000] And this is a great demonstration of that because the conversation keeps flowing.
|
| 108 |
+
[401.000 --> 405.000] The judge keeps talking and he just keeps going back to, you don't even have to worry about that.
|
| 109 |
+
[405.000 --> 407.000] If I wander here, she's going to be here.
|
| 110 |
+
[407.000 --> 408.000] Nothing to talk about.
|
| 111 |
+
[408.000 --> 414.000] And he just keeps going back to that because he wants people to understand that this is something that I have control over.
|
| 112 |
+
[414.000 --> 418.000] You may have control over other things here, but that's one thing that I have control over.
|
| 113 |
+
[418.000 --> 419.000] It's the same with the books.
|
| 114 |
+
[419.000 --> 421.000] This is my table.
|
| 115 |
+
[421.000 --> 423.000] No one's messing around with this space.
|
| 116 |
+
[423.000 --> 424.000] I do what I want here.
|
| 117 |
+
[424.000 --> 425.000] I can put my book here.
|
| 118 |
+
[425.000 --> 426.000] I can move my files here.
|
| 119 |
+
[426.000 --> 427.000] If I want them here.
|
| 120 |
+
[427.000 --> 431.000] It's the same later in the case that's when he started building a fort with boxes.
|
| 121 |
+
[431.000 --> 432.000] Oh God.
|
| 122 |
+
[432.000 --> 434.000] It's the same thing.
|
| 123 |
+
[434.000 --> 436.000] It's like, this is my things.
|
| 124 |
+
[436.000 --> 438.000] And I have control here.
|
| 125 |
+
[438.000 --> 440.000] And we often see this in children, by the way.
|
| 126 |
+
[440.000 --> 443.000] Children who feel like they don't have a lot of decision-making abilities.
|
| 127 |
+
[443.000 --> 447.000] But when they do have a decision to make, they really take it seriously.
|
| 128 |
+
[447.000 --> 450.000] And they make sure that you know that this is their responsibility.
|
| 129 |
+
[450.000 --> 451.000] It's the same with him.
|
| 130 |
+
[451.000 --> 456.000] He's taking every opportunity you can to assert that I can make this decision.
|
| 131 |
+
[456.000 --> 457.000] Right here.
|
| 132 |
+
[457.000 --> 459.000] If I wanted to be here, she's going to be here.
|
| 133 |
+
[459.000 --> 461.000] When the mask comes off, I'm so happy you caught that.
|
| 134 |
+
[461.000 --> 463.000] I'm so happy you said the word contempt.
|
| 135 |
+
[463.000 --> 467.000] So Paul Eichmann did all the research on the universal emotions.
|
| 136 |
+
[467.000 --> 471.000] The emotions that all humans experience and display the same way.
|
| 137 |
+
[471.000 --> 472.000] And one of them is contempt.
|
| 138 |
+
[472.000 --> 477.000] And throughout this case, very often when he's on tilt, when he's upset,
|
| 139 |
+
[477.000 --> 481.000] as he's talking or yelling, we see one corner of that lip.
|
| 140 |
+
[481.000 --> 484.000] As he's talking, go like exactly.
|
| 141 |
+
[485.000 --> 487.000] Like this as he's talking.
|
| 142 |
+
[487.000 --> 491.000] Now, some people who have had facial paralysis, bells palsy,
|
| 143 |
+
[491.000 --> 493.000] who suffer the stroke, you'll see that.
|
| 144 |
+
[493.000 --> 495.000] When they talk, one side of their mouth moves more.
|
| 145 |
+
[495.000 --> 498.000] But that's not what this is because it doesn't happen all the time.
|
| 146 |
+
[498.000 --> 501.000] It happens when he's getting, when that tension is going up.
|
| 147 |
+
[501.000 --> 504.000] And we start to see that one, just that upper corner.
|
| 148 |
+
[504.000 --> 506.000] It's not the one side of the mouth movie more.
|
| 149 |
+
[506.000 --> 509.000] It's the one corner going like this a lot.
|
| 150 |
+
[509.000 --> 510.000] And that's just contempt.
|
| 151 |
+
[510.000 --> 514.000] It's almost part of his baseline when he gets aggravated.
|
| 152 |
+
[514.000 --> 516.000] And this is a man who's quite contentious.
|
| 153 |
+
[516.000 --> 519.000] Now, I noticed that when he did the contempt part, when the lip came up,
|
| 154 |
+
[519.000 --> 522.000] a lot of things happened with his chin at the same time.
|
| 155 |
+
[522.000 --> 525.000] He pulled the lip up and he immediately got more confrontational
|
| 156 |
+
[525.000 --> 528.000] with his shoulders and chin and shoved it out.
|
| 157 |
+
[528.000 --> 530.000] Like, just snarling.
|
| 158 |
+
[530.000 --> 533.000] Right. So it's not just the shoulders and the chin.
|
| 159 |
+
[533.000 --> 535.000] It's also the bottom lip.
|
| 160 |
+
[535.000 --> 538.000] I want you to pay attention to when he says, I need to make a record too.
|
| 161 |
+
[538.000 --> 542.000] And as we're seeing that upper lip here, he goes to,
|
| 162 |
+
[542.000 --> 546.000] and you see this really exaggerated too, like this.
|
| 163 |
+
[546.000 --> 548.000] You know what I'm talking about?
|
| 164 |
+
[548.000 --> 549.000] He sticks it out.
|
| 165 |
+
[549.000 --> 551.000] Like he sticks it out.
|
| 166 |
+
[551.000 --> 553.000] Two, like this.
|
| 167 |
+
[553.000 --> 556.000] When you see someone talk to you and you see that,
|
| 168 |
+
[556.000 --> 559.000] not just the chin, lunging at you, but that bottom lip,
|
| 169 |
+
[559.000 --> 564.000] as they talk, like this, it's about to get physical.
|
| 170 |
+
[564.000 --> 566.000] This is something we look for in pre-aggression.
|
| 171 |
+
[566.000 --> 569.000] And this is something where if there wasn't a table,
|
| 172 |
+
[569.000 --> 573.000] if he wasn't in a courtroom, this would likely get quite physical.
|
| 173 |
+
[573.000 --> 575.000] Because it's very aggressive.
|
| 174 |
+
[575.000 --> 578.000] And usually if you see that in the real world, try to deescalate,
|
| 175 |
+
[578.000 --> 580.000] try to calm down situation, because it's about to get really hot.
|
| 176 |
+
[580.000 --> 582.000] I do want to throw in one more thing.
|
| 177 |
+
[582.000 --> 585.000] While the judge is talking, we see a very clear and pronounced shrug.
|
| 178 |
+
[585.000 --> 589.000] As his shoulders come up like this, his hands are out in front of him like this,
|
| 179 |
+
[589.000 --> 591.000] and his eyebrows are up.
|
| 180 |
+
[591.000 --> 595.000] And the best research on shrugging, and I talk about this a lot on the channel,
|
| 181 |
+
[595.000 --> 599.000] was conducted in France by Camille Debra, and she really went in
|
| 182 |
+
[599.000 --> 603.000] and micro-analysed shrugs and found all the different reasons we shrug.
|
| 183 |
+
[603.000 --> 607.000] And the bottom line is when we shrug, it's because we're lacking something.
|
| 184 |
+
[607.000 --> 609.000] There's something we don't have.
|
| 185 |
+
[609.000 --> 611.000] Whether it's, I don't care, I don't know.
|
| 186 |
+
[611.000 --> 614.000] And in this case, I don't have any power here.
|
| 187 |
+
[614.000 --> 615.000] I don't know what to do.
|
| 188 |
+
[615.000 --> 616.000] I can't do anything.
|
| 189 |
+
[616.000 --> 621.000] And we saw, we see this shrugging a lot when he's feeling like he's out of options.
|
| 190 |
+
[621.000 --> 622.000] He doesn't know what to do.
|
| 191 |
+
[622.000 --> 623.000] And this was a great example of it.
|
| 192 |
+
[623.000 --> 627.000] And I think the reason it's happening, it's called an attitudinal shrug.
|
| 193 |
+
[627.000 --> 630.000] And it's basically an attitud of, I don't have power here.
|
| 194 |
+
[630.000 --> 631.000] I can't do anything.
|
| 195 |
+
[631.000 --> 633.000] I'm at a loss of options.
|
| 196 |
+
[633.000 --> 634.000] So that's the shrug we're seeing.
|
| 197 |
+
[634.000 --> 636.000] Would that make sense, Rob, given the context?
|
| 198 |
+
[636.000 --> 642.000] Yeah, almost like an exasperation, like a sense of immediate frustration.
|
| 199 |
+
[642.000 --> 645.000] Like, yeah, that makes sense.
|
| 200 |
+
[645.000 --> 648.000] Okay, now we're going to keep going and look at some other moments that give us
|
| 201 |
+
[648.000 --> 652.000] really great insight as to what his intentions might be during this process.
|
| 202 |
+
[652.000 --> 656.000] But before we do do me a huge favor, hit that like button.
|
| 203 |
+
[656.000 --> 658.000] It really does help get this video out there.
|
| 204 |
+
[658.000 --> 659.000] Hit that subscribe button.
|
| 205 |
+
[659.000 --> 663.000] Turn those notifications on for more behavioral analysis and practical psychology.
|
| 206 |
+
[663.000 --> 667.000] And second of all, if we go down that road, we would be forced to counter that claim by pointing out that
|
| 207 |
+
[667.000 --> 670.000] not only does the defendant not live with the child in question,
|
| 208 |
+
[670.000 --> 673.000] it doesn't live with any of the other children that he has.
|
| 209 |
+
[673.000 --> 677.000] He impregnated Eric Paterson when she was a minor in Nevada.
|
| 210 |
+
[678.000 --> 680.000] And for doing so, he was convicted of staff.
|
| 211 |
+
[682.000 --> 685.000] Plug guilty in March of 2007 to that felony offenses and is a.
|
| 212 |
+
[686.000 --> 688.000] On the registry as a result.
|
| 213 |
+
[688.000 --> 692.000] So if there's any causation that would lead to Eric Paterson being a bad mom,
|
| 214 |
+
[692.000 --> 695.000] Mr. Brooks has a direct role in that causation.
|
| 215 |
+
[695.000 --> 698.000] And that's the way I'm not because that's a lie.
|
| 216 |
+
[698.000 --> 699.000] Let's finish.
|
| 217 |
+
[699.000 --> 700.000] Let's finish.
|
| 218 |
+
[700.000 --> 701.000] Let's finish.
|
| 219 |
+
[701.000 --> 702.000] We're going to open the door.
|
| 220 |
+
[702.000 --> 704.000] No, since he want to make a record and not be accurate.
|
| 221 |
+
[704.000 --> 708.000] So let's be accurate on the record since you think you know so much.
|
| 222 |
+
[708.000 --> 710.000] Once again, we can open the door.
|
| 223 |
+
[710.000 --> 711.000] We can open the door.
|
| 224 |
+
[711.000 --> 712.000] Disrespectful.
|
| 225 |
+
[712.000 --> 713.000] Disrespectful.
|
| 226 |
+
[713.000 --> 714.000] Interrupting.
|
| 227 |
+
[714.000 --> 715.000] We can accept what you mean.
|
| 228 |
+
[715.000 --> 716.000] Over the top of the DNA.
|
| 229 |
+
[716.000 --> 717.000] Do you know what?
|
| 230 |
+
[717.000 --> 720.000] Mr. Brooks, I'm ordering you to sit down and to let the state.
|
| 231 |
+
[720.000 --> 722.000] No, I'm not going to see her.
|
| 232 |
+
[722.000 --> 724.000] Let somebody be here and accurate on record.
|
| 233 |
+
[724.000 --> 725.000] And why on record?
|
| 234 |
+
[725.000 --> 728.000] Under Illinois versus Alan, I've warned him repeatedly.
|
| 235 |
+
[728.000 --> 730.000] He's being removed from the courtroom.
|
| 236 |
+
[730.000 --> 732.000] And you know what?
|
| 237 |
+
[732.000 --> 733.000] Let me dial that back.
|
| 238 |
+
[733.000 --> 735.000] We're just going to take an early lunch.
|
| 239 |
+
[735.000 --> 738.000] So let's kind of start off with what's going on here.
|
| 240 |
+
[738.000 --> 744.000] And Spidey, I know that you had a question in particular when it came to this particular clip after watching that.
|
| 241 |
+
[744.000 --> 746.000] And what was that question?
|
| 242 |
+
[746.000 --> 748.000] Yeah, so the question is this.
|
| 243 |
+
[748.000 --> 752.000] In terms of body language and behavior, we're seeing a lot of the same stuff in the first clip.
|
| 244 |
+
[752.000 --> 754.000] And I talked a lot about that.
|
| 245 |
+
[754.000 --> 759.000] On this one, I kind of wanted you to walk us through this because there's a lot more legal stuff here than behavioral.
|
| 246 |
+
[759.000 --> 764.000] And so he keeps doing this throughout the entire trial for the record.
|
| 247 |
+
[764.000 --> 766.000] You honor, I want this on the record, the record.
|
| 248 |
+
[766.000 --> 769.000] He just keeps going back to the record.
|
| 249 |
+
[769.000 --> 777.000] So Rob, the question I have is what is this record that is so important to him and why is it this important to him?
|
| 250 |
+
[777.000 --> 781.000] Oh, the magical record, the record, the record, the record, the record.
|
| 251 |
+
[781.000 --> 782.000] Oh my gosh.
|
| 252 |
+
[782.000 --> 788.000] Okay, so the record in any trial court proceeding, the record is what is transcribed by the court report of the record is what is transcribed by the court report of the record.
|
| 253 |
+
[788.000 --> 791.000] The record is what is taking place in the courtroom.
|
| 254 |
+
[791.000 --> 796.000] And before the days of audio visual capabilities, we had court reporters who would write down everything.
|
| 255 |
+
[796.000 --> 798.000] You always saw the old movies.
|
| 256 |
+
[798.000 --> 801.000] They said let the record reflect that the person identified the person at the table.
|
| 257 |
+
[801.000 --> 806.000] It's because someone pointed in a direction and you actually have to type down what's being seen in that courtroom.
|
| 258 |
+
[806.000 --> 812.000] So the record is this thing that is the compilation of all of the pleadings, the filings, the things that are said in court.
|
| 259 |
+
[812.000 --> 814.000] That is the record itself.
|
| 260 |
+
[814.000 --> 817.000] Now, to Mr. Brooks, the record is something different.
|
| 261 |
+
[817.000 --> 821.000] The record is the hired adjudicatory body of magic.
|
| 262 |
+
[821.000 --> 826.000] He just wants the record to be his version of the truth.
|
| 263 |
+
[826.000 --> 836.000] So when people start talking and he doesn't agree with what they're saying, he wants the quote record to reflect that his version of the truth is different than this other person's version of the truth.
|
| 264 |
+
[836.000 --> 839.000] That is not the frickin record.
|
| 265 |
+
[839.000 --> 842.000] The record is what is being transcribed in court.
|
| 266 |
+
[842.000 --> 845.000] Now, what the prosecutor does in this case is great.
|
| 267 |
+
[845.000 --> 848.000] He lays out what's called an offer of proof.
|
| 268 |
+
[848.000 --> 859.000] It says if Mr. Brooks wants to continue cross examining his ex girlfriend and trying to impune her credibility with photographs that suggests that she in Mr. Brooks's mind might not be the best of mothers.
|
| 269 |
+
[859.000 --> 871.000] Then the prosecutor is going to be forced to bring up a number of things in his past that he doesn't want brought up, namely that she, I believe, was the age of 14 when they first got became intimate was convicted of statutory.
|
| 270 |
+
[871.000 --> 880.000] Engagement with a minor and the prosecutors taking these things off and watch the confidence just boom, boom, boom, that's a power move.
|
| 271 |
+
[880.000 --> 886.000] That is a prosecutor who's well in this element and knows exactly what he's saying and is basically saying you want to dig your grave.
|
| 272 |
+
[886.000 --> 889.000] I will go ahead and let you jump in it.
|
| 273 |
+
[889.000 --> 897.000] There's also there's this confrontation I was curious about because he keeps saying like that's inaccurate on record lot.
|
| 274 |
+
[897.000 --> 900.000] You want to be inaccurate on record. You want to lie on record. That's a lie. That's a lie.
|
| 275 |
+
[900.000 --> 911.000] But from what I understood, the prosecuting attorney was just listing things that are facts like things that legally are on the record.
|
| 276 |
+
[911.000 --> 919.000] So when he says like that's inaccurate, that's a lie. What's a lie? What from what the guy said is a lie?
|
| 277 |
+
[919.000 --> 932.000] Well, that's a thing. There are certain things that are taken as a matter of course. There's certain things that the court has the ability to take what's called judicial notice of the court has the ability to take judicial notice of someone's criminal background because it has already been adjudicated.
|
| 278 |
+
[932.000 --> 939.000] There is no running away from that. It's not something you have to re-prove. It's already a part of history. It is fact.
|
| 279 |
+
[939.000 --> 952.000] Then there's stuff that takes place in court. This is stuff that is a subject matter of dispute. Things that people are testifying to to try and prove the factual or inaccurate representation of what's being testified to.
|
| 280 |
+
[952.000 --> 961.000] Those are things that are subject to controversy. Now what Mr. Brooks is trying to do is he's trying to basically play a game of there's evidence that I don't like.
|
| 281 |
+
[961.000 --> 979.000] So I'm going to say it's factually inaccurate for the record. Always for the record. His objection has been noted repeatedly. The judge sells and tells him the objection has been noted. Please stop interrupting the proceedings. Mr. Brooks does not abide and continues to interrupt the proceedings unendlessly.
|
| 282 |
+
[979.000 --> 993.000] That's not the point I was trying to make and you explained it so eloquently to where when you say that's a lie, you know, and that's inaccurate on the record. But it's not. He's just listing things that were already in the court of law proven that you pled guilty to.
|
| 283 |
+
[993.000 --> 995.000] I can't say this. Tomorrow.
|
| 284 |
+
[995.000 --> 996.000] Tomorrow.
|
| 285 |
+
[996.000 --> 997.000] Tomorrow.
|
| 286 |
+
[997.000 --> 998.000] Tomorrow.
|
| 287 |
+
[998.000 --> 999.000] Tomorrow.
|
| 288 |
+
[999.000 --> 1000.000] Tomorrow.
|
| 289 |
+
[1000.000 --> 1001.000] Tomorrow.
|
| 290 |
+
[1001.000 --> 1002.000] Tomorrow.
|
| 291 |
+
[1002.000 --> 1003.000] Tomorrow.
|
| 292 |
+
[1003.000 --> 1004.000] Tomorrow.
|
| 293 |
+
[1004.000 --> 1005.000] Tomorrow.
|
| 294 |
+
[1005.000 --> 1006.000] Tomorrow.
|
| 295 |
+
[1006.000 --> 1007.000] Tomorrow.
|
| 296 |
+
[1007.000 --> 1008.000] Tomorrow.
|
| 297 |
+
[1008.000 --> 1011.000] Our partner community.
|
| 298 |
+
[1011.000 --> 1014.000] We can't mail it.
|
| 299 |
+
[1014.000 --> 1017.000] I'm leaning towards the afternoon.
|
| 300 |
+
[1017.000 --> 1023.000] That could change depending on the flow of the morning. Now we guess.
|
| 301 |
+
[1023.000 --> 1024.000] If just right.
|
| 302 |
+
[1024.000 --> 1030.000] Who it is, so we can prepare so that person has told the company afternoon rather than wait through the morning.
|
| 303 |
+
[1030.000 --> 1032.000] Don't want to say who it is.
|
| 304 |
+
[1032.000 --> 1037.000] Want the person to be here when we're ready to go but they were here today if that helps.
|
| 305 |
+
[1037.000 --> 1038.840] and your honor, there's no mystery here.
|
| 306 |
+
[1038.840 --> 1040.000] Maybe he is, maybe he is.
|
| 307 |
+
[1040.000 --> 1041.800] That's what I would have, kind of who I thought it
|
| 308 |
+
[1041.800 --> 1043.120] would be as well.
|
| 309 |
+
[1043.120 --> 1046.680] So I'm gonna have her come tomorrow afternoon then.
|
| 310 |
+
[1046.680 --> 1047.680] Okay, we'll have him tomorrow.
|
| 311 |
+
[1047.680 --> 1048.520] We don't have him tomorrow.
|
| 312 |
+
[1048.520 --> 1049.360] We don't want to come tomorrow afternoon.
|
| 313 |
+
[1049.360 --> 1051.840] So I think we need to be mindful of people's schedules.
|
| 314 |
+
[1051.840 --> 1052.680] Thank you.
|
| 315 |
+
[1052.680 --> 1054.000] We'll have everyone else here on that.
|
| 316 |
+
[1054.000 --> 1056.280] That's interesting because that was not well
|
| 317 |
+
[1056.280 --> 1057.600] in referring to.
|
| 318 |
+
[1057.600 --> 1058.800] Then you need to tell me right now
|
| 319 |
+
[1058.800 --> 1060.280] so I can make an alteration to that.
|
| 320 |
+
[1060.280 --> 1061.280] Come on, Judge.
|
| 321 |
+
[1064.920 --> 1066.280] I'm calling the snuggle break.
|
| 322 |
+
[1067.000 --> 1067.840] Okay.
|
| 323 |
+
[1067.840 --> 1072.000] So before I lose my mind on this clip,
|
| 324 |
+
[1072.000 --> 1074.000] I'm gonna ask you what it was that we saw in his face
|
| 325 |
+
[1074.000 --> 1078.000] and why he seemed so excited when the judge asked him,
|
| 326 |
+
[1078.000 --> 1080.000] who his next witness would be,
|
| 327 |
+
[1080.000 --> 1082.000] and he seemed like he was playing a game.
|
| 328 |
+
[1082.000 --> 1083.000] What was going on?
|
| 329 |
+
[1083.000 --> 1086.000] One word, leverage.
|
| 330 |
+
[1086.000 --> 1090.000] He's in a situation where he doesn't have a lot of power.
|
| 331 |
+
[1090.000 --> 1092.000] He's the least informed person.
|
| 332 |
+
[1092.000 --> 1095.000] You know that we have a bunch of very competent prosecutors.
|
| 333 |
+
[1095.000 --> 1097.000] We have a very competent judge.
|
| 334 |
+
[1097.000 --> 1099.000] He's often the one who can't keep up.
|
| 335 |
+
[1099.000 --> 1103.000] So anytime he feels like he has a bit of control over something,
|
| 336 |
+
[1103.000 --> 1106.000] we see excitement and we see him really exerting that control
|
| 337 |
+
[1106.000 --> 1108.000] and really dragging it out to say like,
|
| 338 |
+
[1108.000 --> 1110.000] no, I have a say here.
|
| 339 |
+
[1110.000 --> 1111.000] This is exciting.
|
| 340 |
+
[1111.000 --> 1113.000] I'm gonna say that I'm gonna be the judge.
|
| 341 |
+
[1113.000 --> 1114.000] I'm gonna be the judge.
|
| 342 |
+
[1114.000 --> 1115.000] I'm gonna be the judge.
|
| 343 |
+
[1115.000 --> 1116.000] I'm gonna be the judge.
|
| 344 |
+
[1116.000 --> 1117.000] I'm gonna be the judge.
|
| 345 |
+
[1117.000 --> 1118.000] I'm gonna be the judge.
|
| 346 |
+
[1118.000 --> 1119.000] I'm gonna say here.
|
| 347 |
+
[1119.000 --> 1123.000] This is exciting for him because this is something that he knows.
|
| 348 |
+
[1123.000 --> 1125.000] He has this leverage that he knows.
|
| 349 |
+
[1125.000 --> 1127.000] He has a secret information that they don't know.
|
| 350 |
+
[1127.000 --> 1128.000] And he's excited about this.
|
| 351 |
+
[1128.000 --> 1129.000] Like, oh, for once,
|
| 352 |
+
[1129.000 --> 1133.000] I'm the one who knows something that the two of you don't know.
|
| 353 |
+
[1133.000 --> 1136.000] So he's excited over this leverage that he has over the judge.
|
| 354 |
+
[1136.000 --> 1138.000] He's got a right-warey wancer to where she's asking him like,
|
| 355 |
+
[1138.000 --> 1140.000] okay, well, so who is this witness?
|
| 356 |
+
[1140.000 --> 1141.000] She wants something from him.
|
| 357 |
+
[1141.000 --> 1143.000] They want something from him.
|
| 358 |
+
[1143.000 --> 1146.000] And he's just excited about that.
|
| 359 |
+
[1146.000 --> 1148.600] for once, he's got the leverage.
|
| 360 |
+
[1148.600 --> 1151.920] But even as someone who's not a lawyer,
|
| 361 |
+
[1151.920 --> 1156.200] I was extremely frustrated by him making light of this.
|
| 362 |
+
[1156.200 --> 1158.200] Like, can we remember why you're here?
|
| 363 |
+
[1158.200 --> 1160.280] Can we remember why this isn't like,
|
| 364 |
+
[1160.280 --> 1163.600] ah, at the end there, the prosecutor said,
|
| 365 |
+
[1163.600 --> 1165.520] well, it's no big surprise, we know who it is.
|
| 366 |
+
[1165.520 --> 1167.120] And the judge said, yeah, I kind of figured
|
| 367 |
+
[1167.120 --> 1169.080] that's who it is as well.
|
| 368 |
+
[1169.080 --> 1170.760] Are the, now I get that he's frustrating
|
| 369 |
+
[1170.760 --> 1172.120] in his behaviors, frustrating,
|
| 370 |
+
[1172.120 --> 1173.920] and they've been more than patient with him up
|
| 371 |
+
[1173.920 --> 1175.800] until this point, but are they technically
|
| 372 |
+
[1175.800 --> 1176.800] allowed to do that?
|
| 373 |
+
[1176.800 --> 1178.920] Like, move forward with an assumption
|
| 374 |
+
[1178.920 --> 1182.120] that to them is clear, but he hasn't actually confirmed?
|
| 375 |
+
[1182.120 --> 1184.760] Yeah, I mean, both sides are strategizing.
|
| 376 |
+
[1184.760 --> 1187.520] They don't have to divulge every single element
|
| 377 |
+
[1187.520 --> 1188.360] of their case.
|
| 378 |
+
[1188.360 --> 1189.840] They can call witnesses out of order,
|
| 379 |
+
[1189.840 --> 1193.240] they can call witnesses that are surprise witnesses.
|
| 380 |
+
[1193.240 --> 1196.240] They have to get them in with some evidentiary basis
|
| 381 |
+
[1196.240 --> 1199.800] and some reason for not disclosing them previously.
|
| 382 |
+
[1199.800 --> 1201.920] But for the most part, we kind of know
|
| 383 |
+
[1201.920 --> 1204.040] the list of witnesses as a whole.
|
| 384 |
+
[1204.040 --> 1207.600] And we start to understand how they might want to call them.
|
| 385 |
+
[1207.600 --> 1210.400] Now, the part that frustrated me about this clip
|
| 386 |
+
[1210.400 --> 1214.040] was when Spidey was telling you about the excitement
|
| 387 |
+
[1214.040 --> 1216.400] that he had for the fact that he had control.
|
| 388 |
+
[1216.400 --> 1217.920] And he was saying, look, I'm a big boy,
|
| 389 |
+
[1217.920 --> 1221.160] and I can handle myself in this situation.
|
| 390 |
+
[1221.160 --> 1223.200] I had this sinking feeling when I was watching this
|
| 391 |
+
[1223.200 --> 1227.320] in real time that I might know or think who this witness was.
|
| 392 |
+
[1227.320 --> 1231.320] And that was confirmed with the prosecutor's response.
|
| 393 |
+
[1231.320 --> 1234.280] This is the ex-girlfriend that he's calling to the stand.
|
| 394 |
+
[1234.280 --> 1236.520] So he's excited that he has this leverage
|
| 395 |
+
[1236.520 --> 1240.240] over the prosecutor and something that he's divulging.
|
| 396 |
+
[1240.240 --> 1242.280] But there's a part of that excitement that,
|
| 397 |
+
[1242.280 --> 1246.120] at least in my practice, domestic relations litigation,
|
| 398 |
+
[1247.280 --> 1250.480] is founded in something that was very disturbing the sea.
|
| 399 |
+
[1250.480 --> 1253.000] And he's calling his ex-girlfriend to the stand.
|
| 400 |
+
[1253.000 --> 1254.720] And he might be like, yes, what it is.
|
| 401 |
+
[1254.720 --> 1255.880] Yeah, sorry to cut you off.
|
| 402 |
+
[1255.880 --> 1259.280] I just want to see if we're on the same wavelength there.
|
| 403 |
+
[1259.280 --> 1263.200] Is it his excitement that he gets to...
|
| 404 |
+
[1263.200 --> 1267.440] So obviously he had quite abusive relationship with her.
|
| 405 |
+
[1267.440 --> 1271.040] And he kind of gets to in plain sight,
|
| 406 |
+
[1271.040 --> 1275.880] continue that for lack of better terms, dominance over her.
|
| 407 |
+
[1275.880 --> 1277.720] And she has to sit there and take it.
|
| 408 |
+
[1277.720 --> 1278.560] Is it that?
|
| 409 |
+
[1278.560 --> 1279.400] You're 100% accurate.
|
| 410 |
+
[1279.400 --> 1283.000] And that's why I'm very glad that there was like no monitor
|
| 411 |
+
[1283.000 --> 1285.160] within arms range when I was watching this
|
| 412 |
+
[1285.160 --> 1287.880] because that was really frustrating to see.
|
| 413 |
+
[1287.880 --> 1290.560] He wants to put his ex-girlfriend on the stand,
|
| 414 |
+
[1290.560 --> 1293.480] not because he wants to elicit testimony from her
|
| 415 |
+
[1293.480 --> 1295.360] that's gonna be helpful to his case,
|
| 416 |
+
[1295.360 --> 1298.720] but because he wants to berate her and ask her questions
|
| 417 |
+
[1298.720 --> 1301.600] that are wholly irrelevant to the case at bar.
|
| 418 |
+
[1301.600 --> 1303.080] And it's a power dynamic.
|
| 419 |
+
[1303.080 --> 1304.600] And I've talked about this briefly
|
| 420 |
+
[1304.600 --> 1306.240] in previous videos on my channel,
|
| 421 |
+
[1306.240 --> 1307.400] if you want to check them out, you can.
|
| 422 |
+
[1307.400 --> 1309.920] There's an element of that examination
|
| 423 |
+
[1309.920 --> 1311.800] that is remarkably disturbing to watch,
|
| 424 |
+
[1311.800 --> 1315.920] where she's testifying and he exerts this long pause
|
| 425 |
+
[1315.920 --> 1318.800] to regain control in the conversation.
|
| 426 |
+
[1318.800 --> 1321.200] And there's so much manipulation that takes place.
|
| 427 |
+
[1321.200 --> 1324.120] And watching this, this one clip that's the precursor
|
| 428 |
+
[1324.120 --> 1327.080] or the preamble to this is remarkably disturbing
|
| 429 |
+
[1327.080 --> 1328.680] because you can see there's an excitement.
|
| 430 |
+
[1328.680 --> 1329.680] There's a power.
|
| 431 |
+
[1329.680 --> 1332.200] He's excited by the power he's about to have.
|
| 432 |
+
[1332.200 --> 1333.760] Yep.
|
| 433 |
+
[1333.760 --> 1334.840] I think that's exactly what it is.
|
| 434 |
+
[1334.840 --> 1337.800] I think he's excited that the power he has in many situations.
|
| 435 |
+
[1337.800 --> 1340.120] I have knowledge that the judge doesn't have.
|
| 436 |
+
[1340.120 --> 1342.320] I have knowledge that the prosecutor doesn't have.
|
| 437 |
+
[1342.320 --> 1344.960] I have the power to bring my ex-girlfriend in and ask her,
|
| 438 |
+
[1344.960 --> 1347.240] tell these questions, she has to answer.
|
| 439 |
+
[1347.240 --> 1348.760] And he's power tripping.
|
| 440 |
+
[1348.760 --> 1350.680] We're seeing the joy of someone
|
| 441 |
+
[1350.680 --> 1353.440] who with a big ego power tripping.
|
| 442 |
+
[1355.800 --> 1357.280] Yep, and it's hard to watch.
|
| 443 |
+
[1358.280 --> 1360.840] We are now about to watch testimony
|
| 444 |
+
[1360.840 --> 1364.120] from Adam Bohnstiel, who was a witness at the event.
|
| 445 |
+
[1364.120 --> 1365.200] He saw what happened.
|
| 446 |
+
[1365.200 --> 1367.840] And I want to start by playing some of this video
|
| 447 |
+
[1367.840 --> 1369.040] without the audio.
|
| 448 |
+
[1369.040 --> 1370.480] I will leave a link in the description
|
| 449 |
+
[1370.480 --> 1372.320] to where you can go watch the whole thing
|
| 450 |
+
[1372.320 --> 1373.680] as whole testimony.
|
| 451 |
+
[1373.680 --> 1377.360] But right now, because he's saying things that are really sensitive,
|
| 452 |
+
[1377.360 --> 1379.840] he's describing graphically things that happened,
|
| 453 |
+
[1379.840 --> 1381.480] I want you to see the body language,
|
| 454 |
+
[1381.480 --> 1383.400] but just here in the beginning right now,
|
| 455 |
+
[1383.400 --> 1387.320] he's describing what he saw in detail at the event.
|
| 456 |
+
[1387.320 --> 1389.400] And we'll pick it up when the audio kicks in
|
| 457 |
+
[1389.400 --> 1393.360] and the lawyers ask him some questions.
|
| 458 |
+
[1393.360 --> 1395.520] So this happened that close to you.
|
| 459 |
+
[1395.520 --> 1396.480] Yes.
|
| 460 |
+
[1396.480 --> 1398.080] You saw all this with your own two eyes.
|
| 461 |
+
[1398.080 --> 1399.720] Yes.
|
| 462 |
+
[1399.720 --> 1401.160] Did the car continue past you?
|
| 463 |
+
[1401.160 --> 1402.400] Yes.
|
| 464 |
+
[1402.400 --> 1403.520] Where did it go?
|
| 465 |
+
[1403.520 --> 1408.520] The car veered kind of in front of me.
|
| 466 |
+
[1408.520 --> 1411.400] I saw brake lights.
|
| 467 |
+
[1411.400 --> 1414.320] At that point, that was my only focus.
|
| 468 |
+
[1414.320 --> 1417.200] I, my vehicle, I threw it in park and ran
|
| 469 |
+
[1417.200 --> 1421.040] to decipher if this was really who I think it is.
|
| 470 |
+
[1421.040 --> 1427.600] I'll show you an item that's been marked as exhibit 46, please.
|
| 471 |
+
[1427.600 --> 1431.320] And we're going to put it up for you first
|
| 472 |
+
[1431.320 --> 1432.560] and have you take a look at it.
|
| 473 |
+
[1441.760 --> 1443.320] Is it up on your screen, sir?
|
| 474 |
+
[1443.320 --> 1444.680] Yep.
|
| 475 |
+
[1444.680 --> 1449.120] In this frame, I don't see you in this frame yet, correct?
|
| 476 |
+
[1449.120 --> 1450.000] That's correct.
|
| 477 |
+
[1450.000 --> 1452.000] But we do see Jane laying there on the road.
|
| 478 |
+
[1452.000 --> 1453.400] That's correct.
|
| 479 |
+
[1453.400 --> 1458.200] She's got the red top and the black plaid pants.
|
| 480 |
+
[1458.200 --> 1458.680] Is that right?
|
| 481 |
+
[1458.680 --> 1459.320] That's correct.
|
| 482 |
+
[1459.320 --> 1460.320] OK.
|
| 483 |
+
[1460.320 --> 1465.400] We're going to go ahead and play it all the way through 15 seconds at normal speed.
|
| 484 |
+
[1465.400 --> 1469.440] This is one of the most impactful witnesses I've seen during this trial.
|
| 485 |
+
[1469.440 --> 1473.000] And I didn't think of that at first glance.
|
| 486 |
+
[1473.000 --> 1476.600] So when we're talking about behavioral analytics or anything about testimony, et cetera,
|
| 487 |
+
[1476.600 --> 1481.000] there are certain things that are things that get broken down by people like Spidey.
|
| 488 |
+
[1481.000 --> 1482.040] That's why he's my friend.
|
| 489 |
+
[1482.040 --> 1486.600] That's why I like talk to him about this stuff, because I want to hear his input.
|
| 490 |
+
[1486.600 --> 1491.800] But it's because something triggers in me where something on my gut level is telling me
|
| 491 |
+
[1491.800 --> 1497.760] there's something I should see that there's some reason why I feel the way I do about
|
| 492 |
+
[1497.760 --> 1500.240] the testimony I'm hearing.
|
| 493 |
+
[1500.240 --> 1501.720] And I want to know why.
|
| 494 |
+
[1501.720 --> 1503.800] So that's why I ask Spidey.
|
| 495 |
+
[1503.800 --> 1505.480] And this guy is a perfect example for that.
|
| 496 |
+
[1505.480 --> 1510.440] You have a gut feeling when you're hearing him talk.
|
| 497 |
+
[1510.440 --> 1516.160] And you know, without spoiling the punch line, Spidey, why did I have that gut feeling?
|
| 498 |
+
[1516.160 --> 1517.720] Yes, Rob, I completely agree.
|
| 499 |
+
[1517.720 --> 1523.080] There are a lot of instances with what I do where you just feel something is happening.
|
| 500 |
+
[1523.080 --> 1524.560] And this is one of those cases.
|
| 501 |
+
[1524.560 --> 1528.680] You don't have to know body language to look at this guy and say something's going on.
|
| 502 |
+
[1528.680 --> 1531.240] And look at him and feel for him.
|
| 503 |
+
[1531.240 --> 1532.840] And a lot going on.
|
| 504 |
+
[1532.840 --> 1537.160] First of all, one of the main important things I want to talk about is recall.
|
| 505 |
+
[1537.160 --> 1542.080] So there's something called eye accessing cues that there's a lot of misinformation about
|
| 506 |
+
[1542.080 --> 1543.080] out there.
|
| 507 |
+
[1543.080 --> 1547.060] I haven't heard people in my videos say something like, oh, that person looked up into the
|
| 508 |
+
[1547.060 --> 1548.600] left as they were telling that story.
|
| 509 |
+
[1548.600 --> 1549.600] So that's not real.
|
| 510 |
+
[1549.600 --> 1551.120] But up into the right is real recall.
|
| 511 |
+
[1551.120 --> 1555.920] First of all, there's never one sign of anything that allows you to know someone's being
|
| 512 |
+
[1555.920 --> 1556.920] deceptive.
|
| 513 |
+
[1556.920 --> 1557.920] Nothing.
|
| 514 |
+
[1557.920 --> 1561.040] So even if that were true, it would have to be within a cluster.
|
| 515 |
+
[1561.040 --> 1565.520] Second, although there are certain patterns that you might see a little more often, you
|
| 516 |
+
[1565.520 --> 1567.760] really can generalize that way.
|
| 517 |
+
[1567.760 --> 1570.640] Every person has a different habit when it comes to recall.
|
| 518 |
+
[1570.640 --> 1572.120] People close their eyes.
|
| 519 |
+
[1572.120 --> 1573.960] Some people might look to the side.
|
| 520 |
+
[1573.960 --> 1575.520] But there are certain generalizations.
|
| 521 |
+
[1575.520 --> 1579.360] And one of them is when we get deeply emotional, we look down.
|
| 522 |
+
[1579.360 --> 1582.680] So with this gentleman, that is very much the case.
|
| 523 |
+
[1582.680 --> 1587.520] As he's remembering what happened and he's telling the story, his eyes are going down.
|
| 524 |
+
[1587.520 --> 1590.400] Because he's recalling, but he's also getting quite emotional.
|
| 525 |
+
[1590.400 --> 1591.600] We get emotional.
|
| 526 |
+
[1591.600 --> 1592.920] We close into ourselves.
|
| 527 |
+
[1592.920 --> 1594.440] And that's what's happening.
|
| 528 |
+
[1594.440 --> 1598.280] But later on, when he's being asked questions later in his testimony, and there are more
|
| 529 |
+
[1598.280 --> 1603.000] factual questions, more direct questions, we seem go up as he thinks of the answers.
|
| 530 |
+
[1603.000 --> 1605.120] So does that mean, oh my god, he's being deceptive?
|
| 531 |
+
[1605.120 --> 1606.120] Because one is real recall.
|
| 532 |
+
[1606.120 --> 1608.720] One isn't, no, it's just that one is more emotional recall.
|
| 533 |
+
[1608.720 --> 1610.760] And you could see that emotion on him.
|
| 534 |
+
[1610.760 --> 1614.320] Whereas the other one, he's just, simply, he's talking about the day, the weather on that
|
| 535 |
+
[1614.320 --> 1615.320] day.
|
| 536 |
+
[1615.320 --> 1618.040] And we see his eyes go up as he's just trying to recall the day.
|
| 537 |
+
[1618.040 --> 1619.040] It's less emotional.
|
| 538 |
+
[1619.040 --> 1622.280] Second, and Rob, I'm sure you picked up on this.
|
| 539 |
+
[1622.280 --> 1629.560] Here he's done telling his story when the state lawyer asks questions, he's very quick
|
| 540 |
+
[1629.560 --> 1630.560] to answer.
|
| 541 |
+
[1630.560 --> 1632.240] Yes, yes, yes, direct.
|
| 542 |
+
[1632.240 --> 1635.400] Almost before she finishes, just, yes, yes.
|
| 543 |
+
[1635.400 --> 1636.920] He's very clear on this.
|
| 544 |
+
[1636.920 --> 1638.640] This is really honest to behavior.
|
| 545 |
+
[1638.640 --> 1639.800] There's no fluff.
|
| 546 |
+
[1639.800 --> 1644.280] There's no hesitation, amending, just, yes, that's what happened.
|
| 547 |
+
[1644.280 --> 1646.600] There's absolutely no question here.
|
| 548 |
+
[1646.600 --> 1650.160] There are witnesses that testify, and they say, yes, yes, yes, yes, yes.
|
| 549 |
+
[1650.160 --> 1651.960] And it sounds dismissive.
|
| 550 |
+
[1651.960 --> 1654.440] It doesn't sound like they're actually convincing.
|
| 551 |
+
[1654.440 --> 1659.040] You feel it in their body language when they say, yes, yes, yes, yes.
|
| 552 |
+
[1659.040 --> 1661.480] And then there's this is the testify with conviction.
|
| 553 |
+
[1661.480 --> 1666.320] And they give you the assertive, yes, yes, yes.
|
| 554 |
+
[1666.320 --> 1668.040] There is a conviction that comes forward.
|
| 555 |
+
[1668.040 --> 1670.480] You can tell the difference between the two.
|
| 556 |
+
[1670.480 --> 1672.720] You might not know why, but you can.
|
| 557 |
+
[1672.720 --> 1673.720] Yeah.
|
| 558 |
+
[1673.720 --> 1679.200] I think it's a difference between dismissive, like, I don't want to be here, and dismissive,
|
| 559 |
+
[1679.200 --> 1681.920] like, I can't talk about this.
|
| 560 |
+
[1681.960 --> 1682.560] I was there.
|
| 561 |
+
[1682.560 --> 1684.040] I know what happened.
|
| 562 |
+
[1684.040 --> 1686.680] And like, we need to get through this right now.
|
| 563 |
+
[1686.680 --> 1691.120] There's a sense of urgency here of like him being very clear on what happened, and just
|
| 564 |
+
[1691.120 --> 1692.520] needing to get through this.
|
| 565 |
+
[1692.520 --> 1697.480] Next, another great example of why clusters are very, very important.
|
| 566 |
+
[1697.480 --> 1703.680] Because when he's looking at that screen, and Rob, I saw you react to this, we see a lip
|
| 567 |
+
[1703.680 --> 1708.560] compression followed by face touching and mouth blocking.
|
| 568 |
+
[1708.560 --> 1710.160] And exactly.
|
| 569 |
+
[1710.160 --> 1716.080] And often within a cluster, we say that this indicates high stress, and you want to ask
|
| 570 |
+
[1716.080 --> 1717.080] more questions.
|
| 571 |
+
[1717.080 --> 1720.280] Like if other things are happening, that might indicate deception.
|
| 572 |
+
[1720.280 --> 1721.840] But in this case, it's isolated.
|
| 573 |
+
[1721.840 --> 1724.480] He's looking at that screen, and we're just seeing that.
|
| 574 |
+
[1724.480 --> 1726.320] And I'll tell you exactly what that is.
|
| 575 |
+
[1726.320 --> 1733.040] The reason this mouth blocking, face touching, lip compression goes into a cluster of deception
|
| 576 |
+
[1733.040 --> 1738.000] is because it usually indicates something we're holding back, something we're not saying.
|
| 577 |
+
[1738.000 --> 1739.800] So can that be deceptive?
|
| 578 |
+
[1739.800 --> 1741.320] Like we're holding information back?
|
| 579 |
+
[1741.320 --> 1742.320] It can.
|
| 580 |
+
[1742.320 --> 1744.200] But it can also mean we're holding back emotion.
|
| 581 |
+
[1744.200 --> 1746.440] And in this case, he just wants to curse.
|
| 582 |
+
[1746.440 --> 1747.800] He wants to let it out.
|
| 583 |
+
[1747.800 --> 1749.840] There's a rage in him that has to come out.
|
| 584 |
+
[1749.840 --> 1755.120] So I think that that compression mouth blocking is him just holding himself back from letting
|
| 585 |
+
[1755.120 --> 1759.000] that courtroom know what he thinks of Mr. Brooks.
|
| 586 |
+
[1759.000 --> 1761.760] And here's what I want to tell you about that one point.
|
| 587 |
+
[1761.760 --> 1766.720] This is very important for litigators, because what you're analyzing here is exactly right.
|
| 588 |
+
[1766.720 --> 1771.160] If I'm a litigator, if I'm the prosecutor, and I see him doing that compression and cover
|
| 589 |
+
[1771.160 --> 1776.920] his mouth while he's looking at that video, I want him to deeply feel what he's feeling
|
| 590 |
+
[1776.920 --> 1780.240] because the next question, I'm going to ask him, is going to get him to that point.
|
| 591 |
+
[1780.240 --> 1785.800] I need him to go down that path of accessing that emotion, and I need it for the next question.
|
| 592 |
+
[1785.800 --> 1788.920] If I'm on the other side, I need to cut that off.
|
| 593 |
+
[1788.920 --> 1792.600] The second I see the compression, I see the mouth hide, I ask him a question before he
|
| 594 |
+
[1792.600 --> 1793.760] gets into that video.
|
| 595 |
+
[1793.760 --> 1798.780] I need to interrupt that mental process, because if I allow him to watch the video all the
|
| 596 |
+
[1798.780 --> 1803.080] way through and then ask him a question, I've allowed him to get to that emotional state
|
| 597 |
+
[1803.080 --> 1805.720] that's going to be more impactful to the jury.
|
| 598 |
+
[1805.720 --> 1807.960] And I need to prevent that from happening.
|
| 599 |
+
[1807.960 --> 1812.640] So as litigators and Addison attorneys, we're watching this happen, play out, and we're
|
| 600 |
+
[1812.640 --> 1815.680] trying to choose which questions and when to ask them.
|
| 601 |
+
[1815.680 --> 1820.040] Rob, the other thing I know you noticed is the breathing shifted.
|
| 602 |
+
[1820.040 --> 1823.320] It went from belly breathing to chest breathing.
|
| 603 |
+
[1823.320 --> 1827.080] We saw that tense, heavier breathing up here.
|
| 604 |
+
[1827.080 --> 1831.080] But the biggest reaction was for me right at the end.
|
| 605 |
+
[1831.080 --> 1833.080] Right at the end.
|
| 606 |
+
[1833.080 --> 1838.080] Anyone has ever seen a National Geographic photograph a lion that's about to prowl or
|
| 607 |
+
[1838.080 --> 1839.600] a pounce?
|
| 608 |
+
[1839.600 --> 1842.960] If you ever will look at the face, look at the face, look at the snap of the lion that's
|
| 609 |
+
[1842.960 --> 1845.120] about to pounce on his prey.
|
| 610 |
+
[1845.120 --> 1853.280] You see 100% revealed teeth, everything purses back and creases form all along here.
|
| 611 |
+
[1854.280 --> 1857.280] That is just attack mode.
|
| 612 |
+
[1857.280 --> 1858.280] 100%.
|
| 613 |
+
[1858.280 --> 1860.160] I don't think of a better way of describing it.
|
| 614 |
+
[1860.160 --> 1865.360] And when you watch this clip again, I want you to look at his face at the end of that testimony.
|
| 615 |
+
[1865.360 --> 1868.520] And tell me that's not a lion who wants to rip something apart.
|
| 616 |
+
[1869.560 --> 1872.160] That's exactly exactly what that is.
|
| 617 |
+
[1872.160 --> 1880.320] And again, going back to universal emotions, anger, in anger, the jaw clenches.
|
| 618 |
+
[1880.400 --> 1885.360] Now, it's rare in humans that with anger, we see that upper lip go like this.
|
| 619 |
+
[1885.360 --> 1887.040] That's more consistent with disgust.
|
| 620 |
+
[1887.040 --> 1890.880] Because with disgust, you're trying to close your nose because you don't want to smell it
|
| 621 |
+
[1890.880 --> 1892.240] or it's grossing you out.
|
| 622 |
+
[1892.240 --> 1895.600] So the nose crinkles and there's tightness on the side.
|
| 623 |
+
[1895.600 --> 1898.320] Exactly as you describe like a lion like this.
|
| 624 |
+
[1898.320 --> 1901.960] And we're seeing that tension of these dead staring.
|
| 625 |
+
[1901.960 --> 1903.680] That is extreme anger.
|
| 626 |
+
[1905.280 --> 1907.680] All right, Mr. Brooks, do you have any questions for this witness?
|
| 627 |
+
[1907.680 --> 1908.680] I do.
|
| 628 |
+
[1910.320 --> 1911.280] Ooh
|
| 629 |
+
[1926.520 --> 1930.320] I probably郑 is still in there!
|
| 630 |
+
[1930.320 --> 1932.440] Yeah, just look, quick second.
|
| 631 |
+
[1936.340 --> 1938.080] Took her to get it back in place...
|
| 632 |
+
[1940.320 --> 1954.480] At some point in your testimony you stated that you heard or rather you saw brake lights.
|
| 633 |
+
[1954.480 --> 1956.480] Would that be fair to say?
|
| 634 |
+
[1956.480 --> 1959.960] Yes I did.
|
| 635 |
+
[1959.960 --> 1964.040] To the best of your knowledge, what would be the only time you would see brake lights on
|
| 636 |
+
[1964.040 --> 1966.040] a vehicle?
|
| 637 |
+
[1966.040 --> 1971.040] The point right before Jane fell off the hood.
|
| 638 |
+
[1971.040 --> 1975.040] I'm thinking misunderstood my question.
|
| 639 |
+
[1975.040 --> 1982.360] If you were driving a vehicle, would it be fair to say that the only time anyone would
|
| 640 |
+
[1982.360 --> 1989.520] see brake lights would be if you hit the brake?
|
| 641 |
+
[1989.520 --> 1994.960] If the driver hit the brakes, the brake lights would go out on the vehicle.
|
| 642 |
+
[1994.960 --> 1998.840] So it would be fair to say that the only way that you would see brake lights would be
|
| 643 |
+
[1998.840 --> 2003.200] if the driver of the vehicle hit the brakes.
|
| 644 |
+
[2003.200 --> 2005.680] That would be correct.
|
| 645 |
+
[2005.680 --> 2015.720] You did testify when you were describing what you saw, you refer to the driver as he.
|
| 646 |
+
[2015.720 --> 2019.880] Any reason why you were referred to the driver as he if you did not see the driver of
|
| 647 |
+
[2019.880 --> 2021.880] the vehicle?
|
| 648 |
+
[2021.880 --> 2025.640] That would be like the proverbial we.
|
| 649 |
+
[2025.640 --> 2031.040] Is it fair to say that you could have just answered as we instead of he?
|
| 650 |
+
[2031.040 --> 2033.840] The question is sustained.
|
| 651 |
+
[2033.840 --> 2036.640] Next question sir.
|
| 652 |
+
[2036.640 --> 2041.400] Do you recall if it was still daytime or nighttime?
|
| 653 |
+
[2041.400 --> 2045.000] Well the parade started around 440.
|
| 654 |
+
[2045.000 --> 2046.640] So it gets in it was cloudy.
|
| 655 |
+
[2046.640 --> 2047.640] So it was dusk.
|
| 656 |
+
[2047.640 --> 2051.240] I mean city lights were on.
|
| 657 |
+
[2051.240 --> 2055.160] Emergency vehicles when they were pulling up.
|
| 658 |
+
[2055.160 --> 2060.240] Did he just say would it be fair to say you could have used a we?
|
| 659 |
+
[2060.240 --> 2062.240] Did you just say that?
|
| 660 |
+
[2062.240 --> 2068.400] Like the gentleman was supposed to say we was driving the car and we ran through a crowd
|
| 661 |
+
[2068.400 --> 2069.400] of people.
|
| 662 |
+
[2069.400 --> 2071.400] I mean you would have been fair to say you could have used we?
|
| 663 |
+
[2071.400 --> 2072.680] No he could have used we.
|
| 664 |
+
[2072.680 --> 2077.520] He could have used he she or they and he just chose to use he.
|
| 665 |
+
[2077.520 --> 2079.040] So I'm going to come back to that in a sec.
|
| 666 |
+
[2079.040 --> 2082.400] I just have something I have to say here because this was one of the points for me that made
|
| 667 |
+
[2082.400 --> 2083.960] it really obvious.
|
| 668 |
+
[2083.960 --> 2089.400] I think Darryl Brooks thinks in his head that he's in some sort of courtroom drama TV show
|
| 669 |
+
[2089.400 --> 2093.880] or movie because of the way he phrases certain things because look at the way he asked
|
| 670 |
+
[2093.880 --> 2095.600] that he goes.
|
| 671 |
+
[2095.600 --> 2099.200] You said that you saw the brake lights go off right and the guy goes yeah.
|
| 672 |
+
[2099.200 --> 2103.320] Now Rob correct me if I'm wrong but the next question as a lawyer that you could have asked
|
| 673 |
+
[2103.320 --> 2108.680] to say so it is your testimony that whoever was driving the car hit the brakes and the
|
| 674 |
+
[2108.680 --> 2110.760] person would go yes correct.
|
| 675 |
+
[2110.760 --> 2111.760] That's right.
|
| 676 |
+
[2111.760 --> 2112.760] That's right.
|
| 677 |
+
[2112.760 --> 2113.760] Exactly.
|
| 678 |
+
[2113.760 --> 2114.760] So he doesn't do that.
|
| 679 |
+
[2114.760 --> 2117.120] He goes what's the wording uses?
|
| 680 |
+
[2117.120 --> 2121.800] What would be the only time you would see brake lights go off on a car because he wants
|
| 681 |
+
[2121.800 --> 2128.640] that that in the movie that music comes in like oh oh oh oh oh he's got him there like
|
| 682 |
+
[2128.640 --> 2133.040] he's put it oh my god the big realization that big twist like because the guy now is
|
| 683 |
+
[2133.040 --> 2138.680] supposed to say when you hit the brakes don't don't so he hit the brakes like he's trying
|
| 684 |
+
[2138.680 --> 2140.080] to set up in his dramatic way.
|
| 685 |
+
[2140.080 --> 2143.200] It doesn't even work because the guy doesn't even understand his question so he has to
|
| 686 |
+
[2143.200 --> 2147.720] refrains it becomes a giant mess but Rob this is the big question I have for you with the
|
| 687 |
+
[2147.720 --> 2153.680] second line of questioning here which pronoun did you use you know why did you say he what's
|
| 688 |
+
[2153.680 --> 2157.520] the point of this line of questioning is there any doubt in this courtroom that he was the
|
| 689 |
+
[2157.520 --> 2160.560] one driving that car?
|
| 690 |
+
[2160.560 --> 2165.440] He tried to do this at various stages of the trial and this kind of goes to your point
|
| 691 |
+
[2165.440 --> 2171.000] of wanting or thinking he is in a courtroom drama realistically there is no doubt in any
|
| 692 |
+
[2171.000 --> 2175.560] jurors mind in any person's mind that has watched any minute of this trial that he was
|
| 693 |
+
[2175.560 --> 2183.860] the person behind the wheel of that car but he views this like it's his you know pick
|
| 694 |
+
[2183.860 --> 2184.860] your crime show.
|
| 695 |
+
[2184.860 --> 2188.940] This is his moment you're saying you didn't see that it was a man or a woman at that
|
| 696 |
+
[2188.940 --> 2193.500] point in time while you were dodging out of the way of a vehicle that was coming at you
|
| 697 |
+
[2193.500 --> 2197.860] that must not have been me then that's what he does with every question he thinks that
|
| 698 |
+
[2197.860 --> 2202.860] day every single thing is a silver bullet so he says you know wouldn't it be fair to
|
| 699 |
+
[2202.860 --> 2206.100] say that you can't say it was we driving the car?
|
| 700 |
+
[2206.100 --> 2211.820] Well no no it's not we driving the car it's you but he didn't physically see you driving
|
| 701 |
+
[2211.820 --> 2216.300] the car at that moment but that's not your be all end all that's not your silver bullet
|
| 702 |
+
[2216.300 --> 2220.820] the jury has just heard a witness saying they saw you behind the wheel of the car.
|
| 703 |
+
[2220.820 --> 2225.460] You're not doing anything to help yourself you're just playing lawyer and the worst part
|
| 704 |
+
[2225.460 --> 2228.180] about it is he gets worse throughout the trial.
|
| 705 |
+
[2228.180 --> 2232.940] The judge starts reading comments or reading analysis and says says the word estoppel at
|
| 706 |
+
[2232.940 --> 2233.940] some point in time.
|
| 707 |
+
[2233.940 --> 2238.220] Well 45 minutes later you hear the word come out of Darryl Brooks's mouth in completely
|
| 708 |
+
[2238.220 --> 2243.220] inaccurate context he talks about subject matter jurisdiction like he knows what it actually
|
| 709 |
+
[2243.220 --> 2244.220] means.
|
| 710 |
+
[2244.220 --> 2251.000] It doesn't mean anything like what he's saying to borrow a quote from one of my favorite
|
| 711 |
+
[2251.000 --> 2256.580] lines in all of movie history you keep saying that word I don't think that word means
|
| 712 |
+
[2256.580 --> 2258.980] what you think it means.
|
| 713 |
+
[2258.980 --> 2263.100] That is Darryl Brooks to a tee.
|
| 714 |
+
[2263.100 --> 2266.860] Let's talk about that pause in the beginning because I know we both have problems with
|
| 715 |
+
[2266.860 --> 2272.860] that pause in the beginning to where it's now his turn to question Mr. Bonesteel and
|
| 716 |
+
[2272.860 --> 2280.220] we have this slow and he just I'm sorry just one second here and here's the thing here's
|
| 717 |
+
[2280.220 --> 2286.740] the thing we're about to look at his opening statements.
|
| 718 |
+
[2286.740 --> 2292.740] We know what he looks like when there are certain emotions on his face.
|
| 719 |
+
[2292.740 --> 2296.820] We're not seeing any of that in this moment when he's getting ready to question Mr. Bonesteel
|
| 720 |
+
[2296.940 --> 2301.860] and he's like I'm sorry I just need a moment and you whispered himself get it together.
|
| 721 |
+
[2301.860 --> 2303.860] You want to take that one?
|
| 722 |
+
[2303.860 --> 2306.180] It's bad theater.
|
| 723 |
+
[2306.180 --> 2310.260] I've talked to you about this before and I'm going to say it again there's a concept
|
| 724 |
+
[2310.260 --> 2315.900] of what's called stolen valor where someone who is actually partaken and engaged in military
|
| 725 |
+
[2315.900 --> 2319.940] service has the right to wear the uniform and then someone who doesn't have that right
|
| 726 |
+
[2319.940 --> 2322.940] who has not actually served in military service.
|
| 727 |
+
[2322.940 --> 2328.180] Here's the uniform to get the benefits derived from someone who has already engaged in that
|
| 728 |
+
[2328.180 --> 2330.420] service called stolen valor.
|
| 729 |
+
[2330.420 --> 2334.940] I call this one stolen sympathy or stolen empathy.
|
| 730 |
+
[2334.940 --> 2340.180] Someone who is not engaging or has not engaged in that behavior is trying to steal the sympathy
|
| 731 |
+
[2340.180 --> 2342.540] that this witness just gained.
|
| 732 |
+
[2342.540 --> 2347.220] Mr. Bonesteel has just testified openly and elicited something that Darrell Brooks saw
|
| 733 |
+
[2347.220 --> 2351.500] as an emotional response from the jury because I guarantee you he didn't do this without
|
| 734 |
+
[2351.500 --> 2355.620] seeing that there was a jury reacting to a certain in a certain way to Mr. Bonesteel's
|
| 735 |
+
[2355.620 --> 2357.020] testimony.
|
| 736 |
+
[2357.020 --> 2363.180] So what he does is he tries to take the sympathy that Mr. Bonesteel has given to himself
|
| 737 |
+
[2363.180 --> 2370.420] by testifying truthfully and he tries to steal it to get some aim that his table and I
|
| 738 |
+
[2370.420 --> 2374.340] don't think he did a very effective job at it but that at least was what I took his
|
| 739 |
+
[2374.340 --> 2375.340] effort.
|
| 740 |
+
[2375.340 --> 2379.860] Dude it's so crazy how you'll often say things like oh you know I'm no behavior expert
|
| 741 |
+
[2379.860 --> 2383.220] I'm no bio-language expert and then you'll say something like that and I'm like yeah
|
| 742 |
+
[2383.220 --> 2388.700] okay shut up that was like one of the most brilliant things ever and you're 100% right.
|
| 743 |
+
[2388.700 --> 2393.140] Okay Rob we have one more thing to look at here and this is something that happened after
|
| 744 |
+
[2393.140 --> 2396.460] the opening statements and I'm throwing it in his abowness because it's just fascinating.
|
| 745 |
+
[2396.460 --> 2405.820] So there was a post on Reddit where a user claimed to be one of the jurors and claimed
|
| 746 |
+
[2405.820 --> 2411.940] that there was a lot of unfair behavior towards Darrell Brooks and that the judge was being
|
| 747 |
+
[2411.940 --> 2416.900] unfair and that the trial wasn't fair and that was just the thread.
|
| 748 |
+
[2416.900 --> 2422.220] So in the courtroom the judge talked about that and said there's this thing happening I'm
|
| 749 |
+
[2422.220 --> 2426.860] turning it over to the authorities to look into it but I will not be the judge who will
|
| 750 |
+
[2426.860 --> 2430.140] be looking into that and then this happens.
|
| 751 |
+
[2430.140 --> 2434.380] I'm not sure who's going to use it first.
|
| 752 |
+
[2434.380 --> 2437.900] What is this?
|
| 753 |
+
[2437.900 --> 2444.260] All I can tell you sir is that there is apparently on the internet on a site or maybe it's an
|
| 754 |
+
[2444.260 --> 2451.460] application I'm not entirely sure called Reddit there's a subreddit that is entitled
|
| 755 |
+
[2451.460 --> 2456.860] Justice for Darrell and it was on that subreddit that someone wrote an anonymous post claiming
|
| 756 |
+
[2456.860 --> 2461.060] to be one of the jurors.
|
| 757 |
+
[2461.060 --> 2468.620] Just briefly skimming through it.
|
| 758 |
+
[2468.620 --> 2474.260] I do want to stay for the record that I have no involvement with this.
|
| 759 |
+
[2474.260 --> 2483.140] I'm really really like shocked like this even came to light.
|
| 760 |
+
[2483.140 --> 2493.220] I will say just by skimming through it these are definitely things that have been talked
|
| 761 |
+
[2493.220 --> 2494.300] about in the court.
|
| 762 |
+
[2494.300 --> 2502.180] So we'll have to I mean common sense we'll say that this came from someone that has either
|
| 763 |
+
[2502.180 --> 2508.780] been in the court to hear what goes on in the court or a jury member is no other way.
|
| 764 |
+
[2508.780 --> 2515.220] Well actually proceedings are live stream worldwide you're on or available on YouTube worldwide
|
| 765 |
+
[2515.220 --> 2519.740] so I don't agree with that assessment.
|
| 766 |
+
[2519.740 --> 2529.020] Well I mean it's pretty obvious that this will come from somebody who's actually thing
|
| 767 |
+
[2529.020 --> 2530.820] is pretty clear.
|
| 768 |
+
[2530.820 --> 2535.940] So Rob I'm going to ask you and I'm going to ask the viewers to let us know in the comments
|
| 769 |
+
[2535.940 --> 2540.340] based on your instinct based on your gut and what he's doing there and the way he's reacting
|
| 770 |
+
[2540.340 --> 2545.020] to that do you think and Rob you're going to go first and you can all let us know the viewers
|
| 771 |
+
[2545.020 --> 2552.300] in the comments do you think that he had any prior knowledge or involvement in this
|
| 772 |
+
[2552.300 --> 2558.460] reddit basically two options one is he had no involvement and no idea what this reddit
|
| 773 |
+
[2558.460 --> 2563.380] was no clue this is the first time he's hearing about it and two I know the depth of it whether
|
| 774 |
+
[2563.380 --> 2570.100] it's involvement or knowledge of this reddit thread so did he know about it or did he
|
| 775 |
+
[2570.100 --> 2571.500] not know about it Rob.
|
| 776 |
+
[2571.500 --> 2576.420] I'm going to answer that question by asking two of my own first question he makes the
|
| 777 |
+
[2576.420 --> 2581.700] comment about having just briefly skimmed this or by just briefly skimming this anyone
|
| 778 |
+
[2581.700 --> 2587.180] who's seen that is it is a reddit page that is a full page long in about 11 point font
|
| 779 |
+
[2587.180 --> 2590.820] for him to say just briefly skimming this in the time that you're watching that clip
|
| 780 |
+
[2590.820 --> 2596.020] you tell me that he hasn't actually read that thing before second comment why did he
|
| 781 |
+
[2596.020 --> 2601.180] ask immediately or go right to the point of for the record I have nothing to do with
|
| 782 |
+
[2601.180 --> 2606.820] this the judge did not love the accusation the state did not love you in accusation this
|
| 783 |
+
[2606.820 --> 2613.020] judge was trying to make a record of what was made known to the judge for the record yeah
|
| 784 |
+
[2613.020 --> 2620.740] for the record the the magical record but instead his mind goes straight to some
|
| 785 |
+
[2620.740 --> 2626.300] how this is going to come back to me why that is something that's not a normal reaction
|
| 786 |
+
[2626.300 --> 2631.500] to something like this I've seen a lot of attorneys get quote caught off guard in court
|
| 787 |
+
[2631.500 --> 2636.540] when you give them a document they have previously seen a lot of us have remarkably practice
|
| 788 |
+
[2636.540 --> 2642.340] expressions of surprise your honor I am seeing this for the first time give me a moment
|
| 789 |
+
[2642.340 --> 2649.380] to review this document briefly scanned look up I know what it is this is very much in line
|
| 790 |
+
[2649.380 --> 2654.220] with someone who knew what they were going to say and immediately was defensive about
|
| 791 |
+
[2654.220 --> 2660.220] what was being brought to their attention I don't have any concrete opinions on this one
|
| 792 |
+
[2660.220 --> 2664.060] although I think some of the people watch this might have an idea of where I'm swaying
|
| 793 |
+
[2664.060 --> 2671.540] listen I'm I'm usually very much in the gray area you know I because I'm aware of how
|
| 794 |
+
[2671.540 --> 2677.620] nuanced behavior is and as a habit I am in that gray area because I can't tell you for
|
| 795 |
+
[2677.620 --> 2683.740] a fact but if for a moment you'll allow me to put my behavioral analyst role aside for
|
| 796 |
+
[2683.740 --> 2693.340] just one second so like this isn't my professional analysis this is me just saying spidey there's
|
| 797 |
+
[2693.340 --> 2699.660] something about this that's just so off like forget I'm going to tell you right now behavior
|
| 798 |
+
[2699.660 --> 2705.980] really what's off but forget all that just something about the vibe here is so off okay
|
| 799 |
+
[2705.980 --> 2713.900] now let's put the behavioral analysis thing back on so first of all there so many statements
|
| 800 |
+
[2713.900 --> 2720.100] are meant to signal the intent of the statements are to say I don't know what this is he starts
|
| 801 |
+
[2720.100 --> 2724.740] by saying your honor what is this when she just explained what it is so first what is this then
|
| 802 |
+
[2724.740 --> 2731.500] twice he says again from the brief you know from the just a brief glancing over this whatever
|
| 803 |
+
[2731.500 --> 2735.580] word he uses but twice he says you know this was just I've only had this brief experience with it
|
| 804 |
+
[2735.580 --> 2741.340] three he keeps looking at it like as he's talking he keeps looking at it to signal in my opinion to
|
| 805 |
+
[2741.340 --> 2744.820] signal like no no I need to look at this because I don't know what it is so I'm just going to
|
| 806 |
+
[2744.820 --> 2750.180] keep looking at it because I don't I don't you're on I don't know I don't know what this is I have to
|
| 807 |
+
[2750.180 --> 2756.580] keep looking at it then he makes a statement that whoever wrote this must be in this room because
|
| 808 |
+
[2756.580 --> 2763.300] there's just no other way there's no other way anybody can know what's going on in this courtroom
|
| 809 |
+
[2763.300 --> 2770.180] with all the cameras I would argue that people watching from home know even more than the jurors
|
| 810 |
+
[2770.180 --> 2777.020] know because people from home see things that the jury doesn't when he says that you know obvious
|
| 811 |
+
[2777.020 --> 2781.580] and he uses obviously get obviously this somebody must have been the room what's the reasoning on that
|
| 812 |
+
[2781.580 --> 2786.620] no there's just can't you know this is being broadcast and the other law even says it like no
|
| 813 |
+
[2786.620 --> 2794.060] this is being broadcast all over the world so I think what's happening there is I think he had
|
| 814 |
+
[2794.060 --> 2800.780] some knowledge of this at the very least some knowledge of this now I do want to say this I'm not
|
| 815 |
+
[2800.780 --> 2807.180] one for conspiracy theories at all I apply O comes razor usually I find that the most likely explanation
|
| 816 |
+
[2807.260 --> 2812.860] is the correct one so I don't know how he would have gotten this information because all his
|
| 817 |
+
[2812.860 --> 2817.980] communications are Rob their screened or their you know his phone calls someone's listening in or
|
| 818 |
+
[2817.980 --> 2822.300] they're they're listening to or his letters are screened okay so I don't know how this would have
|
| 819 |
+
[2822.300 --> 2827.180] happened how he would have been made aware of this so I'm not saying he he did he thought of this or
|
| 820 |
+
[2827.180 --> 2833.980] he had someone do this but something he I'm not seeing genuine surprise and I'm seeing a genuine
|
| 821 |
+
[2834.700 --> 2840.140] effort here to really sell the fact that he like you said I had nothing to do with this and this is
|
| 822 |
+
[2840.140 --> 2844.700] oh this is the first time I'm seeing this I'm just there's something about it I'm not buying
|
| 823 |
+
[2844.700 --> 2848.620] that's it but I'd love to hear from everyone in the comments what do you think did you buy that do
|
| 824 |
+
[2848.620 --> 2852.860] you feel like that's real surprise because you might you might look at it and go no no I absolutely
|
| 825 |
+
[2852.860 --> 2857.100] believe that he'd never seen that document I don't know I'd love to hear from everyone in the comments
|
| 826 |
+
[2857.100 --> 2862.860] all right there it was I mean this is a crazy case where you can go to any moment in this and
|
| 827 |
+
[2862.860 --> 2868.220] it's just going to be amazing stuff to look at behaviorally legally and Rob I want to thank you
|
| 828 |
+
[2868.220 --> 2874.380] enormously for your time here and your value as always such valuable input both in the legal sense
|
| 829 |
+
[2874.380 --> 2879.260] and your understanding of human behavior always amazes me so I want to thank you so much for
|
| 830 |
+
[2879.260 --> 2884.140] being here Rob it was an absolute blast and Spidey let me let me just echo that right back like
|
| 831 |
+
[2884.140 --> 2889.340] having having you both as a friend and a resource that I get to talk to on a regular basis when
|
| 832 |
+
[2889.340 --> 2894.220] stuff like this pops up during the week and I get to text you and and have that back and forth
|
| 833 |
+
[2894.220 --> 2900.140] dialogue of am I crazy here or am I right and what I'm seeing and then to be able to take that
|
| 834 |
+
[2900.140 --> 2906.300] content in something that's digestible digestible in multiple formats and in two multiple
|
| 835 |
+
[2906.300 --> 2910.700] audiences is something it's really fun so thank you very much for giving me that chance of course
|
| 836 |
+
[2910.700 --> 2915.740] man it's a highlight of my week when you text me and you're just panicking and I and I'm there with
|
| 837 |
+
[2915.740 --> 2920.860] you like sometimes it's like oh my god did you see opening statement oh my god yes and like we're
|
| 838 |
+
[2920.860 --> 2927.420] like I'm like just so yeah dude always always a pleasure and I look forward to the next one
|
| 839 |
+
[2927.420 --> 2933.260] yep until then okay there it was before we go to really really quick announcements first keep in
|
| 840 |
+
[2933.260 --> 2938.780] mind that the other part of this analysis is on Rob's channel I will leave a link in the description
|
| 841 |
+
[2938.780 --> 2943.260] but I'm not sure if it's up yet right now this second because sometimes I upload a little fast
|
| 842 |
+
[2943.260 --> 2947.660] in him or maybe he did it before me not sure but if it's not there yet it'll be there very soon
|
| 843 |
+
[2947.660 --> 2953.580] link is in the description second this Sunday I will be doing a Halloween live stream it's gonna be
|
| 844 |
+
[2953.580 --> 2958.380] a lot of fun we're gonna be looking at clips of people who claim they have supernatural abilities or
|
| 845 |
+
[2958.380 --> 2962.780] that they've experienced supernatural things it's gonna be laid back it's gonna be fun you guys are
|
| 846 |
+
[2962.780 --> 2967.100] gonna be able to help me with the live chat and I'm going to bring in my experience not only with
|
| 847 |
+
[2967.100 --> 2973.340] behavioral analysis but also as a mentalist to try to see if what we're seeing here are real
|
| 848 |
+
[2973.340 --> 2978.460] testimonies or if someone's just trying to pull a fast one on their audiences I hope to see you
|
| 849 |
+
[2978.460 --> 2983.980] there it's gonna be this Sunday at 2 p.m. Eastern right here on the channel the Halloween live stream
|
| 850 |
+
[2983.980 --> 2987.820] I hope you will all be there let me know in the comments what you thought of this video what you
|
| 851 |
+
[2987.820 --> 2992.060] think of Darryl Brooks and I'm really curious to know what you guys think of that last bit with that
|
| 852 |
+
[2992.060 --> 2996.140] red thread I just find that so fascinating let me know in the comments what you thought of this
|
| 853 |
+
[2996.140 --> 2998.140] and I will see you on the next one
|
transcript/reaction_C0CQyNj7d-g.txt
ADDED
|
@@ -0,0 +1,15 @@
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| 1 |
+
[0.000 --> 18.840] Well, these high school football players rallied around this one cheerleader Friday night.
|
| 2 |
+
[18.840 --> 23.480] The team from football high in California, they headed on to the field with this very
|
| 3 |
+
[23.480 --> 24.480] special surprise.
|
| 4 |
+
[24.480 --> 26.040] Yes, they're playing football.
|
| 5 |
+
[26.040 --> 30.960] Well, I think it's foot hill high, but the point being that all 57 members of that team
|
| 6 |
+
[30.960 --> 33.640] laid an orange rose at the feet of their fellow student.
|
| 7 |
+
[33.640 --> 35.240] That's Ashley Adametz.
|
| 8 |
+
[35.240 --> 38.000] She was diagnosed with leukemia last month.
|
| 9 |
+
[38.000 --> 43.880] The video of this gesture has gone viral as it should, and she took to Twitter after saying
|
| 10 |
+
[43.880 --> 48.240] the game that she was, quote, shocked, overwhelmed, and speechless.
|
| 11 |
+
[48.240 --> 51.040] It's very sweet video.
|
| 12 |
+
[51.040 --> 52.040] It's very sweet.
|
| 13 |
+
[52.040 --> 53.040] You know what's nice about it?
|
| 14 |
+
[53.040 --> 58.160] The nice thing for the guys to do, it's gentlemanly and proper, I support it.
|
| 15 |
+
[58.160 --> 59.000] Good move, fellas.
|
transcript/reaction_TfSknIFh97A.txt
ADDED
|
@@ -0,0 +1,225 @@
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|
| 1 |
+
[0.000 --> 4.880] Hey, everybody, Dr. G here. I'm a clinical and forensic psychologist as well as a body language
|
| 2 |
+
[4.880 --> 9.280] expert. And today we're going to be analyzing the behavior and body language of the US Vice
|
| 3 |
+
[9.280 --> 13.520] Presidential debate between JD Vance and Tim Walts. A couple of quick things before we get started.
|
| 4 |
+
[13.520 --> 16.960] One, I wanted to make sure you know that the goal of this video is to be politically neutral.
|
| 5 |
+
[16.960 --> 21.280] I have no interest in influencing who you plan to vote for. In addition to that, I do want to remind
|
| 6 |
+
[21.280 --> 25.120] you to like and subscribe if you want to see more content just like this. All right, let's go.
|
| 7 |
+
[25.120 --> 29.840] It's an absolute fundamental necessity for the United States to have the steady leadership there.
|
| 8 |
+
[29.840 --> 35.840] You saw it experience today where along with our Israeli partners and our coalition able to stop
|
| 9 |
+
[35.840 --> 41.920] the incoming attack. But what's fundamental here is that steady leadership is going to matter.
