Upload raga_qa_pairs.csv
Browse files- raga_qa_pairs.csv +55 -0
raga_qa_pairs.csv
ADDED
|
@@ -0,0 +1,55 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
instruction,input,output
|
| 2 |
+
What is the Thaat of Raga Bilawal?, ,Bilawal Thaat
|
| 3 |
+
|
| 4 |
+
What is the Jati of Raga Bilawal?, ,Sampurna-Sampurna Jati
|
| 5 |
+
|
| 6 |
+
What is distinctive about the notes used in Raga Bilawal?, ,It uses all pure (Shuddha) notes.
|
| 7 |
+
|
| 8 |
+
When is Raga Bilawal traditionally performed?, ,The first Prahara of the day (early morning)
|
| 9 |
+
|
| 10 |
+
What are the Vadi and Samvadi of Raga Bilawal?, ,"Vadi: Dhaivat (D), , Samvadi: Gandhar (G)"
|
| 11 |
+
|
| 12 |
+
Describe the complex patterns found in Raga Bilawal's musical structure., ,Numerous zigzag note combinations (Vakr Swara Samooh) and intricate note arrangements (Swara Sangati).
|
| 13 |
+
|
| 14 |
+
Give a simplified ascending and descending pattern for Raga Bilawal., ,Ascending: Sa Re Ga Ma Pa Dha Ni Sa; Descending: Taar Sa Ni Dha Pa Ma Ga Re Sa
|
| 15 |
+
|
| 16 |
+
Give two important melodic phrases in the Purvang (first half) of Raga Bilawal., ,Ga Re Ga Pa and Ma Ga Ma Re Sa
|
| 17 |
+
|
| 18 |
+
Give at least one distinctive melodic phrase from the Uttarang (second half) of Raga Bilawal., ,Pa Ni Dha Ni Taar Sa Dha Pa
|
| 19 |
+
|
| 20 |
+
How is Komal Nishad used in Raga Bilawal?, ,"It appears in specific contexts and phrases, , adding depth to the raga's character."
|
| 21 |
+
|
| 22 |
+
Name at least four variants of Raga Bilawal., ,"Devgiri Bilawal, , Yamani Bilawal, , Shukla Bilawal, , Kukuk Bilawal"
|
| 23 |
+
|
| 24 |
+
Which note serves as the foundational note in Raga Bilawal?, ,Shadja (Sa)
|
| 25 |
+
|
| 26 |
+
How is Rishabh (Re) used in Raga Bilawal?, ,"Sparingly, , primarily in transitions between Sa and Ga."
|
| 27 |
+
|
| 28 |
+
What is unusual about the use of Dhaivat (D) as the dominant note in Raga Bilawal?, ,It uniquely does not serve as a resting note.
|
| 29 |
+
|
| 30 |
+
What Thaat does Raga Bhairav belong to?, ,Bhairav Thaat
|
| 31 |
+
|
| 32 |
+
Describe the Komal notes in Raga Bhairav., ,Komal Rishabh and Komal Dhaivat
|
| 33 |
+
|
| 34 |
+
What is the Jati of Raga Bhairav?, ,Sampurna-Sampurna Jati
|
| 35 |
+
|
| 36 |
+
When is Raga Bhairav traditionally performed?, ,Morning twilight (Sandhi Prakash)
|
| 37 |
+
|
| 38 |
+
What is a defining characteristic of Raga Bhairav regarding octaves?, ,"Equal emphasis on all three octaves (Mandra, , Madhya, , and Taar)"
|
| 39 |
+
|
| 40 |
+
Give at least three examples of Swara Sangatis (note combinations) in Raga Bhairav., ,"Sa Ga, , Ga Ma Komal Re, , Komal Dha Taar Sa"
|
| 41 |
+
|
| 42 |
+
What emotions or sentiments are often associated with Raga Bhairav?, ,"Vairagya (detachment), , Bhakti (devotion), , and Shant Rasas (peaceful emotions)"
|
| 43 |
+
|
| 44 |
+
Give an example of a characteristic note phrase (Ragaang Vachak Swara Samooh) in the Purvang of Raga Bhairav., ,Ga Ma Pa Ga Ma Komal Re Komal Re Komal Re Sa
|
| 45 |
+
|
| 46 |
+
Give an example of a characteristic note phrase in the Uttarang of Raga Bhairav., ,Ma Pa Komal Dha Komal Dha Ni Taar Sa Ni Komal Dha Komal Dha Pa
|
| 47 |
+
|
| 48 |
+
Name at least two variant Ragas of Bhairav and how they are created., ,"Anand Bhairav, , Ahir Bhairav, , Saurashtra Bhairav (created by incorporating other Ragas)."
|
| 49 |
+
|
| 50 |
+
What is the Aaroh (ascending scale) of Raga Bhairav?, ,Sa Komal Re Ga Ma Pa Komal Dha Ni Taar Sa
|
| 51 |
+
|
| 52 |
+
What is the Avroh (descending scale) of Raga Bhairav?, ,Taar Sa Ni Komal Dha Pa Ma Ga Komal Re Sa
|
| 53 |
+
|
| 54 |
+
Give at least one distinctive Swara Samooh in Raga Bhairav., ,Ga Ma
|
| 55 |
+
|