|
| 10 |
+
[41.920 --> 46.880] It's clear and the world saw. So what I want you to be paying attention to is I want you to watch
|
| 11 |
+
[46.880 --> 52.240] Vance's reactions. He's very different than Trump and Harris were. He tends to be somebody who
|
| 12 |
+
[52.240 --> 56.960] looks at his opponent tries not to show over reactions. Oftentimes people feel a need to react
|
| 13 |
+
[56.960 --> 60.480] in the moment, shake their head vigorously. No, and they disagree with something. Say something
|
| 14 |
+
[60.480 --> 64.400] out loud. That's not his strategy, but it doesn't mean he's not leaking certain emotions. Let's
|
| 15 |
+
[64.400 --> 69.600] keep watching. But it's not just that. It's those that were closest to Donald Trump that
|
| 16 |
+
[69.600 --> 74.560] understand how dangerous he is when the world is this dangerous. His chief of staff, John Kelly
|
| 17 |
+
[75.120 --> 79.040] said that he was the most flawed human being he'd ever met. So right there, we saw a little bit of
|
| 18 |
+
[79.040 --> 82.800] an involuntary reaction. There were a few things we observed. Let's go back for a second. I'll
|
| 19 |
+
[82.800 --> 88.160] explain exactly what we saw, but it's not just that. It's those that were closest to Donald Trump
|
| 20 |
+
[88.160 --> 92.400] that understand how. So as you can see, when walls is talking about those closest to Donald
|
| 21 |
+
[92.400 --> 96.240] Trump, you see Vance starting to move around a little bit that probably means there's more
|
| 22 |
+
[96.240 --> 101.280] motion coming up around this closest to Donald Trump that understand how dangerous he is when
|
| 23 |
+
[101.280 --> 106.320] the world is this. And for a brief second, you can see him jerk his elbow. It's almost like he's
|
| 24 |
+
[106.320 --> 111.360] emotionally reacting to some sort of dialogue in his head or maybe a response he has, but he's
|
| 25 |
+
[111.360 --> 116.480] trying to keep it so do so. It's very interesting to see these very subtle reactions from him because
|
| 26 |
+
[116.480 --> 121.120] he's trying not to show how he feels. Watch this part one last time. So those that were closest
|
| 27 |
+
[121.120 --> 126.080] to Donald Trump that understand how dangerous he is when the world is this dangerous.
|
| 28 |
+
[126.080 --> 129.920] See, when he said how dangerous he is, it's almost like he wanted to disagree, almost wanted to
|
| 29 |
+
[129.920 --> 134.480] say something, but also didn't want to interrupt. We're just trying to keep it sort of under wraps.
|
| 30 |
+
[134.480 --> 138.640] So it's interesting to see how controlled Vance is trying to be during this.
|
| 31 |
+
[138.640 --> 143.200] His chief of staff, John Kelly said that he was the most flawed human being he'd ever met.
|
| 32 |
+
[143.200 --> 147.600] As you can see, very briefly, Vance is bunching his lips. So when he's talking about what Kelly said,
|
| 33 |
+
[147.600 --> 149.680] he's feeling stress, he's feeling frustration.
|
| 34 |
+
[150.640 --> 155.600] Chris, his chief of staff, John Kelly said that he was the most flawed human being he'd ever met.
|
| 35 |
+
[156.160 --> 163.440] And both of his secretaries of defense and his national security advisors said he should be nowhere
|
| 36 |
+
[163.440 --> 170.720] near the White House. Now the person closest to them, to Donald Trump, said he's unfit for the
|
| 37 |
+
[170.720 --> 176.400] highest office. That was Senator Vance. What we've seen out of Vice President Harris is we've
|
| 38 |
+
[176.400 --> 182.720] seen. Now he did a good job of having a very little reaction. He did swallow hard when he said that,
|
| 39 |
+
[182.720 --> 186.400] which probably means his mouth is drying out. He's probably feeling stress, probably feeling
|
| 40 |
+
[186.400 --> 190.240] irritation as he's hearing this, but he's doing a really good job of keeping a poker face.
|
| 41 |
+
[190.480 --> 195.840] Just watch his throat right after he says this. That was Senator Vance. What we've seen out of
|
| 42 |
+
[195.840 --> 201.040] Vice President Harris is we've seen steady leadership. Donald Trump actually delivered stability
|
| 43 |
+
[201.040 --> 205.680] in the world and he did it by establishing effect. I want you to be watching Tim Walls for a minute.
|
| 44 |
+
[205.680 --> 209.520] So similar to what we just did with Vance, I want you to be paying attention to Walls reaction
|
| 45 |
+
[209.520 --> 215.200] as Vance is speaking. Dev deterrence. People were afraid of stepping out of line. I ran, which
|
| 46 |
+
[215.200 --> 220.720] launched this attack has received over a hundred billion dollars and unfrozen assets thanks to the
|
| 47 |
+
[220.720 --> 224.800] Kamala Harris. So you're going to notice Walls taking notes at times. Now I get to sometimes they
|
| 48 |
+
[224.800 --> 228.880] do this because they need to remember what to say, but it also is a good way to help manage anxiety
|
| 49 |
+
[228.880 --> 233.120] or stress. I would say if the two of them right now, Vance actually appears to be more confident
|
| 50 |
+
[233.120 --> 239.600] than Walls does. Walls does more that probably helps manage anxiety or manage stress than you see
|
| 51 |
+
[239.600 --> 243.440] Vance doing. Oftentimes Vance will do it with subtle facial expressions. Walls does it more
|
| 52 |
+
[243.440 --> 246.720] directly or by looking away, things like that. Let's keep going.
|
| 53 |
+
[246.720 --> 250.720] Our administration. What do they use that money for? They use it to buy weapons that they're now
|
| 54 |
+
[250.720 --> 255.840] launching again. Okay. Once again, I hate to pause again so soon, but there was a subtle reaction
|
| 55 |
+
[255.840 --> 259.520] from Walls when he said they use it to buy weapons. Part of the reason I'm going to be pointing
|
| 56 |
+
[259.520 --> 264.160] this out is so you understand what the opponent thinks are important points, but they think are good
|
| 57 |
+
[264.160 --> 269.680] points or what they are not liking when they hear it. So when he heard them saying that they're buying
|
| 58 |
+
[269.680 --> 274.240] weapons, you saw his eyes closed for longer than just a blink, which means he's trying to block
|
| 59 |
+
[274.240 --> 278.320] some of that information from coming in. He doesn't like it. Watch this right here. Well, Harris
|
| 60 |
+
[278.320 --> 282.400] administration, what do they use that money for? They use it to buy weapons that they're now launching
|
| 61 |
+
[282.400 --> 287.760] again. You see that right there? That long blink. So he feels like that's a weak point. That's not
|
| 62 |
+
[287.760 --> 291.360] something that he wants to have to confront or not something that he wants brought up right now.
|
| 63 |
+
[291.360 --> 296.480] And star allies and God forbid, potentially launching against the United States as well. Donald
|
| 64 |
+
[296.560 --> 301.680] Trump recognized that for people to fear the United States, you needed peace through strength.
|
| 65 |
+
[301.680 --> 306.000] They needed. And as you could also see after that, he looks down and takes another note that
|
| 66 |
+
[306.000 --> 310.400] helps prevent you from having to show a reaction. It helps once again to help manage the anxiety
|
| 67 |
+
[310.400 --> 315.520] of doing something this intense. Recognize that for people to to fear the United States, you needed
|
| 68 |
+
[315.520 --> 320.320] peace through strength. They needed to recognize. Now, I want you to pay attention to his brow right
|
| 69 |
+
[320.320 --> 324.400] here because the brow says so much when we raise our eyebrows, that's the way to bring attention to
|
| 70 |
+
[324.480 --> 329.280] our face. We're feeling angry. We lower our eyebrows. We do other positions depending on our emotions.
|
| 71 |
+
[329.280 --> 332.000] There's an unusual look that Walls has. Watch this right here.
|
| 72 |
+
[332.000 --> 335.920] Buzz in office. We'll sometimes hear a revisionist history. But when Donald Trump was in office,
|
| 73 |
+
[335.920 --> 341.840] it was Donald Trump. But strange is the way that his brows look almost said. There is a typical
|
| 74 |
+
[341.840 --> 345.680] association with sadness when people's brows face this direction. So when we're feeling sad,
|
| 75 |
+
[345.680 --> 350.160] that's oftentimes what we see. His brows do this a lot. That doesn't mean that he's
|
| 76 |
+
[350.160 --> 355.440] necessarily feeling sad. But we oftentimes unconsciously interpret that as lacking confidence.
|
| 77 |
+
[355.440 --> 359.760] Now, for whatever reason, that may just be how he communicates. That's what we have to establish
|
| 78 |
+
[359.760 --> 364.160] baselines. But people are going to look at him and interpret it that way. You're going to see that
|
| 79 |
+
[364.160 --> 372.080] throughout this debate. Essles did fall near US troops and they received traumatic brain injuries.
|
| 80 |
+
[372.080 --> 379.280] Donald Trump wrote it off as headaches. Look, our allies understand that Donald Trump is fickle.
|
| 81 |
+
[379.280 --> 385.760] He will go to whoever has. So it's interesting. Vance really wants to disagree with this.
|
| 82 |
+
[385.760 --> 390.480] But he also doesn't want to show it overtly. I think that that's probably part of his strategy
|
| 83 |
+
[390.480 --> 394.240] is stability, being calm, all those things. But watch his reaction right here.
|
| 84 |
+
[394.240 --> 399.280] Well, Trump wrote it off as headaches. Look, our allies understand.
|
| 85 |
+
[399.280 --> 404.000] See, closed his eyes. Doesn't like what he's hearing. Bunched his lips. And now he's starting to
|
| 86 |
+
[404.000 --> 407.440] move around a little bit. He's trying to figure out how to respond to that. But he wants people to
|
| 87 |
+
[407.440 --> 412.560] know that he disagrees with it. That Donald Trump is fickle. He will go to whoever has the
|
| 88 |
+
[412.560 --> 417.040] most flattery or where it makes sense to him. Well, first of all, Margaret, diplomacy is not a dirty
|
| 89 |
+
[417.040 --> 420.400] word. But I think that's something that Governor Waltz just said is quite extraordinary. You,
|
| 90 |
+
[420.400 --> 425.600] yourself, just said, Iran is as close to a nuclear weapon today as they have ever been. And
|
| 91 |
+
[425.600 --> 429.360] Governor Waltz, you blamed Donald Trump. Who has been the vice president for the last three
|
| 92 |
+
[429.360 --> 434.480] and a half years? And the answer is you're running me. Not mine. D'Ill. Once again, when Vance says
|
| 93 |
+
[434.480 --> 438.320] something that that walls doesn't like or feels as a strong point, you're going to see that
|
| 94 |
+
[438.320 --> 441.920] I close again. It's the exact same thing. Watch this right here. The vice president for the last
|
| 95 |
+
[441.920 --> 447.840] three and a half years. And the answer is you're running me. Not mine. Donald Trump consistently made the
|
| 96 |
+
[447.840 --> 451.120] so if you want to know what walls doesn't like. If you want to know when Vance makes a point that he
|
| 97 |
+
[451.120 --> 455.600] feels like is strong or one that he is not fond of, that's going to be his reaction. He's going to
|
| 98 |
+
[455.600 --> 460.320] have that I close. It's going to last just a little longer than it should. World more secure. Now we
|
| 99 |
+
[460.320 --> 465.440] talk about what the this and then he goes back to taking notes. So this is his reaction when he
|
| 100 |
+
[465.440 --> 470.640] sit when Vance makes a certain type of point closes his eyes, turns to make notes. Once again,
|
| 101 |
+
[470.640 --> 475.040] that manages the anxiety and stress of having heard that because it does once again, seem like
|
| 102 |
+
[475.040 --> 479.920] something that he's not fond of. Sequence of events that led us to where we are right now. And
|
| 103 |
+
[479.920 --> 485.120] you can't ignore October the seventh, which I appreciate Governor Waltz bringing up. But when did
|
| 104 |
+
[485.120 --> 491.280] I ran and Hamas and their proxies attack Israel? It was during the administration of Kamala Harris.
|
| 105 |
+
[491.280 --> 495.840] So now you're probably noticing Vance talking with his hands and that's a really important part
|
| 106 |
+
[495.840 --> 500.480] of how we communicate. But with politicians, it's a little bit trickier because with somebody like
|
| 107 |
+
[500.480 --> 504.560] Donald Trump, he doesn't train for how he's going to talk with his hands in a lot of ways. There's
|
| 108 |
+
[504.560 --> 508.320] maybe some subtle ways that he does, but generally he just has certain ways that he moves. They seem
|
| 109 |
+
[508.320 --> 513.920] to be very tightly connected with how he feels for his Vance. It's a lot more not robotic necessarily,
|
| 110 |
+
[513.920 --> 518.720] but it's a lot more intentional. So every movement he does with his hands, you can't interpret
|
| 111 |
+
[518.720 --> 522.560] the same way as other people because it's a lot more practiced. It's much more of the way that
|
| 112 |
+
[522.560 --> 527.520] politicians just talk. So while I like interpreting the way people use their hands, he's not doing
|
| 113 |
+
[527.520 --> 531.840] much useful in that way right now because it's very much just sort of politician speak. There's no
|
| 114 |
+
[531.840 --> 536.720] emotion connected to how he's moving his hands. Broken world. Donald Trump has already done it once
|
| 115 |
+
[536.720 --> 543.440] before. Ask yourself at home, massively increasing the asylum fraud that exists in our system. That is
|
| 116 |
+
[543.440 --> 547.920] opened the floodgates. And what it's meant is that a lot of fentanyl is coming into our country.
|
| 117 |
+
[547.920 --> 552.560] I had a mother who struggled with opioid addiction. So if you've been paying attention to his walls,
|
| 118 |
+
[552.560 --> 556.720] he's really looking down this whole time. It's a different strategy that Vance has because Vance does
|
| 119 |
+
[556.720 --> 562.560] look at walls 90% of the time that he's talking. Whereas walls seems to be looking down. It could be
|
| 120 |
+
[562.560 --> 566.160] that when he's talking about this, he doesn't particularly want people to see what his reactions are.
|
| 121 |
+
[566.160 --> 570.480] Or it could also be that this is his own way once again of managing his own stress in this debate.
|
| 122 |
+
[570.480 --> 576.320] Look, we fix this issue with a bill that is necessary, but the issue on this is this is what happens
|
| 123 |
+
[576.320 --> 581.520] when you don't want to solve it. You demonize it. And we saw this and and Senator Vance and it surprises
|
| 124 |
+
[581.520 --> 586.560] me on this. Talking about and saying, I will create stories to see when he's talking about things
|
| 125 |
+
[586.560 --> 591.040] that he's really confident and passionate about once again, the hands come out. He's locking eyes with
|
| 126 |
+
[591.040 --> 595.680] Senator Vance, watch this right here and Senator Vance and it's so pro. So at this point, he feels like
|
| 127 |
+
[595.680 --> 599.760] this is a really strong point for him. So when walls feels confident, he's really able to get his
|
| 128 |
+
[599.760 --> 603.280] body language involved into it. But when he's not, he really seems to withdraw.
|
| 129 |
+
[603.280 --> 608.080] He rises me on this. Talking about and saying, I will create stories to bring attention to this.
|
| 130 |
+
[608.720 --> 613.600] That vilified a large number of people who were here legally in the community of Springfield.
|
| 131 |
+
[613.600 --> 618.560] The Republican governor. Now I want you to watch Vance's reaction when he's talking about this.
|
| 132 |
+
[618.560 --> 623.520] Senator Vance and it surprises me on this. Talking about and saying, I will create stories to
|
| 133 |
+
[623.520 --> 628.240] bring attention to this. So now we're seeing what for Vance is a fairly strong reaction to this. He's
|
| 134 |
+
[628.240 --> 632.080] actually looking down, which is not something that he does a whole lot, but it's a way to deflect
|
| 135 |
+
[632.080 --> 636.240] because they probably feel so strongly about what's being said right now. Let's keep watching.
|
| 136 |
+
[636.800 --> 642.080] That vilified a large number of people who were here. Now this was very subtle. But if you watch
|
| 137 |
+
[642.080 --> 646.800] the corner of Vance's mouth when he says a vilified a large number of people, you're going to see
|
| 138 |
+
[646.800 --> 650.800] a little twitch right here. We associate this with contempt. Watch this right here.
|
| 139 |
+
[650.800 --> 657.120] Well, create stories to bring attention to this. That vilified a large number of people right there.
|
| 140 |
+
[657.120 --> 661.280] You can see contempt. Now contempt is only on one side of the face. That's how we know this is
|
| 141 |
+
[661.280 --> 666.480] contempt. Very subtle and very unconscious. So that tends to be when this feeling is really
|
| 142 |
+
[666.480 --> 669.360] strong and you don't want people to know it. It just sneaks out like this.
|
| 143 |
+
[670.560 --> 675.600] Bowton saying I will create stories to bring attention to this. That vilified a large number of
|
| 144 |
+
[675.600 --> 682.000] people who were here legally in the community of Springfield. The Republican governor said it's not
|
| 145 |
+
[682.000 --> 686.320] true. Don't do it. There's consequences for this. There's consequences. We could come together.
|
| 146 |
+
[686.320 --> 691.680] Send a link for did it. We could come together and solve this if we didn't let Donald Trump continue
|
| 147 |
+
[691.680 --> 696.400] to make it an issue. And the consequences in Springfield were the governor had to send
|
| 148 |
+
[697.120 --> 703.120] state law. So it's very possible that Walsh's look when I refer to his sadness is his attempt
|
| 149 |
+
[703.120 --> 707.200] to look non-threatening because sometimes people get their brow fur like this and it looks like
|
| 150 |
+
[707.200 --> 712.160] anger. So it could be very intentional or maybe this is just how he is that he has this look. And it
|
| 151 |
+
[712.160 --> 716.080] causes people to look non-threatening but it also can make them look less confident. Although the
|
| 152 |
+
[716.080 --> 720.080] rest of his body language right now is very invested in what he's talking about. So in that sense,
|
| 153 |
+
[720.080 --> 725.120] he does appear confident. The American dream again. I know a lot of you are struggling. I know a
|
| 154 |
+
[725.120 --> 730.240] lot of you are worried about paying the bills. It's going to stop when Donald Trump brings back common
|
| 155 |
+
[730.240 --> 733.600] sense to this country. Governor, do you want to respond to that? What has come on Harris?
|
| 156 |
+
[734.160 --> 738.320] Now you can see Walsh right there as he's preparing to respond to this. Almost looks a little bit
|
| 157 |
+
[738.320 --> 743.680] deflated, almost exhausted by this. So you know, as I talked about, he seems to wear his emotion a lot
|
| 158 |
+
[743.680 --> 748.960] more in his sleeve than Vance does. It brings back common sense to this country. Governor,
|
| 159 |
+
[748.960 --> 753.200] do you want to respond to that? What has come on Harris done? So see the slumping of the shoulders
|
| 160 |
+
[753.200 --> 756.640] that shows that maybe there's a little bit of a loss of confidence as he's preparing to talk
|
| 161 |
+
[756.640 --> 761.600] about this. For the middle course. Yeah. Well, Kamala Harris's day one was Donald Trump's. So now he's
|
| 162 |
+
[761.600 --> 765.840] stood back up. But as he's preparing to talk about this, there may be aspects of this that he's not
|
| 163 |
+
[765.840 --> 770.800] as confident about his other subjects he's talked about so far. How is it fair that you're paying
|
| 164 |
+
[770.960 --> 775.760] your taxes every year? And Donald Trump hasn't paid any federal tax to end the last 15 years.
|
| 165 |
+
[775.760 --> 780.240] And the last year is president. That's what's wrong with the system. There's a way around it and
|
| 166 |
+
[780.240 --> 784.640] he's bragged about that. We're just asking for fairness in it. And that's all you want.
|
| 167 |
+
[785.440 --> 791.120] So it's interesting. If you watch Vance's reaction as he's talking about this, he doesn't show much,
|
| 168 |
+
[791.120 --> 795.520] which once again, suggests that as Walsh is doing this, as he's talking about this,
|
| 169 |
+
[795.520 --> 799.200] I don't think that he feels like the point that he's making is a very strong one or one that's
|
| 170 |
+
[799.200 --> 803.680] going to have much of an effect because when he says things that seem to have an effect or things
|
| 171 |
+
[803.680 --> 807.840] that he seems to think are strong, he does show something and just watch Vance right here. He shows
|
| 172 |
+
[807.840 --> 812.320] basically nothing that you're paying your taxes every year. And Donald Trump hasn't paid any
|
| 173 |
+
[812.320 --> 816.800] federal tax to end the last 15 years. And the last year is president. That's what's wrong.
|
| 174 |
+
[816.800 --> 821.120] So he looked up at the time, but beyond that, there doesn't seem to be much movement. He's not
|
| 175 |
+
[821.120 --> 824.560] doing much with his mouth. He moves around a little bit, which might mean there's some energy
|
| 176 |
+
[825.040 --> 829.520] there. But generally speaking, I think that he feels like this is fairly flat for Walsh, despite
|
| 177 |
+
[829.520 --> 833.920] the fact that Walsh is very involved and very energetic about what he's talking about.
|
| 178 |
+
[833.920 --> 841.600] So in Minnesota, what we did was restore Roe vs. Wade. We made sure that we put women in charge
|
| 179 |
+
[841.600 --> 846.560] of their health care. But look, this is not where, if you don't... As they're talking about abortion,
|
| 180 |
+
[846.560 --> 851.440] you can see that Vance's reaction is fairly strong to this. See, he doesn't typically look down
|
| 181 |
+
[851.440 --> 855.280] a whole lot. It'll be very brief. But as he's talking about this, he looks down for a much more
|
| 182 |
+
[855.280 --> 858.960] extended period of time. And you can see his brow looks kind of angry. Watch this right here.
|
| 183 |
+
[858.960 --> 866.160] Soda, what we did was restore Roe vs. Wade. See that look right there? So sometimes that can be a
|
| 184 |
+
[866.160 --> 870.160] look of concentration, but to me, that is a look of irritation right here. They made sure that we
|
| 185 |
+
[870.160 --> 876.320] put women in charge of their health care. But look, this is not where... If you don't know Amanda
|
| 186 |
+
[876.720 --> 881.920] Hadley, you soon will. Their project 2025 is going to have a registry.
|
| 187 |
+
[882.720 --> 886.800] Once again, now this was interesting. Now, this is a look we have not really seen much at all
|
| 188 |
+
[886.800 --> 891.920] from Vance so far. Right now, he's lowering his chin. That protects our neck. And so when we think
|
| 189 |
+
[891.920 --> 895.440] about this from an evolutionary standpoint, this is a very vulnerable place for us. So when we do
|
| 190 |
+
[895.440 --> 900.160] that, sometimes we do that when we're feeling vulnerable. So when he brings up project 2025,
|
| 191 |
+
[900.160 --> 902.640] I don't think Vance loves that. Watch this right here.
|
| 192 |
+
[902.720 --> 908.960] To their health care. But look, this is not where... If you don't know Amanda or a Hadley, you soon will.
|
| 193 |
+
[909.520 --> 915.520] Their project 2025 is going to have a registry of pregnancies. It's going to make it more difficult,
|
| 194 |
+
[915.520 --> 922.240] if not impossible, to get contraception and limit access, if not eliminate access to infertility
|
| 195 |
+
[922.240 --> 929.280] treatments. Maternal mortality, skyrocket in Texas, outpacing many other countries in the world.
|
| 196 |
+
[929.280 --> 933.600] Now, I talked earlier about how Wallston's to close his eyes when he hears something he doesn't
|
| 197 |
+
[933.600 --> 939.760] like. Watch Vance right here when he makes this point. Mortality, skyrocket in Texas, outpacing many
|
| 198 |
+
[939.760 --> 946.080] other countries in the world. This is about... So after he talks about maternal mortality going up,
|
| 199 |
+
[946.080 --> 951.120] you're seeing Vance take that longer pause. Health care. In Minnesota, we are ranked first in
|
| 200 |
+
[951.120 --> 955.120] health care for a reason. We trust you. You're also seeing him blink a lot more. We do that when we're
|
| 201 |
+
[955.120 --> 960.880] stressed. So interestingly, as we've seen so far, there have been some reactions, but this subject
|
| 202 |
+
[960.880 --> 965.200] seems to be what he's reacting to most strongly. Senator, thank you, Governor. You previously
|
| 203 |
+
[965.200 --> 969.680] opposed an assault weapons ban, but only later in your political career, did you change your
|
| 204 |
+
[969.680 --> 973.520] position? Why? Yeah, I sat in that office with those Sandiook parents. I've become friends with
|
| 205 |
+
[973.520 --> 978.800] school shooters. I've seen it. Look, the NRA, I was the NRA guy for a long time. So this is interesting.
|
| 206 |
+
[978.800 --> 983.840] So he's saying what appears to be a practiced point. He's not showing any emotion about it.
|
| 207 |
+
[983.840 --> 987.520] Obviously, that sort of an odd statement that he's become friends with school shooters. I don't
|
| 208 |
+
[987.520 --> 991.600] know if he said that wrong or if that's what he meant to say, but it is a very peculiar statement.
|
| 209 |
+
[991.600 --> 996.000] Only later in your political career, did you change your position? Why? Yeah, I sat in that office
|
| 210 |
+
[996.000 --> 1000.240] with those Sandiook parents. I've become friends with school shooters. I've seen it. Look, the NRA,
|
| 211 |
+
[1000.240 --> 1004.960] I was the NRA guy for a long time. They used to teach gun safety. So we'll go ahead and stop right here.
|
| 212 |
+
[1004.960 --> 1008.560] Hopefully this has helped you better understand some of the behavior and body language we saw
|
| 213 |
+
[1008.640 --> 1014.320] between both JD Vance and Tim Walls. Vance seems to be much more controlled. It seems like he's
|
| 214 |
+
[1014.320 --> 1018.320] very practiced in the way he speaks. He seems to be able to suppress emotions pretty well.
|
| 215 |
+
[1018.320 --> 1022.960] Sometimes they would leak out, but overall his goal seems to be to be very stable and to show
|
| 216 |
+
[1022.960 --> 1027.200] you as little as possible. Walls, on the other hand, seems to be much more animated. He wants
|
| 217 |
+
[1027.200 --> 1031.440] you to know how he feels. He seems a lot more connected to expressing those emotions. It's not
|
| 218 |
+
[1031.440 --> 1035.200] necessarily good, bad or otherwise, because people are going to receive it differently, but that
|
| 219 |
+
[1035.200 --> 1039.520] certainly seems to be the strategy they approached with. It certainly seemed like Tim Walls was
|
| 220 |
+
[1039.520 --> 1043.760] probably more anxious of the tube, maybe a little bit more nervous or stressed over this debate.
|
| 221 |
+
[1044.320 --> 1047.200] Hopefully this has been helpful for you. If you have any thoughts about it, please let me know
|
| 222 |
+
[1047.200 --> 1050.320] in the comments below. Or if there's anything else or any parts of this that I missed that you
|
| 223 |
+
[1050.320 --> 1054.000] want me to analyze, also let me know in the comments below. Last thing before you get finished up,
|
| 224 |
+
[1054.000 --> 1057.840] as I do want to remind you to like and subscribe if you want to see more content. Just like this.
|
| 225 |
+
[1057.840 --> 1059.440] Alright, thanks for watching.
|
transcript/reaction_Vu_6WCAzSTM.txt
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| 1 |
+
[0.000 --> 2.000] Why their idiots welcome back to observe.
|
| 2 |
+
[2.000 --> 5.840] In today's video we're going to be analyzing the non-verbal communication of a long time
|
| 3 |
+
[5.840 --> 8.160] YouTuber, many of you probably know his name.
|
| 4 |
+
[8.160 --> 9.840] It's Nicocato, Avocado.
|
| 5 |
+
[9.840 --> 13.360] It's been around a lot in the media for a little bit here.
|
| 6 |
+
[13.360 --> 15.920] More on that in just a second, let's go ahead and roll the intro first.
|
| 7 |
+
[15.920 --> 32.320] Today's video is brought to you by Pia VPN.
|
| 8 |
+
[32.320 --> 38.440] The internet is a fantastic place to learn, connect, and express yourself, but it also has
|
| 9 |
+
[38.440 --> 43.400] its risks with cybercriminals and malicious individuals looking to steal your information.
|
| 10 |
+
[43.400 --> 45.400] It's essential to stay protected.
|
| 11 |
+
[45.800 --> 51.720] If you're like me, you don't want your personal data exposed and that's where Pia VPN comes
|
| 12 |
+
[51.720 --> 52.720] in to help.
|
| 13 |
+
[52.720 --> 58.760] Every time you browse online on an unprotected device whether it's your phone or your computer,
|
| 14 |
+
[58.760 --> 63.720] your tablet, or even your gaming console, your information can be intercepted before it
|
| 15 |
+
[63.720 --> 65.560] reaches its destination.
|
| 16 |
+
[65.560 --> 72.280] A VPN or virtual private network like Pia safeguards your data by hiding your IP address and encrypting
|
| 17 |
+
[72.280 --> 77.880] your connection, protecting you from prying eyes that want to exploit that private information.
|
| 18 |
+
[77.880 --> 83.640] Have you ever seen those public toilets that have fully glass walls that allow you to see
|
| 19 |
+
[83.640 --> 88.960] everyone around you walking around but to the outside observer, all that they can see
|
| 20 |
+
[88.960 --> 89.960] is like a mirror.
|
| 21 |
+
[89.960 --> 95.080] Well browsing the internet without Pia is like using one of those bathrooms, but it's
|
| 22 |
+
[95.080 --> 96.080] reversed.
|
| 23 |
+
[96.080 --> 101.000] Everybody can see you inside there struggling with your business and all that you can
|
| 24 |
+
[101.000 --> 105.720] see is your perhaps slightly perplexed expression in your reflection.
|
| 25 |
+
[105.720 --> 110.840] Private internet access or Pia not only shields your IP address and encrypts your connection,
|
| 26 |
+
[110.840 --> 115.560] but it also protects your browsing from your internet service provider, network administrators,
|
| 27 |
+
[115.560 --> 117.760] and even government sensors.
|
| 28 |
+
[117.760 --> 122.880] Plus with one Pia subscription you can protect all of your devices whether you're on Windows
|
| 29 |
+
[122.880 --> 128.040] or Mac or Android, iOS, Linux, the list goes on and you're covered.
|
| 30 |
+
[128.040 --> 133.720] You can't account covers unlimited devices, but Pia isn't just about privacy.
|
| 31 |
+
[133.720 --> 136.520] It also unlocks the full potential of the internet.
|
| 32 |
+
[136.520 --> 142.600] Depending on your location you might only have access to a small sliver of the web, streaming
|
| 33 |
+
[142.600 --> 148.600] services like Netflix and Disney Plus offer thousands of titles but due to regional restrictions
|
| 34 |
+
[148.600 --> 150.680] you can only see a small fraction of them.
|
| 35 |
+
[150.680 --> 155.560] For instance, I happen to be a fan of the Harry Potter movies, but when I hop on the Netflix
|
| 36 |
+
[155.560 --> 159.240] to try to watch any of them I am met with only disappointment.
|
| 37 |
+
[159.240 --> 165.480] However, by connecting to a Pia server in Australia I conveniently have access to the entire
|
| 38 |
+
[165.480 --> 166.480] series.
|
| 39 |
+
[166.480 --> 171.360] Basically trying to watch content online without Pia is like tuning into a 24-7 coverage
|
| 40 |
+
[171.360 --> 178.480] but only being able to see a fraction of the news exclusively from 9 a.m. to 10 a.m.
|
| 41 |
+
[178.480 --> 182.920] Pia helps you bypass these limitations by allowing you to switch your IP address to one of
|
| 42 |
+
[182.920 --> 189.640] 91 countries or 50 US states granting access to region-locked content.
|
| 43 |
+
[189.640 --> 196.200] Now, for the subscribers here on Observe, by using my link you can score an 83% discount
|
| 44 |
+
[196.200 --> 203.560] on private internet access, just $2.03 a month, plus 4 extra months for free.
|
| 45 |
+
[203.560 --> 209.000] Check out the description for my link which is pyavpn.com slash observe and take advantage
|
| 46 |
+
[209.000 --> 211.240] of this offer today.
|
| 47 |
+
[211.240 --> 216.040] Thanks again to Pia for sponsoring this video and back to your regularly scheduled program.
|
| 48 |
+
[216.040 --> 221.360] Alright, for those of you who do not know, Nicholas Perry, better known as Nicocato Avocado
|
| 49 |
+
[221.360 --> 227.880] was born in Caresdon on May 19th of 1992 and was adopted in infancy by an American family
|
| 50 |
+
[227.880 --> 229.960] who raised him in Pennsylvania.
|
| 51 |
+
[229.960 --> 235.400] He attended college for drama and art and eventually moved to New York City in 2013 to pursue
|
| 52 |
+
[235.400 --> 239.280] his dream of playing in a Broadway orchestra.
|
| 53 |
+
[239.280 --> 246.040] Even that didn't work out, he started his YouTube channel Nicocato Avocado in May of 2014.
|
| 54 |
+
[246.040 --> 250.720] While his earlier content was centered around vegan living, lifestyle vlogs and musical
|
| 55 |
+
[250.720 --> 256.840] performances, in 2016 he shifted the content over to filming mukbang videos.
|
| 56 |
+
[256.840 --> 262.080] He became one of the first American men to partake in the trend with his first mukbang video
|
| 57 |
+
[262.080 --> 267.360] receiving tens of thousands of views and just a matter of a couple of weeks.
|
| 58 |
+
[267.440 --> 273.200] His earlier mukbang videos showed his pet parrot sitting on his shoulder while he ate.
|
| 59 |
+
[273.200 --> 278.000] People started growing concerned for his well-being as the content he was uploading seemed to
|
| 60 |
+
[278.000 --> 280.960] be at odds with his health.
|
| 61 |
+
[280.960 --> 286.280] Due to his sharp weight gain in the following years, many fans and viewers grew more and
|
| 62 |
+
[286.280 --> 287.840] more concerned.
|
| 63 |
+
[287.840 --> 292.920] In a 2019 interview, Perry said that he had only planned on creating mukbang videos for
|
| 64 |
+
[292.920 --> 298.840] about a couple more years and that it is very unhealthy.
|
| 65 |
+
[298.840 --> 304.320] Along with this, numerous emotionally turbulent videos were uploaded by Perry that also led people
|
| 66 |
+
[304.320 --> 308.600] to start to question the state of his mental health as well.
|
| 67 |
+
[308.600 --> 314.240] In December of 2019, Perry was accused by another mukbanger of harassing her by sending
|
| 68 |
+
[314.240 --> 319.840] her unwanted text messages and taking photos from inside her home.
|
| 69 |
+
[319.840 --> 324.440] In response to the allegations, Perry published a video disputing her statements.
|
| 70 |
+
[324.440 --> 328.640] During the video, he displayed the photos he took and argued that he had not taken any
|
| 71 |
+
[328.640 --> 334.000] photos and secret and that everyone involved knew exactly what he was doing.
|
| 72 |
+
[334.000 --> 338.120] He also showed their text conversations stating that the fellow mukbanger had stood him
|
| 73 |
+
[338.120 --> 340.160] up for a scheduled collaboration.
|
| 74 |
+
[340.160 --> 344.440] Despite further drama around the incident, including mentions of attempted legal action,
|
| 75 |
+
[344.440 --> 350.320] Perry later said that they had faked the entire feud to benefit their careers.
|
| 76 |
+
[350.320 --> 356.240] Fast forward now to May of 2024, Perry released a video to his second channel announcing
|
| 77 |
+
[356.240 --> 360.880] that he was giving up his weight loss journey telling his viewers that he had failed to lose
|
| 78 |
+
[360.880 --> 365.840] a significant amount of weight within the past two years, though in footage signs of weight
|
| 79 |
+
[365.840 --> 370.000] loss were actually tentatively evident.
|
| 80 |
+
[370.000 --> 377.800] Then on September 6th of 2024, Perry revealed that he had indeed lost over 200 and 50 pounds
|
| 81 |
+
[377.800 --> 384.520] in a video called Two Steps Ahead which gained over 26 million views in the first 48 hours
|
| 82 |
+
[384.520 --> 390.480] and is currently sitting at over 46 million views and just under 3 weeks at the point
|
| 83 |
+
[390.480 --> 392.240] of making this video.
|
| 84 |
+
[392.240 --> 396.480] In the video, Perry states that he secretly lost the weight over the past two years and
|
| 85 |
+
[396.480 --> 403.280] hid this fact by uploading pre-recorded content during that time, calling it the greatest
|
| 86 |
+
[403.280 --> 406.880] social experiment of his entire life.
|
| 87 |
+
[406.880 --> 411.680] At the beginning of the video, which we will be looking at today, Perry starts monologuing
|
| 88 |
+
[411.680 --> 416.640] while wearing a giant panda mask which he said symbolized the world of social media
|
| 89 |
+
[416.640 --> 422.520] not being as black and white as it appears, but some also believe that it is a reference
|
| 90 |
+
[422.520 --> 426.440] to earlier drama that he was involved in before.
|
| 91 |
+
[426.440 --> 430.560] During the video, he attempts to convey that he was in control the entire time and simply
|
| 92 |
+
[430.560 --> 434.240] wanted to prove that people will believe whatever you tell them.
|
| 93 |
+
[434.240 --> 439.640] Ironically, people don't really believe him and are starting to ask some questions,
|
| 94 |
+
[439.640 --> 444.720] many are wondering if he's lying and hasn't lost the weight at all, masking it all using
|
| 95 |
+
[444.720 --> 446.720] deep fake technology.
|
| 96 |
+
[446.720 --> 453.560] Others are tossing around the concept that he has faked it all using AI in some way or
|
| 97 |
+
[453.560 --> 458.520] another to add to the confusion, Perry has uploaded more videos claiming that it was
|
| 98 |
+
[458.520 --> 465.640] all faked and still others saying that it wasn't and that brings us to today's video.
|
| 99 |
+
[465.640 --> 470.520] In today's video, we will be looking at his big release, his big comeback revealing
|
| 100 |
+
[470.520 --> 475.240] his weight loss and some of the subsequent videos after that will be looking at the non-verbal
|
| 101 |
+
[475.240 --> 479.920] communication to see if he's leaking anything that helps add some context and clarity to
|
| 102 |
+
[479.920 --> 484.360] what he's saying because frankly, there's been a lot of mixed messages.
|
| 103 |
+
[484.360 --> 486.400] I think that's enough of the backstory.
|
| 104 |
+
[486.400 --> 493.920] Let's go ahead and jump right into the actual content itself.
|
| 105 |
+
[493.920 --> 497.120] Two steps ahead.
|
| 106 |
+
[497.120 --> 502.840] I am always two steps ahead.
|
| 107 |
+
[502.840 --> 509.960] This has been the greatest social experiment for my entire life.
|
| 108 |
+
[509.960 --> 518.280] It's a learning, it's compelling, it's gripping to observe all these unwell, disoriented
|
| 109 |
+
[518.280 --> 528.360] beings roam the internet and search of stories, ideas, rivalries where they feel encouraged.
|
| 110 |
+
[528.360 --> 530.840] I'm going to go ahead and pause here.
|
| 111 |
+
[530.840 --> 536.040] This initial portion that we're watching is in front of a white screen or white wall,
|
| 112 |
+
[536.040 --> 539.880] but he's not wearing white so we're not getting into that manipulation of color.
|
| 113 |
+
[539.880 --> 543.840] To speak that we've talked about in apology videos here on the channel, but something that
|
| 114 |
+
[543.840 --> 545.760] immediately sticks out to me.
|
| 115 |
+
[545.760 --> 550.600] Obviously wearing a mask, so because of that, he is starting to amplify the rest of
|
| 116 |
+
[550.600 --> 556.520] his nonverbal communication to still be able to act in and display emotion despite having
|
| 117 |
+
[556.520 --> 557.520] a mask.
|
| 118 |
+
[557.520 --> 563.160] With that knowledge in mind that lets us know that this video is obviously extremely
|
| 119 |
+
[563.160 --> 564.160] scripted.
|
| 120 |
+
[564.160 --> 566.920] I don't think that anybody was really questioning whether or not it was scripted.
|
| 121 |
+
[566.920 --> 573.160] It sounds scripted, it's delivered scripted, and what we're seeing is a very overt, overly
|
| 122 |
+
[573.160 --> 575.920] saturated display of nonverbal communication.
|
| 123 |
+
[575.920 --> 581.320] We'll do our best especially when the mask comes off, but all of that being said, this
|
| 124 |
+
[581.320 --> 586.120] is something that he has obviously rehearsed or at least scripted and sat down maybe
|
| 125 |
+
[586.120 --> 590.360] recorded once or twice before getting this video live to us on the internet.
|
| 126 |
+
[590.360 --> 593.080] So we're working with these various lenses of things.
|
| 127 |
+
[593.080 --> 599.400] He's also speaking at a specific pace, so we're hearing this pacing very, very intentionally
|
| 128 |
+
[599.400 --> 600.400] slowly.
|
| 129 |
+
[600.400 --> 605.440] It's almost in my opinion excruciatingly slowly when I watched this video the first time
|
| 130 |
+
[605.440 --> 606.440] through.
|
| 131 |
+
[606.440 --> 610.280] I had to watch it on two times just to make it through the video because I was getting
|
| 132 |
+
[610.280 --> 612.920] bored with how slowly he was speaking.
|
| 133 |
+
[612.920 --> 616.040] So this is again another very intentional thing.
|
| 134 |
+
[616.040 --> 620.000] And then with that, the register that he's speaking at, it's a lower register than his
|
| 135 |
+
[620.000 --> 626.640] normal Nicarato avocado character that he puts onto his channel normally.
|
| 136 |
+
[626.640 --> 631.760] So we're seeing some disjoint and nonverbal communication, both verbally and nonverbaly.
|
| 137 |
+
[631.760 --> 633.480] Let's see how that all plays out.
|
| 138 |
+
[663.480 --> 667.320] A dance on any farm.
|
| 139 |
+
[667.320 --> 674.560] I feel if I'm watching paint drop, but that being said, he's obviously captured the attention
|
| 140 |
+
[674.560 --> 682.760] of millions of people to have 46 million views within three weeks, less than a month is astounding.
|
| 141 |
+
[682.760 --> 687.200] Those are fantastic numbers, especially if you're wanting to possibly rebrand yourself.
|
| 142 |
+
[687.200 --> 691.680] And that I think is a very important aspect of this that we'll talk a little bit more
|
| 143 |
+
[691.680 --> 695.880] about as this video goes on.
|
| 144 |
+
[695.880 --> 702.560] I need like a cup of coffee or something just to get through this intro because it's so,
|
| 145 |
+
[702.560 --> 703.920] it's so slow.
|
| 146 |
+
[703.920 --> 705.920] It's so slow.
|
| 147 |
+
[705.920 --> 706.920] Oh.
|
| 148 |
+
[706.920 --> 713.560] One follows another follows another follows another.
|
| 149 |
+
[713.560 --> 715.560] It's mesmerizing.
|
| 150 |
+
[715.560 --> 717.560] It's spelled by name.
|
| 151 |
+
[717.560 --> 728.640] All these little consumers, all of these lost and bored people, people consuming anything
|
| 152 |
+
[728.640 --> 734.840] that they're told to consume.
|
| 153 |
+
[734.840 --> 742.840] So I am the villain because I've been myself one.
|
| 154 |
+
[742.840 --> 745.040] Okay.
|
| 155 |
+
[745.040 --> 746.520] Not verbally speaking still.
|
| 156 |
+
[746.520 --> 753.120] We're working through this lens of a fairly mediocre monologue in acting terms.
|
| 157 |
+
[753.120 --> 755.840] There's not a lot of character dynamic to it.
|
| 158 |
+
[755.840 --> 761.480] So we're just kind of getting this over saturated dramatic tone from his non-verbal communication.
|
| 159 |
+
[761.480 --> 767.120] But then what I'm less left asking verbally is what is he the villain of, per se?
|
| 160 |
+
[767.120 --> 771.560] I'm not super certain what is painting him out to be a villain here.
|
| 161 |
+
[771.560 --> 773.080] He did mukbang videos.
|
| 162 |
+
[773.080 --> 777.880] Now it looks as if he's turned his life around and that's a positive thing.
|
| 163 |
+
[777.880 --> 778.880] Sure.
|
| 164 |
+
[778.880 --> 785.240] Like anybody who can turn their life around to a healthier outlet is fantastic.
|
| 165 |
+
[785.240 --> 790.320] What I'm left wondering is how on earth does this make you on any level of villain?
|
| 166 |
+
[790.320 --> 793.400] I don't know.
|
| 167 |
+
[793.400 --> 798.160] For me, something that I wrestle with throughout the entirety of this video is the over-dramatization
|
| 168 |
+
[798.160 --> 799.160] of everything.
|
| 169 |
+
[799.160 --> 804.040] It doesn't seem to be necessary if he had released this in any other way.
|
| 170 |
+
[804.040 --> 807.440] People would have just been like very good job at losing the weight that you wanted to,
|
| 171 |
+
[807.440 --> 810.680] very good job at turning your life towards a healthier avenue.
|
| 172 |
+
[810.680 --> 811.840] Fantastic.
|
| 173 |
+
[811.840 --> 816.120] But he's like, no, I am a villain and I'm just watching all of these people do things and
|
| 174 |
+
[816.120 --> 817.120] say things and whatnot.
|
| 175 |
+
[817.120 --> 823.520] Which I mean, I feel like most of us watching can relate to on some level.
|
| 176 |
+
[823.520 --> 829.400] You can watch everybody around you say and state things that you personally might know
|
| 177 |
+
[829.400 --> 833.600] not to be true, but that doesn't make you a villain that just means that you have more
|
| 178 |
+
[833.600 --> 837.720] knowledge about specific things than other people do.
|
| 179 |
+
[837.720 --> 839.800] And that's all that is happening here.
|
| 180 |
+
[839.800 --> 845.840] He has more knowledge about his weight loss journey than everybody else does at this point
|
| 181 |
+
[845.840 --> 847.640] of him making this video.
|
| 182 |
+
[847.640 --> 848.920] That doesn't make him a villain.
|
| 183 |
+
[848.920 --> 853.000] Nonverbaly speaking, nothing to really glean other than he needs to work a little bit
|
| 184 |
+
[853.000 --> 859.040] more on conveying a convincing character in this avenue of acting.
|
| 185 |
+
[859.040 --> 861.440] Let's keep watching.
|
| 186 |
+
[861.440 --> 871.120] And you will continue to consume these stories about me here, after here, after here, for
|
| 187 |
+
[871.120 --> 881.520] as long as I tell the internet that I am a villain, stories that permeate the linker
|
| 188 |
+
[881.520 --> 885.920] and affect the minds of the ants.
|
| 189 |
+
[885.920 --> 888.680] Influence the ants.
|
| 190 |
+
[888.680 --> 891.520] Brainwash the ants.
|
| 191 |
+
[891.520 --> 892.520] You.
|
| 192 |
+
[892.520 --> 896.720] Right, the ants.
|
| 193 |
+
[896.720 --> 907.080] What's he influencing?
|
| 194 |
+
[907.080 --> 914.840] The most that he's influenced is he's generated a decent amount of buzz about his return to
|
| 195 |
+
[914.840 --> 915.840] the internet.
|
| 196 |
+
[915.840 --> 921.760] Has he really influenced anybody outside of that with this specific video here?
|
| 197 |
+
[921.760 --> 927.840] There are many, many, many hundreds of thousands of people that have very successful journeys
|
| 198 |
+
[927.840 --> 929.720] in their health.
|
| 199 |
+
[929.720 --> 935.240] And so for him to generate this amount of buzz around that, fantastic.
|
| 200 |
+
[935.240 --> 945.120] His hyperinflating of his own effect on people around him is fascinating to me.
|
| 201 |
+
[945.120 --> 947.080] And all of it seems to be centered around this.
|
| 202 |
+
[947.080 --> 951.880] He wants to be in control and orchestrate the social experiment side of things.
|
| 203 |
+
[951.880 --> 957.440] So what I'm gathering more and more is he's going through this extremely stilted, nonverbaly,
|
| 204 |
+
[957.440 --> 960.640] horrifically desynchronized monologue.
|
| 205 |
+
[960.640 --> 964.360] All that I'm gathering is that perhaps he's really going to start now trying to shift
|
| 206 |
+
[964.360 --> 971.240] his content to a different style of content, which would make sense contextually and realistically
|
| 207 |
+
[971.240 --> 978.320] in the world that we live in today is that he in fact wanted to take this new him, this
|
| 208 |
+
[978.320 --> 981.680] new appearance and shift his content around.
|
| 209 |
+
[981.680 --> 986.520] Like we have seen many, many people, many content creators want to rebrand.
|
| 210 |
+
[986.520 --> 991.840] That's usually for aspects of burnout or feeling like they're stuck in a rut and wanting
|
| 211 |
+
[991.840 --> 997.120] to express more creatively or wanting to bring more of their own personal life into what
|
| 212 |
+
[997.120 --> 999.800] they display online.
|
| 213 |
+
[999.800 --> 1001.480] That's not unheard of.
|
| 214 |
+
[1001.480 --> 1004.120] Houtness, YouTubers have done that before.
|
| 215 |
+
[1004.120 --> 1010.800] So all of this weird twisting over dramaticized, I'm a villain and I'm manipulating you side
|
| 216 |
+
[1010.800 --> 1015.000] of things while on some levels is true.
|
| 217 |
+
[1015.000 --> 1019.880] It's really not nearly as big a deal as he's trying to present it to be.
|
| 218 |
+
[1019.880 --> 1022.680] His health journey deserves congratulations.
|
| 219 |
+
[1022.680 --> 1027.360] We'll talk about some of the other theories around this as we go along and kind of disprove
|
| 220 |
+
[1027.360 --> 1028.840] those as we go along.
|
| 221 |
+
[1028.840 --> 1030.800] But for now, let's just keep trying.
|
| 222 |
+
[1030.800 --> 1037.960] Let's keep trying to go through this extremely slow monologue.
|
| 223 |
+
[1037.960 --> 1048.960] Today I woke up from a very long dream that I also woke up having lost 250 pounds off
|
| 224 |
+
[1048.960 --> 1052.880] of my body.
|
| 225 |
+
[1052.880 --> 1055.120] You're just yesterday.
|
| 226 |
+
[1055.120 --> 1059.200] So not verbally speaking, but I'm picking up on this.
|
| 227 |
+
[1059.200 --> 1064.240] It makes it more and more difficult for me to watch is the same things that make B and
|
| 228 |
+
[1064.240 --> 1066.880] C rated films difficult for me to watch.
|
| 229 |
+
[1066.880 --> 1069.560] This is the overt level of desynchronization.
|
| 230 |
+
[1069.560 --> 1071.800] You could see him speak.
|
| 231 |
+
[1071.800 --> 1077.280] You could see him think and then you could see him act and they're all separate bubbles.
|
| 232 |
+
[1077.280 --> 1079.520] None of them are happening cohesively.
|
| 233 |
+
[1079.520 --> 1080.520] So that lets us know one.
|
| 234 |
+
[1080.520 --> 1081.520] It's very scripted and two.
|
| 235 |
+
[1081.520 --> 1083.440] He's not a very good actor.
|
| 236 |
+
[1083.440 --> 1089.080] So he's trying to play off whatever part this is, but it's so mechanical and it's so
|
| 237 |
+
[1089.080 --> 1090.080] disjointed.
|
| 238 |
+
[1090.080 --> 1097.320] As he's saying a thought, then he looks, then he blinks, then he looks back and it's
|
| 239 |
+
[1097.320 --> 1100.560] that slow and it's that mechanical.
|
| 240 |
+
[1100.560 --> 1107.720] And that's not how the human body has evolved over tens of thousands of years to communicate.
|
| 241 |
+
[1107.720 --> 1111.120] We communicated nonverbaly well before we communicated verbally.
|
| 242 |
+
[1111.120 --> 1117.960] So nonverbaly speaking, when we're communicating these emotional states, this level of disjointed,
|
| 243 |
+
[1117.960 --> 1122.400] blocky, stilted communication doesn't exist.
|
| 244 |
+
[1122.400 --> 1124.680] Letting us know that this is all an act.
|
| 245 |
+
[1124.680 --> 1129.120] Everything that he's putting on for us right here as far as his emotional display and how
|
| 246 |
+
[1129.120 --> 1135.360] he's presenting his mastermind effect of things is all an act just due to his nonverbal
|
| 247 |
+
[1135.360 --> 1136.720] communication.
|
| 248 |
+
[1136.720 --> 1141.560] The centuries of evolution that point us in the direction of fluidity in our nonverbal
|
| 249 |
+
[1141.560 --> 1145.600] communication really indicate that falseness in his.
|
| 250 |
+
[1145.600 --> 1150.400] Not being said, we still got a fair bit of this left to go, so let's continue.
|
| 251 |
+
[1150.400 --> 1162.200] People were calling me fat and sick and boring and irrelevant.
|
| 252 |
+
[1162.200 --> 1167.320] People are the most messed up creatures.
|
| 253 |
+
[1167.320 --> 1168.320] Ah, okay.
|
| 254 |
+
[1168.320 --> 1174.160] Again, on an acting note here, he does a little attitude nod in there while he's talking
|
| 255 |
+
[1174.160 --> 1176.360] about his irrelevancy, which makes sense.
|
| 256 |
+
[1176.360 --> 1183.320] But then he has a pause and then he goes into the little exhalation there mixed with the
|
| 257 |
+
[1183.320 --> 1184.720] contemptuous smile.
|
| 258 |
+
[1184.720 --> 1189.440] Now that contemptuous smile for those of you that do not know contempt indicates a level
|
| 259 |
+
[1189.440 --> 1193.840] of moral or intellectual superiority over the people you're speaking to or those you
|
| 260 |
+
[1193.840 --> 1195.680] are surrounded by.
|
| 261 |
+
[1195.680 --> 1198.840] It's the feeling that you know things that other people don't.
|
| 262 |
+
[1198.840 --> 1201.440] And so he has that contempt smile come in there.
|
| 263 |
+
[1201.440 --> 1207.240] Now with organic contempt, that will start to creep in before the words often reflected.
|
| 264 |
+
[1207.240 --> 1212.000] So you would expect to see a little bit of contempt start to creep in before he says the
|
| 265 |
+
[1212.000 --> 1217.320] statement that really sets it as to this contemptuous statement.
|
| 266 |
+
[1217.320 --> 1222.200] Now since he has that level mixed up, that lets us know that again, this is desynchronized.
|
| 267 |
+
[1222.200 --> 1225.520] Does he have a level of contempt around this?
|
| 268 |
+
[1225.520 --> 1226.680] Absolutely.
|
| 269 |
+
[1226.680 --> 1230.680] Is it to the degree that he's able to present here in the video?
|
| 270 |
+
[1230.680 --> 1232.120] Highly doubtful.
|
| 271 |
+
[1232.120 --> 1236.640] Nonverbaly speaking, it really pushes me away from that rather than towards that.
|
| 272 |
+
[1236.640 --> 1240.720] There is more that goes into that and everything that's surrounding this and perhaps more of
|
| 273 |
+
[1240.720 --> 1244.800] the reality of the situation as opposed to what he's presenting to the internet.
|
| 274 |
+
[1244.800 --> 1246.480] But we'll get to that in just a second.
|
| 275 |
+
[1246.480 --> 1247.480] Just a second.
|
| 276 |
+
[1247.480 --> 1252.240] I mean, quite a few seconds because right here, right now, as I'm recording this, my iPad
|
| 277 |
+
[1252.240 --> 1256.240] decided that it has to indeed do an update.
|
| 278 |
+
[1256.240 --> 1258.040] So right now is the time for an update.
|
| 279 |
+
[1258.040 --> 1268.200] So please hold for God knows how long.
|
| 280 |
+
[1268.200 --> 1269.200] And now we're done.
|
| 281 |
+
[1269.200 --> 1271.160] We can now actually continue back into the video.
|
| 282 |
+
[1271.160 --> 1275.680] So we we let's do that.
|
| 283 |
+
[1275.680 --> 1282.440] People are the most messed up creatures on the entire planet.
|
| 284 |
+
[1282.440 --> 1292.000] And yet I've still managed to stay two steps ahead of everyone.
|
| 285 |
+
[1292.000 --> 1296.520] Overinflated since the self again, there anybody talking about their health should be multiple
|
| 286 |
+
[1296.520 --> 1301.480] steps ahead of anybody else, perhaps, except for their dietitian and doctors.
|
| 287 |
+
[1301.480 --> 1302.760] Those people should know some things.
|
| 288 |
+
[1302.760 --> 1304.600] So good job.
|
| 289 |
+
[1304.600 --> 1307.960] Really, really well done on staying two steps ahead on your health.
|
| 290 |
+
[1307.960 --> 1313.720] So that whole fun little factor of like, oh, human beings are the most messed up creatures
|
| 291 |
+
[1313.720 --> 1321.360] on the planet really also kind of speaks towards his lack of knowledge of other creatures on
|
| 292 |
+
[1321.360 --> 1322.360] the planet.
|
| 293 |
+
[1322.360 --> 1327.880] There are some very, very difficult things to stomach out there on the planet.
|
| 294 |
+
[1327.880 --> 1330.440] Human beings have their own special flavor for sure.
|
| 295 |
+
[1330.440 --> 1334.960] But to say that where the most messed up is questionable at very, very best.
|
| 296 |
+
[1334.960 --> 1340.720] We're seeing multiple points of him over inflating his own self importance and own ability
|
| 297 |
+
[1340.720 --> 1346.600] to inflict control on the people around him, which is fascinating at very least.
|
| 298 |
+
[1346.600 --> 1349.480] But we still have more left to go optimistically.
|
| 299 |
+
[1349.480 --> 1360.800] The iPad won't update again in the middle of this.
|
| 300 |
+
[1360.800 --> 1367.800] The jokes on you.
|
| 301 |
+
[1367.800 --> 1372.720] I'm going to go ahead and pause here.
|
| 302 |
+
[1372.720 --> 1376.120] So that's pretty much the meat and potatoes of that entire monologue.
|
| 303 |
+
[1376.120 --> 1379.920] His comeback to the internet is pretty much summarized there.
|
| 304 |
+
[1379.920 --> 1385.200] Now there's this whole very long portion of him eating a dish of noodles, which you will
|
| 305 |
+
[1385.200 --> 1386.200] see here in a little bit.
|
| 306 |
+
[1386.200 --> 1390.160] I'm not going to sit through and watch all of it because I have misophonia and listening
|
| 307 |
+
[1390.160 --> 1396.600] to somebody eat food is what it lightly, extremely difficult for me to do.
|
| 308 |
+
[1396.600 --> 1398.400] So I'm not going to be doing that here.
|
| 309 |
+
[1398.400 --> 1402.360] Needless to say, we're going to fast forward through him eating this very large plate of
|
| 310 |
+
[1402.360 --> 1404.400] food and then he talks a bit at the end.
|
| 311 |
+
[1404.400 --> 1407.480] And we'll talk about some of the physiological stuff that we see here that helps disprove
|
| 312 |
+
[1407.480 --> 1416.880] some of the other theories that have been passed around.
|
| 313 |
+
[1416.880 --> 1445.800] That was a lot of the video just eating food, which again is not at all different than
|
| 314 |
+
[1445.800 --> 1451.640] the content that he was doing before outside of him just displaying a different character
|
| 315 |
+
[1451.640 --> 1457.480] to the internet, which everybody has a level of character that they fall into to record
|
| 316 |
+
[1457.480 --> 1458.480] to the internet.
|
| 317 |
+
[1458.480 --> 1462.920] So he's presenting these different characters in here, but outside of that, we're not
|
| 318 |
+
[1462.920 --> 1465.120] really actually seeing anything different.
|
| 319 |
+
[1465.120 --> 1469.120] So this evil mastermind that he's presenting himself out to be is just more or less that
|
| 320 |
+
[1469.120 --> 1472.520] he lost some weight that he had earlier and now he's doing the exact same thing that
|
| 321 |
+
[1472.520 --> 1474.400] he did before.
|
| 322 |
+
[1474.400 --> 1479.400] It's not a mastermind, that's not a broad plan, that's barely even a social experiment,
|
| 323 |
+
[1479.400 --> 1482.760] but now we're going to talk about some of the physiological stuff that disproves things
|
| 324 |
+
[1482.760 --> 1484.600] like deep fakes or AIs.
|
| 325 |
+
[1484.600 --> 1485.600] Let's watch.
|
| 326 |
+
[1485.600 --> 1489.080] They're kind of like all spicy.
|
| 327 |
+
[1489.080 --> 1492.000] If I rub them around too much, oh my, my hurt.
|
| 328 |
+
[1492.000 --> 1493.000] We did it.
|
| 329 |
+
[1505.400 --> 1507.400] Look how red my lips got.
|
| 330 |
+
[1507.400 --> 1508.400] Wow.
|
| 331 |
+
[1508.400 --> 1510.400] Interesting.
|
| 332 |
+
[1510.400 --> 1511.400] Right there.
|
| 333 |
+
[1511.400 --> 1512.800] That's one of the things.
|
| 334 |
+
[1512.800 --> 1516.320] So he is celebrating his finishing of a large plate of noodles.
|
| 335 |
+
[1516.320 --> 1517.320] Good job.
|
| 336 |
+
[1517.320 --> 1519.840] And now he's talking about how there was some spice to it.
|
| 337 |
+
[1519.840 --> 1524.720] Now the spice will obviously change our physiology a little bit as we're exposed to those sorts
|
| 338 |
+
[1524.720 --> 1525.720] of stimulants.
|
| 339 |
+
[1525.720 --> 1526.720] Things change.
|
| 340 |
+
[1526.720 --> 1529.840] Not the least of which is a flush and deep fake technology.
|
| 341 |
+
[1529.840 --> 1535.720] You can, and we've seen it in Hollywood movies across the cinematic universe that exists
|
| 342 |
+
[1535.720 --> 1541.960] today, you can fake a face onto another actor onto another body more or less.
|
| 343 |
+
[1541.960 --> 1548.880] However, what comes into play very quickly in the consumer realm of deep fake technology
|
| 344 |
+
[1548.880 --> 1553.640] is that deep fake technology is usually based off of a series of various videos or clips
|
| 345 |
+
[1553.640 --> 1558.800] to be able to capture what emotional expressions play out on that person's face during the
|
| 346 |
+
[1558.800 --> 1560.640] emotions being spoken of.
|
| 347 |
+
[1560.640 --> 1567.120] So if the person, the face replacement body is displaying a certain emotion, then the
|
| 348 |
+
[1567.120 --> 1573.040] goal of the deep fake technology is to find a similar emotion in their repertoire, their
|
| 349 |
+
[1573.040 --> 1579.080] catalog of faces from the person that's targeted and replace it over to the person that is
|
| 350 |
+
[1579.080 --> 1581.280] not actually that person.
|
| 351 |
+
[1581.280 --> 1585.960] Now the issue is is when it starts coming into this physiological side of things, the
|
| 352 |
+
[1585.960 --> 1591.600] flushing of his lips, for instance, his mouth, his lips change color from the beginning
|
| 353 |
+
[1591.600 --> 1594.880] of the video to the end of the video.
|
| 354 |
+
[1594.880 --> 1600.240] That doesn't exist in deep fake technology, at least not what's available to the consumer,
|
| 355 |
+
[1600.240 --> 1606.360] to him, perhaps in a Hollywood production film, would he be able to achieve that level
|
| 356 |
+
[1606.360 --> 1609.000] of change and finesse to the deep fake.
|
| 357 |
+
[1609.000 --> 1613.720] But with what we have for our casual consumers today, that doesn't exist.
|
| 358 |
+
[1613.720 --> 1620.420] We will maintain that same tone of skin, regardless of what exterior influence, because the source
|
| 359 |
+
[1620.420 --> 1623.640] material doesn't have that external influence.
|
| 360 |
+
[1623.640 --> 1627.800] That pushes us intensely away from deep fakes.
|
| 361 |
+
[1627.800 --> 1632.480] It's just simply not a realistic avenue as to what could be happening here.
|
| 362 |
+
[1632.480 --> 1637.400] On top of that, there are other digital artifacts that will point towards a deep fake or away
|
| 363 |
+
[1637.400 --> 1638.840] from a deep fake.
|
| 364 |
+
[1638.840 --> 1643.560] Things to look at will be eye shine to see where certain light sources come from as opposed
|
| 365 |
+
[1643.560 --> 1644.840] to where they don't.
|
| 366 |
+
[1644.840 --> 1650.160] Other aspects will be whether or not the face stays stationary while other items come in
|
| 367 |
+
[1650.160 --> 1651.360] front of the face.
|
| 368 |
+
[1651.360 --> 1656.720] If an item comes in front of a face that's being deep baked often times, that will break
|
| 369 |
+
[1656.720 --> 1657.720] the deep fake.
|
| 370 |
+
[1657.720 --> 1661.880] It will make it to where the computer can't quite figure out where those facial features
|
| 371 |
+
[1661.880 --> 1663.360] are supposed to go.
|
| 372 |
+
[1663.360 --> 1665.040] So it will fall apart lightly.
|
| 373 |
+
[1665.040 --> 1667.080] This will be made evident through pixelation.
|
| 374 |
+
[1667.080 --> 1671.520] This will be made evident through shiftiness of the features themselves and the details of
|
| 375 |
+
[1671.520 --> 1676.840] those features, not of which exist, even throughout his entire eating of a large plate of noodles.
|
| 376 |
+
[1676.840 --> 1681.480] There were so many ample opportunities for that to show up and would have shown up if
|
| 377 |
+
[1681.480 --> 1684.920] it were deep faked, but it doesn't here.
|
| 378 |
+
[1684.920 --> 1689.960] Along with that, even though the computer technology that allows you to take one pattern
|
| 379 |
+
[1689.960 --> 1695.440] of face and imprint it onto another, that doesn't translate to all the small finer movements
|
| 380 |
+
[1695.440 --> 1702.640] of muscles in the original face, unless there is an overt amount of post tweaking to that
|
| 381 |
+
[1702.640 --> 1704.040] original deep fake.
|
| 382 |
+
[1704.040 --> 1708.880] None of which has any continuity with the rest of his production value on his channel.
|
| 383 |
+
[1708.880 --> 1715.640] It's fairly straightforward, YouTube production quality, and so for him to then perhaps hire
|
| 384 |
+
[1715.640 --> 1723.360] a Hollywood studio, caliber editor, and rent out the machines that would be required
|
| 385 |
+
[1723.360 --> 1731.280] to do this intense and detailed of a deep fake all for this is extremely, extremely unlikely.
|
| 386 |
+
[1731.280 --> 1740.280] I do believe that Nick or Mr. Perry here has indeed lost the amount of weight that he did.
|
| 387 |
+
[1740.280 --> 1742.680] It's very difficult to say otherwise.
|
| 388 |
+
[1742.680 --> 1744.000] So this is a deep fake.
|
| 389 |
+
[1744.000 --> 1747.600] He has lost that weight, but there's more complexity to go.
|
| 390 |
+
[1747.600 --> 1749.680] So let's watch this.
|
| 391 |
+
[1749.680 --> 1755.040] Thanks for watching my Blackfinoodle mukbang, and I hope you enjoyed your food if you
|
| 392 |
+
[1755.040 --> 1760.240] ate with me, which you should have, because that's what mukbang is supposed to be.
|
| 393 |
+
[1760.240 --> 1765.440] That's what I was originally for, and that's what I'm trying to bring back to the internet.
|
| 394 |
+
[1765.440 --> 1767.160] And I love being a mukbanger.
|
| 395 |
+
[1767.160 --> 1768.480] I love food.
|
| 396 |
+
[1768.480 --> 1772.160] I like eating food, and I like being here.
|
| 397 |
+
[1772.160 --> 1774.160] Fascinating.
|
| 398 |
+
[1774.160 --> 1778.320] So he's a mastermind that's not doing anything mastermindful.
|
| 399 |
+
[1778.320 --> 1782.480] He started with a content and he's continuing good content with a weight loss journey in
|
| 400 |
+
[1782.480 --> 1783.880] the middle.
|
| 401 |
+
[1783.880 --> 1785.680] Evil mastermind fantastic.
|
| 402 |
+
[1785.680 --> 1790.920] While he's saying that he loves mukbang and he loves food, he looks away and he doesn't
|
| 403 |
+
[1790.920 --> 1793.440] know shake with a prolonged eye blink in there.
|
| 404 |
+
[1793.440 --> 1795.760] So that leaves me questioning to some level.
|
| 405 |
+
[1795.760 --> 1799.920] Does he actually indeed enjoy this style of content?
|
| 406 |
+
[1799.920 --> 1806.240] Is this actually what he likes to do or is this what he's found his niche as?
|
| 407 |
+
[1806.240 --> 1807.520] And so he does it.
|
| 408 |
+
[1807.520 --> 1812.720] And that to me is also still more indicative of the reality of the situation as opposed
|
| 409 |
+
[1812.720 --> 1814.960] to what he's presenting it to be.
|
| 410 |
+
[1814.960 --> 1815.960] We'll talk about it more.
|
| 411 |
+
[1815.960 --> 1816.960] Let's continue.
|
| 412 |
+
[1816.960 --> 1821.240] So let me know what you think.
|
| 413 |
+
[1821.240 --> 1823.240] I guess that's it.
|
| 414 |
+
[1823.240 --> 1824.240] Bye.
|
| 415 |
+
[1824.240 --> 1826.600] Oh, I'll see you on my other channel.
|
| 416 |
+
[1826.600 --> 1828.000] I'm going to link it.
|
| 417 |
+
[1828.000 --> 1832.240] There's another video out.
|
| 418 |
+
[1832.240 --> 1833.240] Don't miss it.
|
| 419 |
+
[1833.240 --> 1835.240] I'm going to link it down below.
|
| 420 |
+
[1835.240 --> 1836.640] I'll see you all over there.
|
| 421 |
+
[1836.640 --> 1837.480] Bye.
|
| 422 |
+
[1838.480 --> 1839.480] All right.
|
| 423 |
+
[1839.480 --> 1841.160] So that's that entire thing.
|
| 424 |
+
[1841.160 --> 1847.840] That's what the internet has been upheavals about 46 million views in three weeks.
|
| 425 |
+
[1847.840 --> 1848.840] That's a lot.
|
| 426 |
+
[1848.840 --> 1849.840] That's a lot of views.
|
| 427 |
+
[1849.840 --> 1850.840] That's a lot of attention.
|
| 428 |
+
[1850.840 --> 1851.840] That's a lot of buzz.
|
| 429 |
+
[1851.840 --> 1856.360] Congratulations again to Perry for being able to generate that amount of buzz for a fairly
|
| 430 |
+
[1856.360 --> 1858.360] mundane event.
|
| 431 |
+
[1858.360 --> 1863.160] Although big and an individual's life being able to turn your life around that way is
|
| 432 |
+
[1863.160 --> 1864.840] a big deal.
|
| 433 |
+
[1864.840 --> 1867.400] But it's not to this evil mastermind.
|
| 434 |
+
[1867.400 --> 1872.480] I have manipulated millions of people level that he's trying to present to be.
|
| 435 |
+
[1872.480 --> 1877.800] So now we're going to be looking at a different video that he released after this video trying
|
| 436 |
+
[1877.800 --> 1879.600] to counteract that video.
|
| 437 |
+
[1879.600 --> 1881.120] And yeah, let's just watch.
|
| 438 |
+
[1881.120 --> 1882.960] Don't have good news to share with you today.
|
| 439 |
+
[1882.960 --> 1883.960] I'm actually really triggered.
|
| 440 |
+
[1883.960 --> 1884.960] I made a YouTube video.
|
| 441 |
+
[1884.960 --> 1888.760] I say, I want you steps ahead.
|
| 442 |
+
[1888.760 --> 1890.560] My whole life is pre-meditated.
|
| 443 |
+
[1890.560 --> 1891.560] It's toutful of shit.
|
| 444 |
+
[1891.560 --> 1892.560] It's a manipulative.
|
| 445 |
+
[1892.600 --> 1894.560] My life hasn't been a social experiment.
|
| 446 |
+
[1894.560 --> 1895.880] Jokes on you.
|
| 447 |
+
[1895.880 --> 1897.480] I'm actually really smart.
|
| 448 |
+
[1897.480 --> 1900.560] And what was the result of that video?
|
| 449 |
+
[1900.560 --> 1904.600] Millions of people believed it.
|
| 450 |
+
[1904.600 --> 1907.080] Y'all have the IQs of a bag of rocks.
|
| 451 |
+
[1907.080 --> 1910.800] I can literally dye my hair blue and say it's always been blue and half y'all will believe
|
| 452 |
+
[1910.800 --> 1911.800] it.
|
| 453 |
+
[1911.800 --> 1914.840] Yes, because I just acted gaining 250 pounds.
|
| 454 |
+
[1914.840 --> 1919.920] Who in their right mind does a social experiment gaining 250 pounds for five years
|
| 455 |
+
[1919.920 --> 1920.920] of the road?
|
| 456 |
+
[1920.920 --> 1924.040] Y'all are so stupid.
|
| 457 |
+
[1924.040 --> 1926.640] We've all been played by this evil genius.
|
| 458 |
+
[1926.640 --> 1927.640] Oh my god.
|
| 459 |
+
[1927.640 --> 1930.880] I literally typed up a Batman monologue and read it.
|
| 460 |
+
[1930.880 --> 1933.120] I'm scared for society actually.
|
| 461 |
+
[1933.120 --> 1934.640] Don't believe everything you're told.
|
| 462 |
+
[1934.640 --> 1936.040] It cleared from me.
|
| 463 |
+
[1936.040 --> 1938.360] And yet y'all bleed it.
|
| 464 |
+
[1938.360 --> 1940.400] That's actually scary.
|
| 465 |
+
[1940.400 --> 1941.400] Yeah.
|
| 466 |
+
[1941.400 --> 1942.400] Okay.
|
| 467 |
+
[1942.400 --> 1943.400] All right.
|
| 468 |
+
[1943.400 --> 1946.920] So with this, this was obviously again in his timeline of things.
|
| 469 |
+
[1946.920 --> 1950.960] He's presenting this as being recorded after his reveal.
|
| 470 |
+
[1950.960 --> 1955.160] Now the issues that I have immediately with this one, nonverbaly speaking and verbally
|
| 471 |
+
[1955.160 --> 1961.560] speaking, he's very much nestled into his caricature of Nekikado, avocado, the very verbose,
|
| 472 |
+
[1961.560 --> 1964.240] overt hands, everything like that.
|
| 473 |
+
[1964.240 --> 1966.680] Very projected blah, blah, blah.
|
| 474 |
+
[1966.680 --> 1970.160] That's going to muddy the nonverbal waters, so to speak.
|
| 475 |
+
[1970.160 --> 1975.680] But what I like to be able to immediately call attention to is the quality of the camera
|
| 476 |
+
[1975.680 --> 1977.160] that he's shooting on.
|
| 477 |
+
[1977.160 --> 1982.200] It is obviously an older camera than the camera that he shot his reveal on.
|
| 478 |
+
[1982.200 --> 1986.040] You could tell that through just the quality alone.
|
| 479 |
+
[1986.040 --> 1988.400] There's less artifacting in the newer one.
|
| 480 |
+
[1988.400 --> 1992.280] There is more artifacting in this one.
|
| 481 |
+
[1992.280 --> 1999.160] So to me, that makes it extremely clear that this was recorded prior and that he then
|
| 482 |
+
[1999.160 --> 2002.960] released it afterwards to just add more buzz around this.
|
| 483 |
+
[2002.960 --> 2006.760] All that it took was a level of pre-planning of things.
|
| 484 |
+
[2006.760 --> 2009.520] So with that, that does let us know.
|
| 485 |
+
[2009.520 --> 2015.760] He did pre-plan this at least to an extent, perhaps not to the full two years that he's
|
| 486 |
+
[2015.760 --> 2021.120] saying, but he did pre-plan this enough to be able to release this video.
|
| 487 |
+
[2021.120 --> 2027.360] Now the fact that the big release reveal video was extremely scripted, that also supports
|
| 488 |
+
[2027.360 --> 2032.760] that theory, so to speak, is that he knew he was going to do this release.
|
| 489 |
+
[2032.760 --> 2036.160] And so he was able to plan it out on some level.
|
| 490 |
+
[2036.160 --> 2038.360] It's a cool concept for a YouTube video.
|
| 491 |
+
[2038.360 --> 2044.080] It obviously drummed up a lot of buzz across the internet for this reveal side of things,
|
| 492 |
+
[2044.080 --> 2046.520] but it's also far from unrealistic.
|
| 493 |
+
[2046.520 --> 2053.240] Along with that, he had a very large five month, roughly five month break from his most
|
| 494 |
+
[2053.240 --> 2056.400] recent upload to this big reveal.
|
| 495 |
+
[2056.400 --> 2059.720] So there's a large portion of time that he was not present.
|
| 496 |
+
[2059.720 --> 2063.560] And during that time, a person can lose a dramatic amount of weight.
|
| 497 |
+
[2063.560 --> 2068.880] Now whether or not it's healthily done or unhealthily done is not the purpose of this video.
|
| 498 |
+
[2068.880 --> 2074.040] But it is fully possible to do, be it unhealthily or healthily.
|
| 499 |
+
[2074.040 --> 2080.840] So even with that in mind, we're starting to have some clarity with this entire situation.
|
| 500 |
+
[2080.840 --> 2086.080] This clip that we just watched is 100% simply a red herring.
|
| 501 |
+
[2086.080 --> 2088.520] Now we're onto this last little clip here.
|
| 502 |
+
[2088.520 --> 2091.920] We'll watch it, see what we see, and then we'll talk about some that aren't mentioned
|
| 503 |
+
[2091.920 --> 2093.920] or shown here in the video.
|
| 504 |
+
[2093.920 --> 2095.400] Anyway, let's continue.
|
| 505 |
+
[2095.400 --> 2099.120] Yes, it's really me.
|
| 506 |
+
[2099.120 --> 2101.600] I am not AI.
|
| 507 |
+
[2101.600 --> 2104.200] I am not a clone.
|
| 508 |
+
[2104.200 --> 2106.720] I am a real person.
|
| 509 |
+
[2106.720 --> 2108.240] And it's me.
|
| 510 |
+
[2108.240 --> 2116.880] There are currently people taking my Instagram stories or my Twitter posts pretending to be me.
|
| 511 |
+
[2116.880 --> 2120.680] Anything you hear from them is not me.
|
| 512 |
+
[2120.680 --> 2126.240] I've had a lot of feedback over the past couple of days.
|
| 513 |
+
[2126.240 --> 2131.840] I would like to know how I can prove to you that I'm real.
|
| 514 |
+
[2131.840 --> 2141.000] There are currently news agencies publishing articles about me being an artificial intelligence.
|
| 515 |
+
[2141.000 --> 2148.440] There's a video on tip talk with 15 million views saying that I am not real.
|
| 516 |
+
[2148.440 --> 2153.240] How can I prove to you that I am real?
|
| 517 |
+
[2153.240 --> 2157.840] What do you need?
|
| 518 |
+
[2157.840 --> 2159.240] That's the end of that clip.
|
| 519 |
+
[2159.240 --> 2164.800] So again, speaking of the technology of deep fake, the fact that he is, I don't know why
|
| 520 |
+
[2164.800 --> 2168.200] he recorded this in a shower and released it that way.
|
| 521 |
+
[2168.200 --> 2170.640] But it looks as if he has been in a shower.
|
| 522 |
+
[2170.640 --> 2177.080] His face is wet again, unless the source material has a level of that external influence
|
| 523 |
+
[2177.080 --> 2183.640] on their frames, then the frames that are being generated are not going to have that interaction
|
| 524 |
+
[2183.640 --> 2185.200] with things like moisture.
|
| 525 |
+
[2185.200 --> 2189.160] So the fact that you could see on the end of his nose, the water is moving around as he's
|
| 526 |
+
[2189.160 --> 2193.120] moving, you could see a little drip of it, go down his face, things like that all push
|
| 527 |
+
[2193.200 --> 2198.960] me deeply and intensely away from the fact that it could possibly be a deep fake.
|
| 528 |
+
[2198.960 --> 2203.920] Other things that back this idea, this concept of him actually having lost the weight is
|
| 529 |
+
[2203.920 --> 2210.600] that he has presented videos of him doing current day, trending TikTok dances.
|
| 530 |
+
[2210.600 --> 2212.760] And even in those, he's saying, oh, it's fake.
|
| 531 |
+
[2212.760 --> 2214.160] Look around the edges.
|
| 532 |
+
[2214.160 --> 2217.080] If you look around the edges, no, it's not fake.
|
| 533 |
+
[2217.080 --> 2219.680] It's very, very clearly real.
|
| 534 |
+
[2219.680 --> 2223.040] And even within the artifacting again of his face, it's all
|
| 535 |
+
[2223.040 --> 2225.600] consistent and it is genuine.
|
| 536 |
+
[2225.600 --> 2228.880] I do believe he lost the weight not only because of what we've seen here, but because
|
| 537 |
+
[2228.880 --> 2235.440] of also one of the biggest factors for it is his cameo, which those of you who do not
|
| 538 |
+
[2235.440 --> 2239.800] know cameo is more or less you can pay famous people or well-known people or just people
|
| 539 |
+
[2239.800 --> 2243.440] that you want to be able to say a specific thing about a specific thing.
|
| 540 |
+
[2243.440 --> 2248.080] A lot of the times it will be used like, hey, I want to pay XYZ to say happy birthday
|
| 541 |
+
[2248.080 --> 2250.680] to either myself or my friend.
|
| 542 |
+
[2250.680 --> 2251.680] What have you?
|
| 543 |
+
[2251.680 --> 2254.240] A really common scenario that's used for cameo.
|
| 544 |
+
[2254.240 --> 2259.560] His cameo shows him regularly losing weight over the past few months.
|
| 545 |
+
[2259.560 --> 2262.320] And again, he took a five month break.
|
| 546 |
+
[2262.320 --> 2267.320] So for me, what I'm left with this, especially after observing his nonverbal communication
|
| 547 |
+
[2267.320 --> 2272.440] and comparing some of the physiological things that can't be controlled via deep fake technology,
|
| 548 |
+
[2272.440 --> 2277.760] I'm not even addressing AI because AI video generation is so far behind what this would
|
| 549 |
+
[2277.760 --> 2280.360] have been that it's not even in question.
|
| 550 |
+
[2280.360 --> 2282.720] You just go and look around and dig around.
|
| 551 |
+
[2282.720 --> 2288.960] You'll see very quickly while powerful and becoming better, steadily better.
|
| 552 |
+
[2288.960 --> 2295.880] AI video generation is lacking dramatically when it comes to continuous long clips and
|
| 553 |
+
[2295.880 --> 2298.840] keeping that continuity throughout the clips.
|
| 554 |
+
[2298.840 --> 2300.320] It's not AI.
|
| 555 |
+
[2300.320 --> 2301.480] That's not even an argument.
|
| 556 |
+
[2301.480 --> 2304.880] It's not deep fake because of the smaller things that we're seeing.
|
| 557 |
+
[2304.880 --> 2309.200] And it's all extremely over dramatic size, as we saw in our verbally speaking, what that
|
| 558 |
+
[2309.200 --> 2311.720] leaves me to believe.
|
| 559 |
+
[2311.720 --> 2316.760] It feels like perhaps he did have a dramatic loss of weight.
|
| 560 |
+
[2316.760 --> 2320.760] And that could have been medically induced, that could have been dietarily induced, it
|
| 561 |
+
[2320.760 --> 2322.600] could have been a combo.
|
| 562 |
+
[2322.600 --> 2323.600] What have you?
|
| 563 |
+
[2323.600 --> 2324.600] We're not sure.
|
| 564 |
+
[2324.600 --> 2329.040] That's the limit of his masterminding is that he knows how he lost the weight.
|
| 565 |
+
[2329.040 --> 2331.080] We don't really know how he lost the weight.
|
| 566 |
+
[2331.080 --> 2333.040] We're all just happy for him.
|
| 567 |
+
[2333.040 --> 2334.040] Kudos.
|
| 568 |
+
[2334.040 --> 2336.880] What seems more realistic to me is that he has lost the weight.
|
| 569 |
+
[2336.880 --> 2342.240] He had this specific journey of being Nicocato Avocado, the muckbonger who did extreme muckbongs
|
| 570 |
+
[2342.240 --> 2343.880] in various ways.
|
| 571 |
+
[2343.880 --> 2349.920] And now he's lost this weight and he's saying that he's this mastermind social, experimenter,
|
| 572 |
+
[2349.920 --> 2351.080] side of things.
|
| 573 |
+
[2351.080 --> 2353.840] To me, it sounds like a very basic rebrand.
|
| 574 |
+
[2353.840 --> 2358.360] New him, new content, new era of Nicocato Avocado.
|
| 575 |
+
[2358.360 --> 2359.760] So that's what my thoughts are.
|
| 576 |
+
[2359.760 --> 2363.320] Let me know yours in the comments of this video, especially if you know any other clips
|
| 577 |
+
[2363.320 --> 2366.440] that help add some clarity to the situation.
|
| 578 |
+
[2366.440 --> 2368.040] Perhaps I've missed something.
|
| 579 |
+
[2368.040 --> 2372.760] Perhaps there's some sort of AI technology that I just don't know about.
|
| 580 |
+
[2372.760 --> 2375.800] Perhaps there's some deep fake technology that I just don't know about.
|
| 581 |
+
[2375.800 --> 2379.480] It doesn't stick with his quality that he has ever had on his channel before.
|
| 582 |
+
[2379.480 --> 2381.400] I don't foresee that changing here.
|
| 583 |
+
[2381.400 --> 2382.600] Maybe that's it.
|
| 584 |
+
[2382.600 --> 2387.400] Maybe his new masterminds change over is that he's going to show us how to do round
|
| 585 |
+
[2387.400 --> 2389.120] breaking visual effects.
|
| 586 |
+
[2389.120 --> 2391.600] Doubt it, but perhaps.
|
| 587 |
+
[2391.600 --> 2393.280] So again, let me know your thoughts.
|
| 588 |
+
[2393.280 --> 2394.760] Thank you for watching this video.
|
| 589 |
+
[2394.760 --> 2398.920] Please go check out Pia in the description of this video, but without further ado, that's
|
| 590 |
+
[2398.920 --> 2399.920] all I've got for the day.
|
| 591 |
+
[2399.920 --> 2403.360] My name is Logan and you have been also awesome as you always are.
|
| 592 |
+
[2403.360 --> 2404.360] And I will see you in the next video.
|
| 593 |
+
[2404.360 --> 2405.360] Cheers guys.
|
transcript/reaction_psV3e7bqmm8.txt
ADDED
|
@@ -0,0 +1,78 @@
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|
| 1 |
+
[0.000 --> 5.680] Katie Vance and Tim Wells were on center stage as they debated policy and which of their
|
| 2 |
+
[5.680 --> 8.480] running mates should take over as president.
|
| 3 |
+
[8.480 --> 13.160] It was notably more civil than the debate between former president Trump and vice president
|
| 4 |
+
[13.160 --> 14.680] Kamala Harris for sure.
|
| 5 |
+
[14.680 --> 15.680] Let's give right to good days.
|
| 6 |
+
[15.680 --> 18.680] Robert Moses, he joins us in studio with the highlights and Robert their job was not
|
| 7 |
+
[18.680 --> 20.840] to make any waves and they did just that.
|
| 8 |
+
[20.840 --> 21.840] No fireworks in this debate.
|
| 9 |
+
[21.840 --> 22.840] That's right.
|
| 10 |
+
[22.840 --> 24.200] Toshani and Dan Good morning to you.
|
| 11 |
+
[24.200 --> 27.520] Each candidate had to answer for past comments.
|
| 12 |
+
[27.520 --> 33.360] For instance, JD Vance says he does not favor a national abortion ban, even though he
|
| 13 |
+
[33.360 --> 36.200] has voiced support for one in the past.
|
| 14 |
+
[36.200 --> 41.720] And Tim Wells called himself a, quote, knucklehead for some gaffs he has made.
|
| 15 |
+
[41.720 --> 45.600] All the while though, if you can believe it, the candidates were fairly kind to each
|
| 16 |
+
[45.600 --> 46.600] other.
|
| 17 |
+
[46.600 --> 49.800] Did he lose the 2020 election?
|
| 18 |
+
[49.800 --> 51.840] Tim, I'm focused on the future.
|
| 19 |
+
[51.840 --> 57.400] Did Kamala Harris censor Americans from speaking their mind and the wake of the 2020
|
| 20 |
+
[57.400 --> 58.400] COVID situation?
|
| 21 |
+
[58.400 --> 60.400] That is a damning nonanswer.
|
| 22 |
+
[60.400 --> 66.360] That's about as contentious as things got between Ohio Senator JD Vance and Minnesota
|
| 23 |
+
[66.360 --> 69.520] governor Tim Wells last night during the CBS debate.
|
| 24 |
+
[69.520 --> 74.400] Civility largely ruled as the two men sparred less about each other and more about their
|
| 25 |
+
[74.400 --> 75.400] running mates.
|
| 26 |
+
[75.400 --> 79.240] Honestly, Tim, I think you got a tough job here because you've got to play whack a mole.
|
| 27 |
+
[79.240 --> 83.240] You've got to pretend that Donald Trump didn't deliver rising take home pay, which of course
|
| 28 |
+
[83.240 --> 84.240] he did.
|
| 29 |
+
[84.240 --> 89.240] And then you simultaneously got to defend Kamala Harris's atrocious economic record.
|
| 30 |
+
[89.240 --> 92.240] A nearly 80-year-old Donald Trump talking about crowd sizes is not what we need in this
|
| 31 |
+
[92.240 --> 93.240] moment.
|
| 32 |
+
[93.240 --> 98.240] Wells criticized Vance for his debunked claims about Haitian immigrants in Springfield, Ohio,
|
| 33 |
+
[98.240 --> 99.240] eating pets.
|
| 34 |
+
[99.240 --> 104.240] But the Minnesota governor again reserved most of his eye for former president Donald Trump.
|
| 35 |
+
[104.240 --> 110.240] I believe Senator Vance wants to solve this, but by standing with Donald Trump and
|
| 36 |
+
[110.240 --> 115.240] not working together to find a solution, it becomes a talking point.
|
| 37 |
+
[115.240 --> 120.240] And when it becomes a talking point like this, we dehumanize and villainize other human beings.
|
| 38 |
+
[120.240 --> 125.240] Vance similarly laid the blame for the nation's immigration problems not at Walz's feet,
|
| 39 |
+
[125.240 --> 127.240] but at Vice President Kamala Harris's.
|
| 40 |
+
[127.240 --> 131.240] I think you want to solve this problem, but I don't think that Kamala Harris does.
|
| 41 |
+
[131.240 --> 137.240] The immigration exchange led to the only instance of CBS opting to turn off the candidate's
|
| 42 |
+
[137.240 --> 138.240] microphones.
|
| 43 |
+
[138.240 --> 139.240] We want to have...
|
| 44 |
+
[139.240 --> 143.240] The candidate's voice contrasting views on abortion.
|
| 45 |
+
[143.240 --> 147.240] Let the individual states make their abortion policy.
|
| 46 |
+
[147.240 --> 155.240] How can we, as a nation, say that your life and your rights as basic as the right to control your own body is determined on
|
| 47 |
+
[155.240 --> 156.240] geography.
|
| 48 |
+
[156.240 --> 160.240] Both men expressed a desire to take back some of what they have said.
|
| 49 |
+
[160.240 --> 164.240] Vance says he regrets calling his running mate, America's Hitler.
|
| 50 |
+
[164.240 --> 166.240] I was wrong about Donald Trump.
|
| 51 |
+
[166.240 --> 172.240] And Walz acknowledged traveling to China not during the 1989 Tiananmen Square massacre,
|
| 52 |
+
[172.240 --> 174.240] but only later that summer.
|
| 53 |
+
[174.240 --> 178.240] And Walz acknowledged traveling to China not during the 1989 Tiananmen Square massacre,
|
| 54 |
+
[178.240 --> 180.240] but only later that summer.
|
| 55 |
+
[180.240 --> 181.240] I'm a knucklehead at times.
|
| 56 |
+
[181.240 --> 186.240] During a discussion about guns, Walz revealed that his son witnessed a shooting at a community center.
|
| 57 |
+
[186.240 --> 189.240] I didn't know that your 17-year-old witnessed a shooting.
|
| 58 |
+
[189.240 --> 190.240] I'm sorry about that.
|
| 59 |
+
[190.240 --> 191.240] I appreciate your answer.
|
| 60 |
+
[191.240 --> 192.240] I'm Chris Timmercy.
|
| 61 |
+
[192.240 --> 198.240] After the debate ended, the candidates and their wives lingered on stage, speaking, and shaking hands.
|
| 62 |
+
[198.240 --> 200.240] I think there was a lot of commonality here.
|
| 63 |
+
[200.240 --> 202.240] And I'm sympathetic to misspeaking on things.
|
| 64 |
+
[202.240 --> 203.240] And I think I might have...
|
| 65 |
+
[203.240 --> 204.240] With the...
|
| 66 |
+
[204.240 --> 205.240] With the...
|
| 67 |
+
[205.240 --> 206.240] I think I'm...
|
| 68 |
+
[206.240 --> 208.240] I'm sympathetic to misspeaking on things.
|
| 69 |
+
[208.240 --> 209.240] And I think I might have...
|
| 70 |
+
[209.240 --> 210.240] With the center.
|
| 71 |
+
[210.240 --> 212.240] But the two may have just won.
|
| 72 |
+
[212.240 --> 217.240] So this was the one and only vice presidential debate.
|
| 73 |
+
[217.240 --> 222.240] As for the top of the ticket, well, vice president Harris wants to have another debate with former president Trump,
|
| 74 |
+
[222.240 --> 224.240] but so far he has resisted.
|
| 75 |
+
[224.240 --> 226.240] Dan and Toshani back to you.
|
| 76 |
+
[226.240 --> 228.240] It was nice to see civility back.
|
| 77 |
+
[228.240 --> 229.240] Thank you.
|
| 78 |
+
[229.240 --> 230.240] Thanks, Robert.
|
transcript/reaction_q5p45hRPS-Y.txt
ADDED
|
@@ -0,0 +1,346 @@
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|
| 1 |
+
[0.000 --> 4.080] Now Scott, you watched tonight's debate really closely.
|
| 2 |
+
[4.080 --> 8.720] What was your general feeling about the two candidates
|
| 3 |
+
[8.720 --> 11.080] in terms of their preparedness, their composure,
|
| 4 |
+
[11.080 --> 13.800] and how well you think they connected with the viewer?
|
| 5 |
+
[13.800 --> 17.320] We saw opposites, polar opposites.
|
| 6 |
+
[17.320 --> 19.160] Somebody, they were both prepared,
|
| 7 |
+
[19.160 --> 25.320] but one is not as good at being a debater as the other.
|
| 8 |
+
[25.320 --> 26.280] Not as relaxed.
|
| 9 |
+
[26.280 --> 27.320] OK, hold on.
|
| 10 |
+
[27.320 --> 29.680] Which one do you think he's talking about?
|
| 11 |
+
[29.680 --> 34.080] He says one of them is not as a relaxed debater as the other.
|
| 12 |
+
[34.080 --> 36.120] So you think one is more skilled at debating.
|
| 13 |
+
[36.120 --> 37.000] Oh, very much.
|
| 14 |
+
[37.000 --> 41.600] And how many of you think that's JD Vance?
|
| 15 |
+
[41.600 --> 42.760] How many of you think now?
|
| 16 |
+
[42.760 --> 46.040] He's talking about walls.
|
| 17 |
+
[46.040 --> 48.720] Just you?
|
| 18 |
+
[48.720 --> 51.800] All right, see, what am I going to do with you?
|
| 19 |
+
[51.800 --> 52.800] All right.
|
| 20 |
+
[52.800 --> 56.880] So who is the more experienced and relaxed debater?
|
| 21 |
+
[56.880 --> 58.240] JD Vance.
|
| 22 |
+
[58.240 --> 59.360] Very smooth movements.
|
| 23 |
+
[59.360 --> 61.000] His illustrators, when we illustrate,
|
| 24 |
+
[61.000 --> 63.720] that's how your brain emphasizes specific words and phrases,
|
| 25 |
+
[63.720 --> 66.400] like I did just in, specific words and phrases.
|
| 26 |
+
[66.400 --> 68.560] And when he makes his illustrators
|
| 27 |
+
[68.560 --> 70.040] or right on the money, right on time,
|
| 28 |
+
[70.040 --> 72.280] and when they go away, they go away slowly,
|
| 29 |
+
[72.280 --> 73.680] they're very smooth.
|
| 30 |
+
[73.680 --> 77.680] Whereas you look at walls, here's very fast and very, very quick.
|
| 31 |
+
[77.680 --> 80.200] And his arms stay close to his torso.
|
| 32 |
+
[80.200 --> 81.880] What does that mean to you?
|
| 33 |
+
[81.880 --> 86.800] To me, when I'm looking at a behavior that is trying to satisfy somebody's
|
| 34 |
+
[86.800 --> 91.800] being, if they're open or confident and you see this,
|
| 35 |
+
[91.800 --> 93.240] that's not good.
|
| 36 |
+
[93.240 --> 95.240] OK, because they're tucking in for protection.
|
| 37 |
+
[95.240 --> 96.480] Yeah, they're tucking in for protection.
|
| 38 |
+
[96.480 --> 97.640] They're in here.
|
| 39 |
+
[97.640 --> 103.600] And Vance has given a lot more interviews
|
| 40 |
+
[103.600 --> 106.080] than walls and Harris combined.
|
| 41 |
+
[106.080 --> 110.000] So maybe he's gotten a little more comfortable under fire.
|
| 42 |
+
[110.000 --> 110.960] Sure looks it.
|
| 43 |
+
[110.960 --> 112.120] Sure looks.
|
| 44 |
+
[112.120 --> 114.440] Do you think it helped him get his message across?
|
| 45 |
+
[114.440 --> 115.720] Very much so.
|
| 46 |
+
[115.720 --> 117.600] We're seeing a couple of spots we'll talk about.
|
| 47 |
+
[117.600 --> 119.400] OK, you want to show us what they are?
|
| 48 |
+
[119.400 --> 120.200] Yeah.
|
| 49 |
+
[120.200 --> 121.200] All right, let's go.
|
| 50 |
+
[121.200 --> 122.200] You want to go over to the screen here?
|
| 51 |
+
[122.200 --> 123.200] Yeah, let's take a look.
|
| 52 |
+
[123.200 --> 124.280] All right, show us what you got.
|
| 53 |
+
[124.280 --> 125.880] All righty.
|
| 54 |
+
[125.880 --> 126.480] OK.
|
| 55 |
+
[126.480 --> 127.200] See what this found?
|
| 56 |
+
[127.200 --> 134.400] This is Vance, where you say he does come across as confident here.
|
| 57 |
+
[134.400 --> 138.080] Does that mean he's telling these more believing what he's saying?
|
| 58 |
+
[138.080 --> 139.280] Yo, yes.
|
| 59 |
+
[139.280 --> 141.200] This is someone who is a true believer.
|
| 60 |
+
[141.200 --> 145.400] Who believes in what he's saying, being completely honest with what he's saying,
|
| 61 |
+
[145.400 --> 147.800] nothing to hide, nothing to hide it on.
|
| 62 |
+
[147.800 --> 149.000] And what are we looking for?
|
| 63 |
+
[149.000 --> 151.480] So what we're going to look for, we'll look for the head tilt
|
| 64 |
+
[151.480 --> 154.160] as this section right in here of his head.
|
| 65 |
+
[154.160 --> 154.920] We'll look at that.
|
| 66 |
+
[154.920 --> 157.120] We'll say, OK, well, what's happening?
|
| 67 |
+
[157.120 --> 158.840] As he's talking, it looks like he's listening.
|
| 68 |
+
[158.840 --> 160.400] When he listens, our head tells a little bit
|
| 69 |
+
[160.400 --> 162.280] and that right ear comes forward a little bit.
|
| 70 |
+
[162.280 --> 166.640] When he's looking at walls, what we're seeing here,
|
| 71 |
+
[166.640 --> 169.720] we're seeing this begins panic almost
|
| 72 |
+
[169.720 --> 171.040] because he doesn't know what to say.
|
| 73 |
+
[171.040 --> 172.440] See how he backs up there?
|
| 74 |
+
[172.440 --> 175.160] And he's thinking this is called the grief muscle.
|
| 75 |
+
[175.160 --> 179.960] Right in that area there, that's a horseshoe style.
|
| 76 |
+
[179.960 --> 183.240] When your forehand comes together and upside down horseshoe,
|
| 77 |
+
[183.240 --> 184.640] that's the grief muscle.
|
| 78 |
+
[184.640 --> 189.040] He's not sure where it is, right there, perfect.
|
| 79 |
+
[189.040 --> 191.360] So when you say grief muscle, what are you saying
|
| 80 |
+
[191.360 --> 193.360] that he's saying to himself right now?
|
| 81 |
+
[193.360 --> 194.280] He's worried.
|
| 82 |
+
[194.280 --> 195.120] He's a little panic.
|
| 83 |
+
[195.120 --> 197.560] And he doesn't know what's going to happen next.
|
| 84 |
+
[197.560 --> 199.480] He's got the idea of what he wants to say.
|
| 85 |
+
[199.480 --> 201.560] He doesn't know exactly what he's going to say.
|
| 86 |
+
[201.560 --> 202.060] OK.
|
| 87 |
+
[202.060 --> 203.040] He has the concept.
|
| 88 |
+
[203.040 --> 205.040] He's not, doesn't have it down yet.
|
| 89 |
+
[205.120 --> 206.120] OK.
|
| 90 |
+
[206.120 --> 208.200] And it's bling great because you're always fascinating
|
| 91 |
+
[208.200 --> 209.240] with bling great.
|
| 92 |
+
[209.240 --> 213.120] Let's check out Vance's bling great compared to
|
| 93 |
+
[213.120 --> 213.960] Walsers Blink great.
|
| 94 |
+
[213.960 --> 215.920] Is this in cut clip 2?
|
| 95 |
+
[215.920 --> 216.560] Oh sure.
|
| 96 |
+
[216.560 --> 217.080] Blink great.
|
| 97 |
+
[217.080 --> 218.040] Is this where you're looking now?
|
| 98 |
+
[218.040 --> 219.600] Yes.
|
| 99 |
+
[219.600 --> 222.200] Here, this is up for him because as you think in,
|
| 100 |
+
[222.200 --> 223.640] your eyes will blink.
|
| 101 |
+
[223.640 --> 226.280] But as your stress goes up, people blink
|
| 102 |
+
[226.280 --> 229.680] anywhere from 15, 20 times a minute.
|
| 103 |
+
[229.680 --> 232.480] And here we're seeing that's about right for here.
|
| 104 |
+
[232.480 --> 235.320] But that's about right for his bling great.
|
| 105 |
+
[235.320 --> 237.160] And over here, he's not even talking.
|
| 106 |
+
[237.160 --> 237.640] And we'll see.
|
| 107 |
+
[237.640 --> 238.440] He's bling great.
|
| 108 |
+
[238.440 --> 240.880] Skyrocketing just a couple of seconds there.
|
| 109 |
+
[240.880 --> 242.120] So keep it on that.
|
| 110 |
+
[242.120 --> 243.720] But the same time here, the illustrators
|
| 111 |
+
[243.720 --> 245.200] I've been telling you about.
|
| 112 |
+
[245.200 --> 247.000] He doesn't do anything unique.
|
| 113 |
+
[247.000 --> 249.480] And these are all classics that a lot of people do.
|
| 114 |
+
[249.480 --> 251.640] So he hasn't been out rehearsing what,
|
| 115 |
+
[251.640 --> 252.560] which ones to use.
|
| 116 |
+
[252.560 --> 254.880] He uses the classics, this one, the karate chop,
|
| 117 |
+
[254.880 --> 256.600] and the framing stuff.
|
| 118 |
+
[256.600 --> 257.840] So everything there is fine.
|
| 119 |
+
[257.840 --> 259.560] And everything lands on the money.
|
| 120 |
+
[259.560 --> 261.840] When he's, the words he's emphasizing,
|
| 121 |
+
[261.840 --> 263.320] those hit on those words.
|
| 122 |
+
[263.320 --> 264.520] And that's really important.
|
| 123 |
+
[264.520 --> 265.040] OK.
|
| 124 |
+
[265.040 --> 266.480] Now we want to see the blink right here.
|
| 125 |
+
[266.480 --> 268.200] Can we roll this back just a little bit?
|
| 126 |
+
[268.200 --> 270.000] Or is it still to come on this?
|
| 127 |
+
[270.000 --> 270.600] OK.
|
| 128 |
+
[270.600 --> 272.200] All right, here we go.
|
| 129 |
+
[272.200 --> 272.560] All right.
|
| 130 |
+
[272.560 --> 275.280] So when you see a high blink rate,
|
| 131 |
+
[275.280 --> 277.080] mean somebody's under a lot of stress.
|
| 132 |
+
[277.080 --> 278.120] Right, a lot of stress.
|
| 133 |
+
[278.120 --> 280.800] Unless you see them, unless they're fearful,
|
| 134 |
+
[280.800 --> 282.000] where we see some of that as well.
|
| 135 |
+
[282.000 --> 283.040] His eyes are wide.
|
| 136 |
+
[283.040 --> 286.040] And notice how slow his eyes blink right there.
|
| 137 |
+
[286.040 --> 288.000] Because that's, we call that shutter speed.
|
| 138 |
+
[288.000 --> 289.960] You're hearing something or seeing something
|
| 139 |
+
[289.960 --> 292.440] that you don't agree with or don't want to hear or see.
|
| 140 |
+
[292.440 --> 294.560] We call it eye blocking as well.
|
| 141 |
+
[294.560 --> 296.120] But that's what we're seeing in his eyes blink really,
|
| 142 |
+
[296.120 --> 297.000] really slowly.
|
| 143 |
+
[297.000 --> 298.240] So this is fear here.
|
| 144 |
+
[298.240 --> 301.200] It must be in the clip I'm talking about, where his speed up.
|
| 145 |
+
[301.200 --> 304.040] Yeah, well, no, I see the fear that you're talking about here.
|
| 146 |
+
[304.040 --> 305.360] Grief muscle, the whole thing.
|
| 147 |
+
[305.360 --> 307.000] Yeah, people think when they're lying,
|
| 148 |
+
[307.000 --> 308.440] they won't look at you in the eye.
|
| 149 |
+
[308.440 --> 312.680] Sometimes they just stare at you like a dead trout.
|
| 150 |
+
[312.680 --> 315.400] So they're afraid to look away.
|
| 151 |
+
[315.400 --> 317.040] Let's talk about the next one.
|
| 152 |
+
[317.040 --> 317.840] All right.
|
| 153 |
+
[317.840 --> 318.880] This is the third one.
|
| 154 |
+
[318.880 --> 324.200] And this is a clip where Governor Walz and Scott says he's
|
| 155 |
+
[324.200 --> 325.440] being deceptive.
|
| 156 |
+
[325.440 --> 325.920] Yes.
|
| 157 |
+
[325.920 --> 329.560] At the end, we're going to see what, as he says this phrase,
|
| 158 |
+
[329.560 --> 332.200] he says, people are getting what they need.
|
| 159 |
+
[332.200 --> 333.280] That's the last thing he says.
|
| 160 |
+
[333.280 --> 336.360] So when he does that, you'll see this left shoulder go up
|
| 161 |
+
[336.360 --> 337.440] right there.
|
| 162 |
+
[337.440 --> 339.400] You'll see his left shoulder go up.
|
| 163 |
+
[339.400 --> 342.280] And you'll see that chin point toward his shoulder.
|
| 164 |
+
[342.280 --> 344.240] So that's what's going to happen when he does that.
|
| 165 |
+
[344.240 --> 345.640] There it is, right there.
|
| 166 |
+
[345.640 --> 349.680] Now, there are no scientific studies that show
|
| 167 |
+
[349.680 --> 351.000] that that means you're being deceptive.
|
| 168 |
+
[351.000 --> 351.680] There are none.
|
| 169 |
+
[351.680 --> 353.240] Because when I train law enforcement,
|
| 170 |
+
[353.240 --> 355.360] the military have to tell them from the studies
|
| 171 |
+
[355.360 --> 355.960] of what I know.
|
| 172 |
+
[355.960 --> 357.120] So I don't give them some information
|
| 173 |
+
[357.120 --> 358.240] that might get them killed because I
|
| 174 |
+
[358.240 --> 360.440] feel I can something that's important.
|
| 175 |
+
[360.440 --> 361.600] There are no studies that show that.
|
| 176 |
+
[361.600 --> 364.440] However, every time I've ever seen it,
|
| 177 |
+
[364.440 --> 367.160] and a couple FBI agents that I know have seen that,
|
| 178 |
+
[367.160 --> 368.560] that's how we start talking about it,
|
| 179 |
+
[368.560 --> 371.680] that has always been a deceptive cue.
|
| 180 |
+
[371.680 --> 373.480] That has always been being deceptive.
|
| 181 |
+
[373.480 --> 374.920] When you see that, shoulder come up
|
| 182 |
+
[374.920 --> 376.640] and the chin go toward the shoulder.
|
| 183 |
+
[376.640 --> 378.960] So what this tells me here is he doesn't believe
|
| 184 |
+
[378.960 --> 379.800] what he's saying there.
|
| 185 |
+
[379.800 --> 382.400] He knows that's not true, or he knows it himself
|
| 186 |
+
[382.400 --> 383.800] doesn't believe it to be true.
|
| 187 |
+
[383.800 --> 385.160] So that's what we're seeing there.
|
| 188 |
+
[385.160 --> 388.520] That's what you see when you got that thing.
|
| 189 |
+
[388.520 --> 389.680] I don't know.
|
| 190 |
+
[389.680 --> 390.800] I don't know where we are going.
|
| 191 |
+
[390.800 --> 392.040] All right, you're scary.
|
| 192 |
+
[392.040 --> 393.200] All right.
|
| 193 |
+
[393.200 --> 394.760] Now, things got a little heated.
|
| 194 |
+
[394.760 --> 398.760] And here's an example of Senator Vance taking control
|
| 195 |
+
[398.760 --> 399.760] of the situation.
|
| 196 |
+
[399.760 --> 400.360] Joseph.
|
| 197 |
+
[400.360 --> 404.720] This is a masterful taking over the conversation.
|
| 198 |
+
[405.720 --> 407.720] When the moderators try to stop it.
|
| 199 |
+
[407.720 --> 408.720] That's what, more up.
|
| 200 |
+
[408.720 --> 409.520] But thank you, Senator.
|
| 201 |
+
[409.520 --> 410.840] We have so much to get to.
|
| 202 |
+
[410.840 --> 413.560] I think it's important because the economy,
|
| 203 |
+
[413.560 --> 414.560] thank you.
|
| 204 |
+
[414.560 --> 416.760] The rules were that you got to make it a fact check.
|
| 205 |
+
[416.760 --> 418.320] And since you're fact checking me,
|
| 206 |
+
[418.320 --> 420.680] I think it's important to say what's actually going on.
|
| 207 |
+
[420.680 --> 421.960] They did say that.
|
| 208 |
+
[421.960 --> 422.800] All right.
|
| 209 |
+
[422.800 --> 423.880] Those are those about that.
|
| 210 |
+
[423.880 --> 427.640] What he did here was masterful because he took over.
|
| 211 |
+
[427.640 --> 430.000] As they're trying to shut him down, he sticks this up,
|
| 212 |
+
[430.000 --> 431.320] which is called a regulator.
|
| 213 |
+
[431.320 --> 432.760] Regulators are what you use are trying
|
| 214 |
+
[432.760 --> 434.160] to control the situation.
|
| 215 |
+
[434.160 --> 435.840] Slow something down, speed something up.
|
| 216 |
+
[435.840 --> 436.600] You stay there.
|
| 217 |
+
[436.600 --> 437.920] You come over this way.
|
| 218 |
+
[437.920 --> 438.600] You all do this.
|
| 219 |
+
[438.600 --> 440.120] Those are regulators because I'm
|
| 220 |
+
[440.120 --> 442.000] trying to control what's going on.
|
| 221 |
+
[442.000 --> 444.000] A lot of times when someone starts to,
|
| 222 |
+
[444.000 --> 445.680] when you're trying to shut somebody down,
|
| 223 |
+
[445.680 --> 447.120] you'll step up and go, wait, wait.
|
| 224 |
+
[447.120 --> 449.040] That makes the person that ramps them up.
|
| 225 |
+
[449.040 --> 450.640] He does his very slowly.
|
| 226 |
+
[450.640 --> 452.680] He comes up like this and just sticks his hand up
|
| 227 |
+
[452.680 --> 454.200] and starts speaking softly.
|
| 228 |
+
[454.200 --> 455.520] Then he gets louder as he goes.
|
| 229 |
+
[455.520 --> 458.600] Not a lot, not a lot louder, but loud enough where they can hear him.
|
| 230 |
+
[458.600 --> 460.080] And they know there's no way out of it.
|
| 231 |
+
[460.080 --> 461.560] And he keeps speaking.
|
| 232 |
+
[461.560 --> 464.520] That was, and so he took control of the conversation
|
| 233 |
+
[464.520 --> 466.120] at that point and they were listening to it.
|
| 234 |
+
[466.120 --> 469.360] OK, now the next one is China, Hong Kong.
|
| 235 |
+
[469.360 --> 472.000] When he's talking about was he in Tenement Square or not?
|
| 236 |
+
[472.000 --> 472.520] Right.
|
| 237 |
+
[472.520 --> 474.280] And he said, were you there or were you not?
|
| 238 |
+
[474.280 --> 475.280] Right.
|
| 239 |
+
[475.280 --> 479.600] And what do you want to look for in that?
|
| 240 |
+
[479.600 --> 481.480] I'm going to look for the things that tell us we know
|
| 241 |
+
[481.480 --> 482.600] he wasn't there.
|
| 242 |
+
[482.600 --> 485.320] And this, I'll put all my money on this.
|
| 243 |
+
[485.320 --> 486.800] And we're going to see fear.
|
| 244 |
+
[486.800 --> 487.640] We're going to see panic.
|
| 245 |
+
[487.640 --> 489.560] We're going to see shame.
|
| 246 |
+
[489.560 --> 492.040] And the grief muscles as well.
|
| 247 |
+
[492.040 --> 493.520] So we'll throw everything's in this one.
|
| 248 |
+
[493.520 --> 494.040] Sorry.
|
| 249 |
+
[494.040 --> 495.560] Let's take a look and we'll listen.
|
| 250 |
+
[495.560 --> 498.360] You said you were in Hong Kong during the Deadly Tenement
|
| 251 |
+
[498.360 --> 501.920] Square protests in the spring of 1989.
|
| 252 |
+
[501.920 --> 504.320] But Minnesota Public Radio and other media outlets
|
| 253 |
+
[504.320 --> 507.480] are reporting that you actually didn't travel to Asia
|
| 254 |
+
[507.480 --> 510.440] until August of that year.
|
| 255 |
+
[510.440 --> 512.600] Can you explain that discrepancy?
|
| 256 |
+
[512.600 --> 513.600] Yes, I'm going to.
|
| 257 |
+
[513.600 --> 515.400] Well, into the folks out there, I didn't get at the top of this.
|
| 258 |
+
[515.400 --> 519.520] Look, I grew up in a small rural Nebraska town.
|
| 259 |
+
[519.560 --> 522.280] A town of 400 town that you rode your bike with your buddy
|
| 260 |
+
[522.280 --> 523.360] still the street lights come on.
|
| 261 |
+
[523.360 --> 524.920] And I'm proud of that service.
|
| 262 |
+
[524.920 --> 526.280] I joined in that.
|
| 263 |
+
[526.280 --> 529.040] Yeah, as that head goes sideways, that's panic.
|
| 264 |
+
[529.040 --> 530.760] Because he's not sure how he's going to defend this.
|
| 265 |
+
[530.760 --> 532.240] He knows the questions coming.
|
| 266 |
+
[532.240 --> 534.120] So he's got something right, but it's not coming out
|
| 267 |
+
[534.120 --> 535.240] the way he thought about it.
|
| 268 |
+
[535.240 --> 536.720] So he's got interdynlog going on.
|
| 269 |
+
[536.720 --> 537.720] He's thinking about it.
|
| 270 |
+
[537.720 --> 539.280] That's why I see that head turn those eyes
|
| 271 |
+
[539.280 --> 540.680] get really, really wide.
|
| 272 |
+
[540.680 --> 541.640] I know what that looks like.
|
| 273 |
+
[541.640 --> 542.920] That's what's happening there.
|
| 274 |
+
[542.920 --> 543.920] Yeah.
|
| 275 |
+
[543.920 --> 545.080] And you see the grief muscle again here.
|
| 276 |
+
[545.080 --> 545.880] Yes.
|
| 277 |
+
[545.880 --> 546.880] Oh, yeah.
|
| 278 |
+
[546.880 --> 548.680] The upside down horse you right there.
|
| 279 |
+
[548.680 --> 551.120] And the rest of this, this is panic.
|
| 280 |
+
[551.120 --> 553.000] We see his eyes doing this.
|
| 281 |
+
[553.000 --> 553.880] That's panic.
|
| 282 |
+
[553.880 --> 555.680] And this.
|
| 283 |
+
[555.680 --> 556.840] Yeah.
|
| 284 |
+
[556.840 --> 558.720] And these up here, usually we look at that.
|
| 285 |
+
[558.720 --> 560.520] We say, well, that's a disgust or whatever.
|
| 286 |
+
[560.520 --> 561.920] But this is a panic mode.
|
| 287 |
+
[561.920 --> 564.680] See how his head's coming forward and his chin is up like that.
|
| 288 |
+
[564.680 --> 566.960] He's trying to get that out as fast as he can.
|
| 289 |
+
[566.960 --> 569.880] And this is one of the only illustrations we see from him
|
| 290 |
+
[569.880 --> 571.000] as he's talking.
|
| 291 |
+
[571.000 --> 572.840] And this is the one that's come out further from his body
|
| 292 |
+
[572.840 --> 573.880] than anything else.
|
| 293 |
+
[573.880 --> 576.040] Because he's trying to make sure you, I want you to believe me.
|
| 294 |
+
[576.040 --> 576.960] You got to believe me.
|
| 295 |
+
[576.960 --> 579.280] That's what we're seeing the panic here in that.
|
| 296 |
+
[579.280 --> 581.760] Wide eyes, grief muscle, and everything's far.
|
| 297 |
+
[581.760 --> 584.440] It's finished the clip here.
|
| 298 |
+
[584.440 --> 587.320] On guard at 17, worked on family farms.
|
| 299 |
+
[587.320 --> 590.440] And then I used the GI bill to become a teacher,
|
| 300 |
+
[590.440 --> 592.520] passionate, a young teacher.
|
| 301 |
+
[592.520 --> 594.720] You said you.
|
| 302 |
+
[594.720 --> 596.280] OK.
|
| 303 |
+
[596.280 --> 601.080] I spent a lot of time, as I said, in the litigation arena
|
| 304 |
+
[601.080 --> 603.000] preparing witnesses.
|
| 305 |
+
[603.000 --> 606.440] And we always prepared witnesses
|
| 306 |
+
[606.440 --> 608.800] to tell the truth effectively.
|
| 307 |
+
[608.800 --> 610.880] Whenever we prepared them to blire or spend,
|
| 308 |
+
[610.880 --> 613.640] just tell the truth effectively.
|
| 309 |
+
[613.640 --> 618.680] And don't you agree that if someone asks you a question
|
| 310 |
+
[618.680 --> 622.760] and you want to be persuasive, you should answer the question
|
| 311 |
+
[622.760 --> 627.000] first and then explain it?
|
| 312 |
+
[627.000 --> 631.360] Like, were you there last night?
|
| 313 |
+
[631.360 --> 633.000] Yes.
|
| 314 |
+
[633.000 --> 634.840] Let me tell you why.
|
| 315 |
+
[634.840 --> 637.240] As opposed to, were you there last night?
|
| 316 |
+
[637.240 --> 640.680] Well, you know, it's, wait a minute.
|
| 317 |
+
[640.680 --> 642.400] Were you there or were you not?
|
| 318 |
+
[642.400 --> 645.320] Don't you want to hear the answer up front?
|
| 319 |
+
[645.320 --> 650.440] And the question was, you said you were in Tenement Square
|
| 320 |
+
[650.440 --> 652.960] during that showdown.
|
| 321 |
+
[652.960 --> 656.240] And were you or weren't you?
|
| 322 |
+
[656.240 --> 660.680] Well, I was born in Nebraska, in a town of 400,
|
| 323 |
+
[660.680 --> 663.720] grew up on a farm, eaten corn, or whatever.
|
| 324 |
+
[663.720 --> 666.240] As you know, we call that chaff and redirect.
|
| 325 |
+
[666.240 --> 668.120] He gives out a lot more information,
|
| 326 |
+
[668.120 --> 671.960] hoping that your brain will follow that information
|
| 327 |
+
[671.960 --> 673.880] and not ask any more questions and forget
|
| 328 |
+
[673.880 --> 675.200] what you're talking about.
|
| 329 |
+
[675.200 --> 676.960] That's why when you're asking a question, they go,
|
| 330 |
+
[676.960 --> 679.400] well, listen, here's what really happened.
|
| 331 |
+
[679.400 --> 681.480] When I get up the more night, toast, every day.
|
| 332 |
+
[681.480 --> 683.120] And they start talking about something that has nothing
|
| 333 |
+
[683.120 --> 686.280] to do with what the answer is.
|
| 334 |
+
[686.280 --> 689.760] That's point is, would it be better off if he had said,
|
| 335 |
+
[689.760 --> 691.440] no, I wasn't.
|
| 336 |
+
[691.440 --> 693.920] And I said I was.
|
| 337 |
+
[693.920 --> 696.680] Let me explain.
|
| 338 |
+
[696.680 --> 701.120] I took student groups over there, probably 30 or 40 times,
|
| 339 |
+
[701.120 --> 702.880] 35 years ago.
|
| 340 |
+
[702.880 --> 705.600] And I remember this being a really big deal.
|
| 341 |
+
[705.600 --> 708.840] And I just got it confused, timing-wise.
|
| 342 |
+
[708.840 --> 711.400] Bad mistake on my part, I apologize.
|
| 343 |
+
[711.400 --> 713.240] Next question.
|
| 344 |
+
[713.240 --> 716.200] Would that have been a better response?
|
| 345 |
+
[716.200 --> 718.080] But then we wouldn't have known where he was born.
|
| 346 |
+
[718.080 --> 719.320] That's true.
|
transcript/reaction_qNqAopvpLQY.txt
ADDED
|
@@ -0,0 +1,93 @@
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|
| 1 |
+
[0.000 --> 5.120] Today, former top house Republican Liz Cheney and Democratic candidate for president
|
| 2 |
+
[5.120 --> 10.560] Kamala Harris hitting the campaign trail together. The two will be in the critical swing state
|
| 3 |
+
[10.560 --> 15.680] of Wisconsin appearing at a schoolhouse known as the birthplace of the Republican Party,
|
| 4 |
+
[15.680 --> 21.120] the unlikely duo teaming up in a push to win over Republicans and independence in battleground
|
| 5 |
+
[21.120 --> 28.080] states. So also this morning, Melania Trump breaks with her husband on one of the most critical
|
| 6 |
+
[28.080 --> 32.000] issues of this campaign, abortion, really one of the most critical issues in the country.
|
| 7 |
+
[32.560 --> 38.560] So the guardian, this happened after the guardian first reported that Melania Trump was supporting,
|
| 8 |
+
[38.560 --> 45.840] was trusting support for abortion rights and just moments ago she put out a new video. Let's watch.
|
| 9 |
+
[48.400 --> 53.280] Individual freedom is a fundamental principle that I safeguard.
|
| 10 |
+
[54.240 --> 60.240] Without a doubt, there is no room for compromise when it comes to this essential right
|
| 11 |
+
[60.240 --> 69.280] that all women possess from birth. Individual freedom. What does my body, my choice, really mean?
|
| 12 |
+
[70.640 --> 74.560] All right to be clear, the black and white choice and the music was part of the video. The Melania
|
| 13 |
+
[74.560 --> 79.040] Trump just released there with us now, CNN, Senior Political Commentator Van Jones,
|
| 14 |
+
[79.120 --> 81.200] former Trump administration officials, Matt Mowers.
|
| 15 |
+
[83.440 --> 88.320] Van, so that's the first time I saw that video and it just came out a short time ago there.
|
| 16 |
+
[88.320 --> 93.520] And it basically really does beg a lot of questions. And yes, number one, is it A to sell books?
|
| 17 |
+
[93.520 --> 101.360] Is it B some grand break in your face to her husband on a key campaign issue? Is it nine
|
| 18 |
+
[101.360 --> 106.480] dimensional chess where she's trying to present this case to voters that hey, there could be
|
| 19 |
+
[106.480 --> 112.240] disagreement on this issue? I have no idea. First of all, why is she maybe she's trying to come
|
| 20 |
+
[112.240 --> 116.800] out of the shadows? I mean, just you have the music in the background. Her face is like
|
| 21 |
+
[116.800 --> 121.600] half-shaded. It's getting us talking about the book. It's definitely good for book sales.
|
| 22 |
+
[121.600 --> 127.360] This is either one or two things. Is a big break with her husband and saying, I just don't agree.
|
| 23 |
+
[127.360 --> 132.560] And I have my own book and my own standard I don't care. Or it is 27 dimensional chess.
|
| 24 |
+
[132.560 --> 138.160] People say, well, maybe she will soften Trump on abortion. So maybe some suburban
|
| 25 |
+
[138.160 --> 143.680] housewives and women and voters will change their position. But this is bizarre. I don't think
|
| 26 |
+
[143.680 --> 148.720] you've ever seen in the history of American politics, a former first lady or the spouse of the
|
| 27 |
+
[148.720 --> 155.280] candidate come out with a book and a video saying, I don't agree with my husband's party on a key
|
| 28 |
+
[155.280 --> 160.640] issue. It's never happened before, ever. The language she used there was the language that
|
| 29 |
+
[160.800 --> 164.240] freed her. She used on the stuper Tim Walls the other end of the debate.
|
| 30 |
+
[164.240 --> 167.760] Beyond save music, it could have been in the background talking about freedom. I don't
|
| 31 |
+
[167.760 --> 173.280] believe it. Hey, listen, you got Cheney coming out today. Maybe Melania comes out tomorrow.
|
| 32 |
+
[173.280 --> 179.040] We call Harris. It can happen. Now it's 24. It's 24.
|
| 33 |
+
[179.040 --> 185.920] Oh, anything is possible. Matt Mowers is losing it. I can hear him spiraling right now,
|
| 34 |
+
[185.920 --> 189.760] listening to all this. Matt, I do want to ask you about this.
|
| 35 |
+
[189.760 --> 195.360] I just want to know what Van had with his cereal this morning. I don't know whether it was milk.
|
| 36 |
+
[195.360 --> 199.760] It was almost no cheerios. It was the same thing Melania had this morning.
|
| 37 |
+
[199.760 --> 206.080] Bodkichirios. It's a new thing. It's right out. Matt, I am curious about, you know,
|
| 38 |
+
[206.080 --> 211.360] what you think about Liz Cheney joining Kamala Harris on the stump. Have we ever seen
|
| 39 |
+
[211.360 --> 215.280] anything like this before? Because before this, obviously the DNC who had a few Republicans,
|
| 40 |
+
[215.280 --> 221.200] a couple of Republicans, well known, coming out and speaking to back her. But now you're seeing
|
| 41 |
+
[221.200 --> 227.520] Liz Cheney, one of the most well-known conservatives, come and stand with her and campaign with her
|
| 42 |
+
[227.520 --> 235.040] in a swing state. Yeah, we've seen it before. We saw about a month ago when we had a Kennedy
|
| 43 |
+
[235.040 --> 241.040] campaigning with Donald Trump. You know, I think this is just showing another way how the two
|
| 44 |
+
[241.040 --> 246.000] parties are shifting right now. I mean, if you go back, you know, even just a decade ago,
|
| 45 |
+
[246.000 --> 252.240] you know, the Republican Party was largely, you know, the college degree, largely white, largely
|
| 46 |
+
[252.240 --> 257.120] upper class party. And the Democrats were doing quite well with blue collar voters across the
|
| 47 |
+
[257.120 --> 261.360] spectrum, whether they're white, black, Latino, etc. That's changing, right? We are seeing that
|
| 48 |
+
[261.360 --> 265.920] change before our very eyes, most dramatically right now. And so, the reason you're seeing a Kennedy
|
| 49 |
+
[266.000 --> 272.000] campaign with Trump and a Cheney campaign with Kamala Harris. And so, you know, I think ultimately,
|
| 50 |
+
[272.000 --> 277.680] though, I think the bigger test here is why are they in Wisconsin? I mean, if you go back a month
|
| 51 |
+
[277.680 --> 281.840] and a half ago, every Democrat was saying Wisconsin is almost off the board. Public polling was
|
| 52 |
+
[281.840 --> 287.840] showing high single-digit leads for Kamala Harris. And the fact is that both Wisconsin and Michigan
|
| 53 |
+
[287.840 --> 292.880] have now closed in tight. They're looking about a half-point margin in the polling average for Kamala
|
| 54 |
+
[292.880 --> 298.800] Harris, not to mention the fact that Wisconsin, more than any other state in 2016 and 2020,
|
| 55 |
+
[298.800 --> 304.640] had a big polling miss. It was almost six points in 16. I believe seven to eight points in 2020.
|
| 56 |
+
[304.640 --> 309.840] And so, I think it's really telling that all places that's where they decide to go. But all,
|
| 57 |
+
[309.840 --> 315.200] I'll say is, you know, I wonder if Vance can be passing around, you know, all the fun stuff
|
| 58 |
+
[315.200 --> 318.240] he's been having this morning over the campaign plus over there in Wisconsin.
|
| 59 |
+
[319.120 --> 323.360] Well, first of all, you just answered why they're in Wisconsin. Hillary Clinton and Robbie
|
| 60 |
+
[323.360 --> 327.440] Moot can tell you why they're in Wisconsin right now. From, you know, Hillary Clinton didn't go
|
| 61 |
+
[327.440 --> 332.960] there in 2016. Look what happened. You go to places to help shore them up. Matt, I don't,
|
| 62 |
+
[332.960 --> 337.840] I want you to take on the Melania Trump thing. You know, still. And I can't get the black and white
|
| 63 |
+
[337.840 --> 343.840] and the music out of my head. There, what impact do you think that has? It's jarring.
|
| 64 |
+
[343.920 --> 351.120] Yeah, I think there's two things. There's why it was done. And then there is what impacted us.
|
| 65 |
+
[351.120 --> 355.600] And there are two separate things. I mean, sometimes, you know, folks think that everything on
|
| 66 |
+
[355.600 --> 361.040] campaign is very calculated and very precise. Well, you know, I just have a work on presidential
|
| 67 |
+
[361.040 --> 367.280] campaigns. It's having one for office myself. Sometimes, you know, it's, it's, you know, in this case,
|
| 68 |
+
[367.280 --> 372.640] Melania Trump probably just wanted to make her position known. And so that is where I think the
|
| 69 |
+
[372.640 --> 377.920] reason she did it. If you look at the impact it has, I mean, I think it actually, in some ways,
|
| 70 |
+
[377.920 --> 382.480] helps Donald Trump and makes him more relatable. I mean, I can tell you, I don't agree with my wife
|
| 71 |
+
[382.480 --> 388.800] on, on every issue. She agrees with me on even fewer issues. And so I think, you know, this is
|
| 72 |
+
[388.800 --> 393.760] actually pretty common. In fact, I've been some studies coming out lately about the difference of
|
| 73 |
+
[393.760 --> 398.080] like men and women going to vote this year or spouses, I should say going to vote this year,
|
| 74 |
+
[398.080 --> 402.320] compared to 2020, 2020. They're all sent at the kitchen table looking over each other's
|
| 75 |
+
[402.320 --> 406.240] shoulders filling out the ballots this year. They're going into the polling place on their own.
|
| 76 |
+
[406.240 --> 410.080] And what impact that may have. So I think this actually helps broaden Donald Trump's appeal
|
| 77 |
+
[410.080 --> 416.640] potentially. Well, it could be. I mean, I do think that he's trying to say what's happening
|
| 78 |
+
[416.640 --> 422.720] with the parties is a kind of a education versus not education income shuffle. There's some of that.
|
| 79 |
+
[422.720 --> 427.680] I think what I'm seeing is there's a different dimension of politics now. It's not just left versus
|
| 80 |
+
[427.680 --> 433.120] right. It's pro democracy pro constitution versus a more authoritarian direction. And I think
|
| 81 |
+
[433.120 --> 440.960] that what unites an AOC, the Chinese, Taylor Swift, like the the common Harris coalition is so big
|
| 82 |
+
[440.960 --> 447.200] and so broad. It's because it's deeper values at play here. There's a deeper sense that Donald
|
| 83 |
+
[447.200 --> 451.440] Trump doesn't seem to care about facts. Doesn't seem to care about the constitution. And that's
|
| 84 |
+
[451.440 --> 456.000] scaring a lot of people. So you've got a coalition of hope around the future of democracy that could
|
| 85 |
+
[456.000 --> 461.680] include the changes. It's not just a demographic shuffle. There's a psychographic shuffle here
|
| 86 |
+
[461.680 --> 467.040] about do you care about democracy or not? And where's Mulani? You fall into it. Hey, listen,
|
| 87 |
+
[467.040 --> 470.720] she's coming out of the shadows. She's coming out of the shadows. She's coming into the light.
|
| 88 |
+
[470.720 --> 475.840] She's going to be with this time next week. She will be on that same stage with common Harris.
|
| 89 |
+
[475.840 --> 480.720] Seagun Frink. That's where we're headed. I'm that's my prediction. That's my prediction. That's where we're in it.
|
| 90 |
+
[480.720 --> 482.720] We're going to write that down, man. You might regret it.
|
| 91 |
+
[484.160 --> 486.720] Coming out the shadows. Here is that new video.
|
| 92 |
+
[489.360 --> 494.640] All right. We're having a lot of fun with politics. Yes, we are. Van Jones, Matt Mowers. Thank you
|
| 93 |
+
[494.640 --> 496.080] about so much. Appreciate you.
|
transcript/travel_-asNGo75Wv8.txt
ADDED
|
@@ -0,0 +1,263 @@
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| 1 |
+
[0.000 --> 3.680] If you were given the task right now to go and talk to camera,
|
| 2 |
+
[3.680 --> 6.240] there's a good chance you might feel a sense of dread.
|
| 3 |
+
[6.240 --> 9.600] Thoughts might come into your brain like, but I'm awkward on camera.
|
| 4 |
+
[9.600 --> 12.000] I just don't know how to express my ideas.
|
| 5 |
+
[12.000 --> 13.840] I hate watching myself back.
|
| 6 |
+
[13.840 --> 20.240] Even worse than all of these, I would love to, but I'm just not talented.
|
| 7 |
+
[21.760 --> 26.640] People often dismiss the YouTubers and the public speakers as natural,
|
| 8 |
+
[26.640 --> 29.360] or born good at talking on camera.
|
| 9 |
+
[29.360 --> 31.120] And this is quite frustrating.
|
| 10 |
+
[31.120 --> 33.520] See, when I first started talking to camera,
|
| 11 |
+
[33.520 --> 36.880] I literally didn't have any talent at all.
|
| 12 |
+
[36.880 --> 38.000] Look at my first attempt.
|
| 13 |
+
[39.200 --> 43.200] Hi, it's Tom here, and I'm just doing my first video blog.
|
| 14 |
+
[43.200 --> 44.560] I'm basically just trying to do this,
|
| 15 |
+
[46.320 --> 48.400] being myself rather than kind of acting.
|
| 16 |
+
[49.840 --> 53.280] So this got me thinking, what if I got somebody else
|
| 17 |
+
[53.920 --> 59.280] and transformed their ability to talk to camera in just 30 days?
|
| 18 |
+
[60.720 --> 64.160] Hi, I'm Thomas, and when I'm not playing music and making films,
|
| 19 |
+
[64.160 --> 67.280] I like to help other people learn how to make better videos
|
| 20 |
+
[67.280 --> 69.520] and also improve how they talk to camera.
|
| 21 |
+
[69.520 --> 73.440] I've just moved to London, which is where a good mate of mine lives, called Matt.
|
| 22 |
+
[73.440 --> 76.880] Matt's 32 years old runs his own digital marketing business
|
| 23 |
+
[76.880 --> 79.680] and enjoys road trips, hiking, and good food.
|
| 24 |
+
[80.560 --> 84.000] One morning, we caught up for a coffee, and I asked him if he was interested
|
| 25 |
+
[84.000 --> 85.680] in learning how to talk to camera.
|
| 26 |
+
[85.680 --> 88.800] Being a business owner, he already knew that being able to talk to camera
|
| 27 |
+
[88.800 --> 91.600] would help him out a ton with his marketing and social media,
|
| 28 |
+
[91.600 --> 93.600] so he was actually looking for a way to learn.
|
| 29 |
+
[93.600 --> 95.600] What are you watching this for?
|
| 30 |
+
[95.600 --> 96.720] I don't know anything.
|
| 31 |
+
[96.720 --> 99.840] I'm just the guy in a racing jacket on the internet.
|
| 32 |
+
[99.840 --> 101.600] I told him about my online course,
|
| 33 |
+
[101.600 --> 103.840] the Talk to Camera Pro 30-Day Challenge,
|
| 34 |
+
[103.840 --> 106.240] and he decided to give it a shot.
|
| 35 |
+
[106.240 --> 108.480] Not knowing what the next 30 days would hold,
|
| 36 |
+
[108.480 --> 110.960] we got him set up on day one of the challenge,
|
| 37 |
+
[110.960 --> 112.320] that very same morning.
|
| 38 |
+
[117.280 --> 120.480] All right, this is day one from the 30-Day Talk to Camera Challenge.
|
| 39 |
+
[120.480 --> 121.360] It's officially started.
|
| 40 |
+
[122.160 --> 127.920] Your first assignment is to go right now and record yourself talking on camera.
|
| 41 |
+
[128.480 --> 130.400] All right, so we are with Matt right now.
|
| 42 |
+
[130.400 --> 132.800] He's currently watching the Talk to Camera Pro course,
|
| 43 |
+
[132.800 --> 135.040] and we're quickly going to get him set up now
|
| 44 |
+
[135.040 --> 137.200] with the tripod and iPhone.
|
| 45 |
+
[138.560 --> 140.000] A shot.
|
| 46 |
+
[141.360 --> 142.400] Hey, everyone, talk about it.
|
| 47 |
+
[143.520 --> 145.280] This is a very common problem.
|
| 48 |
+
[145.280 --> 148.080] When you first set up your camera to start talking to it,
|
| 49 |
+
[148.080 --> 150.640] it might come out looking something like this.
|
| 50 |
+
[151.440 --> 153.360] Hi guys, that's my first video.
|
| 51 |
+
[154.640 --> 158.560] Currently I'm in a flock of bats, a flock of flats.
|
| 52 |
+
[158.560 --> 161.440] But once Matt got going, he was in the flow of first time round
|
| 53 |
+
[161.440 --> 162.640] and did a pretty good job.
|
| 54 |
+
[162.640 --> 165.920] Good at connecting and actually just being confident
|
| 55 |
+
[166.880 --> 168.160] and authentic on camera.
|
| 56 |
+
[168.800 --> 170.000] And ultimately just,
|
| 57 |
+
[171.760 --> 174.800] I mean, the whole point of doing this is to build marketing content.
|
| 58 |
+
[175.600 --> 177.920] And I'm already sensing this like,
|
| 59 |
+
[177.920 --> 180.320] who would want to decide to speak in a corporate way.
|
| 60 |
+
[181.360 --> 182.880] Just by looking at the camera,
|
| 61 |
+
[182.880 --> 184.560] I'm not talking to a real person.
|
| 62 |
+
[184.560 --> 186.960] With day one out the way in the wall chart crossed off,
|
| 63 |
+
[186.960 --> 190.400] I asked Matt about why he was taking this challenge in the first place.
|
| 64 |
+
[191.040 --> 193.680] So the reason I want to get better at talking to camera
|
| 65 |
+
[193.760 --> 196.320] is largely for my business so I can create
|
| 66 |
+
[197.840 --> 200.800] marketing videos where I don't have to rely on kind of
|
| 67 |
+
[200.800 --> 202.640] more generic voice over artists
|
| 68 |
+
[202.640 --> 205.120] so don't connect with a customer.
|
| 69 |
+
[205.120 --> 208.080] And I can actually be myself and be a salesman on video.
|
| 70 |
+
[208.080 --> 209.520] I don't know. When I was actually on my camera,
|
| 71 |
+
[209.520 --> 211.280] I'd like to talk very awkwardly.
|
| 72 |
+
[212.000 --> 215.120] So it'd be nice to just be able to talk confidently.
|
| 73 |
+
[216.000 --> 219.200] I guess to be not fented like coming across well.
|
| 74 |
+
[219.200 --> 222.480] This is one of the best ways to get people online
|
| 75 |
+
[222.480 --> 224.720] to trust you without having met.
|
| 76 |
+
[224.720 --> 228.080] If you can talk authentically and comfortably on camera,
|
| 77 |
+
[228.080 --> 230.480] then you have one of the most powerful tools
|
| 78 |
+
[230.480 --> 233.840] to create a community and make a living from it online.
|
| 79 |
+
[233.840 --> 235.280] I would say I'm more nervous
|
| 80 |
+
[235.280 --> 236.880] than excited about the next 30 days.
|
| 81 |
+
[236.880 --> 239.920] I mean, let's just end excited to see the results at the end of it.
|
| 82 |
+
[239.920 --> 242.320] Like I'm excited to see the transformation and what I can do.
|
| 83 |
+
[242.320 --> 245.760] And so with a little trepidation, Matt started his journey.
|
| 84 |
+
[247.040 --> 250.320] Hey Tom, you can see from my sweatiness I have
|
| 85 |
+
[250.960 --> 252.560] actually done the exercise.
|
| 86 |
+
[253.040 --> 258.000] And I'm going to try not to be a presenter while I talk on camera today.
|
| 87 |
+
[258.000 --> 261.680] Okay, here we go. Video number four.
|
| 88 |
+
[261.680 --> 264.080] Hey, welcome to Dave, whatever this is.
|
| 89 |
+
[264.080 --> 266.000] Here's an example, scroll down this page.
|
| 90 |
+
[266.000 --> 269.360] And that would be because I was one of the other clients in case studies.
|
| 91 |
+
[269.360 --> 272.800] I'm going to try to get a bit of energy in me.
|
| 92 |
+
[272.800 --> 275.520] And just talk with a bit more range, a bit more diners,
|
| 93 |
+
[275.520 --> 277.120] bang, bang, miss them.
|
| 94 |
+
[277.200 --> 281.040] Today's challenge is to not use the word up.
|
| 95 |
+
[281.040 --> 284.480] Things I'm passionate about don't really make me come alive.
|
| 96 |
+
[285.120 --> 288.640] So I totally look ridiculous right now.
|
| 97 |
+
[290.000 --> 292.880] So after this, I'm going to turn off a dishwasher
|
| 98 |
+
[292.880 --> 295.920] because it has this remarkable ability
|
| 99 |
+
[296.720 --> 299.680] to just constantly beep for out the night.
|
| 100 |
+
[300.880 --> 304.800] Unless I open the door and close it again.
|
| 101 |
+
[304.800 --> 306.560] After two weeks, it was time to check in.
|
| 102 |
+
[312.640 --> 314.160] Hey, day 14.
|
| 103 |
+
[314.160 --> 315.200] Day 14.
|
| 104 |
+
[315.200 --> 319.600] Matt had been super committed recording a five to ten minute video every day.
|
| 105 |
+
[319.600 --> 321.680] He's been ticking off those boxes.
|
| 106 |
+
[321.680 --> 326.800] If I'm not wrong, day 14 is about reflecting on your sticking points.
|
| 107 |
+
[327.360 --> 330.720] So we're going to watch some modern now and then crack into it.
|
| 108 |
+
[330.720 --> 335.520] All right, welcome to day 14 of this 30 day talking on camera challenge.
|
| 109 |
+
[335.520 --> 337.680] We are the end of week two.
|
| 110 |
+
[337.680 --> 340.560] So Matt, what do you think your sticking point are?
|
| 111 |
+
[340.560 --> 344.560] I think the most important one I'm really struggling with is talking from my
|
| 112 |
+
[345.600 --> 346.320] diaphragm.
|
| 113 |
+
[346.320 --> 348.320] I have a deeper resonant voice.
|
| 114 |
+
[348.320 --> 352.160] The other thing I found was I keep scratching when I'm being filmed.
|
| 115 |
+
[352.160 --> 354.880] Like I'm always like, I didn't notice I'm doing some scratching
|
| 116 |
+
[354.880 --> 356.320] and just doing this kind of stuff.
|
| 117 |
+
[356.320 --> 360.480] The third thing, sounding more, I don't know if I was to take an exam
|
| 118 |
+
[360.560 --> 364.880] like Casey Neister, how he's very like authentic yet loud.
|
| 119 |
+
[364.880 --> 368.320] So in this module, Matt had to focus on his sticking points
|
| 120 |
+
[368.320 --> 370.320] whilst talking about something in the future.
|
| 121 |
+
[371.120 --> 377.280] Okay, today's video is day 14, but it's just one of the cities where you really feel like
|
| 122 |
+
[377.280 --> 378.480] you're in nature.
|
| 123 |
+
[378.480 --> 381.920] And you have access to just amazing food and amazing
|
| 124 |
+
[381.920 --> 387.200] atmospheres and the high energy environment, which yeah, I'm kind of just excited.
|
| 125 |
+
[387.200 --> 389.920] Watching him go through day 14 was awesome.
|
| 126 |
+
[389.920 --> 392.480] Even though he was slightly frustrated at his own habit,
|
| 127 |
+
[392.480 --> 395.280] I could see that he was way more comfortable on camera already.
|
| 128 |
+
[396.560 --> 401.680] I also wanted to give Matt an additional tip inspired by the King of Logs, Casey Neister.
|
| 129 |
+
[401.680 --> 405.200] Right, now I want to give you a quick exercise, it's kind of like different.
|
| 130 |
+
[405.200 --> 406.800] Yeah, because you mentioned Casey Neister.
|
| 131 |
+
[406.800 --> 407.360] Right.
|
| 132 |
+
[407.360 --> 409.760] Try and play with your proximity to the camera.
|
| 133 |
+
[409.760 --> 413.520] Yeah, we'll feel a bit weird at first, but you know, literally Casey Neister is always doing it.
|
| 134 |
+
[413.520 --> 414.080] He's always doing it.
|
| 135 |
+
[414.080 --> 419.520] He's like, yeah, so like, I had this idea and what it is, it's like doing this and this.
|
| 136 |
+
[419.600 --> 420.800] Great hotel room.
|
| 137 |
+
[421.680 --> 422.160] I got it.
|
| 138 |
+
[422.160 --> 423.840] Well, I got to go back to New York now.
|
| 139 |
+
[425.360 --> 426.320] Try and do that kind of stuff.
|
| 140 |
+
[427.520 --> 432.320] Okay, so I want to tell you a little secret about what I want to do in my life.
|
| 141 |
+
[433.120 --> 436.080] Now, the first thing is I want to get the house.
|
| 142 |
+
[436.080 --> 442.080] The house is going to be the main thing here, but in order to have the house, I want to have
|
| 143 |
+
[442.080 --> 442.800] the cap.
|
| 144 |
+
[442.800 --> 444.400] I'm talking absolutely nonsense.
|
| 145 |
+
[444.400 --> 445.760] I'm not going to stop there.
|
| 146 |
+
[445.760 --> 446.800] Here's the thing.
|
| 147 |
+
[446.800 --> 449.200] It's not as simple as just having the house.
|
| 148 |
+
[449.840 --> 453.280] You need to have for golden river of gold coins,
|
| 149 |
+
[453.600 --> 455.120] funding, everything that comes with it.
|
| 150 |
+
[455.120 --> 456.640] So you have to go to the river over here.
|
| 151 |
+
[457.120 --> 458.320] You have the house over here.
|
| 152 |
+
[459.360 --> 460.640] And this is the main secret.
|
| 153 |
+
[460.640 --> 464.560] This is the one thing, but no one else is thinking of right now.
|
| 154 |
+
[464.560 --> 466.320] Cuts are different backgrounds.
|
| 155 |
+
[470.320 --> 472.560] I don't know what the other thing is.
|
| 156 |
+
[472.560 --> 473.840] What are you watching this for?
|
| 157 |
+
[474.400 --> 475.440] I don't know anything.
|
| 158 |
+
[475.440 --> 478.400] I'm just a guy in a racing jacket on the internet.
|
| 159 |
+
[478.400 --> 481.120] Yeah, I've definitely improved in ways I didn't expect.
|
| 160 |
+
[481.120 --> 482.800] Yeah, now that I watch what I'm doing now,
|
| 161 |
+
[482.800 --> 484.080] this is what I was doing then.
|
| 162 |
+
[484.080 --> 487.520] And I was completely blind to what I was doing wrong.
|
| 163 |
+
[487.520 --> 489.520] I think I'm more energetic on the camera now.
|
| 164 |
+
[490.080 --> 493.280] And I'm not very able to slowly becoming more myself.
|
| 165 |
+
[493.280 --> 494.880] More comfortable making jokes.
|
| 166 |
+
[495.920 --> 498.000] Kind of making myself laugh.
|
| 167 |
+
[498.000 --> 500.560] And being a lot more energetic on camera.
|
| 168 |
+
[500.560 --> 503.040] And I've basically removed um.
|
| 169 |
+
[503.120 --> 504.640] This was awesome progress.
|
| 170 |
+
[504.640 --> 508.080] Matt did exactly the right thing and focused on gaining more comfort
|
| 171 |
+
[508.080 --> 509.440] while talking to camera,
|
| 172 |
+
[509.440 --> 512.400] rather than gaining more confidence talking to camera,
|
| 173 |
+
[512.400 --> 515.200] which always shines through more authentically.
|
| 174 |
+
[515.200 --> 519.200] I'm excited to try new things and actually try to make
|
| 175 |
+
[520.160 --> 522.320] more fun videos now like I'm actually like,
|
| 176 |
+
[522.320 --> 525.280] oh, I'm going to like try to do something creative in this video,
|
| 177 |
+
[525.280 --> 527.680] which I don't think I would even been able to do before.
|
| 178 |
+
[528.320 --> 531.120] So with a new confidence and clear objectives,
|
| 179 |
+
[531.120 --> 532.320] the challenge continued.
|
| 180 |
+
[533.040 --> 535.920] Alright guys, in this video, special treat.
|
| 181 |
+
[536.640 --> 539.840] I'm going to do a boxing video.
|
| 182 |
+
[539.840 --> 544.560] Express an idea, express a frustration, express a concept,
|
| 183 |
+
[545.360 --> 547.040] just to throw it out.
|
| 184 |
+
[547.040 --> 548.640] Or rather, rather, rather.
|
| 185 |
+
[549.360 --> 556.080] Okay, this video is no bullet points unfiltered garbage.
|
| 186 |
+
[556.640 --> 559.200] We need to have a working headline.
|
| 187 |
+
[559.200 --> 562.000] And this is ultimately most important part of any
|
| 188 |
+
[562.080 --> 562.960] makeup pages.
|
| 189 |
+
[562.960 --> 564.480] What is the offer?
|
| 190 |
+
[564.480 --> 570.000] Okay guys, and welcome to day 27 or 28.
|
| 191 |
+
[570.000 --> 572.320] I'm not actually sure what they are on right now.
|
| 192 |
+
[572.320 --> 575.040] When I listen to my audio,
|
| 193 |
+
[575.040 --> 576.960] especially when I use professional microphone,
|
| 194 |
+
[578.000 --> 579.680] it actually sounds quite good.
|
| 195 |
+
[579.680 --> 582.880] Like it doesn't sound like really dull.
|
| 196 |
+
[582.880 --> 585.760] Monotone, it doesn't sound very boring or unprofessional.
|
| 197 |
+
[585.760 --> 588.320] It actually sounds like I'm on a podcast or something.
|
| 198 |
+
[588.320 --> 591.680] Like it's very, very kind of exciting to see.
|
| 199 |
+
[592.480 --> 595.120] It was time for the final check-in.
|
| 200 |
+
[597.200 --> 598.080] Hey dude.
|
| 201 |
+
[598.080 --> 598.560] Alright mate.
|
| 202 |
+
[598.560 --> 599.040] How you doing?
|
| 203 |
+
[599.040 --> 600.960] Welcome to day 30.
|
| 204 |
+
[600.960 --> 601.600] How you feeling?
|
| 205 |
+
[602.480 --> 603.600] I'm nervous, man. How you doing?
|
| 206 |
+
[603.600 --> 604.160] A big camera.
|
| 207 |
+
[605.680 --> 607.760] Alright, so it's day 30 and Matt,
|
| 208 |
+
[607.760 --> 611.360] it's playing some emotional piano to mark the end
|
| 209 |
+
[611.360 --> 613.920] of what has been an epic journey.
|
| 210 |
+
[613.920 --> 616.080] Okay, so as we can see,
|
| 211 |
+
[616.080 --> 621.120] the 30-day talk into camera chart is on day 30 today.
|
| 212 |
+
[621.120 --> 623.120] So it's going to be doing his last video.
|
| 213 |
+
[623.120 --> 624.080] Alright, what's up?
|
| 214 |
+
[624.080 --> 628.000] Welcome to day 30 of the 30-day talking on camera challenge.
|
| 215 |
+
[629.600 --> 630.400] This is it.
|
| 216 |
+
[630.400 --> 631.920] This is the last day.
|
| 217 |
+
[631.920 --> 635.840] You do today's video and you have officially completed the challenge.
|
| 218 |
+
[636.800 --> 637.280] Alright.
|
| 219 |
+
[638.160 --> 640.000] Setting up the tripod for the last time,
|
| 220 |
+
[640.640 --> 642.720] Matt was ready for one final delivery.
|
| 221 |
+
[644.320 --> 647.360] It's the final video day 30 of my
|
| 222 |
+
[648.320 --> 650.720] 30-day challenge of learning to sort camera.
|
| 223 |
+
[650.720 --> 654.240] And I have to say, having watched some of my videos like done,
|
| 224 |
+
[654.240 --> 655.920] it's actually been awesome.
|
| 225 |
+
[655.920 --> 658.400] It's been insane to see the improvement I've made
|
| 226 |
+
[658.400 --> 660.480] from when I started to where I am now.
|
| 227 |
+
[661.600 --> 666.560] And a lot of the changes were things I would never have picked up on myself.
|
| 228 |
+
[666.560 --> 671.680] Even if I was filming myself and doing just like a camera exercise every day.
|
| 229 |
+
[671.680 --> 673.920] It was a little exercise that
|
| 230 |
+
[674.000 --> 677.040] kind of they really, like some of them were just things I was already good at.
|
| 231 |
+
[677.040 --> 680.800] But other ones really targeted things I was even aware I was doing wrong.
|
| 232 |
+
[680.800 --> 681.520] I had it out.
|
| 233 |
+
[681.520 --> 685.200] Like I was watching myself, I was watching a video myself yesterday and I thought like,
|
| 234 |
+
[685.200 --> 687.280] down, this actually sounds professional.
|
| 235 |
+
[687.280 --> 690.720] I'm actually talking like I'm on a professional podcast.
|
| 236 |
+
[690.720 --> 694.080] They're not like some, some idiot they gave a mic to.
|
| 237 |
+
[694.080 --> 698.560] Originally I got into this thinking I just want to be able to be on a video
|
| 238 |
+
[698.560 --> 700.880] promoting my business because I knew that would help.
|
| 239 |
+
[701.520 --> 704.720] But now I started to think actually I want to be making videos more often.
|
| 240 |
+
[704.720 --> 708.080] I want to see where I can take this and
|
| 241 |
+
[708.080 --> 711.600] maybe idea now of making say YouTube channel or something where I'm
|
| 242 |
+
[711.600 --> 715.120] delivering content in a high quality high-production value way
|
| 243 |
+
[716.480 --> 717.920] where I can build a bit of an audience.
|
| 244 |
+
[717.920 --> 721.600] And I'm seeing like, there's almost like new avenues of like where I can go
|
| 245 |
+
[721.600 --> 725.440] as a person in my own kind of video journey, I guess.
|
| 246 |
+
[725.440 --> 730.080] It's starting to now resemble something, but I see actually, you know, this
|
| 247 |
+
[730.880 --> 733.040] could be something I could be really good at.
|
| 248 |
+
[733.040 --> 737.600] And it is crazy how quick I was able to progress and start to see those
|
| 249 |
+
[737.600 --> 738.400] differences.
|
| 250 |
+
[738.400 --> 741.520] I love the idea of making a channel now of content and
|
| 251 |
+
[741.520 --> 743.920] I don't know, I guess in the past that's kind of been a fantasy.
|
| 252 |
+
[743.920 --> 747.520] But now I think I could probably do it.
|
| 253 |
+
[747.520 --> 754.320] And now I make anyone like, revisit those old dreams of making videos and seeing how I,
|
| 254 |
+
[754.880 --> 759.040] how they come across now with a natural good chance of them being watchable.
|
| 255 |
+
[760.000 --> 763.120] If you want to improve your talk into camera, then I've included a couple of
|
| 256 |
+
[763.120 --> 766.480] resources in the description below to help you out.
|
| 257 |
+
[766.480 --> 769.600] First off is a free talk to camera cheat sheet.
|
| 258 |
+
[769.600 --> 773.200] It's like a one-page PDF that you can print out and have next to you
|
| 259 |
+
[773.200 --> 775.200] when you are talking to camera to refer to.
|
| 260 |
+
[775.200 --> 780.240] Secondly, you'll find a link to join talk to camera pro, which is the 30-day
|
| 261 |
+
[780.240 --> 782.960] star challenge program that Matt took in this video.
|
| 262 |
+
[782.960 --> 785.920] I'll see you over there or in the next video on this channel.
|
| 263 |
+
[785.920 --> 788.160] Until next time, bye bye.
|
transcript/travel_0_BY7jqIrNs.txt
ADDED
|
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|
| 1 |
+
[0.000 --> 5.000] In this video, we're gonna go through 10 different smartphone gimbal moves that you can use
|
| 2 |
+
[5.000 --> 8.720] when you're out filming to get some better shots in your videos.
|
| 3 |
+
[8.720 --> 13.200] Now I'm at this epic location out in Anza Barago with these crazy landscapes since
|
| 4 |
+
[13.200 --> 14.720] with cool desert art.
|
| 5 |
+
[14.720 --> 18.960] And at the end of this video, I'm gonna put all of these smartphone gimbal moves together
|
| 6 |
+
[18.960 --> 24.320] and show you an entire sequence from everything that I was shooting out here in this landscape.
|
| 7 |
+
[24.320 --> 26.440] Now number one is the push forward.
|
| 8 |
+
[26.440 --> 30.760] And this is like the essential gimbal move that you see whenever you see someone working
|
| 9 |
+
[30.760 --> 31.760] with a gimbal.
|
| 10 |
+
[31.760 --> 36.920] And to do this movement, you walk forward in space with your camera at the same level.
|
| 11 |
+
[36.920 --> 41.240] The idea is that you're pushing in on the subject that you're filming.
|
| 12 |
+
[41.240 --> 45.600] Now one word of caution, when you're working with a gimbal, you wanna get smooth shots,
|
| 13 |
+
[45.600 --> 49.280] which means not a lot of bumping up and down with that horizon.
|
| 14 |
+
[49.280 --> 53.240] So to do this, you're gonna get down low, kind of walk like an Inja, and you're gonna
|
| 15 |
+
[53.240 --> 56.320] try to keep the gimbal as stable as possible.
|
| 16 |
+
[56.320 --> 60.480] If you just walk, you know, normally, you're gonna have some up and down motion.
|
| 17 |
+
[60.480 --> 63.320] So just always keep that in mind when you're working with a gimbal.
|
| 18 |
+
[63.320 --> 65.840] You wanna try to keep the camera at the same level.
|
| 19 |
+
[65.840 --> 69.480] This contraption will keep it super smooth, but there's still a chance that you'll see
|
| 20 |
+
[69.480 --> 70.800] some of those footsteps.
|
| 21 |
+
[70.800 --> 74.440] Number two is one of my favorite moves and that is the orbit.
|
| 22 |
+
[74.440 --> 76.440] So you're gonna keep your subject centered.
|
| 23 |
+
[76.440 --> 80.640] And you wanna keep the distance between you and that subject and you wanna walk in a circle.
|
| 24 |
+
[80.640 --> 84.040] This is gonna create a big arc and it's gonna show a lot of motion.
|
| 25 |
+
[84.040 --> 87.280] And one thing to note, if you're using a wide lens on your smartphone, you're gonna
|
| 26 |
+
[87.280 --> 90.400] see a lot of motion when you're close to objects.
|
| 27 |
+
[90.400 --> 94.140] However, when you use one of the longer lenses on your camera, you're gonna see a lot of
|
| 28 |
+
[94.140 --> 95.800] motion in the background.
|
| 29 |
+
[95.800 --> 99.960] So for the orbit mode, if you use the long lens, you'll create what's called parallax.
|
| 30 |
+
[99.960 --> 103.640] And that's where the background is moving faster than the foreground and you get this really
|
| 31 |
+
[103.640 --> 104.960] cool effect.
|
| 32 |
+
[104.960 --> 106.760] Number three is the slider.
|
| 33 |
+
[106.760 --> 110.360] And this is where you're gonna keep your gimbal level and you're gonna move left or
|
| 34 |
+
[110.360 --> 111.360] right.
|
| 35 |
+
[111.360 --> 114.800] So this is a slider and a nice, a slider and a slider and a stud.
|
| 36 |
+
[114.800 --> 117.800] And a cool thing that you can do is pair this with a reveal.
|
| 37 |
+
[117.800 --> 122.320] So start from behind an object and then slide out to reveal the scene.
|
| 38 |
+
[122.320 --> 126.600] And also one tip when doing the reveal is lock your focus to the background of the end
|
| 39 |
+
[126.600 --> 131.520] of the shot so that your focus isn't pinging between the foreground and the background
|
| 40 |
+
[131.520 --> 132.880] that you are revealing.
|
| 41 |
+
[132.880 --> 135.200] Now number four is the pullback.
|
| 42 |
+
[135.200 --> 137.960] This is just like that push in that we saw at number one.
|
| 43 |
+
[137.960 --> 140.080] However, we're gonna be moving backwards.
|
| 44 |
+
[140.080 --> 141.600] And so this is a great move to use
|
| 45 |
+
[141.600 --> 143.600] when you have your subject full frame
|
| 46 |
+
[143.600 --> 145.680] and you move backwards to reveal the scene
|
| 47 |
+
[145.680 --> 147.320] that's around the subject.
|
| 48 |
+
[147.320 --> 149.160] Number five is the low shot.
|
| 49 |
+
[149.160 --> 151.040] And the cool thing about using a smartphone gimbal
|
| 50 |
+
[151.040 --> 152.680] is that you can get it super low
|
| 51 |
+
[152.680 --> 154.600] and keep it just above the ground.
|
| 52 |
+
[154.600 --> 157.440] This is gonna show a ton of motion in your shot.
|
| 53 |
+
[157.440 --> 159.760] And then if you pair it with a scene like this,
|
| 54 |
+
[159.760 --> 161.120] well, you can add a reveal
|
| 55 |
+
[161.120 --> 163.480] and it shows this grand landscape
|
| 56 |
+
[163.480 --> 165.280] that's out over this cliff.
|
| 57 |
+
[165.280 --> 167.480] Now the gimbal that I'm using for my phone
|
| 58 |
+
[167.480 --> 169.560] is the DJI OM6.
|
| 59 |
+
[169.560 --> 171.760] And if you wanna learn more about this gimbal,
|
| 60 |
+
[171.760 --> 173.840] I'll put a link in the description for you to check it out.
|
| 61 |
+
[173.840 --> 175.480] Now number six is the follow.
|
| 62 |
+
[175.480 --> 177.720] And this is where you're following a person
|
| 63 |
+
[177.720 --> 180.120] or an object or something in motion.
|
| 64 |
+
[180.120 --> 182.840] And with this, you just wanna follow right behind your subject
|
| 65 |
+
[182.840 --> 184.600] and try to keep your distance.
|
| 66 |
+
[184.600 --> 187.360] It's kind of that third person point of view
|
| 67 |
+
[187.360 --> 189.840] as they're moving through the space.
|
| 68 |
+
[189.840 --> 192.200] Now with this move, if they turn,
|
| 69 |
+
[192.200 --> 193.480] well, you'll wanna turn with them.
|
| 70 |
+
[193.480 --> 195.560] So you're kind of glued to their back
|
| 71 |
+
[195.560 --> 198.400] and you're following them throughout the entire scene.
|
| 72 |
+
[198.400 --> 200.040] Now number seven is very similar.
|
| 73 |
+
[200.040 --> 201.040] It's a follow.
|
| 74 |
+
[201.040 --> 203.360] However, you're gonna be moving at a different pace
|
| 75 |
+
[203.360 --> 204.400] than your subject.
|
| 76 |
+
[204.400 --> 206.400] So for this shot, I'm following Jesse,
|
| 77 |
+
[206.400 --> 208.800] but I'm also gonna be moving around him.
|
| 78 |
+
[208.800 --> 210.640] And so you could play around with the motion
|
| 79 |
+
[210.640 --> 212.720] where you're adding in this orbit feel
|
| 80 |
+
[212.720 --> 215.280] around your subject while also keeping pace
|
| 81 |
+
[215.280 --> 217.240] as they're moving through the scene.
|
| 82 |
+
[217.240 --> 218.960] Number eight is the jib shot.
|
| 83 |
+
[218.960 --> 221.840] And using a gimbal makes this shot so much easier.
|
| 84 |
+
[221.840 --> 223.600] This is where you start down low
|
| 85 |
+
[223.600 --> 225.880] and you swing the camera up high.
|
| 86 |
+
[225.880 --> 228.760] Now one thing that you can do that takes this to the next level
|
| 87 |
+
[228.760 --> 232.000] is add an extension pole at the bottom of the gimbal.
|
| 88 |
+
[232.000 --> 234.480] Here I have a big long extension pole
|
| 89 |
+
[234.480 --> 236.920] so I can get this huge sweep each shot
|
| 90 |
+
[236.920 --> 239.440] as I go from the ground up and over
|
| 91 |
+
[239.440 --> 242.120] and reveal the entire landscape in the distance.
|
| 92 |
+
[242.120 --> 243.600] Number nine is the pan.
|
| 93 |
+
[243.600 --> 246.040] And so instead of sliding left or right,
|
| 94 |
+
[246.040 --> 248.280] you're gonna twist left or right.
|
| 95 |
+
[248.280 --> 251.280] And you could easily do this hand holding the camera,
|
| 96 |
+
[251.280 --> 254.160] but with a gimbal, it's so much smoother.
|
| 97 |
+
[254.160 --> 256.120] And so whenever I'm doing my pans,
|
| 98 |
+
[256.120 --> 258.680] instead of just using my wrist and twisting,
|
| 99 |
+
[258.680 --> 260.480] I like to put my whole body into it
|
| 100 |
+
[260.480 --> 263.560] and it creates this big smooth arcing motion
|
| 101 |
+
[263.560 --> 266.240] to show the entire landscape that's in front of me.
|
| 102 |
+
[266.240 --> 268.200] And number 10 is the look up.
|
| 103 |
+
[268.200 --> 269.840] So if you're filming with a subject
|
| 104 |
+
[269.840 --> 272.280] or you have something cool like these metal sculptures,
|
| 105 |
+
[272.280 --> 275.160] well instead of always keeping the camera at eye level,
|
| 106 |
+
[275.160 --> 277.600] put the camera down low and look up
|
| 107 |
+
[277.600 --> 279.640] because you get this really cool perspective
|
| 108 |
+
[279.640 --> 282.520] that you don't normally see and using a gimbal,
|
| 109 |
+
[282.520 --> 285.160] you can get these shots where you're looking up in the sky,
|
| 110 |
+
[285.160 --> 286.000] fairly easily.
|
| 111 |
+
[286.000 --> 287.920] Now with this move, think of where the sun is
|
| 112 |
+
[287.920 --> 290.280] because if you put the sun behind your subject,
|
| 113 |
+
[290.280 --> 292.800] well you can use that and as you rotate around
|
| 114 |
+
[292.800 --> 295.440] doing an orbit move, you can have the sun flare
|
| 115 |
+
[295.440 --> 297.400] and create a really cool effect.
|
| 116 |
+
[297.400 --> 300.040] Now let's put all these smartphone gimbal moves together
|
| 117 |
+
[300.040 --> 301.720] and let's watch the final video.
|
| 118 |
+
[331.720 --> 357.480] Now next, make sure you check out this video right here,
|
| 119 |
+
[357.480 --> 360.480] which shows you the difference between beginner gimbal moves
|
| 120 |
+
[360.480 --> 361.760] and pro gimbal moves.
|
| 121 |
+
[361.760 --> 363.760] I'll see you over there.
|
transcript/travel_0cIo0PkBs2c.txt
ADDED
|
@@ -0,0 +1,28 @@
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|
| 1 |
+
[0.000 --> 16.000] What can I get started for you today?
|
| 2 |
+
[16.000 --> 18.000] What's nice?
|
| 3 |
+
[18.000 --> 22.000] Three empty lots.
|
| 4 |
+
[22.000 --> 24.000] Would you care for a pastry?
|
| 5 |
+
[24.000 --> 26.000] Nope.
|
| 6 |
+
[26.000 --> 28.000] You don't like it.
|
| 7 |
+
[28.000 --> 30.000] Moka.
|
| 8 |
+
[30.000 --> 32.000] Three moka lattes.
|
| 9 |
+
[32.000 --> 34.000] Five.
|
| 10 |
+
[34.000 --> 36.000] Double chocolate chip muffin.
|
| 11 |
+
[36.000 --> 38.000] Yep.
|
| 12 |
+
[38.000 --> 40.000] Spread your stuff.
|
| 13 |
+
[40.000 --> 44.000] You had three palm and cartonies in these.
|
| 14 |
+
[44.000 --> 48.000] I love the Beatles' taste for my life.
|
| 15 |
+
[48.000 --> 52.000] Something.
|
| 16 |
+
[52.000 --> 54.000] Assassination.
|
| 17 |
+
[54.000 --> 56.000] Hey, Brian Lincoln.
|
| 18 |
+
[56.000 --> 62.000] You, me, gun, shoot.
|
| 19 |
+
[62.000 --> 64.000] Three shots.
|
| 20 |
+
[64.000 --> 66.000] Hello.
|
| 21 |
+
[66.000 --> 68.000] A little slow to the day.
|
| 22 |
+
[68.000 --> 70.000] All right.
|
| 23 |
+
[70.000 --> 72.000] So, three lattes.
|
| 24 |
+
[72.000 --> 74.000] Three mokas.
|
| 25 |
+
[74.000 --> 76.000] Double chocolate chip muffin.
|
| 26 |
+
[76.000 --> 78.000] And three shots.
|
| 27 |
+
[78.000 --> 80.000] No assassinations.
|
| 28 |
+
[80.000 --> 82.000] I'm gonna be 68-12.
|
transcript/travel_0nG7pAXRgvE.txt
ADDED
|
@@ -0,0 +1,103 @@
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| 1 |
+
[0.000 --> 4.160] In this video, I'm going to be giving you 10 tips that will instantly improve the look of your
|
| 2 |
+
[4.160 --> 8.720] smartphone videos. I'm going to show you how by making just a few simple tweaks to the way that
|
| 3 |
+
[8.720 --> 13.600] you shoot can dramatically improve the look of your footage and give you much more professional
|
| 4 |
+
[13.600 --> 23.120] looking results. It's coming up. Hey everyone, Steve here from Learn Online video. Today, I'm at
|
| 5 |
+
[23.120 --> 27.760] this incredible location on the Cornish coast in the southwest of England where I'm going to be
|
| 6 |
+
[27.760 --> 32.640] giving you 10 tips to help you improve the look of your smartphone videos. I'm going to be giving
|
| 7 |
+
[32.640 --> 37.760] you tips on how to shoot your footage as well as tips on editing with music and sound effects.
|
| 8 |
+
[37.760 --> 42.400] Today's video is sponsored by Epidemic Sound. This is where I'm going to be getting all of my music
|
| 9 |
+
[42.400 --> 47.840] and sound effects for today's video. So let's jump straight into tip number one camera angles.
|
| 10 |
+
[47.840 --> 52.720] Try to avoid shooting at eye level. This is the most common angle that people use and it's not
|
| 11 |
+
[52.720 --> 58.560] particularly exciting. So make your footage stand out by mixing up your camera angles. Try
|
| 12 |
+
[58.560 --> 63.040] lowering your camera to get it closer to the ground. This will instantly create a much more
|
| 13 |
+
[63.040 --> 68.480] interesting perspective. Just look at the difference between these two shots. Try shots pointing
|
| 14 |
+
[68.480 --> 74.320] down. Top down shots are a great way to make your footage stand out. Try shots pointing up. This is
|
| 15 |
+
[74.480 --> 78.320] an often overlooked angle that delivers incredibly dramatic results.
|
| 16 |
+
[82.000 --> 87.040] Okay tip number two camera movement. Okay try to keep your camera movement as smooth and
|
| 17 |
+
[87.040 --> 92.080] as steady as possible. Generally this is going to give you the most professional look. Also keep
|
| 18 |
+
[92.080 --> 97.440] your movement consistent and meaningful. Are you pushing your camera forward bringing your audience
|
| 19 |
+
[97.440 --> 103.120] into a scene? Maybe you're lifting your camera up to reveal your location or maybe you're pulling
|
| 20 |
+
[103.120 --> 107.760] your camera back to end a scene. However you move your camera think about the story that you're
|
| 21 |
+
[107.760 --> 113.440] trying to tell and the information that you want to give to your audience. Tip number three accessories.
|
| 22 |
+
[113.440 --> 118.240] Now if you're still struggling to get nice smooth shots when shooting handheld then don't worry
|
| 23 |
+
[118.240 --> 123.520] because there are plenty of accessories out there to help. A gimbal is a great way to easily capture
|
| 24 |
+
[123.520 --> 128.800] nice smooth shots. A gimbal will have modes and features that are much harder to replicate
|
| 25 |
+
[128.800 --> 133.680] handheld. This one for example has a built-in extension pole to help capture more cinematic
|
| 26 |
+
[133.680 --> 139.360] movement. So I'm able to replicate crane and drone shots which really help raise the production
|
| 27 |
+
[139.360 --> 144.080] value of my footage. Or if you're looking for a more handheld look then a cage like this one here
|
| 28 |
+
[144.080 --> 148.960] is a great option. It allows you to take your hands off your camera while shooting plus offers
|
| 29 |
+
[148.960 --> 154.800] the ability to add accessories like a microphone or a light. Also lenses and filters are another great
|
| 30 |
+
[154.800 --> 159.680] way to level up your videos. These will help minimize glare and reflections. They'll also help
|
| 31 |
+
[159.680 --> 164.640] enhance colors. Now don't get me wrong it's totally possible to capture great looking footage
|
| 32 |
+
[164.640 --> 169.200] without all of these accessories but quite often they come in extremely handy and they allow to
|
| 33 |
+
[169.200 --> 174.160] capture those shots much quicker and easier. As always all accessories used in this video will be
|
| 34 |
+
[174.160 --> 179.600] linked in the description below. Okay tip number four slow motion. Slow motion is by far one of the
|
| 35 |
+
[179.600 --> 184.320] best ways to make your footage stand out. Not only does it help smooth out your footage particularly
|
| 36 |
+
[184.400 --> 189.120] when shooting handheld but it also allows your audience to take in more information. Take these
|
| 37 |
+
[189.120 --> 195.360] crashing waves for example this shot looks okay but now let's shoot it again this time in slow motion.
|
| 38 |
+
[195.360 --> 202.240] I'm switching to 120 frames per second and this is the result. A shot that plays at 25% speed.
|
| 39 |
+
[202.240 --> 207.760] It allows the audience to take in more information to appreciate the shot. It makes the moment clearer
|
| 40 |
+
[207.760 --> 212.880] and more dramatic. It can also help set a mood or a tone. Plenty of creative ways that you can
|
| 41 |
+
[213.040 --> 218.560] use slow motion to help make your footage stand out. Be sure to experiment. Okay tip number five
|
| 42 |
+
[218.560 --> 224.400] lenses. Now depending on your phone you may or may not have different lens options. This one for
|
| 43 |
+
[224.400 --> 229.040] example has three lenses. We've got the standard lens. This is the lens that most people use. We've
|
| 44 |
+
[229.040 --> 235.200] got the ultra wide lens. Now we can see even more of this landscape and a telephoto lens. Now we
|
| 45 |
+
[235.200 --> 240.400] can zoom right in on this coastline and capture things we wouldn't normally see. So if you have
|
| 46 |
+
[240.400 --> 245.600] these options then be sure to use them. If your phone doesn't have these lenses then go old school.
|
| 47 |
+
[245.600 --> 250.880] If you want a shot closer up then get closer. If you want a shot from further away then just pull back.
|
| 48 |
+
[250.880 --> 256.800] The most important part here is that you're capturing a good variety of shots. Nice close-up detailed
|
| 49 |
+
[256.800 --> 262.800] shots mid shots and wide shots. That's what's going to keep your footage interesting and your viewers
|
| 50 |
+
[262.800 --> 269.440] engaged. Tip number six music and sound effects. The difference simply adding music and sound effects can
|
| 51 |
+
[269.440 --> 275.280] make to your footage is huge. Take this shot here for example. It looks okay but the audio is terrible.
|
| 52 |
+
[275.280 --> 279.920] So I'm going to swap out this horrible wind noise with something a little less distracting at a
|
| 53 |
+
[279.920 --> 284.000] soft layer of music and at a sound of some waves crashing. Let's take a listen.
|
| 54 |
+
[289.280 --> 294.640] Much better by simply adding music and sound effects to that shot we completely change the feel
|
| 55 |
+
[294.640 --> 298.720] and the mood. So if you're looking for some of the best music and sound effects there is out there
|
| 56 |
+
[298.720 --> 303.120] then I highly recommend checking out the sponsor of today's video Epidemic Sand. I've been using
|
| 57 |
+
[303.120 --> 307.600] them for years not only do they have a huge library of music and sound effects that's all easy to
|
| 58 |
+
[307.600 --> 313.040] find because it's archived into albums and playlists. They've got cinematic, electro beats, rock,
|
| 59 |
+
[313.040 --> 318.320] anything you like. You can search by mood, genre or theme. They make the whole music licensing
|
| 60 |
+
[318.320 --> 323.120] process incredibly easy and this saves you a huge amount of time which can really help speed up your
|
| 61 |
+
[323.120 --> 328.400] workflow. And the best part is not only do they offer a free 30 day trial to anyone that uses the
|
| 62 |
+
[328.400 --> 333.920] link in my description but they're also offering 50% off an annual personal plan when you use the
|
| 63 |
+
[333.920 --> 339.040] promo code Learn 50 at checkout. This is by far the best promo code they've ever given me by the
|
| 64 |
+
[339.040 --> 343.840] way and I'm honestly not sure how long it's going to last. So if you're looking to save some money
|
| 65 |
+
[343.840 --> 348.960] on some music and sound effects now is the time links are in the description below.
|
| 66 |
+
[348.960 --> 353.120] Okay let's talk about camera phone features because depending on what phone you have
|
| 67 |
+
[353.200 --> 358.640] will depend on what features you have. This phone for example the iPhone 13 Pro Max has cinematic
|
| 68 |
+
[358.640 --> 363.600] mode. This will allow me to select my focal point and it will then blot out the background to give
|
| 69 |
+
[363.600 --> 369.440] it a much more filmic look. This mode replicates a shallow depth of field not something you usually
|
| 70 |
+
[369.440 --> 374.640] associated with smartphone footage so a great way to increase the production value of my footage.
|
| 71 |
+
[374.640 --> 379.120] We also have time lapse mode. This is another great way to add movement to your shots. It's
|
| 72 |
+
[379.120 --> 383.440] important that you keep your camera nice and still for this. I don't have a tripod with me today
|
| 73 |
+
[383.440 --> 390.080] so I'm going to attach my phone to my gimbal, rest it against my camera bag and hit record. This is the result.
|
| 74 |
+
[395.280 --> 400.480] Also try walking with your camera in time lapse mode. This will create a moving time lapse or
|
| 75 |
+
[400.480 --> 405.920] hyperlapse as it's known. I've got an entire video dedicated to shooting hyperlapses. I will link it
|
| 76 |
+
[406.480 --> 410.640] below. Let's talk about color grading because color grading is one of the best ways to stylise
|
| 77 |
+
[410.640 --> 417.040] your footage. Most smartphones shoot in a very similar picture profile. It's usually quite saturated
|
| 78 |
+
[417.040 --> 422.800] and the colors are boosted but we can change that by adding a color grade. We could go dark and
|
| 79 |
+
[422.800 --> 428.880] moody. We could go bright and colorful. Again experimentation is key. Do what works best for you
|
| 80 |
+
[428.880 --> 434.640] in your footage. Play around with contrast, white balance, saturation. Personally I use my own
|
| 81 |
+
[434.640 --> 439.360] custom lots as these are specifically designed for smartphone footage. I can just drag these on
|
| 82 |
+
[439.360 --> 444.400] and with the click of a button add any of these presets to my edit giving each one a different style
|
| 83 |
+
[444.400 --> 449.680] and this saves me a ton of time. I will link my smartphone backpack in the description below.
|
| 84 |
+
[449.680 --> 454.560] Okay number nine camera apps. Let's talk about camera apps because this is important. Now when
|
| 85 |
+
[454.560 --> 459.120] first starting out to your phone's native camera app will be more than enough for what you need.
|
| 86 |
+
[459.120 --> 463.920] The app is simplistic. It's easy to use and delivers great results. But for some of you,
|
| 87 |
+
[463.920 --> 468.240] particularly those of you that are taking things a bit more seriously, you might need more control
|
| 88 |
+
[468.240 --> 473.280] over your camera settings. So this is where a professional camera app comes in. You can find these on
|
| 89 |
+
[473.280 --> 477.760] the app store summer free. Some you have to pay for. The moment app is free. So let's go with that one
|
| 90 |
+
[477.760 --> 482.560] for now. Okay with the app open we now have full access to our camera controls and we can manually
|
| 91 |
+
[482.560 --> 488.560] adjust all of our settings. I can change the ISO, shutter speed, white balance. I can then lock in
|
| 92 |
+
[488.560 --> 493.440] all of these settings and this will give my footage a much more consistent look. Okay tip number
|
| 93 |
+
[493.920 --> 499.440] get creative. Just try and have fun when you shoot. Look for ways to capture shots that are unique
|
| 94 |
+
[499.440 --> 505.280] or unusual. Think about creative ways to make your footage stand out. Use transitions. Look for
|
| 95 |
+
[505.280 --> 511.040] interesting angles and perspectives. Experiment the different styles of shooting and editing. Look for
|
| 96 |
+
[511.040 --> 516.640] locations that an audience would enjoy seeing and use elements within your environment to help tell
|
| 97 |
+
[516.640 --> 522.480] a story. Combine all of this with music, sound effects and color grading. So look hopefully these
|
| 98 |
+
[522.480 --> 526.800] tips have helped and you'll see a huge improvement the next time you go out and shoot. If you found
|
| 99 |
+
[526.800 --> 530.880] this video useful and you'd like to learn more about video production and filmmaking then I have a
|
| 100 |
+
[530.880 --> 536.080] ton more content on this channel. Be sure to check it out. Particularly these two videos here. This
|
| 101 |
+
[536.080 --> 540.880] one here will teach you how to shoot cinematic smartphone footage and this one here will teach you
|
| 102 |
+
[540.880 --> 546.160] how to improve your gimbal moves. But that's it from me. Thanks for watching and I will see you in the
|
| 103 |
+
[546.160 --> 549.280] next video.
|
transcript/travel_2xJ_hbD4TQA.txt
ADDED
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| 1 |
+
[0.000 --> 11.320] In Italy, different flowers have different meanings.
|
| 2 |
+
[11.320 --> 22.960] Chris Anthemoms, for example, are associated with fuels and sadness.
|
| 3 |
+
[22.960 --> 27.560] At HSBC, we never underestimate the importance of local knowledge.
|
| 4 |
+
[27.560 --> 29.560] HSBC, the world.
|
| 5 |
+
[31.560 --> 34.120] We sell more and more products in India.
|
| 6 |
+
[34.120 --> 35.360] It's going to be better.
|
| 7 |
+
[35.360 --> 36.360] India.
|
| 8 |
+
[46.880 --> 53.120] If you're going to do business internationally, you should be with a bank that knows about international business.
|
| 9 |
+
[53.120 --> 58.120] The HSBC commercial banking spans 64 countries and territories around the globe.
|
| 10 |
+
[58.120 --> 59.120] Look at this.
|
| 11 |
+
[59.120 --> 62.120] With your machines I make them, and the more the sooner I use to.
|
| 12 |
+
[62.120 --> 63.120] Have it?
|
| 13 |
+
[63.120 --> 66.120] Your business success is out there.
|
| 14 |
+
[66.120 --> 67.120] Is your bank?
|
| 15 |
+
[74.120 --> 82.120] In some Asian cities, it's considered acceptable for a commuter to fall asleep on the shoulder of a stranger.
|
| 16 |
+
[83.120 --> 85.120] India.
|
| 17 |
+
[88.120 --> 95.120] In New York, it's quite a different story.
|
| 18 |
+
[103.120 --> 107.120] Of course, you can always adapt.
|
| 19 |
+
[114.120 --> 116.120] India.
|
| 20 |
+
[120.120 --> 125.120] The global banks never underestimate the importance of local knowledge.
|
| 21 |
+
[125.120 --> 126.120] HSBC, the world's local bank.
|
| 22 |
+
[126.120 --> 130.120] We sell more and more products in India.
|
| 23 |
+
[130.120 --> 134.120] We sell more and more products in India.
|
| 24 |
+
[134.120 --> 137.120] We sell more and more comenced.
|
| 25 |
+
[137.120 --> 140.120] We sell more products in India.
|
| 26 |
+
[140.120 --> 142.120] We sell more products in India.
|
| 27 |
+
[144.120 --> 147.120] No, hold your hand.
|
| 28 |
+
[147.120 --> 154.120] The English believe it's a slur on your host's food if you don't clear your plate.
|
| 29 |
+
[154.120 --> 160.120] Whereas the Chinese feel your question their generosity if you do.
|
| 30 |
+
[160.120 --> 167.120] At HSBC, we never underestimate the importance of local knowledge.
|
| 31 |
+
[168.120 --> 174.120] Which is why we have local banks stuffed by local people in over 80 countries across the globe.
|
| 32 |
+
[182.120 --> 185.120] HSBC, the world's local bank.
|
| 33 |
+
[198.120 --> 204.120] In America, if you had a hole in one you were expected to buy everyone a drink.
|
| 34 |
+
[204.120 --> 209.120] However, in Japan it's traditional to buy your playing partners expensive gifts.
|
| 35 |
+
[209.120 --> 215.120] At HSBC, we never underestimate the importance of local knowledge.
|
| 36 |
+
[239.120 --> 248.120] HSBC, the world's local bank.
|
transcript/travel_3dP6_zpbphw.txt
ADDED
|
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|
| 1 |
+
[0.000 --> 6.840] I'm gonna tell you how to overcome the fear of vlogging in public and this is also going to help you overcome camera shyness in general.
|
| 2 |
+
[6.840 --> 8.140] We're starting right now.
|
| 3 |
+
[8.140 --> 14.120] What is going on? My name is Nick. Welcome to another video.
|
| 4 |
+
[14.120 --> 19.700] If this is your first time here and you want to learn how to grow your channel, make videos and all types of other YouTube related stuff,
|
| 5 |
+
[19.700 --> 23.040] start now by subscribing and clicking the bell so you don't miss anything.
|
| 6 |
+
[23.040 --> 28.680] Okay, there's no doubt that vlogging in public can be extremely intimidating because you have all these things going on in your head.
|
| 7 |
+
[28.680 --> 31.320] Like, oh, well, what if this person thinks I'm an idiot because I'm vlogging?
|
| 8 |
+
[31.320 --> 33.360] What if this person thinks that I'm saying something stupid?
|
| 9 |
+
[33.360 --> 39.160] What if people start gathering around while I'm making a video and they start looking at me, then what's going to happen?
|
| 10 |
+
[39.160 --> 43.720] And let's be honest, some people are going to think that and if you're wanting to vlog out in public,
|
| 11 |
+
[43.720 --> 45.320] you just can't overcome that right now.
|
| 12 |
+
[45.320 --> 49.840] I'm actually going to tell you some little hacks that you can do to make the whole process easier on yourself.
|
| 13 |
+
[49.840 --> 55.960] The very first thing is to record your videos and clips because if you record your videos and clips kind of like I'm going throughout this,
|
| 14 |
+
[55.960 --> 60.200] you don't have to stay there for a long period of time and have people looking at you for the entire time.
|
| 15 |
+
[60.200 --> 62.520] So you can just record it, hit it, get it, go.
|
| 16 |
+
[62.520 --> 66.600] Doing it that way can also help you organize clips when you're putting your projects together,
|
| 17 |
+
[66.600 --> 71.200] especially if you're doing like travel vlogs or just day-to-day life vlogs and you're not giving tips like I am.
|
| 18 |
+
[71.200 --> 76.160] It can really make a difference in being able to keep everything organized so that it makes your work easier.
|
| 19 |
+
[76.160 --> 81.160] And another thing that really helps me when it comes to doing this kind of stuff in public and it might help you as well,
|
| 20 |
+
[81.160 --> 87.120] is think of the people that are watching the video more than you're thinking of the people that are around you.
|
| 21 |
+
[87.120 --> 88.120] Here's what I mean.
|
| 22 |
+
[88.120 --> 92.040] Of course, you want to be respectful to the people in your real-world environment.
|
| 23 |
+
[92.040 --> 97.800] However, one thing that you can focus on that has been a huge help for me is think of what people are getting from watching your videos.
|
| 24 |
+
[97.800 --> 100.040] Think of the viewers that are watching your videos.
|
| 25 |
+
[100.040 --> 102.840] If you're doing any type of content where you might need to be outside to do it,
|
| 26 |
+
[102.840 --> 105.800] there's a really good chance you're adding some type of cool or unique value.
|
| 27 |
+
[105.800 --> 107.840] For example, I'm sharing tips for YouTube.
|
| 28 |
+
[107.840 --> 112.240] If you're doing travel vlogs, you're showing people your experiences in places they might not ever see.
|
| 29 |
+
[112.240 --> 115.280] If you're doing normal vlogs where you just around your hometown or whatever.
|
| 30 |
+
[115.280 --> 120.880] In that case, you're also showing people insight into your life that they might be able to gain some type of inspiration from
|
| 31 |
+
[120.880 --> 125.000] or that they might be able to get an additional thing that is of value to them.
|
| 32 |
+
[125.000 --> 128.120] Whereas the people that are around you, if you weren't blogging,
|
| 33 |
+
[128.120 --> 131.240] you would just be walking past them without any communication whatsoever.
|
| 34 |
+
[131.240 --> 135.280] And real quick, visually, this is like a really cool looking intersection.
|
| 35 |
+
[135.280 --> 137.160] So I just want to show you two really quicks so you can check it out.
|
| 36 |
+
[137.160 --> 139.040] We've got like some of the stuff going down the hill.
|
| 37 |
+
[139.040 --> 141.360] We've got like a handful of roads kind of emerging here.
|
| 38 |
+
[141.360 --> 142.880] Well, it looks pretty cool checking out.
|
| 39 |
+
[148.160 --> 151.440] The next thing to remember is that really nobody cares.
|
| 40 |
+
[151.440 --> 155.320] I mean, I'm sure you don't have any problems taking selfies when you're out with buddies or anything like that.
|
| 41 |
+
[155.320 --> 156.200] Like really nobody cares.
|
| 42 |
+
[156.200 --> 159.160] It's normal these days for everybody to be making videos.
|
| 43 |
+
[159.160 --> 161.080] Everybody to be taking photos wherever they're at.
|
| 44 |
+
[161.080 --> 163.440] As a matter of fact, there's people over here right now.
|
| 45 |
+
[165.280 --> 166.840] Taking photos.
|
| 46 |
+
[166.840 --> 168.080] And of course, practice.
|
| 47 |
+
[168.080 --> 169.760] If you're not practicing, well, guess what?
|
| 48 |
+
[169.760 --> 170.880] You're not going to get better.
|
| 49 |
+
[170.880 --> 172.880] So if this is something that you want to do, well,
|
| 50 |
+
[172.880 --> 176.440] of course, the more that you practice at it, the better that you're going to get at it,
|
| 51 |
+
[176.440 --> 178.400] the more comfortable that you're going to get at it.
|
| 52 |
+
[178.400 --> 181.920] And the better, you're actually going to be at it if you just practice it,
|
| 53 |
+
[181.920 --> 184.720] you practice getting out there and getting over that fear.
|
| 54 |
+
[184.720 --> 188.320] Another thing that you can do if you are intimidated by blogging in public
|
| 55 |
+
[188.320 --> 190.560] is you can also get off the beat and path a little bit.
|
| 56 |
+
[190.560 --> 194.720] So that you're still outside, you're still out in the world, so to speak.
|
| 57 |
+
[194.720 --> 198.240] But while you're out in the world, you're a little bit off the beat and path.
|
| 58 |
+
[198.240 --> 199.280] Like you can see right now.
|
| 59 |
+
[199.280 --> 200.880] Like I've got a bunch of people over here.
|
| 60 |
+
[200.880 --> 202.480] But like behind me, there's not many people.
|
| 61 |
+
[202.480 --> 205.360] And most of the people over here, they're just focused on eating in the restaurant.
|
| 62 |
+
[205.360 --> 208.960] And they don't really care what I'm doing if they even notice me at all.
|
| 63 |
+
[208.960 --> 211.800] Kind of like where I'm at right now, for example.
|
| 64 |
+
[211.800 --> 216.000] And that kind of brings me to the next thing is most people, they don't care.
|
| 65 |
+
[216.000 --> 219.640] Like it's usually us that has the biggest problem with all of this.
|
| 66 |
+
[219.640 --> 220.400] We're going around.
|
| 67 |
+
[220.400 --> 222.200] We're like, oh, what are people going to think about me?
|
| 68 |
+
[222.200 --> 223.600] But people are doing their own thing.
|
| 69 |
+
[223.600 --> 224.600] If they're outside,
|
| 70 |
+
[224.600 --> 227.000] they're trying to enjoy whatever it is that they're going outside.
|
| 71 |
+
[227.000 --> 230.120] They're not really caring about all of the people that are doing stuff around them,
|
| 72 |
+
[230.120 --> 232.640] unless it's actually bothering them in some way.
|
| 73 |
+
[232.640 --> 235.280] But in most cases, as long as you're not getting people on camera,
|
| 74 |
+
[235.280 --> 236.960] nobody's really going to care.
|
| 75 |
+
[236.960 --> 240.360] The next thing that you can do is if you are worried about vlogging in public,
|
| 76 |
+
[240.360 --> 242.160] and you have a fear about vlogging in public,
|
| 77 |
+
[242.160 --> 244.520] get fired up, get excited about what it is that you're going.
|
| 78 |
+
[244.520 --> 248.280] And just that excitement can really help you focus on what it is that you're going
|
| 79 |
+
[248.280 --> 250.920] and kind of make everything else that's around you going on.
|
| 80 |
+
[250.920 --> 253.320] Make all of that stuff kind of fade away.
|
| 81 |
+
[253.320 --> 256.880] Now I put together a whole playlist of additional videos that will help you overcome camera
|
| 82 |
+
[256.880 --> 257.880] shyness.
|
| 83 |
+
[257.880 --> 260.640] You can watch that here right now, and to learn more ways to grow your channel,
|
| 84 |
+
[260.640 --> 264.400] make videos and all types of other YouTube related stuff, start now by subscribing.
|
| 85 |
+
[264.400 --> 266.000] Thank you so much for watching.
|
| 86 |
+
[266.000 --> 267.480] I'll see you next time.
|
transcript/travel_6yMJqeV2wjY.txt
ADDED
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|
| 1 |
+
[0.000 --> 4.440] So we're gonna transition to that video in three, two, one.
|
| 2 |
+
[4.440 --> 6.380] Hey, what's up guys, Thomas here, and in this video,
|
| 3 |
+
[6.380 --> 9.000] I'm gonna show you how to do my top five smartphone
|
| 4 |
+
[9.000 --> 11.600] handheld camera transition with a full explanation
|
| 5 |
+
[11.600 --> 13.280] on how to do each one.
|
| 6 |
+
[13.280 --> 15.200] Now, these are all in camera transitions.
|
| 7 |
+
[15.200 --> 17.840] There's no fancy editing or special effects required
|
| 8 |
+
[17.840 --> 19.520] just to couple the simple cuts.
|
| 9 |
+
[20.520 --> 21.920] And we're gonna start from beginner,
|
| 10 |
+
[21.920 --> 23.720] working our way up to pro.
|
| 11 |
+
[23.720 --> 24.560] Let's go.
|
| 12 |
+
[24.560 --> 25.960] Alright, transition number one,
|
| 13 |
+
[25.960 --> 28.160] you've probably heard of it, it's called the WhipPant.
|
| 14 |
+
[28.160 --> 30.840] It's basic but extremely effective, so we have to cover it.
|
| 15 |
+
[30.840 --> 32.320] Let me give you a demonstration today
|
| 16 |
+
[32.320 --> 33.560] on how to do it right.
|
| 17 |
+
[33.560 --> 35.560] The key thing with the WhipPant is that
|
| 18 |
+
[35.560 --> 37.560] you're gonna hold the phone steady.
|
| 19 |
+
[37.560 --> 40.560] So we're gonna record, hold the phone with a stable base,
|
| 20 |
+
[40.560 --> 42.040] make sure it's not lopsided.
|
| 21 |
+
[42.040 --> 45.960] What we're gonna do is simply whip our phone to the right.
|
| 22 |
+
[45.960 --> 48.440] What I like to do is actually pivot on my feet a little bit.
|
| 23 |
+
[48.440 --> 49.480] If I just do it with the arms,
|
| 24 |
+
[49.480 --> 51.920] I feel like I don't get a fully smooth whip.
|
| 25 |
+
[51.920 --> 55.920] So what I do is move my body and pan like that.
|
| 26 |
+
[55.920 --> 57.160] The second thing to keep in mind here
|
| 27 |
+
[57.160 --> 59.120] is the direction that you do the WhipPant in.
|
| 28 |
+
[59.120 --> 61.640] So just then we went from left to right.
|
| 29 |
+
[61.640 --> 65.000] The next shot we now get, we're gonna go from left to right
|
| 30 |
+
[65.000 --> 66.840] in another location to emphasize
|
| 31 |
+
[66.840 --> 67.840] how cool this can be.
|
| 32 |
+
[67.840 --> 70.200] And so now we have this nice bridge in front of us.
|
| 33 |
+
[70.200 --> 75.200] What we're gonna do is go from the left pan to the right.
|
| 34 |
+
[75.720 --> 77.600] Now one of the key things people make the mistake
|
| 35 |
+
[77.600 --> 81.280] of doing here is that it'll end up being something like this
|
| 36 |
+
[81.280 --> 84.080] and they'll pan, but it'll kind of be a wobbly shot like this.
|
| 37 |
+
[84.080 --> 86.080] So they'll kind of pan uncontrollably
|
| 38 |
+
[86.080 --> 87.520] and then it won't really be steady
|
| 39 |
+
[87.520 --> 89.240] and focused on the subject that you want.
|
| 40 |
+
[89.240 --> 91.160] So you wanna be fast, but you wanna be smooth.
|
| 41 |
+
[91.160 --> 92.400] Think smooth and fast.
|
| 42 |
+
[92.400 --> 94.080] That's why I like to pivot on my heels.
|
| 43 |
+
[95.080 --> 98.200] So you end up with a nice clean shot afterwards.
|
| 44 |
+
[98.200 --> 102.800] Now I know we are still on the basics,
|
| 45 |
+
[102.800 --> 103.640] we're only on number one,
|
| 46 |
+
[103.640 --> 104.680] but I wanna give you a little bonus here
|
| 47 |
+
[104.680 --> 105.520] because it's really important.
|
| 48 |
+
[105.520 --> 107.960] When you've seen videos of these transitions looking awesome,
|
| 49 |
+
[107.960 --> 110.560] it's almost never that it's a static shot,
|
| 50 |
+
[110.560 --> 112.280] pan, then static shot.
|
| 51 |
+
[112.280 --> 114.600] What it usually is is some kind of movement involved.
|
| 52 |
+
[114.600 --> 116.360] So let's say this is our static shot now.
|
| 53 |
+
[116.360 --> 120.560] We're gonna move forward, pan,
|
| 54 |
+
[120.560 --> 123.960] and then we're going to whip pan onto another shot
|
| 55 |
+
[123.960 --> 125.400] that's also moving forward.
|
| 56 |
+
[125.400 --> 127.320] So we have that continual sense of movement
|
| 57 |
+
[127.320 --> 128.440] throughout our video.
|
| 58 |
+
[128.440 --> 131.280] So now getting that second shot, panning onto it,
|
| 59 |
+
[131.280 --> 133.400] whilst moving forward like that.
|
| 60 |
+
[133.400 --> 135.640] Put those two together, it should look pretty cool.
|
| 61 |
+
[135.640 --> 139.600] What's the point of doing this?
|
| 62 |
+
[139.600 --> 142.040] Okay, handheld smartphone transition number two
|
| 63 |
+
[142.040 --> 143.800] is the push forward.
|
| 64 |
+
[143.800 --> 145.760] Now this one, I'm gonna demonstrate it
|
| 65 |
+
[145.760 --> 147.560] with some kind of texture shot,
|
| 66 |
+
[147.560 --> 148.800] where we're gonna go down low here.
|
| 67 |
+
[148.800 --> 151.440] And what we're gonna do is get that moving forward motion again,
|
| 68 |
+
[152.480 --> 154.600] and then suddenly move forward quickly.
|
| 69 |
+
[154.600 --> 156.000] So let's try that one more time.
|
| 70 |
+
[158.520 --> 160.080] So part two of this transition,
|
| 71 |
+
[160.080 --> 161.840] we're going to get the texture of a tree here,
|
| 72 |
+
[161.840 --> 165.480] and we're gonna start with that quick forward push.
|
| 73 |
+
[165.480 --> 167.480] Pushing forward and then slowing down.
|
| 74 |
+
[174.800 --> 177.200] Now with both of these transitions,
|
| 75 |
+
[177.200 --> 179.720] the timing of your cut is very important.
|
| 76 |
+
[179.720 --> 182.600] You can either have a long looking transition
|
| 77 |
+
[182.600 --> 185.600] by extending the amount of time for each whip,
|
| 78 |
+
[185.600 --> 188.440] or you can get a very short punchy looking transition
|
| 79 |
+
[188.440 --> 191.760] by just using the first little tiny microsecond
|
| 80 |
+
[191.760 --> 192.880] of each movement.
|
| 81 |
+
[192.880 --> 195.760] Transition number three, I like to call the tilt and twist.
|
| 82 |
+
[196.840 --> 198.920] For this one, we're gonna start walking forward,
|
| 83 |
+
[198.920 --> 202.360] tilting up, and then whilst we're tilting up, we twist.
|
| 84 |
+
[202.400 --> 204.160] Okay, that's all we need.
|
| 85 |
+
[204.160 --> 208.560] So, walking forwards, up and twist.
|
| 86 |
+
[208.560 --> 210.840] Now I know I don't look like the coolest filmmaker,
|
| 87 |
+
[210.840 --> 212.000] you know, when I'm kind of,
|
| 88 |
+
[213.240 --> 214.480] but the video looks cool.
|
| 89 |
+
[214.480 --> 218.520] In the end, I just hope no one, no one sees me.
|
| 90 |
+
[218.520 --> 221.280] Okay, so let's say I wanted to transition to this tree here.
|
| 91 |
+
[221.280 --> 223.200] We had the kind of warm sunset vibe,
|
| 92 |
+
[223.200 --> 225.280] and now I got this cold, win-tory tree vibe.
|
| 93 |
+
[225.280 --> 227.680] So, we've already gone up and we've twisted.
|
| 94 |
+
[227.680 --> 229.480] So that's kind of pretend the other shot was there.
|
| 95 |
+
[229.480 --> 231.520] So we've gone up, we've twisted.
|
| 96 |
+
[231.520 --> 235.000] So now what we're gonna do is twist and come down like that.
|
| 97 |
+
[235.000 --> 235.960] So one more time.
|
| 98 |
+
[238.080 --> 240.120] What we can also try and do is moving forward.
|
| 99 |
+
[243.240 --> 244.560] Shhh.
|
| 100 |
+
[244.560 --> 245.400] Shhh.
|
| 101 |
+
[245.400 --> 246.240] Shhh.
|
| 102 |
+
[246.240 --> 247.080] Shhh.
|
| 103 |
+
[247.080 --> 247.920] Shhh.
|
| 104 |
+
[247.920 --> 249.440] Shhh.
|
| 105 |
+
[249.440 --> 252.640] Okay, transition number four is the object reveal.
|
| 106 |
+
[252.640 --> 256.840] So, we've got this nice shot of some chimney smoke
|
| 107 |
+
[256.840 --> 259.320] with a little hint of the last bit in the sunset here,
|
| 108 |
+
[259.320 --> 261.480] and we're gonna do a quick tracking
|
| 109 |
+
[261.480 --> 265.720] motion from left to right behind this tree here.
|
| 110 |
+
[265.720 --> 269.360] Now, we just need to make sure that the object covers the whole
|
| 111 |
+
[269.360 --> 273.280] of your camera frame and not just part of it like this or like this.
|
| 112 |
+
[273.280 --> 276.200] So, it needs to be something thick enough that you move behind
|
| 113 |
+
[276.200 --> 279.120] that at some point covers the whole of the frame.
|
| 114 |
+
[279.120 --> 282.720] Now we're gonna go find another object that is probably gonna be
|
| 115 |
+
[282.720 --> 285.320] another tree in this instance that we can cut
|
| 116 |
+
[285.320 --> 288.000] and there won't be any difference in texture or color
|
| 117 |
+
[288.000 --> 290.560] so we can then use that to reveal another scene.
|
| 118 |
+
[290.640 --> 292.960] So, let's say we wanted to transition to this bridge we've got
|
| 119 |
+
[292.960 --> 296.240] in front of us, what we do is we put the camera behind the tree.
|
| 120 |
+
[296.240 --> 297.280] So, this one's a thinner tree.
|
| 121 |
+
[297.280 --> 298.680] So, for example, we wouldn't do it here.
|
| 122 |
+
[298.680 --> 299.680] We do it right here.
|
| 123 |
+
[299.680 --> 302.840] So, it's important that you press to get the auto exposure
|
| 124 |
+
[302.840 --> 306.360] and also focus locked on to the subject that you want to reveal.
|
| 125 |
+
[306.360 --> 309.840] Otherwise, it will flick between the tree and where you're going
|
| 126 |
+
[309.840 --> 312.560] and you wanna continue that tracking motion
|
| 127 |
+
[312.560 --> 314.840] in the same direction as the other shot.
|
| 128 |
+
[315.000 --> 319.840] Alright, transition number five, the pro transition.
|
| 129 |
+
[322.560 --> 325.080] This is called the Whip Pan Redirect.
|
| 130 |
+
[325.080 --> 326.960] I actually came up with this when I was filming a video
|
| 131 |
+
[326.960 --> 329.160] back in Barcelona a couple of years ago
|
| 132 |
+
[329.160 --> 331.280] and what it consists of is a Whip Pan
|
| 133 |
+
[331.280 --> 333.800] then a kind of a decoy shot where you go
|
| 134 |
+
[333.800 --> 335.640] in the same direction as a Whip Pan,
|
| 135 |
+
[335.640 --> 338.160] stay on an object, whip the other way,
|
| 136 |
+
[338.160 --> 341.240] followed by another Whip Pan to your final shot.
|
| 137 |
+
[341.240 --> 343.400] So, it's actually composed of three shots.
|
| 138 |
+
[343.400 --> 344.400] Let me show you what I mean.
|
| 139 |
+
[344.440 --> 346.040] So, we're gonna do the basic Whip Pan
|
| 140 |
+
[346.040 --> 347.760] with a bit of forward motion.
|
| 141 |
+
[347.760 --> 352.760] So, we lean back, forwards, and we whip from left to right.
|
| 142 |
+
[353.880 --> 356.080] Shot number two, this is the key one that's a bit different.
|
| 143 |
+
[356.080 --> 358.880] We're gonna go down here and get some kind of texture shot.
|
| 144 |
+
[358.880 --> 361.800] So, what we're gonna do is go close to the water here
|
| 145 |
+
[361.800 --> 366.720] and make sure our focus and exposure is locked fairly near to us.
|
| 146 |
+
[366.720 --> 370.280] And we're gonna whip in the same directions as the first shot,
|
| 147 |
+
[370.280 --> 373.440] focus on the water and whip back again.
|
| 148 |
+
[373.480 --> 374.640] Let me show you that all more time.
|
| 149 |
+
[374.640 --> 378.200] So, we're going to whip in the same direction,
|
| 150 |
+
[378.200 --> 380.680] focus on the water and then whip back.
|
| 151 |
+
[380.680 --> 383.760] And we're gonna finish out with a shot of all these birds.
|
| 152 |
+
[383.760 --> 386.240] Remember, with that one that we just did,
|
| 153 |
+
[386.240 --> 388.480] we went from right and then left.
|
| 154 |
+
[388.480 --> 390.480] So, this one we're gonna come left again.
|
| 155 |
+
[394.760 --> 397.720] Happens to finish up with a beautiful one.
|
| 156 |
+
[398.560 --> 405.600] If you would like a list of all the gear that I recommend,
|
| 157 |
+
[405.600 --> 406.720] that is in the link below.
|
| 158 |
+
[406.720 --> 409.240] Down there, you'll also find a free 30 minute training
|
| 159 |
+
[409.240 --> 412.200] called the Seven Secrets to Create and Cinematic Travel Videos.
|
| 160 |
+
[412.200 --> 413.720] It's packed with a bunch of value.
|
| 161 |
+
[413.720 --> 415.000] And I think you guys are gonna love it.
|
| 162 |
+
[415.000 --> 416.960] So go and check that out if you wanna learn more.
|
| 163 |
+
[416.960 --> 418.800] Until next time, keep filming, bye-bye.
|
transcript/travel_AfutJkk0dO0.txt
ADDED
|
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|
| 1 |
+
[0.000 --> 5.420] Meeting new people, having positive body language and making a good impression are actually
|
| 2 |
+
[5.420 --> 9.600] pretty simple if you follow the steps shared in this video.
|
| 3 |
+
[9.600 --> 11.800] You might have some questions.
|
| 4 |
+
[11.800 --> 14.800] How do you break the ice while meeting someone new?
|
| 5 |
+
[14.800 --> 19.360] Or how do you understand whether a person is interested or not?
|
| 6 |
+
[19.360 --> 22.000] It all starts with body language.
|
| 7 |
+
[22.000 --> 27.040] When it comes to conversations, your body says more than your words ever could.
|
| 8 |
+
[27.040 --> 31.600] Here are some of the basic rules of body language that you should know if you want to
|
| 9 |
+
[31.600 --> 33.800] become an expert.
|
| 10 |
+
[33.800 --> 34.800] 1.
|
| 11 |
+
[34.800 --> 36.320] Smile
|
| 12 |
+
[36.320 --> 41.080] A smile is one of the most powerful tools in communication.
|
| 13 |
+
[41.080 --> 45.720] Smiling conveys friendliness and openness, which can be key when meeting new people or
|
| 14 |
+
[45.720 --> 48.560] trying to make a good first impression.
|
| 15 |
+
[48.560 --> 53.800] While we may think that smiling requires someone else to smile first, research has actually
|
| 16 |
+
[53.800 --> 59.760] shown that when we force ourselves to smile, even if it's just a small smirk, our brains
|
| 17 |
+
[59.760 --> 64.200] actually recognize it as real and respond accordingly.
|
| 18 |
+
[64.200 --> 69.520] Meaning that others will likely mirror your facial expression and return the gesture.
|
| 19 |
+
[69.520 --> 75.400] So no matter how awkward things may seem at first, a simple smile can go a long way in
|
| 20 |
+
[75.400 --> 81.240] helping break down social barriers and creating a warm atmosphere for conversation.
|
| 21 |
+
[81.240 --> 83.240] 2.
|
| 22 |
+
[83.240 --> 85.160] Make eye contact
|
| 23 |
+
[85.160 --> 90.380] Eye contact is another key element in making sure people feel comfortable around you.
|
| 24 |
+
[90.380 --> 95.280] Not only does it show that you're paying attention, but it also gives off an air of confidence
|
| 25 |
+
[95.280 --> 97.480] and reliability.
|
| 26 |
+
[97.480 --> 102.760] This doesn't mean staring into someone's eyes for too long or talking directly at them.
|
| 27 |
+
[102.760 --> 109.040] Instead, aim for eye contact about 60 to 70% of the time during the conversation.
|
| 28 |
+
[109.040 --> 114.760] This shows that you're engaged without making things too intense or awkward.
|
| 29 |
+
[114.760 --> 115.760] 3.
|
| 30 |
+
[115.760 --> 117.760] Posture is everything
|
| 31 |
+
[117.760 --> 121.800] Posture is more important than ever when conversing with others.
|
| 32 |
+
[121.800 --> 127.040] Stand up straight and keep your arms unfolded to give off an approachable vibe.
|
| 33 |
+
[127.040 --> 131.000] No one wants to talk to someone who looks like they want nothing more than to be somewhere
|
| 34 |
+
[131.000 --> 132.640] else.
|
| 35 |
+
[132.640 --> 136.920] Keeping an open stance also lets people know that they can come up and talk to you without
|
| 36 |
+
[136.920 --> 143.000] feeling intimidated or judged, which means more opportunities for meaningful conversations.
|
| 37 |
+
[143.000 --> 144.720] 4.
|
| 38 |
+
[144.720 --> 146.720] The Positive Handshake
|
| 39 |
+
[146.720 --> 153.280] A proper handshake conveys respect and confidence without being too aggressive or overpowering.
|
| 40 |
+
[153.280 --> 158.000] When shaking hands with someone, make sure your grip isn't too strong or too weak.
|
| 41 |
+
[158.000 --> 160.600] It should be just right.
|
| 42 |
+
[160.600 --> 166.400] Also, be sure not to shake too quickly or worse yet not shake hands at all as this could
|
| 43 |
+
[166.400 --> 169.120] come off as rushed or uninterested.
|
| 44 |
+
[169.120 --> 174.200] Instead, take your time while shaking hands and smile while doing so.
|
| 45 |
+
[174.200 --> 178.400] This will make a great first impression no matter who you meet.
|
| 46 |
+
[178.400 --> 180.360] 5.
|
| 47 |
+
[180.360 --> 181.600] Mirroring
|
| 48 |
+
[181.600 --> 186.800] Mirroring is a body language technique that attractive people use to build rapport.
|
| 49 |
+
[186.800 --> 190.920] When done right, it should make you more likable without much effort.
|
| 50 |
+
[190.920 --> 196.240] It's part of our psychology to respond positively to individuals who are like us.
|
| 51 |
+
[196.240 --> 201.400] In fact, a baby's body functions like its heartbeat sync with the mother even before
|
| 52 |
+
[201.400 --> 203.000] birth.
|
| 53 |
+
[203.000 --> 207.080] Good mirroring begins by observing the other person's movements.
|
| 54 |
+
[207.080 --> 211.400] Is he leaning forward, crossing his legs, nodding?
|
| 55 |
+
[211.400 --> 216.840] Mirror these actions with your own body to quickly develop a bond of trust.
|
| 56 |
+
[216.840 --> 221.880] This method has been proven numerous times in different experiments, so at your next
|
| 57 |
+
[221.880 --> 226.800] party, watch people closely, mirror their movements to connect better with any person
|
| 58 |
+
[226.800 --> 229.400] in the room.
|
| 59 |
+
[229.400 --> 234.120] Mastering these basic rules of body language can help anyone display positive body language
|
| 60 |
+
[234.120 --> 239.520] and become better at conversations, whether it's making new friends at a party or successfully
|
| 61 |
+
[239.520 --> 243.120] communicating with colleagues in business settings.
|
| 62 |
+
[243.120 --> 248.040] Incorporating these techniques into everyday interactions will help build relationships with
|
| 63 |
+
[248.040 --> 253.240] ease and make sure everyone feels heard and seen during conversations.
|
| 64 |
+
[253.240 --> 258.700] So don't forget all those wise old sayings about smiles being contagious and postures
|
| 65 |
+
[258.700 --> 260.480] speaking volumes.
|
| 66 |
+
[260.480 --> 266.000] With these tips in mind, anyone can become a master conversationalist in no time.
|
transcript/travel_HJAJEc1wcKw.txt
ADDED
|
@@ -0,0 +1,99 @@
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|
|
| 1 |
+
[0.000 --> 14.420] To whisper to hand movements in this video, I will feature a majority of whispers from
|
| 2 |
+
[14.420 --> 23.320] me with hand movements.
|
| 3 |
+
[23.320 --> 31.300] So I just want you to keep back, relax and just enjoy me.
|
| 4 |
+
[31.300 --> 40.460] Relaxing you in this video.
|
| 5 |
+
[40.460 --> 47.460] Have a chill.
|
| 6 |
+
[47.460 --> 62.460] Hand movements and ear to ear whispers.
|
| 7 |
+
[70.460 --> 100.420] I will talk about some of the things that I love about the area or the area.
|
| 8 |
+
[100.420 --> 129.980] We put the lid on the couch, we have lots.
|
| 9 |
+
[129.980 --> 156.660] There is a lot of beaches, beautiful ocean, crystal clear water.
|
| 10 |
+
[156.660 --> 182.140] The main of the voice loft, the water being out on a boat, swimming in the ocean.
|
| 11 |
+
[183.140 --> 196.140] Swimming in the ocean.
|
| 12 |
+
[197.140 --> 204.140] Swimming in the ocean.
|
| 13 |
+
[204.140 --> 213.140] Riding waves.
|
| 14 |
+
[213.140 --> 225.140] Sometimes, with the opportunity to use catamaranza and size.
|
| 15 |
+
[227.140 --> 247.140] There is something special about the wind pushing a boat.
|
| 16 |
+
[247.140 --> 264.140] I'm sure there is something very addictive about silent seas.
|
| 17 |
+
[264.140 --> 270.140] Surely that's what drives me on.
|
| 18 |
+
[270.140 --> 285.140] Across the oceans, a boat does magnificent wooden sailing boats.
|
| 19 |
+
[286.140 --> 295.140] History starts with a man called Captain Cook.
|
| 20 |
+
[295.140 --> 310.140] The English captain sent to find a country.
|
| 21 |
+
[310.140 --> 328.140] He sailed a boat called the Endeavour.
|
| 22 |
+
[328.140 --> 338.140] The Indian captain called the Endeavour.
|
| 23 |
+
[338.140 --> 346.140] The Indian captain called the Endeavour.
|
| 24 |
+
[347.140 --> 356.140] There are other records about how people discover it.
|
| 25 |
+
[356.140 --> 365.140] The captain was a bit of a really officially discovered and started to colonise.
|
| 26 |
+
[365.140 --> 380.140] We won't talk about the 90 peoples who will just focus on the purpose of Captain Cook.
|
| 27 |
+
[380.140 --> 390.140] The discovery of this country applies to send convicts to him.
|
| 28 |
+
[390.140 --> 400.140] This is Charlie's Heritage.
|
| 29 |
+
[430.140 --> 455.140] The first people to colonise Australia as we call colonisation.
|
| 30 |
+
[455.140 --> 469.140] The white man sprint slowly through the country.
|
| 31 |
+
[469.140 --> 478.140] There was some famous explorers on the coast of mind, his up, back and wheels.
|
| 32 |
+
[478.140 --> 488.140] They tried to travel through the middle straight to the top.
|
| 33 |
+
[518.140 --> 544.140] The aboriginals to say the white man in a holy history.
|
| 34 |
+
[574.140 --> 584.140] There are many extremes here in this country.
|
| 35 |
+
[584.140 --> 601.140] I believe 90% of the water is located around the edges of the country and is located inland and can get very dry.
|
| 36 |
+
[601.140 --> 604.140] We are taught the survival.
|
| 37 |
+
[604.140 --> 610.140] We shall always carry lots and lots of water.
|
| 38 |
+
[610.140 --> 616.140] Always stay with your vehicle.
|
| 39 |
+
[616.140 --> 630.140] Try and create something visible from the sky.
|
| 40 |
+
[630.140 --> 640.140] Remember always bring lots and lots of water.
|
| 41 |
+
[640.140 --> 654.140] You can easily drink a gallon of day easily.
|
| 42 |
+
[654.140 --> 664.140] We will just come back to the cold gas.
|
| 43 |
+
[664.140 --> 672.140] The two are straight.
|
| 44 |
+
[672.140 --> 682.140] The green is our green.
|
| 45 |
+
[682.140 --> 692.140] It doesn't seem to affect us that much.
|
| 46 |
+
[692.140 --> 698.140] That's Australia.
|
| 47 |
+
[698.140 --> 702.140] We are part of the English colony.
|
| 48 |
+
[702.140 --> 718.140] We were colonised to house, configs and then many other cultures and people from different countries came to Australia.
|
| 49 |
+
[718.140 --> 730.140] That's why Australia is a very multicultural country.
|
| 50 |
+
[730.140 --> 740.140] Lots of people from Asian countries, lots of people around the Pacific islands.
|
| 51 |
+
[740.140 --> 756.140] Also, it's many different cultures exist in Australia.
|
| 52 |
+
[756.140 --> 766.140] We will just come back to my hard-to-go-kissed beautiful white beaches.
|
| 53 |
+
[766.140 --> 778.140] We are lucky to also have mountains and rainforests.
|
| 54 |
+
[778.140 --> 786.140] Beautiful blue skies.
|
| 55 |
+
[786.140 --> 798.140] Lots of rivers and rivers.
|
| 56 |
+
[798.140 --> 812.140] All up to eastern coast of Australia is a mountain range.
|
| 57 |
+
[812.140 --> 826.140] You have a massive range of mountains all the way.
|
| 58 |
+
[826.140 --> 836.140] There are mountains everywhere.
|
| 59 |
+
[866.140 --> 876.140] It's called Mount Onan.
|
| 60 |
+
[906.140 --> 916.140] Don't you worry, you got stuck in other places.
|
| 61 |
+
[916.140 --> 926.140] We had to move into a cave to repair his boat.
|
| 62 |
+
[926.140 --> 940.140] He damaged his boat and the endeavour quite badly on the Great Parry.
|
| 63 |
+
[940.140 --> 950.140] The great dividing range to mountains along the east coast of Australia.
|
| 64 |
+
[950.140 --> 958.140] It's a beautiful forest, creek, water, catchment system.
|
| 65 |
+
[958.140 --> 976.140] That's why we have rainforests, fresh water, rivers running all the way from each mountain valley.
|
| 66 |
+
[976.140 --> 988.140] Just slowly matching into rivers and then running into the sea.
|
| 67 |
+
[988.140 --> 1008.140] We have a very beautiful, fresh water creek, waterfalls, forests, and forests.
|
| 68 |
+
[1008.140 --> 1018.140] I'll see you in a little bit on the three of my videos.
|
| 69 |
+
[1038.140 --> 1054.140] The volcanic activity in the area stopped a long, long time ago.
|
| 70 |
+
[1054.140 --> 1070.140] The earth is amazing how it was created in the boat.
|
| 71 |
+
[1070.140 --> 1098.140] Slowly creating a lot of mountains, mountains, oceans, rivers, such beauty.
|
| 72 |
+
[1098.140 --> 1118.140] One of my dreams is to travel up the east coast of Australia all along the top.
|
| 73 |
+
[1118.140 --> 1130.140] His name was Malcolm Douglas.
|
| 74 |
+
[1130.140 --> 1142.140] He was a great person, I love him very charismatic and maybe came famous I believe through Arbor Winfrey in America.
|
| 75 |
+
[1142.140 --> 1156.140] He's very good but in Australia he's not a true pushman.
|
| 76 |
+
[1156.140 --> 1172.140] He was a great guy, he was a man called Malcolm Douglas.
|
| 77 |
+
[1172.140 --> 1192.140] He's a very good guy, he's a great guy.
|
| 78 |
+
[1192.140 --> 1212.140] In an old Queensland, there's a place called Canes in the Great Barrier Rave.
|
| 79 |
+
[1212.140 --> 1222.140] He's a great, great, great, great forest of land.
|
| 80 |
+
[1222.140 --> 1238.140] As you move across the top end of the country, there's a place called Canes in the Great Barrier Rave.
|
| 81 |
+
[1238.140 --> 1258.140] It's a massive reserve of wetlands and wildlife, huge amounts of wildlife, mostly birds.
|
| 82 |
+
[1258.140 --> 1278.140] There's some great Greeks, boardwears, catching paramandis, something that you would get for.
|
| 83 |
+
[1278.140 --> 1298.140] There's a large fish, a good type of a game this to try and catch and very good eating, very tasty white flesh.
|
| 84 |
+
[1298.140 --> 1314.140] There's so many places that I've seen, so many places that I'd like to visit, but I can tell you now, they are going to be extremely difficult to get to in the top end of Australia.
|
| 85 |
+
[1314.140 --> 1322.140] There's two seasons, wet, dry.
|
| 86 |
+
[1322.140 --> 1328.140] In the wet season you'll never get anywhere.
|
| 87 |
+
[1328.140 --> 1340.140] One of the best times is after the wet season, the water starts to recede. All of the plants bloom and animals are there.
|
| 88 |
+
[1340.140 --> 1348.140] The best magical time is after the wet season, when there's so much life around.
|
| 89 |
+
[1348.140 --> 1366.140] We have a huge amount of birds and in the top end of Australia there's crocodiles, that's about the biggest animal that can get anywhere.
|
| 90 |
+
[1366.140 --> 1376.140] As long as you're careful in your early surroundings, there again.
|
| 91 |
+
[1376.140 --> 1400.140] There are so many ancient places, crocodiles, beautiful river systems, creeks, waterfalls, and then I want to travel to one visit.
|
| 92 |
+
[1400.140 --> 1408.140] There's the other side of Australia called Western Australia, massive area.
|
| 93 |
+
[1408.140 --> 1420.140] There's so many places there that I'd like to come to. It would be probably a six month trip and it would cost a lot of money.
|
| 94 |
+
[1420.140 --> 1430.140] It would cost about a hundred thousand dollars. Maybe fifty thousand dollars would get you there.
|
| 95 |
+
[1430.140 --> 1440.140] Whatever you think it's going to cost a couple of dollars.
|
| 96 |
+
[1440.140 --> 1450.140] It's something I will work to in the future. Just imagine all the photos and videos I could capture.
|
| 97 |
+
[1450.140 --> 1470.140] I'd like to thank you for joining me and listening to me ramble on about one of my dreams and traveling and a little bit of history about Australia.
|
| 98 |
+
[1470.140 --> 1476.140] Thank you very much. I really appreciate all of your support.
|
| 99 |
+
[1476.140 --> 1480.140] This is just one of the requested videos to get their own.
|
transcript/travel_JiliSSKldH4.txt
ADDED
|
@@ -0,0 +1,4 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
[0.300 --> 10.040] 皆 perAllah decrease vedi qui
|
| 2 |
+
[13.340 --> 22.560] una blיםalla un quotidienio
|
| 3 |
+
[25.340 --> 28.000] picchi all'inated
|
| 4 |
+
[28.000 --> 30.200] no wombaa
|
transcript/travel_LEoR7_HBuBo.txt
ADDED
|
@@ -0,0 +1,2 @@
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|
| 1 |
+
[0.000 --> 10.980] 一提醒 啥杯 移住
|
| 2 |
+
[10.980 --> 26.320] 來 問我杯 啥杯 移民
|
transcript/travel_MGhjvist4gk.txt
ADDED
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@@ -0,0 +1,514 @@
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|
| 1 |
+
[0.000 --> 2.360] Testing, testing, how we doing, how we looking.
|
| 2 |
+
[3.200 --> 5.200] I think the audio levels are good, we're ready to roll.
|
| 3 |
+
[5.200 --> 7.600] Today's video will give you the top 10 filmmaking tips
|
| 4 |
+
[7.600 --> 9.840] to make your travel videos the best that they can be
|
| 5 |
+
[9.840 --> 10.960] right off the bat.
|
| 6 |
+
[10.960 --> 13.720] So whether you're just starting or you've been making videos for years,
|
| 7 |
+
[13.720 --> 15.160] this video is for you.
|
| 8 |
+
[15.160 --> 17.240] My name's Christian and for the past three years now,
|
| 9 |
+
[17.240 --> 20.200] I've been making travel videos and by some crazy chance,
|
| 10 |
+
[20.200 --> 21.680] it has become my full-time job.
|
| 11 |
+
[21.680 --> 24.120] Now, the first tip is something you're not going to hear anywhere else
|
| 12 |
+
[24.120 --> 27.520] and that's where I pride myself on giving people insider information
|
| 13 |
+
[27.600 --> 30.200] and that is to actually turn your camera on.
|
| 14 |
+
[30.200 --> 32.520] There's a little power switch right here.
|
| 15 |
+
[32.520 --> 33.720] Did anyone find that funny?
|
| 16 |
+
[35.240 --> 36.880] It seemed funny in my head.
|
| 17 |
+
[36.880 --> 38.000] You left? Okay, good.
|
| 18 |
+
[38.000 --> 39.000] It's all the matters.
|
| 19 |
+
[39.000 --> 42.480] All right, number one for real this time is understand your equipment
|
| 20 |
+
[42.480 --> 44.480] and when I say understand your equipment,
|
| 21 |
+
[44.480 --> 46.760] I mean know how the focal lengths,
|
| 22 |
+
[46.760 --> 48.440] how the camera that you're working with
|
| 23 |
+
[48.440 --> 50.560] will impact the image that you're getting.
|
| 24 |
+
[50.560 --> 52.320] But let's go through a couple examples.
|
| 25 |
+
[52.320 --> 53.480] If you're shooting with a GoPro,
|
| 26 |
+
[53.480 --> 55.320] it's a fantastic travel camera.
|
| 27 |
+
[55.320 --> 57.200] One thing that you should know is that it's waterproof.
|
| 28 |
+
[57.200 --> 60.440] So all of a sudden, you have that upper hand of being able to achieve
|
| 29 |
+
[60.440 --> 64.240] and tell a unique story that most cameras will not ever be able to do.
|
| 30 |
+
[64.240 --> 66.280] Another thing that you should know with a wide angle lens,
|
| 31 |
+
[66.280 --> 69.080] you're not going to be able to tell what's going on in the distance.
|
| 32 |
+
[69.080 --> 72.160] So even though something may only be 20 feet away from you,
|
| 33 |
+
[72.160 --> 75.520] it's going to show up like a spec in the video shot with a GoPro.
|
| 34 |
+
[75.520 --> 79.480] On the other hand, if you invested in let's say like a T5i rebel camera,
|
| 35 |
+
[79.480 --> 81.960] something that has the ability to change lenses,
|
| 36 |
+
[81.960 --> 85.000] well, you need to understand how those different lenses will allow you
|
| 37 |
+
[85.000 --> 86.800] to achieve different shots.
|
| 38 |
+
[87.600 --> 88.560] Boom, just like that.
|
| 39 |
+
[88.560 --> 89.960] We now have two lenses.
|
| 40 |
+
[89.960 --> 92.720] This lens right here allows me to get wide angle shots,
|
| 41 |
+
[92.720 --> 94.880] kind of like the GoPro, but not quite as wide.
|
| 42 |
+
[94.880 --> 98.000] And this lens right here allows me to get extreme close-ups.
|
| 43 |
+
[98.000 --> 100.520] Not only does that mean that I can shoot things further away,
|
| 44 |
+
[100.520 --> 104.600] but it also means that the subject will now appear closer to their background.
|
| 45 |
+
[104.600 --> 107.360] So if I have somebody standing in front of the mountains,
|
| 46 |
+
[107.360 --> 109.720] the mountains now become humongous.
|
| 47 |
+
[109.720 --> 113.520] Whereas if I shoot with a GoPro or a wide angle lens like this one,
|
| 48 |
+
[113.520 --> 115.480] well, what it's going to do is the exact opposite.
|
| 49 |
+
[115.480 --> 118.160] It'll make the mountains in the distance seem really small,
|
| 50 |
+
[118.160 --> 120.440] and the subject will seem big and up front.
|
| 51 |
+
[120.440 --> 123.120] So understand how your different lenses,
|
| 52 |
+
[123.120 --> 126.360] how your equipment will affect the shot, and shoot accordingly.
|
| 53 |
+
[126.360 --> 128.960] And if you're shooting with a cell phone that has two lenses,
|
| 54 |
+
[128.960 --> 130.440] that same logic applies.
|
| 55 |
+
[130.440 --> 132.440] And one other implication is stability.
|
| 56 |
+
[132.440 --> 134.480] If I was to pan with my GoPro,
|
| 57 |
+
[134.480 --> 137.960] I would have a much more stable shot than if I just paned with my camera
|
| 58 |
+
[137.960 --> 139.000] with this lens on.
|
| 59 |
+
[139.000 --> 143.520] The shake will be much more noticeable with a very distance telescoping lens.
|
| 60 |
+
[143.520 --> 147.040] Travel tip number two is to understand the difference between slow motion,
|
| 61 |
+
[147.040 --> 149.040] fast motion, and when to use them.
|
| 62 |
+
[149.040 --> 151.240] So a lot of people, when they first pick up their cameras,
|
| 63 |
+
[151.240 --> 153.600] they're all excited because for the first time,
|
| 64 |
+
[153.600 --> 157.760] just like this, they're able to film at like five times slower than real life.
|
| 65 |
+
[157.760 --> 159.280] If you've got one of those new GoPro's,
|
| 66 |
+
[159.280 --> 161.600] you can shoot 10 times slower than real life,
|
| 67 |
+
[161.600 --> 163.240] and it's such a cool effect.
|
| 68 |
+
[163.240 --> 165.240] But it's not to be overused.
|
| 69 |
+
[165.240 --> 168.560] Slow motion should only be used to emphasize a story.
|
| 70 |
+
[168.560 --> 171.800] If it doesn't add to the story, don't use slow motion.
|
| 71 |
+
[171.800 --> 173.800] The same can be said with doubling up the speed,
|
| 72 |
+
[173.800 --> 175.320] or quadrupling the speed.
|
| 73 |
+
[175.320 --> 177.560] Sometimes I see people using drone shots,
|
| 74 |
+
[177.560 --> 179.600] and they just go times 10 on the speed.
|
| 75 |
+
[179.600 --> 181.800] And then all of a sudden, they're rushing through the air,
|
| 76 |
+
[181.800 --> 184.760] and it feels really weird because you can see the shake being caused
|
| 77 |
+
[184.760 --> 187.120] by the drone moving around, being pushed by wind.
|
| 78 |
+
[187.120 --> 189.520] You can see the waves are moving 10 times faster,
|
| 79 |
+
[189.520 --> 190.920] and it doesn't look natural.
|
| 80 |
+
[190.920 --> 192.640] It really takes away from the moment.
|
| 81 |
+
[192.640 --> 194.960] So if you're gonna speed something up with fast motion,
|
| 82 |
+
[194.960 --> 197.800] at least make sure it's part of the intended effect.
|
| 83 |
+
[197.800 --> 199.600] Personally, when I do fast motion,
|
| 84 |
+
[199.600 --> 201.320] I typically like to cut up my clip
|
| 85 |
+
[201.320 --> 205.000] so that it's more of a gradual up and then a gradual down.
|
| 86 |
+
[205.000 --> 207.120] So in other words, if I had the clip right here,
|
| 87 |
+
[207.120 --> 208.960] I would make maybe five cuts.
|
| 88 |
+
[208.960 --> 212.280] Here I would have normal speed, right here I would have times two,
|
| 89 |
+
[212.280 --> 214.600] and in the middle I would have something like times four.
|
| 90 |
+
[214.600 --> 217.160] What that does for you is it gives you a bit of like a pyramid effect,
|
| 91 |
+
[217.160 --> 218.520] where it's more gradual.
|
| 92 |
+
[218.520 --> 221.200] It's not this jarring speed up stop effect.
|
| 93 |
+
[221.200 --> 223.800] It feels natural, more of a flow to it.
|
| 94 |
+
[223.800 --> 225.720] And I need to say that if you're shooting with a camera
|
| 95 |
+
[225.720 --> 228.000] that doesn't do fast motion or slow motion,
|
| 96 |
+
[228.000 --> 230.040] don't take that as like a disadvantage.
|
| 97 |
+
[230.040 --> 232.000] Sometimes the best stories are just told
|
| 98 |
+
[232.000 --> 233.680] by shooting 30 frames a second.
|
| 99 |
+
[233.680 --> 235.200] In other words, like normal speeds.
|
| 100 |
+
[235.200 --> 237.400] Understand your equipment and how to make the most of it.
|
| 101 |
+
[237.400 --> 238.840] Travel tip number three.
|
| 102 |
+
[238.840 --> 241.160] Change up your angles when you're shooting with your cameras.
|
| 103 |
+
[241.160 --> 242.760] Doesn't matter if you've got a GoPro
|
| 104 |
+
[242.760 --> 246.640] or if you've got a 70 to 200 equipped on a 1DX Mark II,
|
| 105 |
+
[246.640 --> 247.920] whatever you're shooting with,
|
| 106 |
+
[247.920 --> 249.840] make sure that you're telling a different story
|
| 107 |
+
[249.840 --> 251.440] than just the stand and shoot.
|
| 108 |
+
[251.440 --> 253.480] There was an example I watched in another YouTube video
|
| 109 |
+
[253.480 --> 256.280] is like you see most people posting a photo of their dogs,
|
| 110 |
+
[256.280 --> 258.000] it's typically just by standing up
|
| 111 |
+
[258.000 --> 258.960] because people are lazy.
|
| 112 |
+
[258.960 --> 260.880] They don't want to get down on the dogs level.
|
| 113 |
+
[260.880 --> 262.840] But if you want to take the better photo,
|
| 114 |
+
[262.840 --> 264.280] you need to get down on your knees.
|
| 115 |
+
[264.280 --> 266.040] You need to be willing to climb up a tree
|
| 116 |
+
[266.040 --> 267.640] to get the up above shot.
|
| 117 |
+
[267.640 --> 270.560] You need to be willing to do whatever it takes,
|
| 118 |
+
[270.560 --> 272.520] almost whatever it takes, don't kill yourself.
|
| 119 |
+
[272.520 --> 276.120] But go the extra mile in order to get that unique story.
|
| 120 |
+
[276.120 --> 277.880] That is what separates a good travel video
|
| 121 |
+
[277.880 --> 279.760] from a masterpiece of a travel video.
|
| 122 |
+
[279.760 --> 282.240] The masterpiece will always have those unique shots
|
| 123 |
+
[282.240 --> 284.040] that has the audience asking themselves,
|
| 124 |
+
[284.040 --> 285.640] oh my gosh, how did they shoot that?
|
| 125 |
+
[285.640 --> 287.240] That's why when I fly my drone,
|
| 126 |
+
[287.240 --> 289.840] I actually like to risk it to get the biscuit once in a while.
|
| 127 |
+
[289.840 --> 291.840] Sometimes I'll fly between an archway,
|
| 128 |
+
[291.840 --> 293.840] sometimes I'll fly right under a tree
|
| 129 |
+
[293.840 --> 296.440] because I love to give my audience that scare factor
|
| 130 |
+
[296.440 --> 299.040] of like, oh my gosh, you really changed up the angle
|
| 131 |
+
[299.040 --> 300.760] in a way that I never would have done.
|
| 132 |
+
[300.760 --> 301.760] Get used to your equipment.
|
| 133 |
+
[301.760 --> 303.840] And once you feel like you've mastered the equipment,
|
| 134 |
+
[303.840 --> 305.480] then you can start pushing the boundaries,
|
| 135 |
+
[305.480 --> 306.480] trying new things.
|
| 136 |
+
[306.480 --> 308.640] And one more thing that could be said about changing the angle,
|
| 137 |
+
[308.640 --> 311.520] changing the angle doesn't simply have to be altitude base.
|
| 138 |
+
[311.520 --> 313.480] It's not just about getting on the ground
|
| 139 |
+
[313.480 --> 314.480] or getting up high.
|
| 140 |
+
[314.520 --> 316.920] It can also be about how close your subject is.
|
| 141 |
+
[316.920 --> 318.960] So if you're shooting with a lens like this,
|
| 142 |
+
[318.960 --> 321.280] it causes a beautiful background blur.
|
| 143 |
+
[321.280 --> 323.360] Purely based on how close you are to the thing
|
| 144 |
+
[323.360 --> 325.840] that you're shooting, you can achieve different results
|
| 145 |
+
[325.840 --> 326.680] of the shot.
|
| 146 |
+
[326.680 --> 329.920] This took me a good year, two years to really perfect.
|
| 147 |
+
[329.920 --> 331.680] But I believe it's something that can come with time
|
| 148 |
+
[331.680 --> 333.840] as long as you're aware of it and willing to learn,
|
| 149 |
+
[333.840 --> 336.400] it can make a huge difference in your travel videos.
|
| 150 |
+
[336.400 --> 339.440] Tip number four, and this is probably one of the biggest ones.
|
| 151 |
+
[339.440 --> 341.280] And that is to pick your music.
|
| 152 |
+
[341.440 --> 342.560] What'sетрlanan?
|
| 153 |
+
[343.600 --> 345.000] What's up, what's up?
|
| 154 |
+
[345.000 --> 346.000] Say.
|
| 155 |
+
[346.000 --> 348.560] I'm a little bit more.
|
| 156 |
+
[348.560 --> 350.760] I'm a little bit more.
|
| 157 |
+
[350.760 --> 351.760] What's your music?
|
| 158 |
+
[351.760 --> 353.160] I'm a little bit more.
|
| 159 |
+
[353.160 --> 354.560] I'm a little bit more.
|
| 160 |
+
[354.560 --> 356.560] I'm a little bit more.
|
| 161 |
+
[356.560 --> 360.280] Music, music, music, it makes all the difference.
|
| 162 |
+
[360.280 --> 361.800] What kind of music choice you have.
|
| 163 |
+
[361.800 --> 364.760] You will have the control to evoke emotions in the audience
|
| 164 |
+
[364.760 --> 366.320] based on the song you choose.
|
| 165 |
+
[366.320 --> 369.560] So if you're trying to tell the story of a beautiful tropical beach,
|
| 166 |
+
[369.560 --> 372.960] don't use the hardcore EDM song because they're completely
|
| 167 |
+
[372.960 --> 375.600] clashing unless that's your intended effect.
|
| 168 |
+
[375.600 --> 378.320] If you're trying to tell a really high-paced energy story,
|
| 169 |
+
[378.320 --> 381.760] that's where you can look at the high BPM electronic music
|
| 170 |
+
[381.760 --> 383.360] that gets the blood flow going.
|
| 171 |
+
[383.360 --> 385.880] There is no wrong genre of music to use,
|
| 172 |
+
[385.880 --> 388.320] but it has to complement the scene and the story
|
| 173 |
+
[388.320 --> 389.280] you're trying to tell.
|
| 174 |
+
[389.280 --> 391.520] Now with that being said, there's one place I get
|
| 175 |
+
[391.520 --> 392.840] all of my music from.
|
| 176 |
+
[392.840 --> 396.040] And when I say all, I mean, it's my go-to every single day.
|
| 177 |
+
[396.040 --> 399.200] I've actually partnered with them to create my own album.
|
| 178 |
+
[399.200 --> 401.000] I feel like Kendrick Lamar right now.
|
| 179 |
+
[401.000 --> 402.120] It's the exact same thing.
|
| 180 |
+
[402.120 --> 404.040] Except I didn't make the music.
|
| 181 |
+
[404.040 --> 405.120] I just picked the song.
|
| 182 |
+
[405.120 --> 406.360] But if you want to check it out,
|
| 183 |
+
[406.360 --> 408.440] I actually have my own Lost the Blanc album
|
| 184 |
+
[408.440 --> 409.920] on Epidemic Sound right now.
|
| 185 |
+
[409.920 --> 413.360] It's got 16 tropical travel adventure songs
|
| 186 |
+
[413.360 --> 415.920] that will be amazing for any of your travels coming up.
|
| 187 |
+
[415.920 --> 417.680] And the awesome thing is not just the fact
|
| 188 |
+
[417.680 --> 419.240] that they have great music, but it's the fact
|
| 189 |
+
[419.240 --> 422.520] that I can use this music on YouTube, on Facebook,
|
| 190 |
+
[422.520 --> 424.920] on any social platform, and not have to worry
|
| 191 |
+
[424.920 --> 426.440] about legal consequences.
|
| 192 |
+
[426.440 --> 428.920] It's so crucial that I know that every single song
|
| 193 |
+
[428.960 --> 432.440] I use in my video will not be struck down by a copyright
|
| 194 |
+
[432.440 --> 433.560] or by another artist.
|
| 195 |
+
[433.560 --> 436.320] And the awesome thing is they actually have a free one-month trial.
|
| 196 |
+
[436.320 --> 438.360] So no commitment, see if you like it.
|
| 197 |
+
[438.360 --> 440.920] And they've been kind enough to reward team get lost.
|
| 198 |
+
[440.920 --> 444.120] The people here on this channel by using the coupon code
|
| 199 |
+
[444.120 --> 447.600] Lost the Blanc, you'll actually say 15% on your first six months.
|
| 200 |
+
[447.600 --> 448.400] So check it out.
|
| 201 |
+
[448.400 --> 451.400] Number five, this is a huge tip, especially for beginners
|
| 202 |
+
[451.400 --> 452.920] who often overlook this.
|
| 203 |
+
[452.920 --> 455.680] And that is the importance of stabilizing your footage.
|
| 204 |
+
[455.680 --> 457.640] Now, there's two ways you can stabilize it.
|
| 205 |
+
[457.640 --> 459.640] You can stabilize it in a software.
|
| 206 |
+
[459.640 --> 460.880] I'm not going to talk about that.
|
| 207 |
+
[460.880 --> 463.720] You can figure that out by whatever video editor you're using.
|
| 208 |
+
[463.720 --> 464.880] It can sometimes help.
|
| 209 |
+
[464.880 --> 466.720] It can sometimes do bad things to your footage.
|
| 210 |
+
[466.720 --> 468.320] So use that with caution.
|
| 211 |
+
[468.320 --> 470.520] But the thing that I will focus on is creating
|
| 212 |
+
[470.520 --> 473.320] the most stable video inside of the camera
|
| 213 |
+
[473.320 --> 475.520] so that you don't have to do that extra step,
|
| 214 |
+
[475.520 --> 477.800] at least rely on it in post-production.
|
| 215 |
+
[477.800 --> 480.360] Whether you got a cell phone, whether you got a GoPro,
|
| 216 |
+
[480.360 --> 483.840] they now have gimbal's automatic electronic stabilizers
|
| 217 |
+
[483.840 --> 487.360] that allow you to achieve incredibly buttery smooth footage.
|
| 218 |
+
[487.360 --> 489.640] You can buy stabilizers for, I believe,
|
| 219 |
+
[489.640 --> 491.760] as affordable as like $300,
|
| 220 |
+
[491.760 --> 493.880] and it will be a game changer in your footage.
|
| 221 |
+
[493.880 --> 495.880] Now, if you're shooting with a heavier camera,
|
| 222 |
+
[495.880 --> 497.320] they also have those gimbal's.
|
| 223 |
+
[497.320 --> 499.960] I personally use a big heavy duty one,
|
| 224 |
+
[499.960 --> 502.400] but there's some pretty easy strategies that you can do
|
| 225 |
+
[502.400 --> 503.960] without even having extra equipment.
|
| 226 |
+
[503.960 --> 505.520] So let's talk a bit about that.
|
| 227 |
+
[505.520 --> 507.840] This right here is my backup camera,
|
| 228 |
+
[507.840 --> 510.920] and I'll show you one of the easiest ways you can stabilize.
|
| 229 |
+
[510.920 --> 514.080] Use your camera strap, put it against the back of your neck,
|
| 230 |
+
[514.080 --> 517.360] and simply keep your camera as extended as possible
|
| 231 |
+
[517.360 --> 520.000] so that tension is being applied on the camera strap.
|
| 232 |
+
[520.000 --> 522.240] And by doing this, what you're actually accomplishing
|
| 233 |
+
[522.240 --> 524.920] is you're creating more stability on the camera.
|
| 234 |
+
[524.920 --> 526.600] When you pivot, when you turn,
|
| 235 |
+
[526.600 --> 529.560] your camera is not gonna be freely moving in your hands.
|
| 236 |
+
[529.560 --> 531.360] It's gonna stay nice and stable
|
| 237 |
+
[531.360 --> 534.200] by having more points of contact against your body.
|
| 238 |
+
[534.200 --> 536.320] If you're gonna do walking shots, then, you know,
|
| 239 |
+
[536.320 --> 538.480] this will still help you, but at the end of the day,
|
| 240 |
+
[538.480 --> 540.760] nothing will replace an electronic gimbal
|
| 241 |
+
[540.760 --> 543.520] or a steady cam, which is just a counterweight system,
|
| 242 |
+
[543.520 --> 544.920] but it does an amazing job.
|
| 243 |
+
[544.920 --> 546.400] But one other kind of getaway
|
| 244 |
+
[546.400 --> 549.040] that you can get away with creating a moving stabilize shot
|
| 245 |
+
[549.040 --> 551.240] if you have a flat surface you're working with
|
| 246 |
+
[551.240 --> 553.600] is a skateboard or a rolly chair.
|
| 247 |
+
[553.600 --> 555.360] That way, you're not getting that motion
|
| 248 |
+
[555.360 --> 556.640] that comes with every step.
|
| 249 |
+
[556.640 --> 558.280] Instead, you just kind of roll around
|
| 250 |
+
[558.280 --> 560.320] and it'll give you a much more stabilized shot.
|
| 251 |
+
[560.320 --> 561.640] And one last little bonus tip
|
| 252 |
+
[561.640 --> 563.480] because I'm all about value here on this channel.
|
| 253 |
+
[563.480 --> 564.480] If you haven't already subscribed,
|
| 254 |
+
[564.480 --> 565.600] go ahead and hit that sub button.
|
| 255 |
+
[565.600 --> 567.120] If you're shooting with a drone,
|
| 256 |
+
[567.120 --> 569.600] you can actually walk around with your Phantom,
|
| 257 |
+
[569.600 --> 571.920] with your Mavic, you've got yourself a steady cam.
|
| 258 |
+
[571.920 --> 574.520] Number six, the storyline.
|
| 259 |
+
[574.520 --> 576.360] What you wanna do with your travels,
|
| 260 |
+
[576.360 --> 578.480] with your videos that you're filming and editing,
|
| 261 |
+
[578.480 --> 581.560] is you wanna have in mind what is the story I'm trying to tell?
|
| 262 |
+
[581.560 --> 584.400] I like to have things in chronological order
|
| 263 |
+
[584.400 --> 586.120] where they kind of show the travel
|
| 264 |
+
[586.120 --> 588.400] that's been going on over the past month
|
| 265 |
+
[588.400 --> 589.400] or over the past week.
|
| 266 |
+
[589.400 --> 591.400] Don't just insert random travel clips
|
| 267 |
+
[591.400 --> 592.960] altogether over music.
|
| 268 |
+
[592.960 --> 595.320] You know, that's gonna get you a C or a B grade,
|
| 269 |
+
[595.320 --> 596.760] but you will not be best of class
|
| 270 |
+
[596.760 --> 598.400] by putting a video together that way.
|
| 271 |
+
[598.400 --> 600.280] What will help you, though, is let's say
|
| 272 |
+
[600.280 --> 601.640] you're traveling with your friends
|
| 273 |
+
[601.680 --> 604.520] and this video kind of follows the day in the life
|
| 274 |
+
[604.520 --> 606.200] through a cinematic eye.
|
| 275 |
+
[606.200 --> 608.040] Maybe it shows your start of the day,
|
| 276 |
+
[608.040 --> 610.080] hitting the alarm clock to wake up.
|
| 277 |
+
[610.080 --> 613.000] Maybe it shows you putting on your pants with like a POV shot,
|
| 278 |
+
[613.000 --> 615.680] but try to keep it below a certain point.
|
| 279 |
+
[615.680 --> 617.960] And then maybe it shows you getting into the bus,
|
| 280 |
+
[617.960 --> 620.080] heading to the kayak station,
|
| 281 |
+
[620.080 --> 621.480] where you then get in your kayak,
|
| 282 |
+
[621.480 --> 623.000] all of a sudden you have different angles.
|
| 283 |
+
[623.000 --> 625.200] You've got an angle that shows your paddle going into the water.
|
| 284 |
+
[625.200 --> 627.800] You've got a wide angle that shows you leaving the shore.
|
| 285 |
+
[627.800 --> 629.320] You've got another even wider angle
|
| 286 |
+
[629.320 --> 630.760] that's been shot with a drone.
|
| 287 |
+
[630.760 --> 632.320] These are the things that you can accomplish
|
| 288 |
+
[632.320 --> 634.720] when you expand your equipment arsenal.
|
| 289 |
+
[634.720 --> 636.560] Of course, that doesn't happen at first,
|
| 290 |
+
[636.560 --> 638.200] but you can do it with any camera.
|
| 291 |
+
[638.200 --> 639.960] You can always change up the shot.
|
| 292 |
+
[639.960 --> 642.960] You can always tell different stories with different perspectives.
|
| 293 |
+
[642.960 --> 644.200] But I really think it's important
|
| 294 |
+
[644.200 --> 647.080] that there's a bit of a continuity, a flow that shows
|
| 295 |
+
[647.080 --> 648.560] what's going on in this video.
|
| 296 |
+
[648.560 --> 649.640] And that will definitely be a key
|
| 297 |
+
[649.640 --> 652.760] if you want to take your video from a, eh, to a, ah-ha.
|
| 298 |
+
[652.760 --> 653.680] Okay.
|
| 299 |
+
[653.680 --> 656.040] Numerou, how do you say seven in Spanish?
|
| 300 |
+
[656.040 --> 657.120] Nombra sets.
|
| 301 |
+
[657.120 --> 658.480] Number seven, here we go.
|
| 302 |
+
[658.480 --> 659.480] We're going with French.
|
| 303 |
+
[659.520 --> 661.680] All right, so number seven is movement.
|
| 304 |
+
[661.680 --> 664.920] So if I'm going to shoot a cinematic sequence,
|
| 305 |
+
[664.920 --> 666.360] I see this all the time with beginner.
|
| 306 |
+
[666.360 --> 668.200] Sorry, I'm just throwing all the beginners under the bus.
|
| 307 |
+
[668.200 --> 670.280] Like this is, this is getting a little graphic.
|
| 308 |
+
[670.280 --> 672.160] There's just too many people under that bus right now.
|
| 309 |
+
[672.160 --> 674.360] What you want to do is you want to think of movement
|
| 310 |
+
[674.360 --> 676.240] as one continuous motion.
|
| 311 |
+
[676.240 --> 678.160] So if you're shooting a nice pan,
|
| 312 |
+
[678.160 --> 680.520] then the pan should look something like this,
|
| 313 |
+
[680.520 --> 682.360] but then not of a sun jerk back.
|
| 314 |
+
[682.360 --> 684.040] I mean, there's a few exceptions,
|
| 315 |
+
[684.040 --> 685.840] but for the most part, you want to do it
|
| 316 |
+
[685.840 --> 688.400] with one continuous motion, either uniform,
|
| 317 |
+
[688.400 --> 689.920] meaning it's just like this,
|
| 318 |
+
[689.920 --> 691.960] or an exponential acceleration.
|
| 319 |
+
[691.960 --> 693.400] Maybe it can be like this.
|
| 320 |
+
[693.400 --> 695.840] But what you don't want is random and sporadic movements
|
| 321 |
+
[695.840 --> 697.360] is what I'm trying to get out here.
|
| 322 |
+
[697.360 --> 698.840] Don't go like this, then like this.
|
| 323 |
+
[698.840 --> 700.480] Again, this is going back to shake.
|
| 324 |
+
[700.480 --> 702.120] It'll be horrible to watch.
|
| 325 |
+
[702.120 --> 704.560] But another key example that I see beginners doing
|
| 326 |
+
[704.560 --> 706.160] is when they're flying their drones,
|
| 327 |
+
[706.160 --> 708.320] they tend to use a clip of their drone,
|
| 328 |
+
[708.320 --> 710.560] where you actually see the drone readjusting.
|
| 329 |
+
[710.560 --> 712.720] So if you watch any of my travel videos,
|
| 330 |
+
[712.720 --> 715.680] almost without fail, the only shots I use in my drone
|
| 331 |
+
[715.680 --> 717.520] are the shots that are continuous.
|
| 332 |
+
[717.520 --> 719.040] If I'm moving forward with my drone
|
| 333 |
+
[719.040 --> 720.680] and tilting the camera up,
|
| 334 |
+
[720.680 --> 722.600] if my camera stops tilting up,
|
| 335 |
+
[722.600 --> 723.960] that is the end of the shot.
|
| 336 |
+
[723.960 --> 726.160] Even though my drone may still be moving forward,
|
| 337 |
+
[726.160 --> 728.360] that is a stop in continuous motion.
|
| 338 |
+
[728.360 --> 730.880] The worst is when I see somebody use a drone clip,
|
| 339 |
+
[730.880 --> 732.280] they speed it up, and then all of a sudden,
|
| 340 |
+
[732.280 --> 733.400] it just turns left.
|
| 341 |
+
[733.400 --> 734.880] As somebody who's made a lot of videos,
|
| 342 |
+
[734.880 --> 737.240] that is one of the most horrible things I can see.
|
| 343 |
+
[737.240 --> 739.440] What's much better is if you want to do a turn,
|
| 344 |
+
[739.440 --> 741.960] have it a nice gradual turn.
|
| 345 |
+
[741.960 --> 742.720] See it, then.
|
| 346 |
+
[742.720 --> 745.120] Now, building on the importance of getting the right shots
|
| 347 |
+
[745.120 --> 747.880] is actually making that shot match with the music.
|
| 348 |
+
[747.880 --> 749.760] So once we've headed over to Epidemic Sound,
|
| 349 |
+
[749.760 --> 751.440] we've picked out our amazing songs
|
| 350 |
+
[751.440 --> 752.980] from the Lost La Blanc album.
|
| 351 |
+
[752.980 --> 755.120] What we're gonna do is we're going to, of course,
|
| 352 |
+
[755.120 --> 757.960] want to tell that beautiful story with that song.
|
| 353 |
+
[757.960 --> 759.440] When I'm putting together the story,
|
| 354 |
+
[759.440 --> 762.240] I take my videos, I take my song of choice,
|
| 355 |
+
[762.240 --> 765.120] and I make everything based around the song.
|
| 356 |
+
[765.120 --> 768.920] [♪ music begins playing, and the music ends, and the music ends.
|
| 357 |
+
[771.800 --> 774.120] Your video needs to build around the song,
|
| 358 |
+
[774.120 --> 776.720] because the song cannot be altered, cannot be changed,
|
| 359 |
+
[776.720 --> 777.760] at least not easily.
|
| 360 |
+
[777.760 --> 780.280] But you have the ability to move your clips around.
|
| 361 |
+
[780.280 --> 782.120] Find the song that has the right mood,
|
| 362 |
+
[782.120 --> 784.720] the right tempo, the right amount of beats per minute.
|
| 363 |
+
[784.720 --> 786.920] When there's a well-defined beat in the song,
|
| 364 |
+
[786.920 --> 788.520] it's very easy to cut to it.
|
| 365 |
+
[788.520 --> 791.560] So every time you get that very audible sound
|
| 366 |
+
[791.560 --> 794.720] where it's like either a percussion or it's a drop,
|
| 367 |
+
[794.720 --> 797.320] that is a great indicator that this might be a good time
|
| 368 |
+
[797.320 --> 798.680] to cut to the next clip.
|
| 369 |
+
[798.680 --> 801.640] And what I like to do is, based on the beats per minute,
|
| 370 |
+
[801.640 --> 803.000] the speed of the song,
|
| 371 |
+
[803.000 --> 806.440] that is what kind of indicates how many clips should I be using.
|
| 372 |
+
[806.440 --> 808.840] So for example, if the song's very mellow,
|
| 373 |
+
[808.840 --> 811.040] I'll probably let each clip draw on
|
| 374 |
+
[811.040 --> 813.920] for anywhere from three to seven seconds each.
|
| 375 |
+
[813.920 --> 815.600] Whereas if it's a high-paced song,
|
| 376 |
+
[815.600 --> 817.560] then you're gonna be going through a lot more clips,
|
| 377 |
+
[817.560 --> 818.720] individual cuts.
|
| 378 |
+
[818.720 --> 819.760] Every time you hear that,
|
| 379 |
+
[819.760 --> 821.880] tt tt tt tt, that's an indicator
|
| 380 |
+
[821.880 --> 824.360] that it's probably time to move to the next clip.
|
| 381 |
+
[824.360 --> 826.320] Now sometimes you can have two or three,
|
| 382 |
+
[826.320 --> 829.240] or even four of these beats within every cut,
|
| 383 |
+
[829.240 --> 830.560] but try to keep it uniform.
|
| 384 |
+
[830.560 --> 832.000] It's completely up to you,
|
| 385 |
+
[832.000 --> 834.600] but it's about training your ear to hear that little,
|
| 386 |
+
[834.600 --> 836.880] here's a couple examples of mellow.
|
| 387 |
+
[836.880 --> 865.840] So it can be argued that there's no right or wrong way to do this,
|
| 388 |
+
[865.840 --> 868.440] but if you don't cut your clip on the beat,
|
| 389 |
+
[868.440 --> 869.560] you're doing it the wrong way.
|
| 390 |
+
[869.560 --> 871.440] Find the right song, train the ear,
|
| 391 |
+
[871.440 --> 873.040] make the cuts to the beats,
|
| 392 |
+
[873.040 --> 875.120] and you will bring your video to the next level.
|
| 393 |
+
[875.120 --> 877.680] Tip number nine is particularly important,
|
| 394 |
+
[877.680 --> 880.320] and I'll stress it with a very well-known example,
|
| 395 |
+
[880.320 --> 882.800] and that is the GoPro highlight videos.
|
| 396 |
+
[882.800 --> 885.640] Every year when GoPro releases their brand new cameras,
|
| 397 |
+
[885.640 --> 887.560] you see this beautiful highlight reel
|
| 398 |
+
[887.560 --> 889.720] that shows the most incredible shots,
|
| 399 |
+
[889.720 --> 893.160] extraordinary colors, vibrancy, contrast,
|
| 400 |
+
[893.160 --> 895.520] all this beautiful stuff in these shots,
|
| 401 |
+
[895.520 --> 898.480] and you're like, oh my gosh, my shots are gonna be incredible.
|
| 402 |
+
[898.480 --> 901.400] You get your GoPro or any other camera for that matter,
|
| 403 |
+
[901.400 --> 902.720] and you start shooting with it,
|
| 404 |
+
[902.720 --> 905.480] you're probably gonna find you're a little disappointed.
|
| 405 |
+
[905.480 --> 907.560] Your iPhone photos didn't look like they looked
|
| 406 |
+
[907.560 --> 908.720] on the Apple website.
|
| 407 |
+
[908.720 --> 911.200] The reason the footage you shoot doesn't look like their footage
|
| 408 |
+
[911.200 --> 914.520] is because there is so much work put into the color grading.
|
| 409 |
+
[914.520 --> 916.720] Color grading is one of the most important ways
|
| 410 |
+
[916.720 --> 918.040] to tell your story.
|
| 411 |
+
[918.040 --> 920.240] You can literally take a gray sky
|
| 412 |
+
[920.240 --> 923.280] and make it seem like a beautiful fiery red sunset
|
| 413 |
+
[923.280 --> 924.720] if you know what you're doing.
|
| 414 |
+
[924.760 --> 926.160] Now color grading is an art.
|
| 415 |
+
[926.160 --> 928.920] It's something that takes months and years to get good at.
|
| 416 |
+
[928.920 --> 932.760] So you wanna make a wow video versus a, eh, video,
|
| 417 |
+
[932.760 --> 936.080] then learn to color grade because contrast, saturation,
|
| 418 |
+
[936.080 --> 938.080] the curves, there's so much you can do
|
| 419 |
+
[938.080 --> 940.280] with your colors to tell that story.
|
| 420 |
+
[940.280 --> 942.920] For me, color grading is like getting a set of Play-Doh.
|
| 421 |
+
[942.920 --> 944.440] You've got all these beautiful colors
|
| 422 |
+
[944.440 --> 946.520] and it's up to you to mold them into the story
|
| 423 |
+
[946.520 --> 947.720] that you wanna tell.
|
| 424 |
+
[947.720 --> 948.760] I think it's exciting.
|
| 425 |
+
[948.760 --> 950.000] It's a lot more work though.
|
| 426 |
+
[950.000 --> 952.320] All right, now I'm gonna give you a bonus one
|
| 427 |
+
[952.320 --> 953.360] because I just thought of it.
|
| 428 |
+
[953.360 --> 955.320] So technically this is a 12 tip video,
|
| 429 |
+
[955.320 --> 957.440] but you know, again, that's the loss of long value
|
| 430 |
+
[957.440 --> 958.720] you get here on the channel.
|
| 431 |
+
[958.720 --> 960.040] So if you haven't already, sub,
|
| 432 |
+
[960.040 --> 961.160] when you're making travel videos,
|
| 433 |
+
[961.160 --> 962.540] I wanna show you some hand motions
|
| 434 |
+
[962.540 --> 964.320] that can be really fun for transitions.
|
| 435 |
+
[964.320 --> 966.240] If you're doing a pan shot on the beach,
|
| 436 |
+
[966.240 --> 968.240] what you can do is you can actually end it off
|
| 437 |
+
[968.240 --> 970.440] with a really quick movement like that.
|
| 438 |
+
[970.440 --> 972.120] Because you're actually moving so quick
|
| 439 |
+
[972.120 --> 974.600] at the end of the shot, the human eye can't keep up
|
| 440 |
+
[974.600 --> 976.480] with what's going on in the shot.
|
| 441 |
+
[976.480 --> 979.240] And this is actually an opportunity when you're cutting
|
| 442 |
+
[979.240 --> 981.560] to cut the scene right here when the camera moved
|
| 443 |
+
[981.560 --> 984.280] really quickly and transitioned to another shot
|
| 444 |
+
[984.280 --> 986.640] that's maybe panning in the same direction.
|
| 445 |
+
[986.640 --> 988.760] The same can be said if you're shooting upward,
|
| 446 |
+
[988.760 --> 990.840] if you're doing a slow pan upward
|
| 447 |
+
[990.840 --> 992.520] and then you're like, whoosh, like that?
|
| 448 |
+
[992.520 --> 994.640] The viewer sees you panning up to the sky
|
| 449 |
+
[994.640 --> 996.360] and then all of a sudden you move really quickly,
|
| 450 |
+
[996.360 --> 997.960] they lose track of the shot.
|
| 451 |
+
[997.960 --> 999.640] Now take a drone shot.
|
| 452 |
+
[999.640 --> 1001.360] It's like all of a sudden you've transported
|
| 453 |
+
[1001.360 --> 1002.840] the viewer into the sky.
|
| 454 |
+
[1002.840 --> 1005.400] When you're going underwater, that moment right where
|
| 455 |
+
[1005.400 --> 1007.880] it goes underwater, the viewer kind of can't see
|
| 456 |
+
[1007.880 --> 1009.800] what's going on because the breaking of the waves
|
| 457 |
+
[1009.800 --> 1010.640] gets in the shot.
|
| 458 |
+
[1010.640 --> 1013.760] Cut that shot with a beautiful underwater swimming shot
|
| 459 |
+
[1013.760 --> 1015.680] with like a dolphin and all of a sudden it seems
|
| 460 |
+
[1015.680 --> 1016.880] like this magical thing.
|
| 461 |
+
[1016.880 --> 1019.440] So use those kind of creative thoughts to like,
|
| 462 |
+
[1019.440 --> 1022.600] how can I make a unique transition within this moment?
|
| 463 |
+
[1022.600 --> 1024.080] That was not even a full tip.
|
| 464 |
+
[1024.080 --> 1025.320] That was a 9.1.
|
| 465 |
+
[1025.320 --> 1030.320] Now the 10th tip, the final tip is, don't over do effects.
|
| 466 |
+
[1031.240 --> 1034.240] Cross fades, the wacky little drizzle effect
|
| 467 |
+
[1034.240 --> 1035.720] that brings on the next frame.
|
| 468 |
+
[1035.720 --> 1038.680] And it's like, it depends who your audience is
|
| 469 |
+
[1038.680 --> 1039.720] or what your goal is.
|
| 470 |
+
[1039.720 --> 1041.720] If you're just trying to make a fun home video,
|
| 471 |
+
[1041.720 --> 1042.560] that's nice.
|
| 472 |
+
[1042.560 --> 1043.400] Go ahead, use those.
|
| 473 |
+
[1043.400 --> 1046.400] But if you're trying to make a like professional looking
|
| 474 |
+
[1046.400 --> 1048.120] YouTube video that you want to be proud of
|
| 475 |
+
[1048.120 --> 1050.080] and be able to share that with other people,
|
| 476 |
+
[1050.080 --> 1053.000] then these are effects that will definitely make your stuff
|
| 477 |
+
[1053.000 --> 1055.280] feel a little bit beginner.
|
| 478 |
+
[1055.280 --> 1056.920] I know some people that use effects
|
| 479 |
+
[1056.920 --> 1059.800] and it can be done very tastefully, but personally,
|
| 480 |
+
[1059.800 --> 1062.320] I don't use any effects in my videos.
|
| 481 |
+
[1062.320 --> 1065.440] I now do all of my own effects basically manually.
|
| 482 |
+
[1065.440 --> 1067.400] What that means is I'm either doing stuff
|
| 483 |
+
[1067.400 --> 1068.880] with my camera like this
|
| 484 |
+
[1068.880 --> 1072.040] or I'm cropping in on my video using post production,
|
| 485 |
+
[1072.040 --> 1073.600] but I'm not just using a plug-in
|
| 486 |
+
[1073.600 --> 1074.800] and dropping in the effect.
|
| 487 |
+
[1074.800 --> 1077.520] Be wary when using effects that it might not have
|
| 488 |
+
[1077.520 --> 1080.040] the intended effect that you're looking for.
|
| 489 |
+
[1080.040 --> 1082.920] That has been 10 travel tips for your next travel video.
|
| 490 |
+
[1082.920 --> 1084.400] I hope you enjoyed this video, guys.
|
| 491 |
+
[1084.400 --> 1086.240] If you wanna see some of my travel videos,
|
| 492 |
+
[1086.240 --> 1089.440] how I use my cameras, my lenses, vary the shots.
|
| 493 |
+
[1089.440 --> 1090.840] Well, I'll link one of my videos
|
| 494 |
+
[1090.840 --> 1092.840] that I think does a really good job showing that.
|
| 495 |
+
[1092.840 --> 1094.520] If you're looking for some tropical vibes,
|
| 496 |
+
[1094.520 --> 1096.480] escape the cold weather, check it out.
|
| 497 |
+
[1096.480 --> 1098.440] And if you wanna learn more about my business,
|
| 498 |
+
[1098.440 --> 1100.440] how I actually run all of this,
|
| 499 |
+
[1100.440 --> 1103.280] how I'm able to travel the world, stay in hotels for free,
|
| 500 |
+
[1103.280 --> 1106.880] and get paid doing it, then check out my Patreon community.
|
| 501 |
+
[1106.880 --> 1109.280] I actually post weekly behind the scenes videos.
|
| 502 |
+
[1109.280 --> 1110.840] Just recently posted a couple videos
|
| 503 |
+
[1110.840 --> 1112.880] like how to beat the algorithm on YouTube,
|
| 504 |
+
[1112.880 --> 1114.880] how to make money as a freelancer,
|
| 505 |
+
[1114.880 --> 1117.680] how to game Instagram, basically all the behind the scenes
|
| 506 |
+
[1117.680 --> 1119.080] to how I'm running this.
|
| 507 |
+
[1119.080 --> 1120.240] I will not plug it anymore,
|
| 508 |
+
[1120.240 --> 1122.480] but I do have an album on Epidemic Sound,
|
| 509 |
+
[1122.480 --> 1124.680] the best way to get music for anyone who plans
|
| 510 |
+
[1124.680 --> 1127.280] to do YouTube, Facebook, Instagram, et cetera.
|
| 511 |
+
[1127.280 --> 1128.320] So if you wanna check it out,
|
| 512 |
+
[1128.320 --> 1130.040] it's also in the link down below.
|
| 513 |
+
[1130.040 --> 1131.560] Guys, without further ado,
|
| 514 |
+
[1131.560 --> 1133.520] let's get lost again in the next one.
|
transcript/travel_MYf0jBB_Ngw.txt
ADDED
|
@@ -0,0 +1,13 @@
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|
| 1 |
+
[0.000 --> 4.480] Is it just me or does it feel like Love Island's moving on from big romantic gestures?
|
| 2 |
+
[4.480 --> 9.040] So first learn how to run went official and then kind and sound undiscused going exclusive.
|
| 3 |
+
[9.040 --> 14.160] Both in pretty private and low-key situations. Basically it feels a long way from some of the more
|
| 4 |
+
[14.160 --> 18.320] extravagant gestures we've seen before. You know the type, the treasure hunt style setups
|
| 5 |
+
[18.320 --> 23.360] involving the full villa. And according to Behaviourist that's a good thing as public gestures of love
|
| 6 |
+
[23.360 --> 28.480] can actually be kind of problematic. That's because structure and relationship around big gestures
|
| 7 |
+
[28.480 --> 32.640] enforces the idea that extravagance is needed for a relationship to thrive.
|
| 8 |
+
[32.640 --> 36.800] So unless you're willing to keep them up, it can actually lead to disappointment in the long run.
|
| 9 |
+
[36.800 --> 41.200] Big declarations of love can also sometimes be used to gloss over problems. And as
|
| 10 |
+
[41.200 --> 45.840] as a subconscious pressure to accept a grand gesture, especially if it's in public,
|
| 11 |
+
[45.840 --> 49.520] sometimes all it does is delay the inevitable tricky conversation.
|
| 12 |
+
[49.520 --> 55.360] That being said, if you do like grand gestures, that's also fine as there's absolutely no one-size-fits-all.
|
| 13 |
+
[55.360 --> 65.360] But what do you think? What's the best way to mark a relationship milestone?
|
transcript/travel_N-DfdubmVss.txt
ADDED
|
@@ -0,0 +1 @@
|
|
|
|
|
|
|
| 1 |
+
[0.000 --> 9.520] Let us know in the comment down below!
|
transcript/travel_Q-TQQE1y68c.txt
ADDED
|
@@ -0,0 +1,27 @@
|
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|
| 1 |
+
[60.000 --> 66.820] Cherish the
|
| 2 |
+
[90.000 --> 92.000] I'm sorry.
|
| 3 |
+
[92.000 --> 94.000] I'm sorry.
|
| 4 |
+
[94.000 --> 96.000] I'm sorry.
|
| 5 |
+
[96.000 --> 98.000] I'm sorry.
|
| 6 |
+
[98.000 --> 100.000] I'm sorry.
|
| 7 |
+
[100.000 --> 102.000] I'm sorry.
|
| 8 |
+
[102.000 --> 104.000] I'm sorry.
|
| 9 |
+
[104.000 --> 106.000] I'm sorry.
|
| 10 |
+
[106.000 --> 108.000] I'm sorry.
|
| 11 |
+
[108.000 --> 110.000] I'm sorry.
|
| 12 |
+
[110.000 --> 112.000] I'm sorry.
|
| 13 |
+
[112.000 --> 114.000] I'm sorry.
|
| 14 |
+
[114.000 --> 116.000] I'm sorry.
|
| 15 |
+
[116.000 --> 118.000] I'm sorry.
|
| 16 |
+
[118.000 --> 122.000] Come on.
|
| 17 |
+
[141.200 --> 143.200] Please excuse me.
|
| 18 |
+
[143.200 --> 145.200] It's me.
|
| 19 |
+
[145.200 --> 147.200] Please, excuse me.
|
| 20 |
+
[147.200 --> 156.020] I have to go back here.
|
| 21 |
+
[156.020 --> 163.020] here
|
| 22 |
+
[186.020 --> 188.020] Oh, my God.
|
| 23 |
+
[188.020 --> 190.020] Oh, my God.
|
| 24 |
+
[190.020 --> 192.020] Oh, my God.
|
| 25 |
+
[192.020 --> 194.020] Oh, my God.
|
| 26 |
+
[194.020 --> 196.020] Oh, my God.
|
| 27 |
+
[196.020 --> 198.020] Oh, my God.
|
transcript/travel_QYA7Jy8Z0lA.txt
ADDED
|
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| 1 |
+
[0.000 --> 7.000] Shooting travel videos is not only about the fun of using your camera or capturing incredible moments.
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| 2 |
+
[7.000 --> 12.000] You also want people to watch and like it because that tells you that you've created a good piece of art.
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| 3 |
+
[12.000 --> 17.000] Of course, that's hard to achieve especially in the beginning, which is why I created this tutorial.
|
| 4 |
+
[17.000 --> 22.000] With this tutorial I want to make it easy for you to produce travel videos that people want to watch.
|
| 5 |
+
[22.000 --> 25.000] I will share all the necessary steps together with my best tips here.
|
| 6 |
+
[25.000 --> 30.000] So by the end of this tutorial you will feel a lot more confident to shoot your next travel videos.
|
| 7 |
+
[39.000 --> 43.000] Let's start with the first and the crucial step, the preparation.
|
| 8 |
+
[43.000 --> 46.000] The first thing you want to find out is what's the point of your travel video.
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| 9 |
+
[46.000 --> 49.000] Do you want to educate people about a certain place?
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| 10 |
+
[49.000 --> 51.000] Do you want to show the experience?
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| 11 |
+
[51.000 --> 53.000] Do you want to tell an actual story?
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| 12 |
+
[53.000 --> 58.000] Or do you just want to let people have a feeling like inspiration or the need for adventure?
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| 13 |
+
[58.000 --> 61.000] The point of your video can be everything you can imagine.
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| 14 |
+
[61.000 --> 65.000] But if it has no point, there's also no point for the viewer to watch it.
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| 15 |
+
[65.000 --> 69.000] And then it's also important to leave some space for unforeseeable things.
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| 16 |
+
[69.000 --> 72.000] Because of course you can't plan every single detail of your trip.
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| 17 |
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[72.000 --> 78.000] And it's actually a good thing because things that just happen and that you cannot plan that are all of your control
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| 18 |
+
[78.000 --> 85.000] can make your travel video unique and separated from other travel videos that cover the same topic.
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| 19 |
+
[85.000 --> 90.000] Another important part of the preparation is to inform yourself about the place where you want to go.
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| 20 |
+
[90.000 --> 95.000] For that, tools like Google Maps, Instagram and YouTube are perfect.
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| 21 |
+
[95.000 --> 98.000] You already get an impression of good shots and the overall experience.
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| 22 |
+
[98.000 --> 103.000] And you will also be able to check if there is something else on the way to cover in your video.
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| 23 |
+
[103.000 --> 106.000] What you should also plan before is the time of the day.
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| 24 |
+
[106.000 --> 111.000] Most of the time your shots will look better if you go for sunrise and sunset.
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| 25 |
+
[111.000 --> 114.000] But there are sometimes places where it's better to go at noon time.
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| 26 |
+
[114.000 --> 117.000] For example, waterfalls often lie in between mountains.
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| 27 |
+
[117.000 --> 120.000] So the sun must be up to light up the waterfall.
|
| 28 |
+
[120.000 --> 124.000] Here you definitely get better shots at noon time instead of sunset or sunrise.
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| 29 |
+
[124.000 --> 126.000] But it really depends on the place.
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| 30 |
+
[126.000 --> 131.000] So it definitely takes some time for preparation before shooting the actual video.
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| 31 |
+
[131.000 --> 136.000] Because that makes it a lot easier for you to capture the right shots that keep the viewer engaged
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| 32 |
+
[136.000 --> 139.000] and therefore make your video a lot better.
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| 33 |
+
[139.000 --> 143.000] But I would say it's time now to go shooting and give you some tips about that.
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| 34 |
+
[145.000 --> 147.000] Our next step is to shoot the video.
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| 35 |
+
[147.000 --> 152.000] Now there is a lot you can learn about shooting videos, which is why I should subscribe to my channel by the way.
|
| 36 |
+
[152.000 --> 160.000] But in this video, I want to give you the tips that I think make the biggest difference when comparing travel videos from beginners with professional travel videos.
|
| 37 |
+
[162.000 --> 170.000] The first tip for shooting travel videos is one I can't mention enough and it's likely the most important tip to make the step from beginner to pro.
|
| 38 |
+
[170.000 --> 175.000] So the tip is simply to capture single shots instead of keeping the camera rolling all the time.
|
| 39 |
+
[175.000 --> 178.000] What I'm doing here in the shot right now.
|
| 40 |
+
[178.000 --> 181.000] And as you can see, the footage comes out pretty bad.
|
| 41 |
+
[181.000 --> 184.000] So instead of shooting continuously, it better gets single shots.
|
| 42 |
+
[184.000 --> 191.000] By doing so, you force yourself to shoot more intentionally what makes your shots come out a lot better.
|
| 43 |
+
[198.000 --> 202.000] I think you can tell a huge difference in the shots that you see right now.
|
| 44 |
+
[202.000 --> 207.000] And this is just me shooting without planning any shots and instead just looking for a few good ones.
|
| 45 |
+
[208.000 --> 213.000] But there's also another advantage of getting short single shots instead of shooting continuously.
|
| 46 |
+
[213.000 --> 218.000] It simply saves you a lot of time in the edit as you don't have to skip through hours of footage.
|
| 47 |
+
[218.000 --> 223.000] So definitely shoot like that instead of keeping your camera rolling all the time.
|
| 48 |
+
[223.000 --> 228.000] But now you likely ask yourself what shots you should get and why should you get them.
|
| 49 |
+
[228.000 --> 230.000] And this is actually not that complicated.
|
| 50 |
+
[230.000 --> 234.000] You just have to start thinking in terms of scenes of your travel video.
|
| 51 |
+
[234.000 --> 240.000] And then you can kind of guess what shots you need to get to create each scene.
|
| 52 |
+
[240.000 --> 243.000] For example, the first scene could be traveling in a van.
|
| 53 |
+
[243.000 --> 246.000] Second scene could be walking or hiking to the destination.
|
| 54 |
+
[246.000 --> 250.000] Third scene arriving at the destination and enjoying the view.
|
| 55 |
+
[250.000 --> 253.000] Fourth scene having some food at a restaurant.
|
| 56 |
+
[253.000 --> 255.000] Fifth scene sunset beach time.
|
| 57 |
+
[255.000 --> 258.000] So the standard travel video would be something like that.
|
| 58 |
+
[258.000 --> 263.000] And so now during your trip, you can simply ask yourself what scene you're in right now.
|
| 59 |
+
[263.000 --> 266.000] And what shots you need to get to create the scene.
|
| 60 |
+
[266.000 --> 273.000] In the van that could mostly be some parts where people do funny stuff or everyone sleeps hang over from the last night.
|
| 61 |
+
[273.000 --> 276.000] But at the other scenes, it gets more complicated.
|
| 62 |
+
[276.000 --> 282.000] In the hiking to your destination scene, for example, you want to capture a sequence of shots to tell the story of the hike.
|
| 63 |
+
[282.000 --> 287.000] So here you can shoot a mix of close-up shots of people's walking feet,
|
| 64 |
+
[287.000 --> 292.000] faces looking at what's around them, white angle shots of people hiking,
|
| 65 |
+
[292.000 --> 298.000] and shots of interesting things you see on the way or unforeseen stuff that happens during the hike.
|
| 66 |
+
[298.000 --> 304.000] Important to remember is that close-up medium and white angle shots show more or less of the same situation.
|
| 67 |
+
[304.000 --> 312.000] A close-up shot of a foot can show that it's about hiking, but it leaves questions on who's hiking and where and what does he or she see.
|
| 68 |
+
[313.000 --> 320.000] So by using close-up shots first and white angle shots later, you keep the viewer interested as he wants to know more.
|
| 69 |
+
[320.000 --> 325.000] Whereas with shots that should show what people see on the way, you have lots of creative freedom.
|
| 70 |
+
[325.000 --> 327.000] Just show what ever looks good for that.
|
| 71 |
+
[329.000 --> 335.000] So generally by capturing a good variety of different shots that show everything from different perspectives,
|
| 72 |
+
[335.000 --> 342.000] you make it very easy for you to put together some good scenes and overall a good travel video later on your computer.
|
| 73 |
+
[342.000 --> 345.000] So definitely get more shots than you think you need.
|
| 74 |
+
[345.000 --> 359.000] It's definitely better to have more than not enough, but also make sure that you definitely get all the key shots that you need for each scene or each place to really tell the story or at least show the essence of a place.
|
| 75 |
+
[359.000 --> 364.000] But now let's get even deeper into it by giving you some tips on how to make your shots actually look good.
|
| 76 |
+
[365.000 --> 373.000] And a good one here is to play subjects like people, cars and other objects we see often in white angle shots.
|
| 77 |
+
[373.000 --> 385.000] The reason for that is simply that by doing so, our brains have a reference point for the size of the landscape and objects in the shot, what makes the landscape or attraction in the shot appear even bigger.
|
| 78 |
+
[385.000 --> 390.000] Another tip that beginners mostly do wrong is to point the camera down from the top.
|
| 79 |
+
[390.000 --> 400.000] The footage looks much better if you either get bottom up shots or if you keep your camera on the head of your subject instead of pointing the camera down while you're standing.
|
| 80 |
+
[400.000 --> 410.000] The reason is simply that you make things look small by pointing your camera down on them while shooting up from the bottom makes it look bigger and at the same height it looks even.
|
| 81 |
+
[410.000 --> 421.000] Most of the time you want to make things look big or even and not smaller and the smallest beginners just shoot while standing instead of kneeling down, your videos automatically look amateurish if you shoot like that.
|
| 82 |
+
[421.000 --> 426.000] So move your body, get low and your shots will look much better and more interesting.
|
| 83 |
+
[426.000 --> 432.000] You can also make your shots more interesting by moving your camera. That mustn't be big movements though.
|
| 84 |
+
[432.000 --> 438.000] You can simply use a foreground object directly in front of your camera to make even small camera movements more visible.
|
| 85 |
+
[438.000 --> 448.000] To make the motion even more visible you can use a white angle lens for forward and backward moving shots and a more zoomed in lens for movements in the horizontal and vertical acts.
|
| 86 |
+
[448.000 --> 455.000] If your camera doesn't have digital or sensor stabilization you should get a gimbal though as otherwise your footage will look shaky.
|
| 87 |
+
[455.000 --> 459.000] Also optically stabilized lenses and slow motion help with that.
|
| 88 |
+
[459.000 --> 470.000] And regarding slow motion I want to add here that you should only use slow motion to emphasize certain shots instead of using it everywhere.
|
| 89 |
+
[470.000 --> 483.000] Because if you use it in every shot then the effect of slow motion gets lost a bit so it's not that strong anymore if you want to use it for shots where it actually does something like emphasizing certain emotions or so.
|
| 90 |
+
[483.000 --> 492.000] Now there is a problem though and that is that oftentimes when I shoot my videos I don't really know if I want to slow a shot down or not later in post.
|
| 91 |
+
[492.000 --> 500.000] And that's why usually I get all my shots in 60 frames per second as long as I don't know for sure that I will not slow it down.
|
| 92 |
+
[500.000 --> 508.000] And that makes it easy for me then later in post to decide if I ever want to create a slow motion effect or if I leave it at normal speed.
|
| 93 |
+
[508.000 --> 515.000] And you might also ask about seamless transitions. Now there is a lot you can do to make transitions and I can't cover all of that in this video.
|
| 94 |
+
[515.000 --> 522.000] But what is generally very easy to do for cool transitions is to end one shot in the same way as another one starts.
|
| 95 |
+
[522.000 --> 534.000] So for example if you slide your camera behind a tree at the end of one shot you can get a second shot where you start behind a tree and then slide the camera away from it to reveal something around you.
|
| 96 |
+
[534.000 --> 541.000] In the edit you can simply cut these shots at the right moment at a fade effect and you have a super smooth transition.
|
| 97 |
+
[541.000 --> 545.000] I made another video about it you will find a link to that in the description below.
|
| 98 |
+
[545.000 --> 558.000] And when it comes to transitions it's also important to talk about how to transition from one shot or one place to the next one because if you only make a normal cut there oftentimes feels a bit weird it comes to a sudden.
|
| 99 |
+
[558.000 --> 564.000] So what you can do there you basically have three options and the first one is to simply insert some drone shots.
|
| 100 |
+
[564.000 --> 578.000] Second option is to use time lapses and the third option is quite interesting that is to capture things that are the same in both places or both scenes and bring them together later in the edit.
|
| 101 |
+
[578.000 --> 587.000] The first two ones are quite obvious. Drone shots from high up in the air are great to transition from one scene to the other as it takes the viewer away from the current scene.
|
| 102 |
+
[587.000 --> 592.000] Time lapses are great as it feels like time is passing by until something else happens.
|
| 103 |
+
[592.000 --> 601.000] But the third option is actually often overlooked. To do that you must imagine what objects are the same in different parts or scenes of your travel video.
|
| 104 |
+
[601.000 --> 608.000] So what you do is to simply get one shot of something like that at the first place and then another one at the second place.
|
| 105 |
+
[608.000 --> 614.000] By simply cutting these shots together at the transition between two scenes it feels like the scenes have a connection.
|
| 106 |
+
[614.000 --> 618.000] So it doesn't feel like a random jump cut anymore.
|
| 107 |
+
[618.000 --> 627.000] So this was some of the most important tips when it comes to shooting your travel videos but now it's time for the next step that video editing part and this is where all the magic happens.
|
| 108 |
+
[627.000 --> 642.000] So the first step that you should do when you edit your travel video is to throw all the footage in your timeline and then build a good structure of your travel video by bringing clips together that generate scenes as we talked about earlier.
|
| 109 |
+
[642.000 --> 653.000] And after that everything you really have to do is to arrange the clips within each scene in a way that either tells the story of each scene or that at least has a good flow.
|
| 110 |
+
[653.000 --> 659.000] And flow good can mean that you put them together in a way that tells the story and keeps the viewer interested.
|
| 111 |
+
[659.000 --> 666.000] But it can also mean that you arrange them by similarities like camera motion, similar forms, same subjects and so on.
|
| 112 |
+
[666.000 --> 673.000] But depending on the video you want to shoot it can also make sense to work with voice overs like I do here in this tutorial mostly.
|
| 113 |
+
[673.000 --> 682.000] And then you simply add just your clips to the voice overs so that the clips always reflect what you're talking about.
|
| 114 |
+
[682.000 --> 687.000] Of course if you can combine that with sequences then you're absolutely killing it.
|
| 115 |
+
[687.000 --> 691.000] This is what Jack threw for example. That's a lot in his videos. I really love that.
|
| 116 |
+
[691.000 --> 695.000] And let me also show you how to edit the transition we talked about earlier.
|
| 117 |
+
[695.000 --> 704.000] As mentioned you simply cut the first clip at the end where it's similar to the start of the second clip and then you do the same thing at the beginning of the second clip.
|
| 118 |
+
[704.000 --> 708.000] Now you only need to insert a simple cross fade transition and it looks pretty seamless.
|
| 119 |
+
[708.000 --> 718.000] You will find more tutorials about transitions on my channel but definitely don't overuse them as they can also make your travel videos look cheap if you use the wrong or too much.
|
| 120 |
+
[718.000 --> 723.000] Okay, these are only the basics when it comes to editing good travel videos. Of course there's a lot more that you can learn about it.
|
| 121 |
+
[723.000 --> 734.000] But I must say that these basics are actually the most important points because a good travel video is not just made of fancy transitions and orange and teal color grading etc.
|
| 122 |
+
[734.000 --> 745.000] Even if I like that as well. But a good travel video in the first place has either a strong point or it tells a good story or it simply delivers a feeling of a place pretty well.
|
| 123 |
+
[745.000 --> 752.000] And fancy transitions and color grading etc. is really more on top of that instead of being in the first place.
|
| 124 |
+
[752.000 --> 756.000] Even if that's what you probably notice a bit more in the travel videos.
|
| 125 |
+
[756.000 --> 764.000] And the good thing is as well that you can implement these tips that I gave here with every major video editor.
|
| 126 |
+
[764.000 --> 770.000] Like even Windows Movie Maker would work for that because it doesn't require any fancy transitions or so on.
|
| 127 |
+
[770.000 --> 780.000] So if you put all the tips from this video into practice I'm absolutely sure that your travel videos will turn out much better and that even people that don't know you will enjoy watching them.
|
| 128 |
+
[780.000 --> 785.000] Most important is really to ask yourself what the value of your video will be for the viewer.
|
| 129 |
+
[785.000 --> 794.000] And if you're not in a level where you can impress with cinematics go more into storytelling while you learn how to improve the visual quality of your footage.
|
| 130 |
+
[794.000 --> 802.000] Okay thanks for watching I put a lot of effort into this video as you can tell so please if you enjoyed it leave your thumbs up and also subscribe.
|
| 131 |
+
[802.000 --> 809.000] It really helps the channel grow and also feel free to share the video with others to help them create better travel videos.
|
| 132 |
+
[809.000 --> 817.000] Maybe you know someone that's interested in that as well and I would say that's it here. I'm out and I hope to see you in the next video.
|
| 133 |
+
[819.000 --> 827.000] If you just want to make which is act which is not allowed.
|
| 134 |
+
[830.000 --> 833.000] That sucks when you shoot at the road.
|
| 135 |
+
[833.000 --> 835.000] Oh please.
|
| 136 |
+
[835.000 --> 838.000] I need more electric cars now I see the advantage.
|
| 137 |
+
[838.000 --> 841.000] So definitely take some time for the...
|
| 138 |
+
[841.000 --> 843.000] Thank you. Thanks.
|
| 139 |
+
[843.000 --> 845.000] Oh yeah yeah come.
|
| 140 |
+
[845.000 --> 847.000] I need 100 cars more.
|
| 141 |
+
[847.000 --> 851.000] So definitely motorbike.
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| 1 |
+
[0.000 --> 7.000] Let's face it, getting epic shots in an epic location is easy.
|
| 2 |
+
[13.000 --> 17.000] Sadly, not everyone has the same opportunities to travel and visit these places.
|
| 3 |
+
[18.000 --> 27.000] We've all been there. You see an epic travel clip on YouTube and boom, you feel inspired.
|
| 4 |
+
[28.000 --> 31.000] You grab your camera and run outside but there's only one problem.
|
| 5 |
+
[31.000 --> 36.000] You don't have a crazy location to shoot. As someone who used to make a living from travel and documentary films,
|
| 6 |
+
[37.000 --> 44.000] the pandemic really shook my foundations. When for over a year, I didn't have the opportunity to go to these amazing locations of become so used to.
|
| 7 |
+
[45.000 --> 50.000] Instead, I had to learn to use what I have around me and how to get the best out of a boring location.
|
| 8 |
+
[51.000 --> 58.000] So that's exactly what this video is about. Take a look at these clips. You might imagine it being shot on an exotic island somewhere.
|
| 9 |
+
[58.000 --> 69.000] The Philippines, Bali perhaps. What if I told you that this was filmed in my neighbour's garden in the heart of a busy city, far from the ocean, nowhere near the mountains and not a single epic waterfall.
|
| 10 |
+
[70.000 --> 78.000] Or how about this forest? Well, you probably can't call it a forest because it's really just a tiny box surrounded by houses in a residential area.
|
| 11 |
+
[78.000 --> 84.000] I've compiled a list of 7 tips that you can use to create more interesting scenes and get more value out of your locations.
|
| 12 |
+
[85.000 --> 87.000] Tip number 1. Angles or everything.
|
| 13 |
+
[88.000 --> 92.000] This is exactly the same shot. One aimed at eye level and one low to the ground.
|
| 14 |
+
[93.000 --> 104.000] Going low to the ground can instantly transform a scene and remove the striking background elements, especially on the whites where it's not as easy to hide stuff like in this case, the street and houses.
|
| 15 |
+
[104.000 --> 115.000] Going low and shooting up is also a way to capture whites with more interest. Like in this scenario, we're using the three tops as a background with this big branch as an element in a haunting movement.
|
| 16 |
+
[115.000 --> 124.000] We can always flip it around and shoot from the top down. A simple twist paired with movement adds a dynamic to an otherwise flat image, which brings me to my next one.
|
| 17 |
+
[124.000 --> 126.000] Tip number 2. Hand out.
|
| 18 |
+
[126.000 --> 133.000] I prefer shooting hand out over a gimbal in these scenarios because it's much easier and faster to frame a shot to hide the striking elements.
|
| 19 |
+
[133.000 --> 138.000] And you have more control over the framing while doing the camera movement. Like in this example.
|
| 20 |
+
[138.000 --> 144.000] Pushing the camera forward and slowly tilting up, keeping our subject in frame with more precision than on a gimbal.
|
| 21 |
+
[144.000 --> 150.000] Shooting hand out also enables you to get shots that are not possible with a gimbal. Like tracking movements.
|
| 22 |
+
[150.000 --> 155.000] Dynamic shots like this adds more interest to a scene so try to move the camera as much as possible.
|
| 23 |
+
[155.000 --> 167.000] Tip number 3. Lighting. Now you don't need to invest thousands of dollars in lighting equipment or have a massive crew, but having some control over the light will instantly transform an unflattering image into something special.
|
| 24 |
+
[167.000 --> 172.000] The simple budget solution is a 5-in-1 reflected to the Fuse Horses light or Bounce Filt light.
|
| 25 |
+
[172.000 --> 181.000] In the first example, I'm using the diffuser to soften the sun immediately resulting in a flattering skin tone, which enables me to get a more balanced exposure of the background.
|
| 26 |
+
[181.000 --> 186.000] The painting on a position of your subject, you can also use the reflected to bounce Filt light into the face.
|
| 27 |
+
[186.000 --> 191.000] But if the sun is not giving enough bounce for a natural looking shot, you can always try out a Fissual light.
|
| 28 |
+
[191.000 --> 198.000] The light tube lights because they're battery powered and they're easy to set up even without an assistant. But the value it adds is tremendous.
|
| 29 |
+
[198.000 --> 205.000] The most important part about using FULL, whether it's a reflector or a tube light, is the placement of the light in relation to your subject.
|
| 30 |
+
[205.000 --> 209.000] Our key light, the sun, is coming from behind at a 45 degree angle.
|
| 31 |
+
[209.000 --> 218.000] You want to position the full light from the same side to motivate the sun so we're not trying to fill in any shadows, but simply enhance the sunlight as if it's a bit more to the left.
|
| 32 |
+
[218.000 --> 223.000] The light would be to place the light on the shadow side of the face and fill from the opposite side of the sun.
|
| 33 |
+
[223.000 --> 227.000] But now it's pretty obvious we're using a light and we're losing depth in the face.
|
| 34 |
+
[227.000 --> 233.000] If you want to miss around more during the middle of the day, you can take it a step further by using a larger diffuser like a scrim gem.
|
| 35 |
+
[233.000 --> 239.000] In this case, we used an 8x8 with a half-sulk, giving us more freedom to go wider on the movements.
|
| 36 |
+
[239.000 --> 241.000] Zep number 4, Lane's Choice
|
| 37 |
+
[241.000 --> 247.000] Although the Eppelfield is not the determining factor for something to be cinematic, shooting wider open at f1.4 or f1.4.
|
| 38 |
+
[247.000 --> 251.000] or f1.8 helps to knock out the background by blurring out distractions.
|
| 39 |
+
[251.000 --> 253.000] So basically a prime lens is your best bit.
|
| 40 |
+
[253.000 --> 261.000] The 35mm is my favourite focal length overall, coming in just wide enough for most wide, but still being able to capture portraits.
|
| 41 |
+
[261.000 --> 266.000] Going in tighter or putting on a longer lens makes it even easier to avoid unwanted backgrounds.
|
| 42 |
+
[266.000 --> 271.000] But be careful that you don't end up with too many tight shots, because you don't want to box in your viewer.
|
| 43 |
+
[271.000 --> 273.000] Zep number 5, Diff
|
| 44 |
+
[273.000 --> 276.000] A wide open aperture is not the only element that contributes to depth.
|
| 45 |
+
[276.000 --> 281.000] Your subject in relation to the camera can also give you a different perspective, like in this example.
|
| 46 |
+
[281.000 --> 286.000] Even at f1.4 the background looks flat, because the wall is too close to our subject.
|
| 47 |
+
[286.000 --> 292.000] By simply moving the camera to the side we're not only getting more depth, but we suddenly have this interesting foreground to use for movement.
|
| 48 |
+
[292.000 --> 296.000] Fogrounds not only in arms this movement, but it also adds more depth to a scene.
|
| 49 |
+
[296.000 --> 299.000] So I'm constantly searching for this in a frame.
|
| 50 |
+
[299.000 --> 303.000] An outer focus foreground, an infocus subject, and an outer focus background.
|
| 51 |
+
[303.000 --> 307.000] This shot was taken at the very edge of the box right next to the fence.
|
| 52 |
+
[307.000 --> 314.000] But because I'm shooting from a lower angle and a sheer distance to the end of the box, you won't know about all the houses if you don't see the BTS.
|
| 53 |
+
[314.000 --> 316.000] Zep number 6, Details
|
| 54 |
+
[316.000 --> 322.000] Since you don't have many options for epic wide frames, you should focus on making your close ups more epic.
|
| 55 |
+
[322.000 --> 327.000] Going in tight on details are great fillers for B-roll and helps to connect your shots to each other.
|
| 56 |
+
[327.000 --> 331.000] Zep number 7, Last but not least, Grading
|
| 57 |
+
[331.000 --> 334.000] This is the original color that came out of the scene in the garden.
|
| 58 |
+
[334.000 --> 341.000] Using a stylized light with desaturated greens and an exposure moss, I was able to instantly transform the image into something more film-like.
|
| 59 |
+
[341.000 --> 346.000] Don't be scared to mess around with the colors. You don't have to settle for a natural look.
|
| 60 |
+
[346.000 --> 355.000] This video is broadly brought to you by the Alpha Universe, a free learning platform with educational content from a variety of photographers and filmmakers across all genres.
|
| 61 |
+
[355.000 --> 362.000] I currently have an exclusive training series on their You Can Unlock for free by Simply Registering Your Sony Gear.
|
| 62 |
+
[362.000 --> 364.000] Check out the link in the description.
|
transcript/travel_YAV4SDgVv-o.txt
ADDED
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| 1 |
+
[0.000 --> 8.000] Hi, and welcome to the Cultural Explorer, the YouTube channel that takes you on a journey to explore different cultures and traditions around the world.
|
| 2 |
+
[8.000 --> 14.000] In today's video, we will be discussing the role of body language in communication across cultures.
|
| 3 |
+
[14.000 --> 22.000] Body language is a critical aspect of communication that conveys information, emotions, and intentions without the use of words.
|
| 4 |
+
[22.000 --> 30.000] However, body language can vary significantly across cultures and can sometimes lead to misunderstandings in intercultural communication.
|
| 5 |
+
[30.000 --> 39.000] Understanding and adapting to different body language styles can improve communication and build stronger relationships with people from diverse backgrounds.
|
| 6 |
+
[39.000 --> 42.000] Body language can differ significantly across cultures.
|
| 7 |
+
[42.000 --> 49.000] For example, in western cultures like the United States, eye contact is often seen as a sign of respect and attentiveness.
|
| 8 |
+
[49.000 --> 55.000] While in some Asian cultures like Japan, it may be seen as a sign of disrespect or confrontation.
|
| 9 |
+
[55.000 --> 62.000] Similarly, in some Latin American cultures like Mexico and Brazil, physical touch such as hugging or touching is common.
|
| 10 |
+
[62.000 --> 68.000] While in others like Saudi Arabia and other Middle Eastern countries, it may be seen as intrusive.
|
| 11 |
+
[68.000 --> 77.000] It is essential to be aware of these cultural differences in body language and to adapt your communication style accordingly to avoid misunderstandings.
|
| 12 |
+
[77.000 --> 80.000] Culture can significantly impact body language.
|
| 13 |
+
[80.000 --> 86.000] Different cultural values and beliefs can influence how people express themselves non-verbally.
|
| 14 |
+
[86.000 --> 94.000] For instance, in some Asian cultures like South Korea and China, showing emotions such as anger or frustration openly is frowned upon.
|
| 15 |
+
[94.000 --> 99.000] While in Latin American cultures like Colombia, it is perfectly acceptable.
|
| 16 |
+
[99.000 --> 105.000] In some African cultures like Kenya and Nigeria, physical contact is a common way to greet someone.
|
| 17 |
+
[105.000 --> 108.000] While in Japan, bowing is the norm.
|
| 18 |
+
[108.000 --> 114.000] Therefore, understanding how culture impacts body language can help in cross-cultural communication.
|
| 19 |
+
[114.000 --> 119.000] Misunderstandings can often arise due to cultural differences in body language.
|
| 20 |
+
[119.000 --> 124.000] For example, in some cultures nodding your head up and down means, yes.
|
| 21 |
+
[124.000 --> 128.000] While in others like Bulgaria and Greece, it may mean no.
|
| 22 |
+
[128.000 --> 133.000] Similarly, some cultures may smile to indicate discomfort or embarrassment.
|
| 23 |
+
[133.000 --> 138.000] While in others like Russia and Ukraine, it is seen as a sign of insincereity.
|
| 24 |
+
[138.000 --> 143.000] These misunderstandings can lead to confusion, conflict or even offense.
|
| 25 |
+
[143.000 --> 151.000] It is essential to be aware of these cultural differences and to clarify the meaning behind non-verbal cues to avoid misunderstandings.
|
| 26 |
+
[151.000 --> 155.000] Body language can also vary depending on the context in which it is used.
|
| 27 |
+
[155.000 --> 162.000] For example, body language used in business meetings can differ significantly from that used in social gatherings.
|
| 28 |
+
[162.000 --> 168.000] In some Asian cultures like China and South Korea, using direct eye contact and assertive body language,
|
| 29 |
+
[168.000 --> 172.000] may be seen as a sign of confidence and leadership in a business context.
|
| 30 |
+
[172.000 --> 178.000] While in others, like Thailand and the Philippines, it may be perceived as aggressive or confrontational.
|
| 31 |
+
[179.000 --> 186.000] Understanding the impact of body language in different contexts is critical to effective communication across cultures.
|
| 32 |
+
[186.000 --> 195.000] To overcome communication barriers related to body language, it is essential to be aware of cultural differences and to approach communication with an open mind.
|
| 33 |
+
[195.000 --> 199.000] Here are some strategies for effective intercultural communication.
|
| 34 |
+
[199.000 --> 205.000] 1. Learn about different cultural values and beliefs that may impact body language.
|
| 35 |
+
[205.000 --> 212.000] For example, in Latin American cultures like Mexico, physical touch is a common way to show affection and closeness.
|
| 36 |
+
[212.000 --> 216.000] While in Japanese culture, bowing is a sign of respect.
|
| 37 |
+
[216.000 --> 222.000] 2. Observe and ask questions to understand the meaning behind non-verbal cues.
|
| 38 |
+
[222.000 --> 230.000] For instance, in Middle Eastern cultures like Saudi Arabia, men and women may not shake hands due to religious and cultural norms.
|
| 39 |
+
[230.000 --> 236.000] 3. Be aware of your own non-verbal communication and how it may be perceived by others.
|
| 40 |
+
[236.000 --> 245.000] For example, in African cultures like Nigeria, it is important to avoid pointing with your finger as it can be seen as rude or disrespectful.
|
| 41 |
+
[245.000 --> 251.000] 4. Adapt your communication style to suit the context and cultural norms.
|
| 42 |
+
[251.000 --> 259.000] For instance, in some Asian cultures like Japan, it is customary to remove your shoes before entering someone's home or a place of worship.
|
| 43 |
+
[259.000 --> 264.000] 5. Clarify misunderstandings and ask for clarification when needed.
|
| 44 |
+
[264.000 --> 274.000] For example, if you are in a business meeting in China and notice that your colleagues are not making eye contact, it may be helpful to ask if they have any questions or concerns.
|
| 45 |
+
[274.000 --> 281.000] In conclusion, body language is an essential aspect of communication and it can vary significantly across cultures.
|
| 46 |
+
[281.000 --> 290.000] Understanding and adapting to different body language styles can improve communication and build stronger relationships with people from diverse backgrounds.
|
| 47 |
+
[290.000 --> 300.000] By learning about different cultural values and beliefs that may impact body language, observing and asking questions to understand the meaning behind non-verbal cues.
|
| 48 |
+
[300.000 --> 312.000] Being aware of your own non-verbal communication and adapting your communication style to suit the context and cultural norms, you can overcome communication barriers and connect with people from different cultures.
|
| 49 |
+
[312.000 --> 319.000] Thank you for watching and don't forget to subscribe to the Cultural Explorer for more videos on similar content.
|
transcript/travel__9uXxudNc98.txt
ADDED
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| 1 |
+
[0.000 --> 2.000] Hint
|
| 2 |
+
[20.000 --> 22.000] Excuse me, Madam.
|
| 3 |
+
[22.000 --> 24.000] That's no one's going on.
|
| 4 |
+
[24.000 --> 27.000] We can't be standing on this line for long.
|
| 5 |
+
[27.000 --> 29.000] I think I should see your mother-in-law.
|
| 6 |
+
[30.000 --> 35.000] Non-verbal communication includes facial expressions,
|
| 7 |
+
[35.000 --> 41.000] the tone and a pitch of voice, gestures, display through body language,
|
| 8 |
+
[41.000 --> 45.000] and the physical distance between the communicators.
|
| 9 |
+
[45.000 --> 49.000] Let me show you a video on non-verbal communication.
|
transcript/travel_a96F4JOq-GI.txt
ADDED
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| 1 |
+
[0.000 --> 6.000] What is up everybody here is 10 seamless video transitions in 150 seconds. Hope you guys enjoy.
|
| 2 |
+
[150.000 --> 157.000] I had a lot of fun making this video. If you guys did enjoy this make sure to drop a like and do not forget to subscribe for more videos like this.
|
| 3 |
+
[157.000 --> 164.000] Also make sure to check out my new transitions pack that I created for Premiere Pro that I did use in some of these transitions inside the video to make it a bit more seamless.
|
| 4 |
+
[164.000 --> 168.000] To not forget to also follow me on Instagram and Twitter for more exclusive content.
|
| 5 |
+
[168.000 --> 173.000] And once again thank you so much for your time and attention. I really do appreciate every single one of you guys.
|
| 6 |
+
[173.000 --> 177.000] And I think that's gonna be it for this one guys. I'll see you guys in the next one. Goodbye.
|
transcript/travel_cFLjudWTuGQ.txt
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| 1 |
+
[0.000 --> 18.000] What makes one an exceptional presenter? Is it flashy visuals? Is it the tone of voice? Is it the actual message or content?
|
| 2 |
+
[18.000 --> 23.000] Or does that have something to do with body language? Are gestures and our stance?
|
| 3 |
+
[23.000 --> 30.000] Today we want to talk to you about this latter point. How do we use our body effectively to communicate our message?
|
| 4 |
+
[30.000 --> 37.000] Because we have so many great ideas here, but if they remain in our head, don't actually link up with the audience.
|
| 5 |
+
[37.000 --> 42.000] Our message will not have arrived. We will not have a resonator with the audience.
|
| 6 |
+
[42.000 --> 47.000] So body language plays a powerful role in how we communicate.
|
| 7 |
+
[47.000 --> 55.000] And unfortunately, body language can also distract. We've seen this clip before of Michael Bay.
|
| 8 |
+
[55.000 --> 63.000] He speaks, the teleprompter, he loses sight of what's happening, that the telever doesn't sink up, and he struggles.
|
| 9 |
+
[63.000 --> 69.000] And all you see is his body moving around and he's nervous, he's exuding it.
|
| 10 |
+
[69.000 --> 74.000] So I want to give some color commentary as a rewatch, as a class. What has happened?
|
| 11 |
+
[74.000 --> 79.000] So his stance at the beginning, it's okay, but his hands is meshing them.
|
| 12 |
+
[79.000 --> 88.000] And now it's starting to turn from the audience. Again, his hands are clasped, he's looking a bit down, not at all of you, the audience, and he spins.
|
| 13 |
+
[88.000 --> 98.000] He shows his back, the audience. And he can't be getting composure. He's swaying back and forth, he's looking down, he's avoiding the audience. His nerves are coming out.
|
| 14 |
+
[98.000 --> 108.000] Again, his hands, he's writing them. And now I think he's looking at the back of the stage. That's the exact opposite place from where you want to actually look.
|
| 15 |
+
[108.000 --> 113.000] He's incredibly nervous, and now he exits stage.
|
| 16 |
+
[113.000 --> 116.000] We all want to avoid our own Michael Bay moments.
|
| 17 |
+
[116.000 --> 118.000] When we communicate.
|
| 18 |
+
[118.000 --> 126.000] The last thing we want at a startup pitch or meeting is to have that happen, is to have the body language take over from the message.
|
| 19 |
+
[126.000 --> 135.000] If we lose sight of what our body is doing, all people can pay attention to is the body itself. Right? It'll take over.
|
| 20 |
+
[135.000 --> 142.000] So that comes down to not only kind of distract, but the body language can, it is your superhero. Right?
|
| 21 |
+
[142.000 --> 149.000] That it can change, it's your superpower. Sorry, not a superhero. You're the superhero. But it's your superpower.
|
| 22 |
+
[149.000 --> 154.000] In the sense that we can utilize it to enhance and communicate with every person in the audience.
|
| 23 |
+
[154.000 --> 162.000] We want to talk about that today from three vantage points. Colin is going to get us started in talking about how posture breeds success.
|
| 24 |
+
[162.000 --> 166.000] Jung-Joon is going to talk about how gestures to strengthen your message.
|
| 25 |
+
[166.000 --> 176.000] Finally, Jennifer is going to close us out with how we think about the body posture of you, the audience, and how to interact with that. Colin, take us away.
|
| 26 |
+
[176.000 --> 181.000] Communication begins before you even open your mouth to speak.
|
| 27 |
+
[181.000 --> 190.000] Your audience's first impression of you is your posture and your position. And so it's important to know both how to stand, as well as where to stand.
|
| 28 |
+
[190.000 --> 196.000] And perhaps it's fairly obvious, but you should stand facing the people you're talking to.
|
| 29 |
+
[196.000 --> 204.000] Don't stand facing your visuals and turning your back to the audience. That's not what we want to do. We can't communicate that way.
|
| 30 |
+
[204.000 --> 212.000] It's also important to know where you're standing in the room. A position of strength in this room is somewhere in this center box.
|
| 31 |
+
[212.000 --> 216.000] As long as you're moving around in the center, you're doing pretty well.
|
| 32 |
+
[216.000 --> 223.000] Well, you don't want to be as often the corner of countering or especially in front of any distractions.
|
| 33 |
+
[223.000 --> 229.000] And this room is pretty good. It doesn't have that many distractions. But there is a window.
|
| 34 |
+
[229.000 --> 234.000] And outside this window, there are cars, there are buses, there are bikers.
|
| 35 |
+
[234.000 --> 242.000] And when I was standing over there, probably about half of you could see in your peripheral vision outside the window.
|
| 36 |
+
[242.000 --> 252.000] And if a car were to drive by your instinct, your reaction would be to look out the window and that would break your concentration in our conversation.
|
| 37 |
+
[252.000 --> 254.000] And we don't want that either.
|
| 38 |
+
[254.000 --> 258.000] And now that you know where to stand, it's important to know how to stand.
|
| 39 |
+
[258.000 --> 272.000] So we're going to demonstrate a few positions, a few bad positions that we've seen from us and some of you guys and even from the presentations earlier today that you shouldn't do.
|
| 40 |
+
[272.000 --> 280.000] And the first one is hands in your pockets. This comes off as nonchalant, your shoulders tend to roll forwards.
|
| 41 |
+
[280.000 --> 284.000] And it's very difficult to convey a strong message from this position.
|
| 42 |
+
[284.000 --> 292.000] The second one is hands on your hips. When your hands are on your hips, you tend to look overbearing and powerful.
|
| 43 |
+
[292.000 --> 300.000] And the third one is the fig leaf. This is where you're protecting your family jewels with your hands.
|
| 44 |
+
[300.000 --> 307.000] And while it also looks timid, it's especially bad when you decide to gesture from this position.
|
| 45 |
+
[307.000 --> 309.000] I want to show you something.
|
| 46 |
+
[315.000 --> 318.000] You look like you're flashing the audience. And that's not a good thing.
|
| 47 |
+
[318.000 --> 320.000] So how should you stand?
|
| 48 |
+
[320.000 --> 328.000] And if I could actually get all of you to stand, I'll lead you through a short demonstration on how to find your face posture.
|
| 49 |
+
[328.000 --> 334.000] So once you've stood, be mindful of the people next to you and place your feet hip width apart.
|
| 50 |
+
[334.000 --> 339.000] Close your eyes and look up towards the ceiling and lift your hands above your head.
|
| 51 |
+
[339.000 --> 345.000] Get a good stretch underneath your shoulders and let your arms drop to the side.
|
| 52 |
+
[345.000 --> 350.000] When you open your eyes, look down. This is your base posture.
|
| 53 |
+
[350.000 --> 354.000] Thank you very much for participating. You guys can sit down now.
|
| 54 |
+
[355.000 --> 364.000] Now that you've found your base posture, this is where you should gesture from and it's where you should return to when you're finished gesturing.
|
| 55 |
+
[364.000 --> 369.000] It may not feel the most comfortable, but it looks the most comfortable to your audience.
|
| 56 |
+
[369.000 --> 375.000] Remember that your posture and position are the audience's first impression.
|
| 57 |
+
[375.000 --> 381.000] But now that you know how to stand still, it's time to learn how to move.
|
| 58 |
+
[382.000 --> 388.000] Dressures are important because it helps you communicate that.
|
| 59 |
+
[388.000 --> 393.000] For example, if you use dresses, the audience remembers twice as much.
|
| 60 |
+
[393.000 --> 400.000] It also helps you with future speakers too because it helps your memory when you speak.
|
| 61 |
+
[400.000 --> 408.000] Also, besides the transition, your hand and arm movement is the biggest movement that the audience can see.
|
| 62 |
+
[409.000 --> 414.000] You can either use it wisely, or waste it on random and distracting gestures.
|
| 63 |
+
[414.000 --> 418.000] I'm going to show you three types of gestures.
|
| 64 |
+
[418.000 --> 423.000] The give, the show and the chop. Here's an example.
|
| 65 |
+
[425.000 --> 431.000] This folder at the GSB, I went to this communications class. It was so great.
|
| 66 |
+
[431.000 --> 438.000] I mean, you could feel that your skills are improved. I think this was the best class I've ever taken.
|
| 67 |
+
[438.000 --> 442.000] Let's rewind and see what happened. The give.
|
| 68 |
+
[442.000 --> 446.000] This folder at the GSB, I went to this communications class.
|
| 69 |
+
[446.000 --> 451.000] So this gesture is used to give the audience the facts or the options.
|
| 70 |
+
[451.000 --> 457.000] Remember to have your palms up, not down, we'll get to that in a minute.
|
| 71 |
+
[458.000 --> 464.000] The show. I mean, you could feel that your skills are improving.
|
| 72 |
+
[464.000 --> 469.000] This kind of gesture has the largest variety and your imagination is the limit.
|
| 73 |
+
[469.000 --> 474.000] Just remember that the gesture and the message has to match.
|
| 74 |
+
[474.000 --> 479.000] For example, you can't say, prof is arising with a gesture like this.
|
| 75 |
+
[479.000 --> 485.000] So, congruency and creativity. The chop.
|
| 76 |
+
[486.000 --> 490.000] I think this was the best class I've ever taken.
|
| 77 |
+
[490.000 --> 494.000] So this gesture is used to deliver strong opinion.
|
| 78 |
+
[494.000 --> 498.000] You can either use it one hand or you can use both hands.
|
| 79 |
+
[498.000 --> 503.000] You can use both hands and do a larger chop which will deliver a stronger message.
|
| 80 |
+
[503.000 --> 510.000] So, next time when you do gestures, think about these three types and plan ahead.
|
| 81 |
+
[510.000 --> 517.000] Three types is the give. The show. And the chop.
|
| 82 |
+
[517.000 --> 524.000] Ha! I bet everyone in the room is going to remember this.
|
| 83 |
+
[524.000 --> 530.000] Just just work. That's the message.
|
| 84 |
+
[530.000 --> 534.000] Another subject is about having your palms up.
|
| 85 |
+
[534.000 --> 538.000] So, I'll give you an example.
|
| 86 |
+
[538.000 --> 543.000] People on the right, please rise and move to the left.
|
| 87 |
+
[543.000 --> 545.000] I'll do slightly different this time.
|
| 88 |
+
[545.000 --> 549.000] People on the left, right, please rise and move to the left.
|
| 89 |
+
[549.000 --> 554.000] One more time. People on the right, please rise and move to the left.
|
| 90 |
+
[554.000 --> 556.000] Do you see the difference?
|
| 91 |
+
[556.000 --> 560.000] Which one do you think would make more people move?
|
| 92 |
+
[560.000 --> 565.000] The first one. Yes. According to the study, if you have your palms up,
|
| 93 |
+
[565.000 --> 572.000] 84% of the audience complies. If you have your palms down, 52%, if you have your fingers,
|
| 94 |
+
[572.000 --> 579.000] 28%. Never use your fingers at your audience.
|
| 95 |
+
[579.000 --> 585.000] It looks just arrogant and only politicians use that. Clinton used it.
|
| 96 |
+
[585.000 --> 590.000] I did not have sexual relations with that woman.
|
| 97 |
+
[590.000 --> 597.000] It looks bad. Back then, it looks bad now.
|
| 98 |
+
[597.000 --> 602.000] And last but not least, avoid the terrorist gestures.
|
| 99 |
+
[602.000 --> 609.000] For example, people on the right, please rise and move to the left.
|
| 100 |
+
[609.000 --> 613.000] No matter what you do, I mean it looks silly.
|
| 101 |
+
[613.000 --> 616.000] So, loosen up everybody.
|
| 102 |
+
[616.000 --> 622.000] Always remember that gestures are there for you and the audience to make a deeper connection.
|
| 103 |
+
[622.000 --> 629.000] So far, we've talked about the audience. Now it's time to focus on you, the audience.
|
| 104 |
+
[629.000 --> 635.000] As John June and Colin and Matt described, we've been focusing on the body language of the speaker.
|
| 105 |
+
[635.000 --> 638.000] But let's not forget, who's the real hero here?
|
| 106 |
+
[638.000 --> 645.000] As we learned in our first week of class, it's not me, the speaker. It's you, the audience.
|
| 107 |
+
[645.000 --> 651.000] But what happens when the audience doesn't realize that they are on this hero's journey?
|
| 108 |
+
[651.000 --> 654.000] Have you ever seen an audience that looks like this?
|
| 109 |
+
[654.000 --> 658.000] Have you ever been that audience? It's okay, we all have.
|
| 110 |
+
[658.000 --> 664.000] Whether we're playing on our phones, falling asleep and nodding off, looking at the clock,
|
| 111 |
+
[664.000 --> 670.000] and calculating, can we make an escape from this room? We've all done it.
|
| 112 |
+
[670.000 --> 676.000] But the thing is, it's the speaker's responsibility to understand what's going on with their audience.
|
| 113 |
+
[676.000 --> 680.000] And body language is a powerful way to assess that.
|
| 114 |
+
[680.000 --> 686.000] As a speaker, we can be so focused on our own body language that we never even notice what the audience is doing.
|
| 115 |
+
[686.000 --> 689.000] And it's important to change that.
|
| 116 |
+
[689.000 --> 694.000] So I want to share three strategies for how you can engage with your audience better
|
| 117 |
+
[694.000 --> 697.000] by developing more observational skills.
|
| 118 |
+
[697.000 --> 703.000] So first of all, absolutely, be using the gestures and body language tools that we've talked about today
|
| 119 |
+
[703.000 --> 705.000] and over the course of the quarter.
|
| 120 |
+
[705.000 --> 708.000] But the second thing is to notice.
|
| 121 |
+
[708.000 --> 712.000] Of course, you're going to be looking for eye contact, but look beyond it.
|
| 122 |
+
[712.000 --> 715.000] Look at how your audience members are sitting.
|
| 123 |
+
[715.000 --> 717.000] Are they fidgeting? Are they moving?
|
| 124 |
+
[717.000 --> 723.000] Are they leading forward, looking engaged and taking notes? Or are they zoning out?
|
| 125 |
+
[724.000 --> 729.000] If your body language, your eye contact, and your efforts at being compelling are not working,
|
| 126 |
+
[729.000 --> 731.000] then you can go deeper.
|
| 127 |
+
[731.000 --> 735.000] You can try to surprise the audience with a question or use some humor.
|
| 128 |
+
[735.000 --> 737.000] Or you can disrupt the audience.
|
| 129 |
+
[737.000 --> 742.000] As students, we hate being cold-called, but we know it's effective, right?
|
| 130 |
+
[742.000 --> 744.000] Jason, what's your favorite color?
|
| 131 |
+
[744.000 --> 746.000] It was.
|
| 132 |
+
[747.000 --> 748.000] It's blue.
|
| 133 |
+
[748.000 --> 750.000] Okay, very good.
|
| 134 |
+
[750.000 --> 752.000] You've got that one.
|
| 135 |
+
[753.000 --> 757.000] As we all know, it's the fastest way to re-engage with a conversation with a speaker.
|
| 136 |
+
[757.000 --> 759.000] So don't be afraid to use it.
|
| 137 |
+
[759.000 --> 764.000] It's so important to keep your audience on track because they're the hero and it's their journey.
|
| 138 |
+
[764.000 --> 769.000] Remember how Nancy Duarte told us that we are the Yoda to the Luke Skywalker.
|
| 139 |
+
[769.000 --> 773.000] And our job as a speaker is to keep the hero on their journey.
|
| 140 |
+
[773.000 --> 778.000] With that in mind, I think we've talked about three concepts that really remind each of us
|
| 141 |
+
[778.000 --> 781.000] about how body language is your superpower.
|
| 142 |
+
[781.000 --> 785.000] Use it, become that superpower, some that's superhero.
|
| 143 |
+
[785.000 --> 790.000] And we welcome any questions you have on how to stand strong, gesture effectively,
|
| 144 |
+
[790.000 --> 792.000] and engage the audience.
|
| 145 |
+
[792.000 --> 793.000] Thank you.
|
transcript/travel_chroICha45g.txt
ADDED
|
@@ -0,0 +1,65 @@
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| 1 |
+
[0.000 --> 8.420] All right, let's bring in four department defense interrogator and body language expert Lena Siskelina your thoughts tonight as you watched the debate
|
| 2 |
+
[9.440 --> 16.920] Well first Vance did rocket he was so confident and comfortable his answers were quick they were deliberate
|
| 3 |
+
[16.920 --> 24.400] They were concise. There was no stuttering. There was no ums. There were no filler words his body language was on point
|
| 4 |
+
[24.400 --> 25.720] You did stellar
|
| 5 |
+
[25.800 --> 32.440] You know, it's interesting is that how important is you know as we as we watch the as we watched the two gentlemen on the screen
|
| 6 |
+
[32.440 --> 38.680] If you go back to 1916 when was Kennedy and Nixon if you listen to the debate on the radio
|
| 7 |
+
[38.680 --> 41.200] This was the first televised as well everyone thought Nixon won
|
| 8 |
+
[41.200 --> 47.200] But if you watched it do you thought Kennedy won and so how you how you present yourself on the screen really does have an influence
|
| 9 |
+
[47.200 --> 48.680] Doesn't not oh?
|
| 10 |
+
[48.680 --> 53.960] Absolutely because what you're doing is you're trying to win the trust of the people and you have to
|
| 11 |
+
[53.960 --> 56.840] Exude that and you're going to exude it in what you say
|
| 12 |
+
[56.840 --> 62.680] But also how you look and the moment that we have any stress or doubt in what we're going to say
|
| 13 |
+
[62.840 --> 69.320] That's coming out in our body language our facial expressions the way we talk of whether or not we become breathy
|
| 14 |
+
[69.320 --> 75.560] We're rapid eye blinking and so much more and when people see and hear these indicators of stress
|
| 15 |
+
[75.760 --> 77.760] We start to lose our trust in those people
|
| 16 |
+
[78.400 --> 81.600] Yeah, I thought I thought I thought it was almost scary how
|
| 17 |
+
[82.600 --> 88.600] How calm JD Vance was you know, I just he's he's just so calm in these moments where it's like
|
| 18 |
+
[88.600 --> 92.800] This is a nationally televised debate. You got a presidency, you know on the line here
|
| 19 |
+
[92.800 --> 97.520] I mean at that such a pressure moment. I want to play for you the the moment that Tim Walls was asked about
|
| 20 |
+
[98.600 --> 102.320] He claimed that he had been there during the TNM and square protests
|
| 21 |
+
[103.080 --> 106.240] In Beijing China and that turned out to be a complete lie
|
| 22 |
+
[106.800 --> 108.800] This is when he was called out by CBS tonight
|
| 23 |
+
[108.800 --> 110.800] I
|
| 24 |
+
[110.800 --> 114.720] Join the National Guard at 17 worked on family farms and then I
|
| 25 |
+
[115.000 --> 118.800] Use the GI Bill to become a teacher passionate a young teacher
|
| 26 |
+
[119.400 --> 123.800] My first year out I got the opportunity in the summer of 89 to travel to China
|
| 27 |
+
[124.400 --> 131.160] 35 years ago be able to do that. I came back home and then started a program to take young people there
|
| 28 |
+
[131.160 --> 135.520] My community knows who I am. They saw where I was at they look
|
| 29 |
+
[135.520 --> 138.960] I will be the first to tell you I have poured my heart into my community
|
| 30 |
+
[138.960 --> 143.520] I've tried to do the best I can but I've not been perfect and I'm a knucklehead at times
|
| 31 |
+
[144.400 --> 150.200] Governor just to follow up on that the question was can you explain the discrepancy?
|
| 32 |
+
[150.200 --> 156.360] All I said on this was I got there that summer and misspoke on this so I I will just that's what I've said
|
| 33 |
+
[157.760 --> 159.760] So I was in
|
| 34 |
+
[160.240 --> 164.680] Hong Kong and China during the democracy protest went in and from that
|
| 35 |
+
[164.840 --> 168.120] I learned a lot of what needed to be in in governance
|
| 36 |
+
[170.120 --> 174.000] It's a flat out lie is the answer Lena. What do you see there in that answer? Oh?
|
| 37 |
+
[174.400 --> 176.520] It was so embarrassing to watch this well
|
| 38 |
+
[176.520 --> 183.200] First he does a lot of mouth shrugging so that's when the corners of the mouth come down and it means the same thing as a shoulder shrug
|
| 39 |
+
[183.200 --> 189.040] It means doubt and the problem is if it's incongruent with what I'm saying then we have a problem, right?
|
| 40 |
+
[189.040 --> 191.280] It's a lie so I can tell you listen
|
| 41 |
+
[191.280 --> 194.080] I have no idea what I'm going to say in that matches up
|
| 42 |
+
[194.080 --> 197.600] But he was saying something definitively and shrugging his shoulders
|
| 43 |
+
[197.600 --> 204.000] So it just tells the person don't believe what he's saying we have the prolonged eye blinking which is telling me that his
|
| 44 |
+
[204.480 --> 207.680] He is experiencing something traumatic or stressful
|
| 45 |
+
[208.080 --> 212.880] And we also have the stuttering so those four things right there tell me absolutely
|
| 46 |
+
[213.120 --> 219.480] This is a lie and you don't have to be a body language expert to know he never answered the question
|
| 47 |
+
[219.960 --> 222.760] Well, I think Rob I think I actually would criticize the
|
| 48 |
+
[223.480 --> 227.400] The anchors and the moderators because you can't just look at this question in the vacuum
|
| 49 |
+
[227.400 --> 231.880] He's also had a misstatement about his military record and so it's not just like a one-off
|
| 50 |
+
[231.880 --> 235.560] I mean we all make the one-off you know on television say the wrong thing or the state
|
| 51 |
+
[235.800 --> 239.240] But they didn't follow up and say what about these other you know instances?
|
| 52 |
+
[239.800 --> 242.040] Yeah, well, that's this really not surprising
|
| 53 |
+
[242.040 --> 247.160] I mean, no, we need we need it. We need it. Yeah, they did calm out the voters needed an explanation
|
| 54 |
+
[247.240 --> 249.160] Yeah, they didn't get it. Yeah, no
|
| 55 |
+
[249.320 --> 253.480] Leigh than anything else. What about vans as far as JD vans went I mean
|
| 56 |
+
[253.720 --> 257.640] I again, I just couldn't believe how calm and cool he is in such a pressure moment. What did you see?
|
| 57 |
+
[258.600 --> 260.600] So he does the Trump
|
| 58 |
+
[261.400 --> 267.080] Identifiers, right? He does this knife hand that I always see and it's just when people want to be very definitive
|
| 59 |
+
[267.320 --> 272.600] And they're very confident and what they're saying they'll tend to do this knife in he also does something else
|
| 60 |
+
[272.680 --> 276.840] Which is the ring finger pose and Trump is notorious for doing this
|
| 61 |
+
[277.160 --> 283.640] And it just says listen, I know what I'm talking about but I can also handle very delicate issues
|
| 62 |
+
[284.680 --> 290.920] Yeah, yes good stuff. It's always interesting to talk to you guys after one of these debates you see stuff then it's like
|
| 63 |
+
[292.120 --> 294.120] I don't know I'd be terrified if I was your husband
|
| 64 |
+
[294.600 --> 299.640] So let's just put it that way you never get away with anything. We need to just go. Thank you so much. We appreciate it. Thank you
|
| 65 |
+
[307.160 --> 309.960] You
|
transcript/travel_cpTgPsUOIOc.txt
ADDED
|
@@ -0,0 +1,47 @@
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| 1 |
+
[0.000 --> 5.460] Oh, and milsemi goes hi my friends Mark here with Walters World and today we are in Brazil
|
| 2 |
+
[5.460 --> 12.120] a okay Brazil oh wait in Brazil you don't do this okay this is bad and today we
|
| 3 |
+
[12.120 --> 16.400] have for you or some hand signs you should know and hand signals you should know
|
| 4 |
+
[16.400 --> 19.800] when you come to Brazil because you might think you're telling somebody hey
|
| 5 |
+
[19.800 --> 25.620] that is a okay and not realize that this is worse than the middle finger so here we
|
| 6 |
+
[25.620 --> 29.580] have a few hand signals you should know when you come to Brazil first things
|
| 7 |
+
[29.580 --> 35.180] first the okay symbol this does not mean okay this is okay you got the middle
|
| 8 |
+
[35.180 --> 39.740] finger which is F you this is way stronger than that okay this is this is
|
| 9 |
+
[39.740 --> 43.860] really signifying a person's behind and where they should stuff it okay so
|
| 10 |
+
[43.860 --> 48.020] this is really bad I remember the first time I came to Brazil this guy let us
|
| 11 |
+
[48.020 --> 52.660] pass through and a car I say hey thanks man I gave him the okay symbol my friend
|
| 12 |
+
[52.660 --> 57.780] driving reached across the car slam my hand that goes dude what are you doing
|
| 13 |
+
[57.780 --> 61.100] you're gonna get it killed I'm like what I tell him okay it's like no no this is
|
| 14 |
+
[61.100 --> 65.260] horrible don't use this it's the worst thing ever in Brazil if you want to
|
| 15 |
+
[65.260 --> 70.720] okay good and bad it's all about the thumbs up okay thumbs up is good thumbs
|
| 16 |
+
[70.720 --> 75.180] down is bad the okay symbol is never okay unless you want to cut someone out
|
| 17 |
+
[75.180 --> 79.580] okay so that's the first thing you know okay it's not okay it's worse than the
|
| 18 |
+
[79.580 --> 82.460] middle finger if you want to give some of the middle finger while that one is
|
| 19 |
+
[82.460 --> 86.900] international you'll be okay good thumbs up is good thumbs down is bad other
|
| 20 |
+
[86.900 --> 90.100] thing you might see here is if you got something really nice or something really
|
| 21 |
+
[90.100 --> 94.860] good people might go joy and the rub their ear or the rub where they're like
|
| 22 |
+
[94.860 --> 99.820] redding ring would be joy is like jewels like something really good something
|
| 23 |
+
[99.820 --> 103.220] really nice so if you get something that's really taste check oh that's really
|
| 24 |
+
[103.220 --> 107.460] good oh that's yummy yummy joy about it's really nice purse a really nice
|
| 25 |
+
[107.460 --> 111.860] beach that's another hand sign you might see another thing you might say is
|
| 26 |
+
[111.860 --> 114.780] when you're talking to Brazilians and maybe you're trying to speak some Portuguese
|
| 27 |
+
[114.780 --> 117.900] and they don't know where you want to go or they don't know something they'll go
|
| 28 |
+
[117.900 --> 122.880] you know I don't know this is I don't know all right so that's another one you
|
| 29 |
+
[122.880 --> 127.420] might want to know another one if someone if you see somebody do this that's
|
| 30 |
+
[127.420 --> 132.840] kind of like F you you know F off kind of thing so that's another bad one you
|
| 31 |
+
[132.840 --> 136.420] don't really want to use two off when you're here so you want to be careful with
|
| 32 |
+
[136.420 --> 139.760] that well I couldn't leave you it just those hand signals two more quick
|
| 33 |
+
[139.760 --> 143.540] hand signals that I want to give you when you are here in Brazil one is the
|
| 34 |
+
[143.540 --> 146.800] thumb between the fingers this is kind of like good luck like keep the the
|
| 35 |
+
[146.800 --> 150.800] evil eye away kind of thing you'll see that a lot of tourist places you can buy
|
| 36 |
+
[150.800 --> 154.580] you know in stone or wood this kind of symbol it just kind of like a good luck
|
| 37 |
+
[154.580 --> 157.940] kind of symbol another thing you might see is when you're going to like restaurants
|
| 38 |
+
[157.940 --> 160.460] and stuff like that you're trying to see if there's room you might see a
|
| 39 |
+
[160.460 --> 164.940] waiter do this if they do this it means it's full this means it's really full okay
|
| 40 |
+
[164.940 --> 168.420] so those are just some hand signals you might want to know when you do come to
|
| 41 |
+
[168.420 --> 171.820] Brazil you'll see a lot more but I just thought those are the most common ones
|
| 42 |
+
[171.820 --> 175.260] you see oh we're in Oro pretzels now my actually favorite town here in Brazil
|
| 43 |
+
[175.260 --> 179.100] says I went for my family's place now I'm going to my favorite place anyway
|
| 44 |
+
[179.100 --> 182.100] you have a great time in Brazil if you want to learn more 10 things they'll
|
| 45 |
+
[182.100 --> 185.300] shock you about Brazil five things you're loving hate about Oro pretzels check
|
| 46 |
+
[185.300 --> 188.860] us on our website at WaltersWorld.com we're also on Twitter Facebook Instagram all
|
| 47 |
+
[188.860 --> 193.740] those great things and have a fun time in awesome Brazil remember thumbs up bye
|
transcript/travel_d3g7l3Ha0rI.txt
ADDED
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| 1 |
+
[0.000 --> 5.120] go up and you'll see that chin point toward his shoulder. So that's what's going to happen
|
| 2 |
+
[5.120 --> 10.000] when he does that. There it is. Every time I've ever seen it and a couple FBI agents that
|
| 3 |
+
[10.000 --> 14.480] I know have seen that, that's how we started talking about it. That has always been a deceptive
|
| 4 |
+
[14.480 --> 21.200] cue. Oh, we all knew that this man was in complete panic based off the little bit of body language,
|
| 5 |
+
[21.200 --> 25.120] you know, stimulus that we've seen, but this right here is real in that.
|
| 6 |
+
[30.000 --> 44.720] What is going on everybody? Hope you guys are all doing well. I am Ty Smith and you're watching
|
| 7 |
+
[44.720 --> 49.120] my channel, My Honor Renaissance Man. I appreciate you taking time out of your day to view my content.
|
| 8 |
+
[49.120 --> 52.800] Be sure to follow me on all the platform you see above and below and also don't forget to hit the
|
| 9 |
+
[52.800 --> 56.960] like button that way my content can consistently be circulated to you. If you want me to look at
|
| 10 |
+
[56.960 --> 61.600] the clip, reaction, music, video, something like that. You'll hear the peanut butter. Go to patreon.com
|
| 11 |
+
[61.600 --> 65.360] for a slash my the Renaissance man. Find out how you can do it there. Last but not least, double
|
| 12 |
+
[65.360 --> 70.080] check to make sure that you still are subscribed to the channel. All right. Okay, folks. So I don't want
|
| 13 |
+
[70.080 --> 74.240] to take up too much time. But I do want you guys to see this because this is very fascinating. This
|
| 14 |
+
[74.240 --> 80.640] took place at the on Dr. Phil today, the day after the debate and you have this body, this body
|
| 15 |
+
[80.640 --> 86.240] analysis expert who is going to point out a bunch of different physical cues that you can see
|
| 16 |
+
[86.240 --> 90.480] throughout J.D. Vance and Tim Walls to let you know if a person is being deceptive,
|
| 17 |
+
[90.480 --> 95.040] if they line, if they actually been assertive, what does this body language mean? I think it's very
|
| 18 |
+
[95.040 --> 98.320] fascinating because these are cues that a lot of us have to do when you're in medicine, but at the
|
| 19 |
+
[98.320 --> 103.200] same time, not to the extent of what he's doing it there. Arrows is more looking out for things like
|
| 20 |
+
[103.200 --> 109.680] child abuse, spousal abuse, domestic abuse, things like that while we're doing like our evaluations
|
| 21 |
+
[109.680 --> 114.160] or things of that sort, right? But anyway, make sure you all check this out and watch as an
|
| 22 |
+
[114.160 --> 119.040] instant tidy because it's pretty neat. And like I said, in the beginning, there are some things in
|
| 23 |
+
[119.040 --> 123.520] here that I know that you guys will look at this and go, okay, we saw that, we recognize that, but
|
| 24 |
+
[123.520 --> 127.840] some of these other things in here I found to be very fascinating. Check this out. Now, Scott,
|
| 25 |
+
[127.840 --> 136.080] you watch tonight's debate really closely. What was your general feeling about the two candidates
|
| 26 |
+
[136.080 --> 141.200] in terms of their preparedness, their composure, and how well you think they connected with the viewer?
|
| 27 |
+
[141.200 --> 150.080] We saw opposites, polar opposites. Somebody, they were both prepared, but one is not as good
|
| 28 |
+
[150.080 --> 155.760] as being a debater as the other. Not as relaxed. Okay, hold on. Which one do you think he's,
|
| 29 |
+
[155.760 --> 160.160] who do you think he's talking about? Which one, he says one of them is not as a relaxed debater as
|
| 30 |
+
[160.160 --> 165.680] the other. So you think one is more skilled at debating. Oh, very much. And who do you, how many of
|
| 31 |
+
[165.840 --> 174.000] you think that's JD Vance? How many of you think now? He's talking about walls. Just you?
|
| 32 |
+
[176.000 --> 183.360] All right, what am I going to do with you? All right, so who is the more experienced and relaxed
|
| 33 |
+
[183.360 --> 189.200] debater? JD Vance. Very smooth movements. His illustrators, when we illustrate, that's how your brain
|
| 34 |
+
[189.200 --> 194.160] emphasizes specific words and phrases, like I did just in specific words and phrases. And when he
|
| 35 |
+
[194.640 --> 199.200] when he makes his illustrators right on the money, right on time, and when they go away, they go away
|
| 36 |
+
[199.200 --> 204.960] slowly, they're very smooth. Whereas you look at walls, his are very fast and very, very quick,
|
| 37 |
+
[204.960 --> 212.080] and his arms stay close to his torso. What's that mean to you? To me, when I'm looking at a behavior
|
| 38 |
+
[212.080 --> 219.120] that is trying to satisfy somebody's being, if they're open or confident and you see this,
|
| 39 |
+
[219.120 --> 223.280] that's not good. Okay, because they're tucking in for protection. Yeah, they're tucking in for
|
| 40 |
+
[223.280 --> 229.760] protection. They're in here. And Vance has given a lot more interviews
|
| 41 |
+
[230.960 --> 237.600] than walls and Harris combined. So maybe he's gotten a little more comfortable under fire. Sure,
|
| 42 |
+
[237.600 --> 243.360] looks it. Sure. Do you think it helped him get his message across? Very much so. It's really
|
| 43 |
+
[243.360 --> 247.520] saying a couple of spots we'll talk about. Okay, you want to show us what they are? Yeah. All right,
|
| 44 |
+
[247.520 --> 251.040] let's go. You want to go over to the screen here? Yeah, let's take a look. All right, show us what you got.
|
| 45 |
+
[251.680 --> 259.200] All right. Okay, see what this found. This is Vance where you say he does come across
|
| 46 |
+
[259.840 --> 265.440] as confident here. Yes. Does that mean he's telling these more believing what he's saying?
|
| 47 |
+
[265.440 --> 270.400] Yo, yes, he's very, this is someone who is a true believer who believes in what he's saying,
|
| 48 |
+
[270.400 --> 274.800] being completely honest with what he's saying, nothing to hide, nothing to hide it on.
|
| 49 |
+
[274.800 --> 279.280] So, and what are we looking for? So what are we going to look for? We'll look for the head tilt as he,
|
| 50 |
+
[280.080 --> 283.840] this section right in here of his head. We'll look at that. We'll say, okay, well, what's
|
| 51 |
+
[283.840 --> 287.600] happening? As he's talking, it looks like he's listening. When he listens, our head tells a little
|
| 52 |
+
[287.600 --> 294.000] bit and that right ear comes forward a little bit. When he's looking at walls, what we're seeing here,
|
| 53 |
+
[294.000 --> 299.200] we're seeing this begins panic almost because he doesn't know what to say. See how he backs up
|
| 54 |
+
[299.200 --> 304.160] there? And he's thinking this is called the grief muscle right in that area there. That's,
|
| 55 |
+
[304.800 --> 310.560] that's a horseshoe style. When your forehand comes together and upside down horseshoe,
|
| 56 |
+
[310.560 --> 315.520] that's the grief muscle. He's not sure right there. It's right there. Perfect.
|
| 57 |
+
[316.400 --> 320.720] So when you say grief muscle, what are you saying that he's saying to himself right now?
|
| 58 |
+
[320.720 --> 324.480] He's worried. He's a little panicked. He doesn't know what he doesn't know what's going to happen
|
| 59 |
+
[324.480 --> 328.880] next. He's got the idea of what he wants to say. He doesn't know exactly what he's going to say.
|
| 60 |
+
[328.880 --> 332.960] Okay. He has the concept. He's not, doesn't have it down yet. Okay.
|
| 61 |
+
[333.040 --> 337.120] So it's Blinkrate because you're always fasting. It was Blinkrate. Let's check out.
|
| 62 |
+
[337.680 --> 344.400] Vance's Blinkrate compared to Walsers Blinkrate. Is this in cut clip 2? Oh sure. Blinkrate,
|
| 63 |
+
[344.400 --> 349.440] is this where you're looking now? Yes. This is, here, this is up for him because as you think in
|
| 64 |
+
[349.440 --> 355.360] your eyes will blink. But as your stress goes up, people blink, you know, anywhere from 15, 20 times
|
| 65 |
+
[356.000 --> 361.520] a minute. And here we're seeing that's about right for here. That's about right for his
|
| 66 |
+
[361.600 --> 366.720] Blinkrate. And over here, he's not even talking. And we'll see. He's a Blinkrate skyrocketing
|
| 67 |
+
[366.720 --> 371.040] just a couple of seconds there. So keep it on that. But at the same time, here are the illustrators
|
| 68 |
+
[371.040 --> 375.840] I've been telling you about. He doesn't do anything unique. And these are all classics that a lot of
|
| 69 |
+
[375.840 --> 380.960] people do. So he hasn't been out rehearsing what, which ones to use. He uses the classics,
|
| 70 |
+
[380.960 --> 386.160] this one, the karate chop and the framing stuff. So everything there is fine and everything lands
|
| 71 |
+
[386.240 --> 391.200] on the money. When he's, the words he's emphasizing, those hit on those words. And that's really
|
| 72 |
+
[391.200 --> 395.600] important. Okay. Now we want to see the Blinkrate here. Can we roll this back just a little bit?
|
| 73 |
+
[395.600 --> 401.600] Or is it still to come on this? Okay. All right. Here we go. All right. So when you see a high
|
| 74 |
+
[401.600 --> 406.640] Blinkrate, mean somebody's under a lot of stress. Right. A lot of stress. Unless you see them,
|
| 75 |
+
[406.640 --> 411.360] unless they're fearful, where we see some of that as well, his eyes are wide. And notice how slow
|
| 76 |
+
[411.360 --> 416.320] his eyes blink right there. Because that's, we call that shutter speed. You're hearing something or
|
| 77 |
+
[416.320 --> 420.960] seeing something that you don't agree with or don't want to hear or see. We call it eye blocking as
|
| 78 |
+
[420.960 --> 425.600] well. But that's what we're seeing his eyes blink really, really slowly. So this is fear here.
|
| 79 |
+
[425.600 --> 429.520] It must be in the end of the clip. I'm talking about where his speed up. Yeah. Well, no, I see the
|
| 80 |
+
[429.520 --> 434.000] fear that you're talking about here. Yeah. Brief muscle. Yeah. You know, people think when they're
|
| 81 |
+
[434.000 --> 438.160] lying, they won't look at you in the eye. Sometimes they just stare at you like a dead trout.
|
| 82 |
+
[439.120 --> 446.160] So they're afraid to look away. Let's talk about the next one. All right. This is the third one.
|
| 83 |
+
[446.160 --> 453.760] And this is a clip where Governor Walz and Scott says he's being deceptive. Yes. At the end,
|
| 84 |
+
[454.640 --> 459.520] we're going to see what as he says this phrase, he says, people are getting what they need.
|
| 85 |
+
[459.520 --> 464.720] That's the last thing he says. When he does that, you'll see this left shoulder go up right there.
|
| 86 |
+
[464.720 --> 469.920] You'll see his left shoulder go up and you'll see that chin point toward his shoulder. So that's
|
| 87 |
+
[469.920 --> 473.680] what's going to happen when he does that. There it is right there. Now, there are no
|
| 88 |
+
[474.640 --> 479.280] scientific studies that show that that means you're being deceptive. There are none. Because when
|
| 89 |
+
[479.280 --> 483.600] I train law enforcement, the military, I have to tell them from the studies of what I know. So I don't
|
| 90 |
+
[483.600 --> 486.960] give them some information that might get them killed because I feel like it's something that's
|
| 91 |
+
[486.960 --> 491.680] important. There are no studies that show that. However, every time I've ever seen it,
|
| 92 |
+
[491.760 --> 496.000] and a couple FBI agents that I know have seen that. That's how we start talking about it.
|
| 93 |
+
[496.000 --> 501.600] That has always been a deceptive cue. They've always been being deceptive when you see that
|
| 94 |
+
[501.600 --> 506.240] shoulder come up and the chin go toward the shoulder. So what this tells me here is he doesn't believe
|
| 95 |
+
[506.240 --> 510.640] what he's saying there. He knows that's not true or he knows it himself doesn't believe it to be
|
| 96 |
+
[510.640 --> 516.400] true. So that's what we're seeing there. That's what you see when you get that finger. I don't know.
|
| 97 |
+
[517.040 --> 522.160] I don't know where we're going. All right, you're scary. All right. Now, things got a little heated
|
| 98 |
+
[522.160 --> 528.320] and here's an example of Senator Vance taking control of the situation. This is a
|
| 99 |
+
[528.320 --> 534.880] massive fold taking over the conversation when the moderators try to stop it.
|
| 100 |
+
[534.880 --> 540.160] That's what. But thank you, Senator. We have so much to get to. I think it's important because
|
| 101 |
+
[540.160 --> 544.880] the big thing, Margaret, the rules were that you got to make a fact check and since you're fact
|
| 102 |
+
[544.880 --> 551.120] checking me, I think it's important to say what's actually going on. All right, those are about
|
| 103 |
+
[551.120 --> 556.880] what he did here was masterful because he took over as they're trying to shut him down, he sticks
|
| 104 |
+
[556.880 --> 561.520] this up, which is called a regulator. Regulators are what you use are trying to control a situation.
|
| 105 |
+
[561.520 --> 565.920] Slow something down, speed something up, you stay there, you come over this way, you all do this.
|
| 106 |
+
[565.920 --> 570.880] Those are regulators because I'm trying to control what's going on. A lot of times when someone starts
|
| 107 |
+
[570.960 --> 575.520] to when you're trying to shut somebody down, you'll step up and go, wait, wait, that makes the person,
|
| 108 |
+
[575.520 --> 580.000] that ramps them up. He does his very slowly. He comes up like this and just sticks his hand up
|
| 109 |
+
[580.000 --> 584.400] and starts speaking softly and then gets louder as he goes. Not a lot, not a lot louder,
|
| 110 |
+
[584.400 --> 588.400] but loud enough where they can hear him and they know there's no way out of it and he keeps speaking.
|
| 111 |
+
[588.880 --> 593.440] That was and so he took the control of the conversation at that point and they were listening to it.
|
| 112 |
+
[593.440 --> 599.360] Okay, now the next one is China, Hong Kong, when he's talking about was he in 10th and square or not.
|
| 113 |
+
[599.360 --> 601.920] Right. And he said, were you there or were you not? Right.
|
| 114 |
+
[605.520 --> 609.920] What do you want to look for in that? I'm going to look for the things that tell us we know he wasn't there.
|
| 115 |
+
[609.920 --> 614.960] And this, I'll put all my money on this. We're going to see fear, we're going to see panic,
|
| 116 |
+
[614.960 --> 620.880] we're going to see shame and the grief muscle as well. So we'll throw everything's in this one.
|
| 117 |
+
[620.880 --> 625.280] All right, let's take a look and we'll listen. You said you were in Hong Kong during the deadly
|
| 118 |
+
[625.280 --> 628.560] Tiananmen Square protests in the spring of 1989.
|
| 119 |
+
[629.200 --> 634.400] But Minnesota Public Radio and other media outlets are reporting that you actually didn't travel to
|
| 120 |
+
[634.400 --> 639.760] Asia until August of that year. Can you explain that discrepancy?
|
| 121 |
+
[639.760 --> 645.440] Yeah, well into the folks out there, it didn't get at the top of this. Look, I grew up in small rural
|
| 122 |
+
[645.440 --> 650.720] Nebraska, town of 400, town that you rode your bike with your buddy, still the street lights come on
|
| 123 |
+
[650.720 --> 656.320] and I'm proud of that service. I joined in that. Yeah, as that head goes sideways, that's panic
|
| 124 |
+
[656.320 --> 659.440] because he's not sure how he's going to defend this. He knows the question's coming.
|
| 125 |
+
[659.440 --> 662.480] So he's got something right, but it's not coming out the way he thought about it.
|
| 126 |
+
[662.480 --> 666.320] So he's got inter-dynlog going on. He's thinking about it. That's why I see that head turn those
|
| 127 |
+
[666.320 --> 670.160] eyes get really, really wide. I know what that looks like. That's what's happening there.
|
| 128 |
+
[670.160 --> 676.000] Yeah, and you see the grief muscle again here. Yes. Oh yeah, the upside down horse you right there.
|
| 129 |
+
[676.000 --> 681.680] And the rest of this, this is panic. We see his eyes doing this. That's panic and this.
|
| 130 |
+
[682.960 --> 687.840] Yeah, I know. And these up here, usually we look at that, we say, well, that's discussed or whatever,
|
| 131 |
+
[687.840 --> 692.160] but this is a panic mode. See how his head's coming forward and his chin is up like that. He's
|
| 132 |
+
[692.160 --> 697.120] trying to get that out as fast as he can. And this is one of the only illustrations we see from him
|
| 133 |
+
[697.120 --> 701.200] as he's talking. And this is the one that's come out further from his body than anything else
|
| 134 |
+
[701.200 --> 704.800] because he's trying to make sure you I want you to believe me. You got to believe me. That's what we're
|
| 135 |
+
[704.800 --> 709.600] seeing the panic here in that wide eyes, grief muscle and everything's far out. We're finished to
|
| 136 |
+
[709.600 --> 717.360] clip here. From guard at 17, worked on family farms, and then I used the GI bill to become a
|
| 137 |
+
[717.360 --> 727.120] teacher, passionate, a young teacher. You said? Okay, you know, I spent a lot of time, as I said,
|
| 138 |
+
[727.120 --> 734.640] in the litigation arena preparing witnesses. And we always prepared witnesses to tell the truth
|
| 139 |
+
[734.640 --> 739.600] effectively. We never prepared them to lie or spend. Just tell the truth effectively.
|
| 140 |
+
[741.040 --> 747.600] And don't you agree that if someone asks you a question and you want to be persuasive,
|
| 141 |
+
[748.400 --> 756.640] you should answer the question first and then explain it? Like, where are you there last night?
|
| 142 |
+
[756.800 --> 765.200] Yes. Let me tell you why. As opposed to, where are you there last night? Well, you know,
|
| 143 |
+
[765.200 --> 771.200] I, it's, I, wait a minute. Were you there or were you not? Don't you want to hear the answer
|
| 144 |
+
[771.200 --> 779.120] up front? And the question was, you said you were in Tenement Square during that showdown.
|
| 145 |
+
[780.080 --> 789.120] And were you or weren't you? Well, I was born in Nebraska on a, in a town of 400, grew up on a farm,
|
| 146 |
+
[789.120 --> 794.560] eaten corn, or whatever. As you know, we call that chaff and redirect. He gives out a lot more
|
| 147 |
+
[794.560 --> 800.720] information, hoping that your brain will follow that information and not ask any more questions
|
| 148 |
+
[800.720 --> 804.480] and forget what you're talking about. That's why when you're asking a question, they go, well,
|
| 149 |
+
[804.480 --> 809.120] listen, here's what really happened. When I get up the more night toast every day and they
|
| 150 |
+
[809.120 --> 813.360] start talking about something that has nothing to do with what they're, with what the answer is.
|
| 151 |
+
[813.360 --> 817.680] Wasn't that crazy? Wasn't that crazy? I mean, look, I'm talking about, you can do this, but I would
|
| 152 |
+
[817.680 --> 821.520] love that I would like for them to do that every time there's a debate. I mean, you do it with both
|
| 153 |
+
[821.520 --> 825.760] parts because to me, I'm a type of person that I like to learn. The more I know, the more firepower
|
| 154 |
+
[825.760 --> 829.920] I have in my arsenal, right? So even when you talk about Trump, like I would like him to explain to me
|
| 155 |
+
[829.920 --> 833.520] when Trump does that, I mean, I know Trump does it a lot, but I would like to know like, what is that?
|
| 156 |
+
[833.520 --> 837.760] You know, it's like, you know, I would like to know that there's all kind of people that do
|
| 157 |
+
[837.760 --> 843.920] different things in the body language. We all do it, but just to drive home the point of why we do it,
|
| 158 |
+
[843.920 --> 847.360] I find it to be very fascinating. So this is just an informative video. It didn't call she
|
| 159 |
+
[847.360 --> 851.280] nothing. It wasn't like I'm trying to sit here and do things to bash one person and bash the other
|
| 160 |
+
[851.280 --> 856.240] one. I just think it's really fascinating. What do you all think? Do that right there. If you want
|
| 161 |
+
[856.240 --> 859.440] to see the next video that I would be doing in chronological order, it's going to be up there.
|
| 162 |
+
[859.520 --> 862.960] Things that I do on this channel as a variety will be down here. I'm Tyson,
|
| 163 |
+
[862.960 --> 866.400] myna-renin-sinceman, hoping to print at every last one of you, have food sheltering,
|
| 164 |
+
[866.400 --> 869.200] clothing, and most of all, I prayer for last one of you guys in gray health mentally,
|
| 165 |
+
[869.200 --> 878.240] physically, emotionally, spiritually. God bless you all through Jesus.
|
transcript/travel_eOHkrmfLwXQ.txt
ADDED
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|
| 1 |
+
[0.000 --> 2.960] I'm gonna save you from making a huge mistake on your Japan trip.
|
| 2 |
+
[2.960 --> 5.960] You do not want to come to Japan during this week at all.
|
| 3 |
+
[5.960 --> 7.080] So hey guys, welcome back.
|
| 4 |
+
[7.080 --> 8.800] If you're new here, my name is Allison.
|
| 5 |
+
[8.800 --> 10.920] I've been living in Japan for five years now.
|
| 6 |
+
[10.920 --> 15.560] And today I want to talk about the seasons, the holidays that you want to avoid,
|
| 7 |
+
[15.560 --> 16.680] that you want to be here for.
|
| 8 |
+
[16.680 --> 20.480] Because even if you just look at a calendar, there's going to be a lot of things that art on it
|
| 9 |
+
[20.480 --> 23.440] and holidays that really aren't reflected on the calendar.
|
| 10 |
+
[23.440 --> 25.120] So today, let's go ahead and talk about it.
|
| 11 |
+
[25.120 --> 26.160] So I want to jump right in.
|
| 12 |
+
[26.160 --> 28.680] I'm going to go over the 2024 calendar.
|
| 13 |
+
[28.680 --> 32.360] We are actually going to start in 2023 for the New Year's holiday.
|
| 14 |
+
[32.360 --> 37.880] So New Year's in Japan is treated basically the same way Christmas is in like America where
|
| 15 |
+
[37.880 --> 40.200] I'm from and that like everything's closed.
|
| 16 |
+
[40.200 --> 42.640] People stay at home with their families, that kind of thing.
|
| 17 |
+
[42.640 --> 47.500] So from December 28th, I'd say is when companies start letting their employees off for New
|
| 18 |
+
[47.500 --> 48.500] Year's vacation.
|
| 19 |
+
[48.500 --> 52.480] And most places are going to stay closed through the third and then reopen on the fourth.
|
| 20 |
+
[52.480 --> 55.400] So it is basically a week that you're going to have to be careful for.
|
| 21 |
+
[55.400 --> 58.240] You're going to have to look up hours for everything you do.
|
| 22 |
+
[58.240 --> 62.120] A lot is closed, seriously, especially in the countryside.
|
| 23 |
+
[62.120 --> 66.480] But really the main days you want to be most careful on are going to be the 31st things
|
| 24 |
+
[66.480 --> 69.000] are going to start closing up earlier on this day usually.
|
| 25 |
+
[69.000 --> 72.160] And then the first, a lot of things, they're just, they're going to be closed.
|
| 26 |
+
[72.160 --> 74.120] A lot of museums, things like that.
|
| 27 |
+
[74.120 --> 76.240] So you really need to be careful with your planning.
|
| 28 |
+
[76.240 --> 80.840] So I'd recommend coming during this holiday if you want to like experience the New Year's
|
| 29 |
+
[80.840 --> 85.040] holiday, your tradition, the atmosphere, visiting shrines, etc.
|
| 30 |
+
[85.040 --> 90.480] If you want to partake in what is kind of my specialty, lucky bags.
|
| 31 |
+
[90.480 --> 93.080] So if you don't know, I've made a ton of videos about lucky bags.
|
| 32 |
+
[93.080 --> 95.680] I've been on Japanese TV talking about lucky bags.
|
| 33 |
+
[95.680 --> 99.400] I don't know how else to describe it other than like it's Japanese black Friday.
|
| 34 |
+
[99.400 --> 105.360] So a lot of malls and such will be open on the first for these, but some don't open until
|
| 35 |
+
[105.360 --> 106.960] the second or even the third.
|
| 36 |
+
[106.960 --> 108.280] You're going to have to look it up.
|
| 37 |
+
[108.280 --> 111.640] But in general in Tokyo, a lot do open on the first to sell these lucky bags.
|
| 38 |
+
[111.640 --> 112.960] Sorry, retail employees.
|
| 39 |
+
[112.960 --> 115.400] Is, yeah, 28 through third, be careful.
|
| 40 |
+
[115.400 --> 118.880] I wouldn't really recommend it for your first trip unless you really like the lucky bags
|
| 41 |
+
[118.880 --> 121.920] just because the planning, it gets a lot more complicated.
|
| 42 |
+
[121.920 --> 125.960] So this is really the first big holiday period I want you to be careful of.
|
| 43 |
+
[125.960 --> 128.360] There is going to be another even worse holiday period.
|
| 44 |
+
[128.360 --> 130.560] But first, I want to talk about three day weekends.
|
| 45 |
+
[130.560 --> 134.080] So here in January, we can see we have coming of age day.
|
| 46 |
+
[134.080 --> 135.920] So these are like three day weekends.
|
| 47 |
+
[135.920 --> 139.440] Always look these up in advance because these three day weekends are when a lot of Japanese
|
| 48 |
+
[139.440 --> 141.040] people are going to travel.
|
| 49 |
+
[141.040 --> 144.400] Things are going to be more crowded even in the city, you know, shopping, etc.
|
| 50 |
+
[144.400 --> 148.160] So if possible, I would really try to avoid them, but it's not like you need to totally
|
| 51 |
+
[148.160 --> 150.760] replant your trip if it's on one of these days.
|
| 52 |
+
[150.760 --> 151.760] It's fine.
|
| 53 |
+
[151.760 --> 156.600] However, I would like to say a warning now in the beginning, everything in Japan on weekends,
|
| 54 |
+
[156.600 --> 160.440] like everywhere, it's going to be a lot more crowded than it will be on weekdays, especially
|
| 55 |
+
[160.440 --> 164.600] for like things like museums, malls, famous temples, etc.
|
| 56 |
+
[164.600 --> 168.680] Even restaurants, you should really try to make reservations for on the weekend if you
|
| 57 |
+
[168.680 --> 169.680] can.
|
| 58 |
+
[169.680 --> 170.680] It's just how it is.
|
| 59 |
+
[170.720 --> 174.760] We have winter in January and then in February, it's also winter.
|
| 60 |
+
[174.760 --> 176.000] It's just kind of cold.
|
| 61 |
+
[176.000 --> 179.760] If you want to see snow, that's great, but it doesn't really snow much in Japan from
|
| 62 |
+
[179.760 --> 182.160] like Koukyo going down south.
|
| 63 |
+
[182.160 --> 183.560] So if you want to see it, you need to go north.
|
| 64 |
+
[183.560 --> 185.120] And then we are in February.
|
| 65 |
+
[185.120 --> 189.520] We've got two three day weekends, which is going to be pretty awesome for me, not for you,
|
| 66 |
+
[189.520 --> 190.520] because I work here.
|
| 67 |
+
[190.520 --> 194.760] But one thing I want to mention about February is if you want to see cherry blossoms, there
|
| 68 |
+
[194.760 --> 200.440] is actually one type called Kawazu Sakura, which does start blooming in February towards
|
| 69 |
+
[200.440 --> 203.160] the end, middle end, at least in Tokyo.
|
| 70 |
+
[203.160 --> 205.000] Flowers and things are very volatile.
|
| 71 |
+
[205.000 --> 209.120] So you need to look up a calendar, like a month in advance, basically, of your trip to
|
| 72 |
+
[209.120 --> 212.160] see what is probably going to be blooming during your time.
|
| 73 |
+
[212.160 --> 216.640] If you want to check out cherry blossoms or tulips or sunflowers, anything, there are these
|
| 74 |
+
[216.640 --> 220.440] calendars out there, especially for cherry blossoms, people are really into them.
|
| 75 |
+
[220.440 --> 224.280] And in general, my main dates I'm going to say are going to be for Tokyo and South.
|
| 76 |
+
[224.280 --> 226.480] It's basically kind of all the same.
|
| 77 |
+
[226.480 --> 229.800] But the farther north you go, especially to Hokkaido, the flower dates, they're going
|
| 78 |
+
[229.800 --> 231.120] to be totally different.
|
| 79 |
+
[231.120 --> 234.520] So for example, now in March, we are in cherry blossom season.
|
| 80 |
+
[234.520 --> 236.040] Yes, it starts in March.
|
| 81 |
+
[236.040 --> 241.000] I know in anime, it kind of looks like April, but because of climate change, it is now
|
| 82 |
+
[241.000 --> 245.360] basically mid-March in Tokyo where the most famous variety of cherry blossoms, the
|
| 83 |
+
[245.360 --> 247.560] Soul Mayoshi knows start to bloom.
|
| 84 |
+
[247.560 --> 251.120] So in these blooming periods, I would like to note, there's going to be basically the
|
| 85 |
+
[251.120 --> 253.160] beginning, the middle, and the end.
|
| 86 |
+
[253.160 --> 255.240] You want to be here for the middle if you can.
|
| 87 |
+
[255.240 --> 256.800] This is the full bloom.
|
| 88 |
+
[256.800 --> 258.000] They're going to look really good.
|
| 89 |
+
[258.000 --> 260.880] Again, please look up a cherry blossom calendar.
|
| 90 |
+
[260.880 --> 264.880] I can't tell you the exact dates right now because they really change every year.
|
| 91 |
+
[264.880 --> 271.240] But I think this past year, the full bloom period was about March 20th or so for reference
|
| 92 |
+
[271.240 --> 272.520] in the Tokyo area.
|
| 93 |
+
[272.520 --> 276.280] And then I think they basically all fall off the trees by April.
|
| 94 |
+
[276.280 --> 278.120] They're really only bloom for like two weeks.
|
| 95 |
+
[278.120 --> 279.120] So be careful.
|
| 96 |
+
[279.120 --> 283.160] However, like in Hokkaido and such, they're not going to actually start blooming until much
|
| 97 |
+
[283.160 --> 287.520] later, until sometime around like mid-April or even May, I think.
|
| 98 |
+
[287.520 --> 290.840] So if you're willing to travel to see them, you can do it probably.
|
| 99 |
+
[290.840 --> 295.320] But yeah, basically spring, I think, is probably, it's the most popular time of year to visit
|
| 100 |
+
[295.320 --> 297.200] Japan and it's for a good reason.
|
| 101 |
+
[297.200 --> 298.600] The weather's quite nice.
|
| 102 |
+
[298.600 --> 300.640] The cherry blossoms really are beautiful.
|
| 103 |
+
[300.640 --> 304.280] And I do recommend it, despite it might be a little more crowded.
|
| 104 |
+
[304.280 --> 308.680] Just make your reservations for hotels a little bit earlier than you otherwise would.
|
| 105 |
+
[308.680 --> 309.680] And you should be okay.
|
| 106 |
+
[309.680 --> 316.000] But yeah, basically from mid-March to mid-end of April is what I'd recommend.
|
| 107 |
+
[316.000 --> 322.560] And as you can see, no three day holidays in April for most of it until we hit second
|
| 108 |
+
[322.560 --> 324.120] worst time of year.
|
| 109 |
+
[324.120 --> 327.720] No, the most worst, the worst time of year to visit Japan.
|
| 110 |
+
[327.720 --> 330.440] A little week called golden week.
|
| 111 |
+
[330.440 --> 334.560] So see, this is not really reflected in the calendar accurately like it is, but it's
|
| 112 |
+
[334.560 --> 342.000] not because you see here from Showa Day on the 29th until the 6th children's day.
|
| 113 |
+
[342.000 --> 343.120] This is golden week.
|
| 114 |
+
[343.120 --> 347.360] So even though there is a break in holidays here, most people take it off or companies
|
| 115 |
+
[347.360 --> 348.440] just give it off.
|
| 116 |
+
[348.440 --> 351.360] You have the worst week to travel in Japan.
|
| 117 |
+
[351.360 --> 352.360] It's crazy.
|
| 118 |
+
[352.360 --> 354.360] It's so expensive, seriously.
|
| 119 |
+
[354.360 --> 358.800] Hotels, airfare trains, they're going to be a lot of money and they're going to book
|
| 120 |
+
[358.800 --> 361.360] out really fast.
|
| 121 |
+
[361.360 --> 363.000] Like sometimes months in advance.
|
| 122 |
+
[363.000 --> 365.400] And everywhere you go is going to be super crowded.
|
| 123 |
+
[365.400 --> 366.400] Kyoto.
|
| 124 |
+
[366.400 --> 367.400] Forget it.
|
| 125 |
+
[367.400 --> 368.400] It's going to be insane.
|
| 126 |
+
[368.400 --> 370.360] Just any kind of tourist destination.
|
| 127 |
+
[370.360 --> 372.600] It's going to be a lot of people.
|
| 128 |
+
[372.600 --> 375.240] And Tokyo will be a lot, a lot of people.
|
| 129 |
+
[375.240 --> 379.960] So really, whatever you do, I really would not travel to Japan on this week if you can
|
| 130 |
+
[379.960 --> 380.960] help it.
|
| 131 |
+
[380.960 --> 384.400] Just because you're going to be competing with basically the whole country of Japan for
|
| 132 |
+
[384.400 --> 388.920] domestic tourism in addition to the international tourists that are already coming.
|
| 133 |
+
[388.920 --> 393.960] Like, I cannot emphasize enough how difficult it is to travel, especially on trains.
|
| 134 |
+
[393.960 --> 398.840] You have to book the bullet trains like a month in advance, at least it's wild.
|
| 135 |
+
[398.840 --> 401.320] Rest in May, however, after that, it's pretty good.
|
| 136 |
+
[401.320 --> 402.320] It's fine.
|
| 137 |
+
[402.440 --> 404.920] Hydrangeas do start around in May.
|
| 138 |
+
[404.920 --> 407.600] And those will bloom until about mid end of June.
|
| 139 |
+
[407.600 --> 410.720] However, June is the start of rainy season in Japan.
|
| 140 |
+
[410.720 --> 412.600] So it's just going to rain a lot more.
|
| 141 |
+
[412.600 --> 417.120] It's not ideal, but it is better than what is to come in my opinion.
|
| 142 |
+
[417.120 --> 419.080] But it just, it depends what you want to do.
|
| 143 |
+
[419.080 --> 421.440] It depends if you like the rain or not.
|
| 144 |
+
[421.440 --> 422.640] But yeah, do expect that.
|
| 145 |
+
[422.640 --> 427.560] And then June is basically the transition from spring into summer, which really is going
|
| 146 |
+
[427.560 --> 430.360] to start like in full force from July.
|
| 147 |
+
[430.400 --> 434.800] So as rainy season ends, the sun comes out and it is hot.
|
| 148 |
+
[434.800 --> 435.880] I am from Florida.
|
| 149 |
+
[435.880 --> 437.960] Jordan raised is hot.
|
| 150 |
+
[437.960 --> 443.040] It's about the same, but it's worse because especially in Tokyo, it's all concrete.
|
| 151 |
+
[443.040 --> 445.120] You're probably not going to be in a car with AC.
|
| 152 |
+
[445.120 --> 447.600] You're going to be walking in the sun.
|
| 153 |
+
[447.600 --> 448.640] There's not a lot of shade.
|
| 154 |
+
[448.640 --> 450.520] There's not a lot of trees and cities here.
|
| 155 |
+
[450.520 --> 452.880] So honestly, it feels much worse to me.
|
| 156 |
+
[452.880 --> 456.520] The humidity is very high, especially from August-ish summer.
|
| 157 |
+
[456.520 --> 458.960] I would, I wouldn't recommend visiting.
|
| 158 |
+
[458.960 --> 459.640] Really?
|
| 159 |
+
[459.640 --> 465.160] The only really, really redeemable thing about coming here in the summer is to see summer
|
| 160 |
+
[465.160 --> 467.920] festivals, which I just made a whole video on summer.
|
| 161 |
+
[467.920 --> 469.800] So just go watch that for more.
|
| 162 |
+
[469.800 --> 473.560] But yeah, summer festivals are a huge deal here and the fireworks festivals.
|
| 163 |
+
[473.560 --> 478.880] There's like a festival like almost every day in Tokyo from like the end of July to mid-August.
|
| 164 |
+
[478.880 --> 482.960] However, what a lot of people don't realize is that festivals are actually year-round.
|
| 165 |
+
[482.960 --> 486.840] Like you can find festivals in almost every week, somewhere in Japan.
|
| 166 |
+
[486.840 --> 491.400] Now the main other times to find festivals outside of summer are going to be around the
|
| 167 |
+
[491.400 --> 495.680] spring equinox and then the autumn one, or even later in autumn.
|
| 168 |
+
[495.680 --> 497.400] Really, there's not that many in winter.
|
| 169 |
+
[497.400 --> 498.720] There are some, especially in North.
|
| 170 |
+
[498.720 --> 501.040] But like spring, fall, there are festivals.
|
| 171 |
+
[501.040 --> 501.920] You can look them up.
|
| 172 |
+
[501.920 --> 504.360] The Takayama one, for example.
|
| 173 |
+
[504.360 --> 506.200] Very famous, very nice.
|
| 174 |
+
[506.200 --> 509.640] But moving on, August, it's hot.
|
| 175 |
+
[509.640 --> 511.120] It's hot.
|
| 176 |
+
[511.120 --> 511.840] It's hot.
|
| 177 |
+
[511.840 --> 512.960] I don't recommend it.
|
| 178 |
+
[517.840 --> 518.840] September.
|
| 179 |
+
[518.840 --> 526.040] Honestly, it's still hot until maybe the end of September, mid-September, depends on the year.
|
| 180 |
+
[526.040 --> 531.200] But what you want to be careful about in September is there's also a holiday called Silver Week,
|
| 181 |
+
[531.200 --> 533.520] inspired by May's Golden Week.
|
| 182 |
+
[533.520 --> 538.520] So what Silver Week is, as you can see, it's two back-to-back three-day weekends.
|
| 183 |
+
[538.520 --> 540.600] It is not nearly as bad as Golden Week.
|
| 184 |
+
[540.600 --> 541.760] No where near it.
|
| 185 |
+
[541.760 --> 542.760] To me.
|
| 186 |
+
[542.760 --> 548.160] I don't come here in this time, which is from about the 14th until the 23rd, but it's
|
| 187 |
+
[548.160 --> 549.800] not the end of the world.
|
| 188 |
+
[549.800 --> 552.680] Just be careful in the three-day week, and it'll be more crowded everywhere.
|
| 189 |
+
[552.680 --> 556.040] But like, people don't usually take off these four days as much.
|
| 190 |
+
[556.040 --> 557.440] And then we are in October.
|
| 191 |
+
[557.440 --> 558.800] Finally, we're in fall.
|
| 192 |
+
[558.800 --> 560.280] Finally, the weather's tolerable again.
|
| 193 |
+
[560.280 --> 562.080] I personally really like October.
|
| 194 |
+
[562.080 --> 564.760] I think the Halloween decorations are kind of fun in Tokyo.
|
| 195 |
+
[564.760 --> 567.800] I think October is a perfectly fine time of year to visit.
|
| 196 |
+
[567.800 --> 570.400] And we've got the fall food, which is very good to me.
|
| 197 |
+
[570.400 --> 573.560] However, the fall leaves are not really going to start.
|
| 198 |
+
[573.560 --> 575.640] It depends again on the year and the place.
|
| 199 |
+
[575.640 --> 580.360] But in general, you're just going to start seeing them at the very end of October in Tokyo.
|
| 200 |
+
[580.360 --> 584.000] And then they're actually going to be all the way through Christmas.
|
| 201 |
+
[584.000 --> 588.680] Honestly, November, early December, that's time of year to see fall leaves in Tokyo.
|
| 202 |
+
[588.680 --> 589.680] Again, differs.
|
| 203 |
+
[589.680 --> 594.560] If you're coming in October and you want to see fall leaves, go up north as winter starts
|
| 204 |
+
[594.560 --> 598.440] earlier, they're basically two big types of fall leaves here.
|
| 205 |
+
[598.440 --> 600.840] There's momeiji, which are like red leaves.
|
| 206 |
+
[600.840 --> 603.760] And in Tokyo, I'd say these really peak in November.
|
| 207 |
+
[603.760 --> 609.000] But then there's also ginkgo leaves, which are like really pretty yellow trees.
|
| 208 |
+
[609.000 --> 610.760] And they're like, I love them.
|
| 209 |
+
[610.760 --> 612.280] I've never seen one in America.
|
| 210 |
+
[612.280 --> 614.880] And these are going to be at the very end of November in Tokyo.
|
| 211 |
+
[614.880 --> 619.880] Again, please look up a calendar for the region you're going to be visiting because it varies.
|
| 212 |
+
[619.880 --> 625.400] Personally, November, I think would be my favorite month to visit Japan outside of March.
|
| 213 |
+
[625.400 --> 626.400] Because you have the fall leaves.
|
| 214 |
+
[626.400 --> 628.400] The weather's quite nice to me.
|
| 215 |
+
[628.440 --> 630.560] I think the temperature is also pretty good.
|
| 216 |
+
[630.560 --> 634.840] Probably around 15 degrees Celsius to 10 maybe.
|
| 217 |
+
[634.840 --> 635.360] I don't know.
|
| 218 |
+
[635.360 --> 640.360] I think November is just nice because November is also when they start the Christmas decorations
|
| 219 |
+
[640.360 --> 644.520] and the illuminations, like they put lights all over Tokyo.
|
| 220 |
+
[644.520 --> 645.280] It's very nice.
|
| 221 |
+
[645.280 --> 650.160] As the years go by, the Christmas spirit gets like more and more intense here.
|
| 222 |
+
[650.160 --> 653.760] It's like commercial, but it's fun to look at and I like it.
|
| 223 |
+
[653.760 --> 655.160] And the food is good.
|
| 224 |
+
[655.160 --> 657.400] November, it's like fall themed.
|
| 225 |
+
[657.400 --> 658.560] And it's great.
|
| 226 |
+
[658.560 --> 659.840] I like November.
|
| 227 |
+
[659.840 --> 662.040] And then finally, we're back in December.
|
| 228 |
+
[662.040 --> 664.520] It's going to start getting kind of really cold.
|
| 229 |
+
[664.520 --> 666.000] Where's the end of it, especially?
|
| 230 |
+
[666.000 --> 670.000] But honestly, it's like fine up until New Year's if you want to visit.
|
| 231 |
+
[670.000 --> 672.920] So in Japan, like Christmas, as you can see, it's not a holiday.
|
| 232 |
+
[672.920 --> 676.320] Like you don't get work off from it or school or anything.
|
| 233 |
+
[676.320 --> 677.360] It's just a day.
|
| 234 |
+
[677.360 --> 679.680] It's actually like a date day.
|
| 235 |
+
[679.680 --> 681.120] Maybe more on that in December.
|
| 236 |
+
[681.120 --> 684.160] But as you can see, there's like no three-day weekends.
|
| 237 |
+
[684.160 --> 686.880] You're going to have decorations throughout the cities.
|
| 238 |
+
[686.880 --> 691.680] And I think it's pretty good too, basically, up until New Year's.
|
| 239 |
+
[691.680 --> 695.960] So that is my wrap up for the year, the season, some flowers.
|
| 240 |
+
[695.960 --> 698.200] So in summary, when should you visit?
|
| 241 |
+
[698.200 --> 702.200] Spring or fall, of course, but really, I would try to time it with the cherry blossoms
|
| 242 |
+
[702.200 --> 706.360] in late Ishmach or with the fall leaves in November.
|
| 243 |
+
[706.360 --> 710.320] Really, the only main two times of year, I don't think you should visit Japan at all,
|
| 244 |
+
[710.320 --> 714.880] would be golden week in late April, early May, and then New Year's from late December
|
| 245 |
+
[714.880 --> 716.200] to early January.
|
| 246 |
+
[716.200 --> 718.440] And summer, I don't like summer.
|
| 247 |
+
[718.440 --> 719.440] It's not good.
|
| 248 |
+
[719.440 --> 721.480] Come if you must, but there's better options.
|
| 249 |
+
[721.480 --> 725.000] But I know, you know, kids are in school, work, etc. there's reasons.
|
| 250 |
+
[725.000 --> 728.360] So, but yeah, let me know down below in the comments.
|
| 251 |
+
[728.360 --> 729.440] Did you learn anything new?
|
| 252 |
+
[729.440 --> 731.680] When are you planning to make your trip to Japan?
|
| 253 |
+
[731.680 --> 735.920] If you have any other tips for other people, these write them down below as well.
|
| 254 |
+
[735.920 --> 736.920] I'd love to hear them too.
|
| 255 |
+
[736.920 --> 741.000] I'm sure I didn't cover every single thing, but these are the main ones.
|
| 256 |
+
[741.000 --> 745.600] So please like the video, subscribe to my channel for more information about Japan and living
|
| 257 |
+
[745.600 --> 746.600] here and traveling here.
|
| 258 |
+
[746.600 --> 748.600] And I'll see you guys back here again soon.
|
| 259 |
+
[748.600 --> 749.100] Bye!
|
transcript/travel_f5wXtpryDGo.txt
ADDED
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+
[0.000 --> 2.000] 1.5kg
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[2.000 --> 4.000] 1kg
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[4.000 --> 6.000] 1kg
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[6.000 --> 8.000] 1kg
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[8.000 --> 10.000] 1kg
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[10.000 --> 12.000] 1kg
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+
[12.000 --> 14.000] 1kg
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[14.000 --> 16.000] 1kg
|
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+
[16.000 --> 18.000] 1kg
|
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+
[18.000 --> 20.000] 1kg
|
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+
[20.000 --> 22.000] 1kg
|
| 12 |
+
[22.000 --> 24.000] 1kg
|
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+
[24.000 --> 26.000] 1kg
|
| 14 |
+
[26.000 --> 28.000] 1kg
|
transcript/travel_h8Dul0MOvc8.txt
ADDED
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|
|
| 1 |
+
[0.000 --> 2.000] Hey there fellow travelers, Mark here with Wolters.
|
| 2 |
+
[2.000 --> 5.000] We're on the Zewin Quellenberg Germany, the first capital in Germany.
|
| 3 |
+
[5.000 --> 10.000] And so you want to talk about our hand gestures here in Germany, because, man, it's such a historic place.
|
| 4 |
+
[10.000 --> 12.000] I got to talk more about German culture.
|
| 5 |
+
[12.000 --> 16.000] The first hand gesture you should really know when you come here is actually counting.
|
| 6 |
+
[16.000 --> 20.000] Okay, this isn't thumbs up, it's okay. Well, yes, it does mean it's okay.
|
| 7 |
+
[20.000 --> 25.000] But this is actually number one. And Germany, it's one, two, three, four, five.
|
| 8 |
+
[25.000 --> 27.000] Not one, two, three, four, five. Oh no, no.
|
| 9 |
+
[27.000 --> 30.000] This is one. See, one beer, say, on BF. So, one beer like this.
|
| 10 |
+
[30.000 --> 33.000] They'll say, oh, you want one. Yeah, if you try to do this, they'll might give you two.
|
| 11 |
+
[33.000 --> 36.000] Okay, because they think this is two. Right? So just know that.
|
| 12 |
+
[36.000 --> 39.000] This is one. This is two, three, four, five. Okay.
|
| 13 |
+
[39.000 --> 41.000] That's the first thing you should know.
|
| 14 |
+
[41.000 --> 44.000] So, the next hand gesture I want to talk about is when I was going to school here,
|
| 15 |
+
[44.000 --> 46.000] I saw a lot of times we had presentations.
|
| 16 |
+
[46.000 --> 48.000] My friends would say, eat juggadier, the dominant.
|
| 17 |
+
[48.000 --> 52.000] So, I press my thumbs for you. They don't cross their fingers for good luck here.
|
| 18 |
+
[52.000 --> 55.000] They press their thumbs for you. Okay, so remember that.
|
| 19 |
+
[55.000 --> 58.000] Press your thumbs for good luck. So, say, hey, you got a project.
|
| 20 |
+
[58.000 --> 60.000] Hey, good luck. Presentation. Good luck.
|
| 21 |
+
[60.000 --> 62.000] Druti, Druti, down and druti.
|
| 22 |
+
[62.000 --> 64.000] Press your thumbs together. Okay.
|
| 23 |
+
[64.000 --> 67.000] Another one I would see up there is after I'd give a presentation,
|
| 24 |
+
[67.000 --> 70.000] if you do a good job, you know, in the US, you might see people clapping.
|
| 25 |
+
[70.000 --> 73.000] And you might have that here. But what you actually see is people knocking on wood
|
| 26 |
+
[73.000 --> 77.000] or knocking on the tables to say a good job. Okay.
|
| 27 |
+
[77.000 --> 80.000] But the thing is, sometimes you might not do a good job.
|
| 28 |
+
[80.000 --> 83.000] You might say something stupid. You know, I say stupid things sometimes.
|
| 29 |
+
[83.000 --> 85.000] And if you want to say somebody stupid or something stupid,
|
| 30 |
+
[85.000 --> 88.000] you point at your head and you poke your head like this.
|
| 31 |
+
[88.000 --> 91.000] So, you say something stupid. People go like this to show you that,
|
| 32 |
+
[91.000 --> 95.000] look, they know that what you said is stupid or that person is stupid or something like that.
|
| 33 |
+
[95.000 --> 97.000] So, it's kind of an insult kind of thing.
|
| 34 |
+
[97.000 --> 100.000] Another thing is you want to say somebody is crazy or something is crazy.
|
| 35 |
+
[100.000 --> 103.000] You wave your hand in front of your face. Okay.
|
| 36 |
+
[103.000 --> 106.000] I'm a writer German girl friend and she'd do this all the time when she was in the US.
|
| 37 |
+
[106.000 --> 109.000] I'm like, what are you doing? Are you going to fly in front of you?
|
| 38 |
+
[109.000 --> 112.000] No, it just means those people are crazy. That's what you'll actually see.
|
| 39 |
+
[112.000 --> 117.000] Now, another one I want to talk about is sometimes you want to let people know that you're being sarcastic.
|
| 40 |
+
[117.000 --> 120.000] And we're going to be sarcastic. You actually pull your eyelid down a little bit.
|
| 41 |
+
[120.000 --> 123.000] So you might say, oh, Mark, you don't need to lose any weight.
|
| 42 |
+
[123.000 --> 125.000] Meaning, of course, you need to lose weight.
|
| 43 |
+
[125.000 --> 128.000] My friend Frank, I'm going to go see him brownstrike tomorrow.
|
| 44 |
+
[128.000 --> 130.000] We're going to be drinking some beers and he's always a joke like,
|
| 45 |
+
[130.000 --> 132.000] oh, we don't need to drink any beers today, do we?
|
| 46 |
+
[132.000 --> 135.000] You know, it's kind of a sarcastic thing so you do know that.
|
| 47 |
+
[135.000 --> 137.000] I guess I'll give you one extra one. This, don't do this.
|
| 48 |
+
[137.000 --> 139.000] The backwards, okay, sign kind of thing.
|
| 49 |
+
[139.000 --> 143.000] Be careful with that because some places in Germany, this is actually kind of a bad thing.
|
| 50 |
+
[143.000 --> 146.000] So don't use it so much. You're a foreigner, you're not going to get in trouble.
|
| 51 |
+
[146.000 --> 148.000] But that's just what I want you to know.
|
| 52 |
+
[148.000 --> 150.000] But just remember, the ones you really want to know.
|
| 53 |
+
[150.000 --> 154.000] This one is sarcasm. This one's you're stupid. This one's crazy.
|
| 54 |
+
[154.000 --> 156.000] Knock means good job.
|
| 55 |
+
[156.000 --> 161.000] And remember, one, two, three, four, five is how they count here in Germany.
|
| 56 |
+
[161.000 --> 165.000] Anyway, I hope you liked your video. If you didn't, don't forget to knock or do like in the US.
|
| 57 |
+
[165.000 --> 170.000] Go as a like or give us a one. Thumbs up. They're on YouTube.
|
| 58 |
+
[170.000 --> 172.000] If you want to learn more about Germany,
|
| 59 |
+
[172.000 --> 174.000] and if you want to learn more about traveling Germany,
|
| 60 |
+
[174.000 --> 176.000] thanks a little shock. You're going to come to Germany.
|
| 61 |
+
[176.000 --> 178.000] You've got two videos on that. Thanks for loving, hate about different places.
|
| 62 |
+
[178.000 --> 180.000] What to see and do here in the hearts mountains.
|
| 63 |
+
[180.000 --> 183.000] Check us out on our website at www.woldersworld.com.
|
| 64 |
+
[183.000 --> 185.000] We're also on Twitter, Facebook, Instagram, YouTube.
|
| 65 |
+
[185.000 --> 187.000] And we really appreciate your like, subscriptions.
|
| 66 |
+
[187.000 --> 189.000] You have a great time here in Germany, but you will.
|
| 67 |
+
[189.000 --> 193.000] Because I'm not crazy. I'm not stupid. I know Germany is awesome.
|
| 68 |
+
[193.000 --> 195.000] So, bye from Pregnantburg.
|
transcript/travel_lvxJoUuG018.txt
ADDED
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|
| 1 |
+
[0.000 --> 5.000] We're the left, we're the right, knock him out, knock him out, knock him out for the night.
|
| 2 |
+
[5.000 --> 13.000] One chance, knock him out, knock him out, knock him out for the night.
|
| 3 |
+
[19.000 --> 24.000] What if you could get exactly what you want in life
|
| 4 |
+
[24.000 --> 30.000] by reading and understanding the body language of murderers?
|
| 5 |
+
[32.000 --> 34.000] Stay with me.
|
| 6 |
+
[35.000 --> 37.000] Stay with me for a minute.
|
| 7 |
+
[38.000 --> 41.000] In my young 20s, I got a job at the federal government,
|
| 8 |
+
[42.000 --> 45.000] three-lettered agency and law enforcement.
|
| 9 |
+
[45.000 --> 47.000] My specialty was firearms trafficking.
|
| 10 |
+
[48.000 --> 52.000] How to tell when people are selling guns illegally to kids,
|
| 11 |
+
[52.000 --> 55.000] to give victims felons to bad people.
|
| 12 |
+
[56.000 --> 62.000] And when I was getting trained to spot this patterning of behavior,
|
| 13 |
+
[62.000 --> 66.000] how we learned was through decoding the body language of murderers.
|
| 14 |
+
[67.000 --> 71.000] And if you were told 22, 23, 24, 25-year-old version of me
|
| 15 |
+
[71.000 --> 74.000] that by decoding the body language of murderers,
|
| 16 |
+
[74.000 --> 77.000] one day I would be a better business owner,
|
| 17 |
+
[77.000 --> 81.000] better at negotiating, a better daughter, a better mother.
|
| 18 |
+
[81.000 --> 83.000] I would have said you were out of your mind.
|
| 19 |
+
[83.000 --> 86.000] I had no idea what I was learning at that time
|
| 20 |
+
[86.000 --> 89.000] through decoding the body language of murderers
|
| 21 |
+
[89.000 --> 93.000] how it would change my life in so many other lives.
|
| 22 |
+
[94.000 --> 97.000] So I worked at the World Trade Center in New York City for a while.
|
| 23 |
+
[98.000 --> 102.000] And going through a lifestyle where you're looking for the bad in people,
|
| 24 |
+
[102.000 --> 104.000] wears on your soul.
|
| 25 |
+
[104.000 --> 106.000] So I took a stand-up comedy class at night,
|
| 26 |
+
[107.000 --> 108.000] not because I thought it was funny,
|
| 27 |
+
[108.000 --> 110.000] because I wanted to have funny friends,
|
| 28 |
+
[110.000 --> 112.000] or at least people who thought they were funny.
|
| 29 |
+
[112.000 --> 115.000] And I remember I was going to a comedy show one night with this woman,
|
| 30 |
+
[115.000 --> 118.000] Andrea, and if you live in New York City, you know you probably don't own a car.
|
| 31 |
+
[118.000 --> 121.000] The only time you drive a car is where you have to rent a car to go someplace.
|
| 32 |
+
[121.000 --> 124.000] And we were going somewhere, we were doing some type of comedy gig.
|
| 33 |
+
[124.000 --> 127.000] I don't know if it was on Long Island or in Jersey somewhere.
|
| 34 |
+
[127.000 --> 129.000] And I was with this woman, Andrea, another comedian.
|
| 35 |
+
[129.000 --> 131.000] It was late at night.
|
| 36 |
+
[131.000 --> 134.000] And I rented the car, but it was pouring rain, it was dark out.
|
| 37 |
+
[134.000 --> 136.000] And I said to Andrea, you got to drive, dude,
|
| 38 |
+
[136.000 --> 138.000] because I have night blindness.
|
| 39 |
+
[138.000 --> 139.000] I can't see it at night.
|
| 40 |
+
[139.000 --> 141.000] I don't drive at night, especially in the rain.
|
| 41 |
+
[141.000 --> 143.000] And she's driving, and she's, well, can you tell me,
|
| 42 |
+
[143.000 --> 145.000] what do you mean you have night blindness?
|
| 43 |
+
[145.000 --> 147.000] I go, literally, can't see it at night.
|
| 44 |
+
[147.000 --> 148.000] I mean, I can see the street signs.
|
| 45 |
+
[148.000 --> 152.000] Like I can tell there's a sign ahead that either you have to take action
|
| 46 |
+
[152.000 --> 155.000] and seize an opportunity or avoid some type of pain or trouble.
|
| 47 |
+
[155.000 --> 157.000] I see that there's a sign.
|
| 48 |
+
[157.000 --> 159.000] I just can't read what it says.
|
| 49 |
+
[159.000 --> 163.000] And I thought to myself, what a great metaphor for life.
|
| 50 |
+
[163.000 --> 166.000] Have you ever had these moments where you could see something?
|
| 51 |
+
[166.000 --> 167.000] You see a sign ahead.
|
| 52 |
+
[167.000 --> 170.000] You just have a gut feeling about someone, not to trust them.
|
| 53 |
+
[170.000 --> 173.000] They seem so likable, but there's something inside that says
|
| 54 |
+
[173.000 --> 175.000] they're not telling me something.
|
| 55 |
+
[175.000 --> 176.000] They're not telling me something.
|
| 56 |
+
[176.000 --> 178.000] They're holding something back, but you can't see it clearly.
|
| 57 |
+
[178.000 --> 179.000] You just get that vibe.
|
| 58 |
+
[179.000 --> 182.000] You just feel this, you see the sign.
|
| 59 |
+
[182.000 --> 184.000] Have you ever had those moments?
|
| 60 |
+
[184.000 --> 186.000] So for me, this Andre, you know what she did?
|
| 61 |
+
[186.000 --> 187.000] She was trying on my glasses.
|
| 62 |
+
[187.000 --> 188.000] She handed them to me.
|
| 63 |
+
[188.000 --> 189.000] I could see.
|
| 64 |
+
[189.000 --> 190.000] I was like, oh my gosh, I could see.
|
| 65 |
+
[190.000 --> 192.000] Because when's the last time you had an eye exam?
|
| 66 |
+
[192.000 --> 193.000] I'm like, I don't know, six years old.
|
| 67 |
+
[193.000 --> 195.000] When the last time they do them in school.
|
| 68 |
+
[195.000 --> 198.000] If you don't wear glasses as a kid, you grew up to a bee in a doubt.
|
| 69 |
+
[198.000 --> 202.000] You don't go get eye exams because mom's not making the appointments anymore, right?
|
| 70 |
+
[202.000 --> 204.000] So I put the glasses on.
|
| 71 |
+
[204.000 --> 208.000] I could see and I thought, wow, this is what my training taught me
|
| 72 |
+
[208.000 --> 212.000] through decoding the body language and understanding the body language of murderers.
|
| 73 |
+
[212.000 --> 219.000] It gave me a pair of glasses, a lens to see the hidden messages behind all human beings.
|
| 74 |
+
[219.000 --> 221.000] And here's the deal.
|
| 75 |
+
[221.000 --> 223.000] I call it ESL.
|
| 76 |
+
[223.000 --> 228.000] Some people may tell you ESL is English as a second language.
|
| 77 |
+
[228.000 --> 232.000] But I say ESL is everyone's second language.
|
| 78 |
+
[232.000 --> 235.000] ESL, everyone's second language.
|
| 79 |
+
[235.000 --> 241.000] What are people saying to you without them realizing they're saying it to you?
|
| 80 |
+
[241.000 --> 246.000] In August, I was tapped to talk about this case.
|
| 81 |
+
[246.000 --> 248.000] I don't know if you followed this case.
|
| 82 |
+
[248.000 --> 251.000] I'm going to introduce this family to you in a second.
|
| 83 |
+
[251.000 --> 255.000] But my social media was lighting up like a Christmas tree.
|
| 84 |
+
[255.000 --> 257.000] I was getting text messages.
|
| 85 |
+
[257.000 --> 259.000] I was getting private messages on Facebook.
|
| 86 |
+
[259.000 --> 261.000] Everyone's like, Jean, you got to weigh in.
|
| 87 |
+
[261.000 --> 266.000] This pregnant woman and her two young daughters have gone missing.
|
| 88 |
+
[266.000 --> 270.000] And the husband is doing every interview possible.
|
| 89 |
+
[270.000 --> 271.000] He's all over the media.
|
| 90 |
+
[271.000 --> 273.000] His name is Chris Watts.
|
| 91 |
+
[273.000 --> 275.000] I go online just like you might do.
|
| 92 |
+
[275.000 --> 277.000] And I went to check it out.
|
| 93 |
+
[277.000 --> 279.000] I'm like, all right, well, what's the deal?
|
| 94 |
+
[279.000 --> 280.000] And I watch it.
|
| 95 |
+
[280.000 --> 281.000] And I watch it again.
|
| 96 |
+
[281.000 --> 282.000] And I watch it again.
|
| 97 |
+
[282.000 --> 284.000] And I watch it again.
|
| 98 |
+
[284.000 --> 286.000] Everything I can find on this Chris Watts.
|
| 99 |
+
[286.000 --> 288.000] And everything I can read about him.
|
| 100 |
+
[288.000 --> 290.000] People are attacking him.
|
| 101 |
+
[290.000 --> 291.000] He totally did it.
|
| 102 |
+
[291.000 --> 292.000] He must have killed them.
|
| 103 |
+
[292.000 --> 293.000] He's a bad guy.
|
| 104 |
+
[293.000 --> 294.000] And other people are like, I know this family.
|
| 105 |
+
[294.000 --> 296.000] I go to church with this family.
|
| 106 |
+
[296.000 --> 297.000] This is a good family.
|
| 107 |
+
[297.000 --> 298.000] He's a good man.
|
| 108 |
+
[298.000 --> 299.000] He's a good father.
|
| 109 |
+
[299.000 --> 301.000] Stop attacking Chris Watts.
|
| 110 |
+
[301.000 --> 302.000] Agreeving man.
|
| 111 |
+
[302.000 --> 303.000] Agreeving man.
|
| 112 |
+
[303.000 --> 305.000] And then I put this post.
|
| 113 |
+
[306.000 --> 310.000] See, my post talks about what I saw.
|
| 114 |
+
[310.000 --> 311.000] First, I apologize.
|
| 115 |
+
[311.000 --> 315.000] And I say, I'm praying for this pregnant woman in her two young daughters.
|
| 116 |
+
[315.000 --> 317.000] I'm praying that they are safe.
|
| 117 |
+
[317.000 --> 319.000] And there is no one way we all grieve.
|
| 118 |
+
[319.000 --> 323.000] There's no one way that we all deal with anxiety and stress when we're nervous.
|
| 119 |
+
[323.000 --> 326.000] It shows up completely different in all of us.
|
| 120 |
+
[326.000 --> 331.000] And with that being said, I said, I hope I am wrong in my following analysis.
|
| 121 |
+
[332.000 --> 340.000] Because my analysis is screaming this guy has done something really dangerous and really stupid.
|
| 122 |
+
[340.000 --> 342.000] I literally, I'm a prayer person.
|
| 123 |
+
[342.000 --> 347.000] It was the first time in my life I prayed that a pregnant woman was a battered woman.
|
| 124 |
+
[347.000 --> 349.000] And that maybe she was just a battered woman.
|
| 125 |
+
[349.000 --> 351.000] And she took off with the little ones.
|
| 126 |
+
[351.000 --> 354.000] And she's somewhere safe in a battered woman shelter.
|
| 127 |
+
[354.000 --> 357.000] If you would ever told me that I would pray that a pregnant woman would be a battered woman,
|
| 128 |
+
[357.000 --> 360.000] I would say there was no situation on earth that I would ever pray for that.
|
| 129 |
+
[360.000 --> 366.000] But here I was on that day in August 2018 praying that that was the best case scenario.
|
| 130 |
+
[366.000 --> 373.000] Because what I saw, due to coding the body language of murderers for over two decades, was not good.
|
| 131 |
+
[373.000 --> 374.000] Was not good.
|
| 132 |
+
[374.000 --> 378.000] Say I post a pictures of the suspicious behavior.
|
| 133 |
+
[378.000 --> 381.000] Right here you can see smiling.
|
| 134 |
+
[381.000 --> 383.000] You know what was missing from this guy?
|
| 135 |
+
[383.000 --> 384.000] Every interview he was doing?
|
| 136 |
+
[384.000 --> 386.000] Two emotions were missing.
|
| 137 |
+
[386.000 --> 388.000] Fear and sadness.
|
| 138 |
+
[389.000 --> 392.000] Never once in any of the interviews did he do.
|
| 139 |
+
[392.000 --> 394.000] Did we see sadness or fear?
|
| 140 |
+
[394.000 --> 395.000] Never.
|
| 141 |
+
[395.000 --> 396.000] We saw anger.
|
| 142 |
+
[396.000 --> 397.000] We saw disgust.
|
| 143 |
+
[397.000 --> 399.000] And we saw happiness.
|
| 144 |
+
[399.000 --> 403.000] And I put these pictures in social media on this day in August.
|
| 145 |
+
[403.000 --> 406.000] And I highlight the different emotions that I'm seeing.
|
| 146 |
+
[406.000 --> 409.000] And I'm talking about what I'm not seeing, which is I'm not seeing fear.
|
| 147 |
+
[409.000 --> 410.000] And I'm not seeing sadness.
|
| 148 |
+
[410.000 --> 417.000] And I'm seeing all suspicious behavior of someone who is keeping a major secret from us.
|
| 149 |
+
[417.000 --> 424.000] Less than six hours later, Chris Watts confesses to police that he killed his wife.
|
| 150 |
+
[424.000 --> 428.000] And later confesses that he killed his two young daughters.
|
| 151 |
+
[428.000 --> 429.000] I put on social media.
|
| 152 |
+
[429.000 --> 432.000] I hope this is a time that my analysis is wrong.
|
| 153 |
+
[432.000 --> 435.000] And sadly, it was not.
|
| 154 |
+
[435.000 --> 439.000] What are we missing with the people in our lives?
|
| 155 |
+
[439.000 --> 442.000] The secrets that people are hiding from us.
|
| 156 |
+
[442.000 --> 446.000] And how can it help us have more wins in work and in life and in love?
|
| 157 |
+
[446.000 --> 451.000] By understanding ESL, everyone's second language.
|
| 158 |
+
[451.000 --> 454.000] See, by understanding everyone's second language, I believe, and I know,
|
| 159 |
+
[454.000 --> 457.000] is a fact that you can have more wins in life.
|
| 160 |
+
[457.000 --> 459.000] You can have more wins in life.
|
| 161 |
+
[459.000 --> 462.000] ESL, E, I blocking.
|
| 162 |
+
[462.000 --> 465.000] We're going to talk about I blocking when someone's eyes close a little too long,
|
| 163 |
+
[465.000 --> 467.000] or they hide their eyes.
|
| 164 |
+
[467.000 --> 468.000] What did messages it sending?
|
| 165 |
+
[468.000 --> 470.000] S, shoulder shrugging.
|
| 166 |
+
[470.000 --> 472.000] What is a shoulder shrug?
|
| 167 |
+
[472.000 --> 474.000] What are they saying when you see someone shrug?
|
| 168 |
+
[474.000 --> 477.000] There is a definitive answer of what they're saying right now.
|
| 169 |
+
[477.000 --> 481.000] And is the number one best body language move that people are doing in our everyday lives,
|
| 170 |
+
[481.000 --> 483.000] professionally and personally that we miss.
|
| 171 |
+
[483.000 --> 485.000] Over and over and over.
|
| 172 |
+
[485.000 --> 487.000] And you wake up and you say, I'm blindsided.
|
| 173 |
+
[487.000 --> 489.000] How did I not see this happen?
|
| 174 |
+
[489.000 --> 493.000] You didn't see it happen because no one trained you in ESL.
|
| 175 |
+
[493.000 --> 495.000] Everyone's second language.
|
| 176 |
+
[495.000 --> 497.000] How many of you would like to kiss those?
|
| 177 |
+
[497.000 --> 498.000] I never saw it happen.
|
| 178 |
+
[498.000 --> 499.000] Those moments could buy.
|
| 179 |
+
[499.000 --> 501.000] And say, I saw it happening.
|
| 180 |
+
[501.000 --> 503.000] I knew what to do in those moments.
|
| 181 |
+
[503.000 --> 504.000] Yes?
|
| 182 |
+
[504.000 --> 506.000] Shoulder shrugging.
|
| 183 |
+
[506.000 --> 509.000] Last but not least is our lip locking.
|
| 184 |
+
[509.000 --> 512.000] Lip locking is when our lips disappear.
|
| 185 |
+
[512.000 --> 514.000] They are sending you a signal.
|
| 186 |
+
[514.000 --> 518.000] And I'm going to talk to you today and teach you what is the signal that people are sending.
|
| 187 |
+
[518.000 --> 521.000] See, just like my friend Andrea, that comedian gave me those glasses
|
| 188 |
+
[521.000 --> 523.000] and I could see everything clearly.
|
| 189 |
+
[523.000 --> 527.000] I brought the ESL glasses today to give each and every one of you.
|
| 190 |
+
[527.000 --> 529.000] How many want to walk out of here with the same lenses?
|
| 191 |
+
[529.000 --> 533.000] I trained the CIA and the FBI and Scotland, your police, a proctor and gammel.
|
| 192 |
+
[533.000 --> 534.000] You want the ESL glasses?
|
| 193 |
+
[534.000 --> 535.000] Say I do.
|
| 194 |
+
[535.000 --> 536.000] Then stand up.
|
| 195 |
+
[536.000 --> 539.000] You've got to take the oath.
|
| 196 |
+
[539.000 --> 540.000] Repeat after me.
|
| 197 |
+
[540.000 --> 548.000] I swear to use the ESL glasses for good, not for evil.
|
| 198 |
+
[548.000 --> 557.000] And for those people who are not listening because they were afraid of the talk title.
|
| 199 |
+
[557.000 --> 560.000] Let's give it to them anyway.
|
| 200 |
+
[560.000 --> 564.000] Everyone take a seat.
|
| 201 |
+
[564.000 --> 568.000] First, let's explore eye blocking.
|
| 202 |
+
[568.000 --> 573.000] Eye blocking is when our eyes close a little too long or when we're talking to you, we suddenly disappear.
|
| 203 |
+
[573.000 --> 577.000] If you pick your kid up off the bus and every time you go to the bus stop,
|
| 204 |
+
[577.000 --> 581.000] your kid's bus driver always has a hat in front of his head and it's front of his face.
|
| 205 |
+
[581.000 --> 583.000] And he's like, hey, hey, Mrs. Johnson.
|
| 206 |
+
[583.000 --> 585.000] Have you ever looked at you?
|
| 207 |
+
[585.000 --> 587.000] This is suspicious behavior.
|
| 208 |
+
[587.000 --> 590.000] This is not normal behavior.
|
| 209 |
+
[590.000 --> 592.000] This is what's called eye blocking.
|
| 210 |
+
[592.000 --> 593.000] Eye blocking.
|
| 211 |
+
[593.000 --> 594.000] We're going to explore.
|
| 212 |
+
[594.000 --> 595.000] You all do eye blocking.
|
| 213 |
+
[595.000 --> 598.000] We all do it and I'm going to talk about when do we do it?
|
| 214 |
+
[598.000 --> 599.000] Here's eye blocking.
|
| 215 |
+
[599.000 --> 600.000] I want you to think of your cell phone.
|
| 216 |
+
[600.000 --> 603.000] When you put your cell phone down, you don't use it for a while.
|
| 217 |
+
[603.000 --> 605.000] Often a screen saver will come up.
|
| 218 |
+
[605.000 --> 610.000] And if you have a program correctly, a screen saver with the passcode will come up.
|
| 219 |
+
[610.000 --> 614.000] In order to open up your phone, why do we have that screen saver with the passcode?
|
| 220 |
+
[614.000 --> 617.000] To protect our private stuff on our phone.
|
| 221 |
+
[617.000 --> 622.000] If someone happens to come by and grab it, a stranger, our friend, a significant other,
|
| 222 |
+
[622.000 --> 627.000] about to be ex-employee or ex-supervisor, someone that's going to see your phone
|
| 223 |
+
[627.000 --> 630.000] and you don't want them to see your private information.
|
| 224 |
+
[630.000 --> 633.000] Even if you have nothing to hide, it's no one's business.
|
| 225 |
+
[633.000 --> 635.000] This is what eye blocking is doing.
|
| 226 |
+
[635.000 --> 638.000] Eye blocking is saying, I don't want you to see what's happening here.
|
| 227 |
+
[638.000 --> 641.000] I don't want you to see what's happening in here.
|
| 228 |
+
[641.000 --> 643.000] And also eye blocking takes away the visuals.
|
| 229 |
+
[643.000 --> 645.000] Here's when we eye block.
|
| 230 |
+
[645.000 --> 648.000] Have you ever been like at an airport or a crowded space and you get a phone call?
|
| 231 |
+
[648.000 --> 650.000] So everyone's here. You're all in the slaughter-toy.
|
| 232 |
+
[650.000 --> 651.000] You get a phone call.
|
| 233 |
+
[651.000 --> 653.000] Do you take the phone call and look at everybody?
|
| 234 |
+
[653.000 --> 654.000] What do you do?
|
| 235 |
+
[654.000 --> 655.000] You go to a corner.
|
| 236 |
+
[655.000 --> 656.000] Right? Or you look down.
|
| 237 |
+
[656.000 --> 657.000] You're like, yeah, yeah, yeah.
|
| 238 |
+
[657.000 --> 658.000] Some of you will get small.
|
| 239 |
+
[658.000 --> 659.000] Yeah, huh?
|
| 240 |
+
[659.000 --> 660.000] Yeah, yeah, yeah, yeah.
|
| 241 |
+
[660.000 --> 661.000] I'm at a TEDx talk in New York.
|
| 242 |
+
[661.000 --> 662.000] Yeah, in New York.
|
| 243 |
+
[662.000 --> 663.000] Yeah, long island.
|
| 244 |
+
[663.000 --> 664.000] I don't even know how I got here.
|
| 245 |
+
[664.000 --> 665.000] It was wicked hard to get here.
|
| 246 |
+
[665.000 --> 666.000] Yeah.
|
| 247 |
+
[666.000 --> 667.000] Right?
|
| 248 |
+
[667.000 --> 668.000] You're a private space.
|
| 249 |
+
[668.000 --> 669.000] You go to a corner. You get small.
|
| 250 |
+
[669.000 --> 671.000] You take away the visuals.
|
| 251 |
+
[671.000 --> 673.000] If you continue to look at the people in front of you,
|
| 252 |
+
[673.000 --> 674.000] what happens on the phone call?
|
| 253 |
+
[674.000 --> 676.000] What does that person say?
|
| 254 |
+
[676.000 --> 677.000] Know what they say to you?
|
| 255 |
+
[677.000 --> 678.000] You're not listening to me.
|
| 256 |
+
[678.000 --> 679.000] Are you?
|
| 257 |
+
[679.000 --> 680.000] Right.
|
| 258 |
+
[680.000 --> 681.000] Hello. Are you distracted? Are you listening to me?
|
| 259 |
+
[681.000 --> 683.000] No, why? They're saying that?
|
| 260 |
+
[683.000 --> 686.000] Because they can tell you're being distracted by all the visual data
|
| 261 |
+
[686.000 --> 688.000] that's coming at you.
|
| 262 |
+
[688.000 --> 690.000] So your response to them is delayed.
|
| 263 |
+
[690.000 --> 693.000] See, when we're lying, we have the truth to remember.
|
| 264 |
+
[693.000 --> 695.000] And the lie to remember.
|
| 265 |
+
[695.000 --> 699.000] And what we want to do is remove some of the data coming at us
|
| 266 |
+
[699.000 --> 703.000] so we can remain on the path of deception and keep our secret from you.
|
| 267 |
+
[703.000 --> 705.000] Does this make sense?
|
| 268 |
+
[705.000 --> 707.000] So you can see this in weird ways.
|
| 269 |
+
[707.000 --> 709.000] I'm going to talk about Chris Watts here.
|
| 270 |
+
[709.000 --> 712.000] Next to Chris Watts, this is the man in Colorado who murdered his pregnant wife,
|
| 271 |
+
[712.000 --> 717.000] Shanan, and his two daughters, Celeste Embella, this August 18, 2018.
|
| 272 |
+
[717.000 --> 719.000] Then we see Scott Peterson.
|
| 273 |
+
[719.000 --> 722.000] Scott Peterson murdered his pregnant wife, Lacey Peterson.
|
| 274 |
+
[722.000 --> 724.000] Then you're going to see Ted Bundy.
|
| 275 |
+
[724.000 --> 728.000] Ted Bundy murdered. We know he confessed to 30 people in several states.
|
| 276 |
+
[728.000 --> 730.000] Probably way more than that.
|
| 277 |
+
[730.000 --> 731.000] And then Susan Smith.
|
| 278 |
+
[731.000 --> 733.000] Susan Smith, drowned her two kids.
|
| 279 |
+
[733.000 --> 734.000] Put him in a car seat.
|
| 280 |
+
[734.000 --> 737.000] They died by drowning when she drove the car into a lake,
|
| 281 |
+
[737.000 --> 740.000] but she told the media and the police what?
|
| 282 |
+
[740.000 --> 743.000] A black man came and took the car.
|
| 283 |
+
[743.000 --> 744.000] And her kids were in it.
|
| 284 |
+
[744.000 --> 748.000] Now, what was suspicious beyond this esoteric explanation?
|
| 285 |
+
[748.000 --> 750.000] She said, this black guy came and took the car.
|
| 286 |
+
[750.000 --> 752.000] I was worried that they would kill my kids.
|
| 287 |
+
[753.000 --> 755.000] Wait a minute. Was it a black man or several people?
|
| 288 |
+
[755.000 --> 757.000] It all of a sudden became a day?
|
| 289 |
+
[757.000 --> 759.000] Many things were screaming.
|
| 290 |
+
[759.000 --> 764.000] Susan Smith is lying, including her smiling when doing press conferences in the media.
|
| 291 |
+
[764.000 --> 767.000] So let's look at how long do they do eye-blonking?
|
| 292 |
+
[767.000 --> 769.000] Now, Chris Watts is only a second and a half.
|
| 293 |
+
[769.000 --> 774.000] And it may not seem long, but I want everyone right now to look at me and close your eyes,
|
| 294 |
+
[774.000 --> 776.000] and I'll tell you in a second and a half is over.
|
| 295 |
+
[776.000 --> 778.000] Ready? Close your eyes.
|
| 296 |
+
[778.000 --> 779.000] Open them.
|
| 297 |
+
[780.000 --> 785.000] Now, imagine, why won't you imagine talking with that kind of second and a half?
|
| 298 |
+
[785.000 --> 786.000] This little hiccup.
|
| 299 |
+
[786.000 --> 790.000] See, what happens is a guy named Spencer Kelly at Colgate University?
|
| 300 |
+
[790.000 --> 794.000] He wanted to find out if your body language sends a message to your brain.
|
| 301 |
+
[794.000 --> 799.000] So if I said to you, I'll have a peanut butter and jelly on my socks, please.
|
| 302 |
+
[799.000 --> 803.000] As you might imagine, your brain goes peanut butter and jelly on my socks.
|
| 303 |
+
[803.000 --> 804.000] What?
|
| 304 |
+
[804.000 --> 809.000] So imagine your brain waves like a heart monitor that creates what's called, I call it a brain hiccup,
|
| 305 |
+
[809.000 --> 812.000] but the professionals call it an N400.
|
| 306 |
+
[812.000 --> 814.000] Peanut butter and jelly on my socks?
|
| 307 |
+
[814.000 --> 819.000] Spencer Kelly at Colgate University wanted to find out if my body language doesn't match what I'm telling you,
|
| 308 |
+
[819.000 --> 822.000] does that person who's communicating with us pick up on it?
|
| 309 |
+
[822.000 --> 824.000] And the answer is yes.
|
| 310 |
+
[824.000 --> 827.000] But the difference is you're seeing that sign on the side of the highway.
|
| 311 |
+
[827.000 --> 830.000] You just need some ESL glasses to decode what it is.
|
| 312 |
+
[830.000 --> 834.000] But your brain picked up on it and knows there's an opportunity or a warning up ahead.
|
| 313 |
+
[834.000 --> 838.000] You just don't know the specifics, but you will after today.
|
| 314 |
+
[838.000 --> 839.000] So look at this.
|
| 315 |
+
[839.000 --> 842.000] Nine seconds we have with Ted Bundy.
|
| 316 |
+
[842.000 --> 851.000] Susan Smith spoke on national television and listened for 34 seconds with her eyes closed.
|
| 317 |
+
[851.000 --> 854.000] 34 seconds with her eyes closed.
|
| 318 |
+
[854.000 --> 855.000] Let's do a little experiment.
|
| 319 |
+
[855.000 --> 856.000] Let's do nine seconds.
|
| 320 |
+
[856.000 --> 859.000] So I want you to look at the person next to you behind you.
|
| 321 |
+
[859.000 --> 861.000] One of you will talk and one of you will listen.
|
| 322 |
+
[861.000 --> 862.000] Here's how this is going to work.
|
| 323 |
+
[862.000 --> 865.000] Decide who's going to talk. Whoever's going to talk, I want you to say I'll talk.
|
| 324 |
+
[865.000 --> 870.000] And I want you to talk about your favorite presentation today, your favorite TEDx talk.
|
| 325 |
+
[870.000 --> 873.000] For nine seconds, I'll tell you when you can open your eyes.
|
| 326 |
+
[873.000 --> 878.000] You're going to talk for nine seconds with your eyes closed, telling this person looking right at them.
|
| 327 |
+
[878.000 --> 881.000] And the person looking at the person speaking, just look at them.
|
| 328 |
+
[881.000 --> 887.000] And the point of feel how weird it is for someone to talk to you for nine seconds with their eyes closed.
|
| 329 |
+
[887.000 --> 888.000] Ready?
|
| 330 |
+
[888.000 --> 889.000] Decide who's going to talk.
|
| 331 |
+
[889.000 --> 890.000] Raise your hand if you're the talker.
|
| 332 |
+
[890.000 --> 891.000] So I can see where my talkers are.
|
| 333 |
+
[891.000 --> 892.000] Okay?
|
| 334 |
+
[892.000 --> 893.000] Look at your partner.
|
| 335 |
+
[893.000 --> 894.000] Ready?
|
| 336 |
+
[894.000 --> 895.000] Set.
|
| 337 |
+
[895.000 --> 904.000] Go.
|
| 338 |
+
[904.000 --> 905.000] Stop.
|
| 339 |
+
[905.000 --> 908.000] Raise your hand if that felt weird.
|
| 340 |
+
[908.000 --> 909.000] Right?
|
| 341 |
+
[909.000 --> 914.000] I want you to start noticing the first step on ESL is noticing these eye blocking.
|
| 342 |
+
[914.000 --> 917.000] Notice this eye blocking.
|
| 343 |
+
[917.000 --> 922.000] I want to say to my baby,
|
| 344 |
+
[922.000 --> 926.000] that your mama loves you so much.
|
| 345 |
+
[926.000 --> 937.000] The eye blocking is happening while she's talking about how much she loves her kids.
|
| 346 |
+
[937.000 --> 940.000] My son's Angus, Charlie and Jack.
|
| 347 |
+
[940.000 --> 942.000] Off to the left here, you see Jack.
|
| 348 |
+
[942.000 --> 944.000] He's my youngest and Charlie then Angus.
|
| 349 |
+
[944.000 --> 949.000] The little Charlie and Jack, when they were first little ones, Jack was a brand new baby and Charlie was one.
|
| 350 |
+
[949.000 --> 952.000] Angus came home from a baseball game in DC.
|
| 351 |
+
[952.000 --> 955.000] When Angus came home with my husband, I'm upstairs in the bedroom.
|
| 352 |
+
[955.000 --> 958.000] It's about 8.30 pm and I see Angus come up and I'm like, Angus!
|
| 353 |
+
[958.000 --> 963.000] And he goes, errr, and he eye blocks and he slams his bedroom door.
|
| 354 |
+
[963.000 --> 966.000] I don't know how you were raised, but am I family?
|
| 355 |
+
[966.000 --> 968.000] If we slamed the door growing up, my mother and father had a policy called,
|
| 356 |
+
[968.000 --> 970.000] I'll solve that problem policy.
|
| 357 |
+
[970.000 --> 971.000] Right?
|
| 358 |
+
[971.000 --> 975.000] The door would be off the hinges by the next morning and Dad's workshop.
|
| 359 |
+
[975.000 --> 978.000] But my Angela would tell you when you know better, you do better.
|
| 360 |
+
[978.000 --> 981.000] And I know better because I know Angus is eye blocking.
|
| 361 |
+
[981.000 --> 989.000] And I also know that anger is a secondary emotion to things like fear and sadness and anxiety.
|
| 362 |
+
[989.000 --> 993.000] So instead of me going in yelling to Angus's perceived anger,
|
| 363 |
+
[993.000 --> 997.000] because he looks angry, but I know there's more to the story here,
|
| 364 |
+
[997.000 --> 1000.000] because I speak ESL, everyone's second language.
|
| 365 |
+
[1000.000 --> 1003.000] And I went in and I rubbed his back, I go, what's going on?
|
| 366 |
+
[1003.000 --> 1007.000] And he goes, oh! And I go, listen, are you sad, scared, or angry?
|
| 367 |
+
[1007.000 --> 1010.000] And he burst out crying.
|
| 368 |
+
[1010.000 --> 1012.000] He burst out crying.
|
| 369 |
+
[1012.000 --> 1016.000] He goes, Mom, we were in the baseball game and I know you've been traveling a week
|
| 370 |
+
[1016.000 --> 1020.000] and you were home just for one night and tomorrow you got another trip.
|
| 371 |
+
[1020.000 --> 1025.000] And Charlie and Jack go to bed at 8 o'clock and I just wanted to see my brothers.
|
| 372 |
+
[1025.000 --> 1027.000] And Dad said I was trying to trick him.
|
| 373 |
+
[1027.000 --> 1030.000] And that if I left the game early, he would take my iPad,
|
| 374 |
+
[1030.000 --> 1034.000] because he thought I was tricking him and I just wanted to go home and play with my iPad.
|
| 375 |
+
[1034.000 --> 1037.000] Now this is a big deal because Angus has learning differences.
|
| 376 |
+
[1037.000 --> 1042.000] And every day he takes an hour and 15 minute bus ride to school, into DC.
|
| 377 |
+
[1042.000 --> 1045.000] So I looked at Angus and had you been there, you would have heard me.
|
| 378 |
+
[1045.000 --> 1048.000] I said, listen buddy, first thing from the boss in this household.
|
| 379 |
+
[1048.000 --> 1051.000] So don't worry about the iPad, you can totally use the iPad.
|
| 380 |
+
[1051.000 --> 1056.000] Second of all, I don't mind waking up Charlie and Jack, I can put him back to sleep.
|
| 381 |
+
[1056.000 --> 1061.000] See by me understanding ESL, everyone's second language, I created an amazing relationship
|
| 382 |
+
[1061.000 --> 1066.000] and a conversation with Angus that if I didn't understand, I would have went in and said,
|
| 383 |
+
[1066.000 --> 1067.000] hey, manners make the man.
|
| 384 |
+
[1067.000 --> 1070.000] You don't slam the door when I say hello, you say hello back.
|
| 385 |
+
[1070.000 --> 1074.000] I want you to imagine the outcomes, how they're completely different.
|
| 386 |
+
[1074.000 --> 1080.000] When you understand English, I mean everyone's second language, ESL.
|
| 387 |
+
[1080.000 --> 1083.000] Shoulder shrugging, shoulder shrugging is uncertainty.
|
| 388 |
+
[1083.000 --> 1088.000] Look at the person next to you and with the shrug saying, so glad you sat next to me.
|
| 389 |
+
[1088.000 --> 1092.000] So glad you sat next to me.
|
| 390 |
+
[1092.000 --> 1094.000] Shoulder shrugging, it's uncertain.
|
| 391 |
+
[1094.000 --> 1096.000] You got back from Arizona.
|
| 392 |
+
[1096.000 --> 1101.000] Did you wake up and say, you know, I'm sorry when she got in, but it was really quick.
|
| 393 |
+
[1101.000 --> 1107.000] Just because it was 2 a.m. in the morning, but I saw the kids in the monitor before I left.
|
| 394 |
+
[1107.000 --> 1112.000] I saw my wife and she came in, I saw her when she came in, it was really quick.
|
| 395 |
+
[1112.000 --> 1115.000] This tiny little shrug.
|
| 396 |
+
[1115.000 --> 1117.000] Let's watch this guy, Drew Peterson.
|
| 397 |
+
[1117.000 --> 1122.000] We were surprised when the body was exhumed and they changed the determination of death.
|
| 398 |
+
[1122.000 --> 1127.000] Very much surprised for sure, because for many years, my children and I, we've been believing
|
| 399 |
+
[1127.000 --> 1130.000] that she died in a household accident.
|
| 400 |
+
[1131.000 --> 1134.000] The number one mistell and body language is a shoulder shrug.
|
| 401 |
+
[1134.000 --> 1137.000] They're indicating there's something they're uncertain about.
|
| 402 |
+
[1137.000 --> 1139.000] There's something they're uncertain about.
|
| 403 |
+
[1139.000 --> 1144.000] Billy Zibi, one of my clients, came and took this training on reading and decoding
|
| 404 |
+
[1144.000 --> 1147.000] and understanding the body language of murderers and he went into a pitch meeting.
|
| 405 |
+
[1147.000 --> 1151.000] Flew from Las Vegas into Florida, had this big pitch he was going to do,
|
| 406 |
+
[1151.000 --> 1154.000] and he sat down and he said to the person that he was pitching, I'm curious.
|
| 407 |
+
[1154.000 --> 1156.000] You've had the same vendor for 25 years.
|
| 408 |
+
[1157.000 --> 1161.000] What is leading you to look for new pitch ideas and to partnering with the new vendor?
|
| 409 |
+
[1161.000 --> 1165.000] And when his potential client began to speak, he goes, well, we're just not happy with them anymore.
|
| 410 |
+
[1165.000 --> 1168.000] We're looking for a change and he begins shoulder shrugging.
|
| 411 |
+
[1168.000 --> 1171.000] Billy Zibi took him and his team and his presentation and walked out the door.
|
| 412 |
+
[1171.000 --> 1173.000] He said, we're not a fit for what you're looking for.
|
| 413 |
+
[1173.000 --> 1174.000] We wish you good luck.
|
| 414 |
+
[1174.000 --> 1176.000] His team's like, what are you doing, dude?
|
| 415 |
+
[1176.000 --> 1177.000] We're totally prepared.
|
| 416 |
+
[1177.000 --> 1178.000] You paid all this money to fly us in here.
|
| 417 |
+
[1178.000 --> 1181.000] He goes, oh yeah, they're just fishing for other people's ideas.
|
| 418 |
+
[1181.000 --> 1183.000] They're not going to go with another vendor.
|
| 419 |
+
[1183.000 --> 1185.000] Did you see all that uncertainty?
|
| 420 |
+
[1185.000 --> 1187.000] Guess what happened two months later?
|
| 421 |
+
[1187.000 --> 1189.000] They announced they stayed with their own vendor.
|
| 422 |
+
[1189.000 --> 1192.000] They were, in fact, looking for other people's ideas.
|
| 423 |
+
[1192.000 --> 1194.000] Other people's ideas.
|
| 424 |
+
[1194.000 --> 1195.000] Look at this guy.
|
| 425 |
+
[1195.000 --> 1199.000] He's going to shoulder shrug when he says, I want to thank the sport and all my fans.
|
| 426 |
+
[1199.000 --> 1200.000] And I want to thank my wife.
|
| 427 |
+
[1200.000 --> 1204.000] He's shoulder shrugs when he says, wife, why do you think he's shoulder shrugs with wife?
|
| 428 |
+
[1204.000 --> 1206.000] Oh, he's going to show you.
|
| 429 |
+
[1208.000 --> 1210.000] Thank you very much for this, for giving me this.
|
| 430 |
+
[1210.000 --> 1212.000] And I appreciate my fans also.
|
| 431 |
+
[1212.000 --> 1213.000] My wife and my girlfriend.
|
| 432 |
+
[1213.000 --> 1214.000] Yeah, I mean my wife.
|
| 433 |
+
[1214.000 --> 1215.000] Yeah, sorry to say.
|
| 434 |
+
[1215.000 --> 1216.000] I'm so sorry, my wife.
|
| 435 |
+
[1216.000 --> 1218.000] Please, I love you so much.
|
| 436 |
+
[1218.000 --> 1220.000] Thank you very much for this, for giving me this.
|
| 437 |
+
[1220.000 --> 1222.000] And I appreciate my fans also.
|
| 438 |
+
[1222.000 --> 1224.000] My wife and my girlfriend.
|
| 439 |
+
[1224.000 --> 1225.000] Yeah, I mean my wife.
|
| 440 |
+
[1225.000 --> 1226.000] Yeah.
|
| 441 |
+
[1226.000 --> 1235.000] Listen, I believe you can't unsee something, unheir something or unexperience something.
|
| 442 |
+
[1235.000 --> 1237.000] You can't unheir it, unseeing it, unexperience it.
|
| 443 |
+
[1237.000 --> 1238.000] You yourself when you shrugged.
|
| 444 |
+
[1238.000 --> 1240.000] Your body is telling you what you're doing.
|
| 445 |
+
[1240.000 --> 1241.000] You yourself when you shrugged.
|
| 446 |
+
[1241.000 --> 1244.000] Your body is telling you before your thought even kicks in.
|
| 447 |
+
[1244.000 --> 1246.000] Whoa, I'm uncertain about something.
|
| 448 |
+
[1246.000 --> 1247.000] What am I uncertain about?
|
| 449 |
+
[1247.000 --> 1248.000] I'd love to go in a date with you.
|
| 450 |
+
[1248.000 --> 1250.000] Ooh, look at what just happened there.
|
| 451 |
+
[1250.000 --> 1251.000] What's going on?
|
| 452 |
+
[1251.000 --> 1253.000] All right, there's something you're uncertain about.
|
| 453 |
+
[1253.000 --> 1254.000] There's something you're uncertain about.
|
| 454 |
+
[1254.000 --> 1256.000] Last but not least, lip locking.
|
| 455 |
+
[1256.000 --> 1259.000] When we don't like what we see or hear our lips disappear.
|
| 456 |
+
[1259.000 --> 1263.000] Pull your lips in and say to the person next to you, you smell amazing.
|
| 457 |
+
[1263.000 --> 1265.000] You smell amazing.
|
| 458 |
+
[1265.000 --> 1267.000] You smell amazing.
|
| 459 |
+
[1267.000 --> 1268.000] Repeat after me.
|
| 460 |
+
[1268.000 --> 1269.000] Repeat after me.
|
| 461 |
+
[1269.000 --> 1275.000] When we don't like what we see or hear our lips disappear.
|
| 462 |
+
[1275.000 --> 1280.000] Here we see Chris Watts.
|
| 463 |
+
[1280.000 --> 1282.000] His lips are going to disappear.
|
| 464 |
+
[1282.000 --> 1284.000] You can see this non-stop with him.
|
| 465 |
+
[1284.000 --> 1285.000] He's doing a tongue protrusion here.
|
| 466 |
+
[1285.000 --> 1288.000] This is another move we won't be talking about today.
|
| 467 |
+
[1288.000 --> 1293.000] But that is connected without a doubt to everyone's second language, ESL.
|
| 468 |
+
[1293.000 --> 1294.000] We see this with Jody Areas.
|
| 469 |
+
[1294.000 --> 1299.000] We see this with different murderers that have been on television.
|
| 470 |
+
[1299.000 --> 1300.000] And we've seen them.
|
| 471 |
+
[1300.000 --> 1303.000] As I begin to say my goodbyes, I want to introduce you to my mother.
|
| 472 |
+
[1303.000 --> 1305.000] My mother is my best friend on earth.
|
| 473 |
+
[1305.000 --> 1309.000] See, when my mom was first diagnosed with breast cancer, she was a pretty good sport about it.
|
| 474 |
+
[1309.000 --> 1311.000] She's a happy person all the time.
|
| 475 |
+
[1311.000 --> 1314.000] And I remember she called me one time and she was, hey, what do you mean?
|
| 476 |
+
[1314.000 --> 1317.000] If this breast cancer kills me, and I dying come back to earth,
|
| 477 |
+
[1317.000 --> 1322.000] I'm kind of back to earth as a swearing person, like you and your father.
|
| 478 |
+
[1322.000 --> 1323.000] I go, mom, you have cancer now.
|
| 479 |
+
[1323.000 --> 1324.000] You could totally start swearing.
|
| 480 |
+
[1324.000 --> 1325.000] She says it's not who I am.
|
| 481 |
+
[1325.000 --> 1326.000] It's just not who I am.
|
| 482 |
+
[1326.000 --> 1330.000] A next day I call my mother answered, but I thought it was my sister, Kaylene,
|
| 483 |
+
[1330.000 --> 1334.000] because whoever answered said, hey, what's going on, bitch?
|
| 484 |
+
[1334.000 --> 1335.000] I was like, Kaylene?
|
| 485 |
+
[1335.000 --> 1336.000] She goes, no, it's mom.
|
| 486 |
+
[1336.000 --> 1337.000] What's going on, bitch?
|
| 487 |
+
[1337.000 --> 1338.000] I go, what's going on?
|
| 488 |
+
[1338.000 --> 1339.000] What's going on with you?
|
| 489 |
+
[1339.000 --> 1341.000] She says, I'm trying out the swearing thing.
|
| 490 |
+
[1341.000 --> 1342.000] How do I sound?
|
| 491 |
+
[1342.000 --> 1345.000] I go, you sound fantastic.
|
| 492 |
+
[1345.000 --> 1348.000] Think of all the years you've been missing out on.
|
| 493 |
+
[1348.000 --> 1351.000] Two days later, I was like, hey, what's going on with you?
|
| 494 |
+
[1351.000 --> 1357.000] Two days later, mom who's in such good spirits comes to visit me in Alexandria, Virginia.
|
| 495 |
+
[1357.000 --> 1358.000] I go, how you doing?
|
| 496 |
+
[1358.000 --> 1360.000] She goes, fine.
|
| 497 |
+
[1360.000 --> 1361.000] I go, what's going on?
|
| 498 |
+
[1361.000 --> 1362.000] She's like, no, no.
|
| 499 |
+
[1362.000 --> 1364.000] And her lips begin to disappear.
|
| 500 |
+
[1364.000 --> 1367.000] I go, mom, you and I both know there's something you're not telling me.
|
| 501 |
+
[1367.000 --> 1368.000] What is it?
|
| 502 |
+
[1368.000 --> 1369.000] How'd you been there?
|
| 503 |
+
[1369.000 --> 1373.000] You had seen mom burst out crying.
|
| 504 |
+
[1373.000 --> 1374.000] Burst out crying?
|
| 505 |
+
[1374.000 --> 1378.000] She goes, listen, a year ago, my dentist told me I had something in my throat
|
| 506 |
+
[1378.000 --> 1379.000] and I had a PET scan done.
|
| 507 |
+
[1379.000 --> 1382.000] And the doctor never called me after so I thought it was good news.
|
| 508 |
+
[1382.000 --> 1387.000] But now that I have breast cancer, I had to go get that record from the PET scan from my throat.
|
| 509 |
+
[1387.000 --> 1395.000] And I picked it up three weeks ago, Janine, and it says that in my throat, I have cancerous cells.
|
| 510 |
+
[1395.000 --> 1398.000] So I have cancer, I think, through my whole body.
|
| 511 |
+
[1398.000 --> 1400.000] Not just my breast, but everywhere.
|
| 512 |
+
[1400.000 --> 1405.000] I think I could fight breast cancer, but I can't fight it if it's everywhere.
|
| 513 |
+
[1405.000 --> 1411.000] When you understand ESL, every one's second language, you can have amazing conversations with people.
|
| 514 |
+
[1411.000 --> 1413.000] And you can change their lives.
|
| 515 |
+
[1413.000 --> 1415.000] See, mom said, I don't want you bringing it up.
|
| 516 |
+
[1415.000 --> 1416.000] Don't bring this up to the doctor.
|
| 517 |
+
[1416.000 --> 1418.000] Do you understand me?
|
| 518 |
+
[1418.000 --> 1423.000] But I know hangers is secondary emotion to things like fear and sadness and anxiety.
|
| 519 |
+
[1423.000 --> 1425.000] I go, okay, mom, I won't say anything.
|
| 520 |
+
[1425.000 --> 1427.000] We went to the hospital to meet that surgeon.
|
| 521 |
+
[1427.000 --> 1428.000] I pulled the surgeon aside.
|
| 522 |
+
[1428.000 --> 1431.000] Hey, my mother thinks she has throat cancer because of this report.
|
| 523 |
+
[1431.000 --> 1432.000] Can you look into it?
|
| 524 |
+
[1432.000 --> 1434.000] He said, yeah, I'll look into it.
|
| 525 |
+
[1434.000 --> 1436.000] Sometimes we need to fight for people who can't fight for themselves.
|
| 526 |
+
[1436.000 --> 1438.000] What do you agree?
|
| 527 |
+
[1438.000 --> 1442.000] Listen, I would love to tell you what happened on the outcome of that report.
|
| 528 |
+
[1442.000 --> 1444.000] But instead, I thought, I'd let my mom tell you.
|
| 529 |
+
[1444.000 --> 1445.000] Do you like to meet my mom?
|
| 530 |
+
[1445.000 --> 1446.000] Yes!
|
| 531 |
+
[1446.000 --> 1449.000] Ladies and gentlemen, let my mom tell you what happened here.
|
| 532 |
+
[1452.000 --> 1456.000] Janine, when I went to visit her, just be married after my diagnosis.
|
| 533 |
+
[1456.000 --> 1462.000] I invited her to have some great, that I had more than one piece.
|
| 534 |
+
[1466.000 --> 1474.000] I had gone for a test in, when I came back, I said I had throat cancer.
|
| 535 |
+
[1474.000 --> 1476.000] I had gone to the dentist.
|
| 536 |
+
[1476.000 --> 1479.000] The dentist was just getting my teeth and it looked like something in my throat.
|
| 537 |
+
[1479.000 --> 1483.000] So I went to the throat doctor and everything, and he didn't say anything.
|
| 538 |
+
[1483.000 --> 1487.000] But I never got to be poor until just before I went into mass general.
|
| 539 |
+
[1487.000 --> 1491.000] So I did it before, it's 10 o'clock at night and I really didn't see this.
|
| 540 |
+
[1491.000 --> 1494.000] And I'm asked in the neck area.
|
| 541 |
+
[1494.000 --> 1498.000] And so I thought right away, now I have breast cancer.
|
| 542 |
+
[1499.000 --> 1502.000] But it has a test-assized.
|
| 543 |
+
[1503.000 --> 1505.000] Drill my little body.
|
| 544 |
+
[1505.000 --> 1509.000] So I broke down and told Janine she was away and it got stuck out of you.
|
| 545 |
+
[1509.000 --> 1513.000] And I remember Janine, I broke down and told me, told you,
|
| 546 |
+
[1513.000 --> 1515.000] but you blew it in to see the doctor.
|
| 547 |
+
[1515.000 --> 1520.000] So Janine got the doctor up on the side and asked the doctor to look at the stand.
|
| 548 |
+
[1520.000 --> 1527.000] And while I was being old, they came back and they told me that this breast cancer was originated as a breast.
|
| 549 |
+
[1527.000 --> 1530.000] That was the greatest gift I ever had.
|
| 550 |
+
[1530.000 --> 1533.000] I was carrying her with me.
|
| 551 |
+
[1533.000 --> 1536.000] It's a touch.
|
| 552 |
+
[1536.000 --> 1540.000] Because I'm carrying that here with me for a little more.
|
| 553 |
+
[1540.000 --> 1544.000] And I thank Janine for clarifying that.
|
| 554 |
+
[1544.000 --> 1547.000] That was the biggest gift I could have for me that day.
|
| 555 |
+
[1547.000 --> 1551.000] Because I left here, I knew I had still had breast cancer, but I left there.
|
| 556 |
+
[1551.000 --> 1553.000] So you know, okay, this is where I'm fighting.
|
| 557 |
+
[1553.000 --> 1555.000] This is not all over my body.
|
| 558 |
+
[1555.000 --> 1558.000] So thank you for that.
|
| 559 |
+
[1559.000 --> 1568.000] You now have ESL, everybody's second language.
|
| 560 |
+
[1568.000 --> 1570.000] And I challenge you to use it.
|
| 561 |
+
[1570.000 --> 1574.000] Use it to detect a section and to find truth and to protect your ideas.
|
| 562 |
+
[1574.000 --> 1580.000] And more importantly, use it to help somebody, to take a stand for someone who is full of fear, stress and anxiety,
|
| 563 |
+
[1580.000 --> 1583.000] but they're showing up as angry.
|
| 564 |
+
[1583.000 --> 1587.000] Use it to find out and uncover the secret that they're hiding.
|
| 565 |
+
[1587.000 --> 1589.000] Because here's the deal.
|
| 566 |
+
[1589.000 --> 1600.000] I believe when we take a stand for truth, all of us, we take a stand for truth, we can all have more wins in life, in love and in work.
|
| 567 |
+
[1600.000 --> 1605.000] Maybe just maybe these people in our lives are waiting for us.
|
| 568 |
+
[1605.000 --> 1610.000] They're depending on us to see and to code their body language so we can hear them.
|
| 569 |
+
[1610.000 --> 1616.000] So we can hear their pain, we can hear their fear, and we can hear their heartbreak.
|
| 570 |
+
[1616.000 --> 1619.000] My name is Janine Driver.
|
| 571 |
+
[1619.000 --> 1624.000] I challenge you to use your ESL, everybody's second language.
|
| 572 |
+
[1624.000 --> 1626.000] Thank you.
|
| 573 |
+
[1626.000 --> 1628.000] Thank you.
|
| 574 |
+
[1628.000 --> 1630.000] Thank you.
|
| 575 |
+
[1630.000 --> 1632.000] Thank you.
|
transcript/travel_pOR0iTCuj9E.txt
ADDED
|
@@ -0,0 +1,102 @@
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|
| 1 |
+
[0.000 --> 5.000] Technology has revolutionized how people from all over the world communicate with each other.
|
| 2 |
+
[5.000 --> 9.000] From films and tablets to laptops and other new devices,
|
| 3 |
+
[9.000 --> 14.000] the advent of these technologies has resulted in a significant change in the way we communicate.
|
| 4 |
+
[14.000 --> 18.000] In fact, according to a study by Common Sense Media,
|
| 5 |
+
[18.000 --> 21.000] teens spend an average of nine hours a day online,
|
| 6 |
+
[21.000 --> 25.000] of which a significant portion can undoubtedly be attributed to social media.
|
| 7 |
+
[26.000 --> 29.000] These forms of verbal communication are extremely convenient
|
| 8 |
+
[29.000 --> 32.000] in the sense that they are an expedient and effortless.
|
| 9 |
+
[32.000 --> 36.000] In fact, they allow us to communicate our thoughts and opinions in a couple of seconds.
|
| 10 |
+
[36.000 --> 42.000] However, these forms of communication can be lacking in originality, sincerity and understanding.
|
| 11 |
+
[42.000 --> 46.000] This may be wonder if there was something better out there, and sure enough, I found one.
|
| 12 |
+
[46.000 --> 51.000] My name is Ian Fernandez, and on my tour, I explore the following question.
|
| 13 |
+
[51.000 --> 55.000] How effective is nonverbal communication, specifically musical communication,
|
| 14 |
+
[55.000 --> 58.000] and what factors make it particularly attractive?
|
| 15 |
+
[58.000 --> 65.000] Before I get into my findings, you might be asking about what explicitly differentiates verbal and nonverbal communication.
|
| 16 |
+
[65.000 --> 70.000] Well, verbal communication entails the use of words both written and spoken,
|
| 17 |
+
[70.000 --> 76.000] like social media posts, while nonverbal communication refers to communication that doesn't involve words,
|
| 18 |
+
[76.000 --> 79.000] such as body gestures and music.
|
| 19 |
+
[79.000 --> 83.000] Looking at some of the unattractive characteristics of verbal communication,
|
| 20 |
+
[83.000 --> 86.000] I wanted to explore the benefits of nonverbal communication.
|
| 21 |
+
[86.000 --> 91.000] And what better place to study that than Vienna, the capital of classical music?
|
| 22 |
+
[97.000 --> 101.000] Vienna started off as an imperial city under the rule of the Holy Roman Empire.
|
| 23 |
+
[101.000 --> 105.000] However, during World War I, it became the capital of Austria,
|
| 24 |
+
[105.000 --> 109.000] as one of the least spoiled of the great old western European capitals.
|
| 25 |
+
[109.000 --> 111.000] Much of its culture has been preserved.
|
| 26 |
+
[111.000 --> 115.000] The Hofburg Palace still remains in its dignified nature,
|
| 27 |
+
[115.000 --> 119.000] and St. Stephen's Cathedral stands tall in its Gothic rancher.
|
| 28 |
+
[119.000 --> 124.000] Most importantly, however, is how Vienna was the home of many famed composers and musicians,
|
| 29 |
+
[124.000 --> 130.000] such as Mozart, Strauss, Moller, Beethoven, Browns, Corn Gold, Schubert, and many more.
|
| 30 |
+
[131.000 --> 136.000] Their influence on the culture of Vienna and nearby European cities was evident throughout my trip.
|
| 31 |
+
[136.000 --> 140.000] From the rich musical heritage that flooded the atmosphere at every turn in Vienna,
|
| 32 |
+
[140.000 --> 144.000] to the enormous musical festivals and filming site of the Sound of Music in Salzburg,
|
| 33 |
+
[144.000 --> 148.000] there was an abundance of evidence to answer my question.
|
| 34 |
+
[148.000 --> 152.000] To start my investigation off, I visited the House of Music in Vienna,
|
| 35 |
+
[152.000 --> 157.000] where I was able to see a live concert performed by students of the cadenza string orchestra.
|
| 36 |
+
[157.000 --> 162.000] The performers had orchestral mediums, through which they could get away from the hustle of everyday life,
|
| 37 |
+
[162.000 --> 166.000] and communicate their interpretations of the music through playing instruments.
|
| 38 |
+
[166.000 --> 171.000] It was amazing to see how connected they were to the music, and their orchestra well-planned.
|
| 39 |
+
[171.000 --> 176.000] It was amazing to see how I explored similar results in many other places as well.
|
| 40 |
+
[176.000 --> 179.000] The next day, we participated in Vienna's Waltz lessons.
|
| 41 |
+
[179.000 --> 184.000] It was apparent how the instructors were able to feel free and dance with their own style,
|
| 42 |
+
[184.000 --> 187.000] emphasizing a personalized communication of expression.
|
| 43 |
+
[187.000 --> 190.000] I understood a lot more about their passion for dancing,
|
| 44 |
+
[190.000 --> 194.000] by looking at their actions, rather than if they had just told me.
|
| 45 |
+
[194.000 --> 197.000] In addition to that, we also engage in a music therapy class,
|
| 46 |
+
[197.000 --> 201.000] where the instructor discussed the importance of various styles of music,
|
| 47 |
+
[201.000 --> 203.000] when coming to terms with oneself and others.
|
| 48 |
+
[203.000 --> 206.000] We learned about how music provides us with special comfort,
|
| 49 |
+
[206.000 --> 209.000] and a medium through which original and sincere communications,
|
| 50 |
+
[209.000 --> 212.000] with oneself and others can be applied.
|
| 51 |
+
[212.000 --> 215.000] Being these people truly do love their music,
|
| 52 |
+
[215.000 --> 219.000] and know the power that it has over conventional forms of communication.
|
| 53 |
+
[219.000 --> 224.000] People from other countries, such as the US, should try engaging in this perspective as well.
|
| 54 |
+
[224.000 --> 229.000] At this point, I finally understood how important and effective nonverbal communication,
|
| 55 |
+
[229.000 --> 232.000] specifically through music, was to be in these people,
|
| 56 |
+
[232.000 --> 234.000] as well as why it was so attracted to them.
|
| 57 |
+
[234.000 --> 238.000] It allowed them to express themselves, and connect with themselves and others,
|
| 58 |
+
[238.000 --> 241.000] in a way that accurately and honestly revealed what they were feeling.
|
| 59 |
+
[241.000 --> 245.000] That's something you don't get with typical verbal communication.
|
| 60 |
+
[245.000 --> 250.000] Although my eyes have truly been opened by the power and prevalence of musical nonverbal expression,
|
| 61 |
+
[250.000 --> 257.000] in Vienna's history and people, I also understand the power of nonverbal communication with music in my life.
|
| 62 |
+
[257.000 --> 263.000] I play the violin, and to me, it's not just about playing notes that come together to form a musical piece,
|
| 63 |
+
[263.000 --> 268.000] but it's about the way I can express myself, as well as communicate the composer's intentions.
|
| 64 |
+
[268.000 --> 271.000] Playing good music requires a high level of musicality,
|
| 65 |
+
[271.000 --> 276.000] and that entails forming a connection with the music and yourself to develop a unique melody.
|
| 66 |
+
[276.000 --> 281.000] I can truly communicate my emotions and musicality through playing the violin,
|
| 67 |
+
[281.000 --> 284.000] and this is even more amplified in certain situations.
|
| 68 |
+
[284.000 --> 289.000] For instance, I play the violin in my church's choir, and whenever I'm playing a hymn,
|
| 69 |
+
[289.000 --> 295.000] I'm hoping to communicate the word of the Lord in a way which is more engaging to the congregation than if it were spoken.
|
| 70 |
+
[295.000 --> 298.000] That is the power of nonverbal communication.
|
| 71 |
+
[298.000 --> 300.000] Don't just take it from me, though.
|
| 72 |
+
[300.000 --> 308.000] In 1968, a UCLA professor by the name of Albert Meravian published a paper called Communication Without Words.
|
| 73 |
+
[308.000 --> 312.000] In his research, he found out that the impact of speech is only 7% verbal,
|
| 74 |
+
[312.000 --> 317.000] implying that what we say doesn't matter nearly as much as how we say it.
|
| 75 |
+
[317.000 --> 320.000] This can be extended to all types of communication.
|
| 76 |
+
[320.000 --> 325.000] In fact, in Vienna and Switzerland, a friend and I completed some tests with locals,
|
| 77 |
+
[325.000 --> 330.000] and came to the conclusion that Europeans were more likely to wave back or change their facial expression
|
| 78 |
+
[330.000 --> 333.000] rather than respond verbally when we wave to them.
|
| 79 |
+
[333.000 --> 337.000] This observation, combined with all the other observations that I made throughout my trip,
|
| 80 |
+
[337.000 --> 339.000] led me to wonder about a few questions.
|
| 81 |
+
[339.000 --> 342.000] What if humans are more inclined to nonverbal communication,
|
| 82 |
+
[342.000 --> 345.000] whether it be day-to-day interactions or teamwork?
|
| 83 |
+
[345.000 --> 350.000] What if the key to more effective communication with others is the use of nonverbal communication
|
| 84 |
+
[350.000 --> 352.000] rather than verbal communication?
|
| 85 |
+
[352.000 --> 357.000] This idea can be applied to many facets of intercultural communication across the world.
|
| 86 |
+
[357.000 --> 361.000] Communication between road leaders, businesses, and other international entities
|
| 87 |
+
[361.000 --> 365.000] in the future could be revolutionized, creating a more cohesive environment,
|
| 88 |
+
[365.000 --> 368.000] and that could be a part of that revolution.
|
| 89 |
+
[368.000 --> 372.000] Now, of course, there are limitations to nonverbal communication,
|
| 90 |
+
[372.000 --> 375.000] specifically the lack of ability to be straightforward.
|
| 91 |
+
[375.000 --> 377.000] But if we don't change the way we communicate,
|
| 92 |
+
[377.000 --> 380.000] the future will be full of unoriginal communication
|
| 93 |
+
[380.000 --> 384.000] that will eventually inhibit our progress as a nation and as a world.
|
| 94 |
+
[384.000 --> 388.000] I'm sure many of you can relate to the struggles of conventional communication,
|
| 95 |
+
[388.000 --> 391.000] so I challenge you to try communicating nonverbal with others,
|
| 96 |
+
[391.000 --> 393.000] and see the results.
|
| 97 |
+
[393.000 --> 395.000] Don't just replace conversations with action,
|
| 98 |
+
[395.000 --> 398.000] but also try other forms of communication,
|
| 99 |
+
[398.000 --> 401.000] such as playing an instrument, using different gestures,
|
| 100 |
+
[401.000 --> 404.000] or exploring the power of silence.
|
| 101 |
+
[404.000 --> 407.000] I truly wish you the best on your adventures in communication,
|
| 102 |
+
[407.000 --> 410.000] and look forward to the future of communication to come.
|
transcript/travel_qCo3wSGYRbQ.txt
ADDED
|
@@ -0,0 +1,23 @@
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|
| 1 |
+
[0.000 --> 18.140] It's well known that some gestures mean different things in different parts of the world.
|
| 2 |
+
[18.140 --> 22.160] In some places such as Britain, this means everything's okay.
|
| 3 |
+
[22.160 --> 26.440] While in Brazil and other places, it's considered obscene.
|
| 4 |
+
[26.440 --> 31.560] And in still other places, such as Japan, it means money.
|
| 5 |
+
[31.560 --> 35.200] In Italy, they might make this sign to emphasize a point.
|
| 6 |
+
[35.200 --> 39.480] While in Jordan, it can mean wait a second.
|
| 7 |
+
[39.480 --> 42.000] Certain things often have gestures for them.
|
| 8 |
+
[42.000 --> 47.240] For instance, in most places where drinking alcohol is popular, there's a sign for drinking
|
| 9 |
+
[47.240 --> 49.040] or getting drunk.
|
| 10 |
+
[49.040 --> 52.200] In the US, it's this.
|
| 11 |
+
[52.200 --> 59.520] While in France, they grab and twist their nose and in Russia, they flick their throats.
|
| 12 |
+
[59.520 --> 63.040] On the other hand, some places have more or less unique gestures.
|
| 13 |
+
[63.040 --> 68.320] In Russia, to say you're making things too complicated, you scratch your ear by going
|
| 14 |
+
[68.320 --> 71.920] around the back of your head.
|
| 15 |
+
[71.920 --> 77.600] Among the most common and probably oldest gestures are nodding for yes and shaking the head
|
| 16 |
+
[77.600 --> 79.360] for no.
|
| 17 |
+
[79.360 --> 81.640] And even this is universal.
|
| 18 |
+
[81.640 --> 87.360] Bulgarians are famous for shaking their head to mean yes and nodding with a click of the
|
| 19 |
+
[87.360 --> 90.040] tongue to mean no.
|
| 20 |
+
[90.040 --> 95.420] And in South Asia, they have a third option which involves tilting the head from side to
|
| 21 |
+
[95.420 --> 96.420] side.
|
| 22 |
+
[96.420 --> 100.840] It's used to acknowledge the person speaking to you, although in some contexts, it can
|
| 23 |
+
[100.840 --> 104.720] also mean approval or even uncertainty.
|
transcript/travel_r0dD24TX3Yc.txt
ADDED
|
@@ -0,0 +1,94 @@
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|
| 1 |
+
[0.000 --> 3.040] Filming by yourself is kind of a necessary evil.
|
| 2 |
+
[3.040 --> 7.440] It is definitely not going to make you feel like the coolest kid in town.
|
| 3 |
+
[8.560 --> 9.760] Hey, how's it going?
|
| 4 |
+
[11.280 --> 14.880] I'm good. I was just calling to see if you wanted to shoot a little bit today.
|
| 5 |
+
[16.320 --> 17.120] Oh really?
|
| 6 |
+
[18.640 --> 20.960] I didn't even know there was a world series for kickball.
|
| 7 |
+
[22.560 --> 25.360] No, it only smelled a little bit. It's barely a dusty.
|
| 8 |
+
[26.640 --> 29.280] Okay, but who do you love more? Me or your grandma?
|
| 9 |
+
[30.000 --> 31.600] You're testing an icon?
|
| 10 |
+
[34.080 --> 36.480] Actually, this nose looking pretty bad. I probably shouldn't go.
|
| 11 |
+
[48.400 --> 53.600] It can honestly even feel a little embarrassing sometimes, but filming videos alone is a fast
|
| 12 |
+
[53.600 --> 58.000] track to developing up vast array of skills within filmmaking.
|
| 13 |
+
[58.000 --> 62.160] Especially if you want to make videos for YouTube, but even if you eventually want to make
|
| 14 |
+
[62.160 --> 67.200] bigger projects with a full crew, there's still a lot to be gained by filming yourself.
|
| 15 |
+
[68.640 --> 73.440] I made a video about this a few years ago, but I've learned a lot since then and hopefully
|
| 16 |
+
[73.440 --> 78.400] I've improved a lot since then, so I figured I'd share a few more tips for filming and creating
|
| 17 |
+
[78.400 --> 85.200] videos alone. Hands down, the most important tool that you have when you're filming by yourself
|
| 18 |
+
[85.280 --> 91.200] is composition. I mean, you're kind of forced to focus on composition because it's not like you
|
| 19 |
+
[91.200 --> 97.040] have that many opportunities to incorporate crazy camera movements. 90% of the time, it's just
|
| 20 |
+
[97.040 --> 101.920] going to be your camera on a tripod, but composition is such a powerful tool on its own
|
| 21 |
+
[102.480 --> 108.080] that you can use it to tell a story and evoke an emotion from the viewer. Now, obviously,
|
| 22 |
+
[108.080 --> 112.880] there are plenty of shots that don't need to be over-complicated. Sometimes you just need a shot
|
| 23 |
+
[112.880 --> 118.400] of snow to show the viewer that it's snowing, but for some situations, you should really consider
|
| 24 |
+
[118.400 --> 122.480] how you can use composition to aid in creating a feeling.
|
| 25 |
+
[132.000 --> 137.120] It can be as simple as placing the camera really far away to highlight the vast surroundings,
|
| 26 |
+
[137.120 --> 142.160] or you can use it to draw the viewer's attention to a specific object or detail in the frame,
|
| 27 |
+
[142.240 --> 148.000] or maybe you tilt the camera to the side to give more of a surreal or unsettling feeling.
|
| 28 |
+
[148.000 --> 153.360] It's pretty difficult to lay down any concrete rules or suggestions for how to make a good
|
| 29 |
+
[153.360 --> 159.200] composition because ultimately it's up to your interpretation. You're the one that's creating a
|
| 30 |
+
[159.200 --> 164.480] story and creating these feelings that you want the viewer to feel. And I think the best way to do
|
| 31 |
+
[164.480 --> 170.960] that is to just get plenty of practice, study the work of other people, and take note of the frames
|
| 32 |
+
[170.960 --> 175.200] and scenes that really stand out to you, and then eventually just develop an eye for it.
|
| 33 |
+
[175.200 --> 178.800] Okay, let's move on from composition and talk about the next tip.
|
| 34 |
+
[183.760 --> 186.720] Sometimes the story that you're trying to tell will just have a very
|
| 35 |
+
[187.520 --> 193.120] literal and obvious set of shots that go with it. Like the intro to this video was just me calling
|
| 36 |
+
[193.120 --> 198.400] friends no one being able to hang out, which supports the idea that I have to film by myself.
|
| 37 |
+
[198.400 --> 202.960] But sometimes the story of your video might be something more intangible, something that you
|
| 38 |
+
[202.960 --> 209.360] can't directly film. In that case, you can implement a B story that supports your A story.
|
| 39 |
+
[209.360 --> 215.840] So for example, I did a video a while back about chasing your dreams and achieving goals and how
|
| 40 |
+
[215.840 --> 221.200] at each new goal that you achieve, you realize the next goal and become a little discontent.
|
| 41 |
+
[221.200 --> 226.640] And the way I illustrated this was with a B story where first I stepped onto a milk crate and saw
|
| 42 |
+
[226.720 --> 231.280] that the van was taller than that. So then I climbed onto the van and saw that there was a cliff taller
|
| 43 |
+
[231.280 --> 237.120] than that. So that was kind of this B story that I used to support the idea of chasing dreams and
|
| 44 |
+
[237.120 --> 242.480] chasing goals. But the B story doesn't even have to relate at all to the A story. I made plenty of
|
| 45 |
+
[242.480 --> 247.920] videos where I'm just driving somewhere in my van, and that's the B story while I'm telling an A
|
| 46 |
+
[247.920 --> 253.840] story that's about a completely different theme or concept. So it's not like the B story necessarily
|
| 47 |
+
[253.840 --> 259.920] has to be related at all, but it can just be a helpful vehicle that keeps the video interesting
|
| 48 |
+
[259.920 --> 264.400] to watch and kind of provides a break while you're discussing a larger concept.
|
| 49 |
+
[266.640 --> 271.360] When you're filming and creating a video by yourself, most likely that means you're the only
|
| 50 |
+
[271.360 --> 276.560] character in that video. And it's going to rely heavily upon that character's emotions and
|
| 51 |
+
[276.560 --> 282.160] inner world. And one of the most powerful tools that you have for drawing the viewer into that
|
| 52 |
+
[282.160 --> 288.480] emotion is music. So naturally, music bed was the perfect sponsor for this video. It's been
|
| 53 |
+
[288.480 --> 294.240] a favorite tool of mine for years now. They have a curated roster of over a thousand authentic
|
| 54 |
+
[294.240 --> 300.400] and relevant artists. Some of my all-time favorites are on there like Ford and San Hollow. They have
|
| 55 |
+
[300.400 --> 305.680] incredibly useful browse and search tools. Like of course you can search by genre and mood,
|
| 56 |
+
[305.680 --> 311.360] but you can dig even deeper than that and search by a specific instrument or the BPM of a song.
|
| 57 |
+
[311.440 --> 315.760] But even with all of that, if you still get stuck finding a song that fits for you,
|
| 58 |
+
[315.760 --> 320.800] they have a team ready to help with complimentary song searches. I really enjoy using the playlists,
|
| 59 |
+
[320.800 --> 326.320] which they have a bunch curated from different filmmakers and creatives. So pair that with the
|
| 60 |
+
[326.320 --> 330.880] mobile app. It's really easy for me to always be listening to different playlists in search of
|
| 61 |
+
[330.880 --> 335.280] the right song for my next project. If you're interested, I've even got my own playlist on there,
|
| 62 |
+
[335.280 --> 341.040] which I just updated recently with some favorites and some songs that I've used in recent videos.
|
| 63 |
+
[341.040 --> 345.840] Take your projects and films to the next level with music bit. You can sign up for a free account,
|
| 64 |
+
[345.840 --> 352.000] and if you use the code JakeFrew22, you'll get one month free with the purchase of an annual subscription.
|
| 65 |
+
[352.000 --> 358.880] Okay, onto the next tip. I made a video in the past about how limitations can actually really
|
| 66 |
+
[358.880 --> 364.240] open up your creativity. And I've found that that's kind of an inherent advantage of filming by
|
| 67 |
+
[364.240 --> 370.800] yourself. Eventually you start to get bored of the same locked-off tripod shot. So it's kind of
|
| 68 |
+
[370.800 --> 375.600] forcing you to start thinking outside of the box. So that's why the next tip is to find unconventional
|
| 69 |
+
[375.600 --> 381.520] mounting options for your camera. One of my favorite shots I've gotten this year is this shot
|
| 70 |
+
[381.520 --> 388.320] where the camera is mounted outside the windshield of my van driving past. Now to be fair,
|
| 71 |
+
[388.320 --> 393.920] I got a ton of help from Jesse Driftwood with this shot, but it's still fully a shot that you could
|
| 72 |
+
[394.560 --> 401.440] buy yourself. Once the camera is mounted and the focus is set, I was able to just drive around
|
| 73 |
+
[401.440 --> 407.040] and film myself in my van. But even more basic than that, another one of my favorite recent shots.
|
| 74 |
+
[407.040 --> 412.240] I just set my camera down on a down tree. I kind of wedged it up against a branch,
|
| 75 |
+
[412.240 --> 417.760] and then I stepped on the tree as I was walking past. And it's so simple, but I love it so much
|
| 76 |
+
[417.760 --> 423.440] because the camera shakes just a little bit as I step on the tree, which to me kind of gives me the
|
| 77 |
+
[423.440 --> 429.920] sense that I am watching from the tree's perspective. It's like I'm an inanimate object in the frame
|
| 78 |
+
[429.920 --> 434.560] watching the scene happen. So to me, it feels really immersive. And speaking of that,
|
| 79 |
+
[434.560 --> 441.920] um, that reminds me of a bonus tip, I guess, which I fully just ripped off from Shae for Nickel.
|
| 80 |
+
[441.920 --> 447.920] But that's to use a Dutch angle with focus set to something in the foreground. So I use that at
|
| 81 |
+
[447.920 --> 452.880] the beginning of this video where I had that snow shovel in the foreground as I was leaving my house.
|
| 82 |
+
[453.440 --> 458.080] It's just another really interesting frame and interesting composition, which to me,
|
| 83 |
+
[458.080 --> 463.920] it makes me feel like, like I said, like an inanimate object in the frame watching the scene.
|
| 84 |
+
[463.920 --> 469.040] But it's fully up to your interpretation. That's what's so fun about it is you can take that
|
| 85 |
+
[469.040 --> 475.120] tool, that method, and find ways to have it support the story and the emotion that you're trying to
|
| 86 |
+
[475.120 --> 482.960] convey. This is going to sound so corny, but the final tip is just to be patient and have fun with
|
| 87 |
+
[482.960 --> 490.000] it. I sound like an elementary school teacher saying that, but it's so true. Like,
|
| 88 |
+
[490.000 --> 495.040] feeling by yourself can be very frustrating. You're going to miss focus. You're going to be
|
| 89 |
+
[495.040 --> 501.120] standing in the wrong part of your frame. It's really time consuming. It's not efficient by any means,
|
| 90 |
+
[501.120 --> 508.400] but you just learn so much by doing every single aspect of making a video by yourself. So be patient
|
| 91 |
+
[508.480 --> 514.960] with it. Don't forget the trial and error is the only way to improve. And then maybe eventually make
|
| 92 |
+
[514.960 --> 520.800] some friends and try to work with some other people. But yeah, I really hope this was helpful.
|
| 93 |
+
[520.800 --> 526.400] And please let me know if you have any additional wisdom or tips from filming by yourself.
|
| 94 |
+
[526.400 --> 529.920] I'd really appreciate any input and see you soon.
|
transcript/travel_r0tWomRZMuA.txt
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|
| 1 |
+
[0.000 --> 6.920] Hey everyone and welcome to TopThink.
|
| 2 |
+
[6.920 --> 12.880] Today we're going to learn about 8 ways to read someone's body language.
|
| 3 |
+
[12.880 --> 14.880] Now let's begin.
|
| 4 |
+
[14.880 --> 15.880] Number 1.
|
| 5 |
+
[15.880 --> 20.800] Manipulating Clothing Clothing sends a powerful message.
|
| 6 |
+
[20.800 --> 25.320] Not because of the clothes you wear, but because of the way you use them.
|
| 7 |
+
[25.320 --> 30.280] This people express their body language by interacting with their clothing.
|
| 8 |
+
[30.280 --> 34.200] You might notice someone fiddling with their scarf or messing with the buttons on their
|
| 9 |
+
[34.200 --> 35.360] jacket.
|
| 10 |
+
[35.360 --> 38.520] Both of these cues are types of grooming.
|
| 11 |
+
[38.520 --> 43.040] Gruming is when you make small adjustments to your physical appearance.
|
| 12 |
+
[43.040 --> 46.280] Usually when you're feeling nervous, restless or embarrassed.
|
| 13 |
+
[46.280 --> 50.800] So if you catch someone fidgeting with their clothes, well you know exactly how they're
|
| 14 |
+
[50.800 --> 51.800] feeling.
|
| 15 |
+
[51.880 --> 55.920] But grooming isn't the only way people manipulate their clothing.
|
| 16 |
+
[55.920 --> 58.200] Many people use them as barriers.
|
| 17 |
+
[58.200 --> 63.520] Yeah, they'll put their hands in their pockets or add on more items of clothing like a jacket
|
| 18 |
+
[63.520 --> 64.680] or a hat.
|
| 19 |
+
[64.680 --> 68.040] These body language cues mean that they're putting up walls.
|
| 20 |
+
[68.040 --> 73.360] They're using their clothing to shield their body and feel a sense of safety.
|
| 21 |
+
[73.360 --> 77.480] If you notice these walls going up, then that means they're feeling uncomfortable.
|
| 22 |
+
[77.480 --> 81.080] So give them a little more room to breathe.
|
| 23 |
+
[81.080 --> 84.720] Number two, supporting their body.
|
| 24 |
+
[84.720 --> 86.400] Take a look around any room.
|
| 25 |
+
[86.400 --> 90.680] Pay attention to people's posture and the way they support their bodies.
|
| 26 |
+
[90.680 --> 95.040] You'll often find people slumped against a wall or a piece of furniture.
|
| 27 |
+
[95.040 --> 100.960] But few people even realize how much leaning tells you about someone's emotional state.
|
| 28 |
+
[100.960 --> 107.000] When you let your body slouch, your muscles relax, your spine slumps forward, your blood
|
| 29 |
+
[107.000 --> 109.760] even circulates a little bit slower.
|
| 30 |
+
[109.760 --> 113.360] In other words, you're letting yourself relax for a reason.
|
| 31 |
+
[113.360 --> 115.840] And that reason is usually one of two things.
|
| 32 |
+
[115.840 --> 119.960] Either you're really bored or you're really interested.
|
| 33 |
+
[119.960 --> 122.080] So how can you tell the difference?
|
| 34 |
+
[122.080 --> 123.960] It's all about direction.
|
| 35 |
+
[123.960 --> 127.920] If they're leaning forward on their elbow, supporting their head as you talk, well,
|
| 36 |
+
[127.920 --> 130.920] it's safe to say that you've got their attention.
|
| 37 |
+
[130.920 --> 136.120] But if they're falling back into the wall, arms crossed over their chest, they're probably
|
| 38 |
+
[136.120 --> 138.560] just bored.
|
| 39 |
+
[138.560 --> 141.920] Number three, proximity matters.
|
| 40 |
+
[141.920 --> 146.760] Have you ever noticed how uncomfortable you feel when someone gets too close?
|
| 41 |
+
[146.760 --> 151.560] Even if they're not actually touching you, it's all you can think about because space
|
| 42 |
+
[151.560 --> 154.880] is much more powerful than you realize.
|
| 43 |
+
[154.880 --> 160.880] Edward T. Hall, a cultural anthropologist, was the first to recognize how important personal
|
| 44 |
+
[160.880 --> 162.760] space can be.
|
| 45 |
+
[162.760 --> 168.520] In his book, The Hidden Dimension, Hall explains that space carries many social and
|
| 46 |
+
[168.520 --> 170.200] cultural meanings.
|
| 47 |
+
[170.200 --> 172.160] It demonstrates closeness.
|
| 48 |
+
[172.160 --> 177.200] It demonstrates trust and different levels of physical intimacy.
|
| 49 |
+
[177.200 --> 180.680] Space even helps us organize our relationships.
|
| 50 |
+
[180.680 --> 185.080] Depending on how close someone is standing, they fall into different categories.
|
| 51 |
+
[185.080 --> 188.600] They might be a partner, a friend, or a complete stranger.
|
| 52 |
+
[188.600 --> 194.120] Either way, those categories help you make sense of your relationships, set boundaries,
|
| 53 |
+
[194.120 --> 197.000] and be vulnerable with the right people.
|
| 54 |
+
[197.000 --> 202.840] That's why space or proximity, as Edward Hall calls it, is such a powerful form of body
|
| 55 |
+
[202.840 --> 203.960] language.
|
| 56 |
+
[203.960 --> 209.080] It gets left off most people's lists because there aren't any gestures or expressions
|
| 57 |
+
[209.080 --> 210.080] involved.
|
| 58 |
+
[210.080 --> 215.600] But if you think about it, proximity actually involves the entire body.
|
| 59 |
+
[215.600 --> 221.000] You have to station yourself somewhere in space, so you drift toward areas of comfort
|
| 60 |
+
[221.000 --> 222.880] like a familiar face.
|
| 61 |
+
[222.880 --> 228.200] By paying attention to proximity, you can uncover all kinds of emotions without saying
|
| 62 |
+
[228.200 --> 229.720] a word.
|
| 63 |
+
[229.720 --> 232.720] So how does proximity actually work?
|
| 64 |
+
[232.720 --> 235.840] Well Edward Hall breaks it down like this.
|
| 65 |
+
[235.840 --> 243.760] He separates space into four zones, public space, social space, personal space, and intimate
|
| 66 |
+
[243.760 --> 245.440] space.
|
| 67 |
+
[245.440 --> 250.400] So let's imagine you're standing in a busy room, like in an airport or a department store.
|
| 68 |
+
[250.400 --> 255.200] Now draw a circle around yourself, leaving you at the very center.
|
| 69 |
+
[255.200 --> 259.360] For now, let's give that circle a 25-foot radius.
|
| 70 |
+
[259.360 --> 261.240] That's a pretty big circle, right?
|
| 71 |
+
[261.240 --> 263.600] Well this is your public zone.
|
| 72 |
+
[263.600 --> 268.960] It's a free space where anyone can travel, without making you feel threatened or uncomfortable.
|
| 73 |
+
[268.960 --> 274.000] In general, when you don't know someone, you keep around 12 to 25 feet of distance between
|
| 74 |
+
[274.000 --> 275.000] you.
|
| 75 |
+
[275.000 --> 279.760] Now below 12 feet is the social zone, a place for familiar faces.
|
| 76 |
+
[279.760 --> 283.840] This is where you'll find acquaintances, classmates, and co-workers.
|
| 77 |
+
[283.840 --> 287.440] People you know to some degree without being actual friends.
|
| 78 |
+
[287.440 --> 291.640] The next step down at four feet is your personal space.
|
| 79 |
+
[291.640 --> 294.240] This is where most people draw the line.
|
| 80 |
+
[294.240 --> 297.520] Social and public spaces tend to get a bit mixed up.
|
| 81 |
+
[297.520 --> 302.960] At the grocery store, for example, strangers will enter your social circle all the time,
|
| 82 |
+
[302.960 --> 305.120] and there's nothing you can really do about it.
|
| 83 |
+
[305.120 --> 310.080] And if they invade your personal space, things start to feel weird.
|
| 84 |
+
[310.080 --> 313.880] Your personal space is reserved for your real friends.
|
| 85 |
+
[313.880 --> 316.000] People you already know and trust.
|
| 86 |
+
[316.000 --> 319.560] But there's still one more intimate space.
|
| 87 |
+
[319.560 --> 325.680] The only people allowed in this one-foot circle are partners, family, and close friends.
|
| 88 |
+
[325.680 --> 330.000] Because in a one-foot circle, you're usually making physical contact.
|
| 89 |
+
[330.000 --> 335.480] You've closed the space completely, which carries a whole lot of subconscious weight.
|
| 90 |
+
[335.480 --> 340.120] So if you want to read someone's body language, pay attention to the space they keep.
|
| 91 |
+
[340.120 --> 341.280] Where do they stand?
|
| 92 |
+
[341.280 --> 343.200] How do they introduce themselves?
|
| 93 |
+
[343.200 --> 345.720] When you talk, do they keep their distance?
|
| 94 |
+
[345.720 --> 349.280] Or do they get in close and make physical contact?
|
| 95 |
+
[349.280 --> 353.960] All these signals tell you what someone is feeling, what kind of person they are, and
|
| 96 |
+
[353.960 --> 356.840] what they think about you.
|
| 97 |
+
[356.840 --> 358.400] Number 4.
|
| 98 |
+
[358.400 --> 360.160] Gesture Clusters
|
| 99 |
+
[360.160 --> 364.160] When reading body language, you might search for one signal at a time.
|
| 100 |
+
[364.160 --> 368.040] You watch their feet, and then their mouth, and then their eyes.
|
| 101 |
+
[368.040 --> 371.600] And most of the time, you really don't discover much.
|
| 102 |
+
[371.600 --> 375.000] That's because body language comes in clusters.
|
| 103 |
+
[375.000 --> 380.840] People send out rapid fire cues over a short period of time, and then they stop for a while.
|
| 104 |
+
[380.840 --> 381.840] They'll get distant.
|
| 105 |
+
[381.840 --> 385.600] They'll hold the same pose, or they'll keep their hands in their pockets.
|
| 106 |
+
[385.600 --> 389.840] People suddenly, they're sending out another jam-packed cluster of cues.
|
| 107 |
+
[389.840 --> 394.960] So if you want to get an accurate read on someone, then you need to look out for these clusters,
|
| 108 |
+
[394.960 --> 401.160] because each one gives you an important window into their mood and their personality.
|
| 109 |
+
[401.160 --> 402.840] Number 5.
|
| 110 |
+
[402.840 --> 404.960] Open Palms
|
| 111 |
+
[404.960 --> 407.960] Everyone knows how expressive your hands can be, right?
|
| 112 |
+
[407.960 --> 413.160] When it comes to non-verbal cues, your hands are far and away the loudest part of your
|
| 113 |
+
[413.160 --> 414.160] body.
|
| 114 |
+
[414.160 --> 420.000] They can show any kind of emotion, positive or negative, exaggerated or subtle.
|
| 115 |
+
[420.000 --> 424.600] You throw them in the air after a big win, or you wave them around when you're excited.
|
| 116 |
+
[424.600 --> 427.880] But your palms have a special meaning.
|
| 117 |
+
[427.880 --> 434.080] Humans and many other animals use this part of their hand as sign of non-threatening behavior.
|
| 118 |
+
[434.080 --> 439.360] In other words, if someone wanted to fight, you might back up, open your arms, and show
|
| 119 |
+
[439.360 --> 441.000] your palms.
|
| 120 |
+
[441.000 --> 445.640] That kind of body language instantly tells the other person that you don't want to play
|
| 121 |
+
[445.640 --> 446.960] ball.
|
| 122 |
+
[446.960 --> 452.040] Since open palms display vulnerability, we use them to judge people's characters.
|
| 123 |
+
[452.040 --> 454.760] Or find out whether someone is telling the truth.
|
| 124 |
+
[454.760 --> 459.400] If someone widens their body and opens their hands, it shows you that they've got nothing
|
| 125 |
+
[459.400 --> 460.720] to hide.
|
| 126 |
+
[460.720 --> 465.120] Because they're willing to be open, you're much more likely to take their word.
|
| 127 |
+
[465.120 --> 469.360] So if someone opens their palms while they're talking, that usually means they're being
|
| 128 |
+
[469.360 --> 473.600] honest, or at least they want you to think they are.
|
| 129 |
+
[473.600 --> 474.720] Number 6.
|
| 130 |
+
[474.720 --> 479.120] The Closed Point Every parent has told their kids, it's not
|
| 131 |
+
[479.120 --> 482.920] nice to point, but what's wrong with pointing?
|
| 132 |
+
[482.920 --> 488.400] It's actually a primitive form of body language, and humans aren't the only ones who do it.
|
| 133 |
+
[488.400 --> 494.800] If you go to the zoo, you'll see apes pointing at people, food, and other animals all the time.
|
| 134 |
+
[494.800 --> 497.600] But what does pointing actually mean?
|
| 135 |
+
[497.600 --> 502.920] By closing your fist and extending your index finger, you're establishing dominance, you're
|
| 136 |
+
[502.920 --> 504.880] singling someone out.
|
| 137 |
+
[504.880 --> 509.800] In social settings, that point removes them from the group, and it makes them feel left
|
| 138 |
+
[509.800 --> 510.800] out.
|
| 139 |
+
[510.800 --> 513.840] Your finger is commanding other people to look.
|
| 140 |
+
[513.840 --> 518.200] It's throwing someone under the spotlight, whether they like it or not.
|
| 141 |
+
[518.200 --> 522.880] So the next time you catch someone pointing, you'll know exactly what they're trying to
|
| 142 |
+
[522.880 --> 524.760] do.
|
| 143 |
+
[524.760 --> 526.480] Number 7.
|
| 144 |
+
[526.480 --> 530.760] Extended Eye Contact Eye contact is one of the first cues
|
| 145 |
+
[530.760 --> 532.600] we look for in a person.
|
| 146 |
+
[532.600 --> 536.800] If someone doesn't meet your eyes, well there's a good chance something's wrong.
|
| 147 |
+
[536.800 --> 540.320] They might be feeling embarrassed, anxious, or insecure.
|
| 148 |
+
[540.320 --> 545.400] They might feel intimidated by you, so they're having trouble making eye contact.
|
| 149 |
+
[545.400 --> 550.800] But not all eye contact is good, especially when it goes on for too long.
|
| 150 |
+
[550.800 --> 555.680] When you first meet someone, you want to make about 5 seconds of eye contact.
|
| 151 |
+
[555.680 --> 557.000] You get a good look at them.
|
| 152 |
+
[557.000 --> 561.360] You smile, you introduce yourself, and then you glance at something else.
|
| 153 |
+
[561.360 --> 566.600] You should keep this process going throughout the conversation, because too much eye contact
|
| 154 |
+
[566.600 --> 569.800] is going to make people uncomfortable.
|
| 155 |
+
[569.800 --> 575.880] That's because extended eye contact usually means someone is lying, or trying to get inside
|
| 156 |
+
[575.880 --> 577.120] your head.
|
| 157 |
+
[577.120 --> 579.840] So don't let that physical connection fool you.
|
| 158 |
+
[579.840 --> 584.480] The right amount of eye contact is the sign of trust and confidence.
|
| 159 |
+
[584.480 --> 589.600] But too much means that person may have a hidden agenda.
|
| 160 |
+
[589.600 --> 590.840] Number 8.
|
| 161 |
+
[590.840 --> 592.600] Touching Their Face
|
| 162 |
+
[592.600 --> 596.800] When you're feeling stressed or anxious, your face is a dead giveaway.
|
| 163 |
+
[596.800 --> 598.320] It turns red.
|
| 164 |
+
[598.320 --> 602.200] It gets itchy, and sometimes it even starts to hurt.
|
| 165 |
+
[602.200 --> 606.960] Obviously that's not something you want, so you try to make the pain go away by
|
| 166 |
+
[606.960 --> 608.840] soothing your nerves.
|
| 167 |
+
[608.840 --> 611.760] Now for most people, that means touching their face.
|
| 168 |
+
[611.760 --> 612.760] A lot.
|
| 169 |
+
[612.760 --> 618.480] They'll reach up to scratch their nose, brush their forehead, or just rub their cheek.
|
| 170 |
+
[618.480 --> 621.400] Every one of these gestures means one thing.
|
| 171 |
+
[621.400 --> 625.480] They're feeling nervous, and they definitely don't want you to know.
|
| 172 |
+
[625.480 --> 630.520] If you spot these body language cues, the best thing you can do is to pretend not to
|
| 173 |
+
[630.520 --> 631.520] notice.
|
| 174 |
+
[631.520 --> 636.040] Chances are, that person is already feeling embarrassed or self-conscious.
|
| 175 |
+
[636.040 --> 639.680] So try to lighten the mood, make them feel more comfortable.
|
| 176 |
+
[639.680 --> 644.000] If they suddenly stop touching their face, well, it means you did your job.
|
| 177 |
+
[644.000 --> 648.400] Hey, thank you for watching TopThink, and be sure to subscribe because more incredible
|
| 178 |
+
[648.400 --> 650.160] content is on the way.
|
transcript/travel_u_KZTRy4pDM.txt
ADDED
|
@@ -0,0 +1,18 @@
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|
| 1 |
+
[0.000 --> 4.320] to make some fantastic music, please welcome Rodney Brannigan!
|
| 2 |
+
[34.320 --> 39.720] We're speech to be in person, hmm hmm hmm
|
| 3 |
+
[39.720 --> 44.720] The song should be written because it opened up her mouth
|
| 4 |
+
[44.720 --> 52.520] No bad longing to style it all it grows in words sounds
|
| 5 |
+
[52.520 --> 54.720] hmm hmm
|
| 6 |
+
[54.720 --> 60.520] I'd like to tell her that the world is going to come out
|
| 7 |
+
[60.520 --> 68.320] and I come on down and I'm on the road
|
| 8 |
+
[68.320 --> 75.320] If you want to love this girl, turn up you bell my song
|
| 9 |
+
[90.520 --> 110.520] hmm hmm
|
| 10 |
+
[110.520 --> 115.520] Nobody language speaks to me in person
|
| 11 |
+
[115.520 --> 117.520] Mm-hmm
|
| 12 |
+
[117.520 --> 122.520] The song she written before she opened up her mouth
|
| 13 |
+
[122.520 --> 130.520] About longing to style it on it grows in words and words
|
| 14 |
+
[130.520 --> 132.520] Mm-hmm
|
| 15 |
+
[132.520 --> 138.520] I'd like to tell her but the words just don't want to come out
|
| 16 |
+
[139.520 --> 141.520] I come on down
|
| 17 |
+
[142.520 --> 145.520] If not I'm on the road
|
| 18 |
+
[146.520 --> 153.520] If you want to love this girl tight enough you'll be on my song
|
transcript/travel_vxqADBvHL18.txt
ADDED
|
@@ -0,0 +1,25 @@
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|
| 1 |
+
[0.000 --> 8.500] As expressive beings, Italians have no problem telling you, or I should say showing you how they feel using their hands.
|
| 2 |
+
[8.500 --> 14.300] Having grown up with an Italian mother and family and having traveled throughout Italy for one month,
|
| 3 |
+
[14.300 --> 19.800] I have come to realize the importance of understanding Italian hand gestures.
|
| 4 |
+
[19.800 --> 23.400] If you're going to travel through Italy, then this video is definitely for you.
|
| 5 |
+
[23.400 --> 26.300] Or if you have Italian friends, this video is definitely for you.
|
| 6 |
+
[26.400 --> 32.100] I'm here to pass on my knowledge of the understanding of Italian hand gestures,
|
| 7 |
+
[32.100 --> 34.100] with the help from my Nona.
|
| 8 |
+
[56.400 --> 62.100] I'm here to pass on my knowledge of the Italian hand gestures,
|
| 9 |
+
[62.100 --> 64.100] with the help of my Nona.
|
| 10 |
+
[86.400 --> 92.100] I'm here to pass on my knowledge of the Italian hand gestures,
|
| 11 |
+
[92.100 --> 94.100] with the help of my Nona.
|
| 12 |
+
[116.300 --> 122.100] I'm here to pass on my knowledge of the Italian hand gestures,
|
| 13 |
+
[122.100 --> 124.100] with the help of my Nona.
|
| 14 |
+
[147.100 --> 152.100] I'm here to pass on my knowledge of the Italian hand gestures,
|
| 15 |
+
[152.100 --> 154.100] with the help of my Nona.
|
| 16 |
+
[177.300 --> 180.300] Nona, you're on YouTube now!
|
| 17 |
+
[185.300 --> 196.300] Well, if you like this video, give it a nice thumbs up, and don't forget to leave a comment below.
|
| 18 |
+
[196.300 --> 199.300] Let me know what you thought, and if you've not subscribed to my channel yet,
|
| 19 |
+
[199.300 --> 205.300] be sure to do so because it's free, and you don't want to miss out on any upcoming videos.
|
| 20 |
+
[205.300 --> 212.300] I hope that these Italian hand gestures help you during your travels through Italy,
|
| 21 |
+
[212.300 --> 215.300] or just with your Italian friends.
|
| 22 |
+
[215.300 --> 216.300] Yep!
|
| 23 |
+
[216.300 --> 217.300] See you on Sunday!
|
| 24 |
+
[217.300 --> 218.300] Ciao!
|
| 25 |
+
[218.300 --> 219.300] Happy travels!
|
transcript/travel_xG1zuIXC9dc.txt
ADDED
|
@@ -0,0 +1 @@
|
|
|
|
|
|
|
| 1 |
+
[0.000 --> 28.840] НАЕ ДFit ПЛАСИИ64
|
transcript/travel_xyyMgSbr11U.txt
ADDED
|
@@ -0,0 +1,9 @@
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|
| 1 |
+
[0.680 --> 3.460] 1. Skruva oων om man övarcharALL
|
| 2 |
+
[3.560 --> 6.640] 2. Då börjar vi dra åt arakterar Forget it if sin bi το stågar ochGen prone
|
| 3 |
+
[7.200 --> 9.960] 4. För migrants Итакnär man använder mod ment
|
| 4 |
+
[9.960 --> 11.960] Vi på engaged trading
|
| 5 |
+
[12.840 --> 17.840] 6. Vi förstås att edaryndens diskussat
|
| 6 |
+
[17.840 --> 19.020] och en bra likvid Bharbit
|
| 7 |
+
[24.800 --> 27.180] 5. Vad som du förstås i
|
| 8 |
+
[27.180 --> 27.620] 5. Du förståsOplorar
|
| 9 |
+
[28.260 --> 29.740] 4. Du förstås fl notices
|
transcript/unboxing_0ruY7aiZ-Ws.txt
ADDED
|
@@ -0,0 +1,23 @@
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|
| 1 |
+
[0.000 --> 10.000] Good thing it's durable.
|
| 2 |
+
[10.000 --> 15.000] Today, we will be unboxing the new Speech Case.
|
| 3 |
+
[15.000 --> 19.000] It's a really useful tool for people with speech and language disabilities.
|
| 4 |
+
[19.000 --> 25.000] First, you'll see the Getting Started Guide, which has a lot of nice tips to get you going.
|
| 5 |
+
[25.000 --> 29.000] It will help you pair your iPad to the Speech Case.
|
| 6 |
+
[29.000 --> 39.000] To get started, remove the faceplate from the case and snap it on the iPad.
|
| 7 |
+
[42.000 --> 45.000] And then place it in the case.
|
| 8 |
+
[45.000 --> 48.000] Wrap it around the faceplate.
|
| 9 |
+
[48.000 --> 52.000] Now your iPad is a powerful communication device.
|
| 10 |
+
[52.000 --> 57.000] The Speech Case also has great speakers for clear and loud sound.
|
| 11 |
+
[60.000 --> 64.000] And it has the ability to be mounted to a wheelchair.
|
| 12 |
+
[64.000 --> 68.000] It has a convenient kickstand and handle for extra grip.
|
| 13 |
+
[68.000 --> 75.000] It also has reinforced crash corners for drops and has been developed to withstand the toughest conditions.
|
| 14 |
+
[79.000 --> 82.000] And now it's time for the drop test.
|
| 15 |
+
[82.000 --> 87.000] Oh, Tarrick, I'm sorry, we're only dropping it from 1.5 meters.
|
| 16 |
+
[90.000 --> 96.000] Okay, Tarrick, on the count of 3, 1, 2, 3.
|
| 17 |
+
[96.000 --> 99.000] Is it on 3 or after 3, like on 4?
|
| 18 |
+
[99.000 --> 103.000] Just on 3. 1, 2, 3.
|
| 19 |
+
[120.000 --> 124.000] See, I never had a doubt.
|
| 20 |
+
[124.000 --> 128.000] Last but not least, a power charger with adapters.
|
| 21 |
+
[128.000 --> 130.000] And an adjustable shoulder strap.
|
| 22 |
+
[130.000 --> 137.000] And there you have it, the all new, durable Speech Case.
|
| 23 |
+
[137.000 --> 140.000] Where is that coming from?
|
transcript/unboxing_2i-7m5ZVNY4.txt
ADDED
|
@@ -0,0 +1,170 @@
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|
| 1 |
+
[0.000 --> 4.160] Hey there, Mark Bowden here, expert in human behaviour and body language.
|
| 2 |
+
[4.160 --> 8.240] And I'm here with you today to do an unboxing.
|
| 3 |
+
[8.240 --> 14.240] This product book, publication, card set, quite sure what it is,
|
| 4 |
+
[14.240 --> 19.680] came through to me from Martin Brooks, body language decoder,
|
| 5 |
+
[19.680 --> 23.200] the illustrations by Rachel Levitt Ruiz.
|
| 6 |
+
[23.200 --> 25.680] And I thought I would unbox this for you.
|
| 7 |
+
[25.680 --> 28.080] First time I've ever seen this.
|
| 8 |
+
[28.080 --> 30.320] I mean, I took it out the package when it arrived,
|
| 9 |
+
[30.320 --> 33.600] but I haven't actually looked in it to see what's in here.
|
| 10 |
+
[33.600 --> 36.720] So I thought I'd show you what I think of this.
|
| 11 |
+
[38.000 --> 40.560] Yeah, some other stuff on the back there.
|
| 12 |
+
[40.560 --> 41.760] Looks pretty nice.
|
| 13 |
+
[41.760 --> 44.320] Looks like it's going to be some kind of card set here
|
| 14 |
+
[45.200 --> 46.560] with some illustrations.
|
| 15 |
+
[46.560 --> 51.520] It's always generally pretty hard to do body language illustrations on the whole,
|
| 16 |
+
[51.520 --> 54.720] because an illustration is a still moment in time,
|
| 17 |
+
[54.720 --> 57.760] and body language is a moving image.
|
| 18 |
+
[58.400 --> 62.080] It transitions, it collides with other images.
|
| 19 |
+
[62.080 --> 66.720] And so it's always tricky to do the illustrations for these.
|
| 20 |
+
[66.720 --> 70.160] So let's unbox it and see what we have.
|
| 21 |
+
[70.160 --> 73.520] Nice hard kind of box here, straight in here,
|
| 22 |
+
[74.320 --> 78.240] body language decoder, got a little pamphlet.
|
| 23 |
+
[79.360 --> 80.160] There we go.
|
| 24 |
+
[81.120 --> 83.040] Kind of nice illustration so far.
|
| 25 |
+
[83.040 --> 86.720] Kind of simple, easy to look at,
|
| 26 |
+
[87.440 --> 91.040] easy to get a sense of who we're looking at there.
|
| 27 |
+
[91.760 --> 92.880] What do we got then?
|
| 28 |
+
[92.880 --> 95.920] Our welcome body language do for you.
|
| 29 |
+
[97.520 --> 100.320] So I guess let's have a quick flick through.
|
| 30 |
+
[101.440 --> 101.840] Okay.
|
| 31 |
+
[102.640 --> 106.480] Okay, looks like it's got kind of sections here.
|
| 32 |
+
[107.040 --> 109.840] Expressing interest, nervousness,
|
| 33 |
+
[110.560 --> 113.280] power plays, confidence.
|
| 34 |
+
[113.280 --> 115.520] That's always a useful one connection.
|
| 35 |
+
[115.520 --> 116.560] Always a useful one.
|
| 36 |
+
[116.560 --> 123.120] So it looks like some kind of booklet to kind of help you go through some aspects of nonverbal
|
| 37 |
+
[123.680 --> 127.680] communication conviction there as well.
|
| 38 |
+
[127.680 --> 128.320] Yeah. Okay.
|
| 39 |
+
[128.320 --> 130.160] What to look for when you're going on a date.
|
| 40 |
+
[130.160 --> 132.000] You've got a job interview.
|
| 41 |
+
[132.000 --> 133.600] You're deciding who to vote for.
|
| 42 |
+
[133.600 --> 134.480] Interesting.
|
| 43 |
+
[134.480 --> 134.720] Okay.
|
| 44 |
+
[134.720 --> 138.800] So how to read other people's body language in all kinds of situations.
|
| 45 |
+
[138.800 --> 140.880] You're in a meeting, you're out with friends.
|
| 46 |
+
[141.920 --> 142.400] Great.
|
| 47 |
+
[142.400 --> 142.720] Okay.
|
| 48 |
+
[142.720 --> 145.680] So a little booklet and then it looks quite
|
| 49 |
+
[147.200 --> 147.600] quite good.
|
| 50 |
+
[147.600 --> 148.560] It's nicely packaged.
|
| 51 |
+
[149.360 --> 151.280] Outcome the cards.
|
| 52 |
+
[151.280 --> 151.760] Look at these.
|
| 53 |
+
[152.800 --> 155.920] These are rather beautiful.
|
| 54 |
+
[156.560 --> 158.320] Let's just dig in.
|
| 55 |
+
[158.320 --> 159.520] Let's get a card.
|
| 56 |
+
[159.520 --> 159.840] Okay.
|
| 57 |
+
[159.840 --> 160.800] What we got here.
|
| 58 |
+
[160.800 --> 161.120] Wow.
|
| 59 |
+
[161.120 --> 161.520] Okay.
|
| 60 |
+
[161.760 --> 162.640] Okay.
|
| 61 |
+
[162.640 --> 163.920] Great illustration there.
|
| 62 |
+
[163.920 --> 166.240] Looks very 19 kind of 30s,
|
| 63 |
+
[166.960 --> 168.640] modernist sculpture there.
|
| 64 |
+
[168.640 --> 169.760] Postural retreat.
|
| 65 |
+
[169.760 --> 170.240] Okay.
|
| 66 |
+
[170.240 --> 171.840] So it's got, okay.
|
| 67 |
+
[171.840 --> 173.040] I see what this image is doing.
|
| 68 |
+
[173.040 --> 177.280] It's showing somebody sitting forward and then a kind of a ghost image of them
|
| 69 |
+
[177.920 --> 179.040] moving backwards.
|
| 70 |
+
[179.600 --> 181.440] And it says postural retreat.
|
| 71 |
+
[182.080 --> 186.480] You'll often hear people talk about owning a message that they are passionate about
|
| 72 |
+
[186.480 --> 188.560] and are happy to be associated with.
|
| 73 |
+
[188.640 --> 192.080] Postural retreat can occur as a result of the opposite.
|
| 74 |
+
[192.080 --> 194.720] There's a whole bunch of other stuff on there as well.
|
| 75 |
+
[194.720 --> 198.320] But I guess it's suggesting there that when you see a postural retreat,
|
| 76 |
+
[198.880 --> 204.080] somebody isn't happy with owning what may be going on there.
|
| 77 |
+
[206.160 --> 206.480] Yeah.
|
| 78 |
+
[206.480 --> 207.440] I mean, that's true.
|
| 79 |
+
[207.440 --> 209.440] Yeah, it's true when it is true.
|
| 80 |
+
[209.440 --> 215.040] It's true when it isn't sometimes a postural retreat can be literally about backing off
|
| 81 |
+
[215.120 --> 219.600] from somebody else's message as well or some kind of situation.
|
| 82 |
+
[219.600 --> 224.640] Sometimes you get postural retreat just because people can't sit upright anymore and they've
|
| 83 |
+
[224.640 --> 226.240] got to kind of relax.
|
| 84 |
+
[226.240 --> 228.240] Oh, look, here's something close to my,
|
| 85 |
+
[229.040 --> 230.240] my heart here.
|
| 86 |
+
[230.240 --> 232.560] Somebody standing behind a lectern there,
|
| 87 |
+
[232.560 --> 237.200] giving some kind of speech being watched by an audience and it says here,
|
| 88 |
+
[237.200 --> 240.160] truth slips when we're being truthful.
|
| 89 |
+
[240.160 --> 242.560] Our body language usually matches what we're saying.
|
| 90 |
+
[242.560 --> 243.840] Yeah, absolutely.
|
| 91 |
+
[243.840 --> 248.800] We nod our head up and down when we agree and shake it from side to side when we do not.
|
| 92 |
+
[248.800 --> 252.560] When we lie, however, sometimes the truth slips out in our body language.
|
| 93 |
+
[252.560 --> 257.120] The body speaks the mind and then it looks like it's going on to give the kind of the Nixon
|
| 94 |
+
[258.160 --> 258.800] story.
|
| 95 |
+
[260.240 --> 262.880] I'm not a crook and
|
| 96 |
+
[264.880 --> 266.160] shook his head.
|
| 97 |
+
[266.160 --> 269.520] As he insisted, I've earned everything I've got.
|
| 98 |
+
[270.480 --> 272.880] Nixon was later to be proven to be lying.
|
| 99 |
+
[272.880 --> 274.880] So yes, yes, you're right.
|
| 100 |
+
[274.880 --> 278.640] Sometimes people do say something positive,
|
| 101 |
+
[278.640 --> 281.200] but they shake their head at the same time.
|
| 102 |
+
[281.200 --> 286.320] Now, just so you know, that's not always because they're lying.
|
| 103 |
+
[287.520 --> 289.280] There's all kinds of reasons.
|
| 104 |
+
[289.280 --> 296.080] I won't go into why you won't get absolute congruence between a positive,
|
| 105 |
+
[296.720 --> 300.720] somebody saying and a shake or a nod of the head.
|
| 106 |
+
[300.800 --> 306.080] However, look, I mean, let's do one more in just one second, but look, you can never
|
| 107 |
+
[306.080 --> 314.480] explain body language with, you know, a set of cards or even just one book or one class or one
|
| 108 |
+
[314.480 --> 315.680] watching other video.
|
| 109 |
+
[316.000 --> 322.000] It's super complex and there's so much critical thinking that has to go into it.
|
| 110 |
+
[322.480 --> 327.520] But in order to be able to do the critical thinking, you do have to pick up as much information
|
| 111 |
+
[327.520 --> 333.840] as you can in order to even start to approximate where to start thinking about.
|
| 112 |
+
[333.840 --> 339.840] And so both of these, absolutely, are a great places to start thinking about body language.
|
| 113 |
+
[339.840 --> 343.440] Let's have a look at this one.
|
| 114 |
+
[343.440 --> 345.200] That's caught my attention.
|
| 115 |
+
[345.200 --> 347.680] Look to like somebody biting their bottom.
|
| 116 |
+
[348.400 --> 350.880] Lip there, I would say.
|
| 117 |
+
[352.080 --> 354.080] And it says on the back, lip bite.
|
| 118 |
+
[354.080 --> 359.440] When people speak passionately, they may worry that their emotions are getting the better of them
|
| 119 |
+
[359.440 --> 363.680] and feel they need to pause and take a moment to assess how they're coming across.
|
| 120 |
+
[363.680 --> 370.320] One way to do this is curling their lower lip over their bottom teeth and gently biting down.
|
| 121 |
+
[370.320 --> 371.040] Yeah.
|
| 122 |
+
[371.040 --> 377.200] So, you know, often called a suppression or a retraction or a lip bite.
|
| 123 |
+
[377.840 --> 383.920] Yes, it will often suggest that something is being held back, something is being stopped
|
| 124 |
+
[383.920 --> 385.040] from being said.
|
| 125 |
+
[386.160 --> 389.680] For some, though, it can be a pacifying gesture.
|
| 126 |
+
[389.680 --> 395.280] So again, you have to look at baselines to get a sense of what does somebody normally,
|
| 127 |
+
[395.280 --> 396.720] are they lip biting quite a lot?
|
| 128 |
+
[397.520 --> 404.800] Anyway, I mean, sometimes, you know, you get sore lips and that can cause pacifying to happen
|
| 129 |
+
[405.680 --> 407.040] or just maintenance.
|
| 130 |
+
[407.680 --> 411.920] Sometimes people might do it because they're actually trying to maintain their look.
|
| 131 |
+
[411.920 --> 416.800] Again, with any one signal, there are so many reasons why something can happen.
|
| 132 |
+
[416.800 --> 421.920] But that's not to say that this is not a great start and a simple start.
|
| 133 |
+
[421.920 --> 427.200] I actually really like these are nicely made as well.
|
| 134 |
+
[427.760 --> 432.640] I'm not sure quite how many cards there are, but there looks to be a lot.
|
| 135 |
+
[432.640 --> 437.120] I like the simplicity of the illustrations so far.
|
| 136 |
+
[437.200 --> 443.520] Looks like there's quite a lot of information on the back of each one.
|
| 137 |
+
[444.160 --> 448.000] My guess is there's some kind of explanation as to how the
|
| 138 |
+
[450.240 --> 454.800] how the author Martin Brooks thinks these should be used as well.
|
| 139 |
+
[454.800 --> 456.560] And so I'm going to go through this and take a look.
|
| 140 |
+
[456.560 --> 464.160] But as a first glance, I really solid nice pack here that I would personally love,
|
| 141 |
+
[464.160 --> 469.360] because I love to kind of shuffle through stuff, go through it, be tactile with stuff,
|
| 142 |
+
[470.560 --> 482.240] layout, images, make connections between ideas, purposeful walking and additional touch and shake.
|
| 143 |
+
[483.600 --> 484.480] I see.
|
| 144 |
+
[484.480 --> 489.440] Yes, so this could be, I'm not going to read out what Martin thinks this might be about.
|
| 145 |
+
[490.320 --> 497.760] But that looks to me like a suppressive gesture there on the top there.
|
| 146 |
+
[498.880 --> 501.840] Yeah, I'm never a big fan of that.
|
| 147 |
+
[501.840 --> 505.520] That's not as comforting as people might expect that it might do.
|
| 148 |
+
[505.520 --> 507.520] But people do it for all kinds of reasons.
|
| 149 |
+
[507.520 --> 511.840] But I like to make the connections between pieces as well.
|
| 150 |
+
[511.840 --> 513.360] And I think this is great.
|
| 151 |
+
[513.360 --> 519.040] And like it's really hard with a book often to make the connections between stuff
|
| 152 |
+
[519.120 --> 521.840] in real space because the pages are in order.
|
| 153 |
+
[521.840 --> 528.400] Once you've split essentially, you split the pages up, then for my kind of mind, you can start to
|
| 154 |
+
[528.400 --> 531.760] arrange the narrative and the connections yourself.
|
| 155 |
+
[531.760 --> 533.600] And that can be for me a lot of fun.
|
| 156 |
+
[533.600 --> 543.040] Great gift for somebody who is either really new to body language and wants to get started in it.
|
| 157 |
+
[543.040 --> 546.480] Or actually somebody who's who's super interested in it.
|
| 158 |
+
[546.560 --> 552.720] And once a new tool to mess around with to kind of order their thoughts,
|
| 159 |
+
[552.720 --> 555.680] oh look, yeah, that's a great one.
|
| 160 |
+
[556.560 --> 561.040] Their hand class, hand pad, it says here.
|
| 161 |
+
[561.040 --> 565.760] You know, for me that can be sometimes about sealing the deal.
|
| 162 |
+
[565.760 --> 570.640] Often works really well at the end of some kind of meeting or arrangement.
|
| 163 |
+
[570.640 --> 575.600] At the start of a meeting or arrangement, it can seem a little bit forward because you've cut
|
| 164 |
+
[575.600 --> 581.040] off somebody's escape so it can seem sometimes a little bit forceful.
|
| 165 |
+
[581.040 --> 586.480] Yeah, and okay, and here it said, if you fall victim to this power play gesture.
|
| 166 |
+
[586.480 --> 592.480] So yeah, obviously it has alluded to the idea that this can at some point be a power play.
|
| 167 |
+
[592.480 --> 594.960] Anyway, hope this has been interesting for you.
|
| 168 |
+
[594.960 --> 595.520] Catch you around.
|
| 169 |
+
[595.520 --> 598.640] Mark though an expert in human behaviour and body language.
|
| 170 |
+
[598.640 --> 599.440] See you now.
|
transcript/unboxing_30iFUks96NE.txt
ADDED
|
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| 1 |
+
[0.000 --> 14.780] Good morning, good evening, or good afternoon.
|
| 2 |
+
[14.780 --> 24.820] My name is Madison Moon and tonight I am going to be doing another floor beauty box unboxing
|
| 3 |
+
[24.820 --> 42.460] video. I've only done one other video like this, but I feel like unboxing videos are very
|
| 4 |
+
[42.460 --> 49.460] relaxing. And I think a lot of the items in these boxes are very tingly.
|
| 5 |
+
[49.460 --> 69.460] And if you're not familiar with the allure beauty box, it is a monthly subscription by allure.
|
| 6 |
+
[69.460 --> 80.140] They have the magazine, the website, everything. This is not sponsored, but basically they send you
|
| 7 |
+
[80.140 --> 92.020] mostly full size, some sample size, beauty and self-care products. So, makeup, skincare,
|
| 8 |
+
[92.020 --> 111.020] hair care, and I've really, really liked a lot of the products that are in here. That come in these subscriptions.
|
| 9 |
+
[111.020 --> 127.540] They also have a member store. So, if you have the monthly subscription box, you can access to their
|
| 10 |
+
[127.540 --> 134.540] member store so you can get really nice products for like super cheap. So, that's a nice perk.
|
| 11 |
+
[187.540 --> 214.540] But in already say this, this subscription box is like 20 bucks a month I think. So, let's go ahead and unbox it shall we?
|
| 12 |
+
[217.540 --> 233.540] Okay. So, it always comes in this little pink box and I set it down. And it comes with this little
|
| 13 |
+
[233.540 --> 241.540] informational booklet that talks about the products that come in there. And then just a member store information.
|
| 14 |
+
[241.540 --> 252.540] But we'll look at the products together and then I will read through the descriptions.
|
| 15 |
+
[253.540 --> 257.540] Okay.
|
| 16 |
+
[257.540 --> 263.540] Oh, that's a nice crinkly paper.
|
| 17 |
+
[269.540 --> 271.540] It's a tissue paper.
|
| 18 |
+
[272.540 --> 290.540] Okay. So, first up we have this French girl La Floreille Botanical Serum, active facial treatment.
|
| 19 |
+
[290.540 --> 302.540] And let's see how to use it. So, it's a Lux plant-based serum containing over 20 organic oils to nourish, hydrate and renew facial skin.
|
| 20 |
+
[302.540 --> 315.540] Maybe use daily for all skin types. To use you apply three to four drops to fingertips. We're up together gently press onto face, neck and decklet.
|
| 21 |
+
[315.540 --> 327.540] It has argon oil, chia and berry oils, rose hip and tamarind oil, blue camomile and frankincense and whole plant oils.
|
| 22 |
+
[327.540 --> 333.540] This is tested on French girls never on animals.
|
| 23 |
+
[334.540 --> 343.540] This looks fancy.
|
| 24 |
+
[344.540 --> 353.540] It's got a little glass bottle and a little dropper.
|
| 25 |
+
[366.540 --> 372.540] It's almost good. This smells very botanical.
|
| 26 |
+
[374.540 --> 376.540] Like floral but earthy.
|
| 27 |
+
[378.540 --> 382.540] I love glass sounds, I feel like they're very underrated.
|
| 28 |
+
[382.540 --> 387.540] Do you like glass sounds? I feel like people either love them or hate them.
|
| 29 |
+
[387.540 --> 390.540] I love glass sounds.
|
| 30 |
+
[404.540 --> 406.540] I love glass sounds.
|
| 31 |
+
[425.540 --> 431.540] Next is a body shop from the Body Shop.
|
| 32 |
+
[431.540 --> 437.540] Drops of youth. It's the Youth Liquid Peel Pollution Clearing.
|
| 33 |
+
[437.540 --> 441.540] It looks like this.
|
| 34 |
+
[441.540 --> 444.540] It's got a pump.
|
| 35 |
+
[446.540 --> 450.540] Let's see, I can't read that. It's so small.
|
| 36 |
+
[450.540 --> 458.540] I won't read that little information booklet but it looks like it is a chemical peel.
|
| 37 |
+
[459.540 --> 463.540] I feel like the Body Shop is a pretty good brand.
|
| 38 |
+
[463.540 --> 466.540] I'm a part of it before.
|
| 39 |
+
[466.540 --> 473.540] It's enriched with edel, edelweiss, edelweiss, stem cells and natural antioxidants.
|
| 40 |
+
[473.540 --> 481.540] I use the Loom Juice Acid Potion right now for a chemical exfoliant.
|
| 41 |
+
[481.540 --> 485.540] Not quite the same thing but similar.
|
| 42 |
+
[485.540 --> 487.540] And I like it a lot. It's very good.
|
| 43 |
+
[487.540 --> 490.540] It's lasting me forever.
|
| 44 |
+
[490.540 --> 494.540] I think I talked about it in my skincare video.
|
| 45 |
+
[495.540 --> 498.540] It's got this little pump.
|
| 46 |
+
[502.540 --> 505.540] It comes in a plastic bottle.
|
| 47 |
+
[505.540 --> 509.540] I wonder if it's actually green or if it's just the bottle.
|
| 48 |
+
[510.540 --> 515.540] I have my charm ring on today.
|
| 49 |
+
[515.540 --> 524.540] And for those of you asking, it's a Labyrinth Seven Day Charm Ring or Seven Day.
|
| 50 |
+
[524.540 --> 527.540] It's just a Labyrinth Seven Day Ring.
|
| 51 |
+
[527.540 --> 530.540] I got it off Etsy.
|
| 52 |
+
[530.540 --> 533.540] It's very cute.
|
| 53 |
+
[533.540 --> 536.540] I love the sounds it makes.
|
| 54 |
+
[540.540 --> 543.540] I love a cup of beer.
|
| 55 |
+
[548.540 --> 551.540] Okay, next is...
|
| 56 |
+
[551.540 --> 553.540] What is this?
|
| 57 |
+
[553.540 --> 556.540] Cammotid-y fragrance.
|
| 58 |
+
[556.540 --> 558.540] It's called milk.
|
| 59 |
+
[558.540 --> 562.540] It's got a little scanner QR code for...
|
| 60 |
+
[562.540 --> 564.540] I don't know what.
|
| 61 |
+
[564.540 --> 570.540] It says, scent space, expressive for me and the many around me.
|
| 62 |
+
[577.540 --> 580.540] I love getting fragrances.
|
| 63 |
+
[580.540 --> 584.540] I am obsessed with fragrances.
|
| 64 |
+
[595.540 --> 599.540] It comes in this little bottle.
|
| 65 |
+
[599.540 --> 603.540] And the brand is called Cammotid-y.
|
| 66 |
+
[603.540 --> 606.540] I want to spray it on myself.
|
| 67 |
+
[606.540 --> 608.540] I don't know if I can spray it on.
|
| 68 |
+
[608.540 --> 612.540] I'll spray it on this card.
|
| 69 |
+
[612.540 --> 614.540] I don't like it.
|
| 70 |
+
[614.540 --> 618.540] I don't want to smell bad.
|
| 71 |
+
[619.540 --> 622.540] It smells good.
|
| 72 |
+
[622.540 --> 626.540] It's got a vanilla scent for sure.
|
| 73 |
+
[626.540 --> 628.540] But very mature.
|
| 74 |
+
[628.540 --> 631.540] It definitely has a musk.
|
| 75 |
+
[631.540 --> 633.540] It smells pretty good.
|
| 76 |
+
[633.540 --> 637.540] I would definitely wear that and it definitely will.
|
| 77 |
+
[637.540 --> 642.540] It's good for like the fall and winter upcoming seasons.
|
| 78 |
+
[643.540 --> 648.540] It smells very rich but not in like a overpowering way.
|
| 79 |
+
[648.540 --> 652.540] I mean it's a strong scent but not in a bad way.
|
| 80 |
+
[652.540 --> 656.540] I think that smells pretty good.
|
| 81 |
+
[656.540 --> 661.540] I can't wait to like actually try that on my skin and see how it works on my skin.
|
| 82 |
+
[661.540 --> 665.540] I think it's a good thing to do.
|
| 83 |
+
[665.540 --> 668.540] I think it's a good thing to do.
|
| 84 |
+
[668.540 --> 674.540] I can't wait to like actually try that on my skin and see how it works on my skin.
|
| 85 |
+
[674.540 --> 676.540] That smells really good.
|
| 86 |
+
[676.540 --> 678.540] I like that a lot.
|
| 87 |
+
[678.540 --> 682.540] And just in time it's like the perfect scent for like the colder seasons.
|
| 88 |
+
[688.540 --> 696.540] Okay, next is a walk in the sun inside out moisturizing and repairing masks.
|
| 89 |
+
[696.540 --> 698.540] Because I'm assuming this is for hair.
|
| 90 |
+
[698.540 --> 700.540] Repair, restore, strengthen.
|
| 91 |
+
[700.540 --> 702.540] It's by four.
|
| 92 |
+
[704.540 --> 706.540] Intense repair for split ends.
|
| 93 |
+
[706.540 --> 709.540] Restore hair moisture.
|
| 94 |
+
[709.540 --> 714.540] Strengthen hair fibers for dry to extremely damaged skin.
|
| 95 |
+
[714.540 --> 715.540] Or hair.
|
| 96 |
+
[715.540 --> 716.540] Sorry.
|
| 97 |
+
[716.540 --> 723.540] So it says after cleansing, remove excess water from hair and massage from mid-link to ends.
|
| 98 |
+
[723.540 --> 726.540] Leave it for three to five minutes and rinse.
|
| 99 |
+
[726.540 --> 731.540] For deep repair and hydration, sat for 15 to 20 minutes before rinsing.
|
| 100 |
+
[731.540 --> 736.540] Repeat once or twice per week in place of the conditioner.
|
| 101 |
+
[736.540 --> 740.540] It's a nice full-size bottle too.
|
| 102 |
+
[743.540 --> 745.540] It's made in Canada.
|
| 103 |
+
[745.540 --> 750.540] Automatically trusted more than American products.
|
| 104 |
+
[753.540 --> 755.540] This is a small bottle.
|
| 105 |
+
[755.540 --> 759.540] It's got a little foil thing.
|
| 106 |
+
[759.540 --> 765.540] And you can kind of get a smell, let's see how it's got to get off.
|
| 107 |
+
[766.540 --> 780.540] You can kind of get a smell, let's see how it is.
|
| 108 |
+
[785.540 --> 791.540] That smells good.
|
| 109 |
+
[791.540 --> 793.540] Oh yum.
|
| 110 |
+
[801.540 --> 805.540] It's like um, fruity-ish.
|
| 111 |
+
[805.540 --> 807.540] Smells very good though.
|
| 112 |
+
[807.540 --> 809.540] I mean, I love fruity smells.
|
| 113 |
+
[809.540 --> 813.540] It's kind of like my go-to is fruity smells.
|
| 114 |
+
[815.540 --> 819.540] I feel like you're either like a fruity smell person or like a vanilla smell person.
|
| 115 |
+
[819.540 --> 823.540] Like you know that classic debate of like the uh, bath and body works.
|
| 116 |
+
[823.540 --> 827.540] Vanilla spray versus the cucumber melon spray.
|
| 117 |
+
[827.540 --> 831.540] That was absolutely the cucumber melon curl.
|
| 118 |
+
[831.540 --> 833.540] That one smells so good.
|
| 119 |
+
[835.540 --> 837.540] I wonder if they still sell that.
|
| 120 |
+
[843.540 --> 847.540] Next is this lignage.
|
| 121 |
+
[847.540 --> 849.540] I love lignage.
|
| 122 |
+
[849.540 --> 853.540] Waterbank blue hyaluronic cream moisturizer.
|
| 123 |
+
[855.540 --> 859.540] Here it says um, blue hyaluronic acid.
|
| 124 |
+
[859.540 --> 867.540] High efficiency low molecular hyaluronic acid fermented with clean deep CLG.
|
| 125 |
+
[867.540 --> 869.540] Helps soothe the skin.
|
| 126 |
+
[869.540 --> 875.540] And the directions are apply evening or evening to face AM and PM after cleansing, toning and soothing.
|
| 127 |
+
[875.540 --> 877.540] I like lignage.
|
| 128 |
+
[877.540 --> 879.540] The lip mask is really nice.
|
| 129 |
+
[881.540 --> 883.540] And they're creamy toner.
|
| 130 |
+
[883.540 --> 885.540] It's very nice too.
|
| 131 |
+
[885.540 --> 889.540] So I like my nails go with this.
|
| 132 |
+
[893.540 --> 895.540] I like my nails.
|
| 133 |
+
[895.540 --> 897.540] I like my nails.
|
| 134 |
+
[897.540 --> 899.540] I like my nails.
|
| 135 |
+
[899.540 --> 901.540] I like my nails.
|
| 136 |
+
[901.540 --> 903.540] I like my nails.
|
| 137 |
+
[903.540 --> 905.540] I like my nails.
|
| 138 |
+
[915.540 --> 917.540] It comes in.
|
| 139 |
+
[917.540 --> 919.540] It's definitely not a full size but it's a decent sample.
|
| 140 |
+
[919.540 --> 923.540] A lot of stuff that you get is like deluxe samples also.
|
| 141 |
+
[923.540 --> 927.540] So even if they're samples they're still pretty big good size.
|
| 142 |
+
[927.540 --> 931.540] Which I actually like is um, I hate wasting products so if I don't like something I don't feel as bad if I don't use like a deluxe sample.
|
| 143 |
+
[931.540 --> 933.540] After one use.
|
| 144 |
+
[933.540 --> 941.540] I really wish there was like something that I could do with like I'll try a product once like a full size product.
|
| 145 |
+
[941.540 --> 949.540] And it's just not for me or if it's like makeup and it doesn't go with my skin tone.
|
| 146 |
+
[949.540 --> 953.540] Or like if something's for straight hair or something.
|
| 147 |
+
[953.540 --> 959.540] I really wish that there was something I could like do with those products because I feel bad just like throwing them away.
|
| 148 |
+
[959.540 --> 963.540] I try to give them different and stuff but I don't know.
|
| 149 |
+
[963.540 --> 967.540] I hate like not using stuff.
|
| 150 |
+
[967.540 --> 971.540] I hate being wasteful.
|
| 151 |
+
[971.540 --> 975.540] I don't think that does a smell.
|
| 152 |
+
[975.540 --> 977.540] Oh crap.
|
| 153 |
+
[977.540 --> 979.540] Put it on.
|
| 154 |
+
[979.540 --> 981.540] Oh.
|
| 155 |
+
[985.540 --> 987.540] Okay it's got, oh my god.
|
| 156 |
+
[987.540 --> 991.540] It has like a mild cucumber melon scent.
|
| 157 |
+
[991.540 --> 995.540] That's weird that I was just talking about that.
|
| 158 |
+
[995.540 --> 997.540] That's what it smells like to me.
|
| 159 |
+
[997.540 --> 1001.540] Like it's not the same but it smells very similar to that very mild.
|
| 160 |
+
[1001.540 --> 1003.540] Interesting.
|
| 161 |
+
[1003.540 --> 1007.540] Sometimes I think I'm moderately psychic.
|
| 162 |
+
[1007.540 --> 1009.540] Okay.
|
| 163 |
+
[1009.540 --> 1021.540] Next is this little body scrub.
|
| 164 |
+
[1021.540 --> 1027.540] They use Dead Sea Salt and it's Petruly Lavender Vanilla.
|
| 165 |
+
[1027.540 --> 1031.540] And it comes in a nice crinkly package.
|
| 166 |
+
[1031.540 --> 1037.540] It's like it's like salt in the bottom.
|
| 167 |
+
[1037.540 --> 1045.540] Can you hear this salt?
|
| 168 |
+
[1045.540 --> 1060.540] I do not like the smell but truly but it's fine if it's used as like a musky part of like a
|
| 169 |
+
[1060.540 --> 1064.540] fragrance as long as I don't smell the Petruly.
|
| 170 |
+
[1064.540 --> 1074.540] I understand that it's like it's a good fragrance compound to have in a lot of fragrances because I think it lasts so long.
|
| 171 |
+
[1074.540 --> 1082.540] And it's a good like earthy acid but on its own I do not like the smell of a chewy.
|
| 172 |
+
[1090.540 --> 1112.540] I love squishing like sand and like salt.
|
| 173 |
+
[1112.540 --> 1122.540] So it's a body scrub.
|
| 174 |
+
[1122.540 --> 1134.540] I love a good body scrub especially because after riding courses I like never feel clean enough.
|
| 175 |
+
[1134.540 --> 1144.540] And so I really like to use like something like this, something like a texture to like so I can really feel like I got all the layers of dirt off.
|
| 176 |
+
[1144.540 --> 1146.540] So you get very dirty horseback riding.
|
| 177 |
+
[1146.540 --> 1152.540] Last night I rode and I rode this horse named Chacha.
|
| 178 |
+
[1152.540 --> 1162.540] And Chacha when I brought her in I had rolled around in so much mud earlier in the day that she was absolutely covered head to toe
|
| 179 |
+
[1162.540 --> 1168.540] in like a thick crust of dried mud.
|
| 180 |
+
[1168.540 --> 1178.540] And I had to brush her for so long and after I'm riding her I gave like a full bath which I love to do.
|
| 181 |
+
[1178.540 --> 1184.540] I love horse grooming it's like only time I can meditate.
|
| 182 |
+
[1184.540 --> 1190.540] This is stinging I feel like it's very tickly I like this out.
|
| 183 |
+
[1190.540 --> 1192.540] Okay.
|
| 184 |
+
[1192.540 --> 1204.540] And then the right L beauty miracle patch invisible invisible invisible spot cover.
|
| 185 |
+
[1204.540 --> 1208.540] They love to put these in this box I swear.
|
| 186 |
+
[1208.540 --> 1214.540] I feel like every other beauty box I've gotten I've got like a different brand of like pimple patches.
|
| 187 |
+
[1214.540 --> 1218.540] Nice, down to even use the ones I have.
|
| 188 |
+
[1218.540 --> 1232.540] Like they're fine you know I like pimple patches for the most part especially when you like those really deep kind of like cystic acne spots.
|
| 189 |
+
[1232.540 --> 1238.540] But I don't use them often because I get like anxiety about them staying on.
|
| 190 |
+
[1238.540 --> 1246.540] So I'll be like touching them constantly to make sure that it stays on and I don't know how I'd rather just put like an acne spot treatment on.
|
| 191 |
+
[1246.540 --> 1252.540] I hold them in the same I don't know why there's so many of them.
|
| 192 |
+
[1252.540 --> 1256.540] Everybody wants to make a pimple patch and swears by theirs.
|
| 193 |
+
[1256.540 --> 1266.540] But I'm not that they're fine.
|
| 194 |
+
[1270.540 --> 1276.540] So if you're not familiar with pimple patches they're basically hydro colloid.
|
| 195 |
+
[1276.540 --> 1278.540] Yeah I think that's like a hit.
|
| 196 |
+
[1278.540 --> 1284.540] It's like a bandaid basically but for your acne so it's sealed out any moisture or dirt or anything.
|
| 197 |
+
[1284.540 --> 1292.540] And typically you put them on your face or wherever overnight and it helps to draw out the moisture out of acne so it dries it out.
|
| 198 |
+
[1292.540 --> 1296.540] And also keeps it protected.
|
| 199 |
+
[1296.540 --> 1300.540] So you're helpful for me because then it means I can't pick it my skin.
|
| 200 |
+
[1300.540 --> 1306.540] So sometimes when I visit the I know I'm going to pick it I'll just put one of these on because then I can't pick it.
|
| 201 |
+
[1314.540 --> 1330.540] Okay that is all of the items.
|
| 202 |
+
[1330.540 --> 1334.540] So let's see what is in the booklet.
|
| 203 |
+
[1334.540 --> 1348.540] So it has this little booklet that tells you the prices of everything like the full size products, descriptions how to use them and where to get them.
|
| 204 |
+
[1348.540 --> 1354.540] So we have the French girl left floor, a floor he botanical serum.
|
| 205 |
+
[1354.540 --> 1358.540] And oh wow that's expensive.
|
| 206 |
+
[1358.540 --> 1362.540] So one of these runs $72.
|
| 207 |
+
[1362.540 --> 1366.540] My goodness that's a lot for a serum.
|
| 208 |
+
[1366.540 --> 1368.540] Better be nice.
|
| 209 |
+
[1368.540 --> 1380.540] And then we have the hydrating hair mask full size which is $26.
|
| 210 |
+
[1380.540 --> 1392.540] And then the Linesh water bank moisturizer is $40 full size.
|
| 211 |
+
[1392.540 --> 1400.540] This is obviously a deluxe sample but it says it's the best of beauty, the award winner so that must be good.
|
| 212 |
+
[1400.540 --> 1404.540] And then this looks like it's a full size.
|
| 213 |
+
[1404.540 --> 1406.540] This is $25.
|
| 214 |
+
[1406.540 --> 1414.540] So I don't think the body shop is usually that expensive so that makes sense.
|
| 215 |
+
[1414.540 --> 1422.540] Oh and then the perfume is $135 for 100ml.
|
| 216 |
+
[1422.540 --> 1430.540] Someone said cozy like a cash mirror blanket on a crisp fall night and that's an excellent way to describe it.
|
| 217 |
+
[1430.540 --> 1432.540] Love it.
|
| 218 |
+
[1434.540 --> 1440.540] And the Miracle Patches are $12.
|
| 219 |
+
[1440.540 --> 1454.540] And then the body scrub for a $20 full size is $45.
|
| 220 |
+
[1454.540 --> 1456.540] There are a lot cheaper body scrubs that I would buy.
|
| 221 |
+
[1456.540 --> 1458.540] It's not that hard to make a body scrub.
|
| 222 |
+
[1458.540 --> 1460.540] You can even make your own.
|
| 223 |
+
[1460.540 --> 1462.540] I think a lot of people make their own like sugar scrubs.
|
| 224 |
+
[1462.540 --> 1468.540] But regardless I will be trying it out.
|
| 225 |
+
[1468.540 --> 1470.540] So yeah, lots of fun stuff in here.
|
| 226 |
+
[1470.540 --> 1478.540] Like I said, the main benefit is access to the member store because if you really like something, odds are it's expensive.
|
| 227 |
+
[1478.540 --> 1492.540] And so being able to go to their site and get the like super cheap that I just ordered that new solo wave tool that is like gone viral and pretty sure.
|
| 228 |
+
[1492.540 --> 1496.540] That's like red light therapy and like microcurrent maybe.
|
| 229 |
+
[1496.540 --> 1502.540] I ordered one of those through the iller site and I think it's usually like $150 or something around there.
|
| 230 |
+
[1502.540 --> 1504.540] And I got it on there for like 70.
|
| 231 |
+
[1504.540 --> 1506.540] So I think it's pretty good.
|
| 232 |
+
[1506.540 --> 1508.540] And I get to try a fun stuff every month.
|
| 233 |
+
[1508.540 --> 1510.540] It's like a fun little gift.
|
| 234 |
+
[1510.540 --> 1516.540] So once again not sponsored but if they want to sponsor me, I wouldn't say no.
|
| 235 |
+
[1516.540 --> 1526.540] So yeah, that is September 2022's a lower beauty box.
|
| 236 |
+
[1526.540 --> 1532.540] I really hope that you enjoyed this video.
|
| 237 |
+
[1532.540 --> 1536.540] And I hope that you're doing super super well.
|
| 238 |
+
[1536.540 --> 1544.540] And as always, please let me know if you enjoy these types of videos because I personally love to do unboxing videos.
|
| 239 |
+
[1544.540 --> 1550.540] And these ones are fun because you can have them every month because I get this delivery every month.
|
| 240 |
+
[1550.540 --> 1554.540] So if you want to see more, please let me know.
|
| 241 |
+
[1554.540 --> 1558.540] Yeah, I hope you're doing well.
|
| 242 |
+
[1558.540 --> 1560.540] Sweet dreams.
|
| 243 |
+
[1560.540 --> 1570.540] Sweet dreams.
|
| 244 |
+
[1574.540 --> 1584.540] Sweet dreams.
|
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| 1 |
+
[0.000 --> 8.360] Hello everyone, today we're going to unbox very special kits that are especially assembled
|
| 2 |
+
[8.360 --> 12.240] for assessment and communication.
|
| 3 |
+
[12.240 --> 20.040] So no conventional therapist or speech therapist that is on a field visit or having contact
|
| 4 |
+
[20.040 --> 28.320] with someone who has been diagnosed with a cognitive impairment and they want to discover
|
| 5 |
+
[28.320 --> 35.440] more about how could someone be reacting to stimulus, we could use these devices.
|
| 6 |
+
[35.440 --> 46.720] Now this kit is special, it's not something that is not like something very hard to understand
|
| 7 |
+
[46.720 --> 48.800] but is very special in the content.
|
| 8 |
+
[48.800 --> 55.840] What I'm going to do today is open the box and show you how this kit is.
|
| 9 |
+
[55.840 --> 56.840] What does it have inside it?
|
| 10 |
+
[56.840 --> 65.600] And how does it fare when we discuss the assembly of such technology?
|
| 11 |
+
[65.600 --> 71.580] The first thing you would notice when we open the box is that this kit is inside the
|
| 12 |
+
[71.580 --> 77.580] plastic case.
|
| 13 |
+
[77.580 --> 85.620] One of the nicest features on the plastic case is that it comes with the ability to roll
|
| 14 |
+
[85.620 --> 92.860] it on the floor and you'll be able to carry it very very well.
|
| 15 |
+
[92.860 --> 106.220] The case is known for being a very robust plastic case that are easy to keep in places
|
| 16 |
+
[106.220 --> 111.420] that have not fear of anything getting damaged.
|
| 17 |
+
[111.420 --> 116.780] So basically when you open the kit you're going to find the top layer and if you notice
|
| 18 |
+
[116.780 --> 123.020] in the top layer you'll find some instructions and instruction manuals and some licensing
|
| 19 |
+
[123.020 --> 128.380] manuals and then you will find the tablet.
|
| 20 |
+
[128.380 --> 138.740] The tablet is usually what sits on a tablet on a bracket and inside the bracket the tablet
|
| 21 |
+
[138.740 --> 147.180] looks like this on a bracket.
|
| 22 |
+
[147.180 --> 153.900] And once you do that you will be able to put it on a table like I would do it now or you
|
| 23 |
+
[153.900 --> 157.980] will be able to mount it in front of someone at an angle.
|
| 24 |
+
[157.980 --> 164.060] So this tablet allows you to also have in front of it an eye tracker and the eye tracker
|
| 25 |
+
[164.060 --> 166.900] is positioned here in the kit.
|
| 26 |
+
[166.900 --> 171.780] And this eye tracker is the latest technology from Toby Dinovox.
|
| 27 |
+
[171.780 --> 175.420] It said Toby Dinovox PCI-5.
|
| 28 |
+
[175.420 --> 183.940] If you notice the tablet that we're using here is the Surface Pro 7 and once I snap
|
| 29 |
+
[183.940 --> 194.580] it on automatically I get the eye tracker to be in place ready to serve me with this
|
| 30 |
+
[194.580 --> 195.580] right here.
|
| 31 |
+
[195.580 --> 202.580] Now one thing I would like to mention is that this layer is only the top layer that I
|
| 32 |
+
[202.580 --> 209.700] can remove out and when I move it out I uncover the inside of the kit.
|
| 33 |
+
[209.700 --> 215.460] This is like the belly of the kit and inside the kit you're going to find that when you
|
| 34 |
+
[215.460 --> 224.500] want to serve an assessment, when you want to do an assessment and you're carrying with
|
| 35 |
+
[224.500 --> 227.060] you a tablet with an eye tracker.
|
| 36 |
+
[227.060 --> 232.660] One of the very important features that you will have is how can someone access the eye
|
| 37 |
+
[232.660 --> 239.300] tracker if you find out that they have some hand movement or they are partially verbal
|
| 38 |
+
[239.300 --> 241.780] but they don't need the eye tracker.
|
| 39 |
+
[241.780 --> 244.860] It can be usually tested for accessibility.
|
| 40 |
+
[244.860 --> 248.700] Can they access the content of the tablet?
|
| 41 |
+
[248.700 --> 258.060] This is something that we have included in this kit where a person using this tablet can
|
| 42 |
+
[258.060 --> 264.700] actually, in addition to using it with an eye tracker, it can use it also with external
|
| 43 |
+
[264.700 --> 275.100] switches and external switches are connected to the tablet with a Hitch device from Ibelnet
|
| 44 |
+
[275.100 --> 281.700] and you notice that I can have five switches connected with multi programmable modes and
|
| 45 |
+
[281.700 --> 288.180] I can have also the ability to mount this device and if you notice here I've got multiple
|
| 46 |
+
[288.180 --> 299.180] mounts that allow me to mount by clamping the clamping this on a table so I can have
|
| 47 |
+
[299.180 --> 304.780] this mounted on a table or on the hand and the wheelchair.
|
| 48 |
+
[304.780 --> 311.860] One of the other features that are available also on this device is the ability to control
|
| 49 |
+
[311.860 --> 316.100] with an infrared you can control your environment.
|
| 50 |
+
[316.100 --> 324.260] So for example, someone using a tablet either by touch or by an eye tracker can control a
|
| 51 |
+
[324.260 --> 330.140] TV or can control a music device, can control an air conditioning and this is also part
|
| 52 |
+
[330.140 --> 337.140] of the environment to control the feature that we can show to someone who has a severe
|
| 53 |
+
[337.140 --> 341.660] disability to show them that they can still control their environment even though they
|
| 54 |
+
[341.660 --> 345.260] are locked up inside their body.
|
| 55 |
+
[345.260 --> 350.300] One additional feature is what we call the cause and effect.
|
| 56 |
+
[350.300 --> 358.420] In many ways when we are using a lot of assessment using a system technology, we usually like
|
| 57 |
+
[358.420 --> 369.620] to create an environment where a task or a child or someone with cognitive disability
|
| 58 |
+
[369.620 --> 378.780] presses or does something and gets or causes something to happen by creating an action.
|
| 59 |
+
[378.780 --> 383.860] That could be a physical action, could be an eye tracking action, could be a simple touch
|
| 60 |
+
[383.860 --> 386.900] from any muscle in the body or any part of the body in.
|
| 61 |
+
[386.900 --> 388.980] The idea is something happens.
|
| 62 |
+
[388.980 --> 399.660] So usually we would have this box that has the ability to connect to the eye tracker and
|
| 63 |
+
[399.660 --> 406.660] it has the ability to control four devices and we do that usually when we are trying to
|
| 64 |
+
[406.660 --> 413.140] create interest with kids or with adults that have cognitive issues and try to teach them
|
| 65 |
+
[413.140 --> 418.540] that by doing something you are going to get an effect caused and this is like the
|
| 66 |
+
[418.540 --> 426.740] building block of learning, learning that looking or accessing a symbol or accessing a
|
| 67 |
+
[426.740 --> 429.780] switch will give you something in return.
|
| 68 |
+
[429.780 --> 432.420] I want to mention the content of the tablet.
|
| 69 |
+
[432.420 --> 434.700] What does the tablet have inside?
|
| 70 |
+
[434.700 --> 442.820] This tablet has multiple software that are involved in this assessment process.
|
| 71 |
+
[442.820 --> 448.940] The first one is you will see that it has this stimulus software that allows you to look
|
| 72 |
+
[448.940 --> 456.740] at the content and get the participant that is being tested.
|
| 73 |
+
[456.740 --> 458.860] You get them excited about the content.
|
| 74 |
+
[458.860 --> 460.180] This is called look to learn.
|
| 75 |
+
[460.180 --> 469.500] Look to learn is also used as a learning curve software to teach cognitively challenged
|
| 76 |
+
[469.500 --> 475.740] patients on how to develop their skills to use the eye tracker and learn how to control
|
| 77 |
+
[475.740 --> 481.660] things with their eyes without us telling them that their eyes is in control.
|
| 78 |
+
[481.660 --> 488.980] Also there is a communication software called grid 3 which also allows someone who is
|
| 79 |
+
[488.980 --> 497.300] totally without access to verbal commands or without access to speaking or giving us
|
| 80 |
+
[497.300 --> 503.860] information that will be able to look at the software and activate letters or buttons
|
| 81 |
+
[503.860 --> 507.740] or pictures or phrases to be able to communicate with us.
|
| 82 |
+
[507.740 --> 511.420] Also we have a software called gaze viewer.
|
| 83 |
+
[511.420 --> 517.940] Gaze viewer is a software made by Toby also the three chords, the content of the eye gaze.
|
| 84 |
+
[517.940 --> 522.820] So for example, if I'm looking at the eye tracker, I tracker here and I'm looking at the
|
| 85 |
+
[522.820 --> 526.380] screen, the computer tells me where I was looking.
|
| 86 |
+
[526.380 --> 531.620] This is very good in the assessment because as soon as the stimulation comes on the screen
|
| 87 |
+
[531.620 --> 537.900] I can tell if my patient or if the participant actually did look at the difference on the
|
| 88 |
+
[537.900 --> 538.900] screen.
|
| 89 |
+
[538.900 --> 543.860] So it's very important to observe what were people looking at when something appeared
|
| 90 |
+
[543.860 --> 544.860] on the screen.
|
| 91 |
+
[544.860 --> 547.140] Also we have a lot of other software.
|
| 92 |
+
[547.140 --> 550.700] One of them is called snap and core Arabic.
|
| 93 |
+
[550.700 --> 559.260] snap and core Arabic is one of the most advanced core Arabic language presentation for communication.
|
| 94 |
+
[559.260 --> 565.220] So anyone nonverbal will be able to use the device either access it by touch or access
|
| 95 |
+
[565.220 --> 568.100] it by eye tracking to be able to communicate.
|
| 96 |
+
[568.100 --> 574.140] So I can take any form of a verb or any form of a noun and pronoun and adjective and
|
| 97 |
+
[574.140 --> 576.540] actually make a sentence.
|
| 98 |
+
[576.540 --> 583.460] It's to add functionality to communication for someone who is nonverbal or someone that
|
| 99 |
+
[583.460 --> 584.980] wants to go to school.
|
| 100 |
+
[584.980 --> 595.500] So in order for us to test what is someone able to do, not only with eye tracking, you can
|
| 101 |
+
[595.500 --> 597.820] also look at communication skills.
|
| 102 |
+
[597.820 --> 603.780] You can look at cognitive skills using a tablet like this with an eye tracker or with a switch
|
| 103 |
+
[603.780 --> 609.300] or with a touch screen using the touch screen.
|
| 104 |
+
[609.300 --> 613.460] We also have a software called join in.
|
| 105 |
+
[613.460 --> 623.860] Join in is a software that allows the user to have full access to social media.
|
| 106 |
+
[623.860 --> 627.460] So normally we have things called accessible applications.
|
| 107 |
+
[627.460 --> 630.300] For example, how do I access YouTube?
|
| 108 |
+
[630.300 --> 632.860] Is I don't have a chance to use my hands?
|
| 109 |
+
[632.860 --> 639.420] And if I want to be able to use my eye tracker and to use limited access by touching or by
|
| 110 |
+
[639.420 --> 648.860] using a switch, I can use an alternative methodology to accessing YouTube or any social media
|
| 111 |
+
[648.860 --> 655.500] applications like Instagram, TikTok, Facebook, WhatsApp, web and any other application that
|
| 112 |
+
[655.500 --> 664.460] is available to allow someone not only communicate but to get some normal behavior in their daily
|
| 113 |
+
[664.460 --> 665.660] routine.
|
| 114 |
+
[665.660 --> 672.860] So basically the way I would like to describe this kit, this is a moving laboratory where
|
| 115 |
+
[672.860 --> 679.860] the therapist takes this on a wheel, goes and visit someone at severely impaired at a hospital
|
| 116 |
+
[679.860 --> 684.180] because it could be a physical or cognitive impairment.
|
| 117 |
+
[684.180 --> 690.460] And I'll be able to try to diagnose what do they have inside their brain.
|
| 118 |
+
[690.460 --> 697.900] They recognize things, they differentiate between things and this will give me a good idea.
|
| 119 |
+
[697.900 --> 704.620] And from there I can build my individual plan, individual rehabilitation plan for that
|
| 120 |
+
[704.620 --> 709.980] user or individual learning plan for the student if it's a student that has a physical
|
| 121 |
+
[709.980 --> 710.980] disability.
|
| 122 |
+
[710.980 --> 719.660] If you'd like to know more, please feel free to like us in this video and add a comment
|
| 123 |
+
[719.660 --> 721.740] or contact us in the description.
|
| 124 |
+
[721.740 --> 727.500] You will find an email address or a website and you can come into our website and find
|
| 125 |
+
[727.500 --> 730.140] out more how we put things together.
|
| 126 |
+
[730.140 --> 730.420] Thank you.
|